WEBVTT - Behind the Screams • EP 806 0:00:00.080 --> 0:00:01.240 First of all, you don't know me. 0:00:02.240 --> 0:00:05.600 We all about that high school drama, Girl Drama, Girl, 0:00:05.680 --> 0:00:06.400 all about them. 0:00:06.360 --> 0:00:08.119 High school queens. 0:00:08.160 --> 0:00:09.399 We'll take you for a ride. 0:00:09.400 --> 0:00:12.319 And our comic girl shared for the right teams. 0:00:12.440 --> 0:00:15.880 Drama Queens, Jaylie's my girl of girl Fashion, but your 0:00:15.960 --> 0:00:17.480 tough girl, you could sit with us. 0:00:17.520 --> 0:00:21.239 Girl Drama, Queens Drama, Queens Drama, Queens Drama, drahn M 0:00:21.280 --> 0:00:24.720 Queens Drama, Queens. 0:00:23.720 --> 0:00:29.080 Okay fam It's season eight, episode six, not Afraid. It 0:00:29.120 --> 0:00:34.400 originally aired October nineteenth, twenty ten. As Halloween approaches in 0:00:34.479 --> 0:00:37.720 tree Hill, Book and Julian get an unexpected visitor, and 0:00:37.840 --> 0:00:41.760 Nathan begins a new career. Meanwhile, Clay and Quinn struggle 0:00:41.800 --> 0:00:44.239 with life back at the beach House, and Hayley and 0:00:44.320 --> 0:00:48.680 Mia host an open mic night at Trick. It was 0:00:49.000 --> 0:00:50.960 so much fun to direct this episode and it was 0:00:50.960 --> 0:00:52.519 written by Johnny Norris. 0:00:52.840 --> 0:00:55.320 Ah and Lou. 0:00:56.280 --> 0:01:00.680 I went to storage yesterday in anticipation of today. 0:01:01.080 --> 0:01:06.520 No, I still have orange hat. 0:01:06.319 --> 0:01:11.200 And I brought it home. Fascinator the tool what it is? 0:01:11.280 --> 0:01:12.800 Right, yeah, fascinator? 0:01:13.080 --> 0:01:17.119 Yes? Oh god, I just Brinstone just fell off of it. 0:01:17.120 --> 0:01:19.520 It's not in great shape, but it really does give 0:01:19.520 --> 0:01:25.760 me a giggle. I did not save the paper mache orange, 0:01:26.040 --> 0:01:29.160 but I'll never forget it. I did also pull out 0:01:29.440 --> 0:01:35.960 my directing binder that I mean still has everything. 0:01:35.840 --> 0:01:40.039 Like shotlet hopeous notes, So that makes me missdirecting. Oh 0:01:40.200 --> 0:01:43.000 I'm looking at that notebook makes me so nostalgic. 0:01:43.240 --> 0:01:46.240 I know all of like my little blocking notes on 0:01:46.319 --> 0:01:48.880 all little set photos. It was so fun to go 0:01:48.960 --> 0:01:50.280 through this, so fun. 0:01:50.680 --> 0:01:55.080 You really do keep it all. Speaking of your costume, 0:01:55.280 --> 0:01:59.520 did because there's nothing I love more than when a 0:01:59.560 --> 0:02:02.320 girl the tradition of like it's Halloween, so I'm going 0:02:02.400 --> 0:02:04.600 to be sexy. I love the fact that Brooke was 0:02:04.680 --> 0:02:08.760 just a giant orange. Yeah, did you have any input 0:02:08.760 --> 0:02:11.680 in that or was that just as scripted? 0:02:12.320 --> 0:02:15.799 Well, Carol and I had so much fun, and obviously 0:02:15.800 --> 0:02:18.880 the ideas go as a clockwork orange, and it's I 0:02:18.919 --> 0:02:20.880 sort of love that Brooke decides to do this very 0:02:20.880 --> 0:02:25.000 avant garde, high fashion version of like a Kubrick costs. 0:02:25.080 --> 0:02:27.119 Of course, it's the only way Brooke would have actually gone. 0:02:27.120 --> 0:02:30.000 It couldn't have possibly been this is something else. 0:02:30.720 --> 0:02:35.160 No, And so I remember going into wardrobe to sit 0:02:35.240 --> 0:02:37.200 with Carol and talk about all of this, and she 0:02:37.400 --> 0:02:41.360 was like, I think, let's just put you in the orange. 0:02:41.560 --> 0:02:45.760 And we we got a variety of exercise balls. 0:02:46.040 --> 0:02:48.240 Yeah. I was gonna say that's what That's what it was, right, 0:02:48.280 --> 0:02:49.880 They paper macheded exercise ball. 0:02:50.080 --> 0:02:52.280 Yeah, so we payper machee them because it had to 0:02:52.280 --> 0:02:55.080 be big enough that when we cut the headhole and 0:02:55.120 --> 0:02:58.400 then the hole for my legs, it had to cover 0:02:58.720 --> 0:03:00.960 you know, my whole body. Couldn't have slid it over 0:03:01.120 --> 0:03:05.119 you exactly. I couldn't have like half my ass hanging out. 0:03:05.160 --> 0:03:09.600 It would have been uncomfortable and also inappropriate. So we 0:03:09.800 --> 0:03:12.320 ended up I think we made one and realized it 0:03:12.360 --> 0:03:16.079 only covered like two thirds of my torso. And then 0:03:16.080 --> 0:03:19.200 we had to get a bigger exercise ball and we 0:03:19.320 --> 0:03:22.160 just sort of had to wing it and you know, 0:03:22.280 --> 0:03:24.720 wait for the paper mache to dry, and then they'd 0:03:24.760 --> 0:03:27.920 start cutting the holes and then they'd have to pop 0:03:28.000 --> 0:03:30.360 the exercise ball or deflate it to get it out. 0:03:31.160 --> 0:03:35.320 And I realize, I remember this with you, Joy, because 0:03:35.320 --> 0:03:38.000 we were figuring out you and Kate, you know, coming 0:03:38.040 --> 0:03:42.320 into trick and I was in costume directing, so I 0:03:42.320 --> 0:03:45.400 was hitting the ball and I tried to tell camera like, okay, 0:03:45.400 --> 0:03:47.760 I want to bring them in, you know, like this, 0:03:47.880 --> 0:03:49.960 and like every director does, you're doing the thing with 0:03:50.000 --> 0:03:52.960 your hands and I couldn't get my hands up because 0:03:52.960 --> 0:03:56.600 I had like t Rex arms in the little ball, 0:03:57.200 --> 0:03:58.840 so I wound up having to like, you know, take 0:03:58.880 --> 0:04:03.160 a pen and point. It was so ridiculous and just 0:04:03.240 --> 0:04:03.960 so much fun. 0:04:04.560 --> 0:04:07.840 I would have I would just love to see footage 0:04:08.080 --> 0:04:09.760 from like from a distance, so you can't hear what 0:04:09.800 --> 0:04:11.440 you're saying, but you can tell that like you're going 0:04:11.520 --> 0:04:14.360 up to an actor and giving very serious notes while 0:04:14.400 --> 0:04:19.640 wearing this giant orange costume. Everyone's taking it very very seriously. 0:04:21.200 --> 0:04:23.080 No, I remember you had such a good sense of 0:04:23.160 --> 0:04:25.160 humor about it. I remember you coming up and giving 0:04:25.160 --> 0:04:28.359 direction and it was just like I know, okay, just 0:04:28.400 --> 0:04:29.400 bear with me here. 0:04:29.680 --> 0:04:32.800 Ignore my tiny little veil, and yes. 0:04:33.240 --> 0:04:35.440 Yeah, And it was great. I mean, we were all 0:04:35.520 --> 0:04:41.200 dressed ridiculously so, but that paper mache orange reminded me 0:04:41.279 --> 0:04:45.120 so much of was yours dry completely by the time 0:04:45.160 --> 0:04:48.200 you put it on? Or were they scrambling because I 0:04:48.520 --> 0:04:51.560 when I was in I don't know, I must have 0:04:51.600 --> 0:04:53.919 been like eleven. I was in a play I did 0:04:54.120 --> 0:04:57.800 to kill a Mockingbird and at one point Scout has 0:04:57.880 --> 0:05:02.359 it it's a town festival, it's a school play or something. 0:05:02.920 --> 0:05:05.600 And I had to wear a giant Ham. And they 0:05:05.680 --> 0:05:09.560 made this huge Ham costume very much like your Orange, 0:05:10.279 --> 0:05:14.360 out of paper mache and chicken wire, but they made 0:05:14.360 --> 0:05:18.000 it too late and so the opening night I had 0:05:18.000 --> 0:05:20.080 to put it on. It was still like sticky and 0:05:20.120 --> 0:05:25.120 wet inside was going on stage in the sticky ham 0:05:25.560 --> 0:05:29.159 paper mache costume. It's pretty funny engross, but I'm glad 0:05:29.160 --> 0:05:29.800 yours was dry. 0:05:30.120 --> 0:05:32.160 I think that would have that would have really been 0:05:32.200 --> 0:05:34.359 like a hat on a hat of just wow. I 0:05:34.400 --> 0:05:39.880 am uncomfortable and trying not to feel absolutely ridiculous being 0:05:40.080 --> 0:05:43.919 theoretically in charge whilst looking like the court jester. That 0:05:43.920 --> 0:05:44.640 would have been tough. 0:05:45.200 --> 0:05:48.000 Yeah. Well you had another great costume in this too, 0:05:48.080 --> 0:05:51.760 the Zombie. The Zombie opening with the Laura Cross. 0:05:51.880 --> 0:05:58.720 Yeah, that was so much fun and my whole goal 0:05:58.800 --> 0:06:02.120 with it, particularly because I loved that they wanted to 0:06:02.160 --> 0:06:06.320 do this big sort of you know, hyper realized nightmare. 0:06:06.440 --> 0:06:10.440 But I was so glad getting the script that Johnny 0:06:10.440 --> 0:06:13.400 wrote the jokes in like Haley and Quinn arguing if 0:06:13.440 --> 0:06:17.520 they were vampires or zombies. Really for me as a director, 0:06:17.640 --> 0:06:19.520 set the tone of the whole thing, and it gave 0:06:19.560 --> 0:06:23.080 me permission to lean into the absolute camp of it 0:06:23.920 --> 0:06:26.680 and our whole goal and it was so much fun 0:06:26.680 --> 0:06:29.440 to do with Peter Kowalski, was to make it as 0:06:29.520 --> 0:06:35.600 stylized and silly. We were watching clips of, Oh, come on, 0:06:35.680 --> 0:06:39.080 what's the movie that the spoof movies that Chris Evans 0:06:39.080 --> 0:06:42.880 and Anna Faris did, Scarcy Movie, Scary Movie. We were 0:06:42.920 --> 0:06:47.279 watching clips of how absolutely ridiculous those movies were, you know, 0:06:47.360 --> 0:06:52.240 in these comedic horror homages, and we were like, that's 0:06:52.279 --> 0:06:55.400 what we want. And it was nice to see it 0:06:55.440 --> 0:06:59.360 again because, as always happens on you know, a one 0:06:59.400 --> 0:07:02.039 hour show, particularly with a cast as large as ours, 0:07:02.120 --> 0:07:07.560 you lose a lot. And there was so much that 0:07:07.640 --> 0:07:10.640 we shot for that opener that had to be cut 0:07:10.680 --> 0:07:14.400 for time, these crazy transitions and these things, and some 0:07:14.480 --> 0:07:18.240 of them made it, but in my mind I hated 0:07:18.320 --> 0:07:21.960 that opening because we were missing so much, and watching 0:07:22.000 --> 0:07:24.920 it last night, I was like, wait, this is still 0:07:25.040 --> 0:07:28.760 so funny, Like we crushed it, and the little transitions 0:07:28.800 --> 0:07:30.679 that you know, I was attached to at the time 0:07:30.920 --> 0:07:35.040 totally didn't matter, and I was cackling. And some of 0:07:35.040 --> 0:07:36.880 my friends were over for dinner last night and they 0:07:36.920 --> 0:07:39.480 watched the episode with me, and they were in like 0:07:39.720 --> 0:07:42.120 peals of laughter watching all of you guys, and I 0:07:42.160 --> 0:07:44.000 was like, Oh, this makes me feel really nice. I 0:07:44.040 --> 0:07:45.320 love it well. 0:07:45.360 --> 0:07:48.040 I thought it was incredible, and then I found myself 0:07:48.080 --> 0:07:51.640 after it was over going. I feel like during season seven, 0:07:51.720 --> 0:07:54.400 we were doing an episode and we were talking about directing, 0:07:54.920 --> 0:07:56.960 and you brought up the scene and you were talking 0:07:56.960 --> 0:08:00.000 about how it was difficult for you to watch because 0:08:00.040 --> 0:08:02.920 because you loved what you shot, and then it got 0:08:03.000 --> 0:08:05.360 chopped up and it wasn't nearly what you thought it was. 0:08:05.400 --> 0:08:07.520 And I just found myself going, that's wild, because I 0:08:07.520 --> 0:08:10.400 thought it was incredible. I loved money, it was the 0:08:10.480 --> 0:08:13.680 right blend of action and comedy. So I mean I 0:08:13.720 --> 0:08:15.480 didn't notice anything. 0:08:16.120 --> 0:08:19.240 Well, I really appreciate that. And what I think it 0:08:19.280 --> 0:08:22.840 is as a great lesson is, you know, we can 0:08:22.880 --> 0:08:27.720 get attached to things as actors, as artists, and of 0:08:27.760 --> 0:08:29.800 course we do. You know, that's our job is to 0:08:29.840 --> 0:08:31.880 be obsessed with how to tell a story, how to 0:08:31.880 --> 0:08:36.520 communicate something whatever. But it's also really nice, I think 0:08:36.600 --> 0:08:42.319 to learn to take a step back and much like writing, 0:08:42.520 --> 0:08:44.960 you have to cut things down. You have to edit, 0:08:45.480 --> 0:08:47.719 you know, an op ed or a book. You have 0:08:47.840 --> 0:08:52.640 to cut scenes to make a full story flow in 0:08:52.720 --> 0:08:56.480 the best way possible. And sometimes it's really nice to 0:08:56.520 --> 0:08:58.040 go back and look at something and be like, oh, 0:08:58.080 --> 0:09:00.880 I actually didn't I did. I didn't need that. I 0:09:00.960 --> 0:09:02.880 don't miss it. I just missed it at the time 0:09:03.000 --> 0:09:06.840 because Rob did something I loved, or you know, Joy 0:09:06.880 --> 0:09:09.000 did something really funny and I only got to keep 0:09:09.280 --> 0:09:12.200 two of the three beats I liked. But for the story, 0:09:12.240 --> 0:09:15.559 it works, and it's it's kind of a nice lesson. 0:09:16.440 --> 0:09:20.480 Always hard to kill your darlings. Yeah, often necessary. 0:09:21.559 --> 0:09:25.280 I remember doing the prosthetic for my face, and I 0:09:25.320 --> 0:09:28.040 mean it was a hole to do. And oh and 0:09:28.120 --> 0:09:31.120 then I remember on the day it was so hard 0:09:31.160 --> 0:09:35.960 for me to talk in well because it was your mouth, yes, 0:09:36.000 --> 0:09:38.720 which it plays because I'm missing half a mouth basically. 0:09:38.880 --> 0:09:41.200 But I remember actually telling you, I think, being like, 0:09:41.360 --> 0:09:43.120 if you could just like Enanci a little more so 0:09:43.120 --> 0:09:45.920 we can understand you're saying, like, I'm trying my best here, I. 0:09:47.720 --> 0:09:49.280 Can't do it. 0:09:49.280 --> 0:09:51.800 It's like you have the giant thing in at the 0:09:51.880 --> 0:09:54.959 dentist and you're like, I actually can't enunciate it because 0:09:54.960 --> 0:09:56.079 my lips can't touch. 0:09:56.520 --> 0:09:56.840 Yeah. 0:09:57.000 --> 0:10:01.920 Yeah, that's so funny. I just loved it. And it 0:10:02.040 --> 0:10:05.160 was really interesting too to be able to, you know, 0:10:05.280 --> 0:10:12.240 do the whole journey with Quinn, because every place she goes, 0:10:12.280 --> 0:10:16.720 something else ridiculous is happening. And I remember, you know, 0:10:16.840 --> 0:10:19.880 working with Chantelle on some of those things and being 0:10:19.920 --> 0:10:22.640 so excited about like, we're going to do this fast 0:10:22.800 --> 0:10:26.360 zoom into your face and I want full like iconic 0:10:26.800 --> 0:10:29.360 horror movie scream. And she was such a good sport 0:10:29.440 --> 0:10:33.320 about just really leaning into it and being able to 0:10:33.880 --> 0:10:38.440 get some of that sort of classic old Hollywood stuff 0:10:38.840 --> 0:10:42.200 in this and then also lean into the comedy. Even 0:10:42.200 --> 0:10:44.520 when we're at close over Bros. And you see Brooke 0:10:44.559 --> 0:10:47.920 and Julian in their you know, teenage mutant Ninja turtles, 0:10:48.000 --> 0:10:52.120 Laura Croft kind of be like, when Austin turns and 0:10:52.160 --> 0:10:54.640 looks at me in shock because of what she's saying. 0:10:55.000 --> 0:10:58.679 Yeah, I thought he was Buffy the vampire Slave. I 0:10:58.720 --> 0:11:00.120 thought that was your guys's motif. 0:11:01.000 --> 0:11:02.360 I guess a little bit of all of it. He 0:11:02.440 --> 0:11:07.200 was giving me Casey Jones energy. Okay, but yeah, I 0:11:07.440 --> 0:11:11.360 just everyone was so game to be ridiculous, and I 0:11:11.440 --> 0:11:12.960 loved watching. 0:11:12.559 --> 0:11:17.160 It, including the hair and makeup department, the special effects, 0:11:17.360 --> 0:11:22.200 particularly Rocky did such a great job. Rocky Falkner was 0:11:22.360 --> 0:11:25.480 our resident special effects guy who he did great beauty makeup, 0:11:25.480 --> 0:11:28.440 but he really loved special effects. And he went on 0:11:28.440 --> 0:11:31.199 to work on True Blood and he's probably I think 0:11:31.200 --> 0:11:33.000 did he do interview with the Vampire with our other 0:11:33.120 --> 0:11:36.079 with our costume designer Carol Gutshall. I know he's doing 0:11:36.160 --> 0:11:39.719 the Michelle Yo Show right now. Oh wow, I mean 0:11:39.800 --> 0:11:43.719 he's he's just doing great things. So talented, so creative, 0:11:43.800 --> 0:11:46.520 so talented. Always had great ideas, grew up watching all 0:11:46.600 --> 0:11:52.960 of those like Japanese slasher flicks like Tarantino always did, 0:11:53.040 --> 0:11:56.080 so he had a real breadth of knowledge of like 0:11:56.440 --> 0:11:59.760 the difference between realistic and silly. And when it was 0:11:59.800 --> 0:12:03.760 time to go overboard with the thing with my makeup, 0:12:03.840 --> 0:12:06.680 with the bubbling forehead, I think we had to like 0:12:07.240 --> 0:12:10.960 put a tube through my hair, right am I remembering 0:12:11.000 --> 0:12:13.960 this right? And they so I had a fake forehead 0:12:14.000 --> 0:12:16.079 and then they had a tube running through my hair 0:12:16.080 --> 0:12:17.800 and then like a little squeezy thing at the back. 0:12:17.840 --> 0:12:19.760 And I don't know if I squeezed it, or if 0:12:19.760 --> 0:12:22.360 there was somebody under the bed that was squeezing it 0:12:22.559 --> 0:12:23.800 for my shot. I don't know. 0:12:23.960 --> 0:12:25.880 Somebody did it for you because we did it as 0:12:25.920 --> 0:12:28.959 a special It was a close up and essentially it 0:12:29.000 --> 0:12:32.160 was like a yeah, the tube came through and then 0:12:32.360 --> 0:12:35.960 the the prosthetic was sealed on the edges, so it 0:12:36.080 --> 0:12:38.680 just blew and they could, yeah, they could inflate it 0:12:38.720 --> 0:12:43.640 with a little what is that, like a little rubber 0:12:43.960 --> 0:12:47.840 That's what it's called. Thank you? Yeah, And it was yeah. 0:12:47.920 --> 0:12:49.880 I mean just the things Rocky came up with were 0:12:50.000 --> 0:12:54.559 so impressive, you know, the even the contact lenses, all 0:12:54.600 --> 0:12:56.600 of it. I remember, you know, having to look at 0:12:56.600 --> 0:13:00.120 the at the VFX shot because we shot you no 0:13:00.240 --> 0:13:03.520 contacts and then contacts and we had to then do 0:13:03.960 --> 0:13:07.320 special effects to make them transition in that close up 0:13:07.360 --> 0:13:09.800 of you. And it was just such a fun thing 0:13:09.880 --> 0:13:13.920 to see a whole other element of movie making. 0:13:14.240 --> 0:13:17.679 So difficult to schedule when you've got all of us 0:13:18.280 --> 0:13:20.880 and then there's prosthetics like that, like Rob, how long 0:13:20.880 --> 0:13:24.640 did yours end? Kate's not Katie, sorry, Amanda's take? Do 0:13:24.679 --> 0:13:25.160 you remember? 0:13:25.640 --> 0:13:28.319 I don't remember. I think mine was the most involved 0:13:28.360 --> 0:13:31.040 though Amanda's was a bit more like it was a 0:13:31.080 --> 0:13:33.800 couple of small pieces and many contacts, whereas mine was 0:13:33.840 --> 0:13:36.280 it was an entire like head piece, face piece. 0:13:36.640 --> 0:13:40.000 Your whole jaw is missing. So yeah, yeah ours. 0:13:40.559 --> 0:13:44.400 Yeah, And because you especially were such a great reveal. 0:13:45.240 --> 0:13:49.400 You know, she needed to look almost normal and when 0:13:49.440 --> 0:13:52.640 you turn the face is so shocking. But I remember 0:13:52.679 --> 0:13:56.960 even little things, you know. The reveal with Nathan was 0:13:56.960 --> 0:13:59.000 that he looked normal and then you know, he pulls 0:13:59.040 --> 0:14:02.560 out his own kidney, you realize he's not. So we 0:14:02.640 --> 0:14:07.319 had to start shooting with James in regular hair and makeup, 0:14:07.440 --> 0:14:09.840 and then he had to go back to the trailer 0:14:09.920 --> 0:14:10.880 and get fully young. 0:14:11.480 --> 0:14:13.520 Yeah, you moved on to something else and then came 0:14:13.600 --> 0:14:14.960 back right, uh huh. 0:14:15.520 --> 0:14:18.840 And so it was a really complex thing for our 0:14:19.760 --> 0:14:22.600 you know, ad department to schedule. But again, just so 0:14:22.760 --> 0:14:26.400 cool because by the time you're eight years into a show, 0:14:26.760 --> 0:14:29.240 you're such a well oiled machine and everybody knows what 0:14:29.240 --> 0:14:31.080 they're doing, and you know what the company moves look 0:14:31.200 --> 0:14:33.760 like and how it is to go from location to location, 0:14:33.920 --> 0:14:37.560 and suddenly everybody had to do something different and people 0:14:37.600 --> 0:14:50.880 were really excited about it, and it was fun to see. 0:14:53.360 --> 0:14:55.920 I wish I could have been a part of the camp. 0:14:56.240 --> 0:14:59.400 The humor action part because it was mine was great. 0:14:59.400 --> 0:15:01.680 But it was so fun watching it that I felt 0:15:01.720 --> 0:15:04.200 myself I had a little foam mo just going like, oh, 0:15:05.080 --> 0:15:07.920 I want I want to be doing like outrageous you know, 0:15:08.040 --> 0:15:10.920 fighting stuff and then all been closeover bros. 0:15:11.360 --> 0:15:15.760 Yeah, I wish we had all been there, and especially 0:15:15.920 --> 0:15:19.720 just being I was giggling even little things. You know, 0:15:19.800 --> 0:15:23.600 our sound mixer. It's this big action sequence and we're 0:15:23.760 --> 0:15:26.520 we're fighting these people in the store, and Quinn's like, 0:15:26.560 --> 0:15:29.200 there's zombies and then all the sound drops out and 0:15:29.240 --> 0:15:33.880 you just are on the of the extras and then 0:15:33.920 --> 0:15:36.720 we're back in and it's like everybody was so game 0:15:36.800 --> 0:15:37.960 to have a good time with this. 0:15:38.640 --> 0:15:40.600 Yeah. It was funny too because it was at a 0:15:40.640 --> 0:15:44.560 time when, uh, the vampires were super super popular. That was, 0:15:44.560 --> 0:15:47.560 the Vampire Diaries had come out, and Twilight was really 0:15:47.600 --> 0:15:50.400 at its height of popularity, and there was a whole 0:15:50.440 --> 0:15:53.000 debate about what was next, like what the monster, the 0:15:53.000 --> 0:15:56.480 next monster popular thing was going to be, and uh, 0:15:57.080 --> 0:15:59.880 I guess zombies. Zombies took the cake. 0:16:00.760 --> 0:16:01.440 They sure did. 0:16:01.760 --> 0:16:07.520 Walking Dead was like hold my brain, how how long have. 0:16:07.520 --> 0:16:09.800 You have you been waiting to drop that joke on us? 0:16:09.960 --> 0:16:11.360 I wrote it down last night in the middle of 0:16:11.360 --> 0:16:12.800 the night, and then I couldn't go back to sleep 0:16:12.800 --> 0:16:14.160 because I was so excited about it. 0:16:15.400 --> 0:16:16.120 I love it. 0:16:17.640 --> 0:16:20.080 Oh, so many good things in this episode to get into. 0:16:21.320 --> 0:16:23.640 Can we just start with when we get back to 0:16:23.720 --> 0:16:28.120 real life and we're at the Halloween party, Mike, my 0:16:28.360 --> 0:16:30.960 first notes are, oh, my god, Lee looks so good. 0:16:31.480 --> 0:16:34.480 Like the slicked hair, and he's in the tank top. 0:16:35.040 --> 0:16:37.360 He's giving like grease lightning, and it's a. 0:16:37.440 --> 0:16:39.040 Vibe so fun. 0:16:39.560 --> 0:16:43.520 Yes, And in eight oh five he's giving serious Wall 0:16:43.560 --> 0:16:46.800 Street vibes because he's got his hair slicked back and 0:16:46.840 --> 0:16:50.240 he's wearing a suit, and uh yeah. It kind of 0:16:50.240 --> 0:16:51.680 made me realize there was there was there was a 0:16:51.760 --> 0:16:54.840 lot more that we could we could be doing with Lee. 0:16:55.800 --> 0:16:57.760 Oh yes, than we were. But it was fun to 0:16:57.760 --> 0:16:59.800 see him. Yeah, the slip back hair and the earrings 0:16:59.800 --> 0:17:04.639 and the tank top, Yeah, fake abs, the tan fun reveal, the. 0:17:05.520 --> 0:17:09.600 Yeah Lisa and the Lady Gaga costume. I died. There's 0:17:09.720 --> 0:17:12.000 just so many I forgot that I was a pregnant 0:17:12.040 --> 0:17:17.280 cheerleader hilarious. I totally forgot that. That's what I showed up, Bess. Yeah, 0:17:17.400 --> 0:17:22.400 James as or Nathan as Don Draper his dream role anyway, 0:17:22.560 --> 0:17:25.000 you know, he was obsessed with mad Men at the time. 0:17:25.880 --> 0:17:28.040 I love that Quinn missed the mark and was just 0:17:28.200 --> 0:17:31.639 super Quinn. That was great. I think she when she 0:17:31.680 --> 0:17:33.880 says it and Clay has the lineries like, I don't 0:17:33.880 --> 0:17:37.840 think that reads. Yeah, and then of course Clay is 0:17:38.000 --> 0:17:38.639 Edward Colin. 0:17:39.440 --> 0:17:40.960 That's why I said, what did read is Clay as 0:17:41.080 --> 0:17:45.960 Robert Pattinson. I mean, that was so perfect. It really 0:17:46.080 --> 0:17:47.520 it could not have been a better pick. 0:17:48.680 --> 0:17:51.840 So here's a question. I had peek behind the curtain 0:17:51.920 --> 0:17:56.200 when I lived in Wilmington, definitely season seven and maybe 0:17:56.240 --> 0:17:59.640 season eight. I at my apartment, I had a giant 0:17:59.720 --> 0:18:02.240 can bowl that I stalked. I don't know if you 0:18:02.240 --> 0:18:05.159 guys remember this. I stocked with like every kind of 0:18:05.280 --> 0:18:07.880 candy I could find its stores, and then when anyone 0:18:07.960 --> 0:18:11.439 came over, I was like, help yourself to candy, and 0:18:11.480 --> 0:18:12.840 if I didn't have what they liked, like, I'd go 0:18:12.840 --> 0:18:14.840 out and find it. That was sort of like my 0:18:14.920 --> 0:18:17.159 thing I was very proud of. So when I saw it, 0:18:17.240 --> 0:18:18.600 I just thought was fun. I should say. 0:18:18.840 --> 0:18:18.919 So. 0:18:18.960 --> 0:18:21.600 When I saw that Clay had a giant bowl of 0:18:21.680 --> 0:18:25.600 candy and then was going on about the benefits and 0:18:25.240 --> 0:18:29.120 the efficiency of a giant bowl candy, I found myself going, 0:18:30.000 --> 0:18:32.680 is this one of those moments where they're poaching from 0:18:32.720 --> 0:18:35.120 real life? It felt like it, right. 0:18:35.200 --> 0:18:40.120 Yeah, yeah, okay, yeah, so yeah, I felt. 0:18:39.920 --> 0:18:44.240 A few of those things. I mean, your your candy bowl. Also, 0:18:45.280 --> 0:18:48.360 they had you take that dig at Halloween and call 0:18:48.400 --> 0:18:50.840 it like a creepy witch something or other. 0:18:50.920 --> 0:18:51.640 What was that? 0:18:52.240 --> 0:18:56.920 Well, it's like so clearly a snarky little dig at 0:18:57.160 --> 0:19:00.560 Hillary because by now she's left and she was our 0:19:01.119 --> 0:19:04.359 queen of Halloween, and so if you guys caught it, 0:19:04.400 --> 0:19:06.920 and I and I cherished that. Chantelle was so game 0:19:07.000 --> 0:19:10.120 to do this with me. When Quinn runs in pre 0:19:10.400 --> 0:19:13.480 everyone being in their actual costumes and she's just in 0:19:13.520 --> 0:19:15.919 like the jeans and T shirt and baseball cap. We 0:19:16.040 --> 0:19:18.040 put her in a red bedroom records hat. 0:19:18.520 --> 0:19:20.240 I remember that. 0:19:20.359 --> 0:19:22.720 Carol and I were like, we have a way to 0:19:23.520 --> 0:19:26.719 respond to that joke that we're not, you know, allowed 0:19:26.720 --> 0:19:28.760 to cut. And also, Rob, you delivered the joke so 0:19:28.800 --> 0:19:32.159 well because you're such a good comedic actor, and it 0:19:32.280 --> 0:19:34.159 was really fun because we were like, oh, yeah, we'll 0:19:34.200 --> 0:19:35.800 do the things on the page, but the girlies are 0:19:35.840 --> 0:19:38.440 going to like send little love notes to the girlies too, 0:19:38.840 --> 0:19:42.880 And we all kind of were like, huh, that was. 0:19:42.880 --> 0:19:45.520 So cute, all the little callbacks, as many things as 0:19:45.560 --> 0:19:49.000 we can do to do those callbacks too to the 0:19:49.080 --> 0:19:51.960 show that you know, people fell in love with originally, 0:19:52.040 --> 0:19:54.600 the narration at the beginning, that the fact that they're 0:19:54.720 --> 0:19:58.879 still bringing like Lucas's name in. Yeah, it just it 0:19:58.920 --> 0:20:02.399 feels so good to too, to know that there's an 0:20:02.440 --> 0:20:05.480 intentionality on all sides of the camera, in front and 0:20:05.520 --> 0:20:09.800 behind to really keep that keep that nostalgia running. I 0:20:09.800 --> 0:20:11.280 love it. Mm hmmm. 0:20:12.160 --> 0:20:14.240 I thought this week's theme song was great. 0:20:14.880 --> 0:20:17.840 Yeah. Laura is a boor who plays Aaron, who is 0:20:18.000 --> 0:20:20.800 the piano player in the at the end at Trick 0:20:21.840 --> 0:20:26.359 and singer fabulous singer. Yeah, I was. This was the 0:20:26.359 --> 0:20:29.240 first theme song that I really uh that was not 0:20:29.359 --> 0:20:30.960 Gavin's that I think I actually really liked. 0:20:31.400 --> 0:20:33.520 Also, Joy, every single time there's a it's a it's 0:20:33.560 --> 0:20:35.480 a woman singing the theme song, I spend the first 0:20:35.520 --> 0:20:40.040 two seconds going, is this Joy? I'm just waiting for 0:20:40.040 --> 0:20:41.720 the week where you're doing it so every week. That's 0:20:41.720 --> 0:20:44.359 how it starts for me. But stop waiting for a 0:20:44.400 --> 0:20:48.639 small town. Tree Hill has a lot of talented musicians, 0:20:48.840 --> 0:20:51.240 because not only is Laura is aaron, Laura is a 0:20:51.280 --> 0:20:56.800 borg obviously incredible. The guy before her on a guitar. 0:20:57.840 --> 0:21:02.840 I don't know if you've clocked it, Yeah. 0:21:01.280 --> 0:21:04.560 Yeah, I wonder who that was. Maybe a local guy, 0:21:06.080 --> 0:21:06.960 I don't remember. 0:21:07.119 --> 0:21:07.840 I don't remember. 0:21:08.320 --> 0:21:10.480 You know what it is. It's since tree Hill only 0:21:10.520 --> 0:21:14.199 has one, now two bartenders. What they lack in bartenders 0:21:14.200 --> 0:21:16.160 they make up for in musicians. 0:21:16.480 --> 0:21:18.960 Yeah, well they've got a they've got our local record label. 0:21:19.119 --> 0:21:22.479 I mean they are cranking them out. And Amy tipped 0:21:22.480 --> 0:21:27.680 in as the pageant queen was chef's kiss. I was obsessed. 0:21:27.320 --> 0:21:30.840 With that, okay, so that she looked so familiar to me, 0:21:30.880 --> 0:21:31.720 can you. 0:21:31.840 --> 0:21:34.120 Yeah, Amy worked in our crew and she bounced around 0:21:34.119 --> 0:21:36.119