1 00:00:00,680 --> 00:00:03,440 Speaker 1: From Hollywood to you. Thank you for listening to us. 2 00:00:03,560 --> 00:00:08,360 Speaker 2: Ryan Air on Air with Ryan Seacrest. 3 00:00:09,600 --> 00:00:11,360 Speaker 1: Good morning everybody. Nice to see y'all. 4 00:00:11,640 --> 00:00:13,400 Speaker 3: Morning, Good morning morning. 5 00:00:14,880 --> 00:00:20,840 Speaker 1: Back room usually do it in Unison wedding. It's like 6 00:00:20,880 --> 00:00:25,720 Speaker 1: a Tuesday back there. I mean it's Thursday, October twelve. 7 00:00:26,720 --> 00:00:29,480 Speaker 1: Uh well, I've been here ten to twelve minutes. You 8 00:00:29,520 --> 00:00:30,840 Speaker 1: haven't noticed anything different? Have you? 9 00:00:31,440 --> 00:00:31,960 Speaker 3: In your hair? 10 00:00:32,640 --> 00:00:33,040 Speaker 1: Thank you? 11 00:00:33,120 --> 00:00:37,159 Speaker 3: Ciciny what it's tighter and shorter on the sides. 12 00:00:38,680 --> 00:00:41,080 Speaker 1: Tanya, I got a very tight fade on the side. 13 00:00:41,520 --> 00:00:42,680 Speaker 3: Yeah, very night. 14 00:00:43,080 --> 00:00:46,400 Speaker 1: Just watched that David Beckham documentary and I liked his cut. 15 00:00:46,560 --> 00:00:48,640 Speaker 1: But this isn't his cut, but it inspired me to 16 00:00:48,680 --> 00:00:53,279 Speaker 1: get a haircut, and so I did that last night 17 00:00:54,400 --> 00:00:58,560 Speaker 1: for this season. But it's really the same. I have 18 00:00:58,600 --> 00:01:00,880 Speaker 1: three of the same looks. There's just a little tighter, 19 00:01:00,960 --> 00:01:02,960 Speaker 1: a little longer, a little tighter, little curlier. 20 00:01:03,040 --> 00:01:04,120 Speaker 4: I like a tighter fade. 21 00:01:04,920 --> 00:01:05,520 Speaker 1: Can I tell you? 22 00:01:05,760 --> 00:01:05,880 Speaker 5: So? 23 00:01:06,360 --> 00:01:08,400 Speaker 1: He just walked out, So I'm going to tell you 24 00:01:08,440 --> 00:01:11,039 Speaker 1: who here? Do you think takes all the stuff from 25 00:01:11,080 --> 00:01:13,560 Speaker 1: the hotel we stay in at the iHeart Radio Music Festival. 26 00:01:13,800 --> 00:01:18,520 Speaker 1: I just found a bunch of pens from Aria in 27 00:01:18,600 --> 00:01:19,480 Speaker 1: tubs his cup. 28 00:01:20,600 --> 00:01:23,120 Speaker 6: Okay, well, first of all, he probably just cleans the 29 00:01:23,200 --> 00:01:25,120 Speaker 6: area and just puts it all in his bag. 30 00:01:25,520 --> 00:01:28,640 Speaker 1: He literally has a coffee cup full of four pens 31 00:01:28,680 --> 00:01:31,240 Speaker 1: from Aria from when we stay at the Ihart radio 32 00:01:31,280 --> 00:01:33,680 Speaker 1: music for four is excessive, but that means he had 33 00:01:33,680 --> 00:01:36,959 Speaker 1: to collect them. There's one in the room. He actually 34 00:01:36,959 --> 00:01:39,760 Speaker 1: had to go and find place. Oh, here it comes. 35 00:01:39,880 --> 00:01:42,240 Speaker 1: Where'd you find? Where'd you get all these pens? Where's 36 00:01:42,280 --> 00:01:44,520 Speaker 1: that one? You also have a sky villa pen? Where'd 37 00:01:44,520 --> 00:01:49,320 Speaker 1: you get that high roller? Belinda? Give to Belinda? Blame Belinda? 38 00:01:49,560 --> 00:01:51,480 Speaker 6: See no, but you always chew on your pens, so 39 00:01:51,520 --> 00:01:52,880 Speaker 6: you can't just give you one pen. 40 00:01:52,960 --> 00:01:54,280 Speaker 4: You have to have multiples. 41 00:01:53,880 --> 00:01:56,160 Speaker 1: Because you just what is that about? I do chew 42 00:01:56,200 --> 00:01:58,480 Speaker 1: on my glasses? Do you chew on your like your 43 00:01:58,520 --> 00:01:59,480 Speaker 1: glasses will? 44 00:01:59,600 --> 00:02:01,520 Speaker 3: Yeah? Oral fixations? I don't know. 45 00:02:01,880 --> 00:02:03,800 Speaker 1: Why do we as human beings put the tip of 46 00:02:03,840 --> 00:02:05,880 Speaker 1: our glass frames into our mouth? I see people do 47 00:02:05,920 --> 00:02:08,640 Speaker 1: all the time when they're thinking. It makes me think 48 00:02:08,680 --> 00:02:09,480 Speaker 1: I'm thinking better. 49 00:02:09,680 --> 00:02:11,160 Speaker 2: Yeah, And you don't want to have like all the 50 00:02:11,160 --> 00:02:13,280 Speaker 2: BikeE marks on there because then that's gross it. 51 00:02:13,720 --> 00:02:15,480 Speaker 1: But I got them, I've got them, and I do 52 00:02:15,520 --> 00:02:16,440 Speaker 1: I chew on the pens. 53 00:02:16,520 --> 00:02:18,880 Speaker 4: Chew on the pens, so. 54 00:02:18,800 --> 00:02:21,040 Speaker 1: It starts with pens. Then you're chewing on robes and towels, 55 00:02:21,040 --> 00:02:22,560 Speaker 1: a coffee maker. It's just be careful. 56 00:02:22,560 --> 00:02:26,600 Speaker 2: It's a slippery slow It's a thing though, because Asa, 57 00:02:26,639 --> 00:02:29,959 Speaker 2: who's five, choose on everything. I'm always on her. I 58 00:02:30,040 --> 00:02:31,720 Speaker 2: was like, take the bracelet out of your mouth a lot. 59 00:02:31,760 --> 00:02:34,560 Speaker 2: But Maxim doesn't chew on stuff, So it's just you're. 60 00:02:34,360 --> 00:02:35,000 Speaker 3: Born with it. 61 00:02:35,280 --> 00:02:38,720 Speaker 1: I did. I chewed on ice for years, especially when 62 00:02:38,720 --> 00:02:41,399 Speaker 1: I would travel on a plane, and now you chew 63 00:02:41,400 --> 00:02:43,440 Speaker 1: on it for hours and I cracked it too. 64 00:02:43,520 --> 00:02:45,240 Speaker 3: It's like a soothing thing almost. 65 00:02:45,600 --> 00:02:49,200 Speaker 1: It's it's it's definitely a thing. So anyway, good morning. 66 00:02:49,639 --> 00:02:52,240 Speaker 1: We're gonna try and be your thing today, seacrest with you. 67 00:02:52,280 --> 00:02:54,919 Speaker 1: We got sunshine and highs around eighty nineties. Canna be 68 00:02:54,960 --> 00:02:57,960 Speaker 1: warm inland. Today's Thursday, so we're paying their bills all day. 69 00:02:58,160 --> 00:03:01,320 Speaker 1: Today's Thursday. So we have a lion's roses at seven 70 00:03:01,320 --> 00:03:03,799 Speaker 1: point forty and while she was getting ready for dinner, 71 00:03:04,320 --> 00:03:08,240 Speaker 1: he disappeared. A trip to celebrate the anniversary. Getting ready 72 00:03:08,240 --> 00:03:10,280 Speaker 1: for dinner, he disappeared. Find out where she found him 73 00:03:10,720 --> 00:03:12,960 Speaker 1: and what she thinks it means I do always struggle 74 00:03:13,000 --> 00:03:14,959 Speaker 1: with like what to do when someone else is getting ready? 75 00:03:16,320 --> 00:03:20,359 Speaker 1: I need to occupy myself with something and watch something 76 00:03:20,440 --> 00:03:25,880 Speaker 1: walk somewhere. Yeah, I've learned to not rush anyone, and 77 00:03:25,960 --> 00:03:30,880 Speaker 1: I also have learned to delicately ask how much time 78 00:03:30,880 --> 00:03:33,760 Speaker 1: it's going to take to get ready to someone else. 79 00:03:34,400 --> 00:03:36,200 Speaker 4: Yeah, asking for eta is not bad. 80 00:03:36,400 --> 00:03:37,839 Speaker 1: But you know you can be taking the wrong way 81 00:03:38,120 --> 00:03:39,520 Speaker 1: if I say how long is he gonna take you? 82 00:03:39,760 --> 00:03:41,160 Speaker 1: This is not the right way to do it. 83 00:03:41,480 --> 00:03:42,480 Speaker 3: Or time it differently. 84 00:03:42,920 --> 00:03:44,800 Speaker 2: Give them the head start to get ready, and then 85 00:03:44,920 --> 00:03:47,280 Speaker 2: you start getting ready towards the end of them getting ready. 86 00:03:47,560 --> 00:03:50,320 Speaker 1: What I say now is again this is a life's 87 00:03:50,720 --> 00:03:55,559 Speaker 1: long journey of learning. What I say now is, so, 88 00:03:55,600 --> 00:03:59,280 Speaker 1: we're gonna grab dinner tonight at five thirty. What time 89 00:03:59,320 --> 00:04:03,440 Speaker 1: would you like to ready? How's that? It's good? Mark right? 90 00:04:03,480 --> 00:04:04,680 Speaker 4: A little passive aggressive? 91 00:04:05,400 --> 00:04:07,480 Speaker 1: Well? Or what did you say? We're gonna we're gonna 92 00:04:07,480 --> 00:04:10,440 Speaker 1: we're gonna leave a five twenty eight. It's a close restaurant. 93 00:04:10,440 --> 00:04:14,440 Speaker 1: Apparently we're five twenty we're gonna leave it at five fifteen? 94 00:04:14,600 --> 00:04:16,120 Speaker 1: Just heads up? Or did you say just a heads up? 95 00:04:16,120 --> 00:04:20,400 Speaker 1: We'll leave five fifteen. So sisany you're in your new 96 00:04:20,400 --> 00:04:24,320 Speaker 1: neighborhood is Halloween time? Are they into Halloween like you are? 97 00:04:24,520 --> 00:04:25,560 Speaker 1: Are they decorating? 98 00:04:25,760 --> 00:04:26,640 Speaker 3: Yeah, my street. 99 00:04:26,720 --> 00:04:30,320 Speaker 2: Finally, I'm on a street that gets trigger treaters. And 100 00:04:30,920 --> 00:04:33,400 Speaker 2: before the pandemic, this my street was one of those 101 00:04:33,360 --> 00:04:35,680 Speaker 2: streets that, like would they would put cones up and 102 00:04:35,960 --> 00:04:36,520 Speaker 2: shut it down. 103 00:04:36,600 --> 00:04:38,760 Speaker 3: Essentially it almost turned into like a block party, right. 104 00:04:38,800 --> 00:04:39,240 Speaker 1: I love that. 105 00:04:39,320 --> 00:04:39,920 Speaker 3: I love it too. 106 00:04:39,960 --> 00:04:42,320 Speaker 2: But then the pandemic hit and obviously, for obvious reasons, 107 00:04:42,360 --> 00:04:45,520 Speaker 2: it didn't kind of have that same vibe. But now 108 00:04:46,120 --> 00:04:51,040 Speaker 2: it's almost like we're reviving the enthusiasm to bring it back. 109 00:04:51,080 --> 00:04:52,559 Speaker 1: I mean, your your family spirit. 110 00:04:52,800 --> 00:04:55,840 Speaker 2: Because on October first, we put up mister Skelley, the 111 00:04:55,880 --> 00:04:57,440 Speaker 2: twelve foot skeleton. 112 00:04:57,040 --> 00:04:59,080 Speaker 1: On I just saw on the news. That's a popular thing. 113 00:04:59,240 --> 00:05:02,400 Speaker 2: Yeah, sold out, And so we put him up on 114 00:05:02,440 --> 00:05:04,640 Speaker 2: the front lawn and like I told you, all the 115 00:05:04,680 --> 00:05:07,160 Speaker 2: whole neighborhood came out to like greet him and take 116 00:05:07,160 --> 00:05:08,880 Speaker 2: pictures with him. And he's like literally the talk of 117 00:05:08,920 --> 00:05:11,360 Speaker 2: the street. Like random people come up and take pictures 118 00:05:11,360 --> 00:05:15,520 Speaker 2: of the skeleton. And we've met most of our neighbors 119 00:05:15,600 --> 00:05:19,040 Speaker 2: and everyone's so excited for Halloween. Theyally said, we're gonna 120 00:05:19,080 --> 00:05:21,880 Speaker 2: have a pot luck and let's have let's try to 121 00:05:21,920 --> 00:05:25,080 Speaker 2: basically give get back that spirit of like you know, 122 00:05:25,640 --> 00:05:27,760 Speaker 2: shutting down the street and having a block party. 123 00:05:27,880 --> 00:05:30,560 Speaker 1: It's a community and celebrating so you have especially for 124 00:05:30,640 --> 00:05:33,279 Speaker 1: families with kids who want to go trigger treating exactly. 125 00:05:33,480 --> 00:05:35,440 Speaker 2: So it's looking like that that's what we're gonna do. 126 00:05:35,560 --> 00:05:37,839 Speaker 2: And so we organized, like we all have a roster 127 00:05:37,960 --> 00:05:40,960 Speaker 2: with all of our names and numbers, and everyone's going 128 00:05:41,040 --> 00:05:43,200 Speaker 2: to figure out what potluck everyone's going to bring. 129 00:05:43,360 --> 00:05:45,480 Speaker 1: You know, I was wondering, I've not seen so much 130 00:05:45,520 --> 00:05:47,359 Speaker 1: pep in your step in a long time. I was 131 00:05:47,400 --> 00:05:50,080 Speaker 1: wondering why you were having, you know, all of this happiness, 132 00:05:50,120 --> 00:05:53,720 Speaker 1: and it's because you're spearheading Halloween. It's that neighborhood. 133 00:05:53,720 --> 00:05:56,320 Speaker 3: I'm also low key panicking of like what dish I make. 134 00:05:56,360 --> 00:05:58,839 Speaker 1: A potluck for Halloween? What is your go to potluck dish? 135 00:05:58,880 --> 00:05:59,159 Speaker 4: I don't. 136 00:05:59,240 --> 00:06:00,520 Speaker 3: I don't know that I have one. 137 00:06:00,800 --> 00:06:02,760 Speaker 1: Mine's nine layer deep. But is that okay to search 138 00:06:03,880 --> 00:06:04,440 Speaker 1: for everything? 139 00:06:04,960 --> 00:06:06,120 Speaker 4: I don't hate it in. 140 00:06:06,000 --> 00:06:09,120 Speaker 1: Respect, it's not thank you, it's not hate dish. 141 00:06:09,040 --> 00:06:10,600 Speaker 6: No, I know, but I'm just saying that's like your 142 00:06:10,640 --> 00:06:12,120 Speaker 6: move for everything that's good. 143 00:06:12,240 --> 00:06:14,080 Speaker 3: It's honestly good. I think I might steal that. 144 00:06:14,240 --> 00:06:17,680 Speaker 1: I've never actually met someone, and I stack it so 145 00:06:17,760 --> 00:06:20,560 Speaker 1: you see the different levels and layers, so you it 146 00:06:20,640 --> 00:06:22,960 Speaker 1: look like if you were to looked at the Earth's crust, 147 00:06:23,560 --> 00:06:25,560 Speaker 1: you know, you'd see the different levels of sediment. That's 148 00:06:25,600 --> 00:06:26,159 Speaker 1: not the bean. 149 00:06:26,520 --> 00:06:27,719 Speaker 4: What are the nine layers? 150 00:06:28,480 --> 00:06:32,320 Speaker 1: So what's beans? This is a very difficult one. I 151 00:06:32,320 --> 00:06:33,160 Speaker 1: may have to look up my rest. 152 00:06:33,279 --> 00:06:34,120 Speaker 3: It's like a salsa. 153 00:06:34,560 --> 00:06:38,560 Speaker 1: There's well, there's so there's beans, then there's the tomatoes. 154 00:06:39,000 --> 00:06:42,200 Speaker 1: Then there's the onions. Sometimes they do green onions too. 155 00:06:42,720 --> 00:06:47,840 Speaker 1: Then there's cheese. Then there's sour cream taco mix. Then 156 00:06:47,880 --> 00:06:53,800 Speaker 1: there's black olives otto that's sick like cilancho, and and guacamoala. Yes, yes, 157 00:06:53,880 --> 00:06:58,479 Speaker 1: that's eight. It's it's seven to nine depending on how 158 00:06:58,560 --> 00:06:59,080 Speaker 1: much time you have. 159 00:07:00,200 --> 00:07:02,120 Speaker 2: But I like it because it can last for hours 160 00:07:02,560 --> 00:07:04,880 Speaker 2: and it could be and it could be left out. 161 00:07:05,320 --> 00:07:06,800 Speaker 3: You know. It's one of those things. 162 00:07:06,880 --> 00:07:10,440 Speaker 1: That's a good one. I also like a white bean chili. 163 00:07:11,240 --> 00:07:13,280 Speaker 3: A white bean chili, Yeah, you can do. 164 00:07:13,240 --> 00:07:14,600 Speaker 1: Like a sort of bean. 165 00:07:14,440 --> 00:07:17,240 Speaker 2: Chili with yeah something anything in a croc pot is good, right, 166 00:07:17,240 --> 00:07:19,000 Speaker 2: and I can have a crockpot have it turned on. 167 00:07:19,240 --> 00:07:21,160 Speaker 2: That's not we also want to do because like I'm 168 00:07:21,160 --> 00:07:23,640 Speaker 2: gonna have some of my friends over, maybe some sort 169 00:07:23,680 --> 00:07:27,680 Speaker 2: of themed costume, but like really comfy, like almost like 170 00:07:27,720 --> 00:07:31,160 Speaker 2: those onesies that are like the zip up onesies, you know, easy, 171 00:07:31,240 --> 00:07:34,560 Speaker 2: not not the skeleton one because I'm just so like plain. 172 00:07:35,000 --> 00:07:37,640 Speaker 3: But we're thinking maybe like teletuppies or like something funny. 173 00:07:37,840 --> 00:07:39,960 Speaker 1: Do you know what's interesting? And maybe this is not shocking. 174 00:07:40,120 --> 00:07:42,200 Speaker 1: I'm more interested in the pot luck part of it 175 00:07:42,240 --> 00:07:43,400 Speaker 1: than the dressing up part of it. 176 00:07:43,800 --> 00:07:46,720 Speaker 2: I mean I can see not surprising, probably not surprising 177 00:07:46,760 --> 00:07:47,040 Speaker 2: at all. 178 00:07:47,560 --> 00:07:50,080 Speaker 1: Travis Kelcey and the Chiefs are on Thursday Night football 179 00:07:50,080 --> 00:07:54,480 Speaker 1: tonight against the Broncos. So this tailor the fact that. 180 00:07:54,440 --> 00:08:00,640 Speaker 2: We have to talk about them in LA. 181 00:08:00,200 --> 00:08:03,120 Speaker 1: We're we're playing tailor. Every few minutes. I was reading 182 00:08:03,120 --> 00:08:06,040 Speaker 1: that Hailey Steinfeld went to go see her guy play 183 00:08:06,120 --> 00:08:07,720 Speaker 1: in London plays in the NFL. 184 00:08:07,840 --> 00:08:10,600 Speaker 2: Josh, yeah, there was a six am game. My Fantasy 185 00:08:10,640 --> 00:08:11,400 Speaker 2: Football was going off. 186 00:08:11,400 --> 00:08:11,920 Speaker 4: I was like, what is this. 187 00:08:12,000 --> 00:08:13,160 Speaker 3: I was like, oh, there's a London game. 188 00:08:13,280 --> 00:08:18,040 Speaker 1: Yeah, I mean this international games throw me off Okay, 189 00:08:18,080 --> 00:08:21,360 Speaker 1: so between the flu and COVID and RSV, there's a 190 00:08:21,360 --> 00:08:24,280 Speaker 1: lot of stuff going around. But having these in your 191 00:08:24,280 --> 00:08:27,200 Speaker 1: home it's your morning hack. But having these in your 192 00:08:27,200 --> 00:08:29,880 Speaker 1: home can help because they actually kill airborne viruses and 193 00:08:29,920 --> 00:08:36,920 Speaker 1: they are plants. Plants. I remember when I first got 194 00:08:36,920 --> 00:08:40,960 Speaker 1: my apartment here in Burbank that my mom told me 195 00:08:41,000 --> 00:08:44,160 Speaker 1: to get plants because they add an energy to your home, 196 00:08:44,320 --> 00:08:46,360 Speaker 1: you know, not plastic ones, but like a real I 197 00:08:46,400 --> 00:08:48,199 Speaker 1: think it was a fern, something really simple that I 198 00:08:48,240 --> 00:08:50,840 Speaker 1: could get when I first moved here, that didn't need 199 00:08:50,880 --> 00:08:53,120 Speaker 1: a lot of care. But the researchers that found that 200 00:08:53,120 --> 00:08:57,319 Speaker 1: plants produce hydrogen peroxide that helps read the air of 201 00:08:57,400 --> 00:08:59,959 Speaker 1: bacteria and viruses the same way where you use high 202 00:09:00,040 --> 00:09:01,600 Speaker 1: drid in peroxide to disinfect. 203 00:09:01,920 --> 00:09:02,520 Speaker 4: I feel like. 204 00:09:02,559 --> 00:09:05,920 Speaker 3: We had been less sick. We have more plants in 205 00:09:05,960 --> 00:09:08,280 Speaker 3: this house, and I feel like this works. 206 00:09:08,720 --> 00:09:10,480 Speaker 1: Well. It's just the beginning of the season, so stay 207 00:09:10,520 --> 00:09:14,640 Speaker 1: near your plants. Plants can be the key. Today's quote 208 00:09:16,960 --> 00:09:22,320 Speaker 1: it's a Thursday. Someday you will look back and know 209 00:09:22,480 --> 00:09:27,120 Speaker 1: exactly why it happened. You didn't You didn't really give 210 00:09:27,120 --> 00:09:30,280 Speaker 1: me a Usually you give me a reaction someday you 211 00:09:30,320 --> 00:09:32,680 Speaker 1: will look back and know exactly why it happened. I 212 00:09:32,720 --> 00:09:35,920 Speaker 1: know it was simple and perfect. 213 00:09:36,160 --> 00:09:40,280 Speaker 4: Yeah, Will, I can't give you who every day? 214 00:09:40,520 --> 00:09:41,360 Speaker 1: Well I want one? 215 00:09:41,760 --> 00:09:43,000 Speaker 4: Okay, okay, fair enough. 216 00:09:44,400 --> 00:09:46,760 Speaker 1: Remember Mark was supposed to come in every single more. Yeah, 217 00:09:46,800 --> 00:09:50,480 Speaker 1: put it up in the little sound cage. Remember Mark 218 00:09:50,559 --> 00:09:54,520 Speaker 1: was going to come in every single day. And Chis Cherison. 219 00:09:54,679 --> 00:09:58,400 Speaker 3: Yeah that hasn't happened. We didn't happen once, not even 220 00:09:58,480 --> 00:09:58,960 Speaker 3: one day. 221 00:09:59,600 --> 00:10:02,559 Speaker 1: No, even now we're talking about it, he's not even pretenuous. 222 00:10:02,880 --> 00:10:05,040 Speaker 3: Well so you don't feel it like you don't want to. 223 00:10:05,120 --> 00:10:09,600 Speaker 1: When did you start caring about that? I mean, come on, wow. 224 00:10:10,480 --> 00:10:12,480 Speaker 4: All truth comes Uprea quote, here we go. 225 00:10:12,559 --> 00:10:17,320 Speaker 1: Let's get looks like I'm playing softball for the right. 226 00:10:17,679 --> 00:10:19,880 Speaker 1: I'm the son. I'm on the Sun's softball team. Yeah, 227 00:10:20,640 --> 00:10:22,760 Speaker 1: all right, here we go. Tanya's got a new word 228 00:10:22,800 --> 00:10:24,600 Speaker 1: for us. It's sub fash. 229 00:10:24,679 --> 00:10:26,120 Speaker 4: Yeah, subfash. Have you heard of it? 230 00:10:26,600 --> 00:10:28,520 Speaker 1: I think I can understand. It's after seven o'clock. Youre 231 00:10:28,520 --> 00:10:30,120 Speaker 1: going to tell us about it, But celebrities are doing it? 232 00:10:30,760 --> 00:10:31,719 Speaker 3: Well, yeah, I. 233 00:10:31,679 --> 00:10:33,160 Speaker 4: Made up the word, but I think it's going to 234 00:10:33,200 --> 00:10:33,520 Speaker 4: catch on. 235 00:10:34,000 --> 00:10:36,160 Speaker 1: Okay, and we can put a list of the best 236 00:10:36,160 --> 00:10:40,520 Speaker 1: French fries in LA. You heard us talking about uh tacos. 237 00:10:40,559 --> 00:10:42,679 Speaker 1: Now it's going to be French fries, rings Roses first 238 00:10:42,720 --> 00:10:44,880 Speaker 1: Sysney with the headlines FM headlines. 239 00:10:46,000 --> 00:10:49,280 Speaker 2: Well, Taylor Swift's Aras Tour film is hitting the big 240 00:10:49,280 --> 00:10:53,280 Speaker 2: screen one day earlier than planned today. Yeah, you actually 241 00:10:53,320 --> 00:10:57,439 Speaker 2: shared the news on Instagram yesterday, moments before her lavish 242 00:10:57,559 --> 00:11:00,400 Speaker 2: world premiere for the film at the Grove where she 243 00:11:00,600 --> 00:11:01,320 Speaker 2: shut it down. 244 00:11:01,360 --> 00:11:02,160 Speaker 3: We all saw that. 245 00:11:02,240 --> 00:11:04,520 Speaker 2: You know, I was actually there last night, and she 246 00:11:04,679 --> 00:11:07,880 Speaker 2: made it a point to go up and go into 247 00:11:08,080 --> 00:11:12,040 Speaker 2: all the theaters and greet her fans in each theater 248 00:11:12,320 --> 00:11:17,200 Speaker 2: before the film. The movie showcases Taylor's sixth Night concert 249 00:11:17,280 --> 00:11:21,079 Speaker 2: series at Sofi Stadium, which happened in August. About twenty 250 00:11:21,280 --> 00:11:24,640 Speaker 2: two hundred fans were invited to that private screening of 251 00:11:24,679 --> 00:11:29,280 Speaker 2: the world premiere last night. The Dodgers have been eliminated 252 00:11:29,400 --> 00:11:33,880 Speaker 2: from the postseason. Our Boys in Blue lost to the 253 00:11:33,920 --> 00:11:37,319 Speaker 2: Arizona Diamondbacks last night, four to two. It's the first 254 00:11:37,320 --> 00:11:40,600 Speaker 2: time LA has been swept in a playoff series since 255 00:11:40,640 --> 00:11:43,959 Speaker 2: two thousand and six. Up, you know what, there was 256 00:11:44,040 --> 00:11:46,800 Speaker 2: one big winner last night for the third time in 257 00:11:46,920 --> 00:11:50,160 Speaker 2: less than a year, a powerball jackpot winning ticket worth 258 00:11:50,200 --> 00:11:53,559 Speaker 2: more than a billion has been sold in Southern California, 259 00:11:53,640 --> 00:11:57,319 Speaker 2: this time crowning a one point seven to three billion 260 00:11:57,440 --> 00:11:59,120 Speaker 2: dollar winner in Fraser Park. 261 00:11:59,200 --> 00:12:00,800 Speaker 3: Now a single ticket. 262 00:12:00,400 --> 00:12:03,440 Speaker 2: Matching all six numbers WHI sold at Midway Market and 263 00:12:03,480 --> 00:12:07,160 Speaker 2: Liquor according to the California Lottery. I'm sure it's going 264 00:12:07,240 --> 00:12:10,760 Speaker 2: to be a minute before that person on air. 265 00:12:10,679 --> 00:12:13,240 Speaker 3: With Ryan Seacrest. 266 00:12:14,120 --> 00:12:19,640 Speaker 1: And now Tanya has a trending report about subliminal fashion. 267 00:12:20,200 --> 00:12:23,560 Speaker 6: Yes, so I made this term up, but it's short 268 00:12:23,640 --> 00:12:27,560 Speaker 6: for subliminal fashion, and it appears to be what's happening 269 00:12:27,559 --> 00:12:30,200 Speaker 6: with Sophie Turner these days. So, as we all know, 270 00:12:30,240 --> 00:12:33,480 Speaker 6: she's in the middle of a very public divorce from 271 00:12:33,600 --> 00:12:37,640 Speaker 6: Joe Jonas and Joe the Jonahs brothers have been on tours, 272 00:12:37,640 --> 00:12:39,400 Speaker 6: so Joe has been able to kind of go out 273 00:12:39,440 --> 00:12:41,400 Speaker 6: on stage and he's not really saying much, but he 274 00:12:41,400 --> 00:12:43,200 Speaker 6: can publicly share say things. 275 00:12:43,840 --> 00:12:44,559 Speaker 4: Sophie is not. 276 00:12:44,520 --> 00:12:46,600 Speaker 6: A performer, she's not going out on stage, so how 277 00:12:46,600 --> 00:12:49,440 Speaker 6: she's doing it is she's using fashion. So the first 278 00:12:49,600 --> 00:12:52,319 Speaker 6: choice was when she wore a smiley faced T shirt 279 00:12:52,320 --> 00:12:55,240 Speaker 6: out to go shop Pop Brots even following her, She's 280 00:12:55,240 --> 00:12:57,960 Speaker 6: being photographed a lot, and so to me, this was 281 00:12:58,000 --> 00:13:01,559 Speaker 6: like a subliminal fashion statement with a happy facing. 282 00:13:02,240 --> 00:13:03,520 Speaker 4: I'm happy, I'm good. 283 00:13:04,000 --> 00:13:06,160 Speaker 1: And so she's why is she in New York? Is 284 00:13:06,160 --> 00:13:07,280 Speaker 1: that where they're taking these pictures? 285 00:13:07,400 --> 00:13:09,040 Speaker 4: Yeah, these were in New York, So she's. 286 00:13:08,840 --> 00:13:11,199 Speaker 1: Out on streets where paparazzi frequents. 287 00:13:11,200 --> 00:13:12,040 Speaker 3: Correct. 288 00:13:12,240 --> 00:13:15,520 Speaker 6: And then the second time that she showed some subfash 289 00:13:16,000 --> 00:13:19,040 Speaker 6: was she was wearing a friendship bracelet, you know, kind 290 00:13:19,040 --> 00:13:20,800 Speaker 6: of the one the ones that everybody was wearing at 291 00:13:20,800 --> 00:13:24,120 Speaker 6: the Taylor Swift shows, and it said Fearless on it. 292 00:13:24,800 --> 00:13:31,080 Speaker 6: So this is very layered because fearless obviously means fearless, 293 00:13:31,080 --> 00:13:33,080 Speaker 6: and I think it means she's going to be fearless 294 00:13:33,120 --> 00:13:36,600 Speaker 6: in this next chapter of her life. But also, if 295 00:13:36,640 --> 00:13:40,880 Speaker 6: you remember in the Fearless re release that Taylor just released, 296 00:13:40,920 --> 00:13:44,520 Speaker 6: there's mister Perfectly Fine was on that re release in 297 00:13:44,559 --> 00:13:47,319 Speaker 6: the vault, and that was obviously about Joe Jonas. 298 00:13:48,240 --> 00:13:53,640 Speaker 1: M hm, now you're right, sub fash, Yeah, she's sub 299 00:13:53,800 --> 00:13:54,360 Speaker 1: sub sub. 300 00:13:54,400 --> 00:13:55,640 Speaker 4: There's so many layers. 301 00:13:55,720 --> 00:13:57,680 Speaker 6: I don't exactly know what she's trying to say, but 302 00:13:57,760 --> 00:13:59,400 Speaker 6: I feel like I get the vibe. 303 00:14:00,440 --> 00:14:03,080 Speaker 1: I mean, I don't know her well at all, but 304 00:14:03,160 --> 00:14:08,319 Speaker 1: I know him better. But I loved my image of them. 305 00:14:08,640 --> 00:14:10,959 Speaker 1: So you just wish and hope that they can work 306 00:14:11,000 --> 00:14:13,520 Speaker 1: it all out and they've got kids and everybody can 307 00:14:13,559 --> 00:14:15,160 Speaker 1: be in a peaceful place. 308 00:14:15,480 --> 00:14:16,120 Speaker 4: Yeah, but I think. 309 00:14:16,040 --> 00:14:16,520 Speaker 3: It's all good. 310 00:14:16,559 --> 00:14:18,920 Speaker 6: It's a smiley face and a fearless so it's kind 311 00:14:18,960 --> 00:14:21,840 Speaker 6: of saying like I am stepping into this new season 312 00:14:21,920 --> 00:14:23,880 Speaker 6: of my life, happy and fearless. 313 00:14:24,080 --> 00:14:27,200 Speaker 1: You know, It's funny, is that that fearless friendship bracelet? 314 00:14:27,520 --> 00:14:30,680 Speaker 1: I opened up my toiletry bag a couple nights ago. 315 00:14:30,800 --> 00:14:33,960 Speaker 1: I'm still using it from the iHeartRadio Music Festival packagh. 316 00:14:34,040 --> 00:14:34,920 Speaker 3: It's time to unpack. 317 00:14:35,560 --> 00:14:38,040 Speaker 1: But at the bottom of it is a friendship bracelet. 318 00:14:38,320 --> 00:14:41,640 Speaker 1: And you know what is Who's it is? Who's in sync? 319 00:14:42,600 --> 00:14:45,080 Speaker 1: I'm thinking now, if someone were to walk into my 320 00:14:45,160 --> 00:14:48,640 Speaker 1: bathroom and see an in sync friendship bracelet and the 321 00:14:48,680 --> 00:14:51,560 Speaker 1: bottom of my toiletry bag, they might wonder, how'd that 322 00:14:51,600 --> 00:14:52,000 Speaker 1: get there? 323 00:14:52,480 --> 00:14:53,360 Speaker 4: How did it get there? 324 00:14:53,720 --> 00:14:57,560 Speaker 1: Well? I retraced my steps, Lance Bass. 325 00:14:58,520 --> 00:15:00,680 Speaker 4: So just as in sync on it m hm. 326 00:15:01,600 --> 00:15:05,479 Speaker 1: Lance Bass gave it to me when we were introing 327 00:15:05,600 --> 00:15:08,400 Speaker 1: whoever we intro together at the Hi Radium Music Festival 328 00:15:08,880 --> 00:15:10,760 Speaker 1: and I put it on, and then that night at 329 00:15:10,760 --> 00:15:12,480 Speaker 1: the hotel, I took it off and put it in my 330 00:15:12,480 --> 00:15:15,320 Speaker 1: toiletry bag. Well, sure enough it got to the bottom 331 00:15:15,480 --> 00:15:17,120 Speaker 1: and I just discovered it two nights ago. 332 00:15:17,200 --> 00:15:18,480 Speaker 4: Well you should throw it on and had to do 333 00:15:18,520 --> 00:15:19,800 Speaker 4: some subfash and I. 334 00:15:19,800 --> 00:15:21,280 Speaker 1: Should also unpack my toiletry bag. 335 00:15:21,360 --> 00:15:22,720 Speaker 3: You really should. It's time to unpack. 336 00:15:23,280 --> 00:15:25,600 Speaker 1: I gave a nice quote of the day. Tony didn't react, 337 00:15:25,680 --> 00:15:27,760 Speaker 1: but I pulled some reactions. Just so, Tony, if you 338 00:15:27,760 --> 00:15:29,720 Speaker 1: don't want to react to something, I've got them standing by, 339 00:15:29,800 --> 00:15:33,520 Speaker 1: Like so, I've got that ready to go at any point, 340 00:15:35,360 --> 00:15:36,240 Speaker 1: any point in time. 341 00:15:37,480 --> 00:15:40,200 Speaker 2: Is that the reaction you want for quote? 342 00:15:39,160 --> 00:15:42,960 Speaker 1: Well, but sometimes you know, when you get a stare, 343 00:15:43,160 --> 00:15:46,680 Speaker 1: I'll just play this. There you go. That's a good 344 00:15:46,720 --> 00:15:47,320 Speaker 1: one for a quote. 345 00:15:47,640 --> 00:15:49,120 Speaker 4: Oh, that's a pretty good one for quote. 346 00:15:49,160 --> 00:15:50,760 Speaker 1: Yet, how is it that we have in the archives 347 00:15:50,800 --> 00:15:53,240 Speaker 1: all these reactions from Tanya, but we cannot find the 348 00:15:53,320 --> 00:15:54,240 Speaker 1: day before your wedding? 349 00:15:54,280 --> 00:15:55,680 Speaker 3: Cannot find that right? 350 00:15:58,040 --> 00:15:59,960 Speaker 1: Oh where was that from? 351 00:16:00,120 --> 00:16:00,920 Speaker 4: I know what? I'm like? 352 00:16:00,960 --> 00:16:03,440 Speaker 3: What what was so funny? You sound like you're in a. 353 00:16:03,480 --> 00:16:10,680 Speaker 1: Hallway shooting the grand foyer? So yesterday were talking about 354 00:16:10,680 --> 00:16:12,720 Speaker 1: the best tacos in l A and we mentioned I 355 00:16:12,760 --> 00:16:15,520 Speaker 1: wonder if there's a French fry list who doesn't like 356 00:16:15,560 --> 00:16:18,600 Speaker 1: French fries. Everybody I know likes French fries. Now, people 357 00:16:18,600 --> 00:16:23,120 Speaker 1: are very opinionated. Sistney, what's your favorite kind of fry? 358 00:16:23,800 --> 00:16:24,880 Speaker 3: I can go back and forth. 359 00:16:24,920 --> 00:16:26,800 Speaker 2: I do love sweet potato fries, but I just do 360 00:16:26,880 --> 00:16:29,760 Speaker 2: love a crunchy like very cristy on the outside, but 361 00:16:29,880 --> 00:16:34,080 Speaker 2: just still like young almost like dewey potato in the inside. Obviously, 362 00:16:34,120 --> 00:16:36,960 Speaker 2: Oh you like them thick like uh like no, not 363 00:16:37,040 --> 00:16:39,080 Speaker 2: like a steak fried not like that. I still want 364 00:16:39,120 --> 00:16:42,360 Speaker 2: to like the perfect size, but I could eat I 365 00:16:42,400 --> 00:16:44,040 Speaker 2: could eat French fries with anything. 366 00:16:44,080 --> 00:16:44,160 Speaker 5: Like. 367 00:16:44,160 --> 00:16:45,600 Speaker 2: I'm the type of person that will go to lunch 368 00:16:45,640 --> 00:16:47,400 Speaker 2: and order a salad and then like get a side 369 00:16:47,400 --> 00:16:47,760 Speaker 2: of fries. 370 00:16:48,240 --> 00:16:51,040 Speaker 1: I like them with a fried egg, yes, and to 371 00:16:51,160 --> 00:16:52,200 Speaker 1: like to dip them in the yolk. 372 00:16:52,680 --> 00:16:53,160 Speaker 4: Interesting. 373 00:16:53,440 --> 00:16:55,360 Speaker 1: So here's the list the best fries in La You 374 00:16:55,360 --> 00:16:59,480 Speaker 1: ready quick list fab hot dogs in Resita. They've got 375 00:16:59,520 --> 00:17:03,800 Speaker 1: them ranch in Seracha also, and shout out to all 376 00:17:03,800 --> 00:17:06,000 Speaker 1: of these places that are making the most famous French 377 00:17:06,000 --> 00:17:09,800 Speaker 1: fry list here in La Kapora's Akbar Indian restaurant in 378 00:17:10,000 --> 00:17:14,320 Speaker 1: downtown La. They do spicy fries topped with a runny egg. Okay, 379 00:17:14,400 --> 00:17:18,920 Speaker 1: there you go, and it looks great. Mister fries Man 380 00:17:18,960 --> 00:17:25,040 Speaker 1: in Inglewood has hot garlic shrimp steak fries. I don't 381 00:17:25,080 --> 00:17:28,720 Speaker 1: know what that is, but sounds great. And garlicys, you know, 382 00:17:28,720 --> 00:17:33,040 Speaker 1: garlic soaks into the potato, that kind of flavor. Best 383 00:17:33,080 --> 00:17:40,120 Speaker 1: fries in La. Dirt Dog in Pasadena is on the list. 384 00:17:40,160 --> 00:17:44,720 Speaker 1: They serve elote fries with corn, mayonnaise, chili powder and lime. 385 00:17:44,960 --> 00:17:46,879 Speaker 1: But they look those fries actually, I'm looking at a 386 00:17:46,920 --> 00:17:48,679 Speaker 1: picture of them. You know when you see a mountain 387 00:17:48,680 --> 00:17:51,440 Speaker 1: of nachos. This looks like that a mountain. 388 00:17:51,960 --> 00:17:55,560 Speaker 2: I would never think to merge an alote with fries 389 00:17:56,359 --> 00:18:00,760 Speaker 2: like corn a It is dyna thought of the idea. 390 00:18:00,800 --> 00:18:03,600 Speaker 3: I'm not closed minded. I just that idea that never came. 391 00:18:03,640 --> 00:18:05,680 Speaker 1: Wait, could you explain a lote for everybody? 392 00:18:05,840 --> 00:18:06,439 Speaker 3: And I love it. 393 00:18:06,440 --> 00:18:08,399 Speaker 2: It's like a classic like corn on the cob, and 394 00:18:08,440 --> 00:18:10,439 Speaker 2: then you mixed it with like the mayo and like 395 00:18:10,480 --> 00:18:13,080 Speaker 2: the gotiha cheese and all of the sauceage. 396 00:18:13,119 --> 00:18:14,360 Speaker 3: Oh my gosh, it's delicious. 397 00:18:14,359 --> 00:18:16,800 Speaker 1: Street corn Well Dirt Dog in Pasadena seems to be 398 00:18:16,880 --> 00:18:19,840 Speaker 1: your spot. Then Best Fries in La. Congratulations to all 399 00:18:19,960 --> 00:18:22,520 Speaker 1: of y'all. Let's get into Ryan's Roses next. And I 400 00:18:22,560 --> 00:18:24,800 Speaker 1: got a four pack to go see the Tailor movie 401 00:18:25,080 --> 00:18:31,240 Speaker 1: in just the second? What do you think? I love 402 00:18:31,320 --> 00:18:31,680 Speaker 1: this show? 403 00:18:31,760 --> 00:18:33,520 Speaker 4: What was so funny? 404 00:18:34,400 --> 00:18:37,840 Speaker 1: One of two point seven Kiss FM. It's time for 405 00:18:38,920 --> 00:18:43,840 Speaker 1: Ryan's Roses and Ava has reached out to us. Ava, 406 00:18:43,880 --> 00:18:45,800 Speaker 1: thanks for coming on. We're gonna get right into it 407 00:18:45,960 --> 00:18:49,520 Speaker 1: with you. You go on a trip to celebrate your 408 00:18:49,560 --> 00:18:52,760 Speaker 1: anniversary this a few weeks ago, and you were getting 409 00:18:52,760 --> 00:18:55,159 Speaker 1: ready for the dinner that night and you noticed he 410 00:18:55,280 --> 00:19:00,240 Speaker 1: wasn't there. Your husband wasn't there, right, So what did 411 00:19:00,240 --> 00:19:00,720 Speaker 1: you do then? 412 00:19:02,440 --> 00:19:05,199 Speaker 7: So, you know, I was, I was getting ready and 413 00:19:05,680 --> 00:19:09,200 Speaker 7: I think maybe he's dot. So I finished getting ready 414 00:19:09,200 --> 00:19:12,480 Speaker 7: and he still wasn't there. So I wound up going 415 00:19:12,560 --> 00:19:16,000 Speaker 7: into the lobby and he was in the corner of it, 416 00:19:16,400 --> 00:19:19,520 Speaker 7: just kind of talking and hushed whispers. So I sort 417 00:19:19,560 --> 00:19:22,080 Speaker 7: of like walked on over thinking he would see me, 418 00:19:22,400 --> 00:19:30,040 Speaker 7: and I overheard him say I miss you and I 419 00:19:30,080 --> 00:19:33,520 Speaker 7: can't wait to get back, and he hung up, and 420 00:19:33,560 --> 00:19:36,360 Speaker 7: then I asked him who it was and he said 421 00:19:36,359 --> 00:19:37,359 Speaker 7: it was Alan's from work. 422 00:19:38,880 --> 00:19:41,000 Speaker 3: Why does he miss doesn't check out? 423 00:19:41,440 --> 00:19:45,680 Speaker 7: Like I said, did you just say I miss you 424 00:19:45,440 --> 00:19:48,440 Speaker 7: to Alan? And you know he acted flustered and I'll 425 00:19:48,440 --> 00:19:51,760 Speaker 7: confuse it. No, of course not, I don't miss Alan. 426 00:19:53,400 --> 00:19:55,919 Speaker 7: And maybe I said I missed that too. I just 427 00:19:55,960 --> 00:19:56,800 Speaker 7: tried to play it off. 428 00:19:57,560 --> 00:20:00,639 Speaker 1: And I can understand the pick sh you're painting here. 429 00:20:00,640 --> 00:20:02,360 Speaker 1: He's in the corner, he's hunch store, he's on the phone. 430 00:20:02,359 --> 00:20:04,360 Speaker 1: He's whispering as somebody you think it's another woman. He's 431 00:20:04,359 --> 00:20:07,480 Speaker 1: saying he misses that he misses. Is that what's happening here? 432 00:20:07,760 --> 00:20:08,000 Speaker 5: Yes? 433 00:20:08,160 --> 00:20:10,080 Speaker 7: And ever since I called him out, I mean, he's 434 00:20:10,080 --> 00:20:14,920 Speaker 7: been extra attentive. But I think he knows I'm suspicious. 435 00:20:14,440 --> 00:20:19,399 Speaker 1: Right, Well, of course, I mean he was like secretively 436 00:20:19,400 --> 00:20:24,160 Speaker 1: having a conversation that you caught, and now everything's running 437 00:20:24,160 --> 00:20:24,640 Speaker 1: through his mind. 438 00:20:24,640 --> 00:20:27,199 Speaker 3: I guess what about before this? How was he before 439 00:20:29,200 --> 00:20:29,920 Speaker 3: you caught him? 440 00:20:31,320 --> 00:20:33,440 Speaker 7: You know, he seemed to sign this is going to 441 00:20:33,520 --> 00:20:36,520 Speaker 7: be for our marriage, our anniversary, so and like all 442 00:20:36,520 --> 00:20:38,920 Speaker 7: things were so good. You were in good news and 443 00:20:39,000 --> 00:20:41,200 Speaker 7: good spirits. You know, my my mom is taking care 444 00:20:41,240 --> 00:20:45,600 Speaker 7: of her son. And I don't know, I just This 445 00:20:45,720 --> 00:20:46,960 Speaker 7: was kind of the first of it for me. 446 00:20:47,400 --> 00:20:50,600 Speaker 1: Okay, we're into it. We're about to call Ava's husband. 447 00:20:50,600 --> 00:20:51,920 Speaker 1: So just to bring you up to speed, if you 448 00:20:52,040 --> 00:20:53,800 Speaker 1: just got here, and if you have to go, always 449 00:20:53,840 --> 00:20:57,440 Speaker 1: mobile us I at radio mobiles, take us with you. 450 00:20:57,640 --> 00:21:01,520 Speaker 1: Don't do miss a thing. Ever. So we just found 451 00:21:01,560 --> 00:21:04,399 Speaker 1: out that she's been married for a few years. On 452 00:21:04,440 --> 00:21:07,680 Speaker 1: their anniversary trip. She's getting ready for the dinner. He's 453 00:21:07,720 --> 00:21:10,080 Speaker 1: not the room. He's in the lobby. He's hunched over. 454 00:21:10,160 --> 00:21:12,920 Speaker 1: He's saying I miss you to somebody on the other end. 455 00:21:12,960 --> 00:21:14,800 Speaker 1: She says, wait, who are you talking to? She walks 456 00:21:14,840 --> 00:21:17,199 Speaker 1: up on him. Who are you talking to? And he says, oh, 457 00:21:17,200 --> 00:21:21,159 Speaker 1: it's Alan from work. What does It doesn't add up? 458 00:21:21,160 --> 00:21:24,040 Speaker 1: Why would he Why would he leave to go to 459 00:21:24,040 --> 00:21:26,960 Speaker 1: the lobby to whisper in the corner I miss you 460 00:21:27,000 --> 00:21:28,880 Speaker 1: to somebody? If he wasn't hiding. 461 00:21:28,600 --> 00:21:31,240 Speaker 3: Something exactly a coworker at that. 462 00:21:32,160 --> 00:21:33,880 Speaker 1: Well, then he's no, he said. 463 00:21:35,280 --> 00:21:35,359 Speaker 5: That. 464 00:21:35,600 --> 00:21:37,480 Speaker 1: He didn't say I miss you. He said I must 465 00:21:37,480 --> 00:21:39,280 Speaker 1: have missed that or something he had to do with work. 466 00:21:39,680 --> 00:21:43,400 Speaker 1: But it just doesn't it doesn't add up. She's obviously suspicious, 467 00:21:43,760 --> 00:21:46,520 Speaker 1: and so we're gonna call him. Now, uh Ava, I 468 00:21:46,560 --> 00:21:48,199 Speaker 1: need you to say Ryan, you my permission to call, 469 00:21:48,200 --> 00:21:49,840 Speaker 1: and then your husband's name on kiss f M. 470 00:21:49,880 --> 00:21:53,120 Speaker 7: Go ahead, Ryan, you have my permission to call. 471 00:21:56,080 --> 00:21:57,919 Speaker 1: Be very quiet until we tell him he's on the air, 472 00:21:57,920 --> 00:21:58,760 Speaker 1: and see we can find out. 473 00:21:58,760 --> 00:22:00,520 Speaker 7: Okay, okay, thank you. 474 00:22:01,000 --> 00:22:01,480 Speaker 1: Here we go. 475 00:22:13,200 --> 00:22:13,520 Speaker 5: Hello. 476 00:22:14,000 --> 00:22:14,760 Speaker 3: Hi is this Brent? 477 00:22:16,960 --> 00:22:17,160 Speaker 1: Yeah? 478 00:22:17,359 --> 00:22:17,879 Speaker 8: This is Sprent. 479 00:22:18,600 --> 00:22:18,960 Speaker 4: Hi Brent. 480 00:22:19,040 --> 00:22:21,919 Speaker 3: My name is Emily. I'm calling from Forrest Blooms. How 481 00:22:21,960 --> 00:22:22,760 Speaker 3: are you doing this morning? 482 00:22:25,720 --> 00:22:26,000 Speaker 1: Good? 483 00:22:26,320 --> 00:22:27,359 Speaker 7: Good new. 484 00:22:27,800 --> 00:22:31,920 Speaker 2: We're new on a Foothell Boulevard inside the Marketplace shopping center, 485 00:22:31,960 --> 00:22:34,240 Speaker 2: and since you're a resident in the area, we're offering 486 00:22:34,240 --> 00:22:37,639 Speaker 2: a promotion that you can actually receive a three dozen 487 00:22:38,000 --> 00:22:41,600 Speaker 2: Halloween inspired roses. They're actually orange and we'll send them 488 00:22:41,600 --> 00:22:43,440 Speaker 2: to anybody that you'd like. They come in a black vase. 489 00:22:43,680 --> 00:22:45,800 Speaker 2: It's a little Halloween promotion that we're doing this month, 490 00:22:46,280 --> 00:22:48,720 Speaker 2: and they're absolutely free. I don't need a credit card, 491 00:22:48,720 --> 00:22:50,680 Speaker 2: I don't need cash or anything like that from you, 492 00:22:51,359 --> 00:22:53,080 Speaker 2: just the name of the person and a note. We 493 00:22:53,119 --> 00:22:54,680 Speaker 2: can send that out by lunchtime today. 494 00:22:56,200 --> 00:22:59,439 Speaker 8: All right, free free flowers. Is this some kind of 495 00:22:59,480 --> 00:23:00,119 Speaker 8: scam or so? 496 00:23:00,920 --> 00:23:03,000 Speaker 2: This is just a promotion that we do about once 497 00:23:03,000 --> 00:23:07,920 Speaker 2: a month and you've been selected today to receive them. 498 00:23:08,080 --> 00:23:09,440 Speaker 8: Sure, yeah, I'll take them. 499 00:23:09,920 --> 00:23:10,240 Speaker 4: Great. 500 00:23:10,359 --> 00:23:11,760 Speaker 3: What's the name of the person you want to send to. 501 00:23:13,960 --> 00:23:16,400 Speaker 8: I'd like to say that to my wife Ava. 502 00:23:17,440 --> 00:23:19,280 Speaker 3: Okay. And what would you like to put on the card? 503 00:23:21,240 --> 00:23:26,199 Speaker 8: Please put I love you with my whole heart. Thanks, 504 00:23:26,480 --> 00:23:28,679 Speaker 8: thank you for all all the ways you've made me 505 00:23:28,720 --> 00:23:29,400 Speaker 8: a better man. 506 00:23:31,080 --> 00:23:36,679 Speaker 1: Okay, Brent, your voice is being broadcast on the radio 507 00:23:37,440 --> 00:23:42,320 Speaker 1: and we have your wife Ava on the line. Can 508 00:23:42,359 --> 00:23:44,320 Speaker 1: we ask you something? Yeah? 509 00:23:44,560 --> 00:23:46,320 Speaker 8: Oh yeah, because I'm on the radio. 510 00:23:47,040 --> 00:23:53,080 Speaker 1: Okay, yes, sir, and you can answer your question. Okay. 511 00:23:53,119 --> 00:23:57,479 Speaker 1: Your wife has asked us to call you out of concern. 512 00:23:59,520 --> 00:24:01,879 Speaker 1: She thinks that something's going on behind her back. Is 513 00:24:01,880 --> 00:24:05,360 Speaker 1: there anything that she doesn't know about? Are you involved 514 00:24:05,359 --> 00:24:09,000 Speaker 1: with somebody else that she doesn't know about? She has 515 00:24:09,840 --> 00:24:13,639 Speaker 1: given us reason to believe that she's found you talking 516 00:24:13,640 --> 00:24:16,840 Speaker 1: to someone else secretively behind her back. 517 00:24:18,920 --> 00:24:23,359 Speaker 8: Uh No, No, there's nothing she need to know about. 518 00:24:23,440 --> 00:24:26,760 Speaker 8: I mean, we talked about that thing at the hotel 519 00:24:26,840 --> 00:24:29,720 Speaker 8: in San Francisco. It's just a misunderstanding. She just miss 520 00:24:29,800 --> 00:24:32,080 Speaker 8: heard me talking to a coworker of mine. That's all 521 00:24:32,240 --> 00:24:32,960 Speaker 8: guy named. 522 00:24:32,720 --> 00:24:36,560 Speaker 1: Alan So Brent. She tells us that you were hunched 523 00:24:36,600 --> 00:24:39,280 Speaker 1: over in the corner of the lobby, and you whispered 524 00:24:39,280 --> 00:24:43,320 Speaker 1: into the phone in a light tone, I miss you. 525 00:24:44,440 --> 00:24:45,760 Speaker 1: Why would you tell Alan that? 526 00:24:47,720 --> 00:24:47,920 Speaker 4: Right? 527 00:24:48,040 --> 00:24:48,159 Speaker 8: Right? 528 00:24:48,240 --> 00:24:48,440 Speaker 1: Right? 529 00:24:48,800 --> 00:24:52,000 Speaker 8: I told her? What I actually said was I missed 530 00:24:52,119 --> 00:24:52,640 Speaker 8: that too? 531 00:24:54,080 --> 00:24:57,399 Speaker 1: What did you miss? What we're talking to him about? 532 00:24:57,720 --> 00:25:00,720 Speaker 8: To some work? Just a typo, all, I mean, that's 533 00:25:00,720 --> 00:25:03,320 Speaker 8: a that's a Alan that called me out on it. 534 00:25:03,560 --> 00:25:06,840 Speaker 1: But Brent, you don't sound concerned that you you're still 535 00:25:06,920 --> 00:25:09,800 Speaker 1: unconcerned that your wife thinks you're cheating on her. That 536 00:25:09,840 --> 00:25:11,120 Speaker 1: doesn't bother you. 537 00:25:11,280 --> 00:25:12,480 Speaker 8: I'm not, I'm not. 538 00:25:13,640 --> 00:25:21,119 Speaker 1: I don't understand the reaction here. Your wife thinks you're 539 00:25:21,119 --> 00:25:23,160 Speaker 1: talking to another woman on your anniversary. 540 00:25:25,400 --> 00:25:28,160 Speaker 8: I just think that, you know, I needed to make 541 00:25:28,160 --> 00:25:31,919 Speaker 8: a phone call. Uh, no, big deal. I got this 542 00:25:32,040 --> 00:25:34,880 Speaker 8: call with about the flowers. You know, I knew I'm 543 00:25:34,920 --> 00:25:37,760 Speaker 8: familiar with the radio, and so I kind of suspected 544 00:25:37,960 --> 00:25:40,800 Speaker 8: I was being set up here. You know, So, guys, 545 00:25:40,880 --> 00:25:42,159 Speaker 8: we're going to any of that stuff. 546 00:25:42,600 --> 00:25:45,600 Speaker 1: You you had a feeling this was us calling you 547 00:25:45,720 --> 00:25:47,560 Speaker 1: to ask you about this on Ryan's roses. 548 00:25:48,640 --> 00:25:50,840 Speaker 8: Well, you know, because we already I already talked about 549 00:25:50,880 --> 00:25:53,080 Speaker 8: this with my wife, you know, I mean she just 550 00:25:53,119 --> 00:25:54,600 Speaker 8: miss misheard me, that's all. 551 00:25:55,840 --> 00:25:58,240 Speaker 1: Look, if I don't know your husband, Brent at all, 552 00:25:58,480 --> 00:26:00,920 Speaker 1: you do, you will do the whether or not he's 553 00:26:00,920 --> 00:26:02,959 Speaker 1: telling the truth. But if you guys are here at 554 00:26:02,960 --> 00:26:05,919 Speaker 1: this place and for me to hear his reaction to 555 00:26:05,960 --> 00:26:09,160 Speaker 1: this kind of a concern, I'm concerned about why you're here, 556 00:26:09,440 --> 00:26:11,040 Speaker 1: Like there's a reason why we're here, whether it was 557 00:26:11,080 --> 00:26:14,199 Speaker 1: Alan or not. Alan. So Av Brent, We're gonna let 558 00:26:14,240 --> 00:26:16,240 Speaker 1: you go, and thank you very much for coming, Brent, 559 00:26:16,280 --> 00:26:17,760 Speaker 1: thank you for staying on the line, David, thank you 560 00:26:17,800 --> 00:26:20,760 Speaker 1: for reaching out. Good luck to you, good luck yeah 561 00:26:21,520 --> 00:26:25,000 Speaker 1: to me. His reaction, I don't know. There's something wrong 562 00:26:25,040 --> 00:26:28,080 Speaker 1: with his reaction for me. Ava and Brent were just 563 00:26:28,160 --> 00:26:33,040 Speaker 1: on with us for Ryan's Roses. So from the get go, 564 00:26:33,600 --> 00:26:38,320 Speaker 1: Brent said to us that he kind of had a 565 00:26:38,400 --> 00:26:41,120 Speaker 1: hunch it was Ryan's roses that he was on the air, 566 00:26:42,200 --> 00:26:44,399 Speaker 1: so he came up with a very nice card, but 567 00:26:44,440 --> 00:26:48,200 Speaker 1: he had zero heartfelt emotion or thoughtfulness in the way 568 00:26:48,240 --> 00:26:50,119 Speaker 1: he was talking about his wife or the message in 569 00:26:50,119 --> 00:26:50,520 Speaker 1: the cards. 570 00:26:50,600 --> 00:26:53,920 Speaker 2: Zero, which gives me zero credibility for him, Like, I 571 00:26:53,960 --> 00:26:55,720 Speaker 2: don't anything he says, I don't believe. 572 00:26:56,000 --> 00:26:58,000 Speaker 1: So the guy disappeared for like twenty minutes. While she 573 00:26:58,000 --> 00:27:00,000 Speaker 1: was getting ready on the anniversary night, went into the 574 00:27:00,040 --> 00:27:02,960 Speaker 1: hotel lobby, was hunched over talking to somebody. She walked 575 00:27:03,040 --> 00:27:05,280 Speaker 1: up and heard him say, I miss you. He says, no, 576 00:27:05,400 --> 00:27:08,080 Speaker 1: I said to Alan, my coworker, I missed it. This 577 00:27:08,240 --> 00:27:10,359 Speaker 1: all sounds bad, but the thing was for me, the 578 00:27:10,400 --> 00:27:12,920 Speaker 1: guy didn't react concerned at all that his wife thinks 579 00:27:12,920 --> 00:27:13,520 Speaker 1: he's cheating on. 580 00:27:13,560 --> 00:27:14,080 Speaker 4: Him, Right. 581 00:27:14,400 --> 00:27:16,119 Speaker 1: I mean, if you're married and you're in a place 582 00:27:16,200 --> 00:27:18,359 Speaker 1: where your wife thinks that of you and you're not 583 00:27:18,400 --> 00:27:21,560 Speaker 1: doing it, you are reacting in a way that it 584 00:27:21,640 --> 00:27:22,280 Speaker 1: was not Brent. 585 00:27:22,560 --> 00:27:25,919 Speaker 3: Yeah, exactly, Karina. 586 00:27:25,520 --> 00:27:28,480 Speaker 1: And Redondo Beach. And the thing is, even if he's 587 00:27:28,720 --> 00:27:30,760 Speaker 1: didn't I mean, if it was Alan or not Alan, 588 00:27:31,400 --> 00:27:35,440 Speaker 1: he's not cheating on that night. The fact that they're there, here, 589 00:27:35,840 --> 00:27:39,280 Speaker 1: being there, being here, being on Ryan's roses. The fact 590 00:27:39,320 --> 00:27:42,119 Speaker 1: that they're at that point and he doesn't recognize that 591 00:27:42,160 --> 00:27:44,520 Speaker 1: they've got a problem or seem concerned at all, is 592 00:27:44,560 --> 00:27:45,120 Speaker 1: the problem. 593 00:27:45,200 --> 00:27:47,399 Speaker 3: Yeah, six years into marriage. 594 00:27:47,680 --> 00:27:49,720 Speaker 1: Karina, you're on with this and Redondo Beach, what did 595 00:27:49,760 --> 00:27:50,040 Speaker 1: you hear? 596 00:27:52,080 --> 00:27:54,359 Speaker 9: So the first thing that stood up to me was 597 00:27:54,480 --> 00:27:56,359 Speaker 9: the fact that he had to step away from the 598 00:27:56,440 --> 00:27:58,480 Speaker 9: room to take the call, Like, why did he have 599 00:27:58,520 --> 00:28:00,440 Speaker 9: to walk all the way to the lobby away from 600 00:28:00,480 --> 00:28:03,080 Speaker 9: his wife if he's taking a work call. If it's 601 00:28:03,160 --> 00:28:07,480 Speaker 9: just Alan, that's true. So that to me was very suspicious. 602 00:28:07,880 --> 00:28:12,320 Speaker 1: Walk outside, get in the hall, but go to the lobby. 603 00:28:12,359 --> 00:28:14,560 Speaker 1: Although I do, I will say I do pace when 604 00:28:14,600 --> 00:28:16,159 Speaker 1: I talk, like if you guys, if we have a 605 00:28:16,160 --> 00:28:16,679 Speaker 1: work call, I do. 606 00:28:16,720 --> 00:28:18,840 Speaker 3: Why do you guys do that? Michael paces too? 607 00:28:19,240 --> 00:28:20,639 Speaker 1: I don't know. I walk around. 608 00:28:20,760 --> 00:28:23,920 Speaker 3: You can't still, it can't just like sit down. Uh No, 609 00:28:24,480 --> 00:28:25,280 Speaker 3: it's strange. 610 00:28:26,560 --> 00:28:27,240 Speaker 1: I think it. 611 00:28:27,240 --> 00:28:29,720 Speaker 2: Provides I noticed it during the pandemic. I noticed it 612 00:28:29,720 --> 00:28:32,879 Speaker 2: when we were all home. Did he paced all work calls? 613 00:28:33,160 --> 00:28:35,320 Speaker 1: Karina? Did you pace? Are you pacing? 614 00:28:35,560 --> 00:28:36,240 Speaker 7: Ah? 615 00:28:36,960 --> 00:28:39,360 Speaker 9: I'm currently pacing a little bit. I should as I 616 00:28:39,360 --> 00:28:40,120 Speaker 9: said that. I stopped. 617 00:28:41,080 --> 00:28:42,080 Speaker 1: See you're a pacer. 618 00:28:42,200 --> 00:28:43,000 Speaker 4: Nothing of it. 619 00:28:44,080 --> 00:28:46,160 Speaker 9: But I don't know if the steps so far all 620 00:28:46,160 --> 00:28:48,680 Speaker 9: the way to the lobby, like, yeah, pace in the room, 621 00:28:48,720 --> 00:28:50,320 Speaker 9: why do you have to pay so far away from 622 00:28:50,360 --> 00:28:50,840 Speaker 9: your wife? 623 00:28:51,000 --> 00:28:54,400 Speaker 1: The guy's hiding something and he had zero thoughtful concern 624 00:28:54,480 --> 00:28:57,400 Speaker 1: for the fact that his wife thinks he's cheating. Yeah, period, done, 625 00:28:57,520 --> 00:28:59,400 Speaker 1: Thank you, Coneina, for listening to some and we'redanna beach. 626 00:29:00,360 --> 00:29:02,080 Speaker 9: Thank you guys, Okay, bye? 627 00:29:03,800 --> 00:29:07,080 Speaker 1: Yeah, I pace? Is there an issue with that? 628 00:29:07,320 --> 00:29:09,000 Speaker 4: Do you pace with your hands behind your back with 629 00:29:09,040 --> 00:29:09,840 Speaker 4: your phone in your hand? 630 00:29:11,280 --> 00:29:12,520 Speaker 1: With my hands behind my back? 631 00:29:13,120 --> 00:29:14,760 Speaker 3: Three hands? 632 00:29:15,160 --> 00:29:16,760 Speaker 1: How many hands are out in the Cinneeria too? 633 00:29:16,800 --> 00:29:18,840 Speaker 4: You just have two behind your back holding your phone? 634 00:29:19,440 --> 00:29:21,520 Speaker 1: What and how am I talking on my phone? Oh? 635 00:29:22,280 --> 00:29:25,320 Speaker 4: Like with the a little headphone? So you have your 636 00:29:25,320 --> 00:29:25,920 Speaker 4: earbuds in. 637 00:29:27,760 --> 00:29:29,160 Speaker 3: He's supposed to read your mind. 638 00:29:30,480 --> 00:29:33,200 Speaker 4: So do you have your earbuds in plugged into your phone? 639 00:29:33,240 --> 00:29:36,440 Speaker 4: And then my hands behind your back? Yeah? 640 00:29:37,000 --> 00:29:40,200 Speaker 1: Why do you do that? No, Robbie does No, I 641 00:29:40,240 --> 00:29:42,440 Speaker 1: have the phone in my pocket, in my hand or 642 00:29:42,480 --> 00:29:44,680 Speaker 1: on it on a table or something nearby that I 643 00:29:44,760 --> 00:29:48,360 Speaker 1: pace with. He walks around like, uh like with his 644 00:29:48,360 --> 00:29:49,960 Speaker 1: hands on his bag. So it's very polite looking. 645 00:29:50,080 --> 00:29:52,680 Speaker 4: Yeah, it's very polite looking. Very interesting. 646 00:29:52,800 --> 00:29:54,520 Speaker 1: I don't always use my headphones because I find I 647 00:29:54,560 --> 00:29:57,000 Speaker 1: talk so loud when I got my headphones in that 648 00:29:57,040 --> 00:29:57,920 Speaker 1: I annoyed people. 649 00:29:58,960 --> 00:29:59,800 Speaker 3: Yeah, I can see that. 650 00:30:00,080 --> 00:30:03,280 Speaker 1: What you do, speaker, No, I hold my phone up 651 00:30:03,320 --> 00:30:05,200 Speaker 1: to my ear like you would a phone call. 652 00:30:05,400 --> 00:30:05,720 Speaker 5: Yeah. 653 00:30:05,760 --> 00:30:06,280 Speaker 4: Interesting. 654 00:30:06,400 --> 00:30:08,760 Speaker 3: Michael does that too, and he uses his hands a lot, 655 00:30:09,160 --> 00:30:12,560 Speaker 3: a lot of this. Ally in the backyard. Who is 656 00:30:12,600 --> 00:30:12,960 Speaker 3: he doing? 657 00:30:13,360 --> 00:30:14,600 Speaker 1: Is he landing an airplane? 658 00:30:14,800 --> 00:30:16,960 Speaker 5: Yeah? 659 00:30:16,320 --> 00:30:24,200 Speaker 1: Air on air with Ryan Seacrest. Well, they're offering a 660 00:30:24,560 --> 00:30:28,600 Speaker 1: Bad Buddy class at l m U Loyola Marymount University here, 661 00:30:29,960 --> 00:30:33,160 Speaker 1: and I've got the professor of the Bad Bunny class 662 00:30:33,160 --> 00:30:36,840 Speaker 1: on the line with us right now. I wish they 663 00:30:36,920 --> 00:30:42,240 Speaker 1: offered these classes when we were in school. I mean, 664 00:30:42,320 --> 00:30:44,840 Speaker 1: to go to a Bad Bunny class and get a 665 00:30:44,840 --> 00:30:48,680 Speaker 1: credit for it, I would have stayed in college. 666 00:30:50,360 --> 00:30:51,800 Speaker 4: You're like, this is the gu that I want to do. 667 00:30:52,120 --> 00:30:54,440 Speaker 1: This is what I was trying to say. Nobody wanted 668 00:30:54,440 --> 00:30:57,480 Speaker 1: to listen. Uh, let's get to a professor Vanessa Diaz 669 00:30:57,520 --> 00:31:00,440 Speaker 1: on the line of l m U. Good morning, Professor Diaz, 670 00:31:00,480 --> 00:31:00,880 Speaker 1: how are you? 671 00:31:01,920 --> 00:31:05,040 Speaker 5: Good morning. I'm doing well. Thanks, live from Puerto Rico 672 00:31:05,160 --> 00:31:05,520 Speaker 5: right now. 673 00:31:06,440 --> 00:31:07,760 Speaker 1: What can you tell us? Right now? 674 00:31:07,800 --> 00:31:13,560 Speaker 5: For Puerto Rico, it's very hot and everyone is eagerly 675 00:31:13,600 --> 00:31:16,880 Speaker 5: awaiting the drop of Bad Bunny's new album. There's already 676 00:31:16,920 --> 00:31:21,040 Speaker 5: people waiting outside of places suspecting that he might do 677 00:31:21,240 --> 00:31:23,480 Speaker 5: some events. There's a lot of excitement. 678 00:31:23,640 --> 00:31:25,080 Speaker 3: I bet so. 679 00:31:25,280 --> 00:31:28,040 Speaker 1: I just what is the class? If we signed up 680 00:31:28,040 --> 00:31:30,760 Speaker 1: for the Bad Bunny class. How do you frame the lesson? 681 00:31:32,160 --> 00:31:36,719 Speaker 5: So Bad Bunny is really a hook to talk about 682 00:31:36,840 --> 00:31:39,960 Speaker 5: bigger issues in Puerto Rico, just like his music is 683 00:31:40,000 --> 00:31:43,080 Speaker 5: a hook to talk about Puerto Rico. We focus not 684 00:31:43,320 --> 00:31:46,000 Speaker 5: just on Bad Bunny and his lyrics and how he 685 00:31:46,120 --> 00:31:48,840 Speaker 5: is a groundbreaking artist in so many different ways, but 686 00:31:48,880 --> 00:31:51,840 Speaker 5: we talk about the Puerto Rican debt crisis, political struggles, 687 00:31:52,160 --> 00:31:55,280 Speaker 5: issues of gender, race, music, history of Puerto Rico, so 688 00:31:55,320 --> 00:31:58,680 Speaker 5: looking at the history of regason. But obviously Bad Bunny 689 00:31:58,760 --> 00:32:01,840 Speaker 5: is also this critically important cultural figure. The way he 690 00:32:01,920 --> 00:32:05,880 Speaker 5: represents for Puerto Rico, the way he represents for gender validity, 691 00:32:05,960 --> 00:32:09,520 Speaker 5: the way he speaks out about LGBTQ rights and issues. 692 00:32:09,920 --> 00:32:13,200 Speaker 5: It's you know, he's reached unprecedented levels of fame for 693 00:32:13,240 --> 00:32:15,880 Speaker 5: a Spanish language artist, and so we have to take 694 00:32:15,880 --> 00:32:17,120 Speaker 5: that really seriously. 695 00:32:18,160 --> 00:32:22,080 Speaker 1: I think it's interesting this concept of using someone who's 696 00:32:22,120 --> 00:32:26,480 Speaker 1: in the center of the zeitgeist and so popular in culture, 697 00:32:27,320 --> 00:32:30,240 Speaker 1: especially with young people, as using that as a hook 698 00:32:30,280 --> 00:32:33,080 Speaker 1: to talk about greater issues that are so important to 699 00:32:33,120 --> 00:32:35,240 Speaker 1: all of us. I wonder why that didn't happen sooner. 700 00:32:36,640 --> 00:32:40,080 Speaker 5: Yeah, it's a really great point. I think We're at 701 00:32:40,120 --> 00:32:44,440 Speaker 5: a moment where some people still think that this isn't 702 00:32:44,480 --> 00:32:47,560 Speaker 5: serious scholarship, that this doesn't reserve, you know, that this 703 00:32:47,600 --> 00:32:51,480 Speaker 5: doesn't deserve a university course. But what we see is 704 00:32:51,520 --> 00:32:54,480 Speaker 5: that not only does it motivate young people to want 705 00:32:54,520 --> 00:32:57,240 Speaker 5: to learn about these broader issues that the artists they 706 00:32:57,320 --> 00:32:59,800 Speaker 5: love care about, but it's also that this is his 707 00:33:00,040 --> 00:33:03,720 Speaker 5: history happening in real time. You know, I'm a cultural anthropologist, 708 00:33:03,760 --> 00:33:07,560 Speaker 5: and I study the contemporary. We are documenting history as 709 00:33:07,640 --> 00:33:09,920 Speaker 5: it happens, and so you know, this is bigger than 710 00:33:09,960 --> 00:33:12,880 Speaker 5: Bad Bunny or any of the other artists who kind 711 00:33:12,880 --> 00:33:17,560 Speaker 5: of get these courses. He is doing major work shifting 712 00:33:17,800 --> 00:33:21,880 Speaker 5: cultural practices, and so you know, he's putting Puerto Rico 713 00:33:21,920 --> 00:33:24,120 Speaker 5: on the map in a very important way. He's creating 714 00:33:24,280 --> 00:33:27,760 Speaker 5: space for people, especially young people, to feel affirmed and 715 00:33:27,800 --> 00:33:30,960 Speaker 5: their gender and sexual identities. And I think that, you know, 716 00:33:31,040 --> 00:33:34,920 Speaker 5: we really have to understand that popular culture media, you know, 717 00:33:34,960 --> 00:33:39,000 Speaker 5: the work you do, this is really our cultural reality, 718 00:33:39,040 --> 00:33:42,360 Speaker 5: and if we don't take it seriously, then we're missing 719 00:33:42,680 --> 00:33:46,280 Speaker 5: some really important parts of our history as it happens. 720 00:33:46,720 --> 00:33:49,320 Speaker 1: It's such a great idea and I'm so happy you're 721 00:33:49,320 --> 00:33:51,480 Speaker 1: doing it and I love your enthusiasm. This is Professor 722 00:33:51,600 --> 00:33:55,720 Speaker 1: Vanessa Diaz at LM, you teaching the Bad Bunny class. Okay, 723 00:33:55,760 --> 00:33:57,960 Speaker 1: so will you analyze the sketches he does on SNL 724 00:33:57,960 --> 00:33:58,360 Speaker 1: this weekend. 725 00:33:59,840 --> 00:34:03,880 Speaker 5: I absolutely will be watching for close analysis and we 726 00:34:03,920 --> 00:34:06,400 Speaker 5: will talk about that in class. And we look at 727 00:34:06,400 --> 00:34:09,319 Speaker 5: his lyrics closely. We look at any performance of Bad 728 00:34:09,360 --> 00:34:12,359 Speaker 5: Bunny and put it in these broader contexts of kind 729 00:34:12,360 --> 00:34:13,800 Speaker 5: of what he wants to talk about. 730 00:34:14,320 --> 00:34:16,840 Speaker 1: Well, thank you have fun in Puerto Rico. Thanks for 731 00:34:16,880 --> 00:34:19,120 Speaker 1: coming on with us from there today. We really appreciate you. 732 00:34:19,200 --> 00:34:19,799 Speaker 1: Nice to meet you. 733 00:34:20,640 --> 00:34:22,600 Speaker 5: Yeah, thank you so much. Nice to meet you too. 734 00:34:22,680 --> 00:34:27,280 Speaker 1: Take care, okay, bye bye you too. Just a little 735 00:34:27,280 --> 00:34:30,840 Speaker 1: hook right gets people to listen sometimes more to things that. 736 00:34:30,920 --> 00:34:33,120 Speaker 3: Exactly bigger issues, bigger. 737 00:34:32,840 --> 00:34:37,319 Speaker 1: Issues, all right, coming up. So that album's coming out. 738 00:34:37,200 --> 00:34:40,080 Speaker 2: When it comes out tonight at nine pm, so everybody's 739 00:34:40,080 --> 00:34:45,320 Speaker 2: anticipating it. It's called Nadi Manyana. Nobody knows what, nobody 740 00:34:45,400 --> 00:34:49,160 Speaker 2: knows what will happen tomorrow tonight, But tomorrow tonight, well 741 00:34:49,280 --> 00:34:52,440 Speaker 2: nine pm midnight basically, but yes, it drops technically Friday, 742 00:34:52,440 --> 00:34:53,840 Speaker 2: October thirteenth, which is tomorrow. 743 00:34:53,880 --> 00:34:54,800 Speaker 3: But you know, gotcha out. 744 00:34:54,680 --> 00:34:57,000 Speaker 1: Right right When I looked at the notes for the show, 745 00:34:57,040 --> 00:34:58,960 Speaker 1: and so you had a report about quiet dumping, so 746 00:34:59,160 --> 00:35:00,520 Speaker 1: many things across my mind. 747 00:35:00,640 --> 00:35:03,239 Speaker 2: You know the same thing happened to me when I 748 00:35:03,320 --> 00:35:04,520 Speaker 2: first heard about this. 749 00:35:05,600 --> 00:35:09,400 Speaker 3: It's like, why are you talk what? You just do 750 00:35:09,480 --> 00:35:13,200 Speaker 3: it really quietly? So confused, So that's not what it is, 751 00:35:13,360 --> 00:35:14,800 Speaker 3: not what you're thinking about. 752 00:35:15,320 --> 00:35:19,600 Speaker 1: No, why dumping and why are people doing it? So 753 00:35:19,600 --> 00:35:22,960 Speaker 1: it's obviously it's not. Ghosting is different than ghosting. 754 00:35:23,160 --> 00:35:26,800 Speaker 2: I think it's might be even worse than ghosting because 755 00:35:26,840 --> 00:35:32,440 Speaker 2: it's manipulative, it's it's gas lighting, it's it's it's a 756 00:35:32,480 --> 00:35:35,640 Speaker 2: cross between quite quitting and ghosting. 757 00:35:35,880 --> 00:35:36,760 Speaker 3: Do you remember we talked. 758 00:35:36,560 --> 00:35:39,359 Speaker 2: About quite quitting a few weeks ago, from probably months 759 00:35:39,360 --> 00:35:42,800 Speaker 2: ago at this point. Yeah, And it's when people only 760 00:35:42,840 --> 00:35:46,799 Speaker 2: put the minimum amount of energy into their job when 761 00:35:46,800 --> 00:35:49,520 Speaker 2: they're over it already because they're already looking for something new. 762 00:35:49,600 --> 00:35:52,200 Speaker 2: But they're just like, I'll just be do the minimum anyways, 763 00:35:52,200 --> 00:35:53,880 Speaker 2: and if they get fired or get fired or I'll 764 00:35:53,920 --> 00:35:55,479 Speaker 2: eventually quit, or I just don't care. 765 00:35:55,640 --> 00:35:57,799 Speaker 1: So is this people trying to get people to break 766 00:35:57,880 --> 00:35:58,319 Speaker 1: up with them. 767 00:35:58,520 --> 00:36:00,600 Speaker 3: Yeah, it's people just doing the men them into but 768 00:36:00,760 --> 00:36:01,359 Speaker 3: now into the. 769 00:36:01,320 --> 00:36:04,279 Speaker 1: Relationship, and so that the other person sees that there's 770 00:36:04,400 --> 00:36:06,680 Speaker 1: like nothing there and they break up with them. They 771 00:36:06,680 --> 00:36:10,240 Speaker 1: don't have to do the breaking up exactly, for. 772 00:36:12,640 --> 00:36:15,640 Speaker 2: It could go on forever, Noble. It all depends on 773 00:36:15,640 --> 00:36:18,520 Speaker 2: what your style of dumpiness. Maybe this is your style. 774 00:36:19,160 --> 00:36:20,440 Speaker 1: I mean, I don't know. I think that. 775 00:36:20,719 --> 00:36:22,759 Speaker 4: No, Ryan seems very familiar with it. 776 00:36:23,080 --> 00:36:25,680 Speaker 1: No, I'm not saying that. I'm just saying I feel 777 00:36:25,719 --> 00:36:28,799 Speaker 1: like the term maybe is new. But I do think 778 00:36:28,840 --> 00:36:31,960 Speaker 1: that people have lost interest for decades in relationships and 779 00:36:32,000 --> 00:36:33,320 Speaker 1: they just go quiet. 780 00:36:33,440 --> 00:36:37,279 Speaker 2: It's a slow phasing out right. So it's quiet. Yeah, 781 00:36:37,280 --> 00:36:40,120 Speaker 2: it's quite quitting, but just in a relationship. But it's 782 00:36:40,320 --> 00:36:42,640 Speaker 2: it's a form of gaslighting because then you start making 783 00:36:42,640 --> 00:36:45,880 Speaker 2: the other person feel like they're doing something wrong when 784 00:36:45,960 --> 00:36:48,600 Speaker 2: in reality they're not doing something wrong. It's you with 785 00:36:48,680 --> 00:36:51,680 Speaker 2: the issue and you're the one that's not It doesn't 786 00:36:51,760 --> 00:36:54,719 Speaker 2: have the you know, wabels to in the relationship. 787 00:36:55,360 --> 00:37:00,320 Speaker 1: Tanya, have you ever just gone sort of silent, are 788 00:37:00,560 --> 00:37:03,200 Speaker 1: less engaging in a relationship to get them to be 789 00:37:03,560 --> 00:37:05,479 Speaker 1: turned on less or turned off? 790 00:37:05,840 --> 00:37:10,720 Speaker 4: I can't say that I have. I'm usually the dumpy. 791 00:37:11,480 --> 00:37:14,440 Speaker 1: The dumpy Yeah, you're the dumpy. Yeah, you say, can 792 00:37:14,440 --> 00:37:18,279 Speaker 1: we have a chat? Oh no, sorry, the dumped dumped? 793 00:37:18,560 --> 00:37:19,600 Speaker 4: Yeah, that is. 794 00:37:19,560 --> 00:37:22,520 Speaker 1: The dumpy, then, isn't the dumper to the dumpy? I 795 00:37:22,520 --> 00:37:23,000 Speaker 1: think you're right. 796 00:37:23,040 --> 00:37:23,960 Speaker 4: Yeah, I think I'm right. 797 00:37:24,640 --> 00:37:27,279 Speaker 2: Because which reminds me, I don't know that she's saying 798 00:37:27,360 --> 00:37:30,520 Speaker 2: she's not the dumper, therefore she is the one that's dumped. 799 00:37:30,760 --> 00:37:33,120 Speaker 1: Yeah, you're saying you get dumped, yes. 800 00:37:34,520 --> 00:37:35,879 Speaker 3: Dump dissension in word. 801 00:37:36,239 --> 00:37:37,560 Speaker 4: I know, so sad. 802 00:37:39,960 --> 00:37:43,160 Speaker 2: Well, but we keep saying it over and over again. 803 00:37:45,040 --> 00:37:47,279 Speaker 4: Thank you, Ryan, thank you, thank you so much. 804 00:37:47,360 --> 00:37:50,440 Speaker 1: I mean, we know the value that she provides their loss. 805 00:37:50,560 --> 00:37:52,840 Speaker 3: Yeah, you weren't the right What do you say, You 806 00:37:52,840 --> 00:37:54,719 Speaker 3: weren't the right sock for them? Right, it wasn't the 807 00:37:54,760 --> 00:37:56,840 Speaker 3: right sock for their food. 808 00:37:57,719 --> 00:38:00,200 Speaker 1: They're listening, some of them are listening right now, all 809 00:38:00,640 --> 00:38:04,240 Speaker 1: hearing about the success that you were having with Robbie, thinking, oh, 810 00:38:04,320 --> 00:38:05,640 Speaker 1: she's the one that got away. 811 00:38:05,560 --> 00:38:07,440 Speaker 3: Right, she's the sock that got away. 812 00:38:08,239 --> 00:38:11,240 Speaker 4: Believe. I do believe that, actually, yep. 813 00:38:11,160 --> 00:38:15,440 Speaker 1: And I think I know one of the few specifically 814 00:38:15,560 --> 00:38:16,279 Speaker 1: that's saying that. 815 00:38:17,440 --> 00:38:19,520 Speaker 2: Now, why you gotta go and put some nonsense in 816 00:38:19,560 --> 00:38:20,359 Speaker 2: her head like that? 817 00:38:20,440 --> 00:38:23,000 Speaker 1: Well, look at her face, like you see, she's all 818 00:38:23,080 --> 00:38:23,359 Speaker 1: let out. 819 00:38:23,440 --> 00:38:26,000 Speaker 3: Now she wants to know who she's gonna go and 820 00:38:26,080 --> 00:38:28,439 Speaker 3: like search old instagrams and. 821 00:38:29,960 --> 00:38:31,719 Speaker 1: Reason you think it is. 822 00:38:31,760 --> 00:38:34,120 Speaker 3: She's engaged bliss right now. And now you're okay, okay, 823 00:38:34,440 --> 00:38:35,640 Speaker 3: we don't need to go down a rabbit. 824 00:38:35,880 --> 00:38:36,759 Speaker 1: This all stays here. 825 00:38:37,200 --> 00:38:40,160 Speaker 2: It doesn't stay here a microphone. 826 00:38:40,239 --> 00:38:41,320 Speaker 1: Yeah, but they're not listening. 827 00:38:41,520 --> 00:38:41,719 Speaker 5: Yeah. 828 00:38:41,760 --> 00:38:42,960 Speaker 4: Yeah. 829 00:38:43,000 --> 00:38:46,720 Speaker 2: Anyways, the point of this is, let this be a PSA. 830 00:38:47,239 --> 00:38:49,160 Speaker 2: And so if you're in a relationship like this, maybe 831 00:38:49,160 --> 00:38:51,680 Speaker 2: it's time to evaluate it at your point. 832 00:38:52,160 --> 00:38:53,680 Speaker 3: That's all. That's all I'm trying to say. 833 00:38:53,800 --> 00:38:56,520 Speaker 1: I hear it. Play password right now for jingle Ball 834 00:38:56,560 --> 00:38:59,360 Speaker 1: tickets presented by Capitol when it is sold out. But 835 00:39:00,520 --> 00:39:03,399 Speaker 1: to grab Amanda to try one or two point seven. 836 00:39:03,400 --> 00:39:07,640 Speaker 1: That's where we work. Amanda, good morning, good morning. How 837 00:39:07,680 --> 00:39:07,920 Speaker 1: are you. 838 00:39:09,040 --> 00:39:09,439 Speaker 9: I'm good? 839 00:39:09,480 --> 00:39:10,000 Speaker 8: How are you? 840 00:39:10,840 --> 00:39:14,800 Speaker 1: I'm good. I'm very happy to be sitting here meeting 841 00:39:14,840 --> 00:39:16,799 Speaker 1: you about to play password to get you these sold 842 00:39:16,800 --> 00:39:17,840 Speaker 1: out jingle Ball tickets. 843 00:39:19,000 --> 00:39:21,320 Speaker 5: Okay, fun, fun, So. 844 00:39:21,160 --> 00:39:25,960 Speaker 1: It's called password. It's very very simple. Uh, it is 845 00:39:26,600 --> 00:39:30,280 Speaker 1: gonna work like this, those of us in the room here, 846 00:39:31,000 --> 00:39:33,839 Speaker 1: and of course you guys listening We'll all know the password, 847 00:39:34,160 --> 00:39:36,560 Speaker 1: but you, Amanda, will not. Our job is to get 848 00:39:36,600 --> 00:39:38,799 Speaker 1: you to say the password, but we can only give 849 00:39:38,840 --> 00:39:44,319 Speaker 1: you these one word clues. Okay, okay, So I'm gonna 850 00:39:44,320 --> 00:39:47,560 Speaker 1: put you on hold. We're gonna get the password, and 851 00:39:47,600 --> 00:39:51,600 Speaker 1: then we'll start playing. Now. The good thing is I 852 00:39:51,640 --> 00:39:54,640 Speaker 1: think we'll go until you win, unless it goes really long. 853 00:39:54,760 --> 00:39:58,000 Speaker 1: But here we go. Stand by guys, So it's gonna 854 00:39:58,000 --> 00:40:00,879 Speaker 1: be tiness is any times to me? Okay, Mark, what 855 00:40:01,080 --> 00:40:09,200 Speaker 1: is the password? The password is lottery? Okay, great, let's 856 00:40:09,280 --> 00:40:13,640 Speaker 1: go back to Amanda. Now, Okay, Amanda, we're gonna give 857 00:40:13,680 --> 00:40:17,040 Speaker 1: you one word clues. We're gonna go around with Sisney, Tanya, 858 00:40:17,160 --> 00:40:20,560 Speaker 1: myself and Tubs and see if you can get the password. Okay, 859 00:40:20,600 --> 00:40:22,920 Speaker 1: here we go, Sisney, one word. 860 00:40:22,800 --> 00:40:32,120 Speaker 5: Money, money, I'm gonna say. 861 00:40:32,160 --> 00:40:39,279 Speaker 1: You can also say next clue. The next clue Tanya jackpot. 862 00:40:40,680 --> 00:40:47,440 Speaker 5: Lottery, lottery, Yes, yes, yes, yes, I was gonna say 863 00:40:47,480 --> 00:40:48,400 Speaker 5: powerball A. 864 00:40:48,840 --> 00:40:52,200 Speaker 1: Oh well, what were you going to say? Contest? 865 00:40:52,600 --> 00:40:53,839 Speaker 3: Contest? 866 00:40:54,600 --> 00:40:58,520 Speaker 1: I do were last? All right, Samanda, congratulations, you are 867 00:40:58,640 --> 00:41:02,680 Speaker 1: going to are sold out. Jingle Ball presented by Landa. 868 00:41:03,680 --> 00:41:06,000 Speaker 1: All right to Amanda, hang on, wait, can we play 869 00:41:06,040 --> 00:41:08,040 Speaker 1: one more round. I'll take my headphones out. You guys 870 00:41:09,560 --> 00:41:11,000 Speaker 1: come back all right, So I'm taking my headphones out 871 00:41:11,040 --> 00:41:12,680 Speaker 1: now so you can speak, and I'm gonna go. 872 00:41:12,840 --> 00:41:13,879 Speaker 4: We'll do this when we're ready. 873 00:41:13,880 --> 00:41:20,600 Speaker 1: I'm gonna go out here, okay, covering, Okay, take okay, okay. 874 00:41:21,320 --> 00:41:28,600 Speaker 1: The past word is karaoke. Okay, here we go. I 875 00:41:28,640 --> 00:41:31,080 Speaker 1: am back. I didn't hear anything. Okay, let me get 876 00:41:31,080 --> 00:41:40,560 Speaker 1: these sing American idol. No, you don't mean like I. 877 00:41:40,560 --> 00:41:44,040 Speaker 3: Meant no, but like you're kind of on the right track. 878 00:41:44,120 --> 00:41:51,840 Speaker 1: All right, uh Tanya carpool karaoke. 879 00:41:52,520 --> 00:41:56,880 Speaker 5: Yeah, wow, you're good. 880 00:41:57,040 --> 00:41:57,320 Speaker 2: Good. 881 00:41:58,480 --> 00:42:01,000 Speaker 3: Yeah, don't take your head Ryan, I. 882 00:42:02,640 --> 00:42:06,239 Speaker 1: Got in his Glory the only game I've learned how 883 00:42:06,239 --> 00:42:06,600 Speaker 1: to play. 884 00:42:07,520 --> 00:42:12,560 Speaker 5: It is like a full grin on air with a 885 00:42:12,680 --> 00:42:16,399 Speaker 5: Ryan Seacrest, Joe Ross. 886 00:42:16,719 --> 00:42:19,440 Speaker 1: Y'all, thanks for listening to us. If you're here tomorrow, 887 00:42:19,719 --> 00:42:21,560 Speaker 1: we'd love for you to join us. I got a 888 00:42:21,560 --> 00:42:25,720 Speaker 1: morning hack. If you're having an upcoming job, interview experts 889 00:42:25,719 --> 00:42:28,879 Speaker 1: say incorporating these phrases into the conversation make people think 890 00:42:28,920 --> 00:42:33,160 Speaker 1: you're really smart. I'll take all the help I can get. Yeah. 891 00:42:33,200 --> 00:42:35,040 Speaker 1: The other thing, Paul Russell going to join. 892 00:42:35,000 --> 00:42:38,600 Speaker 3: Us that's right, my little, my little boot thang. 893 00:42:38,840 --> 00:42:42,840 Speaker 1: Of course, more of the Taylor movie tickets. Have a 894 00:42:42,880 --> 00:42:47,000 Speaker 1: great day. Thanks for listening to On Air with Ryan Seacrest. 895 00:42:47,360 --> 00:42:49,319 Speaker 1: Make sure to subscribe and we'll talk to you again 896 00:42:49,360 --> 00:42:49,880 Speaker 1: tomorrow