1 00:00:01,760 --> 00:00:04,439 Speaker 1: And That's what you Really missed with Jenna. 2 00:00:04,480 --> 00:00:07,119 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,200 --> 00:00:12,959 Speaker 1: Welcome to and That's what You Really mis podcast. This 4 00:00:13,000 --> 00:00:17,360 Speaker 1: is season five, Episode five, the End of Tork. 5 00:00:17,640 --> 00:00:22,280 Speaker 2: Kevin indeed a controversial episode. Jenna very there's a lot 6 00:00:22,320 --> 00:00:24,160 Speaker 2: of those in this season, though, I think. 7 00:00:24,160 --> 00:00:26,360 Speaker 1: Yes, listen, there's a lot going on. 8 00:00:26,680 --> 00:00:27,159 Speaker 2: Remember this. 9 00:00:27,240 --> 00:00:29,480 Speaker 1: I'm going to say this again over and over again. 10 00:00:30,400 --> 00:00:35,320 Speaker 2: We should haven't played before every episode. So this episode 11 00:00:35,360 --> 00:00:39,239 Speaker 2: originally aired November fourteenth, twenty thirteen. We're already in November, 12 00:00:39,920 --> 00:00:40,960 Speaker 2: which is wow. 13 00:00:41,600 --> 00:00:45,080 Speaker 1: Well, I guess we took we took some breaks in 14 00:00:45,159 --> 00:00:48,920 Speaker 1: this season. Sure know this kind of makes sense, all right. 15 00:00:48,960 --> 00:00:53,520 Speaker 1: So the number one song was Royals by Lord Still damn. 16 00:00:53,960 --> 00:00:55,800 Speaker 2: The number one movie was Thor The Dark. 17 00:00:55,720 --> 00:00:58,480 Speaker 1: World And oh, okay, I've seen this. 18 00:01:00,360 --> 00:01:01,720 Speaker 2: Have you seen the Thorn movies? 19 00:01:01,960 --> 00:01:06,040 Speaker 1: Oh, I've seen all. I'm a Marvel girly Okay, oh yeah, 20 00:01:06,080 --> 00:01:08,120 Speaker 1: I've seen them all multiple multiple times. 21 00:01:08,160 --> 00:01:11,600 Speaker 2: I love Thor. Thor is great. I like the Thorn 22 00:01:11,640 --> 00:01:12,160 Speaker 2: movies a lot. 23 00:01:12,240 --> 00:01:14,480 Speaker 1: Yeah, me too, and the second one is very good. Okay. 24 00:01:15,080 --> 00:01:18,680 Speaker 1: Glee News This Week November twelve, Darren Cordon Matt attended 25 00:01:18,720 --> 00:01:20,880 Speaker 1: the twenty thirteen GQ Men of the Year event at 26 00:01:20,880 --> 00:01:24,440 Speaker 1: the will Share Email Theater in Los Angeles. 27 00:01:24,520 --> 00:01:29,920 Speaker 2: Cute, very fancy, very so. This episode was directed by 28 00:01:30,800 --> 00:01:32,880 Speaker 2: Wendy Stanzler. She gets some. 29 00:01:32,760 --> 00:01:34,759 Speaker 1: Really weird episodes. 30 00:01:34,800 --> 00:01:39,320 Speaker 2: I will say she does, but I didn't remember if 31 00:01:39,360 --> 00:01:41,800 Speaker 2: she directed this one or not. And I really liked 32 00:01:41,840 --> 00:01:44,680 Speaker 2: the directing in this episode a lot. Great and I 33 00:01:44,800 --> 00:01:49,320 Speaker 2: noticed it like the musical numbers were directed really really well. 34 00:01:49,800 --> 00:01:50,360 Speaker 1: She's great. 35 00:01:50,520 --> 00:01:52,840 Speaker 2: It is a complicated episode, and it could if you like, 36 00:01:52,880 --> 00:01:54,840 Speaker 2: play into certain things of what we've learned from the show. 37 00:01:54,960 --> 00:01:56,880 Speaker 2: It could go wrong, is if you lean in too 38 00:01:56,920 --> 00:02:01,040 Speaker 2: much to some things. But I thought she really had 39 00:02:01,160 --> 00:02:02,000 Speaker 2: the balance down. 40 00:02:03,000 --> 00:02:07,600 Speaker 1: Yes, yes, I agreed, she was great. I loved working 41 00:02:07,600 --> 00:02:12,440 Speaker 1: with Wendy. Yeah, we have some songs. You are a woman. 42 00:02:12,560 --> 00:02:14,360 Speaker 1: I am manned by the cast of Funny Girl. And 43 00:02:14,400 --> 00:02:17,000 Speaker 1: this was obviously performed by Rachel. 44 00:02:18,120 --> 00:02:23,480 Speaker 2: Blurred Lines performed by Bree New Directions and will mm 45 00:02:23,520 --> 00:02:24,840 Speaker 2: hmm If I. 46 00:02:24,840 --> 00:02:29,640 Speaker 1: Were a Boy performed by Unique, Unique. 47 00:02:29,360 --> 00:02:31,600 Speaker 2: Wrecking Ball performed by Marley. 48 00:02:31,400 --> 00:02:34,160 Speaker 1: Oh Yes, and On Our Way by the Royal Concept 49 00:02:34,200 --> 00:02:37,240 Speaker 1: performed by the New Directions. Okay, there's not that much 50 00:02:37,320 --> 00:02:39,359 Speaker 1: music in this but there's a lot that happens. 51 00:02:40,200 --> 00:02:41,840 Speaker 2: But the musical numbers are big. 52 00:02:42,760 --> 00:02:47,320 Speaker 1: Very they feel really big. They are important to the storylines, 53 00:02:48,040 --> 00:02:49,560 Speaker 1: they fit their. 54 00:02:50,880 --> 00:02:57,359 Speaker 2: Hits hits. I feel like this number, like five songs, 55 00:02:57,400 --> 00:02:58,400 Speaker 2: works very well. 56 00:02:58,600 --> 00:03:02,000 Speaker 1: I feel like that's the sweet spot solid other they 57 00:03:02,000 --> 00:03:05,000 Speaker 1: don't get lost in the shuffle. There's time for them. 58 00:03:05,120 --> 00:03:09,520 Speaker 1: You can give them TLC. I totally agree. This is 59 00:03:09,560 --> 00:03:12,360 Speaker 1: the fifth episode where every member of the New Directions 60 00:03:12,360 --> 00:03:16,200 Speaker 1: present in the episode sings solo lines, and the other 61 00:03:16,240 --> 00:03:18,440 Speaker 1: being a pilot Brittany two point zero teen and the 62 00:03:18,520 --> 00:03:21,600 Speaker 1: Sky recently and also Katie and Gaga. They're really just 63 00:03:22,240 --> 00:03:24,240 Speaker 1: evenly distributing the love. 64 00:03:25,200 --> 00:03:27,799 Speaker 2: This is the first season five episode where a main 65 00:03:27,880 --> 00:03:30,079 Speaker 2: character is absent, and that is Santana. 66 00:03:30,200 --> 00:03:32,120 Speaker 1: Yes, I was wondering where she was. This is the 67 00:03:32,120 --> 00:03:35,040 Speaker 1: first episode which Unique has a voiceover. 68 00:03:35,720 --> 00:03:37,200 Speaker 2: Which startled me. I was like, wait a minute. 69 00:03:37,200 --> 00:03:39,160 Speaker 1: I wasn't expecting that. 70 00:03:40,320 --> 00:03:43,120 Speaker 2: This is the fourth episode to show a viewer Discretion 71 00:03:43,280 --> 00:03:46,720 Speaker 2: Advised Content rating message right before the airing of the episode, 72 00:03:47,080 --> 00:03:49,960 Speaker 2: the first being Sexy, the second being the first time, 73 00:03:50,160 --> 00:03:53,200 Speaker 2: and the third being shooting Star interesting. 74 00:03:54,600 --> 00:03:56,880 Speaker 1: The idea for Christmastake on his tattoo is from an 75 00:03:56,920 --> 00:04:01,520 Speaker 1: actual picture that went viral online. Someone tattoo, dude, it's 76 00:04:01,720 --> 00:04:04,320 Speaker 1: get better on their right. 77 00:04:04,280 --> 00:04:08,840 Speaker 2: Arm, terrifying. I'm sorry, Jenna, I just got new tattoos. 78 00:04:08,840 --> 00:04:11,680 Speaker 1: Have you seen what? Yeah? 79 00:04:11,720 --> 00:04:17,280 Speaker 2: Look, hold on, I got seagulls. Wait, how to show you? 80 00:04:17,360 --> 00:04:20,239 Speaker 1: I see I see, Oh my god, in New York. 81 00:04:20,960 --> 00:04:22,000 Speaker 2: No, I got it in La. 82 00:04:22,760 --> 00:04:26,400 Speaker 1: Oh my gosh. I have taken a deep pause on 83 00:04:26,480 --> 00:04:29,240 Speaker 1: my tattoos. I would do some for my children one day, 84 00:04:29,240 --> 00:04:31,080 Speaker 1: but I took a deep pause. 85 00:04:31,320 --> 00:04:32,120 Speaker 2: I woke it back up. 86 00:04:32,160 --> 00:04:33,200 Speaker 1: Proud of you, proud of you. 87 00:04:33,520 --> 00:04:35,920 Speaker 2: Yeah, thanks, I thought of you always. I have gotten 88 00:04:35,920 --> 00:04:37,440 Speaker 2: almost every single tattoo. 89 00:04:37,080 --> 00:04:37,679 Speaker 1: With you always. 90 00:04:37,760 --> 00:04:40,320 Speaker 2: Okay, maybe this was Was this the first time I 91 00:04:40,360 --> 00:04:41,520 Speaker 2: didn't get a tattoo with you? 92 00:04:41,640 --> 00:04:42,800 Speaker 1: No? No, you got your table. 93 00:04:44,160 --> 00:04:45,440 Speaker 2: I've been cheating on you lately. 94 00:04:45,560 --> 00:04:50,520 Speaker 1: The last iteration, yeah, yeah, yeah, and it's fine. It's 95 00:04:50,520 --> 00:04:53,480 Speaker 1: probably better because I feel Oh I did get a tattoo. 96 00:04:53,480 --> 00:04:55,880 Speaker 1: I got nice tattoo. What am I talking about? It 97 00:04:55,920 --> 00:04:59,159 Speaker 1: wasn't like that long ago. No, Emma really likes this 98 00:04:59,160 --> 00:05:02,440 Speaker 1: one because she looks like ballet bow, so she loves 99 00:05:02,480 --> 00:05:04,440 Speaker 1: the bow and I always tell her like, this is 100 00:05:04,480 --> 00:05:05,440 Speaker 1: Mommy's friend. 101 00:05:05,960 --> 00:05:06,839 Speaker 2: That's so cute. 102 00:05:07,720 --> 00:05:09,760 Speaker 1: There's a few that she really takes too, and so 103 00:05:09,920 --> 00:05:12,440 Speaker 1: that's really one of them. She loves the button on 104 00:05:12,480 --> 00:05:13,280 Speaker 1: my wrist. 105 00:05:13,680 --> 00:05:14,640 Speaker 2: That one's really good. 106 00:05:14,760 --> 00:05:17,040 Speaker 1: She loves the button on my wrist. It's so funny. 107 00:05:17,080 --> 00:05:22,119 Speaker 1: Mommy button, here you go. Don't do it to yourself. 108 00:05:22,800 --> 00:05:25,080 Speaker 1: This is the first episode of season five to not 109 00:05:25,200 --> 00:05:26,600 Speaker 1: be a tribute episode. 110 00:05:26,880 --> 00:05:29,200 Speaker 2: Bree's vine video of Marley and Jake couldn't have been 111 00:05:29,240 --> 00:05:31,359 Speaker 2: a vine because it lasted longer than seven seconds. 112 00:05:31,360 --> 00:05:33,560 Speaker 1: Oh right, I remember. Vine was so short. And at 113 00:05:33,560 --> 00:05:35,839 Speaker 1: the beginning, when Tina is showing the Glee Club Blane's 114 00:05:35,839 --> 00:05:38,520 Speaker 1: twork video, she's wearing fishnet gloves and the next scene 115 00:05:39,400 --> 00:05:40,160 Speaker 1: they're gone. 116 00:05:41,000 --> 00:05:42,000 Speaker 2: She hated them. 117 00:05:42,360 --> 00:05:44,839 Speaker 1: I probably hated them, It's probably what it was. I 118 00:05:44,880 --> 00:05:47,240 Speaker 1: probably ripped them off and threw them across the room. 119 00:05:47,680 --> 00:05:50,360 Speaker 2: So in this episode, the Glee Club learns the dance 120 00:05:50,400 --> 00:05:55,400 Speaker 2: of the hour, twerking. Meanwhile, Marley discovers Jake's relationship with Brie, 121 00:05:55,440 --> 00:05:58,000 Speaker 2: and Rachel tries to convince Kurt that they both should 122 00:05:58,040 --> 00:06:04,600 Speaker 2: get tattoos. Very very lifelike there. I feel like Leah 123 00:06:04,680 --> 00:06:06,360 Speaker 2: was always trying to give us to get tattoos. 124 00:06:06,360 --> 00:06:20,320 Speaker 1: Always let's start a racheon Kirk. So Rachel decides that 125 00:06:20,400 --> 00:06:24,080 Speaker 1: she wants to rebel a little bit. So she shows 126 00:06:24,160 --> 00:06:28,520 Speaker 1: up to Funny Girl rehearsals with a quote unquote haircut 127 00:06:29,120 --> 00:06:32,520 Speaker 1: a bob. It's very cute on her. I will say 128 00:06:33,080 --> 00:06:36,040 Speaker 1: very bob was great. The wig is very good also 129 00:06:36,200 --> 00:06:37,680 Speaker 1: because I was like, did she her? 130 00:06:38,160 --> 00:06:39,480 Speaker 2: I did not know that was a wig? 131 00:06:39,920 --> 00:06:45,680 Speaker 1: Yeah, very good, And she tricks the director to think 132 00:06:45,760 --> 00:06:48,200 Speaker 1: that she actually cut her hair. She says it's of 133 00:06:48,320 --> 00:06:52,280 Speaker 1: the time, and they're like, what the heck? Were very upset, 134 00:06:52,320 --> 00:06:56,279 Speaker 1: but then they perform You Are a Woman, I Am Man, 135 00:06:56,440 --> 00:07:02,599 Speaker 1: which was adorable and charming number, and the director peters like, 136 00:07:03,680 --> 00:07:06,760 Speaker 1: I was wrong. This is great the power of performance. 137 00:07:06,839 --> 00:07:10,120 Speaker 1: But we do learn that the haircut was fake. She 138 00:07:10,160 --> 00:07:14,320 Speaker 1: pulls that wake off and I was gagged, and I 139 00:07:14,360 --> 00:07:16,160 Speaker 1: know it was funny that she like took it off. 140 00:07:16,400 --> 00:07:17,440 Speaker 1: She was walking, and. 141 00:07:19,800 --> 00:07:22,800 Speaker 2: I thought it was great. They also a couple times 142 00:07:22,800 --> 00:07:26,680 Speaker 2: in this episode touched on Finn because you know, we've 143 00:07:26,760 --> 00:07:30,840 Speaker 2: sort of we ignored it last episode, and like talking 144 00:07:30,880 --> 00:07:35,000 Speaker 2: about the grieving and how Kurt and Rachel are both 145 00:07:35,040 --> 00:07:38,920 Speaker 2: dealing or not dealing with it. Yes, exactly and so 146 00:07:39,800 --> 00:07:42,600 Speaker 2: Rachel says, you know, diving headfirst into these things, let's 147 00:07:42,600 --> 00:07:46,680 Speaker 2: get tattoos. Yes, yes, and they go get tattoos. 148 00:07:47,200 --> 00:07:50,040 Speaker 1: Kurt gets is it's not good. 149 00:07:50,680 --> 00:07:51,440 Speaker 2: It's not good. 150 00:07:51,680 --> 00:07:52,320 Speaker 1: It's not good. 151 00:07:52,640 --> 00:07:53,560 Speaker 2: It did not get better. 152 00:07:54,280 --> 00:07:57,960 Speaker 1: It's get better. And he didn't even realize that he 153 00:07:59,240 --> 00:08:01,640 Speaker 1: gave it to the two artists that way. 154 00:08:02,320 --> 00:08:04,880 Speaker 2: Yeah, and then Rachel said she didn't get one. 155 00:08:05,520 --> 00:08:08,320 Speaker 1: She lies, She says, I don't think there's anything that 156 00:08:08,320 --> 00:08:10,920 Speaker 1: I would want on my body for that long. And 157 00:08:11,040 --> 00:08:14,920 Speaker 1: we find this very endearing moment where she gets Fin 158 00:08:15,840 --> 00:08:20,120 Speaker 1: on her rip, which I believe is out in the 159 00:08:20,120 --> 00:08:22,960 Speaker 1: public that she actually has a few tattoos for Corey 160 00:08:23,600 --> 00:08:27,600 Speaker 1: in real life as well. That one got me. 161 00:08:28,760 --> 00:08:31,160 Speaker 2: Yeah, that was that was really beautifully done. 162 00:08:30,960 --> 00:08:33,079 Speaker 1: Because I was like, wait a second, did they write 163 00:08:33,080 --> 00:08:37,160 Speaker 1: this in you know, obviously this is all kind of 164 00:08:37,240 --> 00:08:41,079 Speaker 1: about how they are, like you said, grieving or not 165 00:08:41,200 --> 00:08:46,120 Speaker 1: grieving Fin, And I appreciate these smaller moments obviously, like 166 00:08:46,200 --> 00:08:50,400 Speaker 1: we we have moved forward from the quarterback now we're 167 00:08:50,400 --> 00:08:53,640 Speaker 1: moved on from it, if you, but like I appreciate 168 00:08:53,679 --> 00:08:56,920 Speaker 1: these moments of like how we will continue to honor 169 00:08:56,960 --> 00:08:59,400 Speaker 1: Corey and on her fin and talk about it because 170 00:08:59,400 --> 00:09:00,959 Speaker 1: I do think it's in and we can't just like. 171 00:09:01,800 --> 00:09:03,280 Speaker 2: Wash completely ignor. 172 00:09:03,800 --> 00:09:06,719 Speaker 1: Yeah, and this kind of this whole storyline kind of 173 00:09:06,720 --> 00:09:11,199 Speaker 1: goes along with like the rebellion feeling and like wanting 174 00:09:11,280 --> 00:09:16,720 Speaker 1: to I don't know, like the twerking of it all, 175 00:09:17,160 --> 00:09:21,599 Speaker 1: you know, which is basically the rest of this episode 176 00:09:21,760 --> 00:09:31,000 Speaker 1: of like it's the new trend of the day, as 177 00:09:31,200 --> 00:09:35,800 Speaker 1: mister Shoe will show the board of education or of 178 00:09:35,880 --> 00:09:43,480 Speaker 1: the school about the different eras of trending dances, which 179 00:09:43,520 --> 00:09:44,920 Speaker 1: I forgot about that we did that. 180 00:09:45,840 --> 00:09:47,080 Speaker 2: I really love that moment. 181 00:09:47,240 --> 00:09:50,600 Speaker 1: I did too. I thought it was very sweet. 182 00:09:51,520 --> 00:09:55,359 Speaker 2: Like very clever. Yes, it was really well done, looked beautiful. 183 00:09:55,640 --> 00:09:58,440 Speaker 1: Yes, I don't know why did it, but I was 184 00:09:58,480 --> 00:10:00,720 Speaker 1: like wow, I mean really enjoyed this moment. 185 00:10:01,120 --> 00:10:04,200 Speaker 2: It was like, oh, Shoe's actually putting together a comprehensive 186 00:10:04,280 --> 00:10:08,720 Speaker 2: plan here. He did something in advance, Like oh wow, 187 00:10:09,200 --> 00:10:10,840 Speaker 2: he did learn something in Washington. 188 00:10:11,320 --> 00:10:17,120 Speaker 1: Yeah. So the twerking Tina catches blamed talking in the cluster, 189 00:10:17,280 --> 00:10:22,800 Speaker 1: which was quite funny, and mister Shoe was like, oh 190 00:10:22,840 --> 00:10:27,640 Speaker 1: wait a second, my bulb, let's show our kind of 191 00:10:27,800 --> 00:10:32,199 Speaker 1: like down dirty side for nationals. So tworking is the 192 00:10:32,240 --> 00:10:33,200 Speaker 1: assignment of the week. 193 00:10:33,559 --> 00:10:37,080 Speaker 2: I'm sorry, but when everybody's watching that video and then 194 00:10:37,120 --> 00:10:39,440 Speaker 2: it cuts to Shoe being like this isn't that bad? 195 00:10:39,520 --> 00:10:43,800 Speaker 2: Like why is he watching this? What is he doing? 196 00:10:44,080 --> 00:10:46,920 Speaker 1: I think the whole thing throughout is that he's so 197 00:10:47,120 --> 00:10:52,440 Speaker 1: involved with the twerking and it's it doesn't quite sit 198 00:10:52,600 --> 00:10:56,360 Speaker 1: well with me, like doing blurred lines and like in 199 00:10:58,320 --> 00:11:03,240 Speaker 1: support of the twerking. It's just a little Yeah, it's questionable. 200 00:11:03,320 --> 00:11:04,520 Speaker 1: It's definitely questionable. 201 00:11:05,280 --> 00:11:08,600 Speaker 2: I'm my expectations because we've obviously heard from all of 202 00:11:08,640 --> 00:11:12,920 Speaker 2: you who've written in and we've been talking about this. 203 00:11:12,920 --> 00:11:15,199 Speaker 2: This is one of those episodes that people did not 204 00:11:16,200 --> 00:11:20,440 Speaker 2: like at all. And I think because my expectation was 205 00:11:20,600 --> 00:11:24,199 Speaker 2: so low, yeah, that I did sort of enjoy it. 206 00:11:24,320 --> 00:11:27,240 Speaker 1: I okay, look, it has its moments. I don't know 207 00:11:27,320 --> 00:11:34,280 Speaker 1: that like the overall story and message was like life 208 00:11:34,360 --> 00:11:38,000 Speaker 1: changing for me in any way or but I do 209 00:11:38,120 --> 00:11:41,880 Speaker 1: think that some of this is very timely and some 210 00:11:41,960 --> 00:11:46,080 Speaker 1: of these performances were excellent, and you're right, I was. 211 00:11:46,760 --> 00:11:50,120 Speaker 1: My expectations were so low that I was like, oh, 212 00:11:50,559 --> 00:11:53,000 Speaker 1: I'm actually enjoying watching most of this, most of it, 213 00:11:53,840 --> 00:11:54,480 Speaker 1: most of it. 214 00:11:54,920 --> 00:11:59,440 Speaker 2: And I also think like there's something about like I 215 00:11:59,520 --> 00:12:03,560 Speaker 2: really think Wendy had some energy with how she directed this. 216 00:12:03,800 --> 00:12:08,640 Speaker 2: And you know, we've done a lot of numbers lately 217 00:12:08,840 --> 00:12:10,400 Speaker 2: it seems to be like a theme where like we're 218 00:12:10,440 --> 00:12:14,160 Speaker 2: going through different classrooms, we're traveling during a number. Yes, 219 00:12:14,200 --> 00:12:16,840 Speaker 2: but I think this is the first one that I 220 00:12:16,840 --> 00:12:20,720 Speaker 2: think is really successful. Yeah. As horrible as I think 221 00:12:20,800 --> 00:12:26,600 Speaker 2: doing that song was not the right choice, I do 222 00:12:26,640 --> 00:12:28,800 Speaker 2: think it is funny that Will does not actually understand 223 00:12:28,800 --> 00:12:32,559 Speaker 2: what the song is about. I think that bit is great. 224 00:12:32,640 --> 00:12:33,360 Speaker 1: That is funny. 225 00:12:34,679 --> 00:12:39,040 Speaker 2: But how that number was shot and choreographed and how 226 00:12:39,120 --> 00:12:41,680 Speaker 2: the whole school felt like it was involved felt really 227 00:12:41,720 --> 00:12:44,520 Speaker 2: good and like filled out those classrooms in the hallways 228 00:12:44,520 --> 00:12:47,679 Speaker 2: and the auditorium with a lot of extra people, lots 229 00:12:47,720 --> 00:12:51,560 Speaker 2: of different cots. It felt like music video style. And 230 00:12:51,600 --> 00:12:54,440 Speaker 2: it's nice to feel like things are new in the 231 00:12:54,720 --> 00:12:57,720 Speaker 2: in season five, Like we've sort of a lot of 232 00:12:57,720 --> 00:13:01,200 Speaker 2: times we were in dance rehearsal, the choreographers would be like, 233 00:13:01,880 --> 00:13:04,679 Speaker 2: how do we try to do this in a new 234 00:13:04,720 --> 00:13:07,160 Speaker 2: way when we've done hundreds of numbers and we were 235 00:13:07,160 --> 00:13:08,800 Speaker 2: shooting at all the same locations. 236 00:13:08,480 --> 00:13:09,640 Speaker 1: Same locations exactly. 237 00:13:09,920 --> 00:13:13,000 Speaker 2: Yeah, where this felt really good and that way, I 238 00:13:13,000 --> 00:13:14,280 Speaker 2: think from a technical. 239 00:13:13,920 --> 00:13:18,360 Speaker 1: Perspective, agreed, agreed best best job she could with what 240 00:13:18,400 --> 00:13:21,920 Speaker 1: she had to work with. Yeah, the song don't love. 241 00:13:23,040 --> 00:13:27,920 Speaker 2: I mean the teacher singing blurredlines to a bunch of students. 242 00:13:28,040 --> 00:13:29,120 Speaker 2: It's going to be a noe for me. 243 00:13:29,679 --> 00:13:33,679 Speaker 1: No, I also don't know this song. Also, didn't love 244 00:13:33,800 --> 00:13:36,679 Speaker 1: shooting this song, Like I remember just being like so 245 00:13:36,760 --> 00:13:40,840 Speaker 1: many pieces and you're like this again, this number again. 246 00:13:41,520 --> 00:13:42,800 Speaker 2: Yeah, it was not fun to shoot. 247 00:13:43,080 --> 00:13:47,720 Speaker 1: No, it was not. It was very crowded. I remember, 248 00:13:47,760 --> 00:13:50,679 Speaker 1: it was a lot of moving parts. Again, Wendy did 249 00:13:50,679 --> 00:13:55,839 Speaker 1: a wonderful job with it. Least favorite number of the episode, 250 00:13:56,040 --> 00:14:00,359 Speaker 1: hands down. I also wonder if fans don't like this episode, 251 00:14:00,800 --> 00:14:04,800 Speaker 1: like I don't know, I don't know, maybe like the 252 00:14:04,840 --> 00:14:08,120 Speaker 1: whole Jake cheating on Marley a bit. I didn't like 253 00:14:08,200 --> 00:14:11,760 Speaker 1: it also, rub people wrong. I hated it. It was very upsetting. 254 00:14:12,000 --> 00:14:14,640 Speaker 1: But I don't know, I'm just I'm just putting that 255 00:14:14,720 --> 00:14:15,120 Speaker 1: out there. 256 00:14:15,640 --> 00:14:18,079 Speaker 2: Yeah, like there's some negativity attached to it with that 257 00:14:18,160 --> 00:14:22,680 Speaker 2: where yeah, you don't we were rooting for them, we. 258 00:14:22,480 --> 00:14:26,440 Speaker 1: Were, I mean, it was going too well, but you know, 259 00:14:27,000 --> 00:14:29,760 Speaker 1: so Sue is banning the talking. She's trying to ban 260 00:14:29,920 --> 00:14:36,040 Speaker 1: the talking, and mister Shue is rebelling against trying to 261 00:14:36,160 --> 00:14:40,080 Speaker 1: keep the talking. And then also did a wonderful Sue 262 00:14:40,120 --> 00:14:44,240 Speaker 1: storm out with Becky, which I always love. 263 00:14:44,480 --> 00:14:49,160 Speaker 2: Honestly phenomenal and Becky getting up and again I'm sorry 264 00:14:49,200 --> 00:14:52,040 Speaker 2: I keep bringing it up, but the directing and like 265 00:14:51,800 --> 00:14:55,000 Speaker 2: the timing and the editing here very good of like 266 00:14:55,840 --> 00:14:59,880 Speaker 2: the xylophone thrown in and her tossing it. This is 267 00:15:00,160 --> 00:15:01,080 Speaker 2: this is so good. 268 00:15:01,280 --> 00:15:04,600 Speaker 1: Yeah, very very good. So back to Jake and Marlee 269 00:15:04,720 --> 00:15:05,600 Speaker 1: and Brie. 270 00:15:06,160 --> 00:15:08,880 Speaker 2: Brie's gotta go. She's evil, I got to go. 271 00:15:09,160 --> 00:15:15,000 Speaker 1: There's nothing redeeming about her. Jake, we learned had cheated 272 00:15:15,040 --> 00:15:20,160 Speaker 1: on Marlee after with Brie, after Marley had turned him down, 273 00:15:20,920 --> 00:15:25,280 Speaker 1: and so they're continuing this kind of like makeout cheating thing, 274 00:15:26,040 --> 00:15:30,200 Speaker 1: and it is and now Brie is just coming after Marley. 275 00:15:30,560 --> 00:15:34,080 Speaker 1: She's making fun of her tworking. She's then going to 276 00:15:34,280 --> 00:15:40,080 Speaker 1: just outwardly tell Marlee. I was very uncomfortable in this 277 00:15:40,160 --> 00:15:42,440 Speaker 1: scene because I was like, oh my god, this is 278 00:15:42,640 --> 00:15:51,920 Speaker 1: so stark. It's like, uh mean, Marley telling you about 279 00:15:51,920 --> 00:15:54,720 Speaker 1: the male, telling you about the Oh god, it was 280 00:15:54,840 --> 00:16:00,480 Speaker 1: so vivid, and I was so sad, so sad for Marley, 281 00:16:01,080 --> 00:16:03,480 Speaker 1: and I didn't want it to be true. I really 282 00:16:03,560 --> 00:16:05,720 Speaker 1: didn't want to because it's just not motivated at all 283 00:16:05,760 --> 00:16:07,400 Speaker 1: for Jake, you know what I mean, It's just what 284 00:16:07,440 --> 00:16:08,640 Speaker 1: it is. He just cheats. 285 00:16:10,000 --> 00:16:13,400 Speaker 2: Yeah, it's it feels. It was like, you know, it's 286 00:16:13,440 --> 00:16:14,480 Speaker 2: high school boys are dumb. 287 00:16:15,520 --> 00:16:16,200 Speaker 1: Yeah, it happened. 288 00:16:16,280 --> 00:16:21,240 Speaker 2: That mole thing though, Oh got me. Oh, because how 289 00:16:21,560 --> 00:16:25,440 Speaker 2: how can you contradict You can't. You can't disprove that 290 00:16:26,120 --> 00:16:27,720 Speaker 2: if you got the mall, I. 291 00:16:27,680 --> 00:16:33,200 Speaker 1: Will say we did get wrecking Ball out of it. 292 00:16:33,200 --> 00:16:38,600 Speaker 2: It's her going through that wall. On the wrecking Wall, 293 00:16:38,640 --> 00:16:39,280 Speaker 2: I was like, this. 294 00:16:39,160 --> 00:16:41,320 Speaker 1: Show, I know, we've really gone there. 295 00:16:41,520 --> 00:16:45,720 Speaker 2: This show is insane. And also we don't always have 296 00:16:45,800 --> 00:16:46,960 Speaker 2: to do the literal thing. 297 00:16:47,240 --> 00:16:51,400 Speaker 1: I know I was thinking that too, But I remember 298 00:16:51,440 --> 00:16:53,680 Speaker 1: them shooting in It was cool, right, Like I remember 299 00:16:53,720 --> 00:16:57,040 Speaker 1: them with her on the ball and like everybody was like, oh, 300 00:16:57,160 --> 00:16:59,640 Speaker 1: come see the set, come see the thing. And I'm 301 00:16:59,640 --> 00:17:03,360 Speaker 1: sure production wise watching it and like it's so cool, 302 00:17:03,520 --> 00:17:05,840 Speaker 1: but like, yeah, maybe we don't need to exactly do it. 303 00:17:05,880 --> 00:17:07,399 Speaker 1: But maybe that was a request of somebody in the 304 00:17:07,440 --> 00:17:08,200 Speaker 1: writer's room. I don't know. 305 00:17:08,520 --> 00:17:10,680 Speaker 2: Also, but also that's like the magic of this show, 306 00:17:10,800 --> 00:17:15,560 Speaker 2: as we can, we can't and do she sounded great always. 307 00:17:16,600 --> 00:17:20,560 Speaker 2: There were a couple timely things. One I would say 308 00:17:21,520 --> 00:17:26,639 Speaker 2: is Sue's corner was very dark, and. 309 00:17:28,160 --> 00:17:29,040 Speaker 1: I actually. 310 00:17:30,240 --> 00:17:30,640 Speaker 2: It was. 311 00:17:32,400 --> 00:17:33,080 Speaker 1: From my memory. 312 00:17:33,400 --> 00:17:34,720 Speaker 2: Did dissociated a little bit? 313 00:17:34,800 --> 00:17:35,200 Speaker 1: Yes? 314 00:17:35,280 --> 00:17:38,520 Speaker 2: Yes, And then I think the most important part of 315 00:17:38,560 --> 00:17:42,880 Speaker 2: this episode, Yes, again, we can have an episode about 316 00:17:42,880 --> 00:17:46,520 Speaker 2: twerking and there's a wrecking ball and at the same 317 00:17:46,560 --> 00:17:51,800 Speaker 2: time we get this really beautiful story about Unique that 318 00:17:51,920 --> 00:17:54,440 Speaker 2: also I think is handled so delicately, where it starts 319 00:17:54,480 --> 00:17:58,720 Speaker 2: off with like this bathroom issue where everyone is sort 320 00:17:58,720 --> 00:18:04,399 Speaker 2: of changing up with bathroom they're going to, and then 321 00:18:04,480 --> 00:18:10,760 Speaker 2: Unique gets bullied, which was like, yeah, really tough to watch. Yes, 322 00:18:10,880 --> 00:18:13,640 Speaker 2: and the boys in the Greak club are furious and 323 00:18:13,680 --> 00:18:16,399 Speaker 2: you know, I want to find out who did it, 324 00:18:16,440 --> 00:18:22,119 Speaker 2: and Unique it's like, no, we're not doing that. And Sue, 325 00:18:22,200 --> 00:18:24,400 Speaker 2: in a moment of what it feels like she's come 326 00:18:24,440 --> 00:18:28,160 Speaker 2: to her senses, it is like, you know what, after 327 00:18:28,280 --> 00:18:34,280 Speaker 2: Unique advocated for a gender neutral bathroom, She's like, okay, yeah, 328 00:18:35,520 --> 00:18:43,960 Speaker 2: then makes this looks like the Riddler, but Purple port 329 00:18:44,000 --> 00:18:45,440 Speaker 2: a potty and puts it in the middle of the 330 00:18:45,480 --> 00:18:48,040 Speaker 2: choir room, and Tina loves it. 331 00:18:49,160 --> 00:18:51,960 Speaker 1: I love this. I love that she loves it. 332 00:18:52,200 --> 00:18:54,000 Speaker 2: Because also Jenna does have to be all. 333 00:18:53,880 --> 00:18:58,160 Speaker 1: The time, I have to be right now. I love 334 00:18:58,480 --> 00:19:02,760 Speaker 1: I remember filming the US and like us not being 335 00:19:02,760 --> 00:19:05,560 Speaker 1: able to get through it because I kept coming out 336 00:19:05,600 --> 00:19:06,720 Speaker 1: of the bathroom. 337 00:19:06,600 --> 00:19:08,240 Speaker 2: And we were losing it. 338 00:19:08,480 --> 00:19:12,600 Speaker 1: Very funny, didn't we have Joey go in once and 339 00:19:12,640 --> 00:19:15,479 Speaker 1: he came out of the bathroom. Yes, one of our 340 00:19:15,520 --> 00:19:18,560 Speaker 1: CREA members they I didn't go come out of the bathroom. 341 00:19:18,600 --> 00:19:21,919 Speaker 1: He came out of that. But it's very funny. Tina 342 00:19:21,960 --> 00:19:24,800 Speaker 1: loves the porter potty, She's the only one. But Sue 343 00:19:25,080 --> 00:19:27,880 Speaker 1: Uh screws it into the ground in the choir room, 344 00:19:29,600 --> 00:19:33,800 Speaker 1: and she says that she will remove the porter potty 345 00:19:33,880 --> 00:19:39,800 Speaker 1: and give Unique a key to the faculty bathroom because 346 00:19:39,800 --> 00:19:45,760 Speaker 1: she saw mister Shoe doing that for Unique. If we 347 00:19:45,840 --> 00:19:50,520 Speaker 1: end the talking, there should be no effing conditions to 348 00:19:50,640 --> 00:19:55,119 Speaker 1: make everybody feel that they can be whoever they want 349 00:19:55,359 --> 00:20:03,600 Speaker 1: to be. Sorry, just trying to not get too deep 350 00:20:03,640 --> 00:20:04,520 Speaker 1: down the rabbit hole. 351 00:20:04,640 --> 00:20:08,720 Speaker 2: Don't apologize. This is a Glee podcast. If they watch 352 00:20:08,800 --> 00:20:10,760 Speaker 2: the show, they know how we feel about these. 353 00:20:10,600 --> 00:20:15,040 Speaker 1: Things, right, It just feels so timely with everything that's 354 00:20:15,080 --> 00:20:20,840 Speaker 1: going on in the world, and I was like, oh wow, okay. 355 00:20:23,320 --> 00:20:26,800 Speaker 2: It also was at a time where people were not 356 00:20:27,520 --> 00:20:31,600 Speaker 2: talking about this especially, but it was happening, But it 357 00:20:31,640 --> 00:20:40,119 Speaker 2: was happening, and the distortion of what the need actually was, 358 00:20:40,800 --> 00:20:45,680 Speaker 2: the distortion of like, oh, these people need these bathrooms 359 00:20:45,680 --> 00:20:49,439 Speaker 2: and they're going to be in with little kids, Like no, no, no, 360 00:20:49,440 --> 00:20:53,320 Speaker 2: nobody's everybody just wants a safe place to use the restroom. 361 00:20:53,720 --> 00:20:55,240 Speaker 2: This isn't about anybody. 362 00:20:54,920 --> 00:20:57,959 Speaker 1: Elseybody else, nobody's here, anybody. 363 00:20:57,800 --> 00:21:02,240 Speaker 2: To be able to explain it in ways that Gleiso 364 00:21:02,320 --> 00:21:06,040 Speaker 2: often does, I think, in a really like easy way 365 00:21:06,119 --> 00:21:09,840 Speaker 2: to get why it's important for people, yes, and why 366 00:21:10,000 --> 00:21:13,840 Speaker 2: other people often have to advocate on behalf of the 367 00:21:13,880 --> 00:21:19,719 Speaker 2: people who need it, yes, and like why and how 368 00:21:20,920 --> 00:21:24,800 Speaker 2: those effects can positively or negatively affect somebody emotionally and 369 00:21:24,840 --> 00:21:29,080 Speaker 2: mentally and physically. And so it was I thought, and 370 00:21:29,160 --> 00:21:31,280 Speaker 2: at the time, I think, honestly, we were probably so 371 00:21:32,119 --> 00:21:36,160 Speaker 2: desensitized in a way on set to like handling big issues. 372 00:21:36,320 --> 00:21:38,760 Speaker 1: Yeah, for sure, I don't think I even. 373 00:21:38,560 --> 00:21:41,080 Speaker 2: Realized the gravity of like what we were doing, what 374 00:21:41,160 --> 00:21:45,560 Speaker 2: Alex was that was doing for people and what the 375 00:21:45,600 --> 00:21:48,920 Speaker 2: show was doing for people, and watching it now it's 376 00:21:49,000 --> 00:21:50,160 Speaker 2: very powerful, no. 377 00:21:50,359 --> 00:21:53,880 Speaker 1: Very and I mean kudos to Wendy, kudos to Alex 378 00:21:55,200 --> 00:22:04,920 Speaker 1: for the performances, for delivering and for being that that 379 00:22:05,320 --> 00:22:09,919 Speaker 1: beacon of hope and whatever whatever or else do you 380 00:22:09,960 --> 00:22:12,600 Speaker 1: want to call it? 381 00:22:12,640 --> 00:22:16,480 Speaker 2: Just recognitions? I can we exist. We have needs that 382 00:22:16,560 --> 00:22:19,400 Speaker 2: other people may not understand, but they are still as 383 00:22:19,400 --> 00:22:23,440 Speaker 2: important as other people's, you know. And it's like just 384 00:22:23,480 --> 00:22:26,440 Speaker 2: showing it and showing up is important. 385 00:22:27,280 --> 00:22:28,359 Speaker 1: Watching you need to do. 386 00:22:29,760 --> 00:22:38,200 Speaker 2: If I are a boy, you prepared me, and other 387 00:22:38,200 --> 00:22:42,680 Speaker 2: people have prepared me, but I still wasn't totally. 388 00:22:43,119 --> 00:22:45,399 Speaker 1: No, I only think you can only prepare it to 389 00:22:45,560 --> 00:22:50,040 Speaker 1: some to some extent, and then you just have to 390 00:22:50,080 --> 00:22:52,720 Speaker 1: experience it for yourself. Really beautiful. 391 00:22:53,080 --> 00:22:56,399 Speaker 2: The magic of Alex's voice, Oh if alics can do 392 00:22:56,520 --> 00:23:06,199 Speaker 2: crazy technical, insane things, right, But the power of the 393 00:23:06,240 --> 00:23:11,200 Speaker 2: restraint in this number, yes, and the presence that Alex 394 00:23:11,240 --> 00:23:12,400 Speaker 2: had was just. 395 00:23:13,040 --> 00:23:16,120 Speaker 1: I mean, watching watching Alex do this in real time, 396 00:23:16,240 --> 00:23:18,800 Speaker 1: just in the choir room was very powerful. I remember that. 397 00:23:20,800 --> 00:23:25,600 Speaker 1: But watching it now, after all this time, I am 398 00:23:25,680 --> 00:23:32,240 Speaker 1: amazed and disgusted at how important this storyline is still 399 00:23:32,800 --> 00:23:37,280 Speaker 1: and current it is in our current climate, but it's 400 00:23:37,320 --> 00:23:42,399 Speaker 1: also wildly important to have people feel represented and heard. 401 00:23:43,000 --> 00:23:56,000 Speaker 2: And it educates all of us right right exactly. I 402 00:23:56,000 --> 00:24:00,320 Speaker 2: know we touched on it before, but the presentation of 403 00:24:00,359 --> 00:24:03,800 Speaker 2: the different styles of dance, I don't know why I 404 00:24:04,280 --> 00:24:06,639 Speaker 2: remember that so vividly. I forgot we did it, but 405 00:24:06,720 --> 00:24:10,200 Speaker 2: now I remember too. Yeah, in the different style of clothing, 406 00:24:10,200 --> 00:24:14,560 Speaker 2: I had a different wheelchair. It was so much fun 407 00:24:15,440 --> 00:24:18,960 Speaker 2: to do, and I also thought, like, here's also another 408 00:24:19,000 --> 00:24:23,480 Speaker 2: great lesson in perspective. Yes, of it's like, I'm really 409 00:24:23,560 --> 00:24:29,000 Speaker 2: enjoying shoemaking sense here and also like learning something in 410 00:24:29,040 --> 00:24:31,600 Speaker 2: this episode that we don't normally do. 411 00:24:32,240 --> 00:24:36,800 Speaker 1: Totally totally, I really did. I was like, whoa, I 412 00:24:36,920 --> 00:24:39,280 Speaker 1: was like, I was tickled by it. I was, I 413 00:24:39,320 --> 00:24:42,119 Speaker 1: was really tickled by it. Yeah, it was really cute. 414 00:24:44,080 --> 00:24:46,000 Speaker 1: I mean it obviously didn't matter in the end, but 415 00:24:46,640 --> 00:24:54,720 Speaker 1: Shoe just having something redeeming, you know, I know. Yeah, 416 00:24:55,480 --> 00:24:57,639 Speaker 1: and of course you like he you know, give him 417 00:24:57,640 --> 00:24:59,600 Speaker 1: a number, But of course it has to be bordlines, 418 00:24:59,640 --> 00:25:00,679 Speaker 1: you know what I mean. I mean, like it's not 419 00:25:00,720 --> 00:25:04,840 Speaker 1: his fault. Yes, okay, let's create some performances. 420 00:25:06,160 --> 00:25:08,120 Speaker 2: Okay, Brave. 421 00:25:09,520 --> 00:25:14,720 Speaker 1: You are a woman, I am man B plus yeah, 422 00:25:15,040 --> 00:25:20,080 Speaker 1: B plus learn lines. The performance itself and the edit 423 00:25:20,320 --> 00:25:24,919 Speaker 1: was very good and A plus, but the actual like 424 00:25:25,800 --> 00:25:27,680 Speaker 1: feeling of it all a C. 425 00:25:28,400 --> 00:25:28,800 Speaker 2: Correct. 426 00:25:28,880 --> 00:25:29,960 Speaker 1: If I were a boy. 427 00:25:29,960 --> 00:25:32,320 Speaker 2: A plus plus, A plus plus plus. 428 00:25:32,200 --> 00:25:37,640 Speaker 1: If Wrecking Ball A plus. Okay, on our way so random, 429 00:25:38,000 --> 00:25:39,960 Speaker 1: we haven't even talked about it, Okay, okay, Sorry, I 430 00:25:40,040 --> 00:25:43,160 Speaker 1: knew we skipped something. I forgot there was a carousel 431 00:25:43,359 --> 00:25:47,000 Speaker 1: on our stage. I too, but I remember it now me. 432 00:25:46,960 --> 00:25:50,120 Speaker 2: Too vividly in that ramp to get up there. 433 00:25:50,280 --> 00:25:52,600 Speaker 1: Yeah, oh yeah, yeah. 434 00:25:52,000 --> 00:25:53,720 Speaker 2: I didn't remember I sang on this song. 435 00:25:54,119 --> 00:25:56,560 Speaker 1: I didn't either, I didn't remember everybody sang on this song. 436 00:25:56,720 --> 00:25:59,480 Speaker 1: I also, I think this was just one of those things. 437 00:25:59,640 --> 00:26:01,360 Speaker 1: The sea is going to be one of those things 438 00:26:01,359 --> 00:26:04,600 Speaker 1: where we don't remember a lot until we see it, yes, and. 439 00:26:04,520 --> 00:26:06,840 Speaker 2: Then it comes back a lot of group numbers or 440 00:26:06,840 --> 00:26:08,720 Speaker 2: were just free for rockout totally. 441 00:26:08,800 --> 00:26:10,439 Speaker 1: This was fun though, because it was different and they 442 00:26:10,440 --> 00:26:12,560 Speaker 1: put the camera on the carousel. We got to kind 443 00:26:12,600 --> 00:26:14,680 Speaker 1: of like run around and it just felt like it 444 00:26:14,680 --> 00:26:17,840 Speaker 1: felt really freeing and fun. And Wendy was so much 445 00:26:17,880 --> 00:26:19,440 Speaker 1: fun to work with and she was so like kind 446 00:26:19,480 --> 00:26:22,439 Speaker 1: of she had a plan and obviously her episodes come 447 00:26:22,480 --> 00:26:25,440 Speaker 1: out beautifully, but she was so laid back that you're like, 448 00:26:25,600 --> 00:26:27,400 Speaker 1: how are we doing this? Do you know what I mean? 449 00:26:27,560 --> 00:26:30,640 Speaker 1: That was kind of her vibe, and this one just worked. 450 00:26:30,640 --> 00:26:33,320 Speaker 1: I thought it was really cute and I like this song. 451 00:26:33,680 --> 00:26:36,439 Speaker 1: It was random, but I like this song. It feels 452 00:26:36,480 --> 00:26:40,400 Speaker 1: like that, you know, like our new class of our 453 00:26:40,440 --> 00:26:45,440 Speaker 1: group of like new McKinley students in new directions. This 454 00:26:45,720 --> 00:26:48,320 Speaker 1: number totally fits with what we've been doing. This is 455 00:26:48,359 --> 00:26:51,600 Speaker 1: the new year closer, you know, all those numbers. This 456 00:26:51,760 --> 00:26:53,560 Speaker 1: totally I'm like, great, makes sense. 457 00:26:53,800 --> 00:26:56,439 Speaker 2: Throw it in there, which feels like, you know, you 458 00:26:56,520 --> 00:26:59,880 Speaker 2: have something like wrecking Ball, which feels like the Fever dream. Yeah, 459 00:27:00,080 --> 00:27:03,760 Speaker 2: and then these numbers feel like real high school and 460 00:27:03,800 --> 00:27:06,639 Speaker 2: I just we don't get a lot of them, but 461 00:27:06,680 --> 00:27:09,520 Speaker 2: we're getting them more frequently now and it does feel 462 00:27:10,320 --> 00:27:12,400 Speaker 2: just nice, like I feel like I'm seeing all these 463 00:27:12,480 --> 00:27:16,159 Speaker 2: kids actually get to like play together and there's not 464 00:27:16,320 --> 00:27:21,840 Speaker 2: some other drama going on totally which minus Jake and Marley. 465 00:27:22,080 --> 00:27:24,200 Speaker 2: And then you have that lash out of Marley coming forward. 466 00:27:24,200 --> 00:27:28,399 Speaker 2: Also beautiful shot of Marley coming up there and you 467 00:27:28,400 --> 00:27:29,679 Speaker 2: see everybody in the background. 468 00:27:30,119 --> 00:27:31,720 Speaker 1: I didn't remember that, but I loved it. 469 00:27:32,240 --> 00:27:35,800 Speaker 2: Do you remember rehearsing for this number and being on 470 00:27:35,840 --> 00:27:37,200 Speaker 2: that carousel? No? 471 00:27:37,400 --> 00:27:39,800 Speaker 1: Did they do we rehearse it in the powerhouse? Do 472 00:27:39,840 --> 00:27:40,680 Speaker 1: we rehearse on this? Say? 473 00:27:40,720 --> 00:27:45,040 Speaker 2: We were getting dizzy in these I know we might 474 00:27:45,040 --> 00:27:46,760 Speaker 2: have rehearsed on the stage, but we. 475 00:27:47,119 --> 00:27:49,640 Speaker 1: Dar we did rehearse on the stage. We did, because 476 00:27:49,680 --> 00:27:51,639 Speaker 1: I remember seeing it for the first thing being like, wow, 477 00:27:51,760 --> 00:27:52,600 Speaker 1: they really did it. 478 00:27:52,720 --> 00:27:54,600 Speaker 2: I also didn't know how like the wheelchair was going 479 00:27:54,640 --> 00:27:59,679 Speaker 2: to work on it, and I was very concerned, like 480 00:27:59,680 --> 00:28:01,119 Speaker 2: I feel like I'm going to fly off of this. 481 00:28:01,359 --> 00:28:04,240 Speaker 2: But okay, sure. 482 00:28:04,600 --> 00:28:06,560 Speaker 1: I was worried about you. I remember that you're just 483 00:28:06,640 --> 00:28:08,240 Speaker 1: on there in the middle. 484 00:28:08,840 --> 00:28:11,639 Speaker 2: You know. You were all always worried about me in 485 00:28:11,680 --> 00:28:13,159 Speaker 2: some of these numbers, which was nice. 486 00:28:13,240 --> 00:28:16,080 Speaker 1: But you felt, you know, very secure with our crew 487 00:28:16,119 --> 00:28:17,760 Speaker 1: that they were going to take care of you, which 488 00:28:17,760 --> 00:28:18,480 Speaker 1: they always did. 489 00:28:19,080 --> 00:28:20,520 Speaker 2: Yeah. I'll give it an a. 490 00:28:22,080 --> 00:28:23,760 Speaker 1: Yeah, I'll give it an a solid. 491 00:28:24,480 --> 00:28:26,480 Speaker 2: The joy was nice. We needed that release. 492 00:28:26,840 --> 00:28:29,119 Speaker 1: We didn't need that release, and it was fun. I 493 00:28:29,160 --> 00:28:31,640 Speaker 1: thought it was fine. I mean number five, we love 494 00:28:31,840 --> 00:28:35,359 Speaker 1: a golden number five kind of five number episode. Okay, 495 00:28:35,440 --> 00:28:39,960 Speaker 1: Chartie Jakes cringe moments, twrking, mister shoot talking with us 496 00:28:40,040 --> 00:28:45,160 Speaker 1: gree there's quite a few Sou's corner everything that, the 497 00:28:45,200 --> 00:28:47,520 Speaker 1: bullying of unique, it's like all of it. 498 00:28:48,360 --> 00:28:50,120 Speaker 2: Yeah, yeah, yeah, I agree. 499 00:28:50,240 --> 00:28:56,080 Speaker 1: Yeah, best dance moth I think the dance of the decades. 500 00:28:57,480 --> 00:29:01,200 Speaker 2: Oh, it was really nice. I did think some of 501 00:29:01,240 --> 00:29:04,240 Speaker 2: the setups and blurred lines were good. If there's a 502 00:29:04,240 --> 00:29:05,840 Speaker 2: lot of talented dancing in there. I think if you 503 00:29:05,840 --> 00:29:08,240 Speaker 2: don't watch us and you watch them and the dancers 504 00:29:08,240 --> 00:29:10,760 Speaker 2: in there, what they're doing, yeah, it's good, very good, 505 00:29:11,920 --> 00:29:15,840 Speaker 2: Like the breakdancing was. Also there's a shot where you 506 00:29:15,840 --> 00:29:18,560 Speaker 2: have the breakdancer sliding through the hallway and then it 507 00:29:18,600 --> 00:29:21,000 Speaker 2: cuts to match cuts them sliding onto the stage. 508 00:29:22,600 --> 00:29:22,880 Speaker 1: Good. 509 00:29:23,080 --> 00:29:25,800 Speaker 2: That was good on their head, that's the best dance. 510 00:29:25,640 --> 00:29:30,760 Speaker 1: Move that song. If I were a boy, If I 511 00:29:30,760 --> 00:29:33,520 Speaker 1: were a boy, absolutely obviously prop. 512 00:29:35,720 --> 00:29:39,240 Speaker 2: Yeah. I also shout out to the lemon Cello and 513 00:29:39,280 --> 00:29:43,000 Speaker 2: the tattoos that I liked them drinking together. 514 00:29:43,520 --> 00:29:47,040 Speaker 1: Yeah, that was fun forgot. Yes, we messed that. 515 00:29:47,840 --> 00:29:50,480 Speaker 2: Best line. 516 00:29:50,920 --> 00:29:53,640 Speaker 1: Becky saying do you have an appointment? And Will says no, 517 00:29:53,720 --> 00:29:59,280 Speaker 1: and she says they get out. Lauren Potter coming through. 518 00:30:00,600 --> 00:30:04,320 Speaker 1: I was second that she's got some key stuff coming up. 519 00:30:04,880 --> 00:30:07,640 Speaker 1: Stay tuned for Trios. She is on fire. 520 00:30:09,240 --> 00:30:11,880 Speaker 2: Laurene Potter was always just bringing it. 521 00:30:12,040 --> 00:30:15,160 Speaker 1: It's so all the time, funny, so funny, so good. 522 00:30:15,640 --> 00:30:17,760 Speaker 1: We didn't get to work with her that often, That's 523 00:30:17,760 --> 00:30:20,840 Speaker 1: what I'm saying, Trio. I really got to work with her. 524 00:30:21,760 --> 00:30:23,280 Speaker 2: Yeah, and like when you don't get to work with 525 00:30:23,320 --> 00:30:26,400 Speaker 2: these people, you forget so funny that we're like all 526 00:30:26,440 --> 00:30:29,240 Speaker 2: on the same show for as long as we are. Yes, 527 00:30:29,680 --> 00:30:33,560 Speaker 2: and like watching this and just how like she's on 528 00:30:33,600 --> 00:30:35,360 Speaker 2: the show for forever and it's so great. 529 00:30:35,520 --> 00:30:39,120 Speaker 1: Yes, Yes, and every time it's just it's a singer, 530 00:30:39,440 --> 00:30:40,600 Speaker 1: it's a singer performance. 531 00:30:40,680 --> 00:30:47,040 Speaker 2: MVP Alex absolutely ah the okay, First of all, should 532 00:30:47,040 --> 00:30:49,240 Speaker 2: we be found a TikTok? You know, I'm obsessed with 533 00:30:49,280 --> 00:30:56,640 Speaker 2: Serena Carpenter's album I You Cook on On TikTok listed 534 00:30:57,040 --> 00:31:00,640 Speaker 2: themselves dressed as Jane or Sue and said, you know, 535 00:31:00,760 --> 00:31:04,080 Speaker 2: Jane Lynch would devour in those sparky little boots. And 536 00:31:04,120 --> 00:31:06,000 Speaker 2: the whole thing is, you know, if Glee was still 537 00:31:06,000 --> 00:31:08,400 Speaker 2: being made today, Ryan Murphy would have made Sue sing 538 00:31:09,000 --> 00:31:12,200 Speaker 2: Taste to Emma. After it was revealed that will and 539 00:31:12,240 --> 00:31:14,560 Speaker 2: Sue hooked up on the first week of school. Oh 540 00:31:14,600 --> 00:31:20,560 Speaker 2: my God, and a full minute oh my God suit 541 00:31:20,640 --> 00:31:21,400 Speaker 2: with wig. 542 00:31:21,400 --> 00:31:24,520 Speaker 1: And also the comments somebody said, and that's how Sue 543 00:31:24,520 --> 00:31:24,959 Speaker 1: sees it. 544 00:31:26,240 --> 00:31:29,640 Speaker 2: I mean, it's so accurate. It's very accurate. And also 545 00:31:29,680 --> 00:31:35,800 Speaker 2: this performance like you were in yeah to. 546 00:31:35,880 --> 00:31:37,560 Speaker 1: The camera with the whistle. 547 00:31:38,080 --> 00:31:40,840 Speaker 2: We love this someone was like every single hypothetical Glee 548 00:31:40,880 --> 00:31:44,080 Speaker 2: plot line number I can literally imagine so clearly totally. 549 00:31:44,160 --> 00:31:46,720 Speaker 2: It's like when people get it, you get it. This 550 00:31:46,880 --> 00:31:50,360 Speaker 2: is exactly right. This is the spin pushing their back 551 00:31:50,440 --> 00:31:53,600 Speaker 2: up against the wall. Absolutely, I see Jane doing it all. 552 00:31:55,680 --> 00:31:57,560 Speaker 1: Very good, very very good. 553 00:31:57,840 --> 00:32:00,760 Speaker 2: I really need like a compilation of Glee was still on, 554 00:32:01,480 --> 00:32:04,160 Speaker 2: I know. And then just like the greatest hits of 555 00:32:04,200 --> 00:32:10,160 Speaker 2: all these beautiful, beautiful videos. Excellent, big fan, well done. 556 00:32:10,440 --> 00:32:17,440 Speaker 1: Well that is the undertwerk. Thank goodness. Although I will say, 557 00:32:17,440 --> 00:32:19,320 Speaker 1: better than we had expected. 558 00:32:19,880 --> 00:32:22,840 Speaker 2: Listeners, don't they don't lead us astray? You said there 559 00:32:22,840 --> 00:32:25,400 Speaker 2: are a lot of great performances. Yeah, And the performances 560 00:32:25,520 --> 00:32:28,960 Speaker 2: are there. There, they are, the music there, they're phenomenal. 561 00:32:29,200 --> 00:32:30,000 Speaker 1: Yeah, very good. 562 00:32:30,560 --> 00:32:32,320 Speaker 2: You know, just one more time, shout out Alex Nol 563 00:32:32,360 --> 00:32:33,240 Speaker 2: for if I were boy. 564 00:32:33,080 --> 00:32:36,320 Speaker 1: Because gotta go listen to that now, going to listen 565 00:32:36,320 --> 00:32:36,760 Speaker 1: to it now. 566 00:32:36,880 --> 00:32:39,480 Speaker 2: Well, thanks for joining us, and that's what you really missed. 567 00:32:39,760 --> 00:32:40,440 Speaker 1: See you next time. 568 00:32:41,080 --> 00:32:44,200 Speaker 2: Thanks for listening, and follow us on Instagram at and 569 00:32:44,320 --> 00:32:46,560 Speaker 2: That's what you really miss pod. Make sure to write 570 00:32:46,600 --> 00:32:48,840 Speaker 2: us a review and leave us five stars. See you 571 00:32:48,880 --> 00:32:49,320 Speaker 2: next time.