WEBVTT - BobbyCast #68 with Kip Moore

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<v Speaker 1>Hey, it's Bobby Bones. I want to hop on here

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<v Speaker 1>and tell you about the show I do from my

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<v Speaker 1>house called The Bobby Cast. It's a show where artists

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<v Speaker 1>and songwriters stopped by to talk for about an hour.

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<v Speaker 1>You can listen and subscribe on iTunes or I Heart Radio.

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<v Speaker 1>Just search Bobby Cast, click subscribe. You will get a

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<v Speaker 1>new episode every week, sometimes more. I'm gonna play you

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<v Speaker 1>one now well kipt More. This is right before his

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<v Speaker 1>album Slow Heart came out. This episode, but there's so

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<v Speaker 1>many more up there you can check out. Just search

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<v Speaker 1>Bobby Cast wherever you listen to podcasts, I Heart Radio

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<v Speaker 1>or iTunes and click to subscribe. Here you go. Hi,

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<v Speaker 1>Welcome to episode sixty of The Bobby Cast and with

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<v Speaker 1>Kip Moore today. Good because you tune here showing up

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<v Speaker 1>here today. Can you talk about what you're doing today? Yeah,

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<v Speaker 1>I was doing this thing with UM with Chase Salia

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<v Speaker 1>when we've filmed last week where I was on the

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<v Speaker 1>on the track with him in Michigan and it's uh,

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<v Speaker 1>they've picked some athletes where they've they're kind of asking

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<v Speaker 1>how do they get ready for race? What music they

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<v Speaker 1>listened to? And he listens to my music so it's

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<v Speaker 1>that's pretty cool. It was cool man, Um, you know

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<v Speaker 1>I read in the chase. It's funny. I met him

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<v Speaker 1>probably a year and a half ago. Drake White and

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<v Speaker 1>I were playing a show and he was kind of uh,

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<v Speaker 1>he was announcing both of us, and so we got

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<v Speaker 1>to hang. Then I got to know him then, and

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<v Speaker 1>I didn't know that, you know, he was a fan

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<v Speaker 1>of the music back then, so we talked about it

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<v Speaker 1>back then, and uh, it was neat man, just seeing

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<v Speaker 1>his whole world, because I can admit that I'm not

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<v Speaker 1>like I didn't grow up with NASCAR. Really, I've seen

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<v Speaker 1>race it's probably like you have, but I don't know

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<v Speaker 1>the detail of it. So him bringing me, you know,

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<v Speaker 1>in the garage, showing how they build the cars up,

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<v Speaker 1>tear him down after almost every race, all the aerodynamics

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<v Speaker 1>that go into it, and then and then it was

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<v Speaker 1>kind of like me picking his brain on the way

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<v Speaker 1>he likes to you know, you would think a NASCAR

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<v Speaker 1>driver I would want to listen to like really pumped

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<v Speaker 1>up music, but he's like, I like to get as

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<v Speaker 1>calm as I possibly can because the race is so long,

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<v Speaker 1>and it helps me kind of settling and knowing that

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<v Speaker 1>it's gonna be. You know, he likes really chilled out

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<v Speaker 1>music before he gets in a car. That's an interesting thing.

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<v Speaker 1>Who who's coming to you before and say hey, Which

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<v Speaker 1>was surprising to you, is that, man, I really love

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<v Speaker 1>your music where you're like, wow, that's cool, like you

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<v Speaker 1>like my music. Um Man, I can't think of the

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<v Speaker 1>top of my head right now. I know there's been

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<v Speaker 1>a few of those cases where any other artists, even

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<v Speaker 1>in town, that they will call you be like, dude,

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<v Speaker 1>I just heard the song of yours and it's fantastic. Um.

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<v Speaker 1>Jaren Johnston, I'm such a fan of what the collect

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<v Speaker 1>three do uh so much, and jar and I are

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<v Speaker 1>we've become pretty good buddies. But I can remember when

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<v Speaker 1>the first time he heard that was us. He's like,

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<v Speaker 1>if you don't put this song out, I'm gonna come

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<v Speaker 1>up with your house and fight you. Mar So, I mean,

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<v Speaker 1>he's just he was a big fan of that, and

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<v Speaker 1>then we ended up touring together after that, so um, yeah,

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<v Speaker 1>you know I didn't know that. You know, Jared was

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<v Speaker 1>around with in my music, so you know, it's it's

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<v Speaker 1>cool man, when other people that you respect respect what

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<v Speaker 1>you do. You're an interesting guy, and I think in

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<v Speaker 1>the past six months or so, we probably got to

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<v Speaker 1>know each other better than we have in the past

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<v Speaker 1>three and a half years before that. But we were talking.

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<v Speaker 1>We're you and I are up in a room at

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<v Speaker 1>our management office. We're talking about Bob Dylan. Yeah, and

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<v Speaker 1>you were talking and you were like, you know, I

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<v Speaker 1>still and I was listening to you because listen, I

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<v Speaker 1>like to listen. And you and you were talking, and

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<v Speaker 1>you're talking about Bob Dylan, and you were talking about

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<v Speaker 1>I used to study Bob Dylan lyrics, and I was like,

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<v Speaker 1>look at this guy, another layer of the onion. I

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<v Speaker 1>think kept more onion I did. Man, you know, I

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<v Speaker 1>feel like, um, I feel like Dylan somewhat kind of

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<v Speaker 1>saved me from myself. I can be um. I feel

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<v Speaker 1>like I'm I'm really coming out of that, but I UM,

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<v Speaker 1>I can battle a lot of my own demons pretty heavily.

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<v Speaker 1>And at the time when I really discovered dealon, I mean,

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<v Speaker 1>my dad played him something growing up. But you know,

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<v Speaker 1>when you're when you're fourteen and fifteen, you can't comprehend

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<v Speaker 1>what Dylan singing about and what can you relate to it?

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<v Speaker 1>You can enjoy the music and the melody, which I

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<v Speaker 1>did kind of the same thing with with Seeger and Springsteen,

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<v Speaker 1>but I can't relate to but Bob Seeger against the

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<v Speaker 1>Wind when I'm fourteen, you know. But um, the more,

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<v Speaker 1>you know, I left home when I was like seventeen,

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<v Speaker 1>and I went like seven hours away to go play school.

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<v Speaker 1>But you know, go to basket and play basketball away

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<v Speaker 1>from school. And and then I've been traveling ever since

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<v Speaker 1>and just living life and diving into stuff wide open.

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<v Speaker 1>And I've been on my own, taking care of myself.

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<v Speaker 1>And I can remember living and the biggest dump the

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<v Speaker 1>last time I went recently to drive by the place,

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<v Speaker 1>and I had yellow tape around the whole place. I guess,

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<v Speaker 1>I guess something like that I went down, But man,

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<v Speaker 1>it was awful. It was. It was awful, man. And uh,

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<v Speaker 1>just that feeling of which I'm sure you've had, that

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<v Speaker 1>where looking around at all your friends kind of on

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<v Speaker 1>the hamster wheel of life that sometimes I admire that

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<v Speaker 1>I wish I could, you know, be that way. The

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<v Speaker 1>people that just you know, they'll go work for the

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<v Speaker 1>dad's insturance company or whatever, and and they'll make a

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<v Speaker 1>good living. They'll you know, plant roots, you know, plant roots,

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<v Speaker 1>have a wife and kids, and and go through that

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<v Speaker 1>whole kind of structure that we're all kind of programmed

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<v Speaker 1>to due at a young age. And here I was

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<v Speaker 1>living in a complete ship hole. Am I allowed to

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<v Speaker 1>say that on this just feeling like the biggest low life.

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<v Speaker 1>But at the same time I had that exciting feeling

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<v Speaker 1>every morning I woke up that anything could happen where

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<v Speaker 1>I felt like everybody else they knew exactly what the

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<v Speaker 1>day was gonna be, and it was gonna be like

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<v Speaker 1>when they came home. There was an excitement of just

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<v Speaker 1>feeling like and they could light and constrike tomorrow. And

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<v Speaker 1>I think that when I really dove into dealing, and

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<v Speaker 1>around seven, I mean I would I would spend I

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<v Speaker 1>get off work and I'd write from from five to

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<v Speaker 1>twelve o'clock at night, and then I would lay on

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<v Speaker 1>the floor. I've always liked to lay on the floor.

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<v Speaker 1>I don't know why, but I had a record player

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<v Speaker 1>and I would listen to all the old deal in

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<v Speaker 1>records told three or four o'clock in the morning, and

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<v Speaker 1>I'd write. I'd write out his lyrics. I try to

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<v Speaker 1>understand the way he was using his metaphors and everything

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<v Speaker 1>and the playoff of words. He was the best to

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<v Speaker 1>playoff of words. And I was just blown away by

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<v Speaker 1>his music. I was so well. It was such an

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<v Speaker 1>aspiring time for me, and I felt like I really

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<v Speaker 1>related to a lot of what dealing was saying a

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<v Speaker 1>lot of music, and I feel like I've always had

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<v Speaker 1>that that passionate spirit about me, and I looked at

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<v Speaker 1>things in an innocent kind of way, which a lot

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<v Speaker 1>of his music was was. There was such an innocence

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<v Speaker 1>to it. There's that I have a lot of onion.

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<v Speaker 1>There's a lot of onion to talk about here. What

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<v Speaker 1>do you There's also the part that I found it

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<v Speaker 1>struck me is that you had a couple of hits

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<v Speaker 1>and you wouldn't got an apartment your first decently nice

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<v Speaker 1>place to live. It was my first place. It was decent,

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<v Speaker 1>but it wasn't good for your soul, so you had

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<v Speaker 1>to move out. Yeah, I felt like I found myself

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<v Speaker 1>all of a sudden. It's kind of like I thrive

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<v Speaker 1>on misery, misery in a weird way, but I found

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<v Speaker 1>myself comfortable for the first time in my life. Where

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<v Speaker 1>I was coming home, I was watching TV. I was

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<v Speaker 1>laying on the couch and eating good food and and

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<v Speaker 1>I and all of a sudden, I felt like I

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<v Speaker 1>was I was losing a little bit of that inspiration

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<v Speaker 1>in that drive, that kind of So I called Brett,

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<v Speaker 1>who is my publisher, HTT James, who's written a million hits.

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<v Speaker 1>And he Brett had bought this old house that was

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<v Speaker 1>built in the like mid eighteen hundreds. It's one of

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<v Speaker 1>the last remaining ones down there Music Road where they're

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<v Speaker 1>building all this stuff arounds behind Losers, that that one

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<v Speaker 1>old building with the black iron gate, and it's the spooky, ist,

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<v Speaker 1>erious dark. Everything about that place is not where you

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<v Speaker 1>want to live. But it's great for writing. And I've

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<v Speaker 1>written almost the entire up all night record in that house.

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<v Speaker 1>And there were there's a room upstairs. It's just this

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<v Speaker 1>It's awful. Man, that's a really tiny little box. Men,

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<v Speaker 1>it's a lot smaller than this room. And I called

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<v Speaker 1>him and said, hey, man, I want to move into

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<v Speaker 1>that room and I want to write my next record

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<v Speaker 1>in there, you know, in in in the house again,

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<v Speaker 1>you know. And so I moved all my stuff into

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<v Speaker 1>that room, was crammed in there, and I was I

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<v Speaker 1>slept on a on a twin bed for about for

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<v Speaker 1>about two years, and the hot water heater didn't work,

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<v Speaker 1>so I took cold showers every morning and that was

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<v Speaker 1>like thirty seconds in and out. So my when I

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<v Speaker 1>would go on the road, it was like heaven in

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<v Speaker 1>an arena, like a shower and arena. It was like

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<v Speaker 1>I got hot water, you know, so but I would

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<v Speaker 1>I wrote almost the whole Wild One's Record for the

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<v Speaker 1>most part. In that house. There was no furniture. There's

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<v Speaker 1>no um, and there's a there's a couple like random

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<v Speaker 1>like regular chairs and not chairs like this, and you've

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<v Speaker 1>got no TVs. It's all and it's crazy haunted. I

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<v Speaker 1>got haunted stories that would blow your mind, which finally

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<v Speaker 1>ran me out. And I got a place because it

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<v Speaker 1>was so scary at night, so you didn't want to

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<v Speaker 1>be comfortable. What do you think that comes from? What

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<v Speaker 1>are you think the root of that is? Hey? Do

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<v Speaker 1>you create better from sadness? I feel like I at

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<v Speaker 1>that time in my life, and I've learned how to

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<v Speaker 1>just channel a different side of me where I don't

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<v Speaker 1>I don't I don't quite need that as much, but

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<v Speaker 1>I still I live I live very very moderate on purpose,

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<v Speaker 1>like I have a tiny little house on the other

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<v Speaker 1>side of town, and um, I don't really have any things. Um.

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<v Speaker 1>I tried, but I felt like for me, it played

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<v Speaker 1>a trick on my mind where I still felt like

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<v Speaker 1>I was at the bottom where I feel like I

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<v Speaker 1>write better out of desperation. So it you know, taking

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<v Speaker 1>culturewers every morning, sleeping on that twin bed, which I hated. Man.

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<v Speaker 1>I had an old junk mattress. It was, it was,

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<v Speaker 1>it was awful, man. Uh, but it just it played

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<v Speaker 1>a trick on me to where I still felt like

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<v Speaker 1>I was completely broke and trying to go after something.

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<v Speaker 1>And I've kind of learned how that that I don't

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<v Speaker 1>need that as much now. Um. But I still like

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<v Speaker 1>when I travel, I like stay in hostels. Um. We

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<v Speaker 1>just did that whole backpacking through Ice and you know,

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<v Speaker 1>staying in the hostels, and um, I do that when

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<v Speaker 1>I go to MAUI sometimes Costa Rica. Um. And I'll

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<v Speaker 1>write a lot of music when I'm out there like that,

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<v Speaker 1>and I'll meet interesting people, and I don't you know,

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<v Speaker 1>it's almost get uncomfortable. Like I though I'm around from

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<v Speaker 1>in the fourth seasons, I'm uncomfortab around those people. They're fine,

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<v Speaker 1>they're nice, they're get I get uncomfortable around that kind

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<v Speaker 1>of setting, really fine dining and luxurious rooms, Like it's

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<v Speaker 1>a weird thing. Man for me, you talk about the

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<v Speaker 1>place being haunted. We've talked about this a bit, but

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<v Speaker 1>you're convinced, like it's not maybe it was a ghost

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<v Speaker 1>to you. It's not maybe there's no there's no there.

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<v Speaker 1>This is I'm probably about to get off on a

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<v Speaker 1>weird place here. Um, for me, it could have also

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<v Speaker 1>been I was. I was not in a good headspace

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<v Speaker 1>at all. Um, I wasn't. I wasn't a really weird

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<v Speaker 1>I've already written like a whole second project that pretty

0:11:00.600 --> 0:11:02.200
<v Speaker 1>much got shell of the label. They were like, we

0:11:02.240 --> 0:11:04.800
<v Speaker 1>don't have radio stuff here. This is too as you

0:11:04.920 --> 0:11:08.640
<v Speaker 1>this is to this, this is too And that's heartbreaking

0:11:08.640 --> 0:11:10.480
<v Speaker 1>is as a writer and artist and you turned something

0:11:10.520 --> 0:11:12.200
<v Speaker 1>in And I try to explain that to a lot

0:11:12.240 --> 0:11:15.520
<v Speaker 1>of people sometimes too. Where my old jobs there was

0:11:15.520 --> 0:11:18.520
<v Speaker 1>a beauty and just going to work, doing the job,

0:11:18.679 --> 0:11:22.400
<v Speaker 1>going home kind of having that mindless feel of Okay,

0:11:22.440 --> 0:11:24.480
<v Speaker 1>now I can devote this other part of my time

0:11:24.520 --> 0:11:27.880
<v Speaker 1>to a girlfriend or whatever kind of thing or family

0:11:28.040 --> 0:11:32.000
<v Speaker 1>or I was present when I would leave work and

0:11:32.040 --> 0:11:34.400
<v Speaker 1>you know, with this job, you're even yours, You're you're

0:11:34.400 --> 0:11:37.160
<v Speaker 1>constantly on judgment for everything. I don't I wouldn't trade

0:11:37.160 --> 0:11:40.640
<v Speaker 1>my job or anything, but it's your it's a constant

0:11:40.679 --> 0:11:44.560
<v Speaker 1>state of judgment. And Um, that was a hard thing

0:11:44.640 --> 0:11:46.680
<v Speaker 1>to turn in something I was so passionate about, which

0:11:46.679 --> 0:11:51.280
<v Speaker 1>I hope sees the life of day one day. Um.

0:11:51.280 --> 0:11:57.559
<v Speaker 1>But I was in a bad, bad place. And I've always,

0:11:57.679 --> 0:12:01.040
<v Speaker 1>um had a heart for God. And I'll say that openly,

0:12:01.080 --> 0:12:05.000
<v Speaker 1>like I've always been really connected with God, even even

0:12:05.040 --> 0:12:07.040
<v Speaker 1>when I'm not reading, even when I don't go to church,

0:12:07.080 --> 0:12:09.440
<v Speaker 1>I just always I know that God is always with me.

0:12:10.520 --> 0:12:13.560
<v Speaker 1>And I've usually been pretty good about reading scripture going

0:12:13.600 --> 0:12:15.559
<v Speaker 1>to church. And you know, I just go by myself

0:12:15.559 --> 0:12:17.560
<v Speaker 1>at night or going Tuesday nights or whatever. I'm sitting

0:12:17.559 --> 0:12:19.679
<v Speaker 1>in the back and I leave and I stay connected.

0:12:19.720 --> 0:12:22.640
<v Speaker 1>And at that time I was really I wasn't connected

0:12:22.679 --> 0:12:25.320
<v Speaker 1>at all. And it wasn't that I was out, you know,

0:12:25.800 --> 0:12:27.640
<v Speaker 1>doing blow all night and stuff like. It was just

0:12:27.800 --> 0:12:30.680
<v Speaker 1>I was I was completely separate, and I was in

0:12:30.720 --> 0:12:32.920
<v Speaker 1>a bad dark place. I could barely get out of bed.

0:12:32.960 --> 0:12:39.319
<v Speaker 1>I felt like a lot of mornings. Um, And uh,

0:12:39.679 --> 0:12:42.400
<v Speaker 1>maybe I was susceptible too, because I believe there's about

0:12:42.440 --> 0:12:44.280
<v Speaker 1>a good and evil all the time going on around

0:12:44.280 --> 0:12:47.160
<v Speaker 1>and maybe I was at that time of my life

0:12:47.800 --> 0:12:53.599
<v Speaker 1>really susceptible to that entity tricking with my mind. I

0:12:53.840 --> 0:12:56.319
<v Speaker 1>don't know, but I can tell you the stuff that

0:12:56.360 --> 0:12:59.680
<v Speaker 1>went down that house. I mean, it would be you know,

0:12:59.760 --> 0:13:01.720
<v Speaker 1>clear's day. I go down and get a drink of water,

0:13:01.800 --> 0:13:05.880
<v Speaker 1>and and the garbage disposal was underneath the sink. You

0:13:05.960 --> 0:13:07.520
<v Speaker 1>have to flip the switch, turn it on, and I

0:13:07.520 --> 0:13:10.640
<v Speaker 1>will be walking off on that thing with bag cut

0:13:10.640 --> 0:13:13.880
<v Speaker 1>back off. I turn around, I look and all the

0:13:13.920 --> 0:13:15.679
<v Speaker 1>hairs be up in my arm. And I walked back

0:13:15.720 --> 0:13:18.959
<v Speaker 1>off and would just go old house. That's what I

0:13:19.000 --> 0:13:21.120
<v Speaker 1>would say. If I be like old house, like, I

0:13:21.160 --> 0:13:24.160
<v Speaker 1>would look up underneath the switch is still off. I can,

0:13:24.280 --> 0:13:26.400
<v Speaker 1>I can. I got a million of those. There was

0:13:26.440 --> 0:13:28.840
<v Speaker 1>a there's a pantry and it used to have a

0:13:28.840 --> 0:13:31.320
<v Speaker 1>hole in the floor, and I'm the only one there.

0:13:32.200 --> 0:13:34.439
<v Speaker 1>And I would at night, you know, late at night,

0:13:34.480 --> 0:13:36.480
<v Speaker 1>you know, I go in, maybe get get a snack

0:13:36.480 --> 0:13:38.360
<v Speaker 1>out of the pantry, and I look and the basement,

0:13:38.400 --> 0:13:42.679
<v Speaker 1>the basement was a spooky spacement. Ever, but the light

0:13:42.720 --> 0:13:45.040
<v Speaker 1>would be on underneath the pantry foollboard, and I'd be like,

0:13:45.080 --> 0:13:47.160
<v Speaker 1>I know I cut that off. I know that wasn't on.

0:13:47.320 --> 0:13:50.240
<v Speaker 1>I was in here last time, cut it off. Come

0:13:50.240 --> 0:13:52.920
<v Speaker 1>back this morning. Thing was on. You have to flip

0:13:52.960 --> 0:13:54.719
<v Speaker 1>the switch on the turn it off. I mean a

0:13:54.840 --> 0:13:57.440
<v Speaker 1>short if the if the switch is off, you're not

0:13:57.480 --> 0:13:59.720
<v Speaker 1>gonna get a short like it's not you know so.

0:14:00.679 --> 0:14:04.960
<v Speaker 1>But the kicker was I'd be laid in my bed

0:14:05.000 --> 0:14:07.440
<v Speaker 1>and it's happened about three times. And on the second time,

0:14:07.480 --> 0:14:09.160
<v Speaker 1>I told my manager said, hey, to me, a favorite

0:14:09.160 --> 0:14:12.440
<v Speaker 1>look from your place. And this happened as I really

0:14:12.440 --> 0:14:14.640
<v Speaker 1>settled into the house and was living there. I've been

0:14:14.679 --> 0:14:17.679
<v Speaker 1>writing songs there for four or five years and people

0:14:17.679 --> 0:14:19.840
<v Speaker 1>have had little stuff happened. But the minute it was

0:14:19.880 --> 0:14:22.400
<v Speaker 1>like I moved in there at all, kind of started

0:14:22.440 --> 0:14:25.480
<v Speaker 1>building up and it was almost like they were going like, oh, buddy,

0:14:26.080 --> 0:14:28.400
<v Speaker 1>you got dried, you got to get you know so.

0:14:29.600 --> 0:14:32.440
<v Speaker 1>But I can remember laying there in bed about three

0:14:32.640 --> 0:14:35.760
<v Speaker 1>and it always happened close to three o'clock. I remember

0:14:35.840 --> 0:14:38.480
<v Speaker 1>laying there and that my bed and I don't know

0:14:38.560 --> 0:14:41.760
<v Speaker 1>what grenades sound like. I got no clue, but it

0:14:41.800 --> 0:14:43.760
<v Speaker 1>would be like us being this room and it sounds

0:14:43.800 --> 0:14:46.240
<v Speaker 1>like somebody's just setting grenades off all through your house,

0:14:46.280 --> 0:14:49.880
<v Speaker 1>and it would sound like five people decided on the

0:14:49.920 --> 0:14:51.600
<v Speaker 1>count of three, we're gonna raise as much as hell

0:14:51.640 --> 0:14:53.680
<v Speaker 1>as we can, and every it sounded like. And I

0:14:53.720 --> 0:14:55.480
<v Speaker 1>was in a tiny room and it sounded like there

0:14:55.560 --> 0:14:58.680
<v Speaker 1>was a fist on every inch of the wall on

0:14:59.200 --> 0:15:01.680
<v Speaker 1>all around me, just slamming and banging. And you can

0:15:01.720 --> 0:15:04.920
<v Speaker 1>imagine waking up to that feeling like the fear of

0:15:04.920 --> 0:15:07.040
<v Speaker 1>that first of all, feeling like someone's break into your house.

0:15:07.120 --> 0:15:09.400
<v Speaker 1>The second of all, this is a whole another bag,

0:15:10.040 --> 0:15:12.840
<v Speaker 1>to the point where my bed was physically shaken, like

0:15:12.880 --> 0:15:16.000
<v Speaker 1>there's like the house the foundation was almost shaken. My

0:15:16.040 --> 0:15:18.840
<v Speaker 1>bed was moving, and I wake up and I would

0:15:18.840 --> 0:15:21.360
<v Speaker 1>come to and it would last for three or four

0:15:21.440 --> 0:15:26.280
<v Speaker 1>seconds as I had woken up, and the fear behind

0:15:26.360 --> 0:15:28.160
<v Speaker 1>that man was just and I would try to just

0:15:28.560 --> 0:15:30.240
<v Speaker 1>I pray and be like, I'm not gonna let this

0:15:30.320 --> 0:15:32.680
<v Speaker 1>bother me. I'm good, and I eventually lay back down.

0:15:32.720 --> 0:15:34.800
<v Speaker 1>And it happened about three different times. I had a

0:15:34.840 --> 0:15:39.840
<v Speaker 1>broom from me to you, sweeping ten solid seconds to

0:15:39.920 --> 0:15:41.680
<v Speaker 1>where I just sat up, and I mean every hair

0:15:41.720 --> 0:15:44.320
<v Speaker 1>and I just kind of I know, I'm not hearing

0:15:44.320 --> 0:15:46.760
<v Speaker 1>a broom beside me right now, and I lay back down.

0:15:47.440 --> 0:15:49.600
<v Speaker 1>After it would stop, I lay back down and it

0:15:49.640 --> 0:15:52.440
<v Speaker 1>would start right back up. And I even like sat

0:15:52.480 --> 0:15:54.880
<v Speaker 1>up in my bed. I cut the lights on, and

0:15:54.920 --> 0:15:57.560
<v Speaker 1>I said at one point and said, hey, look clean

0:15:57.640 --> 0:16:02.400
<v Speaker 1>all you want. I said, this place he's cleaning. I'm

0:16:02.440 --> 0:16:05.360
<v Speaker 1>I'm good with you. You can clean all you want.

0:16:05.400 --> 0:16:07.680
<v Speaker 1>Not I laid back down, but I was scared to death.

0:16:07.760 --> 0:16:10.480
<v Speaker 1>But I was trying to get myself calm. But you know,

0:16:12.160 --> 0:16:14.120
<v Speaker 1>that might have been a whole another thing. Man, that

0:16:14.160 --> 0:16:19.240
<v Speaker 1>could have been I don't know. I mean, to me,

0:16:19.280 --> 0:16:20.960
<v Speaker 1>it was a ghost, but it could have also been

0:16:21.000 --> 0:16:23.200
<v Speaker 1>what I was talking about earlier. I'm not sure. I

0:16:23.240 --> 0:16:25.640
<v Speaker 1>still don't know what that was. So you moved. But

0:16:25.760 --> 0:16:28.760
<v Speaker 1>and that hasn't happened since. No, I mean, I've barely

0:16:28.800 --> 0:16:30.640
<v Speaker 1>been back in there since. I used to write in

0:16:30.640 --> 0:16:32.920
<v Speaker 1>there every single day, and I wrote this whole new record.

0:16:33.320 --> 0:16:36.360
<v Speaker 1>I didn't write one song in there, and that's kind

0:16:36.360 --> 0:16:37.840
<v Speaker 1>of gave me a sense of piece because I feel

0:16:37.840 --> 0:16:39.400
<v Speaker 1>like it's the best stuff I've done. But I felt

0:16:39.440 --> 0:16:44.240
<v Speaker 1>like I was confined to I love that wild one's record,

0:16:44.320 --> 0:16:46.960
<v Speaker 1>And like I said, I wrote almost everything in there.

0:16:47.000 --> 0:16:50.440
<v Speaker 1>But I've learned that I don't have to be living

0:16:50.480 --> 0:16:52.280
<v Speaker 1>with a ghost and taking coach. I was a writing

0:16:52.400 --> 0:16:55.920
<v Speaker 1>to write songs. You know, let me talk about Express

0:16:55.960 --> 0:16:58.240
<v Speaker 1>for Express prods dot Com for one second. Did you

0:16:58.280 --> 0:17:00.560
<v Speaker 1>know the average number of people who apply for any

0:17:00.560 --> 0:17:03.240
<v Speaker 1>given job at all is one hundred and eighteen people,

0:17:03.720 --> 0:17:07.000
<v Speaker 1>and only twenty of the applicants get an interview because

0:17:07.560 --> 0:17:10.040
<v Speaker 1>a ton of the companies use a software to screen

0:17:10.040 --> 0:17:12.879
<v Speaker 1>an applicants before anyone even sees the resume. So you

0:17:12.920 --> 0:17:15.879
<v Speaker 1>know that was I saw that of Forbes. So simply

0:17:16.040 --> 0:17:18.280
<v Speaker 1>uploading your resume won't get you a job. You need

0:17:18.320 --> 0:17:23.040
<v Speaker 1>an advocate. Express Employment Professionals is the local resource to

0:17:23.040 --> 0:17:25.880
<v Speaker 1>help you get a job. Expresses more than eighteen thousand

0:17:25.920 --> 0:17:29.800
<v Speaker 1>jobs available weekly. When you interviewed Express, they'll assess your skills,

0:17:29.840 --> 0:17:32.159
<v Speaker 1>they'll connect to with available jobs, and they'll team up

0:17:32.200 --> 0:17:34.960
<v Speaker 1>with you and your job surgeon. Express their jobs in

0:17:35.080 --> 0:17:38.080
<v Speaker 1>let's see what you wanta do manufacturing, accounting, customer service,

0:17:38.160 --> 0:17:41.320
<v Speaker 1>sales distribution, all of these type of jobs. I don't

0:17:41.320 --> 0:17:42.439
<v Speaker 1>know what you do right now. Maybe you don't have

0:17:42.440 --> 0:17:45.359
<v Speaker 1>a job. Maybe you want a better job, tired of

0:17:45.359 --> 0:17:49.720
<v Speaker 1>applying online never hearing back. Visit your locally owned Express

0:17:49.760 --> 0:17:53.159
<v Speaker 1>office today and speak to professionals. Express never charges a

0:17:53.240 --> 0:17:57.639
<v Speaker 1>job secret. To find employment, visit Express pros dot com,

0:17:57.680 --> 0:18:01.119
<v Speaker 1>apply online Express pros dot com, or find an office

0:18:01.200 --> 0:18:04.040
<v Speaker 1>near you. All right, So here's something I learned from you.

0:18:04.480 --> 0:18:06.600
<v Speaker 1>I guess probably eight months or so, you and I

0:18:06.760 --> 0:18:08.800
<v Speaker 1>met for breakfast and you were singing in the morning.

0:18:09.280 --> 0:18:11.359
<v Speaker 1>I know that was a thing. Yeah, I was like,

0:18:11.400 --> 0:18:13.359
<v Speaker 1>why are you singing in the morning, You're like my

0:18:13.400 --> 0:18:15.919
<v Speaker 1>low end, it's best for my low end. No idea,

0:18:16.000 --> 0:18:19.080
<v Speaker 1>that was even the thing. So explain that to me

0:18:19.119 --> 0:18:21.639
<v Speaker 1>and to people who have no idea about the recording

0:18:21.680 --> 0:18:24.840
<v Speaker 1>process and vocals, you know. And once again that was

0:18:28.240 --> 0:18:30.320
<v Speaker 1>for me that that's kind of a thing for me

0:18:30.440 --> 0:18:33.760
<v Speaker 1>is and the first thing in the morning before I've

0:18:34.400 --> 0:18:37.000
<v Speaker 1>I've been talking a lot or singing because I sing

0:18:37.119 --> 0:18:39.040
<v Speaker 1>like all my own harmonies on this record two. So

0:18:39.080 --> 0:18:41.560
<v Speaker 1>you have to use a whole different You've got to

0:18:41.560 --> 0:18:43.720
<v Speaker 1>really stretch that high end. And once you've burned that

0:18:43.840 --> 0:18:45.800
<v Speaker 1>high end a whole lot, you know, you're singing for

0:18:45.840 --> 0:18:49.040
<v Speaker 1>an hour straight. That low ends just kind of it's

0:18:49.040 --> 0:18:51.199
<v Speaker 1>still there. I mean I was just I kind of

0:18:51.280 --> 0:18:54.359
<v Speaker 1>naturally have a deeper voice, but it's the width and

0:18:54.400 --> 0:18:56.320
<v Speaker 1>you can feel it on the mic, you can feel

0:18:56.359 --> 0:18:58.560
<v Speaker 1>it in the control room. The width that I have

0:18:58.640 --> 0:19:01.560
<v Speaker 1>in the morning is just different I have late at night.

0:19:01.600 --> 0:19:04.760
<v Speaker 1>Once I'll burn that out, and it's just that's just me,

0:19:07.080 --> 0:19:09.080
<v Speaker 1>just kind of learning from singing, you know, doing so

0:19:09.119 --> 0:19:11.320
<v Speaker 1>many demos throughout the years and being like, man, my

0:19:11.400 --> 0:19:13.879
<v Speaker 1>voice just in the morning, it feels like there's a

0:19:13.880 --> 0:19:17.399
<v Speaker 1>whole different width to it. And maybe that's become a

0:19:17.440 --> 0:19:20.280
<v Speaker 1>psychological thing too, but I just feel I feel really

0:19:20.320 --> 0:19:23.919
<v Speaker 1>strong getting the most width out of my voice in

0:19:23.920 --> 0:19:25.960
<v Speaker 1>the morning. Do you feel like you sing better in

0:19:25.960 --> 0:19:31.800
<v Speaker 1>the shower? I wonder if legitimately great singers feel like

0:19:31.840 --> 0:19:33.879
<v Speaker 1>they even sound better in the shower. I feel like

0:19:33.920 --> 0:19:35.800
<v Speaker 1>everybody sounds better, but you do, like you ever seen

0:19:35.840 --> 0:19:37.280
<v Speaker 1>the shower to go day? Because I do, and I'm

0:19:37.320 --> 0:19:39.879
<v Speaker 1>even from a good singer, but you're a really good singer,

0:19:40.119 --> 0:19:41.879
<v Speaker 1>do you sing it go? I'm even better in the shower.

0:19:42.080 --> 0:19:47.000
<v Speaker 1>I think I'm pretty incredible in the show out. It's

0:19:47.000 --> 0:19:50.159
<v Speaker 1>then's like it's like a natural reverb chamber. But then,

0:19:50.160 --> 0:19:52.680
<v Speaker 1>why don't we create. Why don't I go into their studios?

0:19:54.040 --> 0:19:56.480
<v Speaker 1>Why am I not like singing? It's some really good

0:19:56.480 --> 0:20:01.600
<v Speaker 1>studio that never a lot of a lot of recordings nowadays.

0:20:01.920 --> 0:20:04.359
<v Speaker 1>When you when you hear those old records, you hear

0:20:04.400 --> 0:20:07.240
<v Speaker 1>Freddie Mercury, and you hear these old guys, um, those

0:20:07.240 --> 0:20:09.840
<v Speaker 1>Guns and Roses records, all this stuff. Man, they were

0:20:09.880 --> 0:20:14.080
<v Speaker 1>all singing in these You listen to these Zeppelin records

0:20:14.080 --> 0:20:18.360
<v Speaker 1>that they're playing drums in this massive like stairwell where

0:20:18.359 --> 0:20:20.879
<v Speaker 1>it's all that verb, like it used to be tracked

0:20:20.880 --> 0:20:25.439
<v Speaker 1>a lot more that way. Um. Now everybody's trying to

0:20:25.480 --> 0:20:28.480
<v Speaker 1>compress and get this tight tight, you know, trying to

0:20:28.480 --> 0:20:31.399
<v Speaker 1>put pads all over these walls to lock everything in

0:20:31.440 --> 0:20:34.040
<v Speaker 1>where it's just really dry sound, and they like mixing

0:20:34.040 --> 0:20:37.840
<v Speaker 1>that way. It's just how times have kind of changed. Um.

0:20:37.960 --> 0:20:40.159
<v Speaker 1>But I like singing in the Verbie room, and I

0:20:40.600 --> 0:20:42.760
<v Speaker 1>you know, I there was a there was a little

0:20:42.760 --> 0:20:45.359
<v Speaker 1>bit doing this new record more than I ever have,

0:20:45.720 --> 0:20:47.359
<v Speaker 1>you know, having a little bit that natural verb in

0:20:47.359 --> 0:20:51.199
<v Speaker 1>the room. And Blackbird has got like the greatest reverb

0:20:51.320 --> 0:20:53.240
<v Speaker 1>chamber ever over there at that studio. But you don't

0:20:53.240 --> 0:20:55.040
<v Speaker 1>really want to sing leads in there. Because it's just

0:20:55.080 --> 0:20:57.560
<v Speaker 1>too boomy and then it just gets all washy. But

0:20:57.640 --> 0:21:00.040
<v Speaker 1>backgrounds are amazing in that room. Talking about that for

0:21:00.040 --> 0:21:03.520
<v Speaker 1>a second. That's interesting. So you'll sing leads in one place,

0:21:03.920 --> 0:21:06.280
<v Speaker 1>but backgrounds and another. Yeah, like if you want to

0:21:06.280 --> 0:21:09.360
<v Speaker 1>get like a big you know, big gang vocals, all

0:21:09.400 --> 0:21:12.760
<v Speaker 1>that Death Leppard stuff that just sounds so massive on

0:21:12.800 --> 0:21:16.359
<v Speaker 1>all that like Hysteria record, and you know, I'll guarantee

0:21:16.359 --> 0:21:19.480
<v Speaker 1>you that was done in a massive reverb chamber. Um.

0:21:19.520 --> 0:21:22.680
<v Speaker 1>And I know, like for wild Ones with with lipstick,

0:21:22.720 --> 0:21:27.280
<v Speaker 1>you hey, when you're doing that this big haze. We

0:21:27.320 --> 0:21:29.960
<v Speaker 1>got around all got around one mic, all six of

0:21:30.040 --> 0:21:32.680
<v Speaker 1>us and did the big haze just because it just

0:21:32.760 --> 0:21:35.520
<v Speaker 1>kind of sounds like a swirling all around you. Where

0:21:35.560 --> 0:21:38.320
<v Speaker 1>you want your that lead vocal to you know, speak

0:21:38.400 --> 0:21:40.080
<v Speaker 1>right to you kind of thing. I still like having

0:21:40.640 --> 0:21:43.000
<v Speaker 1>old schoolbird want to leave vocal um, but for the

0:21:43.000 --> 0:21:44.679
<v Speaker 1>most part, you want that to be a little tighter

0:21:45.119 --> 0:21:46.880
<v Speaker 1>on this new record. I'll talk about that for a second,

0:21:46.920 --> 0:21:49.120
<v Speaker 1>because I think you went through this process a little

0:21:49.119 --> 0:21:51.520
<v Speaker 1>different than you have before. You did a lot more

0:21:51.560 --> 0:21:57.479
<v Speaker 1>of this yourself kind of and I've read the stuff,

0:21:57.480 --> 0:21:59.960
<v Speaker 1>but I've heard you talk about it too. So why

0:22:00.040 --> 0:22:05.280
<v Speaker 1>did you approach this record different than the last because

0:22:05.320 --> 0:22:09.160
<v Speaker 1>you recorded somebody with that telling anybody right? Um? First off,

0:22:09.200 --> 0:22:11.439
<v Speaker 1>you know, I did the first two records with Brett James,

0:22:11.440 --> 0:22:15.240
<v Speaker 1>who Man, I I take a bullet for Brett to more. Man.

0:22:15.480 --> 0:22:19.399
<v Speaker 1>I love that dude with all my heart and and

0:22:19.440 --> 0:22:24.159
<v Speaker 1>we're like brothers. Um. And he's amazing. Brett's such an

0:22:24.200 --> 0:22:31.919
<v Speaker 1>incredible songwriter, musician, singer, everything. UM. But I just I

0:22:31.960 --> 0:22:37.080
<v Speaker 1>felt like on this one, I had been writing these songs,

0:22:37.080 --> 0:22:39.000
<v Speaker 1>and I've been living with him so much, and we

0:22:39.000 --> 0:22:42.120
<v Speaker 1>we were great at co producing records together, but we

0:22:42.080 --> 0:22:44.320
<v Speaker 1>were we butt heads a lot. We would and I

0:22:44.520 --> 0:22:48.399
<v Speaker 1>mean I'd hear one party here another part, and I

0:22:48.440 --> 0:22:50.119
<v Speaker 1>felt like sometimes that took a little bit of a

0:22:50.119 --> 0:22:53.359
<v Speaker 1>strain on our friendship a little bit. Um. Brett's one

0:22:53.359 --> 0:22:55.760
<v Speaker 1>of the best friends I've ever had. UM. And I

0:22:55.800 --> 0:22:57.680
<v Speaker 1>just felt like going into this one, as far as

0:22:57.760 --> 0:23:00.840
<v Speaker 1>that part goes, I've been living with these song so much.

0:23:02.200 --> 0:23:04.560
<v Speaker 1>I've already been you know, I'll lay in my bunk

0:23:05.640 --> 0:23:07.639
<v Speaker 1>and I'll after I come with the guitar riff or

0:23:07.920 --> 0:23:10.560
<v Speaker 1>whatever that's kind of inspired me in that day, I'll

0:23:10.560 --> 0:23:12.879
<v Speaker 1>sing all the parts that I'm hearing like around that,

0:23:12.960 --> 0:23:15.200
<v Speaker 1>like I'll just start building the track vocally. I'll build

0:23:15.200 --> 0:23:19.159
<v Speaker 1>a whole track just singing wise, where I'm singing the

0:23:19.160 --> 0:23:21.040
<v Speaker 1>beat and then I'm layering like Okay, this is what

0:23:21.040 --> 0:23:22.520
<v Speaker 1>the baseline is gonna do, and I'll do all that

0:23:22.560 --> 0:23:24.399
<v Speaker 1>and I'll sing, Okay, this guitar part is gonna do

0:23:24.440 --> 0:23:27.320
<v Speaker 1>this on the second bar right here on on the

0:23:27.359 --> 0:23:30.600
<v Speaker 1>four chord, and I'll kind of sing all these different layers.

0:23:30.720 --> 0:23:39.680
<v Speaker 1>And I had it. Yeah. So it was one of

0:23:39.680 --> 0:23:44.720
<v Speaker 1>those things where I knew exactly what I wanted. I

0:23:44.760 --> 0:23:49.200
<v Speaker 1>knew exactly how I wanted to sound. Um, So when

0:23:49.240 --> 0:23:52.760
<v Speaker 1>I went in I didn't want anybody giving me pushback

0:23:52.760 --> 0:23:54.760
<v Speaker 1>on I knew what I wanted, and I knew I

0:23:54.800 --> 0:23:58.320
<v Speaker 1>wanted to go in there and sing a little bit um.

0:23:58.600 --> 0:24:01.439
<v Speaker 1>You know. I wanted to do some funky stuff that

0:24:01.480 --> 0:24:03.840
<v Speaker 1>I hadn't done before. And I believe so much in

0:24:03.880 --> 0:24:08.080
<v Speaker 1>the melodies of this record. Um, but I did. I

0:24:08.680 --> 0:24:11.600
<v Speaker 1>I kind of why I once had only been out

0:24:11.640 --> 0:24:14.040
<v Speaker 1>for a year. It really wasn't time to As far

0:24:14.040 --> 0:24:17.720
<v Speaker 1>as the country world goes, you know, it's it's still

0:24:17.720 --> 0:24:20.040
<v Speaker 1>that whole cycle of you make a record every two

0:24:20.119 --> 0:24:25.640
<v Speaker 1>or three years, which drives me crazy, drives me crazy,

0:24:25.840 --> 0:24:29.800
<v Speaker 1>drives me crazy. Um So, and I'm always writing, but

0:24:29.880 --> 0:24:33.320
<v Speaker 1>I kind of gathered this handful of songs that I

0:24:33.359 --> 0:24:35.440
<v Speaker 1>believed in a whole lot. Man, this is a really

0:24:35.440 --> 0:24:39.480
<v Speaker 1>cool thing and been kind of creating. Um So I

0:24:39.560 --> 0:24:43.480
<v Speaker 1>went in and uh, I just recorded like four or

0:24:43.480 --> 0:24:45.520
<v Speaker 1>five of them, and I went in like as a

0:24:45.680 --> 0:24:47.600
<v Speaker 1>you know, in like a record style, like I'm you know,

0:24:47.600 --> 0:24:51.080
<v Speaker 1>approaching it like a record and they came back and

0:24:51.119 --> 0:24:53.119
<v Speaker 1>I was just I was so happy with him, and

0:24:53.160 --> 0:24:54.919
<v Speaker 1>I just kind of went to see Brian right now

0:24:55.000 --> 0:24:57.240
<v Speaker 1>in our red and I said, man, I just I

0:24:57.280 --> 0:24:59.160
<v Speaker 1>want you to hear what I've been doing. You tell

0:24:59.200 --> 0:25:02.320
<v Speaker 1>me what you think. I've been recording some sides. And

0:25:02.359 --> 0:25:03.760
<v Speaker 1>I played him for him and he called me back

0:25:03.800 --> 0:25:05.200
<v Speaker 1>and he was just kind of flipping over and he

0:25:05.240 --> 0:25:07.000
<v Speaker 1>was like, I gotta go place for the label right now,

0:25:09.080 --> 0:25:11.080
<v Speaker 1>all right. So the next thing I know, I'm getting

0:25:11.080 --> 0:25:13.560
<v Speaker 1>a call a few days later and he's like, you

0:25:13.600 --> 0:25:15.560
<v Speaker 1>gotta go in and make a record. This is great,

0:25:15.600 --> 0:25:18.520
<v Speaker 1>we gotta get this stuff now. So for the next

0:25:19.760 --> 0:25:21.440
<v Speaker 1>eight or nine months, that's all I did. Every time

0:25:21.440 --> 0:25:23.320
<v Speaker 1>I got the road. I was recording right and trying

0:25:23.320 --> 0:25:26.960
<v Speaker 1>to finish that record over the last year. So you

0:25:27.040 --> 0:25:29.560
<v Speaker 1>do four or five songs. But then when you know

0:25:29.680 --> 0:25:32.080
<v Speaker 1>you're doing a record, does that change how are your

0:25:32.119 --> 0:25:35.720
<v Speaker 1>writing songs? Because at first it feels like you're writing

0:25:35.760 --> 0:25:37.840
<v Speaker 1>for you, you're creating for you, you don't know where

0:25:37.840 --> 0:25:39.840
<v Speaker 1>it's gonna go. Now you have a direction where you

0:25:39.880 --> 0:25:42.200
<v Speaker 1>know where's going to go. Does that change the creative

0:25:42.200 --> 0:25:47.359
<v Speaker 1>process in your head? I think before it might have. Um,

0:25:47.400 --> 0:25:49.800
<v Speaker 1>but I think I was in such a confident headspace

0:25:49.920 --> 0:25:52.040
<v Speaker 1>where I was going and I knew what I wanted

0:25:52.080 --> 0:25:54.080
<v Speaker 1>to do, and I knew what I wanted to say

0:25:54.400 --> 0:25:57.960
<v Speaker 1>that um yeah, I just I was more just kind

0:25:57.960 --> 0:25:59.560
<v Speaker 1>of like, all right, I'm I'm ready to go. I'm

0:25:59.560 --> 0:26:04.359
<v Speaker 1>ready to do this, and and I recorded only thirteen

0:26:04.359 --> 0:26:06.919
<v Speaker 1>are gonna make the record? And I probably wrote thirty

0:26:06.960 --> 0:26:11.960
<v Speaker 1>for this project, and uh recorded twenty one of them.

0:26:12.040 --> 0:26:14.320
<v Speaker 1>Because you just getting so close to the songs and

0:26:14.320 --> 0:26:16.080
<v Speaker 1>you're like okay, and then a lot of times you're

0:26:16.080 --> 0:26:19.600
<v Speaker 1>going into to track one and that's when you realize,

0:26:19.600 --> 0:26:21.280
<v Speaker 1>all right, this song is not quite as good as

0:26:21.320 --> 0:26:23.320
<v Speaker 1>I thought. And what tracking means is you have a

0:26:23.359 --> 0:26:27.480
<v Speaker 1>band played this song like, yeah, like comeing to scratch

0:26:27.480 --> 0:26:29.480
<v Speaker 1>over the top of it. Um. But I mean like

0:26:29.680 --> 0:26:33.840
<v Speaker 1>in tracking, a lot of the tracking idea, like a

0:26:33.840 --> 0:26:36.000
<v Speaker 1>lot of this record was just me and David Garcia

0:26:36.040 --> 0:26:38.080
<v Speaker 1>in his house and that was a very different process

0:26:38.080 --> 0:26:39.760
<v Speaker 1>for me too. Well, we just played all the instruments

0:26:39.760 --> 0:26:41.119
<v Speaker 1>and we just built it from the ground up in

0:26:41.160 --> 0:26:44.080
<v Speaker 1>his house. Um. I did a track with the band

0:26:44.080 --> 0:26:48.680
<v Speaker 1>on about it, um, and UM, you know I would

0:26:48.720 --> 0:26:51.560
<v Speaker 1>I would play the instruments on that too, and and

0:26:52.960 --> 0:26:54.639
<v Speaker 1>you know, get all the music down first and then

0:26:54.680 --> 0:26:57.560
<v Speaker 1>I do the vocals after. Guitar man was the only

0:26:57.600 --> 0:27:00.600
<v Speaker 1>one where that's the main and when I can't wait

0:27:00.600 --> 0:27:02.359
<v Speaker 1>through the here. It was all on one take and

0:27:02.359 --> 0:27:04.680
<v Speaker 1>it happened really spontaneous where we had the full band

0:27:04.720 --> 0:27:09.680
<v Speaker 1>playing it, and when the take was over, it never

0:27:09.720 --> 0:27:12.600
<v Speaker 1>felt right to me. We'd probably played it five or

0:27:12.640 --> 0:27:14.320
<v Speaker 1>six times as a full band, and I was like, man,

0:27:14.440 --> 0:27:16.440
<v Speaker 1>something just not speaking right to me on this song.

0:27:17.160 --> 0:27:19.040
<v Speaker 1>And we all took a break to step away from it,

0:27:19.800 --> 0:27:22.680
<v Speaker 1>and Tom Bukavac and Dave Cohen, we're just kind of

0:27:23.520 --> 0:27:25.879
<v Speaker 1>sitting there messing with each other, just the organ and

0:27:25.920 --> 0:27:30.840
<v Speaker 1>one guitar and I told I told him as I

0:27:30.840 --> 0:27:33.719
<v Speaker 1>acted like, I was just like, hey, start over, like

0:27:33.760 --> 0:27:36.400
<v Speaker 1>you're playing that from the top, just kind of mess

0:27:36.440 --> 0:27:39.439
<v Speaker 1>around with each other. And I hit record without him

0:27:39.480 --> 0:27:42.200
<v Speaker 1>even really knowing it, and I walked into the vocal

0:27:42.240 --> 0:27:46.160
<v Speaker 1>booth and sang it from the top down in one take.

0:27:46.520 --> 0:27:48.280
<v Speaker 1>And so that whole take that you hear on the

0:27:48.280 --> 0:27:51.400
<v Speaker 1>record is just all of us in one take. That's

0:27:51.400 --> 0:27:53.520
<v Speaker 1>so that's gonna be. That ended up being the song,

0:27:53.640 --> 0:27:55.200
<v Speaker 1>you know, and I think it's you know, I think

0:27:55.200 --> 0:27:58.560
<v Speaker 1>it's the most powerful track on the record. So um yeah,

0:27:58.800 --> 0:28:01.600
<v Speaker 1>So that some really cool organic stuff happened like that

0:28:01.640 --> 0:28:03.600
<v Speaker 1>on this record. And then that's not gonna make it.

0:28:03.600 --> 0:28:05.359
<v Speaker 1>You said you gotta cut songs. No, I've already. I've

0:28:05.359 --> 0:28:07.960
<v Speaker 1>got the records done. I got thirteen, like we I

0:28:07.960 --> 0:28:12.160
<v Speaker 1>just got my master copy yesterday. So that's exciting, right man.

0:28:12.280 --> 0:28:16.760
<v Speaker 1>It's do you like hearing? You like hearing yourself back? Yeah?

0:28:16.800 --> 0:28:20.520
<v Speaker 1>When you've worked that hard? Yeah, I mean you love hearing, Like, Uh,

0:28:20.760 --> 0:28:22.760
<v Speaker 1>I get weird if I go to a gym or

0:28:22.800 --> 0:28:25.359
<v Speaker 1>something and they assume just because I played country music, Oh,

0:28:25.440 --> 0:28:27.840
<v Speaker 1>get more than here. Let's put on a country playlist

0:28:27.840 --> 0:28:29.760
<v Speaker 1>that he's you know what, I feel weird doing that

0:28:29.840 --> 0:28:31.800
<v Speaker 1>field was are so you say you're going somewhere sometimes

0:28:31.840 --> 0:28:36.119
<v Speaker 1>I'll turn you one good. Like I guess I kind

0:28:36.119 --> 0:28:39.880
<v Speaker 1>of feel like an asshole, you know I do. I'm like,

0:28:40.040 --> 0:28:43.920
<v Speaker 1>I'm a freaking asshole in the gym right now. Plays

0:28:44.000 --> 0:28:46.200
<v Speaker 1>turn on country music, you know, like I'll get picked up,

0:28:46.240 --> 0:28:47.720
<v Speaker 1>you know, you get picked up from a venue and

0:28:47.720 --> 0:28:49.400
<v Speaker 1>they're like, Okay, let's turn on the country station. They

0:28:49.400 --> 0:28:52.440
<v Speaker 1>turn them. I'm like, hey, country music. It's not the

0:28:52.480 --> 0:28:55.160
<v Speaker 1>only thing I listened to. I played country music. But

0:28:55.160 --> 0:28:57.720
<v Speaker 1>but uh, but yeah, man, I mean like getting back

0:28:57.800 --> 0:29:02.120
<v Speaker 1>that master copy um and and riding around and here

0:29:02.120 --> 0:29:04.479
<v Speaker 1>and what you've worked at so hard and hear it

0:29:04.480 --> 0:29:07.560
<v Speaker 1>back and it's came out even better than you hope.

0:29:07.600 --> 0:29:10.160
<v Speaker 1>I mean, it's a it's and that's the and that's

0:29:10.200 --> 0:29:12.280
<v Speaker 1>the part where I wouldn't trade this job for nothing.

0:29:12.400 --> 0:29:15.160
<v Speaker 1>You know, It's like that feeling I'm one of the

0:29:15.160 --> 0:29:18.960
<v Speaker 1>few people on this planet. It gets to have that

0:29:19.080 --> 0:29:23.320
<v Speaker 1>exhilarating feeling man, of just like you've you stepped out,

0:29:23.440 --> 0:29:27.120
<v Speaker 1>you've put yourself for exposure to be completely bashed, man,

0:29:27.160 --> 0:29:30.400
<v Speaker 1>and just having that excitement of like this might be

0:29:30.760 --> 0:29:33.760
<v Speaker 1>this might be amazing, this might be lightning in a bottle,

0:29:34.480 --> 0:29:39.120
<v Speaker 1>that's the cool thing. It might tank. But when when

0:29:39.160 --> 0:29:41.040
<v Speaker 1>I was telling some of this other day, like, I

0:29:41.080 --> 0:29:43.040
<v Speaker 1>have such a sense of piece about me now because

0:29:43.040 --> 0:29:45.560
<v Speaker 1>it's like not that I didn't with while one, because

0:29:45.560 --> 0:29:48.360
<v Speaker 1>I made the record I wanted to make. But this one,

0:29:48.440 --> 0:29:51.800
<v Speaker 1>more than any project, I did the exact songs I

0:29:51.840 --> 0:29:55.440
<v Speaker 1>wanted to. There was no outside influence. I recorded them

0:29:55.440 --> 0:29:57.840
<v Speaker 1>exactly like I wanted to. The sounds were exactly like

0:29:57.880 --> 0:30:04.360
<v Speaker 1>I wanted to. I did this red Ord just like

0:30:04.440 --> 0:30:06.160
<v Speaker 1>I had it in my head, and I followed through

0:30:06.200 --> 0:30:09.240
<v Speaker 1>with it, and I stuck to my guns, and I'm okay,

0:30:09.320 --> 0:30:11.080
<v Speaker 1>if it feels like I can lay my head on

0:30:11.120 --> 0:30:14.560
<v Speaker 1>my pillow at night going, I did it exactly how

0:30:14.600 --> 0:30:16.840
<v Speaker 1>I wanted to. So if that, if that doesn't work,

0:30:17.000 --> 0:30:19.080
<v Speaker 1>I can sleep. I can live with that. But I

0:30:19.080 --> 0:30:21.800
<v Speaker 1>can't live with is, you know. I mean, I even

0:30:21.840 --> 0:30:24.680
<v Speaker 1>had people when I was I wasn't working at radio,

0:30:24.840 --> 0:30:27.040
<v Speaker 1>you know, And I understand it from the label side,

0:30:27.080 --> 0:30:30.160
<v Speaker 1>they won't, you know, they've seen this artists that all

0:30:30.160 --> 0:30:34.000
<v Speaker 1>of a sudden had this breakout record that okay, we're

0:30:34.000 --> 0:30:36.320
<v Speaker 1>gonna make some money off. It's all. It's all about money,

0:30:36.360 --> 0:30:38.840
<v Speaker 1>you know what I mean. It's a business, you know,

0:30:38.920 --> 0:30:41.520
<v Speaker 1>so we want to keep this train going. And then

0:30:41.560 --> 0:30:43.680
<v Speaker 1>all of a sudden, you got a couple of slip ups,

0:30:45.360 --> 0:30:48.120
<v Speaker 1>and it was like when they shelve that next record,

0:30:48.280 --> 0:30:52.040
<v Speaker 1>it was like everybody started sending me songs, and man,

0:30:52.080 --> 0:30:56.400
<v Speaker 1>I hated them, but I was smart enough to hear

0:30:56.480 --> 0:30:59.120
<v Speaker 1>him and go, that's a hit song. It's a hit song.

0:30:59.560 --> 0:31:01.440
<v Speaker 1>I know it, say hit. I could sing this, let's

0:31:01.440 --> 0:31:04.640
<v Speaker 1>be hit the more. But I couldn't. First off, I

0:31:04.640 --> 0:31:06.400
<v Speaker 1>couldn't stand on stage and sing that every night. I

0:31:06.560 --> 0:31:10.720
<v Speaker 1>don't believe it. Second of all, if it didn't work,

0:31:11.640 --> 0:31:14.720
<v Speaker 1>that's when I'm really going to freaking spiral downward. Like

0:31:14.760 --> 0:31:16.440
<v Speaker 1>I can't. I can't lay my head on my pillow

0:31:16.480 --> 0:31:20.720
<v Speaker 1>at night. So for me, it was like I politely,

0:31:22.200 --> 0:31:24.160
<v Speaker 1>you know, and I'm paraphrasing, but I can remember. I

0:31:24.200 --> 0:31:27.120
<v Speaker 1>wrote one of the people that labeled I'm really close with,

0:31:27.200 --> 0:31:30.240
<v Speaker 1>and he just you know, I don't know what his

0:31:30.320 --> 0:31:32.240
<v Speaker 1>reaction to it was. I never got a response, but

0:31:32.280 --> 0:31:35.360
<v Speaker 1>I didn't sent like seven or eight songs. You know,

0:31:35.400 --> 0:31:37.040
<v Speaker 1>we're all thinking you should cut one of these for

0:31:37.040 --> 0:31:39.760
<v Speaker 1>your next single, you know whatever. And I I said, look, guys,

0:31:40.400 --> 0:31:43.160
<v Speaker 1>I appreciate you'all trying to help me. I understand where

0:31:43.160 --> 0:31:44.880
<v Speaker 1>your heart's at. I know that y'all want the best

0:31:44.920 --> 0:31:46.680
<v Speaker 1>for this, and I want the best for this whole thing.

0:31:47.800 --> 0:31:53.000
<v Speaker 1>But if I said I'll quick playing music, I'll never

0:31:53.320 --> 0:31:55.160
<v Speaker 1>touch a guitar again if I have to recording of

0:31:55.200 --> 0:31:58.480
<v Speaker 1>these songs, it's not happening. Sin And that's what I sent,

0:31:58.840 --> 0:32:01.959
<v Speaker 1>And so no I ever wrote back to me. And

0:32:02.000 --> 0:32:06.320
<v Speaker 1>that's and that's when I and after that, you know,

0:32:07.520 --> 0:32:09.000
<v Speaker 1>I was still in the font for a while, but

0:32:09.040 --> 0:32:10.840
<v Speaker 1>it was it was a couple of months after that

0:32:10.880 --> 0:32:14.000
<v Speaker 1>when I really kind of picked myself back up and

0:32:14.040 --> 0:32:17.040
<v Speaker 1>started writing Slow Heart. What got you out of that?

0:32:17.320 --> 0:32:21.160
<v Speaker 1>What made you pick yourself back up? I think there's

0:32:21.160 --> 0:32:24.280
<v Speaker 1>a lot of things. I think that for me a

0:32:24.320 --> 0:32:28.360
<v Speaker 1>big thing kind of coming back. Um, whenever I'm connected

0:32:28.480 --> 0:32:31.960
<v Speaker 1>to my faith, whenever I'm just spending time in that,

0:32:33.240 --> 0:32:35.760
<v Speaker 1>I'm in a lot more peace. And it's the crazy

0:32:35.800 --> 0:32:38.720
<v Speaker 1>thing about that is I know that about myself, yet

0:32:38.760 --> 0:32:41.400
<v Speaker 1>I'll still push it aside. I'll push it aside for

0:32:41.480 --> 0:32:45.200
<v Speaker 1>months sometimes and then I'll get back into it, um,

0:32:45.240 --> 0:32:47.120
<v Speaker 1>and that's when I'm at the most piece. I think

0:32:47.160 --> 0:32:51.240
<v Speaker 1>there was a combination of that. I think that a

0:32:51.280 --> 0:32:57.720
<v Speaker 1>big thing happened to um day, you know, and I've

0:32:57.720 --> 0:32:59.720
<v Speaker 1>already written probably half of it when this happened, but

0:33:00.000 --> 0:33:02.680
<v Speaker 1>it was a whole another half. I was Dave Lapsley,

0:33:02.720 --> 0:33:05.080
<v Speaker 1>who's you know, one of the closest people to me

0:33:05.120 --> 0:33:06.920
<v Speaker 1>in my life. Was my guitar player since the day

0:33:06.960 --> 0:33:08.400
<v Speaker 1>that I moved here. I mean, he believed in me

0:33:08.440 --> 0:33:10.240
<v Speaker 1>from day one, and he was playing me for twelve

0:33:10.320 --> 0:33:13.280
<v Speaker 1>or thirteen years and he was I mean he was,

0:33:14.080 --> 0:33:15.959
<v Speaker 1>we were We were thick as thieves, and I just

0:33:16.040 --> 0:33:18.360
<v Speaker 1>shared everything with Dave and he went on all the

0:33:18.440 --> 0:33:20.120
<v Speaker 1>radio tour stuff and it was just me and him

0:33:20.160 --> 0:33:22.080
<v Speaker 1>and you know the bond you create doing that, trying

0:33:22.080 --> 0:33:26.880
<v Speaker 1>to get somewhere together. Um. And even before I had

0:33:26.880 --> 0:33:28.400
<v Speaker 1>a record deal, me and him were touring out of

0:33:28.440 --> 0:33:31.320
<v Speaker 1>my jeep for like three years. See A believed in

0:33:31.400 --> 0:33:32.840
<v Speaker 1>me a long time ago, and they were getting the

0:33:32.920 --> 0:33:36.480
<v Speaker 1>gigs every weekend. I was gone opening for Trace or

0:33:36.480 --> 0:33:38.640
<v Speaker 1>Billy or whatever. But you know the game, and there

0:33:38.680 --> 0:33:40.520
<v Speaker 1>was no money in it, so it's just me and

0:33:40.600 --> 0:33:44.440
<v Speaker 1>him and a Jeep not guaranteed a dime and having

0:33:44.480 --> 0:33:47.400
<v Speaker 1>a hustle, me selling one T shirt and the demo

0:33:47.440 --> 0:33:49.160
<v Speaker 1>that I wasn't supposed to sail back there and like

0:33:49.200 --> 0:33:51.560
<v Speaker 1>two or three songs and the people still show up

0:33:51.560 --> 0:33:56.120
<v Speaker 1>with those old demos and UM and him, you know,

0:33:56.200 --> 0:33:58.800
<v Speaker 1>I I tell him to go hustle and go make

0:33:58.840 --> 0:34:01.160
<v Speaker 1>friends and find us a place crashed tonight and he'd

0:34:01.160 --> 0:34:03.560
<v Speaker 1>find se. We we crashed on fans floors for two

0:34:03.640 --> 0:34:06.920
<v Speaker 1>or three years, every single show, after every show, and

0:34:06.960 --> 0:34:11.080
<v Speaker 1>I'd sell the merch and uh so I say all

0:34:11.120 --> 0:34:14.600
<v Speaker 1>that because he was like a brother to me. And UM,

0:34:14.600 --> 0:34:17.239
<v Speaker 1>back in like December, you know, at the end of

0:34:17.239 --> 0:34:18.920
<v Speaker 1>our tour, he said, you know, and he had been

0:34:19.040 --> 0:34:23.040
<v Speaker 1>obviously contemplates for a while, but his wife got offered

0:34:23.320 --> 0:34:28.319
<v Speaker 1>this really huge job for a for Apple, and um

0:34:29.360 --> 0:34:31.040
<v Speaker 1>they had to move to Minneapolis, and he was like, man,

0:34:31.120 --> 0:34:32.960
<v Speaker 1>she she really wants his job. You know, it's a

0:34:32.960 --> 0:34:36.760
<v Speaker 1>whole lot of money, and UM, you know we're gonna

0:34:36.760 --> 0:34:40.200
<v Speaker 1>do it. You know, that was like the biggest blow

0:34:40.360 --> 0:34:42.960
<v Speaker 1>for me. It was such a blow because when you

0:34:43.040 --> 0:34:44.960
<v Speaker 1>go through all of that and at the end of

0:34:44.960 --> 0:34:49.600
<v Speaker 1>the day, it all a lot of times comes down

0:34:49.600 --> 0:34:52.239
<v Speaker 1>the money had we been a big successful band by

0:34:52.280 --> 0:34:54.799
<v Speaker 1>the end, which we're you know, in that stage of

0:34:55.080 --> 0:34:57.279
<v Speaker 1>we're successful, but you're not making the kind of money

0:34:57.320 --> 0:34:59.279
<v Speaker 1>with the worries like that go away with family and

0:34:59.320 --> 0:35:00.800
<v Speaker 1>all that kind of stuff. And he's got a family

0:35:00.880 --> 0:35:04.640
<v Speaker 1>to take care of. And I felt so like responsible

0:35:04.680 --> 0:35:06.600
<v Speaker 1>for that, and it was just it was the most

0:35:08.280 --> 0:35:09.800
<v Speaker 1>it was. It was heartache for me. I mean I

0:35:09.880 --> 0:35:12.040
<v Speaker 1>I shed tears of the whole thing because I always

0:35:12.040 --> 0:35:14.200
<v Speaker 1>had this dream of us getting to this mountaintop together

0:35:14.920 --> 0:35:17.040
<v Speaker 1>and me and him standing on that and just being like, man,

0:35:17.080 --> 0:35:18.880
<v Speaker 1>look who we did, you know, and that's with all

0:35:18.960 --> 0:35:24.560
<v Speaker 1>my band, but you know he was with me first. Um,

0:35:24.680 --> 0:35:26.440
<v Speaker 1>So that's when I kind of went away. I went

0:35:26.480 --> 0:35:29.400
<v Speaker 1>out and surf for a month and and MAUI then

0:35:29.400 --> 0:35:31.520
<v Speaker 1>surf for a month Coast Rico and went to Iceland.

0:35:32.080 --> 0:35:36.720
<v Speaker 1>During all that time, man, I just I just finally

0:35:36.719 --> 0:35:38.799
<v Speaker 1>started letting go of all that burden of that man

0:35:38.840 --> 0:35:40.720
<v Speaker 1>and just kind of I was carrying all that weight

0:35:41.160 --> 0:35:44.080
<v Speaker 1>even before that, feeling like you gotta keep the whole

0:35:44.080 --> 0:35:46.359
<v Speaker 1>train movement, which I'm sure you do. Sometimes You've got

0:35:46.960 --> 0:35:49.120
<v Speaker 1>people are now that are employed because of the success

0:35:49.160 --> 0:35:52.080
<v Speaker 1>of your show, and you feel that responsibility of and

0:35:52.120 --> 0:35:54.680
<v Speaker 1>these people are counting on me to keep being creative

0:35:54.719 --> 0:35:56.799
<v Speaker 1>and keep this thing going, and you feel like a

0:35:56.840 --> 0:35:59.680
<v Speaker 1>failure when your songs aren't working. And even though our

0:35:59.719 --> 0:36:03.480
<v Speaker 1>show those we're doubling and tripling in size, it was

0:36:03.520 --> 0:36:05.760
<v Speaker 1>like everybody else's viewing it as it was a failure,

0:36:05.760 --> 0:36:08.919
<v Speaker 1>because people in Nashville are in such a bubble where

0:36:08.960 --> 0:36:11.920
<v Speaker 1>you think it's all about you know, it's just radio,

0:36:11.960 --> 0:36:13.520
<v Speaker 1>and if you're not working in radio, then well he

0:36:13.600 --> 0:36:15.879
<v Speaker 1>must not be working. Let's push him to the side,

0:36:15.880 --> 0:36:17.600
<v Speaker 1>and let's focus on this guy because he's got some

0:36:17.680 --> 0:36:19.520
<v Speaker 1>hits going on over here. And I felt all that,

0:36:19.600 --> 0:36:22.440
<v Speaker 1>you know, um, so I think it was a combination

0:36:22.520 --> 0:36:25.759
<v Speaker 1>of all that. And then as I I got out

0:36:25.800 --> 0:36:29.000
<v Speaker 1>there and I spent some time in prayer and I

0:36:29.120 --> 0:36:31.120
<v Speaker 1>was surfering, I was finding that piece, and I just

0:36:31.200 --> 0:36:34.120
<v Speaker 1>kind of I just came out on a different side,

0:36:34.320 --> 0:36:37.200
<v Speaker 1>and I was like, man, if you ever supposed to happen,

0:36:37.239 --> 0:36:40.320
<v Speaker 1>when he's gonna happen, this is all divine playing however

0:36:40.320 --> 0:36:43.239
<v Speaker 1>it's supposed to be. And all I can do is

0:36:44.360 --> 0:36:47.680
<v Speaker 1>wake up and be happy that I've been blessed with

0:36:47.680 --> 0:36:49.759
<v Speaker 1>this amazing life that I fought so hard to have,

0:36:49.960 --> 0:36:51.480
<v Speaker 1>and I don't know how long it's gonna last. You

0:36:51.520 --> 0:36:54.120
<v Speaker 1>don't know how long your thing's gonna last. And it

0:36:54.200 --> 0:36:56.719
<v Speaker 1>was just a sense of peace in that after I

0:36:56.840 --> 0:36:59.040
<v Speaker 1>really sat down and think about it. It's not my fault,

0:36:59.760 --> 0:37:01.680
<v Speaker 1>you know, of that the thing with Dave didn't work out,

0:37:01.719 --> 0:37:05.000
<v Speaker 1>and letting go of all that garbage, and man, when

0:37:05.000 --> 0:37:07.160
<v Speaker 1>I came out on the other side, on the other side,

0:37:07.200 --> 0:37:09.759
<v Speaker 1>man that the music. I started showing. The music, the

0:37:09.840 --> 0:37:13.919
<v Speaker 1>melodies started showing in this sense of even the song

0:37:14.000 --> 0:37:16.640
<v Speaker 1>like Bittersweet Company, that's such a heart wrenching lyric. It

0:37:16.719 --> 0:37:20.440
<v Speaker 1>was like these amazing, happy melodies on top of which

0:37:20.520 --> 0:37:22.960
<v Speaker 1>was the Jukes of Motown, which was I love about Motown.

0:37:23.040 --> 0:37:26.200
<v Speaker 1>But um, just when you hear this record, man, you

0:37:26.200 --> 0:37:29.239
<v Speaker 1>can sense it. There's a better place mentally that I

0:37:29.280 --> 0:37:31.799
<v Speaker 1>got to the as much as I love Wild Ones,

0:37:32.040 --> 0:37:34.359
<v Speaker 1>where I was when I created Wild Ones. You talk

0:37:34.400 --> 0:37:38.279
<v Speaker 1>about a mountaintop, What is your mountain top? I don't think.

0:37:37.239 --> 0:37:40.600
<v Speaker 1>I don't think that That's another thing Bobby. For me

0:37:40.719 --> 0:37:45.080
<v Speaker 1>for so long it was happiness was Man, when we're

0:37:45.120 --> 0:37:48.520
<v Speaker 1>finally headlining that big arena and we're finally playing that stadium,

0:37:48.560 --> 0:37:52.319
<v Speaker 1>and and I just I see it completely different now,

0:37:52.400 --> 0:37:53.719
<v Speaker 1>you know. Some other day was asked me, you know,

0:37:53.719 --> 0:37:56.239
<v Speaker 1>what are your goals for two thousand and eighteen, And

0:37:56.400 --> 0:37:59.000
<v Speaker 1>when I said I don't have any, they looked at

0:37:59.040 --> 0:38:00.920
<v Speaker 1>me like I was crazy. That doesn't mean that I'm

0:38:00.960 --> 0:38:03.480
<v Speaker 1>not ambitious, doesn't mean that I don't want to be

0:38:03.520 --> 0:38:05.720
<v Speaker 1>the you know, be great at what I do. Doesn't

0:38:05.719 --> 0:38:07.920
<v Speaker 1>mean that I still don't want to sell out stadiums

0:38:07.960 --> 0:38:12.200
<v Speaker 1>and do that whole thing. But my my goal is

0:38:12.280 --> 0:38:17.480
<v Speaker 1>to canntinue to make music and hopefully people show up

0:38:17.800 --> 0:38:19.480
<v Speaker 1>and want to sing it, you know, and and to

0:38:19.600 --> 0:38:21.440
<v Speaker 1>be on the stage with my best friends play and

0:38:21.440 --> 0:38:25.040
<v Speaker 1>just to hope to that's my goal. That's my Now,

0:38:25.120 --> 0:38:28.080
<v Speaker 1>I'm I find myself being so much more present, living

0:38:28.080 --> 0:38:30.840
<v Speaker 1>in the moment as far as this year is gone

0:38:30.840 --> 0:38:34.839
<v Speaker 1>with shows. It's like there's a there's a happiness because

0:38:34.840 --> 0:38:37.560
<v Speaker 1>I'm I was always thinking about, oh god it, well,

0:38:37.560 --> 0:38:39.600
<v Speaker 1>this has happening. I gotta I gotta try to fix this.

0:38:39.680 --> 0:38:41.520
<v Speaker 1>Now we're not gonna get to this next spot. And

0:38:41.880 --> 0:38:44.239
<v Speaker 1>I was always thinking ahead, which caused me to be

0:38:44.280 --> 0:38:48.919
<v Speaker 1>a complete wreck as a human being. Um, and now

0:38:48.960 --> 0:38:52.399
<v Speaker 1>it's and I still have that thing of I'm I'm

0:38:52.440 --> 0:38:55.080
<v Speaker 1>always strategically Okay, we gotta focus on this and we

0:38:55.120 --> 0:38:57.919
<v Speaker 1>gotta you know, I'm I'm still that guy, but I'm

0:38:57.960 --> 0:39:00.400
<v Speaker 1>letting go of the stuff that I can't control. I'm

0:39:00.480 --> 0:39:03.560
<v Speaker 1>enjoying the moments that are meant to be enjoyed. So

0:39:03.600 --> 0:39:06.200
<v Speaker 1>I think that's been the biggest change for me. And

0:39:06.360 --> 0:39:09.600
<v Speaker 1>I don't see a mountaintop anymore. It's it's. Man, that'd

0:39:09.600 --> 0:39:12.000
<v Speaker 1>be awesome if we were able to play that stadium,

0:39:12.000 --> 0:39:15.360
<v Speaker 1>but it's badass if we're headline in the theater to

0:39:15.440 --> 0:39:17.439
<v Speaker 1>all right too, and we got three thousand people singing

0:39:17.480 --> 0:39:22.000
<v Speaker 1>along like so um, My mindsets changed in that sense

0:39:22.200 --> 0:39:24.400
<v Speaker 1>for sure. Talk about your live shows for a second,

0:39:24.680 --> 0:39:26.600
<v Speaker 1>because you put a lot of work. I mean, you

0:39:26.640 --> 0:39:28.799
<v Speaker 1>take the live shows seriously, you pay, have a lot

0:39:28.800 --> 0:39:32.800
<v Speaker 1>of tension to the crowd, probably more than you should. Yeah,

0:39:32.880 --> 0:39:35.360
<v Speaker 1>I mean I think I think to your detriment sometimes

0:39:35.440 --> 0:39:38.360
<v Speaker 1>for sure, for sure. And that's another thing that I'm learning.

0:39:38.760 --> 0:39:41.000
<v Speaker 1>I've gotten better at that, man, Like I'm I'm starting

0:39:41.000 --> 0:39:43.880
<v Speaker 1>to really you know, even after our conversation, you know,

0:39:43.880 --> 0:39:46.080
<v Speaker 1>I thought about the Steve Martin thing that you were

0:39:46.080 --> 0:39:48.400
<v Speaker 1>telling me about last time. You know, I had a

0:39:48.400 --> 0:39:50.279
<v Speaker 1>couple of shows here recently, man was I mean it

0:39:50.360 --> 0:39:53.920
<v Speaker 1>was just insanity, insanity the shows And I saw a

0:39:53.920 --> 0:39:56.200
<v Speaker 1>couple of despondent faces that usually would have I would

0:39:56.200 --> 0:39:58.920
<v Speaker 1>have been like, so why can't why why are they

0:39:59.000 --> 0:40:02.480
<v Speaker 1>enjoying themselves? They might be enjoying the self, they enjoying

0:40:02.480 --> 0:40:04.640
<v Speaker 1>them selves in a different way. But I was quickly

0:40:04.680 --> 0:40:09.400
<v Speaker 1>able to be like, let's keep playing like I you know,

0:40:09.520 --> 0:40:13.080
<v Speaker 1>just and it was it felt good to be that way. Um,

0:40:13.120 --> 0:40:15.160
<v Speaker 1>but I do man, I take I take it serious.

0:40:15.200 --> 0:40:17.440
<v Speaker 1>I've never missed a sound check my whole career. I've

0:40:17.440 --> 0:40:24.239
<v Speaker 1>never missed a sound check. Um, I'm super I'm I'm

0:40:24.400 --> 0:40:26.439
<v Speaker 1>super locked in when the show's even going on while

0:40:26.440 --> 0:40:29.319
<v Speaker 1>I'm entertaining. And the next day I'll be like, hey,

0:40:29.360 --> 0:40:33.360
<v Speaker 1>you know, brod are you You didn't You didn't You

0:40:33.640 --> 0:40:36.040
<v Speaker 1>didn't play the five chord on the on the fourth

0:40:36.080 --> 0:40:39.120
<v Speaker 1>bar of the course last night, the second course, you

0:40:39.120 --> 0:40:42.000
<v Speaker 1>know whatever, you come look at me and be like, yeah,

0:40:42.040 --> 0:40:44.719
<v Speaker 1>I did No, you didn't. You missed it. You missed

0:40:44.719 --> 0:40:46.400
<v Speaker 1>a note and you were flat on the bend on

0:40:46.440 --> 0:40:51.520
<v Speaker 1>the opening your lipstick. I wasn't, Yeah you were. Uh

0:40:51.600 --> 0:40:55.479
<v Speaker 1>you know, Dusty played the I'll record all the shows

0:40:55.480 --> 0:40:58.279
<v Speaker 1>and we played the board back and well listen, I'll

0:40:58.280 --> 0:40:59.520
<v Speaker 1>be right there and I'll go all right, you know,

0:40:59.600 --> 0:41:01.560
<v Speaker 1>I got you, And they'll be like, he were you

0:41:01.560 --> 0:41:03.760
<v Speaker 1>paying attention to that? And I'm like, so, I'm super

0:41:03.840 --> 0:41:07.040
<v Speaker 1>hyper focused with stuff like that, because man, I just

0:41:09.000 --> 0:41:12.440
<v Speaker 1>I think about being a great band. The bands and

0:41:12.560 --> 0:41:16.000
<v Speaker 1>inspired me. Man I just how amazingly locked in they

0:41:16.040 --> 0:41:21.799
<v Speaker 1>were on stage. And I also think about so many

0:41:21.760 --> 0:41:25.879
<v Speaker 1>of these people. That's why I never I've seen through

0:41:26.000 --> 0:41:29.680
<v Speaker 1>strep throat a million times I've gotten early on my career,

0:41:29.680 --> 0:41:31.319
<v Speaker 1>I was always sick from all the travel and I

0:41:31.360 --> 0:41:34.319
<v Speaker 1>wasn't sleep and I was always sick. You know, I

0:41:34.400 --> 0:41:36.799
<v Speaker 1>won't canceled shows. I'm sure I'll probably they'll they will

0:41:36.840 --> 0:41:38.640
<v Speaker 1>come a time when I just physically can't do them

0:41:38.680 --> 0:41:40.440
<v Speaker 1>one day. But I try to see him through everything.

0:41:41.239 --> 0:41:46.640
<v Speaker 1>Um I these people, you know, some of them are

0:41:47.000 --> 0:41:49.359
<v Speaker 1>making minimum ways and they've been saving up for this show.

0:41:49.400 --> 0:41:51.600
<v Speaker 1>They've been saving for months and looking forward to this show.

0:41:51.680 --> 0:41:54.719
<v Speaker 1>And I can't just go out and go through the motions. Man,

0:41:54.760 --> 0:41:58.239
<v Speaker 1>I gotta give them everything we got. And that's the

0:41:58.280 --> 0:42:02.560
<v Speaker 1>only reason that during that law, because radio is so

0:42:02.719 --> 0:42:07.080
<v Speaker 1>huge for any artists. Any artist's line when they say

0:42:07.120 --> 0:42:09.040
<v Speaker 1>they don't want to be played on the radio and

0:42:09.120 --> 0:42:12.080
<v Speaker 1>something like all the big guns, Tom Petty Merle Haggard

0:42:12.160 --> 0:42:14.040
<v Speaker 1>was like, I'm just dying for one more hit, you know,

0:42:14.120 --> 0:42:17.520
<v Speaker 1>towards anything. Everybody wants to be heard by the masses.

0:42:17.560 --> 0:42:19.040
<v Speaker 1>You know what I mean. I mean that's you want

0:42:19.080 --> 0:42:21.240
<v Speaker 1>your songs to be heard. Doesn't mean that you're setting

0:42:21.280 --> 0:42:23.959
<v Speaker 1>out if you get heard by the masses. That's there's

0:42:24.000 --> 0:42:27.000
<v Speaker 1>been so many of our favorite songs we've sing along

0:42:27.000 --> 0:42:29.359
<v Speaker 1>with our whole life. They weren't sell out songs. They

0:42:29.360 --> 0:42:32.200
<v Speaker 1>were just amazing songs. And you're always willing to write

0:42:32.200 --> 0:42:34.920
<v Speaker 1>that amazing song like a song like guitar Man, and

0:42:34.960 --> 0:42:37.960
<v Speaker 1>you're hoping that it gets heard by your fan base, yes,

0:42:38.040 --> 0:42:40.600
<v Speaker 1>but you're hoping that it gets heard by millions of

0:42:40.640 --> 0:42:42.440
<v Speaker 1>others that never had a chance to hear your music.

0:42:42.880 --> 0:42:45.040
<v Speaker 1>You know, that's a special thing. Righting down the road

0:42:45.040 --> 0:42:46.920
<v Speaker 1>and hearing your song on the radio. Man's that's a

0:42:46.960 --> 0:42:51.600
<v Speaker 1>powerful thing. Um So I can't remember what the hell

0:42:51.640 --> 0:42:55.399
<v Speaker 1>we were talking about. Oh yeah, So for me, it's

0:42:55.440 --> 0:42:59.359
<v Speaker 1>just like, you know, I just look at it, like

0:42:59.480 --> 0:43:02.239
<v Speaker 1>the way we poured ourselves and the way we were

0:43:02.280 --> 0:43:06.160
<v Speaker 1>so attended to detail and trying to give every ounce

0:43:06.200 --> 0:43:10.960
<v Speaker 1>of ourselves every night during those you know, up until

0:43:12.440 --> 0:43:14.560
<v Speaker 1>kind of running for you, but more with this song

0:43:14.640 --> 0:43:15.960
<v Speaker 1>is kind of this song is kind of the first

0:43:16.000 --> 0:43:19.560
<v Speaker 1>time that I'm really having some momentum since Pretty Girl.

0:43:21.000 --> 0:43:25.359
<v Speaker 1>But our fan base has tripled in size through this

0:43:25.480 --> 0:43:27.560
<v Speaker 1>lull where a lot of people the minute that radio

0:43:27.600 --> 0:43:30.719
<v Speaker 1>has gone, artists is dead in the water. And that's

0:43:30.719 --> 0:43:34.719
<v Speaker 1>just a fact. Um. But we I think because we've

0:43:34.760 --> 0:43:38.280
<v Speaker 1>prided ourselves so much on that live show and staying

0:43:38.280 --> 0:43:41.000
<v Speaker 1>authentic to ourselves that we've we've been able to thrive

0:43:41.080 --> 0:43:44.200
<v Speaker 1>during this downtime. Let me play this new song here,

0:43:45.200 --> 0:43:46.560
<v Speaker 1>so right now when you hear this, you hear this

0:43:46.680 --> 0:43:48.239
<v Speaker 1>a year from now, and this won't be the new song,

0:43:48.320 --> 0:43:51.000
<v Speaker 1>but right now, more girls like you. So God name

0:43:55.480 --> 0:43:57.480
<v Speaker 1>and what part of the process did you record this song?

0:43:58.800 --> 0:44:07.600
<v Speaker 1>I recorded this uh back in December early December. Um

0:44:07.680 --> 0:44:17.680
<v Speaker 1>that was that was Josh Miller um singing a piece

0:44:17.680 --> 0:44:21.640
<v Speaker 1>of that course a line from that course. Um he

0:44:21.640 --> 0:44:24.959
<v Speaker 1>he said, Uh. All he had was want to reach

0:44:25.000 --> 0:44:26.960
<v Speaker 1>for a proud of stuff, set it on a ring,

0:44:27.120 --> 0:44:29.320
<v Speaker 1>put it on your hand, and that was kind of

0:44:29.320 --> 0:44:31.440
<v Speaker 1>all we had. And then it was like we had

0:44:31.440 --> 0:44:33.080
<v Speaker 1>the melody, but that was kind of the only line,

0:44:34.280 --> 0:44:35.960
<v Speaker 1>and then I just kind of went straight into that,

0:44:36.960 --> 0:44:39.040
<v Speaker 1>and then I started playing that acoustic riff that you're

0:44:39.040 --> 0:44:42.719
<v Speaker 1>here in the beginning, and then the melody. I immediately

0:44:42.800 --> 0:44:45.160
<v Speaker 1>was like, you know, I haven't living I go out

0:44:45.160 --> 0:44:47.560
<v Speaker 1>old Mustang Montana Fields and I was just kind of

0:44:47.560 --> 0:44:50.080
<v Speaker 1>singing about my life. And we didn't quite know where

0:44:50.160 --> 0:44:52.520
<v Speaker 1>the song was going at that time, but I could

0:44:52.520 --> 0:44:54.600
<v Speaker 1>tell by the line he said, you know I want

0:44:54.600 --> 0:44:55.880
<v Speaker 1>to reach for the bight of star and sell in

0:44:55.880 --> 0:44:59.120
<v Speaker 1>the ring. Well, all right, well we're talking about, you know,

0:45:00.000 --> 0:45:03.200
<v Speaker 1>finding that right person. So then it was me talking

0:45:03.239 --> 0:45:06.960
<v Speaker 1>about my life in that opening verse, and uh, I've

0:45:06.960 --> 0:45:09.239
<v Speaker 1>been living like a wild on Montona Fields. Might earn

0:45:09.280 --> 0:45:11.279
<v Speaker 1>me a bad ritation and never stopped these wheels, And

0:45:11.280 --> 0:45:13.359
<v Speaker 1>that was just kind of like, you know, I might

0:45:13.400 --> 0:45:15.680
<v Speaker 1>have heard the grumbles of different things about the way

0:45:15.680 --> 0:45:17.239
<v Speaker 1>I live or whatever, but it was like, you know,

0:45:17.280 --> 0:45:19.120
<v Speaker 1>I just keep going on about it. But I was

0:45:19.160 --> 0:45:22.120
<v Speaker 1>trying to find a way in an interesting way to

0:45:22.160 --> 0:45:24.640
<v Speaker 1>get to what he was saying. And then we just

0:45:24.760 --> 0:45:27.600
<v Speaker 1>we started flying with that, me and Josh and David

0:45:27.640 --> 0:45:31.520
<v Speaker 1>Garcia and Steven Lee Olsen. May I listen to that

0:45:31.560 --> 0:45:34.960
<v Speaker 1>song the first line again, I've been living like a

0:45:34.960 --> 0:45:38.279
<v Speaker 1>wild old Mustang out of Montana fields. Might earn me

0:45:38.320 --> 0:45:42.920
<v Speaker 1>a bad reputation, but never stopped these weeks from rolling

0:45:42.960 --> 0:45:47.200
<v Speaker 1>and going too far, from from going and rolling too far,

0:45:47.480 --> 0:45:50.880
<v Speaker 1>running and gunning a little too hard, so unrained, so untamed.

0:45:51.239 --> 0:45:54.520
<v Speaker 1>I was just picturing, and I had the image in

0:45:54.520 --> 0:45:56.239
<v Speaker 1>my head I was pictured. Montana is one of my

0:45:56.280 --> 0:45:58.840
<v Speaker 1>favorite places. I just I love the people of Montana

0:45:58.920 --> 0:46:01.600
<v Speaker 1>so much. I love being out there. And I was

0:46:01.640 --> 0:46:04.400
<v Speaker 1>just picturing this wide open range in my head that

0:46:04.440 --> 0:46:06.600
<v Speaker 1>I've seen as we've passed through Monte on the bus,

0:46:06.600 --> 0:46:09.440
<v Speaker 1>and picture in this wild horse that you can't quite

0:46:10.160 --> 0:46:11.920
<v Speaker 1>And that was the image. And I'll ride around. Image

0:46:11.960 --> 0:46:13.279
<v Speaker 1>is a whole lot. I'll get an image in my

0:46:13.320 --> 0:46:15.759
<v Speaker 1>head and then I'll ride around how that pertains to

0:46:15.800 --> 0:46:17.239
<v Speaker 1>my life and that So that was in my head

0:46:17.280 --> 0:46:20.080
<v Speaker 1>as I sped out that first set of verses. Is

0:46:20.120 --> 0:46:25.520
<v Speaker 1>that you you feel like that you like that verse? Man?

0:46:25.520 --> 0:46:28.360
<v Speaker 1>I mean it's I know that I've been aloof and

0:46:28.400 --> 0:46:30.480
<v Speaker 1>hard to rain in. I know it many times. I've

0:46:30.480 --> 0:46:33.600
<v Speaker 1>I've had a lot of people that I've really you know,

0:46:34.480 --> 0:46:36.480
<v Speaker 1>you know, not a lot. I don't even know why. Hell,

0:46:36.560 --> 0:46:38.360
<v Speaker 1>I just said a lot. I've I've gotten close to

0:46:38.640 --> 0:46:41.920
<v Speaker 1>a couple of people and in my journey along this

0:46:41.960 --> 0:46:45.560
<v Speaker 1>whole thing, And I know that I've I've been tough

0:46:45.600 --> 0:46:47.319
<v Speaker 1>to rain in. Like I know that about myself. I've

0:46:47.320 --> 0:46:51.200
<v Speaker 1>been so just trying to go after this thing so

0:46:51.280 --> 0:46:53.279
<v Speaker 1>hard man, that it's just it's taken up all my

0:46:53.320 --> 0:46:57.640
<v Speaker 1>attention talking about Blue Apron for one second. I love

0:46:57.680 --> 0:46:59.920
<v Speaker 1>Blue Apron. You know, I did the show from my

0:47:00.000 --> 0:47:03.120
<v Speaker 1>else and coincidence a Lee that is where Blue Apron

0:47:03.160 --> 0:47:05.640
<v Speaker 1>comes right to my door. So Blue Apron comes and

0:47:05.640 --> 0:47:08.040
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0:47:08.120 --> 0:47:11.919
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0:47:11.960 --> 0:47:14.680
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0:47:19.280 --> 0:47:22.800
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0:47:22.840 --> 0:47:24.320
<v Speaker 1>I I can tell you it's look at the website

0:47:24.480 --> 0:47:28.000
<v Speaker 1>blue Apron dot Com slash Bobby Cast. Also go over

0:47:28.080 --> 0:47:29.560
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0:47:29.560 --> 0:47:32.560
<v Speaker 1>the end of that Blue Apron dot Com slash Bobby

0:47:32.560 --> 0:47:35.560
<v Speaker 1>Cast because check out this week's men. You get your

0:47:35.560 --> 0:47:38.560
<v Speaker 1>first three meals for free with free shipping Blue Apron

0:47:38.560 --> 0:47:40.440
<v Speaker 1>dot Com slash Bobby Cast. And you know, I don't

0:47:40.440 --> 0:47:42.120
<v Speaker 1>even know how to cook. I don't either. Welcome to

0:47:42.120 --> 0:47:44.640
<v Speaker 1>the club of not knowing how to cook. And so

0:47:44.760 --> 0:47:46.160
<v Speaker 1>there's a card and that teaches you how to do it.

0:47:46.200 --> 0:47:48.880
<v Speaker 1>They have all the recipes are preportioned. They show you

0:47:48.920 --> 0:47:50.480
<v Speaker 1>exactly how to do it. B B B. If I

0:47:50.480 --> 0:47:52.200
<v Speaker 1>can do it, you can do it. So Blue Apron,

0:47:52.239 --> 0:47:53.840
<v Speaker 1>you love how good it feels. And I get a

0:47:53.920 --> 0:47:57.799
<v Speaker 1>taste create incredible home cooked meals Blue Apron dot Com

0:47:57.840 --> 0:48:00.919
<v Speaker 1>slash Bobby Cast. Blue Apron is a better way to cook,

0:48:01.239 --> 0:48:02.719
<v Speaker 1>all right, So I want to talk about give me

0:48:02.840 --> 0:48:05.040
<v Speaker 1>one second, Bob, and he's the bathroom, all right, Kith

0:48:05.160 --> 0:48:09.759
<v Speaker 1>was gonna go to the bathroom, go to my bathroom. Yeah,

0:48:10.239 --> 0:48:12.560
<v Speaker 1>we're gonna keep it. We're gonna keep rolling. So you

0:48:12.640 --> 0:48:15.920
<v Speaker 1>just go for it. The rule of this is we

0:48:15.960 --> 0:48:19.319
<v Speaker 1>don't stop the tape and we don't edit. So I

0:48:19.360 --> 0:48:20.880
<v Speaker 1>believe this is the first time ever that anyone has

0:48:20.880 --> 0:48:22.880
<v Speaker 1>had to go to the bathroom. I think Jaco and

0:48:22.960 --> 0:48:24.560
<v Speaker 1>had to go, but he didn't say they held it

0:48:24.600 --> 0:48:29.880
<v Speaker 1>the whole time. That's funny. So he happens in my

0:48:29.880 --> 0:48:31.400
<v Speaker 1>bathroom minute ago. And he walked and he was like,

0:48:31.840 --> 0:48:35.799
<v Speaker 1>I also am a single man because there's just it's

0:48:35.800 --> 0:48:38.360
<v Speaker 1>just so I like temperary glasses in there, because I

0:48:38.400 --> 0:48:42.799
<v Speaker 1>have a bunch of different kind of glasses. And he

0:48:42.880 --> 0:48:44.719
<v Speaker 1>was like, yeah, I get it, I get it. And

0:48:44.719 --> 0:48:46.239
<v Speaker 1>I was like, you're the actually the first person that's

0:48:46.280 --> 0:48:49.239
<v Speaker 1>ever because I didn't mean my bathroom doorp with Cole

0:48:49.280 --> 0:48:51.880
<v Speaker 1>here the other day my bedroom door. And my bedroom

0:48:51.960 --> 0:48:54.440
<v Speaker 1>is right next to this studio, and we have a

0:48:54.440 --> 0:48:56.840
<v Speaker 1>bathroom that's actually in the studio, but it's like a

0:48:56.920 --> 0:49:00.080
<v Speaker 1>toilet and there's no soap, and there's like back to

0:49:00.160 --> 0:49:03.920
<v Speaker 1>the books, it's kind of a storage room with a toilet.

0:49:04.840 --> 0:49:08.480
<v Speaker 1>And so anyway, keeps in my bathroom right now. And here,

0:49:08.600 --> 0:49:10.560
<v Speaker 1>let's hear that little song from kit more. Here. Let's

0:49:10.560 --> 0:49:12.320
<v Speaker 1>see how about something by a truck. Here we go

0:49:12.480 --> 0:49:21.880
<v Speaker 1>the girl and a red sun dress or another kids

0:49:23.200 --> 0:49:29.080
<v Speaker 1>and there we go, he's coming back it's a beautiful

0:49:31.239 --> 0:49:35.880
<v Speaker 1>they come out you guys. Yeah, like that bathroom messy

0:49:36.000 --> 0:49:41.239
<v Speaker 1>huh it is? I told you I'm a single dude,

0:49:41.600 --> 0:49:43.640
<v Speaker 1>and it looks like mine. I can't I can't hate

0:49:43.680 --> 0:49:45.080
<v Speaker 1>on you that. But you got a record player just

0:49:45.120 --> 0:49:47.000
<v Speaker 1>like mine in there. It's a good record player, man,

0:49:47.040 --> 0:49:48.680
<v Speaker 1>I love that freaking thing. I got two of those

0:49:48.680 --> 0:49:51.399
<v Speaker 1>in my house, like one upstairs and one down. What's uh?

0:49:51.520 --> 0:49:53.040
<v Speaker 1>What do you? Let's say you go home tonight. What

0:49:53.040 --> 0:49:57.879
<v Speaker 1>are you gonna put on right now? I have got

0:49:57.920 --> 0:50:01.279
<v Speaker 1>a Dann Vogelberg album on the right now. But I

0:50:01.360 --> 0:50:04.000
<v Speaker 1>had a James Taylor on the night before. UM had

0:50:04.040 --> 0:50:07.239
<v Speaker 1>an old deal dealing record. Um. Yeah, A tough day.

0:50:07.280 --> 0:50:08.759
<v Speaker 1>You tell me what song you put on? Yeah, a

0:50:08.800 --> 0:50:11.720
<v Speaker 1>tough day. It's a tough day. Uh. Stolen car Bruce

0:50:11.719 --> 0:50:16.439
<v Speaker 1>springstey Man because that song just rips your heart out,

0:50:16.480 --> 0:50:18.880
<v Speaker 1>That's what it does. Song just completely and I like

0:50:19.040 --> 0:50:21.839
<v Speaker 1>to a lot of people it's funny, man, Like I'll

0:50:21.880 --> 0:50:28.120
<v Speaker 1>meet people who like, you know, whenever they're broken hearted

0:50:28.239 --> 0:50:31.439
<v Speaker 1>or wherever they're going through a bad time. I don't

0:50:31.440 --> 0:50:33.600
<v Speaker 1>want to listen to anything you know, sad like I

0:50:33.680 --> 0:50:35.839
<v Speaker 1>just I want to get my you know, I like

0:50:36.000 --> 0:50:40.440
<v Speaker 1>tapping into that part of my soul. I don't. I

0:50:40.480 --> 0:50:42.680
<v Speaker 1>don't try to run from it. Like I like tapping

0:50:42.719 --> 0:50:46.400
<v Speaker 1>into it and getting it out there. Stolen car right

0:50:55.000 --> 0:51:05.319
<v Speaker 1>from the river Verret. It's so honest. The song is

0:51:05.360 --> 0:51:08.759
<v Speaker 1>so honest. Man. It's we got married and we swore

0:51:08.880 --> 0:51:10.799
<v Speaker 1>we never part, but a little by a little, you know.

0:51:10.880 --> 0:51:19.879
<v Speaker 1>It's it's He's sorrows him and any Lennox and uh,

0:51:20.760 --> 0:51:24.680
<v Speaker 1>Patty Griffin. I think he sings sorrow better than anybody

0:51:24.680 --> 0:51:28.640
<v Speaker 1>than into that. Man. That's interesting to say singing sorrow

0:51:28.680 --> 0:51:30.120
<v Speaker 1>because when I think of singing sorrow, I think of

0:51:30.200 --> 0:51:32.960
<v Speaker 1>Michael Stipe. Do you think of who Michael Stipe from

0:51:33.080 --> 0:51:36.360
<v Speaker 1>R m oh Man? I think I think about sorrow singers.

0:51:36.640 --> 0:51:38.759
<v Speaker 1>That's the That's the interesting concept. Sorry, Like who are

0:51:38.800 --> 0:51:43.600
<v Speaker 1>the best singing sorrow? So well? Man, um uh, what's

0:51:43.640 --> 0:51:48.440
<v Speaker 1>the song I'm thinking about? Man? That's um oh gosh.

0:51:48.520 --> 0:51:52.919
<v Speaker 1>In that movie Love Actually um when she finds out

0:51:52.960 --> 0:51:56.560
<v Speaker 1>finally finds out that he's that that he's having an

0:51:56.560 --> 0:51:58.479
<v Speaker 1>affair with the young girl at the office, and there's

0:51:58.520 --> 0:52:01.279
<v Speaker 1>that song that's I know the artists and I'm all

0:52:01.280 --> 0:52:04.239
<v Speaker 1>of a sudden I'm I have the soundtrack of did

0:52:04.280 --> 0:52:10.200
<v Speaker 1>oh Johnny Mitchell, that's who sings that. Yeah, I mean

0:52:10.320 --> 0:52:19.520
<v Speaker 1>both sides. Now, it's this song incredible lyric. If this

0:52:19.560 --> 0:52:22.480
<v Speaker 1>song doesn't move you and there's something wrong, like with

0:52:22.640 --> 0:52:32.120
<v Speaker 1>your soul, there's something missing. And this rolls and flos

0:52:33.160 --> 0:52:43.759
<v Speaker 1>of angel hair, a nice cream castles in it and

0:52:44.200 --> 0:52:57.040
<v Speaker 1>feather canyons everywhere. Book with clouds that way, but now

0:52:57.360 --> 0:53:02.759
<v Speaker 1>they only block the song. You can hear emotion. She's

0:53:02.760 --> 0:53:06.719
<v Speaker 1>talk about a clouds being these beautiful things and now

0:53:06.760 --> 0:53:08.759
<v Speaker 1>how I look at him after heartbreak? They only block

0:53:08.840 --> 0:53:10.960
<v Speaker 1>the sun, you know, they bring the rain. It's like,

0:53:11.560 --> 0:53:15.360
<v Speaker 1>what a amazing way to write about that topic. And

0:53:15.360 --> 0:53:19.200
<v Speaker 1>that's how she does the whole song. Man. I just

0:53:19.320 --> 0:53:21.160
<v Speaker 1>I like to tap in the that stuff when I'm

0:53:21.160 --> 0:53:24.680
<v Speaker 1>feeling that way. I mean, she's things sorrow, the best,

0:53:24.880 --> 0:53:28.200
<v Speaker 1>simply the best. You're interesting guy to me because you've

0:53:28.200 --> 0:53:31.280
<v Speaker 1>done a lot of different things, and you mentioned earlier

0:53:31.360 --> 0:53:34.959
<v Speaker 1>you have basketball scholarship. You're a good athlete as a kid,

0:53:35.320 --> 0:53:38.680
<v Speaker 1>So you want to play ball. I'm assuming you play golf.

0:53:38.680 --> 0:53:46.160
<v Speaker 1>You're guard? Yeah, man I was. I was a point

0:53:46.200 --> 0:53:49.680
<v Speaker 1>guard and yeah, man I I still have that trash

0:53:49.680 --> 0:53:52.320
<v Speaker 1>talking to me when I go play. Did you love it? Yeah?

0:53:52.400 --> 0:53:56.000
<v Speaker 1>I loved it. I didn't love golf. I played golf

0:53:56.080 --> 0:54:01.440
<v Speaker 1>because I looked up to my dad's so much. Um

0:54:01.440 --> 0:54:03.680
<v Speaker 1>he was an amazing man that he was tough. He

0:54:03.760 --> 0:54:06.480
<v Speaker 1>was really tough growing up. Um. I have so much

0:54:06.480 --> 0:54:09.440
<v Speaker 1>appreciation for him in so many unique ways now. And

0:54:09.480 --> 0:54:12.239
<v Speaker 1>as he got older, he softened, and as we got

0:54:12.280 --> 0:54:15.000
<v Speaker 1>older we learned how to handle him too. But growing

0:54:15.080 --> 0:54:18.000
<v Speaker 1>up as a kid, he was the single most blunt

0:54:18.120 --> 0:54:20.879
<v Speaker 1>human being ever met. He's a dying breed. I mean

0:54:20.920 --> 0:54:23.920
<v Speaker 1>he would shoot you so straight, and he would talk

0:54:23.960 --> 0:54:25.760
<v Speaker 1>to a six year old the same way he would

0:54:26.440 --> 0:54:28.360
<v Speaker 1>a thirty year old. There was no difference. And he

0:54:28.360 --> 0:54:31.319
<v Speaker 1>didn't know how to sugarcoat stuff. Um, So that was

0:54:31.680 --> 0:54:33.879
<v Speaker 1>really tough. As a kid. I could score thirty five

0:54:33.920 --> 0:54:36.200
<v Speaker 1>in a game and come home and I would only

0:54:36.280 --> 0:54:37.800
<v Speaker 1>hear about the mistakes that I made. And he was

0:54:37.840 --> 0:54:40.640
<v Speaker 1>an incredible athlete. He was a three sport, you know,

0:54:40.760 --> 0:54:44.120
<v Speaker 1>college athlete. He was pro golfer. My granddad was a progolfer.

0:54:44.120 --> 0:54:47.880
<v Speaker 1>My great granddad was a progolfer. I never played golf.

0:54:48.560 --> 0:54:51.000
<v Speaker 1>I never had any desire to, and He never pushed

0:54:51.000 --> 0:54:52.520
<v Speaker 1>me to play. He never tried to put a club

0:54:52.520 --> 0:54:55.320
<v Speaker 1>in my hand. My middle brother was an All American

0:54:55.360 --> 0:54:59.719
<v Speaker 1>at golf um, and I had only like, you know,

0:55:00.000 --> 0:55:01.279
<v Speaker 1>able in it when I was a kid. If I

0:55:01.320 --> 0:55:03.680
<v Speaker 1>went out there to beat the golf course with him,

0:55:03.680 --> 0:55:05.879
<v Speaker 1>and you know, the little you know, it's a little,

0:55:05.920 --> 0:55:09.279
<v Speaker 1>tiny little club in our little hometown, and and uh,

0:55:09.400 --> 0:55:11.200
<v Speaker 1>you know, I might go out there and riding three

0:55:11.200 --> 0:55:12.920
<v Speaker 1>wheeow with him, and while he picked up balls, I

0:55:13.000 --> 0:55:16.280
<v Speaker 1>might hit a couple. But I never actually played until

0:55:16.320 --> 0:55:18.560
<v Speaker 1>I quit baseball in my junior year and I was

0:55:18.560 --> 0:55:21.440
<v Speaker 1>just waiting on basketball season. So it was my junior

0:55:21.560 --> 0:55:24.600
<v Speaker 1>kind of going into my junior summer in my senior

0:55:24.680 --> 0:55:27.600
<v Speaker 1>years about to start, and I was like, you know,

0:55:27.680 --> 0:55:29.840
<v Speaker 1>I had a couple of fans on the golf teams,

0:55:29.840 --> 0:55:30.920
<v Speaker 1>like men. I was just gonna go hang out with

0:55:30.920 --> 0:55:32.480
<v Speaker 1>the d the day, gon hit a few balls, go

0:55:32.600 --> 0:55:34.040
<v Speaker 1>see my dad out there. And I was like, I'm

0:55:34.040 --> 0:55:36.839
<v Speaker 1>gonna just I'm gonna see if I can play this

0:55:36.920 --> 0:55:39.040
<v Speaker 1>game kind of thing when I'm waiting on basketball season

0:55:39.080 --> 0:55:43.000
<v Speaker 1>to start. And I remember being on the range and

0:55:43.080 --> 0:55:45.440
<v Speaker 1>hitting and he came up behind me and he always

0:55:45.440 --> 0:55:47.279
<v Speaker 1>made me nervous because I was always trying to make

0:55:47.360 --> 0:55:50.600
<v Speaker 1>him be proud, and that still translate that translator over

0:55:50.680 --> 0:55:54.120
<v Speaker 1>the music big time. Um. But I can remember him

0:55:54.160 --> 0:55:57.400
<v Speaker 1>standing beside me, behind me. He didn't say a word

0:55:57.640 --> 0:55:59.400
<v Speaker 1>like five minutes, and I was like, what does her thing?

0:55:59.600 --> 0:56:01.960
<v Speaker 1>Was he do? And making me nervous? And I was

0:56:02.040 --> 0:56:04.839
<v Speaker 1>kept hitting balls and he finally kind of walked up

0:56:04.840 --> 0:56:06.319
<v Speaker 1>beside me and looked at me. And he was an

0:56:06.320 --> 0:56:10.200
<v Speaker 1>intimidating guy too. He's a big, just stacked dude, and

0:56:10.239 --> 0:56:13.960
<v Speaker 1>he he looked at me and he so I was damn.

0:56:15.800 --> 0:56:17.800
<v Speaker 1>He said, your swing was ship when you were a

0:56:17.800 --> 0:56:20.600
<v Speaker 1>little kid. I don't know what's happened, but you have

0:56:20.680 --> 0:56:23.040
<v Speaker 1>one of them, you know, the most perfect plane and

0:56:23.160 --> 0:56:26.920
<v Speaker 1>swings that I've seen. And it was I couldn't believe

0:56:26.960 --> 0:56:28.880
<v Speaker 1>I was getting a compliment like that from me. So

0:56:28.920 --> 0:56:33.359
<v Speaker 1>I became a maniac all of a sudden. That's all

0:56:33.400 --> 0:56:35.720
<v Speaker 1>I did. Next morning, I was out there at seven am,

0:56:35.800 --> 0:56:38.759
<v Speaker 1>and I was there until dark, hitting balls all day.

0:56:38.840 --> 0:56:42.720
<v Speaker 1>And in one summer, you know, I basically was playing

0:56:42.719 --> 0:56:44.520
<v Speaker 1>for four months and by the end of that summer,

0:56:44.560 --> 0:56:48.239
<v Speaker 1>I was shooting the sixties. This was a maniac with it,

0:56:48.320 --> 0:56:50.000
<v Speaker 1>and he was just always like he come out there

0:56:50.000 --> 0:56:52.040
<v Speaker 1>when I was hitting. He was like, man, you keep

0:56:52.080 --> 0:56:53.799
<v Speaker 1>doing this, You're gonna be something in this game. Like

0:56:53.880 --> 0:56:57.239
<v Speaker 1>you you can play. So it just was all of

0:56:57.280 --> 0:56:58.799
<v Speaker 1>a sudden, I wasn't even think about that. But I

0:56:58.800 --> 0:57:01.200
<v Speaker 1>never loved the game. Was just I could play. I

0:57:01.200 --> 0:57:05.319
<v Speaker 1>could really play. So it's a horrible putter, but uh,

0:57:05.760 --> 0:57:08.920
<v Speaker 1>and he would boy, he would shoot you straight with that. Um.

0:57:08.960 --> 0:57:12.239
<v Speaker 1>But um. But I still took my basketball shop ship

0:57:12.239 --> 0:57:13.520
<v Speaker 1>and I wanted to do that for a while, and

0:57:13.520 --> 0:57:18.440
<v Speaker 1>then I eventually just I wanted to see what I

0:57:18.480 --> 0:57:20.360
<v Speaker 1>could do in that game. And I wanted to do

0:57:20.400 --> 0:57:23.320
<v Speaker 1>it because he was always talking about when I go

0:57:23.400 --> 0:57:25.600
<v Speaker 1>home any if you know, and you know, if you're

0:57:25.640 --> 0:57:27.000
<v Speaker 1>going out and play with the golf team, and if

0:57:27.000 --> 0:57:28.880
<v Speaker 1>you got to any ball. He was excited about how

0:57:29.800 --> 0:57:32.880
<v Speaker 1>good I was. So I found myself just being like

0:57:34.760 --> 0:57:38.200
<v Speaker 1>just a psychopath with practice, and I quit basketball and

0:57:38.240 --> 0:57:40.080
<v Speaker 1>I put all my focus on that for like two

0:57:40.160 --> 0:57:42.200
<v Speaker 1>or three years, and then when that was done, I

0:57:42.320 --> 0:57:46.000
<v Speaker 1>just completely quit. I never really played anymore. I just

0:57:46.040 --> 0:57:49.840
<v Speaker 1>kind of stopped every now and then, like you know,

0:57:51.680 --> 0:57:53.840
<v Speaker 1>I'll talk a little trash to Jaco or somebody and

0:57:53.960 --> 0:57:56.960
<v Speaker 1>be like, man, you can't play. I got there and play.

0:57:59.000 --> 0:58:01.200
<v Speaker 1>I you know, I don't know. I've never played with Jake,

0:58:02.040 --> 0:58:03.840
<v Speaker 1>but I teased with him. I went and did this

0:58:03.880 --> 0:58:06.640
<v Speaker 1>thing for lady a couple of years ago, and he

0:58:06.720 --> 0:58:10.520
<v Speaker 1>was he was chipping around. You know, Jake's just dressed

0:58:10.520 --> 0:58:13.200
<v Speaker 1>at the dime, you know, he he he looks the

0:58:13.240 --> 0:58:15.360
<v Speaker 1>fart out there. And I saw him chipping, and I

0:58:15.400 --> 0:58:16.640
<v Speaker 1>was just trying to mess him. I was like, man,

0:58:16.640 --> 0:58:18.320
<v Speaker 1>you've got a little hitch in your back swing right there.

0:58:18.320 --> 0:58:21.640
<v Speaker 1>You're not quite on plane either, really, you know, am

0:58:21.680 --> 0:58:24.400
<v Speaker 1>I not taking the back far? I could get this

0:58:24.440 --> 0:58:26.960
<v Speaker 1>guy's head quick right here. Man, I could destroy him

0:58:26.960 --> 0:58:28.959
<v Speaker 1>just in the middle game. But he had a good swing.

0:58:29.080 --> 0:58:32.320
<v Speaker 1>Jake had a good swing. Colt, I've heard, I've held

0:58:32.320 --> 0:58:35.400
<v Speaker 1>I've heard Coults a real baller, and I could, you know.

0:58:35.880 --> 0:58:38.120
<v Speaker 1>And me and Colt were actually we both we love Jake,

0:58:38.160 --> 0:58:40.840
<v Speaker 1>and we we were both kind of teasing with Jake.

0:58:40.880 --> 0:58:42.600
<v Speaker 1>You know. Colt was kind of, you know, being like, oh, man,

0:58:42.640 --> 0:58:44.600
<v Speaker 1>I'll take Jake's money. Man, when it comes out of money,

0:58:44.640 --> 0:58:47.919
<v Speaker 1>he can't, he can't get it done. So but I've heard.

0:58:47.960 --> 0:58:50.680
<v Speaker 1>You know, Colt played on nationwide tour and that's you

0:58:50.760 --> 0:58:52.280
<v Speaker 1>gotta be a player to play on that. I mean,

0:58:52.280 --> 0:58:55.560
<v Speaker 1>there's some really good players out there. What are you

0:58:55.600 --> 0:58:57.760
<v Speaker 1>trying to stay with your music now? Like, what are

0:58:57.800 --> 0:59:03.680
<v Speaker 1>you trying to say with your music? Yeah, I don't

0:59:03.800 --> 0:59:07.680
<v Speaker 1>have like a you know, people ask me what is

0:59:07.720 --> 0:59:09.960
<v Speaker 1>your sound and what are you like? I don't have

0:59:10.000 --> 0:59:14.200
<v Speaker 1>a specific thing that I'm trying to say. I'm just

0:59:14.320 --> 0:59:22.919
<v Speaker 1>always trying to be authentic in my emotions and transparent

0:59:23.040 --> 0:59:26.080
<v Speaker 1>with the the place that I'm at at that time

0:59:26.080 --> 0:59:28.280
<v Speaker 1>of my life. And we get pressed all the time.

0:59:28.360 --> 0:59:31.960
<v Speaker 1>We gotta send you gotta sing to the younger females.

0:59:32.000 --> 0:59:33.400
<v Speaker 1>I was the one to buy other records, and I've

0:59:33.400 --> 0:59:35.720
<v Speaker 1>always just been like, man, horseship man, I'm not doing that.

0:59:36.240 --> 0:59:40.400
<v Speaker 1>I can get up there and try to make the

0:59:40.440 --> 0:59:43.040
<v Speaker 1>same record over and over just so I can. Man,

0:59:43.520 --> 0:59:46.440
<v Speaker 1>I've seen what we've been building in an authentic fashion,

0:59:47.080 --> 0:59:52.160
<v Speaker 1>and I believe it's because I have stayed true to myself,

0:59:52.200 --> 0:59:54.000
<v Speaker 1>and I think that people are smart enough to see that.

0:59:55.160 --> 0:59:57.720
<v Speaker 1>And I'll never make the same record twice like I'll

0:59:57.760 --> 1:00:00.120
<v Speaker 1>keep I want to. I want this record to the

1:00:00.240 --> 1:00:02.000
<v Speaker 1>stage of where I'm at my life right now, and

1:00:02.040 --> 1:00:06.480
<v Speaker 1>you'll see that in the songs, you know. Um, And

1:00:06.520 --> 1:00:09.720
<v Speaker 1>I'm not gonna try to stay relevant just by reaching

1:00:09.720 --> 1:00:12.720
<v Speaker 1>that younger demographic, like I'm gonna I want my audience

1:00:12.720 --> 1:00:15.000
<v Speaker 1>to grow with me in life as I'm growing. And

1:00:15.040 --> 1:00:17.120
<v Speaker 1>there's not a specific thing I'm trying to say. It's

1:00:17.160 --> 1:00:21.400
<v Speaker 1>just happening too, certain things like you know, like like

1:00:21.480 --> 1:00:24.920
<v Speaker 1>more girls like you. That was a very honest depiction

1:00:25.000 --> 1:00:27.840
<v Speaker 1>of where I was at kind of in that week

1:00:27.960 --> 1:00:31.160
<v Speaker 1>in my my my thought process, you know. With just

1:00:32.080 --> 1:00:39.160
<v Speaker 1>I remember I was watching a dad with his daughter

1:00:39.200 --> 1:00:42.040
<v Speaker 1>out in the ocean, like a three weeks before I

1:00:42.040 --> 1:00:45.200
<v Speaker 1>wrote that song, and and trying to teach her out

1:00:45.200 --> 1:00:48.240
<v Speaker 1>to surf, and he couldn't serve himself and he was

1:00:49.360 --> 1:00:51.360
<v Speaker 1>probably not teaching the right things. And she's been trying

1:00:51.440 --> 1:00:54.000
<v Speaker 1>for two hours and couldn't get up, and so I

1:00:54.000 --> 1:00:56.480
<v Speaker 1>paddled over to her, and she was probably nine ten

1:00:56.560 --> 1:01:00.000
<v Speaker 1>years old, and uh, and I just sat out there

1:01:00.080 --> 1:01:01.840
<v Speaker 1>with her for like forty five minutes and told her

1:01:01.840 --> 1:01:05.080
<v Speaker 1>how to surf, and with within this forty five minutes,

1:01:05.120 --> 1:01:07.040
<v Speaker 1>she was getting every time she was riding at great

1:01:07.080 --> 1:01:09.640
<v Speaker 1>and she was so excited, and it just it just

1:01:10.760 --> 1:01:13.040
<v Speaker 1>where that door has always been shut, I find, I

1:01:13.080 --> 1:01:17.360
<v Speaker 1>find myself And it's not a maturing thing. It's just

1:01:17.400 --> 1:01:19.880
<v Speaker 1>that my life has changed and I'm seeing things differently now.

1:01:19.920 --> 1:01:23.560
<v Speaker 1>So it was just kind of I felt myself internally

1:01:24.040 --> 1:01:26.120
<v Speaker 1>a lot more open to that balance in my life.

1:01:26.120 --> 1:01:27.720
<v Speaker 1>And I don't need to be such a maniac with

1:01:27.920 --> 1:01:31.680
<v Speaker 1>just the music because there's so much more. And I

1:01:31.720 --> 1:01:33.439
<v Speaker 1>look forward and I look forward to that. I look

1:01:33.480 --> 1:01:37.520
<v Speaker 1>forward to having a little girl and having you know,

1:01:38.440 --> 1:01:40.560
<v Speaker 1>a wife and I'm crazy about you know, one day,

1:01:40.640 --> 1:01:45.000
<v Speaker 1>and and have a place here and write songs, but

1:01:45.080 --> 1:01:46.960
<v Speaker 1>also have that place over there in Molly when we

1:01:47.000 --> 1:01:49.240
<v Speaker 1>can go hang out and stay and I can teach

1:01:49.280 --> 1:01:50.760
<v Speaker 1>them both how to surf and hang out. Like I

1:01:50.760 --> 1:01:52.320
<v Speaker 1>look forward to that. So, I mean, that's just where

1:01:52.360 --> 1:01:54.240
<v Speaker 1>my head was at day. So that's what I wrote about.

1:01:54.880 --> 1:01:58.640
<v Speaker 1>If my head is there in that place, I ain't

1:01:58.640 --> 1:02:04.240
<v Speaker 1>gonna write about some bullshit about you know, just going

1:02:05.600 --> 1:02:08.120
<v Speaker 1>party and or whatever you know that I'm not. I'm not,

1:02:08.320 --> 1:02:10.560
<v Speaker 1>you know, gonna do that just to hopefully have a

1:02:11.280 --> 1:02:13.600
<v Speaker 1>radio hit that relates to these people over here. Like

1:02:13.640 --> 1:02:16.919
<v Speaker 1>I'm gonna write what's what I'm feeling at that time.

1:02:18.640 --> 1:02:19.640
<v Speaker 1>I feel like you got a lot to say. I

1:02:19.640 --> 1:02:21.320
<v Speaker 1>feel like we can talk like three hours here too.

1:02:22.640 --> 1:02:24.560
<v Speaker 1>We already talked for over hour. Does it feel like

1:02:24.640 --> 1:02:28.320
<v Speaker 1>that really? Oh? Yeah, over our like our minutes. I

1:02:28.320 --> 1:02:30.480
<v Speaker 1>thought we've been here for like thirty minutes. I didn't.

1:02:30.560 --> 1:02:33.000
<v Speaker 1>You don't even realize it. I'll be charging for the

1:02:33.000 --> 1:02:35.360
<v Speaker 1>therapy bill. You're You're good at it, man, Like you

1:02:35.400 --> 1:02:40.120
<v Speaker 1>know a lot of times we have to do interviews

1:02:40.800 --> 1:02:43.200
<v Speaker 1>where it's, first of all, it's not even a conversation,

1:02:43.240 --> 1:02:46.760
<v Speaker 1>doesn't I just reading cut cards and points and it's yeah, man,

1:02:46.800 --> 1:02:49.360
<v Speaker 1>I mean like this is I can do this. Man.

1:02:49.640 --> 1:02:52.800
<v Speaker 1>To be fair, I have the benefit of one knowing

1:02:52.840 --> 1:02:54.800
<v Speaker 1>you better. Now. I don't need any pint, any paper,

1:02:54.840 --> 1:02:58.240
<v Speaker 1>I have nothing. I'm done in front of me. Um.

1:02:58.560 --> 1:03:01.800
<v Speaker 1>It's easier, easier when you know what's going and I

1:03:01.840 --> 1:03:03.400
<v Speaker 1>don't even know, like I don't even I feel like

1:03:03.440 --> 1:03:04.840
<v Speaker 1>I learned a lot about you in the last how

1:03:05.720 --> 1:03:07.560
<v Speaker 1>so I appreciate the time and I can't wait. I

1:03:07.560 --> 1:03:09.360
<v Speaker 1>can wait with the record to come out, Like there

1:03:09.400 --> 1:03:11.760
<v Speaker 1>are songs I've never ever heard before you're talking about,

1:03:11.800 --> 1:03:14.840
<v Speaker 1>like let me take that car. Yeah, Kevin, I went

1:03:14.960 --> 1:03:17.600
<v Speaker 1>right the other day. Man, I've been talking about that. Man,

1:03:17.640 --> 1:03:19.720
<v Speaker 1>I just I've never felt anything like that. Dude, that

1:03:19.840 --> 1:03:23.160
<v Speaker 1>was insane. I just didn't know what car could do that. Yeah,

1:03:23.480 --> 1:03:28.280
<v Speaker 1>my car goes fast. I appreciate that. White Episodes is

1:03:28.360 --> 1:03:31.800
<v Speaker 1>Mike sixty eight. So record comes out because there was

1:03:31.840 --> 1:03:34.440
<v Speaker 1>a debate, there were there were two dates went up September.

1:03:34.640 --> 1:03:36.840
<v Speaker 1>September eight, record comes out because past the Tember you

1:03:36.840 --> 1:03:39.760
<v Speaker 1>can check it out. Guitar man, as I'm looking forward

1:03:39.760 --> 1:03:41.000
<v Speaker 1>to hearing. I'm not even gonna hear it till the

1:03:41.000 --> 1:03:42.800
<v Speaker 1>record comes out. Like I don't listen to music early

1:03:43.880 --> 1:03:45.880
<v Speaker 1>because I like to listen to a lot people here

1:03:45.960 --> 1:03:47.680
<v Speaker 1>for the first time. So I'll be waiting for September eight.

1:03:48.040 --> 1:03:50.800
<v Speaker 1>Unless that's one of the bonus tracks. They'll be vinyl,

1:03:50.880 --> 1:03:52.840
<v Speaker 1>so you'll have to like spend take a night, man,

1:03:52.880 --> 1:03:57.400
<v Speaker 1>and pop it on your vinyl player. I appreciate the talk,

1:03:58.240 --> 1:04:01.080
<v Speaker 1>A good one, all right, keep more episode sixty eight

1:04:01.320 --> 1:04:03.760
<v Speaker 1>sixty that's Bobby Cats. Thank you very much, and we'll

1:04:03.760 --> 1:04:04.360
<v Speaker 1>see you next time.