1 00:00:01,200 --> 00:00:05,520 Speaker 1: It's time for the Bobby Bones post show. Here's your host, 2 00:00:06,000 --> 00:00:14,880 Speaker 1: Bobby Bone. On my Instagram story, I said, hey, if 3 00:00:14,880 --> 00:00:16,480 Speaker 1: you guys pick a number one through five hundred and 4 00:00:16,480 --> 00:00:18,479 Speaker 1: you get it, I'll give fifty bucks to the first 5 00:00:18,480 --> 00:00:21,200 Speaker 1: three people. Mister Bobby Bones if you want to get on. 6 00:00:21,239 --> 00:00:25,239 Speaker 1: I do see two winners so far. I thought nobody 7 00:00:25,320 --> 00:00:26,920 Speaker 1: was gonna get it, and I told the show what 8 00:00:26,960 --> 00:00:30,320 Speaker 1: the number was before I did it. But I had 9 00:00:30,360 --> 00:00:32,520 Speaker 1: to go all the way back to the beginning. There's 10 00:00:32,520 --> 00:00:35,160 Speaker 1: a lot of sixty nine guesses and it's not sixty nine. Yeah, 11 00:00:35,159 --> 00:00:37,000 Speaker 1: that would be too obvious. But I had to go 12 00:00:37,040 --> 00:00:39,680 Speaker 1: all the way back to the beginning because it was 13 00:00:39,720 --> 00:00:41,440 Speaker 1: the first three to get it. And there's I mean, 14 00:00:41,440 --> 00:00:44,600 Speaker 1: there's that so many people to do this. So I'll 15 00:00:44,680 --> 00:00:45,960 Speaker 1: keep looking at the end of this. But I know 16 00:00:46,000 --> 00:00:49,160 Speaker 1: I have two winners so far, but everybody knows the number. 17 00:00:50,080 --> 00:00:51,720 Speaker 1: It was not a game. I sent it my number 18 00:00:51,720 --> 00:00:57,360 Speaker 1: in though, like number just pick four four four. That's 19 00:00:57,360 --> 00:00:59,880 Speaker 1: not it. You didn't hear the number, No, I would 20 00:01:00,120 --> 00:01:04,280 Speaker 1: in here are you not? Are you just not listening here? Oh? 21 00:01:04,440 --> 00:01:07,480 Speaker 1: I have no idea. Uh, but that's on my Instagram 22 00:01:07,480 --> 00:01:09,400 Speaker 1: story mister Bobby Bones' gonna take a shot at it. 23 00:01:09,400 --> 00:01:11,160 Speaker 1: I think it probably goes away in the next hour 24 00:01:11,280 --> 00:01:12,679 Speaker 1: or so. I think somebody gets it. I mean, there 25 00:01:12,720 --> 00:01:14,240 Speaker 1: are a hundred thousan people who reply to this thing. 26 00:01:14,319 --> 00:01:16,880 Speaker 1: It's crazy. I mean sometimes I get five thousand likes 27 00:01:16,880 --> 00:01:19,200 Speaker 1: on a picture. It's free money that I got one 28 00:01:19,240 --> 00:01:20,880 Speaker 1: point two million followers, and I'm like, damn, that picture 29 00:01:20,959 --> 00:01:22,840 Speaker 1: must have sucked. But I would get fifty bucks out 30 00:01:22,880 --> 00:01:24,640 Speaker 1: a few times. And man, I may do this a 31 00:01:24,640 --> 00:01:28,959 Speaker 1: few times all leading up to the holiday. Let me you, 32 00:01:30,080 --> 00:01:32,600 Speaker 1: I literally have no idea. What's your second guess? Well, 33 00:01:32,640 --> 00:01:35,680 Speaker 1: I'm not gonna tell you. Okay, let me do some 34 00:01:35,680 --> 00:01:39,720 Speaker 1: some second let me do some segments here. Uh, let's 35 00:01:39,880 --> 00:01:43,080 Speaker 1: talk to T Dub in Wichita, Kansas. Who is on 36 00:01:43,120 --> 00:01:48,520 Speaker 1: the phone. Hey, t Dub, what's going on? Joe Bobby? 37 00:01:48,560 --> 00:01:52,160 Speaker 1: It's yours? How you doing pretty good? Man? What can 38 00:01:52,200 --> 00:01:56,160 Speaker 1: I do for you? Hey? I got a question for you. Man, 39 00:01:56,560 --> 00:02:01,000 Speaker 1: I need to know how does Mike d know everything? 40 00:02:01,120 --> 00:02:03,280 Speaker 1: Every time you answer them a question. It's like having 41 00:02:03,320 --> 00:02:05,840 Speaker 1: your own theory in the back of your pocket. Yeah, 42 00:02:05,920 --> 00:02:08,040 Speaker 1: Mike da is my serial or my Alexa? For sure? 43 00:02:08,320 --> 00:02:11,399 Speaker 1: I mean Mike D is with me the most. Mike 44 00:02:11,480 --> 00:02:15,000 Speaker 1: D has traveled with me the most, has lived with me. 45 00:02:15,320 --> 00:02:20,280 Speaker 1: I mean, he's basically, you know, the mirror hopefully of 46 00:02:20,280 --> 00:02:21,960 Speaker 1: what I'm thinking. And a lot of times I'm like, hey, Michael, 47 00:02:21,960 --> 00:02:23,480 Speaker 1: what I do here? And it's like you would do this? 48 00:02:23,919 --> 00:02:26,400 Speaker 1: I'm like, all right, cool, thanks, especially if I'm exhausted. 49 00:02:26,760 --> 00:02:29,000 Speaker 1: But yeah, yeah, that's a good point. Mike DA is 50 00:02:29,040 --> 00:02:31,240 Speaker 1: basically the person who knows almost as much about me 51 00:02:31,240 --> 00:02:33,120 Speaker 1: as I do. Mike, do you have any any answer 52 00:02:33,160 --> 00:02:34,760 Speaker 1: to tw here? What would you like to say? I 53 00:02:34,760 --> 00:02:36,520 Speaker 1: think just over the years I've gotten to know how 54 00:02:36,560 --> 00:02:39,520 Speaker 1: you think. You could say something like, what's that vegetable 55 00:02:39,600 --> 00:02:42,119 Speaker 1: thing that people make taste good? I'm like Brussels brows. Yeah, 56 00:02:42,120 --> 00:02:45,440 Speaker 1: and there's no other thing except I've probably mentioned that 57 00:02:45,440 --> 00:02:47,160 Speaker 1: at some point, and Mike's got it all stored in 58 00:02:47,160 --> 00:02:50,320 Speaker 1: his memory. Well. And I also, he's the fastest googler 59 00:02:50,360 --> 00:02:53,960 Speaker 1: out of all of us, like he googles, so so 60 00:02:54,000 --> 00:02:57,240 Speaker 1: if you were to google what's Bobby thinking the fastest vegetable? 61 00:02:57,440 --> 00:02:59,760 Speaker 1: He would know he would also do that. But yeah, no, 62 00:02:59,800 --> 00:03:03,720 Speaker 1: you're all right. M D is an invaluable resource on 63 00:03:03,720 --> 00:03:07,320 Speaker 1: this show, which also means valuable, by the way, invaluable. Yeah, right, 64 00:03:07,440 --> 00:03:11,440 Speaker 1: does this mean both? I don't know what that invaluable? 65 00:03:11,760 --> 00:03:14,720 Speaker 1: More invaluable? Well yeah, yeah, no invaluable. Oh like you 66 00:03:14,720 --> 00:03:17,200 Speaker 1: can't put value to him because he's so amazing, Mike, 67 00:03:17,280 --> 00:03:22,200 Speaker 1: So tell me what invaluable means extremely useful, indispensable. See, 68 00:03:22,520 --> 00:03:25,000 Speaker 1: valuable and invaluable are basically the same thing, which is 69 00:03:25,000 --> 00:03:30,640 Speaker 1: weird interesting? A right, thank you for that call. Go ahead, buddy. 70 00:03:32,639 --> 00:03:35,440 Speaker 1: I would just say I just gotta say real quick, Amy, 71 00:03:35,600 --> 00:03:38,360 Speaker 1: I absolutely love you, Eddie. I need you to say 72 00:03:38,480 --> 00:03:41,560 Speaker 1: more of a come on is the most peaceful, most 73 00:03:41,600 --> 00:03:44,400 Speaker 1: beautiful thing every time I say come on, come on, 74 00:03:44,480 --> 00:03:46,720 Speaker 1: love here and it loves the show. It's your boy 75 00:03:46,800 --> 00:03:50,600 Speaker 1: tub coming from which I love you. Guys. Have you 76 00:03:50,640 --> 00:03:58,040 Speaker 1: forgot to give me in something? But whatever, Hey, let's spot. 77 00:03:58,320 --> 00:03:59,880 Speaker 1: I need you to brighten up a little bit. You 78 00:04:00,080 --> 00:04:02,320 Speaker 1: got three beautiful babies. Stop being mean all the time, 79 00:04:02,560 --> 00:04:05,480 Speaker 1: and stop buying all the tickets they're getting you nowhere, 80 00:04:05,600 --> 00:04:16,200 Speaker 1: Homie and I get rid alright, they'd love you, guys. 81 00:04:16,600 --> 00:04:21,120 Speaker 1: I appreciate you, buddy. Abby says that a Virginia station 82 00:04:21,400 --> 00:04:27,479 Speaker 1: played her version of the National anthem on their show. Wow. Yeah, yes, yeah, 83 00:04:27,640 --> 00:04:31,680 Speaker 1: US one six one h But who told you this? 84 00:04:32,080 --> 00:04:34,960 Speaker 1: So a Navy veteran messaged me on Instagram and he 85 00:04:35,000 --> 00:04:37,080 Speaker 1: said they play it every day at noon on their station. 86 00:04:37,920 --> 00:04:40,280 Speaker 1: Stop Mine. No, they play a different version every day, 87 00:04:40,279 --> 00:04:48,680 Speaker 1: you know, like different artists mine. But yeah, he said, 88 00:04:48,720 --> 00:04:50,720 Speaker 1: they've played mine. Didn't you reach out to the station 89 00:04:50,720 --> 00:04:52,479 Speaker 1: to see if it's true? Well, he said, he's going 90 00:04:52,560 --> 00:04:55,479 Speaker 1: to ask the DJ on there and which which one 91 00:04:56,320 --> 00:04:58,719 Speaker 1: I got? We can probably call him and ask him ourself. 92 00:05:00,200 --> 00:05:02,960 Speaker 1: So they said, Hey, here's Abby from the Bobby Bones show. 93 00:05:03,279 --> 00:05:06,760 Speaker 1: Dave Parker Okay, yeah, he runs the station there. Hey, Scooba, 94 00:05:06,839 --> 00:05:10,360 Speaker 1: you have Dave Parker's contact information, Mike, Yeah, you want 95 00:05:10,360 --> 00:05:11,680 Speaker 1: to talk to them right now? Yeah, if you can 96 00:05:11,680 --> 00:05:13,040 Speaker 1: get him, we'll be on for a little bit. But 97 00:05:13,040 --> 00:05:15,240 Speaker 1: if you can get him, well, it's weird, he said. 98 00:05:15,240 --> 00:05:17,000 Speaker 1: He looked down at the screen and it said Abby 99 00:05:17,040 --> 00:05:20,080 Speaker 1: Anderson and it wasn't Abby Anderson, Yeah, the other Abbey. 100 00:05:20,120 --> 00:05:24,560 Speaker 1: And that's what I'm wondering. Oh, he said, he thinks 101 00:05:24,640 --> 00:05:27,000 Speaker 1: it was. It was mine, and we're on there. I 102 00:05:27,080 --> 00:05:31,960 Speaker 1: really think it's mine. We're gonna go. I didn't even 103 00:05:31,960 --> 00:05:35,120 Speaker 1: think about the actual He's not gonna go find some 104 00:05:35,279 --> 00:05:39,440 Speaker 1: random clip at a marathon or whatever. In our studio. 105 00:05:39,480 --> 00:05:43,400 Speaker 1: They're gonna get a professional star spangled banner rendition. They're 106 00:05:43,440 --> 00:05:45,960 Speaker 1: not gonna have Abby the phone screener on their radio. 107 00:05:46,400 --> 00:05:48,280 Speaker 1: This is not a make a wish. This is like, 108 00:05:48,360 --> 00:05:54,400 Speaker 1: this is a real radio station. Let's bag it is 109 00:05:55,360 --> 00:05:58,800 Speaker 1: Abby Anderson, the real singer. They do live versions when 110 00:05:58,800 --> 00:06:01,000 Speaker 1: they play it all the time, different ones. Well, we'll 111 00:06:01,000 --> 00:06:03,479 Speaker 1: get him on hopefully, but good ones if he's available. 112 00:06:04,120 --> 00:06:05,520 Speaker 1: Let's see what else do we have here. I thought 113 00:06:05,600 --> 00:06:08,800 Speaker 1: Addie was great by the way, Yeah, the good note 114 00:06:08,839 --> 00:06:12,520 Speaker 1: to be singing like on their Noon Na no Stop. 115 00:06:13,680 --> 00:06:16,840 Speaker 1: We talked on the show today and you guys can 116 00:06:16,880 --> 00:06:18,120 Speaker 1: go back and hear it in the in the show 117 00:06:18,120 --> 00:06:20,880 Speaker 1: podcast of a punishment Eddie's doing to a son right 118 00:06:20,920 --> 00:06:22,880 Speaker 1: now because his sons has bad grade. So Eddi's only 119 00:06:22,920 --> 00:06:24,760 Speaker 1: letting him meet Blowny Sandwich. I like calling it a 120 00:06:24,839 --> 00:06:27,520 Speaker 1: lesson more than a punishment, right, I'm down. We had 121 00:06:27,520 --> 00:06:29,000 Speaker 1: a lot of people called that are like, hey, we'll 122 00:06:29,120 --> 00:06:31,520 Speaker 1: we signed, we co signed. Yeah. We had a social 123 00:06:31,520 --> 00:06:33,240 Speaker 1: worker that we were like, oh crap, and she was 124 00:06:33,240 --> 00:06:35,800 Speaker 1: like no, I think it's good. So that. But that 125 00:06:35,880 --> 00:06:38,440 Speaker 1: being said, you've been studying with him a lot, yes, 126 00:06:38,520 --> 00:06:41,280 Speaker 1: and you're exhausted, dude. I mean. And here's the rule though, 127 00:06:41,320 --> 00:06:43,240 Speaker 1: what I tell him, like, Hey, I'm over here on 128 00:06:43,279 --> 00:06:46,720 Speaker 1: the couch watching basketball. If you need my help, I'm here. Well, 129 00:06:46,760 --> 00:06:50,039 Speaker 1: that's not you studying with him, making yourself available as 130 00:06:50,080 --> 00:06:52,520 Speaker 1: you watched for it, right. But what happens is he says, okay, Dad, 131 00:06:52,520 --> 00:06:54,159 Speaker 1: I need your help, and then we go and for 132 00:06:54,200 --> 00:06:55,680 Speaker 1: as long as he needs me, I'm there at the 133 00:06:55,720 --> 00:06:58,599 Speaker 1: kitchen table working with him. Are you suffering from any 134 00:06:58,600 --> 00:07:01,359 Speaker 1: sort of exhaustion? Exhausted, dude. I'm having to memorize stuff 135 00:07:01,400 --> 00:07:04,240 Speaker 1: with him. I'm having to work different problems with dude. 136 00:07:04,240 --> 00:07:06,600 Speaker 1: There was one thing he's doing social studies, and I 137 00:07:06,640 --> 00:07:08,760 Speaker 1: had to find out where different rivers were on the 138 00:07:08,800 --> 00:07:11,160 Speaker 1: world map. That was crazy because I didn't know what 139 00:07:11,240 --> 00:07:14,320 Speaker 1: I was talking about side of Google. I'm tired. If 140 00:07:14,320 --> 00:07:16,560 Speaker 1: you done anything where you're like, I'm oops, I'm just 141 00:07:16,600 --> 00:07:19,720 Speaker 1: so tired. Yeah. Yesterday, yesterday I left the studio and 142 00:07:19,720 --> 00:07:21,080 Speaker 1: I was like, I need to get lunch. So I 143 00:07:21,120 --> 00:07:23,240 Speaker 1: go to Wendy's and I get myself a burger. I 144 00:07:23,400 --> 00:07:25,520 Speaker 1: order it, and I go up to the window, I 145 00:07:25,600 --> 00:07:28,720 Speaker 1: pay for it, and then I go home. And when 146 00:07:28,760 --> 00:07:30,520 Speaker 1: I get home, I get my backpack out of the 147 00:07:30,520 --> 00:07:33,120 Speaker 1: car and I'm like, oh my gosh, I forgot my 148 00:07:33,120 --> 00:07:37,600 Speaker 1: food at the Wendy's. Yes did I just split? Like 149 00:07:37,880 --> 00:07:40,200 Speaker 1: what is happening? So I had to go back and 150 00:07:40,240 --> 00:07:42,480 Speaker 1: get my burger and they and they were all there 151 00:07:42,480 --> 00:07:44,480 Speaker 1: at the window, like three ladies laughing like we were 152 00:07:44,520 --> 00:07:46,880 Speaker 1: wondering if you're gonna come back? That's funny. Yeah, I'm 153 00:07:46,920 --> 00:07:51,440 Speaker 1: tired and studying exams all the week. Hey, Ray, these 154 00:07:51,480 --> 00:07:55,120 Speaker 1: calls that are coming in, are they for us? I believe? 155 00:07:55,520 --> 00:08:00,000 Speaker 1: Just answer them? Answer them? No screen, no screen? Yeah, 156 00:08:00,040 --> 00:08:02,120 Speaker 1: le's see what this series on the phone. Hello, Hey, 157 00:08:02,160 --> 00:08:04,400 Speaker 1: just put the phone no, no no, all right, roll it, yeah, 158 00:08:04,440 --> 00:08:09,800 Speaker 1: we'll roll it. We're live live, do it live? Hello? Hey, 159 00:08:09,800 --> 00:08:12,920 Speaker 1: how's it going? Hey? Pretty good? Who's this? This is 160 00:08:13,200 --> 00:08:17,640 Speaker 1: Quinton guys from Boyda. What's up, buddy? It's Bobby Bones. Hey. 161 00:08:17,720 --> 00:08:20,960 Speaker 1: So I was listening to your segment yesterday with the 162 00:08:21,080 --> 00:08:25,600 Speaker 1: Christmas movies. I feel like you guys, you guys missed 163 00:08:25,600 --> 00:08:30,760 Speaker 1: out on the uh the Adam Sandler like animated Christmas movie, 164 00:08:30,960 --> 00:08:34,800 Speaker 1: which one. I see that thing. I don't know the name, 165 00:08:34,880 --> 00:08:37,240 Speaker 1: but if you guys have never seen it, I definitely yeah, 166 00:08:37,360 --> 00:08:39,960 Speaker 1: I know I'm dropping the ball here, but you guys 167 00:08:40,160 --> 00:08:42,719 Speaker 1: definitely check it out. Definitely one of my favorites. Hold on, 168 00:08:42,760 --> 00:08:46,880 Speaker 1: so I'll ask Mike what eight Crazy Nights is that? 169 00:08:47,080 --> 00:08:49,040 Speaker 1: That's what it's called. Yeah, yeah, yeah. What's what's happening 170 00:08:49,120 --> 00:08:54,160 Speaker 1: in u Boise today? Boise Boise? Are you serious? It's Boise? 171 00:08:54,800 --> 00:08:59,400 Speaker 1: Yeah yeah, yeah, yeah, nothing much. It's just it's snow 172 00:08:59,440 --> 00:09:02,480 Speaker 1: and it's opening right now. But our construction, so I'm 173 00:09:02,480 --> 00:09:04,640 Speaker 1: working out in the snow all day. Wow, you have 174 00:09:04,640 --> 00:09:11,400 Speaker 1: good socks. I'm wearing like three space They've been there, buddy. Yeah, 175 00:09:11,480 --> 00:09:15,240 Speaker 1: all right, well I appreciate that call. Thanks for hopping on, Yeah, 176 00:09:15,240 --> 00:09:18,360 Speaker 1: thank you, all right, see you later. We're also going 177 00:09:18,400 --> 00:09:20,679 Speaker 1: to try to again get in touch with Dave at 178 00:09:20,760 --> 00:09:22,880 Speaker 1: US one six one to see if Abbey's has been 179 00:09:23,080 --> 00:09:25,920 Speaker 1: played with her national anthem. Uh spider Man No Way 180 00:09:25,960 --> 00:09:29,120 Speaker 1: Home earns the best reviews of Tom Holland's Superhero trilogy 181 00:09:29,240 --> 00:09:34,280 Speaker 1: with a score of Wow, which comes out this weekend, 182 00:09:34,679 --> 00:09:37,360 Speaker 1: and Mike d is going to go on Saturday Morgan 183 00:09:37,400 --> 00:09:40,160 Speaker 1: this seems like something you'd be aut four two. Oh yeah, tickets. Yeah, 184 00:09:40,200 --> 00:09:43,880 Speaker 1: I'm going tonight on Thursday night. Yeah, it comes out 185 00:09:43,920 --> 00:09:46,640 Speaker 1: so like it's always officially released on Friday, but it 186 00:09:46,679 --> 00:09:57,199 Speaker 1: goes out on Thursday night. Hey movie Morgan's Oh god, 187 00:09:58,200 --> 00:10:02,360 Speaker 1: she's gonna have a review tomorrow. Oh what time is 188 00:10:02,480 --> 00:10:06,360 Speaker 1: you your showing? Oh you've going seven thirty, Mike d 189 00:10:06,520 --> 00:10:08,480 Speaker 1: Come on, no, Mike, what do you have to say 190 00:10:08,480 --> 00:10:10,800 Speaker 1: for yourself? I can't do it work night. I won't 191 00:10:10,840 --> 00:10:15,080 Speaker 1: enjoy it as much. Fair, Yeah, I understand. Did you 192 00:10:15,080 --> 00:10:17,439 Speaker 1: tell Mike you were going Arley? Yeah? He didn't really 193 00:10:17,440 --> 00:10:19,719 Speaker 1: say anything though, you just kind of left it. Yeah. 194 00:10:19,760 --> 00:10:21,480 Speaker 1: I don't want to hear anything about the movie going 195 00:10:21,520 --> 00:10:26,080 Speaker 1: into it. I would check your brakes before you go. Well, 196 00:10:26,120 --> 00:10:30,000 Speaker 1: I'm going so because I'm leaving this weekend. My boyfriend 197 00:10:30,000 --> 00:10:32,280 Speaker 1: and I haven't seen all the Marvel movies together, so 198 00:10:32,400 --> 00:10:34,800 Speaker 1: we had to watch it before we left town. And 199 00:10:34,880 --> 00:10:37,720 Speaker 1: he's not going home. And you guys are still together. 200 00:10:37,760 --> 00:10:39,880 Speaker 1: I hear that we are still together. That's great. I 201 00:10:39,920 --> 00:10:42,760 Speaker 1: didn't know that Tom Holland and the girl, the girl 202 00:10:42,880 --> 00:10:47,439 Speaker 1: they're like officially dating. Yes, I didn't know that they 203 00:10:47,480 --> 00:10:49,480 Speaker 1: it was rumored. People thought it for a long time, 204 00:10:49,480 --> 00:10:51,160 Speaker 1: but they just never said it. But then finally, I 205 00:10:51,280 --> 00:10:53,080 Speaker 1: think get cut kissing in a car or something, and 206 00:10:53,120 --> 00:10:55,120 Speaker 1: then they want to write car together. And that's natural, 207 00:10:55,200 --> 00:10:57,160 Speaker 1: right when you're the love interest in the movie and 208 00:10:57,240 --> 00:11:00,000 Speaker 1: all you do is just like I think they were dating, befo, 209 00:11:00,040 --> 00:11:03,160 Speaker 1: we're that though, Oh from the Last Spider Man. No, 210 00:11:03,480 --> 00:11:06,480 Speaker 1: you think maybe Andrew Garfield and Emma Stone dated during 211 00:11:06,640 --> 00:11:09,000 Speaker 1: not thinking of them, thinking of Zendaia and Tom Holland 212 00:11:09,120 --> 00:11:12,840 Speaker 1: that's new, dude, How new? I mean they were in 213 00:11:12,880 --> 00:11:15,120 Speaker 1: The Last Spider Man. They were in Like He Loves 214 00:11:15,120 --> 00:11:18,400 Speaker 1: Her and they were already dating. No, Hey, my sources 215 00:11:18,400 --> 00:11:21,280 Speaker 1: say yes. Okay, maybe you knew behind the scenes. My 216 00:11:21,400 --> 00:11:23,960 Speaker 1: sources say yes, and my sources I don't. I don't 217 00:11:23,960 --> 00:11:27,319 Speaker 1: mean to brag, but the internet. Okay, okay, let's go 218 00:11:27,360 --> 00:11:28,880 Speaker 1: have another call Ray. We can do it on screened. 219 00:11:28,960 --> 00:11:32,800 Speaker 1: Just see what people have to say. Hello, oh we 220 00:11:32,880 --> 00:11:38,040 Speaker 1: lost him? Hello, Hello, this is Bobby. Who's this? Hey? 221 00:11:38,120 --> 00:11:41,280 Speaker 1: This is Christina. What's up? Christina? How are you doing? 222 00:11:41,360 --> 00:11:43,319 Speaker 1: We're doing pretty good. What's what can I do for you? 223 00:11:44,520 --> 00:11:47,240 Speaker 1: My question is why don't you always say you do 224 00:11:47,360 --> 00:11:50,200 Speaker 1: five to five and a half hours of radio, But 225 00:11:50,280 --> 00:11:53,240 Speaker 1: I live here locally, and so sometimes while I listened 226 00:11:53,240 --> 00:11:56,520 Speaker 1: in the car, a lot and an earlier segment will 227 00:11:56,559 --> 00:11:59,720 Speaker 1: be replayed, and then when I listened to the podcast 228 00:11:59,800 --> 00:12:01,960 Speaker 1: lay it's only like to have on an hour, hour 229 00:12:01,960 --> 00:12:03,680 Speaker 1: and a half. So how do you come up with 230 00:12:03,720 --> 00:12:05,760 Speaker 1: five five and a half hours of radio? Because we're 231 00:12:05,760 --> 00:12:08,400 Speaker 1: here mostly you just have to sit in the same 232 00:12:08,440 --> 00:12:11,520 Speaker 1: place for five hours. Back in the day, I guess 233 00:12:11,520 --> 00:12:14,360 Speaker 1: it used to be a real I guess we'd also 234 00:12:14,360 --> 00:12:18,120 Speaker 1: say six. But they also don't see what we do 235 00:12:18,240 --> 00:12:20,920 Speaker 1: not on air, true, like commercials for an hour and 236 00:12:20,960 --> 00:12:24,080 Speaker 1: a half before the show. Every song that's played we're 237 00:12:24,080 --> 00:12:27,120 Speaker 1: working on. It's a good point multiple things or there's 238 00:12:27,160 --> 00:12:30,880 Speaker 1: always liners and yeah, commercials and different things we do 239 00:12:30,960 --> 00:12:34,559 Speaker 1: for different markets. Could a countdown this morning for New 240 00:12:34,640 --> 00:12:38,360 Speaker 1: Year's and Christmas. That's probably why I think I've been 241 00:12:38,360 --> 00:12:40,360 Speaker 1: saying that for so many years now. But I would say, 242 00:12:40,360 --> 00:12:42,000 Speaker 1: if I were being honest, I do eight hours a 243 00:12:42,120 --> 00:12:45,440 Speaker 1: day when it comes to putting the show together, being here, 244 00:12:45,679 --> 00:12:47,760 Speaker 1: being on the air. So I'm gonna start saying that 245 00:12:47,840 --> 00:12:49,640 Speaker 1: I do eight hours a radio a day, so full 246 00:12:49,720 --> 00:12:55,400 Speaker 1: day's work. It is a full day's works. It's the same. 247 00:12:55,480 --> 00:12:58,440 Speaker 1: My step dad arkansasth he did really he worked at 248 00:12:58,360 --> 00:13:01,920 Speaker 1: a sawmill. That was real. This is although it is 249 00:13:01,920 --> 00:13:04,400 Speaker 1: at times exhausting because of the schedule of the job, 250 00:13:05,120 --> 00:13:08,360 Speaker 1: it is not real. It is real work, but it 251 00:13:08,440 --> 00:13:10,880 Speaker 1: is not on the same level as as that work. 252 00:13:10,960 --> 00:13:13,600 Speaker 1: I agreed. Yeah, but that's probably why I appreciate that call. 253 00:13:13,640 --> 00:13:15,280 Speaker 1: And you guys can call us now too if you want. 254 00:13:15,320 --> 00:13:17,520 Speaker 1: We don't. We don't give a crap eight seven, seven 255 00:13:18,080 --> 00:13:20,160 Speaker 1: seventy seven, Bobby, Although I do have to go in 256 00:13:20,200 --> 00:13:22,199 Speaker 1: a few minutes because I have to do a press 257 00:13:22,240 --> 00:13:24,920 Speaker 1: tour today for New Year's EA special. So I sit 258 00:13:24,960 --> 00:13:28,200 Speaker 1: at home on my laptop and they just patch me 259 00:13:28,240 --> 00:13:33,480 Speaker 1: into different news stations, CBS affiliates, and sometimes I forget. 260 00:13:33,520 --> 00:13:35,440 Speaker 1: You just do so many and they're exactly the same 261 00:13:35,720 --> 00:13:37,400 Speaker 1: that you start to say the same thing over. Sometimes 262 00:13:37,440 --> 00:13:39,440 Speaker 1: I say the same thing twice in the same interview. Yeah, 263 00:13:39,480 --> 00:13:43,240 Speaker 1: because I'm like a broken record. So a good broken record, 264 00:13:43,440 --> 00:13:45,600 Speaker 1: I do my little spill on each station. A bad 265 00:13:45,600 --> 00:13:47,160 Speaker 1: broken record is I do the spill twice on the 266 00:13:47,200 --> 00:13:50,480 Speaker 1: same station and they're like, you just said that. Yeah, 267 00:13:50,800 --> 00:13:55,800 Speaker 1: I know, I know. I did, But you guys can 268 00:13:55,840 --> 00:13:59,079 Speaker 1: call us if you want eight seven, seven seventy seven, Bobby, 269 00:14:00,080 --> 00:14:02,559 Speaker 1: we do mention that countdown. I just did a year 270 00:14:02,679 --> 00:14:05,280 Speaker 1: end countdown. I don't know if it runs over two 271 00:14:05,280 --> 00:14:07,480 Speaker 1: weeks or not, but we're playing back a lot of 272 00:14:07,559 --> 00:14:10,200 Speaker 1: performances that were really cool this year. And when I 273 00:14:10,240 --> 00:14:12,600 Speaker 1: do these countdowns, you actually see how many people came 274 00:14:12,600 --> 00:14:15,400 Speaker 1: in and performed, and like, we've got a really cool 275 00:14:15,760 --> 00:14:19,040 Speaker 1: Morgan Wallan performance which was early in the year, which 276 00:14:19,080 --> 00:14:20,520 Speaker 1: is on the countdown. What are you doing on the 277 00:14:20,640 --> 00:14:25,640 Speaker 1: Female Show? Um, we're playing black, playing back a few 278 00:14:25,760 --> 00:14:30,360 Speaker 1: different performances. But that's I mean, kind of similar, yeah, 279 00:14:30,440 --> 00:14:35,480 Speaker 1: but obviously on a smaller scale. This woman is undateable. 280 00:14:35,520 --> 00:14:38,000 Speaker 1: She has two big tattoos, one of Ted Bundy one 281 00:14:38,000 --> 00:14:41,400 Speaker 1: of Jeffrey Dahmer. What, Yeah, that's undatable. Why would she 282 00:14:41,440 --> 00:14:44,600 Speaker 1: have those? Because she's crazy? I mean, other than the tattoos, 283 00:14:44,640 --> 00:14:49,120 Speaker 1: she's pretty attractive. Really, why does she have? This is 284 00:14:49,120 --> 00:14:50,920 Speaker 1: from the New York Post. Her name is Britney chamberlinn. 285 00:14:50,960 --> 00:14:54,480 Speaker 1: She's twenty eight years old. She has worked down her 286 00:14:54,560 --> 00:14:56,440 Speaker 1: left arm, over right hip and down her right leg 287 00:14:56,560 --> 00:14:58,520 Speaker 1: on her thigh. She has a portrait of the late 288 00:14:58,560 --> 00:15:01,400 Speaker 1: serial killer and rapist Ted bund D with the quote 289 00:15:01,400 --> 00:15:03,200 Speaker 1: that reads, I don't feel guilty for anything. I feel 290 00:15:03,200 --> 00:15:08,320 Speaker 1: sorry for people who feel guilt. Whoa he said that, Yeah, Jess. 291 00:15:08,360 --> 00:15:11,000 Speaker 1: Below that lies her favorite piece, which shows a portrait 292 00:15:11,000 --> 00:15:13,360 Speaker 1: of the late serial killer and cannibal Jeffrey Dahmer, who 293 00:15:13,400 --> 00:15:16,040 Speaker 1: murdered seventeen men and boys from the seventies to the nineties. 294 00:15:16,160 --> 00:15:18,120 Speaker 1: He said, if you can't beat them, eat them. Oh 295 00:15:18,200 --> 00:15:21,480 Speaker 1: my gosh, he said that. So if you met somebody 296 00:15:21,520 --> 00:15:24,720 Speaker 1: and she was great, would you you can't do it? 297 00:15:24,720 --> 00:15:28,320 Speaker 1: Would this be a deal breaker? I mean, Wow, you're 298 00:15:28,360 --> 00:15:30,760 Speaker 1: like and you have to tell her too, like awesome, 299 00:15:30,840 --> 00:15:34,040 Speaker 1: Like right, she's hot. So if you're single and you 300 00:15:34,040 --> 00:15:37,840 Speaker 1: meet her lunchbox man, I don't know. I mean I'd 301 00:15:37,880 --> 00:15:39,320 Speaker 1: spend a couple of nights, but I don't think I 302 00:15:39,320 --> 00:15:43,040 Speaker 1: could date her couple. You may not make it. She 303 00:15:43,080 --> 00:15:45,840 Speaker 1: has a dog in her picture. Look at her Eddie. 304 00:15:46,640 --> 00:15:48,400 Speaker 1: She's pretty. Hey. I want to put on because we 305 00:15:48,440 --> 00:15:50,120 Speaker 1: do have them, and I don't want to miss and 306 00:15:50,240 --> 00:15:52,400 Speaker 1: waste too much of his time here. I do want 307 00:15:52,400 --> 00:15:56,560 Speaker 1: to put on. Dave Parker from US one oh six 308 00:15:56,640 --> 00:16:01,480 Speaker 1: one in Virginia Beach Rake, what get the one? There? 309 00:16:01,520 --> 00:16:03,800 Speaker 1: He is? Hey, Dave, how are you good? How are 310 00:16:03,840 --> 00:16:05,520 Speaker 1: you boy? Hey? Really good. Thank you for spending a 311 00:16:05,520 --> 00:16:06,760 Speaker 1: few minutes with us. I know we just kind of 312 00:16:06,760 --> 00:16:10,600 Speaker 1: called you out of the blue. Sure. Yeah, So somebody 313 00:16:10,680 --> 00:16:13,880 Speaker 1: reached out to Abby our phone screener and said that 314 00:16:14,160 --> 00:16:17,320 Speaker 1: said that you played her version of the National Anthem 315 00:16:17,360 --> 00:16:23,080 Speaker 1: on your radio station. Yes, it actually was her. No, 316 00:16:23,200 --> 00:16:25,080 Speaker 1: you know, it's funny. There have been quite a few 317 00:16:25,120 --> 00:16:27,960 Speaker 1: people who have messaged in and wanted to know about 318 00:16:28,040 --> 00:16:31,320 Speaker 1: the Abby Anderson confusion. But it was it was actually 319 00:16:31,360 --> 00:16:38,360 Speaker 1: Abby Anderson, the country singer who you had. Go down 320 00:16:38,400 --> 00:16:41,000 Speaker 1: a little bit there, Abby, I don't think she's getting 321 00:16:41,040 --> 00:16:43,640 Speaker 1: played on the radio. Do you understand how this has 322 00:16:43,720 --> 00:16:48,040 Speaker 1: gone to her head? People like this is ridiculous. Finally, Hey, 323 00:16:48,120 --> 00:16:50,760 Speaker 1: shut that, he go down. You're not that good. Okay, 324 00:16:50,840 --> 00:16:52,520 Speaker 1: let's let Dave talk for a second. So, Dave, if 325 00:16:52,560 --> 00:16:56,280 Speaker 1: you're saying it's Abby Anderson the singer's Abby Anderson the singer. 326 00:16:56,400 --> 00:17:00,280 Speaker 1: But I'll tell you what if if you're Abby would 327 00:17:00,320 --> 00:17:03,320 Speaker 1: like to record the National Anthem, I will be more 328 00:17:03,320 --> 00:17:05,359 Speaker 1: than happy to play that in one of the biggest 329 00:17:05,359 --> 00:17:09,360 Speaker 1: military towns on the planet. Really well, I mean, so 330 00:17:09,400 --> 00:17:15,640 Speaker 1: I sang it at the Saint Dude. Yeah, okay, I'll 331 00:17:15,640 --> 00:17:20,360 Speaker 1: do it. Let's go. This is awesome, thanks Dave. So 332 00:17:20,920 --> 00:17:24,440 Speaker 1: absolutely has now turned into a make a wish. So 333 00:17:24,560 --> 00:17:26,720 Speaker 1: it's not a make a wish like like he's doing 334 00:17:26,720 --> 00:17:28,920 Speaker 1: this out of pity. He's like embarrassed for her thinking 335 00:17:28,960 --> 00:17:32,040 Speaker 1: she was on the radio telling her family, Hey, guess what, 336 00:17:32,119 --> 00:17:35,320 Speaker 1: they're playing my national anthem on the radio and they weren't. 337 00:17:35,320 --> 00:17:38,399 Speaker 1: And she has been bragging to people she's joining like 338 00:17:38,480 --> 00:17:41,080 Speaker 1: acapella groups at our Christmas party. Guys, it has gone 339 00:17:41,119 --> 00:17:44,560 Speaker 1: too far. Okay, so it has not gone too far. 340 00:17:44,640 --> 00:17:47,040 Speaker 1: But Dave, can we have your word that if it's 341 00:17:47,080 --> 00:17:48,960 Speaker 1: not good, you won't play it. So if you do play, 342 00:17:49,000 --> 00:17:52,720 Speaker 1: it means you think it is worthy of getting airtime. No, 343 00:17:52,760 --> 00:17:54,840 Speaker 1: I think if it's not good that makes it even better. 344 00:17:57,600 --> 00:18:00,960 Speaker 1: I think I think since Hope brings Eternal, this has 345 00:18:01,040 --> 00:18:03,920 Speaker 1: been the big build up, we're definitely going to play it. Okay, Abby, 346 00:18:04,040 --> 00:18:06,720 Speaker 1: so you'll record a version. By the way, you can sing. 347 00:18:07,080 --> 00:18:08,800 Speaker 1: I don't know why Lunchboxes is being such a hater you. 348 00:18:08,800 --> 00:18:12,840 Speaker 1: You're a good single. I mean, she is radio quality. Guys. 349 00:18:12,880 --> 00:18:15,399 Speaker 1: She is not are you No? I never said I was. No, 350 00:18:15,520 --> 00:18:18,520 Speaker 1: I isn't talker. Absolutely, I can talk with the best 351 00:18:18,560 --> 00:18:21,600 Speaker 1: of them. But she is not an artist. I didn't 352 00:18:21,680 --> 00:18:23,879 Speaker 1: say I was an artist. That's what I'm saying. Artists 353 00:18:23,920 --> 00:18:26,119 Speaker 1: get played on the radio because they're good. You're getting 354 00:18:26,160 --> 00:18:29,200 Speaker 1: played on the radio because of pity. Okay, Mary Christmas 355 00:18:29,240 --> 00:18:32,480 Speaker 1: Abbey from Lunchbox. Yeah, Hey, Dave, thank you. We appreciate 356 00:18:32,480 --> 00:18:34,440 Speaker 1: you hopping on with us and explaining the situation and 357 00:18:34,560 --> 00:18:37,800 Speaker 1: also given us something to look forward to. Yeah, all right, 358 00:18:37,920 --> 00:18:41,159 Speaker 1: look forward to hearing at Abby. Thank you, Dave Parker 359 00:18:41,160 --> 00:18:42,879 Speaker 1: from you. It's like I like the Abbey guys. I 360 00:18:42,920 --> 00:18:46,360 Speaker 1: like Abby, but are you sure? Sound like? I do 361 00:18:46,480 --> 00:18:48,480 Speaker 1: like Abby, but I have some people have to tell 362 00:18:48,480 --> 00:18:51,280 Speaker 1: the truth. You guys are doing this and it's embarrassing. 363 00:18:51,320 --> 00:18:53,800 Speaker 1: We're enablers. Is enabler? Ray? Do you have the clip 364 00:18:53,840 --> 00:18:56,560 Speaker 1: off O're singing at the Saint radioson? Yeah? It's quick marathon? 365 00:18:57,119 --> 00:18:58,919 Speaker 1: Oh yeah, marathon? Thank you? Yeah, I just want to 366 00:18:58,920 --> 00:19:07,080 Speaker 1: hear it again for my own ears. That's not singing 367 00:19:07,119 --> 00:19:11,080 Speaker 1: it regular Phil does the smooth a Steve joke. Okay, 368 00:19:11,119 --> 00:19:12,680 Speaker 1: I really have a clip here you go. Actually was 369 00:19:12,680 --> 00:19:16,080 Speaker 1: gonna fight for her there. I was like, oh, okay, 370 00:19:16,160 --> 00:19:27,399 Speaker 1: go ahead and the rock the Mom's burst gay food. 371 00:19:28,560 --> 00:19:36,919 Speaker 1: Then then after that was to them all say does 372 00:19:37,320 --> 00:19:59,640 Speaker 1: that starts thingled? Then get on the limb and that's great. Akay, yeah, 373 00:20:00,040 --> 00:20:04,480 Speaker 1: it's great, let's have it. Is fine for Abby the 374 00:20:04,480 --> 00:20:07,520 Speaker 1: phone screener. It is not good enough for an artist 375 00:20:07,680 --> 00:20:09,760 Speaker 1: level to be played on the radio. That's what I'm saying. 376 00:20:09,880 --> 00:20:11,600 Speaker 1: Like if she wants to go out to a little 377 00:20:12,080 --> 00:20:15,440 Speaker 1: grocery store in her hometown and seeing fine, but she 378 00:20:15,440 --> 00:20:17,120 Speaker 1: she's not good enough to be played on the radio 379 00:20:17,200 --> 00:20:20,240 Speaker 1: or else she'd have a record deal. Okay, people not 380 00:20:20,280 --> 00:20:23,000 Speaker 1: paying the radio don't have a record deal. Who I 381 00:20:23,200 --> 00:20:24,919 Speaker 1: program a lot of women of buy our country who 382 00:20:24,960 --> 00:20:26,920 Speaker 1: don't have record deals quite yet exactly, and they get 383 00:20:26,920 --> 00:20:28,720 Speaker 1: on the radio. Why because they're really good? You would 384 00:20:28,760 --> 00:20:30,199 Speaker 1: not put Abby is not good enough to be on 385 00:20:30,200 --> 00:20:31,880 Speaker 1: the women of I Heart Country. But all I'm doing 386 00:20:31,920 --> 00:20:34,240 Speaker 1: is saying that we're like back in the I mean 387 00:20:34,359 --> 00:20:36,879 Speaker 1: back in the day. You've brought Chris Jansen in. He 388 00:20:36,880 --> 00:20:39,080 Speaker 1: didn't have record deal, and a lot of people who 389 00:20:39,119 --> 00:20:41,160 Speaker 1: didn't have who have record deals now didn't have record 390 00:20:41,160 --> 00:20:44,000 Speaker 1: deals at one point. Okay, guys, if you're gonna be honest, look, 391 00:20:44,240 --> 00:20:46,040 Speaker 1: you want to do honest truth. Is Abby good enough 392 00:20:46,040 --> 00:20:48,640 Speaker 1: to have a record deal? No, thank you, But that's 393 00:20:48,640 --> 00:20:50,600 Speaker 1: not what this is about. Thank you, thank you. It's 394 00:20:50,640 --> 00:20:54,000 Speaker 1: not about level of those as those women that are 395 00:20:54,000 --> 00:20:56,120 Speaker 1: on the women of I Heart Country. No, but that's 396 00:20:56,160 --> 00:20:59,200 Speaker 1: not the question. This is what this is not comparing 397 00:20:59,200 --> 00:21:01,040 Speaker 1: her to country star. That's what I'm saying. That's why 398 00:21:01,960 --> 00:21:04,280 Speaker 1: so angry at him that thought what this is about 399 00:21:04,280 --> 00:21:07,240 Speaker 1: at all. They play the national anthem every day on 400 00:21:07,240 --> 00:21:11,119 Speaker 1: that station at news. You got played out of the 401 00:21:11,240 --> 00:21:13,000 Speaker 1: random like you were so good they heard it, like 402 00:21:13,040 --> 00:21:15,159 Speaker 1: we gotta play it. No, they play live versions all 403 00:21:15,200 --> 00:21:17,560 Speaker 1: the time. But every day you don't think you're good 404 00:21:17,640 --> 00:21:26,800 Speaker 1: enough and we're gonna do this. Thank you. That's all 405 00:21:26,880 --> 00:21:29,800 Speaker 1: day with the kids. Literally, No, I literally am just 406 00:21:29,840 --> 00:21:32,120 Speaker 1: trying to tell you guys that you gotta just tell 407 00:21:32,119 --> 00:21:37,280 Speaker 1: her the truth. Sometimes she literally we're talking about talking 408 00:21:37,280 --> 00:21:40,199 Speaker 1: about this. One more question, No more questions. It's not 409 00:21:40,240 --> 00:21:43,960 Speaker 1: a question. No, no, no more questions. Uh amy y 410 00:21:44,280 --> 00:21:46,359 Speaker 1: a note that had written down to change. Yeah, you 411 00:21:46,440 --> 00:21:49,520 Speaker 1: watched the boy band con Yeah, the lou Pearlman story. 412 00:21:49,720 --> 00:21:53,600 Speaker 1: What what platform is that on YouTube? Don't even know 413 00:21:54,040 --> 00:21:56,320 Speaker 1: why it like came on my radar to put it 414 00:21:56,359 --> 00:21:59,160 Speaker 1: on while I was cooking dinner, but I did, and 415 00:22:00,240 --> 00:22:03,760 Speaker 1: it's I knew he had done something shady because he 416 00:22:03,800 --> 00:22:06,560 Speaker 1: went to jail and then he died in jail, but 417 00:22:06,640 --> 00:22:09,640 Speaker 1: like I didn't realize how badly he had screwed over 418 00:22:09,800 --> 00:22:13,280 Speaker 1: in Sync and Backstreet Boys like they were. He had 419 00:22:13,320 --> 00:22:17,639 Speaker 1: them working like hard, and then Lance Bass said that 420 00:22:17,680 --> 00:22:20,040 Speaker 1: he had this they were gonna get their first check ever. 421 00:22:20,480 --> 00:22:22,520 Speaker 1: And Lou was like, we're having a dinner. It's gonna 422 00:22:22,520 --> 00:22:25,040 Speaker 1: be your first check party. I'm gonna give everybody a check, 423 00:22:25,280 --> 00:22:27,760 Speaker 1: and like him and his mom were like, oh my gosh, 424 00:22:27,920 --> 00:22:30,080 Speaker 1: had they been super successful at that first check party? Yes, 425 00:22:30,160 --> 00:22:33,080 Speaker 1: like they in Sync had made it. They were touring 426 00:22:33,160 --> 00:22:35,000 Speaker 1: going crazy. I mean in the beginning, it was a 427 00:22:35,000 --> 00:22:37,200 Speaker 1: grind for sure, and that they were working like three 428 00:22:37,280 --> 00:22:39,800 Speaker 1: hundred and sixty five days of this year, like whether 429 00:22:39,800 --> 00:22:42,359 Speaker 1: they were rehearsing or on the road or doing a 430 00:22:42,400 --> 00:22:46,080 Speaker 1: performance recording, they were working. So they sit down at dinner, 431 00:22:46,160 --> 00:22:48,919 Speaker 1: you know, justin Timberlake, all the people, and they opened 432 00:22:48,960 --> 00:22:52,440 Speaker 1: up the envelope each band member got ten thousand dollars. 433 00:22:52,880 --> 00:22:55,159 Speaker 1: I mean, they thought they were bracing themselves for it. 434 00:22:55,200 --> 00:22:57,800 Speaker 1: Is it going to be like a million millions each 435 00:22:57,840 --> 00:23:00,159 Speaker 1: of us? And that when they opened it up, they 436 00:23:00,160 --> 00:23:03,760 Speaker 1: were like they all they got. They sought legal help, 437 00:23:03,880 --> 00:23:06,800 Speaker 1: they got attorneys in on it. They started looking over 438 00:23:06,840 --> 00:23:10,359 Speaker 1: the contract and they realized they had signed a shady deal, 439 00:23:11,000 --> 00:23:14,120 Speaker 1: and um, then they were but they found a loophole 440 00:23:14,200 --> 00:23:15,520 Speaker 1: and then they were able to get out of it. 441 00:23:15,600 --> 00:23:17,600 Speaker 1: But they never got the money though, they got out 442 00:23:17,640 --> 00:23:19,160 Speaker 1: of the deal, but they never got all that money. Yeah, 443 00:23:19,200 --> 00:23:20,760 Speaker 1: but then they were able. That's when they put out 444 00:23:20,760 --> 00:23:23,679 Speaker 1: no Strings Attached, which was literally a metaphor of like, 445 00:23:24,119 --> 00:23:26,880 Speaker 1: we're no longer attached to lou and we can now 446 00:23:27,000 --> 00:23:33,560 Speaker 1: make money and then bye bye bye. But I just 447 00:23:33,640 --> 00:23:35,359 Speaker 1: was like, and how he even he wasn't even in 448 00:23:35,400 --> 00:23:37,760 Speaker 1: the boy band business. He wasn't even in the music business. 449 00:23:37,800 --> 00:23:41,240 Speaker 1: He was in an airplane business, which you learned was 450 00:23:41,320 --> 00:23:44,639 Speaker 1: totally like just a front sort of wasn't as successful 451 00:23:44,640 --> 00:23:46,520 Speaker 1: as he made it out to be. And then he 452 00:23:46,600 --> 00:23:48,720 Speaker 1: was flying someone that was talking about the music business 453 00:23:48,720 --> 00:23:50,440 Speaker 1: and how you can make money, and he was like, oh, 454 00:23:50,480 --> 00:23:52,359 Speaker 1: I think I could do that. So we started putting 455 00:23:52,359 --> 00:23:56,119 Speaker 1: together these boy bands, Banctry Boys, in Sync, LFO, he 456 00:23:56,280 --> 00:23:59,880 Speaker 1: did all those. Yeah there's more. I can't remember even 457 00:24:00,040 --> 00:24:02,399 Speaker 1: the other a girl group, one of the girls in there. 458 00:24:02,440 --> 00:24:04,320 Speaker 1: They but all these people come in and some of 459 00:24:04,320 --> 00:24:07,159 Speaker 1: the moms for this documentary and shared their side of 460 00:24:07,200 --> 00:24:10,240 Speaker 1: the story and just how like cool it was at 461 00:24:10,280 --> 00:24:14,080 Speaker 1: first and awesome, but then it just immediately went toxic 462 00:24:14,200 --> 00:24:18,000 Speaker 1: and horrible. And so what did he going to rush for? What? 463 00:24:19,840 --> 00:24:22,680 Speaker 1: Money laundering? Fraud? So he had set up a sort 464 00:24:22,680 --> 00:24:25,400 Speaker 1: of like a pyramid scheme too. He was having people 465 00:24:25,480 --> 00:24:28,439 Speaker 1: invest in his company. So these old people were taking 466 00:24:28,440 --> 00:24:30,600 Speaker 1: like their retirement funds and they were like, well, this 467 00:24:30,600 --> 00:24:33,040 Speaker 1: guy must be credible. He's the founder of in Sync 468 00:24:33,080 --> 00:24:35,679 Speaker 1: and Bacttery Boys. There's no way I won't make money. 469 00:24:36,080 --> 00:24:38,360 Speaker 1: And so they thought they were a part of like 470 00:24:38,720 --> 00:24:42,040 Speaker 1: boy band history and their money was just gone. Scuba. See, 471 00:24:42,080 --> 00:24:44,960 Speaker 1: I feel like you're from Orlando, you would know about this. Yes, 472 00:24:44,960 --> 00:24:48,040 Speaker 1: a little Pearlman is a very sick individual dead now 473 00:24:48,240 --> 00:24:51,320 Speaker 1: was yeah, yeah, me never in personnel, but if I 474 00:24:51,359 --> 00:24:53,520 Speaker 1: was in a boy band, we found out, Like every 475 00:24:53,600 --> 00:24:55,679 Speaker 1: it's always a new story. It was like, yes, I 476 00:24:55,760 --> 00:24:58,040 Speaker 1: was in a group called Righteous Men. Yes, go ahead, 477 00:24:58,080 --> 00:24:59,760 Speaker 1: But he'd be at Club Paris, which is also a 478 00:25:00,080 --> 00:25:03,199 Speaker 1: very synonymous part within the storyline, where he'd always be 479 00:25:03,240 --> 00:25:05,040 Speaker 1: up there in the balcony. You'd see him, Lou prom 480 00:25:05,160 --> 00:25:07,000 Speaker 1: he's so cool, but then when you hear the stories 481 00:25:07,000 --> 00:25:09,600 Speaker 1: about what he did, it's just not so not so cool. 482 00:25:09,800 --> 00:25:11,200 Speaker 1: You never met him, never met him in person. I 483 00:25:11,240 --> 00:25:13,399 Speaker 1: just would see hi up with the balcony. Oh and 484 00:25:13,440 --> 00:25:17,760 Speaker 1: then there's Um, like other abuse allegations that are there's 485 00:25:17,760 --> 00:25:19,560 Speaker 1: a lot of those wild in there. But you know 486 00:25:19,600 --> 00:25:21,800 Speaker 1: who has his back the whole time is Um with 487 00:25:21,960 --> 00:25:25,000 Speaker 1: Aaron Carter. He's in the vidy, he's in this documentary 488 00:25:25,040 --> 00:25:26,640 Speaker 1: and he's like, I don't know why people are saying 489 00:25:26,640 --> 00:25:30,080 Speaker 1: anything about Lou, Like he changed my life and I 490 00:25:30,119 --> 00:25:31,800 Speaker 1: don't know, but I don't know. I was like, I 491 00:25:31,800 --> 00:25:34,600 Speaker 1: don't think Aaron Carter's well, he was the one kind 492 00:25:34,600 --> 00:25:36,840 Speaker 1: of standing up for him, but they all, they all 493 00:25:36,880 --> 00:25:38,400 Speaker 1: were kind of on the fence. I think they felt 494 00:25:38,400 --> 00:25:41,080 Speaker 1: this weird in this weird position of like he really 495 00:25:41,160 --> 00:25:46,240 Speaker 1: was a great guy, but then he's also awful, so weird. 496 00:25:47,320 --> 00:25:49,200 Speaker 1: Check it out if your board yes number one through 497 00:25:49,720 --> 00:25:56,160 Speaker 1: a hundred if you, if you get it, I give you. Wow, 498 00:25:57,280 --> 00:26:02,080 Speaker 1: it's all the money. Fundy two honday On thirty three, 499 00:26:02,720 --> 00:26:03,960 Speaker 1: hold on, no, what do it? One at the time 500 00:26:04,760 --> 00:26:10,679 Speaker 1: rucks forty two sixty eight, No, one hundred for you 501 00:26:10,880 --> 00:26:13,040 Speaker 1: if it has to land on your number, yeah, Amy 502 00:26:13,160 --> 00:26:22,320 Speaker 1: thirty three, nineteen two Eddie one, that was stupid. Twelve 503 00:26:22,480 --> 00:26:27,000 Speaker 1: Oh so close closer than you, guys. Morgan seventy seven, 504 00:26:28,359 --> 00:26:36,439 Speaker 1: twenty six. Ray it doesn't gamble, Ray, it's not gambling. No, 505 00:26:36,440 --> 00:26:41,840 Speaker 1: none of his money's at risk. Fifty eight one one 506 00:26:42,680 --> 00:26:48,520 Speaker 1: one hit. Yeah, but that was stupid. Lunch box forty seven, 507 00:26:48,520 --> 00:26:51,960 Speaker 1: that was what I said. Well watch a hit seventeen, 508 00:26:52,280 --> 00:26:56,680 Speaker 1: Thank goodness, Scuba, give me Shaquille O'Neal number thirty two 509 00:26:58,800 --> 00:27:02,840 Speaker 1: forty six. Okay, so that goes back in. However, well 510 00:27:02,840 --> 00:27:05,320 Speaker 1: play again. One more chance and on your Instagram you 511 00:27:05,359 --> 00:27:08,960 Speaker 1: have a chance. Yeah, twenty bucks the one through ten okay, 512 00:27:09,000 --> 00:27:12,440 Speaker 1: Oh I like it, and zero would be ten. Um 513 00:27:13,000 --> 00:27:20,280 Speaker 1: lunch box eight h yeah, yeah, sit down, where are 514 00:27:20,280 --> 00:27:26,080 Speaker 1: you going? Six? Sit down exactly? He always does that. 515 00:27:27,720 --> 00:27:33,119 Speaker 1: Um eight three Eddie bones, let's go for the repeat, 516 00:27:33,160 --> 00:27:37,399 Speaker 1: give me another three, let's go baby nine now you 517 00:27:37,480 --> 00:27:47,160 Speaker 1: lost Morgan five two third, y, that's a game. One eight, seven, 518 00:27:49,520 --> 00:27:58,560 Speaker 1: four four one Scooba Stephan Marberry number three nine. All right, wow, 519 00:27:58,760 --> 00:28:02,360 Speaker 1: I guess three two Scooba is nine. Well, nobody wins 520 00:28:02,359 --> 00:28:04,560 Speaker 1: any cash today. You want to do another one one 521 00:28:04,600 --> 00:28:06,640 Speaker 1: through five for a dollar? I don't have any more. 522 00:28:06,840 --> 00:28:08,600 Speaker 1: I have one hundred and a twenty dollar bill. Let's 523 00:28:08,600 --> 00:28:10,480 Speaker 1: do the hundreds on hundred two. I can wager my 524 00:28:10,680 --> 00:28:14,879 Speaker 1: YMCA cards, Oh my gosh, for a month. I love it. 525 00:28:15,720 --> 00:28:17,520 Speaker 1: All right, that's it for today. You guys have a 526 00:28:17,560 --> 00:28:19,480 Speaker 1: great day. Thank you for listening to the Post Show, 527 00:28:19,560 --> 00:28:20,560 Speaker 1: and we'll see you tomorrow.