WEBVTT - SUNDAY SAMPLER - The Nashville Podcast Network (9-22-24)

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<v Speaker 1>Hey guys, welcome, It's Sunday.

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<v Speaker 2>Here's the Sunday sampler from the Nashville Podcast Network. We're

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<v Speaker 2>gonna start with Take This Personally. It's from Morgan number two.

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<v Speaker 2>She talked with a friendship coach. Never heard of this before.

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<v Speaker 2>Danielle Bear Jackson is her name, and she shares her

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<v Speaker 2>expertise on how to make friends as an adult and

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<v Speaker 2>how it's hard to maintain friendships when life gets super busy.

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<v Speaker 1>So we'll hear this.

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<v Speaker 2>We have four things coming up with Amy Brown, Sore

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<v Speaker 2>Losers movie, Mike the Bobby Cast, all of that on

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<v Speaker 2>the way. Hopefully, if you hear something you like, you

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<v Speaker 2>go and subscribe to the podcast. But here's a clip

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<v Speaker 2>of this week's episode of Take This Personally with Morgan Hulsman.

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<v Speaker 3>Personality, Let's get duels Man.

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<v Speaker 4>Danielle Bayer Jackson is a female friendship coach and educator

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<v Speaker 4>who speaks nationally on the subject of friendship as a

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<v Speaker 4>wellness imperative. Her business, friend Forward is dedicated to teaching

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<v Speaker 4>women how to create and maintain better female friendships. Danielle,

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<v Speaker 4>how are you doing today?

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<v Speaker 5>I'm doing okay. I'm really glad that you brought me

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<v Speaker 5>on to lend my voice to this conversation because it's

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<v Speaker 5>so important.

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<v Speaker 4>Say you have a client who is nearly starting from

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<v Speaker 4>scratch with female friendships, what would the beginning process look

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<v Speaker 4>like for them to start finding some really solid friendships.

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<v Speaker 5>Oh that's a great question, and I'm so glad you

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<v Speaker 5>asked it, because, as you can imagine, hands down, that

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<v Speaker 5>is the number one question. It's always how do I

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<v Speaker 5>make friends? But it typically comes with some kind of qualifier.

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<v Speaker 5>So how do I make friends? As a woman with

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<v Speaker 5>social anxiety? How do I make friends? As a woman

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<v Speaker 5>in a new city? How do I make friends? So

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<v Speaker 5>I hope it shows us that we'll always be making

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<v Speaker 5>new friends. And so the first step is more of

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<v Speaker 5>a mindset, and it's to shake off any shame you

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<v Speaker 5>have about having to start from scratch, that it's not

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<v Speaker 5>something you should have figured out by now. You're not behind.

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<v Speaker 5>There's not something wrong with you if you look around

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<v Speaker 5>and you're like, oh my gosh, I don't have people.

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<v Speaker 5>In fact, research tells us that on average, we replace

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<v Speaker 5>about half of our friends every seven years. And so

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<v Speaker 5>you might be in a season where you're like, oh gosh,

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<v Speaker 5>I'm in a pruning season. And I have space to

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<v Speaker 5>invite new connections. So the first step is to shake

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<v Speaker 5>off the shame. The second thing I'd tell you is

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<v Speaker 5>to look at the people who are already in your life,

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<v Speaker 5>because research also tells us that a lot of the

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<v Speaker 5>friends we have are also serving in some kind of

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<v Speaker 5>other role. So they might also be your cousin, They

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<v Speaker 5>might also be your hairstylists, they might also be your coworker.

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<v Speaker 5>So if that's the case, look around at who already

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<v Speaker 5>exists and you've dismissed them for whatever reason as a

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<v Speaker 5>potential friend. And what would happen if you looked at

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<v Speaker 5>them in like a new way? Is the first thing.

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<v Speaker 5>Then I like to say, become a regular somewhere because

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<v Speaker 5>that familiarity makes it more comfortable for us to start

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<v Speaker 5>a friendship. And so especially those of us who are

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<v Speaker 5>working from home. A lot of us are in the

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<v Speaker 5>house all day. We don't get out and about maybe

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<v Speaker 5>you can commit to like working from a coffee shop

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<v Speaker 5>every Friday at the same time, or walking your dog

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<v Speaker 5>at like the same time, you know, every day. I'll

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<v Speaker 5>pause here because I know some women are like, we

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<v Speaker 5>can't have routines. We have to be careful and I

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<v Speaker 5>heard as a safety precaution, and that's true. So you know,

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<v Speaker 5>adapt this is to fit your lifestyle. How can you

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<v Speaker 5>become a regular somewhere? How can you breathe familiarity with

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<v Speaker 5>the people who work there and the other people who

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<v Speaker 5>come there every Friday morning to work out of their

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<v Speaker 5>house too, So bringing that familiarity. And then the last

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<v Speaker 5>tip I'll give, because I can do this all day,

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<v Speaker 5>is to make your desire known and so use social

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<v Speaker 5>media to say, oh yeah, moving to Austin and looking

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<v Speaker 5>to see if anybody has any recommendations, or text a

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<v Speaker 5>friend or an acquaintance who's a super extrovert and just

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<v Speaker 5>say hey, I'm just trying to get more plugged in.

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<v Speaker 5>I thought of you because you're always out and about

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<v Speaker 5>and doing some cool stuff. Is there anything around town

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<v Speaker 5>we're checking out? Because they're either going to give you

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<v Speaker 5>recommendations or they're going to invite you to be there.

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<v Speaker 5>Plus one, they might say, oh my god, yes we

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<v Speaker 5>do happy hour every Tuesday. You have to come. But

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<v Speaker 5>no one's going to be able to meet your need

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<v Speaker 5>for new connections if you're too embarrassed to let people

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<v Speaker 5>know that you want new connections.

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<v Speaker 4>I feel like, that first step is so important because

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<v Speaker 4>if you just live in that shame, you're never going

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<v Speaker 4>to do any of the other steps. You're just going

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<v Speaker 4>to sit there and say, I'm too embarrassed to try this,

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<v Speaker 4>so I'm just going to be alone forever, exactly. And

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<v Speaker 4>there's finding friends, and there's also finding friends who lift

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<v Speaker 4>you up, add to your life, empower you. They're what

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<v Speaker 4>I like to call my deep connections versus my surface

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<v Speaker 4>level friends. How do we ensure that we can find

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<v Speaker 4>and cultivate those kind of friendships that are empowering more

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<v Speaker 4>than they are surface level.

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<v Speaker 5>Oh I'm so glad you asked that, because sometimes the

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<v Speaker 5>conversation does become about like finding new people, which is

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<v Speaker 5>so great and you need to have that skill. But

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<v Speaker 5>then sometimes I'm like, well, how are you going deep

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<v Speaker 5>with the friends you already have? How can you make

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<v Speaker 5>that more meaningful? Right, because some of us feel a

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<v Speaker 5>sense of loneliness because all our friendships are superficial in

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<v Speaker 5>terms of creating more depth. The first thing I would

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<v Speaker 5>say is look at how vulnerable you're being. And I

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<v Speaker 5>know vulnerability is like a hot topic, but I do

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<v Speaker 5>want to correct one misconception. I think people think vulnerability

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<v Speaker 5>means let me tell you about my biggest trauma. Let

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<v Speaker 5>me tell you about this big thing and self disclose.

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<v Speaker 5>The best way I've heardlnerbility to find is you are

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<v Speaker 5>willing to take a risk of rejection. And so I'm

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<v Speaker 5>going to tell you something. Oh, I know, I might

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<v Speaker 5>look weak, I might look weird, I might look I'm

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<v Speaker 5>gonna do it anyway, because research shows that we tend

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<v Speaker 5>to like people who are vulnerable with us. It kind

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<v Speaker 5>of humanizes them, It's kind of endearing, and so open

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<v Speaker 5>up a little bit appropriately, especially in the beginning, to

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<v Speaker 5>go a little bit deeper. Also, try to take your

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<v Speaker 5>relationships off auto pilot. Sometimes with the same friends, we

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<v Speaker 5>do the same things, we do the same happy hour

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<v Speaker 5>at the same place. It's okay, the same way. In

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<v Speaker 5>a romantic relationship where it feels kind of dry, you're like,

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<v Speaker 5>we need to jazz this up. Same thing. Maybe you're

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<v Speaker 5>on default with your friends. Can you infuse new life

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<v Speaker 5>by operating on a different social backdrop or trying something

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<v Speaker 5>totally out of the box together, because those shared experiences

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<v Speaker 5>genuinely do really connect you. And then the final thing

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<v Speaker 5>I'll say, and this is going to sound so from

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<v Speaker 5>left Field, ask your friends for help.

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<v Speaker 2>We love talking about the Rock and Roll Hall of Fame.

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<v Speaker 2>And I think I'm still a voting member after this

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<v Speaker 2>second that we did where I probably revealed too much

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<v Speaker 2>about the voting process.

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<v Speaker 1>Thank god, I don't know.

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<v Speaker 2>I don't I didn't get a second voting slip for

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<v Speaker 2>the year. But I also didn't get told I'm not

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<v Speaker 2>so I don't know. Oh, but I was never told

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<v Speaker 2>I was kicked out. Do you normally get your voting

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<v Speaker 2>slip by now?

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<v Speaker 6>I don't know.

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<v Speaker 1>I've only ever had it once.

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<v Speaker 6>Everyone it was, But.

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<v Speaker 2>They now are doing the Rock and Roll Hall of

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<v Speaker 2>Fame Voice your choice, And I don't think if you

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<v Speaker 2>win it you get in, but I think it factors in,

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<v Speaker 2>like it's part of.

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<v Speaker 1>Like a percentage of the overall.

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<v Speaker 6>And anyone can vote. This is just anyone in the world.

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<v Speaker 1>Yeah, okay, because you.

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<v Speaker 2>Can do it by visiting the Rock and Roll Hall

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<v Speaker 2>of Fame. I'm just going to read some of these here,

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<v Speaker 2>so the raw. Okay, here's what the deal is the

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<v Speaker 2>Rock and Roll Hall of Fame. If you vote on

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<v Speaker 2>that website when they do that, that is a percentage

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<v Speaker 2>this that you do. There is just them kind of

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<v Speaker 2>wanting to know. But I think it could also like

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<v Speaker 2>secretly affect the people that are making the decisions. So

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<v Speaker 2>there is one online pull the matters.

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<v Speaker 6>But here you go.

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<v Speaker 1>I'll read you a person, and you just tell me

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<v Speaker 1>if you think they should be in the rock and

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<v Speaker 1>Wall got it, And it's like do they deserve to

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<v Speaker 1>be in there now?

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<v Speaker 7>Right?

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<v Speaker 2>Like, because well, you can only get in if it's

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<v Speaker 2>like twenty five years past your first album. Okay, and

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<v Speaker 2>these all these people meet that required it, maybe twenty

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<v Speaker 2>I should know this as a voting member, you should.

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<v Speaker 1>I only look at the people they give me and go,

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<v Speaker 1>do they deserve it? Mike?

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<v Speaker 2>Will you let us know when you figure that out

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<v Speaker 2>it's either twenty after their first album or twenty five.

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<v Speaker 8>But okay, here we go. The Cranberries, Yes, no, I

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<v Speaker 8>don't think that I have a body big enough. I

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<v Speaker 8>answer it way too quickly. I mean because they got

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<v Speaker 8>they got jams and they were a staple. They got

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<v Speaker 8>like three bops, like Dreams, they got like Zombie, hold on,

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<v Speaker 8>hold on, hold on Linger that's it.

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<v Speaker 1>Shoot, those are the only three bangers they got.

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<v Speaker 6>Do you have to let it? Lingers a bit.

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<v Speaker 1>Some by interesting dreams.

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<v Speaker 6>My love.

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<v Speaker 1>Every way got it? That's dreams, Mike. We cranberried up.

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<v Speaker 1>See what they're fourth? There's one more.

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<v Speaker 2>But even if it's four, I don't think that's enough

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<v Speaker 2>to get in the Rock and Hall.

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<v Speaker 1>And it is twenty five years by the way. Okay, okay,

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<v Speaker 1>I mean that works. But yeah, you're right.

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<v Speaker 8>I may have answered that one way too quick because

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<v Speaker 8>I do like the Cranberries. But you're you're talking like

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<v Speaker 8>maybe two albums that I remember.

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<v Speaker 1>Yeah, I think there. But to be fair, if you

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<v Speaker 1>have an album that.

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<v Speaker 2>Is transcendent, for example, Oasis, like I think Oasis should

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<v Speaker 2>be in the Rock and Hall of Fame, and they

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<v Speaker 2>really only have one massive album, their second album.

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<v Speaker 1>Okay, the fourth list that is Oh to my Family.

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<v Speaker 6>My father.

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<v Speaker 1>You're making that up, my mother? Are you making I

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<v Speaker 1>swear that's how it goes. I'm swhere that's how that

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<v Speaker 1>song goes.

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<v Speaker 6>Are you making that?

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<v Speaker 7>Nope?

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<v Speaker 8>You think just because I said I heard family, Yeah,

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<v Speaker 8>I went right to father them.

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<v Speaker 1>That's what she says.

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<v Speaker 2>That's a jam number one, Linger too, Zombie number three,

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<v Speaker 2>Oh to my Family, it has.

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<v Speaker 1>Oh I know this song, dude, dude, you remember.

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<v Speaker 9>My father.

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<v Speaker 4>I do.

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<v Speaker 8>I'm telling you man, okay, but you know what, now

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<v Speaker 8>that you say that Oasis with one good album, I'm

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<v Speaker 8>want to put Cranberries in.

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<v Speaker 2>This is Sunday, I remember this one. I don't think

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<v Speaker 2>they can't because the lead sing or die. But I

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<v Speaker 2>don't think if the Cranbers were united right now that

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<v Speaker 2>there would be like a oh my god, everybody guess

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<v Speaker 2>what they're back together. You're right, I do like Cranberries,

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<v Speaker 2>but rock and Hall of Fame I don't think so. Okay,

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<v Speaker 2>but it's not saying you're wrong, yeah, nor is it

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<v Speaker 2>saying that I'm right.

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<v Speaker 8>I did answer it very quickly, but I'm going to

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<v Speaker 8>stand behind it.

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<v Speaker 2>Smith's I don't get the smith Why are the Smiths

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<v Speaker 2>so popular in Mexico, in southern Texas and Mexico.

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<v Speaker 1>Yeah, it's very Latino, extreme huge in California. I don't

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<v Speaker 1>know why. I just always loved him and I don't

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<v Speaker 1>know why. I guess because of Mexican.

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<v Speaker 6>Who are the Smiths like?

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<v Speaker 7>Give me a morrisey?

0:10:15.640 --> 0:10:16.319
<v Speaker 1>Oh yeah?

0:10:16.360 --> 0:10:19.120
<v Speaker 2>Why is Morsey so loved by Hispanics, Mexicans and Latinos?

0:10:19.160 --> 0:10:21.280
<v Speaker 1>I think it's his voice, just that suit because he's

0:10:21.320 --> 0:10:23.480
<v Speaker 1>not he has kind of like that old school vibe

0:10:23.520 --> 0:10:26.000
<v Speaker 1>to him. But he's not Mexican. No, he's white.

0:10:26.080 --> 0:10:26.680
<v Speaker 9>He's like white.

0:10:26.760 --> 0:10:28.920
<v Speaker 1>And yeah, I never knew, and I was never like

0:10:28.960 --> 0:10:30.840
<v Speaker 1>a I'm not a hater. I was never a fan,

0:10:31.360 --> 0:10:33.839
<v Speaker 1>but I remember my friends being like, yeah, Mexicans love him,

0:10:34.240 --> 0:10:36.400
<v Speaker 1>Like really, I say this as a Mexican big in

0:10:36.440 --> 0:10:40.000
<v Speaker 1>like the Trolo community. Well I'm not crazy for saying that, right.

0:10:40.080 --> 0:11:09.359
<v Speaker 6>Oh yeah, wow, cast up little food for yourself.

0:11:10.480 --> 0:11:10.720
<v Speaker 7>Life.

0:11:11.040 --> 0:11:13.480
<v Speaker 6>Oh it's pretty bad. It's pretty beautiful.

0:11:13.679 --> 0:11:15.200
<v Speaker 9>Thing beautiful that for.

0:11:15.160 --> 0:11:24.160
<v Speaker 6>A little more said he you're kicking with full with

0:11:24.280 --> 0:11:24.920
<v Speaker 6>Amy Brown.

0:11:25.040 --> 0:11:27.040
<v Speaker 10>All right, So I'm going to talk about hate following.

0:11:28.240 --> 0:11:31.280
<v Speaker 10>This could be a hobby that you are participating in

0:11:31.440 --> 0:11:34.520
<v Speaker 10>and you don't even realize it. Now, after I tell

0:11:34.559 --> 0:11:36.480
<v Speaker 10>you about hate following, I'm going to share with you

0:11:36.600 --> 0:11:39.200
<v Speaker 10>a hobby that can make you happier, because hate following

0:11:39.640 --> 0:11:43.000
<v Speaker 10>definitely does not. But I did see the happy hobby

0:11:43.280 --> 0:11:47.439
<v Speaker 10>situation multiple times this week. I saw articles when I

0:11:47.559 --> 0:11:50.000
<v Speaker 10>was on social media when I was searching news prep

0:11:50.160 --> 0:11:51.960
<v Speaker 10>for the Bobby Bone Show, and I was like, oh,

0:11:52.040 --> 0:11:54.679
<v Speaker 10>this could be worth noting because this type of hobby

0:11:55.280 --> 0:11:57.600
<v Speaker 10>might be something we could all do, and maybe it's

0:11:57.760 --> 0:11:59.719
<v Speaker 10>just the nudge you need to finally do it. I

0:11:59.760 --> 0:12:02.520
<v Speaker 10>will give you a hint. Therapy Cat has already started

0:12:02.600 --> 0:12:05.640
<v Speaker 10>something like this, and who knew she was onto something?

0:12:06.080 --> 0:12:07.679
<v Speaker 11>So hate following is a thing.

0:12:07.800 --> 0:12:09.920
<v Speaker 10>Again. We may not know that we're doing it, but

0:12:09.960 --> 0:12:13.000
<v Speaker 10>it's a social media habit that we fall into. If

0:12:13.080 --> 0:12:16.760
<v Speaker 10>you follow people with perfect photos or someone who posts

0:12:17.200 --> 0:12:20.840
<v Speaker 10>offensive political things that you don't agree with, you might

0:12:20.880 --> 0:12:24.719
<v Speaker 10>be hate following. A behavioral psychologist named Denise Dudley was

0:12:24.840 --> 0:12:28.199
<v Speaker 10>talking about how you don't know you're doing this destructive behavior,

0:12:28.360 --> 0:12:31.599
<v Speaker 10>but when you hate follow, you're secretly hoping for a

0:12:31.840 --> 0:12:35.559
<v Speaker 10>politically incorrect slip up or a bad hair day to

0:12:35.720 --> 0:12:39.199
<v Speaker 10>make yourself feel a little bit better about your own life.

0:12:39.720 --> 0:12:41.920
<v Speaker 10>And sometimes we hate follow people who seem to have

0:12:42.000 --> 0:12:44.640
<v Speaker 10>it all just to remind ourselves why we.

0:12:44.760 --> 0:12:45.520
<v Speaker 12>Don't like them.

0:12:46.120 --> 0:12:50.000
<v Speaker 10>And the problem with that is hate following creates stress, anxiety,

0:12:50.160 --> 0:12:54.760
<v Speaker 10>low self esteem, or even depression. So experts suggest to

0:12:55.080 --> 0:12:58.679
<v Speaker 10>unfollow the people who fit the category and move on.

0:12:59.400 --> 0:13:01.079
<v Speaker 10>I will say that I went through my feed and

0:13:01.360 --> 0:13:03.680
<v Speaker 10>I couldn't say one hundred percent I was hate following,

0:13:04.120 --> 0:13:07.839
<v Speaker 10>But when I used some of this article to assess like,

0:13:07.960 --> 0:13:10.240
<v Speaker 10>do I really like this person? Do I align with

0:13:10.320 --> 0:13:12.839
<v Speaker 10>this person? How do I feel after I watch this person?

0:13:13.240 --> 0:13:16.400
<v Speaker 10>And then I thought, oh, sometimes when maybe they mess

0:13:16.520 --> 0:13:18.840
<v Speaker 10>up or it seems like their life isn't as perfect

0:13:18.880 --> 0:13:21.200
<v Speaker 10>as I thought, do I feel a little bit better

0:13:21.400 --> 0:13:24.400
<v Speaker 10>about my own life when I see that happen? And

0:13:24.720 --> 0:13:27.480
<v Speaker 10>I was able to answer yes to that. So being

0:13:27.520 --> 0:13:31.559
<v Speaker 10>honest here, I unfollowed someone that fit that category, So

0:13:31.679 --> 0:13:34.199
<v Speaker 10>make sure you're not hate following. I didn't realize I

0:13:34.320 --> 0:13:36.440
<v Speaker 10>was doing it, and experts say a lot of people

0:13:36.480 --> 0:13:38.839
<v Speaker 10>are doing it, and yeah, we don't even realize it.

0:13:39.559 --> 0:13:43.760
<v Speaker 10>Now on to more positive hobby news. Taking up arts

0:13:43.800 --> 0:13:46.800
<v Speaker 10>and crafts could be a game changer in your happiness.

0:13:47.280 --> 0:13:50.199
<v Speaker 10>So if you want to lower cortisol levels and have

0:13:50.679 --> 0:13:54.360
<v Speaker 10>overall better well being, simply take up an arts and

0:13:54.440 --> 0:13:55.320
<v Speaker 10>crafts hobby.

0:13:55.760 --> 0:13:55.920
<v Speaker 4>Yeah.

0:13:56.000 --> 0:13:58.840
<v Speaker 10>See therapy cat. She's been onto this with her painting.

0:13:59.200 --> 0:14:00.840
<v Speaker 10>Like if you go over to her house at her

0:14:00.920 --> 0:14:03.120
<v Speaker 10>kitchen table, she just has this whole arts and crafts

0:14:03.200 --> 0:14:05.480
<v Speaker 10>bin in the corner now and then on the table

0:14:05.640 --> 0:14:08.360
<v Speaker 10>she'll just have a blank canvas and some paint so

0:14:08.559 --> 0:14:10.800
<v Speaker 10>she can bust it out at any time. But it

0:14:10.880 --> 0:14:13.920
<v Speaker 10>doesn't have to even be as complicated as paint and

0:14:14.040 --> 0:14:16.480
<v Speaker 10>a canvas and all the things like you can just

0:14:16.960 --> 0:14:21.560
<v Speaker 10>draw if you want to. Doctor Helen Keyes, a cognitive psychologist,

0:14:21.720 --> 0:14:24.280
<v Speaker 10>just released a new study talking about this, and she

0:14:24.360 --> 0:14:28.920
<v Speaker 10>said that engaging with arts and crafts is accessible and affordable,

0:14:29.280 --> 0:14:33.080
<v Speaker 10>and options such as knitting and drawing require very little

0:14:33.160 --> 0:14:37.640
<v Speaker 10>tools and can be so engaging and creatively fulfilling. And

0:14:37.880 --> 0:14:41.480
<v Speaker 10>people in the study reported more happiness, better life satisfaction,

0:14:42.000 --> 0:14:46.960
<v Speaker 10>and sense of lives being worthwhile if they were participating

0:14:47.400 --> 0:14:50.360
<v Speaker 10>in an arts and craft project. So, guys, this is

0:14:50.440 --> 0:14:52.920
<v Speaker 10>really simple. I think we can all do this. And

0:14:53.000 --> 0:14:54.680
<v Speaker 10>you know, I was talking about that event I went

0:14:54.720 --> 0:14:57.120
<v Speaker 10>to last night for music teachers and hearing all the

0:14:57.200 --> 0:15:00.480
<v Speaker 10>stories and seeing all the kids play their in instruments.

0:15:01.200 --> 0:15:02.880
<v Speaker 10>I got a little annoyed at my mom that she

0:15:03.000 --> 0:15:05.240
<v Speaker 10>let me quit piano when I was a kid. And

0:15:05.360 --> 0:15:08.600
<v Speaker 10>I was encouraged though that even at forty three, I

0:15:08.720 --> 0:15:11.480
<v Speaker 10>could start taking piano lessons make that a hobby. It's

0:15:11.480 --> 0:15:13.520
<v Speaker 10>not going to be guitar for me. I took lessons

0:15:13.840 --> 0:15:17.240
<v Speaker 10>several years ago and my fingers hurt so bad, Like

0:15:17.360 --> 0:15:19.280
<v Speaker 10>I just don't know that that's gonna be a thing

0:15:19.360 --> 0:15:22.560
<v Speaker 10>for me. But piano I think I could get into.

0:15:22.840 --> 0:15:25.680
<v Speaker 10>And I looked up some of the benefits of playing piano.

0:15:26.160 --> 0:15:30.680
<v Speaker 10>Stress management came up, creativity in the brain, improve coordination,

0:15:31.480 --> 0:15:37.080
<v Speaker 10>self esteem, improves concentration, enhanced memory, math improvement. I mean,

0:15:37.120 --> 0:15:42.120
<v Speaker 10>the list goes on, improved mental health, neuroplasticity, focus, goal setting,

0:15:42.640 --> 0:15:43.680
<v Speaker 10>cultural enrichment.

0:15:44.120 --> 0:15:45.480
<v Speaker 11>Why would my mom take me out of that?

0:15:46.000 --> 0:15:48.120
<v Speaker 10>So now at forty three, because I have a keyboard

0:15:48.160 --> 0:15:49.680
<v Speaker 10>at my house, I don't have a piano, but I

0:15:49.760 --> 0:15:53.640
<v Speaker 10>do think I could start taking some piano lessons and.

0:15:53.760 --> 0:15:55.480
<v Speaker 11>Add that to my hobby belt.

0:15:55.520 --> 0:15:58.320
<v Speaker 10>But if you have ADHD like me, you know that

0:15:58.440 --> 0:16:00.480
<v Speaker 10>we like to start a lot of hobbies and not

0:16:00.640 --> 0:16:04.120
<v Speaker 10>necessarily complete them. But I'm working on that maybe this

0:16:04.200 --> 0:16:06.440
<v Speaker 10>could be something that I follow through with and I do.

0:16:07.000 --> 0:16:08.760
<v Speaker 10>And so I'm going to get my arts and crafts

0:16:08.800 --> 0:16:11.080
<v Speaker 10>little section at my house set up, and I'm gonna

0:16:11.080 --> 0:16:13.400
<v Speaker 10>get my little keyboard set up. And these are to

0:16:13.520 --> 0:16:15.440
<v Speaker 10>be some hobbies that are going to add to my life.

0:16:15.800 --> 0:16:17.680
<v Speaker 10>And I still want to add my garden to my

0:16:17.720 --> 0:16:20.320
<v Speaker 10>backyard too, which I've gardened before and I loved that

0:16:20.760 --> 0:16:23.320
<v Speaker 10>so much that I can't wait to bring it back.

0:16:24.640 --> 0:16:25.680
<v Speaker 1>We're gonna do it live.

0:16:26.640 --> 0:16:33.040
<v Speaker 9>We are the one, two, three Sore Losers. What up, everybody?

0:16:33.120 --> 0:16:35.200
<v Speaker 9>I am lunchbox. I know the most about sports, so

0:16:35.200 --> 0:16:38.760
<v Speaker 9>I'll give you the sports facts, my sports opinions, because

0:16:38.800 --> 0:16:41.320
<v Speaker 9>I'm pretty much a sports genius, y'all.

0:16:41.400 --> 0:16:43.680
<v Speaker 13>It's Sison. I'm from the North. I'm an alpha male.

0:16:43.720 --> 0:16:45.960
<v Speaker 13>I live on the north side of Nashville with Bayser,

0:16:46.040 --> 0:16:46.360
<v Speaker 13>my wife.

0:16:46.440 --> 0:16:47.160
<v Speaker 6>We do have a farm.

0:16:47.240 --> 0:16:50.640
<v Speaker 13>It's beautiful, a lot of acreage, no animals, a lot

0:16:50.680 --> 0:16:55.880
<v Speaker 13>of crops. Hopefully soon corn pumpkins, rye. I believe maybe

0:16:55.880 --> 0:16:59.120
<v Speaker 13>a little fescue to be determined.

0:17:00.280 --> 0:17:03.120
<v Speaker 9>Over to you, coach, And here's a clip from this

0:17:03.240 --> 0:17:08.240
<v Speaker 9>week's episode of The Sore Losers. My dad has a

0:17:08.359 --> 0:17:11.640
<v Speaker 9>tendency to get lost, and so we do the pod

0:17:11.720 --> 0:17:13.919
<v Speaker 9>on Wednesday and he's like, man, I need a cigarette.

0:17:14.400 --> 0:17:16.160
<v Speaker 9>But he's like, I left the cigarettes at the house.

0:17:16.320 --> 0:17:18.359
<v Speaker 9>I was like, well, I got to record some commercials.

0:17:18.720 --> 0:17:20.879
<v Speaker 9>You want to just hang out? Why record commercials and

0:17:20.960 --> 0:17:23.080
<v Speaker 9>then we can go get your cigarettes. He's like, no,

0:17:23.240 --> 0:17:25.920
<v Speaker 9>where's the gas station around here. I'm gonna just walk

0:17:25.920 --> 0:17:29.000
<v Speaker 9>and get cigarettes. He said, all right, you're gonna walk

0:17:29.040 --> 0:17:33.080
<v Speaker 9>out the back alley right, hit that street, take a right,

0:17:33.480 --> 0:17:34.879
<v Speaker 9>and you walk go down to the end of the

0:17:34.920 --> 0:17:36.680
<v Speaker 9>block inside on your left hand side on the corner.

0:17:37.280 --> 0:17:39.920
<v Speaker 13>I don't know about the take a right from the alley.

0:17:39.920 --> 0:17:41.960
<v Speaker 13>You'd actually want to take a left. No, no, no,

0:17:42.359 --> 0:17:44.480
<v Speaker 13>if you walk straight out here, straight out of here,

0:17:44.720 --> 0:17:46.840
<v Speaker 13>straight out the back door, straight out the back door,

0:17:47.000 --> 0:17:48.960
<v Speaker 13>and are we in the alley or I'm making a

0:17:49.080 --> 0:17:50.000
<v Speaker 13>right on the album.

0:17:49.720 --> 0:17:51.480
<v Speaker 9>Now walk through the alley till the next street, Like,

0:17:52.040 --> 0:17:54.800
<v Speaker 9>buy the parking garage in the street, and you would

0:17:54.800 --> 0:17:58.000
<v Speaker 9>take it. You take it right, walk down gas station

0:17:58.160 --> 0:18:01.120
<v Speaker 9>on the corner, no problem, Send him on his way,

0:18:01.680 --> 0:18:03.720
<v Speaker 9>Send him with my wallet because he doesn't have his

0:18:04.080 --> 0:18:07.960
<v Speaker 9>wallet with him. And I get done with the commercials

0:18:08.720 --> 0:18:10.600
<v Speaker 9>and he's not back yet, and I'm like, you know what,

0:18:10.800 --> 0:18:13.320
<v Speaker 9>I'll just drive down the road and I'll see him walking.

0:18:13.800 --> 0:18:16.040
<v Speaker 13>He's playing dice with a couple of hoboes.

0:18:17.200 --> 0:18:19.360
<v Speaker 7>There was a nice looking lady that wanted to talk.

0:18:20.320 --> 0:18:22.840
<v Speaker 9>I was like, Okay, he'll just be walking back, you know,

0:18:22.960 --> 0:18:26.560
<v Speaker 9>smoking a cigarette. And I drive from here to that

0:18:27.080 --> 0:18:31.800
<v Speaker 9>little convenience store no toolbox, oh no, And I'm like,

0:18:32.320 --> 0:18:35.159
<v Speaker 9>oh god, where could he be at this point? Did

0:18:35.200 --> 0:18:37.399
<v Speaker 9>you think he died? I didn't think he died. I

0:18:37.520 --> 0:18:39.680
<v Speaker 9>just thought this dude is way lost. He could be.

0:18:39.920 --> 0:18:43.320
<v Speaker 9>You know, I'm worried he's near the Cumberland. I don't know,

0:18:43.560 --> 0:18:47.240
<v Speaker 9>too soon, too soon, And so I call him. I said,

0:18:47.640 --> 0:18:50.800
<v Speaker 9>where are you? He goes, I don't know. I'm at

0:18:50.880 --> 0:18:51.840
<v Speaker 9>some shell station.

0:18:53.160 --> 0:18:54.360
<v Speaker 13>Ah, I know where he went.

0:18:54.600 --> 0:18:57.560
<v Speaker 9>And I'm like, shell station, How did you get all

0:18:57.560 --> 0:19:00.680
<v Speaker 9>the way over there? That's like a mile from the

0:19:00.760 --> 0:19:02.000
<v Speaker 9>STATIONE blew.

0:19:01.960 --> 0:19:05.639
<v Speaker 13>Through the closest gas station and Jeff dog golling and

0:19:05.920 --> 0:19:07.199
<v Speaker 13>found like three blocks.

0:19:07.280 --> 0:19:09.480
<v Speaker 9>Oh you know, he went like a mile. I'm a

0:19:09.600 --> 0:19:11.119
<v Speaker 9>long sixty five.

0:19:13.640 --> 0:19:15.960
<v Speaker 7>He goes. He goes, I'm at sad to get my

0:19:16.080 --> 0:19:16.560
<v Speaker 7>steps in.

0:19:16.800 --> 0:19:19.399
<v Speaker 9>He goes, I'm at seventeenks had to get your steps.

0:19:19.720 --> 0:19:20.960
<v Speaker 9>Did you check them on your watch?

0:19:21.000 --> 0:19:22.000
<v Speaker 7>I checked him on my wife.

0:19:22.040 --> 0:19:24.359
<v Speaker 9>He goes, I'm at seventeenth and something. I was like,

0:19:24.520 --> 0:19:26.680
<v Speaker 9>I know where you're at. He goes, oh shit, I

0:19:26.800 --> 0:19:28.280
<v Speaker 9>just walked out of the store with a drink. I

0:19:28.359 --> 0:19:30.280
<v Speaker 9>gotta go back in armed raw.

0:19:30.840 --> 0:19:33.159
<v Speaker 7>I was trying to find the street sign and he

0:19:33.320 --> 0:19:33.600
<v Speaker 7>was in.

0:19:33.640 --> 0:19:36.240
<v Speaker 9>The middle of drinking his drink while he's getting cigarettes.

0:19:37.119 --> 0:19:39.879
<v Speaker 9>So then I I'm like, I'll be there, and he goes,

0:19:39.880 --> 0:19:42.080
<v Speaker 9>I'm gonna get charged for shoplifting. I'm gonna go back

0:19:42.119 --> 0:19:43.480
<v Speaker 9>in the store. I said, I'll be right there.

0:19:43.640 --> 0:19:46.200
<v Speaker 7>I thought I was ray there. I was getting all nervous. Ah,

0:19:46.680 --> 0:19:47.920
<v Speaker 7>you weren't parked though, You're good.

0:19:48.320 --> 0:19:50.520
<v Speaker 9>So I pull in the parking lot and he's just

0:19:50.560 --> 0:19:53.680
<v Speaker 9>standing there with his arms folded. And he gets in

0:19:53.760 --> 0:19:55.440
<v Speaker 9>the car and I said, fold it in front of

0:19:55.480 --> 0:19:58.480
<v Speaker 9>him or behind him? In front of him? I said,

0:19:58.520 --> 0:20:02.840
<v Speaker 9>you get your cigarettes. He goes no, and I said, well,

0:20:02.880 --> 0:20:05.919
<v Speaker 9>where's your drink? He goes, I gave it back to him.

0:20:08.119 --> 0:20:09.320
<v Speaker 1>I was like, what do you mean.

0:20:09.400 --> 0:20:12.439
<v Speaker 9>He goes, well, I tried to buy cigarettes and they

0:20:12.480 --> 0:20:16.560
<v Speaker 9>asked me for my ID. What a disaster, he goes,

0:20:16.640 --> 0:20:17.920
<v Speaker 9>and I didn't have my I D. So I said

0:20:17.960 --> 0:20:19.560
<v Speaker 9>I don't have my idea. He goes, I can't sell

0:20:19.560 --> 0:20:20.879
<v Speaker 9>you the cigarettes, and.

0:20:21.000 --> 0:20:23.240
<v Speaker 7>I said, I got my son's and he goes, no,

0:20:23.359 --> 0:20:24.199
<v Speaker 7>you gotta have yours.

0:20:25.280 --> 0:20:28.440
<v Speaker 9>And he goes, if my son's forty three, you think

0:20:28.480 --> 0:20:31.440
<v Speaker 9>I'm older than eighteen. And the guy goes, can't sell

0:20:31.520 --> 0:20:33.800
<v Speaker 9>without your ID. And then he goes, you want to

0:20:33.800 --> 0:20:36.240
<v Speaker 9>buy that drink. My dad goes, no, you can keep it.

0:20:36.320 --> 0:20:39.840
<v Speaker 9>He'd already drink half of it. What a company man,

0:20:40.400 --> 0:20:42.760
<v Speaker 9>he had drinking half the coke. And he was so

0:20:43.040 --> 0:20:45.520
<v Speaker 9>pissed off that he just left the coke there and said.

0:20:45.359 --> 0:20:48.440
<v Speaker 7>No, you can keep it. Ridiculous. Yeah, that's I said,

0:20:48.520 --> 0:20:49.440
<v Speaker 7>can I buy a gun?

0:20:49.560 --> 0:20:54.480
<v Speaker 9>And they said sure here, and so I said, do

0:20:54.520 --> 0:20:55.960
<v Speaker 9>you want me to go in and get your cigarettes?

0:20:55.960 --> 0:20:57.400
<v Speaker 9>He goes, not at this place. I'll just go when

0:20:57.400 --> 0:21:00.320
<v Speaker 9>we get home. I'm all right, Well that was fun.

0:21:00.680 --> 0:21:02.840
<v Speaker 13>Ah there, I'll take some Virginia slims.

0:21:03.000 --> 0:21:06.359
<v Speaker 9>So no, it's Marlboro lights. Soft pack. No, no, no

0:21:06.600 --> 0:21:09.160
<v Speaker 9>hard pack. I don't know if they do soft pack.

0:21:09.280 --> 0:21:11.800
<v Speaker 9>But yes, that was my dad's adventure. He ended up.

0:21:11.840 --> 0:21:14.080
<v Speaker 9>Instead of going one block to a gas station, he

0:21:14.160 --> 0:21:15.720
<v Speaker 9>walked one over a mile away.

0:21:15.960 --> 0:21:18.159
<v Speaker 7>Yeah. I still don't believe there's a gas station there.

0:21:18.160 --> 0:21:19.240
<v Speaker 7>It didn't look like one to me.

0:21:19.680 --> 0:21:21.520
<v Speaker 13>I heard the directions in the hallway, and he just

0:21:21.560 --> 0:21:23.879
<v Speaker 13>didn't give him as emphatically as he should have.

0:21:23.960 --> 0:21:25.359
<v Speaker 9>You know, he was right past it.

0:21:25.560 --> 0:21:30.320
<v Speaker 13>It's right next to us. It's him, though anybody could miss.

0:21:30.359 --> 0:21:31.840
<v Speaker 13>It doesn't look like a gas station. It looks like

0:21:31.920 --> 0:21:34.040
<v Speaker 13>a house without a gas that would be it.

0:21:34.280 --> 0:21:37.280
<v Speaker 7>I'm sitting there looking for seven to eleven shell whatever.

0:21:37.520 --> 0:21:39.800
<v Speaker 9>He was looking for gas pumps. There are no gas

0:21:39.840 --> 0:21:40.680
<v Speaker 9>pumps at this place.

0:21:40.800 --> 0:21:42.440
<v Speaker 7>Well then, how's it called a gas station?

0:21:42.640 --> 0:21:44.240
<v Speaker 13>But you'll know when you get in there, because the

0:21:44.280 --> 0:21:46.560
<v Speaker 13>guy's always got horse racing on and he's betting it.

0:21:46.640 --> 0:21:47.040
<v Speaker 7>Woh oh.

0:21:47.119 --> 0:21:49.480
<v Speaker 9>He's got that newspaper rolled up and he is looking

0:21:49.560 --> 0:21:50.720
<v Speaker 9>at the Oh, we're going to start.

0:21:50.960 --> 0:21:53.600
<v Speaker 7>He told me it's a convenience store, and he told

0:21:53.640 --> 0:21:55.680
<v Speaker 7>me a gas station, So I mean, what are you

0:21:55.760 --> 0:21:57.600
<v Speaker 7>going to look for gas pumps out front?

0:21:57.680 --> 0:21:59.280
<v Speaker 9>But then I'm shocked he was able to find the

0:21:59.320 --> 0:22:02.080
<v Speaker 9>shell because he had walk through the hotel like parking

0:22:02.160 --> 0:22:05.080
<v Speaker 9>lot all the way across two blocks. See the a loft,

0:22:05.160 --> 0:22:07.639
<v Speaker 9>look up to your right. Huh, there's a shell. Then

0:22:07.680 --> 0:22:10.800
<v Speaker 9>he has to cross Broadway. I mean, how many streets

0:22:10.840 --> 0:22:13.159
<v Speaker 9>did you curs? That's what I'm saying, is all to

0:22:13.240 --> 0:22:16.440
<v Speaker 9>get turned down for the cigarettes because the guy was

0:22:16.480 --> 0:22:18.679
<v Speaker 9>a jack. And then that's the problem. That's the problem.

0:22:19.200 --> 0:22:22.040
<v Speaker 9>What is the big deal? Like he obviously is older

0:22:22.119 --> 0:22:23.200
<v Speaker 9>than eighteen years old.

0:22:23.480 --> 0:22:26.520
<v Speaker 7>Some people think I look young enough. I'm eighteen.

0:22:26.920 --> 0:22:31.040
<v Speaker 9>Okay, it's obvious you're eighteen years old. It is obvious

0:22:31.119 --> 0:22:33.240
<v Speaker 9>when you walk in there that you are eighteen years old.

0:22:33.440 --> 0:22:36.159
<v Speaker 9>Why do we waste the time of Oh, I need

0:22:36.240 --> 0:22:39.159
<v Speaker 9>to see your ID. I can't sell you cigarettes. It

0:22:39.359 --> 0:22:40.960
<v Speaker 9>is so stupid.

0:22:42.160 --> 0:22:42.560
<v Speaker 7>Agreed?

0:22:42.960 --> 0:22:46.520
<v Speaker 13>Well, I took the alcohol and tobacco class. And actually

0:22:46.640 --> 0:22:48.719
<v Speaker 13>the loop around with that is maybe the camera has

0:22:48.760 --> 0:22:51.320
<v Speaker 13>to see with the ID. But if you say how

0:22:51.440 --> 0:22:54.440
<v Speaker 13>old are you? Or are you eighteen? And they you

0:22:54.560 --> 0:22:57.560
<v Speaker 13>can't lie if you're a sting operation. So that's all

0:22:57.600 --> 0:22:58.840
<v Speaker 13>you have to say. So dude, when I was at

0:22:58.840 --> 0:23:02.240
<v Speaker 13>Texas State, hey man, uh yeah, cool, you're good to go.

0:23:02.680 --> 0:23:05.000
<v Speaker 13>That's how I saved every time ten seconds. I never

0:23:05.040 --> 0:23:06.600
<v Speaker 13>scanned an ID in two years.

0:23:06.680 --> 0:23:08.480
<v Speaker 9>When I was in Dublin. Guess how many times they

0:23:08.480 --> 0:23:10.400
<v Speaker 9>asked for your ID? Zero.

0:23:10.880 --> 0:23:14.760
<v Speaker 7>Well, I don't think there's a age for drinking or

0:23:14.800 --> 0:23:17.480
<v Speaker 7>anything there. I think you can drink as long as you.

0:23:18.160 --> 0:23:19.680
<v Speaker 9>I don't think a twelve year old can drink.

0:23:19.920 --> 0:23:21.720
<v Speaker 7>Well, I think if you're with your parents, I think

0:23:21.760 --> 0:23:22.200
<v Speaker 7>it's okay.

0:23:22.960 --> 0:23:24.600
<v Speaker 13>I don't I have no idea, I don't know. I

0:23:24.760 --> 0:23:27.520
<v Speaker 13>just I'm just saying the whole time. The whole time

0:23:27.600 --> 0:23:30.440
<v Speaker 13>here in Dublin. You didn't ask the one question that

0:23:30.640 --> 0:23:34.080
<v Speaker 13>was mind boggling us all, how old do you have

0:23:34.160 --> 0:23:35.679
<v Speaker 13>to be to drink? When there's a kid that's eight

0:23:35.800 --> 0:23:36.800
<v Speaker 13>years old drinking.

0:23:36.600 --> 0:23:36.879
<v Speaker 1>Next to you?

0:23:37.080 --> 0:23:38.840
<v Speaker 9>I didn't see an eight year old drinking next to me,

0:23:39.040 --> 0:23:39.720
<v Speaker 9>and I said.

0:23:39.520 --> 0:23:42.159
<v Speaker 13>You'd rather hear about the man you rivalry. How the

0:23:42.200 --> 0:23:45.280
<v Speaker 13>guy turned to Dublin. My dad slapped me and said.

0:23:45.320 --> 0:23:48.480
<v Speaker 9>You're never rooting for them, they're the bad guy.

0:23:49.119 --> 0:23:51.480
<v Speaker 13>I'd have been like, shot the fuck up? Answer my question?

0:23:51.760 --> 0:23:53.080
<v Speaker 13>How old do you have to be to drink here?

0:23:53.240 --> 0:23:53.600
<v Speaker 7>Thanks?

0:23:54.080 --> 0:23:54.840
<v Speaker 1>Instead, you went on.

0:23:54.880 --> 0:23:58.280
<v Speaker 13>A whole diatribe about why the guy rooted for somebody

0:23:58.320 --> 0:24:01.000
<v Speaker 13>else because his dad slapped him with his belt. As

0:24:01.040 --> 0:24:04.439
<v Speaker 13>a kid, who gives a hell buddy? Where's the hot chicks?

0:24:04.480 --> 0:24:05.960
<v Speaker 13>And how old do you have to be to drink?

0:24:06.720 --> 0:24:08.919
<v Speaker 13>I get what I want when people start talking gibber

0:24:09.000 --> 0:24:11.440
<v Speaker 13>jabbern and I get my information. I don't give it.

0:24:11.760 --> 0:24:14.640
<v Speaker 7>But you were twelve and you got hit with a belt. Awesome, cool,

0:24:14.720 --> 0:24:16.080
<v Speaker 7>go maze gibber jabbering.

0:24:16.160 --> 0:24:18.800
<v Speaker 9>Now do you think man, you's gonna win today? That's

0:24:18.840 --> 0:24:21.720
<v Speaker 9>all I care? What are the bud guys?

0:24:22.600 --> 0:24:24.360
<v Speaker 7>That's how we left England.

0:24:25.080 --> 0:24:28.600
<v Speaker 9>Shut up, who wins the game tonight? I need some skag?

0:24:31.680 --> 0:24:35.320
<v Speaker 7>Yes, that's what I was looking for. They didn't ask

0:24:35.400 --> 0:24:36.639
<v Speaker 7>for an ID for that, but.

0:24:36.760 --> 0:24:39.720
<v Speaker 9>It said, hey, do you need an ID for skag?

0:24:56.760 --> 0:24:59.080
<v Speaker 1>Hey it's Mike d And This week a Movie Mike's

0:24:59.119 --> 0:25:02.359
<v Speaker 1>Movie Podcast, I gave my top ten examples of the

0:25:02.520 --> 0:25:05.200
<v Speaker 1>best work in voice acting when it comes to animation.

0:25:05.760 --> 0:25:09.760
<v Speaker 1>I think voice acting is far underappreciated. When on a

0:25:09.840 --> 0:25:11.720
<v Speaker 1>giant ran about why it should be included in the

0:25:11.800 --> 0:25:15.359
<v Speaker 1>oscars and included some of my favorite moments in movie history.

0:25:15.640 --> 0:25:17.280
<v Speaker 1>I'll share a few with you now, but be sure

0:25:17.280 --> 0:25:19.520
<v Speaker 1>to check out this full episode. Here's just a little

0:25:19.520 --> 0:25:24.680
<v Speaker 1>bit of Movie Mike's Movie Podcast. At number four, I

0:25:24.960 --> 0:25:30.160
<v Speaker 1>have Tom Hanks voicing Woody in the Toy Story franchise one, two, three,

0:25:30.280 --> 0:25:33.080
<v Speaker 1>and four and soon to be five, six, seven, eight, nine,

0:25:33.160 --> 0:25:36.359
<v Speaker 1>and ten. And Tom Hanks is one of those people who,

0:25:36.920 --> 0:25:40.280
<v Speaker 1>unlike George Clooney, I do watch him in movies and thinks, man,

0:25:40.320 --> 0:25:43.159
<v Speaker 1>he has just a great voice. Because not only does

0:25:43.240 --> 0:25:47.680
<v Speaker 1>he have great facial expressions and mannerisms and just a

0:25:47.760 --> 0:25:50.879
<v Speaker 1>great presence on the screen, he has a voice with

0:25:51.040 --> 0:25:55.360
<v Speaker 1>a lot of range. Particularly when Tom Hanks gets excited

0:25:55.560 --> 0:25:59.200
<v Speaker 1>is my favorite thing, and not often do we get it.

0:25:59.280 --> 0:26:02.720
<v Speaker 1>But when he gets angry is also really great. But

0:26:03.040 --> 0:26:05.320
<v Speaker 1>he usually doesn't really play characters that get angry a

0:26:05.320 --> 0:26:08.600
<v Speaker 1>whole lot. He is primarily the good guy in movies.

0:26:08.880 --> 0:26:11.320
<v Speaker 1>Whenever he is a villain, it's like, oh, weird Tom

0:26:11.359 --> 0:26:15.000
<v Speaker 1>Hanks as a villain. But I think this particular moment

0:26:15.160 --> 0:26:18.480
<v Speaker 1>in Toy Story one where he is fighting with Buzz

0:26:18.560 --> 0:26:22.159
<v Speaker 1>Lightyear and shows how much control he has with his

0:26:22.400 --> 0:26:26.680
<v Speaker 1>voice to really make you feel that emotion. Here's the

0:26:26.720 --> 0:26:27.600
<v Speaker 1>scene I'm talking about.

0:26:27.960 --> 0:26:33.240
<v Speaker 6>What what are you talking about? You are toy?

0:26:34.200 --> 0:26:37.240
<v Speaker 9>You weren't the real buzz like you're You're an accent

0:26:37.359 --> 0:26:37.880
<v Speaker 9>fig yard.

0:26:38.240 --> 0:26:40.760
<v Speaker 7>You are a child plaything.

0:26:41.720 --> 0:26:45.360
<v Speaker 1>Oh yeah, Well, good written Sillney, because you hear him

0:26:45.400 --> 0:26:48.879
<v Speaker 1>getting mad, but it also has a comedic tone to it.

0:26:48.960 --> 0:26:50.720
<v Speaker 9>I love what he gets really frustrated.

0:26:51.359 --> 0:26:55.040
<v Speaker 1>That is just voice acting at its finest, and the

0:26:55.200 --> 0:26:57.680
<v Speaker 1>range she has with what you Loan to make you laugh,

0:26:58.200 --> 0:27:00.399
<v Speaker 1>to make you feel something there that he has a

0:27:00.440 --> 0:27:03.200
<v Speaker 1>little bit more of a tone of anger, but then

0:27:03.320 --> 0:27:06.240
<v Speaker 1>also to make you feel that sadness. The ending of

0:27:06.359 --> 0:27:09.040
<v Speaker 1>Toy Story three, so long partner.

0:27:09.760 --> 0:27:10.760
<v Speaker 7>Ah, that is so good.

0:27:10.800 --> 0:27:14.639
<v Speaker 1>I can't believe that they almost made Woody a ventriloquist

0:27:14.720 --> 0:27:17.159
<v Speaker 1>doll in Toy Story. That was the original design of

0:27:17.240 --> 0:27:19.840
<v Speaker 1>the character. Then they thought, oh, this looks a little

0:27:19.880 --> 0:27:23.000
<v Speaker 1>bit too freaky, and they decided to change Woody and

0:27:23.119 --> 0:27:26.560
<v Speaker 1>make them a cowboy instead, because, Ah, kids would probably

0:27:26.720 --> 0:27:29.400
<v Speaker 1>be more inclined to want to play with a cowboy

0:27:29.840 --> 0:27:32.520
<v Speaker 1>than a creepy ventriloquist doll. I think if you would

0:27:32.560 --> 0:27:35.240
<v Speaker 1>have been the ventriloquist, it would have reminded me of

0:27:35.400 --> 0:27:38.600
<v Speaker 1>Slappy from Goosebumps, and I would have been terrified. Every

0:27:38.680 --> 0:27:41.000
<v Speaker 1>kid in the nineties would have been terrified, and Toy

0:27:41.080 --> 0:27:44.000
<v Speaker 1>Story probably would have tanked. So I'm glad they switched

0:27:44.040 --> 0:27:47.000
<v Speaker 1>Woody to be a cowboy at number three. I have

0:27:47.520 --> 0:27:51.040
<v Speaker 1>Eddie Murphy voicing Donkey in the Shrek films, which they

0:27:51.119 --> 0:27:53.760
<v Speaker 1>are coming out with a new Shrek movie, not for

0:27:53.880 --> 0:27:55.399
<v Speaker 1>a couple of years. I think it's supposed to come

0:27:55.440 --> 0:27:58.600
<v Speaker 1>out July first, twenty twenty six. I kind of forgot

0:27:58.640 --> 0:28:01.920
<v Speaker 1>about Shrek four, one, two, and three were so big.

0:28:02.400 --> 0:28:05.359
<v Speaker 1>Four came a little bit later, so I feel like

0:28:05.520 --> 0:28:08.159
<v Speaker 1>my excitement was a little bit watered down to the

0:28:08.240 --> 0:28:11.680
<v Speaker 1>fact that Shrek four did exist. But even more so

0:28:11.920 --> 0:28:15.000
<v Speaker 1>than Mike Myers's performance as Shrek, I think the true

0:28:15.080 --> 0:28:18.800
<v Speaker 1>standout star is Eddie Murphy. Along the same lines of

0:28:18.880 --> 0:28:22.760
<v Speaker 1>Tom Hanks. Eddie also has such great control over his voice.

0:28:22.840 --> 0:28:24.800
<v Speaker 1>But the reason I rank him just a little bit

0:28:24.920 --> 0:28:27.960
<v Speaker 1>higher is because I think Eddie Murphy on his own

0:28:28.160 --> 0:28:31.560
<v Speaker 1>is just funnier. He has the stand up experience, he

0:28:31.680 --> 0:28:34.800
<v Speaker 1>has all the characters he played on SNL, and I

0:28:34.840 --> 0:28:38.080
<v Speaker 1>think he was born to do comedy. And I wouldn't

0:28:38.080 --> 0:28:40.680
<v Speaker 1>have thought that his best work would come in the

0:28:40.760 --> 0:28:45.080
<v Speaker 1>world of animation. But he is just so dynamic as Donkey.

0:28:45.560 --> 0:28:48.040
<v Speaker 1>This is still hands down my favorite performance of his

0:28:48.320 --> 0:28:49.480
<v Speaker 1>out of any of the movies.

0:28:50.320 --> 0:28:51.080
<v Speaker 6>Night Only.

0:28:53.320 --> 0:28:54.120
<v Speaker 7>It's Gonna be fun.

0:28:54.280 --> 0:28:56.400
<v Speaker 1>We can see him late swapping manless stars and in

0:28:56.440 --> 0:28:58.520
<v Speaker 1>the morning, I'm making waffles.

0:29:00.640 --> 0:29:03.280
<v Speaker 9>We do I sleep outside?

0:29:05.080 --> 0:29:05.200
<v Speaker 6>Oh?

0:29:05.320 --> 0:29:07.040
<v Speaker 1>Well, I guess that's cool.

0:29:07.400 --> 0:29:08.920
<v Speaker 7>I mean I don't know you and you don't know me,

0:29:09.120 --> 0:29:13.040
<v Speaker 7>so I guess outside is best. You know, here I go.

0:29:13.800 --> 0:29:17.160
<v Speaker 1>That clip right there encompasses everything, the comedy, the sadness,

0:29:17.280 --> 0:29:20.880
<v Speaker 1>the range of Adie Murphy. Steven Spielberg actually bought the

0:29:21.000 --> 0:29:23.280
<v Speaker 1>rights to the book that Shrek is based on, even

0:29:23.320 --> 0:29:25.960
<v Speaker 1>though Shrek is just a big parody of all the

0:29:26.080 --> 0:29:28.360
<v Speaker 1>Disney fairy tales and that's kind of what these movies

0:29:28.400 --> 0:29:32.440
<v Speaker 1>served as in the two thousands, But he originally wanted

0:29:32.480 --> 0:29:35.000
<v Speaker 1>to make a little bit more of a traditional animated film,

0:29:35.320 --> 0:29:37.400
<v Speaker 1>and he wanted Bill Murray to be the voice of

0:29:37.480 --> 0:29:39.960
<v Speaker 1>Shrek and Steve Martin to be the voice of Donkey.

0:29:40.480 --> 0:29:42.120
<v Speaker 1>I think that would have been fine, but it would

0:29:42.160 --> 0:29:45.760
<v Speaker 1>have had a much different just overall feeling, and no

0:29:45.960 --> 0:29:48.400
<v Speaker 1>way that Steve Martin would have done as good a

0:29:48.560 --> 0:29:51.680
<v Speaker 1>job as Donkey. And the other casting change that they

0:29:51.800 --> 0:29:56.680
<v Speaker 1>had was Chris Farley was actually originally going to be Shrek,

0:29:57.040 --> 0:30:00.120
<v Speaker 1>and there's test footage with him. Even the character of

0:30:00.240 --> 0:30:03.240
<v Speaker 1>Shrek is modeled to look like Chris Farley. If you

0:30:03.320 --> 0:30:06.000
<v Speaker 1>look at them side by side, which the design did

0:30:06.200 --> 0:30:09.720
<v Speaker 1>change from the first iteration, it kind of resembles what

0:30:09.840 --> 0:30:12.080
<v Speaker 1>Chris Farley look like. And I think it was a

0:30:12.200 --> 0:30:16.480
<v Speaker 1>role that Chris Farley was really interested in doing because

0:30:16.640 --> 0:30:19.840
<v Speaker 1>he was seen for the majority of his career as

0:30:19.960 --> 0:30:22.360
<v Speaker 1>being the big dumb, fat guy, and as a former

0:30:22.400 --> 0:30:25.440
<v Speaker 1>big dumb, fat guy, I know what kind of an

0:30:25.480 --> 0:30:28.600
<v Speaker 1>impact that can have on you, where you have been

0:30:28.680 --> 0:30:31.680
<v Speaker 1>celebrated for all the wacky things you do, falling down,

0:30:31.840 --> 0:30:35.840
<v Speaker 1>getting hurt, saying ridiculous things. Sometimes you just want somebody

0:30:35.880 --> 0:30:39.120
<v Speaker 1>to take you seriously. And I think Shrek was going

0:30:39.200 --> 0:30:41.640
<v Speaker 1>to be that for him. And if you listen to

0:30:41.720 --> 0:30:45.680
<v Speaker 1>this clip of him and Eddie Murphy doing some early

0:30:45.840 --> 0:30:49.280
<v Speaker 1>lines with some very rough animations, you can really hear

0:30:49.360 --> 0:30:50.160
<v Speaker 1>that in his voice.

0:30:50.680 --> 0:30:53.120
<v Speaker 7>Oh this is one of those onion things.

0:30:53.520 --> 0:30:56.440
<v Speaker 1>No, this is one of those drop it and leave

0:30:56.520 --> 0:30:57.960
<v Speaker 1>me alone things.

0:30:58.560 --> 0:30:59.920
<v Speaker 7>Well, why don't you want to talk about him?

0:31:00.120 --> 0:31:01.520
<v Speaker 1>Why do you want to talk about it?

0:31:01.680 --> 0:31:02.920
<v Speaker 7>Why you answer the question with a question?

0:31:02.920 --> 0:31:04.080
<v Speaker 6>Why are you asking questions?

0:31:04.120 --> 0:31:04.800
<v Speaker 1>I don't want to answer.

0:31:04.840 --> 0:31:05.480
<v Speaker 7>Why are you blocking?

0:31:05.480 --> 0:31:06.160
<v Speaker 10>I'm not blocking?

0:31:06.280 --> 0:31:07.960
<v Speaker 7>Then why do you have problems expressing your wonts?

0:31:08.360 --> 0:31:08.800
<v Speaker 6>I don't.

0:31:09.240 --> 0:31:10.800
<v Speaker 9>I want you to shut up?

0:31:11.280 --> 0:31:12.440
<v Speaker 6>See no problem.

0:31:12.480 --> 0:31:13.800
<v Speaker 9>You're just displacing your anger.

0:31:13.840 --> 0:31:15.840
<v Speaker 1>Believe me, it's properly placed. You're really mad.

0:31:15.880 --> 0:31:16.600
<v Speaker 7>Whoever did this to you?

0:31:16.840 --> 0:31:18.200
<v Speaker 6>No one did anything to me?

0:31:18.480 --> 0:31:19.680
<v Speaker 9>Yes, yes, someone hurts you so bad.

0:31:19.760 --> 0:31:20.880
<v Speaker 7>Someone hurts you many years ago.

0:31:21.040 --> 0:31:24.480
<v Speaker 1>Beat my parents out of this right through. And I

0:31:24.640 --> 0:31:27.479
<v Speaker 1>would have paid to see that movie more so than

0:31:27.480 --> 0:31:29.520
<v Speaker 1>I would have paid to see Mike Myers version, even

0:31:29.560 --> 0:31:32.680
<v Speaker 1>though that is the version we know and love, but

0:31:32.760 --> 0:31:35.000
<v Speaker 1>he has like this weird iron accent that I think

0:31:35.040 --> 0:31:37.560
<v Speaker 1>is still an interesting choice on Shrek. So that's why

0:31:37.560 --> 0:31:40.320
<v Speaker 1>I didn't include Mike Myers on this list. I included

0:31:40.440 --> 0:31:43.240
<v Speaker 1>Eddie Murphy. But if you would have had the version

0:31:43.360 --> 0:31:47.320
<v Speaker 1>with Chris Farley and Eddie Murphy, I think Chris Farley

0:31:47.320 --> 0:31:49.320
<v Speaker 1>would be on this list just from that performance alone,

0:31:49.360 --> 0:31:52.040
<v Speaker 1>and again that is very raw, but you hear that

0:31:53.040 --> 0:31:56.680
<v Speaker 1>real acting ability in his voice and also him getting

0:31:56.720 --> 0:31:59.360
<v Speaker 1>angry there is like classic Chris Farley. I think that

0:31:59.400 --> 0:32:01.760
<v Speaker 1>would have been a but on the list at number

0:32:01.840 --> 0:32:05.320
<v Speaker 1>three is Eddie Murphy as Donkey in Trick.

0:32:14.920 --> 0:32:22.400
<v Speaker 6>Cary. She's a queen and talking and she's getting really

0:32:22.520 --> 0:32:26.240
<v Speaker 6>not afraid to fas so just let it flow. No

0:32:26.320 --> 0:32:32.600
<v Speaker 6>one can do it quiet car Line. It sound like Caroline.

0:32:34.240 --> 0:32:37.520
<v Speaker 3>She is a magical little girl and like we we

0:32:37.600 --> 0:32:40.120
<v Speaker 3>call her the Fomo baby because she just really wanted

0:32:40.160 --> 0:32:41.320
<v Speaker 3>to be here, her girl.

0:32:41.840 --> 0:32:44.560
<v Speaker 14>But it's crazy a thought, how fear and faith are

0:32:44.640 --> 0:32:47.120
<v Speaker 14>just such a close line after you know, like it's

0:32:47.200 --> 0:32:49.840
<v Speaker 14>like on that they walk the same line exactly like I.

0:32:49.840 --> 0:32:53.080
<v Speaker 12>Felt like God took me to literally the edge of

0:32:53.880 --> 0:32:55.280
<v Speaker 12>my tolerance.

0:32:55.440 --> 0:32:57.600
<v Speaker 14>Like you said, I'm gonna broak in all your like

0:32:57.640 --> 0:32:59.360
<v Speaker 14>I'm gonna push you as far as you can with

0:32:59.440 --> 0:33:02.200
<v Speaker 14>your fear, the worst, like the.

0:33:02.280 --> 0:33:05.800
<v Speaker 12>Worst version of me, like the most broken version of

0:33:05.840 --> 0:33:09.320
<v Speaker 12>these where I got taken to and then the redemption

0:33:09.720 --> 0:33:16.000
<v Speaker 12>ever since then is just incredible, like joy, love like tenfold.

0:33:16.360 --> 0:33:22.280
<v Speaker 12>It trumps the fear, brokenness, pain. Yeah, it makes me

0:33:22.440 --> 0:33:24.760
<v Speaker 12>like want to do that again. I would even go

0:33:24.840 --> 0:33:25.800
<v Speaker 12>on bed rest again for you.

0:33:25.880 --> 0:33:26.560
<v Speaker 6>Would I would?

0:33:26.760 --> 0:33:26.920
<v Speaker 9>Yeah?

0:33:27.120 --> 0:33:27.400
<v Speaker 1>I would?

0:33:31.360 --> 0:33:34.360
<v Speaker 14>Do you feel like going to that dark place so

0:33:34.560 --> 0:33:36.400
<v Speaker 14>opened you up to a place of love that you

0:33:36.440 --> 0:33:37.800
<v Speaker 14>couldn't have experienced otherwise.

0:33:37.960 --> 0:33:41.600
<v Speaker 12>Yes, it opened me up to connections with people. I

0:33:42.040 --> 0:33:45.160
<v Speaker 12>finally learned how to like lean on people because Maddie

0:33:45.200 --> 0:33:49.920
<v Speaker 12>knows I'm a very guarded, reserved person. It's hard to

0:33:50.240 --> 0:33:51.440
<v Speaker 12>pull the layers out of it.

0:33:51.680 --> 0:33:53.200
<v Speaker 11>I'm like an onion.

0:33:57.800 --> 0:33:59.720
<v Speaker 3>I'm telling you, every five years I get like I

0:33:59.800 --> 0:34:03.000
<v Speaker 3>go in the Tay friendship bomb where she's like, yeah,

0:34:03.160 --> 0:34:04.440
<v Speaker 3>so I got to tell you about this thing, and

0:34:04.440 --> 0:34:06.760
<v Speaker 3>I'm like what, And it's just like I should know

0:34:06.840 --> 0:34:08.960
<v Speaker 3>everything by like this truth bomb.

0:34:08.840 --> 0:34:12.880
<v Speaker 14>But no, it's it's like the best though, because our personalities.

0:34:12.960 --> 0:34:15.560
<v Speaker 14>It's we are you an open book and you're a

0:34:15.600 --> 0:34:16.040
<v Speaker 14>shot book.

0:34:16.080 --> 0:34:17.839
<v Speaker 11>Yes, absolutely, it's.

0:34:17.719 --> 0:34:20.560
<v Speaker 3>Perfect, like and she kind of has taught me how

0:34:20.600 --> 0:34:22.200
<v Speaker 3>to like, hey, we don't.

0:34:22.080 --> 0:34:24.680
<v Speaker 11>Have to share, you know, and that's key. I'm the

0:34:24.719 --> 0:34:25.160
<v Speaker 11>same as you.

0:34:25.960 --> 0:34:29.360
<v Speaker 3>Overshrry over shary is actually a little milky boot.

0:34:29.400 --> 0:34:33.040
<v Speaker 14>And I don't know if that's lying, but over sharing

0:34:33.560 --> 0:34:35.040
<v Speaker 14>it leaks your energy out.

0:34:34.960 --> 0:34:35.160
<v Speaker 2>You know.

0:34:35.880 --> 0:34:38.840
<v Speaker 12>And I'm I'm a minimal energy kind of gal, so

0:34:38.920 --> 0:34:40.920
<v Speaker 12>I can only give when when I can.

0:34:41.200 --> 0:34:44.319
<v Speaker 11>But I think that clo being so close came from.

0:34:44.560 --> 0:34:47.560
<v Speaker 12>I think it's just my nature. Like I'm again just

0:34:47.640 --> 0:34:50.040
<v Speaker 12>like a minimal I'm not low energy because I.

0:34:50.960 --> 0:34:55.319
<v Speaker 11>I've got high vibes. Vibes minimal energy. Okay, get your

0:34:55.440 --> 0:34:56.440
<v Speaker 11>energy rested.

0:34:56.520 --> 0:34:59.520
<v Speaker 9>And I have this phrase that we use.

0:34:59.480 --> 0:35:02.240
<v Speaker 12>Like it's called coins, and it's like how many coins

0:35:02.280 --> 0:35:03.040
<v Speaker 12>do you have today?

0:35:03.680 --> 0:35:05.800
<v Speaker 5>And it's like your energy.

0:35:05.920 --> 0:35:08.799
<v Speaker 12>So you look up with five coins and then interactions

0:35:09.000 --> 0:35:13.200
<v Speaker 12>take one coin, and then a bad traffic stop takes

0:35:13.200 --> 0:35:15.680
<v Speaker 12>another coin and all that stuff, and I probably wake

0:35:15.760 --> 0:35:17.799
<v Speaker 12>up every day with like three coins, so.

0:35:17.840 --> 0:35:18.680
<v Speaker 11>You're tired every day.

0:35:18.800 --> 0:35:21.040
<v Speaker 12>I'm like I relate to you on that yeah, always tired,

0:35:21.120 --> 0:35:22.799
<v Speaker 12>You're just like vibeing, Like are you.

0:35:22.840 --> 0:35:24.200
<v Speaker 11>Just always kind of observing people?

0:35:24.360 --> 0:35:26.560
<v Speaker 14>Yes, oh yeah, and like kind of like taking it

0:35:26.640 --> 0:35:29.640
<v Speaker 14>all in, yeah, and like assessing the situation. It takes

0:35:29.640 --> 0:35:32.560
<v Speaker 14>a lot of energy to constantly be assessing the situation too.

0:35:32.680 --> 0:35:34.400
<v Speaker 14>And I love as you're feeling the energy out. Like

0:35:34.440 --> 0:35:36.320
<v Speaker 14>I can walk into a room and immediately I'm like,

0:35:36.640 --> 0:35:38.839
<v Speaker 14>I feel the vibes. I'm like, I know exactly where

0:35:38.960 --> 0:35:41.880
<v Speaker 14>someone is on the frequency level of like totally what

0:35:41.960 --> 0:35:42.960
<v Speaker 14>we're going to be dealing with.

0:35:43.160 --> 0:35:44.680
<v Speaker 3>I can tell if I'm going to like someone, like

0:35:44.880 --> 0:35:46.600
<v Speaker 3>by the minute I lock eyes with them, I'm just

0:35:46.719 --> 0:35:49.160
<v Speaker 3>like and not in a bitchy way, but just like

0:35:49.400 --> 0:35:52.880
<v Speaker 3>if you're a match mm yeah, an energy mat Yeah. Like,

0:35:53.040 --> 0:35:57.120
<v Speaker 3>especially in this business, we we have found like there's

0:35:57.200 --> 0:35:58.239
<v Speaker 3>a lot of people with like a.

0:35:58.480 --> 0:36:02.120
<v Speaker 11>Big lot of egos and just from everything in this pain.

0:36:03.719 --> 0:36:07.960
<v Speaker 14>And be around egoy people is exhausting and it's like

0:36:08.120 --> 0:36:10.239
<v Speaker 14>to be and that takes all your coins, all the

0:36:10.320 --> 0:36:11.279
<v Speaker 14>coins exactly.

0:36:11.000 --> 0:36:11.360
<v Speaker 1>You get it.

0:36:11.520 --> 0:36:14.719
<v Speaker 3>Yeah, And they're like there's times where T and I

0:36:15.000 --> 0:36:16.840
<v Speaker 3>just like go in our little corner and we just

0:36:16.960 --> 0:36:18.799
<v Speaker 3>like and then it's funny because like other people will

0:36:18.800 --> 0:36:21.000
<v Speaker 3>start coming to our corner and we're like, hey, this is.

0:36:21.000 --> 0:36:22.759
<v Speaker 11>The safe corner. You may not come to a corner

0:36:22.800 --> 0:36:23.919
<v Speaker 11>you're going to bring your bad energy.

0:36:23.960 --> 0:36:24.880
<v Speaker 6>You got bad energy or.

0:36:24.880 --> 0:36:26.640
<v Speaker 11>An ego problem, you gotta go.

0:36:26.840 --> 0:36:29.600
<v Speaker 3>But if you don't, come on and we're just chilling. Yeah,

0:36:30.360 --> 0:36:33.920
<v Speaker 3>But the the like big personalities and stuff in this business.

0:36:34.000 --> 0:36:36.120
<v Speaker 3>Sometimes like we will be the artist that will like

0:36:36.320 --> 0:36:39.799
<v Speaker 3>sit back and let the other like bigger personalities kind

0:36:39.840 --> 0:36:42.120
<v Speaker 3>of just like run the thing and we'll just kind

0:36:42.160 --> 0:36:44.359
<v Speaker 3>of even though I'm extroverted, I ain't trying to put

0:36:44.400 --> 0:36:47.439
<v Speaker 3>that much energy into like commanding a room.

0:36:47.480 --> 0:36:48.840
<v Speaker 12>I'm like, you know, we got to do that on

0:36:48.920 --> 0:36:49.360
<v Speaker 12>the stage.

0:36:49.400 --> 0:36:51.640
<v Speaker 11>I ain't got energy for that, just like regularly.

0:36:52.600 --> 0:36:56.000
<v Speaker 14>But learning or to distribute your energy. How to distribute

0:36:56.000 --> 0:36:58.000
<v Speaker 14>your energy is like a fine art that you have

0:36:58.080 --> 0:37:00.920
<v Speaker 14>to craft. It is a craft of her superpowers.

0:37:01.160 --> 0:37:02.360
<v Speaker 11>Is okay? Talk to me about that?

0:37:02.440 --> 0:37:05.760
<v Speaker 14>Because crafting that now you got kids, Now you got husbands,

0:37:05.840 --> 0:37:08.920
<v Speaker 14>Now you're you know, you've been running a successful business

0:37:08.960 --> 0:37:10.080
<v Speaker 14>now for like a decade.

0:37:10.600 --> 0:37:12.320
<v Speaker 11>You know your women in this business.

0:37:12.400 --> 0:37:15.600
<v Speaker 14>You have a lot, You've got employees, you're putting on shows,

0:37:16.160 --> 0:37:19.480
<v Speaker 14>you have tour buses. There's so many people like who

0:37:19.560 --> 0:37:22.360
<v Speaker 14>are relying on y'all, So how do.

0:37:22.440 --> 0:37:23.000
<v Speaker 11>You craft it?

0:37:23.840 --> 0:37:26.400
<v Speaker 12>I mean, I think it just is like a daily

0:37:26.600 --> 0:37:30.160
<v Speaker 12>conscious effort. I think it was a really big struggle

0:37:30.200 --> 0:37:32.040
<v Speaker 12>for me in the beginning of our career because I

0:37:32.120 --> 0:37:36.319
<v Speaker 12>knew that people wanted like more of me, like they

0:37:36.480 --> 0:37:39.320
<v Speaker 12>kind of expected this bigger personality out of me, and

0:37:39.440 --> 0:37:42.240
<v Speaker 12>for a while, I like faked it and I was like, wow,

0:37:42.680 --> 0:37:46.400
<v Speaker 12>like lovely, outgoing, talkative, and then that's what landed me

0:37:46.480 --> 0:37:50.200
<v Speaker 12>on antidepressants at eighteen. And really, yeah, I was on

0:37:50.320 --> 0:37:53.880
<v Speaker 12>antidepressants during radio tour, but because I'm like, damn it,

0:37:54.120 --> 0:37:55.440
<v Speaker 12>I should have done that too.

0:37:57.400 --> 0:38:03.120
<v Speaker 14>Survival tours no joke, no jokes, and especially when we're eighteen.

0:38:02.880 --> 0:38:06.680
<v Speaker 11>Especially back then, you know, there's yeah, we'll write a book,

0:38:06.680 --> 0:38:07.160
<v Speaker 11>don't worry.

0:38:10.280 --> 0:38:12.080
<v Speaker 1>Yeah, I forgot about that.

0:38:13.080 --> 0:38:16.000
<v Speaker 3>But I think that just like that experience really showed

0:38:16.040 --> 0:38:19.040
<v Speaker 3>us like, Okay, all we have is each other in ourselves. Yeah,

0:38:19.239 --> 0:38:21.440
<v Speaker 3>no one is going to protect us at all, and

0:38:21.600 --> 0:38:25.160
<v Speaker 3>so we just like really, you know, I think it

0:38:25.320 --> 0:38:27.200
<v Speaker 3>kind of turned into a blessing where we just like

0:38:27.400 --> 0:38:28.840
<v Speaker 3>really went inward and we're.

0:38:28.719 --> 0:38:31.759
<v Speaker 11>Like, Okay, we just have to like we talk to

0:38:31.840 --> 0:38:32.880
<v Speaker 11>each other through our eyes.

0:38:33.120 --> 0:38:36.439
<v Speaker 3>Like if we're doing an interview and someone has said

0:38:36.520 --> 0:38:38.600
<v Speaker 3>something that we don't like, whatever, we just look at

0:38:38.640 --> 0:38:40.719
<v Speaker 3>each other and she doesn't have to say a word,

0:38:40.760 --> 0:38:42.719
<v Speaker 3>and I just shut it down or she shuts it down.

0:38:42.800 --> 0:38:44.640
<v Speaker 11>It's like, now you have the confidence to shut it down.

0:38:45.160 --> 0:38:48.120
<v Speaker 14>Oh yeah, but how empowering that you'll have each other

0:38:48.560 --> 0:38:50.960
<v Speaker 14>just like it would be kind of terrifying to be

0:38:51.280 --> 0:38:51.840
<v Speaker 14>at it alone.

0:38:51.880 --> 0:38:53.439
<v Speaker 12>And I don't think I could do it the same.

0:38:53.480 --> 0:38:55.960
<v Speaker 12>I wouldn't want to do I have gotten ran over.

0:38:56.440 --> 0:38:58.440
<v Speaker 11>And I would have destroyed.

0:39:00.239 --> 0:39:01.520
<v Speaker 6>Should i'd be like.

0:39:03.200 --> 0:39:03.239
<v Speaker 4>That.

0:39:03.360 --> 0:39:04.520
<v Speaker 11>I was just rid in the corner cry.

0:39:14.440 --> 0:39:16.920
<v Speaker 1>Hey, thanks for listening to this week's Sunday Sampler.

0:39:17.239 --> 0:39:19.360
<v Speaker 2>If you heard anything you like or you want to

0:39:19.360 --> 0:39:21.520
<v Speaker 2>hear more, go check it out on the podcast feed

0:39:21.600 --> 0:39:24.040
<v Speaker 2>just search for the show. New episodes are out weekly,

0:39:24.320 --> 0:39:26.640
<v Speaker 2>so there's always something to listen to. You guys, have

0:39:26.719 --> 0:39:27.239
<v Speaker 2>a great week.