WEBVTT - Mother Bleep

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<v Speaker 1>I'm the biepock mang Gender. Welcome to Like a Virgin

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<v Speaker 1>the show. Will we give Yesterday's pop culture, Today's takes.

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<v Speaker 1>My name's Rose. Damn you let me swallow my Hall's

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<v Speaker 1>lozenge real quick and let my co host introduce themselves.

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<v Speaker 1>Oh it's Rand Torondo. Um. Rose and I are reporting

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<v Speaker 1>to you live from our Um. We're merging from the sickness,

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<v Speaker 1>the sickness that sweeps the gay cough that sweeps our

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<v Speaker 1>our community. And every time to see the gay cough,

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<v Speaker 1>because I know straight people who have colds now too,

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<v Speaker 1>We're not We're not doing that. It's not it's not

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<v Speaker 1>specific to gay people. I'm also really hopeful that the

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<v Speaker 1>gay cough did like rise and then go extinct in

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<v Speaker 1>the summer of twenty twenty, which was truly nightmarish when

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<v Speaker 1>everybody caught that. Do you remember. Yeah, I also fully

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<v Speaker 1>caught this cold that I'm coming off of from my

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<v Speaker 1>straight relatives. So there's nothing gay about it. Could not

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<v Speaker 1>be could not be more, um more from the head

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<v Speaker 1>of aero patriarchy. Um, I'm coming off of having a

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<v Speaker 1>horrible cold, which honestly was most upsetting to me, not

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<v Speaker 1>only because I was sick, which I hate being sick.

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<v Speaker 1>But also I had so many cute plans this weekend.

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<v Speaker 1>I was supposed to go see Titanic and three D

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<v Speaker 1>on the big screen. Devastated now it's out of theaters. Um.

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<v Speaker 1>Howd a friend's birthday dinner to go to? And then

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<v Speaker 1>on Sunday, my friend was taking me to the ballet

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<v Speaker 1>and I had to miss it. No, what would you know?

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<v Speaker 1>What ballet? Was it? Sleeping Beauty at Lincoln. I'm Chakowski

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<v Speaker 1>is my face. It's the only thing I'll show up

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<v Speaker 1>to a ballet for. I'm devastated. I had had a

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<v Speaker 1>whole outfit planned. I was me fit, pick, let's go

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<v Speaker 1>to the Valet Rose. I think I still want to go.

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<v Speaker 1>I want to get tickets and go. Um even though,

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<v Speaker 1>but you know, this was free, so I was very

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<v Speaker 1>much looking forward to that. We love free. Oh I'm

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<v Speaker 1>still flemy. And then of course yesterday was the day

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<v Speaker 1>I was finally feeling better, and I had therapy this morning,

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<v Speaker 1>and I was like, you know what, I'm gonna go

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<v Speaker 1>to therapy. I'm gonna like get dressed up and wear

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<v Speaker 1>cute outfit and put makeup on and like be alive

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<v Speaker 1>for the first time in a week. And I woke

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<v Speaker 1>up this morning in like horrific neck pain because I

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<v Speaker 1>slept weird, and so I had to do therapy remotely.

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<v Speaker 1>So it's like I just can't win. My body is

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<v Speaker 1>falling apart. Oh no, oh god. Honestly, I'm like same

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<v Speaker 1>but different Mike. Mike hold is not as intense. It's

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<v Speaker 1>been like a loose cough this whole weekend that I

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<v Speaker 1>have tried to party my way through bad idea. I

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<v Speaker 1>did get COVID tested at the very least um, but

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<v Speaker 1>now last night I just like found myself getting sick.

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<v Speaker 1>And do you know what I have been doing with

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<v Speaker 1>my downtime over the last I guess, like I would say,

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<v Speaker 1>six five or six days now, I have a feeling

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<v Speaker 1>it involves reclining and watching a television show. It involves

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<v Speaker 1>rewatching Ugly Betty, which I hit play on season one,

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<v Speaker 1>episode one when I was in New York last weekend

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<v Speaker 1>and rose I have consumed now almost a complete three

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<v Speaker 1>seasons of Ugly Betty about to encroach on the fourth.

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<v Speaker 1>I am honestly I feel insane, Like no, what should

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<v Speaker 1>you should have feel insane? Because I it tis the

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<v Speaker 1>season to rewatch familiar TV. I'm neck deep in a

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<v Speaker 1>Buffy the Vampire Slayer rewatch and I started two and

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<v Speaker 1>a half weeks ago, perhaps who am now currently? I

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<v Speaker 1>just started season five and okay those are these are

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<v Speaker 1>twenty episode you know, forty five minute long. And I

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<v Speaker 1>mean to be fair, like I was sick this weekend.

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<v Speaker 1>I did not leave, as I said, I didn't leave

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<v Speaker 1>my apartment for days. I watched, um, you know, like

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<v Speaker 1>a season and a half over the course of three

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<v Speaker 1>days or less. Um. So I really have that. It's

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<v Speaker 1>so much And I haven't even been doing what I

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<v Speaker 1>used to do the last time I rewatched Buffy, which

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<v Speaker 1>was skip the episodes that I don't care for umiliar

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<v Speaker 1>with it. I really have been watching everything. Wow, Okay,

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<v Speaker 1>I honestly similarly, I was like, let's do it in

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<v Speaker 1>sequence all the way through. When was the last time

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<v Speaker 1>I did it? And honestly, this is like so fitting

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<v Speaker 1>because I ugly Betty is, as I've said on before,

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<v Speaker 1>like one of the most formative shows on the planet,

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<v Speaker 1>if not the most formative show of my life. And

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<v Speaker 1>I feel like Buffy is the most formative show of

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<v Speaker 1>your life. Um yeah, I like it's like such a

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<v Speaker 1>reward for Ugly Betty specifically, it's like such a rewarding

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<v Speaker 1>rewatch and like we'll do a full episode on it,

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<v Speaker 1>so like I won't get into it, but like it

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<v Speaker 1>is so amazing. It's such an amazing show, and it's

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<v Speaker 1>so deliciously problematic and exactly the time frame that it

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<v Speaker 1>came out. It's like a period piece. And also it's

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<v Speaker 1>a fantasy, like it is in a fantasy. It's it's

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<v Speaker 1>a yeah, it's a fantasy where in trans women look

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<v Speaker 1>like Rebecca Romaine. There are some trans women who look

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<v Speaker 1>like Rebecca Romaine, I know, I mean where they just

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<v Speaker 1>get to like emerge on the scene. It's like it's

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<v Speaker 1>a fantasy where trans women are cis women. Yes, yes,

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<v Speaker 1>that's what I but everyone calls them tranny and cheta. Yes,

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<v Speaker 1>we will be doing a Wee Betty episode. Very we

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<v Speaker 1>should do another Buffy app as well. Um yeah, I

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<v Speaker 1>mean I do think we covered it pretty you know, Um,

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<v Speaker 1>we we covered it pretty well. And we also did

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<v Speaker 1>our recent Sarah Michelle Geller sort of cruel intention but well,

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<v Speaker 1>never say never. But I have really been enjoying rewatching

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<v Speaker 1>it because I'm you know, over the year I haven't

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<v Speaker 1>done a proper all the way through Buffy rewatching probably

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<v Speaker 1>ten years UM. But I there are certain episodes that

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<v Speaker 1>I revisit, like the holiday episodes, like I always watched

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<v Speaker 1>the Thanksgiving episode of Thanksgiving, the Halloween episodes at Halloween,

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<v Speaker 1>the Christmas episode at Christmas UM, and then there are

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<v Speaker 1>a few other episodes that I've gone back and revisited

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<v Speaker 1>throughout the years. But this is the first time in

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<v Speaker 1>over a decade that I have truly gone through and

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<v Speaker 1>watched every episode in sequence, even the ones I don't

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<v Speaker 1>really care for. And it's interesting how I'm reacting to

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<v Speaker 1>it and like favoring plotlines and characters that I didn't

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<v Speaker 1>like as much the last go around, and like seeing

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<v Speaker 1>what it's like to interact with the show at the

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<v Speaker 1>place where I'm in my life now, and like how

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<v Speaker 1>it's different. You know, art media is ever changing, even

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<v Speaker 1>though it is you know, static. We we evolve and

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<v Speaker 1>the shows and pieces of art we love, I guess

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<v Speaker 1>evolve with us. Yeah, I mean, I when I'm watching

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<v Speaker 1>Ugly Betty for the first time post New York Magazine

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<v Speaker 1>media career, some of these plotlines, Girl, my jaw is

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<v Speaker 1>dropping because this show that was formative to me as

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<v Speaker 1>a teenager prophesied so many things that literally happened in

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<v Speaker 1>my life where I was Betty like, it's correct, crazy,

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<v Speaker 1>But wait, I want to know. When you were watching

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<v Speaker 1>Buffy you said some things you're watching, and now retroactively

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<v Speaker 1>you're like, I'm evaluating this different as an adult. Can

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<v Speaker 1>you give an example? Okay, So I was a diehard

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<v Speaker 1>Buffy Angel shipper the first time I watched Buffy, like

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<v Speaker 1>Buffy Angel fan fiction with some of the first fan

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<v Speaker 1>fiction I ever read, and watching it back again, I'm

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<v Speaker 1>now looking at it through the lens of like, why

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<v Speaker 1>is this old ass man hooking up with this teenage girl?

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<v Speaker 1>And like, obviously it's still emotional and powerful, but it's

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<v Speaker 1>just not doing it for me in the way that

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<v Speaker 1>it used to. And I'm at the point in season

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<v Speaker 1>five now when Spike is realizing that he is in

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<v Speaker 1>love with Buffy or at least attracted to her. And

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<v Speaker 1>I was never into the Spike and Buffy pairing quite

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<v Speaker 1>so much because I believed that she belonged with Angel.

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<v Speaker 1>And now that I'm watching it slowly unfold or like

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<v Speaker 1>organically and not looking at it like as something I've

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<v Speaker 1>already experienced. I like get it more and I'm kind

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<v Speaker 1>of like, wait, I'm kind of excited for them to

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<v Speaker 1>eventually become an item. Now are you saying here and

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<v Speaker 1>now on this podcast that you are team Spike, No,

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<v Speaker 1>because what I actually am is team Faith. Faith who

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<v Speaker 1>is the Slayer who went evil? There is so much

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<v Speaker 1>subtext there of her and Buffy having a vibey and

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<v Speaker 1>I remember, you know, I love that. I would love

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<v Speaker 1>to watch it one day. I I famously still have

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<v Speaker 1>not watched it all the way through, but I know

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<v Speaker 1>I will. It's it's it's honestly, the fact that I

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<v Speaker 1>got around to a Golden Girls watch is like proof

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<v Speaker 1>of concept enough that like I can do a Buffy watch, yes,

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<v Speaker 1>even though I mean the episodes are longer, I'm not.

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<v Speaker 1>It's it's definitely a bigger commitment. And Golden Girls you

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<v Speaker 1>can kind of like be on your phone during Buddy

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<v Speaker 1>It's a little harder to do that. But I have

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<v Speaker 1>to say, like, you know, fuck Jos Sweden and all,

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<v Speaker 1>but so much of the humor and the writing really

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<v Speaker 1>holds up. And I know that's not um solely because

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<v Speaker 1>of him, but you know, it's whatever death of the author. Um, yeah, please,

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<v Speaker 1>we can say the same thing about Ugly Betty, like

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<v Speaker 1>a show that is like astoundingly ahead of its time

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<v Speaker 1>and also like horribly horribly like something horrible to watch now. Yes,

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<v Speaker 1>you know, um, dear Virgins, you might you might have

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<v Speaker 1>cottoned on to the fact that we are taking our

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<v Speaker 1>taking our damn time today with little, our little chit

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<v Speaker 1>chat catchup moment. And that's because we are not going

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<v Speaker 1>to have a main discussion topic today. We didn't do

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<v Speaker 1>news last week, so we're going all in on, you know,

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<v Speaker 1>catching up. What's the goths, what's going on? So this

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<v Speaker 1>is just going to be like a true hangout key

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<v Speaker 1>key episode girls girling. This is a girls girling episode,

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<v Speaker 1>and we know that you do love those, so yeah,

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<v Speaker 1>So what's going on in your life? Girl? I know

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<v Speaker 1>you're about to make finally the big move. As of

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<v Speaker 1>time of record, I only have a week left in

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<v Speaker 1>Los Angeles. Feel um insane. I have not packed a

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<v Speaker 1>single I know. I'm looking behind you what you're a partner,

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<v Speaker 1>and I'm like, um, all of your stuff the walls.

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<v Speaker 1>I'm one of those girls that I don't like to

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<v Speaker 1>draw out, like tasks that I don't want to do Like,

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<v Speaker 1>I'm a girl that wants to do it all in

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<v Speaker 1>a consolidated time period about thirty six hours thirty six

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<v Speaker 1>to seventy two hours before. Oh that sounds super fun. Yeah,

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<v Speaker 1>I mean that's that's my stamina preference. I think it's

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<v Speaker 1>a better use of my time. But it is also

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<v Speaker 1>stressful sometimes. But you know, all things considered, I am

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<v Speaker 1>not very well rested. I was like up all last

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<v Speaker 1>night coughing and also thinking about a very bizarre interaction.

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<v Speaker 1>I had just a very bizarre experience I had yesterday.

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<v Speaker 1>That's like really fresh on my mind. Okay, I want

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<v Speaker 1>you to tell me, but first I do want you

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<v Speaker 1>to give you the chance to plug the fact that

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<v Speaker 1>you are casting off some of your possessions this weekend.

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<v Speaker 1>Oh my god, wait, I'm so glad that you said that. Okay,

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<v Speaker 1>dear Virgins, I am having an estate sale and a

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<v Speaker 1>goodbye soiree that almost everything must go okay in my apartment.

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<v Speaker 1>No Weirdosum, you can't get the address unless you know

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<v Speaker 1>you RSP. That information should be available on my Instagram

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<v Speaker 1>profile by the time this episode comes out. Thank you

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<v Speaker 1>for that, Rose, because I need cash. Not gonna lie

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<v Speaker 1>I'll get your transparent with all of you, and I

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<v Speaker 1>have nice things that you can come and pick up.

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<v Speaker 1>And also all patrons get a mimosa come on by. Okay, So,

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<v Speaker 1>so tell me about this weird interruption that you had

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<v Speaker 1>over the weekend. I dyed now, Okay, So I it's

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<v Speaker 1>crazy because I actually haven't talked to you that much

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<v Speaker 1>about this yet. But I enrolled in a recreational acting

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<v Speaker 1>class or what. We have discussed it a bit, but

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<v Speaker 1>not not at length. Yes, but I will say I

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<v Speaker 1>signed up to what I thought would be a recreational

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<v Speaker 1>acting class, is how I should say it. And honest,

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<v Speaker 1>this is going to be a little bit of like

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<v Speaker 1>a fran voicemail length story if you're willing to hear it.

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<v Speaker 1>But like I, I'm directing some of this year. I'm

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<v Speaker 1>trying to learn about acting because of that. Have you

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<v Speaker 1>ever taken acting class? Roos girl, I went to acting

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<v Speaker 1>school in college. I always forget about our ghost lives,

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<v Speaker 1>right of course. Okay, So acting's insane, yes, Like acting

0:14:29.280 --> 0:14:33.080
<v Speaker 1>is an insane thing to do with your life. And

0:14:33.160 --> 0:14:35.920
<v Speaker 1>I didn't realize that I couldn't just like come in

0:14:36.080 --> 0:14:38.400
<v Speaker 1>and be like, hey, I just want to learn about this. Like,

0:14:38.440 --> 0:14:41.320
<v Speaker 1>I'm like a respectful student that genuinely just wants to

0:14:41.360 --> 0:14:44.080
<v Speaker 1>learn about acting. I'm not trying to be an actor,

0:14:44.360 --> 0:14:46.080
<v Speaker 1>you know what. I see. The problem there is that

0:14:46.160 --> 0:14:49.720
<v Speaker 1>you're in Los Angeles, where, yeah, everyone is trying to

0:14:49.960 --> 0:14:52.520
<v Speaker 1>be an actor or at least get cast on a

0:14:52.560 --> 0:14:57.600
<v Speaker 1>reality dating show. Yes, okay, wait, you are hitting the

0:14:57.760 --> 0:15:02.000
<v Speaker 1>nail on the head about because Okay, so I signed

0:15:02.040 --> 0:15:04.800
<v Speaker 1>up for literally eight classes. I was like, let me

0:15:04.840 --> 0:15:07.160
<v Speaker 1>dip and dip out right before I leave to New York,

0:15:07.960 --> 0:15:09.280
<v Speaker 1>and if I like it, I can keep doing it

0:15:09.280 --> 0:15:13.600
<v Speaker 1>in New York whatever. Day one hour one of this class.

0:15:13.600 --> 0:15:18.920
<v Speaker 1>It is a three hour class. I hate this class.

0:15:19.240 --> 0:15:23.800
<v Speaker 1>Like the first hour. I hate this class. In my mind,

0:15:23.840 --> 0:15:28.000
<v Speaker 1>I'm hating the teacher. She is giving like really like

0:15:28.320 --> 0:15:34.600
<v Speaker 1>violent erratic energy, like really blunt, really kurt, like doesn't

0:15:34.680 --> 0:15:37.920
<v Speaker 1>say things that are like mighty to people, like just

0:15:37.960 --> 0:15:39.680
<v Speaker 1>speaks to everyone in a way that I'm just like,

0:15:39.720 --> 0:15:42.440
<v Speaker 1>I don't love this, like white woman, Yeah that's an

0:15:42.440 --> 0:15:46.240
<v Speaker 1>acting teacher. Yeah, that's an acting teacher exactly. And that

0:15:46.320 --> 0:15:48.080
<v Speaker 1>was kind of so our one. I was kind of

0:15:48.120 --> 0:15:50.720
<v Speaker 1>just like realizing things in real time about like what

0:15:50.880 --> 0:15:54.360
<v Speaker 1>acting is a world that I very naively knew nothing

0:15:54.400 --> 0:15:58.360
<v Speaker 1>about going into it. I don't have anything in common

0:15:58.440 --> 0:16:01.520
<v Speaker 1>with anyone in this class. It is a student body

0:16:01.560 --> 0:16:05.320
<v Speaker 1>like I can only really describe as like twenty or so,

0:16:05.440 --> 0:16:09.800
<v Speaker 1>like cis gender, nano influencers, and I feel like that

0:16:09.800 --> 0:16:14.040
<v Speaker 1>sounds right, yeah, yeah yeah, And I feel like I like,

0:16:14.080 --> 0:16:15.760
<v Speaker 1>I'm like, this class is going to be a colossal

0:16:15.760 --> 0:16:19.600
<v Speaker 1>waste of my time. Hour two of my first class,

0:16:19.880 --> 0:16:22.600
<v Speaker 1>I was like, wait, actually, like this teacher is like

0:16:22.640 --> 0:16:24.320
<v Speaker 1>really hard on them, and she's pushing them, and like

0:16:24.320 --> 0:16:26.920
<v Speaker 1>she's actually really smart, and like I'm kind of listening

0:16:26.920 --> 0:16:29.680
<v Speaker 1>to what she's saying, and I'm like the classes, I

0:16:29.680 --> 0:16:32.000
<v Speaker 1>should also say, the classes never really explain or described.

0:16:32.040 --> 0:16:34.880
<v Speaker 1>There's no introductions, Like it's not a class where like

0:16:34.880 --> 0:16:36.800
<v Speaker 1>you meet each other, you do like fun little games

0:16:36.800 --> 0:16:40.440
<v Speaker 1>and exercise ice breaker. Yeah, there's no fucking icebriggers. Yeah no,

0:16:40.480 --> 0:16:43.840
<v Speaker 1>that's not Yes, it's a cheap, cheap class and you

0:16:43.920 --> 0:16:46.520
<v Speaker 1>only get to participate in like five minutes per class whatever.

0:16:47.720 --> 0:16:53.440
<v Speaker 1>It's kind of crazy. Um. And so by hour three

0:16:53.480 --> 0:16:56.320
<v Speaker 1>of my first class, I'm just like, actually, this teacher

0:16:56.400 --> 0:17:00.840
<v Speaker 1>is iconic, and I think that I love you Yes,

0:17:00.960 --> 0:17:03.240
<v Speaker 1>I love her because she's a bitch, and I think

0:17:03.240 --> 0:17:06.440
<v Speaker 1>that I actually really even if I don't really agree

0:17:06.480 --> 0:17:09.280
<v Speaker 1>with how she's kind of treating the students. I fucked

0:17:09.280 --> 0:17:11.440
<v Speaker 1>with her, and I only need to be in eight classes,

0:17:11.480 --> 0:17:13.440
<v Speaker 1>so I'm just gonna be like invisible. You think it's fierce.

0:17:13.560 --> 0:17:19.439
<v Speaker 1>She's mother, Yes, she's kind of giving mother's yeah's mother, Okay, okay, okay.

0:17:19.640 --> 0:17:21.600
<v Speaker 1>So I'm going to say something else that's probably really

0:17:21.600 --> 0:17:25.840
<v Speaker 1>stupid to actors. So this class teaches Meisner the Meisner method, Right,

0:17:25.920 --> 0:17:28.439
<v Speaker 1>are you familiar at all? Somewhat? You might need to

0:17:28.520 --> 0:17:31.840
<v Speaker 1>refresh my memory on the specifics of it. To be honest,

0:17:31.960 --> 0:17:33.639
<v Speaker 1>if I were to try to get into it, it

0:17:33.640 --> 0:17:36.240
<v Speaker 1>would be so difficult to describe. It's like so annoying

0:17:36.240 --> 0:17:37.919
<v Speaker 1>and weird to describe. But all you need to know

0:17:38.080 --> 0:17:40.159
<v Speaker 1>is that it's a methodology of acting that's taught in

0:17:40.160 --> 0:17:42.280
<v Speaker 1>a lot of to reenacting schools. There are a few

0:17:42.280 --> 0:17:45.719
<v Speaker 1>different methods, and it's like next to like Stanislavski and

0:17:45.840 --> 0:17:48.520
<v Speaker 1>like method acting and like, yeah, Stanislavsky was more what

0:17:48.600 --> 0:17:52.159
<v Speaker 1>I fucked with when I was an actress. Wait, really

0:17:52.280 --> 0:17:56.240
<v Speaker 1>you were? You learned much like Gaga the Stanislavsky method. Yes,

0:17:56.400 --> 0:18:03.720
<v Speaker 1>my college acting professor was a devotee of Staroslavsky Waite.

0:18:03.920 --> 0:18:06.520
<v Speaker 1>I feel honestly ashamed that I actually don't know that

0:18:06.600 --> 0:18:11.440
<v Speaker 1>much about your era as an actress. That's that's on purpose, babe,

0:18:12.359 --> 0:18:14.960
<v Speaker 1>that is my designs. Like you also haven't seen a

0:18:14.960 --> 0:18:17.520
<v Speaker 1>lot of photos of me pre transition, you know, like

0:18:17.800 --> 0:18:22.400
<v Speaker 1>obviously this is all intentional. I've seen literally one that

0:18:22.480 --> 0:18:26.320
<v Speaker 1>you can centrally showed to me on this podcast. Um

0:18:26.560 --> 0:18:29.520
<v Speaker 1>one photo. Um okay, okay, okay, back to back to

0:18:29.680 --> 0:18:31.199
<v Speaker 1>let me. I'm trying to stay on track on the

0:18:31.240 --> 0:18:35.560
<v Speaker 1>friend voicemail on the friend voicemail here. Um. So this

0:18:35.600 --> 0:18:40.080
<v Speaker 1>class teaches Meisner from a truly cold outside perspective, someone

0:18:40.080 --> 0:18:42.359
<v Speaker 1>who knows nothing about acting or about Meisner. I have

0:18:42.400 --> 0:18:46.120
<v Speaker 1>to say, the vibe is immediately giving cult like immediately

0:18:46.160 --> 0:18:50.439
<v Speaker 1>like she is berating these kids, kids she doesn't know

0:18:50.480 --> 0:18:52.640
<v Speaker 1>at all. By the way, like a lot of these

0:18:52.640 --> 0:18:55.639
<v Speaker 1>students have, like me, have been in three or four classes.

0:18:55.920 --> 0:18:57.960
<v Speaker 1>Others have been there for like you know, a month

0:18:58.040 --> 0:19:00.600
<v Speaker 1>or two. Like there there are tears at which the

0:19:00.640 --> 0:19:02.119
<v Speaker 1>students have been in the class because it's on a

0:19:02.160 --> 0:19:05.440
<v Speaker 1>rolling basis. But she is like speaking to these kids

0:19:05.520 --> 0:19:10.680
<v Speaker 1>like they're her children and not necessarily yes, because she's

0:19:10.800 --> 0:19:13.880
<v Speaker 1>weather and it's and it's and honestly, it's just it's

0:19:13.920 --> 0:19:17.439
<v Speaker 1>it's crazy. So, uh, we have to do this exercising

0:19:17.440 --> 0:19:19.920
<v Speaker 1>class that's again really difficult to describe, so I'm not

0:19:19.960 --> 0:19:22.760
<v Speaker 1>going to get into it, but like the baseline is,

0:19:23.000 --> 0:19:26.520
<v Speaker 1>there is an extremely difficult kind of like technique to

0:19:26.640 --> 0:19:28.960
<v Speaker 1>learn that requires like a lot of mental brainwork and

0:19:28.960 --> 0:19:31.400
<v Speaker 1>it's almost like a little bit of a riddle UM.

0:19:31.440 --> 0:19:35.040
<v Speaker 1>And you do this like repetition exercise that is it's hard,

0:19:35.119 --> 0:19:37.040
<v Speaker 1>it's it's hard to do as a beginner. This is

0:19:37.040 --> 0:19:40.800
<v Speaker 1>a beginner level class and we're all learning UM, and

0:19:40.880 --> 0:19:45.480
<v Speaker 1>we have to perform these exercises, performing the kind of

0:19:45.520 --> 0:19:49.920
<v Speaker 1>like this like very specific rule UM of the Meisner

0:19:50.200 --> 0:19:54.119
<v Speaker 1>School of acting, and these little sketches in groups of

0:19:54.119 --> 0:19:56.280
<v Speaker 1>two or three at a time, like one after another.

0:19:57.840 --> 0:19:59.760
<v Speaker 1>So I've been at this in this point three or

0:19:59.800 --> 0:20:02.800
<v Speaker 1>four classes. I really have not experienced a ton. I

0:20:02.880 --> 0:20:06.119
<v Speaker 1>don't know any of my fellow students really, like like

0:20:07.000 --> 0:20:08.879
<v Speaker 1>we're all a lot of us are in this cold.

0:20:10.920 --> 0:20:16.960
<v Speaker 1>Yesterday I was an acting class and this woman was

0:20:17.520 --> 0:20:23.720
<v Speaker 1>on a death rampage like she was like, leave no prisoners,

0:20:24.040 --> 0:20:28.560
<v Speaker 1>scorched Earth, I want to kill everyone, and I'm in

0:20:28.640 --> 0:20:31.119
<v Speaker 1>today is the day that you all die? Like it

0:20:31.320 --> 0:20:37.680
<v Speaker 1>was so I'm not gonna lie. Riveting. It was riveting.

0:20:37.880 --> 0:20:40.480
<v Speaker 1>And and victim number one, so like there a few

0:20:40.520 --> 0:20:43.359
<v Speaker 1>exercises happened. They were going, Okay, Victim number one. A

0:20:43.440 --> 0:20:48.320
<v Speaker 1>girl gets into this exercise. She is not doing amazing

0:20:48.720 --> 0:20:51.920
<v Speaker 1>basically because she's not really following this like Meisner rule

0:20:51.960 --> 0:20:54.240
<v Speaker 1>that is drilled into us. At this point, she's repeating

0:20:54.240 --> 0:20:57.040
<v Speaker 1>this Meisner rule over and over to us. And this

0:20:57.080 --> 0:21:00.639
<v Speaker 1>girl is kind of just like that, you have to

0:21:00.680 --> 0:21:03.400
<v Speaker 1>repeat what the other person is saying to you. It's

0:21:03.560 --> 0:21:06.760
<v Speaker 1>it's it's kind of it's it's again, it's it's. So

0:21:07.160 --> 0:21:09.159
<v Speaker 1>it's hard to describe without me going into like no,

0:21:09.240 --> 0:21:13.360
<v Speaker 1>no it because yeah, like it's like about scene it's

0:21:13.400 --> 0:21:15.920
<v Speaker 1>like about scene work and like that. You're like listening

0:21:16.040 --> 0:21:18.680
<v Speaker 1>before you speak, but you're not but you're not really

0:21:18.680 --> 0:21:21.080
<v Speaker 1>supposed to. Yeah, you're listening and you're not really supposed

0:21:21.080 --> 0:21:23.520
<v Speaker 1>to improvise, right, you're not supposed to be conversational. You're

0:21:23.520 --> 0:21:26.040
<v Speaker 1>not asking questions, You're just really trying to repeat things

0:21:26.040 --> 0:21:28.640
<v Speaker 1>at each other until you catch an emotional pinch point.

0:21:29.200 --> 0:21:34.160
<v Speaker 1>It's so I sound I see I'm participating in the cult. Okay,

0:21:34.280 --> 0:21:36.840
<v Speaker 1>So this girl finishes the exercise, she kind of that

0:21:37.680 --> 0:21:39.520
<v Speaker 1>kind of just oh my god, I just said her name.

0:21:39.560 --> 0:21:45.000
<v Speaker 1>Will you believe that? Okay? Okay, So I just said

0:21:45.160 --> 0:21:47.800
<v Speaker 1>the teacher's name, and I have to say that this

0:21:47.960 --> 0:21:51.760
<v Speaker 1>woman has a very satisfying white woman. No, when you

0:21:51.840 --> 0:21:54.600
<v Speaker 1>said it, I was like, yep, that's her name. Um,

0:21:54.720 --> 0:21:56.680
<v Speaker 1>she kind of cuts you off. She decides when you're done.

0:21:56.680 --> 0:21:58.479
<v Speaker 1>The teacher says what says when you're done? And she

0:21:58.520 --> 0:22:00.720
<v Speaker 1>turns to the class and she goes, so, what was

0:22:00.760 --> 0:22:10.720
<v Speaker 1>wrong with this iconic? And she trains the kids to

0:22:10.720 --> 0:22:14.840
<v Speaker 1>to humiliate the students on stage in real time by

0:22:15.000 --> 0:22:17.600
<v Speaker 1>repeating the thing that everybody knows that this person on

0:22:17.640 --> 0:22:21.280
<v Speaker 1>stage doesn't know. Isn't that isn't that crazy? And she goes,

0:22:21.440 --> 0:22:24.880
<v Speaker 1>so this isn't working because she's not repeating blah blah

0:22:24.880 --> 0:22:28.080
<v Speaker 1>blah and all these ds like she's culturing and conditioning

0:22:28.119 --> 0:22:33.080
<v Speaker 1>the class to Brady. Yeah, acting is any kind of

0:22:33.119 --> 0:22:37.840
<v Speaker 1>acting school or theater school is psychological warfare? Yes, and

0:22:38.000 --> 0:22:40.760
<v Speaker 1>through the whole time this whole class, and honestly a

0:22:40.800 --> 0:22:44.879
<v Speaker 1>little bit in previous classes. She's really like specific about

0:22:44.920 --> 0:22:48.240
<v Speaker 1>pitting the kids against each other. She goes, she'll say, actually,

0:22:48.359 --> 0:22:52.320
<v Speaker 1>like yes exactly, so I'll get into that. But she

0:22:52.320 --> 0:22:54.000
<v Speaker 1>she goes, did you She turns to the girl and

0:22:54.000 --> 0:22:55.359
<v Speaker 1>she goes, did you rehearse? And she goes, no, I

0:22:55.359 --> 0:22:57.280
<v Speaker 1>haven't rehearsed. And she's like really big about rehearsal, and

0:22:57.359 --> 0:23:00.240
<v Speaker 1>she goes, you guys need to rehearse. You guys need

0:23:00.240 --> 0:23:02.520
<v Speaker 1>to rehearse or you're gonna show up and you're gonna suck.

0:23:02.680 --> 0:23:04.919
<v Speaker 1>You're gonna show up and you're gonna suck. And she

0:23:04.960 --> 0:23:06.639
<v Speaker 1>turns to the girl and she goes, she was like,

0:23:06.680 --> 0:23:08.040
<v Speaker 1>how do you think you did today? And she was

0:23:08.080 --> 0:23:10.760
<v Speaker 1>like the girl was like literally just trying to advocate

0:23:10.760 --> 0:23:13.560
<v Speaker 1>for herself, Like she's not being disrespectful, she's just kind

0:23:13.560 --> 0:23:15.639
<v Speaker 1>of like, you know, at our time, I think I

0:23:15.680 --> 0:23:20.280
<v Speaker 1>did okay, Like she's genuinely trying to analyze herself and goes, Okay,

0:23:20.359 --> 0:23:28.080
<v Speaker 1>well you sucked. I love her. She's victim number two

0:23:28.680 --> 0:23:33.280
<v Speaker 1>steps up here, and again not the same mistake, but

0:23:33.400 --> 0:23:38.960
<v Speaker 1>like a truly a truly honest mistake. And infraction on

0:23:39.080 --> 0:23:42.320
<v Speaker 1>like not understanding what the Meisner method is. And this

0:23:42.400 --> 0:23:44.800
<v Speaker 1>is a girl who is at the same experience level

0:23:44.880 --> 0:23:47.520
<v Speaker 1>as me, So the previous girl she's been in like

0:23:47.560 --> 0:23:50.560
<v Speaker 1>another month or class. This girl, like like me, has

0:23:50.600 --> 0:23:55.040
<v Speaker 1>only met Kathleen three times. I just said her name again.

0:23:55.520 --> 0:24:00.600
<v Speaker 1>This girl, much like mother, much like Brenda, has only

0:24:01.200 --> 0:24:05.840
<v Speaker 1>we've we've only met her. Oh wait, sorry, So this

0:24:05.920 --> 0:24:11.199
<v Speaker 1>girl has literally only met Kathleen like three or four times. Um,

0:24:11.440 --> 0:24:15.119
<v Speaker 1>I can't believe. I just said. I can't believe. I'm

0:24:15.200 --> 0:24:21.160
<v Speaker 1>so sleep deprived. So this girl literally has only met

0:24:21.200 --> 0:24:23.520
<v Speaker 1>my teacher, has only met mother three or four times.

0:24:25.119 --> 0:24:28.440
<v Speaker 1>She doesn't do the exercise right. She has watched other

0:24:28.480 --> 0:24:32.320
<v Speaker 1>students get chewed out. And she's doing this thing that

0:24:32.520 --> 0:24:35.000
<v Speaker 1>mister people hate, which is acting. She always says, like,

0:24:35.080 --> 0:24:36.639
<v Speaker 1>no acting up there. I don't want to see you

0:24:36.640 --> 0:24:38.199
<v Speaker 1>putting on a character. And she kind of puts on

0:24:38.240 --> 0:24:39.879
<v Speaker 1>a teeny bit of a character, just like a wink.

0:24:40.640 --> 0:24:45.399
<v Speaker 1>And this woman, this woman to shoots her in the head. Yes.

0:24:45.520 --> 0:24:48.360
<v Speaker 1>And this girl was like a teeny tiny little white

0:24:48.400 --> 0:24:50.800
<v Speaker 1>girl from Kansas City, Like she just stepped right off

0:24:50.880 --> 0:24:53.639
<v Speaker 1>the bus and she was here to like live her

0:24:53.720 --> 0:25:01.560
<v Speaker 1>dream like she believed in my will. But Kathleen, Kathleen, sorry,

0:25:02.080 --> 0:25:04.359
<v Speaker 1>I keep saying her name, And so mother turns the

0:25:04.359 --> 0:25:06.879
<v Speaker 1>class again and she's like, okay, so why was this weird?

0:25:06.920 --> 0:25:10.520
<v Speaker 1>This was weird right, like like cuts her. It's so bizarre.

0:25:10.600 --> 0:25:12.800
<v Speaker 1>She's like, so, why was this weird? Yeah, and she

0:25:12.840 --> 0:25:14.920
<v Speaker 1>turns to the girl and she goes, so what you

0:25:14.960 --> 0:25:20.639
<v Speaker 1>did it was fucking weird. And she goes okay, and

0:25:20.720 --> 0:25:25.560
<v Speaker 1>she's smiling receiving this feedback, like tears streaming down her eyes,

0:25:25.760 --> 0:25:29.359
<v Speaker 1>and she's just like, she's like okay, and this woman goes,

0:25:29.480 --> 0:25:31.439
<v Speaker 1>she goes, if you show up and you do that

0:25:31.480 --> 0:25:35.080
<v Speaker 1>at your job, it's like everyone's gonna be annoyed with you.

0:25:35.080 --> 0:25:38.440
<v Speaker 1>You will never work in this town if you show

0:25:38.520 --> 0:25:42.480
<v Speaker 1>up and do that. She's three class. She's so real

0:25:42.520 --> 0:25:46.080
<v Speaker 1>for that, and then she love her Yes, she says you,

0:25:46.320 --> 0:25:48.640
<v Speaker 1>she says, you're never gonna work in this town again.

0:25:48.840 --> 0:25:52.400
<v Speaker 1>And then she says, she goes, she goes, what you

0:25:52.440 --> 0:25:58.800
<v Speaker 1>did up there was annoying. You annoy me, and this

0:25:58.920 --> 0:26:02.240
<v Speaker 1>girl grinned and took it, and that this is the

0:26:02.280 --> 0:26:04.320
<v Speaker 1>point in the class. There was also another group of

0:26:04.400 --> 0:26:07.360
<v Speaker 1>victims where in like someone wasn't doing the exercise properly,

0:26:07.920 --> 0:26:10.640
<v Speaker 1>so that my teacher went for that person. She choose

0:26:10.680 --> 0:26:13.200
<v Speaker 1>them out. The other student throws the other student under

0:26:13.240 --> 0:26:16.320
<v Speaker 1>the bus. It's like it's like their carnivores. Like we're

0:26:16.359 --> 0:26:19.160
<v Speaker 1>just trying to survive out here. And I'm realizing, Rose,

0:26:19.960 --> 0:26:26.399
<v Speaker 1>in real time, that my teacher is lydiatar, and that

0:26:27.480 --> 0:26:33.159
<v Speaker 1>I am literally in real time experiencing the auditorium scene,

0:26:33.400 --> 0:26:36.080
<v Speaker 1>and I as a first time student, I am about

0:26:36.119 --> 0:26:39.040
<v Speaker 1>to get on stage after all of these students have

0:26:39.160 --> 0:26:43.199
<v Speaker 1>been chewed out, and I am a BIPOC fan gender

0:26:44.920 --> 0:26:49.600
<v Speaker 1>you said it, and so okay, look we're traumatized people.

0:26:49.760 --> 0:26:52.240
<v Speaker 1>I was in fighter flight mode. I was like actually

0:26:52.320 --> 0:26:55.600
<v Speaker 1>kind of wigging out because I was like, I Rose,

0:26:55.880 --> 0:26:58.480
<v Speaker 1>you know me, like I will grin and bear a

0:26:58.520 --> 0:27:03.080
<v Speaker 1>lot of things. I will not let someone disrespect me. No,

0:27:03.520 --> 0:27:08.720
<v Speaker 1>you you know, and even in a professional setting, I

0:27:08.720 --> 0:27:13.080
<v Speaker 1>will not tolerate any level of disrespect. And so when

0:27:13.119 --> 0:27:18.920
<v Speaker 1>if someone said to my face, you suck, I honestly

0:27:18.920 --> 0:27:21.400
<v Speaker 1>have no idea like what I would have done. It's

0:27:21.400 --> 0:27:25.200
<v Speaker 1>always kind of preparing myself for like what this woman,

0:27:25.280 --> 0:27:27.280
<v Speaker 1>what this teacher was going to do, to me and

0:27:27.400 --> 0:27:32.240
<v Speaker 1>you slayed. No, I didn't. I didn't slay. And what

0:27:32.480 --> 0:27:34.520
<v Speaker 1>I thought that was going to be the triumphant twist

0:27:34.560 --> 0:27:37.800
<v Speaker 1>of this story. Well, to be totally honest, like I

0:27:37.840 --> 0:27:40.760
<v Speaker 1>have actually been doing I feel a really great job

0:27:40.840 --> 0:27:43.200
<v Speaker 1>in the class for like what I wanted to accomplish.

0:27:43.240 --> 0:27:45.720
<v Speaker 1>I am taking this class, and this I think is

0:27:45.720 --> 0:27:47.199
<v Speaker 1>a good way to kind of polish it off. But

0:27:47.240 --> 0:27:49.960
<v Speaker 1>like I'm taking this class specifically because like I'm bad

0:27:49.960 --> 0:27:52.840
<v Speaker 1>at being in my body. I'm like really bad at

0:27:52.960 --> 0:27:55.359
<v Speaker 1>listening a lot of the time, and like I feel

0:27:55.359 --> 0:27:58.320
<v Speaker 1>like it's acting is like a really worthwhile skill set,

0:27:58.440 --> 0:28:01.160
<v Speaker 1>especially this method that would help me with a lot

0:28:01.200 --> 0:28:03.080
<v Speaker 1>of things that I want to learn how to do

0:28:03.400 --> 0:28:05.639
<v Speaker 1>in an outside of Hollywood. And so I'm they're just

0:28:05.680 --> 0:28:08.480
<v Speaker 1>like genuinely trying to learn, and she's up here being like,

0:28:08.760 --> 0:28:12.080
<v Speaker 1>you guys will never make your dreams. You're all gonna suck.

0:28:12.119 --> 0:28:13.720
<v Speaker 1>You all suck, and I'm just kind of like this

0:28:13.760 --> 0:28:16.480
<v Speaker 1>isn't my dream and I'm like perfectly fine with sucking.

0:28:16.640 --> 0:28:19.119
<v Speaker 1>Like that's kind of that was kind of the issue

0:28:19.240 --> 0:28:20.600
<v Speaker 1>that I was like going through my head, is like

0:28:20.720 --> 0:28:22.040
<v Speaker 1>I was like, I have no problem with you tell

0:28:22.080 --> 0:28:23.840
<v Speaker 1>me I suck. I'm not trying to be an actor,

0:28:24.800 --> 0:28:26.440
<v Speaker 1>you know what I mean, So, like your words don't

0:28:26.440 --> 0:28:29.040
<v Speaker 1>really affect me, but everyone else in that room is

0:28:29.200 --> 0:28:31.840
<v Speaker 1>trying to be an actor. Yes, And also no offense

0:28:31.880 --> 0:28:33.400
<v Speaker 1>to everyone else in this room. I don't care about

0:28:33.440 --> 0:28:35.840
<v Speaker 1>what any of these people think. So like, this woman

0:28:35.880 --> 0:28:38.200
<v Speaker 1>can try to humiliate me, but like she's not going

0:28:38.240 --> 0:28:41.960
<v Speaker 1>to And she tried it, she literally tried it, and

0:28:42.640 --> 0:28:45.120
<v Speaker 1>she started by coming for me by something that I

0:28:45.160 --> 0:28:47.840
<v Speaker 1>did that was not against the rules of the exercise,

0:28:48.080 --> 0:28:51.480
<v Speaker 1>but because she was on a rampage, she decided to

0:28:51.520 --> 0:28:54.280
<v Speaker 1>come for me, and so I was like, look, and

0:28:54.360 --> 0:28:56.440
<v Speaker 1>luckily the girl that was in the exercise with me

0:28:56.640 --> 0:28:59.360
<v Speaker 1>also advocated like for both of us, and we were

0:28:59.400 --> 0:29:02.480
<v Speaker 1>both kind of we were the only students the entire

0:29:02.560 --> 0:29:07.040
<v Speaker 1>class that ever stood up to her because she was

0:29:07.400 --> 0:29:11.360
<v Speaker 1>being crazy, like truly being crazy, but she was also

0:29:11.960 --> 0:29:17.360
<v Speaker 1>being iconic, and so it's like really hard it goes. Yeah,

0:29:17.400 --> 0:29:20.479
<v Speaker 1>But anyways, I know exactly who I am and I

0:29:20.560 --> 0:29:23.320
<v Speaker 1>know my self worth and I'm going to advocate for

0:29:23.360 --> 0:29:25.440
<v Speaker 1>that every time. So like what you say to me,

0:29:25.560 --> 0:29:29.320
<v Speaker 1>like has no bearing on what I do outside of

0:29:29.360 --> 0:29:31.440
<v Speaker 1>this class, because you don't know anything about that, And

0:29:31.520 --> 0:29:34.760
<v Speaker 1>I think that it was just weird to experience this

0:29:34.800 --> 0:29:37.640
<v Speaker 1>place where the stakes were very high for everyone else,

0:29:37.680 --> 0:29:41.080
<v Speaker 1>and I'm just like kind of a weird fly on

0:29:41.160 --> 0:29:45.280
<v Speaker 1>the wall slash, Like it feels like I'm in a documentary. Well,

0:29:45.320 --> 0:29:49.280
<v Speaker 1>I mean, good for you for telling mother to go

0:29:49.360 --> 0:29:52.800
<v Speaker 1>fund herself. You know, you never have to deal with

0:29:52.800 --> 0:29:55.600
<v Speaker 1>this again because you're literally moving across the country, But

0:29:56.120 --> 0:29:59.080
<v Speaker 1>you know, it is rough for people who legitimately want

0:29:59.160 --> 0:30:02.720
<v Speaker 1>to be act and the amount of torture you have

0:30:02.760 --> 0:30:05.640
<v Speaker 1>to put yourself through to do that. I remember there

0:30:05.720 --> 0:30:07.600
<v Speaker 1>was one scene study class that I was in in

0:30:07.680 --> 0:30:12.239
<v Speaker 1>college where we did this exercise where we would have

0:30:12.360 --> 0:30:16.080
<v Speaker 1>to run up and down the stairs of the building

0:30:16.480 --> 0:30:20.000
<v Speaker 1>five times and then come in and do our scene,

0:30:20.280 --> 0:30:23.360
<v Speaker 1>because the thought was that like getting to an extreme

0:30:24.640 --> 0:30:28.680
<v Speaker 1>level of physicality would bring out genuine emotion. And like,

0:30:28.840 --> 0:30:31.920
<v Speaker 1>of course, in the moment, you're telling yourself like, yeah,

0:30:32.000 --> 0:30:35.040
<v Speaker 1>that totally worked. That was amazing, But like that's not

0:30:35.080 --> 0:30:38.360
<v Speaker 1>something that's replicable when you're a working actor, which like

0:30:38.760 --> 0:30:42.160
<v Speaker 1>ostensibly is the goal of going to acting school. And

0:30:42.200 --> 0:30:44.120
<v Speaker 1>I think a lot of this and probably what you

0:30:44.200 --> 0:30:46.760
<v Speaker 1>experience is like a lot of teachers are able to

0:30:48.040 --> 0:30:50.680
<v Speaker 1>tell themselves that it's okay to be hard on their

0:30:50.720 --> 0:30:55.440
<v Speaker 1>students because of how cutthroat the business that they're going

0:30:55.960 --> 0:30:59.320
<v Speaker 1>into is. And a lot of them are failed actors themselves,

0:30:59.600 --> 0:31:02.480
<v Speaker 1>and they're thinking, like, well, if they can't handle this

0:31:02.560 --> 0:31:05.400
<v Speaker 1>in class, then it's better that they learned that now

0:31:05.880 --> 0:31:08.520
<v Speaker 1>before they go out into the world and try to

0:31:08.600 --> 0:31:12.120
<v Speaker 1>make it as actors. It is literally it's exactly what

0:31:12.160 --> 0:31:15.000
<v Speaker 1>like it reminded me of Tyr Banks in America's Next

0:31:15.000 --> 0:31:17.760
<v Speaker 1>Top Model, where she like choose, you choose if you,

0:31:17.840 --> 0:31:20.640
<v Speaker 1>as the teacher or arbiter of this space, are choosing

0:31:20.920 --> 0:31:24.560
<v Speaker 1>to just like just to like participate and to enforce

0:31:25.040 --> 0:31:28.560
<v Speaker 1>existing oppressive systems in your industry instead of actively wanting

0:31:28.560 --> 0:31:31.760
<v Speaker 1>to change them. Like it's just kind of bonkers. And

0:31:31.800 --> 0:31:34.080
<v Speaker 1>the reality is like to be an actor, all you

0:31:34.120 --> 0:31:36.920
<v Speaker 1>have to be is hot, Like it truly doesn't matter

0:31:36.960 --> 0:31:41.160
<v Speaker 1>how talented you are. Yes, yes, yes, yes, I completely

0:31:41.160 --> 0:31:43.920
<v Speaker 1>agree with that. And also just to as a side note,

0:31:44.680 --> 0:31:46.400
<v Speaker 1>you have to run up like ten flights of stairs

0:31:46.440 --> 0:31:49.320
<v Speaker 1>or whatever for like acting, like listen, that is a

0:31:49.400 --> 0:31:51.280
<v Speaker 1>method that only works if you went too like the

0:31:51.360 --> 0:31:54.840
<v Speaker 1>Matilda school of like musical theater where they make those

0:31:54.920 --> 0:31:58.560
<v Speaker 1>kids probably run like fifteen flights before every scene. Honey,

0:31:58.600 --> 0:32:16.400
<v Speaker 1>you know I do. I think it's interesting that you

0:32:16.640 --> 0:32:18.680
<v Speaker 1>are talking about this as a cult, because I've been

0:32:18.720 --> 0:32:21.080
<v Speaker 1>thinking a lot about cults over the past couple of days.

0:32:22.200 --> 0:32:27.080
<v Speaker 1>I watched this new Hulu documentary Stolen Youth. Have you

0:32:27.120 --> 0:32:31.240
<v Speaker 1>heard about it? No? I haven't so Stolen Youth as

0:32:31.240 --> 0:32:34.640
<v Speaker 1>a documentary about it's Stolen Youth, the cult inside the cult,

0:32:34.680 --> 0:32:39.400
<v Speaker 1>it's Sarah Lawrence. I totally didn't know that this ever happened,

0:32:39.480 --> 0:32:43.480
<v Speaker 1>but in like the early twenty tens, there was a

0:32:43.480 --> 0:32:48.000
<v Speaker 1>cult of kids who went to Sarah Lawrence. And it

0:32:48.120 --> 0:32:52.760
<v Speaker 1>was these kids who all lived together and like on

0:32:52.840 --> 0:32:57.400
<v Speaker 1>campus housing or off campus housing, I don't know um

0:32:57.680 --> 0:33:01.080
<v Speaker 1>and one of their dads had been in prison and

0:33:01.120 --> 0:33:04.320
<v Speaker 1>when he got out, came and stayed with them, which

0:33:04.400 --> 0:33:07.600
<v Speaker 1>is like why would you let it happen? And then

0:33:07.680 --> 0:33:12.280
<v Speaker 1>he basically like became a cult leader and a bunch

0:33:12.320 --> 0:33:14.760
<v Speaker 1>of them like moved into a one bedroom apartment in

0:33:15.400 --> 0:33:19.240
<v Speaker 1>the city with him, and there was like sex trafficking

0:33:20.000 --> 0:33:23.480
<v Speaker 1>and all this crazy shit. And you know, it's a

0:33:23.560 --> 0:33:27.200
<v Speaker 1>very interesting documentary. It's only three episodes, which is good

0:33:27.240 --> 0:33:33.680
<v Speaker 1>because I like, couldn't have done more, and it's I

0:33:33.960 --> 0:33:38.920
<v Speaker 1>I appreciate it because with something that's like true crime,

0:33:39.160 --> 0:33:42.680
<v Speaker 1>I need it to have like a definitive ending. Like

0:33:42.720 --> 0:33:45.280
<v Speaker 1>I hate a true crime thing where it's like the

0:33:45.400 --> 0:33:48.000
<v Speaker 1>mystery is still unsolved or like the killer is still

0:33:48.040 --> 0:33:50.960
<v Speaker 1>out yeah, or like you know, it's the trial hasn't

0:33:50.960 --> 0:33:54.760
<v Speaker 1>happened this like the trial happened very recently. This guy

0:33:54.920 --> 0:33:58.680
<v Speaker 1>is serving sixty years in prison with that parole. It's

0:33:58.720 --> 0:34:01.480
<v Speaker 1>like it's done. You know, people have gotten out of

0:34:01.480 --> 0:34:04.640
<v Speaker 1>the cult. There's one girlie who's still like she has

0:34:04.680 --> 0:34:09.279
<v Speaker 1>only just now disavowed him. But the thing that I

0:34:09.320 --> 0:34:11.560
<v Speaker 1>was thinking, which is what I always think when cult

0:34:11.600 --> 0:34:15.600
<v Speaker 1>stuff happens, is couldn't be me. He couldn't he could

0:34:15.600 --> 0:34:18.000
<v Speaker 1>have never gotten me. I would never have bought into

0:34:18.040 --> 0:34:22.400
<v Speaker 1>that ship. And honestly, I kind of judge them for

0:34:22.560 --> 0:34:27.560
<v Speaker 1>being susceptible to it because like this guy is so

0:34:28.320 --> 0:34:32.520
<v Speaker 1>he's like so clearly, like he's this like ugly like

0:34:33.120 --> 0:34:37.800
<v Speaker 1>doughey white guy who just like manipulated all these college

0:34:37.880 --> 0:34:41.960
<v Speaker 1>kids and like they were you know, they were adults,

0:34:42.080 --> 0:34:45.719
<v Speaker 1>they were they were like sophomores. In college. And I'm

0:34:45.760 --> 0:34:50.719
<v Speaker 1>not not to victim blame, but but but I'm victim blame.

0:34:50.960 --> 0:34:53.080
<v Speaker 1>But I just I watched this and I just like

0:34:53.239 --> 0:34:57.440
<v Speaker 1>truly don't get how you can be how you can like,

0:34:59.080 --> 0:35:02.200
<v Speaker 1>uh like be a sheep a sheep like that and

0:35:02.840 --> 0:35:07.799
<v Speaker 1>and let this person like the things that this guy

0:35:07.920 --> 0:35:13.319
<v Speaker 1>had them doing. Like obviously you know some of these

0:35:13.440 --> 0:35:17.799
<v Speaker 1>like there was one kid who, um, you know, was

0:35:17.880 --> 0:35:21.680
<v Speaker 1>like struggling with his sexuality and the guy like twisted

0:35:21.680 --> 0:35:23.400
<v Speaker 1>all of his ideas of like what it was to

0:35:23.400 --> 0:35:27.000
<v Speaker 1>be a man. And you know, um, I get that

0:35:27.040 --> 0:35:29.560
<v Speaker 1>people are vulnerable and could be manipulated, but I just

0:35:29.560 --> 0:35:32.560
<v Speaker 1>watched these cult things and I'm like, no, not me,

0:35:32.719 --> 0:35:35.839
<v Speaker 1>because like, if there's two things I'm always happy to do,

0:35:36.239 --> 0:35:38.640
<v Speaker 1>it's not listen to what people have to say and

0:35:38.680 --> 0:35:41.960
<v Speaker 1>just stay home. And you know, for the for those reasons,

0:35:42.120 --> 0:35:45.040
<v Speaker 1>I truly believe I could never be I could never

0:35:45.120 --> 0:35:48.840
<v Speaker 1>be hoodwinked into joining a fault. But on the flip side,

0:35:49.840 --> 0:35:52.040
<v Speaker 1>I do think I could very easily start a cult.

0:35:52.600 --> 0:35:55.960
<v Speaker 1>Oh I do that I could. I could really um,

0:35:56.000 --> 0:35:58.399
<v Speaker 1>I could manipulate. I could be a good cult leader

0:35:58.400 --> 0:36:02.640
<v Speaker 1>and manipulate people into like living or dying on my word. Well,

0:36:02.680 --> 0:36:04.920
<v Speaker 1>for the virgins, I think that that was implied. It's

0:36:04.960 --> 0:36:08.040
<v Speaker 1>just very interesting to like look at this. I'm able

0:36:08.080 --> 0:36:10.960
<v Speaker 1>to like watch these things from such a such a

0:36:11.040 --> 0:36:15.600
<v Speaker 1>distance and like find it interesting and just fully not

0:36:15.800 --> 0:36:21.480
<v Speaker 1>understand what could lead someone to think that that was normal. Yeah,

0:36:21.520 --> 0:36:23.799
<v Speaker 1>I just yeah, I just really get it. I just

0:36:23.840 --> 0:36:25.799
<v Speaker 1>really don't get it. It's like being a turf, you know,

0:36:25.880 --> 0:36:28.680
<v Speaker 1>I don't. I don't get so you can like devote

0:36:28.719 --> 0:36:32.880
<v Speaker 1>your whole life to something that is like so lame

0:36:33.040 --> 0:36:37.840
<v Speaker 1>and like unimportant and like just like go touch grass.

0:36:38.520 --> 0:36:41.200
<v Speaker 1>It's wretched and it's also like not even about you

0:36:41.280 --> 0:36:44.160
<v Speaker 1>like you are. That's the thing about cults. I honestly

0:36:44.239 --> 0:36:47.040
<v Speaker 1>I empathize. I also feel like I can be I

0:36:47.080 --> 0:36:50.600
<v Speaker 1>can feel judgmental about people that are highly susceptible, but

0:36:50.640 --> 0:36:52.680
<v Speaker 1>I'm also a people pleaser. Like I feel like I

0:36:52.719 --> 0:36:56.040
<v Speaker 1>am highly susceptible, and I don't know, It's it's tough.

0:36:56.160 --> 0:37:00.560
<v Speaker 1>Sometimes this is a grey area. Yeah, um, I do

0:37:00.760 --> 0:37:04.759
<v Speaker 1>want to take a little trip into Rose's book corner. Yes,

0:37:06.480 --> 0:37:08.160
<v Speaker 1>we need like we need like some theme music or

0:37:08.200 --> 0:37:10.200
<v Speaker 1>something for Rose's book Corner. We need like a kind

0:37:10.200 --> 0:37:15.920
<v Speaker 1>of reading rainbow ass like theme music kind of momentum So,

0:37:16.360 --> 0:37:18.880
<v Speaker 1>as any of you who have been falling along with

0:37:19.000 --> 0:37:23.480
<v Speaker 1>Rose's book club no m our. First, like foray into

0:37:23.520 --> 0:37:28.160
<v Speaker 1>this was reading man Hunt by Gretchen Felker Martin. Um

0:37:28.400 --> 0:37:30.600
<v Speaker 1>I just finished it about a week ago. It took

0:37:30.640 --> 0:37:33.359
<v Speaker 1>me a little bit to get into it, but then

0:37:33.520 --> 0:37:36.000
<v Speaker 1>once I was about halfway through, I really powered through

0:37:37.000 --> 0:37:39.160
<v Speaker 1>the end and read it in like a like a

0:37:39.200 --> 0:37:43.640
<v Speaker 1>day or two. Um. So, the novel is a post

0:37:43.640 --> 0:37:48.960
<v Speaker 1>apocalyptic zombie horror story in which a virus called t

0:37:49.239 --> 0:37:53.520
<v Speaker 1>Rex has decimated the world's population. It's a zombie virus

0:37:53.560 --> 0:38:00.319
<v Speaker 1>that specifically targets testosterone, so it turns anyone with you know,

0:38:00.360 --> 0:38:03.640
<v Speaker 1>an abundance of testosterone in their body largely sis men

0:38:03.920 --> 0:38:10.000
<v Speaker 1>into these you know, like very animalistic, super disgusting zombies

0:38:10.480 --> 0:38:17.480
<v Speaker 1>who in like a somewhat like different take on zombies

0:38:17.960 --> 0:38:21.840
<v Speaker 1>not only like eat and kill people, but rape people.

0:38:22.560 --> 0:38:25.879
<v Speaker 1>And so that was like a you know, disturbing edition

0:38:25.920 --> 0:38:28.399
<v Speaker 1>and like for anyone who hasn't yet read this book,

0:38:28.440 --> 0:38:33.640
<v Speaker 1>like some serious trigger warnings about sexual salt, transphobia, like

0:38:33.840 --> 0:38:36.400
<v Speaker 1>lots of different stuff, but you can you know, investigate

0:38:36.400 --> 0:38:41.120
<v Speaker 1>that on your own and so the survivors in the

0:38:41.280 --> 0:38:47.400
<v Speaker 1>zombie apocalypse are women and m sis women trans women,

0:38:47.440 --> 0:38:50.680
<v Speaker 1>and that is really the divide of this novel. So

0:38:50.719 --> 0:38:56.040
<v Speaker 1>there's um. The two real main characters are these two

0:38:56.040 --> 0:39:00.839
<v Speaker 1>trans girls, Beth and Fran, and they and it's such

0:39:00.880 --> 0:39:02.920
<v Speaker 1>a good One of them is named Fran. Her name

0:39:03.000 --> 0:39:09.040
<v Speaker 1>is Fran fine like the Nannie. Yeah name, I love that, Okay,

0:39:09.120 --> 0:39:11.520
<v Speaker 1>but it's never really like talked about, but it just

0:39:11.920 --> 0:39:14.920
<v Speaker 1>that's her name, and I think that's funny. So so

0:39:15.120 --> 0:39:18.560
<v Speaker 1>they um then and then when the novel starts, they

0:39:18.719 --> 0:39:22.680
<v Speaker 1>are so they they they call themselves man hunters. They

0:39:23.080 --> 0:39:27.560
<v Speaker 1>go around um hunting down zombie men to extract their

0:39:27.600 --> 0:39:32.279
<v Speaker 1>testicles because they're the only source of estrogen in this

0:39:32.440 --> 0:39:36.600
<v Speaker 1>post apocalyptic world. They are friends with the doctor who

0:39:36.760 --> 0:39:41.840
<v Speaker 1>extracts estrogen from the testicles and um like sells it

0:39:42.040 --> 0:39:47.840
<v Speaker 1>to women like older women with pcos um. And the

0:39:47.960 --> 0:39:52.040
<v Speaker 1>premise is so it's really fascinating because, like you know,

0:39:52.160 --> 0:39:54.239
<v Speaker 1>as we've been talking about with like the Last of

0:39:54.400 --> 0:39:59.440
<v Speaker 1>Us all zombie media, UM looks at the way the

0:39:59.640 --> 0:40:03.279
<v Speaker 1>world old reforms after it falls apart, and so to

0:40:03.400 --> 0:40:06.520
<v Speaker 1>look at through the lens of transness, and gender is

0:40:06.880 --> 0:40:13.760
<v Speaker 1>really fascinating. And so these these women are like out hunting,

0:40:14.239 --> 0:40:18.240
<v Speaker 1>they come across this roving band of turfs. So turfs

0:40:18.280 --> 0:40:22.120
<v Speaker 1>have now banded together to form this thing called the Matriarchy,

0:40:22.600 --> 0:40:27.680
<v Speaker 1>and they are like a militant organization who you know,

0:40:27.880 --> 0:40:30.799
<v Speaker 1>go around like killing trans women, and they've taken over

0:40:30.920 --> 0:40:35.640
<v Speaker 1>different cities. And then also like in their travels, they

0:40:35.760 --> 0:40:39.840
<v Speaker 1>pick up a trans man who has been living on

0:40:40.040 --> 0:40:43.120
<v Speaker 1>his own, like living on the land, and he's very

0:40:43.239 --> 0:40:46.640
<v Speaker 1>like he he like is really like gun savvy, and

0:40:46.760 --> 0:40:48.799
<v Speaker 1>he doesn't want to go with them because he has

0:40:48.840 --> 0:40:51.239
<v Speaker 1>some like bad experiences in his past, but he ends

0:40:51.320 --> 0:40:55.080
<v Speaker 1>up joining them. They and their doctor friend eventually become

0:40:55.160 --> 0:40:58.480
<v Speaker 1>part of this commune that's run by this like this

0:40:58.600 --> 0:41:03.160
<v Speaker 1>little billionaire girl. There's also another character who is a

0:41:03.320 --> 0:41:08.600
<v Speaker 1>POV who is part of the matriarchy, but she is

0:41:08.920 --> 0:41:12.759
<v Speaker 1>a chaser and is like in love with this non

0:41:12.880 --> 0:41:16.759
<v Speaker 1>binary sex worker. And so it's like just all these

0:41:16.960 --> 0:41:21.600
<v Speaker 1>different viewpoints into what this world looks like and the

0:41:21.760 --> 0:41:24.160
<v Speaker 1>thing most about but I felt while reading this, and

0:41:24.320 --> 0:41:26.640
<v Speaker 1>I brought this up a couple other times talking about

0:41:27.040 --> 0:41:32.200
<v Speaker 1>novels written about or by trans people is like reading

0:41:32.239 --> 0:41:36.480
<v Speaker 1>this gave me this feeling like I would love to

0:41:36.840 --> 0:41:41.040
<v Speaker 1>only read novels written by trans people, because I only

0:41:41.120 --> 0:41:44.120
<v Speaker 1>want to read trans characters who are written by trans people,

0:41:44.200 --> 0:41:47.759
<v Speaker 1>Because there's just something that SIS people don't get. There.

0:41:48.000 --> 0:41:51.400
<v Speaker 1>There are ways of thinking that SIS people just don't

0:41:51.719 --> 0:41:55.640
<v Speaker 1>think about the ways in which we talk to each other,

0:41:56.239 --> 0:41:59.920
<v Speaker 1>the ways in which we think about ourselves, how mean

0:42:00.320 --> 0:42:04.239
<v Speaker 1>we can be about each other, Like you know, like

0:42:04.440 --> 0:42:07.800
<v Speaker 1>the it's there. There are some ridiculous moments where like

0:42:08.320 --> 0:42:12.000
<v Speaker 1>we're in the we're in the apoc like post apocalyptic world,

0:42:12.320 --> 0:42:15.200
<v Speaker 1>zombie world, and people are still worried about like how

0:42:16.280 --> 0:42:18.920
<v Speaker 1>how much they pass, which is how it would work.

0:42:19.040 --> 0:42:21.759
<v Speaker 1>How like how fem they are compared to other trans

0:42:21.840 --> 0:42:26.560
<v Speaker 1>women still like calling each other bricks. Um. It's it's

0:42:26.640 --> 0:42:33.200
<v Speaker 1>just it's so scary, but it feels so possible, which

0:42:33.440 --> 0:42:37.759
<v Speaker 1>is I think the best. Um, the best like the

0:42:38.680 --> 0:42:41.879
<v Speaker 1>when when dystopian fiction is at its best is when

0:42:42.000 --> 0:42:46.759
<v Speaker 1>you can see how it would happen. Um. And I

0:42:46.880 --> 0:42:49.680
<v Speaker 1>also love that like within the kind of thematic question

0:42:49.719 --> 0:42:52.759
<v Speaker 1>of this book that you're laying out, like a lot

0:42:52.800 --> 0:42:54.520
<v Speaker 1>of the things you're talking about, like these kind of

0:42:54.600 --> 0:42:57.839
<v Speaker 1>trans two point zero three point zero conversations or ways

0:42:57.880 --> 0:43:00.719
<v Speaker 1>of thinking to then be met it on the rest

0:43:00.760 --> 0:43:04.000
<v Speaker 1>of the world, because it's now become a biological impart,

0:43:04.080 --> 0:43:09.759
<v Speaker 1>Like it's become a cultural disaster that now requires the

0:43:09.840 --> 0:43:12.759
<v Speaker 1>help of trans women, and you still like now you're

0:43:12.800 --> 0:43:14.480
<v Speaker 1>forced to wrap your head around this in some way

0:43:14.600 --> 0:43:17.120
<v Speaker 1>or to think about it. Yeah, and then and you

0:43:17.280 --> 0:43:20.880
<v Speaker 1>see the way that sis people who like would consider

0:43:20.960 --> 0:43:24.360
<v Speaker 1>themselves allies, how they would behave in the apocalypse. Like

0:43:24.719 --> 0:43:28.120
<v Speaker 1>one of the one of the main characters, you know,

0:43:28.239 --> 0:43:31.640
<v Speaker 1>has flashbacks too. When the virus first broke out, she

0:43:31.840 --> 0:43:36.640
<v Speaker 1>lived in this like queer commune house and the trans

0:43:36.760 --> 0:43:40.040
<v Speaker 1>women like eventually were kicked out of it, even and

0:43:40.440 --> 0:43:42.120
<v Speaker 1>you know, all of the people in the house were

0:43:42.200 --> 0:43:45.920
<v Speaker 1>like you know, play acted being like devastated about it,

0:43:46.160 --> 0:43:49.880
<v Speaker 1>and like we're you know, chiding them for their like

0:43:50.040 --> 0:43:55.080
<v Speaker 1>problematic reaction to it. And it's it's just like a

0:43:55.600 --> 0:43:58.680
<v Speaker 1>new take on what the world looks like when it

0:43:58.760 --> 0:44:03.600
<v Speaker 1>falls apart from a specifically not just queer perspective, but

0:44:03.840 --> 0:44:09.160
<v Speaker 1>trans perspective, and like they're just it's also extremely funny. Um,

0:44:09.440 --> 0:44:12.040
<v Speaker 1>you know, at one point they go into this like um,

0:44:12.719 --> 0:44:18.279
<v Speaker 1>you know, like trans lesbian um like camp and it's

0:44:18.360 --> 0:44:21.760
<v Speaker 1>like the one thing that survives the apocalypse is Dike drama,

0:44:21.960 --> 0:44:30.200
<v Speaker 1>which is so funny. Um it is such a Oh. Also, um,

0:44:30.560 --> 0:44:32.960
<v Speaker 1>at the end of the novel, there's this whole um

0:44:33.560 --> 0:44:36.600
<v Speaker 1>plot point of this um like ruined naval ship that

0:44:36.760 --> 0:44:41.360
<v Speaker 1>the Turfs reclaim and they rename it the gall Braith,

0:44:42.120 --> 0:44:47.080
<v Speaker 1>which is anyone who doesn't know is jk Rowling's pseudonym.

0:44:47.320 --> 0:44:51.799
<v Speaker 1>Pen names so fucking funny. So you also you also

0:44:51.920 --> 0:44:54.600
<v Speaker 1>do find out what happened to JK Rowling in the

0:44:54.680 --> 0:45:01.319
<v Speaker 1>Apocalypse and it's it's like delicious Okay, no spoilers, Okay, spoilers. Um,

0:45:01.920 --> 0:45:06.239
<v Speaker 1>let's just say her money could not protect her. And

0:45:06.960 --> 0:45:14.600
<v Speaker 1>it is really sad, moving, grotesque, hilarious, and I'm so

0:45:14.760 --> 0:45:18.160
<v Speaker 1>excited to see, um, you know, more work from the author.

0:45:18.320 --> 0:45:21.880
<v Speaker 1>And it just really invigorated me about, you know, the

0:45:22.040 --> 0:45:29.600
<v Speaker 1>future of specifically trans fiction and trans art, because it

0:45:29.760 --> 0:45:33.919
<v Speaker 1>just shows what can happen when we're allowed to tell

0:45:34.000 --> 0:45:38.880
<v Speaker 1>our own stories to each other and not worry about

0:45:39.960 --> 0:45:42.920
<v Speaker 1>you know, like the CIS gays or the CIS audience

0:45:43.120 --> 0:45:48.279
<v Speaker 1>or the CIS gay Yeah, yeah, exactly, And yeah, I

0:45:48.840 --> 0:45:52.080
<v Speaker 1>would love to hear what virgins, what you thought of it,

0:45:52.160 --> 0:45:54.160
<v Speaker 1>if you read it, if you decide to read it

0:45:54.239 --> 0:45:57.600
<v Speaker 1>after this slide into our DMS and let us know. So, wait,

0:45:57.800 --> 0:45:59.400
<v Speaker 1>sounds like a great book. We I feel like we

0:45:59.440 --> 0:46:02.640
<v Speaker 1>should have some sort of like um evaluation for Rosa's

0:46:02.640 --> 0:46:05.440
<v Speaker 1>book quarter How many out of five roses? How many

0:46:05.560 --> 0:46:07.839
<v Speaker 1>roses does it? Oh? Out of five roses? I would

0:46:07.840 --> 0:46:10.560
<v Speaker 1>get Well, I did rate it five stars on good Reads,

0:46:10.760 --> 0:46:13.720
<v Speaker 1>five out of five. But but that was like also

0:46:13.840 --> 0:46:16.560
<v Speaker 1>because I know that this author has been review bombs,

0:46:16.880 --> 0:46:19.440
<v Speaker 1>so I wanted to do my part in like getting

0:46:19.480 --> 0:46:22.720
<v Speaker 1>it up there. Um, I would say, if we're grading

0:46:22.760 --> 0:46:26.760
<v Speaker 1>it on the like a virgin Rosa's book corner spectrum,

0:46:27.160 --> 0:46:32.120
<v Speaker 1>I'm gonna say, um, eight point five out of ten roses. Oh,

0:46:32.200 --> 0:46:35.799
<v Speaker 1>we're doing out of ten? That gives you quite a scale. Yeah, Okay,

0:46:35.800 --> 0:46:38.279
<v Speaker 1>I think that's important. Okay, good love eight point five,

0:46:38.360 --> 0:46:42.000
<v Speaker 1>So it's a B plus. Maybe it's a it's an

0:46:42.000 --> 0:46:45.360
<v Speaker 1>an okay an an. Yeah. I I sounded like it

0:46:45.480 --> 0:46:48.680
<v Speaker 1>sounded like a knock out of the park. It sounds fine. Yeah,

0:46:48.760 --> 0:46:51.799
<v Speaker 1>it is fascinating. Maybe I'll learn to read one day.

0:46:52.480 --> 0:46:54.279
<v Speaker 1>And I do think I do think I have the

0:46:54.400 --> 0:46:58.440
<v Speaker 1>next book. Oh look it's right over right over your shoulder,

0:46:58.560 --> 0:47:00.840
<v Speaker 1>right there behind me a little. And so this so

0:47:00.920 --> 0:47:03.759
<v Speaker 1>I wanted to do something that is like that is

0:47:03.840 --> 0:47:06.439
<v Speaker 1>not new and is and I still want to stick

0:47:06.520 --> 0:47:11.120
<v Speaker 1>with queer literature, but um, a little a different side

0:47:11.160 --> 0:47:15.840
<v Speaker 1>of the spectrum. So this is finger Smith by Sarah Waters.

0:47:16.520 --> 0:47:20.800
<v Speaker 1>Sarah Waters is an iconic lesbian novelist. Her novel Tipping

0:47:20.840 --> 0:47:26.000
<v Speaker 1>the Velvet is one of my favorite books, possibly possibly

0:47:26.080 --> 0:47:29.680
<v Speaker 1>my favorite book. What, um, you always I've ever your

0:47:29.719 --> 0:47:33.640
<v Speaker 1>favorite book ever? Yeah? Wow? Um, but I've never read Fingersmith.

0:47:33.760 --> 0:47:37.480
<v Speaker 1>It has been adapted into a miniseries. It was also

0:47:37.520 --> 0:47:42.239
<v Speaker 1>adapted into the film The Handmaiden, which which I've never seen.

0:47:42.960 --> 0:47:46.080
<v Speaker 1>Um wait but you've never really I've never seen The Handmaiden,

0:47:46.120 --> 0:47:48.040
<v Speaker 1>but I've heard really good things about it. But apparently

0:47:48.080 --> 0:47:51.640
<v Speaker 1>the novel is very different. Um. So I started reading it,

0:47:52.320 --> 0:47:54.799
<v Speaker 1>um a couple days ago, and I'm not that far

0:47:54.920 --> 0:47:58.920
<v Speaker 1>in so again, like as as we did with Manhunt,

0:47:59.080 --> 0:48:03.279
<v Speaker 1>like maybe a month from now, we'll check in and

0:48:03.520 --> 0:48:07.359
<v Speaker 1>do you know my thoughts in Rose's book Corner? Um,

0:48:07.840 --> 0:48:10.719
<v Speaker 1>I honestly was trying to pinpoint where i'd heard Fingersmith

0:48:10.800 --> 0:48:14.799
<v Speaker 1>before Handmaid. The Handmaid is like one of my favorite

0:48:15.239 --> 0:48:18.160
<v Speaker 1>gay movies of all time period. Rose, you and I

0:48:18.200 --> 0:48:20.000
<v Speaker 1>should watch it together, we should do a virtue. Okay,

0:48:20.200 --> 0:48:22.919
<v Speaker 1>well that's well, I'll definitely watch it after I read. Yeah,

0:48:23.000 --> 0:48:25.719
<v Speaker 1>of course. And I think that'll be a really nice

0:48:25.800 --> 0:48:27.560
<v Speaker 1>way for us to talk about it in the next

0:48:28.040 --> 0:48:30.680
<v Speaker 1>installment of Rose's book Corner, because you'll be able to

0:48:30.880 --> 0:48:33.840
<v Speaker 1>speak about the adaptation, and like I'll be able to

0:48:33.880 --> 0:48:36.000
<v Speaker 1>give sort of like a counterpoint of the of the

0:48:36.080 --> 0:48:38.360
<v Speaker 1>knowledge and maybe I'll read it. Who knows? Do you

0:48:38.400 --> 0:48:41.040
<v Speaker 1>want to know something? And this, actually I'm realizing in

0:48:41.120 --> 0:48:43.800
<v Speaker 1>real time. I used to be a voracious reader. You

0:48:43.920 --> 0:48:46.320
<v Speaker 1>know this in college before I had an iPhone, Like

0:48:46.400 --> 0:48:50.120
<v Speaker 1>books where my only friends and so I used to

0:48:50.160 --> 0:48:52.920
<v Speaker 1>read all the fucking time. Do you know what killed

0:48:53.160 --> 0:48:58.480
<v Speaker 1>my love of reading? One? Entering the workforce will really

0:48:58.560 --> 0:49:02.480
<v Speaker 1>kill the imagination, really kill your spare time. Two. I

0:49:02.600 --> 0:49:05.640
<v Speaker 1>worked at random House for a year. And when you

0:49:05.719 --> 0:49:09.120
<v Speaker 1>work at a book publishing company, books are garbage. Books

0:49:09.120 --> 0:49:11.520
<v Speaker 1>are garbage you used to wipe your ass with. And

0:49:11.800 --> 0:49:15.640
<v Speaker 1>every single floor, no seriously, and every single floor of

0:49:17.200 --> 0:49:20.759
<v Speaker 1>the publishing company it has multiple bookshelves filled with free

0:49:20.800 --> 0:49:22.640
<v Speaker 1>books that I would just like, in my spare time,

0:49:22.760 --> 0:49:25.480
<v Speaker 1>wander around and collect all of these books, being like

0:49:25.520 --> 0:49:28.320
<v Speaker 1>I'm going to read these someday and like just slowly

0:49:28.760 --> 0:49:31.399
<v Speaker 1>devaluing the thing that I love most in the world,

0:49:31.440 --> 0:49:35.640
<v Speaker 1>which is books. Um. Anyways, that was Rosa's book corner

0:49:52.560 --> 0:49:54.920
<v Speaker 1>before we log off. I guess, do we want to

0:49:55.000 --> 0:49:59.480
<v Speaker 1>do a Drag Race mid season check in because we

0:49:59.680 --> 0:50:03.080
<v Speaker 1>are now we have crossed the halfway. Yeah. So I

0:50:03.800 --> 0:50:06.320
<v Speaker 1>am really liking this season. I think it's kind of

0:50:06.600 --> 0:50:09.160
<v Speaker 1>the best crop of girls we've had in a couple

0:50:09.160 --> 0:50:11.920
<v Speaker 1>of seasons of main Drag Race. I think after the

0:50:12.040 --> 0:50:15.680
<v Speaker 1>first four four we're cut out I agree, yes, um

0:50:15.880 --> 0:50:20.000
<v Speaker 1>and really bringing the interpersonal drama, which I love. Um,

0:50:20.440 --> 0:50:22.920
<v Speaker 1>which is why I wish we were getting the ninety

0:50:22.960 --> 0:50:27.040
<v Speaker 1>minute episodes and that they just like feel it feels

0:50:27.080 --> 0:50:30.160
<v Speaker 1>like we're not getting enough of the stuff that we want. Um.

0:50:30.400 --> 0:50:33.719
<v Speaker 1>And then but and you know, um, MTV recently announced

0:50:33.800 --> 0:50:36.880
<v Speaker 1>that in March, ninety minute episodes are returning, but by

0:50:36.960 --> 0:50:39.640
<v Speaker 1>that time, there's gonna be like none of them left. Yeah. Um,

0:50:39.960 --> 0:50:43.320
<v Speaker 1>at least that means more Sasha Colby lip syncing, Like

0:50:43.440 --> 0:50:48.360
<v Speaker 1>that's all I really want this. The the Lala Perusa

0:50:48.360 --> 0:50:51.600
<v Speaker 1>episode was thrilling. Um you know some some front runners

0:50:51.680 --> 0:50:55.000
<v Speaker 1>really have emerged for me. I obviously like still love

0:50:55.040 --> 0:50:58.360
<v Speaker 1>Sasha Colby and um A Nietra was one of my

0:50:58.480 --> 0:51:02.600
<v Speaker 1>early faves. I am a mistress stand first and an

0:51:02.600 --> 0:51:08.080
<v Speaker 1>American scand period period period. She's so good. What she

0:51:08.239 --> 0:51:14.320
<v Speaker 1>does is drag like drag in the most in the

0:51:14.440 --> 0:51:20.360
<v Speaker 1>most classic sense. She is old school Southern painted but

0:51:21.080 --> 0:51:25.719
<v Speaker 1>painted for the gods will fucking shade you until you

0:51:26.120 --> 0:51:29.560
<v Speaker 1>jump off a building. Drag queen. And I love it.

0:51:29.640 --> 0:51:31.800
<v Speaker 1>And I honestly think it's the first time that like

0:51:32.400 --> 0:51:36.120
<v Speaker 1>a plus sized girl who coming from that drag perspective,

0:51:36.520 --> 0:51:40.120
<v Speaker 1>Like truly I think she could win. Yeah, I I

0:51:40.360 --> 0:51:43.080
<v Speaker 1>it would be really it has actually been a while

0:51:43.400 --> 0:51:47.799
<v Speaker 1>since we had something of and I'm trying to I'm

0:51:47.840 --> 0:51:49.360
<v Speaker 1>going through the winners in my brain like something of

0:51:49.440 --> 0:51:52.560
<v Speaker 1>an old school queen, right like, like I'm thinking about

0:51:52.600 --> 0:51:55.080
<v Speaker 1>like someone like Beyond adel Rio or something like that.

0:51:55.320 --> 0:52:00.280
<v Speaker 1>Like it's it's like classic like clown paint like drag.

0:52:00.560 --> 0:52:03.239
<v Speaker 1>Sasha Colby also does a version of like classic drag,

0:52:03.320 --> 0:52:07.280
<v Speaker 1>but hers is like Toagin style, right like it's it's different,

0:52:07.400 --> 0:52:11.480
<v Speaker 1>like Mistress is captivating I think in the art and

0:52:11.600 --> 0:52:14.320
<v Speaker 1>also like I don't remember if this was in Untucked

0:52:14.520 --> 0:52:16.680
<v Speaker 1>or in one of like the debriefs, but like, I

0:52:16.800 --> 0:52:19.359
<v Speaker 1>love her story. I love that she's literally never had

0:52:19.480 --> 0:52:23.560
<v Speaker 1>another job and that she had drag as survival to

0:52:23.760 --> 0:52:25.680
<v Speaker 1>like this is all she could do to like not

0:52:25.840 --> 0:52:29.160
<v Speaker 1>be homeless. Like it painted a picture of her more

0:52:29.320 --> 0:52:32.920
<v Speaker 1>clearly and showed us. I think, what's at stake for

0:52:33.040 --> 0:52:37.319
<v Speaker 1>a competitor like her versus what's at stake for other competitors,

0:52:37.440 --> 0:52:39.800
<v Speaker 1>Not that it makes the other competitors, you know, like

0:52:40.280 --> 0:52:42.799
<v Speaker 1>not worthwhile, but like she's just it's different for her.

0:52:44.640 --> 0:52:47.799
<v Speaker 1>Drag is life for her, Drag is life. Is there

0:52:47.880 --> 0:52:52.160
<v Speaker 1>anyone else who you've who has emerged as someone you're

0:52:52.239 --> 0:53:02.080
<v Speaker 1>into or um? My Top four remains the same, Anietra, Sasha, Mistress,

0:53:03.200 --> 0:53:10.160
<v Speaker 1>and Spice. I love Spice, Spice has gotta go. I

0:53:10.360 --> 0:53:13.400
<v Speaker 1>need Spice like I need Derek Barry. I need this

0:53:13.560 --> 0:53:17.600
<v Speaker 1>woman on screen as much as possible after your a

0:53:17.640 --> 0:53:20.360
<v Speaker 1>certain point, like she really showed her ask this episode,

0:53:20.440 --> 0:53:25.400
<v Speaker 1>even though I will say her lip sync with Malaysia

0:53:25.760 --> 0:53:28.440
<v Speaker 1>was the second one. Yeah, I think Spice one. I

0:53:28.520 --> 0:53:31.160
<v Speaker 1>think Spice eight. I think Spice ate her up honestly

0:53:31.200 --> 0:53:33.719
<v Speaker 1>a little bit, But it was so long ago, I'm

0:53:33.760 --> 0:53:36.280
<v Speaker 1>trying to remember the nuances of the actual lip syncs.

0:53:36.400 --> 0:53:41.759
<v Speaker 1>Like obviously Nietra was the standout, you know, that was

0:53:42.080 --> 0:53:44.840
<v Speaker 1>that was the moment that was one of the best

0:53:45.080 --> 0:53:48.200
<v Speaker 1>lip syncs in Drag Race her story. I totally agree,

0:53:48.320 --> 0:53:51.000
<v Speaker 1>Like it's something that you would revisit, something that will

0:53:51.040 --> 0:53:55.040
<v Speaker 1>like click back on and rewatch, Like it's so thrilling

0:53:55.120 --> 0:53:59.120
<v Speaker 1>to watch Sasha perform, especially on TV now. God, I mean,

0:53:59.200 --> 0:54:01.719
<v Speaker 1>can't even say more. And to watch a Niittra perform

0:54:02.040 --> 0:54:05.440
<v Speaker 1>a Nietra just had this. She has this um like

0:54:06.840 --> 0:54:10.880
<v Speaker 1>fluidity and grace to her um and you can definitely

0:54:10.960 --> 0:54:14.040
<v Speaker 1>see like she's so Vegas, like she's such a show

0:54:14.120 --> 0:54:17.960
<v Speaker 1>girl and that and so is Sasha, And like I

0:54:18.120 --> 0:54:22.960
<v Speaker 1>love seeing that kind of drag be praised on this platform.

0:54:23.800 --> 0:54:27.600
<v Speaker 1>And I'm just very excited by this cast after like

0:54:28.160 --> 0:54:30.439
<v Speaker 1>I don't know, a couple of seasons of like sure

0:54:30.600 --> 0:54:32.520
<v Speaker 1>having a few standouts here and there, but I think

0:54:32.560 --> 0:54:35.359
<v Speaker 1>this is a very solid cast all the way through.

0:54:35.680 --> 0:54:40.439
<v Speaker 1>They have good drama, and the challenges have been really

0:54:40.520 --> 0:54:44.839
<v Speaker 1>good and um yeah, I'm I'm enjoying the ride. We'll

0:54:44.840 --> 0:54:46.640
<v Speaker 1>see how we feel after we watch I don't know,

0:54:46.719 --> 0:54:48.799
<v Speaker 1>two more months of two more two or three more

0:54:48.840 --> 0:54:52.320
<v Speaker 1>months of this? Yeah okay? Um another midseason check in

0:54:52.760 --> 0:54:54.799
<v Speaker 1>the Last of Us. Did you watch? Did you watch

0:54:54.800 --> 0:54:58.120
<v Speaker 1>Sunday Yesterday's episode or Sunday's episode? I did? Um. It

0:54:58.239 --> 0:55:01.160
<v Speaker 1>was so happy to see Routina West from True Blood

0:55:02.400 --> 0:55:07.040
<v Speaker 1>back on HBO because my girl Tara stand for Life,

0:55:07.120 --> 0:55:11.000
<v Speaker 1>which which character was that she was his brother's wife,

0:55:11.280 --> 0:55:15.680
<v Speaker 1>the one who was pregnant. Oh okay, who gave Ellie

0:55:15.800 --> 0:55:20.400
<v Speaker 1>the Diva cup? That was I love. I loved moments

0:55:20.480 --> 0:55:23.080
<v Speaker 1>like that. That was so funny. Um. I love the

0:55:23.160 --> 0:55:26.279
<v Speaker 1>heart that the show continues to build, like, I love

0:55:26.320 --> 0:55:30.400
<v Speaker 1>their relationship. Um. Yes, And I liked that there was

0:55:30.440 --> 0:55:34.120
<v Speaker 1>a little bit of the passage of time because I

0:55:34.200 --> 0:55:36.080
<v Speaker 1>think we needed that. I think we needed them like

0:55:36.280 --> 0:55:40.799
<v Speaker 1>further solidified into their dynamic, especially after what happened at

0:55:40.800 --> 0:55:44.520
<v Speaker 1>the end of last week's episode, which was so traumatic,

0:55:44.640 --> 0:55:49.560
<v Speaker 1>you know, like traumatic and jarring, and you know, I

0:55:49.760 --> 0:55:52.480
<v Speaker 1>think it was really cool to see. I mean, Pedro

0:55:52.600 --> 0:55:56.239
<v Speaker 1>Pascale is such an incredible actor, and that scene where

0:55:56.280 --> 0:56:01.440
<v Speaker 1>he broke down and like finally kind of confessed that

0:56:01.640 --> 0:56:05.160
<v Speaker 1>he really cares about this person and like and doesn't

0:56:05.200 --> 0:56:08.840
<v Speaker 1>want to fail her. And the parallels of her and

0:56:09.000 --> 0:56:13.320
<v Speaker 1>his daughter is really heart wrenching. And you know this,

0:56:14.480 --> 0:56:17.320
<v Speaker 1>you know, if you watch the inside the episodes that

0:56:17.480 --> 0:56:19.759
<v Speaker 1>Atrio does after the episodes, like they talk a lot

0:56:19.800 --> 0:56:23.480
<v Speaker 1>about how this show is ultimately about the ways in

0:56:23.560 --> 0:56:26.920
<v Speaker 1>which the different ways in which love destroys people, and

0:56:27.520 --> 0:56:30.440
<v Speaker 1>I think this was like such every episode is a

0:56:30.520 --> 0:56:32.759
<v Speaker 1>great example of that, but this one was, you know,

0:56:33.680 --> 0:56:39.160
<v Speaker 1>so fascinating on the writing and the acting level. That

0:56:39.360 --> 0:56:42.520
<v Speaker 1>like scene with Pedro Pascal like is just it's so

0:56:42.880 --> 0:56:46.759
<v Speaker 1>I'm always in awe of like actors who portray, for

0:56:46.880 --> 0:56:50.000
<v Speaker 1>lack of a better word, like emotionally stunted people because

0:56:50.080 --> 0:56:53.000
<v Speaker 1>to act emotion like through this like huge wall that

0:56:53.120 --> 0:56:56.000
<v Speaker 1>this character has built up, it's like, yeah, you just

0:56:56.160 --> 0:56:58.320
<v Speaker 1>like have to watch every second of it. It's so

0:56:58.960 --> 0:57:02.880
<v Speaker 1>so fun to watch. Patrovisk is about to become so

0:57:03.160 --> 0:57:05.600
<v Speaker 1>much more famous, Like he is going to be booked

0:57:05.719 --> 0:57:09.440
<v Speaker 1>and busy. Also, the guy who plays his brother is

0:57:10.000 --> 0:57:12.839
<v Speaker 1>so hot and so hot to see them kiss. Oh

0:57:13.120 --> 0:57:16.280
<v Speaker 1>you know what. My favorite moment from the most recent

0:57:16.360 --> 0:57:19.160
<v Speaker 1>episode after they have their huge argument, which is like,

0:57:19.320 --> 0:57:20.960
<v Speaker 1>to me, that was the moment that stuck out to

0:57:21.120 --> 0:57:23.240
<v Speaker 1>me as like where they're just like they're crying and

0:57:23.360 --> 0:57:26.920
<v Speaker 1>screaming at each other or whatever, and he you know,

0:57:27.400 --> 0:57:30.160
<v Speaker 1>shows up the next morning and he's like, listen, you

0:57:30.240 --> 0:57:32.720
<v Speaker 1>can make a choice, and she just cuts him off

0:57:32.920 --> 0:57:37.560
<v Speaker 1>and she's like, okay, let's go. So fucking good like

0:57:37.800 --> 0:57:42.080
<v Speaker 1>it was, I laughed out loud. It's so satisfying, a

0:57:42.480 --> 0:57:45.280
<v Speaker 1>great writing, great storytelling. I also loved the scene where

0:57:45.320 --> 0:57:47.800
<v Speaker 1>he goes back to the house they're staying at and

0:57:47.920 --> 0:57:50.960
<v Speaker 1>I guess that scene is directed is I guess that

0:57:51.080 --> 0:57:53.560
<v Speaker 1>scene is lifted directly from the game, and they were

0:57:53.640 --> 0:57:58.960
<v Speaker 1>incredibly faithful to it. But I especially love that it's

0:57:59.040 --> 0:58:02.880
<v Speaker 1>taking place in this house, in this you know, bedroom

0:58:02.920 --> 0:58:06.520
<v Speaker 1>of a teenager who probably died twenty years ago, and

0:58:07.040 --> 0:58:11.640
<v Speaker 1>it like mirrors um a fight between a father and

0:58:11.720 --> 0:58:15.400
<v Speaker 1>a daughter, but it's like they're this different version of that,

0:58:15.560 --> 0:58:20.760
<v Speaker 1>and it's just fantastic storytelling. It's so good. And I

0:58:21.040 --> 0:58:24.760
<v Speaker 1>just like, Pedro Pascual, sit on my face, Sit on

0:58:25.240 --> 0:58:28.320
<v Speaker 1>my face. After this gift was shared with a huge ass,

0:58:28.720 --> 0:58:33.000
<v Speaker 1>Oh my god, little little booty bump. I haven't even

0:58:33.000 --> 0:58:34.760
<v Speaker 1>watched the interview, so I don't know the context of

0:58:34.840 --> 0:58:37.600
<v Speaker 1>the booty bue, but like damn that it doesn't matter.

0:58:37.840 --> 0:58:41.200
<v Speaker 1>Context doesn't matter. And I also didn't realize I can't

0:58:41.240 --> 0:58:44.480
<v Speaker 1>remember which podcast clue me into this. Um oh it

0:58:44.560 --> 0:58:47.520
<v Speaker 1>was Last Culture. Um, I didn't know that Pedro was

0:58:47.600 --> 0:58:51.080
<v Speaker 1>the buy one from Game of Thrones. You didn't know

0:58:52.080 --> 0:58:56.200
<v Speaker 1>I watched Game of Thrones in like a in a

0:58:56.280 --> 0:59:01.960
<v Speaker 1>haze Lucid dreamstay yeah, yeah, yeah, Um that's crazy. Elavender Hayes.

0:59:03.520 --> 0:59:06.200
<v Speaker 1>Oh God, I shouldn't have brought her up. How dare

0:59:06.240 --> 0:59:18.320
<v Speaker 1>you so? Um? Catch up with us on Like a

0:59:18.400 --> 0:59:21.640
<v Speaker 1>Virgin four twenty sixty nine. Tell us, um, what what

0:59:22.160 --> 0:59:24.800
<v Speaker 1>you know? What you're into right now? Let us know

0:59:24.920 --> 0:59:27.520
<v Speaker 1>what you thought of any of the things we talked about.

0:59:27.560 --> 0:59:30.240
<v Speaker 1>Your thoughts about man Hunt, if you're going to read Fingersmith,

0:59:30.400 --> 0:59:33.560
<v Speaker 1>your thought about the Meisner acting method? Honey, yeah, have

0:59:33.680 --> 0:59:36.760
<v Speaker 1>you ever taken do you have any acting class horror stories? Um?

0:59:36.840 --> 0:59:39.960
<v Speaker 1>Please slide into our dms and share. We we love

0:59:40.040 --> 0:59:42.800
<v Speaker 1>it when you do that. Um. I'm your co host,

0:59:42.920 --> 0:59:45.600
<v Speaker 1>Rose damn you. You can find me anywhere online at

0:59:45.840 --> 0:59:48.000
<v Speaker 1>Rose Damn you and I'm fran Toado. You can find

0:59:48.040 --> 0:59:51.120
<v Speaker 1>me at Franz Squishco anywhere you want. Please make sure

0:59:51.200 --> 0:59:54.840
<v Speaker 1>to rate us on Spotify and review us on Apple Podcasts.

0:59:54.880 --> 0:59:57.440
<v Speaker 1>It helps us out so much. Like a Virgin is

0:59:57.480 --> 1:00:01.440
<v Speaker 1>an iHeartRadio production. Our producer is Phoebe Enter, with support

1:00:01.560 --> 1:00:07.080
<v Speaker 1>from Lindsay Hoffman and Nikki Iatore. Until next week by

1:00:07.600 --> 1:00:09.720
<v Speaker 1>me Avoi