1 00:00:04,160 --> 00:00:07,440 Speaker 1: Hey, the folks, Robot and I just walk into the 2 00:00:07,480 --> 00:00:10,280 Speaker 1: door of our home coming from the movie theater where 3 00:00:10,320 --> 00:00:13,520 Speaker 1: we just saw the much anticipated, much talked about, and 4 00:00:13,640 --> 00:00:16,680 Speaker 1: much maligned Snow White, and we got. 5 00:00:16,520 --> 00:00:19,720 Speaker 2: A doozy of a review. Welcome to this episode of 6 00:00:19,720 --> 00:00:20,520 Speaker 2: Amy and TJ. Rose. 7 00:00:20,560 --> 00:00:22,720 Speaker 1: We wanted to get in front of the microphones while 8 00:00:22,720 --> 00:00:25,279 Speaker 1: this was still fresh on our minds. Right now is 9 00:00:25,320 --> 00:00:27,480 Speaker 1: still fresh to the point we might still be full 10 00:00:27,520 --> 00:00:28,560 Speaker 1: of some emotions. 11 00:00:28,800 --> 00:00:32,280 Speaker 3: Yes, we literally saw the movie. I think we walked 12 00:00:32,280 --> 00:00:35,000 Speaker 3: out of the theater twenty minutes ago, and actually, right 13 00:00:35,040 --> 00:00:37,680 Speaker 3: in front of us right now is the original. It's 14 00:00:37,720 --> 00:00:42,360 Speaker 3: it nineteen thirty seven version, and it is interesting to 15 00:00:42,400 --> 00:00:46,680 Speaker 3: see now one right after the other. How some things 16 00:00:46,800 --> 00:00:50,240 Speaker 3: were actually true to form a most shot for shot. Yeah, 17 00:00:50,280 --> 00:00:52,760 Speaker 3: there were definitely moments where you're like, oh wow, that 18 00:00:52,920 --> 00:00:57,720 Speaker 3: was actually exactly what they recreated. However, there were quite 19 00:00:57,720 --> 00:01:01,800 Speaker 3: a few deviations from the original which we anticipated, which 20 00:01:01,800 --> 00:01:02,880 Speaker 3: we had heard about so. 21 00:01:03,000 --> 00:01:04,040 Speaker 2: Which can be okay. 22 00:01:05,319 --> 00:01:11,000 Speaker 3: Well, but modernizing a tale is admirable. But it's tricky, 23 00:01:11,240 --> 00:01:14,280 Speaker 3: and I think that movie we just saw proved just 24 00:01:14,280 --> 00:01:15,200 Speaker 3: how tricky it can be. 25 00:01:15,280 --> 00:01:17,240 Speaker 1: I want to get into some details, obviously, we're going 26 00:01:17,280 --> 00:01:21,480 Speaker 1: to hear, but your first your initial feeling or impression 27 00:01:21,959 --> 00:01:24,399 Speaker 1: of the movie. Not a full review, but just what 28 00:01:24,440 --> 00:01:27,600 Speaker 1: would you your first impression? After all we heard about 29 00:01:27,600 --> 00:01:29,680 Speaker 1: what it was going to be and then finally see it, 30 00:01:30,000 --> 00:01:31,160 Speaker 1: what would you say? You in pressure was? 31 00:01:31,560 --> 00:01:34,360 Speaker 3: I hate to say this. I was disappointed. 32 00:01:34,440 --> 00:01:35,160 Speaker 2: You're disappointed? 33 00:01:35,319 --> 00:01:39,800 Speaker 3: Yeah, I had lowered expectations even but you know, I 34 00:01:39,880 --> 00:01:43,880 Speaker 3: love I love animated film. I love a film that 35 00:01:43,920 --> 00:01:45,920 Speaker 3: has singing in it. I love it. It doesn't bother 36 00:01:46,000 --> 00:01:48,640 Speaker 3: me at all when people break out into song and you. 37 00:01:48,640 --> 00:01:50,400 Speaker 2: Like fantasy and romance. 38 00:01:51,840 --> 00:01:55,000 Speaker 3: Yes, I'm age like you know, Tangled is my care 39 00:01:55,120 --> 00:01:57,640 Speaker 3: And they did try to. And I saw elements of 40 00:01:58,720 --> 00:02:01,840 Speaker 3: Tangled in here, but without the wit, without the humor, 41 00:02:02,200 --> 00:02:05,360 Speaker 3: without the snarkiness. And that's what this was missing. It 42 00:02:05,400 --> 00:02:08,680 Speaker 3: tried so hard to have heart, it tried so hard 43 00:02:08,720 --> 00:02:14,440 Speaker 3: to have purpose, it tried so hard to bewoke that 44 00:02:14,600 --> 00:02:17,519 Speaker 3: it missed so much of what I love a lot 45 00:02:17,560 --> 00:02:19,880 Speaker 3: of times about some of these Disney movies, even when 46 00:02:19,919 --> 00:02:23,200 Speaker 3: they have the female heroin. And yes they're pushing female empowerment, 47 00:02:23,240 --> 00:02:26,240 Speaker 3: which I love, but not too much of. You got 48 00:02:26,280 --> 00:02:28,800 Speaker 3: to do it with some humility. You got to do 49 00:02:28,800 --> 00:02:30,400 Speaker 3: it with some humor. You got to do it with 50 00:02:30,440 --> 00:02:34,240 Speaker 3: some laughs, and that's what this was missing. So it 51 00:02:34,320 --> 00:02:40,600 Speaker 3: came off well flat and honestly disappointing. I was just disappointed. 52 00:02:40,680 --> 00:02:42,240 Speaker 2: I don't remember a single part in the movie where 53 00:02:42,280 --> 00:02:42,880 Speaker 2: I laughed. 54 00:02:43,080 --> 00:02:44,520 Speaker 3: I was laughing at it, not with it. 55 00:02:44,600 --> 00:02:47,280 Speaker 1: Don't think of a line. I mean, Dopey did some 56 00:02:47,320 --> 00:02:50,520 Speaker 1: funny stuff, but just as far as the dialogue goes, 57 00:02:51,560 --> 00:02:54,600 Speaker 1: it wasn't there. My first impression coming out. 58 00:02:54,440 --> 00:02:54,919 Speaker 2: Of it was. 59 00:02:56,560 --> 00:03:00,800 Speaker 1: That those terrible reviews didn't come from nowhere exactly. I 60 00:03:00,919 --> 00:03:04,200 Speaker 1: was so prepared to like this movie and give it 61 00:03:04,240 --> 00:03:07,320 Speaker 1: more of a chance because like, people are just upset 62 00:03:07,400 --> 00:03:09,480 Speaker 1: and because of the controversy, and they're not giving it 63 00:03:09,520 --> 00:03:11,639 Speaker 1: a fair chance. And I walked down and say, oh, 64 00:03:11,720 --> 00:03:15,519 Speaker 1: that the complaints are legit about the movie. And we did. 65 00:03:15,600 --> 00:03:17,560 Speaker 2: We desperately wanted to like this movie. 66 00:03:18,480 --> 00:03:21,480 Speaker 3: Yeah, we even said on the morning run today, we 67 00:03:21,520 --> 00:03:24,880 Speaker 3: looked and saw that the Rotten Tomato score was like 68 00:03:24,919 --> 00:03:28,520 Speaker 3: forty four percent, but that the audience score was seventy 69 00:03:28,840 --> 00:03:31,760 Speaker 3: something percent. Yeah, seventy seven. So I thought, you know what, 70 00:03:31,800 --> 00:03:36,080 Speaker 3: I have absolutely cited more often with the audience score 71 00:03:36,560 --> 00:03:39,320 Speaker 3: than the critics score. So I went in with I 72 00:03:39,360 --> 00:03:42,840 Speaker 3: was hopeful but reserved, and then I thought, ooh, I 73 00:03:42,960 --> 00:03:48,000 Speaker 3: get I get why people have not regarded this film 74 00:03:48,040 --> 00:03:50,400 Speaker 3: the way maybe even they had helped do. I think everyone. 75 00:03:50,800 --> 00:03:53,680 Speaker 3: Maybe I'm presuming here, but I think most of us 76 00:03:53,800 --> 00:03:57,040 Speaker 3: of a certain age loved this film, appreciate the fact 77 00:03:57,080 --> 00:03:59,600 Speaker 3: that it wanted to be modernized, could forget the noise, 78 00:03:59,640 --> 00:04:02,320 Speaker 3: forget the controversy. I can put that aside. This is 79 00:04:02,360 --> 00:04:05,600 Speaker 3: our these are actors. I can take what happened backstage 80 00:04:05,680 --> 00:04:07,600 Speaker 3: or off stage. I can put that aside when I'm 81 00:04:07,600 --> 00:04:10,120 Speaker 3: actually watching the film. And I think a lot of 82 00:04:10,200 --> 00:04:13,560 Speaker 3: us went into that thinking okay, and I'm still hopeful 83 00:04:13,560 --> 00:04:15,320 Speaker 3: that I'm gonna like it anyway, that it's gonna be 84 00:04:15,440 --> 00:04:19,000 Speaker 3: sweet and I'm gonna get it. And I just was disappointed. 85 00:04:19,240 --> 00:04:24,000 Speaker 1: So folks who already had an inclination to not like 86 00:04:24,080 --> 00:04:26,560 Speaker 1: the movie, the movie didn't do anything to win them 87 00:04:26,600 --> 00:04:29,600 Speaker 1: over right at all. And in fact, people who were 88 00:04:29,600 --> 00:04:32,120 Speaker 1: inclined to maybe hate on the movie, you do see 89 00:04:32,120 --> 00:04:34,680 Speaker 1: it and then go aha, you give them that look. 90 00:04:35,920 --> 00:04:38,440 Speaker 1: We were looking for ways, and we, to be quite honest, 91 00:04:38,440 --> 00:04:42,600 Speaker 1: we second guests doing the episode because we were digging 92 00:04:42,640 --> 00:04:45,719 Speaker 1: trying to find things to say to be complimentary, and 93 00:04:45,760 --> 00:04:49,000 Speaker 1: there's plenty to compliment obviously from the look, from the 94 00:04:49,040 --> 00:04:53,840 Speaker 1: singing from the talent. Yes, that's throughout again, it's Disney, 95 00:04:54,120 --> 00:04:56,000 Speaker 1: the Disney movie. You know it's gonna look a certain way, 96 00:04:56,200 --> 00:04:58,120 Speaker 1: but it didn't feel a certain way. It didn't feel 97 00:04:58,160 --> 00:05:01,200 Speaker 1: like Disney magic that were used to having, at least 98 00:05:01,240 --> 00:05:04,120 Speaker 1: to me, because even the open when they do the 99 00:05:04,160 --> 00:05:06,680 Speaker 1: whole animated thing, just the open of any movie when 100 00:05:06,680 --> 00:05:07,320 Speaker 1: it's mom. 101 00:05:07,320 --> 00:05:09,159 Speaker 2: Doom doom, doom, doom, doom. 102 00:05:09,240 --> 00:05:09,480 Speaker 3: Dude. 103 00:05:09,600 --> 00:05:11,320 Speaker 2: Yeah, the fireworks and you see the castle. 104 00:05:11,440 --> 00:05:14,719 Speaker 1: Yes, you just kind of you just kind of get emotional, like, ah, right, 105 00:05:14,760 --> 00:05:17,000 Speaker 1: here we go, Disney about to take us on this ride. 106 00:05:17,200 --> 00:05:20,560 Speaker 2: That was the most magical moment in the theater today? 107 00:05:20,880 --> 00:05:21,520 Speaker 2: Was that open? 108 00:05:21,760 --> 00:05:24,159 Speaker 3: Something you said to me we were talking about it 109 00:05:24,160 --> 00:05:28,359 Speaker 3: when we first came out, and you said, it wasn't magical. 110 00:05:28,960 --> 00:05:32,159 Speaker 3: It didn't feel magical, and that is what we have 111 00:05:32,279 --> 00:05:35,960 Speaker 3: come to expect from Disney films. And we kind of 112 00:05:36,320 --> 00:05:41,360 Speaker 3: landed on this look snow white as inappropriate now as 113 00:05:41,400 --> 00:05:45,279 Speaker 3: it may seem. In nineteen thirty seven was a fairy tale, 114 00:05:45,320 --> 00:05:46,919 Speaker 3: and so a lot of us grew up watching this 115 00:05:47,120 --> 00:05:51,160 Speaker 3: fairy tale. It was fantasy, it wasn't reality. And I 116 00:05:51,240 --> 00:05:55,880 Speaker 3: think when sometimes we try, with the best of intentions 117 00:05:55,880 --> 00:05:59,640 Speaker 3: to make things more realistic or more modern, we lose 118 00:05:59,640 --> 00:06:01,719 Speaker 3: the fan to see, we lose the fairy tale. So 119 00:06:01,800 --> 00:06:04,640 Speaker 3: in the retelling, it's got to be so hard to 120 00:06:04,680 --> 00:06:08,920 Speaker 3: thread that needle to still have it be aspirational and 121 00:06:09,000 --> 00:06:13,560 Speaker 3: yet modern. And I just I've said this before and 122 00:06:13,800 --> 00:06:16,160 Speaker 3: they did. Let me just say, I was actually a 123 00:06:16,160 --> 00:06:19,760 Speaker 3: little surprised they did have the prince who ended up 124 00:06:19,760 --> 00:06:24,039 Speaker 3: being more of a vagabond turned you know, love intes 125 00:06:24,160 --> 00:06:25,840 Speaker 3: you're going to get into Jonathan p He wasn't really 126 00:06:25,839 --> 00:06:32,080 Speaker 3: a Prince Charming, but his kiss did save snow White, 127 00:06:32,120 --> 00:06:34,240 Speaker 3: which I actually thought they were gonna not do, so 128 00:06:34,320 --> 00:06:37,160 Speaker 3: that actually surprised me a little bit. But so they 129 00:06:37,240 --> 00:06:39,520 Speaker 3: kept that part of it. But I do think that 130 00:06:39,600 --> 00:06:42,920 Speaker 3: when you when you try so hard to be realistic, 131 00:06:44,560 --> 00:06:46,600 Speaker 3: is it wrong to dream of prince Charming? I think 132 00:06:46,600 --> 00:06:48,440 Speaker 3: it's like you go too far in one direction where 133 00:06:48,560 --> 00:06:52,120 Speaker 3: somehow it's not okay to be the girl who dreams 134 00:06:52,160 --> 00:06:53,240 Speaker 3: of marrying prince. 135 00:06:53,600 --> 00:06:55,600 Speaker 2: So is that so stick with that? 136 00:06:55,960 --> 00:06:56,000 Speaker 3: It? 137 00:06:56,400 --> 00:07:01,240 Speaker 1: Should we not have fantasy or fairy tale. Should we 138 00:07:01,320 --> 00:07:05,080 Speaker 1: not have anyone or put out any image, any media, 139 00:07:05,120 --> 00:07:09,159 Speaker 1: any movie that essentially presents a woman, a young woman 140 00:07:09,279 --> 00:07:12,120 Speaker 1: in a position that she's waiting on prince charming or 141 00:07:12,120 --> 00:07:14,520 Speaker 1: someone who comes save her, a damsel in distress? Can 142 00:07:14,520 --> 00:07:17,520 Speaker 1: we not do that? Because I said the magic was gone. 143 00:07:17,520 --> 00:07:19,920 Speaker 1: But a part of this movie is the fantasy that 144 00:07:20,000 --> 00:07:22,200 Speaker 1: this will never happen. Some dude on a white horse 145 00:07:22,280 --> 00:07:24,360 Speaker 1: is not gonna be riding through some sing a song. 146 00:07:24,440 --> 00:07:27,640 Speaker 1: It's just fantasy. Can we not have it? 147 00:07:27,800 --> 00:07:30,080 Speaker 3: But I just think it's okay to have that and 148 00:07:30,160 --> 00:07:33,800 Speaker 3: have other stories that tell other types of fantasies and 149 00:07:33,840 --> 00:07:36,920 Speaker 3: other types of aspirations. And I think it's okay to 150 00:07:37,000 --> 00:07:41,440 Speaker 3: still have these nostalgic fairy tales where yeah, the girl 151 00:07:41,520 --> 00:07:44,040 Speaker 3: dreams of her prince. And it's okay because I think 152 00:07:44,040 --> 00:07:46,320 Speaker 3: we have enough other modern stories that I don't think 153 00:07:46,360 --> 00:07:49,800 Speaker 3: little girls today are confused at their ability to tell 154 00:07:49,840 --> 00:07:52,520 Speaker 3: their own stories. And I think it's still okay. There 155 00:07:52,520 --> 00:07:55,840 Speaker 3: are still plenty of young women and girls out there 156 00:07:55,880 --> 00:07:57,600 Speaker 3: who say, yeah, you know what I want to be. 157 00:07:57,760 --> 00:07:59,280 Speaker 3: I want to be a wife and I want to 158 00:07:59,280 --> 00:08:02,640 Speaker 3: be a mom. And that's a really important, big role, 159 00:08:03,080 --> 00:08:05,040 Speaker 3: and we I don't need to have all the other 160 00:08:05,080 --> 00:08:07,440 Speaker 3: stuff forced down my throat that I have to be 161 00:08:07,880 --> 00:08:09,840 Speaker 3: a lawyer, I have to be a doctor, I have 162 00:08:09,920 --> 00:08:11,760 Speaker 3: to do everything. Like I think it's great to have 163 00:08:11,880 --> 00:08:14,360 Speaker 3: all these different types of stories and we don't have 164 00:08:14,480 --> 00:08:18,400 Speaker 3: to erase the story of the girl wanting to end 165 00:08:18,480 --> 00:08:19,040 Speaker 3: up with the man. 166 00:08:28,080 --> 00:08:28,520 Speaker 2: So they did. 167 00:08:28,600 --> 00:08:31,640 Speaker 1: They did in this retelling, and that's what they call it, 168 00:08:31,720 --> 00:08:35,880 Speaker 1: right retelling. There was not a moment even when her 169 00:08:35,960 --> 00:08:39,280 Speaker 1: life was threatened, when she had nothing to defend herself 170 00:08:39,280 --> 00:08:42,120 Speaker 1: on her and a grown man had a knife to 171 00:08:42,160 --> 00:08:44,920 Speaker 1: her chest, she didn't back down. She didn't coward in 172 00:08:44,960 --> 00:08:48,640 Speaker 1: the least bit. They showed strength from her throughout. 173 00:08:48,920 --> 00:08:49,640 Speaker 2: I guess I was. 174 00:08:50,000 --> 00:08:51,520 Speaker 1: I mean, we were just watching and again we have 175 00:08:51,600 --> 00:08:54,320 Speaker 1: it on in the background, but that same scene, this 176 00:08:54,440 --> 00:08:57,480 Speaker 1: snow white arms up, coward trying to defend herself and 177 00:08:57,720 --> 00:08:58,280 Speaker 1: backed off. 178 00:08:58,640 --> 00:09:02,000 Speaker 3: Yeah, that's what probably, That's what I would do. So 179 00:09:02,080 --> 00:09:05,080 Speaker 3: it's like, you know it, Sometimes I feel like it's 180 00:09:05,120 --> 00:09:07,920 Speaker 3: trying too hard to say, yes, women are strong, Yes 181 00:09:08,040 --> 00:09:10,520 Speaker 3: girls can fight back, and I get that, but I 182 00:09:10,559 --> 00:09:12,760 Speaker 3: also feel like sometimes you can try too hard and 183 00:09:12,800 --> 00:09:15,839 Speaker 3: it feels false. It feels pushed, and it almost undoes 184 00:09:16,160 --> 00:09:18,360 Speaker 3: what you're trying, the message you're trying to send. It 185 00:09:18,440 --> 00:09:20,839 Speaker 3: almost makes it feel like a false message. So I 186 00:09:21,480 --> 00:09:23,640 Speaker 3: cringed a little bit at that. We don't need to 187 00:09:23,760 --> 00:09:28,120 Speaker 3: push so hard that all girls and all these she's fearless. Now, 188 00:09:28,160 --> 00:09:32,599 Speaker 3: it's okay to be afraid. It's okay to it's okay 189 00:09:33,000 --> 00:09:35,720 Speaker 3: to want the guy. I just like it's okay, Like 190 00:09:35,800 --> 00:09:37,360 Speaker 3: I don't think it all has to be one or 191 00:09:37,400 --> 00:09:40,120 Speaker 3: the other. And strength means that you're unafraid, and that 192 00:09:40,200 --> 00:09:42,840 Speaker 3: strength means you don't want the guy. Strength means you 193 00:09:42,840 --> 00:09:45,880 Speaker 3: can do it on your own. I think they all 194 00:09:45,920 --> 00:09:48,199 Speaker 3: can be true. So it's a little That's where I 195 00:09:48,320 --> 00:09:50,640 Speaker 3: got a little annoyed. Even as a woman and as 196 00:09:50,640 --> 00:09:54,000 Speaker 3: a mom of two daughters, I'm all about female empowerment, 197 00:09:54,040 --> 00:09:56,400 Speaker 3: but we don't need to go so far that it 198 00:09:56,440 --> 00:10:01,080 Speaker 3: becomes unrealistic or somehow it's negative to to be afraid 199 00:10:01,200 --> 00:10:03,640 Speaker 3: or to want the guy. That's where I have a problem. 200 00:10:03,679 --> 00:10:05,760 Speaker 2: A lot of it felt like lip service. It didn't 201 00:10:05,800 --> 00:10:06,800 Speaker 2: feel genuine. 202 00:10:06,800 --> 00:10:11,040 Speaker 1: It didn't feel like there was an authentic story necessarily 203 00:10:11,160 --> 00:10:14,160 Speaker 1: or a authentic emotion that was coming out of anybody. 204 00:10:14,200 --> 00:10:16,000 Speaker 1: It was just a ligne here or line there, kind 205 00:10:16,000 --> 00:10:18,440 Speaker 1: of like we were checking boxes of what's supposed to do. 206 00:10:18,559 --> 00:10:21,240 Speaker 1: Says yes, that is sohow so much of the movie 207 00:10:21,280 --> 00:10:23,439 Speaker 1: felt like we were checking boxes. 208 00:10:23,080 --> 00:10:24,720 Speaker 3: And you just nailed it. Here was another thing that 209 00:10:24,760 --> 00:10:27,200 Speaker 3: you pointed out. There's so many things to get to, 210 00:10:27,280 --> 00:10:30,280 Speaker 3: but this was one where they made a point at 211 00:10:30,320 --> 00:10:34,240 Speaker 3: the end to act as though mirror mirror on the wall, 212 00:10:34,320 --> 00:10:37,080 Speaker 3: who's the fairest of them all? That it really was 213 00:10:37,160 --> 00:10:42,319 Speaker 3: about inner beauty and not outward beauty. And Okay, I understand, 214 00:10:42,520 --> 00:10:46,080 Speaker 3: I get it, but you're also taking away the whole 215 00:10:46,160 --> 00:10:50,080 Speaker 3: point of the film, which was that the evil stepmother, 216 00:10:50,480 --> 00:10:55,280 Speaker 3: the Evil Queen was jealous of snow White's physical beauty. 217 00:10:55,400 --> 00:10:58,520 Speaker 3: So I just that was also to me a little 218 00:10:58,559 --> 00:11:02,640 Speaker 3: too forced and a wishing of oh no, the beauty 219 00:11:02,720 --> 00:11:06,120 Speaker 3: is from within, and that just was not true to 220 00:11:06,160 --> 00:11:09,720 Speaker 3: the original story and just didn't make sense with what 221 00:11:09,840 --> 00:11:13,960 Speaker 3: we saw in the story about gal Gado's character being 222 00:11:14,200 --> 00:11:17,840 Speaker 3: physically jealous of snow White's physical beauty. 223 00:11:17,880 --> 00:11:19,600 Speaker 1: You know, this one way to put it as well, 224 00:11:19,640 --> 00:11:21,000 Speaker 1: some of the things we've gone through here, But there 225 00:11:21,000 --> 00:11:25,600 Speaker 1: were too many times you me Sabine I'm sitting in 226 00:11:25,600 --> 00:11:28,400 Speaker 1: between you two. There was too many times where I 227 00:11:28,520 --> 00:11:31,280 Speaker 1: look over at you, look over at her. We're looking. 228 00:11:31,360 --> 00:11:34,480 Speaker 1: We rolled our eyes yes, when a line was said 229 00:11:34,600 --> 00:11:38,040 Speaker 1: or a moment happened, like seriously, I just come on 230 00:11:38,840 --> 00:11:43,360 Speaker 1: and look, it's difficult to This is how it read 231 00:11:43,360 --> 00:11:45,480 Speaker 1: to us. There are people out there who loved it 232 00:11:45,559 --> 00:11:47,520 Speaker 1: and loved the new message and love the update. 233 00:11:47,720 --> 00:11:48,959 Speaker 2: I don't know if it's because we. 234 00:11:48,960 --> 00:11:51,480 Speaker 1: Are a little older, a little old school and grew up, 235 00:11:51,520 --> 00:11:54,319 Speaker 1: and maybe that's the case and this one. There are 236 00:11:54,400 --> 00:11:56,360 Speaker 1: plenty of people out there who are gonna love this movie. 237 00:11:56,640 --> 00:11:59,400 Speaker 1: It just it felt this way to us coming out 238 00:11:59,400 --> 00:12:01,720 Speaker 1: of there. And it started off the jump. I talked 239 00:12:01,760 --> 00:12:05,480 Speaker 1: about the open, just the Disney open, But when the 240 00:12:05,520 --> 00:12:08,840 Speaker 1: movie started, the first scene was essentially an explanation of 241 00:12:08,880 --> 00:12:11,360 Speaker 1: the name, and that was when the first rolling of 242 00:12:11,360 --> 00:12:13,800 Speaker 1: the eyes took place. You got to explain why you 243 00:12:13,840 --> 00:12:15,600 Speaker 1: don't have a white girl playing snow. 244 00:12:15,400 --> 00:12:18,160 Speaker 3: White whose skin is white as snow. So they made 245 00:12:18,200 --> 00:12:20,840 Speaker 3: this whole big scene about a snowstorm and how the 246 00:12:20,880 --> 00:12:23,160 Speaker 3: baby was born in the snowstorm and that's why her 247 00:12:23,240 --> 00:12:26,599 Speaker 3: name was snow White. So they're already trying to explain. 248 00:12:26,760 --> 00:12:27,360 Speaker 2: In a. 249 00:12:28,880 --> 00:12:30,800 Speaker 3: I don't know and a woke away. You know, we 250 00:12:30,880 --> 00:12:33,720 Speaker 3: don't just have a white girl whose skin is white 251 00:12:33,720 --> 00:12:36,840 Speaker 3: as snow. It just already felt forced from the beginning. 252 00:12:36,960 --> 00:12:38,439 Speaker 3: So yes, that was the first eye roll. 253 00:12:38,559 --> 00:12:40,800 Speaker 1: That's how it felt forced. And it almost seemed like 254 00:12:40,800 --> 00:12:43,200 Speaker 1: a throwaway because it wasn't a long scene, I mean 255 00:12:43,480 --> 00:12:44,560 Speaker 1: no minutes. 256 00:12:44,760 --> 00:12:48,440 Speaker 3: Yes. And the other thing I thought was interesting, well, 257 00:12:49,120 --> 00:12:54,240 Speaker 3: we haven't even discussed or addressed the CGI dwarves, so 258 00:12:55,760 --> 00:12:58,840 Speaker 3: a lot was made of this. And Peter Dinklice, who 259 00:12:59,120 --> 00:13:03,040 Speaker 3: we've I love, who was brilliant, you know, certainly spoke 260 00:13:03,080 --> 00:13:06,040 Speaker 3: about how, oh you're going to modernize snow White, You're 261 00:13:06,080 --> 00:13:08,480 Speaker 3: going to make her empowered, Yet you're going to leave 262 00:13:08,720 --> 00:13:12,920 Speaker 3: these dwarves, you know, as these cavemen who can't help 263 00:13:12,960 --> 00:13:15,200 Speaker 3: themselves and need a woman to come in and fix 264 00:13:15,280 --> 00:13:17,200 Speaker 3: their lives for them. In addition to the fact that 265 00:13:17,240 --> 00:13:21,400 Speaker 3: you're not casting actual dwarfs who would love to be 266 00:13:21,440 --> 00:13:24,640 Speaker 3: employed and probably play a role of a lifetime that 267 00:13:24,720 --> 00:13:27,200 Speaker 3: was made for them, that was literally written for them. 268 00:13:27,960 --> 00:13:30,319 Speaker 3: As I was watching the movie, two things stood out 269 00:13:30,360 --> 00:13:32,679 Speaker 3: to me. First of all, I think it was highly 270 00:13:32,720 --> 00:13:36,319 Speaker 3: offensive that they were the only human CGI. The other 271 00:13:36,400 --> 00:13:40,240 Speaker 3: CGIs were the birds and the squirrels and the forest animals, 272 00:13:40,280 --> 00:13:44,959 Speaker 3: and so that is just innately offensive in and of itself, 273 00:13:45,040 --> 00:13:48,560 Speaker 3: I would imagine. And then I just felt like the 274 00:13:48,600 --> 00:13:53,320 Speaker 3: acting suffered because it just felt like I was watching 275 00:13:53,400 --> 00:13:57,720 Speaker 3: Rachel Zegler talk to a siege like to nothing. You 276 00:13:57,760 --> 00:14:00,400 Speaker 3: didn't feel a connection. As much as we loved the 277 00:14:00,440 --> 00:14:05,360 Speaker 3: Dopey character who was CGI, it the connection wasn't able 278 00:14:05,360 --> 00:14:07,400 Speaker 3: to be what it could have been had there actually 279 00:14:07,480 --> 00:14:13,199 Speaker 3: been actors. 280 00:14:17,800 --> 00:14:19,720 Speaker 1: Is it fair to say that so much of the 281 00:14:19,800 --> 00:14:22,600 Speaker 1: charm and warmth and fun of this movie the original 282 00:14:22,800 --> 00:14:24,040 Speaker 1: was in the seven Dwarfs? 283 00:14:24,040 --> 00:14:26,160 Speaker 3: Absolutely right, Yes, this. 284 00:14:26,160 --> 00:14:29,640 Speaker 1: Their little personalities and all that came through in that one. 285 00:14:29,720 --> 00:14:31,600 Speaker 2: It didn't come through in this one. For whatever reason, 286 00:14:32,440 --> 00:14:32,960 Speaker 2: it just didn't. 287 00:14:33,280 --> 00:14:36,120 Speaker 3: Was because there weren't humans emoting. 288 00:14:35,640 --> 00:14:39,280 Speaker 1: That grumpy I just they didn't stand out. Now, Dopey 289 00:14:39,520 --> 00:14:41,520 Speaker 1: is a big deal for a lot of reasons. In 290 00:14:41,560 --> 00:14:44,240 Speaker 1: the movie, he just happened to be a he was 291 00:14:44,280 --> 00:14:47,000 Speaker 1: then did he play that central of a role in 292 00:14:46,840 --> 00:14:48,520 Speaker 1: the original He was. 293 00:14:48,480 --> 00:14:51,920 Speaker 3: The young you know, is he the young the younger 294 00:14:52,000 --> 00:14:55,400 Speaker 3: dwarf who had like the oversized clothes. Yes, but he didn't. 295 00:14:55,120 --> 00:14:59,760 Speaker 1: Speak, didn't speak well. Dopey has a voice that. 296 00:14:59,760 --> 00:15:02,760 Speaker 3: Was that was probably the highlight of the movie for 297 00:15:02,840 --> 00:15:04,680 Speaker 3: all of us. We agreed. When we walked out of 298 00:15:04,680 --> 00:15:05,840 Speaker 3: the theater, Dopey. 299 00:15:05,600 --> 00:15:09,920 Speaker 1: The Cgidope looked like what a nine year old boy 300 00:15:09,960 --> 00:15:12,640 Speaker 1: maybe possibly living with all these grown men. 301 00:15:12,720 --> 00:15:12,960 Speaker 3: It was. 302 00:15:13,080 --> 00:15:15,760 Speaker 1: It was odd, but he had a particular look to him. 303 00:15:15,880 --> 00:15:17,520 Speaker 2: He has one dancing scene. 304 00:15:17,680 --> 00:15:18,360 Speaker 3: It's hilarious. 305 00:15:18,440 --> 00:15:19,040 Speaker 2: That's hilarious. 306 00:15:19,080 --> 00:15:21,840 Speaker 3: Okay, we did laugh. That was a joyful moment watching 307 00:15:21,840 --> 00:15:25,560 Speaker 3: the movie. We all enjoyed it. We weren't laughing at 308 00:15:25,600 --> 00:15:28,280 Speaker 3: it or we were actually laughing with it. It felt 309 00:15:28,400 --> 00:15:30,960 Speaker 3: fun and it was all Dope. He stole the. 310 00:15:30,960 --> 00:15:33,640 Speaker 1: Scene, but he had a central He became very much 311 00:15:33,640 --> 00:15:37,680 Speaker 1: a central character in a I guess All this really 312 00:15:37,720 --> 00:15:39,800 Speaker 1: pulls down to is know why trying to take back 313 00:15:39,840 --> 00:15:43,840 Speaker 1: over the kingdom. Yes, and so there's almost she leads 314 00:15:43,880 --> 00:15:48,160 Speaker 1: a band of I guess woods. 315 00:15:47,800 --> 00:15:48,920 Speaker 2: Misfits yes. 316 00:15:50,480 --> 00:15:52,200 Speaker 3: To do it and you no, not. 317 00:15:52,160 --> 00:15:53,200 Speaker 2: A weapon in hand? 318 00:15:53,360 --> 00:15:57,840 Speaker 3: No? And look, that general theme holds another point that 319 00:15:58,480 --> 00:16:01,080 Speaker 3: Gal Gadot, you know, it's fun. With all of the 320 00:16:01,160 --> 00:16:05,240 Speaker 3: controversies about this film coming into the film, none of 321 00:16:05,240 --> 00:16:08,040 Speaker 3: that was what I was even thinking about. It had 322 00:16:08,160 --> 00:16:10,560 Speaker 3: zero impact on me watching the film. There were so 323 00:16:10,640 --> 00:16:13,760 Speaker 3: many other things that were I was focused on that. 324 00:16:13,840 --> 00:16:16,160 Speaker 3: It's funny that all the noise we heard about that 325 00:16:16,480 --> 00:16:20,720 Speaker 3: maybe prevented people from going to the theater, That like wasn't 326 00:16:20,840 --> 00:16:23,920 Speaker 3: even a part of the equation in terms of how 327 00:16:23,920 --> 00:16:28,479 Speaker 3: we felt about the film. But you know, she didn't. 328 00:16:28,960 --> 00:16:32,240 Speaker 3: She wasn't scary. You know, you almost wanted her. She 329 00:16:32,320 --> 00:16:36,240 Speaker 3: needed to be more frightening, more menacing, more It was 330 00:16:36,760 --> 00:16:38,680 Speaker 3: I don't know, it just was flat for me. And 331 00:16:38,720 --> 00:16:41,360 Speaker 3: so that was also another part that was really missing, 332 00:16:41,360 --> 00:16:44,240 Speaker 3: as there was no fear there. So we have a 333 00:16:44,280 --> 00:16:49,520 Speaker 3: fearless heroine who stands up to anything in anyone, even 334 00:16:49,560 --> 00:16:52,400 Speaker 3: with a dagger in, you know, right up to her neck, 335 00:16:52,440 --> 00:16:55,280 Speaker 3: and then you've got a villain who isn't terrifying. So 336 00:16:55,400 --> 00:16:58,160 Speaker 3: it like who am I? Who am I rooting for? 337 00:16:58,200 --> 00:17:01,480 Speaker 3: Who am I scared for? I didn't feel anything deeply 338 00:17:01,600 --> 00:17:04,240 Speaker 3: because I don't think that either one of the heroines 339 00:17:04,280 --> 00:17:07,280 Speaker 3: played or the heroine or the villain played them the 340 00:17:07,320 --> 00:17:09,159 Speaker 3: way they were originally played because they wanted to make 341 00:17:09,200 --> 00:17:09,760 Speaker 3: them different. 342 00:17:09,880 --> 00:17:11,960 Speaker 2: Right, That's okay, Right, that's okay. 343 00:17:12,040 --> 00:17:14,439 Speaker 3: It just left it left It left me, you know 344 00:17:14,480 --> 00:17:17,320 Speaker 3: what someone said, Hi ho hum, and I when I 345 00:17:17,359 --> 00:17:20,560 Speaker 3: saw that as one of the reviews, that kind of 346 00:17:20,640 --> 00:17:23,320 Speaker 3: is what you're left with when you don't when you 347 00:17:23,320 --> 00:17:25,080 Speaker 3: aren't willing to take a stand on either way, you're 348 00:17:25,080 --> 00:17:29,119 Speaker 3: trying to play it safe. Basically from a retelling perspective, 349 00:17:29,520 --> 00:17:33,960 Speaker 3: you end up either offending everybody or affecting no one. 350 00:17:34,000 --> 00:17:35,440 Speaker 3: And I feel like it kind of did both. 351 00:17:36,359 --> 00:17:38,040 Speaker 2: Oh, they took a shot. 352 00:17:38,640 --> 00:17:41,080 Speaker 1: I hate to deal with that word woke so much 353 00:17:41,119 --> 00:17:44,480 Speaker 1: and wokeness and what anybody was going for on this movie. Look, 354 00:17:44,680 --> 00:17:47,320 Speaker 1: I'm okay with them taking the liberties, and they have 355 00:17:47,400 --> 00:17:50,000 Speaker 1: to be okay with folks like you and me not 356 00:17:50,200 --> 00:17:53,080 Speaker 1: really saying it's our thing, right, And that's okay. 357 00:17:53,119 --> 00:17:53,560 Speaker 2: I think it was. 358 00:17:53,720 --> 00:17:56,359 Speaker 1: I loved her outfit, that yellow skirt. I thought that 359 00:17:56,440 --> 00:17:59,800 Speaker 1: was beautiful throughout she there is a zero question about 360 00:17:59,800 --> 00:18:00,639 Speaker 1: her singing talent. 361 00:18:01,160 --> 00:18:01,919 Speaker 3: She's phenomenal. 362 00:18:02,040 --> 00:18:05,840 Speaker 1: Virgil Zeggler, who else gave us a good performance the 363 00:18:05,960 --> 00:18:09,600 Speaker 1: Jonathan Okay, let's let's deal with it. Oh, yes, right, yes, 364 00:18:10,000 --> 00:18:13,400 Speaker 1: we just watched. In the original, she meets the guy 365 00:18:13,440 --> 00:18:15,840 Speaker 1: because he rolls up on a white horse. Yes, yes, 366 00:18:15,960 --> 00:18:17,000 Speaker 1: finds her in the wood. 367 00:18:16,840 --> 00:18:19,240 Speaker 3: Prince Charming, literally Prince Charming. 368 00:18:19,520 --> 00:18:21,880 Speaker 2: How does she find this guy? How'd they meet? 369 00:18:22,080 --> 00:18:24,719 Speaker 3: Wait? He was stealing Oh yes, right, he was stealing 370 00:18:24,720 --> 00:18:28,680 Speaker 3: potatoes from the castle, and so, yes he was. That's 371 00:18:28,840 --> 00:18:32,639 Speaker 3: very much like Tangled. He's he's the thief for the 372 00:18:32,800 --> 00:18:35,640 Speaker 3: you know, just kind of a petty thief who's wanted 373 00:18:35,680 --> 00:18:38,199 Speaker 3: by the law. That's where I saw a little Tangled, ESK. 374 00:18:38,280 --> 00:18:40,119 Speaker 3: What they missed is they didn't have the snark and 375 00:18:40,160 --> 00:18:42,520 Speaker 3: the wit that you got with Tangled. This was just 376 00:18:42,600 --> 00:18:46,400 Speaker 3: kind of a yeah, I'm stealing potatoes and that was it, 377 00:18:47,040 --> 00:18:51,520 Speaker 3: and she was, you know, trying to fend for him. 378 00:18:51,800 --> 00:18:57,520 Speaker 3: It's just h meh. I didn't I didn't feel the chemistry. Also, 379 00:18:57,520 --> 00:18:59,840 Speaker 3: I didn't feel chemistry between that was my word. Next, 380 00:19:00,480 --> 00:19:03,800 Speaker 3: I did not feel it between any of the characters. So, 381 00:19:04,560 --> 00:19:06,880 Speaker 3: you know, I'm glad we saw it because I think 382 00:19:07,000 --> 00:19:08,960 Speaker 3: just with so much being written about it, so much 383 00:19:09,000 --> 00:19:14,560 Speaker 3: being said about it, and so much controversy in the beginning, 384 00:19:14,560 --> 00:19:17,720 Speaker 3: like before we even knew anything about it, that actually 385 00:19:17,800 --> 00:19:20,760 Speaker 3: had zero impact on how I feel about the actual movie. 386 00:19:21,119 --> 00:19:24,200 Speaker 3: What people were concerned about in terms of what Rachel 387 00:19:24,280 --> 00:19:28,840 Speaker 3: Zeckler said about Trump supporters, or what Gal Gadote said 388 00:19:28,880 --> 00:19:34,400 Speaker 3: about Israel, or about any of the other issues, even 389 00:19:34,480 --> 00:19:36,720 Speaker 3: the modernizing of the tale. I was interested to see 390 00:19:36,720 --> 00:19:39,359 Speaker 3: what it would look like. So none of that actually 391 00:19:39,400 --> 00:19:42,320 Speaker 3: factored into what my ultimate feeling was about the movie when. 392 00:19:42,200 --> 00:19:43,640 Speaker 2: I watched it, not in the least bit. 393 00:19:43,760 --> 00:19:46,879 Speaker 1: And for folks that don't know, if you've seen the headlines, 394 00:19:47,920 --> 00:19:49,960 Speaker 1: the movie did make forty three million dollars the box 395 00:19:50,000 --> 00:19:51,200 Speaker 1: office opening weekend. 396 00:19:51,520 --> 00:19:52,280 Speaker 2: That's a problem. 397 00:19:52,400 --> 00:19:54,560 Speaker 1: It's a problem because it cost two hundred and fifty 398 00:19:54,560 --> 00:19:58,040 Speaker 1: million dollars to make, and that's before any advertising costs. 399 00:19:58,040 --> 00:20:01,199 Speaker 1: It needs to have a good long theat run. The 400 00:20:01,280 --> 00:20:03,919 Speaker 1: problem now is going to be Other Disney films have 401 00:20:04,040 --> 00:20:08,400 Speaker 1: come out thirty five forty plus million dollars, but they 402 00:20:08,400 --> 00:20:10,200 Speaker 1: had legs because of a good word of mouth. 403 00:20:10,280 --> 00:20:10,960 Speaker 3: Word of mouth. 404 00:20:11,119 --> 00:20:12,840 Speaker 1: This I don't know if people are going to run 405 00:20:12,840 --> 00:20:14,439 Speaker 1: out and tell other folks you got to see this 406 00:20:14,560 --> 00:20:15,919 Speaker 1: movie or go check it out. 407 00:20:16,000 --> 00:20:20,240 Speaker 2: There was curiosity and ours was curiosity. Yes, I don't know. 408 00:20:20,720 --> 00:20:22,560 Speaker 1: It doesn't have competition in the box office for the 409 00:20:22,640 --> 00:20:26,280 Speaker 1: next couple weeks. Also, that's good, but are you gonna 410 00:20:26,800 --> 00:20:27,800 Speaker 1: I don't know if it's had legs. 411 00:20:27,840 --> 00:20:30,320 Speaker 3: I don't think that. I think that if you've got 412 00:20:30,400 --> 00:20:33,480 Speaker 3: kids and who want to go see this movie, they 413 00:20:33,720 --> 00:20:36,160 Speaker 3: will love it. It will be a hit with them. 414 00:20:36,280 --> 00:20:39,359 Speaker 3: And I think that there will always be those families 415 00:20:39,400 --> 00:20:42,639 Speaker 3: who will be looking for something fun and sweet and 416 00:20:42,720 --> 00:20:45,000 Speaker 3: family friendly for their kids to see. But is this 417 00:20:45,040 --> 00:20:47,440 Speaker 3: a word of mouth movie where adult to adult, because 418 00:20:47,480 --> 00:20:50,600 Speaker 3: there are you know, they have hit some out of 419 00:20:50,600 --> 00:20:52,760 Speaker 3: the ballpark where we're like, wow, my kids loved it. 420 00:20:52,840 --> 00:20:54,760 Speaker 3: But I kind of even liked it more because of 421 00:20:54,800 --> 00:20:58,919 Speaker 3: all the funny lines and just the clever dialogue that 422 00:20:59,080 --> 00:21:02,000 Speaker 3: just reels in the adult so that that was not 423 00:21:02,400 --> 00:21:06,240 Speaker 3: here for me in this movie, and that's what's missing. 424 00:21:06,320 --> 00:21:09,639 Speaker 1: I think we want it so badly to like this movie. 425 00:21:10,160 --> 00:21:12,760 Speaker 1: But we shall see, shall see what happens in the 426 00:21:13,320 --> 00:21:17,080 Speaker 1: coming weeks. But it got an uphill climb. It's hard 427 00:21:17,119 --> 00:21:20,160 Speaker 1: now after seeing it to go while it's too bad 428 00:21:20,160 --> 00:21:23,360 Speaker 1: about the controversies, it's hard now to go, Oh, it's 429 00:21:23,400 --> 00:21:26,720 Speaker 1: too bad that that actors said that it's too bad 430 00:21:26,840 --> 00:21:30,879 Speaker 1: that people are now and I'm saying it's too bad 431 00:21:31,000 --> 00:21:35,600 Speaker 1: that that product probably is not going to get people 432 00:21:35,720 --> 00:21:36,760 Speaker 1: running to the theater. 433 00:21:37,000 --> 00:21:39,200 Speaker 2: Yeah, it's not about the controversies anymore. 434 00:21:39,280 --> 00:21:41,600 Speaker 3: That's true, but I still think it's worth it. It's an 435 00:21:41,640 --> 00:21:45,640 Speaker 3: interesting social conversation within even your own family or friend 436 00:21:45,680 --> 00:21:49,160 Speaker 3: group to watch the original and then to watch what's 437 00:21:49,240 --> 00:21:52,800 Speaker 3: just been released. And maybe the value could be that 438 00:21:53,080 --> 00:21:56,960 Speaker 3: it sparks the conversation about what's appropriate, what's not, how 439 00:21:57,000 --> 00:22:01,640 Speaker 3: we address communities, how we address us, female empowerment, all 440 00:22:01,680 --> 00:22:06,879 Speaker 3: of that. If it leads to interesting conversations and minds 441 00:22:06,880 --> 00:22:09,359 Speaker 3: that open just a little bit, and even perhaps people 442 00:22:09,440 --> 00:22:12,040 Speaker 3: saying we could have done that better, it's not a 443 00:22:12,080 --> 00:22:12,399 Speaker 3: bad thing. 444 00:22:12,520 --> 00:22:14,640 Speaker 1: Yeah, and we'll all learn something from maybe next time 445 00:22:14,680 --> 00:22:17,520 Speaker 1: and some remake, we'll learn to do this. So don't 446 00:22:17,560 --> 00:22:19,399 Speaker 1: go too far this way. Or maybe it's okay if 447 00:22:19,440 --> 00:22:21,119 Speaker 1: that person is white, or maybe it's okay if that 448 00:22:21,240 --> 00:22:23,439 Speaker 1: character stays black, it's okay. 449 00:22:24,760 --> 00:22:25,600 Speaker 2: I think that's all right. 450 00:22:25,720 --> 00:22:28,520 Speaker 1: And again I would just want to give them because 451 00:22:28,560 --> 00:22:31,159 Speaker 1: Gal Gadot does one. I've never met Rachel Zeckler, but 452 00:22:31,280 --> 00:22:33,920 Speaker 1: I mean, these are folks we're fans of, and we 453 00:22:34,040 --> 00:22:37,600 Speaker 1: hate that their product is Wait, we don't want to 454 00:22:37,680 --> 00:22:38,399 Speaker 1: align it anymore. 455 00:22:38,400 --> 00:22:39,840 Speaker 2: It's already been maligning. We give our. 456 00:22:39,760 --> 00:22:43,440 Speaker 1: Impressions here, but just the work the beauty of it. 457 00:22:43,440 --> 00:22:45,919 Speaker 1: It looks like Disney, it just didn't feel like Disney. 458 00:22:45,960 --> 00:22:48,240 Speaker 3: That's true. It's a good way to put it. Well, 459 00:22:48,240 --> 00:22:51,120 Speaker 3: we want to thank you for listening to this episode 460 00:22:51,160 --> 00:22:52,800 Speaker 3: of Amy and tj. I hope you have a wonderful 461 00:22:52,840 --> 00:22:54,120 Speaker 3: day everyone, and we'll see you next time. 462 00:23:01,000 --> 00:23:04,240 Speaker 2: The Tations, the att