1 00:00:08,080 --> 00:00:14,960 Speaker 1: Helaska. Welcome to Monday Show Morning Studio Morning. I had 2 00:00:14,960 --> 00:00:16,799 Speaker 1: a big weekend. I'll catch you guys up on that 3 00:00:16,880 --> 00:00:20,079 Speaker 1: in a little bit. But a bit that we haven't 4 00:00:20,120 --> 00:00:21,159 Speaker 1: done in a long time. And I get a lot 5 00:00:21,200 --> 00:00:23,360 Speaker 1: of calls about it is why don't we do pick 6 00:00:23,360 --> 00:00:26,400 Speaker 1: a bit? And mostly this is something we're doing it 7 00:00:26,480 --> 00:00:28,479 Speaker 1: for months? Or I give you three options for a 8 00:00:28,480 --> 00:00:30,720 Speaker 1: bit we're gonna do, and we choose and then I 9 00:00:30,840 --> 00:00:33,200 Speaker 1: do it, but we never hear from the other bits. 10 00:00:33,720 --> 00:00:37,880 Speaker 1: Right now, the pickabit has three options. Number one, lunchbox 11 00:00:37,880 --> 00:00:41,279 Speaker 1: has a bit? Has anyone seen me on the news? Oh? 12 00:00:41,320 --> 00:00:45,120 Speaker 1: That's still there with an audio ray? Do you still 13 00:00:45,120 --> 00:00:48,720 Speaker 1: have this audio? You do? Yeah? Okay, better not lose 14 00:00:48,720 --> 00:00:53,040 Speaker 1: that audio. It's key to the story. Okay. Number two, Eddie, 15 00:00:53,440 --> 00:00:57,480 Speaker 1: someone's been stealing money from my kid's wallets. Man, I 16 00:00:57,480 --> 00:01:01,560 Speaker 1: don't even know what Number three you don't even know 17 00:01:01,600 --> 00:01:05,000 Speaker 1: the bit anymore. Here, it's been a long time. Law 18 00:01:05,160 --> 00:01:08,640 Speaker 1: enforcement has stepped in to help Amy with something. Oh 19 00:01:08,680 --> 00:01:11,600 Speaker 1: I like that, Stop Eddie, why would you help? You're right? Sorry? 20 00:01:11,800 --> 00:01:15,200 Speaker 1: So since you three have bits up for grabs, you 21 00:01:15,240 --> 00:01:18,040 Speaker 1: can't be in our judging panel. Will be Raymundo Morgan 22 00:01:18,120 --> 00:01:21,160 Speaker 1: and myself. So we're gonna vote Morgan. We can pick lunchboxes. 23 00:01:21,200 --> 00:01:24,680 Speaker 1: Has anyone seen me on the news with audio Eddie 24 00:01:24,760 --> 00:01:28,000 Speaker 1: someone has stealing money from his kid's wallets, or Amy 25 00:01:28,360 --> 00:01:30,880 Speaker 1: law enforcement has come in to help her with something. 26 00:01:31,120 --> 00:01:33,440 Speaker 1: I mean, like, I really want lunchboxes and Eddie's to 27 00:01:33,480 --> 00:01:35,920 Speaker 1: go away, but they just don't sound interesting. So what 28 00:01:35,959 --> 00:01:38,240 Speaker 1: do you do? You know lunch the news? Do you 29 00:01:38,280 --> 00:01:44,960 Speaker 1: not read? You say? Amy? Okay, raymondo. Eddie's is intriguing, 30 00:01:45,120 --> 00:01:48,640 Speaker 1: or somebody getting money stolen lunchboxes has audio which tells 31 00:01:48,640 --> 00:01:51,920 Speaker 1: me it's weak, so he needs supporting help and it's 32 00:01:51,920 --> 00:01:54,760 Speaker 1: probably just not good Amy's with law enforcement. That's such 33 00:01:54,760 --> 00:01:57,800 Speaker 1: a buzzword. But I'm still gonna go with Eddie. I 34 00:01:57,800 --> 00:01:59,680 Speaker 1: want to once him for all figure out who's stealing 35 00:01:59,720 --> 00:02:02,320 Speaker 1: the money from the kids. Okay, if Eddie even remember 36 00:02:02,920 --> 00:02:05,160 Speaker 1: I remember? Now, Yeah, I'm gonna go with It's my 37 00:02:05,160 --> 00:02:08,040 Speaker 1: final vote. I'm gonna go with Eddie. Two really yeah, wow, 38 00:02:08,240 --> 00:02:10,560 Speaker 1: So we're gonna pull it off. To give up that 39 00:02:10,639 --> 00:02:13,520 Speaker 1: you're never gonna don't ever give up. What's the difference 40 00:02:13,600 --> 00:02:15,120 Speaker 1: you give up or not. We're still doing it. I mean, 41 00:02:15,480 --> 00:02:18,040 Speaker 1: we're never gonna pick it, so it doesn't matter. Eddie. 42 00:02:18,360 --> 00:02:22,160 Speaker 1: Yeah you have one pick a bit. Your bid has 43 00:02:22,200 --> 00:02:24,040 Speaker 1: been picked. Tell me someone's been stealing money from your 44 00:02:24,080 --> 00:02:25,960 Speaker 1: kids wallets. We're setting it up like a segment. Ray 45 00:02:26,040 --> 00:02:27,919 Speaker 1: hit the segment intro like we do, and here we go. 46 00:02:30,639 --> 00:02:33,040 Speaker 1: So Eddie's had an issue with his kids. What happened? Well, 47 00:02:33,040 --> 00:02:35,000 Speaker 1: they all have wallets, right, and this is money that 48 00:02:35,040 --> 00:02:37,679 Speaker 1: they've earned from chores and just stuff they do and 49 00:02:37,960 --> 00:02:40,680 Speaker 1: how they've collected money. And all of a sudden, one 50 00:02:40,760 --> 00:02:43,240 Speaker 1: kid says, hey, I had five dollars here and it's 51 00:02:43,280 --> 00:02:44,960 Speaker 1: not there anymore. And then other kids like, oh my gosh, 52 00:02:45,000 --> 00:02:46,960 Speaker 1: I realized that too. I had a bunch of ones. 53 00:02:47,040 --> 00:02:50,680 Speaker 1: They're not here anymore. So four wallets, four boys, Yes, 54 00:02:50,800 --> 00:02:52,880 Speaker 1: three wallets. Oh the baby, no wal No, baby doesn't 55 00:02:52,919 --> 00:02:55,520 Speaker 1: have walked three wallets, three boys. But money is starting 56 00:02:55,520 --> 00:02:58,880 Speaker 1: to be missing? Yes? Is it? Are you? It's not me? 57 00:02:59,000 --> 00:03:01,280 Speaker 1: I've done it before, like we've ordered pizza. I don't 58 00:03:01,320 --> 00:03:04,720 Speaker 1: have cash, I borrow, but this time it's not me. Okay, 59 00:03:05,160 --> 00:03:07,760 Speaker 1: So do you want us try to guess? Sure? Why 60 00:03:08,000 --> 00:03:11,120 Speaker 1: is money missing from Eddie's kids wallets? I don't know 61 00:03:11,160 --> 00:03:13,560 Speaker 1: the answer to this amye takes it. Well, that's what 62 00:03:13,639 --> 00:03:15,560 Speaker 1: I think is Eddie had a couple too many drinks. 63 00:03:15,760 --> 00:03:18,359 Speaker 1: Oh that's a good guess, Dad. He's been drinking a 64 00:03:18,400 --> 00:03:24,280 Speaker 1: little bit, ordered pizza or something out. He doesn't have 65 00:03:24,400 --> 00:03:28,600 Speaker 1: a wallet. But it's like, yeah, okay, what what is 66 00:03:28,639 --> 00:03:32,960 Speaker 1: the answer? So the baby has a little vending cart 67 00:03:33,600 --> 00:03:35,760 Speaker 1: and it comes with like fake sodas, and it comes 68 00:03:35,800 --> 00:03:38,680 Speaker 1: with like, you know, fake sandwiches and hot dogs, and 69 00:03:38,920 --> 00:03:42,040 Speaker 1: he pushes it around the house and I finally, I 70 00:03:42,120 --> 00:03:43,520 Speaker 1: mean this has been going on. I mean it was 71 00:03:43,640 --> 00:03:45,320 Speaker 1: it was months ago, because we've had this bit for 72 00:03:45,360 --> 00:03:47,880 Speaker 1: a while. But but it was like about a three 73 00:03:47,960 --> 00:03:51,320 Speaker 1: week period where he was like, you know, charging us 74 00:03:51,360 --> 00:03:53,080 Speaker 1: for hot dogs and I would give him like play 75 00:03:53,120 --> 00:03:55,040 Speaker 1: money and he would give me real cash back. And 76 00:03:55,080 --> 00:03:56,680 Speaker 1: I was like, okay, maybe I don't know my wife 77 00:03:56,720 --> 00:03:58,680 Speaker 1: gave him cash. He was giving you real change, and 78 00:03:58,720 --> 00:04:00,840 Speaker 1: you didn't question that. Maybe I thought maybe my wife 79 00:04:00,880 --> 00:04:02,400 Speaker 1: gave him a couple of dollars to just make it 80 00:04:02,520 --> 00:04:05,480 Speaker 1: seem real. Well, that's what this fool's been doing. He's 81 00:04:05,520 --> 00:04:08,200 Speaker 1: been taking money out of their wallet's using it for 82 00:04:08,360 --> 00:04:11,120 Speaker 1: his little cart that he pushes around the house. I mean, dude, 83 00:04:11,120 --> 00:04:14,280 Speaker 1: you're talking like almost twenty five dollars in cash that 84 00:04:14,400 --> 00:04:16,880 Speaker 1: he stole. That's good stuff, all right, that's pick of it. 85 00:04:19,080 --> 00:04:21,240 Speaker 1: I can't even remember that. Yeah, it's been so longer, 86 00:04:21,880 --> 00:04:24,360 Speaker 1: eight months, all right, So two bits remain on the 87 00:04:24,440 --> 00:04:27,280 Speaker 1: list we ever get back to it. Lunch Boxes, has 88 00:04:27,279 --> 00:04:31,279 Speaker 1: anyone seen me on the news with audio and Amy? 89 00:04:31,600 --> 00:04:33,480 Speaker 1: Law enforcement has come to help her. Amy. That's a 90 00:04:33,560 --> 00:04:37,120 Speaker 1: good one. I might as well just delete mine. No, 91 00:04:37,320 --> 00:04:41,240 Speaker 1: it'll never get picked. You know. It's great if lunch Box, 92 00:04:41,279 --> 00:04:42,880 Speaker 1: if I could vote, I would have known you one. 93 00:04:42,920 --> 00:04:45,000 Speaker 1: You've never voted for it. That's true, because you always 94 00:04:45,000 --> 00:04:46,640 Speaker 1: say that, and you never vote for it, never vote 95 00:04:46,640 --> 00:04:49,080 Speaker 1: for it, always say that you always always like you 96 00:04:49,120 --> 00:04:50,560 Speaker 1: always like. I wish I could pick lunches, but I 97 00:04:50,600 --> 00:04:53,360 Speaker 1: don't want to pick lunches. Yeah, okay, so here we are. 98 00:04:54,800 --> 00:04:58,200 Speaker 1: Thank you man. That was cool. It's time to open 99 00:04:58,360 --> 00:05:10,720 Speaker 1: up the mailbag. Get something, Hello, Bobby Bones. I have 100 00:05:10,800 --> 00:05:12,720 Speaker 1: a friend's wedding coming up next weekend, but I just 101 00:05:12,800 --> 00:05:15,040 Speaker 1: want tickets with great seats, plus meet and greets to 102 00:05:15,080 --> 00:05:19,720 Speaker 1: carry Underwoods Vegas show the same day. She's my favorite artist. 103 00:05:19,760 --> 00:05:21,600 Speaker 1: This is a once in a lifetime experience, and for 104 00:05:21,720 --> 00:05:24,839 Speaker 1: what it's worth, it's my friend's second marriage. Oh should 105 00:05:24,839 --> 00:05:26,400 Speaker 1: I pass on tickets? Or do you think my friend 106 00:05:26,440 --> 00:05:30,040 Speaker 1: would understand? What should I do? Change my flight? Signed? 107 00:05:30,440 --> 00:05:34,280 Speaker 1: I stand Carrie Underwood? Well it doesn't matter. It's a 108 00:05:34,360 --> 00:05:36,560 Speaker 1: second marriage. Though it doesn't I know it does it 109 00:05:37,000 --> 00:05:39,240 Speaker 1: because it's still super important, maybe even more important than 110 00:05:39,240 --> 00:05:41,240 Speaker 1: the first. Maybe you learned so much from the first 111 00:05:41,640 --> 00:05:44,080 Speaker 1: that the second is now the r So I don't 112 00:05:44,160 --> 00:05:46,080 Speaker 1: let that affect me. Although you didn't make a noise, Amy, 113 00:05:46,240 --> 00:05:48,760 Speaker 1: I made a noise like, oh, I feel like, okay, 114 00:05:48,839 --> 00:05:52,239 Speaker 1: second marriage. If the friend knows your obsession with Carrie Underwood, 115 00:05:52,240 --> 00:05:54,200 Speaker 1: they might be like, you know what, you should go 116 00:05:54,279 --> 00:05:56,680 Speaker 1: do that. But the friend's not saying that. Okay, that's 117 00:05:56,760 --> 00:05:58,839 Speaker 1: not here. I know, but if it was me, that's 118 00:05:58,839 --> 00:06:01,080 Speaker 1: what I'd say to my friends. You would if you 119 00:06:01,120 --> 00:06:07,520 Speaker 1: were getting no way, So no way? What do you think? Amy? 120 00:06:07,520 --> 00:06:09,920 Speaker 1: You go first? Okay? Yeah, I know you have to 121 00:06:09,960 --> 00:06:12,080 Speaker 1: go to the wedding. Yeah, you have to go to 122 00:06:12,120 --> 00:06:14,760 Speaker 1: the Hopefully the whole carry Underwood thing will come back 123 00:06:14,800 --> 00:06:17,840 Speaker 1: to you at another time, but yeah, you have to 124 00:06:17,880 --> 00:06:21,160 Speaker 1: go to the wedding. It stinks and you can be disappointed. 125 00:06:21,720 --> 00:06:23,840 Speaker 1: That's okay to have that feeling, just you don't but 126 00:06:23,920 --> 00:06:28,039 Speaker 1: don't have resentment later. Yeah, and don't be disappointed publicly. Yeah, 127 00:06:28,200 --> 00:06:30,920 Speaker 1: keep that disappointed. Don't be at the wedding all many 128 00:06:31,160 --> 00:06:33,839 Speaker 1: sad sad playing carry songs on your phone and your earbud. 129 00:06:35,200 --> 00:06:42,560 Speaker 1: It stinks. You keep going to the DJ requesting kids Salomon, 130 00:06:42,640 --> 00:06:45,240 Speaker 1: then buy other I don't know. Yeah, if you have 131 00:06:45,320 --> 00:06:46,640 Speaker 1: to pick, you have to pick the wedding. If it's 132 00:06:46,640 --> 00:06:49,080 Speaker 1: a close friend, I would say, if that friend is 133 00:06:49,360 --> 00:06:51,960 Speaker 1: an A level friend or a B plus level friend, 134 00:06:52,000 --> 00:06:54,160 Speaker 1: you go to the wedding. I would say, though B 135 00:06:54,440 --> 00:06:58,080 Speaker 1: minus to C plus you could probably, but if it's 136 00:06:58,080 --> 00:06:59,920 Speaker 1: a close friend, you have to go to the wedding. Eddie, 137 00:07:00,440 --> 00:07:02,440 Speaker 1: I think that it's the fact that it's a second 138 00:07:02,480 --> 00:07:05,560 Speaker 1: wedding is about twenty percent value to it. Like, I mean, 139 00:07:05,640 --> 00:07:07,720 Speaker 1: there's twenty percent of me saying I kind of want 140 00:07:07,720 --> 00:07:09,320 Speaker 1: to go to this concert more than I want to 141 00:07:09,320 --> 00:07:10,800 Speaker 1: go to the wedding. I went to her first one. 142 00:07:10,960 --> 00:07:13,400 Speaker 1: Whatever I want. You're saying that they say that's to 143 00:07:13,400 --> 00:07:16,680 Speaker 1: convince us. Yes, yes, so there's that, But then again 144 00:07:16,760 --> 00:07:18,200 Speaker 1: you do have to evaluate, like if it's one of 145 00:07:18,240 --> 00:07:20,240 Speaker 1: you guys getting married, I'm gonna go to your wedding. 146 00:07:20,280 --> 00:07:22,960 Speaker 1: Even if it's a third wedding, fourth wedding, whatever, I'll go. 147 00:07:23,320 --> 00:07:27,360 Speaker 1: But if it's like you know, another one of my 148 00:07:27,440 --> 00:07:29,600 Speaker 1: friends did, I'm going to the concert lunch. It's a 149 00:07:29,680 --> 00:07:32,120 Speaker 1: once in a lifetime opportunity to go to this concert. 150 00:07:32,240 --> 00:07:34,720 Speaker 1: You go to the concert, your friend will totally understand. 151 00:07:35,000 --> 00:07:37,240 Speaker 1: It's a second wedding. He's the only reason they're having 152 00:07:37,280 --> 00:07:39,840 Speaker 1: a big wedding. It's probably the one they're marrying is 153 00:07:39,880 --> 00:07:41,760 Speaker 1: it's their first wedding. You don't need to be there. 154 00:07:41,840 --> 00:07:44,560 Speaker 1: You can learn about it through pictures. Go to the concert. 155 00:07:44,880 --> 00:07:46,640 Speaker 1: If it's an a friend, you have to go, Yes, 156 00:07:46,920 --> 00:07:48,640 Speaker 1: B minus or below. You don't have to go. But 157 00:07:48,760 --> 00:07:51,880 Speaker 1: lunch weix says a friend go to carry Underwood. That's lunchbox. Yeah, 158 00:07:52,040 --> 00:07:55,320 Speaker 1: a friend will understand and maybe carries lest like I'll 159 00:07:55,360 --> 00:07:57,160 Speaker 1: give them tickets to another show and meet and greets. 160 00:07:57,160 --> 00:07:59,840 Speaker 1: What exactly didn't you say meet and greet? Yeah, exactly, 161 00:08:00,040 --> 00:08:01,840 Speaker 1: meet and greet. When are you ever gonna get to 162 00:08:01,880 --> 00:08:05,240 Speaker 1: meet your your hero Carrie Underwood again? Never boom gotta go? 163 00:08:06,320 --> 00:08:08,520 Speaker 1: Well three to one, that's how we feel. I felt 164 00:08:08,520 --> 00:08:10,680 Speaker 1: like she wants to go to the show, so that 165 00:08:11,040 --> 00:08:13,120 Speaker 1: that's our advice. Good luck with that. Let us know 166 00:08:13,320 --> 00:08:16,200 Speaker 1: afterward what you decided. Thank you. Let's close up the 167 00:08:16,240 --> 00:08:21,160 Speaker 1: mail back. We've got your mail now. It was about 168 00:08:21,240 --> 00:08:26,600 Speaker 1: the cloth. Bobby mack Ye on the phone. It's Monique 169 00:08:26,640 --> 00:08:33,160 Speaker 1: in Texas. Monique, Hi, good morning, studio morning. So so okay, 170 00:08:33,360 --> 00:08:37,679 Speaker 1: I'm kind of notice um I want here from the 171 00:08:37,880 --> 00:08:42,199 Speaker 1: local radio station KG ninety seven. I did win a 172 00:08:42,360 --> 00:08:46,640 Speaker 1: luout today with Lee Brice. I was wondering, like, is 173 00:08:46,720 --> 00:08:50,959 Speaker 1: there some sort of like post COVID etiquette that like 174 00:08:51,640 --> 00:08:54,760 Speaker 1: nobody tells us about, because I feel like I'm gonna 175 00:08:54,920 --> 00:08:58,640 Speaker 1: like completely find girl and try to you know, I 176 00:08:58,679 --> 00:09:00,360 Speaker 1: would be like, Okay, I got it, So I'll do 177 00:09:00,400 --> 00:09:03,000 Speaker 1: Cardie Pierce's part. I'm gonna pull the amy with you know, 178 00:09:03,720 --> 00:09:06,199 Speaker 1: Ryan and Marion over here, and well, how are you 179 00:09:06,280 --> 00:09:08,719 Speaker 1: supposed to be like at what are you supposed to do? 180 00:09:08,800 --> 00:09:13,080 Speaker 1: I'm already freaking out and it's okay, that's a good question. 181 00:09:13,360 --> 00:09:16,400 Speaker 1: Let's remove the COVID thing from it, because I'm just 182 00:09:16,559 --> 00:09:19,200 Speaker 1: normal again. He's gonna be normal again, or he wouldn't 183 00:09:19,240 --> 00:09:21,240 Speaker 1: have any sort of special meet and greet. The question 184 00:09:21,360 --> 00:09:23,559 Speaker 1: is how you act around a celebrity, right, I think 185 00:09:23,600 --> 00:09:27,199 Speaker 1: that's generally it. I think in your situation, Monique, you 186 00:09:27,320 --> 00:09:30,320 Speaker 1: can act like you're a big fan. That's okay. People 187 00:09:30,400 --> 00:09:32,760 Speaker 1: like when they have big fans. Lee Bryce is a 188 00:09:32,800 --> 00:09:35,320 Speaker 1: lot of fans. You wouldn't be there in that situation 189 00:09:35,360 --> 00:09:37,559 Speaker 1: if you weren't a big fan. Now you can be 190 00:09:37,679 --> 00:09:40,319 Speaker 1: a loll over the top, and you could annoy Leebryance 191 00:09:40,400 --> 00:09:41,920 Speaker 1: by being like, oh, let me do this, let me 192 00:09:41,960 --> 00:09:44,280 Speaker 1: do that. I would almost approach it as a student 193 00:09:44,400 --> 00:09:47,400 Speaker 1: in a fourth grade classroom. Now, you want to be 194 00:09:47,480 --> 00:09:49,360 Speaker 1: good with a teacher, you raise your hand, you jump 195 00:09:49,440 --> 00:09:52,720 Speaker 1: in stuff, you're active. Teacher's like, oh I like this student. 196 00:09:52,840 --> 00:09:56,080 Speaker 1: They're smart kids, they're involved. But once you start being 197 00:09:56,080 --> 00:09:57,800 Speaker 1: like ooh me me, me, me me and cutting people off, 198 00:09:57,840 --> 00:10:01,959 Speaker 1: he just like, all right, Timmy, you don't want to 199 00:10:01,960 --> 00:10:04,839 Speaker 1: be Timmy. So let Lee know you're a big fan. 200 00:10:05,320 --> 00:10:06,640 Speaker 1: You know you're in a meet and greet, you're at 201 00:10:06,640 --> 00:10:09,760 Speaker 1: a lou how Apparently, if he says, who wants to 202 00:10:09,840 --> 00:10:11,400 Speaker 1: sing this part, then raise your hand. But I definitely 203 00:10:11,400 --> 00:10:13,280 Speaker 1: wouldn't be like I want to sing this part. Just 204 00:10:13,720 --> 00:10:15,559 Speaker 1: you don't even have to play it cool. Let them 205 00:10:15,600 --> 00:10:18,199 Speaker 1: know you're a fan. Lee Bryce wants fans. Anyone that 206 00:10:18,280 --> 00:10:20,079 Speaker 1: does something where there are fans, they'd like to know that. 207 00:10:20,760 --> 00:10:22,640 Speaker 1: You know, people enjoy what they do and have a 208 00:10:22,720 --> 00:10:27,560 Speaker 1: good time. Just don't be annoying. Fine line between fan 209 00:10:27,640 --> 00:10:30,520 Speaker 1: and super fan. But you sound like you're in good shape, 210 00:10:30,559 --> 00:10:32,760 Speaker 1: you're smiling, you're happy. Take that with you to this 211 00:10:32,840 --> 00:10:34,880 Speaker 1: event and be cool. Now, if you want to be 212 00:10:34,920 --> 00:10:36,480 Speaker 1: a real friend, if you think I have a chance 213 00:10:36,480 --> 00:10:38,040 Speaker 1: to be Lee Bryce's friend in life, don't do any 214 00:10:38,080 --> 00:10:41,760 Speaker 1: of that. And you're not gonna because he doesn't live there. 215 00:10:41,920 --> 00:10:45,160 Speaker 1: But let's say I ran into let me just pick somebody. 216 00:10:45,360 --> 00:10:48,200 Speaker 1: Let's say I ran into Nick Saban. Okay, and Nick 217 00:10:48,240 --> 00:10:51,560 Speaker 1: Saban's like, actually moved two houses down from you. Now, 218 00:10:52,160 --> 00:10:54,720 Speaker 1: I'm not an Alabama fan, but Nick Saban's the greatest 219 00:10:54,760 --> 00:10:56,319 Speaker 1: college football coach of all time. I'd like to be 220 00:10:56,480 --> 00:10:58,839 Speaker 1: Nick Saban's friend. That'd be awesome. But you know what, 221 00:10:58,840 --> 00:11:01,040 Speaker 1: I wouldn't say it's a great culture well coach of 222 00:11:01,080 --> 00:11:03,600 Speaker 1: all time. Man, I'd be like, oh, that's cool, that's great. Well, listen, 223 00:11:03,640 --> 00:11:06,120 Speaker 1: if you and your wife, you know, need see city 224 00:11:06,200 --> 00:11:10,000 Speaker 1: or let me know. I play cool. Is that how 225 00:11:10,000 --> 00:11:13,720 Speaker 1: you always do it? You play cool? No? Yeah, whatever 226 00:11:13,760 --> 00:11:15,520 Speaker 1: it is. Or if hey, if you guys have me question, 227 00:11:15,520 --> 00:11:16,960 Speaker 1: just let us know. You got to play it cool. 228 00:11:17,080 --> 00:11:21,040 Speaker 1: If you want a long term friendship or relationship. If 229 00:11:21,120 --> 00:11:22,719 Speaker 1: you're just going to a one off and it's like 230 00:11:22,760 --> 00:11:25,160 Speaker 1: your favorite person, let them know that your favorite person. 231 00:11:25,320 --> 00:11:27,199 Speaker 1: If you see them in the mall or they're doing it, 232 00:11:27,559 --> 00:11:31,000 Speaker 1: let them know. But if Nick Saban moved next door 233 00:11:31,040 --> 00:11:33,920 Speaker 1: to you, just be like, hey, whatever you need, let 234 00:11:34,000 --> 00:11:36,680 Speaker 1: a sugar, Yeah, yeah, yeah, we're here. Here's my number 235 00:11:36,679 --> 00:11:40,720 Speaker 1: if you need anything. Does that make sense? Money? It does? 236 00:11:40,920 --> 00:11:43,400 Speaker 1: It does? I was just like, you know what, I'm 237 00:11:43,400 --> 00:11:45,360 Speaker 1: just gonna be like, you know, I'm there. I remember, Hey, 238 00:11:45,880 --> 00:11:47,719 Speaker 1: I know this funny Pierce is not here, so and 239 00:11:47,800 --> 00:11:49,960 Speaker 1: I'm just kidding. Yeah, I would drop that. I dropped 240 00:11:50,000 --> 00:11:53,720 Speaker 1: that part of it. If for some reason that becomes 241 00:11:53,760 --> 00:11:56,160 Speaker 1: a thing, say you would like to do it, but 242 00:11:56,520 --> 00:11:59,079 Speaker 1: I wouldn't volunteer. Hey, I'd like to sing a song 243 00:11:59,160 --> 00:12:01,640 Speaker 1: with you, but it's the leebris lu All on kJ 244 00:12:01,800 --> 00:12:04,559 Speaker 1: ninety seven. I'm looking to note now. Congratulations on that 245 00:12:04,679 --> 00:12:07,040 Speaker 1: Lee as a nice guy, and and good luck although 246 00:12:07,080 --> 00:12:09,040 Speaker 1: remember not his basis trying to fight me or something. 247 00:12:09,160 --> 00:12:14,720 Speaker 1: Remember that, Yeah, trying to forget that moment. Yeah, other 248 00:12:14,800 --> 00:12:17,760 Speaker 1: than that, all good. It wasn't late. It wasn't late, 249 00:12:18,200 --> 00:12:21,280 Speaker 1: but Lee didn't stop it. All right, Monique, have a 250 00:12:21,320 --> 00:12:24,839 Speaker 1: good time, all right, have a good morning. Yeah you two. 251 00:12:24,920 --> 00:12:27,679 Speaker 1: Bye bye, good luck, bye bye bye bye. All right, 252 00:12:27,880 --> 00:12:30,440 Speaker 1: thank you. But play it cool, saving if you're listening 253 00:12:30,480 --> 00:12:32,679 Speaker 1: all that stuff. I'm just kidding now, I'm playing it 254 00:12:32,760 --> 00:12:35,080 Speaker 1: cool here. He doesn't even live next to me. All right, 255 00:12:35,200 --> 00:12:43,119 Speaker 1: that's it. It's time for the good news. Good Williamson 256 00:12:43,200 --> 00:12:45,800 Speaker 1: Fire Rescue in Tennessee was dispatched to a vehicle fire, 257 00:12:46,400 --> 00:12:50,360 Speaker 1: which ended in crew saving something very special. We talked 258 00:12:50,360 --> 00:12:52,280 Speaker 1: about this the other day, where there's just random cars 259 00:12:52,320 --> 00:12:53,839 Speaker 1: burnt up on the side of the road. Yeah, and 260 00:12:53,880 --> 00:12:56,520 Speaker 1: I'm like, is that a fire or did like did 261 00:12:56,679 --> 00:12:59,160 Speaker 1: someone try to stay? I don't, but it's just burnt up. 262 00:12:59,480 --> 00:13:01,280 Speaker 1: But a fish will say. The driver of the vehicle 263 00:13:01,600 --> 00:13:04,160 Speaker 1: had recently purchased an engagement ring for his girlfriend, which 264 00:13:04,200 --> 00:13:07,160 Speaker 1: was left in the car after the fire started. Almost 265 00:13:07,240 --> 00:13:10,040 Speaker 1: everything in the vehicle was destroyed, but the ring box 266 00:13:10,120 --> 00:13:13,280 Speaker 1: containing this very important sentimental item was saved with very 267 00:13:13,320 --> 00:13:15,719 Speaker 1: little damage to the box none to the ring. So 268 00:13:15,840 --> 00:13:17,719 Speaker 1: the driver made the decision to ask the girlfriend to 269 00:13:17,760 --> 00:13:21,240 Speaker 1: marry him safely off the road where the fire occurred, 270 00:13:21,280 --> 00:13:24,560 Speaker 1: and she said yes. Wow, what a dramatic story, especially 271 00:13:24,559 --> 00:13:25,800 Speaker 1: if you get a picture of the fire in the backup. 272 00:13:27,360 --> 00:13:31,840 Speaker 1: Volunteer fire engineers Terry Burris, Stephen Hopkins, and firefighter Mitchell 273 00:13:31,960 --> 00:13:34,200 Speaker 1: greenome more credit with saving the day, so the couple 274 00:13:34,280 --> 00:13:36,760 Speaker 1: did not lose their engagement ring, making a memory that 275 00:13:36,800 --> 00:13:39,559 Speaker 1: will last forever along the way, so would the ring even? 276 00:13:39,800 --> 00:13:42,160 Speaker 1: Could the ring be damaged though on the box? I 277 00:13:42,240 --> 00:13:44,160 Speaker 1: know could? I don't know if it's that hot for 278 00:13:44,280 --> 00:13:46,040 Speaker 1: the ring to melt, because you got to have some 279 00:13:46,160 --> 00:13:48,800 Speaker 1: high heat for like metal like that to melt. Well, 280 00:13:48,840 --> 00:13:54,760 Speaker 1: congratulations to the happy couple, you engaged rings, safe, car's gone. 281 00:13:55,160 --> 00:13:57,160 Speaker 1: Sorry about that third one, all right, That's what it's 282 00:13:57,160 --> 00:14:01,480 Speaker 1: all about. That was tell me something good. They made 283 00:14:01,520 --> 00:14:04,280 Speaker 1: a list of the top ten in demand concerts. It's 284 00:14:04,280 --> 00:14:06,600 Speaker 1: happening right now. I've been to a couple of shows, 285 00:14:07,320 --> 00:14:11,760 Speaker 1: Morgan Wallen and then Garth. But does Garth count if 286 00:14:11,800 --> 00:14:13,880 Speaker 1: we opened for him? Oh? Yeah, because you stuck around 287 00:14:13,920 --> 00:14:16,240 Speaker 1: and watched the show. Yeah, I just went to the show, 288 00:14:16,360 --> 00:14:18,440 Speaker 1: even if we didn't open for him. So I've been 289 00:14:18,480 --> 00:14:20,720 Speaker 1: to two Ammy been Deny shows at all. I don't 290 00:14:20,760 --> 00:14:24,040 Speaker 1: think so Eddie I heartened Garth Yeah, oh yeah, I 291 00:14:24,160 --> 00:14:28,120 Speaker 1: heard probably worked, but I watched. I did enjoy it 292 00:14:28,200 --> 00:14:30,840 Speaker 1: all right. Here are the ten shows that are most 293 00:14:30,920 --> 00:14:33,840 Speaker 1: in demand by ticket sales and prices. At number ten, 294 00:14:33,960 --> 00:14:38,560 Speaker 1: Rage against the Machine and this is one that they 295 00:14:38,600 --> 00:14:40,440 Speaker 1: just haven't played together in a long time. People are like, 296 00:14:40,520 --> 00:14:42,840 Speaker 1: Rages back. I would go to this so the band 297 00:14:42,960 --> 00:14:45,320 Speaker 1: is all back together. I would go to a Rage show, yeah, 298 00:14:45,360 --> 00:14:47,840 Speaker 1: because that's from our childhood. And I don't even know 299 00:14:47,840 --> 00:14:49,040 Speaker 1: what they were talking about. And I was like, don't 300 00:14:49,080 --> 00:14:51,280 Speaker 1: talk about Oh yeah, they were mad, so we were mad, 301 00:14:51,440 --> 00:14:53,480 Speaker 1: and like all the big meat head dudes would be like, 302 00:14:53,520 --> 00:14:55,520 Speaker 1: just my jam, but they're all talking about social issues 303 00:14:55,560 --> 00:14:57,800 Speaker 1: and they didn't. There was just you didn't understand. Nobody 304 00:14:57,840 --> 00:15:01,160 Speaker 1: really understood because so but yeah, I used to love age. 305 00:15:01,640 --> 00:15:06,800 Speaker 1: Chili Pepper is at number nine. It's understood. I've seen 306 00:15:06,840 --> 00:15:10,800 Speaker 1: the Chili Peppers probably thirteen times. Wow, not a lot 307 00:15:10,880 --> 00:15:13,480 Speaker 1: in the last seven to ten years, but man, if 308 00:15:13,480 --> 00:15:14,960 Speaker 1: they were anywhere near I used to go. Are you 309 00:15:15,080 --> 00:15:17,080 Speaker 1: gonna skip out on this tour? I'm probably gonna skip 310 00:15:17,080 --> 00:15:19,520 Speaker 1: out on all these I'm being honest, Okay, I don't 311 00:15:19,520 --> 00:15:21,360 Speaker 1: have a lot of time on the weekends. Number eight 312 00:15:21,440 --> 00:15:27,880 Speaker 1: Billy Joel. That's a fun show because it's a lot 313 00:15:27,960 --> 00:15:30,440 Speaker 1: of hits from back in the day that, like we know, 314 00:15:30,560 --> 00:15:33,520 Speaker 1: but also people fifteen years older than us would know. 315 00:15:34,240 --> 00:15:36,040 Speaker 1: I saw him and Elton John in San Antonio. Well, 316 00:15:36,080 --> 00:15:40,200 Speaker 1: that's cool. It's pretty cool there. They duel piano duel, Yeah, 317 00:15:40,520 --> 00:15:42,960 Speaker 1: dueling pianos. They sang together, but they didn't do it 318 00:15:43,240 --> 00:15:45,000 Speaker 1: not like a pub No. I don't even know if 319 00:15:45,000 --> 00:15:49,920 Speaker 1: that means duel, but that's it's a good show. Paul 320 00:15:50,000 --> 00:15:54,160 Speaker 1: McCartney at seven. I just don't want to hear any 321 00:15:54,240 --> 00:15:56,480 Speaker 1: new Paul McCartney stuff. But he does play Beatles stuff, yeah, 322 00:15:56,720 --> 00:15:58,640 Speaker 1: a little bit, and he plays some wing stuff and 323 00:15:59,080 --> 00:16:01,240 Speaker 1: some new stuff. Yeah. So far, I'm not going to 324 00:16:01,440 --> 00:16:02,840 Speaker 1: any of you, but I guess it would be cool 325 00:16:02,840 --> 00:16:05,800 Speaker 1: to see Paul McCartney because he's probably not long for earth. 326 00:16:06,600 --> 00:16:08,720 Speaker 1: I would think so. He may have ten years left, 327 00:16:08,760 --> 00:16:11,200 Speaker 1: but you know, we don't live to a hundreds normally. 328 00:16:11,920 --> 00:16:19,320 Speaker 1: Chris Stapleton at six such a good show. He doesn't 329 00:16:19,360 --> 00:16:20,840 Speaker 1: do a lot of talking though, Like, you're not gonna 330 00:16:20,880 --> 00:16:22,400 Speaker 1: go to stapon show. He's gonna give you a full 331 00:16:22,440 --> 00:16:24,880 Speaker 1: VH one behind the music. You're gonna go. He's gonna 332 00:16:24,920 --> 00:16:26,600 Speaker 1: play all of songs. You're gonna be like Dangy sounds 333 00:16:26,640 --> 00:16:28,080 Speaker 1: just as good as he does on a record. And 334 00:16:28,120 --> 00:16:30,480 Speaker 1: then he's gonna go, Thank you guys. He's gonna walk 335 00:16:30,520 --> 00:16:32,280 Speaker 1: off and you're gonna go what a show. But I 336 00:16:32,320 --> 00:16:35,240 Speaker 1: didn't learn anything about him A man A few words. 337 00:16:35,880 --> 00:16:41,000 Speaker 1: I love Chris Elton John at five, so many hits, 338 00:16:41,520 --> 00:16:47,120 Speaker 1: just hit after hit. Justin Bieber at four. I thought 339 00:16:47,120 --> 00:16:49,520 Speaker 1: this would be a really good concert, except for it's 340 00:16:49,680 --> 00:16:53,840 Speaker 1: it's NonStop screaming. Oh that's tough. The only show I've 341 00:16:53,840 --> 00:16:56,320 Speaker 1: ever been where that has been. The thing was I 342 00:16:56,400 --> 00:16:58,240 Speaker 1: did the thing with Hillary Duff a long time ago 343 00:16:58,280 --> 00:16:59,840 Speaker 1: where she was doing a show and I was working 344 00:17:00,000 --> 00:17:03,520 Speaker 1: and people wouldn't stop screaming the whole show, and I'm going, 345 00:17:03,680 --> 00:17:07,000 Speaker 1: you can't hear a song you're screaming. Now Bieber's fans 346 00:17:07,000 --> 00:17:09,440 Speaker 1: are a bit older now. His music is so good. 347 00:17:09,480 --> 00:17:11,560 Speaker 1: By the way, Justin Bieber now isn't Justin Bieber that 348 00:17:11,600 --> 00:17:14,240 Speaker 1: we like to go, Oh the kid just singing baby 349 00:17:14,440 --> 00:17:17,359 Speaker 1: like his music really good. I would like that show. 350 00:17:17,680 --> 00:17:21,359 Speaker 1: No screaming aloud, but get enforced that, no cheering at all. 351 00:17:22,080 --> 00:17:23,480 Speaker 1: Let's let him play of songs and it's like a 352 00:17:23,560 --> 00:17:26,720 Speaker 1: graduation at the end, we call clap. Number three Morgan 353 00:17:26,800 --> 00:17:32,719 Speaker 1: Wallen went to that one, and everybody's sang pretty much 354 00:17:32,760 --> 00:17:35,080 Speaker 1: every single song. One person in front of us recorded 355 00:17:35,119 --> 00:17:38,000 Speaker 1: every song on their phone. Is the weird I get 356 00:17:38,080 --> 00:17:40,720 Speaker 1: recording posting stuff on your story, but it would be like, oh, 357 00:17:40,760 --> 00:17:44,080 Speaker 1: he's starting a new song. Video record, not Instagram story record, 358 00:17:44,760 --> 00:17:49,000 Speaker 1: record the whole song. It's funny. Number two Kenny Chesney 359 00:17:50,280 --> 00:17:56,080 Speaker 1: the same. These are stadium shows and I like kids 360 00:17:56,119 --> 00:17:58,399 Speaker 1: Chesney pretty good. I like a slow stuff. If Chesney 361 00:17:58,400 --> 00:17:59,960 Speaker 1: did a whole song, the whole concert of slow song, 362 00:18:00,160 --> 00:18:02,800 Speaker 1: I'd be there for sure. But Chesney's got such a 363 00:18:02,920 --> 00:18:07,040 Speaker 1: great lineup of artists on his stadium shows because it's Chesney, 364 00:18:08,000 --> 00:18:12,359 Speaker 1: Dan and Shay Cool Old Dominion. Yeah, so you go, 365 00:18:12,600 --> 00:18:15,119 Speaker 1: and it's just all these people that you'd probably buy 366 00:18:15,119 --> 00:18:16,880 Speaker 1: a ticket to even if they were headlining the show. 367 00:18:17,520 --> 00:18:19,800 Speaker 1: So it's pretty cool, pretty cool. And then number one, 368 00:18:20,359 --> 00:18:23,920 Speaker 1: I mean, I'm not going to this. Come on, it's okay. 369 00:18:23,960 --> 00:18:27,680 Speaker 1: It's two bands together. Okay, they're both in the eighties. 370 00:18:28,080 --> 00:18:29,440 Speaker 1: One of them was on a drum kit that was 371 00:18:29,480 --> 00:18:33,360 Speaker 1: like a roller coaster. He used to ride a roller coaster. Okay, 372 00:18:33,400 --> 00:18:40,160 Speaker 1: so Motley Crue, that's it Monley and one of them's 373 00:18:40,200 --> 00:18:46,560 Speaker 1: drummer only had one arm, damp Leppert. Let's go, guys, 374 00:18:46,640 --> 00:18:49,520 Speaker 1: we should do a show trip to the show, all 375 00:18:49,600 --> 00:18:51,720 Speaker 1: of us. And so in case I'm wondered, Eddie is 376 00:18:51,760 --> 00:18:54,720 Speaker 1: the oldest on the show. Dude, Classic Rock is where 377 00:18:54,760 --> 00:18:56,879 Speaker 1: it's at. I think a lot of obviously a lot 378 00:18:56,880 --> 00:18:58,200 Speaker 1: of people want to go to the show. I think 379 00:18:58,240 --> 00:19:00,960 Speaker 1: it just missed me, like I would go to a 380 00:19:01,400 --> 00:19:03,840 Speaker 1: Chili Peppers Rage Against the Machine show. Oh, I'd go 381 00:19:03,920 --> 00:19:05,920 Speaker 1: to that one too. Yeah, but the other one's a 382 00:19:05,960 --> 00:19:09,880 Speaker 1: little too before my time. But yeah, Tommy Lee wrote 383 00:19:10,520 --> 00:19:12,480 Speaker 1: his drum kit. He had a little cart and he 384 00:19:12,680 --> 00:19:14,320 Speaker 1: it was a like a roller coaster and he would 385 00:19:14,400 --> 00:19:17,800 Speaker 1: drum wise, that's pretty cool, talented. And then the def 386 00:19:17,920 --> 00:19:19,960 Speaker 1: Leopard drummer got into a car wreck and lost an 387 00:19:20,080 --> 00:19:22,600 Speaker 1: arm and had to develop a way to play drums 388 00:19:22,640 --> 00:19:24,399 Speaker 1: with his feet in his one arm, and so he 389 00:19:24,480 --> 00:19:26,600 Speaker 1: still has one arm, Like, was he already a professional 390 00:19:26,680 --> 00:19:28,639 Speaker 1: drummer when he learned yea, yeah, yeah, he was a 391 00:19:28,720 --> 00:19:30,719 Speaker 1: drummer for def Leppard. When he got in the reck, yes, 392 00:19:30,840 --> 00:19:33,119 Speaker 1: and lost an arm and had an it was like, oh, 393 00:19:33,200 --> 00:19:36,080 Speaker 1: curs over. But now you can use his feet his 394 00:19:36,160 --> 00:19:38,600 Speaker 1: one arm. That's pretty cool. But I don't know if 395 00:19:38,600 --> 00:19:40,480 Speaker 1: I want to go to the concert. Yeah I don't either. 396 00:19:40,520 --> 00:19:44,680 Speaker 1: Maybe you show like the highlights. Yeah, that's cool. So 397 00:19:44,840 --> 00:19:46,440 Speaker 1: those are your big concerts. If you had to pick 398 00:19:46,560 --> 00:19:48,440 Speaker 1: one of those, amy of all of them, you go 399 00:19:48,520 --> 00:19:50,399 Speaker 1: to one, Oh it's so hard. Which one do you do? 400 00:19:51,200 --> 00:19:53,880 Speaker 1: Six through two sound really good to me, But I'll 401 00:19:54,040 --> 00:20:01,480 Speaker 1: go Justin Bieber, Eddie Motley, Crude, def Leppard, Baby, Let's go, Lunchbox, Stapleton. Yeah, 402 00:20:02,520 --> 00:20:04,440 Speaker 1: I guess I would pick Stapleton, except I've been a bunch. 403 00:20:04,600 --> 00:20:07,240 Speaker 1: I probably want to experience something new. I'd probably go 404 00:20:07,480 --> 00:20:12,320 Speaker 1: to bed and just missed the show altogether because I 405 00:20:12,400 --> 00:20:15,120 Speaker 1: could use some sleep. All right, there you go. Those 406 00:20:15,119 --> 00:20:16,680 Speaker 1: are the top concerts of you guys want to go 407 00:20:16,760 --> 00:20:18,160 Speaker 1: check him out the summer you can find I'm sure 408 00:20:18,160 --> 00:20:22,200 Speaker 1: I show near you all right. Moments away from Alie 409 00:20:22,240 --> 00:20:24,399 Speaker 1: Colleen in the interview here she's gonna perform in studio 410 00:20:24,640 --> 00:20:27,760 Speaker 1: and she'll probably mention it. I'm not gonna bring it 411 00:20:27,840 --> 00:20:29,720 Speaker 1: up because I think you know she's a great artist 412 00:20:29,760 --> 00:20:33,000 Speaker 1: on her own, but she's a singer songwriter. She's also 413 00:20:33,359 --> 00:20:36,280 Speaker 1: the daughter of Garth Brooks. Her grandmother is the one 414 00:20:36,359 --> 00:20:39,560 Speaker 1: that really got her interested in singing. And she's performing 415 00:20:39,560 --> 00:20:42,160 Speaker 1: on our show before. Really great and she's here now 416 00:20:42,520 --> 00:20:45,360 Speaker 1: like an in all right, here we go, Ali Colleen 417 00:20:46,680 --> 00:20:49,960 Speaker 1: on the Bobby Bones Show. Now, Alie Colleen, Ali got 418 00:20:50,040 --> 00:20:52,760 Speaker 1: to see again. Good morning. So I want to start 419 00:20:52,840 --> 00:20:56,320 Speaker 1: this with We had a guy and named Jelly Roll. 420 00:20:56,960 --> 00:20:58,800 Speaker 1: I don't know if you're familiar with his music. He's 421 00:20:58,960 --> 00:21:01,720 Speaker 1: like a rapper also has it okay? Well great? And 422 00:21:01,880 --> 00:21:04,600 Speaker 1: Amy goes to him immediately because he has a tear 423 00:21:04,680 --> 00:21:07,760 Speaker 1: drop tattoo and goes, hey, that tear drop tattoo. It's 424 00:21:07,800 --> 00:21:10,159 Speaker 1: filled in what And we're like, no, no, no, no, no, 425 00:21:10,560 --> 00:21:13,119 Speaker 1: don't ask about that, because what that means usually is 426 00:21:13,280 --> 00:21:17,520 Speaker 1: they killed somebody. If it's empty, it's the attempted and 427 00:21:17,600 --> 00:21:20,200 Speaker 1: if it's full, they did. And I believe it's answered. 428 00:21:20,280 --> 00:21:22,879 Speaker 1: We didn't even wanted to ask it and she asked 429 00:21:22,960 --> 00:21:26,000 Speaker 1: it and he's like, well, let me just say promise 430 00:21:26,119 --> 00:21:28,520 Speaker 1: is fulfilled or something like that. I'm not even sure 431 00:21:28,600 --> 00:21:30,920 Speaker 1: what happened. If it represents the scariest way to answer 432 00:21:30,960 --> 00:21:34,640 Speaker 1: a questions that chat or something. Yes, So that being said, 433 00:21:35,359 --> 00:21:37,280 Speaker 1: I'm gonna ask. I'm gonna ask her. I'm gonna brave 434 00:21:37,320 --> 00:21:40,439 Speaker 1: like you your tear drop tattoo? Did you kill somebody? Um? 435 00:21:40,640 --> 00:21:42,399 Speaker 1: I get that question a lot on to talk. I 436 00:21:42,480 --> 00:21:44,680 Speaker 1: get a lot of nice prison tat and I'm always like, 437 00:21:44,720 --> 00:21:46,840 Speaker 1: you understand if that's the case, I'm out right, what 438 00:21:47,119 --> 00:21:49,040 Speaker 1: is that tattoo? It's not a tear drop too, so 439 00:21:49,119 --> 00:21:52,440 Speaker 1: today it's a ninety eight for you guys, it's not real. 440 00:21:52,680 --> 00:21:54,520 Speaker 1: Oh that's not a real tattoo under your eye? No, 441 00:21:54,920 --> 00:21:56,600 Speaker 1: because I thought it was new and I thought she'd 442 00:21:56,640 --> 00:21:59,120 Speaker 1: possibly just murdered someone in the last few days. Well 443 00:21:59,400 --> 00:22:01,480 Speaker 1: I'm not I'm not discrediting any of that, but this 444 00:22:01,800 --> 00:22:04,840 Speaker 1: right here is a fake tattoo. No. Um, I do 445 00:22:05,600 --> 00:22:08,480 Speaker 1: because for my my throat tattoo, I wore temporaries for 446 00:22:08,520 --> 00:22:10,280 Speaker 1: a long time to make sure it like I liked 447 00:22:10,359 --> 00:22:11,960 Speaker 1: the placement and like, if I looked this way, you 448 00:22:12,000 --> 00:22:13,840 Speaker 1: could still tell what it was and like all those 449 00:22:13,880 --> 00:22:17,840 Speaker 1: different things, and so then I love facetats. I think 450 00:22:17,880 --> 00:22:21,080 Speaker 1: they're rap. I really do. So I was thinking about it, 451 00:22:21,119 --> 00:22:23,200 Speaker 1: so I started wearing temporaries for that. But then it 452 00:22:23,280 --> 00:22:26,240 Speaker 1: just became this whole thing. So when I go to 453 00:22:26,359 --> 00:22:28,080 Speaker 1: like my friend shows, I put their logo as my 454 00:22:28,160 --> 00:22:30,840 Speaker 1: facetat or like today, the big ninety eight is the 455 00:22:30,920 --> 00:22:34,200 Speaker 1: face tat um. Usually it's a horseshoe or like a 456 00:22:34,400 --> 00:22:37,359 Speaker 1: rose or something like that. But it's just kind of 457 00:22:37,359 --> 00:22:39,160 Speaker 1: became a thing. And now our fan club will pick 458 00:22:39,200 --> 00:22:40,760 Speaker 1: the tat per show, like I'll give him a couple 459 00:22:40,760 --> 00:22:42,200 Speaker 1: of options and let's pick what they want to see. 460 00:22:42,520 --> 00:22:44,640 Speaker 1: And it's just it's been like a really really cool thing. 461 00:22:44,720 --> 00:22:47,520 Speaker 1: And now that I can have anything from something silly 462 00:22:47,600 --> 00:22:50,719 Speaker 1: to something meaningful to whatever, like, I really like being 463 00:22:50,760 --> 00:22:52,000 Speaker 1: able to change it all the time. So I don't 464 00:22:52,000 --> 00:22:53,199 Speaker 1: know if I would ever get it, but I think 465 00:22:53,200 --> 00:22:55,639 Speaker 1: it's rap. Yeah I get a temporary face tattoo. Yeah right, 466 00:22:55,920 --> 00:22:57,359 Speaker 1: but then I know me then I'll be like, no, 467 00:22:57,480 --> 00:22:59,280 Speaker 1: I looks good. I should get it for real. That 468 00:22:59,520 --> 00:23:03,119 Speaker 1: you will, I know you brought it up. We'll talk 469 00:23:03,119 --> 00:23:06,240 Speaker 1: about your throat that's your throat or neck tattoo. I'm 470 00:23:06,280 --> 00:23:09,240 Speaker 1: not for sure what how you would call that? What 471 00:23:09,600 --> 00:23:12,240 Speaker 1: do you say throat neck? You have chat? What is 472 00:23:12,240 --> 00:23:15,119 Speaker 1: this tattoo? I think I say throat tattoo. That's a butterfly. 473 00:23:15,720 --> 00:23:19,199 Speaker 1: It's a firefly, Okay, and it's real. Yeah, I got 474 00:23:19,280 --> 00:23:23,320 Speaker 1: it in January of twenty twenty. Um. But it's so funny. 475 00:23:23,400 --> 00:23:25,920 Speaker 1: I get people come up to my shows and they're 476 00:23:25,920 --> 00:23:28,240 Speaker 1: so sweet and they'll they'll bring me gifts and they'll 477 00:23:28,280 --> 00:23:31,399 Speaker 1: hand it to me and they go, tell us about 478 00:23:31,400 --> 00:23:34,199 Speaker 1: the dragonfly. And I have so many dragonfly gifts at 479 00:23:34,240 --> 00:23:36,119 Speaker 1: home that I just like glue to Ryan Stone to 480 00:23:36,200 --> 00:23:37,960 Speaker 1: the butt and called it good and said that it 481 00:23:38,080 --> 00:23:40,800 Speaker 1: was a firefly. But um, so it's not even it 482 00:23:40,880 --> 00:23:44,320 Speaker 1: is a firefly. We're saying that right now, officially stop 483 00:23:44,400 --> 00:23:46,200 Speaker 1: with the dragon got a little light bulb on the 484 00:23:46,240 --> 00:23:48,480 Speaker 1: bottom of like the thing like when you look up 485 00:23:48,520 --> 00:23:51,000 Speaker 1: close on it. But it's a firefly. Um it's literally 486 00:23:51,040 --> 00:23:54,439 Speaker 1: for Princess and the frog. That's pretty cool. I mean, 487 00:23:54,480 --> 00:23:57,320 Speaker 1: I'm not I don't have this strength or pain tolerance 488 00:23:57,359 --> 00:23:59,159 Speaker 1: to get one there, or I'm not cool enough, but 489 00:23:59,280 --> 00:24:01,600 Speaker 1: I like it. It's pretty cool place to have a tattoo. Dang, 490 00:24:01,640 --> 00:24:05,080 Speaker 1: I I want to face tattoo. Now get temps? Yeah, 491 00:24:05,600 --> 00:24:07,040 Speaker 1: how do you get those though? How do you get 492 00:24:07,119 --> 00:24:10,080 Speaker 1: temporary fate? Where is that custom ones buy online? Well, like, 493 00:24:10,280 --> 00:24:12,719 Speaker 1: this is eyeliner, so I just I draw it. Um 494 00:24:13,200 --> 00:24:14,919 Speaker 1: so the customer ones I have to draw. I think 495 00:24:14,960 --> 00:24:17,359 Speaker 1: you can't order them, but I haven't found a company 496 00:24:17,440 --> 00:24:20,080 Speaker 1: that like you can pick your sizes. But like Altered 497 00:24:20,160 --> 00:24:23,800 Speaker 1: State or like any store on the planet usually has 498 00:24:23,840 --> 00:24:28,159 Speaker 1: like finger tattoo packs, mantos. What I look with a 499 00:24:28,320 --> 00:24:30,480 Speaker 1: face tattoo, I get the respect I've always wanted. I 500 00:24:30,560 --> 00:24:33,280 Speaker 1: bet we have some eyeliner right now. I drove I 501 00:24:33,400 --> 00:24:35,119 Speaker 1: do in case mine rubs off. So I got you. 502 00:24:35,880 --> 00:24:38,920 Speaker 1: I got you? Okay, Well you know I was listening 503 00:24:38,960 --> 00:24:40,280 Speaker 1: to you sound check and I will say this, and 504 00:24:40,320 --> 00:24:43,040 Speaker 1: I mean this in the best best way since the 505 00:24:43,160 --> 00:24:45,520 Speaker 1: time we've met you. I feel like you're still getting 506 00:24:45,600 --> 00:24:49,000 Speaker 1: so much better as a performer. Yes, thank you so much. 507 00:24:49,080 --> 00:24:50,960 Speaker 1: Just and I want what we should just play now 508 00:24:51,040 --> 00:24:53,400 Speaker 1: and talk more later. But just listening to your sound check, 509 00:24:53,440 --> 00:24:54,920 Speaker 1: I was like, and I knew you were great last 510 00:24:54,960 --> 00:24:56,800 Speaker 1: time you're here, but I was like, holy crap. I 511 00:24:56,840 --> 00:24:59,080 Speaker 1: think somehow she's even gotten better. Do you feel like 512 00:24:59,200 --> 00:25:02,680 Speaker 1: you're still growing as a performer? Absolutely? Absolutely, And it's 513 00:25:02,840 --> 00:25:06,440 Speaker 1: it's it's really fun and it's really encouraging, because that 514 00:25:06,880 --> 00:25:09,560 Speaker 1: tends to be the main compliment that we get on 515 00:25:09,640 --> 00:25:10,920 Speaker 1: the road, you know, was Hey, we saw you in 516 00:25:10,960 --> 00:25:13,480 Speaker 1: Scoreboard and Nashville four years ago and it was amazing, 517 00:25:13,520 --> 00:25:16,800 Speaker 1: it was great, it was fun, but like completely different artists, 518 00:25:16,840 --> 00:25:19,919 Speaker 1: it seems like now and I thinks that's cool, right, 519 00:25:19,960 --> 00:25:22,040 Speaker 1: you just want to keep growing. Yes, However, if someone 520 00:25:22,080 --> 00:25:23,800 Speaker 1: said to me, dang, you are way better now than 521 00:25:23,840 --> 00:25:25,040 Speaker 1: you were three years ago, I'll be like, are you 522 00:25:25,080 --> 00:25:27,679 Speaker 1: saying I suck three years ago? I am not as 523 00:25:27,760 --> 00:25:29,560 Speaker 1: mature as you, and I do not understand how to 524 00:25:29,600 --> 00:25:31,560 Speaker 1: take compliments. Well, when y'all are so kind to have 525 00:25:31,640 --> 00:25:32,960 Speaker 1: me on the show the first time, you know, we 526 00:25:33,080 --> 00:25:35,840 Speaker 1: brought this really sweet encouraging song called work in Progress, 527 00:25:36,040 --> 00:25:37,320 Speaker 1: you know, and the whole point of it is I'm 528 00:25:37,359 --> 00:25:38,960 Speaker 1: the best I've ever been, but not the best I'll 529 00:25:38,960 --> 00:25:41,720 Speaker 1: ever be. So I think that it really caters to 530 00:25:42,359 --> 00:25:44,159 Speaker 1: myself as an artist and the career and stuff. For 531 00:25:44,280 --> 00:25:46,640 Speaker 1: that to always be the case. I want to play 532 00:25:46,720 --> 00:25:49,359 Speaker 1: just a clip of work in progress. You may remember 533 00:25:49,400 --> 00:25:58,760 Speaker 1: this from Ali being here last time. So this song 534 00:25:58,840 --> 00:26:01,480 Speaker 1: here that you're going to play us, it's called Halos 535 00:26:01,520 --> 00:26:05,439 Speaker 1: and Horns. So tell me about just the song in general. 536 00:26:06,280 --> 00:26:08,440 Speaker 1: You wrote it, So you're in the room and where 537 00:26:08,480 --> 00:26:11,080 Speaker 1: did this idea come from? Halos and Horns is really 538 00:26:11,160 --> 00:26:12,920 Speaker 1: rad at something that we're very proud of. Um. I 539 00:26:12,960 --> 00:26:15,320 Speaker 1: wrote it with Stephen Hunley and Eric Dodd, and we 540 00:26:15,440 --> 00:26:17,440 Speaker 1: just kind of we kind of seemed to be this 541 00:26:17,720 --> 00:26:20,920 Speaker 1: this little magic writing team for me. I love everything 542 00:26:21,000 --> 00:26:25,240 Speaker 1: that we do, and Halos and Horns is just it's 543 00:26:25,240 --> 00:26:28,879 Speaker 1: just that archaic theme of good and evil for the 544 00:26:29,040 --> 00:26:33,040 Speaker 1: hero of a cowboy, you know, and just like what 545 00:26:33,240 --> 00:26:36,119 Speaker 1: that life looks like between all those archaic elements of 546 00:26:36,160 --> 00:26:38,200 Speaker 1: the cowboy good and bad, you know, like they never stay, 547 00:26:38,320 --> 00:26:40,600 Speaker 1: but also they work harder than anybody else, all of 548 00:26:40,680 --> 00:26:42,800 Speaker 1: those things, and just like really trying to find that 549 00:26:42,920 --> 00:26:47,760 Speaker 1: lifeline and life between just good and bad and honestly 550 00:26:47,800 --> 00:26:52,119 Speaker 1: what that even means. As we all know, my family 551 00:26:52,240 --> 00:26:55,200 Speaker 1: has this this big supporting mantra of everything that is 552 00:26:55,240 --> 00:26:57,000 Speaker 1: a blessing is a curse. And I think that that 553 00:26:57,240 --> 00:27:00,520 Speaker 1: has been something that's been ever present in my life 554 00:27:00,560 --> 00:27:02,480 Speaker 1: just being a kid, you know, trying to sort out 555 00:27:02,560 --> 00:27:07,200 Speaker 1: who I am between an amazing legacy that my family 556 00:27:07,280 --> 00:27:09,119 Speaker 1: has and then just who I am as an artist 557 00:27:09,240 --> 00:27:11,840 Speaker 1: on my own. And it's been it's been challenging, it's 558 00:27:11,880 --> 00:27:13,920 Speaker 1: been difficult. And Halos and Horns is just this really 559 00:27:14,000 --> 00:27:16,399 Speaker 1: rad song, fairly similar to Work in Progress that just 560 00:27:16,480 --> 00:27:18,840 Speaker 1: kind of lets you know that there is an ever 561 00:27:18,960 --> 00:27:21,360 Speaker 1: going battle on for me, you know, to figure out 562 00:27:21,640 --> 00:27:23,680 Speaker 1: who I am and how to be represented truthfully. And 563 00:27:24,040 --> 00:27:25,520 Speaker 1: I think all of us do that in a sense, 564 00:27:26,280 --> 00:27:27,960 Speaker 1: and Halos and Horns just says it in a really 565 00:27:28,040 --> 00:27:30,880 Speaker 1: rad way. Right here. She is Ali clean and she's 566 00:27:30,920 --> 00:27:34,000 Speaker 1: gonna play her new song. Halos and Horns, go ahead, Ali, 567 00:27:46,160 --> 00:27:47,840 Speaker 1: I'm a son him morn and sent her in a 568 00:27:47,960 --> 00:27:52,080 Speaker 1: white hurt all my knees brantil it hurts in the 569 00:27:52,200 --> 00:27:57,680 Speaker 1: back role with all the other loss souls. I'm a 570 00:27:57,760 --> 00:28:01,199 Speaker 1: double shot of whiskey in a dive ball. Are cowboy 571 00:28:01,320 --> 00:28:05,119 Speaker 1: looking for a wild card I can take home for 572 00:28:05,320 --> 00:28:10,160 Speaker 1: the sun. I'm a long gone, I'm boiling hot, I'm 573 00:28:10,240 --> 00:28:15,000 Speaker 1: freezing cold, holding on letting go, and I don't know 574 00:28:15,280 --> 00:28:20,600 Speaker 1: why I can't pick a side I'm a shirt for 575 00:28:20,920 --> 00:28:27,880 Speaker 1: bad come alongside, can't buy Eat it Alive, but I'm 576 00:28:28,000 --> 00:28:32,359 Speaker 1: hard to hit on now. I'm an angel mixed with 577 00:28:32,600 --> 00:28:35,119 Speaker 1: the hell being a rell got a heart of God. 578 00:28:35,280 --> 00:28:38,000 Speaker 1: I'm a silver tongue devil and I don't know why. 579 00:28:38,800 --> 00:28:44,960 Speaker 1: I'm alwayst horn. This is the way I am. I 580 00:28:45,280 --> 00:28:52,640 Speaker 1: was borned in a halo and a horn between the 581 00:28:52,720 --> 00:29:03,960 Speaker 1: halo and old Holy crap. I'm telling you, man, the 582 00:29:04,120 --> 00:29:05,880 Speaker 1: last time you came in, we were like, dang all, 583 00:29:05,920 --> 00:29:09,400 Speaker 1: he's good, Like that's you've just growan You're so good, 584 00:29:09,640 --> 00:29:11,840 Speaker 1: Thank you so good. It's been a really really fun 585 00:29:11,880 --> 00:29:14,640 Speaker 1: song to work on. I um, I love my rider 586 00:29:14,680 --> 00:29:17,800 Speaker 1: Stephen Henley and Eric Dodd and then um the producers 587 00:29:17,840 --> 00:29:20,360 Speaker 1: are Lee Bryce and Jared Neeman and myself and Cody 588 00:29:20,440 --> 00:29:22,560 Speaker 1: LaBelle and that was just a really rod process to 589 00:29:22,640 --> 00:29:26,040 Speaker 1: do with them and to experiment with that, and it's 590 00:29:26,040 --> 00:29:29,360 Speaker 1: just been rad. So Eric Dodd a vacation fame. I 591 00:29:29,400 --> 00:29:31,480 Speaker 1: don't know if you're familiar with there, God, he's reading 592 00:29:31,480 --> 00:29:33,560 Speaker 1: a couple of big smashes, Vacation one and ray Win's 593 00:29:33,640 --> 00:29:36,400 Speaker 1: Vacation right to thank actually for connecting me with with 594 00:29:36,560 --> 00:29:38,880 Speaker 1: Eric Doddy and Bay connect to do with Eric a 595 00:29:38,880 --> 00:29:40,440 Speaker 1: couple of years ago. We've been writing a long time. 596 00:29:40,600 --> 00:29:42,760 Speaker 1: Ray Win's Vacation too. Come in a couple of weeks. 597 00:29:42,800 --> 00:29:46,320 Speaker 1: I don't know why it's taking so long, alright. So 598 00:29:47,320 --> 00:29:49,080 Speaker 1: we were talking a little bit before we went on 599 00:29:49,120 --> 00:29:50,479 Speaker 1: the air here and you'd mentioned that one of your 600 00:29:50,520 --> 00:29:52,920 Speaker 1: fears is being stabbed from behind while doing it. Uh 601 00:29:54,400 --> 00:29:58,200 Speaker 1: TikTok live um, you know. And we were in that 602 00:29:58,320 --> 00:29:59,760 Speaker 1: conversation and it was like, oh, we gotta go on 603 00:29:59,800 --> 00:30:02,080 Speaker 1: the air now. But I did not know that this 604 00:30:02,280 --> 00:30:04,920 Speaker 1: was a big fear of yours. I understand not liking it. 605 00:30:05,080 --> 00:30:06,600 Speaker 1: The thought of it does sound pretty bad, but I 606 00:30:06,600 --> 00:30:08,200 Speaker 1: didn't know that somebody had thought about before. Well, it's 607 00:30:08,200 --> 00:30:10,480 Speaker 1: so goofy It happened because just one night I was 608 00:30:10,520 --> 00:30:12,600 Speaker 1: on Live really late, and I was doing stuff and 609 00:30:12,640 --> 00:30:14,560 Speaker 1: I just kept hearing all these really weird sounds like 610 00:30:14,640 --> 00:30:16,800 Speaker 1: coming from us by my house and like nothing happened, 611 00:30:17,120 --> 00:30:20,240 Speaker 1: but I just kept thinking, like, what are you guys 612 00:30:20,360 --> 00:30:23,480 Speaker 1: gonna do if someone busts in my house right now? 613 00:30:23,800 --> 00:30:25,480 Speaker 1: You know what I mean? And it just ever since 614 00:30:25,560 --> 00:30:27,200 Speaker 1: that night, I've kind of thought about it. And then 615 00:30:27,680 --> 00:30:29,680 Speaker 1: again before the show, we were talking about just people's 616 00:30:29,680 --> 00:30:31,800 Speaker 1: comments and how weird they can be, and like some 617 00:30:31,960 --> 00:30:34,080 Speaker 1: of the comments will be like, oh my gosh, there's 618 00:30:34,080 --> 00:30:36,200 Speaker 1: somebody behind you, and it's just it's just so you 619 00:30:36,280 --> 00:30:37,680 Speaker 1: turn around and freak out, you know what I mean, 620 00:30:37,800 --> 00:30:39,360 Speaker 1: or like whatever the case is, even though you can 621 00:30:39,440 --> 00:30:41,960 Speaker 1: see the reflection on your front camera, but it's just 622 00:30:42,080 --> 00:30:44,320 Speaker 1: people are just goofy and I'm goofy and it yeah, 623 00:30:44,360 --> 00:30:46,760 Speaker 1: it's fear. The problem is if the one time you 624 00:30:46,800 --> 00:30:49,280 Speaker 1: don't turn around, there as someone behind you stabbing you, 625 00:30:49,920 --> 00:30:51,520 Speaker 1: I know, So you have share on every time just 626 00:30:51,640 --> 00:30:54,040 Speaker 1: in case. Yeah, new anxiety unlocked. Why are you playing? 627 00:30:54,120 --> 00:30:55,560 Speaker 1: Are you playing so late? Are you playing at four 628 00:30:55,560 --> 00:30:58,800 Speaker 1: in the morning? I'm live, I mean I'm waking up. 629 00:30:58,880 --> 00:31:00,719 Speaker 1: Did come to the show, but that's a late night. 630 00:31:00,920 --> 00:31:03,840 Speaker 1: I have such a kind and supporting following in like 631 00:31:03,960 --> 00:31:07,000 Speaker 1: Scotland and Ireland and in the UK, and like that's 632 00:31:07,040 --> 00:31:09,920 Speaker 1: when they're waking up, you know, and like especially like 633 00:31:10,000 --> 00:31:11,840 Speaker 1: around so I usually go on from like two to 634 00:31:11,960 --> 00:31:13,960 Speaker 1: four or three to five or whatever the case is, 635 00:31:14,040 --> 00:31:16,840 Speaker 1: and and they're just so much kinder, you know. I 636 00:31:16,960 --> 00:31:19,320 Speaker 1: find that if I go TikTok live at five pm 637 00:31:19,800 --> 00:31:25,840 Speaker 1: here it's just gonna be continual comments of just absolute nonsense, 638 00:31:25,960 --> 00:31:27,880 Speaker 1: you know, and like half of its rude, half its nonsense, 639 00:31:27,880 --> 00:31:31,520 Speaker 1: half it's whatever. And I do read every single comment 640 00:31:31,600 --> 00:31:33,080 Speaker 1: on the lives. I read them while I'm singing. I 641 00:31:33,120 --> 00:31:34,840 Speaker 1: do all that stuff so like it will affect the 642 00:31:34,920 --> 00:31:36,280 Speaker 1: live a lot for me if that's what all the 643 00:31:36,320 --> 00:31:39,720 Speaker 1: comments are. So I just just cocoon and just do 644 00:31:39,800 --> 00:31:41,600 Speaker 1: it at two in the morning, when there's just a 645 00:31:41,760 --> 00:31:44,400 Speaker 1: kind listening audience. I guess you care so much about 646 00:31:44,600 --> 00:31:46,080 Speaker 1: your people. I mean me, I don't even want to 647 00:31:46,080 --> 00:31:50,480 Speaker 1: wake up early for East Coast much the country. Listen, Boston, 648 00:31:50,560 --> 00:31:51,920 Speaker 1: we love you, but I don't get that hour to 649 00:31:51,960 --> 00:31:54,560 Speaker 1: spare in all fairness, And I was explaining this lunchboxes. 650 00:31:54,600 --> 00:31:56,600 Speaker 1: I don't wake up to go on these lives, you know. 651 00:31:56,680 --> 00:31:59,000 Speaker 1: I just I'm already up day. Yeah, I'm already up, 652 00:31:59,040 --> 00:32:00,680 Speaker 1: and I don't wake up. I'm not up early in 653 00:32:00,760 --> 00:32:03,560 Speaker 1: the morning. So my hours are just different than everybody else's. 654 00:32:03,680 --> 00:32:05,760 Speaker 1: I read a story about a girl back in the nineties, 655 00:32:06,280 --> 00:32:09,440 Speaker 1: some actress, that she liked going to clubs, but she 656 00:32:09,600 --> 00:32:12,360 Speaker 1: would go to bed at like five or six pm 657 00:32:12,720 --> 00:32:14,280 Speaker 1: and sleep until two or three. Then she would just 658 00:32:14,280 --> 00:32:16,120 Speaker 1: started her day, but she'd started at the club. You know, 659 00:32:16,200 --> 00:32:18,320 Speaker 1: she'd go on two or three in the morning, she'd 660 00:32:18,360 --> 00:32:19,760 Speaker 1: go to club of on, wake up and have fun 661 00:32:19,800 --> 00:32:21,480 Speaker 1: and then just go to work and not do that. 662 00:32:22,360 --> 00:32:24,200 Speaker 1: Like that's on't pretty cool? But I don't want to 663 00:32:24,200 --> 00:32:26,120 Speaker 1: wake up. I mean I wake up crazy hours. But 664 00:32:26,280 --> 00:32:30,040 Speaker 1: listen enough about me that you were gonna I don't 665 00:32:30,040 --> 00:32:31,480 Speaker 1: know where I'm gonna go. I don't know what clubs 666 00:32:32,720 --> 00:32:34,600 Speaker 1: into it. There's no word. All right, well, adjust my 667 00:32:34,680 --> 00:32:37,040 Speaker 1: hours and I'm gonna do that. You ever play any 668 00:32:37,320 --> 00:32:38,960 Speaker 1: like early on when you're like I think I want 669 00:32:38,960 --> 00:32:40,760 Speaker 1: to You ever go and do like the long bar 670 00:32:40,880 --> 00:32:42,960 Speaker 1: sessions where you play for hours and hours? Did you 671 00:32:42,960 --> 00:32:44,760 Speaker 1: ever have to do that at all? Oh? Yeah? I 672 00:32:44,880 --> 00:32:47,160 Speaker 1: had what I called a residence. I called a residence 673 00:32:47,240 --> 00:32:50,280 Speaker 1: because it sounds cool. But Scoreboard, um here in Nashville 674 00:32:50,640 --> 00:32:53,040 Speaker 1: was my place for about five years. And what was 675 00:32:53,120 --> 00:32:54,600 Speaker 1: that night like for you? If you went to play there? 676 00:32:54,680 --> 00:32:56,560 Speaker 1: For about five years, I would play on Saturday nights 677 00:32:56,640 --> 00:32:59,560 Speaker 1: and I would play three hour sets. And I loved 678 00:32:59,640 --> 00:33:02,440 Speaker 1: score Board and I became very attached to Scoreboard because 679 00:33:02,920 --> 00:33:04,600 Speaker 1: you know, Nashville is so rat and there's so many 680 00:33:04,600 --> 00:33:07,520 Speaker 1: places to find musicians, but there's also a very interesting 681 00:33:07,600 --> 00:33:12,000 Speaker 1: relationship with with venues that is not necessarily happening so 682 00:33:12,120 --> 00:33:15,479 Speaker 1: much because musicians here are just playing everywhere they can 683 00:33:15,560 --> 00:33:17,840 Speaker 1: all the time, and so it was very important for 684 00:33:17,960 --> 00:33:20,920 Speaker 1: me to find a venue that one champion to me 685 00:33:21,040 --> 00:33:24,000 Speaker 1: two honestly, probably more importantly than that, let me play 686 00:33:24,080 --> 00:33:27,000 Speaker 1: original music, you know, and that kind of thing and 687 00:33:28,640 --> 00:33:30,480 Speaker 1: do that. So it was kind of a cool thing 688 00:33:30,560 --> 00:33:32,080 Speaker 1: between Scoreboard and I was like, if you wanted to 689 00:33:32,080 --> 00:33:34,320 Speaker 1: see Ali Colleen, you had to go to Scoreboard, And 690 00:33:34,400 --> 00:33:36,760 Speaker 1: then Scoreboard wasn't giving that night to anyone else, you know, 691 00:33:36,840 --> 00:33:38,800 Speaker 1: but me, because we just had that deal kind of thing, 692 00:33:38,840 --> 00:33:41,760 Speaker 1: and it was so cool. I've been lucky enough to 693 00:33:41,800 --> 00:33:43,640 Speaker 1: do the Broadway stuff with like friends of mine when 694 00:33:43,680 --> 00:33:46,040 Speaker 1: they get scheduled, but I've never been a Broadway player 695 00:33:46,120 --> 00:33:49,479 Speaker 1: by any means. I don't know sard Scoreboard, scoreboards by 696 00:33:49,600 --> 00:33:52,640 Speaker 1: like by Nashville Palace over there across from like Gaylord, 697 00:33:52,680 --> 00:33:54,600 Speaker 1: opry Land and stuff. I know where that is, all right, 698 00:33:54,720 --> 00:33:56,720 Speaker 1: it's the big path. I don't know where anything is. 699 00:33:56,840 --> 00:33:59,360 Speaker 1: I've lived here for nine years. I can't get anywhere 700 00:33:59,360 --> 00:34:01,400 Speaker 1: without GPS, I'm lucky I get home sometimes after the 701 00:34:01,440 --> 00:34:05,480 Speaker 1: show without GPS. Um, you still ride horses, Yes, that's 702 00:34:05,480 --> 00:34:08,839 Speaker 1: still the like one of the passions. Well, um, it's 703 00:34:08,920 --> 00:34:12,480 Speaker 1: funny because the cover for halos and horns. I'm on 704 00:34:12,600 --> 00:34:17,120 Speaker 1: my horse Einstein, which is um who when uh? The 705 00:34:17,200 --> 00:34:18,839 Speaker 1: bays and I went out to go ride that day, 706 00:34:18,880 --> 00:34:20,120 Speaker 1: that was the one that she rode. So she got 707 00:34:20,160 --> 00:34:22,279 Speaker 1: to ride Einstein that day. Um, so he's on it. 708 00:34:22,320 --> 00:34:26,360 Speaker 1: But yeah, still at the boys, so they rode Einstein. 709 00:34:27,120 --> 00:34:29,120 Speaker 1: Which horse to my wife ride? No, she rode Einstein, 710 00:34:29,200 --> 00:34:33,600 Speaker 1: Bay rode Jack boy, I put Einstein, I put I 711 00:34:33,680 --> 00:34:35,520 Speaker 1: put your wife on Einstein. And that's the one that's 712 00:34:35,520 --> 00:34:36,680 Speaker 1: on the cover of this. Yes, and that's the one 713 00:34:36,719 --> 00:34:38,759 Speaker 1: that I can see him. Now I can take you 714 00:34:38,920 --> 00:34:40,520 Speaker 1: be like, look here's your horse. Yes, so you can 715 00:34:40,560 --> 00:34:42,600 Speaker 1: see it. You can see her on there. Um, because 716 00:34:42,680 --> 00:34:45,160 Speaker 1: I have Jack and Einstein, and I just I trust 717 00:34:45,200 --> 00:34:47,040 Speaker 1: those horses a lot, and they're very good. So that 718 00:34:47,200 --> 00:34:49,560 Speaker 1: day the girls rode them, and I rode just another 719 00:34:49,600 --> 00:34:51,279 Speaker 1: horse that my buddy had kind of thing, his name 720 00:34:51,280 --> 00:34:53,200 Speaker 1: as Paco. What do you mean you trust a horse 721 00:34:53,320 --> 00:34:55,279 Speaker 1: like to not steal your watch or what does that mean? 722 00:34:55,880 --> 00:34:58,239 Speaker 1: I don't trust anything to not see my watch. But 723 00:34:58,560 --> 00:35:00,960 Speaker 1: as far as like I know that if I put 724 00:35:01,239 --> 00:35:03,239 Speaker 1: the girls on Einstein or Jack, like they're going to 725 00:35:03,280 --> 00:35:05,400 Speaker 1: be safe and they're gonna be They're gonna be okay, 726 00:35:05,560 --> 00:35:08,839 Speaker 1: you know, like a rider will be fine on them. 727 00:35:08,960 --> 00:35:11,160 Speaker 1: A snake comes out near Einstein, is he gonna go 728 00:35:12,200 --> 00:35:14,320 Speaker 1: He's gonna he's gonna get away from the snake, but 729 00:35:14,400 --> 00:35:16,560 Speaker 1: he's not gonna like buck or freak out or anything 730 00:35:16,640 --> 00:35:19,520 Speaker 1: like that. And then Jack on the other hand, which, um, 731 00:35:21,160 --> 00:35:23,080 Speaker 1: you could like literally a firecracker on a Jack and 732 00:35:23,120 --> 00:35:25,320 Speaker 1: he's not gonna move, and it's strictly a laziness, Like 733 00:35:25,400 --> 00:35:27,360 Speaker 1: he's just a lazy horse and he's the best, but 734 00:35:27,480 --> 00:35:29,480 Speaker 1: he's just a lazy horse. He doesn't even close his 735 00:35:29,560 --> 00:35:30,920 Speaker 1: mouth all the time. He just leaves his lip open 736 00:35:30,960 --> 00:35:32,200 Speaker 1: because he didn't want to hold it up. Do you 737 00:35:32,239 --> 00:35:35,239 Speaker 1: feel like you could communicate with your horses? Yeah? Effectively? 738 00:35:35,280 --> 00:35:38,160 Speaker 1: How like what did you do? They know words? So, 739 00:35:38,320 --> 00:35:41,840 Speaker 1: my family does wildlife rehabilitation in Oklahoma. Um, so I 740 00:35:41,920 --> 00:35:44,200 Speaker 1: grew up in this really rad wildlife clinic back home, 741 00:35:44,280 --> 00:35:47,120 Speaker 1: and um, all my friends until I was probably like 742 00:35:47,200 --> 00:35:49,920 Speaker 1: fifteen or animals and I just think that animals are 743 00:35:49,960 --> 00:35:53,080 Speaker 1: the coolest thing on the planet. And horses respond completely 744 00:35:53,160 --> 00:35:56,080 Speaker 1: off of body language and pressure, so they know as 745 00:35:56,120 --> 00:35:57,600 Speaker 1: soon as you get on them if you've ever wrote 746 00:35:57,680 --> 00:35:59,239 Speaker 1: them or not, you know kind of thing. And that's 747 00:35:59,360 --> 00:36:01,600 Speaker 1: and that's why I put her on Einstein, because she 748 00:36:01,920 --> 00:36:05,120 Speaker 1: had a little experience riding, or Laura didn't. And I 749 00:36:05,280 --> 00:36:06,879 Speaker 1: know that if you get on Einstein, you never rode 750 00:36:06,880 --> 00:36:08,560 Speaker 1: a horse before Einstein is gonna go, I don't have 751 00:36:08,640 --> 00:36:10,600 Speaker 1: to do anything today, and you're not going to make 752 00:36:10,640 --> 00:36:12,799 Speaker 1: me do anything today, you know kind of thing. Um, 753 00:36:13,000 --> 00:36:15,040 Speaker 1: But they're just cool and they're rad and I sing 754 00:36:15,120 --> 00:36:17,120 Speaker 1: to my horses a lot, and I think it's really 755 00:36:17,160 --> 00:36:18,400 Speaker 1: I don't know if they care about it, but I 756 00:36:18,520 --> 00:36:21,560 Speaker 1: like it. So Once I was riding a horse and 757 00:36:21,719 --> 00:36:25,040 Speaker 1: it got a little experienced myself and the horse big cowboy, 758 00:36:25,160 --> 00:36:28,600 Speaker 1: huh huge, Actually, thanks for asking. You may not recognize 759 00:36:28,640 --> 00:36:30,359 Speaker 1: me without my belt buckle, but here I am today 760 00:36:30,440 --> 00:36:33,520 Speaker 1: doing this and the horse took me under a clothesline 761 00:36:33,520 --> 00:36:36,600 Speaker 1: and clothesline and the horse kept going and I didn't 762 00:36:36,600 --> 00:36:39,360 Speaker 1: because I don't clothesline. Anything like that ever happened to you, 763 00:36:39,600 --> 00:36:41,320 Speaker 1: And if it hasn't, well, you're not a cowboy like me, 764 00:36:41,440 --> 00:36:43,080 Speaker 1: But go ahead and tell I think this. It hasn't 765 00:36:43,120 --> 00:36:45,280 Speaker 1: happened to me. I am a cow that's quite true too. Okay, 766 00:36:45,360 --> 00:36:48,240 Speaker 1: there we have it. Yeah, um, listen, Ali, You're great 767 00:36:48,320 --> 00:36:51,759 Speaker 1: and you're you're just such a Your vocals are so good, 768 00:36:52,280 --> 00:36:54,920 Speaker 1: it's so cool. Will you say because I call you 769 00:36:55,520 --> 00:36:58,080 Speaker 1: Ali Kaleen? But I hear you, hear people talking about you, 770 00:36:58,480 --> 00:37:00,560 Speaker 1: and I hear your name pronounced all these different ways. 771 00:37:00,920 --> 00:37:03,480 Speaker 1: So would you say it for everyone again? Exactly how 772 00:37:03,520 --> 00:37:05,399 Speaker 1: to say your name? So we have these rad tank 773 00:37:05,440 --> 00:37:08,240 Speaker 1: tops and it's Alley Cole and Colleen Coolee and Colleen 774 00:37:08,320 --> 00:37:10,719 Speaker 1: and the back it's like Joe Lene but with a 775 00:37:10,800 --> 00:37:13,000 Speaker 1: sea got it so you can't forget it. It's just 776 00:37:13,120 --> 00:37:16,960 Speaker 1: Colin And you can follow Ali on Instagram A L 777 00:37:17,080 --> 00:37:21,279 Speaker 1: L I E co. Never mind, we'll just link it. 778 00:37:21,719 --> 00:37:26,400 Speaker 1: I start spelling it out. I know it doesn't. So 779 00:37:27,040 --> 00:37:28,760 Speaker 1: you're on the road, You're playing a bunch of shows, 780 00:37:28,920 --> 00:37:32,399 Speaker 1: a bunch of festivals. What are you doing? Yeah, we've 781 00:37:32,400 --> 00:37:34,160 Speaker 1: got kind of the fair festival line up this summer 782 00:37:34,440 --> 00:37:36,160 Speaker 1: for opening acts and stuff like that. We get to 783 00:37:36,280 --> 00:37:38,879 Speaker 1: go to Denmark in September to do the Nashville Nights 784 00:37:39,040 --> 00:37:42,359 Speaker 1: Songwriter Festival, which is super super rad um that we're 785 00:37:42,360 --> 00:37:44,640 Speaker 1: excited about. It'll be our first time taking music over 786 00:37:44,760 --> 00:37:47,960 Speaker 1: to the UK opposed to um at Belmont. You know, 787 00:37:48,000 --> 00:37:49,520 Speaker 1: we did study abroad times. But just a lot of 788 00:37:49,560 --> 00:37:51,319 Speaker 1: really cool shows that you know, they can follow at 789 00:37:51,320 --> 00:37:53,080 Speaker 1: Ali Colleen music dot Com. We've got a full tour 790 00:37:53,120 --> 00:37:55,640 Speaker 1: schedule on there. We're just really really excited about it. 791 00:37:55,719 --> 00:37:57,719 Speaker 1: New shows are added every day. You know, after COVID 792 00:37:57,760 --> 00:38:00,200 Speaker 1: all the venue things are wonky, so more stuff just 793 00:38:00,280 --> 00:38:02,040 Speaker 1: continues to be added, which we're very lucky for and 794 00:38:02,200 --> 00:38:05,239 Speaker 1: very thankful for. All Right, you guys follow Ali Ray. 795 00:38:05,320 --> 00:38:06,680 Speaker 1: Is there anything you would like to say to Ali? 796 00:38:06,800 --> 00:38:09,480 Speaker 1: Your your dear friend. She can't hear you, but I 797 00:38:09,520 --> 00:38:12,719 Speaker 1: will translate it to you. Go ahead, What up? Girls, girls? 798 00:38:12,800 --> 00:38:15,319 Speaker 1: Get a brunch pretty soon. Get a brunch pretty soon. Okay, 799 00:38:15,360 --> 00:38:21,040 Speaker 1: that's Ray, Okay, all right, great to see you. I 800 00:38:21,120 --> 00:38:23,480 Speaker 1: think what we're gonna do add that song is so good. Um, 801 00:38:24,200 --> 00:38:26,560 Speaker 1: I'm gonna feature you as a national artist in our 802 00:38:26,719 --> 00:38:28,440 Speaker 1: countdown in the next couple weeks with this song that's 803 00:38:28,480 --> 00:38:30,080 Speaker 1: so right, We're gonna put you in the country top 804 00:38:30,160 --> 00:38:32,799 Speaker 1: thirty as. Yeah, I think that'd be awesome. I think 805 00:38:32,840 --> 00:38:36,160 Speaker 1: our audience will like it, and from that go have 806 00:38:36,280 --> 00:38:38,759 Speaker 1: a day. Wait there you go, she's cheering right now. 807 00:38:38,760 --> 00:38:40,879 Speaker 1: You see a nap and then go to a club later. 808 00:38:41,000 --> 00:38:45,520 Speaker 1: I think, Ali Colane, you guys check out halos and horns. Ali, 809 00:38:45,560 --> 00:38:46,960 Speaker 1: great job and we'll see you soon. Thank you all 810 00:38:47,040 --> 00:38:51,719 Speaker 1: right by. This is from Terry in Pittsburgh, who left 811 00:38:51,800 --> 00:38:54,919 Speaker 1: us a voicemail last night. Heybobby and team. A couple 812 00:38:54,920 --> 00:38:58,279 Speaker 1: of weeks ago, you guys did a segment on light 813 00:38:58,600 --> 00:39:03,080 Speaker 1: changing products and Morgan had mentioned the recovery sandals. I 814 00:39:03,160 --> 00:39:06,279 Speaker 1: believe they were called UFOs. Anyway, I bought them on 815 00:39:06,440 --> 00:39:10,080 Speaker 1: her recommendation and they have changed my life. Recovering from 816 00:39:10,120 --> 00:39:13,560 Speaker 1: a major car accident where I crushed my leg. I 817 00:39:13,600 --> 00:39:15,600 Speaker 1: have not been able to find a comfortable pair of 818 00:39:15,680 --> 00:39:21,279 Speaker 1: shoes for six years and Morgan saved my life. Not 819 00:39:21,400 --> 00:39:24,360 Speaker 1: even helped her feet a little bit, but saved her life. Wow. 820 00:39:24,440 --> 00:39:26,879 Speaker 1: And we had a lot of listeners comment on those oof. 821 00:39:26,920 --> 00:39:29,800 Speaker 1: It's a terrible name though if I'm not because I 822 00:39:29,840 --> 00:39:32,799 Speaker 1: go oof something not good. But a lot of people 823 00:39:32,800 --> 00:39:35,239 Speaker 1: said they're great shoes, so nice job. They really are. 824 00:39:35,280 --> 00:39:39,080 Speaker 1: I'm telling you, guys, everybody needs to pair UFOs. I 825 00:39:39,200 --> 00:39:41,880 Speaker 1: call him UFOs, but yes, it's UFOs. All right. Here's 826 00:39:41,880 --> 00:39:45,600 Speaker 1: Austin and South Carolina. Just relocated from Boise, Idaho to 827 00:39:45,760 --> 00:39:48,920 Speaker 1: South Carolina, where I don't understand about this place. It's 828 00:39:48,960 --> 00:39:51,439 Speaker 1: the first time I've ever lived somewhere where everybody has 829 00:39:51,640 --> 00:39:53,560 Speaker 1: a few of like a fake radio voice, and it 830 00:39:53,640 --> 00:39:56,120 Speaker 1: drives me crazy. Or what I don't understand is your 831 00:39:56,200 --> 00:39:58,560 Speaker 1: show is on in the evenings here, but I've already 832 00:39:58,600 --> 00:40:00,319 Speaker 1: listened to it all the podcast because I can't get 833 00:40:00,320 --> 00:40:03,680 Speaker 1: it in the morning. What's up with that? Let's get 834 00:40:03,719 --> 00:40:05,800 Speaker 1: this show on the morning. Your morning crew is not 835 00:40:05,960 --> 00:40:08,680 Speaker 1: cut man. Fine, thanks guys, appreciate you. All right, let's 836 00:40:09,320 --> 00:40:11,440 Speaker 1: let's beat about this beat about the station that we're 837 00:40:11,440 --> 00:40:14,880 Speaker 1: on a delay. Yes, and at one point I had 838 00:40:14,920 --> 00:40:16,560 Speaker 1: a radio voice too, and I was like eighteen. Then 839 00:40:16,560 --> 00:40:18,640 Speaker 1: I realized it was not good. But yeah, some people, 840 00:40:19,040 --> 00:40:21,520 Speaker 1: some pody will still talk like this, you get you know, 841 00:40:21,719 --> 00:40:24,479 Speaker 1: and that that's the old old old school of doing radio, 842 00:40:24,600 --> 00:40:27,239 Speaker 1: having a deep voice. And honestly, if I would have 843 00:40:27,320 --> 00:40:28,640 Speaker 1: had a good enough voice to do that, I probably 844 00:40:28,640 --> 00:40:30,600 Speaker 1: would still be doing that. I never had a good voice. 845 00:40:30,640 --> 00:40:33,160 Speaker 1: So this is what you get. Just get this, but 846 00:40:33,280 --> 00:40:34,719 Speaker 1: coming up in the next five minutes, we got to 847 00:40:34,719 --> 00:40:37,080 Speaker 1: all of it hits, go with ad you here. That's 848 00:40:37,120 --> 00:40:38,640 Speaker 1: the way we were taught to do it, and I 849 00:40:38,719 --> 00:40:40,799 Speaker 1: couldn't do it. So I came to this and now 850 00:40:40,840 --> 00:40:42,719 Speaker 1: we've found a way to make it work. But thank 851 00:40:42,760 --> 00:40:45,680 Speaker 1: you very much, Austin and South Carolina. And we'll never 852 00:40:45,800 --> 00:40:48,400 Speaker 1: let the station be known that that's what taking shots 853 00:40:48,400 --> 00:40:53,279 Speaker 1: at that station. You're a Amy's pile of stories. A 854 00:40:53,440 --> 00:40:55,640 Speaker 1: court in the UK has ruled that calling a man 855 00:40:55,800 --> 00:41:00,279 Speaker 1: bald is a form of sexual harassment. Sexual harassment, I 856 00:41:00,400 --> 00:41:03,040 Speaker 1: understand harassment. No, it's even harassment. Oh yeah, I have hair. 857 00:41:03,239 --> 00:41:06,080 Speaker 1: No no, no, hold on, if you are bald, that's 858 00:41:06,120 --> 00:41:10,080 Speaker 1: like calling a man short harassment. Nope, because it's not 859 00:41:10,160 --> 00:41:13,600 Speaker 1: something you don't want to hear does not mean it's harassment. Well, 860 00:41:13,640 --> 00:41:16,080 Speaker 1: they tried to connect talking about a man's baldness to 861 00:41:16,160 --> 00:41:19,160 Speaker 1: talking about the size of a woman's breast and makes 862 00:41:19,200 --> 00:41:26,960 Speaker 1: it sexual. But here's the difference. A woman's chest dickles 863 00:41:27,960 --> 00:41:31,759 Speaker 1: are to a lot of men sexual. I don't know 864 00:41:31,840 --> 00:41:33,920 Speaker 1: a single woman who's like I could just go to 865 00:41:34,160 --> 00:41:36,920 Speaker 1: my hands on his bald head. However, I've heard people 866 00:41:37,000 --> 00:41:40,040 Speaker 1: say like, oh, a bald man is sexy. I've heard 867 00:41:40,080 --> 00:41:43,760 Speaker 1: that before. He said that. This supervisor at work commented 868 00:41:43,800 --> 00:41:46,080 Speaker 1: on it, and it crossed the line. I'm not convinced. 869 00:41:46,239 --> 00:41:48,120 Speaker 1: I'm not if I'm a judge, I'm not siding with 870 00:41:48,200 --> 00:41:53,600 Speaker 1: the bald So critics have reviewed Top Gun Maverick, which 871 00:41:53,719 --> 00:41:57,440 Speaker 1: is finally coming out hits theaters May twenty seventh. We've 872 00:41:57,480 --> 00:42:00,640 Speaker 1: been waiting several years for this, but I say the 873 00:42:00,760 --> 00:42:03,360 Speaker 1: long waited sequel is a mussy on the big screen 874 00:42:03,800 --> 00:42:07,040 Speaker 1: and not only potentially better than the original, but also 875 00:42:07,160 --> 00:42:10,160 Speaker 1: one of the best Tom Cruise movies. Who review this 876 00:42:10,280 --> 00:42:14,480 Speaker 1: Ram Trews, Rom Trews, he's got a mustache. Tom Crews 877 00:42:14,520 --> 00:42:16,600 Speaker 1: of the mustache. She kind of looks like, oh, you know, 878 00:42:16,680 --> 00:42:18,200 Speaker 1: I don't know, man, it's really it's the best move 879 00:42:18,239 --> 00:42:19,880 Speaker 1: I've ever seen him my whole life. Well, I'm so 880 00:42:20,080 --> 00:42:22,680 Speaker 1: excited for it that but I still thought, oh wait 881 00:42:22,800 --> 00:42:25,040 Speaker 1: till it releases at home, because I don't want to 882 00:42:25,040 --> 00:42:26,680 Speaker 1: go to the theater. But now it says here that 883 00:42:26,719 --> 00:42:30,040 Speaker 1: it's a mussy on the big screen. Okay, so I 884 00:42:30,200 --> 00:42:33,080 Speaker 1: probably it does look really good though. It really we 885 00:42:33,160 --> 00:42:35,960 Speaker 1: all go together. No, no, I probably won't even watch this. 886 00:42:36,480 --> 00:42:38,600 Speaker 1: All right, what else you got? One country dot Com 887 00:42:38,719 --> 00:42:42,120 Speaker 1: put together a list of the top female country songs 888 00:42:42,239 --> 00:42:44,560 Speaker 1: from the nineties that are the best songs to sing 889 00:42:44,600 --> 00:42:46,680 Speaker 1: when you're in the shower with. They're reaching for this article. Hum, 890 00:42:47,040 --> 00:42:50,759 Speaker 1: They're like, we gotta write something that people. Jeez, all 891 00:42:50,840 --> 00:42:57,040 Speaker 1: right on a Tuesday, forty two degrees, Yeah, okay, go ahead. 892 00:42:57,280 --> 00:43:03,040 Speaker 1: Any Man of Mine Shai Twain, Strawberry Wine, Dena Carter, 893 00:43:03,320 --> 00:43:10,480 Speaker 1: It's funny, hell of memories, the job wild one, Faith Hill. 894 00:43:11,920 --> 00:43:14,040 Speaker 1: I've never sing this song never. I like it, I 895 00:43:14,160 --> 00:43:15,640 Speaker 1: never sing it, never think about it. But the other 896 00:43:15,680 --> 00:43:17,719 Speaker 1: two you have, Oh yeah, I'd sing them this morning. 897 00:43:18,320 --> 00:43:20,319 Speaker 1: I take showers just to sing the first two. Next one, 898 00:43:20,440 --> 00:43:25,439 Speaker 1: what about Broken Wing Martina McBride, No, Broken Wing can't 899 00:43:25,440 --> 00:43:26,840 Speaker 1: do that one. I'm blown the voice out, so I 900 00:43:26,960 --> 00:43:29,440 Speaker 1: just stopped doing that one. I was like twenty and 901 00:43:29,680 --> 00:43:31,719 Speaker 1: the number one song Chris your Wood, She's in love 902 00:43:31,760 --> 00:43:35,759 Speaker 1: with the Wood. All right, Well, hey, kudos do you 903 00:43:35,800 --> 00:43:38,759 Speaker 1: guys writing that article? Because she really stretched to find 904 00:43:38,840 --> 00:43:40,279 Speaker 1: something to write about it. It's her on that one. 905 00:43:40,400 --> 00:43:44,960 Speaker 1: Holy crap, all right, I Amy, that's my pile. That 906 00:43:45,400 --> 00:43:49,600 Speaker 1: was Amy's pile of stories. It's time for the good news, Amy. 907 00:43:53,760 --> 00:43:55,960 Speaker 1: So this family's out of town, but their eighteen year 908 00:43:55,960 --> 00:43:58,719 Speaker 1: old son is home alone, house sitting, and all of 909 00:43:58,760 --> 00:44:01,200 Speaker 1: a sudden, the mom gets this notification on her phone 910 00:44:01,560 --> 00:44:05,040 Speaker 1: from her ring doorbell can that there is movement outside 911 00:44:05,080 --> 00:44:08,799 Speaker 1: the house. It's a wild fire. And so the fire 912 00:44:08,840 --> 00:44:11,520 Speaker 1: they picked up a fire. Yes, wow, So they were 913 00:44:11,640 --> 00:44:14,200 Speaker 1: able to get in contact with the sun like, hey, 914 00:44:14,280 --> 00:44:16,480 Speaker 1: there's a fire, get out. So you see him walking 915 00:44:16,560 --> 00:44:18,920 Speaker 1: out of the door calmly, and then everyone's calling nine 916 00:44:19,040 --> 00:44:21,520 Speaker 1: one one and people are able to get to the 917 00:44:21,600 --> 00:44:24,120 Speaker 1: house and they start to contain the fire. But that's 918 00:44:24,160 --> 00:44:26,759 Speaker 1: something that can spread so quickly, where if they hadn't 919 00:44:26,760 --> 00:44:28,640 Speaker 1: been notified, the house could have caught on fire, and 920 00:44:28,719 --> 00:44:31,200 Speaker 1: other neighbors and different things and or not than that 921 00:44:31,280 --> 00:44:36,360 Speaker 1: it started because someone discarded a cigarette. I'm amazed that 922 00:44:36,440 --> 00:44:38,440 Speaker 1: that picks up a fire. Maybe I would understand the heat, 923 00:44:38,480 --> 00:44:40,800 Speaker 1: but just a movement of Yeah, that's pretty crazy. We 924 00:44:40,920 --> 00:44:42,920 Speaker 1: had a time when we had our security cameras put 925 00:44:42,960 --> 00:44:45,160 Speaker 1: in our house because we have our backyard and stuff 926 00:44:45,160 --> 00:44:48,319 Speaker 1: all done that like a dandelion would go blow up. 927 00:44:49,440 --> 00:44:52,879 Speaker 1: Really so sensitive man, I mean it, no, it wasn't cool. 928 00:44:53,719 --> 00:44:56,759 Speaker 1: A blade of grass. We were like, oh, we're dying, 929 00:44:56,880 --> 00:44:59,680 Speaker 1: like every hour until they got it fixed. A little mosquito. Yes, 930 00:45:00,239 --> 00:45:03,600 Speaker 1: a great story. That's what it's all about. That was, 931 00:45:03,680 --> 00:45:04,600 Speaker 1: tell me something good.