WEBVTT - A Simple Ask with Patton Oswalt and Alice's Kids

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<v Speaker 1>Hey, six degrees listeners, Kevin becon here, I got a

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<v Speaker 1>treat for you this episode. This is the one and

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<v Speaker 1>only hilarious Patton oswaldt joins me for a conversation that

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<v Speaker 1>is funny, funny, funny, funny, but also extremely insightful. As

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<v Speaker 1>you probably know, this guy knows how to make you laugh.

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<v Speaker 1>What here is a little teaser. Patton may have ended

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<v Speaker 1>up on a different career path if not for his

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<v Speaker 1>very blunt dad. I think we got to thank them though,

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<v Speaker 1>because you know, the world needs this dude doing his

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<v Speaker 1>comedy thing and it's stick around. Also because we shine

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<v Speaker 1>a spotlight on a grassroots organization doing amazing work supporting

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<v Speaker 1>students throughout the entire year, not just in the back

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<v Speaker 1>to school sessions. Yeah, I haven't really been looking forward

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<v Speaker 1>to this one. I'm a big fan, so lean in.

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<v Speaker 1>I'm glad you're here. Patton Oswald, thank you so much

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<v Speaker 1>for being here with me.

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<v Speaker 2>Ken, thank you fix having me on.

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<v Speaker 1>Man. Hey, you know it's one of those weird like

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<v Speaker 1>I don't know I've are well. Of course, you know,

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<v Speaker 1>I play this dumb game where I try to figure

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<v Speaker 1>out connections between people. But I don't think that our

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<v Speaker 1>paths have crossed as far as I know, I don't

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<v Speaker 1>think we've been in the same thing, which is kind

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<v Speaker 1>of shocking.

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<v Speaker 3>Yeah, it is weird. We've never crossed directly. I'm sure

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<v Speaker 3>there is no more than a two or three person

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<v Speaker 3>gap between you and I. Apparently my wife was telling me.

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<v Speaker 3>My wife, Meredith Salinger, said that she this is back

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<v Speaker 3>in eighty six, so if you don't remember this, don't

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<v Speaker 3>even worry about it. She had just done a movie

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<v Speaker 3>called A Night in the Life at Jimmy Reared, and

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<v Speaker 3>she met you somewhere, either at a dinner or something,

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<v Speaker 3>and you were joking and like, oh, you just did

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<v Speaker 3>that movie with River Phoenix. I'm probably gonna play his

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<v Speaker 3>big brothers day.

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<v Speaker 1>That's probably I mean, I'm sure she's not lying. I mean,

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<v Speaker 1>I'm sure she's not making it up, and that would

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<v Speaker 1>be something that I would have thought of. In fact,

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<v Speaker 1>you know, it's you know, that was such a you know,

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<v Speaker 1>sad thing I was. I loved her. I thought he

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<v Speaker 1>was great and yeah, and definitely you know, when he

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<v Speaker 1>was younger, he definitely, you know, we look like we

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<v Speaker 1>could have been brothers for sure. Absolutely, yes, But the

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<v Speaker 1>fact that you have been I mean, I think you've

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<v Speaker 1>been in like two hundred movies or something like that.

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<v Speaker 1>It's great, it's it just blows my mind, and it

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<v Speaker 1>makes it even even weirder that we haven't been in

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<v Speaker 1>the same thing together. Well, but you know, life is long,

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<v Speaker 1>so we'll we'll get to do that.

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<v Speaker 2>Life is long, and show business is weirdly small, so

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<v Speaker 2>eventually everybody coides with each other.

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<v Speaker 1>Absolutely, absolutely, thank you, thank you so much for being

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<v Speaker 1>here with me. You know, I want to I want

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<v Speaker 1>to first off say, I don't know why I have

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<v Speaker 1>this obsession with this. The people that listening to this podcast.

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<v Speaker 1>I've heard me mention this many times. But how do

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<v Speaker 1>you feel about your name? And can we talk a

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<v Speaker 1>little bit about it? About the genesis of that name.

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<v Speaker 3>Well, Daddy was a marine and he my mom wanted

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<v Speaker 3>to call me either Andy or Chris, and he thought

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<v Speaker 3>those names were kind of bland and forgettable, so he

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<v Speaker 3>proposed Patton as a first name. I haven't met a

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<v Speaker 3>lot of first name patents out there, but weirdly, you know,

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<v Speaker 3>he had been he had done three tours in Vietnam.

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<v Speaker 3>So even though he named me after a World War

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<v Speaker 3>Two general, he was always very vocal about I don't

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<v Speaker 3>want you ever.

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<v Speaker 2>Going to war or joining the military.

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<v Speaker 3>I know because I've seen the worst of it, and

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<v Speaker 3>I do not want that for you. So what I

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<v Speaker 3>went into being a comedian, he could not have been happier.

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<v Speaker 1>Wow, Okay, yeah, that is a very I think that's

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<v Speaker 1>a very unusual, unusual story. I would think. I mean

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<v Speaker 1>because because you know, listen, I often have said, I

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<v Speaker 1>think I've played four Marines in my life. I get

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<v Speaker 1>I get them, I get the marine gigs, and the

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<v Speaker 1>one thing, oh yeah, absolutely sure that I could never

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<v Speaker 1>do is become a marine. I mean, I wouldn't last

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<v Speaker 1>five minutes through any of those you know of boot

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<v Speaker 1>camp or those procedures. But I do know that a

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<v Speaker 1>lot of the Marines that I've I've been with have

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<v Speaker 1>had sort of the opposite reaction, you know, they kind

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<v Speaker 1>of they they want to pass that on to their sons.

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<v Speaker 1>So I'm I'm I'm wow, I'm not surprised, but I

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<v Speaker 1>think it's but I think it's interesting, and I think

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<v Speaker 1>it says a lot about your dad that he's like, no,

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<v Speaker 1>I've seen it and it's not for you.

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<v Speaker 3>I I don't think he was down on the Marines.

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<v Speaker 3>He was down on the idea of us being sent

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<v Speaker 3>to war. You know, he had been doing. He came

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<v Speaker 3>from a I come from a long line of war

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<v Speaker 3>veterans and warriors. So but my dad saw I think

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<v Speaker 3>he saw some really bad stuff during those three years

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<v Speaker 3>and he got shot in the leg. He's still alive,

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<v Speaker 3>but you know, he just saw a lot of really

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<v Speaker 3>dark stuff and he was like, yeah, war is not

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<v Speaker 3>what I I thought it was going to be.

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<v Speaker 1>And did he talk to you about that stuff?

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<v Speaker 3>He talks about it, but he does it in that

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<v Speaker 3>oblique way where it actually the stuff he doesn't talk

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<v Speaker 3>about weirdly speaks louder than the stuff he can talk

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<v Speaker 3>about directly. That the stuff that he that he clearly

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<v Speaker 3>is deflecting from and can't face head on, you can

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<v Speaker 3>infer what it is he's talking about.

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<v Speaker 2>And it's pretty dark.

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<v Speaker 3>So and I've learned to like, what is the point

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<v Speaker 3>in me dredging it up? I think he's so much

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<v Speaker 3>more happy to be with his sons now alive, rather

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<v Speaker 3>than let's go revisit this as he called it one time,

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<v Speaker 3>he just said war is brutal and completely pointless. And again,

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<v Speaker 3>that's a guy that was did three years of it,

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<v Speaker 3>So you know, I kind of that was my way

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<v Speaker 3>of going, Yeah, let's not push too we don't need

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<v Speaker 3>to push too deep here.

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<v Speaker 1>Sure sure, yeah, sure. So you said you have brothers

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<v Speaker 1>and sisters, got.

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<v Speaker 2>A younger other.

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<v Speaker 3>Also very funny, comedy writer, great on threads and online,

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<v Speaker 3>great writer. And also just like he was actually flirting

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<v Speaker 3>with joining the Air Force. My dad was like, listen,

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<v Speaker 3>I love you. You are not.

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<v Speaker 2>Going to do well in the Army. Go do something else.

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<v Speaker 3>And he wasn't saying it like oh you little whip.

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<v Speaker 3>He was just like, I know how your mind works,

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<v Speaker 3>and this ain't for you.

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<v Speaker 1>Uh huh uh huh Yeah. What were what were you were?

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<v Speaker 1>An army brought it? Did you move around a bunch

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<v Speaker 1>of a bunch?

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<v Speaker 2>And yeah, a little.

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<v Speaker 3>We moved on it when we were really really young.

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<v Speaker 3>But then when we got to just before high school.

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<v Speaker 3>And I remember this very clearly because my dad grew

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<v Speaker 3>up his dad was an Air Force pilot and they

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<v Speaker 3>moved constantly. He went to four different high schools. He

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<v Speaker 3>just was and moved all over the world, Morocco and

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<v Speaker 3>Germany and Spain and then all over the United States.

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<v Speaker 3>And he said, as adventurous as that was. I never

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<v Speaker 3>had like a home base. I never was had like

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<v Speaker 3>a place I could build rep or build my roots,

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<v Speaker 3>and I want that for you guys. You know, because

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<v Speaker 3>my dad also really loved sports, and a lot of

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<v Speaker 3>times he would suddenly move to a new town and

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<v Speaker 3>the coach was like, you're doing really good work, but

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<v Speaker 3>this kid's been here since freshman year, and he's like,

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<v Speaker 3>he's you know, it's his time, and I don't know

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<v Speaker 3>what to tell you, you know, So he's like, I

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<v Speaker 3>don't want that.

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<v Speaker 2>So he took a desk.

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<v Speaker 3>He was like a test pilot for a while, and

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<v Speaker 3>then he took a desk job in the Marines in

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<v Speaker 3>DC testing just so that he could. He was like,

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<v Speaker 3>I don't want that experience for you guys.

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<v Speaker 1>So when you say sports, you and your brother were

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<v Speaker 1>playing sports, or your dad was coaching, or.

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<v Speaker 3>My dad my dad played sports in high school. He

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<v Speaker 3>saw very very early that, oh, I have not given

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<v Speaker 3>birth to jocks, given birth to movie nerds and D

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<v Speaker 3>and D players and possible filmmakers. These guys are not

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<v Speaker 3>going to be I mean, I tried every sport. I

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<v Speaker 3>tried football, I tried soccer, I tried baseball. I was

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<v Speaker 3>just absolutely awful in all of them.

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<v Speaker 1>Well we share that, we share that.

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<v Speaker 2>Really did you try them all and they'd just nothing?

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<v Speaker 1>Really well, well I didn't, you know. It's like when

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<v Speaker 1>I say I tried them, we didn't. I didn't really

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<v Speaker 1>go to a high school that had We didn't have

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<v Speaker 1>a foot There was no football. I mean it was

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<v Speaker 1>a kind of an inner city Philadelphia high school, so

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<v Speaker 1>that we didn't have any room to play football. We

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<v Speaker 1>played football on the street, but it was just touch football.

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<v Speaker 1>Or we would play like, you know, half ball, stickball,

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<v Speaker 1>you know, oh yeah, stuff like that, street hockey. But

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<v Speaker 1>I was never really good, never good at any sports.

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<v Speaker 1>I actually feel, you know, kind of lucky that for

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<v Speaker 1>the most part, I haven't been asked to do anything

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<v Speaker 1>that is specifically ball athletic. I mean I've been asked

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<v Speaker 1>to do things and involved you know, movement and dance

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<v Speaker 1>and fighting, yes, you know, all those kinds of things.

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<v Speaker 1>But the one, the one time that I did a

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<v Speaker 1>sports based movie was this pretty forgettable movie called The

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<v Speaker 1>Air up there where I patted it. Yeah, I played

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<v Speaker 1>a trust me when I say it doesn't really hold up.

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<v Speaker 1>I play a guy who goes I'm a recruiter. I

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<v Speaker 1>go to Africa and the great NBA great Bob McAdoo,

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<v Speaker 1>who was was our technical advisor on on that on

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<v Speaker 1>that movie, and you know, was tasked with, you know,

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<v Speaker 1>trying to uh, you know, get everybody to kind of

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<v Speaker 1>choreograph the games and you know, cast the players that

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<v Speaker 1>could play and stuff like that. And he he once

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<v Speaker 1>did an interview and said that one of the hardest

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<v Speaker 1>things he ever had to do in his career was

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<v Speaker 1>make Kevin Bacon look like a basketball player.

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<v Speaker 3>So and make make you look like someone who knew

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<v Speaker 3>how to tell people how to play basketball.

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<v Speaker 1>Like that was the easy part. But there was a

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<v Speaker 1>scene where I come in and actually, you know, save

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<v Speaker 1>the day, you know with my outside shooting, you know.

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<v Speaker 2>So, but that's fantastic.

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<v Speaker 1>Yeah, it was. It was, But you know, listen, I

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<v Speaker 1>think it's really again. I think that I like your

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<v Speaker 1>dad without having met him, for those two reasons, one

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<v Speaker 1>saying you know, I don't want you to go to war,

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<v Speaker 1>and to saying, hey, I see something else in both

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<v Speaker 1>of you. That edit eight you know, football and go

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<v Speaker 1>and do your thing. I mean I think that's I

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<v Speaker 1>think that's fantastic.

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<v Speaker 3>Yeah, And I've actually carried that on because I'm not

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<v Speaker 3>going to be the jock version of a nerd dad

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<v Speaker 3>to my daughter. Like I remember, I showed her Star

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<v Speaker 3>Wars and she was like meh, And I wasn't, like

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<v Speaker 3>you are going to sit down and you're a good wall,

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<v Speaker 3>you know, I said, Oh, I didn't land with her.

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<v Speaker 2>That's fine.

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<v Speaker 3>Like, I'm not gonna force her into something that she's not.

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<v Speaker 3>That's a I think that's a crucial thing that parents

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<v Speaker 3>need to learn and from my dad, and I'm doing

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<v Speaker 3>it now.

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<v Speaker 1>I agree. I totally agree. I don't. I don't try

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<v Speaker 1>to force them into something that they don't that they

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<v Speaker 1>don't want to do, you know, other than you know,

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<v Speaker 1>trying to lead by example, to be a good person

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<v Speaker 1>and you know, try to whatever, have some empathy, but

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<v Speaker 1>try other than that. I mean, I totally agree. Well,

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<v Speaker 1>so you mentioned that you had a great love and

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<v Speaker 1>you mentioned Star Wars with your brother. You and your

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<v Speaker 1>brother were kind of movie nerds. You like to watch.

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<v Speaker 3>I was way more of a movie nerd than my brother.

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<v Speaker 3>He got into movies a little older. He did like

0:11:25.240 --> 0:11:29.240
<v Speaker 3>watching sports, he wasn't big on playing them, even though

0:11:29.280 --> 0:11:33.079
<v Speaker 3>he's very kind of fit and he takes good care

0:11:33.120 --> 0:11:35.280
<v Speaker 3>of himself, but he wasn't into like the team sports up.

0:11:35.760 --> 0:11:38.800
<v Speaker 3>I was just from a very early age, just hooked

0:11:38.880 --> 0:11:39.520
<v Speaker 3>on the whole.

0:11:39.600 --> 0:11:39.800
<v Speaker 1>You know.

0:11:40.200 --> 0:11:42.160
<v Speaker 3>I don't know if you it sounds like you grew

0:11:42.200 --> 0:11:45.680
<v Speaker 3>up in Philly in the seventies, sixties and seventies. Yeah,

0:11:45.679 --> 0:11:49.640
<v Speaker 3>so you probably had your version of the Saturday morning

0:11:50.200 --> 0:11:51.160
<v Speaker 3>horror movie.

0:11:50.920 --> 0:11:51.760
<v Speaker 2>Host that there.

0:11:52.360 --> 0:11:53.800
<v Speaker 3>I said, there was a monster movie and then an

0:11:53.800 --> 0:11:57.719
<v Speaker 3>Abbot Costello movie, totally, and I just devoured all of them.

0:11:57.800 --> 0:12:01.160
<v Speaker 3>And then me too, eight years old, Star Wars came

0:12:01.160 --> 0:12:03.040
<v Speaker 3>out and that was it. It just kicked the side

0:12:03.040 --> 0:12:05.520
<v Speaker 3>of my head in and I was completely, Oh, that's

0:12:05.520 --> 0:12:07.439
<v Speaker 3>what I want to be doing. I want I want

0:12:07.440 --> 0:12:08.719
<v Speaker 3>to get on the other side of that and be

0:12:08.800 --> 0:12:10.280
<v Speaker 3>in that world somehow.

0:12:10.360 --> 0:12:13.280
<v Speaker 1>Right, right, But how does that how does that walk

0:12:13.320 --> 0:12:17.560
<v Speaker 1>its way to comedy? I was or was that not?

0:12:17.600 --> 0:12:19.360
<v Speaker 1>Even the impetus at the jump?

0:12:20.480 --> 0:12:21.120
<v Speaker 2>At the jump?

0:12:21.160 --> 0:12:25.040
<v Speaker 3>It was, well, I wish I had a deeper, more

0:12:25.520 --> 0:12:28.600
<v Speaker 3>artistic story to tell you, but it really did get

0:12:28.640 --> 0:12:31.440
<v Speaker 3>to the point where it was that summer between freshman

0:12:31.480 --> 0:12:34.640
<v Speaker 3>and sophomore year of high school, Well that's the no, no,

0:12:34.720 --> 0:12:37.559
<v Speaker 3>I'm sorry. The summer between freshman and sophomore year of college.

0:12:37.559 --> 0:12:39.600
<v Speaker 3>That was the summer of nineteen eighty eight. I was okay,

0:12:39.760 --> 0:12:41.800
<v Speaker 3>I just completed my first year of college, and that's

0:12:41.800 --> 0:12:43.760
<v Speaker 3>the first time in your life when you really start

0:12:43.760 --> 0:12:46.280
<v Speaker 3>to feel like, I better start figuring out what I'm

0:12:46.320 --> 0:12:48.880
<v Speaker 3>going to do because in three years this is over

0:12:48.960 --> 0:12:51.360
<v Speaker 3>and I'm out in the real world. And I did

0:12:51.400 --> 0:12:54.280
<v Speaker 3>a bunch of different jobs that summer. I did everything.

0:12:54.280 --> 0:12:56.600
<v Speaker 3>I was working at a law firm, and I was

0:12:56.760 --> 0:13:00.520
<v Speaker 3>DJing weddings on weekends and it was just and I

0:13:00.559 --> 0:13:03.960
<v Speaker 3>started doing open mics in DC and that's what stuck.

0:13:04.160 --> 0:13:07.920
<v Speaker 3>It just and I was getting no positive reinforcement. Nobody

0:13:08.160 --> 0:13:10.280
<v Speaker 3>was like what I was doing. But I loved the

0:13:10.360 --> 0:13:12.320
<v Speaker 3>hang and I loved the life, and that's what I

0:13:12.360 --> 0:13:15.000
<v Speaker 3>wanted to be doing. And it just clicked, and I'm like, oh,

0:13:15.120 --> 0:13:17.079
<v Speaker 3>that's what I should be doing. I just I knew it.

0:13:17.120 --> 0:13:19.640
<v Speaker 3>I knew it without being able to really articulate it.

0:13:19.640 --> 0:13:20.920
<v Speaker 3>I knew that's what I should be doing.

0:13:21.280 --> 0:13:23.800
<v Speaker 1>Well, it's so interesting that you say that you love

0:13:23.880 --> 0:13:25.520
<v Speaker 1>the life, and I'll have to tell you why, because

0:13:25.720 --> 0:13:30.839
<v Speaker 1>I I it. When I think about comics, first off,

0:13:31.440 --> 0:13:37.040
<v Speaker 1>I think that dollar for dollar, going to a comedy

0:13:37.080 --> 0:13:43.080
<v Speaker 1>show might be my favorite kind of form of entertainment.

0:13:43.120 --> 0:13:45.280
<v Speaker 1>I absolutely loved movies. I love it. I love to

0:13:45.280 --> 0:13:47.560
<v Speaker 1>go to the theater, Yeah, But when I look at

0:13:48.600 --> 0:13:55.079
<v Speaker 1>what I get from a from a comedy show, a special,

0:13:55.559 --> 0:13:58.600
<v Speaker 1>you know, a single comic special. Oh yes, I'm talking

0:13:58.600 --> 0:14:00.480
<v Speaker 1>about it. You know when people get up do you

0:14:00.480 --> 0:14:02.640
<v Speaker 1>know ten minutes or seven minutes or whatever it is,

0:14:03.360 --> 0:14:07.720
<v Speaker 1>you know you're going to see people do really well

0:14:08.200 --> 0:14:10.960
<v Speaker 1>and do really badly. So there's this kind of like

0:14:11.160 --> 0:14:16.600
<v Speaker 1>electric sort of edge that happens that and and when

0:14:16.640 --> 0:14:20.760
<v Speaker 1>it's when it's really great, as a collective group, you

0:14:21.000 --> 0:14:25.360
<v Speaker 1>all feel this tremendous sense of just you get so

0:14:25.560 --> 0:14:28.440
<v Speaker 1>thrilled to be laughing that hard, and you get so

0:14:28.560 --> 0:14:30.760
<v Speaker 1>thrilled for somebody when they're when they're doing well, and

0:14:30.800 --> 0:14:33.720
<v Speaker 1>you feel so bad when they're not. And whenever you

0:14:33.720 --> 0:14:35.400
<v Speaker 1>go to a comedy show, you're going to see that

0:14:35.760 --> 0:14:37.480
<v Speaker 1>you know, and you're gonna be jokes that are gonna

0:14:37.520 --> 0:14:39.360
<v Speaker 1>land and aren' gonna land, And there's a kind of

0:14:39.480 --> 0:14:41.720
<v Speaker 1>danger to it that I really love. But the thing

0:14:41.760 --> 0:14:46.480
<v Speaker 1>that blows my mind is that you went one day

0:14:47.680 --> 0:14:50.760
<v Speaker 1>having never done this and you just walk up to

0:14:50.800 --> 0:14:54.320
<v Speaker 1>a microphone. Yeah, I mean did you had you had

0:14:54.400 --> 0:14:56.840
<v Speaker 1>you written it down, or had you stood in the

0:14:56.880 --> 0:15:00.000
<v Speaker 1>mirror like what like like like like doing it, or

0:15:00.280 --> 0:15:01.800
<v Speaker 1>I've done it for your friends, or.

0:15:02.400 --> 0:15:06.360
<v Speaker 3>I wrote stuff down on a piece of paper at

0:15:06.400 --> 0:15:08.360
<v Speaker 3>the law firm I was working at and I lost

0:15:08.360 --> 0:15:09.880
<v Speaker 3>that piece of paper. I had that for the longest

0:15:09.880 --> 0:15:11.960
<v Speaker 3>tumm and I don't have it anymore, which is just

0:15:12.000 --> 0:15:15.360
<v Speaker 3>as good, because the material was terrible. I wrote what

0:15:15.400 --> 0:15:17.680
<v Speaker 3>I thought where it sounded like jokes based on what

0:15:17.720 --> 0:15:19.960
<v Speaker 3>I've been watching on TV, on the cable shows and

0:15:19.960 --> 0:15:24.960
<v Speaker 3>stuff like that, and so I just kind of went up, yes, exactly.

0:15:25.000 --> 0:15:27.680
<v Speaker 3>But it was also that classic like I'm so not

0:15:27.720 --> 0:15:29.040
<v Speaker 3>speaking in my own voice.

0:15:28.880 --> 0:15:31.920
<v Speaker 2>Yet I'm not comfortable enough on stage to just go, hey,

0:15:31.960 --> 0:15:33.880
<v Speaker 2>here's what's going on. I was trying to do the

0:15:33.960 --> 0:15:36.240
<v Speaker 2>rhythms of stuff I'd seen on TV. I mean, what's

0:15:36.520 --> 0:15:36.720
<v Speaker 2>you know?

0:15:37.280 --> 0:15:41.440
<v Speaker 3>And so it was almost like stand up karaoke in

0:15:41.480 --> 0:15:44.840
<v Speaker 3>a weird way. And what you realize is, and I'm

0:15:44.840 --> 0:15:47.320
<v Speaker 3>sure you experienced this as an actor too. Starting out,

0:15:47.840 --> 0:15:50.240
<v Speaker 3>one of the first jobs you have to do is

0:15:50.280 --> 0:15:53.600
<v Speaker 3>to get over the fact that going on stage is

0:15:53.600 --> 0:15:55.400
<v Speaker 3>a big deal. You have to get to the point

0:15:55.440 --> 0:15:58.360
<v Speaker 3>where you don't think about that anymore, and that's when

0:15:58.360 --> 0:16:01.280
<v Speaker 3>you can really start to cook. I'm sure the first

0:16:01.280 --> 0:16:04.400
<v Speaker 3>time that you had an acting gig, you're like, Okay,

0:16:04.400 --> 0:16:06.840
<v Speaker 3>where do I put my feet? Where? What do I

0:16:06.920 --> 0:16:09.240
<v Speaker 3>I'm gonna walk in here? Like that has got to

0:16:09.240 --> 0:16:12.200
<v Speaker 3>become second nature and then you can really be present

0:16:12.320 --> 0:16:15.000
<v Speaker 3>in what it makes you're doing, you know. Yeah, So,

0:16:15.320 --> 0:16:16.960
<v Speaker 3>I mean so I had to I had to get

0:16:17.000 --> 0:16:18.040
<v Speaker 3>over that first.

0:16:18.600 --> 0:16:19.400
<v Speaker 2>That took some time.

0:16:19.800 --> 0:16:21.600
<v Speaker 1>And so is it the type of thing where like

0:16:21.720 --> 0:16:25.600
<v Speaker 1>you go and you do one open mic and like

0:16:25.960 --> 0:16:28.040
<v Speaker 1>a couple of things work, and then you try it

0:16:28.080 --> 0:16:30.800
<v Speaker 1>again and a couple more work or or or or

0:16:30.880 --> 0:16:32.560
<v Speaker 1>am I romanticizing it?

0:16:32.640 --> 0:16:36.880
<v Speaker 3>You're romanticizing because I went up and nothing worked, okay,

0:16:36.880 --> 0:16:41.400
<v Speaker 3>But what I loved was the two hours before I

0:16:41.520 --> 0:16:44.720
<v Speaker 3>was able to go on stage, sitting watching the other comedians,

0:16:45.000 --> 0:16:48.120
<v Speaker 3>watching people riffing off of each other, and just that

0:16:48.200 --> 0:16:51.760
<v Speaker 3>whole energy of it. And then you just keep going

0:16:51.880 --> 0:16:54.480
<v Speaker 3>up over and over and it gets a little bit

0:16:54.680 --> 0:16:59.760
<v Speaker 3>better each time, and again you get over the oh

0:16:59.760 --> 0:17:01.520
<v Speaker 3>I got to think about going on stage, and then

0:17:01.560 --> 0:17:03.240
<v Speaker 3>you're more and you can be more real. I mean,

0:17:04.119 --> 0:17:06.520
<v Speaker 3>if you go to comedy shows, I'm sure you've seen

0:17:06.600 --> 0:17:09.280
<v Speaker 3>those nights where someone does a joke and it doesn't

0:17:09.359 --> 0:17:11.280
<v Speaker 3>land and then they make a joke about it not

0:17:11.440 --> 0:17:13.640
<v Speaker 3>landing because they're so present in the moment and that

0:17:13.680 --> 0:17:16.280
<v Speaker 3>gets a laugh. So when you can get to that

0:17:16.320 --> 0:17:19.920
<v Speaker 3>point where you're like, here's this you're so present on stage,

0:17:20.400 --> 0:17:22.960
<v Speaker 3>But that just comes from repetition. And yeah, there's a

0:17:23.000 --> 0:17:25.400
<v Speaker 3>lot of there were a lot of open mics where

0:17:25.440 --> 0:17:26.160
<v Speaker 3>oh boy.

0:17:26.480 --> 0:17:28.240
<v Speaker 2>It was. But you know what, here's what's great.

0:17:28.280 --> 0:17:32.359
<v Speaker 3>When you completely fail, I mean completely turf out.

0:17:32.600 --> 0:17:35.080
<v Speaker 2>There's nothing better than waking up the next day and going, oh,

0:17:35.119 --> 0:17:38.399
<v Speaker 2>the world didn't end. It didn't matter. I could just

0:17:38.480 --> 0:17:40.280
<v Speaker 2>keep doing this over and over and you get over

0:17:40.320 --> 0:17:46.160
<v Speaker 2>that fear. And that's the best.

0:17:48.600 --> 0:17:51.880
<v Speaker 1>I have a buddy who's a comic and you talk

0:17:51.920 --> 0:17:56.560
<v Speaker 1>about the you liked the world and seeing the energy,

0:17:56.600 --> 0:18:01.320
<v Speaker 1>and I really like I would go sometimes with him

0:18:02.040 --> 0:18:04.879
<v Speaker 1>and you know, just kind of hang not not go

0:18:05.000 --> 0:18:06.919
<v Speaker 1>to not necessarily go to the show, but kind of

0:18:07.520 --> 0:18:10.480
<v Speaker 1>what the process was of the hang it and it

0:18:10.480 --> 0:18:13.639
<v Speaker 1>it is really amazing. Well, for one thing, there is

0:18:15.080 --> 0:18:18.280
<v Speaker 1>probably not always and I might be romanticizing this as well,

0:18:18.320 --> 0:18:21.600
<v Speaker 1>but that there's kind of a sense of community. Oh yeah,

0:18:21.800 --> 0:18:26.840
<v Speaker 1>people that are you know at one point, you know,

0:18:27.000 --> 0:18:30.960
<v Speaker 1>everyone is obviously competitive with each other, but also I

0:18:31.080 --> 0:18:34.080
<v Speaker 1>get the sense that that people are also happy when

0:18:34.119 --> 0:18:36.879
<v Speaker 1>somebody else, you know, kind of does well because it

0:18:36.920 --> 0:18:39.679
<v Speaker 1>means that you have a chance of getting far ahead.

0:18:40.440 --> 0:18:42.600
<v Speaker 1>And if somebody nobody's getting paid, that's the other thing

0:18:42.640 --> 0:18:45.200
<v Speaker 1>that's like amazing, No, it's getting paid.

0:18:45.600 --> 0:18:48.840
<v Speaker 3>I did a show two nights ago here in the valley,

0:18:49.040 --> 0:18:51.560
<v Speaker 3>right like five minutes from my house on Ventura, and

0:18:52.119 --> 0:18:54.720
<v Speaker 3>for some reason, I guess they didn't promote it very well.

0:18:55.119 --> 0:18:57.399
<v Speaker 3>A lot of just kind of old people sitting in

0:18:57.440 --> 0:19:00.040
<v Speaker 3>this room that were not really tuned in. And it

0:19:00.119 --> 0:19:02.200
<v Speaker 3>was other friends of mine on the show, and we

0:19:02.200 --> 0:19:06.240
<v Speaker 3>were all the backstage was that weird camaraderie of like

0:19:06.800 --> 0:19:10.520
<v Speaker 3>we are at an AARP conventions and I don't know

0:19:10.560 --> 0:19:12.960
<v Speaker 3>what is happening out there, And that actually made it

0:19:13.040 --> 0:19:15.120
<v Speaker 3>kind of fun that each of us was gonna go

0:19:15.160 --> 0:19:17.719
<v Speaker 3>out and just support the and then you would come

0:19:17.720 --> 0:19:18.760
<v Speaker 3>off stage to nothing.

0:19:18.800 --> 0:19:21.320
<v Speaker 2>This audience was so awful, But then.

0:19:21.240 --> 0:19:24.000
<v Speaker 3>That kind of became the event is watching the comedians

0:19:24.359 --> 0:19:26.800
<v Speaker 3>kind of talk to each other even when they're on stage,

0:19:26.840 --> 0:19:29.600
<v Speaker 3>like hey, Alonso, you were right, this is oh my god,

0:19:29.640 --> 0:19:30.400
<v Speaker 3>what is happening?

0:19:30.480 --> 0:19:33.480
<v Speaker 2>Like that stuff? Then that kind of made it an

0:19:33.480 --> 0:19:34.960
<v Speaker 2>event and I love stuff like that.

0:19:35.840 --> 0:19:41.320
<v Speaker 1>Yeah. Yeah, well now you have done the multiple multiple specials. Yeah,

0:19:41.359 --> 0:19:46.119
<v Speaker 1>and they're they're amazing. And when you do those, how

0:19:46.160 --> 0:19:48.000
<v Speaker 1>does that work? Is that? Is that a Is that

0:19:48.080 --> 0:19:51.359
<v Speaker 1>a routine that you have toured around for a while

0:19:51.400 --> 0:19:53.479
<v Speaker 1>before you actually do a special on it? Is that?

0:19:53.560 --> 0:19:53.960
<v Speaker 1>Is that the way?

0:19:54.119 --> 0:19:56.520
<v Speaker 3>Yeah, you tour with it, you get the hour together

0:19:56.720 --> 0:20:00.760
<v Speaker 3>and then you you know, nowadays, actually because there's so

0:20:00.760 --> 0:20:05.200
<v Speaker 3>many streaming platforms, you go to Netflix or Amazon or

0:20:05.280 --> 0:20:08.160
<v Speaker 3>Hulu or HBO Max or whoever wants to Hey, I've

0:20:08.160 --> 0:20:10.960
<v Speaker 3>got this hour. A lot of times, you know, if

0:20:10.960 --> 0:20:14.080
<v Speaker 3>you're new, you shoot it yourself. You invest a little

0:20:14.080 --> 0:20:15.600
<v Speaker 3>bit of money and shoot it yourself and then see

0:20:15.600 --> 0:20:18.560
<v Speaker 3>who wants to buy it from you and and broadcast it.

0:20:18.640 --> 0:20:21.040
<v Speaker 3>Other times, if you're lucky, if you are enough of

0:20:21.040 --> 0:20:23.280
<v Speaker 3>a name, a platform will go, we'd like to do

0:20:23.320 --> 0:20:25.000
<v Speaker 3>a special with you, and they'll promote it and stuff

0:20:25.040 --> 0:20:29.320
<v Speaker 3>like that. But it is right now, there is that

0:20:29.440 --> 0:20:35.120
<v Speaker 3>kind of nineteen sixties American International Pictures drive in thing

0:20:35.160 --> 0:20:37.360
<v Speaker 3>of like we shot it, who wants to pick it up.

0:20:37.320 --> 0:20:37.720
<v Speaker 2>And buy it?

0:20:37.880 --> 0:20:39.480
<v Speaker 1>Kiddn't know that?

0:20:39.640 --> 0:20:41.879
<v Speaker 2>Oh yeah yeah, because so who finance is it?

0:20:41.920 --> 0:20:46.159
<v Speaker 1>Who actually puts the money up? You get an independent

0:20:46.200 --> 0:20:48.680
<v Speaker 1>investor or the comedian themselves.

0:20:48.240 --> 0:20:51.000
<v Speaker 3>Or get an independent investor the comedian themselves, They go

0:20:51.080 --> 0:20:55.159
<v Speaker 3>to their friends, they do a kickstarter campaign and a

0:20:55.160 --> 0:20:58.560
<v Speaker 3>lot of it. Like, you can really make something kind

0:20:58.560 --> 0:21:01.760
<v Speaker 3>of captivating and and charming if you do do it

0:21:01.880 --> 0:21:04.080
<v Speaker 3>super low budget, and it's like, oh, this isn't a

0:21:04.400 --> 0:21:07.800
<v Speaker 3>rather and there's nothing wrong with these beautiful specials that

0:21:07.840 --> 0:21:10.719
<v Speaker 3>are shot in like Madison Square Garden or you know,

0:21:11.440 --> 0:21:14.240
<v Speaker 3>but there's something about like a.

0:21:14.200 --> 0:21:17.040
<v Speaker 2>Small the corner of a club.

0:21:16.800 --> 0:21:19.600
<v Speaker 3>And it's tightly packed, and you like some of those

0:21:19.680 --> 0:21:21.560
<v Speaker 3>actually can feel way more immediate.

0:21:21.720 --> 0:21:21.840
<v Speaker 4>It.

0:21:21.840 --> 0:21:25.440
<v Speaker 3>It's the difference between like a late Zeppelin album versus

0:21:25.480 --> 0:21:28.400
<v Speaker 3>an early Ramones album. You know, they both have their value,

0:21:28.440 --> 0:21:30.840
<v Speaker 3>but that Ramones album really hits when you hear It's

0:21:30.880 --> 0:21:34.000
<v Speaker 3>like these dudes carried their own equipment and I don't

0:21:34.040 --> 0:21:35.800
<v Speaker 3>think they had more than a day in the studio,

0:21:36.160 --> 0:21:39.200
<v Speaker 3>and this feels really raw and really amazing.

0:21:39.600 --> 0:21:42.720
<v Speaker 1>Yeah, yeah, yeah, for sure, and I think, I mean,

0:21:42.720 --> 0:21:45.840
<v Speaker 1>how do you feel do you feel that that the

0:21:45.920 --> 0:21:49.040
<v Speaker 1>possibilities of you know, we're just coming out of the strike,

0:21:49.160 --> 0:21:53.199
<v Speaker 1>so it's like, you know, kind of like, you know,

0:21:54.520 --> 0:21:57.960
<v Speaker 1>I almost hesitate to say, hey, streaming is awesome, but

0:21:58.560 --> 0:22:00.080
<v Speaker 1>there's a lot of there's a lot of in a

0:22:00.080 --> 0:22:01.600
<v Speaker 1>lot of ways it is. But I think that for

0:22:01.720 --> 0:22:05.000
<v Speaker 1>comedy it's been really good. I mean, it just seems like, yes,

0:22:05.320 --> 0:22:09.280
<v Speaker 1>so many people are getting so much more exposure to uh,

0:22:09.640 --> 0:22:12.960
<v Speaker 1>to so many more interesting comics. And I think that

0:22:13.240 --> 0:22:14.919
<v Speaker 1>I talk to a lot of people that have just

0:22:15.119 --> 0:22:17.880
<v Speaker 1>watched you know, one one special after another, and I've

0:22:17.880 --> 0:22:21.080
<v Speaker 1>discovered people that I just were not on my radar

0:22:21.119 --> 0:22:21.440
<v Speaker 1>at all.

0:22:22.080 --> 0:22:22.840
<v Speaker 4>It's it.

0:22:23.000 --> 0:22:24.320
<v Speaker 2>There's there's good and bad to it.

0:22:24.359 --> 0:22:27.000
<v Speaker 3>The good thing is, yes, newer voices can get themselves

0:22:27.040 --> 0:22:30.960
<v Speaker 3>seen way easier. They you know, there's there's more production

0:22:31.040 --> 0:22:34.800
<v Speaker 3>and post production ability in this thing than Orson Wells

0:22:34.840 --> 0:22:37.240
<v Speaker 3>had when he did Citizen K. Like that's the level we're.

0:22:37.119 --> 0:22:37.720
<v Speaker 2>At right now.

0:22:38.080 --> 0:22:41.320
<v Speaker 3>But the problem, the only drawback is one of the

0:22:41.359 --> 0:22:43.840
<v Speaker 3>advantages I had coming up in the I started in

0:22:43.920 --> 0:22:48.520
<v Speaker 3>eighty eight was I had my time in the wilderness.

0:22:48.600 --> 0:22:51.040
<v Speaker 3>I had my time getting to work on my craft

0:22:51.080 --> 0:22:53.760
<v Speaker 3>with no one watching me, and I could figure out

0:22:53.800 --> 0:22:57.120
<v Speaker 3>who I was before I made my debut. Now people

0:22:57.200 --> 0:23:01.400
<v Speaker 3>are literally filming and posting their first open mind on TikTok,

0:23:01.520 --> 0:23:05.159
<v Speaker 3>and sometimes early on you can find a voice that

0:23:05.280 --> 0:23:08.040
<v Speaker 3>works for you early on, but then you evolve beyond it.

0:23:08.080 --> 0:23:10.640
<v Speaker 3>But if you establish that that's your voice and that's

0:23:10.680 --> 0:23:13.479
<v Speaker 3>what's getting you to go viral and get a million clicks,

0:23:13.520 --> 0:23:16.000
<v Speaker 3>it's hard sometimes to break out of some of.

0:23:15.920 --> 0:23:16.880
<v Speaker 2>Your first choices.

0:23:17.520 --> 0:23:22.679
<v Speaker 3>And I do wish that there were certain young especially

0:23:22.720 --> 0:23:24.600
<v Speaker 3>young feens coming up there I think are really brilliant.

0:23:24.600 --> 0:23:27.000
<v Speaker 3>But it's like, oh, if you had just stayed in

0:23:27.000 --> 0:23:29.640
<v Speaker 3>the wilderness for one more year, you would have really

0:23:30.320 --> 0:23:33.040
<v Speaker 3>solidified who it is you are, you know what I mean?

0:23:33.280 --> 0:23:33.399
<v Speaker 1>Right?

0:23:33.560 --> 0:23:35.240
<v Speaker 3>But like I wish that for them. I don't wish

0:23:35.240 --> 0:23:38.280
<v Speaker 3>them to be obscure forever. I just want the time

0:23:38.280 --> 0:23:40.520
<v Speaker 3>for them to develop on their own terms and at

0:23:40.560 --> 0:23:41.280
<v Speaker 3>their own pace.

0:23:41.960 --> 0:23:44.639
<v Speaker 1>Right. Well, it's the ten thousand hours thing, right and then.

0:23:44.760 --> 0:23:49.360
<v Speaker 3>You absolutely why were the Beatles so great because they

0:23:49.400 --> 0:23:53.320
<v Speaker 3>did eight hours sets in strip clubs in Germany where

0:23:53.359 --> 0:23:56.040
<v Speaker 3>the audience wanted to murder them, so they learned to

0:23:56.080 --> 0:23:57.919
<v Speaker 3>get really good, really quick.

0:23:58.520 --> 0:24:01.040
<v Speaker 1>Yeah. Yeah. Have you ever have you ever been to

0:24:01.160 --> 0:24:06.480
<v Speaker 1>the Reaper Bomb? No, yeah I have. Yeah. I went

0:24:06.560 --> 0:24:10.840
<v Speaker 1>there actually with my son. We we took a father

0:24:11.040 --> 0:24:15.479
<v Speaker 1>son trip a few years ago. Uh you know he

0:24:16.080 --> 0:24:21.359
<v Speaker 1>my my uh his cousin. His cousin's dad said to me,

0:24:21.560 --> 0:24:25.399
<v Speaker 1>you know, I took a trip with with Whitney. We

0:24:25.480 --> 0:24:27.239
<v Speaker 1>just did like, you know, a father son thing. And

0:24:27.280 --> 0:24:30.000
<v Speaker 1>I was like, man, I want to do that. So

0:24:30.080 --> 0:24:32.320
<v Speaker 1>I asked my son, thinking that he would never say yes,

0:24:32.359 --> 0:24:34.040
<v Speaker 1>and he was like, yeah, sure, I'll go. I was like,

0:24:34.280 --> 0:24:35.840
<v Speaker 1>where do you want to go? And that was one

0:24:35.840 --> 0:24:38.800
<v Speaker 1>of the places he wanted to go, was Homburg. Not

0:24:38.800 --> 0:24:41.040
<v Speaker 1>not specifically to the Reaper Bomb, but just he just

0:24:41.080 --> 0:24:44.320
<v Speaker 1>wanted to get for some reason. I think maybe having

0:24:44.840 --> 0:24:47.840
<v Speaker 1>knowing something about the Beatles in those in those days

0:24:47.840 --> 0:24:50.520
<v Speaker 1>and stuff like that. He's a musician, and uh it was.

0:24:50.560 --> 0:24:54.320
<v Speaker 1>It was interesting. I mean it's still you know, you

0:24:54.400 --> 0:25:00.280
<v Speaker 1>can it still has enough of the the feel that

0:25:00.359 --> 0:25:04.760
<v Speaker 1>you can picture you can kind of fantasize about these

0:25:04.800 --> 0:25:09.560
<v Speaker 1>young dudes being here and playing these you know, crappy

0:25:09.600 --> 0:25:11.680
<v Speaker 1>little clubs and doing eight shows a day. As you've

0:25:11.680 --> 0:25:12.560
<v Speaker 1>pointed out.

0:25:12.600 --> 0:25:13.399
<v Speaker 2>Well, that's okay.

0:25:13.480 --> 0:25:15.439
<v Speaker 3>So you're a musician too when you go into a

0:25:15.480 --> 0:25:18.200
<v Speaker 3>space like that, because as a musician you play all

0:25:18.280 --> 0:25:20.720
<v Speaker 3>different spaces, Graham theaters.

0:25:20.359 --> 0:25:21.200
<v Speaker 2>Smaller clubs.

0:25:21.400 --> 0:25:23.320
<v Speaker 3>When you go into the Reaper Bond, was there also

0:25:23.400 --> 0:25:26.960
<v Speaker 3>that leftover vibe of like, oh, I here's how I

0:25:27.000 --> 0:25:29.960
<v Speaker 3>would have adjusted what it is that I do to

0:25:30.040 --> 0:25:32.600
<v Speaker 3>slay in this room, because sometimes you have to make adjustments,

0:25:32.880 --> 0:25:35.320
<v Speaker 3>oh hundred rooms. So did you get that feeling like, oh,

0:25:35.359 --> 0:25:37.320
<v Speaker 3>this is where the Beatles sound came out of because

0:25:37.320 --> 0:25:38.440
<v Speaker 3>they adjusted to this.

0:25:39.920 --> 0:25:42.520
<v Speaker 1>Yeah, I mean that that And yeah, I mean if

0:25:42.560 --> 0:25:48.760
<v Speaker 1>they had grown up, you know, playing in you know,

0:25:48.960 --> 0:25:51.760
<v Speaker 1>concert halls, it would be right, be different. I mean,

0:25:51.880 --> 0:25:54.520
<v Speaker 1>be a different man, for sure. I mean, and I

0:25:54.560 --> 0:25:57.399
<v Speaker 1>think that also. You know, there's a lot of stuff

0:25:57.400 --> 0:25:59.240
<v Speaker 1>I don't want to get too deep in the in

0:25:59.320 --> 0:26:01.200
<v Speaker 1>the into the but there was a lot of stuff.

0:26:01.440 --> 0:26:05.879
<v Speaker 1>For instance, the the how they learned to be able

0:26:05.920 --> 0:26:10.720
<v Speaker 1>to hear each other and to be able to harmonize

0:26:11.040 --> 0:26:15.720
<v Speaker 1>and be that tight in loud clubs with terrible, terrible sound,

0:26:15.760 --> 0:26:18.840
<v Speaker 1>and oh my god, you know they monitors. I mean,

0:26:18.880 --> 0:26:21.240
<v Speaker 1>it's it's it's it's kind of it's kind of remarkable.

0:26:22.520 --> 0:26:25.000
<v Speaker 1>But so I want to ask you one more comedy

0:26:25.040 --> 0:26:26.840
<v Speaker 1>question and then I want to talk about some other stuff.

0:26:26.880 --> 0:26:32.600
<v Speaker 1>But I you know, there's a lot of kind of

0:26:32.640 --> 0:26:36.440
<v Speaker 1>back and forth when it comes to talking about comedy

0:26:36.520 --> 0:26:41.719
<v Speaker 1>and pain and painful experiences which you know, I know

0:26:41.800 --> 0:26:46.120
<v Speaker 1>you have, and and and the use there's a lot

0:26:46.119 --> 0:26:51.240
<v Speaker 1>of talk about the use of UH comedy to help

0:26:51.640 --> 0:26:57.119
<v Speaker 1>other people deal with pain, right, But my question is like,

0:26:57.880 --> 0:27:02.040
<v Speaker 1>how what does it do for you? And is it

0:27:02.440 --> 0:27:06.000
<v Speaker 1>when when you can take something that is UH. And

0:27:06.080 --> 0:27:08.919
<v Speaker 1>by the way, I come to this also thinking about

0:27:09.080 --> 0:27:11.480
<v Speaker 1>the comics that I know, they often seem like they're

0:27:12.440 --> 0:27:16.080
<v Speaker 1>coming a lot of them through difficult times or you know,

0:27:16.200 --> 0:27:22.480
<v Speaker 1>painful experiences, And I wonder if there's a if turning

0:27:22.640 --> 0:27:26.679
<v Speaker 1>something that is UH, you know, tragic or hard in

0:27:26.760 --> 0:27:30.560
<v Speaker 1>one's life and turning it around and making people laugh

0:27:31.080 --> 0:27:34.800
<v Speaker 1>is also has its own level of therapy for you.

0:27:35.359 --> 0:27:36.840
<v Speaker 1>That's That's what I'm curious about it.

0:27:37.320 --> 0:27:40.640
<v Speaker 3>Yes, it absolutely. I mean even before I was doing comedy,

0:27:40.800 --> 0:27:45.000
<v Speaker 3>I was using comedy. Maybe I wasn't necessarily writing it,

0:27:45.080 --> 0:27:47.760
<v Speaker 3>but I was very awkward in middle school, early years

0:27:47.760 --> 0:27:49.880
<v Speaker 3>of high school were kind of awkward. I would turn

0:27:49.960 --> 0:27:53.280
<v Speaker 3>to Monty Python to embrace the absurdity of the world,

0:27:53.359 --> 0:27:57.119
<v Speaker 3>or Richard Pryor and George Carlin to vet my rage,

0:27:57.320 --> 0:27:59.800
<v Speaker 3>and there was all kinds of ways that that was

0:27:59.840 --> 0:28:03.159
<v Speaker 3>a release, much same way as music and movies. I

0:28:03.320 --> 0:28:08.439
<v Speaker 3>just realized that I could, I guess I could emit

0:28:08.480 --> 0:28:11.040
<v Speaker 3>it in a way that could make other people laugh.

0:28:11.080 --> 0:28:12.800
<v Speaker 3>And when you make other people laugh, not only do

0:28:12.880 --> 0:28:15.120
<v Speaker 3>they are like, oh, I'm not the only one going

0:28:15.160 --> 0:28:17.880
<v Speaker 3>through this, but it's this nice little reassurance that, oh,

0:28:17.920 --> 0:28:19.400
<v Speaker 3>I'm not the only one going through this.

0:28:19.520 --> 0:28:20.320
<v Speaker 2>Like we are all.

0:28:21.119 --> 0:28:25.040
<v Speaker 3>We all encounter the kind of weirdness, and I mean,

0:28:25.160 --> 0:28:28.600
<v Speaker 3>life is about loss and that could be really scary,

0:28:28.720 --> 0:28:31.240
<v Speaker 3>but you can't turn away from that. You have to

0:28:32.680 --> 0:28:34.600
<v Speaker 3>somehow embrace it. And one of the ways I guess

0:28:34.640 --> 0:28:39.040
<v Speaker 3>to soften the blow of things being stripped away is

0:28:39.080 --> 0:28:42.800
<v Speaker 3>to make a joke about it. And because I have

0:28:42.840 --> 0:28:46.040
<v Speaker 3>a friend named Todd Glass who says, if you can

0:28:46.120 --> 0:28:49.000
<v Speaker 3>mock it, you can manage it. And I've always believed

0:28:49.000 --> 0:28:51.720
<v Speaker 3>in that, like that is what comedy is. I'm mocking it,

0:28:51.920 --> 0:28:55.080
<v Speaker 3>you know, That's what like if you read something wicked

0:28:55.120 --> 0:28:58.480
<v Speaker 3>This way comes by Ray Bradberry that the devil, the thing.

0:28:58.520 --> 0:29:00.680
<v Speaker 3>The devil cannot stand in that book because people making

0:29:00.760 --> 0:29:03.640
<v Speaker 3>jokes about him. It's like, no, no, I'm scary and

0:29:03.680 --> 0:29:05.960
<v Speaker 3>I'm the one thing you can't make jokes. And then

0:29:06.280 --> 0:29:08.400
<v Speaker 3>when the guy starts making jokes at it, starts to

0:29:09.040 --> 0:29:11.080
<v Speaker 3>lessen his power. And I think that's such a great

0:29:11.120 --> 0:29:13.400
<v Speaker 3>metaphor for the things in your life that are trying

0:29:13.440 --> 0:29:15.400
<v Speaker 3>to get you down. If you start making jokes about him,

0:29:15.400 --> 0:29:18.560
<v Speaker 3>they're like, well he doesn't like then you have you have.

0:29:18.520 --> 0:29:19.240
<v Speaker 2>Power over it.

0:29:19.760 --> 0:29:25.160
<v Speaker 1>Ah yeah yeah, so by so bye bye bye. But

0:29:25.720 --> 0:29:28.640
<v Speaker 1>by making other people laugh at things that are are,

0:29:29.200 --> 0:29:31.600
<v Speaker 1>you know, traditionally thought of as sad or or that

0:29:31.680 --> 0:29:34.920
<v Speaker 1>would normally be thought of his sess, you're you're able

0:29:35.000 --> 0:29:41.120
<v Speaker 1>to just to kind of confront things for yourself. By

0:29:41.360 --> 0:29:43.120
<v Speaker 1>I love that. If you can mock it, that I

0:29:43.320 --> 0:29:46.320
<v Speaker 1>I you can make it, you can manage it. If

0:29:46.360 --> 0:29:48.120
<v Speaker 1>you can mack it, you can manage it. Let me

0:29:48.160 --> 0:29:48.560
<v Speaker 1>write that.

0:29:48.600 --> 0:29:52.080
<v Speaker 2>Down exactly, seriously, write that down, so.

0:29:52.280 --> 0:29:57.560
<v Speaker 1>That but here you are. I mean, it's not just

0:29:58.320 --> 0:30:03.240
<v Speaker 1>you're acting. You're doing a tremendous amount of voice acting.

0:30:04.560 --> 0:30:09.520
<v Speaker 1>Grammy nominations, Emmy nominations. I think you've written a book

0:30:09.600 --> 0:30:10.480
<v Speaker 1>or two couple.

0:30:10.360 --> 0:30:11.640
<v Speaker 2>Written two memoirs.

0:30:12.040 --> 0:30:15.880
<v Speaker 1>Two memoirs. I mean that you are a busy guy.

0:30:16.040 --> 0:30:18.720
<v Speaker 1>Now now have you have you? Do you have a podcast?

0:30:19.800 --> 0:30:22.960
<v Speaker 3>I actually I had a podcast briefly during the pandemic.

0:30:23.040 --> 0:30:25.200
<v Speaker 2>My wife and I did one. But we got to

0:30:25.240 --> 0:30:27.760
<v Speaker 2>the point where it's I mean, doing a podcast, you know,

0:30:27.840 --> 0:30:30.200
<v Speaker 2>it's a lot of work. People think that, oh, you

0:30:30.320 --> 0:30:32.080
<v Speaker 2>just go and you blap. No, there's work.

0:30:31.880 --> 0:30:34.840
<v Speaker 3>Involved in doing the podcast, really, and it was just

0:30:34.880 --> 0:30:37.720
<v Speaker 3>getting to the point where it's like we're fighting a lot,

0:30:37.760 --> 0:30:40.440
<v Speaker 3>Like we're actually fighting on this podcast that was meant

0:30:40.520 --> 0:30:40.800
<v Speaker 3>to do.

0:30:41.080 --> 0:30:43.280
<v Speaker 2>So said, We did tip to two episodes. We're good.

0:30:43.360 --> 0:30:46.120
<v Speaker 3>I mean, I will eventually do a podcast again when

0:30:46.120 --> 0:30:48.840
<v Speaker 3>there's something I really want to connect about, you know,

0:30:48.880 --> 0:30:51.560
<v Speaker 3>like this what you're doing here, this feels very organic

0:30:51.600 --> 0:30:52.760
<v Speaker 3>and very like, oh here's what.

0:30:53.120 --> 0:30:55.840
<v Speaker 2>But I have to wait. You have to wait to

0:30:55.920 --> 0:30:57.280
<v Speaker 2>let that happen organically.

0:30:57.480 --> 0:31:00.200
<v Speaker 1>You know. So that you mentioned you mentioned your wife

0:31:00.240 --> 0:31:02.680
<v Speaker 1>doing a podcast with her. I just had my wife

0:31:02.880 --> 0:31:06.320
<v Speaker 1>as a guest on this podcast. Really was Yeah, which

0:31:06.400 --> 0:31:10.400
<v Speaker 1>was interesting because I don't I don't I don't tend

0:31:10.480 --> 0:31:11.240
<v Speaker 1>to interview her.

0:31:12.520 --> 0:31:14.080
<v Speaker 2>Yeah, it feels like an interrogation.

0:31:14.400 --> 0:31:17.880
<v Speaker 1>Yeah, it's like an interrogation. Uh. And and you know

0:31:17.920 --> 0:31:22.720
<v Speaker 1>what was funny about it is that it was I thought, well,

0:31:22.720 --> 0:31:25.120
<v Speaker 1>this is gonna be kind of goofy and fun. We'll

0:31:25.200 --> 0:31:27.040
<v Speaker 1>just you know. It was actually one of the more

0:31:27.120 --> 0:31:30.480
<v Speaker 1>serious kind of ones that that we I mean, yeah, yeah,

0:31:30.600 --> 0:31:33.880
<v Speaker 1>which was kind of interesting. Plus we were also in

0:31:33.920 --> 0:31:36.160
<v Speaker 1>the same house in different rooms.

0:31:36.920 --> 0:31:39.080
<v Speaker 2>That's how we did it. We Oh my god, we'd

0:31:39.120 --> 0:31:40.480
<v Speaker 2>be in different rooms.

0:31:40.840 --> 0:31:44.360
<v Speaker 3>Yeah, god, yeah, that's hilarious.

0:31:44.680 --> 0:31:44.880
<v Speaker 1>Right.

0:31:44.960 --> 0:31:47.720
<v Speaker 3>But you guys is you guys Instagram videos during the

0:31:47.720 --> 0:31:50.480
<v Speaker 3>strike where you were cut pair of goofballs when you

0:31:50.520 --> 0:31:53.840
<v Speaker 3>were doing Saturday in the Park with Kazoo and you

0:31:53.920 --> 0:31:57.840
<v Speaker 3>have to don't step in. That was like there was

0:31:58.160 --> 0:31:59.800
<v Speaker 3>so much going on in that little clip.

0:32:00.240 --> 0:32:03.400
<v Speaker 1>It was great. Yet you know, we you know, I

0:32:03.440 --> 0:32:07.080
<v Speaker 1>realized about that doing that kind of stuff during the pandemic.

0:32:07.120 --> 0:32:10.520
<v Speaker 1>And the whole Instagram social media thing is that, you know,

0:32:10.600 --> 0:32:15.400
<v Speaker 1>long before social media, I'd love to make little movies.

0:32:15.480 --> 0:32:17.680
<v Speaker 1>I would send them to because you know, I'm on

0:32:17.760 --> 0:32:19.960
<v Speaker 1>the road or she's on the road out of town.

0:32:20.040 --> 0:32:22.040
<v Speaker 1>You know, I would always buy a video camera and

0:32:22.080 --> 0:32:25.000
<v Speaker 1>send little things home to the kids. Or or to her,

0:32:25.080 --> 0:32:27.000
<v Speaker 1>you know that, so that like that's sort of just

0:32:27.040 --> 0:32:29.880
<v Speaker 1>a natural extension that the social media thing of what

0:32:29.880 --> 0:32:32.200
<v Speaker 1>we already do to try to kind of. But it's

0:32:32.240 --> 0:32:37.600
<v Speaker 1>also you know, I got it. I'm a little bit

0:32:37.600 --> 0:32:41.280
<v Speaker 1>of a work a hawk. I gotta stay busy, create something. Yeah,

0:32:41.960 --> 0:32:44.800
<v Speaker 1>And that's what that that that's what we were able

0:32:44.880 --> 0:32:46.880
<v Speaker 1>to do during the pandemic, and it was fun to

0:32:46.920 --> 0:32:49.840
<v Speaker 1>make it. But the reason I bring up having a

0:32:49.880 --> 0:32:56.800
<v Speaker 1>podcast is that I you know, first, yes, you're right,

0:32:56.880 --> 0:33:00.800
<v Speaker 1>it is more work than they tell you. And being

0:33:00.840 --> 0:33:03.280
<v Speaker 1>on the other side of it, you know, having done

0:33:03.640 --> 0:33:06.080
<v Speaker 1>you know, you know, for forty five years I've been

0:33:06.240 --> 0:33:08.760
<v Speaker 1>doing interviews or something like that. To be on the

0:33:08.800 --> 0:33:13.000
<v Speaker 1>other side of it is a completely different thing and

0:33:13.080 --> 0:33:15.400
<v Speaker 1>one that you know, I haven't put in my ten

0:33:15.440 --> 0:33:19.840
<v Speaker 1>thousand hours, but I'm you know, I'm trying. Yeah, you know.

0:33:19.920 --> 0:33:22.160
<v Speaker 1>One of the things that I always think is there's

0:33:22.200 --> 0:33:25.240
<v Speaker 1>certain questions that I get time and time again, and

0:33:25.280 --> 0:33:27.080
<v Speaker 1>I'm like, I'm not going to ask those questions. And

0:33:27.120 --> 0:33:29.560
<v Speaker 1>then here we are and I'm just about to ask

0:33:29.640 --> 0:33:33.040
<v Speaker 1>you the same fucking question that I was hoping, you know,

0:33:33.480 --> 0:33:36.680
<v Speaker 1>never to never to get asked of all these things

0:33:36.720 --> 0:33:43.280
<v Speaker 1>that you do, between writing and comedy and acting and

0:33:43.960 --> 0:33:49.320
<v Speaker 1>voice acting, what is the one that you can't do without.

0:33:50.200 --> 0:33:52.080
<v Speaker 3>I mean, it's the one that brought me to the

0:33:52.200 --> 0:33:55.040
<v Speaker 3>dance at stand up comedy, and I'm not there are

0:33:55.160 --> 0:33:57.960
<v Speaker 3>certain people that do stand up comedy to get out

0:33:57.960 --> 0:34:00.400
<v Speaker 3>of stand up comedy and move to movies and TV shows.

0:34:00.720 --> 0:34:04.000
<v Speaker 3>I do movies and TV shows to keep my visibility

0:34:04.080 --> 0:34:05.760
<v Speaker 3>up there so I can do more stand up. I

0:34:05.760 --> 0:34:10.040
<v Speaker 3>will always do stand up movies and TV. Writing that

0:34:10.200 --> 0:34:12.640
<v Speaker 3>comes and goes, and I'm always grateful when it comes,

0:34:12.680 --> 0:34:14.919
<v Speaker 3>but I will in the end, I'll still be doing

0:34:14.960 --> 0:34:17.200
<v Speaker 3>stand up. It'll always be so I can keep doing

0:34:17.280 --> 0:34:17.759
<v Speaker 3>stand up.

0:34:18.440 --> 0:34:21.160
<v Speaker 2>That's okay, that's my focus.

0:34:21.440 --> 0:34:25.000
<v Speaker 1>That's a great that's a that's a perfect answer. Yeah.

0:34:24.560 --> 0:34:31.880
<v Speaker 1>And do you feel that Is it something that you

0:34:32.000 --> 0:34:37.120
<v Speaker 1>feel you are constantly trying to get better at or

0:34:37.200 --> 0:34:39.560
<v Speaker 1>is it just that you really love doing it and

0:34:39.600 --> 0:34:41.360
<v Speaker 1>you want to keep doing it? Is it? Do you

0:34:41.400 --> 0:34:43.680
<v Speaker 1>walk away from a you know, say, a special. I mean,

0:34:43.719 --> 0:34:45.759
<v Speaker 1>I don't know how many how many specials have you done?

0:34:45.800 --> 0:34:48.120
<v Speaker 2>I mean full like eight at this point.

0:34:48.800 --> 0:34:50.800
<v Speaker 1>Yeah, I mean, that's that's a that's a true I

0:34:50.840 --> 0:34:52.160
<v Speaker 1>don't think there's a lot of people that have done

0:34:52.160 --> 0:34:54.759
<v Speaker 1>eight specials, have they? I mean, that's a tremendous amount.

0:34:54.400 --> 0:34:55.600
<v Speaker 2>Of it's a lot.

0:34:55.880 --> 0:34:56.520
<v Speaker 1>I mean a lot.

0:34:56.840 --> 0:34:59.480
<v Speaker 3>The thing with the here's any comedian will tell you this,

0:34:59.600 --> 0:35:03.160
<v Speaker 3>And I'm sure you've experienced this as a musician. When

0:35:03.200 --> 0:35:06.839
<v Speaker 3>I record a special, like a week to two weeks after,

0:35:07.040 --> 0:35:10.080
<v Speaker 3>I suddenly think of, oh, if I had cut this

0:35:10.120 --> 0:35:11.440
<v Speaker 3>one part out of the bit, it would have been

0:35:11.520 --> 0:35:14.080
<v Speaker 3>better if I had done this one thing. So I'm

0:35:14.120 --> 0:35:16.120
<v Speaker 3>sure you've laid down an album and then a week

0:35:16.200 --> 0:35:20.520
<v Speaker 3>later you're like if we oh dead like and it

0:35:20.600 --> 0:35:21.400
<v Speaker 3>drives you crazy.

0:35:21.520 --> 0:35:22.840
<v Speaker 1>I don't do it all the time. And you know,

0:35:22.920 --> 0:35:25.040
<v Speaker 1>part of the part of the reason that you realize

0:35:25.080 --> 0:35:27.759
<v Speaker 1>that is because you start playing the songs out yes,

0:35:27.880 --> 0:35:29.719
<v Speaker 1>and then all of a sudden you go, you know,

0:35:30.040 --> 0:35:33.720
<v Speaker 1>this actually should be like two or three bpm faster,

0:35:34.000 --> 0:35:36.400
<v Speaker 1>and then the song grooves like in a way that

0:35:36.480 --> 0:35:40.120
<v Speaker 1>it never did, or you think one hundred percent yeah,

0:35:40.160 --> 0:35:43.520
<v Speaker 1>I mean yeah, I mean it's also I mean, listen,

0:35:43.520 --> 0:35:46.520
<v Speaker 1>I bet that think it applies to acting too. I

0:35:47.080 --> 0:35:49.920
<v Speaker 1>like to say that, you know, I figure out scenes

0:35:49.920 --> 0:35:51.279
<v Speaker 1>when I'm in the van on the way home.

0:35:51.520 --> 0:35:54.080
<v Speaker 2>You know, I go, that's got to drive you crazy.

0:35:54.280 --> 0:35:54.560
<v Speaker 1>It does.

0:35:55.320 --> 0:35:58.760
<v Speaker 2>We're like that, why didn't I own my it totally does?

0:35:58.960 --> 0:36:01.600
<v Speaker 1>It totally does. But that's that's part of the process,

0:36:01.640 --> 0:36:04.360
<v Speaker 1>you know. You can't Oh yeah, yeah, but you apply.

0:36:04.440 --> 0:36:07.719
<v Speaker 3>I mean again, I want to keep doing stand up, yes,

0:36:07.719 --> 0:36:09.360
<v Speaker 3>because I love doing it, And yes, I want to

0:36:09.400 --> 0:36:12.319
<v Speaker 3>get better that there's people coming up that no one

0:36:12.320 --> 0:36:15.239
<v Speaker 3>knows about yet that are amazing, that keep inspiring me.

0:36:15.320 --> 0:36:17.880
<v Speaker 3>I want to keep getting better at what it is

0:36:17.920 --> 0:36:20.400
<v Speaker 3>I do. And what can I talk about that that

0:36:20.520 --> 0:36:22.920
<v Speaker 3>shouldn't be funny that I can make funny? How can

0:36:22.960 --> 0:36:25.319
<v Speaker 3>I what can I get away with? I mean, I

0:36:25.400 --> 0:36:29.040
<v Speaker 3>just I'm a big believer in that. Be wary of

0:36:29.080 --> 0:36:32.080
<v Speaker 3>someone who goes, I've been doing this for thirty years,

0:36:32.080 --> 0:36:35.480
<v Speaker 3>when in actuality, they've done it for one year and

0:36:35.480 --> 0:36:38.520
<v Speaker 3>they repeated that year twenty nine times. Like I want

0:36:38.600 --> 0:36:45.360
<v Speaker 3>to actually do thirty different, constantly growing, evolving years. And

0:36:45.400 --> 0:36:47.799
<v Speaker 3>I'm sure we know people that are like, you've done

0:36:47.880 --> 0:36:50.239
<v Speaker 3>this one year and you kind of repeated that.

0:36:51.040 --> 0:36:53.160
<v Speaker 1>Yeah, yeah, yeah, you're right, You're absolutely right.

0:36:53.200 --> 0:36:55.960
<v Speaker 3>We've met that kind of person, you know, But especially again,

0:36:56.000 --> 0:37:00.280
<v Speaker 3>I'm a big movie buff you take weird lefts and writes.

0:37:00.320 --> 0:37:03.480
<v Speaker 3>With your acting career, you are always like, oh, this

0:37:03.560 --> 0:37:04.239
<v Speaker 3>might not work.

0:37:04.280 --> 0:37:06.799
<v Speaker 2>I'm gonna do this. Let's see what this does.

0:37:06.840 --> 0:37:09.960
<v Speaker 1>You know what I mean? I for better or for worse?

0:37:10.280 --> 0:37:13.239
<v Speaker 1>That is something that I do. That's it true?

0:37:13.280 --> 0:37:14.480
<v Speaker 2>Hey, same with me.

0:37:14.600 --> 0:37:17.120
<v Speaker 3>There's been times I'm like, I'm gonna try. Oh good

0:37:17.239 --> 0:37:18.840
<v Speaker 3>lord God, why did I sig you for that?

0:37:18.960 --> 0:37:19.720
<v Speaker 1>Yeah?

0:37:19.719 --> 0:37:21.320
<v Speaker 2>But that's what the people makes it exciting.

0:37:22.080 --> 0:37:24.880
<v Speaker 1>Is there anything else that isn't entertainment related that you

0:37:24.920 --> 0:37:28.839
<v Speaker 1>do in your spare time? And are what's your other?

0:37:29.080 --> 0:37:31.480
<v Speaker 1>Or is this all where it gets your relaxation?

0:37:31.960 --> 0:37:34.719
<v Speaker 3>It feels relaxing doing it. It's not that I don't

0:37:34.760 --> 0:37:37.200
<v Speaker 3>have a life. I still hang out with my daughter,

0:37:37.320 --> 0:37:40.239
<v Speaker 3>my wife, I read a lot, I hang out with

0:37:40.280 --> 0:37:44.520
<v Speaker 3>my friends. But it's still it's all revolves around creating stuff.

0:37:44.560 --> 0:37:47.479
<v Speaker 3>To me, it just feels fun. I'm not like, oh God,

0:37:47.520 --> 0:37:50.680
<v Speaker 3>I gotta go do this. It's like, let me relax by.

0:37:50.600 --> 0:37:53.400
<v Speaker 2>Going on stage and doing ten minutes. That is relaxing

0:37:53.440 --> 0:37:53.640
<v Speaker 2>to me.

0:38:00.040 --> 0:38:02.880
<v Speaker 5>If you are inspired by today's episode, please join us

0:38:02.880 --> 0:38:05.759
<v Speaker 5>in supporting six degrees dot org by texting the word

0:38:05.880 --> 0:38:10.000
<v Speaker 5>bacon to seven zero seven zero seven zero. Your gift

0:38:10.040 --> 0:38:13.160
<v Speaker 5>empowers us to continue to produce programs that highlight the

0:38:13.239 --> 0:38:16.600
<v Speaker 5>incredible work of everyday heroes, well also enabling us to

0:38:16.600 --> 0:38:19.560
<v Speaker 5>provide essential resources to those that need it the most.

0:38:19.920 --> 0:38:24.560
<v Speaker 5>Once again, text B A C N to seven zero

0:38:24.840 --> 0:38:29.160
<v Speaker 5>seven zero seven zero or visit SixDegrees dot org to

0:38:29.280 --> 0:38:29.759
<v Speaker 5>learn more.

0:38:32.360 --> 0:38:35.040
<v Speaker 1>You know you also have a I think a lot

0:38:35.040 --> 0:38:40.360
<v Speaker 1>of people have noticed and completely respect your you know,

0:38:40.400 --> 0:38:45.239
<v Speaker 1>your activism and use your platform try a light on

0:38:45.480 --> 0:38:49.880
<v Speaker 1>all kinds of really important things that it just demonstrates

0:38:49.880 --> 0:38:55.080
<v Speaker 1>a lot of compassion and understanding and caring about about

0:38:55.080 --> 0:38:59.520
<v Speaker 1>the world. But where do you think that comes from?

0:38:59.640 --> 0:39:03.080
<v Speaker 2>I mean, I'm still very very aware and very much

0:39:03.120 --> 0:39:06.279
<v Speaker 2>remember everyone that helped me out coming up, all the

0:39:06.280 --> 0:39:10.280
<v Speaker 2>little moments of grace and when someone else like stepped

0:39:10.320 --> 0:39:11.960
<v Speaker 2>up to help me out when they didn't need to.

0:39:12.520 --> 0:39:15.840
<v Speaker 3>You know, I always say, and this is a paraphrase

0:39:15.840 --> 0:39:18.200
<v Speaker 3>of what Roger Ebert always said, I never cry in

0:39:18.280 --> 0:39:21.279
<v Speaker 3>movies when things are sad. What makes me cry is

0:39:21.320 --> 0:39:24.160
<v Speaker 3>when someone decides to step up and help someone else out.

0:39:24.239 --> 0:39:27.680
<v Speaker 3>That is like to me because it happens so rarely

0:39:28.239 --> 0:39:31.080
<v Speaker 3>in our real lives. A lot at least it seems

0:39:31.120 --> 0:39:33.200
<v Speaker 3>to be these days. So when someone's like, no, I'm

0:39:33.239 --> 0:39:37.000
<v Speaker 3>gonna step up and help people out, that always really.

0:39:36.840 --> 0:39:38.759
<v Speaker 2>Lands with me. So why not pass that on?

0:39:39.120 --> 0:39:41.839
<v Speaker 3>If anything, do it for the selfish reason of it

0:39:41.880 --> 0:39:43.759
<v Speaker 3>makes it a better world for me to live in.

0:39:44.480 --> 0:39:47.360
<v Speaker 3>If you're totally self centered, then do it for that reason.

0:39:47.680 --> 0:39:52.160
<v Speaker 3>But I mean, it just feels like you didn't do

0:39:52.280 --> 0:39:55.200
<v Speaker 3>this by yourself. Give a little bit back, Yes, nothing

0:39:55.239 --> 0:39:58.279
<v Speaker 3>wrong with making money and being successful. Give a little

0:39:58.280 --> 0:40:00.680
<v Speaker 3>bit of it back. Just put it back out circulation.

0:40:01.160 --> 0:40:02.600
<v Speaker 3>Why do you want to sit on your pile and

0:40:02.640 --> 0:40:05.000
<v Speaker 3>just stare at it? It doesn't make sense, all right?

0:40:05.640 --> 0:40:09.320
<v Speaker 1>Right, well listen, I think that's a perfect segue to

0:40:09.360 --> 0:40:13.920
<v Speaker 1>bring on Ron Fitzsimmons from Alice's Kids, which is this

0:40:14.040 --> 0:40:20.719
<v Speaker 1>nonprofit that you have, you know, decided to highlight here today. Yes, yes, Ron,

0:40:20.960 --> 0:40:23.080
<v Speaker 1>thank you so much for coming to the show. I

0:40:23.120 --> 0:40:25.640
<v Speaker 1>know that you've met Stacey from six degrees dot org.

0:40:26.800 --> 0:40:31.719
<v Speaker 1>You are based out of Alexandria, correct or somewhere in that.

0:40:31.719 --> 0:40:34.640
<v Speaker 4>Area, Mount Vernon, Techno, Vernon.

0:40:34.520 --> 0:40:39.240
<v Speaker 1>Yeah, right, right, and and and I've read some stuff

0:40:39.239 --> 0:40:42.759
<v Speaker 1>about what Alice's Kids is, But maybe you could just

0:40:42.800 --> 0:40:45.880
<v Speaker 1>give us a give us a you know, a thumbnail

0:40:45.920 --> 0:40:48.239
<v Speaker 1>on on what it is and how you started it

0:40:48.280 --> 0:40:50.040
<v Speaker 1>and where the name comes from.

0:40:50.760 --> 0:40:53.440
<v Speaker 4>Sure well, first of all, Alice was my mother who

0:40:53.560 --> 0:40:59.880
<v Speaker 4>has passed. The idea came basically from my childhood. We

0:41:00.080 --> 0:41:02.760
<v Speaker 4>had a very rough childhood living up in West Islip,

0:41:02.840 --> 0:41:07.200
<v Speaker 4>New York, and my father abandoned us in nineteen sixty three,

0:41:07.280 --> 0:41:09.680
<v Speaker 4>I believe, and we were forced to go on the

0:41:09.680 --> 0:41:13.319
<v Speaker 4>welfare state system up in New York, bringing in two

0:41:13.400 --> 0:41:16.759
<v Speaker 4>hundred dollars a month. My mother wanted to stay in

0:41:16.800 --> 0:41:19.120
<v Speaker 4>the same neighborhood. It was in middle class town. She

0:41:19.120 --> 0:41:22.680
<v Speaker 4>wouldn't move to what was then called the projects, I think,

0:41:24.200 --> 0:41:27.239
<v Speaker 4>and so right away we started to stick out like

0:41:27.280 --> 0:41:31.280
<v Speaker 4>a short thumb. We became the welfare kids in West isslife.

0:41:31.320 --> 0:41:31.920
<v Speaker 2>We would go to.

0:41:31.880 --> 0:41:35.640
<v Speaker 4>School wearing the same shirt every day, not being able

0:41:35.680 --> 0:41:41.759
<v Speaker 4>to participate in field trips things like that. Every once

0:41:41.800 --> 0:41:46.239
<v Speaker 4>in a while my mother would I'm assuming illegally go

0:41:46.280 --> 0:41:51.480
<v Speaker 4>out and pick up a few extra dollars washing clothes,

0:41:52.640 --> 0:41:57.640
<v Speaker 4>ironing clothes, and she'd come home very excited to announce

0:41:57.680 --> 0:42:02.200
<v Speaker 4>that we were going shopping. Forget these these days when

0:42:02.239 --> 0:42:04.440
<v Speaker 4>she would say, let's go to EJ. Corvette's and get

0:42:04.440 --> 0:42:08.439
<v Speaker 4>that baseball blood, or to my sister, let's go get

0:42:08.480 --> 0:42:11.880
<v Speaker 4>I'll ever forget this. Let's go get that new record

0:42:11.920 --> 0:42:16.359
<v Speaker 4>by those kids in England. So it's funny you were

0:42:16.360 --> 0:42:21.640
<v Speaker 4>talking about the Beatles that lifted us, and it made

0:42:21.719 --> 0:42:23.719
<v Speaker 4>us proud. And the next day I couldn't wait to

0:42:23.760 --> 0:42:26.840
<v Speaker 4>go to school with my new Converse sneakers with a

0:42:26.960 --> 0:42:31.880
<v Speaker 4>new Dy Crockett chirp. Jump ahead many years and I

0:42:32.000 --> 0:42:37.680
<v Speaker 4>was between careers or pondering careers, And one day I

0:42:37.840 --> 0:42:42.680
<v Speaker 4>was substitute teaching at Mount Ernan High School and a

0:42:42.800 --> 0:42:45.799
<v Speaker 4>kid was crying in the corner and I asked one

0:42:45.800 --> 0:42:48.960
<v Speaker 4>of her friends what was happening. She said, well, Latrice

0:42:49.040 --> 0:42:51.759
<v Speaker 4>can't go to the prom. And I said oh, and

0:42:51.800 --> 0:42:54.120
<v Speaker 4>she said yeah, she can't afford it. My mother doesn't

0:42:54.160 --> 0:42:58.040
<v Speaker 4>work and she doesn't have the fifty dollars. I went

0:42:58.080 --> 0:43:00.640
<v Speaker 4>down and pay for the ticket. But then I had

0:43:00.640 --> 0:43:03.840
<v Speaker 4>a thought, uh, And I started walking around to teachers

0:43:03.840 --> 0:43:06.000
<v Speaker 4>in the school and I started asking them do you

0:43:06.160 --> 0:43:10.520
<v Speaker 4>pay for things like this all the time? And they said,

0:43:10.560 --> 0:43:14.239
<v Speaker 4>of course, we pay for books, we pay for art supplies,

0:43:14.280 --> 0:43:18.600
<v Speaker 4>we pay for field trips, yearbooks, whatever it is. So

0:43:18.719 --> 0:43:22.240
<v Speaker 4>this start, the thoughts started to evolve about creating charity

0:43:22.840 --> 0:43:25.080
<v Speaker 4>that does that for children. I went to all the

0:43:25.080 --> 0:43:28.279
<v Speaker 4>other charities in the area and I asked them if

0:43:28.280 --> 0:43:30.799
<v Speaker 4>they do things like that, like do you put out

0:43:30.920 --> 0:43:36.640
<v Speaker 4>fifty dollars for a back to school uniform? And they

0:43:36.680 --> 0:43:39.000
<v Speaker 4>all said no. One person said they don't have petty

0:43:39.040 --> 0:43:44.800
<v Speaker 4>cash drawers. So we created Alice's Kids with the thought

0:43:44.880 --> 0:43:48.479
<v Speaker 4>that we would be the petty cash drawer for these

0:43:48.600 --> 0:43:53.879
<v Speaker 4>kids who just needed a little bit of a lift.

0:43:54.239 --> 0:43:57.040
<v Speaker 4>It started off very slow. This was about twelve years ago,

0:43:58.000 --> 0:44:02.040
<v Speaker 4>and the big issue was how do you find the kids?

0:44:02.400 --> 0:44:04.439
<v Speaker 4>Where are these kids who indeed this kind of help.

0:44:06.200 --> 0:44:10.080
<v Speaker 4>So we started to establish a network of teachers in

0:44:10.120 --> 0:44:14.960
<v Speaker 4>the Moulverne area who would refer to us kids that

0:44:15.160 --> 0:44:19.399
<v Speaker 4>needed some help, and we would give them gift cards.

0:44:21.480 --> 0:44:26.160
<v Speaker 4>Everything exploded three years later when a columnist named Teresa

0:44:26.280 --> 0:44:29.759
<v Speaker 4>Vargas of the Washington Post heard about us, and she

0:44:29.880 --> 0:44:34.080
<v Speaker 4>wrote a column and overnight we exploded nationally.

0:44:34.520 --> 0:44:39.120
<v Speaker 1>The media helping out, the media doing something good, positive exactly.

0:44:40.200 --> 0:44:42.839
<v Speaker 4>It's crazy what happened that weekend. I think we raised

0:44:42.880 --> 0:44:45.520
<v Speaker 4>about three hundred thousand dollars our budget at that point

0:44:45.600 --> 0:44:50.160
<v Speaker 4>was about twenty five thousand dollars. Wowow money Cake kept.

0:44:51.640 --> 0:44:56.360
<v Speaker 4>And so immediately we became a national charity because we

0:44:56.400 --> 0:45:00.680
<v Speaker 4>started getting money from across the country and and we

0:45:00.719 --> 0:45:06.200
<v Speaker 4>started getting increase from people in Iowa and Nebraska, teachers

0:45:06.200 --> 0:45:09.040
<v Speaker 4>and social workers saying, hey, can I send you a request?

0:45:09.600 --> 0:45:12.880
<v Speaker 4>M So we started fulfilling them.

0:45:13.320 --> 0:45:13.560
<v Speaker 2>Yeah.

0:45:13.600 --> 0:45:17.640
<v Speaker 4>So that's basically how it started. And shortly thereafter after

0:45:17.680 --> 0:45:22.120
<v Speaker 4>we started, I got an email that said a guy

0:45:22.200 --> 0:45:23.840
<v Speaker 4>named Patton Oswell had.

0:45:23.680 --> 0:45:27.239
<v Speaker 2>Donated that was gonna be my next amount of money.

0:45:27.520 --> 0:45:32.000
<v Speaker 1>Okay, no, it's fine, no, no go, let's hear. Yeah.

0:45:32.840 --> 0:45:35.440
<v Speaker 4>So I was hauling and every time we get a donation,

0:45:35.640 --> 0:45:39.879
<v Speaker 4>I get an email, and I saw a donation from

0:45:39.920 --> 0:45:44.959
<v Speaker 4>Patton Oswell, and I knew the name. I'm going Pat Malls.

0:45:45.040 --> 0:45:48.440
<v Speaker 4>Of course, my age, our first thing is Lee Harvey.

0:45:48.480 --> 0:45:51.000
<v Speaker 4>You think of Lee Harvey for some reason, which I'm

0:45:51.040 --> 0:45:55.000
<v Speaker 4>sure you get that bad. Yeah, but I'm thinking, thinking, think,

0:45:55.080 --> 0:45:57.920
<v Speaker 4>And of course I didn't google it, but I recall

0:45:58.040 --> 0:46:01.600
<v Speaker 4>asking my son, one of my sons. You know Patton Oswald.

0:46:01.800 --> 0:46:05.320
<v Speaker 4>I know that name. He's the voice of Remy in

0:46:05.440 --> 0:46:09.439
<v Speaker 4>Ratiituey he's this, and he's this. So I flipped out.

0:46:10.040 --> 0:46:15.600
<v Speaker 4>I emailed him and thanked him profusely, and much to

0:46:15.680 --> 0:46:21.399
<v Speaker 4>my shock, within like an hour, he responded, and I'm

0:46:21.400 --> 0:46:26.239
<v Speaker 4>going Holy hell, and he said, no problem, man, like

0:46:26.280 --> 0:46:28.719
<v Speaker 4>what you do and then he said the magic word.

0:46:28.760 --> 0:46:31.000
<v Speaker 4>He said, let me know if there's anything else I

0:46:31.040 --> 0:46:36.760
<v Speaker 4>can do. And so we went from there, and because

0:46:36.800 --> 0:46:42.240
<v Speaker 4>of Patton, Steve Carrell learned about us, and so Steve

0:46:42.400 --> 0:46:49.040
<v Speaker 4>is now a big supporter. Eric Roberts, you know, Alan Toodick.

0:46:49.239 --> 0:46:51.440
<v Speaker 4>I mean, we've got a lot of good support out

0:46:51.440 --> 0:46:53.800
<v Speaker 4>there because Pat kind of started that train.

0:46:53.920 --> 0:46:58.160
<v Speaker 1>Though, Patton, what was it about this one or maybe

0:46:58.200 --> 0:47:01.760
<v Speaker 1>it's one of many, many, many causes that you decide

0:47:01.760 --> 0:47:04.399
<v Speaker 1>to support, But was it something specific that you read

0:47:04.760 --> 0:47:05.760
<v Speaker 1>or what was that moment?

0:47:05.920 --> 0:47:09.359
<v Speaker 3>Like, yeah, the thing that really really landed with me.

0:47:10.040 --> 0:47:11.959
<v Speaker 3>And it's something that because I was never really able

0:47:12.000 --> 0:47:16.160
<v Speaker 3>to articulate this, but it's very disturbing how in this

0:47:16.280 --> 0:47:18.640
<v Speaker 3>country and you don't really see this in other countries

0:47:18.680 --> 0:47:24.760
<v Speaker 3>as much. There's there's a weird level of poverty shaming

0:47:24.800 --> 0:47:27.040
<v Speaker 3>that goes on almost we treat poverty like it's some

0:47:27.160 --> 0:47:31.280
<v Speaker 3>kind of infectious disease. That it will you'll somehow catch

0:47:31.320 --> 0:47:35.399
<v Speaker 3>poverty by you know, so you you you point it out,

0:47:35.480 --> 0:47:37.160
<v Speaker 3>you make fun of it to like almost drive it

0:47:37.200 --> 0:47:40.960
<v Speaker 3>away from you. And I think that that causes it

0:47:41.040 --> 0:47:43.719
<v Speaker 3>causes a lot of problems later on in life. I mean,

0:47:43.760 --> 0:47:45.920
<v Speaker 3>I think that it causes a lot of people that

0:47:46.360 --> 0:47:49.120
<v Speaker 3>you see a lot of people now that there's a

0:47:49.160 --> 0:47:54.320
<v Speaker 3>lot of millionaires that I think did experience some poverty

0:47:54.360 --> 0:47:58.319
<v Speaker 3>early on and now are vengeful about it and are about, like,

0:47:59.400 --> 0:48:01.920
<v Speaker 3>I want to get rid of social services because I

0:48:02.040 --> 0:48:03.680
<v Speaker 3>had to use them, and I bet I could have

0:48:03.719 --> 0:48:05.760
<v Speaker 3>made it without him, but I never got the chance.

0:48:06.040 --> 0:48:07.400
<v Speaker 2>So I've got to feel.

0:48:07.120 --> 0:48:10.960
<v Speaker 3>Like they're all trying to erase whatever shame was heaped

0:48:10.960 --> 0:48:13.319
<v Speaker 3>on them by other people. And if we could get

0:48:13.760 --> 0:48:16.680
<v Speaker 3>so this whole idea of doing it anonymously so that

0:48:16.719 --> 0:48:21.040
<v Speaker 3>these kids, so that these kids can have a childhood,

0:48:21.480 --> 0:48:24.160
<v Speaker 3>so they can just have a childhood and some dignity.

0:48:24.600 --> 0:48:29.160
<v Speaker 3>I don't think he realized the astronomical dividends that pays

0:48:29.200 --> 0:48:34.240
<v Speaker 3>off later in terms of just the mental and psychological

0:48:34.280 --> 0:48:35.480
<v Speaker 3>health of the population.

0:48:35.719 --> 0:48:39.080
<v Speaker 2>So that the fact that Ron and his organization were really.

0:48:38.960 --> 0:48:42.800
<v Speaker 3>Able to pinpoint that, and also that Ron faced a

0:48:42.840 --> 0:48:44.719
<v Speaker 3>lot of the stuff that he was just describing that

0:48:44.760 --> 0:48:47.040
<v Speaker 3>he grew up with, and he remembered it. Rather than

0:48:47.520 --> 0:48:50.960
<v Speaker 3>trying to tamp it down or attack it. He was like, no,

0:48:51.280 --> 0:48:54.720
<v Speaker 3>we're going to this happens, and we're going to actually

0:48:54.800 --> 0:49:00.000
<v Speaker 3>fix this problem. And it just the amount of empathy

0:49:00.080 --> 0:49:02.040
<v Speaker 3>and that really struck me.

0:49:02.960 --> 0:49:05.919
<v Speaker 1>Yeah, and it's interesting too because as you point out,

0:49:06.320 --> 0:49:08.520
<v Speaker 1>you know, you could go, you could go in the

0:49:08.520 --> 0:49:12.240
<v Speaker 1>other direction, but clearly ron you you having having taken

0:49:12.400 --> 0:49:15.120
<v Speaker 1>taken that experience of yours. Now I'm actually struck with

0:49:15.160 --> 0:49:17.440
<v Speaker 1>a lot of people that I do connect with, uh

0:49:17.840 --> 0:49:21.640
<v Speaker 1>on the on the on this podcast, who were who

0:49:21.719 --> 0:49:24.520
<v Speaker 1>were involved with those causes and and they do have

0:49:24.600 --> 0:49:28.800
<v Speaker 1>a personal connection like like yours to this thing literally

0:49:28.880 --> 0:49:33.080
<v Speaker 1>being that kid you know, on welfare with a with

0:49:33.120 --> 0:49:36.480
<v Speaker 1>a single mom who just you know, really could use

0:49:37.160 --> 0:49:40.319
<v Speaker 1>a baseball glove or whatever it is. You know, it's

0:49:40.360 --> 0:49:43.000
<v Speaker 1>it's it's amazing that you've taken that and and turned

0:49:43.000 --> 0:49:46.640
<v Speaker 1>it into this this thing. Alice's kids, what would you

0:49:46.680 --> 0:49:50.000
<v Speaker 1>say elaborate that kind of yes, please, please please explain.

0:49:51.160 --> 0:49:52.840
<v Speaker 4>When we were kids, we did get a lot of

0:49:52.840 --> 0:49:56.840
<v Speaker 4>well intentioned charities coming to our doorstep giving those boxes

0:49:56.880 --> 0:49:59.839
<v Speaker 4>of clothes and food and stuff. But honestly, but while

0:49:59.840 --> 0:50:03.120
<v Speaker 4>we appreciate it, it was embarrassing, especially when they take your

0:50:03.200 --> 0:50:07.919
<v Speaker 4>picture and put in the newslettersh Like Patton said, there's

0:50:07.920 --> 0:50:12.440
<v Speaker 4>a lot of shaming. So what we do is we

0:50:12.480 --> 0:50:15.160
<v Speaker 4>get a request from the teacher, let's say in Des Moines,

0:50:15.719 --> 0:50:18.640
<v Speaker 4>asking for us to for a dick Sporting Goods card

0:50:18.880 --> 0:50:22.640
<v Speaker 4>gift card for you know, for shoes, for soccer shoes.

0:50:23.440 --> 0:50:25.680
<v Speaker 4>We get the request and within twenty four hours we

0:50:25.760 --> 0:50:29.400
<v Speaker 4>send a gift card to the teacher. The teacher points

0:50:29.440 --> 0:50:34.319
<v Speaker 4>out the gift card, gives it to the parent. Avery

0:50:34.360 --> 0:50:38.800
<v Speaker 4>can then turn around to the child to say, hey, Johnny,

0:50:39.600 --> 0:50:41.719
<v Speaker 4>let's go to Dick's Sporting Goods this weekend and get

0:50:41.760 --> 0:50:45.400
<v Speaker 4>those soccer cleats or get those sneakers. The kid doesn't know,

0:50:45.480 --> 0:50:48.560
<v Speaker 4>like Patten said, that they're getting charity. Yeah, they look

0:50:48.600 --> 0:50:51.319
<v Speaker 4>at mom and say, oh my gosh, Mom, thanks so much.

0:50:52.200 --> 0:50:56.520
<v Speaker 4>The teacher has a chance to shine. The kid goes shopping.

0:50:56.840 --> 0:50:59.279
<v Speaker 4>You know how many of these kids would never see

0:50:59.280 --> 0:51:02.680
<v Speaker 4>a Dick's Sporting Goods if it wasn't for that gift card.

0:51:03.360 --> 0:51:05.960
<v Speaker 3>So it doesn't interest and the parents get to have

0:51:06.040 --> 0:51:09.120
<v Speaker 3>some dignity, right, Like everyone.

0:51:08.760 --> 0:51:12.400
<v Speaker 2>Wins in this. It's so it just again the payoff

0:51:12.480 --> 0:51:13.600
<v Speaker 2>is exponential.

0:51:14.719 --> 0:51:16.759
<v Speaker 1>What are the types of things that the kids are

0:51:16.840 --> 0:51:18.600
<v Speaker 1>most in need of that you're seeing are most in

0:51:18.640 --> 0:51:20.360
<v Speaker 1>need of these days? Curious about that.

0:51:20.960 --> 0:51:24.759
<v Speaker 4>Well, it's it's clothes. Kids always need clothes. You know,

0:51:24.800 --> 0:51:28.799
<v Speaker 4>there was growing out of clothes. Or we see a

0:51:28.800 --> 0:51:31.279
<v Speaker 4>lot of school uniforms. A lot of schools are requiring

0:51:31.360 --> 0:51:34.479
<v Speaker 4>school uniforms and kids are staying home because they can't

0:51:34.520 --> 0:51:40.600
<v Speaker 4>afford school uniforms. We just got a request the other

0:51:40.719 --> 0:51:45.000
<v Speaker 4>day for a kid who got accepted into a competition

0:51:45.160 --> 0:51:49.840
<v Speaker 4>for future educators, but they required a certain dress mode

0:51:50.680 --> 0:51:54.520
<v Speaker 4>and her power was unemployed and she couldn't afford the

0:51:54.640 --> 0:51:58.040
<v Speaker 4>dress code uniform. So he paid I think it was

0:51:58.080 --> 0:52:01.759
<v Speaker 4>fifty dollars we paid for that uniform. It could be

0:52:01.800 --> 0:52:07.000
<v Speaker 4>a band outfit. Yeah, yesterday it was a girl who's

0:52:07.239 --> 0:52:12.319
<v Speaker 4>growing too quickly and she she's very embarrassed by her

0:52:12.440 --> 0:52:16.759
<v Speaker 4>large chest. When she goes to physical education. She has

0:52:16.800 --> 0:52:20.160
<v Speaker 4>a horrible bra and she's you know, she's very embarrassed

0:52:20.160 --> 0:52:22.239
<v Speaker 4>when she asked to do jumping jacks. This is an

0:52:22.280 --> 0:52:25.759
<v Speaker 4>actual request that we got we paid for two bras

0:52:26.440 --> 0:52:30.279
<v Speaker 4>was seventy five dollars. It was nothing to us, but

0:52:31.880 --> 0:52:34.640
<v Speaker 4>it's a it's a it's a game changer. And you know,

0:52:35.520 --> 0:52:38.520
<v Speaker 4>people talk about kids want new sneakers and stuff like that.

0:52:39.040 --> 0:52:43.319
<v Speaker 4>What people don't understand is that these kids who were

0:52:43.360 --> 0:52:47.600
<v Speaker 4>already stigmatized, they don't they don't want to stand out.

0:52:48.600 --> 0:52:52.280
<v Speaker 4>They want to blend in. So when they go to school,

0:52:52.280 --> 0:52:55.319
<v Speaker 4>they're not going around showing off their new shirt necessarily.

0:52:56.200 --> 0:52:58.200
<v Speaker 4>They just want to blend in. They don't want to

0:52:58.200 --> 0:53:01.600
<v Speaker 4>be stigmatized by the bully in that school.

0:53:02.960 --> 0:53:07.480
<v Speaker 3>Yeah, and also you were pointing out these there are

0:53:07.520 --> 0:53:15.160
<v Speaker 3>some exceptionally talented kids who get opportunities academically athletically, but

0:53:15.440 --> 0:53:18.800
<v Speaker 3>then that opportunity gets stimy because they can't afford the equipment.

0:53:18.960 --> 0:53:22.600
<v Speaker 3>They have the ability, and then that ability gets thwarted

0:53:22.640 --> 0:53:24.520
<v Speaker 3>and nipped in the bud because then they can't afford it.

0:53:24.600 --> 0:53:26.120
<v Speaker 2>So especially when.

0:53:26.000 --> 0:53:30.759
<v Speaker 3>Like this person made the national marching band but cannot well,

0:53:31.320 --> 0:53:33.720
<v Speaker 3>it definitely paid for that stuff because that's a talent

0:53:34.120 --> 0:53:37.680
<v Speaker 3>that's just going to feed their self esteem and help

0:53:37.719 --> 0:53:40.240
<v Speaker 3>them see the world. You know, like that those really

0:53:40.280 --> 0:53:41.239
<v Speaker 3>really land.

0:53:41.520 --> 0:53:46.040
<v Speaker 1>Yeah, that's amazing that is amazing. Well, Ron, what would

0:53:46.080 --> 0:53:49.800
<v Speaker 1>you what would be the what would be the best

0:53:49.920 --> 0:53:52.319
<v Speaker 1>way for I mean, I'm sure that there's a we

0:53:52.360 --> 0:53:55.040
<v Speaker 1>can talk about where people can go to donate. Is

0:53:55.040 --> 0:53:59.200
<v Speaker 1>there also opportunities for volunteerism or are you also on

0:53:59.360 --> 0:54:02.719
<v Speaker 1>the UH website looking for people, because I bet you

0:54:02.719 --> 0:54:05.200
<v Speaker 1>you're gonna get flooded with people calling and saying I

0:54:05.239 --> 0:54:07.360
<v Speaker 1>know a kid that needs this, and how can people

0:54:07.440 --> 0:54:10.040
<v Speaker 1>help out? Give us the This is the call to action?

0:54:10.840 --> 0:54:14.200
<v Speaker 4>Okay, many ways. Our website is Alice's Kids dot Org.

0:54:15.440 --> 0:54:17.640
<v Speaker 4>You go to the website and clear as day, there's

0:54:17.680 --> 0:54:21.719
<v Speaker 4>a donate button. Every dollar that we raise, you know,

0:54:21.840 --> 0:54:25.640
<v Speaker 4>will go into that one pot. The more money we raised,

0:54:25.920 --> 0:54:27.359
<v Speaker 4>the more kids we can help.

0:54:27.400 --> 0:54:28.160
<v Speaker 2>It's that simple.

0:54:28.400 --> 0:54:30.720
<v Speaker 4>And we've done very well in the past years because

0:54:30.760 --> 0:54:33.680
<v Speaker 4>of Patten and others. You know, a budget a few

0:54:33.760 --> 0:54:36.320
<v Speaker 4>years ago was about one hundred and fifty thousand dollars.

0:54:36.360 --> 0:54:40.319
<v Speaker 4>Now it's one point two million dollars. In fact, I'd

0:54:40.320 --> 0:54:43.279
<v Speaker 4>have to say that big chunk of that was at

0:54:43.440 --> 0:54:45.920
<v Speaker 4>one two hundred and fifty thousand dollars for us on

0:54:46.040 --> 0:54:47.520
<v Speaker 4>Celebrity Jeopardy.

0:54:47.120 --> 0:54:52.759
<v Speaker 1>Early Awesome, Wow, Wow, Kira just went on Celebrity Jeopardy, Patent.

0:54:52.880 --> 0:54:54.080
<v Speaker 2>Well what women she did?

0:54:54.520 --> 0:54:57.600
<v Speaker 1>She did yet it was like just her worst nightmare.

0:54:58.280 --> 0:55:04.839
<v Speaker 1>She hasn't trying to think anyway. Yeah, she was it hard.

0:55:05.760 --> 0:55:07.799
<v Speaker 3>It's it is so I don't want to take away

0:55:07.800 --> 0:55:10.520
<v Speaker 3>from run. It's nerve wracking. And what's the worst part

0:55:10.560 --> 0:55:13.120
<v Speaker 3>is the easiest questions are the ones that you think

0:55:13.160 --> 0:55:16.239
<v Speaker 3>twice on because you're like, wait, it cannot be that obvious,

0:55:16.440 --> 0:55:18.480
<v Speaker 3>and then you freeze up and then someone else gets it.

0:55:18.719 --> 0:55:20.120
<v Speaker 2>That's what, by the way, crazy.

0:55:20.680 --> 0:55:23.200
<v Speaker 1>By the way, I think it's great the highlights Celebrity

0:55:23.280 --> 0:55:26.200
<v Speaker 1>Jeopardy because now we're seeing the where it actually goes

0:55:26.239 --> 0:55:29.239
<v Speaker 1>and we're talking to the receiver two of this. So

0:55:29.320 --> 0:55:32.640
<v Speaker 1>when you watch Celebrity Jeopardy ladies and gentlemen and you

0:55:32.719 --> 0:55:37.399
<v Speaker 1>see Pat and Oswalt sweating it out, you literally know

0:55:37.840 --> 0:55:43.040
<v Speaker 1>that this is that this is time and possible embarrassment.

0:55:43.120 --> 0:55:45.400
<v Speaker 1>Well spent, but two hundred and fifty grand that's amazing.

0:55:45.640 --> 0:55:49.680
<v Speaker 2>Yeah, we were all sweating it out. Yeah.

0:55:48.120 --> 0:55:53.680
<v Speaker 4>Yeah, and Adam got a commendation from the Virginia House

0:55:53.719 --> 0:55:58.120
<v Speaker 4>of Delegates. Were doing that because he went to William

0:55:58.160 --> 0:56:02.920
<v Speaker 4>and Merritta, which I think I sent it to you. Pat, Oh,

0:56:02.960 --> 0:56:03.400
<v Speaker 4>I have it.

0:56:03.640 --> 0:56:04.560
<v Speaker 2>Don't think I don't have it.

0:56:05.560 --> 0:56:08.239
<v Speaker 3>And by the way, you if they go to and

0:56:08.320 --> 0:56:09.879
<v Speaker 3>I'm just I don't mean to speak for you, Kevin,

0:56:09.920 --> 0:56:12.520
<v Speaker 3>but if you go to al is it Alice's Kids

0:56:12.560 --> 0:56:15.839
<v Speaker 3>dot org. Yes, if you go to Alice's Kids dot

0:56:15.960 --> 0:56:19.360
<v Speaker 3>org and donate because you listen to this podcast, technically

0:56:19.840 --> 0:56:21.640
<v Speaker 3>you are one degree.

0:56:21.200 --> 0:56:25.280
<v Speaker 2>Away from Kevin Bacon. Kevin, there, you are now connected

0:56:25.320 --> 0:56:26.240
<v Speaker 2>to Kevin Bacon.

0:56:26.640 --> 0:56:30.880
<v Speaker 1>Yes, I'm not I am not above selling degrees of separation.

0:56:31.080 --> 0:56:34.640
<v Speaker 1>It's for a good cause. If it's for a good cause.

0:56:35.040 --> 0:56:38.040
<v Speaker 4>Yeah, And Kevin, I want to reiterate that what you

0:56:38.080 --> 0:56:40.840
<v Speaker 4>do and what Panda it really does have an effect,

0:56:40.960 --> 0:56:43.600
<v Speaker 4>you know that Teresa Vargas column. Like you said, media

0:56:43.920 --> 0:56:49.000
<v Speaker 4>really has an impact, particularly when that's why Panda. Hate

0:56:49.000 --> 0:56:52.000
<v Speaker 4>to say it, but Twitter is so powerful for us.

0:56:52.360 --> 0:56:53.080
<v Speaker 2>Yeah.

0:56:53.120 --> 0:56:55.279
<v Speaker 4>And Pat, so I was retweeting our stuff or re

0:56:55.480 --> 0:56:59.000
<v Speaker 4>exing our stuff. But what you all are doing for

0:56:59.080 --> 0:57:02.920
<v Speaker 4>other charities, yeah, but particularly it is very very commendable.

0:57:02.960 --> 0:57:05.479
<v Speaker 1>I appreciate it. Well, what you're doing is very much

0:57:05.960 --> 0:57:09.479
<v Speaker 1>in line with what we're trying to highlight here, both

0:57:09.520 --> 0:57:11.680
<v Speaker 1>on this podcast but also at sixty degrees dot org

0:57:11.719 --> 0:57:14.800
<v Speaker 1>and that you know, we we like the fresh ideas,

0:57:14.840 --> 0:57:16.800
<v Speaker 1>the cool ideas, you know what I mean, the new

0:57:16.840 --> 0:57:19.680
<v Speaker 1>things that you just kind of come up with something

0:57:19.720 --> 0:57:21.800
<v Speaker 1>you see a need and you figure out a way

0:57:22.120 --> 0:57:24.800
<v Speaker 1>to help in their grassroots organizations. And there's a lot

0:57:24.840 --> 0:57:28.480
<v Speaker 1>of really really giant charities that are doing great work

0:57:28.520 --> 0:57:31.800
<v Speaker 1>and have great exposure and have very very lavish, you know,

0:57:32.400 --> 0:57:35.160
<v Speaker 1>kind of events and stuff like that. But we also

0:57:35.320 --> 0:57:38.000
<v Speaker 1>want to give a voice in a microphone to people

0:57:38.640 --> 0:57:41.360
<v Speaker 1>like you Ron who have this you know, this idea

0:57:41.480 --> 0:57:45.520
<v Speaker 1>and it's it's growing and it's helping kids. And I

0:57:45.640 --> 0:57:47.479
<v Speaker 1>just want to say thank you and thank you guys

0:57:47.520 --> 0:57:48.680
<v Speaker 1>so much for being here today.

0:57:49.680 --> 0:57:50.480
<v Speaker 4>Thank you very much.

0:57:50.560 --> 0:57:54.000
<v Speaker 2>Yes, thank you seriously. Nice seeing it again, Paton, great,

0:57:54.040 --> 0:57:54.760
<v Speaker 2>seeing you again.

0:57:54.880 --> 0:57:55.200
<v Speaker 4>Kevin.

0:57:55.760 --> 0:57:57.840
<v Speaker 3>I've again don't want to be a movie nerd. Been

0:57:57.880 --> 0:58:01.840
<v Speaker 3>a fan since Animal House, you all, and one of

0:58:01.840 --> 0:58:05.360
<v Speaker 3>my favorite of many movies you're in. You're scene in

0:58:05.400 --> 0:58:09.520
<v Speaker 3>Tremors with Fred Ward when you realize, oh my god,

0:58:09.560 --> 0:58:11.920
<v Speaker 3>we can't make fun of that guy's lifestyle anymore, the

0:58:12.000 --> 0:58:15.400
<v Speaker 3>crazy right wing gunnut who actually kills one of the worms,

0:58:15.680 --> 0:58:18.960
<v Speaker 3>and your look on your face, you look genuinely concerned that, oh,

0:58:19.000 --> 0:58:20.960
<v Speaker 3>we can't make fun of him anymore, and that was like.

0:58:20.960 --> 0:58:23.360
<v Speaker 2>A big part of our lives. One of the best

0:58:23.360 --> 0:58:23.960
<v Speaker 2>line readings.

0:58:23.960 --> 0:58:26.520
<v Speaker 1>I love that. Thank you, thank you very much.

0:58:26.800 --> 0:58:28.440
<v Speaker 2>Yep, sorry, I had to run that in there.

0:58:28.600 --> 0:58:31.280
<v Speaker 1>Sorry, just doing what I can with what I've got.

0:58:31.480 --> 0:58:35.320
<v Speaker 1>There you mentioning that, all right, fellas, Thank you so

0:58:35.400 --> 0:58:39.480
<v Speaker 1>much for being here. Hey, thanks for listening to another

0:58:39.480 --> 0:58:42.120
<v Speaker 1>episode of Six Degrees with Kevin Big. To learn more

0:58:42.160 --> 0:58:45.880
<v Speaker 1>about Alice's Kids and all the special work that they

0:58:45.880 --> 0:58:48.760
<v Speaker 1>are up to, all you gotta do is head to

0:58:48.800 --> 0:58:52.680
<v Speaker 1>their website Alice's Kids dot org. You can find all

0:58:52.720 --> 0:58:55.960
<v Speaker 1>those links in our show notes listen. If you've been

0:58:56.040 --> 0:59:02.120
<v Speaker 1>following along all season. I just got to say special

0:59:02.200 --> 0:59:07.000
<v Speaker 1>thank you for supporting these stories and all the great

0:59:07.040 --> 0:59:10.440
<v Speaker 1>work that these organizations are doing, just to try to

0:59:10.480 --> 0:59:14.760
<v Speaker 1>make this world of ours a little brighter. As always,

0:59:15.040 --> 0:59:17.480
<v Speaker 1>if you like what you hear, you can subscribe to

0:59:17.520 --> 0:59:20.040
<v Speaker 1>the show. You can tune into the rest of our episodes.

0:59:20.160 --> 0:59:22.880
<v Speaker 1>Trust me, there're some good ones. You can find Six

0:59:22.920 --> 0:59:28.440
<v Speaker 1>Degrees with Kevin Bacon on iHeartRadio, Apple Podcasts or wherever

0:59:28.720 --> 0:59:32.120
<v Speaker 1>you get your podcasts, and see you next time