WEBVTT - 10. Lifelines

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<v Speaker 1>Pushkin as a girl. Growing up on a Colorado ranch,

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<v Speaker 1>Jean Fred's first wife was Gutsie. Her sister Carol said

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<v Speaker 1>she was fearless, bold, She rode horses and swam in

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<v Speaker 1>rivers and fished in the pond. Then she moved away

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<v Speaker 1>to Malibu and when she died at thirty four, her

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<v Speaker 1>ashes were scattered on the sea. But near the ranch,

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<v Speaker 1>several miles away, there's a tombstone with Jean's name on it.

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<v Speaker 1>When I went to Colorado to meet Fred's daughters, I

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<v Speaker 1>asked if I could see it. Jean was Kirsten and

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<v Speaker 1>Heidi's mom. So one rainy afternoon, the two of them

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<v Speaker 1>took me there. It was a spooky place, part junkyard,

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<v Speaker 1>part bone yard, and the ominous thunderheads and vale of

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<v Speaker 1>rain didn't help. So what kind of place is this?

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<v Speaker 1>So we were I'm laughing because we were talking to

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<v Speaker 1>a caretaker and just like he's pretty quirky. But he

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<v Speaker 1>was a friend of my grandparents. Also, there's like a

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<v Speaker 1>pet cemetery over there. This is a human cemetery. We

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<v Speaker 1>walked over to a large rock with a plaque that

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<v Speaker 1>said Schunhoven, Jean's maiden name. Jean's name was centered between

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<v Speaker 1>her parents on its own plaque. I asked Kirsten to

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<v Speaker 1>read it, sure, Jean M. Rayler Schunhoven nineteen forty two

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<v Speaker 1>to nineteen seventy six, and the amas for Marguerite. I

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<v Speaker 1>remember my grandpa telling me that they got a He

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<v Speaker 1>showed me this stone and he said that he put

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<v Speaker 1>my mom's name on there because her ashes were spread

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<v Speaker 1>in the ocean. They just wanted a place to remember

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<v Speaker 1>her by. Yeah, I don't feel her here or like

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<v Speaker 1>feel the need to come here, even for our grandparents.

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<v Speaker 1>Like that's what being at the ranches is, all those

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<v Speaker 1>memories there. Do you feel your mom at the ranch?

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<v Speaker 1>I don't know if I would say that I feel

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<v Speaker 1>her there, but I'd think about the history, like you

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<v Speaker 1>know that she grew up here and the memories there,

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<v Speaker 1>And actually I think about like like that our dad

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<v Speaker 1>has been there, and like he's taken a bath in

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<v Speaker 1>this tub, like he talks about taking you know, taking

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<v Speaker 1>baths there, and so just knowing that they were there.

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<v Speaker 1>But it's not like I feel her presence or anything.

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<v Speaker 1>It's more just right. They were so young when Jean died.

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<v Speaker 1>Kirsten was in diapers. Hoti was barely six. Jean is

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<v Speaker 1>understandably abstract to them. She's another loss, one they can't

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<v Speaker 1>quite process, because to process that loss might make their

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<v Speaker 1>pain unbearable. To most people who hear Fred's story, the

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<v Speaker 1>rhyme of Jean's drowning and Verna's is uncanny, like something

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<v Speaker 1>out of Edgar Allan Poe. It's so on the nose,

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<v Speaker 1>it's practically clunky. It's definitely the hardest circumstance. To give

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<v Speaker 1>Fred the benefit of the doubt about the mysterious death

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<v Speaker 1>of the first wife makes the second wife's death suspect,

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<v Speaker 1>and his conviction in the killing of the second wife

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<v Speaker 1>makes the first wife's death seem like murder too, But

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<v Speaker 1>not to the sisters. They don't see it at all.

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<v Speaker 1>Here's Kirsten. I've definitely had hard conversations with my dad

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<v Speaker 1>about Jean's death and just really finding out what happened

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<v Speaker 1>because I was a baby, and just like the details,

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<v Speaker 1>and also like were their investigations, you know, like supposedly

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<v Speaker 1>Jean's dad like had it looked into, but it wasn't,

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<v Speaker 1>like there wasn't a formal investigation. But I've definitely asked

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<v Speaker 1>probing questions about it. But I kind of see it

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<v Speaker 1>as like, look at my dad's history, and I mean

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<v Speaker 1>I compare him to one of the Kennedy's. I mean,

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<v Speaker 1>look at all just all of the horrible accidents that

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<v Speaker 1>can happen to one family, like fires, bike accidents, car accidents,

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<v Speaker 1>tractor accidents, just like accident prone or you know, whatever

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<v Speaker 1>you want to say. Then Kim Verna's daughter said something

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<v Speaker 1>totally surprising. She said she didn't know how Jean died.

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<v Speaker 1>I mean, didn't she die of an aneurysm? No, see

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<v Speaker 1>that it wasn't that. So our grandma kept telling us

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<v Speaker 1>for some reason, how did she die? So she drowned

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<v Speaker 1>in the swimming pool, but her ultimate cause of death

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<v Speaker 1>was brain swelling and pneumonia from the drowning. But yeah,

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<v Speaker 1>we were told that she had an aneurism. I mean,

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<v Speaker 1>and I think that's medically. That is what people have proposed,

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<v Speaker 1>you know, they're theories that because she was a flight

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<v Speaker 1>attendant and the altitude and then she had just come

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<v Speaker 1>back from a flight and they were drinking in the

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<v Speaker 1>hot tub and then she got in the cold pool.

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<v Speaker 1>So like vessels expanding and contracting, I mean, those were

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<v Speaker 1>the theories, But I mean, ultimately she died of pneumonia

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<v Speaker 1>and brain swelling. And I think the Corners report refers

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<v Speaker 1>to occidental drowning. I mean drowning was the cause of death. Yeah, gotcha.

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<v Speaker 1>I'm Dana Goodyear and this is Lost Hills episode ten Lifelines.

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<v Speaker 1>Back in nineteen seventy six, the La County Coroner said

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<v Speaker 1>that Fred's first wife, Jean, had died as a result

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<v Speaker 1>of accidental drowning in the family pool. Her husband, the

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<v Speaker 1>only witness, said he found her face down in the

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<v Speaker 1>shallow end. Okay, case closed. Fred hinted at various reasons

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<v Speaker 1>Jean might have drowned. She lost a lot of weight,

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<v Speaker 1>She'd gone from a very hot, hot tub into an

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<v Speaker 1>unheeded pool. She was deep into Life Spring, a potentially

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<v Speaker 1>dangerous self improvement group. She was having visions of her

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<v Speaker 1>own death involving water, but her death was unexplained. It

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<v Speaker 1>wasn't until nineteen eighty one that Jean's drowning was investigated

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<v Speaker 1>as a homicide by the Santa Barbara detectives, who were

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<v Speaker 1>looking into Verna and Doug's drownings at Rock. At Fred's

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<v Speaker 1>trial for the murders of Verna and Doug stan Rowdin.

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<v Speaker 1>The DA was blocked from introducing testimony about Jean until

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<v Speaker 1>the penalty phase, So while the jury was considering whether

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<v Speaker 1>Fred should be sentenced to death, Rodin put on a

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<v Speaker 1>mini trial for Jean. She was an aggravating factor, a

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<v Speaker 1>reason in San Rowdin's mind to sentence Fred to death.

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<v Speaker 1>Rowden told the jury that Jean's death was a murder

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<v Speaker 1>quote a homicide done for the motive once again of

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<v Speaker 1>enhancing this defendant's standard of living. This time, Fred didn't

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<v Speaker 1>take the stand, but he'd certainly told his Jean's story before.

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<v Speaker 1>He'd long been in the habit of buttonholing people and

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<v Speaker 1>recounting the events of October fifteenth, nineteen seventy six. He

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<v Speaker 1>cornered Jean's friend Barbara Warner at Jean's memorial service. I

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<v Speaker 1>really think he had that story so down patch. He

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<v Speaker 1>rattled off so bad with so little emotion, that I

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<v Speaker 1>thought with him. He told the story repeatedly to his

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<v Speaker 1>friend Mike Colleen. When Jean died. Fred spent an awful

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<v Speaker 1>lot of time at our house. He would come over

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<v Speaker 1>in the evening and cry, he if we went through

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<v Speaker 1>it once, we went through it fifty times. Every step

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<v Speaker 1>he took from the hot tub to the house. The

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<v Speaker 1>way I recall the story was that one of the

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<v Speaker 1>babies was crying in the background, and that when Fred went,

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<v Speaker 1>Fred said, you know, like you stay here algi quay

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<v Speaker 1>the baby and take care of the baby and get

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<v Speaker 1>you a glass of wine, which he requested. So I

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<v Speaker 1>believe he sais on the next seven minutes he was

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<v Speaker 1>gone or something, because he'd stepped it out and timed it,

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<v Speaker 1>and when he came back. Everybody knows the story. Jeanne's

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<v Speaker 1>face out of the pool and all the terrible things

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<v Speaker 1>had happened at that point. Fred even told the story

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<v Speaker 1>to Santa Barbara detectives Fred Ray and Claude Tell when

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<v Speaker 1>they came to talk to him about Verna and Doug's

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<v Speaker 1>drownings in January nineteen eighty one. While discussing what had

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<v Speaker 1>happened to Verna and Doug, detective said Fred quote continually

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<v Speaker 1>referred to a handwritten set of notes that was weird.

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<v Speaker 1>Fred also told the detectives he had notes on Jean's death,

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<v Speaker 1>which they found later when they searched his house that

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<v Speaker 1>was extra weird. Telling his gene story, Fred has always

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<v Speaker 1>made a point of mentioning the alcohol he and Jean

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<v Speaker 1>were drinking, and because he was the only witness. It

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<v Speaker 1>features in other people's tellings too, A story with one

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<v Speaker 1>source repeated so often it comes to resemble truth. She

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<v Speaker 1>had already poured a glass of wine, even in the

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<v Speaker 1>house to get her glass of wine to him, Would

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<v Speaker 1>you mind bringing back to get your glass of wine.

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<v Speaker 1>We sort of sold off that bottle, and then I

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<v Speaker 1>got another bottle. The neighbor boy who ran over when

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<v Speaker 1>he heard Fred calling for help that night, said he'd

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<v Speaker 1>noticed wine glasses and a pair of unsmoked joints in

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<v Speaker 1>the backyard, like a stage complete with props. But these

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<v Speaker 1>were not incidental period details. They served a very important purpose.

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<v Speaker 1>I believe they were intended to introduce doubt, reasonable doubt

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<v Speaker 1>about how Jean ended up in the pool. And the

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<v Speaker 1>reason I think this is Jean was not intoxicated, not

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<v Speaker 1>even a little bit. Stan Rowdin the DA presented evidence

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<v Speaker 1>that showed her blood alcohol level was point one milligrams

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<v Speaker 1>per desolator, one one thousandth of the legal limit for driving,

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<v Speaker 1>and there were no other drugs in her system. The

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<v Speaker 1>fact of her sobriety is meaningful, and it could mean

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<v Speaker 1>the La County coroner's report was wrong, and it can't

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<v Speaker 1>be accident. Okay, this is doctor Ronald Wright, a forensic

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<v Speaker 1>pathologist who's also a scuba diver. Adult humans that are

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<v Speaker 1>not intoxicated won't drown in a swimming pool. It doesn't happen.

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<v Speaker 1>If it does happen, they either committed suicide or they

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<v Speaker 1>are a victim of homicide. Okay, it's easy. He testified

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<v Speaker 1>at the mini trial, the Jeen's death was not due

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<v Speaker 1>to natural causes. It was unnatural, and unnatural deaths are

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<v Speaker 1>either accidents or suicides or homicides. I didn't see any

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<v Speaker 1>evidence that she was suicidal, so therefore it looks like

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<v Speaker 1>a homicide to me. But there were no signs of

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<v Speaker 1>trauma to Jean's body. So during the mini trial, Rodin

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<v Speaker 1>asked another witness, a pathologist who'd reviewed Jean's file, if

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<v Speaker 1>it was possible for a person to hold another person

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<v Speaker 1>underwater law enough to drown them without leaving marks. It

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<v Speaker 1>is possible, was the response. In the end, though the

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<v Speaker 1>judge ruled that the DA hadn't sufficiently made his case.

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<v Speaker 1>He hadn't proved Fred's involvement with Jean's death. Beyond a

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<v Speaker 1>reasonable doubt, and that's where Jean was left in a

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<v Speaker 1>kind of limbo, unresolved, not likely an accident or a suicide,

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<v Speaker 1>and not approvable homicide. Before we got off the phone,

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<v Speaker 1>I asked doctor Wright about another part of his testimony

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<v Speaker 1>which had caught my attention. Fred Rayler described having found

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<v Speaker 1>his wife Jean, in the pool, face down, arms outstretched,

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<v Speaker 1>and you said, that's impossible. That's not the way dead

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<v Speaker 1>people float. Okay, when you lose consciousness from whatever you've

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<v Speaker 1>lost consciousness, you know gravity works. Their arms aren't outstretched.

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<v Speaker 1>They actually goes straight down in there. It's called a

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<v Speaker 1>dead man's float. They teach people to do that in

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<v Speaker 1>swimming lessons. So you found that to be suspicious that

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<v Speaker 1>that's what his description of his wife. He's incorrect, Okay,

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<v Speaker 1>she wasn't. That's not the way humans are when they grown.

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<v Speaker 1>Did that make him seem like he was lying? I

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<v Speaker 1>would think that's highly probable, although that is a jury determination,

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<v Speaker 1>not mine. I'm just telling you you can't do it

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<v Speaker 1>the way he said it happened. It was improvable. But

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<v Speaker 1>it was so obvious. Fred the waterman, the navy diver

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<v Speaker 1>had misdescribed the dead man's float. He says he didn't

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<v Speaker 1>kill Jean. I asked him, just like I asked him

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<v Speaker 1>about Verna and Doug. Fred, I have to ask you,

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<v Speaker 1>did you kill Jean? I did not, but I don't

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<v Speaker 1>believe him. And if it's possible to kill someone in

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<v Speaker 1>water and leave no mark, that means those second secret

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<v Speaker 1>autopsies of Vernon and Dug don't really matter. The findings

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<v Speaker 1>of pre mortem trauma could be totally invalid, the bodies

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<v Speaker 1>could present no traumatic wounds, and Fred could still be

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<v Speaker 1>the one who killed them. In the search of Fred's

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<v Speaker 1>house on Sea Level Drive, the Santa Barbara detective seized

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<v Speaker 1>an eleven page document detailing plans for a sailing trip

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<v Speaker 1>to Santa Island. It included an incredibly detailed hand drawn

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<v Speaker 1>map of the island, including flora and fauna and shipwrecks,

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<v Speaker 1>and all the spots to drop anchor. The guy was

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<v Speaker 1>a planner. Fred told the detectives he had often sailed

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<v Speaker 1>his boat Perseverance to Santa Cruz Island and had the

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<v Speaker 1>dory out there at least a dozen times. He got

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<v Speaker 1>to know the island and its features inch by inch,

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<v Speaker 1>clocking every cove and inlet. How the shadows fell at

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<v Speaker 1>the dot representing Bird Rock on the map, it says

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<v Speaker 1>tunnel through rock. That's because the sea cave on the

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<v Speaker 1>western end of Bird Rock at low tide becomes a

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<v Speaker 1>passage through are on the John will help you, guys.

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<v Speaker 1>On a month after we walked around Sea Level Drive

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<v Speaker 1>together on a crisp clear October morning, John Lytell and

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<v Speaker 1>I took a boat out to Santa Cruz Island. So

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<v Speaker 1>welcome to board Blue guys. Glad to have you here.

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<v Speaker 1>Um again, Captain Randy fun Fact on the boat, John

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<v Speaker 1>McVie the basis on Fleetwood. Mac owned this boat for

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<v Speaker 1>ten years. At the time of Doug's death, when they

0:17:22.076 --> 0:17:26.236
<v Speaker 1>were both eight, John was Doug's best friend. Now he's

0:17:26.236 --> 0:17:29.676
<v Speaker 1>a detective with the La County Sheriff's Department. I'm a

0:17:29.676 --> 0:17:31.756
<v Speaker 1>deputy sheriff. You want me to not bring a gun

0:17:31.756 --> 0:17:39.516
<v Speaker 1>on the boat. Sorry. For forty years, Doug's death has

0:17:39.556 --> 0:17:42.916
<v Speaker 1>tormented him, but he'd never seen the place where it happened.

0:17:43.916 --> 0:17:46.996
<v Speaker 1>Now he was ready to face it and hopefully get

0:17:47.076 --> 0:17:52.076
<v Speaker 1>some resolution. Crossing the channel, John was chewing everything over.

0:17:53.316 --> 0:17:56.116
<v Speaker 1>He takes him out there. Um, he knows when he's

0:17:56.116 --> 0:17:57.756
<v Speaker 1>gonna do it, he knows why he's gonna do it,

0:17:57.796 --> 0:17:59.676
<v Speaker 1>he knows where he's going to do it. Because this

0:17:59.756 --> 0:18:01.916
<v Speaker 1>is the best scenario. I have to make it look

0:18:01.916 --> 0:18:05.476
<v Speaker 1>like an accident. Well, this is what I got. He's

0:18:05.476 --> 0:18:08.636
<v Speaker 1>a chatty guy, but as we approached the island, he

0:18:08.676 --> 0:18:14.076
<v Speaker 1>got Captain Randy filled the silence. So Santa Cruz Island

0:18:14.156 --> 0:18:17.716
<v Speaker 1>is about twenty eight miles long. It's the largest island

0:18:17.756 --> 0:18:21.516
<v Speaker 1>off the California coast. So we'll just be seeing a

0:18:21.636 --> 0:18:25.436
<v Speaker 1>very small, little, little tiny bit of the island. And

0:18:25.476 --> 0:18:30.836
<v Speaker 1>then a bird rock loomed, craggy and imposing with creases

0:18:30.836 --> 0:18:34.636
<v Speaker 1>and shadows that reminded me of he Man's Castle Gray Skull.

0:18:35.556 --> 0:18:39.076
<v Speaker 1>At its western end was Scorpion Anchorage. We were heading

0:18:39.116 --> 0:18:41.836
<v Speaker 1>to the other end to Little Scorpion Anchor. Just entering

0:18:41.916 --> 0:18:46.236
<v Speaker 1>into the little Scorpion Anchory, the Perseverance anchored on January second,

0:18:46.476 --> 0:18:52.916
<v Speaker 1>nineteen eighty one, rock is off to our starboard quarter.

0:18:53.236 --> 0:18:57.556
<v Speaker 1>It was noon. We were right on time, and we'll

0:18:57.556 --> 0:19:00.036
<v Speaker 1>come in here and circle around and find a find

0:19:00.036 --> 0:19:05.236
<v Speaker 1>a good spot to set the anchor verna. Fred and

0:19:05.316 --> 0:19:08.796
<v Speaker 1>Doug ate their lunch sandwiches and chips then got in

0:19:08.836 --> 0:19:12.596
<v Speaker 1>the door. Between one and one thirty, Kirsen went below

0:19:12.676 --> 0:19:15.796
<v Speaker 1>deck to take a nap with her grandparents. Heidi and

0:19:15.876 --> 0:19:18.116
<v Speaker 1>Kim went with Fred's brother and his wife in the

0:19:18.116 --> 0:19:21.476
<v Speaker 1>inflatable boat to explore the beach at Santa Cruz Island.

0:19:22.876 --> 0:19:26.076
<v Speaker 1>John and I got in Captain Randy's motorized dinghy and

0:19:26.156 --> 0:19:30.516
<v Speaker 1>powered toward Bird Rock. So if we get around, what

0:19:30.596 --> 0:19:32.436
<v Speaker 1>we have now is a lot to lobster season, so

0:19:32.436 --> 0:19:34.476
<v Speaker 1>we got to negotiate through this might feel the traps.

0:19:34.916 --> 0:19:36.516
<v Speaker 1>There's a lot of kilp on the other side, so

0:19:36.556 --> 0:19:39.716
<v Speaker 1>we'll see how close we can get. The criminalist Duane

0:19:39.756 --> 0:19:43.556
<v Speaker 1>Moza had speculated that Fred killed Verna and Doug inside

0:19:43.556 --> 0:19:46.196
<v Speaker 1>the sea cave on the western end of Bird Rock,

0:19:46.596 --> 0:19:49.276
<v Speaker 1>so we headed there to see if the sea cave

0:19:49.356 --> 0:19:56.276
<v Speaker 1>theory made sense. Cave entrances right around the quartery. I've

0:19:56.316 --> 0:19:59.676
<v Speaker 1>been thinking the sea cave was too exposed. Anyone on

0:19:59.716 --> 0:20:02.836
<v Speaker 1>the beach, including Heidi and Kim, could have seen Fred

0:20:02.956 --> 0:20:05.716
<v Speaker 1>row the dory in or out of the cave, but

0:20:05.836 --> 0:20:08.916
<v Speaker 1>the mouth of the cave was deep black with an

0:20:09.116 --> 0:20:13.036
<v Speaker 1>aura of darkness around it. You can't see anything. You're

0:20:13.036 --> 0:20:16.476
<v Speaker 1>not gonna see anything happening there, Pass up first rock,

0:20:16.596 --> 0:20:18.116
<v Speaker 1>these people on shore work, and you see, you gotta

0:20:18.116 --> 0:20:21.236
<v Speaker 1>think angles out here. Everything around the cave is dark.

0:20:21.316 --> 0:20:25.596
<v Speaker 1>You really can't see even an orange the dory going

0:20:25.596 --> 0:20:29.876
<v Speaker 1>in there. I told John about an earlier trip Fred

0:20:29.876 --> 0:20:32.996
<v Speaker 1>and Verna had made to Santa Cruz Island six months

0:20:33.036 --> 0:20:36.516
<v Speaker 1>before the fatal one. It was Fourth of July weekend

0:20:36.836 --> 0:20:40.556
<v Speaker 1>nineteen eighty. They took the kids on perseverance and spent

0:20:40.636 --> 0:20:45.076
<v Speaker 1>four days out there with get this, the lawyer Bill

0:20:45.156 --> 0:20:49.436
<v Speaker 1>Fairfield and his family, and Fred's old sailing buddy, Jean's

0:20:49.436 --> 0:20:53.756
<v Speaker 1>old flame Dick Philthowen and his wife and kids. It

0:20:53.796 --> 0:20:58.036
<v Speaker 1>was the hot Tub Sextet reunited with Verna in place

0:20:58.076 --> 0:21:02.236
<v Speaker 1>of Jean. They had a blast hiking to waterfalls, shooting

0:21:02.236 --> 0:21:06.396
<v Speaker 1>off fireworks, belting out rounds of God bless America. It

0:21:06.476 --> 0:21:09.716
<v Speaker 1>was the most perfect Fourth of July ever. Wrote later.

0:21:11.116 --> 0:21:14.596
<v Speaker 1>He and Verna rode all around exploring in the dory.

0:21:15.316 --> 0:21:19.636
<v Speaker 1>Fred commended her for her attitude. That's casing the joint.

0:21:20.036 --> 0:21:22.436
<v Speaker 1>He understood exactly what he needed to do to get

0:21:22.476 --> 0:21:26.396
<v Speaker 1>his job done without anybody knowing. That's what like technicians

0:21:26.396 --> 0:21:29.876
<v Speaker 1>will do. The like I don't. A week after the

0:21:29.956 --> 0:21:33.876
<v Speaker 1>July fourth cruise, Fred and Verna had their secret official wedding,

0:21:34.196 --> 0:21:38.956
<v Speaker 1>solidifying the financial connection between them. If she died, everything

0:21:38.996 --> 0:21:43.396
<v Speaker 1>she had and more the insurance they'd soon buy would

0:21:43.476 --> 0:21:47.716
<v Speaker 1>be his outright or in a trust that he controlled.

0:21:49.316 --> 0:21:52.236
<v Speaker 1>After looking at it, I didn't buy the sea cave theory.

0:21:52.836 --> 0:21:56.316
<v Speaker 1>Too risky, no matter how low the visibility, and it

0:21:56.356 --> 0:21:59.316
<v Speaker 1>was too different from the story Fred presented to authorities.

0:22:00.116 --> 0:22:06.156
<v Speaker 1>Fred was methodical a planner. He liked to simplify hone control.

0:22:07.196 --> 0:22:09.596
<v Speaker 1>So I asked Captain Randy to take us to the place.

0:22:09.676 --> 0:22:12.916
<v Speaker 1>Fred said the dory had capsized in the open ocean

0:22:13.156 --> 0:22:16.996
<v Speaker 1>on the north side of Bird Rock. So according to

0:22:17.076 --> 0:22:23.156
<v Speaker 1>the drawings, the boat capsized right in here, out front

0:22:23.156 --> 0:22:27.876
<v Speaker 1>of the rock. That's where. That's where, according to Fred,

0:22:28.276 --> 0:22:31.236
<v Speaker 1>Lady jumped at the birds and they all lunged and toppled,

0:22:31.396 --> 0:22:35.396
<v Speaker 1>and the dory overturned. He said he could see Perseverance

0:22:35.596 --> 0:22:39.716
<v Speaker 1>anchored at Little Scorpion the entire time. That was the point,

0:22:39.836 --> 0:22:42.236
<v Speaker 1>he said, to get a picture of Doug holding Lady

0:22:42.236 --> 0:22:44.556
<v Speaker 1>in the dory with Bird Rock in the near ground

0:22:44.636 --> 0:22:48.956
<v Speaker 1>and Perseverance in the distance. But as we moved toward

0:22:49.036 --> 0:22:52.116
<v Speaker 1>the spot in front of Bird Rock, I noticed that

0:22:52.196 --> 0:22:56.476
<v Speaker 1>Captain Randy's sailboat in Little Scorpion Anchorage was slipping out

0:22:56.476 --> 0:23:00.196
<v Speaker 1>of view. The north face of Bird Rock is cupped,

0:23:00.436 --> 0:23:02.516
<v Speaker 1>so when you're close to it, the sides of the

0:23:02.596 --> 0:23:06.676
<v Speaker 1>rock block both anchorages from view, meaning you can't see

0:23:06.996 --> 0:23:10.756
<v Speaker 1>or be seen by the boats on either side. If

0:23:10.756 --> 0:23:14.796
<v Speaker 1>you're in this cove, you cannot see Scorpion Anchorage at all.

0:23:14.876 --> 0:23:16.916
<v Speaker 1>All those boats on that side wouldn't see any Lady,

0:23:17.796 --> 0:23:24.556
<v Speaker 1>where's that? If he doesn't right in here, nobody can

0:23:24.596 --> 0:23:27.596
<v Speaker 1>see him. In front of the rock, there was an

0:23:27.596 --> 0:23:30.796
<v Speaker 1>explosion of white water, a geyser that shot into the

0:23:30.796 --> 0:23:34.836
<v Speaker 1>air as the waves pounded into an underwater cavern. Oh, yes,

0:23:35.116 --> 0:23:38.076
<v Speaker 1>that's the blow hole. Go as close to that as

0:23:38.476 --> 0:23:49.436
<v Speaker 1>we can. Fred said that after the cap size, he

0:23:49.516 --> 0:23:52.236
<v Speaker 1>collected Verna and Doug and swam with them to Bird

0:23:52.356 --> 0:23:55.236
<v Speaker 1>Rock with Lady on his shoulders, clawing at his head.

0:23:56.116 --> 0:24:00.516
<v Speaker 1>He described maneuvering past the blowhole with difficulty to hoist

0:24:00.636 --> 0:24:04.316
<v Speaker 1>Lady up. John stared up at the rock, the sixty

0:24:04.356 --> 0:24:09.836
<v Speaker 1>foot cliff face. The dog up on this side. That's

0:24:09.836 --> 0:24:13.156
<v Speaker 1>a dog, right, not a moungoat. This is a dog, okay,

0:24:13.476 --> 0:24:16.756
<v Speaker 1>our eagle Popey, whose legs can't be more than you know,

0:24:16.876 --> 0:24:21.036
<v Speaker 1>three inches block is all like muscles and stuff, and

0:24:21.676 --> 0:24:24.196
<v Speaker 1>it's like it's sharp. The d did get him on

0:24:24.196 --> 0:24:29.036
<v Speaker 1>the island on the side. No way, no way. We

0:24:29.196 --> 0:24:32.116
<v Speaker 1>idled in our dinghy, looking up at the sheer rock wall.

0:24:32.876 --> 0:24:36.316
<v Speaker 1>The blowhole went off again, and it all started coming

0:24:36.356 --> 0:24:43.876
<v Speaker 1>together for me like a story. Fred would have rode

0:24:43.916 --> 0:24:49.356
<v Speaker 1>them here, knocked them out, drowned them, flipped the doory

0:24:49.476 --> 0:24:53.316
<v Speaker 1>and shoved it away, swum a short distance to the rock,

0:24:54.116 --> 0:24:58.516
<v Speaker 1>and waited for rescue. Maybe he offloaded lady on his

0:24:58.596 --> 0:25:01.236
<v Speaker 1>way to the spot on that gentle ledge on the

0:25:01.276 --> 0:25:05.556
<v Speaker 1>eastern side, like the Santa Barbara Day thought making excuses

0:25:05.556 --> 0:25:09.156
<v Speaker 1>to Verna and Doug about why or maybe lady he

0:25:09.316 --> 0:25:11.596
<v Speaker 1>was still in the door until the murder, and she

0:25:11.636 --> 0:25:14.436
<v Speaker 1>made her own way over to the eastern ledge, her

0:25:14.516 --> 0:25:20.236
<v Speaker 1>survival instincts kicking in her little legs, paddling furiously. Verna,

0:25:20.396 --> 0:25:24.196
<v Speaker 1>he would have killed for the money, Doug, because he

0:25:24.396 --> 0:25:30.916
<v Speaker 1>was the witness. We went back to our boat and

0:25:30.956 --> 0:25:34.116
<v Speaker 1>got ready to head home. From the back deck, John

0:25:34.196 --> 0:25:38.036
<v Speaker 1>squinted out at bird rock. Doug's ashes had been scattered

0:25:38.036 --> 0:25:40.876
<v Speaker 1>at sea, and there was no marker for him anywhere

0:25:40.876 --> 0:25:46.196
<v Speaker 1>on land, so this was it. Bird Rock was his grave.

0:25:47.556 --> 0:25:48.956
<v Speaker 1>I'm looking at that, and I see all the rocks.

0:25:48.956 --> 0:25:51.836
<v Speaker 1>I'm like, those are all tombstones. That's all death. That's

0:25:51.836 --> 0:25:55.196
<v Speaker 1>how I look at it. I just this is a

0:25:55.236 --> 0:25:58.796
<v Speaker 1>weird I got a creepy feeling. This whole place is

0:25:58.836 --> 0:26:05.916
<v Speaker 1>not what I thought it would be. Before Christmas, in

0:26:05.956 --> 0:26:08.956
<v Speaker 1>December of nineteen eighty, John had said goodbye to Doug,

0:26:09.516 --> 0:26:11.756
<v Speaker 1>thinking he'd see him again in a few months or

0:26:11.756 --> 0:26:15.876
<v Speaker 1>whenever the railers got back from their sailing trip to Mexico. Instead,

0:26:16.276 --> 0:26:24.836
<v Speaker 1>over the holidays, Doug had died here. John looked ill

0:26:25.276 --> 0:26:28.396
<v Speaker 1>and kept turning his face away from the rock, only

0:26:28.436 --> 0:26:31.996
<v Speaker 1>to have his gaze pulled back to it. This is

0:26:32.036 --> 0:26:36.916
<v Speaker 1>like death. You just feel death. I don't. I know

0:26:36.916 --> 0:26:39.476
<v Speaker 1>it's not like that for everybody, but I don't. I'll

0:26:39.476 --> 0:26:44.036
<v Speaker 1>probably never ever come back here again. No way we're

0:26:44.116 --> 0:26:57.276
<v Speaker 1>worth it. I don't know. That affects me so much.

0:26:59.756 --> 0:27:01.956
<v Speaker 1>I don't know if I don't know. Back then, I

0:27:02.036 --> 0:27:03.556
<v Speaker 1>wasn't like I want to be in law enforces to

0:27:03.556 --> 0:27:11.636
<v Speaker 1>solve crimes. But more helping people that are helping people

0:27:11.636 --> 0:27:18.036
<v Speaker 1>that are getting drowned and getting killed. Just say it's

0:27:18.076 --> 0:27:25.476
<v Speaker 1>not fair. It's not fair. It's bullshit, like he didn't

0:27:25.556 --> 0:27:28.636
<v Speaker 1>he didn't kill, just that he like killed part of

0:27:28.636 --> 0:27:35.636
<v Speaker 1>our lives. We turned around and headed back across the channel,

0:27:36.116 --> 0:27:43.156
<v Speaker 1>with hundreds of dolphins leaping in our wake. I asked

0:27:43.236 --> 0:27:47.116
<v Speaker 1>John if the trip had brought him clarity, and he said, yeah,

0:27:47.756 --> 0:27:51.356
<v Speaker 1>he felt he knew where Doug had died. It's a

0:27:51.356 --> 0:27:55.796
<v Speaker 1>great place to kill somebody. Nobody can see you, nobody

0:27:55.796 --> 0:27:59.996
<v Speaker 1>can hear you. But where that happened, Where that that

0:28:00.036 --> 0:28:05.396
<v Speaker 1>little co is. It's like Professor Plum with the candlestick

0:28:05.436 --> 0:28:08.956
<v Speaker 1>in the conservatory. Nobody saw it, but you know what happened,

0:28:09.836 --> 0:28:11.996
<v Speaker 1>and that when you look at it that way, it's scary,

0:28:12.236 --> 0:28:34.116
<v Speaker 1>Like that area is scary because it's perfect. The case

0:28:34.156 --> 0:28:37.836
<v Speaker 1>against Fred Rayler, in spite of all that scientific evidence,

0:28:38.316 --> 0:28:42.036
<v Speaker 1>was largely circumstantial if you looked at it one way.

0:28:42.356 --> 0:28:46.676
<v Speaker 1>Fred was a victim of unfathomably bad luck. That's been

0:28:46.716 --> 0:28:49.636
<v Speaker 1>the subtext of every conversation I've had with him. His

0:28:49.756 --> 0:28:54.556
<v Speaker 1>persona is built around this idea of steadfast, stoic perseverance

0:28:54.676 --> 0:28:58.476
<v Speaker 1>in the face of hardship. Looked at another way, the

0:28:58.516 --> 0:29:03.796
<v Speaker 1>authority's way. Fred's a devious and malicious killer. From that

0:29:03.836 --> 0:29:06.516
<v Speaker 1>point of view, it's no coincidence that people close to

0:29:06.596 --> 0:29:11.356
<v Speaker 1>him kept drowning. He was drowning. But that's the thing

0:29:11.356 --> 0:29:15.876
<v Speaker 1>about circumstantial evidence. It doesn't look the same to everyone.

0:29:20.596 --> 0:29:23.196
<v Speaker 1>The first time I went up into the hayloft in Colorado,

0:29:23.516 --> 0:29:27.316
<v Speaker 1>I saw something really strange. It was a kiddie pool

0:29:27.476 --> 0:29:30.996
<v Speaker 1>with a plastic skeleton in it and an oar and

0:29:31.076 --> 0:29:35.276
<v Speaker 1>a headless dummy dressed in boy's clothing and not attached,

0:29:35.716 --> 0:29:40.596
<v Speaker 1>a painted pumpkinhead, a skeleton with an oar, A dummy

0:29:40.636 --> 0:29:44.676
<v Speaker 1>with no head. Law enforcement thought Fred had stunned Verna

0:29:44.716 --> 0:29:47.756
<v Speaker 1>with the door's oar. A dug sized dummy and a

0:29:47.836 --> 0:29:50.236
<v Speaker 1>dummy head had been used in the trial and helped

0:29:50.276 --> 0:29:55.036
<v Speaker 1>to convict Fred. Clearly, this was someone's morbid idea of

0:29:55.076 --> 0:29:58.476
<v Speaker 1>a joke. Wait, Heidi, can you come over here and

0:29:58.596 --> 0:30:04.876
<v Speaker 1>tell us about this? So what is this situation here?

0:30:04.916 --> 0:30:07.356
<v Speaker 1>At first, she had no idea what I was talking about.

0:30:07.956 --> 0:30:12.076
<v Speaker 1>She couldn't see it. It was a random collection of stuff, disconnected,

0:30:12.556 --> 0:30:17.676
<v Speaker 1>not meaningful, unrelated, you're looking at a kiddie pool with

0:30:18.676 --> 0:30:22.276
<v Speaker 1>there's a skeleton in it, and then there's also it

0:30:22.316 --> 0:30:27.156
<v Speaker 1>looks like a scarecrow, and then there's paddles. The paddles

0:30:27.196 --> 0:30:29.756
<v Speaker 1>are for a stepboard that's not up here right now,

0:30:30.556 --> 0:30:33.916
<v Speaker 1>and the scarecrow my daughter's built for Halloween. We put

0:30:33.956 --> 0:30:37.276
<v Speaker 1>it down at the then, like an optical illusion where

0:30:37.276 --> 0:30:39.716
<v Speaker 1>a hidden picture emerges only after you stare at it

0:30:39.796 --> 0:30:43.836
<v Speaker 1>a while. She saw what I saw, but it does

0:30:43.916 --> 0:30:47.836
<v Speaker 1>now that I'm looking at it. It's bizarre. Yeah. No,

0:30:48.036 --> 0:30:54.036
<v Speaker 1>it's just a pile of junk with a few skeletonstone

0:30:54.076 --> 0:31:00.476
<v Speaker 1>in Yeah. I considered whether her explanation was reasonable, that

0:31:00.556 --> 0:31:06.156
<v Speaker 1>these things would have ended up together completely unintentionally. No way.

0:31:06.996 --> 0:31:09.956
<v Speaker 1>She had a plausible explanation for everything, but it didn't

0:31:09.996 --> 0:31:13.356
<v Speaker 1>pass a gut check according to the law. Though I

0:31:13.396 --> 0:31:15.676
<v Speaker 1>would have to give Heidi the benefit of the doubt.

0:31:16.356 --> 0:31:21.116
<v Speaker 1>It was just an accident. The kittie pool moment illustrated

0:31:21.156 --> 0:31:25.076
<v Speaker 1>something else for me too, how much Fred's daughters need

0:31:25.196 --> 0:31:28.636
<v Speaker 1>him to be innocent, and how blinding that need is.

0:31:31.076 --> 0:31:34.396
<v Speaker 1>Kim's father, Bill, died after falling from a rooftop in

0:31:34.476 --> 0:31:38.516
<v Speaker 1>nineteen seventy five. Her mother died with her little brother

0:31:38.756 --> 0:31:43.756
<v Speaker 1>at Bird Rock in nineteen eighty one. Heidi and Kirsten's mother, Jean,

0:31:44.196 --> 0:31:47.476
<v Speaker 1>drowned in the family pool in Malibu in nineteen seventy six.

0:31:49.756 --> 0:31:54.796
<v Speaker 1>Fred is all they have. Sometimes, when you love and

0:31:54.956 --> 0:31:58.476
<v Speaker 1>need someone that badly, you can't see what's right before

0:31:58.476 --> 0:32:03.276
<v Speaker 1>your eyes. And if they want to keep him, they

0:32:03.396 --> 0:32:16.156
<v Speaker 1>must believe him. A few years ago, Kirsten, the youngest

0:32:16.196 --> 0:32:21.036
<v Speaker 1>of the sisters, Fred's favorite prime kid, spearheaded a petition

0:32:21.116 --> 0:32:24.276
<v Speaker 1>to ask Jerry Brown, the governor of California at the time,

0:32:24.476 --> 0:32:28.556
<v Speaker 1>to grant her father clemency. The Governor's office sent someone

0:32:28.596 --> 0:32:32.156
<v Speaker 1>to interview Fred in prison, and then the Santa Barbaradier's

0:32:32.196 --> 0:32:36.156
<v Speaker 1>office began reaching out to victims, which meant they called Kim,

0:32:36.916 --> 0:32:42.076
<v Speaker 1>Verna's daughter, Doug's older sister. Of the three sisters, Kim

0:32:42.236 --> 0:32:45.476
<v Speaker 1>is the most secretive. Almost no one in her life

0:32:45.596 --> 0:32:49.196
<v Speaker 1>knows the story of her childhood. The whole time we

0:32:49.196 --> 0:32:52.436
<v Speaker 1>were in the hayloft, she rarely volunteered anything other than

0:32:52.556 --> 0:32:58.116
<v Speaker 1>quiet agreement with her sisters. Now she spoke up when

0:32:58.156 --> 0:33:01.116
<v Speaker 1>that happened, I mean, I was surprised by it, but

0:33:01.156 --> 0:33:04.036
<v Speaker 1>then also like you know, her and offended that they

0:33:04.076 --> 0:33:07.116
<v Speaker 1>even did that. You know, I got his voice message

0:33:07.116 --> 0:33:08.836
<v Speaker 1>and then called him back the next day and then

0:33:09.236 --> 0:33:13.836
<v Speaker 1>flat out told him that I support my dad's clemency

0:33:13.956 --> 0:33:15.836
<v Speaker 1>and all this procedure and stuff like that, and then

0:33:15.876 --> 0:33:22.676
<v Speaker 1>didn't hear from their office again. But ah, this is Kirsten.

0:33:23.996 --> 0:33:26.996
<v Speaker 1>But then, I mean, we doubled down and sent another,

0:33:27.356 --> 0:33:31.316
<v Speaker 1>you know, batch of probably twenty letters of everyone saying like, yeah,

0:33:31.356 --> 0:33:34.796
<v Speaker 1>you may consider us the victim's family, but we love

0:33:34.796 --> 0:33:38.316
<v Speaker 1>and support him to this day. We you know, want

0:33:38.356 --> 0:33:41.876
<v Speaker 1>you to release him. I mean, how many times can

0:33:42.036 --> 0:33:46.476
<v Speaker 1>the victim's family say that? And it doesn't matter. I mean,

0:33:46.556 --> 0:33:52.236
<v Speaker 1>he's seventy eight years old with health problems. He's not

0:33:52.516 --> 0:33:55.116
<v Speaker 1>a risk. You know, he's not a risk to anybody.

0:33:56.436 --> 0:34:00.756
<v Speaker 1>If he ever was, he's not. Now they're accusing him

0:34:00.756 --> 0:34:03.836
<v Speaker 1>of killing family members and we're his family, so yeah,

0:34:03.996 --> 0:34:14.876
<v Speaker 1>we'll take the risk of him possibly killing us. Fred

0:34:14.996 --> 0:34:19.276
<v Speaker 1>was the perfect father who designed the perfect crime murder

0:34:19.356 --> 0:34:24.716
<v Speaker 1>with no witnesses that left no marks once authorities believed

0:34:24.756 --> 0:34:28.076
<v Speaker 1>he got away with it the second time he got caught.

0:34:29.796 --> 0:34:33.196
<v Speaker 1>On the surface, his family was perfect, but the real

0:34:33.236 --> 0:34:36.796
<v Speaker 1>story was what happened below. The surface where he held

0:34:36.836 --> 0:34:41.316
<v Speaker 1>them under and no one saw. I don't think the

0:34:41.396 --> 0:34:45.556
<v Speaker 1>trial or even the investigation was necessarily fair, but I

0:34:45.636 --> 0:34:48.316
<v Speaker 1>do think the jury sent a guilty man to prison.

0:34:50.436 --> 0:34:54.516
<v Speaker 1>But Fred, he's still keeping up appearances. In the tapes

0:34:54.596 --> 0:34:57.156
<v Speaker 1>from forty years ago. He sounds kind of numb, but

0:34:57.276 --> 0:35:01.596
<v Speaker 1>also irritated, as if he's explaining things through gritted teeth

0:35:01.756 --> 0:35:09.756
<v Speaker 1>to a dimwitted kid. In our conversations, he's mister Malibu again, genial, affable,

0:35:10.196 --> 0:35:13.516
<v Speaker 1>chuckling like a shopping mall Santa Claus, who you know,

0:35:13.676 --> 0:35:16.956
<v Speaker 1>is just an out of work actor in a polyester suit.

0:35:18.676 --> 0:35:26.996
<v Speaker 1>Good morning, How are you? I feel contained? So for

0:35:27.036 --> 0:35:34.236
<v Speaker 1>some reason contained, Yeah, that's a joke. This conversation was

0:35:34.276 --> 0:35:37.036
<v Speaker 1>just a couple of weeks ago. On December eighth, it

0:35:37.076 --> 0:35:40.516
<v Speaker 1>was our twenty fifth phone call. Fred said he was

0:35:40.596 --> 0:35:43.876
<v Speaker 1>still working on his case. His appeal back in nineteen

0:35:43.916 --> 0:35:47.716
<v Speaker 1>eighty five hadn't worked because even though all three judges

0:35:47.756 --> 0:35:51.236
<v Speaker 1>felt that Duane MOS's testimony about the experiments with the

0:35:51.316 --> 0:35:54.356
<v Speaker 1>dummy and the dory should not have been allowed, they

0:35:54.356 --> 0:35:57.356
<v Speaker 1>didn't agree on how much it had influenced the jury's decision.

0:35:58.036 --> 0:36:01.156
<v Speaker 1>Two of the judges said that even without Moses's testimony,

0:36:01.436 --> 0:36:03.716
<v Speaker 1>the outcome of the trial would have been the same.

0:36:04.796 --> 0:36:07.996
<v Speaker 1>And then the third one wrote a shepherd dissenting opinion

0:36:08.436 --> 0:36:11.316
<v Speaker 1>where he went into the whole thing and said, no,

0:36:11.556 --> 0:36:15.276
<v Speaker 1>this is primarily the reason we've got this gut. In

0:36:15.356 --> 0:36:19.556
<v Speaker 1>recent years, California law has changed to reflect growing skepticism

0:36:19.596 --> 0:36:23.076
<v Speaker 1>about forensic science, which can be so persuasive to juries

0:36:23.516 --> 0:36:28.236
<v Speaker 1>but is also often total bunk. Now there's an appetite

0:36:28.276 --> 0:36:30.876
<v Speaker 1>to take another look at cases where junk science may

0:36:30.876 --> 0:36:34.556
<v Speaker 1>have played a role in conviction. So Fred's forging ahead,

0:36:34.916 --> 0:36:41.356
<v Speaker 1>serving as his own lawyer. So I've been basically pressing

0:36:41.476 --> 0:36:45.276
<v Speaker 1>that issue along with some others, all the way through

0:36:45.316 --> 0:36:49.916
<v Speaker 1>the court system. So I started out with the Superior

0:36:49.956 --> 0:36:53.116
<v Speaker 1>Court in Santa Barbara and then went all the way

0:36:53.156 --> 0:36:57.596
<v Speaker 1>up to the Supreme Court, the Supreme Court of California,

0:36:58.076 --> 0:37:02.636
<v Speaker 1>and that one's just done this year. I had a

0:37:02.676 --> 0:37:04.916
<v Speaker 1>feeling this would be the last time I'd talked to Fred,

0:37:05.556 --> 0:37:08.356
<v Speaker 1>and I wanted to understand something that had been bothering

0:37:08.356 --> 0:37:12.036
<v Speaker 1>me all along. That his love for his daughters seems

0:37:12.356 --> 0:37:15.756
<v Speaker 1>so real. It's the one part of his facade I

0:37:15.796 --> 0:37:19.756
<v Speaker 1>just can't see through. I don't think it is a facade.

0:37:20.676 --> 0:37:22.956
<v Speaker 1>So I asked him about his relationship with them and

0:37:23.076 --> 0:37:28.636
<v Speaker 1>what they're unfaltering support has meant to him. Oh, it

0:37:28.716 --> 0:37:37.556
<v Speaker 1>means absolutely everything. I'm fortunate that they're astute enough and

0:37:37.676 --> 0:37:44.716
<v Speaker 1>old enough now to really comprehend both situations and to

0:37:44.956 --> 0:37:51.916
<v Speaker 1>understand the legal process. And basically they're my lifeline at

0:37:51.916 --> 0:37:55.676
<v Speaker 1>the moment, because if I, if I didn't have my daughters,

0:37:55.796 --> 0:38:00.116
<v Speaker 1>I'd be in a lot of trouble. What would happen

0:38:00.876 --> 0:38:06.716
<v Speaker 1>if one of them questioned either of those stories that

0:38:06.756 --> 0:38:13.276
<v Speaker 1>you've told them? Sure, well, I would try my most

0:38:13.356 --> 0:38:18.476
<v Speaker 1>to figure out why they had changed their mind and

0:38:18.876 --> 0:38:22.156
<v Speaker 1>to do everything that I could to, you know, help

0:38:22.196 --> 0:38:28.836
<v Speaker 1>them understand it even better. It's one of those It's

0:38:28.836 --> 0:38:32.276
<v Speaker 1>one of those things that, knowing the three women, it

0:38:32.316 --> 0:38:36.676
<v Speaker 1>would be hard for me to grasp, it would be

0:38:36.716 --> 0:38:41.356
<v Speaker 1>hard for you to grasp why they might have questions.

0:38:41.476 --> 0:38:45.596
<v Speaker 1>Oh exactly. In other words, there's a lot of things

0:38:45.636 --> 0:38:51.036
<v Speaker 1>that none of us know, and that'll always be the case.

0:38:51.396 --> 0:38:55.716
<v Speaker 1>But what they do know basically has led them to

0:38:55.716 --> 0:38:58.516
<v Speaker 1>stay with me and be with me, you know, the

0:38:58.676 --> 0:39:02.956
<v Speaker 1>entire time, and bring husbands up and bring babies up,

0:39:02.996 --> 0:39:07.196
<v Speaker 1>and you know, visit me at all different funny places.

0:39:07.836 --> 0:39:11.556
<v Speaker 1>They'll old folsome. We actually had family visits in the hospital,

0:39:12.876 --> 0:39:17.316
<v Speaker 1>and so I had these three little girls basically visiting

0:39:17.356 --> 0:39:21.676
<v Speaker 1>me for a weekend in prison, which is, you know,

0:39:21.836 --> 0:39:25.316
<v Speaker 1>rather astounding that as they had the fortitude to be

0:39:25.396 --> 0:39:30.996
<v Speaker 1>able to face that and basically for us to have

0:39:30.996 --> 0:39:37.156
<v Speaker 1>a pretty good Do you think your identity remaining? Is

0:39:37.196 --> 0:39:43.916
<v Speaker 1>your identity at root that you are a good father? Yeah?

0:39:43.956 --> 0:39:46.476
<v Speaker 1>And the thing that we say over and over is

0:39:46.516 --> 0:39:50.596
<v Speaker 1>that I'm probably better as a father in here than

0:39:50.636 --> 0:39:53.596
<v Speaker 1>I would have been out there. Being in here, I

0:39:53.756 --> 0:39:57.756
<v Speaker 1>followed them at every step of their lives and listened

0:39:57.796 --> 0:40:02.196
<v Speaker 1>and shared letters, and you know, it's I've got them

0:40:02.236 --> 0:40:05.996
<v Speaker 1>to know them and them to know me. So it's

0:40:05.996 --> 0:40:10.476
<v Speaker 1>one of those little twists of irony. Do you think

0:40:10.516 --> 0:40:16.476
<v Speaker 1>you'll get out? I do yes, because I know that

0:40:16.636 --> 0:40:20.836
<v Speaker 1>what they did wasn't fair and it violated the rule

0:40:20.876 --> 0:40:27.076
<v Speaker 1>of law. And at some point the line had gone dead.

0:40:42.116 --> 0:40:45.676
<v Speaker 1>I talked to Fred twenty five times for a total

0:40:45.756 --> 0:40:48.916
<v Speaker 1>of six hours, forty five minutes and forty seven seconds.

0:40:50.876 --> 0:40:54.276
<v Speaker 1>He told me about Jean, that they were working things out.

0:40:55.516 --> 0:40:58.316
<v Speaker 1>He told me about Verna, that she was the love

0:40:58.356 --> 0:41:02.156
<v Speaker 1>of his life. He told me about their life in Malibu,

0:41:03.396 --> 0:41:09.716
<v Speaker 1>that it was perfect, wholesome, sweet, a dream. But it

0:41:09.836 --> 0:41:13.916
<v Speaker 1>was right there when Fred was talking about his daughters

0:41:14.156 --> 0:41:18.756
<v Speaker 1>and the kind of father he's been, how they're his lifeline.

0:41:20.196 --> 0:41:26.676
<v Speaker 1>That was the one moment, maybe the only moment, when

0:41:26.756 --> 0:42:06.076
<v Speaker 1>I knew Fred was telling the truth. Lost Hills is reported,

0:42:06.076 --> 0:42:09.636
<v Speaker 1>written and hosted by me Dana Goodyear. The editor is

0:42:09.676 --> 0:42:13.956
<v Speaker 1>Ben Adair. Our senior producer is Hayley Fox, who contributed

0:42:14.036 --> 0:42:19.156
<v Speaker 1>a ton of additional reporting. Producers are Nicole McNulty, Cameron Kell,

0:42:19.316 --> 0:42:23.556
<v Speaker 1>and Savannah Wright. Mika Hauser is our fact checker. Our

0:42:23.596 --> 0:42:28.076
<v Speaker 1>composer and sound designer is Dan Leone. Our mix engineers

0:42:28.076 --> 0:42:32.316
<v Speaker 1>are David Hermann and Michael Raphael. Our cover art is

0:42:32.356 --> 0:42:36.756
<v Speaker 1>called for a Kid, and It's by Francesca Gabiani. Bena

0:42:36.836 --> 0:42:40.796
<v Speaker 1>Dare and I are the creators and executive producers. Executive

0:42:40.836 --> 0:42:44.636
<v Speaker 1>producers for Pushkin Industries are Jacob Weisberg, The Tal Mullad

0:42:44.796 --> 0:42:49.836
<v Speaker 1>and Jacob Smith. Thanks also to the Pushkin team Mia Lobell,

0:42:50.276 --> 0:42:55.316
<v Speaker 1>Heather Faine, John Schnars, Carly mcgliori, Amy Gaines, Maggie Taylor,

0:42:55.476 --> 0:43:00.836
<v Speaker 1>Nicole Morano, Eric Sandler, Mary Beth Smith, Brant Haynes, Jake Gorsky,

0:43:01.076 --> 0:43:08.596
<v Speaker 1>Sean Carney, Royston Bezerv, Maya Koneg, and Daniella Lacan. Lost

0:43:08.676 --> 0:43:12.676
<v Speaker 1>Hills the production of Western Sound and Pushkin Industries. You

0:43:12.716 --> 0:43:16.316
<v Speaker 1>can sign up for Western Sounds newsletter at Western Dashsound

0:43:16.516 --> 0:43:23.436
<v Speaker 1>dot com. Pushkin's newsletter is at Pushkin dot fm. Follow

0:43:23.516 --> 0:43:26.876
<v Speaker 1>at Lost Hills Pod on social media, and please remember

0:43:26.916 --> 0:43:29.396
<v Speaker 1>to rate and review the show in your podcast app.

0:43:29.876 --> 0:43:33.396
<v Speaker 1>To find more Pushkin podcasts, listen on the iHeartRadio app,

0:43:33.516 --> 0:43:36.516
<v Speaker 1>Apple Podcasts, or wherever you listen to podcasts,