WEBVTT - #128 - Victor Burnett

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<v Speaker 1>Yo blueleg Cap podcast Man special guests in here my

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<v Speaker 1>guy Victor Burnett's he Victor Rulers here Man. What's good bro? Welcome.

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<v Speaker 1>Appreciate you for having me for people who don't know you.

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<v Speaker 1>Are you manage Blast? You're Are you like the CEO

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<v Speaker 1>of Eagle? I'm the president the president of Eagle also

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<v Speaker 1>business partners. We own Eagle together. Yeah. So, first of all,

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<v Speaker 1>congrats on like an amazing last year and a half

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<v Speaker 1>or so. Like I feel like, you know, blastling from

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<v Speaker 1>being like LA's best kept secret to being the I mean,

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<v Speaker 1>one of the biggest artists in the country. Yeah. You

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<v Speaker 1>guys just hit number one on two formats at radio.

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<v Speaker 1>Like right, kind of take me back to the beginning, though,

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<v Speaker 1>How did you get involved with Blasts? Because, like I said,

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<v Speaker 1>he's been around for like people act like he's like

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<v Speaker 1>a new artist, but he's really not. You've been around

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<v Speaker 1>for a minute. I mean me, honestly, I didn't know

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<v Speaker 1>Blast when like until like twenty seventeen because I was

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<v Speaker 1>in college. I went to University of Washington, So I

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<v Speaker 1>moved to Seattle and going to Grass Yeah, and then

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<v Speaker 1>I played football there and then I ended up going

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<v Speaker 1>to grad school in southern Illinois. I went to Illinois

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<v Speaker 1>after that. She was gone for like six years, a

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<v Speaker 1>lot of school. What were you going to school for?

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<v Speaker 1>So I got a bachelor's and journalism advertising, and I

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<v Speaker 1>got a bachelor's of psychology, and then I went to

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<v Speaker 1>grad school for PR and media development. So your a

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<v Speaker 1>culmination and all that, and you're just the one stop

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<v Speaker 1>shop if I need a shrink and a PR guy. Exactly,

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<v Speaker 1>exactly exactly, But yeah, I mean when I moved back

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<v Speaker 1>home from college, I started working for Bennie Boom and

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<v Speaker 1>then I was working at their production studio and coach

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<v Speaker 1>svery video director. So I had really started working like

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<v Speaker 1>on the post production part of the Tupac movie. So

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<v Speaker 1>I was doing a lot of like merchandise design product

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<v Speaker 1>development for them. I was like that's what I was

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<v Speaker 1>like doing internships for in college, and it really just

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<v Speaker 1>kind of like transitioning in and doing a bunch of

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<v Speaker 1>stuff in the company and they ended up letting me

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<v Speaker 1>after I worked with This was stuff for Dame Dash too,

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<v Speaker 1>like Damn Dash Studios because we're doing like the back

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<v Speaker 1>in all the internet digital distribution, So doing merchandise production

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<v Speaker 1>with him too, with like the CEO brand of wine

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<v Speaker 1>and a whiskey. But he was just over there a

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<v Speaker 1>couple of weeks ago. Yeah, he was, uh, he was

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<v Speaker 1>jamming out and we were on shrooms and okay, that's crazy.

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<v Speaker 1>It was. I mean it was he took rooms with

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<v Speaker 1>Dame Dash. Yes, that's wow. It was. He was like,

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<v Speaker 1>I was like, of course, let's go yeah, and that's

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<v Speaker 1>you did the podcast on Trump, Yes, thousand percent. I

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<v Speaker 1>gotta go back and watch that again because I'm like,

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<v Speaker 1>that's different one million per at the end that kind

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<v Speaker 1>of alluded to it, and he was like, yeah, I

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<v Speaker 1>don't say it, you know, because this is technically illegal.

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<v Speaker 1>I was like, well, look, I took trooms. You don't

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<v Speaker 1>know what he did. Yeah. I mean, so with the

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<v Speaker 1>after the Damn Dash situation, I pretty much took over

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<v Speaker 1>the product merchandising department at their production company, Dames Booms yep.

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<v Speaker 1>And so I'm convinced them to let me like take

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<v Speaker 1>over the studio and like manager studio on the facility.

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<v Speaker 1>It was already like a podcast room, but me and

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<v Speaker 1>my boy was already intern in there. So I'm like,

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<v Speaker 1>let's just had them built the studio and put the

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<v Speaker 1>actual equipment in here for us to like rent it up,

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<v Speaker 1>so they shot us to live and let us do that.

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<v Speaker 1>And then pretty much I was doing like consultations with

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<v Speaker 1>independent artists on teaching them how to monetize content and

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<v Speaker 1>teaching them like digital distribution platforms and how to do it,

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<v Speaker 1>at what time to do it, how to like pretty

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<v Speaker 1>much beat the algorithm as an independent artist. So I

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<v Speaker 1>was charging for that. Then I added on the studio

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<v Speaker 1>services to that, and so eventually I'm at Blast and

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<v Speaker 1>Jason Cash on the same day actually shout out to

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<v Speaker 1>both of them. He had shout out to both of them,

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<v Speaker 1>so they both pulled up to the studio with the

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<v Speaker 1>actor that played Tupac Demetrios Ship yep yep so Ship.

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<v Speaker 1>He plays the piano as well, So there was pretty

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<v Speaker 1>much all just coming up to use the studio to

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<v Speaker 1>start making music. So I got introduced to all, well,

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<v Speaker 1>both of those two at the same time, and then

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<v Speaker 1>really I took a lik into both day music. To

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<v Speaker 1>be honest with you, but Blast was the one actually

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<v Speaker 1>consistently renting the studio off from me, and so, like

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<v Speaker 1>you know, Blast is pretty much like a man of

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<v Speaker 1>little words. So one day I just knocked on the door.

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<v Speaker 1>It was like, bro, you were into the studio for

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<v Speaker 1>me like five times and they said shit, like what

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<v Speaker 1>are you doing in here? So you playing me music?

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<v Speaker 1>He played me Savage first and I was like, without

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<v Speaker 1>being no, that's before I even Nu bo So played me. That,

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<v Speaker 1>played me a couple other songs, played me some videos.

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<v Speaker 1>So I started asking questions like who produced it? He

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<v Speaker 1>is like me, and every answer was me. Every answer

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<v Speaker 1>is me, from production, graphic design, post production, on the video, merchandise,

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<v Speaker 1>whole vision. I'm like fuck, I'm like, but why are

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<v Speaker 1>you in the why are you in this grade space?

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<v Speaker 1>Like what is it that you actually missing? And then

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<v Speaker 1>so we just started having conversations and I was just like, well,

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<v Speaker 1>this is what I do, this is what I went

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<v Speaker 1>to school for. I'll do it for free for you

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<v Speaker 1>just to see if you like what it is that

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<v Speaker 1>I'm actually trying to teach, and then if it worked,

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<v Speaker 1>let's just keep applying it. So I just started off

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<v Speaker 1>doing like marketing, marketing campaigns, rollouts like hand and hand

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<v Speaker 1>stuff with consumers end up taking over the merchandise. And

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<v Speaker 1>then we just kept working, helping on videos, helping doing

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<v Speaker 1>creative and then one day we went to the studio,

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<v Speaker 1>it just like it should be my manager, like just randomly. Uh.

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<v Speaker 1>And it was just prior to the first six tape. Yeah, yeah, yeah,

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<v Speaker 1>so it's all prior to the first six tape. This

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<v Speaker 1>is probably like six months before that. So yeah, so

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<v Speaker 1>I was working with him for a whole year and

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<v Speaker 1>some change before I even became as manager. So yeah,

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<v Speaker 1>you know, it was just like the dedication and the

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<v Speaker 1>day to day grind. We was together every day. We're

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<v Speaker 1>just starting to be together every day. And then it

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<v Speaker 1>was in a lot of like having a lot of

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<v Speaker 1>business conversations and then yeahs you know, his musical talent,

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<v Speaker 1>and then at it with our natural business acumen, and

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<v Speaker 1>then like the shit I went to school for and

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<v Speaker 1>studying all that type of stuff came together and it

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<v Speaker 1>was like making southern vinegar. Yo. It's crazy because like

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<v Speaker 1>you went to school for all of so much different things. Yeah,

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<v Speaker 1>I'm sure a lot of that you ended up applying

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<v Speaker 1>to what you're doing now, for sure, because a lot

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<v Speaker 1>of people are like, well, you know, if you want

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<v Speaker 1>to be in the music industry, you really don't got

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<v Speaker 1>to go to school. But like I feel like a

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<v Speaker 1>lot of people who do go to school, it ends

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<v Speaker 1>up helping them out. Yeah, there's so much you can

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<v Speaker 1>apply to any sort of situation. I'm sure the psychology

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<v Speaker 1>part first is just like just understanding people and understanding

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<v Speaker 1>how to move in different rooms and just understand how

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<v Speaker 1>to switch faces being in different places, whether it's in

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<v Speaker 1>the streets, whether it's in the boardroom, whether it's in

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<v Speaker 1>a classroom. So that that really helped me out a lot,

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<v Speaker 1>just being able to speak the language of a lot

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<v Speaker 1>of different people. Journalism perspective, like just getting like write

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<v Speaker 1>ups and shit done early on one seat and understanding

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<v Speaker 1>how to put that in format and then shit the

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<v Speaker 1>pr part to speak for cour like I just understood

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<v Speaker 1>at the back end of marketing. So and that was

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<v Speaker 1>around the time where Instagram started to actually develop an

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<v Speaker 1>algorithm when I was in college, so it wasn't really

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<v Speaker 1>a algorithm yet, but that was what they were teaching

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<v Speaker 1>us in class. So it was like I was just

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<v Speaker 1>learning it so fast early on, not knowing that the

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<v Speaker 1>music shit was gonna be able to be applied to it.

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<v Speaker 1>You mentioned Blast being in like kind of a grade

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<v Speaker 1>space prior, which I feel like a lot of artists

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<v Speaker 1>that we both might know, or there's a lot of

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<v Speaker 1>artists out there that are really talented that might be

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<v Speaker 1>kind of wrapped up in that great space. What is

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<v Speaker 1>like advice you would give to somebody who has all

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<v Speaker 1>of the tools necessary to make this shit work but

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<v Speaker 1>just really can't get over the hump. Maybe should build

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<v Speaker 1>a great team, because I mean, it's not just me

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<v Speaker 1>and Blast, like of course crazy just say it's just

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<v Speaker 1>me and Blast, Like we still got four employees on

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<v Speaker 1>full payroll. Well early on it was just you two though,

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<v Speaker 1>well early on it was just us two. I mean

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<v Speaker 1>we had videographer, you know what I'm saying, so that

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<v Speaker 1>he was trailing us and then taking all the pictures

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<v Speaker 1>and all the bts. Right, but I think right after

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<v Speaker 1>probably like a little bit after that first six tape,

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<v Speaker 1>that's when we actually nah, actually during the first six tape,

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<v Speaker 1>that's when we started hiring people. So he made like

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<v Speaker 1>our first hire. Her name is Alison, so she's our

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<v Speaker 1>general manager and she's a Blast tour manager too. So

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<v Speaker 1>but same time, everybody is like super qualified, Like Allison

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<v Speaker 1>went to school and got a degree in music business

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<v Speaker 1>and audio engineering, so she qualified to have these audio

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<v Speaker 1>conversations on stage as a tour manager. And then she's

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<v Speaker 1>also qualified to you know how those first conversations run

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<v Speaker 1>the email, be the first responder when it's talking about

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<v Speaker 1>actual business logistics. So you know that's that's really like

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<v Speaker 1>a constant thing throughout the whole company, Like everybody is

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<v Speaker 1>highly qualified for the job they do. But I would

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<v Speaker 1>say the same thing for an artist. I cent that position,

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<v Speaker 1>Like I mean, obviously I don't. I'm really a proponent

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<v Speaker 1>of like you don't really need a manager to you

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<v Speaker 1>got some shit to manage, you know what I'm saying,

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<v Speaker 1>Like if you're not overwhelmed with shit, you really need

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<v Speaker 1>your manager at that point, you know what I mean,

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<v Speaker 1>You just really need somebody to actually help you probably

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<v Speaker 1>funnel your ideas and actually like get to the point

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<v Speaker 1>because you can only be one place at one time.

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<v Speaker 1>So if you want to be in the studio, you

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<v Speaker 1>may need somebody to help you make the merch, do

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<v Speaker 1>the creative on that. Because Blast is really an anomaly

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<v Speaker 1>when it comes to doing all that shit. I really

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<v Speaker 1>just like, yeah, it's really just him, and like I mean,

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<v Speaker 1>Russ I guess was similar, but I mean I don't

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<v Speaker 1>think the creator Tyler, But yeah, I mean just like

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<v Speaker 1>in terms of like engineering yourself. Yeah, but I don't

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<v Speaker 1>even think they knew graphics though. I was gonna say

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<v Speaker 1>the one thing I'm not sure Russ is making his own.

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<v Speaker 1>I don't think it's photo shopping. Bro. We went on

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<v Speaker 1>tour for this, this tour in September. First city was Seattle,

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<v Speaker 1>so you know they got show graphics and ship on

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<v Speaker 1>the So Blast was like, I'm not happy with the

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<v Speaker 1>graphic that like the graphic designer delivering me. So I'm

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<v Speaker 1>just about to chill today. Literally spent fourteen hours in

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<v Speaker 1>the hotel making his whole show graphic for the concert. Wow.

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<v Speaker 1>So it's like an hour and a half reel of

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<v Speaker 1>a whole bunch of shit going. But he created him,

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<v Speaker 1>what's going on behind him while he's performing. He made

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<v Speaker 1>all that shit. So it's just like for me, you know,

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<v Speaker 1>it's like a cheat code. At the end of the day,

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<v Speaker 1>it's like, you don't really got to outsource that much.

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<v Speaker 1>You saved money. Facts is the definition of vertical integration.

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<v Speaker 1>Like all money in for sure, you really don't got

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<v Speaker 1>to spend. I mean, our marketing budgets be so low

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<v Speaker 1>just because we don't got to outsource for engineers. We

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<v Speaker 1>don't got to outsource for graphic artists motion graphic artists.

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<v Speaker 1>So it just gives us a lot of time to work,

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<v Speaker 1>work with capital and actually distributed how we want to,

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<v Speaker 1>oppose to being like we're being spread in because we

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<v Speaker 1>got to pay all these people to do a job. Yeah.

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<v Speaker 1>I think it's I mean, it's a it's a nice

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<v Speaker 1>convenient thing to have in your pocket because most artists

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<v Speaker 1>everything has a bill for a recoupable bill. Yeah. Cool.

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<v Speaker 1>So that thing going on mind blast Head. You know,

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<v Speaker 1>most artist probably placed it with fifteen hundred dollars or

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<v Speaker 1>something like. That's like fifteen thousand. That's fucking crazy. It's crazy.

0:10:26.800 --> 0:10:29.480
<v Speaker 1>People are getting over on motherfuckers out here. Definitely, that's

0:10:29.520 --> 0:10:31.600
<v Speaker 1>a lot of money. But it's shit that Ted's work.

0:10:31.600 --> 0:10:32.920
<v Speaker 1>People don't want to do, so they'd be like, I

0:10:33.040 --> 0:10:34.680
<v Speaker 1>want to whoop you over the head for it, Yo,

0:10:34.880 --> 0:10:39.560
<v Speaker 1>that's crazy. And so when you guys, obviously, you know,

0:10:39.600 --> 0:10:42.800
<v Speaker 1>I feel like there was like a real, real organic

0:10:42.840 --> 0:10:45.920
<v Speaker 1>buzz about Blast, Like I had heard about Blast before

0:10:46.000 --> 0:10:47.960
<v Speaker 1>six tape because you know, obviously did this show ahead.

0:10:47.960 --> 0:10:51.800
<v Speaker 1>And Head's been a huge proponent of blasts since forever

0:10:51.880 --> 0:10:54.959
<v Speaker 1>him and Salas, and so I was kind of already

0:10:55.040 --> 0:10:58.200
<v Speaker 1>hip to like, you know, his talents, and you know

0:10:58.400 --> 0:10:59.720
<v Speaker 1>Ed was like, yo, you don't think this dude does

0:10:59.760 --> 0:11:05.959
<v Speaker 1>it all makes the beat cords himself. And so I

0:11:06.000 --> 0:11:09.480
<v Speaker 1>remember when six Tape first came out talking to my

0:11:09.480 --> 0:11:12.720
<v Speaker 1>guy Buys who was working Bino over at Depth Jam,

0:11:13.280 --> 0:11:15.400
<v Speaker 1>and like everyone was like yo, Bino. I mean, obviously

0:11:15.400 --> 0:11:17.720
<v Speaker 1>I love Bino, but everyone was like yo, But the

0:11:17.760 --> 0:11:20.400
<v Speaker 1>Blast guy is also like that guy too, like you

0:11:20.440 --> 0:11:23.079
<v Speaker 1>know what I'm saying. And I think that that was

0:11:23.160 --> 0:11:24.680
<v Speaker 1>kind of the beginning. I feel like we're like a

0:11:24.679 --> 0:11:27.560
<v Speaker 1>lot of discussions are being had, but like what what

0:11:27.840 --> 0:11:30.160
<v Speaker 1>I feel like you guys probably actually I kind of

0:11:30.200 --> 0:11:32.360
<v Speaker 1>know inside information that you guys had a lot of

0:11:32.360 --> 0:11:36.240
<v Speaker 1>situations on the table. What was it about red Bull music?

0:11:36.800 --> 0:11:39.160
<v Speaker 1>Because that caught a lot of people off guard? What

0:11:39.200 --> 0:11:41.080
<v Speaker 1>was it about the red Bull situation that you guys

0:11:41.080 --> 0:11:44.000
<v Speaker 1>were like, this fits because it obviously worked. It was

0:11:44.040 --> 0:11:45.880
<v Speaker 1>the first time. You guys are the first people to

0:11:45.880 --> 0:11:49.240
<v Speaker 1>make that work in a hip hop space for sure. Sure,

0:11:50.440 --> 0:11:52.280
<v Speaker 1>it was a culmination of a couple of things, right,

0:11:52.400 --> 0:11:55.120
<v Speaker 1>Like we understood what we wanted from a business aspect,

0:11:55.800 --> 0:11:57.840
<v Speaker 1>like if you look at Egle, you could take like

0:11:58.679 --> 0:12:05.560
<v Speaker 1>all money in OLP A TD and somebody's formula like

0:12:05.600 --> 0:12:08.480
<v Speaker 1>a E forty and just combined all those together and

0:12:08.520 --> 0:12:11.360
<v Speaker 1>we just understood like one ownership because Blast was a

0:12:11.360 --> 0:12:14.280
<v Speaker 1>producer as well, so we were already doing so much

0:12:14.320 --> 0:12:16.840
<v Speaker 1>money in merch and he was already doing enough money

0:12:16.920 --> 0:12:20.120
<v Speaker 1>on Distro Kid from his production catalog and his artist

0:12:20.160 --> 0:12:22.920
<v Speaker 1>catalog that it was like, we ain't got to take

0:12:23.040 --> 0:12:25.760
<v Speaker 1>twenty thousand dollars right now because the nigga can make

0:12:25.800 --> 0:12:28.080
<v Speaker 1>twenty thousand dollars in a month just off his natural

0:12:28.120 --> 0:12:31.000
<v Speaker 1>services that he does as a creator. So that was

0:12:31.000 --> 0:12:33.959
<v Speaker 1>how we first stepped in the room too. Like I said,

0:12:34.000 --> 0:12:36.280
<v Speaker 1>like most people don't expect somebody to come in there

0:12:36.280 --> 0:12:38.640
<v Speaker 1>and have an educational conversation, like especially like a young

0:12:38.679 --> 0:12:41.280
<v Speaker 1>black dude that's under thirty and that's never worked in

0:12:41.360 --> 0:12:43.680
<v Speaker 1>music beforecause I never worked in music before Blast, So

0:12:43.880 --> 0:12:47.280
<v Speaker 1>me having these conversations were like super raw anyway, But

0:12:47.800 --> 0:12:49.600
<v Speaker 1>shout out to our lawyer. Our lawyer is twenty nine

0:12:49.600 --> 0:12:53.240
<v Speaker 1>to two, and so he professor at Drexel University, got

0:12:53.240 --> 0:12:56.640
<v Speaker 1>a sports firm, got his own law firm, all that shit.

0:12:56.800 --> 0:12:58.079
<v Speaker 1>Can we get Can we get the lawyers? Can we

0:12:58.080 --> 0:13:01.400
<v Speaker 1>get a name drop on the lawyer? Folks, Folks shout

0:13:01.440 --> 0:13:03.880
<v Speaker 1>out to the lawyer. So I mean, just with us

0:13:03.920 --> 0:13:06.640
<v Speaker 1>three walking in the building together, it's kind of like

0:13:06.679 --> 0:13:08.480
<v Speaker 1>you really cross all the t's and dot all the

0:13:08.559 --> 0:13:10.400
<v Speaker 1>i's with that, because it's like you got your legal

0:13:10.440 --> 0:13:14.160
<v Speaker 1>assistance right there. Then you got me who actually understands

0:13:14.160 --> 0:13:17.040
<v Speaker 1>like business structure, business development. And then we came with

0:13:17.120 --> 0:13:19.920
<v Speaker 1>an actual staff, with an actual vision, with a brand

0:13:20.040 --> 0:13:23.319
<v Speaker 1>with color schemes, with already visuals put out. So I

0:13:23.360 --> 0:13:25.560
<v Speaker 1>already know when you come to the table with that much,

0:13:26.440 --> 0:13:28.360
<v Speaker 1>it's really not much you can really give us in

0:13:28.400 --> 0:13:30.560
<v Speaker 1>that space. It's more so just like what you can

0:13:30.600 --> 0:13:32.720
<v Speaker 1>throw with gas, you could throw in the flame that's

0:13:32.720 --> 0:13:35.480
<v Speaker 1>already kind of like heating up. But overall, I just

0:13:35.559 --> 0:13:38.640
<v Speaker 1>understood Red Bulls are privately owned company, so they're like

0:13:38.640 --> 0:13:40.679
<v Speaker 1>they're not on the stock market, which means that if

0:13:40.720 --> 0:13:43.120
<v Speaker 1>they grossing four billion dollars a year, that mean they're

0:13:43.160 --> 0:13:47.280
<v Speaker 1>doing something right. But lastly, I did my my senior

0:13:47.320 --> 0:13:49.880
<v Speaker 1>dissertation on Red Bull because I wrote my paper on

0:13:50.080 --> 0:13:53.920
<v Speaker 1>vertical integration and real bull is a marketing company to

0:13:53.960 --> 0:13:56.319
<v Speaker 1>start off, it wasn't an energy drink. So that's where

0:13:56.360 --> 0:13:59.000
<v Speaker 1>you see all these advertisements, all these events and all

0:13:59.000 --> 0:14:00.680
<v Speaker 1>that type of stuff just source from them being a

0:14:00.720 --> 0:14:04.320
<v Speaker 1>marketing company. So me writing that paper already understood too,

0:14:04.440 --> 0:14:08.280
<v Speaker 1>Like we can make so much money that's non recoupable.

0:14:09.120 --> 0:14:12.320
<v Speaker 1>That is like we'll make more money and non recoupable

0:14:12.320 --> 0:14:15.560
<v Speaker 1>funds than advances just because Real Bull got so much stuff,

0:14:15.600 --> 0:14:19.920
<v Speaker 1>i e. The f ones, the events, the extreme sports game,

0:14:19.960 --> 0:14:25.560
<v Speaker 1>the skydiving airplane shit. So we get so much money

0:14:25.600 --> 0:14:29.880
<v Speaker 1>off of sync plays from internal re Bull sources that

0:14:29.920 --> 0:14:31.800
<v Speaker 1>it's like we can make so much money and just

0:14:31.880 --> 0:14:36.160
<v Speaker 1>keep recouping every advance by just defering the appearance fees

0:14:36.200 --> 0:14:39.280
<v Speaker 1>were getting. So the way that we can cru like

0:14:39.320 --> 0:14:41.960
<v Speaker 1>cross collateralizing most of the time is like negative because

0:14:41.960 --> 0:14:44.640
<v Speaker 1>it's like most people going the hole from cross collateralized

0:14:44.640 --> 0:14:46.920
<v Speaker 1>and whether it be like a producer cross collateralized with

0:14:46.920 --> 0:14:49.880
<v Speaker 1>an artist or however it goes. But in this sense,

0:14:50.520 --> 0:14:54.040
<v Speaker 1>we crossing over between reil Bull Music, Real Bull Culture Team,

0:14:54.160 --> 0:14:56.160
<v Speaker 1>reil Bull Extreme Sports, and we're going through all these

0:14:56.160 --> 0:14:58.600
<v Speaker 1>different fastest of rel Bull and we get money with

0:14:58.640 --> 0:15:00.920
<v Speaker 1>these different divisions. But all the different paces, got their

0:15:00.920 --> 0:15:03.560
<v Speaker 1>own CEOs. You know what I'm saying, all their own

0:15:03.600 --> 0:15:05.520
<v Speaker 1>different branches are real, bull, All this shit is not

0:15:05.600 --> 0:15:08.560
<v Speaker 1>under one. So you know, just with breaking the artists

0:15:08.600 --> 0:15:11.560
<v Speaker 1>and understanding creativity and understanding that Blast was like a

0:15:11.560 --> 0:15:14.920
<v Speaker 1>super creative artist on top of everything, I was just like, bro,

0:15:15.000 --> 0:15:17.000
<v Speaker 1>you really need to go somewhere where somebody can like

0:15:17.000 --> 0:15:19.600
<v Speaker 1>tap into your talents and actually bring your talents out,

0:15:19.680 --> 0:15:22.040
<v Speaker 1>Like have you designed some shit for the effluent Speedway

0:15:22.360 --> 0:15:23.960
<v Speaker 1>to where that shit gets featured and then you get

0:15:23.960 --> 0:15:27.000
<v Speaker 1>a royalty off all this merched that so worldwide. So

0:15:27.560 --> 0:15:30.520
<v Speaker 1>just that type of thing. So because when we think

0:15:30.560 --> 0:15:33.920
<v Speaker 1>of like the traditional record deal, right, like most artists

0:15:34.000 --> 0:15:36.040
<v Speaker 1>would come off the street, take a cute as big

0:15:36.040 --> 0:15:37.720
<v Speaker 1>of an advance as they can get, right, but then

0:15:38.440 --> 0:15:40.320
<v Speaker 1>you know, two years later they complain they've never seen

0:15:40.360 --> 0:15:42.680
<v Speaker 1>a check off of music because you've never recouped. Right,

0:15:43.080 --> 0:15:45.800
<v Speaker 1>So when you guys went to Red Bull, you figured

0:15:45.800 --> 0:15:48.440
<v Speaker 1>out kind of a life hack. If we go to

0:15:48.520 --> 0:15:50.680
<v Speaker 1>Red Bull, we can get so much money within Red

0:15:50.680 --> 0:15:52.720
<v Speaker 1>Bull that we don't have to really ever worry about.

0:15:53.200 --> 0:15:54.880
<v Speaker 1>And you know, I take a crazy advance in front

0:15:54.880 --> 0:15:56.840
<v Speaker 1>because you know, like like you said you were in

0:15:56.840 --> 0:15:58.440
<v Speaker 1>a position where he was making so much money off

0:15:58.440 --> 0:16:00.920
<v Speaker 1>this stro kid, and you know a lot of people

0:16:01.000 --> 0:16:03.760
<v Speaker 1>go for that first, they want the bigger advance. But

0:16:03.800 --> 0:16:07.400
<v Speaker 1>it's like, if you don't need the advance, whitic it? Honestly, bro,

0:16:07.440 --> 0:16:09.920
<v Speaker 1>It's just like it's a precedent. We all to say

0:16:09.920 --> 0:16:13.360
<v Speaker 1>it for real, for real, because I mean it's saying

0:16:13.400 --> 0:16:15.360
<v Speaker 1>it's deeper than rap. It's kind of cliche, but it's

0:16:15.360 --> 0:16:17.280
<v Speaker 1>really deeper than rap though, you know, because we already

0:16:17.280 --> 0:16:20.120
<v Speaker 1>just seen the people go be superstars, but they have

0:16:20.240 --> 0:16:22.080
<v Speaker 1>nothing at the end, you know. I mean, Mik Mill

0:16:22.240 --> 0:16:24.040
<v Speaker 1>just complained about this. I mean a lot of people

0:16:24.080 --> 0:16:25.800
<v Speaker 1>who we look at like not one hundred percent, A

0:16:25.800 --> 0:16:28.360
<v Speaker 1>lot of our favorite people are like aren't seeing money

0:16:28.360 --> 0:16:31.440
<v Speaker 1>off their exactly, they got to stretch that check, but

0:16:31.480 --> 0:16:33.680
<v Speaker 1>which is why they dan be killing theyself while we're

0:16:33.680 --> 0:16:35.560
<v Speaker 1>doing so many shows and being on the road so

0:16:35.640 --> 0:16:37.520
<v Speaker 1>much to see that upfront tickets hill, you know what

0:16:37.560 --> 0:16:41.480
<v Speaker 1>I mean. So it's just like I already knew you

0:16:41.520 --> 0:16:43.640
<v Speaker 1>don't want to stretch yourself out with anything you do.

0:16:43.920 --> 0:16:46.720
<v Speaker 1>So however, you can create fillers in between the times

0:16:46.720 --> 0:16:49.640
<v Speaker 1>that you want to take breaks throughout creativity. Okay, what

0:16:49.760 --> 0:16:51.360
<v Speaker 1>is the best avenue to be able to do that?

0:16:51.720 --> 0:16:54.680
<v Speaker 1>So not having to take a crazy advance but still

0:16:54.680 --> 0:16:58.040
<v Speaker 1>being able to make six figures plus just on outside

0:16:58.200 --> 0:17:01.080
<v Speaker 1>entities within the company is like, Oh, that's guaranteed checks

0:17:01.080 --> 0:17:03.360
<v Speaker 1>I'm gonna get just because I'm doing business with the

0:17:03.360 --> 0:17:05.840
<v Speaker 1>companies and their best favor to make me happy and

0:17:05.960 --> 0:17:08.879
<v Speaker 1>vice versa. So you know, it's just I think that

0:17:09.359 --> 0:17:11.919
<v Speaker 1>I thought the people are real bull when we signed,

0:17:11.960 --> 0:17:14.120
<v Speaker 1>I was like, really, pretty much, this is us being

0:17:14.119 --> 0:17:16.840
<v Speaker 1>the cool kids coming to sit with the nerves and

0:17:16.880 --> 0:17:19.639
<v Speaker 1>making the nerves popular. And I'm like, but it's mutually

0:17:19.680 --> 0:17:21.919
<v Speaker 1>beneficial because the nerves got the answers to all the tests.

0:17:22.200 --> 0:17:24.359
<v Speaker 1>So I'm like, I'm not tripping off kicking it with

0:17:24.359 --> 0:17:27.359
<v Speaker 1>the nerves because I see the mutual beneficiary part of

0:17:27.400 --> 0:17:29.560
<v Speaker 1>the whole thing. Also too, I think you guys are

0:17:29.560 --> 0:17:31.840
<v Speaker 1>in a great position too, where it's like Red Bulls.

0:17:32.359 --> 0:17:35.560
<v Speaker 1>I'm sure their music division doesn't have to make money

0:17:36.280 --> 0:17:38.640
<v Speaker 1>because they have so much other shit going on. Yeah,

0:17:38.680 --> 0:17:41.639
<v Speaker 1>I mean, it's stand there like a guinea pig they started,

0:17:41.880 --> 0:17:43.400
<v Speaker 1>you know what I mean. Like, it's like it's like

0:17:43.880 --> 0:17:45.720
<v Speaker 1>when we think of Red bull like the eleven thing

0:17:45.800 --> 0:17:47.520
<v Speaker 1>we probably think about is the fact that they put

0:17:47.600 --> 0:17:49.760
<v Speaker 1>music out too. Yeah, but I mean just to know

0:17:49.960 --> 0:17:52.000
<v Speaker 1>they got rock bands going platinum on it, I didn't

0:17:52.040 --> 0:17:53.840
<v Speaker 1>know that. I didn't know that. Yes, It's like they

0:17:53.880 --> 0:17:55.760
<v Speaker 1>got a band called bear Tooth and they got these

0:17:55.760 --> 0:17:59.040
<v Speaker 1>girls called the Aces, Like they both go crazy. They

0:17:59.080 --> 0:18:03.280
<v Speaker 1>sell out crazy product, crazy merchandising like them type of deals.

0:18:04.000 --> 0:18:06.560
<v Speaker 1>It's like, really, what like entices me? Because I already know, bro,

0:18:06.600 --> 0:18:08.720
<v Speaker 1>you don't really you make pennies on the dollar on music,

0:18:08.760 --> 0:18:11.400
<v Speaker 1>you feel me, even if you got a very favorable deal.

0:18:11.840 --> 0:18:14.000
<v Speaker 1>It's just like streams just don't pay you that much

0:18:14.040 --> 0:18:15.359
<v Speaker 1>for you to sit there and be like I can

0:18:15.400 --> 0:18:17.639
<v Speaker 1>make all my money off that. So it's like I

0:18:17.680 --> 0:18:21.160
<v Speaker 1>believe in physical product and actually, you know, branching out

0:18:21.200 --> 0:18:23.320
<v Speaker 1>and investing its actual money we got going on and

0:18:23.320 --> 0:18:25.840
<v Speaker 1>different shit that's gonna make it's way more money. So

0:18:26.920 --> 0:18:29.560
<v Speaker 1>grand scheme of things just like, yeah, we just decided

0:18:29.600 --> 0:18:32.280
<v Speaker 1>to take the steps over the elevator for real, because

0:18:32.280 --> 0:18:34.840
<v Speaker 1>we could have jumped it so many times. We had crazy,

0:18:34.960 --> 0:18:38.639
<v Speaker 1>outlandish offers on the table, you know, but it's just

0:18:38.680 --> 0:18:40.320
<v Speaker 1>like shit, you know, we know what we want and

0:18:40.440 --> 0:18:42.240
<v Speaker 1>we know how we want to move, and we understand

0:18:42.280 --> 0:18:44.639
<v Speaker 1>it's like, okay, the same amount of money if we

0:18:44.640 --> 0:18:47.600
<v Speaker 1>get this lump sum. We understand music math. And I

0:18:47.600 --> 0:18:49.520
<v Speaker 1>think that's a big problem, Like a lot of people

0:18:49.560 --> 0:18:52.800
<v Speaker 1>don't understand music math and how that actually works. Cause

0:18:52.800 --> 0:18:54.440
<v Speaker 1>it's like, even if you got a fifty to fifty deal,

0:18:54.440 --> 0:18:57.639
<v Speaker 1>you got to make double what you got given to

0:18:57.720 --> 0:19:00.240
<v Speaker 1>even make your recoupment back. So it's like, and that's

0:19:00.240 --> 0:19:01.919
<v Speaker 1>a fifty fifties. I think if you got less than

0:19:01.960 --> 0:19:05.080
<v Speaker 1>fifty percent, you're fucked. You're fucked, you feel me so.

0:19:05.400 --> 0:19:09.080
<v Speaker 1>But having those of small nuances and having that intelligence

0:19:09.119 --> 0:19:11.800
<v Speaker 1>behind that part, I think that helps navigated a lot.

0:19:11.880 --> 0:19:14.119
<v Speaker 1>Just do this talk about music math because I we

0:19:14.119 --> 0:19:15.760
<v Speaker 1>talk about it a lot on the podcast, right. I

0:19:15.800 --> 0:19:17.480
<v Speaker 1>try to tell people like, hey, look, if you take

0:19:17.800 --> 0:19:20.919
<v Speaker 1>let's take one hundred thousand dollars and you have a

0:19:21.359 --> 0:19:26.480
<v Speaker 1>fifty fifties an easy number for you understand, right when

0:19:26.520 --> 0:19:30.080
<v Speaker 1>your money comes in for your music, the money the

0:19:30.119 --> 0:19:33.440
<v Speaker 1>balance that you owe only they're they're advancing you money

0:19:33.480 --> 0:19:36.320
<v Speaker 1>on your half of the of the bread exactly. So

0:19:36.400 --> 0:19:39.320
<v Speaker 1>like you said, you have to make two hundred thousand

0:19:39.320 --> 0:19:43.200
<v Speaker 1>dollars to be to get back right, to get back

0:19:43.240 --> 0:19:45.879
<v Speaker 1>even But the fuck that part is like even though

0:19:45.920 --> 0:19:47.880
<v Speaker 1>you're the major up two hundred thousand back, you don't

0:19:47.880 --> 0:19:49.960
<v Speaker 1>already made them two hundred thousand and two. Yeah, they're

0:19:49.960 --> 0:19:52.480
<v Speaker 1>making really made half a million before you even you

0:19:52.600 --> 0:19:55.639
<v Speaker 1>any anything. So it's just like understand, and then you

0:19:55.680 --> 0:19:58.560
<v Speaker 1>think about taxes, taxes, I mean, and then think about

0:19:58.640 --> 0:20:02.040
<v Speaker 1>most deals. Yeah, a favorable deal would be like getting

0:20:02.080 --> 0:20:04.199
<v Speaker 1>thirteen or fifteen points off your music if you're in

0:20:04.200 --> 0:20:06.960
<v Speaker 1>a major situation. So then then let your mind wrap

0:20:07.000 --> 0:20:10.399
<v Speaker 1>around how much of a fucking shitty situation that is ridiculous.

0:20:10.440 --> 0:20:14.160
<v Speaker 1>It's ridiculous, but you know it's some people just don't

0:20:14.160 --> 0:20:16.800
<v Speaker 1>give a fuck. Yeah, Like you know, me and head

0:20:16.840 --> 0:20:19.280
<v Speaker 1>it during the pandemic, we had yg on and he

0:20:19.359 --> 0:20:22.480
<v Speaker 1>said he had never seen a deaf jam check like

0:20:22.600 --> 0:20:24.760
<v Speaker 1>off of his music. Like he said this during an interview.

0:20:25.520 --> 0:20:27.439
<v Speaker 1>I'm not speaking on anything that he's I've seen it.

0:20:27.480 --> 0:20:30.000
<v Speaker 1>I've seen it for sure, and it's like, yeah, well,

0:20:30.040 --> 0:20:32.439
<v Speaker 1>you know, at the end of the day, like you

0:20:32.480 --> 0:20:35.000
<v Speaker 1>take that that that every time you drop an album,

0:20:35.160 --> 0:20:38.639
<v Speaker 1>if it's a check associated with that, like you know,

0:20:38.840 --> 0:20:40.560
<v Speaker 1>that's the money you takeing up front. I mean I

0:20:40.600 --> 0:20:43.639
<v Speaker 1>had an artist asked me yesterday, like how do I

0:20:43.680 --> 0:20:46.960
<v Speaker 1>not be bitter about this stuff? And I was, honestly

0:20:47.040 --> 0:20:48.560
<v Speaker 1>just like you just got to take an ownership of

0:20:48.600 --> 0:20:50.639
<v Speaker 1>where you at with it and where you signed your

0:20:50.680 --> 0:20:52.360
<v Speaker 1>name on a dot line because it's like you can

0:20:52.440 --> 0:20:54.399
<v Speaker 1>you signed the deal right, Like you can kick and

0:20:54.440 --> 0:20:56.359
<v Speaker 1>fight all you want to, but you had an ample

0:20:56.480 --> 0:20:59.000
<v Speaker 1>chance to like review this, take it to whoever else

0:20:59.040 --> 0:21:01.520
<v Speaker 1>you wanted to review it, and he made your decision.

0:21:01.800 --> 0:21:04.960
<v Speaker 1>It's not people don't want the slow steady check. They

0:21:04.960 --> 0:21:07.560
<v Speaker 1>want that upfront nut because they want to get they

0:21:07.640 --> 0:21:10.120
<v Speaker 1>want to be a part of like the smoking mirror shit. Yeah,

0:21:10.119 --> 0:21:12.600
<v Speaker 1>And it's like wouldn't you rather have like fifteen grand

0:21:12.600 --> 0:21:16.399
<v Speaker 1>a month? Bro? But when I figured out, like all

0:21:16.520 --> 0:21:18.040
<v Speaker 1>this shit is smoking mirrors at the end of the

0:21:18.119 --> 0:21:20.760
<v Speaker 1>day because me. I also used to design all the

0:21:20.800 --> 0:21:23.000
<v Speaker 1>clothes for like all the V live ship clubs and shit,

0:21:23.119 --> 0:21:25.080
<v Speaker 1>because I was like a contract they had through Bennie Boom,

0:21:25.240 --> 0:21:28.160
<v Speaker 1>Like really they was getting all the merchandise periods Phoenix

0:21:28.480 --> 0:21:30.199
<v Speaker 1>yep V live in Phoenix one out here. I used

0:21:30.200 --> 0:21:32.480
<v Speaker 1>to make all the shirt hoodies, like all the shit

0:21:32.560 --> 0:21:36.160
<v Speaker 1>for themselves. This was a death trap. So even going

0:21:36.200 --> 0:21:39.080
<v Speaker 1>to v Live, right, I'm noticing like I'm seeing the

0:21:39.160 --> 0:21:41.720
<v Speaker 1>artists who walk throughs and I'm seeing the manager come

0:21:41.720 --> 0:21:45.639
<v Speaker 1>collected back in and they also getting five seven thousand

0:21:45.680 --> 0:21:48.480
<v Speaker 1>of ones though a just complimentary ones that throw back

0:21:48.520 --> 0:21:51.720
<v Speaker 1>to the house. So it's like in Yo min you like, okay,

0:21:51.800 --> 0:21:53.880
<v Speaker 1>you're trying to compete, like they got the street dudes

0:21:53.880 --> 0:21:56.360
<v Speaker 1>competing with the rappers to see who can buy more bottles,

0:21:56.520 --> 0:21:58.400
<v Speaker 1>who could throw more money. When it's like so you're

0:21:58.440 --> 0:22:01.399
<v Speaker 1>saying the back end would include your actual back end,

0:22:01.400 --> 0:22:03.720
<v Speaker 1>and then the club would be like, here's some money

0:22:03.720 --> 0:22:06.040
<v Speaker 1>as well. Exactly, it's just because it's gonna come they

0:22:06.080 --> 0:22:07.719
<v Speaker 1>just say you gotta throw it all though, So it's

0:22:07.720 --> 0:22:09.800
<v Speaker 1>gonna come right back to the house. It's just gonna

0:22:09.920 --> 0:22:12.600
<v Speaker 1>entice everybody else to feel like, oh, such and such

0:22:12.680 --> 0:22:16.320
<v Speaker 1>is in here blowing the bags. Blow a bad y'all

0:22:16.359 --> 0:22:18.440
<v Speaker 1>go buy the bottles, right, So one side is comped

0:22:18.480 --> 0:22:20.280
<v Speaker 1>on the other side, it's like you spending your money.

0:22:20.720 --> 0:22:23.240
<v Speaker 1>So when it comes down to that and understanding like

0:22:23.280 --> 0:22:25.000
<v Speaker 1>tax right off, so all that type of shit, like

0:22:25.040 --> 0:22:27.680
<v Speaker 1>how to write off jewelry, It become a whole different

0:22:27.720 --> 0:22:29.760
<v Speaker 1>ball game when you understand that rather than you just

0:22:29.800 --> 0:22:31.400
<v Speaker 1>being like I just want to spend my cash right

0:22:31.400 --> 0:22:34.720
<v Speaker 1>now for it. Yeah, I think the tax right off

0:22:34.760 --> 0:22:37.439
<v Speaker 1>thing is how do you write off jewelry? Give us

0:22:37.920 --> 0:22:40.520
<v Speaker 1>help us understand that, because yeah, so like this right here,

0:22:41.080 --> 0:22:44.160
<v Speaker 1>like well, one gold is an investment. It's a mineral, true,

0:22:44.320 --> 0:22:46.000
<v Speaker 1>so it can go up in value and it has

0:22:46.119 --> 0:22:51.760
<v Speaker 1>universal trade value. So in the simplest term, it's like

0:22:52.240 --> 0:22:54.880
<v Speaker 1>the government is like, if you're gonna invest in an asset,

0:22:55.280 --> 0:22:58.840
<v Speaker 1>whether it's property or there's jewelry, then you can write

0:22:58.920 --> 0:23:00.840
<v Speaker 1>that off because you based you're saying, this is a

0:23:00.880 --> 0:23:02.760
<v Speaker 1>future investment for me to be able to do something

0:23:02.800 --> 0:23:06.480
<v Speaker 1>with it, and as far as dependent, it has my

0:23:07.280 --> 0:23:09.240
<v Speaker 1>actual brand on there. I'm my owner of the company.

0:23:09.240 --> 0:23:11.480
<v Speaker 1>I'm on the paperwork, so I'm able to say this

0:23:11.560 --> 0:23:14.000
<v Speaker 1>is a costume fee or promotional fee for my company

0:23:14.000 --> 0:23:15.240
<v Speaker 1>and just be able to write it off at the

0:23:15.280 --> 0:23:18.080
<v Speaker 1>end of the year rather than we spend the upfront cast.

0:23:18.119 --> 0:23:20.960
<v Speaker 1>So let's say technically my tax bill at the end

0:23:20.960 --> 0:23:23.879
<v Speaker 1>of the year, we're thirty thousand. If I spend fifteen

0:23:23.880 --> 0:23:25.760
<v Speaker 1>thousand on this chain, I only got to spend. I

0:23:25.800 --> 0:23:27.639
<v Speaker 1>only got to pay fifteen thousand of that back to

0:23:27.720 --> 0:23:30.440
<v Speaker 1>the government and the other fifteen thousand goes down is

0:23:30.440 --> 0:23:35.160
<v Speaker 1>a write off through jewelry, costume expense all that. So

0:23:35.520 --> 0:23:37.439
<v Speaker 1>it's like the simplest way I guess you could say it.

0:23:38.600 --> 0:23:41.520
<v Speaker 1>And most people who are buying jewelry don't write their shit.

0:23:41.880 --> 0:23:45.119
<v Speaker 1>No they can, they don't appraise it, they don't do nothing,

0:23:45.240 --> 0:23:47.359
<v Speaker 1>you feel me. All that shit is tax defable. So

0:23:48.000 --> 0:23:50.200
<v Speaker 1>just really understanding how to like move around that type

0:23:50.240 --> 0:23:52.200
<v Speaker 1>of spectrum rather than just what are some other things

0:23:52.240 --> 0:23:54.440
<v Speaker 1>like you like like obviously you know for people who

0:23:54.440 --> 0:23:56.399
<v Speaker 1>don't know, like obviously you know, if you're on your

0:23:56.400 --> 0:23:59.679
<v Speaker 1>own LLC or you're you can write off certain meals

0:23:59.720 --> 0:24:02.119
<v Speaker 1>you can, But what are the mills? I think I

0:24:02.119 --> 0:24:04.760
<v Speaker 1>think the biggest thing for like entrepreneurs and business people.

0:24:04.800 --> 0:24:07.639
<v Speaker 1>You can give students college credit. Like we've had like

0:24:07.680 --> 0:24:10.679
<v Speaker 1>two interns that we've given three to five college credits

0:24:10.680 --> 0:24:13.080
<v Speaker 1>based off of a simple curriculum we built submitted to

0:24:13.160 --> 0:24:15.399
<v Speaker 1>do you have to pay them? Nah? I didn't know

0:24:15.400 --> 0:24:17.320
<v Speaker 1>that because I know at heart they had like banned

0:24:17.320 --> 0:24:20.040
<v Speaker 1>interns for a while because there was some lawsuit. Yeah,

0:24:20.080 --> 0:24:22.720
<v Speaker 1>so I mean radio. But see, you know, credits cost

0:24:22.800 --> 0:24:25.119
<v Speaker 1>money in college though, so you've you've given college credits.

0:24:25.119 --> 0:24:27.320
<v Speaker 1>That's basically like saying you've given x amount of money

0:24:27.320 --> 0:24:31.520
<v Speaker 1>to them within the educational delivery. So it's like going

0:24:31.600 --> 0:24:34.400
<v Speaker 1>to we need some interns. Cook for sure, we got

0:24:34.560 --> 0:24:37.000
<v Speaker 1>some credit. Cook. You can hop on once you get

0:24:37.000 --> 0:24:40.200
<v Speaker 1>approved by like the little UC system or whatever private

0:24:40.240 --> 0:24:43.399
<v Speaker 1>college you're going, indeed and put the ship out and

0:24:43.400 --> 0:24:46.240
<v Speaker 1>then people just apply. Indeed, dot Com is a great

0:24:46.280 --> 0:24:49.000
<v Speaker 1>sponsor of the bluet capture. By the way, go to

0:24:49.000 --> 0:24:50.920
<v Speaker 1>a d dot com fort slash credit today and get

0:24:50.920 --> 0:24:54.560
<v Speaker 1>your resume skills tests. Go ahead, there is But yeah,

0:24:54.840 --> 0:24:57.320
<v Speaker 1>I think that's the biggest one, like being able to

0:24:57.400 --> 0:25:00.000
<v Speaker 1>have extra hands ship the ship. Don Kennedy talk about

0:25:00.160 --> 0:25:02.480
<v Speaker 1>like most people probably think OPM is just a label.

0:25:02.840 --> 0:25:04.560
<v Speaker 1>That's a real business term. Like I learned that in

0:25:04.640 --> 0:25:06.800
<v Speaker 1>like business one on one, like one freshman year of college.

0:25:06.840 --> 0:25:09.840
<v Speaker 1>Like OPM that's other people's money. Yeah, using other people's money.

0:25:09.800 --> 0:25:13.240
<v Speaker 1>It's a literal business term, like through credit, through credit lines,

0:25:13.400 --> 0:25:16.160
<v Speaker 1>through loans and just making sure like you're not using

0:25:16.200 --> 0:25:19.200
<v Speaker 1>your own physical cash. Yeah, you're leveraging someone else's money. To,

0:25:19.680 --> 0:25:22.240
<v Speaker 1>you know. See, that's something that I think there's like

0:25:23.440 --> 0:25:27.720
<v Speaker 1>depending on who you talk to, there's mixed perceptions on that. Yeah,

0:25:27.960 --> 0:25:30.000
<v Speaker 1>because there's some people who are like have zero debt

0:25:30.119 --> 0:25:33.280
<v Speaker 1>always if you can't afford it, you know. But then

0:25:33.320 --> 0:25:36.000
<v Speaker 1>there's other there. But most more most people that I

0:25:36.040 --> 0:25:38.440
<v Speaker 1>know like to leverage debt in their favor facts cause

0:25:38.480 --> 0:25:41.160
<v Speaker 1>it's like, I mean, credit is pretty much just your

0:25:41.240 --> 0:25:43.680
<v Speaker 1>history of borrowing money. So at the end of the day,

0:25:43.720 --> 0:25:45.639
<v Speaker 1>the bigger shit you want to buy is the bigger

0:25:45.680 --> 0:25:47.520
<v Speaker 1>record of shit you have to have on your record

0:25:47.560 --> 0:25:50.080
<v Speaker 1>of actually borrowing and paying it back, even if you can,

0:25:50.160 --> 0:25:52.160
<v Speaker 1>even if you've got the money out right, I'm still

0:25:52.240 --> 0:25:54.359
<v Speaker 1>like I can go buy a MacBook right now. I

0:25:54.480 --> 0:25:56.439
<v Speaker 1>just bought a brand new desktop computer. But I just

0:25:57.320 --> 0:25:59.240
<v Speaker 1>financed it just because just so it can just come

0:25:59.240 --> 0:26:01.040
<v Speaker 1>on my account and just add to my credit score

0:26:01.119 --> 0:26:02.840
<v Speaker 1>to show like I'm still paying or something in a

0:26:02.840 --> 0:26:06.119
<v Speaker 1>positive way. So, I mean, it's it's so many like

0:26:06.200 --> 0:26:08.840
<v Speaker 1>life hacks when they come to like finances and financial literacy.

0:26:09.240 --> 0:26:11.960
<v Speaker 1>I think it's just out there just to research it though, Like, yeah,

0:26:11.960 --> 0:26:13.879
<v Speaker 1>I watched so many YouTube videos because like you know,

0:26:14.640 --> 0:26:17.359
<v Speaker 1>especially with the credit thing like I always. I started

0:26:17.359 --> 0:26:18.880
<v Speaker 1>telling a lot of people close to me, like, yo,

0:26:18.960 --> 0:26:22.640
<v Speaker 1>if you can afford to just use your credit card

0:26:22.720 --> 0:26:24.480
<v Speaker 1>for everything, but you have to pay it off this

0:26:24.600 --> 0:26:28.160
<v Speaker 1>year every month, where you're gonna get you know, credit card? Yeah,

0:26:28.440 --> 0:26:31.520
<v Speaker 1>interest rates interest, right, they're horrible. So I'm gonna give

0:26:31.520 --> 0:26:33.919
<v Speaker 1>you another hack though, so said, if you got too

0:26:34.000 --> 0:26:35.720
<v Speaker 1>much money on a credit card, let's you know, they

0:26:35.720 --> 0:26:38.440
<v Speaker 1>give you like twelve or sixteen months free. You can

0:26:38.480 --> 0:26:40.600
<v Speaker 1>do a balance transfer to a brand new credit card

0:26:40.640 --> 0:26:42.360
<v Speaker 1>and transfer your whole balance and get a whole another

0:26:42.400 --> 0:26:44.400
<v Speaker 1>sixteen months on a new credit card with that same

0:26:44.480 --> 0:26:47.440
<v Speaker 1>balance without the interest rate, without the interest rate. Wow.

0:26:48.119 --> 0:26:50.360
<v Speaker 1>So that's what most people really be doing. Like they'll

0:26:50.359 --> 0:26:52.919
<v Speaker 1>open up a credit card with Union Bank, run up

0:26:53.000 --> 0:26:56.040
<v Speaker 1>like ten fifteen thousand until the year hit up, and

0:26:56.119 --> 0:26:57.360
<v Speaker 1>at the end of the year, if they're not ready

0:26:57.359 --> 0:26:59.359
<v Speaker 1>to pay that off, all they're doing is just switching

0:26:59.359 --> 0:27:02.760
<v Speaker 1>that balance over to another bank, and they're giving you

0:27:02.840 --> 0:27:05.199
<v Speaker 1>another sixteen months to be like, oh, I just use

0:27:05.280 --> 0:27:07.080
<v Speaker 1>my credit card for everything and then I just pay

0:27:07.080 --> 0:27:10.000
<v Speaker 1>it down to like two dollars every month. No, I

0:27:10.080 --> 0:27:11.640
<v Speaker 1>do as will because I don't even I don't even

0:27:11.640 --> 0:27:13.239
<v Speaker 1>want to go through because then if you use your

0:27:13.240 --> 0:27:16.240
<v Speaker 1>credit card and some some some some shit happens or

0:27:16.760 --> 0:27:19.040
<v Speaker 1>it's it's you're totally not liable for it, you know,

0:27:19.119 --> 0:27:22.280
<v Speaker 1>Like it's if you use your debit card all the time.

0:27:22.359 --> 0:27:24.280
<v Speaker 1>Let's say you swipe it at the gas station and

0:27:24.359 --> 0:27:28.760
<v Speaker 1>someone fucking takes your ship. That's your actual money that's missing.

0:27:29.200 --> 0:27:31.480
<v Speaker 1>That's your money that's gone. And then now you got

0:27:31.600 --> 0:27:33.280
<v Speaker 1>to wait for the bank to get their shit together.

0:27:33.720 --> 0:27:35.399
<v Speaker 1>That happens with your credit card, You're like, oh, will

0:27:35.440 --> 0:27:37.280
<v Speaker 1>fuck it, I cancel my card. You guys will figure

0:27:37.280 --> 0:27:39.880
<v Speaker 1>that shit out. It's not coming out of my ass. Yeah,

0:27:40.240 --> 0:27:42.439
<v Speaker 1>hey my money. Yeah, but that's a great way to

0:27:42.480 --> 0:27:45.840
<v Speaker 1>like just build your credit, right. It's just yeah, credit

0:27:45.880 --> 0:27:48.679
<v Speaker 1>is I feel like not a lot of like, like

0:27:48.720 --> 0:27:50.960
<v Speaker 1>there's a lot of misconceptions about how people get credit.

0:27:51.480 --> 0:27:53.000
<v Speaker 1>People be like, man, I got to have my phone

0:27:53.040 --> 0:27:56.320
<v Speaker 1>for six years, bro, Like that shit don't matter, do

0:27:56.440 --> 0:27:58.639
<v Speaker 1>not matter. It only matters if you don't pay it.

0:27:58.720 --> 0:28:02.919
<v Speaker 1>Card notes, leases, house notes, real ship. You gotta finance

0:28:02.960 --> 0:28:05.159
<v Speaker 1>credit cards. Everyone should get a credit card. And then

0:28:05.160 --> 0:28:08.280
<v Speaker 1>another thing you can do is you can add like

0:28:08.320 --> 0:28:11.640
<v Speaker 1>if you have kids, you can add your children as

0:28:11.640 --> 0:28:14.080
<v Speaker 1>an authorized user on your credit card to start building

0:28:14.119 --> 0:28:16.959
<v Speaker 1>their mom got me right, My mom taught me all

0:28:17.000 --> 0:28:19.720
<v Speaker 1>this shit, so it was like definitely early on she

0:28:19.840 --> 0:28:22.679
<v Speaker 1>was on my ass about credit card utilization all that

0:28:22.720 --> 0:28:26.880
<v Speaker 1>type of stuff. So forgive me for not knowing this often.

0:28:26.920 --> 0:28:28.320
<v Speaker 1>I know, you guys just really There was a press

0:28:28.359 --> 0:28:30.680
<v Speaker 1>release that just came out recently about what you guys

0:28:30.680 --> 0:28:33.640
<v Speaker 1>are doing next year educa we did an admin deal

0:28:35.200 --> 0:28:37.679
<v Speaker 1>sh right, yeah, we'll want to travel and so we

0:28:37.680 --> 0:28:40.960
<v Speaker 1>pretty we did that with Ryan Press to Ryan Press,

0:28:42.080 --> 0:28:44.520
<v Speaker 1>so but then we also did one for Eagle as well,

0:28:44.680 --> 0:28:48.080
<v Speaker 1>so we got a joint venture a rebel with Ego.

0:28:48.120 --> 0:28:50.200
<v Speaker 1>So we just did the same thing to co publishing

0:28:50.280 --> 0:28:53.160
<v Speaker 1>with Blast and with Eagle as well, because we got

0:28:53.200 --> 0:28:55.120
<v Speaker 1>an artist signed to us as well. So whose artist?

0:28:55.360 --> 0:28:58.200
<v Speaker 1>Jay Million? Okay, yeah, yeah, so I mean he's been

0:28:58.240 --> 0:29:02.000
<v Speaker 1>working with us for a minute, but you know he

0:29:02.080 --> 0:29:06.600
<v Speaker 1>falls under that whole Ego bracket. Year producer do a

0:29:06.640 --> 0:29:08.560
<v Speaker 1>lot of stuff. You're hear his tag. He did half

0:29:08.560 --> 0:29:12.640
<v Speaker 1>the six tape two. The pub thing is interesting too

0:29:12.640 --> 0:29:17.240
<v Speaker 1>because it's also another avenue in which people have traditionally

0:29:17.240 --> 0:29:19.840
<v Speaker 1>gotten over on creatives. Right, do you think about the

0:29:19.920 --> 0:29:23.560
<v Speaker 1>MDRC shit, which is I guess kind of out now.

0:29:23.720 --> 0:29:26.400
<v Speaker 1>I've heard like it's very very frowned upon if like

0:29:26.640 --> 0:29:29.720
<v Speaker 1>a pub company offers you that, because it's very pati predatory. Yeah,

0:29:29.720 --> 0:29:32.360
<v Speaker 1>it's super predatory. I mean, I'm sure they're still in

0:29:32.400 --> 0:29:34.160
<v Speaker 1>this day. Well I'm saying I'm sure people are still

0:29:34.200 --> 0:29:36.320
<v Speaker 1>signing those. But like we think of like what hip

0:29:36.320 --> 0:29:38.680
<v Speaker 1>Boy was talking about recently, you know, and hip Boy

0:29:38.720 --> 0:29:43.200
<v Speaker 1>was in a really bad situation, so I mean, obviously

0:29:43.200 --> 0:29:45.800
<v Speaker 1>you guys took your time with getting a pub situation,

0:29:45.840 --> 0:29:49.840
<v Speaker 1>because yeah, for sure, I mean it just like like

0:29:49.880 --> 0:29:52.440
<v Speaker 1>I said, like we did so much within the merchandise

0:29:52.480 --> 0:29:55.440
<v Speaker 1>in space early on. I know, I bought a bunch

0:29:55.440 --> 0:29:58.040
<v Speaker 1>of shit too, bro. I think we probably made like

0:29:58.080 --> 0:30:02.479
<v Speaker 1>a good twenty thirty thousand off just the first two

0:30:02.600 --> 0:30:05.160
<v Speaker 1>three week sales and no Love lost merchandise when he

0:30:05.240 --> 0:30:07.640
<v Speaker 1>dropped that project. So it was like we were doing

0:30:07.640 --> 0:30:10.480
<v Speaker 1>so much in the space of merchandise and then these

0:30:10.560 --> 0:30:14.640
<v Speaker 1>Red Bull activations and then actually him like walk through

0:30:14.680 --> 0:30:17.000
<v Speaker 1>Money was so crazy this year just because it was

0:30:17.040 --> 0:30:18.480
<v Speaker 1>like we were on the left. We was in a

0:30:18.520 --> 0:30:21.960
<v Speaker 1>perfect situation to where he wasn't too big to do

0:30:22.240 --> 0:30:24.640
<v Speaker 1>a small club and do a walk through there. But

0:30:24.680 --> 0:30:27.160
<v Speaker 1>at the same time, like he wasn't too small to

0:30:27.280 --> 0:30:29.640
<v Speaker 1>not do some premier shit in La two though. So

0:30:30.680 --> 0:30:32.800
<v Speaker 1>just from those two spectrums and we was actually like

0:30:32.840 --> 0:30:35.400
<v Speaker 1>managing the money properly. It was just like we could

0:30:35.400 --> 0:30:37.920
<v Speaker 1>really take our time see what this shit actually mean.

0:30:38.680 --> 0:30:41.680
<v Speaker 1>Our lawyer he teaches music publishers, so that's like his

0:30:41.720 --> 0:30:44.560
<v Speaker 1>class at Dresu University, so that's like his specialty with

0:30:44.600 --> 0:30:46.240
<v Speaker 1>all of it. So he was just taking his time

0:30:46.280 --> 0:30:50.280
<v Speaker 1>with actually getting relationships with these right people and leverage

0:30:50.360 --> 0:30:52.480
<v Speaker 1>at the same time. Hell yeah, see who could actually

0:30:52.520 --> 0:30:55.080
<v Speaker 1>come through though, like seeing who can really deliver on

0:30:55.120 --> 0:30:56.880
<v Speaker 1>what they was talking about. So we've been going through

0:30:56.880 --> 0:31:00.000
<v Speaker 1>this process for like a year and some change. Yeah,

0:31:00.440 --> 0:31:05.120
<v Speaker 1>explain to me for I know why. But people might

0:31:05.160 --> 0:31:08.960
<v Speaker 1>not understand. When you guys announced the initial tour run,

0:31:10.040 --> 0:31:13.360
<v Speaker 1>Blast probably could have done like the Hollywood Bowl. Yeah,

0:31:13.440 --> 0:31:17.200
<v Speaker 1>but you guys did the ROXY, which was dope because

0:31:17.200 --> 0:31:20.720
<v Speaker 1>you guys did two nights. But from the outside looking in,

0:31:20.920 --> 0:31:22.520
<v Speaker 1>people might be like, why the fuck is the Blast

0:31:22.520 --> 0:31:24.680
<v Speaker 1>doing the Roxy, Like he's the biggest artist in the city,

0:31:24.720 --> 0:31:26.000
<v Speaker 1>He's the bigges artist in the state. You know what

0:31:26.040 --> 0:31:29.000
<v Speaker 1>I mean, Like, yeah, so kind of explain why artists

0:31:29.040 --> 0:31:32.880
<v Speaker 1>do that, because that's it. The same thing happened when

0:31:33.000 --> 0:31:36.200
<v Speaker 1>Roddy went on his first tour, like his first big

0:31:36.200 --> 0:31:39.000
<v Speaker 1>tour obviously, but like he was doing venues that like

0:31:40.000 --> 0:31:42.240
<v Speaker 1>most people be like, yeah, well the shit sold out

0:31:42.280 --> 0:31:44.920
<v Speaker 1>in twenty four hours, like he could have did this,

0:31:45.120 --> 0:31:47.520
<v Speaker 1>or but there's a reason why, Like yeah, I mean,

0:31:48.200 --> 0:31:51.320
<v Speaker 1>so everything mattered, like when it comes down to ticket sales,

0:31:51.440 --> 0:31:55.080
<v Speaker 1>like ticket sales is damn, they're like your your good

0:31:55.200 --> 0:31:56.800
<v Speaker 1>name in the streets, you know what I'm saying. When

0:31:56.800 --> 0:31:59.440
<v Speaker 1>it come to booking festivals, artists are getting the ticket

0:31:59.440 --> 0:32:01.360
<v Speaker 1>that they getting a festivals because what they doing and

0:32:01.400 --> 0:32:05.240
<v Speaker 1>their independent show ticket sales. So we already understood what

0:32:05.360 --> 0:32:09.200
<v Speaker 1>blass going into the festival season. Also with him that's

0:32:09.240 --> 0:32:13.040
<v Speaker 1>his first tour ever, so him having a game stage presence.

0:32:13.560 --> 0:32:16.880
<v Speaker 1>We actually let Allison and hired her internally as a

0:32:16.920 --> 0:32:20.240
<v Speaker 1>tour manager. See the first time tour manager. So we

0:32:20.240 --> 0:32:22.800
<v Speaker 1>were thinking about scaling the business before anything, you know

0:32:22.840 --> 0:32:24.520
<v Speaker 1>what I mean, Like we understand we got to scale

0:32:24.560 --> 0:32:27.320
<v Speaker 1>the business properly to what Blast talent is. Even though

0:32:27.320 --> 0:32:29.880
<v Speaker 1>he could have played bigger shows US as a company

0:32:29.960 --> 0:32:32.760
<v Speaker 1>may not have been suitable enough just to have the

0:32:32.800 --> 0:32:35.479
<v Speaker 1>write operations, you know what I'm saying, to maneuver throughout

0:32:35.480 --> 0:32:38.360
<v Speaker 1>these places on tour deal with that many people fulfill

0:32:38.440 --> 0:32:40.120
<v Speaker 1>that much merch and all that type of stuff. So

0:32:40.440 --> 0:32:42.640
<v Speaker 1>we just wanted to give ourselves a sample size one

0:32:43.080 --> 0:32:45.000
<v Speaker 1>and then two. It was a part of tradition. Like

0:32:45.040 --> 0:32:47.720
<v Speaker 1>Blast had never played the Roxy before, so it's like

0:32:48.040 --> 0:32:50.200
<v Speaker 1>he wanted to play the Roxy still, Like he's like

0:32:50.200 --> 0:32:51.760
<v Speaker 1>on New Year's he still want to play the Novo,

0:32:51.840 --> 0:32:54.280
<v Speaker 1>even though we can do bigger shows than the Novo

0:32:54.720 --> 0:32:56.720
<v Speaker 1>and so on and so forth in different cities. Yeah,

0:32:56.880 --> 0:33:00.840
<v Speaker 1>that makes sense. It's like like he he's blown up

0:33:00.880 --> 0:33:03.360
<v Speaker 1>so fast, but he hasn't. Like you said, it's like

0:33:04.440 --> 0:33:08.600
<v Speaker 1>you don't want to skip the like everyone has their Heyo,

0:33:08.640 --> 0:33:12.120
<v Speaker 1>I did the Roxy, I did the Novo. It's like

0:33:12.240 --> 0:33:14.160
<v Speaker 1>just because he might be past that, it's like you

0:33:14.240 --> 0:33:17.280
<v Speaker 1>still gotta kind of got some legacy ship. Yeah, you

0:33:17.280 --> 0:33:19.520
<v Speaker 1>gotta honor that. It's some la ship. Like if you

0:33:19.600 --> 0:33:21.160
<v Speaker 1>were to skip the Roxy and said he never did

0:33:21.160 --> 0:33:23.360
<v Speaker 1>a Roxy show, Like how would that be in your

0:33:23.400 --> 0:33:26.400
<v Speaker 1>biopic down the line, Like that's something that you want

0:33:26.400 --> 0:33:29.080
<v Speaker 1>to highlight because that's really to have that whole block

0:33:29.160 --> 0:33:31.720
<v Speaker 1>line down the line. That's like something to talk about

0:33:31.800 --> 0:33:34.720
<v Speaker 1>whether it did sell out in two seconds or not. Yeah, no,

0:33:34.840 --> 0:33:36.200
<v Speaker 1>for sure, we know we're not going back to the

0:33:36.280 --> 0:33:41.320
<v Speaker 1>Roxy now though it's a it's a sweat box for sure.

0:33:41.480 --> 0:33:43.360
<v Speaker 1>Every every I've been to the Roxy so much, every

0:33:43.360 --> 0:33:44.800
<v Speaker 1>time I go up, like it's gonna be so hot

0:33:44.840 --> 0:33:47.720
<v Speaker 1>of that bitch man, it's gonna be so sweating. Yeah,

0:33:47.840 --> 0:33:50.600
<v Speaker 1>you know, I'm with you. Go to that rainbow spot

0:33:50.600 --> 0:33:52.240
<v Speaker 1>next door or whatever this is that it's called the

0:33:52.600 --> 0:33:55.600
<v Speaker 1>restaurant next door that uh yeah, all the loot kebobs

0:33:55.600 --> 0:33:57.800
<v Speaker 1>and ship like that, all the like Motley that's where

0:33:57.840 --> 0:33:59.680
<v Speaker 1>one of the dues from Motley Crew overdose next door

0:33:59.680 --> 0:34:02.719
<v Speaker 1>at that really. Oh shit, I didn't know that fu

0:34:02.880 --> 0:34:06.600
<v Speaker 1>Yeah in that Netflix movie that Mgk's in. Yeah, yeah,

0:34:06.640 --> 0:34:09.879
<v Speaker 1>that I didn't know that. Yeah, wow, that's kind of nice. Yeah.

0:34:09.920 --> 0:34:11.400
<v Speaker 1>I went to I saw the baby there and that

0:34:11.760 --> 0:34:14.239
<v Speaker 1>I took my wife to eat there, and then Ron

0:34:14.280 --> 0:34:18.000
<v Speaker 1>Jeremy was in the booth next to us. I was like, yeah,

0:34:18.040 --> 0:34:20.040
<v Speaker 1>that's Ron Jeremy. And I told my wife who Ron

0:34:20.080 --> 0:34:23.279
<v Speaker 1>Jeremy was. Yeah, and she She was like, why do

0:34:23.320 --> 0:34:26.400
<v Speaker 1>you know what the dude's names are? What's wrong with you?

0:34:26.480 --> 0:34:28.520
<v Speaker 1>I'm like, but you don't understand. He's like a legend

0:34:28.600 --> 0:34:32.280
<v Speaker 1>like Ron Jeremy, Like I could see her perspective. He's

0:34:32.280 --> 0:34:35.080
<v Speaker 1>also a fucking a rapist who's in prison right now.

0:34:36.000 --> 0:34:38.160
<v Speaker 1>Oh yeah, they like hit him with like a like

0:34:38.239 --> 0:34:42.000
<v Speaker 1>I don't know, it's a solid amount of like like

0:34:42.040 --> 0:34:44.080
<v Speaker 1>in the last twelve months, I've been under a rock

0:34:44.160 --> 0:34:46.239
<v Speaker 1>for sure. For sure. I mean, I mean I've been

0:34:46.239 --> 0:34:48.400
<v Speaker 1>moving around radio. So like, you know, we look at

0:34:48.400 --> 0:34:50.560
<v Speaker 1>all every day. We got to do our fucking show prep.

0:34:51.280 --> 0:34:53.960
<v Speaker 1>Every random story that pops up, we have to talk

0:34:54.000 --> 0:34:56.120
<v Speaker 1>about it. Okay, I got you, I got you. Wait

0:34:56.120 --> 0:34:58.560
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0:34:58.600 --> 0:35:01.080
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0:35:01.400 --> 0:35:05.840
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0:35:55.000 --> 0:35:58.160
<v Speaker 1>Has it been like, you know, for you on some

0:35:58.239 --> 0:36:00.920
<v Speaker 1>executive shit, like like you said, like you've you know,

0:36:01.040 --> 0:36:05.960
<v Speaker 1>you mentioned some of the other la imprints, whether it's

0:36:06.520 --> 0:36:11.120
<v Speaker 1>NIP or domb or TDE. It feels like you guys

0:36:11.120 --> 0:36:15.920
<v Speaker 1>are really with ego. It just feels it just feels fresh.

0:36:15.960 --> 0:36:20.240
<v Speaker 1>It feels like, you know, it feels different than anything

0:36:20.239 --> 0:36:22.719
<v Speaker 1>we've seen coming out of LA Yeah. I mean so,

0:36:22.760 --> 0:36:25.160
<v Speaker 1>I think one thing big thing to not is like also,

0:36:25.200 --> 0:36:27.400
<v Speaker 1>Blast is different than anything we've seen Yeah, that's all

0:36:27.400 --> 0:36:29.239
<v Speaker 1>I was gonna say. Like Blast is in game bang,

0:36:29.680 --> 0:36:31.959
<v Speaker 1>So it's like it really doesn't come with any type

0:36:31.960 --> 0:36:34.239
<v Speaker 1>of affiliation, you know what I mean. It's really just

0:36:34.320 --> 0:36:36.719
<v Speaker 1>kind of like the organic team that we built internally.

0:36:37.120 --> 0:36:39.600
<v Speaker 1>But at the same time, it's like Blast made du

0:36:39.680 --> 0:36:43.279
<v Speaker 1>Yogudda for hitter j FI isn't hit ji, right, I

0:36:43.320 --> 0:36:45.840
<v Speaker 1>think J hit a J three hit a J three.

0:36:46.120 --> 0:36:48.640
<v Speaker 1>He made that and like Kendrick yg problem, all of

0:36:48.680 --> 0:36:51.480
<v Speaker 1>them was on that in like twenty and thirteen type shit,

0:36:51.640 --> 0:36:55.239
<v Speaker 1>you know. But so Blast has worked with probably every

0:36:55.280 --> 0:36:58.200
<v Speaker 1>single artist from at least a artists from every single

0:36:58.200 --> 0:37:00.319
<v Speaker 1>hood from Compton to la whether it be making him

0:37:00.320 --> 0:37:04.360
<v Speaker 1>graphic design, doing doing the engineer and they beat. So

0:37:04.880 --> 0:37:07.600
<v Speaker 1>I think people just respect like the organic build from

0:37:07.640 --> 0:37:10.080
<v Speaker 1>Blast and understand like he always just played his lane

0:37:10.080 --> 0:37:13.640
<v Speaker 1>and never try to jump in nothing else. Yeah. Bro,

0:37:13.680 --> 0:37:16.440
<v Speaker 1>it's just like we coming from a standpoint to where

0:37:16.440 --> 0:37:18.320
<v Speaker 1>we're not going into it doing a deal with a

0:37:18.400 --> 0:37:22.680
<v Speaker 1>major right away, Like we took a real left field approach.

0:37:23.120 --> 0:37:25.760
<v Speaker 1>But a left field approach was a gamble, but it worked.

0:37:26.120 --> 0:37:28.960
<v Speaker 1>I mean, I say I say this like this, the

0:37:29.000 --> 0:37:31.200
<v Speaker 1>thing is like, what's dope? About Blast is like, there's

0:37:31.320 --> 0:37:34.520
<v Speaker 1>no It's one of the few cases in music where

0:37:35.560 --> 0:37:37.879
<v Speaker 1>it's really all about how good the music is. Because

0:37:37.920 --> 0:37:41.000
<v Speaker 1>Blash is a very mellow dude. I would say he

0:37:41.080 --> 0:37:44.319
<v Speaker 1>might be an introvert, Like definitely, he's very chill, Like

0:37:44.360 --> 0:37:47.840
<v Speaker 1>there's no like, doesn't smoke weed, he doesn't smoke weed,

0:37:47.880 --> 0:37:49.840
<v Speaker 1>he doesn't like, he's not wrapped up in no bullshit,

0:37:49.880 --> 0:37:52.360
<v Speaker 1>there's no Instagram antics. It's just like it's all about

0:37:52.360 --> 0:37:54.799
<v Speaker 1>the music and the branding, and like I feel like

0:37:54.920 --> 0:37:56.680
<v Speaker 1>for you that I mean, especially coming out of LA,

0:37:56.760 --> 0:37:59.560
<v Speaker 1>we see so much where the politics of l A

0:37:59.600 --> 0:38:02.759
<v Speaker 1>getting I mean, it's politics everywhere. You feel me like,

0:38:02.840 --> 0:38:04.719
<v Speaker 1>you gotta deal with them when you gotta deal with them.

0:38:04.719 --> 0:38:07.400
<v Speaker 1>But for the most part, I feel like everybody on

0:38:07.480 --> 0:38:11.279
<v Speaker 1>our team, including myself and Blast and even Shit to security,

0:38:11.600 --> 0:38:15.840
<v Speaker 1>even the engineers, videographers, everybody just we have mutual respect

0:38:15.880 --> 0:38:18.640
<v Speaker 1>from our peers just because again none of us are

0:38:18.680 --> 0:38:20.560
<v Speaker 1>even involved in the streets, like we allt and grew

0:38:20.640 --> 0:38:23.920
<v Speaker 1>up in south central LA. But again we've always played

0:38:23.920 --> 0:38:26.840
<v Speaker 1>our perspective lanes whatever that was, and then now we

0:38:27.000 --> 0:38:29.719
<v Speaker 1>in this position, I think people just respect how we

0:38:29.760 --> 0:38:32.000
<v Speaker 1>move and how we get around and how we really

0:38:32.080 --> 0:38:37.120
<v Speaker 1>not nobody else business but ours. What is is the

0:38:37.239 --> 0:38:39.719
<v Speaker 1>long term goal to kind of ride out with Red

0:38:39.760 --> 0:38:42.319
<v Speaker 1>Bull and just you know, I mean right now, I mean,

0:38:42.440 --> 0:38:43.960
<v Speaker 1>like I said, we got the JV with them, We

0:38:44.040 --> 0:38:47.439
<v Speaker 1>just did that. So of course building out through through

0:38:47.480 --> 0:38:49.799
<v Speaker 1>Red Bull seeing the other things that have to offer.

0:38:49.800 --> 0:38:53.920
<v Speaker 1>Because again, mind you, we've done all this not in

0:38:54.000 --> 0:38:56.600
<v Speaker 1>the office for real buy during the pandemic. All this

0:38:56.680 --> 0:38:59.320
<v Speaker 1>happened during the past. So we've only had two meetings

0:38:59.320 --> 0:39:01.600
<v Speaker 1>of Red Bull in the Red Ball office to one

0:39:01.680 --> 0:39:04.080
<v Speaker 1>was to actually have the meeting about if we wanted

0:39:04.080 --> 0:39:07.719
<v Speaker 1>to do the deal, which was in twenty nineteen, and

0:39:08.280 --> 0:39:11.960
<v Speaker 1>the other one was just this past month when we

0:39:11.960 --> 0:39:14.239
<v Speaker 1>did a twenty twenty two planning meeting. So that's the

0:39:14.239 --> 0:39:17.200
<v Speaker 1>first time we met all the new hires, all the

0:39:17.239 --> 0:39:19.879
<v Speaker 1>new people that we've only been seeing it on zoom. Yeah. Right,

0:39:19.960 --> 0:39:21.640
<v Speaker 1>So just like actually being able to be in the

0:39:21.680 --> 0:39:23.719
<v Speaker 1>physical or Red Bull now, I feel like that's gonna

0:39:23.719 --> 0:39:26.200
<v Speaker 1>take it up either another notch. Right, We're going to

0:39:26.200 --> 0:39:28.600
<v Speaker 1>Miami in May to do the F one event. Like

0:39:28.719 --> 0:39:30.640
<v Speaker 1>Red Bull team they pit team and then they actual

0:39:30.719 --> 0:39:33.640
<v Speaker 1>racer just won both events. So they're building a whole

0:39:33.680 --> 0:39:35.960
<v Speaker 1>track around the Miami Dolphin Stadium. I know that one

0:39:36.239 --> 0:39:38.839
<v Speaker 1>is serious. It's ridiculous, right, It's like it's almost like,

0:39:38.880 --> 0:39:40.400
<v Speaker 1>you know, we live here in the States and we

0:39:40.440 --> 0:39:42.960
<v Speaker 1>don't understand, Like I mean, some people understand how big

0:39:43.000 --> 0:39:44.800
<v Speaker 1>soccer and soccer's like I guess a little bit different

0:39:44.800 --> 0:39:46.920
<v Speaker 1>because you know, if you grew up around Latinos, you

0:39:46.960 --> 0:39:49.880
<v Speaker 1>understand soccer is a fucking the thing. But like F

0:39:49.920 --> 0:39:53.080
<v Speaker 1>one racing, no one, I don't know though, Like I

0:39:53.120 --> 0:39:55.480
<v Speaker 1>didn't realize how big of a deal it is, right Netflix,

0:39:55.520 --> 0:39:58.520
<v Speaker 1>So its right, yeah, blew everybody mind. But I mean,

0:39:58.560 --> 0:40:00.719
<v Speaker 1>you know, just even shit like that, we won't have

0:40:00.760 --> 0:40:04.520
<v Speaker 1>so many opportunities to cross promote what Blast brand is

0:40:04.560 --> 0:40:06.879
<v Speaker 1>and integrate that into a whole different culture that has

0:40:06.960 --> 0:40:08.960
<v Speaker 1>nothing really to do with hip hop at all. It's amazing,

0:40:09.000 --> 0:40:10.520
<v Speaker 1>but I feel like F one is damn there like

0:40:10.560 --> 0:40:12.520
<v Speaker 1>the race the race cars of hip hop though it's

0:40:12.560 --> 0:40:15.799
<v Speaker 1>like the hip hop NASCAR. What's the name of the

0:40:15.800 --> 0:40:19.920
<v Speaker 1>the guy who uh is like the guy in Yeah,

0:40:19.960 --> 0:40:21.759
<v Speaker 1>I forget his name. He he just lost to the

0:40:21.800 --> 0:40:24.759
<v Speaker 1>Rebel but he's won like ten years straight though, so

0:40:24.800 --> 0:40:27.879
<v Speaker 1>he's like hem he like, he's the person in this world.

0:40:27.880 --> 0:40:29.279
<v Speaker 1>I can't remember his name. I just think of a

0:40:30.400 --> 0:40:34.279
<v Speaker 1>borat Sosherbaric Cohen playing the F one racer who joined

0:40:34.360 --> 0:40:40.320
<v Speaker 1>NASCAR and raced Ricky Bobby Yeah, calib that's funny. Ricky

0:40:40.360 --> 0:40:43.719
<v Speaker 1>Booby Yeah nah. So I mean, you know, just kind

0:40:43.760 --> 0:40:46.600
<v Speaker 1>of trying to dive in more to what Rebel has offered,

0:40:46.719 --> 0:40:51.120
<v Speaker 1>just from a brand standpoint, being like in blast position

0:40:51.360 --> 0:40:54.360
<v Speaker 1>and being such a staple in LA hip hop for

0:40:54.400 --> 0:40:57.080
<v Speaker 1>a long time that maybe wasn't you know, like I said,

0:40:57.080 --> 0:41:00.279
<v Speaker 1>he was kind of you know, LA's best capt for

0:41:00.280 --> 0:41:04.719
<v Speaker 1>a long time. I can only imagine have you guys

0:41:04.760 --> 0:41:08.440
<v Speaker 1>ran into old blast shit people trying to put it

0:41:08.480 --> 0:41:10.640
<v Speaker 1>out like, hey yo, we did this in twenty sixteen,

0:41:11.360 --> 0:41:13.920
<v Speaker 1>yeah every week. So how do you deal with that?

0:41:15.160 --> 0:41:17.080
<v Speaker 1>Do you like let do you let let shit fly?

0:41:17.280 --> 0:41:19.040
<v Speaker 1>Or do you say, hey, look man, it's times are

0:41:19.040 --> 0:41:22.520
<v Speaker 1>different now. Nah. I mean me, I think the whole

0:41:22.520 --> 0:41:24.440
<v Speaker 1>point of having a manager in the first place is

0:41:24.440 --> 0:41:26.480
<v Speaker 1>so as an artist, you don't have to have those

0:41:26.520 --> 0:41:29.560
<v Speaker 1>awkward conversations like sometimes if you got a personal relationship

0:41:29.560 --> 0:41:31.520
<v Speaker 1>with the person, yeah, you're gonna have to have that

0:41:31.560 --> 0:41:34.120
<v Speaker 1>conversation on your own sometimes because they gonna come directly

0:41:34.160 --> 0:41:36.760
<v Speaker 1>to you because they probably got your number, or being spaces.

0:41:37.120 --> 0:41:39.200
<v Speaker 1>But for the most part, it's me having a conversation.

0:41:39.320 --> 0:41:42.680
<v Speaker 1>It's like, hey, my music, and it's like it's not

0:41:42.960 --> 0:41:45.440
<v Speaker 1>it's not like it's disrespect. It's just more so like

0:41:45.560 --> 0:41:47.800
<v Speaker 1>what we're doing with the culture that we build in

0:41:47.840 --> 0:41:49.880
<v Speaker 1>the timeline that we still don't line up. Yeah, just

0:41:49.880 --> 0:41:52.359
<v Speaker 1>don't line up. It got I say, all business has

0:41:52.400 --> 0:41:56.759
<v Speaker 1>to be mutually beneficial. I've had at least once or

0:41:56.760 --> 0:42:00.200
<v Speaker 1>twice someone play me blast records in the studio here

0:42:00.960 --> 0:42:03.839
<v Speaker 1>that like are old. Yeah, like yeah, you know, we've

0:42:03.880 --> 0:42:06.640
<v Speaker 1>just been holding this and good luck. Yeah it's never

0:42:06.680 --> 0:42:09.000
<v Speaker 1>coming out. But I mean, you know, it's all like

0:42:09.120 --> 0:42:12.920
<v Speaker 1>super peculiar artists art it Like I don't sound like

0:42:12.920 --> 0:42:16.000
<v Speaker 1>that no more, one hundred Every artist is like that, right, Yeah,

0:42:16.120 --> 0:42:17.920
<v Speaker 1>it's so crazy to be like, but this shit is fire,

0:42:17.960 --> 0:42:21.040
<v Speaker 1>and like that shit happens with my artists all the time.

0:42:21.080 --> 0:42:23.200
<v Speaker 1>But we'll have a song that we love and it's

0:42:23.239 --> 0:42:24.960
<v Speaker 1>like a year old, and man, that shit is old,

0:42:25.040 --> 0:42:28.080
<v Speaker 1>and it's like but it's fire, like just like you

0:42:28.200 --> 0:42:31.040
<v Speaker 1>held onto it too long. Yeah, And so yeah, we

0:42:31.120 --> 0:42:33.640
<v Speaker 1>get that every day. I just had that conversation yesterday

0:42:33.680 --> 0:42:36.960
<v Speaker 1>with No. He's definitely I feel like shaping up to

0:42:37.040 --> 0:42:40.520
<v Speaker 1>kind of being the like you know, he was on

0:42:40.640 --> 0:42:42.880
<v Speaker 1>Ross's album, He's on NAS's album. I mean, he's been

0:42:42.920 --> 0:42:46.239
<v Speaker 1>on so many people's but it feels like some real

0:42:46.360 --> 0:42:48.960
<v Speaker 1>Nate Dog, you know, kind of filling that gap of

0:42:49.040 --> 0:42:51.799
<v Speaker 1>being like the hook guy now and then and by

0:42:51.840 --> 0:42:55.200
<v Speaker 1>the way, with having amazing solo records that are number

0:42:55.239 --> 0:42:59.120
<v Speaker 1>ones simultaneously in two formats, which I don't think Nate

0:42:59.120 --> 0:43:01.040
<v Speaker 1>Dog ever did with his so the records, God bless him.

0:43:01.040 --> 0:43:04.120
<v Speaker 1>But but yeah, like like you guys feel that too,

0:43:04.200 --> 0:43:07.480
<v Speaker 1>like you, I mean, I feel like everyone's probably saying

0:43:07.520 --> 0:43:09.560
<v Speaker 1>that for sure, for sure. And then I mean, yeah,

0:43:09.600 --> 0:43:12.320
<v Speaker 1>the hooks all the time, Like I think blasts voice

0:43:12.360 --> 0:43:14.400
<v Speaker 1>is just super unique, like in an R and B space,

0:43:14.560 --> 0:43:16.919
<v Speaker 1>because it's not like he likes singing his heart out

0:43:16.920 --> 0:43:20.120
<v Speaker 1>like it's so it's so it's so easy to like, yeah,

0:43:20.160 --> 0:43:22.640
<v Speaker 1>it's like rap singing, you know. So, but I mean

0:43:22.640 --> 0:43:24.200
<v Speaker 1>he could take it there if you want to. So

0:43:24.239 --> 0:43:26.239
<v Speaker 1>I think, like the Ross record, like, I don't think

0:43:26.280 --> 0:43:29.200
<v Speaker 1>nobody really ever heard Blast come off like that on

0:43:29.200 --> 0:43:31.239
<v Speaker 1>the hook, Like right out the gate in a minute

0:43:31.280 --> 0:43:34.799
<v Speaker 1>at least compared to his old shit. But even now

0:43:35.120 --> 0:43:37.319
<v Speaker 1>it's like, shit, people want that sauce and they want

0:43:37.320 --> 0:43:39.960
<v Speaker 1>that organic West Coast field without having to feel like

0:43:40.239 --> 0:43:43.000
<v Speaker 1>they're being super cliche and like, okay, yeah, let me

0:43:43.000 --> 0:43:45.160
<v Speaker 1>tap in with Blast see what he got going, just

0:43:45.200 --> 0:43:47.160
<v Speaker 1>to make sure that we're not, you know what I'm saying,

0:43:47.200 --> 0:43:49.920
<v Speaker 1>skipping over something that could be a good long term relationship.

0:43:50.760 --> 0:43:53.319
<v Speaker 1>What's something you talked about being around Dame earlier? What

0:43:53.360 --> 0:43:55.240
<v Speaker 1>was something you learned about being around Dame Dash because

0:43:55.239 --> 0:43:57.719
<v Speaker 1>we spent one night with him and that I mean, man,

0:43:57.760 --> 0:44:01.000
<v Speaker 1>the guy was just yeah, profusely, just spewing jewels the

0:44:01.040 --> 0:44:03.520
<v Speaker 1>whole time. Yeah. I mean at the time, I was like,

0:44:03.719 --> 0:44:06.600
<v Speaker 1>so I was like twenty, I was fresh out of college,

0:44:06.600 --> 0:44:09.120
<v Speaker 1>so that's twenty fifteen. It's like six years. Oh yeah,

0:44:09.120 --> 0:44:12.520
<v Speaker 1>that's a while ago. I was twenty three years old.

0:44:13.320 --> 0:44:15.480
<v Speaker 1>I mean, it just learned like, don't take it personal,

0:44:16.200 --> 0:44:18.239
<v Speaker 1>like you feel me. Like the first day I walked

0:44:18.239 --> 0:44:21.279
<v Speaker 1>in the office about the internship, he asked me like,

0:44:21.320 --> 0:44:23.520
<v Speaker 1>who the fuck are you? Like why are you in here?

0:44:24.120 --> 0:44:26.200
<v Speaker 1>And I'm just like, well, shit, it's either I'm gonna

0:44:26.200 --> 0:44:28.120
<v Speaker 1>get upset or I'm about to start talking and tell

0:44:28.120 --> 0:44:30.760
<v Speaker 1>these niggas what I do. So I got to talking,

0:44:30.840 --> 0:44:35.240
<v Speaker 1>you feel me. But I think just understanding, like again,

0:44:35.360 --> 0:44:38.640
<v Speaker 1>personality types, understanding like how to work with certain artists,

0:44:38.640 --> 0:44:41.319
<v Speaker 1>because by the time I got to working with blast as,

0:44:41.400 --> 0:44:43.840
<v Speaker 1>like I walk in the park dealing with Dame or

0:44:43.880 --> 0:44:46.000
<v Speaker 1>just sitting in meetings and taking notes and being like

0:44:46.040 --> 0:44:48.239
<v Speaker 1>a minute taking on meetings with Dame and shit like that,

0:44:49.360 --> 0:44:51.560
<v Speaker 1>being a fly on the wall, like all that type

0:44:51.560 --> 0:44:53.680
<v Speaker 1>of stuff. I think it just helped me move into

0:44:53.760 --> 0:44:57.080
<v Speaker 1>the space of like, I don't really get too imbalanced

0:44:57.120 --> 0:44:59.200
<v Speaker 1>if people be out of their mind or you know

0:44:59.200 --> 0:45:01.640
<v Speaker 1>what I'm saying, or you feel like they comeing off disrespectful,

0:45:01.640 --> 0:45:03.320
<v Speaker 1>because most of the time it's just be people delivery

0:45:03.360 --> 0:45:05.080
<v Speaker 1>at the end of the day. And if you take

0:45:05.120 --> 0:45:06.879
<v Speaker 1>this shit personal, it's like, I'm not taking a shit

0:45:06.920 --> 0:45:09.600
<v Speaker 1>home with me. This is basically work for real, for real.

0:45:10.160 --> 0:45:13.160
<v Speaker 1>So yeah, I think that's something that people need to

0:45:13.200 --> 0:45:16.960
<v Speaker 1>learn how to do better. It's just like a lot

0:45:16.960 --> 0:45:19.719
<v Speaker 1>of people take a broad stroke approach to how they

0:45:19.719 --> 0:45:21.799
<v Speaker 1>deal with people, like they just deal with people all

0:45:21.800 --> 0:45:23.560
<v Speaker 1>the same way. But if you know certain people are

0:45:23.560 --> 0:45:26.080
<v Speaker 1>certain ways you gotta kind of I think that's just

0:45:26.120 --> 0:45:30.880
<v Speaker 1>a good a good yeah attribute of a leader. You know.

0:45:31.000 --> 0:45:34.040
<v Speaker 1>Not everyone's going to take the same approach to the

0:45:34.080 --> 0:45:36.520
<v Speaker 1>same person because everyone's got different ways they react. And

0:45:36.920 --> 0:45:39.640
<v Speaker 1>for sure you watch did you watch Game of Thrones

0:45:39.640 --> 0:45:42.120
<v Speaker 1>when I was on of course, So like I tell people,

0:45:42.360 --> 0:45:44.640
<v Speaker 1>like people be asking about the same type of question,

0:45:45.200 --> 0:45:47.120
<v Speaker 1>I'm like, you gotta just treat it like Ariya in

0:45:47.120 --> 0:45:49.440
<v Speaker 1>the Mini Faced God, Like every room you walk in,

0:45:49.480 --> 0:45:51.879
<v Speaker 1>you just gotta become a different person. Sometimes you may

0:45:51.920 --> 0:45:56.200
<v Speaker 1>be in a student position. Yeah, it's like, you know,

0:45:56.719 --> 0:45:58.680
<v Speaker 1>I am nobody for real. So it's like that's the

0:45:58.719 --> 0:46:02.040
<v Speaker 1>approach you gotta take, Like, yeah, I am who I am.

0:46:02.160 --> 0:46:04.040
<v Speaker 1>But at the end of the day, if I walk

0:46:04.040 --> 0:46:06.520
<v Speaker 1>in a room with Benny Boom, I'm sitting on the

0:46:06.520 --> 0:46:09.799
<v Speaker 1>couch in the corner and just really soaking in the

0:46:09.840 --> 0:46:12.120
<v Speaker 1>game or taking whatever order it is if they hear

0:46:12.160 --> 0:46:13.680
<v Speaker 1>to deliver it to me. But when I'm walking in

0:46:13.719 --> 0:46:16.320
<v Speaker 1>a room with the Eagle Staff, I'm the person delivering

0:46:16.320 --> 0:46:18.360
<v Speaker 1>that message, you know what I'm saying. But it's taking

0:46:18.360 --> 0:46:21.280
<v Speaker 1>out the ego to understand the difference between those phases,

0:46:21.320 --> 0:46:26.640
<v Speaker 1>though what is something from your experience so far up

0:46:26.640 --> 0:46:30.040
<v Speaker 1>and coming artists. We talked earlier about how sometimes we

0:46:30.120 --> 0:46:34.359
<v Speaker 1>talked about that the video behind Blast would cost fifteen grand, right,

0:46:34.719 --> 0:46:36.839
<v Speaker 1>which is a lot, right, that's crazy. But what are

0:46:36.880 --> 0:46:40.920
<v Speaker 1>some things that you see artists wasting money on or

0:46:40.920 --> 0:46:45.239
<v Speaker 1>maybe getting taken advantage of that, you know, whether it's

0:46:46.200 --> 0:46:50.040
<v Speaker 1>video production, whether it's you know, it annoys me when

0:46:50.040 --> 0:46:51.880
<v Speaker 1>I have homies that are up and cooming artists and

0:46:51.880 --> 0:46:53.640
<v Speaker 1>they're like, hey, this guy hit me. He's saying he

0:46:53.680 --> 0:46:55.759
<v Speaker 1>could get me on complex and all these blogs you

0:46:55.760 --> 0:46:58.840
<v Speaker 1>think I should do it, and I'm like fuck numb, Like,

0:46:58.920 --> 0:47:00.640
<v Speaker 1>but what are some of those things is that you know,

0:47:01.600 --> 0:47:04.239
<v Speaker 1>you kind of think artists could save some money on,

0:47:04.440 --> 0:47:07.439
<v Speaker 1>or that you see them getting took on a little

0:47:07.560 --> 0:47:09.719
<v Speaker 1>you know, I see it happening a lot. So I

0:47:09.760 --> 0:47:17.279
<v Speaker 1>think one music videos, right, Like some artists think that

0:47:17.280 --> 0:47:19.480
<v Speaker 1>they got to go pay a bag to a director

0:47:19.520 --> 0:47:21.400
<v Speaker 1>and that just because they got a bunch of bread

0:47:21.400 --> 0:47:23.200
<v Speaker 1>in the video and like a bunch of females in

0:47:23.200 --> 0:47:25.840
<v Speaker 1>the video, it's gonna go right when it's like you

0:47:25.880 --> 0:47:28.360
<v Speaker 1>can really do the opposite, like I said, like touchdown

0:47:28.360 --> 0:47:30.879
<v Speaker 1>on these college campuses, and realize, like there's a whole

0:47:30.920 --> 0:47:33.440
<v Speaker 1>film department of a bunch of kids that need work,

0:47:33.520 --> 0:47:35.520
<v Speaker 1>and it's probably some out there that's actually going to

0:47:35.560 --> 0:47:38.560
<v Speaker 1>be the next who's who to be able to tap

0:47:38.600 --> 0:47:40.240
<v Speaker 1>in with them and get on that type of level

0:47:40.400 --> 0:47:42.520
<v Speaker 1>because it's all about recruiting from the ground source. So

0:47:42.600 --> 0:47:47.360
<v Speaker 1>I feel like in the digital digital media space, photography

0:47:47.400 --> 0:47:51.080
<v Speaker 1>and videography, like a lot of videographers get over on

0:47:51.200 --> 0:47:54.399
<v Speaker 1>artists just because they don't understand like the one two

0:47:54.440 --> 0:47:57.399
<v Speaker 1>step process with the differences and having a steady cam

0:47:57.760 --> 0:48:00.319
<v Speaker 1>and the difference between having a handheld camera, like the

0:48:00.360 --> 0:48:04.399
<v Speaker 1>price difference between all that type of stuff. I also think, PR, damn,

0:48:04.400 --> 0:48:07.160
<v Speaker 1>it'll be jipping sometimes too, because it's like explain that

0:48:07.200 --> 0:48:09.880
<v Speaker 1>because you could have that background, and like, yeah, like

0:48:10.520 --> 0:48:14.000
<v Speaker 1>public relations is pretty much like one people need to

0:48:14.080 --> 0:48:18.719
<v Speaker 1>understand and PR. They're pitching your story to people and

0:48:18.800 --> 0:48:21.960
<v Speaker 1>they can't guarantee anything. You can't guarantee, and the same

0:48:21.960 --> 0:48:24.600
<v Speaker 1>way no label could guarantee you to be on right.

0:48:24.800 --> 0:48:27.239
<v Speaker 1>Nobody can guarantee. All they can do is put you

0:48:27.280 --> 0:48:30.439
<v Speaker 1>in front of the people and hopefully the person who

0:48:30.520 --> 0:48:32.600
<v Speaker 1>is pitching you has a good enough relationship to where

0:48:32.640 --> 0:48:35.799
<v Speaker 1>they don't accept. So that's what that is, like, right, Like,

0:48:35.840 --> 0:48:38.520
<v Speaker 1>it's not it don't matter about if you pay five

0:48:38.520 --> 0:48:40.880
<v Speaker 1>thousand to the PR you may give three fucking pickups.

0:48:41.120 --> 0:48:42.920
<v Speaker 1>It's about the product that's on there. So I'll be

0:48:42.960 --> 0:48:45.600
<v Speaker 1>telling people all the time, like you don't need a

0:48:45.600 --> 0:48:48.200
<v Speaker 1>PR if you do not have the demand for PR

0:48:48.360 --> 0:48:50.560
<v Speaker 1>right now, Like, I understand you want to service some

0:48:50.719 --> 0:48:53.000
<v Speaker 1>music out there, but that's what you got Google ad Words,

0:48:53.040 --> 0:48:55.560
<v Speaker 1>Facebook marketing, Sprizzy, you got all that type of stuff

0:48:55.600 --> 0:48:58.080
<v Speaker 1>to be able to do back end marketing for people

0:48:58.160 --> 0:49:00.520
<v Speaker 1>to actually get to be able to see it because

0:49:00.560 --> 0:49:04.040
<v Speaker 1>most of the times, motherfucker's not reading articles knowing. Yeah,

0:49:04.080 --> 0:49:06.319
<v Speaker 1>I think that the most like overrated shit is like

0:49:07.040 --> 0:49:10.560
<v Speaker 1>you know, back in the day, your life might get

0:49:10.640 --> 0:49:14.719
<v Speaker 1>changed if you ended up on a complex or two

0:49:14.719 --> 0:49:18.200
<v Speaker 1>Dope Boys or whatever blog, right, but like yeah, whatever

0:49:18.239 --> 0:49:21.480
<v Speaker 1>it is, right, But nowadays it's like we're not even

0:49:21.520 --> 0:49:25.920
<v Speaker 1>consuming like media that way anymore. Like unfortunately, you know,

0:49:25.960 --> 0:49:28.359
<v Speaker 1>obviously those sites are still very you know, they they

0:49:28.400 --> 0:49:31.759
<v Speaker 1>produce dope content, they do dope things. But like you know,

0:49:31.920 --> 0:49:34.239
<v Speaker 1>there used to be a time when if you got

0:49:34.320 --> 0:49:37.200
<v Speaker 1>one of those looks, it would matter yeah, but it

0:49:37.239 --> 0:49:39.440
<v Speaker 1>would move the needle. But it doesn't move the needle anymore.

0:49:39.560 --> 0:49:42.800
<v Speaker 1>It doesn't because streaming platforms took they pretty much their essence.

0:49:43.320 --> 0:49:44.799
<v Speaker 1>If you take if you take five grand and give

0:49:44.800 --> 0:49:46.560
<v Speaker 1>it to a pr person they get on these websites,

0:49:46.600 --> 0:49:47.879
<v Speaker 1>it's like you might as well you should have tooken

0:49:47.960 --> 0:49:50.560
<v Speaker 1>that five grand and shot five videos. Yeah for sure.

0:49:51.200 --> 0:49:57.000
<v Speaker 1>Me personally, I look at pr as like just momentum pushes.

0:49:57.120 --> 0:49:59.480
<v Speaker 1>I don't even think them articles really be that important.

0:49:59.640 --> 0:50:04.240
<v Speaker 1>But perspective is Yeah, it's for your consumer to see like, oh,

0:50:04.280 --> 0:50:06.080
<v Speaker 1>he looks like he bubbling up right now, he got

0:50:06.200 --> 0:50:09.239
<v Speaker 1>a double like reinformation, Yeah, just a bomb to drop,

0:50:09.360 --> 0:50:11.200
<v Speaker 1>just to be like keep your momentum going in, but

0:50:11.320 --> 0:50:14.440
<v Speaker 1>to keep the channel noisies as they're saying journalism like

0:50:14.840 --> 0:50:17.040
<v Speaker 1>keep the fans almost excited, like oh yeah, this ship

0:50:17.120 --> 0:50:19.439
<v Speaker 1>is going. Yeah. It is kind of crazy because if

0:50:19.480 --> 0:50:22.960
<v Speaker 1>fans think or see certain things, it makes them want

0:50:23.000 --> 0:50:25.600
<v Speaker 1>to fuck with you even more, even though that they're

0:50:25.719 --> 0:50:28.440
<v Speaker 1>like I noticed that, bro. It's like Sigmund Freud, the

0:50:28.480 --> 0:50:32.080
<v Speaker 1>power of the subconscious, Like somebody mental so much and

0:50:32.120 --> 0:50:34.719
<v Speaker 1>you you present something it's Instagram at the end of

0:50:34.719 --> 0:50:37.520
<v Speaker 1>the day, Like you present one thing to them so much,

0:50:37.760 --> 0:50:39.600
<v Speaker 1>they're gonna start to take that in and really like

0:50:39.640 --> 0:50:42.279
<v Speaker 1>associate that with you, regardless of if you're telling him

0:50:42.320 --> 0:50:44.840
<v Speaker 1>that they are actually like just giving them a visual

0:50:45.440 --> 0:50:47.279
<v Speaker 1>of that. Shit. It's gonna go the way you want

0:50:47.320 --> 0:50:49.480
<v Speaker 1>it to go if you if you consistently, because nowadays,

0:50:49.520 --> 0:50:53.120
<v Speaker 1>right there's like, uh, our generation, now what's it called?

0:50:53.560 --> 0:50:55.640
<v Speaker 1>They just like all these ig pages and people paying

0:50:55.680 --> 0:50:58.000
<v Speaker 1>it on, right Yeah, and like you'll see the ones

0:50:58.040 --> 0:51:02.560
<v Speaker 1>you know that are like it's like, Okay, this guy's

0:51:02.640 --> 0:51:07.040
<v Speaker 1>paid for that. Look God. And now unfortunately with some

0:51:07.080 --> 0:51:09.120
<v Speaker 1>of these pages, it's like almost most of them you

0:51:09.160 --> 0:51:11.279
<v Speaker 1>could tell are like the label dropping the bag. So

0:51:11.280 --> 0:51:13.879
<v Speaker 1>would you say world Star started that though? For sure,

0:51:14.000 --> 0:51:16.919
<v Speaker 1>because world Star pretty much start the whole business model, right, Yeah,

0:51:17.120 --> 0:51:20.200
<v Speaker 1>for sure. Internship posted and then but see world Star

0:51:20.320 --> 0:51:23.120
<v Speaker 1>used to really like damn there. I don't think people

0:51:23.239 --> 0:51:26.160
<v Speaker 1>was understanding like what like Google own YouTube and all

0:51:26.160 --> 0:51:29.280
<v Speaker 1>that shit. So I don't think they understood like world

0:51:29.280 --> 0:51:30.960
<v Speaker 1>Star was just taking a personal in money you paid

0:51:30.960 --> 0:51:33.000
<v Speaker 1>anyway and just putting it behind the ads and shit

0:51:33.160 --> 0:51:34.880
<v Speaker 1>like that. So that's why I was picking up so

0:51:34.920 --> 0:51:38.040
<v Speaker 1>many views. But again it's a difference between people looking

0:51:38.080 --> 0:51:41.640
<v Speaker 1>at the system from the broad perspective or looking at

0:51:41.640 --> 0:51:44.439
<v Speaker 1>it from like a functionality perspective. Yeah. Now, the World

0:51:44.440 --> 0:51:47.600
<v Speaker 1>Star thing was like I had some homies over there,

0:51:48.400 --> 0:51:51.160
<v Speaker 1>so I never really had to you know, we had

0:51:51.600 --> 0:51:54.000
<v Speaker 1>a music video we put up on on their YouTube

0:51:54.000 --> 0:51:56.200
<v Speaker 1>page that they did they just looked out for me

0:51:56.280 --> 0:51:58.799
<v Speaker 1>on for free. But usually they were charged. I mean

0:51:58.800 --> 0:52:00.960
<v Speaker 1>this is a two years ago. They were charging people

0:52:01.840 --> 0:52:04.120
<v Speaker 1>eight grand just to upload their video on their channel.

0:52:04.400 --> 0:52:06.400
<v Speaker 1>I remember I had a good artist I worked with

0:52:06.560 --> 0:52:08.520
<v Speaker 1>like in the past, and it's like, yeah, they got

0:52:08.520 --> 0:52:11.200
<v Speaker 1>twelve million subscribers. I get it. But it's like the

0:52:11.239 --> 0:52:13.800
<v Speaker 1>other thing people don't understand is if a YouTube video

0:52:14.080 --> 0:52:17.399
<v Speaker 1>is uploaded on any other page but your own, right

0:52:17.520 --> 0:52:20.640
<v Speaker 1>or your labels, it's not uh, you can't put it

0:52:20.640 --> 0:52:23.000
<v Speaker 1>towards your album sales, right, Yeah, you can't monetize that

0:52:23.040 --> 0:52:24.719
<v Speaker 1>towards I said, just because it's like a well, I

0:52:24.719 --> 0:52:26.319
<v Speaker 1>don't know if it's the same now, but I know

0:52:26.400 --> 0:52:28.719
<v Speaker 1>before you didn't. Yeah, like it didn't count towards your

0:52:28.760 --> 0:52:30.440
<v Speaker 1>total sales, right, Like, so if you wanted to go

0:52:30.520 --> 0:52:32.440
<v Speaker 1>number one, or you wanted to go gold or whatever,

0:52:32.560 --> 0:52:35.840
<v Speaker 1>like not register what's that shit called your upc whatever

0:52:35.840 --> 0:52:38.040
<v Speaker 1>it is. Yeah, and you think of like damn look

0:52:38.040 --> 0:52:42.000
<v Speaker 1>at all like someone like you know, young boy who

0:52:42.000 --> 0:52:43.480
<v Speaker 1>had a lot of his relea shit on World Star

0:52:43.640 --> 0:52:45.360
<v Speaker 1>or just like something like damn, like imagine some of

0:52:45.360 --> 0:52:47.359
<v Speaker 1>those I mean, by the way, most of those songs

0:52:47.400 --> 0:52:49.400
<v Speaker 1>are gold or plating them anyway. But yeah, but so

0:52:49.440 --> 0:52:51.400
<v Speaker 1>many people probably could have gotten a plaque if they

0:52:51.400 --> 0:52:54.160
<v Speaker 1>would have just yeah, but also they might not have

0:52:54.320 --> 0:52:56.200
<v Speaker 1>had the had the you know, if it wasn't on

0:52:56.200 --> 0:52:58.000
<v Speaker 1>the World Star page, maybe not as many people would

0:52:58.000 --> 0:53:01.160
<v Speaker 1>have discovered it. I'm pretty sure, like hell of conversation

0:53:01.280 --> 0:53:03.759
<v Speaker 1>with artists that really just don't give a fuck to

0:53:03.840 --> 0:53:05.879
<v Speaker 1>learn about none of that shit. Oh nah, yeah, most.

0:53:05.920 --> 0:53:10.799
<v Speaker 1>I mean I think now people are starting to get

0:53:10.840 --> 0:53:14.400
<v Speaker 1>a little bit more interested in that. I feel like

0:53:14.440 --> 0:53:16.239
<v Speaker 1>though the last few years, there was a lot of

0:53:16.320 --> 0:53:17.920
<v Speaker 1>artists that would just come in that were just like,

0:53:18.640 --> 0:53:23.000
<v Speaker 1>what is my kid doing in there? Jesus? But yeah, no,

0:53:23.040 --> 0:53:25.400
<v Speaker 1>I feel like that. I feel like recently it seems

0:53:25.400 --> 0:53:27.160
<v Speaker 1>as if most artists are trying to be more self

0:53:27.200 --> 0:53:31.239
<v Speaker 1>aware of the business. You know, I shout out to

0:53:31.280 --> 0:53:32.920
<v Speaker 1>russ I think Russe has done a good job of

0:53:33.000 --> 0:53:38.560
<v Speaker 1>like trying to educate people. No, Russ is dope, and

0:53:39.080 --> 0:53:41.960
<v Speaker 1>he'd be really giving it. Like honestly, people really should

0:53:42.000 --> 0:53:44.160
<v Speaker 1>just listen, Like Russ is not lying to y'all, right,

0:53:44.239 --> 0:53:47.280
<v Speaker 1>Like he's not saying you might not like the messenger.

0:53:47.760 --> 0:53:49.680
<v Speaker 1>And by the way, Russe is to me as fire

0:53:49.719 --> 0:53:52.480
<v Speaker 1>as fuck, but you might. You know, I understand, Oh

0:53:52.560 --> 0:53:54.959
<v Speaker 1>he was amazing that Trumps is amazing. But but he's

0:53:55.280 --> 0:53:58.640
<v Speaker 1>telling everyone the truth. You know, He's like what he's

0:53:58.680 --> 0:54:00.759
<v Speaker 1>saying is like, yo, if Drake or Kendrick or one

0:54:00.800 --> 0:54:03.239
<v Speaker 1>of these guys decided to go and if Drake went independent,

0:54:03.280 --> 0:54:06.040
<v Speaker 1>it break it breaks the record game, yeah for sure,

0:54:06.120 --> 0:54:10.200
<v Speaker 1>because it would like fully pull the mask off. And

0:54:10.280 --> 0:54:12.080
<v Speaker 1>so I think that's what stope upbout what you guys

0:54:12.080 --> 0:54:15.760
<v Speaker 1>are doing, because you guys easily could have signed with anyone,

0:54:15.920 --> 0:54:18.880
<v Speaker 1>Like I know this, you know, so like you know, uh,

0:54:19.200 --> 0:54:23.000
<v Speaker 1>to to do the red bull approach is like it's

0:54:23.040 --> 0:54:26.120
<v Speaker 1>funny too, because I don't think everybody was like, you know,

0:54:26.120 --> 0:54:28.080
<v Speaker 1>people are trying to throw like a little jazz. Oh

0:54:28.200 --> 0:54:30.239
<v Speaker 1>I dude me And when me and had saw that ship,

0:54:30.280 --> 0:54:34.440
<v Speaker 1>we were like wow, hmm. And you know, I just

0:54:34.440 --> 0:54:36.319
<v Speaker 1>think of as a warm Brew that was on Red

0:54:36.360 --> 0:54:40.360
<v Speaker 1>Bull and they had another. I just was like, I

0:54:40.480 --> 0:54:42.160
<v Speaker 1>just never seen a work because I'm not hip to

0:54:42.560 --> 0:54:44.400
<v Speaker 1>I'm not hip to the rock groups you're talking about.

0:54:44.440 --> 0:54:46.439
<v Speaker 1>I just know that I've seen rappers signed the Red Bull.

0:54:46.680 --> 0:54:48.879
<v Speaker 1>Yeah I've seen it. Like you know, I mean, bro

0:54:49.000 --> 0:54:51.080
<v Speaker 1>really to be thousands with you, like shout out to

0:54:51.160 --> 0:54:53.239
<v Speaker 1>re Bull for sure. Like also there's a difference in

0:54:53.280 --> 0:54:55.799
<v Speaker 1>the product product. No disrespect the warm Brew, but you

0:54:55.800 --> 0:54:59.760
<v Speaker 1>guys are like generational talents. Like when you can whoever

0:54:59.800 --> 0:55:02.080
<v Speaker 1>you and across a rear Bull ever, like you can

0:55:02.160 --> 0:55:04.840
<v Speaker 1>ask them this the fact check it Like the first

0:55:04.880 --> 0:55:07.160
<v Speaker 1>meeting we ever had a Red Bull, we was like,

0:55:07.719 --> 0:55:10.440
<v Speaker 1>we want to own all the incellary income that all

0:55:10.520 --> 0:55:12.879
<v Speaker 1>the masters were not doing the publishing deal with you

0:55:13.160 --> 0:55:15.280
<v Speaker 1>and we're only doing the one off for a short license.

0:55:15.960 --> 0:55:18.399
<v Speaker 1>And they was like what. And then we came back

0:55:18.400 --> 0:55:20.480
<v Speaker 1>to the second meeting with like a Manila envelope all

0:55:20.520 --> 0:55:22.200
<v Speaker 1>the numbers and shit from this your kid and all

0:55:22.200 --> 0:55:24.680
<v Speaker 1>the products, and then we broke down the whole staff

0:55:24.719 --> 0:55:27.320
<v Speaker 1>for the flow chart and they was like, oh shit,

0:55:27.440 --> 0:55:29.560
<v Speaker 1>like y'all already operate as a real company. And I

0:55:29.560 --> 0:55:31.920
<v Speaker 1>think that's the biggest, biggest difference, the fact that we

0:55:31.920 --> 0:55:35.680
<v Speaker 1>were able to show and actually communicate what our business

0:55:35.719 --> 0:55:38.319
<v Speaker 1>vision was, how we seen the whole year going, and

0:55:38.360 --> 0:55:40.359
<v Speaker 1>then have the music attached to it on top of that.

0:55:41.000 --> 0:55:44.680
<v Speaker 1>And nobody's going into those meetings that way. Most people aren't. No,

0:55:44.840 --> 0:55:47.680
<v Speaker 1>I would say like ninety most of the time. It's like,

0:55:47.680 --> 0:55:49.560
<v Speaker 1>you know, you go to a meeting, they get a

0:55:49.560 --> 0:55:51.560
<v Speaker 1>little spiell I do this, I do this, and it's

0:55:51.600 --> 0:55:55.040
<v Speaker 1>like so this song, this song. Yeah. Yeah. So majority

0:55:55.080 --> 0:55:56.560
<v Speaker 1>of the time it's just me and Blas going into

0:55:56.560 --> 0:55:59.160
<v Speaker 1>these meetings because our attorney in New Jersey. So it's

0:55:59.239 --> 0:56:01.800
<v Speaker 1>like me and him walking in. I'm damning wearing basketball

0:56:01.800 --> 0:56:04.480
<v Speaker 1>source of these meetings and last and the damn Dickie

0:56:04.520 --> 0:56:06.920
<v Speaker 1>suit or something like that, and they talking to us

0:56:06.960 --> 0:56:09.360
<v Speaker 1>like we're just a natural rapper. And then once we

0:56:09.400 --> 0:56:11.560
<v Speaker 1>get to actually having conversation and tell them like what

0:56:11.600 --> 0:56:13.560
<v Speaker 1>we want in the breakdowns and all this type of shit,

0:56:14.360 --> 0:56:17.799
<v Speaker 1>like everybody jawers be dropped and they'd be like, aha,

0:56:17.960 --> 0:56:21.960
<v Speaker 1>like one of these labels we went, they literally stopped

0:56:21.960 --> 0:56:24.239
<v Speaker 1>this mid conversation, was like, bro, this is above my

0:56:24.239 --> 0:56:26.440
<v Speaker 1>pay grade, like we get just in this meeting. I

0:56:26.440 --> 0:56:29.120
<v Speaker 1>can't even have conversations about the type of shit that's

0:56:29.160 --> 0:56:31.360
<v Speaker 1>so crazy. So you guys, do you know, would you

0:56:31.360 --> 0:56:34.040
<v Speaker 1>say you pretty much had meetings with most of the majors?

0:56:35.440 --> 0:56:37.759
<v Speaker 1>I don't know what major we haven't met with. Yeah,

0:56:37.800 --> 0:56:42.839
<v Speaker 1>we met with every major, every single one. Damn. I'm

0:56:42.880 --> 0:56:46.640
<v Speaker 1>trying to think. Yeah, was there a situation that was

0:56:46.800 --> 0:56:51.800
<v Speaker 1>a close second as far as what you guys are considering? Uh?

0:56:51.920 --> 0:56:54.000
<v Speaker 1>I mean, I think when we after we finished that

0:56:54.120 --> 0:56:57.400
<v Speaker 1>one off portion, we were considering everything, you know, like

0:56:57.480 --> 0:56:59.680
<v Speaker 1>we knew we were at a different place in negotiations

0:56:59.680 --> 0:57:02.239
<v Speaker 1>to go to negotiate with a major just because we

0:57:02.320 --> 0:57:04.799
<v Speaker 1>knew they couldn't give us anything less than Rebel had

0:57:04.840 --> 0:57:07.520
<v Speaker 1>already given us on paper. So we was like, all right,

0:57:07.520 --> 0:57:10.399
<v Speaker 1>that precedent has already said, so we know, at the minimum,

0:57:10.680 --> 0:57:12.279
<v Speaker 1>if our mind I made up, we can go to

0:57:12.360 --> 0:57:15.000
<v Speaker 1>another one off in another place, match that same deal

0:57:15.040 --> 0:57:18.520
<v Speaker 1>and see what comes from that. But uh, we got

0:57:18.560 --> 0:57:20.880
<v Speaker 1>some great relationships with some other people of different labels,

0:57:20.920 --> 0:57:23.280
<v Speaker 1>but it didn't ever go that far to where we

0:57:23.280 --> 0:57:25.360
<v Speaker 1>was like biting nails, like, fuck, what do we do?

0:57:25.960 --> 0:57:28.400
<v Speaker 1>That's fair? And get that far what is uh what

0:57:28.440 --> 0:57:31.880
<v Speaker 1>obviously big New Year's show, so I think sold out.

0:57:32.120 --> 0:57:34.640
<v Speaker 1>They sold out in two and a half minutes. That

0:57:34.720 --> 0:57:40.600
<v Speaker 1>shit's crazy two and a half minutes. Obviously we're waiting

0:57:40.640 --> 0:57:45.800
<v Speaker 1>for the official Blast album. Yeah, gonna get in next year.

0:57:47.640 --> 0:57:51.000
<v Speaker 1>I know Blast is gonna drop probably something in between

0:57:51.040 --> 0:57:54.840
<v Speaker 1>his next album, so another another like something, yeah, probably

0:57:54.840 --> 0:57:58.160
<v Speaker 1>like another small EP. Definitely, you know, music is still

0:57:58.240 --> 0:58:01.840
<v Speaker 1>just ramping up. I mean, Blast got so much music, bro.

0:58:01.960 --> 0:58:03.919
<v Speaker 1>I gotta note on my phone with like seventy five

0:58:03.920 --> 0:58:06.640
<v Speaker 1>songs in it. So it's like you make music every day,

0:58:06.680 --> 0:58:08.840
<v Speaker 1>you record at home every day, so it's like it's

0:58:08.880 --> 0:58:15.680
<v Speaker 1>never ending. But anymore collab projects, I mean don't I

0:58:15.680 --> 0:58:17.520
<v Speaker 1>don't know, well, we don't have none on the calendar

0:58:17.600 --> 0:58:21.200
<v Speaker 1>for the collab projects. But I also think that I

0:58:21.280 --> 0:58:24.600
<v Speaker 1>don't really think anybody else would be able to capture

0:58:24.720 --> 0:58:27.400
<v Speaker 1>like the chemistry like him and Beino got. And that's

0:58:27.440 --> 0:58:30.440
<v Speaker 1>not even saying like it's not much larger artists that

0:58:30.600 --> 0:58:32.840
<v Speaker 1>you know what I'm saying that are in Bino's category,

0:58:33.040 --> 0:58:35.040
<v Speaker 1>like in different parts of the country and stuff, but

0:58:36.000 --> 0:58:38.160
<v Speaker 1>just the organic build that it was and a time

0:58:38.240 --> 0:58:41.480
<v Speaker 1>that we were both in like Nip had just passed away,

0:58:41.920 --> 0:58:45.160
<v Speaker 1>last was just producing for beingo and Beno didn't even

0:58:45.200 --> 0:58:47.280
<v Speaker 1>know Blast was an artist, right, So it was like

0:58:47.360 --> 0:58:49.640
<v Speaker 1>through all of that, that's how that shit just built

0:58:49.720 --> 0:58:52.080
<v Speaker 1>so naturally in the sound of a built naturally. But

0:58:53.080 --> 0:58:55.760
<v Speaker 1>I can't see that being replicated. To be honest with you, Well,

0:58:55.880 --> 0:58:57.760
<v Speaker 1>let me ask you this, because there was some records

0:58:57.760 --> 0:59:00.439
<v Speaker 1>on six tape two, pop Out being one of them,

0:59:00.480 --> 0:59:04.280
<v Speaker 1>like where I was like, Yo, this song, why is

0:59:05.360 --> 0:59:07.200
<v Speaker 1>I'll tell you how what I heard from the deaf

0:59:07.280 --> 0:59:10.520
<v Speaker 1>jam side, So essentially like Yo, why the fucking y'all

0:59:10.560 --> 0:59:13.040
<v Speaker 1>activating pop Out a radio or whatever, And they'd be like,

0:59:13.080 --> 0:59:16.600
<v Speaker 1>we can't because it's Blast side on their side. They're

0:59:16.600 --> 0:59:19.080
<v Speaker 1>not clearing that side, you know, like because I felt

0:59:19.160 --> 0:59:22.120
<v Speaker 1>like that was like just the whole entire project of

0:59:22.240 --> 0:59:23.960
<v Speaker 1>records that could have went I mean, and they did

0:59:24.000 --> 0:59:27.320
<v Speaker 1>go crazy, but I mean in terms of like budgets,

0:59:27.560 --> 0:59:31.840
<v Speaker 1>radio pushes, whatever, like yeah, I think that, I mean,

0:59:31.880 --> 0:59:34.520
<v Speaker 1>I think on that side, I don't think that really

0:59:34.640 --> 0:59:37.400
<v Speaker 1>was like low hanging fruit for like us, like for Eagle.

0:59:37.480 --> 0:59:39.280
<v Speaker 1>I think that's more so having to do with like

0:59:39.320 --> 0:59:42.400
<v Speaker 1>probably radio politics, because you know, they was doing working

0:59:42.480 --> 0:59:45.400
<v Speaker 1>chosen all at the same time, right, so you as

0:59:45.440 --> 0:59:49.480
<v Speaker 1>you know, you got whole working shorty shorty, right, And

0:59:49.560 --> 0:59:53.400
<v Speaker 1>so with when it comes down to like these radio

0:59:53.480 --> 0:59:55.320
<v Speaker 1>teams what I'm and this is my first year working

0:59:55.320 --> 0:59:58.240
<v Speaker 1>on radio teams, but they get hell of feisty and

0:59:58.280 --> 1:00:00.240
<v Speaker 1>like possessive over they shit too. So it was like

1:00:00.240 --> 1:00:01.800
<v Speaker 1>a lot of that stuff don't even be making it

1:00:01.840 --> 1:00:04.520
<v Speaker 1>back to us of having conversation about taking us from

1:00:04.520 --> 1:00:07.760
<v Speaker 1>shit to radio or like just activating behind certain stuff.

1:00:07.800 --> 1:00:10.160
<v Speaker 1>But even on top of it, I think that both

1:00:10.200 --> 1:00:14.560
<v Speaker 1>of them just where uh Beino was in his process

1:00:14.600 --> 1:00:17.120
<v Speaker 1>with they camp and then where Blast was at like

1:00:17.200 --> 1:00:20.160
<v Speaker 1>coming to were trying to renegotiate the red Bull situation.

1:00:20.840 --> 1:00:23.080
<v Speaker 1>It just wasn't on either side. I don't think it

1:00:23.120 --> 1:00:25.360
<v Speaker 1>was like available for us to just be like full

1:00:25.400 --> 1:00:27.880
<v Speaker 1>blown out, let's go crazy, because it was so much

1:00:27.920 --> 1:00:30.640
<v Speaker 1>great area in between like both sides and an individual

1:00:30.640 --> 1:00:32.920
<v Speaker 1>business or whatever makes sense sense. So from what I know,

1:00:33.800 --> 1:00:36.280
<v Speaker 1>I just thought that I thought we got three videos.

1:00:36.520 --> 1:00:38.680
<v Speaker 1>It was a great project. Yeah, we did the premiere.

1:00:38.720 --> 1:00:39.960
<v Speaker 1>Did you come to the movie? Shit? I did not.

1:00:40.640 --> 1:00:43.240
<v Speaker 1>We did the documentary premiere, shot the documentary all that

1:00:43.280 --> 1:00:46.760
<v Speaker 1>type of stuff. But definitely I feel like there's probably

1:00:46.760 --> 1:00:49.200
<v Speaker 1>some music on there that, you know, if more of

1:00:49.240 --> 1:00:52.320
<v Speaker 1>the world heard, it probably would have went crazier. But well,

1:00:52.360 --> 1:00:54.760
<v Speaker 1>there it is, man. Anything like, obviously, you guys have

1:00:54.760 --> 1:00:56.680
<v Speaker 1>been dropping so much merch I feel like you guys

1:00:56.720 --> 1:01:01.880
<v Speaker 1>dropped merch often. Yeah, it's feels like you know, yeah,

1:01:01.880 --> 1:01:05.480
<v Speaker 1>I mean everything's are you is this something that Blast

1:01:05.480 --> 1:01:07.840
<v Speaker 1>has direct his hands directly on the designs or so

1:01:07.960 --> 1:01:11.280
<v Speaker 1>Blast does all the designs for the merch Yeah, all

1:01:11.320 --> 1:01:14.160
<v Speaker 1>of them. Yeah, so all the tour merch. There's probably

1:01:14.200 --> 1:01:17.040
<v Speaker 1>one design on the tour merchy like this little bibblehead

1:01:17.360 --> 1:01:21.040
<v Speaker 1>I think he didn't do. But everything else as far

1:01:21.040 --> 1:01:26.680
<v Speaker 1>as like the sheesh button, all the different logos and shit,

1:01:26.720 --> 1:01:29.800
<v Speaker 1>that's all Blasts. So he's doing his design part and

1:01:29.800 --> 1:01:33.640
<v Speaker 1>I do the actual manufacturing, getting distributed, sourcing, fabrics, all

1:01:33.640 --> 1:01:36.840
<v Speaker 1>that type of stuff. So that's where can people go.

1:01:37.040 --> 1:01:39.920
<v Speaker 1>What's the website for the official You can go on

1:01:39.920 --> 1:01:42.600
<v Speaker 1>blast dot com. Okay, yep, on Blast dot com find

1:01:42.600 --> 1:01:45.480
<v Speaker 1>all the products there, Sheeh buttons, t shirts, hitties, all that.

1:01:45.800 --> 1:01:48.160
<v Speaker 1>There's a lot. And then the artists you were telling

1:01:48.240 --> 1:01:50.320
<v Speaker 1>us about who's on ego, when are we going to

1:01:50.360 --> 1:01:53.600
<v Speaker 1>get some solo music? Man? Well, I mean he produced

1:01:53.600 --> 1:01:57.040
<v Speaker 1>the Uh, he produced Go to War with Blasts and Snoop,

1:01:57.760 --> 1:01:59.840
<v Speaker 1>and then he produced pop Out One of Them, One

1:02:00.120 --> 1:02:01.720
<v Speaker 1>US a bunch of stuff. So right now he's just

1:02:01.760 --> 1:02:05.000
<v Speaker 1>really getting this production back so heavy. It damna seemed

1:02:05.000 --> 1:02:06.640
<v Speaker 1>like he's taking that same type of path. But he

1:02:06.720 --> 1:02:09.520
<v Speaker 1>only twenty years old though. Oh yeah, it's like, you know,

1:02:09.560 --> 1:02:12.680
<v Speaker 1>he's still working through growing pains and understanding, like I said,

1:02:12.800 --> 1:02:15.760
<v Speaker 1>music math, Like he making money doing all these productions,

1:02:15.760 --> 1:02:18.960
<v Speaker 1>but I really hold him accountable to understand, like how

1:02:19.000 --> 1:02:20.680
<v Speaker 1>you need to distribute this, how much you're about to

1:02:20.720 --> 1:02:22.320
<v Speaker 1>have to pay through Texas. All the shit we talked

1:02:22.320 --> 1:02:25.040
<v Speaker 1>about today is like my constant conversations with him. The

1:02:25.120 --> 1:02:28.680
<v Speaker 1>last thing I thought it was, I mean, obviously double

1:02:28.840 --> 1:02:32.280
<v Speaker 1>XL has habitually left West Coast Ship off of their

1:02:32.320 --> 1:02:36.480
<v Speaker 1>list throughout the years. You know, they're obviously, I mean

1:02:36.640 --> 1:02:40.680
<v Speaker 1>it's as most media as he's But it was great

1:02:40.680 --> 1:02:43.640
<v Speaker 1>to see Blasts on the cover. YEA. Was that like

1:02:44.320 --> 1:02:46.240
<v Speaker 1>was that something that you guys just expected to happen

1:02:46.440 --> 1:02:48.920
<v Speaker 1>or yeah, I mean we knew head along even before

1:02:49.040 --> 1:02:52.520
<v Speaker 1>the little whole publicity stunt like oh go vote, we

1:02:52.560 --> 1:02:55.520
<v Speaker 1>already knew Blasers on the cover. Yeah. So I mean

1:02:55.880 --> 1:02:58.600
<v Speaker 1>even through all that type of stuff, I think that,

1:02:59.680 --> 1:03:01.640
<v Speaker 1>like what you said earlier, like the music just spoke

1:03:01.680 --> 1:03:04.000
<v Speaker 1>for herself. Like when we did those interviews, it'd be

1:03:04.120 --> 1:03:06.240
<v Speaker 1>ridiculous for music. They was just like what the fuck?

1:03:06.440 --> 1:03:08.480
<v Speaker 1>Like where does this keep coming from? You know for sure?

1:03:08.480 --> 1:03:13.080
<v Speaker 1>And I also feel like, you know, we live in LA,

1:03:13.760 --> 1:03:18.840
<v Speaker 1>so we're in a very like biased consumer market for

1:03:18.960 --> 1:03:22.600
<v Speaker 1>the shit that we think should be on the Freshman cover. Absolutely,

1:03:22.960 --> 1:03:26.320
<v Speaker 1>but I also have lived I've lived in Florida. When

1:03:26.320 --> 1:03:29.000
<v Speaker 1>why'd you drop my crazy life? And why g came

1:03:29.040 --> 1:03:32.520
<v Speaker 1>to Florida and sold like thirty tickets? Like it was

1:03:32.600 --> 1:03:36.280
<v Speaker 1>crazy because in my head, I'm from Phoenix, I'm a

1:03:36.320 --> 1:03:38.040
<v Speaker 1>West Coast dude, and I'm thinking this is the biggest

1:03:38.080 --> 1:03:39.840
<v Speaker 1>shit ever. And then I see with my own eyes,

1:03:40.480 --> 1:03:43.760
<v Speaker 1>oh yeah, it's different. So I do think like as

1:03:43.840 --> 1:03:47.160
<v Speaker 1>much as like, yes, WLEXL has snubbed some West Coast artists,

1:03:47.320 --> 1:03:53.600
<v Speaker 1>I also feel like nationwide they're maybe like like if

1:03:53.600 --> 1:03:56.280
<v Speaker 1>we think of like Roddy probably being the only other

1:03:56.400 --> 1:03:58.200
<v Speaker 1>LA artists like I would say the only right I

1:03:58.240 --> 1:04:00.640
<v Speaker 1>don't want to say that, but but but it's like

1:04:00.680 --> 1:04:05.960
<v Speaker 1>crossing over. But that's just like undeniably a superstar, you know,

1:04:06.120 --> 1:04:09.080
<v Speaker 1>Like there's artists that I've I thought should have been

1:04:09.840 --> 1:04:13.920
<v Speaker 1>what do we doing over there? Cook? Shut Jesus fucking

1:04:14.000 --> 1:04:17.600
<v Speaker 1>crist I thought there was like you know, I mean,

1:04:17.640 --> 1:04:19.240
<v Speaker 1>I would have loved to seen Mazzi on the cover.

1:04:19.280 --> 1:04:21.240
<v Speaker 1>I would have loved this, by the way, that's the artist.

1:04:21.240 --> 1:04:22.840
<v Speaker 1>I wanted to see him do a project with him

1:04:22.840 --> 1:04:24.600
<v Speaker 1>and Mazi Mazzi, I mean, him and Mazi got so

1:04:24.680 --> 1:04:26.880
<v Speaker 1>much music. Shout out to Mazzi, shout out to Devo

1:04:26.960 --> 1:04:29.200
<v Speaker 1>like them is like two of the two of the

1:04:29.280 --> 1:04:31.560
<v Speaker 1>early people. Is one of my favorite rappers in the world.

1:04:31.560 --> 1:04:34.040
<v Speaker 1>To Mazzi is a good person, Like I know, he's

1:04:34.040 --> 1:04:37.040
<v Speaker 1>the best Dave. Dave's the best. That would be to

1:04:37.120 --> 1:04:40.800
<v Speaker 1>me outside of the Beano shit, there's so much music

1:04:40.840 --> 1:04:43.120
<v Speaker 1>between Blast and Mazzi. I would agree with that though,

1:04:43.200 --> 1:04:45.760
<v Speaker 1>that that would be the most natural other thing if

1:04:45.760 --> 1:04:48.240
<v Speaker 1>they did a little four or five piece for the streets.

1:04:48.280 --> 1:04:50.760
<v Speaker 1>I think they both bring some different They both got

1:04:50.800 --> 1:04:54.440
<v Speaker 1>like super significant voices and the fact that Mazzi can

1:04:54.480 --> 1:04:57.760
<v Speaker 1>like really rap rap when they did timing is perfect.

1:04:58.640 --> 1:05:00.680
<v Speaker 1>When it sat in the corner for like three minutes

1:05:00.960 --> 1:05:02.480
<v Speaker 1>and road on a piece of paper and was like,

1:05:02.480 --> 1:05:03.760
<v Speaker 1>fuck this paper, let me go to the studio real

1:05:03.840 --> 1:05:05.760
<v Speaker 1>quick and laid the whole ship. And I was like, whoa,

1:05:05.840 --> 1:05:07.560
<v Speaker 1>because I'm not used to people being able to record

1:05:07.600 --> 1:05:11.960
<v Speaker 1>as fast as Blast, So seeing that them going crazy, Yeah, yeah,

1:05:12.040 --> 1:05:14.440
<v Speaker 1>so you're not and shout out Todavo. I think that

1:05:14.480 --> 1:05:15.800
<v Speaker 1>would be the only I think, to me, when I

1:05:15.840 --> 1:05:17.360
<v Speaker 1>think of like a Like when I was talking earlier,

1:05:17.400 --> 1:05:20.160
<v Speaker 1>I was like, yo, Mazie to me, would be the

1:05:20.160 --> 1:05:24.880
<v Speaker 1>most natural. Like if Blast ever did another EP with somebody, Yeah,

1:05:24.960 --> 1:05:27.240
<v Speaker 1>Mazi one of my favorite rappers, So I can respect that,

1:05:27.240 --> 1:05:29.280
<v Speaker 1>that'd be crazy. Then they got so there's something about

1:05:29.280 --> 1:05:32.160
<v Speaker 1>their chemistry they never missed. Yeah, hey, I'm telling you

1:05:32.960 --> 1:05:34.840
<v Speaker 1>definitely probably gonna get some more music out of there

1:05:34.840 --> 1:05:36.840
<v Speaker 1>for sure for sure. And then just on the like

1:05:37.040 --> 1:05:40.480
<v Speaker 1>do you do it yourself? Agenda? Him and Rust doing

1:05:40.520 --> 1:05:42.120
<v Speaker 1>something would be crazy. I mean, I know they've they've

1:05:42.120 --> 1:05:44.840
<v Speaker 1>done they've done records. I know. Yeah, I'm just saying

1:05:44.840 --> 1:05:46.240
<v Speaker 1>in terms of, like, you know, that'd be kind of

1:05:46.240 --> 1:05:48.720
<v Speaker 1>crazy for them to do something. Yeah, I mean shit

1:05:48.800 --> 1:05:51.000
<v Speaker 1>bro Rest. Bro Rest brought us to his house all

1:05:51.040 --> 1:05:53.920
<v Speaker 1>type of shit and so his whole process, how you

1:05:53.960 --> 1:05:56.640
<v Speaker 1>really be creating all that type of stuff? And Blast

1:05:56.760 --> 1:05:59.520
<v Speaker 1>is definitely very intrigued. So what Mike does blast us

1:05:59.520 --> 1:06:02.040
<v Speaker 1>when he record himself at home? I definitely don't know that.

1:06:02.400 --> 1:06:04.040
<v Speaker 1>You know what's crazy because I think when Blast was

1:06:04.160 --> 1:06:05.840
<v Speaker 1>I was talking to Blast and he was telling me,

1:06:05.920 --> 1:06:08.400
<v Speaker 1>like the interface he uses like and it's like the

1:06:08.440 --> 1:06:11.920
<v Speaker 1>most like go to Guitar Center, to guitars and spend

1:06:11.920 --> 1:06:14.000
<v Speaker 1>like six hundred dollars or something, and like you you

1:06:14.040 --> 1:06:16.600
<v Speaker 1>can have the setup. Blast cuts his ideas at home

1:06:16.640 --> 1:06:18.400
<v Speaker 1>on yeah, I got the Internet. He just takes me

1:06:18.400 --> 1:06:20.000
<v Speaker 1>in interfaces like he picked me up one of them.

1:06:20.800 --> 1:06:23.600
<v Speaker 1>That's crazy. There it is, Man, I appreciate you pulling

1:06:23.640 --> 1:06:25.760
<v Speaker 1>up bro There it is. May go follow him Victor

1:06:25.800 --> 1:06:28.880
<v Speaker 1>Ruler uh new ship coming into New Year from from

1:06:28.920 --> 1:06:31.040
<v Speaker 1>the Eagle Team Boom