1 00:00:01,040 --> 00:00:04,559 Speaker 1: Look man, oh, I see you? Why why? Oh? And 2 00:00:04,680 --> 00:00:12,080 Speaker 1: look over there? How is that culture? Yes? Goodness, last 3 00:00:12,119 --> 00:00:16,560 Speaker 1: cultures calling Matt just did air quotes like yeah right, 4 00:00:16,600 --> 00:00:21,079 Speaker 1: like lost culture. Why did you do this? I don't know. 5 00:00:21,160 --> 00:00:22,840 Speaker 1: I just think that every episode you have to find 6 00:00:22,840 --> 00:00:24,759 Speaker 1: a way to make yourself laugh, you know, you have 7 00:00:24,800 --> 00:00:27,560 Speaker 1: to make your way to tickle yourself. Yes, you always 8 00:00:27,680 --> 00:00:30,960 Speaker 1: keep it fresh, fun popping. I try, you know, because 9 00:00:31,000 --> 00:00:33,479 Speaker 1: I feel like especially in the quarantine, because we are 10 00:00:33,520 --> 00:00:36,839 Speaker 1: still as a as a recording date in quarantine for 11 00:00:36,880 --> 00:00:39,840 Speaker 1: the coronavirus pandemic. For those of you sort of looking 12 00:00:39,880 --> 00:00:43,720 Speaker 1: back at this episode from years in the future. Um, 13 00:00:43,760 --> 00:00:46,600 Speaker 1: every single day we're waking up and it's very sort 14 00:00:46,600 --> 00:00:48,840 Speaker 1: of bad and the same, and you have to find 15 00:00:48,960 --> 00:00:51,519 Speaker 1: little ways of tickling yourself, like, for example, bow, and 16 00:00:51,600 --> 00:00:54,120 Speaker 1: what's one thing you've done every single day a little 17 00:00:54,120 --> 00:00:56,680 Speaker 1: bit fresh to sort of freshen up your quarantine life 18 00:00:56,680 --> 00:01:00,560 Speaker 1: and perspective. I will make a little bouquet of candles. 19 00:01:00,600 --> 00:01:03,480 Speaker 1: It might not be very safe. The candles close to 20 00:01:03,520 --> 00:01:06,160 Speaker 1: each other on the counter, and all their sense will 21 00:01:06,200 --> 00:01:09,480 Speaker 1: mix together and it smells like a little potion brewing. 22 00:01:09,800 --> 00:01:13,040 Speaker 1: Oh I love that. Like, what about ferimenting with sense. 23 00:01:13,120 --> 00:01:16,800 Speaker 1: That's really cool. Well, I similarly am experimenting with sense today. 24 00:01:16,880 --> 00:01:20,440 Speaker 1: I bought a frasier for candle to make it smell 25 00:01:20,480 --> 00:01:23,200 Speaker 1: a little bit like Christmas in here. Oh my god, 26 00:01:23,319 --> 00:01:25,640 Speaker 1: I love that it is smelling a little bit like 27 00:01:25,720 --> 00:01:27,800 Speaker 1: Christmas in here. And I'm trying to get like a 28 00:01:27,880 --> 00:01:30,600 Speaker 1: humidifier in my goden apartment because my skin as dry 29 00:01:30,600 --> 00:01:33,119 Speaker 1: as fuck. So every single day I'm sort of trying 30 00:01:33,160 --> 00:01:35,920 Speaker 1: something new to make sure that my skin isn't um 31 00:01:36,000 --> 00:01:40,600 Speaker 1: falling the funk off, I continued to struggle with my eyes. 32 00:01:41,400 --> 00:01:44,679 Speaker 1: Your skin looks great, thank you. I mean, I'm using 33 00:01:44,720 --> 00:01:46,760 Speaker 1: the Hawthorn products, but just like I don't know what 34 00:01:46,800 --> 00:01:48,600 Speaker 1: it is like, my eye just feels very dry. And 35 00:01:48,600 --> 00:01:51,000 Speaker 1: you need the warm compress hunt. I think you're read. 36 00:01:51,040 --> 00:01:53,360 Speaker 1: I need I need to boil a soft towel. That 37 00:01:53,400 --> 00:01:56,680 Speaker 1: could work. That could work, boil soft. How do you 38 00:01:56,720 --> 00:02:01,640 Speaker 1: think it's too much? I think dry is your best bet, really, 39 00:02:02,280 --> 00:02:06,280 Speaker 1: because well, who knows. I just feel like the rice 40 00:02:06,320 --> 00:02:09,880 Speaker 1: in the sock truly is the best solution. You should 41 00:02:09,880 --> 00:02:12,639 Speaker 1: buy a little bit of rice tomorrow, put it in 42 00:02:12,680 --> 00:02:14,880 Speaker 1: a sock tied up. I guess I gotta go go 43 00:02:15,000 --> 00:02:17,919 Speaker 1: get that. Oh wait, Hans, Okay, hot head of content, 44 00:02:18,000 --> 00:02:19,799 Speaker 1: Hans says, you need to listen to the two part 45 00:02:19,880 --> 00:02:23,720 Speaker 1: series on skincare on poog hosted by Jacqueline Novak and 46 00:02:23,800 --> 00:02:27,040 Speaker 1: caper Land on the Big Money Players Network. Yeah, but 47 00:02:27,080 --> 00:02:29,360 Speaker 1: can I ask you a question? Yeah, he wants to 48 00:02:29,360 --> 00:02:31,880 Speaker 1: plug it. But Hans, are you actually making a real suggestion? 49 00:02:31,960 --> 00:02:34,320 Speaker 1: Or am I gonna turn on POUG with caper Land 50 00:02:34,360 --> 00:02:38,840 Speaker 1: and Jacqulinovak and all of a sudden it's a goofy podcast? Okay? 51 00:02:39,160 --> 00:02:41,040 Speaker 1: Are they gonna Are the girls gonna be giving me 52 00:02:41,240 --> 00:02:44,079 Speaker 1: real opinions on skincare or is it gonna be like 53 00:02:44,240 --> 00:02:47,040 Speaker 1: you gotta put the devil's poop on your skin because 54 00:02:47,040 --> 00:02:50,480 Speaker 1: those girls, they have very eccentric senses of humor. He says. No, 55 00:02:50,639 --> 00:02:52,320 Speaker 1: I I don't just want to plug poog on the 56 00:02:52,320 --> 00:02:56,920 Speaker 1: Big Money Players Network, Hans, You're just hijacking the system. 57 00:02:56,960 --> 00:02:58,799 Speaker 1: They're gonna give you real advice with a blend of 58 00:02:58,840 --> 00:03:01,519 Speaker 1: their signature brand of comedy that sounds like an ad. 59 00:03:01,720 --> 00:03:03,440 Speaker 1: Sounds like an ad. You know what? You know what 60 00:03:03,560 --> 00:03:06,840 Speaker 1: Jacqueline said on Poog? What does she say? She said? 61 00:03:06,919 --> 00:03:10,240 Speaker 1: Isn't it crazy. Well, basically, she's like, it upsets me 62 00:03:10,320 --> 00:03:13,120 Speaker 1: that we can't see inside of ourselves. That the only 63 00:03:13,680 --> 00:03:15,679 Speaker 1: way you can see is like you can't like look 64 00:03:15,680 --> 00:03:18,200 Speaker 1: at your own organs. Isn't that sad? It's like you're 65 00:03:18,240 --> 00:03:20,040 Speaker 1: on a balcony in a building and you can only 66 00:03:20,080 --> 00:03:23,120 Speaker 1: you can't turn around. Well, you know what's really fucked up. 67 00:03:24,040 --> 00:03:26,160 Speaker 1: One day we're going to have people giving us our 68 00:03:26,200 --> 00:03:28,280 Speaker 1: autopsies and they're going to see parts of us that 69 00:03:28,360 --> 00:03:31,080 Speaker 1: we never got to see. And that was my ship, Like, 70 00:03:31,240 --> 00:03:33,600 Speaker 1: these are my lungs, Why do you get to see 71 00:03:33,639 --> 00:03:36,880 Speaker 1: what's inside of them? It makes me literally so mad 72 00:03:36,920 --> 00:03:39,000 Speaker 1: that we will lose consciousness after our death. It makes 73 00:03:39,000 --> 00:03:41,520 Speaker 1: me so mad. It makes me so mad. I don't 74 00:03:41,520 --> 00:03:44,160 Speaker 1: want to scope in my body ever. If it comes 75 00:03:44,160 --> 00:03:47,440 Speaker 1: to that for health reasons, fine, but I don't want 76 00:03:47,760 --> 00:03:51,600 Speaker 1: other people seeing inside me until I'm dead. Until I'm dead, 77 00:03:52,080 --> 00:03:54,200 Speaker 1: because because at least I can take comfort in the 78 00:03:54,240 --> 00:03:59,720 Speaker 1: fact that my insides are mine until I die. But 79 00:04:00,160 --> 00:04:02,240 Speaker 1: while I'm alive, I don't want someone else to see 80 00:04:02,240 --> 00:04:04,080 Speaker 1: parts of me that I never can. I never have. 81 00:04:04,400 --> 00:04:07,480 Speaker 1: So what if you were able to have a little television, 82 00:04:07,520 --> 00:04:10,480 Speaker 1: which is actually really common what what While they scoped 83 00:04:10,600 --> 00:04:12,720 Speaker 1: you and you could see at the same time that 84 00:04:12,800 --> 00:04:15,440 Speaker 1: it's going on on the insides, you're not curious. I 85 00:04:15,440 --> 00:04:18,440 Speaker 1: don't I need that to be private. I can't have 86 00:04:18,600 --> 00:04:22,560 Speaker 1: that shared thing with someone else. Maybe just you in 87 00:04:22,600 --> 00:04:25,080 Speaker 1: a scope alone in the room. Yes, but I don't 88 00:04:25,080 --> 00:04:27,000 Speaker 1: know how to work it, and I'm not gonna learn. 89 00:04:27,839 --> 00:04:30,640 Speaker 1: I don't think you're gonna learn either. I just think 90 00:04:30,760 --> 00:04:33,080 Speaker 1: maybe when I die one day, let's just say this, like, 91 00:04:33,600 --> 00:04:35,440 Speaker 1: let's have this episode be like sort of like a 92 00:04:35,440 --> 00:04:40,880 Speaker 1: working will um. Don't even just skip the autopsy and 93 00:04:40,920 --> 00:04:44,760 Speaker 1: cremate me immediately. Don't even check to see if I'm 94 00:04:44,800 --> 00:04:49,440 Speaker 1: really dead. If it seems like I'm dead, cremate me seriously. 95 00:04:49,960 --> 00:04:54,440 Speaker 1: Scatter my ashes, bury my heart at wounded knee. Oh 96 00:04:54,480 --> 00:04:58,680 Speaker 1: my god, First of all, slay, slay. But where would 97 00:04:58,680 --> 00:05:00,719 Speaker 1: you want your ashes spread? This is an interesting thing. 98 00:05:01,160 --> 00:05:06,880 Speaker 1: I don't know the duplex I would want my ashes 99 00:05:07,000 --> 00:05:11,880 Speaker 1: to be. I can put him in the East River. Oh, 100 00:05:12,040 --> 00:05:15,400 Speaker 1: put him with the rest of the trollops. Yeah. I 101 00:05:15,400 --> 00:05:16,840 Speaker 1: don't need to I don't need to be. It doesn't 102 00:05:16,839 --> 00:05:20,440 Speaker 1: need to be anywhere special for me. You know, all 103 00:05:20,480 --> 00:05:23,520 Speaker 1: this talk of death reminds me of birth and it 104 00:05:23,680 --> 00:05:27,160 Speaker 1: is the sixth day of culture, and on this episode 105 00:05:27,320 --> 00:05:35,400 Speaker 1: we are really celebrating a important figure in the culture because, um, 106 00:05:35,440 --> 00:05:41,000 Speaker 1: this person is evergreen but seasonal mm hmm. And that's power, 107 00:05:41,760 --> 00:05:46,080 Speaker 1: that's power this person. I've never seen this person sell 108 00:05:46,200 --> 00:05:50,400 Speaker 1: out anything she's ever done once. No, she always she 109 00:05:50,560 --> 00:05:54,320 Speaker 1: always wants to deliver. She has never not committed herself 110 00:05:54,360 --> 00:05:57,159 Speaker 1: to anything she's ever done in her life. On the 111 00:05:57,520 --> 00:06:16,360 Speaker 1: same May second two birth birth of Christine. There was 112 00:06:16,400 --> 00:06:20,800 Speaker 1: the great before and there was the great after. Okay, 113 00:06:20,839 --> 00:06:28,480 Speaker 1: A thriving world caused the creation of Christine Baranski. Her parents, 114 00:06:28,520 --> 00:06:33,560 Speaker 1: whoever they were, made love to each other and they 115 00:06:34,560 --> 00:06:38,800 Speaker 1: conceived the child. That child would go on to bring 116 00:06:38,960 --> 00:06:43,320 Speaker 1: joy to millions, maybe billions of people. I think billions. 117 00:06:43,960 --> 00:06:47,640 Speaker 1: I think billions. What is your favorite Christine Baranski moment? 118 00:06:48,080 --> 00:06:52,120 Speaker 1: I have to say I never watched The Good Wife, 119 00:06:53,440 --> 00:06:56,800 Speaker 1: but I will say that my favorite Christine Baranski. I 120 00:06:56,839 --> 00:06:58,840 Speaker 1: just want to say that, like I'm not working with 121 00:06:58,880 --> 00:07:02,440 Speaker 1: like the working with like a full Christine Brownski deck. 122 00:07:03,200 --> 00:07:06,359 Speaker 1: But I really fell in love with her in Chicago, 123 00:07:07,520 --> 00:07:10,360 Speaker 1: Mary Sunshine, Mary Sunshine really fell in love with her 124 00:07:10,400 --> 00:07:15,360 Speaker 1: in Chicago, thought, who is that woman? I've seen her before? Yes, 125 00:07:15,440 --> 00:07:19,000 Speaker 1: she was that woman in another beloved Christmas movie that 126 00:07:19,320 --> 00:07:22,600 Speaker 1: maybe I'll let you you name. But the beloved Christmas 127 00:07:22,600 --> 00:07:26,840 Speaker 1: movie where she played, um, who was that after? Was 128 00:07:27,040 --> 00:07:29,800 Speaker 1: was Chicago? I guess Chicago was after the Chicago was 129 00:07:29,840 --> 00:07:32,280 Speaker 1: a Chicago was after the Grinch? Oh wow? So I 130 00:07:32,320 --> 00:07:34,920 Speaker 1: didn't even make that connection the versatility. So when you 131 00:07:34,960 --> 00:07:38,360 Speaker 1: said she was in a beloved Christmas classic from before Chicago, 132 00:07:38,480 --> 00:07:40,800 Speaker 1: I was like, Oh my god, was she? But no, 133 00:07:40,920 --> 00:07:44,000 Speaker 1: you were just referencing her incredible performance as Martha Mayhuvier, 134 00:07:44,760 --> 00:07:48,040 Speaker 1: the hottest female up in Whoville as it were, because 135 00:07:48,240 --> 00:07:52,880 Speaker 1: Grinch was two thousand and then Chicago's two thousand three. Wow, yes, 136 00:07:53,000 --> 00:07:55,840 Speaker 1: and I hear. I was thinking. I was literally gonna 137 00:07:55,880 --> 00:08:03,520 Speaker 1: say my introduction to Christine Brownski was honderstand no ball dustandable. Yes, 138 00:08:03,680 --> 00:08:11,880 Speaker 1: it's perfectly understandable. But then that would be incorrect, because I, 139 00:08:11,960 --> 00:08:18,120 Speaker 1: of course was inspired by and moved by miss Martha Mayhuvier. 140 00:08:18,680 --> 00:08:24,040 Speaker 1: Truly a gorgeous woman. Martha May sex symbol, sex symbol. 141 00:08:24,400 --> 00:08:27,440 Speaker 1: Can you imagine being Christine Baranski? A treasure of the 142 00:08:27,440 --> 00:08:32,440 Speaker 1: American musical theater of television, of film, and then also 143 00:08:32,679 --> 00:08:36,160 Speaker 1: look like that in a silly Dr Seuss costume. Yeah, 144 00:08:36,280 --> 00:08:39,920 Speaker 1: smoke show. It's not fair. It's just not fair. Christine 145 00:08:39,920 --> 00:08:43,840 Speaker 1: Baranski and so so wonderful and Mama Mia, Oh my god. 146 00:08:44,000 --> 00:08:51,439 Speaker 1: The Christine Baranski is the goat. It's time to say 147 00:08:51,480 --> 00:08:55,080 Speaker 1: that Christine Baranski is the goat. I mean, look at her. 148 00:08:55,120 --> 00:08:57,760 Speaker 1: I'm just looking at these photos of Martha Mayhuvia hurt 149 00:08:57,760 --> 00:09:01,360 Speaker 1: in that blue coat. You can't be that robe. That 150 00:09:01,400 --> 00:09:04,760 Speaker 1: blue robe, That's what I meant, the robe that she's 151 00:09:04,800 --> 00:09:09,280 Speaker 1: also iconique in Well, The Good Fight obviously is like 152 00:09:09,480 --> 00:09:15,160 Speaker 1: her SPINOFE spin SPINOFE, spinoff of The Good Wife. But 153 00:09:15,360 --> 00:09:18,080 Speaker 1: she has continued to slay. Did you know that She's 154 00:09:18,080 --> 00:09:21,640 Speaker 1: a two time Tony Award winner? What is she went for? 155 00:09:22,000 --> 00:09:24,199 Speaker 1: She won Tony Awards for Best Featured Actress in a 156 00:09:24,280 --> 00:09:27,440 Speaker 1: Play for the original Broadway production of The Real Thing 157 00:09:27,559 --> 00:09:32,040 Speaker 1: and Rumors and nine nine. This is a Tony winning 158 00:09:32,080 --> 00:09:37,359 Speaker 1: actress from the eighties. For decades, she has been slaying. 159 00:09:38,400 --> 00:09:41,079 Speaker 1: She is like a true like have you ever heard 160 00:09:41,120 --> 00:09:47,199 Speaker 1: of like Christine Baranski? What a pill? She's kept it together, 161 00:09:47,679 --> 00:09:49,400 Speaker 1: which is not to say that, like you know, people 162 00:09:49,400 --> 00:09:52,679 Speaker 1: who have any issues or who play them out publicly, 163 00:09:52,760 --> 00:09:58,160 Speaker 1: like are you know, less fun less likable? But Christine Baranski, 164 00:09:58,240 --> 00:10:03,040 Speaker 1: she she has date on her own course in life. Yeah, 165 00:10:03,280 --> 00:10:06,920 Speaker 1: she's here to remain And also did you know little known? 166 00:10:07,280 --> 00:10:11,000 Speaker 1: So we know her because she's an icon in Um 167 00:10:11,040 --> 00:10:15,800 Speaker 1: of course Martha May, Martha May Juvier's vehicle The Grinch. 168 00:10:16,840 --> 00:10:18,680 Speaker 1: People think it was a Jim Carricy vehicle, but it 169 00:10:18,720 --> 00:10:24,520 Speaker 1: was really a Martha vehicle. It was a Christine Baranski film. Um, 170 00:10:24,640 --> 00:10:27,640 Speaker 1: so there's that. Then there's of course Christmas in the Square, 171 00:10:27,679 --> 00:10:30,720 Speaker 1: which we recently discussed on the podcast with friends of 172 00:10:30,760 --> 00:10:35,400 Speaker 1: the show, Major Ji and jil Kim Booster iconic. She 173 00:10:35,440 --> 00:10:37,679 Speaker 1: doesn't sell that out for a second, which she pointed out, 174 00:10:37,720 --> 00:10:41,160 Speaker 1: and I'm so happy that you did, sister, Thank you, sister. 175 00:10:41,360 --> 00:10:45,000 Speaker 1: She also plays Mila Kunas's mother in A Bad Mom's Christmas, 176 00:10:45,000 --> 00:10:49,480 Speaker 1: her overly critical, harsh mother. I haven't seen it. I 177 00:10:49,559 --> 00:10:52,280 Speaker 1: have to watch it tonight. Well, I like bad moms 178 00:10:52,559 --> 00:10:54,520 Speaker 1: like for I think, did you and I see it together? 179 00:10:54,800 --> 00:10:57,679 Speaker 1: And that sounds right? And I think we really enjoyed it. 180 00:10:57,800 --> 00:11:03,080 Speaker 1: We had actually a great time. Catherine on Mila, Yeah, yeah, 181 00:11:03,120 --> 00:11:05,440 Speaker 1: and who's the third of Christian Stewart. Well, there no, 182 00:11:05,600 --> 00:11:10,400 Speaker 1: there's Katherine Han, Mila Kunis and God, and then there's 183 00:11:10,440 --> 00:11:14,199 Speaker 1: Christina Applegate is the villain Christina Applegate. Christ it's a Christian. 184 00:11:14,559 --> 00:11:17,960 Speaker 1: When I said Christian Stewart, I meant Kristin Bell, Kristen Bell. 185 00:11:18,160 --> 00:11:21,520 Speaker 1: Yes of christ and Bell. And so they're joined by 186 00:11:21,600 --> 00:11:25,440 Speaker 1: Christine Baranski and a bad mom's Christmas. And in a 187 00:11:25,520 --> 00:11:29,520 Speaker 1: bad Mom's Christmas, I guess, um, she sort of does 188 00:11:29,600 --> 00:11:34,079 Speaker 1: her thing of playing a very austere person who lightens up, 189 00:11:35,160 --> 00:11:37,960 Speaker 1: and she's so perfect for that. We've seen Christine Baranski 190 00:11:38,040 --> 00:11:40,960 Speaker 1: do it a million times. And you still you'll want more, 191 00:11:41,720 --> 00:11:44,520 Speaker 1: You want more. You know what we do want more. 192 00:11:45,000 --> 00:11:50,440 Speaker 1: I have the sound of her voice so indelibly in 193 00:11:50,520 --> 00:11:55,600 Speaker 1: my soul, of her singing a convent girla run away marriage. 194 00:11:55,760 --> 00:12:01,600 Speaker 1: Now tell us roxy who's Fred Caseley. She really is 195 00:12:01,679 --> 00:12:05,080 Speaker 1: my childhood. Christine Baranski is my childhood. Don't ruin my 196 00:12:05,240 --> 00:12:09,080 Speaker 1: childhood by not loving Christine Baranski the way that we 197 00:12:09,120 --> 00:12:16,120 Speaker 1: are on culture Ristas, I'm gonna sneeze and I tried 198 00:12:16,160 --> 00:12:18,559 Speaker 1: to sneeze with the sort of Christine Baranski and you 199 00:12:18,720 --> 00:12:26,920 Speaker 1: and it came across like hatch, she does have like energy, 200 00:12:28,240 --> 00:12:31,120 Speaker 1: you know what I mean. But but she but it's bogoo. 201 00:12:31,280 --> 00:12:37,760 Speaker 1: But it's like it's elegant. It's yeah, look what is that? Like? 202 00:12:37,800 --> 00:12:41,640 Speaker 1: How can she keep it? Also like she opens, she 203 00:12:41,720 --> 00:12:44,559 Speaker 1: leaves herself so open to every possibility. That is the 204 00:12:44,600 --> 00:12:48,280 Speaker 1: beauty of Christine Baranski. Yes, should we go through her 205 00:12:48,320 --> 00:12:53,880 Speaker 1: many awards? Yes, she has won a Screen Actors Guilds 206 00:12:54,000 --> 00:12:58,679 Speaker 1: Award a couple of times. She wanted for Chicago and 207 00:12:58,800 --> 00:13:03,840 Speaker 1: she wanted for the Herd Cage. Amazing cast, amazing cast. Okay, 208 00:13:04,000 --> 00:13:07,079 Speaker 1: let's just talk about the fact that she won an 209 00:13:07,080 --> 00:13:11,040 Speaker 1: Emmy Award for playing the role of Marianne Thorpe in 210 00:13:11,120 --> 00:13:16,440 Speaker 1: the show Sybil Sybil. Okay, let's just talk about the 211 00:13:16,480 --> 00:13:21,120 Speaker 1: fact that she was nominated for a Primetime Emmy Award 212 00:13:21,160 --> 00:13:24,640 Speaker 1: for Outstanding Guest Actress in a Comedy Series on the 213 00:13:24,720 --> 00:13:31,720 Speaker 1: show Frazier and The Big Bang Theory Can Do It All. 214 00:13:31,880 --> 00:13:36,360 Speaker 1: She got four nominations for that role. Then she gets 215 00:13:36,440 --> 00:13:39,800 Speaker 1: nominated for Supporting Actors in a Drama Series five years 216 00:13:39,800 --> 00:13:43,079 Speaker 1: in a row for The Good Wife, Give It Up, 217 00:13:43,120 --> 00:13:48,520 Speaker 1: Give It Up. This is consistent, Queen, consistent Queeneen. Oh 218 00:13:48,559 --> 00:13:52,840 Speaker 1: my god, you could never, you could never. And look 219 00:13:53,400 --> 00:13:59,760 Speaker 1: she was married to the actor Matthew Cowells from when 220 00:13:59,800 --> 00:14:06,360 Speaker 1: he tragically passed away. She has raised two daughters and 221 00:14:06,480 --> 00:14:09,720 Speaker 1: she has just kept she has just kept them alive, 222 00:14:09,920 --> 00:14:14,000 Speaker 1: kept them alive. That is award worthy. And to raise 223 00:14:14,120 --> 00:14:16,200 Speaker 1: children and keep them alive in a world that's as 224 00:14:16,480 --> 00:14:20,600 Speaker 1: rambunctious as today. Honey, my hat is off, My hat 225 00:14:20,640 --> 00:14:22,160 Speaker 1: is off, and that is that is a word I 226 00:14:22,160 --> 00:14:26,720 Speaker 1: would used to describe the state of the world. Rambunctious. 227 00:14:27,440 --> 00:14:29,960 Speaker 1: This is a rambunctious the world out there. And you 228 00:14:30,120 --> 00:14:33,160 Speaker 1: know that's true. We live in such a rambunctious time. 229 00:14:33,560 --> 00:14:35,760 Speaker 1: This woman has been in everything. Did you know she 230 00:14:35,840 --> 00:14:38,760 Speaker 1: hosted SNL Yes with the musical guest to the queue, 231 00:14:38,880 --> 00:14:43,480 Speaker 1: the Cure. How iconic. That is cool as heck? I 232 00:14:43,520 --> 00:14:45,680 Speaker 1: would dag if she came back in what host? Now? 233 00:14:45,840 --> 00:14:47,960 Speaker 1: Do you think they would ever have Christine Brownski back 234 00:14:48,000 --> 00:14:52,680 Speaker 1: to host? Now? I think, why the hell not. She 235 00:14:52,880 --> 00:14:56,320 Speaker 1: has stayed in the culture. She's bigger than she was 236 00:14:56,360 --> 00:14:58,360 Speaker 1: when she was on Sybil. I think that was around 237 00:14:58,360 --> 00:15:00,120 Speaker 1: the time when she was when she hosted was she 238 00:15:00,200 --> 00:15:03,480 Speaker 1: was known for being on Sybil, but now you're just like, oh, 239 00:15:03,520 --> 00:15:09,080 Speaker 1: you mean multiply Emmy nomen multiply nominated. She was nominated 240 00:15:09,640 --> 00:15:15,920 Speaker 1: multi multiply. Okay, she's only gotten bigger. Well, we've only 241 00:15:15,920 --> 00:15:17,880 Speaker 1: gotten to love her more as a nation and as 242 00:15:17,880 --> 00:15:20,040 Speaker 1: a culture. She slid it into the woods. She was 243 00:15:20,040 --> 00:15:24,160 Speaker 1: Cinderella's mother. She really was like the original supporting actress queen, 244 00:15:24,200 --> 00:15:28,080 Speaker 1: the original Judy Greer, the original Judy Greer. But now 245 00:15:28,520 --> 00:15:30,840 Speaker 1: I think she's having I think she's having a real 246 00:15:31,160 --> 00:15:35,920 Speaker 1: new Renaissance Christmas on the Square. I mean, I really, 247 00:15:36,120 --> 00:15:38,760 Speaker 1: I don't know what happened there, but I like my 248 00:15:38,840 --> 00:15:41,160 Speaker 1: respect for her just really shut up higher than I 249 00:15:41,240 --> 00:15:44,760 Speaker 1: even thought, higher than I could go. Yeah, did you 250 00:15:44,800 --> 00:15:48,960 Speaker 1: know that she recently was performing video game voices in 251 00:15:49,080 --> 00:15:52,880 Speaker 1: Stephen Universe. I saw she played the role of I 252 00:15:52,920 --> 00:15:56,840 Speaker 1: love that I play Hessanite. That's me, as Christine Brown 253 00:15:56,920 --> 00:15:59,800 Speaker 1: Skate telling someone the role she plays. I'm doing a 254 00:16:00,160 --> 00:16:01,920 Speaker 1: zing a new video game and I played the role 255 00:16:01,960 --> 00:16:06,360 Speaker 1: of Hessanite. It's called Stephen Universe, Save the Light, and 256 00:16:06,400 --> 00:16:10,600 Speaker 1: it's really fun. It's something so different from me, and 257 00:16:10,720 --> 00:16:13,440 Speaker 1: playing the role of Hessanite is it's easy for me 258 00:16:13,520 --> 00:16:16,720 Speaker 1: because she's a mother too. You know, she's a mother 259 00:16:18,520 --> 00:16:21,600 Speaker 1: and a sister. I related to her in these ways 260 00:16:21,640 --> 00:16:31,480 Speaker 1: and more. I'm sorry, can we just give it up 261 00:16:32,080 --> 00:16:35,920 Speaker 1: for Matt Rodgers? Do it? He can do it all. 262 00:16:36,040 --> 00:16:39,320 Speaker 1: He just did an amazing Christine Baranski impression. I'm laughing. 263 00:16:40,040 --> 00:16:43,640 Speaker 1: He he can do everything. I truly I bow to you, 264 00:16:43,800 --> 00:16:46,640 Speaker 1: I exalt to you. I bow at your feet. Stop it, 265 00:16:46,800 --> 00:16:50,680 Speaker 1: get up, get up now, look weak. You are the 266 00:16:50,720 --> 00:16:54,880 Speaker 1: Christine Baranski of comedy. I think that's like sucks for 267 00:16:54,960 --> 00:16:57,600 Speaker 1: Christine Baranski. I think she's the Christine Baranski coming. Do 268 00:16:57,640 --> 00:17:01,080 Speaker 1: you think that Christine Baranski in her shorthand is like, well, 269 00:17:01,080 --> 00:17:03,560 Speaker 1: I'm a comedian or she says, no, no, no, I'm 270 00:17:03,600 --> 00:17:06,200 Speaker 1: an actress. I'm an actress. I am not I am 271 00:17:06,240 --> 00:17:09,160 Speaker 1: not a come, I'm not a creator. I'm sure she's 272 00:17:09,160 --> 00:17:13,960 Speaker 1: told her daughter, Lily Cows that she's an actress. Let's 273 00:17:14,000 --> 00:17:19,160 Speaker 1: see her. Wikipedia says American actress and singer doesn't say comedian. 274 00:17:19,920 --> 00:17:21,719 Speaker 1: I don't. I don't know. Did you know she went 275 00:17:21,760 --> 00:17:25,120 Speaker 1: to Juilliard? Wow? This all just keeps sort of rolling 276 00:17:25,200 --> 00:17:31,639 Speaker 1: back her her. She is like the Charizard of you know, 277 00:17:32,359 --> 00:17:36,920 Speaker 1: of Jane Krakowski. Maybe who is the charmelion, and then 278 00:17:36,920 --> 00:17:41,160 Speaker 1: a Josie Tode who is the charmender. Wow. Yeah, Josie 279 00:17:41,240 --> 00:17:44,720 Speaker 1: becomes Jane becomes Christine. That actually makes a lot of sense. 280 00:17:44,760 --> 00:17:47,080 Speaker 1: I do see, like that makes sense. I think that 281 00:17:47,160 --> 00:17:50,480 Speaker 1: Christine Baranski is an evolved version of Jane Krikowski. Yes, 282 00:17:50,840 --> 00:17:52,760 Speaker 1: and Jan krek I mean, but like they've they've they've 283 00:17:52,800 --> 00:17:54,720 Speaker 1: come up in different way, but they have similar backgrounds. 284 00:17:54,760 --> 00:17:57,560 Speaker 1: And I know Josie maybe isn't like Broadway, it doesn't 285 00:17:57,600 --> 00:18:00,480 Speaker 1: have the stage. Yeah, but tell tell her she can't 286 00:18:00,560 --> 00:18:02,439 Speaker 1: tell her she can't. Tell her she can't. And the 287 00:18:02,480 --> 00:18:05,679 Speaker 1: way that people like Josie are sort of making themselves 288 00:18:05,800 --> 00:18:09,280 Speaker 1: known and love to us. It feels very similar to 289 00:18:09,560 --> 00:18:14,240 Speaker 1: Jan Krakowskalla McBeal into Dirty Rock, into you know what 290 00:18:14,400 --> 00:18:16,919 Speaker 1: she does now? And Christine I feel like, has been 291 00:18:17,000 --> 00:18:20,399 Speaker 1: like doing the same kind of work where everyone's just 292 00:18:20,440 --> 00:18:22,480 Speaker 1: on the same page about it. There like that that one. 293 00:18:22,880 --> 00:18:25,680 Speaker 1: That actress is amazing and she can play this fun 294 00:18:26,000 --> 00:18:27,840 Speaker 1: she can play all these fun characters and saying, oh 295 00:18:27,920 --> 00:18:32,480 Speaker 1: my god, I approach every role the same with compassion. 296 00:18:33,480 --> 00:18:36,119 Speaker 1: It's these it's her, it's Christine and Jane have that 297 00:18:36,520 --> 00:18:40,040 Speaker 1: slight British inflection in their voice, and that's it's the theater. 298 00:18:41,480 --> 00:18:44,840 Speaker 1: It's the theater, it's the theater. It's it's a Dirty 299 00:18:44,880 --> 00:18:47,760 Speaker 1: Rock joke where Jenna goes the reason I have some 300 00:18:47,920 --> 00:18:50,040 Speaker 1: slight British in suction in my voices because I lost 301 00:18:50,040 --> 00:18:58,040 Speaker 1: my virginity to the my fair ladies. I also love 302 00:18:58,480 --> 00:19:01,280 Speaker 1: not to make this like a o rama of Dirty 303 00:19:01,359 --> 00:19:04,720 Speaker 1: Rock Jenna lines, but really, my one of my favorites 304 00:19:04,840 --> 00:19:06,920 Speaker 1: is when she says that she went to the Royal 305 00:19:06,960 --> 00:19:11,919 Speaker 1: Tampa Academy of Dramatic Tricks. Yes, so good, so Royal 306 00:19:12,520 --> 00:19:21,080 Speaker 1: Tampa really deeply layered. And the running gag that Mickey 307 00:19:21,119 --> 00:19:25,320 Speaker 1: Rourke has like out to kill her, You're getting married, 308 00:19:25,400 --> 00:19:29,000 Speaker 1: You're winning awards. These are my things, Mickey Rock Catapult. 309 00:19:29,040 --> 00:19:36,320 Speaker 1: Did you into the Hollywood? Honestly, I've been rewatching Dirty Rock. 310 00:19:37,240 --> 00:19:40,760 Speaker 1: It stayed good the entire time. Like people talk about 311 00:19:40,760 --> 00:19:43,760 Speaker 1: how like, oh, there was a dip like whatever, like 312 00:19:43,800 --> 00:19:46,520 Speaker 1: it just maybe it wasn't as exciting whatever. No, it 313 00:19:46,800 --> 00:19:51,400 Speaker 1: stayed that good throughout well. By the time it got 314 00:19:51,560 --> 00:19:54,679 Speaker 1: the harsh tradle of season three, it became a cartoon 315 00:19:55,119 --> 00:19:58,480 Speaker 1: which we love and welcome, which which which like defined 316 00:19:58,560 --> 00:20:02,440 Speaker 1: a whole style of writing for like Kimmi Schmidt into 317 00:20:02,440 --> 00:20:05,320 Speaker 1: Great News into Now Saved by the Bell. It's like, 318 00:20:05,560 --> 00:20:08,399 Speaker 1: that's like we need. I love sitcoms like that are 319 00:20:08,440 --> 00:20:12,080 Speaker 1: just joke bags. Yep, I love It's all I want 320 00:20:12,119 --> 00:20:15,280 Speaker 1: really like it's it's kind of interesting, like right now 321 00:20:15,280 --> 00:20:20,040 Speaker 1: I'm watching an education education, I'm watching a teacher. Not 322 00:20:20,240 --> 00:20:22,359 Speaker 1: an education is very different, but I'm watching a teacher 323 00:20:22,400 --> 00:20:24,560 Speaker 1: and it's a half hour, so I guess I'm like 324 00:20:24,600 --> 00:20:26,960 Speaker 1: watching it, and I'm like, oh, here's the comic block, 325 00:20:28,640 --> 00:20:32,520 Speaker 1: like watching something that's like so dark, we presented in 326 00:20:32,640 --> 00:20:38,880 Speaker 1: like the react structure of like the suitcom is so odd. 327 00:20:39,440 --> 00:20:44,720 Speaker 1: Thirty minutes is my preferred length for anything tbh. Yeah. 328 00:20:44,920 --> 00:20:48,480 Speaker 1: So when that's the Dragon on Quimby, No, No, that's 329 00:20:48,520 --> 00:20:51,080 Speaker 1: to say Russian Doll got it right where it was 330 00:20:51,160 --> 00:20:55,240 Speaker 1: not really it was a drama kind of a driller thriller, comedy, 331 00:20:55,280 --> 00:20:58,919 Speaker 1: drama thriller mixing tones, but thirty minute episodes, and I 332 00:20:59,000 --> 00:21:02,280 Speaker 1: was like, this is heaven. I think they probably still 333 00:21:02,280 --> 00:21:05,920 Speaker 1: consider that a comedy in the room, right, but like 334 00:21:06,560 --> 00:21:09,800 Speaker 1: comedy dramatic performances, we're making comedy here That's what they 335 00:21:09,800 --> 00:21:14,120 Speaker 1: all said to each other. We're making comedy. Here another one, 336 00:21:14,359 --> 00:21:18,120 Speaker 1: and that Natasha Leon, another versatile queen. You know, it's 337 00:21:18,160 --> 00:21:22,320 Speaker 1: these it's these New York women. And Christine Baranski is 338 00:21:22,560 --> 00:21:30,040 Speaker 1: a New York woman. Yes, Juilliard pedigree. Juilliard pedigree. Should 339 00:21:30,080 --> 00:21:33,919 Speaker 1: that be a good drag name? Juilliard pedigree? It doesn't 340 00:21:33,920 --> 00:21:41,200 Speaker 1: really reference phrase. So no, Wow, you're just so it's 341 00:21:41,240 --> 00:21:44,120 Speaker 1: so easy for you to say no to me. I 342 00:21:44,200 --> 00:21:49,119 Speaker 1: was just complimenting you for your Christine Baransky impression. What 343 00:21:49,160 --> 00:21:54,080 Speaker 1: are you most excited about in life right now? I'm 344 00:21:54,080 --> 00:21:58,200 Speaker 1: most excited about the vaccine, to be honest, I can't 345 00:21:58,200 --> 00:22:01,320 Speaker 1: wait for that vaccine, for that to puncture my skin. 346 00:22:01,440 --> 00:22:03,040 Speaker 1: I bet you're going to get it first time. Now 347 00:22:03,080 --> 00:22:05,080 Speaker 1: I'm not. I'm I. I do do that New York 348 00:22:05,119 --> 00:22:07,560 Speaker 1: Times tool thing where you find your spot in the line. 349 00:22:07,920 --> 00:22:10,679 Speaker 1: Oh god, no, where were you in line? I was like, 350 00:22:10,880 --> 00:22:15,000 Speaker 1: there's like there's like two hundred million people in front 351 00:22:15,040 --> 00:22:18,720 Speaker 1: of you. So when when do they do they estimate 352 00:22:18,760 --> 00:22:20,119 Speaker 1: on this thing that you did? Wait? What is this? 353 00:22:20,200 --> 00:22:21,720 Speaker 1: I want to do it now? Like, how do I pay? 354 00:22:22,200 --> 00:22:28,560 Speaker 1: It's the it's the New York Times vaccine, vaccine line tool, 355 00:22:29,320 --> 00:22:34,720 Speaker 1: vaccine tool. Okay, interesting, are you on like a black page? 356 00:22:34,720 --> 00:22:36,080 Speaker 1: But yeah, And I just want to say that this 357 00:22:36,160 --> 00:22:40,040 Speaker 1: is an opinion piece, all right, So it's opinion. So 358 00:22:40,200 --> 00:22:42,840 Speaker 1: how old are you? Thirty years old? What county do 359 00:22:42,880 --> 00:22:46,400 Speaker 1: you live in? Los Angeles? Do you work in any 360 00:22:46,400 --> 00:22:51,840 Speaker 1: of these important professions? Healthcare worker? No essential worker, no 361 00:22:52,080 --> 00:22:56,000 Speaker 1: first responder, no teacher, no, none of these. Do you 362 00:22:56,040 --> 00:23:00,240 Speaker 1: have COVID related health risks? No? Okay, submit by still 363 00:23:00,240 --> 00:23:02,760 Speaker 1: on your risk profile. We believe you're in line behind 364 00:23:02,840 --> 00:23:06,760 Speaker 1: one four point one million people across the United States. 365 00:23:07,119 --> 00:23:09,600 Speaker 1: When it comes to California, we think you're behind fifteen 366 00:23:09,640 --> 00:23:12,120 Speaker 1: point two million others who are at higher risking your state. 367 00:23:12,400 --> 00:23:16,520 Speaker 1: In Los Angeles County, you're behind three point nine million others. Yeah, okay. 368 00:23:16,640 --> 00:23:19,320 Speaker 1: So so then they say, if the line in California 369 00:23:19,359 --> 00:23:21,240 Speaker 1: is represented by about a hundred people, this is where 370 00:23:21,240 --> 00:23:26,040 Speaker 1: you'd be standing. And they put me like halfway, like 371 00:23:26,040 --> 00:23:30,560 Speaker 1: like halfway. Yeah. Interesting, interesting, but other people can have 372 00:23:30,560 --> 00:23:33,359 Speaker 1: it before me. That doesn't bother me at Um. What 373 00:23:33,440 --> 00:23:36,200 Speaker 1: are you most excited about? I would say I'm most 374 00:23:36,320 --> 00:23:43,080 Speaker 1: excited about. Wow, this is bleak. I don't I literally 375 00:23:43,119 --> 00:23:46,919 Speaker 1: can't think of anything. Ordinarily i'd be like Christmas, but 376 00:23:46,960 --> 00:23:48,920 Speaker 1: you know what, I guess I'm excited for Christmas because 377 00:23:48,920 --> 00:23:51,120 Speaker 1: I'm gonna do like a little get together on Christmas Eve, 378 00:23:51,200 --> 00:23:54,840 Speaker 1: not big obviously, um. And then on Christmas Day, UM, 379 00:23:55,320 --> 00:23:58,119 Speaker 1: I'm just gonna have a little, a little moment around 380 00:23:58,119 --> 00:24:00,639 Speaker 1: my tiny little tree. It's just I guess this year 381 00:24:00,680 --> 00:24:02,879 Speaker 1: has been different because like, you have to make Christmas 382 00:24:02,960 --> 00:24:05,240 Speaker 1: nice for yourself. And maybe I'll do a Christine Baranski 383 00:24:05,320 --> 00:24:08,560 Speaker 1: movie marathon. I think we have to make the marathon 384 00:24:08,960 --> 00:24:12,879 Speaker 1: today and give it to the readers. Before then we 385 00:24:12,880 --> 00:24:16,080 Speaker 1: have to watch them too, alright, so obviously The Grinch, 386 00:24:16,400 --> 00:24:20,160 Speaker 1: the Grinch, Mama Mia and Mamma Mia too, Yes or either. 387 00:24:20,240 --> 00:24:22,480 Speaker 1: You get to choose either because they're both giving you 388 00:24:22,520 --> 00:24:26,320 Speaker 1: something different. But what are Christine Baranski's big starring roles though? 389 00:24:26,400 --> 00:24:28,840 Speaker 1: Does she have them? This is the thing is she's 390 00:24:28,960 --> 00:24:31,800 Speaker 1: she's She's been Judy Greer for her whole career. The 391 00:24:31,880 --> 00:24:34,760 Speaker 1: all the big one is Dolly Parton's Christmas on the Square? 392 00:24:35,119 --> 00:24:39,119 Speaker 1: Is that her biggest role? That's crazy. Here's what I want. 393 00:24:39,480 --> 00:24:42,479 Speaker 1: I want to try our best to contribute to an 394 00:24:42,560 --> 00:24:46,920 Speaker 1: environment where Christine Baranski has a huge renaissance, even even 395 00:24:47,040 --> 00:24:49,480 Speaker 1: more than the one she's having now, and she becomes 396 00:24:50,119 --> 00:24:52,399 Speaker 1: not just a TV icon. But I want her to 397 00:24:52,440 --> 00:24:54,480 Speaker 1: win an Oscar. I want her to have the E 398 00:24:54,920 --> 00:24:56,879 Speaker 1: O T. Because I don't know if you can get 399 00:24:56,880 --> 00:24:58,840 Speaker 1: her a Grammy, but I think we can get her 400 00:24:58,840 --> 00:25:03,600 Speaker 1: an Oscar. Why would she? Why are we going to 401 00:25:03,640 --> 00:25:07,120 Speaker 1: get for she'll sing on an album for a musical. 402 00:25:07,359 --> 00:25:09,000 Speaker 1: I don't know if that's how you win them, right, 403 00:25:09,320 --> 00:25:13,080 Speaker 1: Maybe she should play Mama Rose. Oh my god, she'd 404 00:25:13,080 --> 00:25:16,480 Speaker 1: be a great Mama Rose. Well, look, she was part 405 00:25:16,600 --> 00:25:21,040 Speaker 1: she started the Best Picture. That counts for something. For me, 406 00:25:21,119 --> 00:25:22,639 Speaker 1: it's like, oh my god. To be an actor and 407 00:25:22,680 --> 00:25:26,040 Speaker 1: the Best Picture. That's like a kind of a secret honor, 408 00:25:26,040 --> 00:25:28,240 Speaker 1: not a secret, but it's like it's like you're that's 409 00:25:28,280 --> 00:25:30,639 Speaker 1: part of your that's part of your work for forever. 410 00:25:30,800 --> 00:25:32,439 Speaker 1: You know. It's like I was in the Best Picture. 411 00:25:32,520 --> 00:25:34,879 Speaker 1: That's pretty cool. Yeah, And that was like, well that 412 00:25:35,040 --> 00:25:39,200 Speaker 1: was like well on into her career, to be honest, Chicago. Yeah, 413 00:25:39,280 --> 00:25:40,840 Speaker 1: it was like, you know, after she had won a 414 00:25:40,960 --> 00:25:44,040 Speaker 1: Tony Award, like years and years before. This is the 415 00:25:44,080 --> 00:25:50,080 Speaker 1: longevity we need amongst the girls. Christine has kept it going. 416 00:25:50,520 --> 00:25:53,760 Speaker 1: She gave her some some flowers for that. Come on, 417 00:25:53,920 --> 00:25:56,840 Speaker 1: she's got that killer instinct. I bet she could drink 418 00:25:56,840 --> 00:25:58,920 Speaker 1: a stiff martini too, looking in the eyes and say 419 00:25:59,000 --> 00:26:00,840 Speaker 1: you have to have a killer and stinked in this town. 420 00:26:01,200 --> 00:26:02,960 Speaker 1: I can I can picture, I can see it. How 421 00:26:02,960 --> 00:26:08,840 Speaker 1: many agents assistance do you think she's been through? Hundreds, hundreds, thousands, 422 00:26:09,359 --> 00:26:13,119 Speaker 1: doesn't remember a single one of them. No, No, they 423 00:26:13,160 --> 00:26:16,320 Speaker 1: go up to ourt a party, Christine, Hi, I'm Chris. 424 00:26:16,359 --> 00:26:18,960 Speaker 1: I used to work in Amy's office. I don't remember 425 00:26:18,960 --> 00:26:24,000 Speaker 1: any of any of my manager's assistants. I couldn't be bothered. 426 00:26:24,080 --> 00:26:28,000 Speaker 1: You come and go so quickly. If you were good 427 00:26:28,040 --> 00:26:29,960 Speaker 1: at your job, I guess I would remember you. But 428 00:26:30,720 --> 00:26:32,240 Speaker 1: if you want to make yourself use when now you 429 00:26:32,240 --> 00:26:34,000 Speaker 1: can tell me where the bathroom is because I can't 430 00:26:34,040 --> 00:26:36,359 Speaker 1: find it in here? And they say, oh, it's be 431 00:26:36,520 --> 00:26:38,800 Speaker 1: literally right there, and should say thank you so much. 432 00:26:38,840 --> 00:26:41,520 Speaker 1: I should walk off. She'd say, you have to have 433 00:26:41,600 --> 00:26:44,760 Speaker 1: that killer instinct. Here's a here's a tip. You want 434 00:26:44,760 --> 00:26:47,240 Speaker 1: to make it in this town, develop a killer instinct. 435 00:26:47,680 --> 00:26:52,480 Speaker 1: Only then will you make it? Now, where is the bathroom? 436 00:26:52,480 --> 00:26:55,160 Speaker 1: And they say again, right there, you're walking to it. 437 00:26:55,160 --> 00:26:57,600 Speaker 1: It's the only door in her right right. Of course, 438 00:26:57,680 --> 00:27:04,520 Speaker 1: thank you. I think about what I said. I have 439 00:27:04,560 --> 00:27:08,600 Speaker 1: to say, you're amazing, amazing actor. You really embody Christine. 440 00:27:08,720 --> 00:27:11,240 Speaker 1: I would say you're an amazing actor. No you don't 441 00:27:11,240 --> 00:27:14,280 Speaker 1: have to say it back. No, no, no, no no no, 442 00:27:14,359 --> 00:27:17,240 Speaker 1: you you have been Christine this whole episode. You really 443 00:27:17,800 --> 00:27:21,240 Speaker 1: channeled her spirit on this episode. Well that's a huge 444 00:27:21,760 --> 00:27:25,920 Speaker 1: that's a huge compliment. Um. And also, UM, I thank 445 00:27:25,920 --> 00:27:28,399 Speaker 1: you so much because for someone to say I was 446 00:27:28,440 --> 00:27:32,760 Speaker 1: given Christine Baranski energy, that's really the highest praise. And 447 00:27:32,800 --> 00:27:36,480 Speaker 1: this whole entire episode, the sixth Day of Culture, has 448 00:27:36,520 --> 00:27:39,920 Speaker 1: been a tribute to her. We love her so much 449 00:27:40,240 --> 00:27:44,600 Speaker 1: and we love her. This is you know, not a 450 00:27:44,640 --> 00:27:48,120 Speaker 1: lot of the days of Culture have been a little painful. 451 00:27:48,480 --> 00:27:52,240 Speaker 1: We've gotten angry. Well we we've had to acknowledge that 452 00:27:52,359 --> 00:27:55,520 Speaker 1: some of the days of culture like are not good memories, 453 00:27:55,560 --> 00:27:59,920 Speaker 1: like when we locked up Guillaine and I brought that 454 00:28:00,080 --> 00:28:03,760 Speaker 1: in And I'm sorry, but this has been maybe the 455 00:28:03,840 --> 00:28:08,080 Speaker 1: purest joyful episode of twel twel days of Culture so far. 456 00:28:08,400 --> 00:28:11,639 Speaker 1: We just love Galanne so much. I love christ all right, 457 00:28:12,160 --> 00:28:26,040 Speaker 1: And that's where we end and thank you cool, we 458 00:28:26,160 --> 00:28:26,720 Speaker 1: love you, kill,