1 00:00:00,160 --> 00:00:02,680 Speaker 1: Hello, and welcome back to movie Mike's Movie Podcast. I 2 00:00:02,759 --> 00:00:05,240 Speaker 1: am your host Movie Mike. Today we're diving into one 3 00:00:05,280 --> 00:00:08,320 Speaker 1: of my favorite movie topics of all time, the dark 4 00:00:08,400 --> 00:00:11,600 Speaker 1: truth about the Wizard of Oz. All the crazy things 5 00:00:12,119 --> 00:00:16,040 Speaker 1: that happened behind the scenes and the blood, the sweat, 6 00:00:16,239 --> 00:00:19,279 Speaker 1: the tears, the people being burned alive that went into 7 00:00:19,360 --> 00:00:22,799 Speaker 1: the making of this classic movie. In the movie review, 8 00:00:22,960 --> 00:00:26,239 Speaker 1: we'll be talking about Five Nights at Freddy's. I hated 9 00:00:26,239 --> 00:00:28,880 Speaker 1: the original, how did I feel about the sequel? In 10 00:00:28,960 --> 00:00:31,720 Speaker 1: the trailer park, I will be blind reacting to the 11 00:00:31,720 --> 00:00:35,360 Speaker 1: new Supergirl trailer it's coming out next year, and we'll 12 00:00:35,400 --> 00:00:37,600 Speaker 1: dive into what is going on with the DC universe 13 00:00:37,640 --> 00:00:40,639 Speaker 1: now that Netflix has bought Warner Brothers. Thank you for 14 00:00:40,680 --> 00:00:43,159 Speaker 1: being here, Thank you for being subscribed. Shout out to 15 00:00:43,200 --> 00:00:47,040 Speaker 1: the Monday Morning Movie crew. And now let's talk movies 16 00:00:47,640 --> 00:00:52,880 Speaker 1: from the Nashville Podcast Network. This is movie Mike's Movie Podcast. 17 00:00:53,520 --> 00:00:56,040 Speaker 1: One of my favorite movie topics to talk about of 18 00:00:56,080 --> 00:00:59,800 Speaker 1: all time is the dark truth behind the Wizard of Oz. 19 00:01:00,240 --> 00:01:03,200 Speaker 1: I have been infatuated with this movie since I was 20 00:01:03,240 --> 00:01:06,200 Speaker 1: a kid. Gave me nightmares the first time I watched it. 21 00:01:06,319 --> 00:01:09,119 Speaker 1: I always found the ten Man to be really creepy. 22 00:01:09,520 --> 00:01:12,600 Speaker 1: The scarecrow was creepy as well. And when you look 23 00:01:12,640 --> 00:01:16,520 Speaker 1: into the history of this movie, so many crazy things 24 00:01:16,640 --> 00:01:19,160 Speaker 1: happened on this set that if I could go back 25 00:01:19,400 --> 00:01:22,959 Speaker 1: in history to any time period and experience one thing, 26 00:01:23,520 --> 00:01:26,240 Speaker 1: I would want to go back to the making of 27 00:01:26,319 --> 00:01:28,440 Speaker 1: The Wizard of Oz and see how many of these 28 00:01:28,480 --> 00:01:31,679 Speaker 1: things were actually true and how many of them were 29 00:01:31,720 --> 00:01:35,400 Speaker 1: just legend. Because when you hear about the things the actors, 30 00:01:35,480 --> 00:01:39,560 Speaker 1: the extras, all the dogs involved in this movie had 31 00:01:39,600 --> 00:01:43,520 Speaker 1: to go through to get this film made, it is wild. 32 00:01:43,840 --> 00:01:46,080 Speaker 1: Also the fact that this movie is almost one hundred 33 00:01:46,200 --> 00:01:48,480 Speaker 1: years old now, and when The Wizard of Oz first 34 00:01:48,480 --> 00:01:51,760 Speaker 1: opened in theaters it was a flop. It actually lost 35 00:01:51,880 --> 00:01:55,560 Speaker 1: one point one million dollars in its initial run. But 36 00:01:55,640 --> 00:01:58,920 Speaker 1: when you look at how famous this movie is now, 37 00:01:59,560 --> 00:02:02,880 Speaker 1: argue I would say the most famous movie of all time, 38 00:02:03,280 --> 00:02:06,360 Speaker 1: being that the most people have seen it in some 39 00:02:06,680 --> 00:02:10,000 Speaker 1: form or fashion now. And even if you just make 40 00:02:10,040 --> 00:02:13,399 Speaker 1: a reference a movie quote, for the most part, everybody 41 00:02:13,520 --> 00:02:17,320 Speaker 1: knows exactly what you are talking about. And a movie 42 00:02:17,360 --> 00:02:19,959 Speaker 1: like this just could not happen today. But whenever it 43 00:02:20,080 --> 00:02:23,160 Speaker 1: first came out in theaters, did not do well. There 44 00:02:23,200 --> 00:02:25,760 Speaker 1: was actually another Tree Garland movie that came out that 45 00:02:25,800 --> 00:02:29,720 Speaker 1: same year that performed better. But now flash forward to 46 00:02:29,760 --> 00:02:33,120 Speaker 1: twenty twenty five. People are paying between one hundred and 47 00:02:33,160 --> 00:02:36,440 Speaker 1: twenty to upwards a four hundred dollars to go see 48 00:02:36,440 --> 00:02:39,160 Speaker 1: this and now makes over two million dollars a day 49 00:02:39,600 --> 00:02:41,720 Speaker 1: when it is shown at the Sphere in Vegas. And 50 00:02:41,760 --> 00:02:43,360 Speaker 1: I am one of those people. I would love to 51 00:02:43,360 --> 00:02:46,040 Speaker 1: see it in Vegas on that big screen. How they 52 00:02:46,080 --> 00:02:48,560 Speaker 1: expand all the scenes, the things that fly out at 53 00:02:48,560 --> 00:02:51,760 Speaker 1: you while you're watching it. You get the fog, you 54 00:02:51,800 --> 00:02:55,440 Speaker 1: get the fire effects, the falling leaves, the falling butterflies, 55 00:02:55,480 --> 00:02:59,160 Speaker 1: They throw apples at you, monkey props. That would be amazing. 56 00:02:59,360 --> 00:03:03,640 Speaker 1: And the that it did become famous is because, like 57 00:03:03,720 --> 00:03:06,080 Speaker 1: I was mentioning, it did not do well at the 58 00:03:06,120 --> 00:03:09,000 Speaker 1: box office. The movie cost two point eight million dollars 59 00:03:09,040 --> 00:03:11,280 Speaker 1: to make, which was the most expensive movie that MGM 60 00:03:11,320 --> 00:03:13,679 Speaker 1: had ever made at the time, but it lost one 61 00:03:13,720 --> 00:03:16,919 Speaker 1: point one million dollars at the box office. But it 62 00:03:16,960 --> 00:03:20,760 Speaker 1: was all due to the movie being shown on TV. 63 00:03:21,080 --> 00:03:24,600 Speaker 1: The Wizard of Oz had its first broadcast on CBS 64 00:03:24,639 --> 00:03:28,119 Speaker 1: in nineteen fifty six, and the television showings were so 65 00:03:28,200 --> 00:03:31,919 Speaker 1: successful that it actually turned a profit for the studio, 66 00:03:32,320 --> 00:03:35,680 Speaker 1: and then its profitability was cemented after it was re 67 00:03:35,680 --> 00:03:39,320 Speaker 1: released ten years later in nineteen forty five and saw 68 00:03:39,400 --> 00:03:42,680 Speaker 1: even more success whenever it was finally released on home 69 00:03:42,800 --> 00:03:45,520 Speaker 1: video when that became a thing. Let's talk about our 70 00:03:45,560 --> 00:03:47,680 Speaker 1: cast of characters in this episode and in the movie. 71 00:03:47,960 --> 00:03:51,240 Speaker 1: Judy Garland played Dorothy Gale, of course, the heart and 72 00:03:51,360 --> 00:03:54,960 Speaker 1: soul of the entire movie. Ray Bolger played the scarecrow 73 00:03:55,000 --> 00:03:58,480 Speaker 1: and hunk back in Kansas. Which I know this sounds stupid, 74 00:03:58,480 --> 00:04:01,560 Speaker 1: but as a kid, I didn't put it together that 75 00:04:01,680 --> 00:04:04,600 Speaker 1: all the people in Dorothy's life at the farm in 76 00:04:04,720 --> 00:04:08,040 Speaker 1: Kansas were all the people that she encountered in The 77 00:04:08,040 --> 00:04:10,600 Speaker 1: Wizard of Oz. Again, I watched this movie when I 78 00:04:10,640 --> 00:04:12,480 Speaker 1: was really young. For the first time. It freaked me out. 79 00:04:12,960 --> 00:04:16,720 Speaker 1: I didn't fully get that. But Ray Bulger was the Scarecrow. 80 00:04:16,760 --> 00:04:19,760 Speaker 1: He was also hug Jack Hayley was the tin man, 81 00:04:19,800 --> 00:04:23,640 Speaker 1: and Hickory back in Kansas. Bert Laar was a cowardly lion, 82 00:04:23,760 --> 00:04:26,840 Speaker 1: and Zeke back in Kansas. You have Margaret Hamilton as 83 00:04:26,880 --> 00:04:29,360 Speaker 1: the wicked Witch of the West and also Misses Gulch 84 00:04:29,720 --> 00:04:33,000 Speaker 1: and Frank Morgan plays the Wizard and Professor Marvel, a 85 00:04:33,040 --> 00:04:35,520 Speaker 1: couple of other people in the movie as well, and 86 00:04:35,680 --> 00:04:39,000 Speaker 1: Terry the Dog played Toto. The movie was based on 87 00:04:39,040 --> 00:04:42,040 Speaker 1: the book by L. Frank Baum, published a nineteen hundred 88 00:04:42,080 --> 00:04:45,400 Speaker 1: called The Wonderful Wizard of Oz, which if you hear 89 00:04:45,560 --> 00:04:49,359 Speaker 1: that name and think that sounds really familiar. L. Frank 90 00:04:49,680 --> 00:04:53,800 Speaker 1: Baum was the inspiration behind the name Alphaba that we 91 00:04:53,839 --> 00:04:56,159 Speaker 1: see later in Wicked, which is also kind of the 92 00:04:56,200 --> 00:04:59,960 Speaker 1: catalyst of why I become so infatuated again with this movie, 93 00:05:00,400 --> 00:05:03,039 Speaker 1: went back and rewatched it on HBO Max. But that 94 00:05:03,160 --> 00:05:06,040 Speaker 1: is the connection between the original writer of The Wizard 95 00:05:06,040 --> 00:05:08,599 Speaker 1: of Oz and Wicked and the movie we all know. 96 00:05:09,040 --> 00:05:12,800 Speaker 1: Wasn't the first ever adaptation of the book. They came 97 00:05:12,800 --> 00:05:14,760 Speaker 1: out with the movie in nineteen ten. It was the 98 00:05:14,800 --> 00:05:17,279 Speaker 1: early silent film. They came out with a bunch of 99 00:05:17,279 --> 00:05:19,680 Speaker 1: different versions. Actually, there was also The Land of Oz 100 00:05:19,720 --> 00:05:23,120 Speaker 1: in nineteen ten, Dorothy and the Scarecrow in nineteen ten, 101 00:05:23,600 --> 00:05:27,400 Speaker 1: The Patchwork Girl of Oz in nineteen fourteen, and another 102 00:05:27,520 --> 00:05:31,159 Speaker 1: silent film released in nineteen twenty five, also called The 103 00:05:31,200 --> 00:05:34,000 Speaker 1: Wizard of Oz. And there are some differences between the 104 00:05:34,040 --> 00:05:36,720 Speaker 1: book and the movie In the book, Oz is a 105 00:05:36,760 --> 00:05:39,080 Speaker 1: real place, but in the movie it is a dream 106 00:05:39,480 --> 00:05:42,120 Speaker 1: and revealed to all be fake. And in the book 107 00:05:42,520 --> 00:05:45,359 Speaker 1: the slippers are actually silver, but they changed them to 108 00:05:45,520 --> 00:05:48,520 Speaker 1: ruby in the movie because they really wanted to emphasize 109 00:05:48,560 --> 00:05:51,520 Speaker 1: the use of technic color in The Wizard of Oz, 110 00:05:51,560 --> 00:05:54,520 Speaker 1: which I think some people think that The Wizard of 111 00:05:54,560 --> 00:05:57,279 Speaker 1: Oz was the first ever movie to use technicolor, or 112 00:05:57,279 --> 00:06:00,040 Speaker 1: maybe even the first ever movie in color, because it 113 00:06:00,040 --> 00:06:03,080 Speaker 1: as a real big part of the movie whenever it 114 00:06:03,120 --> 00:06:05,119 Speaker 1: goes from black and white, even though it's not really 115 00:06:05,560 --> 00:06:08,000 Speaker 1: in black and white, it's a Cefia tone, which is 116 00:06:08,080 --> 00:06:10,680 Speaker 1: it's like a rich, warm, reddish brown, but it's made 117 00:06:10,720 --> 00:06:12,839 Speaker 1: to look really old, almost like if it's on a 118 00:06:12,880 --> 00:06:15,640 Speaker 1: pirate map or something. But the reason they changed the 119 00:06:15,680 --> 00:06:18,800 Speaker 1: slippers from silver to red is because they wanted to 120 00:06:18,880 --> 00:06:21,800 Speaker 1: really utilize the color in the movie. And how they 121 00:06:21,839 --> 00:06:26,440 Speaker 1: actually film that scene is everything you see in Kansas. 122 00:06:26,960 --> 00:06:30,080 Speaker 1: In that scene specifically, you see a fake set that 123 00:06:30,160 --> 00:06:32,880 Speaker 1: is that cfia color, so they actually painted it that color, 124 00:06:33,320 --> 00:06:37,080 Speaker 1: so when they filmed it, it looks like it's lacking 125 00:06:37,240 --> 00:06:40,640 Speaker 1: all color. And in that scene you actually see a 126 00:06:40,720 --> 00:06:43,760 Speaker 1: stunt double for Judy Garland, and you just see the 127 00:06:43,839 --> 00:06:47,120 Speaker 1: back of her. She opens the door steps away, and 128 00:06:47,200 --> 00:06:50,880 Speaker 1: the real Dorothy played by Judy Garland, walks through, and 129 00:06:50,960 --> 00:06:54,320 Speaker 1: as she opens the door, you see the colorful world 130 00:06:54,600 --> 00:06:56,880 Speaker 1: of Oz inside there. So that was all done in 131 00:06:56,960 --> 00:07:01,599 Speaker 1: one shot, no special effects, no green screen. I think 132 00:07:01,640 --> 00:07:04,719 Speaker 1: that is why I'm so infatuated with the making of 133 00:07:04,760 --> 00:07:09,480 Speaker 1: this movie, because it is a technical triumph seeing all 134 00:07:09,560 --> 00:07:12,520 Speaker 1: these things and how they were actually made without the 135 00:07:12,640 --> 00:07:15,480 Speaker 1: use of any commuter's way back in nineteen thirty nine, 136 00:07:15,880 --> 00:07:18,040 Speaker 1: another one of those things that kind of blew my 137 00:07:18,120 --> 00:07:20,480 Speaker 1: mind when I first found out about it, I was like, 138 00:07:20,520 --> 00:07:23,840 Speaker 1: how did they create this tornado? So they actually built 139 00:07:23,840 --> 00:07:27,600 Speaker 1: this contraption with like this big long tube and they 140 00:07:27,640 --> 00:07:29,680 Speaker 1: made it spin around and they blew a lot of 141 00:07:29,680 --> 00:07:32,280 Speaker 1: things around it, and they just filmed that scene. So 142 00:07:32,320 --> 00:07:37,280 Speaker 1: it's essentially a giant thirty five foot cloth cone wrapped 143 00:07:37,280 --> 00:07:41,080 Speaker 1: in chicken wire, suspended from this big crane, and they 144 00:07:41,120 --> 00:07:43,200 Speaker 1: attached it to a moving car to give it that 145 00:07:43,280 --> 00:07:45,680 Speaker 1: spinning effect, and then they filmed like a bunch of 146 00:07:45,680 --> 00:07:49,320 Speaker 1: debris and stuff spinning around, and they just filmed that scene, 147 00:07:49,360 --> 00:07:52,040 Speaker 1: just the tornado, and then they put Judy Garland in 148 00:07:52,120 --> 00:07:55,920 Speaker 1: front of it and just blasted that footage on a 149 00:07:55,960 --> 00:07:59,880 Speaker 1: big screen using another projector, so the background is what 150 00:08:00,120 --> 00:08:02,920 Speaker 1: you see in the movie that was already all filmed. 151 00:08:02,920 --> 00:08:05,200 Speaker 1: They just have that projected and then they have Judy 152 00:08:05,240 --> 00:08:08,400 Speaker 1: Garland on an actual set with the wind still blowing 153 00:08:08,440 --> 00:08:10,520 Speaker 1: to add that effect. So if you go back and 154 00:08:10,560 --> 00:08:13,480 Speaker 1: rewatch it, it's a little bit easier to understand how 155 00:08:13,520 --> 00:08:16,480 Speaker 1: they did that because they don't have green screens. There 156 00:08:16,600 --> 00:08:19,600 Speaker 1: was actually something being projected behind her, and then when 157 00:08:19,640 --> 00:08:22,280 Speaker 1: you add in all the other little effects, it makes 158 00:08:22,280 --> 00:08:25,040 Speaker 1: it look like she's actually running from a tornado, but 159 00:08:25,120 --> 00:08:27,600 Speaker 1: she's really just in front of some projected footage. That 160 00:08:27,760 --> 00:08:30,960 Speaker 1: is an awesome achievement in filmmaking, which a lot of 161 00:08:31,000 --> 00:08:34,199 Speaker 1: the stuff from the movie is actually copywritten, and even 162 00:08:34,240 --> 00:08:37,080 Speaker 1: though the original story of The Wizard of Oz is 163 00:08:37,120 --> 00:08:41,840 Speaker 1: now public domain, the Ruby Red Slippers are copywritten. The 164 00:08:41,840 --> 00:08:45,400 Speaker 1: Wicked Witch's appearance are also copywritten and owned by MGM, 165 00:08:45,720 --> 00:08:48,560 Speaker 1: as well as the Yellow Brick Road, the Munchkins, and 166 00:08:48,640 --> 00:08:51,720 Speaker 1: specific songs like over the Rainbow. You can't use those 167 00:08:51,760 --> 00:08:55,000 Speaker 1: without getting permission, which they actually wanted to cut Over 168 00:08:55,040 --> 00:08:57,280 Speaker 1: the Rainbow out of the movie because the movie had 169 00:08:57,520 --> 00:08:59,640 Speaker 1: a bunch of different directors. I think it was about 170 00:08:59,679 --> 00:09:02,560 Speaker 1: five six that had a hand in this ten plus 171 00:09:02,640 --> 00:09:06,000 Speaker 1: riders I think twelve total, And in a cut of 172 00:09:06,000 --> 00:09:08,440 Speaker 1: the movie, they thought it was so slow and it 173 00:09:08,480 --> 00:09:11,160 Speaker 1: was going to lose the audience by keeping that song 174 00:09:11,240 --> 00:09:14,000 Speaker 1: in there, that that song was almost cut. Could you 175 00:09:14,040 --> 00:09:16,400 Speaker 1: imagine that movie without over the Rainbow, one of the 176 00:09:16,440 --> 00:09:19,640 Speaker 1: most famous movie songs of all time. All right, that's 177 00:09:19,679 --> 00:09:22,400 Speaker 1: some history of the movie. Let's get into the dark stuff. Now. 178 00:09:22,679 --> 00:09:25,080 Speaker 1: It has to do a lot with the actors put 179 00:09:25,120 --> 00:09:28,560 Speaker 1: in really harsh conditions, starting out with something as simple 180 00:09:28,640 --> 00:09:33,480 Speaker 1: as the snow. Whenever Dorothy, the tin Man, the Cowardly Lion, 181 00:09:33,840 --> 00:09:37,440 Speaker 1: and the Scarecrow all are trying to make their way 182 00:09:37,480 --> 00:09:40,560 Speaker 1: to Oz. Dorothy gets tired and decides to take a 183 00:09:40,640 --> 00:09:43,800 Speaker 1: nap in the middle of his field of flowers. Cowardly 184 00:09:43,880 --> 00:09:46,880 Speaker 1: Lion gets tired as well, and then it starts snowing, 185 00:09:47,200 --> 00:09:51,800 Speaker 1: Except that fake snow was actually asbestos. In the mid 186 00:09:52,160 --> 00:09:56,679 Speaker 1: nineteen thirties and nineteen fifties, they were still using asbestos. 187 00:09:56,720 --> 00:09:59,760 Speaker 1: It wasn't until years later that they actually discovered how 188 00:09:59,800 --> 00:10:01,920 Speaker 1: hard harmful it was. But then it was too late. 189 00:10:01,960 --> 00:10:06,120 Speaker 1: Because all these actors were exposed to this carcinogenic snow. 190 00:10:06,400 --> 00:10:09,400 Speaker 1: I mean you see them completely covered in it, probably 191 00:10:09,600 --> 00:10:12,280 Speaker 1: ate a lot of it, and just inhaling it. There 192 00:10:12,280 --> 00:10:14,480 Speaker 1: was all these things that they did that they did 193 00:10:14,520 --> 00:10:18,079 Speaker 1: not know how they were going to affect the actors. 194 00:10:18,160 --> 00:10:20,960 Speaker 1: The Wicked Witch of the West, the paint that was 195 00:10:21,080 --> 00:10:24,240 Speaker 1: used on her ended up staying on her face for 196 00:10:24,400 --> 00:10:27,400 Speaker 1: weeks because she had to be just caked in it 197 00:10:27,440 --> 00:10:29,920 Speaker 1: while making the movie, and then they couldn't get the 198 00:10:29,920 --> 00:10:32,480 Speaker 1: stuff off. There were actually two different actors who played 199 00:10:32,520 --> 00:10:35,360 Speaker 1: the tin Man, and the first original tin Man was 200 00:10:35,360 --> 00:10:38,760 Speaker 1: played by Buddy Epsen, and he was hospitalized because he 201 00:10:38,840 --> 00:10:43,720 Speaker 1: inhaled pure aluminum dust from this makeup. It cost severe 202 00:10:43,880 --> 00:10:48,800 Speaker 1: lung inflammation, making it almost impossible for him to breathe. 203 00:10:48,920 --> 00:10:50,880 Speaker 1: It put him in the hospital. He was there for 204 00:10:50,920 --> 00:10:54,360 Speaker 1: two weeks and on an oxygen tent, all because of 205 00:10:54,400 --> 00:10:56,920 Speaker 1: this makeup that they used that they did not know 206 00:10:56,960 --> 00:10:59,520 Speaker 1: how it was going to affect him, should never have 207 00:10:59,640 --> 00:11:02,280 Speaker 1: been put on his skin. He was later replaced by 208 00:11:02,320 --> 00:11:06,439 Speaker 1: Jack Haley, whose makeup was reformulated into a safer paste. 209 00:11:06,600 --> 00:11:08,520 Speaker 1: You think they would have thought about that before they 210 00:11:08,520 --> 00:11:11,040 Speaker 1: put it on the first guy, but still Jack Haley 211 00:11:11,320 --> 00:11:13,760 Speaker 1: still got an eye infection from the makeup. And they 212 00:11:13,760 --> 00:11:16,080 Speaker 1: also did a really weird thing with the horses whenever 213 00:11:16,120 --> 00:11:19,080 Speaker 1: they first make it to Oz and you see them 214 00:11:19,440 --> 00:11:23,199 Speaker 1: getting that little carriage thing and they're so blown away 215 00:11:23,320 --> 00:11:25,400 Speaker 1: by this horse. I think the first one is painted 216 00:11:25,440 --> 00:11:28,880 Speaker 1: red and every time it changes scenes, the horse is 217 00:11:29,000 --> 00:11:31,959 Speaker 1: changed to a different color. So I think it's like red, yellow, 218 00:11:32,000 --> 00:11:36,240 Speaker 1: and green. But they used jello to change the color 219 00:11:36,400 --> 00:11:40,040 Speaker 1: of the horses. And again it wasn't done with special 220 00:11:40,080 --> 00:11:44,320 Speaker 1: effects or post production. They dyed these horses a different 221 00:11:44,400 --> 00:11:47,920 Speaker 1: color using jello. There were no reports on what happened 222 00:11:47,960 --> 00:11:49,920 Speaker 1: to the horses after the fact if they were okay, 223 00:11:50,000 --> 00:11:52,800 Speaker 1: hopefully because it's just jello. But again, they had no 224 00:11:52,880 --> 00:11:55,559 Speaker 1: idea what they were doing. They were just slapping things 225 00:11:55,559 --> 00:11:58,160 Speaker 1: on people, whether it was humans or whether it was animals. 226 00:11:58,360 --> 00:12:00,640 Speaker 1: The Wicked Witch of the West also got burned on 227 00:12:00,720 --> 00:12:04,040 Speaker 1: the set twice. She was trying to escape from munchkin Land. 228 00:12:04,280 --> 00:12:07,000 Speaker 1: And then it all went south. When the Wicked Witch 229 00:12:07,120 --> 00:12:09,800 Speaker 1: escapes and you see this plum of smoke where they 230 00:12:09,880 --> 00:12:12,120 Speaker 1: use this trap door, so you just see the smoke. 231 00:12:12,440 --> 00:12:14,400 Speaker 1: She goes under the door, and then you see the 232 00:12:14,480 --> 00:12:17,480 Speaker 1: fire immediately, which you would go back and rewatch that scene. 233 00:12:17,520 --> 00:12:20,680 Speaker 1: It's actually done really well the version that they used 234 00:12:20,720 --> 00:12:23,160 Speaker 1: in the film, but that was the time it went right, 235 00:12:23,200 --> 00:12:26,680 Speaker 1: because it actually went wrong. It was set off too early, 236 00:12:27,160 --> 00:12:31,680 Speaker 1: causing Margaret Hamilton's broom, hat and makeup to catch fire. 237 00:12:32,000 --> 00:12:34,400 Speaker 1: It scalded her chin, the bridge of her nose, her 238 00:12:34,480 --> 00:12:38,440 Speaker 1: right cheek, the right side of her forehead, her eyelashes, 239 00:12:38,480 --> 00:12:41,760 Speaker 1: and her eyebrows were all caught on fire and burned off. 240 00:12:42,120 --> 00:12:45,880 Speaker 1: Her upper lip and her eyelid were also badly burned. 241 00:12:46,080 --> 00:12:49,480 Speaker 1: Not only that her face, her hands were also badly burned, 242 00:12:49,760 --> 00:12:52,559 Speaker 1: and medics had to use alcohol to remove her toxic 243 00:12:52,600 --> 00:12:55,920 Speaker 1: makeup again, because then, not only have you suffered all 244 00:12:55,960 --> 00:12:58,880 Speaker 1: these burns, you have this makeup still on your skin 245 00:12:59,000 --> 00:13:00,840 Speaker 1: that you won't be able to get out for weeks. 246 00:13:01,280 --> 00:13:03,520 Speaker 1: They had to get it off her. It was all 247 00:13:03,640 --> 00:13:08,280 Speaker 1: extremely painful, and after she actually came back to work, 248 00:13:08,679 --> 00:13:12,360 Speaker 1: she was asked to film the Surrender Dorothy scene, which 249 00:13:12,440 --> 00:13:16,160 Speaker 1: also requires smoke effect. Could you imagine going back on 250 00:13:16,400 --> 00:13:19,920 Speaker 1: set where you were just badly burned and then having 251 00:13:19,920 --> 00:13:23,679 Speaker 1: to do another scene that also involved smoke effects. I 252 00:13:23,679 --> 00:13:26,000 Speaker 1: wouldn't do it. I would not knew it. So she 253 00:13:26,120 --> 00:13:30,080 Speaker 1: refused and her stunt double, Betty Danko, took over and 254 00:13:30,120 --> 00:13:34,320 Speaker 1: she also suffered a similar injury during the scene and 255 00:13:34,400 --> 00:13:38,040 Speaker 1: she was ultimately hospitalized. After her time in the hospital, 256 00:13:38,080 --> 00:13:41,040 Speaker 1: she said, I felt as though my scalp was coming off, 257 00:13:41,160 --> 00:13:43,520 Speaker 1: and she said she could only eat liquid foods after 258 00:13:43,559 --> 00:13:46,240 Speaker 1: the making of this movie, so a truly terrible set. 259 00:13:46,280 --> 00:13:50,360 Speaker 1: You have people being poisoned by makeup, being burned. It 260 00:13:50,480 --> 00:13:53,280 Speaker 1: was also a really hot set because the fact that 261 00:13:53,320 --> 00:13:56,560 Speaker 1: they were using Technicolor, they needed to have a lot 262 00:13:56,600 --> 00:13:59,920 Speaker 1: of bright lights to make sure everything was really vivid 263 00:14:00,280 --> 00:14:03,600 Speaker 1: and highly saturated. But what it turns out happens whenever 264 00:14:03,640 --> 00:14:05,840 Speaker 1: you have a bunch of bright lights, it starts to 265 00:14:05,880 --> 00:14:08,920 Speaker 1: get really hot, and the studio made it up to 266 00:14:09,000 --> 00:14:12,160 Speaker 1: one hundred degrees in there. Because of these lights. You 267 00:14:12,240 --> 00:14:15,360 Speaker 1: had people passing out and fainting because it was so 268 00:14:15,600 --> 00:14:18,760 Speaker 1: hot in there from the lights. They actually constantly had 269 00:14:18,800 --> 00:14:21,920 Speaker 1: to stop production just so the studio could be aired out. 270 00:14:22,000 --> 00:14:23,960 Speaker 1: Because some of the people who were in costume, like 271 00:14:23,960 --> 00:14:27,760 Speaker 1: the Winged Monkeys, had these big, heavy costumes. They struggled 272 00:14:27,840 --> 00:14:30,920 Speaker 1: so much in the heat and they were passing out, 273 00:14:30,960 --> 00:14:33,280 Speaker 1: they were having heat strokes all because they had no 274 00:14:33,400 --> 00:14:37,120 Speaker 1: way of cooling down the studio from these big giant 275 00:14:37,160 --> 00:14:40,120 Speaker 1: lights making it so hot in there. One person who 276 00:14:40,160 --> 00:14:43,640 Speaker 1: suffered a lot in their big costume was the Cowardly Lion. 277 00:14:44,160 --> 00:14:47,200 Speaker 1: Bertlar played the Cowardly Lion, and in order to make 278 00:14:47,240 --> 00:14:52,320 Speaker 1: his costume, they made it really authentic, so authentic that 279 00:14:52,440 --> 00:14:56,040 Speaker 1: it was made of real lion pelts. It allegedly weighed 280 00:14:56,120 --> 00:15:00,640 Speaker 1: ninety pounds and produced a really bad, unpleasant an odor 281 00:15:01,040 --> 00:15:04,280 Speaker 1: because again it was made from real lion pelts. And 282 00:15:04,320 --> 00:15:06,520 Speaker 1: he had to be trapped in that thing all day. 283 00:15:07,040 --> 00:15:10,000 Speaker 1: So you have these big lights making it one hundred degrees, 284 00:15:10,160 --> 00:15:13,640 Speaker 1: you were in this really heavy suit, doing a lot 285 00:15:13,680 --> 00:15:16,360 Speaker 1: of physical things, just sweating in that thing. Could you 286 00:15:16,400 --> 00:15:19,600 Speaker 1: imagine how bad he's smelled by the end of filming, 287 00:15:19,600 --> 00:15:21,920 Speaker 1: and they couldn't wash the thing. How would you wash 288 00:15:21,960 --> 00:15:25,560 Speaker 1: that thing without completely wrecking it? So this movie I 289 00:15:25,600 --> 00:15:28,920 Speaker 1: believe took over six months to make. That entire time 290 00:15:29,080 --> 00:15:31,880 Speaker 1: just sweating in this thing, just Marin hating and all 291 00:15:31,920 --> 00:15:36,480 Speaker 1: the Burt Lars just juices and sweat. That's disgusting. And 292 00:15:36,560 --> 00:15:39,680 Speaker 1: not only that, he also spent three hours a day 293 00:15:39,920 --> 00:15:43,000 Speaker 1: in the makeup chair. Him, the Scarecrow, and the tin 294 00:15:43,080 --> 00:15:46,280 Speaker 1: Man all had to go through three hours of makeup, 295 00:15:46,520 --> 00:15:48,720 Speaker 1: and during those three hours of makeup, they were not 296 00:15:48,760 --> 00:15:51,440 Speaker 1: allowed to take off the rest of their costume. They 297 00:15:51,440 --> 00:15:54,080 Speaker 1: had to be fully in it while getting that done. 298 00:15:54,440 --> 00:15:57,000 Speaker 1: And like I was mentioning earlier, how much this movie 299 00:15:57,040 --> 00:15:59,040 Speaker 1: freaked me out as a kid, I saw it to 300 00:15:59,080 --> 00:16:01,240 Speaker 1: be a horror movie. I could only imagine if I 301 00:16:01,240 --> 00:16:03,160 Speaker 1: saw a scarecrow and a ten man come to life 302 00:16:03,160 --> 00:16:06,080 Speaker 1: in a really creepy fashion, I would be freaked out. 303 00:16:06,280 --> 00:16:09,160 Speaker 1: But it also freaked out the people on set that 304 00:16:09,200 --> 00:16:11,120 Speaker 1: it would scare people when they went to go eat 305 00:16:11,200 --> 00:16:15,160 Speaker 1: lunch together. So all those three main actors had to 306 00:16:15,200 --> 00:16:18,080 Speaker 1: eat their lunch on set to not freak anybody else out. 307 00:16:18,160 --> 00:16:19,880 Speaker 1: All right, So all that stuff was really bad, But 308 00:16:19,960 --> 00:16:22,280 Speaker 1: now we're getting even darker, and I wanted to save 309 00:16:22,560 --> 00:16:25,480 Speaker 1: a little bit of time to get into this heavier 310 00:16:25,520 --> 00:16:28,880 Speaker 1: stuff because when you talk about Judy Garland and how 311 00:16:28,920 --> 00:16:33,680 Speaker 1: this movie made her career but also ruined her life 312 00:16:33,680 --> 00:16:38,520 Speaker 1: and all the things that were forced upon her in 313 00:16:38,680 --> 00:16:41,040 Speaker 1: order to get this character right where she was not 314 00:16:41,120 --> 00:16:44,320 Speaker 1: seen as a human whatsoever, Judy Garland was forced to 315 00:16:44,360 --> 00:16:48,400 Speaker 1: look younger because they originally wanted Shirley Temple to play Dorothy. 316 00:16:48,960 --> 00:16:51,240 Speaker 1: And again, Dorothy is a twelve year old girl, Which 317 00:16:51,760 --> 00:16:54,240 Speaker 1: why didn't they just change it? When I was rewatching 318 00:16:54,240 --> 00:16:57,280 Speaker 1: this movie, I was thinking, it really doesn't change the 319 00:16:57,360 --> 00:17:00,720 Speaker 1: fact if she's twelve or sixteen or closer to Judy 320 00:17:00,760 --> 00:17:02,720 Speaker 1: Garland's real age when she was filming this movie, which 321 00:17:02,760 --> 00:17:05,520 Speaker 1: was seventeen, why not just make her older instead of 322 00:17:05,560 --> 00:17:09,600 Speaker 1: trying to force Judy Garland to look younger. But they 323 00:17:09,600 --> 00:17:12,800 Speaker 1: did things like force her to wear a painful corset 324 00:17:12,880 --> 00:17:16,000 Speaker 1: to flatten her chest so she would look younger. They 325 00:17:16,040 --> 00:17:19,600 Speaker 1: gave her a really strict diet that included cigarettes. What 326 00:17:20,040 --> 00:17:22,679 Speaker 1: diet includes cigarettes? And I know this was back in 327 00:17:22,720 --> 00:17:26,240 Speaker 1: the nineteen thirties, where like they didn't know the harmful 328 00:17:26,280 --> 00:17:29,520 Speaker 1: effects of asbesos, they also didn't know the harmful effects 329 00:17:29,560 --> 00:17:32,960 Speaker 1: of cigarettes. But could you imagine telling a seventeen year 330 00:17:33,000 --> 00:17:35,440 Speaker 1: old here's this strict diet and here is a pack 331 00:17:35,480 --> 00:17:39,080 Speaker 1: of smokes wild And because of that strict diet, she 332 00:17:39,240 --> 00:17:43,120 Speaker 1: ended up developing a eating disorder in order to maintain 333 00:17:43,200 --> 00:17:47,800 Speaker 1: that weight. It was incredibly traumatic. There were studio execs 334 00:17:47,840 --> 00:17:52,680 Speaker 1: that referred to her as a fat little pig in pigtails. 335 00:17:52,880 --> 00:17:54,960 Speaker 1: That is what they first told her when she tried 336 00:17:54,960 --> 00:17:57,439 Speaker 1: to enter show business. And this was the diet that 337 00:17:57,520 --> 00:18:01,399 Speaker 1: she was handed immediately after she sign with MGM. That 338 00:18:01,480 --> 00:18:03,879 Speaker 1: at times she would go reach for a plate of 339 00:18:03,920 --> 00:18:06,520 Speaker 1: food and they would swiftly take it away from her, 340 00:18:06,800 --> 00:18:09,040 Speaker 1: and while filming, she would try to sneak away to 341 00:18:09,119 --> 00:18:12,120 Speaker 1: have a snack, and the other execs would inform each 342 00:18:12,119 --> 00:18:14,680 Speaker 1: other of what she was doing, and they would write 343 00:18:14,680 --> 00:18:17,560 Speaker 1: about her in memos about how she was breaking her diet. 344 00:18:17,720 --> 00:18:21,280 Speaker 1: So that's why she started developing this addiction to cigarettes, 345 00:18:21,480 --> 00:18:25,200 Speaker 1: smoking upwards of eighty cigarettes a day. She was even 346 00:18:25,320 --> 00:18:29,000 Speaker 1: forced to pop pet pills to keep her awake during 347 00:18:29,119 --> 00:18:33,200 Speaker 1: filming and also to control her appetite, so she was 348 00:18:33,240 --> 00:18:36,560 Speaker 1: given uppers during filming and then downers so that she 349 00:18:36,600 --> 00:18:39,000 Speaker 1: could shut down and get some rest. But it was 350 00:18:39,040 --> 00:18:42,000 Speaker 1: this cycle and this addiction that she formed because of 351 00:18:42,040 --> 00:18:44,879 Speaker 1: this movie that eventually led to her death. And that 352 00:18:45,000 --> 00:18:46,960 Speaker 1: is awful, And it wasn't even the things that were 353 00:18:46,960 --> 00:18:49,920 Speaker 1: surrounding her diet, but she was treated awful on set 354 00:18:49,960 --> 00:18:52,479 Speaker 1: from some of the directors involved in this movie, they 355 00:18:52,480 --> 00:18:55,200 Speaker 1: would slap her in the face if she started laughing 356 00:18:55,280 --> 00:18:58,199 Speaker 1: during a set. There's one in particular where it's an 357 00:18:58,200 --> 00:19:01,320 Speaker 1: interaction between her and the cowardly line, and during filming 358 00:19:01,359 --> 00:19:04,520 Speaker 1: she couldn't help herself from laughing. It's that actual exact 359 00:19:04,560 --> 00:19:08,440 Speaker 1: same scene where she slaps the cowardly lion because he's 360 00:19:08,960 --> 00:19:11,639 Speaker 1: beating up and bullying the tin man and the scarecrow, 361 00:19:12,119 --> 00:19:14,680 Speaker 1: and she broke character a little bit. And Victor Fleming, 362 00:19:15,000 --> 00:19:17,560 Speaker 1: one of the directors on the movie, slapped her during 363 00:19:17,600 --> 00:19:22,000 Speaker 1: that scene. After several ruined takes, he was exhausted, he 364 00:19:22,119 --> 00:19:25,080 Speaker 1: was getting annoyed with her. He took her aside, slapped 365 00:19:25,080 --> 00:19:27,199 Speaker 1: her on the cheek and told her, now go in 366 00:19:27,240 --> 00:19:30,399 Speaker 1: there and work. He apparently did feel terrible after this, 367 00:19:30,520 --> 00:19:32,800 Speaker 1: like how could you not feel terrible? But also don't 368 00:19:32,840 --> 00:19:35,560 Speaker 1: do it, and he suggested that someone should punch him 369 00:19:35,600 --> 00:19:39,560 Speaker 1: in the face. In return, Judy Garland overheard this. She 370 00:19:39,640 --> 00:19:41,480 Speaker 1: did forgive him, gave him a kiss on the nose. 371 00:19:41,480 --> 00:19:44,199 Speaker 1: But again, she was sixteen, seventeen years old. What was 372 00:19:44,240 --> 00:19:46,960 Speaker 1: she going to do? There was a power dynamic here 373 00:19:47,040 --> 00:19:50,200 Speaker 1: that she could not probably not forgive him, but there 374 00:19:50,280 --> 00:19:52,040 Speaker 1: is that moment if you go back and watch it, 375 00:19:52,080 --> 00:19:54,320 Speaker 1: where she's kind of trying to keep back a smile, 376 00:19:54,720 --> 00:19:57,679 Speaker 1: breaks character just a little bit, And that's all surrounding 377 00:19:57,720 --> 00:20:01,440 Speaker 1: what actually happened on set. Garland was not only treated 378 00:20:01,480 --> 00:20:04,760 Speaker 1: bad by the directors, she was also treated bad by 379 00:20:04,800 --> 00:20:08,400 Speaker 1: some of the actors on set, particularly some of the Munchkins, 380 00:20:08,400 --> 00:20:10,679 Speaker 1: which were actually a part of a singing group and 381 00:20:10,720 --> 00:20:13,399 Speaker 1: they were hired, but they were all adults, which they 382 00:20:13,400 --> 00:20:17,800 Speaker 1: were also treated unfairly. While you had the dog Toto, 383 00:20:17,960 --> 00:20:20,600 Speaker 1: which was actually paid by a dog named Terry, making 384 00:20:20,640 --> 00:20:23,560 Speaker 1: one hundred and twenty five dollars a day, all one 385 00:20:23,640 --> 00:20:27,320 Speaker 1: hundred and thirty five Munchkin actors only made fifty dollars 386 00:20:27,440 --> 00:20:30,000 Speaker 1: a week. But apparently they had a lot of crazy 387 00:20:30,040 --> 00:20:34,160 Speaker 1: antics that went on both on set and OFFSET because 388 00:20:34,160 --> 00:20:36,439 Speaker 1: they were actually a part of a singing group and 389 00:20:36,480 --> 00:20:39,080 Speaker 1: they were getting screwed by the guy who managed them. 390 00:20:39,280 --> 00:20:41,600 Speaker 1: He was taking all the money, what little money they 391 00:20:41,640 --> 00:20:44,800 Speaker 1: were actually getting. On set, they were completely rude and 392 00:20:44,840 --> 00:20:49,040 Speaker 1: inappropriate towards Judy Garland and then Offset they would go 393 00:20:49,320 --> 00:20:52,439 Speaker 1: all stay in a hotel, party, do a lot of 394 00:20:52,480 --> 00:20:56,880 Speaker 1: adult things, and also aggressive and drunken behavior and gambling 395 00:20:57,160 --> 00:20:58,840 Speaker 1: and then come back to set and still be crazy 396 00:20:58,840 --> 00:21:01,200 Speaker 1: there as well. I really wouldn't know that while watching 397 00:21:01,240 --> 00:21:05,240 Speaker 1: the movie, Toto also suffered an injury. Not that dog, 398 00:21:05,720 --> 00:21:09,240 Speaker 1: but it was played by a female terrier named Terry, 399 00:21:09,359 --> 00:21:12,240 Speaker 1: and during filming, one of the Wicked Witch's Winkie guards 400 00:21:12,280 --> 00:21:16,000 Speaker 1: actually stepped on Terry and broke her paw. Terry had 401 00:21:16,040 --> 00:21:18,680 Speaker 1: to be replaced for the next four weeks of filming, 402 00:21:19,040 --> 00:21:22,679 Speaker 1: which if you actually look how good of an actor 403 00:21:22,800 --> 00:21:25,560 Speaker 1: this dog is, I could see why they had to 404 00:21:25,560 --> 00:21:28,159 Speaker 1: pay one hundred and twenty five dollars a day because 405 00:21:28,200 --> 00:21:31,520 Speaker 1: there are moments where Toto is on screen for an 406 00:21:31,560 --> 00:21:35,160 Speaker 1: extended period of time and having to do a few 407 00:21:35,160 --> 00:21:37,720 Speaker 1: different movements like running down the street is one thing 408 00:21:38,200 --> 00:21:40,680 Speaker 1: on the dirt road in Kansas, but there are other 409 00:21:40,800 --> 00:21:43,480 Speaker 1: moments that Toto is a big part of moving the 410 00:21:43,560 --> 00:21:46,880 Speaker 1: action forward, and Toto does it effortlessly. So I guess 411 00:21:46,920 --> 00:21:48,959 Speaker 1: worth one hundred and twenty five dollars a day. And 412 00:21:49,000 --> 00:21:52,359 Speaker 1: this is quite possibly one of the most famous urban 413 00:21:52,480 --> 00:21:56,159 Speaker 1: legends surrounding the Wizard of Oz. It is probably the 414 00:21:56,160 --> 00:21:59,560 Speaker 1: first urban legend I learned about, and maybe something that 415 00:21:59,560 --> 00:22:03,359 Speaker 1: contribut did to me having nightmares and negative thoughts around 416 00:22:03,359 --> 00:22:05,240 Speaker 1: the story of the Wizard of Oz and seeing this 417 00:22:05,280 --> 00:22:07,960 Speaker 1: as a horror movie. But this is one that actually 418 00:22:08,240 --> 00:22:12,000 Speaker 1: didn't happen, and I'll explain why. But the urban legend 419 00:22:12,160 --> 00:22:15,480 Speaker 1: is one of the Munchkin actors hung themselves and you 420 00:22:15,480 --> 00:22:18,000 Speaker 1: could see it in the background of the movie, and 421 00:22:18,040 --> 00:22:20,320 Speaker 1: they left it in because they didn't notice it at 422 00:22:20,359 --> 00:22:24,360 Speaker 1: the time. This rumor started when the movie was released 423 00:22:24,560 --> 00:22:26,879 Speaker 1: on VHS in the nineteen eighties, So, like we went 424 00:22:26,880 --> 00:22:30,240 Speaker 1: through the history earlier, came out in theaters, wasn't a success, 425 00:22:31,040 --> 00:22:33,640 Speaker 1: was shown on TV. Ten years later it was re 426 00:22:33,640 --> 00:22:37,400 Speaker 1: released in theaters, and then once VHS became more prominent 427 00:22:37,440 --> 00:22:40,840 Speaker 1: in the nineteen eighties, got put on a VHS and 428 00:22:40,880 --> 00:22:42,359 Speaker 1: that is where you started to see a lot of 429 00:22:42,400 --> 00:22:46,280 Speaker 1: people start to notice things in the background, where if 430 00:22:46,280 --> 00:22:48,480 Speaker 1: ever somebody was making a movie and thought, I'll put 431 00:22:48,480 --> 00:22:51,159 Speaker 1: this in the background, nobody will notice it because you 432 00:22:51,160 --> 00:22:55,400 Speaker 1: can't pause in a movie theater. Well, once VHS came around, 433 00:22:55,840 --> 00:22:59,159 Speaker 1: people were watching things and pausing things at home, and 434 00:22:59,240 --> 00:23:02,760 Speaker 1: all these little hidden Easter eggs were starting to be discovered. 435 00:23:02,960 --> 00:23:07,240 Speaker 1: So the people who would put hidden messages or hidden things, 436 00:23:07,440 --> 00:23:10,919 Speaker 1: or maybe adult things in the background thinking this is 437 00:23:10,920 --> 00:23:12,520 Speaker 1: a joke for me, and nobody else is ever going 438 00:23:12,600 --> 00:23:14,440 Speaker 1: to see it, because it's like half a second, it's 439 00:23:14,440 --> 00:23:17,159 Speaker 1: one frame. Nobody's ever going to hit Oh, now, you 440 00:23:17,200 --> 00:23:19,760 Speaker 1: can hit pause. Now these things are going to be revealed. 441 00:23:20,119 --> 00:23:23,120 Speaker 1: So whenever this movie was released on VHS in the eighties, 442 00:23:24,480 --> 00:23:28,159 Speaker 1: the rumor was that you saw something in the background 443 00:23:28,400 --> 00:23:32,159 Speaker 1: that appeared to be something swinging down from a tree, 444 00:23:33,160 --> 00:23:36,960 Speaker 1: and people were saying that this munchkin hung themselves, that 445 00:23:37,119 --> 00:23:40,880 Speaker 1: supposedly they were going through some issues with love and 446 00:23:41,240 --> 00:23:43,480 Speaker 1: somebody not loving them back, going through a lot of 447 00:23:43,480 --> 00:23:47,359 Speaker 1: hard times, that they hung themselves on set, and that 448 00:23:47,520 --> 00:23:50,720 Speaker 1: was all captured on film and made the final cut 449 00:23:50,800 --> 00:23:53,520 Speaker 1: of the movie, which you can't see some mistakes here 450 00:23:53,520 --> 00:23:56,280 Speaker 1: and there in The Wizard of Oz. It's not uncommon 451 00:23:56,320 --> 00:23:59,200 Speaker 1: you see a mistake get left in the final cut 452 00:23:59,200 --> 00:24:01,760 Speaker 1: of a movie. That being that you see this figure 453 00:24:02,119 --> 00:24:05,520 Speaker 1: in the enchanted forest during the scene where Dorothy the 454 00:24:05,560 --> 00:24:07,639 Speaker 1: Scarecrow and the tin men are singing We're off to 455 00:24:07,680 --> 00:24:10,600 Speaker 1: see the Wizard. What is actually going on in the 456 00:24:10,600 --> 00:24:16,040 Speaker 1: background is in order to make Awez seem more like 457 00:24:16,080 --> 00:24:19,440 Speaker 1: this magical place, in order to make the forest feel 458 00:24:19,440 --> 00:24:24,360 Speaker 1: like it was alive. They had cranes, the animal African cranes, 459 00:24:24,840 --> 00:24:27,359 Speaker 1: these wild birds walking around, and you can see that 460 00:24:27,400 --> 00:24:29,600 Speaker 1: in other parts of the movie because they wanted it 461 00:24:29,640 --> 00:24:32,040 Speaker 1: to feel like the set was alive. And what you 462 00:24:32,160 --> 00:24:36,080 Speaker 1: actually see is one of these cranes in the background. 463 00:24:36,480 --> 00:24:40,959 Speaker 1: And when I rewatched this scene on HBO Max, it 464 00:24:41,040 --> 00:24:43,040 Speaker 1: wasn't even a question for me, because now the movie 465 00:24:43,040 --> 00:24:46,280 Speaker 1: has been restored, it's crystal clear. It doesn't look like 466 00:24:46,320 --> 00:24:48,920 Speaker 1: it was made in the nineteen thirties, and you can 467 00:24:48,960 --> 00:24:52,159 Speaker 1: tell so clearly now that it is a crane. Now 468 00:24:52,200 --> 00:24:54,440 Speaker 1: some people may say, well, they went back and fixed it. 469 00:24:54,760 --> 00:24:57,159 Speaker 1: They digitally took out that because they didn't want this 470 00:24:57,240 --> 00:24:59,920 Speaker 1: dark thing associated with the classic movie. But I saw 471 00:25:00,160 --> 00:25:02,600 Speaker 1: clear as day this crane that they borrowed from the 472 00:25:02,640 --> 00:25:06,199 Speaker 1: Los Angeles Zoo to make the set more authentic. That 473 00:25:06,320 --> 00:25:09,840 Speaker 1: higher resolution allows you to see that. But this nineteen 474 00:25:09,960 --> 00:25:14,280 Speaker 1: eighties grainy version on VHS that wasn't restored the way 475 00:25:14,320 --> 00:25:16,919 Speaker 1: we have it now. I could see if you go 476 00:25:16,960 --> 00:25:20,120 Speaker 1: watch it on YouTube, it does look like something swings 477 00:25:20,200 --> 00:25:22,880 Speaker 1: down a little bit, but there's no way that would 478 00:25:22,920 --> 00:25:25,280 Speaker 1: make the final cut of a movie. But it is 479 00:25:25,320 --> 00:25:28,480 Speaker 1: a good urban legend to have. The claim is also 480 00:25:28,720 --> 00:25:32,520 Speaker 1: further disproven because that scene in the forest was actually 481 00:25:32,560 --> 00:25:37,200 Speaker 1: filmed months before any scene involving the Munchkins were even shot, 482 00:25:37,720 --> 00:25:40,720 Speaker 1: meaning that none of the Munchkin actors were on set 483 00:25:40,800 --> 00:25:44,879 Speaker 1: during that time. So urban legend debunked. So that is 484 00:25:44,920 --> 00:25:47,119 Speaker 1: a dark history of the Wizard of Oz. But in 485 00:25:47,200 --> 00:25:49,720 Speaker 1: order to not go out on such a low note 486 00:25:49,800 --> 00:25:51,879 Speaker 1: talking about death and all these crazy things that happened 487 00:25:51,920 --> 00:25:55,239 Speaker 1: on set, here is just the strange coincidence. There is 488 00:25:55,440 --> 00:25:58,879 Speaker 1: a coat worn by Frank Morgan, who plays the Wizard 489 00:25:58,960 --> 00:26:01,080 Speaker 1: of Ouse and a few other characters in the movie. 490 00:26:01,640 --> 00:26:04,879 Speaker 1: The story is that during the filming of the movie, 491 00:26:05,080 --> 00:26:08,639 Speaker 1: the wardrobe department bought a coat from a thrift store 492 00:26:08,800 --> 00:26:10,919 Speaker 1: because they needed a coat for the Wizard of Oz. 493 00:26:11,280 --> 00:26:14,760 Speaker 1: He also played Professor Marvel, and while filming the movie, 494 00:26:14,800 --> 00:26:18,600 Speaker 1: they found the name L. Frank Baum sewn into the 495 00:26:18,640 --> 00:26:22,800 Speaker 1: coat's inner lining that Sam L. Frank Baum we were 496 00:26:22,840 --> 00:26:26,000 Speaker 1: talking about earlier that wrote the original Wizard of Oz, 497 00:26:26,280 --> 00:26:29,840 Speaker 1: which L. Frank Baum was born on May fifteenth, eighteen 498 00:26:29,960 --> 00:26:33,600 Speaker 1: fifty six, in New York and he died on May sixth, 499 00:26:33,760 --> 00:26:37,840 Speaker 1: nineteen nineteen in Hollywood, California. He suffered a stroke at 500 00:26:37,880 --> 00:26:40,600 Speaker 1: the age of sixty two, so we never got to 501 00:26:40,640 --> 00:26:43,520 Speaker 1: see his vision truly come to life in The Wizard 502 00:26:43,600 --> 00:26:46,400 Speaker 1: of Oz in nineteen thirty nine. But what a crazy 503 00:26:46,640 --> 00:26:49,879 Speaker 1: coincidence that they went to a thrift store to just 504 00:26:49,960 --> 00:26:53,000 Speaker 1: get a coat for the Wizard of Oz and found 505 00:26:53,000 --> 00:26:56,560 Speaker 1: out it belonged to the actual author. MGM ended up 506 00:26:56,560 --> 00:27:00,639 Speaker 1: contacting his widow, maud Gage Bomb and the Chicago taylor 507 00:27:00,680 --> 00:27:03,080 Speaker 1: who made the coat, and they confirmed that it was 508 00:27:03,119 --> 00:27:05,840 Speaker 1: authentic and it did belong to him, And the studio 509 00:27:06,680 --> 00:27:09,000 Speaker 1: was just as mind blown as you and I are 510 00:27:09,080 --> 00:27:11,879 Speaker 1: right now that they actually kept this quiet because they 511 00:27:11,920 --> 00:27:14,880 Speaker 1: thought it would be so unbelievable and that people thought 512 00:27:14,880 --> 00:27:17,560 Speaker 1: they were only using it as a publicity stunt, which 513 00:27:17,560 --> 00:27:20,960 Speaker 1: they ended up doing eventually. But what a wild coincidence, 514 00:27:21,040 --> 00:27:24,840 Speaker 1: And now seeing his movie go on to inspire so 515 00:27:24,960 --> 00:27:28,119 Speaker 1: many of their films, and now with Wicked being so 516 00:27:29,000 --> 00:27:31,800 Speaker 1: at the center of pop culture. Now, if they said 517 00:27:31,800 --> 00:27:33,560 Speaker 1: this about Wicked and they're like, we wait to go 518 00:27:33,600 --> 00:27:35,720 Speaker 1: get this coat for the Wizard of Oz, and can 519 00:27:35,760 --> 00:27:38,159 Speaker 1: you believe it that his name was also written in 520 00:27:38,160 --> 00:27:40,600 Speaker 1: this one? Then I would start not believing things. But 521 00:27:40,680 --> 00:27:43,080 Speaker 1: there it is the dark history of the Wizard of Oz. 522 00:27:47,160 --> 00:27:50,120 Speaker 1: Let's get into it now. Oh boy. Spoiler free movie 523 00:27:50,119 --> 00:27:54,040 Speaker 1: review of Five Nights at Freddy's two. This movie was torture. 524 00:27:54,760 --> 00:27:56,560 Speaker 1: I feel like if I would have had my head 525 00:27:56,600 --> 00:27:59,119 Speaker 1: smashed in with the mallet before going to see this movie, 526 00:27:59,400 --> 00:28:02,440 Speaker 1: I would have been joyed it. Because I don't understand 527 00:28:03,400 --> 00:28:07,560 Speaker 1: the appeal of this. I really don't. I tried after 528 00:28:07,640 --> 00:28:09,160 Speaker 1: I went to go see the first one and came 529 00:28:09,200 --> 00:28:12,080 Speaker 1: on here and said, not for me, this movie was bad, 530 00:28:12,320 --> 00:28:15,240 Speaker 1: and I got so much backlash from that of people 531 00:28:15,280 --> 00:28:18,080 Speaker 1: saying I never played the game, I don't understand the lore. 532 00:28:18,280 --> 00:28:21,119 Speaker 1: I went back and revisited it all, and I thought, Okay, 533 00:28:21,160 --> 00:28:24,960 Speaker 1: maybe there's something I missed here. So many people love 534 00:28:25,000 --> 00:28:27,560 Speaker 1: this so much that maybe I am the one who 535 00:28:27,640 --> 00:28:30,199 Speaker 1: is out of touch and don't understand Five Nights at 536 00:28:30,240 --> 00:28:33,679 Speaker 1: Freddy So I was actually going into this movie with 537 00:28:33,760 --> 00:28:37,840 Speaker 1: the good heart. I had a little bit more expectation 538 00:28:38,000 --> 00:28:40,200 Speaker 1: now that I understand what this movie was trying to be, 539 00:28:40,280 --> 00:28:41,920 Speaker 1: which I wanted the first one to be more of 540 00:28:41,920 --> 00:28:43,960 Speaker 1: a horror movie. I thought it was going to be 541 00:28:44,000 --> 00:28:46,479 Speaker 1: a little bit scary wasn't that at all, but I 542 00:28:46,520 --> 00:28:49,640 Speaker 1: was at least interested by the premise by the characters, 543 00:28:50,000 --> 00:28:52,920 Speaker 1: which it's animatronics that come to life. They are haunted. 544 00:28:53,560 --> 00:28:56,680 Speaker 1: Josh Hutcherson's character in the first one is a security guard, 545 00:28:56,920 --> 00:28:59,200 Speaker 1: which if you haven't seen the first one going into 546 00:28:59,240 --> 00:29:00,840 Speaker 1: this one, you're gonna be a little bit lost because 547 00:29:00,840 --> 00:29:05,000 Speaker 1: they do a really bad job at re establishing anything. 548 00:29:05,480 --> 00:29:08,920 Speaker 1: They make all these weird like allusions to the first 549 00:29:08,960 --> 00:29:11,600 Speaker 1: one that if you didn't see that one, you have 550 00:29:11,720 --> 00:29:14,080 Speaker 1: no idea what is going on here, And I thought 551 00:29:14,080 --> 00:29:17,440 Speaker 1: maybe in the sequel they could get at least something better, 552 00:29:17,520 --> 00:29:19,640 Speaker 1: something rreat, make it a little bit more scary. The 553 00:29:19,680 --> 00:29:22,960 Speaker 1: only good thing about this movie was Matthew Lillard. That's it. 554 00:29:23,440 --> 00:29:25,320 Speaker 1: If he wasn't in this movie, I would have left 555 00:29:25,360 --> 00:29:28,720 Speaker 1: so irritated. And I wasn't even going to see this movie. 556 00:29:28,720 --> 00:29:32,640 Speaker 1: I'll be completely upfront with you. I was going to 557 00:29:32,800 --> 00:29:36,440 Speaker 1: go watch SpongeBob, the new SpongeBob movie. I was going 558 00:29:36,480 --> 00:29:38,720 Speaker 1: to a screening, which I don't really go to those 559 00:29:39,120 --> 00:29:41,680 Speaker 1: because the movie doesn't come out until this Friday. But 560 00:29:41,800 --> 00:29:44,320 Speaker 1: I knew going into the holidays my time was a 561 00:29:44,360 --> 00:29:47,440 Speaker 1: little bit limited with traveling that, I was like, Okay, 562 00:29:47,440 --> 00:29:49,920 Speaker 1: they're having a Saturday showing at eleven am. I'm gonna 563 00:29:49,920 --> 00:29:51,600 Speaker 1: be the only single adult there to go see the 564 00:29:51,640 --> 00:29:55,520 Speaker 1: SpongeBob movie. But I love SpongeBob. I went and the 565 00:29:55,560 --> 00:29:59,280 Speaker 1: Regal had a power problem, was completely dark. When I 566 00:29:59,320 --> 00:30:02,520 Speaker 1: got there, people outside waiting and they said the screening 567 00:30:02,560 --> 00:30:05,920 Speaker 1: was canceled. I was so bummed, but luckily I was like, 568 00:30:05,960 --> 00:30:08,200 Speaker 1: I'll go see five minutes at Freddy's too. There happens 569 00:30:08,200 --> 00:30:11,000 Speaker 1: to be a showing at another movie theater about fifteen 570 00:30:11,000 --> 00:30:14,160 Speaker 1: minutes away. Hit my ticket. I got there right on 571 00:30:14,240 --> 00:30:17,320 Speaker 1: time as the last trailer was ending, and I sat 572 00:30:17,360 --> 00:30:20,080 Speaker 1: there and watched the movie. So maybe I was a 573 00:30:20,080 --> 00:30:23,480 Speaker 1: little bit not irritated but bummed out going into it 574 00:30:23,480 --> 00:30:26,160 Speaker 1: because I wanted to see Patrick and SpongeBob. I even 575 00:30:26,200 --> 00:30:28,920 Speaker 1: wore my SpongeBob vans that I haven't woren in a 576 00:30:29,000 --> 00:30:31,880 Speaker 1: really long time. I did not get to see that, 577 00:30:32,240 --> 00:30:36,080 Speaker 1: and I just could not believe how wooden all the 578 00:30:36,120 --> 00:30:39,040 Speaker 1: acting was. It had some of the worst dialogue I 579 00:30:39,080 --> 00:30:42,320 Speaker 1: have ever seen. I think, quite possibly my worst theater 580 00:30:42,520 --> 00:30:49,200 Speaker 1: experience ever, because the interactions between all the characters were awful. Awful. 581 00:30:49,480 --> 00:30:53,720 Speaker 1: Everybody in this movie was so bad. Josh Hutcheson's character 582 00:30:53,840 --> 00:30:57,280 Speaker 1: is insufferable, along with all the adults that live in 583 00:30:57,280 --> 00:31:00,920 Speaker 1: this town. And what this movie is about is basically, 584 00:31:01,200 --> 00:31:04,760 Speaker 1: there is this big fos fest happening now. There is 585 00:31:04,800 --> 00:31:08,720 Speaker 1: a reason that these animatronics are back, and Josh Hutcherson 586 00:31:08,760 --> 00:31:12,000 Speaker 1: is trying to protect his sister in the movie, Abby 587 00:31:12,440 --> 00:31:14,520 Speaker 1: from finding out the truth. He's trying to keep these 588 00:31:14,520 --> 00:31:17,240 Speaker 1: things from her. You have the love interest from the 589 00:31:17,320 --> 00:31:22,200 Speaker 1: first one back. Elizabeth Hale plays Vanessa, who actually enjoyed her. 590 00:31:23,160 --> 00:31:26,120 Speaker 1: If the movie was just about her character, maybe I 591 00:31:26,120 --> 00:31:28,320 Speaker 1: would be a little bit more interested. But I could 592 00:31:28,320 --> 00:31:32,800 Speaker 1: not believe the interactions between her and Josh Hutcherson's character 593 00:31:32,880 --> 00:31:36,240 Speaker 1: in this movie did not make sense whatsoever. There is 594 00:31:36,320 --> 00:31:39,280 Speaker 1: a point where I thought, Dude, this girl is so hot, 595 00:31:39,440 --> 00:31:42,280 Speaker 1: so out of your league, and you are being awful 596 00:31:42,360 --> 00:31:45,040 Speaker 1: to her. If that was me in that situation, I'd 597 00:31:45,040 --> 00:31:46,920 Speaker 1: be like, you're so hot, I don't care what you 598 00:31:46,960 --> 00:31:49,640 Speaker 1: tell me. Right now, I'm gonna believe you. Let's go 599 00:31:49,760 --> 00:31:52,960 Speaker 1: forget about my sister, Let's go hang out. The teacher. 600 00:31:53,160 --> 00:31:55,800 Speaker 1: Abby's teacher in this movie was so insufferable and it 601 00:31:55,840 --> 00:32:00,760 Speaker 1: made no sense. The intro was boring and it tried 602 00:32:00,800 --> 00:32:03,560 Speaker 1: to be so chilling. And I know this movie is PG. Thirteen, 603 00:32:04,560 --> 00:32:06,920 Speaker 1: and I think the message here was supposed to be 604 00:32:07,040 --> 00:32:10,800 Speaker 1: like be nice to your parents or value your parents, 605 00:32:10,800 --> 00:32:15,360 Speaker 1: because it makes these weird kind of statements towards adults 606 00:32:15,400 --> 00:32:19,800 Speaker 1: and protecting kids. Nothing in this movie landed whatsoever. The 607 00:32:19,880 --> 00:32:25,600 Speaker 1: horror elements were bad. The updated animatronics did nothing for me. 608 00:32:26,600 --> 00:32:28,840 Speaker 1: I wanted them to take out every adult in this 609 00:32:28,920 --> 00:32:31,360 Speaker 1: town because they were so bad. So maybe it's supposed 610 00:32:31,360 --> 00:32:34,280 Speaker 1: to be like inspiration to kids that adults suck, kids rule, 611 00:32:34,520 --> 00:32:38,240 Speaker 1: We should listen to kids more. There was no redeeming 612 00:32:38,400 --> 00:32:41,800 Speaker 1: quality of this movie. The only thing I am happy 613 00:32:41,840 --> 00:32:44,160 Speaker 1: for is that some of these people are getting work 614 00:32:44,160 --> 00:32:47,040 Speaker 1: on this scale, Like Josh Hutcherson as a person and 615 00:32:47,080 --> 00:32:49,800 Speaker 1: as an actor. I root for him. The announcement of 616 00:32:49,920 --> 00:32:53,040 Speaker 1: him and Jennifer Lawrence returning to The Hunger Games is 617 00:32:53,080 --> 00:32:56,560 Speaker 1: exciting to me. I'm just happy he has worked because 618 00:32:57,280 --> 00:33:00,800 Speaker 1: after those movies ended, he was like, man, Hollywood really 619 00:33:00,920 --> 00:33:02,760 Speaker 1: choose you up and spits you out. I went from 620 00:33:02,800 --> 00:33:05,400 Speaker 1: my entire childhood of being able to land every role. 621 00:33:05,920 --> 00:33:09,480 Speaker 1: After that, I couldn't get any work. So the only 622 00:33:09,680 --> 00:33:12,240 Speaker 1: good thing I could say about this movie is that 623 00:33:12,360 --> 00:33:14,920 Speaker 1: got Josh Hutcherson out of a bad spot and it 624 00:33:14,960 --> 00:33:17,760 Speaker 1: gave him some work. But could we get the guy 625 00:33:17,840 --> 00:33:20,720 Speaker 1: some better dialogue? Could we get him some better action? 626 00:33:21,080 --> 00:33:26,000 Speaker 1: The only interesting sequence was what I have to assume 627 00:33:26,240 --> 00:33:29,760 Speaker 1: was the best interpretation they could do of the video game, 628 00:33:30,280 --> 00:33:35,200 Speaker 1: where his character actually does something. Of note, this was 629 00:33:35,320 --> 00:33:40,800 Speaker 1: essentially a lifetime horror movie where I don't know who 630 00:33:40,840 --> 00:33:45,360 Speaker 1: this is for. I don't understand the purpose of this sequel, 631 00:33:45,800 --> 00:33:49,440 Speaker 1: and I think they just killed the franchise altogether by 632 00:33:49,440 --> 00:33:52,120 Speaker 1: making another movie. What is going on with Blumhouse? Why 633 00:33:52,160 --> 00:33:55,160 Speaker 1: can they not make a good sequel? Look at what 634 00:33:55,200 --> 00:33:59,000 Speaker 1: they did to Megan earlier this year. They killed that 635 00:33:59,120 --> 00:34:03,200 Speaker 1: franchise because they took what made the first one great, 636 00:34:03,640 --> 00:34:07,600 Speaker 1: the horror elements, the scariness of Megan, leaning in a 637 00:34:07,600 --> 00:34:10,479 Speaker 1: little bit to the humor, but still at the core 638 00:34:10,520 --> 00:34:13,319 Speaker 1: of that movie, it is a horror movie. Megan two 639 00:34:13,480 --> 00:34:15,680 Speaker 1: was so bad. I could not finish it on Peacock. 640 00:34:15,760 --> 00:34:18,560 Speaker 1: I just couldn't. I tried two to three times to 641 00:34:18,600 --> 00:34:21,279 Speaker 1: finish that, but they thought, Hey, the first one was 642 00:34:21,320 --> 00:34:23,440 Speaker 1: so good. Let's just do whatever we want. Let's not 643 00:34:23,480 --> 00:34:25,040 Speaker 1: make it a horror movie anymore. Let's make it an 644 00:34:25,080 --> 00:34:28,160 Speaker 1: action movie. Why can they not make a good sequel? 645 00:34:28,200 --> 00:34:31,919 Speaker 1: This was supposed to be their flagship franchise. It had 646 00:34:32,000 --> 00:34:34,920 Speaker 1: every horror movie trope you can imagine. The one I 647 00:34:34,960 --> 00:34:36,799 Speaker 1: hate the most was in this movie. I won't even 648 00:34:36,840 --> 00:34:38,680 Speaker 1: say it because I guess it's kind of a spoiler, 649 00:34:39,480 --> 00:34:41,680 Speaker 1: but there is a trope that they used in Five 650 00:34:41,760 --> 00:34:45,839 Speaker 1: Nights at Freddy's Two that every Blumhouse movie uses. Does 651 00:34:45,920 --> 00:34:49,960 Speaker 1: Jason Blum just come out of his producer chair and say, Hey, guys, 652 00:34:50,000 --> 00:34:53,200 Speaker 1: you know what this movie is missing? This trademark thing 653 00:34:53,200 --> 00:34:57,200 Speaker 1: that this studio is so proud of. Awful? Was this 654 00:34:57,239 --> 00:35:00,840 Speaker 1: movie written with Chad gbt? Because that's what it felt like, 655 00:35:01,680 --> 00:35:04,320 Speaker 1: where there was just an answer for everything. All the 656 00:35:04,360 --> 00:35:07,040 Speaker 1: way throughout this movie, I could not believe it. I 657 00:35:07,080 --> 00:35:09,759 Speaker 1: won't get into specifics about the plot, but here is 658 00:35:09,800 --> 00:35:14,759 Speaker 1: an example of a problem. Within Five Nights at Freddy's Two. Hey, 659 00:35:15,640 --> 00:35:17,800 Speaker 1: there's no key to this door. I sure wish I 660 00:35:17,800 --> 00:35:20,759 Speaker 1: could get in this door. Oh there's a key over here, 661 00:35:20,840 --> 00:35:24,000 Speaker 1: Let's open the door. Now. That was the entire movie. 662 00:35:24,520 --> 00:35:27,840 Speaker 1: Anytime there was a problem or any kind of friction, 663 00:35:28,560 --> 00:35:31,680 Speaker 1: there was an easy solution right there waiting in the corner. 664 00:35:31,840 --> 00:35:34,560 Speaker 1: That's why I feel that Chad GBT wrote the script 665 00:35:34,560 --> 00:35:37,560 Speaker 1: of this movie, because it's like, hey, create a problem, 666 00:35:37,640 --> 00:35:40,440 Speaker 1: create a solution. Here's the problem, here's the solution. Oh, 667 00:35:40,480 --> 00:35:43,680 Speaker 1: it's so easy. And I don't want to hate on 668 00:35:43,880 --> 00:35:46,600 Speaker 1: child actors, so I won't. I don't think it's the 669 00:35:46,680 --> 00:35:48,840 Speaker 1: child actor's fault in this movie. It has to be 670 00:35:48,880 --> 00:35:53,399 Speaker 1: the direction because some of the weakest performances I've ever 671 00:35:53,440 --> 00:35:56,880 Speaker 1: seen on screen. I was so let down and I 672 00:35:56,920 --> 00:35:59,480 Speaker 1: don't even know why I had any kind of expectation 673 00:35:59,680 --> 00:36:04,240 Speaker 1: going into it. But like I mentioned earlier, I wanted 674 00:36:04,280 --> 00:36:06,960 Speaker 1: to go see the SpongeBob movie. I did not get that. 675 00:36:07,040 --> 00:36:09,759 Speaker 1: And the entire time I had that SpongeBob character in 676 00:36:09,800 --> 00:36:13,640 Speaker 1: my head. Oh brother, this guy stinks. That is how 677 00:36:13,680 --> 00:36:17,439 Speaker 1: I felt from beginning to end. There were moments where 678 00:36:17,480 --> 00:36:20,120 Speaker 1: these actors were talking to themselves for no reason. I'm like, 679 00:36:20,160 --> 00:36:24,360 Speaker 1: who are they talking to? Overstating things for no reason, like, oh, 680 00:36:24,760 --> 00:36:29,360 Speaker 1: that must be where she is? Who are you talking to? Bro? Goodness, 681 00:36:30,040 --> 00:36:34,600 Speaker 1: this is hands down my worst in theater experience of 682 00:36:34,680 --> 00:36:38,160 Speaker 1: the year. Normally I take some time to collect myself 683 00:36:38,400 --> 00:36:40,480 Speaker 1: whenever I get back from watching a movie, but I 684 00:36:40,520 --> 00:36:42,839 Speaker 1: sat down immediately. I don't even think I looked at 685 00:36:42,880 --> 00:36:44,960 Speaker 1: my notes that I made, Like why do I even 686 00:36:44,960 --> 00:36:50,359 Speaker 1: need them? Week Opening The Adults suck worst dialogue Blumhouse 687 00:36:50,440 --> 00:36:53,840 Speaker 1: is just bad. Josh Hutchinson's character is a terrible guardian, 688 00:36:53,960 --> 00:36:55,879 Speaker 1: like he's supposed to be watching his sister and he's 689 00:36:55,920 --> 00:36:58,959 Speaker 1: just awful at that video game s dialogue, which maybe 690 00:36:58,960 --> 00:37:01,200 Speaker 1: that is what they got right. It felt like just 691 00:37:01,280 --> 00:37:04,360 Speaker 1: cut scenes from a video game, and I just can't 692 00:37:04,400 --> 00:37:08,239 Speaker 1: imagine them being on set and delivering this dialogue. Seriously, like, 693 00:37:08,280 --> 00:37:09,759 Speaker 1: how did they do that? Did they think there was 694 00:37:09,760 --> 00:37:12,720 Speaker 1: a good movie in there? How was this even made? 695 00:37:12,840 --> 00:37:15,200 Speaker 1: How has this approved? How did this go out into 696 00:37:15,200 --> 00:37:17,880 Speaker 1: the world. I feel so bad for the people who 697 00:37:17,960 --> 00:37:21,320 Speaker 1: were actually excited for this movie. And I know people 698 00:37:21,360 --> 00:37:23,640 Speaker 1: are gonna sound off in the comments and say how 699 00:37:23,680 --> 00:37:27,440 Speaker 1: wrong I am, how boomer I am, how dumb I 700 00:37:27,480 --> 00:37:30,120 Speaker 1: am for my opinions on this movie. But I don't 701 00:37:30,160 --> 00:37:32,640 Speaker 1: get it. I wish I got it. Do you think 702 00:37:32,680 --> 00:37:35,920 Speaker 1: I want to waste my afternoon watching a movie that 703 00:37:36,040 --> 00:37:40,040 Speaker 1: is so bad. The only redeeming thing I can say 704 00:37:40,120 --> 00:37:42,520 Speaker 1: is that next time I go back to the theater, 705 00:37:42,600 --> 00:37:45,200 Speaker 1: I am going to watch the SpongeBob movie for five 706 00:37:45,320 --> 00:37:50,920 Speaker 1: nights at Freddy's. How low can you go? I mean, 707 00:37:50,960 --> 00:37:53,640 Speaker 1: I didn't leave. I watched the entire thing. By the 708 00:37:53,640 --> 00:37:55,560 Speaker 1: time the credits rolled, I was like, this could not 709 00:37:55,640 --> 00:37:57,560 Speaker 1: have come soon enough. At least it was under an 710 00:37:57,560 --> 00:38:01,120 Speaker 1: hour and forty minutes for five nights Freddy's. I give 711 00:38:01,120 --> 00:38:03,879 Speaker 1: it one out of five animatronics. Get it out of here. 712 00:38:07,800 --> 00:38:11,479 Speaker 1: It's time to head down to movie Mike Traylor, Paul 713 00:38:12,120 --> 00:38:15,040 Speaker 1: all right, it is time to blind react to the 714 00:38:15,080 --> 00:38:19,279 Speaker 1: Supergirl trailer. At the time of recording this, it was 715 00:38:19,320 --> 00:38:22,239 Speaker 1: posted on YouTube one hour ago. I literally just got 716 00:38:22,239 --> 00:38:25,200 Speaker 1: home from work. I didn't open up Instagram, I didn't 717 00:38:25,200 --> 00:38:27,280 Speaker 1: open up TikTok. I didn't want to see a single 718 00:38:27,360 --> 00:38:30,600 Speaker 1: second of it until I sat down right now, because 719 00:38:30,600 --> 00:38:33,560 Speaker 1: the last time I did this was for the Superman trailer. 720 00:38:33,680 --> 00:38:36,319 Speaker 1: I just wanted to give you my raw reaction of 721 00:38:36,400 --> 00:38:39,840 Speaker 1: me seeing David Corn sweat in the suit for the 722 00:38:39,880 --> 00:38:44,160 Speaker 1: first time. And the only reason I'm moderately excited going 723 00:38:44,239 --> 00:38:46,800 Speaker 1: into this one is because I don't know a whole 724 00:38:46,840 --> 00:38:51,279 Speaker 1: lot about the Supergirl character and her origins, but I 725 00:38:51,320 --> 00:38:55,320 Speaker 1: am curious to know more Millie Adcock is playing Supergirl. 726 00:38:55,360 --> 00:38:58,080 Speaker 1: I feel like most people know her from House of Dragon. 727 00:38:58,320 --> 00:39:01,040 Speaker 1: I can never get into that show. Sorry out so slow. 728 00:39:01,120 --> 00:39:04,080 Speaker 1: I never got through season one. I primarily know her 729 00:39:04,160 --> 00:39:06,799 Speaker 1: from Sirens, which was a Netflix show she did with 730 00:39:06,800 --> 00:39:09,880 Speaker 1: Megan Fahi that started out really good and interesting and 731 00:39:09,960 --> 00:39:12,919 Speaker 1: kind of went nowhere. But the thing I took away 732 00:39:12,920 --> 00:39:15,520 Speaker 1: from that show is she is a good actor. There 733 00:39:15,560 --> 00:39:17,680 Speaker 1: are a lot of things going on now with Warner 734 00:39:17,680 --> 00:39:20,520 Speaker 1: Brothers being bought by Netflix, which James Gunn is saying 735 00:39:20,880 --> 00:39:24,160 Speaker 1: that it's not affecting their plans, and then putting out 736 00:39:24,160 --> 00:39:26,839 Speaker 1: this trailer now which we did know we were going 737 00:39:26,920 --> 00:39:30,400 Speaker 1: to get it before Christmas came that it looks like, 738 00:39:30,480 --> 00:39:33,920 Speaker 1: at least now they're going to be separate and we're 739 00:39:33,960 --> 00:39:36,440 Speaker 1: not going to see anything too crazy. I wonder if 740 00:39:36,520 --> 00:39:39,000 Speaker 1: that is going to change over time, because obviously when 741 00:39:39,040 --> 00:39:42,360 Speaker 1: you have these two things merging, Warner Brothers, HBO Max 742 00:39:42,400 --> 00:39:45,719 Speaker 1: and Netflix becoming one, what is going to happen. Some 743 00:39:45,760 --> 00:39:48,040 Speaker 1: people are worried that it's not going to come out 744 00:39:48,080 --> 00:39:51,480 Speaker 1: in theaters. Traditionally some people are saying if Superman came 745 00:39:51,520 --> 00:39:53,799 Speaker 1: out straight to streaming, it would have been just as big. 746 00:39:53,880 --> 00:39:55,840 Speaker 1: So we'll get into more of that. But now I 747 00:39:55,880 --> 00:39:58,319 Speaker 1: want to hit play on this trailer. We'll watch it, 748 00:39:58,840 --> 00:40:01,160 Speaker 1: I'll talk about it. I'm looking at the runtime now. 749 00:40:01,200 --> 00:40:04,160 Speaker 1: It is two minutes and three seconds, so I'm just 750 00:40:04,160 --> 00:40:06,840 Speaker 1: gonna let it run. You'll hear my little commentary in 751 00:40:06,880 --> 00:40:09,560 Speaker 1: the background. If something big happens, if we see some 752 00:40:09,640 --> 00:40:13,719 Speaker 1: characters that maybe we're not expecting. But we'll watch it together. Here, 753 00:40:14,440 --> 00:40:17,200 Speaker 1: I'll come back. I'll get more of my thoughts on 754 00:40:17,400 --> 00:40:20,160 Speaker 1: what is going on with DC, how we see this 755 00:40:20,200 --> 00:40:24,000 Speaker 1: playing into their first chapter. All right, I'm clicking into it. Now, 756 00:40:24,360 --> 00:40:27,480 Speaker 1: turn it up. Let's full screen this thing and let's 757 00:40:27,520 --> 00:40:42,520 Speaker 1: watch the Supergirl trailers. Be crypto. Here. I manage to 758 00:40:42,560 --> 00:40:44,759 Speaker 1: get most of it on the paper of this sign. 759 00:40:46,120 --> 00:41:00,000 Speaker 1: Let's catch up, buddy, Hi, cars are out here by. 760 00:41:00,040 --> 00:41:03,839 Speaker 1: It is clear the twenty three will be the best 761 00:41:03,880 --> 00:41:13,759 Speaker 1: year at Let's be honest, babe, it's not a very 762 00:41:14,560 --> 00:41:20,239 Speaker 1: high Barty clear, I didn't know any of you was 763 00:41:20,280 --> 00:41:22,600 Speaker 1: still alive. What was it like, Sluice? Everything in the 764 00:41:22,680 --> 00:41:27,799 Speaker 1: day her time didn't die to day gods are not 765 00:41:27,880 --> 00:41:37,120 Speaker 1: that kind. Okay, this does not look like this is 766 00:41:37,160 --> 00:41:55,120 Speaker 1: gonna end well for you guys. Okay, house like you. No, 767 00:41:55,200 --> 00:42:05,719 Speaker 1: it's a pretty small group of two. A vision. He 768 00:42:05,800 --> 00:42:09,560 Speaker 1: sees the good in everyone, and I see the truth. Ooh. 769 00:42:09,640 --> 00:42:22,839 Speaker 1: The suit he sees the good, She sees the truth. Okay, okay, 770 00:42:23,440 --> 00:42:26,160 Speaker 1: all right. A media thing that sticks out to me 771 00:42:26,360 --> 00:42:30,400 Speaker 1: is the suit. It looks fantastic just in the thumbnail alone. 772 00:42:30,920 --> 00:42:34,880 Speaker 1: It greatly mirrors the David Cornsweat suit, but it stands 773 00:42:34,920 --> 00:42:38,120 Speaker 1: out so much of anything we've seen from a female 774 00:42:38,200 --> 00:42:41,120 Speaker 1: led superhero movie that that is exciting to me. The 775 00:42:41,160 --> 00:42:44,319 Speaker 1: fact that she has the same powers as Superman, and 776 00:42:44,360 --> 00:42:46,919 Speaker 1: even what she said in the trailer of Superman sees 777 00:42:46,960 --> 00:42:50,080 Speaker 1: the good and everybody she sees the truth, that just 778 00:42:50,160 --> 00:42:53,640 Speaker 1: tells you the difference in their personalities. You see what 779 00:42:53,800 --> 00:42:58,600 Speaker 1: her character has gone through, why she has troubles with alcohol. 780 00:42:58,960 --> 00:43:03,000 Speaker 1: Beginning of this trailer, you see her basically looking dead 781 00:43:03,040 --> 00:43:05,879 Speaker 1: in the eyes, lifeless. There's that scene where it looks 782 00:43:05,880 --> 00:43:07,880 Speaker 1: like she's sitting down at like a train station or 783 00:43:07,880 --> 00:43:10,359 Speaker 1: like a bus station, and you see like the wind 784 00:43:10,360 --> 00:43:12,520 Speaker 1: blow in her hair and she just doesn't react. To it. 785 00:43:12,520 --> 00:43:15,560 Speaker 1: You just see her shades, which that is a fantastic visual. 786 00:43:15,840 --> 00:43:18,880 Speaker 1: And then in this trailer we are learning about her history, 787 00:43:19,200 --> 00:43:22,239 Speaker 1: which seems to be pretty dark. She is responding to 788 00:43:23,080 --> 00:43:26,200 Speaker 1: the evil things that she has experienced in her life 789 00:43:26,239 --> 00:43:29,880 Speaker 1: and the awful things of the gods destroying her home. 790 00:43:30,239 --> 00:43:32,879 Speaker 1: In that trailer, we heard them say losing her home 791 00:43:32,920 --> 00:43:34,680 Speaker 1: in one day. She's like, no, the gods wouldn't be 792 00:43:35,320 --> 00:43:38,680 Speaker 1: that nice. So it seems to be that the people 793 00:43:38,719 --> 00:43:43,440 Speaker 1: who destroyed her home did it slow and painfully. And 794 00:43:44,200 --> 00:43:47,720 Speaker 1: immediately I'm getting a lot of Guardians of the Galaxy vibes, 795 00:43:47,920 --> 00:43:50,000 Speaker 1: which I think anytime you have a character like that 796 00:43:50,120 --> 00:43:53,000 Speaker 1: who maybe likes to party a little bit, maybe is 797 00:43:53,040 --> 00:43:55,839 Speaker 1: a little bit messy, has a bit of an edge 798 00:43:55,840 --> 00:43:58,960 Speaker 1: to them, and you put them in this cosmic universe 799 00:43:59,000 --> 00:44:02,360 Speaker 1: that looks very play and while she is so I 800 00:44:02,400 --> 00:44:05,280 Speaker 1: don't want to say upbeat, but a little bit comical, 801 00:44:05,320 --> 00:44:07,200 Speaker 1: and you see the villains that she is going after 802 00:44:07,280 --> 00:44:10,760 Speaker 1: are so serious and big and dead pin and bulky. 803 00:44:11,200 --> 00:44:14,560 Speaker 1: There is that contrast that you create that just lends 804 00:44:14,600 --> 00:44:17,319 Speaker 1: itself to looking just like what James Gunn did with 805 00:44:17,360 --> 00:44:19,760 Speaker 1: the Guardians of the Galaxy movies, and if you're gonna 806 00:44:19,840 --> 00:44:21,920 Speaker 1: rip off something, rip off the people who did it 807 00:44:22,000 --> 00:44:25,360 Speaker 1: the best, and also rip off the person the director 808 00:44:25,480 --> 00:44:28,680 Speaker 1: James Gunn, who knows that universe, which he isn't directing 809 00:44:28,719 --> 00:44:31,279 Speaker 1: this movie, but he still has a big hand in 810 00:44:31,320 --> 00:44:35,799 Speaker 1: it and can give our director here, Craig Gilepsi, some 811 00:44:36,000 --> 00:44:39,320 Speaker 1: insight on that. But I'll go through the YouTube description now. 812 00:44:39,520 --> 00:44:43,720 Speaker 1: When an unexpected and ruthless adversary strikes too close to home, 813 00:44:44,080 --> 00:44:48,440 Speaker 1: Kara zor l aka Supergirl reluctantly joins forces with an 814 00:44:48,520 --> 00:44:53,760 Speaker 1: unlikely companion on an epic interstellar journey of vengeance and justice. 815 00:44:54,080 --> 00:44:56,320 Speaker 1: That is what I'm getting the sense of here, where 816 00:44:56,640 --> 00:44:59,920 Speaker 1: she starts out maybe not caring about life, not care 817 00:45:00,200 --> 00:45:02,640 Speaker 1: about herself, which we see that a bit from her 818 00:45:02,719 --> 00:45:05,879 Speaker 1: character in Superman, kind of being one that just kind 819 00:45:05,880 --> 00:45:08,879 Speaker 1: of stumbles into a room, doesn't care about timelines, doesn't 820 00:45:08,920 --> 00:45:11,440 Speaker 1: care about anything. But just because she doesn't have her 821 00:45:11,480 --> 00:45:14,239 Speaker 1: life together does not mean that she is not powerful, 822 00:45:14,440 --> 00:45:16,480 Speaker 1: because I know there's going to be that moment in 823 00:45:16,480 --> 00:45:18,680 Speaker 1: this movie. We see a little bit here from one 824 00:45:18,680 --> 00:45:21,759 Speaker 1: of the fight sequences where she really turns it on, 825 00:45:22,360 --> 00:45:24,240 Speaker 1: and that is going to be a moment where heads 826 00:45:24,280 --> 00:45:27,279 Speaker 1: start to roll. And not only am I excited for 827 00:45:27,360 --> 00:45:29,480 Speaker 1: this movie, I don't want to get too ahead of myself, 828 00:45:29,560 --> 00:45:32,600 Speaker 1: but I can't wait until we go next level and 829 00:45:32,640 --> 00:45:36,600 Speaker 1: it is Superman and Supergirl fighting together because they contrast 830 00:45:36,640 --> 00:45:41,279 Speaker 1: each other so much, where they both come from similar backgrounds. 831 00:45:41,320 --> 00:45:45,440 Speaker 1: But maybe it's just one day or how your life 832 00:45:45,480 --> 00:45:48,920 Speaker 1: is determined by how you react to situations where if 833 00:45:48,960 --> 00:45:51,880 Speaker 1: they both had something really traumatic happen to them, like 834 00:45:51,920 --> 00:45:54,960 Speaker 1: their home planet being destroyed, which they are cousins, one 835 00:45:54,960 --> 00:45:57,319 Speaker 1: of them reacts in a way like Superman, I'm still 836 00:45:57,360 --> 00:45:59,840 Speaker 1: gonna find the good in people. I'm still going to 837 00:45:59,840 --> 00:46:03,600 Speaker 1: do what is right, and one of them responds like Supergirl, 838 00:46:03,640 --> 00:46:07,279 Speaker 1: who says, no, people are awful and I want to 839 00:46:07,360 --> 00:46:09,920 Speaker 1: expose the truth in people, and it exposed them for 840 00:46:10,040 --> 00:46:12,960 Speaker 1: the true villains that they actually are. I am gonna 841 00:46:12,960 --> 00:46:15,440 Speaker 1: go out and defeat those people. I can't wait to 842 00:46:15,480 --> 00:46:18,280 Speaker 1: see those two forces join up and start beating people 843 00:46:18,400 --> 00:46:21,920 Speaker 1: up together and having differences in how to go about 844 00:46:21,920 --> 00:46:25,600 Speaker 1: doing these things. I would have to imagine Superman has 845 00:46:25,719 --> 00:46:28,120 Speaker 1: a no kill policy. He's not gonna kill anybody. He'll 846 00:46:28,160 --> 00:46:30,960 Speaker 1: hurt people, he'll throw people every now and then if 847 00:46:30,960 --> 00:46:35,279 Speaker 1: he gets really mad. Someone tells me Supergirl wouldn't mind 848 00:46:35,280 --> 00:46:38,839 Speaker 1: seeing some people go down and maybe doesn't have those 849 00:46:38,840 --> 00:46:42,239 Speaker 1: same morals of it really awful. I'm gonna kill you. 850 00:46:42,600 --> 00:46:47,240 Speaker 1: But alongside Lily Adcock as Supergirl, we also have Jason 851 00:46:47,280 --> 00:46:49,720 Speaker 1: Momoa is gonna be in this movie. He is gonna 852 00:46:49,719 --> 00:46:52,480 Speaker 1: be Lobo, who is an alien mercenary and a bounty 853 00:46:52,520 --> 00:46:55,840 Speaker 1: hunter from another planet. Alongside this cast you also have 854 00:46:55,920 --> 00:47:00,960 Speaker 1: supergirls father, Supergirl's mother. We didn't get any unexpected that cameos. 855 00:47:01,400 --> 00:47:03,680 Speaker 1: I don't think David Cornsweat is going to be in 856 00:47:03,719 --> 00:47:06,120 Speaker 1: this movie at all, even though in this trailer you 857 00:47:06,200 --> 00:47:09,279 Speaker 1: do see her or at least in front of her 858 00:47:09,320 --> 00:47:13,280 Speaker 1: a newspaper, so she is still getting news stories about 859 00:47:13,320 --> 00:47:16,960 Speaker 1: her cousin doing good things, about him stopping a nuclear 860 00:47:17,000 --> 00:47:20,000 Speaker 1: reactor and also saving cats and trees, so he's still 861 00:47:20,040 --> 00:47:22,919 Speaker 1: saving the little animals, but her, on the other hand, 862 00:47:23,000 --> 00:47:26,120 Speaker 1: is still a cynical drunk. Supergirl in this movie is 863 00:47:26,120 --> 00:47:29,279 Speaker 1: also going to be twenty three years old, so that 864 00:47:29,400 --> 00:47:32,040 Speaker 1: also gives you kind of a state of mind, or 865 00:47:32,080 --> 00:47:34,640 Speaker 1: at least where she is in her brain development and 866 00:47:34,719 --> 00:47:37,200 Speaker 1: how a twenty three year old with superpowers would act 867 00:47:37,239 --> 00:47:39,520 Speaker 1: in the situation, and I think that is great, that 868 00:47:39,600 --> 00:47:42,520 Speaker 1: is important. I think we haven't seen a character like 869 00:47:42,600 --> 00:47:45,440 Speaker 1: this in a really long time, especially one to have 870 00:47:45,480 --> 00:47:47,719 Speaker 1: such a big movie coming out that is really going 871 00:47:47,800 --> 00:47:51,240 Speaker 1: to be one of the major tent poles of DC 872 00:47:51,480 --> 00:47:53,759 Speaker 1: and Warner Brothers next year. We got to look at 873 00:47:53,760 --> 00:47:56,040 Speaker 1: our villain, Krem, who is going to be the main 874 00:47:56,280 --> 00:47:59,640 Speaker 1: protagonist in this movie. Aside from the suit, I really 875 00:47:59,640 --> 00:48:01,960 Speaker 1: love it. They actually showed her heat vision in this, 876 00:48:02,239 --> 00:48:03,719 Speaker 1: which is something I wish we would have had a 877 00:48:03,760 --> 00:48:06,840 Speaker 1: little bit more of in Superman. There's a lot of flying, 878 00:48:06,880 --> 00:48:10,440 Speaker 1: but I need more heat vision. And I also imagine 879 00:48:10,760 --> 00:48:13,240 Speaker 1: at the very beginning of this and throughout the trailer, 880 00:48:13,719 --> 00:48:17,280 Speaker 1: they kind of hint towards something not great happening to Crypto. 881 00:48:17,360 --> 00:48:19,240 Speaker 1: I don't even want to say it, because I think 882 00:48:19,440 --> 00:48:22,600 Speaker 1: he was a big part of the comedic relief and 883 00:48:22,719 --> 00:48:25,560 Speaker 1: just the heart aside from Superman of course, but something 884 00:48:25,600 --> 00:48:27,360 Speaker 1: that I think a lot of people were drawn to 885 00:48:27,520 --> 00:48:30,279 Speaker 1: in that first movie. If they wanted to go next 886 00:48:30,360 --> 00:48:33,880 Speaker 1: level and do something memorable but tragic, I have to 887 00:48:34,000 --> 00:48:37,520 Speaker 1: imagine it is going to be pulling in our heartstrings 888 00:48:37,800 --> 00:48:41,000 Speaker 1: and something happening to Crypto. I don't want to see that, 889 00:48:41,440 --> 00:48:44,200 Speaker 1: But this is a character who has already dealt with 890 00:48:44,360 --> 00:48:47,200 Speaker 1: a lot of loss by losing her home. If they 891 00:48:47,239 --> 00:48:50,560 Speaker 1: take away Crypton, could they take away Crypto? I think 892 00:48:50,560 --> 00:48:53,319 Speaker 1: I just love that level of cynicism. And maybe it's 893 00:48:53,360 --> 00:48:55,560 Speaker 1: just because I'm becoming a little bit more cynical as 894 00:48:55,560 --> 00:48:58,000 Speaker 1: I grow older. I kind of see it from her 895 00:48:58,000 --> 00:49:01,640 Speaker 1: perspective of having a cynical outlook on the world, especially 896 00:49:01,640 --> 00:49:04,719 Speaker 1: when destructive things are going on at this level. I'm in. 897 00:49:05,040 --> 00:49:07,560 Speaker 1: I'm all about it. Supergirl is coming out next year 898 00:49:07,880 --> 00:49:11,400 Speaker 1: on June twenty sixth, twenty twenty six. Thanks for joining 899 00:49:11,400 --> 00:49:14,760 Speaker 1: me on this blind reaction. And that was this week's 900 00:49:14,920 --> 00:49:18,680 Speaker 1: edition of Movie Li Famer Bar and that is going 901 00:49:18,760 --> 00:49:21,120 Speaker 1: to do it for another episode of the podcast. But 902 00:49:21,200 --> 00:49:23,200 Speaker 1: before I go, I got to give my listeners shout 903 00:49:23,200 --> 00:49:25,480 Speaker 1: out of the week. This week, I'm shouting out my 904 00:49:25,520 --> 00:49:28,840 Speaker 1: buddy Sean Stenson, who tagged me on his Instagram story 905 00:49:29,120 --> 00:49:31,880 Speaker 1: that I was his most listened to podcast of twenty 906 00:49:31,920 --> 00:49:35,200 Speaker 1: twenty five. So appreciate that. Sean. Shawn and I actually 907 00:49:35,320 --> 00:49:38,800 Speaker 1: go way back, I think to maybe two thousand and five, 908 00:49:38,880 --> 00:49:41,439 Speaker 1: two thousand and four. The fact that that was twenty 909 00:49:41,560 --> 00:49:43,680 Speaker 1: years ago now about it be twenty one years ago 910 00:49:43,800 --> 00:49:46,799 Speaker 1: is wild. But Sean and I were both members of 911 00:49:46,840 --> 00:49:49,680 Speaker 1: the Alkalan Trio fan Club back in the day. I 912 00:49:49,719 --> 00:49:52,600 Speaker 1: still remember the day I got in the mail my 913 00:49:52,680 --> 00:49:56,280 Speaker 1: official fan club card. I still have it in my wallet. 914 00:49:56,280 --> 00:49:58,680 Speaker 1: It's kind of broken into pieces now, But there was 915 00:49:58,760 --> 00:50:01,560 Speaker 1: a core group of people that I only knew from 916 00:50:01,640 --> 00:50:03,960 Speaker 1: the internet, and Sean was one of those people who 917 00:50:04,000 --> 00:50:06,440 Speaker 1: I've kept up with now over the years, and I 918 00:50:06,480 --> 00:50:09,239 Speaker 1: think we've only met and hung out once. And I'll 919 00:50:09,280 --> 00:50:12,200 Speaker 1: be honest, Sean, seeing you tag me in your story, 920 00:50:12,560 --> 00:50:14,200 Speaker 1: that was the first time I even knew you listened 921 00:50:14,200 --> 00:50:17,200 Speaker 1: to this podcast. So thank you for making your number 922 00:50:17,200 --> 00:50:19,920 Speaker 1: one podcast and telling other people about the show. So 923 00:50:20,040 --> 00:50:24,719 Speaker 1: really appreciate that. If I made anybody else's top podcast 924 00:50:24,800 --> 00:50:26,960 Speaker 1: of the year, tag me in those stories and I'll 925 00:50:26,960 --> 00:50:29,480 Speaker 1: repost those and make you next week's listener shout out 926 00:50:29,520 --> 00:50:31,839 Speaker 1: of the week. So thank you all for listening, whether 927 00:50:31,880 --> 00:50:34,759 Speaker 1: you listen on release days, which is Monday, or if 928 00:50:34,800 --> 00:50:36,440 Speaker 1: you listen on the weekend when he gets added to 929 00:50:36,440 --> 00:50:39,600 Speaker 1: the Bobby Bone Show feed, I appreciate you, And until 930 00:50:39,680 --> 00:50:42,080 Speaker 1: next time, but make sure you're subscribed. That way, you 931 00:50:42,120 --> 00:50:44,560 Speaker 1: get brand new episodes every single Monday, and you get 932 00:50:44,600 --> 00:50:47,520 Speaker 1: them right when they come out overnight. So thank you 933 00:50:47,560 --> 00:50:51,000 Speaker 1: for being subscribed, and until next time, go out and 934 00:50:51,080 --> 00:50:53,800 Speaker 1: watch good movies and I will talk to you later