WEBVTT - Hitler’s Olympics, Part 6: The Jiggle & the Giddy Up

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<v Speaker 1>Pushkin the Collock Street tears around the clay circle with

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<v Speaker 1>a spoon of the wind, increasing his lead with every stride.

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<v Speaker 2>Also, about four thousand athletes competed in the nineteen thirty

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<v Speaker 2>six Olympic Games, but Jesse Owens is the one people remember.

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<v Speaker 3>Streak Jesse Owens in one hundred meters.

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<v Speaker 1>The yata go out in front of that cap of

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<v Speaker 1>coming second up on him.

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<v Speaker 2>Jesse Owens was born in Alabama, the son of a sharecropper,

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<v Speaker 2>self effacing, soft spoken, and an unbelievable athlete. In nineteen

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<v Speaker 2>thirty five, as a twenty one year old, he had

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<v Speaker 2>already set three world records in a single day, all

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<v Speaker 2>in the same hour. With a bad back, Where's mister

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<v Speaker 2>runner makes the others look as if they're working?

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<v Speaker 3>He wins the final and equals the worlds record time, and.

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<v Speaker 2>In nineteen thirty six even the Germans were expecting something

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<v Speaker 2>great from him.

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<v Speaker 4>Now, how many broad medals do you hope to win?

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<v Speaker 4>The two cord metimes?

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<v Speaker 5>It's to desire very athlete to win a first place.

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<v Speaker 4>In the an Olympic Games.

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<v Speaker 2>In nineteen thirty six, he was slated to compete in

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<v Speaker 2>three events, and since I'm in three events.

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<v Speaker 3>I hope to you emerge with three victories.

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<v Speaker 5>I hope one meets one hundred meters two hundred.

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<v Speaker 2>Meters and rogum one hundred meters two hundred meters and

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<v Speaker 2>the broad jump. Later they added a fourth event, the

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<v Speaker 2>four by one hundred meter relay. He would win gold

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<v Speaker 2>in all four, the only person to win four gold

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<v Speaker 2>medals in the Berlin Olympics. And that is why you

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<v Speaker 2>know the name Jesse Owens. But it all could have

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<v Speaker 2>turned out differently because of that broad jump. You've seen

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<v Speaker 2>a broad jump before today it's called the long jump,

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<v Speaker 2>and it's one of the more dramatic Olympic sports. The

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<v Speaker 2>jumpers sprint down the runway, hit a take off board

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<v Speaker 2>and they look like they're flying and then they land

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<v Speaker 2>in a huge spray of sand. So the morning of

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<v Speaker 2>August fourth, nineteen thirty six, ten thirty am in the

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<v Speaker 2>reichs sport Feld, it's the long jump qualifying rounds. Best

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<v Speaker 2>jumpers go on to the final. Owens had just run

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<v Speaker 2>his heat in the two hundred meters immediately after he

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<v Speaker 2>headed over to the pit. It was the third day

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<v Speaker 2>of the Games, and by then he already had his

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<v Speaker 2>first gold medal, so it was a surprise when he

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<v Speaker 2>botched his first jump. By some accounts, he thought it

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<v Speaker 2>was a practice run no sweat, though he had two

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<v Speaker 2>more tries, so he lined himself back up and started

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<v Speaker 2>jogging down the runway. He took off and came up short.

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<v Speaker 2>He had one jump left. If he screwed up that

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<v Speaker 2>last jump, he'd have been out of the contest, and

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<v Speaker 2>he'd have gone from being the only athlete to win

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<v Speaker 2>four gold medals in nineteen thirty six to one of

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<v Speaker 2>three athletes who'd won three golds, right up there with

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<v Speaker 2>Conrad Frey and Hendrika Mastenbroke, who actually would have had

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<v Speaker 2>more total medals than him. And I ask you, be honest,

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<v Speaker 2>have you ever heard of Conrad Fray and Hendrika masten Broke. No,

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<v Speaker 2>And probably if he'd missed that final qualifying jump, you

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<v Speaker 2>wouldn't have heard of Jesse Owens either. So after the

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<v Speaker 2>first two misses, Owens was rattled. But then something miraculous happened,

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<v Speaker 2>something that changed the course of Jesse Owens's life and

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<v Speaker 2>made him a legend.

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<v Speaker 6>I'm Malcolm Gladwell. Welcome to revisionist history about things overlooked

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<v Speaker 6>and misunderstood in this episode, Ben and Aph Haffrey and

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<v Speaker 6>I are talking about one of the biggest stories to

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<v Speaker 6>emerge from the Berlin Games. A story about two athletes

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<v Speaker 6>making good on the promise of the Olympics, cross cultural understanding,

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<v Speaker 6>sportsmanship against all odds. A moment that became key to

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<v Speaker 6>the Olympic mythology and to the legend of Jesse Owens.

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<v Speaker 6>A powerful, incredibly important story that's hiding a very big secret.

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<v Speaker 2>It was cool that day in August. Clouds had rolled

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<v Speaker 2>in over the stadium. Around one hundred thousand people were

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<v Speaker 2>in the stands watching in America's most famous athlete, Jesse Owens,

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<v Speaker 2>was screwing up badly, which makes no sense. All he

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<v Speaker 2>had to do was jump seven point one five meters

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<v Speaker 2>to qualify. He already had a world record for jumping

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<v Speaker 2>a meter farther than that, So what was going wrong?

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<v Speaker 2>Malcolm and I had decided to ask an expert a legend.

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<v Speaker 3>Actually it was about ten years ago, so the age

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<v Speaker 3>is sixty five, I think, and I jumped further than

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<v Speaker 3>my high school mark is sun right, yeah, and.

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<v Speaker 6>You're the first American who jump fifty seven feet.

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<v Speaker 2>Yeah, one of the greatest American triple jumpers of all

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<v Speaker 2>time Milan Tiff.

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<v Speaker 3>I actually jumped sixty feet but they didn't wouldn't recognize

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<v Speaker 3>it because I jumped out of the pit And.

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<v Speaker 6>Where did you do that?

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<v Speaker 7>Right here?

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<v Speaker 3>You say wow, and I jump. I completely jumped over

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<v Speaker 3>the sand pit and landed on the grass. I had

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<v Speaker 3>grass stands all over the back of me.

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<v Speaker 2>Going to see Milan was Malcolm's idea.

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<v Speaker 6>So when I was in high school, starting at the

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<v Speaker 6>age of twelve, I became a competitive runner, and I

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<v Speaker 6>was obsessed with track and field, and I subscribe to

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<v Speaker 6>Track and Field News, the Bible of the sport, as

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<v Speaker 6>it's called. And Miller Tiff was this extraordinary. First of all,

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<v Speaker 6>he was astonishing looking. He looked there was something kind

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<v Speaker 6>of ethereal about him, and he had as a kid,

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<v Speaker 6>he couldn't walk because he had I think polio or something.

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<v Speaker 6>And he was also an artist, really really bright colors

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<v Speaker 6>and kind of wildly imaginative and a little bit psychedelic.

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<v Speaker 6>But I was I was just obsessed with him as

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<v Speaker 6>this kind of like this this strange, otherworldly figure. And

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<v Speaker 6>he was a favorite in nineteen eighty. Had we not

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<v Speaker 6>boycotted the nineteen eighty Games, he might well have won

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<v Speaker 6>a gold medal. Anyway, I cannot wait. He's going to

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<v Speaker 6>be He's going to be a little bit. He might

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<v Speaker 6>be a little I don't know, but I have a

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<v Speaker 6>sense that he might be. He might be a little

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<v Speaker 6>out there.

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<v Speaker 2>This turned out to be pretty prescient. After meeting the

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<v Speaker 2>lawn Tiff, I felt like I had take in some

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<v Speaker 2>kind of intense psychedelic the effects of which I've yet

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<v Speaker 2>to wear off.

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<v Speaker 3>The first humans. It's unbelievable.

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<v Speaker 2>I understood that to walk is just to take a

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<v Speaker 2>number of tiny, long jumps. I found myself transfixed by

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<v Speaker 2>an actually gorgeous painting of Milans portraying a pair of

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<v Speaker 2>empty tidy whities suspended in a blue abstract space called

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<v Speaker 2>mysteriously palm springs, and.

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<v Speaker 3>The birds and the trees would all fly down. They're

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<v Speaker 3>just tapped into the same frequency as I have when

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<v Speaker 3>I'm running and jumping.

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<v Speaker 2>We flew out to Los Angeles, where he lives, so

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<v Speaker 2>he could take us out to the UCLA track, And

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<v Speaker 2>when we got there there were several helicopters hovering above

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<v Speaker 2>us the whole time, which only made everything a little

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<v Speaker 2>more surreal. And Olympic legends just walking up to him

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<v Speaker 2>literally bowing down. This I think because they wouldn't normally

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<v Speaker 2>see him. He told us he prefers to run in

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<v Speaker 2>the morning, by which he meant three am. Tif us

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<v Speaker 2>out to the broad jump pit to help us get

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<v Speaker 2>inside Jesse Owens's mind, which we thought he could do

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<v Speaker 2>because he's a master of the approach the part Jesse

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<v Speaker 2>Owens was screwing up, but also because so you actually

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<v Speaker 2>knew Jesse Owens when you were a kid.

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<v Speaker 3>Yeah, yeah, you know that sit and he tell the stories, yeah,

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<v Speaker 3>and not hear all the stories. And you know, he

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<v Speaker 3>talked about his experience in Berlin.

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<v Speaker 2>You know, we asked him to tell us about how

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<v Speaker 2>you're supposed to approach a jump.

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<v Speaker 3>Yeah, you gotta have a gidea up first, that kind

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<v Speaker 3>of rockings. You have to have some or a jiggle

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<v Speaker 3>where you will call it. Yeah, you have to have

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<v Speaker 3>a jiggle or a gide up before you even get

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<v Speaker 3>into your run.

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<v Speaker 2>Yeah, that adjustice your run. Is that why this is

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<v Speaker 2>obviously the broad jump but lose long. I noticed he

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<v Speaker 2>does this sort of like hitch in his leg before

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<v Speaker 2>he starts running.

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<v Speaker 3>Yeah, it's like a dance. It's like it's like a preparation.

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<v Speaker 2>Can you show us what your gidea up.

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<v Speaker 3>Was, Well, it's like a one, two, three, four five,

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<v Speaker 3>then you start your run.

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<v Speaker 2>Yeah.

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<v Speaker 3>And I told it to Willie Banks world record, taught

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<v Speaker 3>it to.

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<v Speaker 2>Bike Pile world record. We gave it a shot on

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<v Speaker 2>the track where at the very same time actual Olympic

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<v Speaker 2>athletes were practicing for this year's games. Was it embarrassing?

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<v Speaker 2>It was mortifying. Did we set a world record? Not

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<v Speaker 2>even close. Did we become friends with any Olympians they

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<v Speaker 2>were otherwise occupied. But this is the kind of dedication

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<v Speaker 2>that deep historical investigations demand. What was Did Jesse Owens

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<v Speaker 2>have a gidayup?

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<v Speaker 3>No, he had a stand start because he was a sprinter,

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<v Speaker 3>you see. Yeah, that's why he was losing the steps

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<v Speaker 3>all the time. He didn't have a jiggle, well, he

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<v Speaker 3>didn't have a che No, he didn't have a jiggle

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<v Speaker 3>or a get.

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<v Speaker 2>Yeah.

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<v Speaker 3>And it took his competitor to say, man, come on,

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<v Speaker 3>you gotta do something first.

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<v Speaker 2>Jesse Owens's competitor, facing down the pit through export fold

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<v Speaker 2>Long Lutzlong was Germany's champion broad jumper, Hitler's champion, and

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<v Speaker 2>he looked the part a fine ak line nose framed

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<v Speaker 2>by your classic blonde hair and blue eyes. As Owens

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<v Speaker 2>wrote later, Hitler was in the stadium that morning to watch.

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<v Speaker 2>Owens knew that he'd like nothing better than to see

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<v Speaker 2>a black man lose to an Arian. The thought was

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<v Speaker 2>nanging at him, messing up his focus. And then he'd

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<v Speaker 2>looked up at the box where Hitler had been watching

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<v Speaker 2>the games and saw that when Owens's turn came, Hitler

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<v Speaker 2>had just left. It made his blood boil. That's why

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<v Speaker 2>he was fouling out. He was psyched out by all

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<v Speaker 2>of it, distracted, and when he saw how amazing Lutslong

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<v Speaker 2>was at the broad jump, he began wonder if there

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<v Speaker 2>was something true about all this Arian stuff. He was

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<v Speaker 2>down to his last jump, and then came the miracle.

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<v Speaker 2>In an autobiography he published in nineteen seventy eight, Owens wrote,

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<v Speaker 2>suddenly I felt a hand on my shoulder. It was

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<v Speaker 2>Lut's Long. Look.

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<v Speaker 4>There is no time to waste with manners. What has

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<v Speaker 4>taken your goat.

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<v Speaker 2>Obviously we had to reenact this.

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<v Speaker 4>I had to smile a little in spite of myself

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<v Speaker 4>hearing his mixed up American idiom ah. Nothing I said,

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<v Speaker 4>you know how it is. He was silent for a

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<v Speaker 4>few seconds. Yes, he said, finally, I know how it is.

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<v Speaker 4>But I also know you are a better jumper than this.

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<v Speaker 4>Now what has taken your goat? I laughed out loud

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<v Speaker 4>this time, but I couldn't tell him him Above all,

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<v Speaker 4>I glanced over at the broad jump pit I was

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<v Speaker 4>about to be called. Lutz didn't waste words, even if

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<v Speaker 4>he wasn't sure of which ones to use. Is it

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<v Speaker 4>what reichkanze Hitler did? He asked. I was thunderstruck that

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<v Speaker 4>he'd say it. I start to answer, but I didn't

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<v Speaker 4>know what to say. I see, he said, Look, we

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<v Speaker 4>talk about that later. Now you must jump and you

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<v Speaker 4>must qualify. But how I shot back?

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<v Speaker 2>I have thought?

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<v Speaker 4>He said, you are like Aya. You must do it

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<v Speaker 4>one hundred percent correct.

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<v Speaker 2>I nodded.

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<v Speaker 4>Yet you must be sure not to foul. I nodded again,

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<v Speaker 4>this time in frustration, And as I did, I heard

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<v Speaker 4>the loudspeaker call my name. Lutz talked quickly. Then you

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<v Speaker 4>do both things, Jesse. You remeasure your steps, you take

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<v Speaker 4>off six inches behind the foul board. You jump as

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<v Speaker 4>hard as you can, but you need not fear to foul.

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<v Speaker 4>All at once, the panic emptied out of me like

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<v Speaker 4>a cloudburst.

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<v Speaker 2>Owens jogged up to the line and laid a towel

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<v Speaker 2>to mark where Long had told him to jump. He

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<v Speaker 2>lined up on the runway, maybe wiped his hands on

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<v Speaker 2>his jersey, and then he ran one step, two steps,

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<v Speaker 2>closer and closer to the pit, and then he hit

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<v Speaker 2>that mark on the towel, leapt into the air.

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<v Speaker 3>And when he finally got that, he qualified.

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<v Speaker 2>And later that day, with Hitler back in the stands,

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<v Speaker 2>in the metal event itself well record, he set an

0:13:19.760 --> 0:13:25.360
<v Speaker 2>Olympic record. And that's when Lootes along the aryan poster

0:13:25.520 --> 0:13:29.680
<v Speaker 2>child who had just lost to Jesse Owens, hugged him

0:13:30.120 --> 0:13:31.839
<v Speaker 2>in front of Adolph.

0:13:31.520 --> 0:13:34.200
<v Speaker 3>Hitler, and the Hitler was pissed man.

0:13:35.920 --> 0:13:40.440
<v Speaker 2>But Long didn't just embrace him. According to Jesse Owens,

0:13:40.880 --> 0:13:45.200
<v Speaker 2>later that night they met up in the Olympic village.

0:13:46.200 --> 0:13:49.439
<v Speaker 2>The hours ticked on and they stayed up late, talking

0:13:49.520 --> 0:13:52.400
<v Speaker 2>about their lives, the state of the world, and the

0:13:52.520 --> 0:13:56.439
<v Speaker 2>uncertain future. Some kind of strange bond had been formed

0:13:56.480 --> 0:13:59.640
<v Speaker 2>between the men that day, because then the next day

0:14:00.080 --> 0:14:04.160
<v Speaker 2>they did it again, and after that, again and again

0:14:04.880 --> 0:14:09.160
<v Speaker 2>and again. Every single night of the games, they met

0:14:09.240 --> 0:14:13.360
<v Speaker 2>up to talk. They became friends. The dream of the

0:14:13.400 --> 0:14:17.120
<v Speaker 2>Olympics was real for them. They bridged an unbridgable gap

0:14:17.200 --> 0:14:23.000
<v Speaker 2>between two cultures, two races. Something unbreakable had bound them.

0:14:23.440 --> 0:14:25.840
<v Speaker 2>After the Games, when Owens was back in America and

0:14:25.920 --> 0:14:29.320
<v Speaker 2>Lutzlang was still in Nazi Germany, they wrote letters to

0:14:29.360 --> 0:14:32.280
<v Speaker 2>each other, even after long was serving in the Wehrmacht

0:14:32.280 --> 0:14:36.560
<v Speaker 2>the Nazi army, back and forth across the Atlantic for years.

0:14:37.440 --> 0:14:42.680
<v Speaker 2>They kept coming until right before Lutzlang was killed in

0:14:42.720 --> 0:14:46.800
<v Speaker 2>the war. He was stationed in the deserts of North Africa.

0:14:47.560 --> 0:14:51.080
<v Speaker 2>On some lonely desert hour, he sat down to write

0:14:51.200 --> 0:14:52.840
<v Speaker 2>one last letter to his friend.

0:14:54.200 --> 0:14:56.800
<v Speaker 4>I am here, Jesse, where it seems there is only

0:14:56.880 --> 0:15:00.760
<v Speaker 4>the dry sand and the wet blood. I do not

0:15:00.880 --> 0:15:04.360
<v Speaker 4>fear so much for myself, my friend, Jesse. I fear

0:15:04.440 --> 0:15:07.680
<v Speaker 4>for my woman, who was at home, and my young son, Karl,

0:15:08.480 --> 0:15:13.200
<v Speaker 4>who has never really known his father. My heart tells me,

0:15:14.000 --> 0:15:16.680
<v Speaker 4>if I be honest with you, that this is the

0:15:16.760 --> 0:15:20.480
<v Speaker 4>last letter I shall ever write. If it is so,

0:15:21.680 --> 0:15:26.240
<v Speaker 4>I ask you something. It is something so very important

0:15:26.280 --> 0:15:30.080
<v Speaker 4>to me. It is you go to Germany when this

0:15:30.160 --> 0:15:34.960
<v Speaker 4>war done. Someday find my Carl. And tell him about

0:15:35.000 --> 0:15:39.120
<v Speaker 4>his father. Tell him, Jesse, what times were like when

0:15:39.160 --> 0:15:44.040
<v Speaker 4>we were not separated by war, I am saying, tell

0:15:44.120 --> 0:15:47.640
<v Speaker 4>him how things can be between men on this earth.

0:15:53.080 --> 0:15:56.320
<v Speaker 2>There are tears in your eyes. You would not be alone.

0:15:56.360 --> 0:15:58.880
<v Speaker 2>This story is a big part of the legend of

0:15:58.960 --> 0:16:03.560
<v Speaker 2>Jesse Owens. If you look up Jesse Owens in the

0:16:03.720 --> 0:16:08.000
<v Speaker 2>Encyclopedia Britannica, there's the story when they made a star

0:16:08.160 --> 0:16:12.080
<v Speaker 2>studded Hollywood film about Jesse Owens's life. Lutslog and that

0:16:12.240 --> 0:16:16.360
<v Speaker 2>qualifying jump are the pivotal moment. Retelling this story would

0:16:16.360 --> 0:16:19.880
<v Speaker 2>help launch the career of the greatest Olympic documentarian of

0:16:19.920 --> 0:16:23.200
<v Speaker 2>all time, Bud Greenspan. And I'm not an auctioneer, but

0:16:23.400 --> 0:16:26.720
<v Speaker 2>I think it is the reason why Lutslog's silver medal

0:16:27.200 --> 0:16:30.600
<v Speaker 2>sold for nearly half a million dollars two years ago,

0:16:31.040 --> 0:16:34.840
<v Speaker 2>about five times the amount earned for any other silver

0:16:34.920 --> 0:16:39.040
<v Speaker 2>medal at auction. It's arguably the most important story in

0:16:39.120 --> 0:16:42.800
<v Speaker 2>Olympic history. It is proof of the Olympic Dream. It

0:16:42.920 --> 0:16:45.560
<v Speaker 2>made the case that it was good that America went

0:16:45.600 --> 0:16:48.840
<v Speaker 2>to the vilin Games because it made possible this improbable

0:16:48.840 --> 0:16:53.640
<v Speaker 2>friendship that transcended even the Second World war a story

0:16:54.040 --> 0:17:15.120
<v Speaker 2>that was just too good to be true. This entire series,

0:17:15.240 --> 0:17:17.800
<v Speaker 2>we've been telling stories about the way people made sense

0:17:17.840 --> 0:17:21.800
<v Speaker 2>of having the Olympics in Nazi Germany, the distortions, the myths.

0:17:22.160 --> 0:17:25.320
<v Speaker 2>And when I kept hearing about Jesse Owens's friendship with Lutzlong,

0:17:25.440 --> 0:17:27.239
<v Speaker 2>I thought, we got to do an episode on this.

0:17:27.800 --> 0:17:30.760
<v Speaker 2>Here's two people who saw each other clearly through all

0:17:30.800 --> 0:17:34.560
<v Speaker 2>that moral fog. So I wanted to read more of

0:17:34.600 --> 0:17:37.120
<v Speaker 2>what Owens and Long wrote to each other in those letters.

0:17:37.720 --> 0:17:40.240
<v Speaker 2>I wrote to the Jesse Owens Archive at the University

0:17:40.240 --> 0:17:42.359
<v Speaker 2>of Ohio for copies of the letters, and they didn't

0:17:42.359 --> 0:17:45.600
<v Speaker 2>have any. They suggested I write to the family, but

0:17:46.200 --> 0:17:48.800
<v Speaker 2>they didn't have any either. It seems strange to me

0:17:48.880 --> 0:17:51.280
<v Speaker 2>that no one had kept them. So then I thought,

0:17:52.160 --> 0:17:55.520
<v Speaker 2>maybe I'm just looking in the wrong country.

0:17:55.800 --> 0:18:00.520
<v Speaker 8>My name is Gelindre. I was living in Leipzig, working

0:18:00.560 --> 0:18:04.280
<v Speaker 8>in Leipzig for more than thirty years, and the last

0:18:04.720 --> 0:18:09.160
<v Speaker 8>twenty five years as the director of the Sports Museum

0:18:09.280 --> 0:18:10.000
<v Speaker 8>in Leipzig.

0:18:10.680 --> 0:18:16.120
<v Speaker 2>And Leipzig has a connection to Long's life, right, that's right.

0:18:17.680 --> 0:18:23.840
<v Speaker 8>Lutslan was born in Leipzig nineteen thirteen and he lived

0:18:23.880 --> 0:18:26.840
<v Speaker 8>there almost till the end.

0:18:27.680 --> 0:18:30.800
<v Speaker 2>Rhor and her colleague, the sport historian Volker Kluge, have

0:18:30.880 --> 0:18:34.160
<v Speaker 2>looked more deeply into the Jesse Owens luteslong story than

0:18:34.160 --> 0:18:34.800
<v Speaker 2>anyone else.

0:18:35.160 --> 0:18:38.080
<v Speaker 8>We got a lot of questions from all over the

0:18:38.119 --> 0:18:40.320
<v Speaker 8>world about the legend.

0:18:41.160 --> 0:18:43.719
<v Speaker 2>Jesse Owens told this story a lot of times. There

0:18:43.720 --> 0:18:46.240
<v Speaker 2>are a few different versions, but Roor dug through the

0:18:46.240 --> 0:18:49.760
<v Speaker 2>official reports about the games. They're over a thousand pages long.

0:18:50.680 --> 0:18:56.879
<v Speaker 8>There is a very good documentation about the Olympics called

0:18:57.359 --> 0:19:02.640
<v Speaker 8>Official Report of the nineteen thirty six Olympics, and they

0:19:02.760 --> 0:19:07.520
<v Speaker 8>describe it very exactly what happens and where.

0:19:08.680 --> 0:19:12.600
<v Speaker 2>Alongside that official report, the most important bit of documentary

0:19:12.600 --> 0:19:16.440
<v Speaker 2>evidence is an article Kuga turned up written by Lutzlong himself.

0:19:16.760 --> 0:19:18.800
<v Speaker 2>He was published about a week into the Games, and

0:19:18.840 --> 0:19:23.440
<v Speaker 2>it's called Mine kamfmit Owens, My Struggle with Owens, which

0:19:23.600 --> 0:19:27.199
<v Speaker 2>I suspect is a deliberate reference to Hitler's memoirs, but

0:19:27.480 --> 0:19:30.560
<v Speaker 2>homages to Hitler aside. The article was part of the

0:19:30.600 --> 0:19:34.080
<v Speaker 2>surprisingly positive press coverage in Germany about Jesse Owens's win,

0:19:34.800 --> 0:19:39.159
<v Speaker 2>including a series of photographs of Jesse Owens and Lutzlog

0:19:39.720 --> 0:19:44.080
<v Speaker 2>lying together in the grass of the Reichspoortfeld smiling. The

0:19:44.119 --> 0:19:46.879
<v Speaker 2>photos are sometimes billed as having been taken after the

0:19:46.920 --> 0:19:50.680
<v Speaker 2>competition when Owens won and Long hugged him. Long's wearing

0:19:50.760 --> 0:19:53.000
<v Speaker 2>a dark turtle neck sweater and it looks like he's

0:19:53.000 --> 0:19:56.240
<v Speaker 2>cracking a joke. Owens is beaming at him and wearing

0:19:56.240 --> 0:19:59.600
<v Speaker 2>his Team USA crew neck. In the photo, they're so

0:19:59.760 --> 0:20:03.080
<v Speaker 2>close it almost looks like they're touching. They look like

0:20:03.119 --> 0:20:06.600
<v Speaker 2>real friends. So Gerlinda Ror and I turned our attention

0:20:06.800 --> 0:20:07.119
<v Speaker 2>to that.

0:20:07.840 --> 0:20:13.960
<v Speaker 8>So between the first three jumps and the final three jumps,

0:20:14.640 --> 0:20:17.119
<v Speaker 8>these photographs were doing.

0:20:17.920 --> 0:20:21.280
<v Speaker 2>Oh so these photos are taken even before Jesse Owens

0:20:21.320 --> 0:20:25.960
<v Speaker 2>wins the gold Yes, oh wow, so it's even its prior.

0:20:27.280 --> 0:20:29.439
<v Speaker 2>There's a good chance that photo was taken or at

0:20:29.480 --> 0:20:33.199
<v Speaker 2>least commissioned by Lenny Riefenstahl, the legendary filmmaker for the

0:20:33.240 --> 0:20:36.440
<v Speaker 2>Third Reich. The photos float freely around the Internet now

0:20:36.520 --> 0:20:38.639
<v Speaker 2>you can find them on Getty Images. But at the

0:20:38.640 --> 0:20:41.560
<v Speaker 2>time they were part of the Nazi propaganda push, meant

0:20:41.640 --> 0:20:44.600
<v Speaker 2>to show that the Nazis weren't as prejudiced as they seemed.

0:20:45.480 --> 0:20:48.480
<v Speaker 2>So we know that Lutes Along and Jesse Owens met

0:20:48.600 --> 0:20:51.159
<v Speaker 2>at least for the time it took to take that photo,

0:20:51.520 --> 0:20:54.480
<v Speaker 2>and they smiled at each other. Who knows what they said.

0:20:56.320 --> 0:21:01.160
<v Speaker 2>But here's the strange thing. In his articles, Long mentions

0:21:01.280 --> 0:21:05.520
<v Speaker 2>Jesse Owens's difficulty qualifying. He describes each of the three

0:21:05.600 --> 0:21:09.119
<v Speaker 2>jumps he took, but he doesn't say anything about helping

0:21:09.200 --> 0:21:12.919
<v Speaker 2>him with the approach, which is strange because that's the

0:21:12.960 --> 0:21:16.879
<v Speaker 2>most important detail in the whole story. Owens is Long's

0:21:16.920 --> 0:21:20.359
<v Speaker 2>biggest competitor. Owens is what stands between Long and the gold,

0:21:20.560 --> 0:21:22.560
<v Speaker 2>and yet Long goes out of his way to help

0:21:22.600 --> 0:21:25.199
<v Speaker 2>Owens get to the final You would think in an

0:21:25.280 --> 0:21:28.439
<v Speaker 2>article about the Olympic Spirit, Long would mention that they

0:21:28.480 --> 0:21:31.720
<v Speaker 2>were trying to prove that they were unprejudiced. Also, in

0:21:31.800 --> 0:21:33.600
<v Speaker 2>Nazi Germany, it would have been a way for an

0:21:33.640 --> 0:21:37.199
<v Speaker 2>arian to take credit for a black man's success. But

0:21:37.280 --> 0:21:41.719
<v Speaker 2>he doesn't mention it. Okay, So maybe all the meaningful

0:21:41.760 --> 0:21:44.280
<v Speaker 2>stuff happened in those Long talks in the Olympic village.

0:21:44.359 --> 0:21:48.720
<v Speaker 8>What about those I didn't think that. It cannot be

0:21:48.720 --> 0:21:52.960
<v Speaker 8>because Lukslong didn't live in the Olympic village. Oh really,

0:21:53.840 --> 0:21:59.119
<v Speaker 8>he didn't live here. I know from his family and

0:21:59.560 --> 0:22:06.199
<v Speaker 8>from photographs and from a diary of his mother that

0:22:06.680 --> 0:22:11.159
<v Speaker 8>after the opening of the Olympic Games he went back

0:22:11.400 --> 0:22:13.520
<v Speaker 8>home from Berlin to Leipzig.

0:22:13.920 --> 0:22:17.080
<v Speaker 2>And did he go home to Leipzig after the broad jump?

0:22:17.280 --> 0:22:19.080
<v Speaker 2>He wasn't. He would go home at the end of

0:22:19.119 --> 0:22:19.560
<v Speaker 2>each day.

0:22:19.880 --> 0:22:25.840
<v Speaker 8>No, not each day. After his competitions started. He lived

0:22:25.920 --> 0:22:28.360
<v Speaker 8>in Berlin in another hotel.

0:22:29.440 --> 0:22:32.640
<v Speaker 2>All right, So the Long talks seem less likely, though

0:22:32.680 --> 0:22:36.040
<v Speaker 2>there are two pieces of evidence that cut the other way. First,

0:22:36.240 --> 0:22:38.919
<v Speaker 2>a few days after the broad jump, a newswire service

0:22:38.920 --> 0:22:42.760
<v Speaker 2>wrote that quote something like a damon and pytheis friendship

0:22:42.800 --> 0:22:46.639
<v Speaker 2>has sprung up between Ludslog and Jesse Owens. Though I

0:22:46.680 --> 0:22:48.600
<v Speaker 2>think that's just a reference to the hug on the

0:22:48.640 --> 0:22:51.520
<v Speaker 2>field that all the reporters would have seen. But then

0:22:51.600 --> 0:22:54.199
<v Speaker 2>there's an athlete who, decades after the Games claimed that

0:22:54.280 --> 0:22:56.600
<v Speaker 2>she went out drinking in Berlin with Owens and Long.

0:22:57.359 --> 0:23:00.199
<v Speaker 2>But Volker Kluga thinks the timing of her story is

0:23:00.200 --> 0:23:04.360
<v Speaker 2>implausible given her events schedule. Also, I can't find any

0:23:04.400 --> 0:23:07.639
<v Speaker 2>record of it in Owens's Olympic diaries. Owens is on

0:23:07.680 --> 0:23:10.399
<v Speaker 2>the record saying quote, I didn't get a chance to

0:23:10.440 --> 0:23:13.200
<v Speaker 2>go out of the Olympic village. In fact, I never

0:23:13.280 --> 0:23:16.320
<v Speaker 2>did leave the village. The only time that I was

0:23:16.400 --> 0:23:18.880
<v Speaker 2>ever out of the village was at the time when

0:23:18.880 --> 0:23:22.400
<v Speaker 2>we went to the Olympic Stadium to compete. I mean,

0:23:22.560 --> 0:23:25.760
<v Speaker 2>they had some intense schedules to keep. Actually, even Hitler

0:23:25.760 --> 0:23:28.439
<v Speaker 2>couldn't keep up with their schedules. The fearor liked to

0:23:28.440 --> 0:23:31.199
<v Speaker 2>sleep late. He famously slipt through a lot of d

0:23:31.280 --> 0:23:35.280
<v Speaker 2>day and probably for the same reason, he wasn't even

0:23:35.280 --> 0:23:37.840
<v Speaker 2>in the stands the morning of the broad drum qualifiers,

0:23:38.160 --> 0:23:41.119
<v Speaker 2>which is why it's not actually possible that he walked

0:23:41.160 --> 0:23:48.159
<v Speaker 2>out on Owens. That leaves us with the letters. So

0:23:48.240 --> 0:23:52.840
<v Speaker 2>then the final piece of the legend is these letters,

0:23:52.880 --> 0:23:55.960
<v Speaker 2>these sort of beautiful letters that Letslong writes to Jesse

0:23:56.080 --> 0:24:00.880
<v Speaker 2>Owens from the front, from the battle fields of the war.

0:24:01.880 --> 0:24:04.200
<v Speaker 2>And I've not been able to find any archival record

0:24:04.200 --> 0:24:05.960
<v Speaker 2>of those letters, have you.

0:24:07.280 --> 0:24:13.280
<v Speaker 8>I asked his middle when she was living still in Hamburg,

0:24:13.960 --> 0:24:21.280
<v Speaker 8>and she said there were letters. We got to our atlas,

0:24:22.040 --> 0:24:27.000
<v Speaker 8>and she never saw a letter from Jesse Owens. No

0:24:27.160 --> 0:24:32.959
<v Speaker 8>one in the family knows about letters from Jesse Owens

0:24:33.040 --> 0:24:33.520
<v Speaker 8>to Lutz.

0:24:34.520 --> 0:24:37.200
<v Speaker 2>Owens at one point cites nineteen thirty nine as the

0:24:37.280 --> 0:24:40.560
<v Speaker 2>date of Lutslang's last letter. He says that in it

0:24:40.920 --> 0:24:44.560
<v Speaker 2>Long writes about his wife and son, but Volkar Kluga

0:24:44.640 --> 0:24:47.720
<v Speaker 2>points out that Long didn't even marry his girlfriend until

0:24:47.760 --> 0:24:50.760
<v Speaker 2>nineteen forty one, and by the way, his son wasn't

0:24:50.760 --> 0:24:53.040
<v Speaker 2>born till then either, And okay, well, then there's that

0:24:53.119 --> 0:24:55.440
<v Speaker 2>other account featuring a letter from Long on the front

0:24:55.440 --> 0:24:57.960
<v Speaker 2>lines of North Africa after he was married and after

0:24:58.000 --> 0:25:02.600
<v Speaker 2>his son was born, except he didn't serve in North Africa.

0:25:03.320 --> 0:25:08.040
<v Speaker 2>He died in Sicily. Also, you couldn't even send letters

0:25:08.040 --> 0:25:11.320
<v Speaker 2>from the Nazi front lines to American citizens. I mean,

0:25:12.160 --> 0:25:16.439
<v Speaker 2>they were fighting a war against each other, so then

0:25:16.480 --> 0:25:20.399
<v Speaker 2>they really wouldn't have been speaking really beyond the competition itself.

0:25:20.440 --> 0:25:22.800
<v Speaker 2>So probably the moment they spoke was when they were

0:25:22.800 --> 0:25:23.760
<v Speaker 2>taking those photos.

0:25:23.960 --> 0:25:30.439
<v Speaker 8>The only time they met each other was during the

0:25:30.560 --> 0:25:36.520
<v Speaker 8>long jump competition in this stadium, the only time, never before,

0:25:36.840 --> 0:25:37.880
<v Speaker 8>and never often.

0:25:40.119 --> 0:25:42.960
<v Speaker 2>I looked through Jesse Owens's diary from the nineteen thirty

0:25:42.960 --> 0:25:46.520
<v Speaker 2>six Games. In the back he keeps a list of addresses,

0:25:46.960 --> 0:25:50.359
<v Speaker 2>presumably of people he wants to write to, and there's

0:25:50.359 --> 0:25:54.159
<v Speaker 2>no address for Lutslang in there. It was starting to

0:25:54.240 --> 0:25:58.719
<v Speaker 2>look like this amazing Olympic story just wasn't true. But

0:25:58.760 --> 0:26:02.280
<v Speaker 2>then I was left for the new question. If it's

0:26:02.280 --> 0:26:07.800
<v Speaker 2>not true, how did it catch on? We'll be right back.

0:26:15.280 --> 0:26:19.159
<v Speaker 2>What are the ingredients of a good Olympic story?

0:26:19.840 --> 0:26:22.359
<v Speaker 6>Well, I mean I would start with the mathematics of

0:26:22.400 --> 0:26:26.440
<v Speaker 6>the games, which are tremendously appealing from a storyteller's perspective,

0:26:27.119 --> 0:26:31.040
<v Speaker 6>which is that you have whatever I forgot, how many

0:26:31.040 --> 0:26:35.120
<v Speaker 6>sports fifty going on simultaneously with athletes from all over

0:26:35.119 --> 0:26:39.159
<v Speaker 6>the world, So you have an infinite number of stories

0:26:39.200 --> 0:26:40.800
<v Speaker 6>to choose from.

0:26:40.480 --> 0:26:41.359
<v Speaker 2>Like a farm system.

0:26:41.520 --> 0:26:44.760
<v Speaker 6>It's a farm storytelling, so every year a different one

0:26:45.080 --> 0:26:49.080
<v Speaker 6>bubbles up. You know, Mark Spitz, a dentist whins seven golds?

0:26:49.480 --> 0:26:52.200
<v Speaker 6>Now do you come in each a kind of beautiful

0:26:52.359 --> 0:26:56.080
<v Speaker 6>waif from Romania. It's this kind of wonderful natural experiment

0:26:56.200 --> 0:26:59.480
<v Speaker 6>in myth making. It just has it. It has a

0:26:59.480 --> 0:27:02.399
<v Speaker 6>an almost strategic advantage with the other big sports spectacles

0:27:02.680 --> 0:27:06.320
<v Speaker 6>World Cup, super Bowl, those are monocultures.

0:27:06.800 --> 0:27:08.600
<v Speaker 2>Yeah, I think that's totally true, and like in the

0:27:08.600 --> 0:27:11.840
<v Speaker 2>myth making thing, you have this ancient aura to it.

0:27:12.080 --> 0:27:18.680
<v Speaker 6>Yes. The other thing is it's this playground for uh,

0:27:19.080 --> 0:27:23.120
<v Speaker 6>for healthy prejudice. So the the flying fin, the kind

0:27:23.160 --> 0:27:26.240
<v Speaker 6>of mysterious Pavunermi who comes from like the woods of

0:27:27.200 --> 0:27:30.359
<v Speaker 6>and like you know, a baby Beequila running barefoot through

0:27:30.480 --> 0:27:32.480
<v Speaker 6>the streets of Rome and to in the marathon in

0:27:32.560 --> 0:27:36.160
<v Speaker 6>nineteen sixty. Of course he's barefit. Right, it's Ethiopia right

0:27:36.280 --> 0:27:39.800
<v Speaker 6>on and on your your you, you take on the

0:27:39.880 --> 0:27:44.280
<v Speaker 6>characteristics of your of your country, and that's like, it's

0:27:44.280 --> 0:27:50.280
<v Speaker 6>this kind of really fun exercise in multicultural ethnocentrism.

0:27:50.920 --> 0:27:53.880
<v Speaker 2>It's like, what's what's in the water over there? Yes,

0:27:54.320 --> 0:27:58.720
<v Speaker 2>that's right. Did you ever cross paths with Bud Greenspan? No,

0:27:59.720 --> 0:28:04.800
<v Speaker 2>but green Span the most legendary Olympic storyteller of all time.

0:28:05.160 --> 0:28:07.359
<v Speaker 9>There are those who believe in the core values of

0:28:07.400 --> 0:28:12.439
<v Speaker 9>the Olympics, no one more so than filmmaker Bud green Span.

0:28:14.400 --> 0:28:16.600
<v Speaker 2>At some point in this project, I got a little

0:28:16.600 --> 0:28:19.800
<v Speaker 2>distracted from Jesse Owens and got obsessed with Bud Greenspan.

0:28:20.280 --> 0:28:22.119
<v Speaker 2>He looked like the Buddha, if the Buddha had been

0:28:22.119 --> 0:28:24.680
<v Speaker 2>born far sighted on the Upper West Side of Manhattan.

0:28:25.000 --> 0:28:27.800
<v Speaker 2>He was bald and typically wore his black, thick framed

0:28:27.880 --> 0:28:31.160
<v Speaker 2>glasses on top of his head like his brain was stargazing.

0:28:32.119 --> 0:28:34.919
<v Speaker 6>Do you ever look at that unappealing negative side of

0:28:34.920 --> 0:28:36.119
<v Speaker 6>the Olympics in your films.

0:28:36.200 --> 0:28:37.880
<v Speaker 9>I've been asked that many times, Jane.

0:28:37.960 --> 0:28:39.840
<v Speaker 5>I think I'd rather spend one hundred percent of my

0:28:39.920 --> 0:28:42.200
<v Speaker 5>time and a ninety percent that's good, and a lot

0:28:42.240 --> 0:28:44.080
<v Speaker 5>of my colleagues who spent one hundred percent of the

0:28:44.080 --> 0:28:45.920
<v Speaker 5>time in the ten percent that's not so good.

0:28:46.640 --> 0:28:49.320
<v Speaker 2>Here, I should just acknowledge that he's talking about us

0:28:49.360 --> 0:28:52.480
<v Speaker 2>in our nine part series on Hitler's Olympics, which that

0:28:52.600 --> 0:28:55.960
<v Speaker 2>is fair. I defer to him because Bud Greenspan basically

0:28:56.000 --> 0:29:00.600
<v Speaker 2>invented modern uplifting Olympic storytelling. When Bob he cost us

0:29:00.760 --> 0:29:03.600
<v Speaker 2>the voice of the Olympics on NBC first got the

0:29:03.600 --> 0:29:06.280
<v Speaker 2>big job, you watched like sixteen hours of Bud Greenspan

0:29:06.360 --> 0:29:08.880
<v Speaker 2>documentaries just to get the feeling right.

0:29:10.640 --> 0:29:13.240
<v Speaker 9>Though criticized at times for looking at the games like

0:29:13.280 --> 0:29:17.120
<v Speaker 9>a young boy through rose colored glasses, he has been

0:29:17.120 --> 0:29:20.040
<v Speaker 9>making films on the Olympics for over fifty years.

0:29:20.920 --> 0:29:23.560
<v Speaker 2>That, by the way, is from an ESPN tribute to

0:29:23.560 --> 0:29:26.440
<v Speaker 2>Bud Greenspan, which is why there was all those angelic

0:29:26.520 --> 0:29:30.000
<v Speaker 2>voices in the background. Green Span started reporting on the

0:29:30.000 --> 0:29:33.680
<v Speaker 2>Olympics in the late nineteen forties. He was at every

0:29:33.920 --> 0:29:37.680
<v Speaker 2>single Olympic Games from nineteen eighty four until he died

0:29:37.720 --> 0:29:41.400
<v Speaker 2>in twenty ten. He won eight Emmys a Lifetime Achievement

0:29:41.400 --> 0:29:44.880
<v Speaker 2>Award from the Director's Guild. Everyone knew Bud Greenspan, and

0:29:44.960 --> 0:29:47.320
<v Speaker 2>even if you don't know his name, you know his style.

0:29:47.600 --> 0:29:48.520
<v Speaker 10>Here's one story.

0:29:49.160 --> 0:29:52.640
<v Speaker 2>Nancy Beffa, Bud Greenspan's partner in life and film.

0:29:52.920 --> 0:29:56.520
<v Speaker 10>Okay, we're at the metropol and Opera, which he adored,

0:29:57.120 --> 0:30:02.080
<v Speaker 10>and intermission and having a glassish campaign and managing editor

0:30:02.120 --> 0:30:04.960
<v Speaker 10>of Time magazine, you know, comes up to us, and

0:30:04.920 --> 0:30:07.760
<v Speaker 10>it does Bud, and he goes, what are you doing here?

0:30:08.760 --> 0:30:11.920
<v Speaker 10>As if you know, oh, you should be at Yankee

0:30:12.000 --> 0:30:13.280
<v Speaker 10>Stadium or something.

0:30:13.640 --> 0:30:17.160
<v Speaker 2>Oh, there is something so operatic about Olympic stories. So

0:30:17.880 --> 0:30:20.960
<v Speaker 2>well yeah, so why am I telling you about Bud

0:30:21.000 --> 0:30:24.400
<v Speaker 2>Greenspan Because his love for sport and his love for

0:30:24.480 --> 0:30:28.360
<v Speaker 2>operatic storytelling came together in the holy grail of all

0:30:28.400 --> 0:30:33.280
<v Speaker 2>Olympic stories, the nineteen thirty six Games and Jesse Owens.

0:30:34.160 --> 0:30:37.840
<v Speaker 10>They were friends. So like when Jesse would come into

0:30:37.920 --> 0:30:40.719
<v Speaker 10>New York, maybe he stayed at his apartment, they'd certainly

0:30:40.760 --> 0:30:45.440
<v Speaker 10>see each other. I remember Bud telling these stories about

0:30:45.440 --> 0:30:49.480
<v Speaker 10>how he would take Jesse out to dinner and maybe

0:30:49.520 --> 0:30:52.160
<v Speaker 10>it was like a tennis or racket club in New

0:30:52.240 --> 0:30:56.080
<v Speaker 10>York City and they were still segregated, but he talked

0:30:56.080 --> 0:30:58.480
<v Speaker 10>his way into the dining room, and I remember the

0:30:58.560 --> 0:31:01.920
<v Speaker 10>matre g called but just as long as Jesse sits

0:31:01.960 --> 0:31:04.400
<v Speaker 10>with his back to the door, the front door.

0:31:05.720 --> 0:31:09.000
<v Speaker 2>In the nineteen sixties, during the Civil Rights movement, Greenspan

0:31:09.120 --> 0:31:11.160
<v Speaker 2>got the idea for a film that fit the era.

0:31:11.800 --> 0:31:15.160
<v Speaker 2>He convinced Jesse Owens to return to Berlin to shoot

0:31:15.200 --> 0:31:18.640
<v Speaker 2>an hour long TV documentary to narrate it too. A

0:31:18.640 --> 0:31:20.760
<v Speaker 2>lot of the film is made up of archival footage

0:31:20.760 --> 0:31:23.920
<v Speaker 2>that Lenny reefinstall shot of the games, but it's framed

0:31:23.920 --> 0:31:26.320
<v Speaker 2>with these scenes of an older Jesse Owens in a

0:31:26.360 --> 0:31:29.120
<v Speaker 2>suit walking around the reich sport Feld. And for one

0:31:29.120 --> 0:31:33.280
<v Speaker 2>of the film's pivotal scenes, Bud Greenspan invited Lutsloan's Sun

0:31:33.440 --> 0:31:37.400
<v Speaker 2>Kai to meet Jesse Owens on the track and that's

0:31:37.440 --> 0:31:38.280
<v Speaker 2>when this happened.

0:31:41.120 --> 0:31:43.040
<v Speaker 5>Kyle, you probably don't know it, but your father was

0:31:43.080 --> 0:31:45.920
<v Speaker 5>greatly responsible for my winning the broad Jump in nineteen

0:31:45.960 --> 0:31:46.560
<v Speaker 5>thirty six.

0:31:46.880 --> 0:31:49.200
<v Speaker 7>Well, Jesse has been a very important part in my life,

0:31:49.240 --> 0:31:51.760
<v Speaker 7>and I'm very often seen pictures from you and the

0:31:51.800 --> 0:31:54.880
<v Speaker 7>photographs of my father. Please tell me about this competition

0:31:54.960 --> 0:31:58.480
<v Speaker 7>here in the stadium, because I have my father only

0:31:58.560 --> 0:32:01.440
<v Speaker 7>seen for three times. I was found nineteen forty one

0:32:01.480 --> 0:32:03.240
<v Speaker 7>and my father has died to ninety forty three.

0:32:03.640 --> 0:32:05.800
<v Speaker 5>Well, it all happened on the other side of the

0:32:05.840 --> 0:32:08.120
<v Speaker 5>field here, but we had the premonaries for the running

0:32:08.160 --> 0:32:11.760
<v Speaker 5>broad jump, and on the first two gymps, I followed

0:32:11.760 --> 0:32:13.640
<v Speaker 5>on one and didn't go far enough on the other.

0:32:14.120 --> 0:32:17.120
<v Speaker 5>And your father came to my assistance and he helped

0:32:17.160 --> 0:32:19.600
<v Speaker 5>me measure a footback of the takeoff board, and he

0:32:19.600 --> 0:32:22.080
<v Speaker 5>helped the tape until I measured a foot back as

0:32:22.120 --> 0:32:24.960
<v Speaker 5>far as my takeoff was concerned. And then I came

0:32:25.000 --> 0:32:27.800
<v Speaker 5>down and I hit between these two marks, and therefore

0:32:27.800 --> 0:32:30.280
<v Speaker 5>I qualified, and that led to the victory in the

0:32:30.360 --> 0:32:31.120
<v Speaker 5>running broad jump.

0:32:33.720 --> 0:32:36.160
<v Speaker 2>The film was a huge hit, and it was written,

0:32:36.440 --> 0:32:40.560
<v Speaker 2>directed and produced by Bud Greenspan, So I figured case closed.

0:32:40.760 --> 0:32:43.040
<v Speaker 2>Greenspan took that hug on the field and he just

0:32:43.120 --> 0:32:44.920
<v Speaker 2>made up the rest of the myth about LuSE loan.

0:32:45.720 --> 0:32:50.480
<v Speaker 2>But Nancy Befer said, not so fast. Bud Greenspan believed

0:32:50.520 --> 0:32:54.520
<v Speaker 2>that story because he'd heard it from Jesse Owens.

0:32:54.720 --> 0:32:56.640
<v Speaker 10>But going back, why didn't he make it up? I

0:32:56.680 --> 0:33:01.480
<v Speaker 10>don't know. I can't really speculate on that particular thing.

0:33:02.000 --> 0:33:05.920
<v Speaker 10>But obviously you need a storyteller and then a recipient.

0:33:06.200 --> 0:33:12.400
<v Speaker 10>So people must have wanted to hear that story, you know,

0:33:12.720 --> 0:33:15.760
<v Speaker 10>and the note I mean, so I don't know, and

0:33:15.880 --> 0:33:19.560
<v Speaker 10>but I mean the most important thing was until he died,

0:33:20.680 --> 0:33:25.200
<v Speaker 10>didn't know that Jesse made up that story.

0:33:25.400 --> 0:33:28.840
<v Speaker 2>The story came from Jesse Owens, and he first told

0:33:28.840 --> 0:33:31.560
<v Speaker 2>it long before he made that film in the nineteen sixties.

0:33:32.040 --> 0:33:34.520
<v Speaker 2>Ki Long at first heard it from Jesse Owens too,

0:33:34.640 --> 0:33:35.600
<v Speaker 2>a decade earlier.

0:33:36.160 --> 0:33:42.360
<v Speaker 8>Oh, when I first talked to ky Long, he said,

0:33:43.000 --> 0:33:48.920
<v Speaker 8>for him, it was a completely unexpected situation.

0:33:49.560 --> 0:33:51.720
<v Speaker 2>Again, sport historian Gerlinda Rhorr.

0:33:52.280 --> 0:33:55.440
<v Speaker 8>He was ten years at the time when Jesse Owens

0:33:55.480 --> 0:34:02.080
<v Speaker 8>came to Germany, and suddenly ky Long was in a

0:34:02.080 --> 0:34:09.360
<v Speaker 8>lot of journalists and photographs, and he didn't know what

0:34:09.600 --> 0:34:13.840
<v Speaker 8>happened because he couldn't remember his father. He was only

0:34:14.360 --> 0:34:19.040
<v Speaker 8>two and a half year old when Lutzlan had to

0:34:19.160 --> 0:34:25.080
<v Speaker 8>leave the family for the war, and so it was

0:34:25.160 --> 0:34:32.040
<v Speaker 8>a completely new situation for this young boy. Of course

0:34:32.080 --> 0:34:36.560
<v Speaker 8>he believed it because he didn't know what really happened.

0:34:36.600 --> 0:34:38.680
<v Speaker 8>He couldn't ask his father.

0:34:38.840 --> 0:34:43.800
<v Speaker 2>Never Griwinda told me that as Kai Long grew older

0:34:44.000 --> 0:34:47.280
<v Speaker 2>and reporters kept asking him about Jesse Owens and his father,

0:34:48.080 --> 0:34:52.040
<v Speaker 2>Kai started to wonder about the myth, which eventually had

0:34:52.080 --> 0:34:56.080
<v Speaker 2>begun to involve Kai too. In a TV interview, Owen

0:34:56.120 --> 0:34:58.640
<v Speaker 2>said that Kai had his letters' salutes in his scrap

0:34:58.719 --> 0:35:00.759
<v Speaker 2>book fifty one.

0:35:01.120 --> 0:35:03.640
<v Speaker 5>I had the privilege of meeting his son and after

0:35:03.760 --> 0:35:04.440
<v Speaker 5>showing the.

0:35:04.480 --> 0:35:07.520
<v Speaker 9>Pictures and letters that he had the scrap book that I.

0:35:07.440 --> 0:35:08.279
<v Speaker 1>Had written as father.

0:35:08.960 --> 0:35:11.000
<v Speaker 3>Well as a result of that, today.

0:35:10.719 --> 0:35:14.120
<v Speaker 2>I know there is no evidence that that's true. Kai

0:35:14.200 --> 0:35:16.799
<v Speaker 2>published a book in twenty fifteen about his father, full

0:35:16.840 --> 0:35:20.839
<v Speaker 2>of family photos and documents. It's in German and impossible

0:35:20.880 --> 0:35:24.080
<v Speaker 2>to find, but the publisher sent me a copy and

0:35:24.160 --> 0:35:28.160
<v Speaker 2>there are just no letters from Omens to Long in it. Surely,

0:35:28.200 --> 0:35:31.600
<v Speaker 2>if Kai had those letters in that scrap book, he'd

0:35:31.600 --> 0:35:33.200
<v Speaker 2>have included them in this book.

0:35:34.760 --> 0:35:41.680
<v Speaker 8>And so he started to think about what's the truth

0:35:42.280 --> 0:35:47.959
<v Speaker 8>and what really happened. When he was an adult and

0:35:48.320 --> 0:35:53.239
<v Speaker 8>he was asked all the time from journalists, and when

0:35:53.480 --> 0:36:00.719
<v Speaker 8>he told them, oh, maybe it couldn't be or their

0:36:00.760 --> 0:36:06.520
<v Speaker 8>aren't letters to me, he said, I can tell what

0:36:06.560 --> 0:36:13.840
<v Speaker 8>I want. They want to hear the legends. And so

0:36:14.800 --> 0:36:22.000
<v Speaker 8>he said once to me, Oh, missus, Raw, isn't it

0:36:22.160 --> 0:36:29.279
<v Speaker 8>nice for people to live with this story? Do you

0:36:29.400 --> 0:36:31.600
<v Speaker 8>want to destroy this story?

0:36:32.760 --> 0:36:35.879
<v Speaker 2>Honestly, I don't want to destroy this story. And let

0:36:35.880 --> 0:36:39.440
<v Speaker 2>me say again, a meaningful part of it is clearly true.

0:36:39.680 --> 0:36:43.239
<v Speaker 2>Lutslang and Jesse Owens were true sportsmen. They were good

0:36:43.280 --> 0:36:46.440
<v Speaker 2>to each other on the field. But this whole series

0:36:46.480 --> 0:36:49.040
<v Speaker 2>we're doing is about what happens when we failed to

0:36:49.040 --> 0:36:51.360
<v Speaker 2>see the truth of what is right before our eyes.

0:36:51.920 --> 0:36:55.080
<v Speaker 2>And this legend of the Owens long friendship has started

0:36:55.120 --> 0:36:57.480
<v Speaker 2>to seem to me like one of the biggest examples

0:36:57.520 --> 0:37:00.760
<v Speaker 2>of failing to see what's right before you. First, because

0:37:00.800 --> 0:37:03.600
<v Speaker 2>in so many ways it doesn't add up. And second,

0:37:03.880 --> 0:37:06.600
<v Speaker 2>because it doesn't just involve one or two daffy members

0:37:06.600 --> 0:37:10.040
<v Speaker 2>of the IOC, but so many of us for a

0:37:10.080 --> 0:37:14.359
<v Speaker 2>long time now. But why would Jesse Owens make this up?

0:37:16.200 --> 0:37:31.760
<v Speaker 2>The truth at last? Next Week Revisionist History is produced

0:37:31.760 --> 0:37:35.760
<v Speaker 2>by me Ben Mattahaffrey, dalli Emlin and Nina Bird Lawrence.

0:37:36.320 --> 0:37:40.200
<v Speaker 2>Our editor is Sarah Nix. Fact checking on this episode

0:37:40.480 --> 0:37:44.920
<v Speaker 2>by J. L. Goldfein. Original scoring by Luis Garratt, mastering

0:37:45.160 --> 0:37:49.800
<v Speaker 2>by Sarah Briguer and Jake Korski. Engineering by Nina Bird Lawrence.

0:37:50.440 --> 0:37:54.919
<v Speaker 2>Our executive producer is Jacob Smith. Special thanks to Karen

0:37:54.960 --> 0:37:58.000
<v Speaker 2>Schakerji rufus Wright, who read the excerpts of Jesse Owens

0:37:58.040 --> 0:37:59.600
<v Speaker 2>autobiography and J. D.

0:37:59.760 --> 0:37:59.960
<v Speaker 1>Land.

0:38:01.360 --> 0:38:03.680
<v Speaker 2>I'm then out of Haffery.