1
00:00:02,240 --> 00:00:12,200
Speaker 1: We've got a more business week. What's up, y'all, It's

2
00:00:12,240 --> 00:00:15,280
Speaker 1: Morgan number two. Thanks for hanging out with me. In

3
00:00:15,280 --> 00:00:18,200
Speaker 1: case you're a first time listener, what I do is

4
00:00:18,239 --> 00:00:21,240
Speaker 1: I take the best seven segments from the show this

5
00:00:21,280 --> 00:00:23,959
Speaker 1: week based on your engagement. You know, whether you called

6
00:00:24,000 --> 00:00:26,240
Speaker 1: in about it, you texted us, you wrote us on

7
00:00:26,280 --> 00:00:29,840
Speaker 1: social media, there's blogs all about it, you know all

8
00:00:29,840 --> 00:00:32,400
Speaker 1: those things, and then I break them down from seven

9
00:00:32,440 --> 00:00:35,320
Speaker 1: to one and we talk about the fun moments and

10
00:00:35,560 --> 00:00:37,800
Speaker 1: hopefully you get to relive them or laugh some more.

11
00:00:38,280 --> 00:00:41,240
Speaker 1: But my favorite part along the way, I bring along

12
00:00:41,240 --> 00:00:43,840
Speaker 1: a show member and we kind of show some other

13
00:00:43,920 --> 00:00:45,839
Speaker 1: sides to the show, or you get to know one

14
00:00:45,880 --> 00:00:47,800
Speaker 1: of these show members that maybe you don't get to

15
00:00:47,840 --> 00:00:51,280
Speaker 1: know that often. So this week I'm bringing on Scooba

16
00:00:51,360 --> 00:00:53,560
Speaker 1: Steve and he's gonna help me count down some things.

17
00:00:53,560 --> 00:00:56,320
Speaker 1: Plus we're gonna learn a little bit about him that

18
00:00:56,400 --> 00:00:59,440
Speaker 1: maybe we haven't learned yet. And he's a very interesting human,

19
00:00:59,560 --> 00:01:03,360
Speaker 1: so this could get awesome. We've got Eddie versus Lunchbox

20
00:01:03,480 --> 00:01:06,720
Speaker 1: in Fun Fact Friday. So Fun Fact Friday. Normally we

21
00:01:06,800 --> 00:01:10,240
Speaker 1: have Amy share five fun facts every Friday, but she's

22
00:01:10,240 --> 00:01:13,720
Speaker 1: been out and so Bobby's been doing them. But also

23
00:01:14,160 --> 00:01:16,800
Speaker 1: we've had Lunchbox and Eddie compete against each other to

24
00:01:16,840 --> 00:01:19,880
Speaker 1: see who has better fun facts, which is so fun

25
00:01:19,920 --> 00:01:22,839
Speaker 1: because guys, there are endless fun facts in the world.

26
00:01:22,840 --> 00:01:24,640
Speaker 1: I don't know about you, guys, but I follow account

27
00:01:24,640 --> 00:01:27,720
Speaker 1: called uber Facts, and I just always learn random things.

28
00:01:27,920 --> 00:01:30,520
Speaker 1: Don't know why I like random knowledge, Scooba, do you

29
00:01:30,560 --> 00:01:33,440
Speaker 1: like to have like random bits of knowledge in your arsenal?

30
00:01:34,120 --> 00:01:36,000
Speaker 1: And then uber Facts I've been following myself since like

31
00:01:36,000 --> 00:01:38,360
Speaker 1: twenty eleven, yeah, but since it was a thing. Yeah,

32
00:01:38,400 --> 00:01:40,440
Speaker 1: it's a great Twitter account. I freaking love that one.

33
00:01:40,440 --> 00:01:42,080
Speaker 1: They have all kinds of random things about anything in

34
00:01:42,080 --> 00:01:44,600
Speaker 1: the world. Always like, huh, that's pretty cool. And it's

35
00:01:44,600 --> 00:01:46,600
Speaker 1: always when I like need it most. I'll be like

36
00:01:46,640 --> 00:01:48,480
Speaker 1: on Twitter and it I'll pop up with some fact.

37
00:01:48,560 --> 00:01:51,040
Speaker 1: I'm like, I needed that today and I didn't even

38
00:01:51,040 --> 00:01:54,120
Speaker 1: know I needed it totally. Yeah, share with me your

39
00:01:54,160 --> 00:01:58,440
Speaker 1: most favorite fun fact ever to be topical Within this week,

40
00:01:58,800 --> 00:02:01,640
Speaker 1: we were talking about on the show um one hit

41
00:02:01,640 --> 00:02:04,680
Speaker 1: Wonders nineties two thousands all that, and one of the

42
00:02:04,720 --> 00:02:07,560
Speaker 1: songs that came up was who Let the Dogs Out?

43
00:02:07,600 --> 00:02:12,960
Speaker 1: The Dogs Out? Yeah? Yeah, and So a fun fact

44
00:02:13,000 --> 00:02:16,840
Speaker 1: about that song, THEO is actually not the Baja Man.

45
00:02:16,880 --> 00:02:19,560
Speaker 1: They couldn't bark when they were in the studio, so

46
00:02:19,639 --> 00:02:22,240
Speaker 1: their record producer, Steve Greenberg, who's the guy that created

47
00:02:22,400 --> 00:02:24,640
Speaker 1: s Curve Records, he had to come in and do

48
00:02:24,639 --> 00:02:27,680
Speaker 1: the hoh, so he barked in the song and not

49
00:02:27,760 --> 00:02:30,080
Speaker 1: Baha Man because they couldn't bark for like, for example,

50
00:02:30,080 --> 00:02:32,120
Speaker 1: who the hell can't who can't bark? Who can't make

51
00:02:32,160 --> 00:02:34,320
Speaker 1: that sound effect out of their mouth? But apparently they couldn't,

52
00:02:34,440 --> 00:02:36,560
Speaker 1: so Steve Greenberg did the barking for them on the track.

53
00:02:36,760 --> 00:02:38,720
Speaker 1: I mean, I'm thinking right now, if I can bark?

54
00:02:39,080 --> 00:02:41,320
Speaker 1: Can you hear? Can you show me your best bark?

55
00:02:41,360 --> 00:02:42,919
Speaker 1: And then I can figure out if I can bark.

56
00:02:43,120 --> 00:02:45,280
Speaker 1: I got a couple different barks, Which one would you like?

57
00:02:45,280 --> 00:02:50,440
Speaker 1: Like all of them? I heard the bark and then

58
00:02:50,520 --> 00:02:54,400
Speaker 1: like a more of like a high pitch bark. You've

59
00:02:54,400 --> 00:03:00,200
Speaker 1: really practiced this, okay? Or do we got more? I

60
00:03:00,200 --> 00:03:01,800
Speaker 1: had to think about one of my dogs I've had

61
00:03:01,840 --> 00:03:04,919
Speaker 1: in the past, had Zig. We're imitating real life here?

62
00:03:04,960 --> 00:03:06,840
Speaker 1: Oh yeah, totally. That's how you do as an improactor.

63
00:03:06,840 --> 00:03:08,480
Speaker 1: You got to think about real life scenarios and put

64
00:03:08,480 --> 00:03:10,840
Speaker 1: it into play. So Ziggy my pug that I had

65
00:03:10,840 --> 00:03:20,400
Speaker 1: would go that's how he would bark happening. Okay, okay,

66
00:03:20,440 --> 00:03:23,399
Speaker 1: so we got like three barks. Okay, I give me yours.

67
00:03:23,680 --> 00:03:25,360
Speaker 1: I know, I don't give me Remy's bark. What does

68
00:03:25,440 --> 00:03:30,600
Speaker 1: Remy do? He seems like he doesn't even speak. He

69
00:03:30,639 --> 00:03:32,680
Speaker 1: looks mute all the time, which is he's really cute.

70
00:03:32,880 --> 00:03:39,000
Speaker 1: It doesn't seem like, oh, she's sorry, it's fine, It's fine.

71
00:03:39,000 --> 00:03:42,360
Speaker 1: Oh okay, yeah, and hers a normal lega? Is that

72
00:03:42,400 --> 00:03:44,520
Speaker 1: a ark? Yeah? That last one was pretty good. And

73
00:03:44,520 --> 00:03:49,520
Speaker 1: then sometimes how like a howl? I love those. When

74
00:03:49,560 --> 00:03:51,839
Speaker 1: I see a dog howl, it like melts my heart.

75
00:03:51,880 --> 00:03:55,920
Speaker 1: I'm like, you're looking for your pack, buddy, Yeah, totally.

76
00:03:56,120 --> 00:03:58,600
Speaker 1: I don't know why. Okay, Well, here is lunch Box

77
00:03:58,680 --> 00:04:01,080
Speaker 1: in Eddie going up again see each other in some

78
00:04:01,240 --> 00:04:04,800
Speaker 1: fun Facts number seven. We expect Amy to be back

79
00:04:04,840 --> 00:04:07,800
Speaker 1: next week. So earlier I hosted fun Fact Friday for

80
00:04:07,800 --> 00:04:10,440
Speaker 1: the last time. But what was fun is when Eddie

81
00:04:10,440 --> 00:04:12,720
Speaker 1: and Lunchbox compete in it. So you guys are both

82
00:04:12,720 --> 00:04:19,320
Speaker 1: bound five fun facts? Who won last time? Lunch All right?

83
00:04:19,480 --> 00:04:22,440
Speaker 1: A Fun Fact Friday off the person with the most

84
00:04:22,480 --> 00:04:25,080
Speaker 1: winds wins. Fun Fact Friday. All right, here we go,

85
00:04:25,400 --> 00:04:31,240
Speaker 1: fun all right, fact number five. We're going to lunchbox first,

86
00:04:31,240 --> 00:04:34,040
Speaker 1: our champion lunchbox. What is your fun fact? Well, Bobby,

87
00:04:34,200 --> 00:04:38,800
Speaker 1: did you know that some planets produce diamond rain. Saturn

88
00:04:38,839 --> 00:04:42,480
Speaker 1: and Jupiter are gas planets that produce a truly unique

89
00:04:42,520 --> 00:04:47,880
Speaker 1: form of weather. They rain diamonds on their planets. That's right,

90
00:04:48,040 --> 00:04:52,040
Speaker 1: instead of rain, it's diamonds fallen from the sky. So

91
00:04:52,080 --> 00:04:56,560
Speaker 1: if you need a new diamond, go to Saturn or Jupiter. Okay, okay,

92
00:04:56,640 --> 00:05:00,000
Speaker 1: that's fun. And they are as big as a centimeter across.

93
00:05:00,000 --> 00:05:06,760
Speaker 1: It's a big diamond. A centimeter is not that big. Yeah, okay, Eddie,

94
00:05:06,800 --> 00:05:08,359
Speaker 1: you're a fun fact. All right, here we go. This

95
00:05:08,440 --> 00:05:10,920
Speaker 1: is number five for Eddie. Did you know that the

96
00:05:10,960 --> 00:05:15,320
Speaker 1: biggest manufacturer of tires is I know you're thinking Michigan

97
00:05:15,480 --> 00:05:20,760
Speaker 1: Bridgetow it's Lego Legos. Yes, they make three hundred and

98
00:05:20,760 --> 00:05:25,279
Speaker 1: six million tires a year, like big Tires cars. No, no no, no, no,

99
00:05:25,440 --> 00:05:28,440
Speaker 1: like little Lego tires, but still the biggest manufacturer of

100
00:05:28,480 --> 00:05:32,640
Speaker 1: the world. Okay, So so up, first we have diamonds

101
00:05:32,720 --> 00:05:37,360
Speaker 1: and Jupiter and Lego makes the most tied three hundred

102
00:05:37,400 --> 00:05:41,240
Speaker 1: and six million. Judges are Morgan, Raymondo, myself, Raymondo. Who

103
00:05:41,279 --> 00:05:42,719
Speaker 1: do you give that one too? You go launch the

104
00:05:42,800 --> 00:05:45,760
Speaker 1: diamond thing. I recently got engaged married, so I'm into diamonds.

105
00:05:45,800 --> 00:05:50,920
Speaker 1: I like that, Okay, Morgan, I like space facts. So lunchbox, Okay,

106
00:05:51,120 --> 00:05:54,799
Speaker 1: I'm gonna go on lunchbox. Okay, they swept that one. Awesome,

107
00:05:54,839 --> 00:05:56,520
Speaker 1: Thanks guys. All right, here we go. Eddie, you're leading

108
00:05:56,520 --> 00:06:01,799
Speaker 1: off number four. Now. You made think like electrical storms,

109
00:06:01,839 --> 00:06:04,800
Speaker 1: things like that cause all the biggest power outages in

110
00:06:04,839 --> 00:06:06,920
Speaker 1: the US, But it's not. Do you know what causes

111
00:06:06,960 --> 00:06:09,000
Speaker 1: the most power outages in the US. I would have

112
00:06:09,000 --> 00:06:13,520
Speaker 1: thought lightning, Yeah right, something like that. Squirrels. Wow, squirrels

113
00:06:13,520 --> 00:06:15,440
Speaker 1: do they run around? They chew on little wire in

114
00:06:15,480 --> 00:06:17,840
Speaker 1: here and there and cause huge power outages more than

115
00:06:17,839 --> 00:06:22,360
Speaker 1: any more than anything else. Okay, lunchbox, what's your fun facts? Oh, Bobby,

116
00:06:22,440 --> 00:06:25,360
Speaker 1: you want to talk about fun Who doesn't like pickles?

117
00:06:25,560 --> 00:06:27,599
Speaker 1: I mean, we all love pickles. But did you know

118
00:06:27,800 --> 00:06:32,120
Speaker 1: in Connecticut it's illegal to sell a bounceless pickle. That's right.

119
00:06:32,360 --> 00:06:34,720
Speaker 1: They had to create the law in nineteen forty five

120
00:06:34,800 --> 00:06:38,680
Speaker 1: because Moses and Sydney were two pickle sellers that were

121
00:06:38,720 --> 00:06:41,400
Speaker 1: selling rotten pickles, so now they drop them. If they

122
00:06:41,400 --> 00:06:43,360
Speaker 1: could look at bounce, they were able to be sold.

123
00:06:44,440 --> 00:06:49,279
Speaker 1: All right, we have okay, we have Eddie and squirrels

124
00:06:49,320 --> 00:06:52,320
Speaker 1: and Lunchbox and pickles Ramondo, who do you award that

125
00:06:52,320 --> 00:06:55,080
Speaker 1: one too? I love squirrels and I love using the

126
00:06:55,120 --> 00:07:00,400
Speaker 1: word squirrels lunch I loved your fun facts, squirrel. I'm

127
00:07:00,520 --> 00:07:04,120
Speaker 1: the squirrel though, thank you. Okay, voted for you to

128
00:07:04,120 --> 00:07:07,720
Speaker 1: say Eddie. Sorry, Morgan, I'm going with Eddie because I

129
00:07:07,760 --> 00:07:10,840
Speaker 1: like the fact about squirrels. Okay, I'm glad Eddie. TI yeah,

130
00:07:11,960 --> 00:07:14,160
Speaker 1: come on, all right, let's go to the next one.

131
00:07:14,520 --> 00:07:20,720
Speaker 1: Number three. Oh Eddie, oh me, Okay, Costco sells enough

132
00:07:20,800 --> 00:07:24,320
Speaker 1: toilet paper a year to wrap around the world twelve

133
00:07:24,560 --> 00:07:27,840
Speaker 1: hundred times. Wow, that's a lot of toilet paper. I

134
00:07:27,840 --> 00:07:29,480
Speaker 1: think you can say twelve and I was gonna go wow, No,

135
00:07:29,640 --> 00:07:32,760
Speaker 1: twelve hundred times that's how much toilet paper. And they

136
00:07:32,800 --> 00:07:34,800
Speaker 1: said in twenty twenty, I mean they could probably go

137
00:07:34,880 --> 00:07:38,160
Speaker 1: around the world like five million times. Okay, Lunchbox, what's

138
00:07:38,160 --> 00:07:42,200
Speaker 1: your fun fact? Oh guys, the Mercedes back In nineteen

139
00:07:42,360 --> 00:07:45,480
Speaker 1: sixty six, they invented a car that you drive with

140
00:07:45,640 --> 00:07:48,400
Speaker 1: a joystick. It had no steering wheel, it had no

141
00:07:48,480 --> 00:07:50,760
Speaker 1: gas pedal, no brake pedal. You could sit in a

142
00:07:50,840 --> 00:07:54,840
Speaker 1: passenger seat and drive the car with a joystick. What

143
00:07:55,040 --> 00:07:59,520
Speaker 1: year nineteen sixty six, Mercedes F two hundred and what

144
00:07:59,560 --> 00:08:01,760
Speaker 1: happened when that car? I guess it didn't take off.

145
00:08:01,800 --> 00:08:03,760
Speaker 1: People didn't like it and they quit making it. But

146
00:08:03,880 --> 00:08:05,880
Speaker 1: you could drive it with the joystick. You could be

147
00:08:05,960 --> 00:08:08,760
Speaker 1: in the passenger's seat drive the car. All right, we

148
00:08:08,800 --> 00:08:12,680
Speaker 1: have Costco and toilet paper versus the joystick. Ray. I

149
00:08:12,800 --> 00:08:14,920
Speaker 1: just don't know how Eddie figured his fun Fact. I'm

150
00:08:14,960 --> 00:08:18,559
Speaker 1: going with launch the joystick car very amazing. That's crazy.

151
00:08:18,600 --> 00:08:21,600
Speaker 1: It was forty years ago. Huh. I mean Eddie just

152
00:08:21,640 --> 00:08:24,680
Speaker 1: read a fun Factor day. I mean it's on the internet.

153
00:08:25,240 --> 00:08:27,760
Speaker 1: I do think the toilet paper that is a little

154
00:08:27,800 --> 00:08:31,240
Speaker 1: more fun. Yeah, that's a lot of wraps around the world, Morgan,

155
00:08:31,800 --> 00:08:34,360
Speaker 1: I'm going with Eddie, it's a lot of toilet paper

156
00:08:36,320 --> 00:08:38,960
Speaker 1: into these self driving cars. Now, this was in nineteen

157
00:08:39,040 --> 00:08:41,120
Speaker 1: sixty six. You could like a remote control like on

158
00:08:41,160 --> 00:08:43,040
Speaker 1: a video game, and you guys are gonna lunch box

159
00:08:43,080 --> 00:08:44,840
Speaker 1: your toilet and not being fun. Right now, let's just

160
00:08:44,840 --> 00:08:48,800
Speaker 1: have fun not being fun. Okay, I've had listen, I've

161
00:08:48,800 --> 00:08:51,400
Speaker 1: had fun, and this is not it. Yeah, all right,

162
00:08:51,400 --> 00:08:56,640
Speaker 1: here we go, number two. Go number two, first Eddie,

163
00:08:56,640 --> 00:08:59,680
Speaker 1: since you won that last one. Okay. The CIA back

164
00:08:59,720 --> 00:09:04,400
Speaker 1: in nineteen sixty once tried to invent spycats. What the

165
00:09:04,440 --> 00:09:08,360
Speaker 1: idea was. It was called Operation Acoustic Kitty, and they

166
00:09:08,360 --> 00:09:11,280
Speaker 1: were gonna put they We're gonna put little implants in

167
00:09:11,520 --> 00:09:13,800
Speaker 1: cat's ears so they can go in places and hear

168
00:09:13,840 --> 00:09:16,480
Speaker 1: what they're talking about. They tried it at the at

169
00:09:16,480 --> 00:09:19,199
Speaker 1: the Soviet Embassy in the United States in Washington, DC,

170
00:09:19,640 --> 00:09:21,440
Speaker 1: and the cat guy run over by a taxi. So

171
00:09:21,480 --> 00:09:23,840
Speaker 1: they're like, bad operations, not gonna the control where that

172
00:09:23,840 --> 00:09:26,839
Speaker 1: cat goes. Yeah, so they pulled the operation into with

173
00:09:26,880 --> 00:09:31,240
Speaker 1: a cat dying. That wasn't fun, all right, lunchbox guys.

174
00:09:31,320 --> 00:09:33,720
Speaker 1: You know the Eiffel Tower. You've ever seen it on TV?

175
00:09:33,800 --> 00:09:35,640
Speaker 1: I've never been to it in person me either. But

176
00:09:36,160 --> 00:09:38,360
Speaker 1: let's say you go one winner and you take a

177
00:09:38,440 --> 00:09:40,600
Speaker 1: picture in front of it, and then you just saw

178
00:09:40,640 --> 00:09:42,320
Speaker 1: you know what, next summer, I'm gonna go back and

179
00:09:42,360 --> 00:09:44,480
Speaker 1: you get back and you're like, man, it sure does

180
00:09:44,559 --> 00:09:46,760
Speaker 1: look taller than it did last winter. It's because it

181
00:09:46,800 --> 00:09:50,040
Speaker 1: grows six inches in the summer, because the metal expands

182
00:09:50,040 --> 00:09:54,760
Speaker 1: in the heat. Six inches. You guys both, really, what

183
00:09:54,800 --> 00:09:57,719
Speaker 1: do you mean Operation Kitty Cat. You couldn't even you

184
00:09:57,760 --> 00:10:02,360
Speaker 1: couldn't even talk about you CII, Well, we're not we're

185
00:10:02,360 --> 00:10:05,199
Speaker 1: not doing speaking here, are you? Both? Loseth? Like that? What?

186
00:10:05,360 --> 00:10:07,320
Speaker 1: I not crushed that you don't think it's cool that

187
00:10:07,360 --> 00:10:11,120
Speaker 1: the Eiffel Tower grows and shrinks. That's incredible. Six inches

188
00:10:11,120 --> 00:10:13,440
Speaker 1: though it was like fifty feet. I would be like, wow,

189
00:10:14,360 --> 00:10:16,520
Speaker 1: six inches. You don't think you would want six inches?

190
00:10:16,520 --> 00:10:18,120
Speaker 1: So you could be six one? Just because I'm getting

191
00:10:18,160 --> 00:10:20,520
Speaker 1: lip I'm picking Eddie on that one, nice good one.

192
00:10:20,720 --> 00:10:24,679
Speaker 1: They both sucked, right, Eiffel Tower being a grower. Give

193
00:10:24,720 --> 00:10:28,120
Speaker 1: me lunchbox, all right, Morgan. I was going with Eddie

194
00:10:28,200 --> 00:10:30,520
Speaker 1: until he kill the cat, So I'm going with lunchbox.

195
00:10:30,559 --> 00:10:33,440
Speaker 1: Well I didn't kill the cat. You're not being fun

196
00:10:33,559 --> 00:10:35,800
Speaker 1: right now? All right, we're going to the final one.

197
00:10:35,800 --> 00:10:37,360
Speaker 1: Here we go. It all comes down to this fun

198
00:10:37,480 --> 00:10:40,960
Speaker 1: back on the question is did they save their best

199
00:10:41,000 --> 00:10:46,400
Speaker 1: for last? Lunchbox? You're up? Oh, guys, baseball umpires. You

200
00:10:46,440 --> 00:10:51,440
Speaker 1: know how they crouched behind the catcher rock Did you

201
00:10:51,480 --> 00:10:53,160
Speaker 1: know back in the day, they used to sit in

202
00:10:53,160 --> 00:10:55,400
Speaker 1: a rocking chair twenty feet behind home plate and watch

203
00:10:55,440 --> 00:10:57,520
Speaker 1: the game, And that's where they umpired from sitting in

204
00:10:57,559 --> 00:11:00,600
Speaker 1: the rocking chair. That's right, that's what you call a

205
00:11:00,600 --> 00:11:05,040
Speaker 1: home run fact. All right, it's pretty funny, Eddie. Did

206
00:11:05,160 --> 00:11:08,880
Speaker 1: you know Bones that the inventor of the Pringles can

207
00:11:09,720 --> 00:11:12,680
Speaker 1: loved his inventions so much that when he died, he

208
00:11:12,760 --> 00:11:16,320
Speaker 1: decided to be buried in one. So they cremated put

209
00:11:16,360 --> 00:11:19,839
Speaker 1: his ashes in the pringles can and he's buried that way. Wow.

210
00:11:20,200 --> 00:11:25,120
Speaker 1: Come on, wow, that's good. Huh wow, Morgan, that's for

211
00:11:25,160 --> 00:11:28,920
Speaker 1: the championship. Who was more fun? Eddie? Had another person dying,

212
00:11:28,960 --> 00:11:31,880
Speaker 1: and that's not really fun. Well, everybody died, he didn't

213
00:11:31,880 --> 00:11:37,120
Speaker 1: get murdered him. No, I'm just like a lobbied for

214
00:11:37,160 --> 00:11:39,600
Speaker 1: you earlier. Go ahead, Morgan, baseball is kind of fun.

215
00:11:39,640 --> 00:11:48,600
Speaker 1: Oh okay, oh uh Pringles Eddie, Raymundo, lawnch I'm sorry, dude,

216
00:11:48,600 --> 00:11:54,920
Speaker 1: Pringle's burial for the win, Eddie. Okay, Bones, Well it

217
00:11:54,960 --> 00:11:58,360
Speaker 1: doesn't matter because I kind of like the baseball win.

218
00:12:00,160 --> 00:12:12,600
Speaker 1: That's all right, but here's what we ask of you,

219
00:12:13,080 --> 00:12:15,840
Speaker 1: the wonderful listener of this show. Did you like that?

220
00:12:16,120 --> 00:12:18,120
Speaker 1: Do you like when we battle out fun facts? Do

221
00:12:18,200 --> 00:12:20,080
Speaker 1: we do winner stays up and play somebody new the

222
00:12:20,120 --> 00:12:23,040
Speaker 1: next week? We could always do that on Friday to

223
00:12:23,480 --> 00:12:25,800
Speaker 1: you man, I love looking up these facts. Um, but

224
00:12:25,880 --> 00:12:27,960
Speaker 1: let us know. Go to our Facebook page, let us

225
00:12:28,000 --> 00:12:31,440
Speaker 1: know over there. It's the best Bits of the Week

226
00:12:32,200 --> 00:12:37,240
Speaker 1: with Morgan. Number two. Jordan Davis came on the show

227
00:12:37,320 --> 00:12:40,240
Speaker 1: this week, and the main reason he came on is

228
00:12:40,280 --> 00:12:43,280
Speaker 1: because Bobby wanted to talk about his cameos. The video

229
00:12:43,320 --> 00:12:45,839
Speaker 1: app that people can go and buy a video from

230
00:12:45,840 --> 00:12:48,520
Speaker 1: their favorite celebrity. Jordan Davis is on it and their

231
00:12:48,640 --> 00:12:51,880
Speaker 1: hundred bucks apiece, but for a really good reason though.

232
00:12:52,000 --> 00:12:54,000
Speaker 1: Bobby kind of made front of him before. So it

233
00:12:54,040 --> 00:12:57,080
Speaker 1: was a really funny segment because Bobby kind of ended

234
00:12:57,160 --> 00:13:00,240
Speaker 1: up being the Breakfast Club puts it the donkey of

235
00:13:00,280 --> 00:13:03,400
Speaker 1: the day. So this is hilarious to listen to it.

236
00:13:03,440 --> 00:13:06,080
Speaker 1: But before we get into it, Scuba, I want to know,

237
00:13:06,120 --> 00:13:08,760
Speaker 1: have you ever bought something from a celebrity that's kind

238
00:13:08,800 --> 00:13:11,839
Speaker 1: of a big deal. I've never really purchased anything, Um,

239
00:13:11,920 --> 00:13:14,600
Speaker 1: not really into like buying memorabilia, but I have been

240
00:13:14,640 --> 00:13:20,840
Speaker 1: given memorabilia before from an artist Elvis. So wait, Elvis Presley,

241
00:13:20,920 --> 00:13:23,000
Speaker 1: Elvis Presley, the king of pop or king of whatever

242
00:13:23,000 --> 00:13:28,760
Speaker 1: he is. So there's a girl I dated in high

243
00:13:28,760 --> 00:13:32,480
Speaker 1: school and her grandmother dated a guy who was one

244
00:13:32,480 --> 00:13:35,400
Speaker 1: of those very famous Elvis impersonators, which there's a bunch

245
00:13:35,400 --> 00:13:36,760
Speaker 1: of mat there, but he's like one of the old

246
00:13:36,800 --> 00:13:39,640
Speaker 1: school ones. I'm like the seventies and eighties, and so

247
00:13:39,720 --> 00:13:43,280
Speaker 1: he was very obsessed with Elvis and he allegedly bought

248
00:13:43,280 --> 00:13:46,000
Speaker 1: this cane that was like this like tiger, like a

249
00:13:46,040 --> 00:13:49,080
Speaker 1: Memphis tiger. He had this wooden cane that he would

250
00:13:49,160 --> 00:13:52,679
Speaker 1: use as his prop with his costume for Elvis impersonations.

251
00:13:52,720 --> 00:13:55,120
Speaker 1: She had it after he passed, and then she gifted

252
00:13:55,120 --> 00:13:56,680
Speaker 1: it to me and said, hey, this is this was

253
00:13:56,760 --> 00:13:59,600
Speaker 1: Elvis's cane. I want you to have it. And so

254
00:13:59,640 --> 00:14:01,680
Speaker 1: she gave it to me and I've had it ever since,

255
00:14:02,160 --> 00:14:04,840
Speaker 1: I guess two thousand six or two thousand and seven. WHOA,

256
00:14:05,080 --> 00:14:07,600
Speaker 1: there's a little bit to break down here. First of all,

257
00:14:07,920 --> 00:14:09,760
Speaker 1: she gave you, as you guys were just dating this

258
00:14:10,040 --> 00:14:13,320
Speaker 1: awesome Elvis Presley, you think, and she didn't ever think, Hey,

259
00:14:13,360 --> 00:14:14,880
Speaker 1: I'm never going to break up with this man, and

260
00:14:15,240 --> 00:14:17,880
Speaker 1: what what are you like obsessed with Elvis that she

261
00:14:17,960 --> 00:14:19,880
Speaker 1: thought this would be like the perfect gift. No, I

262
00:14:19,880 --> 00:14:22,160
Speaker 1: don't even like Elvis, Like, I mean, I respect him,

263
00:14:22,200 --> 00:14:24,320
Speaker 1: but I'm not an Elvis fan per se. You're not

264
00:14:24,400 --> 00:14:26,720
Speaker 1: like listening to Elvis on repeat all the weekend. Yeah,

265
00:14:26,800 --> 00:14:28,880
Speaker 1: not like Bobby or Eddie who had they're really big

266
00:14:28,920 --> 00:14:31,560
Speaker 1: into Elvis. But it was so it was her grandmother's

267
00:14:31,600 --> 00:14:33,600
Speaker 1: they gave it to me. So her grandmother, I guess,

268
00:14:33,680 --> 00:14:35,600
Speaker 1: really loved me and was a huge fan of me

269
00:14:35,760 --> 00:14:38,640
Speaker 1: dating her granddaughter and just thought that I should have it.

270
00:14:38,680 --> 00:14:40,360
Speaker 1: And there was this whole plan that we're gonna get

271
00:14:40,360 --> 00:14:41,800
Speaker 1: married and all this crap. So they thought that we

272
00:14:41,800 --> 00:14:44,480
Speaker 1: were the forever couple. But it was high school sweethearts

273
00:14:44,480 --> 00:14:46,840
Speaker 1: and those usually don't end up. Well, that's what it was,

274
00:14:47,160 --> 00:14:49,200
Speaker 1: yest her. So she thought this was like, hey, this

275
00:14:49,280 --> 00:14:50,880
Speaker 1: is a gift for you. Keep it in the family.

276
00:14:51,080 --> 00:14:53,160
Speaker 1: So did your wife know the story? Does she care

277
00:14:53,640 --> 00:14:57,080
Speaker 1: that its gift that give you? She doesn't care, But

278
00:14:57,160 --> 00:14:59,320
Speaker 1: mostly she hates the fact that I've moved it from

279
00:14:59,320 --> 00:15:01,520
Speaker 1: house to how to house to house and stay the

280
00:15:01,680 --> 00:15:03,160
Speaker 1: entire time. She's like trying to get rid of this

281
00:15:03,240 --> 00:15:04,840
Speaker 1: damn thing and hopefully throw it away or I won't

282
00:15:04,880 --> 00:15:07,320
Speaker 1: notice it in a move thrown away. But I've kept

283
00:15:07,320 --> 00:15:09,400
Speaker 1: it every single time because if it is Elvis Presley's cane,

284
00:15:09,520 --> 00:15:11,680
Speaker 1: that's pretty cool. Well, yeah, I feel like you should

285
00:15:11,760 --> 00:15:13,600
Speaker 1: keep it because sometimes on the show we'd do these

286
00:15:13,640 --> 00:15:15,840
Speaker 1: gift exchange I think it was like a few years

287
00:15:15,840 --> 00:15:17,680
Speaker 1: back that we did one where you had to take

288
00:15:17,720 --> 00:15:19,720
Speaker 1: something from your house and gift it to other people.

289
00:15:19,880 --> 00:15:24,200
Speaker 1: Eddie gave me this really really cool camera, and you

290
00:15:24,200 --> 00:15:26,640
Speaker 1: could always gift it to somebody on the show, which

291
00:15:26,680 --> 00:15:29,360
Speaker 1: would kind of mean like a full circle moment if

292
00:15:29,360 --> 00:15:31,320
Speaker 1: you could ever part with it. Yeah, I'd be okay

293
00:15:31,320 --> 00:15:32,760
Speaker 1: with parting with it. I just need to find the

294
00:15:32,760 --> 00:15:35,160
Speaker 1: perfect person, and I feel like Bobby or Eddie would

295
00:15:35,160 --> 00:15:37,120
Speaker 1: be the person to give it to. But definitely like

296
00:15:37,280 --> 00:15:39,280
Speaker 1: has to be a big gift, because that's a huge item.

297
00:15:39,360 --> 00:15:42,040
Speaker 1: You can just be like I'm giving this to you

298
00:15:42,200 --> 00:15:44,080
Speaker 1: for fun. Yeah, No, I need to give you the

299
00:15:44,120 --> 00:15:47,280
Speaker 1: backstory and please treasure this because this is legit, or

300
00:15:47,360 --> 00:15:49,720
Speaker 1: hopefully it's legit. That's fair. I mean, I'm with you, though,

301
00:15:49,720 --> 00:15:53,160
Speaker 1: I don't think I've ever bought any memorabilia from an artist,

302
00:15:53,640 --> 00:15:56,280
Speaker 1: but I do have a really cool piece of memorabilia

303
00:15:56,320 --> 00:15:59,560
Speaker 1: that kind of happened myself. So Taylor Swift right before

304
00:15:59,600 --> 00:16:02,360
Speaker 1: she up in country music, so this is I mean

305
00:16:03,200 --> 00:16:07,120
Speaker 1: beginning of her career. She was playing a like dive

306
00:16:07,200 --> 00:16:10,440
Speaker 1: bar in Wichita, Kansas, my hometown, and I went with

307
00:16:10,480 --> 00:16:12,440
Speaker 1: my parents and my sister and we saw her and

308
00:16:13,160 --> 00:16:15,200
Speaker 1: it was just kind of like, hey, we had got

309
00:16:15,200 --> 00:16:17,480
Speaker 1: turned onto her kind of early, and it was a

310
00:16:17,520 --> 00:16:19,440
Speaker 1: new artist. It was a new show. It's like one

311
00:16:19,480 --> 00:16:21,480
Speaker 1: of those radio shows where it's like, hey, there's a

312
00:16:21,480 --> 00:16:24,120
Speaker 1: new artist in town, come see them. Okay, So I

313
00:16:24,240 --> 00:16:27,040
Speaker 1: go to the show. It's Taylor Swift, and she signs

314
00:16:27,080 --> 00:16:29,280
Speaker 1: my ticket, I take a picture with her. She compliments

315
00:16:29,320 --> 00:16:31,960
Speaker 1: my sister and I on our sun dresses and cowboy

316
00:16:31,960 --> 00:16:34,240
Speaker 1: boots we were wearing, because yes, I did that when

317
00:16:34,240 --> 00:16:38,040
Speaker 1: I went to the Stars. And then that next week

318
00:16:38,200 --> 00:16:41,960
Speaker 1: she blew up like blew up. And so I've had

319
00:16:41,960 --> 00:16:45,520
Speaker 1: this ticket stub in this photo of Taylor Swift before

320
00:16:45,680 --> 00:16:48,560
Speaker 1: she was ever actually Taylor Swift. That is pretty cool.

321
00:16:48,600 --> 00:16:50,080
Speaker 1: So this is probably when she was like twelve or

322
00:16:50,120 --> 00:16:52,680
Speaker 1: thirty I mean yeah, like really beginning, like it was

323
00:16:52,720 --> 00:16:55,600
Speaker 1: the week before she went and won like all of

324
00:16:55,640 --> 00:16:58,200
Speaker 1: her first awards at it was either the CMAS or

325
00:16:58,200 --> 00:17:00,560
Speaker 1: the ACMs, but it was like that week before and

326
00:17:00,600 --> 00:17:02,960
Speaker 1: we were like, what just happened? Like we just saw

327
00:17:03,000 --> 00:17:06,200
Speaker 1: her in a dive bar for free. Yeah, and there

328
00:17:06,240 --> 00:17:08,000
Speaker 1: now her she is on TV. You're like, what didn't

329
00:17:08,000 --> 00:17:10,440
Speaker 1: expect that when you watched her live at that moment?

330
00:17:10,480 --> 00:17:12,679
Speaker 1: Did you realize or had that moment where you're like, Oh,

331
00:17:12,680 --> 00:17:14,720
Speaker 1: this girl's gonna pop, She's gonna be big. Oh yeah,

332
00:17:14,760 --> 00:17:16,800
Speaker 1: I mean, especially when you win a bunch of awards,

333
00:17:16,800 --> 00:17:19,320
Speaker 1: that's how you know somebody's like really about to shoot

334
00:17:19,359 --> 00:17:21,639
Speaker 1: to start them, right, you know. So her doing that,

335
00:17:21,680 --> 00:17:24,879
Speaker 1: and then of course from there she's just skyrocketed to

336
00:17:25,000 --> 00:17:28,879
Speaker 1: like worldwide fame. So in that moment when I'm meeting her,

337
00:17:28,920 --> 00:17:30,680
Speaker 1: I'm like, Oh, she's really nice. This is a really

338
00:17:30,720 --> 00:17:34,560
Speaker 1: cool woman, and I hope she has a really good career. Yeah, good,

339
00:17:34,600 --> 00:17:36,560
Speaker 1: best of luck. You remember what some of the songs

340
00:17:36,560 --> 00:17:39,200
Speaker 1: did she perform that day? Well, Tim McGraw was one

341
00:17:39,200 --> 00:17:40,560
Speaker 1: of them, and I think that was the one that

342
00:17:40,600 --> 00:17:44,280
Speaker 1: I really very vividly remember and tear drops on my

343
00:17:44,320 --> 00:17:47,320
Speaker 1: guitar because this was her first album, and those were

344
00:17:47,320 --> 00:17:48,880
Speaker 1: the two songs that I was like, Okay, I really

345
00:17:48,880 --> 00:17:50,600
Speaker 1: like those. I'm gonna like go jam to those. And

346
00:17:50,640 --> 00:17:52,320
Speaker 1: then that next week I'm like, jam into the whole

347
00:17:52,320 --> 00:17:56,159
Speaker 1: album and she's winning awards and now she's Taylor Swift

348
00:17:56,200 --> 00:17:58,560
Speaker 1: and you're a Swiftian part of the fan club I am,

349
00:17:58,600 --> 00:18:01,240
Speaker 1: you know, even in that moment, like I just never

350
00:18:01,400 --> 00:18:03,720
Speaker 1: became too much of a fangirl. I think we were

351
00:18:03,720 --> 00:18:05,880
Speaker 1: in country music for so long in my life that

352
00:18:06,080 --> 00:18:09,080
Speaker 1: I've always just kind of like been really chill, and

353
00:18:09,200 --> 00:18:11,239
Speaker 1: especially as I joined this job, I now have to

354
00:18:11,280 --> 00:18:15,920
Speaker 1: have a lot of chill. I met and I joined

355
00:18:15,920 --> 00:18:18,160
Speaker 1: on my first day of work, I lost all chill

356
00:18:18,200 --> 00:18:22,000
Speaker 1: in that moment. Who's like my idol um? So after that, yeah,

357
00:18:22,160 --> 00:18:24,080
Speaker 1: I kind of have never lost it. Have you ever

358
00:18:24,119 --> 00:18:27,520
Speaker 1: lost it when you've met an artist throughout this entire

359
00:18:27,600 --> 00:18:29,560
Speaker 1: kind of career or a celebrity because you kind of

360
00:18:29,600 --> 00:18:32,359
Speaker 1: worked in TV two for a little bit. Yeah, And

361
00:18:32,400 --> 00:18:34,840
Speaker 1: it's not somebody who's like massive that anyone would know,

362
00:18:35,280 --> 00:18:37,199
Speaker 1: but I haven't see if I can pull their music up,

363
00:18:37,440 --> 00:18:39,639
Speaker 1: maybe someone listening would know who these people are. But

364
00:18:39,760 --> 00:18:41,720
Speaker 1: I was at a concert that we were doing, like

365
00:18:41,840 --> 00:18:45,840
Speaker 1: an event in Bakersfield, California, which is north of Los Angeles,

366
00:18:46,119 --> 00:18:47,520
Speaker 1: and I was part of a radio station there. I

367
00:18:47,520 --> 00:18:50,120
Speaker 1: would track there in the mid days while doing secrets job,

368
00:18:50,440 --> 00:18:52,679
Speaker 1: and it's like an alternative rock station. And they were

369
00:18:52,720 --> 00:18:54,840
Speaker 1: doing this big concert that that they had put on

370
00:18:54,840 --> 00:18:56,600
Speaker 1: once a year. It's a free concert and they have

371
00:18:56,680 --> 00:18:59,840
Speaker 1: some pretty decent acts that come through. And I stayed

372
00:18:59,840 --> 00:19:01,919
Speaker 1: at a hotel that night instead of driving back to

373
00:19:02,000 --> 00:19:03,440
Speaker 1: LA because we had a couple of drinks or whatever.

374
00:19:03,880 --> 00:19:06,720
Speaker 1: And I remember and I watched this band Holly Suspect.

375
00:19:06,800 --> 00:19:09,760
Speaker 1: Let's see if I can pull it up here real quick. Um,

376
00:19:09,800 --> 00:19:11,360
Speaker 1: I'll get to the hook here in a second. But yeah,

377
00:19:11,400 --> 00:19:13,800
Speaker 1: they were in the elevator with me, and I realized,

378
00:19:13,840 --> 00:19:15,920
Speaker 1: oh my god, that's Jonathan from the from the band

379
00:19:15,960 --> 00:19:18,639
Speaker 1: Holly Suspect. I was so cool, and get my business

380
00:19:18,680 --> 00:19:20,399
Speaker 1: card and and like, in my head, I have this

381
00:19:20,440 --> 00:19:23,119
Speaker 1: whole planned out thing of it going perfectly, and it

382
00:19:23,440 --> 00:19:25,840
Speaker 1: obviously didn't go that way when it came in into

383
00:19:25,880 --> 00:19:29,720
Speaker 1: real life. So here's the song. A little bit stupid band.

384
00:19:30,080 --> 00:19:34,440
Speaker 1: No they're not. They're more of like a like alternative rock. Yeah,

385
00:19:34,520 --> 00:19:36,359
Speaker 1: those screaming it's like some of you'd actually hear on

386
00:19:36,359 --> 00:19:38,800
Speaker 1: the on the mainstream radio, Like this song different what

387
00:19:38,800 --> 00:19:40,679
Speaker 1: ever sends you've screamed for us on the show. I'm

388
00:19:40,720 --> 00:19:42,959
Speaker 1: like prepared. Anything you play is going to be scream out.

389
00:19:43,440 --> 00:19:45,760
Speaker 1: I actually think you would like this band. It's pretty melodic,

390
00:19:46,160 --> 00:19:49,760
Speaker 1: pretty chill rock. Yeah, I take Okay, So did they

391
00:19:49,800 --> 00:19:52,280
Speaker 1: ever have any big hits? Yeah, this was their biggest hit.

392
00:19:52,520 --> 00:19:54,320
Speaker 1: This was on radio all over the place. Here, here's

393
00:19:54,320 --> 00:20:05,399
Speaker 1: the hook right here. Yeah okay, Yeah, so they're pretty

394
00:20:05,440 --> 00:20:07,399
Speaker 1: rather that. They're pretty cool, familiar. Yeah, you may have

395
00:20:07,440 --> 00:20:08,840
Speaker 1: heard it. I'm sure you've heard it. It's even betting

396
00:20:08,840 --> 00:20:10,600
Speaker 1: commercials and stuff. So I get in the elevator and

397
00:20:10,680 --> 00:20:12,159
Speaker 1: this is back before they really blew up. I just

398
00:20:12,240 --> 00:20:13,600
Speaker 1: I knew who they were because I was a fan

399
00:20:13,640 --> 00:20:15,760
Speaker 1: of the music. I walked in the elevator. In my head,

400
00:20:15,760 --> 00:20:17,600
Speaker 1: I had this whole thing planned out. It's gonna we're

401
00:20:17,600 --> 00:20:20,480
Speaker 1: gonna be best buds. It's gonna work out, like and

402
00:20:20,520 --> 00:20:21,800
Speaker 1: so I get in the elevator and I was like,

403
00:20:21,880 --> 00:20:24,639
Speaker 1: and this is what came out, And then this is

404
00:20:24,680 --> 00:20:26,240
Speaker 1: what I was trying to say. So what came out

405
00:20:26,320 --> 00:20:31,280
Speaker 1: was a business card, would come good coming vats interview.

406
00:20:31,400 --> 00:20:33,800
Speaker 1: I'm in LA. I'm not in Bakersfield, all right, man,

407
00:20:34,440 --> 00:20:39,560
Speaker 1: see ya. Basically I'm about to jumble the words and

408
00:20:39,640 --> 00:20:42,159
Speaker 1: all I probably got with hears my business card, my

409
00:20:42,200 --> 00:20:44,760
Speaker 1: sweaty ham and my sweaty business card. What I was

410
00:20:44,880 --> 00:20:47,000
Speaker 1: trying to say in the elevator with this guy and

411
00:20:47,080 --> 00:20:49,480
Speaker 1: his big, huge security guard. Next on was hey, man,

412
00:20:49,920 --> 00:20:51,600
Speaker 1: my name is Steve. I was at the show. I

413
00:20:51,640 --> 00:20:54,600
Speaker 1: saw you there. You guys were great, wonderful performance. Here's

414
00:20:54,680 --> 00:20:57,440
Speaker 1: my business card. I'm actually based in Los Angeles. Next

415
00:20:57,480 --> 00:20:59,280
Speaker 1: time you guys are in LA, I love to give

416
00:20:59,320 --> 00:21:01,080
Speaker 1: you to come by this l We'll do an interview.

417
00:21:01,080 --> 00:21:03,359
Speaker 1: We'll put it on the station and be fun. Again.

418
00:21:03,440 --> 00:21:06,120
Speaker 1: Great job tonight, See you guys next time. But none

419
00:21:06,119 --> 00:21:08,560
Speaker 1: of that came out, so I'm guessing you also never

420
00:21:08,640 --> 00:21:11,119
Speaker 1: got a chance to interview them. He never and the

421
00:21:11,119 --> 00:21:13,720
Speaker 1: business card a hat said Ryan Seacrest, executive producer or

422
00:21:13,760 --> 00:21:16,280
Speaker 1: something like, Okay, he's gonna think I'm some legit person,

423
00:21:16,280 --> 00:21:19,000
Speaker 1: like he's definitely gonna take the offer. But never heard

424
00:21:19,000 --> 00:21:21,760
Speaker 1: from him ever again. Like this guy we interview with him,

425
00:21:21,760 --> 00:21:23,399
Speaker 1: he's just gonna mumble things and I'm going to know

426
00:21:23,400 --> 00:21:27,160
Speaker 1: what's happening exactly like blacked out. It was just such

427
00:21:27,160 --> 00:21:30,280
Speaker 1: a bad experience, but you know, but cool for you

428
00:21:30,320 --> 00:21:32,720
Speaker 1: in the moment, you just did it. For them, it

429
00:21:32,800 --> 00:21:36,560
Speaker 1: probably wasn't cool, but for you, you were freaking out. Yeah,

430
00:21:36,560 --> 00:21:38,960
Speaker 1: they were annoyed by me. Probably get this guy out

431
00:21:38,960 --> 00:21:42,440
Speaker 1: of the damn elevator. Let's go. Okay, that's a good

432
00:21:42,480 --> 00:21:45,600
Speaker 1: story to end novel. Here is Jordan Davis talking all

433
00:21:45,640 --> 00:21:49,640
Speaker 1: about his cameos. Plus he also shares something that's very

434
00:21:49,680 --> 00:21:53,439
Speaker 1: honest about his latest single, So here we go number

435
00:21:53,480 --> 00:21:58,000
Speaker 1: six on the Bobby Bones Show. Now I want to

436
00:21:58,000 --> 00:22:01,600
Speaker 1: bring Jordan on. You may know Jordan from a bunch

437
00:22:01,640 --> 00:22:03,240
Speaker 1: of hits, and I love the guy. You know reason

438
00:22:03,320 --> 00:22:04,919
Speaker 1: I'm bringing them on, it's because I feel like I

439
00:22:04,960 --> 00:22:06,199
Speaker 1: love him so I can give him a little bit

440
00:22:06,200 --> 00:22:08,560
Speaker 1: of crap. Okay, by the way, Jordan, Hello, my friend,

441
00:22:09,040 --> 00:22:12,720
Speaker 1: what's up? Buddy? Okay? Let me remind people, uh play

442
00:22:12,760 --> 00:22:22,000
Speaker 1: me at Jordan Davis hit please ray So we need

443
00:22:22,040 --> 00:22:29,119
Speaker 1: to talk. So that's almost Maybes and here singles you up,

444
00:22:30,080 --> 00:22:32,600
Speaker 1: you up. You've got a bunch of hits. Let me

445
00:22:32,600 --> 00:22:34,040
Speaker 1: tell I'm gonna say it again out loud, just so

446
00:22:34,040 --> 00:22:36,760
Speaker 1: everybody knows. I love the guy like Jordan and I

447
00:22:36,840 --> 00:22:41,400
Speaker 1: could hang out, no problem. Uh, Jordan, Now now I'm

448
00:22:41,400 --> 00:22:44,440
Speaker 1: getting I'm getting nervous. Well, no, it's not nervous, and

449
00:22:44,920 --> 00:22:47,679
Speaker 1: you didn't do anything wrong. But I was on UM

450
00:22:48,160 --> 00:22:50,879
Speaker 1: cameo looking for Raymundo last night because he's on, and

451
00:22:50,920 --> 00:22:52,280
Speaker 1: I type and I see which one of my friends

452
00:22:52,280 --> 00:22:54,119
Speaker 1: are on cameo and I type in country music, and

453
00:22:54,119 --> 00:22:55,600
Speaker 1: I see you pop up on cameo, and I'm like,

454
00:22:55,640 --> 00:22:59,439
Speaker 1: look at Jordan, will never ever tell somebody not to

455
00:22:59,440 --> 00:23:01,640
Speaker 1: do something to make some money, especially like your fans demanded.

456
00:23:01,720 --> 00:23:04,119
Speaker 1: I think that's awesome. But I saw you charge one

457
00:23:04,160 --> 00:23:08,920
Speaker 1: hundred dollars for a cameo. No, no, no, no, no no.

458
00:23:10,000 --> 00:23:14,320
Speaker 1: That that was from we started a cameo to give

459
00:23:14,440 --> 00:23:17,560
Speaker 1: proceeds to the hurricane in South Louisiana. Oh I'm about

460
00:23:17,600 --> 00:23:20,920
Speaker 1: to feel real bad about this. Okay. All I saw

461
00:23:21,040 --> 00:23:24,720
Speaker 1: was Jordan Davis one hundred dollars, okay is it? No? No? Okay,

462
00:23:24,760 --> 00:23:28,000
Speaker 1: go ahead, all proceeds are giving away off the cameo

463
00:23:28,080 --> 00:23:30,800
Speaker 1: because I'm I'm all for that, like I do not,

464
00:23:30,960 --> 00:23:34,440
Speaker 1: especially like the time we've been going through. I'm not

465
00:23:34,640 --> 00:23:38,800
Speaker 1: about charging high numbers for cameo, but I've never made

466
00:23:38,840 --> 00:23:43,000
Speaker 1: a dime off the cameo. Well, I am, as Charla

467
00:23:43,080 --> 00:23:45,480
Speaker 1: Magne would say, I am the donkey of the day today.

468
00:23:46,720 --> 00:23:48,320
Speaker 1: Is there anything else you'd like to talk about? I

469
00:23:48,320 --> 00:23:50,320
Speaker 1: would like to Okay, I'd like to tell people to

470
00:23:50,320 --> 00:23:52,760
Speaker 1: go get a cameo from Jordan Davis because I've never

471
00:23:52,800 --> 00:23:55,760
Speaker 1: seen it worth more. It is perfectly worth that money.

472
00:23:56,200 --> 00:24:01,800
Speaker 1: So they such an idiot, So they buy a cameo

473
00:24:01,960 --> 00:24:04,760
Speaker 1: from you, You send him a message, and then after

474
00:24:04,800 --> 00:24:07,399
Speaker 1: that the money goes to good causes? Is that what

475
00:24:07,440 --> 00:24:09,760
Speaker 1: you're saying? So yeah, yeah, we started it with the

476
00:24:09,880 --> 00:24:13,639
Speaker 1: hurricane relief to where now we will give it to

477
00:24:13,760 --> 00:24:18,760
Speaker 1: whatever charity or whatever we're feeling needs some financial help. So,

478
00:24:18,840 --> 00:24:22,120
Speaker 1: but no, that is not for profit. I promise listen.

479
00:24:22,119 --> 00:24:23,720
Speaker 1: If it was, I wouldn't care. I was just gonna

480
00:24:23,720 --> 00:24:26,560
Speaker 1: say I thought one hundred bucks was quite the ask.

481
00:24:26,920 --> 00:24:30,000
Speaker 1: But it makes sense if it's for a good cause. Okay, Yeah,

482
00:24:30,080 --> 00:24:32,159
Speaker 1: well I kind of hate me right now. I'll be

483
00:24:32,240 --> 00:24:35,840
Speaker 1: honest with you. Um, but what did I expect from Jordan?

484
00:24:35,920 --> 00:24:39,840
Speaker 1: Of course he's gonna be a let me hear I

485
00:24:39,880 --> 00:24:41,679
Speaker 1: could take that. Man. I was nervous right when you

486
00:24:41,760 --> 00:24:43,920
Speaker 1: starting that, Bobby, I'd say, oh man, what have I done?

487
00:24:45,119 --> 00:24:49,280
Speaker 1: Let me hear THEE congratulates you on a beautiful little

488
00:24:49,320 --> 00:24:52,800
Speaker 1: paper board, nash Us. You are in for a lot

489
00:24:52,840 --> 00:24:56,240
Speaker 1: of fun. It's so amazing what him grow up and

490
00:24:56,440 --> 00:25:01,399
Speaker 1: Any's sweet on his two don't day. I'm the dunkey

491
00:25:01,440 --> 00:25:06,399
Speaker 1: of the day. Uh Jordan, Well, crap, um good, I'm

492
00:25:06,400 --> 00:25:09,000
Speaker 1: happy about it. Well, how many is he doing? Yeah?

493
00:25:09,040 --> 00:25:12,720
Speaker 1: Are you? Are you doing a cameos these days? Now?

494
00:25:12,760 --> 00:25:15,040
Speaker 1: We backed off? We were doing a lot right when

495
00:25:15,160 --> 00:25:18,840
Speaker 1: the hurricane hit. Uh. But I mean, like y'all say,

496
00:25:18,880 --> 00:25:21,600
Speaker 1: that's a that's a big ask. So I really don't

497
00:25:21,640 --> 00:25:25,000
Speaker 1: get a ton of request. Well, now I feel worse

498
00:25:25,080 --> 00:25:28,040
Speaker 1: because now he's lonely and no one's requesting him. I know, man,

499
00:25:28,520 --> 00:25:30,800
Speaker 1: Now you salt on a wound, Bobby, Why don't you

500
00:25:30,800 --> 00:25:32,200
Speaker 1: have to open that back up? Can I tell you

501
00:25:32,240 --> 00:25:34,320
Speaker 1: about Jordan for one second? Lace a great guy. His

502
00:25:34,359 --> 00:25:38,080
Speaker 1: wife's an attorney. Really yeah, like it's the perfect balance.

503
00:25:38,440 --> 00:25:41,240
Speaker 1: And also, but Jordan's like a super I was making

504
00:25:41,240 --> 00:25:43,680
Speaker 1: them out mount rushmore of smart guys in country music

505
00:25:44,040 --> 00:25:47,320
Speaker 1: and Matt Stelle, you know, med school guy's got his masters.

506
00:25:47,320 --> 00:25:50,159
Speaker 1: But Jordan Davis is like studying all this, like saving

507
00:25:50,200 --> 00:25:53,560
Speaker 1: the world resources. Like what was your degree at ALIC you, Jordan?

508
00:25:54,440 --> 00:25:58,560
Speaker 1: It was environmental science major in resource conservation. And that's

509
00:25:58,560 --> 00:26:00,359
Speaker 1: what he was going to do. He literally that was

510
00:26:00,359 --> 00:26:02,240
Speaker 1: his life. He was already doing it, and so on

511
00:26:02,320 --> 00:26:04,000
Speaker 1: the smart guy. We only have two smart guys on

512
00:26:04,000 --> 00:26:06,840
Speaker 1: it right now, Matt Stell and Jordan Davis. But I'm

513
00:26:06,840 --> 00:26:09,440
Speaker 1: the smart guy, Mount Rushmore. Jordan's up there. I always

514
00:26:09,480 --> 00:26:14,399
Speaker 1: thought Jordan played music and hunted and played golf. He

515
00:26:14,440 --> 00:26:17,359
Speaker 1: does that and that's it, and did cameos for a

516
00:26:17,480 --> 00:26:23,000
Speaker 1: crazy price. Yeah. Well, listen, your song is now top fifteen.

517
00:26:23,280 --> 00:26:26,240
Speaker 1: It's moving at a good pace almost maybe's I'm gonna

518
00:26:26,280 --> 00:26:28,920
Speaker 1: play this here as a way to apologize for this

519
00:26:28,920 --> 00:26:31,640
Speaker 1: this call waking him up and you're harassing him. Tell

520
00:26:31,680 --> 00:26:33,679
Speaker 1: me about this song, Jordan, tell me, just give me

521
00:26:33,720 --> 00:26:35,440
Speaker 1: a fun fact about it before we play it. I'll

522
00:26:35,440 --> 00:26:37,520
Speaker 1: say the first line of the song, I have one

523
00:26:37,600 --> 00:26:40,480
Speaker 1: say goodbye and a baton rouge college bar. That's one

524
00:26:40,520 --> 00:26:44,440
Speaker 1: hundred percent of true story. Bogie's Bogie's Bar and Baton

525
00:26:44,520 --> 00:26:47,480
Speaker 1: rouge you got dunk. Wasn't fun, wasn't a good night.

526
00:26:48,640 --> 00:26:53,400
Speaker 1: There you have it. Picture that this sad guy, very giving, humble.

527
00:26:54,160 --> 00:26:57,920
Speaker 1: All right, Jordan, appreciate you. Thanks for taking our call. Hey,

528
00:26:57,920 --> 00:26:59,760
Speaker 1: thanks buddy, we talk to him. I feel worse about

529
00:26:59,800 --> 00:27:04,520
Speaker 1: my here whatever to put him over. It's the best

530
00:27:04,640 --> 00:27:09,360
Speaker 1: bits of the week with Morgan number two. In a

531
00:27:09,520 --> 00:27:11,880
Speaker 1: very twisted turn of events, this week, we found out

532
00:27:11,920 --> 00:27:15,720
Speaker 1: that Eddie's son has a locked diary basically a journal

533
00:27:15,720 --> 00:27:18,199
Speaker 1: because he's a guy and he has a locked journal.

534
00:27:18,320 --> 00:27:20,639
Speaker 1: But Eddie had said when we brought this whole segment

535
00:27:20,720 --> 00:27:23,159
Speaker 1: up with Amy that you know, there's no secrets in

536
00:27:23,240 --> 00:27:25,880
Speaker 1: his house and this probably doesn't exist in his house.

537
00:27:25,920 --> 00:27:28,480
Speaker 1: And he found out he was kind of wrong. But

538
00:27:28,560 --> 00:27:31,000
Speaker 1: that's okay. You know, we talk about it all the things.

539
00:27:31,000 --> 00:27:33,800
Speaker 1: But Scuba, I want to know, would you allow your

540
00:27:33,880 --> 00:27:36,399
Speaker 1: kids to have a locked diary or journal? You have

541
00:27:36,480 --> 00:27:39,280
Speaker 1: two of them? Yeah, what would you do? I never

542
00:27:39,320 --> 00:27:41,000
Speaker 1: have one, so I don't have the purse the first

543
00:27:41,000 --> 00:27:43,639
Speaker 1: hand experience of a diary. I'll thank you, but I

544
00:27:43,640 --> 00:27:45,360
Speaker 1: would I think I would allow it. Yeah, I feel

545
00:27:45,359 --> 00:27:47,200
Speaker 1: like it's healthy for them to get their feelings out.

546
00:27:47,640 --> 00:27:48,920
Speaker 1: I mean, think about a lot of the artists we

547
00:27:48,960 --> 00:27:51,119
Speaker 1: talked to and deal with. They've got a diary in

548
00:27:51,160 --> 00:27:53,480
Speaker 1: a sense, or a journal they write into to write

549
00:27:53,480 --> 00:27:56,280
Speaker 1: about songs and all that. What if my son or

550
00:27:56,359 --> 00:27:59,240
Speaker 1: daughter writes in this journal and it becomes like they're

551
00:27:59,359 --> 00:28:02,000
Speaker 1: they've kind find themselves in it. It becomes a form

552
00:28:02,000 --> 00:28:04,280
Speaker 1: of therapy and they become an artist, and they turn

553
00:28:04,320 --> 00:28:07,360
Speaker 1: their journal writings into songs, don't I guess the whole

554
00:28:07,359 --> 00:28:08,960
Speaker 1: point is you don't know what is in the diary

555
00:28:09,200 --> 00:28:11,240
Speaker 1: and what it could turn into. So I'm open to

556
00:28:11,320 --> 00:28:13,760
Speaker 1: letting them have it. So even if it's locked and

557
00:28:13,920 --> 00:28:17,040
Speaker 1: you can't have any access, Yeah, I mean, I think

558
00:28:17,040 --> 00:28:19,000
Speaker 1: when it comes to that, you let it happen. If

559
00:28:19,000 --> 00:28:21,920
Speaker 1: there are any signs that they may be in trouble

560
00:28:22,040 --> 00:28:24,520
Speaker 1: or have some sort of mental problems or something's wrong

561
00:28:24,560 --> 00:28:27,520
Speaker 1: with them, maybe then you just kind of without them knowing,

562
00:28:27,560 --> 00:28:29,160
Speaker 1: get into it and look at it. But if there's

563
00:28:29,160 --> 00:28:32,439
Speaker 1: no signs of them being troubled, then I feel like

564
00:28:32,440 --> 00:28:34,680
Speaker 1: it's fine for them to have it. Is there anything

565
00:28:34,720 --> 00:28:37,840
Speaker 1: that you are a little concerned you might have passed

566
00:28:37,840 --> 00:28:40,080
Speaker 1: down to your kids that you're like, I really hope

567
00:28:40,120 --> 00:28:42,920
Speaker 1: they don't have this like from you or genetically no,

568
00:28:43,080 --> 00:28:46,840
Speaker 1: just like anything genetically personality, just traits of yours that

569
00:28:46,920 --> 00:28:50,640
Speaker 1: you're like, I really hope that my kids don't do this.

570
00:28:50,800 --> 00:28:54,280
Speaker 1: That I do one of the biggest things that I

571
00:28:54,360 --> 00:28:56,560
Speaker 1: want and I'll instill in my kids. And I even

572
00:28:56,560 --> 00:28:59,120
Speaker 1: tell like my nieces and nephews is the and we

573
00:28:59,160 --> 00:29:01,520
Speaker 1: all deal with this is being stuck in our head

574
00:29:01,840 --> 00:29:04,440
Speaker 1: and the perception of what we think versus what reality

575
00:29:04,480 --> 00:29:07,200
Speaker 1: really is. Like my biggest problem growing up was I

576
00:29:07,280 --> 00:29:11,160
Speaker 1: was always afraid of what people thought and caring so

577
00:29:11,280 --> 00:29:14,160
Speaker 1: much about what they feel about me, when in reality

578
00:29:14,200 --> 00:29:16,320
Speaker 1: they probably didn't give a crap, so things like that.

579
00:29:16,400 --> 00:29:18,040
Speaker 1: Was really good at I was good at sports. I

580
00:29:18,040 --> 00:29:20,920
Speaker 1: was really good at basketball and football. But because I

581
00:29:21,160 --> 00:29:23,080
Speaker 1: felt like, oh, I'm gonna go there in the field,

582
00:29:23,080 --> 00:29:24,520
Speaker 1: and if I mess up, everyone's gonna laugh at me,

583
00:29:24,560 --> 00:29:26,960
Speaker 1: everyone's gonna do whatever, they're gonna say something. I got

584
00:29:27,000 --> 00:29:29,960
Speaker 1: so anxiety ridden of that that I would never even

585
00:29:30,000 --> 00:29:32,440
Speaker 1: try out for basketball or for football because I was

586
00:29:32,480 --> 00:29:34,880
Speaker 1: so worried to be ridiculed, when in reality, no one

587
00:29:34,920 --> 00:29:36,920
Speaker 1: really does that. But you get stuck in your head

588
00:29:37,280 --> 00:29:39,760
Speaker 1: thinking that people are going to always judge you when

589
00:29:40,040 --> 00:29:42,560
Speaker 1: even if they are, who cares, Like, who really cares

590
00:29:42,600 --> 00:29:45,480
Speaker 1: what anyone thinks about you, especially in the adolescent stages,

591
00:29:45,520 --> 00:29:48,280
Speaker 1: because most of those people they pretty much leave your

592
00:29:48,280 --> 00:29:50,320
Speaker 1: life once you get onto college and move on in

593
00:29:50,320 --> 00:29:52,520
Speaker 1: the adult world. So you're kind of hoping to pass

594
00:29:52,560 --> 00:29:55,160
Speaker 1: on this like care free kind of more personality that

595
00:29:55,240 --> 00:29:57,680
Speaker 1: you didn't kind of get to have a kid to

596
00:29:57,720 --> 00:29:59,960
Speaker 1: your kids. Yeah, until I turned eighteen, once I started

597
00:30:00,120 --> 00:30:03,200
Speaker 1: getting into what I'm into now with with entertainment and

598
00:30:03,360 --> 00:30:05,080
Speaker 1: music and all that. Then I started to just be like,

599
00:30:05,080 --> 00:30:07,080
Speaker 1: you know what, who cares what anyone thinks? And I'm

600
00:30:07,080 --> 00:30:08,560
Speaker 1: just gonna be mean. If you don't like me, then

601
00:30:08,760 --> 00:30:12,000
Speaker 1: you're not part of my life, you know. So that's

602
00:30:12,040 --> 00:30:14,360
Speaker 1: like a right piece of advice there from Scuba Steve.

603
00:30:14,520 --> 00:30:17,160
Speaker 1: I dig it, even if you're not his children, I'm

604
00:30:17,200 --> 00:30:19,040
Speaker 1: going to take that advice. I mean, I kind of

605
00:30:19,040 --> 00:30:21,320
Speaker 1: already am, but I'm still taking any advice. Yeah, But

606
00:30:21,480 --> 00:30:24,200
Speaker 1: also I would like to know, is there something you

607
00:30:24,280 --> 00:30:27,440
Speaker 1: hope your kids like do when they get older? Is

608
00:30:27,440 --> 00:30:29,280
Speaker 1: there something like if you could say, hey, I really

609
00:30:29,320 --> 00:30:31,120
Speaker 1: want this to happen for them, like to be an

610
00:30:31,200 --> 00:30:33,840
Speaker 1: artist or be a comedian. Is there something that you

611
00:30:33,920 --> 00:30:35,960
Speaker 1: kind of just hope happens for one of your kids,

612
00:30:35,960 --> 00:30:39,200
Speaker 1: like professionally, like their job wise. Yeah, I really hope

613
00:30:39,240 --> 00:30:41,360
Speaker 1: because I could see to my son now, I really

614
00:30:41,400 --> 00:30:44,040
Speaker 1: hope that he does do the sports because he's not

615
00:30:44,120 --> 00:30:46,720
Speaker 1: even he just turned three and that duke and dribble

616
00:30:46,720 --> 00:30:48,600
Speaker 1: a soccer ball and I've been to soccer matches with

617
00:30:48,640 --> 00:30:51,600
Speaker 1: three year olds and they're literally picking daisies in the grass,

618
00:30:51,600 --> 00:30:53,760
Speaker 1: like not doing anything. They're just it's just like a

619
00:30:54,000 --> 00:30:55,760
Speaker 1: it's just they're there to be there. My son can

620
00:30:55,840 --> 00:30:59,120
Speaker 1: legit play soccer, so I'm hoping that he takes that,

621
00:30:59,240 --> 00:31:02,360
Speaker 1: harnesses it, does soccer and then can pivot as an

622
00:31:02,400 --> 00:31:06,040
Speaker 1: adult and become an NFL kicker, because an NFL kicker

623
00:31:06,640 --> 00:31:09,480
Speaker 1: is somebody that never gets tackled, never really gets hit

624
00:31:09,600 --> 00:31:11,920
Speaker 1: or hurt for the most part. They have like thirty

625
00:31:11,960 --> 00:31:15,520
Speaker 1: forty year careers like Gary Anderson and Sebastian Janikowski. They

626
00:31:15,520 --> 00:31:16,920
Speaker 1: can go to a bar the night before and get

627
00:31:16,960 --> 00:31:19,520
Speaker 1: tanked next morning, wake up and go play football and

628
00:31:19,600 --> 00:31:21,400
Speaker 1: make a decent salary a minute, you know, like a

629
00:31:21,440 --> 00:31:23,480
Speaker 1: million plus a year. So I kind of hope that

630
00:31:23,520 --> 00:31:25,880
Speaker 1: he does that. Soccer to football well, and to be fair,

631
00:31:26,000 --> 00:31:29,560
Speaker 1: soccer is massive, not as much in the United States

632
00:31:29,600 --> 00:31:31,640
Speaker 1: as it is some other countries, but it is a

633
00:31:32,000 --> 00:31:34,880
Speaker 1: I mean, Christianado Ronaldo. Is that Am I saying that

634
00:31:34,960 --> 00:31:38,640
Speaker 1: name correctly? Yeah? Christianado Ronaldo. Yeah, he's like, I'm one

635
00:31:38,680 --> 00:31:42,720
Speaker 1: of the most followed stars on Instagram, So, like soccer

636
00:31:42,800 --> 00:31:44,640
Speaker 1: star could also be a thing. But I mean cool

637
00:31:44,680 --> 00:31:46,200
Speaker 1: to know that he could be a soccer star or

638
00:31:46,240 --> 00:31:48,760
Speaker 1: an NFL player. And you hurt it here first, but

639
00:31:48,840 --> 00:31:50,680
Speaker 1: if he doesn't go NFL, like you said to your point,

640
00:31:50,720 --> 00:31:53,680
Speaker 1: he can go into football soccer and that'd be really

641
00:31:53,720 --> 00:31:55,120
Speaker 1: cool for him too. I would hope that he would

642
00:31:55,120 --> 00:31:57,440
Speaker 1: then go into that because he can go play in Spain,

643
00:31:57,560 --> 00:31:58,920
Speaker 1: or he can go play in you know, somewhere in

644
00:31:58,960 --> 00:32:01,800
Speaker 1: Europe or a South America and really culture himself and

645
00:32:01,880 --> 00:32:04,880
Speaker 1: move around this country in this world. So definitely, for sure,

646
00:32:04,960 --> 00:32:08,520
Speaker 1: like a professional athlete is something you could see happening, Yes, definitely.

647
00:32:08,600 --> 00:32:10,040
Speaker 1: And even music a little bit too. We have a

648
00:32:10,120 --> 00:32:12,160
Speaker 1: drum set of the house and he can play drums

649
00:32:12,160 --> 00:32:14,520
Speaker 1: to a certain degree, like he's learning like rhythm and

650
00:32:14,600 --> 00:32:17,200
Speaker 1: beats and hitting all the different stuff in the drums. Hey,

651
00:32:17,280 --> 00:32:19,080
Speaker 1: you know you never know. He could be an athlete

652
00:32:19,080 --> 00:32:21,400
Speaker 1: that comes out and he's like, I'm putting out an album. Yeah,

653
00:32:21,840 --> 00:32:24,080
Speaker 1: actors do all the time, like Jared Letto. Jared Letto

654
00:32:24,120 --> 00:32:26,720
Speaker 1: was an actor. He's also a lead singer thirty seconds

655
00:32:26,760 --> 00:32:29,760
Speaker 1: to Mars. So you could easily do multiple things. Yeah. Hey,

656
00:32:29,760 --> 00:32:31,520
Speaker 1: when you get famous, you can kind of did brutes

657
00:32:31,560 --> 00:32:34,560
Speaker 1: in anywhere. It doesn't really matter. Yeah, exactly. Okay, Well,

658
00:32:34,600 --> 00:32:38,840
Speaker 1: here is Eddie talking about finding his son's locked journal

659
00:32:38,880 --> 00:32:42,440
Speaker 1: and if he's going to open it. Number five's good?

660
00:32:42,880 --> 00:32:46,200
Speaker 1: What's happening to friends? Welcome to Thursday's show moren Studio More.

661
00:32:47,600 --> 00:32:50,720
Speaker 1: We talked last week and I mentioned if you were

662
00:32:50,760 --> 00:32:54,720
Speaker 1: to find your partner's diary and it was all their

663
00:32:54,720 --> 00:32:58,560
Speaker 1: secrets and everything they thought about you and life, would

664
00:32:58,600 --> 00:33:01,520
Speaker 1: you open it up and read it? And I think

665
00:33:01,560 --> 00:33:05,360
Speaker 1: everybody said yes they would, except for me. I just

666
00:33:05,400 --> 00:33:08,040
Speaker 1: don't want to know. But we had that conversation and

667
00:33:08,080 --> 00:33:09,560
Speaker 1: I asked Eddie, I said, hey, if you if your

668
00:33:09,600 --> 00:33:13,640
Speaker 1: kids had one, and you said yes, you'd read it right. Absolutely,

669
00:33:13,640 --> 00:33:16,000
Speaker 1: there are no secrets in my house, is what I said. Well,

670
00:33:16,040 --> 00:33:19,040
Speaker 1: there is an update, Eddie. Let the show know. I

671
00:33:19,080 --> 00:33:21,560
Speaker 1: did not know this but apparently my seven year old

672
00:33:21,560 --> 00:33:25,040
Speaker 1: son already owns a lock diary. Is it a diary

673
00:33:25,040 --> 00:33:27,640
Speaker 1: for a guy? No? No, he and he said specifically,

674
00:33:27,680 --> 00:33:29,880
Speaker 1: it's not a diary, Dad, it's a journal. It's a

675
00:33:29,920 --> 00:33:31,880
Speaker 1: locked journal, is what I have. And it's got It's

676
00:33:31,880 --> 00:33:34,640
Speaker 1: just a little book and it has a pizza on it.

677
00:33:34,720 --> 00:33:37,240
Speaker 1: I'm like, interesting, So what do you think he keeps

678
00:33:37,280 --> 00:33:41,040
Speaker 1: in this journal? I would guess that he has um,

679
00:33:42,000 --> 00:33:45,360
Speaker 1: maybe talking smack about his brothers. He loves to list

680
00:33:45,440 --> 00:33:48,640
Speaker 1: out like everyone's faults, like so his big brother has

681
00:33:48,680 --> 00:33:50,520
Speaker 1: these faults. So he probably writes down like so and

682
00:33:50,520 --> 00:33:53,120
Speaker 1: so was so annoying today. He's always so annoying. That's

683
00:33:53,120 --> 00:33:56,240
Speaker 1: what I'm assuming is in there. So you did say

684
00:33:56,240 --> 00:33:58,800
Speaker 1: there were no secrets in your house? Correct? You found

685
00:33:58,800 --> 00:34:01,680
Speaker 1: this journal after we had conversation. What's going on in

686
00:34:01,680 --> 00:34:04,360
Speaker 1: your mind? So I'm like, do I open it now?

687
00:34:04,480 --> 00:34:06,360
Speaker 1: I mean I did say that, and I do believe.

688
00:34:06,400 --> 00:34:07,640
Speaker 1: It's not like I came on the radio and just

689
00:34:07,640 --> 00:34:09,719
Speaker 1: said something I don't believe. I do believe that there

690
00:34:09,719 --> 00:34:11,279
Speaker 1: are no secrets in my house. And I feel like

691
00:34:11,320 --> 00:34:14,120
Speaker 1: it's my duty as a dad to find the key

692
00:34:14,160 --> 00:34:15,799
Speaker 1: to this lock and open it up and see what's

693
00:34:15,840 --> 00:34:19,200
Speaker 1: in there? Would you break the lock off? No? Now,

694
00:34:19,239 --> 00:34:21,440
Speaker 1: I can't do that because then he'll know that I

695
00:34:21,520 --> 00:34:23,480
Speaker 1: broke in there. What I'm gonna try to do is

696
00:34:24,280 --> 00:34:26,440
Speaker 1: maybe spy on him and see where the key is.

697
00:34:27,360 --> 00:34:28,960
Speaker 1: So you are going to commit to trying to get

698
00:34:29,000 --> 00:34:31,560
Speaker 1: in his journal, I don't think you should. I'm gonna

699
00:34:31,560 --> 00:34:33,279
Speaker 1: speak out against it. I don't think you should. I

700
00:34:33,280 --> 00:34:35,040
Speaker 1: think you should let his seven year old mind. I

701
00:34:35,080 --> 00:34:37,319
Speaker 1: have his seven year old thoughts, and you only get

702
00:34:37,360 --> 00:34:39,520
Speaker 1: into it if you think something is wrong. Bones, let

703
00:34:39,520 --> 00:34:41,160
Speaker 1: me ask you this, What do you think is in

704
00:34:41,200 --> 00:34:45,440
Speaker 1: a seven year old journal? Exactly? That? Nothing? Yeah? What

705
00:34:45,480 --> 00:34:48,800
Speaker 1: food he likes? Why mom and dad made him go

706
00:34:48,840 --> 00:34:50,719
Speaker 1: to bed early? That's what I want to know right there?

707
00:34:51,080 --> 00:34:53,719
Speaker 1: What like? Why? Like if there's something about us? Like

708
00:34:53,800 --> 00:34:56,000
Speaker 1: mom and dad they do this and I hate that.

709
00:34:56,040 --> 00:34:58,319
Speaker 1: But he's allowed to have his own thoughts without you

710
00:34:58,360 --> 00:35:01,200
Speaker 1: knowing them, right sure? Yeah, I mean obviously he can.

711
00:35:01,280 --> 00:35:03,440
Speaker 1: He has his brain, he can think of whatever he wants.

712
00:35:03,520 --> 00:35:05,640
Speaker 1: But I kind of want to know what my son's thinking.

713
00:35:06,040 --> 00:35:07,680
Speaker 1: But then you think you own them. Once he writes

714
00:35:07,719 --> 00:35:11,000
Speaker 1: him down, I'll have a better understanding of what he's

715
00:35:11,040 --> 00:35:13,320
Speaker 1: going through in his life. If if I read what's

716
00:35:13,360 --> 00:35:16,440
Speaker 1: written down okay around the room, Everybody who's near a microphone,

717
00:35:16,840 --> 00:35:18,960
Speaker 1: who thinks this is a good idea for Eddie to

718
00:35:19,000 --> 00:35:20,359
Speaker 1: try to find the key and get in his seven

719
00:35:20,440 --> 00:35:24,600
Speaker 1: year old son's journal, say I I oh, lunchbox does okay?

720
00:35:24,719 --> 00:35:29,000
Speaker 1: And who doesn't say nay, nay, nay? Oh wow, Scuba,

721
00:35:29,000 --> 00:35:30,560
Speaker 1: where do you follow on this? I think that if

722
00:35:30,560 --> 00:35:32,919
Speaker 1: you do this, you'll break your son's trust. He will

723
00:35:32,960 --> 00:35:35,279
Speaker 1: find out and then later in life when he has

724
00:35:35,320 --> 00:35:37,480
Speaker 1: other things that are more serious, he won't come to

725
00:35:37,480 --> 00:35:39,560
Speaker 1: you for advice or questions. So I feel like you'd

726
00:35:39,600 --> 00:35:41,840
Speaker 1: leave it alone. And Eddie, you have four nays and

727
00:35:41,960 --> 00:35:44,239
Speaker 1: one yea and that's from lunchbox. Why does that tell

728
00:35:44,280 --> 00:35:47,680
Speaker 1: you about It's probably not a good idea, Lunchbox. Why

729
00:35:47,680 --> 00:35:49,480
Speaker 1: do you think he should get in his kids journal? Listen?

730
00:35:49,600 --> 00:35:52,120
Speaker 1: That is too young to be keeping secrets. He needs

731
00:35:52,160 --> 00:35:54,279
Speaker 1: to know what's going on in his son's life. If

732
00:35:54,280 --> 00:35:57,920
Speaker 1: there's stuff that's bothering him, troubling him, Eddie needs to know.

733
00:35:58,080 --> 00:36:00,680
Speaker 1: And maybe he's a little uncomfortable talk Eddie about it,

734
00:36:00,680 --> 00:36:02,759
Speaker 1: so he writes it down so that way Eddie can

735
00:36:02,800 --> 00:36:05,880
Speaker 1: help them through those situations. And Eddie, you gotta understand

736
00:36:05,880 --> 00:36:08,040
Speaker 1: the people that are saying yeah are Ray no kids,

737
00:36:08,080 --> 00:36:11,120
Speaker 1: Morgan number two no kids, Bobby no kids, so they

738
00:36:11,160 --> 00:36:13,160
Speaker 1: don't know how to deal with kids. And secondly, I

739
00:36:13,200 --> 00:36:15,280
Speaker 1: would say this, it actually gives you the perfect talking

740
00:36:15,320 --> 00:36:17,560
Speaker 1: point to bring up. Hey, I found your journal. I'm

741
00:36:17,560 --> 00:36:18,960
Speaker 1: not gonna open it, like I trust you to have

742
00:36:19,000 --> 00:36:21,080
Speaker 1: your own thoughts because I want you to be a strong,

743
00:36:21,239 --> 00:36:24,080
Speaker 1: independent person and adult. But you should know that there's

744
00:36:24,080 --> 00:36:26,600
Speaker 1: anything really bothering you. I'm here for you, dang like

745
00:36:26,680 --> 00:36:28,839
Speaker 1: you come talk to me, Me and you. Heck, we'll

746
00:36:28,840 --> 00:36:30,080
Speaker 1: do it once a week. Let's just sit down for

747
00:36:30,120 --> 00:36:32,880
Speaker 1: twenty minutes of talk. Son, I like that. How about

748
00:36:33,040 --> 00:36:34,880
Speaker 1: I change it up a little bit? How about it

749
00:36:34,880 --> 00:36:37,080
Speaker 1: it's more of like, Hey, I saw you have a journal.

750
00:36:37,120 --> 00:36:38,759
Speaker 1: It's really cool and I love that you're having your

751
00:36:38,760 --> 00:36:41,800
Speaker 1: thoughts and you're entitled to your thoughts. I love that. However,

752
00:36:42,160 --> 00:36:43,680
Speaker 1: do you mind? Am I looking there? And we're looking

753
00:36:43,680 --> 00:36:46,200
Speaker 1: at to go there and see what you're going their way? No,

754
00:36:46,480 --> 00:36:50,040
Speaker 1: just be like, hey, I'll also be your journal. You

755
00:36:50,040 --> 00:36:52,040
Speaker 1: can talk to me about anything, not can I look

756
00:36:52,080 --> 00:36:56,120
Speaker 1: in there? How about one more? How about you have

757
00:36:56,160 --> 00:36:57,920
Speaker 1: the journal? Really cool? I love that you have your

758
00:36:57,960 --> 00:37:01,400
Speaker 1: thoughts and everything, but do you want to kind of

759
00:37:01,400 --> 00:37:02,600
Speaker 1: want to write a couple of things. Do you mind

760
00:37:02,640 --> 00:37:05,480
Speaker 1: if I put a little something in there too, and

761
00:37:05,520 --> 00:37:08,160
Speaker 1: then that's when I look at the other page. Okay,

762
00:37:08,239 --> 00:37:10,680
Speaker 1: let us know what you do? Eddie so well, I

763
00:37:10,719 --> 00:37:13,000
Speaker 1: don't know. Come to you guys, you guys tell me

764
00:37:13,000 --> 00:37:16,200
Speaker 1: we just said no. I would have a conversation with

765
00:37:16,280 --> 00:37:17,920
Speaker 1: him about it and say, hey, you know, you can

766
00:37:17,960 --> 00:37:19,840
Speaker 1: talk to me to about anything in the world. Like,

767
00:37:19,880 --> 00:37:22,759
Speaker 1: I'm glad you have a journal, but I'm here too,

768
00:37:23,120 --> 00:37:25,000
Speaker 1: and we should get together about once. We can just

769
00:37:25,040 --> 00:37:26,879
Speaker 1: catch up on life and make a point about it. Okay,

770
00:37:26,960 --> 00:37:28,919
Speaker 1: let me start there. That's a good idea. Yeah, all right.

771
00:37:29,440 --> 00:37:31,360
Speaker 1: You can let us know on our Facebook page. Bobby

772
00:37:31,360 --> 00:37:35,080
Speaker 1: Bone Show, tanil arts somebody like that starts us off,

773
00:37:35,320 --> 00:37:39,240
Speaker 1: Bobby Bone Show. Thank you guys. It's the best Bits

774
00:37:39,280 --> 00:37:44,440
Speaker 1: of the week with Morgan number two. This week on

775
00:37:44,440 --> 00:37:48,560
Speaker 1: the show, we talked about everybody's worst fears. It got

776
00:37:48,560 --> 00:37:50,759
Speaker 1: started because there was a story about a snake coming

777
00:37:50,760 --> 00:37:53,160
Speaker 1: out of a woman's glove box in her car, and

778
00:37:53,280 --> 00:37:57,160
Speaker 1: lunch boxes like deathly afraid of snakes, which, by the way,

779
00:37:57,280 --> 00:37:59,320
Speaker 1: I should totally pull a prank on him with snakes.

780
00:38:00,000 --> 00:38:03,040
Speaker 1: Think that's a great Yeah, that's awesome. We're whispering in

781
00:38:03,080 --> 00:38:06,480
Speaker 1: cause she's a racing Yeah, I'm going to do that sometime. Anyways,

782
00:38:06,480 --> 00:38:09,000
Speaker 1: that's Lunchbox's worst fear. But we also talked about everybody's

783
00:38:09,000 --> 00:38:11,239
Speaker 1: worst fear on the show, but Scuba, you didn't get

784
00:38:11,239 --> 00:38:13,759
Speaker 1: a share yours. So what is your worst fear? I

785
00:38:13,760 --> 00:38:17,160
Speaker 1: think my worst fear and this comes when like watching movies,

786
00:38:17,480 --> 00:38:20,800
Speaker 1: those scenarios where you see a family as separated because

787
00:38:21,360 --> 00:38:22,880
Speaker 1: you don't know it or they don't know it in

788
00:38:22,880 --> 00:38:24,560
Speaker 1: the movie, but you know it's coming. Were like a

789
00:38:24,640 --> 00:38:26,719
Speaker 1: dad has to go fly off. Like for example, I

790
00:38:26,840 --> 00:38:29,279
Speaker 1: watched the original because I haven't seen the new King

791
00:38:29,400 --> 00:38:32,920
Speaker 1: Kong the Draft? What is it before you watch? Like

792
00:38:33,000 --> 00:38:35,680
Speaker 1: Godzilla vers Kong? Yes, god Zilla versus Kong. So that's

793
00:38:35,680 --> 00:38:38,960
Speaker 1: actually a three movie series. The first one is just

794
00:38:39,360 --> 00:38:41,160
Speaker 1: I think it's Godzilla something that came out in two

795
00:38:41,160 --> 00:38:42,919
Speaker 1: thousand and six or two thousand and seven with Brian

796
00:38:43,000 --> 00:38:45,240
Speaker 1: Kranson's in it. And there's a part in the movie

797
00:38:45,239 --> 00:38:49,200
Speaker 1: where the Brian Kranson's son has to fly over to

798
00:38:49,320 --> 00:38:52,120
Speaker 1: Japan to pick up Brian Kranston because he got in trouble.

799
00:38:52,160 --> 00:38:55,200
Speaker 1: We're trying to research something about the Godzilla thing, so

800
00:38:55,239 --> 00:38:58,160
Speaker 1: he was separated from his family and without them knowing

801
00:38:58,200 --> 00:39:00,279
Speaker 1: the movie, but we knew as movie watchers at this

802
00:39:00,320 --> 00:39:02,480
Speaker 1: big catastrophic event was going to happen and he was

803
00:39:02,480 --> 00:39:04,520
Speaker 1: gonna be separated from his family because he was going

804
00:39:04,560 --> 00:39:06,920
Speaker 1: to Japan and they were going to stay in San Francisco,

805
00:39:07,200 --> 00:39:09,080
Speaker 1: and the odds of him getting back to San Francisco

806
00:39:09,120 --> 00:39:11,480
Speaker 1: were almost slim to Nune. So my biggest fear is

807
00:39:11,520 --> 00:39:14,880
Speaker 1: traveling somewhere from my family and then some sort of

808
00:39:14,960 --> 00:39:18,279
Speaker 1: huge catastrophic event happens where I can't get back to them,

809
00:39:18,280 --> 00:39:21,120
Speaker 1: almost like a Walking Dead type scenario, and like communication

810
00:39:21,239 --> 00:39:22,919
Speaker 1: is cut off, there's no way to get a hold

811
00:39:22,920 --> 00:39:25,000
Speaker 1: of them. They're in a big city. I'm over here,

812
00:39:25,000 --> 00:39:26,480
Speaker 1: and there's no way for us to get back together.

813
00:39:26,719 --> 00:39:30,319
Speaker 1: That's my biggest and greatest fear. I think it's very

814
00:39:30,400 --> 00:39:32,880
Speaker 1: valid and validated, But you totally end up in the

815
00:39:32,920 --> 00:39:35,319
Speaker 1: category with Eddie and I who got totally shamed on

816
00:39:35,360 --> 00:39:40,640
Speaker 1: the show for our fears. You're also in our category

817
00:39:40,680 --> 00:39:43,160
Speaker 1: that is like not like you know, he's not an animal,

818
00:39:43,160 --> 00:39:45,680
Speaker 1: and it's not some it's not heights or anything. We're

819
00:39:45,760 --> 00:39:50,560
Speaker 1: like ours are like legitimate, like human fears, like feeling,

820
00:39:50,560 --> 00:39:54,560
Speaker 1: because we have feelings, very deep emotion. Yeah, so you

821
00:39:54,640 --> 00:39:57,560
Speaker 1: fit in our little category of fears. But I get it.

822
00:39:57,680 --> 00:39:59,600
Speaker 1: I mean, that's a terrifying thing to think of. But

823
00:40:00,160 --> 00:40:02,000
Speaker 1: the funny part to me is that you've thought this

824
00:40:02,080 --> 00:40:04,960
Speaker 1: is deeply into this. These movies have sparked such an

825
00:40:05,200 --> 00:40:09,919
Speaker 1: innate fear in you that hasn't hasn't probably will never happen. Yeah,

826
00:40:09,960 --> 00:40:11,359
Speaker 1: But I mean every time I get on a plane

827
00:40:11,360 --> 00:40:13,040
Speaker 1: without the family, if I had to travel for work

828
00:40:13,120 --> 00:40:15,600
Speaker 1: or go somewhere, I'm always like, God, please let me

829
00:40:15,640 --> 00:40:18,520
Speaker 1: come back and let us let us come back together,

830
00:40:18,560 --> 00:40:20,920
Speaker 1: and whenever day I come back, just don't separate us.

831
00:40:21,040 --> 00:40:23,200
Speaker 1: If there's gonna be a huge, cash tropic event where

832
00:40:23,200 --> 00:40:25,120
Speaker 1: the world comes an end, please wait until I get

833
00:40:25,160 --> 00:40:26,880
Speaker 1: back from this location and so I can be with

834
00:40:26,960 --> 00:40:29,600
Speaker 1: my family and help guide them through this this journey

835
00:40:29,600 --> 00:40:33,239
Speaker 1: of So what you're saying, when we can start traveling

836
00:40:33,280 --> 00:40:36,520
Speaker 1: for our work events and stuff again on our way back,

837
00:40:36,520 --> 00:40:38,200
Speaker 1: when we finally hit the airplane you're gonna have this

838
00:40:38,280 --> 00:40:42,160
Speaker 1: like sigh of relief. Oh, massive sigh relief. Yeah, when

839
00:40:42,200 --> 00:40:43,920
Speaker 1: you think the panic on you all weekend and then

840
00:40:43,920 --> 00:40:45,840
Speaker 1: we get back on the plane to come back and

841
00:40:45,840 --> 00:40:48,400
Speaker 1: you're like, Okay, I'm good now, I'm good totally. Like

842
00:40:48,400 --> 00:40:50,839
Speaker 1: my kids right now are in San Francisco with Grandma,

843
00:40:50,920 --> 00:40:53,319
Speaker 1: and I'm having this massive anxiety of being away from

844
00:40:53,360 --> 00:40:55,640
Speaker 1: them because they're in a big city and what happens

845
00:40:55,640 --> 00:40:58,080
Speaker 1: if COVID gets worse and we all turn into zombies?

846
00:40:58,080 --> 00:41:00,040
Speaker 1: And now my kids are in San Francisco and I

847
00:41:00,040 --> 00:41:02,000
Speaker 1: gotta something. I'll get back to San Francisco to save them.

848
00:41:02,000 --> 00:41:03,640
Speaker 1: And we're here in Nashville and it's nowhere near it

849
00:41:03,680 --> 00:41:06,560
Speaker 1: and just massive amounts of things in my head that

850
00:41:06,560 --> 00:41:08,200
Speaker 1: that shouldn't be there, but they are. I feel like

851
00:41:08,239 --> 00:41:10,839
Speaker 1: you'd be a good dad in a zombie apocalypse too.

852
00:41:10,880 --> 00:41:12,560
Speaker 1: I feel like you'd be kind of a one that

853
00:41:12,640 --> 00:41:14,839
Speaker 1: a movie could be made about. I could see that,

854
00:41:15,120 --> 00:41:18,600
Speaker 1: Thank you. Well, anyways, listening to their casting directors, I'm

855
00:41:18,600 --> 00:41:21,239
Speaker 1: your guy. I mean I could just picture it. You know,

856
00:41:21,280 --> 00:41:23,399
Speaker 1: you got the vibe going. I feel like that could happen.

857
00:41:23,560 --> 00:41:25,200
Speaker 1: I got the beards, so they can do like a

858
00:41:25,400 --> 00:41:26,680
Speaker 1: they had a shot of me. If you know, the

859
00:41:26,719 --> 00:41:28,439
Speaker 1: world comes to an end and I got the beard

860
00:41:28,480 --> 00:41:31,000
Speaker 1: ready to go, I'm in Yes, I just see it.

861
00:41:31,040 --> 00:41:34,120
Speaker 1: I picture it right now. Okay. So those are fears,

862
00:41:34,120 --> 00:41:36,560
Speaker 1: and obviously we have like irrational things we also do

863
00:41:36,640 --> 00:41:39,439
Speaker 1: in our lives that are kind of stimulated or set

864
00:41:39,520 --> 00:41:42,120
Speaker 1: up by fears. So what's something that you do, like

865
00:41:42,160 --> 00:41:46,320
Speaker 1: in your everyday life that's kind of maybe irrational to others,

866
00:41:47,320 --> 00:41:49,399
Speaker 1: Like something like like constantly checking to see if something

867
00:41:49,440 --> 00:41:52,120
Speaker 1: is locked, like doors. Yes, that's what I do. Oh

868
00:41:52,160 --> 00:41:54,640
Speaker 1: my god. So every single night my wife knows, she

869
00:41:54,760 --> 00:41:57,120
Speaker 1: just goes upstairs because she knows them be a good

870
00:41:57,160 --> 00:42:00,359
Speaker 1: ten fifteen minutes of checking the same freaking door or

871
00:42:00,480 --> 00:42:02,640
Speaker 1: three to four times. So I make a sweep. I

872
00:42:02,680 --> 00:42:04,360
Speaker 1: go to the front door. Already know it's I know

873
00:42:04,400 --> 00:42:06,480
Speaker 1: all these doors are already locked because I locked them myself.

874
00:42:06,520 --> 00:42:08,960
Speaker 1: I know it. I know they are locked, but I

875
00:42:09,040 --> 00:42:11,399
Speaker 1: still got to go to it. At the jiggle the handle,

876
00:42:11,440 --> 00:42:13,239
Speaker 1: at the look at to make sure the devil is

877
00:42:13,280 --> 00:42:16,920
Speaker 1: through into the actual like door frame. I look to

878
00:42:16,920 --> 00:42:18,719
Speaker 1: see it's there. Okay, it's there, And I go to

879
00:42:18,800 --> 00:42:20,000
Speaker 1: the next door, to the back door, I go to

880
00:42:20,040 --> 00:42:21,719
Speaker 1: the other back door, go to the I open the

881
00:42:21,760 --> 00:42:25,040
Speaker 1: garage door. I peer through the garage door windows to

882
00:42:25,080 --> 00:42:27,920
Speaker 1: make sure that my truck windows are up, and then

883
00:42:27,960 --> 00:42:30,239
Speaker 1: I close the door, locked the door, and then I

884
00:42:30,280 --> 00:42:32,239
Speaker 1: go to the other side of the I just I'm

885
00:42:32,320 --> 00:42:34,440
Speaker 1: constantly checking to make sure that everything is locked up

886
00:42:34,440 --> 00:42:36,279
Speaker 1: before we go to bed. And my wife just kind

887
00:42:36,320 --> 00:42:37,759
Speaker 1: of gives me that ten to fifteen minutes to know

888
00:42:37,800 --> 00:42:40,799
Speaker 1: that I have this weird OCD of checking locks. That's

889
00:42:41,000 --> 00:42:42,879
Speaker 1: that's kind of how I am. I mean, it's it's

890
00:42:42,920 --> 00:42:45,839
Speaker 1: the blocks and stuff, but it's whenever I leave the house. Yes,

891
00:42:45,960 --> 00:42:48,880
Speaker 1: so like when I'm closing the garage door, I have

892
00:42:48,960 --> 00:42:50,759
Speaker 1: to touch the knob like five times just to make

893
00:42:50,760 --> 00:42:53,600
Speaker 1: sure it's like good, even though I know it's good, yeah,

894
00:42:53,640 --> 00:42:56,439
Speaker 1: of course. Or then like always making sure the alarm set.

895
00:42:56,480 --> 00:42:59,240
Speaker 1: I think it has ad with like like for you,

896
00:42:59,239 --> 00:43:00,920
Speaker 1: your whole family, your loved ones are in there. For

897
00:43:00,960 --> 00:43:02,640
Speaker 1: me when I'm leaving, like my dogs in there and

898
00:43:02,640 --> 00:43:04,520
Speaker 1: I'm worried about her, and it all goes back to

899
00:43:04,560 --> 00:43:06,960
Speaker 1: the intruder thing, you know, like you're worried. So it's

900
00:43:07,000 --> 00:43:09,800
Speaker 1: like I get our fears, so they're not really that irrational,

901
00:43:09,880 --> 00:43:11,960
Speaker 1: but I do. I touch the door knob on the

902
00:43:12,040 --> 00:43:14,719
Speaker 1: back door at least six to ten times, and then

903
00:43:14,800 --> 00:43:17,040
Speaker 1: sometimes I'll even make like three or four swoops around

904
00:43:17,040 --> 00:43:19,560
Speaker 1: my neighborroad to come back to check the crash stoor. Yeah.

905
00:43:19,560 --> 00:43:21,880
Speaker 1: I mean, I'm leaving for work, and I'm like, I

906
00:43:22,000 --> 00:43:23,680
Speaker 1: know they closed the garage stor but I don't remember

907
00:43:23,680 --> 00:43:25,400
Speaker 1: if I closed the garage that was today, if that

908
00:43:25,480 --> 00:43:27,759
Speaker 1: was yesterday, And I pop into reverse and I like

909
00:43:27,840 --> 00:43:29,480
Speaker 1: look back, and Okay, of course my garage door is

910
00:43:29,480 --> 00:43:31,520
Speaker 1: closed because I closed it. I know I did. Yes

911
00:43:31,680 --> 00:43:33,680
Speaker 1: every gonna see a time and you're like, oh, yeah,

912
00:43:33,719 --> 00:43:34,799
Speaker 1: I knew it, And then you're like but then you're

913
00:43:34,880 --> 00:43:37,160
Speaker 1: driving off and you're like, wait, did I do Did

914
00:43:37,160 --> 00:43:38,800
Speaker 1: I check it right? Where's that yesterday? That checked? Was

915
00:43:38,800 --> 00:43:43,000
Speaker 1: that today? A hundred vers it another thing that you know,

916
00:43:43,040 --> 00:43:45,920
Speaker 1: I've only lived with somebody else like one time, very briefly,

917
00:43:46,040 --> 00:43:47,920
Speaker 1: but I know this is going to be a thing

918
00:43:48,000 --> 00:43:50,839
Speaker 1: for my future partner. But everything in my house has

919
00:43:50,840 --> 00:43:56,239
Speaker 1: a place, okay, Like if it's out of place purposefully,

920
00:43:56,760 --> 00:44:00,480
Speaker 1: it drives me bonkers. Like everything in my house has

921
00:44:00,520 --> 00:44:03,440
Speaker 1: a place to be. And if it's not in those places.

922
00:44:03,920 --> 00:44:06,080
Speaker 1: I don't like it, Like I don't like chaos. I

923
00:44:06,080 --> 00:44:09,680
Speaker 1: don't like anything unclean at all. So everything has a

924
00:44:09,719 --> 00:44:11,799
Speaker 1: little place, so it is your house like super neat

925
00:44:11,800 --> 00:44:14,560
Speaker 1: and clean, almost like a serial killer. Yeah, I mean

926
00:44:14,840 --> 00:44:18,280
Speaker 1: my pantry is even like I home edit my own pantry,

927
00:44:18,360 --> 00:44:22,000
Speaker 1: Like everything has its own like any label stuff, you

928
00:44:22,000 --> 00:44:24,000
Speaker 1: have labels on your stuff in the pantry. I don't

929
00:44:24,000 --> 00:44:25,759
Speaker 1: have labels on in the pantry. But everything has a

930
00:44:25,800 --> 00:44:28,920
Speaker 1: sever been like there's there's home edit situation going on,

931
00:44:29,560 --> 00:44:32,319
Speaker 1: didn't stuff, But then like I'll get home and like

932
00:44:32,360 --> 00:44:33,800
Speaker 1: you know how people like leave their shoes at the

933
00:44:33,840 --> 00:44:35,880
Speaker 1: doors on me, Yeah, I always have to take my

934
00:44:35,880 --> 00:44:38,560
Speaker 1: shoes upstairs, Like they're never left. There's never there's one

935
00:44:38,560 --> 00:44:40,359
Speaker 1: pair that's left downstairs and that is the only one

936
00:44:40,400 --> 00:44:42,880
Speaker 1: that can be left downstairs. Everything else has to go

937
00:44:42,920 --> 00:44:44,759
Speaker 1: back into its place when I get home. It is

938
00:44:44,800 --> 00:44:47,239
Speaker 1: so bizarre. Yeah, it is, because I mean I get

939
00:44:47,280 --> 00:44:49,160
Speaker 1: it though, because then you never have to really clean

940
00:44:49,160 --> 00:44:51,239
Speaker 1: your house because you're always cleaning in the moment. You

941
00:44:51,239 --> 00:44:52,400
Speaker 1: don't have to like wait till the end of the

942
00:44:52,400 --> 00:44:53,880
Speaker 1: week and go, okay, now it's Sunday. We got to

943
00:44:53,880 --> 00:44:56,319
Speaker 1: clean the house. You're literally doing it as you are

944
00:44:56,440 --> 00:44:58,600
Speaker 1: just moving throughout your day. There's actually kind of smart

945
00:44:58,600 --> 00:45:01,840
Speaker 1: and efficient. It's very efficient, and I very much appreciate

946
00:45:01,920 --> 00:45:04,600
Speaker 1: myself for it. But I know, one, when I have kids,

947
00:45:04,960 --> 00:45:06,880
Speaker 1: and two when I have a partner in my life,

948
00:45:07,120 --> 00:45:09,320
Speaker 1: none of that's going to happen and it's gonna drive

949
00:45:09,440 --> 00:45:11,799
Speaker 1: me insane. Was it your mom or dad that was

950
00:45:11,880 --> 00:45:14,359
Speaker 1: that way? Honestly? Both of them are really clean. About

951
00:45:14,360 --> 00:45:17,239
Speaker 1: my dad when we were growing up, every time we

952
00:45:17,400 --> 00:45:19,680
Speaker 1: like pull something out, like we would leave it for

953
00:45:19,719 --> 00:45:21,840
Speaker 1: five minutes and we come back and it's gone, and

954
00:45:21,840 --> 00:45:23,480
Speaker 1: we'd always be like, where did that go? Like I

955
00:45:23,600 --> 00:45:25,120
Speaker 1: was doing something with that, and Dad's like, oh, I

956
00:45:25,120 --> 00:45:28,280
Speaker 1: put it away somewhere. So it's my dad's fault because

957
00:45:28,280 --> 00:45:29,520
Speaker 1: he would be the one to do that. And I

958
00:45:29,600 --> 00:45:31,719
Speaker 1: know I'm gonna be doing that with my partner and

959
00:45:31,800 --> 00:45:33,600
Speaker 1: my kids because I'm gonna be like, yeah, sorry, I

960
00:45:33,600 --> 00:45:35,120
Speaker 1: put that away, so I don't know where it is.

961
00:45:35,480 --> 00:45:36,719
Speaker 1: But now you know where it is, though, because you

962
00:45:36,760 --> 00:45:38,759
Speaker 1: put it back where it's supposed to be, where it belongs. Yes,

963
00:45:38,800 --> 00:45:41,520
Speaker 1: about when my dad, as he increasingly gets older, he

964
00:45:41,719 --> 00:45:45,960
Speaker 1: was things and he doesn't remember, so you'll be searching

965
00:45:46,000 --> 00:45:47,600
Speaker 1: for whatever it was you were trying to use for

966
00:45:47,640 --> 00:45:51,880
Speaker 1: like twenty minutes and gone. Yeah. So, well there's our

967
00:45:52,239 --> 00:45:55,400
Speaker 1: irrational fears. You got any others before your locks? My

968
00:45:55,480 --> 00:45:57,120
Speaker 1: irrational fears? I mean, if I want to go on

969
00:45:57,200 --> 00:45:59,560
Speaker 1: the spectrum of the everyone else who has what they

970
00:45:59,600 --> 00:46:03,800
Speaker 1: consider rational fears, I mean getting in a car accidentally

971
00:46:03,800 --> 00:46:06,760
Speaker 1: flipping like a bad car accident, I guess is something

972
00:46:06,760 --> 00:46:09,640
Speaker 1: you always are afraid of. You know, you have these

973
00:46:09,719 --> 00:46:12,840
Speaker 1: kind of like Hollywood style fears, right, I think that's

974
00:46:12,880 --> 00:46:15,640
Speaker 1: something to do when I'm driving down the freeway. Okay, okay,

975
00:46:15,719 --> 00:46:17,799
Speaker 1: driving down the freeway. You ever see one of those

976
00:46:17,840 --> 00:46:20,160
Speaker 1: semis that has like that's going backwards or it looks

977
00:46:20,200 --> 00:46:24,320
Speaker 1: like it's going back, no worse, a semi or some

978
00:46:24,440 --> 00:46:26,560
Speaker 1: sort of like carrier vehicle that has a bunch of

979
00:46:26,560 --> 00:46:29,520
Speaker 1: like logs on it, or those long poles or pipes

980
00:46:29,719 --> 00:46:32,040
Speaker 1: and they're strapped on you worried about coming back and

981
00:46:32,160 --> 00:46:34,399
Speaker 1: hitting it? Well, you ever seen in Final Destination? Yeah?

982
00:46:34,400 --> 00:46:37,080
Speaker 1: I know why we don't watch those movies. Ye, I

983
00:46:37,120 --> 00:46:38,560
Speaker 1: see one of those and I don't care if there's

984
00:46:38,560 --> 00:46:39,880
Speaker 1: a cop right behind me or next to me or

985
00:46:39,880 --> 00:46:41,959
Speaker 1: in front of me. I am speeding to get past

986
00:46:42,000 --> 00:46:44,000
Speaker 1: that damn truck because of my luck, one of those

987
00:46:44,000 --> 00:46:46,160
Speaker 1: straps is gonna come loose, They're gonna come flying off

988
00:46:46,200 --> 00:46:48,640
Speaker 1: and gonna come hit me in the face. So those

989
00:46:48,680 --> 00:46:50,960
Speaker 1: those freak me out. No, I'm with you on that,

990
00:46:51,080 --> 00:46:53,399
Speaker 1: But yeah, I mean, technically it could be said as

991
00:46:53,440 --> 00:46:56,719
Speaker 1: like an irrational fear because it's likely going to happen. No,

992
00:46:57,120 --> 00:47:00,319
Speaker 1: but there are news stories about it that it could happen. Definitely.

993
00:47:00,320 --> 00:47:02,719
Speaker 1: Always see semi truck spills all of its ingredients all

994
00:47:02,760 --> 00:47:04,719
Speaker 1: over the road, What obviously for that person behind the

995
00:47:04,760 --> 00:47:07,280
Speaker 1: semi truck? What happened to those people? Where's the injuries?

996
00:47:07,280 --> 00:47:11,000
Speaker 1: What's the storyline? Let me know, Well, there you have it.

997
00:47:11,080 --> 00:47:14,000
Speaker 1: There's ore, there's our fears are irrational things that we

998
00:47:14,080 --> 00:47:16,960
Speaker 1: think day in and day out. Here is everyone on

999
00:47:17,000 --> 00:47:21,279
Speaker 1: the show talking about their worst fears. Number four. The

1000
00:47:21,360 --> 00:47:24,040
Speaker 1: story made me think about lunchbox. Lunchbox, what's your biggest fear?

1001
00:47:24,600 --> 00:47:28,839
Speaker 1: Dying and snakes and especially dying by snake. Oh, dying

1002
00:47:28,880 --> 00:47:31,080
Speaker 1: by snake would probably be the worst thing in the world.

1003
00:47:32,640 --> 00:47:35,280
Speaker 1: A motorist, that's what it describes him as. A motorist

1004
00:47:35,600 --> 00:47:37,920
Speaker 1: had a lucky escape after spotting one of the world's

1005
00:47:37,920 --> 00:47:40,600
Speaker 1: deadliest snakes poppets head out of her car's glove box.

1006
00:47:44,400 --> 00:47:48,719
Speaker 1: You hear that, it's me wrecking my car. She was

1007
00:47:48,840 --> 00:47:53,120
Speaker 1: driving down down the highway she saw a one point

1008
00:47:53,120 --> 00:47:57,880
Speaker 1: five meter long red bellied black snake. Despite being just

1009
00:47:57,960 --> 00:48:00,279
Speaker 1: inches away from the deadly reptile, the woman calmly pulled

1010
00:48:00,320 --> 00:48:02,320
Speaker 1: over to the side of the other road and trapped

1011
00:48:02,320 --> 00:48:07,520
Speaker 1: a snake underneath the bag. Snake catcher Alan Johnson from

1012
00:48:07,560 --> 00:48:10,799
Speaker 1: Alan Snake and Reptile Relocation rushed to the scene, but

1013
00:48:10,920 --> 00:48:12,799
Speaker 1: it took the expert half an hour to remove the

1014
00:48:12,880 --> 00:48:16,680
Speaker 1: venomous reptile. Oh. The snake was finally put back into

1015
00:48:16,680 --> 00:48:19,440
Speaker 1: the woods after thirty minutes of working him out of

1016
00:48:19,440 --> 00:48:24,280
Speaker 1: the vehicle. Back in the woods, how about into the grave? Oh?

1017
00:48:24,320 --> 00:48:28,120
Speaker 1: Bye bye. I think this guy, though, is a guy

1018
00:48:28,160 --> 00:48:30,000
Speaker 1: who takes animals and puts them back into their habitat.

1019
00:48:30,200 --> 00:48:32,160
Speaker 1: So why are you so scared of snakes? Where does

1020
00:48:32,200 --> 00:48:35,040
Speaker 1: this come from? I have no idea, just I don't

1021
00:48:35,040 --> 00:48:36,680
Speaker 1: know where it is. But I just can't see I

1022
00:48:36,760 --> 00:48:39,800
Speaker 1: can't even see them. It just gives me chills. Talking

1023
00:48:39,840 --> 00:48:42,600
Speaker 1: about snakes gives me the chills and the hebe gebs

1024
00:48:42,600 --> 00:48:45,359
Speaker 1: and everything else. I hate it. Like I'm telling you

1025
00:48:45,520 --> 00:48:48,400
Speaker 1: on Survivor, I watched Survivor every week and whenever they

1026
00:48:48,440 --> 00:48:50,520
Speaker 1: show a clip with snake, I closed my eyes and

1027
00:48:50,600 --> 00:48:52,360
Speaker 1: my wife has to tell me, Okay, it's gone, and

1028
00:48:52,400 --> 00:48:55,960
Speaker 1: I'll open my eyes again. Like what childhood trauma made this?

1029
00:48:56,080 --> 00:48:58,560
Speaker 1: I mean, people are afraid of snakes. Everybody spray of snakes,

1030
00:48:58,560 --> 00:49:01,520
Speaker 1: some more than others. But like, what happened that this

1031
00:49:02,040 --> 00:49:05,759
Speaker 1: is the most scary thing to you? No idea? I mean,

1032
00:49:06,000 --> 00:49:08,000
Speaker 1: you want to know how dumb elementary school was. We

1033
00:49:08,160 --> 00:49:10,480
Speaker 1: used to take a field trip to the snake farm.

1034
00:49:10,760 --> 00:49:12,719
Speaker 1: Like how you don't ask the kids, Hey, do you

1035
00:49:12,760 --> 00:49:14,360
Speaker 1: want to go to snake farm? No, you got to go.

1036
00:49:14,400 --> 00:49:15,680
Speaker 1: You had to go to the snake farm because that's

1037
00:49:15,719 --> 00:49:17,320
Speaker 1: where the field trip. And I would sit there and

1038
00:49:17,320 --> 00:49:19,200
Speaker 1: I'd put my hands under my legs and I just

1039
00:49:19,239 --> 00:49:21,439
Speaker 1: would not touch the snakes. And they carry them around.

1040
00:49:21,440 --> 00:49:23,839
Speaker 1: Oh look at this big guy, Yeah, get them away

1041
00:49:23,880 --> 00:49:25,960
Speaker 1: from me. I don't know what it is. I've never

1042
00:49:26,000 --> 00:49:28,279
Speaker 1: like had a close encounter where one almost killed me,

1043
00:49:28,480 --> 00:49:31,040
Speaker 1: but I can't stand them. The bullies put a snake

1044
00:49:31,080 --> 00:49:34,480
Speaker 1: in your pants? Or something. Nope, nope, No, never anything

1045
00:49:34,520 --> 00:49:36,800
Speaker 1: like that. I still remember. One of my worst dreams

1046
00:49:36,800 --> 00:49:39,359
Speaker 1: ever was that I was asleep in bed and my

1047
00:49:39,400 --> 00:49:42,000
Speaker 1: mom came running in because I was screaming because snakes

1048
00:49:42,040 --> 00:49:44,480
Speaker 1: were crawling out of everywhere in my dream, out of

1049
00:49:44,480 --> 00:49:48,560
Speaker 1: my nose, my mouth, the walls, the piggy bank, everything,

1050
00:49:48,560 --> 00:49:50,439
Speaker 1: and I was screaming when my mom came in the room.

1051
00:49:50,719 --> 00:49:53,000
Speaker 1: Never forget it. So something had to have happened for

1052
00:49:53,000 --> 00:49:56,719
Speaker 1: it to be this harsh. Are you're dreaming about them?

1053
00:49:57,920 --> 00:49:59,360
Speaker 1: You have to turn your head when they're on a

1054
00:49:59,400 --> 00:50:03,000
Speaker 1: reality show? Oh like, yeah, I don't know. I never,

1055
00:50:03,040 --> 00:50:04,799
Speaker 1: I'm telling you. I never had to run in with him.

1056
00:50:04,880 --> 00:50:06,799
Speaker 1: But oh, okay, well look at the door right now,

1057
00:50:06,880 --> 00:50:10,920
Speaker 1: come on in, guys. Nope nope, I remember when you

1058
00:50:10,920 --> 00:50:13,359
Speaker 1: guys made me hold that one. Oh my gosh. We

1059
00:50:13,480 --> 00:50:15,799
Speaker 1: locked Lunchbox in a room once. I'm not sure why

1060
00:50:15,840 --> 00:50:20,040
Speaker 1: we did this. I think he lost a bet or

1061
00:50:20,080 --> 00:50:22,800
Speaker 1: something and we locked him in a production room with

1062
00:50:22,840 --> 00:50:25,000
Speaker 1: a snake and he jumped up on top of it

1063
00:50:25,120 --> 00:50:27,640
Speaker 1: like the recording table and would not come down. But

1064
00:50:27,680 --> 00:50:29,200
Speaker 1: we did some dumb bets back in the day. One

1065
00:50:29,200 --> 00:50:30,359
Speaker 1: time I lost a bet where I had to get

1066
00:50:30,440 --> 00:50:32,840
Speaker 1: drawn naked like. They had a sketch artist come in

1067
00:50:33,040 --> 00:50:34,400
Speaker 1: and I lost the bet and had to stand in

1068
00:50:34,400 --> 00:50:38,640
Speaker 1: there butt naked while he sketched me. I was miserable

1069
00:50:38,840 --> 00:50:41,480
Speaker 1: and I had to do the show butt naked while

1070
00:50:41,560 --> 00:50:44,719
Speaker 1: some guys some I don't know. He is kind of

1071
00:50:45,080 --> 00:50:48,080
Speaker 1: he's kind of odd. Guy would just like sketch me

1072
00:50:48,120 --> 00:50:51,359
Speaker 1: and like looked at me and then drew me all

1073
00:50:51,400 --> 00:50:53,480
Speaker 1: the way, like all the way, all the parts and everything,

1074
00:50:53,640 --> 00:50:55,279
Speaker 1: and then at the end drew a green leaf over

1075
00:50:55,400 --> 00:51:01,319
Speaker 1: my special place. It was the worst bet to lose. Yeah,

1076
00:51:01,360 --> 00:51:03,399
Speaker 1: what are you most scared of? Give me one thing

1077
00:51:03,440 --> 00:51:08,840
Speaker 1: around the room? Lunchbox snake minus heights hatum can't do it.

1078
00:51:08,880 --> 00:51:11,800
Speaker 1: First episode of My Breaking Bobby Bones is his heights

1079
00:51:11,880 --> 00:51:16,160
Speaker 1: galore and almost cry heights for me. Eddie. I don't know, man,

1080
00:51:16,200 --> 00:51:18,799
Speaker 1: I keep saying this every time you guys think it's ridiculous.

1081
00:51:18,840 --> 00:51:22,480
Speaker 1: An intruder. I'm just terrified of an intruder coming into

1082
00:51:22,520 --> 00:51:24,160
Speaker 1: my house, maybe in the middle of the night, or

1083
00:51:24,160 --> 00:51:25,719
Speaker 1: even I just get home from work and there's someone

1084
00:51:25,760 --> 00:51:28,440
Speaker 1: in my house. Oh that's what I'm scared of. That's fair.

1085
00:51:28,880 --> 00:51:32,200
Speaker 1: The only argument we ever have back is there are

1086
00:51:32,239 --> 00:51:34,080
Speaker 1: some people not afraid of snakes like me. I'm not

1087
00:51:34,120 --> 00:51:35,840
Speaker 1: really that afraid of snakes a little bit, but not really.

1088
00:51:36,200 --> 00:51:39,520
Speaker 1: Some people not afraid of heights. Everyone's afraid of an intruder.

1089
00:51:39,560 --> 00:51:40,719
Speaker 1: I don't know. I bet if you asked, like a

1090
00:51:40,800 --> 00:51:43,080
Speaker 1: UFC fighter, that'd be like, I'm scared of intruder. Everybody

1091
00:51:43,160 --> 00:51:48,200
Speaker 1: scared everybody. Okay, but Eddie, that is legitimate. Okay, thank you, Raymundo.

1092
00:51:48,800 --> 00:51:52,959
Speaker 1: I gotta go with alligators, um for whatever reason, They're

1093
00:51:53,000 --> 00:51:55,560
Speaker 1: the most dangerous animal that I'm terrified of. I don't

1094
00:51:55,560 --> 00:51:57,680
Speaker 1: want to go in any mangroves on those boats where

1095
00:51:57,680 --> 00:51:59,920
Speaker 1: you can look at them closely. I still get very

1096
00:52:00,160 --> 00:52:03,399
Speaker 1: very creeped out by that. Morgan. Oh, it's definitely being

1097
00:52:03,480 --> 00:52:07,440
Speaker 1: like strangled by my neck because I have a neck phobia. Okay,

1098
00:52:07,800 --> 00:52:10,279
Speaker 1: well yeah, yeah, yeah, that's like it, that's like an

1099
00:52:10,360 --> 00:52:13,560
Speaker 1: any category. It's like it's definitely being stabbed at, having

1100
00:52:13,560 --> 00:52:16,120
Speaker 1: my guts ripped out. Well, a lot of I have

1101
00:52:16,160 --> 00:52:18,400
Speaker 1: a neck phobia. And then it just it's because I

1102
00:52:18,440 --> 00:52:21,200
Speaker 1: don't want to be choked, Like I'm I'm afraid of

1103
00:52:21,239 --> 00:52:24,160
Speaker 1: being like killed by being choked. When you get in

1104
00:52:24,160 --> 00:52:25,480
Speaker 1: a card. You look in the back seat and stuff

1105
00:52:25,480 --> 00:52:27,600
Speaker 1: to step in with. Yeah, oh yeah, I still check

1106
00:52:27,640 --> 00:52:30,640
Speaker 1: under my bed too, and in my closet. What do

1107
00:52:30,640 --> 00:52:32,319
Speaker 1: you mean you check in your closet? Like every time

1108
00:52:32,360 --> 00:52:34,040
Speaker 1: I go into my house before I go to bed,

1109
00:52:34,080 --> 00:52:36,360
Speaker 1: I check under the bed and you in my closet.

1110
00:52:37,160 --> 00:52:41,319
Speaker 1: What happened Morgan? What happened in your life? Where this

1111
00:52:41,360 --> 00:52:45,040
Speaker 1: is a thing because my dad growing up, my room

1112
00:52:45,320 --> 00:52:47,239
Speaker 1: was on like the main level, and he would just

1113
00:52:47,280 --> 00:52:49,120
Speaker 1: come and knock on my window and scare the crap

1114
00:52:49,120 --> 00:52:51,000
Speaker 1: out of me all the time. So now I live

1115
00:52:51,080 --> 00:52:53,279
Speaker 1: with it that I think somebody's gonna come knocking on

1116
00:52:53,320 --> 00:52:56,600
Speaker 1: my windows or come in my house. Did he choke you? No,

1117
00:52:57,040 --> 00:52:58,799
Speaker 1: I don't know where the choking part came in, but

1118
00:52:58,840 --> 00:53:01,080
Speaker 1: I do have this that somebody's always going to show

1119
00:53:01,120 --> 00:53:03,040
Speaker 1: up at my window. Less Ethrid has a song about

1120
00:53:03,040 --> 00:53:08,480
Speaker 1: that window. Yeah, don't listen to that song. Do not

1121
00:53:08,600 --> 00:53:12,480
Speaker 1: stream Melissa Ethwrist Today. It's the Best Bits of the

1122
00:53:12,520 --> 00:53:18,759
Speaker 1: Week with Morgan Number two. What was once a rejected

1123
00:53:18,800 --> 00:53:23,040
Speaker 1: segment turned into a really hilarious segment. So Lunchbox got

1124
00:53:23,080 --> 00:53:27,040
Speaker 1: on Craigslist, found a listing for a rug, but in

1125
00:53:27,120 --> 00:53:30,200
Speaker 1: that rug listing there's also a dog sitting on the rug.

1126
00:53:30,280 --> 00:53:32,960
Speaker 1: So he called the lady and tried to purchase the

1127
00:53:33,000 --> 00:53:36,359
Speaker 1: dog instead of the rug. Hilarious. The lady totally thought

1128
00:53:36,360 --> 00:53:39,040
Speaker 1: he was kidding and he wasn't. So listen to this,

1129
00:53:39,200 --> 00:53:41,440
Speaker 1: you're gonna laugh. It's the perfect thing you need for

1130
00:53:41,480 --> 00:53:44,680
Speaker 1: this weekend to get a good laughing. And he may

1131
00:53:44,800 --> 00:53:47,200
Speaker 1: or may not end up with another dog. You'll see

1132
00:53:47,560 --> 00:53:51,440
Speaker 1: number three inside of rejected segments. Last week, Mike d said, Hey,

1133
00:53:51,480 --> 00:53:55,080
Speaker 1: why don't we call somebody on Facebook, swap or Craigslist

1134
00:53:55,160 --> 00:53:56,480
Speaker 1: and you know they have an article up, but we

1135
00:53:56,480 --> 00:53:57,719
Speaker 1: don't want to buy the article. We want to buy

1136
00:53:57,719 --> 00:54:00,160
Speaker 1: something else in the picture. And I hated that. I

1137
00:54:00,160 --> 00:54:02,720
Speaker 1: rejected that segment, thought it was good, so Lunchbox actually

1138
00:54:02,719 --> 00:54:06,040
Speaker 1: did it. So you found a Craigslist ad for what

1139
00:54:06,480 --> 00:54:09,239
Speaker 1: a red rug just like in a living room or

1140
00:54:09,280 --> 00:54:11,160
Speaker 1: dining room, whatever room it was, I don't know, but

1141
00:54:11,239 --> 00:54:12,719
Speaker 1: it was just a red rug and there was a

1142
00:54:12,760 --> 00:54:15,560
Speaker 1: dog sitting on the rug. And so I called the

1143
00:54:15,600 --> 00:54:18,520
Speaker 1: lady an organ in Oregon, Yeah, to see if she

1144
00:54:18,560 --> 00:54:20,719
Speaker 1: would sell that dog. Yeah. I asked a couple of

1145
00:54:20,760 --> 00:54:22,399
Speaker 1: questions about the rug, and then I get to down

1146
00:54:22,440 --> 00:54:26,040
Speaker 1: to business about the dog. Here we go. Hello, ah,

1147
00:54:26,080 --> 00:54:29,319
Speaker 1: hi is this Yeah, this is Jason Gibble And I

1148
00:54:29,400 --> 00:54:31,600
Speaker 1: was on Craigslist and I noticed that you had that

1149
00:54:31,719 --> 00:54:34,520
Speaker 1: beautiful red area rug for sale, and I was calling

1150
00:54:34,520 --> 00:54:37,279
Speaker 1: to get some more information. Yeah, right, yeah, it's a

1151
00:54:37,320 --> 00:54:39,759
Speaker 1: great rug. Um, what do you want to know? I

1152
00:54:39,840 --> 00:54:44,120
Speaker 1: just was wondering the exact dimensions of the rug eight

1153
00:54:44,160 --> 00:54:46,600
Speaker 1: feet Yeah, the rug caught my eye, but then there

1154
00:54:46,680 --> 00:54:49,319
Speaker 1: was something else. There was a little white poodle in

1155
00:54:49,440 --> 00:54:52,920
Speaker 1: the picture. And I really thought the poodle was super cute.

1156
00:54:55,640 --> 00:55:00,600
Speaker 1: That's my baby. Oh bad bat. Yeah, I mean she

1157
00:55:00,800 --> 00:55:03,839
Speaker 1: was just so cute and I was like, oh man,

1158
00:55:04,200 --> 00:55:07,920
Speaker 1: So I was wondering, you know how much for the dog? Well,

1159
00:55:08,080 --> 00:55:11,120
Speaker 1: dog just per sale. It's just the rug. The listing

1160
00:55:11,200 --> 00:55:14,880
Speaker 1: says it's like area rug. Yeah it's not. It doesn't

1161
00:55:14,880 --> 00:55:17,239
Speaker 1: include the room, it doesn't include the dog. It doesn't

1162
00:55:17,280 --> 00:55:20,680
Speaker 1: include the sofa, just the rug. What if I said,

1163
00:55:20,680 --> 00:55:22,319
Speaker 1: you know, you said three hundred for the rug, how

1164
00:55:22,320 --> 00:55:25,799
Speaker 1: about I give you one thousand for the dog? No, No,

1165
00:55:26,160 --> 00:55:29,160
Speaker 1: only the rugs for sale? Come on, are you into

1166
00:55:29,480 --> 00:55:31,640
Speaker 1: a rug or not? No? I do like the rug,

1167
00:55:31,640 --> 00:55:33,759
Speaker 1: and it seems like the dog really likes the rug.

1168
00:55:33,760 --> 00:55:36,080
Speaker 1: And you know, I'm Jason Gible, businessman making business deals,

1169
00:55:36,080 --> 00:55:37,799
Speaker 1: trying to get that money. So when I when I

1170
00:55:37,840 --> 00:55:39,880
Speaker 1: see things, I get, I get, you know, excited. I

1171
00:55:39,920 --> 00:55:41,920
Speaker 1: got a lot of money. So I'll give you fifty

1172
00:55:41,960 --> 00:55:44,880
Speaker 1: thousand dollars for bad bet. I'll take the rug and

1173
00:55:45,040 --> 00:55:48,840
Speaker 1: the lamp. But look, I don't know. I don't know

1174
00:55:48,880 --> 00:55:51,320
Speaker 1: what you're playing at. But I don't really have time

1175
00:55:51,320 --> 00:55:54,319
Speaker 1: for this, you know what. Goodbye, good luck, find another rug.

1176
00:55:54,760 --> 00:56:01,440
Speaker 1: Oh wow, and she said, hang out good that's funny.

1177
00:56:01,480 --> 00:56:05,600
Speaker 1: Good job, good bitch. It's the best bits of the

1178
00:56:05,640 --> 00:56:11,120
Speaker 1: week with Morgan. Number two, Bobby had posted a video

1179
00:56:11,200 --> 00:56:14,600
Speaker 1: on his TikTok. He was breaking down the nicest country

1180
00:56:14,680 --> 00:56:17,320
Speaker 1: artist that he's had the pleasure of working with meeting,

1181
00:56:17,719 --> 00:56:20,160
Speaker 1: and then everyone on the show shared their number one

1182
00:56:20,200 --> 00:56:23,120
Speaker 1: pick for the nicest artist. Shout out Cole Swindell. That's

1183
00:56:23,160 --> 00:56:27,320
Speaker 1: who I picked, Steve, tell me what would you choose?

1184
00:56:27,360 --> 00:56:29,160
Speaker 1: You haven't been in this industry long enough, But who

1185
00:56:29,160 --> 00:56:32,359
Speaker 1: would you choose as the nicest country star so far?

1186
00:56:32,760 --> 00:56:35,560
Speaker 1: So far? I have I think a three way tie.

1187
00:56:36,400 --> 00:56:38,680
Speaker 1: I think my number one has got to be Clay Walker.

1188
00:56:39,200 --> 00:56:40,839
Speaker 1: Oh yeah, he was great. He came on the show.

1189
00:56:40,920 --> 00:56:42,799
Speaker 1: He came on the show, and after the interview we

1190
00:56:42,880 --> 00:56:45,040
Speaker 1: talked for like thirty forty minutes, and then he gave

1191
00:56:45,040 --> 00:56:46,600
Speaker 1: me his phone number and said, Hey, I live out

1192
00:56:46,920 --> 00:56:48,359
Speaker 1: down south the here if you're want to come by

1193
00:56:48,400 --> 00:56:50,920
Speaker 1: with your son. You know, I got like four hundred

1194
00:56:50,920 --> 00:56:53,239
Speaker 1: acres and we've got fishing and a TVs and all

1195
00:56:53,280 --> 00:56:55,120
Speaker 1: this stuff. Is I come on, Bob, bring your kit

1196
00:56:55,160 --> 00:56:57,480
Speaker 1: and let's hang out. Wait, you got clay Walker's number? Yeah,

1197
00:56:57,600 --> 00:56:59,520
Speaker 1: I got on my phone. Yeah, ready to go. Excuse me,

1198
00:57:01,000 --> 00:57:03,279
Speaker 1: I want to hang out on clay Walker's farm. Clay

1199
00:57:03,280 --> 00:57:05,759
Speaker 1: Walker's farm is pretty cool. Um. And then I would

1200
00:57:05,800 --> 00:57:08,160
Speaker 1: said another other two that can go with would be

1201
00:57:08,200 --> 00:57:10,920
Speaker 1: Travis Denning is always really easy and cool and has

1202
00:57:10,960 --> 00:57:12,920
Speaker 1: a great personality and always a lot of fun to

1203
00:57:12,920 --> 00:57:15,560
Speaker 1: be around with when he's in studio. You hear that,

1204
00:57:15,600 --> 00:57:17,960
Speaker 1: Travis Denning, You're really easy. If you're listening to this,

1205
00:57:18,280 --> 00:57:21,680
Speaker 1: that's just called you. You make it easy. Um. And

1206
00:57:21,760 --> 00:57:23,560
Speaker 1: then I think the other one would have to be

1207
00:57:24,520 --> 00:57:27,160
Speaker 1: who's that third one? Uh? I think it's a tie

1208
00:57:27,160 --> 00:57:31,960
Speaker 1: between Matt Stell and um, what's that one guy's name?

1209
00:57:32,080 --> 00:57:34,720
Speaker 1: He sings the songs. What's what's the songs? A lot

1210
00:57:34,720 --> 00:57:37,360
Speaker 1: of brothers Osbourne, brothers Osborne, both of them are really cool.

1211
00:57:37,880 --> 00:57:41,040
Speaker 1: TJ is not my direct neighborybody lives in my neighborhood.

1212
00:57:41,440 --> 00:57:44,400
Speaker 1: Oh okay, yeah, so yeah. I mean there's a lot

1213
00:57:44,400 --> 00:57:46,000
Speaker 1: of really nice people in country music. That's the one

1214
00:57:46,000 --> 00:57:48,400
Speaker 1: thing I would say, coming from from pop, hip hop

1215
00:57:48,400 --> 00:57:51,000
Speaker 1: and alternative rock, which is what I used to work

1216
00:57:51,080 --> 00:57:54,840
Speaker 1: for in the past, Country artists are great. They're on

1217
00:57:54,920 --> 00:57:58,240
Speaker 1: time or early. They're easy to deal with. They'll pretty

1218
00:57:58,280 --> 00:58:00,320
Speaker 1: much do whatever you want when they're here in studio,

1219
00:58:00,360 --> 00:58:01,920
Speaker 1: and when they leave they're like, hey, they kind of

1220
00:58:01,920 --> 00:58:03,960
Speaker 1: talk to you like they've known you your whole life,

1221
00:58:04,200 --> 00:58:07,640
Speaker 1: whereas the other genres of artists there, it's almost like

1222
00:58:07,680 --> 00:58:09,680
Speaker 1: you're an inconvenience and like why are they here and

1223
00:58:09,680 --> 00:58:12,200
Speaker 1: it's a waste of time, they're late, they It's just

1224
00:58:12,480 --> 00:58:15,000
Speaker 1: it's a different experience from country to everywhere else. Yeah,

1225
00:58:15,040 --> 00:58:18,560
Speaker 1: I do feel like the country radio with country artists

1226
00:58:18,680 --> 00:58:22,040
Speaker 1: is very like this close relationship which is really cool

1227
00:58:22,440 --> 00:58:24,680
Speaker 1: to be a part of and like see happen. But

1228
00:58:24,760 --> 00:58:26,280
Speaker 1: I would agree with you. I mean, I think our

1229
00:58:26,760 --> 00:58:29,600
Speaker 1: genre of artists, compared to all the other genres is

1230
00:58:29,640 --> 00:58:34,320
Speaker 1: just like uncomparably nice. Like overall, there's nice artists in

1231
00:58:34,360 --> 00:58:37,520
Speaker 1: every genre, but I think overall, yeah, country artists are

1232
00:58:38,040 --> 00:58:42,120
Speaker 1: the most kind and like willing to do anything, and

1233
00:58:42,160 --> 00:58:44,760
Speaker 1: they're also willing to to like get to know you

1234
00:58:44,800 --> 00:58:47,680
Speaker 1: and remember your name, like Tim mcgrawl, Tim fricking mcgrawl.

1235
00:58:47,920 --> 00:58:49,880
Speaker 1: It's like guy that you grew up, you know. I

1236
00:58:49,960 --> 00:58:52,320
Speaker 1: knew Tim mcgrawl was no matter what industry I was in.

1237
00:58:52,560 --> 00:58:55,040
Speaker 1: Tim McGraw, the actor, the country singer, Tim mcgrawl knows

1238
00:58:55,080 --> 00:58:56,920
Speaker 1: my fricking name. And I didn't even know when he

1239
00:58:56,920 --> 00:59:00,120
Speaker 1: came in here for the first time. I didn't really know.

1240
00:59:00,120 --> 00:59:01,440
Speaker 1: I couldn't think of what he looked like it was.

1241
00:59:01,560 --> 00:59:03,800
Speaker 1: I was just kind of busy in space, and I

1242
00:59:03,840 --> 00:59:07,680
Speaker 1: introduced myself to his manager, thinking he was Tim mcgrawl, like, hey, Tim,

1243
00:59:07,680 --> 00:59:09,320
Speaker 1: my name is Steve. Nice to meet you. And he goes, oh, whoa,

1244
00:59:09,440 --> 00:59:11,440
Speaker 1: I'm not Tim, I'm Jack. That's Tim back there. And

1245
00:59:11,440 --> 00:59:15,880
Speaker 1: I go, oh, hey, sorry, you make up Tim McGraw

1246
00:59:16,000 --> 00:59:18,560
Speaker 1: for his manager. Yeah, And then Tim goes, I'm Tim actually,

1247
00:59:18,560 --> 00:59:20,760
Speaker 1: and I go, oh sorry, man, and he goes, it's

1248
00:59:20,800 --> 00:59:22,320
Speaker 1: all right, I'm no more about it, and I was like,

1249
00:59:22,360 --> 00:59:25,520
Speaker 1: oh my god, wait wait does Tim know this? Yeah,

1250
00:59:25,560 --> 00:59:27,760
Speaker 1: because I was right there because I called his manager

1251
00:59:27,800 --> 00:59:29,800
Speaker 1: Tim and I and I called him Jack. I go,

1252
00:59:29,840 --> 00:59:33,640
Speaker 1: hey Jack, Hey Tim, I'm actual Tim. That's like the

1253
00:59:34,000 --> 00:59:36,520
Speaker 1: face palm emoji mo massive. But then I guess it

1254
00:59:36,600 --> 00:59:38,720
Speaker 1: was cool because if you would do that somewhere else,

1255
00:59:38,760 --> 00:59:41,040
Speaker 1: they would kind of they would say some choice words

1256
00:59:41,080 --> 00:59:44,080
Speaker 1: and or maybe you know, they would maybe cancel the interview.

1257
00:59:44,080 --> 00:59:45,880
Speaker 1: They would go as far as something like that if

1258
00:59:45,880 --> 00:59:48,680
Speaker 1: you didn't know who they were. Whereas he is Tim

1259
00:59:48,720 --> 00:59:50,880
Speaker 1: mcgrawl and he's just like, oh, whatever, you don't know me.

1260
00:59:50,920 --> 00:59:52,680
Speaker 1: That's fine, dude, It is he is. I mean, there

1261
00:59:52,720 --> 00:59:55,400
Speaker 1: really are. There's not a bad one in country music. Yeah,

1262
00:59:55,520 --> 00:59:57,840
Speaker 1: also makes me think that's a pretty good story. But

1263
00:59:57,920 --> 01:00:00,800
Speaker 1: do you have a favorite story with a country artists

1264
01:00:01,280 --> 01:00:03,240
Speaker 1: so far? And it could have happened before you were

1265
01:00:03,280 --> 01:00:05,760
Speaker 1: part of the show too, but just anytime, or do

1266
01:00:05,800 --> 01:00:09,400
Speaker 1: you have a favorite story with a celebrity um so

1267
01:00:09,760 --> 01:00:12,720
Speaker 1: country artist that I like, like a personal story, like

1268
01:00:12,760 --> 01:00:16,280
Speaker 1: we did something together for you that happened with you

1269
01:00:16,400 --> 01:00:20,640
Speaker 1: involved um country country. I mean I think that would

1270
01:00:20,680 --> 01:00:22,840
Speaker 1: probably one of them. And then talking with Clay Walker

1271
01:00:22,920 --> 01:00:26,040
Speaker 1: was pretty cool. Um, who's that one guy that? Clint

1272
01:00:26,080 --> 01:00:28,320
Speaker 1: Black was really nice too. We talked for like thirty

1273
01:00:28,320 --> 01:00:30,320
Speaker 1: forty minutes. Like usually most artists they kind of they

1274
01:00:30,320 --> 01:00:32,320
Speaker 1: have to go and move on with their way. Clint

1275
01:00:32,320 --> 01:00:34,280
Speaker 1: Black like was like hanging out for another thirty forty

1276
01:00:34,280 --> 01:00:36,640
Speaker 1: minutes afterwards as well. He was pretty cool. He was

1277
01:00:36,680 --> 01:00:38,080
Speaker 1: ready to go. He was ready to go. He's ready

1278
01:00:38,080 --> 01:00:40,240
Speaker 1: to play golf and hang out into all kinds of stuff. Um,

1279
01:00:40,560 --> 01:00:43,920
Speaker 1: celebrities in general, David Spade's pretty cool. Like he came

1280
01:00:43,920 --> 01:00:46,600
Speaker 1: to our studio. So he came to our studio one time,

1281
01:00:46,640 --> 01:00:48,720
Speaker 1: and when I was working in La with Seacrest, and

1282
01:00:48,720 --> 01:00:50,080
Speaker 1: he was in our green room and it was like

1283
01:00:50,080 --> 01:00:51,560
Speaker 1: a mess, and he was making fun of it on

1284
01:00:52,160 --> 01:00:54,600
Speaker 1: his Instagram video. And then he like was like painting

1285
01:00:54,640 --> 01:00:55,880
Speaker 1: around the room and he was like, I don't know

1286
01:00:55,880 --> 01:00:57,360
Speaker 1: who these guys are that are over there. We were

1287
01:00:57,360 --> 01:00:59,280
Speaker 1: like working in this little pit, and I just and

1288
01:00:59,280 --> 01:01:00,800
Speaker 1: I knew was David's fate and I want to mess

1289
01:01:00,800 --> 01:01:02,280
Speaker 1: with him. So I just looked right at him and

1290
01:01:02,320 --> 01:01:04,200
Speaker 1: I locked eyes and I made a funny face, and

1291
01:01:05,600 --> 01:01:07,200
Speaker 1: he goes like, this guy's gonna try to kill me,

1292
01:01:07,280 --> 01:01:09,360
Speaker 1: and he posted it on his Instagram and so and

1293
01:01:09,400 --> 01:01:10,680
Speaker 1: so I took it and kind of did some stuff

1294
01:01:10,680 --> 01:01:13,000
Speaker 1: with it, some editing, and then he commented and followed

1295
01:01:13,040 --> 01:01:14,720
Speaker 1: me and liked in all kinds of cool stuff. Wait

1296
01:01:14,760 --> 01:01:17,600
Speaker 1: does he still follow you? I think? So? Yeah, yeah,

1297
01:01:17,600 --> 01:01:20,240
Speaker 1: we need to check that. Oh and speaking of so,

1298
01:01:20,280 --> 01:01:24,640
Speaker 1: the whole Whole coganum is another interesting one where I

1299
01:01:24,760 --> 01:01:26,840
Speaker 1: followed him on Twitter and then one day I was

1300
01:01:26,960 --> 01:01:28,760
Speaker 1: trying to book him for we were doing something in

1301
01:01:28,800 --> 01:01:32,160
Speaker 1: San Francisco for WrestleMania. I was like in twenty thirteen,

1302
01:01:32,440 --> 01:01:34,120
Speaker 1: and I went to go because I handled our digital

1303
01:01:34,160 --> 01:01:35,720
Speaker 1: as well on the morning show, and I went to

1304
01:01:35,760 --> 01:01:39,160
Speaker 1: go tweet him for my account and um, and I

1305
01:01:39,200 --> 01:01:40,520
Speaker 1: was going to tag him, and I said the tweet

1306
01:01:40,560 --> 01:01:42,920
Speaker 1: couldn't send. I was even a tweet couldn't send. And

1307
01:01:42,920 --> 01:01:44,400
Speaker 1: I went to a look at Hulk's profile to make

1308
01:01:44,400 --> 01:01:45,760
Speaker 1: sure I have the right handle and everything, and it

1309
01:01:45,800 --> 01:01:48,920
Speaker 1: says I said blocked. I was blocked by Hulk Cogan,

1310
01:01:49,240 --> 01:01:50,760
Speaker 1: And I was like, I want to know what you

1311
01:01:50,800 --> 01:01:53,160
Speaker 1: did to get blocked by Whole Cogan. So I don't

1312
01:01:53,200 --> 01:01:55,360
Speaker 1: know the whole story, but he ended up coming in

1313
01:01:55,400 --> 01:01:57,280
Speaker 1: because he was coming into the I mean, we already

1314
01:01:57,280 --> 01:02:00,160
Speaker 1: booked the interview, was coming to the show, and we

1315
01:02:00,160 --> 01:02:01,840
Speaker 1: we asked him. We're like, hey, Hulk, Steve has a

1316
01:02:01,920 --> 01:02:02,960
Speaker 1: question for you. And I was like, hey, I just

1317
01:02:03,000 --> 01:02:04,960
Speaker 1: want a big fan grill watching you. I love you.

1318
01:02:04,960 --> 01:02:07,200
Speaker 1: You're amazing. You know. I just got one question for you.

1319
01:02:07,280 --> 01:02:08,800
Speaker 1: Is like, what is a brother? And I was like,

1320
01:02:08,920 --> 01:02:10,400
Speaker 1: I just gotta know. I was like, and I told

1321
01:02:10,480 --> 01:02:12,240
Speaker 1: them the whole story about putting out the tweet and everything.

1322
01:02:12,240 --> 01:02:14,000
Speaker 1: I was like, so, why did you block me? And

1323
01:02:14,080 --> 01:02:15,640
Speaker 1: he goes, I don't know, brother, he must have said

1324
01:02:15,680 --> 01:02:19,760
Speaker 1: something stupid. Can't even try and be like, oh, no,

1325
01:02:20,000 --> 01:02:21,640
Speaker 1: I'm block you. I don't know, no, And then I

1326
01:02:21,640 --> 01:02:23,280
Speaker 1: asked if you'd unblock me. He goes, no, Brother, you

1327
01:02:23,280 --> 01:02:26,080
Speaker 1: say something stupid, You're blocked. Oh you're You're on his

1328
01:02:26,600 --> 01:02:28,840
Speaker 1: s list forever. Oh yeah, Because I'm trying to book

1329
01:02:28,880 --> 01:02:30,160
Speaker 1: him for this show and I've had to go around

1330
01:02:30,280 --> 01:02:32,880
Speaker 1: him and talk to people who work at WWE to

1331
01:02:33,000 --> 01:02:35,040
Speaker 1: try to get him on the show. And it's been

1332
01:02:35,080 --> 01:02:37,240
Speaker 1: two weeks and I'm still waiting. Do I need to

1333
01:02:37,240 --> 01:02:42,360
Speaker 1: tweet him? Still put me on the tweet to me,

1334
01:02:42,600 --> 01:02:44,760
Speaker 1: I'll tweet him. I'm like, hi, hole, go good. Yeah

1335
01:02:44,840 --> 01:02:46,920
Speaker 1: you would it coming out on our show Love You.

1336
01:02:47,040 --> 01:02:49,720
Speaker 1: It's like, is this woman you work with scoop with

1337
01:02:49,760 --> 01:02:55,520
Speaker 1: Steve No, that's funny. So you are blacklisted forever? Yeah,

1338
01:02:55,600 --> 01:02:57,800
Speaker 1: I used to say a lot of not I wouldn't

1339
01:02:57,800 --> 01:02:59,640
Speaker 1: mean it, but I used to say a lot of

1340
01:02:59,640 --> 01:03:02,360
Speaker 1: like ask things on Twitter a long time ago for

1341
01:03:02,440 --> 01:03:04,920
Speaker 1: shock value. Possible that you did something and you just

1342
01:03:04,920 --> 01:03:07,360
Speaker 1: don't remember. It's possible. But he was also was involved

1343
01:03:07,360 --> 01:03:09,680
Speaker 1: in a lawsuit with an old friend of his who

1344
01:03:09,720 --> 01:03:12,080
Speaker 1: worked in radiobut with a love sponge and with him

1345
01:03:12,120 --> 01:03:13,720
Speaker 1: and I got along. We were friends on Twitter and

1346
01:03:13,760 --> 01:03:15,440
Speaker 1: all that kind of stuff. So maybe because I was

1347
01:03:15,480 --> 01:03:18,280
Speaker 1: associated with him, maybe he blocked all those people. It

1348
01:03:18,320 --> 01:03:20,240
Speaker 1: could be that too. It's possible too. I don't know.

1349
01:03:20,520 --> 01:03:23,000
Speaker 1: You got some weird strings at dashed a whole coogan here,

1350
01:03:23,080 --> 01:03:24,440
Speaker 1: So I know that's why I want to get him

1351
01:03:24,440 --> 01:03:26,200
Speaker 1: in now so we can clear it. Like I'm told

1352
01:03:26,240 --> 01:03:27,920
Speaker 1: I'm a different person now, I'm a different man. I've

1353
01:03:27,920 --> 01:03:30,200
Speaker 1: got kids, at a perspective on life, I'm not who

1354
01:03:30,240 --> 01:03:32,760
Speaker 1: I used to be. Please follow me to get on Twitter, Hulk.

1355
01:03:33,000 --> 01:03:34,920
Speaker 1: I'm telling you it doesn't sound like he changes his

1356
01:03:35,080 --> 01:03:38,600
Speaker 1: opinion that often, so I think you're stuck. Yeah, oh man,

1357
01:03:38,760 --> 01:03:41,240
Speaker 1: I don't. I mean, you have some really good stories,

1358
01:03:41,240 --> 01:03:42,800
Speaker 1: and I'm sure that I do too. We share. We

1359
01:03:42,840 --> 01:03:44,640
Speaker 1: share My tailor sliped one a little bit ago, which

1360
01:03:44,640 --> 01:03:47,280
Speaker 1: was good. That's a cool one. Yeah. I think the

1361
01:03:47,600 --> 01:03:49,640
Speaker 1: best one with the country star, though, is when I

1362
01:03:49,680 --> 01:03:52,040
Speaker 1: walked into work for the show the very first day.

1363
01:03:52,440 --> 01:03:54,960
Speaker 1: I'm like, sitting here. I haven't even like officially joined

1364
01:03:55,000 --> 01:03:57,000
Speaker 1: the show. I had like a two week tryout period.

1365
01:03:57,720 --> 01:04:00,280
Speaker 1: And the first day that I'm doing this tryout period,

1366
01:04:00,720 --> 01:04:03,880
Speaker 1: Shania Twain's a guest who, as everybody knows now, is

1367
01:04:03,920 --> 01:04:09,120
Speaker 1: like my idol, my She's my She's my Tina Turner,

1368
01:04:09,200 --> 01:04:11,960
Speaker 1: like Tina Turner is to lunchbox right, like she is

1369
01:04:12,000 --> 01:04:15,280
Speaker 1: my person. I love her, I adore her everything she does.

1370
01:04:16,320 --> 01:04:18,840
Speaker 1: She walks in and I'm like, how, how I'm not

1371
01:04:18,840 --> 01:04:21,000
Speaker 1: gonna be able to keep this Jumbi Twain just walked

1372
01:04:21,040 --> 01:04:23,160
Speaker 1: into the room and she just gave me a big

1373
01:04:23,240 --> 01:04:25,520
Speaker 1: hook and I got a picture with her, and I'm

1374
01:04:25,560 --> 01:04:27,760
Speaker 1: sitting there. The only reason I even got a picture

1375
01:04:27,840 --> 01:04:29,400
Speaker 1: is because I'm sitting on my computer and I'm like

1376
01:04:29,480 --> 01:04:31,120
Speaker 1: hiding away and I'm like scared. I'm like I don't

1377
01:04:31,120 --> 01:04:37,400
Speaker 1: want to Yes, we can play that. Whoa girls, No,

1378
01:04:37,520 --> 01:04:40,040
Speaker 1: that's literally what Like I'm sitting on this little couch

1379
01:04:40,080 --> 01:04:42,960
Speaker 1: and I'm doing this and I'm just trying to like

1380
01:04:43,080 --> 01:04:44,800
Speaker 1: not get in the way, and I'm I'm not gonna

1381
01:04:44,800 --> 01:04:46,280
Speaker 1: ask for a picture because it's my first day of

1382
01:04:46,280 --> 01:04:50,200
Speaker 1: school basically as high felt. And but then Bobby looks

1383
01:04:50,200 --> 01:04:51,439
Speaker 1: at me. He's like, we're going you want a picture,

1384
01:04:51,440 --> 01:04:52,680
Speaker 1: and i was like, yes, I want a picture, and

1385
01:04:52,680 --> 01:04:54,280
Speaker 1: I'm like shot out of my chair and I'm like,

1386
01:04:55,240 --> 01:04:57,479
Speaker 1: you know, gave her like a really shy and I'm

1387
01:04:57,520 --> 01:05:00,000
Speaker 1: not shy person. If there's one thing people know about me,

1388
01:05:00,040 --> 01:05:02,600
Speaker 1: I'm not shy. I was shy with Shania Twain. I

1389
01:05:02,640 --> 01:05:04,200
Speaker 1: just gave her a hug and I smiled for my

1390
01:05:04,240 --> 01:05:05,840
Speaker 1: picture and then she walked out of the room. It

1391
01:05:05,880 --> 01:05:07,640
Speaker 1: was like an angel had walked in. Did you say

1392
01:05:07,640 --> 01:05:09,360
Speaker 1: anything to her, like hey, I'm the biggest fan, or

1393
01:05:09,520 --> 01:05:11,520
Speaker 1: I love a man, I feel like a woman or anything.

1394
01:05:11,680 --> 01:05:14,120
Speaker 1: The words did not come out of my mouth, Like,

1395
01:05:14,200 --> 01:05:17,240
Speaker 1: I was just like silent. I was like I don't

1396
01:05:17,280 --> 01:05:20,240
Speaker 1: even know, Like I was like so smiling and so giddy.

1397
01:05:20,320 --> 01:05:22,000
Speaker 1: It was like I had just met the love of

1398
01:05:22,040 --> 01:05:25,040
Speaker 1: my life. I did not know what was happening. I

1399
01:05:25,080 --> 01:05:27,360
Speaker 1: don't even like I kind of blacked out too, Like

1400
01:05:27,480 --> 01:05:30,080
Speaker 1: I only remember that this happened because there's a photo

1401
01:05:30,120 --> 01:05:32,640
Speaker 1: and obviously I was like tweeting for the show, but

1402
01:05:32,880 --> 01:05:35,520
Speaker 1: I don't even remember like the whole moment it happened. Like,

1403
01:05:35,560 --> 01:05:37,800
Speaker 1: I'm pretty buzz if I blacked out. Yeah, oh yeah,

1404
01:05:37,880 --> 01:05:39,520
Speaker 1: when you get those moments. And we talked earlier when

1405
01:05:39,520 --> 01:05:41,760
Speaker 1: I was meeting with that rock band, like you just

1406
01:05:41,920 --> 01:05:45,160
Speaker 1: you almost your chest gets so heavy you could literally

1407
01:05:45,240 --> 01:05:48,040
Speaker 1: fill your heart pumping like a cartoon pumping out of

1408
01:05:48,120 --> 01:05:50,120
Speaker 1: your chest and it's stuck in your throat and you

1409
01:05:50,160 --> 01:05:53,120
Speaker 1: can't breathe. You're just like grasping for thoughts and words

1410
01:05:53,320 --> 01:05:56,240
Speaker 1: and nothing comes out. You just you just like completely

1411
01:05:56,240 --> 01:05:58,160
Speaker 1: freeze the moment, and you have all this planned on

1412
01:05:58,240 --> 01:06:00,320
Speaker 1: your head before of like something you're gonna say and

1413
01:06:00,320 --> 01:06:02,640
Speaker 1: something you're gonna do, or have something fun to say,

1414
01:06:02,640 --> 01:06:04,880
Speaker 1: and just nothing happens. No. That was and then like

1415
01:06:04,920 --> 01:06:06,680
Speaker 1: she walked out and I was like, wait, did I

1416
01:06:06,720 --> 01:06:10,080
Speaker 1: say something? Yeah, And I'm just like giddy. I'm saying

1417
01:06:10,080 --> 01:06:12,680
Speaker 1: they're like smiling, Oh yeah, so that that was my

1418
01:06:12,720 --> 01:06:15,200
Speaker 1: biggest one. I mean, we've had so many cool moments too,

1419
01:06:15,240 --> 01:06:17,440
Speaker 1: with all of our events and stuff, but that's still

1420
01:06:17,480 --> 01:06:19,600
Speaker 1: like just the fact that it was my first day

1421
01:06:19,600 --> 01:06:22,200
Speaker 1: of working it with Shania Twain, Like that's pretty brad. Yeah,

1422
01:06:22,320 --> 01:06:24,120
Speaker 1: because in our industry we see all kinds of people,

1423
01:06:24,200 --> 01:06:26,400
Speaker 1: especially when we go to the iHeart Radio Music Festival

1424
01:06:26,400 --> 01:06:29,560
Speaker 1: in Las Vegas that has like the biggest and best

1425
01:06:29,960 --> 01:06:32,480
Speaker 1: artists from all genres in one spot. They're all right there,

1426
01:06:32,480 --> 01:06:34,280
Speaker 1: and then we work those broadcasts and see them all.

1427
01:06:34,280 --> 01:06:37,080
Speaker 1: It's it's very surreal, but you have to kind of

1428
01:06:37,120 --> 01:06:38,960
Speaker 1: put on this face of like, oh, they don't matter,

1429
01:06:39,000 --> 01:06:40,720
Speaker 1: they don't care. We're just we're here just to work.

1430
01:06:40,920 --> 01:06:43,000
Speaker 1: But inside you're like, oh my god, that's that's that's

1431
01:06:43,080 --> 01:06:45,320
Speaker 1: River's Cuomo f and Weezer, Like I kind of I care.

1432
01:06:45,360 --> 01:06:46,800
Speaker 1: I want to I want to say something, but you're

1433
01:06:46,800 --> 01:06:48,840
Speaker 1: not supposed to because you're you got to be professional

1434
01:06:48,920 --> 01:06:50,440
Speaker 1: and just do your job and move on. Be a

1435
01:06:50,440 --> 01:06:52,760
Speaker 1: fangirl fan guy like you just can't do anything. Yeah,

1436
01:06:52,800 --> 01:06:54,280
Speaker 1: you wouldn't be able to work in this industry if

1437
01:06:54,280 --> 01:06:57,280
Speaker 1: you were that. If you could. I'm thinking of two others.

1438
01:06:57,280 --> 01:06:59,800
Speaker 1: I think there's only two people in this entire world

1439
01:07:00,160 --> 01:07:04,120
Speaker 1: that if I met I would probably freak out, and

1440
01:07:04,280 --> 01:07:07,640
Speaker 1: that is I take that back. There's three, So think

1441
01:07:07,680 --> 01:07:10,240
Speaker 1: of yours. Okay, all right? My mine are Bruno Mars

1442
01:07:10,560 --> 01:07:12,920
Speaker 1: Is he number one? Yeah, he's number one. I met

1443
01:07:13,000 --> 01:07:15,360
Speaker 1: him back in the early days. He was he's really

1444
01:07:15,440 --> 01:07:17,760
Speaker 1: nice and I've heard that and then I just love

1445
01:07:17,840 --> 01:07:23,520
Speaker 1: I'd adore him. Reese Witherspoon is number two, and that's

1446
01:07:23,560 --> 01:07:27,000
Speaker 1: because she's in all of my favorite movies. And then

1447
01:07:27,440 --> 01:07:30,240
Speaker 1: three is Chris Evans because he's an Avenger and he's

1448
01:07:30,280 --> 01:07:33,120
Speaker 1: Captain America. Yeah, and he's Chris Evans. Very attractive. Yeah.

1449
01:07:34,480 --> 01:07:36,640
Speaker 1: Literally like my three, if I've met any of them

1450
01:07:36,640 --> 01:07:39,760
Speaker 1: at any point in my life, I would probably die inside. Yeah.

1451
01:07:39,800 --> 01:07:41,920
Speaker 1: Who would be like your three that you like would

1452
01:07:41,960 --> 01:07:44,040
Speaker 1: love to meet? So two of them are going to

1453
01:07:44,080 --> 01:07:47,680
Speaker 1: be athletes. The first one is Shaquille O'Neal. Growing up

1454
01:07:47,720 --> 01:07:50,360
Speaker 1: on Yeah Shack, growing up in Orlando, Florida. That was

1455
01:07:50,400 --> 01:07:52,120
Speaker 1: the team they were new to Orlando, so I was

1456
01:07:52,160 --> 01:07:53,919
Speaker 1: a fan from day one, nineteen eighty nine when they're

1457
01:07:53,920 --> 01:07:56,720
Speaker 1: playing against Jersey Nets. That was my team, and hass

1458
01:07:56,760 --> 01:07:58,120
Speaker 1: been my team and always will be my team. To

1459
01:07:58,120 --> 01:08:00,640
Speaker 1: worry how much they suck. But the but Shack. If

1460
01:08:00,640 --> 01:08:04,120
Speaker 1: I met Shack, I would I would melt inside my body. Now, however,

1461
01:08:04,160 --> 01:08:05,840
Speaker 1: meet Shack, can you make him do his little dancy

1462
01:08:05,920 --> 01:08:08,919
Speaker 1: dance that he does, that's my favorite thing. I won't.

1463
01:08:09,200 --> 01:08:10,920
Speaker 1: I can't guarantee anything because, as you know, with me,

1464
01:08:10,960 --> 01:08:12,720
Speaker 1: if I got to meet Shack, probably nothing will happen,

1465
01:08:12,960 --> 01:08:16,680
Speaker 1: nothing will be said, all mumbles. Yeah he's here. Number one,

1466
01:08:16,800 --> 01:08:19,840
Speaker 1: Number one a Shack. Number two is Anthony Hardaway aka

1467
01:08:20,000 --> 01:08:21,920
Speaker 1: Penny Hardaway. I don't think I know who that is.

1468
01:08:21,960 --> 01:08:24,360
Speaker 1: Penny Hardaway he played with Shack, who was the point

1469
01:08:24,360 --> 01:08:27,519
Speaker 1: guard during that era Penny and Shack era, and he

1470
01:08:27,640 --> 01:08:30,599
Speaker 1: is actually the head coach of the Memphis Tigers for

1471
01:08:30,640 --> 01:08:33,200
Speaker 1: the College for college basketball, which is right, like you

1472
01:08:33,320 --> 01:08:36,120
Speaker 1: go to college basketball game and meet That's my plan.

1473
01:08:36,320 --> 01:08:37,800
Speaker 1: When we first moved here, I was like, I can't

1474
01:08:37,800 --> 01:08:39,479
Speaker 1: wait for a college season to kick off and go

1475
01:08:39,520 --> 01:08:42,439
Speaker 1: see a game. Pandemic hit obviously didn't get a chance

1476
01:08:42,439 --> 01:08:43,840
Speaker 1: to do that. So I'm waiting for the moment that

1477
01:08:43,880 --> 01:08:45,599
Speaker 1: we were able to go to these games. And I'm

1478
01:08:45,640 --> 01:08:48,960
Speaker 1: saying right behind the Memphis Tigers bench wearing all Penny gear,

1479
01:08:49,040 --> 01:08:52,479
Speaker 1: my shoes, my jersey, my shorts, everything, You're like, everybody's

1480
01:08:52,479 --> 01:08:54,200
Speaker 1: there for all the like athletes who're like, no, I'm

1481
01:08:54,200 --> 01:08:56,559
Speaker 1: here for the coach. I'm here. Yeah, I don't care

1482
01:08:56,600 --> 01:08:59,320
Speaker 1: about Tigers. I care about Penny Hardaway, Okay, And who's

1483
01:08:59,400 --> 01:09:02,080
Speaker 1: number three? And then number three? I think would have

1484
01:09:02,240 --> 01:09:05,120
Speaker 1: to be And I haven't met him, but I've seen

1485
01:09:05,200 --> 01:09:07,840
Speaker 1: him in concert many different times and it's past, so

1486
01:09:07,880 --> 01:09:10,320
Speaker 1: I can't do it. It's Chester Bennington from Lincoln Park.

1487
01:09:10,520 --> 01:09:12,280
Speaker 1: Oh yeah, I would love to have met him face

1488
01:09:12,320 --> 01:09:14,680
Speaker 1: to face. We did an album release party at the

1489
01:09:14,680 --> 01:09:16,639
Speaker 1: Burbank Studios in LA and so I got to see

1490
01:09:16,720 --> 01:09:18,760
Speaker 1: him like pretty close because he's like right there, and

1491
01:09:18,760 --> 01:09:21,720
Speaker 1: we did some broadcast related stuff and but didn't get

1492
01:09:21,760 --> 01:09:23,760
Speaker 1: to actually like meet him or talk to him or

1493
01:09:23,760 --> 01:09:26,320
Speaker 1: interview him. But he'd be I'd love to have met him.

1494
01:09:26,360 --> 01:09:28,760
Speaker 1: But you know, it's pretty cool that you have the chance, though,

1495
01:09:28,800 --> 01:09:31,200
Speaker 1: to see him. Oh yeah, before that had happened, though,

1496
01:09:31,200 --> 01:09:33,320
Speaker 1: because at the very least you have that, you know,

1497
01:09:33,479 --> 01:09:35,240
Speaker 1: that moment. I saw him two weeks before he died.

1498
01:09:35,560 --> 01:09:37,160
Speaker 1: He we saw him. It would think. It was like

1499
01:09:37,200 --> 01:09:39,880
Speaker 1: beginning of July, he had the album release party and

1500
01:09:40,040 --> 01:09:41,439
Speaker 1: my friend was supposed to go, and he's like, oh

1501
01:09:41,479 --> 01:09:45,960
Speaker 1: I can't go. Well you screwed up, Okay, so you

1502
01:09:46,040 --> 01:09:48,519
Speaker 1: should always go every time somebody asked you something to

1503
01:09:48,600 --> 01:09:50,600
Speaker 1: say yes, to say yes because you never know. So

1504
01:09:50,680 --> 01:09:53,120
Speaker 1: my wife kind of pulled strings, left work early and

1505
01:09:53,160 --> 01:09:55,000
Speaker 1: came and she was a huge Lincoln Park fan too

1506
01:09:55,040 --> 01:09:57,160
Speaker 1: as well. So it was a really great experience. So

1507
01:09:57,200 --> 01:09:59,320
Speaker 1: I think that that is equivalent to me of meeting

1508
01:09:59,360 --> 01:10:02,000
Speaker 1: him because it was it's a small, intimate venue and

1509
01:10:02,160 --> 01:10:04,639
Speaker 1: he performed for like thirty of us and did all

1510
01:10:04,640 --> 01:10:07,559
Speaker 1: of the hits full verse, like the full song. So

1511
01:10:07,600 --> 01:10:09,680
Speaker 1: it was so so cool to see and be a

1512
01:10:09,680 --> 01:10:12,120
Speaker 1: part of that. Oh I love that. Okay, that we

1513
01:10:12,479 --> 01:10:14,200
Speaker 1: got an end on that I can't I can't even

1514
01:10:14,240 --> 01:10:17,400
Speaker 1: like lively come back from us. But we're just gonna say, hey, y'all,

1515
01:10:17,680 --> 01:10:20,639
Speaker 1: here now is us talking about our nicest country stars.

1516
01:10:20,680 --> 01:10:24,280
Speaker 1: Thank you for that story. See you're welcome. Number two.

1517
01:10:24,360 --> 01:10:26,640
Speaker 1: I didn't know my TikTok was gonna be so controversial

1518
01:10:26,920 --> 01:10:30,320
Speaker 1: about something that's not controversial at all. I listed the

1519
01:10:30,360 --> 01:10:33,479
Speaker 1: top five nicest country artists. Oh that's cool. You can

1520
01:10:33,520 --> 01:10:35,600
Speaker 1: tell me who I left off after I'm done with

1521
01:10:35,640 --> 01:10:39,080
Speaker 1: the list. Okay, okay, everybody think about theirs. At number five,

1522
01:10:39,680 --> 01:10:43,479
Speaker 1: I put a little big town. All four of them

1523
01:10:43,479 --> 01:10:46,080
Speaker 1: are really nice. All of them. Usually you get one

1524
01:10:46,200 --> 01:10:48,320
Speaker 1: rotten egg. No, not in this man. All four of

1525
01:10:48,320 --> 01:10:52,439
Speaker 1: them are amazing God and in different ways at five,

1526
01:10:52,560 --> 01:10:55,000
Speaker 1: a little big town. At number four, and I'm very

1527
01:10:55,000 --> 01:10:57,479
Speaker 1: honored to say that if I see her out somewhere,

1528
01:10:57,520 --> 01:11:01,040
Speaker 1: we talk like buds. We don't hang out. But she's

1529
01:11:01,040 --> 01:11:03,519
Speaker 1: also someone that I looked up to forever, like she

1530
01:11:03,600 --> 01:11:05,519
Speaker 1: come on the radio, be like she's the greatest. And

1531
01:11:05,600 --> 01:11:12,080
Speaker 1: number four is Reba. I love Reba. She's so nice

1532
01:11:12,120 --> 01:11:13,679
Speaker 1: to me, so I put her on there at number four.

1533
01:11:13,920 --> 01:11:17,160
Speaker 1: She doesn't have to be heck. Her old boyfriend before

1534
01:11:17,200 --> 01:11:21,479
Speaker 1: this one Cricket whatever his name was, or after that

1535
01:11:21,520 --> 01:11:26,200
Speaker 1: one okay cricket, they were like a grasshopper whatever his

1536
01:11:26,320 --> 01:11:27,639
Speaker 1: name was. I talking to him for a long time.

1537
01:11:27,680 --> 01:11:35,360
Speaker 1: He was awesome. At number three, Dan and Shay. Other

1538
01:11:35,360 --> 01:11:37,840
Speaker 1: guy's name was Skeeter. Skeeter, Yeah, back in the day.

1539
01:11:37,840 --> 01:11:39,760
Speaker 1: I think she has another another guy. She did it now.

1540
01:11:39,880 --> 01:11:42,720
Speaker 1: But at number three on my nice artist list is

1541
01:11:42,760 --> 01:11:44,760
Speaker 1: Dan and Shay. Yeah, they're awesome. From the moment we

1542
01:11:44,840 --> 01:11:47,280
Speaker 1: knew them, they've been great dudes, Like they should totally

1543
01:11:47,320 --> 01:11:50,080
Speaker 1: be jerks right now because they're so famous. Big No,

1544
01:11:50,280 --> 01:11:53,920
Speaker 1: they're awesome. And not only are they so famous, they're

1545
01:11:53,960 --> 01:11:59,719
Speaker 1: also not given the credit they deserve. They're constantly shattering

1546
01:11:59,760 --> 01:12:04,439
Speaker 1: reck kords doing things that other people didn't mimic number three.

1547
01:12:04,720 --> 01:12:07,960
Speaker 1: Two nicest guys Dan and Shay. At number two Luke

1548
01:12:08,040 --> 01:12:13,360
Speaker 1: Bryan Walk I say it a lot. If you didn't

1549
01:12:13,360 --> 01:12:16,160
Speaker 1: know he was super famous and super rich, you wouldn't

1550
01:12:16,200 --> 01:12:19,400
Speaker 1: know he was super famous, super rich, just the nicest guy.

1551
01:12:20,200 --> 01:12:25,160
Speaker 1: And at number one Keith Urban. Oh Man got a

1552
01:12:25,240 --> 01:12:34,120
Speaker 1: whisper June. To me, he's the nicest guy and again

1553
01:12:34,200 --> 01:12:38,360
Speaker 1: just from my personal experiences with him, but has always

1554
01:12:38,360 --> 01:12:40,880
Speaker 1: went out of his way to be kind, not just nice.

1555
01:12:41,640 --> 01:12:44,240
Speaker 1: You like Keith Urban. Love Keith Urban, I mean out

1556
01:12:44,240 --> 01:12:46,559
Speaker 1: of everyone you mentioned, now, I'm just like, crap, who

1557
01:12:46,560 --> 01:12:49,160
Speaker 1: do I like, say you left off the list because

1558
01:12:49,520 --> 01:12:51,760
Speaker 1: you nailed everything. We'll go around. There are other people

1559
01:12:51,760 --> 01:12:53,320
Speaker 1: that I was like, oh Man, I should have put

1560
01:12:53,360 --> 01:12:55,960
Speaker 1: them on there. But to me, Keith Urban, because anytime

1561
01:12:55,960 --> 01:12:59,000
Speaker 1: we're like, hey, we're doing something for a charity. Boom,

1562
01:12:59,000 --> 01:13:01,000
Speaker 1: he's up here. Is drive from the house. I come

1563
01:13:01,080 --> 01:13:03,680
Speaker 1: up here, He'll text me listening to the show. I

1564
01:13:03,840 --> 01:13:06,240
Speaker 1: also included his wife, Nicole Kidman in this because she's

1565
01:13:06,240 --> 01:13:08,320
Speaker 1: also super nice. Should come up to me if we

1566
01:13:08,640 --> 01:13:10,479
Speaker 1: an awards thing and be like, oh, listen to the

1567
01:13:10,479 --> 01:13:13,000
Speaker 1: show this week we was in town. We listened to. Yes,

1568
01:13:14,120 --> 01:13:16,000
Speaker 1: he invited me to his house on Christmas evel once

1569
01:13:16,040 --> 01:13:19,120
Speaker 1: when I was in aust charl Ya for Christmas party. So,

1570
01:13:19,240 --> 01:13:21,400
Speaker 1: Keith Urban is the best. He was the best at

1571
01:13:21,400 --> 01:13:23,120
Speaker 1: all stages of my career here in Nashville, when we

1572
01:13:23,120 --> 01:13:24,640
Speaker 1: didn't know him and when I do know him. So

1573
01:13:24,680 --> 01:13:28,000
Speaker 1: I put Keith Urban at number one my honorable mention.

1574
01:13:28,439 --> 01:13:30,920
Speaker 1: But I just haven't spent as much time with her

1575
01:13:30,960 --> 01:13:32,599
Speaker 1: as I have the rest of these folks, as Dolly

1576
01:13:32,760 --> 01:13:35,519
Speaker 1: spent a little time. But always so nice, always the nicest.

1577
01:13:36,280 --> 01:13:37,920
Speaker 1: And then people were like, why don't you put Garth.

1578
01:13:38,960 --> 01:13:42,840
Speaker 1: I know I might have missed out. I'll tell you

1579
01:13:43,240 --> 01:13:45,720
Speaker 1: missed that one. That's my dude. I know I might

1580
01:13:45,760 --> 01:13:47,680
Speaker 1: have missed Alan. Who did I miss Eddie? All right?

1581
01:13:47,680 --> 01:13:49,400
Speaker 1: So I for sure I'm gonna have to say Garth

1582
01:13:49,560 --> 01:13:54,599
Speaker 1: because he is a mega mega superstar, and it's just

1583
01:13:54,720 --> 01:13:57,120
Speaker 1: a weird thing that I don't know if he got

1584
01:13:57,120 --> 01:13:59,360
Speaker 1: trained a long time ago or it's just the way

1585
01:13:59,400 --> 01:14:02,360
Speaker 1: his mind worked, but if he's met you before, some

1586
01:14:02,680 --> 01:14:05,640
Speaker 1: weird way, he remembers you and he says, hey, y,

1587
01:14:05,880 --> 01:14:07,160
Speaker 1: how you doing. I'm good to see him, Like what

1588
01:14:07,439 --> 01:14:10,080
Speaker 1: you're Guard, We've met once or twice and that's it.

1589
01:14:10,280 --> 01:14:12,840
Speaker 1: There's no way that you're supposed to remember me or

1590
01:14:12,920 --> 01:14:15,519
Speaker 1: walk into a room and say hi to everyone in

1591
01:14:15,560 --> 01:14:18,680
Speaker 1: that room. He is extremely nice. He's like, hey, Mike,

1592
01:14:18,760 --> 01:14:21,280
Speaker 1: Dee's number twenty two nine six four two eight right,

1593
01:14:21,360 --> 01:14:23,920
Speaker 1: still the same soul scurity number. Yeah, yeah, did you

1594
01:14:24,000 --> 01:14:27,759
Speaker 1: do that? Uh yeah, Guard, it's a good one. Lunchbox easy,

1595
01:14:28,000 --> 01:14:30,960
Speaker 1: Tim mcgrawl. I just think everywhere I see him, anytime

1596
01:14:31,000 --> 01:14:33,920
Speaker 1: I have an interaction with him, comes over, says Low talks.

1597
01:14:34,040 --> 01:14:35,680
Speaker 1: You know, you can talk about anything, don't have to

1598
01:14:35,680 --> 01:14:39,599
Speaker 1: be about music, talking about sports life, Great dude, Raymundo.

1599
01:14:39,680 --> 01:14:42,080
Speaker 1: Who do we miss on the nice artist list? Jake going?

1600
01:14:42,800 --> 01:14:44,760
Speaker 1: You know, and Jake was upset he didn't make the list.

1601
01:14:44,880 --> 01:14:49,520
Speaker 1: Oh did he let me know? Yeah, what do you say.

1602
01:14:49,720 --> 01:14:51,439
Speaker 1: He said, how did I make the list? He said,

1603
01:14:51,479 --> 01:14:53,320
Speaker 1: what do I gotta do? He's a real nice dude.

1604
01:14:53,400 --> 01:14:56,040
Speaker 1: He's a good dude. The thing with Jake and I, though,

1605
01:14:56,160 --> 01:14:59,559
Speaker 1: is I know him as a buddy and so we

1606
01:14:59,640 --> 01:15:02,080
Speaker 1: hang out and like, Eddie, you're a nice guy. But

1607
01:15:02,160 --> 01:15:03,880
Speaker 1: I know you, so you're not gonna put me on

1608
01:15:03,920 --> 01:15:06,080
Speaker 1: the list because we're friends. Well, because I know like

1609
01:15:06,320 --> 01:15:10,720
Speaker 1: all the dimensions of you. Yeah, same with Jake. Yeah

1610
01:15:10,760 --> 01:15:13,800
Speaker 1: that makes perfect sense. I felt too close to that

1611
01:15:14,000 --> 01:15:17,320
Speaker 1: and Dana Jay almost too close. Heck, even, look, it

1612
01:15:17,400 --> 01:15:18,920
Speaker 1: starts to be a weird. So I'm just gonna say

1613
01:15:18,920 --> 01:15:20,280
Speaker 1: I messed up by even I should have made a

1614
01:15:20,320 --> 01:15:23,040
Speaker 1: Top twenty. I get Morgan, who did not forget I

1615
01:15:23,080 --> 01:15:26,520
Speaker 1: feel like um Cole Swindell should be on this list

1616
01:15:26,560 --> 01:15:28,880
Speaker 1: because he always comes in. He's really nice every time,

1617
01:15:28,960 --> 01:15:31,600
Speaker 1: Like if I see him out in Nashville, he always

1618
01:15:31,720 --> 01:15:33,479
Speaker 1: comes up and says Hi makes a point to have

1619
01:15:33,560 --> 01:15:35,880
Speaker 1: conversations like he's just a great one. I missed that

1620
01:15:35,960 --> 01:15:39,400
Speaker 1: one too. I'm so stupid now I see why it's controversial.

1621
01:15:39,479 --> 01:15:41,760
Speaker 1: I'm hating myself right now. Yeah that's a good one too.

1622
01:15:42,360 --> 01:15:43,880
Speaker 1: I missed a lot of them. There's a lot of

1623
01:15:43,880 --> 01:15:47,559
Speaker 1: good folks around here, but Kelsey on there's really nice.

1624
01:15:47,640 --> 01:15:49,880
Speaker 1: You know who's really nice? And like lunch Fox said,

1625
01:15:49,880 --> 01:15:53,160
Speaker 1: we'll always just talk to you. Darius Rucker, Noah the greatest.

1626
01:15:53,320 --> 01:15:56,040
Speaker 1: I mean, he has no reason to be nice, but

1627
01:15:56,080 --> 01:15:58,320
Speaker 1: he is the nicest dude. I stand on my list though.

1628
01:15:58,840 --> 01:16:01,000
Speaker 1: It's just fine. You have to choose. It's hard, it's tough,

1629
01:16:01,040 --> 01:16:04,120
Speaker 1: but somebody's got to do it. And that's actually nobody

1630
01:16:04,120 --> 01:16:06,120
Speaker 1: has to do it at all. But there you go.

1631
01:16:06,200 --> 01:16:08,360
Speaker 1: You can follow me on TikTok, mister Bobby Bones, Thank

1632
01:16:08,360 --> 01:16:12,719
Speaker 1: you guys. It's the best bits of the week, with

1633
01:16:12,760 --> 01:16:17,160
Speaker 1: Morgan number two easily coming in at number one. We

1634
01:16:17,240 --> 01:16:19,920
Speaker 1: had Jamison Rogers on the show this week. Not only

1635
01:16:19,920 --> 01:16:22,759
Speaker 1: did he play one of his biggest hits, he also

1636
01:16:22,840 --> 01:16:26,000
Speaker 1: played his new song and then he covered Miranda Lambert

1637
01:16:26,040 --> 01:16:28,680
Speaker 1: and then before he left, he played a game of

1638
01:16:28,960 --> 01:16:31,760
Speaker 1: boppet with Bobby and somebody one who was really competitive

1639
01:16:31,880 --> 01:16:35,120
Speaker 1: up in the studio. So naturally this is in at

1640
01:16:35,200 --> 01:16:38,720
Speaker 1: number one. Listen back to this interview, enjoy all of it.

1641
01:16:38,840 --> 01:16:41,360
Speaker 1: Make sure you even go watch the videos of all

1642
01:16:41,400 --> 01:16:43,360
Speaker 1: of it happening, because the faces are pretty funny as

1643
01:16:43,360 --> 01:16:47,679
Speaker 1: they're playing Boppet number one on the Bobby Bones Show.

1644
01:16:47,720 --> 01:16:51,599
Speaker 1: Now Gmison Rogers. So next Friday, Jamison has a new

1645
01:16:51,600 --> 01:16:54,719
Speaker 1: EP coming out, which congratulations. By the way, your first

1646
01:16:54,760 --> 01:16:57,479
Speaker 1: EP was kind of how you were discovered, Not well,

1647
01:16:57,760 --> 01:17:00,280
Speaker 1: kind of how you were discovered right before you blew

1648
01:17:00,360 --> 01:17:02,439
Speaker 1: up right. Yeah. So I've put out a couple of weeps.

1649
01:17:02,479 --> 01:17:05,360
Speaker 1: The first one just kind of with my publishing company,

1650
01:17:05,640 --> 01:17:07,640
Speaker 1: and then the second one actually was my publishing company too,

1651
01:17:07,640 --> 01:17:08,960
Speaker 1: and then that's the one that kind of got me

1652
01:17:09,200 --> 01:17:12,000
Speaker 1: the record deal. So which one did? Like Luke Combs

1653
01:17:12,040 --> 01:17:15,479
Speaker 1: here he heard the first one, Baby Jay, that's one.

1654
01:17:15,640 --> 01:17:17,800
Speaker 1: Him and Nicole were just I just started dating and

1655
01:17:17,840 --> 01:17:19,680
Speaker 1: I think she had heard the song called Midnight day

1656
01:17:19,720 --> 01:17:22,360
Speaker 1: Dream and had sent it to him. And he tells

1657
01:17:22,360 --> 01:17:24,360
Speaker 1: a funny story. He was out in like Utah opening

1658
01:17:24,400 --> 01:17:27,360
Speaker 1: up for Corey Smith. Luke Combs opening for Corey Smith

1659
01:17:27,439 --> 01:17:29,680
Speaker 1: was funny to think about now. Um, he was in

1660
01:17:29,680 --> 01:17:31,120
Speaker 1: a hot tub with his band and they were just

1661
01:17:31,160 --> 01:17:33,719
Speaker 1: like jamming Midnight day Dream, which is just a funny,

1662
01:17:33,800 --> 01:17:36,040
Speaker 1: funny side to me. That's yeah, that's also funny to

1663
01:17:36,040 --> 01:17:41,679
Speaker 1: think about a bunch of guys. Yeah, ep, you probably

1664
01:17:41,680 --> 01:17:44,040
Speaker 1: pre save this. It's called in It for the Money

1665
01:17:44,360 --> 01:17:48,160
Speaker 1: out next Friday. Um, good for you. Love love good

1666
01:17:48,240 --> 01:17:50,920
Speaker 1: music from people who create good music. Thank you, brother,

1667
01:17:50,920 --> 01:17:52,920
Speaker 1: I appreciate it. I have a couple of things that

1668
01:17:53,000 --> 01:17:54,360
Speaker 1: I didn't get a chance to ask you when you're

1669
01:17:54,400 --> 01:17:56,360
Speaker 1: at the house and you left, and I was like, dang,

1670
01:17:56,360 --> 01:17:57,880
Speaker 1: you know what I forgot to ask Jameson? Was this?

1671
01:17:58,160 --> 01:18:00,439
Speaker 1: Is he named after whiskey? You know? It was funny.

1672
01:18:00,439 --> 01:18:04,000
Speaker 1: I was named after my mom has never tasted alcohol ever,

1673
01:18:04,200 --> 01:18:05,519
Speaker 1: like one of the rare people. I feel like you're

1674
01:18:05,520 --> 01:18:06,760
Speaker 1: in the same way right, the same way, yeah, and

1675
01:18:06,840 --> 01:18:09,639
Speaker 1: so like it's just that's impressive at this point when

1676
01:18:09,640 --> 01:18:11,280
Speaker 1: you get later in life. My mom's sixty two and

1677
01:18:11,320 --> 01:18:13,840
Speaker 1: she's never even tasted a glass of wine. I mean, like,

1678
01:18:14,080 --> 01:18:16,320
Speaker 1: how do you even do that? M But she actually

1679
01:18:16,439 --> 01:18:18,920
Speaker 1: named me after an actor in the eighties. Um, I

1680
01:18:18,960 --> 01:18:21,320
Speaker 1: think the show was Simon and Simon. I've never seen this.

1681
01:18:21,360 --> 01:18:24,280
Speaker 1: There is a show called Simon Simon. It's like a

1682
01:18:24,320 --> 01:18:26,759
Speaker 1: detective show. Yeah. Yeah, I think one of the guys

1683
01:18:26,800 --> 01:18:29,240
Speaker 1: was named Jamison Parker on there. Wait, they're both were

1684
01:18:29,360 --> 01:18:33,479
Speaker 1: named Simon. Maybe his real name was Jamison Parker. I

1685
01:18:33,479 --> 01:18:35,360
Speaker 1: don't know, but that that's that's where she got the name.

1686
01:18:35,400 --> 01:18:39,439
Speaker 1: That's a confusing show. There's a Simon named Jamison. Well,

1687
01:18:39,560 --> 01:18:40,800
Speaker 1: why don't we do this. I know you have your

1688
01:18:40,840 --> 01:18:42,320
Speaker 1: guitar and I do want to talk to you a lot,

1689
01:18:42,360 --> 01:18:45,360
Speaker 1: but let us remind people of your first number one.

1690
01:18:45,560 --> 01:18:47,240
Speaker 1: And I felt like played all the time. And what

1691
01:18:47,280 --> 01:18:48,960
Speaker 1: a great feeling to turn on the radio, especially for

1692
01:18:49,000 --> 01:18:50,599
Speaker 1: like two or three stations in the same city, and

1693
01:18:50,600 --> 01:18:52,559
Speaker 1: it's like you turn on one on and there you are.

1694
01:18:52,640 --> 01:18:54,479
Speaker 1: You turn on another one, there you are. That had

1695
01:18:54,479 --> 01:18:56,200
Speaker 1: to happen a couple of times. Right, It's crazy, man,

1696
01:18:56,400 --> 01:18:58,320
Speaker 1: It's just a dream come true, you know what I mean.

1697
01:18:58,320 --> 01:19:00,599
Speaker 1: That's what you moved to town for. And it's it's

1698
01:19:00,600 --> 01:19:03,400
Speaker 1: a dude from Batesville, Mississippi that that's living his dream.

1699
01:19:03,479 --> 01:19:06,080
Speaker 1: Up here here is Jamison Rogers doing some of some

1700
01:19:06,120 --> 01:19:21,799
Speaker 1: girls pictures on her phone. It's tears in her eyes,

1701
01:19:23,000 --> 01:19:28,200
Speaker 1: water proof makeup ain't made form. Break up on Saturday

1702
01:19:28,320 --> 01:19:34,280
Speaker 1: nights and say how you've been good about you? Funny

1703
01:19:34,360 --> 01:19:37,559
Speaker 1: I seeing you once After a few moskets, you like

1704
01:19:37,800 --> 01:19:41,800
Speaker 1: to right back to telling folks. You know, I know

1705
01:19:42,000 --> 01:19:45,439
Speaker 1: all about some new guy taking you out, then you

1706
01:19:45,600 --> 01:19:48,640
Speaker 1: un follow me, then follow me back, just so I

1707
01:19:48,760 --> 01:19:53,880
Speaker 1: know you're still around. Some girls get through my own phone,

1708
01:19:53,960 --> 01:19:57,040
Speaker 1: take a trip back home. Pertend ain't having new to gut.

1709
01:19:57,160 --> 01:20:00,080
Speaker 1: Some girl drink a bottle of wine, got it an

1710
01:20:00,120 --> 01:20:02,639
Speaker 1: old extra tanks to get him through the getting by.

1711
01:20:02,840 --> 01:20:07,000
Speaker 1: Sometime it's a clean break, steak on, clean slive, moving

1712
01:20:07,160 --> 01:20:10,479
Speaker 1: on to something new. You some sime. Some girls make

1713
01:20:10,520 --> 01:20:13,760
Speaker 1: it easy on you. Some girls and they have a

1714
01:20:13,880 --> 01:20:20,400
Speaker 1: dude nice Jamison Rodgers is life here. He's like you

1715
01:20:20,800 --> 01:20:23,640
Speaker 1: look at Jamison and he's a good looking dude. But

1716
01:20:23,720 --> 01:20:25,400
Speaker 1: he starts to sing and you're like, where does that

1717
01:20:25,479 --> 01:20:29,320
Speaker 1: like rat painfully rats come from? Like you don't expect

1718
01:20:29,400 --> 01:20:31,720
Speaker 1: that that that painful sound to come out of you

1719
01:20:31,840 --> 01:20:33,960
Speaker 1: And that's a compliment. Well thank you man. Yeah, I

1720
01:20:33,960 --> 01:20:36,000
Speaker 1: don't know, it's hard to explain. I have a quiet

1721
01:20:36,040 --> 01:20:38,680
Speaker 1: talking voice too, so it's like that's probably it too, Yeah,

1722
01:20:38,680 --> 01:20:41,600
Speaker 1: because your your demeanor is very calm. Yeah yeah, And

1723
01:20:41,600 --> 01:20:45,080
Speaker 1: all of a sudden you're like, oh, some girls, you're like,

1724
01:20:45,160 --> 01:20:48,080
Speaker 1: dangn that guy can go. Have you started to see

1725
01:20:48,080 --> 01:20:50,680
Speaker 1: any because I know it takes sometimes nine months to

1726
01:20:50,680 --> 01:20:52,479
Speaker 1: a year to get any money from a hit, does

1727
01:20:52,520 --> 01:20:54,080
Speaker 1: it start stuff starting to come in out for this one.

1728
01:20:54,280 --> 01:20:56,240
Speaker 1: You know, it's funny. I didn't write some girls, you know,

1729
01:20:56,280 --> 01:20:58,800
Speaker 1: but you get some streame money, Yeah, you get yeah, yeah, definitely,

1730
01:20:58,800 --> 01:21:01,160
Speaker 1: I've definitely made some some money from it. Yeah. Yeah.

1731
01:21:01,360 --> 01:21:03,920
Speaker 1: It usually like I've written some songs from from other

1732
01:21:03,960 --> 01:21:06,200
Speaker 1: people too. He usually takes, like I want to say,

1733
01:21:06,200 --> 01:21:09,160
Speaker 1: like nine months after it's peaked or whatever to kind

1734
01:21:09,160 --> 01:21:11,160
Speaker 1: of make some money. So I'm a little insulted right now.

1735
01:21:11,200 --> 01:21:13,160
Speaker 1: I know you didn't write that song. We talk to you.

1736
01:21:13,360 --> 01:21:15,280
Speaker 1: He writes every song for everybody, and we had a

1737
01:21:15,280 --> 01:21:17,040
Speaker 1: whole conversation about how that you thought that song was

1738
01:21:17,040 --> 01:21:19,320
Speaker 1: so good that he cut it. And that's the biggest

1739
01:21:19,320 --> 01:21:22,439
Speaker 1: compliment a songwriter can do, is to cut somebody else's song. Yeah. Well,

1740
01:21:22,439 --> 01:21:24,559
Speaker 1: I mean, look, you look at the biggest artist ever

1741
01:21:24,960 --> 01:21:28,439
Speaker 1: in every genre. They cut outside songs Church. It's fine,

1742
01:21:28,520 --> 01:21:29,960
Speaker 1: you know what I mean. It's fine that I don't

1743
01:21:30,000 --> 01:21:31,800
Speaker 1: have to write every song. It's gonna be okay, people

1744
01:21:31,840 --> 01:21:34,760
Speaker 1: cut your song. Yeah Yeah. EP's out next Friday, the

1745
01:21:34,800 --> 01:21:37,519
Speaker 1: twenty third. Jamison Rodgers is here here. Let me just

1746
01:21:37,560 --> 01:21:39,080
Speaker 1: play some of the songs he's written for other folks,

1747
01:21:39,479 --> 01:21:41,800
Speaker 1: f GL talk you out of it. I talked to you,

1748
01:21:45,560 --> 01:21:49,080
Speaker 1: Chris Lane. I don't know about you. What's your name?

1749
01:21:50,520 --> 01:21:57,680
Speaker 1: Birthday statue? Luke Brian born here, Live here, Die here,

1750
01:21:57,840 --> 01:22:01,800
Speaker 1: Die here. From the roots in the moots to the law.

1751
01:22:02,240 --> 01:22:10,960
Speaker 1: Jason Aldean camouflage hats. So this guy's no joke here.

1752
01:22:11,080 --> 01:22:15,719
Speaker 1: That's awesome. I appreciate you started being able to afford

1753
01:22:15,720 --> 01:22:18,760
Speaker 1: to live in Nashville by writing songs, right, Yeah. Absolutely

1754
01:22:18,920 --> 01:22:20,559
Speaker 1: think you've moved to town, I'm gonna write songs. That's

1755
01:22:20,560 --> 01:22:22,040
Speaker 1: how you started to get get you get a paycheck,

1756
01:22:22,080 --> 01:22:24,200
Speaker 1: pat written stuff. Yeah. I moved here. I had written

1757
01:22:24,240 --> 01:22:27,160
Speaker 1: like probably three songs, and then I've learned pretty quick

1758
01:22:27,200 --> 01:22:28,400
Speaker 1: that I was gonna have to learn. Like I just

1759
01:22:28,400 --> 01:22:29,960
Speaker 1: thought I was gonna move here and get a record deal,

1760
01:22:30,000 --> 01:22:31,439
Speaker 1: you know what I mean. I was like, I started

1761
01:22:31,439 --> 01:22:33,200
Speaker 1: going to writers nights, and I kind of saw where

1762
01:22:33,200 --> 01:22:36,400
Speaker 1: the bar was with songwriters and artists, and I was like,

1763
01:22:36,520 --> 01:22:38,680
Speaker 1: I want to figure out how to write before. That's

1764
01:22:38,680 --> 01:22:40,559
Speaker 1: the first thing I'm wanted to figure out how to do.

1765
01:22:40,720 --> 01:22:43,320
Speaker 1: And so I just put my head down and and

1766
01:22:43,320 --> 01:22:45,240
Speaker 1: got after it. Is that a wide awakening when you

1767
01:22:45,280 --> 01:22:46,760
Speaker 1: get to town and you're like, I'm pretty good. Then

1768
01:22:46,760 --> 01:22:49,120
Speaker 1: you see people who are great and you're like, oh wow,

1769
01:22:49,320 --> 01:22:51,000
Speaker 1: Well I didn't really move to town thinking I was

1770
01:22:51,080 --> 01:22:53,720
Speaker 1: that great. I was just I mean, I didn't start

1771
01:22:53,760 --> 01:22:55,840
Speaker 1: playing guitar until I was twenty one years old, and

1772
01:22:55,880 --> 01:22:58,760
Speaker 1: so I was just so green when I moved here.

1773
01:22:58,880 --> 01:23:00,240
Speaker 1: You know what I mean? You know what's an knowing

1774
01:23:00,280 --> 01:23:04,559
Speaker 1: about Jamison Eddie? Not only can he sing and he

1775
01:23:04,560 --> 01:23:07,519
Speaker 1: can write songs now, but he's also an athlete. Yes,

1776
01:23:07,840 --> 01:23:11,599
Speaker 1: he drives me insane. Very average athlete. He's good looking,

1777
01:23:11,760 --> 01:23:15,840
Speaker 1: he can play music, ride, he can sing. He played baseball,

1778
01:23:16,400 --> 01:23:18,080
Speaker 1: Uh he was and he did this like walk. He

1779
01:23:18,080 --> 01:23:21,000
Speaker 1: was a scholarship player at Northwest Mississippi Counity College. So

1780
01:23:21,040 --> 01:23:23,400
Speaker 1: I'm tired of it. Some people have it all right, yeah,

1781
01:23:23,479 --> 01:23:28,559
Speaker 1: some people. Some people. We're over it. We're over all

1782
01:23:28,600 --> 01:23:30,840
Speaker 1: these athletes, good looking guys, having all the talent. And

1783
01:23:30,880 --> 01:23:33,919
Speaker 1: here's Eddie an eye, Joe Schmo over here. Nobody's struggling

1784
01:23:33,960 --> 01:23:37,040
Speaker 1: to get by, right, Jamison Rodgers is here. Hey, you

1785
01:23:37,040 --> 01:23:39,760
Speaker 1: put out the new song good Dogs. Ye would you

1786
01:23:39,760 --> 01:23:42,240
Speaker 1: mind playing a little bit of that came out last Friday?

1787
01:23:42,400 --> 01:23:59,000
Speaker 1: Here is Jamison doing his new and Good Dogs. This

1788
01:23:59,080 --> 01:24:04,600
Speaker 1: is one of those bears. It goals down easy. This

1789
01:24:04,800 --> 01:24:08,120
Speaker 1: is one of those days that you don't look for too.

1790
01:24:10,600 --> 01:24:16,639
Speaker 1: Life's got loads, life's gys. Sometimes you gotta say good bye.

1791
01:24:17,640 --> 01:24:26,120
Speaker 1: Sometimes you gotta say it too. Sing good trucks. They'll

1792
01:24:26,280 --> 01:24:29,880
Speaker 1: run forever if you keep pulling them. Man, you treat

1793
01:24:29,960 --> 01:24:34,799
Speaker 1: them run. A good woman holds you together and she'll

1794
01:24:34,840 --> 01:24:38,479
Speaker 1: stick with you for the arrest in your life. Good

1795
01:24:38,520 --> 01:24:42,600
Speaker 1: buddies and always come running, got you back no matter what.

1796
01:24:44,400 --> 01:24:55,880
Speaker 1: Good dogs don't live long enough. That's such a good song.

1797
01:24:57,880 --> 01:25:00,679
Speaker 1: I try not to have favorite people come into perform,

1798
01:25:00,720 --> 01:25:03,559
Speaker 1: but just I'm just a fan. I appreciate it. Man,

1799
01:25:03,640 --> 01:25:07,439
Speaker 1: thank you brother, going like stream it go and listen

1800
01:25:07,439 --> 01:25:09,720
Speaker 1: to it. It's so good. He's releasing a new EP

1801
01:25:09,840 --> 01:25:11,880
Speaker 1: on the twenty third. It's called in It for the Money.

1802
01:25:12,439 --> 01:25:14,439
Speaker 1: And they were like, hey, what do you want Jamison play?

1803
01:25:14,479 --> 01:25:15,639
Speaker 1: And I was like, hey, I don't you know people

1804
01:25:15,680 --> 01:25:17,280
Speaker 1: to play whatever they wanted to come up here. So

1805
01:25:17,320 --> 01:25:19,240
Speaker 1: I wanted Good Dogs. Yeah, one of the number one,

1806
01:25:19,240 --> 01:25:20,200
Speaker 1: And I said, hey, and if he wants to cover

1807
01:25:20,240 --> 01:25:21,960
Speaker 1: a little something that was important to him in his

1808
01:25:22,080 --> 01:25:24,080
Speaker 1: career or just the song, he loves let him do

1809
01:25:24,120 --> 01:25:25,960
Speaker 1: that too, and you have chosen to do that. And

1810
01:25:26,000 --> 01:25:27,559
Speaker 1: what song you gonna do here? Yeah, so I'm gonna

1811
01:25:27,560 --> 01:25:30,840
Speaker 1: do a Miranda Lambert song. It's the song, didn't I've

1812
01:25:30,840 --> 01:25:33,479
Speaker 1: always loved the song. But the older I get, the

1813
01:25:33,560 --> 01:25:35,479
Speaker 1: better the song gets for me. Like I went home

1814
01:25:35,479 --> 01:25:39,200
Speaker 1: for Easter to Mississippi, and I don't know. It's just

1815
01:25:39,320 --> 01:25:41,519
Speaker 1: like I don't know, the long year away from home.

1816
01:25:41,600 --> 01:25:43,640
Speaker 1: Just I guess more things change, which is I mean,

1817
01:25:43,680 --> 01:25:46,320
Speaker 1: it's you know, nothing ever stays the same, so it's fine,

1818
01:25:46,360 --> 01:25:49,720
Speaker 1: but I don't know. This song just takes me back

1819
01:25:49,720 --> 01:25:52,240
Speaker 1: to being a kid in Mississippi and just in all

1820
01:25:52,240 --> 01:25:53,600
Speaker 1: the good ways, you know what I mean. Here is

1821
01:25:53,680 --> 01:26:11,880
Speaker 1: Jamison Rodgers doing Miranda Lambert house to build me. You

1822
01:26:12,080 --> 01:26:19,040
Speaker 1: know they say you can't go home again. I just

1823
01:26:19,080 --> 01:26:24,559
Speaker 1: had to come back one last time, ma'am. I know

1824
01:26:25,360 --> 01:26:30,720
Speaker 1: you don't know me from madam. Those handprints on your

1825
01:26:30,760 --> 01:26:37,120
Speaker 1: front stairs from minding up those stairs and that a

1826
01:26:37,200 --> 01:26:41,800
Speaker 1: little back bedroom. It's where I did my homework and

1827
01:26:41,960 --> 01:26:47,280
Speaker 1: I learned to play guitar. Now, I bet you didn't

1828
01:26:47,280 --> 01:26:53,920
Speaker 1: know under that livel my favorite dog is buried in

1829
01:26:54,200 --> 01:27:00,840
Speaker 1: the yard. I thought the fucking such this place feeling

1830
01:27:02,800 --> 01:27:09,600
Speaker 1: it's brokenness. Sime in my starting out here is like

1831
01:27:10,200 --> 01:27:13,880
Speaker 1: someone else. I thought that maybe I can find my

1832
01:27:14,720 --> 01:27:22,240
Speaker 1: sol fucking just coming. I swear Allie, I won't take

1833
01:27:22,320 --> 01:27:33,639
Speaker 1: nothing but the memory from my house and ban Jamison Rodgers.

1834
01:27:33,800 --> 01:27:37,120
Speaker 1: Yeah that's great, thank you. You just your performance style.

1835
01:27:37,200 --> 01:27:39,479
Speaker 1: It's like you can do the upbeat songs, but I

1836
01:27:39,479 --> 01:27:43,839
Speaker 1: would compare when you perform the slow tempo sad songs.

1837
01:27:43,920 --> 01:27:46,200
Speaker 1: The only other artist that makes me kind of feel

1838
01:27:46,680 --> 01:27:50,320
Speaker 1: that way is to Neil Towns. She will, she will

1839
01:27:50,320 --> 01:27:52,760
Speaker 1: wreck a room. Yeah, she opened for me for like

1840
01:27:52,960 --> 01:27:55,280
Speaker 1: four months once I was doing stand up and she

1841
01:27:55,280 --> 01:27:57,320
Speaker 1: would come out. I just loved her as an artist.

1842
01:27:57,560 --> 01:27:59,720
Speaker 1: But here's the trouble with you artist. It can make

1843
01:27:59,760 --> 01:28:01,800
Speaker 1: people sad, is it? I supposed to come on to

1844
01:28:01,880 --> 01:28:04,000
Speaker 1: be funny after I gotta dig them out of a

1845
01:28:04,040 --> 01:28:06,680
Speaker 1: hole just to get back to even Yeah, I know

1846
01:28:06,720 --> 01:28:09,040
Speaker 1: you're paying. I followed her in a round at the

1847
01:28:09,080 --> 01:28:11,800
Speaker 1: Bluebird a couple of years ago, and I mean, you

1848
01:28:11,880 --> 01:28:14,320
Speaker 1: just can't. It's so hard to follow Tanil at the Bluebird.

1849
01:28:14,400 --> 01:28:17,040
Speaker 1: I mean because it's it's such a listening room, you

1850
01:28:17,040 --> 01:28:18,960
Speaker 1: know what I mean. And she'd played like Jersey on

1851
01:28:19,000 --> 01:28:21,800
Speaker 1: the Wall, and I'm like, yeah, so here's cold beer.

1852
01:28:25,160 --> 01:28:27,479
Speaker 1: Jamison Rodgers is here, and speaking of Tanil, let me

1853
01:28:27,439 --> 01:28:29,599
Speaker 1: mention this, and it's weird to mention sold out performances

1854
01:28:29,640 --> 01:28:32,280
Speaker 1: because you can't buy tickets. But Jamison her friends two

1855
01:28:32,360 --> 01:28:34,840
Speaker 1: sold out performances at the Listening Room in Nashville April

1856
01:28:34,840 --> 01:28:37,200
Speaker 1: twenty third, the same day the EP comes out with

1857
01:28:37,280 --> 01:28:40,280
Speaker 1: Carly Pierce, Jimy Allen, Jordan Davis, and Tanil Towns and

1858
01:28:40,360 --> 01:28:42,400
Speaker 1: all the money is going for a good cause. Is

1859
01:28:42,400 --> 01:28:44,559
Speaker 1: this going to be something people can watch on the stream? Yeah,

1860
01:28:44,600 --> 01:28:46,400
Speaker 1: I think so. Yeah, I think yeah, for sure, it's

1861
01:28:46,439 --> 01:28:49,280
Speaker 1: gotta be. Yeah. Absolutely. Jamison Rodgers is here. A couple

1862
01:28:49,320 --> 01:28:50,800
Speaker 1: things I want to remind you. He has a new

1863
01:28:50,840 --> 01:28:52,880
Speaker 1: song out called good Dogs. It's out now, love it.

1864
01:28:52,920 --> 01:28:54,519
Speaker 1: One of my favorite new releases in a long time

1865
01:28:54,560 --> 01:28:57,519
Speaker 1: from Anybody. Also, his new EP called in It for

1866
01:28:57,560 --> 01:29:00,200
Speaker 1: the Money comes out April twenty third. Ope, guy has

1867
01:29:00,640 --> 01:29:02,840
Speaker 1: just become a fan of this guy. You will know

1868
01:29:02,960 --> 01:29:09,160
Speaker 1: him already from this song called Some Girls Get and

1869
01:29:09,240 --> 01:29:11,920
Speaker 1: also this song Cold Beer Calling My Name with Luscombs.

1870
01:29:14,520 --> 01:29:16,600
Speaker 1: But James is one of these guys who is a

1871
01:29:16,600 --> 01:29:19,440
Speaker 1: great songwriter, a great singer, but also a great athlete.

1872
01:29:19,760 --> 01:29:20,960
Speaker 1: And now I was trying to think of something I

1873
01:29:20,960 --> 01:29:22,519
Speaker 1: could beat him at Eddie, and I was like, what

1874
01:29:22,640 --> 01:29:25,000
Speaker 1: sport could I beat Jamison? Because I love to bring

1875
01:29:25,000 --> 01:29:27,320
Speaker 1: people into my house and then punish them. You know,

1876
01:29:27,880 --> 01:29:29,640
Speaker 1: it's time to have a little those of reality. So

1877
01:29:29,640 --> 01:29:33,280
Speaker 1: what'd you come up with? Well, bop it is not

1878
01:29:33,320 --> 01:29:35,360
Speaker 1: even the sport. Well that's only I think you can

1879
01:29:35,479 --> 01:29:36,920
Speaker 1: have a chance to beat him at I'm not even

1880
01:29:36,960 --> 01:29:39,479
Speaker 1: that good at it, only ever played this this morning,

1881
01:29:39,479 --> 01:29:42,240
Speaker 1: but I feel like this is my shot. So we

1882
01:29:42,360 --> 01:29:44,560
Speaker 1: have a bop it here. Um, if you want to

1883
01:29:44,600 --> 01:29:46,400
Speaker 1: warm up and do like a fifteen second warm up,

1884
01:29:46,400 --> 01:29:47,920
Speaker 1: have ad it because I'm gonna need fifteen seconds to

1885
01:29:47,960 --> 01:29:49,920
Speaker 1: warm up, So go ahead and get you around in here.

1886
01:29:51,200 --> 01:29:56,639
Speaker 1: This is Jameson's warm up. Score four. I'm nervous boy,

1887
01:30:00,720 --> 01:30:05,280
Speaker 1: twisting poppy poppy. All right, it's enough for him up

1888
01:30:05,280 --> 01:30:10,280
Speaker 1: for Jamison. Fifteen seconds in there will be score six.

1889
01:30:10,960 --> 01:30:14,360
Speaker 1: The guy talks trash to there will be uh the

1890
01:30:14,800 --> 01:30:18,040
Speaker 1: five hundred donation to the winner's charity. Yeah, it'd be great, okay,

1891
01:30:18,040 --> 01:30:20,719
Speaker 1: So well, whoever wins gets five hundred bucks the charity.

1892
01:30:21,400 --> 01:30:23,680
Speaker 1: I don't plan on losing. Let's go, bones, go on,

1893
01:30:23,800 --> 01:30:25,920
Speaker 1: all right, Jamison your first Are you ready to bop it?

1894
01:30:26,200 --> 01:30:28,960
Speaker 1: Let's see how many he can get? Nervous action sollo

1895
01:30:31,200 --> 01:30:45,000
Speaker 1: boppy twisting, poly boppy, twisting, poly boppy, twisting, twisting, boppy,

1896
01:30:45,600 --> 01:30:55,280
Speaker 1: twisting boppy polly, Here we go, poll poll twisting poly

1897
01:30:56,439 --> 01:31:15,320
Speaker 1: boppy polly boppy boppy twisted twisted boppy p say, really good.

1898
01:31:15,320 --> 01:31:16,800
Speaker 1: I want to seeing some of that athlete hand eye

1899
01:31:16,800 --> 01:31:18,519
Speaker 1: coordin should come out. And I was going, I'm never

1900
01:31:18,560 --> 01:31:20,920
Speaker 1: gonna beat them. That's very beat all right, very four.

1901
01:31:21,000 --> 01:31:22,559
Speaker 1: Let me take a shot out of here. I'm gonna

1902
01:31:22,560 --> 01:31:24,439
Speaker 1: get one little warm up round and I have to

1903
01:31:24,479 --> 01:31:27,280
Speaker 1: beat twenty four. All right. I can't believe we're just

1904
01:31:27,320 --> 01:31:30,920
Speaker 1: sitting here watching you guys play poppy. That's great, all right,

1905
01:31:31,000 --> 01:31:34,800
Speaker 1: so this is me. Let's all talk trash on. Hey, listen,

1906
01:31:34,840 --> 01:31:45,360
Speaker 1: that's quiet. Score forty four poppy twisted poppy. I'm good.

1907
01:31:45,760 --> 01:31:47,680
Speaker 1: Oh that's all you needed? All right, let's go. That's

1908
01:31:47,720 --> 01:31:50,680
Speaker 1: all I need. All I'm trying to get. I'm trying

1909
01:31:50,720 --> 01:31:53,479
Speaker 1: to beat twenty four, all right, Here we go, fine,

1910
01:31:53,640 --> 01:32:11,320
Speaker 1: score four poppy twisted polycarb twisting Bobby, twisting polycarb boppy poppy, poppy,

1911
01:32:12,400 --> 01:32:21,640
Speaker 1: poly poly purb twisting Bobby, poly herb, poly horned Bobby,

1912
01:32:22,040 --> 01:32:29,960
Speaker 1: He's gonna beat me. Poly orbed Bobby twisted, polycarb twisted

1913
01:32:30,880 --> 01:32:41,880
Speaker 1: poly borb, twisting, polycrbed Bobby, Bobby twisted, twisted, twisted Bobby,

1914
01:32:42,920 --> 01:32:56,559
Speaker 1: Bobby twisting polycarb, twisted polycarb Bobby, poly birbed Bobby Bobby twisted.

1915
01:32:57,720 --> 01:33:11,120
Speaker 1: Oh you hit the mic concentrate Hethlete scholarship. Yeah, this

1916
01:33:11,200 --> 01:33:14,639
Speaker 1: is so rigged well. Since Sony is your team, they're

1917
01:33:14,640 --> 01:33:17,479
Speaker 1: gonna donate five hundred bucks to Saint Jude. Yeah, that's awesome.

1918
01:33:17,880 --> 01:33:20,080
Speaker 1: That's awesome. Listen, this has been a very fun interview

1919
01:33:20,120 --> 01:33:22,080
Speaker 1: for me, now the most fun. I feel good. Oh

1920
01:33:22,120 --> 01:33:27,439
Speaker 1: I feel so good. Uh that's right, Jamison lost all seriousness, Bop.

1921
01:33:27,439 --> 01:33:30,280
Speaker 1: It is not your career, Lane, but music is. You

1922
01:33:30,640 --> 01:33:33,880
Speaker 1: crushed it today Super Pumps came in. Just I just

1923
01:33:33,960 --> 01:33:35,920
Speaker 1: love you, man, I appreciate it. This is an artist.

1924
01:33:35,960 --> 01:33:38,759
Speaker 1: I love you right back. Everybody check out Good Dogs

1925
01:33:39,439 --> 01:33:41,320
Speaker 1: Epe comes at April twenty third. We'll be sure to

1926
01:33:41,320 --> 01:33:42,720
Speaker 1: promo the crap out of that when it comes out

1927
01:33:42,720 --> 01:33:44,960
Speaker 1: as well. Thank you there he is. Follow him at

1928
01:33:45,040 --> 01:33:49,120
Speaker 1: Jamison Rogers on everything. Yeah right, all the good stuff.

1929
01:33:49,160 --> 01:33:54,479
Speaker 1: Clap your hands for the second place, bopitter. It's the

1930
01:33:54,520 --> 01:34:00,200
Speaker 1: best bits of the week with Morgan number two. That's

1931
01:34:00,200 --> 01:34:02,240
Speaker 1: a rap for this week's show. Thank you, guys for

1932
01:34:02,320 --> 01:34:04,960
Speaker 1: hanging out with me. I hope you have a fabulous weekend.

1933
01:34:05,240 --> 01:34:07,240
Speaker 1: As always, make sure you go check out all the

1934
01:34:07,320 --> 01:34:10,200
Speaker 1: videos at Bobby Bones dot com. There's so much content

1935
01:34:10,280 --> 01:34:12,320
Speaker 1: up there, not even just the stuff we talked about.

1936
01:34:12,360 --> 01:34:14,400
Speaker 1: There's more than that. I wish I could include so

1937
01:34:14,439 --> 01:34:16,920
Speaker 1: many things, but I can't. There's only so many. So

1938
01:34:17,040 --> 01:34:19,519
Speaker 1: go watch it at bobbybones dot com or follow us

1939
01:34:19,520 --> 01:34:22,280
Speaker 1: all on social media at Bobby Bones Show. And then

1940
01:34:22,360 --> 01:34:25,040
Speaker 1: of course you can come see me do some crazy

1941
01:34:25,080 --> 01:34:27,639
Speaker 1: TikTok dances and all the things on all my social

1942
01:34:27,680 --> 01:34:31,200
Speaker 1: media at web Girl Morgan, Twitter, TikTok, Instagram, Facebook, all

1943
01:34:31,200 --> 01:34:33,720
Speaker 1: the things and Scooba Steve what's yours? I think it's

1944
01:34:33,720 --> 01:34:35,960
Speaker 1: Scooba Steve Radio. Right, Yeah, you got it right. Thank

1945
01:34:35,960 --> 01:34:37,800
Speaker 1: you very much for saying it. Yeah, there we go.

1946
01:34:37,880 --> 01:34:40,920
Speaker 1: Thanks for hanging out y'all. Bye,