WEBVTT - The Jealousy, The Voicemails and The Literal Broken Heart

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<v Speaker 1>Falling in love is the best feeling in the world.

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<v Speaker 1>You see stars, you feel giddy, But sometimes that makes

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<v Speaker 1>you do crazy things, and sometimes that means murder. Just

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<v Speaker 1>because the story starts out with once upon a Times

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<v Speaker 1>doesn't mean it ends happily ever after. Welcome to Crazy

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<v Speaker 1>and Love, a production of Katie Studios and I Heart Radio.

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<v Speaker 1>Today's guests are true crime producer Jeff Shane and Chris Graves.

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<v Speaker 1>Episode thirty seven, The Case of the Jealousy, the Voicemails,

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<v Speaker 1>and the literal broken Heart. Her whole life, Sarah Ludiman

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<v Speaker 1>had played it safe. She worked hard in school, participating

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<v Speaker 1>in multiple sports, and was involved in the church. Those

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<v Speaker 1>were the eighteen year old priorities. But as your senior

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<v Speaker 1>year in Penelli's Park, Florida began, Sarah couldn't help feeling

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<v Speaker 1>that she was entering adulthood and that she was on

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<v Speaker 1>the outside looking in. Sarah yearned to go to parties,

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<v Speaker 1>break some rules, and above all, made a boy who

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<v Speaker 1>made her heart swim. Sarah was an only child and

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<v Speaker 1>her parents had been married for over thirty years. Her

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<v Speaker 1>father was a cab driver and her mother was a

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<v Speaker 1>surgical nurse, and the pair had moved from New York

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<v Speaker 1>to Florida when Sarah was born to keep her safe

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<v Speaker 1>and warm. The pair doated on Sarah and showered her

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<v Speaker 1>with endless love, but despite that, their daughters seemed to

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<v Speaker 1>have low self esteem. Although she had brains, beauty, and

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<v Speaker 1>a killer sense of humor, she dealt with some weight

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<v Speaker 1>loss issues. These, in turn plagued her with insecurities. Sarah

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<v Speaker 1>saw true love at home with her mother and father,

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<v Speaker 1>and in the books she read and the show she watched,

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<v Speaker 1>but she wondered if it would ever be hers. All

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<v Speaker 1>of that changed in the fall of two thousand and eight,

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<v Speaker 1>when Sarah was struck with cupids arrow. After meeting nineteen

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<v Speaker 1>year old Josh camecho Josh was everything Sarah wanted, and

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<v Speaker 1>to her surprise, he seemed to feel the same way.

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<v Speaker 1>For the very first time in her life, Sarah no

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<v Speaker 1>longer felt like an outsider. Perhaps her feelings could be

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<v Speaker 1>encapsulated best in a MySpace photo she posted of herself

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<v Speaker 1>with Josh. The caption underneath it read, quote true love

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<v Speaker 1>when you look at him and you can see her

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<v Speaker 1>entire future in his eyes. Here's Jeff. So here's what

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<v Speaker 1>we know about Josh Camacho. He was a well known

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<v Speaker 1>cool guy in the area. He was known for having

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<v Speaker 1>a string of girlfriends and a tough guy attitude. But

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<v Speaker 1>despite being so different than Sarah, the pair really seemed

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<v Speaker 1>to click. There were rumors around town that Josh just

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<v Speaker 1>us girls for rides in cash, but Sarah wouldn't hear

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<v Speaker 1>any of it. But can you really blame Sarah for

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<v Speaker 1>feeling the way she did. Romantic love is an addiction,

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<v Speaker 1>and your first love is your first dose, the best,

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<v Speaker 1>most elusive high you feel, the one you always chase.

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<v Speaker 1>The results of the Harvard study we were looking at

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<v Speaker 1>strongly suggested that because love provides a kind of chemical

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<v Speaker 1>feedback in our brains, were creating this chemical response may

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<v Speaker 1>eventually become our human drive or motivation to stay in love.

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<v Speaker 1>And the way we put this into context of this

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<v Speaker 1>story is that Sarah might not have even loved Josh specifically,

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<v Speaker 1>but just the idea of being in love. Chris, what

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<v Speaker 1>do we know about how the people in her life

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<v Speaker 1>reacted to this new relationship. It's often that the people

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<v Speaker 1>closest to us sometimes hear little alarm bills when some

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<v Speaker 1>of this stuff is going off. We're young, we don't

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<v Speaker 1>necessarily have the best taste sometimes, but I mean they

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<v Speaker 1>were they were in love. But her parents didn't necessarily

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<v Speaker 1>take to Josh. They were worried about her. They could

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<v Speaker 1>see this relationship wasn't good for her, but they also

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<v Speaker 1>loved her and wanted to be supportive. I think it's

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<v Speaker 1>kind of hard for parents, right, They see this and

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<v Speaker 1>they think it's wrong, but they don't want to drive

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<v Speaker 1>their daughter away by completely not supporting her. Right, It's

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<v Speaker 1>a fine line. Yeah. I think they wanted to be

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<v Speaker 1>there and make sure that they could catch her if

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<v Speaker 1>she fell, or be pleasantly surprised if they were wrong. Right,

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<v Speaker 1>So instead of acting angry and potentially driving a wedge,

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<v Speaker 1>they kept Josh close by. And you know, Sarah's dad

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<v Speaker 1>went to the extent of taking him to baseball games

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<v Speaker 1>and had him over for family dinners, trying to get

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<v Speaker 1>him to be a part of the family a bit, probably,

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<v Speaker 1>and to keep a watchful eye on him. And it

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<v Speaker 1>was also a little bit of keep your friends close

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<v Speaker 1>and your enemies closer, that kind of thing. So they

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<v Speaker 1>hope the relationship would fizzle out, but it kept ongoing

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<v Speaker 1>and that plan didn't seem to work. Sarah was more

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<v Speaker 1>in love with Josh and this bad boy image more.

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<v Speaker 1>Each day, Sarah's parents noticed a change in Sarah. Her

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<v Speaker 1>grades started to slip, her behavior was different. She even

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<v Speaker 1>transferred schools to be closer to Josh, which that's a

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<v Speaker 1>pretty big move, pretty bold. So the parents at that

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<v Speaker 1>point wanted to intervene, but what could they do. She

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<v Speaker 1>was eighteen, so she's now kind of out of their

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<v Speaker 1>sphere of being able to do anything legally. Right. Yeah,

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<v Speaker 1>that must have been self frustrating for her parents. They

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<v Speaker 1>felt like they knew bath But you know, what can

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<v Speaker 1>you tell a teenage girl about her love life? Not

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<v Speaker 1>a whole lot, Well, especially once she's turned eighteen. And

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<v Speaker 1>oftentimes at that age, when we're told something by our parents,

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<v Speaker 1>oftentimes we think we know right and we don't really

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<v Speaker 1>listen to our parents. Yeah. I think also, girls always

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<v Speaker 1>want to date a bad boy because they think they're

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<v Speaker 1>going to be the girl that will change him and

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<v Speaker 1>he'll change for them. And I imagine Sarah probably had

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<v Speaker 1>seen her fair share of romantic comedies and where it

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<v Speaker 1>kind of always works out. I imagine she felt that

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<v Speaker 1>it would work out for her in the same way

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<v Speaker 1>it did in all those You know idyllic movies. Well, yeah,

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<v Speaker 1>she you see the bad boy or the broken boy,

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<v Speaker 1>you want to be the one that kind of fixes

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<v Speaker 1>him or brings them to the good side. From looking

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<v Speaker 1>at this, you know, and her parents were probably seeing

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<v Speaker 1>him dragging her to the darker side, considering her grades

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<v Speaker 1>were dropping, she's changing schools for him, and her behavior

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<v Speaker 1>was getting more erratic. It sounds like Sarah was proud

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<v Speaker 1>of her relationship and did what any teenager who is

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<v Speaker 1>in love does, post about it incessantly. As is unfortunately

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<v Speaker 1>true with all social media, you never quite know who

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<v Speaker 1>is going to see those posts. That autumn, Sarah got

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<v Speaker 1>a comment from someone named Rachel Wade. Sarah didn't know Rachel,

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<v Speaker 1>but the girl's words struck a chord. Under a picture

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<v Speaker 1>of Sarah and Josh kissing, Rachel had written, I'm his girlfriend,

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<v Speaker 1>Who the hell are you? Sarah was devastated. She confronted Josh,

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<v Speaker 1>but he denied everything. He and Rachel had dated, he said,

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<v Speaker 1>but they had broken up months ago. Sarah believed him,

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<v Speaker 1>but couldn't help wondering who was Rachel Wade. So, Chris,

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<v Speaker 1>what do we know about this building love triangle between

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<v Speaker 1>Josh Sarah and Rachel. Well, Johnshu told Sarah that he

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<v Speaker 1>and Rachel had been broken up for months. The truth

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<v Speaker 1>was that he and Rachel were still dating and had

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<v Speaker 1>actually been dating since the summer before he had even

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<v Speaker 1>met Sarah. So really, Rachel's kind of right because Sarah's

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<v Speaker 1>the new girl right in that love triangle, not that

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<v Speaker 1>Sarah knew at all. This is Josh playing the field.

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<v Speaker 1>Josh is two timing Rachel and he's two timing Sarah.

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<v Speaker 1>The girls looked at each other as the enemy, and

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<v Speaker 1>Josh has the conquest the the bad boy at the

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<v Speaker 1>center of this that they both wanted, and Rachel and

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<v Speaker 1>Sarah would fight over Josh. So Rachel started coming for

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<v Speaker 1>Sarah online on the photos that Sarah would post, Like

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<v Speaker 1>there was a photo that Sarah posted where she was

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<v Speaker 1>at the beach. Rachel commented, why would you wear that

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<v Speaker 1>to the beach? Don't you know you're fat? I mean

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<v Speaker 1>that must have hit Sarah like a ton of bricks.

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<v Speaker 1>As we mentioned earlier, she she'd already had weight issues,

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<v Speaker 1>like self esteem issues with her weight, so for another

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<v Speaker 1>young lady to say that to her about a beach

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<v Speaker 1>photo that probably sent her spinning. I would assume um. Rachel,

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<v Speaker 1>because she's a young lady herself, would have known that

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<v Speaker 1>that it would hurt quite a bit, probably one of

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<v Speaker 1>the most hurtful things she could do to Sarah, and

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<v Speaker 1>on such a public form, to like my Space where

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<v Speaker 1>everyone can see the comment, probably stung even harder. But

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<v Speaker 1>it's not like Sarah just sat back and I hope

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<v Speaker 1>this would go away. She actually fought back in a way.

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<v Speaker 1>She continued to antagonize Rachel by posting photos of her

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<v Speaker 1>and Josh when they were together, knowing that Rachel would

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<v Speaker 1>see them, and in turn, Rachel would then do the same,

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<v Speaker 1>posting photos of her and Josh when they were together,

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<v Speaker 1>knowing that Sarah would see. Most of this happened online,

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<v Speaker 1>but the fighting started to happen in real life. One time,

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<v Speaker 1>Sarah and her friends went to the Applebee's where Rachel worked,

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<v Speaker 1>and asked to be sat in her section. Once they

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<v Speaker 1>were at their table, they complained, sent the food back,

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<v Speaker 1>made a mess, generally just making Rachel's life miserable. We're

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<v Speaker 1>going to take a break. We'll be back in just

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<v Speaker 1>a moment. You know, it strikes me with some of

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<v Speaker 1>this because right now there's a boy at the center

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<v Speaker 1>of this Josh and the two girls. Instead of going

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<v Speaker 1>after Josh, who's the one who's in the wrong, he's

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<v Speaker 1>the one who's two timing both of them. They're going

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<v Speaker 1>after each other. And we've read that at least in

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<v Speaker 1>one case. I think it's Rachel was in the Disney

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<v Speaker 1>Princess movies. You know, this is something that we're kind

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<v Speaker 1>of conditioned, as you women, when we're watching those movies,

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<v Speaker 1>that that the ultimate goal is the prance or the guy.

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<v Speaker 1>So I think this is playing out in a really

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<v Speaker 1>bad and negative way with the story. Yeah, I mean

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<v Speaker 1>from the outside looking, and it's so easy to say

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<v Speaker 1>Josh is the jerk. These two girls are both being

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<v Speaker 1>played they should really come together and break up with

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<v Speaker 1>this guy. But I think when you're in it, and

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<v Speaker 1>you know, putting yourself in Sarah's position, She's in love

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<v Speaker 1>with Josh, and so she wants to maintain that relationship.

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<v Speaker 1>This is her first relationship. She's putting a lot of

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<v Speaker 1>weight into it, and so Rachel is this outsider trying

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<v Speaker 1>to break in, and so what she's trying to do

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<v Speaker 1>is stop that at all costs. I don't agree with it,

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<v Speaker 1>but I get it. No, I don't agree either. I'm

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<v Speaker 1>just saying there's also social pressures that I think are

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<v Speaker 1>coloring how these girls are responding. For sure. Well, I

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<v Speaker 1>wonder to what Josh is thinking in all this. I mean,

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<v Speaker 1>probably knowing what it's like to be a you know,

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<v Speaker 1>high school boy. It's it's pretty fun. I would have

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<v Speaker 1>thinked to have girls fighting over you, and I imagine

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<v Speaker 1>probably friends at school. We're making it worse too, and

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<v Speaker 1>adding fuel to the fire. Well, also, if he's a

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<v Speaker 1>bad boy, it's probably adding to a street cred to

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<v Speaker 1>have two girls fighting over him. Not to be outdone,

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<v Speaker 1>Rachel got Sarah's phone number and started calling her. Take

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<v Speaker 1>a listen to some of these disturbing voicemails. Next message,

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<v Speaker 1>please tell me, Sarah, why you would be a dumbinos

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<v Speaker 1>just to put a brand new picture you and Josh

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<v Speaker 1>at the beach. Seriously, I told you to watch back

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<v Speaker 1>and not to chill with him. Now you ask his mind,

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<v Speaker 1>and I'm guaranteeing you I'm no murder you. I'm letting

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<v Speaker 1>you know that now because you know what Josh might

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<v Speaker 1>have played me. But bitch on gonna play your ass

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<v Speaker 1>out to watch your fat bitch it on the can

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<v Speaker 1>kill you. I wear on my lights, watch out your

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<v Speaker 1>window when I get off for tonight. You jump, bitch.

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<v Speaker 1>End of message, next message. It's so funny how you

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<v Speaker 1>talk and you want to sit there and say that

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<v Speaker 1>my man without your ass house. Then tell me what

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<v Speaker 1>he was wearing tonight. Sarah, you're a dumb bitch for real.

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<v Speaker 1>If you're in line, I'm gonna find you and I'm

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<v Speaker 1>gonna beat your ass. If you're not lying, I'm gonna

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<v Speaker 1>find you and beat your ass. Okay, you keep playing games.

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<v Speaker 1>You're apathetic, little bitch, and you're a little girl. Honestly,

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<v Speaker 1>what do you have this going for you that Josh

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<v Speaker 1>wants to you? What we're me for? I got a job,

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<v Speaker 1>have my own place. Seriously, he could get anything he

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<v Speaker 1>wants for me, anything, not to mention that I would

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<v Speaker 1>probably ten times better than you. And you run your mouth.

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<v Speaker 1>You still got your mommy and daddy's curfew, bitch, For

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<v Speaker 1>God's sake, what do you Why do you run your

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<v Speaker 1>your mouth? And why are you that pathetic? Please do

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<v Speaker 1>leave it on your mind space, because that's o You's

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<v Speaker 1>just like you and him are, so keep talking, Sarah,

0:12:03.760 --> 0:12:06.199
<v Speaker 1>you stop. You haven't relearned your life and yet, but

0:12:06.240 --> 0:12:09.920
<v Speaker 1>I'm gonna teach you it. I'm telling you now with me, Sarah,

0:12:10.960 --> 0:12:13.439
<v Speaker 1>psychonical action and I'm telling you now, I'm going to

0:12:13.520 --> 0:12:17.679
<v Speaker 1>show you psycho with me for a long person the

0:12:17.760 --> 0:12:21.880
<v Speaker 1>one thing that I care about, because I'm gonna teach

0:12:21.880 --> 0:12:25.040
<v Speaker 1>you how to go up roma quick. Holy Yeah, I

0:12:25.080 --> 0:12:27.920
<v Speaker 1>was getting uncomfortable listening to those messages. I can't even

0:12:28.080 --> 0:12:31.640
<v Speaker 1>fathom what it was like for Sarah to receive messages

0:12:31.679 --> 0:12:35.080
<v Speaker 1>like that, especially at her age. You know, she's being

0:12:35.480 --> 0:12:39.440
<v Speaker 1>cursed at, she's being threatened, and it seems like this

0:12:39.640 --> 0:12:42.520
<v Speaker 1>kind of started a dumb cat and mouse game, you know.

0:12:42.600 --> 0:12:46.120
<v Speaker 1>And then Josh is sitting there enjoying it. Really disturbing

0:12:46.200 --> 0:12:50.600
<v Speaker 1>voicemails are going out to Sarah from Rachel and and

0:12:50.640 --> 0:12:53.800
<v Speaker 1>then Josh seems to be playing dumb about all of

0:12:53.840 --> 0:12:58.520
<v Speaker 1>this and seems to be enjoying his sooner stage position

0:12:58.600 --> 0:13:02.000
<v Speaker 1>in this game and not helping either side, but kind

0:13:02.000 --> 0:13:04.400
<v Speaker 1>of egging them on instead of shutting it down. He

0:13:05.040 --> 0:13:07.439
<v Speaker 1>it sounded like he encouraged the girls to keep posting

0:13:07.440 --> 0:13:11.240
<v Speaker 1>photos and crazy captions. Yeah, and where my brain goes

0:13:11.400 --> 0:13:14.839
<v Speaker 1>is these kids are clearly not thinking straight, because when

0:13:14.840 --> 0:13:17.160
<v Speaker 1>you're doing something wrong, the first thing you know is

0:13:17.200 --> 0:13:20.199
<v Speaker 1>you should never put it in writing or put it online.

0:13:20.280 --> 0:13:22.160
<v Speaker 1>And that's all these girls are doing, I mean leaving

0:13:22.160 --> 0:13:25.880
<v Speaker 1>these voicemails. Now there's this proof forever of the horrible

0:13:25.960 --> 0:13:27.959
<v Speaker 1>things that Rachel was saying to Sarah. In the same

0:13:28.000 --> 0:13:31.720
<v Speaker 1>way putting these comments on the internet, it lives forever online.

0:13:31.760 --> 0:13:34.800
<v Speaker 1>Now everyone can always read these awful words that they

0:13:34.800 --> 0:13:37.240
<v Speaker 1>were saying about each other. Yeah, in the case of

0:13:37.280 --> 0:13:39.920
<v Speaker 1>both Rachel and Sarah, this is two thousand nine, So

0:13:39.960 --> 0:13:42.600
<v Speaker 1>this is the beginning of the Internet. I think Facebook

0:13:42.640 --> 0:13:45.160
<v Speaker 1>came public in two thousand seven. We're somewhere around there.

0:13:45.400 --> 0:13:48.199
<v Speaker 1>I think YouTube started in two thousand seven, and we're

0:13:48.200 --> 0:13:51.079
<v Speaker 1>talking about my Space, which is a precursor to Facebook.

0:13:51.600 --> 0:13:54.800
<v Speaker 1>So I think there's a lot that we've learned now

0:13:54.840 --> 0:13:57.360
<v Speaker 1>about that. All of them are teenagers, so they've got

0:13:57.400 --> 0:14:00.520
<v Speaker 1>an adolescent brain, and experts who will tell you that

0:14:01.320 --> 0:14:05.000
<v Speaker 1>the adolescent brain is not developed enough to really be logical,

0:14:05.240 --> 0:14:07.520
<v Speaker 1>right and to calm yourself down. So you get in

0:14:07.600 --> 0:14:10.160
<v Speaker 1>the middle of this fight and you're gonna post, and

0:14:10.160 --> 0:14:12.679
<v Speaker 1>you're gonna get angry, and you're gonna get reactive and

0:14:12.720 --> 0:14:14.839
<v Speaker 1>I think that's what we're seeing here, and it's just

0:14:14.960 --> 0:14:18.120
<v Speaker 1>egging each other on. So it strikes me that we're

0:14:18.120 --> 0:14:21.200
<v Speaker 1>talking about this now when we know so much more

0:14:21.240 --> 0:14:25.320
<v Speaker 1>about how those negative effects, we're watching a tragedy planting

0:14:25.320 --> 0:14:28.360
<v Speaker 1>out right now online. That's a great point, and it

0:14:28.440 --> 0:14:32.000
<v Speaker 1>was clearly working. Every time Rachel would leave Sarah voicemail,

0:14:32.120 --> 0:14:35.080
<v Speaker 1>Sarah would respond, so it was clear she was Rachel

0:14:35.120 --> 0:14:36.640
<v Speaker 1>was getting a rise out of Sarah, which was the

0:14:36.720 --> 0:14:39.160
<v Speaker 1>ultimate goal. I mean, obviously the whole fight was cyclical

0:14:39.160 --> 0:14:40.640
<v Speaker 1>because they were both doing it to each other, but

0:14:41.200 --> 0:14:43.200
<v Speaker 1>they were getting what they wanted, which was the other

0:14:43.200 --> 0:14:45.840
<v Speaker 1>one to feel bad about themselves. Yeah, and they were

0:14:45.880 --> 0:14:50.040
<v Speaker 1>also probably getting a rise out of the boyfriend they

0:14:50.080 --> 0:14:52.960
<v Speaker 1>were trying to nab two. Oh for sure. Yeah, he's

0:14:53.000 --> 0:14:55.040
<v Speaker 1>playing right into it. I mean he he liked it

0:14:55.080 --> 0:14:58.920
<v Speaker 1>by all accounts. On April fourteen, two and nine, Sarah

0:14:58.960 --> 0:15:01.320
<v Speaker 1>spent most of her day a sessing over the idea

0:15:01.480 --> 0:15:05.960
<v Speaker 1>of Josh and Rachel together. Her desolation only intensified when

0:15:05.960 --> 0:15:10.160
<v Speaker 1>she checked Rachel's my Space. There she saw her rival

0:15:10.200 --> 0:15:16.080
<v Speaker 1>had updated her status to say quote loving maboo. It

0:15:16.160 --> 0:15:19.520
<v Speaker 1>didn't name Josh specifically, but Sarah knew who Rachel was

0:15:19.560 --> 0:15:24.600
<v Speaker 1>talking about. Sarah said Josh multiple texts asking him about Rachel,

0:15:25.240 --> 0:15:29.600
<v Speaker 1>all of which she ignored. Finally, she texted him quote,

0:15:30.560 --> 0:15:32.200
<v Speaker 1>you say you love me, but you don't have the

0:15:32.240 --> 0:15:36.760
<v Speaker 1>decency to text me back. After a long stint of silence,

0:15:36.840 --> 0:15:42.040
<v Speaker 1>Josh bluntly responded, quote, bring the movies, although he hadn't

0:15:42.120 --> 0:15:44.920
<v Speaker 1>responded at all to Sarah's cries about the love triangle.

0:15:45.560 --> 0:15:49.280
<v Speaker 1>She headed over to Josh's house for a video. After

0:15:49.320 --> 0:15:52.440
<v Speaker 1>the movie, Sarah and Josh's sister headed out to get

0:15:52.480 --> 0:15:57.160
<v Speaker 1>some food. When Rachel called Sarah, there were more angry threats.

0:15:58.640 --> 0:16:02.240
<v Speaker 1>Although she couldn't hear every thing, Josh's sister specifically remembered

0:16:02.280 --> 0:16:06.160
<v Speaker 1>hearing Rachel scream quote, I'm going to stab you and

0:16:06.160 --> 0:16:10.240
<v Speaker 1>your Mexican boyfriend. After hanging up, Sarah got a text

0:16:10.280 --> 0:16:13.520
<v Speaker 1>that would change the rest of her life. A friend

0:16:13.520 --> 0:16:18.320
<v Speaker 1>had spotted Rachel and gave Sarah the address. In the car,

0:16:18.520 --> 0:16:21.520
<v Speaker 1>Sarah was just a few blocks from her rival. She

0:16:21.640 --> 0:16:26.040
<v Speaker 1>sped over with her curfew nearing, Sarah texted her parents

0:16:26.080 --> 0:16:29.000
<v Speaker 1>saying she'd be a little late. When she arrived at

0:16:29.080 --> 0:16:31.920
<v Speaker 1>Rachel's location, Sarah got out of the car. After a

0:16:31.920 --> 0:16:35.080
<v Speaker 1>few minutes, other kids had heard about the drama and

0:16:35.160 --> 0:16:38.960
<v Speaker 1>rushed to the suburban neighborhood. The two teenage girls started

0:16:38.960 --> 0:16:42.560
<v Speaker 1>fighting in the streets. Not more than ten seconds had

0:16:42.600 --> 0:16:46.120
<v Speaker 1>passed before Rachel pulled out a knife and stabbed Sarah twice.

0:16:47.520 --> 0:16:52.600
<v Speaker 1>Amidst the chaos, someone called nine one. Rachel ran. Sarah

0:16:52.680 --> 0:16:55.320
<v Speaker 1>was taken to the hospital and very sadly died at

0:16:55.320 --> 0:16:59.720
<v Speaker 1>two twenty am the next morning. Her cause of death

0:16:59.880 --> 0:17:03.960
<v Speaker 1>was the puncture to the heart. When police found Rachel,

0:17:04.160 --> 0:17:06.200
<v Speaker 1>she'd made it a few blocks away, where she sat

0:17:06.240 --> 0:17:10.240
<v Speaker 1>calmly on a bench smoking a cigarette. She agreed to

0:17:10.240 --> 0:17:14.240
<v Speaker 1>come in for questioning. At first, Rachel told police she

0:17:14.280 --> 0:17:19.040
<v Speaker 1>knew nothing about stabbing Sarah, but she quickly changed her story.

0:17:19.600 --> 0:17:23.440
<v Speaker 1>Take a listen to a portion of the interrogation. When

0:17:23.480 --> 0:17:25.280
<v Speaker 1>Sarah was hitting me, I went to hit her and

0:17:25.280 --> 0:17:28.359
<v Speaker 1>I probably did not eat staff her. I'm not I'm

0:17:28.400 --> 0:17:32.480
<v Speaker 1>not killed. Somebody tell me how it happened. She was

0:17:32.560 --> 0:17:34.440
<v Speaker 1>hitting me, and when I went to hit her back,

0:17:34.560 --> 0:17:36.399
<v Speaker 1>I had put one of my hands up and I

0:17:36.480 --> 0:17:38.400
<v Speaker 1>had like I tried to hit her back and keep

0:17:38.440 --> 0:17:40.399
<v Speaker 1>my hands in front of me. This is the knife

0:17:40.920 --> 0:17:45.199
<v Speaker 1>show me how you're okay. But now if I'm Sarah

0:17:45.240 --> 0:17:47.440
<v Speaker 1>and I'm in front of you, what were you doing

0:17:47.480 --> 0:17:49.600
<v Speaker 1>with the knight? I would out to the side. Did

0:17:49.600 --> 0:17:51.280
<v Speaker 1>she started swinging on me? And then when I went

0:17:51.280 --> 0:17:53.040
<v Speaker 1>to put my hands out, but she was swinging on

0:17:53.119 --> 0:17:54.879
<v Speaker 1>me and I tried to defend myself from her, and

0:17:54.920 --> 0:17:57.919
<v Speaker 1>then Janet came at me from the side, and I guess, like,

0:17:57.960 --> 0:18:03.040
<v Speaker 1>I did not mean to stab her how many times?

0:18:03.800 --> 0:18:05.600
<v Speaker 1>And when I hear that, it sounds exactly like a

0:18:05.600 --> 0:18:08.720
<v Speaker 1>teenager when they get caught doing something wrong that's innocuous.

0:18:08.880 --> 0:18:11.240
<v Speaker 1>Their first response is to just deny it. They didn't

0:18:11.280 --> 0:18:12.639
<v Speaker 1>do it, and then they kind of come around and

0:18:12.680 --> 0:18:14.800
<v Speaker 1>there's like a dance around what they might have been involved,

0:18:14.800 --> 0:18:17.680
<v Speaker 1>but not to the extent. But we're not talking about

0:18:17.680 --> 0:18:20.480
<v Speaker 1>something innocuous here. We're talking about murder, so the stakes

0:18:20.480 --> 0:18:40.359
<v Speaker 1>are definitely higher. Let's stop here for another break, Chris.

0:18:40.400 --> 0:18:42.800
<v Speaker 1>Do we know what happened to the murder weapon? Yeah, So,

0:18:43.160 --> 0:18:46.560
<v Speaker 1>after Rachel got in this altercation with Sarah ended up

0:18:46.560 --> 0:18:50.359
<v Speaker 1>stabbing her, she fled the scene, and I guess on

0:18:50.400 --> 0:18:53.480
<v Speaker 1>her way away from there, she threw the knife up

0:18:53.480 --> 0:18:55.800
<v Speaker 1>onto the neighbor's roof, and that's where the police found it.

0:18:55.920 --> 0:18:59.399
<v Speaker 1>So she had enough wherewithal to actually what it technically is,

0:18:59.400 --> 0:19:02.240
<v Speaker 1>disposing of the murder weapon. Yeah, so that would point

0:19:02.320 --> 0:19:05.399
<v Speaker 1>to somebody knowing exactly what they've done to me. Well.

0:19:05.440 --> 0:19:08.600
<v Speaker 1>As the integtition continued, the police broke the news to

0:19:08.840 --> 0:19:11.760
<v Speaker 1>Rachel that her rival Sarah had died. Let's take a

0:19:11.760 --> 0:19:15.399
<v Speaker 1>listen to that moment that you need to understand, Rachel. Okay,

0:19:15.560 --> 0:19:17.920
<v Speaker 1>when I was down at the hospital, Okay, I saw

0:19:18.080 --> 0:19:20.280
<v Speaker 1>where she was stabbed at Okay, it looks like he

0:19:20.359 --> 0:19:23.199
<v Speaker 1>has two stab wounds, all right. The next piece of

0:19:23.240 --> 0:19:25.600
<v Speaker 1>information that you need to know is that she is dead.

0:19:33.280 --> 0:19:35.679
<v Speaker 1>Aside and the results of these stab wounds that she

0:19:35.760 --> 0:19:44.720
<v Speaker 1>had at Northside Hospital, I didn't know. He didn't. He

0:19:44.800 --> 0:19:48.600
<v Speaker 1>didn't them to finally leave me alone all this over, Josh,

0:19:49.119 --> 0:19:52.160
<v Speaker 1>I just didn't want them to the air right me anymore.

0:19:52.320 --> 0:19:54.879
<v Speaker 1>He following me every weddy come to my job, they

0:19:54.920 --> 0:19:57.320
<v Speaker 1>come in my house. They not gonna follow you anymore,

0:19:57.359 --> 0:20:06.760
<v Speaker 1>because she did. Now, she seems to me genuinely surprised.

0:20:07.320 --> 0:20:11.959
<v Speaker 1>She seems very emotional. I buy that she didn't necessarily

0:20:12.040 --> 0:20:13.879
<v Speaker 1>know that she was dead. Or know that she was

0:20:14.000 --> 0:20:16.520
<v Speaker 1>gonna know that she was going to die, But I

0:20:16.560 --> 0:20:20.720
<v Speaker 1>could be wrong. She breaks down crying and gets fairly emotional,

0:20:20.760 --> 0:20:22.359
<v Speaker 1>and I don't I don't know that that's an act.

0:20:22.800 --> 0:20:25.879
<v Speaker 1>It is, of course one thing to wish someone dead

0:20:26.440 --> 0:20:29.800
<v Speaker 1>and to then find out you actually killed them. It's

0:20:29.840 --> 0:20:33.960
<v Speaker 1>possible that it wasn't necessarily first degree murder intent with

0:20:34.000 --> 0:20:36.400
<v Speaker 1>her like knowing she was going to stab her to death.

0:20:36.600 --> 0:20:38.399
<v Speaker 1>It might have just been I'm gonna stabb her to

0:20:38.440 --> 0:20:41.439
<v Speaker 1>get her away from my boyfriend, and now she's finding

0:20:41.440 --> 0:20:44.680
<v Speaker 1>out that this person actually died from what she did.

0:20:44.880 --> 0:20:47.240
<v Speaker 1>We talked a lot about a crime being premeditated or not.

0:20:48.040 --> 0:20:52.240
<v Speaker 1>And while she might have not meant to kill Sarah,

0:20:52.480 --> 0:20:54.639
<v Speaker 1>Rachel brought a knife to this fight. I mean, she

0:20:54.720 --> 0:20:56.600
<v Speaker 1>had to know what that knife would do it, so

0:20:56.680 --> 0:20:59.639
<v Speaker 1>she certainly meant to cause her harm, which is enough

0:21:00.160 --> 0:21:03.240
<v Speaker 1>to constitute a crime. I also wondered too, I mean,

0:21:03.240 --> 0:21:05.879
<v Speaker 1>the crying sounds genuine, but I wonder if it's less

0:21:05.920 --> 0:21:09.919
<v Speaker 1>of a surprise, it's less of an emotional reaction to

0:21:10.000 --> 0:21:13.680
<v Speaker 1>Sarah's death and more of a oh wow, this is real,

0:21:13.800 --> 0:21:16.320
<v Speaker 1>I really did this. I'm in big, big trouble. Now,

0:21:17.000 --> 0:21:20.080
<v Speaker 1>that's quite possible that the breakdown is more realizing the

0:21:20.080 --> 0:21:22.720
<v Speaker 1>gravity of the situation. She just put herself in. Sarah

0:21:22.880 --> 0:21:26.879
<v Speaker 1>kind of started to go find Rachel. Rachel had a knife.

0:21:26.920 --> 0:21:32.080
<v Speaker 1>I don't know that Rachel brought the knife. Following witness

0:21:32.119 --> 0:21:35.919
<v Speaker 1>testimony and her own admission, Rachel was arrested and charged

0:21:35.960 --> 0:21:41.200
<v Speaker 1>with second degree murder. The trial became a media circus,

0:21:41.240 --> 0:21:46.000
<v Speaker 1>with all of Penella's Park packing the courtroom. The defense

0:21:46.080 --> 0:21:50.000
<v Speaker 1>argued that Rachel had killed Sarah in self defense, and

0:21:50.200 --> 0:21:53.000
<v Speaker 1>the prosecution encountered saying that people who kill in self

0:21:53.040 --> 0:21:56.000
<v Speaker 1>defense don't dispose of the murder weapon and lie to police.

0:21:57.040 --> 0:21:59.320
<v Speaker 1>And what did Josh, the boy at the center of

0:21:59.359 --> 0:22:05.440
<v Speaker 1>this tragic drama, have to say? So? Josh sent on

0:22:05.600 --> 0:22:08.520
<v Speaker 1>multiple occasions to the police that he had no idea

0:22:08.560 --> 0:22:12.040
<v Speaker 1>how bad things were between the girls. Besides, everything point

0:22:12.240 --> 0:22:15.320
<v Speaker 1>pointed to the contrary in his head, and he spoke

0:22:15.320 --> 0:22:17.960
<v Speaker 1>about this and on the stand. Why don't we listen

0:22:18.400 --> 0:22:20.320
<v Speaker 1>in on a little bit of what Josh told the

0:22:20.359 --> 0:22:24.439
<v Speaker 1>prosecution during cross examination. We are aware of the drama

0:22:24.480 --> 0:22:27.960
<v Speaker 1>that was going on between Rachel and Sarah that night.

0:22:29.119 --> 0:22:32.960
<v Speaker 1>Throughout the entire previous six months. Yes, tell the jury

0:22:32.960 --> 0:22:36.720
<v Speaker 1>about that. They would go back and forth on MySpace

0:22:37.520 --> 0:22:43.720
<v Speaker 1>or calling. What were they calling about? Are you going?

0:22:44.119 --> 0:22:47.240
<v Speaker 1>What were they arguing about about? Who was I going

0:22:47.280 --> 0:22:51.800
<v Speaker 1>to be with? About you? Yes? The issue that was

0:22:51.840 --> 0:22:55.320
<v Speaker 1>going on on MySpace and Facebook and the texting and

0:22:55.359 --> 0:22:59.159
<v Speaker 1>the phone calls were all about you. Yes. And at

0:22:59.160 --> 0:23:03.080
<v Speaker 1>no point in time do you encourage those No, Okay,

0:23:04.720 --> 0:23:08.680
<v Speaker 1>he's not taking responsibility for anything. When you hear that kid,

0:23:09.080 --> 0:23:12.040
<v Speaker 1>he's like, oh, I wasn't dating them, they were friends

0:23:12.080 --> 0:23:15.080
<v Speaker 1>with benefit. Like, he's going to that extent with the prosecutor.

0:23:15.640 --> 0:23:18.640
<v Speaker 1>That's pretty surprising. What do you think, Jeff, Yeah, I mean,

0:23:18.640 --> 0:23:22.080
<v Speaker 1>he definitely is trying to distance himself from the relationships

0:23:22.280 --> 0:23:25.199
<v Speaker 1>and the crime. You know. It's it's a surprise to

0:23:25.240 --> 0:23:27.560
<v Speaker 1>me that he wasn't necessarily charged with something. I mean,

0:23:27.560 --> 0:23:30.680
<v Speaker 1>it seems like he could have been somehow and at

0:23:30.680 --> 0:23:34.480
<v Speaker 1>fault for this, at least perfectly for kind of antagonizing

0:23:34.480 --> 0:23:35.960
<v Speaker 1>this whole situation so much that it got to the

0:23:36.000 --> 0:23:38.920
<v Speaker 1>point it got to if Josh knew this was going on, knew,

0:23:39.080 --> 0:23:41.200
<v Speaker 1>you know, and he didn't try to stop it. Sounds

0:23:41.240 --> 0:23:43.639
<v Speaker 1>by all accounts that he was egging them on. Is

0:23:43.680 --> 0:23:46.400
<v Speaker 1>there something that the prosecution could have tried to look at.

0:23:46.720 --> 0:23:49.040
<v Speaker 1>I don't know. There's a lot of people out there

0:23:49.040 --> 0:23:52.679
<v Speaker 1>who believe that Josh is just as much to blame

0:23:52.720 --> 0:23:55.560
<v Speaker 1>for the tragedy of Sarah's death as Rachel is, and

0:23:55.640 --> 0:23:58.080
<v Speaker 1>yet he faced no charges. In a way, I think

0:23:58.080 --> 0:24:01.600
<v Speaker 1>he certainly is. But also I'm reminded of all the

0:24:01.680 --> 0:24:05.960
<v Speaker 1>kind of drama that high schoolers deal with, and and

0:24:06.040 --> 0:24:08.280
<v Speaker 1>you know, there were many love triangles back in the day.

0:24:08.520 --> 0:24:10.840
<v Speaker 1>But I don't know what made Rachel cross the line

0:24:10.880 --> 0:24:13.639
<v Speaker 1>between saying I want to fight over this boy too,

0:24:13.680 --> 0:24:17.080
<v Speaker 1>I want to murder over this boy. But when she

0:24:17.160 --> 0:24:19.600
<v Speaker 1>took the stand, gone was that bad girl with all

0:24:19.600 --> 0:24:22.239
<v Speaker 1>the confidence in the world. In her place looked more

0:24:22.280 --> 0:24:25.040
<v Speaker 1>like a scared child facing life in prison. Let's take

0:24:25.040 --> 0:24:28.439
<v Speaker 1>a listen to some of her testimony. If you're direct examination,

0:24:28.760 --> 0:24:35.240
<v Speaker 1>you cooperated with the investigations, wasn't your cooperation line? Isn't

0:24:35.280 --> 0:24:37.840
<v Speaker 1>that what you call it? No? No, you didn't like

0:24:37.920 --> 0:24:41.359
<v Speaker 1>to the detective that night. No, you did it. I

0:24:41.480 --> 0:24:43.320
<v Speaker 1>never told him I didn't have a knife. I just

0:24:43.560 --> 0:24:45.439
<v Speaker 1>never mentioned you never mentioned it. It was like a

0:24:45.440 --> 0:24:51.760
<v Speaker 1>little moggy just you completely forgot correct right, you forget

0:24:52.640 --> 0:24:57.280
<v Speaker 1>You didn't forget. You said that you couldn't even remember

0:24:57.320 --> 0:25:01.080
<v Speaker 1>the point that you sat her. Don't remember physically stabbing her.

0:25:02.160 --> 0:25:06.119
<v Speaker 1>You remember everything else. You don't remember that. I just

0:25:06.119 --> 0:25:09.560
<v Speaker 1>remember swinging my arms. I don't physically remember stabbing or

0:25:09.960 --> 0:25:16.040
<v Speaker 1>you had the knife in your hands. I know, why

0:25:16.080 --> 0:25:19.760
<v Speaker 1>did you throw the knife on the napes. I didn't

0:25:19.760 --> 0:25:22.200
<v Speaker 1>know happen, and I didn't want anybody else to get

0:25:22.240 --> 0:25:24.439
<v Speaker 1>a little of it. I didn't want anything to be

0:25:24.560 --> 0:25:28.680
<v Speaker 1>done or anybody be hurt. That night. You didn't happen,

0:25:30.000 --> 0:25:32.320
<v Speaker 1>you said, are than you got blood on the knife.

0:25:32.600 --> 0:25:35.240
<v Speaker 1>I saw blood, but I didn't physically see her stabbed.

0:25:35.280 --> 0:25:38.440
<v Speaker 1>I didn't know how severe this situation was. Spitting to

0:25:38.600 --> 0:25:41.679
<v Speaker 1>say that a minute after you heard Jolisa say that

0:25:41.720 --> 0:25:43.879
<v Speaker 1>she was stabbed. Yes, I didn't know where she was

0:25:43.920 --> 0:25:46.919
<v Speaker 1>stabbed or how severe it was. I was scared. I

0:25:47.040 --> 0:25:50.480
<v Speaker 1>just thought you said you didn't know what happened to me.

0:25:50.560 --> 0:25:54.320
<v Speaker 1>It's it's just sad. You know, she sounds so beaten

0:25:54.400 --> 0:25:57.560
<v Speaker 1>down and scared, and obviously she did something so horrible

0:25:57.560 --> 0:26:01.000
<v Speaker 1>and it's unforgivable, but it it just reminds you of

0:26:01.080 --> 0:26:03.800
<v Speaker 1>the tragedy of that she's about to lose freedom and

0:26:03.840 --> 0:26:07.919
<v Speaker 1>she's really facing that. But ultimately, she was still on

0:26:07.960 --> 0:26:10.520
<v Speaker 1>the stand and everything she said people were listening. And

0:26:10.600 --> 0:26:14.399
<v Speaker 1>so when Rachel told the prosecutors that she hadn't lied

0:26:14.560 --> 0:26:17.840
<v Speaker 1>to police, remember when she was being interrogated, she told

0:26:17.880 --> 0:26:20.199
<v Speaker 1>him at first she didn't stab Sarah, but then she

0:26:20.280 --> 0:26:23.160
<v Speaker 1>changed her story. She got caught in a lie, which

0:26:23.200 --> 0:26:25.280
<v Speaker 1>on the stand, as you know, is very bad, and

0:26:25.320 --> 0:26:28.280
<v Speaker 1>the prosecution kind of just jumped on this and it

0:26:28.359 --> 0:26:31.639
<v Speaker 1>discredited everything she said from that point forward. But what

0:26:31.680 --> 0:26:34.400
<v Speaker 1>I'm really reminded of is again the kind of how

0:26:34.520 --> 0:26:38.200
<v Speaker 1>scared she sounds. And this is so different than that angry,

0:26:38.359 --> 0:26:42.080
<v Speaker 1>confident girl we heard earlier in the voicemails. As a reminder,

0:26:42.160 --> 0:26:47.439
<v Speaker 1>take a listen again. Next message, police, tell me, Sarah,

0:26:47.440 --> 0:26:49.639
<v Speaker 1>why you would be a dumbinas just to put a

0:26:49.680 --> 0:26:53.399
<v Speaker 1>brand new picture you and Josh at the beach. Seriously,

0:26:53.520 --> 0:26:55.560
<v Speaker 1>I told you to watch her back and not to

0:26:55.920 --> 0:26:58.680
<v Speaker 1>chill with him. Now, yeah, his mind. And I'm guaranteeing

0:26:58.760 --> 0:27:01.639
<v Speaker 1>you I'm no murder you. I'm letting you know that

0:27:01.800 --> 0:27:03.960
<v Speaker 1>now because you know what Josh might have played me.

0:27:04.000 --> 0:27:06.200
<v Speaker 1>But on the play your ass out to watch your

0:27:06.720 --> 0:27:09.080
<v Speaker 1>fat bitchet on. This can kill you. I wear on

0:27:09.200 --> 0:27:11.639
<v Speaker 1>my life. Watch out your window when I get off

0:27:11.640 --> 0:27:16.560
<v Speaker 1>for tonight. You've dune bit end of message. It is

0:27:16.600 --> 0:27:19.320
<v Speaker 1>striking she she had this bravado and you can hear

0:27:19.359 --> 0:27:22.480
<v Speaker 1>the bravado she had when she was mean Rachel on

0:27:22.520 --> 0:27:26.320
<v Speaker 1>the voicemails. And then you see the striking difference of Rachel,

0:27:26.320 --> 0:27:31.600
<v Speaker 1>whose humanity seems to have returned to her being, you know,

0:27:31.680 --> 0:27:35.399
<v Speaker 1>a little girl on the stand, right, but also trying

0:27:35.440 --> 0:27:38.800
<v Speaker 1>to maintain the I guess the picture of no, no,

0:27:38.880 --> 0:27:40.879
<v Speaker 1>I'm a good girl. No, I of course I didn't

0:27:40.880 --> 0:27:43.680
<v Speaker 1>lie to the police, and you know that's not gonna

0:27:43.760 --> 0:27:46.360
<v Speaker 1>go well because you did. I think it's hard for

0:27:46.440 --> 0:27:49.800
<v Speaker 1>an adolescent sometimes to understand that sometimes just facing up

0:27:49.840 --> 0:27:52.680
<v Speaker 1>to what you've done, things are going to turn out

0:27:52.720 --> 0:27:55.520
<v Speaker 1>better than you trying to fix it with a story, right,

0:27:55.840 --> 0:27:58.080
<v Speaker 1>And I think that's kind of what I see in

0:27:58.119 --> 0:28:01.960
<v Speaker 1>her A bit. I also think you can imagine what

0:28:02.119 --> 0:28:06.000
<v Speaker 1>it's like to hurt someone or want to hurt someone,

0:28:06.560 --> 0:28:09.000
<v Speaker 1>even to the point of I wish they were dead.

0:28:10.480 --> 0:28:13.200
<v Speaker 1>But she crossed the line. And I think in that

0:28:13.400 --> 0:28:18.720
<v Speaker 1>courtroom you're seeing her realizing she crossed that line and

0:28:18.760 --> 0:28:22.920
<v Speaker 1>she's beaten down by that information very well said yeah,

0:28:22.960 --> 0:28:24.600
<v Speaker 1>I mean, I think my takeaway from the story is

0:28:24.640 --> 0:28:27.679
<v Speaker 1>it's just a lot of people who don't understand that

0:28:27.880 --> 0:28:30.960
<v Speaker 1>what they're doing, that actions have consequences. I don't think

0:28:31.040 --> 0:28:34.639
<v Speaker 1>Josh was purposely trying to get these two girls to

0:28:34.640 --> 0:28:36.080
<v Speaker 1>hate each other. I think he was just reveling in

0:28:36.119 --> 0:28:37.600
<v Speaker 1>the fact that two girls liked him. I don't think

0:28:37.600 --> 0:28:43.000
<v Speaker 1>Sarah was trying to, you know, antagonize the situation so

0:28:43.160 --> 0:28:46.120
<v Speaker 1>much that that Rachel would kill her. Obviously. I don't

0:28:46.120 --> 0:28:48.840
<v Speaker 1>think Rachel even really understood that bringing that knife would

0:28:49.040 --> 0:28:51.280
<v Speaker 1>escalate the situation so much so that it did. I

0:28:51.400 --> 0:28:53.240
<v Speaker 1>don't think she understood that it meant her life. You

0:28:53.280 --> 0:28:54.960
<v Speaker 1>know that she was potentially going to go to prison forever.

0:28:55.520 --> 0:28:57.320
<v Speaker 1>But like you said, I mean, the people need to

0:28:57.360 --> 0:29:00.080
<v Speaker 1>realize what they do has consequence. But you also to

0:29:00.120 --> 0:29:03.120
<v Speaker 1>add the exascerbation of this new thing called social media,

0:29:03.440 --> 0:29:06.400
<v Speaker 1>which we all know the negatives now now, but they

0:29:06.440 --> 0:29:10.440
<v Speaker 1>weren't really fully known back then. She also left those voicemails,

0:29:10.480 --> 0:29:13.120
<v Speaker 1>which were far worse and used much more against her

0:29:13.120 --> 0:29:15.440
<v Speaker 1>in court than any of the comments, you're putting it

0:29:15.440 --> 0:29:18.320
<v Speaker 1>into the universe and it will probably be used against

0:29:18.320 --> 0:29:19.840
<v Speaker 1>you at some point. And it was definitely used against

0:29:19.880 --> 0:29:23.479
<v Speaker 1>Rachel because when the jury heard the venom and her voice,

0:29:23.640 --> 0:29:25.480
<v Speaker 1>there was no coming back from that. She could cry

0:29:25.480 --> 0:29:27.080
<v Speaker 1>all she wanted on the stand, but when they heard

0:29:27.120 --> 0:29:36.400
<v Speaker 1>her threatening Sarah's life, how could she recover. On July ten,

0:29:36.720 --> 0:29:39.720
<v Speaker 1>Rachel was found guilty and sentenced to twenty seven years

0:29:39.720 --> 0:29:43.680
<v Speaker 1>in prison, a sentence that Sarah's parents did not feel

0:29:43.920 --> 0:29:48.960
<v Speaker 1>was harsh enough. When they were allowed to address the courtroom,

0:29:49.200 --> 0:29:53.360
<v Speaker 1>Sarah's father spoke about his loss. I'll never get to

0:29:53.360 --> 0:29:56.840
<v Speaker 1>hold my daughter again, he said, tearfully. I'll never get

0:29:56.840 --> 0:30:00.040
<v Speaker 1>to see her get married, never hear her laugh my

0:30:00.160 --> 0:30:05.040
<v Speaker 1>dumb jokes. Sarah's friends also got a chance to speak,

0:30:05.240 --> 0:30:07.600
<v Speaker 1>and they remembered her as a loyal friend who stood

0:30:07.640 --> 0:30:14.440
<v Speaker 1>up for them. Shameless plug. If you're enjoying Crazy and Love,

0:30:14.600 --> 0:30:17.760
<v Speaker 1>leave us a review and listen to season three of

0:30:17.800 --> 0:30:21.560
<v Speaker 1>our hit series The Pikes and Massacre. New episodes there

0:30:21.720 --> 0:30:25.840
<v Speaker 1>every Wednesday wherever you get your podcasts, and don't forget

0:30:25.880 --> 0:30:31.240
<v Speaker 1>to follow us on Instagram at Katie Underscore Studios. Crazy

0:30:31.280 --> 0:30:34.880
<v Speaker 1>in Love is produced by Stephanie Lydecker, Jeff Shane, Chris

0:30:34.920 --> 0:30:39.400
<v Speaker 1>Grieves and me Courtney Armstrong. Editing and sound designed by

0:30:39.480 --> 0:30:42.120
<v Speaker 1>Jeff Twa. Crazy in Love is a production of I

0:30:42.240 --> 0:30:46.040
<v Speaker 1>heart Radio and Katie Studios. For more podcasts from I

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<v Speaker 1>heart Radio, visit the i heart Radio app, Apple Podcasts,

0:30:49.960 --> 0:30:54.280
<v Speaker 1>or wherever you listen to your favorite shows. Stay safe, lovers,