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Speaker 1: And money.

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Speaker 2: We are.

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Speaker 1: Take out the chi We are the authority on all

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Speaker 1: things R and ladies and gentlemen. Money is Tank time

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Speaker 1: and this is the R and B Money Podcast. Here

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Speaker 1: authority on.

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Speaker 3: All things R and B money. We are looking for revenge.

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Speaker 3: We sending this ship. Mm hm we take it over.

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Speaker 4: And you said it. I mean, I'm really tiry.

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Speaker 2: You don't leave the charge a whole lot of money?

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Speaker 4: Not yeah, yeah, I'm bad.

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Speaker 2: Yeah, the first double up, the first yeah, Yes, won't

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Speaker 2: be letting nobody come to this motherfucker twice.

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Speaker 4: Y'all want to be like we so bad ship. I

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Speaker 4: feel really comfortable with you guys. Oh god, that's not

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Speaker 4: a good thing. I'm probably gonna say something great.

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Speaker 3: Turn up some more of that, you know, a little

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Speaker 3: bit more Jesus, your little more.

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Speaker 1: Than Lord's nectar. I'm gonna say this off top. I'm

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Speaker 1: an go on record. What month is this?

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Speaker 4: September?

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Speaker 1: This is September, top of it, top of September.

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Speaker 4: My birthday month?

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Speaker 1: Your birthday was your birthday?

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Speaker 4: In two weeks?

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Speaker 1: In two weeks and the album drops.

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Speaker 4: It dropped the thirtieth.

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Speaker 1: Thirtieth A yeah, I had it, I've had it.

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Speaker 4: But it's dropping all months, is.

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Speaker 1: Dropping all months, right, it's dropping.

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Speaker 5: It continues to dah every day.

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Speaker 2: I'm just going on record. I'm going on record what

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Speaker 2: you on record saying, album.

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Speaker 4: Of the year, No R and B in front, just

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Speaker 4: album of the year period, R and B.

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Speaker 1: Album of the year is easy for what you have?

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Speaker 1: Album of the year, you think, so.

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Speaker 3: Put in Thank you, Universe, the fucking year. Revenge is amazing.

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Speaker 4: Thank you.

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Speaker 1: The album is amazing.

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Speaker 3: It is so much it is. I listen, I have

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Speaker 3: a great job.

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Speaker 4: Thank you.

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Speaker 1: You know. I know we're going to talk about a

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Speaker 1: lot of.

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Speaker 4: I've had the music for so long.

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Speaker 3: You know how it gets, you know me, I don't

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Speaker 3: never drop nothing, so I actually do know how it gets.

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Speaker 3: I don't care about none of those people like this

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Speaker 3: is crazy, Like I.

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Speaker 1: Said, as you say that, what's the oldest record on here?

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Speaker 4: Thirties was the first song that I wrote back in November,

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Speaker 4: and then it would be made for me November twenty

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Speaker 4: twenty two. I actually wrote it while I was still pregnant.

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Speaker 4: You know, I was with travel last time I came here.

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Speaker 4: You guys didn't know that I did.

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Speaker 3: You did, just you know, I mind my business.

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Speaker 4: And you want to call me back, you weren't you.

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Speaker 1: I don't even know if that's possible.

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Speaker 3: I can't do that.

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Speaker 4: You know, you'd be like congratulations, be like, what do

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Speaker 4: you mean?

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Speaker 5: I don't know.

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Speaker 3: I learned that very young.

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Speaker 5: As a child.

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Speaker 4: I can't remember how many months I was, but yeah,

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Speaker 4: we had four yests on the show that day.

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Speaker 3: Congratulations.

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Speaker 4: Yeah, So thirties. I wrote that while I was pregnant.

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Speaker 4: Thirties is crazy, and then it was made for me,

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Speaker 4: and then it was reverse things I never said. I

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Speaker 4: wrote all of those at the same time.

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Speaker 3: Let's get into thirties before. Why are you looking good?

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Speaker 1: Good?

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Speaker 2: Thirties is one of the most honest records I've heard

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Speaker 2: from a female.

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Speaker 4: From a female because of the age thing.

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Speaker 2: Yes, yes, because I feel like women tend to stay

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Speaker 2: away from that, you know.

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Speaker 4: I get a lot of what's the word massaging around

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Speaker 4: the age. I'll be thirty six in two weeks. I

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Speaker 4: do not give a buck if y'all know how old

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Speaker 4: I am. What Adele said, I make music for the ears.

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Speaker 4: If you have a problem with what I'm saying, I'm

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Speaker 4: talking about the human experience. How old I am has

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Speaker 4: nothing to do and I'm not selling sex. I don't

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Speaker 4: want you to like me. I want you to listen

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Speaker 4: to the music and be affected by it. My age

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Speaker 4: has absolutely nothing to do with it. I could be

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Speaker 4: fifty saying the same things. I think the problem is

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Speaker 4: is that it's such a cognitive dissonance that people feel

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Speaker 4: when they look at me, they see a youthful and

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Speaker 4: thirty six is young, by the way, still, but they

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Speaker 4: see like a twenty something, you know. So like a

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Speaker 4: lot of the younger artists, they think I'm their age.

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Speaker 4: They think I'm like twenty three, you know, twenty five

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Speaker 4: somewhere near. And so I think it bothers people when

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Speaker 4: they realize that I'm a grown woman.

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Speaker 3: I don't know if.

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Speaker 4: Yeah, no, it's like, how how are you doing that?

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Speaker 4: How are you so youthful?

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Speaker 1: I don't think it's a bother I think the system

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Speaker 1: is always It has just been set up to get

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Speaker 1: all of it, all of it, all that it can

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Speaker 1: get out of you, and it feels like, or what

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Speaker 1: has been programmed feel like, is that by the thirties

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Speaker 1: it's gotten all its need and it's now ready to

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Speaker 1: move you on to pasture and usher in the new right.

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Speaker 4: Well in other words, you're no longer stupid and we

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Speaker 4: can no longer take advantage of you.

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Speaker 1: And now we're starting to realize, we're starting to re

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Speaker 1: reshape that idea because we don't we don't look it,

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Speaker 1: don't really I don't know if there's an act that.

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Speaker 1: I don't even know if that's a thing. But we're

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Speaker 1: not We're not last last generations thirty and forty and fifty.

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Speaker 4: And also, I think the age of like viability value

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Speaker 4: has been extended through TikTok and things like that, where

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Speaker 4: you're seeing older influencers, content creators. You're seeing models now

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Speaker 4: do have gray hair, you know, doing beauty campaigns. I

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Speaker 4: just don't think that, like I think usefulness and results

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Speaker 4: are more valued than actual age, because there's a lot

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Speaker 4: of young people who are just in the way. You're

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Speaker 4: not doing nothing. You don't want to work hard, you

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Speaker 4: know what I'm saying. You want to get paid and

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Speaker 4: you don't want to do nothing.

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Speaker 1: Just move around, said, which was a great point he said.

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Speaker 1: During the pandemic, versus was a very telling moment for

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Speaker 1: the people who actually had talent and the people who didn't,

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Speaker 1: and it reminded people of the quality that they had

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Speaker 1: been missing in music for a very very long time.

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Speaker 1: And he was like, that was the re emergence of

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Speaker 1: R and B taking a place that that had been

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Speaker 1: missed from it for so long.

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Speaker 2: Like we were in the pandemic, R and B was mainstream,

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Speaker 2: absolutely mainstream. Absolutely everybody was tapped in R.

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Speaker 1: And B, tapped in D nice, R and B mainstream

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Speaker 1: artists pandemic?

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Speaker 2: Can we talk the biggest record industrys during the pandemic.

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Speaker 1: And coming out of that, it is like you said, now,

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Speaker 1: it's like people are like, hold on now, they're not

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Speaker 1: allowing themselves to be programmed by that age thing or

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Speaker 1: whatever that is. No, we like that. We liked the

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Speaker 1: model with the great hand something. Yeah, we liked we

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Speaker 1: liked these songs. I don't I don't care that it

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Speaker 1: doesn't stay in sonically with what with what that guy

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Speaker 1: is rapping.

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Speaker 5: About it is now.

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Speaker 4: But there was a lot of things being offered to

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Speaker 4: me during hours and hours, uh you know peak of

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Speaker 4: that song where there was maybe some artists who were

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Speaker 4: past their time in the light, but there were still

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Speaker 4: legends wanting to work with me, and I was being

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Speaker 4: advised not to do it. It's like I was like, oh,

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Speaker 4: that's not your demographic. But I'm not thinking about it.

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Speaker 4: I'm thinking about what experience am I having as an artist.

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Speaker 4: I've always wanted to work with these people. I've looked

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Speaker 4: up to them, and I would hope that when I

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Speaker 4: get to that place that people aren't using that same

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Speaker 4: fear based I never make decisions based on fear. So

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Speaker 4: you're saying that I shouldn't do it because we don't

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Speaker 4: want people to age me and think I'm old. That's crazy.

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Speaker 4: I want to be able to say I have a

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Speaker 4: song with this person, because in ten years, fifteen years,

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Speaker 4: if they're not here any longer, that becomes something special,

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Speaker 4: you know. So I never make decisions based on that.

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Speaker 4: But I do think that it's really silly that we

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Speaker 4: have all these like limiting beliefs. But that's so crazy

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Speaker 4: to me.

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Speaker 2: The most interesting part about that, though, is that it's

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Speaker 2: usually older people advising.

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Speaker 3: You, right, that's the right thing.

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Speaker 4: Your own fear projection, you're old. Yeah, no, I don't

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Speaker 4: really care about none of.

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Speaker 3: That, you know, I don't.

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Speaker 1: I can care too.

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Speaker 3: Shit, it's about most of the shit to they be

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Speaker 3: talking about.

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Speaker 2: So for me, it's just like you you have to

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Speaker 2: at some point you have to take the stance of

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Speaker 2: I want to do that what feels good to me.

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Speaker 2: Like you said, you want to have that experience. There

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Speaker 2: are people that you've looked up to that made that

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Speaker 2: phone call that you're like, oh, I'm going to answer

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Speaker 2: that call.

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Speaker 4: Absolutely.

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Speaker 2: I don't give a damn thing. You put out a

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Speaker 2: record in twenty years. So what they called me, I

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Speaker 2: enjoyed their music. I'm a fan because that's the other

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Speaker 2: thing I think that it's happened in this business too,

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Speaker 2: is that people forget that at one.

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Speaker 3: Point we were off just fans.

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Speaker 2: At some point, you know what I mean, and hopefully

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Speaker 2: they remember that we're still fan. I'm listening to your album.

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Speaker 2: Let's get back to that. To revenge as a pure fan. Yes,

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Speaker 2: I've known you and you're my friend, but I don't

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Speaker 2: judge people's music as my friends. I judge as a

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Speaker 2: fan because I got shit to do.

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Speaker 4: Because that I support that I really don't like their music.

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Speaker 3: I'm me telling niggas.

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Speaker 4: Nigga you tell.

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Speaker 3: Don't send it to me, don't send it to me,

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Speaker 3: do not send it to me.

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Speaker 6: Can't.

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Speaker 3: But I also can't lie to you. I can't.

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Speaker 4: I can't I'm not pushing, but everybody's expressed.

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Speaker 2: But if you asked your one type questions when you

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Speaker 2: say are you still rapping, that's what I ask You

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Speaker 2: got really pay attention to the.

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Speaker 5: Music you got me? Yeah, you got me.

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Speaker 3: Sometimes you gotta.

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Speaker 1: Hey, listen, bro, you sent me five songs I did

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Speaker 1: not like neither none of them.

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Speaker 4: Well, now if they keep sending it to you for you,

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Speaker 4: that's different.

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Speaker 3: Niggas, don't stop.

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Speaker 5: You know that, check out this, don't stop.

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Speaker 4: I think people know better than that.

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Speaker 1: But it's also like to I also, I encourage the perseverance.

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Speaker 4: No I blocked people like you get to send to

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Speaker 4: me links and either.

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Speaker 1: What I've experienced, getting experienced, the breakthrough, breakthrough I've experienced.

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Speaker 4: Okay, let me just say this. I feel like you

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Speaker 4: could tell when somebody is on the US and it's

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Speaker 4: not just limited to music, it's they've locked in on

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Speaker 4: a look, They've locked in on an aesthetic, they've locked

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Speaker 4: in on a sound like oh, you onto something here,

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Speaker 4: and you can your spidy senses start tingling like, oh

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Speaker 4: maybe I can be useful now because you know who

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Speaker 4: you are and you have a This is one thing

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Speaker 4: that there's many artists that have wanted me to write

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Speaker 4: for them, And I'm like, but do you really know

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Speaker 4: who you are? Because if you did, you would be

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Speaker 4: able to articulate to me yours and your dislikes. You

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Speaker 4: might not have. There might not be exactly what you

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Speaker 4: and if you're a true artist, what you're searching for

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Speaker 4: should not exist yet. There shouldn't be an example. There

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Speaker 4: could be things that are very close that you could say,

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Speaker 4: if such and such and such a baby, you know,

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Speaker 4: like that, But you should be able to tell me

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Speaker 4: like acoustic you know, the drums got to hit at always,

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Speaker 4: like you should be able to tell me the essence

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Speaker 4: or the ingredients of who you are, even if it's

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Speaker 4: if it's just sight words like leather, spice, like you know, okay, dark, sensual, okay,

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Speaker 4: Because now I can take those things and say, does

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Speaker 4: this make me feel? Can I see me in some leather?

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Speaker 4: Can I you know what I'm saying? Candles? Okay? Like

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Speaker 4: what is the But there are certain things sounds that

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Speaker 4: evol you know. But if you just saying ship like edgy,

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Speaker 4: like this is an edge? You know what I'm saying?

250
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Speaker 4: Oh you mean cursing? You want to curse that's not edgy. Really,

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Speaker 4: that's authentic. I would say, you know, that's how you talk.

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Speaker 4: And so I think it's really important when you start

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Speaker 4: to see an artist lock in to who they are

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Speaker 4: and they start kind of grasping at the edges of

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Speaker 4: this person that they want to become and they just

256
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Speaker 4: need your help to mold it. That's one thing. But

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Speaker 4: you want to come to me for everything, but you

258
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Speaker 4: need to let that cook a little bit more before

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Speaker 4: you come to me. Now, the people sending songs, they're

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Speaker 4: just gonna get blocked. Friend or not, I don't care.

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Speaker 2: You know, if they're my friend, you know, I tell

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Speaker 2: them and I'll you're sending it to me for my opinion.

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Speaker 2: You may not like that. Well, if you don't like

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Speaker 2: my opinion, it don't send anymore. But if you do

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Speaker 2: and you're my friend, I'm still going to give you

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Speaker 2: my opinions.

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Speaker 4: Sometimes I just don't even find out that they wanted

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Speaker 4: to do music. I have to find out, like, why

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Speaker 4: you ain't telling me that you was a singer.

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Speaker 3: Because they thought she was gonna block them.

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Speaker 4: I probably will.

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Speaker 1: Was like, yeah, my stuff ain't like her stuff, so

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Speaker 1: wait till my stuff gets a little bit more like

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Speaker 1: herves before I send it.

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Speaker 4: Yeah, no, they don't even be telling me. I'll just

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Speaker 4: be fine it at later. Like you a whole singer,

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Speaker 4: that's crazy.

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Speaker 3: You a whole singer's weird. A lot of half singers

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Speaker 3: out here.

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Speaker 4: Yeah no, here we go, but you know, speaking and

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Speaker 4: half singing. No, I do want to say this. I

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Speaker 4: can really sing, right, I know that I can't. I'm

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Speaker 4: not asking y'all's opinion. I can't. I don't like that

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Speaker 4: on purpose number one, because it's not fun singing like that.

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Speaker 5: Maybe it is for.

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Speaker 1: You, Well, you got to pick your moments.

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Speaker 4: Yeah, but then once you start that, they demand it

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Speaker 4: from you all the time. Sometimes I just want to

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Speaker 4: have a good time. I don't feel like doing all that.

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Speaker 4: I can't wear no high heels if I'm gonna try

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Speaker 4: to be singing like you know what I'm saying. I

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Speaker 4: can't look cute and have all my stuff being placed.

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Speaker 4: You see what fantastic look like when she gets that singing.

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Speaker 4: I'm not finna do that. I'm not gonna do that.

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Speaker 4: I'm not finna do that because I'm gonna cringe if

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Speaker 4: I look back at that, Look at the whole God,

297
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Speaker 4: look at.

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Speaker 3: The FUFA, but you have to.

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Speaker 1: But I think music is that now, especially for you.

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Speaker 1: I don't think. I don't think you sing one way.

301
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Speaker 1: I want to you sing so many different ways.

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Speaker 3: Her album don't say that. Her album shows the many

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Speaker 3: colors and the many levels.

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Speaker 4: But I'm saying it with my performance, with my vocal performance,

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Speaker 4: even with the way that I sing and the runs

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Speaker 4: that I choose, it's lazy. And I'm just being honest

307
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Speaker 4: with you. I want to get on stage.

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Speaker 1: Your I wouldn't. I wouldn't choose lazy.

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Speaker 4: But as somebody who can really sing, I could have done.

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Speaker 3: Bad word.

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Speaker 4: Okay, listen, No, I'm being I'm being so serious, and

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Speaker 4: this is a singer. This is a singer's conversation.

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Speaker 3: Which is why lazy is a bad word.

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Speaker 4: But what I'm saying is I can do the technical thing.

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Speaker 1: You are doing the technical things. Hold on, let's cut

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Speaker 1: this shit out. You are doing the technical things. They're

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Speaker 1: just very easy for you.

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Speaker 4: But yes, that's what I'm saying.

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Speaker 1: No, they're easy for you as a very gifted singer. Yes,

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Speaker 1: So to the people listening to this who are not

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Speaker 1: as gifted, not even close to as gifted as you,

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Speaker 1: you are you are put it on the white glove

323
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Speaker 1: and you are slapping them in the face.

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Speaker 4: Okay, we're giving them seasoning. But I am openly admitting

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Speaker 4: I do not try to go there with my vocal

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Speaker 4: with how I really could because I don't want that stamp.

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Speaker 4: I don't want that burden responsibility. No, I want to

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Speaker 4: have fun. So I give you just enough to where

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Speaker 4: when I'm singing it live on stage, I can hit

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Speaker 4: a little you do, give you a little bit, and

331
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Speaker 4: it's like, wow, did you hear that? And I'm like, yeah, there,

332
00:17:05,920 --> 00:17:06,960
Speaker 4: that ain't even nothing.

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Speaker 3: Everything you say makes sense to me.

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Speaker 1: I think you to me if I'm categorizing it, I

335
00:17:11,600 --> 00:17:12,760
Speaker 1: just think you don't oversing.

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00:17:13,840 --> 00:17:14,640
Speaker 4: Yeah on purpose?

337
00:17:15,040 --> 00:17:18,400
Speaker 1: Okay, and then we agree to agree you don't over sing,

338
00:17:18,480 --> 00:17:21,200
Speaker 1: but you're not over singing is really really good.

339
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Speaker 4: But like I could do all of that stuff like

340
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Speaker 4: the church, Like you know, I can do all of.

341
00:17:26,320 --> 00:17:28,919
Speaker 1: It, but you save it for if you need it.

342
00:17:28,920 --> 00:17:32,360
Speaker 4: You keep it in the When I do that, because

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Speaker 4: I don't do it, it gives you a little shiver.

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Speaker 4: Yeah you know, Now, if I just gave you that,

345
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Speaker 4: you wouldn't appreciate it.

346
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Speaker 3: I agree, would you know?

347
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Speaker 4: What I'm saying because Jazmine Celevan be singing and we

348
00:17:49,240 --> 00:17:54,560
Speaker 4: do not give her the amount of agilation that she

349
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Speaker 4: deserves for what she is doing.

350
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Speaker 3: That lady can sing super same same.

351
00:18:01,640 --> 00:18:05,800
Speaker 4: Okay, she's given you volume, she's given you the crescendo

352
00:18:06,200 --> 00:18:11,920
Speaker 4: that is technical, breath support, incredible. If you've ever heard

353
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Speaker 4: the lady sing live.

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Speaker 3: She don't leave a micro People take it for granted.

355
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Speaker 4: And they do take it for granted. I'm not gonna

356
00:18:17,800 --> 00:18:20,120
Speaker 4: give y'all all that, and y'all ain't no, you're gonna

357
00:18:20,119 --> 00:18:26,159
Speaker 4: get this, but.

358
00:18:25,119 --> 00:18:30,480
Speaker 1: But is it a thing where more people can appreciate

359
00:18:31,320 --> 00:18:32,920
Speaker 1: being able to participate?

360
00:18:33,160 --> 00:18:36,720
Speaker 4: Absolutely? Oh, I know exactly what I'm doing, the same

361
00:18:36,720 --> 00:18:38,719
Speaker 4: thing as to Brenda Carpenter because she could sing, but

362
00:18:38,760 --> 00:18:43,359
Speaker 4: she don't. She'd give you. I'm working late because I'm

363
00:18:43,400 --> 00:18:48,840
Speaker 4: a singer, which is also hard to do to sing

364
00:18:48,920 --> 00:18:49,840
Speaker 4: those notes and be.

365
00:18:50,280 --> 00:18:52,280
Speaker 3: To get get a dope still tone like the.

366
00:18:52,320 --> 00:18:56,359
Speaker 4: Tone and it's not wavering, it's not cracking. Singing with

367
00:18:56,400 --> 00:19:00,480
Speaker 4: no vibrado is actually very difficult, and that girl to sing,

368
00:19:01,200 --> 00:19:04,399
Speaker 4: but she's giving you something that's palatable and she's having

369
00:19:04,440 --> 00:19:06,960
Speaker 4: fun like that's the That's what I have learned, if

370
00:19:06,960 --> 00:19:09,840
Speaker 4: I've learned anything, I'm not going to be singing from

371
00:19:09,840 --> 00:19:12,680
Speaker 4: the crack of my house up there, sweating.

372
00:19:12,320 --> 00:19:15,879
Speaker 3: From the cracks. That's what she said.

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Speaker 4: Mm hmmm, the core. I'm not about to be doing

374
00:19:22,000 --> 00:19:24,480
Speaker 4: that just for y'all to be like, oh girl, that

375
00:19:24,560 --> 00:19:26,200
Speaker 4: one know that two o three, that.

376
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Speaker 3: One three was killing your mind.

377
00:19:30,840 --> 00:19:33,080
Speaker 2: You know, it's funny when like this, like the super

378
00:19:33,119 --> 00:19:37,120
Speaker 2: technical niggas run up on tape like nig when you did,

379
00:19:37,119 --> 00:19:41,400
Speaker 2: it wasn't I'm like, man, your niggas is nerves, bro, I.

380
00:19:41,359 --> 00:19:45,560
Speaker 4: Don't even remember what you talked about. I was just gone.

381
00:19:47,720 --> 00:19:49,680
Speaker 1: When you went from the black to the white, because

382
00:19:49,680 --> 00:19:51,159
Speaker 1: I know where I put where I put it.

383
00:19:51,240 --> 00:19:52,200
Speaker 3: I was right here.

384
00:19:52,440 --> 00:19:59,159
Speaker 1: Somebody's gonna hear this. But again, to your point, the

385
00:19:59,200 --> 00:20:01,280
Speaker 1: way you're saying and the way I'm saying it is

386
00:20:01,320 --> 00:20:04,399
Speaker 1: maybe maybe different like the like for me, like a

387
00:20:04,440 --> 00:20:08,560
Speaker 1: long time ago I started, I stopped singing against me,

388
00:20:08,680 --> 00:20:10,679
Speaker 1: I stopped being me versus me. I'm looking in the

389
00:20:10,680 --> 00:20:16,040
Speaker 1: mirror and and go back and forth with me. And

390
00:20:16,080 --> 00:20:19,760
Speaker 1: by the time it got to everybody else, you know,

391
00:20:19,800 --> 00:20:21,720
Speaker 1: it kind of felt like, well, who's who's the nigga?

392
00:20:21,760 --> 00:20:25,520
Speaker 1: Thinking for who's who can understand this ship? And it

393
00:20:25,640 --> 00:20:29,639
Speaker 1: was awesome to get the love from the purest but

394
00:20:31,000 --> 00:20:33,520
Speaker 1: I also wanted a career in this ship. I also

395
00:20:33,640 --> 00:20:37,240
Speaker 1: wanted to pack out a theater, or pack out an arena,

396
00:20:37,320 --> 00:20:40,879
Speaker 1: and and and and go number one and and be

397
00:20:41,040 --> 00:20:44,679
Speaker 1: on different radio formats and all. Like I I desired

398
00:20:44,720 --> 00:20:45,680
Speaker 1: that out of Pears.

399
00:20:45,880 --> 00:20:48,560
Speaker 4: Well, let's talk about that too, because that stuff when

400
00:20:48,560 --> 00:20:52,160
Speaker 4: you get to an arena that just came off through crist.

401
00:20:57,640 --> 00:21:02,119
Speaker 2: Say hello, I tend to all right, because I like

402
00:21:02,160 --> 00:21:04,080
Speaker 2: to I like, once again, I like to be a fan.

403
00:21:05,000 --> 00:21:07,520
Speaker 3: I like to just go to shows, watch the show.

404
00:21:07,760 --> 00:21:08,560
Speaker 3: I had to find me.

405
00:21:09,160 --> 00:21:14,399
Speaker 4: He's like to say, I would have been, because it

406
00:21:14,480 --> 00:21:19,120
Speaker 4: gets very lonely out there, and so seeing familiar faces.

407
00:21:19,320 --> 00:21:21,680
Speaker 4: I did see you because.

408
00:21:21,440 --> 00:21:24,560
Speaker 3: Once we got to once we got to the booth,

409
00:21:25,359 --> 00:21:27,240
Speaker 3: because we came back and you were about to go on.

410
00:21:28,000 --> 00:21:30,359
Speaker 1: And so when we came back and I saw Frank

411
00:21:30,400 --> 00:21:32,240
Speaker 1: and everybody was all talk chopping it up, and then

412
00:21:32,520 --> 00:21:33,920
Speaker 1: we went out because I went to see the show.

413
00:21:34,280 --> 00:21:36,480
Speaker 4: Yeah, about twenty minutes before I go on, I get

414
00:21:36,480 --> 00:21:39,119
Speaker 4: into this mode. Yeah, I'll just be like, don't talk

415
00:21:39,160 --> 00:21:39,320
Speaker 4: to me.

416
00:21:39,680 --> 00:21:41,880
Speaker 3: Do you think hat on talk before the show.

417
00:21:42,280 --> 00:21:44,479
Speaker 4: No, I just get I just started thinking about like

418
00:21:44,600 --> 00:21:46,200
Speaker 4: what I'm about to do my.

419
00:21:46,240 --> 00:21:48,640
Speaker 1: Steps any teas.

420
00:21:48,960 --> 00:21:53,320
Speaker 4: No, I do peppermint oil, fresh ginger.

421
00:21:53,119 --> 00:21:56,760
Speaker 3: Juice oil like it's in a steam or in my hands.

422
00:21:57,720 --> 00:21:59,520
Speaker 4: And then I do like a couple drops in some

423
00:21:59,560 --> 00:22:05,639
Speaker 4: water in your juice juice ginger root juiced with the

424
00:22:05,680 --> 00:22:07,360
Speaker 4: skin on skin.

425
00:22:07,720 --> 00:22:09,359
Speaker 5: So it's very very shy.

426
00:22:10,119 --> 00:22:11,879
Speaker 4: Not just have it with like a cup and a

427
00:22:11,920 --> 00:22:16,440
Speaker 4: straw like juice. It's spicy. That's how I like it.

428
00:22:17,520 --> 00:22:22,960
Speaker 4: I want it to just exfoliate all in the inside. Yeah, okay, yeah, yeah,

429
00:22:23,000 --> 00:22:23,800
Speaker 4: I want it to burn.

430
00:22:23,880 --> 00:22:24,840
Speaker 1: Are you vocalizing?

431
00:22:25,600 --> 00:22:26,119
Speaker 4: Uh?

432
00:22:26,440 --> 00:22:26,600
Speaker 6: No.

433
00:22:26,760 --> 00:22:28,960
Speaker 4: So I've learned that for the best way for me

434
00:22:29,000 --> 00:22:32,760
Speaker 4: to do it is that if I just gargle the

435
00:22:32,800 --> 00:22:37,840
Speaker 4: melody of whatever I'm about to sing, that works better

436
00:22:37,880 --> 00:22:39,880
Speaker 4: for me than all of that. No, no, no, no, no

437
00:22:39,880 --> 00:22:44,800
Speaker 4: no no no. So like if I'm in the sing

438
00:22:47,560 --> 00:22:49,640
Speaker 4: like you do that with the water in your mouth.

439
00:22:50,160 --> 00:22:53,840
Speaker 3: Mhmm. Yeah. And this is this is at twenty minutes,

440
00:22:53,920 --> 00:22:54,280
Speaker 3: is when.

441
00:22:54,160 --> 00:22:57,760
Speaker 1: You start this if I need that, because sometimes you

442
00:22:57,760 --> 00:22:58,280
Speaker 1: don't need it.

443
00:22:58,760 --> 00:23:00,960
Speaker 4: No, that's just like a little like oh I feel

444
00:23:01,960 --> 00:23:05,600
Speaker 4: a tight or I'm stressed because sometimes if I have

445
00:23:05,600 --> 00:23:08,160
Speaker 4: a flare up, you know, I have lupus, so that's

446
00:23:08,160 --> 00:23:11,359
Speaker 4: something that stress me out or something like that. It

447
00:23:11,400 --> 00:23:14,480
Speaker 4: gets a little tight, like tense. But for the most part,

448
00:23:14,520 --> 00:23:19,000
Speaker 4: like I had surrounded myself with people my glam squad.

449
00:23:19,160 --> 00:23:23,600
Speaker 4: I didn't have any new people on the tour because

450
00:23:23,600 --> 00:23:26,240
Speaker 4: I knew it was going to be highly stressful. It

451
00:23:26,359 --> 00:23:30,240
Speaker 4: was a new experience for me. The first few days

452
00:23:30,280 --> 00:23:32,800
Speaker 4: I was very nervous of like, am I going to

453
00:23:32,880 --> 00:23:35,639
Speaker 4: be able to fill this space? You know?

454
00:23:36,280 --> 00:23:37,320
Speaker 3: And how long was you said?

455
00:23:38,960 --> 00:23:42,359
Speaker 4: Yeah, am I going to be able to touch all

456
00:23:42,400 --> 00:23:42,959
Speaker 4: these people?

457
00:23:43,359 --> 00:23:43,600
Speaker 3: Yeah?

458
00:23:43,800 --> 00:23:47,119
Speaker 4: I don't know, because I've never really performed. I mean

459
00:23:47,160 --> 00:23:49,120
Speaker 4: I've done like theaters and stuff, but like a jump

460
00:23:49,160 --> 00:23:52,520
Speaker 4: from like seven hundred seaters to fifteen.

461
00:23:52,119 --> 00:23:53,480
Speaker 3: Thousand, that's a huge jump.

462
00:23:53,640 --> 00:23:56,800
Speaker 4: Twenty thousand and oh that's crazy crazy.

463
00:24:09,119 --> 00:24:11,760
Speaker 2: This is something that a lot of artists don't know too,

464
00:24:12,160 --> 00:24:14,640
Speaker 2: is what they're going into when you're going to someone

465
00:24:14,720 --> 00:24:17,280
Speaker 2: else's stage.

466
00:24:17,400 --> 00:24:20,000
Speaker 4: Right, And I got really lucky because Chris's audience was

467
00:24:20,119 --> 00:24:23,159
Speaker 4: lit super, they was ready, super.

468
00:24:23,440 --> 00:24:26,800
Speaker 1: I think what you did was educational too, because you

469
00:24:26,880 --> 00:24:29,959
Speaker 1: were You're so different from him, and so it was

470
00:24:30,000 --> 00:24:34,200
Speaker 1: interesting to see the kids watching and paying attention.

471
00:24:35,080 --> 00:24:40,600
Speaker 4: Differently, I never got that experience of like what the audiences.

472
00:24:41,119 --> 00:24:44,199
Speaker 4: It always shocked me from city to city when they

473
00:24:44,240 --> 00:24:46,480
Speaker 4: actually were singing my songs. Like there was a couple

474
00:24:47,160 --> 00:24:50,840
Speaker 4: cities where they were singing the entire set and I

475
00:24:50,960 --> 00:24:56,959
Speaker 4: was like.

476
00:24:54,840 --> 00:24:58,840
Speaker 3: My son and his best friend. They was these two

477
00:24:58,880 --> 00:25:00,360
Speaker 3: young m hmm.

478
00:25:00,880 --> 00:25:04,439
Speaker 4: That's so wild to me, these young kids and they

479
00:25:04,520 --> 00:25:08,000
Speaker 4: be boys to that's the thing too. Like my security

480
00:25:08,080 --> 00:25:10,439
Speaker 4: said he got six sons, he said, his kids listening

481
00:25:10,640 --> 00:25:13,040
Speaker 4: six okay, okay.

482
00:25:13,200 --> 00:25:16,000
Speaker 3: Six dumping.

483
00:25:16,760 --> 00:25:20,000
Speaker 4: We know what you'll be doing. You know, no, but

484
00:25:20,119 --> 00:25:22,960
Speaker 4: he said, he said, his sons listening to was like

485
00:25:24,080 --> 00:25:27,760
Speaker 4: my music really be touching, like the little like.

486
00:25:27,760 --> 00:25:31,480
Speaker 1: You were getting those after applause, like appreciation applauses. You

487
00:25:31,520 --> 00:25:34,439
Speaker 1: were getting those. She so she's really good Like that

488
00:25:34,600 --> 00:25:37,120
Speaker 1: was that was like those you know what I'm saying.

489
00:25:37,200 --> 00:25:40,159
Speaker 1: And that's for me. That's different for his crowd, because his.

490
00:25:40,240 --> 00:25:42,640
Speaker 4: Crowd, you say, oh no, there was only one night.

491
00:25:42,760 --> 00:25:45,560
Speaker 4: The first night in Atlanta, the niggas was like, boo,

492
00:25:47,640 --> 00:25:51,960
Speaker 4: where's Christopher.

493
00:25:51,359 --> 00:25:53,760
Speaker 3: As an artist? Though, okay, give us that experience.

494
00:25:54,040 --> 00:25:54,760
Speaker 4: Oh you don't care.

495
00:25:54,840 --> 00:25:58,199
Speaker 2: I don't care because some artists do, though I do

496
00:25:58,320 --> 00:25:59,720
Speaker 2: not give it. But for you, you were just.

497
00:26:02,160 --> 00:26:03,760
Speaker 3: Like a love trying to speak to music.

498
00:26:05,680 --> 00:26:07,399
Speaker 4: I just did feel like but at that time, like

499
00:26:07,480 --> 00:26:10,160
Speaker 4: you've rehearsed so much and your show is the same

500
00:26:10,480 --> 00:26:11,880
Speaker 4: I mean even, I mean I don't want to give

501
00:26:11,880 --> 00:26:14,760
Speaker 4: away to imagine, like even like the DJ, everything that

502
00:26:14,840 --> 00:26:18,040
Speaker 4: they saying, they say it in every city the same

503
00:26:18,080 --> 00:26:20,840
Speaker 4: exact way. I know what's about to happen. You know,

504
00:26:21,359 --> 00:26:24,440
Speaker 4: Chris every now and then he would yeah DJ first

505
00:26:24,600 --> 00:26:26,720
Speaker 4: he was lit, but Chris would like change it up

506
00:26:26,760 --> 00:26:28,960
Speaker 4: every now and then. But for the most part it

507
00:26:29,040 --> 00:26:32,760
Speaker 4: was the same show. So I'm gonna get through my set.

508
00:26:33,760 --> 00:26:35,280
Speaker 4: I know y'all not feeling me tonight.

509
00:26:37,520 --> 00:26:38,280
Speaker 2: I know, I know.

510
00:26:38,800 --> 00:26:40,679
Speaker 4: I know when I see hours and hours, Jo're going

511
00:26:40,720 --> 00:26:42,800
Speaker 4: to sing along. And I know when I sing for me,

512
00:26:42,880 --> 00:26:44,560
Speaker 4: y'all gonna sing along. So let me just hurry up,

513
00:26:46,080 --> 00:26:48,320
Speaker 4: get to what I know. I'm here to see Christopher too,

514
00:26:48,440 --> 00:26:51,280
Speaker 4: just like the first of y'all. So levy a goal

515
00:26:51,400 --> 00:26:52,280
Speaker 4: to get out of the way.

516
00:26:53,280 --> 00:26:54,480
Speaker 3: Did you take a meet and greet picture?

517
00:26:54,920 --> 00:26:57,639
Speaker 5: I sure did recreate one? No did I posted on

518
00:26:57,640 --> 00:26:58,200
Speaker 5: my page?

519
00:26:58,119 --> 00:26:59,440
Speaker 3: Yeah, I got to check it out.

520
00:26:59,359 --> 00:27:02,160
Speaker 4: I said, I said, I'm I'm gonna do a peebag

521
00:27:02,640 --> 00:27:04,399
Speaker 4: and then the captain gonna be carrying R and B

522
00:27:04,520 --> 00:27:11,800
Speaker 4: on his back. Yeah, it's always good made it head.

523
00:27:16,359 --> 00:27:17,119
Speaker 3: That's hard.

524
00:27:17,400 --> 00:27:19,360
Speaker 4: But he's so sweet, like he literally would have did

525
00:27:19,920 --> 00:27:20,840
Speaker 4: he loves you anything?

526
00:27:21,160 --> 00:27:24,959
Speaker 1: Then I was like, he don't love everybody. Yeah, he

527
00:27:25,000 --> 00:27:25,280
Speaker 1: loves you.

528
00:27:25,600 --> 00:27:27,520
Speaker 4: He seems like he's like just a very.

529
00:27:27,640 --> 00:27:31,040
Speaker 1: So he's so giving, he's so that he has to

530
00:27:31,080 --> 00:27:33,879
Speaker 1: protect that at this point because everybody doesn't appreciate you.

531
00:27:33,880 --> 00:27:35,320
Speaker 3: I feel that, you know what I'm saying.

532
00:27:35,960 --> 00:27:39,959
Speaker 4: I'm telling you I'm tired.

533
00:27:40,400 --> 00:27:43,639
Speaker 1: You get enough, You get enough, and then you just

534
00:27:43,680 --> 00:27:45,879
Speaker 1: get to a point. The way you say fuck it

535
00:27:45,960 --> 00:27:46,600
Speaker 1: is just off of me.

536
00:27:47,640 --> 00:27:50,919
Speaker 4: Yeah, I think I'm there. Yeah, yeah, because it's just

537
00:27:50,960 --> 00:27:56,080
Speaker 4: like yo, it was always something. Yeah, everybody always mad

538
00:27:56,119 --> 00:27:58,320
Speaker 4: at you for something, and then if you don't do

539
00:27:58,400 --> 00:28:00,679
Speaker 4: what they want you to do, they with whole and

540
00:28:00,720 --> 00:28:03,400
Speaker 4: it's just like that's a cold game. You know what.

541
00:28:04,800 --> 00:28:06,719
Speaker 4: I'm just gonna turn into the bitch that y'all keep

542
00:28:06,760 --> 00:28:11,000
Speaker 4: saying I am. I'm gonna just turn into her cool back.

543
00:28:13,760 --> 00:28:15,480
Speaker 5: I get it about nothing.

544
00:28:15,520 --> 00:28:16,199
Speaker 4: My answer is no.

545
00:28:18,400 --> 00:28:20,560
Speaker 2: No has served me really well in my life and

546
00:28:20,640 --> 00:28:22,399
Speaker 2: my career does good things for you.

547
00:28:22,480 --> 00:28:24,480
Speaker 3: It just has. It just has because when.

548
00:28:26,240 --> 00:28:27,760
Speaker 4: Just being a boss, when I do.

549
00:28:27,680 --> 00:28:35,800
Speaker 2: It, nah, they be saying ship, they're gonna gloss it

550
00:28:35,840 --> 00:28:38,360
Speaker 2: over as oh yeah, that's just bosses have to do that.

551
00:28:38,480 --> 00:28:40,880
Speaker 2: But as soon as we walk out the door, somebody

552
00:28:40,880 --> 00:28:44,080
Speaker 2: got something, they're gonna say something about not feeling the

553
00:28:44,080 --> 00:28:45,680
Speaker 2: way because if it didn't go the way that they

554
00:28:45,720 --> 00:28:48,200
Speaker 2: wanted to. What I just learned is is that you know,

555
00:28:49,880 --> 00:28:53,320
Speaker 2: a boss told me a long time ago, make sure

556
00:28:53,360 --> 00:28:56,640
Speaker 2: that you'll know is as fast as you're yes. He

557
00:28:56,760 --> 00:28:58,520
Speaker 2: was like, they might not like it, but they're gonna

558
00:28:58,560 --> 00:28:59,040
Speaker 2: respect it.

559
00:29:00,080 --> 00:29:00,920
Speaker 3: That's just what it is.

560
00:29:00,960 --> 00:29:03,240
Speaker 2: It's like, the worst thing you can do is drag

561
00:29:03,320 --> 00:29:05,200
Speaker 2: to know out. If you knew you were going to

562
00:29:05,240 --> 00:29:08,920
Speaker 2: say no, just say no, I can't do it. But

563
00:29:09,080 --> 00:29:12,200
Speaker 2: a nigga happen to call you forty five times.

564
00:29:12,800 --> 00:29:14,120
Speaker 3: But a lot of people do that though, and you

565
00:29:14,240 --> 00:29:15,600
Speaker 3: know that, even especially in this business.

566
00:29:15,680 --> 00:29:18,200
Speaker 4: I'll just say let me think about it, or like no,

567
00:29:18,280 --> 00:29:20,400
Speaker 4: but like but not in the way of like trying

568
00:29:20,440 --> 00:29:23,920
Speaker 4: to avoid the confrontation, but just like I feel like

569
00:29:23,920 --> 00:29:26,120
Speaker 4: you're rushing me to make this decision, and how long

570
00:29:26,160 --> 00:29:28,880
Speaker 4: have you had this information? So now I need to

571
00:29:28,920 --> 00:29:32,160
Speaker 4: think about it because if it's not sitting right, like

572
00:29:32,200 --> 00:29:34,640
Speaker 4: I trust my gut for sure. Like when you ask

573
00:29:34,680 --> 00:29:37,960
Speaker 4: me a question, you might hear me go, that's me

574
00:29:38,160 --> 00:29:41,240
Speaker 4: testing it to see how does it feel in my body?

575
00:29:42,320 --> 00:29:44,840
Speaker 4: How is it resonating that don't sound like fun? Or

576
00:29:45,280 --> 00:29:47,440
Speaker 4: if you tell me something like for example, I got

577
00:29:47,440 --> 00:29:50,920
Speaker 4: the offer to do Battle of the Bands in Houston.

578
00:29:51,960 --> 00:29:56,000
Speaker 4: When I heard them, like, oh, that's cool, Like if

579
00:29:56,040 --> 00:29:59,080
Speaker 4: it doesn't make me feel that for the most part

580
00:29:59,200 --> 00:30:00,520
Speaker 4: is going to be a no, it's gonna be like,

581
00:30:00,560 --> 00:30:04,479
Speaker 4: let me think about it. It was. It was like

582
00:30:04,480 --> 00:30:07,600
Speaker 4: two a week ago too. It was actually really fun.

583
00:30:07,640 --> 00:30:11,800
Speaker 4: I did it with but Cookman College. A lot of

584
00:30:11,800 --> 00:30:14,320
Speaker 4: my family went there. My best friend from high school

585
00:30:14,360 --> 00:30:18,680
Speaker 4: went there. I would have gone there or Fami you

586
00:30:18,800 --> 00:30:21,800
Speaker 4: one of those. But you know, in Florida, like the

587
00:30:21,840 --> 00:30:25,440
Speaker 4: Battle of the Band is a classic. It's like you

588
00:30:25,480 --> 00:30:28,080
Speaker 4: grew up wanting I wanted to be a flat girl,

589
00:30:29,240 --> 00:30:32,680
Speaker 4: you know, like the Color Guards either that or like

590
00:30:32,720 --> 00:30:35,920
Speaker 4: the girls who do all that. But my mom was like,

591
00:30:35,960 --> 00:30:43,120
Speaker 4: you can't do that because those girls are less than wholesome. Yeah,

592
00:30:43,240 --> 00:30:46,840
Speaker 4: they have a reputation I don't know. I don't know. Well,

593
00:30:46,880 --> 00:30:50,000
Speaker 4: my cousin used to be one, and she's definitely she

594
00:30:50,160 --> 00:30:54,280
Speaker 4: was no, because those girls are actually like you know,

595
00:30:54,320 --> 00:30:54,959
Speaker 4: they're the baddies.

596
00:30:55,000 --> 00:30:56,960
Speaker 5: They you know, the whole.

597
00:30:56,760 --> 00:31:01,120
Speaker 4: Football team looking at them every you know, Lily, you

598
00:31:01,160 --> 00:31:04,520
Speaker 4: can't say.

599
00:31:04,800 --> 00:31:06,040
Speaker 1: I got to tell them.

600
00:31:07,000 --> 00:31:10,200
Speaker 4: God, I thought you said the note has served you haven't.

601
00:31:10,440 --> 00:31:15,000
Speaker 3: I'm talking about the girls.

602
00:31:14,880 --> 00:31:17,800
Speaker 4: When they say no, it's fine. When when the batty

603
00:31:17,840 --> 00:31:21,320
Speaker 4: say those, it's a problem because it be me being

604
00:31:21,360 --> 00:31:24,960
Speaker 4: in my bubble. I'll be like, seriously, like my glam

605
00:31:25,000 --> 00:31:27,160
Speaker 4: team is always like, no, girl, girl, you cannot go out.

606
00:31:27,400 --> 00:31:29,400
Speaker 4: You need to put some make up on, like you

607
00:31:29,480 --> 00:31:32,000
Speaker 4: must don't know who you is. And I'm like, what

608
00:31:32,120 --> 00:31:34,720
Speaker 4: you mean, I'm just it's just I just want to

609
00:31:34,720 --> 00:31:37,680
Speaker 4: go to the concert put some chas on. No girl, no,

610
00:31:37,840 --> 00:31:39,440
Speaker 4: you need to put some clothes on. People know who

611
00:31:39,440 --> 00:31:41,719
Speaker 4: you are. And then when I do go outside and

612
00:31:41,720 --> 00:31:46,040
Speaker 4: I hear them being like that's money long, Like I

613
00:31:46,240 --> 00:31:50,680
Speaker 4: want to be like, hey, girl, how you saying you know?

614
00:31:51,040 --> 00:31:58,080
Speaker 4: It still doesn't know. But then I also realized, like

615
00:31:58,120 --> 00:32:01,080
Speaker 4: now like when I go outside, I have to be mindful,

616
00:32:01,520 --> 00:32:05,640
Speaker 4: very cute, see very demure. I cannot get to tipsy.

617
00:32:07,000 --> 00:32:10,320
Speaker 4: You know, I understand now why they do that. Why

618
00:32:10,720 --> 00:32:12,800
Speaker 4: if I walk past you and I don't say nothing is?

619
00:32:13,120 --> 00:32:16,680
Speaker 4: Girl'm about to fall over? Girl? How to drake this

620
00:32:16,720 --> 00:32:17,280
Speaker 4: whole out of.

621
00:32:19,760 --> 00:32:20,360
Speaker 3: Do you see?

622
00:32:22,800 --> 00:32:22,880
Speaker 1: Like?

623
00:32:22,960 --> 00:32:24,680
Speaker 3: How much of the difference do you see?

624
00:32:25,160 --> 00:32:28,040
Speaker 2: As far as all right, I was you had to

625
00:32:28,240 --> 00:32:30,480
Speaker 2: you had the record, your big record when he first

626
00:32:30,800 --> 00:32:33,640
Speaker 2: kicked off for you as an artist with hours and

627
00:32:33,720 --> 00:32:38,520
Speaker 2: hours and just now continuing in that space, like, how

628
00:32:38,560 --> 00:32:40,880
Speaker 2: has that been for you as far as dealing with

629
00:32:40,920 --> 00:32:41,880
Speaker 2: the fame side of it?

630
00:32:42,080 --> 00:32:42,280
Speaker 3: Yeah?

631
00:32:42,320 --> 00:32:46,080
Speaker 4: No, I think I have definitely elevated as far as

632
00:32:46,120 --> 00:32:51,600
Speaker 4: like my taste, just like having access. When you have

633
00:32:51,720 --> 00:32:57,840
Speaker 4: access to the best, you start to refine.

634
00:32:58,040 --> 00:32:59,320
Speaker 3: You don't like Popeye's no more?

635
00:33:00,400 --> 00:33:05,200
Speaker 4: What you mean? I'm just trying to.

636
00:33:05,240 --> 00:33:09,840
Speaker 2: Okay, okay with absolutely got to if you go to Popeye's.

637
00:33:10,280 --> 00:33:12,480
Speaker 4: Yeah, and if they if they have the Strawberry biscuits,

638
00:33:12,480 --> 00:33:14,680
Speaker 4: you get that you're gonna go something different at Pope.

639
00:33:16,360 --> 00:33:20,520
Speaker 3: I mean guys Strawberry, So you got to.

640
00:33:20,280 --> 00:33:24,480
Speaker 4: Winning wrong we got and if they don't have that

641
00:33:24,560 --> 00:33:25,280
Speaker 4: then I'll do great.

642
00:33:25,960 --> 00:33:28,440
Speaker 3: Oh yeah, you're keeping it on.

643
00:33:28,440 --> 00:33:32,120
Speaker 4: You come on, you keep it on.

644
00:33:32,200 --> 00:33:36,000
Speaker 3: I understand Yeah with me Money Long and Bootsy Pope.

645
00:33:38,040 --> 00:33:40,200
Speaker 4: And I'm gonna be the loud as what crazy the

646
00:33:40,240 --> 00:33:45,360
Speaker 4: way my good is that it's can I get another sweet?

647
00:33:45,560 --> 00:33:47,480
Speaker 2: When you're talking about taste that we're not talking what

648
00:33:47,520 --> 00:33:49,480
Speaker 2: do you mean when you say just taste level?

649
00:33:49,640 --> 00:33:52,840
Speaker 4: Just like understanding less, it's more like how to paint

650
00:33:52,840 --> 00:34:00,960
Speaker 4: the picture. Yeah, Like I have learned what my standards

651
00:34:01,000 --> 00:34:09,239
Speaker 4: are and realizing that like majority of the world, I

652
00:34:09,239 --> 00:34:11,640
Speaker 4: don't even just want to say America does not have

653
00:34:12,719 --> 00:34:16,000
Speaker 4: a certain level. They just be like this's not good enough.

654
00:34:16,000 --> 00:34:18,960
Speaker 4: It's like, no, no, we need to make sure I'm

655
00:34:19,000 --> 00:34:22,480
Speaker 4: sounding a certain way, looking a certain way, Like we

656
00:34:22,520 --> 00:34:26,600
Speaker 4: need to quality control, Like I'm not a rapper. I'm

657
00:34:26,640 --> 00:34:31,640
Speaker 4: not just about to get up there. Yes. I hate

658
00:34:31,680 --> 00:34:33,200
Speaker 4: when I don't have sound checks, so like for a

659
00:34:33,200 --> 00:34:35,279
Speaker 4: Battle of the Bands, I did not have one and

660
00:34:35,280 --> 00:34:38,279
Speaker 4: that mike was distorting and it was like, like I

661
00:34:38,360 --> 00:34:40,680
Speaker 4: cringe as stuff like that because that stuff lives forever,

662
00:34:40,800 --> 00:34:43,600
Speaker 4: especially when you nail it and it's a really good moment,

663
00:34:44,120 --> 00:34:46,200
Speaker 4: people gonna keep playing it over and over and over.

664
00:34:47,040 --> 00:34:48,759
Speaker 4: You know, I absolutely go to sound check if I can.

665
00:34:48,960 --> 00:34:50,560
Speaker 4: If I didn't go to sound check. It's because I

666
00:34:50,600 --> 00:34:53,920
Speaker 4: was told that I couldn't have one, or that there

667
00:34:54,000 --> 00:34:56,759
Speaker 4: was no time, or doors are opening. But now I'm

668
00:34:56,800 --> 00:34:58,640
Speaker 4: at the point now whe're gonna be like push doors.

669
00:34:59,800 --> 00:35:02,440
Speaker 4: I'm I'm not getting up there if I can't. I

670
00:35:02,480 --> 00:35:04,480
Speaker 4: need to hear what it sounds like, Yeah.

671
00:35:04,960 --> 00:35:06,640
Speaker 1: You got some of my people out there, so you

672
00:35:06,960 --> 00:35:07,760
Speaker 1: Oh I got.

673
00:35:09,120 --> 00:35:11,960
Speaker 3: I took somebody from you.

674
00:35:11,800 --> 00:35:12,520
Speaker 4: Oh you're not working.

675
00:35:12,560 --> 00:35:16,200
Speaker 1: So I'm one of those guys where it's like I

676
00:35:16,280 --> 00:35:17,399
Speaker 1: tell my guys to go get it.

677
00:35:17,800 --> 00:35:19,400
Speaker 4: Yeah. No, I don't know if y'all know that happens.

678
00:35:19,440 --> 00:35:21,279
Speaker 4: So like there's only like a few really really good

679
00:35:21,280 --> 00:35:25,439
Speaker 4: people and we be sharing them, so like like okay,

680
00:35:25,480 --> 00:35:26,560
Speaker 4: when when do they go out?

681
00:35:26,640 --> 00:35:27,520
Speaker 5: Okay?

682
00:35:27,719 --> 00:35:28,520
Speaker 4: And when you're done?

683
00:35:28,640 --> 00:35:28,960
Speaker 5: Okay?

684
00:35:29,000 --> 00:35:29,239
Speaker 1: Cool?

685
00:35:29,320 --> 00:35:32,399
Speaker 4: So are you're gonna miss the first three days of mine? Okay? Cool?

686
00:35:32,440 --> 00:35:34,680
Speaker 3: That's cool.

687
00:35:34,840 --> 00:35:37,600
Speaker 1: People. I've told plenty of my guys what do they

688
00:35:37,640 --> 00:35:41,240
Speaker 1: want me to go? Do it? Go? I'll be fine.

689
00:35:41,560 --> 00:35:44,800
Speaker 1: I know how to supplement, you know.

690
00:35:44,960 --> 00:35:47,680
Speaker 4: And I also think one thing that people don't understand

691
00:35:47,760 --> 00:35:49,520
Speaker 4: is like when you're a developing artist. I'm very much

692
00:35:49,560 --> 00:35:52,759
Speaker 4: a developing live performer. That Arena tour was like my

693
00:35:52,800 --> 00:36:00,399
Speaker 4: first thing, which is so like going from Yes, I've

694
00:36:00,440 --> 00:36:03,960
Speaker 4: done shows before, but like when you're at this level

695
00:36:04,239 --> 00:36:08,040
Speaker 4: and it's lights and it's screens and it's you know,

696
00:36:08,239 --> 00:36:11,640
Speaker 4: video camera. I forgot what those people are called. But

697
00:36:11,680 --> 00:36:14,759
Speaker 4: it's like the people who follow you. You think my

698
00:36:14,760 --> 00:36:20,640
Speaker 4: face just appears up there. No, there's three cameras or one, two, three, four,

699
00:36:20,840 --> 00:36:24,720
Speaker 4: five cameras and they're going back and forth. So every

700
00:36:24,719 --> 00:36:27,960
Speaker 4: angle gotta be and I you know, and so it's

701
00:36:28,000 --> 00:36:33,880
Speaker 4: like it's such a production. You have to think about

702
00:36:33,920 --> 00:36:37,080
Speaker 4: all that. It's not just standing up there singing. You

703
00:36:37,120 --> 00:36:39,000
Speaker 4: got to think about all that. So when I'm walking

704
00:36:39,000 --> 00:36:41,959
Speaker 4: from left to right, I'm not only just performing for you,

705
00:36:42,520 --> 00:36:45,719
Speaker 4: I'm performing for the tape two for.

706
00:36:45,719 --> 00:36:47,680
Speaker 1: The spot hit yeah.

707
00:36:47,719 --> 00:36:49,640
Speaker 4: And then like when I'm standing in front of the

708
00:36:49,680 --> 00:36:52,040
Speaker 4: fans and it's the hair is whipping in my face,

709
00:36:52,080 --> 00:36:54,400
Speaker 4: I have to move its the camera like you're thinking

710
00:36:54,480 --> 00:36:57,520
Speaker 4: about all of that, and I'm trying to hit my

711
00:36:57,560 --> 00:37:00,160
Speaker 4: note and I'm trying to be like I see you, baby,

712
00:37:01,200 --> 00:37:04,160
Speaker 4: you know, I can't see sit up here, but yeah,

713
00:37:04,280 --> 00:37:06,200
Speaker 4: I like you and the green.

714
00:37:06,280 --> 00:37:10,560
Speaker 5: Yeah you know.

715
00:37:10,719 --> 00:37:12,960
Speaker 4: Or sometimes when the lights go for a second, I'll

716
00:37:12,960 --> 00:37:15,520
Speaker 4: be like, oh yeah, I can see something first, clit second,

717
00:37:16,640 --> 00:37:19,400
Speaker 4: and you try to use those moments. It's such a

718
00:37:19,400 --> 00:37:25,359
Speaker 4: crash course doing it at that level. Like now when

719
00:37:25,400 --> 00:37:29,399
Speaker 4: I go into a fifteen hundred seater room, it's easy, yeh.

720
00:37:29,960 --> 00:37:31,719
Speaker 4: Or like when I did Battle Levans, it was in

721
00:37:31,719 --> 00:37:33,600
Speaker 4: the stadium. Granted it wasn't full, it was maybe like

722
00:37:33,680 --> 00:37:36,960
Speaker 4: half full. That's still a lot of people in the

723
00:37:36,960 --> 00:37:42,960
Speaker 4: football stadium, like thirty thousand people, and they all singing,

724
00:37:43,960 --> 00:37:47,440
Speaker 4: and it's just like and I'm like, you know, like

725
00:37:47,760 --> 00:37:50,759
Speaker 4: it with zero anxiety, even though I didn't do a

726
00:37:50,760 --> 00:37:53,759
Speaker 4: sound check. Like that only comes from having those high

727
00:37:53,840 --> 00:37:57,440
Speaker 4: level experiences. And so I get really nervous when I

728
00:37:57,480 --> 00:38:00,600
Speaker 4: don't have all my things, you know, because this is

729
00:38:00,680 --> 00:38:04,239
Speaker 4: like I already have a lot to think about. Now

730
00:38:04,280 --> 00:38:08,120
Speaker 4: I gotta worry about what you're hearing. Like when I

731
00:38:08,160 --> 00:38:12,200
Speaker 4: have my people, I know that the audience and the

732
00:38:12,200 --> 00:38:17,080
Speaker 4: consumer experience is gonna be it's gonna sound like the record.

733
00:38:18,239 --> 00:38:21,759
Speaker 4: You're gonna be able to hear my words, you'll hear

734
00:38:21,800 --> 00:38:25,040
Speaker 4: the music. It's not gonna be muddy. That's the most

735
00:38:25,080 --> 00:38:27,600
Speaker 4: important for me. If I'm gonna go do a show,

736
00:38:28,680 --> 00:38:32,040
Speaker 4: I want the user experience to be good. You know,

737
00:38:32,200 --> 00:38:34,120
Speaker 4: no might hit the wrong no here and there, whatever,

738
00:38:34,920 --> 00:38:36,920
Speaker 4: but I want you to be able to hear me.

739
00:38:38,360 --> 00:38:39,240
Speaker 1: I didn't hear anything.

740
00:38:40,360 --> 00:38:41,919
Speaker 4: It depends on one night, because I had a couple

741
00:38:41,960 --> 00:38:42,560
Speaker 4: of nights where I.

742
00:38:42,520 --> 00:38:46,160
Speaker 3: Was just like, whoa, that's part of it.

743
00:38:46,200 --> 00:38:47,920
Speaker 4: But you came to l A.

744
00:38:48,520 --> 00:38:51,600
Speaker 1: If you get through a whole LA show with no

745
00:38:51,640 --> 00:38:58,600
Speaker 1: bad notes, nigga, if you have three ship yeah, you're good.

746
00:38:58,840 --> 00:39:01,560
Speaker 1: You're bad in ninety eight percent it are you went crazy?

747
00:39:01,600 --> 00:39:01,759
Speaker 7: Now?

748
00:39:02,000 --> 00:39:03,239
Speaker 4: Thank you crazy?

749
00:39:03,719 --> 00:39:04,120
Speaker 1: Very good?

750
00:39:04,960 --> 00:39:05,359
Speaker 3: Very good?

751
00:39:05,480 --> 00:39:07,160
Speaker 4: And then I'm also learning, like you don't have to

752
00:39:07,160 --> 00:39:08,120
Speaker 4: sing every word.

753
00:39:10,000 --> 00:39:12,680
Speaker 1: Yeah, listen, you have to sing every word, and you

754
00:39:12,719 --> 00:39:15,960
Speaker 1: don't have to sing every note right.

755
00:39:16,000 --> 00:39:18,520
Speaker 3: You can sing around the mid the deviation can't.

756
00:39:18,719 --> 00:39:20,120
Speaker 4: Oh is that what it's called deviation?

757
00:39:20,440 --> 00:39:23,000
Speaker 1: Yeah? I devate in a minute if I if I.

758
00:39:22,560 --> 00:39:25,359
Speaker 5: Find nooying hot you can't hear that.

759
00:39:25,320 --> 00:39:29,080
Speaker 3: I'm gonna get that lou rass. You'll never find right down.

760
00:39:31,600 --> 00:39:32,920
Speaker 3: Don't go.

761
00:39:34,719 --> 00:39:37,440
Speaker 1: Right in there. I'll come off stage and J be

762
00:39:37,560 --> 00:39:38,400
Speaker 1: like I heard you.

763
00:39:42,400 --> 00:39:45,280
Speaker 4: See that's what happens when you write these like singing

764
00:39:45,360 --> 00:39:47,640
Speaker 4: as songs. Like I'd be thinking about that later, Like

765
00:39:48,520 --> 00:39:50,239
Speaker 4: what was I thinking?

766
00:39:50,520 --> 00:39:51,040
Speaker 3: Everything?

767
00:39:51,160 --> 00:39:53,120
Speaker 2: You don't have to sing every single note, you know

768
00:39:53,160 --> 00:39:54,920
Speaker 2: what I mean? A live performance is a live performance.

769
00:39:54,960 --> 00:39:55,120
Speaker 1: Now.

770
00:39:55,200 --> 00:39:58,640
Speaker 2: I personally, I like when people sing the way it

771
00:39:58,719 --> 00:39:59,280
Speaker 2: is on the record.

772
00:39:59,280 --> 00:39:59,759
Speaker 4: You want to hear that.

773
00:40:00,000 --> 00:40:01,440
Speaker 2: I'm one of those type of people. But I do

774
00:40:01,560 --> 00:40:05,080
Speaker 2: also understand, like listen, a live performance is supposed to

775
00:40:05,120 --> 00:40:08,200
Speaker 2: have a different type of element to it.

776
00:40:08,320 --> 00:40:10,600
Speaker 4: I'm spoiled now because I have background singers now, or

777
00:40:10,600 --> 00:40:13,200
Speaker 4: I call them vocal support. June's Diary. I don't know

778
00:40:13,200 --> 00:40:16,520
Speaker 4: if you guys are yeah, so yeah, So that was

779
00:40:16,520 --> 00:40:16,840
Speaker 4: part of it.

780
00:40:17,880 --> 00:40:18,399
Speaker 2: Oh my god.

781
00:40:18,520 --> 00:40:20,319
Speaker 4: And then when I say they sing, and they do,

782
00:40:20,360 --> 00:40:23,840
Speaker 4: they do movement like they sing down. So it was

783
00:40:23,880 --> 00:40:26,480
Speaker 4: some nice when I was like, girls, I need your

784
00:40:26,480 --> 00:40:28,880
Speaker 4: help today. Ladies like I need you to finish my

785
00:40:28,960 --> 00:40:31,880
Speaker 4: phrases for me. When we was in college, what was

786
00:40:31,880 --> 00:40:35,799
Speaker 4: that Denver with that altitude? Oh my god. I had

787
00:40:35,800 --> 00:40:38,640
Speaker 4: the oxygen in the back, like I had to go

788
00:40:38,719 --> 00:40:41,560
Speaker 4: around and I was like, tonight, y'all gonna have ten

789
00:40:41,560 --> 00:40:44,200
Speaker 4: minutes on my set or five minutes or whatever it was.

790
00:40:44,600 --> 00:40:46,840
Speaker 4: I'm gonna go back here and get this oxygen and

791
00:40:46,840 --> 00:40:47,719
Speaker 4: then I'm gonna come back.

792
00:40:47,840 --> 00:40:48,000
Speaker 3: You know.

793
00:40:48,080 --> 00:40:51,400
Speaker 4: It was just very much like a given tex like

794
00:40:51,480 --> 00:40:53,839
Speaker 4: look like I wanted them to shine. I'm like, don't

795
00:40:53,840 --> 00:40:57,359
Speaker 4: be scared sing, do your runs whatever, if you're feel

796
00:40:57,400 --> 00:41:00,000
Speaker 4: in it, do it. Let the people hear you sing.

797
00:41:00,200 --> 00:41:00,640
Speaker 3: That's dope.

798
00:41:00,760 --> 00:41:02,880
Speaker 4: I love that, yeah, because I'm gonna be the principal,

799
00:41:02,960 --> 00:41:06,080
Speaker 4: Like you can't you can't step on me, you know

800
00:41:06,080 --> 00:41:09,120
Speaker 4: what I'm saying, Like the spotlight is following me, like

801
00:41:09,560 --> 00:41:12,799
Speaker 4: I got my light. Y'all sing if y'all want to sing?

802
00:41:13,040 --> 00:41:15,799
Speaker 2: Yeah, Now that's really cool because every artist isn't like

803
00:41:15,840 --> 00:41:18,000
Speaker 2: that though, no matter if you got your spotlight or not.

804
00:41:18,600 --> 00:41:22,800
Speaker 2: Some artists are just like, yeah, you know what you're saying.

805
00:41:22,920 --> 00:41:25,160
Speaker 3: I heard that note. You hit what you're trying to do?

806
00:41:25,719 --> 00:41:28,560
Speaker 4: Stop singing the pod now, baby?

807
00:41:29,000 --> 00:41:32,640
Speaker 1: Yes, right, niggas get kicked off the tour like as

808
00:41:32,800 --> 00:41:35,880
Speaker 1: opening acts, you're doing too much. Basically, no, we're not

809
00:41:35,920 --> 00:41:38,960
Speaker 1: gonna need you for the rest of the way like that.

810
00:41:39,000 --> 00:41:40,839
Speaker 3: It be like that no matter.

811
00:41:40,880 --> 00:41:43,920
Speaker 4: I feel like it's the intention, right, So like if

812
00:41:43,960 --> 00:41:47,200
Speaker 4: you're trying to if you you could tell when somebody

813
00:41:47,400 --> 00:41:49,360
Speaker 4: trying to artist get at you.

814
00:41:49,280 --> 00:41:52,680
Speaker 3: Artists don't care, oh nat.

815
00:41:51,840 --> 00:41:57,240
Speaker 4: Because because I'm I'm I am uh involved in every

816
00:41:57,320 --> 00:42:00,239
Speaker 4: aspect like, for example, I got some offers to go

817
00:42:00,320 --> 00:42:03,920
Speaker 4: perform in the UK and I want Sasha Keebel to

818
00:42:04,160 --> 00:42:06,320
Speaker 4: open for me. For those I don't know if you

819
00:42:06,360 --> 00:42:08,319
Speaker 4: know her, she's amazing. She has a song called hold

820
00:42:08,400 --> 00:42:16,120
Speaker 4: Up incredible Uh Colombian British r and b artists Sasha Keeble.

821
00:42:16,360 --> 00:42:19,759
Speaker 3: Look her up, Sasha kee We're looking for you.

822
00:42:20,320 --> 00:42:23,760
Speaker 4: I think she just went back to London. But she's amazing,

823
00:42:23,880 --> 00:42:26,799
Speaker 4: So it's like, yeah, why would I want to step

824
00:42:26,800 --> 00:42:28,200
Speaker 4: on her? I'm the one who will be throwing the

825
00:42:28,239 --> 00:42:33,640
Speaker 4: shoe from backstage, like yeah, you know, can.

826
00:42:33,480 --> 00:42:37,120
Speaker 1: We are we going to get a revenge to her.

827
00:42:38,480 --> 00:42:43,080
Speaker 4: Probably in the spring February somewhere. I need a minute you.

828
00:42:43,080 --> 00:42:47,320
Speaker 1: Say yes, yes, okay, because I need a yes yes absolutely,

829
00:42:47,400 --> 00:42:51,680
Speaker 1: because I absolutely need to hear this album from top

830
00:42:51,719 --> 00:42:53,840
Speaker 1: to bottom. I know you're going to pick the songs

831
00:42:53,880 --> 00:42:58,920
Speaker 1: that you want to perform from the album, but I

832
00:42:58,960 --> 00:43:03,600
Speaker 1: will say this from experience, and not just my experience,

833
00:43:03,640 --> 00:43:06,920
Speaker 1: but from watching you know, whether it be Beyonce, whether

834
00:43:06,960 --> 00:43:10,000
Speaker 1: it be justin Timberleg, whether it be they sing that

835
00:43:10,120 --> 00:43:14,239
Speaker 1: whole album damn near top to bottom top. I did

836
00:43:14,280 --> 00:43:16,560
Speaker 1: it with Sex Loving Thing too. That's the only tour

837
00:43:16,600 --> 00:43:18,439
Speaker 1: where I sing an album from damn there on top

838
00:43:18,440 --> 00:43:21,000
Speaker 1: to bottom, And when that album came on, people was

839
00:43:21,080 --> 00:43:23,680
Speaker 1: like that, I've been waiting and I am waiting to

840
00:43:23,880 --> 00:43:27,600
Speaker 1: hear Revenge from top to bottom. That is one of

841
00:43:27,680 --> 00:43:29,440
Speaker 1: two songs that you don't want to I.

842
00:43:29,400 --> 00:43:36,520
Speaker 4: Get it all. Yeah, and anything I would take out

843
00:43:36,600 --> 00:43:38,920
Speaker 4: make me made for me because I don't saying it's

844
00:43:38,960 --> 00:43:39,359
Speaker 4: so much.

845
00:43:39,719 --> 00:43:40,759
Speaker 3: Don't you don't you dare?

846
00:43:40,960 --> 00:43:46,400
Speaker 4: You can't if anything that, but I wouldn't you.

847
00:43:46,400 --> 00:43:49,959
Speaker 1: You have created a body of work that I want

848
00:43:50,000 --> 00:43:53,600
Speaker 1: to hear from top to bottom.

849
00:43:53,800 --> 00:43:55,839
Speaker 3: I want to hear it. I want to see what.

850
00:43:57,280 --> 00:44:00,440
Speaker 2: You know. And it's no business of singles, no skips, ye,

851
00:44:01,000 --> 00:44:04,280
Speaker 2: not even just no skips of somebody really caring about

852
00:44:04,320 --> 00:44:08,000
Speaker 2: an album, because it's just not promoted that way anymore.

853
00:44:08,360 --> 00:44:12,920
Speaker 2: It's not promoted that way anymore. And your experience it

854
00:44:12,960 --> 00:44:15,200
Speaker 2: has to be promoted that way because this is your life.

855
00:44:15,239 --> 00:44:18,040
Speaker 2: This is something that you truly you you let us

856
00:44:18,040 --> 00:44:19,480
Speaker 2: into something, you know what I mean?

857
00:44:19,640 --> 00:44:21,200
Speaker 3: Like this is not like like.

858
00:44:21,120 --> 00:44:27,880
Speaker 2: You said, I'm not writing about seeing something. I'm writing

859
00:44:27,880 --> 00:44:33,799
Speaker 2: about experiencing it for cloud. Yeah, So that's that has

860
00:44:33,840 --> 00:44:35,719
Speaker 2: to be pushed in a different way. It has to

861
00:44:35,760 --> 00:44:38,160
Speaker 2: be promoted, talked as a full body of work.

862
00:44:38,400 --> 00:44:43,520
Speaker 1: And I'm saying this as a challenge, and then y'all

863
00:44:43,560 --> 00:44:44,279
Speaker 1: can be mad at me.

864
00:44:45,960 --> 00:44:46,600
Speaker 3: What was challenge?

865
00:44:47,239 --> 00:44:47,399
Speaker 4: Jam?

866
00:44:48,440 --> 00:44:49,560
Speaker 3: Who it is? Jam?

867
00:44:51,280 --> 00:44:57,080
Speaker 1: Just try it for one week? Sell this album as

868
00:44:57,120 --> 00:45:00,359
Speaker 1: an album. That's it.

869
00:45:02,320 --> 00:45:03,799
Speaker 3: You have. You can't get another way.

870
00:45:03,880 --> 00:45:09,080
Speaker 1: You can't get it no other way. You've already proven

871
00:45:09,320 --> 00:45:12,719
Speaker 1: that you got the ship on there. You've already proven it.

872
00:45:13,000 --> 00:45:19,280
Speaker 1: Now we need everybody to buy into the entire story,

873
00:45:19,440 --> 00:45:25,120
Speaker 1: the entire off the wall, the entire thing. Because I'm

874
00:45:25,480 --> 00:45:30,200
Speaker 1: invested in the story. I'm not invested in one song

875
00:45:30,320 --> 00:45:33,319
Speaker 1: on the album. I listen to your album from top

876
00:45:33,360 --> 00:45:36,160
Speaker 1: to about it and I feel like that is the way,

877
00:45:36,400 --> 00:45:39,200
Speaker 1: Like it is fine dining, Like when you go into

878
00:45:39,239 --> 00:45:43,719
Speaker 1: that fine dining and there's there's an appetizer, and there

879
00:45:43,800 --> 00:45:46,400
Speaker 1: is a main and there is a dessert. It comes

880
00:45:46,440 --> 00:45:58,280
Speaker 1: with it. You sit there, menu, you can set menu

881
00:45:59,360 --> 00:46:02,600
Speaker 1: and it's two fifty person purpose.

882
00:46:04,520 --> 00:46:13,279
Speaker 3: Always that's something you didn't say anything. I would.

883
00:46:13,440 --> 00:46:18,439
Speaker 1: I would love it if your album was sold as

884
00:46:18,480 --> 00:46:26,319
Speaker 1: a complete package. You can't buy one song, just just

885
00:46:26,360 --> 00:46:28,719
Speaker 1: the thing. And maybe it's too late, Maybe you know

886
00:46:28,760 --> 00:46:30,759
Speaker 1: it is what it is. It's in the system, it's

887
00:46:30,840 --> 00:46:33,480
Speaker 1: it's doing what it's supposed to do. You're having success.

888
00:46:34,200 --> 00:46:38,520
Speaker 4: It needs to be treated with a certain integrity.

889
00:46:38,120 --> 00:46:43,239
Speaker 1: Because the other part is like, to me, it's just

890
00:46:43,280 --> 00:46:47,799
Speaker 1: the work that you put into it. It validates that

891
00:46:49,160 --> 00:46:52,360
Speaker 1: you you you you deserve for the songs that weren't

892
00:46:52,440 --> 00:46:55,040
Speaker 1: radio songs.

893
00:46:55,120 --> 00:46:56,080
Speaker 4: I have that argument.

894
00:46:56,200 --> 00:47:00,400
Speaker 1: Yeah, I got to be played. Like the fact that Okay,

895
00:47:00,680 --> 00:47:03,399
Speaker 1: they could stream one song fifteen hundred times and that

896
00:47:03,680 --> 00:47:05,760
Speaker 1: is a pure album. So that works for you because

897
00:47:05,760 --> 00:47:09,520
Speaker 1: you write everything, But for everyone else who's participated with

898
00:47:09,560 --> 00:47:12,480
Speaker 1: you on the rest of those songs, that that misses them.

899
00:47:12,600 --> 00:47:17,160
Speaker 4: And I will say, like there is sort of an

900
00:47:17,320 --> 00:47:23,520
Speaker 4: endangered species sort of thing happening with artists who put

901
00:47:23,560 --> 00:47:27,680
Speaker 4: that much effort into making a full body of work

902
00:47:27,719 --> 00:47:30,960
Speaker 4: and the album packaging, and you know, like it's a lot,

903
00:47:31,400 --> 00:47:35,840
Speaker 4: and if you don't support it, it's going to die. Yes,

904
00:47:35,960 --> 00:47:38,719
Speaker 4: it's going to die. Because labels are like, well, why

905
00:47:38,760 --> 00:47:42,600
Speaker 4: do we have to spend half a million on a project?

906
00:47:42,840 --> 00:47:46,280
Speaker 4: And we could just spend ten thousand dollars on one single?

907
00:47:46,280 --> 00:47:48,759
Speaker 4: What makes us two million? And then we can move

908
00:47:48,800 --> 00:47:50,920
Speaker 4: on to the next artist. You know, don't have to

909
00:47:50,960 --> 00:47:54,239
Speaker 4: invest because it costs money to invest in an artist

910
00:47:54,320 --> 00:47:58,480
Speaker 4: and brand them. You know, it's millions, So you end

911
00:47:58,560 --> 00:48:01,719
Speaker 4: up needing three or four or five five hits in

912
00:48:01,800 --> 00:48:04,880
Speaker 4: order to break even versus just that one that you

913
00:48:04,920 --> 00:48:07,840
Speaker 4: made in your closet. So it's like it's like a

914
00:48:07,960 --> 00:48:13,200
Speaker 4: cannibalizing self, cannibalizing with all the artists that are like, oh, well,

915
00:48:13,239 --> 00:48:15,640
Speaker 4: I made this song, you know, with a microphone in

916
00:48:15,680 --> 00:48:20,600
Speaker 4: my room, Like yeah, but you don't understand how it's deteriorating.

917
00:48:20,800 --> 00:48:26,600
Speaker 4: You can't sustain the business like that. You need artists

918
00:48:26,600 --> 00:48:29,480
Speaker 4: that are putting out full bodies of work. Adele just

919
00:48:29,480 --> 00:48:32,160
Speaker 4: says she's going away for a minute, Like we're tired,

920
00:48:33,760 --> 00:48:37,080
Speaker 4: you know what I'm saying. It's a lot, and like

921
00:48:37,120 --> 00:48:40,040
Speaker 4: the labels make you feel like you're doing so much.

922
00:48:40,120 --> 00:48:44,160
Speaker 4: I'm asking for so much. I'm actually cheap compared to no,

923
00:48:44,280 --> 00:48:52,759
Speaker 4: I am, I'm cheap compared to my contemporaries. I am.

924
00:48:52,880 --> 00:48:55,319
Speaker 4: But this is an expensive game. You don't complain about

925
00:48:55,680 --> 00:48:57,560
Speaker 4: if you drop a bumley, You're not complaining about how

926
00:48:57,640 --> 00:49:00,440
Speaker 4: much the gas costs or how much the tires cost.

927
00:49:00,600 --> 00:49:02,400
Speaker 4: You shouldn't have it if you can't afford it.

928
00:49:12,120 --> 00:49:13,879
Speaker 1: Yeah, I don't. I don't even know how many times

929
00:49:13,880 --> 00:49:16,040
Speaker 1: I can say that your album is crazy to mak

930
00:49:16,120 --> 00:49:21,839
Speaker 1: your album is crazy out now, revenge out. Now. You've

931
00:49:21,840 --> 00:49:25,560
Speaker 1: done a top five already, you've done a Maybe we

932
00:49:25,680 --> 00:49:28,040
Speaker 1: just do a top five songs on your album? Do

933
00:49:28,120 --> 00:49:28,480
Speaker 1: we do that?

934
00:49:29,440 --> 00:49:32,000
Speaker 3: Or we can do we can do a what's your

935
00:49:32,040 --> 00:49:32,480
Speaker 3: top five?

936
00:49:32,520 --> 00:49:32,759
Speaker 1: Now?

937
00:49:33,880 --> 00:49:36,759
Speaker 2: What's your current things that you like? Let's get into

938
00:49:36,800 --> 00:49:40,080
Speaker 2: your playlist, play list, let's get into your playlist.

939
00:49:42,120 --> 00:49:50,200
Speaker 7: Currents, let's get into your plist, current top five, current

940
00:49:50,360 --> 00:49:58,400
Speaker 7: top five, current top five, Thank you Valentine, current top

941
00:49:58,480 --> 00:50:00,560
Speaker 7: five singer.

942
00:50:04,080 --> 00:50:18,520
Speaker 3: So we want to do maybe on the radio? You know, yes.

943
00:50:20,960 --> 00:50:42,400
Speaker 4: Yes, houses like gospel rock. Thank everybody.

944
00:50:43,000 --> 00:50:43,839
Speaker 1: I'm here all week.

945
00:50:44,440 --> 00:50:49,319
Speaker 4: My current five are singers. What am I listening to?

946
00:50:51,000 --> 00:50:51,480
Speaker 4: I don't know.

947
00:50:53,440 --> 00:50:55,320
Speaker 3: I really like to put the singer and song together.

948
00:50:55,520 --> 00:50:55,719
Speaker 3: You know.

949
00:50:55,719 --> 00:50:57,680
Speaker 4: I was gonna say, I really like Chloy Bailey's Rosa

950
00:50:57,880 --> 00:51:00,000
Speaker 4: like that worried combo play.

951
00:51:00,280 --> 00:51:02,640
Speaker 1: Yeah, she made a combo. She made her on combo.

952
00:51:03,920 --> 00:51:07,080
Speaker 4: Chloe Bailey Rose Nice one of my favorite songs.

953
00:51:07,239 --> 00:51:07,520
Speaker 3: Nice.

954
00:51:07,840 --> 00:51:13,799
Speaker 4: I really like Kilny Borders uh. And I guess just

955
00:51:13,800 --> 00:51:15,560
Speaker 4: because I'm biased, just because I was on the road

956
00:51:15,600 --> 00:51:22,240
Speaker 4: with him. But I've been listening to Chris's eleven eleven project,

957
00:51:23,680 --> 00:51:26,719
Speaker 4: the whole thing, three, the whole thing. Just anytime I

958
00:51:26,719 --> 00:51:27,439
Speaker 4: hear like, you.

959
00:51:27,360 --> 00:51:28,000
Speaker 6: Know, he.

960
00:51:30,440 --> 00:51:31,240
Speaker 1: Don't it do something?

961
00:51:31,520 --> 00:51:32,040
Speaker 5: It does?

962
00:51:32,880 --> 00:51:41,280
Speaker 3: Did who my music?

963
00:51:41,320 --> 00:51:43,160
Speaker 4: I've been listening to wearing it out.

964
00:51:43,880 --> 00:51:45,720
Speaker 3: What's your favorite song from your project?

965
00:51:45,840 --> 00:51:49,279
Speaker 4: Reverse reverse, and then I would reverse interlude, and then

966
00:51:49,280 --> 00:51:52,719
Speaker 4: I will say thirties mm hmmm, and then the baddest

967
00:51:54,280 --> 00:51:56,920
Speaker 4: those are the ones that really resume. And then I

968
00:51:56,920 --> 00:51:59,880
Speaker 4: have a deluxe coming with like four other songs, dude, dukes,

969
00:52:00,239 --> 00:52:03,080
Speaker 4: because you got more music I do. I really wanted

970
00:52:03,080 --> 00:52:05,120
Speaker 4: to put like nineteen songs on this project, but Tricky

971
00:52:05,200 --> 00:52:10,279
Speaker 4: was like too much, Absolutely not. It was thirteen. And

972
00:52:10,280 --> 00:52:13,239
Speaker 4: then I was like, please, can we have a ruin me?

973
00:52:14,160 --> 00:52:15,480
Speaker 3: Oh nice? No.

974
00:52:15,600 --> 00:52:18,960
Speaker 4: I turned that in like two weeks before at the

975
00:52:18,960 --> 00:52:20,920
Speaker 4: album packaging shoot. Actually the night before I was like,

976
00:52:20,920 --> 00:52:21,360
Speaker 4: I got.

977
00:52:21,200 --> 00:52:25,120
Speaker 2: One more so on you can't turn that record down.

978
00:52:25,520 --> 00:52:30,200
Speaker 4: And then I've been listening to it either. It would

979
00:52:30,239 --> 00:52:33,840
Speaker 4: be a tie between four Bats and Laila.

980
00:52:33,960 --> 00:52:36,640
Speaker 3: I love four Bats, I love.

981
00:52:38,280 --> 00:52:41,719
Speaker 2: And I love that he made kind of a a

982
00:52:41,800 --> 00:52:46,160
Speaker 2: nostalgic R and B album along with his new way.

983
00:52:46,680 --> 00:52:48,800
Speaker 3: You know what I'm saying.

984
00:52:48,600 --> 00:52:49,400
Speaker 5: Doing it on stage?

985
00:52:49,480 --> 00:52:51,560
Speaker 3: You seen that? That's how I felt like I was

986
00:52:51,560 --> 00:52:52,960
Speaker 3: gonna here on this album.

987
00:52:53,080 --> 00:52:56,240
Speaker 4: Did you see that they been doing it on stage?

988
00:52:56,440 --> 00:53:01,680
Speaker 4: Doing it on stage or like they like simulated it's

989
00:53:01,719 --> 00:53:06,880
Speaker 4: like a bed in here now. Yeah, and then the

990
00:53:06,920 --> 00:53:09,360
Speaker 4: girl get under the covers they be on stage.

991
00:53:09,360 --> 00:53:14,480
Speaker 2: They bring in the bed on the stage. Okay, that's

992
00:53:14,480 --> 00:53:15,239
Speaker 2: throw back R and B.

993
00:53:15,760 --> 00:53:16,560
Speaker 4: That's dangerous.

994
00:53:17,000 --> 00:53:20,760
Speaker 2: I mean you gotta get but you gott get some papers.

995
00:53:20,760 --> 00:53:22,600
Speaker 2: A part of Christ where all the girls come out

996
00:53:22,600 --> 00:53:26,200
Speaker 2: and yeah, they want to talk about that is that's dangerous.

997
00:53:25,800 --> 00:53:27,240
Speaker 3: To the girls.

998
00:53:27,600 --> 00:53:28,440
Speaker 1: Fucking rope with us?

999
00:53:28,560 --> 00:53:31,240
Speaker 3: Son, you mean with the girls is like dancers.

1000
00:53:31,440 --> 00:53:33,120
Speaker 5: Absolutely, that's his dancer.

1001
00:53:34,040 --> 00:53:35,239
Speaker 1: Still got to get a permission slip.

1002
00:53:35,280 --> 00:53:38,160
Speaker 4: They don't be kissing real, they kind of do, they

1003
00:53:38,239 --> 00:53:40,279
Speaker 4: don't know. It's the angle of the.

1004
00:53:44,160 --> 00:53:44,600
Speaker 3: Grinding.

1005
00:53:44,760 --> 00:53:46,319
Speaker 4: They did not be kissing. You come out the part

1006
00:53:46,320 --> 00:53:48,600
Speaker 4: where like him and Taylor, it's.

1007
00:53:48,440 --> 00:53:50,160
Speaker 3: A bumping the grinding.

1008
00:53:50,200 --> 00:53:51,440
Speaker 1: You gonna tell me no different.

1009
00:53:51,719 --> 00:53:53,759
Speaker 4: You know that that grinding and stuff that's real.

1010
00:53:53,800 --> 00:53:57,600
Speaker 1: They got that right is real. Body parts respond to

1011
00:53:57,680 --> 00:53:58,319
Speaker 1: that type of ship.

1012
00:53:58,600 --> 00:53:59,080
Speaker 5: You know that.

1013
00:53:59,200 --> 00:54:05,680
Speaker 4: She was definitely heard, but right on every night close.

1014
00:54:06,840 --> 00:54:07,920
Speaker 4: But that was not kissing.

1015
00:54:08,160 --> 00:54:09,959
Speaker 1: I used to be able to do that in my show.

1016
00:54:10,000 --> 00:54:10,680
Speaker 3: I can't do.

1017
00:54:10,960 --> 00:54:13,680
Speaker 4: My marriage is got to be respectful.

1018
00:54:15,600 --> 00:54:15,799
Speaker 2: Yeah.

1019
00:54:15,840 --> 00:54:22,400
Speaker 4: No, but Christy his baby mamas be right there, they

1020
00:54:22,480 --> 00:54:26,520
Speaker 4: be like, oh my god. Yeah, it's part of the show.

1021
00:54:26,640 --> 00:54:29,399
Speaker 4: Like I wouldn't get mad. It's part of the show

1022
00:54:29,440 --> 00:54:29,799
Speaker 4: that I.

1023
00:54:29,880 --> 00:54:33,080
Speaker 1: Think you So you wouldn't get mad if it's part

1024
00:54:33,080 --> 00:54:35,439
Speaker 1: of the show because it's just part of the show.

1025
00:54:35,440 --> 00:54:36,920
Speaker 5: It's just's just dancer.

1026
00:54:37,160 --> 00:54:40,400
Speaker 3: That's my dancer. I'm not doing anything with my dance.

1027
00:54:41,160 --> 00:54:41,680
Speaker 4: What you're doing?

1028
00:54:42,440 --> 00:54:44,040
Speaker 3: What am I doing?

1029
00:54:44,200 --> 00:54:44,799
Speaker 4: I didn't say that.

1030
00:54:44,800 --> 00:54:45,680
Speaker 1: I'm just performing.

1031
00:54:46,239 --> 00:54:46,640
Speaker 3: It's just.

1032
00:54:48,800 --> 00:54:58,880
Speaker 4: Is it me? Personally? Me, I would not get upset. Cool, No,

1033
00:54:59,000 --> 00:55:02,719
Speaker 4: I don't like that. Out I see what you're trying

1034
00:55:02,719 --> 00:55:02,920
Speaker 4: to do.

1035
00:55:03,480 --> 00:55:09,440
Speaker 1: No, welcome to this phone call.

1036
00:55:10,880 --> 00:55:12,200
Speaker 4: Did I try to use this later?

1037
00:55:12,280 --> 00:55:13,560
Speaker 1: Welcome to the straight Way conference?

1038
00:55:14,520 --> 00:55:16,560
Speaker 4: Not me personally, I wouldn't want money.

1039
00:55:16,560 --> 00:55:17,640
Speaker 3: What did you What did you say?

1040
00:55:17,760 --> 00:55:17,840
Speaker 1: So?

1041
00:55:17,880 --> 00:55:19,920
Speaker 3: What was you saying when it's all the show?

1042
00:55:21,560 --> 00:55:22,440
Speaker 4: I wouldn't get upset.

1043
00:55:22,600 --> 00:55:27,719
Speaker 1: Do you do you have a current? I ain't saying

1044
00:55:27,719 --> 00:55:30,680
Speaker 1: no names that you wouldn't want to get off.

1045
00:55:32,120 --> 00:55:35,880
Speaker 2: Yeah, let's get the let's get the the Grammy win

1046
00:55:35,960 --> 00:55:39,480
Speaker 2: in on that tour ship changed.

1047
00:55:40,960 --> 00:55:42,280
Speaker 5: Now, you know, just as a whole.

1048
00:55:42,400 --> 00:55:45,200
Speaker 4: Like it's crazy how people just when they think you

1049
00:55:45,280 --> 00:55:49,000
Speaker 4: got it, whether you have it or not, it's mine. Yeah,

1050
00:55:49,239 --> 00:55:51,480
Speaker 4: it's so crazy. How the prices go up like before,

1051
00:55:52,400 --> 00:55:55,080
Speaker 4: why you change? We're still doing the same show.

1052
00:55:56,280 --> 00:55:58,080
Speaker 5: Oh yeah, it's the same show.

1053
00:55:58,239 --> 00:56:01,440
Speaker 4: Why are you charging me more now? And like you know,

1054
00:56:01,480 --> 00:56:03,440
Speaker 4: if i'm if, I'm I was. I went from like

1055
00:56:03,560 --> 00:56:05,880
Speaker 4: paying to perform, so now I get to take a

1056
00:56:05,880 --> 00:56:07,719
Speaker 4: little bit of something home and you want to take that.

1057
00:56:08,840 --> 00:56:11,759
Speaker 4: So basically everybody get paid but me. That's crazy.

1058
00:56:11,880 --> 00:56:14,480
Speaker 3: Oh that's that's uh, that's it.

1059
00:56:14,800 --> 00:56:18,520
Speaker 4: That's crazy. That's how I might take a thousand dollars.

1060
00:56:18,239 --> 00:56:21,560
Speaker 5: On maybe hey hey hey hey.

1061
00:56:22,800 --> 00:56:26,919
Speaker 3: Maybe no not anymore. Yeah no.

1062
00:56:27,320 --> 00:56:29,279
Speaker 4: But like I started seeing that happen, I'm like, what

1063
00:56:29,320 --> 00:56:34,040
Speaker 4: the fuck I'm making more money and getting less because

1064
00:56:34,040 --> 00:56:34,600
Speaker 4: it's crazy.

1065
00:56:34,680 --> 00:56:39,279
Speaker 1: You gotta like, like everybody has to realize this. It

1066
00:56:39,280 --> 00:56:41,360
Speaker 1: doesn't start with you on stage.

1067
00:56:41,280 --> 00:56:44,040
Speaker 4: Right There's all this work that I have to do

1068
00:56:44,480 --> 00:56:44,960
Speaker 4: start with.

1069
00:56:44,920 --> 00:56:46,120
Speaker 3: You years ago.

1070
00:56:46,760 --> 00:56:51,120
Speaker 1: Yeah, to get to this stage right here. So for

1071
00:56:51,239 --> 00:56:53,960
Speaker 1: me to get to this stage right here, I should

1072
00:56:54,000 --> 00:56:54,960
Speaker 1: be seeing the bulk.

1073
00:56:54,760 --> 00:56:58,440
Speaker 4: Of this, and I'm not well. I wasn't. I just

1074
00:56:58,480 --> 00:57:00,960
Speaker 4: put it stopped. I'm like, don't book me no more shows.

1075
00:57:01,520 --> 00:57:03,560
Speaker 4: I'm not finna get up there and take time away

1076
00:57:03,560 --> 00:57:06,759
Speaker 4: from my family, my baby. I'm busting my butt. I

1077
00:57:06,760 --> 00:57:09,520
Speaker 4: can't have fun. Everybody else having a good time. I

1078
00:57:09,520 --> 00:57:11,839
Speaker 4: gotta go to sleep at nine o'clock so I could

1079
00:57:11,840 --> 00:57:13,560
Speaker 4: actually wake up and sing, because.

1080
00:57:13,360 --> 00:57:14,320
Speaker 1: You got to sing lead.

1081
00:57:17,160 --> 00:57:18,919
Speaker 5: Y'all getting paid everybody else.

1082
00:57:19,480 --> 00:57:22,920
Speaker 1: Everybody else can coast and cruise and we won't notice.

1083
00:57:23,520 --> 00:57:27,720
Speaker 1: You cannot. You cannot go to sleep.

1084
00:57:28,880 --> 00:57:31,400
Speaker 4: All these people in my dressing room. Why y'all drinking

1085
00:57:31,480 --> 00:57:34,960
Speaker 4: up all my cost Guys like why? Why?

1086
00:57:35,240 --> 00:57:38,160
Speaker 3: Ah? Why?

1087
00:57:38,720 --> 00:57:38,880
Speaker 5: Why?

1088
00:57:39,040 --> 00:57:39,960
Speaker 4: Where is my rebel?

1089
00:57:40,840 --> 00:57:41,360
Speaker 3: Where where?

1090
00:57:42,920 --> 00:57:45,240
Speaker 4: The first day of tour, bro I came in the

1091
00:57:45,320 --> 00:57:49,360
Speaker 4: dressing room, snacks ran through everything. I said, well, damn,

1092
00:57:50,200 --> 00:57:53,640
Speaker 4: y'all don't give a about me. That's crazy. Nobody asked me.

1093
00:57:53,640 --> 00:57:58,400
Speaker 4: Did I eat? Y'all don't open my watermelon? Wow. The

1094
00:57:58,480 --> 00:58:01,320
Speaker 4: next day I came in there, I had a full

1095
00:58:01,360 --> 00:58:04,480
Speaker 4: style refrigerator. Nobody had touched nothing. I was like, thank

1096
00:58:04,600 --> 00:58:06,920
Speaker 4: you to speak on that's so crazy that you just

1097
00:58:07,000 --> 00:58:08,960
Speaker 4: didn't even think about me, Like y'all took all the

1098
00:58:08,960 --> 00:58:11,080
Speaker 4: good chips, left me to free doos talk about to

1099
00:58:11,120 --> 00:58:19,920
Speaker 4: eat free id't know on motherfucking corn chips, and I

1100
00:58:20,000 --> 00:58:23,240
Speaker 4: want vegan chips neither. I want the smart fool popcorn,

1101
00:58:23,840 --> 00:58:25,680
Speaker 4: and I want the solven ship, and I want all

1102
00:58:25,680 --> 00:58:26,800
Speaker 4: the stuff that's on my writer.

1103
00:58:27,160 --> 00:58:29,360
Speaker 1: Well, my thing is that don't open my twinkies till

1104
00:58:29,400 --> 00:58:32,200
Speaker 1: I opened my twins thank you, then you can have

1105
00:58:32,240 --> 00:58:32,640
Speaker 1: a twinky.

1106
00:58:32,840 --> 00:58:35,600
Speaker 2: Nobody want twinky, and you gotta start picking that the

1107
00:58:35,680 --> 00:58:40,680
Speaker 2: dumbody want your niggas want Boston Bean exactly.

1108
00:58:40,440 --> 00:58:43,360
Speaker 1: And don't don't got too many lamp stops. Don't get

1109
00:58:43,360 --> 00:58:46,480
Speaker 1: no lamp stops until shot get his lamb chops. The

1110
00:58:46,600 --> 00:58:47,880
Speaker 1: shot get his lamp chops first.

1111
00:58:48,000 --> 00:58:51,280
Speaker 4: Remember, on the first day to LA, we couldn't even

1112
00:58:51,280 --> 00:58:53,720
Speaker 4: get into the stable center or the crypto. Excuse me,

1113
00:58:54,640 --> 00:59:00,200
Speaker 4: excuse me, we couldn't even get in. It's the thirty

1114
00:59:00,280 --> 00:59:03,160
Speaker 4: minutes before I got to go on stage. I'm still

1115
00:59:03,200 --> 00:59:08,520
Speaker 4: not even so I'm like, I started getting pissed because

1116
00:59:08,560 --> 00:59:11,520
Speaker 4: I'm like, Noah, I know, damn will they are in

1117
00:59:11,560 --> 00:59:18,000
Speaker 4: there getting ready all this. Why ain't nobody calling my

1118
00:59:18,000 --> 00:59:19,080
Speaker 4: phone make see where I'm.

1119
00:59:18,960 --> 00:59:21,800
Speaker 3: At, to make sure yeah, I get.

1120
00:59:21,600 --> 00:59:24,880
Speaker 4: In the venue, they politicking everybody in the hallway. Just

1121
00:59:26,600 --> 00:59:32,600
Speaker 4: I'm pissedide I'm like, ain't now one of y'all just

1122
00:59:32,600 --> 00:59:34,720
Speaker 4: trying to see where I'm at because if I don't

1123
00:59:34,720 --> 00:59:39,280
Speaker 4: get on this stage, y'all not getting paid, none of y'all.

1124
00:59:39,360 --> 00:59:41,240
Speaker 4: Like bro, it began to black.

1125
00:59:42,040 --> 00:59:43,040
Speaker 1: What was that about?

1126
00:59:43,560 --> 00:59:46,320
Speaker 4: Somebody didn't do what they were supposed to do. We

1127
00:59:46,360 --> 00:59:47,480
Speaker 4: ain't had no parking past.

1128
00:59:49,040 --> 00:59:50,600
Speaker 3: It be a lot of shit going on the road,

1129
00:59:50,600 --> 00:59:51,840
Speaker 3: and crazy is.

1130
00:59:51,640 --> 00:59:54,680
Speaker 4: I just now realized that the person who invited me

1131
00:59:54,720 --> 00:59:58,240
Speaker 4: on tour, Chris, didn't know anything about all the stuff

1132
00:59:58,280 --> 01:00:01,760
Speaker 4: that I was dealing with the whole tour. He sleeps

1133
01:00:01,760 --> 01:00:05,840
Speaker 4: till five o'clock. He's not but he had no clue

1134
01:00:06,880 --> 01:00:08,560
Speaker 4: of all the bs that I was the ones. I

1135
01:00:08,560 --> 01:00:09,320
Speaker 4: took it like a chimp.

1136
01:00:09,360 --> 01:00:12,640
Speaker 3: I'm just like, hey, he's an open He definitely would.

1137
01:00:12,760 --> 01:00:14,080
Speaker 4: But at the end of the tour he was like, no,

1138
01:00:14,320 --> 01:00:16,680
Speaker 4: you you got seniority like you should. I'm like, maam,

1139
01:00:16,760 --> 01:00:17,680
Speaker 4: I'm not about to call you.

1140
01:00:19,280 --> 01:00:21,520
Speaker 1: He's one of those guys you can tell I could

1141
01:00:21,600 --> 01:00:25,560
Speaker 1: have but you should have. And then guess what. Guess what.

1142
01:00:25,680 --> 01:00:27,360
Speaker 4: But by the time I started it was the end

1143
01:00:27,400 --> 01:00:31,000
Speaker 4: of the tours, like you know, the last two days.

1144
01:00:31,160 --> 01:00:35,560
Speaker 1: You have a friend like that, Hey, friend just having

1145
01:00:35,600 --> 01:00:36,439
Speaker 1: a tough time.

1146
01:00:36,600 --> 01:00:38,360
Speaker 4: I know some people would have got in trouble if

1147
01:00:38,400 --> 01:00:43,440
Speaker 4: I would have said the stuff that I had to do, that.

1148
01:00:45,560 --> 01:00:49,400
Speaker 1: That's it. He don't. He don't want that to connect.

1149
01:00:49,080 --> 01:00:49,560
Speaker 3: It to him.

1150
01:00:50,040 --> 01:00:53,000
Speaker 4: I don't want him though, because I started experiencing. That's

1151
01:00:53,000 --> 01:00:55,520
Speaker 4: one thing I will say. You asked about the difference

1152
01:00:55,560 --> 01:00:59,280
Speaker 4: between hours and hours in the timeframe and how things

1153
01:00:59,280 --> 01:01:03,080
Speaker 4: have elevated and grown. There are so many things that

1154
01:01:03,160 --> 01:01:05,920
Speaker 4: don't even make it to my desk now, and it's

1155
01:01:05,960 --> 01:01:09,680
Speaker 4: it's this weird uh almost like write a passage where

1156
01:01:09,720 --> 01:01:11,840
Speaker 4: like people just start to feel like, oh, you're the

1157
01:01:11,880 --> 01:01:14,240
Speaker 4: star now. So I need to translate and I need

1158
01:01:14,280 --> 01:01:18,080
Speaker 4: to be like, no, I want to know what's going

1159
01:01:18,080 --> 01:01:22,480
Speaker 4: on in my world. You know what I'm saying. It's weird.

1160
01:01:22,680 --> 01:01:23,919
Speaker 4: It's such a weird thing.

1161
01:01:24,080 --> 01:01:29,680
Speaker 1: I'm gonna tell you no, no, no, I don't like.

1162
01:01:29,680 --> 01:01:30,840
Speaker 4: Not knowing what's going on.

1163
01:01:31,080 --> 01:01:32,040
Speaker 1: No, he's here.

1164
01:01:32,160 --> 01:01:41,360
Speaker 6: I don't like so star one on one songwriter, producer, performer,

1165
01:01:42,000 --> 01:01:42,680
Speaker 6: one O one.

1166
01:01:43,480 --> 01:01:47,919
Speaker 3: That's what you do, that's your focus.

1167
01:01:48,520 --> 01:01:53,640
Speaker 1: Anything that's trying to interrupt that. That's everybody else's job

1168
01:01:53,680 --> 01:01:57,640
Speaker 1: to keep that from happening. It's not supposed to make

1169
01:01:57,680 --> 01:01:58,400
Speaker 1: it to your desk.

1170
01:01:58,600 --> 01:02:00,640
Speaker 3: Yes, some things are. They just never supposed to make it.

1171
01:02:01,040 --> 01:02:02,640
Speaker 4: And then what if I end up still having to

1172
01:02:02,640 --> 01:02:03,200
Speaker 4: deal with it?

1173
01:02:03,640 --> 01:02:08,080
Speaker 3: Shouldn't then you have to deal with them. Then you

1174
01:02:08,160 --> 01:02:09,000
Speaker 3: gotta deal with them.

1175
01:02:09,240 --> 01:02:11,400
Speaker 2: Yeah, that that Those are the conversations I mean, like listen,

1176
01:02:11,440 --> 01:02:15,000
Speaker 2: you you're talking to artist manager. There's certain things that like,

1177
01:02:15,240 --> 01:02:18,400
Speaker 2: once if it gets to him, I got a black dog.

1178
01:02:19,800 --> 01:02:23,440
Speaker 2: This happened because and this is why this happened, and

1179
01:02:23,440 --> 01:02:25,280
Speaker 2: and then we have to give you know, we have

1180
01:02:25,320 --> 01:02:27,840
Speaker 2: to figure out, like you know, what's the root of

1181
01:02:27,840 --> 01:02:29,680
Speaker 2: it and then come to an understanding of it. And

1182
01:02:29,720 --> 01:02:31,520
Speaker 2: then it's times where I gotta be like nik, am

1183
01:02:31,520 --> 01:02:33,160
Speaker 2: I bad, you know what I'm saying.

1184
01:02:33,320 --> 01:02:34,680
Speaker 3: Or even as the.

1185
01:02:34,720 --> 01:02:37,880
Speaker 2: Artist, he'll say that something he didn't part of his job,

1186
01:02:37,960 --> 01:02:40,280
Speaker 2: he'd be like, ja, my bad, you know what I'm saying,

1187
01:02:40,280 --> 01:02:42,200
Speaker 2: Like you have to you have to have that.

1188
01:02:42,280 --> 01:02:43,560
Speaker 3: And everybody that's a part of it.

1189
01:02:43,560 --> 01:02:47,000
Speaker 2: If it's rolemager, if it's lawyers, if it's assistance, if

1190
01:02:47,040 --> 01:02:47,640
Speaker 2: it's you know.

1191
01:02:47,880 --> 01:02:51,600
Speaker 3: Whoever, whatever, directors whoever part you play on the team.

1192
01:02:53,160 --> 01:02:55,760
Speaker 2: I got it, like we all here to everybody so

1193
01:02:55,800 --> 01:02:58,800
Speaker 2: that we can get home safely and we can make

1194
01:02:58,880 --> 01:03:01,880
Speaker 2: as much money as possible put on the best show

1195
01:03:01,920 --> 01:03:02,960
Speaker 2: us that we can.

1196
01:03:03,400 --> 01:03:05,480
Speaker 4: One thing I can't stand is getting a bill for something.

1197
01:03:08,000 --> 01:03:13,200
Speaker 1: Who when I first got that, Uh, your bus was

1198
01:03:14,400 --> 01:03:15,320
Speaker 1: thirty minutes late?

1199
01:03:15,400 --> 01:03:15,640
Speaker 3: Bill?

1200
01:03:16,080 --> 01:03:17,320
Speaker 1: Yeah for loading?

1201
01:03:17,840 --> 01:03:19,600
Speaker 4: Yeah, oh there's a bill for that.

1202
01:03:19,920 --> 01:03:25,160
Speaker 3: Yeah. I mean, well you're getting ready to headline? Tell

1203
01:03:25,200 --> 01:03:25,640
Speaker 3: you like.

1204
01:03:25,640 --> 01:03:28,760
Speaker 4: This, Thank you for the heads up. So I don't want.

1205
01:03:28,640 --> 01:03:33,480
Speaker 1: To be late to these union buildings, Yeah, not a minute.

1206
01:03:33,520 --> 01:03:35,400
Speaker 3: The union don't play be there early.

1207
01:03:36,520 --> 01:03:39,680
Speaker 4: So basically, if the workers are there ready, oh yeah, it's.

1208
01:03:39,720 --> 01:03:40,240
Speaker 3: Down the clock.

1209
01:03:40,560 --> 01:03:41,680
Speaker 1: Oh, they're gonna charge you.

1210
01:03:41,680 --> 01:03:43,880
Speaker 3: And they're gonna charge you maybe time and a half.

1211
01:03:43,920 --> 01:03:46,400
Speaker 3: Yeah for making them wait to make it.

1212
01:03:46,640 --> 01:03:47,280
Speaker 4: That's crazy.

1213
01:03:47,480 --> 01:03:50,280
Speaker 3: And if you're not out hard out ye.

1214
01:03:50,880 --> 01:03:53,560
Speaker 4: See but see I knew about that, hold on, and then.

1215
01:03:53,480 --> 01:03:55,480
Speaker 3: You gotta think Chris would have had to pay for all. Yeah.

1216
01:03:55,640 --> 01:03:59,480
Speaker 1: And you'll notice some unions are more expensive than others,

1217
01:03:59,840 --> 01:04:01,919
Speaker 1: so most cities are going to be at a standard pace.

1218
01:04:02,080 --> 01:04:03,840
Speaker 1: And then you're gonna get to a city like Boston

1219
01:04:04,480 --> 01:04:07,240
Speaker 1: and get to see like New York and why is

1220
01:04:07,360 --> 01:04:08,400
Speaker 1: this so much more?

1221
01:04:09,720 --> 01:04:11,720
Speaker 4: Yeah, they don't play, but no, they was in my

1222
01:04:11,840 --> 01:04:14,560
Speaker 4: ear so like if I had a hard thirty minutes,

1223
01:04:15,080 --> 01:04:17,040
Speaker 4: it doesn't matter. If I started late, they'd be like,

1224
01:04:17,160 --> 01:04:20,280
Speaker 4: you got one more song and I'll be like, okay, skip,

1225
01:04:21,280 --> 01:04:23,200
Speaker 4: like I know what to you know, like yeah, they

1226
01:04:23,240 --> 01:04:24,480
Speaker 4: wasn't playing that so.

1227
01:04:24,760 --> 01:04:29,960
Speaker 1: Again, like you know, you're within your delegation process like

1228
01:04:30,360 --> 01:04:34,880
Speaker 1: those people like my guys know, hey, man, run it,

1229
01:04:35,840 --> 01:04:37,840
Speaker 1: say yes or say no for me, do it.

1230
01:04:38,560 --> 01:04:38,960
Speaker 3: I'm good.

1231
01:04:39,160 --> 01:04:41,640
Speaker 1: I'm back here. I'm just some push ups and shot

1232
01:04:41,680 --> 01:04:44,000
Speaker 1: gonna do like four hundred and fifty push ups. Man,

1233
01:04:44,120 --> 01:04:47,160
Speaker 1: I'm gonna drink my Red Bull, which is always waiting

1234
01:04:47,200 --> 01:04:47,360
Speaker 1: on me.

1235
01:04:47,840 --> 01:04:48,440
Speaker 3: You know what I'm saying.

1236
01:04:48,840 --> 01:04:49,200
Speaker 4: I need it.

1237
01:04:49,600 --> 01:04:50,400
Speaker 1: You got to have it.

1238
01:04:50,800 --> 01:04:53,280
Speaker 4: Need it because you can't do coffee because it's like

1239
01:04:53,400 --> 01:04:53,920
Speaker 4: more drying.

1240
01:04:54,120 --> 01:04:54,920
Speaker 1: I do coffee too.

1241
01:04:55,040 --> 01:04:56,600
Speaker 4: I can't do the coffee. It drives me out.

1242
01:04:56,680 --> 01:04:58,240
Speaker 1: I did coffee the other night and I was like

1243
01:04:58,400 --> 01:04:59,880
Speaker 1: and I was like, I'm not gonna do a Red Bull.

1244
01:05:00,040 --> 01:05:01,120
Speaker 4: Then I get like jittering.

1245
01:05:02,560 --> 01:05:06,200
Speaker 3: Yeah, sometimes that ship I went, I went.

1246
01:05:06,440 --> 01:05:07,400
Speaker 1: He was up for like three days.

1247
01:05:08,680 --> 01:05:11,440
Speaker 4: Coffee or you know, there's a new energy drink. I

1248
01:05:11,480 --> 01:05:13,680
Speaker 4: think it's the rock. It's called zoa.

1249
01:05:14,560 --> 01:05:17,600
Speaker 5: No, I know you, it's it's been out.

1250
01:05:18,000 --> 01:05:18,640
Speaker 4: I just discovered.

1251
01:05:18,720 --> 01:05:21,560
Speaker 5: But it's a it's a greater way better well.

1252
01:05:21,560 --> 01:05:23,800
Speaker 4: Than other things that I tried. You don't have to

1253
01:05:23,840 --> 01:05:24,760
Speaker 4: drink the whole thing.

1254
01:05:25,520 --> 01:05:27,280
Speaker 3: Because that'd be still away from all of it.

1255
01:05:27,760 --> 01:05:28,920
Speaker 4: I drink just naturally.

1256
01:05:29,080 --> 01:05:33,600
Speaker 1: Just I just find my voice. I just find my

1257
01:05:33,800 --> 01:05:37,320
Speaker 1: voice for some reason. Me and Lannie one time, I

1258
01:05:37,400 --> 01:05:41,400
Speaker 1: think it was a cruise or something like, we were

1259
01:05:41,520 --> 01:05:46,880
Speaker 1: performing somewhere and we was tired, and we had never

1260
01:05:47,000 --> 01:05:49,000
Speaker 1: sang off an energy drink before. This is like maybe

1261
01:05:49,200 --> 01:05:49,920
Speaker 1: you know twelve.

1262
01:05:50,080 --> 01:05:51,400
Speaker 4: Make it it sound like it's drugs.

1263
01:05:52,280 --> 01:05:58,040
Speaker 1: It's drugs, No, it's and so we had we had

1264
01:05:58,560 --> 01:06:01,360
Speaker 1: some muster drinks around and he's like, man, let's give

1265
01:06:01,360 --> 01:06:04,400
Speaker 1: me some of this monster. We went out mons and

1266
01:06:04,440 --> 01:06:05,800
Speaker 1: I told were singing up here.

1267
01:06:07,320 --> 01:06:08,480
Speaker 3: I was like this, what was that?

1268
01:06:08,840 --> 01:06:15,080
Speaker 4: That was basically a four logo. That's basically what it was.

1269
01:06:15,160 --> 01:06:16,960
Speaker 4: Drinking Foster energy drink is insane.

1270
01:06:17,000 --> 01:06:19,040
Speaker 1: And that's where we kind of got the idea maybe

1271
01:06:19,040 --> 01:06:20,680
Speaker 1: a little pinch of energy drink or get.

1272
01:06:20,640 --> 01:06:23,480
Speaker 3: Us, it is a pinch of and so the red

1273
01:06:25,640 --> 01:06:26,400
Speaker 3: this is micro.

1274
01:06:27,920 --> 01:06:31,440
Speaker 1: Microdose red bull when when I do my show, just

1275
01:06:32,360 --> 01:06:35,120
Speaker 1: a little bit SIPs because you got to think too,

1276
01:06:35,400 --> 01:06:38,439
Speaker 1: as I learned from my nutritionists, Like as you're going

1277
01:06:38,560 --> 01:06:43,320
Speaker 1: through this what he likes to call kind of event,

1278
01:06:46,200 --> 01:06:48,400
Speaker 1: well we're reference it as like a game, right, So

1279
01:06:48,480 --> 01:06:52,240
Speaker 1: you're playing a thirty minute energy You're playing a thirty

1280
01:06:52,320 --> 01:06:53,520
Speaker 1: minute basketball game.

1281
01:06:53,640 --> 01:06:56,920
Speaker 3: Yeah, straight, right, So.

1282
01:06:57,080 --> 01:07:00,520
Speaker 1: Within that thirty minutes, so you can and just drink

1283
01:07:01,680 --> 01:07:04,080
Speaker 1: you can't. So you got to figure out and you

1284
01:07:04,160 --> 01:07:05,720
Speaker 1: got to figure out if you can take a bite

1285
01:07:05,760 --> 01:07:06,200
Speaker 1: in between.

1286
01:07:06,440 --> 01:07:09,400
Speaker 4: So that's like athletes when they go on the side.

1287
01:07:10,240 --> 01:07:12,439
Speaker 1: When the runners are running, they're running those distance runs,

1288
01:07:13,000 --> 01:07:14,840
Speaker 1: there are there are stations, there are stops where they

1289
01:07:14,880 --> 01:07:18,720
Speaker 1: can grab jails to replenish electrolytes, they can grab water,

1290
01:07:18,760 --> 01:07:20,320
Speaker 1: they can grab Most performers.

1291
01:07:19,960 --> 01:07:21,560
Speaker 3: Don't do that. Most performers don't do They don't even

1292
01:07:22,040 --> 01:07:22,440
Speaker 3: going off to.

1293
01:07:22,480 --> 01:07:23,680
Speaker 5: The side of the stuff.

1294
01:07:23,800 --> 01:07:26,720
Speaker 4: It's not candy though, I should maybe put something.

1295
01:07:27,080 --> 01:07:29,200
Speaker 1: Listen, even if it's like some crackers and something like

1296
01:07:29,520 --> 01:07:33,840
Speaker 1: you need to replenish and get on the side.

1297
01:07:41,280 --> 01:07:41,640
Speaker 4: Already.

1298
01:07:45,720 --> 01:07:46,480
Speaker 5: I'll usually do this.

1299
01:07:46,600 --> 01:07:51,720
Speaker 1: But yeah, that's it. That's that's the thing that red

1300
01:07:51,760 --> 01:07:55,480
Speaker 1: bullets is a thing, but I mean the people. It

1301
01:07:55,600 --> 01:07:57,840
Speaker 1: has to be easier for you because the work that

1302
01:07:57,960 --> 01:07:59,200
Speaker 1: you do to to create that.

1303
01:08:00,040 --> 01:08:01,320
Speaker 4: And then not to mention, I'll be up there with

1304
01:08:01,440 --> 01:08:05,800
Speaker 4: a course at all out four layers of tights. Yeah

1305
01:08:06,200 --> 01:08:11,000
Speaker 4: that's what y'all don't see. I'll be up yeah, singing.

1306
01:08:10,760 --> 01:08:12,040
Speaker 1: Through that being a woman.

1307
01:08:12,680 --> 01:08:15,680
Speaker 4: Mm hmmm. And the ones you said he's gonna make

1308
01:08:15,720 --> 01:08:19,639
Speaker 4: cute songs, Yeah, that's why, because I want to look cute.

1309
01:08:22,360 --> 01:08:27,240
Speaker 4: I ain't trying to be Yeah. May no, thank you.

1310
01:08:27,760 --> 01:08:30,120
Speaker 3: It looks good, it sounds good, Thank you, It is

1311
01:08:30,280 --> 01:08:30,760
Speaker 3: really good.

1312
01:08:31,200 --> 01:08:31,760
Speaker 4: Thank y'all.

1313
01:08:32,520 --> 01:08:36,280
Speaker 3: We're here for you. The first double up ever, the

1314
01:08:36,360 --> 01:08:38,559
Speaker 3: first double well, and we thought it was important.

1315
01:08:39,720 --> 01:08:40,280
Speaker 4: I appreciate.

1316
01:08:40,400 --> 01:08:42,160
Speaker 1: We thought it was important that you.

1317
01:08:42,200 --> 01:08:44,040
Speaker 3: Know that you do this with us.

1318
01:08:44,600 --> 01:08:46,479
Speaker 4: Are we going to do R and B money Pinky

1319
01:08:46,560 --> 01:08:51,519
Speaker 4: Ring first of all in Vegas album release party Vegas.

1320
01:08:51,760 --> 01:08:58,640
Speaker 3: I love that. I love that, and we just you know,

1321
01:08:59,280 --> 01:09:02,080
Speaker 3: we'll figure out the workarounds and work in you know.

1322
01:09:02,240 --> 01:09:03,360
Speaker 5: Because really I like that.

1323
01:09:04,040 --> 01:09:09,120
Speaker 4: Really I'm releasing my album all year, yes, ye, dropping

1324
01:09:09,160 --> 01:09:09,519
Speaker 4: every day.

1325
01:09:09,680 --> 01:09:14,519
Speaker 1: If you're not promoting all year, if you're not dropping

1326
01:09:14,560 --> 01:09:18,439
Speaker 1: them dimes on your socials and all that, all year,

1327
01:09:18,640 --> 01:09:20,759
Speaker 1: you are doing this album at this service.

1328
01:09:21,479 --> 01:09:26,200
Speaker 3: I want to hear about this everything for me, you know.

1329
01:09:26,400 --> 01:09:29,559
Speaker 4: I mean, I'm putting my music behind every video that I'm.

1330
01:09:30,200 --> 01:09:32,840
Speaker 3: Yeah, every you're doing a video for every song.

1331
01:09:32,960 --> 01:09:35,479
Speaker 4: No, no, but you know how I really want to

1332
01:09:35,600 --> 01:09:38,800
Speaker 4: That's what I would normally do, but how my time

1333
01:09:38,880 --> 01:09:40,320
Speaker 4: is set up these days, I just don't.

1334
01:09:40,160 --> 01:09:42,479
Speaker 1: Have time but think about this, think about this, think

1335
01:09:42,479 --> 01:09:44,879
Speaker 1: about this. What's crazy is that what we don't realize

1336
01:09:45,200 --> 01:09:49,479
Speaker 1: as I was going through the TikTok you know, rabbit hole,

1337
01:09:49,600 --> 01:09:51,439
Speaker 1: and I'm just looking and I'm just looking at all

1338
01:09:51,520 --> 01:09:56,040
Speaker 1: of these different kinds of videos that are just that

1339
01:09:56,160 --> 01:10:00,759
Speaker 1: are just tracking a million, two three, four fifty teen million,

1340
01:10:01,439 --> 01:10:06,080
Speaker 1: and they are just sitting there with a microphone giving

1341
01:10:06,200 --> 01:10:11,679
Speaker 1: people a visual of their song. It's not the videos

1342
01:10:11,760 --> 01:10:14,240
Speaker 1: we think it is because I'm always trying to figure

1343
01:10:14,280 --> 01:10:17,400
Speaker 1: out a production. I'm always trying to that he's trying

1344
01:10:17,439 --> 01:10:19,800
Speaker 1: to talk me off the roof of chief. That's two

1345
01:10:19,920 --> 01:10:21,840
Speaker 1: hundred and fifty thou never.

1346
01:10:24,560 --> 01:10:26,679
Speaker 3: That's true. Money.

1347
01:10:27,520 --> 01:10:30,680
Speaker 1: There is value. There is so much value in you

1348
01:10:30,800 --> 01:10:33,920
Speaker 1: sitting in that black chair right there behind that microphone,

1349
01:10:34,920 --> 01:10:40,400
Speaker 1: singing your song or not even singing your song, enjoying

1350
01:10:40,439 --> 01:10:44,320
Speaker 1: your song. There is so much value because at the

1351
01:10:44,479 --> 01:10:46,680
Speaker 1: end of the day, whether you realize it or not,

1352
01:10:46,800 --> 01:10:48,000
Speaker 1: people just want to see you.

1353
01:10:48,680 --> 01:10:51,800
Speaker 4: Yeah, it's a lot of effort to get up and

1354
01:10:51,840 --> 01:10:53,840
Speaker 4: get your hair and makeup and put on an outfit.

1355
01:10:54,240 --> 01:10:57,400
Speaker 1: Well you chose to be dope, your fault and cute.

1356
01:10:57,720 --> 01:10:59,160
Speaker 1: Yeah you're fuck get back to it.

1357
01:11:00,240 --> 01:11:04,120
Speaker 4: Yeah yeah, yeah, But when I do it, it just

1358
01:11:05,080 --> 01:11:07,760
Speaker 4: like I love so cute today. You know what I'm saying,

1359
01:11:08,680 --> 01:11:11,679
Speaker 4: It's worth it. Like when you put.

1360
01:11:11,520 --> 01:11:13,080
Speaker 5: Everything on you look good.

1361
01:11:14,160 --> 01:11:16,360
Speaker 4: Yeah, you put everything on, you get that carry.

1362
01:11:16,120 --> 01:11:19,280
Speaker 2: You like you look good on purpose supposed to. I'll

1363
01:11:19,320 --> 01:11:21,280
Speaker 2: be surprised. You see me with I watches next time.

1364
01:11:21,680 --> 01:11:23,840
Speaker 5: You know what I'm saying, I got none of them.

1365
01:11:24,360 --> 01:11:27,160
Speaker 5: I find some more, one of them all upside down.

1366
01:11:27,280 --> 01:11:31,960
Speaker 1: Give money. I don't know you know what to say.

1367
01:11:32,200 --> 01:11:36,040
Speaker 5: Congratulations, Thank you, Tang, thank you j of course you are.

1368
01:11:35,960 --> 01:11:39,639
Speaker 1: Always welcome here for anything anytime. You know what I'm saying.

1369
01:11:39,640 --> 01:11:41,280
Speaker 1: I know you're doing a bunch of remixes. You know

1370
01:11:41,320 --> 01:11:43,160
Speaker 1: what I'm saying. You I know, we don't. I know

1371
01:11:43,280 --> 01:11:46,360
Speaker 1: we dealt away with the age conversation. But you the

1372
01:11:46,439 --> 01:11:47,240
Speaker 1: old Nigga remix.

1373
01:11:47,360 --> 01:11:50,120
Speaker 4: You know what I'm saying, I would love to do

1374
01:11:50,240 --> 01:11:53,360
Speaker 4: like a genuine like do it. I don't think people

1375
01:11:53,439 --> 01:11:56,479
Speaker 4: know what that means anymore, like they be like feature

1376
01:11:56,720 --> 01:12:02,280
Speaker 4: like no, yeah, yeah, you know on a Psychiki.

1377
01:12:03,160 --> 01:12:06,559
Speaker 1: Fire you know, ain't gone nowhere, still cracking to this day.

1378
01:12:07,640 --> 01:12:09,200
Speaker 1: Still I'm in it.

1379
01:12:09,280 --> 01:12:10,760
Speaker 4: I would love to do.

1380
01:12:11,479 --> 01:12:14,519
Speaker 1: We got that going, We got the Pinky Ring, we

1381
01:12:14,680 --> 01:12:19,320
Speaker 1: got the Revenge tour. Revenge is out basically on book.

1382
01:12:22,080 --> 01:12:24,360
Speaker 5: That's what it sounds like, your book where it's glam

1383
01:12:25,040 --> 01:12:25,400
Speaker 5: your book.

1384
01:12:29,320 --> 01:12:32,799
Speaker 4: I got videos to shoot. We got an album release party.

1385
01:12:33,280 --> 01:12:35,080
Speaker 1: And you know what's another thing. I was gonna say,

1386
01:12:37,720 --> 01:12:40,920
Speaker 1: either get you a tour bus or get you a

1387
01:12:40,960 --> 01:12:42,160
Speaker 1: sprinter by one.

1388
01:12:43,000 --> 01:12:47,840
Speaker 4: Yeah, tour buses. So I had Cat Williams bus he.

1389
01:12:47,880 --> 01:12:50,360
Speaker 3: Was about to buy. So you can clearly buy it,

1390
01:12:50,880 --> 01:12:51,439
Speaker 3: you know whatever.

1391
01:12:52,120 --> 01:12:55,599
Speaker 4: Yeah, but you can't drop the tour bus around it's going.

1392
01:12:55,960 --> 01:12:58,400
Speaker 1: It's gonna save you some money and make you some money.

1393
01:12:58,600 --> 01:13:01,880
Speaker 4: We've got a blood You got a tour bus, boy,

1394
01:13:02,640 --> 01:13:04,200
Speaker 4: because I feel like I have to get one made

1395
01:13:04,360 --> 01:13:08,080
Speaker 4: because like customs, because they just don't have them just

1396
01:13:08,160 --> 01:13:08,559
Speaker 4: sitting there.

1397
01:13:08,720 --> 01:13:08,880
Speaker 3: They do.

1398
01:13:09,320 --> 01:13:11,840
Speaker 1: Absolutely, you want to buy a used one. You don't

1399
01:13:11,840 --> 01:13:12,240
Speaker 1: want to buy no.

1400
01:13:12,280 --> 01:13:14,080
Speaker 4: One, but then they break down.

1401
01:13:14,160 --> 01:13:17,360
Speaker 1: Though everything breaks down, you find a good used one

1402
01:13:17,400 --> 01:13:19,840
Speaker 1: with good it was so good. Yeah, you find a

1403
01:13:19,840 --> 01:13:20,759
Speaker 1: good one with good papers.

1404
01:13:20,800 --> 01:13:21,600
Speaker 3: I know guys on them.

1405
01:13:21,800 --> 01:13:24,439
Speaker 2: Like you said you had someone else's bus YEP, someone

1406
01:13:24,479 --> 01:13:26,519
Speaker 2: could also have your bus YEP, because I'm sure you

1407
01:13:26,640 --> 01:13:27,920
Speaker 2: paid good money for I.

1408
01:13:28,000 --> 01:13:31,160
Speaker 4: Did cat Apocalypse. It was very comfortable.

1409
01:13:31,320 --> 01:13:35,160
Speaker 1: I'm telling you, get you to call this investments to Chris,

1410
01:13:35,240 --> 01:13:36,679
Speaker 1: Daddy said, I'm getting a tour bus.

1411
01:13:37,280 --> 01:13:38,599
Speaker 4: His tour bus is insane.

1412
01:13:38,680 --> 01:13:40,640
Speaker 1: Said, I'm getting my own tour bus, like in.

1413
01:13:41,040 --> 01:13:42,559
Speaker 4: Saying I never seen a bus like that before.

1414
01:13:42,560 --> 01:13:45,519
Speaker 1: Because you're a touring artist now yep. Yeah, and you

1415
01:13:45,640 --> 01:13:48,280
Speaker 1: want to be calmfort too at the highest.

1416
01:13:49,160 --> 01:13:51,160
Speaker 4: You don't want to know argu about that because management

1417
01:13:51,280 --> 01:13:55,080
Speaker 4: was like, yeah, you need your bus. Said listen, I'm

1418
01:13:55,120 --> 01:13:59,080
Speaker 4: too old and I'm too picky. You ain't about to

1419
01:13:59,120 --> 01:14:02,439
Speaker 4: have me uncomfortable. I need that one. I don't care

1420
01:14:03,960 --> 01:14:06,000
Speaker 4: whatever we gotta do, that's my bus.

1421
01:14:07,920 --> 01:14:09,840
Speaker 1: I'm just throwing it out there. You know, Well, the

1422
01:14:09,880 --> 01:14:12,479
Speaker 1: millions are flowing. I need to figure out, well it's

1423
01:14:12,800 --> 01:14:15,439
Speaker 1: while it's coming on in because I might rent your

1424
01:14:15,439 --> 01:14:15,800
Speaker 1: to bus.

1425
01:14:19,160 --> 01:14:20,360
Speaker 4: It was a bunch of people trying to get the

1426
01:14:20,439 --> 01:14:20,680
Speaker 4: one I.

1427
01:14:20,760 --> 01:14:24,479
Speaker 3: Had, which, lets you know that could be your bus.

1428
01:14:26,600 --> 01:14:31,680
Speaker 4: Them out, You're right, see you see how they get

1429
01:14:31,720 --> 01:14:33,160
Speaker 4: you game? These got money.

1430
01:14:36,560 --> 01:14:38,840
Speaker 1: Got to be playing the lottery every week. I'm trying

1431
01:14:38,880 --> 01:14:41,759
Speaker 1: to hear it. I got I got big money ideas.

1432
01:14:44,160 --> 01:14:45,760
Speaker 2: I already know the Lord ain't gonna bless me with

1433
01:14:45,880 --> 01:14:49,280
Speaker 2: no lot of money. Why because I've been blessed enough.

1434
01:14:49,960 --> 01:14:51,599
Speaker 3: I really feel like that I am the lottery.

1435
01:14:51,760 --> 01:14:52,000
Speaker 2: I'm not.

1436
01:14:52,320 --> 01:14:55,320
Speaker 3: Yeah, I am not the I'm not the lottery wunner anybody.

1437
01:14:55,800 --> 01:14:59,720
Speaker 4: Literally, I feel like we could make out of thin air,

1438
01:14:59,880 --> 01:15:02,280
Speaker 4: like like literally, you ain't gonna.

1439
01:15:02,120 --> 01:15:02,760
Speaker 3: Win the lottery too.

1440
01:15:03,040 --> 01:15:06,439
Speaker 1: I agree with all these things you're saying. I'm going

1441
01:15:06,520 --> 01:15:07,760
Speaker 1: to hit the lottery as well.

1442
01:15:07,960 --> 01:15:08,439
Speaker 3: I hope you do.

1443
01:15:10,840 --> 01:15:15,120
Speaker 1: Busses for everybody. Give me a bus, busses for everywhere,

1444
01:15:15,400 --> 01:15:20,880
Speaker 1: the busses and planes for everybody.

1445
01:15:21,360 --> 01:15:23,800
Speaker 4: Now I take a plane. Now, let me get a plane.

1446
01:15:24,240 --> 01:15:26,000
Speaker 3: You know what I'm gonna do. I believe in you.

1447
01:15:26,560 --> 01:15:29,320
Speaker 3: We're going up are here for five hundred million.

1448
01:15:30,439 --> 01:15:35,440
Speaker 2: You get at your local seven eleven, dropping a thousand dollars.

1449
01:15:37,880 --> 01:15:41,639
Speaker 5: This week, the whole day for everybody.

1450
01:15:41,640 --> 01:15:48,160
Speaker 8: We come through this seven elevens on me, everybody, don't

1451
01:15:48,160 --> 01:15:51,160
Speaker 8: forget about me when you I want to win, to give,

1452
01:15:52,360 --> 01:15:56,639
Speaker 8: that's that's because my honestly, that's my sole mission in life,

1453
01:15:56,680 --> 01:15:57,120
Speaker 8: my mission.

1454
01:15:57,200 --> 01:15:59,640
Speaker 1: I'm I'm designed to be of service. I'm here to

1455
01:15:59,680 --> 01:16:02,200
Speaker 1: give and I want to be a blessing to its

1456
01:16:02,439 --> 01:16:05,120
Speaker 1: memorable people is humanly possible.

1457
01:16:05,520 --> 01:16:09,599
Speaker 3: I want a lot of regivings. The forty seven dollars,

1458
01:16:10,560 --> 01:16:11,759
Speaker 3: it's not going to change.

1459
01:16:14,120 --> 01:16:15,439
Speaker 1: I want to be able to be like this. You

1460
01:16:15,520 --> 01:16:17,920
Speaker 1: know what I want to be when I'm doing tank

1461
01:16:18,000 --> 01:16:20,120
Speaker 1: pay for this. I want to pay. I want to

1462
01:16:20,160 --> 01:16:20,920
Speaker 1: pay the house off.

1463
01:16:21,960 --> 01:16:25,880
Speaker 4: I just want a hundred million. I'm doing it. Yeah,

1464
01:16:27,040 --> 01:16:27,840
Speaker 4: one hundred million.

1465
01:16:28,120 --> 01:16:30,160
Speaker 1: You're tracking, You're tracking four hundred million?

1466
01:16:30,760 --> 01:16:31,000
Speaker 3: Really?

1467
01:16:31,200 --> 01:16:31,400
Speaker 1: Yeah?

1468
01:16:32,200 --> 01:16:35,160
Speaker 4: How fast is how it's.

1469
01:16:35,080 --> 01:16:35,439
Speaker 3: Going to be?

1470
01:16:35,840 --> 01:16:39,599
Speaker 1: Tell me you have a date, You're you're, you're, you're

1471
01:16:39,720 --> 01:16:44,639
Speaker 1: you're tracking from a success standpoint like algorithm, algorithm and numbers.

1472
01:16:44,720 --> 01:16:47,439
Speaker 1: Right now, you keep at this pace, you're tracking four

1473
01:16:47,520 --> 01:16:53,200
Speaker 1: hundred million. Keep to his coming, keep and I will.

1474
01:16:53,680 --> 01:16:55,800
Speaker 3: I know you will. You've been writing hits for a

1475
01:16:55,880 --> 01:16:56,559
Speaker 3: long time.

1476
01:16:57,160 --> 01:16:58,519
Speaker 4: Got a bunch of but I really want to get

1477
01:16:58,520 --> 01:17:00,320
Speaker 4: into my life. Read it.

1478
01:17:03,960 --> 01:17:08,479
Speaker 1: I'm just hoping Bessie seize the light of dau. Just

1479
01:17:08,600 --> 01:17:10,960
Speaker 1: avoid my son. I don't want me to dance.

1480
01:17:14,160 --> 01:17:15,599
Speaker 2: I want your song to come out. I don't want

1481
01:17:15,680 --> 01:17:18,479
Speaker 2: him to dance whatever I'm in the video, And don't

1482
01:17:18,479 --> 01:17:19,240
Speaker 2: put him in the video.

1483
01:17:22,120 --> 01:17:24,519
Speaker 4: You would whoa what was that?

1484
01:17:25,520 --> 01:17:26,200
Speaker 3: I got your hands?

1485
01:17:26,880 --> 01:17:33,880
Speaker 5: Okay, all right, ladies and gentleman.

1486
01:17:33,920 --> 01:17:36,439
Speaker 1: My name is Tank Valentine and this is the Army

1487
01:17:36,479 --> 01:17:41,000
Speaker 1: Money Podcast, the authority on all things R and B

1488
01:17:43,040 --> 01:17:45,519
Speaker 1: and I don't, I don't. We don't say this much.

1489
01:17:46,160 --> 01:17:48,439
Speaker 3: We don't. We we try to claim things here.

1490
01:17:48,560 --> 01:17:52,000
Speaker 1: We try to believe in everything that we do, and

1491
01:17:52,200 --> 01:17:54,719
Speaker 1: we believe in money, long.

1492
01:17:54,760 --> 01:18:00,960
Speaker 3: Revenge out right now out now, go get it, go

1493
01:18:01,160 --> 01:18:01,400
Speaker 3: get it.

1494
01:18:02,960 --> 01:18:08,639
Speaker 1: We're still clapping, guys, We're still We're still clapping. Blam

1495
01:18:10,080 --> 01:18:14,599
Speaker 1: red bull the premium chips eat.

1496
01:18:14,960 --> 01:18:15,680
Speaker 3: Don't eat up the.

1497
01:18:15,760 --> 01:18:17,880
Speaker 5: Premium you're supposed to get in the jumping rum.

1498
01:18:17,960 --> 01:18:19,720
Speaker 3: Yeah, but don't stop shouting out ship that don't pay

1499
01:18:22,800 --> 01:18:24,320
Speaker 3: nigga niga hear me up?

1500
01:18:26,200 --> 01:18:29,320
Speaker 4: Yeah, Energy, energy, drink.

1501
01:18:32,360 --> 01:18:35,160
Speaker 1: And are R and money.

1502
01:18:36,320 --> 01:18:38,080
Speaker 2: R and B Money is a production of the Black

1503
01:18:38,120 --> 01:18:44,200
Speaker 2: Effect podcast Network. For more podcasts from iHeartRadio, visit the iHeartRadio, app,

1504
01:18:44,360 --> 01:18:47,599
Speaker 2: Apple podcasts, or wherever you listen to your favorite shows.

1505
01:18:48,120 --> 01:18:51,120
Speaker 2: Don't forget to subscribe to and rate our show, and

1506
01:18:51,240 --> 01:18:53,920
Speaker 2: you can connect with us on social media at Jay

1507
01:18:54,040 --> 01:18:58,000
Speaker 2: Valentine and at the Real Tank. For the extended episode,

1508
01:18:58,120 --> 01:19:02,320
Speaker 2: subscribe to YouTube dot com, Forward, slash r, and b

1509
01:19:02,439 --> 01:19:02,679
Speaker 2: Money