1 00:00:04,360 --> 00:00:06,400 Speaker 1: Hey, and welcome to the short Stuff. I'm Josh, and 2 00:00:06,440 --> 00:00:09,760 Speaker 1: there's Chuck, and Jerry's here too, and Dave's not, but 3 00:00:10,039 --> 00:00:13,520 Speaker 1: he would be if he weren't doing something else right now. 4 00:00:13,640 --> 00:00:16,000 Speaker 1: He sends his love and kisses to all of you 5 00:00:17,160 --> 00:00:19,280 Speaker 1: from Dave this short stuff. 6 00:00:19,600 --> 00:00:24,079 Speaker 2: That's right. We're talking about what's called the phonetic alphabet, 7 00:00:24,320 --> 00:00:25,880 Speaker 2: and we're like, well, I don't know what that is. 8 00:00:26,320 --> 00:00:28,840 Speaker 1: It's a phonetic alphabet. 9 00:00:30,720 --> 00:00:32,200 Speaker 2: You do know what it is. If you've ever seen 10 00:00:32,200 --> 00:00:35,600 Speaker 2: a war movie, or if you're hooked on phonics, or 11 00:00:35,600 --> 00:00:37,680 Speaker 2: if you're hooked on phonics, or you know, you may 12 00:00:37,680 --> 00:00:41,160 Speaker 2: not be using the actual phonetic alphabet that they finally 13 00:00:41,240 --> 00:00:44,120 Speaker 2: agreed on, which we'll get to, but you may be 14 00:00:44,200 --> 00:00:46,519 Speaker 2: using your own version. If you've ever been on a 15 00:00:46,560 --> 00:00:47,600 Speaker 2: customer service call. 16 00:00:47,800 --> 00:00:48,400 Speaker 1: I've done that. 17 00:00:48,640 --> 00:00:51,800 Speaker 2: And you've had to, you know, say, well, my name 18 00:00:51,920 --> 00:00:58,120 Speaker 2: is Chuck Jack No Chuck see as in Chuck h 19 00:00:58,240 --> 00:01:04,200 Speaker 2: is in Harley Davidson in Ubiquitous, uh C is in 20 00:01:04,440 --> 00:01:07,040 Speaker 2: can you believe I'm having the spell? Chuck out and 21 00:01:07,200 --> 00:01:11,000 Speaker 2: k is in Kangaroo poop. 22 00:01:12,600 --> 00:01:14,520 Speaker 1: That's a good one, Chuck. I liked that last one. 23 00:01:14,920 --> 00:01:17,920 Speaker 2: Yeah, I never know what to say. When I go 24 00:01:18,000 --> 00:01:21,600 Speaker 2: to do that, I know, and I feel like I 25 00:01:21,640 --> 00:01:24,560 Speaker 2: get stumped, which is remarkable that like I can't think 26 00:01:24,600 --> 00:01:28,320 Speaker 2: of a SA word, which is crazy, especially with the 27 00:01:28,360 --> 00:01:29,880 Speaker 2: sea word. 28 00:01:29,640 --> 00:01:32,880 Speaker 1: We just walk on past that one, Chuck, Why would 29 00:01:32,880 --> 00:01:36,480 Speaker 1: you possibly want to assign words to letters when you're 30 00:01:36,480 --> 00:01:39,880 Speaker 1: talking to somebody on a customer service hotline? 31 00:01:40,480 --> 00:01:42,200 Speaker 2: Well, I have an answer. And by the way, thanks 32 00:01:42,240 --> 00:01:46,720 Speaker 2: to popular mechanics and NATO DOT I n T in 33 00:01:46,760 --> 00:01:50,640 Speaker 2: particular for this, you would want to do that because, 34 00:01:51,080 --> 00:01:52,919 Speaker 2: you know, a lot of this stuff started out after 35 00:01:53,880 --> 00:01:57,720 Speaker 2: well it all started out after radio communication was born. 36 00:01:57,760 --> 00:02:00,720 Speaker 1: When they were the excellent point I hadn't considered, you know. 37 00:02:00,640 --> 00:02:04,080 Speaker 2: When they were telegrams were the way that people communicated. 38 00:02:04,760 --> 00:02:06,760 Speaker 2: It was very easy to see what someone meant because 39 00:02:06,800 --> 00:02:09,880 Speaker 2: it was spelled out for you. But once radio coom started, 40 00:02:10,639 --> 00:02:13,640 Speaker 2: and especially in things like war, if you're trying to 41 00:02:14,040 --> 00:02:17,200 Speaker 2: say report your position because you're being bombed, the person 42 00:02:17,240 --> 00:02:19,440 Speaker 2: on the other end they can't see you, they can't 43 00:02:19,440 --> 00:02:23,040 Speaker 2: reach your lips. They're hearing bombing going on and people 44 00:02:23,080 --> 00:02:26,760 Speaker 2: probably yelling and screaming, and it's chaotic, and so you 45 00:02:26,840 --> 00:02:29,160 Speaker 2: really want to get that right. So they started spelling 46 00:02:29,200 --> 00:02:33,440 Speaker 2: this stuff out just to make sure they knew the 47 00:02:33,520 --> 00:02:34,240 Speaker 2: correct message. 48 00:02:34,840 --> 00:02:37,520 Speaker 1: Yeah, makes total sense. One of those things is so 49 00:02:37,560 --> 00:02:40,680 Speaker 1: obvious that it could smack you on the forehead, but 50 00:02:41,240 --> 00:02:43,160 Speaker 1: you just don't think about that. They just did not 51 00:02:43,320 --> 00:02:46,560 Speaker 1: need it before radio and people who use the radio 52 00:02:46,880 --> 00:02:51,360 Speaker 1: a lot and really really need clear communication because the 53 00:02:51,360 --> 00:02:53,840 Speaker 1: stuff that they're talking about can often be life and death. 54 00:02:54,400 --> 00:02:57,519 Speaker 1: Those are the ones you'll most typically find using that 55 00:02:57,560 --> 00:02:59,119 Speaker 1: phonetic or NATO alphabet. 56 00:02:59,639 --> 00:03:03,560 Speaker 2: Yeah, and there's also I mean, the very foundation of 57 00:03:03,680 --> 00:03:08,240 Speaker 2: ventriloquism is based on the idea that there are sounds 58 00:03:08,280 --> 00:03:12,720 Speaker 2: that sound like other sounds and that can very confusing, 59 00:03:12,840 --> 00:03:16,959 Speaker 2: and ventriloquism you exploit that by saying those other sounds 60 00:03:17,080 --> 00:03:21,240 Speaker 2: have less lip movement as a substitute. But if you're 61 00:03:21,240 --> 00:03:24,920 Speaker 2: on a radio communication with some communica, is that what 62 00:03:24,919 --> 00:03:27,520 Speaker 2: you would say? Yeah, then you don't want to get 63 00:03:27,520 --> 00:03:30,040 Speaker 2: someone THH confused with an F you know what I mean? 64 00:03:30,320 --> 00:03:32,760 Speaker 1: Yeah, I know what you mean. Man, That can lead 65 00:03:32,800 --> 00:03:33,440 Speaker 1: to disaster. 66 00:03:34,800 --> 00:03:37,880 Speaker 2: There's been a long kind of weird history with this though. Yeah, 67 00:03:37,960 --> 00:03:41,120 Speaker 2: as far as agreeing on it. The first one came 68 00:03:41,400 --> 00:03:45,200 Speaker 2: about in the nineteen twenties, from the telecom industry, the 69 00:03:45,240 --> 00:03:50,040 Speaker 2: International Telecommunications Union, and I say, we read all these versions. 70 00:03:50,120 --> 00:03:54,960 Speaker 1: They're great. They use geographical names, typically town, sometimes states. 71 00:03:55,320 --> 00:03:57,360 Speaker 1: There was one I had to look up for X. 72 00:03:57,360 --> 00:03:58,320 Speaker 1: It's ZAMTHEP. 73 00:03:58,920 --> 00:04:00,800 Speaker 2: I think you should just read the alphabet. Do it? 74 00:04:01,080 --> 00:04:01,440 Speaker 1: Okay? 75 00:04:01,520 --> 00:04:02,120 Speaker 2: I want to hear it. 76 00:04:02,200 --> 00:04:11,480 Speaker 1: Josh Style, Amsterdam, Baltimore, Casablanca, Denmark, Edison, New Jersey, Florida, Galiopoli. 77 00:04:12,280 --> 00:04:13,720 Speaker 1: Whatever you entered, it a bell. 78 00:04:14,040 --> 00:04:14,680 Speaker 2: It's what you do. 79 00:04:14,960 --> 00:04:17,800 Speaker 1: Whoever I was speaking to in nineteen twenty would have 80 00:04:17,839 --> 00:04:23,000 Speaker 1: known I meant g okay Havana, Italia. They put a 81 00:04:23,000 --> 00:04:25,440 Speaker 1: little extra spicy sauce on that one. 82 00:04:25,680 --> 00:04:26,080 Speaker 2: Uh huh. 83 00:04:26,200 --> 00:04:38,719 Speaker 1: Jerusalem kilogram makes no sense, Liverpool, Madagascar, New York, Oslo, Paris, Quebec, Roma, Santiago, Tripoli, Uppsila, Valencia, Washington. 84 00:04:39,160 --> 00:04:42,400 Speaker 1: There's that zan thiep again, Yokohama and Zurich. 85 00:04:43,000 --> 00:04:46,480 Speaker 2: I'm just trying to picture you on the war communication. 86 00:04:47,400 --> 00:04:50,200 Speaker 2: When you no, he said, a Galiopoly is a no. 87 00:04:50,640 --> 00:04:55,160 Speaker 2: It is a no letter for Galiopoli, right, Galipoly No, 88 00:04:55,240 --> 00:04:56,240 Speaker 2: he said, a Galiopoly. 89 00:04:57,560 --> 00:05:00,159 Speaker 1: They accidentally in big Galiopoli when they meant to go 90 00:05:00,200 --> 00:05:00,920 Speaker 1: to Gallipoli. 91 00:05:01,200 --> 00:05:02,960 Speaker 2: I don't know why, all of a sudden you're on 92 00:05:03,080 --> 00:05:05,279 Speaker 2: a communicate with Italy. 93 00:05:05,760 --> 00:05:09,760 Speaker 1: I have always said galiopoly too. Really, Yeah, I like 94 00:05:09,800 --> 00:05:12,120 Speaker 1: it more. I'm gonna continue saying it because I say 95 00:05:12,160 --> 00:05:14,800 Speaker 1: it so infrequently. Why change something like that? 96 00:05:15,080 --> 00:05:23,880 Speaker 2: Man, that extra val. I'm gonna start calling you Josiah. 97 00:05:21,080 --> 00:05:23,840 Speaker 1: Yeah, Okaya, the same as calling me Joshua. 98 00:05:24,920 --> 00:05:26,760 Speaker 2: Oh is it the same name. Basically, it's the. 99 00:05:26,760 --> 00:05:30,600 Speaker 1: Same number of syllables. Oh, stop Josiah. 100 00:05:30,200 --> 00:05:35,560 Speaker 2: Joshua militarily speaking. So that was the telecoms industry. On 101 00:05:35,600 --> 00:05:41,080 Speaker 2: the military side, they started using the Army Navy's phonetic alphabet, 102 00:05:41,080 --> 00:05:45,640 Speaker 2: which they called the Abel Baker Alphabetic alphabetic alphabet because 103 00:05:45,640 --> 00:05:49,760 Speaker 2: those are the first two and the Brits use this 104 00:05:49,839 --> 00:05:53,440 Speaker 2: one as well. And I'll go through this one, Abel Baker, 105 00:05:53,600 --> 00:05:59,880 Speaker 2: Charlie dogg Easy Fox, George Howe. That's a tough one 106 00:06:00,560 --> 00:06:12,240 Speaker 2: item Jig King, Love, Mike nan Obo, Peter Queen, Roger Sugar, 107 00:06:13,040 --> 00:06:17,040 Speaker 2: tear Is and t A r E, Uncle Victor William 108 00:06:17,279 --> 00:06:22,320 Speaker 2: X Ray Yoke and Zebra or Zebra if you're a brit. 109 00:06:22,440 --> 00:06:25,040 Speaker 1: My favorite combination is Roger Sugar. 110 00:06:25,360 --> 00:06:29,640 Speaker 2: Yeah or easy Dog. I had a guy the end 111 00:06:29,680 --> 00:06:31,200 Speaker 2: of the day. I just got to say this, and 112 00:06:31,240 --> 00:06:35,160 Speaker 2: I'm even going to name the theater the Landmark Midtown Cinema. 113 00:06:35,360 --> 00:06:36,480 Speaker 1: Oh yeah, it's a good one. 114 00:06:36,720 --> 00:06:38,880 Speaker 2: I went to get popcorn at an eleven minute AM 115 00:06:38,920 --> 00:06:42,280 Speaker 2: showing of the new Indiana Jones movie, and I said, 116 00:06:43,520 --> 00:06:45,520 Speaker 2: is that stuff fresh? And the guy went, yeah, I 117 00:06:45,520 --> 00:06:48,440 Speaker 2: popped it this morning. And I went because I know 118 00:06:48,480 --> 00:06:51,640 Speaker 2: that wasn't true. Probably they re use popcorn all theaters do. 119 00:06:53,600 --> 00:06:56,440 Speaker 2: I said, okay, I'll take it based solely on that. 120 00:06:57,040 --> 00:06:58,880 Speaker 2: I go to eat the popcorn in the theater. It 121 00:06:58,960 --> 00:07:01,679 Speaker 2: is really stale. I was gonna say, like, who cares, 122 00:07:01,680 --> 00:07:03,000 Speaker 2: but I was like, you know what, that was eight bucks. 123 00:07:03,040 --> 00:07:04,960 Speaker 2: I'm gonna go back up there and just get my 124 00:07:05,040 --> 00:07:08,400 Speaker 2: money back, just very kindly. I very kindly went to 125 00:07:08,440 --> 00:07:11,520 Speaker 2: do that. They had to call the manager. I said 126 00:07:11,560 --> 00:07:13,560 Speaker 2: that it wasn't good and it's no big deal. I 127 00:07:13,600 --> 00:07:15,560 Speaker 2: just want to see the movie and blah blah blah. 128 00:07:15,640 --> 00:07:17,320 Speaker 2: And the guy that sold it to me with his 129 00:07:17,400 --> 00:07:20,960 Speaker 2: back to me, went dog, it tastes fine, and puts 130 00:07:20,960 --> 00:07:23,720 Speaker 2: them in his mouth and to his little buddy start going. 131 00:07:25,640 --> 00:07:26,120 Speaker 1: For real. 132 00:07:26,560 --> 00:07:29,520 Speaker 2: Yeah, And I usually very non confrontational, but I went, 133 00:07:30,040 --> 00:07:32,880 Speaker 2: did you just call me dog? And he looked at 134 00:07:32,880 --> 00:07:34,520 Speaker 2: me and didn't say anything. I think I scared him 135 00:07:34,520 --> 00:07:36,720 Speaker 2: a little bit o good, and I went did you 136 00:07:36,760 --> 00:07:39,160 Speaker 2: call me dog? And the manager just looked at me, 137 00:07:39,560 --> 00:07:41,240 Speaker 2: and I gave her the kind of look of like 138 00:07:42,560 --> 00:07:44,040 Speaker 2: this is where this is your turn? 139 00:07:44,120 --> 00:07:46,480 Speaker 1: Now? Yeah you're you were like, you gave her You're 140 00:07:46,520 --> 00:07:47,400 Speaker 1: not going to fire him. 141 00:07:47,440 --> 00:07:50,080 Speaker 2: Look, I don't want to fire, but like say something. 142 00:07:50,360 --> 00:07:53,600 Speaker 2: She didn't say anything. She gave me my money, and 143 00:07:53,680 --> 00:07:56,080 Speaker 2: on the way out, I did the very old man thing, 144 00:07:56,320 --> 00:07:58,760 Speaker 2: which I didn't think I would ever do. I was 145 00:07:58,840 --> 00:08:01,480 Speaker 2: just like, hey, man, just so you know, forget I'm 146 00:08:01,480 --> 00:08:05,480 Speaker 2: a customer, human to human. Talking to someone like that 147 00:08:05,560 --> 00:08:08,160 Speaker 2: just isn't a way to go about life. Take it 148 00:08:08,280 --> 00:08:08,640 Speaker 2: or leave it. 149 00:08:09,000 --> 00:08:13,120 Speaker 1: Wow, man, did you drop your microphone? I did nice work. 150 00:08:13,720 --> 00:08:16,320 Speaker 2: So you're doing great Landmark Cinemas. 151 00:08:17,320 --> 00:08:20,880 Speaker 1: It's a good theater. There's just one problem, employee. 152 00:08:21,160 --> 00:08:23,840 Speaker 2: I know, all right. Sorry. I had to get that 153 00:08:23,880 --> 00:08:25,400 Speaker 2: off my chest, and that seemed like a good time 154 00:08:25,440 --> 00:08:29,000 Speaker 2: to do it. So we finished up with Zebra to 155 00:08:29,040 --> 00:08:31,080 Speaker 2: wrap this up before we took a break. Ten years 156 00:08:31,120 --> 00:08:36,679 Speaker 2: after that, the IATA, the International Air Transport Association said, listen, 157 00:08:36,679 --> 00:08:40,520 Speaker 2: everyone's complaining because this is to English English centric. So 158 00:08:40,760 --> 00:08:45,079 Speaker 2: let's swap out a few of these words. And they said, great, 159 00:08:45,160 --> 00:08:48,000 Speaker 2: and now we can agree. In November nineteen fifty one 160 00:08:48,120 --> 00:08:52,439 Speaker 2: for civil aviation only, Yeah, they swapped out what they 161 00:08:52,960 --> 00:09:00,440 Speaker 2: coca for Charlie, Echo for Easy, Foxtrot for Fox, gold 162 00:09:00,520 --> 00:09:03,840 Speaker 2: for George, and then you know other things. India's in there. 163 00:09:03,840 --> 00:09:04,920 Speaker 2: Instead of item. 164 00:09:04,840 --> 00:09:07,800 Speaker 1: Delta, they which one delta for dog. 165 00:09:08,440 --> 00:09:12,400 Speaker 2: Yeah. The guy could have said delta. It tastes fine, 166 00:09:13,760 --> 00:09:16,000 Speaker 2: but they swapped out some stuff just to make it 167 00:09:16,040 --> 00:09:19,000 Speaker 2: a little less sort of I guess American. 168 00:09:19,600 --> 00:09:22,000 Speaker 1: Yeah. One thing that I was surprised and never knew 169 00:09:22,080 --> 00:09:26,600 Speaker 1: is that Alpha is not spelled Alpha. It's al Fa. 170 00:09:27,600 --> 00:09:28,240 Speaker 1: Did you know that? 171 00:09:28,760 --> 00:09:31,840 Speaker 2: Well? In the in the other version, I think the 172 00:09:31,880 --> 00:09:35,000 Speaker 2: first version was Pha, right or was it always FA? 173 00:09:35,160 --> 00:09:38,480 Speaker 1: I don't know, but I wonder if it's like product 174 00:09:38,559 --> 00:09:41,840 Speaker 1: placement from the Alpha Insurance company, like they sponsored that 175 00:09:41,960 --> 00:09:43,840 Speaker 1: particular phonetic alphabet. 176 00:09:44,200 --> 00:09:46,680 Speaker 2: Oh no, actually it was Alpha because the only previous 177 00:09:46,800 --> 00:09:48,080 Speaker 2: was Amsterdam. 178 00:09:48,080 --> 00:09:49,320 Speaker 1: Or Able or Able. 179 00:09:49,640 --> 00:09:51,680 Speaker 2: Yeah, all right, I did not know that. I could 180 00:09:51,679 --> 00:09:53,679 Speaker 2: have sworn it would have been pH. 181 00:09:53,800 --> 00:09:55,880 Speaker 1: I say, we take a break, Chuck, it's ten minutes 182 00:09:55,920 --> 00:09:58,880 Speaker 1: into the short stuff. Let's do it. If you want 183 00:09:58,920 --> 00:10:14,440 Speaker 1: to know luck, just listen to Suffus Stuffuse no. 184 00:10:24,520 --> 00:10:26,200 Speaker 2: Stories. We're going to zip through this last bit. 185 00:10:26,440 --> 00:10:30,800 Speaker 1: Okay. So NATO says this is this is pretty good, 186 00:10:30,840 --> 00:10:33,360 Speaker 1: but I think we can improve on the Abel Baker thing. 187 00:10:33,840 --> 00:10:36,640 Speaker 1: So they formed a committee, which means everything starts moving 188 00:10:36,679 --> 00:10:40,079 Speaker 1: at a snail's pace, and they argue about what to 189 00:10:40,240 --> 00:10:42,920 Speaker 1: change the letters C M and you an X two. 190 00:10:43,920 --> 00:10:47,880 Speaker 1: Apparently they finally got through those, but and just kept 191 00:10:47,920 --> 00:10:51,959 Speaker 1: hanging on. They couldn't decide on nectar versus November. 192 00:10:52,320 --> 00:10:55,079 Speaker 2: That is so funny to get hung up on something 193 00:10:55,120 --> 00:10:55,400 Speaker 2: like that. 194 00:10:55,520 --> 00:10:58,480 Speaker 1: Yeah, so we're talking like a couple of years they're 195 00:10:58,520 --> 00:11:03,440 Speaker 1: talking about this. Finally, the NATO Military Standing Group says, 196 00:11:03,600 --> 00:11:05,679 Speaker 1: we're just going to use this anyway. You guys go 197 00:11:05,800 --> 00:11:08,839 Speaker 1: figure it out. The reason everybody was waiting was because 198 00:11:08,880 --> 00:11:16,720 Speaker 1: the International Civil Aviation Organization, which basically lays the communication 199 00:11:17,040 --> 00:11:24,319 Speaker 1: standards down for the entire civilian air traffic control universe. Right, 200 00:11:25,520 --> 00:11:27,880 Speaker 1: they just I guess they were the ones who couldn't 201 00:11:27,880 --> 00:11:30,640 Speaker 1: decide on nectar versus November, so they didn't sign on. 202 00:11:30,720 --> 00:11:34,520 Speaker 1: But NATO started using it before the ICAO did. 203 00:11:35,360 --> 00:11:39,280 Speaker 2: That's right, and then finally in February of nineteen fifty six, 204 00:11:41,360 --> 00:11:45,000 Speaker 2: I belief saying, starting in March, they're like, this is 205 00:11:45,040 --> 00:11:47,160 Speaker 2: going to be the one that everyone's going to use. 206 00:11:47,800 --> 00:11:51,679 Speaker 2: We need it. I think the ITU, the International Telecommunications 207 00:11:51,720 --> 00:11:54,200 Speaker 2: Union would started this whole mess. They came on a 208 00:11:54,200 --> 00:11:59,520 Speaker 2: few years after that, and basically everybody, finally civilian military alike, 209 00:11:59,600 --> 00:12:02,319 Speaker 2: ended up agreeing on the same thing by switching out 210 00:12:02,360 --> 00:12:04,880 Speaker 2: those letters, and we ended up with those letters with 211 00:12:05,040 --> 00:12:12,559 Speaker 2: Charlie Mike November is what went out uniform in X ray. 212 00:12:12,840 --> 00:12:16,000 Speaker 1: So they have I don't know where you got this list, 213 00:12:16,040 --> 00:12:18,320 Speaker 1: but they have the pronunciations next. 214 00:12:18,120 --> 00:12:19,600 Speaker 2: To them with which one. 215 00:12:19,920 --> 00:12:23,640 Speaker 1: There's a couple that I'm like, really they have for oh, 216 00:12:23,840 --> 00:12:27,480 Speaker 1: for Oscar, they say to pronounce it Oscar and the 217 00:12:27,840 --> 00:12:28,800 Speaker 1: victor Victa. 218 00:12:30,080 --> 00:12:32,360 Speaker 2: Well maybe they were from Boston, I guess. 219 00:12:32,440 --> 00:12:36,280 Speaker 1: So that's really really funny. Yeah, So there you go. 220 00:12:36,559 --> 00:12:42,240 Speaker 1: That's the NATO phonetic alphabet and Chuck's Landmarks cinema story. 221 00:12:43,400 --> 00:12:46,560 Speaker 2: I should title it that you got anything else nothing else? 222 00:12:46,600 --> 00:12:48,680 Speaker 1: Well, that means everybody short stuff is out. 223 00:12:52,040 --> 00:12:54,920 Speaker 2: Stuff you should know is a production of iHeartRadio. For 224 00:12:55,000 --> 00:12:56,880 Speaker 2: more podcasts my heart Radio, visit 225 00:12:56,960 --> 00:13:00,199 Speaker 1: The iHeartRadio app, Apple Podcasts, or wherever you listen to 226 00:13:00,240 --> 00:13:05,560 Speaker 1: your favorite shows.