1 00:00:10,920 --> 00:00:14,120 Speaker 1: We're back with another Sunday sampler. Hopefully like some of 2 00:00:14,160 --> 00:00:17,320 Speaker 1: this stuff. All podcasts on the Nashville Podcast Network. On 3 00:00:17,400 --> 00:00:21,040 Speaker 1: get Real, Caroline talked with Nicole Gallian, great songwriter. 4 00:00:20,760 --> 00:00:21,400 Speaker 2: Great artist. 5 00:00:21,640 --> 00:00:23,840 Speaker 1: On the Bobby Cast, I sat down with Heath Wright, 6 00:00:24,160 --> 00:00:26,880 Speaker 1: the lead singer of the nineties country band Ricochet. 7 00:00:27,320 --> 00:00:30,480 Speaker 2: You'd know their song she Got a Daddy's Money, Her 8 00:00:30,520 --> 00:00:31,640 Speaker 2: Mama's Good Looks. 9 00:00:31,800 --> 00:00:33,960 Speaker 1: It was awesome interview talks about country music now versus 10 00:00:33,960 --> 00:00:36,360 Speaker 1: how it was back then. My wife Caitlyn jumped in 11 00:00:36,400 --> 00:00:38,199 Speaker 1: for a little bit, So let's do it. We've got 12 00:00:38,200 --> 00:00:41,159 Speaker 1: a lot of shows. It's Sunday anyway, nobody's putting out 13 00:00:41,159 --> 00:00:41,640 Speaker 1: new stuff. 14 00:00:41,800 --> 00:00:42,360 Speaker 3: So here we go. 15 00:00:42,360 --> 00:00:44,199 Speaker 1: Hopefully you like this and go check out a podcast. 16 00:00:44,320 --> 00:00:49,400 Speaker 1: Here's this week's Bobbycast. We saw you here at the Opry, Yes, 17 00:00:49,600 --> 00:00:52,479 Speaker 1: when you guys played the Opry, And we saw you 18 00:00:52,479 --> 00:00:55,960 Speaker 1: in Oklahoma. You and Greg played at Caitlin's grandfather's funeral. Yes, 19 00:00:56,520 --> 00:00:58,000 Speaker 1: so I didn't know quite where you lived. 20 00:00:58,480 --> 00:01:01,200 Speaker 3: I know you're I mean, it'd be nice to live 21 00:01:01,240 --> 00:01:02,040 Speaker 3: back home, tho, wuldn't it? 22 00:01:02,120 --> 00:01:02,480 Speaker 4: I love it? 23 00:01:02,760 --> 00:01:04,080 Speaker 5: I moved, like I said, I moved back home in 24 00:01:04,080 --> 00:01:06,399 Speaker 5: two thousand and eight, and I had moved so many 25 00:01:06,440 --> 00:01:10,360 Speaker 5: times in my career, in my life. I just told 26 00:01:10,360 --> 00:01:11,880 Speaker 5: the guys that helped me get all my stuff back, 27 00:01:11,880 --> 00:01:13,880 Speaker 5: I said, you guys, the next time y'all help me move, 28 00:01:13,920 --> 00:01:15,560 Speaker 5: you're going to be moving me from here to the 29 00:01:15,600 --> 00:01:18,360 Speaker 5: funeral home. Because I'm dying here. I'm never leaving again, 30 00:01:18,400 --> 00:01:20,400 Speaker 5: but I come back to Nashville every two or three 31 00:01:20,400 --> 00:01:21,720 Speaker 5: months to do stuff like this. 32 00:01:21,959 --> 00:01:25,080 Speaker 3: So you guys are putting out the hits and more. 33 00:01:25,280 --> 00:01:27,680 Speaker 5: His name of the record it is Then and Now Ricochet, 34 00:01:27,680 --> 00:01:29,240 Speaker 5: Then and Now the Hits and More. I don't know 35 00:01:29,240 --> 00:01:31,600 Speaker 5: why we decided to name it twice, but you know 36 00:01:32,000 --> 00:01:34,560 Speaker 5: it's a sixteen song project, but there's new stuff on it. 37 00:01:34,600 --> 00:01:35,240 Speaker 3: There is new stuff. 38 00:01:35,240 --> 00:01:37,240 Speaker 5: It's a whole album's worth of new stuff, ten new 39 00:01:37,319 --> 00:01:40,240 Speaker 5: songs that we'd kind of even back when Greg was 40 00:01:40,240 --> 00:01:42,440 Speaker 5: in the band. We would go in after we left 41 00:01:42,480 --> 00:01:44,800 Speaker 5: Columbia Records back in two thousand. We would go into 42 00:01:44,840 --> 00:01:47,240 Speaker 5: the studio with a producer and cut three or four sides, 43 00:01:47,319 --> 00:01:49,400 Speaker 5: and then two or three years later we'd do the 44 00:01:49,440 --> 00:01:49,960 Speaker 5: same thing when we. 45 00:01:49,960 --> 00:01:52,000 Speaker 3: Could afford it. We were self produced and self. 46 00:01:51,840 --> 00:01:54,480 Speaker 5: Funded back then, so as we could afford it. We 47 00:01:54,520 --> 00:01:56,200 Speaker 5: would go back into the studio and cut another two 48 00:01:56,240 --> 00:01:59,639 Speaker 5: or three sides, and we had ten songs ready to release, 49 00:02:00,080 --> 00:02:01,880 Speaker 5: no record label to help us get it out there, 50 00:02:01,960 --> 00:02:05,280 Speaker 5: and just distributed and you know, nationwide. So it just 51 00:02:05,320 --> 00:02:06,800 Speaker 5: sort of set in the can for several years. 52 00:02:06,800 --> 00:02:08,040 Speaker 3: And so this stuff is. 53 00:02:08,400 --> 00:02:11,560 Speaker 5: Some recordings that we did ourselves. Now, when I say that, 54 00:02:13,560 --> 00:02:15,480 Speaker 5: your viewers probably already know this, but Nashville has a 55 00:02:15,480 --> 00:02:17,880 Speaker 5: certain way of doing things. Back in the nineties, we 56 00:02:17,880 --> 00:02:18,960 Speaker 5: weren't even allowed to play on. 57 00:02:18,880 --> 00:02:21,400 Speaker 3: Our own records, so meaning you had to hire. 58 00:02:21,480 --> 00:02:23,600 Speaker 5: We had to hire studio casts, and I got to 59 00:02:23,639 --> 00:02:25,360 Speaker 5: play some on the first album and a little bit 60 00:02:25,440 --> 00:02:27,120 Speaker 5: on the third album. I was the only one in 61 00:02:27,120 --> 00:02:29,799 Speaker 5: the band that ever played on any of our original stuff. 62 00:02:29,639 --> 00:02:31,360 Speaker 1: And that's because the label was like, if we're going 63 00:02:31,400 --> 00:02:33,560 Speaker 1: to pay for it, we need to hire these specific 64 00:02:33,639 --> 00:02:36,480 Speaker 1: people to play on it so that it sounds perfect exactly. 65 00:02:36,520 --> 00:02:38,119 Speaker 5: And you know, like I said, they have a certain 66 00:02:38,160 --> 00:02:40,560 Speaker 5: way to do Producers like to get it done with over. 67 00:02:41,919 --> 00:02:44,440 Speaker 5: It's a process, and they wanted the streamline the process 68 00:02:44,600 --> 00:02:47,320 Speaker 5: as quickly as possible so that they can have more 69 00:02:47,360 --> 00:02:49,280 Speaker 5: of the production money to put in their own pockets. 70 00:02:49,680 --> 00:02:51,800 Speaker 5: It's just the way it works. It's just efficiency, you know, 71 00:02:52,200 --> 00:02:53,720 Speaker 5: and it takes us so it might take us a 72 00:02:53,720 --> 00:02:56,160 Speaker 5: little bit longer, but that's all right. It's us playing. 73 00:02:56,560 --> 00:02:58,920 Speaker 5: So when we went in to do these every note 74 00:02:58,960 --> 00:03:02,080 Speaker 5: on the record, on the on the all ten note 75 00:03:02,120 --> 00:03:04,440 Speaker 5: news side, as well as the six old songs that 76 00:03:04,480 --> 00:03:07,799 Speaker 5: we re recorded, it's us playing, us singing. Some bands 77 00:03:07,840 --> 00:03:10,000 Speaker 5: don't even get to sing on their own records. Wait 78 00:03:10,040 --> 00:03:14,480 Speaker 5: what Yeah, it happens the lead singer. The lead singer 79 00:03:14,480 --> 00:03:16,480 Speaker 5: will sing, but they'll bring harmony guys to do all 80 00:03:16,480 --> 00:03:17,320 Speaker 5: the harmony vocals. 81 00:03:17,360 --> 00:03:19,240 Speaker 3: Why did I do that on our comedy record? Yeah, 82 00:03:19,800 --> 00:03:21,400 Speaker 3: so much easier if I just got somebody to sing 83 00:03:21,440 --> 00:03:21,960 Speaker 3: for my part. 84 00:03:22,480 --> 00:03:25,160 Speaker 1: When you put out the new songs, when you record them, 85 00:03:25,280 --> 00:03:26,880 Speaker 1: are these songs that you've had for a little bit, 86 00:03:26,880 --> 00:03:28,160 Speaker 1: you're like, man, I cannot wait to cut these. We 87 00:03:28,200 --> 00:03:29,639 Speaker 1: feel so good about it. Or did you kind of 88 00:03:29,680 --> 00:03:31,280 Speaker 1: write them because you were going to do something new? 89 00:03:31,960 --> 00:03:34,000 Speaker 5: Well a little bit of both. Like I said, we 90 00:03:34,000 --> 00:03:36,360 Speaker 5: weren't chasing radio at the time, so we weren't looking 91 00:03:36,360 --> 00:03:38,400 Speaker 5: for the next hit. We were just recording songs that 92 00:03:38,440 --> 00:03:40,040 Speaker 5: we love. So there's gonna be some songs on here 93 00:03:40,040 --> 00:03:43,360 Speaker 5: that your viewers and your listeners wouldn't expect from Ricochet. 94 00:03:43,400 --> 00:03:45,120 Speaker 5: There's a song one of my favorites is a tune 95 00:03:45,120 --> 00:03:47,600 Speaker 5: that Mark Bissard wrote, a tune called the Beauty of 96 00:03:47,600 --> 00:03:49,840 Speaker 5: Who You Are, and I just one of the guys 97 00:03:49,840 --> 00:03:51,560 Speaker 5: brought the song to the bus one day and played it, 98 00:03:51,600 --> 00:03:54,360 Speaker 5: and I thought, my god, what an amazing vocalist, what 99 00:03:54,440 --> 00:03:55,040 Speaker 5: a great song. 100 00:03:55,080 --> 00:03:57,320 Speaker 3: I just love the lyric. It's a real sexy lyric. 101 00:03:58,960 --> 00:04:01,920 Speaker 5: There starts off with uh, there's a soft, sweet space 102 00:04:01,960 --> 00:04:03,760 Speaker 5: on the back of your neck, smells like rain. 103 00:04:04,280 --> 00:04:06,000 Speaker 3: There's a way, there's. 104 00:04:05,800 --> 00:04:09,320 Speaker 5: A there's a way you turn telling you it's it's 105 00:04:09,400 --> 00:04:11,160 Speaker 5: it's a sexy lyric, and I love and the way 106 00:04:11,200 --> 00:04:12,920 Speaker 5: he sings it just sings the hell out of it. 107 00:04:13,240 --> 00:04:15,520 Speaker 5: And I just wanted to try it, you know, see 108 00:04:15,520 --> 00:04:18,080 Speaker 5: if I could sing it, and uh, I can't. I 109 00:04:18,080 --> 00:04:19,680 Speaker 5: can't sing it as good as he did, but I tried. 110 00:04:19,800 --> 00:04:20,080 Speaker 6: I tried. 111 00:04:20,120 --> 00:04:22,320 Speaker 5: I did the best I could, so we we got 112 00:04:22,360 --> 00:04:24,160 Speaker 5: a pretty decent little recording on it, added some big 113 00:04:24,200 --> 00:04:26,960 Speaker 5: harmonies to it, the way the way we do things, 114 00:04:27,600 --> 00:04:30,680 Speaker 5: and uh, it's really cool guitar stuff that managed they 115 00:04:30,760 --> 00:04:32,800 Speaker 5: managed to turn on hit the Red Button just at 116 00:04:32,839 --> 00:04:35,120 Speaker 5: the perfect moment when I was playing good that day. 117 00:04:35,440 --> 00:04:37,359 Speaker 5: So I don't know that's that's one of the tunes 118 00:04:37,360 --> 00:04:39,840 Speaker 5: on there that's a little different. But we did write 119 00:04:39,880 --> 00:04:43,400 Speaker 5: some stuff as well. It's one of my favorite tunes 120 00:04:43,440 --> 00:04:45,640 Speaker 5: on there. Is a song that our buddy Greg wrote 121 00:04:45,960 --> 00:04:48,640 Speaker 5: called No Wrong Way to Fall in Love and uh, 122 00:04:48,839 --> 00:04:51,760 Speaker 5: it's a it's a story song. That's That's what I 123 00:04:51,839 --> 00:04:56,080 Speaker 5: think is is the quintessential factor in nineties country is 124 00:04:56,120 --> 00:04:58,520 Speaker 5: they're great stories. They tell stories, they take you on 125 00:04:58,560 --> 00:05:02,360 Speaker 5: a journey. I'm not going to bad mouth today's country music, 126 00:05:02,400 --> 00:05:04,400 Speaker 5: but I have a friend, a songwriter, buddy mine, that 127 00:05:04,400 --> 00:05:06,839 Speaker 5: said today's country music sounds like three beer commercials strung 128 00:05:06,880 --> 00:05:08,960 Speaker 5: together because they just don't tell stories anymore. It's like 129 00:05:09,000 --> 00:05:11,680 Speaker 5: you're hot, I'm hot getting the truck and so I 130 00:05:11,720 --> 00:05:12,000 Speaker 5: don't know. 131 00:05:12,080 --> 00:05:13,279 Speaker 3: You think it's more melody based. 132 00:05:13,520 --> 00:05:16,000 Speaker 5: Yeah, melodies too, And I love songs that start kind 133 00:05:16,000 --> 00:05:18,080 Speaker 5: of low in my register like on the verses, and 134 00:05:18,120 --> 00:05:19,839 Speaker 5: then gives me a chance to really sing out on 135 00:05:19,880 --> 00:05:20,720 Speaker 5: the top part of my range. 136 00:05:20,800 --> 00:05:24,599 Speaker 3: National anthem, well, yeah start. If you start any higher 137 00:05:24,640 --> 00:05:26,480 Speaker 3: than that, time you get to the end, you're cooked. 138 00:05:26,520 --> 00:05:28,279 Speaker 5: I'm telling you, and a lot of people worry about 139 00:05:28,279 --> 00:05:29,760 Speaker 5: the high note. I worry about the low note. I 140 00:05:29,839 --> 00:05:31,640 Speaker 5: worry I'm going to be able to hit that low 141 00:05:31,680 --> 00:05:33,640 Speaker 5: note with a lot of good depth and stuff, you know. 142 00:05:33,720 --> 00:05:36,080 Speaker 5: But yeah, National Anthem is one of them. And we 143 00:05:36,120 --> 00:05:37,240 Speaker 5: didn't put that one on the new We. 144 00:05:37,200 --> 00:05:38,560 Speaker 1: Haven't should have though, that was the track you should 145 00:05:38,560 --> 00:05:39,919 Speaker 1: have done National Anthem. Should have madeup a newverse. 146 00:05:39,920 --> 00:05:41,080 Speaker 5: It's gonna be on the It's gonna be on the 147 00:05:41,080 --> 00:05:42,320 Speaker 5: new on the new album. 148 00:05:42,400 --> 00:05:43,440 Speaker 3: Yeah, I promise. 149 00:05:49,640 --> 00:05:59,760 Speaker 2: Good cast up little food for your song. 150 00:06:01,080 --> 00:06:01,359 Speaker 1: Life. 151 00:06:01,680 --> 00:06:05,800 Speaker 7: Oh it's pretty, but hey, it's pretty beautiful thing beautiful. 152 00:06:05,520 --> 00:06:10,200 Speaker 8: That for little more family exiting course. 153 00:06:10,279 --> 00:06:15,560 Speaker 1: Said he came, You're kicking with full thing with Amy Brown. 154 00:06:16,320 --> 00:06:19,000 Speaker 4: Hey it's Amy Brown from Four Things with Amy Brown. 155 00:06:19,120 --> 00:06:21,720 Speaker 4: And here's what we talked about this week on my podcast. 156 00:06:23,279 --> 00:06:25,919 Speaker 9: So when I was on American Idol, you couldn't like 157 00:06:26,160 --> 00:06:28,919 Speaker 9: be on Facebook, and so I you know, me and 158 00:06:29,000 --> 00:06:31,520 Speaker 9: my is what year was this? This was like, uh, 159 00:06:31,640 --> 00:06:34,640 Speaker 9: Steven Tyler's first year and j Lo's first year, so 160 00:06:34,680 --> 00:06:36,400 Speaker 9: maybe like two thousand and ten. 161 00:06:36,680 --> 00:06:39,000 Speaker 4: Okay, So was you giving reference to Facebook? 162 00:06:39,080 --> 00:06:39,240 Speaker 9: Oh? 163 00:06:39,279 --> 00:06:42,240 Speaker 6: Yeah, yeah, I mean it was it was like a 164 00:06:42,360 --> 00:06:43,120 Speaker 6: long time ago. 165 00:06:43,240 --> 00:06:46,120 Speaker 9: So Facebook was not as sophisticated as it. I mean, 166 00:06:46,200 --> 00:06:48,599 Speaker 9: I don't even think Instagram was a thing, And so 167 00:06:48,720 --> 00:06:51,040 Speaker 9: the rules were very different because of production, like it 168 00:06:51,160 --> 00:06:52,800 Speaker 9: films way later, and they didn't want you. 169 00:06:52,760 --> 00:06:54,440 Speaker 6: To post things and that kind of stuff. 170 00:06:54,520 --> 00:06:57,200 Speaker 9: But I was not going to delete my Facebook or 171 00:06:57,240 --> 00:06:59,719 Speaker 9: not post about it. So I changed my name so 172 00:06:59,720 --> 00:07:03,040 Speaker 9: the wouldn't find me. So I changed my name to 173 00:07:03,120 --> 00:07:05,560 Speaker 9: Vivian because Vivian, my name is Vivian. 174 00:07:06,560 --> 00:07:08,520 Speaker 4: You were pretty woman. 175 00:07:08,680 --> 00:07:11,680 Speaker 6: I changed my name to Vivian on Facebook because. 176 00:07:11,480 --> 00:07:12,760 Speaker 4: I mean not you were in Hollywood. 177 00:07:12,840 --> 00:07:14,440 Speaker 9: Yeah, And it was like, so all my friends at 178 00:07:14,440 --> 00:07:16,679 Speaker 9: home knew they could follow along my American idol journey 179 00:07:16,720 --> 00:07:19,640 Speaker 9: because I told him my name was Vivian McAllister. 180 00:07:19,320 --> 00:07:21,920 Speaker 4: Is what I name is my name, So they didn't know. 181 00:07:22,240 --> 00:07:24,400 Speaker 4: I guess they didn't have a way to. Really, they weren't, 182 00:07:24,440 --> 00:07:27,920 Speaker 4: I'm telling you monitoring it search. It's not like is sophisticated. 183 00:07:27,960 --> 00:07:28,400 Speaker 6: It wasn't. 184 00:07:28,800 --> 00:07:32,400 Speaker 4: There was you could post what was happening and give updates, 185 00:07:32,680 --> 00:07:34,040 Speaker 4: and it's like you were going to get bested. 186 00:07:34,520 --> 00:07:37,840 Speaker 9: No, I mean I wasn't telling that many details. But 187 00:07:37,960 --> 00:07:41,000 Speaker 9: at that time, Facebook was still a lot of college kids. 188 00:07:41,360 --> 00:07:41,760 Speaker 6: Oh yeah. 189 00:07:41,880 --> 00:07:43,680 Speaker 4: Now it's crazy to think back in the day when 190 00:07:43,760 --> 00:07:46,960 Speaker 4: Facebook first started, you had to have a college email 191 00:07:47,520 --> 00:07:48,360 Speaker 4: to sign up. 192 00:07:48,440 --> 00:07:51,320 Speaker 6: Mine still is an edu email address. 193 00:07:51,560 --> 00:07:56,120 Speaker 4: Mine might be two TAMU dot ed U, text, A 194 00:07:56,200 --> 00:08:00,800 Speaker 4: and M, which cat therapy cat her Beyonce went to 195 00:08:01,200 --> 00:08:04,680 Speaker 4: UT Knoxville. See, I'm from Texas, so I automatically my 196 00:08:04,720 --> 00:08:09,720 Speaker 4: brain goes UT Austin University of Texas and UT Knoxville 197 00:08:09,840 --> 00:08:12,120 Speaker 4: was playing Texas A and M this last weekend, and 198 00:08:12,200 --> 00:08:16,120 Speaker 4: Kat is texting me all these questions about the bizarre 199 00:08:16,120 --> 00:08:19,880 Speaker 4: things she's witnessing, Like all she went our yell leaders 200 00:08:20,080 --> 00:08:22,160 Speaker 4: and she's like, I just don't understand. 201 00:08:22,200 --> 00:08:22,760 Speaker 6: I don't get this. 202 00:08:22,880 --> 00:08:25,320 Speaker 4: And you had to dunk your ring and a beer 203 00:08:25,360 --> 00:08:27,760 Speaker 4: and chug it back and I'm like yeah. She's like, 204 00:08:27,840 --> 00:08:29,880 Speaker 4: what does the A and A and M stand for? 205 00:08:30,000 --> 00:08:33,600 Speaker 4: And I'm like agriculture and mechanical And I was just 206 00:08:33,600 --> 00:08:35,560 Speaker 4: trying to answer her questions. And the more I think 207 00:08:35,600 --> 00:08:38,080 Speaker 4: about it, I'm like, hmm, it is a very interesting school, 208 00:08:38,200 --> 00:08:40,840 Speaker 4: but I was used to it, so nothing seems weird 209 00:08:40,880 --> 00:08:43,360 Speaker 4: to me. But I could see, what does Aggie you 210 00:08:43,440 --> 00:08:44,839 Speaker 4: mean our symbol we do thumbs up. 211 00:08:44,920 --> 00:08:47,120 Speaker 6: Yeah, we would have mean is that which you'll say, like. 212 00:08:47,040 --> 00:08:52,160 Speaker 4: Go Aggie's yeah, twelve twelfth Man complex. It's complicated. But 213 00:08:52,280 --> 00:08:56,160 Speaker 4: our mascot is a border colligue Hine. 214 00:08:56,520 --> 00:08:58,560 Speaker 6: It's a dog. Where did you go to school? 215 00:08:58,600 --> 00:08:58,760 Speaker 9: Ole? 216 00:08:58,800 --> 00:09:00,559 Speaker 6: Miss and John went to Missipy State? 217 00:09:00,600 --> 00:09:02,760 Speaker 9: And I don't think Texas A and M plays all 218 00:09:02,760 --> 00:09:04,880 Speaker 9: miss that much, but they do play Missippi State. 219 00:09:05,320 --> 00:09:06,720 Speaker 4: Well, I don't know. We used to be in like 220 00:09:06,800 --> 00:09:09,800 Speaker 4: the Big ten and now we're in the sec se. 221 00:09:09,880 --> 00:09:11,719 Speaker 9: John's a big Missippi State fan, or he was when 222 00:09:11,720 --> 00:09:13,800 Speaker 9: we lived there. Now we've kind of like gotten into 223 00:09:13,840 --> 00:09:17,280 Speaker 9: Titans and Breads. But like when they would play Missippi State, 224 00:09:17,320 --> 00:09:19,920 Speaker 9: it was very confusing because y'all are like maroon also, 225 00:09:20,640 --> 00:09:22,560 Speaker 9: and so is Missippi State, and so like when y'all 226 00:09:22,600 --> 00:09:25,079 Speaker 9: would come to Missippi State, y'all would. 227 00:09:24,880 --> 00:09:28,040 Speaker 4: Wear like your blackout or we would we would like 228 00:09:28,640 --> 00:09:30,920 Speaker 4: I have no memory of this. Like I was in 229 00:09:31,080 --> 00:09:33,680 Speaker 4: what we called a two percenter at Texas A and M, 230 00:09:33,720 --> 00:09:38,200 Speaker 4: which means I gag about two percent of effort into 231 00:09:38,240 --> 00:09:40,520 Speaker 4: all the crazy traditions. I respected them. I think they 232 00:09:40,559 --> 00:09:44,080 Speaker 4: are cool. Maybe a little outdated at this point, but 233 00:09:44,240 --> 00:09:46,880 Speaker 4: like there's certain parts on campus where you can't walk 234 00:09:46,920 --> 00:09:50,520 Speaker 4: on the grass or like a CORE member could call 235 00:09:50,559 --> 00:09:53,560 Speaker 4: you out because it's a core. It's a military school, 236 00:09:53,600 --> 00:09:57,000 Speaker 4: so there's it's a military school. Well some if you're 237 00:09:57,040 --> 00:10:00,440 Speaker 4: in the Core, yeah, you're commissioned if you want to 238 00:10:00,480 --> 00:10:02,120 Speaker 4: go on to the military. 239 00:10:02,760 --> 00:10:03,840 Speaker 6: And you you didn't know that. 240 00:10:03,960 --> 00:10:07,679 Speaker 4: Yeah, they have different units that you're in. And one 241 00:10:07,679 --> 00:10:09,360 Speaker 4: of my roommates stayed at a guy I think he 242 00:10:09,480 --> 00:10:11,560 Speaker 4: was like E three. The yell leaders are part of 243 00:10:11,559 --> 00:10:14,280 Speaker 4: the Core. I mean yeah, they march around campus. They're 244 00:10:14,320 --> 00:10:16,520 Speaker 4: in their uniforms. It's very They get up and do 245 00:10:16,559 --> 00:10:20,959 Speaker 4: all the military type things they have, you know, salutes, taps. 246 00:10:21,000 --> 00:10:23,600 Speaker 4: We would do taps on campus for anybody that had 247 00:10:23,600 --> 00:10:24,120 Speaker 4: passed away. 248 00:10:24,160 --> 00:10:25,199 Speaker 6: How did I not know this? 249 00:10:25,440 --> 00:10:27,080 Speaker 4: I mean I wouldn't know about a lot of schools 250 00:10:27,120 --> 00:10:28,560 Speaker 4: in other states unless they do. 251 00:10:28,720 --> 00:10:31,720 Speaker 9: I literally thought that Texas A and M was like 252 00:10:31,720 --> 00:10:33,679 Speaker 9: like an agriculture school, but I mean not like what 253 00:10:33,760 --> 00:10:35,319 Speaker 9: I thought they was for farming. 254 00:10:35,720 --> 00:10:39,080 Speaker 4: That My uncle was a vet and went to Texas 255 00:10:39,120 --> 00:10:41,040 Speaker 4: A and M. So a lot of veterinarians go. They're 256 00:10:41,679 --> 00:10:43,920 Speaker 4: a lot of especially if you're a large animal, which 257 00:10:43,960 --> 00:10:44,240 Speaker 4: he was. 258 00:10:44,320 --> 00:10:46,800 Speaker 9: Well that's a lot like Missippi State. Missippi State's like 259 00:10:46,800 --> 00:10:48,800 Speaker 9: like if you have an animal that's sick, like you're 260 00:10:48,840 --> 00:10:51,160 Speaker 9: taking it like. It's like, if you're really caring about 261 00:10:51,160 --> 00:10:53,120 Speaker 9: your animal living, you take it to the vets at 262 00:10:53,120 --> 00:10:53,800 Speaker 9: Missippi State. 263 00:10:54,520 --> 00:10:56,800 Speaker 4: That's how it is. That Yeah, Texas, A and M. 264 00:10:57,160 --> 00:10:59,640 Speaker 4: I always thought I wanted to maybe be a vet, 265 00:11:00,120 --> 00:11:02,880 Speaker 4: but then I realized, I'm going to stick your hand 266 00:11:02,880 --> 00:11:05,320 Speaker 4: in again. But and my uncle did that a lot. 267 00:11:05,679 --> 00:11:09,000 Speaker 4: He would thank you, he'd put the little glovey would 268 00:11:09,120 --> 00:11:12,320 Speaker 4: swallow you. He'd stick it right in there and do 269 00:11:12,400 --> 00:11:14,320 Speaker 4: what he needed to do. He was also the mayor 270 00:11:14,840 --> 00:11:17,600 Speaker 4: of Dilly for years and years and years, so he 271 00:11:17,800 --> 00:11:20,840 Speaker 4: was the town vet. I think you would work on 272 00:11:20,920 --> 00:11:24,839 Speaker 4: humans if he needed to be his friends. So large 273 00:11:24,840 --> 00:11:30,000 Speaker 4: animal vet, small animal vet, human vet, and town mayor. 274 00:11:30,640 --> 00:11:32,360 Speaker 6: Okay, and they're well rounded. 275 00:11:32,400 --> 00:11:32,640 Speaker 10: Man. 276 00:11:33,200 --> 00:11:36,719 Speaker 4: There's a Moffatt Street in Dilly named after my. 277 00:11:36,920 --> 00:11:40,880 Speaker 6: The moffat Mafia. I love it. That's hilarious. 278 00:11:40,960 --> 00:11:42,320 Speaker 4: Not a very very big place. 279 00:11:42,720 --> 00:11:43,080 Speaker 7: I did. 280 00:11:43,120 --> 00:11:46,440 Speaker 4: When I went back there for my dad's funeral in 281 00:11:46,520 --> 00:11:50,240 Speaker 4: twenty twenty one, we were over by the watermelon statue 282 00:11:50,600 --> 00:11:55,720 Speaker 4: taking a picture because it's the watermelon capital of and 283 00:11:56,120 --> 00:11:58,480 Speaker 4: a listener came by in the truck and they pulled 284 00:11:58,480 --> 00:12:00,760 Speaker 4: over and they're like, what up? And they got out 285 00:12:00,880 --> 00:12:02,920 Speaker 4: and we took pictures and I met them and it 286 00:12:02,960 --> 00:12:04,240 Speaker 4: was so crazy. 287 00:12:04,400 --> 00:12:06,920 Speaker 6: This is like Shit's Creek. Did you watch that show? Yes? 288 00:12:06,960 --> 00:12:09,600 Speaker 9: I love that added too, but like where the mayor 289 00:12:09,840 --> 00:12:12,360 Speaker 9: is like got twenty different jobs. 290 00:12:13,480 --> 00:12:16,560 Speaker 4: Yeah, that was my uncle. That's hilarious, Uncle Frank. And 291 00:12:16,600 --> 00:12:19,280 Speaker 4: then my uncle Ted. He managed George Strait's ranch down 292 00:12:19,280 --> 00:12:22,800 Speaker 4: the road from Dilly Dilly Dilly Dilly Dilly. 293 00:12:22,920 --> 00:12:23,720 Speaker 6: Mm hmm. Yeah. 294 00:12:23,760 --> 00:12:27,679 Speaker 4: So anyway, little family history there, giglem Aggie's. 295 00:12:27,320 --> 00:12:43,120 Speaker 2: Whoop, Let's do it live? 296 00:12:44,880 --> 00:12:49,920 Speaker 11: Oh the shore sore losers? 297 00:12:50,080 --> 00:12:52,400 Speaker 7: What up everybody? I am lunchbox. I know the most 298 00:12:52,440 --> 00:12:55,120 Speaker 7: about sports, so I'll give you the sports facts, my 299 00:12:55,240 --> 00:12:58,960 Speaker 7: sports opinions because I'm pretty much a sports genius. 300 00:12:59,679 --> 00:13:00,400 Speaker 3: What up you all? 301 00:13:00,400 --> 00:13:00,920 Speaker 2: It is Scisson. 302 00:13:00,960 --> 00:13:01,640 Speaker 3: I'm from the North. 303 00:13:01,679 --> 00:13:02,560 Speaker 2: I'm an alpha male. 304 00:13:02,640 --> 00:13:04,720 Speaker 12: I live on the West side of Nashville with Baser, 305 00:13:04,840 --> 00:13:07,679 Speaker 12: my wife. We do have a white piket fence at 306 00:13:07,679 --> 00:13:10,440 Speaker 12: the apartment complex. Soon I'm gonna have two point five 307 00:13:10,520 --> 00:13:12,880 Speaker 12: kids and yes, sadly, I will die have a heart 308 00:13:12,880 --> 00:13:16,360 Speaker 12: attack when I'm seventy two years old. Here's a clip 309 00:13:17,160 --> 00:13:20,560 Speaker 12: from the last podcast. Hey, I wanted to say. They 310 00:13:20,559 --> 00:13:22,600 Speaker 12: were asking us, you guys use these lights in here 311 00:13:22,640 --> 00:13:24,520 Speaker 12: for sore losers podcasts? And I go, no, no, no, 312 00:13:24,559 --> 00:13:26,760 Speaker 12: that's for claim buck the one day that they're here 313 00:13:26,800 --> 00:13:27,160 Speaker 12: a year. 314 00:13:27,280 --> 00:13:28,839 Speaker 2: There's thirty lights in here. 315 00:13:28,880 --> 00:13:31,960 Speaker 7: There are thirty lights. There's the ring light, there's a 316 00:13:32,120 --> 00:13:32,880 Speaker 7: square light. 317 00:13:33,559 --> 00:13:37,280 Speaker 2: But if people onlookers actually think this is a legit podcast, 318 00:13:37,280 --> 00:13:40,040 Speaker 2: it's really just us here, two broken mics, two that work, 319 00:13:40,360 --> 00:13:43,000 Speaker 2: one screen that's junk, and those lights we don't even use. 320 00:13:43,160 --> 00:13:45,440 Speaker 7: Yeah, we could use those lights to film it, but 321 00:13:45,480 --> 00:13:47,360 Speaker 7: then we'd have to edit it and all that. And 322 00:13:47,440 --> 00:13:51,160 Speaker 7: but now you're cooking, Yes we're cooking, But who's got 323 00:13:51,160 --> 00:13:55,000 Speaker 7: time to edit? We here's somebody, Oh my god, with 324 00:13:55,120 --> 00:13:55,760 Speaker 7: what money? 325 00:13:56,559 --> 00:13:57,800 Speaker 2: You sell? Like a marriage? 326 00:13:58,080 --> 00:14:00,680 Speaker 7: Like, I mean, like seriously, like you should on vacation 327 00:14:01,080 --> 00:14:06,120 Speaker 7: with what money? In this economy, we sun like an 328 00:14:06,120 --> 00:14:09,320 Speaker 7: old married couple, Like you want to hire someone what 329 00:14:09,440 --> 00:14:13,120 Speaker 7: all of a sudden we're rich rich. I mean it's like, 330 00:14:13,160 --> 00:14:15,920 Speaker 7: you know, the wife that wants to remodel with what money? 331 00:14:17,640 --> 00:14:20,080 Speaker 7: Like I think we should knock out this wall at 332 00:14:20,120 --> 00:14:24,000 Speaker 7: a bathroom over here at a you know, a closet here, 333 00:14:24,160 --> 00:14:29,000 Speaker 7: put a pantry in like but in this economy, and 334 00:14:29,040 --> 00:14:30,320 Speaker 7: that's what we sound like right. 335 00:14:30,160 --> 00:14:33,160 Speaker 12: Now, Little Jimmy wants to join the travel team with 336 00:14:33,200 --> 00:14:34,200 Speaker 12: what money. 337 00:14:35,960 --> 00:14:38,280 Speaker 7: Is little Jimmy gonna pay for it? Is little Jimmy 338 00:14:38,320 --> 00:14:40,880 Speaker 7: getting a job? You want me to work overtime? 339 00:14:41,440 --> 00:14:41,680 Speaker 3: Coach? 340 00:14:41,720 --> 00:14:46,120 Speaker 2: I like your day day ones on, so it's tight. 341 00:14:46,160 --> 00:14:48,320 Speaker 7: Whoever sends that to a listener he said he wants 342 00:14:48,880 --> 00:14:51,720 Speaker 7: he wanted no shout out, so we I don't even 343 00:14:51,720 --> 00:14:53,760 Speaker 7: remember his name, but day ones I'm wearing it right now. 344 00:14:54,000 --> 00:14:58,920 Speaker 7: But can I tell you what the other night? No, 345 00:14:58,920 --> 00:15:00,040 Speaker 7: none of that. They're wont any other. 346 00:15:00,240 --> 00:15:02,640 Speaker 2: I had an idea, sweetie. You ever got any friends 347 00:15:02,640 --> 00:15:03,360 Speaker 2: in the neighborhood? 348 00:15:03,880 --> 00:15:05,800 Speaker 7: No, I mean she has friends in the neighborhood, but 349 00:15:06,160 --> 00:15:06,880 Speaker 7: none of them are hot. 350 00:15:06,920 --> 00:15:07,920 Speaker 2: What are they doing tonight? 351 00:15:08,840 --> 00:15:12,480 Speaker 7: So my soccer team, and we've fallen on hard times 352 00:15:12,560 --> 00:15:18,480 Speaker 7: right it is become very frustrating. Three weeks ago we 353 00:15:18,560 --> 00:15:22,360 Speaker 7: lost seven to nothing. Last week we lost six nothing. 354 00:15:22,480 --> 00:15:24,440 Speaker 2: You act like you lost out of death in the family. 355 00:15:24,880 --> 00:15:28,280 Speaker 7: And this week we lost six to nothing. It is 356 00:15:28,680 --> 00:15:31,800 Speaker 7: like I am a very competitive person and I don't 357 00:15:31,840 --> 00:15:35,240 Speaker 7: mind losing a game. But when you're just getting your 358 00:15:35,280 --> 00:15:40,160 Speaker 7: face rubbed in the dirt every week pitch pitch, it 359 00:15:40,240 --> 00:15:44,120 Speaker 7: is very frustrating and it's humiliating. 360 00:15:44,160 --> 00:15:47,720 Speaker 2: That loser that is that dude is a loser. 361 00:15:47,840 --> 00:15:49,480 Speaker 7: That is an absolute loser. 362 00:15:49,640 --> 00:15:53,200 Speaker 2: Oh they're interviewing Jaguar guy over in London. 363 00:15:53,440 --> 00:15:58,960 Speaker 7: That's a pretty much loser anyway. And I just leave 364 00:15:59,000 --> 00:16:02,360 Speaker 7: the game so frustrating because we shouldn't be that bad, 365 00:16:03,520 --> 00:16:04,720 Speaker 7: but we're that bad. 366 00:16:04,800 --> 00:16:06,440 Speaker 12: And it's how you end your day too, because they're 367 00:16:06,480 --> 00:16:08,080 Speaker 12: late at night and that's how you're going to bed. 368 00:16:08,080 --> 00:16:09,880 Speaker 12: It's carrying over into the next day. 369 00:16:09,880 --> 00:16:13,000 Speaker 7: Exactly. My game was at eight fifteen, so the game 370 00:16:13,080 --> 00:16:15,200 Speaker 7: ends at nine to fifteen, and I am pissed, like 371 00:16:15,280 --> 00:16:17,680 Speaker 7: I am just like, God, how are we so bad? 372 00:16:17,800 --> 00:16:19,360 Speaker 2: Well, now we've got a crime timeline. 373 00:16:19,440 --> 00:16:22,200 Speaker 7: We haven't scored a goal in three weeks. That is 374 00:16:22,280 --> 00:16:25,840 Speaker 7: so bad, Like that's that's just not acceptable. 375 00:16:26,360 --> 00:16:29,160 Speaker 12: Yeah, that definitely gets at you, especially since you guys, 376 00:16:29,280 --> 00:16:31,560 Speaker 12: isn't a fast track, smaller rink. 377 00:16:31,480 --> 00:16:36,480 Speaker 7: Smaller field, faster grass. You should be able to score. 378 00:16:36,720 --> 00:16:38,760 Speaker 2: Let me jump cut these bitches. 379 00:16:38,400 --> 00:16:41,280 Speaker 7: But we can't seem to figure it out. So whatever, 380 00:16:41,760 --> 00:16:46,400 Speaker 7: I'm sad. I am pissed, and I go home. A 381 00:16:46,440 --> 00:16:48,480 Speaker 7: wife's sitting on the couch and she's like, how to go. 382 00:16:48,560 --> 00:16:50,720 Speaker 7: I was like, we got crushed, and I was like, 383 00:16:50,760 --> 00:16:52,760 Speaker 7: I know, it's stupid to be mad. It's just co 384 00:16:52,960 --> 00:16:55,360 Speaker 7: ed soccer. I understand it's stupid to be mad. 385 00:16:55,520 --> 00:16:57,560 Speaker 2: Married didn't pass well, and. 386 00:16:59,040 --> 00:17:02,000 Speaker 7: Now there's one person on our team that you can't 387 00:17:02,040 --> 00:17:04,920 Speaker 7: even pass them. They they are like a cone out 388 00:17:04,920 --> 00:17:05,719 Speaker 7: on the field. 389 00:17:06,280 --> 00:17:09,200 Speaker 2: I don't understand the and and aminate object. 390 00:17:09,760 --> 00:17:11,040 Speaker 7: Yeah they're they're useless. 391 00:17:11,640 --> 00:17:14,680 Speaker 2: Oh like, but it's also a sport. You're supposed to 392 00:17:14,680 --> 00:17:15,199 Speaker 2: be running in. 393 00:17:15,240 --> 00:17:18,240 Speaker 7: Good shit and kicking the ball and being but there's 394 00:17:18,240 --> 00:17:19,720 Speaker 7: one person that we might as well have a cone 395 00:17:19,760 --> 00:17:20,080 Speaker 7: out there. 396 00:17:20,160 --> 00:17:22,040 Speaker 2: You field them, You're right. 397 00:17:23,800 --> 00:17:26,000 Speaker 7: So I just go home and I'm venting to my 398 00:17:26,040 --> 00:17:27,879 Speaker 7: wife and I'm like, I know it's stupid. I know 399 00:17:27,960 --> 00:17:31,080 Speaker 7: it's so stupid to be mad. I know it's it's 400 00:17:31,280 --> 00:17:34,640 Speaker 7: it's just crazy. It's crazy to be this upset and frustrated. 401 00:17:35,480 --> 00:17:37,800 Speaker 7: No kids already in bed, And she's like, I'm sorry, 402 00:17:37,800 --> 00:17:39,480 Speaker 7: and I was like, I know it's stupid. I know, 403 00:17:39,600 --> 00:17:41,840 Speaker 7: I'll shut up, Like and I was like, do you 404 00:17:41,840 --> 00:17:43,159 Speaker 7: want to watch Big Brother, Or do you want to 405 00:17:43,160 --> 00:17:43,840 Speaker 7: watch Survivor? 406 00:17:44,240 --> 00:17:47,840 Speaker 12: You all want to play hide and seek with something else, 407 00:17:48,400 --> 00:17:50,560 Speaker 12: And she said, oh, let's watch Survivor because I think 408 00:17:50,600 --> 00:17:51,720 Speaker 12: you like Survivor more. 409 00:17:52,400 --> 00:17:54,480 Speaker 7: And I said, you're right, I do like Survivor more. 410 00:17:55,600 --> 00:17:58,919 Speaker 11: In a world where everyone and their mother has a podcast, 411 00:17:59,280 --> 00:18:03,199 Speaker 11: one man stands to infiltrate the ears of listeners like 412 00:18:03,280 --> 00:18:07,240 Speaker 11: never before in a movie podcast. A man with so 413 00:18:07,359 --> 00:18:12,840 Speaker 11: much movie knowledge, he's basically like a walking IMTB with glasses. 414 00:18:13,200 --> 00:18:18,600 Speaker 11: From the Nashville Podcast Network, This is Movie Mike's movie podcasts. 415 00:18:19,000 --> 00:18:22,280 Speaker 8: Rolling Stone recently put together a list of the fifty 416 00:18:22,480 --> 00:18:26,080 Speaker 8: worst decisions in movie history. A lot of these are 417 00:18:26,119 --> 00:18:28,400 Speaker 8: just business decisions, so we're not going to get into 418 00:18:28,880 --> 00:18:33,000 Speaker 8: actual plot points of movies. These are decisions that either 419 00:18:33,040 --> 00:18:35,880 Speaker 8: cost studios a bunch of money or left us all 420 00:18:35,960 --> 00:18:40,520 Speaker 8: scratching our heads wondering why exactly these calls were made 421 00:18:40,560 --> 00:18:43,080 Speaker 8: when making these movies. I'm not going to go through 422 00:18:43,119 --> 00:18:45,240 Speaker 8: all fifty. I picked the ones that I thought were 423 00:18:45,240 --> 00:18:47,439 Speaker 8: the most interesting to share with you, So let's kick 424 00:18:47,480 --> 00:18:49,960 Speaker 8: this off right now. On their list, at number forty 425 00:18:50,040 --> 00:18:53,800 Speaker 8: nine was Will Smith turns down the Matrix and Django Unchained. 426 00:18:53,880 --> 00:18:57,199 Speaker 8: The worst part was he passed on The Matrix in 427 00:18:57,320 --> 00:19:01,040 Speaker 8: order to make Wild Wild West, which, of course, in 428 00:19:01,200 --> 00:19:04,840 Speaker 8: hindsight everything is twenty twenty. Will Smith has spoken a 429 00:19:04,840 --> 00:19:07,080 Speaker 8: lot about why he's turned down The Matrix, and at 430 00:19:07,080 --> 00:19:09,640 Speaker 8: the time he said he just didn't understand it, which 431 00:19:09,680 --> 00:19:11,680 Speaker 8: when I look back on both of those, I think 432 00:19:11,760 --> 00:19:15,080 Speaker 8: him turning down The Matrix is actually less of a 433 00:19:15,080 --> 00:19:18,879 Speaker 8: worse decision than him turning down Jangle Unchained because of 434 00:19:18,880 --> 00:19:21,680 Speaker 8: where he was in his career at the time nineties 435 00:19:21,680 --> 00:19:24,000 Speaker 8: going into the two thousands, he was still a very 436 00:19:24,200 --> 00:19:27,199 Speaker 8: bankable Hollywood star. But if you fast forward to the 437 00:19:27,200 --> 00:19:30,679 Speaker 8: time Jangle Unchained came out in the twenty tens, I 438 00:19:30,720 --> 00:19:32,919 Speaker 8: feel like that was the time he should have taken 439 00:19:33,000 --> 00:19:35,280 Speaker 8: that movie, and the fact that he turned it down 440 00:19:35,600 --> 00:19:38,840 Speaker 8: probably led him to making a lot of those bombs 441 00:19:38,880 --> 00:19:40,879 Speaker 8: that he came out with. So surprising to me that 442 00:19:40,960 --> 00:19:45,400 Speaker 8: he would turn down an opportunity to work with Quentin Tarantino. 443 00:19:45,720 --> 00:19:48,480 Speaker 8: But I also really couldn't see him doing that role 444 00:19:48,760 --> 00:19:52,080 Speaker 8: Justice the way that Jamie Foxx did, so I'm glad 445 00:19:52,119 --> 00:19:55,439 Speaker 8: he turned that down, but crazy to me that he 446 00:19:55,560 --> 00:19:58,439 Speaker 8: was offered both of those Roles and said, nah, I'm good. 447 00:19:58,920 --> 00:20:01,679 Speaker 8: At number forty six on their list, they have making 448 00:20:01,720 --> 00:20:05,639 Speaker 8: a Catwoman movie without Michelle Pfeiffer. As a kid watching 449 00:20:05,640 --> 00:20:08,320 Speaker 8: this movie, I did not understand what was happening with 450 00:20:08,400 --> 00:20:12,280 Speaker 8: my body as I saw Michelle Pfeiffer as Catwoman, and 451 00:20:12,359 --> 00:20:15,280 Speaker 8: to me, she is the one and only Catwoman, and 452 00:20:15,320 --> 00:20:18,040 Speaker 8: that role has never been done justice the way she 453 00:20:18,160 --> 00:20:21,040 Speaker 8: did it, not with Halle Berry. It's that entire casting 454 00:20:21,280 --> 00:20:25,880 Speaker 8: and entire filmmaking process on that movie was completely awful. 455 00:20:26,080 --> 00:20:30,280 Speaker 8: But even looking to Anne Hathaway or Zoe Kravitz, no 456 00:20:30,320 --> 00:20:33,680 Speaker 8: one has brought life to the character like Michelle Pfeiffer did, 457 00:20:33,720 --> 00:20:35,680 Speaker 8: so if they would have made that movie with her, 458 00:20:36,160 --> 00:20:38,600 Speaker 8: it would have been a much better movie. The only 459 00:20:38,640 --> 00:20:41,840 Speaker 8: person I could see doing justice to the Catwoman role now, 460 00:20:42,160 --> 00:20:44,760 Speaker 8: and maybe it's because she did Harley Quinn so well 461 00:20:45,200 --> 00:20:49,400 Speaker 8: and plays that devilish villain but kind of sweet role 462 00:20:49,520 --> 00:20:53,000 Speaker 8: so perfectly, would be Margot Robbie. And who knows, maybe 463 00:20:53,000 --> 00:20:55,440 Speaker 8: now with all that James Gunn is switching up in 464 00:20:55,520 --> 00:20:59,000 Speaker 8: the DCEU, maybe something like that could happen. At number 465 00:20:59,000 --> 00:21:02,359 Speaker 8: forty five, they have Disney when they stopped making animated 466 00:21:02,400 --> 00:21:05,760 Speaker 8: movies after the death of Walt and Roy Disney, which 467 00:21:05,800 --> 00:21:09,119 Speaker 8: I have to say I wasn't completely familiar with this, 468 00:21:09,240 --> 00:21:13,160 Speaker 8: but apparently after Walt Disney died in nineteen sixty six 469 00:21:13,320 --> 00:21:16,600 Speaker 8: and his brother Roy died five years after that, Disney 470 00:21:16,640 --> 00:21:19,840 Speaker 8: decided that animated movies were relics and a thing of 471 00:21:19,920 --> 00:21:22,800 Speaker 8: the past, so they stopped making them and shifted to 472 00:21:22,920 --> 00:21:25,760 Speaker 8: making a lot of live action movies. So at this 473 00:21:25,880 --> 00:21:30,080 Speaker 8: time Disney completely lost their identity because they were banking 474 00:21:30,200 --> 00:21:32,240 Speaker 8: on the future and they thought it was going to 475 00:21:32,280 --> 00:21:35,200 Speaker 8: be putting actors on the screen and staying away from 476 00:21:35,200 --> 00:21:38,680 Speaker 8: making animated movies. And it wasn't until nineteen eighty nine 477 00:21:38,720 --> 00:21:41,560 Speaker 8: with The Little Mermaid that they finally started pouring their 478 00:21:41,600 --> 00:21:45,120 Speaker 8: resources back into animation. And then you get the entire 479 00:21:45,320 --> 00:21:49,200 Speaker 8: Disney renaissance in the nineties with The Beauty of the Beast, Aladdin, 480 00:21:49,280 --> 00:21:52,440 Speaker 8: the Lion King, and just realizing like, this is where 481 00:21:52,480 --> 00:21:54,040 Speaker 8: we need to put all our money because this is 482 00:21:54,040 --> 00:21:56,520 Speaker 8: what we are the best at. But I wasn't aware 483 00:21:56,840 --> 00:21:59,760 Speaker 8: that that correlated with the time that Disney and his 484 00:22:00,040 --> 00:22:03,440 Speaker 8: other Roy died. Ironic, now that they don't really make 485 00:22:03,520 --> 00:22:07,880 Speaker 8: live action, Disney movies unless they're either associated with a 486 00:22:08,080 --> 00:22:11,439 Speaker 8: ride at disney World or Disneyland, or they're a remake 487 00:22:11,480 --> 00:22:14,120 Speaker 8: of an animated movie. At number thirty nine on the list, 488 00:22:14,160 --> 00:22:18,199 Speaker 8: they have making The Hobbit into three movies, mainly because 489 00:22:18,240 --> 00:22:22,199 Speaker 8: the source material really only had enough for two movies, 490 00:22:22,320 --> 00:22:25,000 Speaker 8: really should have been one movie. But I think this 491 00:22:25,240 --> 00:22:27,760 Speaker 8: was largely due to the success of the Lord of 492 00:22:27,800 --> 00:22:31,159 Speaker 8: the Rings trilogy, being one of the most profitable and 493 00:22:31,280 --> 00:22:34,760 Speaker 8: also one of the most awarded trilogies of all time. 494 00:22:35,280 --> 00:22:37,639 Speaker 8: You think, hey, we have a chance to have a 495 00:22:37,680 --> 00:22:41,119 Speaker 8: similar property, do the exact same thing. Let's split this 496 00:22:41,160 --> 00:22:43,719 Speaker 8: thing up into three movies, And what you ended up 497 00:22:43,760 --> 00:22:46,679 Speaker 8: getting was a bunch of people being pretty disappointed in 498 00:22:46,720 --> 00:22:50,840 Speaker 8: the entire thing. Given the fact that people loved that book, 499 00:22:50,920 --> 00:22:53,360 Speaker 8: I feel like growing up that was more renowned than 500 00:22:53,400 --> 00:22:56,880 Speaker 8: anything in the Lord of the Rings book series. Everybody 501 00:22:56,920 --> 00:23:00,280 Speaker 8: loved The Hobbit, did not like the movies. Three twenty 502 00:23:00,320 --> 00:23:03,760 Speaker 8: seven was whenever half of Hollywood teamed up to make 503 00:23:03,760 --> 00:23:07,000 Speaker 8: the disastrous movie forty three. If you're not familiar with 504 00:23:07,040 --> 00:23:10,600 Speaker 8: this movie, it is a bunch of random comedic scenes, 505 00:23:10,640 --> 00:23:14,000 Speaker 8: and I'm putting comedic into quotations because if you watch 506 00:23:14,080 --> 00:23:16,640 Speaker 8: this movie without an open mind, you think that it's 507 00:23:16,680 --> 00:23:19,640 Speaker 8: pretty terrible. And I'm saying that because I actually have 508 00:23:19,680 --> 00:23:22,679 Speaker 8: a soft place in my heart for this movie. Because 509 00:23:22,720 --> 00:23:25,359 Speaker 8: I know it's not good. I know it's stupid, I 510 00:23:25,440 --> 00:23:28,920 Speaker 8: know it's ridiculous. I know on paper it is a bomb, 511 00:23:29,200 --> 00:23:31,280 Speaker 8: but I remember at the time this movie came out, 512 00:23:31,400 --> 00:23:34,119 Speaker 8: I found myself really enjoying it. So you have to 513 00:23:34,160 --> 00:23:37,440 Speaker 8: be into really, really dumb comedy. And by no means 514 00:23:37,480 --> 00:23:40,800 Speaker 8: do I recommend this movie. I would argue that me 515 00:23:41,080 --> 00:23:44,840 Speaker 8: enjoying this movie is the equivalent to me enjoying the 516 00:23:44,840 --> 00:23:47,080 Speaker 8: taste of rat poison. Maybe I just like the taste 517 00:23:47,080 --> 00:23:48,800 Speaker 8: of rat poison, but I'm not gonna encourage you to 518 00:23:48,840 --> 00:23:51,280 Speaker 8: eat rat poison. So don't go watch this movie and 519 00:23:51,280 --> 00:23:53,760 Speaker 8: then blame me for saying what a terrible movie. I 520 00:23:53,880 --> 00:23:57,240 Speaker 8: find it funny. I find some of the scenes actually charming, 521 00:23:57,359 --> 00:23:59,560 Speaker 8: and there are some quotes from this movie I still 522 00:23:59,600 --> 00:24:02,960 Speaker 8: say this day. So I get that it's an awful 523 00:24:03,000 --> 00:24:06,199 Speaker 8: movie and a blemish in the history of Hollywood, but 524 00:24:06,320 --> 00:24:09,080 Speaker 8: I don't think it's a completely bad worst decision. So 525 00:24:09,240 --> 00:24:12,320 Speaker 8: just because I have a percentage of bias in my 526 00:24:12,440 --> 00:24:16,600 Speaker 8: opinion on this. I could see why putting all of 527 00:24:16,640 --> 00:24:19,840 Speaker 8: these resources and all of these actors into one movie 528 00:24:19,880 --> 00:24:22,640 Speaker 8: and getting this product and it coming out so terrible 529 00:24:23,040 --> 00:24:26,159 Speaker 8: being seen as a bad decision, but I'm choosing to 530 00:24:26,200 --> 00:24:28,520 Speaker 8: ignore that because I kind of like it. At number 531 00:24:28,560 --> 00:24:32,199 Speaker 8: twenty nine, they have Howard the Duck, which was technically 532 00:24:32,640 --> 00:24:36,120 Speaker 8: the first ever Marvel movie that came out in nineteen 533 00:24:36,200 --> 00:24:39,119 Speaker 8: eighty six. George Lucas was a producer on this movie. 534 00:24:39,280 --> 00:24:42,800 Speaker 8: They had made some smaller scale Marvel movies before this 535 00:24:43,000 --> 00:24:46,560 Speaker 8: that were made for TV movies, with Captain America, the 536 00:24:46,600 --> 00:24:49,760 Speaker 8: Fantastic Four, you had a couple made for TV Spider 537 00:24:49,800 --> 00:24:53,560 Speaker 8: Man movies, but this was the first big theatrical release 538 00:24:53,560 --> 00:24:57,880 Speaker 8: for Marvel and almost single handily destroyed another Marvel movie 539 00:24:57,960 --> 00:25:00,600 Speaker 8: ever being made. I don't think I think now that 540 00:25:00,840 --> 00:25:03,320 Speaker 8: Howard the Duck will ever get his own movie. He 541 00:25:03,400 --> 00:25:06,600 Speaker 8: does have some random cameos in the Guardians of the 542 00:25:06,640 --> 00:25:10,280 Speaker 8: Galaxy movie, so I think, aside from being an Easter 543 00:25:10,359 --> 00:25:13,359 Speaker 8: egg now in the MCU, we don't really want or 544 00:25:13,480 --> 00:25:35,840 Speaker 8: need a Howard the Duck movie. 545 00:25:37,760 --> 00:25:41,479 Speaker 12: Carol line, she's a Queen of talking. 546 00:25:41,640 --> 00:25:45,520 Speaker 11: If it was so, she's getting really not. 547 00:25:45,520 --> 00:25:46,280 Speaker 7: Afraid to feel. 548 00:25:46,320 --> 00:25:49,640 Speaker 8: The episode soul just let it blow, No one can 549 00:25:49,680 --> 00:25:55,640 Speaker 8: do We quiet carral Line, It's time for Caroline. 550 00:25:56,240 --> 00:25:59,959 Speaker 10: Hey, y'all, it's Caroline Hobby. This week I have Nicole 551 00:26:00,200 --> 00:26:04,359 Speaker 10: Gallon on the podcast. She goes from Firstborn, her first album, 552 00:26:04,560 --> 00:26:08,439 Speaker 10: to Second Wife, her newest album she just released, and 553 00:26:08,480 --> 00:26:11,520 Speaker 10: she is writing her life even if it goes against 554 00:26:11,560 --> 00:26:12,119 Speaker 10: the grain. 555 00:26:12,560 --> 00:26:13,880 Speaker 6: Nicole is a hit songwriter. 556 00:26:14,040 --> 00:26:16,440 Speaker 10: She has a long running list of number one She's 557 00:26:16,480 --> 00:26:19,960 Speaker 10: written for artists like Keith Urban, Miranda Lambert, Carrie Underwood, 558 00:26:20,000 --> 00:26:23,760 Speaker 10: Dirk's Bentley, and so many others. In this episode, we 559 00:26:23,800 --> 00:26:26,119 Speaker 10: talk about her brand new EP, Second Wife, that she 560 00:26:26,240 --> 00:26:29,879 Speaker 10: co wrote with her husband, hit songwriter Rodney Clawson. She 561 00:26:30,040 --> 00:26:33,600 Speaker 10: shares how she found her confidence to be great, how 562 00:26:33,640 --> 00:26:36,439 Speaker 10: her narrative has shifted over the years, being married to 563 00:26:36,440 --> 00:26:40,760 Speaker 10: another hit songwriter, and the power of authentically and unapologetically 564 00:26:40,840 --> 00:26:43,600 Speaker 10: following your soul. You're gonna love this episode. Tune in 565 00:26:43,640 --> 00:26:45,119 Speaker 10: now to hear Nicole Gallian. 566 00:26:46,960 --> 00:26:50,080 Speaker 13: Nothing is perfect on paper, you know. It's like when 567 00:26:50,400 --> 00:26:52,760 Speaker 13: you get to those places where you have the decision 568 00:26:52,800 --> 00:26:55,320 Speaker 13: in your heart to take the jump and it's what 569 00:26:55,359 --> 00:26:57,960 Speaker 13: you're supposed to do and Nope. It always feels like 570 00:26:57,960 --> 00:26:59,800 Speaker 13: everyone else thinks it's not the right thing to do, 571 00:27:00,080 --> 00:27:03,840 Speaker 13: because when you take these big risks, most people are 572 00:27:03,880 --> 00:27:06,359 Speaker 13: scared of really big risks. They're always thinking of the 573 00:27:06,400 --> 00:27:08,600 Speaker 13: things that can go wrong, because of course a million 574 00:27:08,600 --> 00:27:10,760 Speaker 13: things can go wrong, but also a million things can 575 00:27:10,760 --> 00:27:12,720 Speaker 13: go wrong when it looks perfect on paper too. So 576 00:27:12,760 --> 00:27:15,760 Speaker 13: it's like at the end of the day, it all 577 00:27:15,800 --> 00:27:20,800 Speaker 13: comes back to you and like trusting yourself, which I feel, 578 00:27:21,359 --> 00:27:23,760 Speaker 13: and now seeing your life play out over these years, 579 00:27:23,800 --> 00:27:27,640 Speaker 13: you are someone who has just always known your north star, 580 00:27:27,880 --> 00:27:30,000 Speaker 13: Like I don't know how you've had that kind of confidence, 581 00:27:30,080 --> 00:27:33,240 Speaker 13: Like you have known what is right for you, and 582 00:27:33,280 --> 00:27:35,879 Speaker 13: you have done what is right for you, especially like 583 00:27:35,920 --> 00:27:38,160 Speaker 13: as a woman, like you have put yourself out there 584 00:27:38,200 --> 00:27:42,400 Speaker 13: in big ways always like you're not scared to do 585 00:27:42,480 --> 00:27:43,360 Speaker 13: what you want to do. 586 00:27:43,800 --> 00:27:44,720 Speaker 10: How have you known? 587 00:27:45,040 --> 00:27:47,520 Speaker 13: How have you known what you wanted to do so clearly? 588 00:27:48,640 --> 00:27:54,000 Speaker 14: Oh goodness, I don't know. I what a lot of things, 589 00:27:54,600 --> 00:27:56,240 Speaker 14: like a lot of I think I have a really 590 00:27:56,280 --> 00:27:57,800 Speaker 14: strong relationship with myself. 591 00:27:59,080 --> 00:28:00,600 Speaker 4: Did that stem from your upbringing? 592 00:28:02,160 --> 00:28:02,440 Speaker 9: Yeah? 593 00:28:02,520 --> 00:28:05,280 Speaker 14: I think so. I think I've always like when I 594 00:28:05,320 --> 00:28:08,680 Speaker 14: was a kid, I was I wasn't super loud. I 595 00:28:08,760 --> 00:28:11,879 Speaker 14: was like more of like a quiet leader, just like 596 00:28:12,359 --> 00:28:17,280 Speaker 14: in the corner doing my work, figuring out what I 597 00:28:17,359 --> 00:28:19,919 Speaker 14: just quietly like wanted what I wanted to do. And 598 00:28:20,000 --> 00:28:22,640 Speaker 14: I think that that's something that I think you learn 599 00:28:22,720 --> 00:28:25,520 Speaker 14: it at a young age. Like nobody told me to 600 00:28:25,560 --> 00:28:28,960 Speaker 14: play piano, and no one told me to move to Nashville, 601 00:28:29,000 --> 00:28:31,399 Speaker 14: no one told me to start a record like, you know, 602 00:28:31,440 --> 00:28:34,760 Speaker 14: it's like all those things were just like actually stephingly 603 00:28:34,880 --> 00:28:38,400 Speaker 14: did tell me to start a record label, but most 604 00:28:38,440 --> 00:28:43,440 Speaker 14: of the things that I like the biggest, most important 605 00:28:43,440 --> 00:28:46,440 Speaker 14: things in my life like came from right here. 606 00:28:47,000 --> 00:28:49,040 Speaker 13: And you know how to listen and follow that though, 607 00:28:49,160 --> 00:28:51,440 Speaker 13: Like that's a big difference, is like you feel it 608 00:28:51,520 --> 00:28:53,080 Speaker 13: and you know how to listen and follow it. 609 00:28:53,760 --> 00:28:56,280 Speaker 14: Yeah, I think it's just staying connected to yourself. And 610 00:28:56,360 --> 00:28:58,520 Speaker 14: for me, like on a spiritual level, the more I'm 611 00:28:58,520 --> 00:29:01,960 Speaker 14: connected to myself, the more I'm connected to the creative 612 00:29:02,160 --> 00:29:09,120 Speaker 14: swirl that is happening above us, within us, higher power God. 613 00:29:09,520 --> 00:29:13,080 Speaker 14: You know. All of that to me is like is 614 00:29:13,280 --> 00:29:15,280 Speaker 14: if I can stay connected to me, then I'm tapping 615 00:29:15,280 --> 00:29:17,760 Speaker 14: into all of that too. So it's not that I'm 616 00:29:17,800 --> 00:29:20,000 Speaker 14: taking credit for knowing what any of this stuff is. 617 00:29:20,040 --> 00:29:23,840 Speaker 14: It's more just like tappen into something bigger than me. Honestly, 618 00:29:24,000 --> 00:29:27,240 Speaker 14: that's guiding me, and that's I think what gives me 619 00:29:27,400 --> 00:29:32,960 Speaker 14: the confidence to just put myself out there. And I'd 620 00:29:32,960 --> 00:29:35,000 Speaker 14: be lying if if I said sometimes I don't feel 621 00:29:35,080 --> 00:29:37,960 Speaker 14: vulnerable like of like maybe what other people might think 622 00:29:37,960 --> 00:29:42,560 Speaker 14: about it. But when you assess the risk of well, 623 00:29:42,800 --> 00:29:45,080 Speaker 14: do I want to never know what it feels like 624 00:29:45,160 --> 00:29:48,000 Speaker 14: to try this, or do I maybe want to put 625 00:29:48,000 --> 00:29:51,200 Speaker 14: myself out there and have some people have opinions about 626 00:29:51,240 --> 00:29:54,480 Speaker 14: it like this, it's I'd always rather just like put 627 00:29:54,520 --> 00:29:56,880 Speaker 14: myself out there because. 628 00:29:56,720 --> 00:29:57,800 Speaker 6: Ultimately I just want it. 629 00:29:58,600 --> 00:30:03,320 Speaker 13: You just have coffident, so you've always had or I'm crazy. 630 00:30:03,680 --> 00:30:05,360 Speaker 14: Maybe I'm just crazy, I don't know. 631 00:30:06,520 --> 00:30:09,040 Speaker 13: But even starting back in the beginning, I mean I 632 00:30:09,200 --> 00:30:11,720 Speaker 13: remember when you and ray Lynn y'all were both on 633 00:30:11,760 --> 00:30:14,240 Speaker 13: the Voice together, like you made it to the finals 634 00:30:14,280 --> 00:30:16,760 Speaker 13: and we're like singing on the Voice. I mean, you 635 00:30:16,840 --> 00:30:19,200 Speaker 13: were putting yourself out there. 636 00:30:18,720 --> 00:30:20,640 Speaker 14: You've just gone. 637 00:30:20,320 --> 00:30:21,320 Speaker 6: For it forever. 638 00:30:22,320 --> 00:30:25,520 Speaker 14: Well, I think like being scared is just the beginning, 639 00:30:25,880 --> 00:30:28,960 Speaker 14: you know, Like being brave, Like being brave is the 640 00:30:29,000 --> 00:30:31,479 Speaker 14: next thing. It's not you don't get stuck and scared. 641 00:30:31,720 --> 00:30:36,320 Speaker 14: You like you pass through it and something you know 642 00:30:36,920 --> 00:30:40,239 Speaker 14: you something makes you scared because it's kind of like 643 00:30:40,280 --> 00:30:43,560 Speaker 14: a nerve. You hit a nerve and you're like, ooh, 644 00:30:43,760 --> 00:30:46,800 Speaker 14: is that something like hitting your hand on the stove 645 00:30:47,040 --> 00:30:48,800 Speaker 14: on a hot stove. It's like it's a nerve. It's 646 00:30:48,840 --> 00:30:51,760 Speaker 14: like ooh, is that hot because I need to go 647 00:30:51,840 --> 00:30:53,760 Speaker 14: toward that? Or is that hot because it might burn me? 648 00:30:53,920 --> 00:30:56,040 Speaker 14: And I think when I get scared of something, it 649 00:30:56,120 --> 00:30:58,320 Speaker 14: just makes me pay it's more attention to it and 650 00:30:58,400 --> 00:31:00,720 Speaker 14: go ooh, is that something I should be drawn toward? 651 00:31:00,920 --> 00:31:04,160 Speaker 14: Because why do I even have a response to it? 652 00:31:04,600 --> 00:31:07,880 Speaker 14: Like I'm very indifferent about the things that I shouldn't 653 00:31:07,920 --> 00:31:08,360 Speaker 14: be doing. 654 00:31:09,120 --> 00:31:13,520 Speaker 13: You know, most when you have a feeling about something, 655 00:31:13,600 --> 00:31:14,800 Speaker 13: that's a big sign for you. 656 00:31:16,320 --> 00:31:19,520 Speaker 14: Yeah. I also just like I just love making things. 657 00:31:20,480 --> 00:31:23,800 Speaker 14: I am a builder. I think I love making things. 658 00:31:23,840 --> 00:31:27,960 Speaker 14: And whether it's like making a moment like making a 659 00:31:28,000 --> 00:31:32,600 Speaker 14: party for my kids, or making merch or making a record, 660 00:31:32,760 --> 00:31:35,840 Speaker 14: or making a brand or a company, or I don't know, 661 00:31:35,920 --> 00:31:40,200 Speaker 14: I just making a list good at that too. I 662 00:31:40,280 --> 00:31:43,040 Speaker 14: just like making things. I'm a creative and I think 663 00:31:43,080 --> 00:31:47,640 Speaker 14: if you're creative. You you create and it's not that complicated. 664 00:31:47,680 --> 00:31:50,360 Speaker 14: It doesn't and it always doesn't have to fit within 665 00:31:50,760 --> 00:31:54,960 Speaker 14: an industry's box, you know. I think that's where sometimes 666 00:31:55,000 --> 00:31:57,080 Speaker 14: people's eyes cross when they like see that I'm like 667 00:31:57,160 --> 00:32:00,920 Speaker 14: doing another project. They're like, but what fit? And I'm like, 668 00:32:01,520 --> 00:32:05,200 Speaker 14: but why not? Like it's so fun to me? 669 00:32:11,680 --> 00:32:13,400 Speaker 2: And that was this week's Sunday Sampler. 670 00:32:13,720 --> 00:32:16,000 Speaker 1: New episodes out weekly, all these shows, The Bobby Cast, 671 00:32:16,160 --> 00:32:19,560 Speaker 1: Four Things with Amy Brown, Sore Losers, Movie, Mike's Movie Podcast, 672 00:32:19,600 --> 00:32:22,120 Speaker 1: Get Real with Caroline Hobby, so many Hope you have 673 00:32:22,160 --> 00:32:22,640 Speaker 1: a great week. 674 00:32:22,720 --> 00:32:23,640 Speaker 3: We will see you next week. 675 00:32:23,640 --> 00:32:29,840 Speaker 2: By everybody,