WEBVTT - Kill 'Em All: Metallica vs. Megadeth

0:00:00.280 --> 0:00:14.480
<v Speaker 1>Rivals is a production of I Heart Radio. Hello everyone,

0:00:14.480 --> 0:00:16.720
<v Speaker 1>and welcome to Rivals, the show about music, beefs and

0:00:16.800 --> 0:00:20.600
<v Speaker 1>feuds and long simmering resentments between musicians. I'm Steve and

0:00:20.640 --> 0:00:23.200
<v Speaker 1>I'm Jordan's and today we're here to answer the biggest

0:00:23.280 --> 0:00:25.200
<v Speaker 1>question in heavy metal. You know, really, it's one of

0:00:25.320 --> 0:00:27.600
<v Speaker 1>life's great questions. It's up there with why are we here?

0:00:27.600 --> 0:00:30.360
<v Speaker 1>And are we alone in the universe. Today we're going

0:00:30.400 --> 0:00:35.200
<v Speaker 1>to tackle the age old question Metallica or Megadeth. Yes,

0:00:35.400 --> 0:00:37.120
<v Speaker 1>although I'm sure there's somebody out there who's mat that

0:00:37.159 --> 0:00:39.680
<v Speaker 1>we're not also talking about Slayer and Anthrax, you know,

0:00:40.840 --> 0:00:43.440
<v Speaker 1>all due respect to the Big Four, but we're focusing

0:00:43.440 --> 0:00:46.040
<v Speaker 1>on Metallica and Megadeth because these bands are linked by

0:00:46.080 --> 0:00:48.800
<v Speaker 1>one Dave mus Stain, who used to be a Metallica

0:00:48.840 --> 0:00:50.720
<v Speaker 1>and then was kicked out before they put out their

0:00:50.720 --> 0:00:53.520
<v Speaker 1>first record, Kill Them All in the eighty three. After

0:00:53.520 --> 0:00:55.520
<v Speaker 1>that he formed Megadeth with the goal of the throning

0:00:55.520 --> 0:00:58.440
<v Speaker 1>Metallica from the top of the thrash metal heap. Uh.

0:00:58.520 --> 0:01:02.160
<v Speaker 1>He's like Robert de Niro in Cape Fear and Metallica

0:01:02.360 --> 0:01:06.360
<v Speaker 1>is the Nickna character. That's amazing. Yes, I mean you know,

0:01:06.520 --> 0:01:08.200
<v Speaker 1>it's not gonna come as much of a surprise that

0:01:08.319 --> 0:01:11.080
<v Speaker 1>I'm not the world's biggest metal head. But the feud

0:01:11.080 --> 0:01:14.399
<v Speaker 1>between Dave Mustain and his ex Metallica bandmates fascinates me

0:01:14.440 --> 0:01:16.600
<v Speaker 1>to no end. It's just one of the most intense

0:01:16.640 --> 0:01:20.320
<v Speaker 1>band on band rivalries ever because it's so damn personal.

0:01:20.880 --> 0:01:23.920
<v Speaker 1>Mustain was fired from the group literally days before they

0:01:23.920 --> 0:01:26.080
<v Speaker 1>went into the studio to record their first album, which

0:01:26.160 --> 0:01:27.800
<v Speaker 1>sent him on the road to being the biggest metal

0:01:27.800 --> 0:01:30.880
<v Speaker 1>band ever. They put him on a cross country greyhound

0:01:31.080 --> 0:01:34.760
<v Speaker 1>Penny listens scrounging for potato chips for four days with

0:01:34.840 --> 0:01:37.840
<v Speaker 1>nothing to do but plot is revenge, that's cold, and

0:01:37.840 --> 0:01:40.800
<v Speaker 1>he forms Mega Death in an attempt to out metal Metallica.

0:01:41.040 --> 0:01:44.440
<v Speaker 1>And just imagine being defined by your worst moment. That's

0:01:44.480 --> 0:01:46.920
<v Speaker 1>pretty much what happened to Dave Mustain. His entire life

0:01:46.920 --> 0:01:49.720
<v Speaker 1>was shaped by the single incident. And Mustain, to me,

0:01:49.800 --> 0:01:52.920
<v Speaker 1>is such a compelling, tragic comic hero. He's like Gatsby.

0:01:53.040 --> 0:01:55.120
<v Speaker 1>He just can't let go of the past, and even

0:01:55.120 --> 0:01:58.440
<v Speaker 1>when he tries, he can't escape it. It's Metallica. They're

0:01:58.480 --> 0:02:02.080
<v Speaker 1>that ubiquitous, They're that assive. No matter how big Megadeth

0:02:02.120 --> 0:02:05.080
<v Speaker 1>get they'll never be Metallica, And yet I know there

0:02:05.080 --> 0:02:08.160
<v Speaker 1>are true blue metal fans out there who prefer Megadeth

0:02:08.200 --> 0:02:10.960
<v Speaker 1>to Metallica for the very reason that Megadeth never really

0:02:10.960 --> 0:02:13.120
<v Speaker 1>went pop. You know, they've stayed true to the metal

0:02:13.160 --> 0:02:16.760
<v Speaker 1>path for about thirty five years while Metallica pursued MTV

0:02:16.880 --> 0:02:20.400
<v Speaker 1>fame and power ballot hits. Dave Mustain isn't as famous

0:02:20.400 --> 0:02:22.840
<v Speaker 1>as Lars al Rick, but de Mustain also never became

0:02:23.240 --> 0:02:25.600
<v Speaker 1>the focus of scorn because he spoke out against napster,

0:02:25.960 --> 0:02:28.800
<v Speaker 1>you know. So you know there are cases for success,

0:02:28.840 --> 0:02:32.000
<v Speaker 1>whether it's commercial or artistic, to be made on both

0:02:32.040 --> 0:02:35.080
<v Speaker 1>sides of this equation. So without further ado, let's get

0:02:35.120 --> 0:02:40.239
<v Speaker 1>into this mess. Like so many of life and pleasantries,

0:02:40.400 --> 0:02:43.320
<v Speaker 1>this whole thing is Laras al Ric's fault. It was

0:02:43.400 --> 0:02:45.840
<v Speaker 1>he who put the classified ad in a local newspaper

0:02:45.840 --> 0:02:48.760
<v Speaker 1>which read drummer looking for another metal musicians the jam

0:02:48.800 --> 0:02:52.000
<v Speaker 1>with Tigers of Pentang, Diamond Head and Iron Maiden. Those

0:02:52.000 --> 0:02:55.760
<v Speaker 1>were his influences, it was, and the teenage Lars had

0:02:55.760 --> 0:02:59.240
<v Speaker 1>recently immigrated to l A from Denmark with dreams of

0:02:59.280 --> 0:03:01.680
<v Speaker 1>becoming a pro hennis player like his father. But then

0:03:01.680 --> 0:03:03.320
<v Speaker 1>he fell prey to the new wave of a British

0:03:03.360 --> 0:03:06.480
<v Speaker 1>heavy metal heralded by the likes of Diamond Head Iron

0:03:06.520 --> 0:03:10.880
<v Speaker 1>Maiden Venom. His ad was answered by James Headfield, and

0:03:11.000 --> 0:03:13.519
<v Speaker 1>James was this painfully shy kid from the l a

0:03:13.600 --> 0:03:16.280
<v Speaker 1>suburb of Downey, which is also home of the Carpenters.

0:03:16.320 --> 0:03:18.280
<v Speaker 1>Interestingly enough, he had had Field hit it off and

0:03:18.280 --> 0:03:21.120
<v Speaker 1>that became the nucleus of Metallica. If Van Halen was

0:03:21.200 --> 0:03:23.360
<v Speaker 1>Eddie and Alex, Metallica had these two, and you know,

0:03:23.360 --> 0:03:24.840
<v Speaker 1>when all is said and done, they're the only two

0:03:24.880 --> 0:03:28.600
<v Speaker 1>consistent members now. Another guy that answered Lars ulriks ad

0:03:28.680 --> 0:03:31.280
<v Speaker 1>was Dave Mustain, and Mustain at that time he had

0:03:31.320 --> 0:03:35.280
<v Speaker 1>played in a local band called Panic, but that band

0:03:35.480 --> 0:03:39.440
<v Speaker 1>ended fairly early on because both the drummer and the

0:03:39.520 --> 0:03:44.400
<v Speaker 1>sound guy were killed after their second show, which is unbelievable,

0:03:44.760 --> 0:03:47.440
<v Speaker 1>like a very I guess metal way for a metal

0:03:47.480 --> 0:03:50.880
<v Speaker 1>band to end. But Dave Mustain was sent adrift by this.

0:03:51.000 --> 0:03:53.720
<v Speaker 1>It's the first, I guess of many heartbreaks for him

0:03:54.280 --> 0:03:56.840
<v Speaker 1>in terms of losing out on rock bands. But he

0:03:56.840 --> 0:04:00.160
<v Speaker 1>shows up to the Metallica audition and Lars and Jays

0:04:00.160 --> 0:04:03.720
<v Speaker 1>are very impressed. By both his gear and his ability

0:04:03.840 --> 0:04:06.680
<v Speaker 1>to shred on guitar, and they invited him to join

0:04:06.720 --> 0:04:09.440
<v Speaker 1>the band and they find that like I think, Dave

0:04:09.720 --> 0:04:13.640
<v Speaker 1>initially fit in because him and James had a similar background.

0:04:14.000 --> 0:04:16.599
<v Speaker 1>Dave Mustain was raised as a Jehovah's witness and James

0:04:16.600 --> 0:04:19.039
<v Speaker 1>Hetfield was raised as a Christian scientist, so they had

0:04:19.080 --> 0:04:22.200
<v Speaker 1>that very strict religious background that of course drove them

0:04:22.200 --> 0:04:25.320
<v Speaker 1>into metal music. Eventually. They also both had to deal

0:04:25.720 --> 0:04:28.920
<v Speaker 1>with fathers who had walked out on their families early on,

0:04:29.279 --> 0:04:33.120
<v Speaker 1>so they I think we're both dealing with abandonment issues. Unfortunately,

0:04:33.200 --> 0:04:36.800
<v Speaker 1>Dave Mustain was going to have those abandonment issues compounded

0:04:37.080 --> 0:04:39.920
<v Speaker 1>by his experience in Metallica. But of course we're getting

0:04:39.920 --> 0:04:43.000
<v Speaker 1>ahead of ourselves. In early two, Metallica recorded their first

0:04:43.000 --> 0:04:46.320
<v Speaker 1>original song, Hit the Lights, for the Metal Massacre one compilation,

0:04:46.880 --> 0:04:48.680
<v Speaker 1>and they started playing gigs around l A. But they

0:04:48.720 --> 0:04:50.840
<v Speaker 1>really struggled to fit into the rock scene, which at

0:04:50.839 --> 0:04:54.600
<v Speaker 1>that time was basically spandex hair metal strippers partying all

0:04:54.600 --> 0:04:57.919
<v Speaker 1>that sunset striped stuff. And this wasn't Metallica. Like David

0:04:57.920 --> 0:05:00.160
<v Speaker 1>Stain would later say, the other bands wanted the girl

0:05:00.520 --> 0:05:03.840
<v Speaker 1>we wanted to rule the world, and they responded to

0:05:03.880 --> 0:05:06.320
<v Speaker 1>the apathy of the crowds by simply playing louder and

0:05:06.400 --> 0:05:08.799
<v Speaker 1>faster than anyone, which became a hallmark of their sound.

0:05:09.160 --> 0:05:11.000
<v Speaker 1>And in the early days of the band, Dave Mustain

0:05:11.160 --> 0:05:13.320
<v Speaker 1>was really seen as the virtuos, so he was sort

0:05:13.320 --> 0:05:15.400
<v Speaker 1>of a guy out front, the focal point. People who

0:05:15.440 --> 0:05:17.760
<v Speaker 1>knew the band at that time, like Scott Anna Amtrax,

0:05:18.040 --> 0:05:20.080
<v Speaker 1>he would say he was the frontman, he was the mouthpiece,

0:05:20.120 --> 0:05:23.920
<v Speaker 1>he was the personality. James Hetfield was still pretty reserved

0:05:23.920 --> 0:05:26.839
<v Speaker 1>and developing his own stage persona, and in later years

0:05:26.920 --> 0:05:30.159
<v Speaker 1>Dave Mustain would accuse James being jealous of getting being

0:05:30.160 --> 0:05:32.359
<v Speaker 1>the one who got all the attention during these early

0:05:32.360 --> 0:05:35.039
<v Speaker 1>shows because of his own natural charisma. He would say,

0:05:35.320 --> 0:05:38.159
<v Speaker 1>James whole frontman persona he copped from me. In the

0:05:38.200 --> 0:05:39.920
<v Speaker 1>beginning of the band, he just sang and I did

0:05:39.960 --> 0:05:42.160
<v Speaker 1>all the guitar work. When he was done singing, he'd

0:05:42.160 --> 0:05:43.960
<v Speaker 1>walk away from the microphone and I had to walk

0:05:44.040 --> 0:05:46.240
<v Speaker 1>up to the mic and talk. Now, in case it's

0:05:46.279 --> 0:05:50.440
<v Speaker 1>not already apparent, Dave Mustain is like a pretty abrasive character.

0:05:50.760 --> 0:05:54.839
<v Speaker 1>Like I interviewed Da Mustain a long time ago, and

0:05:54.920 --> 0:05:58.360
<v Speaker 1>he was like a pretty intimidating dude. And you know,

0:05:58.440 --> 0:06:00.919
<v Speaker 1>I remember asking questions and he would like pause for

0:06:01.000 --> 0:06:03.680
<v Speaker 1>like it felt like thirty seconds before he would answer,

0:06:03.800 --> 0:06:05.279
<v Speaker 1>you know, I think, just to make me feel like

0:06:05.279 --> 0:06:08.440
<v Speaker 1>an idiot for asking him any questions. Wait, this was two,

0:06:08.720 --> 0:06:10.760
<v Speaker 1>so this was some kind of Monster era. Yeah, well

0:06:10.800 --> 0:06:12.479
<v Speaker 1>this is like before some kind of Monster. So I

0:06:12.480 --> 0:06:14.880
<v Speaker 1>don't think that. I don't think the movie was out yet.

0:06:14.920 --> 0:06:17.279
<v Speaker 1>We were talking about whatever Mega Death record, which just

0:06:17.279 --> 0:06:19.039
<v Speaker 1>like a guy on the screen was who you Oh

0:06:19.120 --> 0:06:22.839
<v Speaker 1>my god, that's terrifying. Wow. Yeah. So I think even

0:06:22.880 --> 0:06:25.119
<v Speaker 1>like when David Stain was sober, he was a pretty

0:06:25.160 --> 0:06:28.440
<v Speaker 1>difficult guy to deal with. But in Metallica, the issues

0:06:28.480 --> 0:06:30.960
<v Speaker 1>with him really started to arise because of his drinking.

0:06:31.040 --> 0:06:33.520
<v Speaker 1>Now that seems a little weird to talk about with

0:06:33.520 --> 0:06:36.599
<v Speaker 1>Metallica because they are one of the most famously like

0:06:36.680 --> 0:06:41.240
<v Speaker 1>hard drinking bands of all time, famously nicknamed Alcoholica. Uh

0:06:41.279 --> 0:06:43.279
<v Speaker 1>and you know, if you've seen some kind of Monster,

0:06:43.440 --> 0:06:46.040
<v Speaker 1>you know you know that history with the band. But

0:06:46.600 --> 0:06:50.039
<v Speaker 1>David Stain really reminds me of that friend that I

0:06:50.080 --> 0:06:52.359
<v Speaker 1>think we all had in college at one point where

0:06:52.520 --> 0:06:54.760
<v Speaker 1>they were basically the drunken asshole friend, you know, the

0:06:55.040 --> 0:06:58.039
<v Speaker 1>friend that like, you know, you like them when they're sober,

0:06:58.080 --> 0:06:59.600
<v Speaker 1>but like when you got to the bars that they

0:06:59.640 --> 0:07:01.840
<v Speaker 1>have a few too many drinks, they just turned into

0:07:01.839 --> 0:07:05.880
<v Speaker 1>this very sort of confrontational, aggressive person. And that's what

0:07:05.960 --> 0:07:08.200
<v Speaker 1>Dave Mustain was like. You know, he later said, you know,

0:07:08.240 --> 0:07:10.560
<v Speaker 1>I would drink and have fun until someone would refute

0:07:10.600 --> 0:07:13.240
<v Speaker 1>something I had said, and then that was war. Baby.

0:07:13.360 --> 0:07:16.320
<v Speaker 1>I'd be aggressive and confrontational because I was a violent drunk.

0:07:16.880 --> 0:07:19.880
<v Speaker 1>So you know, if you're hanging out your partying, everyone's

0:07:19.880 --> 0:07:21.760
<v Speaker 1>having a good time, but then you have one guy

0:07:21.880 --> 0:07:23.720
<v Speaker 1>who just like wants to get into arguments all the

0:07:23.760 --> 0:07:26.880
<v Speaker 1>time and is being pushy about his opinions. I mean,

0:07:26.880 --> 0:07:29.160
<v Speaker 1>it's that can be a pretty like wearies something to

0:07:29.200 --> 0:07:32.320
<v Speaker 1>be around. So there's that issue with Dave Mustain. There's

0:07:32.360 --> 0:07:35.680
<v Speaker 1>also something, uh that ends up being a pretty big deal.

0:07:36.400 --> 0:07:40.160
<v Speaker 1>I guess we'll call it the dog incident uh Metallica,

0:07:40.520 --> 0:07:45.400
<v Speaker 1>where at an earlier rehearsal, Dave Mustain brought his dog

0:07:46.080 --> 0:07:50.360
<v Speaker 1>to the rehearsal and UH this dog was particularly troublesome

0:07:50.440 --> 0:07:53.360
<v Speaker 1>to the band's basis at the time, whose name was

0:07:53.640 --> 0:07:57.160
<v Speaker 1>Ron mcgoverney total basis name. By the way, I love

0:07:57.200 --> 0:08:00.800
<v Speaker 1>the name Rob mcg Derek mcquickly. It's like this exact

0:08:01.120 --> 0:08:03.520
<v Speaker 1>metal name. But yeah, it just reminds me of like

0:08:03.560 --> 0:08:07.200
<v Speaker 1>a nondescript basis Like you knew Ron mcgoverney was not

0:08:07.200 --> 0:08:09.080
<v Speaker 1>going to be the guy. He was not destined for

0:08:09.120 --> 0:08:11.040
<v Speaker 1>the long haul. Yeah, it's like if your name is

0:08:11.080 --> 0:08:13.040
<v Speaker 1>Ron mcgoverney, you're you're going to be like a blip

0:08:13.120 --> 0:08:16.760
<v Speaker 1>in the industry of metalica. But anyway, Mustain brings his

0:08:16.800 --> 0:08:19.480
<v Speaker 1>dog to the rehearsal and apparently this dog ends up

0:08:19.480 --> 0:08:24.640
<v Speaker 1>scratching Ron mcgoverney's car, and James Hedfield is so incensed

0:08:24.640 --> 0:08:27.200
<v Speaker 1>by this that he like kicks the dog, which is

0:08:27.240 --> 0:08:30.720
<v Speaker 1>not cool to kick a dog, and Dad Mustain, you know,

0:08:31.000 --> 0:08:33.120
<v Speaker 1>he is a drunken asshole, but I think in this

0:08:33.160 --> 0:08:35.920
<v Speaker 1>case he was justified and getting upset and he actually

0:08:36.120 --> 0:08:39.520
<v Speaker 1>like just pulled back and like punched James Hedfield in

0:08:39.559 --> 0:08:43.000
<v Speaker 1>the mouth over this, and apparently, like ms Stain was

0:08:43.040 --> 0:08:45.800
<v Speaker 1>like fired over this fight, but then they brought him

0:08:45.840 --> 0:08:49.840
<v Speaker 1>back shortly after. But you know, after you punch someone

0:08:49.840 --> 0:08:52.000
<v Speaker 1>in your band in the mouth, things are not hard

0:08:52.120 --> 0:08:54.080
<v Speaker 1>going to be the same after that. Yeah, so it

0:08:54.120 --> 0:08:58.240
<v Speaker 1>seems like at that point Mustain his position in Metalica

0:08:58.320 --> 0:09:00.840
<v Speaker 1>wasn't terribly tenable at this point, and he continued to

0:09:00.960 --> 0:09:03.160
<v Speaker 1>terrorize poor Ron mcgoverney when he was drunk, and there

0:09:03.160 --> 0:09:05.240
<v Speaker 1>was occasion where he poured beer down the neck of

0:09:05.280 --> 0:09:07.959
<v Speaker 1>his bass, which caused the pickups on his base to

0:09:08.040 --> 0:09:11.120
<v Speaker 1>short out, and Ron freaked out and threw everybody out

0:09:11.120 --> 0:09:14.000
<v Speaker 1>of his house. I mean, Ron just he couldn't hang basically,

0:09:14.000 --> 0:09:15.680
<v Speaker 1>I mean the North should he He He shouldn't have to

0:09:15.679 --> 0:09:18.439
<v Speaker 1>deal with that. So poor mcgifney, the band, and poor mcgoverney.

0:09:18.480 --> 0:09:21.400
<v Speaker 1>He left the band very soon after, and uh as

0:09:21.400 --> 0:09:24.920
<v Speaker 1>a replacement, Metallica set out to recruit Cliff Burton, who

0:09:24.960 --> 0:09:27.480
<v Speaker 1>was in the Bay Area band called Trauma, and he

0:09:27.480 --> 0:09:30.320
<v Speaker 1>could play these mind meltingly good bass solos and they

0:09:30.320 --> 0:09:33.360
<v Speaker 1>almost sounded like guitar solos. They were so so dexterous.

0:09:33.400 --> 0:09:36.400
<v Speaker 1>They were just so so fast and furious, and James

0:09:36.440 --> 0:09:38.120
<v Speaker 1>and Larns has seen him perform and they were just

0:09:38.160 --> 0:09:41.680
<v Speaker 1>absolutely captivated. So they began trying to woo him, and

0:09:41.760 --> 0:09:44.000
<v Speaker 1>he agreed on the condition that the band relocated to

0:09:44.040 --> 0:09:46.800
<v Speaker 1>northern California and That's how Metallica became one of San

0:09:46.840 --> 0:09:50.239
<v Speaker 1>Francisco's favorite sons. It seems pretty amazing that like Metallica

0:09:50.280 --> 0:09:52.000
<v Speaker 1>would pick up and moved to a different part of

0:09:52.000 --> 0:09:53.960
<v Speaker 1>the state just because of Cliff Burton. You know, like

0:09:53.960 --> 0:09:56.240
<v Speaker 1>they're already established in Los Angeles, but it's like they

0:09:56.280 --> 0:09:57.960
<v Speaker 1>wanted him in the band so bad that they were

0:09:57.960 --> 0:10:01.160
<v Speaker 1>willing to move, you know, several hundred miles north. Can

0:10:01.200 --> 0:10:03.120
<v Speaker 1>you blame him? No? I mean it really speaks to

0:10:03.160 --> 0:10:04.800
<v Speaker 1>like how amazing Cliff Burton was. I mean, he was

0:10:04.840 --> 0:10:08.120
<v Speaker 1>like the Jaco Pistorius of like metal bass playing, you know,

0:10:08.240 --> 0:10:11.080
<v Speaker 1>just a virtuoso and putting him in the band and

0:10:11.120 --> 0:10:14.680
<v Speaker 1>you know, sending up poor Ron mcgoverney into the dustbin

0:10:14.720 --> 0:10:17.280
<v Speaker 1>of history. I mean it really was putting Metallica on

0:10:17.320 --> 0:10:20.480
<v Speaker 1>their way to becoming like this huge band that's going

0:10:20.520 --> 0:10:22.720
<v Speaker 1>to change the world. But of course there's still this

0:10:22.760 --> 0:10:25.200
<v Speaker 1>guy didn't standing in the band, who is not going

0:10:25.240 --> 0:10:27.600
<v Speaker 1>to be sticking around much longer. No, it really it

0:10:27.640 --> 0:10:30.000
<v Speaker 1>goes down on the trip to New York and Lars

0:10:30.000 --> 0:10:32.760
<v Speaker 1>have been circulating their seventh song demo, No No Life

0:10:32.760 --> 0:10:35.120
<v Speaker 1>to Leather, and one copy landed in the hands of

0:10:35.160 --> 0:10:37.920
<v Speaker 1>a character named was Johnny z And by day he

0:10:38.000 --> 0:10:40.360
<v Speaker 1>ran a New Jersey flea market called Rock and Roll Heaven,

0:10:40.400 --> 0:10:42.839
<v Speaker 1>which was this local metal mecca, and he started a

0:10:42.880 --> 0:10:45.200
<v Speaker 1>label called Megaforce Records, and he and he liked the band.

0:10:45.240 --> 0:10:46.559
<v Speaker 1>He like what he heard, and he offered to pay

0:10:46.600 --> 0:10:48.760
<v Speaker 1>for them to drive out so he could work with them.

0:10:48.800 --> 0:10:51.640
<v Speaker 1>So the Metallica drove a U Hall van supposedly a

0:10:51.760 --> 0:10:54.400
<v Speaker 1>stolen you Hale van uh and drove this across the

0:10:54.400 --> 0:10:56.920
<v Speaker 1>country and they would stop along the way at friends

0:10:57.040 --> 0:11:00.960
<v Speaker 1>houses where Davos Dan would get really wrong and trash

0:11:01.000 --> 0:11:03.520
<v Speaker 1>their friends houses. And this really was sort of the

0:11:03.600 --> 0:11:06.000
<v Speaker 1>last straw for everybody in the band. I mean, this

0:11:06.000 --> 0:11:08.520
<v Speaker 1>guy was just disrespecting their friends homes and property that

0:11:08.720 --> 0:11:11.160
<v Speaker 1>he he had to go. So they get to New

0:11:11.240 --> 0:11:14.120
<v Speaker 1>York and they're staying at I think it was Anthrax's

0:11:14.160 --> 0:11:16.560
<v Speaker 1>practice space up in Queens. I mean they were sleeping

0:11:16.600 --> 0:11:19.200
<v Speaker 1>on like U haul blankets and eating they called him

0:11:19.240 --> 0:11:21.760
<v Speaker 1>blowny on hand sandwiches. They didn't even have white bread,

0:11:21.760 --> 0:11:25.400
<v Speaker 1>they just had blowney that they would just eat raw. Uh,

0:11:25.640 --> 0:11:28.840
<v Speaker 1>you know, really really low resource. And they were playing

0:11:29.440 --> 0:11:31.400
<v Speaker 1>a couple of gigs in New York and and Dave

0:11:31.440 --> 0:11:34.720
<v Speaker 1>would get drunk during sound checks and heckle the headliners

0:11:34.720 --> 0:11:37.800
<v Speaker 1>and stuff. He was just a huge liability at this point.

0:11:37.840 --> 0:11:39.760
<v Speaker 1>In addition to being unpleasant to be around. You could

0:11:39.760 --> 0:11:41.560
<v Speaker 1>tell he was He was just a liability because of

0:11:41.559 --> 0:11:44.680
<v Speaker 1>his drinking. And this really sets the stage for probably

0:11:44.720 --> 0:11:47.559
<v Speaker 1>one of the most notorious band dismissals in rock history.

0:11:47.880 --> 0:11:50.200
<v Speaker 1>I love that we know the date that he was fired,

0:11:50.840 --> 0:11:54.400
<v Speaker 1>April eleven three, a day that will forever live in

0:11:54.480 --> 0:11:58.400
<v Speaker 1>metal infamy. Dave Mustain wakes up. He's sleeping on this

0:11:58.559 --> 0:12:00.720
<v Speaker 1>I think Mattress essentially just laid on the floor of

0:12:00.720 --> 0:12:04.400
<v Speaker 1>their rehearsal space and he wakes up. He just hung

0:12:04.440 --> 0:12:06.600
<v Speaker 1>over his hell and he looks up and he sees

0:12:06.679 --> 0:12:09.880
<v Speaker 1>James Hedefield, Lars Alric and Cliff Burton standing above him,

0:12:09.920 --> 0:12:12.920
<v Speaker 1>and they tell him essentially that you're fired. And not

0:12:13.080 --> 0:12:15.400
<v Speaker 1>only are you fired, but like we bought a bus

0:12:15.440 --> 0:12:18.800
<v Speaker 1>ticket for you, like a four day Greyhound trip back

0:12:18.840 --> 0:12:22.640
<v Speaker 1>to California, and it leaves in an hour, so and

0:12:23.200 --> 0:12:26.800
<v Speaker 1>the stain is like, you know, days again, he's you know,

0:12:27.160 --> 0:12:29.760
<v Speaker 1>drank hard the night before, so he's really hungover, doesn't

0:12:29.760 --> 0:12:32.320
<v Speaker 1>really know what's going on and I mean it seems

0:12:32.320 --> 0:12:34.440
<v Speaker 1>like this was intentional, like they were ambushing him in

0:12:34.480 --> 0:12:36.560
<v Speaker 1>this weekend state because they didn't want to have a

0:12:36.600 --> 0:12:38.640
<v Speaker 1>fight about it. You know. It seems like they just

0:12:38.679 --> 0:12:41.400
<v Speaker 1>wanted to get this over as quickly as possible. There's

0:12:41.440 --> 0:12:43.880
<v Speaker 1>that story that Mustain tells that like he boarded the

0:12:43.880 --> 0:12:46.640
<v Speaker 1>bus with like a small bag of potato chips and

0:12:46.679 --> 0:12:48.280
<v Speaker 1>that was it. Like that was like one of the

0:12:48.320 --> 0:12:50.480
<v Speaker 1>details that he remembers that he all he had to

0:12:50.520 --> 0:12:54.280
<v Speaker 1>eat was potato chips and shove him on right. Yeah,

0:12:54.320 --> 0:12:56.520
<v Speaker 1>he was wasted. He's hungover. They shove him on this

0:12:56.559 --> 0:12:59.680
<v Speaker 1>bus with potato chips and uh, he's gone out of

0:12:59.679 --> 0:13:02.400
<v Speaker 1>the band and like James and large, they spend the

0:13:02.400 --> 0:13:04.320
<v Speaker 1>rest of the day just getting wasted, you know, because

0:13:04.360 --> 0:13:06.880
<v Speaker 1>I think they felt bad about doing this, but they

0:13:06.960 --> 0:13:09.719
<v Speaker 1>knew ultimately that there was no other choice. That Dave

0:13:09.800 --> 0:13:13.320
<v Speaker 1>Mustain was, uh, you know, just a terrible person to

0:13:13.320 --> 0:13:15.839
<v Speaker 1>be around. You know again, like we've all known someone

0:13:15.960 --> 0:13:18.320
<v Speaker 1>like that that maybe for a while it's kind of

0:13:18.320 --> 0:13:20.640
<v Speaker 1>fun to hang out with them. But for all of

0:13:20.800 --> 0:13:23.920
<v Speaker 1>Mustain's talent as a as a guitar player, and also

0:13:24.360 --> 0:13:26.160
<v Speaker 1>you know, the Christmas that he had on stage. I

0:13:26.160 --> 0:13:29.040
<v Speaker 1>think Metallica felt like, Okay, we're approaching a point where

0:13:29.360 --> 0:13:31.320
<v Speaker 1>we're gonna maybe be able to put a record, and

0:13:31.320 --> 0:13:32.520
<v Speaker 1>we're not going to be able to get to where

0:13:32.559 --> 0:13:34.920
<v Speaker 1>we're going. Get this guy's in the band. It does

0:13:35.000 --> 0:13:37.360
<v Speaker 1>make me think about that story in Guns and Roses,

0:13:37.400 --> 0:13:40.200
<v Speaker 1>like when they fired Steven Adler for like doing too

0:13:40.240 --> 0:13:43.120
<v Speaker 1>many drugs, And it is sort of a weird thing

0:13:43.160 --> 0:13:46.280
<v Speaker 1>again because Metallica was this famously hard drinking band to

0:13:46.400 --> 0:13:48.800
<v Speaker 1>fire a guy for drinking too much, you know, it

0:13:48.880 --> 0:13:51.000
<v Speaker 1>is that situation like we're writing speeding tickets at the

0:13:51.040 --> 0:13:54.079
<v Speaker 1>ND five hundred, you know, like this one guy gets

0:13:54.120 --> 0:13:56.920
<v Speaker 1>punished for what everyone else in the group is doing.

0:13:57.040 --> 0:13:59.280
<v Speaker 1>But again, it does seem like Metallica maybe really had

0:13:59.320 --> 0:14:01.520
<v Speaker 1>no other choice. And now I think was really what

0:14:01.640 --> 0:14:04.200
<v Speaker 1>hurt too from mistake was that, you know, he would

0:14:04.200 --> 0:14:05.840
<v Speaker 1>admit in later years like, yeah, I should have been

0:14:05.880 --> 0:14:07.679
<v Speaker 1>kicked out of Metallica, I should have been kicked out

0:14:07.679 --> 0:14:09.640
<v Speaker 1>of Megadeth. That could be quite honest, Like I I

0:14:09.760 --> 0:14:11.880
<v Speaker 1>know that I was not good to be around. I

0:14:11.880 --> 0:14:14.839
<v Speaker 1>think he resented the lack of warning and the lack

0:14:14.880 --> 0:14:17.520
<v Speaker 1>of an option of going to get treatment, which James

0:14:17.559 --> 0:14:20.200
<v Speaker 1>himself did in later years. So I think it was

0:14:20.280 --> 0:14:23.000
<v Speaker 1>really the double standard was like, why did I get

0:14:23.080 --> 0:14:25.920
<v Speaker 1>kicked out of this band? Well, James Hetfield was treated

0:14:25.920 --> 0:14:28.520
<v Speaker 1>with compassion. I mean, I'm sure over the twenty years

0:14:28.560 --> 0:14:31.160
<v Speaker 1>between those two incidents, like we understood how to treat

0:14:31.200 --> 0:14:34.080
<v Speaker 1>addiction and alcohol wasn't a lot better. But still there

0:14:34.120 --> 0:14:36.520
<v Speaker 1>was an element, like you said, was it me? Did

0:14:36.520 --> 0:14:38.440
<v Speaker 1>they just want me out of the band? Was a

0:14:38.480 --> 0:14:41.360
<v Speaker 1>rejection of me and not my my disease, not wanting

0:14:41.400 --> 0:14:43.320
<v Speaker 1>to deal with with my problem. And I think that

0:14:43.440 --> 0:14:46.200
<v Speaker 1>really hurt him because, you know, it was the second

0:14:46.200 --> 0:14:48.280
<v Speaker 1>time in a few years that a band had been

0:14:48.280 --> 0:14:50.200
<v Speaker 1>just ripped away from him in an instant, you know,

0:14:50.240 --> 0:14:52.800
<v Speaker 1>in a space of two hours. He lost the people

0:14:52.800 --> 0:14:55.280
<v Speaker 1>that he considered to be his best friends and the

0:14:55.320 --> 0:14:58.240
<v Speaker 1>band that he allowed to define himself. And now he

0:14:58.360 --> 0:15:01.680
<v Speaker 1>just had four days on a gray hund bus with

0:15:01.720 --> 0:15:04.720
<v Speaker 1>a bag of potato chips to just moll this over

0:15:04.920 --> 0:15:08.600
<v Speaker 1>and you know, seething, receiving and plotting revenge. It seems

0:15:08.640 --> 0:15:10.760
<v Speaker 1>like it's it seems like his dreams of revenge like

0:15:10.920 --> 0:15:13.760
<v Speaker 1>started like almost immediate immediately, Oh totally. I mean, he

0:15:14.400 --> 0:15:16.680
<v Speaker 1>he's bored to tears, and he's like, you know, trying

0:15:16.680 --> 0:15:18.880
<v Speaker 1>to read anything can get his hands on and get

0:15:18.880 --> 0:15:20.880
<v Speaker 1>his mind off of, you know, what his life's become

0:15:20.920 --> 0:15:23.480
<v Speaker 1>in this moment. And he gets his hand on a

0:15:23.600 --> 0:15:27.280
<v Speaker 1>handbill from a Democratic Senator, Alan Cranston, I think is

0:15:27.320 --> 0:15:30.960
<v Speaker 1>his name, and he warned against an escalating nuclear threat.

0:15:31.040 --> 0:15:33.720
<v Speaker 1>And the phrase on this handbill was the arsenal of Megadeth,

0:15:33.880 --> 0:15:37.680
<v Speaker 1>can't be ridd And that phrase inspired Mustains scribbled down

0:15:37.760 --> 0:15:40.680
<v Speaker 1>lyrics to a song, and ultimately that was the name

0:15:40.720 --> 0:15:42.720
<v Speaker 1>for his next band. Of course, he took out the

0:15:42.800 --> 0:15:45.640
<v Speaker 1>A in death. That was, like, I guess, the final

0:15:45.680 --> 0:15:53.160
<v Speaker 1>poetic stroke of genius for exactly take out the A

0:15:53.320 --> 0:15:55.800
<v Speaker 1>and death and we have a most metal name. So

0:15:55.920 --> 0:15:59.000
<v Speaker 1>while Davostain is on this bus plotting revenge against Metallica,

0:15:59.040 --> 0:16:02.680
<v Speaker 1>Metallica already had a replacement lined up for Dave Mustain

0:16:02.960 --> 0:16:05.360
<v Speaker 1>and that is, of course Kirk Hammett, who was the

0:16:05.360 --> 0:16:08.240
<v Speaker 1>guitarist in Metallica to this day. They he was a

0:16:08.240 --> 0:16:11.359
<v Speaker 1>member at the time of a Bay Area band called Exodus,

0:16:11.360 --> 0:16:14.480
<v Speaker 1>which is also a very famous metal band. They flew

0:16:14.560 --> 0:16:19.680
<v Speaker 1>him out to New York to audition Malcome exactly didn't

0:16:19.720 --> 0:16:24.240
<v Speaker 1>take the bus, but exactly apparently he impressed the guys

0:16:24.240 --> 0:16:27.080
<v Speaker 1>of Metallica by just nailing Dave Mustain solos on songs

0:16:27.120 --> 0:16:29.200
<v Speaker 1>like so He Can Destroy. I also have to think

0:16:29.200 --> 0:16:30.760
<v Speaker 1>that like a big part of the appeal for Kirk

0:16:30.800 --> 0:16:33.600
<v Speaker 1>Hammet for the people in Metallica was his personality. You know,

0:16:33.600 --> 0:16:36.080
<v Speaker 1>I've interviewed Kirk Hammett, and I mean, I think this

0:16:36.120 --> 0:16:38.480
<v Speaker 1>is apparent to anyone who's ever seen an interview with

0:16:38.560 --> 0:16:41.560
<v Speaker 1>him anywhere, that he's like a very laid back guy,

0:16:41.880 --> 0:16:44.720
<v Speaker 1>and he seems like generally like pretty unassuming and like

0:16:45.160 --> 0:16:48.840
<v Speaker 1>sweet natured and basically just like the opposite of of

0:16:48.920 --> 0:16:51.400
<v Speaker 1>Dave Mimsstain. Like I think, like Kirk Hammett also had

0:16:51.400 --> 0:16:54.840
<v Speaker 1>his own substance abuse problems, but my guests with Hammett

0:16:54.880 --> 0:16:56.640
<v Speaker 1>is that like when he got wasted, he was probably

0:16:56.640 --> 0:16:59.880
<v Speaker 1>just like given lots of hugs and bro hugs and

0:17:00.360 --> 0:17:02.760
<v Speaker 1>that sort of thing. He wasn't gonna be like, you know,

0:17:02.880 --> 0:17:06.480
<v Speaker 1>starting fights and and punching people in the mouth. So

0:17:06.680 --> 0:17:09.920
<v Speaker 1>it seemed like, you know, musically, Kirk Hammett could deliver

0:17:10.000 --> 0:17:13.159
<v Speaker 1>what Dave Mustain did, but also maybe even more crucially,

0:17:13.400 --> 0:17:16.240
<v Speaker 1>he added balance to the band, like the power center

0:17:16.280 --> 0:17:18.960
<v Speaker 1>was always going to be James and Lars, and I

0:17:18.960 --> 0:17:21.119
<v Speaker 1>feel like Dave must would have threatened that, you know,

0:17:21.200 --> 0:17:23.280
<v Speaker 1>even if he wasn't like a drunken jerk like, he

0:17:23.320 --> 0:17:25.800
<v Speaker 1>would have asserted his own power in the band, whereas

0:17:25.880 --> 0:17:29.359
<v Speaker 1>Kirk Hammont, I think just was more naturally deferential and

0:17:29.920 --> 0:17:32.960
<v Speaker 1>was going to like play his role as the lead

0:17:33.040 --> 0:17:36.479
<v Speaker 1>guitarist in Metallica and not threaten anyone else's role. And

0:17:36.520 --> 0:17:39.200
<v Speaker 1>you know, in later years, Mustan would say not very

0:17:39.240 --> 0:17:42.240
<v Speaker 1>complimentary things about Kirk, and Kirk, to his credit, never

0:17:42.359 --> 0:17:44.200
<v Speaker 1>rose to the baby would alway. He was always very

0:17:44.200 --> 0:17:47.480
<v Speaker 1>civil with mistanding interviews and things like that, which I

0:17:47.480 --> 0:17:49.840
<v Speaker 1>think says a lot about his character. Also, you're right there,

0:17:49.920 --> 0:17:53.360
<v Speaker 1>there's a sweetness to him there, which which I think

0:17:53.359 --> 0:17:57.879
<v Speaker 1>that the band desperately needed between the the Lars James duo.

0:17:58.720 --> 0:18:02.480
<v Speaker 1>Now I'm sure what was you know, even more aggravating

0:18:02.480 --> 0:18:04.480
<v Speaker 1>to Dave must Know he's been fired from this band.

0:18:04.520 --> 0:18:06.960
<v Speaker 1>He has to figure out a new path forward in

0:18:07.000 --> 0:18:09.239
<v Speaker 1>his own career. But then you know Metallica, they put

0:18:09.280 --> 0:18:12.040
<v Speaker 1>out killam A in three and there's like a significant

0:18:12.080 --> 0:18:14.960
<v Speaker 1>number of songs that like mus Stain played a role

0:18:15.000 --> 0:18:16.560
<v Speaker 1>in writing. I mean it's like he's not in the

0:18:16.560 --> 0:18:20.159
<v Speaker 1>band anymore, but like he is still like a ghost

0:18:20.240 --> 0:18:24.040
<v Speaker 1>figure really in Metallica. On that first record, right, he's

0:18:24.040 --> 0:18:26.760
<v Speaker 1>credited on four songs, the Four Horsemen, which was on

0:18:26.800 --> 0:18:30.240
<v Speaker 1>the now Lifetill Leather Uh demo under the title Mechanics,

0:18:30.600 --> 0:18:34.000
<v Speaker 1>was Jumping the Fire, Phantom Lord, which Mustaining would later

0:18:34.040 --> 0:18:36.359
<v Speaker 1>rework as Megadeth, This Was My Life on Countdown the

0:18:36.440 --> 0:18:40.080
<v Speaker 1>Extinction and Metal Militia, And then there's also debate about

0:18:40.080 --> 0:18:43.160
<v Speaker 1>how much input that Mustain had for Seek and Destroy

0:18:43.280 --> 0:18:46.359
<v Speaker 1>too Uh. And he's also credited on the band's second album,

0:18:46.480 --> 0:18:49.200
<v Speaker 1>Ride the Lightning, including the title track and the instrumental

0:18:49.240 --> 0:18:51.960
<v Speaker 1>Clothes or the Call of Kachulu. Yeah, and by the way,

0:18:51.960 --> 0:18:53.639
<v Speaker 1>these are all great songs. Yeah, I mean these are

0:18:53.680 --> 0:18:56.360
<v Speaker 1>not like, you know, just like whatever album thought types

0:18:56.359 --> 0:18:59.040
<v Speaker 1>of things, especially the Call of Kachulu. That's like one

0:18:59.040 --> 0:19:01.560
<v Speaker 1>of my favorite Meta Alica songs. And you can definitely

0:19:01.600 --> 0:19:05.119
<v Speaker 1>hear the influence of Dave Mustain like on those tracks.

0:19:05.119 --> 0:19:06.720
<v Speaker 1>Like to me, like they are the most sort of

0:19:06.760 --> 0:19:11.159
<v Speaker 1>like Megadeth like sounding songs in the Metallica discography. So

0:19:11.400 --> 0:19:15.320
<v Speaker 1>must arrives back in California after this four day bust journey,

0:19:15.520 --> 0:19:17.480
<v Speaker 1>and he's broke and he had to get a proper job.

0:19:17.520 --> 0:19:20.440
<v Speaker 1>So he had a brief stint as a telemarketer and uh,

0:19:20.480 --> 0:19:22.679
<v Speaker 1>which I mean, can you imagine getting like you know,

0:19:23.160 --> 0:19:24.960
<v Speaker 1>Dave mus day in calling trying to sell you, like

0:19:25.000 --> 0:19:27.879
<v Speaker 1>a credit card or like low interest loan or encyclopedias

0:19:27.960 --> 0:19:31.960
<v Speaker 1>or something. Hello me, it's me again selling credit cards.

0:19:33.080 --> 0:19:35.879
<v Speaker 1>I mean, it's pretty amazing. I wish somebody recorded that.

0:19:35.960 --> 0:19:40.720
<v Speaker 1>But his bitterness over this dismissal just festered, and he

0:19:40.800 --> 0:19:43.600
<v Speaker 1>put together a new band specifically to compete with Metallica.

0:19:43.640 --> 0:19:46.560
<v Speaker 1>You would say you wanted to outmetal Metallica. Uh. In

0:19:46.640 --> 0:19:49.159
<v Speaker 1>later years he would say, I measured my success by

0:19:49.160 --> 0:19:51.679
<v Speaker 1>whether or not I ate that day. My vision was

0:19:51.720 --> 0:19:55.520
<v Speaker 1>to destroy Metallica and stop living in a van. And

0:19:55.520 --> 0:19:59.240
<v Speaker 1>he spent much of recruiting the perfect members for his mission.

0:19:59.640 --> 0:20:02.040
<v Speaker 1>You know, he been burned by Metallica, So he approached

0:20:02.040 --> 0:20:04.680
<v Speaker 1>Megadeth as basically like a metal auto crap. Like he

0:20:04.840 --> 0:20:07.399
<v Speaker 1>would say, democracy doesn't work in a band. I have

0:20:07.480 --> 0:20:09.439
<v Speaker 1>to have my own band to make music exactly the

0:20:09.480 --> 0:20:11.600
<v Speaker 1>way I want to hear it with no compromises that

0:20:11.720 --> 0:20:16.119
<v Speaker 1>anyone else's ego whatsoever. So he has this vision, but

0:20:16.240 --> 0:20:19.040
<v Speaker 1>unfortunately his drive to out metal metallica was also matched

0:20:19.080 --> 0:20:22.240
<v Speaker 1>by his addiction. He gets a recording deal with Combat Records,

0:20:22.359 --> 0:20:25.359
<v Speaker 1>and he reportedly spent half of his really poultry studio

0:20:25.400 --> 0:20:29.560
<v Speaker 1>advance on alcohol and drugs rather than studio time. And

0:20:29.640 --> 0:20:32.520
<v Speaker 1>this is a big reason why Megadeth nine five debut,

0:20:32.600 --> 0:20:35.760
<v Speaker 1>Killing is my business and business is good wasn't as

0:20:35.800 --> 0:20:37.640
<v Speaker 1>strong as it could have been. I mean, he would

0:20:37.720 --> 0:20:39.679
<v Speaker 1>later say, simply put we ran out of money. But

0:20:39.720 --> 0:20:42.800
<v Speaker 1>it's sort of a lack of production quality on the album.

0:20:42.960 --> 0:20:44.760
<v Speaker 1>It's it's almost low five. There's sort of a weak

0:20:44.840 --> 0:20:48.520
<v Speaker 1>sound there. Now when you listen to the next Megadeth record,

0:20:48.560 --> 0:20:50.280
<v Speaker 1>which is Peace Cells, but who's buying? I mean, I

0:20:50.280 --> 0:20:52.760
<v Speaker 1>think you can hear like a significant upgrade in like

0:20:52.840 --> 0:20:55.879
<v Speaker 1>songwriting and the production. I mean, that's where Megadeth, I think,

0:20:55.960 --> 0:20:58.320
<v Speaker 1>is starting to sound like a real deal, like big

0:20:58.359 --> 0:21:02.040
<v Speaker 1>time metal band, although things were still like very chaotic

0:21:02.080 --> 0:21:05.640
<v Speaker 1>behind the scenes. The band's bass player Dave Ellison has

0:21:05.640 --> 0:21:08.679
<v Speaker 1>this great quote where he says that p Cells was

0:21:08.760 --> 0:21:12.760
<v Speaker 1>recorded on a diet of heroin burghers and cigarettes. Uh

0:21:13.640 --> 0:21:19.600
<v Speaker 1>still made made manassas to exactly. It's a very popular

0:21:19.640 --> 0:21:23.119
<v Speaker 1>diet here on the Rivals podcast, I think, and you know,

0:21:23.200 --> 0:21:26.919
<v Speaker 1>I think that shows a contrast with Metallica. I mean,

0:21:26.960 --> 0:21:30.640
<v Speaker 1>Metallica I think always had a lot of craziness going

0:21:30.680 --> 0:21:32.800
<v Speaker 1>on behind the scenes, but they always strike me as

0:21:32.880 --> 0:21:36.679
<v Speaker 1>like like from the beginning being a very professional career

0:21:36.720 --> 0:21:39.119
<v Speaker 1>as band, Like they knew that they wanted to be

0:21:39.240 --> 0:21:42.760
<v Speaker 1>huge and they would deliver on the biggest stages, and

0:21:42.800 --> 0:21:45.120
<v Speaker 1>that's how they were able to build their career as

0:21:45.160 --> 0:21:48.600
<v Speaker 1>the eighties progressed, whereas Megadet I think because of Dave Mustain,

0:21:49.359 --> 0:21:51.959
<v Speaker 1>maybe not quite as reliable in that regard, and they

0:21:51.960 --> 0:21:55.359
<v Speaker 1>were a little bit I think more hamstrung by you know,

0:21:55.440 --> 0:21:57.720
<v Speaker 1>some of the craziness that was going on. Of course,

0:21:57.760 --> 0:22:00.719
<v Speaker 1>they were also hamstrung by again Dave Mists, just like

0:22:00.920 --> 0:22:04.359
<v Speaker 1>psychopathic hatred of Metallica. I mean, when it's your goal

0:22:04.880 --> 0:22:08.520
<v Speaker 1>to destroy another band, you know, like that's not maybe

0:22:08.520 --> 0:22:10.720
<v Speaker 1>the best goal to have, Like you're not really focusing

0:22:10.720 --> 0:22:13.280
<v Speaker 1>on what you're doing, You're always thinking about somebody else,

0:22:13.320 --> 0:22:17.040
<v Speaker 1>and you're just setting yourself up ultimately, Uh, for disappointment,

0:22:17.119 --> 0:22:19.639
<v Speaker 1>especially when you are comparing yourself to what's going to

0:22:19.640 --> 0:22:23.120
<v Speaker 1>become the most you know, commercially successful metal band ever

0:22:23.800 --> 0:22:26.400
<v Speaker 1>and uh, you know, kind of going back to that

0:22:26.760 --> 0:22:29.919
<v Speaker 1>professionalism uh thing I was talking about earlier. You know,

0:22:30.000 --> 0:22:32.720
<v Speaker 1>one thing I think that really hurt Megadeth is that

0:22:32.800 --> 0:22:36.320
<v Speaker 1>Dave Mustain was not a great interview And I mean

0:22:36.359 --> 0:22:38.000
<v Speaker 1>he was great in the sense that you'd have like

0:22:38.000 --> 0:22:41.439
<v Speaker 1>wonderful quotes, but he wasn't very cooperative with reporters. He

0:22:41.440 --> 0:22:44.560
<v Speaker 1>could be very standoffish. He wasn't somebody that like I

0:22:44.560 --> 0:22:47.520
<v Speaker 1>think people like to talk to, uh, which you know,

0:22:47.560 --> 0:22:49.520
<v Speaker 1>like when you're building your career and you're trying to

0:22:49.560 --> 0:22:51.960
<v Speaker 1>make connections, it is important to kiss the ring to

0:22:51.960 --> 0:22:53.920
<v Speaker 1>a certain degree if you want people to help you out.

0:22:53.960 --> 0:22:56.160
<v Speaker 1>And there was gonna be no ring kissing at all

0:22:56.320 --> 0:22:58.600
<v Speaker 1>with Dave Mustain. And I'm sure one thing that drove

0:22:58.640 --> 0:23:01.720
<v Speaker 1>him mad is that, like people wouldn't stop asking him

0:23:01.760 --> 0:23:05.400
<v Speaker 1>about Metallica, and this was not something that he ever

0:23:05.520 --> 0:23:08.200
<v Speaker 1>really got over. Like not only did he not get

0:23:08.200 --> 0:23:10.280
<v Speaker 1>over it, but it seemed like the trauma of being

0:23:10.359 --> 0:23:12.119
<v Speaker 1>kicked out of that band was always very close to

0:23:12.119 --> 0:23:15.760
<v Speaker 1>the surface, Like this this one time, like he was

0:23:15.760 --> 0:23:18.120
<v Speaker 1>asked about Metallica, and this is a great quote. He says,

0:23:18.200 --> 0:23:20.840
<v Speaker 1>it's like getting into a car crash. Every time you

0:23:20.840 --> 0:23:23.160
<v Speaker 1>close your eyes, you relived the car crash, And every

0:23:23.160 --> 0:23:25.600
<v Speaker 1>time someone brings up the name of that band, it's

0:23:25.600 --> 0:23:28.320
<v Speaker 1>like we'reliving a car crash, but getting over it. I

0:23:28.359 --> 0:23:30.240
<v Speaker 1>have to do this on my own terms. I can't

0:23:30.240 --> 0:23:32.800
<v Speaker 1>go up to someone who's been raped and say get

0:23:32.840 --> 0:23:37.119
<v Speaker 1>over it. How insensitive is that? She's pretty insensitive, it

0:23:37.200 --> 0:23:40.040
<v Speaker 1>says that. I would say it's as insensitive as lining

0:23:40.119 --> 0:23:42.280
<v Speaker 1>getting kicked out of the band and being raped. That's

0:23:42.320 --> 0:23:45.679
<v Speaker 1>a pretty insensitive thing too. But yeah, like this was

0:23:45.720 --> 0:23:48.960
<v Speaker 1>clearly like just all consuming for him, even as Megaeth

0:23:48.960 --> 0:23:50.840
<v Speaker 1>was starting to take off. I mean, I'm having a

0:23:50.840 --> 0:23:52.919
<v Speaker 1>hard time. I'm thinking of any other band that was

0:23:52.920 --> 0:23:57.879
<v Speaker 1>ever formed for the express purpose of crushing another band?

0:23:58.080 --> 0:24:01.040
<v Speaker 1>Is this unique in rocket history? I think it may be. Well,

0:24:01.080 --> 0:24:04.639
<v Speaker 1>I mean, yeah, I think it's unique because of the

0:24:04.680 --> 0:24:08.920
<v Speaker 1>motivation and also because mss Stain was like very successful, Like,

0:24:09.080 --> 0:24:11.720
<v Speaker 1>you know, it'd be like if Pete Best you know,

0:24:11.840 --> 0:24:14.879
<v Speaker 1>had formed another band after being kicked out of the

0:24:14.920 --> 0:24:17.159
<v Speaker 1>Beatles that like weren't as big as the Beatles, but

0:24:17.200 --> 0:24:19.119
<v Speaker 1>like maybe we're as big as the Kinks or the

0:24:19.160 --> 0:24:22.359
<v Speaker 1>who you know, Like that doesn't really happen very often,

0:24:22.359 --> 0:24:25.439
<v Speaker 1>so that's unique. But then you know the fact that

0:24:25.520 --> 0:24:28.560
<v Speaker 1>ms Stain was so upfront about this. You know, I'm

0:24:28.600 --> 0:24:30.320
<v Speaker 1>sure that there's been people who've been fired out of

0:24:30.320 --> 0:24:33.680
<v Speaker 1>bands who felt motivated by like wanting to do better

0:24:33.720 --> 0:24:36.200
<v Speaker 1>than the people that fired them, but they don't usually

0:24:36.280 --> 0:24:40.480
<v Speaker 1>talk about it, you know, they them. Yeah, like mss Stain,

0:24:40.920 --> 0:24:43.000
<v Speaker 1>I'm sure he was sick of being asked about Matauko

0:24:43.040 --> 0:24:47.160
<v Speaker 1>all the time, but he also welcomed those questions by

0:24:47.160 --> 0:24:49.560
<v Speaker 1>the way he acted. You know, it's like, you know,

0:24:50.040 --> 0:24:52.920
<v Speaker 1>if you're this crazy person who's obsessed with this one thing,

0:24:53.240 --> 0:24:54.840
<v Speaker 1>people are going to ask you about that one thing

0:24:54.840 --> 0:24:56.359
<v Speaker 1>every time they interview you. I mean, it's just the

0:24:56.440 --> 0:24:59.160
<v Speaker 1>natural thing to talk about. And you know, his relationship

0:24:59.200 --> 0:25:01.040
<v Speaker 1>even when he was getting Megadeth off the ground in

0:25:01.080 --> 0:25:03.719
<v Speaker 1>the mid eighties, but Metallica, I mean there was a

0:25:03.760 --> 0:25:07.120
<v Speaker 1>certain still emotional closeness there. Like when Cliff Burton died

0:25:07.160 --> 0:25:10.200
<v Speaker 1>in the bus crash in six but Dame reportedly cried

0:25:10.280 --> 0:25:13.880
<v Speaker 1>for days. It was just absolutely shattered and laws would

0:25:13.920 --> 0:25:16.120
<v Speaker 1>say that around the same time, he and Dave were

0:25:16.160 --> 0:25:19.879
<v Speaker 1>still close, and he said really nice things about Peace Cells.

0:25:19.920 --> 0:25:22.119
<v Speaker 1>He said that the album blew me away and became

0:25:22.160 --> 0:25:24.520
<v Speaker 1>my favorite record for a long time, and that whenever

0:25:24.560 --> 0:25:27.320
<v Speaker 1>Megadeth came through San Francisco, he and Lars would find

0:25:27.320 --> 0:25:29.359
<v Speaker 1>each other and go drink and do a ton of

0:25:29.400 --> 0:25:32.520
<v Speaker 1>drugs and sit around, and so you know, he would

0:25:32.520 --> 0:25:36.199
<v Speaker 1>say that. Apparently Metallica even played Dave in advanced pressing

0:25:36.240 --> 0:25:39.160
<v Speaker 1>of Justice for All and invited into their shows. So

0:25:40.280 --> 0:25:42.040
<v Speaker 1>it's strange to believe. I mean, maybe it was a

0:25:42.040 --> 0:25:44.240
<v Speaker 1>case of like keep your friends close for your enemies closer.

0:25:44.280 --> 0:25:46.440
<v Speaker 1>I don't know, or maybe it was still him desperately

0:25:46.480 --> 0:25:50.040
<v Speaker 1>trying to maybe ingratiate his way back into the band.

0:25:50.080 --> 0:25:52.399
<v Speaker 1>Who knows, but there was a case of in I

0:25:52.400 --> 0:25:56.280
<v Speaker 1>think when Megadeth played the Monsters of Rock Festival, uh,

0:25:56.440 --> 0:25:58.600
<v Speaker 1>Lars actually came out and helped him with an encore

0:25:58.720 --> 0:26:01.080
<v Speaker 1>did a cover of Anarchy in the k together. So yeah,

0:26:01.080 --> 0:26:05.399
<v Speaker 1>there was a closest there, despite all of Mustain's rage

0:26:05.440 --> 0:26:07.720
<v Speaker 1>at that period. We're gonna take a quick break to

0:26:07.840 --> 0:26:09.480
<v Speaker 1>get a word from our sponsor before we get to

0:26:09.560 --> 0:26:24.320
<v Speaker 1>more rivals. Yeah, I mean I think Lars would later

0:26:24.359 --> 0:26:27.480
<v Speaker 1>say that, like he blamed the press essentially for playing

0:26:27.520 --> 0:26:30.040
<v Speaker 1>this up and driving a wedge between the two bands.

0:26:30.359 --> 0:26:32.200
<v Speaker 1>But the thing that he would leave out is that

0:26:32.400 --> 0:26:35.600
<v Speaker 1>the press was running with quotes that Dave Mustain would

0:26:35.600 --> 0:26:38.120
<v Speaker 1>give them. You know. It's like like he I don't

0:26:38.280 --> 0:26:40.680
<v Speaker 1>like question that he was actually close with Lars Ulric

0:26:40.760 --> 0:26:43.040
<v Speaker 1>at this time, but it just seems like publicly he

0:26:43.040 --> 0:26:46.080
<v Speaker 1>would go out of his way often to say bad

0:26:46.160 --> 0:26:50.520
<v Speaker 1>things about Metallica, and that you know, the reverse wasn't true,

0:26:50.520 --> 0:26:53.320
<v Speaker 1>Like Metallica really did not say anything bad about Megadeth

0:26:53.440 --> 0:26:56.000
<v Speaker 1>of course, because they were the bigger band, they weren't

0:26:56.040 --> 0:26:58.919
<v Speaker 1>as threatened by Mega Death. It really does seem like

0:26:58.960 --> 0:27:02.640
<v Speaker 1>it's misstained struggling to get over this, even as like

0:27:02.920 --> 0:27:04.800
<v Speaker 1>by like the early nineties, Megaeth it was like a

0:27:04.800 --> 0:27:08.120
<v Speaker 1>pretty big MTV band themselves, like that record count Down

0:27:08.200 --> 0:27:11.679
<v Speaker 1>to Extinction, you know, spawned like several like like pretty

0:27:11.680 --> 0:27:15.000
<v Speaker 1>famous videos. Uh. And they again, they weren't as big

0:27:15.040 --> 0:27:16.879
<v Speaker 1>as Metallica, but they were still a pretty big band,

0:27:17.240 --> 0:27:20.200
<v Speaker 1>and they actually ended up finally touring together a bit

0:27:20.640 --> 0:27:25.560
<v Speaker 1>intree when Metallica asked Megadeth to open for them. I mean,

0:27:25.640 --> 0:27:27.159
<v Speaker 1>wasn't that the deal? I mean I'm sure like in

0:27:27.240 --> 0:27:31.480
<v Speaker 1>Msstain's mind, they were like yeah, exactly, but they were

0:27:31.520 --> 0:27:35.200
<v Speaker 1>definitely opening for Metallica, right, I mean still they were

0:27:35.200 --> 0:27:37.680
<v Speaker 1>still Metallica. Yeah. When they finally played together, I mean,

0:27:37.680 --> 0:27:39.680
<v Speaker 1>this was a huge moment for Dave. And he goes

0:27:39.720 --> 0:27:42.760
<v Speaker 1>out onto the stage and he gives this this great speech.

0:27:42.760 --> 0:27:45.960
<v Speaker 1>He said, it's a very historical day. Ten years of

0:27:46.000 --> 0:27:49.720
<v Speaker 1>bullshit is over between Megadeth and Metallica. Lots of cheers.

0:27:50.119 --> 0:27:52.240
<v Speaker 1>There are lots of assholes who said this would never

0:27:52.280 --> 0:27:55.320
<v Speaker 1>ever happen, but I guess we proved them all wrong.

0:27:56.080 --> 0:27:58.960
<v Speaker 1>His big war is over speech. Who are those assholes? David? Like,

0:27:58.960 --> 0:28:01.479
<v Speaker 1>I feel like I think Dave Mustain was like at

0:28:01.520 --> 0:28:03.960
<v Speaker 1>the lead of those assholes saying they would never work.

0:28:04.480 --> 0:28:07.560
<v Speaker 1>There's another story like from this tour that I think

0:28:07.640 --> 0:28:11.040
<v Speaker 1>just speaks to like, you know how awkward this could be,

0:28:11.119 --> 0:28:12.679
<v Speaker 1>Like you know, even if they were friends, that there

0:28:12.720 --> 0:28:15.119
<v Speaker 1>was still like tension that was always going to exist

0:28:15.400 --> 0:28:18.040
<v Speaker 1>between the Stain and the Metallica guys. Like apparently there

0:28:18.080 --> 0:28:20.719
<v Speaker 1>was a show like where Mustain showed up backstage and

0:28:21.040 --> 0:28:24.280
<v Speaker 1>Metallica's dressing room and when he walked in, James Headfield

0:28:24.280 --> 0:28:26.600
<v Speaker 1>like cut up some sugar like it was cocaine, and

0:28:26.640 --> 0:28:28.800
<v Speaker 1>like kind of made a show of like doing it.

0:28:29.119 --> 0:28:31.280
<v Speaker 1>I think it was supposed to be a joke essentially,

0:28:31.760 --> 0:28:35.240
<v Speaker 1>but like mus Stain had like recently overdosed. Yeah, I

0:28:35.280 --> 0:28:38.120
<v Speaker 1>don't think like Headfield was like deliberately making fun of

0:28:38.160 --> 0:28:40.960
<v Speaker 1>the overdose, unless I'm being too kind of Headfield there.

0:28:41.280 --> 0:28:43.240
<v Speaker 1>I think it was just like a drug joke, but

0:28:43.400 --> 0:28:46.120
<v Speaker 1>like mus Stain took it the wrong way in spite

0:28:46.120 --> 0:28:47.600
<v Speaker 1>of that speech that he gave on stage, I mean

0:28:47.600 --> 0:28:49.600
<v Speaker 1>that tour. I mean I think it was like hard

0:28:49.600 --> 0:28:51.840
<v Speaker 1>on his ego. It was rough. I mean he even

0:28:51.880 --> 0:28:54.080
<v Speaker 1>watch from the wings keeping a really close eye on

0:28:54.200 --> 0:28:57.000
<v Speaker 1>Kirk Hammond and he wasn't impressed. I mean he would say,

0:28:57.320 --> 0:28:59.040
<v Speaker 1>you know, I think it was behind the music. He said,

0:28:59.120 --> 0:29:03.240
<v Speaker 1>I thought, God, Kirk's horrible, and I also thought this

0:29:03.280 --> 0:29:06.480
<v Speaker 1>is supposed to be me, which is just freaky. Years.

0:29:06.480 --> 0:29:07.920
<v Speaker 1>Like I was saying earlier, Dave went out of his

0:29:07.920 --> 0:29:10.000
<v Speaker 1>way to slag off Kirk. He has really never been

0:29:10.040 --> 0:29:12.480
<v Speaker 1>anything other than civil to to Dave in the press,

0:29:13.000 --> 0:29:15.160
<v Speaker 1>and that's probably the most famous quote Dave Game was

0:29:15.200 --> 0:29:17.800
<v Speaker 1>in September two thousand and four. He said, I don't

0:29:17.800 --> 0:29:20.760
<v Speaker 1>really care about Kirk just a lie. He stole my job,

0:29:20.920 --> 0:29:22.920
<v Speaker 1>but at least they got to bang his girlfriend before

0:29:23.000 --> 0:29:29.000
<v Speaker 1>he took my job. How do I taste Kirk? Yeah,

0:29:29.040 --> 0:29:31.800
<v Speaker 1>it's like, you know, I mean Kirkham. It doesn't have

0:29:31.840 --> 0:29:34.600
<v Speaker 1>to say anything about Dave Mistain because he won. You know,

0:29:34.840 --> 0:29:37.440
<v Speaker 1>when you're the person who's in the biggest middle band

0:29:37.440 --> 0:29:40.440
<v Speaker 1>of all time, you know you can just let people

0:29:40.480 --> 0:29:43.000
<v Speaker 1>take shots at you while you're like counting your like

0:29:43.080 --> 0:29:46.280
<v Speaker 1>tens of millions of dollars. But again, it goes back

0:29:46.400 --> 0:29:48.720
<v Speaker 1>to what I was saying earlier, Like Lars Lark would

0:29:48.720 --> 0:29:50.880
<v Speaker 1>always talk about how he felt that the press was

0:29:50.920 --> 0:29:54.280
<v Speaker 1>trying to split Metallica and Megadeth and create drama where

0:29:54.280 --> 0:29:57.320
<v Speaker 1>that wasn't really drama. Like there's this one quote where

0:29:57.480 --> 0:30:00.680
<v Speaker 1>Lars Lark says, you know, there's almost like two relationships

0:30:00.720 --> 0:30:03.200
<v Speaker 1>going here. There was Large and Dave hanging out kind

0:30:03.200 --> 0:30:05.040
<v Speaker 1>of doing their thing on the side, which at times

0:30:05.120 --> 0:30:07.160
<v Speaker 1>was a little odd. You'd go, wait a minute, I'm

0:30:07.200 --> 0:30:09.960
<v Speaker 1>supposed to not like this guy, because that's what's in

0:30:10.000 --> 0:30:13.000
<v Speaker 1>this week's Kerrang, you know, but if you read that

0:30:13.000 --> 0:30:15.320
<v Speaker 1>week's Kerrang, it would probably be Dave Mustain and saying

0:30:15.320 --> 0:30:18.120
<v Speaker 1>something mean about Metallica, and that would continue on and

0:30:18.120 --> 0:30:20.400
<v Speaker 1>on and on, even as you know they go through

0:30:20.440 --> 0:30:23.160
<v Speaker 1>these periods where they're friendly again. I feel like it

0:30:23.200 --> 0:30:26.320
<v Speaker 1>really culminates with the movie Some kind of Monster. Like,

0:30:26.400 --> 0:30:29.320
<v Speaker 1>to me, like the story of that movie is like

0:30:29.400 --> 0:30:32.680
<v Speaker 1>such a great encapsulation of how like, even when you

0:30:32.720 --> 0:30:35.560
<v Speaker 1>know Mustain could make a show of reconciling with the

0:30:35.560 --> 0:30:38.720
<v Speaker 1>guys in Metallica, it would always end up turning in

0:30:38.720 --> 0:30:41.240
<v Speaker 1>a negative direction, you know, in a very suprise to

0:30:41.280 --> 0:30:43.960
<v Speaker 1>come about how he was wronged by Metallica, even though

0:30:44.080 --> 0:30:46.160
<v Speaker 1>it was you know, this was supposed to be a

0:30:46.200 --> 0:30:49.920
<v Speaker 1>move that reconciled the Metallica doing this documentary that came

0:30:49.920 --> 0:30:51.720
<v Speaker 1>out in two thousand four Some kind of Monster, which

0:30:51.760 --> 0:30:54.680
<v Speaker 1>is basically a group therapy sessions that they struggle not

0:30:54.760 --> 0:30:58.040
<v Speaker 1>to break up amid their whole litany of problems, their

0:30:58.120 --> 0:31:02.480
<v Speaker 1>napster lawsuits, Jason Newston's the Parture, James Hetfield, substance abuse issues,

0:31:02.520 --> 0:31:04.680
<v Speaker 1>and just general low morale during the sessions. For it

0:31:04.720 --> 0:31:07.000
<v Speaker 1>would become sane anger and to help them through this,

0:31:07.040 --> 0:31:09.760
<v Speaker 1>the band hires what they call the performance enhancement coach,

0:31:09.880 --> 0:31:12.240
<v Speaker 1>just basically a therapist, and one of the things that

0:31:12.280 --> 0:31:15.640
<v Speaker 1>this person recommends is a really frank discussion with Dave Mustain,

0:31:16.200 --> 0:31:19.680
<v Speaker 1>which ends up going down on September two thousand one,

0:31:19.920 --> 0:31:23.320
<v Speaker 1>so just to heighten the emotional level even more, this

0:31:23.400 --> 0:31:26.360
<v Speaker 1>was two days after nine eleven. Dave is more than

0:31:26.440 --> 0:31:28.760
<v Speaker 1>down to have this discussion with his ex bandmates. He

0:31:28.760 --> 0:31:30.480
<v Speaker 1>even says, I've been waiting for this day for a

0:31:30.520 --> 0:31:34.400
<v Speaker 1>long time, which is very ominous, and the footage in

0:31:34.400 --> 0:31:39.120
<v Speaker 1>the film is incredibly emotionally charged, incredibly hard to watch.

0:31:39.160 --> 0:31:43.280
<v Speaker 1>I mean, just it's I mean, Dave's telling laws that

0:31:43.800 --> 0:31:46.280
<v Speaker 1>getting kicked out of Metallica ruined his life. He said,

0:31:46.320 --> 0:31:48.640
<v Speaker 1>I had nothing, then I had everything, and then I

0:31:48.680 --> 0:31:51.320
<v Speaker 1>had nothing again, which was fine, but then having someone

0:31:51.480 --> 0:31:53.800
<v Speaker 1>stand on my head and keep me in the water,

0:31:54.520 --> 0:31:56.680
<v Speaker 1>that's what he felt like Metallica did. No matter how

0:31:56.720 --> 0:32:00.880
<v Speaker 1>many platinum albums Mega Death would earn, he always lived

0:32:00.880 --> 0:32:04.000
<v Speaker 1>in the shadow the more successful Metallica, and he'sa you know,

0:32:04.160 --> 0:32:05.520
<v Speaker 1>no matter how many years ago, I think it was

0:32:05.520 --> 0:32:07.560
<v Speaker 1>eighteen years earlier, at this point, it still feels like

0:32:07.680 --> 0:32:09.800
<v Speaker 1>yesterday and a getting back to what he said earlier.

0:32:10.080 --> 0:32:11.880
<v Speaker 1>For him, it was really about not being given a

0:32:11.920 --> 0:32:14.520
<v Speaker 1>second chance. That was supposedly what the first thing he

0:32:14.560 --> 0:32:16.080
<v Speaker 1>said when they told him he's out of the band.

0:32:16.080 --> 0:32:19.239
<v Speaker 1>He said, what, no warning, no second chance. There are

0:32:19.240 --> 0:32:21.840
<v Speaker 1>ways to address what was going on with my problem.

0:32:21.880 --> 0:32:23.880
<v Speaker 1>Who I am sober is totally different from who I

0:32:23.920 --> 0:32:26.320
<v Speaker 1>am drunk. We never gave it a try. From his

0:32:26.360 --> 0:32:28.840
<v Speaker 1>point of view, they never really knew the real him,

0:32:29.360 --> 0:32:31.880
<v Speaker 1>sober him in the band, and he was hurt that

0:32:31.960 --> 0:32:34.120
<v Speaker 1>he wasn't able to really to do that, to have

0:32:34.160 --> 0:32:36.720
<v Speaker 1>that opportunity, and this conversation is going on, well, James

0:32:36.760 --> 0:32:39.360
<v Speaker 1>Hetfield is seeking treatment for alcoholism too, so I think

0:32:39.400 --> 0:32:42.320
<v Speaker 1>that made it seem sort of doubly unfair that that

0:32:42.360 --> 0:32:45.640
<v Speaker 1>they're dredging up these horrific moments from his past now

0:32:45.640 --> 0:32:48.200
<v Speaker 1>that he is sober, well, James is treated with this

0:32:48.280 --> 0:32:50.360
<v Speaker 1>level of compassion. Okay, you can stay in the band,

0:32:50.400 --> 0:32:54.000
<v Speaker 1>go get help. But I think that's really something that

0:32:54.000 --> 0:32:57.120
<v Speaker 1>I think Mustange should feel justifiably upset about. You know,

0:32:57.120 --> 0:32:59.200
<v Speaker 1>when I watched that scene, I feel like it's a

0:32:59.280 --> 0:33:04.080
<v Speaker 1>pretty honest and fair depiction of how Dave Mustain feels

0:33:04.120 --> 0:33:06.280
<v Speaker 1>about getting kicked out of Metallica and how I think

0:33:06.280 --> 0:33:09.480
<v Speaker 1>I'll always feel about it. But when Mustain himself saw

0:33:09.520 --> 0:33:12.400
<v Speaker 1>the movie, he got really upset. And I think it's

0:33:12.440 --> 0:33:15.719
<v Speaker 1>because he comes up as looking kind of pathetic in

0:33:15.760 --> 0:33:18.640
<v Speaker 1>the movie, Like he looks like a guy who's still

0:33:19.040 --> 0:33:21.040
<v Speaker 1>hung up on this thing that at that point, it

0:33:21.080 --> 0:33:24.680
<v Speaker 1>happened about twenty years earlier. And again, I think it's

0:33:24.720 --> 0:33:27.080
<v Speaker 1>an honest depiction, but I think maybe he was too

0:33:27.080 --> 0:33:30.400
<v Speaker 1>honest for tape Mustain because he really felt like he

0:33:30.440 --> 0:33:32.600
<v Speaker 1>had been set up. You know. He blamed the fact

0:33:32.680 --> 0:33:35.000
<v Speaker 1>that the scene was filmed, you know, two days after

0:33:35.080 --> 0:33:37.360
<v Speaker 1>nine eleven. He said, like, I was more emotional than

0:33:37.400 --> 0:33:39.640
<v Speaker 1>I would have otherwise been. He also said that, like,

0:33:39.680 --> 0:33:41.600
<v Speaker 1>you know, I talked to Large for three hours, and

0:33:41.680 --> 0:33:44.000
<v Speaker 1>they used five minutes of this conversation. I mean, of

0:33:44.000 --> 0:33:46.160
<v Speaker 1>course they weren't going to use all three hours, dude,

0:33:46.240 --> 0:33:47.560
<v Speaker 1>you know, like they're not gonna use the whole thing.

0:33:47.600 --> 0:33:49.800
<v Speaker 1>But you know, he felt that the that the parts

0:33:49.800 --> 0:33:52.920
<v Speaker 1>that they cut for the film weren't representative in his

0:33:53.000 --> 0:33:55.000
<v Speaker 1>mind of what the conversation was actually like. He said,

0:33:55.040 --> 0:33:57.440
<v Speaker 1>you know, they didn't show the scene where I gave

0:33:57.480 --> 0:33:59.520
<v Speaker 1>it to Lars for how he treated me, and Lars

0:33:59.600 --> 0:34:01.680
<v Speaker 1>ran off to about him crying. You know, they always

0:34:01.680 --> 0:34:04.280
<v Speaker 1>showed me crying, you know. I just think that he

0:34:04.360 --> 0:34:07.360
<v Speaker 1>ultimately felt like weak, that he looked weak in this movie,

0:34:07.520 --> 0:34:10.000
<v Speaker 1>even if again, I think it's an honest depiction. I

0:34:10.080 --> 0:34:13.200
<v Speaker 1>think again, like, as we've discussed in this episode, he's

0:34:13.239 --> 0:34:15.799
<v Speaker 1>never been able to let go of being fired from Metallica,

0:34:15.920 --> 0:34:17.880
<v Speaker 1>and it seems like what he says in the scenes

0:34:17.920 --> 0:34:20.120
<v Speaker 1>that you see in the movie are you know, just

0:34:20.120 --> 0:34:23.600
<v Speaker 1>sort of like this unfiltered expression of the hurt, uh

0:34:23.640 --> 0:34:26.520
<v Speaker 1>and anger that he felt about that. I think they've

0:34:26.520 --> 0:34:28.439
<v Speaker 1>just wanted to be seen as like yelling at Lars

0:34:28.480 --> 0:34:30.320
<v Speaker 1>all work in the movie. I think White wanted to

0:34:30.360 --> 0:34:32.360
<v Speaker 1>be seen as like more of a badass than he

0:34:32.400 --> 0:34:36.359
<v Speaker 1>actually is. Uh So he was very angry about how

0:34:36.400 --> 0:34:38.600
<v Speaker 1>the movie turned out. He actually ended up writing a

0:34:38.640 --> 0:34:41.040
<v Speaker 1>song too about that movie. And if you've heard this song,

0:34:41.120 --> 0:34:44.040
<v Speaker 1>it's on the record The System Has Failed, which is

0:34:44.080 --> 0:34:45.920
<v Speaker 1>not one of the best Mega Death records by the way,

0:34:45.920 --> 0:34:47.799
<v Speaker 1>I'll just throw that out there. Came out in two

0:34:47.840 --> 0:34:50.759
<v Speaker 1>thousand four. The song is called something that I'm Not

0:34:51.160 --> 0:34:53.920
<v Speaker 1>and he doesn't like mention some kind of monster by

0:34:54.000 --> 0:34:56.319
<v Speaker 1>name or Lars all work by name. But there are

0:34:56.400 --> 0:35:02.040
<v Speaker 1>references to one big charade fraud. My favorite reference little baby.

0:35:02.800 --> 0:35:05.600
<v Speaker 1>Uh presumably Lars l Rick is the little baby in

0:35:05.600 --> 0:35:08.080
<v Speaker 1>that situation. So again, this ends up being a thing

0:35:08.160 --> 0:35:10.280
<v Speaker 1>where you watched the movie and you feel like, wow,

0:35:10.320 --> 0:35:13.279
<v Speaker 1>it's amazing that these guys can get together and they

0:35:13.280 --> 0:35:16.000
<v Speaker 1>can be honest emotionally with each other and be vulnerable.

0:35:16.120 --> 0:35:18.839
<v Speaker 1>But from Misdaine, it's just like another betrayal and that's

0:35:18.840 --> 0:35:21.279
<v Speaker 1>how he perceives it, and instead of being able to

0:35:21.280 --> 0:35:24.279
<v Speaker 1>put this behind him, it just exacerbates his feelings of

0:35:24.400 --> 0:35:27.399
<v Speaker 1>betrayal even more. I gotta say I would happily watch

0:35:27.480 --> 0:35:30.680
<v Speaker 1>the director's cut with all three hours of their meeting, Like,

0:35:31.000 --> 0:35:34.439
<v Speaker 1>for real, that's the table, and they should be like

0:35:34.440 --> 0:35:38.040
<v Speaker 1>like like the Blue Ray extra should be like a

0:35:38.120 --> 0:35:41.480
<v Speaker 1>three hour just unedited, you know, thing of Lars and

0:35:41.680 --> 0:35:44.319
<v Speaker 1>Dave going at it, you know, I mean watching it,

0:35:44.440 --> 0:35:47.040
<v Speaker 1>I I thought I didn't think he looked I mean,

0:35:47.080 --> 0:35:48.799
<v Speaker 1>he didn't look like a badass, but I don't think

0:35:48.800 --> 0:35:51.680
<v Speaker 1>he looked weak either. That was a very articulate expression

0:35:52.239 --> 0:35:55.680
<v Speaker 1>of what he had gone through and you know, just

0:35:55.680 --> 0:35:57.680
<v Speaker 1>just of loss. You'd say, you know, all I had

0:35:57.760 --> 0:35:59.840
<v Speaker 1>was you and James. He had dreams together, and I

0:36:00.040 --> 0:36:02.439
<v Speaker 1>sold everything to join that dream and then it ended.

0:36:02.840 --> 0:36:06.000
<v Speaker 1>So I don't really know what he expected, really, I mean,

0:36:06.040 --> 0:36:08.040
<v Speaker 1>I guess other than like, you know, like Laura running

0:36:08.040 --> 0:36:10.759
<v Speaker 1>out of the room crying. Maybe, yeah, I agree with you.

0:36:10.800 --> 0:36:13.040
<v Speaker 1>I think that Mustain actually comes up really well in

0:36:13.080 --> 0:36:15.560
<v Speaker 1>the movie. But I guess I'm just speculating that that

0:36:15.760 --> 0:36:18.560
<v Speaker 1>is his problem with it. I wonder if he felt

0:36:18.600 --> 0:36:21.080
<v Speaker 1>that he came off as weak or vulnerable, or as

0:36:21.080 --> 0:36:23.520
<v Speaker 1>like a cry baby or something, and that's why he

0:36:23.560 --> 0:36:25.640
<v Speaker 1>was still against the movie, because otherwise I don't really

0:36:25.680 --> 0:36:27.919
<v Speaker 1>understand his reaction at all. So he makes this big

0:36:27.920 --> 0:36:31.360
<v Speaker 1>stink about the Metallica documentary and Lars gets his revenge.

0:36:31.719 --> 0:36:33.759
<v Speaker 1>In two thousand nine, the Metallica are inducted in the

0:36:33.800 --> 0:36:36.560
<v Speaker 1>Rock and Roll Hall of Fame, and despite Dave's role

0:36:36.600 --> 0:36:38.840
<v Speaker 1>as a founding member, Laras said that he wasn't going

0:36:38.880 --> 0:36:41.680
<v Speaker 1>to be inducted because he never actually recorded an album

0:36:41.680 --> 0:36:44.040
<v Speaker 1>with the band, and then that that was large justification, said,

0:36:44.040 --> 0:36:46.520
<v Speaker 1>You've got to kind of cap it somewhere. Dave Mustain

0:36:46.600 --> 0:36:49.759
<v Speaker 1>never played on any Metallica records. No disrespect to him,

0:36:49.880 --> 0:36:52.120
<v Speaker 1>but there were half a dozen other people that were

0:36:52.160 --> 0:36:53.960
<v Speaker 1>in the lineup in the early days. We thought the

0:36:54.000 --> 0:36:56.120
<v Speaker 1>fair thing to do would be to include everybody that

0:36:56.160 --> 0:36:58.759
<v Speaker 1>played on a Metallica record. And then he had a

0:36:58.800 --> 0:37:02.200
<v Speaker 1>pretty brutal part shot. Dave Mustain was in the band

0:37:02.200 --> 0:37:05.520
<v Speaker 1>for eleven months, predominantly in two. I'm not trying to

0:37:05.560 --> 0:37:08.080
<v Speaker 1>play it down. I have nothing but respect and admiration

0:37:08.080 --> 0:37:12.640
<v Speaker 1>for his accomplishments since. But there's an implied but he's

0:37:12.680 --> 0:37:17.759
<v Speaker 1>not really he's completely downplaying his influence in Metallica history

0:37:17.760 --> 0:37:21.200
<v Speaker 1>in a way that I think is unfair. You don't you, Yeah, yeah,

0:37:21.200 --> 0:37:22.720
<v Speaker 1>I mean I was gonna say, I think he should

0:37:22.719 --> 0:37:25.480
<v Speaker 1>have been inducted. Um. Yeah, he didn't play on the records,

0:37:25.520 --> 0:37:28.600
<v Speaker 1>but like he co wrote some significant songs when he

0:37:28.640 --> 0:37:30.120
<v Speaker 1>was in the band, and I think it's fair to

0:37:30.160 --> 0:37:33.480
<v Speaker 1>say that Kirk Hammond was just imitating what Dave Mustain

0:37:33.560 --> 0:37:35.160
<v Speaker 1>did in the early days. You know, I think Kirk

0:37:35.200 --> 0:37:37.800
<v Speaker 1>Hammon eventually, you know, in the later records he developed

0:37:37.800 --> 0:37:40.120
<v Speaker 1>his own voice, but he was clearly brought in because

0:37:40.120 --> 0:37:43.400
<v Speaker 1>he could replicate what Dave Mustain had done when he

0:37:43.440 --> 0:37:45.200
<v Speaker 1>was in the band to put him on the same

0:37:45.280 --> 0:37:48.239
<v Speaker 1>level as like Ron mcgubney or something. I think it's

0:37:48.320 --> 0:37:52.040
<v Speaker 1>like just yeah, it's blatantly like like untrue, like it's

0:37:52.360 --> 0:37:55.840
<v Speaker 1>mustain had a huge, i think influential role in shaping

0:37:55.840 --> 0:37:57.400
<v Speaker 1>the sound of Metallica earlier, and it would have been

0:37:57.440 --> 0:38:01.560
<v Speaker 1>this incredible sort of you know, peacemaking moment between them all. Instead,

0:38:01.719 --> 0:38:04.240
<v Speaker 1>Dave's just invited to attend the ceremony as a guest,

0:38:04.480 --> 0:38:07.000
<v Speaker 1>which he turned down understandably. He said that he had

0:38:07.000 --> 0:38:10.680
<v Speaker 1>commitments playing a European tour with with Judas Priest. Uh

0:38:10.760 --> 0:38:13.160
<v Speaker 1>that's the official version. He would later say, you know what,

0:38:13.200 --> 0:38:15.560
<v Speaker 1>do you think I'm nuts going to go just sit

0:38:15.640 --> 0:38:18.239
<v Speaker 1>in the audience while you know, they're being inducted, and

0:38:18.280 --> 0:38:21.279
<v Speaker 1>I'm just like, you know, cast out, Like that's masochism

0:38:21.440 --> 0:38:24.759
<v Speaker 1>what he'd say. So, I mean, understandably he didn't show up,

0:38:24.800 --> 0:38:27.560
<v Speaker 1>and he's still you know, grumbling about it in the press,

0:38:28.239 --> 0:38:31.960
<v Speaker 1>and this really makes James Hetfield say, you know what,

0:38:32.080 --> 0:38:34.239
<v Speaker 1>this guy is ridiculous. This is guy He's gotta let

0:38:34.239 --> 0:38:36.160
<v Speaker 1>it go. He gives an interview around the same time

0:38:36.160 --> 0:38:38.960
<v Speaker 1>as the Hall of Fame induction. I mean, Dave's not

0:38:39.040 --> 0:38:40.920
<v Speaker 1>in this band for a reason, he said, and this

0:38:40.960 --> 0:38:43.200
<v Speaker 1>reason is super simple. He was in the band for

0:38:43.239 --> 0:38:45.600
<v Speaker 1>eleven months, and he goes on and on and on

0:38:45.680 --> 0:38:47.680
<v Speaker 1>and on. I don't know any other band on the

0:38:47.760 --> 0:38:49.320
<v Speaker 1>planet that there was a member in the band for

0:38:49.360 --> 0:38:51.160
<v Speaker 1>a short amount of time and they've still got this

0:38:51.200 --> 0:38:54.160
<v Speaker 1>big a chip on his shoulder. It's insane, you know what.

0:38:54.560 --> 0:38:57.239
<v Speaker 1>He's in love and that's fine because we love him back.

0:38:57.320 --> 0:39:02.719
<v Speaker 1>So James Hepfield characterizes as unrequited love on the stands part,

0:39:02.960 --> 0:39:04.799
<v Speaker 1>and I think he's right. I mean, I don't know

0:39:04.840 --> 0:39:07.439
<v Speaker 1>how else you really can look at this other than

0:39:07.760 --> 0:39:10.440
<v Speaker 1>you know, Misstain had a girlfriend in the early eighties

0:39:10.440 --> 0:39:12.960
<v Speaker 1>that dumped him, and he hasn't gotten over the girlfriend,

0:39:13.000 --> 0:39:17.640
<v Speaker 1>even though he married somebody else. You know, he's still

0:39:17.680 --> 0:39:21.919
<v Speaker 1>stuck on Metallica and even here. You know, it's like

0:39:22.800 --> 0:39:24.960
<v Speaker 1>he gets dissed over the rock and Roll Hall of

0:39:25.000 --> 0:39:27.400
<v Speaker 1>Fame thing and he can't let it go. He can't

0:39:27.480 --> 0:39:30.200
<v Speaker 1>just like let Metallica do their thing. He has to

0:39:30.239 --> 0:39:32.319
<v Speaker 1>find a way to get revenge, and he does it

0:39:32.360 --> 0:39:34.480
<v Speaker 1>I think in a pretty effective way. You know, as

0:39:34.520 --> 0:39:36.600
<v Speaker 1>petty as this is you have to tip your cap

0:39:36.640 --> 0:39:38.520
<v Speaker 1>to him for the interview that he gives in two

0:39:38.560 --> 0:39:41.759
<v Speaker 1>thousand nine to Rolling Stone, where he tells the magazine

0:39:41.960 --> 0:39:44.480
<v Speaker 1>that there was a rumor in the mid eighties that

0:39:44.560 --> 0:39:47.640
<v Speaker 1>Metallica was going to fire Lars, I guess after the

0:39:47.719 --> 0:39:51.360
<v Speaker 1>Master of Puppets tour, and they didn't because Cliff Burton

0:39:51.680 --> 0:39:55.239
<v Speaker 1>died and if Cliff Burton had lived, then Lars all

0:39:55.280 --> 0:39:57.760
<v Speaker 1>Record had been out of the band. And he actually

0:39:57.840 --> 0:40:01.800
<v Speaker 1>got a supporting witness for this, scott Ian from Anthrax.

0:40:02.120 --> 0:40:04.840
<v Speaker 1>He confirmed that this was a rumor, and then Kirk

0:40:04.880 --> 0:40:09.319
<v Speaker 1>Hammett also said that, like, well, yeah, I think we

0:40:09.320 --> 0:40:12.720
<v Speaker 1>were maybe mad at Lars at some point and maybe

0:40:12.719 --> 0:40:15.279
<v Speaker 1>we said something to somebody it was a bigger deal

0:40:15.320 --> 0:40:17.440
<v Speaker 1>than it actually was. But it's like he didn't deny

0:40:17.560 --> 0:40:19.520
<v Speaker 1>that this was something that was you know, kind of

0:40:19.560 --> 0:40:21.960
<v Speaker 1>floating in the air in the mid eighties. So you know, again,

0:40:22.000 --> 0:40:24.160
<v Speaker 1>it's a super petty thing to bring up, you know,

0:40:24.280 --> 0:40:26.320
<v Speaker 1>like more than twenty years after the fact. But I

0:40:26.360 --> 0:40:30.480
<v Speaker 1>think for misstain, you know, again, someone who's defined by

0:40:30.640 --> 0:40:32.759
<v Speaker 1>you know, how he was fired from Metallica, for him

0:40:32.800 --> 0:40:35.239
<v Speaker 1>to say that, like, well, Lars could have been also

0:40:35.280 --> 0:40:37.200
<v Speaker 1>out of the band if not for you know, this

0:40:37.320 --> 0:40:40.480
<v Speaker 1>terrible tragedy that happened. I mean there must have been

0:40:40.520 --> 0:40:45.760
<v Speaker 1>something I guess like sickly satisfying about that for Dave mistake,

0:40:45.840 --> 0:40:48.320
<v Speaker 1>I'm sure. And also just the show cracks between the

0:40:48.920 --> 0:40:52.600
<v Speaker 1>James Lars duo too, which is, you know, just to

0:40:52.680 --> 0:40:55.680
<v Speaker 1>pit them against one another and and to to refresh

0:40:55.680 --> 0:40:58.160
<v Speaker 1>all those those wounds twenty years later. It was. It

0:40:58.200 --> 0:41:02.000
<v Speaker 1>was a pretty cunning Yeah, agent, a chaos agent, Dave Mustain.

0:41:02.280 --> 0:41:04.080
<v Speaker 1>And again I go back to the James Headfield quote.

0:41:04.080 --> 0:41:06.240
<v Speaker 1>He's right, David stains in the band for eleven months,

0:41:06.239 --> 0:41:08.680
<v Speaker 1>and yet it's like you have your ex in your

0:41:08.680 --> 0:41:11.440
<v Speaker 1>life forever, Like you can't get rid of your ex.

0:41:11.840 --> 0:41:14.919
<v Speaker 1>You know, you're crazy X that haunts you forever. Uh,

0:41:14.960 --> 0:41:17.080
<v Speaker 1>you know they're going to keep, you know, causing havoc,

0:41:17.120 --> 0:41:19.080
<v Speaker 1>you know, decades after the Is this around the same

0:41:19.120 --> 0:41:21.440
<v Speaker 1>time that must writes his memoir to which I'm sure

0:41:21.560 --> 0:41:24.360
<v Speaker 1>is just another opportunity from the event. Is Spleen about

0:41:24.440 --> 0:41:29.040
<v Speaker 1>about Metallica? Yeah, there was that thing about how he

0:41:29.160 --> 0:41:33.320
<v Speaker 1>accused Metallica of ripping off this song that Megadeth recorded

0:41:33.360 --> 0:41:35.640
<v Speaker 1>for the bill and Ted Bogus Journey soundtrack called Go

0:41:35.719 --> 0:41:38.239
<v Speaker 1>to Hell, and there's a there's a passage in that

0:41:38.280 --> 0:41:42.080
<v Speaker 1>song like where Mustain starts doing the Lord's Prayer and

0:41:42.120 --> 0:41:44.560
<v Speaker 1>then you know, soon after that, Metallica of course they

0:41:44.600 --> 0:41:47.080
<v Speaker 1>put on Inner Sandman, which has the now I lave

0:41:47.120 --> 0:41:49.279
<v Speaker 1>me down to sleep passage in the middle of the song.

0:41:49.400 --> 0:41:52.200
<v Speaker 1>So yeah, he accused Metallica of ripping him off, although

0:41:52.239 --> 0:41:55.760
<v Speaker 1>really they all just ripped off the Lord the Lord's Prayer.

0:41:56.000 --> 0:41:58.719
<v Speaker 1>So so the Lord himself is the one who really

0:41:58.719 --> 0:42:01.879
<v Speaker 1>has a case here for chaces pending, cases pending. So

0:42:01.960 --> 0:42:04.759
<v Speaker 1>in spite of all of his sniping, James Heffield finds

0:42:04.760 --> 0:42:06.920
<v Speaker 1>some stuff getting nostalgic around the time of the Rock

0:42:06.960 --> 0:42:08.640
<v Speaker 1>and Roll Hall of Fame induction. He's thinking about all

0:42:08.640 --> 0:42:11.359
<v Speaker 1>the other bands that came up with Metallica and this

0:42:11.520 --> 0:42:15.239
<v Speaker 1>leads in to the Big four shows. The guy it's

0:42:15.239 --> 0:42:18.520
<v Speaker 1>like the massive metal piece accords. You got Metallica, Anthrax,

0:42:18.520 --> 0:42:21.560
<v Speaker 1>Slayer and Megadeth. It was the first time that Megadeth

0:42:21.560 --> 0:42:25.279
<v Speaker 1>of Metallica shared a stage together since that British show

0:42:25.320 --> 0:42:28.520
<v Speaker 1>where where where Dave gave that big speech on stage.

0:42:29.000 --> 0:42:32.560
<v Speaker 1>Uh and Metallica for to their credit made a concerted

0:42:32.560 --> 0:42:35.080
<v Speaker 1>effort to try to ease tension between all the bands

0:42:35.120 --> 0:42:38.480
<v Speaker 1>before the show. They would organize big group dinners beforehand,

0:42:38.480 --> 0:42:40.839
<v Speaker 1>like team building type of stuff, so that everybody could

0:42:40.840 --> 0:42:45.040
<v Speaker 1>hang out. Uh. And the vibe was apparently reportedly really good,

0:42:45.080 --> 0:42:47.480
<v Speaker 1>and all the bands would hug and jam together and

0:42:47.520 --> 0:42:51.800
<v Speaker 1>it was a really positive experience for everybody, UH, particularly Dave,

0:42:52.160 --> 0:42:55.279
<v Speaker 1>who joined Metallica on stage for a group jam on

0:42:55.400 --> 0:42:59.560
<v Speaker 1>Diamond Heads Helpless and Kirk Hammett gives Dave the solo,

0:42:59.719 --> 0:43:02.719
<v Speaker 1>which Dave was really touched by. For him, he said,

0:43:02.719 --> 0:43:05.040
<v Speaker 1>it was kind of a symbolic passing of the torch

0:43:05.160 --> 0:43:07.799
<v Speaker 1>back to me, and it was a nice gesture and

0:43:08.120 --> 0:43:12.120
<v Speaker 1>it really helped relations improved between everybody, and then that

0:43:12.160 --> 0:43:13.879
<v Speaker 1>really was a big moment for him. The only dark

0:43:13.880 --> 0:43:16.680
<v Speaker 1>cloud that appeared on all these Big Four shows that

0:43:16.680 --> 0:43:19.480
<v Speaker 1>went on off and on for about eighteen months was

0:43:19.760 --> 0:43:23.200
<v Speaker 1>right before their show at Yankee Stadium in September, two

0:43:23.239 --> 0:43:26.160
<v Speaker 1>days before Megadeth pulled out of the concert because Damon

0:43:26.239 --> 0:43:29.280
<v Speaker 1>Stain had to undergo surgery for a neck and spine

0:43:29.360 --> 0:43:32.560
<v Speaker 1>condition that he said was due to years of headbanging,

0:43:32.600 --> 0:43:34.240
<v Speaker 1>which I don't know. May Or may not be true.

0:43:34.320 --> 0:43:37.520
<v Speaker 1>And apparently he heard that Metallica's co manager called him

0:43:37.520 --> 0:43:41.239
<v Speaker 1>a quote pussy for not playing the gig. So a

0:43:41.440 --> 0:43:44.600
<v Speaker 1>day before he's about to go into surgery, but potentially

0:43:44.640 --> 0:43:47.600
<v Speaker 1>you know, life saving surgery. According to him, Uh, he

0:43:47.680 --> 0:43:51.239
<v Speaker 1>changed his mind. He flies back to uh New York,

0:43:51.719 --> 0:43:53.759
<v Speaker 1>does the gigg. He's wheeled on the stage and like

0:43:53.800 --> 0:43:56.200
<v Speaker 1>a golf cart or something, and he plays his gig.

0:43:56.239 --> 0:43:58.200
<v Speaker 1>I think I'm like a neck brace or something to

0:43:58.200 --> 0:44:00.800
<v Speaker 1>to sort of like prove it to them. Tallica camp

0:44:00.920 --> 0:44:03.359
<v Speaker 1>that he's got he's got the metal to do this,

0:44:03.480 --> 0:44:05.520
<v Speaker 1>like you know, he said he had signs all over

0:44:05.560 --> 0:44:08.080
<v Speaker 1>the stage and said do not headbang because apparently if

0:44:08.080 --> 0:44:10.640
<v Speaker 1>he did, he was like close to getting paralyzed if

0:44:10.680 --> 0:44:12.880
<v Speaker 1>he did. He also we talked to the press. You

0:44:12.880 --> 0:44:15.279
<v Speaker 1>would say that both James Hetfield and Tom Area from

0:44:15.320 --> 0:44:19.920
<v Speaker 1>Slayer had similar surgeries, and the implication being, yet again,

0:44:20.239 --> 0:44:23.360
<v Speaker 1>my medical issues aren't treated with the same degree of

0:44:23.400 --> 0:44:27.440
<v Speaker 1>compassion and cares there's with alcoholism. If its neck problems,

0:44:27.640 --> 0:44:30.279
<v Speaker 1>some everybody else, they get a path. But with me,

0:44:30.719 --> 0:44:32.480
<v Speaker 1>I'm called a pussy or kicked out of the band

0:44:32.560 --> 0:44:34.960
<v Speaker 1>or something. And I thought that was that was very interesting.

0:44:35.560 --> 0:44:38.600
<v Speaker 1>But for him, the best moment of all these reunion

0:44:38.640 --> 0:44:42.680
<v Speaker 1>shows was the Metallica thirtieth anniversary concert in December twenty eleven.

0:44:42.719 --> 0:44:44.680
<v Speaker 1>They played it in San Francisco at the Film War

0:44:44.719 --> 0:44:49.000
<v Speaker 1>Auditorium and Metallica invited a lot of their former members back.

0:44:49.560 --> 0:44:52.479
<v Speaker 1>One of them was Ron McGovney, and they also got

0:44:52.680 --> 0:44:55.799
<v Speaker 1>miss stand back and Kirk once again let him take

0:44:55.840 --> 0:44:59.920
<v Speaker 1>some solos. And for this was really all that mistake

0:45:00.080 --> 0:45:02.440
<v Speaker 1>ever wanted. He was back for this one night only.

0:45:02.840 --> 0:45:06.920
<v Speaker 1>He was back in Metallica. He was playing lead. This

0:45:07.040 --> 0:45:10.520
<v Speaker 1>was all we'd ever wanted. This was a peak moment

0:45:10.600 --> 0:45:13.320
<v Speaker 1>for him, and of course, as peak moments go with

0:45:13.400 --> 0:45:16.719
<v Speaker 1>Dave Mustain, it was downhill after this. Yeah, I just

0:45:17.040 --> 0:45:19.160
<v Speaker 1>I think you really have to again do a shout

0:45:19.160 --> 0:45:21.280
<v Speaker 1>out to Kirk Hammett, Like, how cool is Kirk Hammett

0:45:21.280 --> 0:45:23.560
<v Speaker 1>that like he let Dave Mustain do this again. This

0:45:23.600 --> 0:45:27.640
<v Speaker 1>guy who is like Mustain is dissed Hammett for years.

0:45:28.239 --> 0:45:31.040
<v Speaker 1>You know, Hammont could very easily like play the diva

0:45:31.080 --> 0:45:34.960
<v Speaker 1>card and not allow Mustain even on the same stage

0:45:34.960 --> 0:45:37.200
<v Speaker 1>with him, much less to take over the solos. But again,

0:45:37.200 --> 0:45:40.280
<v Speaker 1>I think it speaks to have magnanimous. Hammett was, although

0:45:40.320 --> 0:45:43.000
<v Speaker 1>I think, you know, bringing misstain back in the band.

0:45:43.360 --> 0:45:45.920
<v Speaker 1>It just again it seems like the guy who is

0:45:46.080 --> 0:45:49.239
<v Speaker 1>obsessed with the girlfriend. The girlfriend maybe offers to like

0:45:49.560 --> 0:45:51.560
<v Speaker 1>go out to dinner with the guy, and then the

0:45:51.600 --> 0:45:54.279
<v Speaker 1>guy thinks that they're gonna get back together because it's like, oh,

0:45:54.480 --> 0:45:56.920
<v Speaker 1>finally I have a chance to get back into the fold.

0:45:57.200 --> 0:46:01.360
<v Speaker 1>Because after these concerts, Mustain starts talking about a Metallica

0:46:01.480 --> 0:46:05.800
<v Speaker 1>Megadeth super like he floats this idea into the media,

0:46:06.120 --> 0:46:10.359
<v Speaker 1>which is never gonna happen. Well, why would Metallica do this.

0:46:10.480 --> 0:46:14.040
<v Speaker 1>Metallica very strong brand, they could tour on their own.

0:46:14.360 --> 0:46:18.279
<v Speaker 1>They don't need Dave Mustain. Mustain probably needs Metallica more

0:46:18.320 --> 0:46:21.319
<v Speaker 1>than than vice versa. And he starts talking about this

0:46:21.360 --> 0:46:25.240
<v Speaker 1>in the press. Mustain does like it's gonna happen, and

0:46:25.360 --> 0:46:27.719
<v Speaker 1>of course it's up to the guys of Metallica to

0:46:27.760 --> 0:46:30.520
<v Speaker 1>pump the brakes on this. And and James Hetfield as

0:46:30.600 --> 0:46:32.400
<v Speaker 1>I think a pretty great quotehere he says, this is

0:46:32.440 --> 0:46:34.640
<v Speaker 1>the day that we kind of wanted to forget about,

0:46:35.200 --> 0:46:37.600
<v Speaker 1>you know, the big mouth that just wants to go,

0:46:37.600 --> 0:46:40.200
<v Speaker 1>go go, and again, like you know, he says that,

0:46:40.239 --> 0:46:43.120
<v Speaker 1>but then he couches it in like you know, affection

0:46:43.200 --> 0:46:45.440
<v Speaker 1>for misstain. Ultimately, he says, you know, there's an authenticity

0:46:45.440 --> 0:46:47.759
<v Speaker 1>about him when he speaks. He doesn't think too much

0:46:47.800 --> 0:46:49.719
<v Speaker 1>before he does. He just goes off the cuff. And

0:46:49.760 --> 0:46:52.360
<v Speaker 1>he said, that's kind of endearing, but also it creates

0:46:52.400 --> 0:46:55.160
<v Speaker 1>problems for us because he says these things and then

0:46:55.160 --> 0:46:57.760
<v Speaker 1>we have to answer for them. And then Dave's answer,

0:46:57.800 --> 0:47:00.319
<v Speaker 1>I think again, it just speaks to the passive aggress

0:47:00.400 --> 0:47:03.160
<v Speaker 1>that is inherent in this relationship. He says, I guess

0:47:03.160 --> 0:47:05.000
<v Speaker 1>my whole thing was that I wanted them to know

0:47:05.080 --> 0:47:06.759
<v Speaker 1>that I loved them and that I missed them and

0:47:06.760 --> 0:47:10.040
<v Speaker 1>I enjoyed playing with them. If that's not mutual, then

0:47:10.080 --> 0:47:13.279
<v Speaker 1>I understand I still respect him and I still care

0:47:13.280 --> 0:47:15.360
<v Speaker 1>about the guy. If he doesn't want to play with

0:47:15.400 --> 0:47:18.319
<v Speaker 1>me anymore, that's cool. Of course, it's not cool. We

0:47:18.360 --> 0:47:20.799
<v Speaker 1>all know it's not cool with him, and the whole

0:47:20.800 --> 0:47:22.719
<v Speaker 1>thing of like, well, I just wanted them to know

0:47:22.800 --> 0:47:25.000
<v Speaker 1>that I love them. But if they don't love me back,

0:47:25.440 --> 0:47:27.480
<v Speaker 1>you know, poor me, you know, going right back to

0:47:27.520 --> 0:47:30.120
<v Speaker 1>the self pity thing, you know, it just shows, like

0:47:30.239 --> 0:47:32.920
<v Speaker 1>I guess, like the vicious cycle that was in play

0:47:33.000 --> 0:47:35.440
<v Speaker 1>with these bands at this time. But even with this

0:47:35.560 --> 0:47:38.120
<v Speaker 1>vicious cycle, you know, and like all of the negative

0:47:38.160 --> 0:47:41.200
<v Speaker 1>mojo that's come mainly from Dave Mustain, you still get

0:47:41.239 --> 0:47:43.520
<v Speaker 1>the sense that there is like a friendship here. Like

0:47:43.560 --> 0:47:45.839
<v Speaker 1>as maddening as Mustain is, I think in a lot

0:47:45.920 --> 0:47:48.440
<v Speaker 1>of ways, it seems like there is like the affection

0:47:48.480 --> 0:47:51.120
<v Speaker 1>that you would have for anyone that you've like lived

0:47:51.600 --> 0:47:53.560
<v Speaker 1>very intense periods of your life with, like if you

0:47:53.560 --> 0:47:55.239
<v Speaker 1>were in a war or something, like you're always going

0:47:55.320 --> 0:47:57.400
<v Speaker 1>to be friends with your war buddies, you know. And

0:47:57.440 --> 0:48:00.040
<v Speaker 1>I think there's like a similar thing with Metallic and

0:48:00.200 --> 0:48:02.400
<v Speaker 1>Mega Death, where you know, as mad ning as Mustain

0:48:02.440 --> 0:48:04.879
<v Speaker 1>is going to be, it's like James and Lars, They're

0:48:04.880 --> 0:48:07.279
<v Speaker 1>always going to have a place in their heart, absolutely,

0:48:07.320 --> 0:48:10.160
<v Speaker 1>And you see that with with Mustain's recent cancer diagnosis,

0:48:10.200 --> 0:48:12.520
<v Speaker 1>I mean, which is really brutal him. He's been given

0:48:12.520 --> 0:48:14.440
<v Speaker 1>it everything he's got. I think he's had like fifty

0:48:14.440 --> 0:48:17.640
<v Speaker 1>one radiation treatments and nine chemo treatments or something, and

0:48:17.680 --> 0:48:20.200
<v Speaker 1>he was touched when James Headfield reached out, he said,

0:48:20.200 --> 0:48:22.520
<v Speaker 1>I got a text from my old brother James Hetfield

0:48:22.840 --> 0:48:25.240
<v Speaker 1>and I was so so happy to hear from him.

0:48:25.440 --> 0:48:27.600
<v Speaker 1>Contrary to what anybody says, and contrary to any of

0:48:27.640 --> 0:48:29.600
<v Speaker 1>the act that we put on. I love James and

0:48:29.640 --> 0:48:31.640
<v Speaker 1>I know that James loves me and cares about me.

0:48:32.160 --> 0:48:33.640
<v Speaker 1>You can see that when the moment of truth is

0:48:33.680 --> 0:48:35.160
<v Speaker 1>here and I'm telling the world that I've got a

0:48:35.200 --> 0:48:38.600
<v Speaker 1>life threatening disease, who comes to stand next to me? James?

0:48:38.880 --> 0:48:41.839
<v Speaker 1>And I think it seems like Dave Mustain is doing

0:48:42.080 --> 0:48:44.560
<v Speaker 1>better now, like with his with his cancer treatment, So

0:48:44.600 --> 0:48:46.440
<v Speaker 1>that's great news. I really look forward to the day

0:48:46.480 --> 0:48:49.800
<v Speaker 1>when all these guys are in wheelchairs and they're still

0:48:49.960 --> 0:48:52.719
<v Speaker 1>saying terrible things about each other's guitar solos. You know,

0:48:53.320 --> 0:48:56.640
<v Speaker 1>that's something I hope really comes into play in the future.

0:48:56.800 --> 0:48:58.680
<v Speaker 1>All right, hand, we'll be right back with more rivals.

0:49:07.800 --> 0:49:09.239
<v Speaker 1>We've now reached the part of the episode where we

0:49:09.280 --> 0:49:11.120
<v Speaker 1>give the pro side of each part of the rivalry.

0:49:11.440 --> 0:49:13.920
<v Speaker 1>Let's talk about Metallica first. I mean, look, they're the

0:49:13.920 --> 0:49:17.480
<v Speaker 1>most popular metal band of all time. While Dave Mustain

0:49:17.640 --> 0:49:19.960
<v Speaker 1>was a crucial member early on, there's no question that

0:49:20.000 --> 0:49:23.799
<v Speaker 1>Mattall because most popular music was made without him. Uh,

0:49:23.880 --> 0:49:26.520
<v Speaker 1>they ultimately didn't need Dave Mustain, and they were probably

0:49:26.560 --> 0:49:29.520
<v Speaker 1>happier for having kicked into the curb. You know, as

0:49:29.719 --> 0:49:32.360
<v Speaker 1>as traumatic as that was, probably in the moment, it

0:49:32.440 --> 0:49:34.719
<v Speaker 1>just seems like for being able to live inside of

0:49:34.760 --> 0:49:36.720
<v Speaker 1>this band, it was just gonna go a lot smoother

0:49:37.239 --> 0:49:40.000
<v Speaker 1>getting rid of Dave Mustain and bringing in you know, Mellow,

0:49:40.239 --> 0:49:43.480
<v Speaker 1>Happy Go Lucky, Kirk Hammet And you know, Metallica is

0:49:43.520 --> 0:49:46.440
<v Speaker 1>still a band today. They're still playing huge shows, putting

0:49:46.440 --> 0:49:50.239
<v Speaker 1>out you know, very successful records, and um, I'm sure

0:49:50.320 --> 0:49:52.360
<v Speaker 1>that's why. I mean, I think if Mustain had stayed

0:49:52.360 --> 0:49:54.600
<v Speaker 1>in the band, they probably would have imploded back in

0:49:54.640 --> 0:49:56.760
<v Speaker 1>the nineteen eighties. Yeah, I mean, like you said earlier,

0:49:56.800 --> 0:49:59.320
<v Speaker 1>the ultimate argument ender is essentially their Metallica and the

0:49:59.320 --> 0:50:01.640
<v Speaker 1>biggest selling metal band of all time, when the most

0:50:01.640 --> 0:50:04.960
<v Speaker 1>influential bands period in history. They set the template for

0:50:05.040 --> 0:50:07.040
<v Speaker 1>what a heavy metal band is supposed to look like

0:50:07.120 --> 0:50:08.799
<v Speaker 1>and sound like. I think, you know what I mean,

0:50:09.120 --> 0:50:10.840
<v Speaker 1>And I think that although they didn't always keep a

0:50:10.840 --> 0:50:14.280
<v Speaker 1>consistent sound, I think their highs are you know, without question,

0:50:14.400 --> 0:50:17.959
<v Speaker 1>higher than than uh than Megadeth and the Black Album Ride,

0:50:17.960 --> 0:50:20.600
<v Speaker 1>The Lightning, Master of Puppets, Justice for All, It's the

0:50:20.600 --> 0:50:23.920
<v Speaker 1>foundation of modern metal. And you know, plus this is crucial.

0:50:24.120 --> 0:50:28.319
<v Speaker 1>They don't have Dave Mustains singing hell old me. I

0:50:28.360 --> 0:50:30.560
<v Speaker 1>like Dave Mustain's voice. I think it's pretty cool voice.

0:50:30.600 --> 0:50:35.080
<v Speaker 1>But yeah, yeah, they definitely not only survived without Mistain,

0:50:35.160 --> 0:50:38.040
<v Speaker 1>but they thrived without the amustained. But going to the

0:50:38.080 --> 0:50:40.520
<v Speaker 1>pro Megadas side, you know, I don't think you can

0:50:40.640 --> 0:50:44.920
<v Speaker 1>really underestimate how difficult it was for Mustain to form

0:50:44.960 --> 0:50:48.520
<v Speaker 1>a new band and really become like not as successful

0:50:48.520 --> 0:50:52.680
<v Speaker 1>in Metallica, but like more successful than like metal bands ever.

0:50:52.960 --> 0:50:55.160
<v Speaker 1>I mean I brought up this analogy earlier, but like,

0:50:55.200 --> 0:50:57.520
<v Speaker 1>imagine if Pete Best after he was fired from the

0:50:57.560 --> 0:51:00.880
<v Speaker 1>Beatles had like formed the Kinks or the who you know,

0:51:01.040 --> 0:51:04.719
<v Speaker 1>or another like prominent British rock band, not as big

0:51:04.800 --> 0:51:07.160
<v Speaker 1>as the Beatles, but still very successful. I mean, that's

0:51:07.280 --> 0:51:11.040
<v Speaker 1>essentially what Dave Mustain did with Megadeth. And yes he's

0:51:11.160 --> 0:51:13.000
<v Speaker 1>very petty, and yes he hasn't been able to get

0:51:13.040 --> 0:51:15.920
<v Speaker 1>over getting kicked out out of Metallica, but like, maybe

0:51:15.920 --> 0:51:21.560
<v Speaker 1>pettiness is good for your career sometimes his goal well yeah, exactly,

0:51:21.560 --> 0:51:23.800
<v Speaker 1>if if your goal was to get revenge on Metallica

0:51:23.880 --> 0:51:26.320
<v Speaker 1>and this sort of all consuming hatred is what is

0:51:26.400 --> 0:51:29.440
<v Speaker 1>driving you in your career. I mean, it propelled Megadeth

0:51:29.520 --> 0:51:33.000
<v Speaker 1>to like millions in record sales and into playing big concerts.

0:51:33.239 --> 0:51:35.520
<v Speaker 1>You know, maybe it also caused Mustain to get sick

0:51:35.600 --> 0:51:37.520
<v Speaker 1>later in his life, because you can't carry around that

0:51:37.600 --> 0:51:40.680
<v Speaker 1>much bile, I think, and have a healthy life ultimately.

0:51:41.120 --> 0:51:43.200
<v Speaker 1>But yeah, I think what Mustain was able to do.

0:51:43.520 --> 0:51:45.319
<v Speaker 1>You know, he was put in a pretty big hole

0:51:45.719 --> 0:51:47.560
<v Speaker 1>when he was fired, and he dug his way out

0:51:47.600 --> 0:51:50.280
<v Speaker 1>of it. And here we are, you know, almost forty

0:51:50.360 --> 0:51:53.839
<v Speaker 1>years after he was fired, and Mustain and Megadeth are

0:51:53.880 --> 0:51:56.520
<v Speaker 1>still going strong and you know, more power to them. Yeah,

0:51:56.520 --> 0:51:58.120
<v Speaker 1>you know, I mean a lot of the pro Megadeth

0:51:58.200 --> 0:52:00.000
<v Speaker 1>arguments always seem to have this like air of country

0:52:00.080 --> 0:52:01.920
<v Speaker 1>rarian is um. And my heart goes out to Dave

0:52:02.040 --> 0:52:04.399
<v Speaker 1>Mustain just because, you know, as he said, I think

0:52:04.440 --> 0:52:06.279
<v Speaker 1>he said it in some kind of monster. People hate

0:52:06.360 --> 0:52:08.880
<v Speaker 1>him purely be virtue the fact that he's not in Metallica,

0:52:08.960 --> 0:52:10.719
<v Speaker 1>you know, I mean, he's beating himself up about this

0:52:11.000 --> 0:52:13.439
<v Speaker 1>truth over the years. He doesn't need legions of other

0:52:13.520 --> 0:52:16.000
<v Speaker 1>metal heads gang up on him too. And you know,

0:52:16.080 --> 0:52:18.680
<v Speaker 1>all the Metallica obviously had much higher highs. I think

0:52:18.719 --> 0:52:22.240
<v Speaker 1>Megadeth had a really great consistent career, especially in the nineties,

0:52:22.280 --> 0:52:24.880
<v Speaker 1>when you know, you could argue that Megadeth in the

0:52:24.960 --> 0:52:27.720
<v Speaker 1>nineties with Rust in Peace, Countdown, New Extinction in euthan

0:52:27.760 --> 0:52:32.000
<v Speaker 1>Asia gave Metallica's run nineties run and run for their money.

0:52:32.320 --> 0:52:35.120
<v Speaker 1>I think that they're way more productive than Metallica in

0:52:35.160 --> 0:52:38.719
<v Speaker 1>recent years. And for all of Dave's shortcomings as a vocalist,

0:52:38.760 --> 0:52:41.360
<v Speaker 1>I think that his songs tend to have more complexity

0:52:41.360 --> 0:52:44.279
<v Speaker 1>to him, more complex riffs and uh, you know, let's

0:52:44.320 --> 0:52:46.760
<v Speaker 1>not forget he co wrote some of Metallica's best early

0:52:46.800 --> 0:52:49.719
<v Speaker 1>songs too, and um and also this is crucial he

0:52:49.760 --> 0:52:52.239
<v Speaker 1>didn't team up with lou Reid for Lulu Oh. I

0:52:52.239 --> 0:52:55.000
<v Speaker 1>don't like that Lulu shape. I had to come up

0:52:55.000 --> 0:52:57.400
<v Speaker 1>at some point. That's what a Metallica's greatest achievements. And

0:52:57.400 --> 0:52:59.839
<v Speaker 1>I'm gonna go to my grave arguing that. Now looking

0:52:59.840 --> 0:53:03.400
<v Speaker 1>at Metallica and Megadet together, I mean, look, this feud

0:53:03.640 --> 0:53:05.640
<v Speaker 1>is like one of the best in metal history, and

0:53:06.000 --> 0:53:08.759
<v Speaker 1>us hosting a feuds podcast, we love that sort of thing,

0:53:08.800 --> 0:53:11.440
<v Speaker 1>so we're glad that exists. And really, I mean we

0:53:11.480 --> 0:53:14.040
<v Speaker 1>all came out ahead. I think it was inevitable that,

0:53:14.080 --> 0:53:16.280
<v Speaker 1>you know, even if the Stained were like an angel

0:53:16.480 --> 0:53:19.120
<v Speaker 1>and didn't have a drinking problem and wasn't belligerent, he

0:53:19.160 --> 0:53:21.359
<v Speaker 1>eventually would have left Metallica because he had his own

0:53:21.400 --> 0:53:24.720
<v Speaker 1>strong artistic vision. And instead of having one world class

0:53:24.760 --> 0:53:27.520
<v Speaker 1>metal band, we now have two world class metal bands.

0:53:27.520 --> 0:53:30.520
<v Speaker 1>So I feel like as headbangers out there, we all

0:53:30.560 --> 0:53:33.920
<v Speaker 1>came out ahead because these guys only this is one

0:53:33.920 --> 0:53:36.839
<v Speaker 1>of the greatest examples of you can enjoy both in rock.

0:53:36.880 --> 0:53:39.520
<v Speaker 1>You get too awesome thrash metal bands for the price

0:53:39.520 --> 0:53:41.760
<v Speaker 1>of wine, and that's something that should be celebrated. Now,

0:53:42.200 --> 0:53:45.040
<v Speaker 1>Ice Field, Jordan's that you know now that we're at

0:53:45.040 --> 0:53:47.640
<v Speaker 1>the end of another episode that when it comes to

0:53:47.719 --> 0:53:50.840
<v Speaker 1>uh talking about rivalries, nothing else matters in my life,

0:53:50.960 --> 0:53:56.640
<v Speaker 1>or should I say nothing matters? Excellent pun We fade

0:53:56.680 --> 0:53:59.040
<v Speaker 1>to black. Yes, So thank you for listening to this

0:53:59.080 --> 0:54:01.319
<v Speaker 1>episode of Rivals. We'll be back with more beefs and

0:54:01.320 --> 0:54:09.680
<v Speaker 1>feuds and long simming resentments next week. Rivals is a

0:54:09.760 --> 0:54:12.479
<v Speaker 1>production of I Heart Radio. The executive producers are Shawn

0:54:12.520 --> 0:54:15.840
<v Speaker 1>Tytone and Noel Brown. Supervising producers are Taylor chicogn and

0:54:15.840 --> 0:54:19.440
<v Speaker 1>Tristan McNeil. The producer is Joel hat Stat. I'm Jordan's

0:54:19.480 --> 0:54:21.480
<v Speaker 1>Runt Talk and I'm Stephen Hyden. If you like what

0:54:21.560 --> 0:54:23.440
<v Speaker 1>you heard, please subscribe and leave us a review. For

0:54:23.520 --> 0:54:26.200
<v Speaker 1>more podcast for My Heart Radio, visit the I Heart

0:54:26.280 --> 0:54:29.080
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:54:29.120 --> 0:54:29.800
<v Speaker 1>favorite shows