1 00:00:00,240 --> 00:00:04,640 Speaker 1: Now Here's a Highlight from Coast to Coast AM on iHeartRadio. 2 00:00:05,080 --> 00:00:08,200 Speaker 2: Chuck Gunderson was raised in San Diego, the site of 3 00:00:08,240 --> 00:00:11,799 Speaker 2: the Beatles' eighth stop on the nineteen sixty five North 4 00:00:11,840 --> 00:00:14,600 Speaker 2: American Tour. He was too young to attend the show, 5 00:00:14,640 --> 00:00:17,759 Speaker 2: but fondly recalls his older siblings spinning the records of 6 00:00:17,800 --> 00:00:20,479 Speaker 2: the Fab Four as he grew up, which perked a 7 00:00:20,560 --> 00:00:23,520 Speaker 2: lifelong love for the band. He's also worked in the 8 00:00:23,520 --> 00:00:26,400 Speaker 2: outdoor advertising industry most of his life, although his true 9 00:00:26,440 --> 00:00:29,320 Speaker 2: passion is history, and he obtained his BA at San 10 00:00:29,360 --> 00:00:32,199 Speaker 2: Diego State University and a Masters of the University of 11 00:00:32,240 --> 00:00:35,599 Speaker 2: San Diego, both in the field of history. Having published 12 00:00:35,640 --> 00:00:38,240 Speaker 2: a few articles over the years, Chuck turned his sites 13 00:00:38,240 --> 00:00:42,800 Speaker 2: to researching and writing the critically acclaimed Some Fun Tonight, 14 00:00:42,840 --> 00:00:46,400 Speaker 2: The Backstage Story of How the Beatles Rocked America the 15 00:00:46,680 --> 00:00:49,920 Speaker 2: historic Tours of nineteen sixty four through nineteen sixty six. 16 00:00:50,240 --> 00:00:53,640 Speaker 2: He's consulted on a number of various Beatles related projects, 17 00:00:53,680 --> 00:00:56,880 Speaker 2: such as director Ron Howard's recent documentary Eight Days a Week. 18 00:00:57,280 --> 00:01:01,240 Speaker 2: Chuck and his wife Christina live in Carlsbat, Californi, parents 19 00:01:01,240 --> 00:01:06,680 Speaker 2: of four children, each a self described Beatles fan Chuck Gunderson. 20 00:01:06,720 --> 00:01:07,479 Speaker 2: Welcome back to Coast. 21 00:01:07,560 --> 00:01:10,520 Speaker 3: How are you hey, Richard? How are you? Thanks so 22 00:01:10,600 --> 00:01:12,959 Speaker 3: much for having me back on coast. It's always great 23 00:01:13,000 --> 00:01:15,920 Speaker 3: to be here, and I really appreciate the little reminder 24 00:01:16,000 --> 00:01:17,880 Speaker 3: of Greek history. Thank you so much. 25 00:01:18,560 --> 00:01:21,560 Speaker 2: My pleasure, My pleasure speaking. Which did the Beatles ever 26 00:01:21,600 --> 00:01:22,200 Speaker 2: play in Greece? 27 00:01:22,920 --> 00:01:25,440 Speaker 3: No, they didn't. They never played in Greece, but they 28 00:01:25,440 --> 00:01:27,720 Speaker 3: loved Greece. They visited a few times. 29 00:01:28,200 --> 00:01:32,199 Speaker 2: That's right. There was a legendary story. There's a sandal 30 00:01:32,240 --> 00:01:36,160 Speaker 2: maker in Athens whose name escapes me, but he was 31 00:01:36,200 --> 00:01:39,680 Speaker 2: back in the sixties. Everyone came, all the celebrities came 32 00:01:39,720 --> 00:01:43,839 Speaker 2: to his little sandal shop to have him make their sandals, 33 00:01:43,840 --> 00:01:47,080 Speaker 2: and he made sandals for John Lennon. They still talk 34 00:01:47,120 --> 00:01:52,520 Speaker 2: about it. They're very proud of that. So how did 35 00:01:52,560 --> 00:01:57,560 Speaker 2: you track down all of these amazing photos, most of 36 00:01:57,600 --> 00:02:01,400 Speaker 2: which I've never even seen before. Plus there's you know, 37 00:02:01,440 --> 00:02:04,240 Speaker 2: all the images of the rare, the rare memorabilia. How 38 00:02:04,240 --> 00:02:05,840 Speaker 2: did you track all this down? I mean this could 39 00:02:05,920 --> 00:02:08,000 Speaker 2: not have been an easy task. 40 00:02:09,400 --> 00:02:12,760 Speaker 3: Well, the whole book was such a difficult task to 41 00:02:12,800 --> 00:02:15,720 Speaker 3: put together, because you know, I had the Beatles toured. 42 00:02:15,760 --> 00:02:18,400 Speaker 3: In the social media age, we could have had everything, 43 00:02:18,480 --> 00:02:22,359 Speaker 3: you know, photos and documents and all of that. The story, 44 00:02:23,040 --> 00:02:24,919 Speaker 3: you know, the Beatles would come to town. There might 45 00:02:24,960 --> 00:02:26,840 Speaker 3: be a you know, a headline, that type of thing 46 00:02:26,880 --> 00:02:30,399 Speaker 3: in a column written, but very very short. The photos 47 00:02:30,400 --> 00:02:35,040 Speaker 3: were perhaps the hardest. I really had to do a 48 00:02:35,080 --> 00:02:41,920 Speaker 3: lot of digging into archives, newspaper archives and photo you know, 49 00:02:42,400 --> 00:02:47,160 Speaker 3: research libraries and you know, people that had photos in 50 00:02:47,200 --> 00:02:50,760 Speaker 3: their collection that were these shadowy figures I kind of 51 00:02:50,800 --> 00:02:54,400 Speaker 3: had to track down. And what's interesting is I would 52 00:02:54,440 --> 00:02:57,160 Speaker 3: find a photo in Denver and they'd say, oh, yes, 53 00:02:57,200 --> 00:02:59,560 Speaker 3: we have photos of them in Denver, and I'd get 54 00:02:59,560 --> 00:03:01,440 Speaker 3: the photos sent to me and they, oh, that's not 55 00:03:01,520 --> 00:03:04,800 Speaker 3: them in Denver, that's them in New York. So one 56 00:03:04,840 --> 00:03:07,600 Speaker 3: of the things I learned in researching the book is 57 00:03:07,600 --> 00:03:10,720 Speaker 3: that during that first tour, well all the tours subsequently, 58 00:03:11,200 --> 00:03:14,160 Speaker 3: is to follow the clothing from the minute they get 59 00:03:14,200 --> 00:03:17,720 Speaker 3: off the plane in say San Francisco in nineteen sixty four, 60 00:03:17,840 --> 00:03:19,639 Speaker 3: all the way until they get back on the plane 61 00:03:19,639 --> 00:03:22,320 Speaker 3: in New York. You know, at the end of September. 62 00:03:22,760 --> 00:03:25,680 Speaker 3: Is follow that clothing. You'll kind of figure out which 63 00:03:25,880 --> 00:03:28,959 Speaker 3: city they're in But when I published the book, yeah, 64 00:03:29,000 --> 00:03:31,239 Speaker 3: I mean I really wanted a lot of photos, and 65 00:03:31,360 --> 00:03:35,760 Speaker 3: especially the ones that fans hadn't seen, really rare stuff 66 00:03:35,840 --> 00:03:38,840 Speaker 3: that you know, would have laid in a dusty archived 67 00:03:38,880 --> 00:03:40,280 Speaker 3: somewhere until I unearthed it. 68 00:03:42,440 --> 00:03:46,160 Speaker 2: My understanding is that there was a pre order on this, 69 00:03:46,360 --> 00:03:52,240 Speaker 2: on this two volume set, four of them, which led 70 00:03:52,360 --> 00:03:56,720 Speaker 2: us to presume that the pre orders were from either 71 00:03:56,800 --> 00:04:01,400 Speaker 2: the surviving Beatles or the families of this the families 72 00:04:01,440 --> 00:04:05,400 Speaker 2: of the two deceased Beadles. Yeah. 73 00:04:05,520 --> 00:04:07,760 Speaker 3: Was actually after the book was published, I got a 74 00:04:07,840 --> 00:04:12,560 Speaker 3: very friendly note from the secretary at Apple, which is 75 00:04:12,600 --> 00:04:15,560 Speaker 3: the Beatles company, and it was before Apple Computer obviously, 76 00:04:16,360 --> 00:04:19,599 Speaker 3: and the email said, hey, you know, thanks for the 77 00:04:19,640 --> 00:04:23,520 Speaker 3: book that you've written about the tours, and the four 78 00:04:24,000 --> 00:04:27,000 Speaker 3: shareholders would like to have a copy. So obviously the 79 00:04:27,040 --> 00:04:31,040 Speaker 3: four shareholders at the time were Paul McCartney, Ringo Starr, 80 00:04:31,200 --> 00:04:35,000 Speaker 3: the wife of George Harrison, which was Olivia Harrison, and 81 00:04:35,279 --> 00:04:38,640 Speaker 3: the late wife or the wife of John Lennon, the 82 00:04:38,720 --> 00:04:42,000 Speaker 3: late John Lennon, Yoko Ono. So it was my pleasure 83 00:04:42,120 --> 00:04:47,520 Speaker 3: to send those quote shareholders book books and I was 84 00:04:47,760 --> 00:04:49,640 Speaker 3: able to include a note in each one. I don't 85 00:04:49,640 --> 00:04:51,000 Speaker 3: know if they ever read it or not, but at 86 00:04:51,040 --> 00:04:53,040 Speaker 3: least I included it in there, and it was a 87 00:04:53,080 --> 00:04:55,719 Speaker 3: real great honor for me to know that they have 88 00:04:55,839 --> 00:04:56,719 Speaker 3: those books. 89 00:04:57,560 --> 00:04:59,560 Speaker 2: So let's start with a sixty four tour or the 90 00:05:00,520 --> 00:05:03,560 Speaker 2: as hard as it may be to believe now looking 91 00:05:03,640 --> 00:05:08,200 Speaker 2: at backwards at the monumental success at the time, were 92 00:05:08,240 --> 00:05:11,440 Speaker 2: the Beatles at all reticent about this tour? Did they 93 00:05:11,480 --> 00:05:15,000 Speaker 2: have any I don't know, lingering doubts about how they'd 94 00:05:15,000 --> 00:05:18,720 Speaker 2: be received by fans, whether they could pull this off. 95 00:05:20,440 --> 00:05:24,800 Speaker 3: I think the Beatles were very familiar with the progression 96 00:05:24,880 --> 00:05:27,719 Speaker 3: that they were making. They never one of the hallmarks 97 00:05:27,720 --> 00:05:29,839 Speaker 3: of the Beatles that they never wanted to stay in 98 00:05:29,920 --> 00:05:33,880 Speaker 3: one place. They always wanted to progress. And I think 99 00:05:33,960 --> 00:05:37,600 Speaker 3: this was just this natural progression of playing you know, 100 00:05:38,240 --> 00:05:41,880 Speaker 3: the cavern in Liverpool, which that you know, whatever one 101 00:05:41,960 --> 00:05:45,320 Speaker 3: hundred people to, you know, moving out of the cavern 102 00:05:45,360 --> 00:05:48,000 Speaker 3: and moving into dance falls in Liverpool, and you moved 103 00:05:48,000 --> 00:05:52,080 Speaker 3: from dance falls to small theaters in and around the UK, 104 00:05:52,520 --> 00:05:55,760 Speaker 3: and you know, Brian Epstein, their manager, just kind of 105 00:05:55,960 --> 00:05:59,280 Speaker 3: nourished them and kept them going and it just kept 106 00:05:59,279 --> 00:06:02,640 Speaker 3: getting bigger and bigger and bigger. But by the time 107 00:06:02,680 --> 00:06:06,120 Speaker 3: they got to America in nineteen sixty four, especially during 108 00:06:06,160 --> 00:06:09,640 Speaker 3: that tour in August, you know, when they faced that 109 00:06:09,720 --> 00:06:13,080 Speaker 3: first crowd at San Francisco's cal Palace, that was the 110 00:06:13,200 --> 00:06:15,599 Speaker 3: largest crowd they had ever played to. It was about 111 00:06:15,600 --> 00:06:20,240 Speaker 3: eighteen thousand people, and the largest crowd they had played 112 00:06:20,279 --> 00:06:22,720 Speaker 3: to in the UK was about eight thousand people. Then 113 00:06:22,760 --> 00:06:25,200 Speaker 3: they had gone down to Australia in June and they 114 00:06:25,279 --> 00:06:28,360 Speaker 3: played to a crowd of about ten thousand people. So 115 00:06:28,960 --> 00:06:31,919 Speaker 3: they were just kind of going along and into getting 116 00:06:31,960 --> 00:06:34,320 Speaker 3: bigger and bigger and bigger, and they're going along with 117 00:06:34,400 --> 00:06:37,120 Speaker 3: it and just doing a great job, falling into place, 118 00:06:37,680 --> 00:06:40,160 Speaker 3: doing what they needed to do. And the thing about 119 00:06:40,160 --> 00:06:43,159 Speaker 3: the Beatles that I loved is they're just so they're 120 00:06:43,200 --> 00:06:47,320 Speaker 3: just such consummate professionals. They were willing to take on 121 00:06:47,480 --> 00:06:51,400 Speaker 3: the challenges. They were willing to just do these really 122 00:06:51,480 --> 00:06:54,000 Speaker 3: hard things that I think a lot of people would 123 00:06:54,000 --> 00:06:55,480 Speaker 3: think would be wow, I don't know if I can 124 00:06:55,520 --> 00:06:58,280 Speaker 3: do this to We're just going to go out there 125 00:06:58,279 --> 00:07:01,359 Speaker 3: and do it. And currently it went really well because 126 00:07:01,400 --> 00:07:05,599 Speaker 3: the crowds responded well and the concerts were mostly sold out. 127 00:07:05,680 --> 00:07:08,240 Speaker 3: On that first tour of nineteen sixty four. 128 00:07:09,680 --> 00:07:13,480 Speaker 2: Thirty two shows, twenty six venues, twenty four cities in 129 00:07:13,640 --> 00:07:19,440 Speaker 2: just thirty three days. And if you look at the itinerary, 130 00:07:20,160 --> 00:07:23,840 Speaker 2: they're not sort of doing it by you know, by 131 00:07:23,920 --> 00:07:26,160 Speaker 2: region by region. They're not, you know, going up and 132 00:07:26,160 --> 00:07:28,520 Speaker 2: down the East coast and then traveling maybe across the 133 00:07:28,560 --> 00:07:31,400 Speaker 2: South and then up central you know, the Midwest and 134 00:07:31,440 --> 00:07:34,600 Speaker 2: so forth. They're crisscrossing. They're going from east to west. 135 00:07:34,600 --> 00:07:37,280 Speaker 2: They're bouncing all over the place. Why was the tour 136 00:07:37,320 --> 00:07:38,280 Speaker 2: put together this way? 137 00:07:39,640 --> 00:07:44,440 Speaker 3: That's an interesting question. Richard Brian Epstein received about a 138 00:07:44,440 --> 00:07:47,600 Speaker 3: six page document from a company in New York called 139 00:07:47,680 --> 00:07:51,920 Speaker 3: General Artists Corporation and their vice president, Norman Wife he 140 00:07:52,080 --> 00:07:55,360 Speaker 3: was kind of the American contact that knew all the venues, 141 00:07:55,560 --> 00:07:58,600 Speaker 3: the hotels, you know, where they were going to play, 142 00:07:58,640 --> 00:08:02,200 Speaker 3: put together the support that would tour with them, and 143 00:08:02,480 --> 00:08:05,360 Speaker 3: he presented the sheet to Brian, and actually I have 144 00:08:05,560 --> 00:08:09,520 Speaker 3: the original copy of that, and it has Brian's checkbarks 145 00:08:09,760 --> 00:08:12,920 Speaker 3: is writing on it, his tea stains from his cup 146 00:08:12,960 --> 00:08:16,480 Speaker 3: of tea as he was pondering over these different cities 147 00:08:16,520 --> 00:08:19,960 Speaker 3: and venues that they would play at. And I actually 148 00:08:19,960 --> 00:08:22,600 Speaker 3: present that in the book, every all of it, you know, 149 00:08:22,600 --> 00:08:24,640 Speaker 3: in a very large format, so you can see every 150 00:08:24,720 --> 00:08:28,720 Speaker 3: jot and tittle of Brian's thinking. And it is interesting 151 00:08:28,760 --> 00:08:31,960 Speaker 3: that it was. It was somewhat very hapazard. When the 152 00:08:32,000 --> 00:08:36,080 Speaker 3: tour ended in the end of you know, September, Brian 153 00:08:36,200 --> 00:08:39,360 Speaker 3: or John Lennon spoke to a journalist. He said, we 154 00:08:39,440 --> 00:08:42,920 Speaker 3: will never do a tour like that again. And they 155 00:08:42,960 --> 00:08:46,080 Speaker 3: never did do another tour like that again. But the 156 00:08:46,200 --> 00:08:49,839 Speaker 3: planning of it was was somewhat strange because you know, 157 00:08:50,200 --> 00:08:53,680 Speaker 3: they started out in San Francisco, then they flew down 158 00:08:53,880 --> 00:08:57,120 Speaker 3: south to Las Vegas, then they flew all the way 159 00:08:57,200 --> 00:09:00,880 Speaker 3: north to Vancouver, then flew a little Southattle and then 160 00:09:01,000 --> 00:09:04,079 Speaker 3: flew all the way south again to the Hollywood Bowl 161 00:09:04,120 --> 00:09:08,000 Speaker 3: in La then across over to Denver and then over 162 00:09:08,080 --> 00:09:13,079 Speaker 3: into the to the eastern seaboard. I don't sometimes I 163 00:09:13,440 --> 00:09:15,839 Speaker 3: begin to think that Brian Epstein, you know, it was 164 00:09:15,880 --> 00:09:19,320 Speaker 3: a wonderful manager. He broke new ground. But sometimes I 165 00:09:19,360 --> 00:09:23,480 Speaker 3: think he didn't realize how vast the United States, well 166 00:09:23,520 --> 00:09:26,760 Speaker 3: North America is the United States and Canada, just how 167 00:09:27,559 --> 00:09:31,160 Speaker 3: large it is, how much ground it covers. The Beatles 168 00:09:31,200 --> 00:09:34,200 Speaker 3: could could play a gig in you know, south of 169 00:09:34,240 --> 00:09:36,920 Speaker 3: Liverpool and go back there to the south of England 170 00:09:36,920 --> 00:09:40,360 Speaker 3: and head back up to liver just driving around. And 171 00:09:40,440 --> 00:09:42,640 Speaker 3: when they got to America, I mean, by the time 172 00:09:42,920 --> 00:09:47,120 Speaker 3: they finished up the tour from London back to London, 173 00:09:47,640 --> 00:09:51,040 Speaker 3: it was around twenty two thousand miles that they had traveled. 174 00:09:51,080 --> 00:09:54,920 Speaker 3: So it was just this incredible journey. And sometimes they 175 00:09:54,920 --> 00:09:58,880 Speaker 3: would do a concert, finish up a concert. Instead of 176 00:09:58,920 --> 00:10:01,000 Speaker 3: staying the night in the whole hotel, they would get 177 00:10:01,000 --> 00:10:03,280 Speaker 3: on the plane at two in the you know, one 178 00:10:03,320 --> 00:10:05,880 Speaker 3: in the morning and fly for a couple hours to 179 00:10:05,960 --> 00:10:08,400 Speaker 3: the next city, landing in a city at three or 180 00:10:08,400 --> 00:10:10,200 Speaker 3: four in the morning, and then be driven to the 181 00:10:10,240 --> 00:10:13,120 Speaker 3: hotel and sleeping for a few hours and then back 182 00:10:13,160 --> 00:10:15,840 Speaker 3: to the venue. It was really quite a just just 183 00:10:15,880 --> 00:10:18,720 Speaker 3: an amazing kind of thing that they had done. 184 00:10:20,520 --> 00:10:25,240 Speaker 2: It paint us kind of a mental picture of the 185 00:10:25,400 --> 00:10:28,720 Speaker 2: reception they received from fans either at the airport or 186 00:10:28,760 --> 00:10:34,800 Speaker 2: outside their hotel, at the concert venue itself. I mean, 187 00:10:34,800 --> 00:10:39,040 Speaker 2: we have this this image because these legends about you know, 188 00:10:39,480 --> 00:10:42,840 Speaker 2: this is chaos and these the mob of fans that 189 00:10:42,880 --> 00:10:44,680 Speaker 2: were out of control wasn't really like that. 190 00:10:46,080 --> 00:10:52,600 Speaker 3: Absolutely, it was a complete besiegement everywhere they went. I 191 00:10:52,640 --> 00:10:55,360 Speaker 3: think they might have had the mistaken idea they could 192 00:10:55,400 --> 00:10:58,280 Speaker 3: have gotten out and explored a city, like a city 193 00:10:58,400 --> 00:11:01,840 Speaker 3: like New Orleans. They picked a city like Las Vegas 194 00:11:01,840 --> 00:11:04,880 Speaker 3: to go and perform in, which was quite an interesting 195 00:11:04,960 --> 00:11:08,240 Speaker 3: selection to even go to Las Vegas in nineteen sixty four. 196 00:11:08,240 --> 00:11:10,560 Speaker 3: It's not the Las Vegas we know of today, only 197 00:11:10,600 --> 00:11:14,520 Speaker 3: a one hundred thousand people living there. But everywhere they went. 198 00:11:14,559 --> 00:11:17,200 Speaker 3: When they first got to San Francisco, there were five 199 00:11:17,280 --> 00:11:22,280 Speaker 3: thousand fans at the airport, and the promoters or the 200 00:11:22,679 --> 00:11:25,880 Speaker 3: organizers of the concert had built a little kind of 201 00:11:26,040 --> 00:11:31,000 Speaker 3: welcome stage at the airport out in the field. They're 202 00:11:31,440 --> 00:11:33,880 Speaker 3: kind of off to the side of the runway. You know, 203 00:11:33,920 --> 00:11:36,240 Speaker 3: it's like maybe like a ten by ten. They put 204 00:11:36,240 --> 00:11:38,719 Speaker 3: some cyclone fencing around it, and they were going to 205 00:11:38,760 --> 00:11:41,720 Speaker 3: have the Beatles disembarked from the airplane and come to 206 00:11:41,800 --> 00:11:45,240 Speaker 3: this little podium and greet their fans. Well, they are 207 00:11:45,280 --> 00:11:48,760 Speaker 3: only on there for about thirty seconds before they realized 208 00:11:48,800 --> 00:11:50,920 Speaker 3: that we're going to have a real problem here and 209 00:11:51,000 --> 00:11:53,439 Speaker 3: these you know, the Beatles could be crushed to death. 210 00:11:54,400 --> 00:11:57,560 Speaker 3: But anywhere they went, they could not get out of 211 00:11:57,559 --> 00:12:04,760 Speaker 3: their hotel room all they really saw of America was airports, hotels, venues. 212 00:12:05,320 --> 00:12:08,720 Speaker 3: That was it. They just could not get around. There 213 00:12:08,800 --> 00:12:11,760 Speaker 3: was a few places where they did get out, just 214 00:12:11,800 --> 00:12:14,840 Speaker 3: for a little bit of time, but there just wasn't much. 215 00:12:14,960 --> 00:12:18,319 Speaker 3: Fans were besieging the hotels. They were trying to figure 216 00:12:18,320 --> 00:12:21,280 Speaker 3: out ways to get in. They were climbing up drain pipes, 217 00:12:21,400 --> 00:12:26,080 Speaker 3: they were coming in dressed as hotel maids, were hidden 218 00:12:26,120 --> 00:12:29,800 Speaker 3: in room service carts, just any way they could get 219 00:12:29,800 --> 00:12:32,480 Speaker 3: in to try to to try to get a visit. 220 00:12:32,280 --> 00:12:32,960 Speaker 1: With the Beetles. 221 00:12:33,360 --> 00:12:37,800 Speaker 3: It was just crazy pandemonium. I had the opportunity to 222 00:12:37,840 --> 00:12:41,080 Speaker 3: stay at the Brown Palace hotel in Denver about a 223 00:12:41,120 --> 00:12:43,040 Speaker 3: month ago where the Beatles were at, and it was 224 00:12:43,080 --> 00:12:46,520 Speaker 3: actually in their room sixty years to the day that 225 00:12:46,600 --> 00:12:49,000 Speaker 3: they were there, and it was fun for me just 226 00:12:49,000 --> 00:12:51,800 Speaker 3: to look out the window and kind of imagine the 227 00:12:51,880 --> 00:12:55,880 Speaker 3: crowds that were down below on the street at the 228 00:12:55,920 --> 00:12:59,120 Speaker 3: Brown Palace and how they just kind of surrounded the hotel. 229 00:12:59,679 --> 00:13:04,000 Speaker 3: Actually had the hotel historian take me on the original 230 00:13:04,160 --> 00:13:07,679 Speaker 3: route from when the Beatles got out of the limousine 231 00:13:08,240 --> 00:13:11,040 Speaker 3: and went up the freight elevator to their rooms. It 232 00:13:11,080 --> 00:13:13,120 Speaker 3: was just quite fascinating to kind of think that, but 233 00:13:13,160 --> 00:13:17,319 Speaker 3: you're correct. It was absolutely everything that everyone would think 234 00:13:17,360 --> 00:13:21,520 Speaker 3: about in terms of the fans and how much pandemonium 235 00:13:21,520 --> 00:13:22,480 Speaker 3: and chaos there was. 236 00:13:23,160 --> 00:13:26,440 Speaker 1: Listen to more Coast to Coast AM every weeknight at 237 00:13:26,440 --> 00:13:29,680 Speaker 1: one am Eastern and go to Coast to coastam dot 238 00:13:29,720 --> 00:13:30,520 Speaker 1: com for more