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Speaker 1: What's up y'all here doing.

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Speaker 2: I'm Mall, I'm Rory.

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Speaker 1: This is the New Rory Maul podcast. We are on

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Speaker 1: tour right now. Yes, uh, Chicago this weekend. We are

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Speaker 1: at Thalia Hall, Falier Hall. I believe in Chicago.

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Speaker 2: Were in Chicago. Google that ship?

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Speaker 1: Yeah, Google that ship, come out kicking with us. We

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Speaker 1: are in DC next weekend at the Howard Theater.

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Speaker 2: Yes.

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Speaker 1: Tickets are on sale now for the rest of the

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Speaker 1: shows on the tour. We're coming to a city near

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Speaker 1: you hopefully.

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Speaker 3: Uh.

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Speaker 1: New Roryandmall dot com and get your tickets now.

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Speaker 2: I might, I might walk over to Howard Campus. Be

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Speaker 2: the creepy old Kappa on the plot.

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Speaker 1: Let me know how that goes. Get your tickets now,

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Speaker 1: New Rory Inmaul dot com and we hope to see

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Speaker 1: you soon. Made the famous the chain famous QB on

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Speaker 1: my chest master stayless, amazing, great sound, gracefully Agent without Mason.

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Speaker 1: Welcome to a new episode of the New Grory and

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Speaker 1: Mall Show. I am Maul, I am Rory, and we

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Speaker 1: are back with another sound journey. Rory, you have your

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Speaker 1: your blind fold, I have it right you kinky young man. Okay,

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Speaker 1: Oh that was King's Disease by Nas the Great Nas.

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Speaker 1: Happy birthday to the legend.

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Speaker 2: I'm having flashbacks with this blindfold on.

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Speaker 1: You should listen to King's Disease with that fold on,

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Speaker 1: going on a sound journey with you out here.

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Speaker 2: He was definitely banging Nas and Ludacris Virgo.

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Speaker 1: I definitely was not banging that.

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Speaker 2: Be wasn't too bad. You just made it too specific

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Speaker 2: for y'all birthday.

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Speaker 1: Yeah, it's a little weird, but happy birthday at Nas

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Speaker 1: forty nine years old, looking like he's still twenty seven

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Speaker 1: and no crazy. They had a show yesterday Blue too right, yep,

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Speaker 1: Wu Tang and Buster Rahms.

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Speaker 2: Wonder what it's like at forty nine to be on

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Speaker 2: the road during your birthday. You probably just want to

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Speaker 2: go back. That will tell.

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Speaker 1: I would think so, Yeah, I would think so. I mean,

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Speaker 1: it's a blessing to be forty nine in hip hop

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Speaker 1: and still be toring, because you know, they say rapping

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Speaker 1: hip hop as a young man's sport.

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Speaker 2: But well, I did see that clip that went viral.

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Speaker 2: I don't know if it was really old or recent

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Speaker 2: of those two women that were out to dinner at

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Speaker 2: like some resort on an island, and like drunk ass

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Speaker 2: nods sits down. It's like, yo, I love both y'all.

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Speaker 2: You ain't see that video, nah Na, it's definitely fucked

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Speaker 2: both of them.

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Speaker 1: Well, let's not put that out there.

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Speaker 2: Like that, but hypothetically, yeah, see see that changes it.

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Speaker 1: One word changes everything. Hypothetically, he had a great night.

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Speaker 2: You guys didn't see that video. It was hilarious. They

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Speaker 2: you know, it was just like one of those like

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Speaker 2: all inclusive resort type shit was really nice and nads

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Speaker 2: like sat at their table and they were super excited,

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Speaker 2: and you know, he's how funny. He was being very respectful,

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Speaker 2: but you could tell Nas had been, you know, participating

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Speaker 2: in beverages throughout the day.

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Speaker 1: Like why doesn't that happen to man? Like why are

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Speaker 1: we never at a resort and like one of our

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Speaker 1: favorite actresses just shows up and just starts talking.

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Speaker 2: To us, Because there's nothing attractive about a bunch of

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Speaker 2: dudes at a table in a tropical island. Yeah, that's

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Speaker 2: kind of like it looks yeah, like matter of fact,

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Speaker 2: if you're with a bunch of women, women would want

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Speaker 2: to go over there, like, oh that looks like.

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Speaker 1: A nice women. Yeah, I get it.

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Speaker 2: Just you and I chilling like in Turks, but they

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Speaker 2: would think we're a couple probably, so Yeah, so I

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Speaker 2: would understand why women and approach us and say, hey, guys,

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Speaker 2: you want some company.

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Speaker 1: But ladies, if you do see me at a resort

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Speaker 1: by myself.

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Speaker 2: I think it's weird that you're calling these hypothetical women homophobic,

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Speaker 2: but that's cool.

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Speaker 1: I didn't call them home, did I said.

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Speaker 2: They wouldn't even want to come to our table because.

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Speaker 1: They said they would assume that we were get.

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Speaker 2: And they wouldn't want to stay with us because we

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Speaker 2: were good, not.

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Speaker 1: That, but they wouldn't approach us. In the Happy Birthday.

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Speaker 2: You're defending people that don't exist.

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Speaker 1: Happy Birthday didn'tis shout when is King's Disease three coming?

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Speaker 1: God damn it? And find out? Yeah.

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Speaker 2: I mean they turned those those albums around pretty quickly.

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Speaker 2: I just was on tour, so it might be a

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Speaker 2: little bit.

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Speaker 1: It's just so dope that none of King's Disease one

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Speaker 1: in King's Disease too sound nothing to like and it

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Speaker 1: was literally the same two people in the studio.

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Speaker 4: I like it.

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Speaker 1: The Emmy Awards were the other night.

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Speaker 2: Yeah, you guys seemed really excited when everyone walked in today,

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Speaker 2: wouldn't shut the fuck up about here?

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Speaker 1: And I think I think Eden's favorite show. One.

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Speaker 2: No, they did it tell Amundo category.

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Speaker 1: Yeah you didn't. You didn't see it was a remake.

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Speaker 2: Know they aired that.

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Speaker 4: You know that award?

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Speaker 1: You know? Eden loves Novas.

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Speaker 2: Did the George Lopez Show when? Wow, it's so crazy

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Speaker 2: that I loved George. I love the George Lopez Show.

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Speaker 1: A lot of people don't like George Lopez.

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Speaker 2: I don't not sitcom was great. I mean his his

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Speaker 2: stand up is hit. It's hit or miss from me.

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Speaker 1: But that's too I didn't think his stand up was terrible.

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Speaker 1: I like George Lopez though that I don't know. I

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Speaker 1: just like it.

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Speaker 2: Where's the daughter in the George Lopez Show?

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Speaker 1: Now? She can't remember who played the daughter on the

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Speaker 1: George Lopez Show.

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Speaker 2: I just have like weird uh flashbacks whenever low Rider

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Speaker 2: plays because I feel like I used to fall asleep

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Speaker 2: to the George Lopez Show when I was a kid,

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Speaker 2: and like I would always just wake up to Low

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Speaker 2: Rider plant here. Yes, it reminds me of high school.

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Speaker 1: Is this young lady Maciela.

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Speaker 2: She looks nothing like how she looked in that show Wow,

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Speaker 2: because she has she is that a white woman, She's

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Speaker 2: all being interesting. The more you know, will congrat to

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Speaker 2: George Lopez, the more you know for winning an Emmy

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Speaker 2: for his show from twenty years ago. I know edon

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Speaker 2: was happy. Tell me about that. These guys, You guys

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Speaker 2: were the ones that were fully invested.

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Speaker 1: Well, the one thing that I was happy about, and

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Speaker 1: I know I'm late, but the one thing I was

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Speaker 1: happy about from the Emmys was Quentin Brunson one for

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Speaker 1: Best Writing in a Drama Series for Abbot Elementary, which

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Speaker 1: is a great show for sure, and I was pleased

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Speaker 1: to find it. Like I've been looking at her for

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Speaker 1: a few years, Best Writing in a Comedy Series. I'm sorry,

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Speaker 1: and I was. I was looking at her for a

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Speaker 1: couple year. When I was looking at Abbot Elementary, I'm like,

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Speaker 1: she looks like the girl from the viral video. Yeah, like,

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Speaker 1: oh he got money, get it all? Remember remember that?

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Speaker 2: And then she was hilarious in the early early internet

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Speaker 2: viral skit sketch type of type of days.

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Speaker 1: It was so dope, like and I'm looking at her,

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Speaker 1: but you know, I don't want to ask stupid questions.

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Speaker 1: But every time I'm watching the show, I'm like, I

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Speaker 1: wanted to ask me, is this the same woman from

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Speaker 1: the viral videos back and then you know, ten twelve

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Speaker 1: years ago. But it was dope to found out.

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Speaker 2: That that was her same woman that was Milli rocking

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Speaker 2: in front of the Pyramids.

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Speaker 1: That's her, Quintin Brustoll shout out to Quinch.

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Speaker 2: Jim Millie rocked on stage, but.

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Speaker 1: Somebody didn't give her enough space. Jimmy Kimmel was kind

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Speaker 1: of like Milly blocking.

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Speaker 2: What's Jimmy, you never take all the attention.

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Speaker 1: Listen. It was a bit and you know, he just

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Speaker 1: played into it and people were mad that he was.

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Speaker 1: He didn't give her her space to accept her award.

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Speaker 1: But I did she see that she was on the

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Speaker 1: Jimmy Kimmel Show last night or the night before, I believe,

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Speaker 1: So you know, they kind of made up hatched that out, and.

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Speaker 2: I mean, I love to see that type of shit

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Speaker 2: of people just taking the reach.

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Speaker 1: Jimmy Kimmel's got a bad guy. Some people getting mad

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Speaker 1: at him. I'm like, Jimmy Kimmel, Like, y'all are mad

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Speaker 1: at Jimmy Kimmel because he like he was doing something

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Speaker 1: he thought was funny, laid out, passed out on the

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Speaker 1: ground like yes, Jimmy Kimmel. But shout out to Quincin Brunton,

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Speaker 1: shout out to Shirlee Ralph gave an outstanding speech accepting speech,

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Speaker 1: and she won Outstanding Supporting Actress in the Comedy Series,

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Speaker 1: the second time in history of the black woman has

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Speaker 1: won that award, and her acceptance speech was beautiful, It

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Speaker 1: was powerful, it was motivational, it was very passionate, and

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Speaker 1: I think that it, you know, it did what she

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Speaker 1: wanted it to do, inspired a lot of women in

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Speaker 1: the industry, a lot of women that's not in the

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Speaker 1: industry just doing things in their lives that you know,

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Speaker 1: sometimes lose faith and lose hope on what they're doing.

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Speaker 1: So she gave it a credible, incredible speech and acceptance speech.

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Speaker 1: So shalute and shout out to Cheryl Lee Ralph.

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Speaker 2: Yeah, for sure. And I think again with the Quintin

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Speaker 2: thing too. Remember we talked when Insecure was over of

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Speaker 2: just how amazing that was for Isa to succeed in that,

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Speaker 2: because had she not succeeded, anyone coming from the Internet

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Speaker 2: world trying to do something themselves, the big networks would say, nah,

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Speaker 2: I think I'm cool. Yeah, So this is I think

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Speaker 2: just another part of that with Quintin. Yeah, that other

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Speaker 2: people that are as just talented and only have the

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Speaker 2: resource of the fucking internet to put stuff out will

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Speaker 2: now be taken seriously. So I love to see that

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Speaker 2: type of.

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Speaker 1: Stuff shoutouts in Day as well. She won Best Lead

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Speaker 1: Actress in the drama for her role as Rue and Euphoria.

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Speaker 1: Zindia gave a beautiful speech and uh, you know, she

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Speaker 1: thinked anyone that may be dealing with drug issues and

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Speaker 1: substance abuse and things like that, Zendia can't do no wrong.

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Speaker 1: It seems like like she's she just she's very well spoken,

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Speaker 1: she's beautiful, her energy is beautiful, great actress. And I

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Speaker 1: think I forgave her for making that bullshit bowl of

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Speaker 1: mac and cheese for John David Washington. I think I finally,

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Speaker 1: I finally forgave you for that. I'm I'm past it.

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Speaker 1: I held onto that for a few years.

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Speaker 4: Need to let go.

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Speaker 1: Yeah yeah, I held onto that for a few years.

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Speaker 1: That was a terrible bowl of mac and cheese. But

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Speaker 1: after that acceptance speech and you know, she looked great.

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Speaker 2: Listen, you let it go. You become what hurts you

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Speaker 2: if you don't let it.

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Speaker 1: Absolutely.

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Speaker 2: I let her, just need to let that craft mac

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Speaker 2: and cheese. I let it before you become.

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Speaker 1: You're right, But John David Washington did not. He did

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Speaker 1: not deserve that ship at all. But Zendia looked great.

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Speaker 2: So they're gonna find how many more years? So they

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Speaker 2: try to find something wrongers in there.

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Speaker 1: As far as what like you think, they're gonna try

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Speaker 1: to out her as a bad person.

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Speaker 2: They're gonna find she's been doing too much amazing things.

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Speaker 2: And when people start doing too much things that are

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Speaker 2: finding something it starts.

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Speaker 1: They're gonna find a tweet day of tweets when.

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Speaker 2: She was eleven.

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Speaker 4: Yeah, she is from the day.

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Speaker 1: So oh yeah, they're gonna find her getting hiphie And

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Speaker 1: I'm like, oh, look at her trying to she's a

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Speaker 1: culture role. They're gonna call her culture vulture some ship.

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Speaker 2: Like or the will crowds and be like, well, she's

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Speaker 2: not really a drug addict, so like, this is really

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Speaker 2: problematic that she's acting like a drug addict in the show.

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Speaker 2: We need to find the real drug addicts and give

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Speaker 2: them the opportunity to give them, Like I this is

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Speaker 2: This is just I can't believe she would even take

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Speaker 2: that role knowing that she's not addicted to heroin. Yeah,

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Speaker 2: so that'll come soon, I'm sure.

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Speaker 1: Shout out to Zindaya, Lizzo one Lizzo one uh in

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Speaker 1: me as well for her TV show Watch Out for

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Speaker 1: the Big Girls.

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Speaker 2: I have never watched it, but I do love the

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Speaker 2: Jersey Clubs.

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Speaker 1: That's because you don't watch Out for the Big Girls.

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Speaker 2: No, I love the Big Girls. That's one of my

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Speaker 2: favorite Jersey club songs. I was screaming that, yeah, watch

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Speaker 2: Out for the Big Girl. What that was my ship?

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Speaker 1: So Lizzo won, uh, she won award for that for

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Speaker 1: that show, Lizzo looked great.

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Speaker 2: What is the show about?

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Speaker 5: Is the she won Best Competition Program.

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Speaker 1: So it's a competition. It's a bunch of big girls

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Speaker 1: that are dancers, I believe. So yeah, you know it's

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Speaker 1: a win for the big girls. You love the big Girls,

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Speaker 1: which look the big girls Julian fat Guys.

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Speaker 6: I'm saying, how do they vet why that is a show?

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Speaker 6: Like do you have to send your body mass index?

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Speaker 2: And like is there a specific pound that you are

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Speaker 2: now no longer considered.

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Speaker 7: That is it like a height to weight ratio. That's appropriate.

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Speaker 7: What are you how big is big enough for the show?

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Speaker 2: Is this not ex a good question?

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Speaker 1: How do you think they're going to cancel the show

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Speaker 1: for exploiting big girls? I feel like they'll try it,

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Speaker 1: They'll try anything.

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Speaker 2: Can we look up what the definition of exploit is?

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Speaker 2: At what point is everything not exploiting? If you're surprise,

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Speaker 2: if you're profiting off a specific genre or something, at

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Speaker 2: what point is it not exploiting your intentions? But you

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Speaker 2: can really prove intent?

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Speaker 1: Exploit is a bold or daring feat. Now, if you've

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Speaker 1: seen the show, watch for the Big Girls. So many

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Speaker 1: these girls have had done some daring things on the

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Speaker 1: dance floor.

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Speaker 2: Make full use and derived benefit from a receurch. Yeah,

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Speaker 2: that's where I think exploit is a very odd word. Yeah,

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Speaker 2: is can there be positive exploitation, positive light on it?

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Speaker 2: But we're still profiting, so we are exploiting it.

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Speaker 1: Yeah.

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Speaker 2: Anyways, Yeah, so I think I haven't seen the show,

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Speaker 2: but it sounds like they're exploiting big women, which I

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Speaker 2: think is very problem, Like everything is problem.

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Speaker 1: But either way, they won Squid Game won, they won

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Speaker 1: six awards, They were nominated fourteen fourteen different times. So

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Speaker 1: that was a big night for Squid Games. Schod Game

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Speaker 1: two is I believe coming soon as well on Netflix,

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Speaker 1: Like I show which way they're going to go with

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Speaker 1: this season too. Now that we know the plot and

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Speaker 1: we know what the squid game is about, like where

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Speaker 1: do they go? Does it become more of a thing

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Speaker 1: about the people that are controlling the game?

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Speaker 2: Well, I think they were exploiting people with gambling problems

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Speaker 2: and exploiting murder.

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Speaker 1: Yeah, that's exactly what.

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Speaker 2: Which is that what I felt was and the Squad Game, Yeah,

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Speaker 2: I hope they.

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Speaker 1: And tag Freeze tag like you can't exploit Freeze Tag.

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Speaker 2: He we really tried to make him think he was

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Speaker 2: a hero in that last episode. What was the main

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Speaker 2: character's name.

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Speaker 1: That your brain would change that information before?

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Speaker 4: We do not the names.

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Speaker 2: He was really like a good guy towards the end,

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Speaker 2: and he gave the money to his man's mom and

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Speaker 2: all that shit, and just like every other gambling attict,

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Speaker 2: he was about to get on that plane and was like,

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Speaker 2: let me go back to the card table.

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Speaker 1: Yeah.

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Speaker 2: So I'm excited to see what other vice is coming.

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Speaker 1: I want to, I just want to. I would like to.

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Speaker 1: It's gonna be interesting to see where they go with

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Speaker 1: this one, like we.

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Speaker 2: Go see his All he wanted to do was help

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Speaker 2: his daughter. He should have just the whole show, I'm

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Speaker 2: doing this for my daughter. I'm doing for my daughter.

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Speaker 2: It's kind of like a breaking back when the whole

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Speaker 2: time he was like, I'm just doing it for my family,

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Speaker 2: And at the end of the show he's like, nah,

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Speaker 2: I was actually good at the ship and I liked it.

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Speaker 2: He should he want to go see his daughter turned

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Speaker 2: right around when he got the call from the gamblers.

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Speaker 2: Why did he just get on the play because he's

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Speaker 2: a gambling attic and.

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Speaker 1: Just kidding me to go back, Like, I don't know,

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Speaker 1: but it'll be interesting to see where they go one

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Speaker 1: season two, one.

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Speaker 3: Of the awards they won was for like best like

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Speaker 3: best Ship, sorry, best Episode, which was the Red Light

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Speaker 3: green Light episode, which is actually a really, really, really

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Speaker 3: good episode.

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Speaker 1: I was champion of red Like green Light three summers

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Speaker 1: in a row. You have no idea the Marrius three

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Speaker 1: summers in a row, ten beats for.

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Speaker 4: Three, damn it.

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Speaker 1: I was, I was, I was, I was, I was

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Speaker 1: red Light green Light Champion. Yeah, could never catch me moving.

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Speaker 1: They called me young statue.

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Speaker 4: Playing those hips from the ground exactly.

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Speaker 2: I've been to the Bronx. I've never heard anyone like,

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Speaker 2: oh you pot with with statue.

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Speaker 1: It's like it's even breathing.

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Speaker 2: Like statue limitations. That's what you are.

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Speaker 1: That's right. Rory. Back to BT the Hip Hop Awards.

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Speaker 1: The nominees are in for the Lyricists of the Year.

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Speaker 2: Is this what they led with? They put they put

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Speaker 2: all the BT nominations out right, but this was the

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Speaker 2: one that called, well, you.

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Speaker 1: Know, this is the one that's gonna always call whenever

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Speaker 1: they put a rap list together. This is always going

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Speaker 1: to cause a frenzy in the comic check and people

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Speaker 1: are going to repost and tell us what you think.

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Speaker 1: Uh So, the nominees for the b E T Hip

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Speaker 1: Hop Lyricists excuse me, Hip Hop Awards BT Lyricist of

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Speaker 1: the Year baby Keem, Benny the Butcher, uh Drake, Ja

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Speaker 1: Cole Jack Carlow, jay Z and Kendrick Lamar.

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Speaker 2: What was the cutoff date that that you had to

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Speaker 2: submit lyrics before? Because Hoole shouldn't be on here. I

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Speaker 2: understand the verse that was on KLA'SLB when that she

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Speaker 2: was like two weeks ago so I really feel like

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Speaker 2: you put this list together. Should be on it?

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Speaker 1: Who shouldn't be on here?

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Speaker 2: I love Keim. I think Keim is more of a

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Speaker 2: performer than he is a lyricist. I wouldn't put Kem

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Speaker 2: on there. I understand popularity and all that shit, but

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Speaker 2: this is the BT Hip Hop Awards, not the BET Awards.

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Speaker 2: I don't know if Jack should be on there for lyricists.

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Speaker 2: As far as what Drake did in the year, I

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Speaker 2: don't know lyricist?

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Speaker 4: Is there?

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Speaker 2: Best rap artist you could put I wouldn't be mad

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Speaker 2: at all, but lyricists Drake, I don't know, Cod did

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Speaker 2: a whole rap album. Definitely should be there, Benny should

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Speaker 2: definitely be there. Push just put out an incredible lyric album.

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Speaker 2: Push should be on there. Kendrick should be on there

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Speaker 2: with the album. But no, I don't think Jack Hove

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Speaker 2: or Team or Drake for that matter, should matter for

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Speaker 2: this year's cycle of lyricists. But what is the cycle

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Speaker 2: because j Idan certainly needs to be on there.

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Speaker 1: Well, But the cycle would be from the last awards, right,

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Speaker 1: So that would be twenty twenty one, So September October

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Speaker 1: twenty twenty one until October twenty twenty two.

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Speaker 2: Yeah, I don't.

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Speaker 1: I'm with you. I don't think Jack Colliers would be

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Speaker 1: on there. Maybe you know the BT Awards, Am.

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Speaker 5: I the only one that feels like Little Baby should

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Speaker 5: be on here?

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Speaker 2: Did Baby put stuff out?

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Speaker 4: When they at that?

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Speaker 2: I think Baby rap?

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Speaker 1: Yeah, I wouldn't be mad at that.

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Speaker 2: Who else was on that list that that was in

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Speaker 2: the headline of people that we're missing. The Bodie James

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Speaker 2: of the world are on there. When you come to

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Speaker 2: the lyrics of the last twelve months, I think Vince

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Speaker 2: Staples one should be on there as far as lyrics,

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Speaker 2: he put out two albums within that time, think that

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Speaker 2: should be there. Black Thought put out projects like I

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Speaker 2: just think I get the names, but do that because

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Speaker 2: it's the Hip Hop Awards? Do that for Artists of

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Speaker 2: the Year, not lit Like, let's try to make it

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Speaker 2: cool for the specific categories rather than just pick the

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Speaker 2: most popular people.

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Speaker 1: It's starting to sound like it's starting to feel like

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Speaker 1: this category is more of a popularity thing, yeah than

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Speaker 1: just really lyricists of the year.

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Speaker 2: Like, I appreciate that Jack Carlow can rap, and he's

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Speaker 2: one of the biggest rappers currently, but I don't wouldn't

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Speaker 2: put him on the lyrics category. If you want to

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Speaker 2: put Jack Carlo Best Rap Artists and he wins, I

404
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Speaker 2: would have no issue with that. I understand it.

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Speaker 1: But the other nominees are and this is it. Best

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Speaker 1: hip Hop Video sat Rocky, Baby Keem, City Girls featuring Usher, Cardi, B, Kanye,

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00:17:00,080 --> 00:17:02,880
Speaker 1: Little Dirk, b A J. Cole, Future featuring Drake and Tims.

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00:17:02,960 --> 00:17:06,359
Speaker 1: That's obviously gonna win. And Drake featuring Future and Young Doug.

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Speaker 2: I think that asap rocky video that should win. To

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Speaker 2: be quite honest, that video is incredible, really good video.

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Speaker 2: I didn't even know there was a hot shit video

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Speaker 2: for Cardi Kanye Like I remember the controversy, but did

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Speaker 2: it ever come out?

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Speaker 4: Yeah?

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Speaker 1: So oh wow, you don't someone doesn't watch PRL.

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00:17:23,200 --> 00:17:25,040
Speaker 2: You did not. That was not one of your prls.

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Speaker 2: I never I would never.

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Speaker 1: Picked up a pr L. Best Collaboration Baby, Keimmy Kendrick, Lamar,

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Speaker 1: City Girls featuring Usher, Cardi, B, Kanye West, Little Dirk,

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00:17:34,000 --> 00:17:37,200
Speaker 1: Drake featuring twenty one Savage, Benny the Butcher, Future featuring

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Speaker 1: Drake and Tims.

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Speaker 2: I think that should win.

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Speaker 1: Drake, Future and Young though anything with Tims and best

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Speaker 1: collaboration is gonna win for sure. She's easily one of

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Speaker 1: the hottest artists in the world. Best duo group four

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Speaker 1: two Doug and EStG, Big Shawn and hit Boy, Birdman

427
00:17:51,040 --> 00:17:54,120
Speaker 1: and Young Boy Never Broke Again Blasting being over due

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00:17:55,520 --> 00:17:57,879
Speaker 1: the Baby Young Boy Never Broke Again, Earth Gang Styles,

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Speaker 1: being Havoc, that forty what you Doug at es t.

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Speaker 2: G album dope They to me, I think are the

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Speaker 2: landslide win there. I'd love to see that Havoc and

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Speaker 2: p R on there.

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Speaker 1: Yeah. Best Lite performer, Cardi B, Doja, Cat Drake j Cole,

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Speaker 1: Kanye West, Kendrick Lamar, Child of the Creator. I would

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Speaker 1: have to give that one to maybe Tyler I was.

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Speaker 2: I was gonna say though, after watching that Kendrick show

437
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Speaker 2: Kendrick and I know he's still on it currently with

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Speaker 2: the timing, but Kendrick deserves to be there that that Tours.

439
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Speaker 1: Lyricist of the Year we just did, uh I would

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Speaker 1: I would go with Kendrick Lamar on that one. Can

441
00:18:31,359 --> 00:18:33,280
Speaker 1: you scroll up? I can't see the category before that.

442
00:18:33,359 --> 00:18:35,800
Speaker 1: Thank You Video Director of the Year, who had to Uh?

443
00:18:36,960 --> 00:18:39,800
Speaker 1: I would give it to Tiana fuck it, give.

444
00:18:39,680 --> 00:18:42,240
Speaker 2: It to you would give even if she wasn't nominated

445
00:18:42,280 --> 00:18:44,639
Speaker 2: to category she directed.

446
00:18:44,680 --> 00:18:47,159
Speaker 1: She did a great job this year in her directorial debut.

447
00:18:47,400 --> 00:18:49,280
Speaker 1: I think she did a good job. Song of the Year.

448
00:18:51,280 --> 00:18:53,200
Speaker 2: How is hot Ship, Cardi B, Kanye West, Little Dirk

449
00:18:53,480 --> 00:18:55,840
Speaker 2: under song of the Year round? Someone at BT explain

450
00:18:55,880 --> 00:18:57,239
Speaker 2: that to me? Why that should be there?

451
00:18:57,440 --> 00:18:58,119
Speaker 4: I haven't heard that.

452
00:18:58,160 --> 00:19:00,879
Speaker 1: Yeah, I'm going with either Kodak Black with Super Griollin

453
00:19:01,000 --> 00:19:04,480
Speaker 1: or Wait for You Future featuring Drake and Tims on

454
00:19:04,520 --> 00:19:04,840
Speaker 1: that one.

455
00:19:04,880 --> 00:19:08,760
Speaker 2: You know what you know? I really think, especially within

456
00:19:09,240 --> 00:19:11,919
Speaker 2: hip hop, with these award shows and these publications that

457
00:19:11,960 --> 00:19:14,760
Speaker 2: put them out, with podcasts being so big and content

458
00:19:14,800 --> 00:19:18,399
Speaker 2: being so fucking important, and the attention of these is

459
00:19:18,480 --> 00:19:21,239
Speaker 2: just plummeting with award shows, they need to get all

460
00:19:21,240 --> 00:19:24,080
Speaker 2: the people that are on this panel that put this together,

461
00:19:24,400 --> 00:19:26,600
Speaker 2: and y'all need to pod and explain to the world

462
00:19:26,640 --> 00:19:30,160
Speaker 2: why these people are nominated. That would be amazing general.

463
00:19:30,359 --> 00:19:33,160
Speaker 2: I'm not joking. I think everyone that did this shit

464
00:19:33,680 --> 00:19:37,040
Speaker 2: needs to start a podcast series leading up to the

465
00:19:37,040 --> 00:19:39,680
Speaker 2: BT Awards and you need to pod about Song of

466
00:19:39,720 --> 00:19:42,480
Speaker 2: the Year and tell me in that room why hot Shit,

467
00:19:42,560 --> 00:19:44,960
Speaker 2: Cardi B, Kanye West, and Little Dirk is nominated for

468
00:19:45,080 --> 00:19:47,960
Speaker 2: Song of the Year for each category. I think they

469
00:19:48,040 --> 00:19:50,840
Speaker 2: need to explain and that drives way more attention and

470
00:19:50,880 --> 00:19:54,359
Speaker 2: debates and arguments and makes it have more purpose for

471
00:19:54,400 --> 00:19:58,040
Speaker 2: the award show. And you need content, you need debate.

472
00:19:58,359 --> 00:20:00,280
Speaker 2: That's what hip hop is for, is to debate. It's

473
00:20:00,440 --> 00:20:03,600
Speaker 2: so stand by your terrible nominations.

474
00:20:04,400 --> 00:20:07,440
Speaker 1: Yeah, and tell us why voting committee voting don't. We

475
00:20:07,480 --> 00:20:09,360
Speaker 1: don't know. Not the nominees, we don't.

476
00:20:09,520 --> 00:20:13,840
Speaker 7: The labels say it's just their relationship with Atlantic Records.

477
00:20:14,680 --> 00:20:19,160
Speaker 1: Hip Hop Album of the Year Lotto Drake, Kanye West, Future,

478
00:20:19,600 --> 00:20:25,240
Speaker 1: PUSHA t Nas, and Kendrick Lamar. I'm gonna go with

479
00:20:25,400 --> 00:20:26,520
Speaker 1: Kendrick Lamar on that one.

480
00:20:27,160 --> 00:20:31,320
Speaker 2: Push Yeah, I'm I think I might. For hip Hop

481
00:20:31,359 --> 00:20:33,439
Speaker 2: Album of the Year, I would put Push it T there.

482
00:20:33,480 --> 00:20:34,120
Speaker 4: It's almost dry.

483
00:20:34,280 --> 00:20:36,960
Speaker 1: Hip Hop Artists of the Year Cardi B Doja, Cat Drake, Future,

484
00:20:37,000 --> 00:20:39,920
Speaker 1: Kanye West, Kendrick Lamar, Megan THEE Stallion Again. I would

485
00:20:39,960 --> 00:20:42,320
Speaker 1: go with Kendrick Lamar in that one as well.

486
00:20:42,720 --> 00:20:45,040
Speaker 2: That's so interesting that Jack Harlowe is not hip Hop

487
00:20:45,119 --> 00:20:47,639
Speaker 2: Artist of the Year nominated, but nominated for Lyricists of

488
00:20:47,680 --> 00:20:48,160
Speaker 2: the That.

489
00:20:48,200 --> 00:20:49,760
Speaker 1: Is so not because you know, you don't listen to

490
00:20:49,800 --> 00:20:52,000
Speaker 1: his lyrics, like you don't really break down Jack bars.

491
00:20:52,280 --> 00:20:54,679
Speaker 1: You gotta break down Jack's bars. That's the thing. Pause.

492
00:20:55,640 --> 00:21:00,719
Speaker 3: Cool question, Sorry, Mair of the Year. Yes, you're putting

493
00:21:00,760 --> 00:21:05,480
Speaker 3: super Grimlin over Song of the Year. You're putting super

494
00:21:05,480 --> 00:21:09,360
Speaker 3: Grimlin over First Class and Big Energy.

495
00:21:09,520 --> 00:21:12,479
Speaker 1: Absolutely. Have you seen what super Grimlin does when when

496
00:21:12,560 --> 00:21:13,639
Speaker 1: Koreak before was that record?

497
00:21:14,680 --> 00:21:17,520
Speaker 3: Yes, but it's not just about him performing it. It's

498
00:21:17,560 --> 00:21:20,919
Speaker 3: about where it gets played, how often it gets played.

499
00:21:21,200 --> 00:21:25,440
Speaker 3: That record literally people, I'm sorry, but Big Energy plays everywhere.

500
00:21:25,480 --> 00:21:27,399
Speaker 3: I was just watching the Emmys and it was playing

501
00:21:27,440 --> 00:21:29,240
Speaker 3: and when people were walking up onto the stage.

502
00:21:29,359 --> 00:21:31,000
Speaker 1: Yeah, but you don't think Big Energy is a Song

503
00:21:31,040 --> 00:21:32,520
Speaker 1: of the Year. You don't think that.

504
00:21:32,920 --> 00:21:34,040
Speaker 2: I think it should be nominated.

505
00:21:34,240 --> 00:21:35,840
Speaker 1: It's not. Well, it is nominated, That's.

506
00:21:35,720 --> 00:21:37,840
Speaker 2: What I'm saying. I agree that Wait for You should win.

507
00:21:38,160 --> 00:21:40,160
Speaker 1: I said between super Grimlin Away.

508
00:21:40,000 --> 00:21:41,320
Speaker 3: For You, But I'm just saying I think that big

509
00:21:41,720 --> 00:21:43,720
Speaker 3: Let me give a bigger song than super Grimain.

510
00:21:43,760 --> 00:21:46,520
Speaker 2: Since we're shitting on Jack. First Class is that could

511
00:21:46,560 --> 00:21:48,439
Speaker 2: definitely win that shit for you. That was one of

512
00:21:48,440 --> 00:21:49,720
Speaker 2: the biggest records of the year.

513
00:21:49,760 --> 00:21:52,160
Speaker 1: I thought, well, I mean I understand the first again,

514
00:21:52,200 --> 00:21:53,720
Speaker 1: we back to the sample thing. We know why we

515
00:21:53,840 --> 00:21:55,879
Speaker 1: like the record while I was in the sample, we

516
00:21:55,920 --> 00:21:59,040
Speaker 1: love it, but I thought Nailchech was a better record

517
00:21:59,040 --> 00:21:59,840
Speaker 1: than First Class.

518
00:22:00,119 --> 00:22:01,920
Speaker 3: Yeah, but at first, when we're doing Song of the Year,

519
00:22:01,920 --> 00:22:03,600
Speaker 3: we're not talking about what song is actually better, Like

520
00:22:03,640 --> 00:22:04,080
Speaker 3: that's not what.

521
00:22:04,160 --> 00:22:06,520
Speaker 1: Your half of these songs should need to be nominated.

522
00:22:06,920 --> 00:22:08,399
Speaker 3: Yeah, that's something like we're not talking about what song

523
00:22:08,480 --> 00:22:10,600
Speaker 3: is actually better. We're talking about which sam had the

524
00:22:10,640 --> 00:22:12,199
Speaker 3: most popularity.

525
00:22:11,560 --> 00:22:14,280
Speaker 1: And song of the year. Me personally, just from what

526
00:22:14,320 --> 00:22:16,720
Speaker 1: I saw what super Grimlin did and Wait for You did,

527
00:22:16,760 --> 00:22:17,720
Speaker 1: those are my two picks.

528
00:22:18,000 --> 00:22:19,399
Speaker 2: It would be cool for them to do Versus the

529
00:22:19,440 --> 00:22:22,560
Speaker 2: Year for the Hip Hop Awards, true, because I don't think.

530
00:22:22,480 --> 00:22:24,520
Speaker 1: Any you know hove did you Know That's gonna win?

531
00:22:24,880 --> 00:22:26,600
Speaker 2: I would, I mean, if it made it in the

532
00:22:26,680 --> 00:22:30,560
Speaker 2: right time, I would definitely put Drake Drake's on Jack's

533
00:22:30,560 --> 00:22:33,320
Speaker 2: album that would be up there. But yeah, versus the

534
00:22:33,400 --> 00:22:36,479
Speaker 2: Year would be cool because that would be like, you

535
00:22:36,520 --> 00:22:38,919
Speaker 2: can't go with the name ship in that one. You

536
00:22:39,040 --> 00:22:41,600
Speaker 2: kind of have to be honest with that category. Yeah,

537
00:22:41,720 --> 00:22:43,840
Speaker 2: you couldn't be like the labels submit like bro, we

538
00:22:43,920 --> 00:22:47,560
Speaker 2: know that verse isn't good. Else will they.

539
00:22:47,480 --> 00:22:50,439
Speaker 5: Do dominated and y'all didn't. That's crazy?

540
00:22:50,640 --> 00:22:53,440
Speaker 2: Best hip Hop play. Well, we've won this. We're alumnis

541
00:22:53,480 --> 00:22:57,320
Speaker 2: of this already, like we want the next generation. You

542
00:22:57,320 --> 00:22:58,440
Speaker 2: know we passed the tours.

543
00:22:58,600 --> 00:23:00,920
Speaker 4: It makes sense you're gonna present the award.

544
00:23:01,640 --> 00:23:05,160
Speaker 2: Yeah, we should actually the best hip Hop platform, Big Boys, Neighborhood,

545
00:23:05,160 --> 00:23:08,760
Speaker 2: Breakfast Club, Kresia, please, Complex, Drink Champs, hip Hop, DX,

546
00:23:08,840 --> 00:23:12,600
Speaker 2: million dollars worth, the game and pr tiny desk versus

547
00:23:14,280 --> 00:23:19,160
Speaker 2: guests versus if we're doing the year. I know twenty

548
00:23:19,200 --> 00:23:21,359
Speaker 2: twenty was like their biggest ship, but twenty twenty one

549
00:23:21,400 --> 00:23:24,240
Speaker 2: they still versus was up there.

550
00:23:24,640 --> 00:23:26,879
Speaker 7: I think Drink Champs Drink Chans had some moments.

551
00:23:26,920 --> 00:23:27,480
Speaker 2: Yes, give it the.

552
00:23:27,520 --> 00:23:30,320
Speaker 5: Drink Champs over versus maybe last year or the year.

553
00:23:30,200 --> 00:23:32,880
Speaker 2: Before, But I personally would like to see Drink Chans

554
00:23:32,920 --> 00:23:37,480
Speaker 2: whin that just from a podcast perspective. But Complex is

555
00:23:37,680 --> 00:23:41,600
Speaker 2: just Complex still cover hip hop. You guys think I'm

556
00:23:41,600 --> 00:23:42,720
Speaker 2: trying to be funny, I'm not, Like, do they have

557
00:23:42,720 --> 00:23:44,040
Speaker 2: a hip hop show anymore? Do they have?

558
00:23:44,359 --> 00:23:44,439
Speaker 4: Me?

559
00:23:44,440 --> 00:23:46,320
Speaker 1: And you are on the Complex with b Dot that

560
00:23:46,640 --> 00:23:47,920
Speaker 1: hoves worst.

561
00:23:47,600 --> 00:23:51,239
Speaker 2: Okay at Okay, outside of be Dots platform, do they

562
00:23:51,240 --> 00:23:55,400
Speaker 2: do anything else? I mean, obviously they had Rosenberg Show,

563
00:23:55,440 --> 00:23:57,840
Speaker 2: everyd Struggle, a bunch of Jinks and all that stuff.

564
00:23:57,840 --> 00:23:59,600
Speaker 2: It was very hip hop based at one point. I

565
00:23:59,720 --> 00:24:02,200
Speaker 2: feel like they've left that in its entirety outside of

566
00:24:02,200 --> 00:24:04,959
Speaker 2: beat Out, and that's not even beat Out to biggest platform.

567
00:24:05,119 --> 00:24:09,359
Speaker 1: Yeah, you're probably drink shamps will win that. They had

568
00:24:09,359 --> 00:24:12,800
Speaker 1: some really big moments in the year. Hustler of the

569
00:24:12,880 --> 00:24:16,080
Speaker 1: Year fifty cent Cardi B, DJ Khaled, Drake, jay Z,

570
00:24:16,200 --> 00:24:17,720
Speaker 1: Kanye West, Megan thee Stallion.

571
00:24:18,440 --> 00:24:20,240
Speaker 5: Jay Z is the hustler of every year. Like that's

572
00:24:20,240 --> 00:24:21,200
Speaker 5: not even like fun.

573
00:24:23,080 --> 00:24:25,600
Speaker 1: I mean DJ Khaled literally got everybody in the world

574
00:24:25,680 --> 00:24:27,359
Speaker 1: on his album. That takes a lot of hustle.

575
00:24:29,640 --> 00:24:32,600
Speaker 2: I mean Kanye, even though he's going through it with

576
00:24:32,600 --> 00:24:34,960
Speaker 2: Gap and Adidas getting on the board for GAT like

577
00:24:35,000 --> 00:24:37,760
Speaker 2: a yeah, all the text shit Kanye is doing like

578
00:24:37,760 --> 00:24:41,080
Speaker 2: he's he's he's kind of hustling, Like I understand, Like.

579
00:24:41,000 --> 00:24:43,399
Speaker 1: Well, he just announced that he's parting ways with Gap

580
00:24:44,720 --> 00:24:46,720
Speaker 1: after he's the line this out now is done, he's

581
00:24:46,760 --> 00:24:47,720
Speaker 1: not producing it, like.

582
00:24:47,800 --> 00:24:50,800
Speaker 2: I fully understand that. It's It's cool when Kaled will

583
00:24:51,040 --> 00:24:53,439
Speaker 2: collab with an alcohol brand and do a cool TikTok

584
00:24:53,480 --> 00:24:56,639
Speaker 2: and all that. But but Kanye is doing some world

585
00:24:56,720 --> 00:24:59,679
Speaker 2: changing moves as far as business and hustling goes. I

586
00:24:59,720 --> 00:25:00,439
Speaker 2: just kind I feel like.

587
00:25:00,520 --> 00:25:03,040
Speaker 5: Kanye would be the ones shows.

588
00:25:03,200 --> 00:25:06,480
Speaker 2: Fifties definitely up there for it, and I stand corrected.

589
00:25:06,560 --> 00:25:10,479
Speaker 2: There is best, best feature, best featured verse. There you go,

590
00:25:11,080 --> 00:25:15,200
Speaker 2: Drake uh Cole poke it out. Cole London was also

591
00:25:15,280 --> 00:25:17,960
Speaker 2: great verse Little Baby Girls Want Girls. That was a

592
00:25:18,000 --> 00:25:22,840
Speaker 2: great verse. Kanye City of Gods. I would put Fabio's

593
00:25:22,920 --> 00:25:26,240
Speaker 2: verse on the Donda album before I would put Kanye

594
00:25:26,600 --> 00:25:30,520
Speaker 2: from the Fabio ship. Yeah, Fabio spas on the on

595
00:25:30,560 --> 00:25:31,400
Speaker 2: the Donna album.

596
00:25:31,960 --> 00:25:32,760
Speaker 1: You can't say.

597
00:25:32,560 --> 00:25:36,520
Speaker 2: That fabiospassed on the Donda album.

598
00:25:36,560 --> 00:25:37,920
Speaker 1: Oh you white white privilege? My bad?

599
00:25:37,920 --> 00:25:42,320
Speaker 2: I forgot Drake Waite for you, Gray Jadakiss Black Luminati

600
00:25:42,359 --> 00:25:44,119
Speaker 2: gives yes. Great, So I'm not I'm not mad at

601
00:25:44,160 --> 00:25:44,560
Speaker 2: that category.

602
00:25:44,560 --> 00:25:48,440
Speaker 1: It's impact track about Damn Tom Lizzo, City of Gods, Fabio,

603
00:25:48,520 --> 00:25:51,560
Speaker 1: Foreign Family, Tis Baby, Keith mc kendrick, Nobody nor Miss

604
00:25:51,680 --> 00:25:53,520
Speaker 1: Lauren Hill family.

605
00:25:55,200 --> 00:25:57,920
Speaker 2: What was impactful about what I like the song City

606
00:25:57,960 --> 00:26:00,240
Speaker 2: of Guys? What what impacted the world that was said

607
00:26:00,240 --> 00:26:01,720
Speaker 2: on there. She was like, damn, I never thought of

608
00:26:01,720 --> 00:26:04,040
Speaker 2: it that way.

609
00:26:04,800 --> 00:26:06,800
Speaker 1: That was that was the new Empire state of mind.

610
00:26:06,880 --> 00:26:07,560
Speaker 4: No, it wasn't.

611
00:26:09,760 --> 00:26:11,720
Speaker 1: For that for that very reason, what are you talking about?

612
00:26:12,440 --> 00:26:12,600
Speaker 4: Oh?

613
00:26:12,640 --> 00:26:16,359
Speaker 2: Actually, like these these lower uh teer catters like DJ

614
00:26:16,440 --> 00:26:17,240
Speaker 2: the Year I love.

615
00:26:18,119 --> 00:26:20,360
Speaker 1: That's dope, Kate Trinada.

616
00:26:20,400 --> 00:26:22,679
Speaker 2: I think Kate Tranada should win that in my opinion,

617
00:26:22,880 --> 00:26:26,119
Speaker 2: though leakers like Sour Milking incredible, those freestyles have been

618
00:26:26,160 --> 00:26:29,240
Speaker 2: going fucking nuts for sure, and Kate Slay I hope

619
00:26:29,400 --> 00:26:32,840
Speaker 2: no matter what, they honor Kate Slay absolutely regardless of

620
00:26:33,040 --> 00:26:35,960
Speaker 2: whatever happens in that category. Producer of the at L

621
00:26:36,080 --> 00:26:39,040
Speaker 2: Jacob Keem, hit Boy, hit maker Kanye.

622
00:26:38,760 --> 00:26:40,920
Speaker 1: Metro did not give it the hit Boy again.

623
00:26:41,359 --> 00:26:43,680
Speaker 2: I would say it would be between ATL, Jacob, hit Boy,

624
00:26:43,760 --> 00:26:46,800
Speaker 2: and Burke. Those those would be the three that I

625
00:26:46,840 --> 00:26:48,480
Speaker 2: think would deserve it.

626
00:26:48,560 --> 00:26:51,439
Speaker 1: Best break through hip hop artist Baby Keen, Blast Dochi

627
00:26:51,600 --> 00:26:58,320
Speaker 1: Vavio Form, Gloriala, Naudowick, Saucy Santana. Uh. I would go

628
00:26:58,400 --> 00:26:59,480
Speaker 1: blasting Glorilla.

629
00:27:00,119 --> 00:27:02,639
Speaker 2: Yeah, I like Blast, I mean, I love Keem, but

630
00:27:02,760 --> 00:27:06,679
Speaker 2: I mean the breakthrough was was DNA.

631
00:27:07,320 --> 00:27:07,600
Speaker 5: Damn.

632
00:27:08,720 --> 00:27:11,399
Speaker 2: It was like you know, first cousins.

633
00:27:11,400 --> 00:27:11,800
Speaker 4: But I don't.

634
00:27:12,240 --> 00:27:13,400
Speaker 1: Fabio has been out for a while.

635
00:27:13,440 --> 00:27:15,800
Speaker 2: Yeah, Like I understand that he got more popular with

636
00:27:15,840 --> 00:27:18,760
Speaker 2: his relationship with Kanye and everything, but Fabio was popping,

637
00:27:18,920 --> 00:27:20,840
Speaker 2: like I wouldn't put him in this category because I

638
00:27:20,880 --> 00:27:22,639
Speaker 2: felt like he broke through already and I funk with

639
00:27:22,680 --> 00:27:24,320
Speaker 2: Narda Wick too. I just don't think he's there yet.

640
00:27:24,520 --> 00:27:26,640
Speaker 1: And Blast has been He's been dope for a while too,

641
00:27:26,680 --> 00:27:29,399
Speaker 1: but this last year for him, he had some really

642
00:27:29,560 --> 00:27:32,240
Speaker 1: like really big features on projects and ship like that.

643
00:27:32,160 --> 00:27:35,119
Speaker 2: So for sure, and Drama I think should win just

644
00:27:35,119 --> 00:27:36,720
Speaker 2: because he did our podcast, Like I feel like that.

645
00:27:37,040 --> 00:27:39,879
Speaker 1: The DJ Drama that.

646
00:27:39,080 --> 00:27:40,840
Speaker 2: That solidifies him as DJ of the Year.

647
00:27:41,119 --> 00:27:43,280
Speaker 1: When the when of the awards? Do we know?

648
00:27:43,480 --> 00:27:45,680
Speaker 2: October second or something like that.

649
00:27:45,920 --> 00:27:50,560
Speaker 1: BT Hip Hop Awards October second? So yeah, those are the.

650
00:27:50,560 --> 00:27:52,760
Speaker 2: Are they doing the uh the ciphers.

651
00:27:54,119 --> 00:27:54,439
Speaker 1: Thirtieth?

652
00:27:54,480 --> 00:27:56,640
Speaker 2: Don't know where I saw October? Pardon me? Are they

653
00:27:56,640 --> 00:27:58,560
Speaker 2: doing the ciphers? Because that's like why we love this,

654
00:27:59,280 --> 00:27:59,920
Speaker 2: oh show?

655
00:28:00,720 --> 00:28:03,600
Speaker 1: I would, I would think so, but maybe a different

656
00:28:04,320 --> 00:28:05,080
Speaker 1: type of cipher.

657
00:28:05,080 --> 00:28:07,200
Speaker 2: Maybe did they do the ciphers last year?

658
00:28:08,480 --> 00:28:09,240
Speaker 1: I'm not sure.

659
00:28:09,320 --> 00:28:11,520
Speaker 2: I don't remember that.

660
00:28:11,560 --> 00:28:14,440
Speaker 3: Last night I remember was the one where Brandy Tiana

661
00:28:14,640 --> 00:28:18,480
Speaker 3: and yes, so was that two years ago or last year?

662
00:28:22,320 --> 00:28:22,480
Speaker 4: Well?

663
00:28:22,560 --> 00:28:24,280
Speaker 2: Yeah, I feel like they changed the format a bit.

664
00:28:24,680 --> 00:28:26,320
Speaker 2: I want I want them to go back to the

665
00:28:26,520 --> 00:28:29,400
Speaker 2: just a bunch of different groups of the same.

666
00:28:29,760 --> 00:28:32,400
Speaker 7: What crew would you like to see? Do his cipher?

667
00:28:33,280 --> 00:28:37,760
Speaker 2: A QC to close the show would be incredible, like

668
00:28:39,320 --> 00:28:41,880
Speaker 2: especially from like the eras, like when Good Music would

669
00:28:41,920 --> 00:28:44,960
Speaker 2: do a full TD did a full one like I

670
00:28:44,960 --> 00:28:48,320
Speaker 2: think a QC And of course unfortune there gonna wouldn't

671
00:28:48,320 --> 00:28:51,480
Speaker 2: be able to participate, but yes QC oh and the

672
00:28:51,520 --> 00:28:53,640
Speaker 2: migos that would be weird. Never mind, I take it back.

673
00:28:56,760 --> 00:29:01,240
Speaker 1: Allow me the same room, like obviously a Dreamville cipher,

674
00:29:01,560 --> 00:29:03,920
Speaker 1: Yeah Dreamboat really really.

675
00:29:04,600 --> 00:29:06,520
Speaker 3: I would like to see a pussy rap cipher That

676
00:29:06,560 --> 00:29:08,680
Speaker 3: would make me happy. Who a pussy rap cipher?

677
00:29:08,720 --> 00:29:09,800
Speaker 1: Who's the pussy Raps?

678
00:29:10,200 --> 00:29:11,200
Speaker 5: A pussy rap cipher?

679
00:29:11,200 --> 00:29:15,520
Speaker 3: Like all the girls, oh pussy Rap just talk about

680
00:29:15,520 --> 00:29:16,640
Speaker 3: their not a group.

681
00:29:16,760 --> 00:29:18,040
Speaker 1: Like Oh That's why I was confused.

682
00:29:18,080 --> 00:29:20,040
Speaker 2: I'm like, who's just look success?

683
00:29:20,080 --> 00:29:21,560
Speaker 1: Like who? I thought this was like a new crew

684
00:29:21,720 --> 00:29:23,240
Speaker 1: about to be like how do I not know these

685
00:29:23,240 --> 00:29:24,640
Speaker 1: girls like the pussy Raps?

686
00:29:24,960 --> 00:29:26,959
Speaker 2: And instead of like how we usually would do ciphers

687
00:29:26,960 --> 00:29:28,800
Speaker 2: like Yo, who got who? Who do you think is

688
00:29:28,800 --> 00:29:31,040
Speaker 2: the wettest pussy based off the bars that they said.

689
00:29:30,800 --> 00:29:32,640
Speaker 1: Like who got the best pussy? Like? I was like, yo,

690
00:29:32,760 --> 00:29:34,240
Speaker 1: like let's let's figure it out.

691
00:29:34,320 --> 00:29:35,960
Speaker 2: That would be funny though, because anytime there was like

692
00:29:35,960 --> 00:29:38,080
Speaker 2: the gangster rap cipher, be like, all right, who could

693
00:29:38,120 --> 00:29:41,240
Speaker 2: out gun rap? Who who's probably has most bodies? Now

694
00:29:41,240 --> 00:29:44,840
Speaker 2: it's literally like who literally has ship dripping down their

695
00:29:44,880 --> 00:29:46,200
Speaker 2: leg while they're rapping right now?

696
00:29:46,640 --> 00:29:50,000
Speaker 4: Who's who slipped in this puddle? Who left the puddle?

697
00:29:50,040 --> 00:29:58,360
Speaker 2: Would be the most moist cipher ever PG lang. I

698
00:29:58,400 --> 00:29:59,880
Speaker 2: know there's I don't know if they've announced people there,

699
00:30:00,360 --> 00:30:05,040
Speaker 2: but Kendrick and Keen kind of leading whatever that collective

700
00:30:05,120 --> 00:30:08,280
Speaker 2: is gonna be. Oh yeah, CMG cipher. There's a lot

701
00:30:08,280 --> 00:30:11,560
Speaker 2: of really good rap crews, Yeah, which could be I

702
00:30:11,600 --> 00:30:16,080
Speaker 2: think dope to focus on with the ciphers.

703
00:30:15,080 --> 00:30:16,560
Speaker 1: What we have to see. I'm not sure if they're

704
00:30:16,560 --> 00:30:20,800
Speaker 1: doing ciphers. I'm gonna say yes, we don't have any

705
00:30:20,800 --> 00:30:22,440
Speaker 1: word of who's doing it as of yet, but I'm

706
00:30:22,440 --> 00:30:23,760
Speaker 1: going to say that there will be a cipher this

707
00:30:23,840 --> 00:30:25,360
Speaker 1: year before.

708
00:30:25,080 --> 00:30:28,480
Speaker 2: We get off rap. Did you see the Simba Flex

709
00:30:28,480 --> 00:30:30,440
Speaker 2: freestyle and he did sway this morning too.

710
00:30:30,840 --> 00:30:33,400
Speaker 1: Absolutely so Simmer shout out to simber Man. We you know,

711
00:30:33,440 --> 00:30:35,440
Speaker 1: we talked about him. That's how God. We talked about

712
00:30:35,520 --> 00:30:37,800
Speaker 1: him a few times on the show. Album out now

713
00:30:37,800 --> 00:30:39,920
Speaker 1: as well album out Now if you're listening to this

714
00:30:39,960 --> 00:30:44,360
Speaker 1: album on DSPs. What he did on that on that

715
00:30:44,440 --> 00:30:48,640
Speaker 1: Flex freestyle was he checked all the boxes. It was clever,

716
00:30:49,400 --> 00:30:54,000
Speaker 1: it was witty, his flow, he had bars, he had,

717
00:30:54,240 --> 00:30:58,800
Speaker 1: he said something, he had substance character. I mean, he

718
00:30:58,920 --> 00:31:01,120
Speaker 1: just he did. He did a lot in that freestyle.

719
00:31:01,880 --> 00:31:03,880
Speaker 1: Seeing a lot of people that didn't really really know

720
00:31:03,920 --> 00:31:06,720
Speaker 1: how dope symbol was that saw that freestyle was really

721
00:31:06,760 --> 00:31:09,120
Speaker 1: impressed by it. And that's what those freestyles are about. People

722
00:31:09,120 --> 00:31:11,000
Speaker 1: that really really don't know the artists, don't know their music.

723
00:31:11,280 --> 00:31:13,360
Speaker 1: They see these freestyles and they get a glimpse of

724
00:31:13,400 --> 00:31:16,120
Speaker 1: the artists. And I was just so good, so happy

725
00:31:16,120 --> 00:31:17,959
Speaker 1: to see that Simba perform the way he did. Him

726
00:31:17,960 --> 00:31:22,080
Speaker 1: addressed in the whole Tupac Flex rant thing very clever,

727
00:31:22,400 --> 00:31:23,560
Speaker 1: very very witty and.

728
00:31:23,520 --> 00:31:26,640
Speaker 2: For those who haven't seen it yet, Flex for the

729
00:31:26,680 --> 00:31:29,480
Speaker 2: past few years has has been very critical of Tupac

730
00:31:29,520 --> 00:31:32,600
Speaker 2: and has gotten on ig Live, screaming that Tupac lied

731
00:31:32,760 --> 00:31:35,720
Speaker 2: and he flex started crying. We've used it as drops before.

732
00:31:35,720 --> 00:31:38,480
Speaker 2: It's been one of our favorite rants ever. Simba did

733
00:31:38,480 --> 00:31:40,959
Speaker 2: a great job of making that seem lighthearted while I

734
00:31:41,040 --> 00:31:42,080
Speaker 2: thought he was dead serious.

735
00:31:42,760 --> 00:31:44,880
Speaker 1: Oh no, he was dead serious, but I think he.

736
00:31:45,280 --> 00:31:47,880
Speaker 2: Was joking around. But I could tell Simba was like, no, nous,

737
00:31:47,920 --> 00:31:48,760
Speaker 2: gonna stop doing that shit.

738
00:31:48,840 --> 00:31:51,680
Speaker 1: No, he was serious, but it was you know it was.

739
00:31:51,760 --> 00:31:54,960
Speaker 1: It was also in the like come on Flex Like.

740
00:31:55,000 --> 00:31:56,560
Speaker 1: It wasn't like he was mad at Flex. It was

741
00:31:56,640 --> 00:31:58,920
Speaker 1: more so like like Flex cut it out, you know

742
00:31:58,920 --> 00:32:00,560
Speaker 1: what I mean. But it was just it. He got it,

743
00:32:00,760 --> 00:32:02,440
Speaker 1: He got his point across, he got his ship off,

744
00:32:02,960 --> 00:32:04,320
Speaker 1: and he did his thing.

745
00:32:04,360 --> 00:32:05,800
Speaker 2: Man, say, you were saying a lot of ship that

746
00:32:05,880 --> 00:32:07,600
Speaker 2: was on a lot of people's mind. But next time

747
00:32:07,640 --> 00:32:09,280
Speaker 2: you do it, please just don't cry.

748
00:32:09,560 --> 00:32:13,120
Speaker 1: Yeah no, Simber, he did his thing, and like you said,

749
00:32:13,200 --> 00:32:17,560
Speaker 1: album out now on your DSPs. Shout out to Simba.

750
00:32:18,000 --> 00:32:20,880
Speaker 2: Uh what did you think about the the last line

751
00:32:20,960 --> 00:32:21,760
Speaker 2: of the freestyle.

752
00:32:22,840 --> 00:32:24,080
Speaker 1: So yeah, Simber's freestyle.

753
00:32:24,240 --> 00:32:24,360
Speaker 3: Uh.

754
00:32:24,520 --> 00:32:26,120
Speaker 1: He closed it with an RP T P and b

755
00:32:26,280 --> 00:32:28,160
Speaker 1: Rock you do it from the block. Kill more niggas,

756
00:32:28,160 --> 00:32:32,680
Speaker 1: than cops. While it's a good bar, it's sad that

757
00:32:32,720 --> 00:32:36,560
Speaker 1: it's a true bar and it's a real bar. R.

758
00:32:36,640 --> 00:32:39,200
Speaker 1: I p prais and condolences to P and b Rock,

759
00:32:39,440 --> 00:32:44,440
Speaker 1: absolutely praising condolences to his family. We lost him Monday.

760
00:32:45,600 --> 00:32:50,040
Speaker 1: He was killed in the Roscos in California. And you know,

761
00:32:50,080 --> 00:32:52,720
Speaker 1: it was unfortunately a lot of people jumped out there

762
00:32:52,720 --> 00:32:55,400
Speaker 1: online and kind of blamed it and pointed fingers at

763
00:32:55,400 --> 00:32:58,520
Speaker 1: his girlfriend posting a picture in the location of where

764
00:32:58,520 --> 00:33:02,720
Speaker 1: they were. Sad Sadly, the LAPD had confirmed that they

765
00:33:02,760 --> 00:33:07,200
Speaker 1: believe that is how the killer found him. I believe

766
00:33:07,240 --> 00:33:09,200
Speaker 1: P and b Rock had posted a picture in the

767
00:33:09,240 --> 00:33:12,240
Speaker 1: parking lot before they went in, and then this girl

768
00:33:12,320 --> 00:33:16,440
Speaker 1: posted a picture and tagged the location. Uh. And you know,

769
00:33:16,480 --> 00:33:18,680
Speaker 1: I have a lot of friends and family in LA,

770
00:33:18,760 --> 00:33:20,640
Speaker 1: and you know, the first thing all of them said was,

771
00:33:21,240 --> 00:33:23,320
Speaker 1: you know, we don't know why he would even be

772
00:33:23,480 --> 00:33:27,080
Speaker 1: at that specific location, at that specific roscos. We're born

773
00:33:27,120 --> 00:33:29,280
Speaker 1: and raised in LA and we wouldn't even go on

774
00:33:29,320 --> 00:33:33,600
Speaker 1: that side of town to that roscos, let alone go

775
00:33:33,680 --> 00:33:37,760
Speaker 1: there with a bunch of jewelry on in a nice car, alone,

776
00:33:37,840 --> 00:33:43,920
Speaker 1: no security. It was just an unfortunate uh, tragedy, man,

777
00:33:43,960 --> 00:33:46,400
Speaker 1: it was a he was a careless tragedy. You know,

778
00:33:46,600 --> 00:33:48,920
Speaker 1: he honestly shouldn't and it's sad that we got to

779
00:33:48,960 --> 00:33:50,880
Speaker 1: say you shouldn't be over it. He shouldn't be on

780
00:33:50,880 --> 00:33:53,240
Speaker 1: that side because p and b Rock probably figured he's

781
00:33:53,280 --> 00:33:54,760
Speaker 1: not a guy that has a lot of beef. He

782
00:33:54,800 --> 00:33:57,400
Speaker 1: doesn't really, you know, have issues with anybody. He's a

783
00:33:57,440 --> 00:33:59,680
Speaker 1: positive guy, he don't, you know, he doesn't carry that

784
00:33:59,720 --> 00:34:01,640
Speaker 1: Negati energy with him. And he figured, you know, I'm

785
00:34:01,680 --> 00:34:04,880
Speaker 1: going to support a black owned business and a black neighborhood.

786
00:34:06,200 --> 00:34:08,279
Speaker 1: Why not, you know what I mean. But unfortunately in

787
00:34:08,320 --> 00:34:10,960
Speaker 1: our culture we've seen this way too many times where

788
00:34:10,960 --> 00:34:14,919
Speaker 1: people are jealous. You know, people are lazy, people are broke,

789
00:34:14,920 --> 00:34:16,640
Speaker 1: people don't want to get a job. People would rather

790
00:34:16,680 --> 00:34:18,719
Speaker 1: put a gun in your face and take what you

791
00:34:18,880 --> 00:34:23,800
Speaker 1: have to feed themselves for however long it would last,

792
00:34:24,320 --> 00:34:26,880
Speaker 1: you know, whatever they take from you. So you know,

793
00:34:26,920 --> 00:34:30,960
Speaker 1: it was a careless, a careless move on his part.

794
00:34:31,440 --> 00:34:34,359
Speaker 1: Definitely is a side of town you do not want

795
00:34:34,400 --> 00:34:38,000
Speaker 1: to be on without no security, wearing hundreds of thousands

796
00:34:37,960 --> 00:34:39,759
Speaker 1: of thousands of dollars a jury on some of these

797
00:34:39,760 --> 00:34:42,680
Speaker 1: people over there have literally nothing in their pockets and

798
00:34:42,680 --> 00:34:45,080
Speaker 1: they have nothing to lose, And you can't put yourself

799
00:34:45,080 --> 00:34:47,799
Speaker 1: in a situation where you're faced with somebody that has

800
00:34:47,840 --> 00:34:49,919
Speaker 1: nothing to lose and you have everything to lose, because

801
00:34:49,920 --> 00:34:52,719
Speaker 1: you're gonna lose every time. So it's unfortunate, you know

802
00:34:52,760 --> 00:34:54,360
Speaker 1: what I mean. It was sad to hear that I

803
00:34:54,360 --> 00:34:56,560
Speaker 1: didn't know p and b Rock personally, but disaffected me.

804
00:34:57,120 --> 00:34:59,319
Speaker 1: You know, I couldn't stop thinking about them because I

805
00:34:59,400 --> 00:35:01,719
Speaker 1: just you know, it's it's fucked up when you know,

806
00:35:01,800 --> 00:35:05,400
Speaker 1: good people end up in a bad situation and you know,

807
00:35:05,520 --> 00:35:08,040
Speaker 1: end up dying as a result of it. Over you know,

808
00:35:08,200 --> 00:35:10,400
Speaker 1: jewelry and shit like that. Shit that means nothing, you

809
00:35:10,440 --> 00:35:12,800
Speaker 1: know what I mean. Like it's definitely not worth your life.

810
00:35:13,760 --> 00:35:16,080
Speaker 1: He should still be with us, you know what I mean.

811
00:35:16,120 --> 00:35:19,640
Speaker 1: It's unfortunate we continue to do this to each other

812
00:35:20,320 --> 00:35:22,719
Speaker 1: in our community, Like we just for whatever reason, we

813
00:35:22,800 --> 00:35:25,160
Speaker 1: have so much self hate and you know, we hate

814
00:35:25,200 --> 00:35:28,040
Speaker 1: to see people with nice things if we don't have

815
00:35:28,080 --> 00:35:29,920
Speaker 1: it for whatever reason, you know what I mean. We

816
00:35:29,920 --> 00:35:32,160
Speaker 1: all have twenty four hours in a day. You choose

817
00:35:32,200 --> 00:35:34,160
Speaker 1: to use yours how you use yours. I use minds

818
00:35:34,160 --> 00:35:36,080
Speaker 1: the way I use minds, you know what I mean.

819
00:35:36,120 --> 00:35:38,600
Speaker 1: But unfortunately you have people again that don't have nothing

820
00:35:38,640 --> 00:35:42,120
Speaker 1: to lose, and they'll gladly come and destroy your family

821
00:35:42,200 --> 00:35:43,640
Speaker 1: and to put a gun on your face and kill

822
00:35:43,680 --> 00:35:47,200
Speaker 1: you over your valuable So, you know, prayers to P

823
00:35:47,320 --> 00:35:51,480
Speaker 1: and b Rock again, prayers to his family, his daughter,

824
00:35:51,840 --> 00:35:54,560
Speaker 1: prayers to his his girlfriend and his child's mother. Absolutely,

825
00:35:54,760 --> 00:35:59,239
Speaker 1: you know, she's received so much unfortunate tweets sent her

826
00:35:59,320 --> 00:36:02,720
Speaker 1: way from celebrities and you know people that's just jumping

827
00:36:02,760 --> 00:36:04,759
Speaker 1: out there like you know, in no way do I

828
00:36:04,800 --> 00:36:07,960
Speaker 1: think that she you know, meant to to post the

829
00:36:08,000 --> 00:36:11,400
Speaker 1: location thinking that people would come in and kill P

830
00:36:11,560 --> 00:36:14,960
Speaker 1: and b Rock. You know again, they just out having

831
00:36:14,960 --> 00:36:17,120
Speaker 1: a good time. And you know, sometimes we just in

832
00:36:17,239 --> 00:36:19,840
Speaker 1: a auto pilot with the way we tweet and post things,

833
00:36:20,280 --> 00:36:23,879
Speaker 1: not really being cognizant of our surroundings and where we're at,

834
00:36:23,920 --> 00:36:26,040
Speaker 1: and people might show up to do some harm to us,

835
00:36:26,080 --> 00:36:29,720
Speaker 1: like we're just out having lunch or whatever. So prayers

836
00:36:29,760 --> 00:36:31,319
Speaker 1: to her, because I notice is you know, she had

837
00:36:31,320 --> 00:36:34,000
Speaker 1: that she was there, she witnessed the entire thing, she

838
00:36:34,160 --> 00:36:37,200
Speaker 1: lost the father of her child, you know, the demand

839
00:36:37,280 --> 00:36:40,400
Speaker 1: that she loves, and unfortunately, you know, some people that

840
00:36:40,440 --> 00:36:42,440
Speaker 1: she's probably a fan of and and and he was

841
00:36:42,480 --> 00:36:45,480
Speaker 1: a fan of and and his peers are now tweeting

842
00:36:45,480 --> 00:36:49,800
Speaker 1: and directing things her way that are just you know, stupid, unnecessary.

843
00:36:50,320 --> 00:36:53,080
Speaker 1: We need to be more loving, We need to you know,

844
00:36:53,120 --> 00:36:55,200
Speaker 1: reach out to her and make sure she's good, make

845
00:36:55,239 --> 00:36:57,880
Speaker 1: sure her mental health is right, uh, make sure his

846
00:36:58,040 --> 00:37:01,160
Speaker 1: daughter is good? Like instead of like, we just have

847
00:37:01,320 --> 00:37:04,480
Speaker 1: this so quick to point fingers and hate should hate

848
00:37:04,480 --> 00:37:06,560
Speaker 1: each other's way. It's it's fucking crazy, man, Like we

849
00:37:06,560 --> 00:37:09,640
Speaker 1: should be enjoying this culture, this natural resource called hip

850
00:37:09,640 --> 00:37:12,000
Speaker 1: hop is something that we should be enjoying. We should

851
00:37:12,040 --> 00:37:15,840
Speaker 1: be cherishing, we should be loving. And it's always a sign,

852
00:37:16,120 --> 00:37:18,040
Speaker 1: you know, something we always reminded of how much hate

853
00:37:18,480 --> 00:37:21,040
Speaker 1: and and and and envy we have for each other

854
00:37:21,080 --> 00:37:23,759
Speaker 1: when situations like this happen. So it's unfortunately all the

855
00:37:23,760 --> 00:37:26,240
Speaker 1: way around, man. But either way, a life was lost

856
00:37:26,280 --> 00:37:27,880
Speaker 1: that should not have been lost and should not have

857
00:37:27,960 --> 00:37:32,080
Speaker 1: been taken from us, and his family is forever devastated

858
00:37:32,120 --> 00:37:35,279
Speaker 1: behind that. So prayers and condolences to p and b

859
00:37:35,440 --> 00:37:39,239
Speaker 1: Rock and his family, his daughter. And again, man, we

860
00:37:39,360 --> 00:37:41,680
Speaker 1: said nothing but Rory and Mas said nothing but love

861
00:37:42,080 --> 00:37:42,600
Speaker 1: y'all wigh.

862
00:37:42,680 --> 00:37:46,080
Speaker 2: Yeah, And as much as the Internet loves to tell

863
00:37:46,280 --> 00:37:49,279
Speaker 2: people what they should be doing, y'all should shut the

864
00:37:49,320 --> 00:37:53,360
Speaker 2: fuck up sometimes. Now, we've always been advocates of not

865
00:37:53,440 --> 00:37:58,479
Speaker 2: posting where you are on this podcast for years, and yes,

866
00:37:59,000 --> 00:38:00,879
Speaker 2: neither of them should have hosted where they were at,

867
00:38:00,920 --> 00:38:02,839
Speaker 2: but we do not know that that is why they

868
00:38:02,880 --> 00:38:05,360
Speaker 2: found out where P and B was. Everyone jumped the

869
00:38:05,440 --> 00:38:08,120
Speaker 2: gun and just immediately put it on her, like she's

870
00:38:08,120 --> 00:38:11,560
Speaker 2: not dealing with also being robbed at gunpoint, watching her

871
00:38:11,600 --> 00:38:14,640
Speaker 2: boyfriend die in front of her. Yeah, you think a

872
00:38:14,680 --> 00:38:17,200
Speaker 2: bunch of fucking idiots that weren't there, that don't even

873
00:38:17,239 --> 00:38:19,640
Speaker 2: know how these dudes got to drop on P and B. Now,

874
00:38:19,680 --> 00:38:22,840
Speaker 2: let's just put it on her. And if we didn't,

875
00:38:23,160 --> 00:38:25,440
Speaker 2: y'all didn't learn from what happened with Pop. And I'm

876
00:38:25,480 --> 00:38:27,640
Speaker 2: talking to the Internet now because the Internet keeps saying, oh,

877
00:38:27,680 --> 00:38:29,919
Speaker 2: y'all didn't learn from Pop? Did the Internet learn from Pop?

878
00:38:29,960 --> 00:38:33,439
Speaker 2: Because y'all went to his best friend's fucking ig who

879
00:38:33,520 --> 00:38:35,520
Speaker 2: just watched his friend get murdered in front of him

880
00:38:35,800 --> 00:38:39,200
Speaker 2: and blamed him for setting Pop up. And then we

881
00:38:39,200 --> 00:38:41,239
Speaker 2: found out that was not the fucking case, right, So

882
00:38:41,280 --> 00:38:44,640
Speaker 2: this dude who's also twenty years old is grieving his

883
00:38:44,680 --> 00:38:46,239
Speaker 2: friend that was murdered in front of him, and now

884
00:38:46,239 --> 00:38:48,759
Speaker 2: you focks are in his comments saying, Yo, you set

885
00:38:48,760 --> 00:38:50,320
Speaker 2: your best friend of your piece of shit dy in

886
00:38:50,400 --> 00:38:53,120
Speaker 2: hell like and I have sometimes you just need to

887
00:38:53,160 --> 00:38:54,040
Speaker 2: shut the fuck up.

888
00:38:54,160 --> 00:38:55,799
Speaker 1: Well, you know, we talk about it a lot. The

889
00:38:55,840 --> 00:38:58,680
Speaker 1: Internet is filled with people that their job and their

890
00:38:58,680 --> 00:39:00,719
Speaker 1: objective every day they wake them on the internet is

891
00:39:00,760 --> 00:39:04,440
Speaker 1: dispute hate and you know, to to just you know,

892
00:39:04,520 --> 00:39:08,799
Speaker 1: say distasteful things like everybody has a smartphone, everybody has

893
00:39:08,840 --> 00:39:11,520
Speaker 1: access to social media, so you know, which is why

894
00:39:11,600 --> 00:39:13,440
Speaker 1: you can't share so many things because as much as

895
00:39:13,480 --> 00:39:15,160
Speaker 1: you do it for love, it's a lot of people

896
00:39:15,160 --> 00:39:17,520
Speaker 1: out there who literally are miserable and walk around trying

897
00:39:17,560 --> 00:39:20,440
Speaker 1: to project that misery on other people. So you know,

898
00:39:20,480 --> 00:39:22,600
Speaker 1: it's unfortunate. But again, man, we got to learn.

899
00:39:22,920 --> 00:39:24,400
Speaker 2: Is that going to change it? Do you think she

900
00:39:24,560 --> 00:39:25,239
Speaker 2: needed to hear that?

901
00:39:25,880 --> 00:39:28,520
Speaker 1: I know, of course now, but again we it's the internet.

902
00:39:28,840 --> 00:39:31,279
Speaker 1: It's the Internet, and it's unfortunate that you know a

903
00:39:31,360 --> 00:39:34,440
Speaker 1: lot of it came from celebrities and you know, people

904
00:39:34,480 --> 00:39:36,400
Speaker 1: that P and B probably worked with or wanted to

905
00:39:36,400 --> 00:39:39,080
Speaker 1: work with or had some type of rapport with. And

906
00:39:39,600 --> 00:39:43,480
Speaker 1: you know, it's just fucked up because again you know, yes,

907
00:39:43,640 --> 00:39:46,040
Speaker 1: she posted a picture in a location shouldn't have done it,

908
00:39:46,120 --> 00:39:46,920
Speaker 1: shouldn't have done it.

909
00:39:47,080 --> 00:39:49,080
Speaker 2: We still don't even know that that was the reason

910
00:39:49,080 --> 00:39:51,520
Speaker 2: why dudes could have been plotting on him for the

911
00:39:51,640 --> 00:39:52,880
Speaker 2: days following him everywhere.

912
00:39:53,040 --> 00:39:54,239
Speaker 5: LAPD did say that.

913
00:39:54,360 --> 00:39:56,839
Speaker 3: LAPD said, they believe that's why. Just the same way

914
00:39:56,840 --> 00:39:59,040
Speaker 3: to hold the internet, but that's why. But they can't

915
00:39:59,040 --> 00:40:01,160
Speaker 3: prove it until they found out. And they understand posted

916
00:40:01,200 --> 00:40:03,359
Speaker 3: his location forty five minutes before she.

917
00:40:03,360 --> 00:40:06,920
Speaker 1: Did, right, and we understand that again that may be

918
00:40:07,080 --> 00:40:09,720
Speaker 1: the reason how they found where he was at. But again,

919
00:40:09,840 --> 00:40:13,200
Speaker 1: talking to La natives that I'm very close with, you know,

920
00:40:13,400 --> 00:40:16,040
Speaker 1: they say, okay, we understand she did that, But the

921
00:40:16,120 --> 00:40:18,200
Speaker 1: way that lot is set up, you come over in

922
00:40:18,280 --> 00:40:21,239
Speaker 1: a nice car like that, you walking at Roscos with

923
00:40:21,280 --> 00:40:24,120
Speaker 1: all that jury on somebody that's probably in there dining,

924
00:40:24,239 --> 00:40:26,640
Speaker 1: somebody that's probably standing outside just chilling in the lot,

925
00:40:27,640 --> 00:40:29,480
Speaker 1: ods wire on you. From the moment that car, that

926
00:40:29,560 --> 00:40:31,360
Speaker 1: nice car pulled into that lot, people want to know

927
00:40:31,360 --> 00:40:34,200
Speaker 1: who that is, who's over there? Like, so, yes, she

928
00:40:34,280 --> 00:40:37,480
Speaker 1: posted a picture, he posted a picture that didn't you

929
00:40:37,520 --> 00:40:40,160
Speaker 1: know that that that definitely gave away the location. Do

930
00:40:40,200 --> 00:40:42,480
Speaker 1: we know if that specific gentleman that killed P and

931
00:40:42,520 --> 00:40:45,080
Speaker 1: B was on Internet and he saw that. We don't

932
00:40:45,120 --> 00:40:47,320
Speaker 1: know that, you know what I mean. It's just unfortunately,

933
00:40:47,320 --> 00:40:50,000
Speaker 1: we do shut the fuck up, you know what I mean.

934
00:40:50,040 --> 00:40:53,440
Speaker 1: It's unfortunate that it happened. It's unfortunate that, you know,

935
00:40:54,160 --> 00:40:57,520
Speaker 1: this continues to happen. I mean, you know, it's it's

936
00:40:58,120 --> 00:41:00,359
Speaker 1: you know La right now, it's a real bad energy

937
00:41:00,360 --> 00:41:02,759
Speaker 1: in LA. It's a real negative dark energy over LA.

938
00:41:02,840 --> 00:41:05,440
Speaker 1: You gotta be very careful. Again. There's so many people

939
00:41:05,440 --> 00:41:07,719
Speaker 1: out here that have nothing and they want to take

940
00:41:07,760 --> 00:41:10,560
Speaker 1: from you. They're not trying to do nothing to better themselves.

941
00:41:10,600 --> 00:41:12,880
Speaker 1: They just want to go get a gun and rob

942
00:41:12,920 --> 00:41:15,960
Speaker 1: you and you know, possibly end up killing you and

943
00:41:16,000 --> 00:41:18,080
Speaker 1: going on about their lives because they have nothing to

944
00:41:18,080 --> 00:41:19,960
Speaker 1: live for. So you can't put yourself around. I know,

945
00:41:20,000 --> 00:41:22,200
Speaker 1: we want to say we support the hood, and you know,

946
00:41:22,200 --> 00:41:23,960
Speaker 1: we get we go back and we're not scared to

947
00:41:23,960 --> 00:41:25,640
Speaker 1: go back to the hood, and we support black owned

948
00:41:25,640 --> 00:41:28,040
Speaker 1: businesses that's in the hood. And know that's all good,

949
00:41:28,040 --> 00:41:30,120
Speaker 1: but we got to we also gotta be careful. We

950
00:41:30,160 --> 00:41:32,480
Speaker 1: gotta move carefully when we're doing that. If you want

951
00:41:32,480 --> 00:41:35,200
Speaker 1: to go support black owned businesses, cool go rappers. You

952
00:41:35,239 --> 00:41:37,279
Speaker 1: don't have to walk around with the rapper image on

953
00:41:37,320 --> 00:41:38,840
Speaker 1: all day. You don't have to have all your jewery

954
00:41:38,920 --> 00:41:40,560
Speaker 1: on when you're running errands and just going to get

955
00:41:40,640 --> 00:41:42,799
Speaker 1: lunch and things like that, Like leave the jury in

956
00:41:42,800 --> 00:41:45,000
Speaker 1: the hotel, leave the jeury in the house, you know

957
00:41:45,000 --> 00:41:46,479
Speaker 1: what I mean. Like, you ain't got to move around

958
00:41:46,480 --> 00:41:48,839
Speaker 1: the streets with all your jury on every day all day.

959
00:41:48,840 --> 00:41:51,920
Speaker 1: People still know who you are, people still respect you,

960
00:41:51,920 --> 00:41:53,759
Speaker 1: you know what I mean, Like, we just can't waive

961
00:41:53,840 --> 00:41:56,879
Speaker 1: these these jewelry, this jewurry and this money in front

962
00:41:56,920 --> 00:42:00,480
Speaker 1: of people that have nothing and they don't get they

963
00:42:00,560 --> 00:42:03,200
Speaker 1: have nothing to lose. You talking about bum ass niggas

964
00:42:03,200 --> 00:42:06,080
Speaker 1: to the highest degree. Motherfuckers that have nothing going on

965
00:42:06,160 --> 00:42:09,080
Speaker 1: in their lives, and we're putting ourselves in their vicinity

966
00:42:09,080 --> 00:42:11,960
Speaker 1: and on their radar. Of course they're gonna take a

967
00:42:11,960 --> 00:42:13,479
Speaker 1: shot if they can, you know what I mean, because

968
00:42:13,480 --> 00:42:15,520
Speaker 1: they don't have nothing else to do. These bum ass

969
00:42:15,560 --> 00:42:18,239
Speaker 1: motherfuckers that just do nothing all they sit on their

970
00:42:18,280 --> 00:42:20,759
Speaker 1: ass and just wait to take something from somebody. So

971
00:42:21,040 --> 00:42:23,040
Speaker 1: let's not make it easy for them. But again in

972
00:42:23,080 --> 00:42:25,359
Speaker 1: the same breath, let's pray for P and b Rock

973
00:42:25,360 --> 00:42:27,680
Speaker 1: in his family. Let's pray for his daughter, Let's play

974
00:42:27,719 --> 00:42:30,280
Speaker 1: pray for his child's mother. Let's pray for his friends,

975
00:42:30,320 --> 00:42:32,359
Speaker 1: his family, like everybody that loved him, that knew thee.

976
00:42:32,400 --> 00:42:35,640
Speaker 1: Because either way you cut it, picture, no picture posted,

977
00:42:35,719 --> 00:42:38,880
Speaker 1: no location posted. This is a tragedy. It shouldn't have happened,

978
00:42:39,080 --> 00:42:41,160
Speaker 1: and it continues to happen in our community. And the

979
00:42:41,200 --> 00:42:43,680
Speaker 1: shit is stupid. The shit is senseless, and it needs

980
00:42:43,719 --> 00:42:46,239
Speaker 1: to fucking stop. Bottom line. So prayers to P and

981
00:42:46,239 --> 00:42:46,760
Speaker 1: B Rock.

982
00:42:48,480 --> 00:42:52,000
Speaker 2: And I mean, such a talented artist, you're like you

983
00:42:52,040 --> 00:42:55,640
Speaker 2: only kids. P and B has now this current wave

984
00:42:55,680 --> 00:42:57,880
Speaker 2: of music, like P and B was definitely early on

985
00:42:57,920 --> 00:43:01,000
Speaker 2: a lot of that that trap and B type type

986
00:43:01,000 --> 00:43:04,000
Speaker 2: of a lot at style. So you know, his legacy,

987
00:43:04,040 --> 00:43:07,640
Speaker 2: even while he was here, was already solidified, you know.

988
00:43:07,680 --> 00:43:10,000
Speaker 2: So that makes it even more unfortunate that a thirty

989
00:43:10,080 --> 00:43:13,120
Speaker 2: year old that had already made such an impact with

990
00:43:13,200 --> 00:43:16,320
Speaker 2: how music is sounding now was taken away from usself.

991
00:43:16,320 --> 00:43:17,960
Speaker 1: And I don't know how true it is, but it

992
00:43:18,000 --> 00:43:20,120
Speaker 1: was an interesting graphic. I saw that it was up

993
00:43:20,200 --> 00:43:22,960
Speaker 1: that he was another Empire artist he was.

994
00:43:22,960 --> 00:43:26,319
Speaker 2: Yet which which again I know the internet is going

995
00:43:26,400 --> 00:43:30,440
Speaker 2: to internet. That's just another thing I think is it's stupid.

996
00:43:30,440 --> 00:43:34,840
Speaker 2: And I'm not here to defend Empire on a personal level,

997
00:43:34,880 --> 00:43:39,879
Speaker 2: but from what I've known between them and artists, they

998
00:43:39,960 --> 00:43:43,080
Speaker 2: typically have some of the best artists to label relationships

999
00:43:43,080 --> 00:43:46,720
Speaker 2: from a personal level with their roster. Yeah, you rarely

1000
00:43:46,880 --> 00:43:50,680
Speaker 2: have ever heard an artist complain about Empire. They all

1001
00:43:50,680 --> 00:43:53,120
Speaker 2: have a great relationship. So when these artists pass away,

1002
00:43:53,560 --> 00:43:56,440
Speaker 2: you don't think it affects the people at Empire. They're

1003
00:43:56,760 --> 00:43:59,040
Speaker 2: personally invested in a lot of these artists too, outside

1004
00:43:59,040 --> 00:44:01,440
Speaker 2: of the music, their friends with them. So when you

1005
00:44:01,440 --> 00:44:03,000
Speaker 2: guys go on the Internet and come up with this

1006
00:44:03,040 --> 00:44:05,600
Speaker 2: conspiracy that Empire is trying to murder all its artists

1007
00:44:05,600 --> 00:44:08,719
Speaker 2: because it's spiked streams and their back catalog they'll make

1008
00:44:08,760 --> 00:44:12,960
Speaker 2: more money, I'm sure that's not fun for Ghazi and

1009
00:44:13,000 --> 00:44:17,440
Speaker 2: everyone over there. That legitimately has taken a concept that

1010
00:44:17,640 --> 00:44:21,080
Speaker 2: is profitable to an artist more than any other label

1011
00:44:21,160 --> 00:44:24,600
Speaker 2: right now and does right by every single artist, and

1012
00:44:24,640 --> 00:44:27,080
Speaker 2: it has a personal relationship with every single artist and

1013
00:44:27,120 --> 00:44:29,600
Speaker 2: make sure their families get everything to have the nerve

1014
00:44:29,680 --> 00:44:31,680
Speaker 2: to go on fucking Twitter and just come up with

1015
00:44:31,760 --> 00:44:36,480
Speaker 2: this theory that these nice guys from San Francisco are

1016
00:44:36,600 --> 00:44:40,440
Speaker 2: murdering people in Englewood. Yeah, I just I don't know.

1017
00:44:40,960 --> 00:44:43,200
Speaker 2: People are extremely insensitive and I'm not even saying they

1018
00:44:43,200 --> 00:44:44,960
Speaker 2: think about it when they tweet. They may not even

1019
00:44:45,000 --> 00:44:48,600
Speaker 2: realize how insensitive they're being to people's families and to

1020
00:44:48,719 --> 00:44:52,480
Speaker 2: people's loved ones and friends when they just spew this bullshit,

1021
00:44:53,160 --> 00:44:55,479
Speaker 2: because then it starts to catch legs and then people

1022
00:44:55,600 --> 00:44:59,239
Speaker 2: go outside and now people are thinking I had something

1023
00:44:59,280 --> 00:45:01,960
Speaker 2: to do with killing and artists that I consider the friend. Like,

1024
00:45:02,040 --> 00:45:03,279
Speaker 2: it's fucking weird.

1025
00:45:04,320 --> 00:45:06,960
Speaker 1: Again, it's it's weird. And you know, and you celebrities,

1026
00:45:07,080 --> 00:45:09,680
Speaker 1: you know, you artists that are well off and rich,

1027
00:45:10,400 --> 00:45:12,800
Speaker 1: you know, sometimes just just don't say nothing.

1028
00:45:13,360 --> 00:45:15,480
Speaker 3: Yeah, can you guys really delve into that because you

1029
00:45:15,600 --> 00:45:18,759
Speaker 3: have a platform and you're obviously you guys don't have

1030
00:45:18,800 --> 00:45:21,000
Speaker 3: the platforms or some of these artists that tweeted about this,

1031
00:45:21,400 --> 00:45:24,520
Speaker 3: but you know the responsibility and how much you're fans.

1032
00:45:24,239 --> 00:45:26,839
Speaker 1: There's a huge there's a huge responsibility that you that

1033
00:45:26,880 --> 00:45:29,279
Speaker 1: you have and these artists, these artists know that you

1034
00:45:29,280 --> 00:45:31,799
Speaker 1: know what I mean, like, these artists know the responsibility

1035
00:45:31,840 --> 00:45:34,200
Speaker 1: that because soon as you know it's time for them

1036
00:45:34,239 --> 00:45:36,399
Speaker 1: to push an album, you know, as soon as it's

1037
00:45:36,400 --> 00:45:38,400
Speaker 1: time for them to defend themselves when their name is

1038
00:45:38,400 --> 00:45:40,560
Speaker 1: caught up in some ship, soon as it's time for

1039
00:45:40,560 --> 00:45:42,880
Speaker 1: people to pray for them, soon as it's time for

1040
00:45:42,920 --> 00:45:44,520
Speaker 1: them to go to court and and and and be

1041
00:45:44,640 --> 00:45:46,880
Speaker 1: on trial for shit, they want support and all of

1042
00:45:46,880 --> 00:45:49,719
Speaker 1: that from the community and from the culture. So listen,

1043
00:45:49,920 --> 00:45:52,120
Speaker 1: you know when it's when it's somebody else going through something,

1044
00:45:52,560 --> 00:45:54,360
Speaker 1: just just remember that. You know you be in that

1045
00:45:54,400 --> 00:45:56,399
Speaker 1: situation at times too, where you need people to pray

1046
00:45:56,400 --> 00:45:58,600
Speaker 1: for you and just not say hateful things and not

1047
00:45:58,680 --> 00:46:02,040
Speaker 1: say dumb shit on platforms like that. It's as simple

1048
00:46:02,080 --> 00:46:03,640
Speaker 1: as that, Like, you wouldn't want people to do it

1049
00:46:03,640 --> 00:46:05,320
Speaker 1: to you. If that was you laying in the street

1050
00:46:05,760 --> 00:46:08,120
Speaker 1: or laying in the restaurant bleeding, fighting for your life.

1051
00:46:08,360 --> 00:46:12,160
Speaker 1: You wouldn't want another celebrity, another artist tweeting your loved

1052
00:46:12,160 --> 00:46:13,920
Speaker 1: one or you stupid, because why would you do that.

1053
00:46:13,920 --> 00:46:15,000
Speaker 1: You wouldn't want that to happen.

1054
00:46:15,120 --> 00:46:15,879
Speaker 2: That's that's what I'm thinking.

1055
00:46:16,040 --> 00:46:18,280
Speaker 1: Life is just that simple. You would not want somebody

1056
00:46:18,600 --> 00:46:20,040
Speaker 1: to do that to you or your loved one.

1057
00:46:20,080 --> 00:46:22,320
Speaker 2: And can you imagine, all right, let's say the people

1058
00:46:22,360 --> 00:46:24,360
Speaker 2: that were super P and B rock fans, because he

1059
00:46:24,360 --> 00:46:27,200
Speaker 2: definitely had a fan base that was extra and even

1060
00:46:27,239 --> 00:46:30,200
Speaker 2: with these artists that work with him or fucked with

1061
00:46:30,239 --> 00:46:31,920
Speaker 2: him and claim they're saying these things out of love?

1062
00:46:32,040 --> 00:46:34,879
Speaker 2: Do you think P and B, because he's he has

1063
00:46:35,040 --> 00:46:38,080
Speaker 2: expressed how much he loved his girlfriend, do you think

1064
00:46:38,120 --> 00:46:40,680
Speaker 2: P and B would want you, guys, after he's murdered,

1065
00:46:41,320 --> 00:46:45,640
Speaker 2: to blame and talk shit about his girl while she's

1066
00:46:45,719 --> 00:46:49,719
Speaker 2: grieving a murder she watched. Are you, guys, since you

1067
00:46:49,760 --> 00:46:51,840
Speaker 2: love P and B so much, you think that's what

1068
00:46:51,880 --> 00:46:52,719
Speaker 2: he would want?

1069
00:46:53,600 --> 00:46:53,759
Speaker 1: Yeah?

1070
00:46:54,280 --> 00:46:55,799
Speaker 2: I'm asking do you think that's what P and B

1071
00:46:55,840 --> 00:46:56,200
Speaker 2: would want?

1072
00:46:56,239 --> 00:46:58,560
Speaker 1: It's that simple. It just comes down to you know,

1073
00:46:58,640 --> 00:47:00,840
Speaker 1: he would not want that, and you wouldn't want it

1074
00:47:00,880 --> 00:47:03,200
Speaker 1: done to you. Hell's just that life is just that simple.

1075
00:47:03,800 --> 00:47:05,440
Speaker 1: Treat others the way you want them to treat you. You

1076
00:47:05,440 --> 00:47:07,640
Speaker 1: would not want people tweeting that to your loved one

1077
00:47:08,160 --> 00:47:10,360
Speaker 1: after images first of all, and then first of all,

1078
00:47:10,600 --> 00:47:13,000
Speaker 1: social media for allowing that image to circulate. A P

1079
00:47:13,080 --> 00:47:15,480
Speaker 1: and B on the floor fighting for us life, like

1080
00:47:16,239 --> 00:47:17,520
Speaker 1: you know, what I mean. It's just things like that,

1081
00:47:17,560 --> 00:47:20,479
Speaker 1: we become so desensitized, we become so numb to this shit,

1082
00:47:20,760 --> 00:47:22,720
Speaker 1: like this is just another day, This is just another

1083
00:47:22,840 --> 00:47:25,160
Speaker 1: artist that we lost, It's another life that we lost.

1084
00:47:25,320 --> 00:47:27,960
Speaker 1: You know, this time next week, it'll unfortunately be somebody

1085
00:47:28,000 --> 00:47:30,160
Speaker 1: else that we'll be talking about, you know what I mean.

1086
00:47:30,160 --> 00:47:32,600
Speaker 1: And that's just the sad reality of it. But it's

1087
00:47:32,680 --> 00:47:35,440
Speaker 1: only in our culture. It's only in the hip hop culture.

1088
00:47:36,080 --> 00:47:37,920
Speaker 1: And that's the problem with That's the problem I have

1089
00:47:38,000 --> 00:47:40,880
Speaker 1: with it, Like we're so open to letting anybody in

1090
00:47:40,920 --> 00:47:42,920
Speaker 1: our culture, were so open letting anybody come in and

1091
00:47:42,960 --> 00:47:45,239
Speaker 1: profit off of our culture, and then we do shit

1092
00:47:45,320 --> 00:47:47,160
Speaker 1: like not support each other in the time of death

1093
00:47:47,200 --> 00:47:49,719
Speaker 1: and tragedy. Like the least we can do, Like we

1094
00:47:49,800 --> 00:47:51,880
Speaker 1: let people rape our culture and take from our culture

1095
00:47:52,320 --> 00:47:54,640
Speaker 1: every day and feed their families. The least we can

1096
00:47:54,680 --> 00:47:57,239
Speaker 1: do when one of us are dead and dying, and

1097
00:47:57,880 --> 00:47:59,960
Speaker 1: it's the least we can do is support the family

1098
00:48:00,280 --> 00:48:04,600
Speaker 1: with con words, reaching out to them in private, helping

1099
00:48:04,600 --> 00:48:07,040
Speaker 1: out what we can, you know, like instead of tweeting,

1100
00:48:07,719 --> 00:48:09,400
Speaker 1: wanting to be the first to just tweet and report

1101
00:48:09,480 --> 00:48:11,640
Speaker 1: some shit or say some shit or voice some shit like.

1102
00:48:11,640 --> 00:48:13,480
Speaker 2: And make it about you. Look at what I said

1103
00:48:13,480 --> 00:48:14,000
Speaker 2: about it.

1104
00:48:14,000 --> 00:48:17,399
Speaker 1: It's just like, like this ship is It's just too much, man,

1105
00:48:17,440 --> 00:48:20,520
Speaker 1: It's just too much. People are so desensitized. People are

1106
00:48:20,560 --> 00:48:24,080
Speaker 1: just so selfish. People are just so you know, they

1107
00:48:24,120 --> 00:48:27,520
Speaker 1: have no remorse and no regard for what they say

1108
00:48:27,520 --> 00:48:29,399
Speaker 1: and what they do, and they just you know, once

1109
00:48:29,400 --> 00:48:31,840
Speaker 1: you hit send on that on social media, you can't

1110
00:48:32,560 --> 00:48:35,400
Speaker 1: We saw it, we read it. We can't forget those words,

1111
00:48:35,440 --> 00:48:38,719
Speaker 1: and it's fucked up. But again the point remains, rest

1112
00:48:38,760 --> 00:48:41,360
Speaker 1: in peace to p and b Rock, praise and adulnces

1113
00:48:41,360 --> 00:48:44,800
Speaker 1: to his family, Surround him with love, surround them with strength,

1114
00:48:45,160 --> 00:48:47,879
Speaker 1: surround them with guidance. For sure. That's the bottom line.

1115
00:48:47,880 --> 00:48:51,360
Speaker 1: All that other negative shit is just noise, stupidity, and

1116
00:48:51,440 --> 00:48:54,040
Speaker 1: miserable people. That's what that That's what that really is.

1117
00:48:54,080 --> 00:48:57,640
Speaker 1: It's miserable people just wanting to project their misery onto

1118
00:48:57,719 --> 00:48:58,200
Speaker 1: other people.

1119
00:48:58,320 --> 00:49:01,040
Speaker 2: Yeah, and then to Tamar's point of us having a platform,

1120
00:49:01,920 --> 00:49:05,080
Speaker 2: we've all mismanaged our platform sometimes says some things we

1121
00:49:05,120 --> 00:49:08,160
Speaker 2: didn't mean, maybe weren't sensitive. I just think we all

1122
00:49:08,200 --> 00:49:13,200
Speaker 2: need to deal with these types of things differently on

1123
00:49:13,239 --> 00:49:16,120
Speaker 2: social media. That's all. It's a little. We need to

1124
00:49:16,160 --> 00:49:19,279
Speaker 2: be extra responsible when it comes to this type of shit.

1125
00:49:19,360 --> 00:49:21,080
Speaker 2: With the platforms that we had, We've all made mistakes

1126
00:49:21,080 --> 00:49:23,240
Speaker 2: on our platforms. We all said, shit, that was probably

1127
00:49:23,560 --> 00:49:26,319
Speaker 2: not the right thing. But when it comes to this stuff, yeah,

1128
00:49:26,360 --> 00:49:28,240
Speaker 2: it's not. It can't be the first thing that comes

1129
00:49:28,920 --> 00:49:30,480
Speaker 2: off the top of your head to your thumbs, to

1130
00:49:30,520 --> 00:49:33,560
Speaker 2: the phone, like you gotta just tread lighter when it

1131
00:49:33,560 --> 00:49:35,000
Speaker 2: comes to this type of shit because you're dealing with

1132
00:49:35,000 --> 00:49:38,560
Speaker 2: people that are dealing with absolute tragedy. It's at the moment.

1133
00:49:38,680 --> 00:49:40,880
Speaker 1: My thing is this. When I saw the video in

1134
00:49:41,280 --> 00:49:44,560
Speaker 1: the location, of course, I thought to myself, damn, why

1135
00:49:44,560 --> 00:49:47,600
Speaker 1: would she post that? I thought it to myself, of course,

1136
00:49:47,680 --> 00:49:50,239
Speaker 1: I'm not gonna project that on social media exactly where

1137
00:49:50,239 --> 00:49:52,719
Speaker 1: you could find a way to her phone or find

1138
00:49:52,760 --> 00:49:55,640
Speaker 1: a way to you know, his family. And they read

1139
00:49:55,680 --> 00:49:59,200
Speaker 1: that like what I of course I thought it like damn,

1140
00:49:59,239 --> 00:50:01,279
Speaker 1: that was such a kill mistake. And that's exactly what

1141
00:50:01,280 --> 00:50:04,480
Speaker 1: it is. It's just a careless mistake. It's a mistake.

1142
00:50:04,520 --> 00:50:07,120
Speaker 1: We've all made mistakes. We all do things that's like damn,

1143
00:50:07,160 --> 00:50:09,160
Speaker 1: I should have did that. This one just happened to

1144
00:50:09,160 --> 00:50:12,040
Speaker 1: be a tragic mistake, but you don't, you know, we don't.

1145
00:50:12,080 --> 00:50:14,839
Speaker 1: You don't out her and you don't point fingers at her,

1146
00:50:14,920 --> 00:50:16,920
Speaker 1: you don't blame her for his death. You don't do that,

1147
00:50:17,440 --> 00:50:20,720
Speaker 1: Like you can't that she's already under enough mental stress

1148
00:50:20,760 --> 00:50:24,240
Speaker 1: and after seeing that, like her life is forever changed.

1149
00:50:24,960 --> 00:50:27,440
Speaker 1: So we can't. We can't compound that with you know,

1150
00:50:27,760 --> 00:50:31,120
Speaker 1: negative negative words directed her way, Like that's just it's

1151
00:50:31,200 --> 00:50:32,799
Speaker 1: fucked up and it's wrong and we should not do.

1152
00:50:32,760 --> 00:50:35,440
Speaker 2: That, and like how important do y'all think y'all are?

1153
00:50:36,520 --> 00:50:38,239
Speaker 2: Like do you think, well, they think you're very do

1154
00:50:38,239 --> 00:50:40,880
Speaker 2: you think you said that? And then while she's grieving

1155
00:50:41,520 --> 00:50:45,399
Speaker 2: the murder, she's like, oh, fuck this random page on Twitter.

1156
00:50:45,400 --> 00:50:46,759
Speaker 2: I never even thought of it that way, So like,

1157
00:50:47,960 --> 00:50:50,560
Speaker 2: who are you really telling? No, you're just tweeting to

1158
00:50:50,600 --> 00:50:53,080
Speaker 2: make yourself feel like you have something important to say

1159
00:50:53,120 --> 00:50:54,719
Speaker 2: at the time. And I feel no matter how right

1160
00:50:54,760 --> 00:50:56,640
Speaker 2: we all thought it, but it doesn't mean it necessarily

1161
00:50:56,680 --> 00:50:57,320
Speaker 2: has to be.

1162
00:50:57,680 --> 00:51:00,680
Speaker 3: For the celebrities. And exactly when they're saying, oh, you're

1163
00:51:00,719 --> 00:51:02,880
Speaker 3: saying our PP and B. But what it looks like

1164
00:51:03,040 --> 00:51:05,719
Speaker 3: is you're trying to garner attention for yourself because you

1165
00:51:05,760 --> 00:51:07,680
Speaker 3: know that this is a hot topic on the internet

1166
00:51:07,800 --> 00:51:10,080
Speaker 3: right now, and you have to go on the internet

1167
00:51:10,200 --> 00:51:12,480
Speaker 3: say a tweet, and then double down on your tweet.

1168
00:51:12,680 --> 00:51:15,520
Speaker 3: You're now making this about you and your fame base

1169
00:51:15,600 --> 00:51:17,160
Speaker 3: and people arguing with you.

1170
00:51:17,239 --> 00:51:20,480
Speaker 1: Well, people, like I said, people are miserable people. People.

1171
00:51:20,560 --> 00:51:23,440
Speaker 5: People are exploits and exploitative like people.

1172
00:51:23,600 --> 00:51:26,160
Speaker 1: People are home and they're sitting in these nice houses.

1173
00:51:26,160 --> 00:51:29,040
Speaker 1: But it ain't no love in these houses. It ain't

1174
00:51:29,080 --> 00:51:31,560
Speaker 1: no good energy in these houses and these mansions. I

1175
00:51:31,560 --> 00:51:34,120
Speaker 1: don't give a fuck how big your property is. You

1176
00:51:34,120 --> 00:51:35,440
Speaker 1: know what I mean. You late, when your head hit

1177
00:51:35,440 --> 00:51:36,840
Speaker 1: the pillow at night and you look up at the ceiling,

1178
00:51:36,920 --> 00:51:39,600
Speaker 1: you miserable. You don't like where you're at. You know,

1179
00:51:39,680 --> 00:51:42,080
Speaker 1: mentally you fucked up, you know what I mean, And

1180
00:51:42,120 --> 00:51:43,880
Speaker 1: you project that on other and people can see it.

1181
00:51:44,280 --> 00:51:46,520
Speaker 1: They're smart people out here, like people know. People know

1182
00:51:46,600 --> 00:51:48,600
Speaker 1: misery when they see it. They know when people are

1183
00:51:48,600 --> 00:51:50,799
Speaker 1: not happy with themselves, when people are insecure. We can

1184
00:51:50,840 --> 00:51:53,319
Speaker 1: see right through that shit. And it's just unfortunate that

1185
00:51:53,320 --> 00:51:56,440
Speaker 1: people use a time and tragedy to display exactly how

1186
00:51:56,480 --> 00:51:59,480
Speaker 1: insecure they are, to display exactly how miserable they are.

1187
00:52:00,280 --> 00:52:02,440
Speaker 1: Just send in love you know what I mean. Just

1188
00:52:02,480 --> 00:52:04,759
Speaker 1: send love and support like that's all, you know, Send

1189
00:52:04,800 --> 00:52:07,360
Speaker 1: love and support to the family, Like fuck how you

1190
00:52:07,360 --> 00:52:10,400
Speaker 1: feel about it, Fuck how you viewed the situation. Just

1191
00:52:10,440 --> 00:52:12,759
Speaker 1: send love and support to the family like that's it.

1192
00:52:12,840 --> 00:52:14,360
Speaker 1: You know what I mean. Life is just that simple.

1193
00:52:14,640 --> 00:52:17,719
Speaker 1: Fuck your personal feelings, Send love and support and get

1194
00:52:17,760 --> 00:52:18,200
Speaker 1: out the way.

1195
00:52:19,920 --> 00:52:24,279
Speaker 2: Also man other tragic news, Jesse Powell passed away at

1196
00:52:24,280 --> 00:52:27,280
Speaker 2: fifty one. It was reported that he passed away peacefully,

1197
00:52:27,320 --> 00:52:32,120
Speaker 2: but rest in peace to Jesse Powell. Incredible, incredible musician,

1198
00:52:32,160 --> 00:52:33,719
Speaker 2: one of the vocalists's.

1199
00:52:33,239 --> 00:52:36,160
Speaker 1: R and B voices. We had one of the biggest

1200
00:52:36,160 --> 00:52:39,120
Speaker 1: records R and B records in the nineties with you.

1201
00:52:39,320 --> 00:52:43,600
Speaker 2: One of one of the best wedding reception vocalists of

1202
00:52:43,640 --> 00:52:43,960
Speaker 2: all time.

1203
00:52:44,200 --> 00:52:47,839
Speaker 1: Anytime there was a display of love in the air,

1204
00:52:48,719 --> 00:52:50,319
Speaker 1: you had to play you for sure?

1205
00:52:50,480 --> 00:52:51,719
Speaker 5: Can you sing us a little bit of the.

1206
00:52:52,120 --> 00:52:54,480
Speaker 1: And I cannot sing in that key that Jesse Powell

1207
00:52:54,480 --> 00:52:55,719
Speaker 1: was singing them, I won't even try.

1208
00:52:55,840 --> 00:52:57,040
Speaker 2: Yeah, I wouldn't want to disrespect.

1209
00:52:57,200 --> 00:53:01,640
Speaker 1: Yeah I'm cool, but yeah I've read that today. When

1210
00:53:01,640 --> 00:53:03,319
Speaker 1: we came in, I didn't even I didn't even hear

1211
00:53:03,360 --> 00:53:06,800
Speaker 1: of Jesse Powell's passion. But on Rest in Peace, Prais

1212
00:53:06,800 --> 00:53:10,279
Speaker 1: condulces to his family and yeah, let's play you. Let's

1213
00:53:10,320 --> 00:53:11,200
Speaker 1: play you all weekend.

1214
00:53:11,360 --> 00:53:11,759
Speaker 4: I'm with it.

1215
00:53:11,800 --> 00:53:12,880
Speaker 1: Let's just clean the house to you.

1216
00:53:13,239 --> 00:53:14,480
Speaker 2: Run up the streams of PB.

1217
00:53:15,040 --> 00:53:18,000
Speaker 1: Yeah, P and B. Robert his song Selfish went.

1218
00:53:17,920 --> 00:53:20,560
Speaker 7: Number one on Apple Charts.

1219
00:53:20,239 --> 00:53:21,840
Speaker 1: On the Apple Charts, so that was you know, that

1220
00:53:22,000 --> 00:53:25,520
Speaker 1: was unfortunate, but it was good to see that people

1221
00:53:25,560 --> 00:53:29,480
Speaker 1: were in their own way paying homage and you know,

1222
00:53:29,880 --> 00:53:33,800
Speaker 1: streaming P and B's record. Yeah, but again, rest in

1223
00:53:33,840 --> 00:53:36,480
Speaker 1: Peace to Jesse Powell as well.

1224
00:53:38,640 --> 00:53:43,919
Speaker 2: Yeah, it's these these tragedy topics that with podcasting is Yeah,

1225
00:53:44,600 --> 00:53:45,600
Speaker 2: danvers the conversation.

1226
00:53:46,040 --> 00:53:50,439
Speaker 1: Yeah, so much assemble mood. But let's do our best

1227
00:53:50,440 --> 00:53:52,160
Speaker 1: to just you know, send prayers and love and support

1228
00:53:52,160 --> 00:53:54,600
Speaker 1: to the family and yeah, and do what we do.

1229
00:53:55,800 --> 00:53:58,080
Speaker 2: Yeah, they try to bring some more. I wouldn't say

1230
00:53:58,120 --> 00:54:01,040
Speaker 2: uplifting at all, but just you know, like light in

1231
00:54:01,040 --> 00:54:04,440
Speaker 2: the mood a little bit. On my way to the

1232
00:54:04,600 --> 00:54:07,920
Speaker 2: Alex Eisley concert, I was with a bunch of people.

1233
00:54:07,960 --> 00:54:12,000
Speaker 2: We were on the suv headed there, and one of

1234
00:54:12,000 --> 00:54:14,920
Speaker 2: the women in the car was like typing away, like

1235
00:54:14,960 --> 00:54:17,600
Speaker 2: you know when a girl is locked in writing paragraphs

1236
00:54:18,160 --> 00:54:20,160
Speaker 2: and I was just like, oh, boy, trouble, Like what's

1237
00:54:20,200 --> 00:54:22,480
Speaker 2: going on? She was like no. I was like, you

1238
00:54:22,520 --> 00:54:25,760
Speaker 2: look like you have that focus. I'm sending five paragraph

1239
00:54:25,840 --> 00:54:32,920
Speaker 2: essay intro hypothesis, three body conclusion, citing sources MLA format

1240
00:54:33,480 --> 00:54:35,080
Speaker 2: type of shit. She was like, oh, no, no, I

1241
00:54:35,080 --> 00:54:36,919
Speaker 2: know it looks like that. That is what I'm doing it,

1242
00:54:37,000 --> 00:54:40,279
Speaker 2: but I'm writing it from my homegirl to send to

1243
00:54:40,320 --> 00:54:40,960
Speaker 2: her boyfriend.

1244
00:54:41,239 --> 00:54:43,840
Speaker 1: I was copying pastent and I was like, waiting, Miller.

1245
00:54:44,000 --> 00:54:45,560
Speaker 2: I was like wait, I said, okay. I was like,

1246
00:54:45,600 --> 00:54:48,880
Speaker 2: so you're ghost writing for your friend. Yeah, and she

1247
00:54:49,000 --> 00:54:50,440
Speaker 2: was like yeah, I mean in my group chat, like

1248
00:54:50,480 --> 00:54:53,600
Speaker 2: I'm the one that will write all the responses to

1249
00:54:53,640 --> 00:54:56,120
Speaker 2: everyone's boyfriend. I said, wait, So that means I've been

1250
00:54:56,239 --> 00:54:58,680
Speaker 2: arguing with a woman before, but talking to someone else

1251
00:54:59,080 --> 00:54:59,480
Speaker 2: a girlfriend.

1252
00:54:59,520 --> 00:55:00,000
Speaker 1: Absolutely.

1253
00:55:00,320 --> 00:55:02,560
Speaker 2: So I used to approach when I would start talking

1254
00:55:02,600 --> 00:55:04,279
Speaker 2: to a girl, I would always try to get in

1255
00:55:04,320 --> 00:55:06,719
Speaker 2: good with her best friend, because you know, that's always

1256
00:55:06,760 --> 00:55:08,640
Speaker 2: helpful whenever you get into some shit with your girl

1257
00:55:08,680 --> 00:55:12,600
Speaker 2: that she's not an ally, but she she likes you,

1258
00:55:12,680 --> 00:55:14,839
Speaker 2: and so it can be she could be a good

1259
00:55:14,840 --> 00:55:17,480
Speaker 2: buffer in between things rather than if she absolutely hates.

1260
00:55:17,320 --> 00:55:19,880
Speaker 1: She's never gonna she's never gonna have your best interest

1261
00:55:19,920 --> 00:55:23,200
Speaker 1: over her girls, but for sure she'll help you out. Like, hey, listen,

1262
00:55:23,440 --> 00:55:25,400
Speaker 1: she's upsetting exactly, you know what I mean? Like, you

1263
00:55:25,440 --> 00:55:27,480
Speaker 1: need to and I'm right this weekend.

1264
00:55:27,280 --> 00:55:29,200
Speaker 2: I thought that was og shit and I thought I was,

1265
00:55:29,280 --> 00:55:31,440
Speaker 2: you know, ahead of the curve on that one. I

1266
00:55:31,480 --> 00:55:33,760
Speaker 2: had this all wrong. You shouldn't go after the best friend.

1267
00:55:34,080 --> 00:55:37,319
Speaker 2: You need to find the most articulate homegirl in the

1268
00:55:37,360 --> 00:55:40,000
Speaker 2: group chat because that's who you're gonna be arguing with. Yeah,

1269
00:55:40,160 --> 00:55:42,160
Speaker 2: you need to start preparing. Pick her brain. She may

1270
00:55:42,200 --> 00:55:44,440
Speaker 2: not not even realize it. You need to figure out

1271
00:55:44,440 --> 00:55:46,800
Speaker 2: how she argues, not the way your girl argues.

1272
00:55:46,880 --> 00:55:48,040
Speaker 1: But you know you got to do that. When you

1273
00:55:48,160 --> 00:55:50,360
Speaker 1: argue with your girl and she's like really giving it

1274
00:55:50,400 --> 00:55:52,880
Speaker 1: to you, you gotta be like, oh, Danielle a good. You

1275
00:55:52,960 --> 00:55:55,319
Speaker 1: just gotta yellow Danielle's good.

1276
00:55:55,560 --> 00:55:57,720
Speaker 2: But this is how dumb my man brain is. Because

1277
00:55:57,760 --> 00:56:00,000
Speaker 2: once she said that, I started thinking back to argument.

1278
00:56:00,080 --> 00:56:04,280
Speaker 2: It's where I've thought, you don't even talk like this, Yeah,

1279
00:56:04,320 --> 00:56:06,319
Speaker 2: like I used to think she got angry and all

1280
00:56:06,360 --> 00:56:09,799
Speaker 2: of a sudden became a ti Yeah, like knew every fucking.

1281
00:56:09,560 --> 00:56:10,759
Speaker 1: Word, Danielle.

1282
00:56:11,480 --> 00:56:13,560
Speaker 2: It was just yeah, it was her. It was her

1283
00:56:13,560 --> 00:56:15,160
Speaker 2: friend with a master's this whole time.

1284
00:56:15,040 --> 00:56:16,640
Speaker 1: Absolutely a lawyer friend.

1285
00:56:16,680 --> 00:56:17,640
Speaker 4: Find out what she's reading.

1286
00:56:17,719 --> 00:56:19,319
Speaker 1: Yeah, you know, every girl that went to college has

1287
00:56:19,320 --> 00:56:20,000
Speaker 1: a lawyer friend.

1288
00:56:20,120 --> 00:56:20,799
Speaker 2: And then like if.

1289
00:56:20,719 --> 00:56:22,920
Speaker 1: Somebody had actually went all the way and like passed

1290
00:56:22,920 --> 00:56:23,920
Speaker 1: the bar and have.

1291
00:56:23,920 --> 00:56:26,479
Speaker 2: You ever gotten really confused? I started rethinking my entire

1292
00:56:26,560 --> 00:56:28,760
Speaker 2: life at that point. Have you ever had the girl

1293
00:56:28,800 --> 00:56:32,520
Speaker 2: that is the freak out, like loses her mind in arguments?

1294
00:56:32,560 --> 00:56:32,799
Speaker 7: Girl?

1295
00:56:33,200 --> 00:56:36,120
Speaker 2: Like I think every guy's had that, okay, And have

1296
00:56:36,200 --> 00:56:38,719
Speaker 2: you ever been thrown off when like randomly she'll be

1297
00:56:38,800 --> 00:56:41,200
Speaker 2: super calm and mature in a text like, no, I

1298
00:56:41,320 --> 00:56:43,719
Speaker 2: understand if that's how you feel. Like, where is she

1299
00:56:44,480 --> 00:56:46,239
Speaker 2: playing mind games right now with the funk? Why is

1300
00:56:46,239 --> 00:56:50,360
Speaker 2: this a different person? I now realized I was just

1301
00:56:50,440 --> 00:56:51,680
Speaker 2: talking to her commer.

1302
00:56:51,440 --> 00:56:54,760
Speaker 1: Friend exactly you just talked, she copy and pasted her

1303
00:56:55,160 --> 00:56:58,799
Speaker 1: her logical, level headed thinking friend, who was like, no,

1304
00:56:58,880 --> 00:57:01,640
Speaker 1: don't curse him out, just tell them exactly how you feel,

1305
00:57:01,719 --> 00:57:03,839
Speaker 1: use your words. And then she said, you know what,

1306
00:57:03,960 --> 00:57:04,880
Speaker 1: I'll I'll send it to you.

1307
00:57:04,920 --> 00:57:07,560
Speaker 2: And but what a brilliant way to argue as well,

1308
00:57:07,600 --> 00:57:09,719
Speaker 2: because you know, anytime you argue with someone you like

1309
00:57:09,800 --> 00:57:11,719
Speaker 2: or love, there's gonna be emotions attached to it. And

1310
00:57:11,760 --> 00:57:14,200
Speaker 2: once you have emotions and an argument, you're gonna lose.

1311
00:57:14,280 --> 00:57:14,680
Speaker 1: That's it.

1312
00:57:15,400 --> 00:57:17,480
Speaker 2: Someone that has no dog in this race at all.

1313
00:57:17,520 --> 00:57:22,400
Speaker 2: That could just articulate feelings we have been looking because I.

1314
00:57:22,440 --> 00:57:24,280
Speaker 1: Meant something about that apple. Let us know when these

1315
00:57:24,640 --> 00:57:26,600
Speaker 1: this ship is copying pasted, Like you can do the.

1316
00:57:26,520 --> 00:57:28,120
Speaker 2: Face thing, do the thumb I want the thumb print.

1317
00:57:28,160 --> 00:57:31,480
Speaker 1: But let me know, like, okay, this is copying pasted

1318
00:57:31,560 --> 00:57:33,720
Speaker 1: from somebody, like these these are not her words.

1319
00:57:33,720 --> 00:57:35,680
Speaker 7: Maybe the last four of the number it came from.

1320
00:57:35,960 --> 00:57:37,920
Speaker 1: These are not her words. Like it's it's fine, but

1321
00:57:37,960 --> 00:57:38,240
Speaker 1: it's just.

1322
00:57:38,520 --> 00:57:40,000
Speaker 2: Get to save a photo and it'll tell you the

1323
00:57:40,080 --> 00:57:42,720
Speaker 2: date and ship. Let me copy and paste it and

1324
00:57:42,760 --> 00:57:44,280
Speaker 2: put it in my notes, and it tells me where

1325
00:57:44,320 --> 00:57:46,520
Speaker 2: it came from. What's the IP address of this text?

1326
00:57:46,560 --> 00:57:47,320
Speaker 1: Right? I'm with that.

1327
00:57:47,600 --> 00:57:50,040
Speaker 5: I'm with that as that friend. Let me also tell

1328
00:57:50,080 --> 00:57:50,880
Speaker 5: you that isn't.

1329
00:57:50,760 --> 00:57:55,000
Speaker 1: You're the you're the know you're not that you cursed

1330
00:57:55,040 --> 00:57:58,400
Speaker 1: way what Maybe it text you different. Maybe it text

1331
00:57:58,480 --> 00:57:59,960
Speaker 1: you text a little different when you curse somebody.

1332
00:58:00,160 --> 00:58:02,200
Speaker 2: But she has no, she's not attached to it, so

1333
00:58:02,240 --> 00:58:04,080
Speaker 2: she doesn't have the demeris. Yeah.

1334
00:58:04,120 --> 00:58:04,520
Speaker 1: Yeah.

1335
00:58:04,840 --> 00:58:06,520
Speaker 3: Even when I'm arguing with the people that I'm dating,

1336
00:58:06,520 --> 00:58:07,920
Speaker 3: I don't care. I don't curse them out.

1337
00:58:08,120 --> 00:58:08,840
Speaker 4: You just curse it us.

1338
00:58:09,320 --> 00:58:10,480
Speaker 5: Yeah, yeah, I curse the y'all.

1339
00:58:10,640 --> 00:58:12,680
Speaker 3: But when I'm when I'm typing, and I'm like, when

1340
00:58:12,680 --> 00:58:14,720
Speaker 3: I'm in the argument, First of all, i'm in aries,

1341
00:58:14,760 --> 00:58:16,880
Speaker 3: I argue a lot, And I'm also like.

1342
00:58:17,480 --> 00:58:21,560
Speaker 5: I know that people who argue a lot. I said

1343
00:58:21,600 --> 00:58:22,640
Speaker 5: my signing to be funny.

1344
00:58:22,360 --> 00:58:24,800
Speaker 2: But people who argue a lot are women over.

1345
00:58:24,640 --> 00:58:27,800
Speaker 3: Time, No, over time who debate a lot. I won't

1346
00:58:27,840 --> 00:58:30,120
Speaker 3: even say argue. People who debate a lot you become

1347
00:58:30,160 --> 00:58:32,320
Speaker 3: good at it, and not even just that. I just

1348
00:58:32,320 --> 00:58:34,120
Speaker 3: want to let you know that homegirl is not just.

1349
00:58:34,240 --> 00:58:36,320
Speaker 3: It's not just when they're arguing. Also, if you ever

1350
00:58:36,360 --> 00:58:38,440
Speaker 3: bagged a girl and a girl was nervous and really

1351
00:58:38,480 --> 00:58:40,520
Speaker 3: really liked you and didn't know what to say, there's

1352
00:58:40,560 --> 00:58:44,439
Speaker 3: the slick mouth, flirtatious girls who tell you what should

1353
00:58:44,480 --> 00:58:44,720
Speaker 3: I say?

1354
00:58:44,720 --> 00:58:47,680
Speaker 2: Ahead, technically I bag both. Then if she's the one

1355
00:58:47,760 --> 00:58:51,000
Speaker 2: type into me, yeah, and now now I got chemistry

1356
00:58:51,040 --> 00:58:52,200
Speaker 2: with your friend, maybe I should be work.

1357
00:58:52,640 --> 00:58:55,120
Speaker 6: Have you met the guy that you've been ghostwriting on

1358
00:58:55,200 --> 00:58:57,600
Speaker 6: your friend like for behalf and you and you see him,

1359
00:58:57,640 --> 00:58:59,560
Speaker 6: You're like, yo, I want because you've been talking to

1360
00:58:59,600 --> 00:59:00,120
Speaker 6: him the whole.

1361
00:59:01,880 --> 00:59:04,000
Speaker 3: That were like mad in love, Like yo, she masked

1362
00:59:04,000 --> 00:59:04,840
Speaker 3: slick with the mouth and.

1363
00:59:04,760 --> 00:59:05,480
Speaker 5: I'm like it's me.

1364
00:59:05,920 --> 00:59:07,439
Speaker 2: And then they go on the second date and she's

1365
00:59:07,480 --> 00:59:08,800
Speaker 2: not slick of the mouth at all, and you're.

1366
00:59:08,640 --> 00:59:10,920
Speaker 1: Like yeah, and then you have sex with and the

1367
00:59:10,960 --> 00:59:14,320
Speaker 1: pussy is not bomb. Y'all just sucked the whole room.

1368
00:59:14,800 --> 00:59:15,280
Speaker 2: Yeah.

1369
00:59:15,720 --> 00:59:17,240
Speaker 1: See, you were talking all that ship in the text,

1370
00:59:17,280 --> 00:59:19,160
Speaker 1: like yeah, I'm yeah'mna throw the women that even t

1371
00:59:19,320 --> 00:59:20,000
Speaker 1: throw it back.

1372
00:59:19,840 --> 00:59:22,400
Speaker 2: Even women that write their own rhymes be lying about

1373
00:59:22,440 --> 00:59:23,040
Speaker 2: that shit.

1374
00:59:23,200 --> 00:59:24,760
Speaker 1: Like don't go you can if you're gonna have a

1375
00:59:24,800 --> 00:59:25,560
Speaker 1: ghost writer.

1376
00:59:25,880 --> 00:59:27,840
Speaker 2: Have a ghost pussy, have a ghost pussy too.

1377
00:59:29,360 --> 00:59:32,280
Speaker 3: That doesn't even logically make fucking sense, Like y'all are

1378
00:59:32,360 --> 00:59:33,520
Speaker 3: just talking nothing.

1379
00:59:33,320 --> 00:59:35,200
Speaker 1: Makes sense logically, like we should just like if you're

1380
00:59:35,200 --> 00:59:37,720
Speaker 1: gonna let me argue with your homeworld are sending these words.

1381
00:59:40,440 --> 00:59:42,240
Speaker 2: I'll put it this way, bro, let me slide the

1382
00:59:42,280 --> 00:59:43,400
Speaker 2: difference between.

1383
00:59:44,560 --> 00:59:45,360
Speaker 1: Let me spank too.

1384
00:59:45,720 --> 00:59:47,840
Speaker 2: Clearly, me and your friend have a lot of chemistry

1385
00:59:48,000 --> 00:59:49,480
Speaker 2: and her our bands.

1386
00:59:49,760 --> 00:59:51,960
Speaker 1: Were not arguing. We're not yelling at each other like

1387
00:59:52,040 --> 00:59:54,160
Speaker 1: we're great, like, so let me hit that like we

1388
00:59:54,160 --> 00:59:56,840
Speaker 1: could still be together. But it's like she the ghost pussy. Yeah,

1389
00:59:56,840 --> 00:59:57,800
Speaker 1: give me some ghost pussy.

1390
00:59:58,320 --> 01:00:00,720
Speaker 2: But look at the difference between and women. Because Ma,

1391
01:00:01,360 --> 01:00:04,080
Speaker 2: I know you wouldn't do this, but in some world

1392
01:00:04,440 --> 01:00:06,280
Speaker 2: you were arguing with your girl and you were like,

1393
01:00:06,360 --> 01:00:08,280
Speaker 2: I can't, I can't do this. Rory, can you type?

1394
01:00:08,280 --> 01:00:10,320
Speaker 2: I would say, get the funk away from I would

1395
01:00:10,360 --> 01:00:11,480
Speaker 2: never type for my men, don't.

1396
01:00:12,040 --> 01:00:13,200
Speaker 1: We can't have ghostwriters.

1397
01:00:13,560 --> 01:00:14,080
Speaker 4: I do that.

1398
01:00:14,400 --> 01:00:16,040
Speaker 1: You would you ghost right for your homeboys?

1399
01:00:16,160 --> 01:00:18,560
Speaker 6: Not if they're in argument with their girl, if they're

1400
01:00:18,560 --> 01:00:20,919
Speaker 6: trying to pick up a girl or get with the girl.

1401
01:00:22,880 --> 01:00:25,880
Speaker 2: Maybe I know, like a little home like someone that's

1402
01:00:25,920 --> 01:00:28,000
Speaker 2: younger like I would maybe help them out. But like

1403
01:00:28,240 --> 01:00:30,840
Speaker 2: my my, my adult friend, get.

1404
01:00:30,720 --> 01:00:32,600
Speaker 1: Out of here. We have a word for that friend.

1405
01:00:33,120 --> 01:00:35,840
Speaker 1: We can't use it anymore. I just said we have

1406
01:00:35,880 --> 01:00:38,880
Speaker 1: a word and we can't anymore. We can't use it.

1407
01:00:44,120 --> 01:00:46,600
Speaker 7: I feel introduces the same everything time.

1408
01:00:48,080 --> 01:00:49,840
Speaker 2: Get it out.

1409
01:00:50,120 --> 01:00:51,320
Speaker 1: Yeah, I just gotta let it go some top.

1410
01:00:51,440 --> 01:00:55,040
Speaker 3: Oh my god, you would scream that during because I've

1411
01:00:55,080 --> 01:00:58,520
Speaker 3: sat in that story, I've said, Amma and asked you

1412
01:00:58,560 --> 01:01:00,560
Speaker 3: guys what I should say, like in the middle of

1413
01:01:00,600 --> 01:01:02,040
Speaker 3: an argument, a text argument.

1414
01:01:02,040 --> 01:01:04,440
Speaker 2: I might do that for a homegirl. For my adult

1415
01:01:04,480 --> 01:01:06,680
Speaker 2: male friend, No, I'm not going to be I don't

1416
01:01:06,680 --> 01:01:07,560
Speaker 2: know you should say this.

1417
01:01:07,760 --> 01:01:10,200
Speaker 6: Yeah, I don't do it for argument only if it's like, hey,

1418
01:01:10,200 --> 01:01:12,360
Speaker 6: these girls are out, or how should I get this

1419
01:01:12,400 --> 01:01:13,240
Speaker 6: girl that meet us out?

1420
01:01:13,320 --> 01:01:15,720
Speaker 1: Yeah, I've done that, all right, that's that's different. But

1421
01:01:15,760 --> 01:01:17,880
Speaker 1: for a younger like a younger friend, not like for me.

1422
01:01:17,960 --> 01:01:18,480
Speaker 4: I don't do that.

1423
01:01:18,560 --> 01:01:21,880
Speaker 1: Imagine arguing with a woman that's not your girlfriend.

1424
01:01:23,520 --> 01:01:25,800
Speaker 2: You guys are all liars. What do you mean you've

1425
01:01:25,880 --> 01:01:28,160
Speaker 2: only argued with a woman that was your actual girlfriend.

1426
01:01:28,200 --> 01:01:30,320
Speaker 7: I prefer to only argue with a woman that's my girlfriend.

1427
01:01:30,360 --> 01:01:32,160
Speaker 2: Then we're not entitled to preference. You don't you know,

1428
01:01:33,640 --> 01:01:36,240
Speaker 2: you don't you don't you know the world you're living.

1429
01:01:36,480 --> 01:01:39,160
Speaker 1: You don't dedicate as much energy to the argument it's

1430
01:01:39,200 --> 01:01:41,360
Speaker 1: not your girl, like you find yourself like why am

1431
01:01:41,360 --> 01:01:43,920
Speaker 1: I arguing? Like you're not my girl? Like why am

1432
01:01:43,960 --> 01:01:44,800
Speaker 1: I even arguing with you?

1433
01:01:44,840 --> 01:01:47,920
Speaker 3: Like explaining yourself? And you catch yourself I'll be so mad.

1434
01:01:48,200 --> 01:01:50,680
Speaker 1: I call myself I called myself explaining myself to a

1435
01:01:50,720 --> 01:01:52,200
Speaker 1: girl that was not my girl on tom and I

1436
01:01:52,200 --> 01:01:53,440
Speaker 1: was like, why the fuck did I even just tell

1437
01:01:53,440 --> 01:01:55,680
Speaker 1: you all of that? She was like, I have no idea,

1438
01:01:55,680 --> 01:01:57,160
Speaker 1: I didn't ask you that. And I'm like, we're like,

1439
01:01:57,240 --> 01:02:00,080
Speaker 1: just delete all that from you and me. But anyway,

1440
01:02:00,640 --> 01:02:03,600
Speaker 1: a mother gave her sonny eviction papers on his eighteenth birthday.

1441
01:02:04,040 --> 01:02:04,560
Speaker 4: I like it.

1442
01:02:04,840 --> 01:02:07,080
Speaker 2: She must be she must be irish, you.

1443
01:02:07,000 --> 01:02:09,280
Speaker 1: Know how crazy that is? Like, just imagine your you

1444
01:02:09,360 --> 01:02:12,760
Speaker 1: turn eighteen and your mom is like, yeah, so next

1445
01:02:12,800 --> 01:02:15,680
Speaker 1: week you're gonna have to find a new place. I'm

1446
01:02:15,680 --> 01:02:17,320
Speaker 1: no longer taking care of you. You're not on my

1447
01:02:18,040 --> 01:02:18,920
Speaker 1: insurance anymore.

1448
01:02:19,200 --> 01:02:20,400
Speaker 2: Can I imagine? I've lived it.

1449
01:02:20,640 --> 01:02:21,880
Speaker 1: Your mom kicked you up when he's eighteen.

1450
01:02:21,920 --> 01:02:25,880
Speaker 2: I kicked out, But it was always a thing throughout

1451
01:02:25,920 --> 01:02:30,400
Speaker 2: high school that you need to leave here at eighteen. Wow, Listen,

1452
01:02:30,440 --> 01:02:33,440
Speaker 2: if I was in the gutter, like whatever, of course

1453
01:02:33,480 --> 01:02:33,960
Speaker 2: I could go.

1454
01:02:33,920 --> 01:02:36,160
Speaker 1: Back to my she gave you this speech like you

1455
01:02:36,160 --> 01:02:36,600
Speaker 1: need to stop.

1456
01:02:36,640 --> 01:02:39,080
Speaker 2: But it was not in like a bad way. It's

1457
01:02:39,120 --> 01:02:41,960
Speaker 2: just more of an encouraging like it's I expect you

1458
01:02:42,040 --> 01:02:43,480
Speaker 2: to get out of here, and you're gonna want to

1459
01:02:43,520 --> 01:02:44,000
Speaker 2: get out of here.

1460
01:02:44,680 --> 01:02:45,120
Speaker 1: Yeah.

1461
01:02:45,160 --> 01:02:47,000
Speaker 2: So if I needed to go home, of course I

1462
01:02:47,000 --> 01:02:50,440
Speaker 2: could have. But it was encouraged and you know, put

1463
01:02:50,520 --> 01:02:53,200
Speaker 2: in the air that hey, go figure it out, even

1464
01:02:53,240 --> 01:02:55,640
Speaker 2: if you got to live in some really shitty places.

1465
01:02:55,440 --> 01:02:56,400
Speaker 2: That's life.

1466
01:02:56,640 --> 01:02:58,680
Speaker 5: Though, I feel like eighteen is so early for New

1467
01:02:58,760 --> 01:03:00,840
Speaker 5: York City? Is it just me?

1468
01:03:01,280 --> 01:03:04,240
Speaker 6: I mean what it's been outside since you were like

1469
01:03:04,280 --> 01:03:06,440
Speaker 6: fourteen though, Yeah, but.

1470
01:03:06,400 --> 01:03:08,760
Speaker 5: I mean being outside and being able to afford.

1471
01:03:09,240 --> 01:03:11,800
Speaker 1: You're outside and having to sleep outside of two different things.

1472
01:03:11,800 --> 01:03:12,800
Speaker 2: But you're I can be.

1473
01:03:12,800 --> 01:03:15,400
Speaker 1: Outside, but moms ain't changed. These locks ship and my

1474
01:03:15,440 --> 01:03:17,400
Speaker 1: keys still work, and my bedroom is still there, like

1475
01:03:17,440 --> 01:03:17,920
Speaker 1: I'm going to.

1476
01:03:17,840 --> 01:03:21,880
Speaker 2: Sleep, but you're viewing it more as I'm going to

1477
01:03:21,960 --> 01:03:24,080
Speaker 2: leave at eighteen and go get my first apartment. No,

1478
01:03:24,160 --> 01:03:26,520
Speaker 2: you have to go figure out where to live. Yeah,

1479
01:03:26,560 --> 01:03:28,640
Speaker 2: Like I had to use my network until I was

1480
01:03:28,640 --> 01:03:32,400
Speaker 2: twenty two on places to stay. Yeah, and I would

1481
01:03:32,440 --> 01:03:34,439
Speaker 2: find certain rooms for one hundred and seventy five dollars.

1482
01:03:34,440 --> 01:03:36,720
Speaker 2: I'd stay there for three months, and like, you figure

1483
01:03:36,720 --> 01:03:38,560
Speaker 2: shit out. No, I didn't just go get an apartment.

1484
01:03:38,720 --> 01:03:41,640
Speaker 2: I was couch surfing. I was you know, asking my

1485
01:03:41,640 --> 01:03:44,080
Speaker 2: godf stay in your basement for two months, like just

1486
01:03:44,080 --> 01:03:47,080
Speaker 2: ship like that is how you it's the tooling figure

1487
01:03:47,120 --> 01:03:47,520
Speaker 2: shit out?

1488
01:03:47,560 --> 01:03:48,360
Speaker 5: Are you gonna are you?

1489
01:03:48,720 --> 01:03:51,200
Speaker 2: Which I've adapted to every part of my life.

1490
01:03:51,320 --> 01:03:53,160
Speaker 5: When you decide to have a child, are you going

1491
01:03:53,160 --> 01:03:54,040
Speaker 5: to do that to your child?

1492
01:03:54,120 --> 01:03:56,200
Speaker 6: I feel like the answer is going to differentiate based

1493
01:03:56,200 --> 01:03:58,520
Speaker 6: on if it's a son or a daughter, though at the.

1494
01:03:58,520 --> 01:04:01,560
Speaker 1: Time answer the answer different based on race as well,

1495
01:04:02,400 --> 01:04:05,160
Speaker 1: Like it's very dangerous for a black parents's and their

1496
01:04:05,200 --> 01:04:08,320
Speaker 1: black daughter black son out into the streets and they

1497
01:04:08,320 --> 01:04:10,480
Speaker 1: figure it out and say figure it out. Yeah, Like

1498
01:04:10,480 --> 01:04:13,200
Speaker 1: that's just what white privilege comes in. It's just that's

1499
01:04:13,240 --> 01:04:15,320
Speaker 1: just what it is. It comes down to race, it

1500
01:04:15,320 --> 01:04:17,960
Speaker 1: comes down to financial status.

1501
01:04:19,040 --> 01:04:20,880
Speaker 2: But then again, there is a lot of sys to

1502
01:04:21,200 --> 01:04:25,360
Speaker 2: a lot of families that just because of the resources,

1503
01:04:25,400 --> 01:04:27,160
Speaker 2: just have their kids live with them so they're thirty

1504
01:04:27,240 --> 01:04:29,400
Speaker 2: and it's not even looked weird at all.

1505
01:04:29,880 --> 01:04:33,640
Speaker 1: People some white people have their kids. Yeah, some white

1506
01:04:33,640 --> 01:04:35,680
Speaker 1: people have their kids live with live with them till

1507
01:04:35,680 --> 01:04:37,600
Speaker 1: the thirty and have kids with their kids too.

1508
01:04:38,520 --> 01:04:40,200
Speaker 2: I mean, I would never want to put like an

1509
01:04:40,280 --> 01:04:44,400
Speaker 2: actual the way this eighteenth birthday thing, but with my children, again,

1510
01:04:44,520 --> 01:04:45,520
Speaker 2: circumstances would be.

1511
01:04:45,520 --> 01:04:47,160
Speaker 1: Oh, yeah, you didn't see that documentary.

1512
01:04:47,600 --> 01:04:51,080
Speaker 7: I was just way yeah, way, yeah, oh yeah.

1513
01:04:51,200 --> 01:04:53,520
Speaker 1: You didn't see the documentary with the white girl who

1514
01:04:54,200 --> 01:04:57,160
Speaker 1: who's fought the god that raised her entire life, like

1515
01:04:57,720 --> 01:05:00,840
Speaker 1: ended up having kids with her and then killed her.

1516
01:05:01,360 --> 01:05:03,120
Speaker 4: It's not Game of Thrones that's on HBO.

1517
01:05:04,000 --> 01:05:07,040
Speaker 1: It probably it's it's the lineage of Game of Thrones.

1518
01:05:07,440 --> 01:05:13,040
Speaker 2: It's those are their ancestors now, the Caucus Mountain family traditions.

1519
01:05:12,400 --> 01:05:15,880
Speaker 1: We call them exactly it was. It was handed down generationally, yes,

1520
01:05:17,120 --> 01:05:19,000
Speaker 1: but yeah, it's just different. It's a difference based on

1521
01:05:19,360 --> 01:05:22,400
Speaker 1: race and financial status as well. That's a very and.

1522
01:05:22,400 --> 01:05:24,960
Speaker 2: I just think families in general view things different.

1523
01:05:24,960 --> 01:05:26,400
Speaker 5: I wouldn't you didn't answer my question.

1524
01:05:26,920 --> 01:05:27,560
Speaker 2: I was about you.

1525
01:05:27,560 --> 01:05:29,240
Speaker 1: Sounds like she's about to argue with you through text.

1526
01:05:29,400 --> 01:05:32,680
Speaker 2: I wouldn't put a date eighteenth birthday, you have to

1527
01:05:32,720 --> 01:05:34,840
Speaker 2: be out. It would be circumstantial base. But yes, I

1528
01:05:34,880 --> 01:05:39,360
Speaker 2: will encourage my kid to and figure things out. That's

1529
01:05:39,400 --> 01:05:41,160
Speaker 2: only this safe as possible.

1530
01:05:41,200 --> 01:05:42,200
Speaker 1: You're not putting your dough out.

1531
01:05:42,200 --> 01:05:44,960
Speaker 7: Of course, what's the cutoff, Like you're too old to

1532
01:05:44,960 --> 01:05:45,680
Speaker 7: get out of my house?

1533
01:05:45,720 --> 01:05:46,120
Speaker 4: No matter.

1534
01:05:46,480 --> 01:05:48,720
Speaker 2: I've seen people parents that love their kids so much,

1535
01:05:48,760 --> 01:05:50,920
Speaker 2: they would never throw them out on the street. But

1536
01:05:51,440 --> 01:05:54,120
Speaker 2: at some point you're gonna have to start contributing and

1537
01:05:54,160 --> 01:05:55,360
Speaker 2: paying some type of rent.

1538
01:05:55,720 --> 01:05:57,840
Speaker 1: Like we have a house house and like you can

1539
01:05:57,880 --> 01:06:00,560
Speaker 1: live in the basement, my kids can stay. Do have long?

1540
01:06:00,600 --> 01:06:02,040
Speaker 1: I wouldn't give a yeah. But if we have like

1541
01:06:02,040 --> 01:06:04,640
Speaker 1: an apartment, and like I got to actively see you

1542
01:06:04,720 --> 01:06:07,280
Speaker 1: every time I come out of my bedroom, It's gonna

1543
01:06:07,320 --> 01:06:08,680
Speaker 1: come a time I'm like, yo, listen, we'll be doing

1544
01:06:09,360 --> 01:06:11,080
Speaker 1: I just I'm tired of seeing you in this fucking

1545
01:06:11,120 --> 01:06:12,040
Speaker 1: kitchen every time I'm in.

1546
01:06:12,120 --> 01:06:15,840
Speaker 2: But my thing is, no matter what, eventually a kid

1547
01:06:15,880 --> 01:06:17,840
Speaker 2: is not going to want to stay under their parents' roof.

1548
01:06:17,920 --> 01:06:21,000
Speaker 2: So if it takes them till they're thirty to figure

1549
01:06:21,000 --> 01:06:23,439
Speaker 2: that out, I'm not judging. Everyone's path is everyone's path.

1550
01:06:24,040 --> 01:06:27,800
Speaker 2: Why encourage is that? Because it sucks. Once you're thirty

1551
01:06:28,000 --> 01:06:30,320
Speaker 2: and don't even know how to pay kaned, you don't

1552
01:06:30,320 --> 01:06:32,680
Speaker 2: even you don't know anything. Even if you contribute to

1553
01:06:32,720 --> 01:06:34,520
Speaker 2: your household, you don't know how to run a household.

1554
01:06:35,040 --> 01:06:37,240
Speaker 2: Even if your parents make you do laundry, take the

1555
01:06:37,240 --> 01:06:39,400
Speaker 2: trash out, clean up, you still don't know what that's like.

1556
01:06:39,440 --> 01:06:43,280
Speaker 2: When you're buyers. It's life skills, so many things that

1557
01:06:43,360 --> 01:06:46,400
Speaker 2: you can't learn unless you're on your own, figuring out

1558
01:06:46,480 --> 01:06:49,200
Speaker 2: by yourself. If I don't do this today, I don't

1559
01:06:49,200 --> 01:06:52,120
Speaker 2: eat today. It's a different mentality which I want my

1560
01:06:52,200 --> 01:06:55,880
Speaker 2: kids to have an instill in them. It doesn't mean

1561
01:06:55,920 --> 01:06:57,800
Speaker 2: on their eighteenth birthday get the fuck out and don't

1562
01:06:57,800 --> 01:06:59,640
Speaker 2: talk to me. But that's going to be in the

1563
01:06:59,640 --> 01:07:02,600
Speaker 2: air at some point. You don't want to be thirty

1564
01:07:02,680 --> 01:07:04,040
Speaker 2: and not know how to pay a bill.

1565
01:07:04,960 --> 01:07:06,800
Speaker 5: I mean, but that's something that takes two seconds to learn.

1566
01:07:07,000 --> 01:07:09,080
Speaker 1: That's a soft life, though, And once you have money,

1567
01:07:09,120 --> 01:07:12,720
Speaker 1: you figure out how to pay bills very easily auto pay.

1568
01:07:13,600 --> 01:07:16,520
Speaker 3: I love, you're super adulting if your bills are on

1569
01:07:16,480 --> 01:07:17,560
Speaker 3: automatic auto pay.

1570
01:07:17,640 --> 01:07:18,360
Speaker 1: Just take this out.

1571
01:07:18,400 --> 01:07:19,680
Speaker 4: Just the pain.

1572
01:07:19,760 --> 01:07:21,600
Speaker 1: The pain is. It's still painful once you see it,

1573
01:07:21,640 --> 01:07:23,240
Speaker 1: but it's like it doesn't hurt as much.

1574
01:07:23,360 --> 01:07:24,200
Speaker 4: You don't even see it.

1575
01:07:24,560 --> 01:07:26,240
Speaker 1: But when you do see it, when you're gonna look

1576
01:07:26,240 --> 01:07:27,040
Speaker 1: at the statement, you.

1577
01:07:27,040 --> 01:07:29,280
Speaker 2: Like, God got to pay that ship?

1578
01:07:29,320 --> 01:07:31,400
Speaker 1: Fuck? Sorry whatever?

1579
01:07:31,560 --> 01:07:34,320
Speaker 2: Well what I answered it? Are y'all kicking your kids out?

1580
01:07:35,320 --> 01:07:38,040
Speaker 1: Nah? My son? Maybe my daughter, my daughter could live

1581
01:07:38,040 --> 01:07:39,600
Speaker 1: with music, I'm not thinking, so we kind of let

1582
01:07:39,640 --> 01:07:42,360
Speaker 1: our people ride for a while, you know.

1583
01:07:42,920 --> 01:07:44,880
Speaker 5: Oh yeah, y'all have three generations in the same house.

1584
01:07:45,240 --> 01:07:48,040
Speaker 1: Yeah yeah, yeah, go to your house. Yeah, I go

1585
01:07:48,040 --> 01:07:51,000
Speaker 1: to your house. Grandma be sleeping on the couch with

1586
01:07:51,080 --> 01:07:53,240
Speaker 1: the house house dressed on. All day, we just just

1587
01:07:53,280 --> 01:07:55,080
Speaker 1: playing two K while Grandma on the couch sleep.

1588
01:07:55,920 --> 01:07:56,120
Speaker 2: Yeah.

1589
01:07:57,320 --> 01:07:59,320
Speaker 1: Why y'all don't put grand granny in a home or

1590
01:07:59,360 --> 01:08:01,520
Speaker 1: something like now, don't definitely don't believe in that shit.

1591
01:08:01,680 --> 01:08:05,240
Speaker 3: I think I think that that's very beautiful because Hispanic

1592
01:08:05,240 --> 01:08:08,760
Speaker 3: cultures and Asian cultures are like that too, where they're

1593
01:08:08,840 --> 01:08:14,040
Speaker 3: very family oriented, like like, because you want the lessons

1594
01:08:14,040 --> 01:08:17,000
Speaker 3: that the grandparents know, you're supposed to pass those on

1595
01:08:17,080 --> 01:08:17,960
Speaker 3: to generations.

1596
01:08:17,960 --> 01:08:20,000
Speaker 2: Those least I was jealous of.

1597
01:08:21,240 --> 01:08:22,800
Speaker 1: I grew up with a bunch of Spanish people. They

1598
01:08:22,880 --> 01:08:26,040
Speaker 1: just be using Grandma to babysit exactly. She always home.

1599
01:08:26,120 --> 01:08:27,760
Speaker 1: She ain't got to go to where she cooked like

1600
01:08:27,840 --> 01:08:29,679
Speaker 1: my homeboys. We used to be outside all day playing.

1601
01:08:29,680 --> 01:08:30,920
Speaker 1: As soon as we get like, I'll go back to

1602
01:08:30,960 --> 01:08:33,280
Speaker 1: the homie croit. Grandma in the kitchen whipping up a

1603
01:08:33,360 --> 01:08:36,720
Speaker 1: whole buffet. You hate them, I see why Granny still

1604
01:08:36,840 --> 01:08:39,599
Speaker 1: y'all niggas just got Granny and head cooking and fucking watching.

1605
01:08:40,120 --> 01:08:41,479
Speaker 5: Likes to cook, but Granny likes that.

1606
01:08:41,520 --> 01:08:43,200
Speaker 1: Oh no, she loves it, Yes, he loves it.

1607
01:08:43,600 --> 01:08:45,880
Speaker 2: I was jealous. I was jealous of how my dad

1608
01:08:45,920 --> 01:08:47,680
Speaker 2: grew up. Not the location he grew up in, but

1609
01:08:48,120 --> 01:08:50,479
Speaker 2: in Noyrk. They had like those the three floor joints

1610
01:08:50,560 --> 01:08:54,439
Speaker 2: where it's three different apartments. They lived him, his brother's sisters, Mom,

1611
01:08:54,560 --> 01:08:56,720
Speaker 2: dad lived on the first floor, his grandparents lived on

1612
01:08:56,720 --> 01:08:58,280
Speaker 2: the second floor, and there was aunts and uncle's on

1613
01:08:58,320 --> 01:09:01,599
Speaker 2: the third and there was just one big fucking Irish

1614
01:09:01,640 --> 01:09:04,639
Speaker 2: pharaoh house that and like it was. I just thought

1615
01:09:04,640 --> 01:09:06,519
Speaker 2: that was dope that like a whole family could live

1616
01:09:07,400 --> 01:09:08,280
Speaker 2: in one house like that.

1617
01:09:08,320 --> 01:09:09,479
Speaker 1: I didn't know you had a house Apharao.

1618
01:09:09,800 --> 01:09:10,240
Speaker 2: Yes, house.

1619
01:09:12,160 --> 01:09:14,160
Speaker 3: My grandmother's house was like that where there I had

1620
01:09:14,200 --> 01:09:15,920
Speaker 3: aunts and stuff that lived with my grandmother. We had

1621
01:09:15,920 --> 01:09:18,880
Speaker 3: soul full Sunday every Sunday. And then I just moved out.

1622
01:09:18,880 --> 01:09:21,519
Speaker 3: The only reason why I moved out of my house

1623
01:09:21,640 --> 01:09:24,200
Speaker 3: my parents' house, was because I got this job and

1624
01:09:24,240 --> 01:09:25,680
Speaker 3: had to come to New York. I would have still

1625
01:09:25,720 --> 01:09:28,000
Speaker 3: been living with my parents now. Granted I'd moved out

1626
01:09:28,040 --> 01:09:30,280
Speaker 3: and moved in with boyfriends and things like that. But

1627
01:09:30,880 --> 01:09:34,160
Speaker 3: as far as rushing to go pay rent parents house.

1628
01:09:34,680 --> 01:09:38,040
Speaker 1: Sure did put your hand on your head like that was.

1629
01:09:39,800 --> 01:09:42,080
Speaker 3: I didn't say it was fly. It wasn't done in

1630
01:09:42,080 --> 01:09:44,040
Speaker 3: a disrespectful way. They didn't know that.

1631
01:09:44,120 --> 01:09:46,599
Speaker 1: It's quiet and using it getting your ship blown out.

1632
01:09:46,600 --> 01:09:48,360
Speaker 5: The house is big enough where they didn't hear me.

1633
01:09:50,000 --> 01:09:50,519
Speaker 5: Excuse me.

1634
01:09:50,600 --> 01:09:52,640
Speaker 1: You put your head under the pillow. Yo, he was

1635
01:09:52,680 --> 01:09:57,360
Speaker 1: moaning in the pillow. But a cock in ther mouth.

1636
01:10:00,840 --> 01:10:03,240
Speaker 1: It wasn't a so I'll show you the silence wasn't

1637
01:10:03,640 --> 01:10:07,120
Speaker 1: that was flesh was not caught. And I can guarantee

1638
01:10:07,160 --> 01:10:11,400
Speaker 1: you that my point was your my bad baby.

1639
01:10:12,040 --> 01:10:14,800
Speaker 2: What was I was trying to figure out the I

1640
01:10:14,800 --> 01:10:15,280
Speaker 2: think about it.

1641
01:10:15,280 --> 01:10:17,880
Speaker 7: What was the point you just fucking in your parents out?

1642
01:10:18,360 --> 01:10:20,920
Speaker 1: I didn't and Mareline like, he's not fucking and did

1643
01:10:20,960 --> 01:10:23,200
Speaker 1: I fuck in my mom's house? I did my best,

1644
01:10:23,200 --> 01:10:28,040
Speaker 1: fucking thank you. I haven't fucked like that your parents. No, no, no, no,

1645
01:10:29,400 --> 01:10:31,800
Speaker 1: I'm black. I don't play with black black mothers like that.

1646
01:10:31,880 --> 01:10:34,880
Speaker 1: Black mothers they not going for that. Demaras has the

1647
01:10:34,920 --> 01:10:36,679
Speaker 1: marriage is a hoochie, mamma. You know she was fucking

1648
01:10:37,120 --> 01:10:40,040
Speaker 1: bed and you probably only fucked your mom's bed because

1649
01:10:40,040 --> 01:10:41,439
Speaker 1: you wash clothes and put them on your bed and

1650
01:10:41,479 --> 01:10:42,439
Speaker 1: didn't want to like fold them.

1651
01:10:42,479 --> 01:10:44,599
Speaker 2: I was gonna say, was it necessity or like forh thrill?

1652
01:10:46,160 --> 01:10:46,559
Speaker 5: I had?

1653
01:10:47,000 --> 01:10:47,439
Speaker 1: I had?

1654
01:10:47,840 --> 01:10:50,040
Speaker 3: I had a full sized bed and my mother had

1655
01:10:50,040 --> 01:10:51,040
Speaker 3: a king sized bed.

1656
01:10:51,120 --> 01:10:53,000
Speaker 1: Oh, you wanted to roll them around. You wanted to

1657
01:10:53,000 --> 01:10:58,400
Speaker 1: get tossed around like you was like, oh my god,

1658
01:10:58,439 --> 01:11:04,320
Speaker 1: I gotta get a king size Alright, serious question time.

1659
01:11:04,360 --> 01:11:06,799
Speaker 1: You have a walking on your parents, Let's make it uncomfortable.

1660
01:11:06,800 --> 01:11:10,080
Speaker 1: I don't make trauma traumatic. Talk about it. I don't

1661
01:11:09,920 --> 01:11:12,000
Speaker 1: be your pain, your sound journey, right.

1662
01:11:13,840 --> 01:11:13,960
Speaker 4: Yo.

1663
01:11:14,040 --> 01:11:16,880
Speaker 1: Your parents fucking in your bed is creepy.

1664
01:11:16,840 --> 01:11:18,840
Speaker 2: By the way, for the same reason Demerius did it

1665
01:11:18,880 --> 01:11:19,360
Speaker 2: for a thrill.

1666
01:11:20,520 --> 01:11:21,559
Speaker 4: Leave your door open, honey.

1667
01:11:21,560 --> 01:11:23,479
Speaker 1: No, but your dad get mad. Is too small?

1668
01:11:23,720 --> 01:11:25,519
Speaker 2: You know he wanted to challenge himself today. He's like,

1669
01:11:25,560 --> 01:11:28,000
Speaker 2: I'm too I got too comfortable with the king. Let

1670
01:11:28,000 --> 01:11:29,280
Speaker 2: me get back to basics.

1671
01:11:28,960 --> 01:11:30,240
Speaker 1: Full, Let me get back to the full. Let me

1672
01:11:30,280 --> 01:11:30,960
Speaker 1: humble myself.

1673
01:11:32,520 --> 01:11:34,960
Speaker 7: He's like, college, we've gotten too comfortable.

1674
01:11:36,520 --> 01:11:37,519
Speaker 1: Let's humble ourselves.

1675
01:11:37,560 --> 01:11:45,080
Speaker 2: Betty, Betty, that's not demerous. Mother's day. What position with ann?

1676
01:11:46,720 --> 01:11:49,560
Speaker 1: How old are you demeris you know she screamed to

1677
01:11:49,600 --> 01:11:51,320
Speaker 1: drop the juice or whatever she had to hand and ran.

1678
01:11:51,840 --> 01:11:53,479
Speaker 1: You know she didn't, she didn't state there to watch.

1679
01:11:54,240 --> 01:11:54,479
Speaker 2: I was.

1680
01:11:54,720 --> 01:11:55,920
Speaker 5: I think I had to be around eight.

1681
01:11:56,240 --> 01:11:59,000
Speaker 1: Oh, my way too young. I know I might have

1682
01:11:59,080 --> 01:12:00,360
Speaker 1: know im about in the dark.

1683
01:12:00,360 --> 01:12:01,960
Speaker 3: I think it was like ten. That might have been

1684
01:12:02,000 --> 01:12:03,519
Speaker 3: around ten. Well, my parents broke up when I was

1685
01:12:03,560 --> 01:12:04,760
Speaker 3: like she eight is.

1686
01:12:04,760 --> 01:12:06,439
Speaker 1: Still an age where they could just start doing something

1687
01:12:06,479 --> 01:12:08,720
Speaker 1: to make it like they just cuddling when you're talking

1688
01:12:08,720 --> 01:12:11,000
Speaker 1: about when you like seventeen eighteen, when you know they

1689
01:12:11,040 --> 01:12:11,599
Speaker 1: in this time.

1690
01:12:11,760 --> 01:12:14,439
Speaker 2: I highly doubt my parents have fucked since I was

1691
01:12:14,960 --> 01:12:18,120
Speaker 2: ten or eleven, maybe nine. Yeah, so yeah, it was

1692
01:12:18,120 --> 01:12:20,000
Speaker 2: never something. Maybe I heard it and I blocked it up.

1693
01:12:20,040 --> 01:12:21,120
Speaker 4: How vividly do you remember?

1694
01:12:22,000 --> 01:12:24,960
Speaker 2: Maybe George Lopez a Lowrider was blocking out.

1695
01:12:25,160 --> 01:12:27,479
Speaker 1: My parents from the door.

1696
01:12:27,520 --> 01:12:29,680
Speaker 2: Maybe anytime I hear that is the trauma of trying

1697
01:12:29,720 --> 01:12:31,280
Speaker 2: to block out my parents fucking.

1698
01:12:31,520 --> 01:12:34,280
Speaker 1: Hearing George the Lowrider every time you think about your

1699
01:12:34,280 --> 01:12:37,599
Speaker 1: parents having sex, crazy no ride.

1700
01:12:38,960 --> 01:12:40,840
Speaker 2: Maybe that was actually my dad's singing and it wasn't

1701
01:12:40,880 --> 01:12:41,880
Speaker 2: even then.

1702
01:12:51,720 --> 01:12:56,000
Speaker 1: We want to say congrats to Stephen Curry on signing

1703
01:12:56,360 --> 01:12:57,160
Speaker 1: one billion dollars.

1704
01:12:57,160 --> 01:12:59,680
Speaker 2: Wait, can we talk about that munch chick and h

1705
01:13:00,720 --> 01:13:02,040
Speaker 2: that thing that went around. I don't know IF's true

1706
01:13:02,040 --> 01:13:03,320
Speaker 2: because I don't know a real business and we can

1707
01:13:03,320 --> 01:13:06,960
Speaker 2: never trust Twitter. But I saw that report that all

1708
01:13:07,000 --> 01:13:09,320
Speaker 2: of her four thousand dollars bookings she was canceling because

1709
01:13:09,320 --> 01:13:10,599
Speaker 2: she upped her shit to fifteen RAM.

1710
01:13:10,800 --> 01:13:11,000
Speaker 1: Yeah.

1711
01:13:11,200 --> 01:13:13,320
Speaker 2: Yeah, I understand knowing your worth and that this ship

1712
01:13:13,400 --> 01:13:16,320
Speaker 2: is out. I think that girl is gonna miss and

1713
01:13:16,360 --> 01:13:18,280
Speaker 2: hate herself for not taking a lot of those four

1714
01:13:18,360 --> 01:13:23,360
Speaker 2: K bookings that she turned the fuck down. Like, listen,

1715
01:13:23,400 --> 01:13:24,479
Speaker 2: you said you was gonna do it for four K.

1716
01:13:24,560 --> 01:13:27,040
Speaker 2: I know the record blew up. Take that four K.

1717
01:13:27,240 --> 01:13:29,960
Speaker 2: Listen because I'm sure it's a coming four ice spice.

1718
01:13:30,439 --> 01:13:32,240
Speaker 1: Yeah, oh listen, she's from the Bronx.

1719
01:13:32,360 --> 01:13:34,040
Speaker 2: I support her. I love the record. I'm not saying

1720
01:13:34,080 --> 01:13:34,880
Speaker 2: you can't make another one.

1721
01:13:34,920 --> 01:13:38,400
Speaker 1: I'm rooting for a supporter. But shorty, listen, go get

1722
01:13:38,400 --> 01:13:40,880
Speaker 1: them small bags to the add up. Yeah, I mean

1723
01:13:40,920 --> 01:13:42,120
Speaker 1: you don't want to. You don't want to step over

1724
01:13:42,160 --> 01:13:44,040
Speaker 1: them small bags to get a couple of big bags.

1725
01:13:44,640 --> 01:13:46,840
Speaker 1: Stack them small bags, you know what I mean. Get

1726
01:13:46,840 --> 01:13:49,639
Speaker 1: you a nice little condo or something somewhere, but don't

1727
01:13:49,640 --> 01:13:51,400
Speaker 1: step over them small bags just to get a couple

1728
01:13:51,360 --> 01:13:53,000
Speaker 1: of big bags. You don't want to take the small

1729
01:13:53,040 --> 01:13:53,479
Speaker 1: bags too.

1730
01:13:53,640 --> 01:13:55,760
Speaker 2: And on top of that, like starting out your career

1731
01:13:55,760 --> 01:13:57,519
Speaker 2: and she's young, I'm not expecting her to know this,

1732
01:13:57,640 --> 01:13:59,519
Speaker 2: and I don't know what her management situation is, so

1733
01:14:00,439 --> 01:14:03,680
Speaker 2: not judging, just just looking at what I see. You

1734
01:14:03,720 --> 01:14:06,000
Speaker 2: do want to start a reputation that you do good,

1735
01:14:06,160 --> 01:14:08,759
Speaker 2: good business, because that's why people will want to continue

1736
01:14:08,800 --> 01:14:12,240
Speaker 2: to book you, work with you, and tell their peers

1737
01:14:12,320 --> 01:14:14,719
Speaker 2: because it's still a small world in that booking place. Hey,

1738
01:14:14,880 --> 01:14:16,960
Speaker 2: she does good business. She shows up. So if you

1739
01:14:17,000 --> 01:14:18,920
Speaker 2: said you was going to go there and do that

1740
01:14:19,800 --> 01:14:23,519
Speaker 2: show or walk through for four gram, stick by your words.

1741
01:14:24,520 --> 01:14:27,240
Speaker 2: Maybe make less money, but everyone will say, hey, she

1742
01:14:27,400 --> 01:14:29,519
Speaker 2: does good business. She sticks to what she said she

1743
01:14:29,560 --> 01:14:32,960
Speaker 2: was going to do. She's liable. That four grand is

1744
01:14:33,000 --> 01:14:34,719
Speaker 2: worth it. That fits your shows.

1745
01:14:34,720 --> 01:14:37,479
Speaker 1: You already have booked on of those shows for this price.

1746
01:14:37,560 --> 01:14:39,880
Speaker 2: That was not specific to her, just artists in general,

1747
01:14:39,960 --> 01:14:42,400
Speaker 2: especially once like a record goes viral.

1748
01:14:42,640 --> 01:14:44,960
Speaker 1: Any new bookings. I understand her saying, Ahi, it's fifteen

1749
01:14:45,040 --> 01:14:47,240
Speaker 1: k now, But if these are old bookings, and then

1750
01:14:47,240 --> 01:14:49,920
Speaker 1: she's trying to raise the price on the number they

1751
01:14:49,920 --> 01:14:50,360
Speaker 1: agreed on.

1752
01:14:50,320 --> 01:14:53,040
Speaker 2: Us and listen that we all love that fat Joe

1753
01:14:53,080 --> 01:14:55,320
Speaker 2: to quote, yesterday's price is not today's price. I get

1754
01:14:55,360 --> 01:14:57,519
Speaker 2: all that, but trust me, it goes further. Once you

1755
01:14:57,560 --> 01:14:59,760
Speaker 2: start having a reputation that you do good business and

1756
01:15:00,000 --> 01:15:02,519
Speaker 2: stick to your word, people will book you more.

1757
01:15:02,760 --> 01:15:05,120
Speaker 4: Does she have other records or is just.

1758
01:15:05,120 --> 01:15:08,560
Speaker 5: She has other records they haven't popped like this one obviously.

1759
01:15:08,439 --> 01:15:11,960
Speaker 6: Saying if much records fire for fifteen bands, if they're

1760
01:15:12,000 --> 01:15:14,320
Speaker 6: just expecting her to one song, then they.

1761
01:15:14,320 --> 01:15:16,320
Speaker 1: Only there to hit one song. They don't care about

1762
01:15:16,320 --> 01:15:19,040
Speaker 1: the other songs. Yeah, they just need to get that

1763
01:15:19,120 --> 01:15:21,360
Speaker 1: one song her performing, and they could record themselves on

1764
01:15:21,400 --> 01:15:24,160
Speaker 1: TikTok while they're there. You know how that goes, you know.

1765
01:15:24,360 --> 01:15:26,880
Speaker 1: But I mean again, if she's I'm not mad at her,

1766
01:15:26,920 --> 01:15:29,680
Speaker 1: you know, raising her number, but if she has contracts

1767
01:15:30,120 --> 01:15:32,439
Speaker 1: or deals that she agreed to do for four K,

1768
01:15:32,920 --> 01:15:33,679
Speaker 1: bomb those out.

1769
01:15:33,800 --> 01:15:35,320
Speaker 2: I'm not getting in her pockets. I don't even care

1770
01:15:35,320 --> 01:15:37,479
Speaker 2: about the amount. I'm just saying. See a lot of

1771
01:15:37,520 --> 01:15:40,280
Speaker 2: young artists, especially when we were doing Polus and stuff,

1772
01:15:40,560 --> 01:15:42,400
Speaker 2: pull this type of stuff before, where they've agreed to

1773
01:15:42,400 --> 01:15:45,280
Speaker 2: something and don't do it, and that word gets around

1774
01:15:45,640 --> 01:15:47,920
Speaker 2: that just people do. And again I'm not saying she's

1775
01:15:47,960 --> 01:15:50,080
Speaker 2: doing this, but people do bad business. And it's like,

1776
01:15:50,320 --> 01:15:53,160
Speaker 2: that's not worth that amount of money to get her

1777
01:15:53,160 --> 01:15:56,080
Speaker 2: there because she's gonna make your event a fucking nightmare.

1778
01:15:56,400 --> 01:16:01,040
Speaker 1: Yeah. Shout out to Steph Curry a one billion dollar

1779
01:16:01,080 --> 01:16:02,599
Speaker 1: lifetime deal with under.

1780
01:16:02,439 --> 01:16:06,600
Speaker 7: Armor, speaking of good business, salute.

1781
01:16:06,200 --> 01:16:08,920
Speaker 1: The Steph man. I you know, I caught some flak

1782
01:16:08,960 --> 01:16:10,439
Speaker 1: on it in there for saying he's a top five

1783
01:16:10,479 --> 01:16:13,120
Speaker 1: player of all time. I think that this deal probably

1784
01:16:13,160 --> 01:16:15,760
Speaker 1: solidifies my argument. I mean, I don't know any a

1785
01:16:15,760 --> 01:16:18,160
Speaker 1: lot of players that have a one billion dollar lifetime deal.

1786
01:16:18,640 --> 01:16:21,120
Speaker 2: Well, I mean it wasn't readily available.

1787
01:16:22,680 --> 01:16:24,800
Speaker 1: It's been a billion dollars has been readily available in

1788
01:16:24,840 --> 01:16:25,679
Speaker 1: the last few years.

1789
01:16:25,920 --> 01:16:27,519
Speaker 2: Absolutely no, the last few years. I'm just saying, like,

1790
01:16:27,560 --> 01:16:29,000
Speaker 2: I don't know if like Wilt was going to get

1791
01:16:29,000 --> 01:16:31,840
Speaker 2: the billion dollar commerce contract.

1792
01:16:33,439 --> 01:16:34,280
Speaker 4: Magic's ten for.

1793
01:16:34,280 --> 01:16:37,400
Speaker 1: Ten, Wilt has I think one ring.

1794
01:16:38,720 --> 01:16:40,880
Speaker 2: Oh listen, I was not against you saying Steph Curry's

1795
01:16:40,920 --> 01:16:42,320
Speaker 2: top five. I just don't know if that amount of

1796
01:16:42,360 --> 01:16:46,080
Speaker 2: money was available for artists that could be artists of

1797
01:16:46,320 --> 01:16:48,559
Speaker 2: athletes that could be let me tell you something at

1798
01:16:48,560 --> 01:16:51,800
Speaker 2: the top type of thing and also, excuse me, two rings,

1799
01:16:51,800 --> 01:16:52,719
Speaker 2: I'm sorry, top.

1800
01:16:52,520 --> 01:16:55,680
Speaker 3: Five just be Your endorsement deals don't have anything to

1801
01:16:55,680 --> 01:16:59,400
Speaker 3: do with how good of a player you are, Like no, no,

1802
01:16:59,600 --> 01:17:01,760
Speaker 3: you can be an amazing player and get indoor Yeah,

1803
01:17:01,920 --> 01:17:02,599
Speaker 3: all right.

1804
01:17:02,880 --> 01:17:04,639
Speaker 1: It has it has a lot to do. You can't

1805
01:17:04,640 --> 01:17:05,400
Speaker 1: push product if.

1806
01:17:05,360 --> 01:17:06,960
Speaker 3: You're not a great everything, because you can be an

1807
01:17:07,000 --> 01:17:10,080
Speaker 3: extremely popular player and get endorsement.

1808
01:17:09,880 --> 01:17:12,760
Speaker 1: If you're extremely popular, because you're usually extremely good on

1809
01:17:13,120 --> 01:17:13,519
Speaker 1: what you do.

1810
01:17:13,960 --> 01:17:16,880
Speaker 2: I think what No Demarus is trying to say, thank you.

1811
01:17:17,080 --> 01:17:19,599
Speaker 2: I think that out of out of all the elite,

1812
01:17:19,680 --> 01:17:21,000
Speaker 2: out of all the elite players.

1813
01:17:21,120 --> 01:17:22,920
Speaker 1: Didn't even hear what she said. She loves this white king,

1814
01:17:24,240 --> 01:17:28,120
Speaker 1: Thank you, white King? The fuck? Thank you? The fuck

1815
01:17:28,120 --> 01:17:29,200
Speaker 1: are you thanking it for? You don't even know what

1816
01:17:29,240 --> 01:17:30,000
Speaker 1: you're about to say?

1817
01:17:30,200 --> 01:17:33,040
Speaker 2: And I'm about to change you're saying. Out of all

1818
01:17:33,040 --> 01:17:35,360
Speaker 2: the elite players, there's other factors that could get you

1819
01:17:35,400 --> 01:17:37,640
Speaker 2: more money as far as popularity. Like Iverson was an

1820
01:17:37,680 --> 01:17:40,200
Speaker 2: elite player, but he was a beloved player, so he

1821
01:17:40,320 --> 01:17:43,160
Speaker 2: was worth more money from an endorsement deal than maybe

1822
01:17:43,200 --> 01:17:44,080
Speaker 2: Tony Parker was.

1823
01:17:44,720 --> 01:17:47,920
Speaker 3: Well, Steph O'Neill as well, who isn't even playing anymore

1824
01:17:47,960 --> 01:17:50,040
Speaker 3: and still gets endorsement deals.

1825
01:17:50,520 --> 01:17:53,360
Speaker 2: Oka, it's it's based off their performance is the number

1826
01:17:53,360 --> 01:17:54,519
Speaker 2: one thing after that.

1827
01:17:54,520 --> 01:17:56,080
Speaker 1: It's a mother factors I'm gonna make I'm gonna make

1828
01:17:56,120 --> 01:17:58,040
Speaker 1: this very clear. I say this one more time for y'all.

1829
01:17:58,360 --> 01:18:03,040
Speaker 1: Steph Curry signs a one billion dollar lifetime deal. None

1830
01:18:03,080 --> 01:18:05,120
Speaker 1: of these other fucking players y'all named have signed a

1831
01:18:05,200 --> 01:18:06,639
Speaker 1: one billion dollar deal.

1832
01:18:06,680 --> 01:18:09,280
Speaker 2: Excuse me, bron is a rock boy, so technically four.

1833
01:18:14,360 --> 01:18:15,479
Speaker 1: Shout out to Steph Curry.

1834
01:18:15,479 --> 01:18:17,720
Speaker 2: And you did not turn the fen and on the

1835
01:18:17,720 --> 01:18:19,160
Speaker 2: fencey mall, shut the fuck up.

1836
01:18:19,160 --> 01:18:22,519
Speaker 1: I didn't, right, I do a podcast, I create concert

1837
01:18:22,560 --> 01:18:24,800
Speaker 1: for a living Steph Curry. Shout out to Steph Curry

1838
01:18:24,880 --> 01:18:28,400
Speaker 1: on this lifetime deal with under armour. Uh. Shout out

1839
01:18:28,439 --> 01:18:33,120
Speaker 1: to Dak Prescott. Oh no, shout out to Dak Prescott.

1840
01:18:33,840 --> 01:18:35,240
Speaker 1: He's out for six to eight weeks.

1841
01:18:35,800 --> 01:18:36,840
Speaker 2: Why would you shout him out?

1842
01:18:38,400 --> 01:18:41,479
Speaker 1: Listen, man, he needs something. The Cowboys are always fucked

1843
01:18:41,520 --> 01:18:41,960
Speaker 1: every year.

1844
01:18:42,000 --> 01:18:43,959
Speaker 7: That's why every year.

1845
01:18:43,960 --> 01:18:45,479
Speaker 2: It's it's the America's team.

1846
01:18:45,800 --> 01:18:48,240
Speaker 1: It's the Cowboys are like the Knicks of the NFL.

1847
01:18:49,080 --> 01:18:52,000
Speaker 7: No, the Knicks away from that ship, it's the same.

1848
01:18:52,240 --> 01:18:53,840
Speaker 2: I don't like the Cowboys, and I'm a Knicks fans

1849
01:18:53,840 --> 01:18:57,360
Speaker 2: and I love I think that's disrespectful to the Cowboys

1850
01:18:57,400 --> 01:19:00,679
Speaker 2: to say that they're like the Knicks and I hate

1851
01:19:00,680 --> 01:19:01,720
Speaker 2: the Cowboys.

1852
01:19:02,520 --> 01:19:06,040
Speaker 1: It's well, in all seriousness, you know, hopefully Dak Prescott

1853
01:19:06,400 --> 01:19:08,800
Speaker 1: gets better soon, but he is out right now for

1854
01:19:08,880 --> 01:19:10,880
Speaker 1: six to eight weeks after being injured in Game one.

1855
01:19:12,520 --> 01:19:13,719
Speaker 2: I love the uh and.

1856
01:19:14,040 --> 01:19:16,439
Speaker 1: I feel like the backup quarterback. Was he the backup

1857
01:19:16,520 --> 01:19:19,760
Speaker 1: quarterback they had when Dak went out last year or

1858
01:19:19,800 --> 01:19:22,920
Speaker 1: the year before. I feel like the backup quarterback played

1859
01:19:22,920 --> 01:19:25,240
Speaker 1: really well at one point. I could be wrong. I

1860
01:19:25,320 --> 01:19:27,360
Speaker 1: know nothing about football. I haven't been keeping up with

1861
01:19:27,360 --> 01:19:28,120
Speaker 1: the ship in the last year.

1862
01:19:28,280 --> 01:19:31,400
Speaker 2: About Tony Romo when Bloodsoe went down, No, no, come on, man,

1863
01:19:31,600 --> 01:19:34,639
Speaker 2: does Bloodsoe If we're going to get into football, Drew

1864
01:19:34,680 --> 01:19:36,280
Speaker 2: Bledsoe has the greatest.

1865
01:19:36,000 --> 01:19:37,479
Speaker 1: One, I guess, one of the guests. One of the

1866
01:19:37,479 --> 01:19:38,360
Speaker 1: best quarterbacks ever.

1867
01:19:38,560 --> 01:19:40,840
Speaker 2: No, he's one of the best injured quarterbacks of all times.

1868
01:19:40,840 --> 01:19:44,320
Speaker 2: Didn't birth he birthed Tom Brady and Tony Romo mm hmm.

1869
01:19:45,080 --> 01:19:46,519
Speaker 2: His injuries have changed lives.

1870
01:19:46,520 --> 01:19:48,320
Speaker 1: No, but when he was healthy in New England. That's

1871
01:19:48,439 --> 01:19:51,440
Speaker 1: I was a fan because of Drew Blessing.

1872
01:19:51,320 --> 01:19:53,240
Speaker 2: Drew Bledsoe and and Ben Coates.

1873
01:19:53,320 --> 01:19:54,840
Speaker 1: That's mm hm.

1874
01:19:54,960 --> 01:19:58,400
Speaker 2: In ninety fucking eight was like my my shit. Yeah, no,

1875
01:19:58,479 --> 01:20:00,720
Speaker 2: Bleso was great. I'm just saying he is birst Ye know,

1876
01:20:01,000 --> 01:20:03,599
Speaker 2: he's he His health is break.

1877
01:20:03,400 --> 01:20:05,080
Speaker 1: He's had some of the best understudies in the game

1878
01:20:05,160 --> 01:20:05,519
Speaker 1: for sure.

1879
01:20:06,080 --> 01:20:08,599
Speaker 6: His super Bowl ring is because of when he went

1880
01:20:08,600 --> 01:20:09,439
Speaker 6: out and Brady won.

1881
01:20:09,640 --> 01:20:12,599
Speaker 2: Mm hmm, well that's and let's not forget Brady went

1882
01:20:12,640 --> 01:20:15,240
Speaker 2: down in the playoffs and Bledsoe beat that Steelers team

1883
01:20:15,479 --> 01:20:18,360
Speaker 2: by himself to get them to the fucking Super Bowl. Yeah,

1884
01:20:18,960 --> 01:20:20,439
Speaker 2: so shout out to Drew Bloods So he would be

1885
01:20:20,439 --> 01:20:23,760
Speaker 2: a great commentator too, not like I mean he does.

1886
01:20:23,800 --> 01:20:25,639
Speaker 1: He does things here and there. He's not like an

1887
01:20:25,760 --> 01:20:28,200
Speaker 1: every week guy, but he he he makes appearances here

1888
01:20:28,240 --> 01:20:29,160
Speaker 1: and there in certain games.

1889
01:20:30,240 --> 01:20:31,280
Speaker 2: Shout out to Terry Glenn.

1890
01:20:31,680 --> 01:20:35,080
Speaker 1: The Redeemed Team documentary is on the way on Netflix,

1891
01:20:35,120 --> 01:20:37,560
Speaker 1: I believe Wait, can we still.

1892
01:20:37,320 --> 01:20:40,639
Speaker 2: Stay on Dak Prescott and that fake Jerry Jones tweet

1893
01:20:41,080 --> 01:20:41,799
Speaker 2: then went viral.

1894
01:20:42,439 --> 01:20:43,280
Speaker 1: Jery forgot about that.

1895
01:20:43,360 --> 01:20:45,400
Speaker 2: Jerry Jones tweeted, well, he didn't really tweet it, but

1896
01:20:45,479 --> 01:20:49,240
Speaker 2: Jerry Jones tweeted, if you have a Cowboys jersey and

1897
01:20:49,320 --> 01:20:52,120
Speaker 2: live in the greater Dallas area, show up to practice today.

1898
01:20:52,600 --> 01:20:54,400
Speaker 1: I thought that was amazing. Whoever came up with that

1899
01:20:54,439 --> 01:20:57,800
Speaker 1: fake tweet? That was dope. I loved it. It's you know,

1900
01:20:57,840 --> 01:20:59,880
Speaker 1: you gotta you gotta poke fund at the Cowboys because

1901
01:21:00,280 --> 01:21:03,439
Speaker 1: it's just they they suffered so much heartbreak every single year.

1902
01:21:03,520 --> 01:21:06,280
Speaker 2: Do you think do you think Mark Wahlberg show up?

1903
01:21:06,800 --> 01:21:09,000
Speaker 1: I don't know who will show up, but it'll be

1904
01:21:09,000 --> 01:21:11,519
Speaker 1: fun to have. I think that's great pr to just

1905
01:21:11,560 --> 01:21:14,240
Speaker 1: have an open tryout and just you know, film it.

1906
01:21:14,800 --> 01:21:16,479
Speaker 1: I don't think let's see who shows up.

1907
01:21:16,560 --> 01:21:18,599
Speaker 2: How do you think the Eagles feeling their their legacy?

1908
01:21:18,600 --> 01:21:21,240
Speaker 2: They're just some guy from the bar just showed up

1909
01:21:21,240 --> 01:21:23,679
Speaker 2: and made an impact on their.

1910
01:21:23,800 --> 01:21:24,360
Speaker 1: Help the team.

1911
01:21:24,880 --> 01:21:26,760
Speaker 7: That's a great story the Impact Award.

1912
01:21:26,600 --> 01:21:28,040
Speaker 1: Because you know, you know a lot of guys at

1913
01:21:28,080 --> 01:21:29,720
Speaker 1: the bar, you know, they see a guy drop a past,

1914
01:21:29,840 --> 01:21:31,680
Speaker 1: like how the funk I could catch that? Yeah, So

1915
01:21:31,720 --> 01:21:33,479
Speaker 1: now I was like, can you here's your chance?

1916
01:21:33,560 --> 01:21:34,559
Speaker 2: Mark Warburg can.

1917
01:21:34,400 --> 01:21:37,040
Speaker 1: Go out there and do it. That was that invincible

1918
01:21:37,360 --> 01:21:45,799
Speaker 1: But Mark Warburg good movie hilarious movie, Invincible or Rudy as.

1919
01:21:45,640 --> 01:21:49,200
Speaker 2: Far as like a better, sittier movie.

1920
01:21:50,160 --> 01:21:51,360
Speaker 1: Rudy wasn't a shitty movie.

1921
01:21:51,400 --> 01:21:55,640
Speaker 2: No, it wasn't. It's just a it's a he got in.

1922
01:21:58,040 --> 01:21:59,559
Speaker 1: He wasn't happy that he got in the game. How

1923
01:21:59,640 --> 01:21:59,960
Speaker 1: was it a ship.

1924
01:22:00,439 --> 01:22:03,120
Speaker 2: It's a story of celebrating mediocrity.

1925
01:22:04,800 --> 01:22:08,240
Speaker 1: It's given the little guys a chance. For Roy, that's

1926
01:22:08,280 --> 01:22:12,559
Speaker 1: what it's about. You cried during Rudy, No, he Rory

1927
01:22:12,640 --> 01:22:13,400
Speaker 1: definitely cried during.

1928
01:22:13,760 --> 01:22:19,680
Speaker 2: The Departed, cried during the Departy, definitely cried to this day.

1929
01:22:19,720 --> 01:22:22,280
Speaker 2: You could throw the Departed and I might cry crying

1930
01:22:22,320 --> 01:22:25,400
Speaker 2: for the departed. I mean, listen, man, all he was

1931
01:22:25,400 --> 01:22:26,799
Speaker 2: trying to do is make a difference.

1932
01:22:27,600 --> 01:22:30,840
Speaker 1: That's what Rudy was trying to do for the little

1933
01:22:30,840 --> 01:22:32,600
Speaker 1: guys in the community. Okay, but we never played for

1934
01:22:32,680 --> 01:22:33,439
Speaker 1: Notre Dame too.

1935
01:22:35,000 --> 01:22:37,160
Speaker 2: Nah, you can kind of charm your way, and you

1936
01:22:37,160 --> 01:22:39,519
Speaker 2: can guilt trip a new coach into letting you put

1937
01:22:39,520 --> 01:22:41,680
Speaker 2: the uniform on because your dumb ass wanted to run

1938
01:22:41,720 --> 01:22:44,439
Speaker 2: into people. No one told you do that, all right,

1939
01:22:44,560 --> 01:22:47,000
Speaker 2: him getting into Notre Dame, I thought, was ill, now

1940
01:22:47,040 --> 01:22:48,960
Speaker 2: go get your degree, because we didn't get Rudy too.

1941
01:22:48,960 --> 01:22:50,160
Speaker 2: Did he do anything with a degree?

1942
01:22:50,240 --> 01:22:50,720
Speaker 1: Yah, you can't.

1943
01:22:50,960 --> 01:22:53,160
Speaker 2: Obviously he wasn't gonna go to the league because he couldn't.

1944
01:22:52,840 --> 01:22:54,680
Speaker 1: Even fron Like, you didn't cry when he got the

1945
01:22:54,760 --> 01:22:56,400
Speaker 1: sacked though, when he sacked the quarterback.

1946
01:22:56,479 --> 01:22:57,280
Speaker 2: That was not true.

1947
01:22:58,160 --> 01:23:01,000
Speaker 1: I mean in the movie you didn't cry. He definitely cried.

1948
01:23:01,040 --> 01:23:05,400
Speaker 2: He's so little. Okay, Mo, you played sports right, Yes,

1949
01:23:05,479 --> 01:23:09,080
Speaker 2: I did? You know, Like, especially when you're not gonna

1950
01:23:09,080 --> 01:23:11,599
Speaker 2: make playoffs are like the next ship and it's a blowout.

1951
01:23:12,160 --> 01:23:16,120
Speaker 2: Everyone starts to relax a bit. Yeah, that sack has

1952
01:23:16,120 --> 01:23:16,679
Speaker 2: an asterisk?

1953
01:23:17,080 --> 01:23:18,599
Speaker 1: Who does that?

1954
01:23:18,600 --> 01:23:21,920
Speaker 2: That gap was open, but the game was over, Like

1955
01:23:22,960 --> 01:23:25,840
Speaker 2: Rudy went through the a gap untouched, Like, I'm not

1956
01:23:25,840 --> 01:23:26,600
Speaker 2: about to celebrate this.

1957
01:23:26,960 --> 01:23:28,439
Speaker 1: You hate No, rude, I'm not gonna let you do that.

1958
01:23:31,240 --> 01:23:35,759
Speaker 1: The Redeem Team documentary is coming on Paul's That sounds crazy.

1959
01:23:35,960 --> 01:23:38,960
Speaker 1: Roteam Deemed documentary is coming to Netflix.

1960
01:23:39,520 --> 01:23:41,280
Speaker 2: The whole Redeem Team definitely came on something.

1961
01:23:41,640 --> 01:23:43,920
Speaker 1: Oh absolutely, we know what the redeem was about.

1962
01:23:44,720 --> 01:23:44,880
Speaker 4: Uh.

1963
01:23:44,920 --> 01:23:47,040
Speaker 1: The untold story of one of the greatest comebacks in

1964
01:23:47,040 --> 01:23:50,839
Speaker 1: sports history, led by Kobe Bryant, Dwayne Wade, Lebron James

1965
01:23:51,280 --> 01:23:54,559
Speaker 1: believe Dwight Howard was on that team Tamelo Anthony.

1966
01:23:55,000 --> 01:23:56,280
Speaker 2: That was such a funny year to watch.

1967
01:23:56,960 --> 01:23:58,960
Speaker 1: Yeah, that was This is gonna be fun to watch.

1968
01:23:59,240 --> 01:24:01,160
Speaker 1: It's gonna be fun to watch. It's gonna be good

1969
01:24:01,160 --> 01:24:04,000
Speaker 1: to see Kobe in those moments with the with the

1970
01:24:04,040 --> 01:24:05,920
Speaker 1: younger guys, the younger stars.

1971
01:24:05,960 --> 01:24:08,920
Speaker 2: A veteran Vince Carter, well, I mean ship just about

1972
01:24:08,960 --> 01:24:10,800
Speaker 2: his career. He was a veteran but still had twenty

1973
01:24:10,880 --> 01:24:11,360
Speaker 2: years left.

1974
01:24:11,720 --> 01:24:13,880
Speaker 1: Vince Carter is one of the most underrated players, I believe,

1975
01:24:14,280 --> 01:24:17,000
Speaker 1: the favorite players because everybody just when they think of Vince,

1976
01:24:17,000 --> 01:24:19,280
Speaker 1: they just think of Duncan and you know, he was

1977
01:24:19,280 --> 01:24:20,320
Speaker 1: a high jumper.

1978
01:24:20,000 --> 01:24:22,400
Speaker 2: And he's still well no, I'm sure Steph Curry broke it,

1979
01:24:22,560 --> 01:24:26,800
Speaker 2: but he had the three point playoff record like he was.

1980
01:24:26,920 --> 01:24:31,360
Speaker 1: Like, Vince Carter is one of the most underrated, most

1981
01:24:31,439 --> 01:24:34,920
Speaker 1: underappreciated players I think ever, and so because you know,

1982
01:24:34,920 --> 01:24:36,800
Speaker 1: people just think of him being a high jumper. He

1983
01:24:36,880 --> 01:24:39,120
Speaker 1: had a complete game when he was in Toronto, even

1984
01:24:39,160 --> 01:24:41,040
Speaker 1: at a lot of the years with the nets, like,

1985
01:24:41,400 --> 01:24:44,920
Speaker 1: he had a complete complete game, could shoot it, could

1986
01:24:44,920 --> 01:24:50,080
Speaker 1: handle the ball, pass defended pretty well. So, yeah, man,

1987
01:24:50,080 --> 01:24:51,680
Speaker 1: shout out to this Redeem Team. I'm looking forward to

1988
01:24:51,680 --> 01:24:52,559
Speaker 1: seeing this documentary.

1989
01:24:52,680 --> 01:24:56,400
Speaker 4: Vince is why the One brand took off again.

1990
01:24:56,840 --> 01:25:00,559
Speaker 6: Barbary, Vince Wollman the Dunk Contest, wore him in the

1991
01:25:00,720 --> 01:25:02,800
Speaker 6: Iconic Contest and in a dunk contest, and.

1992
01:25:02,720 --> 01:25:05,439
Speaker 1: He wasn't even signed to and One he just he

1993
01:25:05,560 --> 01:25:06,160
Speaker 1: just won't. Yeah.

1994
01:25:06,200 --> 01:25:08,400
Speaker 2: I was kind of upset speaking of that and One

1995
01:25:08,520 --> 01:25:11,439
Speaker 2: documentary that they didn't come back to what Steph did

1996
01:25:11,960 --> 01:25:13,840
Speaker 2: for all the public schools in New York City and

1997
01:25:13,920 --> 01:25:17,080
Speaker 2: gave them then one Steph sneaker to all the high

1998
01:25:17,080 --> 01:25:18,160
Speaker 2: school basketball players.

1999
01:25:18,600 --> 01:25:20,000
Speaker 1: I thought that was signed and one.

2000
01:25:20,040 --> 01:25:23,040
Speaker 2: At one point Stephan Marbury.

2001
01:25:22,720 --> 01:25:26,280
Speaker 1: Oh, Steph, I thought you met Steph Curry. Step I'm

2002
01:25:26,280 --> 01:25:26,880
Speaker 1: thinking about Steph.

2003
01:25:26,960 --> 01:25:28,519
Speaker 2: That's the first Steph to me. I don't think I

2004
01:25:28,600 --> 01:25:29,559
Speaker 2: know Steph is Steph Curry.

2005
01:25:29,600 --> 01:25:32,160
Speaker 1: But yeah, but when you saw Steph and right now

2006
01:25:32,200 --> 01:25:33,160
Speaker 1: I'm thinking Steph Fair.

2007
01:25:33,400 --> 01:25:35,200
Speaker 2: We were talking about the and One ship. Yeah, that

2008
01:25:35,240 --> 01:25:36,680
Speaker 2: was another thing I thought they left out of the

2009
01:25:36,720 --> 01:25:39,799
Speaker 2: N one part that I think speaks highly of that brand.

2010
01:25:40,120 --> 01:25:41,160
Speaker 4: They did Escalate Dirty.

2011
01:25:42,200 --> 01:25:43,880
Speaker 2: We spoke about it on the pod. I can't believe

2012
01:25:43,920 --> 01:25:47,040
Speaker 2: that they didn't even bring Escalate into it. But you

2013
01:25:47,040 --> 01:25:49,160
Speaker 2: know rest in peace to escalate. Yeah, I want to

2014
01:25:49,160 --> 01:25:51,120
Speaker 2: have a on this podcast.

2015
01:25:52,200 --> 01:25:54,800
Speaker 1: Yeah we can hit Ao up. See if you'll come

2016
01:25:54,800 --> 01:25:57,240
Speaker 1: sit down and kick he will bump as. Niggain't doing nothing.

2017
01:25:58,000 --> 01:25:59,760
Speaker 1: Now that's my niggas, that's my.

2018
01:26:00,040 --> 01:26:02,839
Speaker 2: Can we get problematic? Yo, though I don't want media

2019
01:26:03,280 --> 01:26:04,800
Speaker 2: post doc, I don't I don't want.

2020
01:26:04,800 --> 01:26:05,040
Speaker 1: I don't know.

2021
01:26:05,080 --> 01:26:05,840
Speaker 2: I want problematic.

2022
01:26:06,080 --> 01:26:08,280
Speaker 1: I don't know which Ale would get, but I'll text

2023
01:26:08,360 --> 01:26:10,360
Speaker 1: him and ask him, you know, if he's gonna if

2024
01:26:10,360 --> 01:26:12,479
Speaker 1: he's gonna come kick it with us and be politically correct,

2025
01:26:12,560 --> 01:26:14,479
Speaker 1: or if he gonna talk shit, he will talking. She

2026
01:26:14,560 --> 01:26:15,400
Speaker 1: did not text messages.

2027
01:26:15,479 --> 01:26:17,400
Speaker 2: It would be a funny sketch or like some type

2028
01:26:17,439 --> 01:26:22,320
Speaker 2: of thing we could do if me and Ao like go,

2029
01:26:22,439 --> 01:26:24,760
Speaker 2: I don't do like a basketball signing or something, and

2030
01:26:24,800 --> 01:26:27,040
Speaker 2: I just pretend to be the professor, Like Ao and

2031
01:26:27,080 --> 01:26:29,120
Speaker 2: I go out at some point and I can just

2032
01:26:29,200 --> 01:26:30,160
Speaker 2: dress as the professor.

2033
01:26:30,880 --> 01:26:32,760
Speaker 1: You're gonna have the professor send you a letter saying

2034
01:26:32,760 --> 01:26:33,640
Speaker 1: that you owe him money, y.

2035
01:26:33,720 --> 01:26:36,360
Speaker 2: Season desist or what would be even funnier, do the

2036
01:26:36,360 --> 01:26:39,400
Speaker 2: opposite of white man can't jump, Like Ao goes to

2037
01:26:39,439 --> 01:26:42,080
Speaker 2: the court and like oh ship he brought the professor

2038
01:26:42,120 --> 01:26:43,640
Speaker 2: with him, and then I get the ball and it's like,

2039
01:26:45,400 --> 01:26:46,120
Speaker 2: not the professor.

2040
01:26:46,200 --> 01:26:47,440
Speaker 1: They found out you the substitute.

2041
01:26:48,880 --> 01:26:51,120
Speaker 2: Just not yeah, I'm not the professor.

2042
01:26:50,960 --> 01:26:53,680
Speaker 1: He's the substitute. That was actually very Roger Federer has

2043
01:26:53,720 --> 01:26:56,719
Speaker 1: announced his retirement from tennis to my tennis family and beyond.

2044
01:26:56,760 --> 01:26:58,679
Speaker 1: Of all of all the gifts that tennis has given

2045
01:26:58,680 --> 01:27:00,479
Speaker 1: me over the years, the greatest without it has been

2046
01:27:00,479 --> 01:27:03,840
Speaker 1: the people I've met along the way. My friends, my competitors,

2047
01:27:04,240 --> 01:27:05,760
Speaker 1: and most of all, the fans will give the sport

2048
01:27:05,800 --> 01:27:07,479
Speaker 1: it's life. Today, I want to share some news with

2049
01:27:07,520 --> 01:27:09,200
Speaker 1: all of you. As many of you know, the past

2050
01:27:09,240 --> 01:27:10,960
Speaker 1: three years have presented me with challenges in the form

2051
01:27:11,000 --> 01:27:13,240
Speaker 1: of injuries and surgeries. I've worked hard to return the

2052
01:27:13,240 --> 01:27:16,640
Speaker 1: full competitive form, but I also know my body's capacities

2053
01:27:17,080 --> 01:27:20,160
Speaker 1: and limits, and its message to me lately has been clear.

2054
01:27:20,479 --> 01:27:22,680
Speaker 1: I am forty one years old, I have played more

2055
01:27:22,680 --> 01:27:25,360
Speaker 1: than fifteen hundred matches over twenty four years. Tennis has

2056
01:27:25,360 --> 01:27:27,679
Speaker 1: treated me more generously than I ever would have dreamt.

2057
01:27:27,840 --> 01:27:30,719
Speaker 1: And now I must recognize that my knees are fucking burning,

2058
01:27:31,400 --> 01:27:34,679
Speaker 1: my hamstrings are torn, and my toes are bleeding. Yes,

2059
01:27:34,800 --> 01:27:37,640
Speaker 1: the Laver Cup next week and London will be my

2060
01:27:37,680 --> 01:27:40,519
Speaker 1: final atp event. I will play more tennis with my

2061
01:27:40,640 --> 01:27:42,799
Speaker 1: kids once they are able to play in the future,

2062
01:27:42,800 --> 01:27:45,720
Speaker 1: of course, but just not in the Grand Slam or

2063
01:27:45,800 --> 01:27:46,200
Speaker 1: on the.

2064
01:27:46,200 --> 01:27:49,719
Speaker 2: Tour Listen retiring, I need to retire.

2065
01:27:49,880 --> 01:27:51,680
Speaker 1: Shout out to Roger Federer, one of the greatest to

2066
01:27:51,680 --> 01:27:54,880
Speaker 1: ever played the game. Just not the greatest, but one

2067
01:27:54,920 --> 01:27:57,679
Speaker 1: of the greatest. Salute to a hell of a career.

2068
01:27:58,040 --> 01:28:00,840
Speaker 7: I do like that he didn't stomp on like they

2069
01:28:01,000 --> 01:28:01,320
Speaker 7: let it.

2070
01:28:01,360 --> 01:28:03,479
Speaker 1: He let it, let it, let it go. Yeah, you

2071
01:28:03,520 --> 01:28:03,800
Speaker 1: do that.

2072
01:28:04,320 --> 01:28:07,080
Speaker 2: As much as we love he could never stop. They

2073
01:28:07,080 --> 01:28:09,320
Speaker 2: could do it on the exact same time of day,

2074
01:28:09,400 --> 01:28:09,880
Speaker 2: on the same.

2075
01:28:09,880 --> 01:28:11,240
Speaker 4: Day, fifty verny.

2076
01:28:11,560 --> 01:28:12,439
Speaker 1: Nobody would give a shit.

2077
01:28:12,600 --> 01:28:13,680
Speaker 2: I wouldn't even compare it to that.

2078
01:28:14,040 --> 01:28:16,040
Speaker 1: Luca dncs is an i legal battle with his mom

2079
01:28:17,120 --> 01:28:21,120
Speaker 1: over the rights to his name. She gave birth to him,

2080
01:28:21,120 --> 01:28:24,679
Speaker 1: so she feels like she owns him forever. Luca daunchions

2081
01:28:24,720 --> 01:28:25,679
Speaker 1: in the legal battle his mom.

2082
01:28:25,800 --> 01:28:26,960
Speaker 2: This feels like the Marshall Badow.

2083
01:28:27,080 --> 01:28:30,120
Speaker 1: Don't give up his trademark, Luca doncic seven. He can't

2084
01:28:30,160 --> 01:28:33,360
Speaker 1: start his own trademark because she currently has one under

2085
01:28:33,800 --> 01:28:39,120
Speaker 1: his name. Is that Luca's mom. She's bad, Oh she's hot.

2086
01:28:40,080 --> 01:28:43,120
Speaker 1: I don't know and much about this, so I can't speaking.

2087
01:28:43,200 --> 01:28:45,799
Speaker 1: It's kind of weird that your mom owns the trademark

2088
01:28:45,840 --> 01:28:48,360
Speaker 1: to your name. I mean, she's your mom, so obviously

2089
01:28:48,439 --> 01:28:51,280
Speaker 1: she you know, she'll always be that she gave birth

2090
01:28:51,320 --> 01:28:54,080
Speaker 1: to you, But I don't. Legally owning the trademark to

2091
01:28:54,160 --> 01:28:55,240
Speaker 1: my name is kind of weird.

2092
01:28:55,479 --> 01:28:58,559
Speaker 2: Can someone find a video of Luca like walking into

2093
01:28:58,640 --> 01:29:01,320
Speaker 2: the arena, you know, athletes have the headphones on and shit,

2094
01:29:01,439 --> 01:29:08,800
Speaker 2: and just put cleaning out my closet behind it, you know,

2095
01:29:08,920 --> 01:29:11,679
Speaker 2: Luca goes crazy to the Marshall Matters LP before a game.

2096
01:29:12,840 --> 01:29:14,920
Speaker 1: Luca don't even We probably don't even know who Eminem is.

2097
01:29:15,000 --> 01:29:17,000
Speaker 1: That's the funny shit. He's young. We'll all just look

2098
01:29:17,040 --> 01:29:17,639
Speaker 1: at twenty two.

2099
01:29:18,200 --> 01:29:22,160
Speaker 2: Yeah, but you know overseas, Eminem is like the biggest.

2100
01:29:21,840 --> 01:29:28,160
Speaker 1: Rapper ever twenty three. He's gonna make a lot of money. Yeah, man,

2101
01:29:28,600 --> 01:29:31,479
Speaker 1: Tickets are on sale now. We're in Chicago this weekend.

2102
01:29:33,200 --> 01:29:36,160
Speaker 1: We'll be in DC next weekend at the Howard Theater.

2103
01:29:36,439 --> 01:29:41,400
Speaker 1: Yes there, get your tickets now. At New roryinmall dot com,

2104
01:29:42,200 --> 01:29:45,240
Speaker 1: we announced that we have a podcast opening for us

2105
01:29:45,320 --> 01:29:48,000
Speaker 1: in Chicago. Do we know the name of the podcast?

2106
01:29:48,880 --> 01:29:50,479
Speaker 1: Not yet? Okay, do we know the name of it.

2107
01:29:50,560 --> 01:29:52,280
Speaker 1: Obviously we don't know the name of the podcast in DC,

2108
01:29:52,439 --> 01:29:54,280
Speaker 1: but we will be looking for a lot of podcasts

2109
01:29:54,760 --> 01:29:58,479
Speaker 1: in each city to come on stage, open up for us. Pause,

2110
01:29:59,120 --> 01:29:59,640
Speaker 1: do what you do?

2111
01:30:00,040 --> 01:30:00,800
Speaker 2: Mm hmm oh.

2112
01:30:00,880 --> 01:30:02,600
Speaker 1: We just want to you know, here with the with

2113
01:30:02,880 --> 01:30:05,160
Speaker 1: these other podcasts and these in these cities are doing.

2114
01:30:05,360 --> 01:30:06,920
Speaker 1: Just give some love and some light to these other

2115
01:30:07,000 --> 01:30:07,679
Speaker 1: other platforms.

2116
01:30:07,800 --> 01:30:09,439
Speaker 2: But by the time you guys hear this, I think

2117
01:30:09,479 --> 01:30:12,519
Speaker 2: our Chicago one will be confirmed. But Washington, d C.

2118
01:30:12,640 --> 01:30:14,759
Speaker 2: If you have a podcast, if you like a podcast

2119
01:30:14,800 --> 01:30:16,760
Speaker 2: in DC, if your friend is a podcast, let us know.

2120
01:30:17,640 --> 01:30:19,519
Speaker 2: Spread the word. We are looking for an opener in

2121
01:30:19,640 --> 01:30:21,400
Speaker 2: d C and for the remainder of the tour, but

2122
01:30:21,479 --> 01:30:23,720
Speaker 2: for now let's focus on DC. If you send us

2123
01:30:23,760 --> 01:30:25,760
Speaker 2: a bunch of shit for Seattle, we're not going to

2124
01:30:25,840 --> 01:30:29,400
Speaker 2: look at it until the week of Seattle. Spokane so spoken,

2125
01:30:29,800 --> 01:30:31,559
Speaker 2: So DC, we need an opener.

2126
01:30:32,080 --> 01:30:34,360
Speaker 1: Spokane. Somebody said it was Pokane.

2127
01:30:34,400 --> 01:30:35,080
Speaker 5: It is spoken.

2128
01:30:35,760 --> 01:30:38,479
Speaker 1: That is amazing coming from you because you you said

2129
01:30:38,520 --> 01:30:41,880
Speaker 1: booju Banton, but you know how to say Spokane. Document

2130
01:30:42,040 --> 01:30:44,400
Speaker 1: of Love with Demaratist moves The bar sometimes.

2131
01:30:44,080 --> 01:30:45,920
Speaker 3: Got of love with Yeah, you know what, I want

2132
01:30:45,920 --> 01:30:48,120
Speaker 3: to address something on this motherfucking podcast. I'm tired of

2133
01:30:48,120 --> 01:30:48,760
Speaker 3: you picking on me.

2134
01:30:50,080 --> 01:30:52,599
Speaker 1: She reading the comments, see the Wayne Kings, she said,

2135
01:30:52,600 --> 01:30:54,000
Speaker 1: thank you. Didn't even know what she was thinking them for,

2136
01:30:54,560 --> 01:30:56,080
Speaker 1: but it's black. She got a problem with me.

2137
01:30:56,280 --> 01:30:58,280
Speaker 2: You know what I'm saying, I never meant to make you.

2138
01:30:59,439 --> 01:31:03,559
Speaker 2: I loved him cleaning out my closet while we I'm sorry, Mom,

2139
01:31:03,880 --> 01:31:06,800
Speaker 2: I'm sorry. I never meant to hurt you. That's what

2140
01:31:06,840 --> 01:31:08,920
Speaker 2: you be singing in the shower. You look like when

2141
01:31:08,960 --> 01:31:12,040
Speaker 2: you get sing it just cleaning out my closet soap.

2142
01:31:13,080 --> 01:31:14,840
Speaker 1: You definitely just put the soap like you don't even

2143
01:31:14,880 --> 01:31:15,360
Speaker 1: get the rag.

2144
01:31:15,520 --> 01:31:18,479
Speaker 2: Yes, and making it more melodic is even crazier. It's

2145
01:31:18,640 --> 01:31:20,719
Speaker 2: like the aluistic version of cleaning out my closet.

2146
01:31:21,880 --> 01:31:24,080
Speaker 1: What we got to going on? Where in Chicago this weekend?

2147
01:31:24,160 --> 01:31:26,280
Speaker 1: So we know what the fuck we're doing this weekend.

2148
01:31:26,080 --> 01:31:27,840
Speaker 2: Standing in the hotel, going right to the venue, going

2149
01:31:27,840 --> 01:31:28,880
Speaker 2: back to the hotel, going home.

2150
01:31:29,240 --> 01:31:30,880
Speaker 1: They don't let the g's in the door. You're letting

2151
01:31:30,880 --> 01:31:36,000
Speaker 1: the gds into some politics that let's let the gds

2152
01:31:36,040 --> 01:31:37,680
Speaker 1: into the gds, come on out and hang out with

2153
01:31:37,800 --> 01:31:38,839
Speaker 1: us Friday in Chicago.

2154
01:31:38,960 --> 01:31:41,200
Speaker 2: Man, wait, but hold on, is that offensive? What about

2155
01:31:41,240 --> 01:31:43,880
Speaker 2: the other We don't want all of them together.

2156
01:31:43,640 --> 01:31:46,360
Speaker 1: But all the gangs come out and we'll have we'll sing,

2157
01:31:46,479 --> 01:31:49,000
Speaker 1: clean out my closet and harmony together while we hold hands.

2158
01:31:49,479 --> 01:31:51,920
Speaker 1: We'll sing to a white man's uh rendition of the

2159
01:31:52,000 --> 01:31:55,920
Speaker 1: culture as we hold hands in Chicago. But yeah, we

2160
01:31:56,000 --> 01:31:57,840
Speaker 1: look forward to seeing y'all in Chicago this weekend and

2161
01:31:58,000 --> 01:31:59,400
Speaker 1: have a lot of fun with y'alls. Good to put

2162
01:31:59,479 --> 01:32:01,760
Speaker 1: some faces to the supporters and the people that you

2163
01:32:01,840 --> 01:32:04,400
Speaker 1: know listen to us and watch us every week. Let's

2164
01:32:04,400 --> 01:32:07,720
Speaker 1: have a lot of fun. Let's be safe. Yeah, man,

2165
01:32:08,320 --> 01:32:10,479
Speaker 1: that's all I got this weekend and with you ready

2166
01:32:10,520 --> 01:32:12,479
Speaker 1: to go to Chicago and kick this fucking tour off.

2167
01:32:12,960 --> 01:32:15,840
Speaker 1: New roryaninmall dot com. Get your tickets now. Subscribe to

2168
01:32:15,880 --> 01:32:20,080
Speaker 1: our Patreon and subscribe to anything else we do. Describe

2169
01:32:20,080 --> 01:32:24,680
Speaker 1: to YouTube, subscribe to the Instagram channel. Subscribe to Themarriages

2170
01:32:24,720 --> 01:32:28,160
Speaker 1: of Feet foot channel. She's starting her foot fans Uppaid soon.

2171
01:32:29,080 --> 01:32:30,839
Speaker 1: So if you want to see piggies in a blanket

2172
01:32:31,320 --> 01:32:35,000
Speaker 1: with white polish on them. Subscribe to demarriages of foot

2173
01:32:35,040 --> 01:32:38,880
Speaker 1: fetish page at damarasbaby d dot com. We'll talk to

2174
01:32:38,920 --> 01:32:44,960
Speaker 1: you soon. Yep. I love seeing a foot fetish pages expensively. Yeah,

2175
01:32:45,000 --> 01:32:46,960
Speaker 1: we'll talk to y'all soon. Y'all be safe. I'm that nigga.

2176
01:32:46,960 --> 01:32:47,599
Speaker 1: He's just ginger.

2177
01:32:47,680 --> 01:32:47,920
Speaker 4: Peace.

2178
01:32:50,120 --> 01:32:51,040
Speaker 1: What's up y'all here doing?

2179
01:32:51,120 --> 01:32:51,479
Speaker 4: On all?

2180
01:32:52,520 --> 01:32:54,400
Speaker 1: This is the New Rory mal podcast. We are on

2181
01:32:54,560 --> 01:32:58,240
Speaker 1: tour right now. Yes, Chicago this weekend. We are at

2182
01:32:59,040 --> 01:33:03,479
Speaker 1: Thalia Hall, doth Deannaho Follier Hall. I believe in Chicago.

2183
01:33:03,680 --> 01:33:04,880
Speaker 2: Were in Chicago? Google that ship?

2184
01:33:04,960 --> 01:33:08,000
Speaker 1: Yeah, Google that ship, come out kicking with us. We

2185
01:33:08,120 --> 01:33:10,920
Speaker 1: are in DC next weekend at the Howard Theater. Yes,

2186
01:33:11,400 --> 01:33:12,960
Speaker 1: tickets are on sale now for the rest of the

2187
01:33:13,000 --> 01:33:14,800
Speaker 1: shows on the tour. We're coming to a city near

2188
01:33:14,840 --> 01:33:15,320
Speaker 1: you hopefully.

2189
01:33:15,920 --> 01:33:16,040
Speaker 4: Uh.

2190
01:33:16,320 --> 01:33:18,640
Speaker 1: Newroryenmol dot com and get your tickets now.

2191
01:33:18,840 --> 01:33:21,600
Speaker 2: I might. I might walk over to Howard Campus. Be

2192
01:33:21,720 --> 01:33:24,160
Speaker 2: the creepy old Kappa on the plot.

2193
01:33:24,560 --> 01:33:27,280
Speaker 1: Let me know how that goes. Get your tickets now,

2194
01:33:27,560 --> 01:33:30,080
Speaker 1: New roryanmaul dot com and we hope to see you soon. Peace.