1 00:00:00,960 --> 00:00:01,800 Speaker 1: No worrying. 2 00:00:03,000 --> 00:00:05,880 Speaker 2: Hey, what's uth Man? How you feeling? 3 00:00:06,400 --> 00:00:06,920 Speaker 3: I'm cool. 4 00:00:07,200 --> 00:00:08,920 Speaker 2: Jesus Christ, I know he was little under the weather. 5 00:00:09,000 --> 00:00:10,840 Speaker 3: I feel yeah, feel great. I stayed stayed in bed 6 00:00:11,240 --> 00:00:14,080 Speaker 3: from Thursday to this morning. I feel much much better. 7 00:00:14,600 --> 00:00:16,840 Speaker 3: Sorry to everyone. Last episode, I was out out for 8 00:00:16,880 --> 00:00:17,440 Speaker 3: the count. 9 00:00:17,680 --> 00:00:18,279 Speaker 1: But I'm back. 10 00:00:19,000 --> 00:00:19,520 Speaker 3: I'm backing. 11 00:00:19,600 --> 00:00:20,000 Speaker 4: I'm better. 12 00:00:20,760 --> 00:00:22,320 Speaker 1: Till they say, how was that? 13 00:00:22,320 --> 00:00:23,319 Speaker 3: That's an autitude into that? 14 00:00:23,360 --> 00:00:25,520 Speaker 2: No, it was that. It's exactly what you just said. 15 00:00:25,600 --> 00:00:27,120 Speaker 3: But you're gonna add audo too, right, yeah? 16 00:00:27,880 --> 00:00:30,680 Speaker 2: No auto tune that make them sound beautiful. 17 00:00:31,040 --> 00:00:31,680 Speaker 1: Yeah, it sounds. 18 00:00:32,040 --> 00:00:34,040 Speaker 2: Are you feeling a feeling better? I do? 19 00:00:34,200 --> 00:00:35,120 Speaker 3: I feel great. 20 00:00:35,159 --> 00:00:38,080 Speaker 2: You're feeling better? And I think everyone tried to kill 21 00:00:38,120 --> 00:00:41,000 Speaker 2: me this weekend. Everyone has their air conditioners on. Let's 22 00:00:41,040 --> 00:00:44,040 Speaker 2: just put that out there. It's still fucking forty eight 23 00:00:44,040 --> 00:00:49,040 Speaker 2: degrees that night. Yeah, maybe reaching fifty nine sixty in 24 00:00:49,080 --> 00:00:49,680 Speaker 2: the daytime. 25 00:00:50,360 --> 00:00:53,160 Speaker 3: What's worse that? Or when you live in a building 26 00:00:53,200 --> 00:00:56,520 Speaker 3: where they control the heat. Oh no, it's September, but 27 00:00:56,560 --> 00:00:58,480 Speaker 3: it still feels like August and they turn the heat on. 28 00:00:58,600 --> 00:01:01,040 Speaker 2: I want to control my own heat days over, like, 29 00:01:01,080 --> 00:01:03,480 Speaker 2: I don't want the super that lives in DOWNSTAIRSS never 30 00:01:03,560 --> 00:01:05,240 Speaker 2: home to just like turn the heat up to something 31 00:01:05,280 --> 00:01:06,280 Speaker 2: and just like leave the building. 32 00:01:06,800 --> 00:01:08,280 Speaker 1: Don't touch the type or automated. 33 00:01:08,400 --> 00:01:10,200 Speaker 2: Yeah no, I don't. I don't like that. I'm those 34 00:01:10,280 --> 00:01:12,920 Speaker 2: days over. Let me control my temperature and my domain. 35 00:01:12,959 --> 00:01:15,280 Speaker 3: Please, I will say in this, I don't know it's 36 00:01:15,280 --> 00:01:17,600 Speaker 3: gonna be reliable pod, but when I got like an 37 00:01:17,600 --> 00:01:20,280 Speaker 3: actual thermostat changed my life. When I got a washing 38 00:01:20,319 --> 00:01:23,000 Speaker 3: machine in my crib, I'll never go back. 39 00:01:23,080 --> 00:01:23,560 Speaker 2: Change your life. 40 00:01:23,560 --> 00:01:24,240 Speaker 3: I'll never go back. 41 00:01:24,400 --> 00:01:25,560 Speaker 2: It's the little things. 42 00:01:25,880 --> 00:01:29,080 Speaker 3: You'll literally have to evict me before I leave without 43 00:01:29,120 --> 00:01:29,399 Speaker 3: my wife. 44 00:01:29,440 --> 00:01:31,320 Speaker 2: I never know you never noticed how much you wanted 45 00:01:31,319 --> 00:01:32,680 Speaker 2: to have your own washing dry. 46 00:01:32,800 --> 00:01:35,000 Speaker 3: I would just buy new clothes because I just didn't 47 00:01:35,000 --> 00:01:37,360 Speaker 3: want to do laundry anymore. Now I just do fucking 48 00:01:37,440 --> 00:01:41,319 Speaker 3: laundry every day for fun long. Doing laundry is therapeutic. 49 00:01:42,200 --> 00:01:44,040 Speaker 3: I like it. I like doing laundry. I hate folding 50 00:01:44,080 --> 00:01:45,240 Speaker 3: and putting clothes away cleaning. 51 00:01:45,360 --> 00:01:46,640 Speaker 2: Cleaning to me is therapeutic. 52 00:01:46,640 --> 00:01:47,000 Speaker 3: I agree. 53 00:01:47,040 --> 00:01:49,840 Speaker 2: Like cleaning to me, getting rid of stuff, you know, 54 00:01:50,000 --> 00:01:52,480 Speaker 2: removing some of the old ship and making space for 55 00:01:52,520 --> 00:01:55,040 Speaker 2: new to me, that's therapeutic. It's like a cleanse. You 56 00:01:55,120 --> 00:01:56,160 Speaker 2: need that. I get it. 57 00:01:57,480 --> 00:01:59,600 Speaker 3: Well, Ship, should we start with the song. 58 00:01:59,800 --> 00:02:02,040 Speaker 2: Yeah, let's start with a song, A groovy little tune 59 00:02:02,040 --> 00:02:02,760 Speaker 2: if you will. 60 00:02:04,320 --> 00:02:05,240 Speaker 3: This SID project. 61 00:02:08,480 --> 00:02:10,320 Speaker 2: I want to see Ship live. I've never seen her live. 62 00:02:10,400 --> 00:02:13,560 Speaker 3: I've seen the internet live this account. Yeah, then it 63 00:02:13,600 --> 00:02:20,200 Speaker 3: was really good. This is Sid Control from Broken Hearts Club. 64 00:02:20,320 --> 00:02:23,160 Speaker 3: The context is I like it, That's why we're playing. 65 00:02:22,960 --> 00:02:25,200 Speaker 2: And we're playing it just because we like a song 66 00:02:25,280 --> 00:02:28,000 Speaker 2: we love. Ship's amazing. 67 00:02:28,080 --> 00:02:30,239 Speaker 3: Every Sid album she has at least one record where 68 00:02:30,280 --> 00:02:32,200 Speaker 3: she gets her full blown a lead bag. And I 69 00:02:32,200 --> 00:02:34,400 Speaker 3: don't think anyone does the Alia bag better than Sid. 70 00:02:36,160 --> 00:02:37,520 Speaker 1: Really, m m. 71 00:02:39,080 --> 00:02:43,160 Speaker 3: Yeah, who would do it better? Drake? 72 00:02:46,000 --> 00:02:52,520 Speaker 2: That's funny. I don't want to laugh at that, but 73 00:02:52,560 --> 00:02:55,560 Speaker 2: it's it's funny. He does a great Alia bag though. 74 00:02:55,639 --> 00:02:58,160 Speaker 2: Drake has it in a Lia bag. Let's I don't 75 00:02:58,360 --> 00:03:01,440 Speaker 2: it's a unisex bag, you know what I mean? So Drake, Yeah, 76 00:03:01,480 --> 00:03:02,640 Speaker 2: he has an Alia bag for sure. 77 00:03:03,200 --> 00:03:05,600 Speaker 3: Did anyone else besides me judge that? Kendrick Barr and 78 00:03:05,639 --> 00:03:06,000 Speaker 3: take care? 79 00:03:07,120 --> 00:03:07,760 Speaker 2: What was the bar? 80 00:03:08,320 --> 00:03:10,799 Speaker 3: He came with the jeep with the doors missing. All 81 00:03:10,800 --> 00:03:14,480 Speaker 3: he was missing was a Leah, shut up, Kendrick. 82 00:03:17,520 --> 00:03:21,240 Speaker 2: I mean, listen it happens some of our favorite rappers 83 00:03:21,280 --> 00:03:22,760 Speaker 2: sometimes they drop a bar and it's kind of like, 84 00:03:22,800 --> 00:03:23,800 Speaker 2: I wish he didn't say. 85 00:03:23,600 --> 00:03:30,320 Speaker 3: That that entire thing in retrospect, that feature is weird. 86 00:03:31,720 --> 00:03:34,760 Speaker 2: Drake and Kendrick is weird. Was that Justice? 87 00:03:35,120 --> 00:03:36,560 Speaker 3: No, no, no, this was on to take care When 88 00:03:36,720 --> 00:03:39,400 Speaker 3: he put him at the end of Marvin's Room, it 89 00:03:39,480 --> 00:03:41,920 Speaker 3: was just like a yes, yes, granted at that point 90 00:03:42,000 --> 00:03:44,720 Speaker 3: Kendrick wasn't Kendrick and it was a look. But I 91 00:03:44,760 --> 00:03:49,160 Speaker 3: just didn't even like, like like there's a dedication to 92 00:03:49,240 --> 00:03:56,000 Speaker 3: Drake like on his album. It was it was weird. 93 00:03:56,120 --> 00:03:58,200 Speaker 2: That's what I'm saying. You definitely you're you're the way 94 00:03:58,240 --> 00:04:01,360 Speaker 2: you're breaking it down. You definitely make it very weird. 95 00:04:01,680 --> 00:04:03,640 Speaker 2: Like now I'm thinking that I'm reliving the song and 96 00:04:03,680 --> 00:04:07,920 Speaker 2: I'm like, at the time, it didn't feel weird, but 97 00:04:08,080 --> 00:04:09,920 Speaker 2: years later it's kind of like, like, I. 98 00:04:09,840 --> 00:04:12,120 Speaker 3: Don't need to hear how you were in Toronto waiting 99 00:04:12,120 --> 00:04:13,200 Speaker 3: at lunch for him to arrive. 100 00:04:14,640 --> 00:04:16,800 Speaker 2: What are they had a business meeting they did, Yeah, 101 00:04:16,880 --> 00:04:19,880 Speaker 2: so it happens. It happens. You have a business meeting 102 00:04:20,240 --> 00:04:22,719 Speaker 2: homeboys late, okay, you order a salad, a tea of 103 00:04:22,760 --> 00:04:23,560 Speaker 2: some weight for him. 104 00:04:23,800 --> 00:04:26,120 Speaker 3: And then they proceeded to throw subs at each other 105 00:04:26,360 --> 00:04:30,479 Speaker 3: until today. Must have been a rough lunch. Who picked 106 00:04:30,560 --> 00:04:32,640 Speaker 3: up the check? Think they did separate checks? 107 00:04:34,040 --> 00:04:37,120 Speaker 2: That's nasty. If they did just two people's separate checks, 108 00:04:37,320 --> 00:04:39,880 Speaker 2: y'all hate each other. If two people go to lunch 109 00:04:39,880 --> 00:04:41,760 Speaker 2: and y'all get separate checks, y'all don't. Y'all don't fuck 110 00:04:41,760 --> 00:04:42,160 Speaker 2: with each other. 111 00:04:42,560 --> 00:04:44,599 Speaker 3: I've done that one time. 112 00:04:45,000 --> 00:04:46,000 Speaker 2: You didn't fuck with the person. 113 00:04:46,320 --> 00:04:48,640 Speaker 3: No, I did. I didn't fuck with the move that 114 00:04:48,680 --> 00:04:51,160 Speaker 3: they made, because I'm always like, if we're gonna split it, 115 00:04:51,240 --> 00:04:52,839 Speaker 3: let's just split it down the middle, or one person 116 00:04:52,880 --> 00:04:56,159 Speaker 3: pay right. I had went to lunch with a friend 117 00:04:56,160 --> 00:04:58,720 Speaker 3: from college and he wanted to go to a steakhouse 118 00:04:58,839 --> 00:05:00,080 Speaker 3: and I was in the middle of a work. I 119 00:05:00,120 --> 00:05:02,279 Speaker 3: was like, I don't need a full stick. I got 120 00:05:02,279 --> 00:05:04,960 Speaker 3: a salad and I got a water. He got a 121 00:05:05,040 --> 00:05:09,520 Speaker 3: fucking full blown rabbi two sides some whiskey that was 122 00:05:09,560 --> 00:05:12,080 Speaker 3: like probably one hundred dollars for a shot. And then 123 00:05:12,120 --> 00:05:13,880 Speaker 3: the check came and he was like, you just want 124 00:05:13,880 --> 00:05:19,000 Speaker 3: to split this that' said said Mike. No, you should 125 00:05:19,040 --> 00:05:21,479 Speaker 3: just pick this whole thing up. Yeah, I'll leave the tip. 126 00:05:21,800 --> 00:05:23,800 Speaker 2: I'll leave the thirty dollars tip. Don't worry about it. 127 00:05:23,839 --> 00:05:27,200 Speaker 3: I think my iceberg lettuce doesn't really qualify to your 128 00:05:27,400 --> 00:05:28,560 Speaker 3: slab of meat over there, sir. 129 00:05:28,640 --> 00:05:34,920 Speaker 2: But there's check etiquette and a lot of people don't 130 00:05:34,960 --> 00:05:35,600 Speaker 2: have check head. 131 00:05:35,640 --> 00:05:37,359 Speaker 3: You don't have it. We discussed this already. 132 00:05:37,360 --> 00:05:38,279 Speaker 2: I don't have check out again. 133 00:05:38,440 --> 00:05:42,000 Speaker 3: Wow, he just found out because you pick up other 134 00:05:42,000 --> 00:05:43,320 Speaker 3: people's checks when they're on dates. 135 00:05:43,800 --> 00:05:45,160 Speaker 2: Oh, that's check etiquette. 136 00:05:45,240 --> 00:05:49,599 Speaker 3: No, no, it's not mean. There's nothing ethical about that. Like, yeah, 137 00:05:49,600 --> 00:05:50,920 Speaker 3: we've been down this, That's. 138 00:05:50,760 --> 00:05:52,200 Speaker 2: What I'm saying. People took that way out of That 139 00:05:52,279 --> 00:05:54,440 Speaker 2: wasn't like a girlfriend, that was like, that was a friend. 140 00:05:55,240 --> 00:05:56,960 Speaker 2: Like if that was like an ex, that's nasty. 141 00:05:57,240 --> 00:05:59,240 Speaker 3: There's drama in the white world. I have to inform 142 00:05:59,279 --> 00:05:59,920 Speaker 3: you guys. 143 00:06:00,040 --> 00:06:02,040 Speaker 2: In the white world, white crime. 144 00:06:02,279 --> 00:06:04,080 Speaker 3: I don't know if you guys even care. And no, 145 00:06:04,200 --> 00:06:06,960 Speaker 3: but we may have some white listeners. Do you guys 146 00:06:07,040 --> 00:06:09,200 Speaker 3: know when practical jokers broke up? Yeah? 147 00:06:09,400 --> 00:06:12,040 Speaker 2: Oh really, Sam, I didn't know that. 148 00:06:12,200 --> 00:06:14,760 Speaker 3: I guess first, some practical jokers break up, and every 149 00:06:14,839 --> 00:06:17,080 Speaker 3: day I wake up what happens. I got a problem 150 00:06:17,120 --> 00:06:17,400 Speaker 3: with hoe. 151 00:06:17,600 --> 00:06:21,600 Speaker 2: Somebody didn't show their accounting Oh my god, what happened? 152 00:06:22,040 --> 00:06:23,960 Speaker 3: So are you familiar with the show? 153 00:06:24,040 --> 00:06:25,000 Speaker 2: Absolutely? I love it. 154 00:06:25,160 --> 00:06:31,960 Speaker 3: Practical jokers, ironically Joe, Oh god, that segway Joe posted 155 00:06:32,000 --> 00:06:33,200 Speaker 3: and I was late to the party because I don't 156 00:06:33,200 --> 00:06:36,680 Speaker 3: follow them on IG because I only follow women that 157 00:06:37,600 --> 00:06:39,839 Speaker 3: will probably end up being bad for me on there 158 00:06:41,120 --> 00:06:43,960 Speaker 3: not actual healthy things he had posted. I think around 159 00:06:43,960 --> 00:06:45,400 Speaker 3: like New Year's that he was leaving the show and 160 00:06:45,400 --> 00:06:46,840 Speaker 3: then his wife are getting divorced and he's got to 161 00:06:46,839 --> 00:06:49,320 Speaker 3: focus on on the kids and all that other shit. 162 00:06:49,560 --> 00:06:51,479 Speaker 3: And they just started the new season with like guest 163 00:06:51,480 --> 00:06:53,640 Speaker 3: hosts and ship. I saw Eric Andre was on there. Okay, 164 00:06:55,400 --> 00:07:00,440 Speaker 3: I'm not buying it. Oh so you I think there's 165 00:07:00,440 --> 00:07:01,200 Speaker 3: a conspiracy. 166 00:07:01,320 --> 00:07:03,720 Speaker 2: You think that's something happened. You don't know if something happened. 167 00:07:03,440 --> 00:07:06,680 Speaker 3: I don't know. I don't think it's because of a divorce. 168 00:07:06,760 --> 00:07:09,000 Speaker 3: And you gotta focus on the kids. I get it. 169 00:07:09,000 --> 00:07:10,240 Speaker 3: I'mon's trying to get their family back. 170 00:07:10,320 --> 00:07:12,840 Speaker 2: That's true. You can get your family back. 171 00:07:12,720 --> 00:07:13,680 Speaker 3: And do a prank show. 172 00:07:13,720 --> 00:07:17,200 Speaker 2: Absolutely, everybody has kids and they still continue to work 173 00:07:17,200 --> 00:07:20,520 Speaker 2: with the people that they created platforms with. 174 00:07:20,720 --> 00:07:22,760 Speaker 3: I don't want to put this on Joe's jacket. But 175 00:07:23,720 --> 00:07:25,560 Speaker 3: I think I think Joe did some ship man and 176 00:07:25,600 --> 00:07:27,520 Speaker 3: he had to get far the fuck away that from them. 177 00:07:27,840 --> 00:07:30,040 Speaker 2: Can we can we find out the guy's full name? So, 178 00:07:30,520 --> 00:07:33,120 Speaker 2: Joe Gatto, Joe Gatto, Joe Gatto, Joe Gatto. 179 00:07:33,480 --> 00:07:35,440 Speaker 3: Ironically, the person I went to lunch with was Mike Ghetto. 180 00:07:35,920 --> 00:07:37,440 Speaker 3: So the Gatto's are all fucking crazy. 181 00:07:37,440 --> 00:07:38,200 Speaker 2: So are they cousins? 182 00:07:38,400 --> 00:07:39,480 Speaker 3: They're both from Staten Island. 183 00:07:39,520 --> 00:07:41,480 Speaker 2: Oh, they're definitely cousins. 184 00:07:41,760 --> 00:07:41,840 Speaker 3: Ye. 185 00:07:42,080 --> 00:07:44,800 Speaker 1: So Joe Gatto shocked his Impractical Jokers viewers when he 186 00:07:44,800 --> 00:07:46,840 Speaker 1: announced that he was a part in the comedy series 187 00:07:46,880 --> 00:07:50,960 Speaker 1: and amid his split from his wife's his wife, Bessie Ghatto, 188 00:07:51,720 --> 00:07:52,080 Speaker 1: Joe and. 189 00:07:52,360 --> 00:07:55,280 Speaker 2: Oh him and his wife's broke up. Yeah, Oh, something 190 00:07:55,320 --> 00:07:59,120 Speaker 2: that's different. He going through a divorce. That's that's it's 191 00:07:59,120 --> 00:08:00,800 Speaker 2: hard to crack jokes when you're going through a divorce. 192 00:08:00,840 --> 00:08:00,960 Speaker 1: Bro. 193 00:08:01,120 --> 00:08:03,920 Speaker 3: Do you think maybe he was trying to get away 194 00:08:03,920 --> 00:08:05,520 Speaker 3: from the show just in case she tried to take 195 00:08:05,600 --> 00:08:07,240 Speaker 3: like half the show, like if she tried to take 196 00:08:07,480 --> 00:08:09,600 Speaker 3: in the divorce hctic. 197 00:08:09,640 --> 00:08:11,320 Speaker 2: I don't know if she could take to take the Joe, 198 00:08:11,960 --> 00:08:14,840 Speaker 2: but maybe she could take half of his pay. Yeah, 199 00:08:14,920 --> 00:08:16,800 Speaker 2: and he probably wants to step away from the show, 200 00:08:16,880 --> 00:08:20,800 Speaker 2: renegotiate his contract. I don't know, man, liasttil the divorce 201 00:08:20,880 --> 00:08:23,720 Speaker 2: is over, and then like re up again. 202 00:08:23,960 --> 00:08:25,800 Speaker 3: Joe, I think was probably my favorite on that show, 203 00:08:26,640 --> 00:08:29,480 Speaker 3: But I don't know. He adopts a lot of dogs. 204 00:08:29,480 --> 00:08:30,640 Speaker 3: He's a really nice person. 205 00:08:31,320 --> 00:08:32,959 Speaker 2: Oh if you adopts I love you. 206 00:08:33,360 --> 00:08:35,320 Speaker 3: Yeah, I know. But those I don't know, overly nice 207 00:08:35,320 --> 00:08:38,880 Speaker 3: people that do acts of charity, I just always feel 208 00:08:38,920 --> 00:08:42,120 Speaker 3: like they have like a basement full of dead bodies. 209 00:08:43,840 --> 00:08:46,200 Speaker 3: There's something like, why you so fucking nice? There's something 210 00:08:46,240 --> 00:08:47,240 Speaker 3: up with you, and I don't like it. 211 00:08:47,240 --> 00:08:49,800 Speaker 2: It's like you're trying to make up for something up 212 00:08:49,840 --> 00:08:51,640 Speaker 2: about you that people don't know about. 213 00:08:51,760 --> 00:08:53,240 Speaker 3: And I don't want to put this on Joe, but 214 00:08:53,280 --> 00:08:56,040 Speaker 3: I just I'm not buying this whole, this whole ig 215 00:08:56,200 --> 00:08:58,960 Speaker 3: caption shit, and I'm I'm invested in I don't really 216 00:08:58,960 --> 00:09:01,360 Speaker 3: have a lot of white flu practical jokers with so 217 00:09:01,360 --> 00:09:02,439 Speaker 3: I have to come here and talk to you guys 218 00:09:02,440 --> 00:09:04,640 Speaker 3: about it. I was, I was fucked up. 219 00:09:04,800 --> 00:09:06,200 Speaker 2: I mean, we got to keep an eye. Let's keep 220 00:09:06,200 --> 00:09:08,400 Speaker 2: an eye on this thing because this is a developing 221 00:09:08,720 --> 00:09:09,760 Speaker 2: story in the white world. 222 00:09:10,360 --> 00:09:13,880 Speaker 3: And I will say I won't say my source. I 223 00:09:13,920 --> 00:09:16,160 Speaker 3: did uh. I did DM someone that that works on 224 00:09:16,200 --> 00:09:20,560 Speaker 3: the show. I have a mole over there, okay, And 225 00:09:20,640 --> 00:09:26,240 Speaker 3: I said break up huh and he slashed. She said 226 00:09:26,920 --> 00:09:29,480 Speaker 3: l O L. And I said, what's the real story? 227 00:09:29,720 --> 00:09:32,960 Speaker 3: She said l O L. I think I got my answer. 228 00:09:33,040 --> 00:09:35,160 Speaker 2: Two ols means that nothing's funny. 229 00:09:35,320 --> 00:09:36,600 Speaker 3: No, nothing's funny. 230 00:09:36,760 --> 00:09:37,760 Speaker 2: This is nothing funny. 231 00:09:37,760 --> 00:09:38,920 Speaker 3: And that ig caption wasn't it? 232 00:09:39,000 --> 00:09:41,199 Speaker 2: Yeah, two lo O l's it's like there's some serious 233 00:09:41,240 --> 00:09:42,199 Speaker 2: shit going on over there. 234 00:09:42,240 --> 00:09:44,320 Speaker 3: And I watched one of the interviews a clip and 235 00:09:44,320 --> 00:09:45,960 Speaker 3: they were just like, yeah, we're all still friends, and 236 00:09:46,000 --> 00:09:47,920 Speaker 3: you know, we just start going in different directions and 237 00:09:47,920 --> 00:09:50,720 Speaker 3: we need I was like, oh, yeah, something happened anytime 238 00:09:50,720 --> 00:09:52,280 Speaker 3: you do that. We're still friends and we're just going 239 00:09:52,280 --> 00:09:53,319 Speaker 3: in different directions. 240 00:09:53,160 --> 00:09:54,800 Speaker 2: That's that's you trying to smooth it over. That. 241 00:09:54,920 --> 00:09:56,520 Speaker 3: That's what Tip and Fife were saying to each other. 242 00:09:56,559 --> 00:09:57,360 Speaker 3: And then we saw the doc. 243 00:09:57,440 --> 00:09:59,920 Speaker 2: Yeah absolutely, well, yeah, we gotta keep eye on that 244 00:10:00,040 --> 00:10:01,800 Speaker 2: because I like that show a lot. I love that 245 00:10:01,760 --> 00:10:05,120 Speaker 2: that's a really really great show. Well, we have some 246 00:10:05,120 --> 00:10:09,440 Speaker 2: sad news to report to our listeners and our viewership. No, 247 00:10:09,640 --> 00:10:11,559 Speaker 2: Rory and I are not breaking up because everybody seems 248 00:10:11,600 --> 00:10:15,520 Speaker 2: to think that that's what's happening. Is that the narrative 249 00:10:15,760 --> 00:10:19,840 Speaker 2: I get, you know, people make a dumb shows. Our 250 00:10:20,040 --> 00:10:26,640 Speaker 2: our lovely assistant producer Studio Mom Damaris has been banned 251 00:10:26,720 --> 00:10:31,440 Speaker 2: from Air Jamaica. She went on vacation to Jamaica. 252 00:10:32,160 --> 00:10:34,280 Speaker 3: How you get banned from air Jamaica? And well, you 253 00:10:34,320 --> 00:10:35,520 Speaker 3: can bring a brick on there, and I. 254 00:10:35,440 --> 00:10:39,120 Speaker 2: Get, well, this is she got banned because she was 255 00:10:39,200 --> 00:10:42,840 Speaker 2: dressed like Shaquita from Belly trying to get on the plane. 256 00:10:42,880 --> 00:10:44,880 Speaker 2: She had some dress like spice, I believe what they 257 00:10:44,880 --> 00:10:47,800 Speaker 2: call poom poom shorts. She had some poom poom shorts on. 258 00:10:48,559 --> 00:10:53,080 Speaker 2: And the pilot came out the cockpit and said, ma'am, 259 00:10:53,120 --> 00:10:56,920 Speaker 2: you cannot their children their children on this flight. Way 260 00:10:56,960 --> 00:10:59,280 Speaker 2: too much ass that you're throwing around walking through the house. 261 00:10:59,600 --> 00:11:01,880 Speaker 2: Can you please put some pants on? 262 00:11:02,000 --> 00:11:05,040 Speaker 3: So I just think anyone that wears shorts of any 263 00:11:05,080 --> 00:11:07,640 Speaker 3: kind on a plane should be stuffed in the overhead compartment. 264 00:11:07,880 --> 00:11:09,840 Speaker 3: I just hate, like, I don't I don't care who 265 00:11:09,920 --> 00:11:11,680 Speaker 3: you are. You could be the baddest bitch on earth. 266 00:11:11,720 --> 00:11:13,320 Speaker 3: I don't want to seeing legs on a fight. I 267 00:11:13,320 --> 00:11:14,400 Speaker 3: just don't want my pants. 268 00:11:14,400 --> 00:11:17,160 Speaker 2: I'm not the guy that travels according to the weather 269 00:11:17,320 --> 00:11:22,080 Speaker 2: that he's going coming from or going to. I address 270 00:11:22,200 --> 00:11:24,880 Speaker 2: for comfort. Like, if you're leaving Jamaica or to the islands, 271 00:11:24,920 --> 00:11:27,600 Speaker 2: I think that you can put on some sweatpants and 272 00:11:27,600 --> 00:11:30,600 Speaker 2: a T shirt going to the airport, carry your hoodie, yeah, like, 273 00:11:30,640 --> 00:11:31,920 Speaker 2: and then once you get to your gate, throw your 274 00:11:31,920 --> 00:11:33,800 Speaker 2: hoodie on. Like the airplanes are cold. First of all, 275 00:11:33,840 --> 00:11:35,439 Speaker 2: it fucking freezing. I don't care the. 276 00:11:35,360 --> 00:11:37,959 Speaker 1: Customer, it's like, yeah, just wear a sweatsuit. 277 00:11:38,200 --> 00:11:40,559 Speaker 3: Well, you know, Damaris probably went straight from the strip club, 278 00:11:40,840 --> 00:11:42,959 Speaker 3: didn't realize what time or flight was and just what 279 00:11:43,000 --> 00:11:44,000 Speaker 3: she wore to the strip club. 280 00:11:44,679 --> 00:11:47,160 Speaker 2: Absolutely, so she's been banned from Air Jamaica. She can 281 00:11:47,200 --> 00:11:50,280 Speaker 2: no longer fly the friendly skies with Air Jamaica anymore. 282 00:11:50,320 --> 00:11:51,920 Speaker 2: So we just want to say, you. 283 00:11:51,880 --> 00:11:53,520 Speaker 3: Know, we don't even know she'll be able to get 284 00:11:53,520 --> 00:11:54,080 Speaker 3: into the country. 285 00:11:54,120 --> 00:11:56,280 Speaker 2: Yeah, like, we just want to apologize to Air Jamaica. 286 00:11:56,320 --> 00:11:57,280 Speaker 2: On Damaris's behalf. 287 00:11:57,320 --> 00:11:59,320 Speaker 3: They might put her in the cages with the kids. 288 00:12:00,720 --> 00:12:03,679 Speaker 1: I mean, I escaped, so you escape from one of 289 00:12:03,720 --> 00:12:07,160 Speaker 1: the cages. Okay, Well I. 290 00:12:07,120 --> 00:12:11,080 Speaker 3: Know who I'll be contacting. What's ice. What's ice number? 291 00:12:12,559 --> 00:12:15,280 Speaker 3: I have no idea, son, you might want to talk to. 292 00:12:16,000 --> 00:12:18,920 Speaker 3: Speaking of wearing things, I saw a video over the 293 00:12:18,920 --> 00:12:20,720 Speaker 3: weekend that I posted on my close friends. 294 00:12:21,760 --> 00:12:22,080 Speaker 2: Women. 295 00:12:22,640 --> 00:12:29,480 Speaker 3: I know we're down with wigs, eyelashes, makeup, yes, surgery, yeah, 296 00:12:29,880 --> 00:12:30,640 Speaker 3: waist trainers. 297 00:12:30,760 --> 00:12:31,360 Speaker 2: Yeah. 298 00:12:31,480 --> 00:12:35,440 Speaker 3: I was not aware that women are putting fake hips 299 00:12:35,480 --> 00:12:38,080 Speaker 3: into their pants before they leave the house. 300 00:12:38,160 --> 00:12:38,800 Speaker 2: No, you didn't know that. 301 00:12:39,600 --> 00:12:43,079 Speaker 3: Yeah, they're taking what I used to wear in high 302 00:12:43,120 --> 00:12:46,079 Speaker 3: school football and putting it on their side. 303 00:12:47,040 --> 00:12:48,880 Speaker 1: You did high school football, yes. 304 00:12:48,800 --> 00:12:51,640 Speaker 3: But I did not keep my pads, so I cannot 305 00:12:52,320 --> 00:12:56,600 Speaker 3: give you a waiste trainer shape. But no, this this 306 00:12:56,720 --> 00:12:59,880 Speaker 3: is I don't ever want a woman that has fake 307 00:13:00,080 --> 00:13:02,360 Speaker 3: hips in at the moment to ever ask for honesty. 308 00:13:02,400 --> 00:13:04,199 Speaker 3: For me, I would never be upfront with you. You 309 00:13:04,200 --> 00:13:06,280 Speaker 3: will never get the real me. This is why we 310 00:13:06,360 --> 00:13:07,600 Speaker 3: have to take a stand at some point. 311 00:13:07,800 --> 00:13:10,000 Speaker 2: But see, this is why Keenan Ivy Wayne's is one 312 00:13:10,000 --> 00:13:13,320 Speaker 2: of the greatest producers, directors, creators that our culture has 313 00:13:13,360 --> 00:13:19,000 Speaker 2: ever seen. Because years ago and I'm the movie I'm 314 00:13:19,000 --> 00:13:20,960 Speaker 2: Gonna Get You Suck, a classic movie if you guys 315 00:13:20,960 --> 00:13:24,760 Speaker 2: have never seen it. He meets a young lady at 316 00:13:24,760 --> 00:13:28,800 Speaker 2: the bar and called this is where you can insert 317 00:13:28,800 --> 00:13:31,640 Speaker 2: that part of the movie. Meets a young lady at 318 00:13:31,640 --> 00:13:34,280 Speaker 2: the bar, starts flirting, you know how the whole thing goes, 319 00:13:34,280 --> 00:13:37,559 Speaker 2: goes back to the apartment and you know, they're having 320 00:13:37,600 --> 00:13:42,839 Speaker 2: a conversation and it becomes a conversation about honesty, and 321 00:13:43,040 --> 00:13:46,400 Speaker 2: the lady's like, okay, well, since we're being honest to whatever, 322 00:13:47,600 --> 00:13:49,719 Speaker 2: you know, these eyes aren't really my color, takes the 323 00:13:49,800 --> 00:13:53,240 Speaker 2: contact out, takes a wig off, you know, takes her 324 00:13:53,320 --> 00:13:56,439 Speaker 2: leg off, takes her ass out, and you know it's 325 00:13:56,480 --> 00:13:59,640 Speaker 2: funny because at the time it was just like Larry's 326 00:13:59,679 --> 00:14:03,320 Speaker 2: we laugh. But now you fast forward almost thirty years 327 00:14:03,400 --> 00:14:08,640 Speaker 2: later and it's like the norm almost for you know, 328 00:14:08,679 --> 00:14:10,960 Speaker 2: people to have all of these enhancements and this is 329 00:14:11,040 --> 00:14:13,440 Speaker 2: not really how they look. This is not really how 330 00:14:13,480 --> 00:14:16,120 Speaker 2: they are shaped. So you know, we really got to 331 00:14:16,120 --> 00:14:17,680 Speaker 2: thank Keenan I went because he was ahead of his 332 00:14:17,720 --> 00:14:20,120 Speaker 2: time with this and he tried to let us know, like, yo, listen, man, 333 00:14:20,160 --> 00:14:22,160 Speaker 2: it's it's not what it looks like out there. 334 00:14:22,160 --> 00:14:25,000 Speaker 3: I'm buying stilts. I'm going to the club with stiltson. 335 00:14:24,760 --> 00:14:26,240 Speaker 2: What they have those they have the insuls now that 336 00:14:26,280 --> 00:14:28,240 Speaker 2: you can put inside your sneakers that make you, I 337 00:14:28,280 --> 00:14:29,920 Speaker 2: think four inches five inches taller. 338 00:14:29,960 --> 00:14:32,960 Speaker 3: I'm getting stilts, and the stilts are for me. I'm 339 00:14:32,960 --> 00:14:34,680 Speaker 3: getting them for me, not for y'all. 340 00:14:34,840 --> 00:14:35,400 Speaker 2: They're for me. 341 00:14:35,480 --> 00:14:37,400 Speaker 3: I did it for me. I'm gonna get stilts, okay, 342 00:14:37,480 --> 00:14:39,680 Speaker 3: because this is I've had enough and I'm gonna kick 343 00:14:39,760 --> 00:14:41,320 Speaker 3: every chick in the club and calling broke. 344 00:14:41,520 --> 00:14:46,280 Speaker 2: Well, they do have the not that you know I've 345 00:14:46,280 --> 00:14:47,880 Speaker 2: been doing any research on this, but they do have 346 00:14:47,880 --> 00:14:51,600 Speaker 2: the penis enlargement surgery for men now, and this is 347 00:14:51,600 --> 00:14:55,240 Speaker 2: a real thing. Maybe now get their penises enlarged. Yeah, 348 00:14:55,240 --> 00:14:56,880 Speaker 2: I don't mean either, Like what I got is what 349 00:14:56,960 --> 00:14:57,320 Speaker 2: I got. 350 00:14:57,440 --> 00:14:57,560 Speaker 1: You know. 351 00:14:57,600 --> 00:14:59,000 Speaker 2: If this ain't enough, then I'll just you. 352 00:14:58,920 --> 00:15:01,200 Speaker 3: Know, fine, now I'm I beat. 353 00:15:01,320 --> 00:15:05,240 Speaker 2: Yeah, I came around, I came already. It's like it's whatever, 354 00:15:05,280 --> 00:15:07,680 Speaker 2: that's all I got for you. But yeah, that is 355 00:15:07,880 --> 00:15:10,320 Speaker 2: a surgery now. And it was an interesting conversation online 356 00:15:11,320 --> 00:15:14,200 Speaker 2: because women were laughing at that and they were saying, like, 357 00:15:14,880 --> 00:15:17,560 Speaker 2: any man that goes and gets the surgery is absolutely 358 00:15:17,560 --> 00:15:18,600 Speaker 2: fucking crazy. 359 00:15:18,280 --> 00:15:20,240 Speaker 3: And we get it for us. I'm getting my dick 360 00:15:20,280 --> 00:15:20,920 Speaker 3: in large from. 361 00:15:20,880 --> 00:15:23,320 Speaker 2: Listen, listen to me. I'm just I'm just telling you what. 362 00:15:23,320 --> 00:15:23,920 Speaker 3: These women think. 363 00:15:23,920 --> 00:15:25,440 Speaker 1: It's all for them and and. 364 00:15:25,400 --> 00:15:27,440 Speaker 2: It's sad, you know, because it's not like what if 365 00:15:27,480 --> 00:15:30,520 Speaker 2: I want to see? What if I feel like washing 366 00:15:30,680 --> 00:15:32,240 Speaker 2: my penis but I want to be bigger, Like I 367 00:15:32,240 --> 00:15:34,680 Speaker 2: feel like I need to wash more meat, you know 368 00:15:34,720 --> 00:15:37,440 Speaker 2: what I mean? Like I should have that say. 369 00:15:37,280 --> 00:15:39,280 Speaker 3: So I should that I was just made fun of 370 00:15:39,440 --> 00:15:42,320 Speaker 3: the curves. Now I'm finally embracing the curve of my dick. 371 00:15:43,880 --> 00:15:48,120 Speaker 3: I can finally be me and embrace who I am 372 00:15:48,120 --> 00:15:48,840 Speaker 3: as a person. 373 00:15:48,640 --> 00:15:50,360 Speaker 2: In the penis enlargement is sick though, Like when you 374 00:15:50,400 --> 00:15:55,000 Speaker 2: think about it, that's that's that's it's like, fam, that's 375 00:15:55,520 --> 00:15:58,360 Speaker 2: what are we doing now? Because if men are able 376 00:15:58,400 --> 00:16:02,160 Speaker 2: to enlarge their penises, you know, somebody's gonna go crazy, 377 00:16:02,520 --> 00:16:04,480 Speaker 2: because we see some women that go crazy with the 378 00:16:04,520 --> 00:16:08,000 Speaker 2: boob jobs, crazy with the butt jobs and the lip fillers, 379 00:16:08,000 --> 00:16:10,760 Speaker 2: And there's gonna be a guy that's gonna go absolutely 380 00:16:10,800 --> 00:16:13,520 Speaker 2: crazy and try to walk down the block with a 381 00:16:13,520 --> 00:16:16,080 Speaker 2: fucking tripod in his pants. Like you know that, you 382 00:16:16,120 --> 00:16:16,880 Speaker 2: know what's gonna happen. 383 00:16:17,000 --> 00:16:18,360 Speaker 3: I just want to know what the conversation with the 384 00:16:18,400 --> 00:16:22,200 Speaker 3: doctor before is. It's got to be awkward, how many 385 00:16:22,240 --> 00:16:24,680 Speaker 3: conversations like talking girl with your doctor. 386 00:16:25,440 --> 00:16:27,640 Speaker 2: Yeah, like it's just I don't it's some things I 387 00:16:27,800 --> 00:16:31,000 Speaker 2: just think, you know, I understand technologies advanced now and 388 00:16:31,040 --> 00:16:33,840 Speaker 2: all these medicines advanced, but it's some things we don't 389 00:16:33,880 --> 00:16:35,880 Speaker 2: need to play with. Like I just feel that. I 390 00:16:35,880 --> 00:16:37,480 Speaker 2: feel like it's certain things we got to stay away from. 391 00:16:37,480 --> 00:16:39,920 Speaker 2: And you know now that make it get penis and 392 00:16:40,080 --> 00:16:43,520 Speaker 2: enlargements is kind of like fam we just approaching, like. 393 00:16:43,720 --> 00:16:45,560 Speaker 3: And imagine that conversation with women. Do you like a 394 00:16:45,560 --> 00:16:46,760 Speaker 3: guy with a real dick or effected? 395 00:16:48,600 --> 00:16:51,640 Speaker 2: I think that women women some most women will lie 396 00:16:51,800 --> 00:16:54,320 Speaker 2: and say that they don't care. 397 00:16:54,880 --> 00:16:57,720 Speaker 3: Put they're fuck you young a man and with the faith. 398 00:16:59,440 --> 00:17:02,000 Speaker 1: Not anyway dick, and like also they're on the pill. 399 00:17:03,720 --> 00:17:07,000 Speaker 2: A fake dick on a with viagra like a vaga. 400 00:17:07,080 --> 00:17:09,199 Speaker 1: Like you know now they have like the like this 401 00:17:09,280 --> 00:17:11,040 Speaker 1: year they're really gonna go and push forward with the 402 00:17:11,080 --> 00:17:13,359 Speaker 1: male like birth control. Yeah. 403 00:17:13,680 --> 00:17:16,040 Speaker 2: A woman suggested that she was like, yo, you should 404 00:17:16,040 --> 00:17:18,439 Speaker 2: get on birth control. Not a woman. I was like 405 00:17:18,520 --> 00:17:20,400 Speaker 2: why she was like, just so, because now you won't 406 00:17:20,440 --> 00:17:22,880 Speaker 2: even have to worry about I'm like, but I can 407 00:17:23,040 --> 00:17:24,000 Speaker 2: just wear a condom. 408 00:17:24,040 --> 00:17:27,280 Speaker 1: There's also still a STDs like, I. 409 00:17:27,240 --> 00:17:28,600 Speaker 3: Just want to know if you take the chick home 410 00:17:28,760 --> 00:17:33,000 Speaker 3: with the hips, like, and then when you take she 411 00:17:33,040 --> 00:17:35,159 Speaker 3: takes the hips, Like, I just want to know how 412 00:17:35,240 --> 00:17:37,000 Speaker 3: Like if you meet because they probably wear it to 413 00:17:37,040 --> 00:17:39,520 Speaker 3: a club or a social gathering whatever. And sometimes you 414 00:17:39,560 --> 00:17:40,960 Speaker 3: meet a woman and you go back to her spot 415 00:17:41,000 --> 00:17:45,280 Speaker 3: or she comes back to yours and undressing happens. Do 416 00:17:45,320 --> 00:17:47,119 Speaker 3: you think, like does she go and where does she 417 00:17:47,200 --> 00:17:48,760 Speaker 3: hide the hips? Under the sink? 418 00:17:49,440 --> 00:17:52,440 Speaker 2: No, that's when she gets undressed, like at the side 419 00:17:52,440 --> 00:17:54,800 Speaker 2: of the bed and gets right under the blanket. You 420 00:17:54,800 --> 00:17:56,560 Speaker 2: know that move where they take the pants or they 421 00:17:56,560 --> 00:17:58,399 Speaker 2: sit down and like kind of like put So do 422 00:17:58,440 --> 00:18:00,200 Speaker 2: you just leave the hips on the side, throw the 423 00:18:00,280 --> 00:18:02,440 Speaker 2: hips on the floor next to the pants? 424 00:18:02,920 --> 00:18:06,240 Speaker 3: Listen, I've had problems with eyelashes being on my pillow. 425 00:18:06,440 --> 00:18:08,560 Speaker 3: If you leave your hips, if I trip over your hips, 426 00:18:08,560 --> 00:18:10,160 Speaker 3: go to the bathroom. 427 00:18:10,080 --> 00:18:12,240 Speaker 2: The next day, you left one of your hips under 428 00:18:12,240 --> 00:18:14,239 Speaker 2: the bed, like, I think it's on the table if 429 00:18:14,240 --> 00:18:15,239 Speaker 2: you want to come back and get it. 430 00:18:15,840 --> 00:18:20,919 Speaker 3: Wait, we have a little toggle thingyh Yeah, I'm going 431 00:18:21,000 --> 00:18:24,080 Speaker 3: to call an anonymous guest because when I posted that 432 00:18:24,160 --> 00:18:27,840 Speaker 3: video in my DMS, I was having conversations with some men, 433 00:18:28,440 --> 00:18:31,480 Speaker 3: one being what we're talking about now going back, taking 434 00:18:31,480 --> 00:18:35,199 Speaker 3: her back home and her having to take her hips out. 435 00:18:36,040 --> 00:18:38,280 Speaker 3: This gentleman that we're going to change and modify his voice, 436 00:18:38,280 --> 00:18:40,920 Speaker 3: said he has been in this. 437 00:18:40,920 --> 00:18:43,480 Speaker 2: Situation a woman with fake hips. 438 00:18:43,760 --> 00:18:46,840 Speaker 3: Yes, he brought a woman home with fake hips. I 439 00:18:46,920 --> 00:18:49,040 Speaker 3: siily I said, I don't want to hear the story yet, 440 00:18:49,040 --> 00:18:49,560 Speaker 3: can you call me? 441 00:18:49,840 --> 00:18:52,760 Speaker 2: She put the hips like in her pants, like yes, okay, 442 00:18:54,119 --> 00:18:58,360 Speaker 2: he still beat or he just of course fakes ain't 443 00:18:58,359 --> 00:19:01,600 Speaker 2: stopping at you got that, You got all the way 444 00:19:01,640 --> 00:19:03,480 Speaker 2: there to beat like you got come on, fam like 445 00:19:03,520 --> 00:19:06,080 Speaker 2: you ain't stopping your your hip fake. Nah, I can't 446 00:19:06,119 --> 00:19:09,440 Speaker 2: do it. Ain't no man doing that. Ain't no real 447 00:19:09,520 --> 00:19:11,359 Speaker 2: man doing that. The hips ain't gonna stop me. 448 00:19:12,080 --> 00:19:13,160 Speaker 3: Hello, anonymous guest. 449 00:19:14,920 --> 00:19:20,400 Speaker 4: Oh shit yo, I literally just now left the gym. 450 00:19:21,119 --> 00:19:24,560 Speaker 3: Uh okay, Anonymous guests, we were discussing the conversation you 451 00:19:24,600 --> 00:19:28,479 Speaker 3: and I had over the weekend about women taking their 452 00:19:28,560 --> 00:19:34,040 Speaker 3: hips off after a wild night in the club. 453 00:19:34,720 --> 00:19:39,160 Speaker 5: And then uh so, so there was one particular incident 454 00:19:39,200 --> 00:19:43,119 Speaker 5: that having too a friend of mine, a close, close, 455 00:19:43,280 --> 00:19:44,000 Speaker 5: close friend. 456 00:19:43,840 --> 00:19:46,760 Speaker 3: Of mine, always a friend like not you if. 457 00:19:47,400 --> 00:19:49,800 Speaker 5: No, not me, but somebody that if he looked at 458 00:19:49,840 --> 00:19:52,879 Speaker 5: himself in the mirror, might look almost exactly like me. 459 00:19:53,240 --> 00:19:58,840 Speaker 5: So me, Oh so this friend of mine, uh had 460 00:19:58,920 --> 00:20:03,280 Speaker 5: run into this young lady a few times, and you know, 461 00:20:03,800 --> 00:20:07,440 Speaker 5: she clearly was attracted to him. And so one night, 462 00:20:07,480 --> 00:20:11,080 Speaker 5: after a few drinks, he decided, you know, she's she's cute. 463 00:20:11,600 --> 00:20:13,040 Speaker 4: I'm not doing anything after. 464 00:20:13,359 --> 00:20:16,320 Speaker 2: Why don't we go She's cute, I'm not doing anything 465 00:20:16,320 --> 00:20:17,800 Speaker 2: after that? And I guess we can fuck? 466 00:20:17,920 --> 00:20:21,840 Speaker 3: Was was your friend into her? Shape? Was that thing? 467 00:20:22,280 --> 00:20:23,000 Speaker 5: She she was? 468 00:20:23,000 --> 00:20:23,399 Speaker 2: She was? 469 00:20:23,480 --> 00:20:27,600 Speaker 5: She was a slim but very curvy girl for her frame. 470 00:20:27,720 --> 00:20:31,080 Speaker 3: Yes, okay, like oddly curvy, like where'd you get these 471 00:20:31,160 --> 00:20:31,800 Speaker 3: hips from her? 472 00:20:32,320 --> 00:20:37,119 Speaker 5: Like like like like like proportionate? You know, everything looked 473 00:20:37,200 --> 00:20:42,000 Speaker 5: looked very right and very natural. And uh so my 474 00:20:42,200 --> 00:20:46,119 Speaker 5: friend decided to go back to his place with her. 475 00:20:46,840 --> 00:20:49,320 Speaker 5: They they had a drink or two. He put on 476 00:20:49,359 --> 00:20:53,760 Speaker 5: some music, he set the tone, and uh, as she 477 00:20:54,080 --> 00:20:57,720 Speaker 5: began to get undressed, it was you remember, and don't 478 00:20:57,760 --> 00:21:01,800 Speaker 5: be a menace. When he takes the chick back, and like, 479 00:21:02,440 --> 00:21:05,320 Speaker 5: the wigs starts coming off and the nails start coming off, 480 00:21:05,400 --> 00:21:09,680 Speaker 5: and she she basically one by one started to remove 481 00:21:09,760 --> 00:21:13,199 Speaker 5: things that that he thought were naturally attached to her 482 00:21:13,240 --> 00:21:14,679 Speaker 5: body that clearly were not. 483 00:21:16,040 --> 00:21:18,280 Speaker 4: And then it came down to an. 484 00:21:18,400 --> 00:21:24,679 Speaker 5: Entire hip pad that like though crowed around her hips 485 00:21:25,200 --> 00:21:29,520 Speaker 5: and asked that like gave some sort of lift, and 486 00:21:30,200 --> 00:21:31,560 Speaker 5: she was a completely different person. 487 00:21:32,080 --> 00:21:33,480 Speaker 3: Did your friend still beat though? 488 00:21:34,760 --> 00:21:34,879 Speaker 4: Oh? 489 00:21:35,000 --> 00:21:39,480 Speaker 2: Yeah, I mean, how don't give a fuck with you 490 00:21:39,520 --> 00:21:41,680 Speaker 2: taking off? You got that we got this far? 491 00:21:43,640 --> 00:21:47,000 Speaker 5: She she she could have took off an entire football 492 00:21:47,080 --> 00:21:50,080 Speaker 5: pad uniform, and now he was still. 493 00:21:49,920 --> 00:21:53,399 Speaker 3: Fucking where did where did she place her hips in 494 00:21:53,400 --> 00:21:56,720 Speaker 3: the in the meantime, was she organized that she put them? 495 00:21:57,040 --> 00:21:59,399 Speaker 5: I believe No, I believe they ended up on the 496 00:21:59,400 --> 00:22:00,960 Speaker 5: ceiling fan nice. 497 00:22:01,000 --> 00:22:02,560 Speaker 2: It's a great place for your hips to end up. 498 00:22:02,640 --> 00:22:04,919 Speaker 5: I just want to say that that it was in 499 00:22:04,960 --> 00:22:07,040 Speaker 5: that moment that I realized that hips do lie. 500 00:22:07,240 --> 00:22:09,720 Speaker 1: Yeah, they do, they do, Shakiro. 501 00:22:09,840 --> 00:22:11,280 Speaker 2: This is why we haven't heard from a while, because 502 00:22:11,280 --> 00:22:12,960 Speaker 2: people found out that she was lying the whole time. 503 00:22:13,440 --> 00:22:16,880 Speaker 3: My last question because when I when I played football, 504 00:22:16,960 --> 00:22:18,879 Speaker 3: I know that material and if you don't have on 505 00:22:18,960 --> 00:22:22,040 Speaker 3: the right under armour and it rubs against your skin, 506 00:22:23,840 --> 00:22:25,840 Speaker 3: you can have some sweaty ass hips. And then you 507 00:22:25,840 --> 00:22:29,760 Speaker 3: could also have a rash. Were her hips sweaty? Did 508 00:22:29,760 --> 00:22:31,200 Speaker 3: there appear to be any dry skin? 509 00:22:33,080 --> 00:22:33,240 Speaker 1: No? 510 00:22:33,359 --> 00:22:36,600 Speaker 5: I think I think she was doing like the like, 511 00:22:36,600 --> 00:22:38,600 Speaker 5: like the bit of you and how running back sometimes 512 00:22:38,960 --> 00:22:42,200 Speaker 5: how they'll they'll they'll spray the uniform of the pads 513 00:22:42,240 --> 00:22:44,560 Speaker 5: with PAM so that you can't you can't get a 514 00:22:44,560 --> 00:22:47,320 Speaker 5: full grip your hands to slip off. I'm pretty sure 515 00:22:47,359 --> 00:22:50,359 Speaker 5: she was well lubricated so that the pads there. 516 00:22:50,280 --> 00:22:50,919 Speaker 4: Was no chafing. 517 00:22:51,200 --> 00:22:53,359 Speaker 3: Okay, she was in his skincare, is what you're saying. 518 00:22:54,200 --> 00:22:55,679 Speaker 3: She You don't have to throw gold ball on her 519 00:22:55,720 --> 00:22:56,560 Speaker 3: hips after y'all. 520 00:22:56,400 --> 00:22:59,080 Speaker 4: Were done, right, No, she was a LORI I'm model 521 00:22:59,080 --> 00:22:59,400 Speaker 4: for sure. 522 00:23:01,119 --> 00:23:02,800 Speaker 2: That's good to know. Well, we're glad that you know 523 00:23:03,080 --> 00:23:06,800 Speaker 2: the hips are safe and secure. Uh, and that she 524 00:23:06,920 --> 00:23:08,800 Speaker 2: was responsible enough to put them on the ceiling fan 525 00:23:08,880 --> 00:23:10,400 Speaker 2: so that no one would step on them and break 526 00:23:10,400 --> 00:23:10,879 Speaker 2: her hips. 527 00:23:11,840 --> 00:23:14,720 Speaker 3: Did your friend beat again? And did she have the 528 00:23:14,800 --> 00:23:15,800 Speaker 3: hips on the second time? 529 00:23:16,640 --> 00:23:18,720 Speaker 5: No? No, it was it was It was a one 530 00:23:18,760 --> 00:23:23,000 Speaker 5: time thing. My my friend still runs into her occasionally 531 00:23:23,040 --> 00:23:26,040 Speaker 5: and they exchange pleasantries. But no, that was it. 532 00:23:26,240 --> 00:23:27,040 Speaker 2: That's hilarious. 533 00:23:27,240 --> 00:23:29,560 Speaker 3: Now we gotta check for hips to break the touch 534 00:23:29,560 --> 00:23:31,680 Speaker 3: got maybe you gotta like you know the way out, 535 00:23:32,000 --> 00:23:36,000 Speaker 3: tap just the side mm hmmm, check of pockets. 536 00:23:37,440 --> 00:23:39,000 Speaker 2: Like what you're doing. Just make sure you ain't still 537 00:23:39,040 --> 00:23:40,159 Speaker 2: nothing yeah. 538 00:23:39,920 --> 00:23:42,560 Speaker 3: Or that you have real hips? Right well that unonymous guests, 539 00:23:42,560 --> 00:23:44,720 Speaker 3: We'll change your voice, and I'm sorry your friend had 540 00:23:44,760 --> 00:23:45,760 Speaker 3: to go through that traumatic time. 541 00:23:45,840 --> 00:23:48,119 Speaker 5: I need I need, I need to, I need to, 542 00:23:48,200 --> 00:23:51,240 Speaker 5: like the good witness protection. I'm testifying against the mob 543 00:23:51,359 --> 00:23:53,080 Speaker 5: voice for this entire conversation. 544 00:23:53,080 --> 00:23:54,400 Speaker 1: It's gonna sound really good and deep. 545 00:23:54,560 --> 00:23:54,879 Speaker 2: Got you. 546 00:23:55,520 --> 00:23:58,320 Speaker 3: I ain't want to know, Like, just told. 547 00:23:58,200 --> 00:24:00,280 Speaker 2: Me that it's gonna sound good and deep. 548 00:24:01,119 --> 00:24:03,080 Speaker 3: I just feel like a chick with fake hips should 549 00:24:03,119 --> 00:24:04,480 Speaker 3: not ask me to wear a condom? 550 00:24:04,840 --> 00:24:08,399 Speaker 2: WHOA well, no she had she might have a real STD. 551 00:24:09,160 --> 00:24:10,240 Speaker 2: She ain't got fake STD. 552 00:24:10,359 --> 00:24:12,280 Speaker 3: She might have a real But I feel like you're 553 00:24:12,280 --> 00:24:14,320 Speaker 3: not allowed to ask anything of me if you have 554 00:24:14,359 --> 00:24:15,520 Speaker 3: fake hips. 555 00:24:15,840 --> 00:24:17,360 Speaker 5: I feel like I feel like you do a woman 556 00:24:17,400 --> 00:24:17,880 Speaker 5: to fake hips. 557 00:24:17,920 --> 00:24:19,879 Speaker 4: You might fake a pregnancy, So I'm gonna wear a condom. 558 00:24:21,080 --> 00:24:23,360 Speaker 3: Yeah, I like that, but then she has to take 559 00:24:23,359 --> 00:24:25,840 Speaker 3: her pregnancy belly off next time. 560 00:24:25,880 --> 00:24:31,040 Speaker 2: You can't take that off if it's fake, you can't 561 00:24:31,080 --> 00:24:31,680 Speaker 2: take that off. 562 00:24:31,720 --> 00:24:33,359 Speaker 3: And you could tell her if she was pregnant. Hey, 563 00:24:33,359 --> 00:24:34,639 Speaker 3: you don't have child bearing hips, so we have to 564 00:24:34,680 --> 00:24:39,359 Speaker 3: get rid of this thing that is true. You have 565 00:24:39,400 --> 00:24:43,040 Speaker 3: a great day, sir, all right, I'll you. 566 00:24:43,040 --> 00:24:47,000 Speaker 2: So he has a lot of information about his friend 567 00:24:47,000 --> 00:24:50,359 Speaker 2: and his uh encounters with women. Yes, it's weird, weird 568 00:24:50,359 --> 00:24:52,080 Speaker 2: how he just knew everything that his friend was. 569 00:24:52,080 --> 00:24:53,800 Speaker 3: Because he I don't really talk to my friends about 570 00:24:53,920 --> 00:24:57,160 Speaker 3: the detail. Like his friend was very detailed with him. 571 00:24:57,200 --> 00:25:00,879 Speaker 3: Also over the weekend, I was unaware that ice Cube. 572 00:25:01,200 --> 00:25:05,040 Speaker 3: In the early two thousands, Executive produced a show I 573 00:25:05,040 --> 00:25:09,720 Speaker 3: think it was called Black and White where he takes 574 00:25:09,760 --> 00:25:12,679 Speaker 3: white people and puts them in black face, and he 575 00:25:12,720 --> 00:25:15,119 Speaker 3: takes black people and he puts them in white face, 576 00:25:15,680 --> 00:25:17,040 Speaker 3: and then they go about their lives. 577 00:25:18,320 --> 00:25:20,719 Speaker 1: This was on FX only went on for one season. 578 00:25:21,040 --> 00:25:21,720 Speaker 2: It's called Black. 579 00:25:21,760 --> 00:25:23,159 Speaker 3: They won an Emmy for makeup. 580 00:25:23,760 --> 00:25:25,800 Speaker 1: This is the treatment. What's it like to walk not 581 00:25:25,880 --> 00:25:28,840 Speaker 1: just in another man's shoes, but in another man's skin. 582 00:25:30,280 --> 00:25:32,560 Speaker 1: That's the question this series ask. Does it transform through 583 00:25:32,920 --> 00:25:36,240 Speaker 1: extense extensive makeup work, a black family into a white 584 00:25:36,240 --> 00:25:38,280 Speaker 1: family in rice versa? 585 00:25:38,960 --> 00:25:40,960 Speaker 3: I think we should ease off l O cool J 586 00:25:41,119 --> 00:25:46,000 Speaker 3: for accidental racist and put all our hate towards ice Cube. 587 00:25:46,200 --> 00:25:47,560 Speaker 2: I've never even saw that. 588 00:25:47,960 --> 00:25:48,520 Speaker 3: Neither did I. 589 00:25:48,880 --> 00:25:53,280 Speaker 1: The clip was on FX, Yeah, this was, yes, the clip. 590 00:25:53,000 --> 00:25:54,800 Speaker 3: Was going It was like a small clip the intro 591 00:25:54,920 --> 00:25:57,679 Speaker 3: ice Cube did. The theme song went sort of viral 592 00:25:57,720 --> 00:26:00,679 Speaker 3: on Twitter over the weekend and I posted it and 593 00:26:00,720 --> 00:26:02,600 Speaker 3: everyone's like, you don't remember this. I was like, dog, No, 594 00:26:02,680 --> 00:26:05,119 Speaker 3: I do not remember when ice Cube took white people 595 00:26:05,119 --> 00:26:07,359 Speaker 3: and black people and put them in black face in 596 00:26:07,400 --> 00:26:07,880 Speaker 3: white face. 597 00:26:07,960 --> 00:26:10,240 Speaker 2: No, I don't remember that at all on cable TV. 598 00:26:10,680 --> 00:26:10,960 Speaker 1: I don't. 599 00:26:11,960 --> 00:26:13,000 Speaker 2: And that was only one season. 600 00:26:13,040 --> 00:26:14,760 Speaker 1: It's only one season, six episodes. 601 00:26:15,200 --> 00:26:17,040 Speaker 3: I can't believe it didn't get picked up for a 602 00:26:17,040 --> 00:26:17,520 Speaker 3: second season. 603 00:26:17,520 --> 00:26:19,480 Speaker 2: Are we able? Can we like find that online and 604 00:26:19,520 --> 00:26:20,120 Speaker 2: watch it? Now? 605 00:26:21,800 --> 00:26:23,400 Speaker 1: That's a great question. I feel like you can. 606 00:26:23,520 --> 00:26:25,040 Speaker 2: I would love to see that. I just I just 607 00:26:25,040 --> 00:26:26,399 Speaker 2: need to see that. I just need to see it. 608 00:26:26,440 --> 00:26:29,680 Speaker 1: You definitely, you definitely can. And it's call on Amazon Prime. 609 00:26:29,600 --> 00:26:30,600 Speaker 2: And it's called black and White. 610 00:26:30,640 --> 00:26:33,439 Speaker 1: It's called black dot White. God yes, so yeah, and 611 00:26:33,480 --> 00:26:36,440 Speaker 1: then the opening theme is called race Card by ice Cube. 612 00:26:38,359 --> 00:26:40,439 Speaker 2: Well, I think we I don't know how we missed that, 613 00:26:40,480 --> 00:26:41,679 Speaker 2: but we need to revisit. 614 00:26:41,680 --> 00:26:44,400 Speaker 3: It appears that they have full episodes on YouTube. 615 00:26:44,720 --> 00:26:47,399 Speaker 2: Oh perfect, Oh, I'm definitely watching that. 616 00:26:47,480 --> 00:26:48,480 Speaker 3: Let's let's get a little taste. 617 00:26:48,520 --> 00:26:50,720 Speaker 2: Name was Bruno and I became a black person. 618 00:26:53,200 --> 00:26:56,720 Speaker 3: That episode one, season one, how they pop it off 619 00:26:56,960 --> 00:26:59,879 Speaker 3: and if you can see this fucking visual, Yeah. 620 00:27:00,080 --> 00:27:02,720 Speaker 1: One knew that I was actually black when I have 621 00:27:02,800 --> 00:27:03,879 Speaker 1: my white make on one. 622 00:27:04,119 --> 00:27:04,879 Speaker 4: For six weeks. 623 00:27:04,960 --> 00:27:08,240 Speaker 2: Two families, my family and a black family got together 624 00:27:08,280 --> 00:27:09,720 Speaker 2: in a house in the valley in l A. 625 00:27:09,960 --> 00:27:11,600 Speaker 3: And we decided to swap races. 626 00:27:13,040 --> 00:27:16,520 Speaker 5: Would go into makeup and become the opposite race. 627 00:27:17,160 --> 00:27:21,080 Speaker 4: We became black, they became white. Then we moved in together, 628 00:27:21,200 --> 00:27:22,959 Speaker 4: were talking, living together. 629 00:27:23,200 --> 00:27:26,040 Speaker 3: You know, it's not like you know, you go see 630 00:27:26,119 --> 00:27:28,040 Speaker 3: him for a little party, get together and they go 631 00:27:28,080 --> 00:27:29,200 Speaker 3: there way and we go our way. 632 00:27:29,359 --> 00:27:31,200 Speaker 4: No at night, we all live on. 633 00:27:32,000 --> 00:27:35,960 Speaker 3: Just don't understand how you could make America's Most Wanted 634 00:27:36,240 --> 00:27:41,479 Speaker 3: and then make this show is literally in living color, Chan, 635 00:27:42,320 --> 00:27:45,800 Speaker 3: this is I want to get to the theme song. 636 00:27:46,520 --> 00:27:47,600 Speaker 2: Wait, he has a theme song? 637 00:27:47,680 --> 00:27:48,880 Speaker 1: Yeah, that's the race card. 638 00:27:50,119 --> 00:27:54,480 Speaker 2: Black as Midnight or bright as snow white have to 639 00:27:54,560 --> 00:27:55,120 Speaker 2: take flight. 640 00:27:57,160 --> 00:28:01,800 Speaker 1: To take flight, if. 641 00:28:01,640 --> 00:28:08,080 Speaker 2: You a zebra, you better come out from the stripes. Nah, 642 00:28:08,119 --> 00:28:11,200 Speaker 2: we gotta get our own TV show. If that got cleared. 643 00:28:11,760 --> 00:28:13,000 Speaker 2: We definitely have to get our own TV. 644 00:28:13,920 --> 00:28:16,360 Speaker 3: And I believe Charles Barkley was involved with it as well. 645 00:28:17,359 --> 00:28:18,240 Speaker 3: I'm pretty sure he was. 646 00:28:18,359 --> 00:28:19,320 Speaker 2: Wait, he was on it. 647 00:28:19,840 --> 00:28:22,000 Speaker 3: No, I think he was a producer on it. 648 00:28:22,720 --> 00:28:24,800 Speaker 2: But Charles Barkley would be a producer on a show. 649 00:28:24,640 --> 00:28:25,520 Speaker 3: Like that would make sense. 650 00:28:25,560 --> 00:28:29,960 Speaker 2: But commit to this and and have a theme song 651 00:28:30,040 --> 00:28:30,280 Speaker 2: to it. 652 00:28:30,520 --> 00:28:33,000 Speaker 1: Yeah, what would you do if you were a white 653 00:28:33,000 --> 00:28:33,400 Speaker 1: for a day. 654 00:28:33,880 --> 00:28:36,680 Speaker 2: If I was white for a day, yeah, I probably 655 00:28:36,720 --> 00:28:38,960 Speaker 2: walk to every bank and make a withdrawal. 656 00:28:40,520 --> 00:28:43,400 Speaker 3: I listened to that intro and thought maybe Jerry Heller 657 00:28:43,440 --> 00:28:43,880 Speaker 3: had a point. 658 00:28:47,160 --> 00:28:50,400 Speaker 2: Okay, not mad at the thinking behind that, Not mad 659 00:28:50,440 --> 00:28:51,560 Speaker 2: at the thinking behind that. 660 00:28:51,960 --> 00:28:54,360 Speaker 3: Very I was very anti Jerry for a long time. 661 00:28:55,160 --> 00:28:57,120 Speaker 3: I think Jerry saw this coming and was like, you 662 00:28:57,160 --> 00:28:59,040 Speaker 3: know what, guys, this is what we gotta get this guy. 663 00:28:59,080 --> 00:29:01,480 Speaker 2: We gotta get this guy out. Absolutely, I'll get what 664 00:29:01,520 --> 00:29:04,160 Speaker 2: you're saying that that's disturbing. I never knew about that show, 665 00:29:04,240 --> 00:29:06,160 Speaker 2: never watch it. I'm definitely gonna watch it now though, 666 00:29:06,200 --> 00:29:09,560 Speaker 2: because that just seems like it was I don't even 667 00:29:09,600 --> 00:29:13,240 Speaker 2: know how they got okayed and cleared too for production, 668 00:29:13,400 --> 00:29:15,840 Speaker 2: Like that's just a weird and I know years of 669 00:29:15,840 --> 00:29:16,440 Speaker 2: two thousand and. 670 00:29:16,480 --> 00:29:18,720 Speaker 3: Six, the world was a lot different, very much. 671 00:29:18,760 --> 00:29:20,080 Speaker 2: I'm pretty sure if we go back and look at 672 00:29:20,120 --> 00:29:21,840 Speaker 2: a lot of shows back then, it's gonna be a 673 00:29:21,840 --> 00:29:24,200 Speaker 2: bunch of shows that were like, how the fuck did 674 00:29:24,200 --> 00:29:26,920 Speaker 2: they clear this show? But coming from ice Cube, that's 675 00:29:26,960 --> 00:29:28,479 Speaker 2: a little that's crazy. 676 00:29:28,520 --> 00:29:32,000 Speaker 3: I'm just seeing everyone in Hollywood in six like this 677 00:29:32,120 --> 00:29:33,120 Speaker 3: is so progressive. 678 00:29:33,880 --> 00:29:37,760 Speaker 2: Black face, it's never progressive. 679 00:29:37,840 --> 00:29:40,480 Speaker 3: Finally we could do a show that brings some change. 680 00:29:41,160 --> 00:29:42,560 Speaker 2: One season, six episodes. 681 00:29:42,920 --> 00:29:45,040 Speaker 1: Wow, that's interesting a long time. 682 00:29:45,360 --> 00:29:47,880 Speaker 2: That's a lot of episodes and on effects. 683 00:29:48,560 --> 00:29:50,280 Speaker 1: What's on effects in two thousand and six. 684 00:29:50,960 --> 00:29:51,920 Speaker 3: That's a really good question. 685 00:29:52,200 --> 00:29:54,080 Speaker 2: I don't know, but I'm gonna keep letting people know 686 00:29:54,120 --> 00:29:56,760 Speaker 2: that Married with Children is the sickest show that has 687 00:29:56,840 --> 00:30:01,960 Speaker 2: ever ever been cleared for production. That show is insane 688 00:30:01,960 --> 00:30:03,480 Speaker 2: and I love it. I love every minute of it. 689 00:30:03,520 --> 00:30:04,480 Speaker 3: Well, why do you think it's crazy? 690 00:30:04,560 --> 00:30:06,920 Speaker 2: Did we talk about this? I don't know if we did, 691 00:30:06,960 --> 00:30:09,520 Speaker 2: but it's just some of the things that I was 692 00:30:09,560 --> 00:30:15,000 Speaker 2: getting off on that show. Dog, you would be canceled 693 00:30:15,360 --> 00:30:18,240 Speaker 2: the first episode of twenty twenty two. Yeah, you could 694 00:30:18,240 --> 00:30:20,800 Speaker 2: say I'm talking about the first episode, like I get 695 00:30:20,800 --> 00:30:21,880 Speaker 2: this show the fuck out of here. 696 00:30:22,080 --> 00:30:22,400 Speaker 3: Yeah. 697 00:30:22,560 --> 00:30:25,320 Speaker 2: I was that character. The shit he was saying to 698 00:30:25,360 --> 00:30:28,280 Speaker 2: his kids and his wife and his neighbors. It's like, Bro, 699 00:30:28,360 --> 00:30:30,120 Speaker 2: this shouldn't be on This shouldn't be on television. 700 00:30:30,160 --> 00:30:33,120 Speaker 1: Hold on, hold on, hold on. I just saw there's 701 00:30:33,160 --> 00:30:37,560 Speaker 1: an episode called Turning Japanese on the Black and White No, 702 00:30:37,720 --> 00:30:38,680 Speaker 1: and married with Children. 703 00:30:38,760 --> 00:30:40,600 Speaker 2: Oh, bro, listen, that's a great song. 704 00:30:40,800 --> 00:30:40,960 Speaker 4: Way. 705 00:30:41,280 --> 00:30:45,840 Speaker 1: Yeah, I think I'm turning Japanese and things are really things. 706 00:30:46,120 --> 00:30:46,960 Speaker 2: Whose song is that? 707 00:30:47,920 --> 00:30:48,840 Speaker 3: You don't remember that song? 708 00:30:49,400 --> 00:30:49,640 Speaker 2: No? 709 00:30:49,880 --> 00:30:52,400 Speaker 1: Yeah, that's a legit song from who. 710 00:30:53,160 --> 00:30:54,200 Speaker 3: I don't know, but it was like one of the 711 00:30:54,240 --> 00:30:57,040 Speaker 3: biggest songs ever the vapors. That shit was up there 712 00:30:57,080 --> 00:31:00,720 Speaker 3: with like the Barbie Girls on now Now in retrospect, 713 00:31:00,760 --> 00:31:03,640 Speaker 3: Turning Japanese, it is a pretty racist song. 714 00:31:04,040 --> 00:31:06,720 Speaker 2: So I'm just gone. 715 00:31:07,160 --> 00:31:08,760 Speaker 3: At the time, it was just fun to say. 716 00:31:09,200 --> 00:31:11,120 Speaker 1: I think he fell in love with God with a 717 00:31:11,200 --> 00:31:14,960 Speaker 1: Japanese woman. Oh, it just starts racist, crazy way to 718 00:31:15,000 --> 00:31:15,360 Speaker 1: start that. 719 00:31:18,280 --> 00:31:21,720 Speaker 3: I remember Peach Boys, Yeah, I remember the song meets 720 00:31:21,800 --> 00:31:26,640 Speaker 3: Chinatown well Japan, I know, but it's the same. Remember 721 00:31:27,280 --> 00:31:28,720 Speaker 3: it's the same, It's. 722 00:31:31,200 --> 00:31:35,320 Speaker 2: You know, it's the same. 723 00:31:40,680 --> 00:31:43,080 Speaker 1: Yeah, crazy guh. 724 00:31:43,120 --> 00:31:44,840 Speaker 2: So yes, imagine just going to the booth and just 725 00:31:44,880 --> 00:31:48,600 Speaker 2: yelling at Married with Children is one of the sickest 726 00:31:48,600 --> 00:31:52,880 Speaker 2: shows ever produced, ever shot, ever aired on television history 727 00:31:53,120 --> 00:31:53,520 Speaker 2: by far. 728 00:31:53,600 --> 00:31:56,080 Speaker 1: I'm looking at a list from screen Rant and their 729 00:31:56,160 --> 00:31:59,080 Speaker 1: number one episode is nine to seven six shoe. Do 730 00:31:59,080 --> 00:32:01,360 Speaker 1: you know what that is? Yes, while Steve is trying 731 00:32:01,360 --> 00:32:03,240 Speaker 1: to win a trip to Hawaii by doling out a 732 00:32:03,320 --> 00:32:06,880 Speaker 1: bunch of bank loans, he foolishly grants one to Al, 733 00:32:07,120 --> 00:32:11,040 Speaker 1: and Al's hair braided scheme was to have a shoe hotline? Right, 734 00:32:11,080 --> 00:32:14,280 Speaker 1: Who's gonna call a highline dedicated? Full weear? I mean 735 00:32:14,400 --> 00:32:15,480 Speaker 1: in twenty twenty two. 736 00:32:16,120 --> 00:32:17,960 Speaker 2: No, Married with Children is the craziest show ever. 737 00:32:18,040 --> 00:32:20,600 Speaker 1: I could see that that in All. 738 00:32:20,480 --> 00:32:21,080 Speaker 2: In the Family. 739 00:32:21,280 --> 00:32:22,840 Speaker 3: All in the Family was just like I never I 740 00:32:22,880 --> 00:32:24,280 Speaker 3: never got into it in the Family. 741 00:32:25,040 --> 00:32:28,680 Speaker 2: Good because you might have been a different white adult 742 00:32:28,760 --> 00:32:32,280 Speaker 2: male had you grew up watching that show. All in 743 00:32:32,280 --> 00:32:35,000 Speaker 2: the Family was. That show was this. 744 00:32:35,040 --> 00:32:37,760 Speaker 1: Untry Bunker is a loud mouthed, uneducated biggot who believes 745 00:32:37,760 --> 00:32:41,520 Speaker 1: in area and every stereotype he has ever heard. And 746 00:32:41,560 --> 00:32:42,200 Speaker 1: his wife Edith. 747 00:32:42,320 --> 00:32:46,280 Speaker 3: They should a reboot No with Roseanna, they can't do Ooh, 748 00:32:46,600 --> 00:32:48,120 Speaker 3: that show would never see the light of day. 749 00:32:48,480 --> 00:32:50,040 Speaker 2: All in the family would never see the light of 750 00:32:50,080 --> 00:32:51,080 Speaker 2: day in twenty twenty two. 751 00:32:51,120 --> 00:32:53,120 Speaker 3: Never, don't even thinkoska see the light of day in 752 00:32:53,160 --> 00:32:53,840 Speaker 3: twenty twenty two. 753 00:32:54,000 --> 00:32:58,440 Speaker 1: What HBO has like a they give him their thing. 754 00:32:58,560 --> 00:33:02,160 Speaker 3: The amount of homophobic things that were said on that show. 755 00:33:02,600 --> 00:33:12,880 Speaker 2: Yeah, I get it. Money Long artists that we all 756 00:33:13,000 --> 00:33:18,520 Speaker 2: like and and support. She posted something I guess it 757 00:33:18,560 --> 00:33:21,200 Speaker 2: was on her TikTok Okay, it looks like a TikTok video. 758 00:33:21,440 --> 00:33:22,320 Speaker 3: Are you on TikTok yet? 759 00:33:22,400 --> 00:33:25,520 Speaker 2: No? I'm not on TikTok. She posted a video and 760 00:33:25,560 --> 00:33:28,000 Speaker 2: said The video caption says she's on the video applying 761 00:33:28,840 --> 00:33:33,600 Speaker 2: chapstick and playing a lovely tune in the background, and 762 00:33:34,040 --> 00:33:36,560 Speaker 2: the caption reads that one time in two thousand and 763 00:33:36,600 --> 00:33:39,240 Speaker 2: eight I missed out on a Drake feature because my 764 00:33:39,280 --> 00:33:42,160 Speaker 2: boyfriend at the time found out that he was pulling 765 00:33:42,240 --> 00:33:44,720 Speaker 2: up to the studio and flew into a jealous rage. 766 00:33:45,080 --> 00:33:48,400 Speaker 2: So I chickened out and quit responding to his texts. 767 00:33:49,480 --> 00:33:54,080 Speaker 2: Wait two thousand and eight, money Long says her boyfriend 768 00:33:54,080 --> 00:33:56,800 Speaker 2: flew into a jealous rage in two thousand and eight 769 00:33:57,040 --> 00:34:00,400 Speaker 2: over Drake. I have a couple of questions before take 770 00:34:00,480 --> 00:34:04,200 Speaker 2: care or thank me later, or any of these wonderful, 771 00:34:04,200 --> 00:34:06,480 Speaker 2: amazing bodies of work was released. 772 00:34:07,960 --> 00:34:12,480 Speaker 3: Jealous being jealous give the comeback season Drake? Well, I 773 00:34:12,520 --> 00:34:15,120 Speaker 3: mean being jealous of the guy rapping over Dilla beats. 774 00:34:15,960 --> 00:34:18,239 Speaker 2: Jealous is jealous. It doesn't matter, it doesn't matter the 775 00:34:18,280 --> 00:34:21,479 Speaker 2: guy's success. If a boyfriend is jealous, he's jealous. It's 776 00:34:21,560 --> 00:34:24,080 Speaker 2: just funny because it is the boyfriend the genius. Did 777 00:34:24,080 --> 00:34:26,600 Speaker 2: he see where Drake was headed? Did he see the 778 00:34:26,640 --> 00:34:27,520 Speaker 2: heights that he was headed to? 779 00:34:27,600 --> 00:34:31,040 Speaker 3: And he's holding his girl back? I mean he should 780 00:34:31,040 --> 00:34:31,919 Speaker 3: have managed Drake. 781 00:34:32,160 --> 00:34:33,719 Speaker 2: Yeah, I mean he probably saw. He was like, no, 782 00:34:33,880 --> 00:34:36,000 Speaker 2: that guy's headed places, and I ain't. 783 00:34:35,800 --> 00:34:38,800 Speaker 3: Shit at that point he was wheelchair. 784 00:34:38,160 --> 00:34:41,239 Speaker 2: Jimmy was how old? How old is money? 785 00:34:41,239 --> 00:34:41,439 Speaker 5: Long? 786 00:34:41,920 --> 00:34:44,200 Speaker 2: First, because we have to know how she's two thousand 787 00:34:44,200 --> 00:34:44,640 Speaker 2: and eight. 788 00:34:44,480 --> 00:34:46,160 Speaker 3: But she's been around writing for a while, Like, I 789 00:34:46,200 --> 00:34:48,280 Speaker 3: don't think she's a young new artist in that No, no. 790 00:34:48,040 --> 00:34:49,680 Speaker 2: No, but she this was fourteen years ago. 791 00:34:49,960 --> 00:34:50,799 Speaker 1: Oh she's thirty three. 792 00:34:50,920 --> 00:34:52,759 Speaker 2: She's thirty three, Okay, so she was nineteen, let's say 793 00:34:52,760 --> 00:34:57,160 Speaker 2: twenty at the time. Come on, man, like you can't yo. 794 00:34:57,239 --> 00:34:59,319 Speaker 2: Your boyfriend went into a jealous rage. You were like 795 00:34:59,360 --> 00:35:02,320 Speaker 2: the youngest firing artists who particularly. 796 00:35:01,840 --> 00:35:07,040 Speaker 3: Hurt the feature that Champagne. So imagine going to a 797 00:35:07,080 --> 00:35:10,040 Speaker 3: jealous rage over the future baby. 798 00:35:10,120 --> 00:35:13,200 Speaker 1: It's crazy that you're playing guitar. I'll tell you what metafor, 799 00:35:13,280 --> 00:35:15,680 Speaker 1: did I lose your baby? 800 00:35:16,840 --> 00:35:18,759 Speaker 2: I just thought that this was funny because it just, 801 00:35:18,840 --> 00:35:22,560 Speaker 2: you know, you could tell that she realizes, like that 802 00:35:22,719 --> 00:35:23,960 Speaker 2: was so fucking stupid. 803 00:35:24,239 --> 00:35:26,200 Speaker 1: You guys don't how they met, but like, what if? 804 00:35:26,440 --> 00:35:29,560 Speaker 2: Probably on my face that's we're all aspiring artists were 805 00:35:29,560 --> 00:35:31,759 Speaker 2: meeting each other at they have their songs in their eyes, 806 00:35:31,800 --> 00:35:33,719 Speaker 2: face like, oh we should we should, Lincoln Bill, we 807 00:35:33,719 --> 00:35:34,239 Speaker 2: should work. 808 00:35:34,480 --> 00:35:36,600 Speaker 3: I'm just saying, like what if? What would he have 809 00:35:36,600 --> 00:35:38,520 Speaker 3: done if like Hurricane Chris was about to pull up? 810 00:35:38,719 --> 00:35:41,160 Speaker 3: You know, this is what I'm saying, is he would 811 00:35:41,160 --> 00:35:44,520 Speaker 3: have lost his a bababy fucking mind getting. 812 00:35:44,320 --> 00:35:46,600 Speaker 2: Jealous of your of your girl having a potential feature 813 00:35:46,640 --> 00:35:49,640 Speaker 2: with Drake in two thousand and eight is extremely fucking crazy. 814 00:35:49,840 --> 00:35:52,400 Speaker 3: Well, first of all, let's look, let's not just put 815 00:35:52,440 --> 00:35:54,840 Speaker 3: this on the jealous boyfriend. We haven't gotten his side. 816 00:35:55,360 --> 00:35:56,759 Speaker 3: She could have been being a little hussy in the 817 00:35:56,760 --> 00:35:58,520 Speaker 3: studio and even know what artist was coming. He just 818 00:35:58,600 --> 00:35:59,799 Speaker 3: knew an artist was coming. 819 00:35:59,640 --> 00:36:02,439 Speaker 1: So they meant because she had did a guitar cover 820 00:36:02,840 --> 00:36:05,480 Speaker 1: of Best I Ever Had in two thousand and nine, 821 00:36:06,160 --> 00:36:09,480 Speaker 1: so that's and he reached out to her after that. 822 00:36:09,920 --> 00:36:12,200 Speaker 1: He said, yo, I love what you did with the song, 823 00:36:12,480 --> 00:36:14,240 Speaker 1: and then he gave her his number. 824 00:36:14,840 --> 00:36:18,000 Speaker 3: Oh so this was post best I've had. Okay, I 825 00:36:18,000 --> 00:36:21,480 Speaker 3: get the jealous ragel. I understand that at that point. Yeah, 826 00:36:21,480 --> 00:36:23,080 Speaker 3: but if you're a girl, that's that's some hate shit. 827 00:36:23,120 --> 00:36:25,880 Speaker 3: That's a really insecure, nasty ship. That's what I'm saying 828 00:36:25,920 --> 00:36:26,640 Speaker 3: for your girl is. 829 00:36:27,000 --> 00:36:29,440 Speaker 2: One thousand percent. She has an opportunity to do a 830 00:36:29,520 --> 00:36:33,319 Speaker 2: feature with an artist who is probably the hottest artist 831 00:36:33,320 --> 00:36:35,640 Speaker 2: at the moment. Yeah, at that time, you should be 832 00:36:35,680 --> 00:36:37,600 Speaker 2: happy for your girl and support that. And if you 833 00:36:38,280 --> 00:36:40,719 Speaker 2: it's very simple. If you're jealous because your girl is 834 00:36:40,760 --> 00:36:45,120 Speaker 2: doing a song with an artist, then it sounds like 835 00:36:45,160 --> 00:36:48,080 Speaker 2: you don't trust your girl. It sounds like you have 836 00:36:48,080 --> 00:36:51,279 Speaker 2: trust is usually insecure. You don't need to be in 837 00:36:51,320 --> 00:36:53,560 Speaker 2: a relationship and you need to work on yourself a. 838 00:36:53,600 --> 00:36:55,799 Speaker 3: Lot or just go to the session though. 839 00:36:56,160 --> 00:36:58,080 Speaker 2: But you can't do that either though, because now you're 840 00:36:58,080 --> 00:37:01,680 Speaker 2: sitting in there the energy is weird. Ice girl and Drake. 841 00:37:02,200 --> 00:37:04,840 Speaker 2: You're looking at your girl funny. It's like you can't. 842 00:37:05,120 --> 00:37:06,359 Speaker 2: Nobody wants to create a right now. 843 00:37:06,520 --> 00:37:08,719 Speaker 3: You no duets, just want to be no duets. You 844 00:37:09,160 --> 00:37:12,080 Speaker 3: do your verse, You do your verse, you separate books. 845 00:37:12,120 --> 00:37:14,719 Speaker 2: You've definitely been in the studio where an artist has 846 00:37:14,719 --> 00:37:16,080 Speaker 2: had her boyfriend. 847 00:37:16,040 --> 00:37:18,480 Speaker 3: Or I hate, I can't stand it, and it's just 848 00:37:18,520 --> 00:37:21,640 Speaker 3: like it's weird, but it's it's weird when they text 849 00:37:21,680 --> 00:37:24,560 Speaker 3: you like going to work on just some complete platonic 850 00:37:24,640 --> 00:37:26,439 Speaker 3: let's get some work done. Shit, it's still is weird, 851 00:37:26,520 --> 00:37:28,879 Speaker 3: Like is it cool if my boyfriend comes? Because then 852 00:37:28,880 --> 00:37:30,759 Speaker 3: you can't be weird and be like no, because then 853 00:37:31,040 --> 00:37:33,319 Speaker 3: then you look weird. But in my mind all the time, 854 00:37:33,400 --> 00:37:36,719 Speaker 3: like please, just like it's so awkward every time the boyfriend. 855 00:37:36,840 --> 00:37:37,959 Speaker 3: The boyfriend's never cool. 856 00:37:38,000 --> 00:37:38,480 Speaker 2: It's extreme. 857 00:37:38,520 --> 00:37:42,960 Speaker 3: He always has the worst ideas, extreme, like every little like, yo, 858 00:37:43,000 --> 00:37:44,719 Speaker 3: how do we do? How about you shut the fuck up? 859 00:37:44,719 --> 00:37:46,839 Speaker 2: Because you and you can't. You're a huber driver, right, 860 00:37:47,000 --> 00:37:49,160 Speaker 2: you can't say that because then now the girlfriend is 861 00:37:49,200 --> 00:37:51,160 Speaker 2: like she has to say something to you. It's just 862 00:37:51,200 --> 00:37:54,239 Speaker 2: you should never ever bring your significant other to a 863 00:37:54,360 --> 00:37:57,919 Speaker 2: recording session. I don't what's it's work. I tell people 864 00:37:57,880 --> 00:37:59,959 Speaker 2: all the time, like, it's literally, it's work. It's a job. 865 00:38:00,440 --> 00:38:02,920 Speaker 2: You should not be bringing your boyfriend or your girlfriend 866 00:38:03,000 --> 00:38:06,080 Speaker 2: to work. I just don't see the point in doing that. 867 00:38:07,080 --> 00:38:08,960 Speaker 2: So money long, I guess this video was a video 868 00:38:09,000 --> 00:38:11,319 Speaker 2: for I wonder if she's spoken to Drake since I'm 869 00:38:11,360 --> 00:38:11,759 Speaker 2: sure she. 870 00:38:11,719 --> 00:38:14,120 Speaker 3: Has, Oh you know his pettias DM here after he 871 00:38:14,160 --> 00:38:14,480 Speaker 3: saw that. 872 00:38:14,680 --> 00:38:16,680 Speaker 2: Oh no, I'm sure. I'm sure that they spoke way 873 00:38:16,680 --> 00:38:19,319 Speaker 2: before this. I think this was just her first time 874 00:38:19,360 --> 00:38:21,239 Speaker 2: putting it out there publicly, but I'm sure that they've 875 00:38:21,280 --> 00:38:24,720 Speaker 2: spoken since two thousand and eight. Because he was jealous, 876 00:38:24,719 --> 00:38:25,239 Speaker 2: she said it. 877 00:38:26,000 --> 00:38:27,880 Speaker 1: Like why did she put it? Like, oh, so that's it? 878 00:38:27,920 --> 00:38:29,800 Speaker 2: Oh why she put this video? I mean she probably 879 00:38:29,800 --> 00:38:32,000 Speaker 2: that's probably I don't know if they if they ever spoke. 880 00:38:32,239 --> 00:38:34,960 Speaker 2: This is probably her way of hoping Drake saw this 881 00:38:35,040 --> 00:38:38,720 Speaker 2: and explaining how you know what happen, because she basically 882 00:38:38,719 --> 00:38:41,080 Speaker 2: says she just stopped answering the text messages. She went't 883 00:38:41,080 --> 00:38:41,640 Speaker 2: ghost on Drake. 884 00:38:41,640 --> 00:38:43,560 Speaker 3: Basically, she got to take accountability on that shit though. 885 00:38:43,840 --> 00:38:45,880 Speaker 2: And if I'm Drake, I'm charging her for the studio 886 00:38:45,920 --> 00:38:47,719 Speaker 2: time that I probably booked. I'm like, nah, that's cool 887 00:38:47,719 --> 00:38:49,640 Speaker 2: that you in ghost, but you're sitting at sitt that 888 00:38:49,680 --> 00:38:51,600 Speaker 2: three fifty. 889 00:38:51,400 --> 00:38:53,600 Speaker 3: And wouldn't you think though, maybe I shouldn't be in 890 00:38:53,640 --> 00:38:56,879 Speaker 3: this relationship if my partner is upset that I'm about 891 00:38:56,920 --> 00:38:58,960 Speaker 3: to work with one of the hottest artists out Like, 892 00:38:58,960 --> 00:39:00,000 Speaker 3: what do you want from my career? 893 00:39:00,239 --> 00:39:02,279 Speaker 1: Well, I'm pretty sure even in two thousand and eight 894 00:39:02,280 --> 00:39:03,399 Speaker 1: he was No. 895 00:39:03,400 --> 00:39:05,360 Speaker 3: You're saying that after Best I Ever had it was 896 00:39:05,520 --> 00:39:08,080 Speaker 3: no more record I was making because you said, oh wait, 897 00:39:08,080 --> 00:39:09,040 Speaker 3: I thought it was comeback season. 898 00:39:09,200 --> 00:39:11,319 Speaker 2: So then she must have got the year wrong because 899 00:39:11,320 --> 00:39:12,560 Speaker 2: she said two thousand and eight. 900 00:39:12,960 --> 00:39:15,160 Speaker 3: And in the caption and if they connected off the 901 00:39:15,160 --> 00:39:17,920 Speaker 3: Best I Ever Had cover, then yeah that was after 902 00:39:18,239 --> 00:39:21,000 Speaker 3: so far Going and that was nine. But well come 903 00:39:21,040 --> 00:39:21,600 Speaker 3: back seasons like. 904 00:39:21,640 --> 00:39:23,400 Speaker 2: It's an ex boyfriend and she put a bunch of 905 00:39:23,400 --> 00:39:25,719 Speaker 2: clown emojis, so you know you know what that means? 906 00:39:25,719 --> 00:39:26,120 Speaker 1: It's over. 907 00:39:26,280 --> 00:39:28,760 Speaker 2: Yeah. I just thought that that was an interesting story. 908 00:39:31,200 --> 00:39:37,040 Speaker 3: That's fucking hysterical. We care pausible. 909 00:39:40,800 --> 00:39:41,840 Speaker 2: Y'all want to talk about. 910 00:39:42,280 --> 00:39:47,040 Speaker 1: Influencer when that stabed their boyfriend or is that too? 911 00:39:47,120 --> 00:39:49,840 Speaker 2: Like said, no, I mean we we it came this 912 00:39:50,000 --> 00:39:52,080 Speaker 2: was like almost two weeks old now, so we definitely 913 00:39:52,120 --> 00:39:54,400 Speaker 2: need to talk about it. Where is it that I 914 00:39:54,440 --> 00:39:55,320 Speaker 2: got it right? 915 00:40:01,680 --> 00:40:02,160 Speaker 1: Courtney? 916 00:40:02,680 --> 00:40:07,040 Speaker 3: Imagine imagine Drake going in that session with her and 917 00:40:08,000 --> 00:40:09,799 Speaker 3: cutting this record and her boyfriend here that shit. 918 00:40:13,480 --> 00:40:15,239 Speaker 2: Naw, you gotta get down with Drake. If he start 919 00:40:15,280 --> 00:40:17,359 Speaker 2: doing that while you're in there with your girl, If. 920 00:40:17,520 --> 00:40:19,279 Speaker 3: If you and my girl and come out with the record, 921 00:40:19,320 --> 00:40:20,960 Speaker 3: don't you have a man, No, you gotta get down. 922 00:40:20,960 --> 00:40:25,120 Speaker 3: I'm a fight, oh man. 923 00:40:25,920 --> 00:40:29,919 Speaker 2: Pittsburgh Steelers quarterback Dwayne Haskins dies after being struck by 924 00:40:29,960 --> 00:40:33,359 Speaker 2: a dump truck. Pittsburgh still has quarterback Dayne. Haskins died 925 00:40:33,400 --> 00:40:35,799 Speaker 2: early Saturday morning after he was struck by a dump 926 00:40:35,840 --> 00:40:38,080 Speaker 2: truck while he was walking on a South Florida highway. 927 00:40:38,400 --> 00:40:41,160 Speaker 2: Haskins was only twenty four years old. Florida Highway Patrol 928 00:40:41,200 --> 00:40:45,839 Speaker 2: spokesperson Lieutenant Indiana Miranda said Haskins was pronounced dead at 929 00:40:45,840 --> 00:40:48,479 Speaker 2: the scene. He was attempting to cross the westbound lanes 930 00:40:48,480 --> 00:40:51,000 Speaker 2: of Interstate five ninety five when there was oncoming traffic. 931 00:40:51,360 --> 00:40:53,799 Speaker 2: Miranda said in an email statement. She didn't say why 932 00:40:53,840 --> 00:40:55,600 Speaker 2: Haskins was on the highway near Fort Lauda or a 933 00:40:55,960 --> 00:40:58,840 Speaker 2: Fort Lauderdale at the time. The accident caused the highway 934 00:40:58,880 --> 00:41:01,640 Speaker 2: to be shut down for several and Miranda said it's 935 00:41:01,680 --> 00:41:05,759 Speaker 2: an open traffic homicide investigation. Haskins was training in South 936 00:41:05,760 --> 00:41:09,240 Speaker 2: Florida with other Steelers quarterbacks, running backs, and wide receivers. 937 00:41:10,160 --> 00:41:12,000 Speaker 2: I am devastated and at a loss for words with 938 00:41:12,000 --> 00:41:15,440 Speaker 2: the unfortunate passion of Dwayne Haskins, Steelers coach Mike Tomlin 939 00:41:15,480 --> 00:41:17,799 Speaker 2: said in a statement. He quickly became part of our 940 00:41:17,800 --> 00:41:20,239 Speaker 2: Steeler's family upon his arrival in Pittsburgh and was one 941 00:41:20,239 --> 00:41:22,560 Speaker 2: of our hardest workers, both on the field and in 942 00:41:22,600 --> 00:41:25,319 Speaker 2: our community. Dwayne was a great teammate, but even more 943 00:41:25,360 --> 00:41:28,440 Speaker 2: so a tremendous friend to so many. I am truly heartbroken. 944 00:41:28,520 --> 00:41:31,440 Speaker 2: Our thoughts and prayers are with his wife, Calabria and 945 00:41:31,520 --> 00:41:35,000 Speaker 2: his entire family during this difficult time. After standing out 946 00:41:35,040 --> 00:41:38,320 Speaker 2: twenty eighteen season at Ohio State, Haskins was the fifteenth 947 00:41:38,440 --> 00:41:42,440 Speaker 2: overall selection by the Washington Commanders in the two twenty 948 00:41:42,560 --> 00:41:46,279 Speaker 2: nineteen draft. Haskins spent two turbulent seasons with Washington before 949 00:41:46,320 --> 00:41:51,359 Speaker 2: signing in Pittsburgh before last season. Really sad enough, Yeah, 950 00:41:51,400 --> 00:41:56,600 Speaker 2: this is a sad, sad tragic accident, only twenty four 951 00:41:56,680 --> 00:42:00,520 Speaker 2: years old, entire career ahead of him. I can only 952 00:42:00,520 --> 00:42:03,680 Speaker 2: assume that he was going to be giving a larger 953 00:42:03,760 --> 00:42:08,920 Speaker 2: role in the Stillers organization with Ben Roethlisberger retiring. So 954 00:42:08,960 --> 00:42:09,520 Speaker 2: it's just sad. 955 00:42:09,520 --> 00:42:12,319 Speaker 1: He was young man, yeah, twenty four years old. 956 00:42:12,400 --> 00:42:15,480 Speaker 2: I mean, you know, it's just a tragic, tragic way 957 00:42:15,480 --> 00:42:18,680 Speaker 2: to go crossing the highway. I mean again, why you 958 00:42:18,760 --> 00:42:21,279 Speaker 2: crossing the highway? I don't know. I don't play those games, 959 00:42:21,320 --> 00:42:23,040 Speaker 2: like it was not a crosswalk, and it may have 960 00:42:23,040 --> 00:42:24,719 Speaker 2: been a crosswalk here. I know how some highways they 961 00:42:24,719 --> 00:42:27,359 Speaker 2: have crosswalks at lights or whatever. But you know, it's 962 00:42:27,400 --> 00:42:30,080 Speaker 2: just it's just a tragic accident. So prayers to Dwayne 963 00:42:30,120 --> 00:42:31,880 Speaker 2: Haskins family and friends and loved ones. 964 00:42:32,200 --> 00:42:34,719 Speaker 3: I ain't like that shit. Adam Sheeffan did what. 965 00:42:34,719 --> 00:42:35,560 Speaker 2: Did Adam shefferd do? 966 00:42:36,600 --> 00:42:40,200 Speaker 3: He put out a tweet regarding the death and put 967 00:42:40,200 --> 00:42:43,120 Speaker 3: in the tweet he had two struggling seasons and was 968 00:42:43,120 --> 00:42:44,840 Speaker 3: trying to get back like. 969 00:42:44,760 --> 00:42:47,080 Speaker 2: Well, you know, you know, people, people can't wait to 970 00:42:47,080 --> 00:42:49,520 Speaker 2: show exactly how fucking stupid they are in times like this. 971 00:42:49,560 --> 00:42:52,200 Speaker 3: Come on, that's what you talk about when someone. 972 00:42:52,160 --> 00:42:57,600 Speaker 2: Has highlights exactly. They're they're not so favorable moments when 973 00:42:57,640 --> 00:43:01,640 Speaker 2: and during their death. It's just it's it's not classy, ye, 974 00:43:02,000 --> 00:43:04,000 Speaker 2: I have some class, have some respect for the family. 975 00:43:05,120 --> 00:43:06,520 Speaker 1: I mean, he found out you got fired by it 976 00:43:06,560 --> 00:43:10,080 Speaker 1: from a Wars tweets, so after that, that's wild. 977 00:43:11,600 --> 00:43:14,680 Speaker 3: Speaking of social media, are you still on Instagram or 978 00:43:14,680 --> 00:43:15,320 Speaker 3: were you banned? 979 00:43:15,960 --> 00:43:18,080 Speaker 2: No? I was, I'm still my account is still here. 980 00:43:18,520 --> 00:43:21,520 Speaker 3: I think Gilly joins you in the podcasters against Wiz 981 00:43:21,560 --> 00:43:22,480 Speaker 3: Khalifa movement. 982 00:43:22,800 --> 00:43:27,080 Speaker 2: I wasn't. I'm not listen. I'm not against Kalifa. I 983 00:43:27,280 --> 00:43:30,200 Speaker 2: just noticed because I follow Liz and it was just 984 00:43:30,320 --> 00:43:34,319 Speaker 2: like every time I opened my Instagram, Uh, Wiz was 985 00:43:34,800 --> 00:43:37,400 Speaker 2: walking around or throwing haymakers in his underwear, and I 986 00:43:37,440 --> 00:43:39,640 Speaker 2: just didn't understand what was going on. I thought this 987 00:43:39,719 --> 00:43:41,360 Speaker 2: was a new way to work out. I thought it 988 00:43:41,400 --> 00:43:43,080 Speaker 2: was like you know, I know, sometimes you work out 989 00:43:43,080 --> 00:43:46,680 Speaker 2: in your compression shorts and things like that. But Wiz 990 00:43:46,760 --> 00:43:48,879 Speaker 2: was like seen getting into a pool, he was seen 991 00:43:48,960 --> 00:43:52,880 Speaker 2: buying a smoothie driving car. I mean, this is what 992 00:43:53,120 --> 00:43:56,080 Speaker 2: you know was popping up and I'm just like he spotted. 993 00:43:56,640 --> 00:43:58,640 Speaker 2: He was spotting, and Whiz is pretty successful. He can 994 00:43:58,680 --> 00:44:02,120 Speaker 2: afford pants. I would assume I'm not his podcasts, but 995 00:44:02,160 --> 00:44:04,280 Speaker 2: he can he can afford pants. I just didn't understand 996 00:44:04,280 --> 00:44:07,000 Speaker 2: why he was not wearing pants on Instagram, that's all. 997 00:44:07,040 --> 00:44:09,200 Speaker 3: Well, I guess what Gillia commented on his ig and 998 00:44:09,320 --> 00:44:10,799 Speaker 3: was like saying, so. 999 00:44:10,840 --> 00:44:14,680 Speaker 2: Some pants on, you know, but just put some We 1000 00:44:14,719 --> 00:44:15,840 Speaker 2: just want you to put some. We love you, but 1001 00:44:15,880 --> 00:44:18,840 Speaker 2: just put some pants on. And uh, I guess Gilly's 1002 00:44:19,040 --> 00:44:21,520 Speaker 2: account was. I don't know if hacked or deactivated. I 1003 00:44:21,520 --> 00:44:22,160 Speaker 2: don't know what it was. 1004 00:44:22,200 --> 00:44:23,680 Speaker 3: I think it's your fault, to be honest, I think 1005 00:44:23,680 --> 00:44:25,640 Speaker 3: it's Wizz. You were the one that was bringing awareness 1006 00:44:25,719 --> 00:44:26,280 Speaker 3: to wizards. 1007 00:44:26,440 --> 00:44:29,520 Speaker 2: Well I was bringing I was bringing awareness, uh, you know, 1008 00:44:29,600 --> 00:44:31,920 Speaker 2: to to the situation because I didn't know if Wiz 1009 00:44:31,960 --> 00:44:34,760 Speaker 2: was going through something mentally. So I was just hoping 1010 00:44:34,760 --> 00:44:36,160 Speaker 2: that people just paying attention. 1011 00:44:35,920 --> 00:44:39,759 Speaker 1: Like, let's just make sure because you have pants on. 1012 00:44:40,200 --> 00:44:42,360 Speaker 2: Well, if I start walking around with just my underwear, 1013 00:44:42,560 --> 00:44:44,399 Speaker 2: you know, people will call the cops on I would 1014 00:44:44,400 --> 00:44:45,440 Speaker 2: be arrested immediately. 1015 00:44:45,440 --> 00:44:46,080 Speaker 3: Well, you're not, Whiz. 1016 00:44:46,920 --> 00:44:47,600 Speaker 1: Wasn't he at home? 1017 00:44:48,360 --> 00:44:50,840 Speaker 2: No, he was in public spaces. So yeah, he was 1018 00:44:50,920 --> 00:44:55,440 Speaker 2: getting smoothies, he was working out, you know, driving. 1019 00:44:55,719 --> 00:44:57,719 Speaker 3: I do want to highlight this moment because everyone was 1020 00:44:57,719 --> 00:44:59,440 Speaker 3: saying we were shitting on Lizzo and it was we 1021 00:44:59,440 --> 00:45:01,120 Speaker 3: were shaming all that ship. No, see, we want everyone 1022 00:45:01,120 --> 00:45:01,640 Speaker 3: to keep their pants on. 1023 00:45:01,680 --> 00:45:03,359 Speaker 2: Yeah, we want everybody just put some pants on. 1024 00:45:03,360 --> 00:45:07,680 Speaker 3: Jamaris, just put some pants on, Like, what is the 1025 00:45:07,880 --> 00:45:10,200 Speaker 3: I understand it gets hot out there. I'm not saying 1026 00:45:10,200 --> 00:45:12,000 Speaker 3: anything because I like Instagram and I want to keep mine. 1027 00:45:12,080 --> 00:45:14,160 Speaker 3: You know, he's going to all y'all. 1028 00:45:14,800 --> 00:45:16,560 Speaker 2: You know, I don't listen Where's if you want to 1029 00:45:16,560 --> 00:45:18,520 Speaker 2: wear your underwear and walk around and you know, do 1030 00:45:18,560 --> 00:45:20,560 Speaker 2: your thing, listen, do what you do. I just thought 1031 00:45:20,600 --> 00:45:23,160 Speaker 2: that I would just let people know that I'm just 1032 00:45:23,200 --> 00:45:26,560 Speaker 2: opening my Instagram like any other normal tax paying citizen, 1033 00:45:26,680 --> 00:45:28,920 Speaker 2: and Where's was in the underwear every day and I 1034 00:45:28,920 --> 00:45:30,200 Speaker 2: didn't know what was going on. I thought it was 1035 00:45:30,200 --> 00:45:32,759 Speaker 2: a new trend that was happening because I'm always I'm 1036 00:45:32,760 --> 00:45:33,960 Speaker 2: linked to a lot of things when it comes to 1037 00:45:34,000 --> 00:45:36,400 Speaker 2: the net, so I thought that maybe everybody was doing this, 1038 00:45:36,480 --> 00:45:37,320 Speaker 2: But no, it's only Whiz. 1039 00:45:37,360 --> 00:45:39,880 Speaker 3: Did you and Gilly like discuss this over the weekend? No, 1040 00:45:40,040 --> 00:45:42,160 Speaker 3: you know, I wanted to reach out to make sure 1041 00:45:42,160 --> 00:45:44,239 Speaker 3: he was okay, but I feel the same way about him. 1042 00:45:44,280 --> 00:45:46,480 Speaker 2: Yeah, I wanted to let Gilly know that he wasn't 1043 00:45:46,520 --> 00:45:48,759 Speaker 2: alone and his thoughts and the sentiments. But no, I 1044 00:45:48,760 --> 00:45:50,319 Speaker 2: didn't reach out to him yet, but I'll reach out 1045 00:45:50,320 --> 00:45:51,760 Speaker 2: to him soon to talk to him about it, because 1046 00:45:52,040 --> 00:45:53,920 Speaker 2: you know, I know this is a tough time for him, 1047 00:45:53,960 --> 00:45:54,760 Speaker 2: losing his account. 1048 00:45:54,880 --> 00:45:57,040 Speaker 3: I think it's it's finally time for us to do 1049 00:45:57,080 --> 00:46:00,880 Speaker 3: our collab pod with Gillian. I think the four of 1050 00:46:00,960 --> 00:46:04,840 Speaker 3: us should travel to la and sit down with Wiz 1051 00:46:04,840 --> 00:46:07,040 Speaker 3: and give him a stern talking to. We should take 1052 00:46:07,080 --> 00:46:09,680 Speaker 3: We should take Whiz to a pants store and just. 1053 00:46:09,719 --> 00:46:11,960 Speaker 2: Like find some comfortable thing to four of us. 1054 00:46:12,040 --> 00:46:13,680 Speaker 3: Yeah, we can go pants shopping with Wiz. 1055 00:46:13,880 --> 00:46:15,600 Speaker 2: I like that. We should make that happen. Let's go 1056 00:46:15,680 --> 00:46:18,600 Speaker 2: pants shopping with Wiz. Let's pick out some comfortable trousers 1057 00:46:18,640 --> 00:46:21,200 Speaker 2: for him. Let's get him enough you know, deep pockets. 1058 00:46:21,239 --> 00:46:24,600 Speaker 2: So yeah there's weed and you know, chapstick and you 1059 00:46:24,600 --> 00:46:26,520 Speaker 2: know whatever else he needs to put in his pockets. 1060 00:46:26,840 --> 00:46:28,520 Speaker 1: Yeah, that is how he carries. 1061 00:46:28,640 --> 00:46:31,160 Speaker 2: Yeah, weedn'tat that's all you need and your idea and 1062 00:46:31,280 --> 00:46:33,799 Speaker 2: you know wallet, that's what you need. Don't need? What 1063 00:46:33,880 --> 00:46:35,400 Speaker 2: else do you need? Like, what do men carry in 1064 00:46:35,400 --> 00:46:36,080 Speaker 2: their pockets. 1065 00:46:35,840 --> 00:46:39,920 Speaker 1: These days, your phone, wallet, phone, I d that's. 1066 00:46:39,800 --> 00:46:41,239 Speaker 3: A pet people Mine don't like having things in my 1067 00:46:41,239 --> 00:46:45,799 Speaker 3: pockets at all. My phone, chapstick, Yeah, that's about it. 1068 00:46:45,840 --> 00:46:47,480 Speaker 2: And then your idea in the credit card. Yeah, you 1069 00:46:47,520 --> 00:46:49,680 Speaker 2: don't really need nothing. Men don't need anything else, Like 1070 00:46:49,719 --> 00:46:50,680 Speaker 2: what else do you carry in? 1071 00:46:51,000 --> 00:46:53,160 Speaker 3: Right? And then once we all start wearing skinny pants, 1072 00:46:53,200 --> 00:46:54,759 Speaker 3: it's it's tough to fit things in. Then you can, 1073 00:46:55,280 --> 00:46:57,799 Speaker 3: then you look weird, like a like a girl trying 1074 00:46:57,800 --> 00:47:00,880 Speaker 3: to reach into your skinny jean pocket and then bulging up. 1075 00:47:00,960 --> 00:47:02,080 Speaker 3: It's just it's nasty. 1076 00:47:02,200 --> 00:47:03,359 Speaker 1: Are you coming for me like that? 1077 00:47:04,440 --> 00:47:06,279 Speaker 3: I'm saying I was wearing. Well, you're Spanish, so we 1078 00:47:06,320 --> 00:47:08,280 Speaker 3: know you were type pants. 1079 00:47:08,400 --> 00:47:12,600 Speaker 2: Skinny pantalones. That's what they call them in Spain, pantalons. 1080 00:47:14,360 --> 00:47:15,440 Speaker 3: I thought it was fried bananas. 1081 00:47:19,520 --> 00:47:21,759 Speaker 2: I thought those was fried Bananas's funny, like y'all didn't. 1082 00:47:26,719 --> 00:47:29,879 Speaker 2: That's hilarious, man, Oh god, what else we got? 1083 00:47:29,880 --> 00:47:30,080 Speaker 3: Man? 1084 00:47:30,280 --> 00:47:31,680 Speaker 1: Can we not do skinny jeans anymore? 1085 00:47:31,680 --> 00:47:31,879 Speaker 4: Though? 1086 00:47:32,400 --> 00:47:33,399 Speaker 2: Skinny jeans are? 1087 00:47:33,840 --> 00:47:36,200 Speaker 1: I still what about how like jans? 1088 00:47:36,560 --> 00:47:38,600 Speaker 2: Listen? I don't care what they do from Spencer, I 1089 00:47:38,600 --> 00:47:41,680 Speaker 2: see that they're trying to bring back baggy jeans. Listen, 1090 00:47:41,719 --> 00:47:42,319 Speaker 2: I'm not doing it. 1091 00:47:42,600 --> 00:47:43,480 Speaker 3: I said, I'm not going back. 1092 00:47:43,520 --> 00:47:48,080 Speaker 2: I'm not. I'm saying baggy jeans like baggy. I'm not 1093 00:47:48,080 --> 00:47:49,879 Speaker 2: wearing baggy jeans no more. Bro. I see that they're 1094 00:47:49,880 --> 00:47:52,040 Speaker 2: trying to go back. They're going back to these wide 1095 00:47:52,600 --> 00:47:56,040 Speaker 2: bell bottom leg jeans that you drag your jean on 1096 00:47:56,080 --> 00:47:58,439 Speaker 2: the floor. When I'm not doing that, Bro, I don't. 1097 00:47:58,520 --> 00:48:00,680 Speaker 2: I'm not. You don't have to go skinny, you don't 1098 00:48:00,680 --> 00:48:03,040 Speaker 2: have to be super skinny jean, but you can't super 1099 00:48:03,080 --> 00:48:04,240 Speaker 2: baggy is insane. 1100 00:48:04,520 --> 00:48:07,399 Speaker 3: I just feel like someone from the Bronx can't say 1101 00:48:07,400 --> 00:48:10,040 Speaker 3: that because you guys littered the burrow with Elmo and. 1102 00:48:10,000 --> 00:48:11,080 Speaker 1: Cookie Monster hats. 1103 00:48:11,560 --> 00:48:14,239 Speaker 3: Yeah, I'm saying you guys matched it with the T shirt. Yeah, 1104 00:48:14,239 --> 00:48:16,520 Speaker 3: we definitely had an Elmo. We did that, We did 1105 00:48:16,520 --> 00:48:17,359 Speaker 3: that double Elmo. 1106 00:48:17,440 --> 00:48:21,120 Speaker 2: But we But it's like, I blame queens for the 1107 00:48:21,680 --> 00:48:24,520 Speaker 2: baseball hats with the Chinese lettering. Just put the in, 1108 00:48:24,680 --> 00:48:26,359 Speaker 2: just put the NY logo on my hat. But don't 1109 00:48:26,400 --> 00:48:28,600 Speaker 2: give me I mean, don't give me the Chinese log No, no, no, 1110 00:48:28,640 --> 00:48:29,840 Speaker 2: don't give me the Chinese. 1111 00:48:29,880 --> 00:48:30,960 Speaker 3: That's a queen flushing. 1112 00:48:31,200 --> 00:48:35,600 Speaker 2: Queens definitely was responsible for the Chinese letter baseball hat. 1113 00:48:35,680 --> 00:48:38,200 Speaker 3: There's a large Chinese population that I have never. 1114 00:48:38,160 --> 00:48:41,600 Speaker 2: Listen, I have never ever purchased one of those. Never 1115 00:48:41,640 --> 00:48:44,040 Speaker 2: did when there was a hot thing, never purchased one. 1116 00:48:44,320 --> 00:48:45,160 Speaker 2: I refused to do it. 1117 00:48:45,480 --> 00:48:46,960 Speaker 3: I mean, but have you been to Flushing? 1118 00:48:47,480 --> 00:48:48,040 Speaker 2: Absolutely? 1119 00:48:48,080 --> 00:48:49,520 Speaker 1: Have you had Chinese food and Flushing? 1120 00:48:49,560 --> 00:48:53,520 Speaker 2: Absolutely? That does it. That doesn't. That doesn't mean you 1121 00:48:53,560 --> 00:48:56,360 Speaker 2: get Mike Piazza hat. It turned it into a fucking 1122 00:48:56,800 --> 00:48:59,880 Speaker 2: a fucking Chinese menu. Okay, you don't do that. I 1123 00:49:00,040 --> 00:49:01,600 Speaker 2: didn't know. I don't know what the fuck you Queen's 1124 00:49:01,680 --> 00:49:03,239 Speaker 2: natives were trying to do in that era. It was 1125 00:49:03,320 --> 00:49:06,080 Speaker 2: very nasty. I didn't want I didn't want any part 1126 00:49:06,080 --> 00:49:07,880 Speaker 2: of that sh It was very nasty. But the Bronx 1127 00:49:08,000 --> 00:49:12,480 Speaker 2: is known for definitely having our character charactertures on our clothes. 1128 00:49:12,560 --> 00:49:15,560 Speaker 3: The third half looked like sesame streak. 1129 00:49:16,080 --> 00:49:17,520 Speaker 2: It was a nasty time. I don't know what we 1130 00:49:17,520 --> 00:49:19,000 Speaker 2: were trying to do with the fashion back then. It 1131 00:49:19,000 --> 00:49:19,359 Speaker 2: was nasty. 1132 00:49:19,360 --> 00:49:21,040 Speaker 1: You guys remember the gangster spongebobs. 1133 00:49:22,120 --> 00:49:24,399 Speaker 2: No gangster SpongeBob. 1134 00:49:23,880 --> 00:49:25,799 Speaker 1: Oh my god, that was all over my MySpace at 1135 00:49:25,840 --> 00:49:26,400 Speaker 1: one point. 1136 00:49:26,680 --> 00:49:28,239 Speaker 2: See this is this is your era, right, here because 1137 00:49:28,239 --> 00:49:29,600 Speaker 2: you were editing a closer in age. 1138 00:49:30,000 --> 00:49:31,640 Speaker 3: I missed them. He's like, I missed that era. 1139 00:49:31,719 --> 00:49:34,880 Speaker 1: I'm sorry he's not thirty five or like this. 1140 00:49:35,000 --> 00:49:39,120 Speaker 3: Jesus my aging that poorly. Oh yeah, I remember, I 1141 00:49:39,160 --> 00:49:39,759 Speaker 3: remember that ship. 1142 00:49:39,840 --> 00:49:42,759 Speaker 2: I remember. I remember the the Dope Boy one. 1143 00:49:42,880 --> 00:49:45,839 Speaker 1: Yeah, like the Dope Boy SpongeBob with the money, I 1144 00:49:45,880 --> 00:49:46,480 Speaker 1: remember that. 1145 00:49:46,760 --> 00:49:50,440 Speaker 3: Yeah. Why did they try to make cartoon characters like gangbangers. 1146 00:49:49,920 --> 00:49:52,319 Speaker 2: Because that was the whole Jeezy Snowman effect. I think 1147 00:49:52,360 --> 00:49:54,880 Speaker 2: I think once Jeezi had the Snowman, I think the 1148 00:49:54,920 --> 00:49:57,000 Speaker 2: other brands tried to jump in because those Snowman T 1149 00:49:57,120 --> 00:49:59,919 Speaker 2: shirts were crazy. They were selling like every fucking weird. 1150 00:50:00,080 --> 00:50:01,759 Speaker 2: I think brands just tried to jump in on that 1151 00:50:02,760 --> 00:50:06,120 Speaker 2: and thug out fucking big Bird put a bandana on 1152 00:50:06,120 --> 00:50:06,719 Speaker 2: a big Bird. 1153 00:50:06,760 --> 00:50:08,520 Speaker 1: It was like fam all right, I mean the Puerto 1154 00:50:08,600 --> 00:50:09,240 Speaker 1: Rican band. 1155 00:50:09,640 --> 00:50:13,920 Speaker 2: It's like, yo, fan Spanish people wear that ship. Of course, absolutely, 1156 00:50:14,080 --> 00:50:17,120 Speaker 2: that was ship like it's only it's only certain Jordans 1157 00:50:17,120 --> 00:50:20,080 Speaker 2: that Puerto Ricans will wear from Puerto Rican Jays. They 1158 00:50:20,080 --> 00:50:22,120 Speaker 2: don't even have a number. They just like Team Jordan's 1159 00:50:22,360 --> 00:50:23,160 Speaker 2: always blue and red. 1160 00:50:23,239 --> 00:50:24,759 Speaker 3: Oh my god, there's the Jordan's from now. 1161 00:50:24,920 --> 00:50:27,080 Speaker 2: Yeah, like if you ever went to the Puerto Rican 1162 00:50:27,160 --> 00:50:28,960 Speaker 2: Day parade, like girls used to wear like the Geene 1163 00:50:28,960 --> 00:50:32,120 Speaker 2: cut off shorts or like you know, like the tops 1164 00:50:32,160 --> 00:50:33,360 Speaker 2: and yeah, some Team Jordan's. 1165 00:50:33,480 --> 00:50:35,120 Speaker 3: Puerto Ricans definitely loved Team Jordan's. 1166 00:50:36,000 --> 00:50:36,239 Speaker 1: Listen. 1167 00:50:36,320 --> 00:50:38,600 Speaker 2: I love Portoan. I grew up around nothing but Puerto Ricans, 1168 00:50:38,640 --> 00:50:40,680 Speaker 2: Dominicans love them. Those are my people. But we just 1169 00:50:40,719 --> 00:50:41,359 Speaker 2: got to keep it real. 1170 00:50:41,400 --> 00:50:43,080 Speaker 3: Certain ship you got to own and when and when 1171 00:50:43,120 --> 00:50:46,000 Speaker 3: foot Locker did the ten T shirts for ten dollars. 1172 00:50:45,719 --> 00:50:48,640 Speaker 2: Oh my god, that foot now see Puerto Ricans is 1173 00:50:48,680 --> 00:50:52,879 Speaker 2: Doctor Jay's O'Dell's. You don't remember models, remember models, sporting goods? 1174 00:50:52,920 --> 00:50:55,600 Speaker 2: I know, yeah, I v I Oh my god, VI 1175 00:50:55,719 --> 00:50:58,000 Speaker 2: I Am is the Puerto Rican Barny. I know that 1176 00:50:58,120 --> 00:51:00,839 Speaker 2: VI I Am was the Puerto Rican Barney's. That's that's 1177 00:51:00,880 --> 00:51:04,720 Speaker 2: Barneys for Puerto Ricans, said one thousand percent. Barneys for Puerto. 1178 00:51:04,600 --> 00:51:05,480 Speaker 3: Ricans, going there before the k. 1179 00:51:11,640 --> 00:51:14,440 Speaker 2: Yo, going to vi IM before the Kensiera and tearing 1180 00:51:14,480 --> 00:51:17,600 Speaker 2: it down, tear the whole yo, getting the whole friend 1181 00:51:17,640 --> 00:51:19,640 Speaker 2: from v I m is so and not out of town. 1182 00:51:19,760 --> 00:51:21,560 Speaker 2: I don't know if y'all know what vi IM is. 1183 00:51:21,600 --> 00:51:24,399 Speaker 2: They don't nasty times, nasty shopping place. 1184 00:51:24,440 --> 00:51:25,920 Speaker 3: I feel like New Yorkers now don't know that. 1185 00:51:26,360 --> 00:51:28,799 Speaker 2: Yeah, vi IM was like v IM, like you would 1186 00:51:28,880 --> 00:51:31,560 Speaker 2: go to VIM if you needed one gaunt, like one piece, 1187 00:51:31,920 --> 00:51:33,560 Speaker 2: Like if you was going someone You're like, damn, I 1188 00:51:33,640 --> 00:51:37,080 Speaker 2: need a T shirt, go to VIM, like just something quick. 1189 00:51:37,360 --> 00:51:39,520 Speaker 2: Go to doctor J's. Yo, Damn, I need a pair 1190 00:51:39,520 --> 00:51:42,680 Speaker 2: of sneakers, Go to doctor J's. But like the Puerto 1191 00:51:42,760 --> 00:51:44,719 Speaker 2: Ricans in my hood, Oh, they would go there and 1192 00:51:44,760 --> 00:51:47,320 Speaker 2: tear it down, full fits top to bottom. 1193 00:51:47,440 --> 00:51:51,360 Speaker 3: And you was still single handedly keeping those black Adidas 1194 00:51:51,360 --> 00:51:55,239 Speaker 3: soccer shoes pumping one hundred percent Puerto Ricans and the. 1195 00:51:55,160 --> 00:51:57,040 Speaker 2: Bronx black Adida soccer shoes. 1196 00:51:57,160 --> 00:51:57,960 Speaker 3: Remember them ships? 1197 00:51:58,440 --> 00:52:01,600 Speaker 2: Which ones pull them? Anytime you say all black sneakers, 1198 00:52:01,640 --> 00:52:02,400 Speaker 2: I just get nervous. 1199 00:52:02,400 --> 00:52:04,440 Speaker 3: First of all, well, port Ricans are still wearing all 1200 00:52:04,440 --> 00:52:08,640 Speaker 3: blacks air Force ones. Those Oh those Puerto Ricans are 1201 00:52:09,280 --> 00:52:12,320 Speaker 3: that shoot on the market just for their children. 1202 00:52:12,600 --> 00:52:14,640 Speaker 2: Anytime I almost got robbed, they was wearing those. 1203 00:52:15,120 --> 00:52:15,920 Speaker 3: It's contraction on. 1204 00:52:16,560 --> 00:52:18,680 Speaker 2: Oh my god, if you saw a dude wearing those, 1205 00:52:19,360 --> 00:52:20,719 Speaker 2: he about to try to get you. Soon as I 1206 00:52:20,800 --> 00:52:22,719 Speaker 2: get to a dark block, he gonna get. 1207 00:52:22,680 --> 00:52:24,759 Speaker 3: You, and he's about to go to the park to 1208 00:52:24,880 --> 00:52:25,920 Speaker 3: play some pickup soccer. 1209 00:52:27,280 --> 00:52:31,040 Speaker 2: So yo, that's definitely a Mexican Puerto Rican thing. Picked 1210 00:52:31,080 --> 00:52:36,879 Speaker 2: up soccer and handball, old handball, blue balls. I mean, no, no, 1211 00:52:37,600 --> 00:52:41,680 Speaker 2: that's okay, it's a handball. That's definitely Puerto Rican activities. 1212 00:52:41,719 --> 00:52:44,520 Speaker 3: Handball, well, nah, I mean handball. I think it's universal. 1213 00:52:44,840 --> 00:52:48,440 Speaker 2: Handball is not universe. I'm from the bronze bro handballs 1214 00:52:48,480 --> 00:52:50,480 Speaker 2: of Puerto Rican sport. Big deal the whites. We we 1215 00:52:50,480 --> 00:52:52,600 Speaker 2: played handball, not like the Puerto Ricans. 1216 00:52:52,680 --> 00:52:56,000 Speaker 3: Porto Ricans are slap not playing like wild drinking Corona. 1217 00:52:56,040 --> 00:52:58,120 Speaker 3: But they white people play it. 1218 00:52:58,360 --> 00:53:00,880 Speaker 2: No, white people play everything I'm talking about. Who owns 1219 00:53:00,920 --> 00:53:03,800 Speaker 2: that sport? Who like has stock and handball? 1220 00:53:04,040 --> 00:53:06,160 Speaker 3: Puerto Rican may I might put my dad up against 1221 00:53:06,200 --> 00:53:07,120 Speaker 3: any Puerto Rican. 1222 00:53:07,000 --> 00:53:10,359 Speaker 2: Shit not hecked it from uptown. They'll slap the shit 1223 00:53:10,400 --> 00:53:13,200 Speaker 2: out you. They'd be hitting that ball some motherfucking hard again. 1224 00:53:13,239 --> 00:53:15,960 Speaker 2: I tried to play handball before. Have y'all ever played suicide? 1225 00:53:16,120 --> 00:53:19,920 Speaker 2: Of course y'all know about suicide. Yeah, that young damn man. 1226 00:53:19,960 --> 00:53:22,480 Speaker 2: I don't think y'allould know about suicide. Every morning before 1227 00:53:22,600 --> 00:53:25,080 Speaker 2: school for those of us who don't know. We're not 1228 00:53:25,080 --> 00:53:28,319 Speaker 2: talking about committing suicide. I'm playing suicide. It's a game 1229 00:53:28,360 --> 00:53:30,759 Speaker 2: where you bounce the ball off the wall. You have 1230 00:53:30,800 --> 00:53:32,359 Speaker 2: to catch it. If you fumble it, the person can 1231 00:53:32,360 --> 00:53:33,600 Speaker 2: catch it. You have to run to the wall and 1232 00:53:33,640 --> 00:53:35,319 Speaker 2: tag the base before the person hit you in the 1233 00:53:35,320 --> 00:53:38,560 Speaker 2: back with a fucking ninety two mile an hour fucking fastball. 1234 00:53:39,120 --> 00:53:40,960 Speaker 2: Reready in your back. It was the craziest game. But 1235 00:53:41,000 --> 00:53:42,480 Speaker 2: this is the games that we had to play as kids. 1236 00:53:42,560 --> 00:53:44,600 Speaker 3: Yeah, and first of all, you never thought like a 1237 00:53:44,600 --> 00:53:46,440 Speaker 3: twelve year old would be knowing Ryan. 1238 00:53:47,760 --> 00:53:50,200 Speaker 2: You'd be like, wait, now you need to be in 1239 00:53:50,200 --> 00:53:52,440 Speaker 2: the league. She grown exactly growing up in the Bronx 1240 00:53:52,480 --> 00:53:55,080 Speaker 2: and you played suicide. You knew exactly who missed. They 1241 00:53:55,080 --> 00:53:56,560 Speaker 2: call and you like, this kid should be on the 1242 00:53:56,600 --> 00:53:59,080 Speaker 2: mound on sixty first in Jerome Avenue. 1243 00:53:59,200 --> 00:54:05,239 Speaker 3: You hate and Monte you Throwitch was like he can't 1244 00:54:05,280 --> 00:54:07,279 Speaker 3: be literallylutely. 1245 00:54:06,520 --> 00:54:09,360 Speaker 2: I'm like, now you decided to smoke blunch and cut class. 1246 00:54:09,360 --> 00:54:11,080 Speaker 2: You should have You could have. You could have been somebody. 1247 00:54:11,120 --> 00:54:13,279 Speaker 3: Well, there was different versions too, because there was the 1248 00:54:13,320 --> 00:54:15,840 Speaker 3: spread Eagle version. Did you ever play that version of suicide? 1249 00:54:16,600 --> 00:54:19,160 Speaker 2: I don't think that hit Uptown, so spread eagle was. 1250 00:54:19,120 --> 00:54:23,359 Speaker 3: It was similar. It was similar where if you got 1251 00:54:23,440 --> 00:54:26,640 Speaker 3: hit three times by the ball, you then had to 1252 00:54:26,640 --> 00:54:29,640 Speaker 3: go up against the wall like everybody got everybody that 1253 00:54:29,719 --> 00:54:32,040 Speaker 3: was okay, but you couldn't even move Okay. 1254 00:54:31,800 --> 00:54:33,839 Speaker 2: I remember that. I mean I didn't know it's called 1255 00:54:33,840 --> 00:54:34,799 Speaker 2: spread eagle though, but. 1256 00:54:35,120 --> 00:54:37,920 Speaker 3: Three times called that part spread Yeah, if you get caught. 1257 00:54:37,760 --> 00:54:40,000 Speaker 2: Three times, you have to put your hands on the 1258 00:54:40,040 --> 00:54:42,120 Speaker 2: wall and yeah, the person everybody get a chance to 1259 00:54:42,160 --> 00:54:44,359 Speaker 2: steam that ship that you can't move. There was some 1260 00:54:44,400 --> 00:54:45,280 Speaker 2: sick fucking game. 1261 00:54:45,280 --> 00:54:47,880 Speaker 3: People that would cut the tennis ball and put a 1262 00:54:47,960 --> 00:54:50,799 Speaker 3: rock in that ship for the for the spreadigo part. Listen, 1263 00:54:50,960 --> 00:54:51,319 Speaker 3: kids was. 1264 00:54:53,440 --> 00:54:53,520 Speaker 2: Up. 1265 00:54:53,960 --> 00:54:55,040 Speaker 3: It was funny. It was even funny. 1266 00:54:56,320 --> 00:54:58,319 Speaker 2: Why would you do that? See now we didn't do that. 1267 00:54:58,440 --> 00:55:00,040 Speaker 2: We didn't play that game. Man, the fucking the the 1268 00:55:00,080 --> 00:55:02,440 Speaker 2: ball was hard enough and you throw that shit hard enough, 1269 00:55:02,440 --> 00:55:04,560 Speaker 2: that shit felt like it was rocks and it was 1270 00:55:04,560 --> 00:55:05,440 Speaker 2: some great times uptown. 1271 00:55:05,560 --> 00:55:05,719 Speaker 4: Man. 1272 00:55:06,120 --> 00:55:08,920 Speaker 3: You know what, that would be a fun like charity 1273 00:55:08,920 --> 00:55:12,160 Speaker 3: event for podcasting. You know people do like the softball 1274 00:55:12,200 --> 00:55:15,200 Speaker 3: games and like dodgeball and all that ship we should 1275 00:55:15,239 --> 00:55:18,759 Speaker 3: do all podcasts we all pick a charity, donate and 1276 00:55:19,760 --> 00:55:23,040 Speaker 3: all the podcasts is just play suicide. I'm with the 1277 00:55:23,120 --> 00:55:25,719 Speaker 3: find one big ass ball, will stream the whole ship. 1278 00:55:26,280 --> 00:55:27,440 Speaker 3: I'm with that for charity. 1279 00:55:27,560 --> 00:55:29,480 Speaker 2: I'm with that absolutely. I'm with that. We need to 1280 00:55:29,480 --> 00:55:31,440 Speaker 2: bring suicide. We need to bring because they you don't 1281 00:55:31,480 --> 00:55:34,520 Speaker 2: even see kids playing those type of games. 1282 00:55:34,000 --> 00:55:35,960 Speaker 1: Like, we'd have to call it something different though, I 1283 00:55:36,000 --> 00:55:36,920 Speaker 1: can't call it. 1284 00:55:36,920 --> 00:55:38,280 Speaker 3: It looks looks mental health. 1285 00:55:38,480 --> 00:55:42,799 Speaker 2: Listen to cancel the name suicide. Come on, bro, we 1286 00:55:42,800 --> 00:55:45,000 Speaker 2: can call us PREDI eagle. I don't like that name. 1287 00:55:45,760 --> 00:55:47,520 Speaker 3: Yeah, I never liked them. It was always a weird name. 1288 00:55:47,520 --> 00:55:49,360 Speaker 2: I don't like that name. Let's call it all. What 1289 00:55:49,440 --> 00:55:52,879 Speaker 2: it is is suicide. What's going playing suicide? Like, we're 1290 00:55:52,920 --> 00:55:55,080 Speaker 2: not on the roof about the scene. Who's gonna jump first? 1291 00:55:55,080 --> 00:55:57,200 Speaker 2: We're not doing That's not the type of suicide we're doing. 1292 00:55:57,800 --> 00:56:01,520 Speaker 2: We're on the ground. Yeah, feet on the ground in 1293 00:56:01,600 --> 00:56:03,680 Speaker 2: a wall. That's all we need. And let's have a 1294 00:56:03,680 --> 00:56:04,120 Speaker 2: great time. 1295 00:56:04,680 --> 00:56:05,960 Speaker 3: We're gonna we're gonna organize that. 1296 00:56:06,120 --> 00:56:06,719 Speaker 2: I would love to. 1297 00:56:07,120 --> 00:56:10,400 Speaker 3: Uh damn, kids don't even really play games like that anymore. 1298 00:56:11,000 --> 00:56:12,800 Speaker 2: They don't. You don't see, I don't haven't seen. I 1299 00:56:12,800 --> 00:56:16,319 Speaker 2: haven't drove through a block and seen kids playing in 1300 00:56:16,400 --> 00:56:18,560 Speaker 2: the streets like I can't remember. 1301 00:56:18,560 --> 00:56:21,279 Speaker 1: It's been years, Broill, I haven't seen that. 1302 00:56:21,320 --> 00:56:24,000 Speaker 2: I don't even see that. No on stickball scales, ease, 1303 00:56:25,480 --> 00:56:30,040 Speaker 2: I don't see that. At the city bus city bus 1304 00:56:30,080 --> 00:56:31,680 Speaker 2: eggs was that was the we used to throw. We 1305 00:56:31,760 --> 00:56:34,040 Speaker 2: used to put them in the fridge, get them cold 1306 00:56:34,120 --> 00:56:36,440 Speaker 2: and hard and go to the roof, just dropping on 1307 00:56:36,480 --> 00:56:39,759 Speaker 2: Halloween and just wait for whoever. I remember one dude 1308 00:56:39,760 --> 00:56:41,359 Speaker 2: thought he was safe. He had an umbrella. It wasn't 1309 00:56:41,360 --> 00:56:43,680 Speaker 2: even rained. I will never forget this. He had an 1310 00:56:43,760 --> 00:56:46,560 Speaker 2: umbrella because he knew what type of time was like Halloween, 1311 00:56:46,719 --> 00:56:49,480 Speaker 2: everybody in Uptown New York kids gonna be throwing eggs. 1312 00:56:49,920 --> 00:56:51,560 Speaker 2: He had the umbrella open thing and it was going 1313 00:56:51,880 --> 00:56:54,760 Speaker 2: save them. Man. We threw so many eggs as that 1314 00:56:54,760 --> 00:56:59,399 Speaker 2: that ship ripped in half. He just dropped this time. 1315 00:57:00,000 --> 00:57:01,799 Speaker 3: I know someone that did that shit and narre and 1316 00:57:01,800 --> 00:57:02,600 Speaker 3: through it at somebody. 1317 00:57:07,400 --> 00:57:09,560 Speaker 2: All right, Some music came out a lot. 1318 00:57:09,360 --> 00:57:11,600 Speaker 3: Of music came out this weekend. 1319 00:57:11,880 --> 00:57:16,400 Speaker 2: Let's get right into the homies. Underwareless Wire's Khalifa, Big 1320 00:57:16,480 --> 00:57:22,080 Speaker 2: Christ Listen good, really good album, really good album. He 1321 00:57:22,080 --> 00:57:23,680 Speaker 2: could walk around in his underweares with. They were putting 1322 00:57:23,680 --> 00:57:26,880 Speaker 2: out albums like this, Full Court Press's Khalifa, Big Chris, 1323 00:57:26,880 --> 00:57:30,040 Speaker 2: Smoke Disser, and Girl Talk. How do you feel about it? 1324 00:57:31,120 --> 00:57:33,920 Speaker 3: I was shocked at the direction they went in, and 1325 00:57:33,920 --> 00:57:37,360 Speaker 3: I'm happy to win that direction. It wasn't like all 1326 00:57:37,680 --> 00:57:41,040 Speaker 3: smokers club music. It was like some real up tempo 1327 00:57:41,840 --> 00:57:44,360 Speaker 3: shit was knocking. I love the direction they did go, 1328 00:57:44,760 --> 00:57:47,120 Speaker 3: but I thought I was gonna get an album full 1329 00:57:47,160 --> 00:57:50,680 Speaker 3: of like smoke and smoking type of beats and that, 1330 00:57:50,720 --> 00:57:53,360 Speaker 3: which I wouldn't have been mad at. But this sh 1331 00:57:53,400 --> 00:57:53,800 Speaker 3: it is hard. 1332 00:57:53,840 --> 00:57:55,960 Speaker 2: I think they felt like people were expecting that and 1333 00:57:56,000 --> 00:57:58,520 Speaker 2: they decided to kind of give them a little more 1334 00:57:58,560 --> 00:58:01,400 Speaker 2: than that, which I'm not mad at. A good project Smoke, 1335 00:58:01,640 --> 00:58:05,960 Speaker 2: Full Court Press, Whiz, Khalifa, Smoke dizz A, Big crit 1336 00:58:05,960 --> 00:58:10,120 Speaker 2: and Girl Talk. Sid put out My Broken Hearts Club Listen. 1337 00:58:10,200 --> 00:58:12,200 Speaker 3: Man, she was on repeat all fucking we. 1338 00:58:12,360 --> 00:58:17,960 Speaker 2: Sid, you are amazingly talented and if people don't give 1339 00:58:18,000 --> 00:58:19,760 Speaker 2: you your flowers, we want to give you your flowers. 1340 00:58:19,760 --> 00:58:22,040 Speaker 2: We love everything that you do. Every time you come out, 1341 00:58:22,040 --> 00:58:26,040 Speaker 2: you drop something, it's just a it's a certain vibe 1342 00:58:26,040 --> 00:58:28,440 Speaker 2: man like. Sid is great at capturing the vibe and 1343 00:58:28,560 --> 00:58:31,840 Speaker 2: just you know, making some really really good music. I 1344 00:58:32,240 --> 00:58:34,760 Speaker 2: do love She's She's part of my smokers playlist. Like 1345 00:58:34,920 --> 00:58:37,080 Speaker 2: a lot of sid shit the internet, a lot of 1346 00:58:37,080 --> 00:58:40,400 Speaker 2: their vibe is great, clean the house, smoke, chill music 1347 00:58:40,520 --> 00:58:40,920 Speaker 2: for sure. 1348 00:58:41,240 --> 00:58:44,440 Speaker 3: I do love how Odd Future broke up, if that 1349 00:58:44,520 --> 00:58:48,360 Speaker 3: makes sense. Mm hmm, like that entire click always doing 1350 00:58:48,400 --> 00:58:51,880 Speaker 3: completely different things and succeeding in whatever genre they're in, 1351 00:58:51,920 --> 00:58:55,320 Speaker 3: whether that shit is acting, being a fucking rap superstar, 1352 00:58:55,600 --> 00:58:59,240 Speaker 3: doing the alternative left shit that I just like how 1353 00:58:59,240 --> 00:59:01,680 Speaker 3: they broke up doing I want to call it underground, 1354 00:59:01,760 --> 00:59:05,520 Speaker 3: but you know that's that more style of rap. They 1355 00:59:05,600 --> 00:59:09,440 Speaker 3: just all went separate ways literally and are all smoking 1356 00:59:09,480 --> 00:59:13,520 Speaker 3: shit sometimes. It it's a talented fucking group of kids. Man, 1357 00:59:13,640 --> 00:59:15,720 Speaker 3: Oh no, it's and that just happened to grow up together. 1358 00:59:15,720 --> 00:59:17,680 Speaker 2: That's wild. And the thing I love about it is 1359 00:59:18,920 --> 00:59:22,560 Speaker 2: it doesn't seem like there's bad blood between any of them. 1360 00:59:22,840 --> 00:59:24,760 Speaker 2: It seems like, you know, everybody. 1361 00:59:24,320 --> 00:59:27,120 Speaker 3: Is okay, like happy that moment in time is gone. 1362 00:59:27,240 --> 00:59:29,000 Speaker 2: Yeah, like just some dope shit. And then you know, 1363 00:59:29,400 --> 00:59:31,120 Speaker 2: in a few years when we're able to come back 1364 00:59:31,160 --> 00:59:33,440 Speaker 2: and tell that whole story, and you know, they give us, 1365 00:59:33,440 --> 00:59:35,080 Speaker 2: hopefully a documentary we get to see a lot of 1366 00:59:35,120 --> 00:59:37,400 Speaker 2: those images of them being in the studio working together, 1367 00:59:37,440 --> 00:59:37,880 Speaker 2: things like that. 1368 00:59:37,920 --> 00:59:39,520 Speaker 3: I can everything, of course, I. 1369 00:59:39,520 --> 00:59:42,440 Speaker 2: Can only hope that they have that are recorded and 1370 00:59:42,480 --> 00:59:44,600 Speaker 2: then we get to see it and appreciate that moment 1371 00:59:44,640 --> 00:59:45,160 Speaker 2: at that time. 1372 00:59:45,640 --> 00:59:48,800 Speaker 3: Yeah, I just can't say enough about that whole click, 1373 00:59:49,080 --> 00:59:54,440 Speaker 3: like a lot of talent. Sid's brother is fucking an 1374 00:59:54,480 --> 00:59:57,240 Speaker 3: amazing actor on Dave right now, and then Frank is Frank. 1375 00:59:57,280 --> 01:00:01,080 Speaker 3: Obviously they're in fucking jackass. They're winning Grammys. 1376 01:00:01,480 --> 01:00:05,840 Speaker 2: Yeah, nuts, when you're talented, when you're talented the way 1377 01:00:05,960 --> 01:00:09,240 Speaker 2: that these individuals are, I do think that sometimes, well 1378 01:00:09,240 --> 01:00:11,200 Speaker 2: I do all the time. Everything happens for a reason. 1379 01:00:11,840 --> 01:00:14,600 Speaker 2: And I just like the fact that they've all been 1380 01:00:14,640 --> 01:00:16,600 Speaker 2: able to, you know, go their separate ways but still 1381 01:00:16,600 --> 01:00:18,480 Speaker 2: be successful, still create the type of music that they 1382 01:00:18,480 --> 01:00:20,760 Speaker 2: want to create, still leave the type of legacy that 1383 01:00:20,760 --> 01:00:23,480 Speaker 2: they want to leave. And again, it doesn't seem like 1384 01:00:23,520 --> 01:00:25,880 Speaker 2: it's bad energy between them. It doesn't seem like they 1385 01:00:25,880 --> 01:00:27,360 Speaker 2: hate each other. It doesn't seem like, you know, they 1386 01:00:27,360 --> 01:00:29,840 Speaker 2: have issues with each other. Everything happens for a reason. 1387 01:00:30,240 --> 01:00:32,480 Speaker 2: So shout out to said Broken Hearts club available now. 1388 01:00:32,520 --> 01:00:35,040 Speaker 2: If you didn't stream that you should. It's a great, 1389 01:00:35,040 --> 01:00:35,800 Speaker 2: great project. 1390 01:00:36,240 --> 01:00:39,920 Speaker 3: And Sid, I know what's Sid doing? She tricking these 1391 01:00:39,960 --> 01:00:43,400 Speaker 3: whole She's not really hurt, She's trying to get some simony. 1392 01:00:43,920 --> 01:00:44,520 Speaker 3: I know that move. 1393 01:00:44,600 --> 01:00:44,880 Speaker 2: Sid. 1394 01:00:45,640 --> 01:00:47,680 Speaker 3: It's all over this album and I love Oh Man, 1395 01:00:48,120 --> 01:00:50,840 Speaker 3: Smeno's great on there hearing Lucky Day Smeno. 1396 01:00:50,920 --> 01:00:53,000 Speaker 2: Smean, I'm gonna keep saying Smino's name, man, because I 1397 01:00:53,040 --> 01:00:56,440 Speaker 2: do think that Smeno is one of the bigger talents 1398 01:00:56,480 --> 01:00:58,080 Speaker 2: that we have in our in our culture right now. 1399 01:00:58,120 --> 01:00:59,760 Speaker 2: And I mean, I know people know about Smeno and 1400 01:00:59,800 --> 01:01:03,400 Speaker 2: they on love, but his talent is is huge. 1401 01:01:03,440 --> 01:01:04,760 Speaker 3: I think it's a little undervalued right now. 1402 01:01:04,880 --> 01:01:07,760 Speaker 2: Yeah, he will be. Smino is somebody that we definitely 1403 01:01:07,800 --> 01:01:08,800 Speaker 2: need to pay more attention to. 1404 01:01:09,000 --> 01:01:12,120 Speaker 3: I was just shocked Lucky Day with If it didn't 1405 01:01:12,120 --> 01:01:13,520 Speaker 3: say Lucky Day on there, I wouldn't have thought it 1406 01:01:13,560 --> 01:01:16,480 Speaker 3: was Lucky Day. I wasn't mad at like the super 1407 01:01:16,520 --> 01:01:17,280 Speaker 3: over auto tune. 1408 01:01:17,280 --> 01:01:17,440 Speaker 2: Shit. 1409 01:01:17,480 --> 01:01:19,520 Speaker 3: I've never heard him like that, so I thought that 1410 01:01:19,560 --> 01:01:24,600 Speaker 3: was interesting. But yeah, that's that's a great album. Dare 1411 01:01:24,600 --> 01:01:26,960 Speaker 3: I say it? Man? This five year album is fucking great. 1412 01:01:28,200 --> 01:01:31,200 Speaker 2: Yo, Listen, I'm gonna be honest. I was surprised. I 1413 01:01:31,280 --> 01:01:34,760 Speaker 2: wasn't expecting uh the album to be I wasn't expecting 1414 01:01:34,760 --> 01:01:36,840 Speaker 2: to enjoy it as much as I've been enjoying it 1415 01:01:36,840 --> 01:01:38,960 Speaker 2: over the weekend. It sounds like he was in the 1416 01:01:38,960 --> 01:01:40,000 Speaker 2: studio with the right people. 1417 01:01:40,440 --> 01:01:40,680 Speaker 3: Yeah. 1418 01:01:41,000 --> 01:01:43,640 Speaker 2: Uh, And again, five Yo is one of those people. 1419 01:01:43,720 --> 01:01:46,320 Speaker 2: He's just been on a you know, I don't. I'm 1420 01:01:46,320 --> 01:01:50,720 Speaker 2: trying to pinpoint where things started to change for him. 1421 01:01:50,760 --> 01:01:54,720 Speaker 2: As far as like an artist. They caught a record, 1422 01:01:55,600 --> 01:01:57,800 Speaker 2: I think so too. I think being around him that 1423 01:01:57,800 --> 01:02:01,000 Speaker 2: that camp, and I believe he wasn't was kind when 1424 01:02:01,000 --> 01:02:02,840 Speaker 2: they were there. I'm pretty sure he went to the ranch, 1425 01:02:02,840 --> 01:02:05,240 Speaker 2: I'm not. I'm not sure if he did, but I 1426 01:02:05,320 --> 01:02:07,720 Speaker 2: just think being around that's why those things are are 1427 01:02:07,760 --> 01:02:11,040 Speaker 2: great for artists, being in those rooms with other artists talking, 1428 01:02:11,200 --> 01:02:13,640 Speaker 2: having time to just kick it with all of this, 1429 01:02:13,840 --> 01:02:17,000 Speaker 2: all of his talent, if you're open to it, and 1430 01:02:17,080 --> 01:02:19,600 Speaker 2: if you're smart, you will absorb some of that and 1431 01:02:19,680 --> 01:02:22,760 Speaker 2: just learn and grow from those type of experiences. And 1432 01:02:22,800 --> 01:02:24,320 Speaker 2: I think that fa Yo has been able to do 1433 01:02:24,360 --> 01:02:28,040 Speaker 2: that this project Bible. Like I said, I like fave Yo. 1434 01:02:28,120 --> 01:02:30,920 Speaker 2: I wasn't expecting to like him as much as I 1435 01:02:30,960 --> 01:02:33,360 Speaker 2: do now. Like this. This project is really good. 1436 01:02:33,440 --> 01:02:35,760 Speaker 3: And I think he saw the feedback from the dondaverse 1437 01:02:36,600 --> 01:02:39,040 Speaker 3: where he was kind of getting into other subject matter 1438 01:02:39,760 --> 01:02:43,120 Speaker 3: outside of the typical drill subject matter and got great 1439 01:02:43,120 --> 01:02:47,000 Speaker 3: feedback from it, and did that all over this album. 1440 01:02:47,160 --> 01:02:50,000 Speaker 3: And I think he picked up where Pop I think 1441 01:02:50,080 --> 01:02:52,960 Speaker 3: left off with the Shoot Shoot for the Stars and 1442 01:02:53,000 --> 01:02:57,280 Speaker 3: for the Moon album, where it's taking the drill sound 1443 01:02:57,400 --> 01:03:01,440 Speaker 3: but definitely pushing it away from the typical drum pattern. 1444 01:03:01,760 --> 01:03:03,960 Speaker 3: It'll still be there, but this is not going to 1445 01:03:04,000 --> 01:03:07,160 Speaker 3: be a just drill album. Like Pop was starting to 1446 01:03:07,160 --> 01:03:09,800 Speaker 3: make music that was not drill at all, and I 1447 01:03:09,840 --> 01:03:12,080 Speaker 3: think that's what Fabio kind of took that baton with 1448 01:03:12,120 --> 01:03:14,560 Speaker 3: this ship, because there is joints on here that are 1449 01:03:14,560 --> 01:03:18,400 Speaker 3: not drill really at all. So I really enjoyed it. 1450 01:03:18,560 --> 01:03:21,840 Speaker 2: Shut out the fave Yoh Bible available now stream that. 1451 01:03:23,600 --> 01:03:26,560 Speaker 3: And I missed, man, I missed a good neo feature. 1452 01:03:27,360 --> 01:03:28,720 Speaker 3: We got to bring the neo feature back. 1453 01:03:29,240 --> 01:03:31,360 Speaker 2: Neo was he was, he was. He was what I 1454 01:03:31,400 --> 01:03:33,360 Speaker 2: call a hooker. At one point, he was the guy 1455 01:03:33,440 --> 01:03:36,480 Speaker 2: that artist he was the he was the guy that 1456 01:03:36,640 --> 01:03:39,360 Speaker 2: artists went to for hook Yeah. Always it was like, yo, 1457 01:03:39,440 --> 01:03:40,680 Speaker 2: go get the ne yoh hook. It was a cheek 1458 01:03:40,720 --> 01:03:42,120 Speaker 2: code for a few years in the history, like if 1459 01:03:42,160 --> 01:03:44,120 Speaker 2: you had a record, you put me on the hook. 1460 01:03:44,360 --> 01:03:46,240 Speaker 2: He was definitely out of here. It was definitely gonna 1461 01:03:46,240 --> 01:03:47,760 Speaker 2: be on the radio every fucking day. 1462 01:03:47,800 --> 01:03:49,400 Speaker 3: And the fat did it seven times and it worked 1463 01:03:49,440 --> 01:03:50,400 Speaker 3: seven times exactly. 1464 01:03:50,400 --> 01:03:52,280 Speaker 2: That's what I call it. Neo was definitely one of 1465 01:03:52,280 --> 01:03:55,080 Speaker 2: the legendary hookers in the in the culture. 1466 01:03:56,200 --> 01:03:57,760 Speaker 3: He was just selling his body. 1467 01:03:58,360 --> 01:04:02,800 Speaker 2: His Obviously the number one hook of all time probably 1468 01:04:02,840 --> 01:04:05,320 Speaker 2: is Nate Dog if you want to you know what 1469 01:04:05,320 --> 01:04:07,280 Speaker 2: I mean, Like, that's a category that I think is 1470 01:04:07,320 --> 01:04:11,040 Speaker 2: really not coaches. There now to dollar TOI dollars and 1471 01:04:11,160 --> 01:04:12,680 Speaker 2: Nate Dog Baby you can tell for sure, you know 1472 01:04:12,720 --> 01:04:17,280 Speaker 2: what I mean? Uhh, Chris Brown for sure? Is I mean, 1473 01:04:17,280 --> 01:04:19,280 Speaker 2: he's Chris Brown. Is Chris Brown. But he's definitely a hooker. 1474 01:04:19,320 --> 01:04:21,520 Speaker 2: You get Chris Brown on the hook, out of here, 1475 01:04:21,720 --> 01:04:25,960 Speaker 2: it's it's it's a few cheat coades walking around. What else? 1476 01:04:25,960 --> 01:04:26,880 Speaker 3: What use what us came out? 1477 01:04:27,080 --> 01:04:27,200 Speaker 2: Uh? 1478 01:04:27,800 --> 01:04:30,400 Speaker 3: Vince Staples Ramona Park prokemar. 1479 01:04:30,080 --> 01:04:33,000 Speaker 2: Vince Staples is another another project. 1480 01:04:33,000 --> 01:04:37,360 Speaker 3: Back to back. I mean, what what is it to 1481 01:04:37,360 --> 01:04:39,720 Speaker 3: say about Vince Man? It's gonna be great every time. 1482 01:04:39,920 --> 01:04:43,360 Speaker 2: Vince is a genius and he's one of those minds that, 1483 01:04:43,520 --> 01:04:45,880 Speaker 2: you know, if you just allow him to be who 1484 01:04:45,880 --> 01:04:49,200 Speaker 2: he is and just give him the room to create 1485 01:04:49,240 --> 01:04:52,640 Speaker 2: and give him the the resources to create, he's gonna 1486 01:04:52,680 --> 01:04:53,520 Speaker 2: do an amazing job. 1487 01:04:53,640 --> 01:04:56,200 Speaker 3: Like future exactly. 1488 01:04:56,360 --> 01:05:00,640 Speaker 2: Just just a brilliant mind, uh, very talented. I love 1489 01:05:00,680 --> 01:05:02,760 Speaker 2: the fact that he's just himself. He's not trying to 1490 01:05:02,760 --> 01:05:06,439 Speaker 2: be anybody else. He doesn't chase trends, he doesn't do shit, 1491 01:05:06,560 --> 01:05:10,520 Speaker 2: you know, just for clicks and views. Yes, I don't, 1492 01:05:10,520 --> 01:05:13,120 Speaker 2: you know, Vince Stables is definitely somebody that we should, 1493 01:05:13,520 --> 01:05:16,520 Speaker 2: again like a smino, talk about more in our culture. 1494 01:05:17,080 --> 01:05:20,680 Speaker 3: And like even Vince is just smarter than everyone. 1495 01:05:20,480 --> 01:05:22,600 Speaker 2: At the end of the day, super super intelligent. 1496 01:05:22,720 --> 01:05:26,160 Speaker 3: Like even the intro towards the end of the intro 1497 01:05:26,240 --> 01:05:31,120 Speaker 3: when when the person dies and then everyone cheers, like 1498 01:05:31,120 --> 01:05:36,680 Speaker 3: like like an audience's cheering just kind of sat with 1499 01:05:36,720 --> 01:05:40,080 Speaker 3: me for a while because everyone's now looking at this ship. 1500 01:05:41,320 --> 01:05:43,560 Speaker 3: We talked about the young rappers actually really living their 1501 01:05:43,640 --> 01:05:47,520 Speaker 3: lyrics and shit, this ship people being murdered has actually 1502 01:05:47,560 --> 01:05:50,560 Speaker 3: become entertainment. Like I thought that, and I don't know 1503 01:05:50,560 --> 01:05:51,920 Speaker 3: if that was his intention for it, but that's when 1504 01:05:51,960 --> 01:05:55,360 Speaker 3: I interpreted it of having an audience cheer with joy 1505 01:05:55,400 --> 01:05:59,000 Speaker 3: when someone is murdered. I just popping an album off 1506 01:05:59,000 --> 01:06:00,520 Speaker 3: that way. I was like, all right, see what time 1507 01:06:00,520 --> 01:06:01,520 Speaker 3: it is with Vincerel. 1508 01:06:01,480 --> 01:06:02,960 Speaker 2: And I talked. I believe we talked about it on 1509 01:06:02,960 --> 01:06:05,440 Speaker 2: here before, but I talked about it in a lot 1510 01:06:05,480 --> 01:06:08,000 Speaker 2: of my you know, circles with my friends. I do 1511 01:06:08,040 --> 01:06:09,919 Speaker 2: think that we're a few years away from being able 1512 01:06:09,960 --> 01:06:13,720 Speaker 2: to watch like death matches, like people fight to the death. 1513 01:06:14,280 --> 01:06:15,960 Speaker 2: I do believe that we're a few years away from that. 1514 01:06:16,240 --> 01:06:18,320 Speaker 2: They're going to find a way to sanction it, and 1515 01:06:18,320 --> 01:06:19,840 Speaker 2: they're going to find a way to make it legal 1516 01:06:19,960 --> 01:06:22,160 Speaker 2: to do it. You know, you agree, you sign this contract. 1517 01:06:22,520 --> 01:06:25,400 Speaker 2: The purse can be one hundred million dollars whatever, something crazy. 1518 01:06:25,840 --> 01:06:28,320 Speaker 2: And I do think that shit real, glady, And I 1519 01:06:28,360 --> 01:06:30,960 Speaker 2: do think it'll be a record amount of viewers that 1520 01:06:31,000 --> 01:06:33,360 Speaker 2: watch it, because you know, that's the one thing that 1521 01:06:33,400 --> 01:06:37,720 Speaker 2: we sensationalize in this world is death is fucking tragic tragedy. 1522 01:06:38,400 --> 01:06:41,400 Speaker 2: So why not get you know, two men to fucking 1523 01:06:41,480 --> 01:06:44,160 Speaker 2: fight to this because essentially all of this shit, somebody 1524 01:06:44,160 --> 01:06:46,600 Speaker 2: can die from a UFC fight. Somebody can die about 1525 01:06:46,640 --> 01:06:47,560 Speaker 2: people have died from. 1526 01:06:47,480 --> 01:06:49,000 Speaker 3: These fights, like they doing the bare knuckle shit. 1527 01:06:49,040 --> 01:06:50,840 Speaker 2: Now, this is what I'm saying. So I feel like 1528 01:06:50,960 --> 01:06:53,880 Speaker 2: it's going We're approaching it, they're flirting with it, they're 1529 01:06:53,920 --> 01:06:56,400 Speaker 2: teething on the line, and it's still a tragedy, you 1530 01:06:56,400 --> 01:06:58,080 Speaker 2: know whatever. One of these fighters died, But then they're 1531 01:06:58,080 --> 01:06:59,320 Speaker 2: just going to get to the point like, hey, listen, 1532 01:06:59,320 --> 01:07:01,240 Speaker 2: the purse is going to be three hundred million dollars. 1533 01:07:02,760 --> 01:07:04,560 Speaker 2: I know a few people people jumping there for two 1534 01:07:04,600 --> 01:07:06,800 Speaker 2: million dollars and they can take ahead hit to the 1535 01:07:06,800 --> 01:07:09,040 Speaker 2: head and die the same way. So I do think 1536 01:07:09,080 --> 01:07:11,200 Speaker 2: we're a few years away from that being an official 1537 01:07:11,200 --> 01:07:12,880 Speaker 2: thing that we can order and watch on a pay 1538 01:07:12,880 --> 01:07:13,280 Speaker 2: per view. 1539 01:07:13,520 --> 01:07:14,120 Speaker 1: That's nuts. 1540 01:07:14,160 --> 01:07:17,360 Speaker 3: But Gunplay that came out I didn't get a chance 1541 01:07:17,360 --> 01:07:19,120 Speaker 3: to listen to, but I'm going to at some point 1542 01:07:19,120 --> 01:07:20,240 Speaker 3: because I do with gun Play. 1543 01:07:20,320 --> 01:07:22,680 Speaker 2: Gunplay. I always felt like Gunplay was a star man. 1544 01:07:22,920 --> 01:07:27,560 Speaker 2: I don't years ago with the whole Triple c's and 1545 01:07:27,600 --> 01:07:30,440 Speaker 2: you know, every time he was you were see him 1546 01:07:30,440 --> 01:07:33,560 Speaker 2: in the videos and on stage reforming his energy, his uh, 1547 01:07:33,800 --> 01:07:36,840 Speaker 2: his personality, his voice, just his voice voice. I watched 1548 01:07:36,840 --> 01:07:39,800 Speaker 2: a lot of his interviews he's he's fucking hilarious. A 1549 01:07:39,800 --> 01:07:41,600 Speaker 2: lot of his interviews I've seen. He just has a 1550 01:07:42,160 --> 01:07:45,040 Speaker 2: personality and a character of a star. Yeah, and I 1551 01:07:45,040 --> 01:07:47,040 Speaker 2: always felt like he was super dope. He talked, his 1552 01:07:47,200 --> 01:07:49,920 Speaker 2: raps are ray, he talked that real shit. Bible on 1553 01:07:49,960 --> 01:07:51,840 Speaker 2: the Dash is still one of my favorite records. 1554 01:07:53,200 --> 01:07:55,760 Speaker 3: Shit, even like what he did with Kendrick on Cartoons 1555 01:07:55,760 --> 01:07:59,280 Speaker 3: in Sereal. I really thought gun Play was gonna be 1556 01:07:59,360 --> 01:08:02,680 Speaker 3: the one at an MMG roster in that regard, but 1557 01:08:03,120 --> 01:08:03,800 Speaker 3: all bullshit. 1558 01:08:03,840 --> 01:08:07,320 Speaker 2: A side gun Play available now stream. 1559 01:08:07,040 --> 01:08:09,440 Speaker 3: That do we miss any other music that came out? 1560 01:08:09,480 --> 01:08:12,320 Speaker 3: And as far as I guess you call it mainstream, 1561 01:08:12,760 --> 01:08:16,960 Speaker 3: be in London, Uh, be in London, BNJ cole Uh. 1562 01:08:17,120 --> 01:08:18,719 Speaker 1: That'll probably be the London record. 1563 01:08:20,000 --> 01:08:21,920 Speaker 3: I like it. Yeah, I think that record is gonna go. 1564 01:08:22,400 --> 01:08:24,599 Speaker 3: I'm excited for it be an album I really were. 1565 01:08:24,720 --> 01:08:26,800 Speaker 2: They're yeah join him and Cole is a is a 1566 01:08:26,840 --> 01:08:27,680 Speaker 2: fucking smash. 1567 01:08:27,880 --> 01:08:31,080 Speaker 3: Yeah, she's she's really really dope. I am curious to 1568 01:08:31,080 --> 01:08:34,880 Speaker 3: see where she goes album wise. As far as the 1569 01:08:35,160 --> 01:08:37,519 Speaker 3: just the sound of it, I'm curious. But I do 1570 01:08:37,640 --> 01:08:40,599 Speaker 3: like this record and I think it's gonna go. And 1571 01:08:40,960 --> 01:08:43,040 Speaker 3: I like the Coles keeping up with the kids. 1572 01:08:43,840 --> 01:08:46,160 Speaker 2: Know that the song was crazy. The song is hard. 1573 01:08:46,479 --> 01:08:49,200 Speaker 2: I'm seeing a lot of people fucking with it. Uh 1574 01:08:49,400 --> 01:08:52,240 Speaker 2: shout out to be a the Coiler Ray album. Did 1575 01:08:52,240 --> 01:08:52,720 Speaker 2: that come out this we? 1576 01:08:53,000 --> 01:08:54,880 Speaker 3: Oh, yeah, that's the one I was as missing one. 1577 01:08:55,360 --> 01:08:56,200 Speaker 3: I listened to it once. 1578 01:08:56,880 --> 01:08:58,160 Speaker 2: How did you feel about it? You said this was 1579 01:08:58,280 --> 01:09:00,400 Speaker 2: gonna be one of your guilty pleasure albums. Do you 1580 01:09:00,439 --> 01:09:03,439 Speaker 2: still feel the same way? She let you down, Nick Corey. 1581 01:09:03,320 --> 01:09:06,000 Speaker 3: Let you Now, No, she didn't let me down. It's 1582 01:09:06,040 --> 01:09:09,280 Speaker 3: just probably something that I won't really, it's not for me. 1583 01:09:09,400 --> 01:09:11,280 Speaker 3: And I don't mean that as the cop out for shit, 1584 01:09:11,320 --> 01:09:15,519 Speaker 3: because I can totally understand the younger generation absolutely loving 1585 01:09:15,520 --> 01:09:17,880 Speaker 3: this fucking album. It's got all the right features, got 1586 01:09:17,880 --> 01:09:20,559 Speaker 3: all the fucking beats that y'all love. It's got the 1587 01:09:20,600 --> 01:09:23,800 Speaker 3: same cadence y'all love. She's kind of and they'll kill 1588 01:09:23,840 --> 01:09:26,719 Speaker 3: me for this. She's kind of a female Tory Lanes 1589 01:09:26,760 --> 01:09:33,240 Speaker 3: to me. She can do she can imitate everyone else. 1590 01:09:33,360 --> 01:09:35,439 Speaker 2: Really, well, that's a talent. 1591 01:09:35,680 --> 01:09:39,120 Speaker 3: I completely yeah, Yeah, I think it's an actual, real talent. 1592 01:09:39,200 --> 01:09:40,760 Speaker 3: I never really noted Tory for it. I thought he 1593 01:09:40,880 --> 01:09:44,080 Speaker 3: was usually better at doing other people's style than they were, 1594 01:09:44,479 --> 01:09:47,479 Speaker 3: and I kind of got that from this album. She's 1595 01:09:47,520 --> 01:09:50,760 Speaker 3: really good at taking what's modern now and doing it better. 1596 01:09:51,439 --> 01:09:52,960 Speaker 3: So I'm not gonna go back to it. 1597 01:09:53,040 --> 01:09:57,040 Speaker 1: But she got young Blue Nicki Mina, and she had. 1598 01:09:56,880 --> 01:09:58,800 Speaker 2: The features on it. She had everybody's on this. 1599 01:09:59,280 --> 01:10:01,760 Speaker 3: Young and Ma's versus actually crazy young make. 1600 01:10:01,680 --> 01:10:04,160 Speaker 1: That off on this little dirt g little tech a 1601 01:10:04,320 --> 01:10:07,120 Speaker 1: boogie who yeah. 1602 01:10:07,040 --> 01:10:10,400 Speaker 2: Hey, boogie drop something too, I think, right, I believe 1603 01:10:10,560 --> 01:10:14,120 Speaker 2: so let me see yeah, player feature in elebands? There 1604 01:10:14,120 --> 01:10:18,320 Speaker 2: you go, yes, well it was too song. He put 1605 01:10:18,320 --> 01:10:21,759 Speaker 2: a little tupac out. It was playing. Play a feature 1606 01:10:21,800 --> 01:10:24,040 Speaker 2: in her and then play a feature in ele bands? 1607 01:10:24,200 --> 01:10:28,400 Speaker 3: Okay, yeah? Oh, and come on, we slack it. First 1608 01:10:28,400 --> 01:10:31,559 Speaker 3: you let Wallow beat you to the Conway album, and 1609 01:10:31,600 --> 01:10:34,360 Speaker 3: now Wallow and Gilly are on the coy like they're 1610 01:10:34,360 --> 01:10:37,760 Speaker 3: getting the streets and the mainstream. We are slacking. We 1611 01:10:37,800 --> 01:10:38,679 Speaker 3: have to get on someone's. 1612 01:10:38,439 --> 01:10:40,960 Speaker 1: Album, do we What about your album? 1613 01:10:41,320 --> 01:10:43,760 Speaker 3: Mm hm? I left Mal's naming on. 1614 01:10:43,760 --> 01:10:48,680 Speaker 2: The drop, Thank you, man, I appreciate that. 1615 01:10:48,720 --> 01:10:50,080 Speaker 3: I gotta get ending this speak on my album. 1616 01:10:50,120 --> 01:10:52,240 Speaker 2: Absolutely got to get ending the closed album. 1617 01:10:52,880 --> 01:10:55,639 Speaker 3: I can see you on on Whizz solo project doing 1618 01:10:55,680 --> 01:10:56,360 Speaker 3: like the interludes. 1619 01:10:57,520 --> 01:11:00,519 Speaker 2: He has to have his on though. Thanks, he has 1620 01:11:00,560 --> 01:11:06,519 Speaker 2: to responsor on this. Absolutely can't do the no pants today. 1621 01:11:07,640 --> 01:11:10,679 Speaker 2: We're not doing that, guys. 1622 01:11:10,720 --> 01:11:14,040 Speaker 1: Before y'all head out. Uh you guys got something dropping 1623 01:11:14,240 --> 01:11:16,200 Speaker 1: well technically today. Yeah. 1624 01:11:16,240 --> 01:11:19,559 Speaker 3: On Patreon, man, we did the Drake versus Wayne Battle 1625 01:11:19,680 --> 01:11:23,559 Speaker 3: with It's not just to plug up and play records 1626 01:11:23,560 --> 01:11:25,120 Speaker 3: back and forth. It's a whole piece. We made it 1627 01:11:25,240 --> 01:11:27,120 Speaker 3: funny and scenes and ship. 1628 01:11:27,040 --> 01:11:28,840 Speaker 2: So I have fun. 1629 01:11:28,840 --> 01:11:31,599 Speaker 3: I'm bad at selling shit. It's funny. Go watch that ship, man. 1630 01:11:31,640 --> 01:11:34,040 Speaker 2: We have fun, you know. That's what we do over here. Man. 1631 01:11:34,040 --> 01:11:37,400 Speaker 2: We like to have fun. We don't take ourselves too seriously. Obviously, 1632 01:11:37,479 --> 01:11:40,240 Speaker 2: Drake and Wayne, or two of our favorite artists, we 1633 01:11:40,320 --> 01:11:42,640 Speaker 2: always argue about who's a better rapper, who's had a 1634 01:11:42,680 --> 01:11:46,360 Speaker 2: better career, who's a better songmaker. So we decided to 1635 01:11:46,680 --> 01:11:50,400 Speaker 2: sit down with the entire crew and have some drinks 1636 01:11:50,439 --> 01:11:51,920 Speaker 2: and have some fun and. 1637 01:11:52,160 --> 01:11:55,400 Speaker 3: Started out cocky. Yeah, yeah, I was pretty confident in 1638 01:11:55,400 --> 01:11:55,799 Speaker 3: the beginning. 1639 01:11:56,000 --> 01:11:58,280 Speaker 2: I mean, listen, tune in to see you, but you 1640 01:11:58,320 --> 01:12:00,680 Speaker 2: but you absolutely have a reason to its way, Like, 1641 01:12:00,720 --> 01:12:02,840 Speaker 2: who isn't cocky with Wayne's you know. 1642 01:12:03,080 --> 01:12:04,800 Speaker 3: The first first five rounds. I was feeling like this 1643 01:12:04,880 --> 01:12:08,160 Speaker 3: might be a sweep. Yeah, I mean that changed pretty quickly. 1644 01:12:08,439 --> 01:12:11,000 Speaker 2: I mean, it's it's it's Drake, it's Wayne, it's a 1645 01:12:11,200 --> 01:12:12,640 Speaker 2: it's a lot of it's a lot of ship to 1646 01:12:12,640 --> 01:12:15,800 Speaker 2: pull from. My strategy, honestly, was I was gonna take 1647 01:12:15,840 --> 01:12:18,240 Speaker 2: all of his time Stamp records and just play those, Yeah, 1648 01:12:18,360 --> 01:12:20,320 Speaker 2: because that's when he's rapping the most, going off And 1649 01:12:20,360 --> 01:12:22,360 Speaker 2: it's like, I was like, but how that's not fun? 1650 01:12:22,400 --> 01:12:23,680 Speaker 2: Like you can't do that, you know what I mean? 1651 01:12:23,680 --> 01:12:27,280 Speaker 2: But go watch it. Subscribe to our Patreon Drake versus 1652 01:12:27,320 --> 01:12:28,920 Speaker 2: Wayne battles on there. We had a lot of fun. 1653 01:12:28,920 --> 01:12:32,800 Speaker 2: Shout out to PG our ring card girl. Uh, you know, 1654 01:12:32,840 --> 01:12:35,120 Speaker 2: we couldn't we couldn't find anybody. The marriage had to 1655 01:12:35,120 --> 01:12:37,040 Speaker 2: catch a flight so she couldn't do it. Then it 1656 01:12:37,080 --> 01:12:38,760 Speaker 2: was too tall, it was too tall to fit in 1657 01:12:38,800 --> 01:12:42,080 Speaker 2: the frame. Uh. And then he couldn't count to five. 1658 01:12:42,640 --> 01:12:43,000 Speaker 5: Uh. 1659 01:12:43,520 --> 01:12:47,559 Speaker 3: He makes us do it for sound check to remind him. 1660 01:12:48,400 --> 01:12:52,200 Speaker 2: So yeah, definitely go check out our Patreon subscribe. We 1661 01:12:52,280 --> 01:12:54,639 Speaker 2: got more ship coming for y'all. Listen. We just having 1662 01:12:54,640 --> 01:12:57,519 Speaker 2: fun with this ship, being stupid, having fun, and that's 1663 01:12:57,520 --> 01:12:58,000 Speaker 2: what it is. 1664 01:12:58,400 --> 01:13:01,920 Speaker 3: Why does the Internet hate nav because they made it 1665 01:13:01,960 --> 01:13:04,840 Speaker 3: cool to hate navit at some point I missed why. 1666 01:13:04,960 --> 01:13:05,559 Speaker 3: I just saw it. 1667 01:13:05,560 --> 01:13:06,840 Speaker 1: It's like the whole nickel Back thing. 1668 01:13:07,520 --> 01:13:09,879 Speaker 2: Okay, yeah, get. 1669 01:13:09,720 --> 01:13:13,040 Speaker 3: It, Nickelback nav dang Cook, Yeah I get it. Yeah, 1670 01:13:13,080 --> 01:13:14,439 Speaker 3: it's all all the same. 1671 01:13:14,560 --> 01:13:15,640 Speaker 1: Yeah. 1672 01:13:15,640 --> 01:13:16,840 Speaker 3: Well I liked his verse on the. 1673 01:13:16,840 --> 01:13:19,040 Speaker 2: Court the right ship navas talented. 1674 01:13:19,960 --> 01:13:22,120 Speaker 3: Listen everything I've heard, I haven't heard a lot, but 1675 01:13:22,160 --> 01:13:24,120 Speaker 3: the stuff i've heard I've didn't dislike. 1676 01:13:24,200 --> 01:13:26,200 Speaker 2: You know, Navis talented. I think people again like ed 1677 01:13:26,280 --> 01:13:28,920 Speaker 2: and said some somewhere along the line, people just made 1678 01:13:28,920 --> 01:13:31,559 Speaker 2: it cool to just not like nav. I think people 1679 01:13:31,640 --> 01:13:34,360 Speaker 2: just think he's like corny or whatever, like this, the 1680 01:13:34,400 --> 01:13:36,800 Speaker 2: wil A thing you got, you got the thing, you 1681 01:13:36,840 --> 01:13:38,800 Speaker 2: know what I mean? Who else was in that? 1682 01:13:39,160 --> 01:13:41,360 Speaker 3: It was the j Cole thing when he was he 1683 01:13:41,479 --> 01:13:43,840 Speaker 3: was selling out Arenas and Twitter was like nobody listens 1684 01:13:43,880 --> 01:13:48,320 Speaker 3: to cold Like fifty thousand people say otherwise exactly. 1685 01:13:48,720 --> 01:13:51,599 Speaker 2: And Happy Birthday at Belly he birth celebrated at birthday 1686 01:13:51,600 --> 01:13:52,120 Speaker 2: over the weekend. 1687 01:13:52,120 --> 01:13:53,960 Speaker 3: Happy Birthday and summer Walker today. 1688 01:13:54,240 --> 01:13:55,599 Speaker 2: Happy Birthday, Summer Walkers. 1689 01:13:55,640 --> 01:13:58,400 Speaker 3: You got to baday caption together or nah? 1690 01:13:58,439 --> 01:14:02,360 Speaker 2: I thought about uh? According a post and dedicating it 1691 01:14:02,360 --> 01:14:04,760 Speaker 2: to Summer. But you know, I didn't want to. I 1692 01:14:04,760 --> 01:14:07,280 Speaker 2: didn't want to come across disrespectful to her current. 1693 01:14:07,000 --> 01:14:09,040 Speaker 1: Relationship because you've already done that in the past. 1694 01:14:09,280 --> 01:14:12,280 Speaker 2: Yeah, and it's just like I'm not trying to disrespect. Yeah, 1695 01:14:12,439 --> 01:14:14,440 Speaker 2: I'm just like, you know, just happy birthday, Summer. 1696 01:14:14,200 --> 01:14:18,040 Speaker 3: Walker, platonically platonically as a fan. Sure your man is 1697 01:14:18,040 --> 01:14:19,760 Speaker 3: doing something and using for your. 1698 01:14:19,720 --> 01:14:25,280 Speaker 2: Birthday flowers and bubble bash everywhere. Uh, bubble bass. Every 1699 01:14:25,439 --> 01:14:27,559 Speaker 2: bath in the house has bubbles in it today home, 1700 01:14:27,600 --> 01:14:29,880 Speaker 2: deep on, take a bathroom that you want to take 1701 01:14:29,880 --> 01:14:31,000 Speaker 2: a take a bath from today? 1702 01:14:32,040 --> 01:14:36,559 Speaker 3: Right, anything else, we'll be back in two days. 1703 01:14:36,840 --> 01:14:36,960 Speaker 2: Right. 1704 01:14:37,960 --> 01:14:39,760 Speaker 3: So that's about it. My birthday is coming up soon. 1705 01:14:39,800 --> 01:14:40,640 Speaker 3: I don't know what the fuck to do. 1706 01:14:40,800 --> 01:14:42,639 Speaker 2: Hey, what are you doing? 1707 01:14:42,680 --> 01:14:42,880 Speaker 1: Man? 1708 01:14:43,240 --> 01:14:45,080 Speaker 2: I don't know May fourth right. 1709 01:14:45,120 --> 01:14:46,040 Speaker 1: I already have a gift for you. 1710 01:14:46,840 --> 01:14:50,240 Speaker 2: Thanks, single day, Guadro, Yes, single dick quadro. 1711 01:14:51,360 --> 01:14:52,880 Speaker 3: I know that because you too say it. 1712 01:14:56,400 --> 01:14:57,519 Speaker 2: Will you be thirty two this year? 1713 01:14:57,600 --> 01:14:57,960 Speaker 3: Thirty two? 1714 01:14:58,000 --> 01:14:58,240 Speaker 2: Yeah? 1715 01:14:58,400 --> 01:14:59,679 Speaker 3: Getting up there, you know, man? 1716 01:15:00,400 --> 01:15:02,920 Speaker 2: Yeah, you know that milk starts spoiling around thirty three. 1717 01:15:02,960 --> 01:15:03,639 Speaker 2: It gets really bad. 1718 01:15:03,680 --> 01:15:05,360 Speaker 3: Oh it's my shack on the magic year. 1719 01:15:07,640 --> 01:15:10,679 Speaker 2: That is so disgusted. Why would you say that shack 1720 01:15:10,880 --> 01:15:13,320 Speaker 2: on your magic? Why would you say that, You couldn't 1721 01:15:13,320 --> 01:15:15,920 Speaker 2: even say your magic Johnson, your shack on the magic. 1722 01:15:15,960 --> 01:15:19,439 Speaker 2: That's just disgusting. What's wrong with speaking of magic Johnson? 1723 01:15:19,479 --> 01:15:21,160 Speaker 3: I hate when young chick says, my Jordan year. 1724 01:15:21,600 --> 01:15:22,120 Speaker 2: Shut up. 1725 01:15:22,120 --> 01:15:23,880 Speaker 3: No, they don't even give me one Jordan's staff. 1726 01:15:23,960 --> 01:15:28,000 Speaker 2: Fucking yeah, Like, just shut the fuck up. Uh, what's wrong? 1727 01:15:28,040 --> 01:15:28,840 Speaker 2: Look at peach Man. 1728 01:15:30,160 --> 01:15:32,040 Speaker 3: You know that's how peach started Paw. You got to 1729 01:15:32,080 --> 01:15:33,200 Speaker 3: start He's page. 1730 01:15:33,240 --> 01:15:37,439 Speaker 2: Just it's something wrong with peach Uh. Speaking of Magic Johnson, 1731 01:15:37,640 --> 01:15:41,160 Speaker 2: it was an interesting Uh. Magic was doing something he 1732 01:15:41,200 --> 01:15:43,439 Speaker 2: had in the parents somewhere, I believe. Uh. 1733 01:15:43,880 --> 01:15:45,519 Speaker 3: And that's funny. 1734 01:15:45,800 --> 01:15:50,800 Speaker 2: Well, het up the basketball clinic. Yes, And it came 1735 01:15:50,800 --> 01:15:53,599 Speaker 2: out that in nineteen seventy nine, Magic Johnson turned down 1736 01:15:53,640 --> 01:15:57,960 Speaker 2: a stock option deal with Nike over a cash offer 1737 01:15:58,000 --> 01:16:01,639 Speaker 2: from Converse. His position in Nike today would be worth 1738 01:16:01,920 --> 01:16:08,160 Speaker 2: five point two billion dollar and he decided to turn 1739 01:16:08,200 --> 01:16:11,200 Speaker 2: that down in nineteen seventy nine to take the cash 1740 01:16:11,840 --> 01:16:16,920 Speaker 2: from Converse. Let this be a lesson kids that fast 1741 01:16:16,960 --> 01:16:18,680 Speaker 2: money is not always good. Like I always say, we 1742 01:16:18,680 --> 01:16:20,519 Speaker 2: don't want to go fast. We want to go right, 1743 01:16:21,280 --> 01:16:24,200 Speaker 2: and that is a lesson five point two billion dollars 1744 01:16:24,320 --> 01:16:28,280 Speaker 2: richer Magic Johnson would be today had he taken that 1745 01:16:28,479 --> 01:16:31,120 Speaker 2: stock option deal from Nike in nineteen seventy nine. 1746 01:16:31,160 --> 01:16:33,639 Speaker 3: He's doing all right, but he's doing great. But FI 1747 01:16:33,840 --> 01:16:34,559 Speaker 3: kind of owns LA. 1748 01:16:35,240 --> 01:16:37,479 Speaker 2: Five point two billion is a lot of fucking. 1749 01:16:37,840 --> 01:16:40,080 Speaker 1: He usually looks like a man that takes risks. 1750 01:16:40,320 --> 01:16:41,720 Speaker 3: I mean he has Chuck Taylor's at. 1751 01:16:41,720 --> 01:16:44,559 Speaker 2: Least this is your last day. I even know that. 1752 01:16:44,600 --> 01:16:45,320 Speaker 3: I thought that was great. 1753 01:16:45,360 --> 01:16:47,479 Speaker 2: I just want you to know his last day here, Uh, 1754 01:16:49,680 --> 01:16:50,920 Speaker 2: y'all is sick man. Y'all. 1755 01:16:51,080 --> 01:16:52,559 Speaker 3: I would be so mad when he outlives me. 1756 01:16:52,680 --> 01:16:55,920 Speaker 2: This is the sickest fucking crew. Jet Blue Airways is 1757 01:16:55,960 --> 01:16:59,240 Speaker 2: offered to buy Spirit Airlines for three point six billion. 1758 01:16:59,240 --> 01:17:02,799 Speaker 2: Magic Johnson the void bud Spirit with Spirit Airline Taddy 1759 01:17:02,880 --> 01:17:06,160 Speaker 2: taking that with stock option deal from Nike in nineteen 1760 01:17:06,160 --> 01:17:09,880 Speaker 2: seventy pocket money after two Yes, so they're throwing a 1761 01:17:09,920 --> 01:17:13,320 Speaker 2: rent into Spirits plan because Spirit had planned to merge 1762 01:17:13,320 --> 01:17:16,880 Speaker 2: with Frontier Airline and so now with Jet Blue offering 1763 01:17:16,920 --> 01:17:19,400 Speaker 2: them three point six billion, I believe that this causes 1764 01:17:19,479 --> 01:17:22,400 Speaker 2: a bit of negotiation. Yeah, because you can't just walk 1765 01:17:22,439 --> 01:17:24,479 Speaker 2: away from a three point six billion dollar offer. I 1766 01:17:24,520 --> 01:17:29,439 Speaker 2: don't care who you are. So yeah. And also, Black 1767 01:17:29,520 --> 01:17:32,160 Speaker 2: Star has confirmed a new mad Lit produced album, No 1768 01:17:32,200 --> 01:17:35,120 Speaker 2: Fear of Time, is coming in May. I know Rory 1769 01:17:35,200 --> 01:17:39,200 Speaker 2: is going crazy to this news absolutely. On Friday, April eighth, 1770 01:17:39,200 --> 01:17:42,680 Speaker 2: subscription based podcast network Luminary announced the resurrection of the 1771 01:17:42,720 --> 01:17:45,160 Speaker 2: hip hop duo Black Star in the form of their 1772 01:17:45,200 --> 01:17:48,040 Speaker 2: upcoming No Fear of Time album, which serves as the 1773 01:17:48,040 --> 01:17:50,840 Speaker 2: first release from the group since their twenty eleven Fixed 1774 01:17:50,920 --> 01:17:54,320 Speaker 2: Up single. The non song album, which was produced in 1775 01:17:54,360 --> 01:17:56,600 Speaker 2: the hotel rooms and dress rooms around the globe, is 1776 01:17:56,640 --> 01:18:00,320 Speaker 2: expected to arrive on May third, exclusively via Luminary Project. 1777 01:18:00,320 --> 01:18:02,599 Speaker 2: Will arrive in conjunction with season two of The Midnight 1778 01:18:02,640 --> 01:18:07,240 Speaker 2: Miracle podcast hosted by season comedian Dave Chappelle and Black Star, 1779 01:18:07,280 --> 01:18:10,400 Speaker 2: which features a complete breakdown of their reunion story. I 1780 01:18:10,400 --> 01:18:11,679 Speaker 2: think that this is gonna be amazing. 1781 01:18:11,920 --> 01:18:13,439 Speaker 3: I'm excited for the nerds. 1782 01:18:13,560 --> 01:18:13,960 Speaker 2: This is for that. 1783 01:18:14,080 --> 01:18:16,040 Speaker 3: This is the one time I'm actually when I say 1784 01:18:16,080 --> 01:18:17,280 Speaker 3: I'm excited, I'm excited. 1785 01:18:17,320 --> 01:18:19,599 Speaker 2: Yeah, this is this. This was some some good news 1786 01:18:19,640 --> 01:18:25,679 Speaker 2: to uh to wake up to over the weekend. I'm 1787 01:18:25,720 --> 01:18:27,439 Speaker 2: so yeah. Shout out to the black Star mad Lib. 1788 01:18:28,000 --> 01:18:30,519 Speaker 3: I'm curious. I think it's either gonna be I think 1789 01:18:30,520 --> 01:18:33,519 Speaker 3: there'll be a middle ground. I think they it'll either 1790 01:18:33,560 --> 01:18:38,800 Speaker 3: be fucking incredible or yeah, Seen is gonna take us 1791 01:18:38,840 --> 01:18:40,320 Speaker 3: in a direction that we are not ready for. 1792 01:18:41,200 --> 01:18:42,680 Speaker 2: I think this is gonna be great. I think that 1793 01:18:42,760 --> 01:18:46,679 Speaker 2: it's gonna be uh something totally different than what we're expecting. 1794 01:18:47,960 --> 01:18:49,960 Speaker 2: And I like the fact that they're doing kind of 1795 01:18:50,000 --> 01:18:52,360 Speaker 2: like a podcast around it and you know, breaking down 1796 01:18:52,400 --> 01:18:54,439 Speaker 2: the reunion where they got that, I do, you know, 1797 01:18:54,560 --> 01:18:57,360 Speaker 2: doing everything that they have been planning, had that, everything 1798 01:18:57,400 --> 01:19:01,280 Speaker 2: that they've been working on. Of course most has been 1799 01:19:01,280 --> 01:19:08,920 Speaker 2: through some uh exciting things and some crazy experiences in 1800 01:19:08,960 --> 01:19:10,280 Speaker 2: the last quality. 1801 01:19:09,920 --> 01:19:10,479 Speaker 1: As well. 1802 01:19:12,040 --> 01:19:12,559 Speaker 2: Him as well. 1803 01:19:12,720 --> 01:19:16,160 Speaker 3: Quality for sure. So I don't expect Jaguar to be 1804 01:19:16,200 --> 01:19:17,320 Speaker 3: singing any hooks on this one. 1805 01:19:17,680 --> 01:19:20,680 Speaker 2: Yeah, I'm sure she won't. Won't be there at all. 1806 01:19:21,320 --> 01:19:24,240 Speaker 2: Uh yeah, man, that's all I have at the moment. 1807 01:19:25,160 --> 01:19:26,800 Speaker 3: Uh does your brother have the link today? I'm can 1808 01:19:26,800 --> 01:19:27,200 Speaker 3: I have it now? 1809 01:19:28,120 --> 01:19:30,960 Speaker 2: He probably does. I'm willing. I'm willing to bet he does. 1810 01:19:30,960 --> 01:19:32,880 Speaker 2: I'm a hit hot today. I know he got it 1811 01:19:33,040 --> 01:19:34,800 Speaker 2: for sure. He's not gonna give it now. He ain't 1812 01:19:34,800 --> 01:19:39,120 Speaker 2: gonna give it to me, but he definitely got it. Yeah, 1813 01:19:39,120 --> 01:19:40,040 Speaker 2: that's it, That's all I have. 1814 01:19:40,439 --> 01:19:40,679 Speaker 3: Cool. 1815 01:19:40,720 --> 01:19:44,000 Speaker 2: Oh, Push Your Team says fatherhood has changed his perspective 1816 01:19:44,080 --> 01:19:47,240 Speaker 2: on the entire Drake beef. He sat down with DCEs 1817 01:19:47,280 --> 01:19:49,760 Speaker 2: and Meryl shout out to DCEs and Merrow, and he 1818 01:19:49,840 --> 01:19:52,840 Speaker 2: spoke about, you know how him having a child now, 1819 01:19:52,960 --> 01:19:55,840 Speaker 2: you know, looking back on the situation with him and Drake, 1820 01:19:56,760 --> 01:20:00,240 Speaker 2: you know, he understands like there are certain lines that 1821 01:20:00,320 --> 01:20:04,799 Speaker 2: you shouldn't cross with, you know, even in the rat culture, 1822 01:20:05,640 --> 01:20:07,800 Speaker 2: because he's not willing to play games when it comes 1823 01:20:07,800 --> 01:20:10,800 Speaker 2: to people mentioning his child. So you know, it changes 1824 01:20:10,880 --> 01:20:13,600 Speaker 2: perspective on which we know, life, life, life teaches you 1825 01:20:13,680 --> 01:20:16,080 Speaker 2: things and it changes the perspective. And I'm pretty sure 1826 01:20:16,080 --> 01:20:18,599 Speaker 2: having a child now he understands Drake's stance on his 1827 01:20:18,640 --> 01:20:20,840 Speaker 2: family and how much he loves and protect wants to 1828 01:20:20,840 --> 01:20:23,200 Speaker 2: protect his loved ones. So it was good to hear 1829 01:20:23,439 --> 01:20:25,639 Speaker 2: you Push your you know, speak on that and say, listen, 1830 01:20:25,720 --> 01:20:28,839 Speaker 2: I my perspective is totally different now, like's I understand 1831 01:20:28,840 --> 01:20:31,519 Speaker 2: it certain things that you absolutely should not touch. And 1832 01:20:32,640 --> 01:20:34,720 Speaker 2: even you know, I guess he's basically moved on from 1833 01:20:34,760 --> 01:20:36,840 Speaker 2: that he's not even the whole Drake thing is. 1834 01:20:37,760 --> 01:20:40,719 Speaker 3: I think they both probably didn't care anymore. 1835 01:20:41,040 --> 01:20:43,680 Speaker 2: Oh yeah, I mean Drake went on to sell out 1836 01:20:43,720 --> 01:20:45,680 Speaker 2: New York City for fourteen days in. 1837 01:20:45,600 --> 01:20:49,080 Speaker 3: A row, so that was gonna happen regards Yeah, exactly. 1838 01:20:49,080 --> 01:20:52,280 Speaker 2: I'm pretty sure that was just a quick little spartifest 1839 01:20:52,320 --> 01:20:52,720 Speaker 2: that they had. 1840 01:20:52,800 --> 01:20:55,519 Speaker 3: Here's the thing, though, I may be in the minority here. 1841 01:20:55,560 --> 01:20:56,479 Speaker 3: I don't want a Drake and. 1842 01:20:56,479 --> 01:20:57,080 Speaker 1: Push your teas on. 1843 01:20:58,840 --> 01:20:59,920 Speaker 2: Drake and push your tea. 1844 01:21:00,960 --> 01:21:02,160 Speaker 3: I just don't think I need it. 1845 01:21:02,600 --> 01:21:04,920 Speaker 2: I don't need it. Yeah, but if it happened, I 1846 01:21:04,920 --> 01:21:05,519 Speaker 2: would listen. 1847 01:21:06,680 --> 01:21:08,439 Speaker 3: I've heard the Betty and Drake song and I love it. 1848 01:21:09,160 --> 01:21:12,719 Speaker 2: Yeah, but this is this is different because of their history, 1849 01:21:12,760 --> 01:21:16,360 Speaker 2: and you know, maybe they share bars about the whole battle. 1850 01:21:16,600 --> 01:21:18,559 Speaker 2: So that's why we want to hear it. I don't 1851 01:21:18,600 --> 01:21:20,439 Speaker 2: want them to do it, but I would listen to it. 1852 01:21:20,600 --> 01:21:22,479 Speaker 3: Would you want Push to go into Drake's world or 1853 01:21:22,520 --> 01:21:25,160 Speaker 3: Drake to go into Push Push his world? Well? 1854 01:21:25,200 --> 01:21:28,000 Speaker 2: I think so, I think Drake. I think it's easier 1855 01:21:28,040 --> 01:21:29,320 Speaker 2: for Drake to go on to Push his world. 1856 01:21:29,360 --> 01:21:31,479 Speaker 3: I agree. I think the only way I would actually 1857 01:21:31,520 --> 01:21:32,800 Speaker 3: want to hear it though, because I would like to 1858 01:21:32,800 --> 01:21:36,479 Speaker 3: hear what push would sound like on that type of shit. Yeah, 1859 01:21:36,920 --> 01:21:39,560 Speaker 3: some forty underwater drums and samples. 1860 01:21:39,920 --> 01:21:41,479 Speaker 2: No push, you can do it, of course you can't 1861 01:21:41,800 --> 01:21:43,720 Speaker 2: push tea. But I just, you know, I don't. I 1862 01:21:43,760 --> 01:21:45,920 Speaker 2: don't want to hear it, like like I don't, I 1863 01:21:45,920 --> 01:21:47,240 Speaker 2: just don't want to hear it. If it happens, I'm 1864 01:21:47,240 --> 01:21:49,240 Speaker 2: gonna listen, obviously, but I just I don't want it 1865 01:21:49,280 --> 01:21:50,559 Speaker 2: to happen. That's all I'm saying. 1866 01:21:50,600 --> 01:21:51,720 Speaker 3: That's not what I definitely need. 1867 01:21:51,960 --> 01:21:54,080 Speaker 1: We got Going Bad after Drake and Meek. 1868 01:21:55,240 --> 01:21:57,719 Speaker 3: Yeah, but Drake and Meek are in the same world, true, 1869 01:21:59,120 --> 01:22:01,320 Speaker 3: and that, Yeah, that didn't feel weird. It's not so 1870 01:22:01,400 --> 01:22:03,479 Speaker 3: much to be if they had never beefed before. I 1871 01:22:03,479 --> 01:22:05,559 Speaker 3: don't think i'd ever say I want to push your 1872 01:22:05,560 --> 01:22:08,400 Speaker 3: tea and drink or need one. It's not a posed 1873 01:22:08,400 --> 01:22:09,760 Speaker 3: to it. But yeah, and who the fucking mine? 1874 01:22:10,160 --> 01:22:11,800 Speaker 2: And I wasn't crazy about Going Bad? It was it 1875 01:22:11,840 --> 01:22:13,439 Speaker 2: was cool, but I wasn't crazy about it. 1876 01:22:13,760 --> 01:22:17,200 Speaker 3: Well, I was completely wrong. You were right on that record. Yeah, 1877 01:22:17,320 --> 01:22:20,000 Speaker 3: I mean I was like, this ain't the one I've 1878 01:22:20,000 --> 01:22:24,040 Speaker 3: been up in, dykeman, they're playing the fab love it though. 1879 01:22:24,080 --> 01:22:26,400 Speaker 3: I was in the cook the spot, going crag. I 1880 01:22:26,439 --> 01:22:27,040 Speaker 3: was going nuts. 1881 01:22:28,280 --> 01:22:30,000 Speaker 2: Let me get another blue Blue Miss? 1882 01:22:30,080 --> 01:22:31,559 Speaker 3: Is that the flavor Blue Miss is great? 1883 01:22:32,760 --> 01:22:37,320 Speaker 2: You know he ordered full? You know when that came off, 1884 01:22:37,400 --> 01:22:38,800 Speaker 2: Rory ordered for Blue Miss. 1885 01:22:38,840 --> 01:22:40,360 Speaker 3: You know that everyone got their own Hookah. 1886 01:22:40,439 --> 01:22:42,360 Speaker 2: Yeah, I definitely tried to tell you back then at that. 1887 01:22:42,640 --> 01:22:44,360 Speaker 3: I thought Going Bad was trash the first time I 1888 01:22:44,400 --> 01:22:47,599 Speaker 3: heard it, and I was strongly mistaken. And I actually 1889 01:22:47,640 --> 01:22:47,840 Speaker 3: love that. 1890 01:22:47,960 --> 01:22:50,240 Speaker 2: I just know when you can just hear when certain 1891 01:22:50,280 --> 01:22:53,479 Speaker 2: records are just gonna go, not that you may like it, 1892 01:22:53,560 --> 01:22:55,920 Speaker 2: Like I still wasn't crazy about Going Bad, like I 1893 01:22:55,920 --> 01:22:58,439 Speaker 2: would have wanted to hear Drake and Meek on a 1894 01:22:58,439 --> 01:23:01,680 Speaker 2: different vibe, But I knew, I'm like, this record is 1895 01:23:01,760 --> 01:23:03,559 Speaker 2: it's gonna go? I knew that as soon as I 1896 01:23:03,560 --> 01:23:03,920 Speaker 2: heard it. 1897 01:23:05,520 --> 01:23:07,960 Speaker 3: Is there any is there any uh any more rap 1898 01:23:08,080 --> 01:23:11,559 Speaker 3: enemies that you need to make. I'm not talking about 1899 01:23:11,560 --> 01:23:13,320 Speaker 3: the ones that are actually really be thinking, like the 1900 01:23:14,760 --> 01:23:16,719 Speaker 3: push your tea, Drake meet Drake. 1901 01:23:17,560 --> 01:23:20,920 Speaker 2: No, I'm as far as right now. 1902 01:23:20,960 --> 01:23:25,040 Speaker 3: Yeah, Game is gonna disminem apparently so that headline. 1903 01:23:24,720 --> 01:23:28,160 Speaker 2: Somewhere Game is gearing up to this m who hasn't. 1904 01:23:28,720 --> 01:23:31,320 Speaker 3: But how you tell someone you're about this. But that's 1905 01:23:31,320 --> 01:23:33,280 Speaker 3: why about to write this about That's. 1906 01:23:33,200 --> 01:23:34,800 Speaker 2: Why I fun with game though, because he letting you know, 1907 01:23:34,840 --> 01:23:38,200 Speaker 2: like yo, all right, I didn't like that ship. I'm 1908 01:23:38,200 --> 01:23:38,759 Speaker 2: in the studio. 1909 01:23:38,880 --> 01:23:41,400 Speaker 3: He said something about M on drink champs, so what 1910 01:23:41,640 --> 01:23:42,559 Speaker 3: M didn't say anything. 1911 01:23:42,640 --> 01:23:44,600 Speaker 2: That's how I go. Sometimes sometimes you gotta be the 1912 01:23:44,600 --> 01:23:45,040 Speaker 2: first one. 1913 01:23:45,040 --> 01:23:45,959 Speaker 3: Now, I got a dissu. 1914 01:23:47,520 --> 01:23:47,920 Speaker 2: Exactly. 1915 01:23:47,920 --> 01:23:48,479 Speaker 3: I love Game. 1916 01:23:48,640 --> 01:23:49,880 Speaker 2: Sometimes you got to strike first. 1917 01:23:49,960 --> 01:23:50,120 Speaker 1: Game. 1918 01:23:50,160 --> 01:23:52,000 Speaker 2: Listen, I see what you doing. Strike first, because you 1919 01:23:52,000 --> 01:23:54,559 Speaker 2: know what's besides to strike back. It's gonna be on. 1920 01:23:56,560 --> 01:23:59,400 Speaker 2: Uh yeah, man, that's I think that's about it for me, fellas. 1921 01:23:59,400 --> 01:24:01,040 Speaker 2: I don't have nothing else that I noticed over the weekend. 1922 01:24:01,080 --> 01:24:04,920 Speaker 2: If y'all did, please feel free to speak now or forever, 1923 01:24:04,960 --> 01:24:07,880 Speaker 2: shut the fuck up, or just tweet us. There you go, Yeah, 1924 01:24:07,880 --> 01:24:09,320 Speaker 2: tweet us and let us know what we missed. Let 1925 01:24:09,400 --> 01:24:10,680 Speaker 2: us know why you hate us, let us know why 1926 01:24:10,720 --> 01:24:13,439 Speaker 2: you love us. Subscribe to our Patreon, subscribe to the YouTube. 1927 01:24:14,120 --> 01:24:18,599 Speaker 2: Uh that's about it. Then we're good. You're my nigger. 1928 01:24:19,280 --> 01:24:23,880 Speaker 2: Just want you to know that you're my Nika. You're mynah. 1929 01:24:24,280 --> 01:24:27,679 Speaker 1: All right, Roy, Well, you're better at this audio. 1930 01:24:27,720 --> 01:24:29,479 Speaker 2: This audio journey has come to an end. 1931 01:24:29,840 --> 01:24:32,240 Speaker 3: I'm not good at goodbyes that you're laying. 1932 01:24:32,320 --> 01:24:35,160 Speaker 2: No, no, no, this isn't a goodbye. Rory see you later. 1933 01:24:35,240 --> 01:24:38,120 Speaker 2: This is a scene in a couple of hours. You know, 1934 01:24:38,200 --> 01:24:40,960 Speaker 2: we pod for our living. How else are we gonna eat? 1935 01:24:41,120 --> 01:24:44,840 Speaker 2: We have to talk to the people. Call you good edding. 1936 01:24:44,880 --> 01:24:47,840 Speaker 2: You're good. Yeah, all right man, I'm that nigga. You're 1937 01:24:47,880 --> 01:24:50,000 Speaker 2: just ginger. We'll talk to you in a couple of days. 1938 01:24:50,040 --> 01:24:51,840 Speaker 2: Y'll be good. Be safe. Peace,