1
00:00:19,760 --> 00:00:23,120
Speaker 1: So I've been writing fiction again for the first time,

2
00:00:23,160 --> 00:00:27,720
Speaker 1: and like kid, and it's you know, it's it's a

3
00:00:27,720 --> 00:00:32,080
Speaker 1: different process. Like screenwriting is all about story and structure

4
00:00:32,320 --> 00:00:37,760
Speaker 1: and dialogue obviously, and with fiction, I find myself, you know,

5
00:00:37,840 --> 00:00:42,040
Speaker 1: getting more word obsessed, like vocabulary obsessed, which is a trap.

6
00:00:42,280 --> 00:00:42,839
Speaker 1: It's like I was.

7
00:00:42,800 --> 00:00:45,159
Speaker 2: Gonna say, that's yeah, that's the worst. You already just

8
00:00:45,240 --> 00:00:47,240
Speaker 2: made me feel like I'm not gonna want to read yep.

9
00:00:47,479 --> 00:00:49,639
Speaker 1: So so what I do is, like, you know, I'll

10
00:00:49,680 --> 00:00:53,600
Speaker 1: start going down some thesarus rabbit hole, and like often

11
00:00:53,640 --> 00:00:56,000
Speaker 1: it'll start with like, well, what's another word for I

12
00:00:56,040 --> 00:00:57,600
Speaker 1: know that? And then and then of course it just

13
00:00:57,640 --> 00:00:59,959
Speaker 1: becomes fun to like look up other words which means

14
00:01:00,080 --> 00:01:01,720
Speaker 1: other words, and then what is that? And then it

15
00:01:01,800 --> 00:01:04,000
Speaker 1: changes the whole sentence and then changes the whole paragraph,

16
00:01:04,040 --> 00:01:05,840
Speaker 1: and then before you know it, I've wasted forty five

17
00:01:05,840 --> 00:01:08,959
Speaker 1: minutes and I found myself in a vocab hole. So

18
00:01:09,040 --> 00:01:11,920
Speaker 1: then the other night, like you know, everybody in my

19
00:01:11,920 --> 00:01:15,080
Speaker 1: household is asleep and I'm awake, and I'm like, oh,

20
00:01:15,319 --> 00:01:19,680
Speaker 1: I need this thing, and I have to start to

21
00:01:19,720 --> 00:01:21,800
Speaker 1: go on Amazon, thinking well, this will be an easy thing,

22
00:01:22,920 --> 00:01:26,840
Speaker 1: and I find myself not able to find what I need,

23
00:01:27,360 --> 00:01:30,560
Speaker 1: and I realize I am having a vocab problem, and

24
00:01:30,600 --> 00:01:34,480
Speaker 1: I start going down the Tisaurus rabbit hole to shop.

25
00:01:35,319 --> 00:01:37,680
Speaker 1: So I want to see if you guys can get this.

26
00:01:37,760 --> 00:01:40,200
Speaker 1: I think you will way quicker than I will. I

27
00:01:40,240 --> 00:01:42,720
Speaker 1: want to see if you guys can figure out what

28
00:01:42,920 --> 00:01:45,720
Speaker 1: I needed and how and the word that I needed

29
00:01:45,800 --> 00:01:50,120
Speaker 1: to find it. Okay, So I've got this new office,

30
00:01:50,120 --> 00:01:51,040
Speaker 1: like outside of my house.

31
00:01:51,080 --> 00:01:51,200
Speaker 3: Now.

32
00:01:51,240 --> 00:01:54,280
Speaker 1: We converted this little like outside thing into my office. Okay,

33
00:01:54,360 --> 00:01:57,440
Speaker 1: and it's been a whole process. I put in the skylight,

34
00:01:57,520 --> 00:02:01,000
Speaker 1: I put in the bookshelves, the skylight, lee Twitter blast

35
00:02:01,120 --> 00:02:03,480
Speaker 1: rains like you know it's but also like I just

36
00:02:03,520 --> 00:02:05,880
Speaker 1: had to reorganize my life, like get my stuff in here.

37
00:02:05,920 --> 00:02:10,040
Speaker 1: And of course I don't have a bathroom, I don't

38
00:02:10,080 --> 00:02:13,440
Speaker 1: have water, I don't have coffee, So like you're constantly

39
00:02:13,520 --> 00:02:15,919
Speaker 1: walking back to my house for all of these things, right,

40
00:02:16,280 --> 00:02:19,080
Speaker 1: and I'm like, I need, like I need something to

41
00:02:19,160 --> 00:02:23,680
Speaker 1: carry a like a thermis, because I have a thermis

42
00:02:23,720 --> 00:02:27,800
Speaker 1: now for my coffee, a water bottle, and my laptop computer.

43
00:02:28,919 --> 00:02:31,200
Speaker 1: I wanted Here's what I wanted. I wanted something with

44
00:02:31,280 --> 00:02:33,280
Speaker 1: handles so I could grab it with one hand because

45
00:02:33,320 --> 00:02:34,760
Speaker 1: you know, I have a backpack, but I didn't want

46
00:02:34,800 --> 00:02:36,520
Speaker 1: to put on my backpack every time I get and

47
00:02:36,560 --> 00:02:38,160
Speaker 1: stuff my backpack. So I was like, I want something

48
00:02:38,200 --> 00:02:40,920
Speaker 1: I can like pick up with one hand with handles

49
00:02:41,160 --> 00:02:46,800
Speaker 1: and carry a thermis, a water bottle and my laptop

50
00:02:46,840 --> 00:02:49,799
Speaker 1: computer at least back and forth to the house. So

51
00:02:50,000 --> 00:02:52,000
Speaker 1: I go to Amazon. Is it?

52
00:02:52,040 --> 00:02:53,680
Speaker 3: Is it like when you say like a roly thing?

53
00:02:53,720 --> 00:02:55,400
Speaker 3: Are you talking like a like a tray?

54
00:02:55,639 --> 00:02:59,040
Speaker 1: Like a oh okay, so we have satchel and we

55
00:02:59,120 --> 00:03:01,000
Speaker 1: have tray right with good suggestions?

56
00:03:01,080 --> 00:03:03,119
Speaker 3: Okay, starts Now what you're looking for?

57
00:03:03,200 --> 00:03:06,799
Speaker 1: Trays? Weight, just flat, no handles right there, and I

58
00:03:06,880 --> 00:03:08,720
Speaker 1: don't want it to carry it with two arms.

59
00:03:08,520 --> 00:03:11,240
Speaker 3: Right, but like Ara, you'd want to trolley.

60
00:03:11,240 --> 00:03:15,880
Speaker 1: Oh you think wheels? Now I can't do wheels because gott.

61
00:03:15,840 --> 00:03:18,080
Speaker 2: What are those things called that have a handle in

62
00:03:18,120 --> 00:03:20,280
Speaker 2: the middle. And it's like I'm pick and then and

63
00:03:20,280 --> 00:03:22,440
Speaker 2: then a bunch of compartments around it.

64
00:03:22,760 --> 00:03:26,840
Speaker 1: Right, I think you're getting there. You're so you know, like.

65
00:03:25,960 --> 00:03:29,320
Speaker 2: Like I've seen them because I and so what they.

66
00:03:29,240 --> 00:03:32,600
Speaker 1: Make those for bathrooms a lot actually for like shampoo.

67
00:03:32,280 --> 00:03:33,639
Speaker 2: And you in college and you know.

68
00:03:33,639 --> 00:03:34,760
Speaker 3: You're looking for a caddy.

69
00:03:34,840 --> 00:03:35,520
Speaker 1: You're looking for.

70
00:03:37,080 --> 00:03:39,680
Speaker 3: Okay, yeah, okay, a caddy.

71
00:03:40,200 --> 00:03:43,800
Speaker 1: I went through so much pain and misery because I

72
00:03:43,880 --> 00:03:46,280
Speaker 1: tried tray. Then it was like no, no, no, it's gotta

73
00:03:46,280 --> 00:03:51,200
Speaker 1: have handle, so basket, don't you know? Satchel? Yeah, that

74
00:03:51,320 --> 00:03:53,640
Speaker 1: took me down like purses and like over the shoulder.

75
00:03:53,680 --> 00:03:53,880
Speaker 3: Back.

76
00:03:55,400 --> 00:03:58,320
Speaker 1: Then I'm like, okay, it's a toat right, I want

77
00:03:58,320 --> 00:04:02,360
Speaker 1: a tote. Guess what toad gives you? Just reusable yeah,

78
00:04:02,480 --> 00:04:05,640
Speaker 1: nothing that has like a hard bottom. Right then I

79
00:04:05,720 --> 00:04:08,720
Speaker 1: was like a valet, right, it's got to be masculine.

80
00:04:08,760 --> 00:04:08,800
Speaker 3: No.

81
00:04:09,000 --> 00:04:12,920
Speaker 1: Valets are like little trays that you have like to

82
00:04:12,960 --> 00:04:14,760
Speaker 1: put all your stuff in, but you leave it there.

83
00:04:14,840 --> 00:04:16,560
Speaker 3: They're gonna go next to your sink. You can put

84
00:04:16,560 --> 00:04:17,440
Speaker 3: your watch, you put all that.

85
00:04:17,680 --> 00:04:20,760
Speaker 1: I just was going down this and like toads came

86
00:04:20,880 --> 00:04:23,600
Speaker 1: the closest, but it never had a hard bottom. And yes,

87
00:04:23,920 --> 00:04:24,800
Speaker 1: caddy was the thing.

88
00:04:25,000 --> 00:04:26,880
Speaker 3: Okay, did you get a caddy?

89
00:04:27,360 --> 00:04:29,360
Speaker 1: Look at my beautiful caddy.

90
00:04:29,360 --> 00:04:33,640
Speaker 3: Wow, that is a beautiful caddies right? Really? Yes?

91
00:04:33,720 --> 00:04:37,400
Speaker 2: Let me see the inside? Yeah okay, so I see okay,

92
00:04:37,440 --> 00:04:39,440
Speaker 2: So in the middle, is that where you put your laptop?

93
00:04:39,720 --> 00:04:39,920
Speaker 3: Yeah?

94
00:04:40,000 --> 00:04:41,640
Speaker 1: Yeah, so I put, well, actually it's got a little

95
00:04:41,680 --> 00:04:43,640
Speaker 1: compartment for the laptop, so I can do that. So

96
00:04:43,720 --> 00:04:46,359
Speaker 1: then I can just have the middle for books and stuff,

97
00:04:46,560 --> 00:04:49,200
Speaker 1: and then my water bottle, and then I've got this

98
00:04:49,240 --> 00:04:52,960
Speaker 1: little guy from my thermos. Oh but forty five minutes

99
00:04:53,040 --> 00:04:57,200
Speaker 1: easily forty five minutes of just rabbit hole googling the word,

100
00:04:57,320 --> 00:04:59,880
Speaker 1: and I finally landed on caddy, and I was like,

101
00:05:00,600 --> 00:05:01,520
Speaker 1: a caddy.

102
00:05:01,600 --> 00:05:04,720
Speaker 2: Right to explain to our dear listeners what it looks like.

103
00:05:04,960 --> 00:05:09,760
Speaker 2: How big would you say that rectangle is? I don't

104
00:05:09,800 --> 00:05:10,599
Speaker 2: know what is that?

105
00:05:11,120 --> 00:05:13,080
Speaker 3: You half by a foot? Yeah, that's what I was

106
00:05:13,120 --> 00:05:13,599
Speaker 3: going to say.

107
00:05:13,640 --> 00:05:17,600
Speaker 2: Okay, it's a it's gray, right, nice leather handles, it's

108
00:05:17,640 --> 00:05:18,080
Speaker 2: like that.

109
00:05:17,960 --> 00:05:21,360
Speaker 1: Felt material that it's like nice. And then yeah, it.

110
00:05:21,320 --> 00:05:24,640
Speaker 2: Has a hard bottom, probably fake leather handles.

111
00:05:24,800 --> 00:05:29,599
Speaker 1: Yeah, wow, really glorious. Today is my first usage of it.

112
00:05:29,760 --> 00:05:31,960
Speaker 3: It's a beautiful caddy. It's beautiful cady.

113
00:05:32,240 --> 00:05:34,200
Speaker 1: So now I'm gonna be You can see me caddying

114
00:05:34,800 --> 00:05:35,400
Speaker 1: back and forth.

115
00:05:36,480 --> 00:05:38,280
Speaker 3: You use that word, I don't think that's accurate.

116
00:05:38,560 --> 00:05:41,800
Speaker 2: Well, you're still walking and you're carrying a caddy.

117
00:05:41,920 --> 00:05:45,040
Speaker 1: I don't know. I think caddy everything everything you said though,

118
00:05:45,080 --> 00:05:47,880
Speaker 1: is still better than vocab hole, which I still can't

119
00:05:47,880 --> 00:05:48,960
Speaker 1: get out of my head.

120
00:05:49,600 --> 00:05:51,440
Speaker 3: So yeah, very strange.

121
00:05:51,520 --> 00:05:53,560
Speaker 2: You do not want to not on a vocab hole.

122
00:05:58,000 --> 00:06:04,840
Speaker 1: That just sounds delicious. That's kind of exactly fall into

123
00:06:04,920 --> 00:06:09,680
Speaker 1: a vocab vortex. Yeah, and not actually get any writing

124
00:06:09,720 --> 00:06:11,599
Speaker 1: done and just feel like, oh, we could just play

125
00:06:11,600 --> 00:06:12,120
Speaker 1: here all.

126
00:06:12,040 --> 00:06:13,760
Speaker 2: D good about yourself anywhere.

127
00:06:14,200 --> 00:06:16,000
Speaker 1: I'm so smart, I'm learning so much.

128
00:06:16,080 --> 00:06:17,159
Speaker 2: What's all these words? I know?

129
00:06:17,279 --> 00:06:19,360
Speaker 1: That's all these words I can grab onto? And how

130
00:06:19,360 --> 00:06:21,960
Speaker 1: do they feel? How do they taste in my mouth?

131
00:06:22,040 --> 00:06:26,360
Speaker 1: All these different words, like try them out? I think

132
00:06:26,400 --> 00:06:30,040
Speaker 1: it's just the word that's throwing me out a problem.

133
00:06:29,720 --> 00:06:32,400
Speaker 2: Not just just it's it's a it's a problematic word.

134
00:06:32,600 --> 00:06:35,080
Speaker 2: Welcome to Pod Meets World. I'm Daniel Fischel, I'm right

135
00:06:35,160 --> 00:06:40,719
Speaker 2: or Strong, I'm Wilford. Welcome to this recap of season four,

136
00:06:40,839 --> 00:06:47,280
Speaker 2: episode thirteen, B and Bees B and B. What is

137
00:06:47,320 --> 00:06:47,960
Speaker 2: this title?

138
00:06:48,080 --> 00:06:49,839
Speaker 1: I don't get the title. I kept waiting for it

139
00:06:49,880 --> 00:06:52,160
Speaker 1: to be explained because I had the same memory. I

140
00:06:52,160 --> 00:06:53,040
Speaker 1: was like, why is it called B and B?

141
00:06:53,480 --> 00:06:57,160
Speaker 2: So B and B it was it was written by

142
00:06:57,200 --> 00:06:58,120
Speaker 2: Bludman and Busc.

143
00:06:58,760 --> 00:07:01,360
Speaker 3: Oh, that's got to be that's gotta.

144
00:07:01,160 --> 00:07:04,520
Speaker 2: Be Best Gangs B and B.

145
00:07:04,800 --> 00:07:06,440
Speaker 1: It has to be.

146
00:07:06,600 --> 00:07:10,600
Speaker 2: Yeah, that's so inside for the name of an episode.

147
00:07:10,760 --> 00:07:12,800
Speaker 1: You know that that's what it was called while they

148
00:07:12,800 --> 00:07:15,000
Speaker 1: were pitching story ideas, and they're like, you can always

149
00:07:15,040 --> 00:07:17,760
Speaker 1: do B and b's B and B episode. That's hysterical.

150
00:07:18,040 --> 00:07:20,040
Speaker 2: I'm going to call I'm going to text pluming. I

151
00:07:20,120 --> 00:07:22,000
Speaker 2: have to know. I want an answer from him.

152
00:07:22,320 --> 00:07:24,400
Speaker 3: It's got it has to be. Yeah.

153
00:07:24,400 --> 00:07:26,480
Speaker 1: I kept waiting for Corey and Sean to like refer

154
00:07:26,520 --> 00:07:28,560
Speaker 1: to each other with like yest names or something like

155
00:07:28,680 --> 00:07:31,520
Speaker 1: you and and like then it would just become the story.

156
00:07:31,880 --> 00:07:34,040
Speaker 2: I was trying to think if there was another nickname

157
00:07:34,120 --> 00:07:35,960
Speaker 2: for Sean that could start with a B, and it

158
00:07:35,960 --> 00:07:38,200
Speaker 2: could have been boy and.

159
00:07:38,280 --> 00:07:39,800
Speaker 3: That's what I was thinking, best friend.

160
00:07:40,280 --> 00:07:43,880
Speaker 4: Actually that's you know, like yeah, our buddy and yeah,

161
00:07:44,400 --> 00:07:51,119
Speaker 4: yeah bah, and you're writer.

162
00:07:51,240 --> 00:07:54,240
Speaker 2: I can totally picture You're right that They probably said

163
00:07:54,360 --> 00:07:56,520
Speaker 2: we have a B and B episode and they started

164
00:07:56,560 --> 00:07:58,960
Speaker 2: calling it B and b's B and B episode and

165
00:07:58,960 --> 00:08:01,720
Speaker 2: it and then it became just that's the name of it, okay.

166
00:08:01,640 --> 00:08:03,000
Speaker 1: Or somebody else pitched it and they were like, well,

167
00:08:03,000 --> 00:08:05,520
Speaker 1: who are going to give it to B and b Yeah,

168
00:08:05,560 --> 00:08:07,440
Speaker 1: and they just thought that was too funny, too to.

169
00:08:07,440 --> 00:08:07,840
Speaker 3: Gott to be.

170
00:08:08,720 --> 00:08:11,480
Speaker 2: So it originally aired January third, nineteen ninety seven. The

171
00:08:11,480 --> 00:08:14,440
Speaker 2: synopsis with mister Feenie out of town, Sean has the

172
00:08:14,480 --> 00:08:18,360
Speaker 2: brilliant idea to finish his economics project by turning Peene's

173
00:08:18,360 --> 00:08:21,760
Speaker 2: house into a bed and breakfast. Also, Eric stumbles into

174
00:08:21,840 --> 00:08:25,720
Speaker 2: an unlikely new friendship. It was directed by Jeff McCracken.

175
00:08:25,920 --> 00:08:28,320
Speaker 2: It was written, as we mentioned, by Mark Blutman and

176
00:08:28,320 --> 00:08:34,800
Speaker 2: Howard Buskang, and guest starring the legendary Len Lesser as Arnie. Heck.

177
00:08:35,280 --> 00:08:39,760
Speaker 2: You definitely know him as Uncle Leo on over a

178
00:08:39,880 --> 00:08:43,960
Speaker 2: dozen episodes of Seinfeld. The minute I saw him, I

179
00:08:44,040 --> 00:08:47,120
Speaker 2: was like, that guy, I know him very well from something.

180
00:08:47,160 --> 00:08:50,160
Speaker 2: What is you didn't No, I couldn't picture, I couldn't

181
00:08:50,160 --> 00:08:51,400
Speaker 2: figure out what it was. And then I was like,

182
00:08:51,400 --> 00:08:52,920
Speaker 2: oh my gosh, he's Uncle Leo.

183
00:08:53,280 --> 00:08:55,880
Speaker 3: Well they did a straight up Seinfeld reference. They did

184
00:08:55,880 --> 00:08:57,480
Speaker 3: a straight like they walk in and they have him

185
00:08:57,480 --> 00:09:02,520
Speaker 3: Seinfeld right away. So it's yeah, yeah, yeah, it's.

186
00:09:02,400 --> 00:09:04,280
Speaker 1: Funny because I, you know, Seinfeld is one of those

187
00:09:04,280 --> 00:09:08,199
Speaker 1: things I've seen maybe like a dozen episodes, and I've

188
00:09:08,200 --> 00:09:10,479
Speaker 1: really enjoyed it. But I've never I've never been a completist,

189
00:09:10,559 --> 00:09:14,400
Speaker 1: and yet you can't help but absorb everybody from the

190
00:09:14,440 --> 00:09:17,160
Speaker 1: culture character. Yeah. So the second I saw him, I

191
00:09:17,200 --> 00:09:19,439
Speaker 1: was like, well, this guy, do I only remember him

192
00:09:19,480 --> 00:09:22,040
Speaker 1: from Boy? I was like, no, He's been in everything,

193
00:09:22,080 --> 00:09:24,240
Speaker 1: and that's probably what it was. He just absorbed it.

194
00:09:24,320 --> 00:09:25,679
Speaker 3: Yeah, they didn't try to hide at this time with

195
00:09:25,720 --> 00:09:27,000
Speaker 3: the Seinfeld references at all.

196
00:09:27,640 --> 00:09:30,679
Speaker 2: He was also Garvin on Everybody Loves Raymond And because

197
00:09:30,679 --> 00:09:32,600
Speaker 2: we would be here all day if I listed off

198
00:09:32,600 --> 00:09:34,680
Speaker 2: all his credits, here is just a small list of

199
00:09:34,720 --> 00:09:37,600
Speaker 2: TV shows. He has appeared on Gun Smoke, Get Smart,

200
00:09:37,760 --> 00:09:41,120
Speaker 2: The Monkeys, All in the Family, and Bonanza. He passed

201
00:09:41,120 --> 00:09:44,040
Speaker 2: away in twenty eleven at the age of eighty eight.

202
00:09:44,679 --> 00:09:48,720
Speaker 2: And then we have Dina Dietrich as Gloria Heck. She

203
00:09:48,840 --> 00:09:52,400
Speaker 2: was Dorothy's sister Gloria on The Golden Girls and appeared

204
00:09:52,400 --> 00:09:55,040
Speaker 2: in mel Brooks's History of the World Part One, but

205
00:09:55,160 --> 00:09:59,120
Speaker 2: is best known as Mother Nature in Chaffon Margarine commercials

206
00:09:59,400 --> 00:10:03,040
Speaker 2: that ran for the entire decade of the nineteen seventies,

207
00:10:03,600 --> 00:10:06,200
Speaker 2: and she passed away in twenty twenty at the age

208
00:10:06,240 --> 00:10:06,920
Speaker 2: of ninety one.

209
00:10:07,160 --> 00:10:09,199
Speaker 1: That's a reference. None of us get No.

210
00:10:09,200 --> 00:10:11,920
Speaker 2: I don't understood Marjorie Margarine is.

211
00:10:12,200 --> 00:10:12,600
Speaker 3: I don't know.

212
00:10:12,640 --> 00:10:14,720
Speaker 1: I know what Marjorie's is commercials, We wouldn't.

213
00:10:14,800 --> 00:10:18,920
Speaker 2: Yeah, she's apparently like the flow of the nineteen seventies.

214
00:10:19,360 --> 00:10:20,000
Speaker 3: That makes sense.

215
00:10:20,679 --> 00:10:24,080
Speaker 2: And then we have Michelle Clooney as the bartender Kelly.

216
00:10:24,400 --> 00:10:26,439
Speaker 2: She's in the Usual Suspects and is best known as

217
00:10:26,480 --> 00:10:30,760
Speaker 2: Melanie Marcus on the US adaptation of queeris Folk and

218
00:10:30,920 --> 00:10:34,400
Speaker 2: as the biology teacher Missus Finch on MTV's Team Wolf.

219
00:10:34,880 --> 00:10:38,360
Speaker 2: And then we have Gladys Holland as Missus Nona Timmer.

220
00:10:38,760 --> 00:10:42,880
Speaker 2: She was in Roland Emmerlick's Stargate movie and she passed

221
00:10:42,880 --> 00:10:46,320
Speaker 2: away in twenty seventeen. So of our four guest stars,

222
00:10:46,840 --> 00:10:50,720
Speaker 2: three have passed. I've left us since we take the show.

223
00:10:51,400 --> 00:10:55,360
Speaker 2: I did just get confirmation that it is Blot and

224
00:10:55,720 --> 00:10:57,079
Speaker 2: Bus Gangs B and B.

225
00:10:57,640 --> 00:11:11,120
Speaker 3: You call that, Danielle. Yeah, let's jump.

226
00:11:10,920 --> 00:11:13,160
Speaker 2: Into our recap overall thoughts.

227
00:11:14,640 --> 00:11:15,400
Speaker 1: Do you want me to start?

228
00:11:15,720 --> 00:11:16,440
Speaker 2: You start? Well?

229
00:11:16,520 --> 00:11:18,440
Speaker 3: Used that I liked it, I mean, I thought it

230
00:11:18,480 --> 00:11:22,040
Speaker 3: was an enjoyable episode. I remembered the bet storyline in

231
00:11:22,080 --> 00:11:25,680
Speaker 3: this episode not at all.

232
00:11:25,920 --> 00:11:27,200
Speaker 1: And when I mean not at all.

233
00:11:27,400 --> 00:11:30,080
Speaker 3: I mean when Eric first walks down the stairs in

234
00:11:30,080 --> 00:11:32,240
Speaker 3: the first scene, I thought, oh, they're just getting Eric

235
00:11:32,240 --> 00:11:33,920
Speaker 3: out and he's not gonna be in this episode. Okay,

236
00:11:34,120 --> 00:11:35,800
Speaker 3: I literally I mean when I'm when I say not

237
00:11:35,880 --> 00:11:40,840
Speaker 3: at all. I have not even the slightest vague inkling

238
00:11:41,200 --> 00:11:42,480
Speaker 3: of this best story I.

239
00:11:42,440 --> 00:11:44,040
Speaker 1: Remember because I actually remembered it.

240
00:11:44,600 --> 00:11:46,599
Speaker 3: Oh my god, I remembered the A story because you

241
00:11:46,600 --> 00:11:48,600
Speaker 3: guys were so funny. I did not remember. I liked

242
00:11:48,640 --> 00:11:51,480
Speaker 3: the B story, but man, I did not remember any

243
00:11:51,559 --> 00:11:51,839
Speaker 3: of them.

244
00:11:51,920 --> 00:11:53,920
Speaker 1: I did the second you sat at the bar and

245
00:11:54,040 --> 00:11:56,560
Speaker 1: did the sliding the beer or their root beer whatever.

246
00:11:56,640 --> 00:11:58,440
Speaker 1: I was like, whoa, I remember this?

247
00:11:58,600 --> 00:12:01,960
Speaker 3: Oh god, nothing, I mean nothing. It was weird, but

248
00:12:02,080 --> 00:12:04,040
Speaker 3: overall I was enjoyable. I liked it.

249
00:12:04,320 --> 00:12:08,320
Speaker 1: I remember this week so well because of the new sets,

250
00:12:08,600 --> 00:12:11,520
Speaker 1: because we had this bar hotel bar set, and then

251
00:12:11,559 --> 00:12:14,440
Speaker 1: of course we finally have the interior of Feenie's house,

252
00:12:14,880 --> 00:12:18,400
Speaker 1: and then there's there's moments like I still know that song,

253
00:12:18,520 --> 00:12:21,600
Speaker 1: I still know the Dutch and all of that, but

254
00:12:23,120 --> 00:12:26,280
Speaker 1: I had I thought it was funnier in my mind,

255
00:12:26,600 --> 00:12:29,000
Speaker 1: Like in my mind it was a bigger, funnier sort

256
00:12:29,000 --> 00:12:31,760
Speaker 1: of more crazy episode, and I was actually like, oh,

257
00:12:32,080 --> 00:12:34,280
Speaker 1: it's just kind of it's short, it's just kind of

258
00:12:34,320 --> 00:12:36,400
Speaker 1: cute and like cool, and it's fine. But I didn't

259
00:12:36,400 --> 00:12:40,440
Speaker 1: I didn't love it, love it. It falls into a

260
00:12:40,600 --> 00:12:45,400
Speaker 1: habit maybe for the first time that you know, the

261
00:12:45,400 --> 00:12:50,040
Speaker 1: whole the universe thing, like I feel like that for

262
00:12:50,320 --> 00:12:52,680
Speaker 1: a lot of Boy Meets World and especially in Girl

263
00:12:52,720 --> 00:12:56,480
Speaker 1: Meets World, and I don't love that trope. And I think, here,

264
00:12:56,480 --> 00:12:58,520
Speaker 1: it's fine and funny, but of course I'm just already

265
00:12:58,600 --> 00:13:00,160
Speaker 1: kind of exhausted by it, even though this is the

266
00:13:00,160 --> 00:13:02,520
Speaker 1: first time we've seen it in our recaps. So when

267
00:13:02,520 --> 00:13:04,080
Speaker 1: that came up, I was like, oh, let's is this

268
00:13:04,120 --> 00:13:05,720
Speaker 1: going to be the thing? And of course that becomes

269
00:13:05,720 --> 00:13:08,040
Speaker 1: a thing to carry us through the last two scenes.

270
00:13:08,520 --> 00:13:12,120
Speaker 1: And I don't know, I just that felt easy and

271
00:13:12,160 --> 00:13:13,960
Speaker 1: sort of like, oh, but I don't know if that's,

272
00:13:14,000 --> 00:13:16,480
Speaker 1: like I said, my exhaustion from knowing that it's going

273
00:13:16,559 --> 00:13:18,360
Speaker 1: to be a recurrent theme forever.

274
00:13:19,040 --> 00:13:19,240
Speaker 3: Yeah.

275
00:13:19,360 --> 00:13:22,920
Speaker 2: You know what's interesting is that I actually love the

276
00:13:22,960 --> 00:13:27,040
Speaker 2: idea of a character who has no though I am

277
00:13:27,080 --> 00:13:30,320
Speaker 2: obsessed with order in the universe and that things need

278
00:13:30,320 --> 00:13:33,240
Speaker 2: to happen in this order. What I don't love is

279
00:13:33,280 --> 00:13:36,800
Speaker 2: the direct looking up to the heavens and like, do

280
00:13:36,880 --> 00:13:40,280
Speaker 2: you hear me? Now, maybe one of those in a

281
00:13:40,360 --> 00:13:43,920
Speaker 2: series is a fine joke, but the continuing to go

282
00:13:44,040 --> 00:13:47,040
Speaker 2: back to it as opposed to just the character being like, no,

283
00:13:47,200 --> 00:13:51,760
Speaker 2: I feel feel unnerving because this is the way, this

284
00:13:51,840 --> 00:13:54,000
Speaker 2: is the way justice is. It's a there has to

285
00:13:54,040 --> 00:13:56,640
Speaker 2: be justice like justice in the world. I like that

286
00:13:56,720 --> 00:14:00,840
Speaker 2: as a character thing. But you're right, I don't enjoy

287
00:14:01,000 --> 00:14:03,000
Speaker 2: the looking up to the heavens and keep going back

288
00:14:03,000 --> 00:14:06,640
Speaker 2: to that. But I actually did really enjoy this episode.

289
00:14:06,640 --> 00:14:11,040
Speaker 2: I thought it was really fun to see Sean relaxed.

290
00:14:10,920 --> 00:14:14,720
Speaker 3: And dumb again, dumb but street smart, combination.

291
00:14:14,920 --> 00:14:20,280
Speaker 2: Capable and and also the thing we all love is

292
00:14:20,600 --> 00:14:23,640
Speaker 2: Corey getting suffered into something where he stressed out and

293
00:14:23,720 --> 00:14:27,760
Speaker 2: nervous about it. I really love that. I also will

294
00:14:28,960 --> 00:14:36,360
Speaker 2: I have zero memory of this episode, not even your part.

295
00:14:36,240 --> 00:14:39,120
Speaker 1: Is so great to Panga gets so much to do.

296
00:14:39,320 --> 00:14:42,840
Speaker 1: It's just it's just a full fledged, like interesting dynamic.

297
00:14:43,160 --> 00:14:48,760
Speaker 3: They officially once again have no idea who Peg is. No,

298
00:14:50,120 --> 00:14:52,240
Speaker 3: you thought they were going somewhere with Topanga in the

299
00:14:52,280 --> 00:14:54,479
Speaker 3: earlier episodes, like oh, they're actually going to develop.

300
00:14:54,240 --> 00:14:56,480
Speaker 1: Hold on it, and then we can we get her

301
00:14:56,560 --> 00:14:59,560
Speaker 1: in a French made costume. We find a way.

302
00:14:59,640 --> 00:15:03,120
Speaker 3: To make that she's a rule breaker and and and

303
00:15:03,440 --> 00:15:06,760
Speaker 3: I'm getting none of it makes any sense. They have

304
00:15:07,040 --> 00:15:10,520
Speaker 3: no idea who t bang is officially again none. It's weird.

305
00:15:10,880 --> 00:15:13,400
Speaker 1: I mean, it's a farce. Everything is, you know, just

306
00:15:13,440 --> 00:15:16,840
Speaker 1: thrown out the window for good laughs. That's the point. Yep,

307
00:15:16,960 --> 00:15:17,720
Speaker 1: it's fine, you.

308
00:15:17,760 --> 00:15:20,920
Speaker 2: Know, it's a romp and it's and it's fun.

309
00:15:21,200 --> 00:15:21,640
Speaker 3: It's fine.

310
00:15:21,680 --> 00:15:24,520
Speaker 1: I do think that the universe thing, like listening to

311
00:15:24,520 --> 00:15:27,240
Speaker 1: you talk about it, it's it's it's a it's really

312
00:15:27,320 --> 00:15:30,240
Speaker 1: a sleight of handwriting trick, right, because it's a way

313
00:15:30,360 --> 00:15:33,720
Speaker 1: to keep the tension alive but also resolve it all

314
00:15:33,760 --> 00:15:36,840
Speaker 1: without having to actually resolve it all. And so it's

315
00:15:36,840 --> 00:15:40,080
Speaker 1: funny and I think it works now, you know, but

316
00:15:40,160 --> 00:15:42,120
Speaker 1: if we keep doing this, you know, and I have

317
00:15:42,160 --> 00:15:45,320
Speaker 1: a feeling we do where it's like it's gonna work out.

318
00:15:45,640 --> 00:15:50,880
Speaker 2: It was it was truly Riley's character defining thing, you know,

319
00:15:51,080 --> 00:15:54,000
Speaker 2: is that she regularly was like, no, the universe wants this.

320
00:15:55,760 --> 00:15:58,160
Speaker 2: So yeah, we'll see, we'll see how much how much

321
00:15:58,160 --> 00:16:01,480
Speaker 2: it comes into play. Jumping into our recap. We start

322
00:16:01,520 --> 00:16:04,720
Speaker 2: in the Matthew's kitchen. Eric is walking downstairs with a

323
00:16:04,760 --> 00:16:10,640
Speaker 2: suitcase and a briefcase. You have a briefcase. Of course,

324
00:16:10,680 --> 00:16:13,160
Speaker 2: Alan is right behind him. Eric is going to Boston

325
00:16:13,240 --> 00:16:16,120
Speaker 2: for the camping show and his dad doesn't want to

326
00:16:16,160 --> 00:16:18,520
Speaker 2: hear that meetings were missed because Eric was at the

327
00:16:18,520 --> 00:16:21,880
Speaker 2: hotel bar dancing on tables. And the audience gets a

328
00:16:22,040 --> 00:16:24,400
Speaker 2: gives a big laugh for that joke.

329
00:16:24,400 --> 00:16:27,360
Speaker 1: We had at The audience was pump in this episode.

330
00:16:29,280 --> 00:16:31,560
Speaker 1: But this first cut was very odd to me. It

331
00:16:31,600 --> 00:16:34,440
Speaker 1: cuts to you with like an open mouth face, and

332
00:16:34,480 --> 00:16:37,080
Speaker 1: the audience is already laughing yeah, yeah, And I was

333
00:16:37,160 --> 00:16:40,240
Speaker 1: kind of like, I think a line. I thought maybe

334
00:16:40,280 --> 00:16:42,400
Speaker 1: you had a response, and then they just kind of

335
00:16:42,400 --> 00:16:46,240
Speaker 1: cut it for time or whatever, or what I realized.

336
00:16:46,280 --> 00:16:47,640
Speaker 2: Was that they can see his face.

337
00:16:48,000 --> 00:16:50,920
Speaker 1: But also what happens next is you know the book

338
00:16:50,960 --> 00:16:53,720
Speaker 1: that like how to make Yourself Look Innocent, and so

339
00:16:53,840 --> 00:16:55,600
Speaker 1: they had already knew that was coming because this was

340
00:16:55,640 --> 00:16:57,600
Speaker 1: take two or three, and so when you give your

341
00:16:57,640 --> 00:17:00,920
Speaker 1: open mouth innocent look, they went already because there are

342
00:17:01,080 --> 00:17:03,640
Speaker 1: like a prepped audience that's already seen take one. So

343
00:17:03,720 --> 00:17:05,240
Speaker 1: I realized, like after the fact that might.

344
00:17:05,160 --> 00:17:09,160
Speaker 3: Be all that's happening though, either want another take on that?

345
00:17:09,240 --> 00:17:11,000
Speaker 3: Oh yeah, my face could have been way fair. That

346
00:17:11,080 --> 00:17:12,760
Speaker 3: wasn't innocent, it was you could have done like a

347
00:17:12,800 --> 00:17:15,760
Speaker 3: funnier innocent face for that. So yeah, but you're.

348
00:17:15,640 --> 00:17:17,800
Speaker 1: Shocked indignant face already had a laugh and.

349
00:17:17,720 --> 00:17:21,760
Speaker 3: I was they knew it, And because I remember nothing

350
00:17:21,760 --> 00:17:23,280
Speaker 3: of this episode, I was like, oh, well that was

351
00:17:23,280 --> 00:17:25,480
Speaker 3: fun to play Eric in this episode. It's nicely and

352
00:17:25,480 --> 00:17:28,280
Speaker 3: everybody that was it. Yeah, that was finals week because

353
00:17:28,280 --> 00:17:29,680
Speaker 3: it's all gonna be about Sean and Cora was like,

354
00:17:29,680 --> 00:17:31,560
Speaker 3: all right, prepared for that, and then it was, oh god,

355
00:17:31,560 --> 00:17:32,680
Speaker 3: there's a whole other storyline.

356
00:17:33,240 --> 00:17:36,879
Speaker 1: Remember I remember so many of Bill's lines.

357
00:17:37,160 --> 00:17:43,160
Speaker 2: Oh my god, of course Bill in this episode. This

358
00:17:43,440 --> 00:17:44,600
Speaker 2: is just a clinic.

359
00:17:45,480 --> 00:17:47,080
Speaker 1: But I think I think part of the reason I

360
00:17:47,119 --> 00:17:50,520
Speaker 1: remember it is because Bill is he's one of these actors.

361
00:17:50,520 --> 00:17:52,239
Speaker 1: And I'm sure we've talked about this a little bit,

362
00:17:52,280 --> 00:17:57,440
Speaker 1: but day one, the performance is there. Day one table read, Yeah,

363
00:17:57,560 --> 00:18:00,679
Speaker 1: day one memorized, never changes, and so if the lines

364
00:18:00,720 --> 00:18:03,760
Speaker 1: don't change, you hear this. So I feel like, oh

365
00:18:03,800 --> 00:18:06,600
Speaker 1: I saw these lines and these monologues, you know, these

366
00:18:06,600 --> 00:18:10,480
Speaker 1: storytelling beats told exactly the same way all week long,

367
00:18:10,520 --> 00:18:12,399
Speaker 1: and I think that's why they're so ingrained in my

368
00:18:12,600 --> 00:18:13,720
Speaker 1: in my brain, you know, and.

369
00:18:14,119 --> 00:18:17,880
Speaker 3: It still feels fresh, it's still He's just so good.

370
00:18:17,920 --> 00:18:21,800
Speaker 1: He's just the consummate television actor. I'm a consent actor

371
00:18:21,800 --> 00:18:24,520
Speaker 1: in general, but for television he is just there's not

372
00:18:24,600 --> 00:18:28,120
Speaker 1: a false beat, and yet it was so consistent and good.

373
00:18:28,320 --> 00:18:30,560
Speaker 1: Just but these are my favorite bill scenes I ever

374
00:18:30,600 --> 00:18:32,560
Speaker 1: did with him. And that's why I'm amazed that I

375
00:18:32,560 --> 00:18:33,440
Speaker 1: don't remember this at.

376
00:18:33,320 --> 00:18:35,760
Speaker 3: All, because it's just the two of us talking him

377
00:18:35,800 --> 00:18:38,679
Speaker 3: and parting wisdom, us now starting to talk more like

378
00:18:39,240 --> 00:18:42,360
Speaker 3: colleagues and yeah, yeah, and it's really friends and it's

379
00:18:42,400 --> 00:18:45,080
Speaker 3: really amazing. And that's why I was like, how do

380
00:18:45,119 --> 00:18:46,840
Speaker 3: I not remember this at all? This is this is

381
00:18:46,880 --> 00:18:48,840
Speaker 3: what I love. This is my favorite thing ever, and

382
00:18:49,040 --> 00:18:49,520
Speaker 3: none of it.

383
00:18:50,520 --> 00:18:52,760
Speaker 2: Eric is a ghast for you to even suggest that

384
00:18:52,800 --> 00:18:54,879
Speaker 2: I would blow off the camping show to go party

385
00:18:54,960 --> 00:18:58,760
Speaker 2: Hardy in Boston. That speaks volumes about our relationship. And

386
00:18:58,800 --> 00:19:02,080
Speaker 2: then Corey appears Eric forgot his book How to Act

387
00:19:02,119 --> 00:19:06,320
Speaker 2: Innocent When Your Father Accuses You. Eric Smier smiles awkwardly

388
00:19:06,359 --> 00:19:09,080
Speaker 2: and admits, yess I better read it again, giving a

389
00:19:09,080 --> 00:19:11,760
Speaker 2: goofy forest grin before giving up the act, and then

390
00:19:11,840 --> 00:19:13,600
Speaker 2: he leaves for his big trip.

391
00:19:14,119 --> 00:19:16,080
Speaker 3: Funnier joke. By the way, I thought about this as

392
00:19:16,320 --> 00:19:19,200
Speaker 3: it should have been the cliff notes of that book.

393
00:19:20,119 --> 00:19:21,680
Speaker 2: That is fun just.

394
00:19:21,760 --> 00:19:26,040
Speaker 3: Very quick, very small. Should have read the whole book.

395
00:19:28,440 --> 00:19:29,520
Speaker 3: I should have read the whole book.

396
00:19:29,560 --> 00:19:34,720
Speaker 2: That's funnier. Punch up, little punch up. Phoene bolts in

397
00:19:34,840 --> 00:19:37,399
Speaker 2: panic as he greets the family, then quickly asks if

398
00:19:37,440 --> 00:19:39,800
Speaker 2: there's a lock on the back door. Just then Sean

399
00:19:39,880 --> 00:19:43,280
Speaker 2: barges in. Phoene size too late. Sean is frantic. I

400
00:19:43,280 --> 00:19:46,959
Speaker 2: don't get the assignment. I want to drop economics, business figures, numbers.

401
00:19:46,960 --> 00:19:48,200
Speaker 2: I just can't keep it in my head.

402
00:19:48,400 --> 00:19:59,360
Speaker 5: Woo do you remember doing this? It's a woo who woo.

403
00:20:00,400 --> 00:20:02,440
Speaker 2: Phoene tells him it's simple. All he needs to do

404
00:20:02,520 --> 00:20:04,840
Speaker 2: is create a business, pretend he's running it, and write

405
00:20:04,840 --> 00:20:08,080
Speaker 2: a report. Sean feign's an understanding before revealing he still

406
00:20:08,119 --> 00:20:12,200
Speaker 2: doesn't get it. Wooooo. He begs, let me drop the course.

407
00:20:12,240 --> 00:20:14,640
Speaker 2: No hunter has ever made it in business? Why cause

408
00:20:14,680 --> 00:20:17,880
Speaker 2: me agony? Phoene shrugs. I like it, he tells, Sean

409
00:20:17,960 --> 00:20:21,439
Speaker 2: to sit because it's quiet time. Phoene hands Amy his

410
00:20:21,480 --> 00:20:23,680
Speaker 2: house keys. He's thankful she's looking after things while he's

411
00:20:23,680 --> 00:20:25,959
Speaker 2: away this weekend. Amy asks if there's a number at

412
00:20:25,960 --> 00:20:28,000
Speaker 2: the hotel where they can reach him, just in case,

413
00:20:28,240 --> 00:20:30,840
Speaker 2: and Phoene responds, I'm actually staying at a lovely bed

414
00:20:30,880 --> 00:20:33,960
Speaker 2: and breakfast. Corey chimes in, good for you living in

415
00:20:34,000 --> 00:20:37,000
Speaker 2: someone else's house, eating someone else's food, and we noticed

416
00:20:37,040 --> 00:20:39,800
Speaker 2: Sean sitting right next to him, drinking the Matthew's apple

417
00:20:39,880 --> 00:20:41,040
Speaker 2: juice and eating their.

418
00:20:40,920 --> 00:20:43,399
Speaker 1: Banana back to season one eating I love it.

419
00:20:43,680 --> 00:20:48,560
Speaker 2: Yeah, I love it so much. Unfazed, Sean asks Phoene,

420
00:20:48,680 --> 00:20:52,240
Speaker 2: what's that run you like? Two bucks? Amy's eiys a

421
00:20:52,320 --> 00:20:53,919
Speaker 2: room in a nice bed and breakfast can go for

422
00:20:53,960 --> 00:20:56,560
Speaker 2: as high as two hundred dollars a night. Phoene reveals,

423
00:20:56,720 --> 00:20:59,520
Speaker 2: not this one. And I didn't understand. Is that supposed

424
00:20:59,520 --> 00:21:01,720
Speaker 2: to be that his is more expensive or no?

425
00:21:01,840 --> 00:21:03,880
Speaker 3: I think it's less expensive. I think what they were trying,

426
00:21:03,920 --> 00:21:06,800
Speaker 3: and because we're now dealing with twenty twenty four prices

427
00:21:06,800 --> 00:21:08,800
Speaker 3: and things, two hundred dollars a night for something doesn't

428
00:21:08,840 --> 00:21:11,400
Speaker 3: sound to But in nineteen ninety seven, what They're essentially saying,

429
00:21:11,440 --> 00:21:13,160
Speaker 3: is some of those can go for eight hundred dollars

430
00:21:13,200 --> 00:21:15,440
Speaker 3: a night, And Phoene's like, not this one. I think

431
00:21:15,520 --> 00:21:16,720
Speaker 3: that was what they were going.

432
00:21:16,520 --> 00:21:18,439
Speaker 2: With, right, Like, I couldn't afford two hundred dollars.

433
00:21:18,600 --> 00:21:20,760
Speaker 3: Right exactly on its teacher salary, got it.

434
00:21:22,200 --> 00:21:25,680
Speaker 2: Sean mutters two hundred dollars a night. Wow, he might

435
00:21:25,760 --> 00:21:29,320
Speaker 2: have a plan. Phoene unveils multiple flash cards he's made

436
00:21:29,320 --> 00:21:31,280
Speaker 2: to indicate what needs to be taken care of while

437
00:21:31,280 --> 00:21:34,160
Speaker 2: he's gone, like plants to water, plants that need vitamins,

438
00:21:34,160 --> 00:21:36,320
Speaker 2: and plants that need to be rotated to get mornings on.

439
00:21:36,760 --> 00:21:39,720
Speaker 2: He kisses Amy on the cheek, saying she'll do fine,

440
00:21:39,720 --> 00:21:42,160
Speaker 2: before running out the door. Amy throws Phoene's flash cards

441
00:21:42,200 --> 00:21:43,600
Speaker 2: on the table and turns to the boys.

442
00:21:43,960 --> 00:21:45,800
Speaker 3: Just don't kill them, Just don't kill them. Great, it's

443
00:21:45,840 --> 00:21:46,320
Speaker 3: a great joke.

444
00:21:46,640 --> 00:21:48,240
Speaker 1: It's a great joke, this whole thing. I mean, it's

445
00:21:48,320 --> 00:21:52,520
Speaker 1: it's character based, it's believable, it's giving Betsy something to do,

446
00:21:52,720 --> 00:21:56,080
Speaker 1: something to react to. It's just good writing and good acting. Yeah,

447
00:21:56,119 --> 00:22:00,680
Speaker 1: And I was also so reminded of the phoene An episode,

448
00:22:00,680 --> 00:22:03,760
Speaker 1: like almost identical setup, like yeah, here are my keys

449
00:22:03,760 --> 00:22:06,440
Speaker 1: for the take care of it. Let's see what happened.

450
00:22:06,640 --> 00:22:10,600
Speaker 1: Oh oh, Cory and Sean are gonna grab those keys.

451
00:22:11,200 --> 00:22:13,359
Speaker 1: I know that, we actually don't.

452
00:22:13,400 --> 00:22:15,639
Speaker 2: You don't actually grab them. We don't see any of that,

453
00:22:15,800 --> 00:22:20,920
Speaker 2: but we do see new sett alert, Phoene's house, Peenie mouse,

454
00:22:22,040 --> 00:22:27,520
Speaker 2: the house eats salad alone. I could not stop pausing

455
00:22:27,600 --> 00:22:28,320
Speaker 2: for details.

456
00:22:28,560 --> 00:22:29,520
Speaker 3: I know some great one.

457
00:22:29,600 --> 00:22:31,879
Speaker 2: Did you guys look around the house a little? Did

458
00:22:31,960 --> 00:22:32,439
Speaker 2: you pause?

459
00:22:32,640 --> 00:22:35,240
Speaker 3: I was dying to see. So there is and I

460
00:22:35,240 --> 00:22:38,000
Speaker 3: couldn't see who it was. There is a framed picture

461
00:22:38,920 --> 00:22:39,800
Speaker 3: on the mantle.

462
00:22:40,200 --> 00:22:43,640
Speaker 2: Is it the Asian woman who looks like is she Asian?

463
00:22:43,680 --> 00:22:46,440
Speaker 3: I couldn't tell. Because it's such low death. I can't

464
00:22:46,520 --> 00:22:47,400
Speaker 3: see who it is.

465
00:22:47,720 --> 00:22:50,240
Speaker 2: I thought it looked like maybe an Asian woman in

466
00:22:50,320 --> 00:22:54,080
Speaker 2: a kimono, or it could have been a person in

467
00:22:54,119 --> 00:22:59,000
Speaker 2: a cap and gown, makes more sense, but it was hard.

468
00:22:59,040 --> 00:23:01,119
Speaker 2: It was hard to tell. The low death is.

469
00:23:01,800 --> 00:23:02,400
Speaker 3: You can't tell.

470
00:23:03,240 --> 00:23:06,200
Speaker 2: I did not understand what was going on in Peeney's house.

471
00:23:06,200 --> 00:23:09,080
Speaker 2: And then there was a framed woman on the mantle

472
00:23:09,440 --> 00:23:13,280
Speaker 2: who could have been Carrie Russell. If Carrie Russell had straight.

473
00:23:12,960 --> 00:23:18,800
Speaker 3: Hair, maybe ex students maybe that have made been important.

474
00:23:18,800 --> 00:23:21,640
Speaker 2: And then was just trying to find the dead bodies

475
00:23:22,040 --> 00:23:24,200
Speaker 2: to see if there were any Is there a map?

476
00:23:24,600 --> 00:23:27,159
Speaker 1: Is here's where I buried?

477
00:23:30,359 --> 00:23:31,840
Speaker 2: Over here the planters?

478
00:23:32,000 --> 00:23:33,960
Speaker 1: Oh my god, there's also.

479
00:23:33,840 --> 00:23:37,760
Speaker 2: Like an eagle crest with a little American flag in

480
00:23:37,760 --> 00:23:40,399
Speaker 2: the middle of in the middle of it above the fireplace.

481
00:23:40,040 --> 00:23:40,760
Speaker 3: Of the fireplace.

482
00:23:42,040 --> 00:23:44,439
Speaker 1: I didn't love this set, and I wasn't sure if

483
00:23:44,480 --> 00:23:46,960
Speaker 1: it was just the set decoration or the lack of

484
00:23:47,200 --> 00:23:52,080
Speaker 1: like like recognition that we're in Phoenie's house. I mean,

485
00:23:52,119 --> 00:23:54,399
Speaker 1: I know we're we're I say it, but it just

486
00:23:54,440 --> 00:23:56,920
Speaker 1: didn't feel like as much of a thing, maybe because

487
00:23:56,960 --> 00:23:58,959
Speaker 1: we're already there, Like maybe it should have been us

488
00:23:59,080 --> 00:24:01,760
Speaker 1: opening the door and like what we.

489
00:24:01,720 --> 00:24:03,959
Speaker 2: Should have started on more of a master and there

490
00:24:03,960 --> 00:24:06,480
Speaker 2: should have been a camera move. It should have been

491
00:24:06,640 --> 00:24:07,800
Speaker 2: a set piece.

492
00:24:07,840 --> 00:24:08,119
Speaker 3: It is.

493
00:24:09,960 --> 00:24:12,119
Speaker 2: It's just like watering a plant.

494
00:24:12,359 --> 00:24:13,480
Speaker 1: Yeah, there was.

495
00:24:13,480 --> 00:24:18,240
Speaker 2: No like wow in the inner sanctum of Phenie totally.

496
00:24:18,280 --> 00:24:20,000
Speaker 1: And then you know, and I think this is partly

497
00:24:20,000 --> 00:24:21,639
Speaker 1: because it has to become a B m B. It

498
00:24:21,680 --> 00:24:26,000
Speaker 1: doesn't have that much personal time going to say it's

499
00:24:26,080 --> 00:24:28,080
Speaker 1: it does feel like the hotel. Hotel.

500
00:24:28,240 --> 00:24:31,040
Speaker 3: It does right, but it also does it. It feels

501
00:24:31,080 --> 00:24:34,720
Speaker 3: like they so they tried to do Fhienie so much

502
00:24:35,160 --> 00:24:37,720
Speaker 3: that it wasn't really Phoeni. Does that make sense?

503
00:24:38,760 --> 00:24:43,199
Speaker 1: Genericallyposed to specific it was a caricature of Feni for

504
00:24:43,240 --> 00:24:43,600
Speaker 1: the house.

505
00:24:43,760 --> 00:24:46,240
Speaker 3: It was like, okay, everything would there's a credenza.

506
00:24:46,440 --> 00:24:49,680
Speaker 2: There are also so many plants. We could have been

507
00:24:49,680 --> 00:24:50,400
Speaker 2: in a nursery.

508
00:24:50,600 --> 00:24:51,480
Speaker 3: Yeah, exactly.

509
00:24:51,840 --> 00:24:53,120
Speaker 2: There's so many.

510
00:24:52,920 --> 00:24:55,240
Speaker 1: Plants, not really well placed, just kind of there.

511
00:24:57,080 --> 00:24:59,639
Speaker 2: Like a tomato plant hanging in the middle of a spot.

512
00:25:00,160 --> 00:25:02,840
Speaker 2: So Corey is watering a plant while Sean investigates, what

513
00:25:02,840 --> 00:25:05,199
Speaker 2: are you doing? It's just a house. Sean disagrees, this

514
00:25:05,280 --> 00:25:07,679
Speaker 2: is Phoene's house. There's got to be I don't know,

515
00:25:07,760 --> 00:25:11,120
Speaker 2: some shrunken heads, some eyeballs and jars. Corey questions why

516
00:25:11,200 --> 00:25:13,320
Speaker 2: he'd have that, and Sean explains he took them from

517
00:25:13,359 --> 00:25:17,159
Speaker 2: me last year. Great writing, funny love it. Sean gives up.

518
00:25:17,160 --> 00:25:18,840
Speaker 2: I'm gonna go jump on Phoene's bed, just like I've

519
00:25:18,840 --> 00:25:21,720
Speaker 2: always dreamed of. Corey continues the chores. When he sees

520
00:25:21,760 --> 00:25:25,080
Speaker 2: his history paper sitting on the table, conveniently accompanied by

521
00:25:25,080 --> 00:25:28,400
Speaker 2: a red pen, he exclaims Phoenne, you fool. He picks

522
00:25:28,480 --> 00:25:30,800
Speaker 2: up the paper and reads, Corey, you fool. Put down

523
00:25:30,800 --> 00:25:33,640
Speaker 2: the paper and step away from my walnut. Cridunzo.

524
00:25:34,000 --> 00:25:36,640
Speaker 3: I know the cadenza had to come back, Cri Dunzel.

525
00:25:37,160 --> 00:25:38,160
Speaker 3: I don't get this joke.

526
00:25:39,080 --> 00:25:39,360
Speaker 1: I don't.

527
00:25:40,280 --> 00:25:45,480
Speaker 3: No, I get the one that cadenza right. But Phoene's

528
00:25:45,520 --> 00:25:47,119
Speaker 3: not gonna know that. He's going to walk in and

529
00:25:47,160 --> 00:25:49,679
Speaker 3: see that Corey's paper is graded in A and go

530
00:25:49,880 --> 00:25:52,040
Speaker 3: I must have done that and not remember that's.

531
00:25:51,880 --> 00:25:53,800
Speaker 2: Why he wrote on it, Corey, you fool.

532
00:25:54,040 --> 00:25:56,800
Speaker 3: It just makes that it's not a great joke to me,

533
00:25:56,840 --> 00:25:58,520
Speaker 3: where it's like because none of that makes any sense.

534
00:25:58,640 --> 00:25:59,680
Speaker 3: It just doesn't make any sense.

535
00:25:59,720 --> 00:26:01,680
Speaker 1: I think it's totally just a callback to I think

536
00:26:01,720 --> 00:26:04,359
Speaker 1: they loved in the singled out episode, the like yes

537
00:26:04,480 --> 00:26:07,159
Speaker 1: my plaid valise at the airport, and it's like a

538
00:26:07,200 --> 00:26:08,680
Speaker 1: play on that Corey like that.

539
00:26:09,200 --> 00:26:11,919
Speaker 3: You fool, Like the way it's a chest or a

540
00:26:12,000 --> 00:26:15,080
Speaker 3: quiz or something upcoming where it's like, this isn't for you, Corey,

541
00:26:15,119 --> 00:26:17,560
Speaker 3: don't worry, you know, because finding his own paper to

542
00:26:17,680 --> 00:26:19,280
Speaker 3: grade doesn't make it, doesn't make it.

543
00:26:19,520 --> 00:26:21,920
Speaker 2: I also was like, wait a minute, how he he

544
00:26:22,000 --> 00:26:24,280
Speaker 2: was so sure Amy was taking care of the plants.

545
00:26:24,320 --> 00:26:26,680
Speaker 2: Why is he leaving a note for in here?

546
00:26:27,200 --> 00:26:30,080
Speaker 1: I know I had all the thoughts to guys relaxes

547
00:26:30,119 --> 00:26:31,520
Speaker 1: TV show. It's a kid's show.

548
00:26:32,000 --> 00:26:34,440
Speaker 2: My god, you're right right, it's so serious.

549
00:26:34,480 --> 00:26:36,760
Speaker 3: It's nice, and it's nice that you're always the voice

550
00:26:36,760 --> 00:26:37,600
Speaker 3: of reason, right, the.

551
00:26:37,680 --> 00:26:40,320
Speaker 1: Voice of good times, relaxation and reason.

552
00:26:41,320 --> 00:26:47,560
Speaker 3: Just have fun down in your vocab hole.

553
00:26:47,880 --> 00:26:52,119
Speaker 2: God, it's just it's just a show from g I. Okay,

554
00:26:52,119 --> 00:26:53,160
Speaker 2: all right, he'll.

555
00:26:52,960 --> 00:26:54,440
Speaker 1: Make me grumpy about having fun.

556
00:26:57,640 --> 00:26:57,840
Speaker 3: Yeah.

557
00:26:59,440 --> 00:27:02,359
Speaker 2: Seawan'screen from upstairs then appears back on the stairs. It's okay,

558
00:27:02,480 --> 00:27:04,480
Speaker 2: I thought I saw a poster of me, but it's

559
00:27:04,680 --> 00:27:10,720
Speaker 2: just a mirror show. Historical hysterical joke.

560
00:27:11,359 --> 00:27:14,359
Speaker 1: That is yeah. I was like, what this is?

561
00:27:15,119 --> 00:27:16,880
Speaker 3: I mean, the best line.

562
00:27:18,640 --> 00:27:23,600
Speaker 2: Plus joke, he says, the house is nothing like he's

563
00:27:23,640 --> 00:27:27,200
Speaker 2: ever dreamed of. Three bedrooms, beautifully decorated. But the best part,

564
00:27:27,359 --> 00:27:30,239
Speaker 2: he's got a six foot round tub. Corey points out

565
00:27:30,359 --> 00:27:34,200
Speaker 2: the man's got a bathe Sean adds with jets. Corey

566
00:27:34,320 --> 00:27:39,720
Speaker 2: raises his eyebrows. Oh, cooky, I don't know, I don't know.

567
00:27:41,280 --> 00:27:44,000
Speaker 2: Seawn announces he has an idea for his economics project

568
00:27:44,000 --> 00:27:46,479
Speaker 2: and leaves, so Corey tries to continue watering the plants,

569
00:27:46,480 --> 00:27:48,480
Speaker 2: only to admit I don't want to be alone in here,

570
00:27:48,640 --> 00:27:50,960
Speaker 2: and he quickly darts out of the house, spilling water

571
00:27:51,080 --> 00:27:55,800
Speaker 2: as he goes everywhere. The pink carpet, I know, interesting car.

572
00:27:55,920 --> 00:27:57,719
Speaker 3: It is like a pink carpet.

573
00:27:57,880 --> 00:28:02,040
Speaker 2: Yeah, and then we see the Boston hotel exterior with

574
00:28:02,119 --> 00:28:05,800
Speaker 2: a fancy limo and a painted out on ing. Wow.

575
00:28:06,880 --> 00:28:09,040
Speaker 2: Eric sits down at the hotel bar, explaining to the

576
00:28:09,040 --> 00:28:13,920
Speaker 2: bartender that his name is Dylan Turtleneck. Oh yeah, turtle Eric.

577
00:28:14,160 --> 00:28:16,640
Speaker 3: This is this is definitely the nineties where you got

578
00:28:16,680 --> 00:28:18,760
Speaker 3: the suit and like the or the turtle neck.

579
00:28:18,920 --> 00:28:20,439
Speaker 1: I think it looks good, but it's just so funny

580
00:28:20,440 --> 00:28:25,280
Speaker 1: because we just did the One Woman Show where it's funny.

581
00:28:25,560 --> 00:28:27,680
Speaker 1: Went from mocking it mocking.

582
00:28:27,359 --> 00:28:31,240
Speaker 2: It like a turtleneck on Thanksgiving.

583
00:28:31,680 --> 00:28:33,960
Speaker 3: Yeah, we're in. We're in peak turtleneck phase.

584
00:28:34,119 --> 00:28:36,600
Speaker 2: Yes, we're in. We're in Eric's turtleneck face.

585
00:28:36,640 --> 00:28:39,720
Speaker 1: I mean we're turtleneck's A problem is this like because

586
00:28:39,720 --> 00:28:41,400
Speaker 1: I went I used to wear a turtleneck and it

587
00:28:41,480 --> 00:28:44,120
Speaker 1: was cool, and now like if I ever consider a

588
00:28:44,160 --> 00:28:45,840
Speaker 1: turtle deck my wife just says.

589
00:28:45,680 --> 00:28:50,160
Speaker 2: No love turtlenecks on men. I do love them on women.

590
00:28:50,440 --> 00:28:54,200
Speaker 2: Susan Will's wife wears a turtleneck better than anyone I've

591
00:28:54,240 --> 00:28:54,720
Speaker 2: ever seen.

592
00:28:54,920 --> 00:28:55,520
Speaker 3: She loves it.

593
00:28:55,560 --> 00:28:58,920
Speaker 2: And I have tried to then emulate Susan and I

594
00:28:58,960 --> 00:29:01,760
Speaker 2: have bought turtlenecks, and I look terrible.

595
00:29:03,040 --> 00:29:05,360
Speaker 1: Men men can't wear turtle necks. It's not in any

596
00:29:05,400 --> 00:29:07,120
Speaker 1: era or like. It's not cool.

597
00:29:07,320 --> 00:29:09,440
Speaker 2: It's not cool. It's not cool. It looks a little

598
00:29:10,800 --> 00:29:15,360
Speaker 2: doweebee and a man. There's something a little dweebish about

599
00:29:15,360 --> 00:29:20,200
Speaker 2: a turtleneck on a man. But but if you love it,

600
00:29:20,320 --> 00:29:23,960
Speaker 2: do what you want, you know, honestly.

601
00:29:23,960 --> 00:29:26,040
Speaker 1: At this point in our lives, damn good on this

602
00:29:26,280 --> 00:29:26,560
Speaker 1: he does.

603
00:29:26,840 --> 00:29:27,240
Speaker 3: He does.

604
00:29:27,320 --> 00:29:28,760
Speaker 1: Look he's pulling off a turtle neck.

605
00:29:29,000 --> 00:29:30,440
Speaker 2: Yeah, he is. He's pulling it off.

606
00:29:30,680 --> 00:29:31,440
Speaker 1: But it's nineties.

607
00:29:31,880 --> 00:29:32,560
Speaker 2: It's nineties.

608
00:29:32,560 --> 00:29:32,760
Speaker 1: It was.

609
00:29:32,840 --> 00:29:33,760
Speaker 2: Yeah, it's a little.

610
00:29:33,600 --> 00:29:36,040
Speaker 3: And I'm like nineteen. So it's you.

611
00:29:37,280 --> 00:29:39,480
Speaker 1: At least you're not like swimming in your suit like

612
00:29:39,520 --> 00:29:41,000
Speaker 1: I am. For the rest of this episode.

613
00:29:41,280 --> 00:29:42,720
Speaker 2: I know you do have a but you know what,

614
00:29:43,120 --> 00:29:46,480
Speaker 2: I even like that because it's a little mob bossy.

615
00:29:46,640 --> 00:29:51,160
Speaker 2: It feels a little like mob suit. Do you get

616
00:29:51,240 --> 00:29:54,280
Speaker 2: your suits at the same place you buy your Jinko jeans?

617
00:29:56,840 --> 00:29:56,920
Speaker 3: Me?

618
00:29:57,840 --> 00:29:59,040
Speaker 1: Can I just get something bad here?

619
00:29:59,160 --> 00:30:01,440
Speaker 3: I totally could have said that I want to be

620
00:30:01,720 --> 00:30:04,040
Speaker 3: to be able to fit my keys in the pocket

621
00:30:04,760 --> 00:30:05,880
Speaker 3: for a novel in this suit.

622
00:30:09,360 --> 00:30:11,880
Speaker 2: So Eric says he's Dylan high Tower and he's the

623
00:30:11,880 --> 00:30:14,640
Speaker 2: CEO of a mid sized venture capitol group. He adds,

624
00:30:14,720 --> 00:30:16,360
Speaker 2: you might look for me on the cover of next

625
00:30:16,360 --> 00:30:17,560
Speaker 2: month's four Bees.

626
00:30:17,840 --> 00:30:18,440
Speaker 3: Four Bees.

627
00:30:18,600 --> 00:30:23,920
Speaker 2: Again, great joke, so funny, really well written. The bartender laughs,

628
00:30:24,000 --> 00:30:26,000
Speaker 2: You're just at high school, you work for your daddy.

629
00:30:26,000 --> 00:30:28,680
Speaker 2: This is your first convention and it's pronounced Forbes.

630
00:30:28,840 --> 00:30:31,280
Speaker 1: What what came first? Will? Because this is something that

631
00:30:31,320 --> 00:30:34,920
Speaker 1: you've definitely absorbed into your actual humor, the mispronunciation of work.

632
00:30:35,240 --> 00:30:35,840
Speaker 2: I love it.

633
00:30:36,080 --> 00:30:37,520
Speaker 1: I do it all the time, and it's one of

634
00:30:37,560 --> 00:30:40,600
Speaker 1: my funniest bits and never never goes to work. And

635
00:30:40,680 --> 00:30:44,680
Speaker 1: yet I've realized Eric did it because Yalobez and you

636
00:30:44,720 --> 00:30:45,440
Speaker 1: do this all the.

637
00:30:45,400 --> 00:30:47,920
Speaker 3: Time, and the whiskey in my personal life.

638
00:30:48,480 --> 00:30:51,120
Speaker 1: Brought it into that. I think it's such a will

639
00:30:51,200 --> 00:30:54,080
Speaker 1: thing and just I'm like, whoa it was on the show.

640
00:30:54,320 --> 00:30:55,760
Speaker 3: Yeah, so funny it is.

641
00:30:56,840 --> 00:30:58,960
Speaker 2: So she asks what what his real name is, and

642
00:30:59,080 --> 00:31:03,000
Speaker 2: Eric is exposed. I'm not telling. The bartender asks, so

643
00:31:03,040 --> 00:31:05,880
Speaker 2: what are you drinking, mystery boy. Eric tells her Bruski.

644
00:31:06,160 --> 00:31:09,120
Speaker 2: She asks, rupe Bruski. If that's all you're allowed to

645
00:31:09,120 --> 00:31:11,640
Speaker 2: give me, then sure. Eric agrees. She pours the root

646
00:31:11,640 --> 00:31:13,600
Speaker 2: beer in a glass and then adds, but I will

647
00:31:13,640 --> 00:31:16,479
Speaker 2: do this. She slides the glass across the bar and

648
00:31:16,560 --> 00:31:19,560
Speaker 2: a different hand catches it. We hear a voice. I

649
00:31:19,600 --> 00:31:21,040
Speaker 2: believe you're supposed to catch it.

650
00:31:21,000 --> 00:31:22,680
Speaker 1: Mister awkward camera shot alert.

651
00:31:22,800 --> 00:31:25,760
Speaker 2: I know what happened there, just trying.

652
00:31:25,600 --> 00:31:28,000
Speaker 1: To stage the reveal, and you know that they just

653
00:31:28,040 --> 00:31:31,160
Speaker 1: went bigger, bigger, No, no, no, we can't see him.

654
00:31:31,200 --> 00:31:33,240
Speaker 1: We have to you know, It's just like and it became.

655
00:31:33,280 --> 00:31:35,360
Speaker 2: Became a full thing. But there almost seemed like there

656
00:31:35,440 --> 00:31:37,240
Speaker 2: was a cut in the middle of the slide. It

657
00:31:37,280 --> 00:31:39,480
Speaker 2: was like it wasn't one continuous shot.

658
00:31:39,520 --> 00:31:42,480
Speaker 1: And I guess, well, there's set. I mean you could

659
00:31:42,480 --> 00:31:44,600
Speaker 1: see that they had to adjust, they had to pull

660
00:31:44,600 --> 00:31:47,400
Speaker 1: off the wall, like because they decided they were going

661
00:31:47,440 --> 00:31:49,320
Speaker 1: to be two scenes in here. There's a scene later

662
00:31:49,400 --> 00:31:52,520
Speaker 1: where you guys are seated at the like downward downstage table.

663
00:31:52,760 --> 00:31:54,720
Speaker 1: But then they wanted to have this bar scene, so

664
00:31:54,760 --> 00:31:56,640
Speaker 1: it is a well designed set. But what that means

665
00:31:56,680 --> 00:31:59,480
Speaker 1: is they had to pool the state of the camera

666
00:31:59,560 --> 00:32:01,840
Speaker 1: right wall out and get a camera up there to

667
00:32:01,880 --> 00:32:03,560
Speaker 1: get that shut to have you guys, and it's just

668
00:32:03,640 --> 00:32:06,360
Speaker 1: kind of it does feel a little awkward. You know,

669
00:32:06,400 --> 00:32:07,680
Speaker 1: it's because it's the whole scene.

670
00:32:07,680 --> 00:32:09,600
Speaker 3: But the whole scene kind of feels awkward, but only

671
00:32:09,600 --> 00:32:14,960
Speaker 3: because it's rare to see two characters on camera where

672
00:32:15,040 --> 00:32:18,480
Speaker 3: the were me for instance, where I'm downstage, down in my.

673
00:32:18,480 --> 00:32:20,760
Speaker 1: Back right, I know, right, and that's where they have

674
00:32:20,800 --> 00:32:23,120
Speaker 1: to get the camera upstage in order to shoot you.

675
00:32:23,320 --> 00:32:25,760
Speaker 1: And it just feels it turns, it turns, the fourth

676
00:32:25,760 --> 00:32:27,880
Speaker 1: wall changes, right, so it can't help but feel a

677
00:32:27,880 --> 00:32:31,040
Speaker 1: little jarring. It's'll connect it. It's an interesting thing.

678
00:32:31,120 --> 00:32:33,360
Speaker 3: Yeah, But again I loved just Bill and I working

679
00:32:33,360 --> 00:32:35,880
Speaker 3: together and they're really now it's now it's off to

680
00:32:35,920 --> 00:32:38,600
Speaker 3: the races with Eric and Feenie, which I love so much.

681
00:32:38,840 --> 00:32:41,120
Speaker 2: Really did not remember that I remember, I mean you

682
00:32:41,160 --> 00:32:43,640
Speaker 2: had mentioned it when we first started the podcast that

683
00:32:43,720 --> 00:32:45,760
Speaker 2: some of your favorite stuff was working with Bill, and

684
00:32:45,840 --> 00:32:48,320
Speaker 2: I remember thinking like, yeah, I know, you guys worked together,

685
00:32:48,360 --> 00:32:51,400
Speaker 2: but I truly did not remember how much they set

686
00:32:51,440 --> 00:32:53,800
Speaker 2: you guys up like a buddy comedy.

687
00:32:54,000 --> 00:32:56,600
Speaker 1: Yeah, and it's not just wacky will no time. It

688
00:32:56,640 --> 00:32:58,600
Speaker 1: seems like this if you think about it.

689
00:32:58,680 --> 00:33:02,320
Speaker 3: Chip at this point to though, we're the only characters

690
00:33:02,360 --> 00:33:06,080
Speaker 3: that aren't paired up. So you know, you got Corey

691
00:33:06,120 --> 00:33:07,720
Speaker 3: and Sean. Now Tapang is coming in the mix. So

692
00:33:07,760 --> 00:33:10,240
Speaker 3: it's Corey, Sean and Tapanga. Amy's got Alan, they all

693
00:33:10,240 --> 00:33:12,840
Speaker 3: have the one. He's gone, Tony's gone. So you've got

694
00:33:12,960 --> 00:33:15,280
Speaker 3: Eric kind of floating in the wind, and you've got

695
00:33:15,280 --> 00:33:17,160
Speaker 3: Phoene kind of floating in the wind. And somehow when

696
00:33:17,160 --> 00:33:19,760
Speaker 3: you make it just worked. You know that it was

697
00:33:19,800 --> 00:33:21,640
Speaker 3: like what if we put those two together?

698
00:33:21,800 --> 00:33:24,800
Speaker 1: Yep ye, classic good storytelling, like taking two characters who

699
00:33:24,800 --> 00:33:29,000
Speaker 1: are extreme opposites forcing together somehow funny and it worked.

700
00:33:29,120 --> 00:33:30,760
Speaker 3: It just yeah, it definitely works. But can't I wish

701
00:33:30,760 --> 00:33:31,320
Speaker 3: I remembered this.

702
00:33:32,200 --> 00:33:35,120
Speaker 2: The minute we hear his voice, Eric and the audience, no,

703
00:33:35,320 --> 00:33:39,480
Speaker 2: it's mister Feoenne, Eric admits, what a remarkable and horrifying coincidence.

704
00:33:39,760 --> 00:33:43,760
Speaker 2: Feoene agrees horrifying. Indeed, what are you doing in Beantown?

705
00:33:44,200 --> 00:33:47,760
Speaker 3: I just love him saying bean Town Beat in town.

706
00:33:48,400 --> 00:33:51,280
Speaker 2: Eric responds, hiding from you and I failed? Why must

707
00:33:51,320 --> 00:33:54,680
Speaker 2: you stalk me? So Feeney apologizes for bursting his balloon,

708
00:33:54,800 --> 00:33:58,120
Speaker 2: but he's waiting for someone else. Eric questions Corey, which

709
00:33:58,160 --> 00:34:02,280
Speaker 2: again I love, Yeah, continuing the idea that you have

710
00:34:02,320 --> 00:34:04,560
Speaker 2: to either be in school or gardening, and if you're

711
00:34:04,600 --> 00:34:08,640
Speaker 2: not with me, you must be with Corey. So funny. Uh,

712
00:34:09,040 --> 00:34:11,879
Speaker 2: Phoenie exclaims, No, I'm waiting for a special lady friend

713
00:34:11,920 --> 00:34:13,480
Speaker 2: of mine to have dinner in the hotel.

714
00:34:14,000 --> 00:34:15,799
Speaker 1: Eric, can you never just say special lady friend?

715
00:34:15,920 --> 00:34:20,600
Speaker 2: Right? I love saying lady friend. I don't say special

716
00:34:20,640 --> 00:34:23,960
Speaker 2: lady friend, but I love I like a gentleman friend

717
00:34:24,040 --> 00:34:24,800
Speaker 2: and a lady friend.

718
00:34:24,840 --> 00:34:28,200
Speaker 1: Wow, it's I always think Big Lebowski's my special lady friend.

719
00:34:28,680 --> 00:34:31,319
Speaker 3: It's like I seen that movie.

720
00:34:32,120 --> 00:34:33,960
Speaker 2: I've never seen, never seen Big Ki.

721
00:34:34,560 --> 00:34:36,440
Speaker 1: Can we do a Big Lebowski recap?

722
00:34:36,560 --> 00:34:40,160
Speaker 2: Are you due that ties in with your audience?

723
00:34:40,200 --> 00:34:41,239
Speaker 3: But should No?

724
00:34:41,280 --> 00:34:43,279
Speaker 1: I've never wants the audience here is that you've never

725
00:34:43,280 --> 00:34:46,880
Speaker 1: seen Big Lebowski. We're gonna, dude, send us letters to Melissa.

726
00:34:48,320 --> 00:34:48,520
Speaker 3: Letter.

727
00:34:51,400 --> 00:34:53,520
Speaker 2: I mean, we could have an entire podcast that would

728
00:34:53,560 --> 00:34:55,600
Speaker 2: go on for years if it was just writer and

729
00:34:55,640 --> 00:35:00,200
Speaker 2: will play movies that Danielle's never seen, because I've there

730
00:35:00,200 --> 00:35:03,040
Speaker 2: are so many things I've never seen, but that's one

731
00:35:03,040 --> 00:35:03,520
Speaker 2: I can.

732
00:35:03,440 --> 00:35:08,480
Speaker 1: Be super condescend. You've never seen let us let's do

733
00:35:08,680 --> 00:35:12,160
Speaker 1: film school and Godfather says.

734
00:35:12,160 --> 00:35:15,120
Speaker 3: Movies, Danielle, just sit down and if you've.

735
00:35:14,960 --> 00:35:16,600
Speaker 1: Ever heard what a director does.

736
00:35:16,840 --> 00:35:23,480
Speaker 2: But honestly, I could use an education in all of it.

737
00:35:23,840 --> 00:35:26,840
Speaker 3: I think our next podcast, frankly, should be movies that

738
00:35:26,880 --> 00:35:28,359
Speaker 3: were important to us as a kid.

739
00:35:28,760 --> 00:35:34,239
Speaker 2: Okay again, I have one I can get, will bet

740
00:35:34,280 --> 00:35:36,319
Speaker 2: you there is more stuff than that.

741
00:35:36,920 --> 00:35:37,320
Speaker 3: Nothing.

742
00:35:39,239 --> 00:35:42,880
Speaker 2: There's Jurassic Park and Titanic and anything.

743
00:35:42,560 --> 00:35:46,440
Speaker 1: And biggest movies of all time and I don't remember,

744
00:35:46,560 --> 00:35:47,480
Speaker 1: couldn't avoid them.

745
00:35:48,120 --> 00:35:50,680
Speaker 3: Have you seen Titanic or Jurassic Park because we could

746
00:35:50,680 --> 00:35:53,440
Speaker 3: watch those. Yeah, yeah, we've we've seen those things.

747
00:35:53,480 --> 00:35:54,880
Speaker 2: We've seen those. Okay, great, well.

748
00:35:54,719 --> 00:35:56,640
Speaker 3: Then then I'm done. I guest over.

749
00:36:07,960 --> 00:36:10,680
Speaker 2: Eric didn't know Phoeney had someone special in Boston. Phoene

750
00:36:10,719 --> 00:36:13,040
Speaker 2: says he's never told Eric about her before, for the

751
00:36:13,040 --> 00:36:15,200
Speaker 2: same reason you don't talk about your girlfriends to me.

752
00:36:15,719 --> 00:36:19,880
Speaker 2: Eric makes an uncomfortable face. It's squeamy because it's squeamy.

753
00:36:20,880 --> 00:36:24,320
Speaker 2: Peenie nods precisely. But now that you've asked, Eric interrupts,

754
00:36:24,360 --> 00:36:28,960
Speaker 2: I didn't. Phoene continues, Anyway, Elizabeth is someone I've known

755
00:36:29,040 --> 00:36:32,640
Speaker 2: for fifteen years, someone I care about deeply. He sadly

756
00:36:32,680 --> 00:36:35,160
Speaker 2: states that her teaching career is as important to her

757
00:36:35,280 --> 00:36:37,799
Speaker 2: as his is to him, and she works and lives

758
00:36:37,800 --> 00:36:42,120
Speaker 2: out of Boston. Eric unenthusiastically responds, a female feenie, yay,

759
00:36:42,880 --> 00:36:43,480
Speaker 2: I love it.

760
00:36:43,800 --> 00:36:48,400
Speaker 1: And then I kind of wanted to see her. It's like, oh.

761
00:36:48,239 --> 00:36:49,960
Speaker 3: This this actually wanted to see her too.

762
00:36:50,120 --> 00:36:53,520
Speaker 1: Yeah, So so what let's go back into the Freeny

763
00:36:53,560 --> 00:36:57,799
Speaker 1: prequel show. All right, is this like a friend when

764
00:36:57,840 --> 00:37:00,600
Speaker 1: he was married? Is somebody who is that part of

765
00:37:00,600 --> 00:37:01,520
Speaker 1: the drama.

766
00:37:01,560 --> 00:37:05,080
Speaker 3: After I think it's after the wife. Yeah, and it

767
00:37:05,200 --> 00:37:08,400
Speaker 3: was the first kind of thing he found after the wife,

768
00:37:08,480 --> 00:37:10,840
Speaker 3: But it was never you know, that first when you

769
00:37:10,880 --> 00:37:13,920
Speaker 3: have after the big breakup or your divorce, whatever it is,

770
00:37:14,239 --> 00:37:17,359
Speaker 3: and it rebounds, it's never the like, no matter how

771
00:37:17,400 --> 00:37:20,360
Speaker 3: much you feel about this person, you never capture that

772
00:37:20,440 --> 00:37:23,799
Speaker 3: original feeling. It's never like, fully there. I think that's this.

773
00:37:23,920 --> 00:37:24,920
Speaker 1: Phoene just can't commit.

774
00:37:25,160 --> 00:37:27,440
Speaker 2: Maybe they met at a teacher conference.

775
00:37:27,520 --> 00:37:31,760
Speaker 3: Exactly because Phoene's Phoene's PTA.

776
00:37:32,160 --> 00:37:41,680
Speaker 2: Oh sorry, right, So Eric asks how often do you

777
00:37:41,719 --> 00:37:44,239
Speaker 2: see each other? Phoene says three or four times a year,

778
00:37:44,360 --> 00:37:46,279
Speaker 2: and every so often one of them asks the other

779
00:37:46,320 --> 00:37:47,880
Speaker 2: to give it all up and move so they can

780
00:37:47,920 --> 00:37:48,400
Speaker 2: be together.

781
00:37:48,600 --> 00:37:50,640
Speaker 1: So Phoene's not staying at the hotel, He's at the

782
00:37:50,719 --> 00:37:54,520
Speaker 1: B and B, right, and they don't spend the night together.

783
00:37:55,200 --> 00:37:57,640
Speaker 1: So he comes to this hotel and then he comes

784
00:37:57,680 --> 00:37:58,960
Speaker 1: back to just hang out with Eric.

785
00:37:59,280 --> 00:38:02,759
Speaker 2: Well we talk about that at talk about that a

786
00:38:02,760 --> 00:38:05,319
Speaker 2: little bit later when he says he's having dinner with her,

787
00:38:05,320 --> 00:38:06,719
Speaker 2: but then he asks Eric if he wants to go

788
00:38:06,760 --> 00:38:07,800
Speaker 2: for a bowl of pasta.

789
00:38:07,840 --> 00:38:09,640
Speaker 3: And I was like, Phoenie, why.

790
00:38:14,080 --> 00:38:17,959
Speaker 2: Just because she said no to moving back to Philadelphia

791
00:38:18,000 --> 00:38:23,160
Speaker 2: with you, why are you not still hanging out with her?

792
00:38:23,760 --> 00:38:28,440
Speaker 2: Is he waiting for marriage? I think he and Tipanga

793
00:38:28,560 --> 00:38:35,920
Speaker 2: have very shared values. I didn't know really, So Eric wonders,

794
00:38:36,040 --> 00:38:38,200
Speaker 2: you never took her up on it. Phoenie replies, nor

795
00:38:38,239 --> 00:38:40,680
Speaker 2: is she me. The asking and saying no has become

796
00:38:40,719 --> 00:38:43,520
Speaker 2: a bittersweet ritual between us. This year. It's my turn

797
00:38:43,560 --> 00:38:46,520
Speaker 2: to pop the question. Eric Coyley asks, what if she

798
00:38:46,560 --> 00:38:49,560
Speaker 2: says yes. He laughs, she won't. She'll just smile and

799
00:38:49,640 --> 00:38:52,040
Speaker 2: ask can't we keep things the way they are? Then

800
00:38:52,080 --> 00:38:55,880
Speaker 2: I'll go home. Eric adds to me and Corey again,

801
00:38:56,280 --> 00:38:59,959
Speaker 2: I love it. Phoene gives him a look, you're killing

802
00:39:00,080 --> 00:39:05,000
Speaker 2: my story. And I could very easily see a spin

803
00:39:05,040 --> 00:39:08,800
Speaker 2: off where these two Eric and Feenie moved to Boston

804
00:39:11,560 --> 00:39:18,920
Speaker 2: just called Beantown fian Town. And then we're back at

805
00:39:18,920 --> 00:39:22,600
Speaker 2: Phoene's house. Sean walks downstairs dressed in a full structure

806
00:39:22,680 --> 00:39:24,759
Speaker 2: suit that's three sizes too large, a.

807
00:39:24,800 --> 00:39:27,759
Speaker 1: Large and like the collarless shirt, it just.

808
00:39:30,040 --> 00:39:32,600
Speaker 3: Collar the collarless everything. I mean they even mentioned it

809
00:39:32,640 --> 00:39:35,719
Speaker 3: and was it clueless? Yes, where's my collarless whatever? I mean,

810
00:39:35,719 --> 00:39:36,640
Speaker 3: it's that was the look.

811
00:39:36,880 --> 00:39:39,840
Speaker 2: It was the look. Corey, doing his chores, asks what

812
00:39:39,840 --> 00:39:41,839
Speaker 2: are you doing here without me? Sean says he's here

813
00:39:41,880 --> 00:39:44,560
Speaker 2: to work on his school project, and Corey hesitantly asks

814
00:39:44,880 --> 00:39:47,680
Speaker 2: why here. Sean admits I don't have an answer that

815
00:39:47,680 --> 00:39:50,239
Speaker 2: wouldn't upset you. Can you rotate those two plants just

816
00:39:50,239 --> 00:39:52,920
Speaker 2: a little. Corey isn't dropping it? What's your school project?

817
00:39:52,960 --> 00:39:53,280
Speaker 5: Sean?

818
00:39:53,520 --> 00:39:55,640
Speaker 2: No, don't tell me, yes, tell me, tell me, but

819
00:39:55,719 --> 00:39:56,759
Speaker 2: lie you.

820
00:39:56,760 --> 00:39:58,040
Speaker 3: Can great line too.

821
00:39:59,080 --> 00:40:01,880
Speaker 2: Sean handsom is board and Corey reads a bed and breakfast.

822
00:40:02,040 --> 00:40:04,440
Speaker 2: He aughs, there's nothing to worry about, but then he

823
00:40:04,440 --> 00:40:06,839
Speaker 2: continues to read the flyer two hundred bucks a night.

824
00:40:07,080 --> 00:40:09,840
Speaker 2: Oh wow, sewn even came up with some advertising. Sean

825
00:40:09,880 --> 00:40:11,920
Speaker 2: proudly nods, just a little sign up at the airport

826
00:40:11,960 --> 00:40:14,640
Speaker 2: near duty free. Corey admires the hard work, flipping to

827
00:40:14,680 --> 00:40:17,000
Speaker 2: the next page. Guests have already checked in, given him

828
00:40:17,040 --> 00:40:21,600
Speaker 2: credit cards the Timmers. Just then, an elderly couple walks downstairs,

829
00:40:21,640 --> 00:40:24,280
Speaker 2: forcing Corey to quickly stand up. Who are you? The woman,

830
00:40:24,320 --> 00:40:27,120
Speaker 2: in somewhat of a Dutch accent explains, we are the Timmers.

831
00:40:27,440 --> 00:40:29,640
Speaker 2: Corey looks at the credit card. Of course you are.

832
00:40:30,040 --> 00:40:32,960
Speaker 2: Sean softly acknowledges he's going to scream now, and then

833
00:40:33,120 --> 00:40:40,120
Speaker 2: Corey on cue screams, shann cute act, cute little setup. Yeah,

834
00:40:40,160 --> 00:40:45,640
Speaker 2: I love everything, love all of it up. Yeah, cute.

835
00:40:45,760 --> 00:40:47,879
Speaker 2: We come back from commercial break, where at Phoene's house,

836
00:40:48,080 --> 00:40:50,879
Speaker 2: Corey is still screaming and Sean defends himself. Phoeney left

837
00:40:50,960 --> 00:40:52,800
Speaker 2: us the keys to his house. He knows this is

838
00:40:52,840 --> 00:40:55,120
Speaker 2: going to happen. He wants this to happen.

839
00:40:55,239 --> 00:40:57,560
Speaker 1: I love that. I love that too, that Sean is

840
00:40:57,600 --> 00:41:01,920
Speaker 1: so confident, because come on, he's omniscient.

841
00:41:02,160 --> 00:41:04,680
Speaker 3: He knows, and I just know he left the key.

842
00:41:04,840 --> 00:41:06,560
Speaker 3: This is like the clever.

843
00:41:06,400 --> 00:41:08,920
Speaker 1: Self awareness, you know that I really like. Yeah, when

844
00:41:08,960 --> 00:41:10,640
Speaker 1: it gets too obvious near the end of the episode,

845
00:41:10,680 --> 00:41:12,600
Speaker 1: I was rolling my eyes, but here it's fun.

846
00:41:12,480 --> 00:41:17,239
Speaker 2: Like I agree, completely agree. Corey's flailing his arms. Ah,

847
00:41:17,280 --> 00:41:19,239
Speaker 2: Sean scolds him, if you're gonna stay at my bed

848
00:41:19,239 --> 00:41:21,200
Speaker 2: and breakfast, you're gonna have to keep your voice down.

849
00:41:21,600 --> 00:41:25,440
Speaker 2: The more parks are upstairs napping. Corey turns his flailing

850
00:41:25,680 --> 00:41:29,920
Speaker 2: into a whimper. Sean explains, nolyweds. They're here on the

851
00:41:29,960 --> 00:41:33,400
Speaker 2: honeymoon package. The Timmers are holding a vase of Poene's

852
00:41:33,440 --> 00:41:35,680
Speaker 2: and Corey yells at them to put it down. The

853
00:41:35,719 --> 00:41:38,719
Speaker 2: woman responds, we out of the timmers. Sean says he'll

854
00:41:38,719 --> 00:41:42,160
Speaker 2: handle it, suddenly able to speak perfect Dutch to the cup.

855
00:41:42,600 --> 00:41:44,840
Speaker 1: Although we don't even explain it anymore, Sean can just

856
00:41:44,880 --> 00:41:46,840
Speaker 1: do it for yourself.

857
00:41:49,040 --> 00:41:51,719
Speaker 3: That will always be Amsterdam to me. We'll always just

858
00:41:51,719 --> 00:41:54,080
Speaker 3: be walking the streets of Amsterdam, just saying that.

859
00:41:54,160 --> 00:41:55,919
Speaker 1: It started in the plane. It's started in the plane.

860
00:41:56,000 --> 00:41:57,279
Speaker 1: You and I sit next to each other on the

861
00:41:57,320 --> 00:42:00,200
Speaker 1: plane and me being like, so do we know? I mean,

862
00:42:00,239 --> 00:42:01,640
Speaker 1: how do you say hi? Or I had like a

863
00:42:01,640 --> 00:42:03,960
Speaker 1: guidebook and you were like, well you know Dutch, say

864
00:42:04,120 --> 00:42:06,000
Speaker 1: you know, that's all we can say. You're like, teach me,

865
00:42:06,000 --> 00:42:08,080
Speaker 1: you're Dutch. So I taught you how to save these

866
00:42:08,120 --> 00:42:11,560
Speaker 1: and that's all we could say. Going to hash bars

867
00:42:11,600 --> 00:42:14,360
Speaker 1: and telling people throw in the air exactly.

868
00:42:15,080 --> 00:42:17,759
Speaker 3: In fact, everything you see is to coop ye remember that.

869
00:42:19,640 --> 00:42:22,080
Speaker 2: The man obliges throwing it up in the air and amusement.

870
00:42:22,120 --> 00:42:24,640
Speaker 2: Corey asks Sean the more parks in the timers. That's

871
00:42:24,680 --> 00:42:27,760
Speaker 2: it right, Sean nods, But just then a new loud

872
00:42:27,840 --> 00:42:31,800
Speaker 2: couple walks in. Sean greets the couple, the Hecks, Arnie

873
00:42:31,800 --> 00:42:35,920
Speaker 2: and Gloria from Boca. They booked through the last minute club.

874
00:42:36,239 --> 00:42:38,319
Speaker 2: Arnie yells to his wife, I wanted to stay in

875
00:42:38,360 --> 00:42:41,040
Speaker 2: a Ritz Carlton. It's a bed and breakfast. It's a

876
00:42:41,080 --> 00:42:42,239
Speaker 2: little foofye no.

877
00:42:43,880 --> 00:42:46,600
Speaker 3: And this is where there's a direct Seinfeld reference. Oh

878
00:42:46,640 --> 00:42:49,440
Speaker 3: really yeah, so in because then he comes into I

879
00:42:49,480 --> 00:42:53,600
Speaker 3: wanted There's no mini bar, no Maceadamia's. And in an

880
00:42:53,600 --> 00:42:58,560
Speaker 3: episode of Seinfeld. So a Laine gets a suite at

881
00:42:58,560 --> 00:43:01,760
Speaker 3: the plaza and she has to give it to Jerry's parents,

882
00:43:01,800 --> 00:43:05,319
Speaker 3: who then trash it. And they also bring in Uncle

883
00:43:05,440 --> 00:43:08,360
Speaker 3: Leo who's there, who eats too many macadamia nuts and

884
00:43:08,400 --> 00:43:10,319
Speaker 3: his whole joke as he's just in the background rolling

885
00:43:10,320 --> 00:43:13,680
Speaker 3: on the bed going no, no more nuts, no more nuts.

886
00:43:14,080 --> 00:43:17,080
Speaker 3: So it's had to when he mentions the Macademians like, okay,

887
00:43:16,800 --> 00:43:18,560
Speaker 3: they're not and that's.

888
00:43:18,440 --> 00:43:20,600
Speaker 1: Like a reference within a year of it happening. I

889
00:43:20,680 --> 00:43:22,279
Speaker 1: mean we're on the air at the same time.

890
00:43:22,560 --> 00:43:25,080
Speaker 3: Yeah, so it's a straight up Seinfeld reference.

891
00:43:25,200 --> 00:43:27,600
Speaker 2: Yeah, so crazy. Well, the couple argues a bit and

892
00:43:27,640 --> 00:43:30,040
Speaker 2: Sean casually tells Corey, I threw a few bucks to

893
00:43:30,040 --> 00:43:32,439
Speaker 2: the Cabby's that way. They tell them the hotels are full,

894
00:43:32,440 --> 00:43:35,120
Speaker 2: and they bring him right here. Corey loses it, screaming

895
00:43:35,160 --> 00:43:37,960
Speaker 2: to the guest out, I want you all out. Sean

896
00:43:38,000 --> 00:43:40,439
Speaker 2: tries to calm the situation. This is our bell hop.

897
00:43:40,520 --> 00:43:44,319
Speaker 2: He's rude and obnoxious. Alreadie is impressed. I like him,

898
00:43:44,480 --> 00:43:46,560
Speaker 2: then hands Phoene's vase to Corey to put it in

899
00:43:46,560 --> 00:43:49,200
Speaker 2: his room. Cory's in shock, leaning into Sean, I have

900
00:43:49,280 --> 00:43:52,000
Speaker 2: to kill you now. Gloria then asks where the good

901
00:43:52,040 --> 00:43:54,839
Speaker 2: shopping is, and Sean responds, why don't we ask our concierge.

902
00:43:55,120 --> 00:43:57,560
Speaker 2: He rings a bell and then Tapega walks down the

903
00:43:57,560 --> 00:44:01,560
Speaker 2: stairs in a cute little business suit. Corey can't believe it.

904
00:44:01,680 --> 00:44:04,240
Speaker 2: Not you, Topanga. How could someone as sweet and honest

905
00:44:04,239 --> 00:44:06,880
Speaker 2: as you get mixed up in one of Sean's evil schemes,

906
00:44:07,239 --> 00:44:11,120
Speaker 2: Tapanga tells him because of this, and then she answers

907
00:44:11,160 --> 00:44:13,120
Speaker 2: the hecks, why don't I show you to your sweet

908
00:44:13,160 --> 00:44:15,399
Speaker 2: and then we can map out your day arny hands

909
00:44:15,440 --> 00:44:18,640
Speaker 2: or some money by yourself, some heels, She shrugs. It's

910
00:44:18,640 --> 00:44:21,480
Speaker 2: a living so object.

911
00:44:21,520 --> 00:44:25,680
Speaker 1: To man or do it for money on her heels.

912
00:44:26,760 --> 00:44:30,360
Speaker 2: It's like she's not really gonna buy heels, I don't think.

913
00:44:30,320 --> 00:44:33,000
Speaker 3: But she I'm so so with them all.

914
00:44:33,239 --> 00:44:36,880
Speaker 1: It's yeah, yeah, it's a little I mean, you're just

915
00:44:37,000 --> 00:44:37,480
Speaker 1: you're there.

916
00:44:37,320 --> 00:44:40,480
Speaker 3: For the jokes, yeah, but not even to Panga jokes.

917
00:44:40,520 --> 00:44:42,759
Speaker 3: They're not even to Panga. I mean, how could she

918
00:44:42,840 --> 00:44:44,279
Speaker 3: not have been the voice of it. There's so many

919
00:44:44,280 --> 00:44:45,880
Speaker 3: things you think about where they could have thrown her in.

920
00:44:46,400 --> 00:44:48,759
Speaker 1: I like the reversion, right, like the idea that like

921
00:44:48,840 --> 00:44:51,239
Speaker 1: Corey expects her to be against it, and then she

922
00:44:51,400 --> 00:44:53,320
Speaker 1: is for it. It's just give her a good reason

923
00:44:53,400 --> 00:44:53,600
Speaker 1: for it.

924
00:44:53,960 --> 00:44:56,720
Speaker 3: But what you should easily do is, I can't believe

925
00:44:56,760 --> 00:44:58,200
Speaker 3: you're doing this? How could you possibly?

926
00:44:58,200 --> 00:44:58,520
Speaker 1: Baba?

927
00:44:58,880 --> 00:45:00,560
Speaker 3: You know I've told you this is not gonna end well,

928
00:45:00,560 --> 00:45:02,680
Speaker 3: no matter what you'd actually, the best shopping you want

929
00:45:02,680 --> 00:45:03,920
Speaker 3: to do is on Fifth Street. You're gonna want to

930
00:45:03,920 --> 00:45:07,160
Speaker 3: blah blah blah. It's like, if you get some job.

931
00:45:07,239 --> 00:45:10,400
Speaker 2: Right, she can't help. She's she can't help, but be

932
00:45:10,440 --> 00:45:12,200
Speaker 2: good at it because she's helpful.

933
00:45:12,040 --> 00:45:15,120
Speaker 3: Right, something like that, to give her pretty clever something.

934
00:45:15,360 --> 00:45:16,680
Speaker 3: I mean, no, you're right, you're right.

935
00:45:16,760 --> 00:45:21,799
Speaker 2: She's like, yeah, accidentally, great a right job? Yes, yes,

936
00:45:21,880 --> 00:45:24,960
Speaker 2: and somehow keeps helping. They go upstairs, leaving Corey to

937
00:45:25,000 --> 00:45:27,879
Speaker 2: scold Sewn. You will get caught. Sean corrects him, We

938
00:45:28,000 --> 00:45:30,120
Speaker 2: will get caught. Corey had the key, He's the one

939
00:45:30,120 --> 00:45:32,280
Speaker 2: who let him in. As far as Phoene's concerned, Corey's

940
00:45:32,320 --> 00:45:35,520
Speaker 2: the brains. Corey's intrigued the brains. I rather like that.

941
00:45:35,640 --> 00:45:37,320
Speaker 1: I like that. I love that term, and like Corey's

942
00:45:37,400 --> 00:45:40,239
Speaker 1: kind of like, well, maybe I could be the bad one.

943
00:45:40,920 --> 00:45:43,040
Speaker 2: Cory makes Sean promise that when Phoene gets back, he

944
00:45:43,080 --> 00:45:45,840
Speaker 2: will find his house exactly as he left it. Sean agrees,

945
00:45:46,120 --> 00:45:48,319
Speaker 2: just as the Timors appear behind him, asking in Dutch

946
00:45:48,360 --> 00:45:51,000
Speaker 2: if yet another vase from Phoene's house is for sale.

947
00:45:51,239 --> 00:45:54,160
Speaker 2: Sean responds in Dutch, do you remember this one?

948
00:45:54,360 --> 00:45:57,000
Speaker 1: Yeah? In fight all hit teen us is to Coop.

949
00:45:57,840 --> 00:46:01,040
Speaker 2: So good, and he says yes, and everything you see

950
00:46:01,080 --> 00:46:04,080
Speaker 2: is for sale. Corey nods, completely unaware of what the

951
00:46:04,120 --> 00:46:07,080
Speaker 2: three are saying. And then we're back at the Boston Hotel.

952
00:46:07,239 --> 00:46:09,200
Speaker 2: Eric is still at the bar and the bartender says,

953
00:46:09,400 --> 00:46:11,640
Speaker 2: it's sweet of you to wait for your What is

954
00:46:11,680 --> 00:46:14,560
Speaker 2: he exactly? Eric answers, he's my next door neighbor and

955
00:46:14,600 --> 00:46:16,600
Speaker 2: they used to be my teacher, and he's real concerned

956
00:46:16,600 --> 00:46:18,640
Speaker 2: about where my life is going. What would you call that?

957
00:46:18,960 --> 00:46:22,319
Speaker 2: She answers, I'd call that a friend. Eric seems less sure.

958
00:46:22,640 --> 00:46:26,960
Speaker 2: Any a friend? Okay? The bartender tells Eric, I get

959
00:46:26,960 --> 00:46:29,279
Speaker 2: off work in ten minutes and you seem nice. How

960
00:46:29,360 --> 00:46:31,680
Speaker 2: about I buy you dinner?

961
00:46:31,920 --> 00:46:34,600
Speaker 1: Whoa will and the older ladies.

962
00:46:34,320 --> 00:46:39,760
Speaker 2: Eric, ladies who know he's not even old enough to drink.

963
00:46:39,920 --> 00:46:42,160
Speaker 3: They set that up to where it's like, you are

964
00:46:42,280 --> 00:46:44,399
Speaker 3: clearly not twenty one, so you can't.

965
00:46:44,880 --> 00:46:47,000
Speaker 1: By the way, you look very old in this episode.

966
00:46:47,520 --> 00:46:50,480
Speaker 1: You do look sure, very mature. I was like, Will's like,

967
00:46:50,600 --> 00:46:54,480
Speaker 1: you know, you're looking like twenty five. Yeah, So it's

968
00:46:54,520 --> 00:46:56,359
Speaker 1: surprising to me that the joke in that first scene

969
00:46:56,400 --> 00:46:58,719
Speaker 1: is that she immediately knows your nose, because yeah, I was.

970
00:46:58,760 --> 00:47:01,480
Speaker 1: I mean, obviously you with in the dialogue you're overstepping,

971
00:47:01,520 --> 00:47:04,239
Speaker 1: but here I was like, well, actually looks Yeah, it

972
00:47:04,280 --> 00:47:06,000
Speaker 1: makes sense that this woman might flirt with him.

973
00:47:06,000 --> 00:47:09,560
Speaker 3: But now I have a question again the giant rewrite machine.

974
00:47:09,600 --> 00:47:11,799
Speaker 3: Do you think it would have been better in the

975
00:47:11,880 --> 00:47:16,520
Speaker 3: first scene if instead of revealing Feenie by sliding the

976
00:47:16,600 --> 00:47:20,319
Speaker 3: root beer, because then it means that she might not

977
00:47:20,440 --> 00:47:23,879
Speaker 3: know that Eric is the right age if she does

978
00:47:23,960 --> 00:47:26,520
Speaker 3: go to serve him alcohol and you hear Phoene say

979
00:47:26,560 --> 00:47:30,359
Speaker 3: something like sensors wouldn't have allowed it, you know, even

980
00:47:30,920 --> 00:47:33,319
Speaker 3: if Poene steps in and he's like he's like no, no, no, no, no,

981
00:47:33,520 --> 00:47:33,840
Speaker 3: you get it.

982
00:47:33,880 --> 00:47:35,400
Speaker 1: I don't think so, I mean, I don't know, like

983
00:47:35,440 --> 00:47:38,320
Speaker 1: I have a feeling that's one of those debates we

984
00:47:38,360 --> 00:47:40,480
Speaker 1: would have had, you know, during a note session.

985
00:47:40,200 --> 00:47:42,520
Speaker 3: But we do whole you do whole episodes later, don't

986
00:47:42,560 --> 00:47:45,600
Speaker 3: you you're drinking underage where.

987
00:47:45,239 --> 00:47:50,120
Speaker 1: It's a special episode, right, Yeah, I think you, like

988
00:47:50,239 --> 00:47:52,840
Speaker 1: trying to get alcohol has to be immediately shut down.

989
00:47:53,000 --> 00:47:55,840
Speaker 1: I don't know.

990
00:47:56,160 --> 00:47:56,200
Speaker 3: That.

991
00:47:56,440 --> 00:47:57,919
Speaker 1: Yeah, that would be my thought is that they would

992
00:47:57,920 --> 00:47:59,520
Speaker 1: have immediately been like, no, you can't make a joke

993
00:47:59,520 --> 00:47:59,759
Speaker 1: out of it.

994
00:47:59,840 --> 00:48:01,840
Speaker 3: Yeah, because that was the only strange thing about this

995
00:48:01,880 --> 00:48:04,440
Speaker 3: for me was they literally set it up to where

996
00:48:04,560 --> 00:48:08,200
Speaker 3: she instantly knows he is can't, isn't old enough to

997
00:48:08,239 --> 00:48:10,440
Speaker 3: drink right, and then kind of ask.

998
00:48:10,360 --> 00:48:13,120
Speaker 1: About them right well, and then this also like I

999
00:48:13,200 --> 00:48:16,200
Speaker 1: understand that there's this necessary tension of like Eric having

1000
00:48:16,200 --> 00:48:19,320
Speaker 1: to choose between yeah, the girl of his dreams and Phoenie,

1001
00:48:19,400 --> 00:48:20,840
Speaker 1: but it also kind of doesn't make sense because you

1002
00:48:20,880 --> 00:48:22,680
Speaker 1: could you go have this whole moment with Phoenie and

1003
00:48:22,719 --> 00:48:25,520
Speaker 1: then you could still go out with the girl the end.

1004
00:48:25,480 --> 00:48:27,719
Speaker 3: Of Lady asked for dinner, He goes, you want to

1005
00:48:27,719 --> 00:48:30,000
Speaker 3: go to dinner, but Phoene's already been to dinner. I know,

1006
00:48:30,360 --> 00:48:31,120
Speaker 3: doesn't make any sense.

1007
00:48:31,200 --> 00:48:33,239
Speaker 2: Yeah, yeah, I just wanted to really set up your

1008
00:48:33,280 --> 00:48:35,520
Speaker 2: friendship and the idea of you going off to have

1009
00:48:35,560 --> 00:48:37,840
Speaker 2: a one night stand with the bartender doesn't doesn't propel

1010
00:48:37,840 --> 00:48:52,480
Speaker 2: any story forward, right, No, totally Yeah, So anyway, the

1011
00:48:52,640 --> 00:48:56,120
Speaker 2: du two bartender is just asked Eric out to dinner,

1012
00:48:56,120 --> 00:48:58,319
Speaker 2: and Eric responds, as long as it wouldn't interfere with

1013
00:48:58,320 --> 00:49:01,279
Speaker 2: my loyalty to my friend. Perfect timed. Phoene walks into

1014
00:49:01,320 --> 00:49:04,560
Speaker 2: the dining room. The cougar bartender wonders, isn't that him now?

1015
00:49:05,120 --> 00:49:07,800
Speaker 2: Without turning around, Eric replies, it has to be because

1016
00:49:07,800 --> 00:49:10,200
Speaker 2: something good was going to happen in my life, and

1017
00:49:10,280 --> 00:49:15,840
Speaker 2: she laughs something really good. Wow, just going, my gosh,

1018
00:49:16,040 --> 00:49:19,959
Speaker 2: the she's not even wearing another jacket. Imagine how fast.

1019
00:49:21,560 --> 00:49:22,000
Speaker 1: Making out?

1020
00:49:22,080 --> 00:49:25,320
Speaker 2: Oh my god. For sure the audience whoo hoo's loudly

1021
00:49:25,400 --> 00:49:27,840
Speaker 2: because they really want to see this one night stand happen.

1022
00:49:28,200 --> 00:49:30,400
Speaker 2: Eric tries to make this work, but see, it's my

1023
00:49:30,480 --> 00:49:32,720
Speaker 2: first convention away from home, and dinner with a lady

1024
00:49:32,760 --> 00:49:35,480
Speaker 2: bartender would be He turns around to look at Phoene,

1025
00:49:35,520 --> 00:49:39,120
Speaker 2: who looks sad as hell. Eric announces, I hate everything.

1026
00:49:39,440 --> 00:49:42,719
Speaker 2: The bartender sweetly kisses him on the cheek the same

1027
00:49:42,719 --> 00:49:48,160
Speaker 2: way Phoene kisses Amy Matthews, Yeah, gaining another woo from

1028
00:49:48,160 --> 00:49:50,480
Speaker 2: this incredibly saucy audience.

1029
00:49:50,280 --> 00:49:52,800
Speaker 1: Horned up crowd who orned on the crowd.

1030
00:49:54,000 --> 00:49:56,319
Speaker 3: It's a crowd that is ready to nash. Let me

1031
00:49:56,400 --> 00:49:59,960
Speaker 3: tell you is bad. You got where you can get

1032
00:50:00,080 --> 00:50:00,840
Speaker 3: Listen Prisoners.

1033
00:50:01,480 --> 00:50:09,840
Speaker 2: Prisoner Phoene's sitting alone at a table, looking glum, wishing

1034
00:50:09,840 --> 00:50:12,640
Speaker 2: for a salad. Probably Eric sits with him and asks

1035
00:50:12,640 --> 00:50:15,279
Speaker 2: if he's all right. Phoenie answers. Every year I look

1036
00:50:15,320 --> 00:50:18,160
Speaker 2: forward to seeing her, and every year we part company,

1037
00:50:18,360 --> 00:50:20,520
Speaker 2: knowing that we care for each other, but not enough

1038
00:50:20,560 --> 00:50:21,680
Speaker 2: to give up the lives we've made.

1039
00:50:21,760 --> 00:50:23,680
Speaker 1: Now, when this happened, I thought it was going to

1040
00:50:23,719 --> 00:50:25,720
Speaker 1: be something a little more like something would have turned.

1041
00:50:25,760 --> 00:50:27,879
Speaker 1: And I was araied that she didn't show up.

1042
00:50:28,120 --> 00:50:29,680
Speaker 2: I thought she did she was dead.

1043
00:50:30,040 --> 00:50:33,920
Speaker 3: I thought I thought she had met somebody else and

1044
00:50:33,960 --> 00:50:36,120
Speaker 3: told him that she was marrying somebody else.

1045
00:50:36,760 --> 00:50:43,160
Speaker 2: That's great, she was committing, but to somebody there, That's.

1046
00:50:42,920 --> 00:50:45,319
Speaker 1: What I thought about, because this didn't feel like enough

1047
00:50:45,360 --> 00:50:47,040
Speaker 1: of a turn. It kind of feels like the same

1048
00:50:47,120 --> 00:50:49,719
Speaker 1: scene we've already had, just a little deeper, which.

1049
00:50:50,160 --> 00:50:51,839
Speaker 3: Because aren't they then going to do the same thing

1050
00:50:51,880 --> 00:50:54,360
Speaker 3: next year? I mean, nothing's changed so that the relationship

1051
00:50:54,360 --> 00:50:56,120
Speaker 3: hasn't ended. They're going to do exactly the same thing

1052
00:50:56,120 --> 00:50:56,560
Speaker 3: next year.

1053
00:50:56,719 --> 00:50:58,719
Speaker 2: I mean, I guess I can see the idea though

1054
00:50:58,760 --> 00:51:02,239
Speaker 2: that for whatever reason this, Phoenie goes, why do we

1055
00:51:02,440 --> 00:51:05,240
Speaker 2: do this? Because because it does become about why won't

1056
00:51:05,239 --> 00:51:08,000
Speaker 2: I take the risk? And his question then to himself

1057
00:51:08,080 --> 00:51:11,400
Speaker 2: is is it about the person not being worth the risk?

1058
00:51:11,719 --> 00:51:11,919
Speaker 3: Right?

1059
00:51:12,040 --> 00:51:14,160
Speaker 1: And then he can end one in the tag a

1060
00:51:14,200 --> 00:51:16,000
Speaker 1: little bit too, because he sees the old couple and

1061
00:51:16,040 --> 00:51:18,160
Speaker 1: it's like, maybe he will go back to a listen bit.

1062
00:51:18,480 --> 00:51:20,080
Speaker 1: So it's about him, not about her. If it was

1063
00:51:20,080 --> 00:51:22,359
Speaker 1: out of his control, like she had already rejected him

1064
00:51:22,400 --> 00:51:24,640
Speaker 1: or chosen somebody else, right, then you wouldn't have that

1065
00:51:24,680 --> 00:51:27,799
Speaker 1: helpe in the tag. Oh okay, we talked.

1066
00:51:28,200 --> 00:51:30,279
Speaker 3: God, I got to see this prequel because I want

1067
00:51:30,320 --> 00:51:32,359
Speaker 3: to see Phoenie actually in love. I want to see

1068
00:51:32,360 --> 00:51:34,560
Speaker 3: that so badly, right. I mean we get to see

1069
00:51:34,560 --> 00:51:37,000
Speaker 3: it later obviously with Bolinger, but I want to see

1070
00:51:37,000 --> 00:51:39,319
Speaker 3: that early Phoene and that the love of his life.

1071
00:51:39,760 --> 00:51:43,200
Speaker 2: No, I do too, Eric is thrilled. You pop the question.

1072
00:51:43,400 --> 00:51:46,680
Speaker 2: She said yes, and you're stuck good. Phoenie admits no,

1073
00:51:47,160 --> 00:51:49,799
Speaker 2: she said no, we always say no. Why do we

1074
00:51:49,840 --> 00:51:52,799
Speaker 2: always say no? Eric bluntly states, because you don't really

1075
00:51:52,840 --> 00:51:55,359
Speaker 2: love each other. And Phoene asks, how would you know that,

1076
00:51:55,400 --> 00:51:58,279
Speaker 2: mister Matthews, And Eric says, if you did, you'd risk

1077
00:51:58,320 --> 00:52:01,960
Speaker 2: anything for that love, even lives you've made and find comfortable.

1078
00:52:02,640 --> 00:52:04,440
Speaker 2: Peene wonders if at this stage in his life his

1079
00:52:04,560 --> 00:52:07,279
Speaker 2: risk taking days are over. Maybe he never appreciated the

1080
00:52:07,320 --> 00:52:09,359
Speaker 2: value of taking a risk, and that's why he's missed

1081
00:52:09,400 --> 00:52:12,000
Speaker 2: the chance at true love. And I wanted this yell

1082
00:52:12,280 --> 00:52:16,000
Speaker 2: a second time. You mean because your marriage to Lillian

1083
00:52:16,560 --> 00:52:17,520
Speaker 2: was real love?

1084
00:52:17,680 --> 00:52:23,120
Speaker 1: Yeah? Yeah, this besides the like, I couldn't get over

1085
00:52:23,160 --> 00:52:25,839
Speaker 1: the fact that Will's holding a root beer like a beer,

1086
00:52:25,920 --> 00:52:28,080
Speaker 1: which is just to me crazy, but.

1087
00:52:29,920 --> 00:52:31,880
Speaker 3: I was either nursing it or I'm on like my

1088
00:52:31,960 --> 00:52:33,359
Speaker 3: eleven root beer the night.

1089
00:52:35,440 --> 00:52:40,080
Speaker 1: Beyond that awkwardness, this is I kept. I was having

1090
00:52:40,080 --> 00:52:44,080
Speaker 1: this very bizarre experience watching the scene, being like, what,

1091
00:52:44,400 --> 00:52:46,839
Speaker 1: why is this so familiar? It's because this is the

1092
00:52:46,880 --> 00:52:50,680
Speaker 1: most Will I've ever seen. Eric, you are so relaxed,

1093
00:52:51,520 --> 00:52:56,359
Speaker 1: like you feel like you weren't doing bits you were

1094
00:52:56,440 --> 00:52:58,239
Speaker 1: also doing like because you know, I feel like you've

1095
00:52:58,280 --> 00:53:02,040
Speaker 1: had modes. You're either like you know, being funny or

1096
00:53:02,040 --> 00:53:05,200
Speaker 1: being very emotional and dramatic and instead in this scene,

1097
00:53:05,280 --> 00:53:07,399
Speaker 1: you're just like, you know, you're he's the one that's

1098
00:53:07,440 --> 00:53:09,400
Speaker 1: having this sort of moment when you're just being a

1099
00:53:09,440 --> 00:53:12,680
Speaker 1: supportive character, and it was so fun to just see you.

1100
00:53:12,880 --> 00:53:15,279
Speaker 1: I was like, Oh, this is what dinner with Will's like.

1101
00:53:15,560 --> 00:53:18,600
Speaker 1: I felt Will for like the like a pure Will.

1102
00:53:18,640 --> 00:53:20,840
Speaker 1: Throughout this entire scene. I was like, this is so

1103
00:53:20,880 --> 00:53:23,400
Speaker 1: if anybody wants to know what Will is actually like

1104
00:53:23,560 --> 00:53:26,239
Speaker 1: when he's not on this is it. This is what

1105
00:53:26,440 --> 00:53:29,000
Speaker 1: like wilfred ell, this is this is dinner with Wild

1106
00:53:29,080 --> 00:53:31,239
Speaker 1: And it was a good feeling. It filled me with light.

1107
00:53:31,600 --> 00:53:33,840
Speaker 1: So you know down the line when I you know,

1108
00:53:33,920 --> 00:53:38,680
Speaker 1: when if you ever leave my life or van, I

1109
00:53:38,719 --> 00:53:40,160
Speaker 1: know that I can watch this scene and get the

1110
00:53:40,200 --> 00:53:41,040
Speaker 1: same feel.

1111
00:53:43,560 --> 00:53:45,719
Speaker 2: Eric tries to relate, I felt that same way when

1112
00:53:45,760 --> 00:53:49,200
Speaker 2: I broke up with Debbie. He leans in, you remember that.

1113
00:53:49,320 --> 00:53:52,839
Speaker 2: Phoenie quickly responds no. Eric explains he's still plugging away

1114
00:53:52,880 --> 00:53:55,160
Speaker 2: because he believes true love can come at any time.

1115
00:53:55,520 --> 00:53:58,880
Speaker 2: Phoene states, until then, I will continue my life teaching

1116
00:53:58,880 --> 00:54:02,319
Speaker 2: my students. Eric, who learned this from a nearby horned

1117
00:54:02,400 --> 00:54:05,440
Speaker 2: up bartender just minutes ago, says Phoene has more than

1118
00:54:05,480 --> 00:54:09,319
Speaker 2: his students. He has his friends. Phoenie nods if you

1119
00:54:09,320 --> 00:54:11,120
Speaker 2: haven't had your dinner yet. I thought we might grab

1120
00:54:11,120 --> 00:54:13,560
Speaker 2: a bowl of pasta on the North End. Eric's size.

1121
00:54:13,880 --> 00:54:15,840
Speaker 2: It's his first night in Boston. He was thinking of

1122
00:54:15,880 --> 00:54:18,400
Speaker 2: something a little riskier. Maybe you and me can go

1123
00:54:18,440 --> 00:54:21,400
Speaker 2: out hit the town, check out the action. What does

1124
00:54:21,480 --> 00:54:21,879
Speaker 2: that mean?

1125
00:54:22,360 --> 00:54:24,160
Speaker 1: I do strip club?

1126
00:54:24,280 --> 00:54:31,719
Speaker 3: Yeah, strip club like code? I don't my entire life.

1127
00:54:31,760 --> 00:54:34,080
Speaker 3: I have no idea the code. The code I always.

1128
00:54:33,880 --> 00:54:35,600
Speaker 1: Knew, like when you work on a film and you're

1129
00:54:35,840 --> 00:54:37,880
Speaker 1: you say you're going to check out the local ballet.

1130
00:54:38,640 --> 00:54:41,200
Speaker 3: Wow, code for sual, code for going.

1131
00:54:41,600 --> 00:54:44,440
Speaker 1: It was a code. When we were doing Cabin Fever,

1132
00:54:44,600 --> 00:54:46,279
Speaker 1: That's what everybody said, like, oh, if you check out

1133
00:54:46,280 --> 00:54:50,879
Speaker 1: the local ballet, and it was like, oh, strip club, right.

1134
00:54:51,000 --> 00:54:52,880
Speaker 1: I would have been sitting at a ballet by myself,

1135
00:54:52,880 --> 00:54:54,600
Speaker 1: going where the hell is everywhere is everybody?

1136
00:54:54,880 --> 00:54:56,080
Speaker 2: They told me they were going to go at this

1137
00:54:56,120 --> 00:54:58,280
Speaker 2: ballet action.

1138
00:54:58,360 --> 00:55:00,839
Speaker 1: I was like, what is the action? What does that mean?

1139
00:55:01,040 --> 00:55:01,399
Speaker 3: I know?

1140
00:55:02,200 --> 00:55:04,360
Speaker 2: Maybe? I mean the other thing is because I would

1141
00:55:04,360 --> 00:55:07,200
Speaker 2: think normally that this means let's go to a bar.

1142
00:55:09,239 --> 00:55:11,680
Speaker 2: You can't even get into a bar. I've already been

1143
00:55:11,719 --> 00:55:16,320
Speaker 2: over that, so they can't even go bar hopping or anything.

1144
00:55:16,840 --> 00:55:21,440
Speaker 3: So, Danielle, have you ever been to a strip club? Yes?

1145
00:55:21,920 --> 00:55:25,239
Speaker 2: Yeah, yeah, probably more than both of you can bee.

1146
00:55:25,000 --> 00:55:26,160
Speaker 1: I'm probably sure.

1147
00:55:28,920 --> 00:55:32,480
Speaker 2: Okay, So this is where I was wondering if Phoene

1148
00:55:32,560 --> 00:55:34,560
Speaker 2: wanting a second dinner makes no sense to me, and

1149
00:55:34,640 --> 00:55:38,040
Speaker 2: it did make me think is he hiding something? Did

1150
00:55:38,080 --> 00:55:41,040
Speaker 2: she not show up? If she did, I don't know.

1151
00:55:41,480 --> 00:55:45,160
Speaker 2: It just was confusing to me that he was still hungry.

1152
00:55:46,600 --> 00:55:49,880
Speaker 2: Phoene asks, you mean cruise for chicks and eric smirks

1153
00:55:49,920 --> 00:55:53,279
Speaker 2: and their mothers. But I'm pretty sure you mean and

1154
00:55:53,400 --> 00:55:54,200
Speaker 2: their grandmothers.

1155
00:55:55,880 --> 00:55:58,799
Speaker 3: What I've got to especially interested.

1156
00:55:58,480 --> 00:56:00,600
Speaker 2: In a thirty five year old forty year old woman.

1157
00:56:00,920 --> 00:56:05,960
Speaker 3: I got a question, Yeah, what if dinner with Phoenie

1158
00:56:06,000 --> 00:56:08,840
Speaker 3: and his lady friend really means they were doing the

1159
00:56:08,920 --> 00:56:11,759
Speaker 3: deed so they didn't eat, which is why he's now

1160
00:56:11,880 --> 00:56:16,440
Speaker 3: hungry afterwards, Like they're having that conversation in bed about

1161
00:56:16,520 --> 00:56:18,120
Speaker 3: do you want to be with me forever? No, I'm

1162
00:56:18,120 --> 00:56:22,080
Speaker 3: not going to do that. It's like, okay, totally see

1163
00:56:22,120 --> 00:56:24,160
Speaker 3: each other three or four times a year. They meet

1164
00:56:24,200 --> 00:56:26,600
Speaker 3: at this hotel. They're not he's staying at the B

1165
00:56:26,719 --> 00:56:29,439
Speaker 3: and B. So it's like, it's not they don't spend

1166
00:56:29,480 --> 00:56:30,040
Speaker 3: the night.

1167
00:56:31,560 --> 00:56:32,200
Speaker 2: By the hour.

1168
00:56:33,320 --> 00:56:35,480
Speaker 3: Maybe that's where she's staying. They go sad.

1169
00:56:35,640 --> 00:56:37,399
Speaker 1: I wish they could have made that a little bit more,

1170
00:56:37,560 --> 00:56:39,919
Speaker 1: you know, explicit, because that would have been that's even

1171
00:56:39,960 --> 00:56:41,880
Speaker 1: sadder that Phoenie's like, you know, I actually kind of

1172
00:56:41,920 --> 00:56:44,640
Speaker 1: want more, right, right, and he wants more and they

1173
00:56:44,640 --> 00:56:45,600
Speaker 1: always do every year.

1174
00:56:45,719 --> 00:56:48,239
Speaker 3: They just do each other essentially every year, a couple

1175
00:56:48,280 --> 00:56:50,640
Speaker 3: of times a year, and then I'm hungry and he

1176
00:56:50,680 --> 00:56:56,400
Speaker 3: wants exactly. Oh my god, I don't know.

1177
00:56:56,480 --> 00:56:59,440
Speaker 2: Guys, I don't know. I think we've maybe thought too

1178
00:56:59,520 --> 00:57:02,040
Speaker 2: much about it, and I thought.

1179
00:57:01,920 --> 00:57:02,640
Speaker 3: Enough about it.

1180
00:57:02,719 --> 00:57:07,680
Speaker 1: Sitcom guys, relax, stop think you can you just have

1181
00:57:07,719 --> 00:57:15,000
Speaker 1: fun with the shows A, B and B. They both teacher,

1182
00:57:15,080 --> 00:57:20,680
Speaker 1: it's funny, old guy funny wants to get it on.

1183
00:57:22,520 --> 00:57:25,600
Speaker 2: Eric admits I don't understand this friendship. Phoene throws his

1184
00:57:25,680 --> 00:57:28,360
Speaker 2: arms up. Neither do I. They walk out, leaving behind

1185
00:57:28,360 --> 00:57:30,919
Speaker 2: a bartender who was, by the way, a way less

1186
00:57:31,040 --> 00:57:35,080
Speaker 2: risky move than going you have a sure thing. Yes,

1187
00:57:35,160 --> 00:57:42,160
Speaker 2: maybe she's got a friend Grandma, grandma exactly. Then we

1188
00:57:42,200 --> 00:57:44,720
Speaker 2: are back in Phoenie's house. Corey now in a tucks

1189
00:57:44,840 --> 00:57:47,200
Speaker 2: joyfully plays the piano as Tapanga and the Bed and

1190
00:57:47,200 --> 00:57:49,120
Speaker 2: Breakfast guests gather around him singing.

1191
00:57:49,160 --> 00:57:51,880
Speaker 3: In Unison, I love how Cory plays the piano though,

1192
00:57:52,000 --> 00:57:52,880
Speaker 3: it's one of my favorite.

1193
00:57:52,880 --> 00:57:55,480
Speaker 1: He's just sitting at the piano. You remember this, Danielle,

1194
00:57:56,320 --> 00:58:00,280
Speaker 1: You don't love it all week long? This that the

1195
00:58:00,320 --> 00:58:02,920
Speaker 1: greatest thing. Okay, So this was It was so fun

1196
00:58:03,000 --> 00:58:06,920
Speaker 1: because first of all, Ben just loves singing and loves

1197
00:58:07,240 --> 00:58:09,120
Speaker 1: that you can have. How much fun he's having. He

1198
00:58:09,280 --> 00:58:11,280
Speaker 1: just like this has been in his element. So the

1199
00:58:11,320 --> 00:58:14,720
Speaker 1: idea that he got to like play. So they during rehearsal,

1200
00:58:15,000 --> 00:58:17,680
Speaker 1: they brought a piano in onto the side of the stage,

1201
00:58:17,720 --> 00:58:19,440
Speaker 1: like not even in the set, but on like a

1202
00:58:19,480 --> 00:58:21,360
Speaker 1: real piano and do the side of the stage, which

1203
00:58:21,360 --> 00:58:23,960
Speaker 1: is just when I think about that, like how cool

1204
00:58:24,080 --> 00:58:26,600
Speaker 1: is life when you're on a set And they're just like,

1205
00:58:26,640 --> 00:58:29,040
Speaker 1: we need to rehearse for the week, Let's see a piano.

1206
00:58:29,080 --> 00:58:32,000
Speaker 1: So Ray Colcord sat at the piano and taught us

1207
00:58:32,040 --> 00:58:34,080
Speaker 1: all this song and we sat and we all sang.

1208
00:58:34,200 --> 00:58:36,880
Speaker 1: I thought I sang it in the episode because I

1209
00:58:36,960 --> 00:58:40,320
Speaker 1: remember singing it all together and Bill calling me out

1210
00:58:40,360 --> 00:58:43,640
Speaker 1: for being a horrible singer. Really yeah, yeah, yeah. We're

1211
00:58:43,640 --> 00:58:47,000
Speaker 1: all like by the line of the Silvery Moon, you know,

1212
00:58:47,040 --> 00:58:48,600
Speaker 1: and just coming up with all the bits of like

1213
00:58:48,720 --> 00:58:51,160
Speaker 1: by the mood but and having so much fun and

1214
00:58:51,200 --> 00:58:55,600
Speaker 1: Bill just being like, hmm, someone, someone's off, someone's off.

1215
00:58:55,640 --> 00:58:57,040
Speaker 1: And then he just pointed to me and he's like

1216
00:58:57,080 --> 00:59:00,800
Speaker 1: and I think this one here, and we just laughed.

1217
00:59:01,160 --> 00:59:02,880
Speaker 1: I will never forget it, because you know, like I'm

1218
00:59:02,880 --> 00:59:04,400
Speaker 1: not a great singer. I'm always off key.

1219
00:59:04,600 --> 00:59:07,920
Speaker 3: And I was like, oh, Bill Daniels just called me out.

1220
00:59:08,280 --> 00:59:11,040
Speaker 1: He laughed and walked away, and I was like, he's right.

1221
00:59:12,240 --> 00:59:14,640
Speaker 1: Remember that so much fun because I mean I remember Betsy.

1222
00:59:14,760 --> 00:59:17,120
Speaker 1: Betsy is a great singer and loved singing, so she

1223
00:59:17,320 --> 00:59:19,000
Speaker 1: was like a big part of it. And she and

1224
00:59:19,040 --> 00:59:21,200
Speaker 1: Ben used to always do musicals to get They would

1225
00:59:21,200 --> 00:59:23,960
Speaker 1: always be seeing musicals and like backs, and so this

1226
00:59:24,160 --> 00:59:26,200
Speaker 1: was just such a fun moment, you know, and you

1227
00:59:26,240 --> 00:59:27,960
Speaker 1: can see how much fun Ben's having with it. It

1228
00:59:28,040 --> 00:59:28,640
Speaker 1: was so great.

1229
00:59:28,800 --> 00:59:32,600
Speaker 2: And I don't like singing and I don't like musicals,

1230
00:59:32,720 --> 00:59:35,040
Speaker 2: and so I was probably just like get this week

1231
00:59:35,080 --> 00:59:39,640
Speaker 2: over not having fun this week French maid out exactly.

1232
00:59:39,880 --> 00:59:42,280
Speaker 2: I was probably excited about that was not quite as

1233
00:59:42,320 --> 00:59:42,720
Speaker 2: bast You.

1234
00:59:42,760 --> 00:59:45,520
Speaker 1: Actually dressed up as a French maid for first week?

1235
00:59:45,960 --> 00:59:48,240
Speaker 2: Yeah, oh yeah, I would have been a French maid

1236
00:59:48,280 --> 00:59:50,720
Speaker 2: as a job. I probably would have taken that role.

1237
00:59:52,520 --> 00:59:55,080
Speaker 3: Did you have to be French? Can't you just cleaned

1238
00:59:55,080 --> 00:59:55,400
Speaker 3: it up?

1239
00:59:55,680 --> 00:59:58,840
Speaker 2: That's that's boring, that's boring. You have to wear you

1240
00:59:58,880 --> 01:00:03,080
Speaker 2: have to wear the acoutral uh so. Arnie is especially

1241
01:00:03,080 --> 01:00:05,000
Speaker 2: getting into the song. The song ends and they all

1242
01:00:05,040 --> 01:00:08,120
Speaker 2: tip Corey for his performance. Shawn appears on the stairwell

1243
01:00:08,160 --> 01:00:10,760
Speaker 2: telling everyone there's news from the honeymoon suiteet. The more

1244
01:00:10,800 --> 01:00:14,640
Speaker 2: parks have eaten. The crowd cheers and excitement. The Panga

1245
01:00:14,680 --> 01:00:17,880
Speaker 2: reminds Gloria, don't forget about the sunrise nature walk tomorrow morning.

1246
01:00:17,960 --> 01:00:21,800
Speaker 2: Wear comfortable shoes. Arnie asks to Panga, chocolate mint, she

1247
01:00:21,920 --> 01:00:24,840
Speaker 2: doesn't hesitate right on your pillow. Arnie turns to Corey,

1248
01:00:25,000 --> 01:00:27,960
Speaker 2: mister lucky. Corey looks at to Panga lovingly. I know

1249
01:00:28,520 --> 01:00:30,080
Speaker 2: Corey counts as tips forty two.

1250
01:00:30,440 --> 01:00:35,440
Speaker 1: The entirety of the relationship I have not just may developed,

1251
01:00:35,720 --> 01:00:36,640
Speaker 1: we have not developed.

1252
01:00:36,640 --> 01:00:37,720
Speaker 3: She's a good.

1253
01:00:39,280 --> 01:00:40,960
Speaker 2: About their relationship.

1254
01:00:42,240 --> 01:00:44,160
Speaker 1: Like the Flintstones. They have a lot of shared interests.

1255
01:00:44,160 --> 01:00:47,080
Speaker 3: According to Will, No, it's one thing.

1256
01:00:47,280 --> 01:00:50,840
Speaker 1: One episode. Yeah, that's all that matters. She likes the

1257
01:00:50,840 --> 01:00:52,160
Speaker 1: stuff he likes. We're good.

1258
01:00:52,440 --> 01:00:52,800
Speaker 2: We're good.

1259
01:00:52,800 --> 01:00:55,520
Speaker 3: How about they both likes the same stuff instead of

1260
01:00:55,760 --> 01:00:57,720
Speaker 3: she likes what he likes.

1261
01:00:57,560 --> 01:00:59,800
Speaker 1: That's all she just needs to say, I also like

1262
01:00:59,800 --> 01:01:00,480
Speaker 1: this you like.

1263
01:01:02,880 --> 01:01:05,160
Speaker 2: He tells Sean, Now we can afford that public defender,

1264
01:01:05,200 --> 01:01:07,120
Speaker 2: and he emphasizes, I cannot do time.

1265
01:01:08,000 --> 01:01:10,439
Speaker 3: We can afford the public defender is a great line.

1266
01:01:10,520 --> 01:01:14,600
Speaker 2: Great line, Sean laughs. They won't get caught. They've grown

1267
01:01:14,640 --> 01:01:17,600
Speaker 2: as schemers. Sean has finally rubbed off on Corey. He's

1268
01:01:17,640 --> 01:01:19,560
Speaker 2: as shady as him now and he just has to

1269
01:01:19,600 --> 01:01:22,520
Speaker 2: deal with it. Corey responds, wrong, the universe will catch

1270
01:01:22,600 --> 01:01:24,880
Speaker 2: up to us. I trust the universe. Sean says. The

1271
01:01:24,960 --> 01:01:27,600
Speaker 2: universe better hurry up because they're all leaving tomorrow. All

1272
01:01:27,640 --> 01:01:29,360
Speaker 2: we have to do is make it through breakfast, and

1273
01:01:29,400 --> 01:01:31,720
Speaker 2: we didn't get caught. Corey panics, we have to get

1274
01:01:31,760 --> 01:01:33,840
Speaker 2: caught at breakfast. He points up at the sky. You

1275
01:01:33,880 --> 01:01:36,360
Speaker 2: hear me. Sean stops him. Wait a minute, are we

1276
01:01:36,360 --> 01:01:39,960
Speaker 2: feeding them at breakfast? Corey nods there it is. So

1277
01:01:39,960 --> 01:01:41,040
Speaker 2: it's all very confusing.

1278
01:01:42,560 --> 01:01:45,840
Speaker 1: I think it's it's almost really funny because the idea

1279
01:01:45,880 --> 01:01:48,479
Speaker 1: is like close the idea is, and I think Corey

1280
01:01:48,560 --> 01:01:49,919
Speaker 1: just needed to set it up a little bit more

1281
01:01:49,960 --> 01:01:53,439
Speaker 1: like something's gonna happen, right, that's gonna be the thing

1282
01:01:53,520 --> 01:01:55,640
Speaker 1: that we didn't think about. That just set up a

1283
01:01:55,880 --> 01:01:59,400
Speaker 1: bit there. It is is like the universe is right,

1284
01:01:59,720 --> 01:02:01,760
Speaker 1: but if you had just made it a little more specific,

1285
01:02:01,800 --> 01:02:03,400
Speaker 1: because it's it is kind of funny.

1286
01:02:03,600 --> 01:02:06,640
Speaker 2: It actually we sometimes we've made jokes before about tea

1287
01:02:06,760 --> 01:02:07,320
Speaker 2: teeed up.

1288
01:02:07,960 --> 01:02:13,560
Speaker 1: This is a case of actually, well, the problem is,

1289
01:02:13,760 --> 01:02:15,120
Speaker 1: I think, and this is the problem with the whole

1290
01:02:15,200 --> 01:02:18,360
Speaker 1: universe thing is that it's it takes away tension between us.

1291
01:02:19,560 --> 01:02:22,120
Speaker 1: If Corey is angry with the universe or pointing everything

1292
01:02:22,160 --> 01:02:24,520
Speaker 1: to the universe, it takes away from the two of

1293
01:02:24,600 --> 01:02:28,200
Speaker 1: us debating or arguing. And I'm super confident and cocky

1294
01:02:28,240 --> 01:02:30,160
Speaker 1: and don't care and I'm not phased by him, and

1295
01:02:30,200 --> 01:02:32,720
Speaker 1: he's not yelling at me anymore. So it loses tension.

1296
01:02:32,760 --> 01:02:34,400
Speaker 1: It actually dissolves it. If you had been turning to

1297
01:02:34,440 --> 01:02:36,680
Speaker 1: me being like something's gonna happen and you're gonna be

1298
01:02:36,720 --> 01:02:38,400
Speaker 1: the you know, and then I'm like ooh, I didn't

1299
01:02:38,400 --> 01:02:40,800
Speaker 1: think about breakfast. Then it's on me. Then he can

1300
01:02:40,800 --> 01:02:42,960
Speaker 1: say there, I don't know, it's a little yeah.

1301
01:02:43,040 --> 01:02:43,600
Speaker 2: No, you're right.

1302
01:02:44,400 --> 01:02:45,480
Speaker 1: And then the pancakes.

1303
01:02:46,280 --> 01:02:48,480
Speaker 2: Do you remember the pancakes. It's not very.

1304
01:02:48,280 --> 01:02:51,120
Speaker 3: Funny, very funny, it's so funny.

1305
01:02:51,120 --> 01:02:53,080
Speaker 2: So then we're in the Matthew's kitchen, Alan, Amy, and

1306
01:02:53,080 --> 01:02:55,320
Speaker 2: Corey are just sitting down for breakfast. Alan reaches for

1307
01:02:55,360 --> 01:02:57,800
Speaker 2: a giant stack of pancakes at the table, but Corey

1308
01:02:57,840 --> 01:02:59,720
Speaker 2: slaps his hand away. I think it's only fitting that

1309
01:02:59,720 --> 01:03:01,680
Speaker 2: we our heads and give thanks for the food in

1310
01:03:01,680 --> 01:03:04,120
Speaker 2: front of us. Amy and Allen are suspicious, but they

1311
01:03:04,120 --> 01:03:07,680
Speaker 2: bow their heads anyway. Corey pushes them lower. Then Corey

1312
01:03:07,720 --> 01:03:10,760
Speaker 2: begins to say thanks and starts throwing pancakes blindly over

1313
01:03:10,800 --> 01:03:14,320
Speaker 2: his head to Sean, who we see in the backyard sideyard,

1314
01:03:14,640 --> 01:03:18,600
Speaker 2: catching every single pancake. I cannot believe you don't remember this.

1315
01:03:19,000 --> 01:03:21,280
Speaker 1: Yeah, well, we only would have done it like the

1316
01:03:21,280 --> 01:03:23,240
Speaker 1: one time, right, like during rehearsal, we never would have

1317
01:03:23,240 --> 01:03:25,840
Speaker 1: had pancakes. So it was just finally on the tape

1318
01:03:25,920 --> 01:03:27,840
Speaker 1: day they would have brought them in and like they

1319
01:03:27,840 --> 01:03:35,160
Speaker 1: would have to catch us. Yeah, thought the ability to

1320
01:03:35,160 --> 01:03:38,480
Speaker 1: throw from kitchen into the backyard and me actually catch it.

1321
01:03:38,600 --> 01:03:40,160
Speaker 1: I don't know, Yeah, I don't remember.

1322
01:03:39,840 --> 01:03:41,760
Speaker 2: It, but I mean I do know. We used to.

1323
01:03:41,800 --> 01:03:43,800
Speaker 2: I think, at least I think we used to cut

1324
01:03:43,840 --> 01:03:49,200
Speaker 2: more corners during rehearsal and run throughs now. I am amazed.

1325
01:03:49,720 --> 01:03:52,560
Speaker 2: It's never, it's never. Not once caught me off guard

1326
01:03:53,000 --> 01:03:56,200
Speaker 2: that on day one for producer run through all the

1327
01:03:56,240 --> 01:03:59,920
Speaker 2: props and everything everything props. I mean day one rehearse,

1328
01:04:00,400 --> 01:04:03,000
Speaker 2: we rehearse with full props's are you going to have

1329
01:04:03,040 --> 01:04:04,760
Speaker 2: your purse? Put your purse on? Are you going to

1330
01:04:04,840 --> 01:04:07,200
Speaker 2: have that? Grab that? Now? We every single smart.

1331
01:04:08,320 --> 01:04:10,280
Speaker 1: It's smart. It puts more of the onus on the

1332
01:04:10,280 --> 01:04:12,360
Speaker 1: writing to stay the way it is, like you know,

1333
01:04:13,240 --> 01:04:16,840
Speaker 1: like leaving it more sort of improvy and like open.

1334
01:04:17,240 --> 01:04:19,720
Speaker 1: It actually allows for more rewrites. But that's interesting that

1335
01:04:19,720 --> 01:04:20,960
Speaker 1: they're getting more nailed down.

1336
01:04:21,280 --> 01:04:21,840
Speaker 2: Yeah, no, and.

1337
01:04:22,160 --> 01:04:25,040
Speaker 1: Find if the scripts are changing less than compared to

1338
01:04:25,080 --> 01:04:26,160
Speaker 1: like back in the nineties.

1339
01:04:26,640 --> 01:04:30,960
Speaker 2: Yes, the scripts definitely change less. But also you know

1340
01:04:31,040 --> 01:04:34,480
Speaker 2: there are times where sometimes whether it's network or it's

1341
01:04:34,520 --> 01:04:37,480
Speaker 2: an EP, who will say, listen, we've we've I love

1342
01:04:37,520 --> 01:04:40,680
Speaker 2: what's based like the basis of what's here but these

1343
01:04:40,680 --> 01:04:44,440
Speaker 2: individual characters need to have, you know, and then then

1344
01:04:44,760 --> 01:04:49,240
Speaker 2: kind of significant stuff will change. But yeah, nothing like

1345
01:04:49,400 --> 01:04:51,280
Speaker 2: what we used to do. We're on a tape night,

1346
01:04:51,480 --> 01:04:54,760
Speaker 2: walk out and a pencil down a page and rewrite,

1347
01:04:55,080 --> 01:04:56,080
Speaker 2: nothing like that.

1348
01:04:56,280 --> 01:04:58,680
Speaker 1: But I also feel like you would have avoided some

1349
01:04:58,760 --> 01:05:00,800
Speaker 1: of the problems that I remember all having, which is

1350
01:05:01,240 --> 01:05:04,080
Speaker 1: a prop showing up on tape day and it being correct,

1351
01:05:04,240 --> 01:05:04,920
Speaker 1: what is wanted?

1352
01:05:05,160 --> 01:05:06,040
Speaker 3: And what what?

1353
01:05:06,040 --> 01:05:07,720
Speaker 1: What is this? This can't be right, and then you

1354
01:05:07,760 --> 01:05:10,040
Speaker 1: can't go and get it. So like having all the

1355
01:05:10,600 --> 01:05:13,640
Speaker 1: props and art department stuff as early as possible is

1356
01:05:13,680 --> 01:05:14,840
Speaker 1: only good really.

1357
01:05:14,560 --> 01:05:17,040
Speaker 2: And it helps you as a director too, because you

1358
01:05:17,160 --> 01:05:19,720
Speaker 2: know whether or not something is going to work, and

1359
01:05:19,760 --> 01:05:21,760
Speaker 2: if it's not going to work, what you are going

1360
01:05:21,800 --> 01:05:24,200
Speaker 2: to need in order to make it work. And everyone

1361
01:05:24,280 --> 01:05:27,000
Speaker 2: can start to have time to do that. So I mean,

1362
01:05:27,360 --> 01:05:29,520
Speaker 2: because I do I've thought before, like we didn't used

1363
01:05:29,520 --> 01:05:31,640
Speaker 2: to do that. We didn't have props on day one,

1364
01:05:31,720 --> 01:05:33,440
Speaker 2: but you know, I feel like by the time we

1365
01:05:33,480 --> 01:05:34,959
Speaker 2: got to network run through, you would have had something

1366
01:05:35,000 --> 01:05:37,840
Speaker 2: to catch maybe. So then we're in Phoenie's house, Corey

1367
01:05:37,920 --> 01:05:40,960
Speaker 2: walks down the stairs triumphantly. We did it. The upstairs

1368
01:05:41,040 --> 01:05:43,040
Speaker 2: is and shambles, and every dish Phoenie owns is in

1369
01:05:43,080 --> 01:05:44,920
Speaker 2: the sink. He wants to get caught so he can

1370
01:05:44,960 --> 01:05:48,120
Speaker 2: be at peace without punishment. Corey's world loses both form

1371
01:05:48,200 --> 01:05:51,080
Speaker 2: and meaning. Sean questions, you were one of those kids

1372
01:05:51,160 --> 01:05:55,320
Speaker 2: that enjoys getting enjoyed getting such a great beat. Yeah,

1373
01:05:55,680 --> 01:05:59,800
Speaker 2: so funny, Corey admits, I always deserved it. Gloria heck

1374
01:06:00,200 --> 01:06:02,439
Speaker 2: down the stairs with cleaning supplies. You made us feel

1375
01:06:02,480 --> 01:06:05,360
Speaker 2: so welcome. We all tidied up after ourselves. Oh and

1376
01:06:05,440 --> 01:06:08,160
Speaker 2: Nona did all the dirty dishes. Cory raises his arms

1377
01:06:08,200 --> 01:06:10,960
Speaker 2: to the sky. Don't you know it's us? Corey says

1378
01:06:10,960 --> 01:06:12,640
Speaker 2: he's not comfortable with this. In the old days, they'd

1379
01:06:12,640 --> 01:06:14,360
Speaker 2: be standing there patting themselves on the back, and then

1380
01:06:14,360 --> 01:06:17,680
Speaker 2: the doorknob would start turning. And then the doorknob does

1381
01:06:17,720 --> 01:06:20,960
Speaker 2: start turning, and as Corey predicted, Phoene Waltz is in.

1382
01:06:21,240 --> 01:06:23,200
Speaker 2: Corey thanks the universe for caring about them, but then

1383
01:06:23,240 --> 01:06:25,520
Speaker 2: Feene notices he forgot his overnight back. He needs to

1384
01:06:25,560 --> 01:06:28,000
Speaker 2: run back to the cab to get it. This can

1385
01:06:28,040 --> 01:06:29,720
Speaker 2: still be pulled off. All they have to do is

1386
01:06:29,760 --> 01:06:31,960
Speaker 2: get their guests checked out. In the next fifteen seconds.

1387
01:06:32,120 --> 01:06:34,600
Speaker 2: Corey refuses, it's over and he is at peace the

1388
01:06:34,600 --> 01:06:37,120
Speaker 2: group of guests and magically walk out of the side group.

1389
01:06:37,160 --> 01:06:39,000
Speaker 2: Gloria tells her husband that they need to leave in

1390
01:06:39,040 --> 01:06:41,360
Speaker 2: the next five seconds so they don't miss their flight.

1391
01:06:41,800 --> 01:06:43,840
Speaker 2: The Timmers agree to split a taxi with them, and

1392
01:06:43,920 --> 01:06:47,400
Speaker 2: Corey and Sean watch the conversation in awe. Sean thanks

1393
01:06:47,400 --> 01:06:49,600
Speaker 2: them for staying, reminding them he has their deposits and

1394
01:06:49,640 --> 01:06:52,600
Speaker 2: we'll hold their rooms for Christmas. Corey reminds him Feoene

1395
01:06:52,600 --> 01:06:54,960
Speaker 2: is right outside the door, so it's over. He's going

1396
01:06:55,000 --> 01:06:58,120
Speaker 2: towards the white light, but on cue. Arnie tells the group,

1397
01:06:58,280 --> 01:07:00,120
Speaker 2: let's go out the back way. I want to take

1398
01:07:00,160 --> 01:07:03,400
Speaker 2: that bench with me. Just as the group leaves, Phoene

1399
01:07:03,440 --> 01:07:07,160
Speaker 2: walks back through the front door. Sean exclaims, here she is,

1400
01:07:07,240 --> 01:07:10,400
Speaker 2: mister Feenie, your house does she look the same? Cory's

1401
01:07:10,440 --> 01:07:13,080
Speaker 2: ready for the punishment, but Poene admires the credenza is

1402
01:07:13,160 --> 01:07:16,480
Speaker 2: nicely polished, plants look well sunned. Corey points to Sean

1403
01:07:16,480 --> 01:07:19,400
Speaker 2: that the statue is missing. Arnie took it. Phoene then

1404
01:07:19,440 --> 01:07:22,720
Speaker 2: also notices it's gone. Corey shouts, I confess all is

1405
01:07:22,800 --> 01:07:25,720
Speaker 2: right with the world. From the side room just beyond vision,

1406
01:07:25,880 --> 01:07:29,080
Speaker 2: Arnie hands Cory the statue. Sean quickly hands it to Feenie,

1407
01:07:29,080 --> 01:07:31,440
Speaker 2: saying they were just giving it a quick polish. Phoene

1408
01:07:31,560 --> 01:07:34,600
Speaker 2: tells the boys they did a wonderful job. Cory is stunned,

1409
01:07:34,680 --> 01:07:37,560
Speaker 2: and Sean walks toward the front door. As they're walking away,

1410
01:07:37,600 --> 01:07:40,920
Speaker 2: Phoenie asks how much money did you actually make? Cory

1411
01:07:40,920 --> 01:07:42,800
Speaker 2: throws his hands in the air, thank you so much,

1412
01:07:42,960 --> 01:07:44,800
Speaker 2: and he gives Foenie a big hug. He points to

1413
01:07:44,840 --> 01:07:46,560
Speaker 2: the sky. I knew you still cared about me.

1414
01:07:46,720 --> 01:07:48,920
Speaker 1: Oh did you notice the giant break?

1415
01:07:49,840 --> 01:07:51,520
Speaker 3: No? Oh? Oh yeah? Oh for you?

1416
01:07:52,160 --> 01:07:55,040
Speaker 1: Yeah, and I lose it. This is one of the

1417
01:07:55,240 --> 01:07:58,920
Speaker 1: clearest times where we are just completely breaking character. And

1418
01:07:58,960 --> 01:08:00,400
Speaker 1: I think what was supposed to have up it is

1419
01:08:00,440 --> 01:08:02,760
Speaker 1: that it was written as both of us doing the

1420
01:08:03,560 --> 01:08:06,120
Speaker 1: and then you just I'm doing and he didn't do it.

1421
01:08:06,240 --> 01:08:08,760
Speaker 1: He goes out, and then we look at each other.

1422
01:08:08,800 --> 01:08:10,840
Speaker 1: You can see him turn look at me like I

1423
01:08:10,880 --> 01:08:13,040
Speaker 1: didn't do it, and I'm looking, what are you doing?

1424
01:08:13,680 --> 01:08:16,680
Speaker 1: We clearly just and they kept it, and they kept it,

1425
01:08:16,720 --> 01:08:19,280
Speaker 1: and they kept it. It's so funny. Oh my god,

1426
01:08:19,320 --> 01:08:21,479
Speaker 1: that is just us like looking at each other like

1427
01:08:21,560 --> 01:08:24,240
Speaker 1: you and I don't know if it was him being

1428
01:08:24,280 --> 01:08:26,639
Speaker 1: intentional or me. Maybe it was like we were supposed

1429
01:08:26,680 --> 01:08:28,920
Speaker 1: to do so, but we were out of sync and

1430
01:08:28,920 --> 01:08:31,800
Speaker 1: we're just laughing at each other for being out of sync.

1431
01:08:31,920 --> 01:08:34,000
Speaker 2: So funny. I love it when they use those You

1432
01:08:34,040 --> 01:08:36,599
Speaker 2: wonder like was that the best they had or did

1433
01:08:36,640 --> 01:08:37,480
Speaker 2: they also.

1434
01:08:37,439 --> 01:08:42,240
Speaker 3: Just like the energy. I have a quick question, not

1435
01:08:42,280 --> 01:08:44,240
Speaker 3: to go back to a very old conversation that we've

1436
01:08:44,280 --> 01:08:48,920
Speaker 3: had a thousand times, but in Feoene's yard that we

1437
01:08:48,960 --> 01:08:52,799
Speaker 3: see all the time, the dead bodies, the dead body owed, uh,

1438
01:08:52,880 --> 01:08:55,360
Speaker 3: the Azalea yard, is there a bench?

1439
01:08:58,200 --> 01:09:01,240
Speaker 1: There's no there's like there have been those chairs that

1440
01:09:01,280 --> 01:09:03,520
Speaker 1: he sat right with Corey, right.

1441
01:09:03,360 --> 01:09:05,960
Speaker 3: But he says, let's go out the back. I want

1442
01:09:06,040 --> 01:09:06,960
Speaker 3: us to take the bench.

1443
01:09:07,600 --> 01:09:11,599
Speaker 2: It could be the back side where it could be

1444
01:09:11,680 --> 01:09:16,120
Speaker 2: like beside you're talking about where you think is the backyard, right?

1445
01:09:16,120 --> 01:09:18,920
Speaker 2: Because remember his because isn't his car? Isn't that where

1446
01:09:18,920 --> 01:09:19,720
Speaker 2: he parked his car?

1447
01:09:19,960 --> 01:09:21,760
Speaker 3: Again, I know it's an esher house. I was just

1448
01:09:21,880 --> 01:09:24,400
Speaker 3: every time. Now there's a little nugget, I'm.

1449
01:09:24,280 --> 01:09:27,960
Speaker 1: Like, hmmm, yeah, I don't I don't know, guys, it's

1450
01:09:27,960 --> 01:09:29,160
Speaker 1: a nineties sitcom.

1451
01:09:29,280 --> 01:09:30,960
Speaker 3: Relax, just have fun.

1452
01:09:31,200 --> 01:09:33,519
Speaker 2: Fun, So glad you're here to remind us to just.

1453
01:09:34,640 --> 01:09:37,120
Speaker 1: You know, some people over analyze this stuff, but you

1454
01:09:37,360 --> 01:09:40,120
Speaker 1: really too deep and they care too much.

1455
01:09:40,240 --> 01:09:42,439
Speaker 2: You know, when we were talking about our roles on

1456
01:09:42,479 --> 01:09:45,920
Speaker 2: this podcast, writer is the fun one was just exactly,

1457
01:09:45,880 --> 01:09:48,640
Speaker 2: were like writers here to provide the joy and the

1458
01:09:48,680 --> 01:09:50,200
Speaker 2: fun and the compensation.

1459
01:09:51,400 --> 01:09:54,400
Speaker 1: You guys want a dance, so a TikTok video. Come on,

1460
01:09:55,240 --> 01:10:00,360
Speaker 1: who's gonna lipsyick? Nope, come on, you guys. I don't

1461
01:10:00,360 --> 01:10:01,360
Speaker 1: have any fun anymore.

1462
01:10:01,960 --> 01:10:03,960
Speaker 3: I feel like the world might be coming to an end.

1463
01:10:04,120 --> 01:10:05,000
Speaker 3: Something's happening.

1464
01:10:07,080 --> 01:10:09,800
Speaker 2: Sean asks Pheenie how he knew, and Phoenie admits it

1465
01:10:09,880 --> 01:10:11,880
Speaker 2: was actually the cab driver. I gave him my address.

1466
01:10:12,000 --> 01:10:13,559
Speaker 2: He said he knew the place well, and I should

1467
01:10:13,640 --> 01:10:18,920
Speaker 2: get the room with the jacuzzi. Sean says, the cabs

1468
01:10:19,680 --> 01:10:22,680
Speaker 2: and then you break again, Right, that's the moment I

1469
01:10:22,840 --> 01:10:23,360
Speaker 2: was remembering.

1470
01:10:23,439 --> 01:10:24,800
Speaker 3: Then you break again, ye.

1471
01:10:27,520 --> 01:10:29,519
Speaker 1: Deep wort the cab driver. That's awful.

1472
01:10:30,400 --> 01:10:31,040
Speaker 3: Sure, it's kind.

1473
01:10:31,520 --> 01:10:35,519
Speaker 1: Just kick out some hard working the immigrants who's completely

1474
01:10:35,560 --> 01:10:39,240
Speaker 1: hooked me up all weekend long. Exactly weekend long. I'm

1475
01:10:39,280 --> 01:10:40,800
Speaker 1: just gonna stuport him.

1476
01:10:43,040 --> 01:10:43,439
Speaker 3: Awful.

1477
01:10:43,720 --> 01:10:45,920
Speaker 2: Cory asks, so, I guess you want the money back.

1478
01:10:46,040 --> 01:10:48,840
Speaker 2: Phoene responds, I think that'd be appropriate. Sean hands him

1479
01:10:48,840 --> 01:10:51,040
Speaker 2: the cash and asks how much trouble he's in. Phoene's

1480
01:10:51,080 --> 01:10:53,639
Speaker 2: astounded at the amount of money they made the usual

1481
01:10:53,720 --> 01:10:56,720
Speaker 2: mister hunter. Sean's confused, and Phoene explains he took a risk,

1482
01:10:56,840 --> 01:10:58,680
Speaker 2: and I happen to have a soft spot now for

1483
01:10:58,840 --> 01:11:01,960
Speaker 2: risk takers. Corey whispers to his best friend, take another

1484
01:11:02,040 --> 01:11:04,280
Speaker 2: risk and ask for the money back. Sean doesn't hesitate.

1485
01:11:04,360 --> 01:11:05,240
Speaker 2: Can I have the money back?

1486
01:11:05,320 --> 01:11:08,080
Speaker 3: That's you? Don't that you not stopping in between the

1487
01:11:08,120 --> 01:11:11,040
Speaker 3: two like running over. It was the perfect way to

1488
01:11:11,080 --> 01:11:13,120
Speaker 3: read that joke. It was. It really was for the

1489
01:11:13,160 --> 01:11:14,280
Speaker 3: money back. Can we have the money back?

1490
01:11:14,600 --> 01:11:15,880
Speaker 2: That's high praise coming from you?

1491
01:11:16,080 --> 01:11:16,559
Speaker 1: That was great.

1492
01:11:17,479 --> 01:11:19,799
Speaker 2: Phoene tells him, yes, you can. When you're in college,

1493
01:11:19,800 --> 01:11:21,639
Speaker 2: you already prove to yourself that you have a future

1494
01:11:21,640 --> 01:11:24,400
Speaker 2: in business. That and a college education, you'll do fine.

1495
01:11:24,840 --> 01:11:27,000
Speaker 2: Sean smiles. He's going to be okay in this world.

1496
01:11:27,200 --> 01:11:29,400
Speaker 2: He doesn't have to be a criminal. And I love

1497
01:11:29,479 --> 01:11:32,200
Speaker 2: the way this this the way this is all resolved,

1498
01:11:32,479 --> 01:11:35,360
Speaker 2: so kind of like, hey, I don't have to Rob

1499
01:11:35,439 --> 01:11:39,360
Speaker 2: Banks is hilarious, Like I love that Corey tells him,

1500
01:11:39,520 --> 01:11:43,519
Speaker 2: And the universe is a better town for that could

1501
01:11:43,560 --> 01:11:46,360
Speaker 2: have done with one less universe and less universe thing.

1502
01:11:47,760 --> 01:11:50,240
Speaker 2: Then we're in the tag. We're in Phoenie's house. Continuing,

1503
01:11:50,320 --> 01:11:52,560
Speaker 2: Phoene repeatedly knocks on the door to his bedroom, but

1504
01:11:52,640 --> 01:11:55,439
Speaker 2: he gets no response. He yels, I understand that you're

1505
01:11:55,479 --> 01:11:57,720
Speaker 2: the honeymoon couple, and I appreciate the fact that you've

1506
01:11:57,720 --> 01:12:00,240
Speaker 2: paid for two nights, but I must insist that you

1507
01:12:00,360 --> 01:12:04,679
Speaker 2: vacate my bedroom immediately. Checkout time is now to Panga

1508
01:12:04,760 --> 01:12:07,160
Speaker 2: nonchalantly creeps up behind him in a French made outfit

1509
01:12:07,439 --> 01:12:10,639
Speaker 2: carrying cleaning supplies, but quickly darts away when she sees Phoenie.

1510
01:12:10,800 --> 01:12:12,280
Speaker 2: No one apparently clued her in.

1511
01:12:12,880 --> 01:12:14,080
Speaker 3: It's just bailed out Onney.

1512
01:12:14,280 --> 01:12:16,040
Speaker 1: Just get to Panga in a French maid.

1513
01:12:15,960 --> 01:12:16,880
Speaker 5: Out of it, do it.

1514
01:12:17,560 --> 01:12:20,080
Speaker 2: Phoene leans back into the doorway. It's not that I

1515
01:12:20,120 --> 01:12:22,479
Speaker 2: can't identify with two young people in love. I was

1516
01:12:22,560 --> 01:12:24,880
Speaker 2: young ones. I know that when love comes, you must

1517
01:12:24,920 --> 01:12:27,160
Speaker 2: seize it lest it slip away through the sands of time.

1518
01:12:27,479 --> 01:12:28,000
Speaker 3: I was young.

1519
01:12:28,080 --> 01:12:31,880
Speaker 2: Once the door finally opens and it is an extremely

1520
01:12:32,240 --> 01:12:36,360
Speaker 2: old couple looking extremely happy. Phoene is stunned it first,

1521
01:12:36,680 --> 01:12:38,840
Speaker 2: but then he lets out a little chuckle as soft

1522
01:12:38,920 --> 01:12:41,920
Speaker 2: piano music plays in the background. He says to himself,

1523
01:12:42,400 --> 01:12:45,920
Speaker 2: perhaps I still am. It would have been funny if

1524
01:12:45,960 --> 01:12:53,479
Speaker 2: he had the bartender on speed dial here. Thank you

1525
01:12:53,520 --> 01:12:55,559
Speaker 2: all for joining us for this episode of Pod Meets World.

1526
01:12:55,800 --> 01:12:57,800
Speaker 2: You can follow us on Instagram pod Meets World Show.

1527
01:12:58,400 --> 01:13:00,200
Speaker 2: You can send us your emails pod Meets World Show

1528
01:13:00,200 --> 01:13:02,640
Speaker 2: at gmail dot com and we have.

1529
01:13:02,800 --> 01:13:08,040
Speaker 3: Merch commodity, material, product stock stuff, effects line number produce,

1530
01:13:08,080 --> 01:13:11,200
Speaker 3: second staple truck, Where's God? You're right? The Thesaurus World.

1531
01:13:11,320 --> 01:13:12,960
Speaker 3: It just sucks you in, my friend.

1532
01:13:13,720 --> 01:13:20,559
Speaker 2: Good podmeetsworldshow dot com. Please join us for our next

1533
01:13:20,600 --> 01:13:23,679
Speaker 2: episode recap, which will be season four episode fourteen Wheels,

1534
01:13:23,800 --> 01:13:28,200
Speaker 2: which originally aired January seventeenth, nineteen ninety seven. Will send

1535
01:13:28,320 --> 01:13:28,559
Speaker 2: us out.

1536
01:13:29,160 --> 01:13:33,320
Speaker 3: We love you all, pod dismissed. Podmets World is niheart

1537
01:13:33,400 --> 01:13:36,800
Speaker 3: podcast producer and hosted by Danielle Fischel, Wilfredell and Ryder

1538
01:13:36,840 --> 01:13:41,040
Speaker 3: Strong executive producers Jensencarp and Amy Sugarman executive in charge

1539
01:13:41,040 --> 01:13:45,479
Speaker 3: of production, Danielle Romo, producer and editor, Tara Sudbaksh producer,

1540
01:13:45,600 --> 01:13:48,800
Speaker 3: Maddy Moore, engineer and Boy Meets World super fan Easton Allen.

1541
01:13:49,040 --> 01:13:51,160
Speaker 3: Our theme song is by Kyle Morton of Typhoon and

1542
01:13:51,240 --> 01:13:53,639
Speaker 3: you can follow us on Instagram at Podmets World Show

1543
01:13:53,960 --> 01:13:56,680
Speaker 3: or email us at Podmeats Worldshow at gmail dot com