1 00:00:00,600 --> 00:00:07,680 Speaker 1: From Hollywood. Thank you for listening to us with Ryan Seacrest. 2 00:00:09,720 --> 00:00:14,920 Speaker 1: Mostly sunny, cool for us in southern California, highs around 3 00:00:15,120 --> 00:00:20,440 Speaker 1: highs around sixty. Yeah, that's cold. That's cold. And allowing 4 00:00:20,480 --> 00:00:23,200 Speaker 1: the water that's it's sixty along the water feels colder 5 00:00:23,200 --> 00:00:26,320 Speaker 1: than that too, But it's acceptable for this time of year. 6 00:00:26,560 --> 00:00:29,400 Speaker 1: I'll take it in February when it's cold in June. 7 00:00:29,480 --> 00:00:32,000 Speaker 1: I'm not a fan. No, I get that well. The 8 00:00:32,040 --> 00:00:35,040 Speaker 1: gloom alright, So what do we have to We got 9 00:00:35,040 --> 00:00:37,720 Speaker 1: a lot. Actually today we have Disneyland tickets every aready 10 00:00:37,800 --> 00:00:40,879 Speaker 1: four pack for you to win. The other thing we 11 00:00:40,960 --> 00:00:43,320 Speaker 1: have coming up before seven here is we're gonna give 12 00:00:43,320 --> 00:00:45,640 Speaker 1: you the best songs to listen to to feel energized 13 00:00:45,640 --> 00:00:48,720 Speaker 1: in the morning and less fatigued during the workout. I'll 14 00:00:48,720 --> 00:00:53,159 Speaker 1: tell you what those are. Also, one of the Spider Men, 15 00:00:54,160 --> 00:00:57,560 Speaker 1: former Spider Man, is now manly for an Academy Award 16 00:00:57,600 --> 00:01:01,040 Speaker 1: for Tick Tick Boom. That's Andrew Garfield. But Jonathan Larson, 17 00:01:01,640 --> 00:01:04,560 Speaker 1: who's the guy that wrote Rent, And it's a tragic 18 00:01:04,600 --> 00:01:07,040 Speaker 1: story of what happened. He got he knows his life's 19 00:01:07,080 --> 00:01:09,679 Speaker 1: work on stage and then he died the night before 20 00:01:10,319 --> 00:01:12,720 Speaker 1: actually opened up that he's so good in this role. 21 00:01:12,760 --> 00:01:16,080 Speaker 1: Oh my god, he's incredible. So we talk to Andrew Graff. 22 00:01:16,200 --> 00:01:18,600 Speaker 1: He's always an elegant guy. He seems like always an 23 00:01:18,600 --> 00:01:21,560 Speaker 1: elegant Is it the accent? I think it's all of it. 24 00:01:21,600 --> 00:01:24,160 Speaker 1: It's also charm. He's got good charm. Yeah, he's got 25 00:01:24,200 --> 00:01:26,920 Speaker 1: good hair too, did he nay Taylor Swift? Who date that? 26 00:01:26,959 --> 00:01:31,360 Speaker 1: I'm thinking about Emma Stone together. No, he's dating. Actually 27 00:01:31,400 --> 00:01:34,000 Speaker 1: don't know his girlfriends name, but they're always photographed playing tennis. 28 00:01:34,360 --> 00:01:37,400 Speaker 1: That's strange that you wouldn't know the name. Yeah, I 29 00:01:37,520 --> 00:01:39,920 Speaker 1: don't know her name. They're photograph playing tennis. So he's 30 00:01:39,920 --> 00:01:43,119 Speaker 1: a tennis guy. He likes tennis. Where do they play tennis? 31 00:01:43,480 --> 00:01:48,360 Speaker 1: Summer in Malibu? I mean stalker ish? Yeah, I mean 32 00:01:48,440 --> 00:01:51,320 Speaker 1: I think she's pretending not to know that he is 33 00:01:51,360 --> 00:01:57,680 Speaker 1: with Binocular. Her name is Elissa, Elissa Miller. Elissa Miller. Okay, 34 00:01:57,760 --> 00:02:00,520 Speaker 1: well that's good to know. The lie is on the 35 00:02:00,560 --> 00:02:03,840 Speaker 1: line this morning. Hi, tell Lilah, how are you doing? Hi? 36 00:02:04,040 --> 00:02:07,440 Speaker 1: I'm good, how are you doing well? Thank you? So 37 00:02:07,680 --> 00:02:14,000 Speaker 1: you're calling with advice for whom? For Tania? She mentioned 38 00:02:14,560 --> 00:02:19,400 Speaker 1: that she didn't have Robbie's phone number, and she had 39 00:02:19,480 --> 00:02:22,239 Speaker 1: locked herself out of the car, and I had a 40 00:02:22,320 --> 00:02:29,079 Speaker 1: suggestion for her, Robbie her boyfriend. Yes, okay, now this 41 00:02:29,320 --> 00:02:31,799 Speaker 1: let's just be clear. This is because we live in 42 00:02:31,840 --> 00:02:34,560 Speaker 1: a time we don't know anybody's number. We just have 43 00:02:34,639 --> 00:02:39,480 Speaker 1: a contact, and we had send. Tania found herself in 44 00:02:40,000 --> 00:02:45,480 Speaker 1: a life threatening situation, stranded, her phone, locked in her car. 45 00:02:47,000 --> 00:02:49,760 Speaker 1: She had but just think, you know, time goes by, 46 00:02:49,800 --> 00:02:53,359 Speaker 1: sun goes down, parking lots empty, life threatening. So she 47 00:02:53,480 --> 00:02:55,239 Speaker 1: doesn't know how to call her boyfriend because you know 48 00:02:55,360 --> 00:02:58,120 Speaker 1: the number, because it's trapped in the phone that's stuck 49 00:02:58,160 --> 00:03:01,360 Speaker 1: in the locked car, So don't What is the solution? 50 00:03:02,840 --> 00:03:05,840 Speaker 1: So she mentioned she had her dog with her, her puppy, 51 00:03:07,160 --> 00:03:10,280 Speaker 1: and I was going to suggest, I'm not sure if 52 00:03:10,320 --> 00:03:12,959 Speaker 1: the puppy has a dog tag. Oh my gosh, true 53 00:03:14,120 --> 00:03:17,399 Speaker 1: that you could put your phone number and Robbie's phone 54 00:03:17,480 --> 00:03:21,200 Speaker 1: number listed on the dog tag. And there you go. 55 00:03:23,040 --> 00:03:24,959 Speaker 1: That's actually a really good idea. Did she not have 56 00:03:25,680 --> 00:03:27,480 Speaker 1: a number, you guys, number on the dog tag? She 57 00:03:27,520 --> 00:03:33,359 Speaker 1: doesn't wear a collar come out of the house, so 58 00:03:33,560 --> 00:03:39,120 Speaker 1: we just need to put did she just sent her 59 00:03:39,280 --> 00:03:41,480 Speaker 1: She ran out of the house. Tea, have a tag 60 00:03:41,640 --> 00:03:45,320 Speaker 1: on your dog, you immediately to say, this is Sunny, 61 00:03:45,400 --> 00:03:48,840 Speaker 1: we love her, please call. Yeah, Georgia's tax says this 62 00:03:49,000 --> 00:03:51,520 Speaker 1: is Georgia, I love her. Please call. This number just 63 00:03:51,600 --> 00:03:53,120 Speaker 1: says their name and then on the other side has 64 00:03:53,160 --> 00:03:55,280 Speaker 1: both my number and but no, that's like not the 65 00:03:55,360 --> 00:03:58,280 Speaker 1: thing anymore. Two, because people can take photos of your 66 00:03:58,320 --> 00:04:01,880 Speaker 1: dog's collar or well, then you'd rather have run the 67 00:04:02,000 --> 00:04:05,280 Speaker 1: risk of the dog escaping and you can't be returned. Yeah, 68 00:04:05,360 --> 00:04:08,120 Speaker 1: they need to say the first thing about puppy parenting. 69 00:04:08,680 --> 00:04:10,400 Speaker 1: You're better be glad that we know what we're doing 70 00:04:10,440 --> 00:04:13,400 Speaker 1: over here. YEA, trust me, I really don't know what 71 00:04:13,480 --> 00:04:15,800 Speaker 1: I'm doing. Whether she was at Starbucks with you when 72 00:04:15,800 --> 00:04:17,680 Speaker 1: you locked your phone in the car, so she does 73 00:04:17,760 --> 00:04:19,960 Speaker 1: leave the house, So what if she escaped the Starbucks 74 00:04:20,320 --> 00:04:23,840 Speaker 1: doesn't leave our arms or the house. Of course not intentionally, 75 00:04:23,920 --> 00:04:26,040 Speaker 1: but something could have happened, just like you don't mean 76 00:04:26,080 --> 00:04:28,120 Speaker 1: to lock your phone in your car. Do you do 77 00:04:28,400 --> 00:04:30,400 Speaker 1: you go inside Starbucks with the dog? Yeah, you can 78 00:04:30,440 --> 00:04:34,400 Speaker 1: go anywhere with your dog. You cannot. You can sit 79 00:04:34,480 --> 00:04:39,040 Speaker 1: down and food you cannot usually serving food. It's now 80 00:04:39,080 --> 00:04:43,680 Speaker 1: that everything's outside. They outside then you have a lot 81 00:04:43,800 --> 00:04:50,240 Speaker 1: to learn. I am this is not okay. You need 82 00:04:50,320 --> 00:04:52,360 Speaker 1: to think about what you're doing. There's a decisions you're 83 00:04:52,360 --> 00:04:54,560 Speaker 1: making that could impact the dog. You really need the 84 00:04:54,640 --> 00:05:03,240 Speaker 1: dog tag. That's important. Okay, don't you agree? Don't you agree? 85 00:05:04,360 --> 00:05:08,599 Speaker 1: I absolutely, okay. I'm surprised your but friend who's responsible, 86 00:05:08,760 --> 00:05:11,600 Speaker 1: who at least I thought was responsible, hasn't already had 87 00:05:11,640 --> 00:05:14,160 Speaker 1: one printed up that says we love Sonny, please call. 88 00:05:15,640 --> 00:05:19,360 Speaker 1: She's chipped, she has a micro chip. But I don't 89 00:05:19,400 --> 00:05:21,120 Speaker 1: know if people know how to do that, Like I 90 00:05:21,440 --> 00:05:23,240 Speaker 1: actually was just thinking, I don't know what that means either, 91 00:05:23,279 --> 00:05:24,880 Speaker 1: like if I saw a dog without a call or 92 00:05:24,920 --> 00:05:26,880 Speaker 1: I think this is a lost dogs. Yeah, but then 93 00:05:26,920 --> 00:05:29,160 Speaker 1: you take it to a shelter that and then they 94 00:05:29,240 --> 00:05:30,960 Speaker 1: micro chip, so it's a whole extra step. If the 95 00:05:31,040 --> 00:05:32,880 Speaker 1: numbers there, it's so much easier they can call you 96 00:05:33,000 --> 00:05:35,080 Speaker 1: and dogs saying, I just think you need to check 97 00:05:35,160 --> 00:05:36,800 Speaker 1: with us on stuff, and Robbie needs to get his 98 00:05:36,839 --> 00:05:38,560 Speaker 1: act together. Now I want to know what kind of 99 00:05:38,640 --> 00:05:40,720 Speaker 1: gate you bought her, because now I'm concerned, well, and 100 00:05:40,760 --> 00:05:46,960 Speaker 1: I'm worried about kids that this big picture this right now, 101 00:05:47,120 --> 00:05:50,040 Speaker 1: these were training wheel things Okay, what about when mom 102 00:05:50,080 --> 00:05:53,120 Speaker 1: and get a real bike. Yeah, no, I've already I've 103 00:05:53,120 --> 00:05:55,920 Speaker 1: already had like the meltdowns that I've had with Sonny. 104 00:05:56,080 --> 00:05:59,240 Speaker 1: I'm like actually scared for my own child. Yeah, we 105 00:05:59,400 --> 00:06:03,040 Speaker 1: are now too, and we're actually scared for sunny. All right, 106 00:06:03,600 --> 00:06:07,000 Speaker 1: Your morning hack is next, and we're available seven mostly 107 00:06:07,000 --> 00:06:08,760 Speaker 1: is the name, but you call any of us if you. 108 00:06:10,200 --> 00:06:13,280 Speaker 1: Let's get to your morning hack and the positive quote 109 00:06:13,640 --> 00:06:19,000 Speaker 1: of the day first. It is scientifically proven that upbeat 110 00:06:19,120 --> 00:06:21,240 Speaker 1: music gives you energy in the morning. That's what we 111 00:06:22,400 --> 00:06:26,840 Speaker 1: do sometimes many times also have some ballots, but you know, 112 00:06:27,200 --> 00:06:29,680 Speaker 1: trying to upbeat it. They say, even better than a 113 00:06:29,760 --> 00:06:31,960 Speaker 1: cup of coffee. And the sweet spot is a hundred 114 00:06:32,040 --> 00:06:34,680 Speaker 1: seventy bp ms beats per minute. So here are a 115 00:06:34,720 --> 00:06:39,200 Speaker 1: few songs with just the right one seventy bpm. Eminem 116 00:06:39,320 --> 00:06:45,280 Speaker 1: lose yourself. Oh yeah, I get that. So it's one seat, 117 00:06:45,680 --> 00:06:48,239 Speaker 1: but did you know it's the one seventy beats per minute? 118 00:06:48,320 --> 00:06:52,240 Speaker 1: That is why the architecture of a song. Another one 119 00:06:52,320 --> 00:07:02,080 Speaker 1: that's right in the sweet spot? Who yeah? And also 120 00:07:02,240 --> 00:07:06,200 Speaker 1: this one okay, yeah, now it's interesting because I always 121 00:07:06,200 --> 00:07:07,920 Speaker 1: think this is a slow song in my mind, This 122 00:07:08,040 --> 00:07:13,520 Speaker 1: is a slow song. This, yeah, but it's not try 123 00:07:13,640 --> 00:07:17,080 Speaker 1: running to that. I think it's the way it starts, 124 00:07:18,320 --> 00:07:24,920 Speaker 1: get build, Yeah, it's maybe my bpm brain is off. 125 00:07:25,000 --> 00:07:27,840 Speaker 1: That's a slower song to me. The Empire State of 126 00:07:27,920 --> 00:07:32,880 Speaker 1: Mind came slow. That seems fast, but they're all the same. 127 00:07:33,840 --> 00:07:37,800 Speaker 1: This is a slow to mean it seems but is 128 00:07:37,840 --> 00:07:40,160 Speaker 1: it just because we're conditioned to hear Alicia Keys and more? 129 00:07:42,360 --> 00:07:44,440 Speaker 1: But if you want to get gone minus a caffeine, 130 00:07:44,560 --> 00:07:47,640 Speaker 1: that's what they say, one seventy beats per minute. Today's quote, 131 00:07:47,720 --> 00:07:49,800 Speaker 1: do not stay in a room or a conversation, or 132 00:07:49,920 --> 00:07:54,000 Speaker 1: relationship or an institution that requires you to abandon yourself. 133 00:07:54,560 --> 00:07:59,320 Speaker 1: On air with Ryan Seacrest, We're getting there, Andrew Garfield, 134 00:07:59,360 --> 00:08:02,600 Speaker 1: after seven more Disneyland tickets and I'm about to pay 135 00:08:02,680 --> 00:08:07,560 Speaker 1: some bills. Well. Los Angeles County is reportedly issuing a 136 00:08:07,640 --> 00:08:10,480 Speaker 1: new health order this week that will allow residents who 137 00:08:10,480 --> 00:08:13,280 Speaker 1: are vaccinated against COVID nineteen to take off their masks 138 00:08:13,440 --> 00:08:17,920 Speaker 1: at indoor establishments that check for proof of vaccination. The 139 00:08:18,080 --> 00:08:22,080 Speaker 1: order will likely go into effect on Friday. The California 140 00:08:22,120 --> 00:08:25,040 Speaker 1: Lottery this week unveiled a new Scratchers game with a 141 00:08:25,120 --> 00:08:28,480 Speaker 1: top prize of twenty million dollars, the largest ever for 142 00:08:28,560 --> 00:08:31,800 Speaker 1: such a game in state history. The Set for Life 143 00:08:32,000 --> 00:08:37,240 Speaker 1: Millionaire Edition game won't necessarily make the winner an instant millionaire, though, 144 00:08:37,679 --> 00:08:40,040 Speaker 1: as the grand prize will be paid out over twenty 145 00:08:40,200 --> 00:08:44,959 Speaker 1: five years in annual eight hundred thousand dollar installments in 146 00:08:45,000 --> 00:08:47,800 Speaker 1: the Main Street Electrical Parade is returning to Disneyland in 147 00:08:47,960 --> 00:08:51,280 Speaker 1: April with a new float featuring characters from several films 148 00:08:51,320 --> 00:08:55,520 Speaker 1: including Incanto and Coco. The Main Street Electrical Parade, World 149 00:08:55,600 --> 00:08:58,960 Speaker 1: of Color and the Disneyland Forever Fireworks Show will return 150 00:08:59,360 --> 00:09:03,839 Speaker 1: on April twenty second. Fantasmic is set to return on May, 151 00:09:05,280 --> 00:09:08,880 Speaker 1: and speaking of parades, after a two year hiatus, l 152 00:09:08,920 --> 00:09:12,400 Speaker 1: A Pride will make the move to Hollywood in June, 153 00:09:12,800 --> 00:09:16,400 Speaker 1: leaving its familiar parade route in West Hollywood. Organizers promise 154 00:09:16,440 --> 00:09:18,599 Speaker 1: the parade will branch out in more ways than just 155 00:09:18,760 --> 00:09:22,079 Speaker 1: a location shift, and this year's activities will build more 156 00:09:22,200 --> 00:09:26,040 Speaker 1: experiences that represent a broader range of the l g 157 00:09:26,280 --> 00:09:32,880 Speaker 1: B t Q community. There with Ryan Seacrest Andrew Garfield 158 00:09:32,920 --> 00:09:35,920 Speaker 1: nominated for an Oscar Oscar nominee Andrew Garfield coming up 159 00:09:35,960 --> 00:09:38,640 Speaker 1: seven twenty this morning, Tick Tick Boom is the Netflix 160 00:09:38,720 --> 00:09:41,120 Speaker 1: movie that you can stream. He's amazing in it. So 161 00:09:41,400 --> 00:09:45,520 Speaker 1: I tried to put myself in the guests shoes for 162 00:09:45,640 --> 00:09:49,000 Speaker 1: this one. So I just tried to play a role 163 00:09:49,280 --> 00:09:51,680 Speaker 1: in tick tick One of the scenes out in Tick 164 00:09:51,720 --> 00:09:56,560 Speaker 1: Tick Boom, I try to play it out. So I'm 165 00:09:56,559 --> 00:10:00,520 Speaker 1: gonna play a little bit for enjoyment. Yeah, this or enjoyment. 166 00:10:02,520 --> 00:10:06,080 Speaker 1: So you know he's he's playing Jonathan Larson, who composed 167 00:10:06,120 --> 00:10:18,760 Speaker 1: of Rent. So here's the most him an angel you 168 00:10:19,080 --> 00:10:29,040 Speaker 1: start long ago. You're just shouting, you're trying. Wow, I'm 169 00:10:29,040 --> 00:10:32,120 Speaker 1: gonna play for him and series think about your opinion. Anyway, 170 00:10:32,840 --> 00:10:37,079 Speaker 1: He's an Oscar nominee. What are we local dejas? Right? 171 00:10:37,400 --> 00:10:40,120 Speaker 1: So put your I appreciate it, but I'm gonna play 172 00:10:40,120 --> 00:10:43,480 Speaker 1: it for the Oscar nominee. Now let's get to the question. 173 00:10:43,600 --> 00:10:47,199 Speaker 1: Do you perform better knowing your significant other is watching 174 00:10:47,840 --> 00:10:51,160 Speaker 1: or do you prefer them not? Yeah? Okay, what do 175 00:10:51,200 --> 00:10:52,840 Speaker 1: you have? Do you have? Well? Think about it, because 176 00:10:52,920 --> 00:10:56,199 Speaker 1: you do. You perform a lot. Are we performing in 177 00:10:56,320 --> 00:10:59,400 Speaker 1: the bedroom forming at home? No, I'm talking about like 178 00:10:59,480 --> 00:11:04,960 Speaker 1: works carpet. I was I was thinking in the bedroom 179 00:11:05,000 --> 00:11:08,000 Speaker 1: and I was like din't you both watching? Well, that's 180 00:11:08,000 --> 00:11:09,360 Speaker 1: what I was trying to figure out too. I'm like, 181 00:11:09,360 --> 00:11:12,679 Speaker 1: what is do you mean a mirror? That's what I like. 182 00:11:12,960 --> 00:11:17,640 Speaker 1: I love a mirror. I mean it's not over the 183 00:11:17,720 --> 00:11:20,080 Speaker 1: bed is cheesy on the side. I once rented an 184 00:11:20,080 --> 00:11:22,880 Speaker 1: apartment that had that over the Bed's kind of fun 185 00:11:23,800 --> 00:11:26,040 Speaker 1: that d no I rented it. I didn't mean to 186 00:11:26,160 --> 00:11:31,559 Speaker 1: the guy there. It was fun. I mean it's fun 187 00:11:31,600 --> 00:11:34,439 Speaker 1: for a while. Distracting though, because you keep playing. You 188 00:11:34,520 --> 00:11:36,760 Speaker 1: know you're not really focus. Don't care out of the 189 00:11:36,800 --> 00:11:40,079 Speaker 1: gutters just on the wall is fine? That gutters. This 190 00:11:40,160 --> 00:11:42,959 Speaker 1: is what you teat up for us. So I mean perform, 191 00:11:43,120 --> 00:11:45,920 Speaker 1: like perform either your job or sort of if you're 192 00:11:45,920 --> 00:11:50,400 Speaker 1: playing a game. So think about that. Okay, okay, so 193 00:11:50,800 --> 00:11:53,520 Speaker 1: when you're working, do you prefer your significant other watching 194 00:11:53,600 --> 00:11:56,600 Speaker 1: you or not at all? I bring it up because 195 00:11:57,000 --> 00:11:59,360 Speaker 1: there was this rumor going around this very famous football player, 196 00:11:59,360 --> 00:12:06,719 Speaker 1: Patrick mahal Um that he asked his fiance. Okay, this 197 00:12:07,160 --> 00:12:11,640 Speaker 1: guy actually brought me a lot of joy. You know 198 00:12:11,679 --> 00:12:14,360 Speaker 1: who he played for or plays for? Come on, Tanya, 199 00:12:14,440 --> 00:12:18,240 Speaker 1: you got this? Uh you didn't? You did all this 200 00:12:18,360 --> 00:12:22,920 Speaker 1: and didn't look up his team? There, red um, come on, 201 00:12:23,440 --> 00:12:26,920 Speaker 1: you got this, he got this. This is like at 202 00:12:27,000 --> 00:12:31,079 Speaker 1: the foundation of the story. No, it's not the foundation 203 00:12:31,559 --> 00:12:33,520 Speaker 1: the conversation that I want to have. The foundation is 204 00:12:33,520 --> 00:12:37,640 Speaker 1: always him performing for the Kansas City Chiefs when he plays. Yes, 205 00:12:37,800 --> 00:12:40,679 Speaker 1: that's what this is all about. Yes, Kansas City. I 206 00:12:40,720 --> 00:12:42,400 Speaker 1: didn't know who they were though, like what their team 207 00:12:42,480 --> 00:12:46,000 Speaker 1: name was performing meaning playing quarterback for the Chiefs. Correct. Yeah, 208 00:12:46,280 --> 00:12:49,559 Speaker 1: he's a big he's a really famous football You have 209 00:12:49,760 --> 00:12:53,320 Speaker 1: changed since you got a boyfriend. I don't know football, 210 00:12:53,679 --> 00:12:56,880 Speaker 1: so good. Okay, that's not the point of the story. Yeah, 211 00:12:56,920 --> 00:12:58,800 Speaker 1: so he is a football player, so that is that's 212 00:12:58,840 --> 00:13:00,800 Speaker 1: just performing that I'm talking you up. There's this rumor 213 00:13:00,840 --> 00:13:03,000 Speaker 1: going around that he didn't let his fiance come to 214 00:13:03,040 --> 00:13:06,120 Speaker 1: the games because she was a distraction. So he basically 215 00:13:06,160 --> 00:13:08,320 Speaker 1: responded on Twitter with like laughing emotions and said, y'all 216 00:13:08,400 --> 00:13:10,240 Speaker 1: just make be making stuff up these days. So he 217 00:13:10,320 --> 00:13:13,000 Speaker 1: basically shut down the rumors. But it got me thinking 218 00:13:13,040 --> 00:13:17,520 Speaker 1: about that topic because for me personally, I told Robbie, 219 00:13:17,559 --> 00:13:20,679 Speaker 1: my boyfriend, not to listen to my podcast because I 220 00:13:20,760 --> 00:13:23,319 Speaker 1: think I'm better when he's not listening because it's like 221 00:13:23,360 --> 00:13:25,560 Speaker 1: girl chat and I'm just more unfiltered, so I prefer 222 00:13:25,720 --> 00:13:28,400 Speaker 1: him not too so I was like, maybe this there's 223 00:13:28,440 --> 00:13:31,760 Speaker 1: some truth to this Patrick thing, because it might be 224 00:13:31,960 --> 00:13:34,200 Speaker 1: not distraction isn't the right word, But like some I think, 225 00:13:34,240 --> 00:13:37,439 Speaker 1: some people perform better with their significant other and some 226 00:13:37,679 --> 00:13:45,319 Speaker 1: perform worse. I kind of don't find other way. I 227 00:13:45,400 --> 00:13:47,079 Speaker 1: think because we performed for so many people that it 228 00:13:47,160 --> 00:13:50,280 Speaker 1: doesn't phase me if he's in the room or watching 229 00:13:50,360 --> 00:13:53,800 Speaker 1: or listening. I kind of like if, like, if someone 230 00:13:53,840 --> 00:13:56,360 Speaker 1: I'm dating is in the audience of something I'm hosting, 231 00:13:57,120 --> 00:14:01,080 Speaker 1: do you pinform better? I didn't know, but more fun? Yeah, 232 00:14:01,600 --> 00:14:05,959 Speaker 1: because you're supported. Yeah, you feel supported and you're winking 233 00:14:06,040 --> 00:14:13,920 Speaker 1: and commercial breaks stuff. Are you throwing out some like 234 00:14:14,120 --> 00:14:17,360 Speaker 1: inside jokes? Yeah? Maybe I don't know. I might use 235 00:14:17,440 --> 00:14:21,960 Speaker 1: words and only she knows how to decode things of 236 00:14:22,120 --> 00:14:26,360 Speaker 1: the sort. Cute. All right, let's get into it with 237 00:14:26,600 --> 00:14:31,560 Speaker 1: Andrew Garfield right now. I'm very excited that you are here. 238 00:14:31,680 --> 00:14:35,640 Speaker 1: Lots of basis to cover, but most important, you know, 239 00:14:35,960 --> 00:14:39,080 Speaker 1: we've talked before, We've seen the roles that you play. 240 00:14:39,160 --> 00:14:43,280 Speaker 1: We talk about those roles, but never have I ever 241 00:14:43,520 --> 00:14:48,840 Speaker 1: really attempted to put my feet into your shoes. Oh, Wow, 242 00:14:48,960 --> 00:14:53,720 Speaker 1: you want to do that? Now I did it. Well, 243 00:14:54,480 --> 00:14:55,920 Speaker 1: I'm gonna I don't know if you can see it, 244 00:14:57,280 --> 00:14:59,880 Speaker 1: but I'm gonna show you the video. Well the on. 245 00:15:00,080 --> 00:15:03,240 Speaker 1: Let me just put you on my main thing. Where 246 00:15:03,280 --> 00:15:08,920 Speaker 1: are you right? Opinion? Okay, look at that, keep it, 247 00:15:09,040 --> 00:15:16,000 Speaker 1: keep me here. I mean this is a tough scene. 248 00:15:18,200 --> 00:15:31,080 Speaker 1: Oh no, it comes from Oh my gosh, it's a 249 00:15:31,200 --> 00:15:34,520 Speaker 1: scene from Tick Take Boom where he's at the piano. 250 00:15:35,640 --> 00:15:38,560 Speaker 1: And I just have a real appreciation for your art, 251 00:15:38,680 --> 00:15:46,120 Speaker 1: my friend, after thanks, great, sound good. I I'm terrified 252 00:15:46,240 --> 00:15:50,880 Speaker 1: of singing actually, but but like it's so vulnerable, but 253 00:15:51,040 --> 00:15:53,440 Speaker 1: like you just you just played it for me and 254 00:15:53,600 --> 00:15:58,040 Speaker 1: for the world listening to the show. You kind of 255 00:15:58,040 --> 00:15:59,760 Speaker 1: have to go for it. But it does lead me 256 00:15:59,840 --> 00:16:02,240 Speaker 1: to the question. And I've read stories about how you 257 00:16:03,360 --> 00:16:06,000 Speaker 1: ended up really starting to get that role or being 258 00:16:06,000 --> 00:16:08,240 Speaker 1: considered for that role in a massage therapists and all 259 00:16:08,320 --> 00:16:11,600 Speaker 1: kinds of different things. But did you have a lot 260 00:16:11,800 --> 00:16:17,080 Speaker 1: of singing experience in film or or much or any None? None? 261 00:16:17,640 --> 00:16:22,560 Speaker 1: But yeah, no, I I mean I will mess around 262 00:16:23,000 --> 00:16:27,120 Speaker 1: with my my friends, you know, a karaoke or like 263 00:16:27,360 --> 00:16:30,560 Speaker 1: if there's a guitar and a drum, kit will will 264 00:16:30,600 --> 00:16:34,240 Speaker 1: play around, but like it's not you know, I've never 265 00:16:34,320 --> 00:16:37,000 Speaker 1: been a singer. I've I've always wanted to be a singer. 266 00:16:37,000 --> 00:16:40,080 Speaker 1: I've always longed to see if I could get to, 267 00:16:40,400 --> 00:16:43,280 Speaker 1: you know. And a drama school in London, I was 268 00:16:43,400 --> 00:16:46,320 Speaker 1: given a song for my singing strand of of of 269 00:16:46,440 --> 00:16:49,080 Speaker 1: that course, and it was from a musical called Sweet Charity. 270 00:16:49,120 --> 00:16:51,720 Speaker 1: It's called the Rhythm of Life. Um, and it's like 271 00:16:51,800 --> 00:16:54,520 Speaker 1: if you know that song, there's no place to breathe. 272 00:16:54,520 --> 00:16:57,880 Speaker 1: And I got through maybe two phrases and my singing 273 00:16:57,920 --> 00:17:02,480 Speaker 1: teacher was like maybe this um, and then yeah. But 274 00:17:02,520 --> 00:17:04,960 Speaker 1: then it took it took linn Manuel Miranda to kind 275 00:17:05,000 --> 00:17:07,840 Speaker 1: of reopen that valve and to and to go, whoever 276 00:17:08,000 --> 00:17:10,720 Speaker 1: told you that you can sing? I want to have 277 00:17:10,800 --> 00:17:14,800 Speaker 1: a gentle, firm word with them. Um. And he really 278 00:17:15,080 --> 00:17:17,520 Speaker 1: he's the one that made me kind of I borrowed 279 00:17:17,600 --> 00:17:20,000 Speaker 1: his belief and then he gave me a year to 280 00:17:20,160 --> 00:17:22,800 Speaker 1: get ready and to really kind of because the way 281 00:17:22,840 --> 00:17:25,000 Speaker 1: that Jonathan Larson sings the character that I play, the 282 00:17:25,040 --> 00:17:27,840 Speaker 1: person that I play, he's not singing prettily, he's not 283 00:17:27,920 --> 00:17:30,040 Speaker 1: trying to sing well. He's just trying to be heard 284 00:17:30,080 --> 00:17:31,840 Speaker 1: like he's trying to reach you know, in that period 285 00:17:31,840 --> 00:17:34,560 Speaker 1: of time, he was singing for his whole community, for 286 00:17:34,640 --> 00:17:37,639 Speaker 1: the people around him that were getting sick and in 287 00:17:37,760 --> 00:17:40,159 Speaker 1: lots of cases dying during the AIDS epidemic. And he was, 288 00:17:40,480 --> 00:17:42,920 Speaker 1: you know, he was trying to change legislation through his music. 289 00:17:43,000 --> 00:17:44,960 Speaker 1: He was trying to change the world through It was 290 00:17:45,040 --> 00:17:47,399 Speaker 1: life and death, so that it was more important to 291 00:17:47,480 --> 00:17:49,879 Speaker 1: sing with that kind of passion than it was to 292 00:17:49,920 --> 00:17:54,200 Speaker 1: be Jonathan Larsens. So this is the guy behind, the 293 00:17:54,480 --> 00:17:58,120 Speaker 1: composer behind the show Rent, the stage play, the Broadway 294 00:17:58,200 --> 00:18:01,600 Speaker 1: hit Rent. And I'm obviously it's tragic, and this is 295 00:18:01,640 --> 00:18:03,879 Speaker 1: not giving anything away because this is what happened. But 296 00:18:04,280 --> 00:18:06,600 Speaker 1: was it the night before Andrew opening night that he 297 00:18:06,640 --> 00:18:10,240 Speaker 1: passed away? Yeah, the night before the first preview of 298 00:18:10,440 --> 00:18:15,240 Speaker 1: Rent Broadway he passed away at the age of thirty five. 299 00:18:15,400 --> 00:18:18,960 Speaker 1: He died of an aortic aneurysm, so a heart attack. 300 00:18:19,119 --> 00:18:21,240 Speaker 1: There was a line. There was a line in the 301 00:18:21,320 --> 00:18:23,600 Speaker 1: original Tic Tic Boom the One Man showed that he 302 00:18:23,640 --> 00:18:26,320 Speaker 1: wrote for himself performed. It was originally called Boho Days. 303 00:18:26,960 --> 00:18:29,560 Speaker 1: There was a line in it that was had to 304 00:18:29,640 --> 00:18:31,920 Speaker 1: be cut after he passed away because it was far 305 00:18:32,040 --> 00:18:35,200 Speaker 1: too heartbreaking. And then the line was sometimes I feel 306 00:18:35,240 --> 00:18:41,600 Speaker 1: like my heart is going to explode and chilling, chilling. 307 00:18:41,840 --> 00:18:44,520 Speaker 1: It's unconsciously and you know, Tikti Boom is all about 308 00:18:45,040 --> 00:18:47,919 Speaker 1: trying to get our song sung before we run out 309 00:18:47,960 --> 00:18:50,080 Speaker 1: of time, to complete as much of our song as possible. 310 00:18:50,119 --> 00:18:52,719 Speaker 1: I think obviously he was surrounded by friends who were 311 00:18:52,960 --> 00:18:55,040 Speaker 1: getting sick and dying in his community at a very 312 00:18:55,119 --> 00:18:57,360 Speaker 1: young age. But also I think he had some unconscious 313 00:18:57,520 --> 00:19:00,879 Speaker 1: understanding and knowing that he himself really didn't have a 314 00:19:00,920 --> 00:19:02,919 Speaker 1: lot of time, and it was like the theater gods 315 00:19:02,960 --> 00:19:06,520 Speaker 1: were putting this pressure on him to write Rent before 316 00:19:07,080 --> 00:19:10,159 Speaker 1: he his life was was taken from him so that 317 00:19:10,240 --> 00:19:13,040 Speaker 1: the world could be richer because of it. It's I mean, 318 00:19:13,080 --> 00:19:15,480 Speaker 1: tick tick boom. It's a it's a very compelling and 319 00:19:15,880 --> 00:19:19,920 Speaker 1: well done uh movie on Netflix. And as you said, 320 00:19:19,960 --> 00:19:22,399 Speaker 1: lin Manuel, Miranda and Andrew, I really have to tell you, 321 00:19:22,480 --> 00:19:24,560 Speaker 1: I when I spoke to you last I had not 322 00:19:24,680 --> 00:19:27,560 Speaker 1: seen it. This time, I have seen it, and I 323 00:19:27,720 --> 00:19:30,320 Speaker 1: just was taken into the story and and I was 324 00:19:30,440 --> 00:19:33,440 Speaker 1: captured by it. And I really say this genuinely. You're 325 00:19:33,640 --> 00:19:36,240 Speaker 1: brilliant at that role and going back and forth between 326 00:19:36,280 --> 00:19:39,480 Speaker 1: the song and the acting. It's really well done. Thank you, Ryan. 327 00:19:39,600 --> 00:19:42,320 Speaker 1: That's what I really really appreciate that. It's it's I'm 328 00:19:42,440 --> 00:19:46,200 Speaker 1: just so it's I you know, I just want to 329 00:19:46,400 --> 00:19:48,040 Speaker 1: be an actor for the rest of my life. You know. 330 00:19:48,080 --> 00:19:49,840 Speaker 1: I love what I do so much. And you know, 331 00:19:50,040 --> 00:19:53,400 Speaker 1: the first gig I ever got was a Spanish Derito's 332 00:19:53,440 --> 00:19:55,560 Speaker 1: commercial and I thought I made you know, I got 333 00:19:55,600 --> 00:19:58,320 Speaker 1: paid two thousand pounds for two days of work, and 334 00:19:58,359 --> 00:19:59,560 Speaker 1: I was like, if I can do this for the 335 00:19:59,640 --> 00:20:01,919 Speaker 1: rest of life, I'm happy. If I can play air 336 00:20:02,000 --> 00:20:08,440 Speaker 1: guitar with the rest of my life, I'll cut to 337 00:20:08,680 --> 00:20:10,920 Speaker 1: you know, eighteen years later, and I get to tell 338 00:20:11,000 --> 00:20:14,399 Speaker 1: stories like this one and on a human beings like 339 00:20:14,600 --> 00:20:18,240 Speaker 1: Jonathan Larson on this scale, on on a on Netflix, 340 00:20:18,320 --> 00:20:20,640 Speaker 1: for people to watch and revisit any time they want, 341 00:20:21,000 --> 00:20:22,639 Speaker 1: and to be a part of the story that is 342 00:20:23,040 --> 00:20:26,200 Speaker 1: so meaningful and actually has real healing medicine for people. 343 00:20:26,960 --> 00:20:29,600 Speaker 1: I just I'm just, you know, I'm a great When 344 00:20:29,600 --> 00:20:31,960 Speaker 1: you were nominated for Best Actor at the Academy Words, 345 00:20:31,960 --> 00:20:36,560 Speaker 1: how did it feel to be nominated for this again? Man? 346 00:20:36,600 --> 00:20:39,680 Speaker 1: It's this crazy thing at base level if if I 347 00:20:39,760 --> 00:20:42,560 Speaker 1: can make theater for ten people in a black box 348 00:20:42,600 --> 00:20:44,000 Speaker 1: for the rest of my life, I'd be happy. So 349 00:20:44,400 --> 00:20:46,960 Speaker 1: you add to that all of this other stuff, and 350 00:20:47,520 --> 00:20:49,440 Speaker 1: you kind of get feel very humbled by it. You 351 00:20:49,520 --> 00:20:52,800 Speaker 1: feel it's surreal. I think about myself as a drama student. 352 00:20:52,840 --> 00:20:56,200 Speaker 1: I think, you know, remember, I remember. And I think 353 00:20:56,240 --> 00:20:58,560 Speaker 1: that's what's beautiful about this story is that it's every 354 00:20:58,840 --> 00:21:01,000 Speaker 1: actor's story and way it's like will I make it? 355 00:21:01,119 --> 00:21:03,240 Speaker 1: Will I make it? Will I make Yeah? It's going 356 00:21:03,320 --> 00:21:05,760 Speaker 1: from not being able to make rent to someone giving 357 00:21:05,800 --> 00:21:07,840 Speaker 1: you a chance or making it for the deadline, and 358 00:21:07,880 --> 00:21:10,920 Speaker 1: then like can open up a change or not? Yeah? 359 00:21:11,000 --> 00:21:13,320 Speaker 1: And then and then suddenly I'm being my my name 360 00:21:13,440 --> 00:21:16,919 Speaker 1: is being uttered in the same breath as Denzel Washington 361 00:21:17,080 --> 00:21:20,000 Speaker 1: and Javier Bardom and Will Smith and Bennett come Abatt 362 00:21:20,119 --> 00:21:23,840 Speaker 1: and the twenty five previous Best Actor nominees who have 363 00:21:23,920 --> 00:21:26,680 Speaker 1: been nominated for the performances of musicals like Bing Crosby 364 00:21:27,280 --> 00:21:31,120 Speaker 1: and um, you know, Fred Astaire and and and James Cagney, 365 00:21:31,160 --> 00:21:37,879 Speaker 1: And I'm like, holy, like, I never want to feel um, 366 00:21:38,000 --> 00:21:39,200 Speaker 1: I never want to get over it, you know what 367 00:21:39,240 --> 00:21:41,920 Speaker 1: I mean. I always wanted to feel awesome yeah, like 368 00:21:42,280 --> 00:21:44,760 Speaker 1: I think, uh, it seems like you will feel that 369 00:21:44,800 --> 00:21:47,000 Speaker 1: way for a long time, and I wish you good 370 00:21:47,119 --> 00:21:49,280 Speaker 1: luck at the Academy Awards Eastern. Come on over to 371 00:21:49,320 --> 00:21:53,040 Speaker 1: the microphone as well. But okay, so Spiderman. Tom Holland 372 00:21:53,119 --> 00:21:56,200 Speaker 1: is now Spider Man, and he was telling me that 373 00:21:56,400 --> 00:21:58,480 Speaker 1: he was, and you may know this, but he was 374 00:21:58,680 --> 00:22:02,440 Speaker 1: nervous about meeting you and Toby McGuire because he thought 375 00:22:02,480 --> 00:22:06,160 Speaker 1: you guys would be possessive about the character and sort 376 00:22:06,200 --> 00:22:08,399 Speaker 1: of not not wanting him to do well, but a 377 00:22:08,480 --> 00:22:12,760 Speaker 1: bit standoffish about it. And apparently you were not. No 378 00:22:13,640 --> 00:22:16,720 Speaker 1: quite a country of course, I understand that it's like, 379 00:22:17,119 --> 00:22:19,880 Speaker 1: you know, these two kind of like older middle aged 380 00:22:19,920 --> 00:22:23,879 Speaker 1: Spider Man coming in and encroaching on Tom's territory. I 381 00:22:23,920 --> 00:22:26,800 Speaker 1: would I understand how he could have imagined that we 382 00:22:27,000 --> 00:22:28,919 Speaker 1: we we we may not have been as kind as 383 00:22:29,040 --> 00:22:31,639 Speaker 1: as we turned out to be, but thank goodness, me 384 00:22:31,720 --> 00:22:34,240 Speaker 1: and Toby, we just wanted to support a little bro, 385 00:22:34,480 --> 00:22:36,719 Speaker 1: you know, because I love Tom and I just love 386 00:22:36,800 --> 00:22:38,640 Speaker 1: what he's done with that character and in that role, 387 00:22:38,720 --> 00:22:40,600 Speaker 1: and it was an honor to be able to come 388 00:22:40,600 --> 00:22:42,639 Speaker 1: and support him and be a kind of a mentor 389 00:22:42,760 --> 00:22:45,680 Speaker 1: and and you know in in in the film and otherwise. 390 00:22:46,359 --> 00:22:48,000 Speaker 1: It was funny because I thought maybe he was joking 391 00:22:48,040 --> 00:22:50,040 Speaker 1: about that, but I could tell he had this terrified 392 00:22:50,080 --> 00:22:51,359 Speaker 1: look when he was telling me the story that that 393 00:22:51,480 --> 00:22:53,560 Speaker 1: might happen, and I was too relieved to hear that 394 00:22:53,600 --> 00:22:57,439 Speaker 1: you were a nice guy about it. Hey, Eastern is here. 395 00:22:57,480 --> 00:22:59,959 Speaker 1: East is one of our engineers, and Eastern because we're 396 00:23:00,119 --> 00:23:02,680 Speaker 1: tight on time and you got to pick the best one. 397 00:23:02,880 --> 00:23:05,840 Speaker 1: But he's obsessed. How would you describe your obsession, Eastern? 398 00:23:06,560 --> 00:23:09,120 Speaker 1: I'm I'm a big Spider Man fan wearing a Spiderman 399 00:23:09,160 --> 00:23:12,000 Speaker 1: T shirt right now. Andrew, I just gotta say, you're 400 00:23:12,200 --> 00:23:16,280 Speaker 1: you're my favorite Spider Man. You can tell Tom Holland 401 00:23:16,400 --> 00:23:22,800 Speaker 1: is that banks Man. My favorite Spider Man moment is 402 00:23:23,119 --> 00:23:25,760 Speaker 1: uh front the end of Amazing Spider Man two. The 403 00:23:25,920 --> 00:23:27,680 Speaker 1: movie closes with you giving a pep talk to a 404 00:23:27,720 --> 00:23:29,600 Speaker 1: little kid. You give him a fist bump, and then 405 00:23:29,760 --> 00:23:32,840 Speaker 1: Paul Giamati comes running at you in his rhino armor 406 00:23:32,880 --> 00:23:35,399 Speaker 1: and you start to swing a manhole cover at him. 407 00:23:35,840 --> 00:23:38,000 Speaker 1: It's like, that's why we go to the movies. It 408 00:23:38,000 --> 00:23:40,880 Speaker 1: gives me goosebumps just talking about it. The credit sirt 409 00:23:41,040 --> 00:23:42,600 Speaker 1: right as you're about to hit him in the face 410 00:23:42,800 --> 00:23:45,160 Speaker 1: or in the horn. What happens next? How's the rest 411 00:23:45,200 --> 00:23:51,600 Speaker 1: of Well, yeah, if I remember correctly, Um, what happened 412 00:23:51,640 --> 00:23:53,680 Speaker 1: after that? That was two? It was not suitable to 413 00:23:55,000 --> 00:23:58,320 Speaker 1: it was so brutes still, um and no, I have 414 00:23:58,440 --> 00:24:03,640 Speaker 1: no idea. Was the script ended? And that's where movie ended. 415 00:24:04,680 --> 00:24:06,560 Speaker 1: You get to choose your own adventure with that one. 416 00:24:06,600 --> 00:24:09,040 Speaker 1: What would you have liked to have seen happen? Well, 417 00:24:09,200 --> 00:24:10,600 Speaker 1: you know, I want to see if meat the graph 418 00:24:10,600 --> 00:24:15,960 Speaker 1: out of the right, Honey, the little guy can stand 419 00:24:16,040 --> 00:24:18,119 Speaker 1: up for himself. That's what he said. Just watching you 420 00:24:18,560 --> 00:24:21,760 Speaker 1: play by play. That was enough for all of us today. 421 00:24:21,840 --> 00:24:28,720 Speaker 1: You fulfilled our wishes. Streaming on Netflix and good luck 422 00:24:28,800 --> 00:24:32,840 Speaker 1: at the oscars. Man, thanks for coming on. Congratulations, Thank you, Ryan, appreciate, 423 00:24:32,880 --> 00:24:37,040 Speaker 1: Thank you guys much. Loves for everybody. Think bye. Did 424 00:24:37,080 --> 00:24:39,160 Speaker 1: you know Easton Hat while he was telling that story, 425 00:24:39,240 --> 00:24:42,720 Speaker 1: he had Spider Man graphics moving, but he was changing 426 00:24:42,760 --> 00:24:45,600 Speaker 1: his background scene with the scene that he was describing. 427 00:24:46,280 --> 00:24:50,439 Speaker 1: He had been coordinating that moment, graphic and story timing 428 00:24:50,600 --> 00:25:01,600 Speaker 1: for days. Good morning, Charlie, Hi, how are you guys doing? 429 00:25:02,280 --> 00:25:06,960 Speaker 1: How you doing? I have a question about whether or 430 00:25:07,119 --> 00:25:10,080 Speaker 1: not I'm allowed to date someone without asking their exes 431 00:25:10,359 --> 00:25:15,480 Speaker 1: for like permission. First, Okay, let me get a pen out. 432 00:25:15,520 --> 00:25:21,640 Speaker 1: It's going to require some notes. Well, lay, the question 433 00:25:22,040 --> 00:25:25,640 Speaker 1: is reset it one more time so I'm totally clear. 434 00:25:27,600 --> 00:25:30,960 Speaker 1: So am I allowed to date someone without asking their 435 00:25:31,000 --> 00:25:35,720 Speaker 1: exes permission? First? Well? Do you know their exes? Okay? 436 00:25:35,880 --> 00:25:39,840 Speaker 1: So I know him, but it's not like from my 437 00:25:40,119 --> 00:25:43,840 Speaker 1: immediate friend group. If that makes sense, then why do 438 00:25:43,920 --> 00:25:49,040 Speaker 1: you even question it? Well, because like I do see 439 00:25:49,119 --> 00:25:51,040 Speaker 1: him from time to time. There's like a group of 440 00:25:51,160 --> 00:25:53,159 Speaker 1: like eight or nine of us that get together, and 441 00:25:53,320 --> 00:25:55,120 Speaker 1: he's the guy that comes every once in a while, 442 00:25:55,680 --> 00:25:57,800 Speaker 1: you know, to watch games and stuff like that, barbecues, 443 00:25:58,040 --> 00:26:01,080 Speaker 1: and I've never been like one on one with them necessarily, 444 00:26:01,160 --> 00:26:02,800 Speaker 1: but he's a part of the friend group. So I 445 00:26:02,840 --> 00:26:08,760 Speaker 1: don't want to cause like a schism. I mean, this 446 00:26:08,880 --> 00:26:11,960 Speaker 1: doesn't go well if you ask him, I don't think, 447 00:26:13,000 --> 00:26:15,399 Speaker 1: And it doesn't go well if it bothers him, I 448 00:26:15,480 --> 00:26:19,000 Speaker 1: don't think. So are you ready for it not to 449 00:26:19,080 --> 00:26:23,000 Speaker 1: go well on some level with him? And that's the thing. 450 00:26:23,119 --> 00:26:26,159 Speaker 1: It's like, I don't know what the immediate repercussions are. 451 00:26:26,160 --> 00:26:27,680 Speaker 1: I don't want to be known as that guy, but 452 00:26:28,200 --> 00:26:31,120 Speaker 1: I do like her. She's a really cool girl. Um, 453 00:26:31,359 --> 00:26:33,600 Speaker 1: I just yeah, it's a rocket heart and we're trying 454 00:26:33,680 --> 00:26:36,760 Speaker 1: to avoid right. Yeah. I don't even know what that is, 455 00:26:36,880 --> 00:26:41,000 Speaker 1: but it sounds bad, it sounds no fun. It's what 456 00:26:42,760 --> 00:26:48,200 Speaker 1: do you think on this, sissy. I if you care 457 00:26:48,240 --> 00:26:51,040 Speaker 1: about the guy and he's your friend, maybe say something. 458 00:26:51,119 --> 00:26:53,000 Speaker 1: But if you're not, really you don't ever talk to him. 459 00:26:54,119 --> 00:26:56,640 Speaker 1: I think you played dumb when you do your life. 460 00:26:58,960 --> 00:27:01,440 Speaker 1: So that was what I was thinking initially, is just 461 00:27:01,600 --> 00:27:03,280 Speaker 1: let it kind of come up naturally big. Oh, you 462 00:27:03,320 --> 00:27:05,360 Speaker 1: guys didn't know. I didn't know that, and just kind 463 00:27:05,359 --> 00:27:08,920 Speaker 1: of play it dumb. I mean, you are on the radio, Charlie, 464 00:27:09,040 --> 00:27:14,399 Speaker 1: just now you know, or somebody might know. Well, a 465 00:27:14,520 --> 00:27:16,920 Speaker 1: lot of a lot of n you know, clever moves here. 466 00:27:17,000 --> 00:27:21,800 Speaker 1: But if you're interested in her and you're questioning this, 467 00:27:22,160 --> 00:27:26,320 Speaker 1: it's probably okay that you date her, and it will 468 00:27:26,400 --> 00:27:29,560 Speaker 1: be what it will be right because you don't have 469 00:27:29,720 --> 00:27:32,439 Speaker 1: a friendship with the guy, so you might cross paths 470 00:27:32,520 --> 00:27:35,800 Speaker 1: and then you'll see what happened when paths crossed. They're 471 00:27:35,880 --> 00:27:38,840 Speaker 1: part of it. He's not dating her, it's over between them, 472 00:27:39,280 --> 00:27:43,000 Speaker 1: So that's a reality he's got to live with and dealing. 473 00:27:43,400 --> 00:27:45,840 Speaker 1: Maybe better off it's somebody in the group, even though 474 00:27:46,000 --> 00:27:49,120 Speaker 1: the periphery of the group then a stranger. No. I mean, 475 00:27:49,359 --> 00:27:51,200 Speaker 1: I feel like, don't you guys just like talk chill? 476 00:27:51,280 --> 00:27:53,280 Speaker 1: Though you could kind of just throw it in there like, yeah, man, 477 00:27:53,880 --> 00:27:57,560 Speaker 1: I'm dating. No, I don't think guys received that well, 478 00:27:57,760 --> 00:28:00,600 Speaker 1: you don't think so. I don't think though. I think 479 00:28:00,800 --> 00:28:02,560 Speaker 1: be prepared for him to have a problem with it 480 00:28:02,680 --> 00:28:07,600 Speaker 1: and then or just avoid each other. But I think 481 00:28:07,680 --> 00:28:12,560 Speaker 1: just go for it. Let me ask you some as 482 00:28:12,600 --> 00:28:15,360 Speaker 1: a man, am I breaking bro code? Do you think 483 00:28:15,400 --> 00:28:17,080 Speaker 1: that that's that's what's going on? Or am I good 484 00:28:17,119 --> 00:28:20,200 Speaker 1: to go? You said it's like a third layer of 485 00:28:20,480 --> 00:28:23,240 Speaker 1: acquaintances that you cross paths with, So I don't think 486 00:28:23,280 --> 00:28:29,000 Speaker 1: you're breaking a code alright, but who am I to 487 00:28:29,119 --> 00:28:32,280 Speaker 1: know that? Cool things by? All right? Thanks, good luck. 488 00:28:33,200 --> 00:28:35,240 Speaker 1: I know that maybe we're giving bad advice to some 489 00:28:35,480 --> 00:28:38,040 Speaker 1: but I felt like Charlie, she just go for it, 490 00:28:38,520 --> 00:28:40,400 Speaker 1: not worry about it. The other guy he doesn't really know, 491 00:28:40,680 --> 00:28:43,240 Speaker 1: and they're not together. The woman he wants to date, 492 00:28:43,440 --> 00:28:48,760 Speaker 1: and the X and a schism. My definition is us 493 00:28:48,880 --> 00:28:51,240 Speaker 1: I'm just looking up is a split or division between 494 00:28:51,280 --> 00:28:55,160 Speaker 1: strongly opposed sections or parties caused by differences in opinion 495 00:28:55,240 --> 00:28:58,400 Speaker 1: or believe I can safely say, in the thirty four 496 00:28:58,480 --> 00:29:04,160 Speaker 1: years I've done this Kiss Morning Show, never ever has 497 00:29:04,280 --> 00:29:07,360 Speaker 1: anyone used the word skis him. I do enjoy it, though, 498 00:29:08,120 --> 00:29:11,160 Speaker 1: skives him the fun word because it's confusing. It sounds 499 00:29:11,840 --> 00:29:13,320 Speaker 1: it sounds like it could go a lot of places. 500 00:29:13,360 --> 00:29:15,640 Speaker 1: It sounds like a scuffle. By the way, I just 501 00:29:15,720 --> 00:29:20,600 Speaker 1: finished Tinder Swindler finally Welcome to the Party. I felt 502 00:29:20,720 --> 00:29:23,320 Speaker 1: terrible for them. I don't want to give it all 503 00:29:23,360 --> 00:29:26,640 Speaker 1: the way, but the title kind of does. But how 504 00:29:26,680 --> 00:29:28,640 Speaker 1: do you get away with it? How do you get 505 00:29:28,680 --> 00:29:31,160 Speaker 1: away with it? Their bankrupt? He didn't he still went 506 00:29:31,240 --> 00:29:35,240 Speaker 1: to prison for what he's going to do a dating show. No, 507 00:29:35,360 --> 00:29:37,720 Speaker 1: I know, he's got a cameo. People are paying him. Still. 508 00:29:37,840 --> 00:29:43,680 Speaker 1: It's so insane and they are bankrupt. That's the crazy part. 509 00:29:43,720 --> 00:29:46,680 Speaker 1: It's I can't parton. Can't they can someone like a 510 00:29:46,760 --> 00:29:49,280 Speaker 1: billionaire pay for them, like just because to help them out. 511 00:29:50,760 --> 00:29:53,800 Speaker 1: I just think the whole thing was what I mean 512 00:29:53,880 --> 00:29:56,040 Speaker 1: times it couldn't like you could have been taken by 513 00:29:56,080 --> 00:29:59,160 Speaker 1: the swindler. You were on Tinder swipe left on him 514 00:29:59,200 --> 00:30:02,200 Speaker 1: though not time. Not my type. Don't want to be 515 00:30:02,200 --> 00:30:06,080 Speaker 1: a friend to me either. Yeah, this one's pretty crazy 516 00:30:06,120 --> 00:30:09,120 Speaker 1: how he used all the same pictures, all the same scenario, Like, 517 00:30:09,240 --> 00:30:10,640 Speaker 1: I don't know how he kept up with it, to 518 00:30:10,680 --> 00:30:12,720 Speaker 1: be honest. Well, you know what's kind of similar is 519 00:30:12,760 --> 00:30:18,800 Speaker 1: the inventing Anna on Netflix with Shawnda rhymes. I'm not 520 00:30:19,080 --> 00:30:21,360 Speaker 1: you just started it, said, I'm okay, can I tell 521 00:30:21,400 --> 00:30:22,840 Speaker 1: you what I'm watching? I mean, are you there on 522 00:30:22,880 --> 00:30:25,240 Speaker 1: a nest camp? I'm not watching. I started it and 523 00:30:25,280 --> 00:30:29,200 Speaker 1: I've stopped. You need to continue. It is so good, 524 00:30:29,360 --> 00:30:33,560 Speaker 1: and she's not a Tinder swindler, but she's essentially swindling. 525 00:30:33,920 --> 00:30:38,000 Speaker 1: Back to your question about Swinder Tindler. Tinder swindler, but twiner. 526 00:30:38,480 --> 00:30:42,440 Speaker 1: So how that photo that they send an ambulance with 527 00:30:42,600 --> 00:30:45,080 Speaker 1: the security guard banged up and stitched up? Did he 528 00:30:45,240 --> 00:30:47,480 Speaker 1: do that just for the photo? Did you get himself 529 00:30:47,520 --> 00:30:49,040 Speaker 1: hurt and stitched up? Or is that all make up? 530 00:30:49,400 --> 00:30:52,240 Speaker 1: Maybe that had happened point Yeah, you're right, maybe that 531 00:30:52,280 --> 00:30:55,160 Speaker 1: had happened at some point in their life span of 532 00:30:55,280 --> 00:30:57,720 Speaker 1: hanging out together. They were in an alce. But she 533 00:30:57,840 --> 00:31:00,520 Speaker 1: kept sending that same picture, Right, but did the guy 534 00:31:00,560 --> 00:31:03,080 Speaker 1: actually cut his head open? I couldn't that I wanted 535 00:31:03,120 --> 00:31:05,200 Speaker 1: to know. I mean maybe you'd be surprised what you 536 00:31:05,240 --> 00:31:07,800 Speaker 1: can do with face tune. That's that's true. They could 537 00:31:07,840 --> 00:31:13,200 Speaker 1: have facetuned it head or stage or makeup. I don't 538 00:31:13,240 --> 00:31:15,640 Speaker 1: know anyway, so many questions. Now there's a new dating app. 539 00:31:15,680 --> 00:31:18,360 Speaker 1: This is called four Play, right, Yes, so as in 540 00:31:18,520 --> 00:31:21,440 Speaker 1: four like the number four because there's four people involved 541 00:31:21,480 --> 00:31:24,320 Speaker 1: into double date app. Um, these two friends got the 542 00:31:24,440 --> 00:31:26,880 Speaker 1: idea a few years ago. They were like medical students 543 00:31:27,000 --> 00:31:28,840 Speaker 1: and they just didn't have time to date like on 544 00:31:28,960 --> 00:31:31,880 Speaker 1: the apps, just normally like as a single profile. So 545 00:31:31,880 --> 00:31:34,040 Speaker 1: they're like, why don't we do a joint profile together 546 00:31:34,960 --> 00:31:38,280 Speaker 1: and basically say like double datas And they just did 547 00:31:38,320 --> 00:31:40,360 Speaker 1: this on the normal apps because there was no double 548 00:31:40,440 --> 00:31:42,480 Speaker 1: date app at the time. That's where they got the 549 00:31:42,480 --> 00:31:45,560 Speaker 1: crazy idea to create one. Here we are with four Play, 550 00:31:46,160 --> 00:31:48,440 Speaker 1: and I think it's kind of a cute idea. But 551 00:31:48,480 --> 00:31:51,400 Speaker 1: I do have a lot of questions, Like you're saying 552 00:31:51,440 --> 00:31:53,680 Speaker 1: you're into this idea, Yeah, Ryan, this is so not you. 553 00:31:54,400 --> 00:31:56,400 Speaker 1: I didn't say I'm going to do it, but I 554 00:31:56,520 --> 00:31:58,560 Speaker 1: think this is safer than a lot of the others 555 00:31:58,680 --> 00:32:00,640 Speaker 1: and more fun because you get to go with your 556 00:32:00,680 --> 00:32:03,360 Speaker 1: wing person on a date with their wing person and 557 00:32:03,480 --> 00:32:09,000 Speaker 1: you chat with the group. It's the conversations easier. The date, 558 00:32:09,040 --> 00:32:11,520 Speaker 1: if you end up going out, is easier. The complicated 559 00:32:11,560 --> 00:32:12,920 Speaker 1: thing is if you line up with one and you 560 00:32:12,960 --> 00:32:15,920 Speaker 1: want to swap for both of you girls like the 561 00:32:15,960 --> 00:32:19,320 Speaker 1: same guy or both guys that's the case, then you 562 00:32:19,440 --> 00:32:21,680 Speaker 1: just don't take it any further. You don't never meet, 563 00:32:21,920 --> 00:32:24,040 Speaker 1: so you'll find out with your bestie on the app 564 00:32:24,120 --> 00:32:27,920 Speaker 1: and say it's more fun. I think so too, I mean, 565 00:32:28,680 --> 00:32:31,520 Speaker 1: and it seems like no pressure, you know, I feel 566 00:32:31,560 --> 00:32:33,560 Speaker 1: there's so much pressure on it's one on one. It's 567 00:32:33,600 --> 00:32:35,240 Speaker 1: more of a hang than it is a date. Right, 568 00:32:35,240 --> 00:32:37,040 Speaker 1: It's more of a group thing than it is a date. 569 00:32:37,160 --> 00:32:40,560 Speaker 1: That's more fun. Anyway, My best dates of my some 570 00:32:40,720 --> 00:32:45,840 Speaker 1: of my some of my dating has come from being 571 00:32:45,880 --> 00:32:49,480 Speaker 1: at group dinners with people because it's easier. Then you 572 00:32:49,560 --> 00:32:52,600 Speaker 1: get a phone number and then you text immediately on 573 00:32:52,640 --> 00:32:57,200 Speaker 1: the way home. Cute you're one of those. Respect Yeah, 574 00:32:57,680 --> 00:32:59,560 Speaker 1: I love that because I want them to have my number. 575 00:32:59,640 --> 00:33:04,400 Speaker 1: That's me I'm right away, Yeah, for sure, great meeting you. 576 00:33:05,080 --> 00:33:06,960 Speaker 1: So apparently there's nine thousand people on this wait list. 577 00:33:07,000 --> 00:33:10,800 Speaker 1: I don't because I think I was trying to figure 578 00:33:10,840 --> 00:33:12,640 Speaker 1: out then. And don't quote me on this, but I'm 579 00:33:12,640 --> 00:33:14,600 Speaker 1: pretty sure that they don't have the infrastructure to like 580 00:33:15,080 --> 00:33:18,360 Speaker 1: execute it properly. Yeah, I got so popular so fast. 581 00:33:18,440 --> 00:33:20,680 Speaker 1: So they're they're dealing with investors right now, and they're 582 00:33:20,680 --> 00:33:22,960 Speaker 1: trying to make it more global, so it'll be in 583 00:33:23,200 --> 00:33:27,320 Speaker 1: l A soon. Right now, it's only New York. Okay, 584 00:33:27,400 --> 00:33:35,000 Speaker 1: it's coming out on air with Ryan Seacrest. Mackenzie on 585 00:33:35,040 --> 00:33:38,560 Speaker 1: the line, Mackenzie, good morning, It's Ryan, It's Tanya, and 586 00:33:39,200 --> 00:33:43,840 Speaker 1: it's Sissany and you what are you up to have 587 00:33:43,960 --> 00:33:48,800 Speaker 1: a You know, my boyfriend he has this Ki and 588 00:33:49,240 --> 00:33:53,200 Speaker 1: she is adorable, right and he's had her for a 589 00:33:53,280 --> 00:33:58,160 Speaker 1: couple of months. But I asked him umnits ago if 590 00:33:58,200 --> 00:34:00,160 Speaker 1: he had checked to see if she had a chip, 591 00:34:00,240 --> 00:34:02,960 Speaker 1: and he said he had he hadn't, And now I 592 00:34:03,120 --> 00:34:06,200 Speaker 1: don't know if I you know, I know we need 593 00:34:06,280 --> 00:34:08,000 Speaker 1: to take her to the vet to check the chip. 594 00:34:08,800 --> 00:34:11,520 Speaker 1: But at this same time, I'm like, well, she has 595 00:34:11,560 --> 00:34:14,320 Speaker 1: a family, you know, I would love for her to 596 00:34:14,400 --> 00:34:15,879 Speaker 1: go back, and you know, I don't want to take 597 00:34:15,960 --> 00:34:19,920 Speaker 1: someone's family pet. But if there's no chip, I don't know, 598 00:34:20,160 --> 00:34:22,640 Speaker 1: like he can gladly keep her, but he just loves 599 00:34:22,680 --> 00:34:28,040 Speaker 1: her so much. Huh. My boyfriend's cat was never chipped. Okay, 600 00:34:28,120 --> 00:34:33,320 Speaker 1: well listen, Tanya's boyfriend never put a dog tag around 601 00:34:33,360 --> 00:34:35,600 Speaker 1: their dogs. So what do we do here, Tony? What 602 00:34:35,640 --> 00:34:39,920 Speaker 1: advice do you have for Mackenzie. My advice is probably 603 00:34:40,120 --> 00:34:43,480 Speaker 1: very bad here, but I would just say no, no, 604 00:34:45,480 --> 00:34:48,000 Speaker 1: ignorance is bliss. They're never going to check if the 605 00:34:48,080 --> 00:34:51,640 Speaker 1: cat is chipped. You need to check and do the 606 00:34:51,960 --> 00:34:54,080 Speaker 1: due diligence at least trying to find the owner if 607 00:34:54,200 --> 00:34:56,480 Speaker 1: they are chie Yeah, I think so, Mackenzie. Don't you 608 00:34:56,520 --> 00:35:00,440 Speaker 1: believe in karma? That's what I'm saying, you know, But 609 00:35:00,719 --> 00:35:02,839 Speaker 1: and he just loved her so much, and so it's 610 00:35:02,880 --> 00:35:05,160 Speaker 1: like I don't want to break his heart. Yeah, and 611 00:35:05,320 --> 00:35:07,600 Speaker 1: it's time, but it's like, you know, if it's a 612 00:35:07,719 --> 00:35:11,359 Speaker 1: family pet, I'm like, no, it's not karma because maybe 613 00:35:11,440 --> 00:35:13,600 Speaker 1: you guys you said that he's had her for months now, 614 00:35:13,800 --> 00:35:15,840 Speaker 1: Maybe this was all part of the cat's story. She 615 00:35:15,960 --> 00:35:18,880 Speaker 1: was supposed to escape where she was and you're supposed 616 00:35:18,880 --> 00:35:21,040 Speaker 1: to be what if the family is suffering because their 617 00:35:21,320 --> 00:35:25,319 Speaker 1: beloved cat, like your Sonny, has not come back. Yeah, 618 00:35:25,360 --> 00:35:27,960 Speaker 1: because there's no tag. But maybe if kids have not 619 00:35:28,040 --> 00:35:30,640 Speaker 1: slept for weeks now because of it. But maybe that's 620 00:35:30,680 --> 00:35:33,520 Speaker 1: not the case. Maybe the owner couldn't handle it and 621 00:35:33,880 --> 00:35:36,480 Speaker 1: she's in a better home now. We don't know either way. 622 00:35:36,920 --> 00:35:39,399 Speaker 1: We can keep saying maybe until the cows come home. 623 00:35:41,200 --> 00:35:43,600 Speaker 1: Maybe this is the cat's story. I just the ship 624 00:35:44,000 --> 00:35:46,800 Speaker 1: for me. Whatever you think creates good karma is what 625 00:35:46,880 --> 00:35:50,839 Speaker 1: I would do. I think that that makes a lot 626 00:35:50,840 --> 00:35:55,000 Speaker 1: of I think that's a smart decision. I'm really good karma. 627 00:35:55,400 --> 00:35:57,440 Speaker 1: All right, Well, good luck with your good comment. Thank 628 00:35:57,480 --> 00:35:59,759 Speaker 1: you very much for calling. Yeah, if you missed it, 629 00:36:00,239 --> 00:36:04,920 Speaker 1: Tanya has not put a tag around her daughter. She 630 00:36:05,000 --> 00:36:08,200 Speaker 1: doesn't like wearing her collar. And you don't know because 631 00:36:08,239 --> 00:36:10,560 Speaker 1: you never get me. We put a collar when we write, 632 00:36:10,600 --> 00:36:12,680 Speaker 1: when we put a collar and she didn't like it. 633 00:36:12,760 --> 00:36:14,960 Speaker 1: She keeps scratching it. She keep scratching her face. Don't 634 00:36:14,960 --> 00:36:16,560 Speaker 1: make it so tight and get a comfortable one. Yeah, 635 00:36:16,560 --> 00:36:19,160 Speaker 1: I get a nice one. How do you? We got 636 00:36:19,200 --> 00:36:21,960 Speaker 1: our nice one of Peco? What do you want? That's 637 00:36:21,960 --> 00:36:27,480 Speaker 1: where the pets go. That's right on air with Ryan Secrets. 638 00:36:30,880 --> 00:36:36,680 Speaker 1: All right, so emergency or Dane ship needed. Emergency or 639 00:36:36,840 --> 00:36:39,840 Speaker 1: Dane ship needed. So why do you why did you 640 00:36:39,880 --> 00:36:41,440 Speaker 1: wait to the last minute to get or Dane. First 641 00:36:41,480 --> 00:36:43,640 Speaker 1: of all, no, it's not the last minute. I was 642 00:36:43,840 --> 00:36:46,799 Speaker 1: just asked. I was just asked over the weekend by 643 00:36:46,880 --> 00:36:51,320 Speaker 1: my friends that are getting married to officiate their wedding. 644 00:36:52,080 --> 00:37:00,759 Speaker 1: So you become a totally different I'm here in such 645 00:37:00,840 --> 00:37:04,920 Speaker 1: positive spirit. First of all, poo poor and yeah, I 646 00:37:05,040 --> 00:37:07,440 Speaker 1: came to you guys, having you guys both officiated weddings. 647 00:37:07,800 --> 00:37:10,200 Speaker 1: I'm d Yeah, you are both of your dained. I 648 00:37:10,200 --> 00:37:13,120 Speaker 1: think it takes nothing. By the way it came to 649 00:37:13,200 --> 00:37:18,560 Speaker 1: me online. Yeah, good by it. Yeah. So why do 650 00:37:18,640 --> 00:37:22,920 Speaker 1: you say it's a bad idea, Tanya? It's just for me. 651 00:37:23,360 --> 00:37:26,600 Speaker 1: I felt as though there was. There's a lot that 652 00:37:26,680 --> 00:37:28,640 Speaker 1: goes into it that I don't think you realize until 653 00:37:28,680 --> 00:37:32,400 Speaker 1: you're in it, and everybody, everybody has a different opinion 654 00:37:32,440 --> 00:37:34,160 Speaker 1: of what they want and how they want you to 655 00:37:34,239 --> 00:37:36,239 Speaker 1: be and how they want you to perform. And then 656 00:37:36,320 --> 00:37:38,680 Speaker 1: you're you're thinking about everything. You don't enjoy the rehearsal dinner, 657 00:37:38,680 --> 00:37:40,239 Speaker 1: you don't really enjoy the wedding, until it's done and 658 00:37:40,280 --> 00:37:41,960 Speaker 1: you can get drunk. Well, because you thought it was 659 00:37:42,000 --> 00:37:44,960 Speaker 1: about you, it was about that, Yeah, but no, it's 660 00:37:44,960 --> 00:37:46,840 Speaker 1: not about you. If you mess up, it's on you. 661 00:37:47,040 --> 00:37:51,600 Speaker 1: It's their wedding days up. Your husband and wife kissed, 662 00:37:51,600 --> 00:37:56,919 Speaker 1: the bride invested, stomping on glass and the hoop. There's 663 00:37:56,920 --> 00:38:00,320 Speaker 1: like a lot involved with mine. That's very religious, but 664 00:38:00,640 --> 00:38:03,000 Speaker 1: we didn't. There's not that much. But we're gonna sit 665 00:38:03,040 --> 00:38:05,080 Speaker 1: downward of a meeting. We're gonna go through everything. I've 666 00:38:05,160 --> 00:38:08,799 Speaker 1: been married, so I already know the drill um. Well 667 00:38:09,080 --> 00:38:11,680 Speaker 1: here's the thing. So for me, it was like real easy. 668 00:38:12,120 --> 00:38:14,000 Speaker 1: They had like two sentences they wanted me to read 669 00:38:14,080 --> 00:38:16,880 Speaker 1: to them and that was done. Brian, there was no audience, 670 00:38:17,320 --> 00:38:26,640 Speaker 1: So audience there's about some and not thinking it was 671 00:38:26,680 --> 00:38:32,120 Speaker 1: about him. It was a small gig. That's why it's 672 00:38:32,120 --> 00:38:39,560 Speaker 1: not for me. That's the audience. Well, you're worried about 673 00:38:39,600 --> 00:38:42,680 Speaker 1: your performance, so technically you're performing in front of the audience. 674 00:38:42,760 --> 00:38:46,120 Speaker 1: I was more worried about my friend that was getting 675 00:38:46,160 --> 00:38:48,040 Speaker 1: married in her husband. I don't care about the audience. 676 00:38:48,040 --> 00:38:52,319 Speaker 1: I didn't come here with any worry. I was just excited. Now, 677 00:38:52,400 --> 00:38:55,640 Speaker 1: why did they ask you to do that. So I've 678 00:38:55,760 --> 00:38:58,680 Speaker 1: known them since the beginning of their relationship, and I've 679 00:38:58,760 --> 00:39:04,000 Speaker 1: known the groom since he was eighteen years old, and 680 00:39:04,400 --> 00:39:06,880 Speaker 1: so I feel like they said that I was one 681 00:39:06,880 --> 00:39:10,040 Speaker 1: of the closest people to them and their relationship and 682 00:39:10,080 --> 00:39:12,800 Speaker 1: then and they knew them very well basically, and so 683 00:39:13,200 --> 00:39:15,160 Speaker 1: when they told me I we all cried, like it 684 00:39:15,280 --> 00:39:17,840 Speaker 1: was very emotional and so touching, and I was honored 685 00:39:17,880 --> 00:39:19,400 Speaker 1: and I couldn't believe it. And I'm still kind of 686 00:39:19,440 --> 00:39:20,560 Speaker 1: been shocked that they asked me to do this. I 687 00:39:20,640 --> 00:39:23,200 Speaker 1: know it's a huge responsibility and I just want to 688 00:39:23,239 --> 00:39:27,400 Speaker 1: do it right, but apparently it's been I think you 689 00:39:27,480 --> 00:39:30,479 Speaker 1: should go with your positive gut on this and enjoy 690 00:39:30,520 --> 00:39:32,279 Speaker 1: it and you can get the certificate like you'd haven't 691 00:39:32,320 --> 00:39:34,360 Speaker 1: done by now and the weddings in May, so I 692 00:39:34,400 --> 00:39:36,640 Speaker 1: got time. So the past few weeks, there been a 693 00:39:36,719 --> 00:39:38,719 Speaker 1: lot of people visiting l A. People that have ever 694 00:39:38,800 --> 00:39:41,439 Speaker 1: been in l A are never explored l A because 695 00:39:41,480 --> 00:39:44,399 Speaker 1: the Super Bowl, and they stayed right So they went 696 00:39:44,520 --> 00:39:46,960 Speaker 1: to Monica, they went to the Observatory, they went to Glendale. 697 00:39:46,960 --> 00:39:48,640 Speaker 1: I went to a lot of different places. We saw 698 00:39:48,680 --> 00:39:50,480 Speaker 1: this in social media, but on social one of the 699 00:39:50,560 --> 00:39:54,239 Speaker 1: questions they had was, Hey, what's that super bright light 700 00:39:54,360 --> 00:39:58,439 Speaker 1: coming from downtown? And it isn't nice, especially if there's 701 00:39:58,480 --> 00:40:02,000 Speaker 1: some haze in the here that reflects it. There could 702 00:40:02,000 --> 00:40:04,759 Speaker 1: be a very bright light. Now, I drove by this 703 00:40:05,520 --> 00:40:07,560 Speaker 1: not too long ago, and I saw it in person. 704 00:40:07,680 --> 00:40:11,719 Speaker 1: I was so curious, and so I got off right 705 00:40:11,760 --> 00:40:14,040 Speaker 1: you know, you can pass on the freeway, got off 706 00:40:14,120 --> 00:40:16,120 Speaker 1: right there just to look up at it. It's massive 707 00:40:16,480 --> 00:40:19,120 Speaker 1: and it goes to all four sides. It's kind of cool. 708 00:40:20,080 --> 00:40:26,120 Speaker 1: So what what it is is it's a electronic billboard high. 709 00:40:26,960 --> 00:40:29,360 Speaker 1: It's on top of the reef, which is a media 710 00:40:29,400 --> 00:40:33,880 Speaker 1: production facility on Broadwayne, Washington. So yeah, how high? And 711 00:40:33,880 --> 00:40:36,720 Speaker 1: I think it's seven ft wide and it all fours. 712 00:40:37,400 --> 00:40:40,839 Speaker 1: So that's the thing. Because it's all fours and so big. 713 00:40:41,880 --> 00:40:44,200 Speaker 1: It's the largest billboard in the world because it once 714 00:40:44,239 --> 00:40:46,160 Speaker 1: in Times Square. Yeah, I was just gonna say, take 715 00:40:46,200 --> 00:40:49,080 Speaker 1: that New York. Yeah, only have one side to them. 716 00:40:49,880 --> 00:40:52,719 Speaker 1: This thing has four huge sides. You can see it 717 00:40:52,800 --> 00:40:57,080 Speaker 1: from the beach. That's so cool. I like, it is 718 00:40:57,200 --> 00:40:59,319 Speaker 1: so tall. Think about it. I saw seven ft man 719 00:40:59,440 --> 00:41:01,640 Speaker 1: the other day and he looked giant to me. How 720 00:41:01,680 --> 00:41:05,279 Speaker 1: do you know he was seven, I asked him, think 721 00:41:05,320 --> 00:41:07,680 Speaker 1: so yeah. I don't think so. Yeah, you don't think, 722 00:41:07,719 --> 00:41:12,080 Speaker 1: she asked him. I don't think that those are things 723 00:41:12,160 --> 00:41:15,080 Speaker 1: that you know, Why why bring attention? Oh? Do you 724 00:41:15,120 --> 00:41:18,719 Speaker 1: think he's like self conscious about it? M hmm. Do 725 00:41:18,800 --> 00:41:20,960 Speaker 1: you get annoyed and people ask how all you are? 726 00:41:21,040 --> 00:41:23,640 Speaker 1: Because of you? Yeah? I feel like we struck a 727 00:41:23,719 --> 00:41:28,520 Speaker 1: cord nine five nine. Not not concerned. I think it's 728 00:41:28,520 --> 00:41:30,840 Speaker 1: all good and fine, except for if you live nearby 729 00:41:30,960 --> 00:41:33,080 Speaker 1: and I think flashes into your apartment, Well maybe they 730 00:41:33,120 --> 00:41:35,600 Speaker 1: took that into consideration. I don't think so. I think 731 00:41:35,600 --> 00:41:39,279 Speaker 1: that's why people are complaining. Yeah, for sure, it's good 732 00:41:39,320 --> 00:41:41,040 Speaker 1: for some, not for others. But when you drive by, 733 00:41:41,160 --> 00:41:46,080 Speaker 1: it's like breathtaking, lee, large and flashy Air with Ryan Seacrest, 734 00:41:47,840 --> 00:41:50,160 Speaker 1: Let's go do it for us. We're rolling out. Tyler 735 00:41:50,239 --> 00:41:55,200 Speaker 1: Perry joins us tomorrow. Disneyland tickets and Ryan's all that 736 00:41:55,560 --> 00:41:58,520 Speaker 1: on your Thursday broadcast plus week your bills all day. 737 00:41:59,320 --> 00:42:02,120 Speaker 1: Thanks for listening to On Air with Ryan Seacrest. Make 738 00:42:02,120 --> 00:42:04,360 Speaker 1: sure to subscribe and we'll talk to you again tomorrow. 739 00:42:06,200 --> 00:42:06,239 Speaker 1: M