1
00:00:01,000 --> 00:00:05,200
Speaker 1: Look man, oh I see you. Why look over there?

2
00:00:05,240 --> 00:00:12,600
Speaker 1: How is that culture? Yes? Goodness ding dong lost culture

3
00:00:12,720 --> 00:00:17,880
Speaker 1: raised us calling sorry, bone is feeling absolutely frisk a liska.

4
00:00:18,000 --> 00:00:22,600
Speaker 1: Today he started the countdown at five. It was so shocking,

5
00:00:22,800 --> 00:00:25,079
Speaker 1: So reader, we I usually start the countdown at three.

6
00:00:25,360 --> 00:00:30,120
Speaker 1: I think something. The energy is shifting in the world.

7
00:00:30,280 --> 00:00:33,879
Speaker 1: The poles have flipped. Something's going on. We're living in

8
00:00:33,880 --> 00:00:36,360
Speaker 1: as jas Man and Aladdin once said, a whole new world.

9
00:00:36,800 --> 00:00:39,120
Speaker 1: Something is shifting with the polls. Something's going on with

10
00:00:39,159 --> 00:00:43,440
Speaker 1: the polls. And well, oh my god, I just said polls.

11
00:00:43,479 --> 00:00:47,040
Speaker 1: And the trigger word that polls is sorry not to

12
00:00:47,040 --> 00:00:51,960
Speaker 1: take a hard ride into hell. But but that's the

13
00:00:52,000 --> 00:00:55,480
Speaker 1: way I felt when I said, that's hell and we're

14
00:00:55,520 --> 00:01:01,000
Speaker 1: going there. Okay, speaking of absolutely in hell, Nicole on

15
00:01:04,120 --> 00:01:06,400
Speaker 1: this woman is that she's in hell. I mean, I'm

16
00:01:06,440 --> 00:01:09,319
Speaker 1: doing Her husband is a killer, I know it, or

17
00:01:09,400 --> 00:01:12,880
Speaker 1: maybe her son for that matter, some someone in her

18
00:01:12,920 --> 00:01:16,880
Speaker 1: life is an absolute killer. And maybe it's Lili Rabe

19
00:01:16,959 --> 00:01:19,560
Speaker 1: is the killer. I think, well, you know that's pronounced

20
00:01:19,560 --> 00:01:24,000
Speaker 1: lily Rob. Lily Rob is the killer. Broccoli like broccoli Rob.

21
00:01:24,760 --> 00:01:27,400
Speaker 1: That's actually a real culture. It's it's a Real Culture

22
00:01:27,480 --> 00:01:31,520
Speaker 1: number fifty What but I forget nine. I was going

23
00:01:31,560 --> 00:01:37,320
Speaker 1: to say literally sister life hashtag. Um wait, so it's

24
00:01:37,360 --> 00:01:45,280
Speaker 1: it's Real fifty nine. It's Lily Rocco rob spelt like rape.

25
00:01:45,480 --> 00:01:48,720
Speaker 1: And then I tell you this is this is my uncle.

26
00:01:48,840 --> 00:01:51,240
Speaker 1: This is my blind spot is that this is my

27
00:01:51,280 --> 00:01:54,840
Speaker 1: first encounter with Lily Robin, like like a meaningful cultural

28
00:01:54,960 --> 00:01:56,880
Speaker 1: setting is she Where where else would I have known

29
00:01:56,880 --> 00:01:59,560
Speaker 1: her from? She's sort of been like the white lady

30
00:01:59,640 --> 00:02:02,040
Speaker 1: on all Ryan Murphy shows, you know what I mean,

31
00:02:02,240 --> 00:02:05,360
Speaker 1: Like our guest is giving us a look, she's gonna

32
00:02:05,400 --> 00:02:08,320
Speaker 1: look it up. She's gonna look it up. Um okay,

33
00:02:08,360 --> 00:02:11,640
Speaker 1: So literally the hi junks that are going on I'm

34
00:02:11,680 --> 00:02:13,320
Speaker 1: doing We'll have to talk more about it next week.

35
00:02:13,560 --> 00:02:15,880
Speaker 1: But can we also talk about the hi junks on Potomac?

36
00:02:16,160 --> 00:02:19,000
Speaker 1: We can talk about the hijinks on Potomac. Absolutely. Look,

37
00:02:19,480 --> 00:02:21,840
Speaker 1: I'm on no one's side. I think I'm on no

38
00:02:21,880 --> 00:02:27,200
Speaker 1: one's sign anymore. Um except for I mean, the only

39
00:02:27,240 --> 00:02:29,560
Speaker 1: person who's just like hanging back is Robin. No. But

40
00:02:29,600 --> 00:02:32,680
Speaker 1: even Robin is no. Robin is not hanging back, and

41
00:02:32,760 --> 00:02:37,080
Speaker 1: she doesn't hang back because Robin is Giselle light and

42
00:02:37,120 --> 00:02:43,960
Speaker 1: that's actually seventy robin robin light not including Karen in

43
00:02:44,000 --> 00:02:48,920
Speaker 1: the photos, really really mean, unnecessary trick and noticed that

44
00:02:49,040 --> 00:02:51,720
Speaker 1: Karen was completely unbothered about it. And when she said

45
00:02:51,720 --> 00:02:53,720
Speaker 1: thank you next and threw that hat on the floor,

46
00:02:53,960 --> 00:02:57,560
Speaker 1: I said, you better create that meme. Oh my god,

47
00:02:57,960 --> 00:03:01,000
Speaker 1: she didn't. I think there's a reason. Why was this

48
00:03:01,080 --> 00:03:02,720
Speaker 1: the first season in a while where Karen was at

49
00:03:02,720 --> 00:03:06,720
Speaker 1: the center in the in the title card, in the tableau. No,

50
00:03:06,800 --> 00:03:08,520
Speaker 1: I think she and Giselle are pretty much the stars

51
00:03:08,520 --> 00:03:10,320
Speaker 1: of the show, but I don't know for sure. I

52
00:03:10,400 --> 00:03:12,600
Speaker 1: let it hit me this episode. I was like, you

53
00:03:12,600 --> 00:03:14,240
Speaker 1: know what, she was the star of the season. I

54
00:03:14,240 --> 00:03:15,800
Speaker 1: know the whole I know, the whole season sort of

55
00:03:15,840 --> 00:03:18,960
Speaker 1: centers around like the inflection point is the barn the

56
00:03:19,000 --> 00:03:23,160
Speaker 1: wine barn fight. But Karen comes out looking the most pristine.

57
00:03:23,240 --> 00:03:25,799
Speaker 1: But you're saying you're not even on her side after this,

58
00:03:26,080 --> 00:03:31,200
Speaker 1: she's so Switzerland. Yeah, it's like it's a little weird.

59
00:03:31,320 --> 00:03:33,480
Speaker 1: But the fact, here's here's my take on the whole thing.

60
00:03:34,080 --> 00:03:40,160
Speaker 1: Was Monique wrong for literally dragging Candice, Yes, Candice filing

61
00:03:40,840 --> 00:03:43,360
Speaker 1: charges and saying she wants to pursue to the full

62
00:03:43,400 --> 00:03:46,160
Speaker 1: extent of the loss. She wants Monique in prison. This

63
00:03:46,160 --> 00:03:49,920
Speaker 1: woman has children, like, come on, they had a moment

64
00:03:49,960 --> 00:03:52,119
Speaker 1: in a wine bar, and who of us hasn't Who

65
00:03:52,160 --> 00:03:54,720
Speaker 1: of us hasn't had a moment in a wine bar? Really,

66
00:03:55,320 --> 00:03:58,000
Speaker 1: we shouldn't go to jail for it at the end

67
00:03:58,000 --> 00:04:01,840
Speaker 1: of the day. Candice Dillard Bassett supports the Car's Real stage.

68
00:04:01,920 --> 00:04:05,840
Speaker 1: I'm so sorry to say this, and I said it,

69
00:04:05,880 --> 00:04:08,720
Speaker 1: and I have as an NBC employee, I feel like

70
00:04:08,800 --> 00:04:11,880
Speaker 1: I have something to lose by saying that. You know,

71
00:04:11,920 --> 00:04:15,680
Speaker 1: the housewives are all over the streaming platform Peacock and

72
00:04:15,880 --> 00:04:18,320
Speaker 1: we love Peacock. And you want to know something, I

73
00:04:19,080 --> 00:04:22,680
Speaker 1: sprung for the premium no ads subscription because you know what,

74
00:04:23,279 --> 00:04:27,599
Speaker 1: I want to watch Peacock, no ads, no nothing. I

75
00:04:27,640 --> 00:04:32,600
Speaker 1: just want to watch, you know, uninterrupted raw Peacock raw.

76
00:04:33,200 --> 00:04:37,520
Speaker 1: You just wanted. He wanted to deliver its right to you.

77
00:04:37,520 --> 00:04:42,200
Speaker 1: You know, I feel like my one little quibble with Peacock,

78
00:04:42,240 --> 00:04:45,039
Speaker 1: And as an NBC employee, how dare you say quibble again?

79
00:04:45,080 --> 00:04:47,520
Speaker 1: Another trigger word for me after the fall of Quimby Wow,

80
00:04:47,560 --> 00:04:50,640
Speaker 1: I'm being try left and right boles. Quibbles go on

81
00:04:50,680 --> 00:04:54,360
Speaker 1: though we're just owned by these entertainment companies, some more

82
00:04:54,400 --> 00:04:57,120
Speaker 1: than others. The Apple TV remote, I mean, maybe this

83
00:04:57,200 --> 00:04:59,160
Speaker 1: is maybe this is on the Apple TV remote, but

84
00:04:59,200 --> 00:05:02,240
Speaker 1: the response her talking about her, she's holding it up

85
00:05:02,320 --> 00:05:05,080
Speaker 1: the Apple TV remote all over the damn place on Peacock.

86
00:05:05,320 --> 00:05:08,200
Speaker 1: Oh yeah, I don't know. I think it's both hardware

87
00:05:08,200 --> 00:05:10,600
Speaker 1: and software issue where they're not talking to each other,

88
00:05:10,600 --> 00:05:13,440
Speaker 1: they're both acting crazy. I find the Apple Remote to

89
00:05:13,480 --> 00:05:15,880
Speaker 1: be very overly sensitive. You feel this way, so so

90
00:05:15,960 --> 00:05:18,800
Speaker 1: I feel this way. But then the peacock if you

91
00:05:18,960 --> 00:05:22,960
Speaker 1: scrub across the bar so exponentially said, like the two

92
00:05:23,200 --> 00:05:27,480
Speaker 1: sort of like enable each other to be very sensitive. Right.

93
00:05:27,720 --> 00:05:30,640
Speaker 1: And you know, I've been watching some old Dirty Rock

94
00:05:30,680 --> 00:05:33,080
Speaker 1: episodes and I and I'll jump from one like you

95
00:05:34,120 --> 00:05:36,919
Speaker 1: like you do. It'll go from act one into the

96
00:05:37,000 --> 00:05:41,080
Speaker 1: damn tag after I just you know, oh that's filthy.

97
00:05:41,400 --> 00:05:43,839
Speaker 1: Can't have that. But here's the thing, because I know

98
00:05:43,880 --> 00:05:46,279
Speaker 1: what's going to happen with you Bowen, and I'm holding

99
00:05:46,279 --> 00:05:48,640
Speaker 1: myself back. We'll say you know who's on Peacock, and

100
00:05:48,640 --> 00:05:50,839
Speaker 1: then we'll transition into the guests. But before we do that,

101
00:05:50,880 --> 00:05:54,040
Speaker 1: I just want to address a really important item of business. Yes,

102
00:05:54,320 --> 00:05:56,440
Speaker 1: do you want to take this opportunity to apologize to

103
00:05:56,520 --> 00:06:01,480
Speaker 1: Doja Cat. Absolutely, I apologize to Doja Cat for riling

104
00:06:01,600 --> 00:06:06,000
Speaker 1: up her base, although the stand culture around Dojakat is

105
00:06:06,640 --> 00:06:10,520
Speaker 1: fucking wild and I will not ever apologize to those people.

106
00:06:11,040 --> 00:06:14,000
Speaker 1: Does that make sense. I'm separating the artist from this standum,

107
00:06:14,000 --> 00:06:16,480
Speaker 1: which is different from art from the artist. At this point,

108
00:06:16,520 --> 00:06:19,880
Speaker 1: I'm coupling the art with the artist, Okay, And for sure,

109
00:06:20,320 --> 00:06:22,840
Speaker 1: I'm really interested in I'm really interested in everything you're saying.

110
00:06:22,880 --> 00:06:25,120
Speaker 1: But also I'm very interested in the two gallons of

111
00:06:25,200 --> 00:06:29,240
Speaker 1: water that our guests just took to the head. Yes, hydration.

112
00:06:29,640 --> 00:06:33,480
Speaker 1: Having worked with our guests and very briefly, I feel

113
00:06:33,480 --> 00:06:36,640
Speaker 1: like I've seen her with She's a very hydrated person.

114
00:06:37,040 --> 00:06:40,360
Speaker 1: I love that. I think it's so important to be hydrated. Babe,

115
00:06:40,520 --> 00:06:42,960
Speaker 1: I don't do it in the I don't, Babe, I don't.

116
00:06:42,960 --> 00:06:45,640
Speaker 1: I don't stay hydrated. If you stay hydrated, you don't

117
00:06:45,680 --> 00:06:50,800
Speaker 1: need to get hydrated. And that's my Real Housewives tagline,

118
00:06:51,240 --> 00:06:55,080
Speaker 1: and no one knows why because you you you have

119
00:06:55,120 --> 00:06:58,080
Speaker 1: a plumbing empire. Wait, just kidding, do you actually know

120
00:06:58,160 --> 00:06:59,920
Speaker 1: my real tagline? I know you're no, no, no, never

121
00:07:00,080 --> 00:07:03,240
Speaker 1: remind me, remind me. Sorry, it's this. I'm a triple threat.

122
00:07:03,480 --> 00:07:06,080
Speaker 1: I'm coming to your house, I'm sucking your husband, and

123
00:07:06,080 --> 00:07:11,640
Speaker 1: I'm eating your snacks. So you know what Peacock reminds

124
00:07:11,680 --> 00:07:16,520
Speaker 1: me of. Peacock reminds me of our guests. Our frankly

125
00:07:16,640 --> 00:07:20,720
Speaker 1: is the star of Peacock. Quite frankly, Look, I mean,

126
00:07:21,280 --> 00:07:25,080
Speaker 1: I feel like you go to Peacock and the thing

127
00:07:25,200 --> 00:07:29,800
Speaker 1: that draws you in is that our guests beaming face.

128
00:07:30,240 --> 00:07:32,720
Speaker 1: You're not going for season two of Housewives of Dallas.

129
00:07:32,800 --> 00:07:35,760
Speaker 1: I'll tell you that you're going for the very much

130
00:07:35,840 --> 00:07:39,800
Speaker 1: on right now Amber Ruffin Show, or the Amber Ruffin

131
00:07:39,840 --> 00:07:43,640
Speaker 1: Show as stylized capitalized first letter in every word of that. Now.

132
00:07:44,360 --> 00:07:46,840
Speaker 1: I don't mean to sort of give away the guest identity,

133
00:07:46,880 --> 00:07:48,360
Speaker 1: because you know we love to keep that on lock.

134
00:07:48,960 --> 00:07:51,280
Speaker 1: But b before we sort of bring the guests into

135
00:07:51,400 --> 00:07:54,760
Speaker 1: much pomp and circumstances, great fanfare, as they would sort

136
00:07:54,760 --> 00:07:57,960
Speaker 1: of if she were part of the royal family. Um,

137
00:07:58,000 --> 00:08:01,040
Speaker 1: just describe sort of the guy impact on the culture,

138
00:08:01,080 --> 00:08:04,560
Speaker 1: what other credits the guests impact on the culture is

139
00:08:04,920 --> 00:08:10,280
Speaker 1: truly huge, a truly huge. You know her to write

140
00:08:10,320 --> 00:08:14,480
Speaker 1: her on Late Night with Seth Myers as a as

141
00:08:14,480 --> 00:08:18,440
Speaker 1: an iconic narrator on drunk History Right on Detroit Ter's

142
00:08:18,840 --> 00:08:22,320
Speaker 1: Luck Lady Sketch Show saved Hello, Robin, she don't listen

143
00:08:22,360 --> 00:08:24,200
Speaker 1: to this, Robin will listen to us. I asked her

144
00:08:24,200 --> 00:08:25,400
Speaker 1: to come on. She was like, everyone asked me to

145
00:08:25,400 --> 00:08:28,080
Speaker 1: come on their podcast. I'm like, you're coming on my podcast. Look,

146
00:08:28,720 --> 00:08:32,000
Speaker 1: she might Robin, she might do it. She might do it,

147
00:08:32,120 --> 00:08:35,040
Speaker 1: don't I'll text her. She's a good text her. We're

148
00:08:35,040 --> 00:08:36,680
Speaker 1: not we're not we're not talking about we're not talking about,

149
00:08:36,920 --> 00:08:39,880
Speaker 1: but we're not talking about her. Robin did recently tag

150
00:08:40,040 --> 00:08:43,120
Speaker 1: on to Our Guests Show. She she's a quick little

151
00:08:43,120 --> 00:08:45,160
Speaker 1: greeting at the end of an episode of Our Guest Show,

152
00:08:45,200 --> 00:08:47,120
Speaker 1: and we love that, and also we love that this

153
00:08:47,160 --> 00:08:50,880
Speaker 1: actually reminds me about our guest iconic Watch What Happens

154
00:08:50,880 --> 00:08:55,680
Speaker 1: Live Bartender. Oh yes, the poses. She was on the

155
00:08:55,679 --> 00:08:59,079
Speaker 1: episode with Issa and the aforementioned Robin. But listen, I

156
00:08:59,120 --> 00:09:00,920
Speaker 1: feel like we've I feel I feel we've we've talked

157
00:09:01,040 --> 00:09:02,400
Speaker 1: just too much and we need to bring the guests

158
00:09:02,400 --> 00:09:04,640
Speaker 1: in because it's just too exciting. It's just too exciting.

159
00:09:04,679 --> 00:09:07,400
Speaker 1: We're so excited to have her. We love her so much,

160
00:09:07,520 --> 00:09:16,800
Speaker 1: every welcome ever. It's such a moment. It's such a

161
00:09:16,880 --> 00:09:19,880
Speaker 1: Herra moment. Do you have any thoughts to contribute to

162
00:09:19,880 --> 00:09:24,280
Speaker 1: the Undoing? To Potomac, I saw you nodding very very enthusiastically.

163
00:09:24,600 --> 00:09:26,920
Speaker 1: My husband and I are watching the undoing. We call

164
00:09:26,960 --> 00:09:34,880
Speaker 1: it the undoing undoing, and I do think the little

165
00:09:35,080 --> 00:09:38,959
Speaker 1: baby did it. It's crazy that that's where we're at.

166
00:09:40,000 --> 00:09:42,760
Speaker 1: Since the beginning, my husband she said no right now.

167
00:09:42,880 --> 00:09:46,120
Speaker 1: Ever since the beginning, my husband said, um that Nicole

168
00:09:46,200 --> 00:09:48,840
Speaker 1: Kimman did it. But I will tell you this, after

169
00:09:49,160 --> 00:09:52,520
Speaker 1: two episodes ago, I think my husband and I get

170
00:09:52,600 --> 00:09:54,600
Speaker 1: really really close to each other's face and we go

171
00:09:55,000 --> 00:10:01,040
Speaker 1: I create mock. That's what I do know is killing it.

172
00:10:02,280 --> 00:10:05,480
Speaker 1: I love that lady she is and let me tell you,

173
00:10:05,559 --> 00:10:09,240
Speaker 1: she is taking it the most seriously like you need to.

174
00:10:09,760 --> 00:10:12,400
Speaker 1: And Nicole too. They're taking it so seriously. And meanwhile,

175
00:10:12,559 --> 00:10:15,719
Speaker 1: the it's a drag show and that's what you like it.

176
00:10:15,720 --> 00:10:18,640
Speaker 1: It's a drag event like drag Race is not on.

177
00:10:18,720 --> 00:10:21,440
Speaker 1: So we have undoing. The waits, the coats at all,

178
00:10:22,120 --> 00:10:28,520
Speaker 1: the courtroom scenes are chaos. Everything is so big. Any

179
00:10:28,559 --> 00:10:31,600
Speaker 1: one of those people could be on a comedy and

180
00:10:31,640 --> 00:10:35,400
Speaker 1: you'd be like, yeah, it's big if it if it

181
00:10:35,440 --> 00:10:39,720
Speaker 1: had the thirty rock soundtrack, it would just be thirty. Yes.

182
00:10:41,880 --> 00:10:44,320
Speaker 1: It was like, there's Nicole, like, I'm telling you the

183
00:10:44,360 --> 00:10:47,000
Speaker 1: finale is going to be the equivalent of a death drop.

184
00:10:47,520 --> 00:10:51,959
Speaker 1: It is gonna be. But you think the sun. You

185
00:10:52,280 --> 00:10:54,560
Speaker 1: think the sun. As a result of the sort of reveal,

186
00:10:54,840 --> 00:10:57,800
Speaker 1: thought the sun for quite some time. My husband holds

187
00:10:57,800 --> 00:11:00,920
Speaker 1: fast on the wife. I think that. Oh boy, sorry,

188
00:11:01,120 --> 00:11:03,760
Speaker 1: I've been saying it's the kid all along, Little Noah,

189
00:11:04,080 --> 00:11:07,680
Speaker 1: you think that's it's as simple as spoiler alert, y'all.

190
00:11:08,120 --> 00:11:12,240
Speaker 1: The murder weapon has been found by Nicole in the

191
00:11:12,320 --> 00:11:15,240
Speaker 1: little boy's violin case, and you think it's that simple

192
00:11:15,280 --> 00:11:19,120
Speaker 1: he did it? Well, no, we're on the fiftieth episode.

193
00:11:19,360 --> 00:11:23,800
Speaker 1: Somebody better do something. It's the baby. It's time I've

194
00:11:23,840 --> 00:11:27,920
Speaker 1: had it. Or the husband just hit her once with

195
00:11:28,000 --> 00:11:30,280
Speaker 1: a hammer, he sucked her, hit her once you put

196
00:11:30,280 --> 00:11:33,320
Speaker 1: it down. She's kind of fine, and the wife shows up.

197
00:11:33,720 --> 00:11:35,520
Speaker 1: She picked up him and she hit her again. Okay,

198
00:11:35,559 --> 00:11:38,640
Speaker 1: now she's hurting. Okay, man, the little boy came and

199
00:11:38,679 --> 00:11:44,480
Speaker 1: you finished her off. The orient Express moment where where

200
00:11:44,480 --> 00:11:49,640
Speaker 1: everyone's killer body killed her a little bit. That theory

201
00:11:49,679 --> 00:11:51,760
Speaker 1: so to be so because you know, if well, I'll

202
00:11:51,760 --> 00:11:54,280
Speaker 1: say this, if they cut to one more shot out

203
00:11:54,280 --> 00:11:57,920
Speaker 1: of nowhere of her smushed head, I know too much,

204
00:11:58,240 --> 00:12:03,400
Speaker 1: too damn much amount s gratuitous and talk about because

205
00:12:03,400 --> 00:12:07,520
Speaker 1: you just took his leg. Talk about your hydration situation. Hi,

206
00:12:08,280 --> 00:12:10,200
Speaker 1: I like to drink out of a giant jug of

207
00:12:10,240 --> 00:12:13,880
Speaker 1: water at all times. At work it's a smaller jug

208
00:12:13,960 --> 00:12:16,120
Speaker 1: of water. At home it's one of these big things.

209
00:12:16,400 --> 00:12:19,520
Speaker 1: And I like to pretend that I am a bodybuilder

210
00:12:19,920 --> 00:12:22,600
Speaker 1: because they have to drink a gallon of water day

211
00:12:22,640 --> 00:12:26,400
Speaker 1: something like that. Absolutely, I'm a real strong guy. You're

212
00:12:26,400 --> 00:12:28,560
Speaker 1: a real strong guy. Why is it different at work

213
00:12:28,559 --> 00:12:30,800
Speaker 1: then at home or is it sort of like at

214
00:12:30,840 --> 00:12:32,960
Speaker 1: home there's no rules for you. You set your own rules,

215
00:12:33,000 --> 00:12:35,439
Speaker 1: so you can drink as as big a jug as

216
00:12:35,559 --> 00:12:39,160
Speaker 1: you like. Yes, at home, I'm not worried about looking

217
00:12:39,320 --> 00:12:43,720
Speaker 1: like a fool. So at work they have that super cold,

218
00:12:43,800 --> 00:12:46,560
Speaker 1: really nice water. You gotta put it in your little

219
00:12:46,600 --> 00:12:49,920
Speaker 1: coopy thing. I do that. You're talking about the Saratoga

220
00:12:50,080 --> 00:12:52,040
Speaker 1: What are you talking about the Saratoga Springs water? No,

221
00:12:52,120 --> 00:12:53,400
Speaker 1: no, no no, no, you're just talking about the water that

222
00:12:53,400 --> 00:12:59,560
Speaker 1: comes out of the fountains, that machine thing I got you, Yes, yes, yes,

223
00:12:59,600 --> 00:13:03,640
Speaker 1: I love Bowing and his brand name water. Then d

224
00:13:03,880 --> 00:13:08,880
Speaker 1: n C fool You are centrists, you really are. Crist

225
00:13:09,679 --> 00:13:14,040
Speaker 1: and I work in the same on the same floor. Yeah, yeah,

226
00:13:14,720 --> 00:13:17,560
Speaker 1: do you ever run into one another or or sort

227
00:13:17,559 --> 00:13:20,960
Speaker 1: of the pandemic making that crazy? No, we were. We've

228
00:13:21,000 --> 00:13:24,360
Speaker 1: had a couple runnings this year. Really, yes, and now

229
00:13:24,920 --> 00:13:35,040
Speaker 1: we took over NBC Sports. They'll never come back NBC Sports.

230
00:13:35,120 --> 00:13:38,840
Speaker 1: They shouldn't be in dirty records. They have no business there.

231
00:13:39,040 --> 00:13:42,920
Speaker 1: There's like you in that entire office all of the time.

232
00:13:43,200 --> 00:13:47,000
Speaker 1: Now it's full of folks. It is a bangamin, I

233
00:13:47,040 --> 00:13:49,960
Speaker 1: have enough people, you do? Is it on Is it

234
00:13:50,000 --> 00:13:53,640
Speaker 1: on eight B eighth floor. Yeah, it's in between Seth

235
00:13:53,720 --> 00:14:00,400
Speaker 1: Meyers and NBC Sports, So that should be all Seth

236
00:14:00,440 --> 00:14:04,480
Speaker 1: Myers and Ruff and show. Anyway, you're coming in hot

237
00:14:04,520 --> 00:14:09,520
Speaker 1: with this. I hope NBC Sports withers and dies. I

238
00:14:09,520 --> 00:14:13,080
Speaker 1: am not saying that they I hope they die. I'm saying,

239
00:14:13,400 --> 00:14:16,640
Speaker 1: ain't nobody ever in that building they all work at.

240
00:14:16,840 --> 00:14:20,040
Speaker 1: There's a Connecticut office, so it comes down here. They

241
00:14:20,040 --> 00:14:22,520
Speaker 1: live in Connecticut. There's the thing. I can people come

242
00:14:22,560 --> 00:14:25,760
Speaker 1: now here anyway? That's not nice. God, you're right, thank

243
00:14:25,760 --> 00:14:29,680
Speaker 1: you for clarifying. Thank you. Okay, I wish you can

244
00:14:29,800 --> 00:14:32,760
Speaker 1: run into you guys in the hallway. Maybe one of

245
00:14:32,800 --> 00:14:34,840
Speaker 1: these days I'll get a job as a janitor. This

246
00:14:34,920 --> 00:14:39,440
Speaker 1: is the ultimate hallway running. So I have a question

247
00:14:39,640 --> 00:14:42,560
Speaker 1: sort of because it's such a wacky floor. You know,

248
00:14:42,600 --> 00:14:47,520
Speaker 1: everyone everyone there is so wacky, do sketch variety, etcetera. Um,

249
00:14:48,120 --> 00:14:50,800
Speaker 1: is there sort of pranks going on? Like is there

250
00:14:50,880 --> 00:14:54,320
Speaker 1: the old banana peel slip? Like? So I'm sort of

251
00:14:54,480 --> 00:14:58,240
Speaker 1: I'm sort of curious, like the sort of wacky antics

252
00:14:58,280 --> 00:15:01,840
Speaker 1: that happens. Yeah. Yeah, especially now with the pandemic, it's

253
00:15:01,840 --> 00:15:04,360
Speaker 1: like the stakes are even higher. So like sometimes I'll

254
00:15:04,680 --> 00:15:07,640
Speaker 1: pick up a handful of almonds from one crafty table

255
00:15:07,680 --> 00:15:10,120
Speaker 1: and then sort of sprinkle it on the sub myer's

256
00:15:10,280 --> 00:15:20,280
Speaker 1: crafty table. No, now you have HEPSI like that kind

257
00:15:20,280 --> 00:15:23,120
Speaker 1: of prank, Yeah, because I thought it was going to

258
00:15:23,200 --> 00:15:27,520
Speaker 1: be COVID, but it's hepsy. No. That's that's the big switch.

259
00:15:27,720 --> 00:15:30,040
Speaker 1: That's the sort of what they call the bait and switch.

260
00:15:31,520 --> 00:15:36,720
Speaker 1: You understand. I have to say your show is really

261
00:15:36,760 --> 00:15:42,600
Speaker 1: fucking good Amber. It is so so funny, it's so smart,

262
00:15:42,720 --> 00:15:46,080
Speaker 1: it's so saying it, you know what I mean, like

263
00:15:46,120 --> 00:15:48,120
Speaker 1: what I appreciate about it. But when and I were

264
00:15:48,160 --> 00:15:51,040
Speaker 1: talking about it the other day, like it's really just

265
00:15:51,640 --> 00:15:55,000
Speaker 1: it's it's not just like a show that like pass perspective.

266
00:15:55,080 --> 00:15:58,480
Speaker 1: It's a show that has perspective and it's saying what

267
00:15:58,560 --> 00:16:01,680
Speaker 1: it is. And you know, we're in this We're in

268
00:16:01,680 --> 00:16:03,960
Speaker 1: a sort of era right now where I'm just gonna say,

269
00:16:04,080 --> 00:16:05,800
Speaker 1: you know, there's a lot of late night shows that

270
00:16:05,840 --> 00:16:09,440
Speaker 1: are pretty toothless and this is just like and you've

271
00:16:09,440 --> 00:16:12,440
Speaker 1: got incredible writers. I mean, we know all of them,

272
00:16:12,480 --> 00:16:15,360
Speaker 1: but we love it. It's so good. Thank you. It's

273
00:16:15,560 --> 00:16:20,640
Speaker 1: very very very fun. I mean, nuts, it looks fun

274
00:16:20,760 --> 00:16:23,880
Speaker 1: by myself. Ain't nobody even here. I'm having I'm making

275
00:16:24,400 --> 00:16:29,000
Speaker 1: you and Terek. Me and Terek are a party and

276
00:16:29,040 --> 00:16:31,600
Speaker 1: have always been and there, but there are no writers.

277
00:16:31,720 --> 00:16:34,760
Speaker 1: Jenny doesn't come. And then we've got Dwayne Perkin Sintia

278
00:16:34,840 --> 00:16:39,600
Speaker 1: Jackson and they're in l A. Oh my gosh, they

279
00:16:40,040 --> 00:16:42,800
Speaker 1: truly are. DEMI was dancing on cars in l A

280
00:16:42,880 --> 00:16:45,760
Speaker 1: and became like a little meme. Did you see him? Yes,

281
00:16:45,880 --> 00:16:50,520
Speaker 1: Mariah Carry retweeted it. I could see that because they

282
00:16:50,520 --> 00:16:54,000
Speaker 1: did All I Want for Christmas. Yes, okay, Demi is

283
00:16:54,000 --> 00:16:57,200
Speaker 1: absolutely iconic. Demi I just want to say, is is

284
00:16:57,240 --> 00:17:00,040
Speaker 1: a queen of the Straits and he reigns as on

285
00:17:00,200 --> 00:17:02,600
Speaker 1: early gay as because he won my show Game Show

286
00:17:02,600 --> 00:17:08,320
Speaker 1: on quimby Plug. Also has like really like fun queer

287
00:17:08,520 --> 00:17:11,840
Speaker 1: adjacent taste to like he likes, he likes the stuff

288
00:17:11,880 --> 00:17:13,560
Speaker 1: that you would think is just for the gays, but

289
00:17:13,640 --> 00:17:16,679
Speaker 1: he has such a broad sort of palette for that

290
00:17:16,760 --> 00:17:21,840
Speaker 1: kind of thing. Yeah, you can't threaten Demi's masculinity. He

291
00:17:21,880 --> 00:17:27,159
Speaker 1: doesn't rip feels like doing. I love it. You filled

292
00:17:27,200 --> 00:17:31,880
Speaker 1: that room with queers and queer adjacent's. I mean, yeah,

293
00:17:32,200 --> 00:17:38,879
Speaker 1: that's Jantira and Dewayne. And as we've said, Demi, Demi

294
00:17:39,000 --> 00:17:42,680
Speaker 1: is basically as an honorary he is the Queen of

295
00:17:42,680 --> 00:17:46,720
Speaker 1: the Straits. We have had Dwayne on and Dwayne's culture

296
00:17:46,760 --> 00:17:49,000
Speaker 1: that made him say culture was for him was the

297
00:17:49,040 --> 00:17:52,399
Speaker 1: Power Rangers, and we realized that this is actually a

298
00:17:52,480 --> 00:17:56,840
Speaker 1: very gay thing. Oh yeah, love for the Power Rangers.

299
00:17:56,880 --> 00:18:01,640
Speaker 1: Like to sort of announce your you know what I mean,

300
00:18:01,720 --> 00:18:05,800
Speaker 1: Like I'm a color now, I'm a color you know

301
00:18:05,840 --> 00:18:09,920
Speaker 1: what I mean, Like that's very like sort of gay.

302
00:18:10,440 --> 00:18:13,080
Speaker 1: I love it. I love it, And so I did

303
00:18:13,080 --> 00:18:17,040
Speaker 1: watch that movie. Yeah, I love action movie. I don't

304
00:18:17,040 --> 00:18:19,320
Speaker 1: care what it is. I don't care. I'm watching it.

305
00:18:19,600 --> 00:18:23,879
Speaker 1: Did you blow something up? I mean, the highlight of

306
00:18:23,920 --> 00:18:26,720
Speaker 1: the year is usually when that big old action movie

307
00:18:26,720 --> 00:18:29,119
Speaker 1: comes out. You can even see me buying a ticket

308
00:18:29,119 --> 00:18:34,679
Speaker 1: to a Transformer. Yeah, oh I'll go. I'll very much go. Yeah, definitely,

309
00:18:35,000 --> 00:18:36,800
Speaker 1: I want to say it. I'm playing the Spider Man

310
00:18:36,880 --> 00:18:40,880
Speaker 1: game right now, and it's just so fun because it's

311
00:18:40,880 --> 00:18:43,159
Speaker 1: a movie that you get to sort of like control.

312
00:18:44,040 --> 00:18:47,439
Speaker 1: Isn't that cool? And yeah, it's such so fun. It

313
00:18:47,520 --> 00:18:49,600
Speaker 1: does sounds and it does sound so fun. I want

314
00:18:49,600 --> 00:18:52,640
Speaker 1: to get back to this because Matt. Matt put out

315
00:18:52,720 --> 00:18:55,240
Speaker 1: something very interesting saying, a lot of these late night

316
00:18:55,320 --> 00:18:58,439
Speaker 1: shows are toothless. We're not going to name names, but

317
00:18:58,480 --> 00:19:00,560
Speaker 1: I feel like I feel like you are. You are

318
00:19:00,600 --> 00:19:03,639
Speaker 1: aware of this, Amber because I think you've said in interview,

319
00:19:03,640 --> 00:19:05,800
Speaker 1: is that like other late night shows seem to just

320
00:19:05,880 --> 00:19:09,320
Speaker 1: replay what's happened in some way, And I don't think

321
00:19:09,320 --> 00:19:12,720
Speaker 1: you're You're not even like playing clips of like a

322
00:19:12,760 --> 00:19:15,920
Speaker 1: press conference or anything. You're just I mean the things

323
00:19:15,960 --> 00:19:18,040
Speaker 1: that punch the most, that hit the hardest, or like

324
00:19:18,119 --> 00:19:21,359
Speaker 1: things where you're just addressing the camera and it feels

325
00:19:21,400 --> 00:19:24,320
Speaker 1: very set too. Yeah, I want to talk about who

326
00:19:24,359 --> 00:19:26,919
Speaker 1: said what crazy thing? I want to call the crazy

327
00:19:26,960 --> 00:19:29,440
Speaker 1: thing they said crazy, And then I want to say

328
00:19:29,560 --> 00:19:32,080
Speaker 1: it made me feel bad? Yeah, and no one is

329
00:19:32,119 --> 00:19:35,320
Speaker 1: doing that. They can't say this made me feel bad.

330
00:19:35,400 --> 00:19:39,120
Speaker 1: But you're not of this marginalized group, are you? Sod

331
00:19:40,320 --> 00:19:43,600
Speaker 1: so like, and I think it's healthy, and I think

332
00:19:43,600 --> 00:19:45,959
Speaker 1: it's good for us to be like, I feel like

333
00:19:45,960 --> 00:19:50,040
Speaker 1: ship because this guy in charge doesn't think anything of me, Like,

334
00:19:50,160 --> 00:19:52,879
Speaker 1: I think it's okay to say that for sure. And

335
00:19:52,960 --> 00:19:54,880
Speaker 1: then and then on the flip side, it's like when

336
00:19:55,960 --> 00:19:59,679
Speaker 1: the race was called, Like the whole episode after that

337
00:19:59,760 --> 00:20:02,600
Speaker 1: way is just you guys just being so joyful about

338
00:20:02,640 --> 00:20:04,760
Speaker 1: it and and be like we're so happy. But then like

339
00:20:04,960 --> 00:20:07,280
Speaker 1: we're really seeing other late night shows do that, is it?

340
00:20:07,320 --> 00:20:10,320
Speaker 1: Because and like maybe it is because you know, the

341
00:20:10,440 --> 00:20:13,480
Speaker 1: white dudes who are like are able to be passively

342
00:20:13,480 --> 00:20:16,080
Speaker 1: observing of what's going on and be like, oh cool,

343
00:20:16,160 --> 00:20:18,880
Speaker 1: like this is what happened today and we're not gonna

344
00:20:18,960 --> 00:20:23,800
Speaker 1: layer on top any sort of commentary. I think that

345
00:20:23,800 --> 00:20:27,280
Speaker 1: that is absolutely true. I also think that people like

346
00:20:27,359 --> 00:20:32,440
Speaker 1: I'm just starting to get hate, and I think those

347
00:20:32,480 --> 00:20:37,080
Speaker 1: people receive hate twenty four seven their whole careers and

348
00:20:37,119 --> 00:20:38,800
Speaker 1: have for years and years, and they're a little bit

349
00:20:38,840 --> 00:20:43,120
Speaker 1: sensitive to it. But I don't. I haven't had enough

350
00:20:43,160 --> 00:20:46,200
Speaker 1: hate for it to color what I choose to say

351
00:20:46,280 --> 00:20:49,280
Speaker 1: and not say. I was like, let's dance is great.

352
00:20:49,320 --> 00:20:53,560
Speaker 1: I don't give a rip. I don't give a rip

353
00:20:53,680 --> 00:20:58,000
Speaker 1: might be from I also think there might be something

354
00:20:58,040 --> 00:21:01,040
Speaker 1: too when I, like I was watching and I was

355
00:21:01,080 --> 00:21:04,040
Speaker 1: just like, yeah, like we're just like jumping in with

356
00:21:04,160 --> 00:21:06,840
Speaker 1: this is garbage, and like you don't And I love

357
00:21:06,880 --> 00:21:08,800
Speaker 1: when you said, like you don't have to accept this,

358
00:21:09,200 --> 00:21:11,800
Speaker 1: Like you don't have to like like make room for

359
00:21:11,880 --> 00:21:15,600
Speaker 1: these people that have believed in and supported this harmful, toxic,

360
00:21:15,800 --> 00:21:19,639
Speaker 1: racist fill in the blank words here, um. And I

361
00:21:19,680 --> 00:21:22,160
Speaker 1: also think I was wondering to myself, like I wonder

362
00:21:22,160 --> 00:21:24,120
Speaker 1: if there's just something to the fact that a lot

363
00:21:24,160 --> 00:21:26,160
Speaker 1: of these white dudes who have been on the air

364
00:21:26,240 --> 00:21:29,679
Speaker 1: for years and years are just like too desensitized to

365
00:21:29,720 --> 00:21:32,880
Speaker 1: what's happening to be able to call this out anymore,

366
00:21:33,320 --> 00:21:35,600
Speaker 1: Like it's like they have to do these shows, many

367
00:21:35,640 --> 00:21:40,040
Speaker 1: of them every day, every weekday to be fair, um,

368
00:21:40,920 --> 00:21:44,440
Speaker 1: and they they just can't really like just all of

369
00:21:44,520 --> 00:21:46,960
Speaker 1: a sudden jump in with like wait wait wait, no,

370
00:21:47,119 --> 00:21:50,120
Speaker 1: this is insane because they have to like keep up

371
00:21:50,119 --> 00:21:54,920
Speaker 1: this decorum or they just actually aren't able to process

372
00:21:55,000 --> 00:21:58,200
Speaker 1: the immediacy of what's happening because they're not starting like

373
00:21:58,440 --> 00:22:02,520
Speaker 1: right now like you, and they also and have your perspective. Yeah,

374
00:22:02,560 --> 00:22:04,520
Speaker 1: and I think there's a lot of I think that's true,

375
00:22:04,560 --> 00:22:06,920
Speaker 1: and I think a certain behavior is expected of them.

376
00:22:07,359 --> 00:22:10,080
Speaker 1: I think they're a lot of times, they're expected to

377
00:22:10,080 --> 00:22:13,359
Speaker 1: take the high road. They are under the thumb of

378
00:22:13,440 --> 00:22:16,800
Speaker 1: the network a lot of times, whereas no one cares

379
00:22:16,840 --> 00:22:20,840
Speaker 1: what I do or say. Is that true? Do they are?

380
00:22:20,840 --> 00:22:24,359
Speaker 1: They kind of just like, do you well because I

381
00:22:24,480 --> 00:22:28,320
Speaker 1: got the show after saying all kinds of crazy stuff.

382
00:22:29,400 --> 00:22:32,320
Speaker 1: I think that was what they wanted. And I like

383
00:22:32,400 --> 00:22:36,920
Speaker 1: to say that so I get to really, I really

384
00:22:36,960 --> 00:22:39,480
Speaker 1: get to go in on it. They looked at the

385
00:22:39,480 --> 00:22:44,159
Speaker 1: menu and said, we're ordering ember Ruffian for the entree.

386
00:22:45,119 --> 00:22:49,480
Speaker 1: They went to Peacock Restaurant and they got the special.

387
00:22:49,880 --> 00:22:53,240
Speaker 1: They got the special. All oh, yikes, yeah. I am

388
00:22:53,359 --> 00:22:55,919
Speaker 1: waiting for them to be like, you can't be acting

389
00:22:56,000 --> 00:22:59,000
Speaker 1: like this, but I did say all the less was

390
00:22:59,040 --> 00:23:04,200
Speaker 1: what I said, and I'm not saying burn it all down. Yea, yeah, yeah, yeah.

391
00:23:05,320 --> 00:23:07,800
Speaker 1: So we'll see if I ever get in trouble, if

392
00:23:07,840 --> 00:23:11,560
Speaker 1: I do, maybe text us you should text us. I'll

393
00:23:11,560 --> 00:23:15,640
Speaker 1: text you the line text us text us every day

394
00:23:15,640 --> 00:23:19,240
Speaker 1: with an update whether they've said it or not. And also, okay,

395
00:23:19,320 --> 00:23:21,320
Speaker 1: can I also say one of my favorite bits that

396
00:23:21,359 --> 00:23:23,720
Speaker 1: you did, because it really not to say I was

397
00:23:23,760 --> 00:23:27,640
Speaker 1: triggered again, but when you did your bid on PT cruisers,

398
00:23:28,920 --> 00:23:32,720
Speaker 1: I was like, it's true, this car is crazy, and

399
00:23:33,000 --> 00:23:37,560
Speaker 1: I have to come out as being someone who, as

400
00:23:37,600 --> 00:23:45,000
Speaker 1: a little boy collected little collectible cruisers I had, like Bernie,

401
00:23:45,520 --> 00:23:49,040
Speaker 1: I don't know. I just thought they were like a

402
00:23:49,119 --> 00:23:59,119
Speaker 1: cute I am without answers, I'm w a without answers.

403
00:23:59,160 --> 00:24:02,160
Speaker 1: But when you were in the PC Cruiser content, I

404
00:24:02,200 --> 00:24:06,159
Speaker 1: was like, you're right, this carse crazy. I think that

405
00:24:06,280 --> 00:24:09,359
Speaker 1: was your sensing that this shouldn't be and then you

406
00:24:09,400 --> 00:24:12,760
Speaker 1: like that, yeah, like this isn't right. Like if a

407
00:24:12,800 --> 00:24:14,959
Speaker 1: bear could fly, you'd be like, I'm obsessed with this

408
00:24:15,040 --> 00:24:18,200
Speaker 1: bear because it's really able to fly. I guess pet Cruiser,

409
00:24:18,280 --> 00:24:20,640
Speaker 1: as far as automobiles go, is kind of a queer

410
00:24:20,640 --> 00:24:24,800
Speaker 1: car because it's like it's it's like there's something there's

411
00:24:24,800 --> 00:24:27,840
Speaker 1: something different about this. It's like it's it's it's sort

412
00:24:27,880 --> 00:24:35,920
Speaker 1: of personality first. Personality first. Yeah, it's sort of got

413
00:24:35,960 --> 00:24:42,200
Speaker 1: its own vibe. And the personality is um, goofa loofa.

414
00:24:42,320 --> 00:24:43,920
Speaker 1: I was gonna say, I was, I feel like there's

415
00:24:43,920 --> 00:24:50,040
Speaker 1: something hostile about PT cruisers. It's like they're like no, no,

416
00:24:50,320 --> 00:24:54,400
Speaker 1: I feel like remember those Scion the Scion cars. Exactly

417
00:24:54,480 --> 00:24:58,640
Speaker 1: what it makes me think of, Yes Scion, the Kia Soul. Yes,

418
00:25:00,720 --> 00:25:04,240
Speaker 1: T Cruiser seemed like aggressive to me, whereas the Scions

419
00:25:04,240 --> 00:25:07,680
Speaker 1: were like harmless and like quirky. I don't know, that's

420
00:25:07,720 --> 00:25:10,560
Speaker 1: just maybe the word cruiser was going along way with me.

421
00:25:10,600 --> 00:25:13,199
Speaker 1: I was like, of course it's a car cruiser, you

422
00:25:13,240 --> 00:25:14,920
Speaker 1: know what I mean? Like that that to me making

423
00:25:14,960 --> 00:25:17,480
Speaker 1: a lot of sense. I just I just said the

424
00:25:17,520 --> 00:25:20,440
Speaker 1: sentence that to me make a lot of sense. To

425
00:25:20,720 --> 00:25:22,399
Speaker 1: make a lot of sense. That to me make a

426
00:25:22,400 --> 00:25:25,640
Speaker 1: lot of sense to make a lot of sense. Um.

427
00:25:25,760 --> 00:25:28,959
Speaker 1: So you're having a blast doing the show. It's the best.

428
00:25:29,160 --> 00:25:32,320
Speaker 1: It's so much fun. I do keep looking to like

429
00:25:33,400 --> 00:25:37,360
Speaker 1: ask for permission, you know, or to like find out

430
00:25:37,400 --> 00:25:39,760
Speaker 1: if this is okay, And I'm like, oh, I have

431
00:25:39,840 --> 00:25:42,600
Speaker 1: to stop doing this, this this, Yeah, I have to

432
00:25:42,680 --> 00:25:45,840
Speaker 1: kill this instinct in me because it's like no one,

433
00:25:46,040 --> 00:25:48,800
Speaker 1: no one else would do that. I guess not no

434
00:25:48,840 --> 00:25:51,879
Speaker 1: one else. But it's like that's not necessarily a part

435
00:25:51,920 --> 00:25:57,080
Speaker 1: of um the the the power breakdown of places like that,

436
00:25:57,200 --> 00:26:01,560
Speaker 1: right well, because it's the Amber Reference Show, would I say, go,

437
00:26:02,800 --> 00:26:05,040
Speaker 1: it's hard to get used to that. I loved the

438
00:26:05,080 --> 00:26:07,720
Speaker 1: bit about the names, like when the when the when

439
00:26:07,960 --> 00:26:10,439
Speaker 1: the conservatives can't say the fucking names, and you were like,

440
00:26:10,480 --> 00:26:12,840
Speaker 1: this is the Mber Reference Show, don't forget it. I

441
00:26:12,920 --> 00:26:16,800
Speaker 1: just like that. I was like, I was absolutely so.

442
00:26:17,600 --> 00:26:21,040
Speaker 1: When you are like doing the show and there's no

443
00:26:21,119 --> 00:26:23,520
Speaker 1: audience right now, obviously because of the pandemic, I would

444
00:26:23,520 --> 00:26:27,080
Speaker 1: imagine that there was the idea of having an audience,

445
00:26:27,359 --> 00:26:31,399
Speaker 1: and guess I would imagine or was it always going

446
00:26:31,440 --> 00:26:33,560
Speaker 1: to be no guests? Because I have to say, I

447
00:26:33,680 --> 00:26:37,480
Speaker 1: love that you have. Oh good, there's never going to

448
00:26:37,520 --> 00:26:40,439
Speaker 1: be any guests? Was never going to be any guess

449
00:26:40,560 --> 00:26:43,399
Speaker 1: we were always our goal was always to make a

450
00:26:43,480 --> 00:26:47,040
Speaker 1: variety show and then call it a late night show.

451
00:26:47,680 --> 00:26:51,320
Speaker 1: Do a little monologue, yeah, and then just do a

452
00:26:51,359 --> 00:26:54,560
Speaker 1: bunch of sketches. Yes, No, I love that, And I

453
00:26:54,680 --> 00:26:58,640
Speaker 1: genuinely feel like not to say while Bowen Yang is here, um,

454
00:26:58,720 --> 00:27:01,520
Speaker 1: where are the sketch shows? But I wish I wish

455
00:27:01,520 --> 00:27:04,119
Speaker 1: that there were more of what I mean like because

456
00:27:04,400 --> 00:27:07,240
Speaker 1: like I just like I love that. I never really

457
00:27:07,280 --> 00:27:09,520
Speaker 1: know where it's going to go because it feels it

458
00:27:09,560 --> 00:27:12,040
Speaker 1: feels brand new, Like everything you're doing feels brand new

459
00:27:12,080 --> 00:27:15,520
Speaker 1: in the way that I I'm drying. It should feel

460
00:27:15,520 --> 00:27:20,080
Speaker 1: brand old. It ain't none but a variety show. And yeah,

461
00:27:20,480 --> 00:27:23,879
Speaker 1: there's like a novelty to it. You know it. We

462
00:27:24,080 --> 00:27:27,560
Speaker 1: are little showman, me and Terek, and we love we

463
00:27:27,640 --> 00:27:31,359
Speaker 1: will we will get crazy presentational on a person. We

464
00:27:31,440 --> 00:27:34,560
Speaker 1: love it well it And this is when I guess

465
00:27:34,560 --> 00:27:38,679
Speaker 1: we talked about the vocals. Girl, you got them, and

466
00:27:38,960 --> 00:27:40,880
Speaker 1: I don't think that we didn't notice that you got

467
00:27:40,880 --> 00:27:44,040
Speaker 1: these vocals. And we are noticing the breath control because

468
00:27:44,080 --> 00:27:46,159
Speaker 1: some of these because let me say, some of these

469
00:27:46,200 --> 00:27:49,480
Speaker 1: notes are in the basement and you are keep finding

470
00:27:49,520 --> 00:27:54,440
Speaker 1: them with precision. People have known you've seen her play

471
00:27:54,440 --> 00:27:58,560
Speaker 1: a damn mermaid on seth meyers and literally give you

472
00:27:58,600 --> 00:28:04,040
Speaker 1: operatic ship. But the general audience is now finding the vocal. Yes,

473
00:28:04,240 --> 00:28:08,760
Speaker 1: that's true. You guys are really spoiling me. I can

474
00:28:08,880 --> 00:28:14,280
Speaker 1: sing just fine. I think it's I don't give a

475
00:28:14,720 --> 00:28:18,600
Speaker 1: fart because I'm singing this song. You live this, Sing

476
00:28:18,760 --> 00:28:22,280
Speaker 1: this song. It cannot be stabbed stapped, singing it no

477
00:28:22,320 --> 00:28:26,600
Speaker 1: matter what. And sometimes it'll sound. I think they feel

478
00:28:27,800 --> 00:28:35,320
Speaker 1: unrehearsed and slightly sloppy, and that is because I I

479
00:28:35,400 --> 00:28:40,240
Speaker 1: am not very concerned sound. You know, Hey, I'm getting

480
00:28:40,240 --> 00:28:43,480
Speaker 1: the point across. I'm having a good time. Chick. Who cares?

481
00:28:44,200 --> 00:28:46,280
Speaker 1: I feel they don't they. I don't think they sound

482
00:28:46,320 --> 00:28:49,840
Speaker 1: unrehearsed at all. I think they sound fun and like

483
00:28:49,920 --> 00:28:54,200
Speaker 1: if they are happening because of joy. Like for example,

484
00:28:54,560 --> 00:28:56,160
Speaker 1: you can I ask you a question, are you a

485
00:28:56,200 --> 00:29:00,640
Speaker 1: story pirate? Yes? I knew it. I knew you had

486
00:29:00,680 --> 00:29:03,600
Speaker 1: story part energy because I was like because they always say,

487
00:29:03,840 --> 00:29:06,240
Speaker 1: and this doesn't apply to you, because you actually can sing,

488
00:29:06,520 --> 00:29:09,280
Speaker 1: but in story parts, they say, it's not because we're

489
00:29:09,280 --> 00:29:12,600
Speaker 1: both story parts and like, um, they say, it's not

490
00:29:12,640 --> 00:29:14,800
Speaker 1: about how much you can sing, it's about how much

491
00:29:14,880 --> 00:29:18,200
Speaker 1: you want to sing. And that's why I always feel

492
00:29:18,240 --> 00:29:22,400
Speaker 1: like it's the spirit of I'm singing this because it

493
00:29:22,480 --> 00:29:26,640
Speaker 1: should be sung. I feel pressed into the music, you

494
00:29:26,680 --> 00:29:30,160
Speaker 1: know what I mean that at Boom Chicago, we would

495
00:29:30,240 --> 00:29:35,640
Speaker 1: always have to do um musical improv and our director

496
00:29:35,680 --> 00:29:40,240
Speaker 1: would say, technically, these people paid money to hear you sing,

497
00:29:41,320 --> 00:29:46,800
Speaker 1: and buddy, if I don't carry that every day about

498
00:29:46,840 --> 00:29:49,120
Speaker 1: to sing a stock, I'm like, people paid money for

499
00:29:49,240 --> 00:30:01,360
Speaker 1: this dollars. And you tell the readers about what Boom

500
00:30:01,400 --> 00:30:07,400
Speaker 1: Chicago is. Boom Chicago is a second city esque theater

501
00:30:07,640 --> 00:30:12,000
Speaker 1: located in Amsterdam. Um they come to America and they

502
00:30:12,000 --> 00:30:17,240
Speaker 1: audition in l A, Chicago, and New York and they

503
00:30:17,280 --> 00:30:20,560
Speaker 1: take a couple of actors every year and you do

504
00:30:21,200 --> 00:30:24,360
Speaker 1: home shows at the theater and you also do corporate

505
00:30:24,360 --> 00:30:28,920
Speaker 1: shows all over the world. And it's mostly short form

506
00:30:29,000 --> 00:30:31,440
Speaker 1: improv and it's a lot of sketch writing and stuff,

507
00:30:31,520 --> 00:30:36,480
Speaker 1: and it is the hardest, craziest job in the entire world.

508
00:30:36,640 --> 00:30:40,720
Speaker 1: It's the best. It's like comedy basic training. And I

509
00:30:40,760 --> 00:30:43,480
Speaker 1: did it with Terek Davis, with Terrick Davis. There was

510
00:30:43,520 --> 00:30:44,840
Speaker 1: a whole piece in it that there was a whole

511
00:30:44,840 --> 00:30:46,160
Speaker 1: piece on it that came out today in New York

512
00:30:46,200 --> 00:30:49,080
Speaker 1: Magazine about it just being this like comedy factory that

513
00:30:49,160 --> 00:30:51,400
Speaker 1: like is sort of has sort of just been like

514
00:30:51,720 --> 00:30:54,560
Speaker 1: underground even still like culturally, like people think I was

515
00:30:54,600 --> 00:30:57,000
Speaker 1: Second City UCB. And by the way, I just I

516
00:30:57,000 --> 00:30:59,080
Speaker 1: should just really quickly point out that Amber, I think

517
00:30:59,200 --> 00:31:04,640
Speaker 1: has checked so many of these like comedy group boxes.

518
00:31:04,760 --> 00:31:07,000
Speaker 1: I feel like you got a second city. You did

519
00:31:07,000 --> 00:31:08,680
Speaker 1: Second City in Denver, which I want to talk to

520
00:31:08,680 --> 00:31:11,760
Speaker 1: you about as a Denver as a Denver former Denver resident,

521
00:31:11,800 --> 00:31:14,000
Speaker 1: and then uh and then Boom Chicago and then like

522
00:31:14,040 --> 00:31:16,080
Speaker 1: story pirates, like I feel like this is this all

523
00:31:16,160 --> 00:31:20,120
Speaker 1: sort of fits into the narrative of Amber ruffin show

524
00:31:20,200 --> 00:31:25,720
Speaker 1: Person and so anyway, um okay, Boom Chicago, like talk

525
00:31:25,800 --> 00:31:30,120
Speaker 1: about the crazy cultural things you would probably have to

526
00:31:30,160 --> 00:31:35,280
Speaker 1: deal with living in freaking Amsterdam. Amsterdam was the best

527
00:31:35,560 --> 00:31:39,760
Speaker 1: because like I have a lot of friends who and

528
00:31:39,800 --> 00:31:42,640
Speaker 1: there aren't a lot of people like this in comedy

529
00:31:43,040 --> 00:31:46,480
Speaker 1: who like we'll be like, oh, what a dumb shirt,

530
00:31:47,240 --> 00:31:50,479
Speaker 1: you know, like people like that who just don't have

531
00:31:50,560 --> 00:31:53,600
Speaker 1: a filter, and we'll do say the thing and that's

532
00:31:53,800 --> 00:31:58,840
Speaker 1: every Dutch person. They don't um in that article, I

533
00:31:58,880 --> 00:32:01,880
Speaker 1: think it's Seth who said as no Dutch person has

534
00:32:01,920 --> 00:32:05,400
Speaker 1: ever left out of politeness. They don't. They don't have that.

535
00:32:05,440 --> 00:32:10,680
Speaker 1: They don't do that, just like I loved that, because

536
00:32:10,760 --> 00:32:13,640
Speaker 1: you don't have to, and because I spent so many

537
00:32:13,720 --> 00:32:18,760
Speaker 1: years in Amsterdam, I don't have like. Socially, I think

538
00:32:18,880 --> 00:32:22,760
Speaker 1: I'm a little behind because I spent so much time.

539
00:32:23,280 --> 00:32:26,200
Speaker 1: You know how people like try to dress up the

540
00:32:26,280 --> 00:32:30,200
Speaker 1: fact that what you just did was bad. Whatever. People

541
00:32:30,320 --> 00:32:32,920
Speaker 1: do that to me. I don't. I don't know that

542
00:32:32,920 --> 00:32:35,720
Speaker 1: that's what they're doing. And I think, oh, man, I'm

543
00:32:35,760 --> 00:32:40,400
Speaker 1: the ship. Look at out nice. This person is giving

544
00:32:40,400 --> 00:32:44,360
Speaker 1: me the honest truth. Yes, yes, Also I like that though,

545
00:32:44,400 --> 00:32:48,440
Speaker 1: because why why waste energy not saying what you feel?

546
00:32:49,320 --> 00:32:52,920
Speaker 1: Say it. You can hurt my feelings. You have a

547
00:32:53,120 --> 00:32:58,880
Speaker 1: you have a show, you can feelings. I'm good for life.

548
00:32:59,240 --> 00:33:04,440
Speaker 1: I'm a black life in America. Watched me drink out

549
00:33:04,480 --> 00:33:08,280
Speaker 1: of a gallon jug of water. So how long did

550
00:33:08,320 --> 00:33:11,719
Speaker 1: you do Boom? I did Boom for two years and

551
00:33:11,760 --> 00:33:15,600
Speaker 1: then I did it later for three years. That I

552
00:33:15,600 --> 00:33:18,560
Speaker 1: did Second City Dinverse, Second City Chicago, and then I

553
00:33:18,560 --> 00:33:22,160
Speaker 1: went back to Boom Chicago for three years. This is

554
00:33:22,360 --> 00:33:25,120
Speaker 1: I mean this is like a true I don't know,

555
00:33:25,320 --> 00:33:26,920
Speaker 1: like I think I think you. I think it's like

556
00:33:27,000 --> 00:33:31,320
Speaker 1: someone who's been a completist, completionist or whatever in terms

557
00:33:31,400 --> 00:33:34,640
Speaker 1: of like coming up in comedy with like groups of people,

558
00:33:34,640 --> 00:33:36,960
Speaker 1: which I think, like that's the thing that bums me

559
00:33:37,000 --> 00:33:40,120
Speaker 1: out in some ways about like people coming up now,

560
00:33:40,280 --> 00:33:43,000
Speaker 1: especially with pandemic going on, It's like, oh, like you're not.

561
00:33:43,280 --> 00:33:45,479
Speaker 1: There's just a fewer chances to get together with like

562
00:33:45,920 --> 00:33:50,880
Speaker 1: sometimes strangers and like doing some shared comedy goal together.

563
00:33:51,200 --> 00:33:55,560
Speaker 1: You know, I don't know how they are surviving it

564
00:33:55,600 --> 00:33:58,920
Speaker 1: would have been. So I think about that now because

565
00:33:58,920 --> 00:34:01,160
Speaker 1: this has been this is a probably going to ultimately

566
00:34:01,160 --> 00:34:03,880
Speaker 1: be like a two year period that's been at least

567
00:34:04,080 --> 00:34:06,720
Speaker 1: different than it would have been. And I just think,

568
00:34:06,800 --> 00:34:09,240
Speaker 1: like I think about when we were coming up and everything,

569
00:34:09,520 --> 00:34:12,160
Speaker 1: and Bowen, I can pretty confidently say that like if

570
00:34:12,160 --> 00:34:16,680
Speaker 1: there was no live performance, well, well we have done.

571
00:34:16,840 --> 00:34:19,520
Speaker 1: You know, Like I just it's so crazy. But people

572
00:34:19,560 --> 00:34:23,840
Speaker 1: are being crafty. There's a lot of people on the TikTok.

573
00:34:25,320 --> 00:34:28,080
Speaker 1: It's true. It's true. And I'm and I'm watching the

574
00:34:28,280 --> 00:34:31,440
Speaker 1: TikTok folks, and I'm like, oh my god, this is incredible.

575
00:34:32,560 --> 00:34:34,839
Speaker 1: They're doing good work. Talk about Denver. What was your

576
00:34:34,880 --> 00:34:39,319
Speaker 1: Denver experience? Like city never was the best time and

577
00:34:39,400 --> 00:34:43,760
Speaker 1: we I had. I was at Boom Chicago and I

578
00:34:43,880 --> 00:34:49,200
Speaker 1: called Second City and I asked for a job ah,

579
00:34:49,360 --> 00:34:52,080
Speaker 1: and they said, yes, you can have a job like

580
00:34:52,160 --> 00:34:56,120
Speaker 1: a City Denver. So then I moved from Amsterdam to

581
00:34:57,280 --> 00:35:03,920
Speaker 1: Denver and we took um whatever the Chicago main stage

582
00:35:03,920 --> 00:35:07,200
Speaker 1: show was at that time, we took that to Denver.

583
00:35:07,440 --> 00:35:09,799
Speaker 1: Then they were like, if this goes well, we can

584
00:35:09,840 --> 00:35:13,080
Speaker 1: write and then we will be Second City Denver and

585
00:35:13,080 --> 00:35:16,799
Speaker 1: we'll write Denver's own show. So we went there. It

586
00:35:16,880 --> 00:35:21,840
Speaker 1: did well, and then we wrote our own show. So

587
00:35:22,640 --> 00:35:26,080
Speaker 1: the theater we were at was that Downtown Theater complex

588
00:35:26,080 --> 00:35:30,680
Speaker 1: in Denver. We were one of those U D t

589
00:35:31,120 --> 00:35:38,880
Speaker 1: Andy they We did that show and at first it

590
00:35:38,920 --> 00:35:40,680
Speaker 1: was just people who knew what Second City was, but

591
00:35:40,760 --> 00:35:44,600
Speaker 1: then it was people who had subscribed to that theater complex,

592
00:35:44,920 --> 00:35:46,680
Speaker 1: so it was all people who want to see cats

593
00:35:46,719 --> 00:35:51,040
Speaker 1: and Forever plaid and stuff. So they came to see

594
00:35:51,040 --> 00:35:55,200
Speaker 1: our show and they felt differently about it. I think

595
00:35:55,840 --> 00:35:59,279
Speaker 1: really then people who knew what Second City was, you know,

596
00:35:59,400 --> 00:36:02,239
Speaker 1: this was like the oldest people I've ever seen in

597
00:36:02,280 --> 00:36:07,799
Speaker 1: my life to watch a Second City show. I was like, Oh,

598
00:36:07,880 --> 00:36:12,920
Speaker 1: this isn't right. So then yeah, what year was this?

599
00:36:12,920 --> 00:36:20,400
Speaker 1: This had to be two thousand and six or seven? Okay, wow,

600
00:36:21,200 --> 00:36:24,360
Speaker 1: because I was because then that must have meant Bowen

601
00:36:24,480 --> 00:36:26,680
Speaker 1: was a junior in high school and maybe he would

602
00:36:26,680 --> 00:36:31,560
Speaker 1: have moseyed on over and I but like, for some

603
00:36:31,640 --> 00:36:34,440
Speaker 1: reason it was hard to get tickets. Though. I remember

604
00:36:34,480 --> 00:36:36,600
Speaker 1: like Second City being in Denver and then everyone being

605
00:36:36,640 --> 00:36:38,640
Speaker 1: like and then at least like people like my little

606
00:36:38,680 --> 00:36:40,440
Speaker 1: nerdy high school group was like, oh, I wish we

607
00:36:40,480 --> 00:36:44,200
Speaker 1: could go see Second City, but um, for some reason

608
00:36:44,280 --> 00:36:46,600
Speaker 1: that that wasn't available to us, and I maybe I'm

609
00:36:46,640 --> 00:36:54,600
Speaker 1: like just at the beginning we were hot ship and

610
00:36:54,640 --> 00:36:57,080
Speaker 1: then when they opened it up to subscribers, it was

611
00:36:57,160 --> 00:37:01,479
Speaker 1: something different. Um, the Denverse are the Performing Arts Yeah,

612
00:37:01,920 --> 00:37:06,200
Speaker 1: d DP something, d p C A whatever. Um yeah,

613
00:37:06,200 --> 00:37:11,000
Speaker 1: it's this huge, giant like yeah complex that has like

614
00:37:11,040 --> 00:37:13,239
Speaker 1: four different theaters and then one you can see like

615
00:37:14,080 --> 00:37:16,600
Speaker 1: um like I guess, I guess like in recent years,

616
00:37:16,640 --> 00:37:20,040
Speaker 1: like a Shenyan performance, and then another and another stage

617
00:37:20,040 --> 00:37:23,279
Speaker 1: you could see like a Return of the Phantom, like

618
00:37:23,320 --> 00:37:26,160
Speaker 1: the Phantom of the Operas sequel and then like yeah

619
00:37:26,200 --> 00:37:29,200
Speaker 1: it was. It was just this crazy Frankenstein's Monster kind

620
00:37:29,200 --> 00:37:31,080
Speaker 1: of a building. Um. But then would you ever go

621
00:37:31,120 --> 00:37:33,400
Speaker 1: see like, um, the Impulse Theater at Winning Cooper or

622
00:37:33,400 --> 00:37:37,279
Speaker 1: anything like these other little shows. Yes, we saw to

623
00:37:38,320 --> 00:37:43,600
Speaker 1: the two improv groups and one was really nice and

624
00:37:43,719 --> 00:37:49,480
Speaker 1: really fun and I and one we're, um, just fucking

625
00:37:49,520 --> 00:37:54,040
Speaker 1: pieces of shit. And these motherfucker's came to see the

626
00:37:54,120 --> 00:37:59,120
Speaker 1: show and we're like, oh, the entire show you they

627
00:37:59,160 --> 00:38:02,080
Speaker 1: We're mad that we were there. And then like at

628
00:38:02,080 --> 00:38:04,720
Speaker 1: the in the at the end song of the show,

629
00:38:04,960 --> 00:38:10,720
Speaker 1: they like clapped off beat. We're like, why the hate?

630
00:38:11,400 --> 00:38:15,239
Speaker 1: Why did you come here to hate us to our faces?

631
00:38:15,239 --> 00:38:22,200
Speaker 1: Also the show is over, Where are you okay? Theater work?

632
00:38:22,320 --> 00:38:25,160
Speaker 1: You're not that man? Stay here. Let me have a word.

633
00:38:27,200 --> 00:38:31,200
Speaker 1: I have no idea which theater is the theater, but

634
00:38:31,280 --> 00:38:33,680
Speaker 1: like what a shitty thing for improv. That's not what

635
00:38:33,760 --> 00:38:40,880
Speaker 1: improv is. No, And it's like weird scarcity, like bullshit.

636
00:38:41,239 --> 00:38:43,759
Speaker 1: Like I guess at the time to where improv was

637
00:38:43,840 --> 00:38:50,399
Speaker 1: like relatively popping, I guess, I don't know. Like I

638
00:38:50,480 --> 00:38:52,799
Speaker 1: felt like such hot ship being fifteen years old and

639
00:38:52,840 --> 00:38:57,160
Speaker 1: going downtown to the Bovine Metropolis Theater and doing shows

640
00:38:57,239 --> 00:38:59,160
Speaker 1: when on all these thirty year olds being like, who

641
00:38:59,200 --> 00:39:03,360
Speaker 1: the hell are these teenagers? Those are the good people,

642
00:39:04,040 --> 00:39:07,120
Speaker 1: Those are the good people. Okay, so thesee so then

643
00:39:07,160 --> 00:39:09,480
Speaker 1: Impulse Theater must have been the shitty people. And that

644
00:39:09,560 --> 00:39:13,480
Speaker 1: kind of tracks just because at the time I was

645
00:39:13,480 --> 00:39:16,000
Speaker 1: a high school student. My calculus teacher was also my

646
00:39:16,120 --> 00:39:18,400
Speaker 1: theory of knowledge teacher for IB he was also my

647
00:39:18,440 --> 00:39:21,239
Speaker 1: improv coach because he was the assistant director of the

648
00:39:21,239 --> 00:39:24,080
Speaker 1: Impulse Theater. He was a great he's great. I love him.

649
00:39:24,120 --> 00:39:26,839
Speaker 1: Adrian and I still keep in touch to this day.

650
00:39:27,120 --> 00:39:29,719
Speaker 1: But it seems like so many of the actors at

651
00:39:29,840 --> 00:39:33,719
Speaker 1: that theater were toxic, crazy people. Because I had a

652
00:39:33,719 --> 00:39:37,359
Speaker 1: friend Laura Lockwood, who was like cast in that theater

653
00:39:37,440 --> 00:39:40,720
Speaker 1: and was coming home. We're just they're just like telling

654
00:39:40,719 --> 00:39:43,360
Speaker 1: me horror stories about how like so many of the

655
00:39:43,600 --> 00:39:45,600
Speaker 1: especially like the women, this is all this is all

656
00:39:45,800 --> 00:39:47,520
Speaker 1: just caddy and toxic and mean, and I don't I

657
00:39:47,520 --> 00:39:49,799
Speaker 1: have no reason to like uncover any of this for

658
00:39:49,880 --> 00:39:52,960
Speaker 1: you guys or for the listeners. But I was just like,

659
00:39:52,960 --> 00:39:54,799
Speaker 1: oh my god, I guess people in improv are just

660
00:39:54,920 --> 00:39:58,520
Speaker 1: like really really mean and not nice, so that it

661
00:39:58,640 --> 00:40:02,520
Speaker 1: just colored my perception of comedy communities for years and

662
00:40:02,600 --> 00:40:05,560
Speaker 1: years and years. That's why I love Chicago. Those people

663
00:40:05,560 --> 00:40:10,320
Speaker 1: are untouchable. There is no like ego because you're in Chicago,

664
00:40:10,920 --> 00:40:13,120
Speaker 1: because you're you're doing it because you think it's the

665
00:40:13,160 --> 00:40:16,399
Speaker 1: most fun and it is the most fun. While we're

666
00:40:16,440 --> 00:40:18,840
Speaker 1: sort of existing in the past, I think we should

667
00:40:18,840 --> 00:40:22,120
Speaker 1: ask the question now, this is the central question of

668
00:40:22,200 --> 00:40:24,799
Speaker 1: lost culturies. Thus it is the question that really all

669
00:40:24,840 --> 00:40:27,920
Speaker 1: the guests get asked, and all the guests except Margaret

670
00:40:27,960 --> 00:40:31,920
Speaker 1: chill because we got too scared. Now we're going to

671
00:40:31,960 --> 00:40:35,200
Speaker 1: ask you the question. Now. The question, Amber is what

672
00:40:35,239 --> 00:40:38,880
Speaker 1: was the culture that made you say culture was for you?

673
00:40:39,120 --> 00:40:43,239
Speaker 1: So this is the defining, definitive pop culture in your

674
00:40:43,280 --> 00:40:45,839
Speaker 1: life or culture around you that now that you look

675
00:40:45,840 --> 00:40:48,319
Speaker 1: back at your life, Ember Ruffin's life that is, you're

676
00:40:48,400 --> 00:40:51,560
Speaker 1: kind of like, oh, that made me me In a way,

677
00:40:52,000 --> 00:40:56,719
Speaker 1: I think what made me me was the culture of

678
00:40:57,239 --> 00:41:03,720
Speaker 1: io mm hmmm, improv where it was just we are

679
00:41:03,760 --> 00:41:05,879
Speaker 1: out all night long. First of all, it was an

680
00:41:05,880 --> 00:41:08,000
Speaker 1: intern there and it was the most fun. And then

681
00:41:08,360 --> 00:41:12,080
Speaker 1: we go there, it's it's six pm show start. We

682
00:41:12,200 --> 00:41:15,360
Speaker 1: go there, we sit there until one am, and we

683
00:41:15,480 --> 00:41:19,720
Speaker 1: drink all night and we laugh and then eventually someone

684
00:41:19,840 --> 00:41:22,240
Speaker 1: kicks us out and we go to someone else's house

685
00:41:22,520 --> 00:41:25,399
Speaker 1: and we laugh all night. That was I was like, Oh,

686
00:41:25,440 --> 00:41:30,120
Speaker 1: I can do this for forever, and I almost did. Yeah,

687
00:41:30,160 --> 00:41:32,960
Speaker 1: we we sort of had an experience like that with UCB.

688
00:41:33,040 --> 00:41:36,640
Speaker 1: That was kind of that was kind of our version

689
00:41:36,719 --> 00:41:40,879
Speaker 1: of that. But Chicago does it differently. What is that? Yeah,

690
00:41:41,440 --> 00:41:44,640
Speaker 1: this is the doorbell. That's my doorbell. It is my doorbell.

691
00:41:44,800 --> 00:41:47,040
Speaker 1: This is how Hollywood my building is. The doorbell is

692
00:41:47,120 --> 00:41:50,239
Speaker 1: Leve Rose. I don't know what that is, but we're

693
00:41:50,239 --> 00:41:55,880
Speaker 1: gonna We're just gonna wait. Um, it's Edith singing. And

694
00:41:55,920 --> 00:41:59,560
Speaker 1: it was like I like that, and now I gotta

695
00:41:59,600 --> 00:42:03,399
Speaker 1: say I hate it. Well, it's just like too long.

696
00:42:03,560 --> 00:42:07,600
Speaker 1: It's like a whole thing. Yeah, talk about what I'll

697
00:42:07,600 --> 00:42:10,319
Speaker 1: be right back. Go go, go go. I feel like

698
00:42:10,360 --> 00:42:14,440
Speaker 1: this is a Chicago specific thing in not even just

699
00:42:14,480 --> 00:42:16,880
Speaker 1: the comedy culture there, but it's like, oh, it's a

700
00:42:17,000 --> 00:42:20,560
Speaker 1: vibe for people to just drink all night at one

701
00:42:20,680 --> 00:42:24,400
Speaker 1: place and stay there for the entire night, for the

702
00:42:24,440 --> 00:42:28,480
Speaker 1: whole night, we shut it down. I don't think I've

703
00:42:28,480 --> 00:42:30,279
Speaker 1: ever really done that. In New York. I don't think

704
00:42:30,320 --> 00:42:33,480
Speaker 1: I've ever done that in New York City, or I know,

705
00:42:33,560 --> 00:42:36,520
Speaker 1: I'm just I feel like such a square. Matt just

706
00:42:36,560 --> 00:42:39,239
Speaker 1: got a beautifully wrap to give. What is Well, it's

707
00:42:39,239 --> 00:42:43,680
Speaker 1: a present from Hulu The Happiest Season. Oh my god,

708
00:42:44,440 --> 00:42:48,840
Speaker 1: it's from the hulaa original film, The Happiest Season, starring

709
00:42:48,920 --> 00:42:54,399
Speaker 1: Christian's Stewarts, written by Mary Holland. We absolutely stamn. How

710
00:42:54,719 --> 00:43:00,799
Speaker 1: where do you get on that list? Um, because neither

711
00:43:00,840 --> 00:43:03,279
Speaker 1: of us are on it. Well, listen, I'm sure you

712
00:43:03,320 --> 00:43:06,160
Speaker 1: guys could get a damn box from any anyone you

713
00:43:06,239 --> 00:43:11,880
Speaker 1: wanted to. You network stars, We'll see, we'll see. Okay,

714
00:43:11,920 --> 00:43:13,960
Speaker 1: fill me in. What were we dadding about? I just

715
00:43:14,000 --> 00:43:16,120
Speaker 1: commented on the fact that, and then I had a

716
00:43:16,120 --> 00:43:18,879
Speaker 1: sad admission. But I was like, it's a Chicago specific thing,

717
00:43:19,160 --> 00:43:21,200
Speaker 1: not even just in the comedy culture there, but it's

718
00:43:21,200 --> 00:43:23,879
Speaker 1: a Chicago specific thing to like drink all night, stay

719
00:43:23,920 --> 00:43:26,360
Speaker 1: in one place, and then shut it down. But I

720
00:43:26,600 --> 00:43:28,319
Speaker 1: because because I'm like, I don't think I ever really

721
00:43:28,360 --> 00:43:31,839
Speaker 1: did that in New York. I've never drank more than

722
00:43:31,880 --> 00:43:35,120
Speaker 1: when I was like coming up in comedy needing to

723
00:43:35,160 --> 00:43:37,399
Speaker 1: hang out, like there was times when back back when

724
00:43:37,400 --> 00:43:39,080
Speaker 1: I was doing like four or five shows a week,

725
00:43:39,440 --> 00:43:42,680
Speaker 1: it was like normal for me to have three drinks

726
00:43:43,080 --> 00:43:45,400
Speaker 1: at because they give you the two the two tickets

727
00:43:45,520 --> 00:43:48,000
Speaker 1: usually when you're doing the show, so you use both

728
00:43:48,040 --> 00:43:50,120
Speaker 1: of those and that This is like, you know, my

729
00:43:50,200 --> 00:43:53,400
Speaker 1: early mid twenties. So I was like still like probably

730
00:43:53,400 --> 00:43:56,120
Speaker 1: I like I p A S. So you're drinking like

731
00:43:56,600 --> 00:44:00,759
Speaker 1: heavier things and then you're your past doubt, maybe you

732
00:44:00,800 --> 00:44:03,239
Speaker 1: go somewhere else you get another drink after. Oh yeah,

733
00:44:03,280 --> 00:44:05,359
Speaker 1: that was the heaviest drinking of my life, was being

734
00:44:05,400 --> 00:44:08,960
Speaker 1: in those spaces. But but but it's a Chicago thing

735
00:44:09,080 --> 00:44:11,520
Speaker 1: to like maybe it's because of the weather. I don't know.

736
00:44:12,000 --> 00:44:16,719
Speaker 1: But people they're just like gather will they gather and

737
00:44:16,760 --> 00:44:22,000
Speaker 1: they all stay in one I don't think that's I

738
00:44:22,000 --> 00:44:24,080
Speaker 1: don't think that happens in New York. Sorry, I didn't

739
00:44:24,239 --> 00:44:28,080
Speaker 1: know about going let's have a drink here and then

740
00:44:28,120 --> 00:44:34,239
Speaker 1: go to the Why would we do that? Drinks here

741
00:44:34,280 --> 00:44:38,799
Speaker 1: are free? Why? But it's only because of being at

742
00:44:38,840 --> 00:44:41,080
Speaker 1: theaters and stuff. If I had to pay, i'd run

743
00:44:41,080 --> 00:44:48,040
Speaker 1: around to Yeah. We talk about IO being like specifically

744
00:44:48,080 --> 00:44:53,080
Speaker 1: eye opening for you. IO was like this very cool

745
00:44:53,160 --> 00:44:57,120
Speaker 1: like there was a group of improvisers who were just

746
00:44:57,200 --> 00:45:00,120
Speaker 1: like the coolest people on the planet, you know, the

747
00:45:00,160 --> 00:45:05,759
Speaker 1: cool guys. Yeah yeah, And I just thought, oh man,

748
00:45:05,840 --> 00:45:08,080
Speaker 1: I'll never be as cool as the cool guys. And

749
00:45:08,120 --> 00:45:13,640
Speaker 1: it was like the like high school but fun and

750
00:45:13,880 --> 00:45:18,839
Speaker 1: like also the cool guys weren't really aware that they

751
00:45:18,840 --> 00:45:21,000
Speaker 1: were the cool guys. They were having fun and you

752
00:45:21,040 --> 00:45:23,600
Speaker 1: were allowed to have fun with them. And there was

753
00:45:23,719 --> 00:45:29,919
Speaker 1: no like, I'm sure people were shitty to people, yeah yeah,

754
00:45:30,080 --> 00:45:33,919
Speaker 1: but no one was shitty to me. People were like, hey,

755
00:45:33,960 --> 00:45:37,080
Speaker 1: you come and play this game with us or whatever.

756
00:45:37,440 --> 00:45:42,600
Speaker 1: And it was just so insufferable. There was no way

757
00:45:42,640 --> 00:45:46,520
Speaker 1: you could have been there and and not been an improviser.

758
00:45:47,680 --> 00:45:50,200
Speaker 1: You would have punched everyone in the mouth because it

759
00:45:50,280 --> 00:45:53,880
Speaker 1: was all like, let's play would you rather, uh, let's

760
00:45:53,960 --> 00:45:57,919
Speaker 1: play a murder and all these doofy improv games. We

761
00:45:58,160 --> 00:46:01,520
Speaker 1: loved so much. I I can't believe we spent so

762
00:46:01,560 --> 00:46:05,960
Speaker 1: many years doing the same thing. It's like a decade

763
00:46:06,000 --> 00:46:11,400
Speaker 1: I spent playing games with people. This is Chicago. This

764
00:46:11,440 --> 00:46:18,120
Speaker 1: is pre pre Boom Chicagoom Chicago that I owned. Yeah,

765
00:46:18,200 --> 00:46:22,560
Speaker 1: because I ended up back in Chicago. I did everything twice.

766
00:46:23,120 --> 00:46:25,640
Speaker 1: When did you. And that's really how you master. You

767
00:46:25,640 --> 00:46:28,680
Speaker 1: gotta do it all twice. Um, when did you move

768
00:46:28,840 --> 00:46:31,880
Speaker 1: to New York? Was it when you got work or

769
00:46:31,920 --> 00:46:34,840
Speaker 1: did you move to New York? And then the work began?

770
00:46:36,000 --> 00:46:38,920
Speaker 1: The great work began, as they say in Angels, I

771
00:46:39,200 --> 00:46:42,160
Speaker 1: moved to New York. Okay, So I I grew up

772
00:46:42,160 --> 00:46:45,160
Speaker 1: in Omaha, Nebraska, and then I moved to Chicago to

773
00:46:45,239 --> 00:46:48,200
Speaker 1: learn how to improvise, and then I got boom Chicago

774
00:46:48,200 --> 00:46:52,000
Speaker 1: in Amsterdam. After Amsterdam, I called Denver and I lived

775
00:46:52,000 --> 00:46:55,760
Speaker 1: in Denver. After Denver, I got main stage in Chicago,

776
00:46:55,800 --> 00:46:58,520
Speaker 1: so I lived in Chicago. After that, I went back

777
00:46:58,640 --> 00:47:04,080
Speaker 1: to Amsterdam and then moved to l A to make

778
00:47:04,120 --> 00:47:08,960
Speaker 1: it so l A and it was just I didn't

779
00:47:09,000 --> 00:47:14,320
Speaker 1: make ship, and uh, I mean it was fun because

780
00:47:14,360 --> 00:47:18,560
Speaker 1: I became a story pirate UM and I did a

781
00:47:18,719 --> 00:47:21,200
Speaker 1: lot of theater. There was so much theater to do

782
00:47:21,280 --> 00:47:24,440
Speaker 1: in l A. And that was the ship. And I

783
00:47:24,480 --> 00:47:26,080
Speaker 1: was a part of this theater. This is so not

784
00:47:26,200 --> 00:47:28,040
Speaker 1: where you asked me, but here we are. Um. I

785
00:47:28,120 --> 00:47:31,600
Speaker 1: was a part of this theater called Um Sacred Fools Theater.

786
00:47:32,080 --> 00:47:35,440
Speaker 1: And what we did was we it was like a

787
00:47:35,480 --> 00:47:38,560
Speaker 1: theater of writers and so all the shows at that theater,

788
00:47:38,640 --> 00:47:41,080
Speaker 1: someone wrote it, your little friend wrote it. And then

789
00:47:41,120 --> 00:47:43,879
Speaker 1: they would do this thing called serial Killers where five

790
00:47:43,880 --> 00:47:46,879
Speaker 1: shows enter it, three shows leave. So you write ten

791
00:47:46,920 --> 00:47:51,799
Speaker 1: minutes and you do it, and then that Saturday you

792
00:47:51,840 --> 00:47:54,279
Speaker 1: find out if you write the next ten minutes and

793
00:47:54,320 --> 00:48:00,520
Speaker 1: then if you play yes, play right, survivor fastly to

794
00:48:00,520 --> 00:48:03,520
Speaker 1: say that, And it was the most fun we did.

795
00:48:03,840 --> 00:48:08,480
Speaker 1: Me and my friend Lauren did um. King of Kong

796
00:48:08,680 --> 00:48:12,040
Speaker 1: the musical. Do you know the documentary King of Kong?

797
00:48:13,360 --> 00:48:18,560
Speaker 1: I'm more familiar with King Kong. You creature of film

798
00:48:18,600 --> 00:48:23,080
Speaker 1: and television, You guys. King of Kong the documentary is

799
00:48:23,320 --> 00:48:27,279
Speaker 1: about two It's the easily the best documentary ever, easily.

800
00:48:29,080 --> 00:48:34,479
Speaker 1: It's two men. One is inherently evil, like a real

801
00:48:34,600 --> 00:48:37,000
Speaker 1: life evil guy, and he looks at and he talks

802
00:48:37,640 --> 00:48:41,520
Speaker 1: it's crazy. And then one guy is like so kind

803
00:48:41,600 --> 00:48:44,200
Speaker 1: and sweet and he's scared and he doesn't think you

804
00:48:44,200 --> 00:48:47,480
Speaker 1: could do it. It's like you cast it. So it's

805
00:48:47,520 --> 00:48:51,239
Speaker 1: just a documentary about these guys and they're vying to

806
00:48:51,320 --> 00:48:54,480
Speaker 1: see who can get the top arcade score in donkey,

807
00:48:55,080 --> 00:48:59,000
Speaker 1: Oh God, I've heard of this. I thought that the

808
00:48:59,600 --> 00:49:02,240
Speaker 1: making of King Kong or whatever. No, it's this video

809
00:49:02,320 --> 00:49:06,399
Speaker 1: game thing. Oh I love that. That is great? And

810
00:49:07,400 --> 00:49:09,719
Speaker 1: can you give a spoiler? It just good triump over Evil?

811
00:49:09,800 --> 00:49:14,239
Speaker 1: Or should everyone just watch you cannot? Don't google it,

812
00:49:14,320 --> 00:49:17,920
Speaker 1: you have to just watch it. Okay, it's so many feelings.

813
00:49:18,040 --> 00:49:20,920
Speaker 1: It's more feelings than you would think. It's just one movie.

814
00:49:21,000 --> 00:49:23,880
Speaker 1: It's a serious Thank god. This was back in the

815
00:49:23,920 --> 00:49:26,040
Speaker 1: day where things were just one movie. Now you have

816
00:49:26,080 --> 00:49:29,040
Speaker 1: these things. They're eight nine episodes. You know that you

817
00:49:29,440 --> 00:49:32,920
Speaker 1: don't just have one movie anymore? Undoing? Is I'm undone

818
00:49:33,000 --> 00:49:37,479
Speaker 1: watching all these It's sick. I'm noting. The Vow could

819
00:49:37,480 --> 00:49:43,520
Speaker 1: have been a commercial girl. I mean the way that

820
00:49:43,600 --> 00:49:46,080
Speaker 1: the Vow was a cult in and of itself. Watching

821
00:49:46,080 --> 00:49:49,520
Speaker 1: it really proved a lot. There's such a weird men

822
00:49:49,560 --> 00:49:52,600
Speaker 1: of narrative around it now that where it's like, oh, well,

823
00:49:52,719 --> 00:49:57,640
Speaker 1: um seduced, is that what it is? The other one?

824
00:49:58,360 --> 00:50:00,520
Speaker 1: That one's the one you should actually watch. It's like, well, no,

825
00:50:00,680 --> 00:50:03,080
Speaker 1: I already like gave away all my brain cells to

826
00:50:03,120 --> 00:50:07,560
Speaker 1: this other, to the first one. Unlike the Fire documentaries,

827
00:50:07,760 --> 00:50:12,319
Speaker 1: which were great, they were both great. Both they got

828
00:50:12,360 --> 00:50:16,680
Speaker 1: to the point this Vow crap. I'm sorry. It was

829
00:50:16,760 --> 00:50:19,560
Speaker 1: so like if the three of us went to the

830
00:50:19,640 --> 00:50:24,920
Speaker 1: mall and had the best time, but also at the

831
00:50:25,040 --> 00:50:35,120
Speaker 1: mall um was a performance of BTS. That's the documentary

832
00:50:35,880 --> 00:50:39,800
Speaker 1: show the performance exactly when we were trying on hats.

833
00:50:40,000 --> 00:50:42,160
Speaker 1: You have to leave that out. That can't be part

834
00:50:42,160 --> 00:50:45,960
Speaker 1: of the documentary. We need to be asking the person

835
00:50:46,040 --> 00:50:48,400
Speaker 1: at the sunglass hot where the bathroom was. But it

836
00:50:48,440 --> 00:50:51,120
Speaker 1: was so funny. He did an accent. It made me

837
00:50:51,200 --> 00:50:55,000
Speaker 1: laugh so hard. But we need we need to cut

838
00:50:55,000 --> 00:51:01,400
Speaker 1: it because I couldn't agree with you more. I couldn't

839
00:51:01,400 --> 00:51:03,719
Speaker 1: have cared less by the time it was over, and

840
00:51:03,719 --> 00:51:05,800
Speaker 1: I was like, I know I should be caring the

841
00:51:05,920 --> 00:51:10,399
Speaker 1: whole people came and went that nothing happened to Yeah,

842
00:51:10,600 --> 00:51:13,680
Speaker 1: I was like, one of these motherfucker's better die because

843
00:51:15,560 --> 00:51:18,879
Speaker 1: taking up a lot of my time. You know, when

844
00:51:18,880 --> 00:51:21,080
Speaker 1: I'm on the couch saying one of these real people

845
00:51:21,160 --> 00:51:23,919
Speaker 1: need to die for my narrative enjoyment. Honey, you got

846
00:51:23,920 --> 00:51:31,960
Speaker 1: a documentary issue. You gotta doc issue. I mean, look, ultimately,

847
00:51:32,000 --> 00:51:37,480
Speaker 1: there is a full last second. That's the biggest crime

848
00:51:37,560 --> 00:51:40,319
Speaker 1: of all. That's the mystery I want solved, is what

849
00:51:40,360 --> 00:51:47,480
Speaker 1: the fuck The biggest crime is that they got the

850
00:51:47,600 --> 00:51:51,480
Speaker 1: biggest crime relative to everything else that has happened around

851
00:51:51,520 --> 00:51:53,879
Speaker 1: that calt And I'm just kidding. No, it's crazy. We're

852
00:51:53,960 --> 00:51:55,960
Speaker 1: going to jail for a hundred forty years for even

853
00:51:56,000 --> 00:51:59,399
Speaker 1: bringing it up again. I just gotta. I just that's

854
00:51:59,440 --> 00:52:03,120
Speaker 1: what's in the They said. It's a jail sentence from

855
00:52:03,120 --> 00:52:06,480
Speaker 1: the happiest season. They're saying, Oh my god, wait, you guys,

856
00:52:07,160 --> 00:52:11,200
Speaker 1: that's a chicly wrapped box. Actually really is? I mean, so,

857
00:52:11,320 --> 00:52:13,360
Speaker 1: here's a question for you guys for the holiday season.

858
00:52:13,640 --> 00:52:17,319
Speaker 1: Gift trapping skills. Do you have them? Do you have them?

859
00:52:17,360 --> 00:52:21,320
Speaker 1: As they said on Guts, are you good gift trappers?

860
00:52:21,560 --> 00:52:25,359
Speaker 1: I gotta google at how to video every December one.

861
00:52:25,440 --> 00:52:28,400
Speaker 1: I got to look up a video every single year. Oh.

862
00:52:28,600 --> 00:52:32,399
Speaker 1: I love gift wrapping and I am maybe not good

863
00:52:32,400 --> 00:52:36,359
Speaker 1: at it, but I absolutely love doing it. You are

864
00:52:36,480 --> 00:52:39,319
Speaker 1: good at it. Though you're not good at it. I

865
00:52:39,320 --> 00:52:43,680
Speaker 1: don't think you're bad at things. What are you bad?

866
00:52:43,760 --> 00:52:46,640
Speaker 1: To see the back of my head right now, you'd

867
00:52:46,640 --> 00:52:49,359
Speaker 1: be like, oh, the front looks like you did your hair,

868
00:52:49,400 --> 00:52:52,000
Speaker 1: but the back, I don't think you did a very

869
00:52:52,000 --> 00:52:55,520
Speaker 1: good job. And I don't think anyone does the back

870
00:52:55,560 --> 00:52:58,960
Speaker 1: of their hair. But you're so good at at us

871
00:52:59,160 --> 00:53:03,560
Speaker 1: we would never know that. So that's good. Okay, but

872
00:53:03,719 --> 00:53:05,799
Speaker 1: if something happens behind me, I just have to let

873
00:53:05,800 --> 00:53:11,880
Speaker 1: it happen. I can't turn around. I'm bad at math

874
00:53:12,640 --> 00:53:18,799
Speaker 1: science remembering some details about Okay, you know what I

875
00:53:18,840 --> 00:53:21,800
Speaker 1: never can do. Whenever I'm on a date. I never

876
00:53:21,880 --> 00:53:25,840
Speaker 1: remember where the person is from. It's hard. It's a

877
00:53:25,880 --> 00:53:29,279
Speaker 1: hard thing to store. And you're you're saying, like second date,

878
00:53:29,280 --> 00:53:32,200
Speaker 1: like they've told you in the past, it doesn't really matter,

879
00:53:32,320 --> 00:53:34,520
Speaker 1: like the thing is. I like, I'm just bad at

880
00:53:34,560 --> 00:53:37,560
Speaker 1: retaining some of Like I just realized this about myself

881
00:53:37,719 --> 00:53:40,400
Speaker 1: because I went on a date which now is not

882
00:53:40,400 --> 00:53:42,560
Speaker 1: going to happen in Los Angeles because they're shutting it

883
00:53:42,600 --> 00:53:46,560
Speaker 1: all down. But um, I was like afterwards, I was like, Okay,

884
00:53:46,600 --> 00:53:50,759
Speaker 1: personal flaw. I am not good at, like, um retaining

885
00:53:50,800 --> 00:53:54,520
Speaker 1: information about someone's um up Like of course, one of

886
00:53:54,560 --> 00:53:57,800
Speaker 1: the questions you ask is gonna be where are you from?

887
00:53:57,840 --> 00:54:00,719
Speaker 1: And then I realized that I'm not good at keeping

888
00:54:00,800 --> 00:54:05,000
Speaker 1: that information. Jobs. I'll keep your friends, I'll keep like,

889
00:54:05,120 --> 00:54:08,040
Speaker 1: but you're like basic upbringing. For some reason, I never

890
00:54:08,680 --> 00:54:14,560
Speaker 1: remember it. Hmmm, what does that mean what does that

891
00:54:14,680 --> 00:54:17,439
Speaker 1: say about you? I don't know. Maybe it just means

892
00:54:17,480 --> 00:54:21,480
Speaker 1: I'm obsessed with my own past. I'm not I have

893
00:54:21,880 --> 00:54:25,759
Speaker 1: I also have a horrible memory. It's very bad. Is

894
00:54:25,800 --> 00:54:27,600
Speaker 1: it bad? Short term is because of all that time

895
00:54:27,600 --> 00:54:31,920
Speaker 1: in Denver weed at itt do you mean Amsterdam? And

896
00:54:32,040 --> 00:54:35,440
Speaker 1: I don't like you don't like weed? You lived in Amsterdam?

897
00:54:35,480 --> 00:54:37,880
Speaker 1: You don't like marijuana? No, but I like to eat.

898
00:54:38,760 --> 00:54:41,920
Speaker 1: She's a drink you like? You like e So you

899
00:54:42,040 --> 00:54:45,239
Speaker 1: like you were a little raver a little bit. We

900
00:54:45,400 --> 00:54:48,680
Speaker 1: had like probably three times a year where we'd be like, hey,

901
00:54:48,800 --> 00:54:51,439
Speaker 1: we get to do eat. Yeah, that's actually a very

902
00:54:51,480 --> 00:54:55,720
Speaker 1: fun so fun do it in Amsterdam too, because then

903
00:54:56,000 --> 00:54:58,799
Speaker 1: you know the guy who cooked it, and then all

904
00:54:58,840 --> 00:55:04,080
Speaker 1: your friends have already taken, so it doesn't feel like scary.

905
00:55:04,520 --> 00:55:07,239
Speaker 1: It feels fine. Yeah, I mean, so that's like the

906
00:55:07,440 --> 00:55:09,680
Speaker 1: difference in the drug culture there anyway, It's like, oh,

907
00:55:09,719 --> 00:55:13,320
Speaker 1: it's not a hole to do, it's just they're what

908
00:55:13,440 --> 00:55:15,080
Speaker 1: we have on our hands. Here is an upper, not

909
00:55:15,239 --> 00:55:20,840
Speaker 1: a downer. And yeah, that's that's wonderful. Sometimes I feel

910
00:55:20,880 --> 00:55:25,240
Speaker 1: like uppers for me make me a full crazy person

911
00:55:25,320 --> 00:55:29,680
Speaker 1: because I'm already naturally out of ten um, and I

912
00:55:29,719 --> 00:55:31,960
Speaker 1: feel I need a downer to sort of get myself

913
00:55:31,960 --> 00:55:35,720
Speaker 1: down to a like socially acceptable seven point five. That's

914
00:55:35,760 --> 00:55:41,640
Speaker 1: all four, let's get to fourteen. We are an absolute

915
00:55:41,760 --> 00:55:46,520
Speaker 1: after all. Um. But yeah, I mean, listen, I just

916
00:55:46,560 --> 00:55:47,840
Speaker 1: want to go to I just want to go to

917
00:55:47,880 --> 00:55:52,040
Speaker 1: Amsterdam now to one like responsibly do drugs, and two

918
00:55:52,080 --> 00:55:56,160
Speaker 1: to like eat the Reichstaffel, the reichstatful stuff, the Indonesian

919
00:55:56,600 --> 00:56:00,400
Speaker 1: like Dutch fusion. Have you ever been bowing? Tamp Sterdam?

920
00:56:01,000 --> 00:56:03,839
Speaker 1: We did a date. This is this is the twisted thing.

921
00:56:05,719 --> 00:56:09,320
Speaker 1: Can't we hear the sick story? This is the story.

922
00:56:09,920 --> 00:56:13,520
Speaker 1: We went to Europe after I graduated college. My sister

923
00:56:13,600 --> 00:56:15,879
Speaker 1: planned the whole trip. She did a great job. The

924
00:56:15,920 --> 00:56:19,520
Speaker 1: one the one flaw on that trip planning was we

925
00:56:19,680 --> 00:56:23,359
Speaker 1: stayed for a knight in Brussels, where there's literally three

926
00:56:23,440 --> 00:56:26,840
Speaker 1: things to see, and then for whatever reason, on the

927
00:56:26,920 --> 00:56:29,319
Speaker 1: second day, we took a train to do a day

928
00:56:29,360 --> 00:56:33,600
Speaker 1: trip in Amsterdam and we're only there for like twelve hours.

929
00:56:34,239 --> 00:56:37,800
Speaker 1: You got to stay there. When I went to Europe,

930
00:56:37,840 --> 00:56:40,399
Speaker 1: we stayed in Amsterdam and that was the move. And

931
00:56:40,560 --> 00:56:43,520
Speaker 1: we made a stop in Brussels and made a stop

932
00:56:43,520 --> 00:56:48,279
Speaker 1: in Bruges, and our our stupid thing was we only

933
00:56:48,320 --> 00:56:51,799
Speaker 1: had three hours in Paris. We were driving from Amsterdam

934
00:56:51,840 --> 00:56:54,200
Speaker 1: to Paris. Aren't gonna like tag the Eiffel Tower and

935
00:56:54,239 --> 00:56:57,200
Speaker 1: come back. It was like like it was a child's game.

936
00:56:57,760 --> 00:57:00,600
Speaker 1: And we were there just long enough in Paris to

937
00:57:00,640 --> 00:57:06,480
Speaker 1: be like sort of chastised by a waitress and feel

938
00:57:06,760 --> 00:57:10,760
Speaker 1: very hot, and like I was like, oh, Paris reminds

939
00:57:10,800 --> 00:57:12,480
Speaker 1: me of New York City and I don't like it.

940
00:57:12,600 --> 00:57:15,960
Speaker 1: We gotta get out of here. Paris is the funnest,

941
00:57:16,960 --> 00:57:20,560
Speaker 1: but they don't care for you. No, they don't want

942
00:57:20,560 --> 00:57:23,600
Speaker 1: to be given you ship or talking to or helping

943
00:57:23,600 --> 00:57:27,760
Speaker 1: you in any way. And it's like in Amsterdam you

944
00:57:27,800 --> 00:57:30,320
Speaker 1: can like start speaking English and they're like cool, yeah,

945
00:57:30,360 --> 00:57:36,120
Speaker 1: well we us two girls. And then in Paris they're like, no, no, bitch,

946
00:57:36,680 --> 00:57:39,479
Speaker 1: you come here and we're not gonna cater to your

947
00:57:39,920 --> 00:57:43,600
Speaker 1: dumb ass, your dumb American ass. And then you're kind

948
00:57:43,600 --> 00:57:45,720
Speaker 1: of just like sitting there with the men. You like,

949
00:57:45,840 --> 00:57:48,600
Speaker 1: all I want is soup and they're like, well, learn

950
00:57:48,680 --> 00:57:53,920
Speaker 1: the word for soup. Yeah, it's pretty bad. I loved Paris.

951
00:57:54,000 --> 00:57:57,400
Speaker 1: I've got to Paris once. Maybe I've been through through

952
00:57:57,680 --> 00:58:00,560
Speaker 1: two or three times. And when my girlfriend and I

953
00:58:00,560 --> 00:58:04,280
Speaker 1: first got to Paris, a man, we first of all,

954
00:58:04,280 --> 00:58:06,760
Speaker 1: we got off the plane and the t s A

955
00:58:06,880 --> 00:58:14,160
Speaker 1: guys were like, oh, look, oh you are so like

956
00:58:14,840 --> 00:58:18,360
Speaker 1: so hitting on us so fucking hard. And we laughed

957
00:58:18,360 --> 00:58:20,920
Speaker 1: and left. We loved it. And then we went to

958
00:58:21,000 --> 00:58:24,080
Speaker 1: wherever we were staying and we were like, okay, let's

959
00:58:24,080 --> 00:58:27,080
Speaker 1: go get into some trouble. And when we left the hotel,

960
00:58:27,520 --> 00:58:29,560
Speaker 1: first of all, every guy we saw I was like,

961
00:58:29,600 --> 00:58:32,960
Speaker 1: oh baby, and we were like, it's real. So then

962
00:58:34,000 --> 00:58:39,240
Speaker 1: we go and we see a tall, skinny, gray haired

963
00:58:39,280 --> 00:58:44,320
Speaker 1: man in a pinstriped suit with a pencil mustache with

964
00:58:44,400 --> 00:58:48,920
Speaker 1: curls on the end, a pink ascot and he was

965
00:58:49,000 --> 00:58:54,600
Speaker 1: walking his fluffy, fluffy poodle and we laughed so fucking hard.

966
00:58:54,840 --> 00:58:57,439
Speaker 1: We were like, this is what you think of when

967
00:58:57,440 --> 00:59:00,800
Speaker 1: you think of Barris. You're doing it, You're doing the thing,

968
00:59:01,440 --> 00:59:03,080
Speaker 1: and that's how you met your husband, who's in the

969
00:59:03,160 --> 00:59:06,520
Speaker 1: room with you. Now. My husband went to go get

970
00:59:06,720 --> 00:59:12,400
Speaker 1: sprite and vodka. Oh that's gonna be a fun Monday night. Yeah,

971
00:59:13,400 --> 00:59:18,760
Speaker 1: vodka and sprite, come on, and he's oh, he's back

972
00:59:18,760 --> 00:59:20,520
Speaker 1: with the vodka. And the spracket. He's back with the

973
00:59:20,600 --> 00:59:28,480
Speaker 1: van ste himself some food. But what's most important is vodka.

974
00:59:28,720 --> 00:59:31,080
Speaker 1: Do you drink of vodka sprite? I will drink of

975
00:59:31,120 --> 00:59:41,480
Speaker 1: vodka sprite. Usually I drink um paloma. That's usually what

976
00:59:41,560 --> 00:59:44,880
Speaker 1: I drink. But I've had too many palomas today in

977
00:59:44,960 --> 00:59:52,960
Speaker 1: front of you this whole time. Yeah, yeah, you know,

978
00:59:53,000 --> 00:59:56,000
Speaker 1: whenever I see a bowl full of limes, I'm taking

979
00:59:56,040 --> 00:59:58,520
Speaker 1: back to my youth on Long Island when we would

980
00:59:58,600 --> 01:00:03,840
Speaker 1: make what's called the gin bucket. It's really exactly what

981
01:00:03,880 --> 01:00:05,880
Speaker 1: it sounds like. You feel a bucket full of gin.

982
01:00:06,600 --> 01:00:08,960
Speaker 1: You put some seven up in there, and you cut

983
01:00:09,040 --> 01:00:11,560
Speaker 1: up some limes, and then you get a turkey baster,

984
01:00:12,320 --> 01:00:17,720
Speaker 1: get some and you squirt in each other's mouth. It

985
01:00:17,800 --> 01:00:20,640
Speaker 1: does exactly what you think it's going to do. Because

986
01:00:20,680 --> 01:00:22,600
Speaker 1: can I tell you guys something, and this is a secret.

987
01:00:24,440 --> 01:00:30,680
Speaker 1: Gin is sin That's true. I'm concerned about the basis.

988
01:00:32,240 --> 01:00:37,960
Speaker 1: Like you said something, sit up straight, I'm shaking my

989
01:00:38,000 --> 01:00:41,320
Speaker 1: shoulders because gin will make you sinful. And I actually,

990
01:00:41,960 --> 01:00:44,400
Speaker 1: I actually just got a whole bunch of gin, and

991
01:00:44,440 --> 01:00:46,520
Speaker 1: I feel that I'm That's what I'm missing, you know,

992
01:00:46,520 --> 01:00:49,160
Speaker 1: I'm missing going out and having some chin. That's another

993
01:00:49,200 --> 01:00:51,840
Speaker 1: thing about drinking throughout your twenties, says you discover gin

994
01:00:52,480 --> 01:00:56,040
Speaker 1: and it's sort of keep gets your gets your frisky.

995
01:00:56,440 --> 01:01:08,200
Speaker 1: You know what I mean? Everyone has their danger alcohol

996
01:01:08,360 --> 01:01:12,640
Speaker 1: bow and what's your danger alcohol? My danger alcohol is this.

997
01:01:12,800 --> 01:01:17,200
Speaker 1: I sound like a Damn Gray's Anatomy character, but it's tequila.

998
01:01:17,440 --> 01:01:23,360
Speaker 1: And I sound like Meredith Gray herself, but it's tequila.

999
01:01:23,440 --> 01:01:26,360
Speaker 1: Do an impression of Meredith Gray being like, don't don't

1000
01:01:26,440 --> 01:01:32,200
Speaker 1: have I can't drink tequila. It's the tequila. She's always like,

1001
01:01:33,160 --> 01:01:36,040
Speaker 1: it's men in tequila, it's or whatever, And then here's

1002
01:01:36,080 --> 01:01:41,240
Speaker 1: me at Sandro agreeing it's men in tequila. Well, this

1003
01:01:41,000 --> 01:01:43,040
Speaker 1: is this is such an inversion. Usually I'm the I'm

1004
01:01:43,080 --> 01:01:45,240
Speaker 1: the Christina to your Meredith and it's not racial. Well

1005
01:01:45,360 --> 01:01:49,560
Speaker 1: that's actually really you. You racialize that, and I'm really disappointed.

1006
01:01:51,000 --> 01:01:59,040
Speaker 1: I have to be baby No what your cab? Yeah,

1007
01:02:00,800 --> 01:02:03,960
Speaker 1: you're actually literally in CAREB. You're like, I'm Amber Roughan

1008
01:02:04,120 --> 01:02:08,040
Speaker 1: and Creb's like, I'm carib Oh, I'm probably Izzy. I died.

1009
01:02:10,000 --> 01:02:12,640
Speaker 1: She actually is very much alive, and there's rumors that

1010
01:02:12,640 --> 01:02:15,880
Speaker 1: she'll return for this season. There is wait did you,

1011
01:02:16,400 --> 01:02:20,120
Speaker 1: do you guys really watch Crais' anatomy? We are wet

1012
01:02:20,400 --> 01:02:23,160
Speaker 1: wait a wait, So the answer to this is yes,

1013
01:02:23,600 --> 01:02:27,000
Speaker 1: but not currently. Do you watch it now? I watch

1014
01:02:27,080 --> 01:02:30,160
Speaker 1: it now, I've always watched it. I am up to

1015
01:02:31,160 --> 01:02:33,520
Speaker 1: I Whenever I meet someone who's up to date on

1016
01:02:33,560 --> 01:02:36,400
Speaker 1: Gray's anatomy, I know they're like in a past life

1017
01:02:36,440 --> 01:02:40,600
Speaker 1: we were like, you know, twins because I feel sisterhood

1018
01:02:40,640 --> 01:02:43,640
Speaker 1: with everyone despite not being currently up to date with Gray's.

1019
01:02:43,760 --> 01:02:45,680
Speaker 1: I feel a sister hope with those that are. But

1020
01:02:45,760 --> 01:02:48,240
Speaker 1: do you know, I am on the cusp of like

1021
01:02:48,400 --> 01:02:52,000
Speaker 1: fully diving back in and I think. I think crazy

1022
01:02:52,360 --> 01:02:55,120
Speaker 1: is in the conversation in a huge way right now.

1023
01:02:55,360 --> 01:02:57,560
Speaker 1: It always is. I've had but I haven't know, but

1024
01:02:57,600 --> 01:02:59,240
Speaker 1: I'm saying something is going on with like four different

1025
01:02:59,280 --> 01:03:01,520
Speaker 1: people texted me being like, hey, hey, so if I

1026
01:03:01,680 --> 01:03:03,600
Speaker 1: if I fell off of Grays after the plane crash,

1027
01:03:03,680 --> 01:03:05,840
Speaker 1: where should I start? And I'm like, I fell off

1028
01:03:05,880 --> 01:03:08,080
Speaker 1: before the plane crash, and I don't know what to

1029
01:03:08,120 --> 01:03:10,880
Speaker 1: tell you, but everyone there's like an ground I made

1030
01:03:10,880 --> 01:03:13,680
Speaker 1: it further than you. That's crazy, but there's a groundswell

1031
01:03:13,720 --> 01:03:16,400
Speaker 1: of people. It was the shooting after the plane crash.

1032
01:03:16,520 --> 01:03:19,160
Speaker 1: The shooting was. Yeah, the shooting was the last draw

1033
01:03:19,240 --> 01:03:22,480
Speaker 1: for me. Actually, I love the shooting episode. Actually, it

1034
01:03:22,560 --> 01:03:24,720
Speaker 1: was well, it was very well written. The shooting episode

1035
01:03:24,800 --> 01:03:28,880
Speaker 1: was where I screamed and I screamed so loudly that

1036
01:03:28,920 --> 01:03:34,360
Speaker 1: my husband had to come see. He was like, I'm

1037
01:03:34,560 --> 01:03:39,360
Speaker 1: crap doubled over. It was so it was the best

1038
01:03:39,400 --> 01:03:43,640
Speaker 1: episode of television. And I wanted April Techner to die.

1039
01:03:44,880 --> 01:03:48,960
Speaker 1: Are stupid guts? I was like I was, And she

1040
01:03:49,120 --> 01:03:51,400
Speaker 1: didn't even die, she just got She got to have

1041
01:03:51,480 --> 01:03:53,680
Speaker 1: more annoying moments in that episode when she was like,

1042
01:03:53,760 --> 01:03:55,880
Speaker 1: there's so much blood. You never think there's gonna be

1043
01:03:55,920 --> 01:03:57,360
Speaker 1: that much blood. And you know, even when you're a

1044
01:03:57,440 --> 01:03:58,919
Speaker 1: daughter and you know there's that much fun and you

1045
01:03:59,080 --> 01:04:01,680
Speaker 1: do work and you do you do, you go to school,

1046
01:04:01,680 --> 01:04:03,080
Speaker 1: and you know how much nd there is, but you

1047
01:04:03,160 --> 01:04:06,360
Speaker 1: never know there's gonna be that much fun. It's dead.

1048
01:04:06,920 --> 01:04:12,760
Speaker 1: It's dead, and they're like that was really the monologue. Really,

1049
01:04:13,000 --> 01:04:17,240
Speaker 1: my god, I mean literally the way I want. Okay,

1050
01:04:17,240 --> 01:04:19,960
Speaker 1: So here's some t I got to audition for the

1051
01:04:19,960 --> 01:04:23,240
Speaker 1: New Shanda Show, which is an Annadelvi show. So she's

1052
01:04:23,240 --> 01:04:25,400
Speaker 1: doing an a show for Netflix, and I got the

1053
01:04:25,440 --> 01:04:27,480
Speaker 1: audition for it, I can say now because I almost

1054
01:04:27,480 --> 01:04:29,720
Speaker 1: definitely didn't get it. I haven't heard back, but it

1055
01:04:29,760 --> 01:04:33,480
Speaker 1: was truly pages and pages and pages of Shonda dialogue

1056
01:04:33,760 --> 01:04:35,960
Speaker 1: and I was like, oh my god, then I just

1057
01:04:35,960 --> 01:04:38,960
Speaker 1: get to do this one time. And you know, the

1058
01:04:39,040 --> 01:04:41,800
Speaker 1: role was like a gay guy who's a stylist who

1059
01:04:41,840 --> 01:04:45,240
Speaker 1: knows it all, and I was like yes. I was like,

1060
01:04:45,400 --> 01:04:48,200
Speaker 1: oh my god, I got to say so much good,

1061
01:04:48,480 --> 01:04:52,000
Speaker 1: ridiculous like never ending Shanda stuff, and it was the

1062
01:04:52,120 --> 01:04:54,800
Speaker 1: highlight of my career as an actor. I was like,

1063
01:04:54,920 --> 01:04:57,320
Speaker 1: this is so good. And sometimes I just sometimes I'll

1064
01:04:57,360 --> 01:05:02,560
Speaker 1: just watch my own self tape. Oh, a startling admission.

1065
01:05:02,760 --> 01:05:10,200
Speaker 1: I love it because it's so delicious, Like it's so unhinged. Wait,

1066
01:05:10,280 --> 01:05:14,880
Speaker 1: here's a good thing. What's all your favorite Shonda monologue?

1067
01:05:15,080 --> 01:05:17,600
Speaker 1: This is for Gray's anatomy scholars. This is huge. I

1068
01:05:17,640 --> 01:05:21,920
Speaker 1: think I know Bowen's I do you though, because I

1069
01:05:21,960 --> 01:05:25,320
Speaker 1: have one all time? Yours is definitely. Can I guess

1070
01:05:25,360 --> 01:05:28,240
Speaker 1: yours and you can guess mine? Yeah? Yeah, yeah, yours.

1071
01:05:28,320 --> 01:05:31,000
Speaker 1: I'm gonna guess is gonna be Sandra? And it's it's

1072
01:05:31,000 --> 01:05:35,880
Speaker 1: not difficult, it's unbearable. That's not the one what and

1073
01:05:36,000 --> 01:05:39,360
Speaker 1: it's a Sandra one, but it's the one from will

1074
01:05:39,520 --> 01:05:45,200
Speaker 1: Never Again. I love that one, but it's actually that's yours.

1075
01:05:46,320 --> 01:05:50,480
Speaker 1: That's that's a good choice. Number mine is from because

1076
01:05:50,520 --> 01:05:53,680
Speaker 1: I memorized this and I used it. I've never told

1077
01:05:53,680 --> 01:05:56,680
Speaker 1: this to anybody before. I memorized I memorize this one,

1078
01:05:56,680 --> 01:06:02,760
Speaker 1: and I used it as an audition monologue for my junior. Ye, no,

1079
01:06:02,800 --> 01:06:04,360
Speaker 1: I don't, I don't. I don't remember it anymore. But

1080
01:06:04,360 --> 01:06:06,800
Speaker 1: it's the one where the chief is questioning all the

1081
01:06:06,840 --> 01:06:09,560
Speaker 1: interns about who cut the al bad wire when it

1082
01:06:09,600 --> 01:06:12,720
Speaker 1: gets she goes and as he goes, I'm a pretty girl.

1083
01:06:13,600 --> 01:06:17,560
Speaker 1: Oh my god. She But we love crazy, We loved it.

1084
01:06:18,040 --> 01:06:20,080
Speaker 1: But but Christina, Christina's was well how did it? How

1085
01:06:20,080 --> 01:06:22,680
Speaker 1: did it start? It's just like, how do you do it? Sir?

1086
01:06:22,880 --> 01:06:27,560
Speaker 1: Oh yeah, you're because I see you and you're like

1087
01:06:27,560 --> 01:06:29,240
Speaker 1: like that one and then like she's And then that

1088
01:06:29,280 --> 01:06:32,160
Speaker 1: was the first I think single tear drop where her

1089
01:06:32,200 --> 01:06:38,040
Speaker 1: face stays still but the tear just falls. Unbelievable, unbelievable.

1090
01:06:39,520 --> 01:06:41,880
Speaker 1: And now I'm realizing that, like all my favorites are

1091
01:06:41,960 --> 01:06:46,160
Speaker 1: not actually monologues, but they're sort of moments like I

1092
01:06:46,200 --> 01:06:48,880
Speaker 1: got his off head wire. I didn't. I didn't know

1093
01:06:48,920 --> 01:06:51,480
Speaker 1: what to help Matt. I thought I was a surgeon,

1094
01:06:51,560 --> 01:06:55,400
Speaker 1: but I can't. I can't. I thought I was. I'm not.

1095
01:06:57,920 --> 01:06:59,760
Speaker 1: I mean, that's a pretty incredible one. That's a very

1096
01:06:59,800 --> 01:07:03,720
Speaker 1: good one. I like the one where um Sandra has

1097
01:07:03,760 --> 01:07:05,880
Speaker 1: to get out of her wedding dress. Were you guys

1098
01:07:05,920 --> 01:07:10,800
Speaker 1: watching that? Oh? We are, trust me. But Grey's Anatomy

1099
01:07:10,840 --> 01:07:12,640
Speaker 1: is huge for Bowen and I. We used to do

1100
01:07:12,720 --> 01:07:14,439
Speaker 1: we used to have a two man improv group called

1101
01:07:14,480 --> 01:07:17,640
Speaker 1: Gray's Anatomy Drag where which which we did I think

1102
01:07:17,680 --> 01:07:20,040
Speaker 1: three times because it was so bad and it was

1103
01:07:20,920 --> 01:07:24,800
Speaker 1: it was terrible. We would get no laughs. There was

1104
01:07:24,840 --> 01:07:27,000
Speaker 1: a show that we did at the Duplex where it

1105
01:07:27,120 --> 01:07:28,920
Speaker 1: was a gay show for all people, and it was

1106
01:07:29,040 --> 01:07:31,200
Speaker 1: we were awful and we got no less. But we

1107
01:07:31,160 --> 01:07:35,080
Speaker 1: were full scrubs and I was Diusy and Bowen was

1108
01:07:35,920 --> 01:07:39,000
Speaker 1: Christina Young and we would just get a suggestion and

1109
01:07:39,040 --> 01:07:41,280
Speaker 1: we would do a scene that took place at Seattle

1110
01:07:41,320 --> 01:07:45,800
Speaker 1: Grace and it was horrible. It was horrible, terrible, but

1111
01:07:45,880 --> 01:07:49,280
Speaker 1: we did do it. The biggest boons in my life. No, no, no, Amber.

1112
01:07:49,320 --> 01:07:55,360
Speaker 1: It was such a true bomb in every sense anyway. Um,

1113
01:07:55,560 --> 01:07:58,320
Speaker 1: but no, this is what I'm saying. Grace is coming back,

1114
01:07:58,680 --> 01:08:03,080
Speaker 1: and I feel like people like Amber have some high

1115
01:08:03,120 --> 01:08:05,080
Speaker 1: ground to be like I've been staying with it the

1116
01:08:05,120 --> 01:08:08,480
Speaker 1: whole time, but I think everyone is like, wait a minute,

1117
01:08:09,320 --> 01:08:13,880
Speaker 1: Grays has been such a constant throughout the years, and

1118
01:08:14,120 --> 01:08:16,519
Speaker 1: wouldn't it be so comforting to watch something like Grays?

1119
01:08:16,840 --> 01:08:20,400
Speaker 1: And I kind of feel that same way. It feels

1120
01:08:20,800 --> 01:08:25,639
Speaker 1: freaking great. And because everyone fell off, you can now

1121
01:08:26,160 --> 01:08:31,160
Speaker 1: pick up way a million years ago and it's uh,

1122
01:08:31,200 --> 01:08:34,240
Speaker 1: it's quarantine. You have anything to do, sit down and

1123
01:08:34,320 --> 01:08:37,920
Speaker 1: watch a bunch of Grays. It feels great. You're talking

1124
01:08:37,960 --> 01:08:42,800
Speaker 1: to someone who watched thirty seasons of Survivor in the

1125
01:08:42,880 --> 01:08:49,880
Speaker 1: first month of the quarantine three dash zero. So yeah,

1126
01:08:49,880 --> 01:08:52,360
Speaker 1: there's nothing. There's not There's not much stopping me from

1127
01:08:52,360 --> 01:08:54,559
Speaker 1: plunking it down and watching all that. But wait, so

1128
01:08:54,600 --> 01:08:56,800
Speaker 1: what's your sort of read on what's happening now, which

1129
01:08:56,840 --> 01:08:59,799
Speaker 1: is like, there's a return of mc dreamy, Uh, Meredith

1130
01:08:59,840 --> 01:09:04,320
Speaker 1: is seeing him. I guess in like a COVID state,

1131
01:09:04,479 --> 01:09:08,640
Speaker 1: what's happening? When you say it out loud, it sounds crazy,

1132
01:09:11,760 --> 01:09:14,240
Speaker 1: but that is what's happening. How can you stand to

1133
01:09:14,280 --> 01:09:16,760
Speaker 1: know what's happening without watching it? How are you going

1134
01:09:16,800 --> 01:09:22,120
Speaker 1: to watch it now that you know that I can? Yeah,

1135
01:09:21,240 --> 01:09:25,360
Speaker 1: I don't know, just because there's there's so many characters

1136
01:09:25,400 --> 01:09:29,479
Speaker 1: now that I'm like, who who is that? Like? And honestly,

1137
01:09:29,600 --> 01:09:32,120
Speaker 1: I'll tell you what, I am kind of a purist

1138
01:09:32,240 --> 01:09:33,880
Speaker 1: and like I don't know this is the word, like

1139
01:09:33,880 --> 01:09:38,400
Speaker 1: an originalist. Like and when they started, when they started, okay,

1140
01:09:38,439 --> 01:09:44,120
Speaker 1: what is that Leah? Nothing? Shut up? I hate you anyway?

1141
01:09:44,240 --> 01:09:47,800
Speaker 1: Um so, so he doesn't hate I know, I love

1142
01:09:47,840 --> 01:09:50,040
Speaker 1: him more than life. I just don't like being compared

1143
01:09:50,080 --> 01:09:55,960
Speaker 1: to Scalia another trigger word. Um but anyway, um uh wait. Now,

1144
01:09:56,000 --> 01:09:58,479
Speaker 1: when they started to get rid of the original five,

1145
01:09:58,960 --> 01:10:04,240
Speaker 1: like when they killed George and Izzy like was literally

1146
01:10:04,320 --> 01:10:06,360
Speaker 1: dying of cancer and almost died, and then they ended

1147
01:10:06,439 --> 01:10:09,600
Speaker 1: up firing her, I was like, see, I feel my

1148
01:10:09,680 --> 01:10:12,040
Speaker 1: chain has been jerked too hard. And I was already

1149
01:10:12,080 --> 01:10:14,599
Speaker 1: in a certain way with the show. And then they

1150
01:10:14,720 --> 01:10:20,439
Speaker 1: killed um miss Kyler, Lee, Lexi and um mixed team

1151
01:10:20,600 --> 01:10:24,080
Speaker 1: at the same time, and all of a sudden that

1152
01:10:24,400 --> 01:10:26,240
Speaker 1: I just felt like everyone was falling off in ways

1153
01:10:26,280 --> 01:10:29,360
Speaker 1: I no longer believed, and I feel that the sort

1154
01:10:29,400 --> 01:10:33,880
Speaker 1: of drama with a soap edge that it was in

1155
01:10:33,920 --> 01:10:37,240
Speaker 1: the first few seasons became a full blown soap. And

1156
01:10:37,360 --> 01:10:40,000
Speaker 1: ordinarily I love that ship, but with this I was like,

1157
01:10:40,320 --> 01:10:43,160
Speaker 1: I missed, I miss my my people, like I didn't

1158
01:10:43,160 --> 01:10:45,200
Speaker 1: really wanted to turn into the er that it would

1159
01:10:45,240 --> 01:10:46,800
Speaker 1: just go on and on and on and on and on,

1160
01:10:47,320 --> 01:10:49,360
Speaker 1: and then it did. And so now I don't know

1161
01:10:49,360 --> 01:10:51,479
Speaker 1: who any of these young girls are on the show.

1162
01:10:52,640 --> 01:10:57,599
Speaker 1: Each of them is more special than the last, really perfect. Yes,

1163
01:10:58,120 --> 01:11:01,120
Speaker 1: I love them and you'll love them too. They're flawed.

1164
01:11:01,160 --> 01:11:05,040
Speaker 1: Oh my god. I want to ruin it, but I

1165
01:11:05,080 --> 01:11:08,760
Speaker 1: can't have to. You can you can? You can? You can?

1166
01:11:09,080 --> 01:11:12,280
Speaker 1: I don't want to ruin it for you. Youwear to you.

1167
01:11:12,400 --> 01:11:15,920
Speaker 1: We're not going back, but and that's okay, and that's okay. No,

1168
01:11:16,120 --> 01:11:18,080
Speaker 1: I I'm considering it. But I still want Amber to

1169
01:11:18,080 --> 01:11:20,280
Speaker 1: tell us but he doesn't care. I don't want you to.

1170
01:11:20,479 --> 01:11:23,200
Speaker 1: I don't know, I don't know what. I don't care what. Okay,

1171
01:11:23,320 --> 01:11:31,759
Speaker 1: dear reader, plug your that When um uh, Derek's sister,

1172
01:11:32,880 --> 01:11:35,840
Speaker 1: who was one of the newer women, is this old

1173
01:11:35,840 --> 01:11:40,080
Speaker 1: this might be old Shepherd? When Amelia Shepherd had the baby.

1174
01:11:41,240 --> 01:11:45,080
Speaker 1: Do you remember that Amelia Shepherd had a baby and

1175
01:11:45,120 --> 01:11:48,880
Speaker 1: the baby Amelia Shepherd is a brain surgeon, and her

1176
01:11:48,920 --> 01:11:59,000
Speaker 1: baby had no brain. She had to go donate his body,

1177
01:11:59,240 --> 01:12:02,960
Speaker 1: so she got to hold him for like ten minutes,

1178
01:12:03,040 --> 01:12:09,560
Speaker 1: and the baby went like this, Oh he was he

1179
01:12:08,720 --> 01:12:11,680
Speaker 1: was he was alive. He just he was alive with

1180
01:12:11,760 --> 01:12:15,439
Speaker 1: no brain. He was like so essentially it was just

1181
01:12:15,479 --> 01:12:18,639
Speaker 1: like a body with like blood coursing through its veins,

1182
01:12:18,680 --> 01:12:21,160
Speaker 1: but it had no brain. And so I guess it

1183
01:12:21,280 --> 01:12:23,080
Speaker 1: would have been out of the question for any of

1184
01:12:23,120 --> 01:12:25,360
Speaker 1: the medical professionals in the year I'm gonna guess two

1185
01:12:25,360 --> 01:12:28,000
Speaker 1: thousand fifteen that this happened to sort of know beforehand

1186
01:12:28,000 --> 01:12:29,320
Speaker 1: that maybe he was not going to have a brain.

1187
01:12:32,760 --> 01:12:34,439
Speaker 1: I just I just feel like someone has to ask

1188
01:12:34,479 --> 01:12:36,439
Speaker 1: the hard questions. But I don't know if they bumped

1189
01:12:36,479 --> 01:12:39,000
Speaker 1: on that in the writer's room, like then who am I?

1190
01:12:39,120 --> 01:12:43,040
Speaker 1: But I mean to look at the baby, because it

1191
01:12:43,080 --> 01:12:46,360
Speaker 1: wasn't like he had an empty head. It was like

1192
01:12:46,600 --> 01:12:50,400
Speaker 1: where the brain should be, there was nothing. There was nothing.

1193
01:12:50,760 --> 01:12:54,599
Speaker 1: So maybe they could have known this. So she probably

1194
01:12:54,640 --> 01:12:57,160
Speaker 1: felt like, well, we're not going to do the typical

1195
01:12:57,240 --> 01:12:59,599
Speaker 1: brain check. We do on any old baby, because I'm

1196
01:12:59,640 --> 01:13:02,040
Speaker 1: a brain surgeon. Of course my baby's gonna have a brain.

1197
01:13:02,120 --> 01:13:04,720
Speaker 1: Think of the big, beautiful one that I have. So

1198
01:13:04,760 --> 01:13:07,160
Speaker 1: this actually makes a lot of interesting sense, and that's

1199
01:13:07,160 --> 01:13:17,680
Speaker 1: actually pathos. That's what you want out. There was a

1200
01:13:17,880 --> 01:13:21,040
Speaker 1: there was a so get this. In college when I

1201
01:13:21,080 --> 01:13:23,400
Speaker 1: was studying writing, we had to take a I was

1202
01:13:23,479 --> 01:13:25,479
Speaker 1: a didn't want you doing a dramatic writing and I

1203
01:13:25,880 --> 01:13:27,840
Speaker 1: was a television concentrate, so we had to do like

1204
01:13:27,880 --> 01:13:31,759
Speaker 1: a spec script in one hour drama, and I wrote

1205
01:13:31,960 --> 01:13:34,560
Speaker 1: a one and my class was insane because they were like,

1206
01:13:34,640 --> 01:13:37,280
Speaker 1: I'm doing a Breaking Bad like these twenty year olds,

1207
01:13:37,520 --> 01:13:39,760
Speaker 1: like I'm doing mad Men. I'm doing Breaking Bad like

1208
01:13:40,000 --> 01:13:42,400
Speaker 1: all like shows. No one any business writing. And I

1209
01:13:42,439 --> 01:13:45,439
Speaker 1: was like, bitch, I'm doing a grays anatomy and a

1210
01:13:45,439 --> 01:13:48,760
Speaker 1: lion gets loose in Seattle Grace, and that's my episode.

1211
01:13:49,040 --> 01:13:53,679
Speaker 1: I'm writing a Sweeps episode where a lion eats let's say, Kepner,

1212
01:13:54,400 --> 01:13:57,040
Speaker 1: And that's going to be something I want to see

1213
01:13:57,120 --> 01:13:59,160
Speaker 1: because if it's just about the form, then we let's

1214
01:13:59,200 --> 01:14:03,240
Speaker 1: get goofy. That is that is the forum. Did you

1215
01:14:03,240 --> 01:14:06,519
Speaker 1: get a plus? I got an A plus plus plus

1216
01:14:06,600 --> 01:14:11,200
Speaker 1: plus and and a job said he's a genius and

1217
01:14:11,560 --> 01:14:15,799
Speaker 1: they put me in Hollywood. No, but it's just so

1218
01:14:16,040 --> 01:14:18,759
Speaker 1: it's so funny what goes down, and I can't believe

1219
01:14:18,800 --> 01:14:22,800
Speaker 1: she's having COVID flashes of McK dreamy. That's so fun

1220
01:14:23,960 --> 01:14:28,320
Speaker 1: it was real. Like I sat down and be like, yay,

1221
01:14:28,720 --> 01:14:35,760
Speaker 1: Gray's Anatomy and escape. I was like, oh, I don't

1222
01:14:35,800 --> 01:14:39,559
Speaker 1: like this. I need this to be separate. Here's what

1223
01:14:39,640 --> 01:14:42,479
Speaker 1: I think. I think that whenever Gray's is going to end,

1224
01:14:42,520 --> 01:14:44,400
Speaker 1: if it is this season, we need to know. We

1225
01:14:44,439 --> 01:14:46,519
Speaker 1: need to know in advanced because I would like to

1226
01:14:47,479 --> 01:14:50,439
Speaker 1: have an amy push for Ellen Pompeo for the last

1227
01:14:50,439 --> 01:14:55,120
Speaker 1: season because m Ellen does underrated work as Meredith Gray.

1228
01:14:55,240 --> 01:14:57,439
Speaker 1: And I've said it since the beginning. She makes it

1229
01:14:57,479 --> 01:15:02,599
Speaker 1: look super easy and she always has and she's so talented.

1230
01:15:02,640 --> 01:15:04,880
Speaker 1: She's such a good center of that show. And she

1231
01:15:05,000 --> 01:15:07,040
Speaker 1: said she's pretty much on the record saying she's never

1232
01:15:07,120 --> 01:15:09,360
Speaker 1: acting after this. She's going to just do more behind

1233
01:15:09,360 --> 01:15:11,439
Speaker 1: the camera stuff. And so then give a career I

1234
01:15:11,479 --> 01:15:18,200
Speaker 1: mean nominator, because let's let's let's see her off because

1235
01:15:18,760 --> 01:15:21,559
Speaker 1: she has she makes that show and it's it's easy

1236
01:15:21,640 --> 01:15:24,120
Speaker 1: to say, like you know, the best part of Sandra

1237
01:15:24,320 --> 01:15:27,040
Speaker 1: or you know, the highlight of the show was like

1238
01:15:27,240 --> 01:15:29,679
Speaker 1: the busy of it all, like the elved wire, those

1239
01:15:29,960 --> 01:15:34,360
Speaker 1: iconic moments. Meredith has always been the glue. And it's like,

1240
01:15:34,520 --> 01:15:37,000
Speaker 1: basically say that because she is Gray of Grey's Anatomy.

1241
01:15:37,040 --> 01:15:40,360
Speaker 1: But she she gets paid dust Ellen Pompeo. She really does,

1242
01:15:42,080 --> 01:15:52,000
Speaker 1: and she she doesn't literally not literally she gets paid millions.

1243
01:15:52,320 --> 01:15:53,800
Speaker 1: No, no no, no, she gets When I say she gets

1244
01:15:53,840 --> 01:15:56,400
Speaker 1: paid dust, I just mean like she does not get them.

1245
01:15:58,240 --> 01:16:01,479
Speaker 1: She doesn't. She needs her flowers. She needs her flowers. Um.

1246
01:16:01,920 --> 01:16:03,920
Speaker 1: The fact that Grace is still in the conversation as

1247
01:16:03,960 --> 01:16:08,720
Speaker 1: a network drama like in the year is remarkable, and

1248
01:16:08,760 --> 01:16:11,240
Speaker 1: we love that and we celebrate that, and we celebrate

1249
01:16:11,439 --> 01:16:15,280
Speaker 1: the Ember Ruffin show. Truly wonderful. I think it's time

1250
01:16:15,320 --> 01:16:16,680
Speaker 1: to move on too. I don't think so. I think

1251
01:16:16,760 --> 01:16:19,200
Speaker 1: it actually is time to sort of, as they say,

1252
01:16:19,360 --> 01:16:22,040
Speaker 1: move on, and I'm putting move on in quotes is

1253
01:16:22,080 --> 01:16:26,680
Speaker 1: just sort of, you know, colloquialism for to continue. UM,

1254
01:16:26,960 --> 01:16:29,080
Speaker 1: so start going to sort of move on to the

1255
01:16:29,160 --> 01:16:32,840
Speaker 1: last section of the episode of Last Culture Reasons that

1256
01:16:32,880 --> 01:16:36,960
Speaker 1: we're currently recording with Amber Ruffin which um has a title.

1257
01:16:37,000 --> 01:16:39,120
Speaker 1: I believe we said, um, I don't give a rip

1258
01:16:39,120 --> 01:16:42,120
Speaker 1: and give a rep. Yeah, um, And that's I don't

1259
01:16:42,120 --> 01:16:44,000
Speaker 1: think so, honey. So I don't thinking is our one

1260
01:16:44,000 --> 01:16:46,800
Speaker 1: minute segment sixty second Segmentum is another way you can

1261
01:16:46,840 --> 01:16:49,559
Speaker 1: say that, And it's where we take something in culture

1262
01:16:49,600 --> 01:16:54,280
Speaker 1: and we absolutely rant, rave, harass the topic because it

1263
01:16:54,320 --> 01:16:56,960
Speaker 1: deserves it. It really deserves it in many ways. And

1264
01:16:56,960 --> 01:16:58,559
Speaker 1: I don't think the money is in opposite of and

1265
01:16:58,600 --> 01:17:00,280
Speaker 1: I don't give a rip because I don't give rip.

1266
01:17:00,320 --> 01:17:02,639
Speaker 1: You're indifferent, but I don't think the honey, you are

1267
01:17:03,040 --> 01:17:08,519
Speaker 1: impassionately against something. Oh, you care very much. You care

1268
01:17:08,680 --> 01:17:13,880
Speaker 1: very much, care very much. So I usually traditionally go first,

1269
01:17:13,880 --> 01:17:16,040
Speaker 1: but I want to say one thing before I go,

1270
01:17:16,200 --> 01:17:18,360
Speaker 1: which is it was almost I don't think so, honey,

1271
01:17:18,439 --> 01:17:20,360
Speaker 1: and it's it's ultimately not. But I do want to

1272
01:17:20,439 --> 01:17:24,439
Speaker 1: have said this. Yea, if you are not going home

1273
01:17:24,479 --> 01:17:28,000
Speaker 1: for Thanksgiving and Christmas, be nice to your parents on

1274
01:17:28,000 --> 01:17:30,559
Speaker 1: the phone. Don't be giving them the attitude you might

1275
01:17:30,600 --> 01:17:32,559
Speaker 1: historically be giving them, are classically be giving them on

1276
01:17:32,560 --> 01:17:35,080
Speaker 1: the phone because they're without their children this holiday season.

1277
01:17:35,640 --> 01:17:37,720
Speaker 1: And so if you're usually the kind of person who

1278
01:17:37,800 --> 01:17:41,160
Speaker 1: was like my mom calling be fucking nice because your

1279
01:17:41,200 --> 01:17:44,519
Speaker 1: mom does not have their child this holiday season, and

1280
01:17:44,520 --> 01:17:46,000
Speaker 1: this is not my I don't think so, honey, but

1281
01:17:46,000 --> 01:17:48,360
Speaker 1: it nearly was. I have a much more important one.

1282
01:17:48,840 --> 01:17:50,840
Speaker 1: But I just want to say that because I heard

1283
01:17:50,880 --> 01:17:52,680
Speaker 1: someone on the phone in passing the other day and

1284
01:17:52,680 --> 01:17:55,120
Speaker 1: I was like, how dare this person speak this way

1285
01:17:55,439 --> 01:17:58,559
Speaker 1: to their to their parents who's gonna be missing them

1286
01:17:58,560 --> 01:18:00,760
Speaker 1: as holiday and they're going to be thinking about a

1287
01:18:00,840 --> 01:18:04,200
Speaker 1: lot more than you because your parents love you anyway.

1288
01:18:05,160 --> 01:18:07,639
Speaker 1: So I just wanted to get that out there. It's true,

1289
01:18:08,520 --> 01:18:11,080
Speaker 1: it's true. Okay, Well, this is Matt Rodgers. I don't

1290
01:18:11,080 --> 01:18:13,240
Speaker 1: think so, honey, and I just want to hold on.

1291
01:18:13,360 --> 01:18:17,280
Speaker 1: Before we start, I have to really sincerely apologize. I

1292
01:18:17,320 --> 01:18:21,679
Speaker 1: said the word impassionately earlier. I don't think that's the word.

1293
01:18:21,960 --> 01:18:24,680
Speaker 1: I think we forget it. I think we forget about it.

1294
01:18:25,040 --> 01:18:26,880
Speaker 1: But I just wanted to before we forget about it.

1295
01:18:26,920 --> 01:18:34,320
Speaker 1: I just wanted to apologize for it. Okay, Okay, all right, okay, yeah,

1296
01:18:34,400 --> 01:18:36,000
Speaker 1: this is Matt Rodgers. I don't think so, honey. It's

1297
01:18:36,000 --> 01:18:38,960
Speaker 1: time starts now. I don't think so, honey. You're saying

1298
01:18:39,040 --> 01:18:43,120
Speaker 1: you want to fuck Steve CORNACKI. Let me tell you something, bitch.

1299
01:18:43,680 --> 01:18:48,200
Speaker 1: You don't it's okay. You don't want to fuck Steve CORNACKI.

1300
01:18:48,600 --> 01:18:52,400
Speaker 1: You like Steve CORNACKI, you maybe even love Steve CORNACKI.

1301
01:18:52,680 --> 01:18:56,240
Speaker 1: You appreciate Steve CORNACKI, you think he's wonderful at his job.

1302
01:18:56,680 --> 01:19:01,760
Speaker 1: You want to fuck Steve CORNACKI, I don't think so, honey.

1303
01:19:01,800 --> 01:19:05,680
Speaker 1: If you do want to suck Steve CORNACKI, that's that's

1304
01:19:05,760 --> 01:19:09,439
Speaker 1: your business. I'm talking about the royal audience here, all

1305
01:19:09,520 --> 01:19:12,280
Speaker 1: of us saying we all want to suck Steve CORNICKI.

1306
01:19:12,479 --> 01:19:16,479
Speaker 1: Leave that man alone, sexually objectifying him. He came in

1307
01:19:16,520 --> 01:19:19,200
Speaker 1: here in his cornaki khakis and did his thing on

1308
01:19:19,240 --> 01:19:21,880
Speaker 1: that board, and he didn't deserve to be objectified by

1309
01:19:21,880 --> 01:19:26,679
Speaker 1: all of y'all. He's so tired, he doesn't have the time, energy,

1310
01:19:26,720 --> 01:19:30,000
Speaker 1: space moment to deal with you and your bullshit. And

1311
01:19:30,040 --> 01:19:32,920
Speaker 1: you're tweeting about how you want to fuck this man.

1312
01:19:33,479 --> 01:19:36,519
Speaker 1: Leave him alone, let him do his thing, and actually

1313
01:19:36,560 --> 01:19:39,000
Speaker 1: let him rest. I don't think so, honey. And that's

1314
01:19:39,000 --> 01:19:42,040
Speaker 1: one minute. You don't want to fuck Steve CORNACKI, And

1315
01:19:42,080 --> 01:19:46,640
Speaker 1: you're not impressing by anyone by saying you want you

1316
01:19:46,680 --> 01:19:51,559
Speaker 1: think it's impressed people to be like, I'm secretly sabio sexual.

1317
01:19:51,760 --> 01:19:56,200
Speaker 1: It's this sort of trademark Bowen Yang sensationalism. People sort

1318
01:19:56,200 --> 01:19:58,559
Speaker 1: of want to get online and stir the pot, so

1319
01:19:58,600 --> 01:20:01,720
Speaker 1: they say nasty things about Doja cat to sort of

1320
01:20:01,760 --> 01:20:04,920
Speaker 1: get the sort of you know, fire happening around them

1321
01:20:04,920 --> 01:20:08,360
Speaker 1: and then say what me. But guess what, honey, it's

1322
01:20:08,400 --> 01:20:12,160
Speaker 1: not fine with me on this one on tonight, as

1323
01:20:12,200 --> 01:20:16,360
Speaker 1: they say not on tonight, it is not gonna work

1324
01:20:16,439 --> 01:20:18,599
Speaker 1: with me. You're saying you want to fuck Steve CORNACKI

1325
01:20:18,640 --> 01:20:21,680
Speaker 1: because guess what gays I say, who you follow on Instagram?

1326
01:20:21,680 --> 01:20:24,840
Speaker 1: And it's not Steve CORNACKI types okay, it's the same

1327
01:20:25,160 --> 01:20:29,000
Speaker 1: white Instaga with a shirt off being like might make

1328
01:20:29,040 --> 01:20:33,960
Speaker 1: bread tonight. It's not Steve CORNACKI man certainly with a doctorate,

1329
01:20:34,080 --> 01:20:36,880
Speaker 1: and if he doesn't, he has doctor energy and he

1330
01:20:36,920 --> 01:20:39,519
Speaker 1: doesn't need to be part of your fucking mess. So

1331
01:20:39,720 --> 01:20:41,920
Speaker 1: you take it somewhere else. Has ended up being a

1332
01:20:41,960 --> 01:20:44,400
Speaker 1: two minute I don't think so, honey, because I see

1333
01:20:44,479 --> 01:20:49,360
Speaker 1: this Steve CORNACKI first ongoing leave him alone. He's almost

1334
01:20:49,360 --> 01:20:52,960
Speaker 1: certainly as children or he has the energy of having children,

1335
01:20:53,280 --> 01:20:54,840
Speaker 1: and he they don't want to hear about how you

1336
01:20:54,840 --> 01:20:57,040
Speaker 1: want to suck their father who simply wants to point

1337
01:20:57,040 --> 01:20:59,280
Speaker 1: to award and say the word Philadelphia and then some

1338
01:20:59,320 --> 01:21:05,719
Speaker 1: facts about it. So leave him the goddamn alone. I'm through. Look,

1339
01:21:07,000 --> 01:21:10,360
Speaker 1: we should all be grateful that we know the nuances

1340
01:21:10,640 --> 01:21:13,960
Speaker 1: in the population of Maricopa County because of that man.

1341
01:21:14,080 --> 01:21:16,400
Speaker 1: And that's different than wanting to get carnal with them.

1342
01:21:16,880 --> 01:21:20,360
Speaker 1: Is so different, and it's actually culture number different, it's

1343
01:21:20,360 --> 01:21:26,000
Speaker 1: a real culture number. Knowing all about about Maricopa, Ricopa

1344
01:21:26,160 --> 01:21:35,200
Speaker 1: County is different, different, so differ. So fuck fuck corn

1345
01:21:35,960 --> 01:21:42,160
Speaker 1: corn act, thank you, thank you, And so now it

1346
01:21:42,160 --> 01:21:44,960
Speaker 1: would be time, I guess for really bow and yangs

1347
01:21:44,960 --> 01:21:47,479
Speaker 1: I don't think so, honey, And we both sort of,

1348
01:21:47,520 --> 01:21:50,800
Speaker 1: you know, got a little saucy before our respective ones.

1349
01:21:50,840 --> 01:21:54,360
Speaker 1: And but this is the main event. Okay, So are

1350
01:21:54,360 --> 01:21:58,880
Speaker 1: you ready? Bow I think so bo schemo, bochemo. I'm

1351
01:21:58,920 --> 01:22:01,720
Speaker 1: ready because somebody people think that Bowen sort of lives

1352
01:22:01,760 --> 01:22:05,040
Speaker 1: like this like extravagant lifestyle, being a huge celebrity. Basically

1353
01:22:05,080 --> 01:22:10,240
Speaker 1: just alright, and yeah, you're time, this is your I

1354
01:22:10,240 --> 01:22:13,519
Speaker 1: don't think your times now, I don't think so, honey?

1355
01:22:13,560 --> 01:22:19,800
Speaker 1: Why is everyone sleeping on Kim's Convenience? Okay, it is

1356
01:22:20,000 --> 01:22:22,840
Speaker 1: one of the most binge able shows that's out there,

1357
01:22:23,120 --> 01:22:29,679
Speaker 1: especially especially in Quarantina. It's so wonderful, such a wholesome

1358
01:22:29,720 --> 01:22:33,040
Speaker 1: family comedy, but that also has jokes, and for some

1359
01:22:33,280 --> 01:22:38,240
Speaker 1: reason lately that hasn't been that's been like a rarity.

1360
01:22:38,400 --> 01:22:41,320
Speaker 1: It feels like it makes me feel like I'm watching

1361
01:22:41,400 --> 01:22:44,280
Speaker 1: like old of like family matters, but it's like, oh

1362
01:22:44,280 --> 01:22:47,679
Speaker 1: but wait, the cameras are nice and and it's all

1363
01:22:47,760 --> 01:22:52,560
Speaker 1: happening in different sets and and all this stuff. Why

1364
01:22:52,320 --> 01:22:55,040
Speaker 1: the reason why we're not all losing our minds over

1365
01:22:55,160 --> 01:22:58,400
Speaker 1: Kim's Convenience the way we do for other family sitcoms.

1366
01:22:58,439 --> 01:23:01,200
Speaker 1: I'm gonna say is say that there's some there's some

1367
01:23:01,240 --> 01:23:04,679
Speaker 1: obvious reasons, and we'll leave it at that, but everyone

1368
01:23:04,800 --> 01:23:08,200
Speaker 1: get on board, like I'm so late to the damn party,

1369
01:23:08,280 --> 01:23:10,880
Speaker 1: like four years later, four seasons later, but look, I

1370
01:23:10,960 --> 01:23:13,240
Speaker 1: am loving it now and you should too, and you

1371
01:23:13,280 --> 01:23:15,799
Speaker 1: will too. And that's one minute. So basically the thesis

1372
01:23:15,840 --> 01:23:17,640
Speaker 1: of Bowen's I Don't Think So Honey is I just

1373
01:23:17,760 --> 01:23:20,559
Speaker 1: discovered the show, but it's bad, but you haven't get

1374
01:23:20,600 --> 01:23:23,240
Speaker 1: discovered the show, so I have to say, um, I

1375
01:23:23,760 --> 01:23:26,479
Speaker 1: I kind of this is so characteristic of Bowen Yanks.

1376
01:23:26,520 --> 01:23:28,679
Speaker 1: I don't think so honey this He'll go fifty seconds

1377
01:23:28,680 --> 01:23:30,720
Speaker 1: and be crushing and then the last time he'll say,

1378
01:23:30,960 --> 01:23:34,639
Speaker 1: but also it's okay, it's all right, and I love you,

1379
01:23:34,760 --> 01:23:36,559
Speaker 1: and he sort of and then he says, I'm actually

1380
01:23:36,560 --> 01:23:40,679
Speaker 1: the problem, and then it ends he's too sweet. That's

1381
01:23:40,720 --> 01:23:44,400
Speaker 1: my style. It's not that I'm sweet, Okay. I have

1382
01:23:44,479 --> 01:23:48,680
Speaker 1: to say, honestly, I do blame the mainstream media about this,

1383
01:23:48,720 --> 01:23:52,000
Speaker 1: but I didn't know what Kim's convenience was until very recently.

1384
01:23:52,360 --> 01:23:54,280
Speaker 1: And where where can I watch it? And where can

1385
01:23:54,320 --> 01:23:56,160
Speaker 1: the readers watch it? Bow and tell them all instead

1386
01:23:56,200 --> 01:23:58,519
Speaker 1: of just yelling. Season five is about to come out.

1387
01:23:58,960 --> 01:24:02,960
Speaker 1: All the first four seasons are all in Netflix. Five. Yes,

1388
01:24:03,000 --> 01:24:07,320
Speaker 1: but okay, thirteen episodes of season twenty minutes, twenty minute episodes,

1389
01:24:08,080 --> 01:24:11,599
Speaker 1: so nice to watch. I'm not saying five like that's

1390
01:24:11,600 --> 01:24:13,800
Speaker 1: too much. I'm saying five, like why is it? Why

1391
01:24:13,840 --> 01:24:16,599
Speaker 1: aren't more people talking about It's obviously a successful sitcom

1392
01:24:16,640 --> 01:24:18,519
Speaker 1: and I've never even and then I did not just

1393
01:24:18,680 --> 01:24:20,800
Speaker 1: discover it. I just like gave it a rest, and

1394
01:24:20,800 --> 01:24:22,760
Speaker 1: like I was watching it like years ago, and I

1395
01:24:22,800 --> 01:24:24,240
Speaker 1: was like, Okay, this is something that we have to

1396
01:24:24,280 --> 01:24:28,200
Speaker 1: like just like put off for later. But then like, damn,

1397
01:24:28,200 --> 01:24:30,240
Speaker 1: we're in second lockdown. So I'm just like, okay, let

1398
01:24:30,240 --> 01:24:32,240
Speaker 1: me find a show to walk and it's it's hitting

1399
01:24:32,240 --> 01:24:37,840
Speaker 1: the spot, so good. Love that. Love that? Okay, I

1400
01:24:37,880 --> 01:24:40,599
Speaker 1: think it's time for Amber Ruffan. I love that's time

1401
01:24:40,600 --> 01:24:43,080
Speaker 1: for Amber. I don't think so, honey. What did you

1402
01:24:43,320 --> 01:24:45,840
Speaker 1: not think you how to do one? I didn't think

1403
01:24:46,400 --> 01:24:53,480
Speaker 1: you are crazy? Okay, great, um, okay, listen, no, that's unacceptable.

1404
01:24:53,680 --> 01:24:55,920
Speaker 1: We are going to give you the moment you need

1405
01:24:55,960 --> 01:24:57,599
Speaker 1: to think of one. I know you've got a head

1406
01:24:57,640 --> 01:24:59,800
Speaker 1: full of I don't think so, honey. She's a mass

1407
01:25:00,040 --> 01:25:03,679
Speaker 1: your improviser and writer. No matter what gear she ends

1408
01:25:03,760 --> 01:25:07,400
Speaker 1: up being in, she will succeed. So we got just

1409
01:25:07,520 --> 01:25:10,880
Speaker 1: getting I mean, it's getting on your damn nerves right now,

1410
01:25:11,360 --> 01:25:17,000
Speaker 1: anything at all, anything, anything, okay, anything, and we're gonna

1411
01:25:17,080 --> 01:25:18,960
Speaker 1: let Matt call the time and then don't don't tell

1412
01:25:19,040 --> 01:25:22,200
Speaker 1: us what it is until until we say it starts. Okay, okay,

1413
01:25:23,080 --> 01:25:27,200
Speaker 1: only one thing is getting on my nerves now, Alright, alright, good.

1414
01:25:27,280 --> 01:25:29,120
Speaker 1: I want to know. It's not a good one. But

1415
01:25:29,320 --> 01:25:32,200
Speaker 1: these are my feelings, all right. We want your feelings,

1416
01:25:32,200 --> 01:25:37,240
Speaker 1: you want, you want? This is ef I don't think so, honey,

1417
01:25:37,360 --> 01:25:42,040
Speaker 1: and her time starts now. I realized this is un orthodox.

1418
01:25:42,160 --> 01:25:45,639
Speaker 1: But we've been in quarantine for months and months now,

1419
01:25:45,800 --> 01:25:49,280
Speaker 1: and I have to live in this house with all

1420
01:25:49,439 --> 01:25:53,439
Speaker 1: this fucking ship. I don't know, honey, everything of my

1421
01:25:53,880 --> 01:25:58,960
Speaker 1: goddamn ship like I want a kid anymore. I have

1422
01:25:59,040 --> 01:26:01,200
Speaker 1: like a real job and ship, but I do not

1423
01:26:01,320 --> 01:26:03,160
Speaker 1: have the time to be taking care of myself like

1424
01:26:03,200 --> 01:26:07,000
Speaker 1: an adult. Everything in here is hot garbage. And yes,

1425
01:26:07,280 --> 01:26:09,599
Speaker 1: maybe it's because I've been looking at it for eight

1426
01:26:09,680 --> 01:26:15,599
Speaker 1: months straight, or maybe maybe it's maybe I'm a hundred

1427
01:26:15,640 --> 01:26:20,120
Speaker 1: percent right, because maybe my couch is being held up

1428
01:26:20,439 --> 01:26:24,519
Speaker 1: by a can of beans because everything in my house

1429
01:26:24,880 --> 01:26:31,919
Speaker 1: is fucking broken piece of ship. Look at Oh no,

1430
01:26:32,360 --> 01:26:37,800
Speaker 1: it's a can of a couch, because everything in this

1431
01:26:37,880 --> 01:26:41,360
Speaker 1: house a piece of ship. And that's one minute. Oh

1432
01:26:41,360 --> 01:26:43,720
Speaker 1: my god. Wait, I want to let the readers know

1433
01:26:44,160 --> 01:26:48,880
Speaker 1: there's a serious, real can of beans holding up that couch. Girl.

1434
01:26:48,960 --> 01:26:52,280
Speaker 1: But Adam Savage of MythBusters made that can of beans

1435
01:26:52,320 --> 01:26:57,960
Speaker 1: for you. That's true. But I think that's a beautiful thing.

1436
01:26:58,080 --> 01:27:02,639
Speaker 1: Now though, because the couch has some personality, it also

1437
01:27:02,720 --> 01:27:10,320
Speaker 1: has like a lot of danger and several ways. Oh

1438
01:27:10,320 --> 01:27:13,240
Speaker 1: my gosh, wait, do you feel this way about my apartment?

1439
01:27:13,280 --> 01:27:17,080
Speaker 1: Doesn't everyone? Right now? I hated in here. I have

1440
01:27:17,160 --> 01:27:21,519
Speaker 1: to tell you. I I just ordered a bookcase. And

1441
01:27:22,040 --> 01:27:24,240
Speaker 1: here's the thing. You never think I'm gonna have to

1442
01:27:24,240 --> 01:27:26,439
Speaker 1: put this together in any substantial way. They make you

1443
01:27:26,479 --> 01:27:29,280
Speaker 1: put all this ship together. And that's with what chaps

1444
01:27:29,320 --> 01:27:32,720
Speaker 1: my ass is like the the manual labor I have

1445
01:27:32,760 --> 01:27:36,000
Speaker 1: to do to make things. But see, that's the thing,

1446
01:27:36,080 --> 01:27:38,080
Speaker 1: and that's that's why ordinarily I would say to you,

1447
01:27:38,280 --> 01:27:41,400
Speaker 1: just order some new stuff, but then you gotta put

1448
01:27:41,400 --> 01:27:43,040
Speaker 1: it together. And well, so what do you do with

1449
01:27:43,120 --> 01:27:45,799
Speaker 1: the things you already have? Ambert? Did you reward yourself

1450
01:27:45,840 --> 01:27:48,759
Speaker 1: with like, oh my god, I have my own show gifts?

1451
01:27:49,280 --> 01:27:55,719
Speaker 1: You get yourself nothing? I mean, my god, I think

1452
01:27:55,880 --> 01:27:58,600
Speaker 1: I respect that. I respect the hell out of you,

1453
01:27:58,720 --> 01:28:03,000
Speaker 1: even more than because I'm someone who just rewards myself

1454
01:28:03,040 --> 01:28:05,640
Speaker 1: with bullshit all the time. And then and then at

1455
01:28:05,680 --> 01:28:07,120
Speaker 1: one point in the summer, I had a damn TV

1456
01:28:07,240 --> 01:28:09,120
Speaker 1: up in my room. I have a TV my room

1457
01:28:09,160 --> 01:28:13,000
Speaker 1: and I have a gun ball machine. You guys are

1458
01:28:13,040 --> 01:28:16,120
Speaker 1: doing it right, But you need that, you need you

1459
01:28:16,280 --> 01:28:21,280
Speaker 1: need a thing. Look, I don't like stuff. Not I

1460
01:28:21,320 --> 01:28:23,920
Speaker 1: can't be having just stuff sitting in the house. I

1461
01:28:23,960 --> 01:28:26,240
Speaker 1: don't like it. It's not it's not about stuff. It's

1462
01:28:26,240 --> 01:28:30,000
Speaker 1: about making a nice experience. Like I don't mean for

1463
01:28:30,040 --> 01:28:32,400
Speaker 1: this to be like a want, like a cure all

1464
01:28:32,439 --> 01:28:36,320
Speaker 1: for everybody. But would you consider having a TV in

1465
01:28:36,360 --> 01:28:39,360
Speaker 1: your bedroom? Do you have one? Already? There's a TV

1466
01:28:39,439 --> 01:28:41,360
Speaker 1: in there. I don't watch it. I feel like that

1467
01:28:41,360 --> 01:28:44,120
Speaker 1: it's fixed all my problems. See, you gotta watch the thing.

1468
01:28:44,479 --> 01:28:47,720
Speaker 1: That's the thing to get washed. The living room one

1469
01:28:47,760 --> 01:28:51,679
Speaker 1: gets watched. I can't because I gotta sleep when it's

1470
01:28:51,720 --> 01:28:55,639
Speaker 1: time to sleep. That's right around enough. Already I'm not

1471
01:28:55,760 --> 01:28:58,599
Speaker 1: doing I'm not making good choices. So I can't start

1472
01:28:58,640 --> 01:29:01,240
Speaker 1: the habit of watching TV before bed, because then I'll

1473
01:29:01,240 --> 01:29:04,519
Speaker 1: go to bed even later than I do. I need

1474
01:29:04,520 --> 01:29:07,679
Speaker 1: an adult. Yeah, there's just so much. There's so much

1475
01:29:08,080 --> 01:29:10,679
Speaker 1: content to watch too. I mean, we talked about the undoing,

1476
01:29:11,320 --> 01:29:14,160
Speaker 1: and we we discussed Potomac in the beginning, and there's

1477
01:29:14,200 --> 01:29:17,519
Speaker 1: just and of course there's the amber Ruffin Show. And

1478
01:29:17,560 --> 01:29:19,519
Speaker 1: what might have what might happen is if you put

1479
01:29:19,520 --> 01:29:21,920
Speaker 1: a TV up in your bedroom, you could be watching

1480
01:29:21,920 --> 01:29:25,920
Speaker 1: the Amber Ruffin Show. You don't even get any sleep,

1481
01:29:26,640 --> 01:29:29,600
Speaker 1: and and and and then then you're just like, what

1482
01:29:29,760 --> 01:29:32,280
Speaker 1: have I done? But the thing is you did something

1483
01:29:32,320 --> 01:29:36,400
Speaker 1: good because the Amber Ruffin Show is the best late

1484
01:29:36,479 --> 01:29:39,719
Speaker 1: night show out it's the best late night show out there.

1485
01:29:40,479 --> 01:29:42,599
Speaker 1: And how many more episodes we have this this this

1486
01:29:42,720 --> 01:29:49,160
Speaker 1: limited season? This season there are two more episodes, so

1487
01:29:49,240 --> 01:29:52,840
Speaker 1: that means that means you readers, and then and then

1488
01:29:52,840 --> 01:29:56,920
Speaker 1: we'll hear we'll hear about more potentially then maybe we'll

1489
01:29:56,960 --> 01:30:01,439
Speaker 1: get renewed. We hope, so, we hope, so I will

1490
01:30:01,560 --> 01:30:06,880
Speaker 1: be so I will burn down. And you said, you

1491
01:30:06,920 --> 01:30:09,240
Speaker 1: said to wait, but this is what I'm waiting for.

1492
01:30:09,760 --> 01:30:11,320
Speaker 1: If I don't, if I don't get the result that

1493
01:30:11,360 --> 01:30:13,280
Speaker 1: I want out of the Ember uff and renewal for

1494
01:30:13,400 --> 01:30:18,439
Speaker 1: season two, I will burn it down. I will. Okay,

1495
01:30:18,800 --> 01:30:21,080
Speaker 1: did you tape No, you haven't taped him yet. Obviously

1496
01:30:22,520 --> 01:30:24,760
Speaker 1: we're going we're off this week, we're off next week

1497
01:30:24,800 --> 01:30:28,880
Speaker 1: and then we're back to work. Wow. Wow, pretty cool

1498
01:30:29,040 --> 01:30:32,320
Speaker 1: for some Christmas episodes. I suppose I know what am

1499
01:30:32,360 --> 01:30:34,960
Speaker 1: I going to do? What am I going to do?

1500
01:30:35,040 --> 01:30:37,479
Speaker 1: I love? Can I give you? Can I give you

1501
01:30:37,520 --> 01:30:41,320
Speaker 1: a pitch? Yeah? Wrap herself up like a gift, burst

1502
01:30:41,360 --> 01:30:45,000
Speaker 1: out of it. That would be funny. That's a good skit.

1503
01:30:45,880 --> 01:30:49,400
Speaker 1: That's my dad's would say, you're right, what's your what's

1504
01:30:49,400 --> 01:30:53,160
Speaker 1: your pitch? Bowing for the pitch for the Ember Ruff

1505
01:30:53,240 --> 01:30:56,400
Speaker 1: and show, she's been doing a lot of um some

1506
01:30:56,439 --> 01:30:58,599
Speaker 1: segments for She and Terek are sort of at odds

1507
01:30:58,600 --> 01:31:04,639
Speaker 1: with each other. I think maybe, and I know you're married.

1508
01:31:04,640 --> 01:31:06,720
Speaker 1: I don't know what terrik situation is, but maybe you

1509
01:31:06,800 --> 01:31:10,960
Speaker 1: two sort of reconcile by having full on penetrative sex

1510
01:31:11,000 --> 01:31:17,840
Speaker 1: with each other. I think you should be that's her friend.

1511
01:31:18,040 --> 01:31:20,559
Speaker 1: That's her friend. You're her stick bone. You're very sick,

1512
01:31:21,439 --> 01:31:25,080
Speaker 1: You're you're very sick disposition. It's really off putting. You

1513
01:31:25,160 --> 01:31:30,360
Speaker 1: are shaming me. He did, He said that, he really

1514
01:31:30,400 --> 01:31:33,519
Speaker 1: really went there. I was gonna say past that. And

1515
01:31:33,560 --> 01:31:36,440
Speaker 1: I think you guys should just do a divorce storyline.

1516
01:31:36,800 --> 01:31:38,840
Speaker 1: So I don't know, if you watch The Crown, The

1517
01:31:38,840 --> 01:31:41,680
Speaker 1: Crown has a divorce storyline and everyone's really talking about it,

1518
01:31:41,720 --> 01:31:43,439
Speaker 1: the Charles and Diana of it all, and I think

1519
01:31:43,479 --> 01:31:45,479
Speaker 1: that that could be really fun for you guys. I mean,

1520
01:31:45,640 --> 01:31:48,760
Speaker 1: that's not a crazy idea. Is to give ourselves a

1521
01:31:48,800 --> 01:31:51,439
Speaker 1: big fat history would be fun. He also have brilliant

1522
01:31:51,439 --> 01:31:55,480
Speaker 1: writers such as Jenny Higgel, Shinta Jackson, Dwayne Perkins, and Demiodwibe,

1523
01:31:55,600 --> 01:31:59,240
Speaker 1: who could probably write circles around, just write circles around.

1524
01:31:59,240 --> 01:32:02,360
Speaker 1: Are dumb asses? Well, we sort of sit here and

1525
01:32:02,400 --> 01:32:08,240
Speaker 1: have a podcast. Hey, don't you snore at my friends?

1526
01:32:09,040 --> 01:32:11,559
Speaker 1: My maiden are my friends. They do a good job.

1527
01:32:12,840 --> 01:32:18,280
Speaker 1: Thank you, Thank you literally so much. Literally, um, it's

1528
01:32:18,320 --> 01:32:20,760
Speaker 1: been so fun to have you. When you said you

1529
01:32:20,840 --> 01:32:23,840
Speaker 1: when we we emailed and we were like, yeah, probably busy,

1530
01:32:24,120 --> 01:32:25,640
Speaker 1: and then you said you would come on and we

1531
01:32:25,680 --> 01:32:30,960
Speaker 1: said we we squealed. It's nice to hang out with

1532
01:32:31,000 --> 01:32:34,840
Speaker 1: people on their podcasts because to get to hang out

1533
01:32:34,880 --> 01:32:37,680
Speaker 1: with people now, oh my god, get to do a

1534
01:32:37,720 --> 01:32:39,479
Speaker 1: podcast now, or else you're not going to see any

1535
01:32:39,520 --> 01:32:42,800
Speaker 1: of your little friends. Well someday in the future. Oh yeah,

1536
01:32:42,840 --> 01:32:44,799
Speaker 1: someday in the future. Lights at the end of the tunnel.

1537
01:32:44,840 --> 01:32:47,680
Speaker 1: The cavalry is coming, sweet and you've got three options

1538
01:32:47,680 --> 01:32:51,360
Speaker 1: so far. Hey, Matt, I want to ask you a question.

1539
01:32:51,840 --> 01:32:58,840
Speaker 1: What's Amber Ruffin's hometown, her hometown. Did you say it?

1540
01:32:59,120 --> 01:33:04,160
Speaker 1: She said it? Did you say I did? I didn't

1541
01:33:04,160 --> 01:33:06,080
Speaker 1: know that. Oh my god, wow, you just like sort

1542
01:33:06,120 --> 01:33:08,360
Speaker 1: of really can't. But everyone, I weren't on a date.

1543
01:33:08,479 --> 01:33:15,320
Speaker 1: We weren't on a date. I don't think penetrative. I'm

1544
01:33:15,439 --> 01:33:18,639
Speaker 1: so sorry, Amber, please accept my holiday. That was vulgar.

1545
01:33:19,120 --> 01:33:22,400
Speaker 1: I like it. You're so vulgar. And I think that Bowen,

1546
01:33:22,760 --> 01:33:25,120
Speaker 1: we should sing a sort of Well, the thing is,

1547
01:33:25,160 --> 01:33:27,280
Speaker 1: we do end every episode with a song, and Bowen,

1548
01:33:27,360 --> 01:33:30,200
Speaker 1: I think we should sing a sexy song to end

1549
01:33:30,240 --> 01:33:34,479
Speaker 1: this episode because it's been so charged. Um what sort

1550
01:33:34,479 --> 01:33:48,120
Speaker 1: of sexy? You know? Songs you want to sing? Doverything?

1551
01:33:49,280 --> 01:33:56,479
Speaker 1: Tempo was down on straight to the chorus. If he

1552
01:33:58,840 --> 01:34:06,120
Speaker 1: just the sole version, will you not hit me? Ch

1553
01:34:10,680 --> 01:34:14,120
Speaker 1: Why don't know the words? That's a good one. H

1554
01:34:16,040 --> 01:34:20,800
Speaker 1: It was a chart topper before we get to top

1555
01:34:20,880 --> 01:34:26,560
Speaker 1: the charts. Show me a coming. It's bursting in on

1556
01:34:26,720 --> 01:34:29,560
Speaker 1: to lie. Okay, you want to hear more of that

1557
01:34:29,720 --> 01:34:34,080
Speaker 1: song until she's anatomy. Bye bye,