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Speaker 1: Dude, how that Beastie I'm great. What's that Beastie Boys

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Speaker 1: song that's like Intergalactic? Now? Someone told yeah, and someone

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Speaker 1: told me that if you listen closely, you can hear

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Speaker 1: Intergalactic Kill the children, Kill the children, and Turgalactic. I'm

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Speaker 1: telling you, once you hear that, you will forever hear it.

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Speaker 1: When you listen to that song, I want you listen.

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Speaker 2: I don't this podcast.

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Speaker 1: You will hear.

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Speaker 2: Young children.

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Speaker 1: You know when someone points something out to you and

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Speaker 1: then you can never not hear it that way.

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Speaker 2: It's like, it's like listening to that song, Sir shut,

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Speaker 2: Dircy so shut.

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Speaker 3: They put on the interweb on like memes and stuff.

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Speaker 3: They give you fake lyrics, and it really sounds like

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Speaker 3: these people are saying that.

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Speaker 1: Bill Bill Lawrence arrived in the zoom call everybody Intergalactic,

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Speaker 1: Kill the children, Kill the children.

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Speaker 2: I don't like that.

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Speaker 1: I don't like it either, But the Beastie Boys did it.

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Speaker 2: Donald, They did not do that.

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Speaker 1: I'm not one of the Beastie Boys.

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Speaker 3: But I'm a huge fan of the Beastie Boys, and

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Speaker 3: I refuse to believe that they kill children, or that

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Speaker 3: they want you to kill children. In an intergalactic planetary way.

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Speaker 1: Intergalactic Kill the children, Kill the children. And here's for Lawrence. Everybody.

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Speaker 4: You guys, watch the Beastie Boys documentary.

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Speaker 2: Not yet.

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Speaker 3: I really want to watch it, though it's on my

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Speaker 3: to do list. I'm stuck on the right now.

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Speaker 2: I'm watching them. You know who really.

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Speaker 4: Likes the Beastie Boys a lot?

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Speaker 5: The Beastie Boys.

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Speaker 6: Documentary.

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Speaker 5: And then we did this great thing.

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Speaker 6: Bill.

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Speaker 1: I imagine you as a sports fan. You're watching the the the.

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Speaker 2: That's the one. I'm stuck on.

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Speaker 1: The Bulls.

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Speaker 3: Yes, oh my gosh, this is But Bill, doesn't this

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Speaker 3: remind you of why you loved Michael Jordan so much

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Speaker 3: when you were younger? Like this makes me realize why

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Speaker 3: he was one of my idols growing up.

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Speaker 1: Even I had the poster. Guys, I want you to

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Speaker 1: know that I had a poster of him in my

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Speaker 1: room because I wanted to be cool too. Every every

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Speaker 1: kid that age, our age at that time had the

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Speaker 1: Michael Jordan poster. And even though I didn't watch any

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Speaker 1: of it, I was like, well, I'm gonna need one

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Speaker 1: of those.

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Speaker 7: There is nothing funnier than you with the Michael Jordan poster.

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Speaker 1: It was right next to a Phantom of the opera

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Speaker 1: beach towel. My father bought me a Phantom of the

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Speaker 1: opera beach towel, and you were supposed to use it

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Speaker 1: at the beach. And I was like, this is art.

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Speaker 1: I will hang this on my wall. And I took

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Speaker 1: thumbtacks and hung it like a tapestry, like like a

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Speaker 1: really precious, rare tapestry. It was a fan of the

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Speaker 1: opera beach towel. And right next to that was Michael

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Speaker 1: Jordan dunking with his tongue out. So there you go.

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Speaker 5: I was trying, should I start his voice memo? Now, guys,

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Speaker 5: all right, well you should have.

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Speaker 7: Yeah, Zach forgot the the other day.

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Speaker 1: Oh I fucked up.

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Speaker 4: I hear that. I was the only one I haven't heard.

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Speaker 4: I haven't heard Judy Is yet because I fell asleep

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Speaker 4: last night.

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Speaker 1: It's so good.

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Speaker 2: Judy was a man. She was great.

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Speaker 1: Wait, we forgot to sing. We forgot to sing, Bill

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Speaker 1: say five, six, seven, eight, Oh.

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Speaker 4: I've always wanted to do this. Wait, is is it

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Speaker 4: going to be at the end or oh? Yes?

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Speaker 1: The audience waited in Bill. Thousands of people did an

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Speaker 1: online Twitter poll and decided that the mhm, stays all.

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Speaker 4: Right, well I'm gonna do oh yeah, because that's what

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Speaker 4: it is in my head five six, seven, eight stories.

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Speaker 1: About show We made about a bunch of dogs and

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Speaker 1: nurses and.

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Speaker 2: Said he's the stories net No, so ganda ra here

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Speaker 2: yea here.

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Speaker 1: Oh yeah, Bill, you're the very first for the obvious reasons,

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Speaker 1: you're the very first we've invited back.

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Speaker 2: He's a reoccurring.

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Speaker 1: Yes, you're recurring, Bill, Just just how you had the

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Speaker 1: power to make characters on Scrubs re reccurring, We bon

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Speaker 1: Donald and I have have the power to make you

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Speaker 1: the creator of the show recurring, and we've chosen you.

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Speaker 4: Oh I like that.

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Speaker 7: It makes it makes me feel like it's tenuous, like

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Speaker 7: I could lose this at any second.

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Speaker 1: Yeah, Bill, you could fuck up and be cut anytime.

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Speaker 2: You know what.

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Speaker 3: Speaking of reoccurring, Uh, it's it has a lot to

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Speaker 3: do with the episode.

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Speaker 2: But Yo, how where did you? Where did you find Rob?

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Speaker 2: How did that happen?

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Speaker 1: What's the Rob story?

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Speaker 4: Bill?

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Speaker 3: Because we had versions of this, How did you find Rob?

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Speaker 3: Who plays the tod?

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Speaker 2: Everyone?

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Speaker 1: All my laugh out loud moments in this episode were Rob.

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Speaker 1: And I'm embarrassed to say that because they're the dumbest

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Speaker 1: fucking sex jokes. But every time I always write down

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Speaker 1: lo ol, just so I can mark when I actually

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Speaker 1: leafed out loud. And they were all Robs.

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Speaker 7: Rob was an actor that got cast in a play

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Speaker 7: that I wrote, and so I got to know him,

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Speaker 7: and he was a stand up comic and his performance

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Speaker 7: was always better than his material because he was just,

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Speaker 7: you know, had crazy amounts of confidence. And I just

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Speaker 7: got to be buddies with him, playing basketball and hanging out.

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Speaker 7: And my wife always says that I ruined his life

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Speaker 7: because Rob went to Columbia and I think he was

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Speaker 7: thinking about doing other things besides acting, And right then

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Speaker 7: I said, I'm doing the Scrubs pilot. You want to

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Speaker 7: be the jockey surgeon. He might have a line here

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Speaker 7: and there. I think line had Rob had one line

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Speaker 7: in every episode for nine years.

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Speaker 4: And then.

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Speaker 7: You know, and after that, I think, you know, he

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Speaker 7: was a guy that had been doing it so long

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Speaker 7: it was too late to reinvent himself and to start

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Speaker 7: over as anything other than an actor.

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Speaker 4: But this says a very good ending.

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Speaker 7: Because he's a hugely He's still the Todd and he

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Speaker 7: has a hugely successful real estate business in Venice, California,

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Speaker 7: and is killing it out there. And he's still occasionally though,

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Speaker 7: dyes his hair black, puts the fake tattoo on, and

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Speaker 7: goes to like European comic cons as the Todd And

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Speaker 7: he's got to pay people pay him for high fives.

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Speaker 1: And he's got his cameo business, which you can get

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Speaker 1: him to cameo all your friends if you go.

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Speaker 3: And if I were hiring Rob to do a Todd appearance,

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Speaker 3: he'd have to be into banana hammock like I'd be.

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Speaker 2: And you have to.

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Speaker 1: Probably costs extra. Donald. That probably costs extra.

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Speaker 4: I would probably cost ever extra.

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Speaker 7: And now he probably needs about a six month lead

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Speaker 7: time on that to start starving himself.

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Speaker 1: By the way, if you need a real estate, if

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Speaker 1: you need a real estate broker in southern California, especially

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Speaker 1: down at the beach, hire Rob Mashio, because I'm sure

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Speaker 1: he'd be willing to give you a high five while

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Speaker 1: he shows you places. In Venice.

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Speaker 7: There is, without a doubt way to buy a house

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Speaker 7: from me high five out there for someone.

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Speaker 1: You could buy a house and get a high five

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Speaker 1: from Robin, surell throw it in with the yeah.

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Speaker 7: I don't even think you have to pay extra for that,

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Speaker 7: but he couldn't be. It couldn't be a nicer guy.

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Speaker 7: Loved the show. I used to love how passionate he

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Speaker 7: was about it. And you guys made the joke because

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Speaker 7: he would have one line and he would be running

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Speaker 7: it over and over and that it's still one of

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Speaker 7: my favorite jokes.

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Speaker 4: Rob's over there running line.

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Speaker 1: Running singular. He would take it. He would take it

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Speaker 1: so seriously, and we were laughing with him because he

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Speaker 1: would laugh at it with us. But he would be

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Speaker 1: like over there in the corner being like high five,

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Speaker 1: high five, fine working.

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Speaker 2: It out, but I mean, come on, always delivered.

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Speaker 1: He's so fucking funny man. It's it's always the same joke.

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Speaker 1: But that's another testament to Rob. It's like, it's always

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Speaker 1: an innuendo joke. It's the same joke, and it's always

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Speaker 1: in a sexual innuendo joke. But I but a testament

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Speaker 1: to you and him. I laugh every fucking time.

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Speaker 4: You by the way, you you just nailed. I believe

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Speaker 4: it might be you know, old war in history. But

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Speaker 4: my favorite Todd joke I think came from a one

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Speaker 4: a month.

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Speaker 7: I think it was Neil Goldman that I hate giving

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Speaker 7: him a name check because he wants them so bad.

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Speaker 1: I know. I saw Neil Goman wrote on Twitter He's like,

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Speaker 1: there's been six episodes. I've been mentioned.

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Speaker 4: Once, I know, but the I think it was I

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Speaker 4: think it was him. I think someone of the writer's

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Speaker 4: room said, is every time the Todd talks just going

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Speaker 4: to be sexual innuendo? And I think he's the one

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Speaker 4: that said in your end, in your.

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Speaker 3: Endo, he has the best line. He has the best

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Speaker 3: line in this episode. It made me laugh so hard

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Speaker 3: when he says it's.

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Speaker 1: One of my l O lst I bet you it is.

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Speaker 2: When he goes, you know what else? You know what else?

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Speaker 7: Remember, I think it's I'm not sure, Todd, but I'm

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Speaker 7: gonna guess it's your penis.

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Speaker 1: Yeah, Todd, I'm not sure, but I'm gonna guess it's

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Speaker 1: your penis. And it was now Bill Bill in your mind?

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Speaker 1: Is he a good surgeon? Yeah?

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Speaker 4: I don't know if you remember, if you guys have

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Speaker 4: gotten there yet, no, we're only on this one ten.

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Speaker 7: One of my favorite moments that the writer's room all

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Speaker 7: loved was because we had read something about how surgeons

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Speaker 7: are just cutters, you know, medical guys call them hammers

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Speaker 7: and the patient and nail, and if they get too

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Speaker 7: caught up in their head, they sometimes aren't as good.

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Speaker 7: And that gave us the idea for Turk's character. Ask

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Speaker 7: doctor when who the best surgeon is, thinking it would

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Speaker 7: be that young girl Bonnie or whatever her name is,

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Speaker 7: and doctor Wenn says, you really want to know who

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Speaker 7: it is, and he points at the Todd and you say,

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Speaker 7: no way. And then doctor Wenn says, you're all caught

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Speaker 7: up in your brain thinking about all these problems. You

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Speaker 7: know what Todd's doing, and they cut to Todd and surgery.

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Speaker 7: We actually paid for the Bonanza.

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Speaker 4: Theme because he's just he's just looking at all his instruments.

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Speaker 4: He's going tiny scalpel like DECII.

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Speaker 1: So it's he's still present in the moment because his

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Speaker 1: mind isn't getting distracted. He's just like, yeah, he's.

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Speaker 4: Got nothing to distract him. It's like somebody. It's like,

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Speaker 4: it's like, how somebody that's not that bright could be

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Speaker 4: great at the video game. That's Todd.

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Speaker 3: Let's talk about Bonnie because we mentioned it earlier that

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Speaker 3: she was supposed to be my nemesis at one point, right,

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Speaker 3: like that was supposed.

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Speaker 4: Yeah, we we she got another gig. She was good.

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Speaker 7: She would have stayed around the same way Doug did,

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Speaker 7: in the same way other you know, JD. Had Doug

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Speaker 7: on the medical side, she would have been the person

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Speaker 7: that stayed around on the surgical side.

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Speaker 4: But she got another gig.

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Speaker 2: You know.

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Speaker 7: That's why we we sent her off on that trip

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Speaker 7: and came up with that story only because we knew

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Speaker 7: she was not going to be around to.

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Speaker 4: Work for a while.

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Speaker 3: That's always tough, man, that has to be difficult. Like

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Speaker 3: when we talk about the people that have him through

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Speaker 3: the show, and you know, like Azz and all of

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Speaker 3: these other people, it's like, you know, if they weren't

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Speaker 3: bubbling and doing their thing at the time, they would

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Speaker 3: have been staples on the show for years.

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Speaker 4: To without a doubt.

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Speaker 6: Man.

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Speaker 7: Even Charles Chung disappeared for a second because he got

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Speaker 7: some pilot or movie and stuff.

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Speaker 4: And we loved having that dude around.

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Speaker 7: He's just a really kind of you know, meet Potato's

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Speaker 7: good actor, you know, and uh.

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Speaker 1: And he was a good straight man too for Donald's

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Speaker 1: because he was just so good at deadpan, you know,

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Speaker 1: and Donald could be like wacky Turk and he was

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Speaker 1: just perfect.

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Speaker 4: Like we had. You can keep listening him.

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Speaker 7: Remember Neil and Garrett called them our weapons chest, and

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Speaker 7: those were one line characters that we thought were so

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Speaker 7: very funny that not just Ted the lawyer and Aloma,

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Speaker 7: you know, Nurse Roberts, but like doctor Zeltzer, you know.

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Speaker 1: And Bob yeah, way, Bob Lennon, who's yet to make

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Speaker 1: an appearance. I don't know if he arrives in season

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Speaker 1: one or not, but you introduced me to Bob Clint

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Speaker 1: Dennon on the show and he played Zeltzer, and I

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Speaker 1: just thought that is one of the funniest character actors

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Speaker 1: I've ever met. I've put him in, I put him

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Speaker 1: in a bunch of stuff since because I just love

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Speaker 1: that guy.

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Speaker 7: He's uh, he's amazing, you know him and Sam Lloyd

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Speaker 7: and uh, Krista and Aloma.

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Speaker 4: I mean, they could all be regulars on any show.

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Speaker 4: And so it was.

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Speaker 1: Though of like you'd have like your guest star level,

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Speaker 1: like Krista, and then you'd have like the Aloma level

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Speaker 1: who were like and then you'd have people used to

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Speaker 1: call your assassins who would just come by once in

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Speaker 1: a while and they do like a drive by one

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Speaker 1: liner and just kill it like and and Bob Clintdennon

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Speaker 1: was one of those. He will there will there be prostitutes.

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Speaker 4: He would just my favorite part of that joke, you

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Speaker 4: love that.

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Speaker 7: My favorite was doctor Cox going no and Bob's read

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Speaker 7: of Poe Good.

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Speaker 1: SOEs no, oh good good.

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Speaker 4: He was not worried about it at all. He was hopeful.

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Speaker 1: Hey, Bill, I thought we could start off since we

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Speaker 1: have you, and I was thinking today because I did,

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Speaker 1: because you're here, and I put on a nice shirt.

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Speaker 1: I was telling him before you got on that because

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Speaker 1: we had you, I put on a nice shirt. And

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Speaker 1: I actually did a lot of preparation for this episode.

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Speaker 4: I'll watched it last night too. I'm ready.

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Speaker 1: It's very good.

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Speaker 2: First, it was such a great episode.

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Speaker 1: Dude, Judy fucking Raly, we gotta do you guys got

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Speaker 1: to carry one torch for me beforehand.

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Speaker 7: The only thing that really bummed me out about this

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Speaker 7: episode and all my experiences is when I catch up

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Speaker 7: with you guys, unless I want to pop a DVD

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Speaker 7: and I watch on Hulu. And the song that Christa

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Speaker 7: picked at the end of this episode was so good

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Speaker 7: and it was it's not you know, the original music

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Speaker 7: is not on these episodes and streaming, and it bums

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Speaker 7: me out.

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Speaker 1: When I heard you. We keep telling the audience that,

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Speaker 1: And just to reiterate if you're just hearing this, not

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Speaker 1: that we don't love Hulu, but we do love who

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Speaker 1: but we love you Hulu, but because of streaming rights

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Speaker 1: and contracts and such, you're not gonna get all of

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Speaker 1: the original songs that that Bill and Christa and others

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Speaker 1: placed in.

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Speaker 4: Zach And the ending song of this in the rain

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Speaker 4: was a song by a band called Sebadoh, and it

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Speaker 4: was so good and so poignant in the real production

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Speaker 4: of it.

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Speaker 2: Speaking of music, we used it so much.

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Speaker 4: That's in this episode right, definitely in this episode, and.

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Speaker 3: It's kind of new in the scrubs. It's like the

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Speaker 3: second time we've used it. Blah blah blah blah blah

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Speaker 3: blah blah. But when it came on, it pissed me

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Speaker 3: off so much.

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Speaker 2: It was like, oh, you ruined it with the what's funny.

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Speaker 1: What's funny is like back when they back when they

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Speaker 1: introduced that sad c This was like, you know, this

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Speaker 1: was like, you know, a tenth episode of season one.

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Speaker 1: It was genuinely like sweet and heartfelt. Now that we

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Speaker 1: did nine seasons and then started to make fun of it.

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Speaker 1: Now when it's like in a point you moment, you're like, oh,

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Speaker 1: not that sad. This is the second time. This is

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Speaker 1: the second time.

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Speaker 3: This was the second time. I remember when it finally

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Speaker 3: caught my attention, I was like, how come it fucking

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Speaker 3: keeps going? Because at first I was like, oh, such

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Speaker 3: a beautiful moment for so long, for so long, and

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Speaker 3: then somebody was like, dude, the sad song, We gotta

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Speaker 3: figure that out.

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Speaker 2: I think it was you Bill that said that it's

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Speaker 2: gotta go.

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Speaker 4: All in our head.

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Speaker 7: All those cues were the stuff that's happening in Zach's head.

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Speaker 7: Zach's character's ahead while he's rooming around.

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Speaker 6: You know.

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Speaker 1: So then you ended up doing a moment where in

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Speaker 1: one of the episodes where I actually referenced the cue.

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Speaker 4: Well, you say what do you mean?

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Speaker 7: And now is when you say something poignant it makes

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Speaker 7: me think about it, And then the sad music places.

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Speaker 1: And then you hear me, you hear me in the

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Speaker 1: voiceover go and then I think, and then and then

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Speaker 1: you geniously fucking then use the queue out of that scene.

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Speaker 2: Now it's so fun.

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Speaker 7: Yeah, he walks away and says you're an idiot, and

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Speaker 7: it goes the real cue goes mam uh, and then

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Speaker 7: then you lip sync the last one you go.

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Speaker 1: I thought that.

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Speaker 4: I think that guy's name is Jan Stevens, and I

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Speaker 4: think he won a bunch of score awards for our show.

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Speaker 2: I don't think he was happy when you were like,

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Speaker 2: I don't like the anymore.

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Speaker 1: I want to he understood.

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Speaker 4: He got it.

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Speaker 1: That guy got it that he got to write, by

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Speaker 1: the way, just right hard, very hard assignment, just like

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Speaker 1: you guys.

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Speaker 7: Are joking about yourself, as with anybody that was a

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Speaker 7: dude that worked his butt off, Oh my god here

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Speaker 7: for years and then when you get later in it,

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Speaker 7: you'd be like, hey, we need a queue four in

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Speaker 7: your inbox?

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Speaker 4: Will go how about this one?

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Speaker 7: Just be literally he was like one hand on his

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Speaker 7: keyboard when you said I need a cue, just going

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Speaker 7: bomb bomb bum bum bum.

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Speaker 4: There you go done, I'm gonna head out to the park.

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Speaker 1: What's funny was that? There? You know when there's these

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Speaker 1: things called stings, which are really quick little moments. They're

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Speaker 1: all over scrubs and and uh and it's funny. One yeah,

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Speaker 1: Jan would write one like hey, we need some stings

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Speaker 1: for the end of the scene, and you get one

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Speaker 1: to be like boom, and you like boom, but we'd

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Speaker 1: use them. It was like big scrub scene. And bow,

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Speaker 1: I thought, I thought, because we have you here and

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Speaker 1: and and we're really we're really not We're not only

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Speaker 1: entertaining the audience, but we want to provide a service

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Speaker 1: so that you could explain a little bit about what

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Speaker 1: a showrunner does. Because I was thinking as we were

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Speaker 1: having you on today that I honestly think I've done

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Speaker 1: a bunch of different jobs in my career. I think

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Speaker 1: a showrunner is the hardest job there is. And it's

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Speaker 1: dovetails with this episode, because this is about taking on

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Speaker 1: too much workload and being stressed and being overwhelmed, particularly

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Speaker 1: for the character of Joe Tracy and Sarah Chalk. And

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Speaker 1: I just I thought you could explain to people that

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Speaker 1: aren't in the business, uh, what a show what a

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Speaker 1: show runner is, what a show runner does, and why

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Speaker 1: it's such a fucking impossibly hard job.

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Speaker 4: Well, so it was here. What's interesting, man, Hollywood. The

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Speaker 4: first thing that you know, even when you're.

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Speaker 7: A kid, if you like movies and TV and stuff

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Speaker 7: like that, is that you know that feature films are

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Speaker 7: a director's industry. We have all gone like, oh, it's

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Speaker 7: a Martin Scorsese movie, it's a Steven Spielerberg movie, no

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Speaker 7: matter who wrote it, you know, and the directors get

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Speaker 7: to do it.

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Speaker 4: They want the script and they cast it, and they

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Speaker 4: argue for final cut.

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Speaker 7: And what's really interesting is in TV, directors come and

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Speaker 7: go week to week, and so the person that creates

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Speaker 7: the show, the head writer, often becomes an advent of

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Speaker 7: the term for it, the showrunner. And it's why I think,

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Speaker 7: and I'm not being self aggrandizing. I'm talking about other people,

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Speaker 7: not myself, some of the best writers in entertainment stay

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Speaker 7: in television because in west you're the movie director. In

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Speaker 7: movies that you're like, hey, you give us the script

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Speaker 7: and then we'll do whatever we want to it.

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Speaker 4: And in TV they go, all right, if we decide

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Speaker 4: to do.

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Speaker 7: Your TV show, you get to cast it, you get

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Speaker 7: to write it, you get final cut the music. You're

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Speaker 7: in charge of the director so that you can come

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Speaker 7: down and say, no, I don't like the way this

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Speaker 7: scene's blocked. It's gonna be funny if you do it

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Speaker 7: this way, and you get to run the whole shebang, right,

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Speaker 7: And so that's really appealing. The danger of the job

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Speaker 7: is since they said essentially, if you're the showrunner, you

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Speaker 7: can do everything.

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Speaker 4: The people whose brains explode.

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Speaker 7: Are the ones that go, all right, I'm gonna do

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Speaker 7: all those things, but I'm also going to do wardrobe,

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Speaker 7: and I'm also going to stand on set and make

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Speaker 7: sure no one changes and to also and I'm also

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Speaker 7: going to do props, and I'm gonna do you know.

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Speaker 4: And those are the people that sometimes they melt.

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Speaker 7: Sometimes they're viewed as kind of tyrants, you know, Like

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Speaker 7: you know, Aaron Sorkin, I think would be one of

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Speaker 7: the first people to tell you that he's hard to

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Speaker 7: work with and for because you know, every last detail

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Speaker 7: you know drives him banana pants and the job. The

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Speaker 7: hard part of the job become whether or not you

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Speaker 7: can go of control and seed some things to talented people.

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Speaker 7: And I was lucky enough that we had so many

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Speaker 7: talented people there, like Carrie Bennett, the head of wardrobe.

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Speaker 4: She's done a lot of shows for me after that.

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Speaker 4: If I was somebody that needed to look at every

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Speaker 4: T shirt, every outfit, I think I would have you

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Speaker 4: not made it.

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Speaker 7: That would have burnt out quicker, but I was lucky

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Speaker 7: and said, hey, you do this and I'll only say

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Speaker 7: a word if I think it's wrong, And then I

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Speaker 7: never had to say anything, so to.

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Speaker 4: Me, yes, that's what the gig is great. It forces

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Speaker 4: you to pick the things that you prioritize the most

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Speaker 4: personally and not get lost in the things you don't

445
00:20:35,400 --> 00:20:38,679
Speaker 4: care about and the people that drown try to do everything.

446
00:20:39,000 --> 00:20:41,920
Speaker 1: But even in not micromanaging Bill, in a typical hour,

447
00:20:42,160 --> 00:20:45,720
Speaker 1: you are leading a writer's room, then being called to

448
00:20:45,800 --> 00:20:48,240
Speaker 1: set to watch a rehearsal for the scene being shot,

449
00:20:48,960 --> 00:20:51,639
Speaker 1: then needing to go to editorial to look at a

450
00:20:51,680 --> 00:20:53,680
Speaker 1: cut that has to go out to the network.

451
00:20:53,920 --> 00:20:56,520
Speaker 2: Doing rewrites if jokes don't work right.

452
00:20:56,720 --> 00:21:00,480
Speaker 1: I mean, I just remember watching you and thinking, God,

453
00:21:00,680 --> 00:21:03,000
Speaker 1: I mean, and it takes a person who can multitask

454
00:21:03,040 --> 00:21:05,119
Speaker 1: without going fucking nuts, because it's just a lot of

455
00:21:05,160 --> 00:21:06,760
Speaker 1: pressure the herd, believe it or not.

456
00:21:06,880 --> 00:21:09,320
Speaker 7: The hardest part for me and I had a little

457
00:21:09,320 --> 00:21:11,920
Speaker 7: of it with YouTube, but more with the writers is

458
00:21:12,680 --> 00:21:16,639
Speaker 7: you also become, if not a big brother, you know,

459
00:21:16,720 --> 00:21:18,840
Speaker 7: a parent and a psychiatrist to people.

460
00:21:19,400 --> 00:21:20,920
Speaker 4: And the joke was, you know a lot of the

461
00:21:20,960 --> 00:21:23,840
Speaker 4: writers stayed for five, six, seven, even eight years.

462
00:21:23,680 --> 00:21:26,920
Speaker 2: On Scrubs, which is unheard of. I didn't know it

463
00:21:27,040 --> 00:21:28,359
Speaker 2: was a good gig. Yeah, I didn't know.

464
00:21:28,480 --> 00:21:30,440
Speaker 7: You take off, but if you're on a hit show,

465
00:21:30,480 --> 00:21:33,760
Speaker 7: you stay and your salary goes up every year. And

466
00:21:34,520 --> 00:21:37,000
Speaker 7: the joke was that by the end, every single writer

467
00:21:37,640 --> 00:21:41,960
Speaker 7: had been in my office emotional crying about something, you

468
00:21:42,040 --> 00:21:44,480
Speaker 7: know what I mean. And Zach and Donald, you guys

469
00:21:44,520 --> 00:21:46,480
Speaker 7: can't see them, they're laughing because I think they both

470
00:21:46,480 --> 00:21:47,080
Speaker 7: inherently know.

471
00:21:47,119 --> 00:21:50,080
Speaker 4: That I'm the last person on earth that wants somebody

472
00:21:51,200 --> 00:21:52,679
Speaker 4: to be in his office.

473
00:21:52,960 --> 00:21:55,240
Speaker 1: We turned you into a hugger, Bill, BILLT. Donald and I.

474
00:21:55,480 --> 00:21:57,960
Speaker 1: I remember when you didn't hoddle the night Donald Donald

475
00:21:58,040 --> 00:21:58,720
Speaker 1: and I broke you down.

476
00:21:58,800 --> 00:22:01,320
Speaker 2: You were finally like, yo, dude, come on, let's hug

477
00:22:01,440 --> 00:22:01,639
Speaker 2: and I.

478
00:22:01,800 --> 00:22:05,359
Speaker 1: Was like, yeah, Donald and I broke him down. He

479
00:22:05,480 --> 00:22:07,960
Speaker 1: was not a hugger. He was a very waspy Connecticut guy.

480
00:22:08,440 --> 00:22:08,640
Speaker 6: Oh.

481
00:22:09,160 --> 00:22:10,600
Speaker 7: They used to always make fun of He think, come

482
00:22:10,640 --> 00:22:13,320
Speaker 7: in with some emotional thing of work or life or whatever,

483
00:22:13,760 --> 00:22:16,320
Speaker 7: and I would, subconsciously, with all the things on my desk,

484
00:22:16,400 --> 00:22:19,120
Speaker 7: build a wall between the two almost nuts.

485
00:22:20,040 --> 00:22:21,959
Speaker 4: What's going on with you? And your uh and your

486
00:22:22,119 --> 00:22:22,720
Speaker 4: your boyfriend.

487
00:22:26,080 --> 00:22:28,040
Speaker 1: Yeah, do that, and you had to do that with

488
00:22:28,320 --> 00:22:31,119
Speaker 1: with everyone. And also I think you know, you started

489
00:22:31,200 --> 00:22:33,240
Speaker 1: on Spin City where you were you were young, and

490
00:22:33,400 --> 00:22:35,680
Speaker 1: you had, you know, a legend like Michael j. Fox

491
00:22:36,200 --> 00:22:39,280
Speaker 1: to to work with and to make sure he was happy.

492
00:22:39,400 --> 00:22:41,480
Speaker 1: And then when when Scrubs came on, we were all unknown.

493
00:22:42,080 --> 00:22:44,760
Speaker 1: Did you feel a little bit of uh an onus

494
00:22:44,880 --> 00:22:47,520
Speaker 1: to keep everyone's egos in check? I mean I would,

495
00:22:47,600 --> 00:22:48,159
Speaker 1: I would think that.

496
00:22:48,440 --> 00:22:51,120
Speaker 7: Yeah, I really wanted to keep people's egos in check

497
00:22:51,160 --> 00:22:54,200
Speaker 7: because in between, you know, I had seen, you know,

498
00:22:54,440 --> 00:22:56,480
Speaker 7: how hard it is when certain things hit you.

499
00:22:56,480 --> 00:22:58,320
Speaker 4: You know, I was on the first year of Friends

500
00:22:58,600 --> 00:22:59,320
Speaker 4: and actually.

501
00:22:59,119 --> 00:23:02,440
Speaker 7: Empathized with that actors and actresses because watching how you

502
00:23:02,520 --> 00:23:04,720
Speaker 7: know that group of there air kids, how their lives

503
00:23:04,760 --> 00:23:08,240
Speaker 7: all change so fast, sometimes to the better, and you know,

504
00:23:08,320 --> 00:23:10,480
Speaker 7: you guys know this burden nothing to complain about, but

505
00:23:10,600 --> 00:23:13,720
Speaker 7: sometimes in complicated ways. So yeah, it was it was

506
00:23:13,760 --> 00:23:17,400
Speaker 7: really important to me to have a good culture at work,

507
00:23:17,920 --> 00:23:22,159
Speaker 7: to keep everybody's egos from blowing up. And I'm not

508
00:23:23,119 --> 00:23:25,520
Speaker 7: you know, I don't uh to equate it to sports

509
00:23:25,560 --> 00:23:27,720
Speaker 7: because we were talking about the Michael Jordan thing, No,

510
00:23:27,840 --> 00:23:30,080
Speaker 7: I'm not Michael Jordan, but to be a leader for

511
00:23:30,160 --> 00:23:32,080
Speaker 7: a group of people that they at least knew there

512
00:23:32,119 --> 00:23:34,320
Speaker 7: were levels of respect you had to have for each

513
00:23:34,320 --> 00:23:36,879
Speaker 7: other and ways you're supposed to behave, and that somebody

514
00:23:37,040 --> 00:23:37,960
Speaker 7: would watch your back.

515
00:23:38,160 --> 00:23:39,760
Speaker 1: You know, you might not be a Michael Jordan, but

516
00:23:39,840 --> 00:23:41,359
Speaker 1: I think of you like a Mike Jaminsky.

517
00:23:43,560 --> 00:23:46,080
Speaker 4: Donald and I are basketball guys. It's such an insult man.

518
00:23:46,240 --> 00:23:49,359
Speaker 2: That is the problem is is that that's the only

519
00:23:49,520 --> 00:23:51,399
Speaker 2: basketball guy. He knows.

520
00:23:51,600 --> 00:23:51,639
Speaker 4: No.

521
00:23:51,840 --> 00:23:54,800
Speaker 1: Listen, when my father of a certain age, my father

522
00:23:54,840 --> 00:23:56,960
Speaker 1: would drag me to the New Jersey Nets games and

523
00:23:57,160 --> 00:23:59,920
Speaker 1: so I only know whatever year that was, that team,

524
00:24:00,200 --> 00:24:04,720
Speaker 1: Darryl Dawkins, Mike Jaminsky, otis Bird's song. So whenever I

525
00:24:04,800 --> 00:24:06,800
Speaker 1: have to make a basketball reference, I'm still like, oh,

526
00:24:06,880 --> 00:24:08,360
Speaker 1: you mean like otis Bird's song?

527
00:24:09,040 --> 00:24:09,399
Speaker 6: Do you know?

528
00:24:09,760 --> 00:24:12,560
Speaker 4: Do you know Darryl Dawkins uh nickname?

529
00:24:13,119 --> 00:24:16,800
Speaker 1: Yeah? It doesn't wait doesn't he doesn't top the Thunder

530
00:24:17,720 --> 00:24:19,639
Speaker 1: Thunder and Bards.

531
00:24:20,160 --> 00:24:20,320
Speaker 5: Yes.

532
00:24:20,400 --> 00:24:22,520
Speaker 4: And you know why I care because there was a

533
00:24:22,680 --> 00:24:25,560
Speaker 4: pitch that we were really trying to do. I don't

534
00:24:25,840 --> 00:24:27,560
Speaker 4: don't know why we got bogged down in it, but

535
00:24:27,680 --> 00:24:30,159
Speaker 4: it lived for the better part of two years that

536
00:24:30,320 --> 00:24:33,679
Speaker 4: everybody wanted Darryl Dawkins to be nurse Robert sex husband.

537
00:24:34,320 --> 00:24:37,840
Speaker 2: That would have been awesome. Oh man, God rest his soul,

538
00:24:37,920 --> 00:24:39,520
Speaker 2: but that would have been awesome. If he was on

539
00:24:39,680 --> 00:24:41,560
Speaker 2: the show. That would have been the best day. That

540
00:24:41,560 --> 00:24:43,040
Speaker 2: would have been. Oh, that would have been a highlight

541
00:24:43,080 --> 00:24:43,639
Speaker 2: for me. Oh my.

542
00:24:44,200 --> 00:24:46,800
Speaker 4: It was so like it sucks because it breaks.

543
00:24:46,880 --> 00:24:49,160
Speaker 7: It sounds like it breaks down on male female Dynamics

544
00:24:49,200 --> 00:24:51,040
Speaker 7: because there's a lot of guy sports fans in there.

545
00:24:51,440 --> 00:24:53,520
Speaker 7: But it was one of those things that a lot

546
00:24:53,560 --> 00:24:55,920
Speaker 7: of the great female writers on that show were like,

547
00:24:56,200 --> 00:24:56,960
Speaker 7: I don't understand.

548
00:24:57,080 --> 00:25:00,760
Speaker 4: Why do you want this former seven foot tall NBA

549
00:25:01,920 --> 00:25:04,240
Speaker 4: that would have been perfect that they called Chocolate Thunder

550
00:25:04,280 --> 00:25:06,840
Speaker 4: to be your exit. He's not even an actor, right,

551
00:25:07,200 --> 00:25:11,120
Speaker 4: He's not an actor? Is being funny? No, he breaks

552
00:25:11,280 --> 00:25:12,160
Speaker 4: he breaks backboards?

553
00:25:12,280 --> 00:25:14,560
Speaker 1: Why was? Why am I right with the trivia that

554
00:25:14,720 --> 00:25:17,199
Speaker 1: he was famous for breaking backwards? And why was why

555
00:25:17,400 --> 00:25:19,080
Speaker 1: did he do that? And how could he do that?

556
00:25:19,160 --> 00:25:20,879
Speaker 4: At He didn't do it in person? He used to

557
00:25:21,000 --> 00:25:21,439
Speaker 4: the Thunder.

558
00:25:21,520 --> 00:25:23,800
Speaker 7: He used to dunk so hard that occasionally when he

559
00:25:23,840 --> 00:25:26,680
Speaker 7: would dunk, even just with a rubber basketball, he would

560
00:25:26,760 --> 00:25:29,120
Speaker 7: shi leather basketball, it would shatter the backboard.

561
00:25:29,480 --> 00:25:32,560
Speaker 2: Yeah, he's he was the first one. Yeah, he would

562
00:25:32,600 --> 00:25:36,120
Speaker 2: do it in games. It wouldn't fans.

563
00:25:35,920 --> 00:25:37,560
Speaker 4: Would go nuts. They'd have to sweep it up and

564
00:25:37,600 --> 00:25:38,280
Speaker 4: put a new one up.

565
00:25:38,640 --> 00:25:41,240
Speaker 3: It was really crazy because when Shaq broke the backboard,

566
00:25:41,440 --> 00:25:43,399
Speaker 3: he just made the backboard fall to the ground, you

567
00:25:43,440 --> 00:25:45,120
Speaker 3: know what I mean, Like the whole thing came down

568
00:25:45,480 --> 00:25:46,200
Speaker 3: chocolate thunder.

569
00:25:46,280 --> 00:25:49,080
Speaker 2: When he hit the rim, that thing exploded like the

570
00:25:49,240 --> 00:25:50,280
Speaker 2: death Star. Dude.

571
00:25:50,359 --> 00:25:51,720
Speaker 8: It was like wow.

572
00:25:52,359 --> 00:25:54,760
Speaker 3: It was such a his He has like two or

573
00:25:54,800 --> 00:25:56,800
Speaker 3: three of them, I think two, but they were so

574
00:25:57,119 --> 00:25:58,680
Speaker 3: thunderous and monstrous.

575
00:25:58,840 --> 00:25:59,000
Speaker 6: Man.

576
00:25:59,280 --> 00:26:01,080
Speaker 2: And when he did it was so hard.

577
00:26:01,400 --> 00:26:04,080
Speaker 3: And this was you know, basketball is a finesse game,

578
00:26:04,160 --> 00:26:06,240
Speaker 3: and you know it's a it's a it's a game

579
00:26:06,320 --> 00:26:08,480
Speaker 3: of you know where athletes they run real hard and

580
00:26:08,560 --> 00:26:11,000
Speaker 3: then they go at this little cup and it's so like,

581
00:26:11,200 --> 00:26:13,800
Speaker 3: you know, graceful and everything like that. There was no

582
00:26:14,080 --> 00:26:16,919
Speaker 3: grace in the way he slammed a basketball, you know.

583
00:26:16,920 --> 00:26:17,240
Speaker 4: What I mean.

584
00:26:17,600 --> 00:26:20,000
Speaker 2: It was like wow, you know what I said, You

585
00:26:20,040 --> 00:26:20,439
Speaker 2: know what I mean?

586
00:26:20,480 --> 00:26:20,800
Speaker 3: I heard it.

587
00:26:21,200 --> 00:26:25,680
Speaker 1: Yes, drink wow, drink up, Bill, Bill Bill. The fans

588
00:26:25,720 --> 00:26:28,119
Speaker 1: have started a drinking game because Donald says, you know

589
00:26:28,160 --> 00:26:30,480
Speaker 1: what I mean? So much that they're drinking every time

590
00:26:30,520 --> 00:26:32,480
Speaker 1: he says you know what I mean, I would force

591
00:26:32,560 --> 00:26:33,040
Speaker 1: people by.

592
00:26:33,000 --> 00:26:34,120
Speaker 4: The way, I want to say two things.

593
00:26:34,280 --> 00:26:36,640
Speaker 7: Wonder that one of the things, you guys can see

594
00:26:36,680 --> 00:26:38,760
Speaker 7: the connection to how much fun it would have been

595
00:26:39,400 --> 00:26:42,520
Speaker 7: for JD to want to call Turk, as one of

596
00:26:42,560 --> 00:26:44,200
Speaker 7: his many nicknames, Chocolate Thunder.

597
00:26:44,880 --> 00:26:48,040
Speaker 4: And then Nurse Roberts doesn't like it. And then you

598
00:26:48,160 --> 00:26:50,720
Speaker 4: guys don't know why she doesn't like it, and it's

599
00:26:50,800 --> 00:26:55,480
Speaker 4: because the man that left her is Chocolate thunderbirl donks.

600
00:26:57,240 --> 00:26:59,560
Speaker 1: Oh my god, it must have been so late in

601
00:26:59,600 --> 00:27:01,520
Speaker 1: the night in writer's room when you guys are wrestling

602
00:27:01,560 --> 00:27:03,399
Speaker 1: with that just hours.

603
00:27:05,040 --> 00:27:07,200
Speaker 4: How do we reach by the way? And by the way,

604
00:27:07,600 --> 00:27:09,760
Speaker 4: I'm sure he was a lovely man, but there's no

605
00:27:09,960 --> 00:27:12,239
Speaker 4: doubt in my mind while he's alive, if he had

606
00:27:12,280 --> 00:27:14,320
Speaker 4: showed up, first of all, if he had gotten that call.

607
00:27:14,359 --> 00:27:16,600
Speaker 4: You've been like, they want me to do what beyond

608
00:27:16,600 --> 00:27:18,159
Speaker 4: skullcause I don't think I ever saw him like on

609
00:27:18,280 --> 00:27:21,119
Speaker 4: Love Boat or on any shows they want me to.

610
00:27:21,520 --> 00:27:23,159
Speaker 4: They want me to come out of retirement to do

611
00:27:23,320 --> 00:27:25,919
Speaker 4: something I've never done before and play a nurse's husband.

612
00:27:26,040 --> 00:27:29,320
Speaker 1: All right, him break it backboard or something.

613
00:27:30,119 --> 00:27:33,520
Speaker 4: I think people should also drink at any time, Zach,

614
00:27:33,680 --> 00:27:36,240
Speaker 4: And I've only heard it three or four times that

615
00:27:36,480 --> 00:27:40,439
Speaker 4: you say one of the things that you would always

616
00:27:40,480 --> 00:27:42,439
Speaker 4: say to sum up the show and the voiceovers at

617
00:27:42,480 --> 00:27:45,359
Speaker 4: the end because it's become part of our lexicon, and

618
00:27:45,440 --> 00:27:47,080
Speaker 4: one of them I heard you going at the end

619
00:27:47,080 --> 00:27:50,040
Speaker 4: of the day. It was so funny to me because

620
00:27:50,119 --> 00:27:50,879
Speaker 4: you're talking.

621
00:27:50,640 --> 00:27:53,119
Speaker 7: About scrubs in an episode that if you listen to

622
00:27:53,200 --> 00:27:54,720
Speaker 7: it goes at the end of the day all you

623
00:27:54,800 --> 00:27:56,399
Speaker 7: can really hope and then you go at the end

624
00:27:56,400 --> 00:28:01,040
Speaker 7: of the day, what we so any any any scrubs

625
00:28:01,240 --> 00:28:02,680
Speaker 7: at the end of the day type things?

626
00:28:02,840 --> 00:28:05,080
Speaker 1: Okay, and I had another drinking game idea for people.

627
00:28:05,080 --> 00:28:06,879
Speaker 1: You're gonna get shit faced listening to this podcast. But

628
00:28:07,400 --> 00:28:09,719
Speaker 1: I got really excited in this episode when I when

629
00:28:09,720 --> 00:28:11,920
Speaker 1: I had a Snoop Dogg intern sighting, and I thought

630
00:28:11,960 --> 00:28:13,760
Speaker 1: it might be fun for fans to also do a

631
00:28:13,800 --> 00:28:17,160
Speaker 1: shot every time you see Snoop Dogg intern resident attending.

632
00:28:17,480 --> 00:28:20,480
Speaker 3: Well, it should start with Snoop Dogg, but then once

633
00:28:20,800 --> 00:28:25,960
Speaker 3: you know, Mickhead shows up and and and be doctor doc,

634
00:28:26,080 --> 00:28:29,800
Speaker 3: doctor oh Man, man, Colonel.

635
00:28:30,560 --> 00:28:31,920
Speaker 1: Doctor passed away, didn't.

636
00:28:31,720 --> 00:28:33,000
Speaker 4: He Colonel Doctor?

637
00:28:33,160 --> 00:28:35,800
Speaker 7: Just so what he knows is called Colonel Doctor because

638
00:28:35,960 --> 00:28:37,960
Speaker 7: he looks like the colonel from Kentucky pried Chicken.

639
00:28:38,160 --> 00:28:41,760
Speaker 4: Yeah, And my favorite thing about that, that's why.

640
00:28:41,720 --> 00:28:44,520
Speaker 7: You think he's I mean, it's funny that that's his nickname,

641
00:28:44,600 --> 00:28:48,240
Speaker 7: Colonel Doctor, and his name turns out to be Coleman Slowski,

642
00:28:48,440 --> 00:28:49,320
Speaker 7: which is cole Slaw.

643
00:28:54,280 --> 00:28:55,920
Speaker 1: Oh my god, here's what I like.

644
00:28:56,160 --> 00:28:58,720
Speaker 7: My favorite thing that you guys all liked that Zach

645
00:28:59,000 --> 00:29:01,880
Speaker 7: is the first one kind of that he noticed was

646
00:29:01,920 --> 00:29:04,080
Speaker 7: he had all these great background performers, and we wanted

647
00:29:04,120 --> 00:29:07,120
Speaker 7: the consistency of recognizing nurses and doctors, and so he

648
00:29:07,160 --> 00:29:09,440
Speaker 7: tried to have the same people come back. And then

649
00:29:09,920 --> 00:29:13,240
Speaker 7: because they were around, whether it was Coleman Slavsky, when

650
00:29:13,320 --> 00:29:16,600
Speaker 7: doctor Mickhead who ultimately I think murdered his spouse and

651
00:29:16,680 --> 00:29:17,840
Speaker 7: gag me on.

652
00:29:17,840 --> 00:29:23,920
Speaker 2: The show, Yes, and Colonel Doctor and Snoop dogg Beard

653
00:29:23,960 --> 00:29:25,160
Speaker 2: fac and the.

654
00:29:25,160 --> 00:29:31,400
Speaker 4: World's oldest intern Gloria, I think it's really But the

655
00:29:31,480 --> 00:29:34,520
Speaker 4: point is that even amongst the background people, they became

656
00:29:34,680 --> 00:29:36,160
Speaker 4: tears like a call sheet.

657
00:29:36,440 --> 00:29:38,400
Speaker 7: And I started noticing that I'd come into like the

658
00:29:38,440 --> 00:29:41,680
Speaker 7: background holding area, and there'd be all the background and

659
00:29:41,760 --> 00:29:44,200
Speaker 7: then there'd be the king shit background of those four

660
00:29:44,720 --> 00:29:47,280
Speaker 7: doing the equivalent of like drinking martinis as the ones

661
00:29:47,320 --> 00:29:50,720
Speaker 7: that had been the ones that have names to sit

662
00:29:50,800 --> 00:29:53,400
Speaker 7: around and going like we're fucking we're ruling this world.

663
00:29:53,440 --> 00:29:54,000
Speaker 1: And I loved it.

664
00:29:55,240 --> 00:29:57,480
Speaker 3: What was really cool was when you would trust them

665
00:29:57,520 --> 00:29:59,840
Speaker 3: with lines and stuff like that and they would deliver.

666
00:30:00,320 --> 00:30:03,320
Speaker 3: Like I remember, Mickhead had so many lines and you

667
00:30:03,360 --> 00:30:06,480
Speaker 3: gave him a storyline and everything, and it was because

668
00:30:06,480 --> 00:30:08,320
Speaker 3: you were like, yo, he delivers every time I give

669
00:30:08,400 --> 00:30:08,760
Speaker 3: him something.

670
00:30:08,800 --> 00:30:12,680
Speaker 1: I mean, yeah, A lot of folks were actors. They

671
00:30:12,760 --> 00:30:14,920
Speaker 1: just hadn't had a break yet. And you know, like

672
00:30:15,120 --> 00:30:17,840
Speaker 1: like any group of actors, some could act and some couldn't.

673
00:30:17,880 --> 00:30:20,040
Speaker 1: But I think Mickhead was one that was actually really good.

674
00:30:21,200 --> 00:30:23,880
Speaker 7: His backstory was Frank's backstory was a fascinating He was

675
00:30:23,920 --> 00:30:26,960
Speaker 7: a paid screenwriter that none of his even though he'd

676
00:30:27,000 --> 00:30:29,160
Speaker 7: sold a bunch of movies, none of them ever got made.

677
00:30:29,200 --> 00:30:30,920
Speaker 7: And you eventually reached the end of that career and

678
00:30:30,960 --> 00:30:33,960
Speaker 7: he was still plugging away writing and came by to

679
00:30:34,040 --> 00:30:36,080
Speaker 7: make dough and then when he was doing it, he

680
00:30:36,080 --> 00:30:38,040
Speaker 7: at least had a knowledge of film enough you know that.

681
00:30:38,160 --> 00:30:40,280
Speaker 7: He was good and subtle and he's like, what are

682
00:30:40,280 --> 00:30:41,520
Speaker 7: you making me into an actor for?

683
00:30:41,680 --> 00:30:42,480
Speaker 4: This is not my plan.

684
00:30:42,640 --> 00:30:45,479
Speaker 1: It was really fun well and mainly Henry delivered one

685
00:30:45,480 --> 00:30:48,320
Speaker 1: of the greatest lines in Scrubs history, where mahoes at,

686
00:30:51,160 --> 00:30:52,160
Speaker 1: I haven't seen them.

687
00:30:52,320 --> 00:30:54,520
Speaker 2: I haven't seen you know. I played golf with Mickhead

688
00:30:54,760 --> 00:30:55,680
Speaker 2: quite a bit. We played.

689
00:30:55,680 --> 00:30:58,480
Speaker 3: That's one of my golf buddies. And he still writes books.

690
00:30:58,480 --> 00:31:01,080
Speaker 3: He's a novelist, you know, he writes with his with

691
00:31:01,200 --> 00:31:03,479
Speaker 3: his wife and it's say hi for me man.

692
00:31:03,520 --> 00:31:04,240
Speaker 4: He was a nice man.

693
00:31:04,440 --> 00:31:06,400
Speaker 2: Yeah, well, I definitely will. Let's take a break.

694
00:31:06,520 --> 00:31:08,920
Speaker 1: We'll be right back after these fine words.

695
00:31:11,640 --> 00:31:19,920
Speaker 2: You okay, So we're back. Yeah, oh yeah, No.

696
00:31:20,040 --> 00:31:22,320
Speaker 1: Bill, it's you know, and we don't do the full

697
00:31:22,440 --> 00:31:24,960
Speaker 1: song at the commercial breaks. Bill does the.

698
00:31:25,040 --> 00:31:27,040
Speaker 4: Song start whenever I say five to six seven eight.

699
00:31:27,520 --> 00:31:31,160
Speaker 1: Unfortunately Dan's got his finger on the trigger. And whenever

700
00:31:31,200 --> 00:31:33,160
Speaker 1: you say five hits, please.

701
00:31:32,960 --> 00:31:33,719
Speaker 2: Don't say five six.

702
00:31:33,800 --> 00:31:36,080
Speaker 1: Stop saying five to six eight.

703
00:31:38,080 --> 00:31:40,680
Speaker 4: That's my favorite. He should Dan should just be contractually

704
00:31:40,720 --> 00:31:42,160
Speaker 4: obligated to do it. Whenever he hears that.

705
00:31:42,440 --> 00:31:48,640
Speaker 1: Yeah, whenever Dan, he started, he started Dan, I have

706
00:31:48,720 --> 00:31:54,040
Speaker 1: the power to say, got it all right, Donald, you

707
00:31:54,080 --> 00:31:56,240
Speaker 1: were going to start us off. We're forty minutes and

708
00:31:56,280 --> 00:31:57,760
Speaker 1: we should probably talk about the TV show.

709
00:31:57,920 --> 00:31:58,200
Speaker 2: Okay.

710
00:31:58,360 --> 00:32:02,240
Speaker 3: So, first of all, Whiney Dancer was pretty good. I'm

711
00:32:02,280 --> 00:32:04,240
Speaker 3: gonna put that out there. I thought that was a

712
00:32:04,320 --> 00:32:07,040
Speaker 3: very funny nickname. Yes, I laughed very hard at that,

713
00:32:07,600 --> 00:32:08,320
Speaker 3: and I was mad that.

714
00:32:08,360 --> 00:32:10,760
Speaker 2: It didn't stick. But Scooter short for Scooter pie? Is

715
00:32:10,840 --> 00:32:13,840
Speaker 2: he even because he hates Scooter Pie?

716
00:32:14,280 --> 00:32:15,200
Speaker 4: There's two things.

717
00:32:15,640 --> 00:32:17,160
Speaker 7: It was hard for me to watch that story because

718
00:32:17,240 --> 00:32:20,760
Speaker 7: a Neil Flynn is funnier than the material he gave him,

719
00:32:20,840 --> 00:32:22,040
Speaker 7: you know what I mean in that one, because we

720
00:32:22,080 --> 00:32:24,360
Speaker 7: could have done a much funnier stuff with your nickname.

721
00:32:24,960 --> 00:32:25,080
Speaker 1: Uh.

722
00:32:25,320 --> 00:32:29,000
Speaker 7: And then b is I don't know why he's eating

723
00:32:29,040 --> 00:32:33,280
Speaker 7: a popsicle In that next one, he seemed to want

724
00:32:33,320 --> 00:32:34,960
Speaker 7: to be eating it, which made me really laugh.

725
00:32:35,680 --> 00:32:38,000
Speaker 4: And then the third one is I remember that because

726
00:32:38,000 --> 00:32:40,880
Speaker 4: we're you know, strapped for figured out a moment. Uh

727
00:32:41,560 --> 00:32:44,520
Speaker 4: at the end when someone finally calls you Scooter, which

728
00:32:44,560 --> 00:32:47,280
Speaker 4: is a moment I do like uh, and I go

729
00:32:47,440 --> 00:32:49,440
Speaker 4: it's revealed, Neil, and he's like, how should I celebrate?

730
00:32:49,520 --> 00:32:51,160
Speaker 7: I'm like I don't know, do some kind of dance

731
00:32:51,280 --> 00:32:54,480
Speaker 7: or Irish jigg or something. And that made me laugh

732
00:32:54,520 --> 00:32:59,400
Speaker 7: out loud because he committed to it, like good.

733
00:32:59,280 --> 00:33:02,600
Speaker 1: God, yeah he can, really he could. But Neil just

734
00:33:02,640 --> 00:33:04,520
Speaker 1: pulled out an r SHA because it looked pretty good.

735
00:33:05,080 --> 00:33:06,800
Speaker 4: Yeah, I didn't. I don't think that he We had

736
00:33:06,880 --> 00:33:09,040
Speaker 4: planned that, you know, and you know we put the

737
00:33:09,120 --> 00:33:11,120
Speaker 4: music to it. We put the music to it. Afterwards.

738
00:33:11,120 --> 00:33:13,120
Speaker 2: It was really went straight river dance. He went to

739
00:33:13,200 --> 00:33:14,120
Speaker 2: straight river dance.

740
00:33:16,720 --> 00:33:17,920
Speaker 1: That was funny before.

741
00:33:18,000 --> 00:33:19,960
Speaker 2: That's also not us at that beach by the way.

742
00:33:20,360 --> 00:33:22,000
Speaker 1: Yeah, I want to ask you, I don't know those

743
00:33:22,040 --> 00:33:23,720
Speaker 1: doubles because that's not my hair and I know.

744
00:33:23,800 --> 00:33:24,760
Speaker 2: That is your my head.

745
00:33:24,840 --> 00:33:26,800
Speaker 4: Also, yeah, no, I think we went and got that

746
00:33:27,040 --> 00:33:27,800
Speaker 4: without you guys.

747
00:33:28,200 --> 00:33:31,000
Speaker 1: Okay, but Donald's double is good my mind.

748
00:33:31,040 --> 00:33:32,880
Speaker 2: I alway ran now it doesn't look like my head.

749
00:33:34,040 --> 00:33:35,280
Speaker 2: Unique I'm going to do that.

750
00:33:35,800 --> 00:33:37,840
Speaker 1: I'm going to that Donald that looks like your head.

751
00:33:37,840 --> 00:33:39,960
Speaker 1: I'm at four four seconds if you're following.

752
00:33:39,840 --> 00:33:40,640
Speaker 2: I wish it was my head.

753
00:33:40,800 --> 00:33:46,560
Speaker 4: It is so not you guys, A and B. You guys.

754
00:33:46,680 --> 00:33:48,160
Speaker 4: This is the show runner issue. And I don't know

755
00:33:48,160 --> 00:33:49,040
Speaker 4: if you guys have this.

756
00:33:50,240 --> 00:33:50,840
Speaker 2: What the on.

757
00:33:51,040 --> 00:33:54,400
Speaker 7: Fun thing about watching these shows for me is that

758
00:33:55,200 --> 00:33:57,240
Speaker 7: I just watched them for all the mistakes I made,

759
00:33:57,320 --> 00:34:00,880
Speaker 7: especially early and like even that stupid fantasy, I didn't

760
00:34:00,880 --> 00:34:03,960
Speaker 7: have a frontal shot coming back on you two, like

761
00:34:04,040 --> 00:34:04,800
Speaker 7: the flash out of.

762
00:34:04,800 --> 00:34:06,920
Speaker 4: It, So it was a weird transition, Like, ah, man,

763
00:34:07,280 --> 00:34:08,400
Speaker 4: it screwed that up too.

764
00:34:09,200 --> 00:34:11,000
Speaker 3: I still at the stage I think this is I

765
00:34:11,080 --> 00:34:13,320
Speaker 3: think this is such a funny episode. I laughed so

766
00:34:13,400 --> 00:34:17,520
Speaker 3: many times in this episode. So what you see is

767
00:34:17,920 --> 00:34:20,120
Speaker 3: your mess ups. What I see is you know, I

768
00:34:21,000 --> 00:34:22,560
Speaker 3: that That's how it always feel. Like that's how it

769
00:34:22,600 --> 00:34:24,400
Speaker 3: always is with people, you know what I mean? Like

770
00:34:24,600 --> 00:34:27,400
Speaker 3: we we make things and then we find the flaws

771
00:34:27,440 --> 00:34:29,359
Speaker 3: in them. But if you sit back and let other

772
00:34:29,400 --> 00:34:31,600
Speaker 3: people tell you how amazing it is, you'll be like, really,

773
00:34:32,120 --> 00:34:32,799
Speaker 3: I didn't see it.

774
00:34:32,880 --> 00:34:36,080
Speaker 2: You know what I mean? This again, that's another one.

775
00:34:36,320 --> 00:34:39,360
Speaker 1: Oh drink Bill. I laughed that you chose smooth jazz

776
00:34:39,480 --> 00:34:41,919
Speaker 1: from when we're sitting on the bench, unless that's another

777
00:34:42,040 --> 00:34:43,640
Speaker 1: track that's been changed.

778
00:34:43,719 --> 00:34:45,799
Speaker 4: But when I don't, I don't know, but I didn't

779
00:34:45,800 --> 00:34:48,520
Speaker 4: remember it. Look, I had my first weird thing.

780
00:34:48,640 --> 00:34:50,759
Speaker 7: I was giving you guys ship here at home for

781
00:34:50,880 --> 00:34:54,280
Speaker 7: not remembering any of this stuff. And uh, I wrote

782
00:34:54,360 --> 00:34:58,359
Speaker 7: this script by myself like at home to catch us.

783
00:34:58,360 --> 00:35:02,040
Speaker 4: Up, and h I didn't remember writing it. I didn't

784
00:35:02,080 --> 00:35:03,560
Speaker 4: remember what it was about till I watched it was

785
00:35:03,680 --> 00:35:04,200
Speaker 4: really weird.

786
00:35:04,280 --> 00:35:04,759
Speaker 8: So is that what?

787
00:35:04,920 --> 00:35:06,960
Speaker 1: Just talk to that for a second. So, so when

788
00:35:06,960 --> 00:35:11,080
Speaker 1: you're the showrunner, you're overseeing your writing staff having episodes,

789
00:35:11,080 --> 00:35:12,880
Speaker 1: and then of course you end up rewriting them a

790
00:35:12,960 --> 00:35:15,480
Speaker 1: lot yourself. But when you said you wrote this to

791
00:35:15,600 --> 00:35:19,759
Speaker 1: catch up, just to explain that to people the you know,

792
00:35:19,920 --> 00:35:20,920
Speaker 1: you in.

793
00:35:21,000 --> 00:35:23,640
Speaker 7: Comedy staffs especially, someone will go out and write a draft.

794
00:35:24,080 --> 00:35:26,200
Speaker 7: The whole staff will help kind of you know, you'll

795
00:35:26,200 --> 00:35:27,839
Speaker 7: outline it and do ou stuff. Whole staff will help

796
00:35:27,920 --> 00:35:31,320
Speaker 7: kind of punch it up. And then the showrunner of

797
00:35:31,360 --> 00:35:33,960
Speaker 7: any show that you've ever loved will usually do a

798
00:35:34,040 --> 00:35:37,160
Speaker 7: pass of it before it shoots, you know, just not

799
00:35:37,640 --> 00:35:40,600
Speaker 7: just out of arrogance, but out of wanting the show

800
00:35:40,640 --> 00:35:42,839
Speaker 7: to sound like it's from that one distinct voice. That's

801
00:35:42,840 --> 00:35:45,399
Speaker 7: why people over the years, you know, they noticed when

802
00:35:46,040 --> 00:35:48,279
Speaker 7: the showrunner on one of their favorite shows left for

803
00:35:48,360 --> 00:35:51,800
Speaker 7: a year, how it suddenly sounds different, you know. And

804
00:35:52,360 --> 00:35:54,360
Speaker 7: when you get caught and behind in writing, you know,

805
00:35:54,360 --> 00:35:57,200
Speaker 7: when you look at all the different stages, outline which

806
00:35:57,280 --> 00:36:00,480
Speaker 7: has to be approved by the showrunner, draft which gets

807
00:36:00,520 --> 00:36:04,359
Speaker 7: notes from the showrunner, rewrite with the whole staff, which

808
00:36:04,520 --> 00:36:07,560
Speaker 7: the showrunner does, you know what I mean. It's you

809
00:36:07,760 --> 00:36:10,520
Speaker 7: often can catch back up if you're behind writing. If

810
00:36:10,560 --> 00:36:11,920
Speaker 7: as the showrunner, you're like, hey.

811
00:36:11,800 --> 00:36:14,000
Speaker 4: While we're all doing this, I'll outline one on my

812
00:36:14,080 --> 00:36:16,040
Speaker 4: own and write it and then just drag all you

813
00:36:16,480 --> 00:36:18,200
Speaker 4: this whole gang and to punch it up really quick

814
00:36:18,200 --> 00:36:20,000
Speaker 4: and then we'll shoot it, you know. And so that

815
00:36:20,200 --> 00:36:22,160
Speaker 4: was one of those one.

816
00:36:22,320 --> 00:36:25,480
Speaker 7: And sometimes those, to tell you the truth in a

817
00:36:25,520 --> 00:36:27,560
Speaker 7: weird way, sometimes don't, aren't. Those aren't as good as

818
00:36:27,600 --> 00:36:31,279
Speaker 7: other episodes because showrunners don't have to listen to other

819
00:36:31,320 --> 00:36:34,799
Speaker 7: people's input. And sometimes and sometimes instead of the whole

820
00:36:34,840 --> 00:36:36,360
Speaker 7: group punching it up, you'll.

821
00:36:36,239 --> 00:36:38,000
Speaker 4: Just hand it in and go that's done.

822
00:36:38,120 --> 00:36:39,919
Speaker 7: Now. We're as long as we don't spend four days

823
00:36:39,960 --> 00:36:43,080
Speaker 7: trying to make it better. We're back on timing again,

824
00:36:43,160 --> 00:36:44,839
Speaker 7: you know, make twenty four episodes this year.

825
00:36:45,239 --> 00:36:46,640
Speaker 2: Well, you nailed it with this one, man.

826
00:36:46,800 --> 00:36:50,480
Speaker 3: This one has everything that you're looking for from you know,

827
00:36:50,640 --> 00:36:52,840
Speaker 3: from the drama to the comedy.

828
00:36:52,960 --> 00:36:56,240
Speaker 2: This was I laughed so many times at this episode.

829
00:36:57,800 --> 00:36:58,680
Speaker 4: There was a couple of things.

830
00:36:58,719 --> 00:37:02,360
Speaker 1: I really liked it, mate, you know want At one fourteen,

831
00:37:02,600 --> 00:37:05,200
Speaker 1: Neil is just boring a giant hole in the reception

832
00:37:05,360 --> 00:37:07,879
Speaker 1: desk for no, for no apparent reason. I was trying

833
00:37:07,920 --> 00:37:09,359
Speaker 1: to think about what Neil's doing.

834
00:37:09,600 --> 00:37:11,360
Speaker 4: Now, you know what, you know what that's for. This

835
00:37:11,520 --> 00:37:14,120
Speaker 4: is what you'll see early on, and you guys should

836
00:37:14,160 --> 00:37:14,560
Speaker 4: look for it.

837
00:37:15,200 --> 00:37:19,239
Speaker 7: There are certain things that exist solely because directors, once

838
00:37:19,320 --> 00:37:21,720
Speaker 7: they knew that they were allowed to have fun visually,

839
00:37:22,400 --> 00:37:25,680
Speaker 7: you know, on this particular show, would work backwards from

840
00:37:25,719 --> 00:37:28,360
Speaker 7: the shot they wanted, so that, without a doubt, was

841
00:37:28,440 --> 00:37:32,319
Speaker 7: somebody working backwards from in the script JD going hey,

842
00:37:33,160 --> 00:37:36,120
Speaker 7: uh and the jannit they're turning and being imposing, you

843
00:37:36,160 --> 00:37:37,200
Speaker 7: know what I mean, and saying, oh, you know what

844
00:37:37,200 --> 00:37:39,320
Speaker 7: would be cool is this giant ten foot drill in

845
00:37:39,440 --> 00:37:40,080
Speaker 7: JD's face.

846
00:37:40,239 --> 00:37:42,799
Speaker 1: I know, I know, but I'm just laughing it. I'm

847
00:37:42,840 --> 00:37:45,120
Speaker 1: just laughing because I like to just rationalize things. I'm like, well,

848
00:37:45,280 --> 00:37:47,600
Speaker 1: what assignment did he have with that drill in that

849
00:37:47,680 --> 00:37:50,319
Speaker 1: reception desk? I guess he was adding a new hole

850
00:37:50,360 --> 00:37:51,560
Speaker 1: for a new phone line or something.

851
00:37:51,719 --> 00:37:52,160
Speaker 4: Well, dude.

852
00:37:52,200 --> 00:37:54,239
Speaker 7: We used to get It's so funny if you think

853
00:37:54,239 --> 00:37:56,439
Speaker 7: about this in terms for writers. At first, it would

854
00:37:56,440 --> 00:38:00,600
Speaker 7: annoy us when we would see you know, uh, directors

855
00:38:00,640 --> 00:38:02,560
Speaker 7: came up with for like why is the janitor there?

856
00:38:02,600 --> 00:38:03,680
Speaker 4: How is he going to be imposing?

857
00:38:04,239 --> 00:38:06,520
Speaker 7: And then when we would get trapped, we'd start making

858
00:38:06,600 --> 00:38:08,480
Speaker 7: jokes out of it. And one of my favorite ones,

859
00:38:08,960 --> 00:38:12,239
Speaker 7: we needed the janitor in there and we didn't know why,

860
00:38:12,960 --> 00:38:14,239
Speaker 7: and so we had him say I don't really have

861
00:38:14,320 --> 00:38:14,800
Speaker 7: anything to do.

862
00:38:14,920 --> 00:38:18,480
Speaker 4: I'm mopping the rug, and then I love you.

863
00:38:18,840 --> 00:38:20,960
Speaker 7: I don't know if you guys remember then the rest

864
00:38:21,000 --> 00:38:23,080
Speaker 7: of that scene, when you guys walked across that rug,

865
00:38:23,120 --> 00:38:24,799
Speaker 7: you would hear squishy sounds.

866
00:38:28,520 --> 00:38:29,879
Speaker 4: Like why is that guy mob on the rug?

867
00:38:30,160 --> 00:38:32,560
Speaker 1: I love that. Neil would Neil would take it seriously

868
00:38:32,640 --> 00:38:34,800
Speaker 1: and he'd be like, I why would my character be

869
00:38:34,880 --> 00:38:38,200
Speaker 1: mopping in a carpeted room? Yeah, you know, it's just

870
00:38:38,840 --> 00:38:41,600
Speaker 1: everybody wants their motivation, you know, of course, but Donald

871
00:38:41,680 --> 00:38:43,800
Speaker 1: pointed out I think and what Donald was?

872
00:38:43,840 --> 00:38:44,560
Speaker 2: You mentioned that?

873
00:38:45,239 --> 00:38:45,400
Speaker 7: You know?

874
00:38:45,640 --> 00:38:47,759
Speaker 1: I never realized either. But the janitor feels like he's

875
00:38:47,760 --> 00:38:50,719
Speaker 1: a pretty good janitor, right, I mean, he's absolutely I

876
00:38:50,840 --> 00:38:53,160
Speaker 1: never realized until rewatching it. But like, even though he

877
00:38:53,320 --> 00:38:56,080
Speaker 1: spends his entire existence fuggy with me, you know, he

878
00:38:56,320 --> 00:38:58,319
Speaker 1: does his best. He's pretty much a one man band

879
00:38:58,360 --> 00:39:01,560
Speaker 1: except for that that that Troy Troy, Oh my god,

880
00:39:01,640 --> 00:39:05,240
Speaker 1: nice to holes the except for Troy and then Martin.

881
00:39:05,440 --> 00:39:09,960
Speaker 7: Yeah, Troy was the best because Troy frustrated the janitor

882
00:39:10,040 --> 00:39:10,520
Speaker 7: to no end.

883
00:39:10,840 --> 00:39:12,520
Speaker 4: My favorite thing was when Troy's like, I'm gonna go

884
00:39:12,600 --> 00:39:14,319
Speaker 4: beat you up. He's like, that's not how we do it, man,

885
00:39:14,480 --> 00:39:18,640
Speaker 4: It's not how we do it. It was literally like,

886
00:39:18,680 --> 00:39:23,719
Speaker 4: we're better than that, man. I enjoyed working with Flynn and.

887
00:39:23,760 --> 00:39:26,239
Speaker 1: I forgot about the frozen effect thing Bill, and it's

888
00:39:26,280 --> 00:39:28,520
Speaker 1: really cool. It's a two forty three. It's really done

889
00:39:28,719 --> 00:39:31,080
Speaker 1: well and I don't even remember how we pulled that off.

890
00:39:31,160 --> 00:39:35,680
Speaker 1: But the foreground and background are frozen. Yeah, and whoever

891
00:39:35,760 --> 00:39:37,360
Speaker 1: that was executed was really good. And then we go

892
00:39:37,440 --> 00:39:39,719
Speaker 1: to the guy who's then on the other side of things.

893
00:39:39,760 --> 00:39:42,239
Speaker 1: We go to the guy who's just frozen and doing

894
00:39:42,280 --> 00:39:44,359
Speaker 1: a horrible job trying to be frozen without anything.

895
00:39:44,400 --> 00:39:46,920
Speaker 7: I know, you know, you know what's really interesting is

896
00:39:47,080 --> 00:39:49,440
Speaker 7: it one of the things you'll see in the first year,

897
00:39:50,280 --> 00:39:52,160
Speaker 7: much like the sound effects that you guys notice is

898
00:39:52,160 --> 00:39:53,000
Speaker 7: they're drifting away.

899
00:39:53,400 --> 00:39:55,040
Speaker 4: I think they're almost gone. I'm hoping.

900
00:39:55,280 --> 00:39:58,239
Speaker 1: We keep laughing, we keep laughing that that you say,

901
00:39:58,280 --> 00:40:00,040
Speaker 1: they're almost going away, and then we hear and then there'.

902
00:40:02,800 --> 00:40:04,839
Speaker 4: Jingle bells. Yeah, jingle balls balls.

903
00:40:05,200 --> 00:40:07,239
Speaker 7: But that The other thing that you have to look

904
00:40:07,320 --> 00:40:11,520
Speaker 7: for is we used to because writers love to procrastinate,

905
00:40:11,560 --> 00:40:15,320
Speaker 7: We used to have hours of talks about rules, you know,

906
00:40:15,640 --> 00:40:20,400
Speaker 7: and the rules of the world, and uh, this broke

907
00:40:20,480 --> 00:40:22,239
Speaker 7: one of them, and we made it right after this

908
00:40:22,440 --> 00:40:24,879
Speaker 7: was you can't still be in a fantasy after you're

909
00:40:24,920 --> 00:40:26,080
Speaker 7: out of a fantasy.

910
00:40:26,320 --> 00:40:29,359
Speaker 4: Oh, you know, because then wow, after you flash out,

911
00:40:29,400 --> 00:40:30,160
Speaker 4: it has to be real.

912
00:40:30,480 --> 00:40:33,759
Speaker 7: The one the conversation that tortured people forever and we

913
00:40:33,840 --> 00:40:35,640
Speaker 7: didn't show the answer to it to like the six

914
00:40:35,760 --> 00:40:38,560
Speaker 7: or seventh Year, is when Jad has these long fantasies,

915
00:40:38,600 --> 00:40:39,200
Speaker 7: what's he doing?

916
00:40:39,480 --> 00:40:41,439
Speaker 4: Is he just standing there? Yeah?

917
00:40:41,719 --> 00:40:42,320
Speaker 1: What's happening?

918
00:40:42,960 --> 00:40:47,520
Speaker 7: And eventually eventually we had you talking to the todd

919
00:40:47,600 --> 00:40:50,719
Speaker 7: in like the sixth or seventh Year when you go,

920
00:40:51,040 --> 00:40:54,120
Speaker 7: h oh, that makes me think about trolls and you

921
00:40:54,200 --> 00:40:59,239
Speaker 7: go like this and then rob the better part of

922
00:40:59,320 --> 00:41:01,520
Speaker 7: like thirty second and then you're like, and.

923
00:41:01,600 --> 00:41:04,520
Speaker 4: That's why you shouldn't buy blah blah blahs or whatever.

924
00:41:05,280 --> 00:41:07,520
Speaker 1: Yeah, yeah, I mean, well you started. It's funny because

925
00:41:07,520 --> 00:41:09,279
Speaker 1: the last time you're wrong. We talked about how when I,

926
00:41:09,440 --> 00:41:11,080
Speaker 1: when I came out of a fantasy, I had agreed

927
00:41:11,120 --> 00:41:15,200
Speaker 1: to buy Nurse Roberts dead husband's a bowling shoes and

928
00:41:15,320 --> 00:41:17,319
Speaker 1: I didn't know because I was in a fantasy land.

929
00:41:17,719 --> 00:41:19,759
Speaker 1: But I forgot. You didn't really keep that that little

930
00:41:19,800 --> 00:41:22,480
Speaker 1: thing going that I would have been a funny runner

931
00:41:22,520 --> 00:41:24,920
Speaker 1: if like JD, because he's in a fantasy, ends up

932
00:41:25,120 --> 00:41:26,680
Speaker 1: agreeing to all this random shit.

933
00:41:27,400 --> 00:41:29,239
Speaker 4: We didn't have any of the rules yet, man, and

934
00:41:29,280 --> 00:41:29,799
Speaker 4: we were trying.

935
00:41:30,040 --> 00:41:32,680
Speaker 7: People used to argue all like the biggest argument that

936
00:41:32,760 --> 00:41:34,480
Speaker 7: you guys can look for in the writer's room in

937
00:41:34,480 --> 00:41:38,320
Speaker 7: at eight up hours the first year was was JD's

938
00:41:38,480 --> 00:41:42,040
Speaker 7: voiceover omniscient? Did he know what was going on in

939
00:41:42,120 --> 00:41:44,920
Speaker 7: the other stories and could narrate them? Or did we

940
00:41:45,040 --> 00:41:47,239
Speaker 7: have to write it so general as if he's talking

941
00:41:47,239 --> 00:41:50,239
Speaker 7: about himself but doesn't know about those stories. And it

942
00:41:50,320 --> 00:41:51,560
Speaker 7: used to drive people insane?

943
00:41:52,280 --> 00:41:54,800
Speaker 3: Right, were we a hit at this time? At this

944
00:41:54,960 --> 00:41:56,919
Speaker 3: point where we like, did we get the back nine

945
00:41:56,920 --> 00:41:57,439
Speaker 3: at this point.

946
00:41:58,080 --> 00:41:59,200
Speaker 4: Yeah, the first the.

947
00:41:59,239 --> 00:42:03,200
Speaker 7: Show, the show did so well coming out of the gate,

948
00:42:04,320 --> 00:42:07,680
Speaker 7: the first year that it was considered a hit, and

949
00:42:07,760 --> 00:42:11,799
Speaker 7: then the second year they made a mistake in my view,

950
00:42:12,160 --> 00:42:14,440
Speaker 7: and h the first year of the show, it was

951
00:42:14,920 --> 00:42:18,320
Speaker 7: sometimes increasing on its lead in and just crushing, and

952
00:42:18,520 --> 00:42:22,640
Speaker 7: you're they should have kept it there forever. And then

953
00:42:22,680 --> 00:42:24,680
Speaker 7: the set they said, it's such a big show for us.

954
00:42:24,760 --> 00:42:27,279
Speaker 7: Next year, we're going to put it after Friends. And

955
00:42:27,440 --> 00:42:32,440
Speaker 7: the combination of no show could retain eighty five percent

956
00:42:32,560 --> 00:42:38,239
Speaker 7: of Friends' audience. It was a cultural you know, lightning bolt,

957
00:42:38,640 --> 00:42:41,600
Speaker 7: and so you know, we were like the eighth rank.

958
00:42:41,480 --> 00:42:42,120
Speaker 4: Show in the country.

959
00:42:42,120 --> 00:42:45,120
Speaker 7: But they're like, you're only retaining like sixty seven percent

960
00:42:45,200 --> 00:42:48,640
Speaker 7: of their audience. So we're and just so you know,

961
00:42:49,120 --> 00:42:51,239
Speaker 7: anytime they want to do a forty minute episode, we're

962
00:42:51,239 --> 00:42:53,440
Speaker 7: going to make it supersized, and you guys will be

963
00:42:53,560 --> 00:42:58,600
Speaker 7: moved or not on or whatever. And they never they

964
00:42:58,640 --> 00:43:00,800
Speaker 7: should have they didn't know the show. They should have

965
00:43:00,840 --> 00:43:03,520
Speaker 7: put us after Friends and left us there in perpetuity.

966
00:43:03,520 --> 00:43:05,240
Speaker 7: The sho would have been bigger and bigger, but instead

967
00:43:05,680 --> 00:43:09,400
Speaker 7: they put nine thousand different shows, one after another after Friends.

968
00:43:09,960 --> 00:43:12,520
Speaker 7: Each time pulling them when they don't get the same

969
00:43:12,680 --> 00:43:16,239
Speaker 7: ratings as this giant monster juggernaut and never established a

970
00:43:16,280 --> 00:43:19,320
Speaker 7: new successful show after that show in its entire existence.

971
00:43:19,600 --> 00:43:22,000
Speaker 3: Yeah, you know, not only that, it was also the

972
00:43:22,200 --> 00:43:25,360
Speaker 3: end of Friends too, and then Joey came right after that,

973
00:43:25,480 --> 00:43:27,520
Speaker 3: and then we followed Joey for a little.

974
00:43:27,280 --> 00:43:28,120
Speaker 2: Bit, and I followed it.

975
00:43:28,160 --> 00:43:28,879
Speaker 4: It doesn't work either.

976
00:43:29,360 --> 00:43:31,319
Speaker 2: Now, yeah, we followed Joey for like a little bit.

977
00:43:31,400 --> 00:43:34,400
Speaker 1: And then for those of you who don't know what

978
00:43:35,000 --> 00:43:37,839
Speaker 1: the networks want, Bill, please correct me if I'm wrong.

979
00:43:37,960 --> 00:43:40,239
Speaker 1: Is they want you to hold that is to say,

980
00:43:40,440 --> 00:43:43,640
Speaker 1: keep eighty five percent of the lead in shows audience,

981
00:43:44,280 --> 00:43:47,080
Speaker 1: which is pretty impossible if it's Friends and it's the

982
00:43:47,160 --> 00:43:49,759
Speaker 1: biggest show ever. And if you go below that then

983
00:43:49,800 --> 00:43:52,160
Speaker 1: they kind of start thinking about moving you or losing you.

984
00:43:52,239 --> 00:43:54,719
Speaker 7: Right right, Oh yeah, Well, the only difference is they

985
00:43:54,719 --> 00:43:56,640
Speaker 7: would have went because the show is so well reviewed

986
00:43:56,719 --> 00:43:58,960
Speaker 7: and was doing really well. If they owned our show,

987
00:43:59,080 --> 00:44:01,040
Speaker 7: this is all boring business, they would have kept us

988
00:44:01,040 --> 00:44:03,239
Speaker 7: on there forever, going, hey, we'll keep this on forever

989
00:44:03,320 --> 00:44:04,640
Speaker 7: and make tons of money for ourselves.

990
00:44:04,680 --> 00:44:05,880
Speaker 4: But since they didn't own.

991
00:44:05,719 --> 00:44:09,720
Speaker 7: It, the second it didn't immediately become bigger than Friends.

992
00:44:09,880 --> 00:44:11,840
Speaker 7: They said, let's try some shows that we owned to

993
00:44:11,840 --> 00:44:13,200
Speaker 7: see if they become bigger than Friends.

994
00:44:13,239 --> 00:44:14,799
Speaker 3: And just kind of feel like that was I feel

995
00:44:14,800 --> 00:44:18,120
Speaker 3: like Friends was the end of tg of not TGIF,

996
00:44:18,239 --> 00:44:19,839
Speaker 3: but that Thursday night lineup.

997
00:44:19,560 --> 00:44:24,399
Speaker 4: Must see, must see Thursdays. I feel like that's yes,

998
00:44:24,520 --> 00:44:27,680
Speaker 4: you know, because you'll like this. You guys should get it.

999
00:44:27,800 --> 00:44:30,000
Speaker 7: And I interrupt him, Sorry, Donald, but Jeff and Gold,

1000
00:44:30,280 --> 00:44:33,960
Speaker 7: who is an NBC exec, has a must See Thursday

1001
00:44:34,120 --> 00:44:36,520
Speaker 7: poster in his office. He's proud of when it was

1002
00:44:37,440 --> 00:44:40,480
Speaker 7: US thirty Rock, the office and parks and rec We're

1003
00:44:40,520 --> 00:44:42,920
Speaker 7: all Thursday and that's that was a cool That was

1004
00:44:42,960 --> 00:44:43,640
Speaker 7: a cool lineup.

1005
00:44:44,040 --> 00:44:46,160
Speaker 2: Yeah, at one point that was a Thursday Night.

1006
00:44:46,760 --> 00:44:48,239
Speaker 7: I think it was I can't remember if I have

1007
00:44:48,320 --> 00:44:50,000
Speaker 7: the no, it might have been Earl, but it was

1008
00:44:50,160 --> 00:44:56,040
Speaker 7: US thirty Rock Office and either Earl or you know,

1009
00:44:56,120 --> 00:44:58,160
Speaker 7: but it was He's like, that was total, a total

1010
00:44:58,320 --> 00:44:59,399
Speaker 7: must they were still doing.

1011
00:45:00,440 --> 00:45:02,759
Speaker 3: That's a pretty good muss seat Thursday. Man, that's a

1012
00:45:02,840 --> 00:45:04,000
Speaker 3: pretty must seat Thursday.

1013
00:45:04,440 --> 00:45:08,759
Speaker 1: Shall we talk about Nicole Sullivan? Guys, absolutely, Bill tell

1014
00:45:08,840 --> 00:45:12,279
Speaker 1: us about obviously, you know a lot of people know

1015
00:45:12,680 --> 00:45:15,360
Speaker 1: knew Nicole Sullivan from mad TV and how did how

1016
00:45:15,400 --> 00:45:16,880
Speaker 1: did you choose her? Were you friends with her?

1017
00:45:17,040 --> 00:45:19,439
Speaker 7: She was, Yeah, she was another you know, we brought

1018
00:45:19,480 --> 00:45:22,040
Speaker 7: people through our world that were friends of mine that

1019
00:45:22,080 --> 00:45:23,320
Speaker 7: I knew were super talented.

1020
00:45:24,520 --> 00:45:29,239
Speaker 4: We wanted to have her in this world because not

1021
00:45:29,360 --> 00:45:31,239
Speaker 4: only is she really funny, but we knew she could

1022
00:45:31,239 --> 00:45:31,879
Speaker 4: actually act.

1023
00:45:32,719 --> 00:45:37,000
Speaker 7: And we had, you know, kind of the idea beforehand,

1024
00:45:37,520 --> 00:45:42,480
Speaker 7: whether it was with Brendan Fraser or her or Missus Wilke,

1025
00:45:42,920 --> 00:45:45,799
Speaker 7: that there were sometimes patients that we would say, let's

1026
00:45:45,840 --> 00:45:48,040
Speaker 7: bring them in and know that they're going to come back,

1027
00:45:48,440 --> 00:45:51,360
Speaker 7: you know. And so we didn't know right then that

1028
00:45:51,480 --> 00:45:53,480
Speaker 7: Nicole was going to die, but we knew she was

1029
00:45:53,560 --> 00:45:56,360
Speaker 7: going to come back, and uh so we were setting

1030
00:45:56,440 --> 00:45:59,160
Speaker 7: her up for the crap that you know journey that

1031
00:45:59,239 --> 00:46:02,480
Speaker 7: her person went down, you know, in a cool way.

1032
00:46:02,960 --> 00:46:05,640
Speaker 7: I think the most fun way to do that. Donald

1033
00:46:05,719 --> 00:46:08,120
Speaker 7: said something about it is you sneak it up on people.

1034
00:46:08,160 --> 00:46:10,080
Speaker 7: You introduce somebody as something that's just going to be

1035
00:46:10,160 --> 00:46:12,279
Speaker 7: funny in a goof to see them, and you get

1036
00:46:12,320 --> 00:46:15,920
Speaker 7: people emotionally invested. So when there's stuff, when the wheels

1037
00:46:15,960 --> 00:46:19,320
Speaker 7: come off, people are just you know, emotionally affected by that.

1038
00:46:19,760 --> 00:46:23,440
Speaker 3: That was something that you know, uh, and it just

1039
00:46:23,520 --> 00:46:26,200
Speaker 3: shows how great of a writer you are. You know,

1040
00:46:26,239 --> 00:46:30,040
Speaker 3: I'm sure you're you know this already, but he does like.

1041
00:46:30,040 --> 00:46:32,000
Speaker 4: A like a like a Michael Jaminski of writing.

1042
00:46:32,040 --> 00:46:38,120
Speaker 2: Almost you said you you would give everybody clues.

1043
00:46:38,400 --> 00:46:41,400
Speaker 3: The clues are there, and if you're really paying attention,

1044
00:46:42,320 --> 00:46:45,840
Speaker 3: you know, if you're really really paying attention, when it happens,

1045
00:46:46,000 --> 00:46:48,279
Speaker 3: it's not that big of a surprise like it's for

1046
00:46:48,600 --> 00:46:50,239
Speaker 3: we foreshadowed so much.

1047
00:46:50,680 --> 00:46:52,920
Speaker 7: Yeah, you talked about that, and I really appreciated it

1048
00:46:53,040 --> 00:46:55,480
Speaker 7: because the way our staff worked that I thought was

1049
00:46:55,560 --> 00:46:57,960
Speaker 7: cool before in the pre production every year before we

1050
00:46:58,040 --> 00:47:03,120
Speaker 7: wrote episodes, we talked about what big things, you know,

1051
00:47:03,360 --> 00:47:04,520
Speaker 7: arcs and stuff we wanted to do.

1052
00:47:04,680 --> 00:47:08,920
Speaker 4: Like we'd say, hey, we want Turk and Car to

1053
00:47:08,960 --> 00:47:11,959
Speaker 4: get engaged, but we want it to be a little

1054
00:47:12,000 --> 00:47:14,600
Speaker 4: bit of a rocky road. And then we would work backwards,

1055
00:47:15,120 --> 00:47:16,920
Speaker 4: same way. We'd go, hey, we want Johnny c to

1056
00:47:17,000 --> 00:47:18,600
Speaker 4: end up with his X who he's never moved past.

1057
00:47:18,680 --> 00:47:20,880
Speaker 4: Now he's a more Maturesian. We wor work backwards. We're

1058
00:47:20,920 --> 00:47:22,040
Speaker 4: gonna kill Brendan Fraser.

1059
00:47:22,160 --> 00:47:24,960
Speaker 7: It's worked backwards, and then it would almost seem when

1060
00:47:24,960 --> 00:47:26,400
Speaker 7: we're doing these initial episodes.

1061
00:47:26,440 --> 00:47:28,200
Speaker 4: Since we had already plotted out these.

1062
00:47:28,200 --> 00:47:31,759
Speaker 7: Arcs, it was very easy to go, all right, so

1063
00:47:31,840 --> 00:47:38,759
Speaker 7: if Nicole Sullivan's gonna eventually die, and let's establish her

1064
00:47:38,800 --> 00:47:41,320
Speaker 7: here as a fun, neurotic person that you think is

1065
00:47:41,440 --> 00:47:44,160
Speaker 7: just being kinde of hypochondriac, and then do you know

1066
00:47:44,200 --> 00:47:47,120
Speaker 7: what I mean? So it is set up because we

1067
00:47:47,200 --> 00:47:49,480
Speaker 7: were working backwards from the big episodes that we wanted

1068
00:47:49,520 --> 00:47:50,080
Speaker 7: to accomplish.

1069
00:47:50,200 --> 00:47:50,759
Speaker 4: Was part of the fun.

1070
00:47:51,200 --> 00:47:52,840
Speaker 2: Yeah, that's good writing to me.

1071
00:47:52,920 --> 00:47:56,160
Speaker 3: That's because whenever you can look back and say to yourself,

1072
00:47:56,640 --> 00:47:58,480
Speaker 3: was there and I didn't see it? Right?

1073
00:47:58,800 --> 00:48:01,440
Speaker 2: I feel like, you know, Kaiser So's you know.

1074
00:48:02,160 --> 00:48:05,239
Speaker 4: Yeah, it is the it's the trick of it all.

1075
00:48:05,520 --> 00:48:07,480
Speaker 1: That's the trick is that is you know you're not

1076
00:48:07,520 --> 00:48:09,920
Speaker 1: gonna the audience isn't gonna have the heartbreak for an asshole.

1077
00:48:10,000 --> 00:48:12,120
Speaker 1: You know, you got to have the audience fall in

1078
00:48:12,200 --> 00:48:14,880
Speaker 1: love with them and go, oh, I love listener. She's wacky,

1079
00:48:14,960 --> 00:48:17,359
Speaker 1: she's silly, She's I want to be her friend, she's

1080
00:48:17,760 --> 00:48:19,440
Speaker 1: you want to you want to fall in love with

1081
00:48:19,520 --> 00:48:21,680
Speaker 1: the person before Bill kills them.

1082
00:48:22,480 --> 00:48:24,279
Speaker 4: It was the it was the one trick we went

1083
00:48:24,360 --> 00:48:24,960
Speaker 4: back to a lot.

1084
00:48:25,040 --> 00:48:27,759
Speaker 7: It was too mean, was we knew in twenty two

1085
00:48:27,840 --> 00:48:29,440
Speaker 7: minutes it was too hard to get people to love

1086
00:48:29,520 --> 00:48:31,640
Speaker 7: someone and then kill them. So we're like, all right,

1087
00:48:31,719 --> 00:48:34,360
Speaker 7: let's bring them into another story. And our goal is

1088
00:48:34,440 --> 00:48:37,160
Speaker 7: not only to do a successful story, but make people

1089
00:48:37,920 --> 00:48:43,720
Speaker 7: like this person so that when they die, we're uh screwed.

1090
00:48:43,880 --> 00:48:46,239
Speaker 7: The only time we thought we pulled it off, that

1091
00:48:46,320 --> 00:48:49,920
Speaker 7: we killed someone people cared about in one episode. It

1092
00:48:50,040 --> 00:48:53,120
Speaker 7: ties to this one because this is me being a dummy.

1093
00:48:53,600 --> 00:48:56,200
Speaker 7: So Nicole Sullivan, you know, one of the bride'smaids at

1094
00:48:56,239 --> 00:48:59,720
Speaker 7: my wedding, old friend she I'm not good at naming characters.

1095
00:49:00,080 --> 00:49:04,279
Speaker 7: She played Jill Tracy, and uh, and then I didn't

1096
00:49:04,320 --> 00:49:08,279
Speaker 7: realize untill later Jill Tracy, who's Tim Hobert at the

1097
00:49:08,320 --> 00:49:12,600
Speaker 7: executive producer, one of them a great actress in her

1098
00:49:12,600 --> 00:49:14,600
Speaker 7: own right. Not only had I not put her on

1099
00:49:14,680 --> 00:49:19,960
Speaker 7: the show, but I named another character after and somebody

1100
00:49:20,000 --> 00:49:22,680
Speaker 7: else played it. So then Jill Tracy came and played

1101
00:49:23,239 --> 00:49:24,920
Speaker 7: the woman who died in a Broadway musical.

1102
00:49:24,960 --> 00:49:31,120
Speaker 1: Waiting for my real life to be gamelin.

1103
00:49:30,520 --> 00:49:33,880
Speaker 2: On a clear day when I can't see.

1104
00:49:36,640 --> 00:49:37,160
Speaker 4: Very long?

1105
00:49:42,680 --> 00:49:45,600
Speaker 1: So did she call you? Did? Did you real, jail

1106
00:49:45,680 --> 00:49:46,680
Speaker 1: Jill Tracy call you And.

1107
00:49:46,880 --> 00:49:47,480
Speaker 7: What was she like?

1108
00:49:48,440 --> 00:49:50,000
Speaker 4: No, Tim is just such a good buddy.

1109
00:49:50,520 --> 00:49:53,120
Speaker 7: I realized that, you know, as it happened, and I'm like, oh,

1110
00:49:53,120 --> 00:49:54,560
Speaker 7: I'm a piece of ship. We got to make sure

1111
00:49:54,600 --> 00:49:56,680
Speaker 7: we get you in there. And she was luckily also

1112
00:49:56,719 --> 00:49:58,879
Speaker 7: a Broadway level singer and had done a musical theater

1113
00:49:58,960 --> 00:49:59,480
Speaker 7: her whole life.

1114
00:49:59,480 --> 00:50:01,000
Speaker 1: You know, she was great, Hey, I'm looking at these

1115
00:50:01,040 --> 00:50:03,759
Speaker 1: blackberries and I remember that this was like the time

1116
00:50:03,840 --> 00:50:06,719
Speaker 1: that blackberries came out and Bill, as I recall, you

1117
00:50:06,880 --> 00:50:09,360
Speaker 1: gave us all our first blackberries as a present.

1118
00:50:09,480 --> 00:50:11,439
Speaker 4: Yeah, it gave them to everybody as a Christmas gift.

1119
00:50:11,719 --> 00:50:13,520
Speaker 1: And I have a memory I remember you like, we

1120
00:50:13,600 --> 00:50:16,040
Speaker 1: were like, what is this so you you can type

1121
00:50:16,120 --> 00:50:16,320
Speaker 1: on it?

1122
00:50:17,120 --> 00:50:20,800
Speaker 3: Yeah that I wrote that down. Nicole Sullivan says email

1123
00:50:20,960 --> 00:50:23,560
Speaker 3: as we're talking. That kind of dates the show.

1124
00:50:24,200 --> 00:50:27,799
Speaker 4: Yeah, I know, I know it was so weird.

1125
00:50:28,120 --> 00:50:30,239
Speaker 1: That mean, right when they all came out. I mean

1126
00:50:30,280 --> 00:50:31,880
Speaker 1: that's we were like, state of the art. She's got

1127
00:50:31,920 --> 00:50:33,040
Speaker 1: a state of the art gadget.

1128
00:50:33,440 --> 00:50:35,080
Speaker 7: Getting back to the show, that was one of my

1129
00:50:35,400 --> 00:50:38,880
Speaker 7: favorite things because we really wanted everybody had their thing

1130
00:50:39,000 --> 00:50:42,400
Speaker 7: to overcome on this show. And we really wanted Sarah

1131
00:50:42,520 --> 00:50:47,240
Speaker 7: Chalk's character to overcome how hard she always is on herself,

1132
00:50:48,280 --> 00:50:51,640
Speaker 7: and you know how much she buries herself psychologically and

1133
00:50:51,719 --> 00:50:54,759
Speaker 7: on an unhealthy way with all her work. And my

1134
00:50:54,840 --> 00:50:58,200
Speaker 7: favorite scene in this besides the Judy and Zach went

1135
00:50:58,200 --> 00:51:02,000
Speaker 7: out in the rain, was Sarah and Johnny C with

1136
00:51:02,120 --> 00:51:05,399
Speaker 7: Johnny C doing some really subtle stuff when he says,

1137
00:51:05,400 --> 00:51:07,640
Speaker 7: go ahead and make your case why Jill Tracy can

1138
00:51:07,680 --> 00:51:10,600
Speaker 7: stay in the hospital, and Sarah is saying, you know,

1139
00:51:10,680 --> 00:51:13,200
Speaker 7: sometimes you get overwhelmed, and it's this and this, and

1140
00:51:13,360 --> 00:51:16,920
Speaker 7: John McGinley is without doing anything big, proving to her

1141
00:51:17,000 --> 00:51:18,840
Speaker 7: that she does the very same thing to herself.

1142
00:51:18,920 --> 00:51:19,760
Speaker 4: I love that moment.

1143
00:51:20,080 --> 00:51:20,279
Speaker 8: Yeah.

1144
00:51:20,360 --> 00:51:22,160
Speaker 4: The reason I loved it as a writer was it

1145
00:51:22,320 --> 00:51:26,280
Speaker 4: wasn't something that Sarah was necessarily doing in this episode,

1146
00:51:26,360 --> 00:51:28,279
Speaker 4: but she had done it in every episode up to

1147
00:51:28,360 --> 00:51:28,680
Speaker 4: this one.

1148
00:51:29,239 --> 00:51:29,439
Speaker 2: Yeah.

1149
00:51:29,680 --> 00:51:32,439
Speaker 3: I wrote that down that that's such a great moment.

1150
00:51:32,560 --> 00:51:35,040
Speaker 3: That scene is so awesome, and Sarah pulls it off

1151
00:51:35,160 --> 00:51:38,399
Speaker 3: really well where she's talking about you know, she's talking

1152
00:51:38,440 --> 00:51:41,680
Speaker 3: about Nicole's character and then and then you know, Johnny says,

1153
00:51:41,920 --> 00:51:43,600
Speaker 3: but have you looked at how you have you looked

1154
00:51:43,600 --> 00:51:44,040
Speaker 3: at yourself.

1155
00:51:44,160 --> 00:51:45,719
Speaker 2: I know, I'm a skink. And then she.

1156
00:51:49,120 --> 00:51:50,920
Speaker 7: She's like, and she's like and then she'll do anything.

1157
00:51:51,000 --> 00:51:52,719
Speaker 7: She's such a people pleas her for anyone. I think

1158
00:51:52,760 --> 00:51:54,560
Speaker 7: he says, will you go clean up my dog shit

1159
00:51:54,640 --> 00:51:55,560
Speaker 7: and take it to get it?

1160
00:52:00,120 --> 00:52:01,200
Speaker 1: She's really good in that scene.

1161
00:52:01,520 --> 00:52:04,880
Speaker 3: Oh but it cuts right from that into you pulling

1162
00:52:04,960 --> 00:52:07,759
Speaker 3: up in the cab, and that's where I got pissed off,

1163
00:52:07,800 --> 00:52:12,759
Speaker 3: because right there up like, no, not now, jam but

1164
00:52:12,880 --> 00:52:15,520
Speaker 3: it's but it marries so well, you know what I mean,

1165
00:52:16,480 --> 00:52:17,160
Speaker 3: it's drunk out.

1166
00:52:17,160 --> 00:52:19,440
Speaker 7: And by the way, and then the parents did in

1167
00:52:19,520 --> 00:52:22,160
Speaker 7: this one. The pairings we did in this show made

1168
00:52:22,200 --> 00:52:23,840
Speaker 7: me think of another question. I answered you guys in

1169
00:52:23,880 --> 00:52:29,200
Speaker 7: the previous episode, because I believe Kelso calls you Turk

1170
00:52:29,440 --> 00:52:31,280
Speaker 7: in this episode because you guys are having a battle,

1171
00:52:31,840 --> 00:52:32,160
Speaker 7: and he.

1172
00:52:32,200 --> 00:52:34,480
Speaker 2: Did another episode too, he did it.

1173
00:52:34,640 --> 00:52:38,680
Speaker 7: But that's why it's important. It's important to know that

1174
00:52:39,000 --> 00:52:43,080
Speaker 7: that's why we do believe he thinks your name is Turkleton.

1175
00:52:43,400 --> 00:52:45,239
Speaker 7: But that's why we got to the logic with the

1176
00:52:45,320 --> 00:52:49,680
Speaker 7: writers that he thinks your name is Turk Turkleton. When

1177
00:52:49,760 --> 00:52:52,560
Speaker 7: we said, when we said, you know, he thinks her

1178
00:52:52,600 --> 00:52:53,840
Speaker 7: name is doctor Turkleton.

1179
00:52:54,560 --> 00:52:57,040
Speaker 4: You know, in the writers you fight about everything writer's room.

1180
00:52:57,080 --> 00:52:58,719
Speaker 4: A lot of the writers were like, he can't, he's

1181
00:52:58,719 --> 00:53:01,440
Speaker 4: called him Turk before. And then somebody's like, well, then

1182
00:53:01,520 --> 00:53:03,280
Speaker 4: he thinks his name is Turk Turkleton.

1183
00:53:05,760 --> 00:53:06,680
Speaker 2: That's one of the best.

1184
00:53:07,239 --> 00:53:10,520
Speaker 3: And to this day, to this day, to this day,

1185
00:53:10,960 --> 00:53:12,200
Speaker 3: there are a lot of there are a lot of

1186
00:53:12,239 --> 00:53:16,040
Speaker 3: Scrubs fans that know, you know, Christopher Turk is the name,

1187
00:53:16,120 --> 00:53:19,680
Speaker 3: but there are some that honestly believe Turk Turkleton is

1188
00:53:19,760 --> 00:53:20,640
Speaker 3: the character's name.

1189
00:53:21,320 --> 00:53:23,120
Speaker 7: You know what else, by the way, came up randomly

1190
00:53:23,360 --> 00:53:27,240
Speaker 7: is somebody asked me after why you were named Gandhi,

1191
00:53:27,320 --> 00:53:29,760
Speaker 7: Like why doctor Coxon name check to you is Gandhi?

1192
00:53:30,000 --> 00:53:32,680
Speaker 2: Because I was a bold head guy. It wasn't just that.

1193
00:53:32,920 --> 00:53:36,480
Speaker 4: It was because I was concurrently looking at cartoons and

1194
00:53:36,719 --> 00:53:39,960
Speaker 4: okaying the character design with Chris and Phil for Clone

1195
00:53:40,080 --> 00:53:43,320
Speaker 4: High and the Gandhi character. They had him with a

1196
00:53:43,440 --> 00:53:45,800
Speaker 4: hip go t because he was a young teen version

1197
00:53:46,200 --> 00:53:48,120
Speaker 4: and whatever, and I'm like, oh, ship.

1198
00:53:48,239 --> 00:53:51,360
Speaker 2: We should go I do. We were typically going to

1199
00:53:51,400 --> 00:53:53,240
Speaker 2: talk about that right now. Let's just go to commercial

1200
00:53:53,280 --> 00:53:53,640
Speaker 2: real quick.

1201
00:53:53,719 --> 00:54:08,000
Speaker 5: Okay, sure, commercial, Okay, we're back.

1202
00:54:08,239 --> 00:54:11,640
Speaker 2: Steph is in the house, y'all. Steph is in the house. Steph,

1203
00:54:11,680 --> 00:54:13,399
Speaker 2: Steph is in the house.

1204
00:54:13,520 --> 00:54:15,440
Speaker 1: All right, Steph is in the house. But we're just

1205
00:54:15,480 --> 00:54:17,120
Speaker 1: gonna finish the Clone High chat. So Steph.

1206
00:54:17,160 --> 00:54:20,879
Speaker 2: Okay, so let's get back into Clone High. Dude. You now,

1207
00:54:21,480 --> 00:54:23,840
Speaker 2: had Phil and Chris done anything before this?

1208
00:54:24,280 --> 00:54:27,080
Speaker 4: Or or they were barely they were barely getting their

1209
00:54:27,120 --> 00:54:31,640
Speaker 4: careers started. They were young animators from for Disney that

1210
00:54:31,760 --> 00:54:34,719
Speaker 4: went to Dartmouth and we're also very funny and we're

1211
00:54:34,880 --> 00:54:37,600
Speaker 4: just starting their career as kind of comedy writer animated.

1212
00:54:37,600 --> 00:54:38,200
Speaker 4: They had done nothing.

1213
00:54:38,280 --> 00:54:41,160
Speaker 7: It was like the first project that I supervised someone

1214
00:54:41,200 --> 00:54:42,560
Speaker 7: else the way I was supervised.

1215
00:54:42,960 --> 00:54:44,799
Speaker 4: And now there are two guys that are gonna give

1216
00:54:44,880 --> 00:54:47,680
Speaker 4: me and you and Steph and Joelle a job.

1217
00:54:47,760 --> 00:54:49,320
Speaker 2: Eventually, I pray that they give.

1218
00:54:49,200 --> 00:54:52,840
Speaker 1: Me Donald wyt you explain the context, because not everyone's

1219
00:54:52,840 --> 00:54:53,719
Speaker 1: gonna know what the hell are Okay.

1220
00:54:53,719 --> 00:54:56,960
Speaker 3: So Chris and Phil have gone on to create movies

1221
00:54:57,080 --> 00:55:00,399
Speaker 3: like twenty one Jump Street, twenty two Street, the Lego

1222
00:55:00,520 --> 00:55:01,600
Speaker 3: Mago movie, the.

1223
00:55:01,680 --> 00:55:04,080
Speaker 2: Best probably the best Spider Man movie ever.

1224
00:55:04,040 --> 00:55:04,960
Speaker 4: Into the Spider Verse.

1225
00:55:06,719 --> 00:55:08,640
Speaker 1: Yeah, Cloudy with a Chance of Meatballs.

1226
00:55:08,880 --> 00:55:11,520
Speaker 4: Yes, they were the animators, directors writers of that as well.

1227
00:55:11,600 --> 00:55:14,040
Speaker 2: Yes, they've gone on to do some amazing things.

1228
00:55:14,120 --> 00:55:16,600
Speaker 3: But in the beginning, before this all happened, there was

1229
00:55:16,640 --> 00:55:19,759
Speaker 3: a little show called Clone High, which Bill was an

1230
00:55:19,800 --> 00:55:23,960
Speaker 3: executive producer on, And while we were making scrubs in

1231
00:55:24,120 --> 00:55:27,200
Speaker 3: the basement, they were doing all their recordings.

1232
00:55:26,760 --> 00:55:29,440
Speaker 1: And in the mental war in the mental ward, I believe.

1233
00:55:29,440 --> 00:55:32,200
Speaker 4: And because the writers we hid to save money. We

1234
00:55:32,440 --> 00:55:35,520
Speaker 4: hid our writing staff of that show in the hospital.

1235
00:55:35,800 --> 00:55:38,239
Speaker 7: And then you guys just casually started to notice other

1236
00:55:38,320 --> 00:55:41,920
Speaker 7: writers around the commissary every day, eating step and just

1237
00:55:41,960 --> 00:55:42,319
Speaker 7: hanging out.

1238
00:55:42,480 --> 00:55:44,160
Speaker 3: But they put us in the show too, So I

1239
00:55:44,280 --> 00:55:47,719
Speaker 3: got an opportunity to play two really cool characters in

1240
00:55:47,800 --> 00:55:48,239
Speaker 3: that were.

1241
00:55:48,239 --> 00:55:52,520
Speaker 4: You I George Washington Carver, which I was George, and.

1242
00:55:52,640 --> 00:55:56,120
Speaker 3: I was also Toots, who was Joanavoc's father in law

1243
00:55:56,239 --> 00:55:56,840
Speaker 3: or something like that.

1244
00:55:56,960 --> 00:55:58,640
Speaker 4: Yeah, it was a blind It was a blind former

1245
00:55:58,719 --> 00:55:59,200
Speaker 4: jazz man.

1246
00:55:59,400 --> 00:55:59,560
Speaker 8: Yeah.

1247
00:55:59,600 --> 00:55:59,960
Speaker 7: Yeah, Yeah.

1248
00:56:00,040 --> 00:56:03,360
Speaker 4: It's so weird because all a bunch of Clone High nerds.

1249
00:56:03,800 --> 00:56:06,440
Speaker 7: I love Big Mouth, but Toots is very much like

1250
00:56:06,680 --> 00:56:10,239
Speaker 7: the jazzy ghost that they have in that cartoon Big Mouth.

1251
00:56:10,280 --> 00:56:12,480
Speaker 1: You know, are you guys bringing it back in some way? Bill?

1252
00:56:14,080 --> 00:56:15,600
Speaker 4: I'm not at liberty to discuss that.

1253
00:56:15,719 --> 00:56:19,040
Speaker 1: Yet, No, I stumbled across something top secret audience.

1254
00:56:19,040 --> 00:56:20,080
Speaker 2: That would be awesome.

1255
00:56:20,800 --> 00:56:21,600
Speaker 4: That's a good tease.

1256
00:56:21,920 --> 00:56:23,640
Speaker 1: I was in it too, but I don't know who.

1257
00:56:23,680 --> 00:56:25,520
Speaker 1: I played a lot.

1258
00:56:25,600 --> 00:56:26,359
Speaker 2: You weren't in it a lot.

1259
00:56:26,680 --> 00:56:28,800
Speaker 1: I don't minimize my part. I did occur.

1260
00:56:29,160 --> 00:56:31,400
Speaker 7: I did it was it was such a cool college

1261
00:56:31,480 --> 00:56:33,560
Speaker 7: filmmaking type atmosphere, which is what Scrubs was.

1262
00:56:33,600 --> 00:56:36,480
Speaker 4: Anyways, that you guys would be shooting scenes and we

1263
00:56:36,520 --> 00:56:39,520
Speaker 4: would literally go, hey, do you mind while you're eating

1264
00:56:39,600 --> 00:56:42,880
Speaker 4: to walk downstairs and record a voice being a cartoon character,

1265
00:56:42,960 --> 00:56:44,279
Speaker 4: and you guys were also nice about it.

1266
00:56:44,680 --> 00:56:44,879
Speaker 1: Yeah.

1267
00:56:44,920 --> 00:56:47,080
Speaker 2: Well, I loved working on that show Man. That was

1268
00:56:47,120 --> 00:56:47,600
Speaker 2: a lot of fun.

1269
00:56:47,680 --> 00:56:50,879
Speaker 1: I was Paul Revere, Joelle is telling so Paul Revere

1270
00:56:50,920 --> 00:56:52,520
Speaker 1: is an important character everybody.

1271
00:56:52,560 --> 00:56:55,120
Speaker 3: Yeah, but that was like one episode had a bigger

1272
00:56:55,280 --> 00:56:57,160
Speaker 3: You had a bigger You had a bigger one when

1273
00:56:57,160 --> 00:57:00,319
Speaker 3: you were selling a weird energy paste with Sarah Talk

1274
00:57:00,800 --> 00:57:03,400
Speaker 3: and Marilyn Manson came in and saying the food Pyramid song,

1275
00:57:03,440 --> 00:57:05,360
Speaker 3: it's very weird. Yeah, dude, I just remember being I

1276
00:57:05,480 --> 00:57:07,400
Speaker 3: remember being there, and this is the first time I

1277
00:57:07,480 --> 00:57:08,319
Speaker 3: met Mandy Moore.

1278
00:57:08,760 --> 00:57:10,239
Speaker 2: She did a guest spot on the show.

1279
00:57:10,520 --> 00:57:13,880
Speaker 1: I met Uh, I've never remember what shall we go to, Steph?

1280
00:57:14,760 --> 00:57:17,040
Speaker 2: I met Tom Green? That was cool. That was the

1281
00:57:17,080 --> 00:57:18,720
Speaker 2: first time I've ever met Tom Green. And he was

1282
00:57:18,800 --> 00:57:21,200
Speaker 2: on fire at the time, and I was on it.

1283
00:57:21,360 --> 00:57:23,560
Speaker 4: Steph was on I think.

1284
00:57:23,800 --> 00:57:27,360
Speaker 3: And also we have a caller, guys, our caller has

1285
00:57:27,720 --> 00:57:29,280
Speaker 3: has finally we're gonna let her talk.

1286
00:57:29,520 --> 00:57:31,680
Speaker 1: Okadies and gentlemen, please welcome Steph.

1287
00:57:34,160 --> 00:57:34,360
Speaker 6: Bill.

1288
00:57:36,120 --> 00:57:42,600
Speaker 1: Bill's counting into everything. Dan, turn off the theme song, Steph.

1289
00:57:42,880 --> 00:57:44,920
Speaker 4: At any point that you want to hear that awesome song,

1290
00:57:45,040 --> 00:57:46,080
Speaker 4: just say five to six seven eight.

1291
00:57:49,760 --> 00:57:50,880
Speaker 2: It's official.

1292
00:57:51,320 --> 00:57:56,439
Speaker 3: Anytime you say five six seven eight, maybe wait three

1293
00:57:56,560 --> 00:57:57,160
Speaker 3: whole minutes.

1294
00:57:57,240 --> 00:58:03,200
Speaker 8: So I think it's only just right. Okay, five six

1295
00:58:03,400 --> 00:58:05,000
Speaker 8: seven eight song?

1296
00:58:05,080 --> 00:58:06,120
Speaker 1: Okay, but not the whole song.

1297
00:58:06,280 --> 00:58:06,960
Speaker 7: Not the whole song.

1298
00:58:07,120 --> 00:58:08,280
Speaker 1: Damn stop it, stop it.

1299
00:58:08,840 --> 00:58:10,440
Speaker 2: Do you want to do the tag at the end? Stuff?

1300
00:58:12,480 --> 00:58:12,760
Speaker 2: I don't know?

1301
00:58:13,960 --> 00:58:14,920
Speaker 1: Give us the teg.

1302
00:58:18,560 --> 00:58:18,800
Speaker 6: You got?

1303
00:58:18,840 --> 00:58:19,120
Speaker 4: Good boy?

1304
00:58:19,440 --> 00:58:21,720
Speaker 1: All right, this this has all gone to ship Steph.

1305
00:58:21,920 --> 00:58:22,600
Speaker 1: What's your question?

1306
00:58:23,440 --> 00:58:26,480
Speaker 6: So I'm finishing up my second year of medical school,

1307
00:58:27,520 --> 00:58:29,960
Speaker 6: which is in part due to scrubs.

1308
00:58:30,240 --> 00:58:34,440
Speaker 8: So basically, yeah, super funny story.

1309
00:58:35,000 --> 00:58:37,480
Speaker 6: I alluded to this in my personal statement, but left

1310
00:58:37,520 --> 00:58:39,440
Speaker 6: out certain details because I didn't want them to not

1311
00:58:39,560 --> 00:58:40,360
Speaker 6: take me seriously.

1312
00:58:40,880 --> 00:58:43,800
Speaker 8: But basically, my mom is a surgeon.

1313
00:58:44,080 --> 00:58:46,680
Speaker 6: So when I was growing up, I saw like, you know,

1314
00:58:46,840 --> 00:58:48,960
Speaker 6: pictures of her job and stuff like that, and I

1315
00:58:49,000 --> 00:58:50,160
Speaker 6: thought it looked awful.

1316
00:58:50,320 --> 00:58:52,040
Speaker 8: I was like, I have no idea how you do

1317
00:58:52,160 --> 00:58:54,080
Speaker 8: what you do? She was a breast cancer surgeon, so

1318
00:58:54,120 --> 00:58:56,360
Speaker 8: I was like, that's disgusting, Like, how do you look

1319
00:58:56,400 --> 00:58:57,360
Speaker 8: at boobs all day?

1320
00:58:57,600 --> 00:58:58,200
Speaker 6: So weird?

1321
00:58:58,760 --> 00:59:00,000
Speaker 8: I never am going into medicine.

1322
00:59:00,320 --> 00:59:01,920
Speaker 2: How do you look at boobs all day?

1323
00:59:01,960 --> 00:59:04,160
Speaker 4: That's just I don't know, it's easier if you're not

1324
00:59:04,200 --> 00:59:06,080
Speaker 4: a medical professional. Continue, I got it.

1325
00:59:06,240 --> 00:59:10,400
Speaker 6: Yeah, So I started watching Scrubs maybe like I don't

1326
00:59:10,400 --> 00:59:13,800
Speaker 6: even remember when, maybe in middle school, and I related

1327
00:59:13,880 --> 00:59:16,960
Speaker 6: to Elliott's character on such a spiritual level that I

1328
00:59:17,080 --> 00:59:19,560
Speaker 6: was like, this looks really fun. Maybe I will go

1329
00:59:19,680 --> 00:59:23,760
Speaker 6: into medicine. And since then kind of became more legitimate.

1330
00:59:23,880 --> 00:59:26,640
Speaker 6: But definitely the first thing that piqued my interest was Scrubs.

1331
00:59:26,720 --> 00:59:27,960
Speaker 6: So thank you guys.

1332
00:59:28,280 --> 00:59:31,120
Speaker 2: Do you use the word frick a lot?

1333
00:59:32,680 --> 00:59:35,840
Speaker 8: I kind of graduated to the U version.

1334
00:59:35,840 --> 00:59:35,920
Speaker 6: But.

1335
00:59:37,880 --> 00:59:41,520
Speaker 4: Sometimes I mean, I gotta say I want to interject

1336
00:59:41,520 --> 00:59:45,480
Speaker 4: stuff because that means so much to me because we

1337
00:59:46,120 --> 00:59:48,760
Speaker 4: wanted to make sure that medical personnel seemed like heroes

1338
00:59:48,800 --> 00:59:50,080
Speaker 4: and the job seemed like fun.

1339
00:59:50,280 --> 00:59:53,720
Speaker 7: And I just was talking to the real JD last

1340
00:59:53,800 --> 00:59:58,280
Speaker 7: night and his wife Dolly, who Elliot's based on, and

1341
00:59:58,560 --> 01:00:02,080
Speaker 7: their favorite thing is is to consider you know that

1342
01:00:02,640 --> 01:00:04,920
Speaker 7: they might have had a tiny part in some people

1343
01:00:05,000 --> 01:00:07,840
Speaker 7: kind of embracing medicine as a career because it means.

1344
01:00:07,760 --> 01:00:08,440
Speaker 4: So much to them.

1345
01:00:08,760 --> 01:00:11,000
Speaker 7: That's A and B for those of you, they are

1346
01:00:11,040 --> 01:00:14,960
Speaker 7: just listenings that you can't see. Steph could easily have

1347
01:00:15,200 --> 01:00:16,960
Speaker 7: played Elliott just so you guys.

1348
01:00:16,840 --> 01:00:17,960
Speaker 1: Know, she's elliot S.

1349
01:00:18,520 --> 01:00:23,920
Speaker 4: She's elliot S both in her mannerisms and her appearance.

1350
01:00:24,240 --> 01:00:27,800
Speaker 4: And I almost, by the way, this is the thing

1351
01:00:27,880 --> 01:00:28,160
Speaker 4: that I have.

1352
01:00:28,200 --> 01:00:30,000
Speaker 7: To watch out for late in life because I'm much

1353
01:00:30,000 --> 01:00:32,560
Speaker 7: older than all these people. But I almost said, I

1354
01:00:32,680 --> 01:00:34,880
Speaker 7: am here talking to a young Sarah Chalk. But Sarah

1355
01:00:34,920 --> 01:00:36,840
Speaker 7: Chalk is still very young, So I did not.

1356
01:00:37,000 --> 01:00:39,200
Speaker 2: Say that Sarah is not a old person at all.

1357
01:00:39,440 --> 01:00:43,560
Speaker 6: Yes, my God's school friends all tell me, all the

1358
01:00:43,600 --> 01:00:46,480
Speaker 6: ones that watch Scrubs religiously are all like you have

1359
01:00:47,000 --> 01:00:49,160
Speaker 6: the same luck that she does. When you guys, did

1360
01:00:49,200 --> 01:00:52,760
Speaker 6: the episode of Sarah Chalk. How like the crazy stories

1361
01:00:52,840 --> 01:00:54,680
Speaker 6: that come out of nowhere. You're like, there's no way

1362
01:00:54,720 --> 01:00:55,840
Speaker 6: that happened to you on a Monday.

1363
01:00:55,960 --> 01:00:59,600
Speaker 4: That's me, Like, yeah, I was watching that.

1364
01:01:00,040 --> 01:01:02,400
Speaker 7: I think that that that story that Zach and Donald

1365
01:01:02,440 --> 01:01:04,000
Speaker 7: told led us to write a story in which he

1366
01:01:04,080 --> 01:01:04,720
Speaker 7: bought a new car.

1367
01:01:04,920 --> 01:01:07,960
Speaker 4: In every thirty seconds, someone someone took another door off.

1368
01:01:10,680 --> 01:01:11,800
Speaker 1: That would happen to Sarah.

1369
01:01:12,520 --> 01:01:15,080
Speaker 6: The best part of that episode is when the grumpy

1370
01:01:15,160 --> 01:01:18,200
Speaker 6: radiologists is like, thanks for stopping by and don't forget

1371
01:01:18,240 --> 01:01:24,360
Speaker 6: your car doors, Like, you know what.

1372
01:01:25,440 --> 01:01:27,800
Speaker 4: You're a real fan. This will make you laugh. And

1373
01:01:27,840 --> 01:01:29,560
Speaker 4: I don't even know if Donald and Zach remember it.

1374
01:01:30,320 --> 01:01:33,040
Speaker 4: Different things from different episodes would stick on set and

1375
01:01:33,120 --> 01:01:34,920
Speaker 4: people would say them over and over and I never

1376
01:01:34,960 --> 01:01:35,920
Speaker 4: could predict what it was.

1377
01:01:36,680 --> 01:01:38,960
Speaker 7: And I don't know Zach Donald, if you guys remember

1378
01:01:39,000 --> 01:01:40,840
Speaker 7: what it was from this one. But it was a

1379
01:01:40,960 --> 01:01:43,320
Speaker 7: made up flavor of smoothie that you guys kept saying

1380
01:01:43,360 --> 01:01:44,000
Speaker 7: for weeks.

1381
01:01:44,000 --> 01:01:45,120
Speaker 2: Orange google.

1382
01:01:46,880 --> 01:01:50,880
Speaker 1: Wait, which I remember that, What.

1383
01:01:51,040 --> 01:01:53,880
Speaker 4: Flavor do you want? I'll have a fraspberry OLiS an

1384
01:01:54,080 --> 01:01:54,920
Speaker 4: orange goo go.

1385
01:01:55,240 --> 01:01:59,560
Speaker 1: I believe that. I believe Bill. I believe that came

1386
01:01:59,600 --> 01:02:02,000
Speaker 1: from in the writer's rooms. You would have the assistance

1387
01:02:02,080 --> 01:02:03,960
Speaker 1: do like a smoothie run and you'd all be like

1388
01:02:04,320 --> 01:02:06,120
Speaker 1: calling out weird jama juice flavors.

1389
01:02:06,200 --> 01:02:09,160
Speaker 4: Yes, you make up fake flavors, and just to torture

1390
01:02:09,240 --> 01:02:11,200
Speaker 4: that poor young people working on hourly waves.

1391
01:02:11,280 --> 01:02:17,600
Speaker 1: Yeah, and so range goo go with immunity.

1392
01:02:20,280 --> 01:02:21,560
Speaker 4: All right, stuff we're taking.

1393
01:02:22,000 --> 01:02:24,760
Speaker 2: Come on, come on, that's your time. It's your time. Stuff,

1394
01:02:24,920 --> 01:02:25,520
Speaker 2: it's your time.

1395
01:02:25,760 --> 01:02:27,760
Speaker 1: It's your time. Stuff, goonies, go ahead. Stuff.

1396
01:02:28,920 --> 01:02:31,040
Speaker 6: So it's actually kind of perfect that Bill is here

1397
01:02:31,080 --> 01:02:33,280
Speaker 6: on this episode because it kind of relates to the

1398
01:02:33,560 --> 01:02:36,720
Speaker 6: behind the scenes part of it. But since I watched

1399
01:02:36,800 --> 01:02:38,640
Speaker 6: the show so much, a lot of the times when

1400
01:02:38,680 --> 01:02:42,080
Speaker 6: I'm studying, i'll recognize words that will like remind me

1401
01:02:42,160 --> 01:02:45,360
Speaker 6: of certain scenes of the show. And I know you

1402
01:02:45,440 --> 01:02:48,400
Speaker 6: guys talked about like trying to make it really medically accurate.

1403
01:02:48,600 --> 01:02:53,720
Speaker 6: It is reverifying, but it's also really funny, which I

1404
01:02:53,920 --> 01:02:57,400
Speaker 6: think is hard to do with medical vernacular if you're

1405
01:02:57,440 --> 01:02:58,120
Speaker 6: not really.

1406
01:02:58,280 --> 01:02:58,760
Speaker 8: Used to it.

1407
01:02:58,920 --> 01:03:01,960
Speaker 6: So I was wondering if there is a specific member

1408
01:03:02,080 --> 01:03:04,960
Speaker 6: of the writing team that was, you know, kind of

1409
01:03:05,320 --> 01:03:09,480
Speaker 6: crucial in making the medical scenes, specifically the funny ones,

1410
01:03:09,520 --> 01:03:11,000
Speaker 6: because I think it would be kind of hard to

1411
01:03:11,040 --> 01:03:12,880
Speaker 6: write if you didn't have that medical knowledge.

1412
01:03:13,600 --> 01:03:16,720
Speaker 7: I'm going to give props to First of all, we

1413
01:03:16,880 --> 01:03:19,080
Speaker 7: have actors and actresses that can sell comedy, and they

1414
01:03:19,120 --> 01:03:24,920
Speaker 7: were great. But the real JD is, as I can

1415
01:03:25,000 --> 01:03:27,320
Speaker 7: tell by your persona, he is a guy that I

1416
01:03:27,320 --> 01:03:30,720
Speaker 7: would not have been surprised if he went into comedy writing.

1417
01:03:30,800 --> 01:03:35,480
Speaker 7: He was funny, and so for me it was it'd

1418
01:03:35,520 --> 01:03:37,200
Speaker 7: be interesting to even go back to all his memories.

1419
01:03:37,240 --> 01:03:40,680
Speaker 7: But I remember him talking about pimping, you know, when

1420
01:03:40,720 --> 01:03:44,320
Speaker 7: you get grilled with questions and rounds, and he would

1421
01:03:44,360 --> 01:03:47,360
Speaker 7: be like, I was never ready. I always felt, you know,

1422
01:03:47,480 --> 01:03:49,440
Speaker 7: like I was a deer in the headlights. And then

1423
01:03:49,720 --> 01:03:52,040
Speaker 7: just from him saying that, you know, I was like, oh,

1424
01:03:52,600 --> 01:03:54,360
Speaker 7: JD's gonna be a deer in the headlights when I

1425
01:03:54,400 --> 01:03:56,360
Speaker 7: asked him a question, you know what I mean? And

1426
01:03:57,920 --> 01:04:01,920
Speaker 7: I would bet stuff that you when you go through

1427
01:04:01,960 --> 01:04:04,440
Speaker 7: all this stuff, we'll meet it with humor and banter,

1428
01:04:04,640 --> 01:04:06,440
Speaker 7: because if you don't, I think you go crazy. So

1429
01:04:06,880 --> 01:04:09,080
Speaker 7: I give him the props for it, and the performers

1430
01:04:09,120 --> 01:04:12,320
Speaker 7: the props for it, because they'd find ways to make

1431
01:04:12,400 --> 01:04:12,840
Speaker 7: it funny.

1432
01:04:13,000 --> 01:04:15,080
Speaker 1: You know, Bill did to JD. Ever like overstep the

1433
01:04:15,120 --> 01:04:16,960
Speaker 1: line and he's like, hey, Bill, I got an episode

1434
01:04:17,000 --> 01:04:17,959
Speaker 1: for you. Here's what's going to happen.

1435
01:04:18,040 --> 01:04:19,560
Speaker 4: Yeah. They did two things.

1436
01:04:19,920 --> 01:04:23,040
Speaker 7: One, he and Dolly once said hey, we got bored

1437
01:04:23,120 --> 01:04:25,000
Speaker 7: because we were both sick and stayed in all weekend.

1438
01:04:25,040 --> 01:04:26,560
Speaker 4: We wrote an episode and.

1439
01:04:26,640 --> 01:04:27,760
Speaker 1: I was like, oh my god.

1440
01:04:27,920 --> 01:04:30,480
Speaker 4: I was like yeah, and of course I'll look at it.

1441
01:04:30,520 --> 01:04:31,800
Speaker 4: And then they're like, no, we're not going to show

1442
01:04:31,840 --> 01:04:32,960
Speaker 4: it to you. We forget it. We don't want to

1443
01:04:32,960 --> 01:04:34,560
Speaker 4: do that right, which was super.

1444
01:04:34,400 --> 01:04:37,240
Speaker 1: Cool, probably brilliant, and in the movie version would be

1445
01:04:37,280 --> 01:04:39,600
Speaker 1: like the most brilliant script ever written, I know.

1446
01:04:40,080 --> 01:04:44,160
Speaker 4: And then the other thing was to answer Steph's question.

1447
01:04:44,680 --> 01:04:47,800
Speaker 7: We would sometimes work backwards, you know, which was really

1448
01:04:47,880 --> 01:04:48,840
Speaker 7: hard because for.

1449
01:04:48,960 --> 01:04:51,520
Speaker 4: Him, because I'd go, I want to do this funny moment.

1450
01:04:51,680 --> 01:04:53,920
Speaker 7: We need you to say something that would cause this

1451
01:04:54,120 --> 01:04:57,400
Speaker 7: guy to not have a sense of smell and not

1452
01:04:57,560 --> 01:05:00,480
Speaker 7: blah blah blah, and it can't be soious enough that

1453
01:05:00,480 --> 01:05:02,480
Speaker 7: I have to worry about whether or not he die.

1454
01:05:02,640 --> 01:05:05,000
Speaker 7: And he should still be conscious and be able to

1455
01:05:05,080 --> 01:05:06,960
Speaker 7: talk because he has to talk in the scene. And

1456
01:05:07,080 --> 01:05:09,400
Speaker 7: Jad would be like, dude, this is worse than med school.

1457
01:05:09,440 --> 01:05:12,680
Speaker 4: Homework. This is impossible had one of my.

1458
01:05:12,760 --> 01:05:16,280
Speaker 3: Favorites one speaking of speaking of funny medical dragon, Uh,

1459
01:05:16,440 --> 01:05:18,920
Speaker 3: it's pronounced annal Jesus.

1460
01:05:19,360 --> 01:05:22,560
Speaker 8: I can't believe you said that. Literally, I had to

1461
01:05:22,840 --> 01:05:24,840
Speaker 8: give a talk to my like med school.

1462
01:05:25,400 --> 01:05:27,120
Speaker 6: It was one of our small groups, and they were

1463
01:05:27,200 --> 01:05:29,800
Speaker 6: talking about how it's so important to be able to

1464
01:05:29,960 --> 01:05:33,440
Speaker 6: articulate in kind of Layman's terms, what you're talking about.

1465
01:05:33,920 --> 01:05:36,000
Speaker 6: And I was like, yeah, there's a scene of Scrubs

1466
01:05:36,040 --> 01:05:38,920
Speaker 6: where Turk has to explain that annal Jesick is like

1467
01:05:39,840 --> 01:05:41,480
Speaker 6: not the same as anal Jesus.

1468
01:05:42,040 --> 01:05:44,400
Speaker 8: Put it in your bite and that. Everyone was like,

1469
01:05:44,600 --> 01:05:47,000
Speaker 8: I mean, yeah, I guess that works.

1470
01:05:48,120 --> 01:05:48,520
Speaker 6: That was.

1471
01:05:50,080 --> 01:05:52,200
Speaker 4: On my top ten jokes that I did not write

1472
01:05:52,240 --> 01:05:53,960
Speaker 4: that I wish I could take credit for. That's such

1473
01:05:53,960 --> 01:05:54,600
Speaker 4: a funny joke.

1474
01:05:54,680 --> 01:05:57,760
Speaker 1: Man, Saniel Goldman, whatever you do, I'm not gonna.

1475
01:05:57,480 --> 01:05:58,360
Speaker 4: It really bums me out.

1476
01:05:58,400 --> 01:06:00,720
Speaker 7: I think that might have even been Arsist or Gabby

1477
01:06:00,720 --> 01:06:02,200
Speaker 7: I don't even know, or Hobert. That sounds like a

1478
01:06:02,240 --> 01:06:03,200
Speaker 7: Tim Hobert choke too.

1479
01:06:03,520 --> 01:06:05,080
Speaker 1: All right, Steph, you got another question.

1480
01:06:05,800 --> 01:06:09,919
Speaker 6: Yeah, it's kind of piggybacks off of the first one

1481
01:06:10,000 --> 01:06:13,040
Speaker 6: a little bit. So you guys talked about early on

1482
01:06:13,280 --> 01:06:17,440
Speaker 6: in your episodes that you kind of work to develop

1483
01:06:17,520 --> 01:06:19,760
Speaker 6: this character and figure out what kind of mannerisms you

1484
01:06:19,880 --> 01:06:22,000
Speaker 6: wanted and all that kind of stuff. It really shows

1485
01:06:22,040 --> 01:06:25,120
Speaker 6: throughout the progression of this season they kind of grow

1486
01:06:25,240 --> 01:06:28,120
Speaker 6: into those character traits while also still growing as people.

1487
01:06:28,600 --> 01:06:31,720
Speaker 6: But I find that they're really kind of congruent with

1488
01:06:31,960 --> 01:06:34,800
Speaker 6: how you would expect that person to act as a clinician.

1489
01:06:35,320 --> 01:06:37,760
Speaker 6: And I was wondering if the kind of character that

1490
01:06:37,840 --> 01:06:41,720
Speaker 6: you developed influenced the way that the writers wrote scenes

1491
01:06:41,760 --> 01:06:43,880
Speaker 6: of how you practiced medicine, Like.

1492
01:06:44,000 --> 01:06:48,320
Speaker 7: Later on, I'll set Donald and Zach up to talk

1493
01:06:48,320 --> 01:06:50,320
Speaker 7: about this, but I'll tell you my philosophy of running

1494
01:06:50,320 --> 01:06:53,080
Speaker 7: a TV show is ook. They were talking about show

1495
01:06:53,120 --> 01:06:57,080
Speaker 7: running earlier. So your question's awesome because it means a

1496
01:06:57,120 --> 01:06:58,560
Speaker 7: lot to me that it felt that way to you.

1497
01:06:58,680 --> 01:07:02,000
Speaker 7: Because when I teach sometimes like the I teach the

1498
01:07:02,040 --> 01:07:04,120
Speaker 7: Writers Guild for kids running shows for the first time

1499
01:07:04,200 --> 01:07:07,040
Speaker 7: and stuff I said. The most successful shows, in my mind,

1500
01:07:07,400 --> 01:07:08,960
Speaker 7: when you write the pilot and come up with it

1501
01:07:09,040 --> 01:07:11,120
Speaker 7: and actors and actresses don't exist there.

1502
01:07:11,280 --> 01:07:12,720
Speaker 4: The characters belong to you.

1503
01:07:13,040 --> 01:07:16,440
Speaker 7: You invented them, and then you cast these people and

1504
01:07:17,800 --> 01:07:19,760
Speaker 7: when you do the pilot the first episode, for it

1505
01:07:19,840 --> 01:07:21,480
Speaker 7: to be great, it's got to be a partnership.

1506
01:07:21,520 --> 01:07:23,640
Speaker 4: You know, it's half mine and half yours.

1507
01:07:24,080 --> 01:07:26,720
Speaker 7: But then for a show to work, ownership you have

1508
01:07:26,760 --> 01:07:29,520
Speaker 7: to stop being a control freak, and ownership has to

1509
01:07:29,600 --> 01:07:33,960
Speaker 7: go to the actors and actresses playing the parts. And

1510
01:07:34,080 --> 01:07:36,680
Speaker 7: so I would ask Donald and Zach, you know at

1511
01:07:36,720 --> 01:07:38,320
Speaker 7: this point in the show where they said it, you know,

1512
01:07:38,360 --> 01:07:40,480
Speaker 7: because what would happen is it's really cool.

1513
01:07:40,880 --> 01:07:43,920
Speaker 4: Eventually, on good shows, people start coming up to you

1514
01:07:44,000 --> 01:07:46,440
Speaker 4: and going, I don't think my character would say it

1515
01:07:46,560 --> 01:07:48,760
Speaker 4: this way? Or are you sure this is how my

1516
01:07:48,960 --> 01:07:50,320
Speaker 4: character would react.

1517
01:07:50,040 --> 01:07:52,240
Speaker 7: In this moment, or should my character be more like this?

1518
01:07:52,920 --> 01:07:55,600
Speaker 7: And you on shows that are working, you have to listen,

1519
01:07:55,720 --> 01:07:58,040
Speaker 7: and I did you guys eventually kind of feel like

1520
01:07:58,120 --> 01:07:59,320
Speaker 7: those characters were yours?

1521
01:07:59,560 --> 01:08:01,400
Speaker 2: You know, I definitely felt.

1522
01:08:01,440 --> 01:08:05,920
Speaker 3: I definitely felt like Turk became if not I became Turk,

1523
01:08:06,120 --> 01:08:08,920
Speaker 3: or Turk became me. I definitely at some point everything

1524
01:08:09,640 --> 01:08:12,680
Speaker 3: it just seemed like I was living life on camera

1525
01:08:12,800 --> 01:08:16,519
Speaker 3: at some point. And what really helped me though, was

1526
01:08:16,640 --> 01:08:20,880
Speaker 3: you realizing medical jargon wasn't my strength, you know what

1527
01:08:20,920 --> 01:08:26,639
Speaker 3: I mean? And once you realized that, right, And once

1528
01:08:26,680 --> 01:08:30,839
Speaker 3: you realized that and made Turk just a scalpel jockey,

1529
01:08:31,280 --> 01:08:33,120
Speaker 3: it freed me, you know what I mean. And I

1530
01:08:33,200 --> 01:08:35,519
Speaker 3: didn't have to worry about having to say certain things,

1531
01:08:35,840 --> 01:08:39,040
Speaker 3: you know what I mean, drink up. I didn't have

1532
01:08:39,120 --> 01:08:42,799
Speaker 3: to worry about saying certain things, whereas Zach and Sarah

1533
01:08:43,240 --> 01:08:45,800
Speaker 3: would say and Johnny would say things, and I'd be like,

1534
01:08:46,400 --> 01:08:48,040
Speaker 3: I'm so happy I don't have to do that.

1535
01:08:48,240 --> 01:08:49,800
Speaker 1: I remember being in the makeup chair in the morning

1536
01:08:49,840 --> 01:08:52,280
Speaker 1: and being like looking through the sides and being like, oh, no,

1537
01:08:52,720 --> 01:08:57,120
Speaker 1: Donald's got a medical jargon monologue. Those are just lunch

1538
01:08:57,200 --> 01:08:58,160
Speaker 1: is going to be late today.

1539
01:08:58,240 --> 01:09:00,080
Speaker 3: Yeah, those would be the worst. Those would be the

1540
01:09:00,160 --> 01:09:02,840
Speaker 3: worst days. But once Bill was like, I'm not going

1541
01:09:02,920 --> 01:09:06,200
Speaker 3: to give you medical jargon anymore. Churk knows it, he

1542
01:09:06,320 --> 01:09:09,240
Speaker 3: just doesn't like to use it, right, life became so

1543
01:09:09,479 --> 01:09:10,360
Speaker 3: much easier.

1544
01:09:10,960 --> 01:09:13,599
Speaker 4: It's a good question, though, because do you guys eventually

1545
01:09:13,960 --> 01:09:17,040
Speaker 4: even would start riffing your own lies, and I gladly

1546
01:09:17,080 --> 01:09:19,360
Speaker 4: would use them because they knew their characters and how

1547
01:09:19,400 --> 01:09:22,760
Speaker 4: they would react and what they would say and didn't

1548
01:09:22,760 --> 01:09:25,519
Speaker 4: bother me at all. It made me happy. And you're

1549
01:09:25,680 --> 01:09:27,000
Speaker 4: you know, even getting to talk to the same way

1550
01:09:27,000 --> 01:09:28,320
Speaker 4: you're getting to talk to you makes me happy.

1551
01:09:28,600 --> 01:09:30,320
Speaker 7: One of the things I momentos I have on my

1552
01:09:30,400 --> 01:09:33,960
Speaker 7: wall in my office from Scrubs is from a med student, Steph,

1553
01:09:34,400 --> 01:09:37,360
Speaker 7: who pulled an answer it rounds out of their ass

1554
01:09:37,560 --> 01:09:40,960
Speaker 7: because they remembered a chunk of dialogue on our show.

1555
01:09:41,040 --> 01:09:43,160
Speaker 7: And they said the attending was so blown away because

1556
01:09:43,160 --> 01:09:44,920
Speaker 7: there was a question they shouldn't have known the answer to.

1557
01:09:45,400 --> 01:09:45,960
Speaker 4: Do you know what I mean?

1558
01:09:46,080 --> 01:09:49,240
Speaker 6: And I said same things about her med students that

1559
01:09:49,439 --> 01:09:52,400
Speaker 6: like all of the fact like trivia that people don't

1560
01:09:52,560 --> 01:09:55,920
Speaker 6: really they're not supposed to remember, you know, beers into

1561
01:09:55,960 --> 01:09:58,360
Speaker 6: practice because it just is you never see it.

1562
01:09:58,520 --> 01:10:01,080
Speaker 8: She was like, yeah, all the med students know it. Scrubs.

1563
01:10:04,680 --> 01:10:06,120
Speaker 4: What kind of what kind of doctor do you want

1564
01:10:06,160 --> 01:10:06,639
Speaker 4: to be stuff?

1565
01:10:07,360 --> 01:10:10,960
Speaker 8: I'm leaning towards surgery, but we'll see opened anything.

1566
01:10:11,680 --> 01:10:13,519
Speaker 7: I think it's really really neat. You know that you're

1567
01:10:13,560 --> 01:10:15,800
Speaker 7: doing that, and uh, it's a gig that's of service.

1568
01:10:15,840 --> 01:10:17,960
Speaker 7: It's like being a teacher. It's awesome and the most

1569
01:10:18,040 --> 01:10:23,200
Speaker 7: important jobs to be of service. I think like teacher, soldier,

1570
01:10:23,479 --> 01:10:25,200
Speaker 7: a physician, and of course comedy writer.

1571
01:10:25,240 --> 01:10:29,240
Speaker 4: I would think right not at all.

1572
01:10:29,560 --> 01:10:32,040
Speaker 1: All right, Steph, thank you so much. That was something

1573
01:10:32,400 --> 01:10:35,760
Speaker 1: amazing questions and also really inspired us. I mean you

1574
01:10:35,840 --> 01:10:38,280
Speaker 1: made us all feel like we we may have inspired

1575
01:10:38,600 --> 01:10:40,680
Speaker 1: we you know, we inspired at least one person in

1576
01:10:40,800 --> 01:10:42,000
Speaker 1: medicine a lot, a lot.

1577
01:10:42,200 --> 01:10:42,400
Speaker 6: Let me.

1578
01:10:42,640 --> 01:10:44,920
Speaker 8: Yeah, you guys have a huge medical fan base.

1579
01:10:45,280 --> 01:10:46,120
Speaker 2: Well, good luck with that.

1580
01:10:46,439 --> 01:10:48,760
Speaker 7: Promise me that you'll dress up and you'll dress up

1581
01:10:48,800 --> 01:10:50,360
Speaker 7: as Elliott for at least one Halloween.

1582
01:10:50,520 --> 01:10:51,679
Speaker 8: Oh yeah, every Halloween.

1583
01:10:54,120 --> 01:10:58,400
Speaker 3: Whoever, if you have friends that go as Turk for Halloween,

1584
01:10:59,120 --> 01:11:00,439
Speaker 3: tell them please no black face.

1585
01:11:02,720 --> 01:11:06,360
Speaker 1: Make sure they're really black because Donald I cringe.

1586
01:11:06,439 --> 01:11:08,000
Speaker 2: No, they don't even have to be black if you

1587
01:11:09,080 --> 01:11:10,439
Speaker 2: just don't paint your.

1588
01:11:10,400 --> 01:11:13,719
Speaker 1: Face right, Okay, but Donald and I cringe every Halloween

1589
01:11:13,760 --> 01:11:17,360
Speaker 1: when people tag us on Instagram like excitedly like Turk

1590
01:11:17,400 --> 01:11:20,160
Speaker 1: and JD for Halloween. And still in twenty twenty, there's

1591
01:11:20,160 --> 01:11:23,080
Speaker 1: still people painting their faces brown and black and it's horrible.

1592
01:11:23,160 --> 01:11:24,799
Speaker 2: Although we did it a lot on Scrubs.

1593
01:11:25,280 --> 01:11:29,360
Speaker 7: Yeah, by the way, one of the many things that

1594
01:11:29,479 --> 01:11:35,360
Speaker 7: doesn't hold up in retrospect on the show, the a stuff.

1595
01:11:35,560 --> 01:11:36,599
Speaker 4: Good luck with all this stuff.

1596
01:11:36,640 --> 01:11:42,080
Speaker 8: And hi, Vic and Hayden, hope you guys are jealous.

1597
01:11:49,520 --> 01:11:52,439
Speaker 1: Turn it off. Turn it off off, you, guys, turn

1598
01:11:52,520 --> 01:11:56,040
Speaker 1: it off. Steph thought she was just gonna sneak into

1599
01:11:56,120 --> 01:11:58,280
Speaker 1: Vic and Hayden a quick thing. But I think we

1600
01:11:58,320 --> 01:12:00,920
Speaker 1: should just keep talking about Vic and Hayden. I like Vic,

1601
01:12:01,000 --> 01:12:01,920
Speaker 1: but I don't like Hayden.

1602
01:12:02,080 --> 01:12:03,240
Speaker 2: I don't like it at all.

1603
01:12:03,400 --> 01:12:05,280
Speaker 1: I want their shout out to go awry.

1604
01:12:05,520 --> 01:12:07,640
Speaker 4: Vick and Hayden shout out. Now, yeah, I want let's uh,

1605
01:12:08,160 --> 01:12:09,639
Speaker 4: let's do a Vick and Hayden episode.

1606
01:12:09,920 --> 01:12:14,760
Speaker 1: Okay, we should so at four forty four, guys, what's

1607
01:12:14,800 --> 01:12:18,000
Speaker 1: happening four? At four forty four, what's happening is cow?

1608
01:12:18,080 --> 01:12:19,640
Speaker 2: We haven't talked about this episode at all.

1609
01:12:19,720 --> 01:12:19,960
Speaker 8: I know.

1610
01:12:20,120 --> 01:12:22,240
Speaker 4: Oh yeah, here's what I like. We've talked about the

1611
01:12:22,360 --> 01:12:24,960
Speaker 4: Sarah story both with Steph and.

1612
01:12:26,200 --> 01:12:26,840
Speaker 1: We jumped around.

1613
01:12:26,920 --> 01:12:28,479
Speaker 7: We jumped around, and we talked about the Neil, but

1614
01:12:28,520 --> 01:12:30,400
Speaker 7: we haven't talked about the Judy and Zach story.

1615
01:12:30,520 --> 01:12:32,160
Speaker 1: We're gonna get into it, and we're gonna get into it,

1616
01:12:32,200 --> 01:12:34,559
Speaker 1: and you know, but listen, Donald Bill Llaurin's episodes are

1617
01:12:34,560 --> 01:12:36,479
Speaker 1: always going to be long because he brings a lot

1618
01:12:36,560 --> 01:12:37,719
Speaker 1: to the table and he's.

1619
01:12:37,680 --> 01:12:40,320
Speaker 3: No, I'm not complaining I'm not complaining about the length

1620
01:12:40,360 --> 01:12:43,280
Speaker 3: of the episode. I'm just saying some people, some people

1621
01:12:43,400 --> 01:12:47,559
Speaker 3: want to listen to a rewatch podcast and actually rewatch

1622
01:12:47,680 --> 01:12:48,679
Speaker 3: the show, well.

1623
01:12:48,680 --> 01:12:51,320
Speaker 1: Then they should listen to a different show. We happened

1624
01:12:51,360 --> 01:12:55,200
Speaker 1: to we happened to Meander. At four forty four, what's

1625
01:12:55,280 --> 01:12:57,800
Speaker 1: Happening is mentioned for the first time.

1626
01:12:58,439 --> 01:12:59,960
Speaker 2: Okay, you don't need to start banging.

1627
01:13:00,439 --> 01:13:02,200
Speaker 1: I did I bang the table? I banged the table

1628
01:13:02,280 --> 01:13:02,439
Speaker 1: on that.

1629
01:13:02,520 --> 01:13:02,920
Speaker 4: I'm sorry?

1630
01:13:02,960 --> 01:13:03,639
Speaker 1: Why am I yelling?

1631
01:13:03,840 --> 01:13:04,200
Speaker 4: What happens?

1632
01:13:04,240 --> 01:13:06,560
Speaker 1: At four forty four, what's Happening is mentioned for the

1633
01:13:06,640 --> 01:13:07,839
Speaker 1: very first time on Scrubs.

1634
01:13:08,240 --> 01:13:11,280
Speaker 7: Oh yeah, you guys did the dance and we don't

1635
01:13:11,280 --> 01:13:13,479
Speaker 7: even idea it really, She says, it's not that great

1636
01:13:13,520 --> 01:13:13,920
Speaker 7: a show.

1637
01:13:14,560 --> 01:13:17,240
Speaker 4: You just expected people to know what we were talking about.

1638
01:13:17,280 --> 01:13:18,599
Speaker 4: And that's such an old reference.

1639
01:13:19,000 --> 01:13:21,639
Speaker 1: I know, And nowadays kids don't even know the glory

1640
01:13:21,680 --> 01:13:23,280
Speaker 1: of what's happening unless you're our age.

1641
01:13:23,840 --> 01:13:26,800
Speaker 2: Hey, hey, the glory of what's happening or what's happening now?

1642
01:13:27,520 --> 01:13:27,760
Speaker 4: I know?

1643
01:13:28,120 --> 01:13:32,200
Speaker 1: Do you remember now what's happening? Now? Surely owned the restaurant.

1644
01:13:33,160 --> 01:13:36,400
Speaker 2: They all grew up and now d is not just

1645
01:13:36,520 --> 01:13:38,280
Speaker 2: a small character. She's like the star.

1646
01:13:39,040 --> 01:13:41,519
Speaker 1: No, she was the star. I think because she was

1647
01:13:41,560 --> 01:13:45,360
Speaker 1: the star, everybody came back. I didn't like what's happening

1648
01:13:45,439 --> 01:13:46,719
Speaker 1: now as much as what's happening.

1649
01:13:47,040 --> 01:13:47,680
Speaker 2: What's happening is.

1650
01:13:47,840 --> 01:13:50,800
Speaker 4: I just liked he runs dance, and I liked the

1651
01:13:50,840 --> 01:13:54,120
Speaker 4: moment you guys did for me, which is forever. I liked, hey, hey, hey.

1652
01:13:54,520 --> 01:13:55,880
Speaker 1: What's happening?

1653
01:13:56,600 --> 01:13:57,360
Speaker 2: Hey hey hey.

1654
01:13:58,000 --> 01:13:59,960
Speaker 1: Do you remember in the opening credits when they made

1655
01:14:00,280 --> 01:14:12,599
Speaker 1: they left rerun and he's driving the street and then

1656
01:14:12,640 --> 01:14:14,320
Speaker 1: reruns just running after the pickup truck.

1657
01:14:16,400 --> 01:14:18,720
Speaker 2: That's rude that they did that.

1658
01:14:19,000 --> 01:14:22,040
Speaker 1: I know they were making they were making fun of.

1659
01:14:22,080 --> 01:14:24,840
Speaker 2: The heavy said guy, making fun of the heavy set guy.

1660
01:14:24,880 --> 01:14:26,719
Speaker 1: But watching me run chase after that truck was funny.

1661
01:14:26,760 --> 01:14:29,439
Speaker 4: Come on, this sure was because he had suspenders on.

1662
01:14:29,880 --> 01:14:32,400
Speaker 2: Yeah, well that that and the hat and the and

1663
01:14:32,560 --> 01:14:34,960
Speaker 2: the same red his outfit never changed.

1664
01:14:35,479 --> 01:14:38,120
Speaker 1: Do you remember the episode where Roger decided he was

1665
01:14:38,160 --> 01:14:39,360
Speaker 1: going to be a nude model.

1666
01:14:40,080 --> 01:14:42,479
Speaker 7: My favorite thing that's happening right now is you guys said,

1667
01:14:43,320 --> 01:14:45,800
Speaker 7: we haven't talked about the show yet, and then you're going,

1668
01:14:46,120 --> 01:14:47,360
Speaker 7: do you remember the episode.

1669
01:14:47,000 --> 01:14:47,719
Speaker 4: Of What's Happening?

1670
01:14:49,120 --> 01:14:50,800
Speaker 7: By the way, And if I was like if I

1671
01:14:50,960 --> 01:14:54,160
Speaker 7: was like at ten fifteen and that What's Happening episode.

1672
01:14:54,680 --> 01:14:57,440
Speaker 4: That's the first time that surely says.

1673
01:14:58,760 --> 01:15:00,920
Speaker 1: I just remember. I'm just well, you can go back

1674
01:15:00,920 --> 01:15:02,439
Speaker 1: to the show, but I just remember that there was

1675
01:15:02,439 --> 01:15:06,000
Speaker 1: an episode where Roger was doing nude modeling for artists,

1676
01:15:06,040 --> 01:15:08,240
Speaker 1: you know, when they like paint the nude model. And

1677
01:15:08,360 --> 01:15:10,480
Speaker 1: I remember thinking as a child, like this is scandalous.

1678
01:15:10,600 --> 01:15:14,200
Speaker 1: Roger's gonna take off his clothes, like that's crazy.

1679
01:15:14,479 --> 01:15:16,920
Speaker 3: Okay, let's get back into the show. Okay, So let's

1680
01:15:16,960 --> 01:15:21,120
Speaker 3: talk about the JD and Carla storyline, which is a

1681
01:15:21,240 --> 01:15:23,840
Speaker 3: very interesting storyline because at the beginning of the show,

1682
01:15:23,880 --> 01:15:28,479
Speaker 3: you guys are really clicking and grooving. One reason because

1683
01:15:28,640 --> 01:15:33,840
Speaker 3: your best friend and his now girlfriend are always you know,

1684
01:15:33,920 --> 01:15:38,599
Speaker 3: we live together, or your roommate and his girlfriend always around,

1685
01:15:38,640 --> 01:15:43,160
Speaker 3: and so you guys have developed a relationship and because.

1686
01:15:42,880 --> 01:15:45,519
Speaker 2: Of that, you're a dynamic duo of your own. You

1687
01:15:45,560 --> 01:15:48,000
Speaker 2: know what I mean. She doesn't work, drink up, she

1688
01:15:48,120 --> 01:15:49,240
Speaker 2: doesn't work for you.

1689
01:15:49,400 --> 01:15:52,080
Speaker 3: But you guys are a team that is very very

1690
01:15:52,280 --> 01:15:54,920
Speaker 3: very cohesive, and you go along and you fuck it

1691
01:15:55,080 --> 01:15:57,200
Speaker 3: up by becoming judgmental.

1692
01:15:57,479 --> 01:16:01,800
Speaker 1: Right, Well, I'm feeling every one is being condescending to

1693
01:16:01,880 --> 01:16:05,000
Speaker 1: me and I and I'm starting to become a good doctor.

1694
01:16:05,000 --> 01:16:06,600
Speaker 1: I'm starting to get my groove. I'm starting to know

1695
01:16:06,920 --> 01:16:15,720
Speaker 1: what's happening and h and also okay, go on and

1696
01:16:16,000 --> 01:16:18,400
Speaker 1: and and I just you know, like like someone does

1697
01:16:18,479 --> 01:16:20,439
Speaker 1: you lose he loses his temper, and of course he

1698
01:16:20,560 --> 01:16:24,920
Speaker 1: loses his temper at the worst person possible, his teammate. Uh, Carlo.

1699
01:16:25,439 --> 01:16:27,840
Speaker 4: Yeah, this was also a product the reason I wrote

1700
01:16:27,920 --> 01:16:31,479
Speaker 4: this is is interesting, the product of two things. One,

1701
01:16:31,920 --> 01:16:34,360
Speaker 4: all the nurses that were nice enough to give us interviews.

1702
01:16:34,800 --> 01:16:35,000
Speaker 6: You know.

1703
01:16:35,200 --> 01:16:37,040
Speaker 7: One of the stories that you saw was the nurses

1704
01:16:37,080 --> 01:16:40,200
Speaker 7: are essentially the last line of training, you know, for

1705
01:16:40,320 --> 01:16:43,160
Speaker 7: a lot of these medical students and residents and interns

1706
01:16:43,240 --> 01:16:45,200
Speaker 7: and stuff, because when you first show up, you know

1707
01:16:45,280 --> 01:16:46,800
Speaker 7: more than they do even say it in the show,

1708
01:16:46,840 --> 01:16:51,160
Speaker 7: than the training kicks in and the dynamics ships, and you.

1709
01:16:51,240 --> 01:16:53,880
Speaker 4: Know, so many of them ultimately.

1710
01:16:55,320 --> 01:16:58,439
Speaker 7: Told us that it's so interesting how to navigate that,

1711
01:16:58,920 --> 01:17:02,280
Speaker 7: because you know, there is an air of superiority to

1712
01:17:02,400 --> 01:17:05,000
Speaker 7: some doctors, you know, when they get to that point,

1713
01:17:05,479 --> 01:17:09,080
Speaker 7: and it messes up that dynamic, you know, And I

1714
01:17:09,160 --> 01:17:12,679
Speaker 7: wanted to combine that in my personal life, my mom's family.

1715
01:17:12,880 --> 01:17:15,080
Speaker 7: My mom and then me were the first two in

1716
01:17:15,120 --> 01:17:17,320
Speaker 7: her side of family to go to college, you know,

1717
01:17:17,960 --> 01:17:22,160
Speaker 7: and then you always kind of enter these dynamics of like, oh,

1718
01:17:22,479 --> 01:17:25,200
Speaker 7: you know, you think you're smarter than me because you

1719
01:17:25,320 --> 01:17:28,160
Speaker 7: actually went on to secondary education and did that stuff.

1720
01:17:28,800 --> 01:17:31,400
Speaker 7: And you know, as you get older, you realize that

1721
01:17:31,520 --> 01:17:33,960
Speaker 7: doesn't have anything to do with anything. You know, At

1722
01:17:34,000 --> 01:17:37,439
Speaker 7: this point in my life, I know tons of geniuses

1723
01:17:37,479 --> 01:17:40,479
Speaker 7: that didn't finish high school and tons of you know,

1724
01:17:40,760 --> 01:17:41,919
Speaker 7: grad school graduates.

1725
01:17:41,960 --> 01:17:43,960
Speaker 4: They are the dumbest people alive, do you know what

1726
01:17:44,000 --> 01:17:49,400
Speaker 4: I mean? But around youthful things that kind of carries there.

1727
01:17:49,600 --> 01:17:54,040
Speaker 7: And my favorite part of that stuff was her challenging

1728
01:17:54,160 --> 01:17:56,439
Speaker 7: you to admit it and you actually admitting it, you

1729
01:17:56,479 --> 01:17:57,040
Speaker 7: know what I mean.

1730
01:17:57,080 --> 01:17:59,800
Speaker 4: And that was what enabled you guys still to be friends.

1731
01:17:59,840 --> 01:18:02,680
Speaker 1: In that scene was really I mean, Judy's I'm just

1732
01:18:03,000 --> 01:18:04,840
Speaker 1: you know, the straight man in that scene. Her her

1733
01:18:04,880 --> 01:18:07,840
Speaker 1: performance in that rain outside the bus I thought was

1734
01:18:08,000 --> 01:18:10,920
Speaker 1: just incredible. She did such a beautiful job and it

1735
01:18:11,000 --> 01:18:13,080
Speaker 1: was heartbreaking. Still to this day, I'm watching it and

1736
01:18:13,200 --> 01:18:15,840
Speaker 1: was so moved by by by by how heartfelt and

1737
01:18:15,960 --> 01:18:16,640
Speaker 1: open she was.

1738
01:18:17,560 --> 01:18:20,720
Speaker 7: Uh, And I wrote down because this is what we

1739
01:18:20,800 --> 01:18:23,439
Speaker 7: wanted to do that people didn't understand it comedy of

1740
01:18:23,560 --> 01:18:26,519
Speaker 7: comedy at the time, and why Judy Rays was so perfect,

1741
01:18:27,320 --> 01:18:28,920
Speaker 7: you know, because there weren't a lot of dramedies on.

1742
01:18:29,479 --> 01:18:33,360
Speaker 7: And one of my favorite jokes in this episode was

1743
01:18:34,080 --> 01:18:36,600
Speaker 7: when before you get off the bus, she's leaving and

1744
01:18:36,920 --> 01:18:40,040
Speaker 7: she's like, I'm so mad at you and you said you.

1745
01:18:40,120 --> 01:18:40,960
Speaker 4: Can't you forgave me.

1746
01:18:41,040 --> 01:18:43,519
Speaker 7: You can't just change your mind, And without selling it

1747
01:18:43,560 --> 01:18:45,120
Speaker 7: as a joke, she's like, have you never met a

1748
01:18:45,160 --> 01:18:45,759
Speaker 7: woman before?

1749
01:18:45,880 --> 01:18:48,120
Speaker 4: And she walks out into the rain, you know what

1750
01:18:48,160 --> 01:18:48,400
Speaker 4: I mean.

1751
01:18:48,600 --> 01:18:52,679
Speaker 7: And it wasn't read like a punchline. It was read like, yeah,

1752
01:18:52,760 --> 01:18:56,599
Speaker 7: you can still be funny in drama and amongst pathos

1753
01:18:56,640 --> 01:18:59,200
Speaker 7: when you're feeling bad. And that was like the tonal stuff.

1754
01:18:59,439 --> 01:19:02,880
Speaker 7: That's why she's so good man, because she's always so real,

1755
01:19:03,080 --> 01:19:04,120
Speaker 7: very very very good actors.

1756
01:19:04,240 --> 01:19:07,240
Speaker 3: Yeah, I look back at it like I had no

1757
01:19:07,560 --> 01:19:12,280
Speaker 3: clue how much of a power how she was or

1758
01:19:12,720 --> 01:19:16,200
Speaker 3: or is I should say, And when I watched these episodes,

1759
01:19:17,000 --> 01:19:19,439
Speaker 3: you know, I said it in our first podcast, her

1760
01:19:19,520 --> 01:19:24,280
Speaker 3: and Ken, Wow, really they're really MVPs of our show,

1761
01:19:24,400 --> 01:19:25,000
Speaker 3: you know what I mean?

1762
01:19:26,200 --> 01:19:26,600
Speaker 2: Drink up.

1763
01:19:27,120 --> 01:19:28,439
Speaker 4: They can just don't get actor.

1764
01:19:28,560 --> 01:19:30,400
Speaker 1: You don't have to tell people to drink when you say,

1765
01:19:30,400 --> 01:19:32,960
Speaker 1: you know what I'm just I know they're just gonna

1766
01:19:33,000 --> 01:19:33,200
Speaker 1: do it.

1767
01:19:33,920 --> 01:19:36,000
Speaker 3: What I'm bringing, I'm bringing it to my attention that

1768
01:19:36,120 --> 01:19:36,519
Speaker 3: I said it.

1769
01:19:36,800 --> 01:19:38,400
Speaker 1: This is the most you've ever done, by the way

1770
01:19:38,560 --> 01:19:41,040
Speaker 1: you went from the previous episode being conscious of it

1771
01:19:41,120 --> 01:19:44,000
Speaker 1: and doing none to this one doing like thirty I

1772
01:19:44,120 --> 01:19:44,680
Speaker 1: you know what I mean.

1773
01:19:44,920 --> 01:19:48,200
Speaker 3: I probably said it several times in the last episode. Also,

1774
01:19:49,920 --> 01:19:54,040
Speaker 3: this episode is also about how how important your name is,

1775
01:19:54,920 --> 01:19:59,560
Speaker 3: regardless of if it's Bambi or JD or your reputation

1776
01:20:00,160 --> 01:20:02,880
Speaker 3: or Scooter, whatever it is you have. Reputation is very

1777
01:20:02,920 --> 01:20:06,720
Speaker 3: important and you only get one chance to make a

1778
01:20:06,800 --> 01:20:11,560
Speaker 3: first impression, and after that people will have judgments of

1779
01:20:11,680 --> 01:20:12,800
Speaker 3: who they think you are.

1780
01:20:13,360 --> 01:20:15,080
Speaker 2: And this episode really touches on that.

1781
01:20:15,520 --> 01:20:17,760
Speaker 7: Here's the thing I screwed up in this episode off

1782
01:20:17,800 --> 01:20:21,280
Speaker 7: what Donald and Sam bothers me. What doctor Cox's character

1783
01:20:21,400 --> 01:20:26,200
Speaker 7: does to JD, you know, of shaming him was so

1784
01:20:26,960 --> 01:20:29,080
Speaker 7: bad that it bummed me out that he never got

1785
01:20:29,120 --> 01:20:31,040
Speaker 7: his comeuppance for that, you know what I mean, because

1786
01:20:31,040 --> 01:20:32,760
Speaker 7: you didn't tell her to go protect you. And then

1787
01:20:32,800 --> 01:20:35,320
Speaker 7: he makes everybody stop and goes, we're all to be

1788
01:20:35,439 --> 01:20:37,519
Speaker 7: super special to this little flower, you know.

1789
01:20:37,680 --> 01:20:41,360
Speaker 4: And I thought that was so egregiously mean, you know

1790
01:20:41,400 --> 01:20:44,000
Speaker 4: what I mean. But his character, I guess was flawed.

1791
01:20:44,120 --> 01:20:46,920
Speaker 4: But we should have gotten him, have him make amends

1792
01:20:47,000 --> 01:20:48,040
Speaker 4: for that or get thumped for that.

1793
01:20:48,680 --> 01:20:49,120
Speaker 2: Mm hmm.

1794
01:20:49,600 --> 01:20:52,320
Speaker 1: But Boxing Fantasy was pretty funny. Though Johnny oiled.

1795
01:20:52,920 --> 01:20:55,680
Speaker 2: I'm not to say, holy cowl did he have on?

1796
01:20:56,280 --> 01:20:57,680
Speaker 1: There was a lot of oil. I remember, there was

1797
01:20:57,720 --> 01:20:58,439
Speaker 1: a lot of crystal.

1798
01:21:00,479 --> 01:21:02,360
Speaker 7: I watched it with Christa, who had to do all

1799
01:21:02,400 --> 01:21:05,400
Speaker 7: her romance scenes with Johnny c and uh and she

1800
01:21:05,439 --> 01:21:07,000
Speaker 7: will eventually, you know, be on.

1801
01:21:07,080 --> 01:21:08,479
Speaker 4: Your You're so nice about her too.

1802
01:21:11,800 --> 01:21:14,080
Speaker 7: He came he came on as a punching bag, and

1803
01:21:14,360 --> 01:21:16,960
Speaker 7: she was half asleep through upstairs in the room and

1804
01:21:17,360 --> 01:21:19,200
Speaker 7: she goes, uh, half drowsy.

1805
01:21:19,760 --> 01:21:21,519
Speaker 4: Here comes old up.

1806
01:21:23,600 --> 01:21:27,120
Speaker 1: That he is just just glistening with Johnny has a

1807
01:21:27,280 --> 01:21:28,719
Speaker 1: full bottle of criscal oil.

1808
01:21:29,000 --> 01:21:33,080
Speaker 2: Let's be honest. Though he's ripped, he looks amazing.

1809
01:21:34,400 --> 01:21:35,200
Speaker 4: I think it's drawn on.

1810
01:21:35,560 --> 01:21:36,800
Speaker 7: Oh you know what I wanted to say, and I

1811
01:21:36,880 --> 01:21:38,760
Speaker 7: wanted to tell me if you guys thought this in

1812
01:21:38,920 --> 01:21:39,479
Speaker 7: real life.

1813
01:21:39,760 --> 01:21:41,519
Speaker 4: When I say that is what I wrote.

1814
01:21:41,520 --> 01:21:44,040
Speaker 7: The last thing I wrote down about Judy, would I say, like,

1815
01:21:44,080 --> 01:21:45,640
Speaker 7: when you get really lucky, it's not the.

1816
01:21:45,640 --> 01:21:46,840
Speaker 4: Writing or anything else, it's all.

1817
01:21:46,960 --> 01:21:49,800
Speaker 7: It's everything, and the casting people have to really nail,

1818
01:21:50,160 --> 01:21:52,040
Speaker 7: you know, these characters and be who they are. And

1819
01:21:52,160 --> 01:21:56,080
Speaker 7: the amazing thing watching Judy back then, you guys, Zach

1820
01:21:56,160 --> 01:22:01,120
Speaker 7: and Donald were such kids, and Sarah Sarah's character, and

1821
01:22:01,280 --> 01:22:04,200
Speaker 7: Sarah felt like a kid and Judy.

1822
01:22:04,400 --> 01:22:05,600
Speaker 4: And this is one of the reasons I think the

1823
01:22:05,680 --> 01:22:06,280
Speaker 4: show works.

1824
01:22:06,600 --> 01:22:10,439
Speaker 7: She was not significantly, She's essentially the same age as

1825
01:22:10,479 --> 01:22:12,920
Speaker 7: all you guys, but she seems like such a grown

1826
01:22:13,000 --> 01:22:13,920
Speaker 7: up even.

1827
01:22:13,840 --> 01:22:17,120
Speaker 2: From the start, definitely way more mature than we were, you.

1828
01:22:17,160 --> 01:22:19,599
Speaker 4: Know, and seemed like such an adult that it made

1829
01:22:19,640 --> 01:22:20,240
Speaker 4: the show work.

1830
01:22:20,320 --> 01:22:23,080
Speaker 7: Of like, oh, one of these four is you know,

1831
01:22:23,400 --> 01:22:27,080
Speaker 7: old for her years and an adult already, whereas Judy is,

1832
01:22:27,280 --> 01:22:29,840
Speaker 7: you know, she could have easily on a different show

1833
01:22:29,960 --> 01:22:33,559
Speaker 7: been Elliott or been you know, the little kid, you know, And.

1834
01:22:33,640 --> 01:22:35,920
Speaker 4: So it was was she like that in real life

1835
01:22:36,000 --> 01:22:36,880
Speaker 4: or she good matter?

1836
01:22:37,320 --> 01:22:39,960
Speaker 1: In real life? Judy was way more mature than the

1837
01:22:40,000 --> 01:22:41,840
Speaker 1: three of us I think we were. We were just

1838
01:22:41,920 --> 01:22:43,880
Speaker 1: as silly and goofy as our characters and you know,

1839
01:22:43,960 --> 01:22:45,720
Speaker 1: Judy was funny and would play along with us, but

1840
01:22:45,760 --> 01:22:47,599
Speaker 1: I think she was definitely more mature than us.

1841
01:22:47,920 --> 01:22:48,520
Speaker 2: Absolutely.

1842
01:22:49,000 --> 01:22:50,720
Speaker 1: By the way, there's a really funny there's a really

1843
01:22:50,760 --> 01:22:53,759
Speaker 1: funny fuck up bill at twelve oh three. When Donald

1844
01:22:53,880 --> 01:22:57,360
Speaker 1: runs into the room that Kelso's lured him to, you

1845
01:22:57,439 --> 01:22:59,720
Speaker 1: can totally see a hand that's all come in and

1846
01:22:59,800 --> 01:23:02,559
Speaker 1: it's on the floor and it's holding the door open.

1847
01:23:04,320 --> 01:23:06,720
Speaker 1: And it made me think, now we shit like that out.

1848
01:23:06,840 --> 01:23:10,000
Speaker 1: I know, I know nowadays we just you know, painted out,

1849
01:23:10,040 --> 01:23:12,160
Speaker 1: but it made me think it was probably Patrick Bolton

1850
01:23:12,240 --> 01:23:12,960
Speaker 1: or something lying on.

1851
01:23:13,000 --> 01:23:15,559
Speaker 2: The floe or Patrick shout out Patrick Bolton.

1852
01:23:15,720 --> 01:23:17,360
Speaker 1: Patrick Bolton was the on set track.

1853
01:23:17,439 --> 01:23:20,200
Speaker 2: It has wheels, that thing will be on set.

1854
01:23:20,479 --> 01:23:23,439
Speaker 4: I enjoyed after hearing the interesting thing you guys, Bost

1855
01:23:23,439 --> 01:23:24,160
Speaker 4: said about eating.

1856
01:23:24,720 --> 01:23:26,439
Speaker 7: I think I've never seen the two of you do

1857
01:23:26,560 --> 01:23:29,200
Speaker 7: more eating in an episode. Zach having a jam a

1858
01:23:29,240 --> 01:23:32,120
Speaker 7: cupcake in your mouth, Donald just wolf and sandwich. Did

1859
01:23:32,160 --> 01:23:33,640
Speaker 7: you guys really eat that stuff or were you just

1860
01:23:33,680 --> 01:23:35,400
Speaker 7: spitting it out as soon as they said cut I.

1861
01:23:35,479 --> 01:23:37,040
Speaker 2: Do love a sandwich. I'm not gonna lie.

1862
01:23:37,479 --> 01:23:40,400
Speaker 1: A cupcake doesn't count. But if someone says we need

1863
01:23:40,520 --> 01:23:42,719
Speaker 1: you to jam this cupcake in your mouth. You're gonna

1864
01:23:42,720 --> 01:23:44,800
Speaker 1: do it. I mean, that's your excuse. But also is

1865
01:23:44,840 --> 01:23:46,760
Speaker 1: that it was that cheap cupcake. What are those called

1866
01:23:47,680 --> 01:23:52,599
Speaker 1: hostess cupcakes? That was a dang.

1867
01:23:53,280 --> 01:23:55,000
Speaker 3: Listen, I'll tell you something right now. You put some

1868
01:23:55,120 --> 01:23:59,200
Speaker 3: cold cuts, some cheese in between, some herod. That sounds

1869
01:23:59,280 --> 01:24:02,040
Speaker 3: delicious to you. Could put some lettuce tomato on it.

1870
01:24:02,080 --> 01:24:02,800
Speaker 3: I'll eat that shit.

1871
01:24:03,240 --> 01:24:06,760
Speaker 1: And another another strike at the janitor not speaking to

1872
01:24:06,760 --> 01:24:09,840
Speaker 1: anyone in season one, Bill, is that he clearly has

1873
01:24:09,960 --> 01:24:12,640
Speaker 1: told doctor Cox to call me Scooter at the end.

1874
01:24:12,880 --> 01:24:15,240
Speaker 4: I don't know what you're talking about. He never ever

1875
01:24:15,479 --> 01:24:17,000
Speaker 4: spoke to anybody except JD.

1876
01:24:16,920 --> 01:24:19,280
Speaker 1: AND's not and I have been going through like detectives

1877
01:24:19,360 --> 01:24:22,160
Speaker 1: going so we're trying to keep the janitor Laura alive

1878
01:24:22,240 --> 01:24:26,200
Speaker 1: for season one. But the facts, the facts are problematic.

1879
01:24:26,439 --> 01:24:27,640
Speaker 1: The facts are problematic.

1880
01:24:27,680 --> 01:24:29,360
Speaker 2: Bill doesn't We've done all.

1881
01:24:29,320 --> 01:24:33,120
Speaker 1: The work, just like Turkleton, there was just okay. So

1882
01:24:33,960 --> 01:24:37,599
Speaker 1: in your mind, Bill, hit your rationalization button. How does

1883
01:24:37,720 --> 01:24:39,479
Speaker 1: Cox know to call me Scooter?

1884
01:24:41,080 --> 01:24:43,479
Speaker 4: It's just a random coincidence. The nickname.

1885
01:24:47,600 --> 01:24:49,400
Speaker 1: I love it. I really want this to be a

1886
01:24:49,479 --> 01:24:51,960
Speaker 1: running gag that Donald and I do the detective work

1887
01:24:52,040 --> 01:24:54,120
Speaker 1: to see how the janitor talks to other people.

1888
01:24:55,479 --> 01:24:57,200
Speaker 7: The only one I think you've ever seen him speak

1889
01:24:57,240 --> 01:24:59,360
Speaker 7: to is Elliott and that thing when they're all walking

1890
01:24:59,439 --> 01:24:59,920
Speaker 7: up to each other.

1891
01:25:00,120 --> 01:25:04,160
Speaker 3: Mad, Yes, yes, well she speaks to him. He doesn't

1892
01:25:04,160 --> 01:25:05,200
Speaker 3: necessarily speak to her.

1893
01:25:05,560 --> 01:25:08,439
Speaker 4: The exactly that might not have even been a janitor.

1894
01:25:08,680 --> 01:25:11,320
Speaker 4: She made Mad. This is just a J's lens.

1895
01:25:11,560 --> 01:25:13,559
Speaker 1: The last thing I wanted to last thing I rever

1896
01:25:13,880 --> 01:25:15,200
Speaker 1: you know what, And you're absolutely right.

1897
01:25:15,400 --> 01:25:18,680
Speaker 3: Actually, the very next person at the janitor, the very

1898
01:25:18,760 --> 01:25:22,680
Speaker 3: next person that's attacked after Elliott, uh does that to

1899
01:25:22,760 --> 01:25:24,240
Speaker 3: the janitor is JD.

1900
01:25:24,800 --> 01:25:26,720
Speaker 5: So it could be it.

1901
01:25:26,760 --> 01:25:30,879
Speaker 4: Could be that that one's that one's imaginary and Elliott

1902
01:25:31,000 --> 01:25:33,920
Speaker 4: was talking to an intern or an order or something or.

1903
01:25:33,960 --> 01:25:36,519
Speaker 1: No, that's a possibility, or she's just not even talking

1904
01:25:36,560 --> 01:25:38,320
Speaker 1: to anyone. There's no one there and she's just saying it.

1905
01:25:38,680 --> 01:25:40,320
Speaker 4: Yeah, it's very fight clubby when.

1906
01:25:43,280 --> 01:25:44,760
Speaker 1: The last thing I want to say is this, they

1907
01:25:44,800 --> 01:25:47,240
Speaker 1: went overboard with the filters on Sarah in the bathtub

1908
01:25:47,320 --> 01:25:49,479
Speaker 1: because it's like Barbara Walters, you can barely see her

1909
01:25:49,520 --> 01:25:53,040
Speaker 1: through filters, and and she's in like this most enormous

1910
01:25:53,160 --> 01:25:55,960
Speaker 1: fucking bathroom and I was thinking, like, why does Elliott,

1911
01:25:55,960 --> 01:25:57,640
Speaker 1: But then I remember it is doesn't Elliot suposed to

1912
01:25:57,640 --> 01:25:58,559
Speaker 1: have money from her parents.

1913
01:25:58,760 --> 01:26:00,960
Speaker 2: Her parents are paid Elliott's in like.

1914
01:26:01,000 --> 01:26:02,639
Speaker 1: The bathroom of a millionaire's house.

1915
01:26:03,240 --> 01:26:06,240
Speaker 7: It was subtext that we had planned for and a

1916
01:26:06,280 --> 01:26:08,439
Speaker 7: lot of it got cut, but it eventually pays off.

1917
01:26:09,040 --> 01:26:11,200
Speaker 7: When she tells her dad she doesn't want to go

1918
01:26:11,280 --> 01:26:14,759
Speaker 7: into a female specialty and he stops paying.

1919
01:26:14,560 --> 01:26:16,400
Speaker 4: For her life, so she has to move in with you.

1920
01:26:17,080 --> 01:26:21,040
Speaker 4: She loses her whole apartment. She works at that apartment.

1921
01:26:21,080 --> 01:26:22,200
Speaker 4: She's like, this place is big.

1922
01:26:22,520 --> 01:26:24,920
Speaker 2: She works at the clinic, she starts working at the clinic.

1923
01:26:25,000 --> 01:26:28,240
Speaker 1: All of that stuff I remember, Well, thank you, sorry, audience,

1924
01:26:28,280 --> 01:26:31,360
Speaker 1: we don't Yeah, audience, we went all over the place today,

1925
01:26:31,400 --> 01:26:32,840
Speaker 1: but we're so excited.

1926
01:26:35,120 --> 01:26:35,360
Speaker 6: Show.

1927
01:26:35,640 --> 01:26:38,559
Speaker 1: We made about a bunch.

1928
01:26:38,400 --> 01:26:40,040
Speaker 4: Of talks and nurses.

1929
01:26:41,920 --> 01:26:47,759
Speaker 2: Said he's a stormy so YadA

1930
01:26:49,720 --> 01:26:55,840
Speaker 4: Yeah m