1 00:00:08,000 --> 00:00:11,560 Speaker 1: Hey, there are folks. It is Tuesday, October the seventh, 2 00:00:11,920 --> 00:00:15,159 Speaker 1: and we continue on our horror hit list and on 3 00:00:15,240 --> 00:00:18,560 Speaker 1: number twenty five this movie. You don't have to take 4 00:00:18,720 --> 00:00:22,400 Speaker 1: our word from it at all, because this horror movie 5 00:00:22,920 --> 00:00:28,120 Speaker 1: has a ninety seven percent Rotten Tomato score. And with that, 6 00:00:28,240 --> 00:00:30,960 Speaker 1: welcome to this episode of Amy and TJ. Going through 7 00:00:30,960 --> 00:00:34,479 Speaker 1: our horror hit list, we hit number twenty five. Robes 8 00:00:35,080 --> 00:00:38,160 Speaker 1: this might be low for us, because this movie moved 9 00:00:38,240 --> 00:00:42,280 Speaker 1: up our list of favorites really really quickly. 10 00:00:42,560 --> 00:00:46,920 Speaker 2: Yes, because it was an interesting premise and it wasn't 11 00:00:47,040 --> 00:00:49,680 Speaker 2: one that I would typically assume a horror movie would 12 00:00:49,720 --> 00:00:52,479 Speaker 2: be set in a late night talk show, So it 13 00:00:52,560 --> 00:00:56,040 Speaker 2: wasn't something that I necessarily immediately said, Babe, we've got 14 00:00:56,080 --> 00:00:58,680 Speaker 2: to watch this late night with the Devil. 15 00:00:58,880 --> 00:01:02,720 Speaker 1: But it takes a minute to even realize what you're watching, 16 00:01:03,240 --> 00:01:07,120 Speaker 1: and it is. The themes are familiar to horror movies, 17 00:01:07,319 --> 00:01:09,039 Speaker 1: but they take a totally different span. 18 00:01:09,360 --> 00:01:12,160 Speaker 2: Yes, this is a lot of fun. The genre was 19 00:01:12,280 --> 00:01:18,720 Speaker 2: so unique. It was such a well written, well acted movie. 20 00:01:18,760 --> 00:01:22,120 Speaker 2: It was all taking place truly. There were some found 21 00:01:22,120 --> 00:01:24,840 Speaker 2: footage elements to it, but basically, essentially the whole thing 22 00:01:24,920 --> 00:01:29,240 Speaker 2: takes place on stage. There's one setting throughout the whole thing, 23 00:01:29,319 --> 00:01:32,000 Speaker 2: so that's really unique and pretty cool. This was released 24 00:01:32,000 --> 00:01:35,720 Speaker 2: March twenty second, twenty twenty four, rated R. It's just 25 00:01:35,760 --> 00:01:38,880 Speaker 2: an hour and thirty three minutes sweet spot. 26 00:01:38,959 --> 00:01:40,880 Speaker 1: We didn't even say what it is, say. 27 00:01:40,920 --> 00:01:42,840 Speaker 3: T I did say, but I sneaked it in. 28 00:01:42,880 --> 00:01:45,840 Speaker 2: I didn't make a big drum roll number twenty five 29 00:01:46,040 --> 00:01:49,360 Speaker 2: on our list Late Night with the Devil, so it's 30 00:01:49,440 --> 00:01:51,880 Speaker 2: listed as horror, mystery thriller. 31 00:01:52,120 --> 00:01:53,640 Speaker 3: It certainly is all of the above. 32 00:01:56,080 --> 00:01:59,440 Speaker 1: The horror doesn't come into terribly to the end. Let's 33 00:01:59,440 --> 00:02:01,160 Speaker 1: get you through what we talking about here. This movie's 34 00:02:01,160 --> 00:02:04,040 Speaker 1: been out only a little over a year. Came out 35 00:02:04,120 --> 00:02:09,560 Speaker 1: last year March twenty second. The synopsis is this. Johnny 36 00:02:09,600 --> 00:02:14,280 Speaker 1: Carson rival Jack Delroy hosts a syndicated talk show, Night 37 00:02:14,320 --> 00:02:18,200 Speaker 1: Owls that has long been a trusted companion to insomniacs 38 00:02:18,240 --> 00:02:21,000 Speaker 1: around the country. However, ratings for the show have plummeted 39 00:02:21,160 --> 00:02:24,760 Speaker 1: since the tragic death of Jack's beloved wife. Desperate to 40 00:02:24,760 --> 00:02:29,120 Speaker 1: turn his fortunes around, on October thirty first, nineteen seventy seven, 41 00:02:29,400 --> 00:02:33,800 Speaker 1: Jack planned a Halloween special like no other. Unaware he 42 00:02:33,880 --> 00:02:37,120 Speaker 1: was about to unleash evil into the living rooms of America. 43 00:02:37,760 --> 00:02:40,400 Speaker 1: Even that, you know what, that's kind of how the 44 00:02:40,400 --> 00:02:40,880 Speaker 1: movie goes. 45 00:02:40,919 --> 00:02:43,720 Speaker 2: You're intrigued, yeah the whole time, like, hmmm, how's this 46 00:02:43,880 --> 00:02:47,320 Speaker 2: gonna go? Yes? So this actually is this doing well 47 00:02:47,320 --> 00:02:51,840 Speaker 2: at the box office? Ten million dollars domestically, five million internationally, 48 00:02:51,919 --> 00:02:54,880 Speaker 2: so fifteen million dollars total. I can't imagine the budget 49 00:02:54,880 --> 00:02:56,760 Speaker 2: on the film was that big. Again, it all takes 50 00:02:56,800 --> 00:03:00,799 Speaker 2: place on stage in one location. But the cast is amazing. 51 00:03:01,320 --> 00:03:06,880 Speaker 2: David das Mulchin, Laura Gordon, Ian Bliss so so so 52 00:03:07,160 --> 00:03:09,800 Speaker 2: well acted. I mean it really he had that late 53 00:03:09,880 --> 00:03:14,400 Speaker 2: night talk show comedian thing down and was really great. 54 00:03:14,400 --> 00:03:18,000 Speaker 2: The directors Colin and Cameron Karen's you mentioned Rotten Tomatoes 55 00:03:18,000 --> 00:03:20,760 Speaker 2: score of ninety seven percent, audience score of eighty two percent. 56 00:03:20,880 --> 00:03:24,040 Speaker 2: So this was pretty much liked by just about everybody 57 00:03:24,080 --> 00:03:24,640 Speaker 2: who saw it. 58 00:03:24,840 --> 00:03:29,119 Speaker 1: And you won't recognize the names immediately, but you will 59 00:03:29,120 --> 00:03:33,080 Speaker 1: recognize the star of the show is David das Meltchin. 60 00:03:33,400 --> 00:03:35,640 Speaker 1: Now you'll recognize him because he's been in a bunch 61 00:03:35,680 --> 00:03:38,440 Speaker 1: of stuff and every time he makes an appearance in 62 00:03:38,480 --> 00:03:43,680 Speaker 1: any movie, it's a standout performance because he's just that 63 00:03:43,840 --> 00:03:45,600 Speaker 1: good of an actor. But also he has kind of 64 00:03:45,600 --> 00:03:48,240 Speaker 1: a unique look to him. He has how unique look 65 00:03:48,280 --> 00:03:49,880 Speaker 1: that you won't forget. And he's been in some big 66 00:03:49,960 --> 00:03:54,880 Speaker 1: name movies. He was in the In the Dark Night movie, 67 00:03:55,720 --> 00:03:58,120 Speaker 1: but he played a smaller role as kind of a 68 00:03:58,280 --> 00:04:01,680 Speaker 1: crazy schizophrenic guy that the joker was manipulating. But he 69 00:04:01,840 --> 00:04:05,800 Speaker 1: still stood out in a small role that he had. 70 00:04:05,840 --> 00:04:09,640 Speaker 1: But this guy is he plays this role from the heart, 71 00:04:09,720 --> 00:04:13,440 Speaker 1: the emotion, the fear, the late night cheesy comic, he 72 00:04:13,600 --> 00:04:17,360 Speaker 1: does it all. This guy deserves more leading roles. He's 73 00:04:17,360 --> 00:04:18,039 Speaker 1: pretty incredible. 74 00:04:18,120 --> 00:04:19,360 Speaker 3: Yeah, he is really really good. 75 00:04:19,400 --> 00:04:22,320 Speaker 2: And you know, we put this on our list because yes, 76 00:04:22,400 --> 00:04:24,280 Speaker 2: it was well reviewed, but I think a lot of 77 00:04:24,320 --> 00:04:27,400 Speaker 2: folks who do love horror movies sometimes the really really 78 00:04:27,440 --> 00:04:30,240 Speaker 2: really high reviewed movies are very high brow, very artsy, 79 00:04:30,480 --> 00:04:32,120 Speaker 2: and this one seemed like it could be that. So 80 00:04:32,160 --> 00:04:34,520 Speaker 2: that's why I think I had and I don't know 81 00:04:34,520 --> 00:04:37,280 Speaker 2: about you, babe, but I had kind of like skipped 82 00:04:37,320 --> 00:04:38,719 Speaker 2: over it. I saw it a lot. It was like, 83 00:04:38,839 --> 00:04:41,640 Speaker 2: I don't know, I don't know, And then I am 84 00:04:41,800 --> 00:04:44,080 Speaker 2: so happy that we decided to watch it. And that's 85 00:04:44,080 --> 00:04:45,880 Speaker 2: why we wanted to make sure we put this on 86 00:04:45,920 --> 00:04:48,640 Speaker 2: the list because it could be one that you skipped over. 87 00:04:49,160 --> 00:04:52,200 Speaker 2: It wasn't like it didn't have a big promotion. You're 88 00:04:52,360 --> 00:04:54,720 Speaker 2: hearing about it in the box office so much. 89 00:04:54,720 --> 00:04:55,320 Speaker 3: But you did. 90 00:04:55,600 --> 00:04:57,440 Speaker 2: If you are looking at horror movies and you're looking 91 00:04:57,480 --> 00:04:59,880 Speaker 2: through the streaming services, you might be like, what is 92 00:05:00,240 --> 00:05:00,880 Speaker 2: I don't get it. 93 00:05:00,880 --> 00:05:02,760 Speaker 1: It won't it won't. His name won't jump out, his 94 00:05:02,839 --> 00:05:06,880 Speaker 1: face won't necessarily jump out, the movie art won't jump out. 95 00:05:06,920 --> 00:05:09,680 Speaker 1: You can't really tell what's going to happen, and even 96 00:05:09,920 --> 00:05:12,240 Speaker 1: we're gonna tell you a little more than just the synopsis. 97 00:05:12,880 --> 00:05:14,839 Speaker 1: It's not a secret they're trying to hide. But even 98 00:05:14,880 --> 00:05:17,960 Speaker 1: the synopsis and how the movie goes along, you can't 99 00:05:18,080 --> 00:05:21,680 Speaker 1: quite figure out what's happening, what's real, what's not, where 100 00:05:21,720 --> 00:05:23,479 Speaker 1: we're going, or even what type of horror movie. And 101 00:05:23,480 --> 00:05:24,760 Speaker 1: then all hell breaks leave. 102 00:05:25,279 --> 00:05:29,320 Speaker 2: That's all hell breaks loose. Actually, so the critic consensus. 103 00:05:29,760 --> 00:05:31,279 Speaker 2: I like the way they wrote this. This is they 104 00:05:31,400 --> 00:05:35,520 Speaker 2: collected all the different critics opinions. Delightfully dark, Late Night 105 00:05:35,560 --> 00:05:39,800 Speaker 2: with the Devil proves Possession horror isn't played out and 106 00:05:39,960 --> 00:05:43,359 Speaker 2: serves as an outstanding showcase for David des Melchin so 107 00:05:43,360 --> 00:05:46,680 Speaker 2: they even mention him in the critics consensus because his 108 00:05:46,720 --> 00:05:48,680 Speaker 2: performance again was so good, but they. 109 00:05:48,680 --> 00:05:51,800 Speaker 1: Let you know they're in the in the that critic consensus, 110 00:05:51,839 --> 00:05:55,119 Speaker 1: this is a possession horror movie. Now for some weren't 111 00:05:55,120 --> 00:05:59,280 Speaker 1: you talking about Some people deal with supernatural better than 112 00:05:59,279 --> 00:06:01,680 Speaker 1: they do than those Slasher correct and through the woods. 113 00:06:02,800 --> 00:06:04,920 Speaker 1: Sometimes these are creepier for us. 114 00:06:05,000 --> 00:06:08,880 Speaker 2: It depends on where your belief system lies. You know, yes, 115 00:06:08,960 --> 00:06:11,479 Speaker 2: of course you could always be hunted down by a 116 00:06:11,600 --> 00:06:16,200 Speaker 2: masked stranger in the night. But if you also believe 117 00:06:16,240 --> 00:06:19,360 Speaker 2: the devil is real, there are no locks for the devil, 118 00:06:19,400 --> 00:06:21,440 Speaker 2: and this one is scary and it apparently doesn't care 119 00:06:21,520 --> 00:06:24,200 Speaker 2: where you are or if cameras are rolling in this film, 120 00:06:24,279 --> 00:06:29,200 Speaker 2: So it's really really entertaining, but spooky and creepy and 121 00:06:29,320 --> 00:06:31,120 Speaker 2: keeps you guessing all at the same time. 122 00:06:32,600 --> 00:06:34,839 Speaker 1: Other critic review this is one I had to actually 123 00:06:34,920 --> 00:06:37,960 Speaker 1: struggle to find people that had negative things to say 124 00:06:38,000 --> 00:06:40,920 Speaker 1: about this movie, because certainly on Rotten Tomatoes, the critics 125 00:06:40,960 --> 00:06:44,920 Speaker 1: overwhelmingly love it. There was one in here I want 126 00:06:44,920 --> 00:06:47,680 Speaker 1: because they put it better Robes than I could actually 127 00:06:48,640 --> 00:06:51,520 Speaker 1: put it. In their description an original and disturbing horror film, 128 00:06:51,560 --> 00:06:54,960 Speaker 1: that takes the found footage formula to new ground, showing 129 00:06:55,040 --> 00:06:58,880 Speaker 1: us how the excessive ambition for success can become an 130 00:06:58,960 --> 00:07:01,799 Speaker 1: unstoppable evil. I thought that was an interesting way should 131 00:07:01,800 --> 00:07:04,719 Speaker 1: put it. I didn't take it that deep necessarily, but 132 00:07:04,839 --> 00:07:08,960 Speaker 1: that is ambition and winning at all costs kind of 133 00:07:09,080 --> 00:07:11,480 Speaker 1: is really the foundation. 134 00:07:11,120 --> 00:07:13,000 Speaker 2: Of the movie, right that whole don't make a Deal 135 00:07:13,040 --> 00:07:15,880 Speaker 2: with the Devil. It kind of plays out in this 136 00:07:16,000 --> 00:07:20,119 Speaker 2: film in unexpected ways when you least suspect it what happened. 137 00:07:20,160 --> 00:07:22,280 Speaker 2: I liked this one too, very similar to the fact 138 00:07:22,280 --> 00:07:24,480 Speaker 2: that it pushed a genre to a new level or 139 00:07:24,480 --> 00:07:26,520 Speaker 2: to a new place, which was really cool. 140 00:07:26,760 --> 00:07:27,440 Speaker 3: It's hard to do. 141 00:07:27,520 --> 00:07:30,440 Speaker 2: There are so many horror movies coming out, this critic said, 142 00:07:30,520 --> 00:07:33,360 Speaker 2: Late Night with the Devil evolves the legacy of the 143 00:07:33,400 --> 00:07:37,960 Speaker 2: horror classics before it, pushing the genre to exciting new heights, 144 00:07:38,360 --> 00:07:42,360 Speaker 2: as well as elevating David Dustmlchin to the leading man's status. 145 00:07:42,000 --> 00:07:43,720 Speaker 3: He more than deserves. See they agree with what you 146 00:07:43,800 --> 00:07:44,240 Speaker 3: just said, and. 147 00:07:44,280 --> 00:07:47,800 Speaker 1: It carves its own identity from familiar materials, making a 148 00:07:47,920 --> 00:07:51,400 Speaker 1: unique space for itself in an increasingly crowded field. We 149 00:07:51,480 --> 00:07:55,880 Speaker 1: have to keep giving him credit. He is so key look, 150 00:07:55,920 --> 00:07:57,920 Speaker 1: there are great performances throughout, but. 151 00:07:58,000 --> 00:07:59,800 Speaker 3: Man, he was he was great. 152 00:08:00,480 --> 00:08:02,920 Speaker 1: It was almost like he was the center of the 153 00:08:02,960 --> 00:08:05,400 Speaker 1: ringleader of a circus because so much was going on 154 00:08:05,480 --> 00:08:07,040 Speaker 1: around him, and he was trying to play to so 155 00:08:07,080 --> 00:08:11,240 Speaker 1: many different audience, literally a live viewing audience. But he 156 00:08:11,320 --> 00:08:13,640 Speaker 1: had to deal with his stage manager one way, and 157 00:08:13,720 --> 00:08:15,280 Speaker 1: had to deal with his child the other way. He 158 00:08:15,320 --> 00:08:17,240 Speaker 1: had to deal with his producer another way, all the 159 00:08:17,320 --> 00:08:22,880 Speaker 1: while trying to make an incredible television show and keep 160 00:08:22,920 --> 00:08:26,640 Speaker 1: his job. He juggled this thing really really well. 161 00:08:27,080 --> 00:08:30,080 Speaker 3: Should we read the one negative comment that you found? 162 00:08:30,320 --> 00:08:33,000 Speaker 2: You know, yeah, go ahead, So this is the one 163 00:08:33,200 --> 00:08:36,280 Speaker 2: negative critic that we found that we I couldn't agree 164 00:08:36,520 --> 00:08:39,360 Speaker 2: less with this person. But they wrote Late Night with 165 00:08:39,440 --> 00:08:43,840 Speaker 2: the Devil could have been an interesting examination of power. Instead, 166 00:08:44,000 --> 00:08:48,000 Speaker 2: it is a sloppy, dull movie that refuses to commit 167 00:08:48,040 --> 00:08:51,240 Speaker 2: to its own format, aesthetic, or themes. I wonder after 168 00:08:51,320 --> 00:08:53,880 Speaker 2: that critic wrote that and then saw everyone else's glory, 169 00:08:53,960 --> 00:08:56,280 Speaker 2: thought oh, maybe I missed the mark, or. 170 00:08:56,360 --> 00:08:59,120 Speaker 1: Maybe saw all of them and thought, hmm, I'm not 171 00:08:59,160 --> 00:09:02,480 Speaker 1: gonna go with group think to say this movie is dull, 172 00:09:03,120 --> 00:09:07,120 Speaker 1: that's insane, Like this critic might have fallen asleep while watching, unless. 173 00:09:06,800 --> 00:09:11,000 Speaker 2: They maybe wanted that slasher racing heart just start to finish, 174 00:09:11,080 --> 00:09:13,280 Speaker 2: and there are those horror movies out there for you. 175 00:09:13,320 --> 00:09:16,920 Speaker 2: This one is just there's a great payoff towards the 176 00:09:17,000 --> 00:09:18,840 Speaker 2: end of the film. It is absolutely worth the wait. 177 00:09:18,920 --> 00:09:21,520 Speaker 2: If for some reason you think it's dull to begin with, 178 00:09:22,440 --> 00:09:25,240 Speaker 2: just wait because it is anything. 179 00:09:25,360 --> 00:09:28,959 Speaker 1: But that's so hard to suggest, Like the performance is 180 00:09:29,000 --> 00:09:31,920 Speaker 1: so if even if you are watching this movie right 181 00:09:31,960 --> 00:09:35,160 Speaker 1: and you're complaining that there's no horror yet, it's still 182 00:09:35,200 --> 00:09:37,800 Speaker 1: an interesting movie to work. Yes, so it's not even 183 00:09:37,840 --> 00:09:41,240 Speaker 1: before horror comes. This is a thriller and that there 184 00:09:41,280 --> 00:09:43,640 Speaker 1: are moments where you're on the edge of your seat 185 00:09:43,960 --> 00:09:46,760 Speaker 1: waiting for what is about to happen. And I promise 186 00:09:46,840 --> 00:09:48,600 Speaker 1: you every time you guess, you're going to be wrong. 187 00:09:48,760 --> 00:09:51,200 Speaker 2: Yeah, and they and it all threads together. It all 188 00:09:51,240 --> 00:09:54,000 Speaker 2: makes sense in the end. So it's so good. Why 189 00:09:54,040 --> 00:09:55,520 Speaker 2: it made our list. I feel like we've been saying 190 00:09:55,559 --> 00:09:58,280 Speaker 2: it ad nauseum, but just love the premise, love the 191 00:09:58,320 --> 00:10:01,079 Speaker 2: creativity that it all takes place at a late night 192 00:10:01,240 --> 00:10:03,600 Speaker 2: talk show where you usually at comedy and celebrities. 193 00:10:03,640 --> 00:10:05,600 Speaker 3: Instead you get. 194 00:10:05,920 --> 00:10:09,000 Speaker 2: The devil the guest that no one wants to attend, 195 00:10:09,120 --> 00:10:10,839 Speaker 2: and yet he shows up. 196 00:10:11,800 --> 00:10:15,520 Speaker 1: It's also they do a really good job with the aesthetic. 197 00:10:15,640 --> 00:10:17,640 Speaker 1: It looks I don't know how they go about doing 198 00:10:17,640 --> 00:10:20,040 Speaker 1: this and shooting so it's not just hair and makeup. 199 00:10:20,040 --> 00:10:23,679 Speaker 1: It's not just the outfits. They have a man wardrobe. 200 00:10:23,800 --> 00:10:25,839 Speaker 1: Is not just redoing the set to make it look 201 00:10:25,880 --> 00:10:28,000 Speaker 1: a certain way. I don't know how they shot this 202 00:10:28,120 --> 00:10:31,400 Speaker 1: in whatever type of film. Whatever, it looks like the 203 00:10:31,440 --> 00:10:34,000 Speaker 1: whole movie looks like you're watching something from the nineteen. 204 00:10:33,720 --> 00:10:35,360 Speaker 3: Seventies, nineteen seventy seven. 205 00:10:35,760 --> 00:10:39,680 Speaker 1: Specific it adds to the experience all this movie. And 206 00:10:39,720 --> 00:10:43,680 Speaker 1: again the directors we name there are to some couple 207 00:10:43,720 --> 00:10:47,800 Speaker 1: of Australian siblings who do direct movies together. They don't 208 00:10:47,800 --> 00:10:50,120 Speaker 1: have a lot of credits to their name. Man, I 209 00:10:50,120 --> 00:10:51,840 Speaker 1: can't wait to see the next thing they do. I 210 00:10:52,000 --> 00:10:52,679 Speaker 1: love this movie. 211 00:10:52,720 --> 00:10:53,680 Speaker 3: That's such a good point. 212 00:10:53,760 --> 00:10:55,800 Speaker 2: You really almost feel like you're in a time warp, 213 00:10:55,920 --> 00:10:58,720 Speaker 2: like you time traveled to nineteen seventy seven to watch this. 214 00:10:59,080 --> 00:11:02,559 Speaker 2: That is true are It's an immersive experience. You feel 215 00:11:02,559 --> 00:11:05,560 Speaker 2: like you're there with them in a different decade. It's 216 00:11:05,679 --> 00:11:08,000 Speaker 2: really really cool. So who this four who is this 217 00:11:08,040 --> 00:11:11,520 Speaker 2: movie for? If you love demonic possession, if you love 218 00:11:11,600 --> 00:11:14,760 Speaker 2: building tension, a what's gonna happen next kind of film 219 00:11:14,880 --> 00:11:18,360 Speaker 2: that's eerie and scary. It doesn't have jump scares necessarily, 220 00:11:19,080 --> 00:11:23,880 Speaker 2: h but this is just a thriller and a mystery 221 00:11:23,920 --> 00:11:24,439 Speaker 2: till the end. 222 00:11:24,720 --> 00:11:31,680 Speaker 1: The look we're used to exists. Exorcist two three, The Exorcism, Yes, 223 00:11:31,800 --> 00:11:35,199 Speaker 1: the Devil's No, The Pope's Exorcist. So all these you've 224 00:11:35,200 --> 00:11:39,320 Speaker 1: seen a plenty of demon possession movies. We have seen 225 00:11:39,400 --> 00:11:42,120 Speaker 1: more than probably anybody listening to us. We have seen 226 00:11:42,240 --> 00:11:44,560 Speaker 1: a ton of them. We love them, and we will 227 00:11:44,559 --> 00:11:47,760 Speaker 1: continue to watch them. This one showed us something we'd 228 00:11:47,760 --> 00:11:51,200 Speaker 1: never seen before. This one is unique. It's not just 229 00:11:51,320 --> 00:11:54,960 Speaker 1: a tired retreading this. They take something we are all 230 00:11:55,080 --> 00:11:58,200 Speaker 1: used to and do it in a totally different package. 231 00:11:58,240 --> 00:12:01,320 Speaker 1: And you are not sure what you're seeing. And I 232 00:12:01,400 --> 00:12:03,440 Speaker 1: know what you think, I know what you're thinking. You 233 00:12:03,520 --> 00:12:05,280 Speaker 1: know how this one's gonna end. You know where it's 234 00:12:05,600 --> 00:12:06,120 Speaker 1: it is? 235 00:12:06,240 --> 00:12:07,920 Speaker 3: Actually, don't you don't? 236 00:12:07,960 --> 00:12:09,960 Speaker 2: All right, we're gonna tell you who this movie is 237 00:12:10,040 --> 00:12:13,480 Speaker 2: not for, what you should pair it with, and we'll 238 00:12:13,480 --> 00:12:17,880 Speaker 2: give you a tease for our next movie. Recommendation. It'll 239 00:12:17,880 --> 00:12:19,719 Speaker 2: be our number twenty four in the list. So we'll 240 00:12:19,760 --> 00:12:33,440 Speaker 2: be right back and continuing now with our number twenty five. 241 00:12:34,440 --> 00:12:39,280 Speaker 2: Late Night with the Devil just an incredible, incredible movie 242 00:12:39,320 --> 00:12:43,160 Speaker 2: about the supernatural, about demonic possession, all happening in the 243 00:12:43,240 --> 00:12:46,600 Speaker 2: year of nineteen seventy seven on a live late night 244 00:12:46,920 --> 00:12:52,199 Speaker 2: comedy show. It is an amazing script, incredibly well performed, 245 00:12:52,760 --> 00:12:56,360 Speaker 2: and yes we told you. If you love supernatural, who done. 246 00:12:56,400 --> 00:13:01,640 Speaker 2: It's basically and just a twist on a possession movie. 247 00:13:01,679 --> 00:13:02,520 Speaker 3: This is your movie. 248 00:13:02,559 --> 00:13:06,520 Speaker 2: It is highly reviewed, well reviewed, and just a it's 249 00:13:06,760 --> 00:13:09,400 Speaker 2: entertaining to watch from start to finish. 250 00:13:09,440 --> 00:13:10,640 Speaker 3: But who is this not for? 251 00:13:11,080 --> 00:13:12,680 Speaker 2: Look, there are a lot of folks who like some 252 00:13:12,800 --> 00:13:14,959 Speaker 2: kind of horror movies and just stay away from the Devil. 253 00:13:14,960 --> 00:13:17,280 Speaker 2: They don't want to be around any sort of possession, 254 00:13:17,360 --> 00:13:20,880 Speaker 2: any sort of supernatural. So definitely this movie is not 255 00:13:20,960 --> 00:13:24,040 Speaker 2: for you. And I would also say if you are 256 00:13:24,080 --> 00:13:27,800 Speaker 2: watching it alone, I would probably not want to watch 257 00:13:27,840 --> 00:13:28,360 Speaker 2: this movie. 258 00:13:29,520 --> 00:13:34,360 Speaker 1: Uh, there is a there's a creepiness factor. There are 259 00:13:34,440 --> 00:13:37,960 Speaker 1: several scenes We're gonna get away from the last one, right, 260 00:13:37,960 --> 00:13:40,760 Speaker 1: There's a there's a final closing climax scene that just 261 00:13:40,840 --> 00:13:43,640 Speaker 1: will blow your mind. But there are several big, big 262 00:13:43,720 --> 00:13:48,400 Speaker 1: scenes throughout that build up tension, and those will if 263 00:13:48,440 --> 00:13:52,840 Speaker 1: you're watching them by yourself and somebody knocks on your doors, 264 00:13:52,880 --> 00:13:54,840 Speaker 1: going to scare the hell out of you, saying, there's 265 00:13:55,480 --> 00:13:59,520 Speaker 1: it's too creepy, it's too You're wondering what's real, what's not? 266 00:14:00,080 --> 00:14:02,120 Speaker 1: Did they see that? Are we seeing the same thing? 267 00:14:02,480 --> 00:14:04,560 Speaker 1: It's too much of that going on that you were 268 00:14:04,559 --> 00:14:06,080 Speaker 1: sitting in a dark room. That's gonna be a problem. 269 00:14:06,200 --> 00:14:08,480 Speaker 2: Yeah, because this is a late night movie, I would say, 270 00:14:08,520 --> 00:14:10,720 Speaker 2: you want to watch this late at night with someone 271 00:14:10,760 --> 00:14:12,800 Speaker 2: who you don't mind cuddling. 272 00:14:12,520 --> 00:14:13,040 Speaker 3: Up next to. 273 00:14:13,200 --> 00:14:16,160 Speaker 2: I think that's probably your best way to set the 274 00:14:16,200 --> 00:14:17,720 Speaker 2: ambiance for this movie. 275 00:14:18,000 --> 00:14:21,120 Speaker 1: There's another we should just give a heads up. This 276 00:14:21,160 --> 00:14:26,440 Speaker 1: is not overwhelmingly and throughout has gore and violence and 277 00:14:26,440 --> 00:14:29,840 Speaker 1: that kind of thing, But the scenes that do involve 278 00:14:29,880 --> 00:14:31,680 Speaker 1: the little ick are really icky. 279 00:14:31,960 --> 00:14:32,520 Speaker 3: That's true. 280 00:14:32,600 --> 00:14:36,560 Speaker 1: Okay, there's a couple in the middle there, and there's 281 00:14:36,600 --> 00:14:39,800 Speaker 1: a couple of things that happened that kind of a thing, 282 00:14:39,840 --> 00:14:42,600 Speaker 1: but those do not are not long extended periods of 283 00:14:43,160 --> 00:14:44,560 Speaker 1: violence or grossness well. 284 00:14:44,520 --> 00:14:46,800 Speaker 3: Usually anything to do with demonic possession. 285 00:14:46,840 --> 00:14:49,360 Speaker 2: There is usually some grossness involved, and so you can 286 00:14:49,400 --> 00:14:53,200 Speaker 2: kind of imagine where that might go. So I was 287 00:14:53,320 --> 00:14:56,600 Speaker 2: thinking about what to pair this with food drink pairing, 288 00:14:56,640 --> 00:14:59,000 Speaker 2: and all I could think of was just given the 289 00:14:59,080 --> 00:15:01,480 Speaker 2: style of the movie and when and where it's set, 290 00:15:01,600 --> 00:15:05,840 Speaker 2: I was thinking like a martini, a Manhattan, some nuts 291 00:15:05,840 --> 00:15:07,960 Speaker 2: and alaves, some charcuterie. I was just getting into that 292 00:15:08,080 --> 00:15:11,160 Speaker 2: retro seventies feel of a late night what I would 293 00:15:11,160 --> 00:15:13,280 Speaker 2: want to eat and how that would just fit the 294 00:15:13,280 --> 00:15:14,440 Speaker 2: mood of the movie. 295 00:15:15,040 --> 00:15:19,200 Speaker 1: Yeah, throwing your bell bottoms, your high tops and your 296 00:15:19,280 --> 00:15:23,200 Speaker 1: pick and comb out your hair. This is We're gonna 297 00:15:23,440 --> 00:15:26,720 Speaker 1: We're gonna disco it up tonight. No, I'll let you 298 00:15:26,720 --> 00:15:28,440 Speaker 1: do the food bang because you take it very seriously 299 00:15:28,440 --> 00:15:31,000 Speaker 1: and I'm going to respect how you give very good 300 00:15:31,120 --> 00:15:33,720 Speaker 1: thought to this beyond just my popcorn and a beer. 301 00:15:33,880 --> 00:15:35,760 Speaker 2: It is fun, though, to think about when you make 302 00:15:35,760 --> 00:15:38,440 Speaker 2: an experience for a horror movie, if you know the setting, 303 00:15:38,480 --> 00:15:40,480 Speaker 2: you know the genre, to kind of tee it up 304 00:15:40,520 --> 00:15:42,480 Speaker 2: with the right food and drink. 305 00:15:42,600 --> 00:15:43,400 Speaker 3: It is fun and. 306 00:15:43,640 --> 00:15:46,000 Speaker 2: It is good to know. Can I watch this alone? 307 00:15:46,120 --> 00:15:48,120 Speaker 2: Should I have this with someone? You could watch this 308 00:15:48,200 --> 00:15:49,920 Speaker 2: in a group, But again you're gonna be paying so 309 00:15:50,000 --> 00:15:52,560 Speaker 2: much attention. I think it's nice to just have that 310 00:15:52,640 --> 00:15:55,200 Speaker 2: person you love to snuggle up with next to you. 311 00:15:55,280 --> 00:15:56,200 Speaker 3: It's less of a group. 312 00:15:56,680 --> 00:15:59,400 Speaker 1: No, it's gonna be annoying. You need people to be quiet, Yeah, 313 00:15:59,440 --> 00:16:02,120 Speaker 1: you because they have moments of tension that everybody is 314 00:16:02,120 --> 00:16:03,680 Speaker 1: going to be on their See. You don't want somebody 315 00:16:03,680 --> 00:16:06,160 Speaker 1: it's someone idiot yelled out something in a room. I'd 316 00:16:06,200 --> 00:16:08,080 Speaker 1: be upset. Yeah, because they will ruin this movie. This 317 00:16:08,160 --> 00:16:11,640 Speaker 1: is an experience this movie. Absolutely, Yeah, you get it. 318 00:16:11,640 --> 00:16:13,760 Speaker 2: If you have a talker in the group, don't invite 319 00:16:13,760 --> 00:16:16,200 Speaker 2: them because you really really want to pay attention to 320 00:16:16,320 --> 00:16:20,080 Speaker 2: this movie. But it was I just I loved it, 321 00:16:20,120 --> 00:16:23,200 Speaker 2: and I loved how quick it was ninety three minutes. 322 00:16:23,240 --> 00:16:24,360 Speaker 3: That's our kind of flick. 323 00:16:24,480 --> 00:16:26,720 Speaker 2: So please, if you have a chance and you have 324 00:16:26,800 --> 00:16:28,680 Speaker 2: someone you'd like to watch a movie with late night 325 00:16:28,720 --> 00:16:33,760 Speaker 2: getting into the Hollywood hall, I can't talk Holly Halloween 326 00:16:33,800 --> 00:16:35,880 Speaker 2: spirit in a Hollywood setting. 327 00:16:35,960 --> 00:16:36,360 Speaker 3: There you go. 328 00:16:36,440 --> 00:16:38,040 Speaker 2: I was trying to say those two things and they 329 00:16:38,080 --> 00:16:40,560 Speaker 2: did not pairwell. But this is the movie for you. 330 00:16:40,760 --> 00:16:43,880 Speaker 2: So we hope you love Late Night with the Devil 331 00:16:43,920 --> 00:16:46,080 Speaker 2: as much as we did. We do have a little 332 00:16:46,080 --> 00:16:49,320 Speaker 2: teaser for our tomorrow's movie, number twenty four. 333 00:16:50,120 --> 00:16:51,000 Speaker 3: Do you want to see it up? 334 00:16:53,400 --> 00:16:59,960 Speaker 1: Yes, the we have another interesting twist on a horror 335 00:17:00,080 --> 00:17:02,640 Speaker 1: genre that's been done over and over and over and 336 00:17:02,680 --> 00:17:06,399 Speaker 1: over and over again. But again, this is one that 337 00:17:06,560 --> 00:17:11,520 Speaker 1: takes it in such an original way that you have 338 00:17:11,600 --> 00:17:14,040 Speaker 1: to see it. And we're not going to give you 339 00:17:14,080 --> 00:17:17,960 Speaker 1: the title now, but they give away what's happening in 340 00:17:18,000 --> 00:17:19,520 Speaker 1: the movie in the title. 341 00:17:19,680 --> 00:17:22,679 Speaker 2: It also has some really beloved actors in it. 342 00:17:22,960 --> 00:17:24,040 Speaker 3: But it wasn't. 343 00:17:24,280 --> 00:17:26,960 Speaker 2: Yes, but it wasn't reviewed as highly as we think 344 00:17:27,000 --> 00:17:28,600 Speaker 2: it should be. So we can't wait to bring you 345 00:17:28,640 --> 00:17:31,520 Speaker 2: that opinion about all these Well, no, Late Night for 346 00:17:31,560 --> 00:17:34,600 Speaker 2: the Devil it was. Is that the highest rated movie 347 00:17:34,640 --> 00:17:37,080 Speaker 2: I think we're putting on the list? Ninety seven percent? 348 00:17:37,240 --> 00:17:39,600 Speaker 1: I think it might be, But again, eighty two percent 349 00:17:39,640 --> 00:17:43,600 Speaker 1: from the movie goers. That's a little one in my opinion. 350 00:17:43,680 --> 00:17:45,040 Speaker 2: Yeah, I agree, I think it should have been one 351 00:17:45,119 --> 00:17:46,439 Speaker 2: hundred percent and one hundred percent. 352 00:17:46,480 --> 00:17:47,600 Speaker 3: So anyway, we hope you enjoy it. 353 00:17:47,680 --> 00:17:51,280 Speaker 2: We hope you're loving our Halloween hit list. We're going 354 00:17:51,320 --> 00:17:53,399 Speaker 2: to have more for you all the way leading up 355 00:17:53,440 --> 00:17:56,840 Speaker 2: to Halloween itself. I'm Amy Robock alongside TJ. 356 00:17:56,920 --> 00:17:57,280 Speaker 3: Holmes. 357 00:17:57,400 --> 00:17:59,280 Speaker 2: Thank you, as always everybody for listening.