WEBVTT - Prince Charming Need Not Apply

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<v Speaker 1>Hey, the folks, Robot and I just walk into the

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<v Speaker 1>door of our home coming from the movie theater where

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<v Speaker 1>we just saw the much anticipated, much talked about, and

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<v Speaker 1>much maligned Snow White, and we got.

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<v Speaker 2>A doozy of a review. Welcome to this episode of

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<v Speaker 2>Amy and TJ. Rose.

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<v Speaker 1>We wanted to get in front of the microphones while

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<v Speaker 1>this was still fresh on our minds. Right now is

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<v Speaker 1>still fresh to the point we might still be full

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<v Speaker 1>of some emotions.

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<v Speaker 3>Yes, we literally saw the movie. I think we walked

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<v Speaker 3>out of the theater twenty minutes ago, and actually, right

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<v Speaker 3>in front of us right now is the original. It's

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<v Speaker 3>it nineteen thirty seven version, and it is interesting to

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<v Speaker 3>see now one right after the other. How some things

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<v Speaker 3>were actually true to form a most shot for shot. Yeah,

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<v Speaker 3>there were definitely moments where you're like, oh wow, that

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<v Speaker 3>was actually exactly what they recreated. However, there were quite

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<v Speaker 3>a few deviations from the original which we anticipated, which

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<v Speaker 3>we had heard about so.

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<v Speaker 2>Which can be okay.

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<v Speaker 3>Well, but modernizing a tale is admirable. But it's tricky,

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<v Speaker 3>and I think that movie we just saw proved just

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<v Speaker 3>how tricky it can be.

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<v Speaker 1>I want to get into some details, obviously, we're going

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<v Speaker 1>to hear, but your first your initial feeling or impression

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<v Speaker 1>of the movie. Not a full review, but just what

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<v Speaker 1>would you your first impression? After all we heard about

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<v Speaker 1>what it was going to be and then finally see it,

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<v Speaker 1>what would you say? You in pressure was?

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<v Speaker 3>I hate to say this. I was disappointed.

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<v Speaker 2>You're disappointed?

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<v Speaker 3>Yeah, I had lowered expectations even but you know, I

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<v Speaker 3>love I love animated film. I love a film that

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<v Speaker 3>has singing in it. I love it. It doesn't bother

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<v Speaker 3>me at all when people break out into song and you.

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<v Speaker 2>Like fantasy and romance.

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<v Speaker 3>Yes, I'm age like you know, Tangled is my care

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<v Speaker 3>And they did try to. And I saw elements of

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<v Speaker 3>Tangled in here, but without the wit, without the humor,

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<v Speaker 3>without the snarkiness. And that's what this was missing. It

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<v Speaker 3>tried so hard to have heart, it tried so hard

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<v Speaker 3>to have purpose, it tried so hard to bewoke that

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<v Speaker 3>it missed so much of what I love a lot

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<v Speaker 3>of times about some of these Disney movies, even when

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<v Speaker 3>they have the female heroin. And yes they're pushing female empowerment,

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<v Speaker 3>which I love, but not too much of. You got

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<v Speaker 3>to do it with some humility. You got to do

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<v Speaker 3>it with some humor. You got to do it with

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<v Speaker 3>some laughs, and that's what this was missing. So it

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<v Speaker 3>came off well flat and honestly disappointing. I was just disappointed.

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<v Speaker 2>I don't remember a single part in the movie where

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<v Speaker 2>I laughed.

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<v Speaker 3>I was laughing at it, not with it.

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<v Speaker 1>Don't think of a line. I mean, Dopey did some

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<v Speaker 1>funny stuff, but just as far as the dialogue goes,

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<v Speaker 1>it wasn't there. My first impression coming out.

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<v Speaker 2>Of it was.

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<v Speaker 1>That those terrible reviews didn't come from nowhere exactly. I

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<v Speaker 1>was so prepared to like this movie and give it

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<v Speaker 1>more of a chance because like, people are just upset

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<v Speaker 1>and because of the controversy, and they're not giving it

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<v Speaker 1>a fair chance. And I walked down and say, oh,

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<v Speaker 1>that the complaints are legit about the movie. And we did.

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<v Speaker 2>We desperately wanted to like this movie.

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<v Speaker 3>Yeah, we even said on the morning run today, we

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<v Speaker 3>looked and saw that the Rotten Tomato score was like

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<v Speaker 3>forty four percent, but that the audience score was seventy

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<v Speaker 3>something percent. Yeah, seventy seven. So I thought, you know what,

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<v Speaker 3>I have absolutely cited more often with the audience score

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<v Speaker 3>than the critics score. So I went in with I

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<v Speaker 3>was hopeful but reserved, and then I thought, ooh, I

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<v Speaker 3>get I get why people have not regarded this film

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<v Speaker 3>the way maybe even they had helped do. I think everyone.

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<v Speaker 3>Maybe I'm presuming here, but I think most of us

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<v Speaker 3>of a certain age loved this film, appreciate the fact

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<v Speaker 3>that it wanted to be modernized, could forget the noise,

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<v Speaker 3>forget the controversy. I can put that aside. This is

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<v Speaker 3>our these are actors. I can take what happened backstage

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<v Speaker 3>or off stage. I can put that aside when I'm

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<v Speaker 3>actually watching the film. And I think a lot of

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<v Speaker 3>us went into that thinking okay, and I'm still hopeful

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<v Speaker 3>that I'm gonna like it anyway, that it's gonna be

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<v Speaker 3>sweet and I'm gonna get it. And I just was disappointed.

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<v Speaker 1>So folks who already had an inclination to not like

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<v Speaker 1>the movie, the movie didn't do anything to win them

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<v Speaker 1>over right at all. And in fact, people who were

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<v Speaker 1>inclined to maybe hate on the movie, you do see

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<v Speaker 1>it and then go aha, you give them that look.

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<v Speaker 1>We were looking for ways, and we, to be quite honest,

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<v Speaker 1>we second guests doing the episode because we were digging

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<v Speaker 1>trying to find things to say to be complimentary, and

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<v Speaker 1>there's plenty to compliment obviously from the look, from the

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<v Speaker 1>singing from the talent. Yes, that's throughout again, it's Disney,

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<v Speaker 1>the Disney movie. You know it's gonna look a certain way,

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<v Speaker 1>but it didn't feel a certain way. It didn't feel

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<v Speaker 1>like Disney magic that were used to having, at least

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<v Speaker 1>to me, because even the open when they do the

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<v Speaker 1>whole animated thing, just the open of any movie when

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<v Speaker 1>it's mom.

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<v Speaker 2>Doom doom, doom, doom, doom.

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<v Speaker 3>Dude.

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<v Speaker 2>Yeah, the fireworks and you see the castle.

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<v Speaker 1>Yes, you just kind of you just kind of get emotional, like, ah, right,

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<v Speaker 1>here we go, Disney about to take us on this ride.

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<v Speaker 2>That was the most magical moment in the theater today?

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<v Speaker 2>Was that open?

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<v Speaker 3>Something you said to me we were talking about it

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<v Speaker 3>when we first came out, and you said, it wasn't magical.

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<v Speaker 3>It didn't feel magical, and that is what we have

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<v Speaker 3>come to expect from Disney films. And we kind of

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<v Speaker 3>landed on this look snow white as inappropriate now as

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<v Speaker 3>it may seem. In nineteen thirty seven was a fairy tale,

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<v Speaker 3>and so a lot of us grew up watching this

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<v Speaker 3>fairy tale. It was fantasy, it wasn't reality. And I

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<v Speaker 3>think when sometimes we try, with the best of intentions

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<v Speaker 3>to make things more realistic or more modern, we lose

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<v Speaker 3>the fan to see, we lose the fairy tale. So

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<v Speaker 3>in the retelling, it's got to be so hard to

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<v Speaker 3>thread that needle to still have it be aspirational and

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<v Speaker 3>yet modern. And I just I've said this before and

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<v Speaker 3>they did. Let me just say, I was actually a

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<v Speaker 3>little surprised they did have the prince who ended up

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<v Speaker 3>being more of a vagabond turned you know, love intes

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<v Speaker 3>you're going to get into Jonathan p He wasn't really

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<v Speaker 3>a Prince Charming, but his kiss did save snow White,

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<v Speaker 3>which I actually thought they were gonna not do, so

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<v Speaker 3>that actually surprised me a little bit. But so they

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<v Speaker 3>kept that part of it. But I do think that

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<v Speaker 3>when you when you try so hard to be realistic,

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<v Speaker 3>is it wrong to dream of prince Charming? I think

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<v Speaker 3>it's like you go too far in one direction where

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<v Speaker 3>somehow it's not okay to be the girl who dreams

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<v Speaker 3>of marrying prince.

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<v Speaker 2>So is that so stick with that?

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<v Speaker 3>It?

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<v Speaker 1>Should we not have fantasy or fairy tale. Should we

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<v Speaker 1>not have anyone or put out any image, any media,

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<v Speaker 1>any movie that essentially presents a woman, a young woman

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<v Speaker 1>in a position that she's waiting on prince charming or

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<v Speaker 1>someone who comes save her, a damsel in distress? Can

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<v Speaker 1>we not do that? Because I said the magic was gone.

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<v Speaker 1>But a part of this movie is the fantasy that

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<v Speaker 1>this will never happen. Some dude on a white horse

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<v Speaker 1>is not gonna be riding through some sing a song.

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<v Speaker 1>It's just fantasy. Can we not have it?

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<v Speaker 3>But I just think it's okay to have that and

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<v Speaker 3>have other stories that tell other types of fantasies and

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<v Speaker 3>other types of aspirations. And I think it's okay to

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<v Speaker 3>still have these nostalgic fairy tales where yeah, the girl

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<v Speaker 3>dreams of her prince. And it's okay because I think

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<v Speaker 3>we have enough other modern stories that I don't think

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<v Speaker 3>little girls today are confused at their ability to tell

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<v Speaker 3>their own stories. And I think it's still okay. There

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<v Speaker 3>are still plenty of young women and girls out there

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<v Speaker 3>who say, yeah, you know what I want to be.

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<v Speaker 3>I want to be a wife and I want to

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<v Speaker 3>be a mom. And that's a really important, big role,

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<v Speaker 3>and we I don't need to have all the other

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<v Speaker 3>stuff forced down my throat that I have to be

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<v Speaker 3>a lawyer, I have to be a doctor, I have

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<v Speaker 3>to do everything. Like I think it's great to have

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<v Speaker 3>all these different types of stories and we don't have

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<v Speaker 3>to erase the story of the girl wanting to end

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<v Speaker 3>up with the man.

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<v Speaker 2>So they did.

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<v Speaker 1>They did in this retelling, and that's what they call it,

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<v Speaker 1>right retelling. There was not a moment even when her

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<v Speaker 1>life was threatened, when she had nothing to defend herself

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<v Speaker 1>on her and a grown man had a knife to

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<v Speaker 1>her chest, she didn't back down. She didn't coward in

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<v Speaker 1>the least bit. They showed strength from her throughout.

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<v Speaker 2>I guess I was.

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<v Speaker 1>I mean, we were just watching and again we have

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<v Speaker 1>it on in the background, but that same scene, this

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<v Speaker 1>snow white arms up, coward trying to defend herself and

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<v Speaker 1>backed off.

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<v Speaker 3>Yeah, that's what probably, That's what I would do. So

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<v Speaker 3>it's like, you know it, Sometimes I feel like it's

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<v Speaker 3>trying too hard to say, yes, women are strong, Yes

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<v Speaker 3>girls can fight back, and I get that, but I

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<v Speaker 3>also feel like sometimes you can try too hard and

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<v Speaker 3>it feels false. It feels pushed, and it almost undoes

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<v Speaker 3>what you're trying, the message you're trying to send. It

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<v Speaker 3>almost makes it feel like a false message. So I

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<v Speaker 3>cringed a little bit at that. We don't need to

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<v Speaker 3>push so hard that all girls and all these she's fearless. Now,

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<v Speaker 3>it's okay to be afraid. It's okay to it's okay

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<v Speaker 3>to want the guy. I just like it's okay, Like

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<v Speaker 3>I don't think it all has to be one or

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<v Speaker 3>the other. And strength means that you're unafraid, and that

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<v Speaker 3>strength means you don't want the guy. Strength means you

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<v Speaker 3>can do it on your own. I think they all

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<v Speaker 3>can be true. So it's a little That's where I

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<v Speaker 3>got a little annoyed. Even as a woman and as

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<v Speaker 3>a mom of two daughters, I'm all about female empowerment,

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<v Speaker 3>but we don't need to go so far that it

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<v Speaker 3>becomes unrealistic or somehow it's negative to to be afraid

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<v Speaker 3>or to want the guy. That's where I have a problem.

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<v Speaker 2>A lot of it felt like lip service. It didn't

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<v Speaker 2>feel genuine.

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<v Speaker 1>It didn't feel like there was an authentic story necessarily

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<v Speaker 1>or a authentic emotion that was coming out of anybody.

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<v Speaker 1>It was just a ligne here or line there, kind

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<v Speaker 1>of like we were checking boxes of what's supposed to do.

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<v Speaker 1>Says yes, that is sohow so much of the movie

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<v Speaker 1>felt like we were checking boxes.

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<v Speaker 3>And you just nailed it. Here was another thing that

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<v Speaker 3>you pointed out. There's so many things to get to,

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<v Speaker 3>but this was one where they made a point at

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<v Speaker 3>the end to act as though mirror mirror on the wall,

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<v Speaker 3>who's the fairest of them all? That it really was

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<v Speaker 3>about inner beauty and not outward beauty. And Okay, I understand,

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<v Speaker 3>I get it, but you're also taking away the whole

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<v Speaker 3>point of the film, which was that the evil stepmother,

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<v Speaker 3>the Evil Queen was jealous of snow White's physical beauty.

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<v Speaker 3>So I just that was also to me a little

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<v Speaker 3>too forced and a wishing of oh no, the beauty

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<v Speaker 3>is from within, and that just was not true to

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<v Speaker 3>the original story and just didn't make sense with what

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<v Speaker 3>we saw in the story about gal Gado's character being

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<v Speaker 3>physically jealous of snow White's physical beauty.

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<v Speaker 1>You know, this one way to put it as well,

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<v Speaker 1>some of the things we've gone through here, But there

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<v Speaker 1>were too many times you me Sabine I'm sitting in

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<v Speaker 1>between you two. There was too many times where I

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<v Speaker 1>look over at you, look over at her. We're looking.

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<v Speaker 1>We rolled our eyes yes, when a line was said

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<v Speaker 1>or a moment happened, like seriously, I just come on

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<v Speaker 1>and look, it's difficult to This is how it read

0:11:43.360 --> 0:11:45.480
<v Speaker 1>to us. There are people out there who loved it

0:11:45.559 --> 0:11:47.520
<v Speaker 1>and loved the new message and love the update.

0:11:47.720 --> 0:11:48.959
<v Speaker 2>I don't know if it's because we.

0:11:48.960 --> 0:11:51.480
<v Speaker 1>Are a little older, a little old school and grew up,

0:11:51.520 --> 0:11:54.319
<v Speaker 1>and maybe that's the case and this one. There are

0:11:54.400 --> 0:11:56.360
<v Speaker 1>plenty of people out there who are gonna love this movie.

0:11:56.640 --> 0:11:59.400
<v Speaker 1>It just it felt this way to us coming out

0:11:59.400 --> 0:12:01.720
<v Speaker 1>of there. And it started off the jump. I talked

0:12:01.760 --> 0:12:05.480
<v Speaker 1>about the open, just the Disney open, But when the

0:12:05.520 --> 0:12:08.840
<v Speaker 1>movie started, the first scene was essentially an explanation of

0:12:08.880 --> 0:12:11.360
<v Speaker 1>the name, and that was when the first rolling of

0:12:11.360 --> 0:12:13.800
<v Speaker 1>the eyes took place. You got to explain why you

0:12:13.840 --> 0:12:15.600
<v Speaker 1>don't have a white girl playing snow.

0:12:15.400 --> 0:12:18.160
<v Speaker 3>White whose skin is white as snow. So they made

0:12:18.200 --> 0:12:20.840
<v Speaker 3>this whole big scene about a snowstorm and how the

0:12:20.880 --> 0:12:23.160
<v Speaker 3>baby was born in the snowstorm and that's why her

0:12:23.240 --> 0:12:26.599
<v Speaker 3>name was snow White. So they're already trying to explain.

0:12:26.760 --> 0:12:27.360
<v Speaker 2>In a.

0:12:28.880 --> 0:12:30.800
<v Speaker 3>I don't know and a woke away. You know, we

0:12:30.880 --> 0:12:33.720
<v Speaker 3>don't just have a white girl whose skin is white

0:12:33.720 --> 0:12:36.840
<v Speaker 3>as snow. It just already felt forced from the beginning.

0:12:36.960 --> 0:12:38.439
<v Speaker 3>So yes, that was the first eye roll.

0:12:38.559 --> 0:12:40.800
<v Speaker 1>That's how it felt forced. And it almost seemed like

0:12:40.800 --> 0:12:43.200
<v Speaker 1>a throwaway because it wasn't a long scene, I mean

0:12:43.480 --> 0:12:44.560
<v Speaker 1>no minutes.

0:12:44.760 --> 0:12:48.440
<v Speaker 3>Yes. And the other thing I thought was interesting, well,

0:12:49.120 --> 0:12:54.240
<v Speaker 3>we haven't even discussed or addressed the CGI dwarves, so

0:12:55.760 --> 0:12:58.840
<v Speaker 3>a lot was made of this. And Peter Dinklice, who

0:12:59.120 --> 0:13:03.040
<v Speaker 3>we've I love, who was brilliant, you know, certainly spoke

0:13:03.080 --> 0:13:06.040
<v Speaker 3>about how, oh you're going to modernize snow White, You're

0:13:06.080 --> 0:13:08.480
<v Speaker 3>going to make her empowered, Yet you're going to leave

0:13:08.720 --> 0:13:12.920
<v Speaker 3>these dwarves, you know, as these cavemen who can't help

0:13:12.960 --> 0:13:15.200
<v Speaker 3>themselves and need a woman to come in and fix

0:13:15.280 --> 0:13:17.200
<v Speaker 3>their lives for them. In addition to the fact that

0:13:17.240 --> 0:13:21.400
<v Speaker 3>you're not casting actual dwarfs who would love to be

0:13:21.440 --> 0:13:24.640
<v Speaker 3>employed and probably play a role of a lifetime that

0:13:24.720 --> 0:13:27.200
<v Speaker 3>was made for them, that was literally written for them.

0:13:27.960 --> 0:13:30.319
<v Speaker 3>As I was watching the movie, two things stood out

0:13:30.360 --> 0:13:32.679
<v Speaker 3>to me. First of all, I think it was highly

0:13:32.720 --> 0:13:36.319
<v Speaker 3>offensive that they were the only human CGI. The other

0:13:36.400 --> 0:13:40.240
<v Speaker 3>CGIs were the birds and the squirrels and the forest animals,

0:13:40.280 --> 0:13:44.959
<v Speaker 3>and so that is just innately offensive in and of itself,

0:13:45.040 --> 0:13:48.560
<v Speaker 3>I would imagine. And then I just felt like the

0:13:48.600 --> 0:13:53.320
<v Speaker 3>acting suffered because it just felt like I was watching

0:13:53.400 --> 0:13:57.720
<v Speaker 3>Rachel Zegler talk to a siege like to nothing. You

0:13:57.760 --> 0:14:00.400
<v Speaker 3>didn't feel a connection. As much as we loved the

0:14:00.440 --> 0:14:05.360
<v Speaker 3>Dopey character who was CGI, it the connection wasn't able

0:14:05.360 --> 0:14:07.400
<v Speaker 3>to be what it could have been had there actually

0:14:07.480 --> 0:14:13.199
<v Speaker 3>been actors.

0:14:17.800 --> 0:14:19.720
<v Speaker 1>Is it fair to say that so much of the

0:14:19.800 --> 0:14:22.600
<v Speaker 1>charm and warmth and fun of this movie the original

0:14:22.800 --> 0:14:24.040
<v Speaker 1>was in the seven Dwarfs?

0:14:24.040 --> 0:14:26.160
<v Speaker 3>Absolutely right, Yes, this.

0:14:26.160 --> 0:14:29.640
<v Speaker 1>Their little personalities and all that came through in that one.

0:14:29.720 --> 0:14:31.600
<v Speaker 2>It didn't come through in this one. For whatever reason,

0:14:32.440 --> 0:14:32.960
<v Speaker 2>it just didn't.

0:14:33.280 --> 0:14:36.120
<v Speaker 3>Was because there weren't humans emoting.

0:14:35.640 --> 0:14:39.280
<v Speaker 1>That grumpy I just they didn't stand out. Now, Dopey

0:14:39.520 --> 0:14:41.520
<v Speaker 1>is a big deal for a lot of reasons. In

0:14:41.560 --> 0:14:44.240
<v Speaker 1>the movie, he just happened to be a he was

0:14:44.280 --> 0:14:47.000
<v Speaker 1>then did he play that central of a role in

0:14:46.840 --> 0:14:48.520
<v Speaker 1>the original He was.

0:14:48.480 --> 0:14:51.920
<v Speaker 3>The young you know, is he the young the younger

0:14:52.000 --> 0:14:55.400
<v Speaker 3>dwarf who had like the oversized clothes. Yes, but he didn't.

0:14:55.120 --> 0:14:59.760
<v Speaker 1>Speak, didn't speak well. Dopey has a voice that.

0:14:59.760 --> 0:15:02.760
<v Speaker 3>Was that was probably the highlight of the movie for

0:15:02.840 --> 0:15:04.680
<v Speaker 3>all of us. We agreed. When we walked out of

0:15:04.680 --> 0:15:05.840
<v Speaker 3>the theater, Dopey.

0:15:05.600 --> 0:15:09.920
<v Speaker 1>The Cgidope looked like what a nine year old boy

0:15:09.960 --> 0:15:12.640
<v Speaker 1>maybe possibly living with all these grown men.

0:15:12.720 --> 0:15:12.960
<v Speaker 3>It was.

0:15:13.080 --> 0:15:15.760
<v Speaker 1>It was odd, but he had a particular look to him.

0:15:15.880 --> 0:15:17.520
<v Speaker 2>He has one dancing scene.

0:15:17.680 --> 0:15:18.360
<v Speaker 3>It's hilarious.

0:15:18.440 --> 0:15:19.040
<v Speaker 2>That's hilarious.

0:15:19.080 --> 0:15:21.840
<v Speaker 3>Okay, we did laugh. That was a joyful moment watching

0:15:21.840 --> 0:15:25.560
<v Speaker 3>the movie. We all enjoyed it. We weren't laughing at

0:15:25.600 --> 0:15:28.280
<v Speaker 3>it or we were actually laughing with it. It felt

0:15:28.400 --> 0:15:30.960
<v Speaker 3>fun and it was all Dope. He stole the.

0:15:30.960 --> 0:15:33.640
<v Speaker 1>Scene, but he had a central He became very much

0:15:33.640 --> 0:15:37.680
<v Speaker 1>a central character in a I guess All this really

0:15:37.720 --> 0:15:39.800
<v Speaker 1>pulls down to is know why trying to take back

0:15:39.840 --> 0:15:43.840
<v Speaker 1>over the kingdom. Yes, and so there's almost she leads

0:15:43.880 --> 0:15:48.160
<v Speaker 1>a band of I guess woods.

0:15:47.800 --> 0:15:48.920
<v Speaker 2>Misfits yes.

0:15:50.480 --> 0:15:52.200
<v Speaker 3>To do it and you no, not.

0:15:52.160 --> 0:15:53.200
<v Speaker 2>A weapon in hand?

0:15:53.360 --> 0:15:57.840
<v Speaker 3>No? And look, that general theme holds another point that

0:15:58.480 --> 0:16:01.080
<v Speaker 3>Gal Gadot, you know, it's fun. With all of the

0:16:01.160 --> 0:16:05.240
<v Speaker 3>controversies about this film coming into the film, none of

0:16:05.240 --> 0:16:08.040
<v Speaker 3>that was what I was even thinking about. It had

0:16:08.160 --> 0:16:10.560
<v Speaker 3>zero impact on me watching the film. There were so

0:16:10.640 --> 0:16:13.760
<v Speaker 3>many other things that were I was focused on that.

0:16:13.840 --> 0:16:16.160
<v Speaker 3>It's funny that all the noise we heard about that

0:16:16.480 --> 0:16:20.720
<v Speaker 3>maybe prevented people from going to the theater, That like wasn't

0:16:20.840 --> 0:16:23.920
<v Speaker 3>even a part of the equation in terms of how

0:16:23.920 --> 0:16:28.479
<v Speaker 3>we felt about the film. But you know, she didn't.

0:16:28.960 --> 0:16:32.240
<v Speaker 3>She wasn't scary. You know, you almost wanted her. She

0:16:32.320 --> 0:16:36.240
<v Speaker 3>needed to be more frightening, more menacing, more It was

0:16:36.760 --> 0:16:38.680
<v Speaker 3>I don't know, it just was flat for me. And

0:16:38.720 --> 0:16:41.360
<v Speaker 3>so that was also another part that was really missing,

0:16:41.360 --> 0:16:44.240
<v Speaker 3>as there was no fear there. So we have a

0:16:44.280 --> 0:16:49.520
<v Speaker 3>fearless heroine who stands up to anything in anyone, even

0:16:49.560 --> 0:16:52.400
<v Speaker 3>with a dagger in, you know, right up to her neck,

0:16:52.440 --> 0:16:55.280
<v Speaker 3>and then you've got a villain who isn't terrifying. So

0:16:55.400 --> 0:16:58.160
<v Speaker 3>it like who am I? Who am I rooting for?

0:16:58.200 --> 0:17:01.480
<v Speaker 3>Who am I scared for? I didn't feel anything deeply

0:17:01.600 --> 0:17:04.240
<v Speaker 3>because I don't think that either one of the heroines

0:17:04.280 --> 0:17:07.280
<v Speaker 3>played or the heroine or the villain played them the

0:17:07.320 --> 0:17:09.159
<v Speaker 3>way they were originally played because they wanted to make

0:17:09.200 --> 0:17:09.760
<v Speaker 3>them different.

0:17:09.880 --> 0:17:11.960
<v Speaker 2>Right, That's okay, Right, that's okay.

0:17:12.040 --> 0:17:14.439
<v Speaker 3>It just left it left It left me, you know

0:17:14.480 --> 0:17:17.320
<v Speaker 3>what someone said, Hi ho hum, and I when I

0:17:17.359 --> 0:17:20.560
<v Speaker 3>saw that as one of the reviews, that kind of

0:17:20.640 --> 0:17:23.320
<v Speaker 3>is what you're left with when you don't when you

0:17:23.320 --> 0:17:25.080
<v Speaker 3>aren't willing to take a stand on either way, you're

0:17:25.080 --> 0:17:29.119
<v Speaker 3>trying to play it safe. Basically from a retelling perspective,

0:17:29.520 --> 0:17:33.960
<v Speaker 3>you end up either offending everybody or affecting no one.

0:17:34.000 --> 0:17:35.440
<v Speaker 3>And I feel like it kind of did both.

0:17:36.359 --> 0:17:38.040
<v Speaker 2>Oh, they took a shot.

0:17:38.640 --> 0:17:41.080
<v Speaker 1>I hate to deal with that word woke so much

0:17:41.119 --> 0:17:44.480
<v Speaker 1>and wokeness and what anybody was going for on this movie. Look,

0:17:44.680 --> 0:17:47.320
<v Speaker 1>I'm okay with them taking the liberties, and they have

0:17:47.400 --> 0:17:50.000
<v Speaker 1>to be okay with folks like you and me not

0:17:50.200 --> 0:17:53.080
<v Speaker 1>really saying it's our thing, right, And that's okay.

0:17:53.119 --> 0:17:53.560
<v Speaker 2>I think it was.

0:17:53.720 --> 0:17:56.359
<v Speaker 1>I loved her outfit, that yellow skirt. I thought that

0:17:56.440 --> 0:17:59.800
<v Speaker 1>was beautiful throughout she there is a zero question about

0:17:59.800 --> 0:18:00.639
<v Speaker 1>her singing talent.

0:18:01.160 --> 0:18:01.919
<v Speaker 3>She's phenomenal.

0:18:02.040 --> 0:18:05.840
<v Speaker 1>Virgil Zeggler, who else gave us a good performance the

0:18:05.960 --> 0:18:09.600
<v Speaker 1>Jonathan Okay, let's let's deal with it. Oh, yes, right, yes,

0:18:10.000 --> 0:18:13.400
<v Speaker 1>we just watched. In the original, she meets the guy

0:18:13.440 --> 0:18:15.840
<v Speaker 1>because he rolls up on a white horse. Yes, yes,

0:18:15.960 --> 0:18:17.000
<v Speaker 1>finds her in the wood.

0:18:16.840 --> 0:18:19.240
<v Speaker 3>Prince Charming, literally Prince Charming.

0:18:19.520 --> 0:18:21.880
<v Speaker 2>How does she find this guy? How'd they meet?

0:18:22.080 --> 0:18:24.719
<v Speaker 3>Wait? He was stealing Oh yes, right, he was stealing

0:18:24.720 --> 0:18:28.680
<v Speaker 3>potatoes from the castle, and so, yes he was. That's

0:18:28.840 --> 0:18:32.639
<v Speaker 3>very much like Tangled. He's he's the thief for the

0:18:32.800 --> 0:18:35.640
<v Speaker 3>you know, just kind of a petty thief who's wanted

0:18:35.680 --> 0:18:38.199
<v Speaker 3>by the law. That's where I saw a little Tangled, ESK.

0:18:38.280 --> 0:18:40.119
<v Speaker 3>What they missed is they didn't have the snark and

0:18:40.160 --> 0:18:42.520
<v Speaker 3>the wit that you got with Tangled. This was just

0:18:42.600 --> 0:18:46.400
<v Speaker 3>kind of a yeah, I'm stealing potatoes and that was it,

0:18:47.040 --> 0:18:51.520
<v Speaker 3>and she was, you know, trying to fend for him.

0:18:51.800 --> 0:18:57.520
<v Speaker 3>It's just h meh. I didn't I didn't feel the chemistry. Also,

0:18:57.520 --> 0:18:59.840
<v Speaker 3>I didn't feel chemistry between that was my word. Next,

0:19:00.480 --> 0:19:03.800
<v Speaker 3>I did not feel it between any of the characters. So,

0:19:04.560 --> 0:19:06.880
<v Speaker 3>you know, I'm glad we saw it because I think

0:19:07.000 --> 0:19:08.960
<v Speaker 3>just with so much being written about it, so much

0:19:09.000 --> 0:19:14.560
<v Speaker 3>being said about it, and so much controversy in the beginning,

0:19:14.560 --> 0:19:17.720
<v Speaker 3>like before we even knew anything about it, that actually

0:19:17.800 --> 0:19:20.760
<v Speaker 3>had zero impact on how I feel about the actual movie.

0:19:21.119 --> 0:19:24.200
<v Speaker 3>What people were concerned about in terms of what Rachel

0:19:24.280 --> 0:19:28.840
<v Speaker 3>Zeckler said about Trump supporters, or what Gal Gadote said

0:19:28.880 --> 0:19:34.400
<v Speaker 3>about Israel, or about any of the other issues, even

0:19:34.480 --> 0:19:36.720
<v Speaker 3>the modernizing of the tale. I was interested to see

0:19:36.720 --> 0:19:39.359
<v Speaker 3>what it would look like. So none of that actually

0:19:39.400 --> 0:19:42.320
<v Speaker 3>factored into what my ultimate feeling was about the movie when.

0:19:42.200 --> 0:19:43.640
<v Speaker 2>I watched it, not in the least bit.

0:19:43.760 --> 0:19:46.879
<v Speaker 1>And for folks that don't know, if you've seen the headlines,

0:19:47.920 --> 0:19:49.960
<v Speaker 1>the movie did make forty three million dollars the box

0:19:50.000 --> 0:19:51.200
<v Speaker 1>office opening weekend.

0:19:51.520 --> 0:19:52.280
<v Speaker 2>That's a problem.

0:19:52.400 --> 0:19:54.560
<v Speaker 1>It's a problem because it cost two hundred and fifty

0:19:54.560 --> 0:19:58.040
<v Speaker 1>million dollars to make, and that's before any advertising costs.

0:19:58.040 --> 0:20:01.199
<v Speaker 1>It needs to have a good long theat run. The

0:20:01.280 --> 0:20:03.919
<v Speaker 1>problem now is going to be Other Disney films have

0:20:04.040 --> 0:20:08.400
<v Speaker 1>come out thirty five forty plus million dollars, but they

0:20:08.400 --> 0:20:10.200
<v Speaker 1>had legs because of a good word of mouth.

0:20:10.280 --> 0:20:10.960
<v Speaker 3>Word of mouth.

0:20:11.119 --> 0:20:12.840
<v Speaker 1>This I don't know if people are going to run

0:20:12.840 --> 0:20:14.439
<v Speaker 1>out and tell other folks you got to see this

0:20:14.560 --> 0:20:15.919
<v Speaker 1>movie or go check it out.

0:20:16.000 --> 0:20:20.240
<v Speaker 2>There was curiosity and ours was curiosity. Yes, I don't know.

0:20:20.720 --> 0:20:22.560
<v Speaker 1>It doesn't have competition in the box office for the

0:20:22.640 --> 0:20:26.280
<v Speaker 1>next couple weeks. Also, that's good, but are you gonna

0:20:26.800 --> 0:20:27.800
<v Speaker 1>I don't know if it's had legs.

0:20:27.840 --> 0:20:30.320
<v Speaker 3>I don't think that. I think that if you've got

0:20:30.400 --> 0:20:33.480
<v Speaker 3>kids and who want to go see this movie, they

0:20:33.720 --> 0:20:36.160
<v Speaker 3>will love it. It will be a hit with them.

0:20:36.280 --> 0:20:39.359
<v Speaker 3>And I think that there will always be those families

0:20:39.400 --> 0:20:42.639
<v Speaker 3>who will be looking for something fun and sweet and

0:20:42.720 --> 0:20:45.000
<v Speaker 3>family friendly for their kids to see. But is this

0:20:45.040 --> 0:20:47.440
<v Speaker 3>a word of mouth movie where adult to adult, because

0:20:47.480 --> 0:20:50.600
<v Speaker 3>there are you know, they have hit some out of

0:20:50.600 --> 0:20:52.760
<v Speaker 3>the ballpark where we're like, wow, my kids loved it.

0:20:52.840 --> 0:20:54.760
<v Speaker 3>But I kind of even liked it more because of

0:20:54.800 --> 0:20:58.919
<v Speaker 3>all the funny lines and just the clever dialogue that

0:20:59.080 --> 0:21:02.000
<v Speaker 3>just reels in the adult so that that was not

0:21:02.400 --> 0:21:06.240
<v Speaker 3>here for me in this movie, and that's what's missing.

0:21:06.320 --> 0:21:09.639
<v Speaker 1>I think we want it so badly to like this movie.

0:21:10.160 --> 0:21:12.760
<v Speaker 1>But we shall see, shall see what happens in the

0:21:13.320 --> 0:21:17.080
<v Speaker 1>coming weeks. But it got an uphill climb. It's hard

0:21:17.119 --> 0:21:20.160
<v Speaker 1>now after seeing it to go while it's too bad

0:21:20.160 --> 0:21:23.360
<v Speaker 1>about the controversies, it's hard now to go, Oh, it's

0:21:23.400 --> 0:21:26.720
<v Speaker 1>too bad that that actors said that it's too bad

0:21:26.840 --> 0:21:30.879
<v Speaker 1>that people are now and I'm saying it's too bad

0:21:31.000 --> 0:21:35.600
<v Speaker 1>that that product probably is not going to get people

0:21:35.720 --> 0:21:36.760
<v Speaker 1>running to the theater.

0:21:37.000 --> 0:21:39.200
<v Speaker 2>Yeah, it's not about the controversies anymore.

0:21:39.280 --> 0:21:41.600
<v Speaker 3>That's true, but I still think it's worth it. It's an

0:21:41.640 --> 0:21:45.640
<v Speaker 3>interesting social conversation within even your own family or friend

0:21:45.680 --> 0:21:49.160
<v Speaker 3>group to watch the original and then to watch what's

0:21:49.240 --> 0:21:52.800
<v Speaker 3>just been released. And maybe the value could be that

0:21:53.080 --> 0:21:56.960
<v Speaker 3>it sparks the conversation about what's appropriate, what's not, how

0:21:57.000 --> 0:22:01.640
<v Speaker 3>we address communities, how we address us, female empowerment, all

0:22:01.680 --> 0:22:06.879
<v Speaker 3>of that. If it leads to interesting conversations and minds

0:22:06.880 --> 0:22:09.359
<v Speaker 3>that open just a little bit, and even perhaps people

0:22:09.440 --> 0:22:12.040
<v Speaker 3>saying we could have done that better, it's not a

0:22:12.080 --> 0:22:12.399
<v Speaker 3>bad thing.

0:22:12.520 --> 0:22:14.640
<v Speaker 1>Yeah, and we'll all learn something from maybe next time

0:22:14.680 --> 0:22:17.520
<v Speaker 1>and some remake, we'll learn to do this. So don't

0:22:17.560 --> 0:22:19.399
<v Speaker 1>go too far this way. Or maybe it's okay if

0:22:19.440 --> 0:22:21.119
<v Speaker 1>that person is white, or maybe it's okay if that

0:22:21.240 --> 0:22:23.439
<v Speaker 1>character stays black, it's okay.

0:22:24.760 --> 0:22:25.600
<v Speaker 2>I think that's all right.

0:22:25.720 --> 0:22:28.520
<v Speaker 1>And again I would just want to give them because

0:22:28.560 --> 0:22:31.159
<v Speaker 1>Gal Gadot does one. I've never met Rachel Zeckler, but

0:22:31.280 --> 0:22:33.920
<v Speaker 1>I mean, these are folks we're fans of, and we

0:22:34.040 --> 0:22:37.600
<v Speaker 1>hate that their product is Wait, we don't want to

0:22:37.680 --> 0:22:38.399
<v Speaker 1>align it anymore.

0:22:38.400 --> 0:22:39.840
<v Speaker 2>It's already been maligning. We give our.

0:22:39.760 --> 0:22:43.440
<v Speaker 1>Impressions here, but just the work the beauty of it.

0:22:43.440 --> 0:22:45.919
<v Speaker 1>It looks like Disney, it just didn't feel like Disney.

0:22:45.960 --> 0:22:48.240
<v Speaker 3>That's true. It's a good way to put it. Well,

0:22:48.240 --> 0:22:51.120
<v Speaker 3>we want to thank you for listening to this episode

0:22:51.160 --> 0:22:52.800
<v Speaker 3>of Amy and tj. I hope you have a wonderful

0:22:52.840 --> 0:22:54.120
<v Speaker 3>day everyone, and we'll see you next time.

0:23:01.000 --> 0:23:04.240
<v Speaker 2>The Tations, the att