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Speaker 1: Yeah, yeah, yeah, yeah, what's good man. Welcome to another

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Speaker 1: edition of the boueleg Cap Podcast. Today we have got

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Speaker 1: BFB the pac Man on the show, one of my

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Speaker 1: favorite new rappers in the world. I love this guy's bars,

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Speaker 1: They're hilarious. He is a very I could see this

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Speaker 1: guy in movies in the future. Real dope dude. Man

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Speaker 1: been grinding independently, working at the post office and rapping

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Speaker 1: at the same time, like Legit on his thistle Man.

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Speaker 1: So we're gonna talk to BB the pac Man. I

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Speaker 1: promise you you're gonna be thoroughly entertained by this interview.

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Speaker 1: It is hilarious. All right. First things first, shout out

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Speaker 1: to our lovely sponsors at odds Socks. Make sure you

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Speaker 1: mean Breaking Bad Wwe whatever you need, they got them

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Speaker 1: at odd socksofficial dot com. Let's get into the interview. Alright, look, man,

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Speaker 1: Bootleg cav podcast. This guy. I feel like at DMG,

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Speaker 1: like last year, sometime yeah man, and then finally you

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Speaker 1: saw it and then hit me like earlier this year.

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Speaker 1: I apologize, man, Welcome, Welcome. The pac Man is here, BFB,

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Speaker 1: the pac Man is here. Man, Man, I feel like

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Speaker 1: I feel blissed. I'm here with Bootleg. keV took me

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Speaker 1: about fucking man driving to La Bro. You're not from here.

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Speaker 1: Don't drive here, Bron Like how you're a driver, Man,

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Speaker 1: that's some real shit. I could have told you that.

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Speaker 1: I saw you literally pulled up in the whip driving

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Speaker 1: it yourself. You should have everything hands on, like everything,

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Speaker 1: like I respect that I don't have everything hands on me.

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Speaker 1: Every artist they be like, damn, you don't got no

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Speaker 1: team like that. I'd be like, man, I just got managers.

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Speaker 1: I got two managers. One is a hands on manager,

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Speaker 1: the other one go out there and do the big place,

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Speaker 1: the big place. Yeah, and other than that, I'm out

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Speaker 1: here in this water by myself. Were very I feel

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Speaker 1: like you're very self made man. Like you know. The

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Speaker 1: one thing that kind of caught my attention about you

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Speaker 1: was I thought you because because because I think people

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Speaker 1: think of you as like funny, like you're a funny guy, right,

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Speaker 1: like you know, like you're a character. But I just

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Speaker 1: was like, Yo, this dude also is hilarious, Like your

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Speaker 1: bars are fucking fire, Like you're like so funny. The

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Speaker 1: ship you'd be saying is like shit, I'll be saying

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Speaker 1: to my friends when I'm not being recorded. That's and

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Speaker 1: that's and thank you, bro. I need that clip. So

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Speaker 1: when this come out, send me that clip. That ship.

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Speaker 1: People mistake the ship that I say it's funny because

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Speaker 1: I'm not right, because because I'm not rapping about rying

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Speaker 1: down a nigga block and killing niggas and yeah, I

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Speaker 1: just capped ten twenty bricks and nigga, I spent one

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Speaker 1: hundred thousand on my jury. No I'm nigga. I'm yeah,

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Speaker 1: I'm talking about the ship. We we actually say these

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Speaker 1: are the things most dudes are working around with their

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Speaker 1: homies when we're just shooting the ship and fucking off. Yeah,

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Speaker 1: for sure, I'm gonna always be me. I'm always speak nobody.

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Speaker 1: You're saying this type of thing. And I remember Meek Mill, right,

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Speaker 1: Meek Mill was like, uh, you need antibiotics stuff soak

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Speaker 1: fish and put the laughing emoji. He felt that ship

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Speaker 1: in this, he felt it. So many of your lines

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Speaker 1: are man, it's it's real shit you can feel, bro.

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Speaker 1: I just think it's normal, normal dude ship. Like, yes,

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Speaker 1: we fucking watch porn. We talked to our homies about

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Speaker 1: the bitches we fucked except me. I'm married. You know

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Speaker 1: what I'm saying. Formerly obviously, thank you, thank you. You

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Speaker 1: know we we uh we make extremely crude, inappropriate jokes.

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Speaker 1: And I was like, we got a rapper, now you

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Speaker 1: got a I got eyes. We both mean and we understand.

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Speaker 1: Like I was talking with Mustard, Mustard's talking about that

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Speaker 1: make my bitch and kids leave the house so I

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Speaker 1: can beat my meat line. And I've been there. You

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Speaker 1: feel me like sometimes married man, or when you when

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Speaker 1: you're a married man, or when you in a relationship

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Speaker 1: with your baby mom for years, when everyone leaves you,

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Speaker 1: sometimes you sometimes your bro can be a grizzly bear,

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Speaker 1: you know what I mean, trying to get some pussy.

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Speaker 1: She turn over, you'd be like, fucking let me go ahead,

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Speaker 1: go to sleep, Yo, she wake up, go to work

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Speaker 1: he is, go to school. Then you go back home

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Speaker 1: and you talking that good porn hub boy. Yell listen.

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Speaker 1: Last week my producer right, he was like, you know

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Speaker 1: he got roommates, and he was like, yeah, you know

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Speaker 1: Charlie and the Bay and Frank Frank. He's gone. So

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Speaker 1: I got the house to myself tonight. The first thing

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Speaker 1: I said, I said, Oh, you're gonna beat your dick

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Speaker 1: all over that house tonight. Hey, the best part is

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Speaker 1: with the volume on, you will be facts on if

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Speaker 1: you ever that bitch, So gotta be super low. Yeah,

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Speaker 1: you know when you when when when when? When? When?

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Speaker 1: When the kids are around? Or you know you got

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Speaker 1: the door lock, you got you kind of imagining the sound,

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Speaker 1: you know what I'm saying. Yeah, Or you gotta let

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Speaker 1: that bitch down, you know what I mean. You gotta

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Speaker 1: hit the butt. You gotta hit that bitch all the

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Speaker 1: way down, all the way down. With the song is off,

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Speaker 1: you just gotta tap that bitch one time, just so

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Speaker 1: you can hear this bit. Yeah, a tiny bit like

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Speaker 1: me and Mustard was talking about that ship. Bro, me

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Speaker 1: and Bro. We all can relate, Bro and nigg I'm

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Speaker 1: about to start writing records for women as well, like

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Speaker 1: like I might just start writing records to sending them

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Speaker 1: off because it's a lot of shit about me and

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Speaker 1: that women can relate to that I know. And I

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Speaker 1: don't have no pride and I can tell the truth

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Speaker 1: about myself. You feel me, and that's I know that

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Speaker 1: from my raps to my Instagram everything. People know that

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Speaker 1: I got no shame either. Man to a fault. It

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Speaker 1: is what it is. That's why people love you. Man,

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Speaker 1: be myself, like I'm always be myself. Bro, No, I

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Speaker 1: think I think, uh, you know, it's long. You know

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Speaker 1: when we think about longevity in the music game, right

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Speaker 1: and the people who have really like lasted all these years.

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Speaker 1: I think for the most part, the number one thing

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Speaker 1: is in whatever capacity is is it's being genuine, being

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Speaker 1: apologetically you. Yeah, and I ain't trying to shoot on

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Speaker 1: nobody like I ain't trying to talk to nobody crazy.

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Speaker 1: I ain't trying to You're very positive, bro, you got

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Speaker 1: positive vibes. Bro, if you follow you on Instagram, you're like, Yo,

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Speaker 1: this dude is a nice guy. Bro. I don't even

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Speaker 1: think it's positive vibes brought this thing. It's naturally, bro.

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Speaker 1: Nobody is raised to be disrespectful, right, point blank period.

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Speaker 1: Nobody is raised to to to to just go out

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Speaker 1: there and hurt people. Rather it's physically, spiritually mentally like that.

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Speaker 1: But alone away, people forget how they was raised. Bro,

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Speaker 1: you know what I mean. That's real. So it's crazy

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Speaker 1: because I take this ship with me, like I take,

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Speaker 1: I take, you end up getting like all the outside

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Speaker 1: shit in your life ends up kind of retraining you

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Speaker 1: from how you was raised. Yeah, and like just about

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Speaker 1: this whole rep thing. Like my mama, my mama, Bro,

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Speaker 1: my mama, my mama. I ain't gonna say like she

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Speaker 1: is a dude on the internet or do it on

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Speaker 1: TV talking shit or whatever, and she'd be like, I

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Speaker 1: hate a cocky nigga. She always said that. So that's

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Speaker 1: why I'm like, Bro, no matter how much money I get,

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Speaker 1: I'm always you feel me. Hey, I wipe my ass.

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Speaker 1: You wipe your ass right, You wipe your ass with

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Speaker 1: the right hand, you right handed. I wipe my ass

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Speaker 1: with my right hand. Right, so we're on the same level. Right.

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Speaker 1: Money don't change money, don't change motherfucker. It just changed

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Speaker 1: the status of a person. Bro. That's it. So like

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Speaker 1: I see a nigga, what's up? What's up? Like it's good?

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Speaker 1: Ask me how many ever questions? You won't shake my

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Speaker 1: hand or whatever you feel me? It's good. I'm normal,

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Speaker 1: just like you, bro, Like that's it. Give me some

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Speaker 1: of your other history and like just your come up

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Speaker 1: man in the music game, because obviously, you know we

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Speaker 1: we'll get to the you being a male man and

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Speaker 1: all that, because I think that's that's part of your story.

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Speaker 1: But just you're making music. At what point in time

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Speaker 1: did you start taking like music serious where you actually

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Speaker 1: paying for studio time? And like you know what I mean, Okay,

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Speaker 1: break it up, Okay, So I always wanted to rap

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Speaker 1: my first I'm giving you from beginning to end, make

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Speaker 1: it fast. My first. The first person was to put

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Speaker 1: me in the studio was my big cousin Smoke right,

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Speaker 1: because he was a rapper too. He lived out in

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Speaker 1: Kansas City, you feel me? He lived in like Tech

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Speaker 1: nine and then was real shout out to Tech nine.

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Speaker 1: You feel me like that. Yeah, Like he just always

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Speaker 1: he made us want a rap man. So I just

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Speaker 1: like I'm an rap me as a kid, I be

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Speaker 1: a rapper, hot boys and shit like that. So he

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Speaker 1: put us in the studio real young and so along

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Speaker 1: the way, I just got away from the studio, but

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Speaker 1: I always wanted to rap. I hopped in the streets.

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Speaker 1: You feel me, was hustling, you feel me. And twenty

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Speaker 1: thirteen came. I got hit with a dope and gun case.

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Speaker 1: So I hopped back in the studio when I was

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Speaker 1: about when I was like sixteen seventeen, twenty thirteen, I

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Speaker 1: think so so Bam, I got a break. They gave

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Speaker 1: me heighter height. It is basically, you finish your probation,

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Speaker 1: you feel me, You pay your money, you know all

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Speaker 1: your felonies up. I head out in my granny basement.

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Speaker 1: My mam was living down in Houston, Texas. Bam. I'm

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Speaker 1: down there watching Whizz Whi's YouTube channel. I'm watching Nipsey Hustle,

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Speaker 1: Crenshaw Bullets, don't hand on it. I'm just watching these guys.

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Speaker 1: I'm watching how they move. I'm watching Casey Veggies down Kennedy.

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Speaker 1: I'm watching feel me, school boy Q. I'm watching this

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Speaker 1: twenty thirteen, fourteen years. It's a great blog. The blog

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Speaker 1: era of hip hop is my favorite era. Man, Bro,

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Speaker 1: you know they're not writing too dope boys and all

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Speaker 1: that shit. Yeah, feel me. So I'm watching all the

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Speaker 1: West Coast Mustard. You know, twenty thirteen fourteen Nia they

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Speaker 1: had this, had this in the choke hold right for sure.

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Speaker 1: Like for Riz, they was building that whole shit dog

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Speaker 1: they brought them up. So I'm watching all these niggas

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Speaker 1: and I'm like, Bro, I'm motivated. Got off twenty fifteen.

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Speaker 1: I made it out. No nonother dope, no drug cases,

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Speaker 1: no gun cases. And I told my ma, Mama, just

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Speaker 1: come down there and do something different. I ain't got

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Speaker 1: no failing. Let me get the fuck on up out

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Speaker 1: of here. Damn left went to Houston. Dam I'm searching

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Speaker 1: because I know what type of sign I like. I

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Speaker 1: know I want my videos to be. I know I

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Speaker 1: want my videos to be. So I ran into Oh

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Speaker 1: shot you? And which is my camera man? Who shoot

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Speaker 1: all my shit? Now? Oh shot you? And I I

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Speaker 1: ran into a read studios. He engineered. You're gonna see

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Speaker 1: him with me? He hearing from me today bamn. So

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Speaker 1: twenty seventeen, I started putting out records, right. I had

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Speaker 1: a formul record with a red should the video. Oh

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Speaker 1: shot you I need some promotion. Let me get on,

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Speaker 1: say cheese ass shot, Sean Cotton. You feel me? So

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Speaker 1: I was emailing Sean Cotton. He wasn't hitting back, right,

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Speaker 1: so I just said some of the bottom of my wraps.

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Speaker 1: Then he posted me, damn, that's where it go. I

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Speaker 1: finally got the plug. Now they email him back. Every

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Speaker 1: time Sean Cotton will see me in that damn email,

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Speaker 1: he'll take it. And he was trying to be funny

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Speaker 1: at first, but he was helping me. He like, there rapper,

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Speaker 1: that BfV rapper. Girlfriend gives him comedia. Just don't know, nigga,

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Speaker 1: I'm free promo. You must not know. I ain't got

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Speaker 1: no shame in my man. Yeah, nigga, I'm like this. Yeah,

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Speaker 1: all it is is that. By the way, all it

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Speaker 1: is is a penicillin shot to the ass, and three

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Speaker 1: days on the bench in your back and your back

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Speaker 1: back up here slugging in your back. You gotta sit

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Speaker 1: on that bench for three days, you feel me? I

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Speaker 1: still love my bitch. My bitch gave me gone Rhea,

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Speaker 1: but I still love her. That was the line that ship, like, yeah,

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Speaker 1: that ship. Ever since then, it was on. So every

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Speaker 1: time I will put out a single, he would, he

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Speaker 1: would throw it in there. Girl gives you feel me?

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Speaker 1: Motherfucker's getting mad at this right right, right right. My

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Speaker 1: nigga's like, bro, why the fuck you keep doing that

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Speaker 1: whole ass? Bro? Rex, they don't see the vision. I

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Speaker 1: see the vision like it's free promotion. People are paying

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Speaker 1: for that kind of promotion. You're getting it for free.

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Speaker 1: Come on, man, bro, they don't under bro, they don't

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Speaker 1: see this internet ship. How I see. That's where I'm at.

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Speaker 1: Where I'm at right now. I ain't got no shame,

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Speaker 1: my nigga, I ain't got no shame. And it's the truth.

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Speaker 1: I ain't on No. Six nine ship now you ain't,

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Speaker 1: yeah for sure, because that what he was doing was

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Speaker 1: a lie. That wasn't him. You're being you unapologetic call

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Speaker 1: an std from my bitch, and I still love her.

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Speaker 1: You feel me? That actually happened. I'm really living like that. Facts, Okay,

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Speaker 1: that happened. So water came out of my mouth, but

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Speaker 1: we're good. That's clean water. My mouth cleaned too. But

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Speaker 1: the committee Facts facts. That was years ago. So bam

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Speaker 1: as he doing that? My followers going up. I'm going

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Speaker 1: from five. I started at four or five thousand. Bam,

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Speaker 1: I jumped the team and I jumped his seventeen thousand

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Speaker 1: and then like I just kept going, kept going, kept going,

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Speaker 1: just the same formula. Record the song with a Red,

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Speaker 1: nice professional mix, great video. Then I'm doing this shit

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Speaker 1: all off for work check because I promised. I promised myself.

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Speaker 1: I wasn't going back to the streets, right, you feel me? Damn?

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Speaker 1: A Red says you need a feature, right, So I'm like, damn,

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Speaker 1: who we gonna get? I got this card, shout out

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Speaker 1: to Macy Smith. I felt off for a credit card

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Speaker 1: and they gave me four thousand dollars. Right, So I

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Speaker 1: had some cheese saved up and I had the four

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Speaker 1: thousand dollars on a credit card. Damn, I said. Man,

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Speaker 1: my brother had just got out of prison. He bump

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Speaker 1: inside of every day. He watching side of videos like

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Speaker 1: a motherfucker. Right, So how does that guy in Detroit?

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Speaker 1: For sure? So I post again on say cheese. That's

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Speaker 1: why I say on say cheese like before before, but

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Speaker 1: before say cheese, it like to get my Houston buzz

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Speaker 1: and my Houston following up, and how motherfuckers know about

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Speaker 1: me in Houston, Texas was this blow called Stay Down Productions.

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Speaker 1: Stay Down Productions two point zero, bro. If to every

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Speaker 1: artist out there if you need, if you need a

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Speaker 1: Texas buzz that's basically like mainly strictly Texas hit up,

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Speaker 1: Stay Down Productions, DMM. Get at them for for promotion,

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Speaker 1: man like for real facts. But say cheese? Right? I

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Speaker 1: posted uh to go play sat of comments on it?

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Speaker 1: See one thing about say Cheese. Say Cheese is a

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Speaker 1: big blog. All the rappers, follow the rappers, all the

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Speaker 1: labels like everyone's following that got three hundred followers, a

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Speaker 1: thousand followers that report to the big niggas that come

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Speaker 1: sign you. They following say Cheese. I'm trying to tell

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Speaker 1: niggas That's why I tell niggas promote on Say Cheese

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Speaker 1: and Stay Down Productions, Bro, because you got Jazz Prints

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Speaker 1: and all the niggas who signed draking up, all the

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Speaker 1: niggas following State Down Productions, and you're trying to tell niggas, bro,

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Speaker 1: niggas don't be listening. But anyway side of comments on it,

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Speaker 1: so bam my brother bumping Sider every day. He just

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Speaker 1: got out of prison, Sla. We're gonna get Sid up

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Speaker 1: for the future of video. We get Sada Sunda Like,

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Speaker 1: I can't do it that low, Like the amount of

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Speaker 1: money you offered, I can't heat. I can't do it

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Speaker 1: that low, Bro, mind you, Sata is dropping it. He

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Speaker 1: getting a million in three days. He's doing ten Nigga

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Speaker 1: doing numbers, Yeah, for sure, Please Bro, Like, I want to,

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Speaker 1: but I can't. It's just too it's just too cheap

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Speaker 1: a video and a feature. It's just too cheap. What

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Speaker 1: were you offering him, man, I can't say, Well, he

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Speaker 1: had four grand on the credit card and a little

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Speaker 1: bit of money from the from the work check. I can't.

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Speaker 1: I can't say, Man, it wasn't quite enough. It wasn't.

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Speaker 1: It wasn't Bro. And I'm gonna talk to Bro and

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Speaker 1: ask him. Can I start saying how much you feel me?

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Speaker 1: But so that happens, can you say how much he wanted? Uh? Bro,

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Speaker 1: Sada was getting Like Bro, Sado probably is getting like

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Speaker 1: ten thousand. I was gonna I was gonna say he

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00:18:28,920 --> 00:18:31,359
Speaker 1: was probably getting ten right like tense the number of

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00:18:31,440 --> 00:18:35,240
Speaker 1: it was probably getting like ten. Yeah, probably so you

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Speaker 1: asked him, you pretty much say please, and he like, man,

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Speaker 1: you know what I mean? Damn so and the song

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Speaker 1: sire and is low key a fan of me, but

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Speaker 1: he's not giving me no conversation. He not fuck with

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Speaker 1: me at all. Right right right, right, right right. I

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Speaker 1: got this nigga number. I'm hitting him and everything because

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Speaker 1: one thing about me, I'm a fine way right, So

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Speaker 1: I got his personal number. I'm hitting him everything, right, damn.

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Speaker 1: What happens is the nigga Sean kind of ends up

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Speaker 1: telling us of like, bro, you do it with it.

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Speaker 1: I'll posted try to hear me like, hey, I'll do it, bro,

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Speaker 1: Sean said, he gonna post it whatever we do. Se said,

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Speaker 1: like he support me, Bro, that nigga support, but he

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Speaker 1: was not back with me, Bro, and like that's what

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Speaker 1: let me know, Sean like a straight up nigga. He

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Speaker 1: straight up he one thousand you see. I mean, like, damn,

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Speaker 1: so we finally we finally get it in the pandemic too, Yeah,

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Speaker 1: we finally shoot it. He comes in studio later verse

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Speaker 1: like two verses with Extra Crazy in the video he directed,

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Speaker 1: he like nigga, nigga, are we gonna do b ro nigga,

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Speaker 1: I didn't know what no fucking b ro was Like,

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Speaker 1: Sido went overboard for that measley ass rooms right, bim

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00:20:05,119 --> 00:20:09,760
Speaker 1: four o'clock, Roll around, they leave, thank you, roll through?

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Speaker 1: Who we go back here? He real like, nigga ain't

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Speaker 1: want to lead the nigga about to help me clean up?

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Speaker 1: You know, brock bro and roll with like ten niggas

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00:20:17,600 --> 00:20:19,960
Speaker 1: and they all like thirteen niggas and they all bet

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Speaker 1: in the middle of coronavirus the middle. He booked this studio, right,

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Speaker 1: he booked it. He booked my studio. He booked both rooms.

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00:20:28,800 --> 00:20:31,399
Speaker 1: And both of my engineers are running sessions for his

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00:20:31,440 --> 00:20:34,000
Speaker 1: whole team, right, And they call me and they're like,

338
00:20:34,440 --> 00:20:37,640
Speaker 1: can you please this is there's there's there's pit bulls

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00:20:37,640 --> 00:20:40,399
Speaker 1: and guns and smoking. No one's wearing masks. This is

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00:20:40,440 --> 00:20:43,960
Speaker 1: like this is like probably May of last year. This

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00:20:44,080 --> 00:20:46,280
Speaker 1: is like in the thick of the rona. And I

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00:20:46,320 --> 00:20:48,920
Speaker 1: pulled up here and I saw what was I said, man, listen, guys,

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00:20:49,000 --> 00:20:50,879
Speaker 1: we're running a rap studio here, so every once in

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Speaker 1: a while you gonna have to deal with some ship

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00:20:52,200 --> 00:20:54,360
Speaker 1: like this. I am not telling these young men from

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Speaker 1: Detroit nothing. They paid good money to be here, and

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00:20:58,680 --> 00:21:01,000
Speaker 1: they got the out for the night. It is what

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00:21:01,080 --> 00:21:04,679
Speaker 1: it is fact. And they would smoking good week. Couldn't

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00:21:04,680 --> 00:21:07,280
Speaker 1: hardly breathing that bitch, yes, and I don't smoke. And

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00:21:07,280 --> 00:21:09,280
Speaker 1: they made a drink or smoke. They made a fucking mess.

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00:21:09,680 --> 00:21:12,960
Speaker 1: They made a mess. It's ashes, blunt feels everything so

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00:21:13,040 --> 00:21:14,800
Speaker 1: ain't really nigga, ain't want know where You're about to

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Speaker 1: help me clean up first, So I go in there

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Speaker 1: and help broke clean up. Mind you, it's full cock.

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00:21:19,600 --> 00:21:24,240
Speaker 1: I got to be at the post office eight. I

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00:21:24,240 --> 00:21:28,000
Speaker 1: gotta drop my kids off at daycare. I'm a daily daddy.

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Speaker 1: This is real life. This is real life, the real

358
00:21:30,200 --> 00:21:32,879
Speaker 1: life issues. Yeah, I get them. I go to sleep

359
00:21:32,920 --> 00:21:35,359
Speaker 1: about two hours, bam, get up, get them ready, drop

360
00:21:35,400 --> 00:21:39,000
Speaker 1: them off at daycare, take mass to work. A Red

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00:21:39,600 --> 00:21:41,639
Speaker 1: A Red mixed the song the next morning, said that

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00:21:41,680 --> 00:21:44,200
Speaker 1: the oh shot you oh shot you got the video back.

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00:21:44,840 --> 00:21:49,600
Speaker 1: We put that bitch out. It was it was, it was.

364
00:21:49,680 --> 00:21:54,480
Speaker 1: It was up from there. Four hundred and motherfucking sixty

365
00:21:54,520 --> 00:21:58,920
Speaker 1: thousand followers. I don't know how many reviews on Instagram.

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00:21:59,040 --> 00:22:02,000
Speaker 1: I mean, I don't hireing many views on YouTube. I

367
00:22:02,040 --> 00:22:06,640
Speaker 1: don't know how many views nigga on Instagram. I don't

368
00:22:06,640 --> 00:22:09,360
Speaker 1: know how many streams later, nigga, but I'm here, oh

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00:22:09,359 --> 00:22:11,560
Speaker 1: for sure. I like to point out that I'm ninety

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Speaker 1: nine point nine percent sure that I actually d MD

371
00:22:13,880 --> 00:22:17,080
Speaker 1: you before. But let's see what did you? When did that?

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00:22:17,080 --> 00:22:23,000
Speaker 1: But when did that song come out? June? Okay, I

373
00:22:23,080 --> 00:22:24,920
Speaker 1: hit you in October? Then, so I hit you after.

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Speaker 1: I hit you after, Like I said, Bro, by the way,

375
00:22:28,280 --> 00:22:31,840
Speaker 1: I apologize to brocause that's disrespectful. This nigga as a goat.

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Speaker 1: He is like a legend that I've been watching this

377
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Speaker 1: nigga for years. Man, I'm a fan, Bro. I think

378
00:22:36,000 --> 00:22:38,520
Speaker 1: I think I just like unique shit in the game,

379
00:22:38,640 --> 00:22:40,720
Speaker 1: and I think that like your bars are like so

380
00:22:40,840 --> 00:22:43,840
Speaker 1: relatable to my life. I was like, Dog, I'm just

381
00:22:43,880 --> 00:22:47,200
Speaker 1: I'm like, yeah, man, this is how we talk. This

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00:22:47,280 --> 00:22:50,119
Speaker 1: is the ship I've been through in my life. I've

383
00:22:50,240 --> 00:22:54,600
Speaker 1: had my share of I've had to sit down for

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00:22:54,640 --> 00:22:56,960
Speaker 1: a few days. You know what I'm saying. I mean, man, Bro,

385
00:22:57,040 --> 00:22:58,880
Speaker 1: if you really out here, fucking Bro, you called an

386
00:22:58,920 --> 00:23:04,800
Speaker 1: STD one because pussy feels great and for two, the

387
00:23:04,840 --> 00:23:06,960
Speaker 1: bitch would be so fine. You'd be like, Bro, I

388
00:23:07,000 --> 00:23:09,760
Speaker 1: gotta hit that motherfucker. Fuck it. It's worth it. It's

389
00:23:09,760 --> 00:23:12,080
Speaker 1: worth the trip to the clinic. It's worth Let me

390
00:23:12,080 --> 00:23:15,600
Speaker 1: stick that dicky and raw. Let me look, man, I

391
00:23:15,680 --> 00:23:19,439
Speaker 1: gotta feel this motherfucker. Oh, I gotta feel it. I

392
00:23:19,480 --> 00:23:22,520
Speaker 1: gotta feel it. I really really like her too, or not?

393
00:23:22,600 --> 00:23:25,040
Speaker 1: If I really like her, you could just be like, oh,

394
00:23:25,160 --> 00:23:27,239
Speaker 1: I want to fuck her, or you ain't seen no bit.

395
00:23:27,280 --> 00:23:29,040
Speaker 1: You want to fuck it and you're going through your

396
00:23:29,119 --> 00:23:32,520
Speaker 1: minfe fuck that bitch, Raw. I want to nuther her.

397
00:23:33,160 --> 00:23:35,680
Speaker 1: Once upon a time in my life I was that guy,

398
00:23:35,760 --> 00:23:39,800
Speaker 1: for sure, pent of time. I'm married, married man. My

399
00:23:39,840 --> 00:23:43,879
Speaker 1: wife is beautiful. I love her, but past tense, past

400
00:23:44,080 --> 00:23:51,000
Speaker 1: tents for sure. Facts Come on, man, I got a question,

401
00:23:51,000 --> 00:23:53,000
Speaker 1: shout out to the hook of hook of hookers, any facts?

402
00:23:53,200 --> 00:23:55,600
Speaker 1: So how long you been married since twenty eighteen? By've

403
00:23:55,600 --> 00:24:01,119
Speaker 1: been with my wife since twenty sixteen, twenty fifteen. Yeah,

404
00:24:02,480 --> 00:24:11,680
Speaker 1: Rihanna say, hey, CAV, you're in the link up for sure,

405
00:24:13,480 --> 00:24:19,080
Speaker 1: for sure twenty fifteen, twenty fifteen reread, two fifteen reread.

406
00:24:19,600 --> 00:24:22,320
Speaker 1: She say, CAV, you want a link up of course,

407
00:24:23,680 --> 00:24:26,919
Speaker 1: of course, Yeah, but you gotta hit this line of

408
00:24:26,960 --> 00:24:32,480
Speaker 1: cocaine oh for sure. Yeah, I'm not gonna lie. I

409
00:24:32,560 --> 00:24:34,680
Speaker 1: might give another dude a hand jobs the fuck Rihanna

410
00:24:34,720 --> 00:24:37,160
Speaker 1: in twenty fifteen. If she was like, look, we can fuck,

411
00:24:37,200 --> 00:24:39,320
Speaker 1: but you gotta jerk off my bodyguard, I might think

412
00:24:39,320 --> 00:24:42,160
Speaker 1: about it. I might think about it. Look I ask,

413
00:24:42,320 --> 00:24:44,760
Speaker 1: I ask a nigga, I'll be like, bro, what's your favorite? Look,

414
00:24:45,080 --> 00:24:47,919
Speaker 1: I'd be like, bro, what's your favorite? What's your favorite?

415
00:24:47,920 --> 00:24:50,280
Speaker 1: Because we read and this is no disrespecting Rocky, this

416
00:24:50,320 --> 00:24:53,040
Speaker 1: is twenty fifteen. This is we're worried about we currently

417
00:24:53,119 --> 00:24:56,880
Speaker 1: are in twenty fifteen. At the time, she's no disrespected Rocky.

418
00:24:56,920 --> 00:24:58,800
Speaker 1: I'm talking about at the time she's sleeping with Drake

419
00:24:58,840 --> 00:25:01,200
Speaker 1: on the side, she's not currently like seriously lockdown. I

420
00:25:01,240 --> 00:25:04,520
Speaker 1: don't think you know twenty fifteen. So we're we're in

421
00:25:04,560 --> 00:25:07,480
Speaker 1: a time machine. Yeah, but I say that to every

422
00:25:07,640 --> 00:25:10,359
Speaker 1: nigga that I run into. Not but first I ask.

423
00:25:10,440 --> 00:25:12,800
Speaker 1: I'm like, bro, who is your celebrity crush? But I

424
00:25:12,880 --> 00:25:15,959
Speaker 1: just use re read because she's the baddest unique, she's well,

425
00:25:16,000 --> 00:25:19,520
Speaker 1: she's also like like a safe person to use right

426
00:25:19,600 --> 00:25:23,720
Speaker 1: if she is nigga Beyonce before Hove before marriage, will

427
00:25:23,760 --> 00:25:26,240
Speaker 1: Hove you know what I mean, She's the baddest, she's

428
00:25:26,240 --> 00:25:30,080
Speaker 1: the unique, she's the she's the queen. And let's be honest,

429
00:25:30,119 --> 00:25:34,320
Speaker 1: like Rihanna probably got way better draws than Beyonce. Like

430
00:25:34,359 --> 00:25:37,960
Speaker 1: I feel like Rihanna's definitely a probably a lot more

431
00:25:39,200 --> 00:25:43,880
Speaker 1: crazier when it comes to uh, you know them sheets.

432
00:25:44,119 --> 00:25:46,359
Speaker 1: Maybe I'm tripping, but I would I would bet my

433
00:25:46,480 --> 00:25:49,440
Speaker 1: money that Rihanna's with all kinds of shit that Beyonce

434
00:25:49,600 --> 00:25:52,960
Speaker 1: may not be down for. Like I bet you Rihanna's

435
00:25:53,000 --> 00:25:55,800
Speaker 1: eating asad rockets ass for sure. If I had to

436
00:25:55,840 --> 00:25:59,399
Speaker 1: bet my money on it, I bet she is, Like

437
00:25:59,440 --> 00:26:00,600
Speaker 1: if you had, if you had to bet you a

438
00:26:00,640 --> 00:26:04,320
Speaker 1: paycheck on it, that she's that, she's that Rihanna's eating now,

439
00:26:04,400 --> 00:26:19,000
Speaker 1: she's eating as for sure. Yo. Anyways, man, Yeah, So

440
00:26:19,119 --> 00:26:21,280
Speaker 1: what I was saying was what he was saying was

441
00:26:21,359 --> 00:26:25,000
Speaker 1: that fifteen that I just used Rihanna because she is

442
00:26:25,040 --> 00:26:29,160
Speaker 1: the imperial You feel me like she's the imperial nigga.

443
00:26:29,240 --> 00:26:32,399
Speaker 1: Re Re is that nigga. She laying like that nigga,

444
00:26:32,840 --> 00:26:36,399
Speaker 1: And I just wanting to hear what would a nigga

445
00:26:36,440 --> 00:26:40,840
Speaker 1: do for imperial woman? Like one of my homies he

446
00:26:40,920 --> 00:26:45,520
Speaker 1: loved Nikki, right, I said, Bro, Nigga. Nikki said, Nigga,

447
00:26:45,760 --> 00:26:47,240
Speaker 1: if you want to get with me, Nigga, you gotta

448
00:26:47,320 --> 00:26:49,440
Speaker 1: hear four lines of coke. That nigga said, I'm eating

449
00:26:49,480 --> 00:26:53,080
Speaker 1: them bitches for sure. I said, I've never done cocaine.

450
00:26:53,080 --> 00:26:55,200
Speaker 1: By the way, me neither me neither. That's why I'm

451
00:26:55,240 --> 00:27:01,360
Speaker 1: like drugs, right, see me. I love Lizzo. I know this.

452
00:27:01,440 --> 00:27:04,200
Speaker 1: I'm like that. I see you putting it out there.

453
00:27:04,520 --> 00:27:09,040
Speaker 1: So if she say, pat, you gotta hear some coke.

454
00:27:09,240 --> 00:27:11,200
Speaker 1: What if she said, hey, jumping this cooch. What if

455
00:27:11,200 --> 00:27:15,520
Speaker 1: she said, you gotta shoot heroin to jump in the coach,

456
00:27:16,000 --> 00:27:19,040
Speaker 1: I'm up bout of there. You listen, no, but but

457
00:27:19,040 --> 00:27:25,200
Speaker 1: but you're down for cocaine. No hen So listen Liz

458
00:27:25,480 --> 00:27:28,760
Speaker 1: Lizzo says you gotta hit this coke. You're saying, no, bro, listen.

459
00:27:30,119 --> 00:27:34,800
Speaker 1: I love Wiz Khalif and the Death. I wholeheartedly love

460
00:27:34,880 --> 00:27:38,199
Speaker 1: that niggah, like keep my uncle or something. It's my

461
00:27:38,240 --> 00:27:42,320
Speaker 1: brother for sure. That nigga said, pack, you gotta hear

462
00:27:42,359 --> 00:27:45,639
Speaker 1: some weed when you come through this next time. I said, Wiz,

463
00:27:46,200 --> 00:27:51,639
Speaker 1: I'm never coming through. I can't. I can't hear no, bro,

464
00:27:52,000 --> 00:27:54,920
Speaker 1: it's just something my body with drugs just can't do it.

465
00:27:55,000 --> 00:27:57,560
Speaker 1: Like I got drunk, bro, I can't. Like I'm a

466
00:27:57,680 --> 00:28:03,320
Speaker 1: sober nigga. Bro, So you're you would like just leave Lizzo?

467
00:28:03,560 --> 00:28:08,159
Speaker 1: You would you smoke weed for Lizzo? I hit it

468
00:28:08,200 --> 00:28:12,679
Speaker 1: one time one time, Okay, no cocaine, but you do

469
00:28:12,680 --> 00:28:17,119
Speaker 1: the weed one time just so you turned hit it,

470
00:28:17,240 --> 00:28:20,680
Speaker 1: just hit it like this a little bit? What what

471
00:28:20,680 --> 00:28:24,200
Speaker 1: what inspired you to be so drug free and such

472
00:28:24,200 --> 00:28:29,200
Speaker 1: a non drug free industry that we're in ship? For one,

473
00:28:32,200 --> 00:28:40,480
Speaker 1: excuse me for one. My father uh smokes crack m

474
00:28:42,320 --> 00:28:44,320
Speaker 1: that's my nigga. Everybody know that he's I said it

475
00:28:44,360 --> 00:28:52,640
Speaker 1: in my songs. I don't know if that's because I

476
00:28:52,640 --> 00:28:55,040
Speaker 1: don't know if that made him ain't shit dad or

477
00:28:55,080 --> 00:28:58,760
Speaker 1: he was just ain't your dad? You feel me? Because

478
00:28:58,800 --> 00:29:02,600
Speaker 1: sometimes drugs are changed people for sure, for sure, especially

479
00:29:02,720 --> 00:29:06,960
Speaker 1: especially certain drugs. So and then on top of that, man,

480
00:29:07,160 --> 00:29:08,800
Speaker 1: I just used to see people on the corner and

481
00:29:08,920 --> 00:29:15,479
Speaker 1: strung out. You see that ship. If you're from the hood, bro,

482
00:29:16,320 --> 00:29:18,200
Speaker 1: you grew up nigga. If you're not from the hood,

483
00:29:18,200 --> 00:29:21,000
Speaker 1: if you grow up out of Beverly Hills and Calabasha's

484
00:29:21,040 --> 00:29:22,960
Speaker 1: way up. When you go to La you see people

485
00:29:23,000 --> 00:29:25,840
Speaker 1: strung out, But you know what this ship gonna do

486
00:29:25,920 --> 00:29:30,760
Speaker 1: to you? Why do you want to try? Right? So

487
00:29:30,880 --> 00:29:34,560
Speaker 1: you got to see the darkest side of the drug shit.

488
00:29:34,720 --> 00:29:38,360
Speaker 1: Hell yeah, I was already struggled enough for food, my nigga,

489
00:29:38,480 --> 00:29:41,800
Speaker 1: I hear you. I love fool me too, me too.

490
00:29:41,840 --> 00:29:45,320
Speaker 1: I mean obviously where I'm not as if I got

491
00:29:45,320 --> 00:29:49,040
Speaker 1: to die boyd popping, But that is my one vice. Man.

492
00:29:49,520 --> 00:29:52,640
Speaker 1: If I could eat all day, like when I'm like

493
00:29:52,880 --> 00:29:57,240
Speaker 1: peak pandemic me, I'm waking up, I'm just eating all day.

494
00:29:57,600 --> 00:29:59,800
Speaker 1: I have a whole ass of dinner. As soon as

495
00:29:59,800 --> 00:30:03,000
Speaker 1: I'm done with my wife's amazing Mexican food she might cook,

496
00:30:03,520 --> 00:30:09,280
Speaker 1: I'll eat two bowls of apple jacks. Of course, I

497
00:30:09,360 --> 00:30:16,960
Speaker 1: love apple jacks. What's my favorite apples? Fruity pebbles, rice,

498
00:30:17,000 --> 00:30:19,640
Speaker 1: Krispy trees. They get too soggy in the milk. Though,

499
00:30:19,640 --> 00:30:22,400
Speaker 1: after a while, it's like, what am I a hood classic?

500
00:30:23,600 --> 00:30:25,920
Speaker 1: He's fucking I would eat all fucking day. Man, It's

501
00:30:25,920 --> 00:30:28,080
Speaker 1: like it's like and then, like you said, apple jacks,

502
00:30:28,120 --> 00:30:32,360
Speaker 1: He's a legend. But yeah, but the drug shit is

503
00:30:32,440 --> 00:30:35,240
Speaker 1: like for me, like all my family was all heroin

504
00:30:35,280 --> 00:30:37,920
Speaker 1: addicts and meth meth fiends growing up because I grew

505
00:30:38,000 --> 00:30:40,800
Speaker 1: up in like in Phoenix, in like a area called

506
00:30:40,840 --> 00:30:44,480
Speaker 1: Sonny Slope, which is kind of like it's like a

507
00:30:44,600 --> 00:30:47,600
Speaker 1: it's like the white trash trailer park hood, you know

508
00:30:47,640 --> 00:30:50,600
Speaker 1: what I'm saying, Mexican hood. And it was like my

509
00:30:50,640 --> 00:30:52,360
Speaker 1: whole family was always strung out in and out of

510
00:30:52,360 --> 00:30:56,280
Speaker 1: prison and ship. So I never I'm just German and Irish,

511
00:30:56,640 --> 00:30:59,640
Speaker 1: just a white dude, you know what I'm saying. But uh,

512
00:31:00,080 --> 00:31:01,680
Speaker 1: I never. That's why I never fuck with no hard.

513
00:31:01,720 --> 00:31:03,720
Speaker 1: I didn't. I didn't start drinking until I was twenty one.

514
00:31:03,720 --> 00:31:07,320
Speaker 1: I never even fuck with alcohol. I drink sometimes, but uh,

515
00:31:07,640 --> 00:31:10,080
Speaker 1: I've never done any hard. I'm never taking a pain pill. Bro.

516
00:31:10,280 --> 00:31:12,840
Speaker 1: I've had surgery and shit, and I refused to fuck

517
00:31:12,880 --> 00:31:15,280
Speaker 1: with the pain pills because I'm like, man, I know

518
00:31:15,400 --> 00:31:19,880
Speaker 1: my my lineage of family, they're addicts. So if I

519
00:31:19,960 --> 00:31:21,960
Speaker 1: take a fucking pain pill, who knows where the fuck

520
00:31:22,000 --> 00:31:23,840
Speaker 1: that's gonna take me in life, you know what I'm saying, Like,

521
00:31:23,880 --> 00:31:25,920
Speaker 1: I might get hooked on that shit. Nah. See, And

522
00:31:25,960 --> 00:31:29,160
Speaker 1: that's the reason why I'm like, Bro, I can't do

523
00:31:29,280 --> 00:31:31,680
Speaker 1: it and we and we was in the we we

524
00:31:32,080 --> 00:31:34,920
Speaker 1: ninety five baby, like nineties babies. You were born in

525
00:31:35,000 --> 00:31:37,960
Speaker 1: ninety five, Okay, I was born in eighty seven, so

526
00:31:37,960 --> 00:31:43,640
Speaker 1: so we nineties babies. We our air was so much

527
00:31:43,720 --> 00:31:48,000
Speaker 1: cracking coke. We was Zanny babies for sure. We pop

528
00:31:48,040 --> 00:31:52,240
Speaker 1: a Zannies. You feel me do shit like that? Well, Also,

529
00:31:52,280 --> 00:31:54,360
Speaker 1: it's the era. You grew up in the era where

530
00:31:54,600 --> 00:31:59,680
Speaker 1: it was normalized to be a user through music facts.

531
00:32:00,000 --> 00:32:03,120
Speaker 1: You're thinking like Sanny Perker set, like we peel babies,

532
00:32:03,200 --> 00:32:08,200
Speaker 1: think about mask Off by Future. This song, this song

533
00:32:08,320 --> 00:32:10,959
Speaker 1: is so crazy. This song is so crazy when you

534
00:32:11,000 --> 00:32:13,520
Speaker 1: hear it, like the whole hook is talking about through

535
00:32:13,520 --> 00:32:17,600
Speaker 1: a Perko set, like like it'll ruin your old fucking life,

536
00:32:17,720 --> 00:32:20,040
Speaker 1: you know what I'm saying. Like we we just watched

537
00:32:20,040 --> 00:32:23,160
Speaker 1: money bag Yeo's video for Wakesha, like right before you

538
00:32:23,240 --> 00:32:25,320
Speaker 1: got here. I had it on the TV and I

539
00:32:25,360 --> 00:32:28,520
Speaker 1: was like, I used to drink syrup. Well that's a drug.

540
00:32:28,840 --> 00:32:32,240
Speaker 1: I used to drink syrup like two thousand, Yeah, I

541
00:32:32,280 --> 00:32:34,680
Speaker 1: mean that's a real like fifteen I was young drink

542
00:32:34,760 --> 00:32:37,680
Speaker 1: that's a realized drug. Though, that's opious. But while watching

543
00:32:37,680 --> 00:32:40,000
Speaker 1: that Wakisha video. I was like, this is like the

544
00:32:40,080 --> 00:32:43,400
Speaker 1: craziest like song because it's like you go to the

545
00:32:43,400 --> 00:32:44,960
Speaker 1: club and it's like one of the hottest songs in

546
00:32:45,000 --> 00:32:47,320
Speaker 1: the country. But if you're if you really listen to Wakeisha,

547
00:32:48,080 --> 00:32:51,360
Speaker 1: he's just explaining to everybody out he is addicted to

548
00:32:51,480 --> 00:32:54,600
Speaker 1: Lean and he relapses and goes through withdraws and like

549
00:32:55,280 --> 00:32:57,960
Speaker 1: it's if you really break down the lyrics to that song,

550
00:32:58,800 --> 00:33:02,520
Speaker 1: it's like it should scare anyone to do the drugs.

551
00:33:02,640 --> 00:33:04,880
Speaker 1: He's something how he spent four hundred grand on leanb

552
00:33:04,880 --> 00:33:08,960
Speaker 1: I'm like, bro, this ship is crazy and yeah it's

553
00:33:08,960 --> 00:33:16,560
Speaker 1: a different error man. Yeah again back to my habit.

554
00:33:20,400 --> 00:33:28,959
Speaker 1: The shirt activists taste is so damn good. Bro. Oh

555
00:33:29,000 --> 00:33:32,800
Speaker 1: that's the problem, right, it tastes good. Oh, that's the problem.

556
00:33:33,080 --> 00:33:36,560
Speaker 1: It taste caste. It's a problem with me. Not I

557
00:33:36,680 --> 00:33:38,840
Speaker 1: like tasting, but say you like food. It's up there.

558
00:33:39,000 --> 00:33:41,680
Speaker 1: It's the same ship. Yeah, so like it was that

559
00:33:41,880 --> 00:33:46,240
Speaker 1: and yeah, bro, I used to love that, that sweet ship,

560
00:33:46,280 --> 00:33:49,400
Speaker 1: that sugar. Bro that put put them with the soda

561
00:33:49,520 --> 00:33:53,440
Speaker 1: and yeah, so I wasn't drinking again. It's so close

562
00:33:53,480 --> 00:33:57,520
Speaker 1: to your other addiction. Yeah, bro, I wasn't drinking. I

563
00:33:57,600 --> 00:34:02,800
Speaker 1: was drinking because the ship. Maybe, Bro, anybody who was

564
00:34:02,800 --> 00:34:07,640
Speaker 1: a real drink head. No, when you get that, don

565
00:34:07,760 --> 00:34:12,680
Speaker 1: you taste that syrup? Your body just be like going down.

566
00:34:12,840 --> 00:34:14,960
Speaker 1: It could be just a little bit out the motherfucking

567
00:34:15,000 --> 00:34:23,360
Speaker 1: thing and you just but I went cold Turkey twenty fifteen.

568
00:34:23,400 --> 00:34:26,799
Speaker 1: Did you have withdraws? Man? No? Bro, so you you

569
00:34:26,800 --> 00:34:30,279
Speaker 1: you weren't like I would. I wouldn't. I was every

570
00:34:30,320 --> 00:34:32,680
Speaker 1: couple of days, Bro. I wouldn't every day on the day,

571
00:34:32,719 --> 00:34:34,319
Speaker 1: because you know, if you if you like, if your

572
00:34:34,360 --> 00:34:37,520
Speaker 1: body's used to that shit, it's tough to get off

573
00:34:37,520 --> 00:34:41,480
Speaker 1: that ship. I wouldn't like. I wouldn't like h like

574
00:34:41,520 --> 00:34:43,040
Speaker 1: I talked to Schoolboy Q about it, like I. He

575
00:34:43,080 --> 00:34:44,840
Speaker 1: was telling us, like when he quit, how hard it

576
00:34:44,960 --> 00:34:46,719
Speaker 1: was because of the pain your body goes through and

577
00:34:46,760 --> 00:34:49,560
Speaker 1: shit like that. Shit crazy. I fuck with school Boy C.

578
00:34:49,960 --> 00:34:53,600
Speaker 1: I can't wait to do a song. Yo. He's probably

579
00:34:53,920 --> 00:34:56,560
Speaker 1: like top three most funniest dude in all the rap

580
00:34:56,760 --> 00:34:59,719
Speaker 1: if you like, actually know him. He's a maniac. He's hilarious.

581
00:35:00,239 --> 00:35:03,359
Speaker 1: You guys would fucking love each other, and you guys

582
00:35:03,400 --> 00:35:05,480
Speaker 1: would be it would be It would be just like

583
00:35:05,680 --> 00:35:08,520
Speaker 1: everyone would be dying laughing in the room. Bro, real ship.

584
00:35:08,600 --> 00:35:12,480
Speaker 1: I'm gonna tell you something about like guys, what humor?

585
00:35:13,160 --> 00:35:15,080
Speaker 1: You know, because in this rap game and this business,

586
00:35:15,160 --> 00:35:17,520
Speaker 1: everybody want to be tough. Everybody want to be sugar

587
00:35:17,640 --> 00:35:20,880
Speaker 1: night bitch. You not tough, like relax, Bro, it's a

588
00:35:20,880 --> 00:35:24,440
Speaker 1: little nigga that's fine three that will knock you off. Bro, relax,

589
00:35:25,800 --> 00:35:27,879
Speaker 1: And I don't want to be like that, Like I'm

590
00:35:27,920 --> 00:35:30,719
Speaker 1: like the cool guy, like gods talk like that, but

591
00:35:31,360 --> 00:35:33,520
Speaker 1: you feel but everybody want to be tough and ship

592
00:35:33,600 --> 00:35:36,000
Speaker 1: and like I hate that. That's one thing I hate

593
00:35:36,000 --> 00:35:40,920
Speaker 1: about people, bro, Like everybody, especially people in this culture.

594
00:35:41,760 --> 00:35:45,759
Speaker 1: It's like my neighbor relaxed, Bro, my man's over there,

595
00:35:45,760 --> 00:35:49,960
Speaker 1: will blow you pause and we and we sit right

596
00:35:50,000 --> 00:35:54,120
Speaker 1: here until the police car. That's crazy, Like bro, just relax,

597
00:35:56,040 --> 00:35:59,320
Speaker 1: just relaxed. But we but we're good, are we cool? Whatever?

598
00:35:59,680 --> 00:36:02,399
Speaker 1: But it's like that shit. I hate that ship bro,

599
00:36:02,760 --> 00:36:07,719
Speaker 1: because like it's the people like your favorite rapper, your

600
00:36:07,760 --> 00:36:10,399
Speaker 1: favorite artists don't have no character and that nigga lame

601
00:36:10,520 --> 00:36:15,719
Speaker 1: for like this is true school boy. Fuck fuck with him.

602
00:36:15,760 --> 00:36:17,960
Speaker 1: And that's what made me a fan of him, because

603
00:36:18,040 --> 00:36:20,600
Speaker 1: like he's rapping up. To me, he's the hardest person

604
00:36:20,640 --> 00:36:23,680
Speaker 1: on the TV. I know a lot of people who

605
00:36:23,680 --> 00:36:25,760
Speaker 1: feel that way, and I see it. He's I mean, listen,

606
00:36:25,880 --> 00:36:29,719
Speaker 1: school is amazing, man. And then that like man like

607
00:36:30,120 --> 00:36:35,080
Speaker 1: man that it's the stories that he was telling, the

608
00:36:35,640 --> 00:36:38,120
Speaker 1: way that he raps. It's like, bro, he tells the story.

609
00:36:38,360 --> 00:36:40,960
Speaker 1: You don't even have to rhyme, just like we just

610
00:36:41,120 --> 00:36:45,120
Speaker 1: listening like Pole Pole, pile Pole. When he was rapping up,

611
00:36:48,239 --> 00:36:51,280
Speaker 1: I forgot what's that ship called? We used to basically

612
00:36:51,320 --> 00:36:54,120
Speaker 1: telling how he was growing up on Hoover he said.

613
00:36:54,200 --> 00:36:58,000
Speaker 1: He was like yeah, yah, y'all like damn nigga. Hearing

614
00:36:58,040 --> 00:37:01,359
Speaker 1: them say cubs made a fig I was like, bro,

615
00:37:01,920 --> 00:37:04,600
Speaker 1: well you mentioned a lot of LA rappers, so you're

616
00:37:04,600 --> 00:37:08,080
Speaker 1: you're really like a fan of West Coast hip hop

617
00:37:08,160 --> 00:37:10,600
Speaker 1: in general. I mean you mentioned I mean Casey like

618
00:37:10,640 --> 00:37:12,960
Speaker 1: you said, Casey veggiees Early had a wave like him

619
00:37:13,000 --> 00:37:14,839
Speaker 1: and Rocky Fresh put out of tape together. That shit

620
00:37:14,960 --> 00:37:18,359
Speaker 1: was crazy, Like you know, I think that uh talk

621
00:37:18,360 --> 00:37:20,360
Speaker 1: about because you know, you being from Flint, what is

622
00:37:20,400 --> 00:37:25,560
Speaker 1: the the relationship between Michigan and the Bay, because it's

623
00:37:25,560 --> 00:37:28,960
Speaker 1: something there we just had Pero Giovanni up here, and

624
00:37:29,000 --> 00:37:32,040
Speaker 1: you know he's does so much shit with so many

625
00:37:32,080 --> 00:37:36,680
Speaker 1: barrier artists like I don't know, like y'all on the

626
00:37:36,719 --> 00:37:40,359
Speaker 1: same wavelength location. I'm being in the back see as

627
00:37:40,400 --> 00:37:47,279
Speaker 1: a little fat kid hearing big Toma Toma right right,

628
00:37:48,400 --> 00:37:53,720
Speaker 1: sprinkle me man like nigga, not my daddy, not my mama, boyfriend, nigga,

629
00:37:53,800 --> 00:37:56,000
Speaker 1: my mama. It's just me, my mom and my brother

630
00:37:56,360 --> 00:37:59,600
Speaker 1: in Detroit listening to Fida or in Flint, Flint, sorry Flint,

631
00:37:59,600 --> 00:38:03,360
Speaker 1: how far is went from Detroit forty five minutes totally

632
00:38:03,360 --> 00:38:08,040
Speaker 1: different places? I apologize to y'all. Get the water situation together. No,

633
00:38:08,280 --> 00:38:11,040
Speaker 1: that shit's crazy. We won't dive into that, but that

634
00:38:11,040 --> 00:38:18,799
Speaker 1: shit's crazy. But that bro, that was like bro e

635
00:38:18,960 --> 00:38:23,759
Speaker 1: forty fan, bro Bro. I don't know why, Hey, man

636
00:38:24,200 --> 00:38:27,080
Speaker 1: forty in the click asks payroll, same thing forty in

637
00:38:27,120 --> 00:38:30,080
Speaker 1: the click he riding around with his daddy. You know

638
00:38:30,120 --> 00:38:32,840
Speaker 1: what I mean? Listening to forty bro. I don't know

639
00:38:32,920 --> 00:38:35,520
Speaker 1: why the fuck the niggas was so heavy, The Bay

640
00:38:35,520 --> 00:38:37,880
Speaker 1: Area niggas was so heavy and Mischian like that. I

641
00:38:37,880 --> 00:38:40,200
Speaker 1: don't know why. And we far as fuck away from

642
00:38:40,239 --> 00:38:43,200
Speaker 1: each other, very far, Hey, interrupting the interview to tell

643
00:38:43,200 --> 00:38:45,120
Speaker 1: you about our good friends at odd Socks. Now, as

644
00:38:45,120 --> 00:38:48,080
Speaker 1: you can see, I always have my odd socks on. Baby.

645
00:38:48,080 --> 00:38:50,120
Speaker 1: You know what I'm saying, Oh, shout out to my

646
00:38:50,160 --> 00:38:53,200
Speaker 1: bony ass knees. Listen. Go to odd socks official dot com.

647
00:38:53,200 --> 00:38:56,320
Speaker 1: They got all the craziest socks. These are the outsiders.

648
00:38:56,800 --> 00:38:59,520
Speaker 1: You know what I'm saying. They got SpongeBob, they got

649
00:38:59,600 --> 00:39:05,640
Speaker 1: cheating listen, breaking bad godfather. Whatever you need, they got it.

650
00:39:05,760 --> 00:39:08,319
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651
00:39:08,360 --> 00:39:11,319
Speaker 1: your odds socks underwear. The boxer briefs are the best

652
00:39:11,400 --> 00:39:13,399
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653
00:39:13,440 --> 00:39:16,560
Speaker 1: me when I tell you these are chucky draws. What

654
00:39:16,719 --> 00:39:19,040
Speaker 1: you know about top rahmin underwear? All right? Go to

655
00:39:19,040 --> 00:39:22,680
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656
00:39:22,760 --> 00:39:29,440
Speaker 1: and you'll save twenty percent off of your order underwear, masks, slippers, socks,

657
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658
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Speaker 1: keyword bootleg cabat checkout, save twenty percent. So prior to you.

659
00:39:37,239 --> 00:39:38,920
Speaker 1: When I think of flint and hip hop, I think

660
00:39:38,920 --> 00:39:42,800
Speaker 1: of John Connor, and I think An mc breed that's

661
00:39:42,840 --> 00:39:45,479
Speaker 1: that's kind of like the lineage. And you know, John

662
00:39:45,520 --> 00:39:48,080
Speaker 1: Connor is a crazy lyricist signed a shady for a while.

663
00:39:48,239 --> 00:39:50,640
Speaker 1: I mean he's a very talented guy. Now you're fucking

664
00:39:50,680 --> 00:39:53,279
Speaker 1: on fire. So like, like, was there any sort of

665
00:39:53,320 --> 00:39:55,040
Speaker 1: like scene in Flint that you had to like look

666
00:39:55,120 --> 00:39:59,200
Speaker 1: up to or was it like, mm, yeah, we'll looked

667
00:39:59,239 --> 00:40:02,239
Speaker 1: up to Dayton fan Oh, Dayton family was crazy for sure,

668
00:40:03,320 --> 00:40:08,759
Speaker 1: of course. Yeah, yeah, yeah, we looked up the Dayton family. Yeah. Like,

669
00:40:08,760 --> 00:40:11,480
Speaker 1: like Michigan in general is like such a it's such

670
00:40:11,480 --> 00:40:15,719
Speaker 1: a diverse hip hop scene. There's like ship all the

671
00:40:15,719 --> 00:40:18,600
Speaker 1: way over to the left where it's like e Sham

672
00:40:18,680 --> 00:40:22,520
Speaker 1: and Insane Clown Posse, and then it's Eminem and then

673
00:40:22,520 --> 00:40:26,239
Speaker 1: it's Jay Dillon and Slum Village and then over here

674
00:40:26,280 --> 00:40:29,600
Speaker 1: it's you know, dope Boys cash Out and pas and all.

675
00:40:29,640 --> 00:40:31,680
Speaker 1: It's just it's such a we grew up on dope

676
00:40:31,719 --> 00:40:36,719
Speaker 1: Boys cash out. See when you mentioned No Boy cash Out,

677
00:40:36,920 --> 00:40:39,920
Speaker 1: you gotta like No Boy's cash Out was like the

678
00:40:40,040 --> 00:40:45,000
Speaker 1: first niggas to actually in our era ninety five and

679
00:40:45,080 --> 00:40:50,840
Speaker 1: Down Babies ninety four. Down them niggas inspire us, like

680
00:40:50,880 --> 00:40:54,680
Speaker 1: a motherfucker. Gez came to get them my dog host

681
00:40:54,800 --> 00:40:57,120
Speaker 1: not just one, but all host well, because they were

682
00:40:57,160 --> 00:40:59,960
Speaker 1: kind of from a different side of Detroit that didn't

683
00:41:00,160 --> 00:41:05,080
Speaker 1: necessarily have because Big Sean was active, but Sean wasn't,

684
00:41:05,120 --> 00:41:09,600
Speaker 1: like from the from that side of Sean wasn't Sean was.

685
00:41:10,040 --> 00:41:16,719
Speaker 1: Sean was like, like, how the fucking I say this?

686
00:41:20,040 --> 00:41:24,080
Speaker 1: Seawan is not a street rapper. But they don't mean

687
00:41:24,120 --> 00:41:25,759
Speaker 1: he ain't from the street. No, I didn't say he wasn't.

688
00:41:25,800 --> 00:41:27,480
Speaker 1: I know Sean very well, that's my dog, But I

689
00:41:27,560 --> 00:41:30,759
Speaker 1: just mean it's in terms of like the subject matter

690
00:41:30,840 --> 00:41:34,520
Speaker 1: and his music. It ain't like streets selling up like that.

691
00:41:34,520 --> 00:41:36,920
Speaker 1: That's what I'm saying. Don't know what I'm saying. I mean,

692
00:41:36,960 --> 00:41:41,920
Speaker 1: I'm not saying. Nigga, we rhyding down, mother fucking uh.

693
00:41:42,480 --> 00:41:45,000
Speaker 1: We on the West Side Nigga and we nigga. We

694
00:41:45,040 --> 00:41:49,600
Speaker 1: got spots opening Nigga, We calm pros, we got true

695
00:41:49,640 --> 00:41:53,600
Speaker 1: religion zone Nigga. We Nigga, we living, We popping Rose

696
00:41:53,840 --> 00:41:58,560
Speaker 1: and dom p Nigga and we rocking meets our sons

697
00:41:58,640 --> 00:42:01,360
Speaker 1: and ship like that. You know, West cash out, payroll

698
00:42:01,480 --> 00:42:07,719
Speaker 1: them them niggas inspired us like a motherfucker bro yeah.

699
00:42:07,719 --> 00:42:10,799
Speaker 1: I mean then like two years later, some nigga's name

700
00:42:11,080 --> 00:42:15,160
Speaker 1: Peazy and Dane. See, I don't know if y'all know

701
00:42:15,239 --> 00:42:17,200
Speaker 1: about Dame Bro. I don't know about Dame, but I

702
00:42:17,280 --> 00:42:21,240
Speaker 1: know about psy p the first R and Brown High School.

703
00:42:21,280 --> 00:42:23,719
Speaker 1: They're like, yeah, we fucking with a cash out. But

704
00:42:23,760 --> 00:42:26,960
Speaker 1: you'all heard of Ps and Dane. See when people speak

705
00:42:27,000 --> 00:42:34,239
Speaker 1: about like Detroit, right, they forget, they forget something. They

706
00:42:34,360 --> 00:42:36,959
Speaker 1: to be like Payroll, you know, because Parro from the West,

707
00:42:37,120 --> 00:42:39,960
Speaker 1: or they be like psy Peasy from the east. But no,

708
00:42:40,560 --> 00:42:43,839
Speaker 1: they was team Team east Side was from the East side.

709
00:42:44,360 --> 00:42:48,320
Speaker 1: Do Wes Cashout was from the West, and they historically

710
00:42:48,640 --> 00:42:50,640
Speaker 1: don't those two sides of town don't get along. Right,

711
00:42:51,000 --> 00:42:56,040
Speaker 1: I can't really speak on Detroit, you're but growing up

712
00:42:56,080 --> 00:42:58,600
Speaker 1: in Flint, I'm telling you how I heard about these

713
00:42:58,680 --> 00:43:02,880
Speaker 1: niggas and they came teen east Side. It's like different,

714
00:43:03,239 --> 00:43:07,319
Speaker 1: like they sound, was different, fun from the Boys can't

715
00:43:07,360 --> 00:43:13,399
Speaker 1: show and Psy and Dang. They like Psy and Dang.

716
00:43:13,480 --> 00:43:15,920
Speaker 1: Y'all gotta get on Dame, doc Bro check them out,

717
00:43:16,160 --> 00:43:19,479
Speaker 1: like they was all Team east Side. That was teen

718
00:43:19,560 --> 00:43:23,520
Speaker 1: east Side was was was baby Face Ray And that's

719
00:43:23,560 --> 00:43:28,200
Speaker 1: why niggas so happy for right now because he's killing it.

720
00:43:28,960 --> 00:43:32,320
Speaker 1: B these bro, they was it was Team east Side,

721
00:43:33,120 --> 00:43:38,400
Speaker 1: Team et Side, Snoop, baby Face, Ray, Uh Love, p

722
00:43:39,360 --> 00:43:44,279
Speaker 1: uh uh pasy dang dot All these niggas is doing

723
00:43:44,320 --> 00:43:46,239
Speaker 1: their own separate thing. Now. You can google Dame Doc.

724
00:43:46,520 --> 00:43:52,840
Speaker 1: You can google uh peasy Face, Ray Snoop got Snoop

725
00:43:53,000 --> 00:43:56,839
Speaker 1: had lost his life. Give the RP Snoop Summer Mind.

726
00:43:56,960 --> 00:44:01,239
Speaker 1: Nigga like, bro like yeah, but but them the guys

727
00:44:01,280 --> 00:44:03,640
Speaker 1: that we grew that's what you. Yeah, you grew up

728
00:44:03,760 --> 00:44:06,799
Speaker 1: on Dope West cash out of Team Team east Side

729
00:44:06,880 --> 00:44:11,560
Speaker 1: for sure. You're currently you know, the new album is

730
00:44:11,600 --> 00:44:14,640
Speaker 1: out and it's it's it's a great project. It's you know,

731
00:44:14,680 --> 00:44:18,279
Speaker 1: I've been seeing a lot of good things being said

732
00:44:18,320 --> 00:44:20,520
Speaker 1: on Twitter about as far as just the feedback and

733
00:44:20,560 --> 00:44:23,040
Speaker 1: getting from the fans. Young indie nigga man we we

734
00:44:23,320 --> 00:44:25,759
Speaker 1: we Bro. I ain't got no problem my nigga. I'll

735
00:44:25,800 --> 00:44:30,359
Speaker 1: do the groundwork, nigga. I'm I'm running. Tell me when

736
00:44:30,400 --> 00:44:33,400
Speaker 1: you say indie, are you like, are you doing the

737
00:44:33,480 --> 00:44:35,520
Speaker 1: distro kid the tune court thing? Like, well, how are

738
00:44:35,560 --> 00:44:40,560
Speaker 1: you like distributing your music? H Orchard okay? Orchard okay? Okay,

739
00:44:40,680 --> 00:44:43,839
Speaker 1: thro the Orchard, so they distro, they do distro. Yes,

740
00:44:44,160 --> 00:44:48,600
Speaker 1: the Sony Sony Orchard. Yeah yeah, yeah I get them.

741
00:44:50,200 --> 00:44:55,640
Speaker 1: You feel me. They they give me like j like

742
00:44:55,760 --> 00:44:58,600
Speaker 1: ship that tone Core couldn't do. Yeah, they give you

743
00:44:58,640 --> 00:45:02,680
Speaker 1: a budget, they'll help I get it. Yeah, like they

744
00:45:02,880 --> 00:45:08,000
Speaker 1: like they they gonna give you the money, right, but

745
00:45:09,520 --> 00:45:13,640
Speaker 1: it ain't like no guidance like that, Like nigga is here,

746
00:45:13,680 --> 00:45:17,719
Speaker 1: you go, all right, here's your money. What are you

747
00:45:17,719 --> 00:45:20,200
Speaker 1: gonna do with it? That's on you. You got to

748
00:45:20,239 --> 00:45:21,719
Speaker 1: make sure your team is together. You gotta make sure

749
00:45:21,719 --> 00:45:23,719
Speaker 1: you know what you One day I called and was like, yeah,

750
00:45:23,760 --> 00:45:25,799
Speaker 1: they asked him for what's the name. What's that? He said, Oh,

751
00:45:25,840 --> 00:45:31,000
Speaker 1: you gotta pay them. I'm like, oh, so you're like, bro,

752
00:45:31,120 --> 00:45:37,320
Speaker 1: you're still independent. Bro. He's like, nigga, major Labels, is

753
00:45:37,360 --> 00:45:43,200
Speaker 1: this your first project through the Orchard, so prior to that,

754
00:45:43,320 --> 00:45:45,400
Speaker 1: you were just doing the district kid there. Yeah no,

755
00:45:49,120 --> 00:45:52,600
Speaker 1: they like yeah, And that's what my manager was like, bro. Yeah, bro,

756
00:45:52,800 --> 00:45:55,520
Speaker 1: like we're gonna help you, my nigga, Like, we're gonna

757
00:45:55,520 --> 00:46:01,840
Speaker 1: help you, nigga. That's why people's because the big labels

758
00:46:01,920 --> 00:46:05,000
Speaker 1: was hitting me, like the label labels of course this

759
00:46:05,160 --> 00:46:09,200
Speaker 1: drug So I mean Free Joe Exatic is such a

760
00:46:09,280 --> 00:46:12,800
Speaker 1: big record independently. That ship's crazy that like that was

761
00:46:12,880 --> 00:46:15,640
Speaker 1: such a moment, you know what I'm saying. And it's

762
00:46:15,640 --> 00:46:18,040
Speaker 1: a kind of record that could change anyone's life. And

763
00:46:18,200 --> 00:46:22,640
Speaker 1: that's when my man was just like, bro, you wanted

764
00:46:22,680 --> 00:46:24,920
Speaker 1: to be independent, they can put your big boy draws

765
00:46:24,960 --> 00:46:30,320
Speaker 1: on m do do what your ship. So I just

766
00:46:30,400 --> 00:46:32,959
Speaker 1: turned it up like I was just back at back

767
00:46:33,200 --> 00:46:37,279
Speaker 1: back when I was, I didn't have no record, just

768
00:46:37,600 --> 00:46:40,120
Speaker 1: making relationships, just trying to do whatever. So I'm like,

769
00:46:40,239 --> 00:46:43,399
Speaker 1: fuck it, let's get out here. So everything you see

770
00:46:44,800 --> 00:46:49,120
Speaker 1: from these relationships with these artists to me doing this ship,

771
00:46:51,160 --> 00:46:53,920
Speaker 1: that's that's that's me running up on niggas, tapping the

772
00:46:54,000 --> 00:46:57,480
Speaker 1: niggas DM getting him, hey, tell him I got this

773
00:46:57,640 --> 00:47:00,680
Speaker 1: for tell him. I'm trying to spread Like me, I'm

774
00:47:00,760 --> 00:47:07,040
Speaker 1: running on the ground. So you mentioned that you've shot

775
00:47:07,120 --> 00:47:09,520
Speaker 1: the video with Sada Baby. The next morning you have

776
00:47:09,600 --> 00:47:10,920
Speaker 1: to take your kids to day care and then you

777
00:47:11,000 --> 00:47:13,880
Speaker 1: had to be to work at the post office. At

778
00:47:13,920 --> 00:47:17,600
Speaker 1: this point in time, you have a distribution situation with

779
00:47:17,680 --> 00:47:20,480
Speaker 1: a serious distributor that you just put your new album out.

780
00:47:22,040 --> 00:47:24,160
Speaker 1: Are you're You're still not working at the post office?

781
00:47:24,200 --> 00:47:27,160
Speaker 1: Are you you still are? You have to be part

782
00:47:27,200 --> 00:47:32,399
Speaker 1: time though, This is how it is, right. So after

783
00:47:32,520 --> 00:47:35,160
Speaker 1: I come off tour, after I get done and running round,

784
00:47:35,280 --> 00:47:39,239
Speaker 1: I go back home and go back to work. Still

785
00:47:39,280 --> 00:47:42,640
Speaker 1: to this day, still to this day, there's not no bullshit,

786
00:47:42,840 --> 00:47:47,759
Speaker 1: not no bullshit, bro, I swear. And for people who

787
00:47:47,840 --> 00:47:49,719
Speaker 1: don't know, you know what my best friend in the

788
00:47:49,760 --> 00:47:52,279
Speaker 1: world is he's worked at the post office for fifteen years.

789
00:47:52,560 --> 00:47:54,920
Speaker 1: So the benefits are off the chain. You feel me?

790
00:47:55,920 --> 00:47:58,920
Speaker 1: That union is off the check. You could take a

791
00:47:59,000 --> 00:48:01,040
Speaker 1: leave of Athens app since for as long as you want.

792
00:48:02,080 --> 00:48:04,920
Speaker 1: See the beauty thing, the beautiful thing about the post

793
00:48:04,960 --> 00:48:08,680
Speaker 1: office is they won't fire you. That's some real ship

794
00:48:08,800 --> 00:48:11,880
Speaker 1: once you do, some foul ship unless you steal right

795
00:48:12,080 --> 00:48:14,480
Speaker 1: but outside and some ship like that. And and it's

796
00:48:14,560 --> 00:48:17,560
Speaker 1: people that stole male that's still working that motherfucker. Yeah,

797
00:48:17,680 --> 00:48:21,520
Speaker 1: the union, Bros, The Union's got you. You feel me? Yeah?

798
00:48:21,719 --> 00:48:26,520
Speaker 1: Mad as hell? Why tyrie? People be hating, bro, people

799
00:48:26,640 --> 00:48:29,440
Speaker 1: be hating you? Feel me? Yeah? My boy? Anytime some

800
00:48:29,520 --> 00:48:32,160
Speaker 1: shit happens, like he'll cut his hand at work or something,

801
00:48:32,480 --> 00:48:37,080
Speaker 1: I gotta call my union wrap man. Come on, bro,

802
00:48:37,239 --> 00:48:39,840
Speaker 1: you know what's going on? How long? How long do

803
00:48:39,840 --> 00:48:42,480
Speaker 1: you plan on keeping the job? Like, like in all seriousness,

804
00:48:42,600 --> 00:48:44,160
Speaker 1: like you're you don't need it, you know what I mean.

805
00:48:44,239 --> 00:48:46,600
Speaker 1: Like I'm not saying that it's not good. You have kids, right,

806
00:48:46,680 --> 00:48:48,480
Speaker 1: so it's not. It's a good thing to have benefits

807
00:48:48,480 --> 00:48:52,719
Speaker 1: and have some sort of security, but like, realistically for

808
00:48:52,840 --> 00:48:54,520
Speaker 1: your career to kind of take it to to take

809
00:48:54,600 --> 00:48:57,520
Speaker 1: the next step, you're gonna need that bandwidth, right, Yeah,

810
00:48:57,840 --> 00:49:04,200
Speaker 1: probably probably when I signed to a major, which isn't

811
00:49:04,200 --> 00:49:06,359
Speaker 1: even necessary, by the way, I'd like to point out

812
00:49:06,440 --> 00:49:13,880
Speaker 1: it's not. It's not it's not, but the thing is

813
00:49:14,120 --> 00:49:16,000
Speaker 1: right with a major, right, this is what This is

814
00:49:16,080 --> 00:49:19,719
Speaker 1: what I wanting to tell people. You got to have

815
00:49:20,040 --> 00:49:23,960
Speaker 1: somebody in the building. Mm hmm. That's all You're gonna

816
00:49:24,000 --> 00:49:27,240
Speaker 1: be successful. Yeah, because you got someone in the building

817
00:49:27,320 --> 00:49:32,239
Speaker 1: and then meetings fighting for your ship. Yep. Once you

818
00:49:32,360 --> 00:49:37,640
Speaker 1: get that motherfucker in the building, you're good. Do you

819
00:49:37,760 --> 00:49:40,120
Speaker 1: feel want to do it's gonna get clear if it

820
00:49:40,239 --> 00:49:47,479
Speaker 1: makes sense. Do you feel like you'd like that that's

821
00:49:47,520 --> 00:49:51,800
Speaker 1: your next you know, because you you have the big features,

822
00:49:52,000 --> 00:49:57,560
Speaker 1: right you you uh, you're you're getting shows. You're doing

823
00:49:57,640 --> 00:50:00,640
Speaker 1: things that a lot of people aren't majors aren't doing.

824
00:50:00,760 --> 00:50:02,319
Speaker 1: You're doing numbers that a lot of people who are

825
00:50:02,360 --> 00:50:06,399
Speaker 1: on major labels aren't doing. What is the one thing

826
00:50:06,520 --> 00:50:08,600
Speaker 1: that you think they can bring to the table that

827
00:50:08,640 --> 00:50:12,239
Speaker 1: will make a difference? Because I said, like you could still,

828
00:50:12,280 --> 00:50:14,480
Speaker 1: you could run up your indie catalog for another two

829
00:50:14,640 --> 00:50:23,080
Speaker 1: or three years. So what I was see one thing

830
00:50:23,160 --> 00:50:30,759
Speaker 1: about me is when you approached me, Bro, and you

831
00:50:30,880 --> 00:50:33,520
Speaker 1: a solid me, right, then you want to do business

832
00:50:33,560 --> 00:50:36,680
Speaker 1: with me. Even if we don't do business, I'm gonna

833
00:50:36,719 --> 00:50:41,640
Speaker 1: keep you around. You're gonna be my friend, right, Cliff

834
00:50:41,760 --> 00:50:44,960
Speaker 1: Joseph my man's. That's my man's. If you're in a

835
00:50:45,080 --> 00:50:48,400
Speaker 1: music business, you might or might not know Cliff Joseph

836
00:50:50,400 --> 00:50:55,600
Speaker 1: Solomon sounds Savvy Davis on Instagram. Savvy's my guy. Yes,

837
00:50:55,640 --> 00:50:57,920
Speaker 1: sav we're both the only sons fans in the rap

838
00:50:58,000 --> 00:51:01,680
Speaker 1: game that we know. Kindle, this is real name. You

839
00:51:01,800 --> 00:51:08,480
Speaker 1: know all these guys, all these guys. Gary, that's at Atlantic,

840
00:51:09,760 --> 00:51:12,799
Speaker 1: You feel me, Dallas, that's at Atlantic. Bro. I keep

841
00:51:12,840 --> 00:51:16,240
Speaker 1: all these motherfuckers close to me. They all in hands reached.

842
00:51:16,320 --> 00:51:20,279
Speaker 1: They are all homies, right, It's just a matter of

843
00:51:21,200 --> 00:51:24,120
Speaker 1: I hear what they do when they like an artist,

844
00:51:24,239 --> 00:51:27,040
Speaker 1: when they like a record, or when they want to

845
00:51:27,080 --> 00:51:31,880
Speaker 1: push your record radio costs a couple hundred thousand dollars

846
00:51:32,080 --> 00:51:35,360
Speaker 1: one thousand. He's about to put Ain't no Indies about

847
00:51:35,360 --> 00:51:37,360
Speaker 1: to put no bread on you like that unless you

848
00:51:37,400 --> 00:51:41,480
Speaker 1: sign with Empire. I don't really know. I don't know.

849
00:51:41,800 --> 00:51:43,760
Speaker 1: I'm gonna get you. I gotta get you with Ghazi.

850
00:51:43,960 --> 00:51:48,360
Speaker 1: You know what I'm saying. There's a cheat code. But

851
00:51:48,719 --> 00:51:54,640
Speaker 1: Ain't no Indies is about to go like like ain't bro,

852
00:51:55,560 --> 00:52:00,640
Speaker 1: No Majors is gonna put the bag up. Majors got

853
00:52:00,680 --> 00:52:05,279
Speaker 1: good relationships. They've been had relationships for fucking nigga before

854
00:52:05,320 --> 00:52:08,000
Speaker 1: we was even here. You was born in eighty seven.

855
00:52:08,520 --> 00:52:13,080
Speaker 1: I was born in ninety five. They've been there before

856
00:52:13,120 --> 00:52:16,239
Speaker 1: both of us. N WA came out when around the

857
00:52:16,280 --> 00:52:18,680
Speaker 1: time I was born, Prince came out. When for sure,

858
00:52:18,960 --> 00:52:21,920
Speaker 1: you're right, Michael Jackson was out Win. I would just

859
00:52:21,960 --> 00:52:24,600
Speaker 1: say this Priority Records was out win, which is a

860
00:52:24,960 --> 00:52:31,439
Speaker 1: which is uh with like Aristo Records owns. I think

861
00:52:32,800 --> 00:52:35,839
Speaker 1: a lot of the old shit, uh like bro, these

862
00:52:36,000 --> 00:52:39,719
Speaker 1: record labels been here since the sixties and seventies. You

863
00:52:40,040 --> 00:52:47,080
Speaker 1: think that you is worth more than a relationship that's

864
00:52:47,200 --> 00:52:50,360
Speaker 1: been getting paid that they've been doing business with just

865
00:52:50,400 --> 00:52:54,200
Speaker 1: the sixties. How close were you because of like with

866
00:52:54,320 --> 00:52:56,759
Speaker 1: Free Joe Exotic, you could have taken that record to

867
00:52:56,840 --> 00:52:59,000
Speaker 1: any major I'm sure and then they could have put

868
00:52:59,000 --> 00:53:01,080
Speaker 1: the bag behind it their rate. Yo, theyd all that like,

869
00:53:01,280 --> 00:53:03,279
Speaker 1: it wouldn't make sense. It didn't make sense. Plus I

870
00:53:03,320 --> 00:53:06,279
Speaker 1: didn't know the business. See seat, see see you gotta

871
00:53:06,320 --> 00:53:09,560
Speaker 1: learn the business, bro. So I'm like, fuck it, let

872
00:53:09,640 --> 00:53:11,439
Speaker 1: me do the indie route. Let me take this little

873
00:53:11,480 --> 00:53:13,960
Speaker 1: bag that the indie got. But while I'm over here

874
00:53:14,520 --> 00:53:19,120
Speaker 1: and pay my bills, take care of my kids. That's

875
00:53:19,160 --> 00:53:21,560
Speaker 1: gonna be a roll across the rod. Let me learn

876
00:53:21,640 --> 00:53:24,680
Speaker 1: the business, let me float. It's gonna keep me afloat.

877
00:53:25,280 --> 00:53:28,040
Speaker 1: I'm just gonna do the work. I'm gonna learn the business. Though.

878
00:53:29,239 --> 00:53:32,120
Speaker 1: You have to learn the fucking business man for sure.

879
00:53:32,880 --> 00:53:37,879
Speaker 1: So in that time, I'm learning the business while I'm

880
00:53:37,960 --> 00:53:40,320
Speaker 1: with this while while I'm while I'm with this indy,

881
00:53:41,000 --> 00:53:43,279
Speaker 1: while I'm with this dish drum. Why am I saying?

882
00:53:43,560 --> 00:53:47,960
Speaker 1: Why with this disdrum? So That's what I've been doing.

883
00:53:48,040 --> 00:53:50,040
Speaker 1: I've been learning the business. It's a lot of ship

884
00:53:50,320 --> 00:53:53,120
Speaker 1: that I didn't know. It's a lot of ship as

885
00:53:53,200 --> 00:53:56,680
Speaker 1: well as artists don't know. We don't have a clue.

886
00:53:57,280 --> 00:53:59,000
Speaker 1: That's real. And they wanted to they wanted to stay

887
00:53:59,040 --> 00:54:02,960
Speaker 1: that way. Man, Man, the majors, they gonna lose. They

888
00:54:03,040 --> 00:54:06,319
Speaker 1: hand up. They're gonna fuck you wrong, straight up. They

889
00:54:06,400 --> 00:54:10,800
Speaker 1: dick up and fuck you wrow and the business and

890
00:54:10,880 --> 00:54:14,920
Speaker 1: why they fuck you is so you can learn the

891
00:54:15,000 --> 00:54:19,440
Speaker 1: business and they can profit at the largest spence. So

892
00:54:20,120 --> 00:54:24,839
Speaker 1: I'm like, fuck it, let me do this right, let

893
00:54:24,880 --> 00:54:27,920
Speaker 1: me learn the business. That's what you're doing. And the

894
00:54:28,000 --> 00:54:29,880
Speaker 1: new album is out, and the album is something that

895
00:54:30,040 --> 00:54:32,920
Speaker 1: like I feel like it's a real statement, you know,

896
00:54:33,040 --> 00:54:35,000
Speaker 1: because it's easy to put out I would say it's easy,

897
00:54:35,040 --> 00:54:37,760
Speaker 1: I don't want to say that, but putting out singles,

898
00:54:37,840 --> 00:54:40,319
Speaker 1: putting out moments one at a time, But to put

899
00:54:40,320 --> 00:54:43,160
Speaker 1: out a cohesive body of work is a whole other thing.

900
00:54:43,360 --> 00:54:45,360
Speaker 1: The story, you know what I mean, fat niggas you

901
00:54:45,440 --> 00:54:48,359
Speaker 1: know them skits was really real, Like that's that's really

902
00:54:48,400 --> 00:54:50,680
Speaker 1: shit that happened in my life as a kid. That

903
00:54:50,800 --> 00:54:53,560
Speaker 1: that chick Red really did tell me the reason why

904
00:54:53,680 --> 00:54:56,040
Speaker 1: she didn't want to be my girlfriend as a little

905
00:54:56,160 --> 00:54:58,600
Speaker 1: kids because I was fat and ugly. You know what

906
00:54:58,680 --> 00:55:02,319
Speaker 1: I mean? That beach made of beast. You're that beach

907
00:55:02,360 --> 00:55:05,080
Speaker 1: got about six key is not? Oh? I bet right? Yeah,

908
00:55:06,040 --> 00:55:10,960
Speaker 1: she's probably fat as well. She blew up. I don't know,

909
00:55:11,040 --> 00:55:13,080
Speaker 1: I haven't seen the bitch. Well, I feel like I

910
00:55:13,160 --> 00:55:15,120
Speaker 1: feel like most of you got about she had about

911
00:55:15,160 --> 00:55:17,279
Speaker 1: five six keys not. It'd be hard for any woman

912
00:55:17,840 --> 00:55:19,560
Speaker 1: to have six kids and not be at least ten

913
00:55:19,600 --> 00:55:24,040
Speaker 1: to fifteen overweight. That's a lot. That's a lot of kids.

914
00:55:24,200 --> 00:55:25,920
Speaker 1: I mean, that's a lot of bounce back. You're bouncing

915
00:55:26,040 --> 00:55:30,759
Speaker 1: back all your twenties at that point. I mean, dj

916
00:55:30,920 --> 00:55:34,839
Speaker 1: emmy wife's no, immy got about like six old or seven? Yeah,

917
00:55:34,880 --> 00:55:38,239
Speaker 1: but sim yeah, they're rich, So I think that's say,

918
00:55:38,480 --> 00:55:41,239
Speaker 1: not no chick for the hood, ain't. Yeah, Yeah, I

919
00:55:41,280 --> 00:55:43,799
Speaker 1: don't know. I think you got money. You get the trainers, right,

920
00:55:43,840 --> 00:55:45,319
Speaker 1: you get your diet right, you know what I mean?

921
00:55:45,400 --> 00:55:49,440
Speaker 1: I mean? Yeah? But yeah, do you are you? So?

922
00:55:49,560 --> 00:55:52,799
Speaker 1: How many kids you got? I got too? Two kids?

923
00:55:52,880 --> 00:55:55,640
Speaker 1: How are they three or four? And? Uh are you

924
00:55:55,680 --> 00:55:59,040
Speaker 1: still with the baby mama? Yeah? Is that something that's

925
00:55:59,160 --> 00:56:02,440
Speaker 1: like hard to do? Pull off? The family life and

926
00:56:02,800 --> 00:56:05,799
Speaker 1: still be on the road, still do the shows. How

927
00:56:05,840 --> 00:56:07,239
Speaker 1: do you do it? Man? Because I think a lot

928
00:56:07,239 --> 00:56:10,799
Speaker 1: of people just do it. You know, Bro, my baby

929
00:56:10,840 --> 00:56:13,440
Speaker 1: mama been with me since before this rap shit. And

930
00:56:13,960 --> 00:56:15,759
Speaker 1: you know when I be joking on the Instagram, when

931
00:56:15,760 --> 00:56:19,160
Speaker 1: I be posting like oh she outside, you know, tell

932
00:56:19,239 --> 00:56:21,759
Speaker 1: too the old you know, it's dumb motherfucks to be like,

933
00:56:21,800 --> 00:56:23,800
Speaker 1: oh man, she got that nigga for that money? Like,

934
00:56:23,880 --> 00:56:27,719
Speaker 1: but you know, been here way before this ship, right right, Dad?

935
00:56:27,840 --> 00:56:29,800
Speaker 1: You know what I think? And this is why I say, like,

936
00:56:33,120 --> 00:56:37,439
Speaker 1: this is why I say, this is why I hold

937
00:56:37,480 --> 00:56:42,080
Speaker 1: it down for us fat niggas, man, because when they

938
00:56:42,120 --> 00:56:44,960
Speaker 1: see a fat nigga, they think of, oh he stink.

939
00:56:46,520 --> 00:56:50,560
Speaker 1: You don't got no bitches. The two fat things, I

940
00:56:50,640 --> 00:56:53,240
Speaker 1: mean them, the two them, the two fat most things.

941
00:56:53,280 --> 00:56:58,760
Speaker 1: They stereotypes, the you ain't getting no pussy stink facts. Okay,

942
00:56:59,360 --> 00:57:05,080
Speaker 1: this is the natural fact of this ship, bro. Like

943
00:57:05,800 --> 00:57:07,480
Speaker 1: you should see the comments. I'll be looking at the

944
00:57:07,480 --> 00:57:12,400
Speaker 1: comments like, bro, y'all really think this, y'all really think this.

945
00:57:13,120 --> 00:57:16,000
Speaker 1: I know she ain't giving that nigga, y'all really think this?

946
00:57:16,120 --> 00:57:22,520
Speaker 1: So okay, Well, I got a boy listen, and then

947
00:57:22,560 --> 00:57:24,200
Speaker 1: it be so careless because you go to a nigga

948
00:57:24,200 --> 00:57:27,600
Speaker 1: pasge this baby mama ugly than a motherfucker or the

949
00:57:27,680 --> 00:57:30,440
Speaker 1: bitch ugly as hell? Like man, listen, do you know

950
00:57:30,520 --> 00:57:34,680
Speaker 1: I gotta I gotta bro? Oh my god, you you

951
00:57:35,040 --> 00:57:37,080
Speaker 1: you're ain'ty? You want to eat this bitch pussy if

952
00:57:37,120 --> 00:57:40,240
Speaker 1: you if she see her, I got a bitch so bad, nigga,

953
00:57:40,400 --> 00:57:42,439
Speaker 1: you're ainty, you want to eat this bitch pussy? Nigga

954
00:57:42,480 --> 00:57:45,320
Speaker 1: your mama? Did you watch your mind? Nigga? And I

955
00:57:45,400 --> 00:57:48,160
Speaker 1: had her before wrapped fuck And I don't pay these

956
00:57:48,200 --> 00:57:52,360
Speaker 1: holes nothing. Why do they be thinking that? They Oh,

957
00:57:52,440 --> 00:57:54,160
Speaker 1: that's another thing. They think I'm a fat trick. I

958
00:57:54,280 --> 00:57:57,120
Speaker 1: was gonna say in your song, you say you like hookers, bro,

959
00:57:57,640 --> 00:58:02,280
Speaker 1: my nigga, I like it hook meaning I like hos.

960
00:58:02,480 --> 00:58:05,480
Speaker 1: You know what I like holes, bro, Because there's so

961
00:58:05,560 --> 00:58:09,680
Speaker 1: many secrets to a good bitch, A good Oh, I

962
00:58:09,720 --> 00:58:12,080
Speaker 1: ain't never done this. I'm a good woman. When you

963
00:58:12,160 --> 00:58:14,000
Speaker 1: find out that she got a train ran on her

964
00:58:14,040 --> 00:58:17,440
Speaker 1: by the offensive line of the nosh the Tennessee Titans

965
00:58:17,480 --> 00:58:21,040
Speaker 1: and let him up at the I'm a good girl,

966
00:58:21,120 --> 00:58:24,800
Speaker 1: haw man, I'm good girls man, them bitches, them them,

967
00:58:24,880 --> 00:58:27,280
Speaker 1: them bitches have to be having so many secrets and

968
00:58:27,320 --> 00:58:29,680
Speaker 1: may be sneaky. My nigga the hose. At least you

969
00:58:29,760 --> 00:58:31,640
Speaker 1: know what you signed up for. Off the rip, looking

970
00:58:31,760 --> 00:58:34,880
Speaker 1: looking at looking at the industry, Bro, looking at the industry,

971
00:58:35,280 --> 00:58:39,360
Speaker 1: look at what happens. Bro, Sometimes a hole can beat

972
00:58:40,240 --> 00:58:46,040
Speaker 1: a good girl, a good wife. You know why because

973
00:58:46,160 --> 00:58:48,680
Speaker 1: most likely, Bro, she was probably touched as a girl.

974
00:58:49,480 --> 00:58:51,160
Speaker 1: You feel me as a girl, not as a woman,

975
00:58:51,440 --> 00:58:54,520
Speaker 1: as a kid. Try touched as the girl. She probably

976
00:58:54,600 --> 00:58:58,760
Speaker 1: was abandoned, so she probably thought like daddy in Yeah,

977
00:58:59,000 --> 00:59:01,680
Speaker 1: like ship like that. Bro. I'm from the streets. I'm

978
00:59:01,720 --> 00:59:05,400
Speaker 1: from the ghetto. I seen this ship. I've seen good women.

979
00:59:05,840 --> 00:59:08,800
Speaker 1: I seen I seen, I seen whores. Bro, I'm talking

980
00:59:08,800 --> 00:59:11,720
Speaker 1: about bitch. He used to get trained nd. Bro, they

981
00:59:11,840 --> 00:59:16,400
Speaker 1: ended up getting married. You know why because they can

982
00:59:16,440 --> 00:59:20,320
Speaker 1: see they falls, they can see they they true with theyself. Yeah,

983
00:59:20,360 --> 00:59:23,160
Speaker 1: I used to do that. That was me. I was young,

984
00:59:23,560 --> 00:59:26,960
Speaker 1: I was hurt. I was this. I was that boy.

985
00:59:27,040 --> 00:59:31,520
Speaker 1: Them good girls don't be ship, bro, Them good girls

986
00:59:31,560 --> 00:59:34,200
Speaker 1: them just be sneaky. Them be the sneaky holes. Man.

987
00:59:35,520 --> 00:59:38,200
Speaker 1: Them bitches that are cheat on you man fast. Yeah,

988
00:59:38,960 --> 00:59:43,040
Speaker 1: or at least got the secrets for sure. Bro, I'm

989
00:59:43,080 --> 00:59:47,840
Speaker 1: realistic with this ship, bro fact so uh, I know

990
00:59:48,040 --> 00:59:49,520
Speaker 1: you know you're such it had to be such a

991
00:59:49,560 --> 00:59:52,560
Speaker 1: big deal for you to work with Wiz, right, Whiz

992
00:59:52,680 --> 00:59:55,960
Speaker 1: is uh one of the dopest dudes in the game,

993
00:59:56,000 --> 00:59:58,120
Speaker 1: because he's like the kind of cad where he'll only

994
00:59:58,200 --> 01:00:01,360
Speaker 1: do something if he fucks with like the like he's

995
01:00:01,440 --> 01:00:03,920
Speaker 1: only doing the record if he likes the record, and

996
01:00:04,000 --> 01:00:07,320
Speaker 1: if he likes the record, chances are he's just doing

997
01:00:07,400 --> 01:00:11,920
Speaker 1: it like he ain't charging you, Like, I don't think

998
01:00:11,920 --> 01:00:14,560
Speaker 1: people understand that about Whiz, Like you think Wiz will

999
01:00:14,880 --> 01:00:17,880
Speaker 1: hit a lot of these young up and coming cats up. Nah,

1000
01:00:18,040 --> 01:00:20,120
Speaker 1: if he's fun, if he funks with the music, he's

1001
01:00:20,200 --> 01:00:21,960
Speaker 1: gonna do the record because he wants to, because he's

1002
01:00:22,200 --> 01:00:23,840
Speaker 1: like that's just how it is. You know what I'm saying,

1003
01:00:24,600 --> 01:00:26,680
Speaker 1: You wanted you didn't have to pay for the Whiz verse, right,

1004
01:00:26,720 --> 01:00:34,760
Speaker 1: I'm assuming mm hmmm mm hmm. Well, this is something

1005
01:00:34,840 --> 01:00:37,360
Speaker 1: that Quiz is pretty open about. We talked about it

1006
01:00:37,440 --> 01:00:40,000
Speaker 1: in an interview I did with him, Like, Man, I'll

1007
01:00:40,040 --> 01:00:42,800
Speaker 1: be having the aggs, Man, I'll be having to find

1008
01:00:42,880 --> 01:00:45,439
Speaker 1: out from people, Man, no, no, no, he openly said,

1009
01:00:45,520 --> 01:00:48,520
Speaker 1: like if I if I fuck with someone's ship, don't

1010
01:00:48,520 --> 01:00:50,200
Speaker 1: matter how big they are, Like, I'm gonna just do it.

1011
01:00:52,000 --> 01:00:54,640
Speaker 1: He said. Meanwhile, this guy's like, well he didn't do

1012
01:00:54,720 --> 01:00:56,840
Speaker 1: that for me. I might need to put a call

1013
01:00:58,160 --> 01:00:59,960
Speaker 1: like I don't want to. I don't be one to

1014
01:01:00,160 --> 01:01:03,240
Speaker 1: speak on like like one thing about me, bro like

1015
01:01:05,160 --> 01:01:07,080
Speaker 1: not saying I don't want to rub nobody the wrong

1016
01:01:07,200 --> 01:01:13,160
Speaker 1: way and nothing like that. I just be wanting to say.

1017
01:01:14,680 --> 01:01:17,680
Speaker 1: I don't be wanting to speak the wrong No, I

1018
01:01:17,760 --> 01:01:21,480
Speaker 1: get it. I want to say the wrong ship. I

1019
01:01:21,520 --> 01:01:23,640
Speaker 1: don't like you were supposed to keep that between us,

1020
01:01:23,880 --> 01:01:27,120
Speaker 1: Like I get it. And then I'm at the moment like,

1021
01:01:27,280 --> 01:01:30,520
Speaker 1: oh damn, Brod, you're right, You're right. Hey, look I

1022
01:01:30,640 --> 01:01:33,400
Speaker 1: respect that. Man. It's like with us, like if we

1023
01:01:33,520 --> 01:01:36,320
Speaker 1: have a if we have a conversation off air, that's

1024
01:01:36,440 --> 01:01:39,280
Speaker 1: I'm a real guy, bro, I'm like a real person.

1025
01:01:39,760 --> 01:01:42,200
Speaker 1: I respect. I'm not about to feel boot Me and

1026
01:01:42,240 --> 01:01:45,800
Speaker 1: Boulet care talked about that behind it. Yeah, I'm just

1027
01:01:45,880 --> 01:01:48,600
Speaker 1: gonna leave it out there. What are your future aspirations?

1028
01:01:49,000 --> 01:01:52,640
Speaker 1: I do feel like you're so funny. I feel like

1029
01:01:52,720 --> 01:01:55,640
Speaker 1: you could do movies you can. I want to you

1030
01:01:55,720 --> 01:01:57,280
Speaker 1: can do all of it, man, I want to Bro.

1031
01:01:58,640 --> 01:02:02,160
Speaker 1: That's that's that's Bro. I'm linking up with Zach Fox. Bro.

1032
01:02:02,240 --> 01:02:03,920
Speaker 1: I'm trying to get a TV show. I'm trying to

1033
01:02:03,960 --> 01:02:08,320
Speaker 1: do Bro my life on the road. Bro. Niggas some Bro.

1034
01:02:08,520 --> 01:02:12,080
Speaker 1: Sometimes niggas get mad because we play so much and

1035
01:02:12,160 --> 01:02:14,440
Speaker 1: we crack so many jokes, and we like niggas be

1036
01:02:14,520 --> 01:02:18,000
Speaker 1: bound a fight on the road, bro, and we still

1037
01:02:18,080 --> 01:02:24,200
Speaker 1: be laughing. I want to break off in acting so bad,

1038
01:02:24,320 --> 01:02:27,080
Speaker 1: Bro that they told me to move out to l A.

1039
01:02:27,840 --> 01:02:30,360
Speaker 1: They're like, Bro, please move out to l A. You're

1040
01:02:30,400 --> 01:02:33,840
Speaker 1: gonna first off, you're gonna link with everybody. You're gonna

1041
01:02:33,840 --> 01:02:36,440
Speaker 1: do good music out here for one for two. You're

1042
01:02:36,440 --> 01:02:38,800
Speaker 1: gonna you're gonna break off into your acting out here. Bro.

1043
01:02:39,040 --> 01:02:41,160
Speaker 1: If you do, just keep like an address in Houston's

1044
01:02:41,160 --> 01:02:43,600
Speaker 1: you know, pay the shitty taxes here because the tax

1045
01:02:43,680 --> 01:02:48,880
Speaker 1: is here are the worst. Yeah, it's bad. Listen. The

1046
01:02:49,280 --> 01:02:51,720
Speaker 1: album is an homage to all the fat homies out

1047
01:02:51,760 --> 01:02:55,720
Speaker 1: here I'm killing and the real ones and the skinny dudes. Man,

1048
01:02:55,760 --> 01:02:58,280
Speaker 1: I ain't singling nobody out I want to know though.

1049
01:02:58,880 --> 01:03:01,560
Speaker 1: Let's talk about some some fat dude ship real quick.

1050
01:03:01,640 --> 01:03:06,040
Speaker 1: Because I always have these debates with the homies. Let's start.

1051
01:03:06,120 --> 01:03:11,160
Speaker 1: Let's rank. Can we rank from top to bottom the

1052
01:03:12,280 --> 01:03:16,320
Speaker 1: fast food chains in the in the country, like when

1053
01:03:16,360 --> 01:03:19,760
Speaker 1: we're talking about the McDonald's, the Taco Bells, the Burger Kings,

1054
01:03:19,800 --> 01:03:22,520
Speaker 1: the Windy's in and outs all that this list. Give

1055
01:03:22,600 --> 01:03:26,320
Speaker 1: me your like, top five fast food chains one to five?

1056
01:03:31,360 --> 01:03:34,200
Speaker 1: I can't do. I can't do the proper order. Okay,

1057
01:03:34,840 --> 01:03:38,600
Speaker 1: but chick fil A? Will Chick fil A be number one?

1058
01:03:39,000 --> 01:03:42,560
Speaker 1: I can't do ok ok okk No order Chick fil A,

1059
01:03:42,920 --> 01:03:47,600
Speaker 1: No order Chick fil A for one? If forever bro

1060
01:03:48,160 --> 01:03:50,400
Speaker 1: McDonald's is always a hood classic. I don't give a

1061
01:03:50,480 --> 01:03:53,000
Speaker 1: fuck if you don't eat now because it's masky. Let

1062
01:03:53,040 --> 01:03:54,880
Speaker 1: me say this ship because I say this ship all

1063
01:03:54,920 --> 01:03:58,840
Speaker 1: the time. McDonald's is fire as fuck. If it wasn't

1064
01:03:58,920 --> 01:04:02,280
Speaker 1: so fucking fire, it wouldn't be the biggest ship in

1065
01:04:02,320 --> 01:04:05,440
Speaker 1: the world. The ship is fire. Is it good for you?

1066
01:04:05,880 --> 01:04:09,880
Speaker 1: Are they great? It tastes good. That's it's If it

1067
01:04:10,080 --> 01:04:13,360
Speaker 1: wasn't so fucking good, it wouldn't be the biggest ship

1068
01:04:13,400 --> 01:04:16,200
Speaker 1: in the world. They got their own Coca Cola there

1069
01:04:16,280 --> 01:04:19,480
Speaker 1: brou their coke tastes different than all the coke in

1070
01:04:19,520 --> 01:04:23,120
Speaker 1: the world. All right, McDonald's, we gotta put some respects

1071
01:04:23,120 --> 01:04:25,560
Speaker 1: on McDonald's. Be out here getting disrespected. Bro, I pull

1072
01:04:25,640 --> 01:04:27,840
Speaker 1: up with that motherfucker. Give me a double cheeseburger, Give

1073
01:04:27,880 --> 01:04:30,800
Speaker 1: me the mcdouble, Put French fries inside of the burger.

1074
01:04:30,920 --> 01:04:36,000
Speaker 1: Extra ketchup, give me the spicy mic chickens. I just

1075
01:04:36,040 --> 01:04:41,240
Speaker 1: spent two dollars and I'm on, ain't get the orange

1076
01:04:41,280 --> 01:04:43,680
Speaker 1: high seed in the hot sea. He was about to

1077
01:04:43,720 --> 01:04:45,439
Speaker 1: say it, took it out of my mouth. They brought

1078
01:04:45,520 --> 01:04:49,000
Speaker 1: him batt know what they was doing. They knew they

1079
01:04:49,120 --> 01:04:53,200
Speaker 1: was fucking bugging when they took that ship off the menu. No, bro, alright,

1080
01:04:53,280 --> 01:04:59,360
Speaker 1: real shit. So chick fil a McDonald's, believe it or not.

1081
01:05:00,160 --> 01:05:02,280
Speaker 1: I grew up. It was a Wendy's in my hood.

1082
01:05:03,000 --> 01:05:08,360
Speaker 1: Fire Wendy's spicy chicken nuggets, yep, fire fire. Get a

1083
01:05:08,440 --> 01:05:12,040
Speaker 1: frosty man, Frosty on the hot summer day, big up.

1084
01:05:12,320 --> 01:05:15,440
Speaker 1: Put some fries in that bitch man. You ever put

1085
01:05:15,520 --> 01:05:18,000
Speaker 1: tippyr fries in the frosty I haven't bro. I to

1086
01:05:18,120 --> 01:05:20,400
Speaker 1: be honest, bro, I've really been trying to lay off

1087
01:05:20,560 --> 01:05:22,479
Speaker 1: like the fat I'm getting too big. I'm not talking

1088
01:05:22,480 --> 01:05:24,280
Speaker 1: about now, I'm talking about in life. You never you

1089
01:05:24,400 --> 01:05:26,640
Speaker 1: never did the fries with the frog. But I eat

1090
01:05:26,680 --> 01:05:28,640
Speaker 1: my fries with my frosty, not dip it in there.

1091
01:05:29,000 --> 01:05:34,480
Speaker 1: But it's you eat some fries and then to them up,

1092
01:05:34,680 --> 01:05:37,880
Speaker 1: and then before you swallow, before all the fries is

1093
01:05:37,920 --> 01:05:39,880
Speaker 1: down the throat, you put some ice cream screaming there,

1094
01:05:39,880 --> 01:05:41,840
Speaker 1: and that ship tastes so good. But I ain't never

1095
01:05:41,960 --> 01:05:45,280
Speaker 1: just blamely ate it like that. The Wendy's Chili is

1096
01:05:45,320 --> 01:05:47,880
Speaker 1: the movie back in the now. You remember, back in

1097
01:05:47,920 --> 01:05:51,280
Speaker 1: the day, Wendy's used to like have a little like bar,

1098
01:05:51,760 --> 01:05:54,040
Speaker 1: like a little like like bar, like you get the

1099
01:05:54,080 --> 01:05:56,320
Speaker 1: baked potato there and they would have all the ingredients

1100
01:05:56,400 --> 01:05:58,720
Speaker 1: inside and you put like sour cream and the bacon.

1101
01:05:58,760 --> 01:06:01,480
Speaker 1: Bitch Whendies used to listen shout out to Wendy's. I

1102
01:06:01,560 --> 01:06:12,480
Speaker 1: love Wendy's. We got two more, man, I will say,

1103
01:06:12,520 --> 01:06:16,000
Speaker 1: Taco Bell. They fucked up my stomach last time I

1104
01:06:16,040 --> 01:06:18,240
Speaker 1: was in La Man, I had a real bad stomach ache.

1105
01:06:18,240 --> 01:06:23,600
Speaker 1: Bro So Taco Bell, Taco Bell I really got. I

1106
01:06:23,640 --> 01:06:25,480
Speaker 1: ain't feeling them right now, so I'm just leaving my

1107
01:06:29,280 --> 01:06:31,520
Speaker 1: I ain't don't really seem like no Arby's here, you

1108
01:06:31,600 --> 01:06:34,800
Speaker 1: fuck with Arby. I love arbyst. I love Arby's got

1109
01:06:35,000 --> 01:06:38,960
Speaker 1: we got the meats, and everyone hates on Arby's everything.

1110
01:06:39,440 --> 01:06:42,680
Speaker 1: Everyone says it's fun yo, my boy, pun I just

1111
01:06:42,720 --> 01:06:45,040
Speaker 1: saw they were arguing on Twitter saying black people don't

1112
01:06:45,080 --> 01:06:49,120
Speaker 1: need Arbies. They capping. Bro. Let me tell you something, nigga, nigga,

1113
01:06:49,160 --> 01:06:51,680
Speaker 1: my baby mama, I gotta stop calling my baby mama bitch,

1114
01:06:51,960 --> 01:06:54,080
Speaker 1: my girl. Her mama got mad at that, and my

1115
01:06:54,160 --> 01:06:58,080
Speaker 1: mama cut into me about that, like stop calling her, yo, bitch. Listen,

1116
01:06:59,080 --> 01:07:02,480
Speaker 1: Arby's my girl, you know, because Arby's just like they

1117
01:07:02,560 --> 01:07:05,360
Speaker 1: got them curly fries. The curly fries, my nigga with

1118
01:07:05,480 --> 01:07:08,439
Speaker 1: the horsey sauce. I like the Rby sauce, that beef

1119
01:07:08,520 --> 01:07:14,040
Speaker 1: and cheddar, all that fucking melted cheese. See fun with Arby's.

1120
01:07:14,120 --> 01:07:16,800
Speaker 1: Arby's is a dark horse for sure, because nobody talks

1121
01:07:16,800 --> 01:07:20,360
Speaker 1: about Arby. They really got the meats. Facts. It's a

1122
01:07:20,520 --> 01:07:23,960
Speaker 1: chicken sliders there. They sliders go dumb niggas and they're

1123
01:07:24,000 --> 01:07:28,800
Speaker 1: like a dollar get the ham and cheese. We're hard.

1124
01:07:31,160 --> 01:07:37,440
Speaker 1: Who's holding down the five spot. I'm a flip nigga, bro,

1125
01:07:38,040 --> 01:07:43,439
Speaker 1: I'm a Michigan nigga. Okay, And this franchise was made

1126
01:07:43,480 --> 01:07:49,680
Speaker 1: in Michigan. And Rosa Parks was about to get put

1127
01:07:49,720 --> 01:07:54,800
Speaker 1: out of her apartment, and the owner of this franchise

1128
01:07:56,320 --> 01:08:09,880
Speaker 1: pay her rent up until she died. Little Caesars five dollars.

1129
01:08:12,000 --> 01:08:17,439
Speaker 1: And by the way, Little Caesar's pizza is better than

1130
01:08:17,520 --> 01:08:23,920
Speaker 1: pizza Hudding Dominoes, that's for sure. I could go. When

1131
01:08:23,960 --> 01:08:25,720
Speaker 1: you go to Flint, I'm gonna take you to get

1132
01:08:25,760 --> 01:08:28,920
Speaker 1: a Stramboli nigga. You ever ate one of them? Yeah,

1133
01:08:29,000 --> 01:08:32,280
Speaker 1: that's real Flint shit. Bro. See. See people think about Michigan,

1134
01:08:32,320 --> 01:08:36,519
Speaker 1: they think about Detroit, right, but no, you gotta go

1135
01:08:36,680 --> 01:08:40,920
Speaker 1: to forty You gotta go forty five minutes north. Okay,

1136
01:08:41,600 --> 01:08:45,160
Speaker 1: when you hop off, motherfucking when you hop off that

1137
01:08:45,240 --> 01:08:50,320
Speaker 1: plane in Metropolitan go go go, go forty five minutes

1138
01:08:50,360 --> 01:08:54,160
Speaker 1: north to a little town called Flint. Get you some

1139
01:08:54,320 --> 01:08:57,000
Speaker 1: fucking Little Caesars, and let me tell you, we get

1140
01:08:57,040 --> 01:09:00,960
Speaker 1: you some motherfucking lit familia nigga. Right, get you, get

1141
01:09:01,000 --> 01:09:05,680
Speaker 1: you some lit familiar, Get you some uh, get you

1142
01:09:05,800 --> 01:09:09,320
Speaker 1: some uh, get you some ya yas. Get you some

1143
01:09:09,479 --> 01:09:13,280
Speaker 1: Hanlo Burger, get you some Big John's. That's real Flint

1144
01:09:13,320 --> 01:09:15,479
Speaker 1: ship and then you gotta turn on a Flint artists.

1145
01:09:15,560 --> 01:09:17,479
Speaker 1: Let me get them. Hold on, wait, wait, wait for

1146
01:09:17,600 --> 01:09:20,679
Speaker 1: all the fucking an r's at these labels. Nigga, shout

1147
01:09:20,760 --> 01:09:23,599
Speaker 1: them out, man better fact, shout out to my baby

1148
01:09:23,640 --> 01:09:27,400
Speaker 1: Momenta Leo Nick. She motherfucking she she inspired me to

1149
01:09:27,479 --> 01:09:32,320
Speaker 1: do this. But anyways, back to you know what I mean,

1150
01:09:32,960 --> 01:09:37,599
Speaker 1: if you're an artist at these labels, Bro, this sound

1151
01:09:37,680 --> 01:09:41,160
Speaker 1: that you're hearing coming out of Michigan. Bro, it's a

1152
01:09:41,240 --> 01:09:45,759
Speaker 1: Flint song. Okay, it's from Flint. Pay attention to Flint.

1153
01:09:47,000 --> 01:09:51,320
Speaker 1: We got rio to Young o g who freem frem.

1154
01:09:53,760 --> 01:09:57,160
Speaker 1: We got wires are Grams, we got grind hard E.

1155
01:09:58,640 --> 01:10:02,880
Speaker 1: We got motherfucking Crispy Life Kid. We got King Cashes

1156
01:10:03,080 --> 01:10:07,000
Speaker 1: for the record. Crispy Life Kid is uh, that's an

1157
01:10:07,040 --> 01:10:10,800
Speaker 1: amazing name, like if he opened up a restaurant I

1158
01:10:10,960 --> 01:10:17,320
Speaker 1: eat there. We got, we got Wiresar Grahams Nigga. We

1159
01:10:17,439 --> 01:10:19,800
Speaker 1: got mo fucking we got, we got, we got, we

1160
01:10:19,920 --> 01:10:25,160
Speaker 1: got Jeff Scott. Jeff Scott's the motherfucking Kendrick Lamar Nigga Flint,

1161
01:10:25,800 --> 01:10:29,200
Speaker 1: go scoop these niggas. These niggas gonna nigga. These niggas

1162
01:10:29,240 --> 01:10:34,200
Speaker 1: gonna sell King Cashes. I'm trying to tell you, if

1163
01:10:34,240 --> 01:10:37,200
Speaker 1: you are an R at these labels, bro go grab

1164
01:10:37,320 --> 01:10:42,040
Speaker 1: some Flint kids. Do it. I'm trying to tell you,

1165
01:10:42,120 --> 01:10:47,599
Speaker 1: do I gotta say the names again. Louis Ray, grind

1166
01:10:47,680 --> 01:10:53,479
Speaker 1: hard E, Crispy Life Kid, King Cashes. Why is Sar

1167
01:10:53,640 --> 01:11:00,720
Speaker 1: grahams Flint Durreal Rich Flint? Please go no, no, I

1168
01:11:00,800 --> 01:11:03,160
Speaker 1: got the Real Rich. Don't worry about him. I ain't

1169
01:11:03,160 --> 01:11:05,120
Speaker 1: even got even on paper yet, but I ain't worry.

1170
01:11:05,160 --> 01:11:06,680
Speaker 1: But they ain't about to go grab nobody out of

1171
01:11:06,760 --> 01:11:10,360
Speaker 1: flat anyway. They gonna wait till niggas pop anyway. Jeff

1172
01:11:10,439 --> 01:11:13,400
Speaker 1: Sky's that's how it works, man, that's the Kendrick Lamar Flint.

1173
01:11:13,760 --> 01:11:16,120
Speaker 1: Oh watch that nigga video. I'm trying to tell you, niggas,

1174
01:11:16,520 --> 01:11:18,680
Speaker 1: y'all gonna wait till these niggas pop. Nigga gonna be

1175
01:11:18,720 --> 01:11:20,559
Speaker 1: like damn I heard a pac Man said in the interview.

1176
01:11:20,680 --> 01:11:23,920
Speaker 1: He said it first, y'all gonna wait to these y'all

1177
01:11:24,000 --> 01:11:26,040
Speaker 1: niggas gonna wait to these niggas get a hit record. Man,

1178
01:11:26,120 --> 01:11:27,960
Speaker 1: y'all gonna wait to these niggas catch a little bus

1179
01:11:28,400 --> 01:11:30,479
Speaker 1: y'all gonna wait till they get one hundred thousand followers

1180
01:11:30,520 --> 01:11:33,880
Speaker 1: on Instagram. Then they're gonna call, and I'm gonna be

1181
01:11:33,960 --> 01:11:39,040
Speaker 1: right there. Make them niggas give you a fifty fifty

1182
01:11:40,760 --> 01:11:44,240
Speaker 1: no distribution feet. I'ma giving them niggas all the game

1183
01:11:44,320 --> 01:11:50,200
Speaker 1: that I had to learn, niggah, Well, make them make

1184
01:11:50,280 --> 01:11:55,800
Speaker 1: them get you. I don't even know the name of it.

1185
01:11:55,880 --> 01:11:57,400
Speaker 1: I don't even know what's the proper language for it.

1186
01:11:57,479 --> 01:12:00,439
Speaker 1: But let them hold the masters for like teen years

1187
01:12:00,720 --> 01:12:02,800
Speaker 1: or five years, and then they returned back to you.

1188
01:12:05,280 --> 01:12:07,439
Speaker 1: I'm gonna be giving them niggas the sauce nigga because

1189
01:12:07,520 --> 01:12:09,400
Speaker 1: y'all niggas don't want to go pick them up right now.

1190
01:12:09,400 --> 01:12:13,719
Speaker 1: And I'm telling y'all, well, look man, the album is out. Flint, Michigan, nigga.

1191
01:12:13,800 --> 01:12:18,920
Speaker 1: I'm trying to tell you your album is out. It's fire.

1192
01:12:19,960 --> 01:12:22,320
Speaker 1: Thank you, more videos coming. I just saw you shooting

1193
01:12:22,360 --> 01:12:25,559
Speaker 1: the video with Coiler Ray. I saw you like Lake

1194
01:12:25,920 --> 01:12:29,479
Speaker 1: Blake pressing Coiler Ray. Coy bro. I want to tell

1195
01:12:29,560 --> 01:12:32,400
Speaker 1: everybody this, bro, y'all, keep you all fucking mouth closed. Bro,

1196
01:12:33,080 --> 01:12:37,680
Speaker 1: for real about Coy, Nigga. Cooy a real person, Bro,

1197
01:12:37,800 --> 01:12:40,719
Speaker 1: and she real cool. It's fuck nigga. She don't disrespect nobody,

1198
01:12:40,760 --> 01:12:42,920
Speaker 1: and she was super nice. I haven't met her yet,

1199
01:12:42,960 --> 01:12:46,800
Speaker 1: be real gangster. You heard me. And she hit harder

1200
01:12:46,840 --> 01:12:49,040
Speaker 1: than the motherfucker. She was punching me on my back.

1201
01:12:49,120 --> 01:12:51,439
Speaker 1: Nigga that she was hurting low key. I kept trying

1202
01:12:51,439 --> 01:12:54,880
Speaker 1: to more. She ain't no no packing around hitting me

1203
01:12:55,000 --> 01:12:58,720
Speaker 1: hard as hell. She'll fuck one of y'all up a

1204
01:12:58,800 --> 01:13:02,040
Speaker 1: better playing Coy like that for real, Bro, for real,

1205
01:13:02,120 --> 01:13:05,559
Speaker 1: she a fucking all up. Coy is a very beautiful person, Bro,

1206
01:13:06,120 --> 01:13:09,280
Speaker 1: very nice, very respectful nigga. Her mama showed up, Nigga.

1207
01:13:09,320 --> 01:13:11,799
Speaker 1: Her mama real loving like it was like a family,

1208
01:13:12,840 --> 01:13:14,800
Speaker 1: her team like they took over the whole spot that

1209
01:13:14,960 --> 01:13:17,760
Speaker 1: was playing games. Like, Bro, they really I really really

1210
01:13:17,880 --> 01:13:20,519
Speaker 1: love Coy Like, Bro, It's like, this is why I

1211
01:13:20,640 --> 01:13:24,560
Speaker 1: love Wiz, this is why I love Zach Fox, This

1212
01:13:24,720 --> 01:13:30,559
Speaker 1: is why I love like so many, so many different people, because, Bro,

1213
01:13:30,720 --> 01:13:33,439
Speaker 1: they show up and they get a good vibe. I

1214
01:13:33,479 --> 01:13:35,559
Speaker 1: didn't been in the room with other rappers. I didn't

1215
01:13:35,560 --> 01:13:39,200
Speaker 1: been around other rappers and and the vibes trash trash

1216
01:13:39,400 --> 01:13:41,760
Speaker 1: for sure. But yeah, man, shout out to Cooy that's

1217
01:13:41,800 --> 01:13:45,040
Speaker 1: the next video. I'm assuming that's when it's coming next

1218
01:13:45,080 --> 01:13:49,200
Speaker 1: for Fire shot by JDF Film. That's my brother from Phoenix, Arizona. Man,

1219
01:13:49,320 --> 01:13:53,080
Speaker 1: that's my boy JDN JD Films. Go get you a

1220
01:13:53,200 --> 01:13:56,080
Speaker 1: video from Phoenix's own Yeah facts and go get you

1221
01:13:56,160 --> 01:13:58,360
Speaker 1: a video from my nigga. Oh shot you to a beast.

1222
01:13:58,720 --> 01:14:01,160
Speaker 1: We about to we about to get him together. That's

1223
01:14:01,280 --> 01:14:03,559
Speaker 1: my brother from the mud nigga. We started nigga shooting

1224
01:14:03,600 --> 01:14:06,439
Speaker 1: videos for two hundred dollars. Nigga nigga. He gonna getting

1225
01:14:06,439 --> 01:14:08,920
Speaker 1: one hundred thousand videos and shallah. At the end of

1226
01:14:08,960 --> 01:14:11,519
Speaker 1: twenty twenty two, Well there it is man, the album

1227
01:14:11,600 --> 01:14:13,280
Speaker 1: is out. Go support it. By the way, Shout out

1228
01:14:13,280 --> 01:14:15,519
Speaker 1: to the honorable mentioned Taco Bell. That's in my five.

1229
01:14:17,000 --> 01:14:18,800
Speaker 1: That shit hurt my stomach. I think I think they

1230
01:14:18,840 --> 01:14:20,920
Speaker 1: gave me some bowl lettuce bro. I think something about

1231
01:14:20,960 --> 01:14:23,880
Speaker 1: Taco Bell. I appreciate it is just the innovation, no fact.

1232
01:14:23,920 --> 01:14:26,080
Speaker 1: I love Taco Bill. Grew up on Taco Bill. The

1233
01:14:26,200 --> 01:14:28,120
Speaker 1: innovation though every time you go to Taco But they

1234
01:14:28,160 --> 01:14:29,960
Speaker 1: got some new shit. That they rolled out, and it's

1235
01:14:30,000 --> 01:14:31,920
Speaker 1: some shit that like you had to be high or

1236
01:14:32,000 --> 01:14:37,439
Speaker 1: fat to think of. Let's put Frito's in a burrito, nigga,

1237
01:14:37,479 --> 01:14:40,800
Speaker 1: I used Taco bell season from my tacos. Oh yeah, fact,

1238
01:14:41,160 --> 01:14:44,280
Speaker 1: that's for the grocery store. You're going crazy, baby Jesus now,

1239
01:14:44,560 --> 01:14:48,680
Speaker 1: oh listen, appreciate you pulling up my guy. Thank you,

1240
01:14:48,920 --> 01:14:52,240
Speaker 1: go get the album. Thank you, Boom Real Yellow Lunch

1241
01:14:52,280 --> 01:14:52,479
Speaker 1: Crew