WEBVTT - TGI – Episode 413 “B&B’s B ‘N’ B”

0:00:19.760 --> 0:00:23.120
<v Speaker 1>So I've been writing fiction again for the first time,

0:00:23.160 --> 0:00:27.720
<v Speaker 1>and like kid, and it's you know, it's it's a

0:00:27.720 --> 0:00:32.080
<v Speaker 1>different process. Like screenwriting is all about story and structure

0:00:32.320 --> 0:00:37.760
<v Speaker 1>and dialogue obviously, and with fiction, I find myself, you know,

0:00:37.840 --> 0:00:42.040
<v Speaker 1>getting more word obsessed, like vocabulary obsessed, which is a trap.

0:00:42.280 --> 0:00:42.839
<v Speaker 1>It's like I was.

0:00:42.800 --> 0:00:45.159
<v Speaker 2>Gonna say, that's yeah, that's the worst. You already just

0:00:45.240 --> 0:00:47.240
<v Speaker 2>made me feel like I'm not gonna want to read yep.

0:00:47.479 --> 0:00:49.639
<v Speaker 1>So so what I do is, like, you know, I'll

0:00:49.680 --> 0:00:53.600
<v Speaker 1>start going down some thesarus rabbit hole, and like often

0:00:53.640 --> 0:00:56.000
<v Speaker 1>it'll start with like, well, what's another word for I

0:00:56.040 --> 0:00:57.600
<v Speaker 1>know that? And then and then of course it just

0:00:57.640 --> 0:00:59.959
<v Speaker 1>becomes fun to like look up other words which means

0:01:00.080 --> 0:01:01.720
<v Speaker 1>other words, and then what is that? And then it

0:01:01.800 --> 0:01:04.000
<v Speaker 1>changes the whole sentence and then changes the whole paragraph,

0:01:04.040 --> 0:01:05.840
<v Speaker 1>and then before you know it, I've wasted forty five

0:01:05.840 --> 0:01:08.959
<v Speaker 1>minutes and I found myself in a vocab hole. So

0:01:09.040 --> 0:01:11.920
<v Speaker 1>then the other night, like you know, everybody in my

0:01:11.920 --> 0:01:15.080
<v Speaker 1>household is asleep and I'm awake, and I'm like, oh,

0:01:15.319 --> 0:01:19.680
<v Speaker 1>I need this thing, and I have to start to

0:01:19.720 --> 0:01:21.800
<v Speaker 1>go on Amazon, thinking well, this will be an easy thing,

0:01:22.920 --> 0:01:26.840
<v Speaker 1>and I find myself not able to find what I need,

0:01:27.360 --> 0:01:30.560
<v Speaker 1>and I realize I am having a vocab problem, and

0:01:30.600 --> 0:01:34.480
<v Speaker 1>I start going down the Tisaurus rabbit hole to shop.

0:01:35.319 --> 0:01:37.680
<v Speaker 1>So I want to see if you guys can get this.

0:01:37.760 --> 0:01:40.200
<v Speaker 1>I think you will way quicker than I will. I

0:01:40.240 --> 0:01:42.720
<v Speaker 1>want to see if you guys can figure out what

0:01:42.920 --> 0:01:45.720
<v Speaker 1>I needed and how and the word that I needed

0:01:45.800 --> 0:01:50.120
<v Speaker 1>to find it. Okay, So I've got this new office,

0:01:50.120 --> 0:01:51.040
<v Speaker 1>like outside of my house.

0:01:51.080 --> 0:01:51.200
<v Speaker 3>Now.

0:01:51.240 --> 0:01:54.280
<v Speaker 1>We converted this little like outside thing into my office. Okay,

0:01:54.360 --> 0:01:57.440
<v Speaker 1>and it's been a whole process. I put in the skylight,

0:01:57.520 --> 0:02:01.000
<v Speaker 1>I put in the bookshelves, the skylight, lee Twitter blast

0:02:01.120 --> 0:02:03.480
<v Speaker 1>rains like you know it's but also like I just

0:02:03.520 --> 0:02:05.880
<v Speaker 1>had to reorganize my life, like get my stuff in here.

0:02:05.920 --> 0:02:10.040
<v Speaker 1>And of course I don't have a bathroom, I don't

0:02:10.080 --> 0:02:13.440
<v Speaker 1>have water, I don't have coffee, So like you're constantly

0:02:13.520 --> 0:02:15.919
<v Speaker 1>walking back to my house for all of these things, right,

0:02:16.280 --> 0:02:19.080
<v Speaker 1>and I'm like, I need, like I need something to

0:02:19.160 --> 0:02:23.680
<v Speaker 1>carry a like a thermis, because I have a thermis

0:02:23.720 --> 0:02:27.800
<v Speaker 1>now for my coffee, a water bottle, and my laptop computer.

0:02:28.919 --> 0:02:31.200
<v Speaker 1>I wanted Here's what I wanted. I wanted something with

0:02:31.280 --> 0:02:33.280
<v Speaker 1>handles so I could grab it with one hand because

0:02:33.320 --> 0:02:34.760
<v Speaker 1>you know, I have a backpack, but I didn't want

0:02:34.800 --> 0:02:36.520
<v Speaker 1>to put on my backpack every time I get and

0:02:36.560 --> 0:02:38.160
<v Speaker 1>stuff my backpack. So I was like, I want something

0:02:38.200 --> 0:02:40.920
<v Speaker 1>I can like pick up with one hand with handles

0:02:41.160 --> 0:02:46.800
<v Speaker 1>and carry a thermis, a water bottle and my laptop

0:02:46.840 --> 0:02:49.799
<v Speaker 1>computer at least back and forth to the house. So

0:02:50.000 --> 0:02:52.000
<v Speaker 1>I go to Amazon. Is it?

0:02:52.040 --> 0:02:53.680
<v Speaker 3>Is it like when you say like a roly thing?

0:02:53.720 --> 0:02:55.400
<v Speaker 3>Are you talking like a like a tray?

0:02:55.639 --> 0:02:59.040
<v Speaker 1>Like a oh okay, so we have satchel and we

0:02:59.120 --> 0:03:01.000
<v Speaker 1>have tray right with good suggestions?

0:03:01.080 --> 0:03:03.119
<v Speaker 3>Okay, starts Now what you're looking for?

0:03:03.200 --> 0:03:06.799
<v Speaker 1>Trays? Weight, just flat, no handles right there, and I

0:03:06.880 --> 0:03:08.720
<v Speaker 1>don't want it to carry it with two arms.

0:03:08.520 --> 0:03:11.240
<v Speaker 3>Right, but like Ara, you'd want to trolley.

0:03:11.240 --> 0:03:15.880
<v Speaker 1>Oh you think wheels? Now I can't do wheels because gott.

0:03:15.840 --> 0:03:18.080
<v Speaker 2>What are those things called that have a handle in

0:03:18.120 --> 0:03:20.280
<v Speaker 2>the middle. And it's like I'm pick and then and

0:03:20.280 --> 0:03:22.440
<v Speaker 2>then a bunch of compartments around it.

0:03:22.760 --> 0:03:26.840
<v Speaker 1>Right, I think you're getting there. You're so you know, like.

0:03:25.960 --> 0:03:29.320
<v Speaker 2>Like I've seen them because I and so what they.

0:03:29.240 --> 0:03:32.600
<v Speaker 1>Make those for bathrooms a lot actually for like shampoo.

0:03:32.280 --> 0:03:33.639
<v Speaker 2>And you in college and you know.

0:03:33.639 --> 0:03:34.760
<v Speaker 3>You're looking for a caddy.

0:03:34.840 --> 0:03:35.520
<v Speaker 1>You're looking for.

0:03:37.080 --> 0:03:39.680
<v Speaker 3>Okay, yeah, okay, a caddy.

0:03:40.200 --> 0:03:43.800
<v Speaker 1>I went through so much pain and misery because I

0:03:43.880 --> 0:03:46.280
<v Speaker 1>tried tray. Then it was like no, no, no, it's gotta

0:03:46.280 --> 0:03:51.200
<v Speaker 1>have handle, so basket, don't you know? Satchel? Yeah, that

0:03:51.320 --> 0:03:53.640
<v Speaker 1>took me down like purses and like over the shoulder.

0:03:53.680 --> 0:03:53.880
<v Speaker 3>Back.

0:03:55.400 --> 0:03:58.320
<v Speaker 1>Then I'm like, okay, it's a toat right, I want

0:03:58.320 --> 0:04:02.360
<v Speaker 1>a tote. Guess what toad gives you? Just reusable yeah,

0:04:02.480 --> 0:04:05.640
<v Speaker 1>nothing that has like a hard bottom. Right then I

0:04:05.720 --> 0:04:08.720
<v Speaker 1>was like a valet, right, it's got to be masculine.

0:04:08.760 --> 0:04:08.800
<v Speaker 3>No.

0:04:09.000 --> 0:04:12.920
<v Speaker 1>Valets are like little trays that you have like to

0:04:12.960 --> 0:04:14.760
<v Speaker 1>put all your stuff in, but you leave it there.

0:04:14.840 --> 0:04:16.560
<v Speaker 3>They're gonna go next to your sink. You can put

0:04:16.560 --> 0:04:17.440
<v Speaker 3>your watch, you put all that.

0:04:17.680 --> 0:04:20.760
<v Speaker 1>I just was going down this and like toads came

0:04:20.880 --> 0:04:23.600
<v Speaker 1>the closest, but it never had a hard bottom. And yes,

0:04:23.920 --> 0:04:24.800
<v Speaker 1>caddy was the thing.

0:04:25.000 --> 0:04:26.880
<v Speaker 3>Okay, did you get a caddy?

0:04:27.360 --> 0:04:29.360
<v Speaker 1>Look at my beautiful caddy.

0:04:29.360 --> 0:04:33.640
<v Speaker 3>Wow, that is a beautiful caddies right? Really? Yes?

0:04:33.720 --> 0:04:37.400
<v Speaker 2>Let me see the inside? Yeah okay, so I see okay,

0:04:37.440 --> 0:04:39.440
<v Speaker 2>So in the middle, is that where you put your laptop?

0:04:39.720 --> 0:04:39.920
<v Speaker 3>Yeah?

0:04:40.000 --> 0:04:41.640
<v Speaker 1>Yeah, so I put, well, actually it's got a little

0:04:41.680 --> 0:04:43.640
<v Speaker 1>compartment for the laptop, so I can do that. So

0:04:43.720 --> 0:04:46.359
<v Speaker 1>then I can just have the middle for books and stuff,

0:04:46.560 --> 0:04:49.200
<v Speaker 1>and then my water bottle, and then I've got this

0:04:49.240 --> 0:04:52.960
<v Speaker 1>little guy from my thermos. Oh but forty five minutes

0:04:53.040 --> 0:04:57.200
<v Speaker 1>easily forty five minutes of just rabbit hole googling the word,

0:04:57.320 --> 0:04:59.880
<v Speaker 1>and I finally landed on caddy, and I was like,

0:05:00.600 --> 0:05:01.520
<v Speaker 1>a caddy.

0:05:01.600 --> 0:05:04.720
<v Speaker 2>Right to explain to our dear listeners what it looks like.

0:05:04.960 --> 0:05:09.760
<v Speaker 2>How big would you say that rectangle is? I don't

0:05:09.800 --> 0:05:10.599
<v Speaker 2>know what is that?

0:05:11.120 --> 0:05:13.080
<v Speaker 3>You half by a foot? Yeah, that's what I was

0:05:13.120 --> 0:05:13.599
<v Speaker 3>going to say.

0:05:13.640 --> 0:05:17.600
<v Speaker 2>Okay, it's a it's gray, right, nice leather handles, it's

0:05:17.640 --> 0:05:18.080
<v Speaker 2>like that.

0:05:17.960 --> 0:05:21.360
<v Speaker 1>Felt material that it's like nice. And then yeah, it.

0:05:21.320 --> 0:05:24.640
<v Speaker 2>Has a hard bottom, probably fake leather handles.

0:05:24.800 --> 0:05:29.599
<v Speaker 1>Yeah, wow, really glorious. Today is my first usage of it.

0:05:29.760 --> 0:05:31.960
<v Speaker 3>It's a beautiful caddy. It's beautiful cady.

0:05:32.240 --> 0:05:34.200
<v Speaker 1>So now I'm gonna be You can see me caddying

0:05:34.800 --> 0:05:35.400
<v Speaker 1>back and forth.

0:05:36.480 --> 0:05:38.280
<v Speaker 3>You use that word, I don't think that's accurate.

0:05:38.560 --> 0:05:41.800
<v Speaker 2>Well, you're still walking and you're carrying a caddy.

0:05:41.920 --> 0:05:45.040
<v Speaker 1>I don't know. I think caddy everything everything you said though,

0:05:45.080 --> 0:05:47.880
<v Speaker 1>is still better than vocab hole, which I still can't

0:05:47.880 --> 0:05:48.960
<v Speaker 1>get out of my head.

0:05:49.600 --> 0:05:51.440
<v Speaker 3>So yeah, very strange.

0:05:51.520 --> 0:05:53.560
<v Speaker 2>You do not want to not on a vocab hole.

0:05:58.000 --> 0:06:04.840
<v Speaker 1>That just sounds delicious. That's kind of exactly fall into

0:06:04.920 --> 0:06:09.680
<v Speaker 1>a vocab vortex. Yeah, and not actually get any writing

0:06:09.720 --> 0:06:11.599
<v Speaker 1>done and just feel like, oh, we could just play

0:06:11.600 --> 0:06:12.120
<v Speaker 1>here all.

0:06:12.040 --> 0:06:13.760
<v Speaker 2>D good about yourself anywhere.

0:06:14.200 --> 0:06:16.000
<v Speaker 1>I'm so smart, I'm learning so much.

0:06:16.080 --> 0:06:17.159
<v Speaker 2>What's all these words? I know?

0:06:17.279 --> 0:06:19.360
<v Speaker 1>That's all these words I can grab onto? And how

0:06:19.360 --> 0:06:21.960
<v Speaker 1>do they feel? How do they taste in my mouth?

0:06:22.040 --> 0:06:26.360
<v Speaker 1>All these different words, like try them out? I think

0:06:26.400 --> 0:06:30.040
<v Speaker 1>it's just the word that's throwing me out a problem.

0:06:29.720 --> 0:06:32.400
<v Speaker 2>Not just just it's it's a it's a problematic word.

0:06:32.600 --> 0:06:35.080
<v Speaker 2>Welcome to Pod Meets World. I'm Daniel Fischel, I'm right

0:06:35.160 --> 0:06:40.719
<v Speaker 2>or Strong, I'm Wilford. Welcome to this recap of season four,

0:06:40.839 --> 0:06:47.280
<v Speaker 2>episode thirteen, B and Bees B and B. What is

0:06:47.320 --> 0:06:47.960
<v Speaker 2>this title?

0:06:48.080 --> 0:06:49.839
<v Speaker 1>I don't get the title. I kept waiting for it

0:06:49.880 --> 0:06:52.160
<v Speaker 1>to be explained because I had the same memory. I

0:06:52.160 --> 0:06:53.040
<v Speaker 1>was like, why is it called B and B?

0:06:53.480 --> 0:06:57.160
<v Speaker 2>So B and B it was it was written by

0:06:57.200 --> 0:06:58.120
<v Speaker 2>Bludman and Busc.

0:06:58.760 --> 0:07:01.360
<v Speaker 3>Oh, that's got to be that's gotta.

0:07:01.160 --> 0:07:04.520
<v Speaker 2>Be Best Gangs B and B.

0:07:04.800 --> 0:07:06.440
<v Speaker 1>It has to be.

0:07:06.600 --> 0:07:10.600
<v Speaker 2>Yeah, that's so inside for the name of an episode.

0:07:10.760 --> 0:07:12.800
<v Speaker 1>You know that that's what it was called while they

0:07:12.800 --> 0:07:15.000
<v Speaker 1>were pitching story ideas, and they're like, you can always

0:07:15.040 --> 0:07:17.760
<v Speaker 1>do B and b's B and B episode. That's hysterical.

0:07:18.040 --> 0:07:20.040
<v Speaker 2>I'm going to call I'm going to text pluming. I

0:07:20.120 --> 0:07:22.000
<v Speaker 2>have to know. I want an answer from him.

0:07:22.320 --> 0:07:24.400
<v Speaker 3>It's got it has to be. Yeah.

0:07:24.400 --> 0:07:26.480
<v Speaker 1>I kept waiting for Corey and Sean to like refer

0:07:26.520 --> 0:07:28.560
<v Speaker 1>to each other with like yest names or something like

0:07:28.680 --> 0:07:31.520
<v Speaker 1>you and and like then it would just become the story.

0:07:31.880 --> 0:07:34.040
<v Speaker 2>I was trying to think if there was another nickname

0:07:34.120 --> 0:07:35.960
<v Speaker 2>for Sean that could start with a B, and it

0:07:35.960 --> 0:07:38.200
<v Speaker 2>could have been boy and.

0:07:38.280 --> 0:07:39.800
<v Speaker 3>That's what I was thinking, best friend.

0:07:40.280 --> 0:07:43.880
<v Speaker 4>Actually that's you know, like yeah, our buddy and yeah,

0:07:44.400 --> 0:07:51.119
<v Speaker 4>yeah bah, and you're writer.

0:07:51.240 --> 0:07:54.240
<v Speaker 2>I can totally picture You're right that They probably said

0:07:54.360 --> 0:07:56.520
<v Speaker 2>we have a B and B episode and they started

0:07:56.560 --> 0:07:58.960
<v Speaker 2>calling it B and b's B and B episode and

0:07:58.960 --> 0:08:01.720
<v Speaker 2>it and then it became just that's the name of it, okay.

0:08:01.640 --> 0:08:03.000
<v Speaker 1>Or somebody else pitched it and they were like, well,

0:08:03.000 --> 0:08:05.520
<v Speaker 1>who are going to give it to B and b Yeah,

0:08:05.560 --> 0:08:07.440
<v Speaker 1>and they just thought that was too funny, too to.

0:08:07.440 --> 0:08:07.840
<v Speaker 3>Gott to be.

0:08:08.720 --> 0:08:11.480
<v Speaker 2>So it originally aired January third, nineteen ninety seven. The

0:08:11.480 --> 0:08:14.440
<v Speaker 2>synopsis with mister Feenie out of town, Sean has the

0:08:14.480 --> 0:08:18.360
<v Speaker 2>brilliant idea to finish his economics project by turning Peene's

0:08:18.360 --> 0:08:21.760
<v Speaker 2>house into a bed and breakfast. Also, Eric stumbles into

0:08:21.840 --> 0:08:25.720
<v Speaker 2>an unlikely new friendship. It was directed by Jeff McCracken.

0:08:25.920 --> 0:08:28.320
<v Speaker 2>It was written, as we mentioned, by Mark Blutman and

0:08:28.320 --> 0:08:34.800
<v Speaker 2>Howard Buskang, and guest starring the legendary Len Lesser as Arnie. Heck.

0:08:35.280 --> 0:08:39.760
<v Speaker 2>You definitely know him as Uncle Leo on over a

0:08:39.880 --> 0:08:43.960
<v Speaker 2>dozen episodes of Seinfeld. The minute I saw him, I

0:08:44.040 --> 0:08:47.120
<v Speaker 2>was like, that guy, I know him very well from something.

0:08:47.160 --> 0:08:50.160
<v Speaker 2>What is you didn't No, I couldn't picture, I couldn't

0:08:50.160 --> 0:08:51.400
<v Speaker 2>figure out what it was. And then I was like,

0:08:51.400 --> 0:08:52.920
<v Speaker 2>oh my gosh, he's Uncle Leo.

0:08:53.280 --> 0:08:55.880
<v Speaker 3>Well they did a straight up Seinfeld reference. They did

0:08:55.880 --> 0:08:57.480
<v Speaker 3>a straight like they walk in and they have him

0:08:57.480 --> 0:09:02.520
<v Speaker 3>Seinfeld right away. So it's yeah, yeah, yeah, it's.

0:09:02.400 --> 0:09:04.280
<v Speaker 1>Funny because I, you know, Seinfeld is one of those

0:09:04.280 --> 0:09:08.199
<v Speaker 1>things I've seen maybe like a dozen episodes, and I've

0:09:08.200 --> 0:09:10.479
<v Speaker 1>really enjoyed it. But I've never I've never been a completist,

0:09:10.559 --> 0:09:14.400
<v Speaker 1>and yet you can't help but absorb everybody from the

0:09:14.440 --> 0:09:17.160
<v Speaker 1>culture character. Yeah. So the second I saw him, I

0:09:17.200 --> 0:09:19.439
<v Speaker 1>was like, well, this guy, do I only remember him

0:09:19.480 --> 0:09:22.040
<v Speaker 1>from Boy? I was like, no, He's been in everything,

0:09:22.080 --> 0:09:24.240
<v Speaker 1>and that's probably what it was. He just absorbed it.

0:09:24.320 --> 0:09:25.679
<v Speaker 3>Yeah, they didn't try to hide at this time with

0:09:25.720 --> 0:09:27.000
<v Speaker 3>the Seinfeld references at all.

0:09:27.640 --> 0:09:30.679
<v Speaker 2>He was also Garvin on Everybody Loves Raymond And because

0:09:30.679 --> 0:09:32.600
<v Speaker 2>we would be here all day if I listed off

0:09:32.600 --> 0:09:34.680
<v Speaker 2>all his credits, here is just a small list of

0:09:34.720 --> 0:09:37.600
<v Speaker 2>TV shows. He has appeared on Gun Smoke, Get Smart,

0:09:37.760 --> 0:09:41.120
<v Speaker 2>The Monkeys, All in the Family, and Bonanza. He passed

0:09:41.120 --> 0:09:44.040
<v Speaker 2>away in twenty eleven at the age of eighty eight.

0:09:44.679 --> 0:09:48.720
<v Speaker 2>And then we have Dina Dietrich as Gloria Heck. She

0:09:48.840 --> 0:09:52.400
<v Speaker 2>was Dorothy's sister Gloria on The Golden Girls and appeared

0:09:52.400 --> 0:09:55.040
<v Speaker 2>in mel Brooks's History of the World Part One, but

0:09:55.160 --> 0:09:59.120
<v Speaker 2>is best known as Mother Nature in Chaffon Margarine commercials

0:09:59.400 --> 0:10:03.040
<v Speaker 2>that ran for the entire decade of the nineteen seventies,

0:10:03.600 --> 0:10:06.200
<v Speaker 2>and she passed away in twenty twenty at the age

0:10:06.240 --> 0:10:06.920
<v Speaker 2>of ninety one.

0:10:07.160 --> 0:10:09.199
<v Speaker 1>That's a reference. None of us get No.

0:10:09.200 --> 0:10:11.920
<v Speaker 2>I don't understood Marjorie Margarine is.

0:10:12.200 --> 0:10:12.600
<v Speaker 3>I don't know.

0:10:12.640 --> 0:10:14.720
<v Speaker 1>I know what Marjorie's is commercials, We wouldn't.

0:10:14.800 --> 0:10:18.920
<v Speaker 2>Yeah, she's apparently like the flow of the nineteen seventies.

0:10:19.360 --> 0:10:20.000
<v Speaker 3>That makes sense.

0:10:20.679 --> 0:10:24.080
<v Speaker 2>And then we have Michelle Clooney as the bartender Kelly.

0:10:24.400 --> 0:10:26.439
<v Speaker 2>She's in the Usual Suspects and is best known as

0:10:26.480 --> 0:10:30.760
<v Speaker 2>Melanie Marcus on the US adaptation of queeris Folk and

0:10:30.920 --> 0:10:34.400
<v Speaker 2>as the biology teacher Missus Finch on MTV's Team Wolf.

0:10:34.880 --> 0:10:38.360
<v Speaker 2>And then we have Gladys Holland as Missus Nona Timmer.

0:10:38.760 --> 0:10:42.880
<v Speaker 2>She was in Roland Emmerlick's Stargate movie and she passed

0:10:42.880 --> 0:10:46.320
<v Speaker 2>away in twenty seventeen. So of our four guest stars,

0:10:46.840 --> 0:10:50.720
<v Speaker 2>three have passed. I've left us since we take the show.

0:10:51.400 --> 0:10:55.360
<v Speaker 2>I did just get confirmation that it is Blot and

0:10:55.720 --> 0:10:57.079
<v Speaker 2>Bus Gangs B and B.

0:10:57.640 --> 0:11:11.120
<v Speaker 3>You call that, Danielle. Yeah, let's jump.

0:11:10.920 --> 0:11:13.160
<v Speaker 2>Into our recap overall thoughts.

0:11:14.640 --> 0:11:15.400
<v Speaker 1>Do you want me to start?

0:11:15.720 --> 0:11:16.440
<v Speaker 2>You start? Well?

0:11:16.520 --> 0:11:18.440
<v Speaker 3>Used that I liked it, I mean, I thought it

0:11:18.480 --> 0:11:22.040
<v Speaker 3>was an enjoyable episode. I remembered the bet storyline in

0:11:22.080 --> 0:11:25.680
<v Speaker 3>this episode not at all.

0:11:25.920 --> 0:11:27.200
<v Speaker 1>And when I mean not at all.

0:11:27.400 --> 0:11:30.080
<v Speaker 3>I mean when Eric first walks down the stairs in

0:11:30.080 --> 0:11:32.240
<v Speaker 3>the first scene, I thought, oh, they're just getting Eric

0:11:32.240 --> 0:11:33.920
<v Speaker 3>out and he's not gonna be in this episode. Okay,

0:11:34.120 --> 0:11:35.800
<v Speaker 3>I literally I mean when I'm when I say not

0:11:35.880 --> 0:11:40.840
<v Speaker 3>at all. I have not even the slightest vague inkling

0:11:41.200 --> 0:11:42.480
<v Speaker 3>of this best story I.

0:11:42.440 --> 0:11:44.040
<v Speaker 1>Remember because I actually remembered it.

0:11:44.600 --> 0:11:46.599
<v Speaker 3>Oh my god, I remembered the A story because you

0:11:46.600 --> 0:11:48.600
<v Speaker 3>guys were so funny. I did not remember. I liked

0:11:48.640 --> 0:11:51.480
<v Speaker 3>the B story, but man, I did not remember any

0:11:51.559 --> 0:11:51.839
<v Speaker 3>of them.

0:11:51.920 --> 0:11:53.920
<v Speaker 1>I did the second you sat at the bar and

0:11:54.040 --> 0:11:56.560
<v Speaker 1>did the sliding the beer or their root beer whatever.

0:11:56.640 --> 0:11:58.440
<v Speaker 1>I was like, whoa, I remember this?

0:11:58.600 --> 0:12:01.960
<v Speaker 3>Oh god, nothing, I mean nothing. It was weird, but

0:12:02.080 --> 0:12:04.040
<v Speaker 3>overall I was enjoyable. I liked it.

0:12:04.320 --> 0:12:08.320
<v Speaker 1>I remember this week so well because of the new sets,

0:12:08.600 --> 0:12:11.520
<v Speaker 1>because we had this bar hotel bar set, and then

0:12:11.559 --> 0:12:14.440
<v Speaker 1>of course we finally have the interior of Feenie's house,

0:12:14.880 --> 0:12:18.400
<v Speaker 1>and then there's there's moments like I still know that song,

0:12:18.520 --> 0:12:21.600
<v Speaker 1>I still know the Dutch and all of that, but

0:12:23.120 --> 0:12:26.280
<v Speaker 1>I had I thought it was funnier in my mind,

0:12:26.600 --> 0:12:29.000
<v Speaker 1>Like in my mind it was a bigger, funnier sort

0:12:29.000 --> 0:12:31.760
<v Speaker 1>of more crazy episode, and I was actually like, oh,

0:12:32.080 --> 0:12:34.280
<v Speaker 1>it's just kind of it's short, it's just kind of

0:12:34.320 --> 0:12:36.400
<v Speaker 1>cute and like cool, and it's fine. But I didn't

0:12:36.400 --> 0:12:40.440
<v Speaker 1>I didn't love it, love it. It falls into a

0:12:40.600 --> 0:12:45.400
<v Speaker 1>habit maybe for the first time that you know, the

0:12:45.400 --> 0:12:50.040
<v Speaker 1>whole the universe thing, like I feel like that for

0:12:50.320 --> 0:12:52.680
<v Speaker 1>a lot of Boy Meets World and especially in Girl

0:12:52.720 --> 0:12:56.480
<v Speaker 1>Meets World, and I don't love that trope. And I think, here,

0:12:56.480 --> 0:12:58.520
<v Speaker 1>it's fine and funny, but of course I'm just already

0:12:58.600 --> 0:13:00.160
<v Speaker 1>kind of exhausted by it, even though this is the

0:13:00.160 --> 0:13:02.520
<v Speaker 1>first time we've seen it in our recaps. So when

0:13:02.520 --> 0:13:04.080
<v Speaker 1>that came up, I was like, oh, let's is this

0:13:04.120 --> 0:13:05.720
<v Speaker 1>going to be the thing? And of course that becomes

0:13:05.720 --> 0:13:08.040
<v Speaker 1>a thing to carry us through the last two scenes.

0:13:08.520 --> 0:13:12.120
<v Speaker 1>And I don't know, I just that felt easy and

0:13:12.160 --> 0:13:13.960
<v Speaker 1>sort of like, oh, but I don't know if that's,

0:13:14.000 --> 0:13:16.480
<v Speaker 1>like I said, my exhaustion from knowing that it's going

0:13:16.559 --> 0:13:18.360
<v Speaker 1>to be a recurrent theme forever.

0:13:19.040 --> 0:13:19.240
<v Speaker 3>Yeah.

0:13:19.360 --> 0:13:22.920
<v Speaker 2>You know what's interesting is that I actually love the

0:13:22.960 --> 0:13:27.040
<v Speaker 2>idea of a character who has no though I am

0:13:27.080 --> 0:13:30.320
<v Speaker 2>obsessed with order in the universe and that things need

0:13:30.320 --> 0:13:33.240
<v Speaker 2>to happen in this order. What I don't love is

0:13:33.280 --> 0:13:36.800
<v Speaker 2>the direct looking up to the heavens and like, do

0:13:36.880 --> 0:13:40.280
<v Speaker 2>you hear me? Now, maybe one of those in a

0:13:40.360 --> 0:13:43.920
<v Speaker 2>series is a fine joke, but the continuing to go

0:13:44.040 --> 0:13:47.040
<v Speaker 2>back to it as opposed to just the character being like, no,

0:13:47.200 --> 0:13:51.760
<v Speaker 2>I feel feel unnerving because this is the way, this

0:13:51.840 --> 0:13:54.000
<v Speaker 2>is the way justice is. It's a there has to

0:13:54.040 --> 0:13:56.640
<v Speaker 2>be justice like justice in the world. I like that

0:13:56.720 --> 0:14:00.840
<v Speaker 2>as a character thing. But you're right, I don't enjoy

0:14:01.000 --> 0:14:03.000
<v Speaker 2>the looking up to the heavens and keep going back

0:14:03.000 --> 0:14:06.640
<v Speaker 2>to that. But I actually did really enjoy this episode.

0:14:06.640 --> 0:14:11.040
<v Speaker 2>I thought it was really fun to see Sean relaxed.

0:14:10.920 --> 0:14:14.720
<v Speaker 3>And dumb again, dumb but street smart, combination.

0:14:14.920 --> 0:14:20.280
<v Speaker 2>Capable and and also the thing we all love is

0:14:20.600 --> 0:14:23.640
<v Speaker 2>Corey getting suffered into something where he stressed out and

0:14:23.720 --> 0:14:27.760
<v Speaker 2>nervous about it. I really love that. I also will

0:14:28.960 --> 0:14:36.360
<v Speaker 2>I have zero memory of this episode, not even your part.

0:14:36.240 --> 0:14:39.120
<v Speaker 1>Is so great to Panga gets so much to do.

0:14:39.320 --> 0:14:42.840
<v Speaker 1>It's just it's just a full fledged, like interesting dynamic.

0:14:43.160 --> 0:14:48.760
<v Speaker 3>They officially once again have no idea who Peg is. No,

0:14:50.120 --> 0:14:52.240
<v Speaker 3>you thought they were going somewhere with Topanga in the

0:14:52.280 --> 0:14:54.479
<v Speaker 3>earlier episodes, like oh, they're actually going to develop.

0:14:54.240 --> 0:14:56.480
<v Speaker 1>Hold on it, and then we can we get her

0:14:56.560 --> 0:14:59.560
<v Speaker 1>in a French made costume. We find a way.

0:14:59.640 --> 0:15:03.120
<v Speaker 3>To make that she's a rule breaker and and and

0:15:03.440 --> 0:15:06.760
<v Speaker 3>I'm getting none of it makes any sense. They have

0:15:07.040 --> 0:15:10.520
<v Speaker 3>no idea who t bang is officially again none. It's weird.

0:15:10.880 --> 0:15:13.400
<v Speaker 1>I mean, it's a farce. Everything is, you know, just

0:15:13.440 --> 0:15:16.840
<v Speaker 1>thrown out the window for good laughs. That's the point. Yep,

0:15:16.960 --> 0:15:17.720
<v Speaker 1>it's fine, you.

0:15:17.760 --> 0:15:20.920
<v Speaker 2>Know, it's a romp and it's and it's fun.

0:15:21.200 --> 0:15:21.640
<v Speaker 3>It's fine.

0:15:21.680 --> 0:15:24.520
<v Speaker 1>I do think that the universe thing, like listening to

0:15:24.520 --> 0:15:27.240
<v Speaker 1>you talk about it, it's it's it's a it's really

0:15:27.320 --> 0:15:30.240
<v Speaker 1>a sleight of handwriting trick, right, because it's a way

0:15:30.360 --> 0:15:33.720
<v Speaker 1>to keep the tension alive but also resolve it all

0:15:33.760 --> 0:15:36.840
<v Speaker 1>without having to actually resolve it all. And so it's

0:15:36.840 --> 0:15:40.080
<v Speaker 1>funny and I think it works now, you know, but

0:15:40.160 --> 0:15:42.120
<v Speaker 1>if we keep doing this, you know, and I have

0:15:42.160 --> 0:15:45.320
<v Speaker 1>a feeling we do where it's like it's gonna work out.

0:15:45.640 --> 0:15:50.880
<v Speaker 2>It was it was truly Riley's character defining thing, you know,

0:15:51.080 --> 0:15:54.000
<v Speaker 2>is that she regularly was like, no, the universe wants this.

0:15:55.760 --> 0:15:58.160
<v Speaker 2>So yeah, we'll see, we'll see how much how much

0:15:58.160 --> 0:16:01.480
<v Speaker 2>it comes into play. Jumping into our recap. We start

0:16:01.520 --> 0:16:04.720
<v Speaker 2>in the Matthew's kitchen. Eric is walking downstairs with a

0:16:04.760 --> 0:16:10.640
<v Speaker 2>suitcase and a briefcase. You have a briefcase. Of course,

0:16:10.680 --> 0:16:13.160
<v Speaker 2>Alan is right behind him. Eric is going to Boston

0:16:13.240 --> 0:16:16.120
<v Speaker 2>for the camping show and his dad doesn't want to

0:16:16.160 --> 0:16:18.520
<v Speaker 2>hear that meetings were missed because Eric was at the

0:16:18.520 --> 0:16:21.880
<v Speaker 2>hotel bar dancing on tables. And the audience gets a

0:16:22.040 --> 0:16:24.400
<v Speaker 2>gives a big laugh for that joke.

0:16:24.400 --> 0:16:27.360
<v Speaker 1>We had at The audience was pump in this episode.

0:16:29.280 --> 0:16:31.560
<v Speaker 1>But this first cut was very odd to me. It

0:16:31.600 --> 0:16:34.440
<v Speaker 1>cuts to you with like an open mouth face, and

0:16:34.480 --> 0:16:37.080
<v Speaker 1>the audience is already laughing yeah, yeah, And I was

0:16:37.160 --> 0:16:40.240
<v Speaker 1>kind of like, I think a line. I thought maybe

0:16:40.280 --> 0:16:42.400
<v Speaker 1>you had a response, and then they just kind of

0:16:42.400 --> 0:16:46.240
<v Speaker 1>cut it for time or whatever, or what I realized.

0:16:46.280 --> 0:16:47.640
<v Speaker 2>Was that they can see his face.

0:16:48.000 --> 0:16:50.920
<v Speaker 1>But also what happens next is you know the book

0:16:50.960 --> 0:16:53.720
<v Speaker 1>that like how to make Yourself Look Innocent, and so

0:16:53.840 --> 0:16:55.600
<v Speaker 1>they had already knew that was coming because this was

0:16:55.640 --> 0:16:57.600
<v Speaker 1>take two or three, and so when you give your

0:16:57.640 --> 0:17:00.920
<v Speaker 1>open mouth innocent look, they went already because there are

0:17:01.080 --> 0:17:03.640
<v Speaker 1>like a prepped audience that's already seen take one. So

0:17:03.720 --> 0:17:05.240
<v Speaker 1>I realized, like after the fact that might.

0:17:05.160 --> 0:17:09.160
<v Speaker 3>Be all that's happening though, either want another take on that?

0:17:09.240 --> 0:17:11.000
<v Speaker 3>Oh yeah, my face could have been way fair. That

0:17:11.080 --> 0:17:12.760
<v Speaker 3>wasn't innocent, it was you could have done like a

0:17:12.800 --> 0:17:15.760
<v Speaker 3>funnier innocent face for that. So yeah, but you're.

0:17:15.640 --> 0:17:17.800
<v Speaker 1>Shocked indignant face already had a laugh and.

0:17:17.720 --> 0:17:21.760
<v Speaker 3>I was they knew it, And because I remember nothing

0:17:21.760 --> 0:17:23.280
<v Speaker 3>of this episode, I was like, oh, well that was

0:17:23.280 --> 0:17:25.480
<v Speaker 3>fun to play Eric in this episode. It's nicely and

0:17:25.480 --> 0:17:28.280
<v Speaker 3>everybody that was it. Yeah, that was finals week because

0:17:28.280 --> 0:17:29.680
<v Speaker 3>it's all gonna be about Sean and Cora was like,

0:17:29.680 --> 0:17:31.560
<v Speaker 3>all right, prepared for that, and then it was, oh god,

0:17:31.560 --> 0:17:32.680
<v Speaker 3>there's a whole other storyline.

0:17:33.240 --> 0:17:36.879
<v Speaker 1>Remember I remember so many of Bill's lines.

0:17:37.160 --> 0:17:43.160
<v Speaker 2>Oh my god, of course Bill in this episode. This

0:17:43.440 --> 0:17:44.600
<v Speaker 2>is just a clinic.

0:17:45.480 --> 0:17:47.080
<v Speaker 1>But I think I think part of the reason I

0:17:47.119 --> 0:17:50.520
<v Speaker 1>remember it is because Bill is he's one of these actors.

0:17:50.520 --> 0:17:52.239
<v Speaker 1>And I'm sure we've talked about this a little bit,

0:17:52.280 --> 0:17:57.440
<v Speaker 1>but day one, the performance is there. Day one table read, Yeah,

0:17:57.560 --> 0:18:00.679
<v Speaker 1>day one memorized, never changes, and so if the lines

0:18:00.720 --> 0:18:03.760
<v Speaker 1>don't change, you hear this. So I feel like, oh

0:18:03.800 --> 0:18:06.600
<v Speaker 1>I saw these lines and these monologues, you know, these

0:18:06.600 --> 0:18:10.480
<v Speaker 1>storytelling beats told exactly the same way all week long,

0:18:10.520 --> 0:18:12.399
<v Speaker 1>and I think that's why they're so ingrained in my

0:18:12.600 --> 0:18:13.720
<v Speaker 1>in my brain, you know, and.

0:18:14.119 --> 0:18:17.880
<v Speaker 3>It still feels fresh, it's still He's just so good.

0:18:17.920 --> 0:18:21.800
<v Speaker 1>He's just the consummate television actor. I'm a consent actor

0:18:21.800 --> 0:18:24.520
<v Speaker 1>in general, but for television he is just there's not

0:18:24.600 --> 0:18:28.120
<v Speaker 1>a false beat, and yet it was so consistent and good.

0:18:28.320 --> 0:18:30.560
<v Speaker 1>Just but these are my favorite bill scenes I ever

0:18:30.600 --> 0:18:32.560
<v Speaker 1>did with him. And that's why I'm amazed that I

0:18:32.560 --> 0:18:33.440
<v Speaker 1>don't remember this at.

0:18:33.320 --> 0:18:35.760
<v Speaker 3>All, because it's just the two of us talking him

0:18:35.800 --> 0:18:38.679
<v Speaker 3>and parting wisdom, us now starting to talk more like

0:18:39.240 --> 0:18:42.360
<v Speaker 3>colleagues and yeah, yeah, and it's really friends and it's

0:18:42.400 --> 0:18:45.080
<v Speaker 3>really amazing. And that's why I was like, how do

0:18:45.119 --> 0:18:46.840
<v Speaker 3>I not remember this at all? This is this is

0:18:46.880 --> 0:18:48.840
<v Speaker 3>what I love. This is my favorite thing ever, and

0:18:49.040 --> 0:18:49.520
<v Speaker 3>none of it.

0:18:50.520 --> 0:18:52.760
<v Speaker 2>Eric is a ghast for you to even suggest that

0:18:52.800 --> 0:18:54.879
<v Speaker 2>I would blow off the camping show to go party

0:18:54.960 --> 0:18:58.760
<v Speaker 2>Hardy in Boston. That speaks volumes about our relationship. And

0:18:58.800 --> 0:19:02.080
<v Speaker 2>then Corey appears Eric forgot his book How to Act

0:19:02.119 --> 0:19:06.320
<v Speaker 2>Innocent When Your Father Accuses You. Eric Smier smiles awkwardly

0:19:06.359 --> 0:19:09.080
<v Speaker 2>and admits, yess I better read it again, giving a

0:19:09.080 --> 0:19:11.760
<v Speaker 2>goofy forest grin before giving up the act, and then

0:19:11.840 --> 0:19:13.600
<v Speaker 2>he leaves for his big trip.

0:19:14.119 --> 0:19:16.080
<v Speaker 3>Funnier joke. By the way, I thought about this as

0:19:16.320 --> 0:19:19.200
<v Speaker 3>it should have been the cliff notes of that book.

0:19:20.119 --> 0:19:21.680
<v Speaker 2>That is fun just.

0:19:21.760 --> 0:19:26.040
<v Speaker 3>Very quick, very small. Should have read the whole book.

0:19:28.440 --> 0:19:29.520
<v Speaker 3>I should have read the whole book.

0:19:29.560 --> 0:19:34.720
<v Speaker 2>That's funnier. Punch up, little punch up. Phoene bolts in

0:19:34.840 --> 0:19:37.399
<v Speaker 2>panic as he greets the family, then quickly asks if

0:19:37.440 --> 0:19:39.800
<v Speaker 2>there's a lock on the back door. Just then Sean

0:19:39.880 --> 0:19:43.280
<v Speaker 2>barges in. Phoene size too late. Sean is frantic. I

0:19:43.280 --> 0:19:46.959
<v Speaker 2>don't get the assignment. I want to drop economics, business figures, numbers.

0:19:46.960 --> 0:19:48.200
<v Speaker 2>I just can't keep it in my head.

0:19:48.400 --> 0:19:59.360
<v Speaker 5>Woo do you remember doing this? It's a woo who woo.

0:20:00.400 --> 0:20:02.440
<v Speaker 2>Phoene tells him it's simple. All he needs to do

0:20:02.520 --> 0:20:04.840
<v Speaker 2>is create a business, pretend he's running it, and write

0:20:04.840 --> 0:20:08.080
<v Speaker 2>a report. Sean feign's an understanding before revealing he still

0:20:08.119 --> 0:20:12.200
<v Speaker 2>doesn't get it. Wooooo. He begs, let me drop the course.

0:20:12.240 --> 0:20:14.640
<v Speaker 2>No hunter has ever made it in business? Why cause

0:20:14.680 --> 0:20:17.880
<v Speaker 2>me agony? Phoene shrugs. I like it, he tells, Sean

0:20:17.960 --> 0:20:21.439
<v Speaker 2>to sit because it's quiet time. Phoene hands Amy his

0:20:21.480 --> 0:20:23.680
<v Speaker 2>house keys. He's thankful she's looking after things while he's

0:20:23.680 --> 0:20:25.959
<v Speaker 2>away this weekend. Amy asks if there's a number at

0:20:25.960 --> 0:20:28.000
<v Speaker 2>the hotel where they can reach him, just in case,

0:20:28.240 --> 0:20:30.840
<v Speaker 2>and Phoene responds, I'm actually staying at a lovely bed

0:20:30.880 --> 0:20:33.960
<v Speaker 2>and breakfast. Corey chimes in, good for you living in

0:20:34.000 --> 0:20:37.000
<v Speaker 2>someone else's house, eating someone else's food, and we noticed

0:20:37.040 --> 0:20:39.800
<v Speaker 2>Sean sitting right next to him, drinking the Matthew's apple

0:20:39.880 --> 0:20:41.040
<v Speaker 2>juice and eating their.

0:20:40.920 --> 0:20:43.399
<v Speaker 1>Banana back to season one eating I love it.

0:20:43.680 --> 0:20:48.560
<v Speaker 2>Yeah, I love it so much. Unfazed, Sean asks Phoene,

0:20:48.680 --> 0:20:52.240
<v Speaker 2>what's that run you like? Two bucks? Amy's eiys a

0:20:52.320 --> 0:20:53.919
<v Speaker 2>room in a nice bed and breakfast can go for

0:20:53.960 --> 0:20:56.560
<v Speaker 2>as high as two hundred dollars a night. Phoene reveals,

0:20:56.720 --> 0:20:59.520
<v Speaker 2>not this one. And I didn't understand. Is that supposed

0:20:59.520 --> 0:21:01.720
<v Speaker 2>to be that his is more expensive or no?

0:21:01.840 --> 0:21:03.880
<v Speaker 3>I think it's less expensive. I think what they were trying,

0:21:03.920 --> 0:21:06.800
<v Speaker 3>and because we're now dealing with twenty twenty four prices

0:21:06.800 --> 0:21:08.800
<v Speaker 3>and things, two hundred dollars a night for something doesn't

0:21:08.840 --> 0:21:11.400
<v Speaker 3>sound to But in nineteen ninety seven, what They're essentially saying,

0:21:11.440 --> 0:21:13.160
<v Speaker 3>is some of those can go for eight hundred dollars

0:21:13.200 --> 0:21:15.440
<v Speaker 3>a night, And Phoene's like, not this one. I think

0:21:15.520 --> 0:21:16.720
<v Speaker 3>that was what they were going.

0:21:16.520 --> 0:21:18.439
<v Speaker 2>With, right, Like, I couldn't afford two hundred dollars.

0:21:18.600 --> 0:21:20.760
<v Speaker 3>Right exactly on its teacher salary, got it.

0:21:22.200 --> 0:21:25.680
<v Speaker 2>Sean mutters two hundred dollars a night. Wow, he might

0:21:25.760 --> 0:21:29.320
<v Speaker 2>have a plan. Phoene unveils multiple flash cards he's made

0:21:29.320 --> 0:21:31.280
<v Speaker 2>to indicate what needs to be taken care of while

0:21:31.280 --> 0:21:34.160
<v Speaker 2>he's gone, like plants to water, plants that need vitamins,

0:21:34.160 --> 0:21:36.320
<v Speaker 2>and plants that need to be rotated to get mornings on.

0:21:36.760 --> 0:21:39.720
<v Speaker 2>He kisses Amy on the cheek, saying she'll do fine,

0:21:39.720 --> 0:21:42.160
<v Speaker 2>before running out the door. Amy throws Phoene's flash cards

0:21:42.200 --> 0:21:43.600
<v Speaker 2>on the table and turns to the boys.

0:21:43.960 --> 0:21:45.800
<v Speaker 3>Just don't kill them, Just don't kill them. Great, it's

0:21:45.840 --> 0:21:46.320
<v Speaker 3>a great joke.

0:21:46.640 --> 0:21:48.240
<v Speaker 1>It's a great joke, this whole thing. I mean, it's

0:21:48.320 --> 0:21:52.520
<v Speaker 1>it's character based, it's believable, it's giving Betsy something to do,

0:21:52.720 --> 0:21:56.080
<v Speaker 1>something to react to. It's just good writing and good acting. Yeah,

0:21:56.119 --> 0:22:00.680
<v Speaker 1>And I was also so reminded of the phoene An episode,

0:22:00.680 --> 0:22:03.760
<v Speaker 1>like almost identical setup, like yeah, here are my keys

0:22:03.760 --> 0:22:06.440
<v Speaker 1>for the take care of it. Let's see what happened.

0:22:06.640 --> 0:22:10.600
<v Speaker 1>Oh oh, Cory and Sean are gonna grab those keys.

0:22:11.200 --> 0:22:13.359
<v Speaker 1>I know that, we actually don't.

0:22:13.400 --> 0:22:15.639
<v Speaker 2>You don't actually grab them. We don't see any of that,

0:22:15.800 --> 0:22:20.920
<v Speaker 2>but we do see new sett alert, Phoene's house, Peenie mouse,

0:22:22.040 --> 0:22:27.520
<v Speaker 2>the house eats salad alone. I could not stop pausing

0:22:27.600 --> 0:22:28.320
<v Speaker 2>for details.

0:22:28.560 --> 0:22:29.520
<v Speaker 3>I know some great one.

0:22:29.600 --> 0:22:31.879
<v Speaker 2>Did you guys look around the house a little? Did

0:22:31.960 --> 0:22:32.439
<v Speaker 2>you pause?

0:22:32.640 --> 0:22:35.240
<v Speaker 3>I was dying to see. So there is and I

0:22:35.240 --> 0:22:38.000
<v Speaker 3>couldn't see who it was. There is a framed picture

0:22:38.920 --> 0:22:39.800
<v Speaker 3>on the mantle.

0:22:40.200 --> 0:22:43.640
<v Speaker 2>Is it the Asian woman who looks like is she Asian?

0:22:43.680 --> 0:22:46.440
<v Speaker 3>I couldn't tell. Because it's such low death. I can't

0:22:46.520 --> 0:22:47.400
<v Speaker 3>see who it is.

0:22:47.720 --> 0:22:50.240
<v Speaker 2>I thought it looked like maybe an Asian woman in

0:22:50.320 --> 0:22:54.080
<v Speaker 2>a kimono, or it could have been a person in

0:22:54.119 --> 0:22:59.000
<v Speaker 2>a cap and gown, makes more sense, but it was hard.

0:22:59.040 --> 0:23:01.119
<v Speaker 2>It was hard to tell. The low death is.

0:23:01.800 --> 0:23:02.400
<v Speaker 3>You can't tell.

0:23:03.240 --> 0:23:06.200
<v Speaker 2>I did not understand what was going on in Peeney's house.

0:23:06.200 --> 0:23:09.080
<v Speaker 2>And then there was a framed woman on the mantle

0:23:09.440 --> 0:23:13.280
<v Speaker 2>who could have been Carrie Russell. If Carrie Russell had straight.

0:23:12.960 --> 0:23:18.800
<v Speaker 3>Hair, maybe ex students maybe that have made been important.

0:23:18.800 --> 0:23:21.640
<v Speaker 2>And then was just trying to find the dead bodies

0:23:22.040 --> 0:23:24.200
<v Speaker 2>to see if there were any Is there a map?

0:23:24.600 --> 0:23:27.159
<v Speaker 1>Is here's where I buried?

0:23:30.359 --> 0:23:31.840
<v Speaker 2>Over here the planters?

0:23:32.000 --> 0:23:33.960
<v Speaker 1>Oh my god, there's also.

0:23:33.840 --> 0:23:37.760
<v Speaker 2>Like an eagle crest with a little American flag in

0:23:37.760 --> 0:23:40.399
<v Speaker 2>the middle of in the middle of it above the fireplace.

0:23:40.040 --> 0:23:40.760
<v Speaker 3>Of the fireplace.

0:23:42.040 --> 0:23:44.439
<v Speaker 1>I didn't love this set, and I wasn't sure if

0:23:44.480 --> 0:23:46.960
<v Speaker 1>it was just the set decoration or the lack of

0:23:47.200 --> 0:23:52.080
<v Speaker 1>like like recognition that we're in Phoenie's house. I mean,

0:23:52.119 --> 0:23:54.399
<v Speaker 1>I know we're we're I say it, but it just

0:23:54.440 --> 0:23:56.920
<v Speaker 1>didn't feel like as much of a thing, maybe because

0:23:56.960 --> 0:23:58.959
<v Speaker 1>we're already there, Like maybe it should have been us

0:23:59.080 --> 0:24:01.760
<v Speaker 1>opening the door and like what we.

0:24:01.720 --> 0:24:03.959
<v Speaker 2>Should have started on more of a master and there

0:24:03.960 --> 0:24:06.480
<v Speaker 2>should have been a camera move. It should have been

0:24:06.640 --> 0:24:07.800
<v Speaker 2>a set piece.

0:24:07.840 --> 0:24:08.119
<v Speaker 3>It is.

0:24:09.960 --> 0:24:12.119
<v Speaker 2>It's just like watering a plant.

0:24:12.359 --> 0:24:13.480
<v Speaker 1>Yeah, there was.

0:24:13.480 --> 0:24:18.240
<v Speaker 2>No like wow in the inner sanctum of Phenie totally.

0:24:18.280 --> 0:24:20.000
<v Speaker 1>And then you know, and I think this is partly

0:24:20.000 --> 0:24:21.639
<v Speaker 1>because it has to become a B m B. It

0:24:21.680 --> 0:24:26.000
<v Speaker 1>doesn't have that much personal time going to say it's

0:24:26.080 --> 0:24:28.080
<v Speaker 1>it does feel like the hotel. Hotel.

0:24:28.240 --> 0:24:31.040
<v Speaker 3>It does right, but it also does it. It feels

0:24:31.080 --> 0:24:34.720
<v Speaker 3>like they so they tried to do Fhienie so much

0:24:35.160 --> 0:24:37.720
<v Speaker 3>that it wasn't really Phoeni. Does that make sense?

0:24:38.760 --> 0:24:43.199
<v Speaker 1>Genericallyposed to specific it was a caricature of Feni for

0:24:43.240 --> 0:24:43.600
<v Speaker 1>the house.

0:24:43.760 --> 0:24:46.240
<v Speaker 3>It was like, okay, everything would there's a credenza.

0:24:46.440 --> 0:24:49.680
<v Speaker 2>There are also so many plants. We could have been

0:24:49.680 --> 0:24:50.400
<v Speaker 2>in a nursery.

0:24:50.600 --> 0:24:51.480
<v Speaker 3>Yeah, exactly.

0:24:51.840 --> 0:24:53.120
<v Speaker 2>There's so many.

0:24:52.920 --> 0:24:55.240
<v Speaker 1>Plants, not really well placed, just kind of there.

0:24:57.080 --> 0:24:59.639
<v Speaker 2>Like a tomato plant hanging in the middle of a spot.

0:25:00.160 --> 0:25:02.840
<v Speaker 2>So Corey is watering a plant while Sean investigates, what

0:25:02.840 --> 0:25:05.199
<v Speaker 2>are you doing? It's just a house. Sean disagrees, this

0:25:05.280 --> 0:25:07.679
<v Speaker 2>is Phoene's house. There's got to be I don't know,

0:25:07.760 --> 0:25:11.120
<v Speaker 2>some shrunken heads, some eyeballs and jars. Corey questions why

0:25:11.200 --> 0:25:13.320
<v Speaker 2>he'd have that, and Sean explains he took them from

0:25:13.359 --> 0:25:17.159
<v Speaker 2>me last year. Great writing, funny love it. Sean gives up.

0:25:17.160 --> 0:25:18.840
<v Speaker 2>I'm gonna go jump on Phoene's bed, just like I've

0:25:18.840 --> 0:25:21.720
<v Speaker 2>always dreamed of. Corey continues the chores. When he sees

0:25:21.760 --> 0:25:25.080
<v Speaker 2>his history paper sitting on the table, conveniently accompanied by

0:25:25.080 --> 0:25:28.400
<v Speaker 2>a red pen, he exclaims Phoenne, you fool. He picks

0:25:28.480 --> 0:25:30.800
<v Speaker 2>up the paper and reads, Corey, you fool. Put down

0:25:30.800 --> 0:25:33.640
<v Speaker 2>the paper and step away from my walnut. Cridunzo.

0:25:34.000 --> 0:25:36.640
<v Speaker 3>I know the cadenza had to come back, Cri Dunzel.

0:25:37.160 --> 0:25:38.160
<v Speaker 3>I don't get this joke.

0:25:39.080 --> 0:25:39.360
<v Speaker 1>I don't.

0:25:40.280 --> 0:25:45.480
<v Speaker 3>No, I get the one that cadenza right. But Phoene's

0:25:45.520 --> 0:25:47.119
<v Speaker 3>not gonna know that. He's going to walk in and

0:25:47.160 --> 0:25:49.679
<v Speaker 3>see that Corey's paper is graded in A and go

0:25:49.880 --> 0:25:52.040
<v Speaker 3>I must have done that and not remember that's.

0:25:51.880 --> 0:25:53.800
<v Speaker 2>Why he wrote on it, Corey, you fool.

0:25:54.040 --> 0:25:56.800
<v Speaker 3>It just makes that it's not a great joke to me,

0:25:56.840 --> 0:25:58.520
<v Speaker 3>where it's like because none of that makes any sense.

0:25:58.640 --> 0:25:59.680
<v Speaker 3>It just doesn't make any sense.

0:25:59.720 --> 0:26:01.680
<v Speaker 1>I think it's totally just a callback to I think

0:26:01.720 --> 0:26:04.359
<v Speaker 1>they loved in the singled out episode, the like yes

0:26:04.480 --> 0:26:07.159
<v Speaker 1>my plaid valise at the airport, and it's like a

0:26:07.200 --> 0:26:08.680
<v Speaker 1>play on that Corey like that.

0:26:09.200 --> 0:26:11.919
<v Speaker 3>You fool, Like the way it's a chest or a

0:26:12.000 --> 0:26:15.080
<v Speaker 3>quiz or something upcoming where it's like, this isn't for you, Corey,

0:26:15.119 --> 0:26:17.560
<v Speaker 3>don't worry, you know, because finding his own paper to

0:26:17.680 --> 0:26:19.280
<v Speaker 3>grade doesn't make it, doesn't make it.

0:26:19.520 --> 0:26:21.920
<v Speaker 2>I also was like, wait a minute, how he he

0:26:22.000 --> 0:26:24.280
<v Speaker 2>was so sure Amy was taking care of the plants.

0:26:24.320 --> 0:26:26.680
<v Speaker 2>Why is he leaving a note for in here?

0:26:27.200 --> 0:26:30.080
<v Speaker 1>I know I had all the thoughts to guys relaxes

0:26:30.119 --> 0:26:31.520
<v Speaker 1>TV show. It's a kid's show.

0:26:32.000 --> 0:26:34.440
<v Speaker 2>My god, you're right right, it's so serious.

0:26:34.480 --> 0:26:36.760
<v Speaker 3>It's nice, and it's nice that you're always the voice

0:26:36.760 --> 0:26:37.600
<v Speaker 3>of reason, right, the.

0:26:37.680 --> 0:26:40.320
<v Speaker 1>Voice of good times, relaxation and reason.

0:26:41.320 --> 0:26:47.560
<v Speaker 3>Just have fun down in your vocab hole.

0:26:47.880 --> 0:26:52.119
<v Speaker 2>God, it's just it's just a show from g I. Okay,

0:26:52.119 --> 0:26:53.160
<v Speaker 2>all right, he'll.

0:26:52.960 --> 0:26:54.440
<v Speaker 1>Make me grumpy about having fun.

0:26:57.640 --> 0:26:57.840
<v Speaker 3>Yeah.

0:26:59.440 --> 0:27:02.359
<v Speaker 2>Seawan'screen from upstairs then appears back on the stairs. It's okay,

0:27:02.480 --> 0:27:04.480
<v Speaker 2>I thought I saw a poster of me, but it's

0:27:04.680 --> 0:27:10.720
<v Speaker 2>just a mirror show. Historical hysterical joke.

0:27:11.359 --> 0:27:14.359
<v Speaker 1>That is yeah. I was like, what this is?

0:27:15.119 --> 0:27:16.880
<v Speaker 3>I mean, the best line.

0:27:18.640 --> 0:27:23.600
<v Speaker 2>Plus joke, he says, the house is nothing like he's

0:27:23.640 --> 0:27:27.200
<v Speaker 2>ever dreamed of. Three bedrooms, beautifully decorated. But the best part,

0:27:27.359 --> 0:27:30.239
<v Speaker 2>he's got a six foot round tub. Corey points out

0:27:30.359 --> 0:27:34.200
<v Speaker 2>the man's got a bathe Sean adds with jets. Corey

0:27:34.320 --> 0:27:39.720
<v Speaker 2>raises his eyebrows. Oh, cooky, I don't know, I don't know.

0:27:41.280 --> 0:27:44.000
<v Speaker 2>Seawn announces he has an idea for his economics project

0:27:44.000 --> 0:27:46.479
<v Speaker 2>and leaves, so Corey tries to continue watering the plants,

0:27:46.480 --> 0:27:48.480
<v Speaker 2>only to admit I don't want to be alone in here,

0:27:48.640 --> 0:27:50.960
<v Speaker 2>and he quickly darts out of the house, spilling water

0:27:51.080 --> 0:27:55.800
<v Speaker 2>as he goes everywhere. The pink carpet, I know, interesting car.

0:27:55.920 --> 0:27:57.719
<v Speaker 3>It is like a pink carpet.

0:27:57.880 --> 0:28:02.040
<v Speaker 2>Yeah, and then we see the Boston hotel exterior with

0:28:02.119 --> 0:28:05.800
<v Speaker 2>a fancy limo and a painted out on ing. Wow.

0:28:06.880 --> 0:28:09.040
<v Speaker 2>Eric sits down at the hotel bar, explaining to the

0:28:09.040 --> 0:28:13.920
<v Speaker 2>bartender that his name is Dylan Turtleneck. Oh yeah, turtle Eric.

0:28:14.160 --> 0:28:16.640
<v Speaker 3>This is this is definitely the nineties where you got

0:28:16.680 --> 0:28:18.760
<v Speaker 3>the suit and like the or the turtle neck.

0:28:18.920 --> 0:28:20.439
<v Speaker 1>I think it looks good, but it's just so funny

0:28:20.440 --> 0:28:25.280
<v Speaker 1>because we just did the One Woman Show where it's funny.

0:28:25.560 --> 0:28:27.680
<v Speaker 1>Went from mocking it mocking.

0:28:27.359 --> 0:28:31.240
<v Speaker 2>It like a turtleneck on Thanksgiving.

0:28:31.680 --> 0:28:33.960
<v Speaker 3>Yeah, we're in. We're in peak turtleneck phase.

0:28:34.119 --> 0:28:36.600
<v Speaker 2>Yes, we're in. We're in Eric's turtleneck face.

0:28:36.640 --> 0:28:39.720
<v Speaker 1>I mean we're turtleneck's A problem is this like because

0:28:39.720 --> 0:28:41.400
<v Speaker 1>I went I used to wear a turtleneck and it

0:28:41.480 --> 0:28:44.120
<v Speaker 1>was cool, and now like if I ever consider a

0:28:44.160 --> 0:28:45.840
<v Speaker 1>turtle deck my wife just says.

0:28:45.680 --> 0:28:50.160
<v Speaker 2>No love turtlenecks on men. I do love them on women.

0:28:50.440 --> 0:28:54.200
<v Speaker 2>Susan Will's wife wears a turtleneck better than anyone I've

0:28:54.240 --> 0:28:54.720
<v Speaker 2>ever seen.

0:28:54.920 --> 0:28:55.520
<v Speaker 3>She loves it.

0:28:55.560 --> 0:28:58.920
<v Speaker 2>And I have tried to then emulate Susan and I

0:28:58.960 --> 0:29:01.760
<v Speaker 2>have bought turtlenecks, and I look terrible.

0:29:03.040 --> 0:29:05.360
<v Speaker 1>Men men can't wear turtle necks. It's not in any

0:29:05.400 --> 0:29:07.120
<v Speaker 1>era or like. It's not cool.

0:29:07.320 --> 0:29:09.440
<v Speaker 2>It's not cool. It's not cool. It looks a little

0:29:10.800 --> 0:29:15.360
<v Speaker 2>doweebee and a man. There's something a little dweebish about

0:29:15.360 --> 0:29:20.200
<v Speaker 2>a turtleneck on a man. But but if you love it,

0:29:20.320 --> 0:29:23.960
<v Speaker 2>do what you want, you know, honestly.

0:29:23.960 --> 0:29:26.040
<v Speaker 1>At this point in our lives, damn good on this

0:29:26.280 --> 0:29:26.560
<v Speaker 1>he does.

0:29:26.840 --> 0:29:27.240
<v Speaker 3>He does.

0:29:27.320 --> 0:29:28.760
<v Speaker 1>Look he's pulling off a turtle neck.

0:29:29.000 --> 0:29:30.440
<v Speaker 2>Yeah, he is. He's pulling it off.

0:29:30.680 --> 0:29:31.440
<v Speaker 1>But it's nineties.

0:29:31.880 --> 0:29:32.560
<v Speaker 2>It's nineties.

0:29:32.560 --> 0:29:32.760
<v Speaker 1>It was.

0:29:32.840 --> 0:29:33.760
<v Speaker 2>Yeah, it's a little.

0:29:33.600 --> 0:29:36.040
<v Speaker 3>And I'm like nineteen. So it's you.

0:29:37.280 --> 0:29:39.480
<v Speaker 1>At least you're not like swimming in your suit like

0:29:39.520 --> 0:29:41.000
<v Speaker 1>I am. For the rest of this episode.

0:29:41.280 --> 0:29:42.720
<v Speaker 2>I know you do have a but you know what,

0:29:43.120 --> 0:29:46.480
<v Speaker 2>I even like that because it's a little mob bossy.

0:29:46.640 --> 0:29:51.160
<v Speaker 2>It feels a little like mob suit. Do you get

0:29:51.240 --> 0:29:54.280
<v Speaker 2>your suits at the same place you buy your Jinko jeans?

0:29:56.840 --> 0:29:56.920
<v Speaker 3>Me?

0:29:57.840 --> 0:29:59.040
<v Speaker 1>Can I just get something bad here?

0:29:59.160 --> 0:30:01.440
<v Speaker 3>I totally could have said that I want to be

0:30:01.720 --> 0:30:04.040
<v Speaker 3>to be able to fit my keys in the pocket

0:30:04.760 --> 0:30:05.880
<v Speaker 3>for a novel in this suit.

0:30:09.360 --> 0:30:11.880
<v Speaker 2>So Eric says he's Dylan high Tower and he's the

0:30:11.880 --> 0:30:14.640
<v Speaker 2>CEO of a mid sized venture capitol group. He adds,

0:30:14.720 --> 0:30:16.360
<v Speaker 2>you might look for me on the cover of next

0:30:16.360 --> 0:30:17.560
<v Speaker 2>month's four Bees.

0:30:17.840 --> 0:30:18.440
<v Speaker 3>Four Bees.

0:30:18.600 --> 0:30:23.920
<v Speaker 2>Again, great joke, so funny, really well written. The bartender laughs,

0:30:24.000 --> 0:30:26.000
<v Speaker 2>You're just at high school, you work for your daddy.

0:30:26.000 --> 0:30:28.680
<v Speaker 2>This is your first convention and it's pronounced Forbes.

0:30:28.840 --> 0:30:31.280
<v Speaker 1>What what came first? Will? Because this is something that

0:30:31.320 --> 0:30:34.920
<v Speaker 1>you've definitely absorbed into your actual humor, the mispronunciation of work.

0:30:35.240 --> 0:30:35.840
<v Speaker 2>I love it.

0:30:36.080 --> 0:30:37.520
<v Speaker 1>I do it all the time, and it's one of

0:30:37.560 --> 0:30:40.600
<v Speaker 1>my funniest bits and never never goes to work. And

0:30:40.680 --> 0:30:44.680
<v Speaker 1>yet I've realized Eric did it because Yalobez and you

0:30:44.720 --> 0:30:45.440
<v Speaker 1>do this all the.

0:30:45.400 --> 0:30:47.920
<v Speaker 3>Time, and the whiskey in my personal life.

0:30:48.480 --> 0:30:51.120
<v Speaker 1>Brought it into that. I think it's such a will

0:30:51.200 --> 0:30:54.080
<v Speaker 1>thing and just I'm like, whoa it was on the show.

0:30:54.320 --> 0:30:55.760
<v Speaker 3>Yeah, so funny it is.

0:30:56.840 --> 0:30:58.960
<v Speaker 2>So she asks what what his real name is, and

0:30:59.080 --> 0:31:03.000
<v Speaker 2>Eric is exposed. I'm not telling. The bartender asks, so

0:31:03.040 --> 0:31:05.880
<v Speaker 2>what are you drinking, mystery boy. Eric tells her Bruski.

0:31:06.160 --> 0:31:09.120
<v Speaker 2>She asks, rupe Bruski. If that's all you're allowed to

0:31:09.120 --> 0:31:11.640
<v Speaker 2>give me, then sure. Eric agrees. She pours the root

0:31:11.640 --> 0:31:13.600
<v Speaker 2>beer in a glass and then adds, but I will

0:31:13.640 --> 0:31:16.479
<v Speaker 2>do this. She slides the glass across the bar and

0:31:16.560 --> 0:31:19.560
<v Speaker 2>a different hand catches it. We hear a voice. I

0:31:19.600 --> 0:31:21.040
<v Speaker 2>believe you're supposed to catch it.

0:31:21.000 --> 0:31:22.680
<v Speaker 1>Mister awkward camera shot alert.

0:31:22.800 --> 0:31:25.760
<v Speaker 2>I know what happened there, just trying.

0:31:25.600 --> 0:31:28.000
<v Speaker 1>To stage the reveal, and you know that they just

0:31:28.040 --> 0:31:31.160
<v Speaker 1>went bigger, bigger, No, no, no, we can't see him.

0:31:31.200 --> 0:31:33.240
<v Speaker 1>We have to you know, It's just like and it became.

0:31:33.280 --> 0:31:35.360
<v Speaker 2>Became a full thing. But there almost seemed like there

0:31:35.440 --> 0:31:37.240
<v Speaker 2>was a cut in the middle of the slide. It

0:31:37.280 --> 0:31:39.480
<v Speaker 2>was like it wasn't one continuous shot.

0:31:39.520 --> 0:31:42.480
<v Speaker 1>And I guess, well, there's set. I mean you could

0:31:42.480 --> 0:31:44.600
<v Speaker 1>see that they had to adjust, they had to pull

0:31:44.600 --> 0:31:47.400
<v Speaker 1>off the wall, like because they decided they were going

0:31:47.440 --> 0:31:49.320
<v Speaker 1>to be two scenes in here. There's a scene later

0:31:49.400 --> 0:31:52.520
<v Speaker 1>where you guys are seated at the like downward downstage table.

0:31:52.760 --> 0:31:54.720
<v Speaker 1>But then they wanted to have this bar scene, so

0:31:54.760 --> 0:31:56.640
<v Speaker 1>it is a well designed set. But what that means

0:31:56.680 --> 0:31:59.480
<v Speaker 1>is they had to pool the state of the camera

0:31:59.560 --> 0:32:01.840
<v Speaker 1>right wall out and get a camera up there to

0:32:01.880 --> 0:32:03.560
<v Speaker 1>get that shut to have you guys, and it's just

0:32:03.640 --> 0:32:06.360
<v Speaker 1>kind of it does feel a little awkward. You know,

0:32:06.400 --> 0:32:07.680
<v Speaker 1>it's because it's the whole scene.

0:32:07.680 --> 0:32:09.600
<v Speaker 3>But the whole scene kind of feels awkward, but only

0:32:09.600 --> 0:32:14.960
<v Speaker 3>because it's rare to see two characters on camera where

0:32:15.040 --> 0:32:18.480
<v Speaker 3>the were me for instance, where I'm downstage, down in my.

0:32:18.480 --> 0:32:20.760
<v Speaker 1>Back right, I know, right, and that's where they have

0:32:20.800 --> 0:32:23.120
<v Speaker 1>to get the camera upstage in order to shoot you.

0:32:23.320 --> 0:32:25.760
<v Speaker 1>And it just feels it turns, it turns, the fourth

0:32:25.760 --> 0:32:27.880
<v Speaker 1>wall changes, right, so it can't help but feel a

0:32:27.880 --> 0:32:31.040
<v Speaker 1>little jarring. It's'll connect it. It's an interesting thing.

0:32:31.120 --> 0:32:33.360
<v Speaker 3>Yeah, But again I loved just Bill and I working

0:32:33.360 --> 0:32:35.880
<v Speaker 3>together and they're really now it's now it's off to

0:32:35.920 --> 0:32:38.600
<v Speaker 3>the races with Eric and Feenie, which I love so much.

0:32:38.840 --> 0:32:41.120
<v Speaker 2>Really did not remember that I remember, I mean you

0:32:41.160 --> 0:32:43.640
<v Speaker 2>had mentioned it when we first started the podcast that

0:32:43.720 --> 0:32:45.760
<v Speaker 2>some of your favorite stuff was working with Bill, and

0:32:45.840 --> 0:32:48.320
<v Speaker 2>I remember thinking like, yeah, I know, you guys worked together,

0:32:48.360 --> 0:32:51.400
<v Speaker 2>but I truly did not remember how much they set

0:32:51.440 --> 0:32:53.800
<v Speaker 2>you guys up like a buddy comedy.

0:32:54.000 --> 0:32:56.600
<v Speaker 1>Yeah, and it's not just wacky will no time. It

0:32:56.640 --> 0:32:58.600
<v Speaker 1>seems like this if you think about it.

0:32:58.680 --> 0:33:02.320
<v Speaker 3>Chip at this point to though, we're the only characters

0:33:02.360 --> 0:33:06.080
<v Speaker 3>that aren't paired up. So you know, you got Corey

0:33:06.120 --> 0:33:07.720
<v Speaker 3>and Sean. Now Tapang is coming in the mix. So

0:33:07.760 --> 0:33:10.240
<v Speaker 3>it's Corey, Sean and Tapanga. Amy's got Alan, they all

0:33:10.240 --> 0:33:12.840
<v Speaker 3>have the one. He's gone, Tony's gone. So you've got

0:33:12.960 --> 0:33:15.280
<v Speaker 3>Eric kind of floating in the wind, and you've got

0:33:15.280 --> 0:33:17.160
<v Speaker 3>Phoene kind of floating in the wind. And somehow when

0:33:17.160 --> 0:33:19.760
<v Speaker 3>you make it just worked. You know that it was

0:33:19.800 --> 0:33:21.640
<v Speaker 3>like what if we put those two together?

0:33:21.800 --> 0:33:24.800
<v Speaker 1>Yep ye, classic good storytelling, like taking two characters who

0:33:24.800 --> 0:33:29.000
<v Speaker 1>are extreme opposites forcing together somehow funny and it worked.

0:33:29.120 --> 0:33:30.760
<v Speaker 3>It just yeah, it definitely works. But can't I wish

0:33:30.760 --> 0:33:31.320
<v Speaker 3>I remembered this.

0:33:32.200 --> 0:33:35.120
<v Speaker 2>The minute we hear his voice, Eric and the audience, no,

0:33:35.320 --> 0:33:39.480
<v Speaker 2>it's mister Feoenne, Eric admits, what a remarkable and horrifying coincidence.

0:33:39.760 --> 0:33:43.760
<v Speaker 2>Feoene agrees horrifying. Indeed, what are you doing in Beantown?

0:33:44.200 --> 0:33:47.760
<v Speaker 3>I just love him saying bean Town Beat in town.

0:33:48.400 --> 0:33:51.280
<v Speaker 2>Eric responds, hiding from you and I failed? Why must

0:33:51.320 --> 0:33:54.680
<v Speaker 2>you stalk me? So Feeney apologizes for bursting his balloon,

0:33:54.800 --> 0:33:58.120
<v Speaker 2>but he's waiting for someone else. Eric questions Corey, which

0:33:58.160 --> 0:34:02.280
<v Speaker 2>again I love, Yeah, continuing the idea that you have

0:34:02.320 --> 0:34:04.560
<v Speaker 2>to either be in school or gardening, and if you're

0:34:04.600 --> 0:34:08.640
<v Speaker 2>not with me, you must be with Corey. So funny. Uh,

0:34:09.040 --> 0:34:11.879
<v Speaker 2>Phoenie exclaims, No, I'm waiting for a special lady friend

0:34:11.920 --> 0:34:13.480
<v Speaker 2>of mine to have dinner in the hotel.

0:34:14.000 --> 0:34:15.799
<v Speaker 1>Eric, can you never just say special lady friend?

0:34:15.920 --> 0:34:20.600
<v Speaker 2>Right? I love saying lady friend. I don't say special

0:34:20.640 --> 0:34:23.960
<v Speaker 2>lady friend, but I love I like a gentleman friend

0:34:24.040 --> 0:34:24.800
<v Speaker 2>and a lady friend.

0:34:24.840 --> 0:34:28.200
<v Speaker 1>Wow, it's I always think Big Lebowski's my special lady friend.

0:34:28.680 --> 0:34:31.319
<v Speaker 3>It's like I seen that movie.

0:34:32.120 --> 0:34:33.960
<v Speaker 2>I've never seen, never seen Big Ki.

0:34:34.560 --> 0:34:36.440
<v Speaker 1>Can we do a Big Lebowski recap?

0:34:36.560 --> 0:34:40.160
<v Speaker 2>Are you due that ties in with your audience?

0:34:40.200 --> 0:34:41.239
<v Speaker 3>But should No?

0:34:41.280 --> 0:34:43.279
<v Speaker 1>I've never wants the audience here is that you've never

0:34:43.280 --> 0:34:46.880
<v Speaker 1>seen Big Lebowski. We're gonna, dude, send us letters to Melissa.

0:34:48.320 --> 0:34:48.520
<v Speaker 3>Letter.

0:34:51.400 --> 0:34:53.520
<v Speaker 2>I mean, we could have an entire podcast that would

0:34:53.560 --> 0:34:55.600
<v Speaker 2>go on for years if it was just writer and

0:34:55.640 --> 0:35:00.200
<v Speaker 2>will play movies that Danielle's never seen, because I've there

0:35:00.200 --> 0:35:03.040
<v Speaker 2>are so many things I've never seen, but that's one

0:35:03.040 --> 0:35:03.520
<v Speaker 2>I can.

0:35:03.440 --> 0:35:08.480
<v Speaker 1>Be super condescend. You've never seen let us let's do

0:35:08.680 --> 0:35:12.160
<v Speaker 1>film school and Godfather says.

0:35:12.160 --> 0:35:15.120
<v Speaker 3>Movies, Danielle, just sit down and if you've.

0:35:14.960 --> 0:35:16.600
<v Speaker 1>Ever heard what a director does.

0:35:16.840 --> 0:35:23.480
<v Speaker 2>But honestly, I could use an education in all of it.

0:35:23.840 --> 0:35:26.840
<v Speaker 3>I think our next podcast, frankly, should be movies that

0:35:26.880 --> 0:35:28.359
<v Speaker 3>were important to us as a kid.

0:35:28.760 --> 0:35:34.239
<v Speaker 2>Okay again, I have one I can get, will bet

0:35:34.280 --> 0:35:36.319
<v Speaker 2>you there is more stuff than that.

0:35:36.920 --> 0:35:37.320
<v Speaker 3>Nothing.

0:35:39.239 --> 0:35:42.880
<v Speaker 2>There's Jurassic Park and Titanic and anything.

0:35:42.560 --> 0:35:46.440
<v Speaker 1>And biggest movies of all time and I don't remember,

0:35:46.560 --> 0:35:47.480
<v Speaker 1>couldn't avoid them.

0:35:48.120 --> 0:35:50.680
<v Speaker 3>Have you seen Titanic or Jurassic Park because we could

0:35:50.680 --> 0:35:53.440
<v Speaker 3>watch those. Yeah, yeah, we've we've seen those things.

0:35:53.480 --> 0:35:54.880
<v Speaker 2>We've seen those. Okay, great, well.

0:35:54.719 --> 0:35:56.640
<v Speaker 3>Then then I'm done. I guest over.

0:36:07.960 --> 0:36:10.680
<v Speaker 2>Eric didn't know Phoeney had someone special in Boston. Phoene

0:36:10.719 --> 0:36:13.040
<v Speaker 2>says he's never told Eric about her before, for the

0:36:13.040 --> 0:36:15.200
<v Speaker 2>same reason you don't talk about your girlfriends to me.

0:36:15.719 --> 0:36:19.880
<v Speaker 2>Eric makes an uncomfortable face. It's squeamy because it's squeamy.

0:36:20.880 --> 0:36:24.320
<v Speaker 2>Peenie nods precisely. But now that you've asked, Eric interrupts,

0:36:24.360 --> 0:36:28.960
<v Speaker 2>I didn't. Phoene continues, Anyway, Elizabeth is someone I've known

0:36:29.040 --> 0:36:32.640
<v Speaker 2>for fifteen years, someone I care about deeply. He sadly

0:36:32.680 --> 0:36:35.160
<v Speaker 2>states that her teaching career is as important to her

0:36:35.280 --> 0:36:37.799
<v Speaker 2>as his is to him, and she works and lives

0:36:37.800 --> 0:36:42.120
<v Speaker 2>out of Boston. Eric unenthusiastically responds, a female feenie, yay,

0:36:42.880 --> 0:36:43.480
<v Speaker 2>I love it.

0:36:43.800 --> 0:36:48.400
<v Speaker 1>And then I kind of wanted to see her. It's like, oh.

0:36:48.239 --> 0:36:49.960
<v Speaker 3>This this actually wanted to see her too.

0:36:50.120 --> 0:36:53.520
<v Speaker 1>Yeah, So so what let's go back into the Freeny

0:36:53.560 --> 0:36:57.799
<v Speaker 1>prequel show. All right, is this like a friend when

0:36:57.840 --> 0:37:00.600
<v Speaker 1>he was married? Is somebody who is that part of

0:37:00.600 --> 0:37:01.520
<v Speaker 1>the drama.

0:37:01.560 --> 0:37:05.080
<v Speaker 3>After I think it's after the wife. Yeah, and it

0:37:05.200 --> 0:37:08.400
<v Speaker 3>was the first kind of thing he found after the wife,

0:37:08.480 --> 0:37:10.840
<v Speaker 3>But it was never you know, that first when you

0:37:10.880 --> 0:37:13.920
<v Speaker 3>have after the big breakup or your divorce, whatever it is,

0:37:14.239 --> 0:37:17.359
<v Speaker 3>and it rebounds, it's never the like, no matter how

0:37:17.400 --> 0:37:20.360
<v Speaker 3>much you feel about this person, you never capture that

0:37:20.440 --> 0:37:23.799
<v Speaker 3>original feeling. It's never like, fully there. I think that's this.

0:37:23.920 --> 0:37:24.920
<v Speaker 1>Phoene just can't commit.

0:37:25.160 --> 0:37:27.440
<v Speaker 2>Maybe they met at a teacher conference.

0:37:27.520 --> 0:37:31.760
<v Speaker 3>Exactly because Phoene's Phoene's PTA.

0:37:32.160 --> 0:37:41.680
<v Speaker 2>Oh sorry, right, So Eric asks how often do you

0:37:41.719 --> 0:37:44.239
<v Speaker 2>see each other? Phoene says three or four times a year,

0:37:44.360 --> 0:37:46.279
<v Speaker 2>and every so often one of them asks the other

0:37:46.320 --> 0:37:47.880
<v Speaker 2>to give it all up and move so they can

0:37:47.920 --> 0:37:48.400
<v Speaker 2>be together.

0:37:48.600 --> 0:37:50.640
<v Speaker 1>So Phoene's not staying at the hotel, He's at the

0:37:50.719 --> 0:37:54.520
<v Speaker 1>B and B, right, and they don't spend the night together.

0:37:55.200 --> 0:37:57.640
<v Speaker 1>So he comes to this hotel and then he comes

0:37:57.680 --> 0:37:58.960
<v Speaker 1>back to just hang out with Eric.

0:37:59.280 --> 0:38:02.759
<v Speaker 2>Well we talk about that at talk about that a

0:38:02.760 --> 0:38:05.319
<v Speaker 2>little bit later when he says he's having dinner with her,

0:38:05.320 --> 0:38:06.719
<v Speaker 2>but then he asks Eric if he wants to go

0:38:06.760 --> 0:38:07.800
<v Speaker 2>for a bowl of pasta.

0:38:07.840 --> 0:38:09.640
<v Speaker 3>And I was like, Phoenie, why.

0:38:14.080 --> 0:38:17.959
<v Speaker 2>Just because she said no to moving back to Philadelphia

0:38:18.000 --> 0:38:23.160
<v Speaker 2>with you, why are you not still hanging out with her?

0:38:23.760 --> 0:38:28.440
<v Speaker 2>Is he waiting for marriage? I think he and Tipanga

0:38:28.560 --> 0:38:35.920
<v Speaker 2>have very shared values. I didn't know really, So Eric wonders,

0:38:36.040 --> 0:38:38.200
<v Speaker 2>you never took her up on it. Phoenie replies, nor

0:38:38.239 --> 0:38:40.680
<v Speaker 2>is she me. The asking and saying no has become

0:38:40.719 --> 0:38:43.520
<v Speaker 2>a bittersweet ritual between us. This year. It's my turn

0:38:43.560 --> 0:38:46.520
<v Speaker 2>to pop the question. Eric Coyley asks, what if she

0:38:46.560 --> 0:38:49.560
<v Speaker 2>says yes. He laughs, she won't. She'll just smile and

0:38:49.640 --> 0:38:52.040
<v Speaker 2>ask can't we keep things the way they are? Then

0:38:52.080 --> 0:38:55.880
<v Speaker 2>I'll go home. Eric adds to me and Corey again,

0:38:56.280 --> 0:38:59.959
<v Speaker 2>I love it. Phoene gives him a look, you're killing

0:39:00.080 --> 0:39:05.000
<v Speaker 2>my story. And I could very easily see a spin

0:39:05.040 --> 0:39:08.800
<v Speaker 2>off where these two Eric and Feenie moved to Boston

0:39:11.560 --> 0:39:18.920
<v Speaker 2>just called Beantown fian Town. And then we're back at

0:39:18.920 --> 0:39:22.600
<v Speaker 2>Phoene's house. Sean walks downstairs dressed in a full structure

0:39:22.680 --> 0:39:24.759
<v Speaker 2>suit that's three sizes too large, a.

0:39:24.800 --> 0:39:27.759
<v Speaker 1>Large and like the collarless shirt, it just.

0:39:30.040 --> 0:39:32.600
<v Speaker 3>Collar the collarless everything. I mean they even mentioned it

0:39:32.640 --> 0:39:35.719
<v Speaker 3>and was it clueless? Yes, where's my collarless whatever? I mean,

0:39:35.719 --> 0:39:36.640
<v Speaker 3>it's that was the look.

0:39:36.880 --> 0:39:39.840
<v Speaker 2>It was the look. Corey, doing his chores, asks what

0:39:39.840 --> 0:39:41.839
<v Speaker 2>are you doing here without me? Sean says he's here

0:39:41.880 --> 0:39:44.560
<v Speaker 2>to work on his school project, and Corey hesitantly asks

0:39:44.880 --> 0:39:47.680
<v Speaker 2>why here. Sean admits I don't have an answer that

0:39:47.680 --> 0:39:50.239
<v Speaker 2>wouldn't upset you. Can you rotate those two plants just

0:39:50.239 --> 0:39:52.920
<v Speaker 2>a little. Corey isn't dropping it? What's your school project?

0:39:52.960 --> 0:39:53.280
<v Speaker 5>Sean?

0:39:53.520 --> 0:39:55.640
<v Speaker 2>No, don't tell me, yes, tell me, tell me, but

0:39:55.719 --> 0:39:56.759
<v Speaker 2>lie you.

0:39:56.760 --> 0:39:58.040
<v Speaker 3>Can great line too.

0:39:59.080 --> 0:40:01.880
<v Speaker 2>Sean handsom is board and Corey reads a bed and breakfast.

0:40:02.040 --> 0:40:04.440
<v Speaker 2>He aughs, there's nothing to worry about, but then he

0:40:04.440 --> 0:40:06.839
<v Speaker 2>continues to read the flyer two hundred bucks a night.

0:40:07.080 --> 0:40:09.840
<v Speaker 2>Oh wow, sewn even came up with some advertising. Sean

0:40:09.880 --> 0:40:11.920
<v Speaker 2>proudly nods, just a little sign up at the airport

0:40:11.960 --> 0:40:14.640
<v Speaker 2>near duty free. Corey admires the hard work, flipping to

0:40:14.680 --> 0:40:17.000
<v Speaker 2>the next page. Guests have already checked in, given him

0:40:17.040 --> 0:40:21.600
<v Speaker 2>credit cards the Timmers. Just then, an elderly couple walks downstairs,

0:40:21.640 --> 0:40:24.280
<v Speaker 2>forcing Corey to quickly stand up. Who are you? The woman,

0:40:24.320 --> 0:40:27.120
<v Speaker 2>in somewhat of a Dutch accent explains, we are the Timmers.

0:40:27.440 --> 0:40:29.640
<v Speaker 2>Corey looks at the credit card. Of course you are.

0:40:30.040 --> 0:40:32.960
<v Speaker 2>Sean softly acknowledges he's going to scream now, and then

0:40:33.120 --> 0:40:40.120
<v Speaker 2>Corey on cue screams, shann cute act, cute little setup. Yeah,

0:40:40.160 --> 0:40:45.640
<v Speaker 2>I love everything, love all of it up. Yeah, cute.

0:40:45.760 --> 0:40:47.879
<v Speaker 2>We come back from commercial break, where at Phoene's house,

0:40:48.080 --> 0:40:50.879
<v Speaker 2>Corey is still screaming and Sean defends himself. Phoeney left

0:40:50.960 --> 0:40:52.800
<v Speaker 2>us the keys to his house. He knows this is

0:40:52.840 --> 0:40:55.120
<v Speaker 2>going to happen. He wants this to happen.

0:40:55.239 --> 0:40:57.560
<v Speaker 1>I love that. I love that too, that Sean is

0:40:57.600 --> 0:41:01.920
<v Speaker 1>so confident, because come on, he's omniscient.

0:41:02.160 --> 0:41:04.680
<v Speaker 3>He knows, and I just know he left the key.

0:41:04.840 --> 0:41:06.560
<v Speaker 3>This is like the clever.

0:41:06.400 --> 0:41:08.920
<v Speaker 1>Self awareness, you know that I really like. Yeah, when

0:41:08.960 --> 0:41:10.640
<v Speaker 1>it gets too obvious near the end of the episode,

0:41:10.680 --> 0:41:12.600
<v Speaker 1>I was rolling my eyes, but here it's fun.

0:41:12.480 --> 0:41:17.239
<v Speaker 2>Like I agree, completely agree. Corey's flailing his arms. Ah,

0:41:17.280 --> 0:41:19.239
<v Speaker 2>Sean scolds him, if you're gonna stay at my bed

0:41:19.239 --> 0:41:21.200
<v Speaker 2>and breakfast, you're gonna have to keep your voice down.

0:41:21.600 --> 0:41:25.440
<v Speaker 2>The more parks are upstairs napping. Corey turns his flailing

0:41:25.680 --> 0:41:29.920
<v Speaker 2>into a whimper. Sean explains, nolyweds. They're here on the

0:41:29.960 --> 0:41:33.400
<v Speaker 2>honeymoon package. The Timmers are holding a vase of Poene's

0:41:33.440 --> 0:41:35.680
<v Speaker 2>and Corey yells at them to put it down. The

0:41:35.719 --> 0:41:38.719
<v Speaker 2>woman responds, we out of the timmers. Sean says he'll

0:41:38.719 --> 0:41:42.160
<v Speaker 2>handle it, suddenly able to speak perfect Dutch to the cup.

0:41:42.600 --> 0:41:44.840
<v Speaker 1>Although we don't even explain it anymore, Sean can just

0:41:44.880 --> 0:41:46.840
<v Speaker 1>do it for yourself.

0:41:49.040 --> 0:41:51.719
<v Speaker 3>That will always be Amsterdam to me. We'll always just

0:41:51.719 --> 0:41:54.080
<v Speaker 3>be walking the streets of Amsterdam, just saying that.

0:41:54.160 --> 0:41:55.919
<v Speaker 1>It started in the plane. It's started in the plane.

0:41:56.000 --> 0:41:57.279
<v Speaker 1>You and I sit next to each other on the

0:41:57.320 --> 0:42:00.200
<v Speaker 1>plane and me being like, so do we know? I mean,

0:42:00.239 --> 0:42:01.640
<v Speaker 1>how do you say hi? Or I had like a

0:42:01.640 --> 0:42:03.960
<v Speaker 1>guidebook and you were like, well you know Dutch, say

0:42:04.120 --> 0:42:06.000
<v Speaker 1>you know, that's all we can say. You're like, teach me,

0:42:06.000 --> 0:42:08.080
<v Speaker 1>you're Dutch. So I taught you how to save these

0:42:08.120 --> 0:42:11.560
<v Speaker 1>and that's all we could say. Going to hash bars

0:42:11.600 --> 0:42:14.360
<v Speaker 1>and telling people throw in the air exactly.

0:42:15.080 --> 0:42:17.759
<v Speaker 3>In fact, everything you see is to coop ye remember that.

0:42:19.640 --> 0:42:22.080
<v Speaker 2>The man obliges throwing it up in the air and amusement.

0:42:22.120 --> 0:42:24.640
<v Speaker 2>Corey asks Sean the more parks in the timers. That's

0:42:24.680 --> 0:42:27.760
<v Speaker 2>it right, Sean nods, But just then a new loud

0:42:27.840 --> 0:42:31.800
<v Speaker 2>couple walks in. Sean greets the couple, the Hecks, Arnie

0:42:31.800 --> 0:42:35.920
<v Speaker 2>and Gloria from Boca. They booked through the last minute club.

0:42:36.239 --> 0:42:38.319
<v Speaker 2>Arnie yells to his wife, I wanted to stay in

0:42:38.360 --> 0:42:41.040
<v Speaker 2>a Ritz Carlton. It's a bed and breakfast. It's a

0:42:41.080 --> 0:42:42.239
<v Speaker 2>little foofye no.

0:42:43.880 --> 0:42:46.600
<v Speaker 3>And this is where there's a direct Seinfeld reference. Oh

0:42:46.640 --> 0:42:49.440
<v Speaker 3>really yeah, so in because then he comes into I

0:42:49.480 --> 0:42:53.600
<v Speaker 3>wanted There's no mini bar, no Maceadamia's. And in an

0:42:53.600 --> 0:42:58.560
<v Speaker 3>episode of Seinfeld. So a Laine gets a suite at

0:42:58.560 --> 0:43:01.760
<v Speaker 3>the plaza and she has to give it to Jerry's parents,

0:43:01.800 --> 0:43:05.319
<v Speaker 3>who then trash it. And they also bring in Uncle

0:43:05.440 --> 0:43:08.360
<v Speaker 3>Leo who's there, who eats too many macadamia nuts and

0:43:08.400 --> 0:43:10.319
<v Speaker 3>his whole joke as he's just in the background rolling

0:43:10.320 --> 0:43:13.680
<v Speaker 3>on the bed going no, no more nuts, no more nuts.

0:43:14.080 --> 0:43:17.080
<v Speaker 3>So it's had to when he mentions the Macademians like, okay,

0:43:16.800 --> 0:43:18.560
<v Speaker 3>they're not and that's.

0:43:18.440 --> 0:43:20.600
<v Speaker 1>Like a reference within a year of it happening. I

0:43:20.680 --> 0:43:22.279
<v Speaker 1>mean we're on the air at the same time.

0:43:22.560 --> 0:43:25.080
<v Speaker 3>Yeah, so it's a straight up Seinfeld reference.

0:43:25.200 --> 0:43:27.600
<v Speaker 2>Yeah, so crazy. Well, the couple argues a bit and

0:43:27.640 --> 0:43:30.040
<v Speaker 2>Sean casually tells Corey, I threw a few bucks to

0:43:30.040 --> 0:43:32.439
<v Speaker 2>the Cabby's that way. They tell them the hotels are full,

0:43:32.440 --> 0:43:35.120
<v Speaker 2>and they bring him right here. Corey loses it, screaming

0:43:35.160 --> 0:43:37.960
<v Speaker 2>to the guest out, I want you all out. Sean

0:43:38.000 --> 0:43:40.439
<v Speaker 2>tries to calm the situation. This is our bell hop.

0:43:40.520 --> 0:43:44.319
<v Speaker 2>He's rude and obnoxious. Alreadie is impressed. I like him,

0:43:44.480 --> 0:43:46.560
<v Speaker 2>then hands Phoene's vase to Corey to put it in

0:43:46.560 --> 0:43:49.200
<v Speaker 2>his room. Cory's in shock, leaning into Sean, I have

0:43:49.280 --> 0:43:52.000
<v Speaker 2>to kill you now. Gloria then asks where the good

0:43:52.040 --> 0:43:54.839
<v Speaker 2>shopping is, and Sean responds, why don't we ask our concierge.

0:43:55.120 --> 0:43:57.560
<v Speaker 2>He rings a bell and then Tapega walks down the

0:43:57.560 --> 0:44:01.560
<v Speaker 2>stairs in a cute little business suit. Corey can't believe it.

0:44:01.680 --> 0:44:04.240
<v Speaker 2>Not you, Topanga. How could someone as sweet and honest

0:44:04.239 --> 0:44:06.880
<v Speaker 2>as you get mixed up in one of Sean's evil schemes,

0:44:07.239 --> 0:44:11.120
<v Speaker 2>Tapanga tells him because of this, and then she answers

0:44:11.160 --> 0:44:13.120
<v Speaker 2>the hecks, why don't I show you to your sweet

0:44:13.160 --> 0:44:15.399
<v Speaker 2>and then we can map out your day arny hands

0:44:15.440 --> 0:44:18.640
<v Speaker 2>or some money by yourself, some heels, She shrugs. It's

0:44:18.640 --> 0:44:21.480
<v Speaker 2>a living so object.

0:44:21.520 --> 0:44:25.680
<v Speaker 1>To man or do it for money on her heels.

0:44:26.760 --> 0:44:30.360
<v Speaker 2>It's like she's not really gonna buy heels, I don't think.

0:44:30.320 --> 0:44:33.000
<v Speaker 3>But she I'm so so with them all.

0:44:33.239 --> 0:44:36.880
<v Speaker 1>It's yeah, yeah, it's a little I mean, you're just

0:44:37.000 --> 0:44:37.480
<v Speaker 1>you're there.

0:44:37.320 --> 0:44:40.480
<v Speaker 3>For the jokes, yeah, but not even to Panga jokes.

0:44:40.520 --> 0:44:42.759
<v Speaker 3>They're not even to Panga. I mean, how could she

0:44:42.840 --> 0:44:44.279
<v Speaker 3>not have been the voice of it. There's so many

0:44:44.280 --> 0:44:45.880
<v Speaker 3>things you think about where they could have thrown her in.

0:44:46.400 --> 0:44:48.759
<v Speaker 1>I like the reversion, right, like the idea that like

0:44:48.840 --> 0:44:51.239
<v Speaker 1>Corey expects her to be against it, and then she

0:44:51.400 --> 0:44:53.320
<v Speaker 1>is for it. It's just give her a good reason

0:44:53.400 --> 0:44:53.600
<v Speaker 1>for it.

0:44:53.960 --> 0:44:56.720
<v Speaker 3>But what you should easily do is, I can't believe

0:44:56.760 --> 0:44:58.200
<v Speaker 3>you're doing this? How could you possibly?

0:44:58.200 --> 0:44:58.520
<v Speaker 1>Baba?

0:44:58.880 --> 0:45:00.560
<v Speaker 3>You know I've told you this is not gonna end well,

0:45:00.560 --> 0:45:02.680
<v Speaker 3>no matter what you'd actually, the best shopping you want

0:45:02.680 --> 0:45:03.920
<v Speaker 3>to do is on Fifth Street. You're gonna want to

0:45:03.920 --> 0:45:07.160
<v Speaker 3>blah blah blah. It's like, if you get some job.

0:45:07.239 --> 0:45:10.400
<v Speaker 2>Right, she can't help. She's she can't help, but be

0:45:10.440 --> 0:45:12.200
<v Speaker 2>good at it because she's helpful.

0:45:12.040 --> 0:45:15.120
<v Speaker 3>Right, something like that, to give her pretty clever something.

0:45:15.360 --> 0:45:16.680
<v Speaker 3>I mean, no, you're right, you're right.

0:45:16.760 --> 0:45:21.799
<v Speaker 2>She's like, yeah, accidentally, great a right job? Yes, yes,

0:45:21.880 --> 0:45:24.960
<v Speaker 2>and somehow keeps helping. They go upstairs, leaving Corey to

0:45:25.000 --> 0:45:27.879
<v Speaker 2>scold Sewn. You will get caught. Sean corrects him, We

0:45:28.000 --> 0:45:30.120
<v Speaker 2>will get caught. Corey had the key, He's the one

0:45:30.120 --> 0:45:32.280
<v Speaker 2>who let him in. As far as Phoene's concerned, Corey's

0:45:32.320 --> 0:45:35.520
<v Speaker 2>the brains. Corey's intrigued the brains. I rather like that.

0:45:35.640 --> 0:45:37.320
<v Speaker 1>I like that. I love that term, and like Corey's

0:45:37.400 --> 0:45:40.239
<v Speaker 1>kind of like, well, maybe I could be the bad one.

0:45:40.920 --> 0:45:43.040
<v Speaker 2>Cory makes Sean promise that when Phoene gets back, he

0:45:43.080 --> 0:45:45.840
<v Speaker 2>will find his house exactly as he left it. Sean agrees,

0:45:46.120 --> 0:45:48.319
<v Speaker 2>just as the Timors appear behind him, asking in Dutch

0:45:48.360 --> 0:45:51.000
<v Speaker 2>if yet another vase from Phoene's house is for sale.

0:45:51.239 --> 0:45:54.160
<v Speaker 2>Sean responds in Dutch, do you remember this one?

0:45:54.360 --> 0:45:57.000
<v Speaker 1>Yeah? In fight all hit teen us is to Coop.

0:45:57.840 --> 0:46:01.040
<v Speaker 2>So good, and he says yes, and everything you see

0:46:01.080 --> 0:46:04.080
<v Speaker 2>is for sale. Corey nods, completely unaware of what the

0:46:04.120 --> 0:46:07.080
<v Speaker 2>three are saying. And then we're back at the Boston Hotel.

0:46:07.239 --> 0:46:09.200
<v Speaker 2>Eric is still at the bar and the bartender says,

0:46:09.400 --> 0:46:11.640
<v Speaker 2>it's sweet of you to wait for your What is

0:46:11.680 --> 0:46:14.560
<v Speaker 2>he exactly? Eric answers, he's my next door neighbor and

0:46:14.600 --> 0:46:16.600
<v Speaker 2>they used to be my teacher, and he's real concerned

0:46:16.600 --> 0:46:18.640
<v Speaker 2>about where my life is going. What would you call that?

0:46:18.960 --> 0:46:22.319
<v Speaker 2>She answers, I'd call that a friend. Eric seems less sure.

0:46:22.640 --> 0:46:26.960
<v Speaker 2>Any a friend? Okay? The bartender tells Eric, I get

0:46:26.960 --> 0:46:29.279
<v Speaker 2>off work in ten minutes and you seem nice. How

0:46:29.360 --> 0:46:31.680
<v Speaker 2>about I buy you dinner?

0:46:31.920 --> 0:46:34.600
<v Speaker 1>Whoa will and the older ladies.

0:46:34.320 --> 0:46:39.760
<v Speaker 2>Eric, ladies who know he's not even old enough to drink.

0:46:39.920 --> 0:46:42.160
<v Speaker 3>They set that up to where it's like, you are

0:46:42.280 --> 0:46:44.399
<v Speaker 3>clearly not twenty one, so you can't.

0:46:44.880 --> 0:46:47.000
<v Speaker 1>By the way, you look very old in this episode.

0:46:47.520 --> 0:46:50.480
<v Speaker 1>You do look sure, very mature. I was like, Will's like,

0:46:50.600 --> 0:46:54.480
<v Speaker 1>you know, you're looking like twenty five. Yeah, So it's

0:46:54.520 --> 0:46:56.359
<v Speaker 1>surprising to me that the joke in that first scene

0:46:56.400 --> 0:46:58.719
<v Speaker 1>is that she immediately knows your nose, because yeah, I was.

0:46:58.760 --> 0:47:01.480
<v Speaker 1>I mean, obviously you with in the dialogue you're overstepping,

0:47:01.520 --> 0:47:04.239
<v Speaker 1>but here I was like, well, actually looks Yeah, it

0:47:04.280 --> 0:47:06.000
<v Speaker 1>makes sense that this woman might flirt with him.

0:47:06.000 --> 0:47:09.560
<v Speaker 3>But now I have a question again the giant rewrite machine.

0:47:09.600 --> 0:47:11.799
<v Speaker 3>Do you think it would have been better in the

0:47:11.880 --> 0:47:16.520
<v Speaker 3>first scene if instead of revealing Feenie by sliding the

0:47:16.600 --> 0:47:20.319
<v Speaker 3>root beer, because then it means that she might not

0:47:20.440 --> 0:47:23.879
<v Speaker 3>know that Eric is the right age if she does

0:47:23.960 --> 0:47:26.520
<v Speaker 3>go to serve him alcohol and you hear Phoene say

0:47:26.560 --> 0:47:30.359
<v Speaker 3>something like sensors wouldn't have allowed it, you know, even

0:47:30.920 --> 0:47:33.319
<v Speaker 3>if Poene steps in and he's like he's like no, no, no, no, no,

0:47:33.520 --> 0:47:33.840
<v Speaker 3>you get it.

0:47:33.880 --> 0:47:35.400
<v Speaker 1>I don't think so, I mean, I don't know, like

0:47:35.440 --> 0:47:38.320
<v Speaker 1>I have a feeling that's one of those debates we

0:47:38.360 --> 0:47:40.480
<v Speaker 1>would have had, you know, during a note session.

0:47:40.200 --> 0:47:42.520
<v Speaker 3>But we do whole you do whole episodes later, don't

0:47:42.560 --> 0:47:45.600
<v Speaker 3>you you're drinking underage where.

0:47:45.239 --> 0:47:50.120
<v Speaker 1>It's a special episode, right, Yeah, I think you, like

0:47:50.239 --> 0:47:52.840
<v Speaker 1>trying to get alcohol has to be immediately shut down.

0:47:53.000 --> 0:47:55.840
<v Speaker 1>I don't know.

0:47:56.160 --> 0:47:56.200
<v Speaker 3>That.

0:47:56.440 --> 0:47:57.919
<v Speaker 1>Yeah, that would be my thought is that they would

0:47:57.920 --> 0:47:59.520
<v Speaker 1>have immediately been like, no, you can't make a joke

0:47:59.520 --> 0:47:59.759
<v Speaker 1>out of it.

0:47:59.840 --> 0:48:01.840
<v Speaker 3>Yeah, because that was the only strange thing about this

0:48:01.880 --> 0:48:04.440
<v Speaker 3>for me was they literally set it up to where

0:48:04.560 --> 0:48:08.200
<v Speaker 3>she instantly knows he is can't, isn't old enough to

0:48:08.239 --> 0:48:10.440
<v Speaker 3>drink right, and then kind of ask.

0:48:10.360 --> 0:48:13.120
<v Speaker 1>About them right well, and then this also like I

0:48:13.200 --> 0:48:16.200
<v Speaker 1>understand that there's this necessary tension of like Eric having

0:48:16.200 --> 0:48:19.320
<v Speaker 1>to choose between yeah, the girl of his dreams and Phoenie,

0:48:19.400 --> 0:48:20.840
<v Speaker 1>but it also kind of doesn't make sense because you

0:48:20.880 --> 0:48:22.680
<v Speaker 1>could you go have this whole moment with Phoenie and

0:48:22.719 --> 0:48:25.520
<v Speaker 1>then you could still go out with the girl the end.

0:48:25.480 --> 0:48:27.719
<v Speaker 3>Of Lady asked for dinner, He goes, you want to

0:48:27.719 --> 0:48:30.000
<v Speaker 3>go to dinner, but Phoene's already been to dinner. I know,

0:48:30.360 --> 0:48:31.120
<v Speaker 3>doesn't make any sense.

0:48:31.200 --> 0:48:33.239
<v Speaker 2>Yeah, yeah, I just wanted to really set up your

0:48:33.280 --> 0:48:35.520
<v Speaker 2>friendship and the idea of you going off to have

0:48:35.560 --> 0:48:37.840
<v Speaker 2>a one night stand with the bartender doesn't doesn't propel

0:48:37.840 --> 0:48:52.480
<v Speaker 2>any story forward, right, No, totally Yeah, So anyway, the

0:48:52.640 --> 0:48:56.120
<v Speaker 2>du two bartender is just asked Eric out to dinner,

0:48:56.120 --> 0:48:58.319
<v Speaker 2>and Eric responds, as long as it wouldn't interfere with

0:48:58.320 --> 0:49:01.279
<v Speaker 2>my loyalty to my friend. Perfect timed. Phoene walks into

0:49:01.320 --> 0:49:04.560
<v Speaker 2>the dining room. The cougar bartender wonders, isn't that him now?

0:49:05.120 --> 0:49:07.800
<v Speaker 2>Without turning around, Eric replies, it has to be because

0:49:07.800 --> 0:49:10.200
<v Speaker 2>something good was going to happen in my life, and

0:49:10.280 --> 0:49:15.840
<v Speaker 2>she laughs something really good. Wow, just going, my gosh,

0:49:16.040 --> 0:49:19.959
<v Speaker 2>the she's not even wearing another jacket. Imagine how fast.

0:49:21.560 --> 0:49:22.000
<v Speaker 1>Making out?

0:49:22.080 --> 0:49:25.320
<v Speaker 2>Oh my god. For sure the audience whoo hoo's loudly

0:49:25.400 --> 0:49:27.840
<v Speaker 2>because they really want to see this one night stand happen.

0:49:28.200 --> 0:49:30.400
<v Speaker 2>Eric tries to make this work, but see, it's my

0:49:30.480 --> 0:49:32.720
<v Speaker 2>first convention away from home, and dinner with a lady

0:49:32.760 --> 0:49:35.480
<v Speaker 2>bartender would be He turns around to look at Phoene,

0:49:35.520 --> 0:49:39.120
<v Speaker 2>who looks sad as hell. Eric announces, I hate everything.

0:49:39.440 --> 0:49:42.719
<v Speaker 2>The bartender sweetly kisses him on the cheek the same

0:49:42.719 --> 0:49:48.160
<v Speaker 2>way Phoene kisses Amy Matthews, Yeah, gaining another woo from

0:49:48.160 --> 0:49:50.480
<v Speaker 2>this incredibly saucy audience.

0:49:50.280 --> 0:49:52.800
<v Speaker 1>Horned up crowd who orned on the crowd.

0:49:54.000 --> 0:49:56.319
<v Speaker 3>It's a crowd that is ready to nash. Let me

0:49:56.400 --> 0:49:59.960
<v Speaker 3>tell you is bad. You got where you can get

0:50:00.080 --> 0:50:00.840
<v Speaker 3>Listen Prisoners.

0:50:01.480 --> 0:50:09.840
<v Speaker 2>Prisoner Phoene's sitting alone at a table, looking glum, wishing

0:50:09.840 --> 0:50:12.640
<v Speaker 2>for a salad. Probably Eric sits with him and asks

0:50:12.640 --> 0:50:15.279
<v Speaker 2>if he's all right. Phoenie answers. Every year I look

0:50:15.320 --> 0:50:18.160
<v Speaker 2>forward to seeing her, and every year we part company,

0:50:18.360 --> 0:50:20.520
<v Speaker 2>knowing that we care for each other, but not enough

0:50:20.560 --> 0:50:21.680
<v Speaker 2>to give up the lives we've made.

0:50:21.760 --> 0:50:23.680
<v Speaker 1>Now, when this happened, I thought it was going to

0:50:23.719 --> 0:50:25.720
<v Speaker 1>be something a little more like something would have turned.

0:50:25.760 --> 0:50:27.879
<v Speaker 1>And I was araied that she didn't show up.

0:50:28.120 --> 0:50:29.680
<v Speaker 2>I thought she did she was dead.

0:50:30.040 --> 0:50:33.920
<v Speaker 3>I thought I thought she had met somebody else and

0:50:33.960 --> 0:50:36.120
<v Speaker 3>told him that she was marrying somebody else.

0:50:36.760 --> 0:50:43.160
<v Speaker 2>That's great, she was committing, but to somebody there, That's.

0:50:42.920 --> 0:50:45.319
<v Speaker 1>What I thought about, because this didn't feel like enough

0:50:45.360 --> 0:50:47.040
<v Speaker 1>of a turn. It kind of feels like the same

0:50:47.120 --> 0:50:49.719
<v Speaker 1>scene we've already had, just a little deeper, which.

0:50:50.160 --> 0:50:51.839
<v Speaker 3>Because aren't they then going to do the same thing

0:50:51.880 --> 0:50:54.360
<v Speaker 3>next year? I mean, nothing's changed so that the relationship

0:50:54.360 --> 0:50:56.120
<v Speaker 3>hasn't ended. They're going to do exactly the same thing

0:50:56.120 --> 0:50:56.560
<v Speaker 3>next year.

0:50:56.719 --> 0:50:58.719
<v Speaker 2>I mean, I guess I can see the idea though

0:50:58.760 --> 0:51:02.239
<v Speaker 2>that for whatever reason this, Phoenie goes, why do we

0:51:02.440 --> 0:51:05.240
<v Speaker 2>do this? Because because it does become about why won't

0:51:05.239 --> 0:51:08.000
<v Speaker 2>I take the risk? And his question then to himself

0:51:08.080 --> 0:51:11.400
<v Speaker 2>is is it about the person not being worth the risk?

0:51:11.719 --> 0:51:11.919
<v Speaker 3>Right?

0:51:12.040 --> 0:51:14.160
<v Speaker 1>And then he can end one in the tag a

0:51:14.200 --> 0:51:16.000
<v Speaker 1>little bit too, because he sees the old couple and

0:51:16.040 --> 0:51:18.160
<v Speaker 1>it's like, maybe he will go back to a listen bit.

0:51:18.480 --> 0:51:20.080
<v Speaker 1>So it's about him, not about her. If it was

0:51:20.080 --> 0:51:22.359
<v Speaker 1>out of his control, like she had already rejected him

0:51:22.400 --> 0:51:24.640
<v Speaker 1>or chosen somebody else, right, then you wouldn't have that

0:51:24.680 --> 0:51:27.799
<v Speaker 1>helpe in the tag. Oh okay, we talked.

0:51:28.200 --> 0:51:30.279
<v Speaker 3>God, I got to see this prequel because I want

0:51:30.320 --> 0:51:32.359
<v Speaker 3>to see Phoenie actually in love. I want to see

0:51:32.360 --> 0:51:34.560
<v Speaker 3>that so badly, right. I mean we get to see

0:51:34.560 --> 0:51:37.000
<v Speaker 3>it later obviously with Bolinger, but I want to see

0:51:37.000 --> 0:51:39.319
<v Speaker 3>that early Phoene and that the love of his life.

0:51:39.760 --> 0:51:43.200
<v Speaker 2>No, I do too, Eric is thrilled. You pop the question.

0:51:43.400 --> 0:51:46.680
<v Speaker 2>She said yes, and you're stuck good. Phoenie admits no,

0:51:47.160 --> 0:51:49.799
<v Speaker 2>she said no, we always say no. Why do we

0:51:49.840 --> 0:51:52.799
<v Speaker 2>always say no? Eric bluntly states, because you don't really

0:51:52.840 --> 0:51:55.359
<v Speaker 2>love each other. And Phoene asks, how would you know that,

0:51:55.400 --> 0:51:58.279
<v Speaker 2>mister Matthews, And Eric says, if you did, you'd risk

0:51:58.320 --> 0:52:01.960
<v Speaker 2>anything for that love, even lives you've made and find comfortable.

0:52:02.640 --> 0:52:04.440
<v Speaker 2>Peene wonders if at this stage in his life his

0:52:04.560 --> 0:52:07.279
<v Speaker 2>risk taking days are over. Maybe he never appreciated the

0:52:07.320 --> 0:52:09.359
<v Speaker 2>value of taking a risk, and that's why he's missed

0:52:09.400 --> 0:52:12.000
<v Speaker 2>the chance at true love. And I wanted this yell

0:52:12.280 --> 0:52:16.000
<v Speaker 2>a second time. You mean because your marriage to Lillian

0:52:16.560 --> 0:52:17.520
<v Speaker 2>was real love?

0:52:17.680 --> 0:52:23.120
<v Speaker 1>Yeah? Yeah, this besides the like, I couldn't get over

0:52:23.160 --> 0:52:25.839
<v Speaker 1>the fact that Will's holding a root beer like a beer,

0:52:25.920 --> 0:52:28.080
<v Speaker 1>which is just to me crazy, but.

0:52:29.920 --> 0:52:31.880
<v Speaker 3>I was either nursing it or I'm on like my

0:52:31.960 --> 0:52:33.359
<v Speaker 3>eleven root beer the night.

0:52:35.440 --> 0:52:40.080
<v Speaker 1>Beyond that awkwardness, this is I kept. I was having

0:52:40.080 --> 0:52:44.080
<v Speaker 1>this very bizarre experience watching the scene, being like, what,

0:52:44.400 --> 0:52:46.839
<v Speaker 1>why is this so familiar? It's because this is the

0:52:46.880 --> 0:52:50.680
<v Speaker 1>most Will I've ever seen. Eric, you are so relaxed,

0:52:51.520 --> 0:52:56.359
<v Speaker 1>like you feel like you weren't doing bits you were

0:52:56.440 --> 0:52:58.239
<v Speaker 1>also doing like because you know, I feel like you've

0:52:58.280 --> 0:53:02.040
<v Speaker 1>had modes. You're either like you know, being funny or

0:53:02.040 --> 0:53:05.200
<v Speaker 1>being very emotional and dramatic and instead in this scene,

0:53:05.280 --> 0:53:07.399
<v Speaker 1>you're just like, you know, you're he's the one that's

0:53:07.440 --> 0:53:09.400
<v Speaker 1>having this sort of moment when you're just being a

0:53:09.440 --> 0:53:12.680
<v Speaker 1>supportive character, and it was so fun to just see you.

0:53:12.880 --> 0:53:15.279
<v Speaker 1>I was like, Oh, this is what dinner with Will's like.

0:53:15.560 --> 0:53:18.600
<v Speaker 1>I felt Will for like the like a pure Will.

0:53:18.640 --> 0:53:20.840
<v Speaker 1>Throughout this entire scene. I was like, this is so

0:53:20.880 --> 0:53:23.400
<v Speaker 1>if anybody wants to know what Will is actually like

0:53:23.560 --> 0:53:26.239
<v Speaker 1>when he's not on this is it. This is what

0:53:26.440 --> 0:53:29.000
<v Speaker 1>like wilfred ell, this is this is dinner with Wild

0:53:29.080 --> 0:53:31.239
<v Speaker 1>And it was a good feeling. It filled me with light.

0:53:31.600 --> 0:53:33.840
<v Speaker 1>So you know down the line when I you know,

0:53:33.920 --> 0:53:38.680
<v Speaker 1>when if you ever leave my life or van, I

0:53:38.719 --> 0:53:40.160
<v Speaker 1>know that I can watch this scene and get the

0:53:40.200 --> 0:53:41.040
<v Speaker 1>same feel.

0:53:43.560 --> 0:53:45.719
<v Speaker 2>Eric tries to relate, I felt that same way when

0:53:45.760 --> 0:53:49.200
<v Speaker 2>I broke up with Debbie. He leans in, you remember that.

0:53:49.320 --> 0:53:52.839
<v Speaker 2>Phoenie quickly responds no. Eric explains he's still plugging away

0:53:52.880 --> 0:53:55.160
<v Speaker 2>because he believes true love can come at any time.

0:53:55.520 --> 0:53:58.880
<v Speaker 2>Phoene states, until then, I will continue my life teaching

0:53:58.880 --> 0:54:02.319
<v Speaker 2>my students. Eric, who learned this from a nearby horned

0:54:02.400 --> 0:54:05.440
<v Speaker 2>up bartender just minutes ago, says Phoene has more than

0:54:05.480 --> 0:54:09.319
<v Speaker 2>his students. He has his friends. Phoenie nods if you

0:54:09.320 --> 0:54:11.120
<v Speaker 2>haven't had your dinner yet. I thought we might grab

0:54:11.120 --> 0:54:13.560
<v Speaker 2>a bowl of pasta on the North End. Eric's size.

0:54:13.880 --> 0:54:15.840
<v Speaker 2>It's his first night in Boston. He was thinking of

0:54:15.880 --> 0:54:18.400
<v Speaker 2>something a little riskier. Maybe you and me can go

0:54:18.440 --> 0:54:21.400
<v Speaker 2>out hit the town, check out the action. What does

0:54:21.480 --> 0:54:21.879
<v Speaker 2>that mean?

0:54:22.360 --> 0:54:24.160
<v Speaker 1>I do strip club?

0:54:24.280 --> 0:54:31.719
<v Speaker 3>Yeah, strip club like code? I don't my entire life.

0:54:31.760 --> 0:54:34.080
<v Speaker 3>I have no idea the code. The code I always.

0:54:33.880 --> 0:54:35.600
<v Speaker 1>Knew, like when you work on a film and you're

0:54:35.840 --> 0:54:37.880
<v Speaker 1>you say you're going to check out the local ballet.

0:54:38.640 --> 0:54:41.200
<v Speaker 3>Wow, code for sual, code for going.

0:54:41.600 --> 0:54:44.440
<v Speaker 1>It was a code. When we were doing Cabin Fever,

0:54:44.600 --> 0:54:46.279
<v Speaker 1>That's what everybody said, like, oh, if you check out

0:54:46.280 --> 0:54:50.879
<v Speaker 1>the local ballet, and it was like, oh, strip club, right.

0:54:51.000 --> 0:54:52.880
<v Speaker 1>I would have been sitting at a ballet by myself,

0:54:52.880 --> 0:54:54.600
<v Speaker 1>going where the hell is everywhere is everybody?

0:54:54.880 --> 0:54:56.080
<v Speaker 2>They told me they were going to go at this

0:54:56.120 --> 0:54:58.280
<v Speaker 2>ballet action.

0:54:58.360 --> 0:55:00.839
<v Speaker 1>I was like, what is the action? What does that mean?

0:55:01.040 --> 0:55:01.399
<v Speaker 3>I know?

0:55:02.200 --> 0:55:04.360
<v Speaker 2>Maybe? I mean the other thing is because I would

0:55:04.360 --> 0:55:07.200
<v Speaker 2>think normally that this means let's go to a bar.

0:55:09.239 --> 0:55:11.680
<v Speaker 2>You can't even get into a bar. I've already been

0:55:11.719 --> 0:55:16.320
<v Speaker 2>over that, so they can't even go bar hopping or anything.

0:55:16.840 --> 0:55:21.440
<v Speaker 3>So, Danielle, have you ever been to a strip club? Yes?

0:55:21.920 --> 0:55:25.239
<v Speaker 2>Yeah, yeah, probably more than both of you can bee.

0:55:25.000 --> 0:55:26.160
<v Speaker 1>I'm probably sure.

0:55:28.920 --> 0:55:32.480
<v Speaker 2>Okay, So this is where I was wondering if Phoene

0:55:32.560 --> 0:55:34.560
<v Speaker 2>wanting a second dinner makes no sense to me, and

0:55:34.640 --> 0:55:38.040
<v Speaker 2>it did make me think is he hiding something? Did

0:55:38.080 --> 0:55:41.040
<v Speaker 2>she not show up? If she did, I don't know.

0:55:41.480 --> 0:55:45.160
<v Speaker 2>It just was confusing to me that he was still hungry.

0:55:46.600 --> 0:55:49.880
<v Speaker 2>Phoene asks, you mean cruise for chicks and eric smirks

0:55:49.920 --> 0:55:53.279
<v Speaker 2>and their mothers. But I'm pretty sure you mean and

0:55:53.400 --> 0:55:54.200
<v Speaker 2>their grandmothers.

0:55:55.880 --> 0:55:58.799
<v Speaker 3>What I've got to especially interested.

0:55:58.480 --> 0:56:00.600
<v Speaker 2>In a thirty five year old forty year old woman.

0:56:00.920 --> 0:56:05.960
<v Speaker 3>I got a question, Yeah, what if dinner with Phoenie

0:56:06.000 --> 0:56:08.840
<v Speaker 3>and his lady friend really means they were doing the

0:56:08.920 --> 0:56:11.759
<v Speaker 3>deed so they didn't eat, which is why he's now

0:56:11.880 --> 0:56:16.440
<v Speaker 3>hungry afterwards, Like they're having that conversation in bed about

0:56:16.520 --> 0:56:18.120
<v Speaker 3>do you want to be with me forever? No, I'm

0:56:18.120 --> 0:56:22.080
<v Speaker 3>not going to do that. It's like, okay, totally see

0:56:22.120 --> 0:56:24.160
<v Speaker 3>each other three or four times a year. They meet

0:56:24.200 --> 0:56:26.600
<v Speaker 3>at this hotel. They're not he's staying at the B

0:56:26.719 --> 0:56:29.439
<v Speaker 3>and B. So it's like, it's not they don't spend

0:56:29.480 --> 0:56:30.040
<v Speaker 3>the night.

0:56:31.560 --> 0:56:32.200
<v Speaker 2>By the hour.

0:56:33.320 --> 0:56:35.480
<v Speaker 3>Maybe that's where she's staying. They go sad.

0:56:35.640 --> 0:56:37.399
<v Speaker 1>I wish they could have made that a little bit more,

0:56:37.560 --> 0:56:39.919
<v Speaker 1>you know, explicit, because that would have been that's even

0:56:39.960 --> 0:56:41.880
<v Speaker 1>sadder that Phoenie's like, you know, I actually kind of

0:56:41.920 --> 0:56:44.640
<v Speaker 1>want more, right, right, and he wants more and they

0:56:44.640 --> 0:56:45.600
<v Speaker 1>always do every year.

0:56:45.719 --> 0:56:48.239
<v Speaker 3>They just do each other essentially every year, a couple

0:56:48.280 --> 0:56:50.640
<v Speaker 3>of times a year, and then I'm hungry and he

0:56:50.680 --> 0:56:56.400
<v Speaker 3>wants exactly. Oh my god, I don't know.

0:56:56.480 --> 0:56:59.440
<v Speaker 2>Guys, I don't know. I think we've maybe thought too

0:56:59.520 --> 0:57:02.040
<v Speaker 2>much about it, and I thought.

0:57:01.920 --> 0:57:02.640
<v Speaker 3>Enough about it.

0:57:02.719 --> 0:57:07.680
<v Speaker 1>Sitcom guys, relax, stop think you can you just have

0:57:07.719 --> 0:57:15.000
<v Speaker 1>fun with the shows A, B and B. They both teacher,

0:57:15.080 --> 0:57:20.680
<v Speaker 1>it's funny, old guy funny wants to get it on.

0:57:22.520 --> 0:57:25.600
<v Speaker 2>Eric admits I don't understand this friendship. Phoene throws his

0:57:25.680 --> 0:57:28.360
<v Speaker 2>arms up. Neither do I. They walk out, leaving behind

0:57:28.360 --> 0:57:30.919
<v Speaker 2>a bartender who was, by the way, a way less

0:57:31.040 --> 0:57:35.080
<v Speaker 2>risky move than going you have a sure thing. Yes,

0:57:35.160 --> 0:57:42.160
<v Speaker 2>maybe she's got a friend Grandma, grandma exactly. Then we

0:57:42.200 --> 0:57:44.720
<v Speaker 2>are back in Phoenie's house. Corey now in a tucks

0:57:44.840 --> 0:57:47.200
<v Speaker 2>joyfully plays the piano as Tapanga and the Bed and

0:57:47.200 --> 0:57:49.120
<v Speaker 2>Breakfast guests gather around him singing.

0:57:49.160 --> 0:57:51.880
<v Speaker 3>In Unison, I love how Cory plays the piano though,

0:57:52.000 --> 0:57:52.880
<v Speaker 3>it's one of my favorite.

0:57:52.880 --> 0:57:55.480
<v Speaker 1>He's just sitting at the piano. You remember this, Danielle,

0:57:56.320 --> 0:58:00.280
<v Speaker 1>You don't love it all week long? This that the

0:58:00.320 --> 0:58:02.920
<v Speaker 1>greatest thing. Okay, So this was It was so fun

0:58:03.000 --> 0:58:06.920
<v Speaker 1>because first of all, Ben just loves singing and loves

0:58:07.240 --> 0:58:09.120
<v Speaker 1>that you can have. How much fun he's having. He

0:58:09.280 --> 0:58:11.280
<v Speaker 1>just like this has been in his element. So the

0:58:11.320 --> 0:58:14.720
<v Speaker 1>idea that he got to like play. So they during rehearsal,

0:58:15.000 --> 0:58:17.680
<v Speaker 1>they brought a piano in onto the side of the stage,

0:58:17.720 --> 0:58:19.440
<v Speaker 1>like not even in the set, but on like a

0:58:19.480 --> 0:58:21.360
<v Speaker 1>real piano and do the side of the stage, which

0:58:21.360 --> 0:58:23.960
<v Speaker 1>is just when I think about that, like how cool

0:58:24.080 --> 0:58:26.600
<v Speaker 1>is life when you're on a set And they're just like,

0:58:26.640 --> 0:58:29.040
<v Speaker 1>we need to rehearse for the week, Let's see a piano.

0:58:29.080 --> 0:58:32.000
<v Speaker 1>So Ray Colcord sat at the piano and taught us

0:58:32.040 --> 0:58:34.080
<v Speaker 1>all this song and we sat and we all sang.

0:58:34.200 --> 0:58:36.880
<v Speaker 1>I thought I sang it in the episode because I

0:58:36.960 --> 0:58:40.320
<v Speaker 1>remember singing it all together and Bill calling me out

0:58:40.360 --> 0:58:43.640
<v Speaker 1>for being a horrible singer. Really yeah, yeah, yeah. We're

0:58:43.640 --> 0:58:47.000
<v Speaker 1>all like by the line of the Silvery Moon, you know,

0:58:47.040 --> 0:58:48.600
<v Speaker 1>and just coming up with all the bits of like

0:58:48.720 --> 0:58:51.160
<v Speaker 1>by the mood but and having so much fun and

0:58:51.200 --> 0:58:55.600
<v Speaker 1>Bill just being like, hmm, someone, someone's off, someone's off.

0:58:55.640 --> 0:58:57.040
<v Speaker 1>And then he just pointed to me and he's like

0:58:57.080 --> 0:59:00.800
<v Speaker 1>and I think this one here, and we just laughed.

0:59:01.160 --> 0:59:02.880
<v Speaker 1>I will never forget it, because you know, like I'm

0:59:02.880 --> 0:59:04.400
<v Speaker 1>not a great singer. I'm always off key.

0:59:04.600 --> 0:59:07.920
<v Speaker 3>And I was like, oh, Bill Daniels just called me out.

0:59:08.280 --> 0:59:11.040
<v Speaker 1>He laughed and walked away, and I was like, he's right.

0:59:12.240 --> 0:59:14.640
<v Speaker 1>Remember that so much fun because I mean I remember Betsy.

0:59:14.760 --> 0:59:17.120
<v Speaker 1>Betsy is a great singer and loved singing, so she

0:59:17.320 --> 0:59:19.000
<v Speaker 1>was like a big part of it. And she and

0:59:19.040 --> 0:59:21.200
<v Speaker 1>Ben used to always do musicals to get They would

0:59:21.200 --> 0:59:23.960
<v Speaker 1>always be seeing musicals and like backs, and so this

0:59:24.160 --> 0:59:26.200
<v Speaker 1>was just such a fun moment, you know, and you

0:59:26.240 --> 0:59:27.960
<v Speaker 1>can see how much fun Ben's having with it. It

0:59:28.040 --> 0:59:28.640
<v Speaker 1>was so great.

0:59:28.800 --> 0:59:32.600
<v Speaker 2>And I don't like singing and I don't like musicals,

0:59:32.720 --> 0:59:35.040
<v Speaker 2>and so I was probably just like get this week

0:59:35.080 --> 0:59:39.640
<v Speaker 2>over not having fun this week French maid out exactly.

0:59:39.880 --> 0:59:42.280
<v Speaker 2>I was probably excited about that was not quite as

0:59:42.320 --> 0:59:42.720
<v Speaker 2>bast You.

0:59:42.760 --> 0:59:45.520
<v Speaker 1>Actually dressed up as a French maid for first week?

0:59:45.960 --> 0:59:48.240
<v Speaker 2>Yeah, oh yeah, I would have been a French maid

0:59:48.280 --> 0:59:50.720
<v Speaker 2>as a job. I probably would have taken that role.

0:59:52.520 --> 0:59:55.080
<v Speaker 3>Did you have to be French? Can't you just cleaned

0:59:55.080 --> 0:59:55.400
<v Speaker 3>it up?

0:59:55.680 --> 0:59:58.840
<v Speaker 2>That's that's boring, that's boring. You have to wear you

0:59:58.880 --> 1:00:03.080
<v Speaker 2>have to wear the acoutral uh so. Arnie is especially

1:00:03.080 --> 1:00:05.000
<v Speaker 2>getting into the song. The song ends and they all

1:00:05.040 --> 1:00:08.120
<v Speaker 2>tip Corey for his performance. Shawn appears on the stairwell

1:00:08.160 --> 1:00:10.760
<v Speaker 2>telling everyone there's news from the honeymoon suiteet. The more

1:00:10.800 --> 1:00:14.640
<v Speaker 2>parks have eaten. The crowd cheers and excitement. The Panga

1:00:14.680 --> 1:00:17.880
<v Speaker 2>reminds Gloria, don't forget about the sunrise nature walk tomorrow morning.

1:00:17.960 --> 1:00:21.800
<v Speaker 2>Wear comfortable shoes. Arnie asks to Panga, chocolate mint, she

1:00:21.920 --> 1:00:24.840
<v Speaker 2>doesn't hesitate right on your pillow. Arnie turns to Corey,

1:00:25.000 --> 1:00:27.960
<v Speaker 2>mister lucky. Corey looks at to Panga lovingly. I know

1:00:28.520 --> 1:00:30.080
<v Speaker 2>Corey counts as tips forty two.

1:00:30.440 --> 1:00:35.440
<v Speaker 1>The entirety of the relationship I have not just may developed,

1:00:35.720 --> 1:00:36.640
<v Speaker 1>we have not developed.

1:00:36.640 --> 1:00:37.720
<v Speaker 3>She's a good.

1:00:39.280 --> 1:00:40.960
<v Speaker 2>About their relationship.

1:00:42.240 --> 1:00:44.160
<v Speaker 1>Like the Flintstones. They have a lot of shared interests.

1:00:44.160 --> 1:00:47.080
<v Speaker 3>According to Will, No, it's one thing.

1:00:47.280 --> 1:00:50.840
<v Speaker 1>One episode. Yeah, that's all that matters. She likes the

1:00:50.840 --> 1:00:52.160
<v Speaker 1>stuff he likes. We're good.

1:00:52.440 --> 1:00:52.800
<v Speaker 2>We're good.

1:00:52.800 --> 1:00:55.520
<v Speaker 3>How about they both likes the same stuff instead of

1:00:55.760 --> 1:00:57.720
<v Speaker 3>she likes what he likes.

1:00:57.560 --> 1:00:59.800
<v Speaker 1>That's all she just needs to say, I also like

1:00:59.800 --> 1:01:00.480
<v Speaker 1>this you like.

1:01:02.880 --> 1:01:05.160
<v Speaker 2>He tells Sean, Now we can afford that public defender,

1:01:05.200 --> 1:01:07.120
<v Speaker 2>and he emphasizes, I cannot do time.

1:01:08.000 --> 1:01:10.439
<v Speaker 3>We can afford the public defender is a great line.

1:01:10.520 --> 1:01:14.600
<v Speaker 2>Great line, Sean laughs. They won't get caught. They've grown

1:01:14.640 --> 1:01:17.600
<v Speaker 2>as schemers. Sean has finally rubbed off on Corey. He's

1:01:17.640 --> 1:01:19.560
<v Speaker 2>as shady as him now and he just has to

1:01:19.600 --> 1:01:22.520
<v Speaker 2>deal with it. Corey responds, wrong, the universe will catch

1:01:22.600 --> 1:01:24.880
<v Speaker 2>up to us. I trust the universe. Sean says. The

1:01:24.960 --> 1:01:27.600
<v Speaker 2>universe better hurry up because they're all leaving tomorrow. All

1:01:27.640 --> 1:01:29.360
<v Speaker 2>we have to do is make it through breakfast, and

1:01:29.400 --> 1:01:31.720
<v Speaker 2>we didn't get caught. Corey panics, we have to get

1:01:31.760 --> 1:01:33.840
<v Speaker 2>caught at breakfast. He points up at the sky. You

1:01:33.880 --> 1:01:36.360
<v Speaker 2>hear me. Sean stops him. Wait a minute, are we

1:01:36.360 --> 1:01:39.960
<v Speaker 2>feeding them at breakfast? Corey nods there it is. So

1:01:39.960 --> 1:01:41.040
<v Speaker 2>it's all very confusing.

1:01:42.560 --> 1:01:45.840
<v Speaker 1>I think it's it's almost really funny because the idea

1:01:45.880 --> 1:01:48.479
<v Speaker 1>is like close the idea is, and I think Corey

1:01:48.560 --> 1:01:49.919
<v Speaker 1>just needed to set it up a little bit more

1:01:49.960 --> 1:01:53.439
<v Speaker 1>like something's gonna happen, right, that's gonna be the thing

1:01:53.520 --> 1:01:55.640
<v Speaker 1>that we didn't think about. That just set up a

1:01:55.880 --> 1:01:59.400
<v Speaker 1>bit there. It is is like the universe is right,

1:01:59.720 --> 1:02:01.760
<v Speaker 1>but if you had just made it a little more specific,

1:02:01.800 --> 1:02:03.400
<v Speaker 1>because it's it is kind of funny.

1:02:03.600 --> 1:02:06.640
<v Speaker 2>It actually we sometimes we've made jokes before about tea

1:02:06.760 --> 1:02:07.320
<v Speaker 2>teeed up.

1:02:07.960 --> 1:02:13.560
<v Speaker 1>This is a case of actually, well, the problem is,

1:02:13.760 --> 1:02:15.120
<v Speaker 1>I think, and this is the problem with the whole

1:02:15.200 --> 1:02:18.360
<v Speaker 1>universe thing is that it's it takes away tension between us.

1:02:19.560 --> 1:02:22.120
<v Speaker 1>If Corey is angry with the universe or pointing everything

1:02:22.160 --> 1:02:24.520
<v Speaker 1>to the universe, it takes away from the two of

1:02:24.600 --> 1:02:28.200
<v Speaker 1>us debating or arguing. And I'm super confident and cocky

1:02:28.240 --> 1:02:30.160
<v Speaker 1>and don't care and I'm not phased by him, and

1:02:30.200 --> 1:02:32.720
<v Speaker 1>he's not yelling at me anymore. So it loses tension.

1:02:32.760 --> 1:02:34.400
<v Speaker 1>It actually dissolves it. If you had been turning to

1:02:34.440 --> 1:02:36.680
<v Speaker 1>me being like something's gonna happen and you're gonna be

1:02:36.720 --> 1:02:38.400
<v Speaker 1>the you know, and then I'm like ooh, I didn't

1:02:38.400 --> 1:02:40.800
<v Speaker 1>think about breakfast. Then it's on me. Then he can

1:02:40.800 --> 1:02:42.960
<v Speaker 1>say there, I don't know, it's a little yeah.

1:02:43.040 --> 1:02:43.600
<v Speaker 2>No, you're right.

1:02:44.400 --> 1:02:45.480
<v Speaker 1>And then the pancakes.

1:02:46.280 --> 1:02:48.480
<v Speaker 2>Do you remember the pancakes. It's not very.

1:02:48.280 --> 1:02:51.120
<v Speaker 3>Funny, very funny, it's so funny.

1:02:51.120 --> 1:02:53.080
<v Speaker 2>So then we're in the Matthew's kitchen, Alan, Amy, and

1:02:53.080 --> 1:02:55.320
<v Speaker 2>Corey are just sitting down for breakfast. Alan reaches for

1:02:55.360 --> 1:02:57.800
<v Speaker 2>a giant stack of pancakes at the table, but Corey

1:02:57.840 --> 1:02:59.720
<v Speaker 2>slaps his hand away. I think it's only fitting that

1:02:59.720 --> 1:03:01.680
<v Speaker 2>we our heads and give thanks for the food in

1:03:01.680 --> 1:03:04.120
<v Speaker 2>front of us. Amy and Allen are suspicious, but they

1:03:04.120 --> 1:03:07.680
<v Speaker 2>bow their heads anyway. Corey pushes them lower. Then Corey

1:03:07.720 --> 1:03:10.760
<v Speaker 2>begins to say thanks and starts throwing pancakes blindly over

1:03:10.800 --> 1:03:14.320
<v Speaker 2>his head to Sean, who we see in the backyard sideyard,

1:03:14.640 --> 1:03:18.600
<v Speaker 2>catching every single pancake. I cannot believe you don't remember this.

1:03:19.000 --> 1:03:21.280
<v Speaker 1>Yeah, well, we only would have done it like the

1:03:21.280 --> 1:03:23.240
<v Speaker 1>one time, right, like during rehearsal, we never would have

1:03:23.240 --> 1:03:25.840
<v Speaker 1>had pancakes. So it was just finally on the tape

1:03:25.920 --> 1:03:27.840
<v Speaker 1>day they would have brought them in and like they

1:03:27.840 --> 1:03:35.160
<v Speaker 1>would have to catch us. Yeah, thought the ability to

1:03:35.160 --> 1:03:38.480
<v Speaker 1>throw from kitchen into the backyard and me actually catch it.

1:03:38.600 --> 1:03:40.160
<v Speaker 1>I don't know, Yeah, I don't remember.

1:03:39.840 --> 1:03:41.760
<v Speaker 2>It, but I mean I do know. We used to.

1:03:41.800 --> 1:03:43.800
<v Speaker 2>I think, at least I think we used to cut

1:03:43.840 --> 1:03:49.200
<v Speaker 2>more corners during rehearsal and run throughs now. I am amazed.

1:03:49.720 --> 1:03:52.560
<v Speaker 2>It's never, it's never. Not once caught me off guard

1:03:53.000 --> 1:03:56.200
<v Speaker 2>that on day one for producer run through all the

1:03:56.240 --> 1:03:59.920
<v Speaker 2>props and everything everything props. I mean day one rehearse,

1:04:00.400 --> 1:04:03.000
<v Speaker 2>we rehearse with full props's are you going to have

1:04:03.040 --> 1:04:04.760
<v Speaker 2>your purse? Put your purse on? Are you going to

1:04:04.840 --> 1:04:07.200
<v Speaker 2>have that? Grab that? Now? We every single smart.

1:04:08.320 --> 1:04:10.280
<v Speaker 1>It's smart. It puts more of the onus on the

1:04:10.280 --> 1:04:12.360
<v Speaker 1>writing to stay the way it is, like you know,

1:04:13.240 --> 1:04:16.840
<v Speaker 1>like leaving it more sort of improvy and like open.

1:04:17.240 --> 1:04:19.720
<v Speaker 1>It actually allows for more rewrites. But that's interesting that

1:04:19.720 --> 1:04:20.960
<v Speaker 1>they're getting more nailed down.

1:04:21.280 --> 1:04:21.840
<v Speaker 2>Yeah, no, and.

1:04:22.160 --> 1:04:25.040
<v Speaker 1>Find if the scripts are changing less than compared to

1:04:25.080 --> 1:04:26.160
<v Speaker 1>like back in the nineties.

1:04:26.640 --> 1:04:30.960
<v Speaker 2>Yes, the scripts definitely change less. But also you know

1:04:31.040 --> 1:04:34.480
<v Speaker 2>there are times where sometimes whether it's network or it's

1:04:34.520 --> 1:04:37.480
<v Speaker 2>an EP, who will say, listen, we've we've I love

1:04:37.520 --> 1:04:40.680
<v Speaker 2>what's based like the basis of what's here but these

1:04:40.680 --> 1:04:44.440
<v Speaker 2>individual characters need to have, you know, and then then

1:04:44.760 --> 1:04:49.240
<v Speaker 2>kind of significant stuff will change. But yeah, nothing like

1:04:49.400 --> 1:04:51.280
<v Speaker 2>what we used to do. We're on a tape night,

1:04:51.480 --> 1:04:54.760
<v Speaker 2>walk out and a pencil down a page and rewrite,

1:04:55.080 --> 1:04:56.080
<v Speaker 2>nothing like that.

1:04:56.280 --> 1:04:58.680
<v Speaker 1>But I also feel like you would have avoided some

1:04:58.760 --> 1:05:00.800
<v Speaker 1>of the problems that I remember all having, which is

1:05:01.240 --> 1:05:04.080
<v Speaker 1>a prop showing up on tape day and it being correct,

1:05:04.240 --> 1:05:04.920
<v Speaker 1>what is wanted?

1:05:05.160 --> 1:05:06.040
<v Speaker 3>And what what?

1:05:06.040 --> 1:05:07.720
<v Speaker 1>What is this? This can't be right, and then you

1:05:07.760 --> 1:05:10.040
<v Speaker 1>can't go and get it. So like having all the

1:05:10.600 --> 1:05:13.640
<v Speaker 1>props and art department stuff as early as possible is

1:05:13.680 --> 1:05:14.840
<v Speaker 1>only good really.

1:05:14.560 --> 1:05:17.040
<v Speaker 2>And it helps you as a director too, because you

1:05:17.160 --> 1:05:19.720
<v Speaker 2>know whether or not something is going to work, and

1:05:19.760 --> 1:05:21.760
<v Speaker 2>if it's not going to work, what you are going

1:05:21.800 --> 1:05:24.200
<v Speaker 2>to need in order to make it work. And everyone

1:05:24.280 --> 1:05:27.000
<v Speaker 2>can start to have time to do that. So I mean,

1:05:27.360 --> 1:05:29.520
<v Speaker 2>because I do I've thought before, like we didn't used

1:05:29.520 --> 1:05:31.640
<v Speaker 2>to do that. We didn't have props on day one,

1:05:31.720 --> 1:05:33.440
<v Speaker 2>but you know, I feel like by the time we

1:05:33.480 --> 1:05:34.959
<v Speaker 2>got to network run through, you would have had something

1:05:35.000 --> 1:05:37.840
<v Speaker 2>to catch maybe. So then we're in Phoenie's house, Corey

1:05:37.920 --> 1:05:40.960
<v Speaker 2>walks down the stairs triumphantly. We did it. The upstairs

1:05:41.040 --> 1:05:43.040
<v Speaker 2>is and shambles, and every dish Phoenie owns is in

1:05:43.080 --> 1:05:44.920
<v Speaker 2>the sink. He wants to get caught so he can

1:05:44.960 --> 1:05:48.120
<v Speaker 2>be at peace without punishment. Corey's world loses both form

1:05:48.200 --> 1:05:51.080
<v Speaker 2>and meaning. Sean questions, you were one of those kids

1:05:51.160 --> 1:05:55.320
<v Speaker 2>that enjoys getting enjoyed getting such a great beat. Yeah,

1:05:55.680 --> 1:05:59.800
<v Speaker 2>so funny, Corey admits, I always deserved it. Gloria heck

1:06:00.200 --> 1:06:02.439
<v Speaker 2>down the stairs with cleaning supplies. You made us feel

1:06:02.480 --> 1:06:05.360
<v Speaker 2>so welcome. We all tidied up after ourselves. Oh and

1:06:05.440 --> 1:06:08.160
<v Speaker 2>Nona did all the dirty dishes. Cory raises his arms

1:06:08.200 --> 1:06:10.960
<v Speaker 2>to the sky. Don't you know it's us? Corey says

1:06:10.960 --> 1:06:12.640
<v Speaker 2>he's not comfortable with this. In the old days, they'd

1:06:12.640 --> 1:06:14.360
<v Speaker 2>be standing there patting themselves on the back, and then

1:06:14.360 --> 1:06:17.680
<v Speaker 2>the doorknob would start turning. And then the doorknob does

1:06:17.720 --> 1:06:20.960
<v Speaker 2>start turning, and as Corey predicted, Phoene Waltz is in.

1:06:21.240 --> 1:06:23.200
<v Speaker 2>Corey thanks the universe for caring about them, but then

1:06:23.240 --> 1:06:25.520
<v Speaker 2>Feene notices he forgot his overnight back. He needs to

1:06:25.560 --> 1:06:28.000
<v Speaker 2>run back to the cab to get it. This can

1:06:28.040 --> 1:06:29.720
<v Speaker 2>still be pulled off. All they have to do is

1:06:29.760 --> 1:06:31.960
<v Speaker 2>get their guests checked out. In the next fifteen seconds.

1:06:32.120 --> 1:06:34.600
<v Speaker 2>Corey refuses, it's over and he is at peace the

1:06:34.600 --> 1:06:37.120
<v Speaker 2>group of guests and magically walk out of the side group.

1:06:37.160 --> 1:06:39.000
<v Speaker 2>Gloria tells her husband that they need to leave in

1:06:39.040 --> 1:06:41.360
<v Speaker 2>the next five seconds so they don't miss their flight.

1:06:41.800 --> 1:06:43.840
<v Speaker 2>The Timmers agree to split a taxi with them, and

1:06:43.920 --> 1:06:47.400
<v Speaker 2>Corey and Sean watch the conversation in awe. Sean thanks

1:06:47.400 --> 1:06:49.600
<v Speaker 2>them for staying, reminding them he has their deposits and

1:06:49.640 --> 1:06:52.600
<v Speaker 2>we'll hold their rooms for Christmas. Corey reminds him Feoene

1:06:52.600 --> 1:06:54.960
<v Speaker 2>is right outside the door, so it's over. He's going

1:06:55.000 --> 1:06:58.120
<v Speaker 2>towards the white light, but on cue. Arnie tells the group,

1:06:58.280 --> 1:07:00.120
<v Speaker 2>let's go out the back way. I want to take

1:07:00.160 --> 1:07:03.400
<v Speaker 2>that bench with me. Just as the group leaves, Phoene

1:07:03.440 --> 1:07:07.160
<v Speaker 2>walks back through the front door. Sean exclaims, here she is,

1:07:07.240 --> 1:07:10.400
<v Speaker 2>mister Feenie, your house does she look the same? Cory's

1:07:10.440 --> 1:07:13.080
<v Speaker 2>ready for the punishment, but Poene admires the credenza is

1:07:13.160 --> 1:07:16.480
<v Speaker 2>nicely polished, plants look well sunned. Corey points to Sean

1:07:16.480 --> 1:07:19.400
<v Speaker 2>that the statue is missing. Arnie took it. Phoene then

1:07:19.440 --> 1:07:22.720
<v Speaker 2>also notices it's gone. Corey shouts, I confess all is

1:07:22.800 --> 1:07:25.720
<v Speaker 2>right with the world. From the side room just beyond vision,

1:07:25.880 --> 1:07:29.080
<v Speaker 2>Arnie hands Cory the statue. Sean quickly hands it to Feenie,

1:07:29.080 --> 1:07:31.440
<v Speaker 2>saying they were just giving it a quick polish. Phoene

1:07:31.560 --> 1:07:34.600
<v Speaker 2>tells the boys they did a wonderful job. Cory is stunned,

1:07:34.680 --> 1:07:37.560
<v Speaker 2>and Sean walks toward the front door. As they're walking away,

1:07:37.600 --> 1:07:40.920
<v Speaker 2>Phoenie asks how much money did you actually make? Cory

1:07:40.920 --> 1:07:42.800
<v Speaker 2>throws his hands in the air, thank you so much,

1:07:42.960 --> 1:07:44.800
<v Speaker 2>and he gives Foenie a big hug. He points to

1:07:44.840 --> 1:07:46.560
<v Speaker 2>the sky. I knew you still cared about me.

1:07:46.720 --> 1:07:48.920
<v Speaker 1>Oh did you notice the giant break?

1:07:49.840 --> 1:07:51.520
<v Speaker 3>No? Oh? Oh yeah? Oh for you?

1:07:52.160 --> 1:07:55.040
<v Speaker 1>Yeah, and I lose it. This is one of the

1:07:55.240 --> 1:07:58.920
<v Speaker 1>clearest times where we are just completely breaking character. And

1:07:58.960 --> 1:08:00.400
<v Speaker 1>I think what was supposed to have up it is

1:08:00.440 --> 1:08:02.760
<v Speaker 1>that it was written as both of us doing the

1:08:03.560 --> 1:08:06.120
<v Speaker 1>and then you just I'm doing and he didn't do it.

1:08:06.240 --> 1:08:08.760
<v Speaker 1>He goes out, and then we look at each other.

1:08:08.800 --> 1:08:10.840
<v Speaker 1>You can see him turn look at me like I

1:08:10.880 --> 1:08:13.040
<v Speaker 1>didn't do it, and I'm looking, what are you doing?

1:08:13.680 --> 1:08:16.680
<v Speaker 1>We clearly just and they kept it, and they kept it,

1:08:16.720 --> 1:08:19.280
<v Speaker 1>and they kept it. It's so funny. Oh my god,

1:08:19.320 --> 1:08:21.479
<v Speaker 1>that is just us like looking at each other like

1:08:21.560 --> 1:08:24.240
<v Speaker 1>you and I don't know if it was him being

1:08:24.280 --> 1:08:26.639
<v Speaker 1>intentional or me. Maybe it was like we were supposed

1:08:26.680 --> 1:08:28.920
<v Speaker 1>to do so, but we were out of sync and

1:08:28.920 --> 1:08:31.800
<v Speaker 1>we're just laughing at each other for being out of sync.

1:08:31.920 --> 1:08:34.000
<v Speaker 2>So funny. I love it when they use those You

1:08:34.040 --> 1:08:36.599
<v Speaker 2>wonder like was that the best they had or did

1:08:36.640 --> 1:08:37.480
<v Speaker 2>they also.

1:08:37.439 --> 1:08:42.240
<v Speaker 3>Just like the energy. I have a quick question, not

1:08:42.280 --> 1:08:44.240
<v Speaker 3>to go back to a very old conversation that we've

1:08:44.280 --> 1:08:48.920
<v Speaker 3>had a thousand times, but in Feoene's yard that we

1:08:48.960 --> 1:08:52.799
<v Speaker 3>see all the time, the dead bodies, the dead body owed, uh,

1:08:52.880 --> 1:08:55.360
<v Speaker 3>the Azalea yard, is there a bench?

1:08:58.200 --> 1:09:01.240
<v Speaker 1>There's no there's like there have been those chairs that

1:09:01.280 --> 1:09:03.520
<v Speaker 1>he sat right with Corey, right.

1:09:03.360 --> 1:09:05.960
<v Speaker 3>But he says, let's go out the back. I want

1:09:06.040 --> 1:09:06.960
<v Speaker 3>us to take the bench.

1:09:07.600 --> 1:09:11.599
<v Speaker 2>It could be the back side where it could be

1:09:11.680 --> 1:09:16.120
<v Speaker 2>like beside you're talking about where you think is the backyard, right?

1:09:16.120 --> 1:09:18.920
<v Speaker 2>Because remember his because isn't his car? Isn't that where

1:09:18.920 --> 1:09:19.720
<v Speaker 2>he parked his car?

1:09:19.960 --> 1:09:21.760
<v Speaker 3>Again, I know it's an esher house. I was just

1:09:21.880 --> 1:09:24.400
<v Speaker 3>every time. Now there's a little nugget, I'm.

1:09:24.280 --> 1:09:27.960
<v Speaker 1>Like, hmmm, yeah, I don't I don't know, guys, it's

1:09:27.960 --> 1:09:29.160
<v Speaker 1>a nineties sitcom.

1:09:29.280 --> 1:09:30.960
<v Speaker 3>Relax, just have fun.

1:09:31.200 --> 1:09:33.519
<v Speaker 2>Fun, So glad you're here to remind us to just.

1:09:34.640 --> 1:09:37.120
<v Speaker 1>You know, some people over analyze this stuff, but you

1:09:37.360 --> 1:09:40.120
<v Speaker 1>really too deep and they care too much.

1:09:40.240 --> 1:09:42.439
<v Speaker 2>You know, when we were talking about our roles on

1:09:42.479 --> 1:09:45.920
<v Speaker 2>this podcast, writer is the fun one was just exactly,

1:09:45.880 --> 1:09:48.640
<v Speaker 2>were like writers here to provide the joy and the

1:09:48.680 --> 1:09:50.200
<v Speaker 2>fun and the compensation.

1:09:51.400 --> 1:09:54.400
<v Speaker 1>You guys want a dance, so a TikTok video. Come on,

1:09:55.240 --> 1:10:00.360
<v Speaker 1>who's gonna lipsyick? Nope, come on, you guys. I don't

1:10:00.360 --> 1:10:01.360
<v Speaker 1>have any fun anymore.

1:10:01.960 --> 1:10:03.960
<v Speaker 3>I feel like the world might be coming to an end.

1:10:04.120 --> 1:10:05.000
<v Speaker 3>Something's happening.

1:10:07.080 --> 1:10:09.800
<v Speaker 2>Sean asks Pheenie how he knew, and Phoenie admits it

1:10:09.880 --> 1:10:11.880
<v Speaker 2>was actually the cab driver. I gave him my address.

1:10:12.000 --> 1:10:13.559
<v Speaker 2>He said he knew the place well, and I should

1:10:13.640 --> 1:10:18.920
<v Speaker 2>get the room with the jacuzzi. Sean says, the cabs

1:10:19.680 --> 1:10:22.680
<v Speaker 2>and then you break again, Right, that's the moment I

1:10:22.840 --> 1:10:23.360
<v Speaker 2>was remembering.

1:10:23.439 --> 1:10:24.800
<v Speaker 3>Then you break again, ye.

1:10:27.520 --> 1:10:29.519
<v Speaker 1>Deep wort the cab driver. That's awful.

1:10:30.400 --> 1:10:31.040
<v Speaker 3>Sure, it's kind.

1:10:31.520 --> 1:10:35.519
<v Speaker 1>Just kick out some hard working the immigrants who's completely

1:10:35.560 --> 1:10:39.240
<v Speaker 1>hooked me up all weekend long. Exactly weekend long. I'm

1:10:39.280 --> 1:10:40.800
<v Speaker 1>just gonna stuport him.

1:10:43.040 --> 1:10:43.439
<v Speaker 3>Awful.

1:10:43.720 --> 1:10:45.920
<v Speaker 2>Cory asks, so, I guess you want the money back.

1:10:46.040 --> 1:10:48.840
<v Speaker 2>Phoene responds, I think that'd be appropriate. Sean hands him

1:10:48.840 --> 1:10:51.040
<v Speaker 2>the cash and asks how much trouble he's in. Phoene's

1:10:51.080 --> 1:10:53.639
<v Speaker 2>astounded at the amount of money they made the usual

1:10:53.720 --> 1:10:56.720
<v Speaker 2>mister hunter. Sean's confused, and Phoene explains he took a risk,

1:10:56.840 --> 1:10:58.680
<v Speaker 2>and I happen to have a soft spot now for

1:10:58.840 --> 1:11:01.960
<v Speaker 2>risk takers. Corey whispers to his best friend, take another

1:11:02.040 --> 1:11:04.280
<v Speaker 2>risk and ask for the money back. Sean doesn't hesitate.

1:11:04.360 --> 1:11:05.240
<v Speaker 2>Can I have the money back?

1:11:05.320 --> 1:11:08.080
<v Speaker 3>That's you? Don't that you not stopping in between the

1:11:08.120 --> 1:11:11.040
<v Speaker 3>two like running over. It was the perfect way to

1:11:11.080 --> 1:11:13.120
<v Speaker 3>read that joke. It was. It really was for the

1:11:13.160 --> 1:11:14.280
<v Speaker 3>money back. Can we have the money back?

1:11:14.600 --> 1:11:15.880
<v Speaker 2>That's high praise coming from you?

1:11:16.080 --> 1:11:16.559
<v Speaker 1>That was great.

1:11:17.479 --> 1:11:19.799
<v Speaker 2>Phoene tells him, yes, you can. When you're in college,

1:11:19.800 --> 1:11:21.639
<v Speaker 2>you already prove to yourself that you have a future

1:11:21.640 --> 1:11:24.400
<v Speaker 2>in business. That and a college education, you'll do fine.

1:11:24.840 --> 1:11:27.000
<v Speaker 2>Sean smiles. He's going to be okay in this world.

1:11:27.200 --> 1:11:29.400
<v Speaker 2>He doesn't have to be a criminal. And I love

1:11:29.479 --> 1:11:32.200
<v Speaker 2>the way this this the way this is all resolved,

1:11:32.479 --> 1:11:35.360
<v Speaker 2>so kind of like, hey, I don't have to Rob

1:11:35.439 --> 1:11:39.360
<v Speaker 2>Banks is hilarious, Like I love that Corey tells him,

1:11:39.520 --> 1:11:43.519
<v Speaker 2>And the universe is a better town for that could

1:11:43.560 --> 1:11:46.360
<v Speaker 2>have done with one less universe and less universe thing.

1:11:47.760 --> 1:11:50.240
<v Speaker 2>Then we're in the tag. We're in Phoenie's house. Continuing,

1:11:50.320 --> 1:11:52.560
<v Speaker 2>Phoene repeatedly knocks on the door to his bedroom, but

1:11:52.640 --> 1:11:55.439
<v Speaker 2>he gets no response. He yels, I understand that you're

1:11:55.479 --> 1:11:57.720
<v Speaker 2>the honeymoon couple, and I appreciate the fact that you've

1:11:57.720 --> 1:12:00.240
<v Speaker 2>paid for two nights, but I must insist that you

1:12:00.360 --> 1:12:04.679
<v Speaker 2>vacate my bedroom immediately. Checkout time is now to Panga

1:12:04.760 --> 1:12:07.160
<v Speaker 2>nonchalantly creeps up behind him in a French made outfit

1:12:07.439 --> 1:12:10.639
<v Speaker 2>carrying cleaning supplies, but quickly darts away when she sees Phoenie.

1:12:10.800 --> 1:12:12.280
<v Speaker 2>No one apparently clued her in.

1:12:12.880 --> 1:12:14.080
<v Speaker 3>It's just bailed out Onney.

1:12:14.280 --> 1:12:16.040
<v Speaker 1>Just get to Panga in a French maid.

1:12:15.960 --> 1:12:16.880
<v Speaker 5>Out of it, do it.

1:12:17.560 --> 1:12:20.080
<v Speaker 2>Phoene leans back into the doorway. It's not that I

1:12:20.120 --> 1:12:22.479
<v Speaker 2>can't identify with two young people in love. I was

1:12:22.560 --> 1:12:24.880
<v Speaker 2>young ones. I know that when love comes, you must

1:12:24.920 --> 1:12:27.160
<v Speaker 2>seize it lest it slip away through the sands of time.

1:12:27.479 --> 1:12:28.000
<v Speaker 3>I was young.

1:12:28.080 --> 1:12:31.880
<v Speaker 2>Once the door finally opens and it is an extremely

1:12:32.240 --> 1:12:36.360
<v Speaker 2>old couple looking extremely happy. Phoene is stunned it first,

1:12:36.680 --> 1:12:38.840
<v Speaker 2>but then he lets out a little chuckle as soft

1:12:38.920 --> 1:12:41.920
<v Speaker 2>piano music plays in the background. He says to himself,

1:12:42.400 --> 1:12:45.920
<v Speaker 2>perhaps I still am. It would have been funny if

1:12:45.960 --> 1:12:53.479
<v Speaker 2>he had the bartender on speed dial here. Thank you

1:12:53.520 --> 1:12:55.559
<v Speaker 2>all for joining us for this episode of Pod Meets World.

1:12:55.800 --> 1:12:57.800
<v Speaker 2>You can follow us on Instagram pod Meets World Show.

1:12:58.400 --> 1:13:00.200
<v Speaker 2>You can send us your emails pod Meets World Show

1:13:00.200 --> 1:13:02.640
<v Speaker 2>at gmail dot com and we have.

1:13:02.800 --> 1:13:08.040
<v Speaker 3>Merch commodity, material, product stock stuff, effects line number produce,

1:13:08.080 --> 1:13:11.200
<v Speaker 3>second staple truck, Where's God? You're right? The Thesaurus World.

1:13:11.320 --> 1:13:12.960
<v Speaker 3>It just sucks you in, my friend.

1:13:13.720 --> 1:13:20.559
<v Speaker 2>Good podmeetsworldshow dot com. Please join us for our next

1:13:20.600 --> 1:13:23.679
<v Speaker 2>episode recap, which will be season four episode fourteen Wheels,

1:13:23.800 --> 1:13:28.200
<v Speaker 2>which originally aired January seventeenth, nineteen ninety seven. Will send

1:13:28.320 --> 1:13:28.559
<v Speaker 2>us out.

1:13:29.160 --> 1:13:33.320
<v Speaker 3>We love you all, pod dismissed. Podmets World is niheart

1:13:33.400 --> 1:13:36.800
<v Speaker 3>podcast producer and hosted by Danielle Fischel, Wilfredell and Ryder

1:13:36.840 --> 1:13:41.040
<v Speaker 3>Strong executive producers Jensencarp and Amy Sugarman executive in charge

1:13:41.040 --> 1:13:45.479
<v Speaker 3>of production, Danielle Romo, producer and editor, Tara Sudbaksh producer,

1:13:45.600 --> 1:13:48.800
<v Speaker 3>Maddy Moore, engineer and Boy Meets World super fan Easton Allen.

1:13:49.040 --> 1:13:51.160
<v Speaker 3>Our theme song is by Kyle Morton of Typhoon and

1:13:51.240 --> 1:13:53.639
<v Speaker 3>you can follow us on Instagram at Podmets World Show

1:13:53.960 --> 1:13:56.680
<v Speaker 3>or email us at Podmeats Worldshow at gmail dot com