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Speaker 1: Big Man and DJ Scream bring you Big Facts podcast

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Speaker 1: in the streets. Visit the new website today www dot

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Speaker 1: Big fact spot dot com live for first class sound.

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Speaker 1: It's DJ Scream, Big Bankers Shire Baby Jada said, this

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Speaker 1: is Big Facts and today we have a t a

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Speaker 1: legend of Georgia legend in the building. And he brought

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Speaker 1: the bell. What's up? What's up with you? Bad? Everything good?

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Speaker 1: And the living Man? You know what I do? We

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Speaker 1: gotta start with the belt just just there was the

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Speaker 1: whole spilling story of the whole back story of the

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Speaker 1: belt Man. So when I dropped no more playing g

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Speaker 1: a uh, Goldberg was the champion. Goldberg was the champion

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Speaker 1: with w CW that she was coming up out of

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Speaker 1: the Atlanta and then undefeated even everybody up with that Bilt.

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Speaker 1: That's about the time when I dropped that champion song

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Speaker 1: with the past. So I started caring the belt around

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Speaker 1: with that ship, shutting down birthday bashes with that independent ship.

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Speaker 1: And it was just got damn my testament to what

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Speaker 1: we did with that whole pastor Trudd no limit thing.

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Speaker 1: I became a champion, came leave home with at it.

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Speaker 1: So what what like just for people that don't know

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Speaker 1: and they don't understand it and aren't from here and

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Speaker 1: all that kind of stuff. When you made no more

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Speaker 1: playing g a with the whole masterpiece kit and all

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Speaker 1: of that kind of ship, where did that come from?

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Speaker 1: And like what made you think of that? And why

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Speaker 1: did all out of all the people in the world

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Speaker 1: would you use p for one? He was at the top.

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Speaker 1: He was the biggest one. So it ain't some time

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Speaker 1: you around with a nigg around the corner. I didn't

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Speaker 1: even telling somebody who can change the situation, Yeah, the

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Speaker 1: big dog, All right, we're going that because I wasn't

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Speaker 1: really tripping about it was most so mon daggers in

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Speaker 1: my camp. They were like man, we were in the gusta.

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Speaker 1: So the boy was like a man. Peter came down here.

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Speaker 1: P started shouting out on some records. Man peop probably

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Speaker 1: hit them boys up for about a hundred thousand for

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Speaker 1: us showed out and that man ain't really paying out

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Speaker 1: like that. So the city, the boys who put their

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Speaker 1: brill that was high anyway, they didn't give a damn

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Speaker 1: about saying Pete. I was down there from Atlanta then

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Speaker 1: and for the studio time, I don't even damn what

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Speaker 1: y'all say, ship, crate the song, man, let's drop this album.

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Speaker 1: So they did, dropping piece ship, But who would Who

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Speaker 1: would have thought that some little young niggas in the

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Speaker 1: studio tripping like we're tripping right here. Man, let's put

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Speaker 1: this piece get in the front of this ship went worldwide. Man.

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Speaker 1: Never no problems, no you never no problem. Of course

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Speaker 1: we got there later on in two Yeah, problems, but

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Speaker 1: it wasn't even no problem. So I ran up, had

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Speaker 1: a show in the ship. Was called impact. Had to

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Speaker 1: show an impact. They knew I was performing. Their niggas

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Speaker 1: just got damn calling it over there. But it wasn't

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Speaker 1: no call. I don't even have no flies. I don't

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Speaker 1: even have no posters. They just hit the scene and

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Speaker 1: everybody just went to scattering, dispersing across that bit. You

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Speaker 1: know what pasttro pastro living, you know what that terms.

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Speaker 1: Nobody tell y'all never have fights, no, no, never got physical.

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Speaker 1: What happened about that ship? You got to be man,

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Speaker 1: that ship hurt, She got hurt, cranked us up. Man

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Speaker 1: in the same man were the same, since no more

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Speaker 1: playing g A dropped the city bend man for one

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Speaker 1: the nation saying where this nigga from This This and

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Speaker 1: Master P Georgia Atlanta. They're digging into it. Man, Motherucker's

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Speaker 1: tell me man Ted moved down here. When I heard

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Speaker 1: that ship, I was down in Miami this weekend, nigga

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Speaker 1: from Trinidad. I was like, man, that ship was just

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Speaker 1: like man. I would listen to that ship in Trini Jet.

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Speaker 1: This nigga was acting crazy down there, like, man, that's

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Speaker 1: some good ship. That ship really did this thing for

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Speaker 1: independent niggas. Selling that ship out to Trump and I'm

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Speaker 1: still picking up chicks every weekend three years later. The Calculator.

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Speaker 1: So when they remember one time they had birthday bads

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Speaker 1: in Latewood and got an MP came out for on

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Speaker 1: the whole crowd with you we man dog. So that's

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Speaker 1: that dope ship that boy, some good a mob did, man, Bro.

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Speaker 1: That was my headline and your for birthday bade Bro.

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Speaker 1: That's what my that was my future baby. Pastor Troy

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Speaker 1: at Pastor Troy, I signed off the headline for this

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Speaker 1: ship and everything pe kicking to the radio station. Look,

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Speaker 1: I performed for free y'all take him out the show.

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Speaker 1: I'm gonna host this ship. But he didn't know how

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Speaker 1: the street. Yeah, so Bro when he got over that

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Speaker 1: the late wood Man, it wasn't good for him. Man.

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Speaker 1: NTL had already switched side up. Bro. They like they

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Speaker 1: were running that landa like come on man. Yeah. When

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Speaker 1: that ship drawing, it was like Nigga just initially switched

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Speaker 1: switch home team Bro, but check it out. Goody Mark

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Speaker 1: called me Man, they're still on the birthday bad and

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Speaker 1: hit me up trying man, nobody take you up, coming

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Speaker 1: in the city and take you off. No goddamn show

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Speaker 1: you perform with us? Come on, man, ship, We'll meet

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Speaker 1: meet us over at the dungeon. Bro. We rolled and

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Speaker 1: got them to joint together. Bro. Bro were about ut. Bro.

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Speaker 1: We bought a good two miles away. Brottle say, Man,

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Speaker 1: turn that ship down. Bro. We could just hear the

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Speaker 1: crowds saying we read it from traffic. Yeah, and I'm

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Speaker 1: talking about bro. Man. We hit that stage. That ship

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Speaker 1: was viral before viral if yeah, Man, Champion night Yeah

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Speaker 1: go Bro. I just see that ship. I just see

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Speaker 1: Lake Whood out there, just oh getting some ship. So

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Speaker 1: you ran in the recently, I still ain't run into him. Man.

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Speaker 1: You know Big Court been trying to set up something

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Speaker 1: for us to chop it up. You know, we're doing

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Speaker 1: a no limit stuff like that. But I ain't got

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Speaker 1: no problems with people, and I don't had a whole

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Speaker 1: careat this ship. Three years later we do I'm tripping

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Speaker 1: about I don't about that ship. You know what. It

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Speaker 1: ain't nothing to tripping about nothing. I'm in this motherfucker.

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Speaker 1: But he had been a man, he's seen it, you

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Speaker 1: know that would yeah move yeah, just want to spe

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Speaker 1: make a move you. Yeah, that's how good much love

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Speaker 1: to you? So what about the city though? Like like

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Speaker 1: what he was like you had some little back and

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Speaker 1: forth with a couple of needs from the city. Yeah,

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Speaker 1: what like what what happened with Troy in Atlanta? Like? Man,

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Speaker 1: you know what, I wasn't even really tripping off off

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Speaker 1: of that. Man. You know, I did too much in

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Speaker 1: the beginning of this ship. I rapped with everybody around

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Speaker 1: this motherfucker that needed me. But when it was time

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Speaker 1: to switch that ship around, won't getting that same little bit.

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Speaker 1: Like I said, I'm on everybody first album. Anybody called

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Speaker 1: me for that ship, I was on it. But when

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Speaker 1: it was gotten them flip back. Now you got them

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Speaker 1: double platinum ship. I need to be on this next album.

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Speaker 1: You gonna call me back for that one? Yeah, yeah,

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Speaker 1: I ain't like it. Don't like it if every man,

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Speaker 1: but it sounds good. Everybody to do what they do,

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Speaker 1: ain't stop. Nothing got going on, always always. I wouldn't

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Speaker 1: usually bring up no Names and ship like that, but

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Speaker 1: every everybody knows you have massive records with a Little John's.

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Speaker 1: So they were a Little John's featuring Pastor Troyes. They

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Speaker 1: were never Pastor Troy's featuring a Little job Oh yeah,

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Speaker 1: for sure, for sure, I'm saying, but bro, throw it

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Speaker 1: up right now? That was record, That was it. We

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Speaker 1: didn't shoot a video for that. That ship still goa.

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Speaker 1: We didn't shoot a video for that or what you

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Speaker 1: feel like you're holding the nut bright man, you know cool,

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Speaker 1: We didn't the video for that. Man, they shot to

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Speaker 1: joint I'm talking about. I'm talking to the president of

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Speaker 1: the company, president saying, man, I'm telling Johnny got a

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Speaker 1: single man to throw it up joint. But hey, I'm

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Speaker 1: happing too, but I'm own this mother. Yeah, but that

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Speaker 1: was the same our would Loves and Friends and Ship.

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Speaker 1: So you didn't that was the same album the one

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Speaker 1: before that, yeah, right with throw your Hood Up, just

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Speaker 1: the one with the one with dad would play no Game,

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Speaker 1: No Game. They shot their video with that before they

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Speaker 1: shot throw it up? Right, Man, you treat throw it up?

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Speaker 1: I just thought I just took it and just made it. Mind,

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Speaker 1: I performed that motherfucker they picked. Like I said, Man,

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Speaker 1: I made that. I made this up. We're in the studio, Man,

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Speaker 1: play the beat. Do you need to do this? Ship

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Speaker 1: like this? Throw it up? Throw that up if you're

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Speaker 1: where you're from, throwing it up. Nigga Like yeah, that's it. Yeah,

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Speaker 1: I like that. Let's do it, you know what I mean?

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Speaker 1: So it's damn show our song? How I feel like

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Speaker 1: the rest they sold to See Like, no, you didn't

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Speaker 1: like to work with on camp A little See passed away?

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Speaker 1: Aren'tie ever? So remix? Like, Man, I was sold to

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Speaker 1: that faction of the game man, that whole camp thing.

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Speaker 1: Man I was coming up. I had just moved back

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Speaker 1: up to Atlanta from a Gusta, and I understood that

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Speaker 1: got these record stores in these damn DJs and all

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Speaker 1: this ship going on. I need to link in with him. Man,

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Speaker 1: we linked up DJ Jelly, all this boys, man, m

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Speaker 1: C Assault and they just start plastering me around this

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Speaker 1: motherfucker man. And I started doing all them records with

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Speaker 1: the own camp man that bounced man, We had that

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Speaker 1: bounce over down bank heads click man, click clap man,

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Speaker 1: you know, really building up the city, you know what

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Speaker 1: I mean, Like Nigga's coming down his mother, like this

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Speaker 1: ship just having over the weekend. That was that was

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Speaker 1: a whole another era. But that was before six and

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Speaker 1: that for anything, that's you gotta walk past and nik

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Speaker 1: and you got the problem with he right there now

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Speaker 1: he coming there and wait, that's that side of yeah bullshit.

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Speaker 1: You know what I mean. That's security and all that

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Speaker 1: ship he was security with who you were working with

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Speaker 1: that night. You know, you know what I mean. I

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Speaker 1: love that ship, you know what I mean? I love

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Speaker 1: that ship because I know that that blueprint right there,

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Speaker 1: man gonna stay in the test of time anyway you go, Man,

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Speaker 1: I can shoot around these cities. Man, over twenty three

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Speaker 1: years how to move. So they wrote um like you know,

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Speaker 1: like if they go, it was to make up Atlanta

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Speaker 1: rap scene book. Where you fit feel like you fitted

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Speaker 1: in the book. I wouldn't even be trimming about where

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Speaker 1: I hit that motherfucker bro. I just better not notice

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Speaker 1: saying rank what I'm saying, what you think you brought

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Speaker 1: to it? To it? Uh? Me and my cousin was

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Speaker 1: talking before we slid over here man and DJ pre

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Speaker 1: chopping up. I was like, cuse, before I came with

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Speaker 1: that gangster ship and across the state line, who else

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Speaker 1: had did it from Atlanta? And we just said there

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Speaker 1: like shaid nobody you know Sam? I know Sam was

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Speaker 1: had some gangster songs maybe whatever, but it didn't break

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Speaker 1: them with that ship. But even out of side, even

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Speaker 1: outside of the No More plans, yeah, you still had

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Speaker 1: the vice versas and yeah, yeah, yeah, I'm so glad

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Speaker 1: that that was just in the video that we shot

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Speaker 1: when you had that big yellow truck. Yeah yeah, yeah

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Speaker 1: right big yeah. Man. You know I had some good

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Speaker 1: times in this game, man, real classic songs, Man, I'm

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Speaker 1: still a book. I got a five songs set list

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Speaker 1: that's gonna crank some ship up after ship there. Yeah yeah,

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Speaker 1: we got something coming up with. I mean, I don't

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Speaker 1: couple of classic something. Man, they mean so much to

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Speaker 1: so many people, man, Like Nigga's got to thinking about

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Speaker 1: niggas they lost niggles, to thinking about when I was

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Speaker 1: bad here doing this man, I was in college. I

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Speaker 1: was at my hbc U, So it just feel good.

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Speaker 1: They have songs, and some part of people likes like that.

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Speaker 1: It'd be different to have them songs. You're dropping on

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Speaker 1: the nigger he already for the years old and ship

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Speaker 1: like that. Like, man, it ain't got just the same

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Speaker 1: impact they had when the Niggles in. Yeah, yeah, what

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Speaker 1: you who your favorite artists out to see it? Right now? Man?

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Speaker 1: I just said that. You know, I'm loving a little baby. Man,

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Speaker 1: that's my little b g A little what he got

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Speaker 1: them got going on. I just love it. I just

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Speaker 1: see so much but myself in them days, you know, man,

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Speaker 1: I gotta do stay out the way, stay out of trouble. Man,

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Speaker 1: keep you gotting them girls like you'd be. I hate facts. Yeah, man,

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Speaker 1: stay out the way. So you enjoyed the independent ship.

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Speaker 1: You've been independent alone, but you had one deal with Universal.

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Speaker 1: I had one deal with Universal, man, and I did

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Speaker 1: my four albums with them. When it was time to

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Speaker 1: renegotiate it, man, I was just like Nearly had just

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Speaker 1: sold ninety mills. Mean, he had just sold ten millions,

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Speaker 1: had just made Universe about ninety millions. I was up

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Speaker 1: at Universal when they gave him a little party for

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Speaker 1: going Diamond. They gave him a check for a million

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Speaker 1: dollars that day. Boom now five they gave him five million.

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Speaker 1: I'm like, damn, this need just got a check for

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Speaker 1: five million all for ninety I was like, man, I'm

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Speaker 1: signing the artist. I said, Man, the only way i'nna

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Speaker 1: be able to get some money like that, I gotta

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Speaker 1: go independent and come back as a label. So I

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Speaker 1: need to get them seven and eight dollars like baby

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Speaker 1: them was up there door. I'm sitting up there trying

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Speaker 1: to get a label deal, label deal, but they won't

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Speaker 1: do it. If you were making I was giving a

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Speaker 1: fold dollars on this ship. I couldn't get the chick going.

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Speaker 1: I came back Independence time with Selecto hits how to

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Speaker 1: Miss See Man Selected with his Man. We're doing eight

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Speaker 1: dollars of c D wholesale, seventy five eighty thousand units,

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Speaker 1: three fold times a year. Like ship. I'm down here

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Speaker 1: with the Independent. It's good. I'm looking stacking it up

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Speaker 1: giving studios. Now, this ship together and these niggas came

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Speaker 1: with the god damn mixtape me I've Troy brought me

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Speaker 1: to the studio y'all giving away twenty and fetisons for free.

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Speaker 1: It's two. There's two people in the city that pulled

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Speaker 1: me aside by that mixtape ship that was Troy. Oh well,

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Speaker 1: that ain't it, man. I wasn't really mixed chage like

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Speaker 1: we were charging like that ain't man. But then that's

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Speaker 1: so now you're in a situation. Let me take a

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Speaker 1: like that. It just turned into the new thing. You know.

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Speaker 1: I was just like and it wasn't. Niggas wanted their

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Speaker 1: music out but didn't know how to get it distrimuted.

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Speaker 1: If I could have told everybody how to go up

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Speaker 1: to select though hits and do that ship yeah, to

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Speaker 1: the itchy Bonds and all this ship. Just like man, bro,

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Speaker 1: if you knew, well, nigga, seeing out thing's got damn

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Speaker 1: fifty thousand times eight in three or four months, you

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Speaker 1: wouldn't be giving away. You got damn a whole well.

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Speaker 1: So that ship there, it just switched out. It just

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Speaker 1: switched up my whole position with the ship. Nick had

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Speaker 1: to stay the mixtape. Oh yeah, hit hit. It was

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Speaker 1: just like I just saying, when you got them making money,

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Speaker 1: this got their own way. It's hard. Thank you understand

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Speaker 1: getting money over here, you might be doing it. I

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Speaker 1: ain't made hunt over here. I like doing what I

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Speaker 1: gotta do, so I had to step back, regroup, and

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Speaker 1: I started shooting them a little independent movies, and man,

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Speaker 1: that ship take care of me right now. It's so crazy,

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Speaker 1: rest and peace. That's why I edited the down to

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Speaker 1: come up movie. Man. This used to be a it

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Speaker 1: in Sweet Boys. Motherfucker man, so that she brought me back.

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Speaker 1: Just walking around that nineteen thirty minute, I thought I

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Speaker 1: wasn't gonna never have to come back over him, man,

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Speaker 1: because it hurt my heart over here editing that ship

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Speaker 1: with Lord Ship. Man, I thought what I was doing

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Speaker 1: that ship, I'll never be back to this motherfucker. But

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Speaker 1: I'm glad y'all got it doing your thing. Man. I

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Speaker 1: feel good now, and I'm appreciate you pulling up. They

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Speaker 1: said we're not get big. Was you jesus first feature

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Speaker 1: before he was Jeezy Little Jay? You know, man, Jesus Man,

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Speaker 1: it was just like Jesus just kept me on the

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Speaker 1: line to keep me out of the way when you

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Speaker 1: got no songs together's jeezy. I'm talking, my man, I'm

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Speaker 1: feeding them beats from Squeaky Welcome Back, you know. This

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Speaker 1: might beat and yeah, Hutchby coming, We're coming, We're coming,

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Speaker 1: and that ship turned into man, gotta get this nigga

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Speaker 1: to this ship. Man. You know what I mean. I'm saying,

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Speaker 1: we just he just no, I just went with all

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Speaker 1: that ship. Yeah like that. Man, everybody you know it

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Speaker 1: ain't even know this. You're just saying how I feel

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Speaker 1: about the ship. Like man, dogs, you ain't get nothing

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Speaker 1: from me. You ain't get nothing from me, No produce,

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Speaker 1: no production, no nut drama. Boy the trump boy started

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Speaker 1: me was seventeen and he couldn't even come to the

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Speaker 1: strip club and had the hottest record, pop that pussy.

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Speaker 1: Then they couldn't even come. See what the air we're

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00:16:32,160 --> 00:16:35,000
Speaker 1: going on? On it? All them producers. Man, I went

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Speaker 1: to Memphis and got them boys. Want to fund them

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Speaker 1: down here? Shock your red. Come on, man, we've been

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Speaker 1: sent drama and the left, right, left and all that ship. Man.

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Speaker 1: So I just watched that ship. That's the ship that

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Speaker 1: I ain't respect about the ship. You think it went

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Speaker 1: down that way? What you think it really was? For one?

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Speaker 1: On your heart? For one? I think them years and

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Speaker 1: stuff like that sound a lot like mine. And when

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Speaker 1: we get that, I'm gonna have to say it and

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Speaker 1: say it right what somebody has to say. Come on, man,

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Speaker 1: that ship can't straight from Red told me that they

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Speaker 1: like Man Troy, I talked that. I talked Jesus how

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Speaker 1: to add live off. Are we couldn't that different kind

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Speaker 1: of sound kind of height? See she sounds like a

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Speaker 1: yeah like DJ scream You're ready Friday night? Yeah, that's

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Speaker 1: the one. Are we coulding to that ship? So clear?

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Speaker 1: Then for damn surely ready to come back and say

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Speaker 1: I talked this nigga had to do this on this Yeah,

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Speaker 1: it's gonna be a wife what we do a song?

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Speaker 1: But he teasing me with it? Oh yeah, I'm funding

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00:17:52,560 --> 00:17:55,439
Speaker 1: the beats and all that ship. Me and Squeaky still working.

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Speaker 1: You feel man him that okay thinking the whole time ain't.

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Speaker 1: But what I'll saying is with with with with Jess

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Speaker 1: and John and the rappers, you felt like you didn't

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Speaker 1: get that back, said everybody want to shine, bro, I've

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Speaker 1: been show signs. Ye. Ain't that I can do but

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Speaker 1: say my point after the point, all I can do

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Speaker 1: until what was happening behind the scene. By time y'all

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Speaker 1: hear about it, it's already fucked up. Huh my time

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Speaker 1: I talked to y'all about it. It's already already. It's

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00:18:30,840 --> 00:18:35,880
Speaker 1: already over nine, is what it did. Saying like what

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00:18:35,960 --> 00:18:39,000
Speaker 1: could they say? You did to make them feel like?

338
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Speaker 1: Saying something about us not got them getting that studio already?

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00:18:43,680 --> 00:18:50,360
Speaker 1: Oh what what we're doing for real? Man? What we're doing?

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00:18:50,960 --> 00:18:55,240
Speaker 1: That's all about? Man? Come on, baby, like just to

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Speaker 1: know what? Man, Come on, nigga, I've been going tom

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Speaker 1: I flipped the game. I gave up New York and

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Speaker 1: l A and all that ship. Fun that ship it's

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Speaker 1: too far. Fight. Don't like flying that far. I like

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Speaker 1: riding with my God. Damn what I need to wrap with?

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Speaker 1: And it's good. We go to Burmaham. We go to Jackson, Mississippi, Jacksonville, Florida,

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Speaker 1: South Carolina, Columbia, South Carolina, all these forts out of

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Speaker 1: built around this bitch. I'm just a Southeast beast. Anywhere

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Speaker 1: in the South East. I get in my car. I

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Speaker 1: wanna go seven five eighty five either way, I'm gonna

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Speaker 1: get some money. Just quick stops on twenty. We're gonna

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Speaker 1: start at Florida, South Carolina. We're gonna come down to Columbia,

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Speaker 1: South Carolina. We're gonna come to Aiken, South Carolina. We're

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Speaker 1: gonna hit a guster, might hit the ass with something

355
00:19:43,440 --> 00:19:50,720
Speaker 1: in between like Thompson or something like that. We're back

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Speaker 1: here to toward a t L A t L nixt stop.

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Speaker 1: I'm gonna hit Oxford. Anderston said, we're gonna go in

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Speaker 1: to Burmaham at the Burma and we're gonna hit he

359
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Speaker 1: Lucy Year. And that's just on twenty y'all see me around,

360
00:20:11,560 --> 00:20:14,200
Speaker 1: but you don't see me around. I don't know, motherfucking

361
00:20:14,240 --> 00:20:20,000
Speaker 1: weekend picking that ship up, throwing that ship back. Man,

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Speaker 1: Man what it's good? Man? Like I say, it's years

363
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Speaker 1: with these songs. Damn, it's twenty three years with these songs.

364
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Speaker 1: I'm touring with the legends out there with eight balling

365
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Speaker 1: m j G. Man, this is this is the South.

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Speaker 1: To a man, it's me balling G Trick Daddy, Mystical

367
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Speaker 1: Bond by Trina. Who else I'm missing up scar Face

368
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Speaker 1: Juvie ship. I'm performing with these nigga man our shows

369
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Speaker 1: out to chain Well, it's a date night. Ain't no problem.

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Speaker 1: I ain't got to deal with it. Ain't no running

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Speaker 1: that I show you feel me man ship perfect. Yeah,

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Speaker 1: everybody walking in that Lady Reminisce taking back right now.

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Speaker 1: So somebody, if if you're seeing rappers in Michigan, up

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Speaker 1: damn grand rappers were on the way and ship the

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Speaker 1: ship like the weekend. But I don't know when y'all

376
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Speaker 1: show the ship. If you said that watching TV or

377
00:21:21,640 --> 00:21:24,400
Speaker 1: inter of you a podcast or whatever, and and everybody's

378
00:21:24,440 --> 00:21:27,400
Speaker 1: talking about like the goats of Atlanta or Georgia and everything,

379
00:21:27,520 --> 00:21:30,439
Speaker 1: and you're admitted, how does it personally make you feel?

380
00:21:30,560 --> 00:21:33,640
Speaker 1: You know what? A lot of nigga screen Atlanta, Atlanta, Atlanta.

381
00:21:34,400 --> 00:21:39,399
Speaker 1: I was focused on the state, Georgia, Georgia, Atlanta, one city,

382
00:21:40,040 --> 00:21:42,680
Speaker 1: all these cities around this motherfucker. Man, we need all

383
00:21:42,760 --> 00:21:45,440
Speaker 1: that and that's who all in my game. If every man.

384
00:21:45,520 --> 00:21:48,639
Speaker 1: So if Atlanta ever just saying past Detroy, we never

385
00:21:48,680 --> 00:21:52,080
Speaker 1: want to see him. I got somewhere to go, every man.

386
00:21:52,119 --> 00:21:55,520
Speaker 1: We went about the old state that got Augusta Savannah

387
00:21:56,440 --> 00:22:00,240
Speaker 1: from Georgia all that ship all beny, I gotta it's

388
00:22:00,240 --> 00:22:01,840
Speaker 1: a bunch of niggers. There's a lot of clubs, there's

389
00:22:01,880 --> 00:22:04,080
Speaker 1: a lot of money out there, man, So I ain't

390
00:22:04,080 --> 00:22:06,000
Speaker 1: with that. Let I ain't with the Wings that got

391
00:22:06,040 --> 00:22:08,880
Speaker 1: them bottles e't got their way. I was gone. Man,

392
00:22:08,960 --> 00:22:11,439
Speaker 1: you feel to see the flip all you like that?

393
00:22:11,440 --> 00:22:13,040
Speaker 1: It's been doing this ship, man, I ain't with the

394
00:22:13,080 --> 00:22:15,439
Speaker 1: guy damn Wings ship on on Friday night. I'm going

395
00:22:15,440 --> 00:22:20,119
Speaker 1: to get chick. What what what? What? What happened with

396
00:22:20,160 --> 00:22:22,680
Speaker 1: the or? I don't know who you still like? Talk

397
00:22:22,720 --> 00:22:24,080
Speaker 1: to it? Don't talk to But what happened with like

398
00:22:24,119 --> 00:22:26,400
Speaker 1: the DSG boot movement and all the artists and ship

399
00:22:26,440 --> 00:22:28,480
Speaker 1: you had? Man? You know all this boy were still boys.

400
00:22:28,520 --> 00:22:30,920
Speaker 1: But I'm enough of their partner and couple of them

401
00:22:30,920 --> 00:22:33,520
Speaker 1: and put out some records though, right, Um, that was

402
00:22:33,520 --> 00:22:38,119
Speaker 1: so long we've been you're feeling, man, hurt, you know

403
00:22:38,119 --> 00:22:40,520
Speaker 1: what I mean. I'm gonna be hurt, but I let

404
00:22:40,560 --> 00:22:44,040
Speaker 1: everybody got down. Everybody want to be the captain, so

405
00:22:44,200 --> 00:22:46,240
Speaker 1: they got them getting that ship in the ways, hitting

406
00:22:46,240 --> 00:22:48,960
Speaker 1: their motherfucker boo dude, Yeah, you want to get back

407
00:22:49,000 --> 00:22:51,080
Speaker 1: in my boat. Don't you been out here doing this

408
00:22:51,119 --> 00:22:54,160
Speaker 1: ship for a long time? You feel me? So that's

409
00:22:54,200 --> 00:22:56,359
Speaker 1: how cool. I'll be wishing everybody the best. Man, How

410
00:22:56,359 --> 00:23:00,159
Speaker 1: do your business? Captain? It's your ship now, know what

411
00:23:00,200 --> 00:23:01,960
Speaker 1: I mean? It's all good. If I see you on

412
00:23:02,040 --> 00:23:05,960
Speaker 1: the water, what's up come to me on mine? Read ship?

413
00:23:06,680 --> 00:23:10,200
Speaker 1: So what does Troy have going on? Like relationship wise?

414
00:23:10,320 --> 00:23:13,920
Speaker 1: Is there a Mrs Troy Man just be chilling. I'll

415
00:23:13,920 --> 00:23:16,920
Speaker 1: be chilling, man. I'm on, I'm in a good landing

416
00:23:16,960 --> 00:23:19,720
Speaker 1: spot for some real goddamn paper and I don't want

417
00:23:19,720 --> 00:23:21,480
Speaker 1: to be involved in nothing that would be having me.

418
00:23:21,520 --> 00:23:24,000
Speaker 1: God damn reconsidering and got them to go get it.

419
00:23:24,840 --> 00:23:27,200
Speaker 1: I'm too gotdamn close to have to answer to them

420
00:23:27,320 --> 00:23:30,360
Speaker 1: right now. Maybe in a minute when now what they're

421
00:23:30,400 --> 00:23:35,080
Speaker 1: playing got down. They said, uh, get ready for landing. Happy.

422
00:23:36,800 --> 00:23:39,800
Speaker 1: Somebody will be there when they're land somebody to be there.

423
00:23:40,000 --> 00:23:42,159
Speaker 1: You got kids, yeah, yeah, yeah, I got my boys

424
00:23:42,560 --> 00:23:47,280
Speaker 1: kicking it like a motherfucker man, seventeen eighteen nineteen. I

425
00:23:47,320 --> 00:23:50,240
Speaker 1: had my boys right back to back to back. Yeah. Man.

426
00:23:50,520 --> 00:23:53,560
Speaker 1: So it's a beautiful thing. Man. I want to definitely

427
00:23:53,520 --> 00:23:55,960
Speaker 1: send the condolences we saw on social media you lost

428
00:23:56,040 --> 00:23:58,399
Speaker 1: your pops, you know, saying, and a lot of a

429
00:23:58,400 --> 00:24:01,800
Speaker 1: lot of pastor Troy came him because he actually preached

430
00:24:01,800 --> 00:24:03,919
Speaker 1: in the church. Right yeah, I'll talk a little bit

431
00:24:03,960 --> 00:24:06,720
Speaker 1: about how his life impacted you, all right, for one.

432
00:24:07,280 --> 00:24:09,080
Speaker 1: We're gonna correct the loss, you know what I mean,

433
00:24:09,080 --> 00:24:12,360
Speaker 1: no disrespector nothing like that, but that's the father's thing

434
00:24:12,359 --> 00:24:17,280
Speaker 1: I could ever do is lose this nig is so

435
00:24:17,320 --> 00:24:20,480
Speaker 1: with me. We're getting He's gonna talk to me when

436
00:24:20,480 --> 00:24:22,399
Speaker 1: we go outside and get in the car. Now. Man,

437
00:24:22,440 --> 00:24:26,199
Speaker 1: it's almost like it's too beautiful, man, you know, just

438
00:24:26,280 --> 00:24:29,800
Speaker 1: to have somebody to impact me for forty five years,

439
00:24:29,880 --> 00:24:34,119
Speaker 1: forty four, forty five years like he did this. Niggas

440
00:24:34,119 --> 00:24:37,080
Speaker 1: ain't had that ship for one day. Nika don't even

441
00:24:37,160 --> 00:24:41,600
Speaker 1: know who they did. So I definitely can't be mad

442
00:24:42,160 --> 00:24:44,040
Speaker 1: with the transition it, man, you know what I mean,

443
00:24:44,119 --> 00:24:46,159
Speaker 1: eat up all the game I could. Man, it was

444
00:24:46,200 --> 00:24:50,240
Speaker 1: a beautiful thing. Man. During the pandemic, the church had

445
00:24:50,280 --> 00:24:54,040
Speaker 1: to shut down, man, so we were able to teach

446
00:24:54,119 --> 00:24:56,439
Speaker 1: him how to start streaming the services. Man. Me and

447
00:24:56,480 --> 00:24:58,399
Speaker 1: my brother go over there. Man, I take some of

448
00:24:58,400 --> 00:25:01,680
Speaker 1: my camera equipment and stuff. Man got him streaming. Man,

449
00:25:01,720 --> 00:25:04,000
Speaker 1: they all on Facebook stuff, And it was just dope

450
00:25:04,960 --> 00:25:08,280
Speaker 1: being able to teach him something something and you know,

451
00:25:08,359 --> 00:25:09,960
Speaker 1: to keep up at the time. We got the church

452
00:25:10,000 --> 00:25:12,000
Speaker 1: point and it was just a real beautiful thing. I

453
00:25:12,040 --> 00:25:14,320
Speaker 1: just know how much gangster appreciated me, man, and how

454
00:25:15,160 --> 00:25:18,159
Speaker 1: proud of our name. Say he was that what I

455
00:25:18,240 --> 00:25:20,000
Speaker 1: did and what I'm a complic with that Pastor Troy

456
00:25:20,080 --> 00:25:22,080
Speaker 1: thy man. He told one of his friends. Man, he

457
00:25:22,119 --> 00:25:26,560
Speaker 1: was like, Man, I met more. I talked to more

458
00:25:26,600 --> 00:25:29,000
Speaker 1: people that I never would have spoke to if it

459
00:25:29,119 --> 00:25:32,600
Speaker 1: wasn't for b G. Pastor Troy. You know what I mean. Man.

460
00:25:32,920 --> 00:25:34,960
Speaker 1: It got to the point Nicha was calling me, come on, man,

461
00:25:35,400 --> 00:25:38,240
Speaker 1: big Meach. I got in contact with Big Meat while

462
00:25:38,280 --> 00:25:42,199
Speaker 1: he was down talking to Meat, talking to Meat, he

463
00:25:42,320 --> 00:25:44,399
Speaker 1: want none of that ship. And I was talking about man,

464
00:25:44,440 --> 00:25:46,160
Speaker 1: and he was like, Man, your daddy got a prayer

465
00:25:46,160 --> 00:25:50,040
Speaker 1: box at that church. Yeah, Man, put my name in there,

466
00:25:50,520 --> 00:25:52,400
Speaker 1: Like we got you, man, we got you on the chain.

467
00:25:53,240 --> 00:25:55,120
Speaker 1: Then what's going on in the street there we're going

468
00:25:55,160 --> 00:25:58,840
Speaker 1: on with homeboy, all that pray for me, man, Just

469
00:25:58,960 --> 00:26:01,280
Speaker 1: to let my dad had that kind of impact on

470
00:26:01,440 --> 00:26:04,600
Speaker 1: even the game. Come on, man, she was like the

471
00:26:04,640 --> 00:26:08,040
Speaker 1: first preacher they gave his son the blessing with the

472
00:26:08,119 --> 00:26:10,359
Speaker 1: rap ship. I know so many kids that grew up

473
00:26:10,359 --> 00:26:14,760
Speaker 1: in the church that was like you the first. Because

474
00:26:14,760 --> 00:26:18,159
Speaker 1: of you, my mom allowed me to start rapping, you

475
00:26:18,160 --> 00:26:19,840
Speaker 1: know what I mean. Because of you. My mom let

476
00:26:19,840 --> 00:26:23,480
Speaker 1: me start making beats because it's generally frowned upon. Oh yeah, man,

477
00:26:23,480 --> 00:26:25,760
Speaker 1: when they saw that my parents are let me get

478
00:26:25,800 --> 00:26:28,760
Speaker 1: to this set, it made it easier for their parents

479
00:26:28,800 --> 00:26:33,280
Speaker 1: to understand it. Man. And that's a beautiful position. Well,

480
00:26:33,359 --> 00:26:35,840
Speaker 1: something you haven't accomplished in all these years that you

481
00:26:35,960 --> 00:26:39,399
Speaker 1: just still got to accomplish. I ain't never been gold.

482
00:26:41,040 --> 00:26:42,800
Speaker 1: I ain't never been gold, and I just said didn't

483
00:26:43,040 --> 00:26:49,320
Speaker 1: putting up plaques every day. I'm playing you ain't gold man, dog.

484
00:26:49,960 --> 00:26:54,080
Speaker 1: Now I'm about to take you back. You're ready. I

485
00:26:54,280 --> 00:27:01,680
Speaker 1: was the hottest nigger on the bootlegs. Bootlegs quite a little.

486
00:27:01,920 --> 00:27:07,439
Speaker 1: That ship was included ship everything may come on, man,

487
00:27:07,600 --> 00:27:12,879
Speaker 1: Yeah you weren't they ship? Yeah? Yeah? Is that he

488
00:27:13,000 --> 00:27:18,400
Speaker 1: get get rested? Bro? It don't match when I see

489
00:27:18,440 --> 00:27:23,919
Speaker 1: the crowd of that. How do you motherfucker's after? And yeah? Right,

490
00:27:24,560 --> 00:27:27,640
Speaker 1: you got a plaque though, from at least throw it up.

491
00:27:28,760 --> 00:27:30,640
Speaker 1: Yeah I got I just got my plaque. I got

492
00:27:30,640 --> 00:27:35,080
Speaker 1: a plaque, just got it, yep, about two years ago.

493
00:27:36,040 --> 00:27:38,600
Speaker 1: About to break that motherfucker that night. But I want

494
00:27:38,760 --> 00:27:43,480
Speaker 1: to play the cool truth. Man. I'm a pastor. Man,

495
00:27:43,480 --> 00:27:47,440
Speaker 1: I gotta tell the truth. You know that boy pastor disaster.

496
00:27:48,600 --> 00:27:52,760
Speaker 1: Oh my god, it's cool. Ship. You got to tell

497
00:27:52,760 --> 00:27:54,960
Speaker 1: the truth of this ship. I don't don't have to

498
00:27:55,000 --> 00:28:10,520
Speaker 1: stream that no more. Play man somebody ye yeah, hey, hey,

499
00:28:10,600 --> 00:28:17,719
Speaker 1: direct the kid drop the name link real they give

500
00:28:17,760 --> 00:28:19,280
Speaker 1: me one. I ain't trip about it, man, but I

501
00:28:19,280 --> 00:28:21,359
Speaker 1: would like to see it. Got them when the motherucker

502
00:28:21,440 --> 00:28:24,560
Speaker 1: doing it every weekend. I got damn niggas going to

503
00:28:24,640 --> 00:28:26,919
Speaker 1: go this, this ship, this is that one day? What

504
00:28:27,000 --> 00:28:28,600
Speaker 1: produced you here? And you'd be like ship. But I

505
00:28:28,800 --> 00:28:32,800
Speaker 1: to kill them to beat um. You know, I hear

506
00:28:32,840 --> 00:28:37,760
Speaker 1: the Metro's goddamn I eat. I eat, don't even know

507
00:28:37,880 --> 00:28:41,400
Speaker 1: I eat? Man? What then is at coffee producer? Man?

508
00:28:41,400 --> 00:28:43,040
Speaker 1: Why y'all ain't hearing your boy passing it on some

509
00:28:43,080 --> 00:28:47,120
Speaker 1: of this ship? You know I'm gonna eat with me, man,

510
00:28:47,160 --> 00:28:49,600
Speaker 1: I stop on your nets on me. Man, just go here.

511
00:28:49,640 --> 00:28:52,200
Speaker 1: We're gonna do these sALS and ship. Y'all have the motherfucker.

512
00:28:52,240 --> 00:28:54,200
Speaker 1: I don't even want put that ship out and get

513
00:28:54,200 --> 00:28:56,800
Speaker 1: you a gold plank out that ship. Well you did,

514
00:28:56,920 --> 00:29:00,000
Speaker 1: she was a before man's getting there. We getting that cranky,

515
00:29:00,240 --> 00:29:03,760
Speaker 1: you know what I mean? But I think I want

516
00:29:03,800 --> 00:29:06,280
Speaker 1: that hard. No, you know what I like that dark,

517
00:29:06,520 --> 00:29:09,760
Speaker 1: that real dark shit. Yeah. Man, let's go somewhere. Somebody

518
00:29:09,760 --> 00:29:11,440
Speaker 1: out there, Man, if you got it hot lipping man,

519
00:29:11,520 --> 00:29:14,160
Speaker 1: hit me on I G. Pastor Troy DSGB, hit me

520
00:29:14,200 --> 00:29:17,640
Speaker 1: at DSGB Radio at gmail dot com. Send me that ship.

521
00:29:17,720 --> 00:29:23,640
Speaker 1: Let's see what's happening. Who else we got, who else

522
00:29:23,720 --> 00:29:30,040
Speaker 1: we like? Oh really, I'll make sure the boys got down.

523
00:29:30,440 --> 00:29:32,760
Speaker 1: I'm gonna kill it. Let me they could. Probably they

524
00:29:32,800 --> 00:29:34,360
Speaker 1: probably wanted me on a lot of that ship. Man.

525
00:29:36,480 --> 00:29:39,240
Speaker 1: You know we song snatches. Now, if you're gonna get

526
00:29:39,240 --> 00:29:40,440
Speaker 1: it to me, man, they'll let me be the only

527
00:29:40,520 --> 00:29:42,200
Speaker 1: thing owner, because I'm telling you now, I'm trying to

528
00:29:42,280 --> 00:29:44,480
Speaker 1: snatch it. If it's a feature, I'm trying to snatch it.

529
00:29:44,520 --> 00:29:47,960
Speaker 1: That's what happened with me. I was snatching feature snatching.

530
00:29:48,160 --> 00:29:50,720
Speaker 1: Make that motherfucker my song. You know you're sitting on

531
00:29:50,720 --> 00:29:53,680
Speaker 1: the sideline like, man, they just cut my verse at

532
00:29:53,720 --> 00:29:56,760
Speaker 1: the end, one off. So you're gonna be reaching out?

533
00:29:56,800 --> 00:29:59,680
Speaker 1: Do you be reaching out to me? Mom? I ain't

534
00:29:59,720 --> 00:30:01,760
Speaker 1: really tripping on the wrap ship no more. I mean

535
00:30:02,280 --> 00:30:04,440
Speaker 1: I got a film studio or on f I B

536
00:30:05,080 --> 00:30:08,000
Speaker 1: I'm saying still come out and bless some ship. I

537
00:30:08,000 --> 00:30:09,959
Speaker 1: don't gonna take Anybody wants something, y'all to know how

538
00:30:09,960 --> 00:30:11,560
Speaker 1: to get at me. Man, I'm gonna handling that business

539
00:30:11,560 --> 00:30:13,720
Speaker 1: and get it right back to you. And ship ain't nothing.

540
00:30:14,080 --> 00:30:17,040
Speaker 1: We do this ship, this my career, in my living.

541
00:30:17,120 --> 00:30:19,040
Speaker 1: I do this ship every day. You said, you got

542
00:30:19,080 --> 00:30:21,000
Speaker 1: what's going on? I got a film studio, man, we

543
00:30:21,120 --> 00:30:23,040
Speaker 1: just crunk up over on f I B Man, it's

544
00:30:23,200 --> 00:30:26,360
Speaker 1: uh some gangster ship. Liter Street TV. Man, download the

545
00:30:26,360 --> 00:30:29,920
Speaker 1: app smartphone, Google play all that ship. Man. I just

546
00:30:29,920 --> 00:30:33,600
Speaker 1: gotta channel lit Street TV represent for independent artists showing

547
00:30:33,720 --> 00:30:36,960
Speaker 1: videos and ship brown the clock like the box, like

548
00:30:37,040 --> 00:30:39,480
Speaker 1: the old box. Shit, we're gonna get some programming going

549
00:30:39,560 --> 00:30:41,840
Speaker 1: on that ship like that. Man, just being independent, trying

550
00:30:41,880 --> 00:30:46,240
Speaker 1: to be great for sure. Damn right. Congratulations y'all too.

551
00:30:46,280 --> 00:30:49,160
Speaker 1: Man keeping the platform and rotation. Baby, I remember y'all

552
00:30:49,160 --> 00:30:51,480
Speaker 1: cranking this ship up and to see west and down

553
00:30:51,760 --> 00:30:55,960
Speaker 1: I went to I love it, man, that's no. We

554
00:30:56,040 --> 00:30:59,320
Speaker 1: appreciate you tapping there outside of the producers. Is there's

555
00:30:59,320 --> 00:31:02,040
Speaker 1: somebody though, amongst the legends that you did not get

556
00:31:02,400 --> 00:31:04,520
Speaker 1: to work with? And the second part of that question

557
00:31:04,640 --> 00:31:06,280
Speaker 1: is I just gotta throw out there would you work

558
00:31:06,280 --> 00:31:10,360
Speaker 1: with p Oh yeah, Ship lit We're gonna hit. I

559
00:31:10,440 --> 00:31:13,600
Speaker 1: can't wait. Crank it up, set, lets shut up. I

560
00:31:13,640 --> 00:31:16,640
Speaker 1: gotta beat fund of everything. Let me know, ship We're

561
00:31:16,680 --> 00:31:18,160
Speaker 1: going and get that. No more playing ja, We will

562
00:31:18,200 --> 00:31:19,680
Speaker 1: put the masses out. You want to get on that

563
00:31:19,720 --> 00:31:27,000
Speaker 1: model piece? Hell yeah, Man, if you get on the

564
00:31:27,000 --> 00:31:32,800
Speaker 1: remix of us gold Man this ship? Who else outside

565
00:31:32,840 --> 00:31:36,880
Speaker 1: of p um on the legend tip Man? I've worked

566
00:31:36,920 --> 00:31:41,160
Speaker 1: with Pemps by the grace of God. Man uh Man.

567
00:31:41,200 --> 00:31:45,560
Speaker 1: Pemp was real cool Mann, real man. Boots ain't got

568
00:31:45,560 --> 00:31:47,520
Speaker 1: here yet, but we got a real love and respect

569
00:31:47,520 --> 00:31:49,080
Speaker 1: for each other. Man. You know what I mean. Dog,

570
00:31:49,120 --> 00:31:52,160
Speaker 1: You know that's a I rocket. I like niggas a

571
00:31:52,160 --> 00:31:55,040
Speaker 1: little niggas like Boosty because he's nigga like myself. He

572
00:31:55,160 --> 00:31:57,480
Speaker 1: do him your feel me, man. I like niggas, just

573
00:31:58,400 --> 00:32:00,920
Speaker 1: do them. You feel me? Man? I I respected. Then

574
00:32:00,960 --> 00:32:02,920
Speaker 1: they go on out side of town over the south side,

575
00:32:03,480 --> 00:32:06,320
Speaker 1: kicking it real nigga. Man, you know, it ain't nothing

576
00:32:06,360 --> 00:32:08,880
Speaker 1: to tell the nigga what's up. I love being that nigga,

577
00:32:09,040 --> 00:32:11,080
Speaker 1: you know what I mean, walking the street and be

578
00:32:11,120 --> 00:32:13,040
Speaker 1: able to you got that kind of respect. I ain't

579
00:32:13,040 --> 00:32:15,360
Speaker 1: gotta have fifty niggas with me. None of that ship

580
00:32:15,440 --> 00:32:17,240
Speaker 1: you're gonna walk up man, Troy, what's up? They know

581
00:32:17,280 --> 00:32:19,320
Speaker 1: they can damp me up. Man, take a picture, my girl,

582
00:32:19,360 --> 00:32:22,040
Speaker 1: I wanta take a picture. Ship nigger, that's what it is.

583
00:32:22,120 --> 00:32:25,160
Speaker 1: Let's do it job. We can get in there. I

584
00:32:25,200 --> 00:32:33,600
Speaker 1: ain't tripping me. But the crazy man, she's saying, he

585
00:32:33,680 --> 00:32:36,280
Speaker 1: with whatever, shut me down, throwing up video. You want

586
00:32:36,280 --> 00:32:41,640
Speaker 1: to do something, Yeah, that's what we're gonna start. This ship.

587
00:32:42,240 --> 00:32:46,880
Speaker 1: I got my verses, got my outfits, I got my looks.

588
00:32:47,280 --> 00:32:51,680
Speaker 1: I'm really baby couple of creak this ship up. Bro,

589
00:32:51,800 --> 00:32:57,080
Speaker 1: You support every like not not funk with support every

590
00:32:57,360 --> 00:33:02,240
Speaker 1: Atlanta team. Yeah, there's nobody that has more tickets. It's

591
00:33:02,280 --> 00:33:05,320
Speaker 1: performed at everyone. Then you got a brave jersey. Thank

592
00:33:05,360 --> 00:33:08,240
Speaker 1: you Braves, Thank you Atlanta. You know like how they

593
00:33:08,360 --> 00:33:10,240
Speaker 1: be playing your shoot all the little arenas and ship

594
00:33:10,320 --> 00:33:17,240
Speaker 1: like that wing cold man Dog that streaming though right streaming,

595
00:33:17,320 --> 00:33:19,320
Speaker 1: it's streaming and all that good shipping. Man, it's take

596
00:33:19,360 --> 00:33:26,280
Speaker 1: a bunch of them streams sending. They need to add

597
00:33:26,320 --> 00:33:38,400
Speaker 1: the old physical ship to be. But bro, it's crazy

598
00:33:38,400 --> 00:33:40,640
Speaker 1: with the teams and stuff like that. Man, I just

599
00:33:40,680 --> 00:33:43,200
Speaker 1: figured that ship out a long time ago. Man. Even

600
00:33:43,200 --> 00:33:47,360
Speaker 1: with embracing the Georgia Bulldogs and ship like that, Hell deep,

601
00:33:47,600 --> 00:33:50,000
Speaker 1: here's ain't going nowhere. They'll be dead and gone. You

602
00:33:50,200 --> 00:33:52,200
Speaker 1: ask God, you know you've been dead and going. Them

603
00:33:52,200 --> 00:33:54,720
Speaker 1: teams still gonna be. We started playing off of the

604
00:33:54,760 --> 00:33:56,760
Speaker 1: state when I went down the University of Georgia. That's

605
00:33:56,760 --> 00:33:58,840
Speaker 1: the first place I went with them. No more playing

606
00:33:58,880 --> 00:34:01,600
Speaker 1: g a c D S. Man, we're walking around with

607
00:34:01,640 --> 00:34:04,680
Speaker 1: a radio playing a joint. Nigga's got bumping the car. Man.

608
00:34:04,680 --> 00:34:07,760
Speaker 1: We're like, man, play the CD. Man. We probably sold

609
00:34:07,760 --> 00:34:10,880
Speaker 1: a thousand CDs in a weekend, about ten dollars a

610
00:34:10,880 --> 00:34:16,720
Speaker 1: piece down in that pitch. We're cashing out now. I said, ship, Nigga,

611
00:34:16,719 --> 00:34:22,160
Speaker 1: We referenced Georgia bulld our ship to it do It's

612
00:34:22,200 --> 00:34:24,600
Speaker 1: on man. That ship transitioned to the Falcons calling me

613
00:34:24,680 --> 00:34:28,239
Speaker 1: last year, asked me to be a brand ambassador for them.

614
00:34:28,320 --> 00:34:30,680
Speaker 1: So we come to yeah, man, it's dope. Man, just

615
00:34:30,760 --> 00:34:34,359
Speaker 1: sit transitioning like that. Man going from having a song

616
00:34:34,800 --> 00:34:37,799
Speaker 1: talking about sucking nick up and shooting and blah blah

617
00:34:38,000 --> 00:34:42,080
Speaker 1: to that ship transition it up corporate meeting and try

618
00:34:42,160 --> 00:34:44,040
Speaker 1: we got the section for you over here, man, the

619
00:34:44,160 --> 00:34:45,959
Speaker 1: dirty Bird nest. We want you to be the face

620
00:34:46,000 --> 00:34:48,200
Speaker 1: of it, and uh, we just want them to see

621
00:34:48,200 --> 00:34:51,759
Speaker 1: a t L in this section. We gotta win. And

622
00:34:51,880 --> 00:34:57,080
Speaker 1: I look a lot better over there. Yeah man, but

623
00:34:56,520 --> 00:35:00,600
Speaker 1: we're coming. Yeah man, that's coming. But that dirty Bird,

624
00:35:00,680 --> 00:35:02,920
Speaker 1: this man they had that's so psyched out ship we

625
00:35:02,960 --> 00:35:04,880
Speaker 1: did about Twitter by there and we're so funked up.

626
00:35:04,920 --> 00:35:07,200
Speaker 1: We still party right here to the phone caller. So

627
00:35:07,760 --> 00:35:10,000
Speaker 1: it's gangster man much a little to the Atlanta facton. Man,

628
00:35:10,040 --> 00:35:12,120
Speaker 1: y'all step this ship up, this ship man, and we're

629
00:35:12,120 --> 00:35:21,239
Speaker 1: going up. They said, we're not get big. We talked

630
00:35:21,280 --> 00:35:24,120
Speaker 1: about artists in the first project. So your first project

631
00:35:24,320 --> 00:35:28,600
Speaker 1: that was commercially released had like Rhonda and It's song

632
00:35:28,719 --> 00:35:30,799
Speaker 1: down here all that ship on them? Man? What make

633
00:35:30,880 --> 00:35:33,560
Speaker 1: that first project so special that you think sometimes some

634
00:35:33,719 --> 00:35:36,560
Speaker 1: artists can't recreate that ship? Man? You know what, I

635
00:35:36,560 --> 00:35:40,480
Speaker 1: don't think it's supposed to be recreated. For one the

636
00:35:41,520 --> 00:35:46,480
Speaker 1: hurt and pain did I hear and my voice on

637
00:35:46,520 --> 00:35:50,160
Speaker 1: that first album scream out here that I listened to

638
00:35:50,160 --> 00:35:52,120
Speaker 1: it about a year to man, that mother made me

639
00:35:52,200 --> 00:35:55,440
Speaker 1: cry because I could hear it to Spam my voice,

640
00:35:55,520 --> 00:35:58,319
Speaker 1: I can hear that it was all or nothing. If

641
00:35:58,320 --> 00:36:04,080
Speaker 1: this don't work, what type of ship? The old fathers

642
00:36:04,120 --> 00:36:06,800
Speaker 1: them all there? Because I'm talking about the living the

643
00:36:06,880 --> 00:36:09,640
Speaker 1: day through the marrow and ship like that. Man, ship

644
00:36:09,719 --> 00:36:13,040
Speaker 1: just just God, damn, I gotta make it in this ship.

645
00:36:13,040 --> 00:36:15,640
Speaker 1: There ain't no sunshine shoot off that first album. Man.

646
00:36:15,680 --> 00:36:19,320
Speaker 1: I could just hear in my voice that I needed it.

647
00:36:19,440 --> 00:36:21,799
Speaker 1: It was just like a release, man. Like I told Nigga, Man,

648
00:36:21,800 --> 00:36:24,480
Speaker 1: I hadn't even raised my voice until I went in

649
00:36:24,560 --> 00:36:27,720
Speaker 1: the studio. I went up loud and I always been cool.

650
00:36:27,880 --> 00:36:32,719
Speaker 1: That was the first time I could just scream. And

651
00:36:32,760 --> 00:36:37,319
Speaker 1: the ship, Hey, man, it sounds like, Man, you know

652
00:36:37,320 --> 00:36:39,680
Speaker 1: what I mean. I hear that joint. I hear that

653
00:36:39,800 --> 00:36:43,759
Speaker 1: joint black Man. I was like this, young Nigga is

654
00:36:43,920 --> 00:36:49,160
Speaker 1: for real about what he's talking about. Man, some of that, bro.

655
00:36:49,239 --> 00:36:51,560
Speaker 1: It was my release. It was my release. It was

656
00:36:51,600 --> 00:36:53,799
Speaker 1: everything I wanted to say about everything going on. I'm

657
00:36:53,920 --> 00:36:55,880
Speaker 1: gonna stole my call with my third days on it.

658
00:36:56,600 --> 00:36:58,560
Speaker 1: This is just some bullshit. They had a call out

659
00:36:58,560 --> 00:37:00,960
Speaker 1: a week and I stole my ship, and this is

660
00:37:01,000 --> 00:37:03,360
Speaker 1: all this ship that's building up. I had my college

661
00:37:03,360 --> 00:37:07,920
Speaker 1: portfolio in the Trump Ship. Now I gotta drop out

662
00:37:07,920 --> 00:37:09,799
Speaker 1: of college because I ain't got my ship to turn

663
00:37:09,840 --> 00:37:12,480
Speaker 1: on turn in this midturn, all this ship going on

664
00:37:12,520 --> 00:37:16,479
Speaker 1: in my life. I just graduated. M hm, the real

665
00:37:16,560 --> 00:37:18,799
Speaker 1: world for real? Man, what you think it would have been?

666
00:37:19,960 --> 00:37:21,480
Speaker 1: What you think it would have been if you if

667
00:37:21,520 --> 00:37:23,200
Speaker 1: the music ship didn't prapped for you? What you think

668
00:37:23,200 --> 00:37:26,080
Speaker 1: it would have been? I can draw and all that stuff. Man,

669
00:37:26,120 --> 00:37:27,319
Speaker 1: I had went to school. I was ready to do

670
00:37:27,360 --> 00:37:31,040
Speaker 1: computer animation, you know, wrap that one my pops when

671
00:37:31,080 --> 00:37:34,800
Speaker 1: there be my thing. But when I got down to Augusta,

672
00:37:35,160 --> 00:37:39,000
Speaker 1: you know, after they stole my damn art equipment. I

673
00:37:39,040 --> 00:37:40,880
Speaker 1: was at Art Institute of Atlanta. After they stole my

674
00:37:40,920 --> 00:37:43,560
Speaker 1: damn ship, I had to start back playing baseball. I

675
00:37:43,600 --> 00:37:46,400
Speaker 1: had to take a baseball scholarship. I had a baseball scholarship.

676
00:37:46,400 --> 00:37:48,839
Speaker 1: But I was about to say baseball hall, I'm about

677
00:37:48,880 --> 00:37:51,560
Speaker 1: to do this computer animation ship and get some of

678
00:37:51,600 --> 00:37:55,560
Speaker 1: this Disney money off of this goddamn ship. I can draw, man,

679
00:37:55,600 --> 00:37:58,120
Speaker 1: I'm gonna stole my car. Probably just threw that ship out.

680
00:37:58,120 --> 00:37:59,759
Speaker 1: They got there Trump, They don't know. They just sucked

681
00:37:59,800 --> 00:38:02,200
Speaker 1: him thega hole gotdamn play. But you made but play

682
00:38:02,200 --> 00:38:04,320
Speaker 1: at the same time, because you know niggas who I

683
00:38:04,360 --> 00:38:07,200
Speaker 1: was got there mad and when I went in that studio, nigga,

684
00:38:07,560 --> 00:38:15,000
Speaker 1: that's the kind of ship that went on the world. Man, everybody, man,

685
00:38:15,000 --> 00:38:19,160
Speaker 1: this ship, that ship, it's on that ship. That ship hardly.

686
00:38:19,200 --> 00:38:21,759
Speaker 1: So that was what the first song was. You you

687
00:38:21,760 --> 00:38:24,719
Speaker 1: remember the first song, man bro No more playing g

688
00:38:24,840 --> 00:38:27,719
Speaker 1: a with the first song I recorded. The first time

689
00:38:27,760 --> 00:38:30,640
Speaker 1: I went to a real studio, I made the beat.

690
00:38:31,320 --> 00:38:32,879
Speaker 1: The first time I went to the studio, I got

691
00:38:32,880 --> 00:38:35,920
Speaker 1: the beat machine. We had the real studio down the

692
00:38:36,120 --> 00:38:39,000
Speaker 1: South studio South Man. I walked in with my drum machine.

693
00:38:39,719 --> 00:38:44,160
Speaker 1: The engineer like, uh okay, separate the track. I was like, no,

694
00:38:44,320 --> 00:38:45,920
Speaker 1: we don't separate the track. We just played out of

695
00:38:45,960 --> 00:38:51,239
Speaker 1: here phones. It's good. What all y'all do is what man,

696
00:38:51,320 --> 00:38:54,759
Speaker 1: this is a professional studio. I need to never separated

697
00:38:54,880 --> 00:38:57,640
Speaker 1: the symbols separated. You don't know what you're doing. You

698
00:38:57,680 --> 00:38:59,160
Speaker 1: need to get your man. You want to come back.

699
00:38:59,160 --> 00:39:01,960
Speaker 1: When you read it, I'm like, damn, this motherfucker. That

700
00:39:02,120 --> 00:39:04,440
Speaker 1: chick me. Man. He was like, I don't want to

701
00:39:04,440 --> 00:39:06,160
Speaker 1: just waste your time in the studio. This ship causing

702
00:39:06,200 --> 00:39:11,319
Speaker 1: a hundred dollars an hour and this man, I leave

703
00:39:11,400 --> 00:39:13,279
Speaker 1: with the guy. Now leave with my quip me like, Man,

704
00:39:13,560 --> 00:39:15,360
Speaker 1: try to get you some more studio time in about

705
00:39:15,360 --> 00:39:16,759
Speaker 1: a week or two. I make sure I can get

706
00:39:16,760 --> 00:39:18,600
Speaker 1: you in. Bro, I go straight home and get on

707
00:39:18,640 --> 00:39:20,160
Speaker 1: that damn man. You're trying to figure out how to

708
00:39:20,160 --> 00:39:24,000
Speaker 1: separate the track. Alright, cool, Now I got it, making

709
00:39:24,000 --> 00:39:26,520
Speaker 1: the base just come out by self, making the snail

710
00:39:26,600 --> 00:39:29,279
Speaker 1: just come out by self, you know, separating them. Man.

711
00:39:29,280 --> 00:39:30,960
Speaker 1: When he let me get back in the studio, Man

712
00:39:31,640 --> 00:39:33,960
Speaker 1: walked to him that drum machine homework like you got it,

713
00:39:34,480 --> 00:39:37,760
Speaker 1: I got it. Plug they're drawn up and say pushed

714
00:39:37,760 --> 00:39:41,560
Speaker 1: play had that base solo and just say boom boom

715
00:39:41,719 --> 00:39:45,279
Speaker 1: boom boom. Said. He was like, yeah, that's it. He

716
00:39:45,360 --> 00:39:47,359
Speaker 1: let me get to that studio man, the booth. What's

717
00:39:47,400 --> 00:39:49,920
Speaker 1: so crazy? Man? Winning that wrapped the song and it

718
00:39:50,000 --> 00:39:53,560
Speaker 1: was just no more playing g A. The last day

719
00:39:53,560 --> 00:39:54,759
Speaker 1: we was in the studio, Man, we was in the

720
00:39:54,760 --> 00:39:57,040
Speaker 1: studio probably two weeks. The last day we was in

721
00:39:57,080 --> 00:39:59,759
Speaker 1: the studio and listening to everything, and I told him

722
00:39:59,800 --> 00:40:01,759
Speaker 1: to get down, man, let me go back and then

723
00:40:01,840 --> 00:40:04,400
Speaker 1: add something that hook and I added that we're really

724
00:40:04,440 --> 00:40:07,520
Speaker 1: on top of it. So it was already no here

725
00:40:07,560 --> 00:40:09,640
Speaker 1: go for what you say. Ain't no more playing g

726
00:40:09,840 --> 00:40:15,000
Speaker 1: A and I put them. We turned that ship to

727
00:40:15,080 --> 00:40:22,839
Speaker 1: a whole another dog man ship. The rest is black history. Man.

728
00:40:22,880 --> 00:40:25,239
Speaker 1: We got to get to go all y'all bootleggers. Man ship.

729
00:40:25,400 --> 00:40:27,319
Speaker 1: You know your bootlegging my ship back in the day.

730
00:40:27,520 --> 00:40:31,080
Speaker 1: If you know, you had a blank CD with Passing

731
00:40:31,160 --> 00:40:33,680
Speaker 1: Troy and this got the typed on that motherfucker. Man,

732
00:40:34,719 --> 00:40:43,759
Speaker 1: Now screen, it's what you got covered up this year. Man. Man,

733
00:40:43,840 --> 00:40:46,120
Speaker 1: we're just hanging the banging. Man, We're just hanging the banging.

734
00:40:46,160 --> 00:40:48,080
Speaker 1: I'm looking forward. I got a little serious. I'm about

735
00:40:48,080 --> 00:40:49,799
Speaker 1: to shoot. Man. I don't know what I'm gonna call it,

736
00:40:50,560 --> 00:40:52,520
Speaker 1: just gonna be some real gangster ship, man, just from

737
00:40:52,560 --> 00:40:54,040
Speaker 1: the story of a nigger that's been in the rad

738
00:40:54,080 --> 00:40:57,239
Speaker 1: game for twenty three years doing this ship. That's some ship.

739
00:40:57,280 --> 00:40:59,839
Speaker 1: Tyler Perry ain't gonna be able to goddamn tell you,

740
00:41:00,000 --> 00:41:01,239
Speaker 1: and he ain't gonna be able to show you this

741
00:41:01,280 --> 00:41:05,360
Speaker 1: ship we're packing them did some ship from the field.

742
00:41:05,719 --> 00:41:07,319
Speaker 1: You feel me, man, some of this ship you just

743
00:41:07,360 --> 00:41:10,200
Speaker 1: had to be in it to know you feel me, man,

744
00:41:10,760 --> 00:41:13,880
Speaker 1: Like my first contract Brough. I signed my first contract

745
00:41:14,560 --> 00:41:17,719
Speaker 1: that ship, three or four pages. I'm telling the Proud

746
00:41:17,880 --> 00:41:21,160
Speaker 1: this this pro production deal. Yeah, this is your production deal.

747
00:41:21,200 --> 00:41:23,280
Speaker 1: I probably I said, everything's gonna open up. She supposed

748
00:41:23,320 --> 00:41:26,640
Speaker 1: to be my manager. Everything's gonna open up. All right,

749
00:41:27,040 --> 00:41:29,879
Speaker 1: I'm signing this ship. But all right, signed my name

750
00:41:29,920 --> 00:41:33,840
Speaker 1: and that ship past bro Nick started hearing called holocaust

751
00:41:33,840 --> 00:41:35,880
Speaker 1: the city man trying to signed with Jane Griffin. Try

752
00:41:36,040 --> 00:41:38,920
Speaker 1: signed with Jeane Grid. I'm like, I don't even know

753
00:41:38,920 --> 00:41:41,520
Speaker 1: who Jeane Griman. Just a distributed dude. Oh no, I

754
00:41:41,640 --> 00:41:43,640
Speaker 1: just signed a distribution deal. He to do him with

755
00:41:43,680 --> 00:41:46,640
Speaker 1: the distribution. They're like, man, you better get a lawyer

756
00:41:46,640 --> 00:41:49,160
Speaker 1: to check on that. Man, you're telling everybody's signed to him.

757
00:41:49,280 --> 00:41:51,440
Speaker 1: I hear the brought up. Hey man, I need a

758
00:41:51,480 --> 00:41:54,160
Speaker 1: copy of that contract. Okay, have for you today? Try

759
00:41:54,480 --> 00:41:57,839
Speaker 1: all right? That ship turned into a damn a week now.

760
00:41:57,840 --> 00:42:01,400
Speaker 1: I gotta turn into eight. I need that track to day.

761
00:42:02,000 --> 00:42:04,080
Speaker 1: All right, come and meet me. Has to work whatever, man,

762
00:42:04,120 --> 00:42:06,600
Speaker 1: I got them, get out there. Man. When I rode

763
00:42:06,600 --> 00:42:08,840
Speaker 1: the doorbell black, I hit a bit crying from the

764
00:42:08,840 --> 00:42:14,719
Speaker 1: other side of the door. Flag when she hand me

765
00:42:14,760 --> 00:42:16,640
Speaker 1: that mother she handed him and tell me I'm sorry.

766
00:42:16,680 --> 00:42:20,040
Speaker 1: I'm sorry. Black mother had me the contract that's all

767
00:42:20,120 --> 00:42:24,640
Speaker 1: bit encyclopedic. They don't staple to the top or what

768
00:42:24,760 --> 00:42:29,160
Speaker 1: I motherfucking side that's something like this. I thought I've

769
00:42:29,160 --> 00:42:34,680
Speaker 1: been on this first thing. Crossed that motherfucker like graffiti

770
00:42:35,320 --> 00:42:44,760
Speaker 1: exclusive recording, exclusive recording on this contract. I said, God damn,

771
00:42:45,239 --> 00:42:49,160
Speaker 1: she be a bold letter too. I said, I can't

772
00:42:49,160 --> 00:42:54,359
Speaker 1: sign this. We already signed that. B was like, huh.

773
00:42:54,560 --> 00:42:57,120
Speaker 1: I just left it at that, bro. I went back

774
00:42:57,680 --> 00:43:02,960
Speaker 1: signed contracts to myself and dated them past that date.

775
00:43:05,880 --> 00:43:08,840
Speaker 1: The album was already done. How the funk I'm a

776
00:43:08,920 --> 00:43:12,320
Speaker 1: SOLA exclusive recording artists contract with you on the album

777
00:43:12,360 --> 00:43:16,400
Speaker 1: that's already done in order, the motherckers changed the picture

778
00:43:16,440 --> 00:43:19,080
Speaker 1: on me. I take another picture with them. Now it's

779
00:43:19,719 --> 00:43:22,560
Speaker 1: Pastor Troy at the Club War. We ready, it's I

780
00:43:22,640 --> 00:43:24,319
Speaker 1: went to we read it out of the Club War.

781
00:43:24,440 --> 00:43:27,000
Speaker 1: They just don't flipped the ship, but they're flipping out

782
00:43:27,040 --> 00:43:30,760
Speaker 1: the name, be flipping out the ownership. Baby. I'm like, okay,

783
00:43:30,920 --> 00:43:33,080
Speaker 1: but we went in backdated them contracts. Man, I want

784
00:43:33,120 --> 00:43:35,960
Speaker 1: to sign some contracts. Had my boy notorized some ship.

785
00:43:36,200 --> 00:43:38,440
Speaker 1: The notary was expired from the year before, but he

786
00:43:38,520 --> 00:43:41,160
Speaker 1: still had his joint. Man got damn put these stamps

787
00:43:41,160 --> 00:43:44,279
Speaker 1: on this bitch from and everybody that's on the album.

788
00:43:44,320 --> 00:43:45,719
Speaker 1: If you said I'm on it, we're giving you a

789
00:43:45,719 --> 00:43:48,480
Speaker 1: contract to So now I got five contracts. I got

790
00:43:48,480 --> 00:43:50,960
Speaker 1: a little Pete contract around the contract. I got all

791
00:43:50,960 --> 00:43:54,319
Speaker 1: these people contract and just this one with you who

792
00:43:54,360 --> 00:43:57,000
Speaker 1: got there keeping the real and who bullshit? And this

793
00:43:57,160 --> 00:44:00,319
Speaker 1: dated before you? And they took that ship on the verse.

794
00:44:00,480 --> 00:44:01,640
Speaker 1: He had to get it out of his hand because

795
00:44:01,640 --> 00:44:04,600
Speaker 1: we're about to be and him he took me Universal

796
00:44:05,360 --> 00:44:07,680
Speaker 1: the Mother was like Troy Man ship there they got

797
00:44:07,719 --> 00:44:09,440
Speaker 1: the part we're just do being straight up with you.

798
00:44:10,040 --> 00:44:12,799
Speaker 1: And that's when I signed. I wanted to stay independent

799
00:44:12,840 --> 00:44:15,359
Speaker 1: because I was killing something. Man talk. If I would

800
00:44:15,360 --> 00:44:18,160
Speaker 1: have stayed independent, how that ship with Grooving Boy, it

801
00:44:18,320 --> 00:44:22,600
Speaker 1: was gone. But that's cool. It all made sense. And

802
00:44:22,640 --> 00:44:26,000
Speaker 1: then the day you think, you think, what would you

803
00:44:26,000 --> 00:44:28,160
Speaker 1: say is your hardest song? We know the biggest one?

804
00:44:28,200 --> 00:44:30,279
Speaker 1: Is we ready? She asked me. I said this the

805
00:44:30,280 --> 00:44:35,960
Speaker 1: city that's my favorite. What you think your hardest? I think, uh,

806
00:44:36,560 --> 00:44:38,719
Speaker 1: I like I have my One of his hardest songs

807
00:44:38,719 --> 00:44:42,399
Speaker 1: in me was Rhonda like yeah to shoot that joint man, man,

808
00:44:42,480 --> 00:44:46,600
Speaker 1: Princess from Crime, She's gonna play round the story already

809
00:44:46,640 --> 00:44:50,799
Speaker 1: there we shoot this ship. You know, um, probably one

810
00:44:50,800 --> 00:44:54,319
Speaker 1: of my hardest. Man, I think it's uh. I loved

811
00:44:54,400 --> 00:44:57,719
Speaker 1: Vice Versa because it was just am. It was just

812
00:44:57,760 --> 00:44:59,800
Speaker 1: a poem, you know what I mean? Man, Nick booted

813
00:44:59,840 --> 00:45:03,359
Speaker 1: me the stage on got down saying Vice Versa down

814
00:45:03,360 --> 00:45:05,680
Speaker 1: there in college, man, and just to go back down

815
00:45:05,719 --> 00:45:07,879
Speaker 1: the ship. This year I went for home coming. Hold

816
00:45:07,880 --> 00:45:09,880
Speaker 1: on you said when you was in Colorge, you said

817
00:45:09,920 --> 00:45:14,080
Speaker 1: the poem and got bulls. Yeah. Yeah, I finally heard

818
00:45:14,080 --> 00:45:15,880
Speaker 1: the beat for it. I finally heard the beat for

819
00:45:15,960 --> 00:45:17,960
Speaker 1: I probably had that so I memorized for about two

820
00:45:18,080 --> 00:45:20,520
Speaker 1: years before I heard the beat. My boy, car, I'm

821
00:45:20,520 --> 00:45:22,759
Speaker 1: gonna played that joint man and he had gave it

822
00:45:22,800 --> 00:45:26,000
Speaker 1: the big Boy, and big Boy passed on it. And

823
00:45:26,040 --> 00:45:28,040
Speaker 1: then they call played that beat for me. Man. I

824
00:45:28,080 --> 00:45:31,239
Speaker 1: heard that, dude, Dude, dude, I said, well, I got

825
00:45:31,280 --> 00:45:33,640
Speaker 1: something for this man. When I wanted to wrap that ship,

826
00:45:33,680 --> 00:45:37,239
Speaker 1: but I wrapped that ship one tape, no mistakes, just

827
00:45:37,560 --> 00:45:39,200
Speaker 1: it was already on my heart. I just had to

828
00:45:39,320 --> 00:45:42,239
Speaker 1: let that ship. You can hear you feel you can

829
00:45:42,280 --> 00:45:45,080
Speaker 1: hear that you can hear man, I'm talking about maham.

830
00:45:45,200 --> 00:45:48,680
Speaker 1: I won't stop until they feel me protecting de thing

831
00:45:49,000 --> 00:45:50,840
Speaker 1: Lord is trying to kill me. I was out of

832
00:45:50,880 --> 00:45:55,840
Speaker 1: breath and that motherfucker man wrapping that ship that nigga

833
00:45:55,880 --> 00:45:58,680
Speaker 1: called mow he dancing. He looked through the thing, the

834
00:45:58,719 --> 00:46:01,640
Speaker 1: glass that scared it. He got them. Don't know where

835
00:46:01,640 --> 00:46:09,800
Speaker 1: the hell I'm talking about going to Hello everybody, everybody?

836
00:46:10,600 --> 00:46:12,840
Speaker 1: Damn man. It was real dope, man, real dope. What

837
00:46:12,920 --> 00:46:15,480
Speaker 1: was so crazy about? The scream? After them? Nigga boomed me.

838
00:46:16,400 --> 00:46:20,480
Speaker 1: But the problem, she said, he's the what did you

839
00:46:20,600 --> 00:46:23,640
Speaker 1: be talking about? I called my pops the next day.

840
00:46:23,680 --> 00:46:27,080
Speaker 1: I like Dad, He's like, what's up. I'm like, uh

841
00:46:27,320 --> 00:46:30,880
Speaker 1: that my homeboy got this song called versus. You know

842
00:46:31,160 --> 00:46:33,279
Speaker 1: it couldn't be mine. I had to tell him about

843
00:46:33,320 --> 00:46:34,840
Speaker 1: my homeboard and I don't like, damn my home I

844
00:46:34,920 --> 00:46:38,560
Speaker 1: got this song called vice Versa and it's about what

845
00:46:38,600 --> 00:46:43,160
Speaker 1: if good was bad? Yeah? Well yeah. Pops was like, uh.

846
00:46:44,200 --> 00:46:45,640
Speaker 1: I was like, how do you feel about it? He

847
00:46:45,760 --> 00:46:50,440
Speaker 1: was like, what if that ain't no crame? What if

848
00:46:51,120 --> 00:46:53,279
Speaker 1: what if you was rich? What if? He was like,

849
00:46:53,960 --> 00:46:56,160
Speaker 1: every man, that's the kind of knowledge I got from

850
00:46:56,200 --> 00:46:59,120
Speaker 1: a pastor, Troy. It made me feel so much better

851
00:46:59,120 --> 00:47:02,080
Speaker 1: about the Rutger. I still didn't just embrace it, but

852
00:47:02,120 --> 00:47:04,040
Speaker 1: I knew when I did, I was gonna be ready

853
00:47:04,040 --> 00:47:09,320
Speaker 1: to stand up on it. Ain't that wrong, that's no question.

854
00:47:09,560 --> 00:47:11,960
Speaker 1: Challenge yourself. What's some of the things you think you

855
00:47:12,040 --> 00:47:14,719
Speaker 1: did to keep your name flowing and increase the longevity

856
00:47:14,760 --> 00:47:16,440
Speaker 1: for yourself. Whereas a lot of people that you came

857
00:47:16,480 --> 00:47:21,240
Speaker 1: into the dough with us. Yeah, man up, shaking hands

858
00:47:21,239 --> 00:47:23,880
Speaker 1: and got that being humble, take your long way, you

859
00:47:23,960 --> 00:47:27,319
Speaker 1: feel me man understanding the game and how to work

860
00:47:27,320 --> 00:47:32,040
Speaker 1: your play Like I see these boys, you know, Nigga

861
00:47:32,080 --> 00:47:33,560
Speaker 1: might got damn jump out there, he got a hot

862
00:47:33,640 --> 00:47:38,959
Speaker 1: rock up Damn my show ten thousand, Yeah, I jump

863
00:47:38,960 --> 00:47:41,720
Speaker 1: out there and tell them nigh all right, my host folk,

864
00:47:42,960 --> 00:47:46,520
Speaker 1: I'm gonna god damn Friday, Saturday and Sunday, I'm gonna

865
00:47:46,560 --> 00:47:50,120
Speaker 1: get a three. Then still waiting on the new coling

866
00:47:50,200 --> 00:47:55,120
Speaker 1: with that ten did me and got down eight damn

867
00:47:55,160 --> 00:47:58,319
Speaker 1: there nine for the weekend. And I do that over

868
00:47:58,360 --> 00:48:00,080
Speaker 1: and over again while you still wait to that team in.

869
00:48:01,600 --> 00:48:03,520
Speaker 1: You gotta god damn go with you, gotta go with

870
00:48:03,520 --> 00:48:05,520
Speaker 1: the waves. You gotta ride the way, man, you gotta

871
00:48:05,600 --> 00:48:07,960
Speaker 1: ride away. You can't just be stuck on. Nigga, I

872
00:48:08,040 --> 00:48:12,520
Speaker 1: got ten last month. My show was ten. I'm gonna

873
00:48:12,520 --> 00:48:16,200
Speaker 1: know how much you love me? What's the off? For real?

874
00:48:16,320 --> 00:48:19,520
Speaker 1: For real? For real? What you got? Yeah? Man, you

875
00:48:19,560 --> 00:48:21,680
Speaker 1: know that ship there? Man, don't make it work? Oh yeah,

876
00:48:21,719 --> 00:48:25,960
Speaker 1: I mean I'm talking about brand do with me? Hooked

877
00:48:25,960 --> 00:48:28,399
Speaker 1: it up with my ship. Man with just just being

878
00:48:28,440 --> 00:48:31,520
Speaker 1: on that independent wave like that. Man, they just be

879
00:48:31,560 --> 00:48:35,800
Speaker 1: so dope. They got run over here do the show tonight.

880
00:48:36,120 --> 00:48:37,920
Speaker 1: Nigga called me up man, my home. I gotta at

881
00:48:37,920 --> 00:48:40,719
Speaker 1: the hour. He got got them cover around. We go

882
00:48:40,800 --> 00:48:43,520
Speaker 1: here that meeting Nick over here. He want to verse.

883
00:48:43,560 --> 00:48:46,200
Speaker 1: What you leaving tomorrow? Get to the studio do a

884
00:48:46,280 --> 00:48:54,040
Speaker 1: verse and love. Nigga want one independent living man independently. Man,

885
00:48:54,120 --> 00:48:56,640
Speaker 1: Come on, man, you gotta play. The independent ship is

886
00:48:56,680 --> 00:48:59,480
Speaker 1: for people who can handle it. You know what I mean?

887
00:48:59,840 --> 00:49:03,680
Speaker 1: You know I called myself Major independent if I had

888
00:49:03,719 --> 00:49:05,239
Speaker 1: the taste of the Major ship while I was up

889
00:49:05,239 --> 00:49:08,680
Speaker 1: there the Major. Man. I'm getting everybody card that was

890
00:49:08,760 --> 00:49:10,600
Speaker 1: up there, man, anybody that was somebody I was staying

891
00:49:10,640 --> 00:49:14,520
Speaker 1: in contact with. The Shaheen reads and stuff, press, chunkets

892
00:49:14,520 --> 00:49:16,480
Speaker 1: and all that ship. With all these people down here,

893
00:49:16,800 --> 00:49:19,239
Speaker 1: I kept the relationships for them folks. That's how I

894
00:49:19,280 --> 00:49:23,919
Speaker 1: can get on the bricksast club and stuff. Now, gangster man,

895
00:49:24,960 --> 00:49:27,080
Speaker 1: you gotta want it, man, that's my last thing. I

896
00:49:27,080 --> 00:49:29,000
Speaker 1: got to say that all young nigga's man's a lot

897
00:49:29,040 --> 00:49:31,319
Speaker 1: of boys come through the platform and everything. Man, dog

898
00:49:32,800 --> 00:49:38,080
Speaker 1: take it. This is life changing as ship. Take this

899
00:49:38,160 --> 00:49:44,120
Speaker 1: ship series year like a career, lebron Um. Don't bullshit

900
00:49:44,200 --> 00:49:47,760
Speaker 1: about what the funk they got them doing. Don't bullshit

901
00:49:47,840 --> 00:49:50,080
Speaker 1: by what you're doing. Man. This ship is for real.

902
00:49:50,160 --> 00:49:52,000
Speaker 1: This ship can change your life. Nigga. You could not

903
00:49:52,440 --> 00:49:58,400
Speaker 1: have to work for anybody again. It's a blessing that

904
00:49:58,480 --> 00:50:01,880
Speaker 1: some people take for granted. It's something you what you

905
00:50:01,880 --> 00:50:03,919
Speaker 1: want out this ship for you just want to hold

906
00:50:03,920 --> 00:50:06,320
Speaker 1: you just on a weekend, nigga, or you want a career,

907
00:50:08,200 --> 00:50:14,160
Speaker 1: that's on you. Shoe choice and goddamn it, we still

908
00:50:14,200 --> 00:50:16,399
Speaker 1: want more time. You gotta put out there. We ready

909
00:50:16,480 --> 00:50:20,360
Speaker 1: has to go go. That's gonna be only Big Facts

910
00:50:23,120 --> 00:50:27,799
Speaker 1: stream that ship. Man. Let's get this ship up. Man.

911
00:50:29,080 --> 00:50:32,160
Speaker 1: But love must continuous access to your triple W dot

912
00:50:32,200 --> 00:50:35,560
Speaker 1: Big Facts Pod Dot com salute. You're listening to get

913
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Speaker 1: Big facts with Big Bank and DJ scream Big Facts

914
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915
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916
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917
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Speaker 1: pot dot com. What the real one one time y'all

918
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Speaker 1: come get y'all some of this merch man, Big facts

919
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920
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