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Speaker 1: So I had a realization and came to a conclusion. Recently,

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Speaker 1: we have been doing our amazing live shows and touring

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Speaker 1: the country, and we also do conventions, and at a

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Speaker 1: lot of these places, we step off the plane and

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Speaker 1: we make it to baggage claim, and at baggage claim

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Speaker 1: there will be what they call like autograph hounds. They're

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Speaker 1: waiting for us. They're people who have headshots of us

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Speaker 1: or Funko pops or whatever it is they have that

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Speaker 1: they want us to sign, and they have a bunch

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Speaker 1: of them, usually like no more than I mean no

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Speaker 1: less than like three at a time, sometimes as many

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Speaker 1: as ten, and they'll try to get you to sign

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Speaker 1: as many of them as you want. And unlike a

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Speaker 1: normal fan or someone who you know I run into

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Speaker 1: out on the street somewhere or at a restaurant or

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Speaker 1: at the airport just randomly, these are not people I'm

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Speaker 1: casually bumping into. These are people who have followed our schedule,

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Speaker 1: known when when about we are flying in, and have

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Speaker 1: done some sort of research to figure out which flight

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Speaker 1: we are on, which airline we are on. Because they

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Speaker 1: were stitchings which hotel we're staying it. Well, that's what

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Speaker 1: happened recently. I walked in to check into one of

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Speaker 1: our hotels and Will was with me, and the woman

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Speaker 1: behind the desk said, Hi, just wanted to let you

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Speaker 1: know some people were calling asking for you here, and

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Speaker 1: it was not a family member of mine. Everybody would have,

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Speaker 1: you know, checked in with me on my cell phone.

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Speaker 1: But so they call around to hotels to figure out

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Speaker 1: if they can get information with about where you're staying,

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Speaker 1: and then they wait for you there. In the past,

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Speaker 1: I have kind of begrudgingly and maybe not with the

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Speaker 1: most friendly of attitudes. I have signed those pictures for people.

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Speaker 1: I'll sometimes even come right out and say, like, how

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Speaker 1: did you know I was going to be on Delta?

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Speaker 1: Like that? It just feels a little weird.

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Speaker 2: It feels a little itchy, but it's also I think

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Speaker 2: there's also usually you can tell that that they're doing

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Speaker 2: it for money. It's like a job. They're going because

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Speaker 2: they like your work, right, it's about it.

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Speaker 1: They aren't even kind to be honest most time.

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Speaker 2: Or even worse. I've had them be like I'm a

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Speaker 2: huge fan, and I'm like, are you because you have

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Speaker 2: like seventy photographs of me you've printed out along with

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Speaker 2: seventy other people, you know, like this is you're just okay,

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Speaker 2: it's a weird it's a weird interaction.

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Speaker 1: It's a weird interaction. And I've normally done it, and

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Speaker 1: you know, truthfully, when we go for conventions, they actually

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Speaker 1: tell us not to do it because the conventions spend

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Speaker 1: quite a bit of money. It's flying us out there

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Speaker 1: to you know, sign autographs for people who are going

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Speaker 1: to the event, and that's how the convention makes money.

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Speaker 1: So if we're just signing things for people when they've

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Speaker 1: decided to stand outside the airport, it loses money. So

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Speaker 1: they asked us not to do it. I have in

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Speaker 1: the past done it before this last time when people

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Speaker 1: were in our hotel. It was at the they had

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Speaker 1: called around figured out which hotel we were staying in,

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Speaker 1: and then at the end of our live show, it

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Speaker 1: was after it was around midnight, I walked into the

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Speaker 1: lobby of the hotel and they were just sitting in

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Speaker 1: the lobby of the hotel. And because they were sitting

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Speaker 1: in the lobby of the hotel, I thought they were

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Speaker 1: not autograph seekers. I thought they must be people who

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Speaker 1: were staying at the hotel. And I walked in just

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Speaker 1: very relaxed, and then they jumped up and ripped out

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Speaker 1: autographs and I just I said no. I said, I'm sorry, no,

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Speaker 1: this feels very weird to me. They were like blocking

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Speaker 1: my entrance to the elevator to get to my room,

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Speaker 1: and I hit a point. I'm not going to do

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Speaker 1: it anymore. I'm going to say no, and I'm going

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Speaker 1: to flat out tell them why I'm saying no. The

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Speaker 1: fact that I have continued to sign them is encouraging

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Speaker 1: the behavior. They know if they wait for us outside

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Speaker 1: the airport, we will sign them. Even if we say

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Speaker 1: this feels weird, we do do it. So I just

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Speaker 1: want everyone to know I am not going to do

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Speaker 1: it anymore, and I'm going to.

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Speaker 2: Say I'm kind of with you.

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Speaker 1: I argue, this feels invasive to me. It feels it

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Speaker 1: makes me uncomfortable, and it makes me feel unsafe. That

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Speaker 1: is absolutely how I feel, and I don't want to

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Speaker 1: encourage the behavior anymore. If I run into you anywhere anywhere,

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Speaker 1: that is random. This does not apply to true fans

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Speaker 1: of our show or the podcast or anything. If I

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Speaker 1: run into you, I want you to come up and

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Speaker 1: say hello. I want you to come up and give

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Speaker 1: me a hug, I will sign something for you. I

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Speaker 1: will take a selfie with you. Absolutely, But autograph seekers

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Speaker 1: who are kind of stalking our locations, waiting for us

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Speaker 1: outside of our hotels, or waiting for us at the

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Speaker 1: in baggage claim of airports, I'm no longer doing it.

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Speaker 1: It makes me feel very uncomfortable, and I don't want

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Speaker 1: to continue the I don't want to encourage the behavior.

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Speaker 2: So I thought it was funny.

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Speaker 3: We got into the hotel after the live show and

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Speaker 3: Danielle and I are walking in and all the autograph

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Speaker 3: hounds are there, and daniel disappear. It's like it was

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Speaker 3: like there was a Danielle shaped hole in the wall,

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Speaker 3: like she disappeared, and then it was just me by myself, Like, hey, Danielle,

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Speaker 3: were gonna, oh okay, I'm just here by myself.

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Speaker 1: Did you get to the left?

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Speaker 2: No, we were talking about the last hotel in Royal No.

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Speaker 3: I just went in the door and then I went

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Speaker 3: to the right where I didn't know what they were doing,

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Speaker 3: and then a bunch of people were like there and

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Speaker 3: then I always like, I'm I'm a people pleaser, so

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Speaker 3: I always like to just make people happy, and I

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Speaker 3: also hate confrontations, so I'm like and im.

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Speaker 2: And they play on that too, because I've had con

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Speaker 2: I've been waiting out of here for an hour, and

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Speaker 2: I didn't ask you too well.

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Speaker 3: Chicago's the worst because Chicago they buy tickets to the

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Speaker 3: flights and so they are waiting for you when you

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Speaker 3: get off of your plane.

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Speaker 1: They're not even in the actually ticket they don't use.

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Speaker 2: They do.

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Speaker 3: And there was so the last time I went for

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Speaker 3: C two E two, which is a wonderful convention, there

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Speaker 3: was maybe not exaggerating, ten people waiting when I got

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Speaker 3: off the plane, and both there all their arms on

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Speaker 3: both sides were filled with batterings on one side and

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Speaker 3: then bat masks on the other side, which they wanted

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Speaker 3: to me. And I must have signed one hundred and

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Speaker 3: fifty autographs five feet off.

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Speaker 2: Of the plane, which makes a lot of money for me,

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Speaker 2: it does.

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Speaker 3: And after a while, and then the thing was I

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Speaker 3: was flying home, like I ended up staying in Chicago

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Speaker 3: extra days and then flying home two days later to Connecticut,

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Speaker 3: not even back to la and they were waiting at

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Speaker 3: my Connecticut flight at eleven o'clock at night.

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Speaker 2: Yeah, they And I was like, how did you even

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Speaker 2: know I was doing.

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Speaker 1: I don't know this. I've only had it proven once

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Speaker 1: where when I was dating Lance, someone knew that Lance

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Speaker 1: and I were taking a flight to Mississippi on like

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Speaker 1: you know, when we went around Christmas. And I don't

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Speaker 1: remember how I found out, but I found out because

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Speaker 1: one of the girl's moms worked for Delta and actually

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Speaker 1: just told her daughter that our names were in the

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Speaker 1: system for this particular flight. And I suspect there there

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Speaker 1: is somebody on the inside of the airlines who either

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Speaker 1: gets a cut of these autographs that they make or

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Speaker 1: or just enjoys giving these tips. But that tells people

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Speaker 1: when and where we're coming from. So I don't want

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Speaker 1: it to be a surprise to anyone. And you, obviously

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Speaker 1: will and writer are allowed to do whatever you'd like.

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Speaker 1: I have just made a decision for myself. It will

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Speaker 1: make me feel better to say it out loud. I

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Speaker 1: also don't enjoy confrontation. I don't like to let people down,

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Speaker 1: but I am not going to do it anymore. It

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Speaker 1: makes me what.

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Speaker 2: About what about like outside of a live show, like

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Speaker 2: when we just walk out of the theater, because I

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Speaker 2: feel weird about that because we've done meet and greets. Like,

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Speaker 2: the whole point is that we've said, this is the

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Speaker 2: time if you want to meet us, if you want

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Speaker 2: to take a picture with us, and we will do

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Speaker 2: this at a certain time, and we allow a certain

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Speaker 2: amount of tickets, and when that time is over, I

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Speaker 2: want to go home, like I wanted to show the

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Speaker 2: people that paid to be there. That's the other thing

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Speaker 2: is it feels like, you know, and and then for

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Speaker 2: these people, they're not really fans, they're just this is

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Speaker 2: just like the way to make money for them. Yeah.

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Speaker 2: I mean, I've always had the rule that I would

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Speaker 2: only sign one per person and that sort of you know,

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Speaker 2: and then they still give me crap about that. I'd

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Speaker 2: also be like, come on, just three more, you know,

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Speaker 2: and I end up feeling bad because I am a

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Speaker 2: people pleaser too, and I'm like, I'm with you, Danielle.

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Speaker 2: I kind of feel like, just say, if you.

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Speaker 3: Both decide to say no, I won't I won't sign

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Speaker 3: to me either, because then you're like, you're then looking cool,

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Speaker 3: while the other two people you're with in the show

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Speaker 3: kind of looked like jerks. And I would never do that.

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Speaker 3: So if the two of you are like, we're not signing,

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Speaker 3: then I will stand in solidarity and also say that

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Speaker 3: I won't sign.

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Speaker 2: I think that's the fair way to do it.

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Speaker 1: It absolutely makes me feel uncomfortable. I feel violated. When

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Speaker 1: those people were inside the lobby of our hotel somewhat blocking, but.

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Speaker 2: They found my van. Guys, they found my van because

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Speaker 2: you because Jensen, we took a photo when you first

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Speaker 2: met each other in Minneapolis. We all took a photo

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Speaker 2: outside of the van and it showed on Instagram it

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Speaker 2: that it said the street name in the background. And

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Speaker 2: so they were waiting at my van when I went

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Speaker 2: back with my family to go back after we after

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Speaker 2: we after, and I was like whoa. And then they

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Speaker 2: followed me because I said no got on my van

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Speaker 2: because I was like with my son and my wife,

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Speaker 2: I'm like no, no, no, this is I am not on that.

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Speaker 2: And then they followed us to the hotel and pounced

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Speaker 2: there and I.

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Speaker 3: Was, oh, man, yeah, we had people at all the

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Speaker 3: hotels too, And again it's it's it's it is. It's

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Speaker 3: such a strange dichotomy because true fans, like the fans

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Speaker 3: are the best, yes, and we've now we would never

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Speaker 3: say no to a fan coming up being like, can

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Speaker 3: I take a selfie with you?

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Speaker 2: Oh my god, I'm a huge fan of the show.

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Speaker 2: We would never say no.

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Speaker 1: Who were doing that? Who are actually doing the stalking material?

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Speaker 2: Are there the autograph secret?

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Speaker 3: Yeah?

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Speaker 1: So anyway, stand with you during pre show chatter. But

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Speaker 1: I did have to say it because again going with

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Speaker 1: for the people pleaserness, I don't I don't want anybody

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Speaker 1: to be surprised. Surprises are out.

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Speaker 3: Done done so and I didn't know that whole thing

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Speaker 3: about you and Lance and like that somebody at Delta

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Speaker 3: was there.

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Speaker 1: That's great, So I suspect that's not like the only

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Speaker 1: time that's happen. And by the way, if they ever

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Speaker 1: got caught, they would be in.

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Speaker 2: Oh I'm sure that I's fired. Yeah, yeah, so much trouble.

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Speaker 1: Yeah, welcome to Pod Meets World. I'm Danielle no autograficial

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Speaker 1: right or.

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Speaker 2: Strong, and I'm wilfredll.

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Speaker 1: Orlando. In less than a week, we are going to

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Speaker 1: be in your city. We cannot wait. Tony Quinn is

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Speaker 1: joining us. Also, if you haven't heard, we just announced

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Speaker 1: ten additional city stops, So check out Podmeets worldshow dot

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Speaker 1: com so you can see all the cities and we

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Speaker 1: have less than one hundred tickets left for Orlando in

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Speaker 1: less than a week. We're going to be there. See

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Speaker 1: you then. Welcome to this episode of Pod Meets World.

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Speaker 1: We are recapping Season three, episode nine, The Last Temptation

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Speaker 1: of Corey. It originally aired December first, nineteen ninety five.

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Speaker 1: The synopsis is that Corey starts to enjoy all the

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Speaker 1: attention he gets from a girls now that he and

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Speaker 1: Tapanga are an item. However, things get a little out

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Speaker 1: of hand when Missy Robinson kisses him at a party. Meanwhile,

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Speaker 1: Eric buys some baseball memorabilia hoping to make a fortune,

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Speaker 1: and Feene preps for a charity walkathon. It was directed

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Speaker 1: by David Traynor. It was written by Susan Myers and

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Speaker 1: Judy Tole.

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Speaker 2: Judy was one of our staff writers.

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Speaker 3: She was an absolutely wonderful woman, a great writer and

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Speaker 3: incredible comedian and has since passed away. I think she

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Speaker 3: had I think she had skin cancer. She was good

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Speaker 3: friends with a lot of incredible comedians. She ended up

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Speaker 3: being on I want to say it was Curby Your

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Speaker 3: Enthusiasm or one of these other shows. I mean. She

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Speaker 3: was like a legit stand up and writer and was

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Speaker 3: like and absolutely she was. She and I used to

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Speaker 3: sit and talk all the time. She was really wonderful.

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Speaker 3: And I found out years later I was doing a.

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Speaker 2: Show called go Fish. I think it was GoFish, I

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Speaker 2: forget no excuse me.

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Speaker 3: I did a pilot called Jack's House and the I

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Speaker 3: walked into the producer's house and she had a picture

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Speaker 3: of her with Judy and I was like, oh, you know, Judy,

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Speaker 3: when's the last time you talked to her? And She's like,

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Speaker 3: she passed away several years ago, and I had no idea.

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Speaker 3: It was really sad. So, yeah, she was Judy told

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Speaker 3: was awesome. She was with us for a while. Yeah,

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Speaker 3: she was great.

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Speaker 1: Yeah she Will. She had a Sex in the City

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Speaker 1: episode dedicated in her name as well, and she did

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Speaker 1: appear on Curb and she wrote for Sex and the Cities.

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Speaker 2: Yeah, she was really funny, like legitimately, she.

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Speaker 3: Was really she was. One of her best friends was

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Speaker 3: Kathy Griffin. Oh wow, so yeah they were. They were

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Speaker 3: together quite a bit.

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Speaker 1: This episode is some guest stars Elizabeth Harnwaugh as Missy Robinson,

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Speaker 1: best known as Will's co star and the infamous My

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Speaker 1: Date with the President's.

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Speaker 2: Not familiar with her her work. No, no at all.

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Speaker 1: You don't know her.

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Speaker 2: I don't. I never knew this connection. Really, I've never

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Speaker 2: seen my date with the President's daughter and so yeah,

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Speaker 2: I was texting with Jensen earlier and he mentioned that.

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Speaker 2: I was like, whoa, Oh, I didn't know that. So

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Speaker 2: you've never seen my date with President's daughter either of us.

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Speaker 3: What. No, I've also never seen double I've seen I've

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Speaker 3: seen all your work because I love you guys.

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Speaker 2: Yeah, because we were required to for Podme's World. No,

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Speaker 2: I've seen Time Switch. You had. Of course, I'd seen

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Speaker 2: Summertimes Switch several times. I had seen it several times.

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Speaker 3: I am the vice president of the Southern California Summer

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Speaker 3: or Summertime Switch Fan Club.

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Speaker 2: I'm not president, I'm vice president. And and yes, I've

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Speaker 2: seen all your work. So whatever.

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Speaker 1: Well. She would also go on to be Morgan Brody

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Speaker 1: on over eighty episodes of CSI, and then Lindsay McKeon

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Speaker 1: as Libby Harper. She was later a lead on Saved

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Speaker 1: by the Bell The New Class as Katie Peterson, and

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Speaker 1: then we have the Return of And.

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Speaker 2: She came back. She came back. Lindsay came back for

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Speaker 2: the first Girlfriends Club, which is when Sean gets handcuffed

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Speaker 2: to the thing by the ex girlfriends. So she's like

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Speaker 2: one of Sean's ex's kind of randomly, but she's great.

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Speaker 2: I remember because we saw her at at X whenever

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Speaker 2: we did that years ago, and she was there, I

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Speaker 2: guess maybe because of Saved by the Bell or something,

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Speaker 2: and and I was with Michael Jacobs.

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Speaker 3: We were like, hey, that's she played Libby and we

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Speaker 3: were like, she wasn't a friend of yours for some reason.

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Speaker 3: I thought she was like a friend of yours in

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Speaker 3: personal life writer, like, for some reason, I didn't know

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Speaker 3: she was part of your crowd or.

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Speaker 2: Something like that. No, well, it was funny because when

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Speaker 2: I saw her at ATX, we like hung out and

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Speaker 2: we bonded and like, yeah, we got along. I don't

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Speaker 2: remember if we hung out back. I might have been

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Speaker 2: confusing with somebody else. Yeah, no, but but I definitely

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Speaker 2: remember her and we got along great. And when I

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Speaker 2: saw her ATX it was so cool to catch up

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Speaker 2: with her. But I haven't seen her since then. That

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Speaker 2: was what twenty thirteen something like that, So I haven't

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Speaker 2: seen her since we got to get her on the show.

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Speaker 1: Yeah, and then we have Brittany Murphy as Trainy. This

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Speaker 1: is her second and final appearance on the show. And

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Speaker 1: we have Andrew Margerian as the voice of Bagwell Bill

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Speaker 1: Stratton as announcer. He had a long career here in

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Speaker 1: la is the voice of the Rams and just about

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Speaker 1: every sports talk station the city ever had, which I'm

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Speaker 1: sure writers very familiar with. Not only does he love

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Speaker 1: sports ball, but he loves sports rat.

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Speaker 2: Oh, It's like his favorite thing ever.

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Speaker 1: Yeah, and then we jump into our recap. We're in

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Speaker 1: the school hallway. Corey is on the phone with Tapanga,

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Speaker 1: who is sick at home, and she says she'll be

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Speaker 1: back by Monday. Corey says that Tapanga said she'd never

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Speaker 1: get sick as long as she was taking that trout fluid.

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Speaker 1: Topanga corrects him.

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Speaker 2: Then my first thought was to Danielle have finals this week?

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Speaker 1: I ride on here. I apparently had.

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Speaker 3: Finally, it's also perfectly coft, hair, wonderful and sitting up

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Speaker 3: in bed, it's like, yeah, nothing sick.

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Speaker 2: I think you. Also, I think that we shot this

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Speaker 2: right after the first episode of the season. Your tan uh.

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Speaker 2: Brittany was in it. Yeah, she did two episodes back

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Speaker 2: to back. If I remember, and we used the Topanga's bedroomsroom,

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Speaker 2: which is my hair left hair. Yeah, so I think

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Speaker 2: this was shot. This was the second episode we shot

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Speaker 2: of the season.

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Speaker 1: Okay, yeah, that makes sense. Also my room, I don't

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Speaker 1: know if you guys noticed, but there is a I

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Speaker 1: at number four behind my head on top of some pictures,

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Speaker 1: a full collage of really beautiful women and some men,

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Speaker 1: and these look like maybe they're my victims and I'm

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Speaker 1: a serial killer. It's the weirdest wall collage it is.

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Speaker 1: It looks like I've been collecting pictures of women whose

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Speaker 1: haircut I want, because there are like it's a bunch

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Speaker 1: of close ups of really attractive women with like great

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Speaker 1: shorter hair, and then there's like some pictures of couples

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Speaker 1: on there, and then just a number four.

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Speaker 2: Okay, so you went with you being the serial killer.

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Speaker 3: What if you're the only one that can solve the crime, right,

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Speaker 3: maybe you're like more the detective and you're like nobody's

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Speaker 3: put these things together.

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Speaker 2: Panga's on it to pang is on it.

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Speaker 1: Okay, that makes more sense because it doesn't seem like

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Speaker 1: she'd be a serial killer.

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Speaker 2: She's like she's going to catch Yeah.

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Speaker 1: She sure will, so Corey says he'll call her after

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Speaker 1: his next period and then calls her topy. Everyone in

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Speaker 1: the hallway OWZ and Coryell's drop dead We're in love,

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Speaker 1: and then Sean clears it up that he doesn't mean

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Speaker 1: the two.

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Speaker 2: Of them panic John Panick.

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Speaker 3: You know what, that is actually out of character for

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Speaker 3: boy because they never they never referenced Sean being uncomfortable

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Speaker 3: with anybody thinking that.

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Speaker 2: In fact, that other episode, I guess it was from

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Speaker 2: second season, that was what kiss I was like the hand, well,

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Speaker 2: your hand feels big, cares He never cared about that. No,

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Speaker 2: it's such a it's such a dumb joke a character.

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Speaker 1: So Corey says he's not embarrassed about being in love

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Speaker 1: because they do everything together. And then Libby Harper comes

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Speaker 1: up to Corey and complements his shirt and he responds

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Speaker 1: that under it, he's half naked.

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Speaker 2: Sean says a callback to like, we've done that joke.

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Speaker 1: Ross episode right. We love that idea. We love it

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Speaker 1: that under your clothes you're naked. It's very funny, very

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Speaker 1: funny about it. Writers. Sean says Corey was flirting with

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Speaker 1: Libby Harper, but Corey says he was just being nice

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Speaker 1: and girls like Libby don't flirt with him. Sean says

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Speaker 1: women are watching Corey because he has the scent. Corey

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Speaker 1: asks what the scent is, and Sean says, it's the

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Speaker 1: scent of being unavailable and virgo they want him. A

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Speaker 1: very funny joke.

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Speaker 3: Yeah, I'm sorry, very very briefly, because I've heard this

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Speaker 3: is the case and it never happened to me.

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Speaker 2: Writer, did you notice women hitting on you more when

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Speaker 2: you put on a wedding ring? Yeah? You did.

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Speaker 3: I never nothing, There's been no change. I didn't get

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Speaker 3: hit on before, I don't get hit on now.

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Speaker 2: I don't know if it was like so obvious, but like,

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Speaker 2: I've definitely noticed in my life that when I'm in

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Speaker 2: a relationship, women are more comfortable and flirty in general. Like,

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Speaker 2: whenever I'm like really alone and sad and wanting women

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Speaker 2: to hit on me, it doesn't happen. Let me put

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Speaker 2: it that way, right, Okay.

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Speaker 1: I think maybe be alone and sad to do with

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Speaker 1: the partnered up factor.

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Speaker 2: It's the not taking care of yourself.

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Speaker 1: Sad and desperate women turns them when you're happy. Women

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Speaker 1: actually being attracted to so that's right.

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Speaker 2: Yeah, I mean that's it's really it's it's so dumb

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Speaker 2: to make it about like how women can sense that

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Speaker 2: you're in a relationship. The truth is you're just comfortable

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Speaker 2: and you're happy, and you're like quit the wedding ring,

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Speaker 2: like they see that. There's I mean I did for

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Speaker 2: a few years for a while, so I did. But yeah, no,

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Speaker 2: I don't think it was ever because of that, Like,

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Speaker 2: but I definitely have noticed that, like I'm more comfortable

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Speaker 2: around women, and women more comfortable around you when you're

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Speaker 2: not desperately trying to hit on them. Well, yeah, of

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Speaker 2: course feels better.

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Speaker 3: You're already taken, so it's like that nothing could happen

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Speaker 3: from this, so you're just kind of talking.

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Speaker 1: Yeah, right, interesting, Corey says, it's not like Missy Robinson

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Speaker 1: is just going to come flirt with him. And then,

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Speaker 1: wouldn't you know it, Missy Robinson comes up to him

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Speaker 1: and asks if he knows what time the sun sets.

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Speaker 1: It's six fifty two, in case you were wondering. Corey

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Speaker 1: gets nervous and looks to Shane, and then we're in

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Speaker 1: Phoenie's classroom. Sean whispers to Corey that Missy is into

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Speaker 1: Panga's seat. Corey shushes Sean as he's trying to pay attention,

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Speaker 1: but Phoene calls out Corey to explain what he was saying.

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Speaker 1: Corey has no idea. Phoene then calls on Sean, who

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Speaker 1: says Franklin Roosevelt in the New Deal. Phoene grabs his

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Speaker 1: chest in shock and says, dear Lord, he's right. Sean

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Speaker 1: explains that's been his answer for two years, sooner or

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Speaker 1: later it had to pay off.

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Speaker 2: It's a great beat, great beat. Did you guys notice too?

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Speaker 2: This is like maybe the only time this has happened

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Speaker 2: in the history of Boyby's world. There is Phoenie a

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Speaker 2: hubbub going on at the beginning of the scene. Like, so,

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Speaker 2: while I'm talking to Corey, he's getting here. Yes, Yeah,

435
00:20:40,920 --> 00:20:44,960
Speaker 2: it's like they recorded bill generic hubbub hubbub And it's

436
00:20:45,000 --> 00:20:47,159
Speaker 2: like that never happens in our show. It's usually like

437
00:20:47,200 --> 00:20:49,360
Speaker 2: if the teacher's talking, they're just off camera, we don't

438
00:20:49,400 --> 00:20:52,000
Speaker 2: hear them at all. But for whatever reason this episode,

439
00:20:52,080 --> 00:20:55,040
Speaker 2: they decided to record some Phoenie dialogue.

440
00:20:55,080 --> 00:20:58,240
Speaker 1: He tality, yeah, a little bit over reality.

441
00:20:58,240 --> 00:21:00,000
Speaker 2: I love seeing Phoenie at the front of the class.

442
00:21:00,119 --> 00:21:02,359
Speaker 2: I know, every time I see it, it just brings

443
00:21:02,400 --> 00:21:05,479
Speaker 2: me right back. It's wonderful. It's where he belongs. I

444
00:21:05,480 --> 00:21:05,840
Speaker 2: love it.

445
00:21:05,840 --> 00:21:08,040
Speaker 1: It is a really comfortable feeling to see him up there.

446
00:21:08,200 --> 00:21:10,399
Speaker 2: We have actually not had that many classroom scenes this

447
00:21:10,480 --> 00:21:12,600
Speaker 2: whole season, I know, like we haven't had one of

448
00:21:12,640 --> 00:21:13,639
Speaker 2: mister Turner scenes.

449
00:21:14,200 --> 00:21:16,679
Speaker 3: There's been a lot of classroom scenes, but not a

450
00:21:16,680 --> 00:21:18,600
Speaker 3: lot of classroom teaching scenes.

451
00:21:18,600 --> 00:21:18,919
Speaker 2: Correct.

452
00:21:18,960 --> 00:21:21,880
Speaker 3: It's like walking in and having a scene about something

453
00:21:21,960 --> 00:21:23,640
Speaker 3: or walking in the hallway and it's.

454
00:21:23,480 --> 00:21:25,760
Speaker 2: Not like sitting there and learning a lesson. You don't, right,

455
00:21:25,840 --> 00:21:28,679
Speaker 2: The integration of like the book into that that is

456
00:21:28,720 --> 00:21:31,479
Speaker 2: really first and second season. Yeah, it's starting related all

457
00:21:31,560 --> 00:21:33,840
Speaker 2: by the wayside. Yeah, it absolutely yeah.

458
00:21:33,640 --> 00:21:33,800
Speaker 3: Yeah.

459
00:21:33,880 --> 00:21:36,159
Speaker 1: As class ends, Phoenie says everyone needs to pick a

460
00:21:36,200 --> 00:21:39,560
Speaker 1: partner for their next assignment. Naturally, Corey and Sean partner up.

461
00:21:39,720 --> 00:21:42,640
Speaker 1: Phoene stops them and tells them to spread the wealth.

462
00:21:43,160 --> 00:21:45,000
Speaker 1: Sean says he has to do the project with his

463
00:21:45,040 --> 00:21:47,159
Speaker 1: best friend until a girl asks him to partner up

464
00:21:47,160 --> 00:21:51,440
Speaker 1: and Sean immediately ditches him for her. And then Trieny

465
00:21:51,680 --> 00:21:55,840
Speaker 1: aka Brittany Murphy comes up to Corey saying tapanga is

466
00:21:55,960 --> 00:21:58,320
Speaker 1: always her partner, and there are very few people who

467
00:21:58,400 --> 00:22:01,280
Speaker 1: understand her. Triney says she can call to Panga at

468
00:22:01,280 --> 00:22:03,480
Speaker 1: three in the morning and without saying a word to

469
00:22:03,520 --> 00:22:04,439
Speaker 1: Panga knows it's her.

470
00:22:04,840 --> 00:22:08,880
Speaker 2: She's so good, She's so good. I don't love this

471
00:22:08,920 --> 00:22:12,199
Speaker 2: scene though, I was something really Oh, I wanted her

472
00:22:12,280 --> 00:22:14,600
Speaker 2: to be quirkier. Yeah, I mean, well, like what she's

473
00:22:14,600 --> 00:22:16,399
Speaker 2: saying is funny, Like I love the joke of like

474
00:22:16,440 --> 00:22:19,040
Speaker 2: I call you know, but like as a I don't know.

475
00:22:19,119 --> 00:22:21,720
Speaker 2: I just I thought maybe she should be like eating

476
00:22:21,760 --> 00:22:24,720
Speaker 2: something or drinking something or doing something. But she's like

477
00:22:24,920 --> 00:22:28,200
Speaker 2: move constantly moving her body, and it's like, that's great.

478
00:22:28,400 --> 00:22:31,119
Speaker 1: I think you're constantly What you're bumping against is the

479
00:22:31,160 --> 00:22:33,720
Speaker 1: fact that the last time we saw Trainy he was

480
00:22:33,760 --> 00:22:36,359
Speaker 1: actually on a date with her, and there was none

481
00:22:36,400 --> 00:22:38,679
Speaker 1: of you didn't pick up at all that he found

482
00:22:38,680 --> 00:22:40,919
Speaker 1: her annoying. You you didn't get that he had a

483
00:22:40,920 --> 00:22:43,120
Speaker 1: crush on her or anything, but there wasn't any sort

484
00:22:43,160 --> 00:22:47,920
Speaker 1: of the Janitor bud Feeney relationship. Yes, I wanted her

485
00:22:48,040 --> 00:22:50,520
Speaker 1: to be weirder or to go on for too long

486
00:22:50,600 --> 00:22:54,320
Speaker 1: yet annoying, so that we can see him become annoyed

487
00:22:54,640 --> 00:22:56,880
Speaker 1: instead of him just going I'm annoyed with her all

488
00:22:56,920 --> 00:22:58,320
Speaker 1: the time, and I was being like, oh, I'm sorry,

489
00:22:58,359 --> 00:23:00,600
Speaker 1: I didn't know that about your relationship. But feel like

490
00:23:00,960 --> 00:23:03,280
Speaker 1: they told us something about the relationship we missed but

491
00:23:03,280 --> 00:23:03,720
Speaker 1: we didn't.

492
00:23:04,080 --> 00:23:05,800
Speaker 2: It also feels like Corey's kind of mean.

493
00:23:05,800 --> 00:23:09,240
Speaker 1: Look exactly what it is because we don't there. I

494
00:23:09,240 --> 00:23:11,199
Speaker 1: would have loved for her to have a bunch of

495
00:23:11,280 --> 00:23:14,600
Speaker 1: examples about like where if she if Triney could have

496
00:23:14,600 --> 00:23:16,840
Speaker 1: been more like young Danielle, let me ask you a question,

497
00:23:16,840 --> 00:23:18,640
Speaker 1: because here are my answers, and then just not shut

498
00:23:18,720 --> 00:23:20,720
Speaker 1: up for like three minutes, and for him to be

499
00:23:20,800 --> 00:23:23,600
Speaker 1: like trying to leave the whole time she's talking. I

500
00:23:23,960 --> 00:23:26,159
Speaker 1: would love her, so, I mean, trust Oh I'm not

501
00:23:26,960 --> 00:23:29,119
Speaker 1: I'm not gonna give Brittany Murphya. No, she's great. It

502
00:23:29,160 --> 00:23:30,080
Speaker 1: was more about the writing.

503
00:23:30,200 --> 00:23:31,800
Speaker 2: It's more about the writing to me too, Yeah, it's

504
00:23:31,800 --> 00:23:32,840
Speaker 2: about the character setup.

505
00:23:32,840 --> 00:23:35,159
Speaker 1: It's because she's wonderful. I mean later, when she's in

506
00:23:35,200 --> 00:23:36,919
Speaker 1: the bedroom and she does that thing where she's like,

507
00:23:36,920 --> 00:23:39,080
Speaker 1: I'm gonna stay for only one more hour. No nobody

508
00:23:39,119 --> 00:23:43,320
Speaker 1: gets it's such a great So Triny hints that she

509
00:23:43,359 --> 00:23:45,560
Speaker 1: wants to be Corey's partner, but he ignores her and

510
00:23:45,600 --> 00:23:47,640
Speaker 1: walks out of the class. As he walks out into

511
00:23:47,680 --> 00:23:50,159
Speaker 1: the hallway, Missy stops him to ask him to be

512
00:23:50,240 --> 00:23:53,320
Speaker 1: her partner. Corey says he's going to do the project solo,

513
00:23:53,440 --> 00:23:56,280
Speaker 1: and but Missy is still flirting and calls Corey funny

514
00:23:56,320 --> 00:23:58,399
Speaker 1: and cute, and I just like to point out that

515
00:23:58,880 --> 00:24:02,800
Speaker 1: Corey is doing the right ish thing here. He's suspected

516
00:24:02,800 --> 00:24:06,399
Speaker 1: miss he's flirting with him. He says, no, I'm not

517
00:24:06,400 --> 00:24:08,840
Speaker 1: going to be your partner. I'm gonna put this this

518
00:24:08,960 --> 00:24:09,960
Speaker 1: boundary here and I'm.

519
00:24:09,800 --> 00:24:11,120
Speaker 2: Going to say the last time.

520
00:24:13,480 --> 00:24:15,960
Speaker 1: Right, But we'll talk about that. So he doesn't.

521
00:24:16,840 --> 00:24:19,000
Speaker 2: He says, I do like This is also the only

522
00:24:19,080 --> 00:24:22,200
Speaker 2: moment where there's any indication of why she might like him,

523
00:24:22,440 --> 00:24:24,320
Speaker 2: which is kind of nice, like it would be I

524
00:24:24,400 --> 00:24:27,159
Speaker 2: would I would appreciate this episode a lot more if

525
00:24:27,240 --> 00:24:31,480
Speaker 2: Corey or innocently was awesome to her in some way

526
00:24:31,640 --> 00:24:34,520
Speaker 2: instead of just It seems like a lot of this

527
00:24:34,600 --> 00:24:37,640
Speaker 2: episode is reconfirming this notion of the scent, like we're

528
00:24:37,640 --> 00:24:41,520
Speaker 2: correct talking about without any rationalization of like what she

529
00:24:41,760 --> 00:24:43,520
Speaker 2: is interested in about Corey.

530
00:24:43,760 --> 00:24:48,040
Speaker 1: No, Like the implication is that women want men who

531
00:24:48,080 --> 00:24:51,680
Speaker 1: are taken because they're taken and some and that makes

532
00:24:51,680 --> 00:24:54,239
Speaker 1: them feel better about themselves that they were able to

533
00:24:54,359 --> 00:24:55,680
Speaker 1: steal a taken man.

534
00:24:56,000 --> 00:24:56,200
Speaker 2: Right.

535
00:24:56,200 --> 00:25:01,040
Speaker 3: It's also there's it's it's it's the stereotypical woman showing

536
00:25:01,160 --> 00:25:04,879
Speaker 3: disrespect to another woman, like not caring that she's in

537
00:25:04,920 --> 00:25:06,040
Speaker 3: a relationship and I don't.

538
00:25:05,920 --> 00:25:07,359
Speaker 2: Care, and it's kind of it's like, Okay, I get

539
00:25:07,400 --> 00:25:09,399
Speaker 2: where you're going. But it would have been so easy

540
00:25:09,440 --> 00:25:13,159
Speaker 2: to make give her a really strong reason to like Corey, right,

541
00:25:13,200 --> 00:25:15,679
Speaker 2: Like Corey is a funny guy. He's cute in his

542
00:25:15,680 --> 00:25:17,800
Speaker 2: own way, and like he and the fact that he

543
00:25:17,880 --> 00:25:20,800
Speaker 2: thinks of himself as unpopular and average, which we've clearly

544
00:25:20,880 --> 00:25:24,199
Speaker 2: established from season one, is such a great thing for

545
00:25:24,320 --> 00:25:28,200
Speaker 2: him to to just appreciate somebody thinking he's cool or funny,

546
00:25:28,240 --> 00:25:32,399
Speaker 2: you know, Like Corey would so easily fall into of

547
00:25:32,440 --> 00:25:36,360
Speaker 2: her situation like this if if a girl really did

548
00:25:36,400 --> 00:25:38,159
Speaker 2: like him, I really did think he was. But instead

549
00:25:38,200 --> 00:25:41,040
Speaker 2: she is like after this scene, after this couple lines,

550
00:25:41,280 --> 00:25:44,240
Speaker 2: she is just on like seduction track, and it kind

551
00:25:44,240 --> 00:25:48,960
Speaker 2: of is psychopathic. It's like, what is the motivation here?

552
00:25:49,000 --> 00:25:50,080
Speaker 2: What does she want from him?

553
00:25:50,119 --> 00:25:54,119
Speaker 3: Other than like so is she also just trying to

554
00:25:54,320 --> 00:25:56,240
Speaker 3: break up Corey into Panga.

555
00:25:56,320 --> 00:25:57,240
Speaker 2: That's the point.

556
00:25:57,359 --> 00:25:59,800
Speaker 1: He wants Corey, whether it's for a long time or not,

557
00:26:00,040 --> 00:26:00,640
Speaker 1: he just wants.

558
00:26:00,960 --> 00:26:03,120
Speaker 2: But we don't know what. Yeah, we don't really know why,

559
00:26:03,280 --> 00:26:05,280
Speaker 2: which is which I guess maybe is enough of an explanation.

560
00:26:05,400 --> 00:26:07,879
Speaker 2: She just thinks Corey is hot. But I thought it

561
00:26:07,880 --> 00:26:10,639
Speaker 2: would be cooler if if there was like a little

562
00:26:10,680 --> 00:26:11,960
Speaker 2: just a little bit more of a reason. Like he

563
00:26:12,000 --> 00:26:13,960
Speaker 2: said something in class, he says something here that.

564
00:26:14,040 --> 00:26:15,440
Speaker 3: Well, what you said it should have been what you

565
00:26:15,480 --> 00:26:17,359
Speaker 3: said at the beginning, which is and Sean should have

566
00:26:17,359 --> 00:26:18,040
Speaker 3: been the one to explain.

567
00:26:18,080 --> 00:26:19,880
Speaker 2: It's like, now that you're in a relationship.

568
00:26:19,440 --> 00:26:22,800
Speaker 3: You're comfortable and relaxed your hold, You're easier to be around.

569
00:26:22,880 --> 00:26:26,360
Speaker 2: You don't not awkward, like when she fell on your face, like.

570
00:26:26,320 --> 00:26:28,400
Speaker 1: Something like that when she came up to him and said,

571
00:26:28,400 --> 00:26:29,840
Speaker 1: do you know when the sun sets? If? He had

572
00:26:29,840 --> 00:26:32,680
Speaker 1: a witty response back to it, and and she giggled

573
00:26:32,680 --> 00:26:37,879
Speaker 1: and was like, you're so funny if a little yeah, yeah,

574
00:26:37,920 --> 00:26:40,280
Speaker 1: so I agree with you. So Cory says he's going

575
00:26:40,320 --> 00:26:42,439
Speaker 1: to do the project solo. Then Feoemi walks by with

576
00:26:42,480 --> 00:26:44,560
Speaker 1: Triney and says she still needs a partner, but Corey

577
00:26:44,600 --> 00:26:45,480
Speaker 1: says he's the.

578
00:26:45,400 --> 00:26:48,760
Speaker 2: Way he's holding her, She's just this like wild animal

579
00:26:49,320 --> 00:26:51,400
Speaker 2: that he caught and it has to keep away from her.

580
00:26:52,359 --> 00:26:53,200
Speaker 2: Oh god.

581
00:26:53,320 --> 00:26:55,280
Speaker 1: He puts his arm around Missy to avoid having to

582
00:26:55,280 --> 00:26:58,840
Speaker 1: work with Trainey, and Missy says Corey's girlfriend Topo Gigio,

583
00:26:58,920 --> 00:27:01,440
Speaker 1: won't mind, and when Corey corrects her that her name

584
00:27:01,480 --> 00:27:03,440
Speaker 1: is Tapanga, she says, whatever.

585
00:27:03,960 --> 00:27:05,440
Speaker 2: This is where too comes from?

586
00:27:05,480 --> 00:27:05,600
Speaker 1: Right?

587
00:27:05,600 --> 00:27:07,960
Speaker 2: We've never heard this before? Which is it is a

588
00:27:08,000 --> 00:27:10,840
Speaker 2: reference to something else, little.

589
00:27:10,640 --> 00:27:14,080
Speaker 1: To a character on a Why can't I think.

590
00:27:13,920 --> 00:27:15,720
Speaker 2: Of the name the Pumpet Show or something?

591
00:27:16,000 --> 00:27:19,720
Speaker 1: No, like the Late showed Sullivan maybe maybe Ed Sullivan.

592
00:27:19,800 --> 00:27:23,040
Speaker 2: Yeah, but it was we caught we did those years.

593
00:27:24,520 --> 00:27:26,879
Speaker 2: This is another one of those. We did this for years.

594
00:27:28,080 --> 00:27:30,680
Speaker 1: So uh. Then we're in the school cafeteria. Corey walks

595
00:27:30,680 --> 00:27:32,879
Speaker 1: over to sit next to Sean and is confused because

596
00:27:32,920 --> 00:27:35,640
Speaker 1: Bertha told him his lunch was already paid for. Then

597
00:27:35,840 --> 00:27:38,679
Speaker 1: Missy waves at Corey from another table, and Sean says

598
00:27:38,760 --> 00:27:41,919
Speaker 1: he still doesn't realize the scent.

599
00:27:42,480 --> 00:27:44,679
Speaker 2: And I also call him corns or.

600
00:27:46,280 --> 00:27:48,920
Speaker 1: That we ever do it?

601
00:27:49,160 --> 00:27:49,360
Speaker 2: Yeah?

602
00:27:49,359 --> 00:27:52,080
Speaker 1: I think so it comes up again.

603
00:27:52,240 --> 00:27:58,359
Speaker 2: And my skin is horrible. I am so covered in

604
00:27:58,440 --> 00:27:59,920
Speaker 2: make up this time.

605
00:28:00,280 --> 00:28:00,440
Speaker 3: Real.

606
00:28:00,640 --> 00:28:04,080
Speaker 2: First time I noticed was the first time I noticed it.

607
00:28:04,200 --> 00:28:07,400
Speaker 2: I've never had an episode in this episode. It's so bad. Yeah,

608
00:28:07,400 --> 00:28:09,480
Speaker 2: this one I saw. I didn't see it before, but

609
00:28:09,600 --> 00:28:11,359
Speaker 2: this one. Haven't gotten on acutane yet.

610
00:28:11,640 --> 00:28:14,560
Speaker 1: Yeah. Well, Missy calls to Corey again to say she

611
00:28:14,680 --> 00:28:16,840
Speaker 1: saved him a seat. Corey says he's going to go

612
00:28:16,920 --> 00:28:19,399
Speaker 1: over there, but just to talk about the project, and

613
00:28:19,480 --> 00:28:22,679
Speaker 1: Sean tells him remember, and Corey finishes, be myself, and

614
00:28:22,720 --> 00:28:26,120
Speaker 1: John says, no, be me me, good life, and then

615
00:28:26,400 --> 00:28:29,200
Speaker 1: Feenie walks up to Turner and Williams. He's all buddy

616
00:28:29,240 --> 00:28:32,199
Speaker 1: buddy and out of character. He's looking for pledges for

617
00:28:32,280 --> 00:28:33,560
Speaker 1: a charity walkathon.

618
00:28:34,400 --> 00:28:36,880
Speaker 2: I just, I mean, Bill Daniels at this point can

619
00:28:36,920 --> 00:28:38,840
Speaker 2: do no wrong for me. He's my favorite part of

620
00:28:38,880 --> 00:28:41,320
Speaker 2: the show. I had no idea we were on a

621
00:28:41,360 --> 00:28:44,160
Speaker 2: TV show with a guy. Obviously I respected him, but

622
00:28:44,200 --> 00:28:48,680
Speaker 2: now I'm like, I want to just watch the Phoenie show. Daniel.

623
00:28:51,880 --> 00:28:55,520
Speaker 2: This scene just kills me. Every little line, every line

624
00:28:55,560 --> 00:28:58,920
Speaker 2: reading I was like laughing, was perfect. He's perfect, and

625
00:28:58,960 --> 00:29:02,360
Speaker 2: it's just so entertaining. You know, it's it's just it's

626
00:29:02,360 --> 00:29:04,640
Speaker 2: its own show, like you know, it's its own show

627
00:29:04,760 --> 00:29:06,960
Speaker 2: for the grown ups watching along with their kids to

628
00:29:07,000 --> 00:29:09,800
Speaker 2: be like, oh, Phoene's putting one overs.

629
00:29:09,360 --> 00:29:11,840
Speaker 3: And three of them together are so good too. It's

630
00:29:11,880 --> 00:29:13,720
Speaker 3: a great dynamic, and yeah.

631
00:29:13,680 --> 00:29:15,560
Speaker 1: Love, I know, I love the three of them together.

632
00:29:15,960 --> 00:29:18,240
Speaker 1: Turner says he's already down for two dollars a mile,

633
00:29:18,280 --> 00:29:20,960
Speaker 1: and Phoene says, janitor Bud paid twice as much, and

634
00:29:21,000 --> 00:29:25,840
Speaker 1: he's a man of no fixed address, which I is brilliant.

635
00:29:26,080 --> 00:29:27,280
Speaker 2: You gotta be bud Man.

636
00:29:27,880 --> 00:29:30,680
Speaker 1: Eli agrees that Turner has to beat Bud, so he

637
00:29:30,720 --> 00:29:33,000
Speaker 1: puts down five dollars a mile and then he leaves.

638
00:29:33,480 --> 00:29:35,640
Speaker 1: Eli says he's always up for a good cause. And

639
00:29:35,680 --> 00:29:38,440
Speaker 1: then Phoene's hand cramps up. He says, oh, and the

640
00:29:38,480 --> 00:29:42,080
Speaker 1: weather gets damp, his joints swell up, like last year

641
00:29:42,120 --> 00:29:44,440
Speaker 1: when his knee swelled up so badly he had to

642
00:29:44,440 --> 00:29:47,760
Speaker 1: be a nose show to the walkathon. Eli says, look, man,

643
00:29:47,760 --> 00:29:49,320
Speaker 1: why don't I just give you fifty dollars so you

644
00:29:49,320 --> 00:29:51,680
Speaker 1: don't have to hurt yourself. But Phoene is trying to

645
00:29:51,680 --> 00:29:54,080
Speaker 1: persuade him into donating more by saying he may not

646
00:29:54,160 --> 00:29:57,240
Speaker 1: even be able to walk the whole thing. William says,

647
00:29:57,280 --> 00:29:59,760
Speaker 1: you know what, I'll give you fifty dollars a mile.

648
00:30:00,080 --> 00:30:01,960
Speaker 1: That way, if you only do one mile, you still

649
00:30:02,000 --> 00:30:05,600
Speaker 1: get fifty bucks. And then Phoene smiles like a little devil.

650
00:30:05,680 --> 00:30:10,000
Speaker 3: He's got the great smile too. That's a little like gotcha, gotcha.

651
00:30:09,600 --> 00:30:12,360
Speaker 1: I love it. Missy wants Corey to feel how soft

652
00:30:12,360 --> 00:30:14,640
Speaker 1: her skin is now that she's tried a new moisturizer,

653
00:30:14,720 --> 00:30:16,640
Speaker 1: and he just touches her really quickly and says it

654
00:30:16,680 --> 00:30:20,120
Speaker 1: reminds him of their history project. Missy questions why Corey

655
00:30:20,200 --> 00:30:22,640
Speaker 1: thinks her skin reminds him of the Great Depression, and

656
00:30:22,720 --> 00:30:25,040
Speaker 1: he says, no, just the end part when everyone gets

657
00:30:25,040 --> 00:30:26,520
Speaker 1: all happy.

658
00:30:27,320 --> 00:30:30,000
Speaker 2: It's a great lines. It's a great lines. It's funny.

659
00:30:30,200 --> 00:30:32,440
Speaker 1: Corey asks about the project and Missy says she can't

660
00:30:32,480 --> 00:30:34,360
Speaker 1: work on it this weekend because she has a party

661
00:30:34,560 --> 00:30:38,320
Speaker 1: and that Corey should come and bring Sean. Notice she

662
00:30:38,440 --> 00:30:42,040
Speaker 1: doesn't say you should bring to Penga. She says, bring Sean.

663
00:30:42,560 --> 00:30:45,080
Speaker 1: Corey is hesitant and asks if she thinks they'll find

664
00:30:45,120 --> 00:30:47,240
Speaker 1: time to talk about the Great Depression at the party,

665
00:30:47,280 --> 00:31:01,880
Speaker 1: and she says it wouldn't be a party if we didn't. Now,

666
00:31:02,240 --> 00:31:05,880
Speaker 1: this is the part where I guess you very easily

667
00:31:05,920 --> 00:31:06,800
Speaker 1: could have just been.

668
00:31:06,720 --> 00:31:11,440
Speaker 3: Like, no, no, no, I'm not I'm not going for me.

669
00:31:11,480 --> 00:31:13,479
Speaker 2: It was the next scene with Tabanga when it was like,

670
00:31:13,680 --> 00:31:16,160
Speaker 2: why is he rationalizing going to this? Why does he?

671
00:31:17,320 --> 00:31:19,520
Speaker 2: And yet he somehow makes it and the whole show

672
00:31:19,560 --> 00:31:21,920
Speaker 2: seems to make it her fault.

673
00:31:23,160 --> 00:31:26,000
Speaker 1: I mean, she does sexually assault him, which we'll get to.

674
00:31:26,200 --> 00:31:27,000
Speaker 2: I mean, she's like.

675
00:31:28,040 --> 00:31:29,920
Speaker 3: But this is also I didn't think this was that

676
00:31:29,960 --> 00:31:32,760
Speaker 3: big a deal because again, back back when we were

677
00:31:32,760 --> 00:31:36,200
Speaker 3: at seventh grade, eighth grade, there'd be parties and it's like,

678
00:31:36,200 --> 00:31:38,080
Speaker 3: even if you have a girlfriend or whatever, if she

679
00:31:38,120 --> 00:31:40,440
Speaker 3: couldn't go, you'd still go because all your boys would

680
00:31:40,480 --> 00:31:40,720
Speaker 3: be there.

681
00:31:40,760 --> 00:31:43,440
Speaker 2: There'd be fifty people there. I mean, it wasn't a

682
00:31:43,480 --> 00:31:45,680
Speaker 2: big deal. But he already knows that Missy's into it.

683
00:31:45,800 --> 00:31:48,760
Speaker 2: At this point, it's become clear he's talked about it,

684
00:31:49,160 --> 00:31:51,600
Speaker 2: and that he still chooses to go. It's like, right,

685
00:31:51,640 --> 00:31:54,240
Speaker 2: and which is all fine, because that's the point of

686
00:31:54,240 --> 00:31:58,280
Speaker 2: the story, right. I just wish Corey knew it, would

687
00:31:58,320 --> 00:32:01,560
Speaker 2: acknowledge that he was into her, and that's why he's going.

688
00:32:01,800 --> 00:32:03,320
Speaker 2: He chooses to go to the party, and it would

689
00:32:03,320 --> 00:32:06,120
Speaker 2: have just been a little little easy wrinkle of him

690
00:32:06,400 --> 00:32:08,960
Speaker 2: saying to Sean, we do kind of think Missy's she's

691
00:32:09,880 --> 00:32:11,640
Speaker 2: she's so cool. I want to be around her. Now,

692
00:32:11,760 --> 00:32:16,040
Speaker 2: do you love to see I didn't think. I didn't think.

693
00:32:18,120 --> 00:32:21,360
Speaker 3: Like I think he's he's enamored with the idea that

694
00:32:21,480 --> 00:32:25,160
Speaker 3: women actually want him. I don't think it's necessarily Missy.

695
00:32:25,520 --> 00:32:28,600
Speaker 3: It's the idea that, wow, all of a sudden, I'm

696
00:32:28,640 --> 00:32:32,000
Speaker 3: the average guy, but now women want me. And it's

697
00:32:32,000 --> 00:32:34,640
Speaker 3: more being infatuated with that than with her as an

698
00:32:34,680 --> 00:32:35,360
Speaker 3: actual person.

699
00:32:35,560 --> 00:32:39,320
Speaker 2: I get. I wish he enjoyed her finding him funny

700
00:32:39,360 --> 00:32:41,520
Speaker 2: and interesting more like you know, like especially in the

701
00:32:41,560 --> 00:32:43,480
Speaker 2: scene in the basement. It would be so great if

702
00:32:43,480 --> 00:32:46,040
Speaker 2: he's having a good time, like if he can't help

703
00:32:46,120 --> 00:32:49,240
Speaker 2: himself because he's she's laughing at all of his jokes

704
00:32:49,320 --> 00:32:50,800
Speaker 2: or his stories, and she's.

705
00:32:50,680 --> 00:32:55,720
Speaker 1: Finding putting it on And it's nine o'clock.

706
00:32:55,760 --> 00:32:59,040
Speaker 2: I stayed too late because I just got it makes sense.

707
00:32:59,320 --> 00:33:01,840
Speaker 1: But no, you're right, you're right.

708
00:33:02,200 --> 00:33:02,840
Speaker 2: This happened to me.

709
00:33:02,880 --> 00:33:05,040
Speaker 3: By the way, this exact story happened to me, by

710
00:33:05,080 --> 00:33:07,480
Speaker 3: the way, really exact story happened.

711
00:33:07,600 --> 00:33:10,719
Speaker 2: You had a girlfriend and no, I was you in

712
00:33:10,760 --> 00:33:11,480
Speaker 2: this situation.

713
00:33:11,640 --> 00:33:16,040
Speaker 3: So my friend Mike at the time was had a girlfriend,

714
00:33:16,480 --> 00:33:19,640
Speaker 3: but another girl liked him, and we were told there

715
00:33:19,720 --> 00:33:22,200
Speaker 3: was a party. The two of us went and there

716
00:33:22,280 --> 00:33:24,480
Speaker 3: was just two girls there. It was the girl that

717
00:33:24,640 --> 00:33:26,600
Speaker 3: liked him and a girl that I had a crush

718
00:33:26,600 --> 00:33:29,480
Speaker 3: on who did not like me at all. So they

719
00:33:29,520 --> 00:33:32,120
Speaker 3: went often hooked up. But because they hooked up, the

720
00:33:32,200 --> 00:33:35,920
Speaker 3: girl that I like actually kissed me until Mike walked

721
00:33:35,960 --> 00:33:39,000
Speaker 3: in the hallway, and then she threw me across the

722
00:33:39,080 --> 00:33:42,640
Speaker 3: room as if I weighed nothing, because she didn't want

723
00:33:42,640 --> 00:33:45,360
Speaker 3: anyone to see that she had actually kissed me. So

724
00:33:45,400 --> 00:33:47,360
Speaker 3: it was like I remember being next to her on

725
00:33:47,400 --> 00:33:51,760
Speaker 3: the couch then being fourteen feet away in like a

726
00:33:51,840 --> 00:33:52,440
Speaker 3: half a second.

727
00:33:52,600 --> 00:33:55,840
Speaker 2: Did you undergo like a physical transformation from the age

728
00:33:55,840 --> 00:33:58,040
Speaker 2: of fifteen to sixteen where you went from like the

729
00:33:58,080 --> 00:34:00,480
Speaker 2: Phantom of the opera to who you are now? Dude,

730
00:34:00,480 --> 00:34:01,400
Speaker 2: what you.

731
00:34:01,320 --> 00:34:03,840
Speaker 3: Talk is if you were like this, I was the

732
00:34:03,880 --> 00:34:06,959
Speaker 3: funny I was, but I was just I was the

733
00:34:07,000 --> 00:34:09,279
Speaker 3: funny kind of a beautiful human being.

734
00:34:09,320 --> 00:34:11,680
Speaker 2: Will there's like no point in your life where you

735
00:34:11,680 --> 00:34:13,840
Speaker 2: weren't a beautiful human being. You have like do you

736
00:34:13,920 --> 00:34:19,279
Speaker 2: have features? Beautiful human being? No, was chubby or the

737
00:34:19,320 --> 00:34:22,000
Speaker 2: funniest human being I've ever met in all, that's what

738
00:34:22,040 --> 00:34:23,360
Speaker 2: I was. I was the funny that's.

739
00:34:23,200 --> 00:34:26,200
Speaker 1: What, funny, gorgeous guy. He was a funny, gorgeous white guy.

740
00:34:26,239 --> 00:34:27,360
Speaker 1: He really had very.

741
00:34:29,120 --> 00:34:33,120
Speaker 3: Was. I was overweight, I was. I was the chubby kid,

742
00:34:33,280 --> 00:34:34,439
Speaker 3: the chubby funny kid.

743
00:34:34,520 --> 00:34:36,480
Speaker 2: I was not. You know what I think it is.

744
00:34:36,920 --> 00:34:40,399
Speaker 2: My my take is that you were gone a lot

745
00:34:40,440 --> 00:34:42,880
Speaker 2: more than you think. No, I think you were not.

746
00:34:43,040 --> 00:34:46,399
Speaker 2: You think of yourself as like having had a normal uh,

747
00:34:46,480 --> 00:34:51,400
Speaker 2: like regular attendant, like regular school attendance. But you were not.

748
00:34:51,680 --> 00:34:54,120
Speaker 2: At eleven, we were already going to New York. I

749
00:34:54,520 --> 00:34:57,399
Speaker 2: just don't you think you're remembering it wrong. No, you're

750
00:34:57,480 --> 00:34:58,680
Speaker 2: doing Nickelodeon shows.

751
00:34:58,760 --> 00:35:01,760
Speaker 3: I'm sorry you're telling me I'm remembering my own life wrong.

752
00:35:01,800 --> 00:35:02,520
Speaker 2: With my memory.

753
00:35:02,960 --> 00:35:05,400
Speaker 3: I did all of don't you sit there during the summer,

754
00:35:05,560 --> 00:35:08,640
Speaker 3: so I missed no school during doing don't just sit there?

755
00:35:08,880 --> 00:35:12,120
Speaker 1: I missed, And I was like, you didn't think you

756
00:35:12,200 --> 00:35:13,400
Speaker 1: were part of the community.

757
00:35:13,680 --> 00:35:17,280
Speaker 2: I wish that were. I wish everything you're saying was

758
00:35:17,280 --> 00:35:19,960
Speaker 2: was actually the case. It wasn't. I was just the

759
00:35:20,000 --> 00:35:22,759
Speaker 2: funny kid that everyone was friends was. Maybe it was

760
00:35:22,800 --> 00:35:26,800
Speaker 2: because you smelled, so they were all my friends smoked.

761
00:35:27,080 --> 00:35:29,000
Speaker 3: No, I was the funny I was the funny, kind

762
00:35:29,000 --> 00:35:32,160
Speaker 3: of chubby kid that just I was popular with girls

763
00:35:32,160 --> 00:35:36,280
Speaker 3: in like the sixth and seventh grade and then eighth grade. Something.

764
00:35:36,280 --> 00:35:38,600
Speaker 3: There was a weird power dynamic shift in eighth grade

765
00:35:38,600 --> 00:35:41,720
Speaker 3: and all the kids that had friends were literally beaten

766
00:35:41,800 --> 00:35:44,840
Speaker 3: up and then weren't part of the friend group anymore.

767
00:35:44,880 --> 00:35:47,280
Speaker 3: So the start of high school, I had no friends none.

768
00:35:48,360 --> 00:35:48,839
Speaker 2: It was weird.

769
00:35:48,880 --> 00:35:50,880
Speaker 3: It was a really weird dynamic in my life. But

770
00:35:50,920 --> 00:35:53,279
Speaker 3: all my friends say the same thing now when they

771
00:35:53,280 --> 00:35:54,919
Speaker 3: look back and I, No, you were never there.

772
00:35:55,000 --> 00:35:56,719
Speaker 2: No, I was there the whole time. No, you were

773
00:35:56,719 --> 00:35:58,600
Speaker 2: the cool guy. Nope, wasn't the cool guy.

774
00:35:58,680 --> 00:36:01,200
Speaker 3: So it's like they remember it the way you guys

775
00:36:01,239 --> 00:36:02,279
Speaker 3: remember it, and I remember it the.

776
00:36:02,280 --> 00:36:03,120
Speaker 1: Way and actually happening.

777
00:36:03,320 --> 00:36:07,839
Speaker 2: We're all probably are the people who were there.

778
00:36:07,960 --> 00:36:12,239
Speaker 1: Only Will Fernell, who's his own person from inside himself, Yes,

779
00:36:12,280 --> 00:36:13,120
Speaker 1: the one we should trust.

780
00:36:13,560 --> 00:36:16,840
Speaker 2: Yes, Okay, I'm known for having a horrible memory.

781
00:36:17,360 --> 00:36:21,040
Speaker 1: It's not about memory, It's about perception. Ah Dreamy walks

782
00:36:21,120 --> 00:36:23,239
Speaker 1: up behind Corey, which scares him, and asks if he

783
00:36:23,280 --> 00:36:25,720
Speaker 1: wants to go over to Tapanga's house after school. Corey

784
00:36:25,800 --> 00:36:28,279
Speaker 1: acts very caught and says, do you think you're the

785
00:36:28,280 --> 00:36:30,760
Speaker 1: only person who was thinking about poor sick to Panga?

786
00:36:30,920 --> 00:36:33,160
Speaker 1: I love the girl, I'm thinking about her right now.

787
00:36:33,360 --> 00:36:35,120
Speaker 1: Then he sits down with Missy and he pops back

788
00:36:35,160 --> 00:36:37,200
Speaker 1: up saying he's thinking about her right now too, and

789
00:36:37,239 --> 00:36:39,759
Speaker 1: he's gonna go over there and think about her some more.

790
00:36:40,600 --> 00:36:43,120
Speaker 1: And then we're in the Matthew's kitchen slash living room.

791
00:36:43,160 --> 00:36:45,400
Speaker 1: Corey tells Sean that he's going to the party and

792
00:36:45,520 --> 00:36:48,200
Speaker 1: nothing will happen because he's his own person and doesn't

793
00:36:48,200 --> 00:36:51,279
Speaker 1: care what anyone else thinks. Sean asks Corey where he's

794
00:36:51,280 --> 00:36:53,280
Speaker 1: going as he walks into the living room, and Corey

795
00:36:53,320 --> 00:36:56,240
Speaker 1: responds that he's going to run it by Tapanga, which

796
00:36:56,239 --> 00:36:59,800
Speaker 1: I thought was funny. Hart Eric is holding a hammer

797
00:37:00,040 --> 00:37:02,640
Speaker 1: into the Matthews family photo and asks Sean to take

798
00:37:02,680 --> 00:37:04,319
Speaker 1: the picture while he puts a nail on the wall.

799
00:37:05,600 --> 00:37:10,239
Speaker 1: Without flinching, he grabs the picture and walks right out

800
00:37:10,239 --> 00:37:14,120
Speaker 1: the front door. Not so funny, No, no exchange between

801
00:37:15,200 --> 00:37:20,360
Speaker 1: just like, God, it's awesome. Eric makes a hole in

802
00:37:20,400 --> 00:37:22,040
Speaker 1: the wall when he tries to hammer a nail, but

803
00:37:22,080 --> 00:37:24,120
Speaker 1: says it's a good that he's putting a picture up.

804
00:37:24,640 --> 00:37:26,200
Speaker 1: Amy and Alan walk into the house.

805
00:37:26,080 --> 00:37:29,360
Speaker 2: And hanging up anything in my house but exactly what

806
00:37:29,400 --> 00:37:32,680
Speaker 2: I do, like, I never take the time to measure.

807
00:37:32,719 --> 00:37:35,279
Speaker 2: I'm always like that looks about right, bomb, and then

808
00:37:35,320 --> 00:37:37,160
Speaker 2: it's like completing the wrong space. So I have like

809
00:37:37,280 --> 00:37:39,600
Speaker 2: four holes for everything hanging up in my house. Like

810
00:37:39,760 --> 00:37:41,879
Speaker 2: you know, I'll do that occasionally, but oh my god,

811
00:37:41,920 --> 00:37:42,440
Speaker 2: it's awful.

812
00:37:44,080 --> 00:37:46,000
Speaker 1: Amy and Alan walk into the house and Alan says

813
00:37:46,040 --> 00:37:48,839
Speaker 1: he had to wrestle Sean for their family picture. Eric

814
00:37:48,920 --> 00:37:51,640
Speaker 1: hangs a picture of baseball of a baseball player and

815
00:37:51,680 --> 00:37:53,680
Speaker 1: says with the money he'll be making, Alan will be

816
00:37:53,680 --> 00:37:57,520
Speaker 1: able to buy himself a new family. Amy asks who

817
00:37:57,600 --> 00:38:00,239
Speaker 1: the poor man with the swollen head in the picture is,

818
00:38:00,280 --> 00:38:02,400
Speaker 1: and Eric says that man is going to be no

819
00:38:02,960 --> 00:38:08,840
Speaker 1: college tuition and that man, ye Manel, our friend of

820
00:38:08,880 --> 00:38:12,520
Speaker 1: the show, favorite writers, friend of the show, couldn't love

821
00:38:12,560 --> 00:38:13,600
Speaker 1: him anymore.

822
00:38:13,480 --> 00:38:16,560
Speaker 2: Wrote the famous scream episode That's right, Yeah.

823
00:38:16,719 --> 00:38:19,880
Speaker 1: Eric says he's going to say one word. Baseball collectibles

824
00:38:19,880 --> 00:38:22,440
Speaker 1: are hot. And then he says he paid two hundred

825
00:38:22,480 --> 00:38:25,479
Speaker 1: macaroons for that photo of Teddy bean bag Bag. Well,

826
00:38:26,280 --> 00:38:28,920
Speaker 1: Alan says that man is a bum and that picture

827
00:38:29,000 --> 00:38:31,560
Speaker 1: is not worth two hundred dollars. But Eric says, Baggie

828
00:38:31,600 --> 00:38:35,000
Speaker 1: is only two hit by pitches away from the major

829
00:38:35,120 --> 00:38:38,239
Speaker 1: league record. Two more bean balls and they can all

830
00:38:38,239 --> 00:38:39,360
Speaker 1: go to college.

831
00:38:39,239 --> 00:38:44,719
Speaker 2: My favorite life college. What are you talking about? But

832
00:38:44,760 --> 00:38:48,000
Speaker 2: you see with such confidence, exactly, bean balls. We all

833
00:38:48,040 --> 00:38:48,640
Speaker 2: go to college.

834
00:38:48,800 --> 00:38:51,439
Speaker 3: And if what you're saying is right, Rider, this makes

835
00:38:51,480 --> 00:38:54,920
Speaker 3: total sense. I'm It's the second episode, so I'm comfortable

836
00:38:55,400 --> 00:38:57,880
Speaker 3: it's like and then I lose.

837
00:38:57,680 --> 00:39:00,319
Speaker 2: It for some reason for a couple episodes. But I

838
00:39:00,400 --> 00:39:02,759
Speaker 2: was good here. This is okay. You were having fun,

839
00:39:03,000 --> 00:39:03,920
Speaker 2: yes exactly.

840
00:39:03,920 --> 00:39:06,279
Speaker 1: He asks who holds the record for getting hit in

841
00:39:06,320 --> 00:39:09,359
Speaker 1: the head, and Alan says he's thinking Eric, thinking Eric

842
00:39:09,640 --> 00:39:12,680
Speaker 1: prank cute, And then we're into Panga's room. Triny is

843
00:39:12,680 --> 00:39:15,200
Speaker 1: telling Tapanga about the school project and that she couldn't

844
00:39:15,200 --> 00:39:17,480
Speaker 1: find a partner, so she's doing it with Feenie. But

845
00:39:17,520 --> 00:39:20,480
Speaker 1: Feenie also told her to never call again, which again,

846
00:39:20,600 --> 00:39:21,280
Speaker 1: I would.

847
00:39:21,120 --> 00:39:23,560
Speaker 2: Watch it and the whole show. Yeah, just Feenie and

848
00:39:23,600 --> 00:39:30,000
Speaker 2: Triny by the way show show. Oh, I would love

849
00:39:30,000 --> 00:39:32,480
Speaker 2: that them doing a project together on the Great Depression.

850
00:39:32,520 --> 00:39:35,839
Speaker 1: Please, oh man, so funny. Corey walks in and isn't

851
00:39:35,880 --> 00:39:38,200
Speaker 1: excited to see Triny, and Triny says, well, now that

852
00:39:38,239 --> 00:39:40,760
Speaker 1: Corey is here, she's sure they don't want her hanging around,

853
00:39:41,040 --> 00:39:44,080
Speaker 1: and Topega says oh, and then Triny immediately tells her, Okay,

854
00:39:44,200 --> 00:39:47,120
Speaker 1: I'll stay, but only for one more hour. Corey looks

855
00:39:47,160 --> 00:39:50,399
Speaker 1: unhappy and Triney explains she was just joking and no

856
00:39:50,440 --> 00:39:53,280
Speaker 1: one gets me. It's so great, And as she walks

857
00:39:53,280 --> 00:39:57,080
Speaker 1: out the door, this is the scene I remember the most.

858
00:39:57,200 --> 00:39:58,759
Speaker 1: This is me too, isn't it fun?

859
00:39:58,840 --> 00:40:01,759
Speaker 2: That's so funny in this scene. But I have the.

860
00:40:01,719 --> 00:40:05,120
Speaker 1: Bedroom scene, Yeah, the bedroom scene of my Of all

861
00:40:05,160 --> 00:40:08,040
Speaker 1: the scenes that I got to do with Britney Murphy

862
00:40:08,080 --> 00:40:10,720
Speaker 1: in the two episodes, this is the scene I remember

863
00:40:10,840 --> 00:40:11,600
Speaker 1: the most.

864
00:40:11,560 --> 00:40:13,600
Speaker 2: Me too, And I wasn't in it for whatever reason.

865
00:40:13,640 --> 00:40:15,600
Speaker 2: I think we were just all hanging out that I.

866
00:40:15,600 --> 00:40:17,360
Speaker 1: Think we were all hanging out in the bedroom and

867
00:40:17,400 --> 00:40:20,719
Speaker 1: there were Yeah, it was just comfortable. And I remember Britain.

868
00:40:20,800 --> 00:40:23,520
Speaker 2: Well I saw her sitting on your bed. I was like, yes, now,

869
00:40:23,560 --> 00:40:25,400
Speaker 2: because I didn't remember this set when we saw in

870
00:40:25,440 --> 00:40:27,480
Speaker 2: the first episode. But when I saw her siting in

871
00:40:27,520 --> 00:40:29,280
Speaker 2: the bed, I was like, that's the day. I remember

872
00:40:29,320 --> 00:40:30,600
Speaker 2: hanging out during rehearsal and.

873
00:40:30,560 --> 00:40:35,000
Speaker 1: Talking to her and her mom. Yeah weird too, so funny. Yeah,

874
00:40:35,200 --> 00:40:36,759
Speaker 1: this was this is the moment. I was like, man,

875
00:40:36,800 --> 00:40:39,160
Speaker 1: I really I really remember, and I think for me

876
00:40:39,719 --> 00:40:41,960
Speaker 1: the blocking being so easy, I didn't have anything else

877
00:40:42,000 --> 00:40:43,759
Speaker 1: to remember. I was just I just got to sit

878
00:40:43,800 --> 00:40:46,080
Speaker 1: there and like talk to her and kind of enjoy her,

879
00:40:46,080 --> 00:40:48,279
Speaker 1: which meant during rehearsal, any downtime we had, we were

880
00:40:48,280 --> 00:40:50,960
Speaker 1: also just sitting there and talking. Yeah, So I think

881
00:40:51,000 --> 00:40:53,480
Speaker 1: maybe that made it really memorable for me. So Tapega

882
00:40:53,480 --> 00:40:56,680
Speaker 1: asks about Corey's day, which he says was uneventful. Corey

883
00:40:56,719 --> 00:40:59,319
Speaker 1: says he got partnered up with a girl. Oh what's

884
00:40:59,360 --> 00:41:03,439
Speaker 1: her name? Topanga already knows it's Missy because Trainey told her.

885
00:41:04,120 --> 00:41:06,719
Speaker 1: Cory says she is kind of a stupid name, huh

886
00:41:06,719 --> 00:41:09,960
Speaker 1: to Panga, and then he calls Missy a flake because

887
00:41:10,000 --> 00:41:12,239
Speaker 1: all she could talk about is her party tonight, but

888
00:41:12,280 --> 00:41:15,480
Speaker 1: Topanga says Trainy didn't mention a party. Cory says, not

889
00:41:15,600 --> 00:41:19,040
Speaker 1: many people tell Treney about parties, which is a very

890
00:41:19,040 --> 00:41:23,400
Speaker 1: funny line. Topega asks if he's going. Corey gaffaws that

891
00:41:23,440 --> 00:41:26,879
Speaker 1: he's not going without Topanga. To Pega says he should go,

892
00:41:27,160 --> 00:41:28,960
Speaker 1: and she seems like a real chill girlfriend.

893
00:41:29,040 --> 00:41:32,240
Speaker 2: She's like, yeah, yeah, go to a party. Well, where's

894
00:41:32,280 --> 00:41:35,040
Speaker 2: the line where Topega doesn't say anything and he goes, huh.

895
00:41:36,040 --> 00:41:38,799
Speaker 1: Before that, I'm going to party and she's the same thing.

896
00:41:41,640 --> 00:41:44,960
Speaker 2: Like wait years a go and she doesn't, so he

897
00:41:45,000 --> 00:41:47,400
Speaker 2: sort of forces it. Yeah, that's hysteric.

898
00:41:47,520 --> 00:41:52,160
Speaker 1: It is so funny. Mission and then she says he

899
00:41:52,239 --> 00:41:55,239
Speaker 1: can go. It's very very funny. Cory says he'll pick

900
00:41:55,320 --> 00:41:57,239
Speaker 1: up ice cream for Topanga on his way home, and

901
00:41:57,280 --> 00:41:59,080
Speaker 1: she says he doesn't need to do that, but if

902
00:41:59,080 --> 00:42:02,200
Speaker 1: he insists, it should be organic rice milk ice cream.

903
00:42:02,280 --> 00:42:04,440
Speaker 1: But if they don't have that, make it chunky monkey

904
00:42:04,480 --> 00:42:05,960
Speaker 1: double fudge with Jimmy's.

905
00:42:06,120 --> 00:42:09,160
Speaker 3: I don't know why I remember you during run throughs

906
00:42:09,440 --> 00:42:11,040
Speaker 3: saying that all the time.

907
00:42:11,200 --> 00:42:12,280
Speaker 1: We meet you funny.

908
00:42:15,000 --> 00:42:15,120
Speaker 3: Too.

909
00:42:15,480 --> 00:42:18,440
Speaker 1: I think they changed the name of the ice cream

910
00:42:19,000 --> 00:42:20,160
Speaker 1: a million times?

911
00:42:20,239 --> 00:42:22,040
Speaker 2: Is that what it was? That why I remember it?

912
00:42:22,160 --> 00:42:23,759
Speaker 1: I remember there being we were all.

913
00:42:23,760 --> 00:42:26,680
Speaker 2: Probably backstage, we were like it should be this we

914
00:42:26,719 --> 00:42:28,200
Speaker 2: all had opinions, probably.

915
00:42:28,239 --> 00:42:29,600
Speaker 1: Because I think we changed the name of it a

916
00:42:29,640 --> 00:42:32,040
Speaker 1: bunch because I remember Michael it being very important to

917
00:42:32,040 --> 00:42:34,520
Speaker 1: Michael that I think this may have been a similar

918
00:42:34,520 --> 00:42:37,720
Speaker 1: flavor to like his wife's favorite ice cream flavor.

919
00:42:37,920 --> 00:42:39,319
Speaker 2: Food with him was always a big thing.

920
00:42:39,400 --> 00:42:39,600
Speaker 1: Yeah.

921
00:42:39,640 --> 00:42:43,319
Speaker 2: Food, yeah in here good hair, food and hair yeah yep.

922
00:42:44,000 --> 00:42:46,120
Speaker 1: Corey says if he's not back by nine, they must

923
00:42:46,160 --> 00:42:48,880
Speaker 1: be at war and assures Topanga he'll be back to

924
00:42:48,960 --> 00:42:52,239
Speaker 1: Panga looks confused as Corey exits, I'm also confused about

925
00:42:52,280 --> 00:42:53,280
Speaker 1: the at war reference.

926
00:42:53,320 --> 00:42:57,720
Speaker 2: But I think it just means something so hard, something

927
00:42:57,840 --> 00:43:01,160
Speaker 2: so horrible. But yes, So this is where I was like,

928
00:43:01,360 --> 00:43:05,319
Speaker 2: what is what is Corey right going would go to

929
00:43:05,360 --> 00:43:05,840
Speaker 2: this party?

930
00:43:06,040 --> 00:43:06,239
Speaker 3: Right?

931
00:43:06,560 --> 00:43:09,240
Speaker 2: Which I guess is you can't say it's just because

932
00:43:09,239 --> 00:43:11,359
Speaker 2: he thinks it's a party, so he's just gonna have

933
00:43:11,440 --> 00:43:14,040
Speaker 2: fun with his friends and a girl that likes him.

934
00:43:14,040 --> 00:43:16,759
Speaker 3: But yeah, but then why then I don't get why

935
00:43:16,800 --> 00:43:19,240
Speaker 3: he's playing it where it's like he's doing something wrong already.

936
00:43:20,200 --> 00:43:22,000
Speaker 3: That's my that's in the writing where it's like if

937
00:43:22,000 --> 00:43:23,319
Speaker 3: he thinks this is going to a party and his

938
00:43:23,360 --> 00:43:26,160
Speaker 3: girlfriend is so chill, which she is it's like, why

939
00:43:26,160 --> 00:43:31,280
Speaker 3: are you playing it like you're already because he likes

940
00:43:31,560 --> 00:43:32,080
Speaker 3: he wants.

941
00:43:31,880 --> 00:43:34,279
Speaker 2: To eat it too, right, I mean that's the whole thing,

942
00:43:34,360 --> 00:43:37,319
Speaker 2: is that it's temptation and he and so I guess.

943
00:43:37,360 --> 00:43:40,960
Speaker 2: I wish it was a little clearer that Corey likes

944
00:43:41,520 --> 00:43:44,080
Speaker 2: she likes him, or that there is something there, even

945
00:43:44,120 --> 00:43:47,000
Speaker 2: if it's just having the hots for one another physically.

946
00:43:47,360 --> 00:43:49,920
Speaker 2: It would be nice for him to acknowledge that, especially

947
00:43:49,960 --> 00:43:51,959
Speaker 2: by the end of the episode. Like, I really wish

948
00:43:51,960 --> 00:43:53,759
Speaker 2: that at the end of this episode Corey was able

949
00:43:53,760 --> 00:43:55,000
Speaker 2: to say, like, yeah.

950
00:43:57,120 --> 00:43:57,880
Speaker 1: But I'm not blind.

951
00:43:58,520 --> 00:44:00,759
Speaker 2: Yeah, I just I don't know. But instead it's like

952
00:44:00,800 --> 00:44:01,640
Speaker 2: he's a victim.

953
00:44:01,960 --> 00:44:02,160
Speaker 1: You know.

954
00:44:02,200 --> 00:44:05,839
Speaker 2: The whole episode is like keeping him. It's the whole

955
00:44:06,080 --> 00:44:08,680
Speaker 2: there's so much energy and twisting to make sure that

956
00:44:08,760 --> 00:44:12,279
Speaker 2: Corey is innocent. Yeah, like like he didn't he didn't

957
00:44:12,320 --> 00:44:14,560
Speaker 2: pick her as his partner. He got forced because it

958
00:44:14,640 --> 00:44:17,120
Speaker 2: was either training or her. He didn't choose to go

959
00:44:17,160 --> 00:44:19,239
Speaker 2: to a party where it was a makeout party because she,

960
00:44:19,560 --> 00:44:21,680
Speaker 2: you know. And it's like this constant like it's always

961
00:44:21,680 --> 00:44:25,000
Speaker 2: putting it on Missy that he's in this position, which

962
00:44:25,400 --> 00:44:27,960
Speaker 2: minimizes the whole point of the episode, which is that

963
00:44:28,360 --> 00:44:30,759
Speaker 2: he is tempted and it should just be that, like, yeah,

964
00:44:30,760 --> 00:44:32,799
Speaker 2: he tried to. He thought he could maybe make out

965
00:44:32,800 --> 00:44:34,480
Speaker 2: with a girl or or flirt with a girl at

966
00:44:34,560 --> 00:44:36,520
Speaker 2: least and get away with it. And I don't know,

967
00:44:36,600 --> 00:44:37,359
Speaker 2: I just think it was.

968
00:44:37,480 --> 00:44:40,919
Speaker 1: I understand Will's point though, two, which is like to him,

969
00:44:40,920 --> 00:44:43,040
Speaker 1: this kind of becomes a little bit of an experiment,

970
00:44:43,520 --> 00:44:47,160
Speaker 1: which this is what Corey's wanted his entire the entire show,

971
00:44:47,400 --> 00:44:50,520
Speaker 1: like I just want to be cool where girls want

972
00:44:50,600 --> 00:44:54,399
Speaker 1: me to come to their party. And now Sean is saying, oh,

973
00:44:54,440 --> 00:44:56,920
Speaker 1: you haven't realized that's happened. Now it's happened, because all

974
00:44:56,960 --> 00:44:58,759
Speaker 1: you needed was a girlfriend. Now that you have when

975
00:44:58,760 --> 00:45:01,080
Speaker 1: it's happened, and Corey's looking at of like there's no way,

976
00:45:01,200 --> 00:45:03,840
Speaker 1: are you serious? And then I get invited. Let's go.

977
00:45:04,000 --> 00:45:07,520
Speaker 1: Let's so he's wanting to take the experiment one step further, right,

978
00:45:07,800 --> 00:45:11,080
Speaker 1: little maybe less about it being specifically Missy. If it

979
00:45:11,120 --> 00:45:14,480
Speaker 1: were another cool girl, he would have been doing the

980
00:45:14,480 --> 00:45:17,960
Speaker 1: same thing, like this has become what is this that's happened?

981
00:45:18,000 --> 00:45:18,720
Speaker 1: Am I cool?

982
00:45:18,800 --> 00:45:19,600
Speaker 3: Now? Yeah?

983
00:45:19,680 --> 00:45:20,759
Speaker 2: Okay, yeah, yeah, so.

984
00:45:20,840 --> 00:45:23,160
Speaker 1: I can see I can see it from from that way,

985
00:45:23,400 --> 00:45:26,600
Speaker 1: so uh. Then we are in Missy's house, new house

986
00:45:26,600 --> 00:45:33,520
Speaker 1: alert but same basements, same basement, same basement, sa basement, close, got.

987
00:45:33,400 --> 00:45:38,359
Speaker 2: The same market. Something happened with closets is a real

988
00:45:38,920 --> 00:45:42,160
Speaker 2: powerful place. We keep coming back to him. It's crazy.

989
00:45:42,360 --> 00:45:44,880
Speaker 1: Cory and Sean walk into Missy's basement, but no one

990
00:45:44,960 --> 00:45:47,400
Speaker 1: is there except Missy and Libby. Sean asks if this

991
00:45:47,520 --> 00:45:50,440
Speaker 1: is a surprise party and miss and Libby says kind of.

992
00:45:50,960 --> 00:45:53,120
Speaker 1: Corey asks where everyone is, but Missy says, this is

993
00:45:53,200 --> 00:45:58,640
Speaker 1: everyone surprise surprise. And then Corey and Sean are shocked. Shocked,

994
00:45:59,280 --> 00:46:02,200
Speaker 1: and then we're in Missy's house. Continues, Missy says it's

995
00:46:02,400 --> 00:46:04,600
Speaker 1: just the four of them. Corey turns to Sean and

996
00:46:04,640 --> 00:46:06,839
Speaker 1: asks what they're going to do. Sean says he'll take

997
00:46:06,880 --> 00:46:09,359
Speaker 1: Libby and Corey can dig Missy, but Corey reminds him

998
00:46:09,400 --> 00:46:13,040
Speaker 1: he has a girlfriend named Tapanga. Libby starts flirting with Sean.

999
00:46:13,560 --> 00:46:15,600
Speaker 1: I didn't know if she was whispering in your ear.

1000
00:46:20,040 --> 00:46:20,480
Speaker 1: She must be.

1001
00:46:20,680 --> 00:46:22,440
Speaker 3: I think she said like, let's go upstairs to the

1002
00:46:22,480 --> 00:46:24,520
Speaker 3: bedroom or something like that would be my guess. Yeah,

1003
00:46:24,680 --> 00:46:25,759
Speaker 3: there's nobody else here or.

1004
00:46:25,760 --> 00:46:26,200
Speaker 2: Something like that.

1005
00:46:26,360 --> 00:46:29,239
Speaker 1: Yeah, so uh, Corey asks if he had anything to

1006
00:46:29,320 --> 00:46:31,480
Speaker 1: do with this, and Sean says no, but I did

1007
00:46:31,640 --> 00:46:33,560
Speaker 1: dream this once, except you weren't here.

1008
00:46:35,000 --> 00:46:35,600
Speaker 2: Great line.

1009
00:46:36,560 --> 00:46:38,840
Speaker 1: Corey says they need to stick together and stay strong,

1010
00:46:39,000 --> 00:46:41,439
Speaker 1: but Libby starts whispering in Sean's ear, and Corey tells

1011
00:46:41,520 --> 00:46:44,879
Speaker 1: him to go. Sean and Libby run upstairs away from

1012
00:46:44,960 --> 00:46:46,400
Speaker 1: the privacy of the basement.

1013
00:46:48,160 --> 00:46:50,439
Speaker 2: But again, I know parents aren't home.

1014
00:46:50,640 --> 00:46:53,840
Speaker 1: Find out later parents aren't. Yeah, but in the moment,

1015
00:46:54,000 --> 00:46:56,880
Speaker 1: my thought was, so you go upstairs where the parents are,

1016
00:46:56,920 --> 00:47:01,000
Speaker 1: because I thought parents were probably there. But okay. Missy

1017
00:47:01,080 --> 00:47:03,080
Speaker 1: says she's happy Corey is there and is looking for

1018
00:47:03,160 --> 00:47:05,800
Speaker 1: a compliment on her dress. Corey says his girlfriend to

1019
00:47:05,880 --> 00:47:10,520
Speaker 1: Panga has the same dress, but longer comes longer give

1020
00:47:10,719 --> 00:47:13,160
Speaker 1: a great line. Missy pulls Corey over to the couch

1021
00:47:13,239 --> 00:47:17,000
Speaker 1: to sit down, and Corey repeats lunchroom lady, lunchroom lady.

1022
00:47:16,920 --> 00:47:22,839
Speaker 2: Which is peak Ben Savage doing Adam Sandler. It's exactly

1023
00:47:22,920 --> 00:47:23,400
Speaker 2: what that is.

1024
00:47:23,480 --> 00:47:27,040
Speaker 3: That was Ben like the craft service table, and Ben

1025
00:47:27,080 --> 00:47:28,360
Speaker 3: in the classroom and Ben everywhere.

1026
00:47:28,480 --> 00:47:32,319
Speaker 2: That was Ben doing lady. So Adam Sandler for him,

1027
00:47:32,440 --> 00:47:34,640
Speaker 2: it's actually like an Adam Sandler wie because Adam Sandler

1028
00:47:34,640 --> 00:47:37,360
Speaker 2: has the lunchroom. Yeah, but that was just that was

1029
00:47:37,640 --> 00:47:40,000
Speaker 2: straight up Ben and he's doing it for this whole

1030
00:47:40,080 --> 00:47:42,200
Speaker 2: seat like this sort of baby talk.

1031
00:47:44,640 --> 00:47:46,640
Speaker 1: So Corey points out the deer heads on the wall,

1032
00:47:46,719 --> 00:47:48,879
Speaker 1: and Missy tells Corey not to worry because her dad

1033
00:47:48,880 --> 00:47:51,440
Speaker 1: has never shot a boy she liked. Corey questions if

1034
00:47:51,480 --> 00:47:53,879
Speaker 1: Missy likes him, and she says she does, at least

1035
00:47:53,920 --> 00:47:55,880
Speaker 1: what she knows about him, but she wants to know

1036
00:47:56,000 --> 00:47:58,719
Speaker 1: a lot more. She turns his face toward her by

1037
00:47:58,760 --> 00:48:00,879
Speaker 1: his chin and says she's going to look deep into

1038
00:48:00,960 --> 00:48:03,959
Speaker 1: his eyes until she learns it all. And then Corey

1039
00:48:04,080 --> 00:48:06,840
Speaker 1: starts talking about the day he was born in Jefferson Hospital.

1040
00:48:06,960 --> 00:48:09,120
Speaker 1: It was drizzling and he loved his blue.

1041
00:48:08,960 --> 00:48:13,279
Speaker 3: Blankie, and then the time dissolve where they've obviously been

1042
00:48:13,320 --> 00:48:16,239
Speaker 3: sitting there for a while and he's still talking, talking.

1043
00:48:16,040 --> 00:48:18,239
Speaker 1: But he's only caught her up to the fourth grade

1044
00:48:18,280 --> 00:48:21,640
Speaker 1: when he got the awful diagnosis about his flat feet.

1045
00:48:22,320 --> 00:48:24,680
Speaker 1: Missy cuts him off and says they should talk about

1046
00:48:24,680 --> 00:48:27,160
Speaker 1: what's going on now. Cory says, well, and not much

1047
00:48:27,239 --> 00:48:28,920
Speaker 1: is going on except the two of them sitting in

1048
00:48:29,000 --> 00:48:32,160
Speaker 1: this room with these heads. Missy wants to make it interesting,

1049
00:48:32,239 --> 00:48:34,520
Speaker 1: so she turns on music and starts to dance with Corey.

1050
00:48:34,920 --> 00:48:37,120
Speaker 1: Missy leans in to kiss Corey, but he puts his

1051
00:48:37,200 --> 00:48:39,839
Speaker 1: hand between them, so she kisses his hand and makes

1052
00:48:40,040 --> 00:48:44,640
Speaker 1: our second to the graduate reference by saying, Missy, you're

1053
00:48:44,800 --> 00:48:46,080
Speaker 1: trying to seduce me.

1054
00:48:46,520 --> 00:48:46,680
Speaker 2: Yep.

1055
00:48:47,719 --> 00:48:52,399
Speaker 1: So again Cory sees it coming and does the right

1056
00:48:52,520 --> 00:48:54,040
Speaker 1: thing by stopping it.

1057
00:48:54,800 --> 00:48:57,319
Speaker 2: He likes, that's still the wrong thing by even being

1058
00:48:57,400 --> 00:48:58,279
Speaker 2: in this basement at this.

1059
00:48:58,320 --> 00:49:02,399
Speaker 1: Point, right, yeah, even if you say I'm following through

1060
00:49:02,480 --> 00:49:05,319
Speaker 1: on this experiment about going to this party to see

1061
00:49:05,360 --> 00:49:06,000
Speaker 1: if I'm cool.

1062
00:49:06,600 --> 00:49:09,560
Speaker 2: The minute it was just the four of you, should

1063
00:49:09,680 --> 00:49:10,200
Speaker 2: you should bail?

1064
00:49:10,400 --> 00:49:13,200
Speaker 1: You need to bail. You cannot stick around, and they

1065
00:49:13,320 --> 00:49:16,560
Speaker 1: try to make it like, oh, I'm doing this for

1066
00:49:16,719 --> 00:49:18,920
Speaker 1: my friend Sean because Shawan's gonna go.

1067
00:49:19,520 --> 00:49:23,160
Speaker 3: Yeah, no, cause Shawn needs help with girls for some reason.

1068
00:49:23,200 --> 00:49:26,760
Speaker 3: Exactly now this is now Corey. Corey has officially crossed

1069
00:49:26,840 --> 00:49:29,000
Speaker 3: over to this is now your fault.

1070
00:49:30,320 --> 00:49:31,719
Speaker 1: Corey is participating in this.

1071
00:49:31,760 --> 00:49:35,520
Speaker 2: Which you know, if he likes Missy makes sense if

1072
00:49:35,520 --> 00:49:37,759
Speaker 2: you got the hotspurg girl you got and if she

1073
00:49:38,280 --> 00:49:40,359
Speaker 2: but you know, she's like, I want to look into

1074
00:49:40,360 --> 00:49:42,640
Speaker 2: your eyes and know it all again. It would be

1075
00:49:42,680 --> 00:49:44,920
Speaker 2: great if it was like I want to hear more

1076
00:49:45,160 --> 00:49:48,080
Speaker 2: like about actual cornus, like or that she thought that

1077
00:49:48,200 --> 00:49:50,320
Speaker 2: this was hysterical that he does this. I don't know,

1078
00:49:50,719 --> 00:49:52,640
Speaker 2: just but this also makes perfect She's on that one.

1079
00:49:52,719 --> 00:49:56,120
Speaker 3: Then why they change this episode in the airing order,

1080
00:49:56,560 --> 00:50:00,280
Speaker 3: because there's no way that the second episode there too together.

1081
00:50:00,440 --> 00:50:03,280
Speaker 3: He's already cheating on her. Yeah, it's like you can't,

1082
00:50:03,400 --> 00:50:05,160
Speaker 3: you can't have that. So they were like, why don't

1083
00:50:05,160 --> 00:50:06,160
Speaker 3: we hold that for it.

1084
00:50:06,800 --> 00:50:08,600
Speaker 2: Is like if you think about the first episode of

1085
00:50:08,640 --> 00:50:11,840
Speaker 2: the season and this, it is like full Corey to

1086
00:50:11,920 --> 00:50:14,320
Speaker 2: Panga story, you know, like and then we had to

1087
00:50:14,400 --> 00:50:17,239
Speaker 2: sort of go away from that for a while, do

1088
00:50:17,400 --> 00:50:19,560
Speaker 2: more of the Sean stuff, finish up the Sean Turner

1089
00:50:19,680 --> 00:50:22,839
Speaker 2: storylines and stuff, because it is really intense to come

1090
00:50:22,880 --> 00:50:25,680
Speaker 2: in third season. Like imagine if this was the second episode, that.

1091
00:50:25,680 --> 00:50:29,360
Speaker 3: Would be like nuts, He's already there together, He's already

1092
00:50:29,360 --> 00:50:29,920
Speaker 3: had the way.

1093
00:50:30,040 --> 00:50:33,759
Speaker 1: I still feel that way all right, nine episodes in

1094
00:50:33,880 --> 00:50:38,160
Speaker 1: and I'm like, already this relationship is clearly not good.

1095
00:50:38,160 --> 00:50:43,120
Speaker 2: Just unction hugely dysfunctional. The Jeene jacket scene in this

1096
00:50:43,360 --> 00:50:45,759
Speaker 2: I'm like, wow, this is it doesn't seem to be

1097
00:50:45,840 --> 00:50:48,200
Speaker 2: making anybody happy, definite.

1098
00:50:49,840 --> 00:50:52,080
Speaker 1: Corey is miser mearly unhappy and.

1099
00:50:54,200 --> 00:50:58,560
Speaker 2: Just yeah, pull pull pull, pull the shoot, pull the shoes, like.

1100
00:50:58,640 --> 00:51:01,200
Speaker 1: Begging him to talk nice slea to her and also

1101
00:51:01,640 --> 00:51:03,080
Speaker 1: not kiss other people for.

1102
00:51:03,239 --> 00:51:09,839
Speaker 2: People banking into her home. Yeah, there's flags. I brought

1103
00:51:09,920 --> 00:51:11,719
Speaker 2: you half your cat when I was young.

1104
00:51:11,840 --> 00:51:16,000
Speaker 1: I think I thought it was romantic and I'm so

1105
00:51:16,200 --> 00:51:18,560
Speaker 1: again we get the graduate reference. Missy Robinson, you're trying

1106
00:51:18,600 --> 00:51:20,120
Speaker 1: to seduce me, She says, well, she's not doing a

1107
00:51:20,200 --> 00:51:21,759
Speaker 1: very good job of it, since it's past nine and

1108
00:51:21,800 --> 00:51:24,319
Speaker 1: they're not even making out yet. More panics that it's

1109
00:51:24,400 --> 00:51:26,640
Speaker 1: past nine. He asks for a phone. She points to

1110
00:51:26,680 --> 00:51:28,320
Speaker 1: the court at home phone next to the couch, and

1111
00:51:28,400 --> 00:51:30,640
Speaker 1: he takes it into the closet to call to Panga.

1112
00:51:30,880 --> 00:51:33,640
Speaker 1: It is for sure the exact same closet as the seven.

1113
00:51:33,440 --> 00:51:35,200
Speaker 2: Minutes in exact same closet.

1114
00:51:35,320 --> 00:51:37,680
Speaker 1: He didn't even try to hide it. Cory says he's

1115
00:51:37,719 --> 00:51:39,400
Speaker 1: on his way to Chubbies to pick up to Pega's

1116
00:51:39,400 --> 00:51:41,279
Speaker 1: ice cream. To Panga asks how the party is, and

1117
00:51:41,320 --> 00:51:43,120
Speaker 1: he says, oh, there were a lot of no shows.

1118
00:51:43,400 --> 00:51:46,319
Speaker 1: As Missy comes into the closet closes, the door behind her,

1119
00:51:46,440 --> 00:51:47,759
Speaker 1: coming up right behind Corey.

1120
00:51:48,000 --> 00:51:52,120
Speaker 2: Phone doesn't ring, by the way, bad fact bad acting

1121
00:51:53,200 --> 00:51:58,040
Speaker 2: the phone. He's like, oh, usually parents have to answer.

1122
00:51:58,640 --> 00:52:04,399
Speaker 2: You can ask the terrible facting, you know. I also

1123
00:52:04,560 --> 00:52:07,120
Speaker 2: just wish, like when they're on the couch and even

1124
00:52:07,160 --> 00:52:10,120
Speaker 2: the dance, like why isn't Corey having any fun? Like

1125
00:52:10,239 --> 00:52:12,960
Speaker 2: he's he knows he's doing something wrong. I mean you

1126
00:52:13,000 --> 00:52:16,279
Speaker 2: should be. That's why he's there. Like if you were

1127
00:52:16,320 --> 00:52:20,279
Speaker 2: ever in this position, you would be having fun either getting.

1128
00:52:20,239 --> 00:52:22,239
Speaker 1: Well, you need to make a choice. You would either

1129
00:52:22,520 --> 00:52:24,640
Speaker 1: get the heck out of there because I'm not going

1130
00:52:24,719 --> 00:52:26,160
Speaker 1: to have fun because I'm doing something.

1131
00:52:26,239 --> 00:52:30,040
Speaker 2: Guilty, or I just feel like I'm doing it. Yeah,

1132
00:52:30,200 --> 00:52:34,080
Speaker 2: I'm She just want one where he's like, oh, I

1133
00:52:34,200 --> 00:52:36,719
Speaker 2: really like this. You know, she's laughing at me or

1134
00:52:36,760 --> 00:52:39,320
Speaker 2: I'm laughing at somebody. She said, like we're connecting and

1135
00:52:39,440 --> 00:52:42,560
Speaker 2: this is not good. Like but instead he's just miserable, miserable,

1136
00:52:42,640 --> 00:52:44,759
Speaker 2: miserable stopping her from kissing her, miserable. Oh my god,

1137
00:52:44,760 --> 00:52:47,319
Speaker 2: it's nine o'clock. It's like you were there.

1138
00:52:48,960 --> 00:52:50,520
Speaker 1: But that's what I'm saying. They tried to make it

1139
00:52:50,600 --> 00:52:53,680
Speaker 1: seem like the only reason he stayed is because Sean

1140
00:52:53,920 --> 00:52:56,399
Speaker 1: was going to be with Libby, and so he's doing

1141
00:52:56,560 --> 00:53:00,400
Speaker 1: Libby's in a favor, like, oh, go away, you go

1142
00:53:00,520 --> 00:53:02,919
Speaker 1: be with Libby. I'll just drag this out and see

1143
00:53:02,960 --> 00:53:05,000
Speaker 1: what happens. So that's kind of what they're doing.

1144
00:53:05,400 --> 00:53:08,040
Speaker 2: Okay. Yeah, it could have been written to a little more.

1145
00:53:07,960 --> 00:53:09,320
Speaker 1: I think, But yeah, I think so too, Like he

1146
00:53:09,360 --> 00:53:11,560
Speaker 1: could have been like Sean, where is Sean? Like he

1147
00:53:11,680 --> 00:53:13,280
Speaker 1: can't leave because Sean's not there.

1148
00:53:13,400 --> 00:53:15,200
Speaker 2: He starts to leave and you hear me, yell, don't

1149
00:53:15,280 --> 00:53:15,520
Speaker 2: do it.

1150
00:53:18,640 --> 00:53:20,719
Speaker 1: Exactly. They could have played that up a little bit more. Ye,

1151
00:53:22,520 --> 00:53:27,080
Speaker 1: So Missy just assaults him. She starts nibbling on Corey's

1152
00:53:27,120 --> 00:53:28,800
Speaker 1: ear while he's still on the phone with Tapanga, and

1153
00:53:28,880 --> 00:53:32,360
Speaker 1: he starts singing, Oh Susanna, and he's giggling, trying not

1154
00:53:32,440 --> 00:53:35,400
Speaker 1: to make it obvious that he's being sexually assaulted. Corey

1155
00:53:35,560 --> 00:53:38,400
Speaker 1: hangs up, but Missy says he's not getting out because

1156
00:53:38,440 --> 00:53:42,240
Speaker 1: she is scary as hell and wants a kidnapping charge apparently,

1157
00:53:42,320 --> 00:53:48,080
Speaker 1: and then she kisses Cory. Oh god. Corey says he

1158
00:53:48,200 --> 00:53:50,480
Speaker 1: can't do this. He has a girlfriend, and even though

1159
00:53:50,520 --> 00:53:53,480
Speaker 1: Missy is very attractive, and then she hears her dad

1160
00:53:53,560 --> 00:53:55,520
Speaker 1: come home and she panics, saying he has to leave

1161
00:53:55,560 --> 00:53:57,640
Speaker 1: fast because she's not allowed to have boys over, and

1162
00:53:57,760 --> 00:54:00,640
Speaker 1: he says, she's very sensitive. Did you guys here?

1163
00:54:00,800 --> 00:54:03,200
Speaker 2: I could have heard it wrong. Was it a honk?

1164
00:54:03,480 --> 00:54:06,920
Speaker 1: Yes? I think it was like the car lonked okay,

1165
00:54:07,280 --> 00:54:09,319
Speaker 1: the locking of the car when your car, when your

1166
00:54:10,280 --> 00:54:10,600
Speaker 1: because I.

1167
00:54:10,640 --> 00:54:16,640
Speaker 2: Was like, okay, all right, that makes sense. The alarm, okay,

1168
00:54:16,680 --> 00:54:17,000
Speaker 2: I think.

1169
00:54:16,920 --> 00:54:18,680
Speaker 1: It's the I think it's he locked the quadrant and

1170
00:54:18,800 --> 00:54:20,840
Speaker 1: makes it like makes a horn, because we tell you

1171
00:54:20,920 --> 00:54:22,279
Speaker 1: have this discussion in our house as well.

1172
00:54:22,680 --> 00:54:23,000
Speaker 2: Okay.

1173
00:54:23,640 --> 00:54:26,040
Speaker 1: Cory asks how fast and she points to the heads

1174
00:54:26,080 --> 00:54:28,360
Speaker 1: on the wall and says faster, which is again a

1175
00:54:28,600 --> 00:54:31,560
Speaker 1: very funny line, funny joke. Corey sees both deer heads

1176
00:54:31,640 --> 00:54:35,040
Speaker 1: and then imagine his imagines his own head as a third.

1177
00:54:35,640 --> 00:54:37,200
Speaker 1: His head looks at him and tells.

1178
00:54:37,000 --> 00:54:40,839
Speaker 2: Him to get out, by the way. Do you think

1179
00:54:41,000 --> 00:54:41,880
Speaker 2: is Ben doing that?

1180
00:54:42,120 --> 00:54:42,319
Speaker 1: Yeah?

1181
00:54:43,239 --> 00:54:43,400
Speaker 3: It is?

1182
00:54:44,000 --> 00:54:44,400
Speaker 1: I think so.

1183
00:54:48,239 --> 00:54:49,640
Speaker 2: Like that's one of those things that if you had

1184
00:54:49,680 --> 00:54:52,040
Speaker 2: shown me, I would have been like, what is like

1185
00:54:52,320 --> 00:54:54,399
Speaker 2: there was an episode of Boybet's World where Ben's head

1186
00:54:54,480 --> 00:54:55,840
Speaker 2: was on a thing. I would be like, I have

1187
00:54:56,120 --> 00:54:59,520
Speaker 2: no idea what this is, because you know, we we

1188
00:54:59,520 --> 00:55:03,279
Speaker 2: would have show like you know, oh yeah, and then

1189
00:55:03,400 --> 00:55:06,040
Speaker 2: never done it again. I wouldn't remember it. And yet

1190
00:55:06,080 --> 00:55:08,960
Speaker 2: I'm sure it's iconic for some people, like his head

1191
00:55:09,000 --> 00:55:11,279
Speaker 2: on that thing. Yeah for sure, I had no idea

1192
00:55:11,360 --> 00:55:12,000
Speaker 2: this ever happened.

1193
00:55:12,200 --> 00:55:15,120
Speaker 1: Yeah, me neither. Sean comes up behind Corey and Sean

1194
00:55:15,120 --> 00:55:17,480
Speaker 1: tells him there isn't a basement in town. He hasn't escaped.

1195
00:55:17,640 --> 00:55:20,000
Speaker 1: Mickey gives very detailed instructions about how to get out,

1196
00:55:20,040 --> 00:55:24,640
Speaker 1: and Corey says, I'm sensing you've done this before. And

1197
00:55:24,760 --> 00:55:27,200
Speaker 1: then we're in the Matthews living room. Eric is watching

1198
00:55:27,239 --> 00:55:30,000
Speaker 1: baseball for Baggie and tells Amy and Allan to come watch.

1199
00:55:31,440 --> 00:55:34,200
Speaker 1: Alan clarifies, so if he gets hit two more times,

1200
00:55:34,280 --> 00:55:37,000
Speaker 1: this picture becomes a priceless treasure, and Eric says, you're

1201
00:55:37,080 --> 00:55:41,399
Speaker 1: proud of me, very cute. Amy notices Bagwell is getting

1202
00:55:41,520 --> 00:55:43,759
Speaker 1: led to home plate and Eric explains, well, yeah, the

1203
00:55:43,880 --> 00:55:46,359
Speaker 1: last time he got hit, both his eyes swelled up.

1204
00:55:46,840 --> 00:55:53,520
Speaker 2: So disturbed though, is when the hit happens is your

1205
00:55:53,880 --> 00:55:59,480
Speaker 2: face you that's too or a complete psychopath? The gleam

1206
00:55:59,800 --> 00:56:03,880
Speaker 2: and pleasure in your eyes. I will die so he

1207
00:56:04,080 --> 00:56:08,440
Speaker 2: managed to be so happy and yet completely evil at

1208
00:56:08,480 --> 00:56:15,880
Speaker 2: this I was great.

1209
00:56:16,320 --> 00:56:18,839
Speaker 1: On the first pitch, Baggy gets hit by the ball

1210
00:56:18,960 --> 00:56:22,239
Speaker 1: and Eric is thrilled. Even though Baggy is still on

1211
00:56:22,320 --> 00:56:25,880
Speaker 1: the ground and Amy and Allen are cringing. The announcer

1212
00:56:25,960 --> 00:56:29,040
Speaker 1: says Baggy is requesting a microphone from the stretcher. Baggie

1213
00:56:29,080 --> 00:56:32,640
Speaker 1: says today he considers himself the stupidest man on the

1214
00:56:32,719 --> 00:56:36,200
Speaker 1: face of the earth, and then announces he quits baseball.

1215
00:56:36,520 --> 00:56:38,759
Speaker 1: And this is a reference to Lou Garrigg, who, when

1216
00:56:38,840 --> 00:56:43,120
Speaker 1: he retired said today, I consider myself the luckiest man

1217
00:56:43,320 --> 00:56:47,239
Speaker 1: on the faces of the earth. Yep, and Alan says, well,

1218
00:56:47,480 --> 00:56:50,680
Speaker 1: two hundred macaroons down the drain. Eric says, no way,

1219
00:56:50,840 --> 00:56:54,000
Speaker 1: mark my words that man plays baseball again or else.

1220
00:56:54,120 --> 00:56:59,880
Speaker 1: My name isn't Eric Neil Matthews. Amy says, that's not

1221
00:57:00,200 --> 00:57:00,960
Speaker 1: your middle name.

1222
00:57:01,440 --> 00:57:04,080
Speaker 2: That's one of my favorite Eric moments. That's one of

1223
00:57:04,120 --> 00:57:05,600
Speaker 2: my favorite Eric moments ever?

1224
00:57:05,800 --> 00:57:06,000
Speaker 3: Is that?

1225
00:57:06,520 --> 00:57:09,320
Speaker 2: And that's the end of the storyline. Yeah, that's the button.

1226
00:57:09,600 --> 00:57:13,680
Speaker 3: Yeah that Eric's Neil and it ain't so is another

1227
00:57:13,760 --> 00:57:17,720
Speaker 3: one that that is it's a take off on Shoeless

1228
00:57:17,760 --> 00:57:21,600
Speaker 3: Joe Jackson when when he got caught cheating and it

1229
00:57:21,680 --> 00:57:22,600
Speaker 3: was a little kid going.

1230
00:57:22,520 --> 00:57:24,560
Speaker 2: Say say it ain't so, Joe, say it ain't so.

1231
00:57:25,120 --> 00:57:27,920
Speaker 3: So that's another Those are two old school baseball references.

1232
00:57:39,040 --> 00:57:42,360
Speaker 3: I've heard Neil was wrong, but don't they do Randall

1233
00:57:42,480 --> 00:57:44,480
Speaker 3: at one point too? Isn't it Eric Randall?

1234
00:57:44,560 --> 00:57:48,480
Speaker 2: Matthew? Sure it's on IMDb since the le Kyle's what

1235
00:57:48,640 --> 00:57:51,600
Speaker 2: I talked to my call yourself, I think that should

1236
00:57:51,640 --> 00:57:53,600
Speaker 2: be in quotes. Yeah, your name.

1237
00:57:53,640 --> 00:57:56,000
Speaker 3: I think it's Randall, but I I could be wrong.

1238
00:57:56,040 --> 00:57:58,360
Speaker 3: But that's one of my favorite all time Eric moments.

1239
00:57:58,480 --> 00:58:03,240
Speaker 3: Is just the perplexed look of the and Betsy's reading

1240
00:58:03,400 --> 00:58:03,960
Speaker 3: is perfect.

1241
00:58:04,040 --> 00:58:05,919
Speaker 2: That's that's it's.

1242
00:58:10,120 --> 00:58:10,160
Speaker 3: So.

1243
00:58:10,440 --> 00:58:12,720
Speaker 1: Then we're in Chubby's. Corey and Sean walk into Chubby

1244
00:58:12,800 --> 00:58:14,840
Speaker 1: so Corey can order to pang his ice cream. Corey

1245
00:58:14,920 --> 00:58:17,600
Speaker 1: asks Sean why he kissed Missy Robinson, not realizing he

1246
00:58:17,640 --> 00:58:20,040
Speaker 1: says it out loud so everyone in Chubby's can hear.

1247
00:58:20,600 --> 00:58:23,800
Speaker 1: Sean says Missy attacked him and Corey is the victim, which,

1248
00:58:24,520 --> 00:58:28,960
Speaker 1: to be fair, is the truth. That is what happened.

1249
00:58:29,000 --> 00:58:31,360
Speaker 1: I do understand that Corey was there and he should

1250
00:58:31,400 --> 00:58:35,160
Speaker 1: have left. Being in a place that you shouldn't be

1251
00:58:35,560 --> 00:58:38,400
Speaker 1: is not an invitation for someone to forcibly put their

1252
00:58:38,480 --> 00:58:38,840
Speaker 1: mouth on.

1253
00:58:38,880 --> 00:58:43,560
Speaker 3: Your Like you can do it when you because you

1254
00:58:43,680 --> 00:58:46,560
Speaker 3: can mitigate the risk, But it still doesn't make it right.

1255
00:58:46,720 --> 00:58:49,160
Speaker 1: It's a little like to take it to an extreme.

1256
00:58:49,400 --> 00:58:51,040
Speaker 1: It's a little like, well, did you see what she

1257
00:58:51,200 --> 00:58:54,800
Speaker 1: was wearing? Yes, it doesn't matter. It doesn't matter that

1258
00:58:54,880 --> 00:58:55,360
Speaker 1: he was there.

1259
00:58:55,640 --> 00:58:58,960
Speaker 2: I mean, I think, I mean, I think the key

1260
00:58:59,080 --> 00:59:01,640
Speaker 2: thing is that she did try and he stopped her

1261
00:59:01,720 --> 00:59:05,960
Speaker 2: with his hand between their lips. First. Yeah, that's the key.

1262
00:59:06,280 --> 00:59:08,080
Speaker 2: Like if he hadn't done that, I would say, like,

1263
00:59:08,240 --> 00:59:09,960
Speaker 2: you know, you go in, you make the move for

1264
00:59:10,000 --> 00:59:12,640
Speaker 2: a kiss, and if you know, if you get to

1265
00:59:12,680 --> 00:59:16,240
Speaker 2: tould lips right, if you touch lips, you could say, like,

1266
00:59:16,360 --> 00:59:18,600
Speaker 2: I don't think that that's always assault, you know, but

1267
00:59:18,840 --> 00:59:21,360
Speaker 2: like in this case, it's the third time that she's

1268
00:59:22,160 --> 00:59:23,120
Speaker 2: He's also.

1269
00:59:23,000 --> 00:59:25,720
Speaker 1: Not just stopped with his fingers. He also says, I

1270
00:59:25,960 --> 00:59:29,880
Speaker 1: have a girlfriend. I have a girlfriend. I don't want

1271
00:59:29,920 --> 00:59:31,480
Speaker 1: to do this. I can't do this. Whether it's I

1272
00:59:31,520 --> 00:59:33,320
Speaker 1: can't or I don't want to, it doesn't you know.

1273
00:59:33,440 --> 00:59:35,440
Speaker 1: He says, I can't do this. I have a girlfriend.

1274
00:59:35,520 --> 00:59:38,160
Speaker 3: He literally runs into the closet and shuts the door

1275
00:59:38,640 --> 00:59:41,840
Speaker 3: to be away from her, and she then follows him

1276
00:59:41,920 --> 00:59:43,080
Speaker 3: in there. Yeah.

1277
00:59:43,560 --> 00:59:45,920
Speaker 2: So yeah, like I think it's it's doing a lot

1278
00:59:45,960 --> 00:59:48,479
Speaker 2: of work to just make sure that Corey is as

1279
00:59:48,640 --> 00:59:53,480
Speaker 2: innocent as he possibly can be, right, and he does

1280
00:59:53,560 --> 00:59:59,680
Speaker 2: take responsibility for for something. But yeah, I think the

1281
00:59:59,760 --> 01:00:01,880
Speaker 2: show I was just wanting to make sure that that

1282
01:00:02,040 --> 01:00:04,840
Speaker 2: the viewers identify with Corey because if it was too

1283
01:00:04,920 --> 01:00:07,360
Speaker 2: easy to be like, well, Corey, you're just an ass,

1284
01:00:08,080 --> 01:00:10,920
Speaker 2: You're just a cheating ass, you know, and then the

1285
01:00:10,960 --> 01:00:12,160
Speaker 2: whole episode's useless.

1286
01:00:12,400 --> 01:00:16,240
Speaker 3: So this is very different than Lauren, you know, which

1287
01:00:16,320 --> 01:00:19,720
Speaker 3: they go down that road as well, where he emotionally

1288
01:00:20,080 --> 01:00:22,680
Speaker 3: and physically cheats, which is which is a whole different

1289
01:00:22,760 --> 01:00:23,520
Speaker 3: thing totally.

1290
01:00:24,120 --> 01:00:26,400
Speaker 1: Yeah, It's just I would like to point out that

1291
01:00:26,480 --> 01:00:28,360
Speaker 1: Sean is acting like, look, I'm going to come up

1292
01:00:28,400 --> 01:00:30,400
Speaker 1: with a I'm going to come up with a trick

1293
01:00:30,520 --> 01:00:34,800
Speaker 1: for you. You're a victim, but it is actually the truth.

1294
01:00:35,440 --> 01:00:38,240
Speaker 1: You know you can. So it gets worse though for

1295
01:00:38,360 --> 01:00:41,160
Speaker 1: me because, like you say, Corey is the victim, which

1296
01:00:41,600 --> 01:00:44,200
Speaker 1: i truth is basically the truth, not a lie, even

1297
01:00:44,240 --> 01:00:45,640
Speaker 1: though Sean is acting like it's a little bit of

1298
01:00:45,640 --> 01:00:47,640
Speaker 1: a lie. Corey gets the ice cream from a new

1299
01:00:47,720 --> 01:00:49,160
Speaker 1: Jobby's employee, and Sean.

1300
01:00:49,000 --> 01:00:52,680
Speaker 2: Says, Corey, this ice cream too, and nowhere else to

1301
01:00:52,960 --> 01:00:56,640
Speaker 2: get anything ice cream. You have your raves there your

1302
01:00:56,960 --> 01:00:58,560
Speaker 2: ice cream exactly.

1303
01:00:58,280 --> 01:01:00,120
Speaker 1: Even though apparently the school is right next to a

1304
01:01:00,200 --> 01:01:04,600
Speaker 1: frozen yogurt shop where Madam Ospenskaya reads could have gone her.

1305
01:01:04,560 --> 01:01:08,960
Speaker 2: That got shut down. Yes, okay, health code violation, yes,

1306
01:01:09,000 --> 01:01:10,280
Speaker 2: health go violace too many wolves.

1307
01:01:10,600 --> 01:01:12,560
Speaker 1: So Corey gets the ice cream, and Sean says Corey

1308
01:01:12,680 --> 01:01:15,080
Speaker 1: is home free. He kissed another girl and he's gonna

1309
01:01:15,080 --> 01:01:17,800
Speaker 1: get away with it until he says hello Topanga, and

1310
01:01:17,880 --> 01:01:20,919
Speaker 1: Topanga is standing behind Corey. Corey turns around to see

1311
01:01:20,920 --> 01:01:22,160
Speaker 1: Topanga and starts singing.

1312
01:01:21,960 --> 01:01:25,520
Speaker 2: Fifteen time, I wasn't even going to it. I wasn't

1313
01:01:25,520 --> 01:01:26,200
Speaker 2: even gonna mention it.

1314
01:01:27,040 --> 01:01:29,520
Speaker 1: She starts singing Oh Susannah again, and Topanga says she

1315
01:01:29,560 --> 01:01:31,400
Speaker 1: needed to get out of the house and that it's

1316
01:01:31,400 --> 01:01:33,440
Speaker 1: getting late and she worried Corey might have forgotten about her.

1317
01:01:33,640 --> 01:01:35,360
Speaker 1: He says, does this look like I forgot about you?

1318
01:01:35,440 --> 01:01:37,680
Speaker 1: Holding up the ice cream. Topanga takes the ice cream

1319
01:01:37,680 --> 01:01:39,479
Speaker 1: from him and asks if it's okay if she doesn't

1320
01:01:39,560 --> 01:01:42,320
Speaker 1: kiss him because she's still jermy. She blows him a

1321
01:01:42,400 --> 01:01:45,040
Speaker 1: kiss and starts to walk out. Sean says Corey is

1322
01:01:45,160 --> 01:01:48,840
Speaker 1: home free. Corey says home nothing, and then stops Tapanga

1323
01:01:48,920 --> 01:01:50,920
Speaker 1: saying he can't lie to her about what happened tonight.

1324
01:01:51,480 --> 01:01:56,080
Speaker 1: And then Corey says he accidentally kissed Missy.

1325
01:01:56,640 --> 01:01:58,840
Speaker 2: Before we get into that, can I just ask very quickly.

1326
01:01:58,760 --> 01:01:59,120
Speaker 1: Isn't what?

1327
01:01:59,360 --> 01:02:00,640
Speaker 2: How? And I asked why?

1328
01:02:00,840 --> 01:02:04,400
Speaker 3: What? What is Tapanga doing? Was she just gonna walk

1329
01:02:04,520 --> 01:02:06,160
Speaker 3: downstairs and chubbies and then leave?

1330
01:02:07,200 --> 01:02:08,760
Speaker 1: No, she was coming to order her own ice cream?

1331
01:02:08,800 --> 01:02:11,240
Speaker 2: Is that what it was? She was coming?

1332
01:02:11,400 --> 01:02:12,960
Speaker 1: She was worried he forgot about her. She had to

1333
01:02:12,960 --> 01:02:14,640
Speaker 1: get out of the house. I'll go get my own

1334
01:02:14,680 --> 01:02:16,920
Speaker 1: ice cream. And then he has it for and she's like,

1335
01:02:16,960 --> 01:02:18,680
Speaker 1: oh great, thank you, I can leave.

1336
01:02:18,600 --> 01:02:19,920
Speaker 2: Now, gotcha? Gotcha?

1337
01:02:20,160 --> 01:02:20,440
Speaker 3: Gotcha?

1338
01:02:21,680 --> 01:02:24,720
Speaker 2: Yeah. Saying accidentally is just a way to soften what

1339
01:02:24,880 --> 01:02:28,680
Speaker 2: he did, Like it's just him being an idiot, right right?

1340
01:02:28,760 --> 01:02:30,880
Speaker 2: And I guess just throwing in a word to make

1341
01:02:30,920 --> 01:02:33,560
Speaker 2: it sound better than it. Did he kiss her?

1342
01:02:33,640 --> 01:02:37,120
Speaker 1: He didn't even kiss her kiss him. The only thing

1343
01:02:37,200 --> 01:02:40,800
Speaker 1: he should take responsibility for is going to He went

1344
01:02:40,920 --> 01:02:44,800
Speaker 1: to this party tonight, and I kind of knew it

1345
01:02:45,000 --> 01:02:49,120
Speaker 1: was only a party for me, and instead of leaving,

1346
01:02:49,640 --> 01:02:52,320
Speaker 1: I stay and she kissed me.

1347
01:02:52,560 --> 01:02:55,720
Speaker 3: Yep, like after I told her twice that I didn't

1348
01:02:55,760 --> 01:02:58,400
Speaker 3: want to and stopped her from doing it, and then

1349
01:02:58,600 --> 01:03:00,520
Speaker 3: ran into another room and shut the door.

1350
01:03:00,600 --> 01:03:01,520
Speaker 1: And I hid in the closet.

1351
01:03:01,600 --> 01:03:06,800
Speaker 2: And closet, I mean the really, it's it's a blocking thing.

1352
01:03:07,040 --> 01:03:09,760
Speaker 2: If if she if they're in the closet after he

1353
01:03:09,880 --> 01:03:11,680
Speaker 2: hangs up the phone, if she had just sort of

1354
01:03:11,720 --> 01:03:14,160
Speaker 2: grabbed him and looked at him and he had kissed her,

1355
01:03:15,080 --> 01:03:18,720
Speaker 2: they met, they made together, if they met together.

1356
01:03:18,640 --> 01:03:21,360
Speaker 1: Correct, it would he could accident Then he could say

1357
01:03:21,880 --> 01:03:24,840
Speaker 1: I got caught up. I don't know what I found

1358
01:03:24,840 --> 01:03:26,000
Speaker 1: myself in about it.

1359
01:03:26,000 --> 01:03:27,640
Speaker 2: Totally would have been fine. I think it would have

1360
01:03:28,600 --> 01:03:30,040
Speaker 2: it would it wouldn't have been It would have been

1361
01:03:30,040 --> 01:03:33,560
Speaker 2: the same moment, right like coreus is not I don't know,

1362
01:03:33,760 --> 01:03:36,680
Speaker 2: Like yeah, I think it's a good storyline for him

1363
01:03:36,720 --> 01:03:39,280
Speaker 2: to because he put himself in a situation. He's flirting

1364
01:03:39,320 --> 01:03:41,840
Speaker 2: with a girl. He does think she's attractive, he says that.

1365
01:03:42,320 --> 01:03:45,640
Speaker 1: Finally, but is in that case if that had been

1366
01:03:45,680 --> 01:03:47,960
Speaker 1: the case, I think there wouldn't have ever been a

1367
01:03:48,080 --> 01:03:51,440
Speaker 1: world where Tapega would then say, well, then we should

1368
01:03:51,440 --> 01:03:53,960
Speaker 1: stay in this relationship. I think she would say a

1369
01:03:54,080 --> 01:03:57,640
Speaker 1: relationship is a choice you make where you agree to

1370
01:03:57,760 --> 01:04:02,120
Speaker 1: be monogamous with your or significant other. And if you

1371
01:04:02,200 --> 01:04:04,560
Speaker 1: are telling me that when you go to a party

1372
01:04:04,760 --> 01:04:07,080
Speaker 1: it might end up happening that you become insource old

1373
01:04:07,200 --> 01:04:09,880
Speaker 1: and kiss somebody else, you should just be single. There's

1374
01:04:09,920 --> 01:04:12,080
Speaker 1: nothing wrong with that. There's nothing wrong with being single

1375
01:04:12,120 --> 01:04:14,240
Speaker 1: and going to a party and kissing something. But if

1376
01:04:14,240 --> 01:04:16,480
Speaker 1: you're gonna be in a relationship and have a girlfriend,

1377
01:04:16,600 --> 01:04:18,760
Speaker 1: that's a choice you've made. You know what you give

1378
01:04:18,840 --> 01:04:22,439
Speaker 1: up when you make that choice. And so in this case,

1379
01:04:22,640 --> 01:04:24,720
Speaker 1: they really did need it to be that. It wasn't

1380
01:04:24,800 --> 01:04:28,560
Speaker 1: Corey cheating. It isn't the Lauren situation. We address that

1381
01:04:28,760 --> 01:04:31,720
Speaker 1: later when he actually has a come to Jesus about

1382
01:04:31,760 --> 01:04:35,040
Speaker 1: their relationship and he cheats on her. They didn't want

1383
01:04:35,120 --> 01:04:36,960
Speaker 1: that to be this case. So I don't know why

1384
01:04:37,080 --> 01:04:41,480
Speaker 1: then it isn't presented the way it is. And so

1385
01:04:41,600 --> 01:04:44,040
Speaker 1: the fact that then he says I accidentally kissed her,

1386
01:04:44,440 --> 01:04:47,240
Speaker 1: Topanga has a normal reaction, which is, excuse me, how

1387
01:04:47,320 --> 01:04:49,720
Speaker 1: do you accidentally kiss someone? Did she slip and your

1388
01:04:49,800 --> 01:04:53,720
Speaker 1: lips broke her fall. He tells her he feels horrible again.

1389
01:04:53,840 --> 01:04:57,400
Speaker 1: Now red flags everywhere. To Pega has just been told

1390
01:04:57,480 --> 01:05:00,440
Speaker 1: she's been cheated on, and he goes, I feel real bad.

1391
01:05:00,640 --> 01:05:03,680
Speaker 1: You sure are making me feel bad. Gosh, why do

1392
01:05:03,720 --> 01:05:05,480
Speaker 1: you have to make me feel so bad? Since I

1393
01:05:05,600 --> 01:05:09,840
Speaker 1: feel so bad anyway, and she like kind of accepts that,

1394
01:05:10,720 --> 01:05:13,840
Speaker 1: and her response is, well, what do you think I

1395
01:05:13,880 --> 01:05:16,880
Speaker 1: should do? I love I love asking that. That's what

1396
01:05:17,160 --> 01:05:19,800
Speaker 1: parents should do too, by the way, like, wow, well

1397
01:05:20,560 --> 01:05:22,160
Speaker 1: there was a real you know, there was a choice

1398
01:05:22,200 --> 01:05:24,160
Speaker 1: made here that I feel like was a bad choice.

1399
01:05:24,200 --> 01:05:26,800
Speaker 1: What what should the response to the bad choice be?

1400
01:05:27,000 --> 01:05:29,440
Speaker 1: And he says he hopes it's not what he deserves,

1401
01:05:29,640 --> 01:05:32,760
Speaker 1: which is a good answer though, yeah, great answer. Also,

1402
01:05:33,200 --> 01:05:34,960
Speaker 1: does he fully deserve to be broken?

1403
01:05:35,320 --> 01:05:37,280
Speaker 2: Well with the way they wrote it? He does. The

1404
01:05:37,320 --> 01:05:39,960
Speaker 2: way they wrote this, the way he's presenting it exactly.

1405
01:05:40,120 --> 01:05:41,520
Speaker 2: But no, of course not, he does.

1406
01:05:41,920 --> 01:05:44,000
Speaker 1: At the end of the day, he made some bad

1407
01:05:44,080 --> 01:05:46,520
Speaker 1: choices by not leaving, but he also didn't cheat on her,

1408
01:05:46,960 --> 01:05:53,240
Speaker 1: so to Pega then Weirdo goes, how did she kiss you?

1409
01:05:54,080 --> 01:05:57,600
Speaker 1: Because to Pega knows she's got the ensorcelement all she

1410
01:05:57,720 --> 01:05:58,440
Speaker 1: needs to do is.

1411
01:05:58,480 --> 01:06:02,000
Speaker 2: In such a weird moment. I did not know what

1412
01:06:02,160 --> 01:06:03,680
Speaker 2: was happening. I was like, how are they going to

1413
01:06:03,720 --> 01:06:10,800
Speaker 2: resolve this? I was like, she's going she's him feminine Wiles, Wiles,

1414
01:06:10,880 --> 01:06:12,600
Speaker 2: I have a question. I have a question.

1415
01:06:12,840 --> 01:06:14,640
Speaker 3: And I know this is not what they were planning,

1416
01:06:14,680 --> 01:06:18,040
Speaker 3: but in my head, what if she was going to

1417
01:06:18,080 --> 01:06:20,040
Speaker 3: stay with them, but as a bit of a punishment,

1418
01:06:20,200 --> 01:06:21,200
Speaker 3: she was going to get him sick.

1419
01:06:21,440 --> 01:06:23,160
Speaker 2: I think so. I think that's part of it. I mean,

1420
01:06:23,200 --> 01:06:25,240
Speaker 2: that's why, which is also all I could think about.

1421
01:06:25,240 --> 01:06:28,080
Speaker 2: I was like, oh no, that's gross. That's just getting

1422
01:06:28,120 --> 01:06:29,720
Speaker 2: him sick. That's all I was thinking. I was like,

1423
01:06:29,920 --> 01:06:32,400
Speaker 2: you made a reference to being jermy, and that's why

1424
01:06:32,480 --> 01:06:33,440
Speaker 2: I think. She kisses him.

1425
01:06:33,440 --> 01:06:35,160
Speaker 3: She's like, I'm gonna forgive you this time, but you're

1426
01:06:35,160 --> 01:06:37,439
Speaker 3: gonna remember what you did because I'm going to maybe

1427
01:06:37,560 --> 01:06:40,360
Speaker 3: kill you with strap, right, so I'm.

1428
01:06:40,240 --> 01:06:43,320
Speaker 2: Going to infect you if in the world post COVID

1429
01:06:43,400 --> 01:06:47,840
Speaker 2: that's I don't know, man, right, Yeah, did you say

1430
01:06:47,880 --> 01:06:49,400
Speaker 2: that's hard to swallow? Because that would have been a

1431
01:06:49,440 --> 01:06:51,280
Speaker 2: great That's what I was gonna say. Uh.

1432
01:06:52,440 --> 01:06:54,920
Speaker 1: Then she grabs him, says was it like this? And

1433
01:06:55,080 --> 01:06:59,280
Speaker 1: she ensorceles him with the real open mouth guess and

1434
01:06:59,480 --> 01:07:02,360
Speaker 1: Corey is been sources by the way to peng has

1435
01:07:02,400 --> 01:07:05,720
Speaker 1: just kissed him. He says he's never been kissed like

1436
01:07:06,080 --> 01:07:06,840
Speaker 1: that before.

1437
01:07:08,400 --> 01:07:11,680
Speaker 3: What what? What? What? What is? It?

1438
01:07:12,040 --> 01:07:14,600
Speaker 2: Literallys it was like what.

1439
01:07:16,280 --> 01:07:18,640
Speaker 1: Penga says, it will be the last time? Have you

1440
01:07:18,720 --> 01:07:19,760
Speaker 1: ever do that again?

1441
01:07:20,480 --> 01:07:24,080
Speaker 2: And angry who's still situation?

1442
01:07:24,960 --> 01:07:27,520
Speaker 1: And so Panga smiling at him.

1443
01:07:27,480 --> 01:07:27,560
Speaker 3: And.

1444
01:07:29,040 --> 01:07:30,200
Speaker 1: It was so weird.

1445
01:07:30,600 --> 01:07:34,280
Speaker 2: It was such a weird, like what just happened? It

1446
01:07:34,360 --> 01:07:37,280
Speaker 2: was like what just what just happened? Everywhere?

1447
01:07:37,440 --> 01:07:42,480
Speaker 1: And they're fine, They're still There're they're still gonna stick

1448
01:07:42,560 --> 01:07:46,680
Speaker 1: this out, even though they're teenagers who aren't married or

1449
01:07:46,800 --> 01:07:49,160
Speaker 1: have children with each other. They could walk away at

1450
01:07:49,160 --> 01:07:51,720
Speaker 1: any point. It's okay to walk away.

1451
01:07:52,920 --> 01:07:56,120
Speaker 3: So much better is is had he told her what

1452
01:07:56,360 --> 01:07:59,640
Speaker 3: kind of happened, what actually happened, I shouldn't have been

1453
01:08:00,000 --> 01:08:02,000
Speaker 3: And she's like, look, you shouldn't have been down there.

1454
01:08:02,080 --> 01:08:02,880
Speaker 2: That was your mistake.

1455
01:08:03,040 --> 01:08:04,760
Speaker 3: Is that the second you walk down there and saw

1456
01:08:04,800 --> 01:08:06,240
Speaker 3: that it was a party just for the you should

1457
01:08:06,240 --> 01:08:09,120
Speaker 3: have gotten out of there. No.

1458
01:08:09,240 --> 01:08:11,240
Speaker 2: I mean that's that's clear to us as like grown

1459
01:08:11,320 --> 01:08:13,439
Speaker 2: ups watching the show, but for kids watching the show,

1460
01:08:14,160 --> 01:08:17,280
Speaker 2: the idea that Corey did something wrong is very murky,

1461
01:08:17,760 --> 01:08:21,519
Speaker 2: and like clarifying what is actually wrong about this situation

1462
01:08:21,920 --> 01:08:25,720
Speaker 2: is is kind of helpful, right like, because we're having

1463
01:08:25,760 --> 01:08:30,000
Speaker 2: a very extensive discussion in this pod cuss about figuring

1464
01:08:30,040 --> 01:08:31,720
Speaker 2: out what it is that went wrong because it's it's

1465
01:08:31,920 --> 01:08:34,439
Speaker 2: it's tricky, like all of these things are turky, and

1466
01:08:34,520 --> 01:08:37,439
Speaker 2: so I do think there's a responsibility to a certain

1467
01:08:37,479 --> 01:08:40,679
Speaker 2: degree for the show to explain what is the wrong,

1468
01:08:40,920 --> 01:08:43,320
Speaker 2: where the moral line is when it was crossed, and

1469
01:08:43,439 --> 01:08:46,479
Speaker 2: then for Tapanga to to actually decide whether she wants

1470
01:08:46,520 --> 01:08:51,200
Speaker 2: to forgive him or not based on what was None

1471
01:08:51,240 --> 01:08:54,240
Speaker 2: of that is clarified. It's left intentionally murky, and it's

1472
01:08:54,280 --> 01:08:59,720
Speaker 2: solved with seduction, right or more sex, which is just weird.

1473
01:08:59,800 --> 01:09:02,200
Speaker 3: I'd have ended with a great Topanga line, and it

1474
01:09:02,200 --> 01:09:03,560
Speaker 3: would have taken it in a whole different way. But

1475
01:09:03,640 --> 01:09:06,240
Speaker 3: I would have ended with and you know, with Corey

1476
01:09:06,320 --> 01:09:08,360
Speaker 3: saying something like you know, well what about Missy and

1477
01:09:08,640 --> 01:09:10,600
Speaker 3: Topanga just going oh, yeah, she and I are going

1478
01:09:10,680 --> 01:09:12,800
Speaker 3: to have a talk like just something like that, where

1479
01:09:12,800 --> 01:09:14,760
Speaker 3: it was like, because it was her, she actually was

1480
01:09:14,800 --> 01:09:16,360
Speaker 3: the engine behind this entire thing.

1481
01:09:17,000 --> 01:09:21,040
Speaker 2: So yeah, the whole thing was just really weird. The

1482
01:09:21,120 --> 01:09:23,120
Speaker 2: way it was wrapped up, just bizarre.

1483
01:09:23,200 --> 01:09:25,120
Speaker 1: People are probably going to be so mad at me

1484
01:09:25,360 --> 01:09:27,160
Speaker 1: for having this take on it, because I think I

1485
01:09:27,240 --> 01:09:29,000
Speaker 1: have a feeling this is one of those episodes that

1486
01:09:29,040 --> 01:09:31,680
Speaker 1: people really like. I don't know, maybe people don't really

1487
01:09:31,720 --> 01:09:33,080
Speaker 1: like this episode, but I have a feeling this is

1488
01:09:33,120 --> 01:09:35,200
Speaker 1: one of those things that when you are a kid

1489
01:09:35,320 --> 01:09:38,320
Speaker 1: and you watch it for whatever reason, you think it's romantic.

1490
01:09:38,560 --> 01:09:42,519
Speaker 2: You think it's what's romantic Topanga taking him.

1491
01:09:42,439 --> 01:09:45,600
Speaker 1: Back at the end, like Panga being confident enough to

1492
01:09:45,760 --> 01:09:47,720
Speaker 1: send him to a party and then for something bad

1493
01:09:47,760 --> 01:09:50,040
Speaker 1: to happen at that party, and for Tapanga to still

1494
01:09:50,080 --> 01:09:53,880
Speaker 1: be confident enough that what she's confident in is actually

1495
01:09:54,000 --> 01:09:57,600
Speaker 1: that Missy doesn't have what I had, right, It's some

1496
01:09:57,760 --> 01:10:02,519
Speaker 1: special cadard and some special sourcealment power over Corey, and

1497
01:10:03,520 --> 01:10:05,880
Speaker 1: you know, oh, they're meant to be together their kids.

1498
01:10:06,439 --> 01:10:09,320
Speaker 1: Like that kind of romanticism of like, oh, even when

1499
01:10:09,600 --> 01:10:12,120
Speaker 1: when tough things come up, these two people can just

1500
01:10:12,240 --> 01:10:15,240
Speaker 1: overcome it. If you turn the blind eye to horrible

1501
01:10:15,360 --> 01:10:18,639
Speaker 1: red flags that your relationship isn't what it should be. Weird,

1502
01:10:19,280 --> 01:10:20,960
Speaker 1: there's something there that I think.

1503
01:10:22,479 --> 01:10:23,559
Speaker 2: You liked when you were thirteen.

1504
01:10:23,840 --> 01:10:26,040
Speaker 1: Yeah, that just you get kind of carried away with

1505
01:10:26,240 --> 01:10:28,760
Speaker 1: the like yet because by the way, you do get

1506
01:10:28,840 --> 01:10:31,560
Speaker 1: carried away by hormones at thirteen, of course you do

1507
01:10:31,760 --> 01:10:34,240
Speaker 1: get carried away by exactly what writer is saying, like,

1508
01:10:34,600 --> 01:10:36,679
Speaker 1: Oh man, I have a girlfriend. I really shouldn't enjoy

1509
01:10:36,760 --> 01:10:38,320
Speaker 1: this as much as I am. But look, I'm having

1510
01:10:38,360 --> 01:10:41,759
Speaker 1: a great time. This conversation is riveting. I'm having fun dancing.

1511
01:10:42,320 --> 01:10:44,160
Speaker 2: She's sitting argeous.

1512
01:10:45,920 --> 01:10:52,840
Speaker 1: Press on like you do. Those things do happen. So anyway, uh,

1513
01:10:52,920 --> 01:10:56,200
Speaker 1: the tag we're in the school hallway, Mister Williams asks

1514
01:10:56,240 --> 01:10:59,240
Speaker 1: Turner how Phoenie is with this C storyline I almost

1515
01:10:59,320 --> 01:11:01,440
Speaker 1: forgot in highrely existed.

1516
01:11:01,200 --> 01:11:04,120
Speaker 2: Only two scenes. The other storylines are only two scenes.

1517
01:11:04,160 --> 01:11:06,160
Speaker 2: Will storylines only two scenes. This one's only two. But

1518
01:11:06,160 --> 01:11:07,640
Speaker 2: they're good scenes. I like that them.

1519
01:11:07,640 --> 01:11:08,040
Speaker 1: They're great.

1520
01:11:08,080 --> 01:11:10,320
Speaker 2: I like both the B and C storylines on me too.

1521
01:11:11,439 --> 01:11:14,599
Speaker 2: A Bill's performances so got it all day.

1522
01:11:14,840 --> 01:11:17,720
Speaker 1: Yeah, he wants to know how his bad knee did

1523
01:11:17,800 --> 01:11:20,360
Speaker 1: at the Walker walkathon, and Turner says, bad knee, who

1524
01:11:20,439 --> 01:11:25,719
Speaker 1: told you that? Phoene trots down the stairs stairs.

1525
01:11:25,760 --> 01:11:30,000
Speaker 2: There's a laugh on the walk just bouncing down the stairs.

1526
01:11:30,439 --> 01:11:34,320
Speaker 1: He bounces down the stairs and says, there is nothing

1527
01:11:34,560 --> 01:11:38,599
Speaker 1: like a ten mile walk. Eli realizes he owes Phoene

1528
01:11:38,880 --> 01:11:42,160
Speaker 1: five hundred dollars because of his fifty dollars a mile deal.

1529
01:11:42,600 --> 01:11:44,679
Speaker 1: Phoene gets an ache in his knee and says he better,

1530
01:11:44,760 --> 01:11:47,200
Speaker 1: I say. Eli asks if Turner can buy him lunch,

1531
01:11:47,240 --> 01:11:50,439
Speaker 1: and Turner says yeah. Eli clarifies he means all year.

1532
01:11:51,840 --> 01:11:54,560
Speaker 1: Then we see Corey is homesick on the couch and

1533
01:11:54,640 --> 01:11:57,840
Speaker 1: Tapanga calls him from school, says up sounds like he

1534
01:11:57,920 --> 01:12:00,840
Speaker 1: has the same thing she had, and says he doesn't

1535
01:12:00,880 --> 01:12:03,200
Speaker 1: think he'll ever get off the couch. Ta Panga tells

1536
01:12:03,280 --> 01:12:05,479
Speaker 1: him not to worry. She sent something over that will

1537
01:12:05,479 --> 01:12:07,760
Speaker 1: have him on his feet in no time. And then

1538
01:12:07,960 --> 01:12:10,439
Speaker 1: Triny walks in the front door ready to help. Now,

1539
01:12:10,920 --> 01:12:14,439
Speaker 1: is this payback slash a revenge type situation?

1540
01:12:14,680 --> 01:12:18,120
Speaker 2: It will's right, I think that's the best explanation for Like, yeah,

1541
01:12:18,520 --> 01:12:23,679
Speaker 2: that that, yeah, that that Topanga was resolving the situation

1542
01:12:23,880 --> 01:12:27,519
Speaker 2: with a kiss, which is weird. Yeah, but that that

1543
01:12:27,720 --> 01:12:31,040
Speaker 2: also that kiss was double edged and was a way

1544
01:12:31,160 --> 01:12:32,360
Speaker 2: to get him sick.

1545
01:12:32,680 --> 01:12:35,439
Speaker 1: Right, so and then I can sick my best friend

1546
01:12:35,520 --> 01:12:37,919
Speaker 1: on you who's someone you find annoying?

1547
01:12:38,080 --> 01:12:42,000
Speaker 2: Yeah, it's payback essentially. Yeah, because I didn't wonder he

1548
01:12:42,160 --> 01:12:44,920
Speaker 2: learns his lesson. I just yeah, I do think it

1549
01:12:44,920 --> 01:12:47,519
Speaker 2: would have been nice to clarify, like what what that

1550
01:12:47,680 --> 01:12:49,439
Speaker 2: lesson is is, like what you know, what is it

1551
01:12:49,520 --> 01:12:52,920
Speaker 2: about this with yourself in bad situations?

1552
01:12:53,640 --> 01:12:57,719
Speaker 1: Which is what he listened to you. I love exactly

1553
01:12:57,760 --> 01:13:00,519
Speaker 1: what writer said that we are having an in depth

1554
01:13:00,800 --> 01:13:04,840
Speaker 1: conversation about who is wrong and where and where were

1555
01:13:04,880 --> 01:13:07,560
Speaker 1: the lines crossed? And these are important conversations to have

1556
01:13:07,840 --> 01:13:13,760
Speaker 1: as adults as kids, especially because relationships are tricky and

1557
01:13:13,920 --> 01:13:16,760
Speaker 1: social norms are tricky, and not everybody picks up on

1558
01:13:16,840 --> 01:13:19,960
Speaker 1: social norms the same way. And sometimes you think you

1559
01:13:20,040 --> 01:13:23,640
Speaker 1: are giving off a sign that you are either uncomfortable,

1560
01:13:23,680 --> 01:13:26,040
Speaker 1: but if you're not direct enough, someone else may not

1561
01:13:26,160 --> 01:13:28,880
Speaker 1: read it. And you know, there there is a lot

1562
01:13:28,960 --> 01:13:33,840
Speaker 1: of room for conflict and very bad things to happen

1563
01:13:34,040 --> 01:13:38,400
Speaker 1: if those aren't just directly talked about. And I think

1564
01:13:38,479 --> 01:13:41,960
Speaker 1: this episode missed the mark there, and maybe that wasn't

1565
01:13:42,000 --> 01:13:45,040
Speaker 1: what they were trying to do, And certainly in the

1566
01:13:45,120 --> 01:13:47,400
Speaker 1: nineties this wasn't as openly.

1567
01:13:47,160 --> 01:13:50,280
Speaker 2: Discussed as Yeah, it is now.

1568
01:13:50,520 --> 01:13:56,240
Speaker 1: Sure, there is a very big spotlight on consent these days,

1569
01:13:56,280 --> 01:13:58,160
Speaker 1: and I wish there had been a very big spotlight

1570
01:13:58,240 --> 01:14:00,920
Speaker 1: on consent, you know, years go, but it just wasn't

1571
01:14:00,920 --> 01:14:02,719
Speaker 1: the same. I mean, I know we've all had private

1572
01:14:02,760 --> 01:14:07,280
Speaker 1: conversations about times and situations where we've looked back and thought, man,

1573
01:14:07,360 --> 01:14:09,560
Speaker 1: I didn't ever think of it that way, but I

1574
01:14:09,720 --> 01:14:12,519
Speaker 1: was definitely trying to tell somebody else no, and they

1575
01:14:12,840 --> 01:14:15,200
Speaker 1: did not see it that way or respect it that way.

1576
01:14:15,320 --> 01:14:18,160
Speaker 1: And you know, I do think it's we're reading it

1577
01:14:18,240 --> 01:14:20,320
Speaker 1: from a twenty twenty three lens, and we will probably

1578
01:14:20,360 --> 01:14:23,040
Speaker 1: get ish for that that like, oh it's so woke,

1579
01:14:23,880 --> 01:14:27,719
Speaker 1: but being that we are rewatching it in twenty twenty three, yeah,

1580
01:14:28,160 --> 01:14:30,160
Speaker 1: I think it's really good to be able to say

1581
01:14:30,400 --> 01:14:34,960
Speaker 1: I actually enjoyed the episode. I despite despite the topanga

1582
01:14:35,040 --> 01:14:38,160
Speaker 1: weird ending stuff. Overall, I like the situation.

1583
01:14:38,120 --> 01:14:41,840
Speaker 2: Me too, And I like storylines too. I think digging

1584
01:14:41,920 --> 01:14:46,680
Speaker 2: in and finding layers of complexity that's the most fun part,

1585
01:14:46,920 --> 01:14:49,200
Speaker 2: and that's what I want to do this podcast. Like

1586
01:14:49,320 --> 01:14:52,599
Speaker 2: memoir stuff part I love being like, you know, maybe

1587
01:14:52,680 --> 01:14:56,479
Speaker 2: Tapega did kiss him for revenge and forgiveness, you know, like, oh,

1588
01:14:56,560 --> 01:14:59,799
Speaker 2: that's cool, and like, I think criticizing it is helpful.

1589
01:15:00,120 --> 01:15:02,400
Speaker 2: You know, for me, a lot of this does go

1590
01:15:02,600 --> 01:15:05,160
Speaker 2: back to what we noticed at the beginning of the

1591
01:15:05,200 --> 01:15:09,160
Speaker 2: second season, which is the horny boy point of view

1592
01:15:09,880 --> 01:15:13,640
Speaker 2: that this show just sort of defaults to. And it's

1593
01:15:13,800 --> 01:15:17,240
Speaker 2: really interesting for me to see how much the show

1594
01:15:17,360 --> 01:15:20,000
Speaker 2: relies on that perspective, like this, this is not an

1595
01:15:20,040 --> 01:15:23,080
Speaker 2: episode about Tapanga's feelings. This is not an episode about

1596
01:15:23,120 --> 01:15:27,479
Speaker 2: Topanga's point of view at all. Like to like go,

1597
01:15:27,760 --> 01:15:32,000
Speaker 2: there's a lot of complexity given to Cory's point of view, right,

1598
01:15:32,040 --> 01:15:35,280
Speaker 2: there's a lot of nuance, whereas Tapanga is just a

1599
01:15:35,400 --> 01:15:40,439
Speaker 2: sort of an angry like, you know, how is she

1600
01:15:40,560 --> 01:15:42,600
Speaker 2: going to react? Like is she going to forgive me

1601
01:15:42,720 --> 01:15:45,360
Speaker 2: or not? Is the only question. Her feelings about this

1602
01:15:45,640 --> 01:15:48,760
Speaker 2: are just completely off camera, like they're just not part

1603
01:15:48,800 --> 01:15:51,280
Speaker 2: of the show. And that's a really interesting sort of

1604
01:15:51,800 --> 01:15:55,360
Speaker 2: like as a missed opportunity for our show, because Topanga

1605
01:15:55,400 --> 01:15:58,360
Speaker 2: should She's a big part of the storyline, right, like

1606
01:15:58,920 --> 01:16:00,599
Speaker 2: and I would yeah, And I think with the Lauren

1607
01:16:00,600 --> 01:16:02,720
Speaker 2: stuff we do get into that, right I'm assuming yeah,

1608
01:16:02,760 --> 01:16:04,799
Speaker 2: our show before yeah, yeah.

1609
01:16:04,800 --> 01:16:07,360
Speaker 1: And this episode I'd like to point out written by

1610
01:16:07,400 --> 01:16:07,800
Speaker 1: two women.

1611
01:16:08,680 --> 01:16:12,280
Speaker 2: Interesting, Yeah, that's true. Yes, it just feels very much

1612
01:16:12,360 --> 01:16:14,400
Speaker 2: like the point of the episode is for Corey to

1613
01:16:14,479 --> 01:16:17,439
Speaker 2: be conflicted, for for horny Corey to not know what

1614
01:16:17,600 --> 01:16:17,760
Speaker 2: to do.

1615
01:16:18,400 --> 01:16:22,400
Speaker 3: And it's like, okay, yeah, I would love to see

1616
01:16:22,760 --> 01:16:25,040
Speaker 3: and I get that, maybe it's exactly the same.

1617
01:16:25,320 --> 01:16:28,960
Speaker 2: I would love to see the first draft that submitted.

1618
01:16:29,040 --> 01:16:31,080
Speaker 1: You're right, yeah, the two women, the draft before it

1619
01:16:31,160 --> 01:16:32,000
Speaker 1: was written by a room.

1620
01:16:32,080 --> 01:16:33,920
Speaker 2: Yeah, I would love to assume what it was. Well,

1621
01:16:34,040 --> 01:16:36,240
Speaker 2: who knows, could have been exactly the same. For the record,

1622
01:16:36,280 --> 01:16:37,680
Speaker 2: I could have been exactly the same. Yep.

1623
01:16:38,280 --> 01:16:40,559
Speaker 1: Well, thank you all for joining us for this episode

1624
01:16:40,560 --> 01:16:42,320
Speaker 1: of Pod Meets World. As always, you can follow us

1625
01:16:42,360 --> 01:16:44,640
Speaker 1: on Instagram pod meets World Show. You can send us

1626
01:16:44,640 --> 01:16:47,680
Speaker 1: your emails pod meets World Show at gmail dot com, and.

1627
01:16:48,000 --> 01:16:51,120
Speaker 2: We have merch March that we will no longer be

1628
01:16:51,160 --> 01:16:52,400
Speaker 2: signing at airports.

1629
01:16:55,280 --> 01:16:56,320
Speaker 1: Writer send us out.

1630
01:16:56,800 --> 01:17:01,360
Speaker 2: We love you all, pod dismissed. Podmeets World is an

1631
01:17:01,360 --> 01:17:04,600
Speaker 2: iHeart podcast produced and hosted by Danielle Fischel, Wilfredell and

1632
01:17:04,760 --> 01:17:08,719
Speaker 2: Ryder Strong. Executive producers Jensen Karp and Amy Sugarman. Executive

1633
01:17:08,760 --> 01:17:12,920
Speaker 2: in charge of production, Danielle Romo producer and editor, Tara Sudbach,

1634
01:17:13,120 --> 01:17:17,439
Speaker 2: producer Jackie Rodriguez, engineer and Boy Meets World superfan Easton Allen.

1635
01:17:17,560 --> 01:17:20,200
Speaker 2: Our theme song is by Kyle Morton of Typhoon. You

1636
01:17:20,280 --> 01:17:23,080
Speaker 2: can follow us on Instagram at Podmets World Show or

1637
01:17:23,400 --> 01:17:26,280
Speaker 2: send us an email at Podmeats World Show at gmail

1638
01:17:26,360 --> 01:17:26,800
Speaker 2: dot com.