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Speaker 1: I listen to The Black Guy Who Tips Podcast because

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Speaker 1: Rod and Karen.

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Speaker 2: Hey, welcome to another episode of The Black Guy Who

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Speaker 2: Tolls Podcast.

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Speaker 1: I'm your host Rod joined is always by my co.

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Speaker 2: Host Kiaren, and we are live on a Wednesday, ready

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Speaker 2: to wrap up the week on this Wednesday. Okay, it's

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Speaker 2: it's this is the end of our five day week,

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Speaker 2: even though you know there's always more to do. And

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Speaker 2: we've had a great time this week with great guest

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Speaker 2: the whole time. And I mean the guys from Drunk

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Speaker 2: Black History Yesterday made a huge impact.

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Speaker 1: As soon as I as soon.

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Speaker 2: As I put the episode up, we got a notification

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Speaker 2: like an email like I loved him.

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Speaker 1: You gotta have her back. They're the best they were.

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Speaker 1: And then I got I got.

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Speaker 2: A tweet today that said never have them back. So

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Speaker 2: to me, that's a great guest. You know, that's what

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Speaker 2: I want. That's what I want to feel. That what

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Speaker 2: I want to hear. Okay, we vote fella's over here.

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Speaker 3: Strong emotions.

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Speaker 2: Yeah, so you know you have you know your work

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Speaker 2: cut out for you now, is what I'm saying. You know,

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Speaker 2: Sunday we had Angela Fov's on Black women in Europe

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Speaker 2: and she was a great time, great guest.

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Speaker 1: People loved her. And it's been about probably about a year. Yes,

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Speaker 1: we had.

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Speaker 2: Today's guests back on the show, but we were on

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Speaker 2: her Instagram with her. I feel like we're always chatting

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Speaker 2: back and forth through social media. It's comedian, podcaster, instagrammer

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Speaker 2: jess what what's going on?

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Speaker 4: Hello? Hi Ron, Hi Karen Kay. Oh my goodness, I'm

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Speaker 4: so excited. I was thinking today, well, thank you first

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Speaker 4: of all for having me and hey, everybody in the chat. Hey, hey, hey,

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Speaker 4: hey hey. I gotta say, Oh my gosh. I was

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Speaker 4: thinking about how long we've known each other, and I

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Speaker 4: was like, yo, we're like it's like we went to

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Speaker 4: college together.

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Speaker 1: It's been a long time. And shout out to Keith

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Speaker 1: and the girl, and shout out.

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Speaker 2: To Elon James White because okay, those are the first

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Speaker 2: two places that I heard of Jess Woods and you

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Speaker 2: know both of those are.

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Speaker 1: It was like one of those things where you hear

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Speaker 1: somebody and you're like, man, it would be cool.

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Speaker 2: I feel like I want to be their friend. Yes,

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Speaker 2: it's been cool to kind of make that happen.

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Speaker 1: So you know, I'm glad. I'm glad you could come

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Speaker 1: back on the show.

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Speaker 4: For sure, Thank you. I'm glad too, Oh my gosh.

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Speaker 4: And then I was thinking, let me just say we

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Speaker 4: were the look I'm gonna pat us on the back

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Speaker 4: a little bit right now. Excuse me, Chad. We're supposed

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Speaker 4: to have confidence. Let's have self love. Yes, okay, a

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Speaker 4: little bit of self love. We were really out there first,

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Speaker 4: we were really out there doing stuff first. Before all

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Speaker 4: this this is hundreds of thousands of motherfucking stupid ass dirt,

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Speaker 4: fucking dirt.

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Speaker 1: I like this.

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Speaker 5: I like that.

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Speaker 4: I'll get fuck with you like we were first. I mean,

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Speaker 4: I get that. I get very territorial over the podcast situation.

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Speaker 4: It's almost like the tattoo situation that I feel like,

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Speaker 4: I'm like, I got a first hit hardy.

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Speaker 2: Yeah, we I mean we have had I think you've

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Speaker 2: been on our show at least since twenty fifteen, but

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Speaker 2: it could have been twenty thirteen. Just going back and

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Speaker 2: looking at because I searched your name on our episodes

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Speaker 2: and yeah, twenty thirteen May twenty of twenty thirteen was

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Speaker 2: the first.

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Speaker 1: Time we had you on the show.

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Speaker 2: The episode is called serial Napist because I think it

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Speaker 2: was about dudes and how they like do that thing

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Speaker 2: where they get into your neck is you know I'm

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Speaker 2: talking about they put their mouth right here on the

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Speaker 2: back of your neck, and like when you don't know

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Speaker 2: somebody that's very violating, you're like, oh, get us be So.

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Speaker 1: I think that was how we came up with that term.

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Speaker 2: But yet since twenty thirteen, man, it's been like a

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Speaker 2: dope journey and we're all still here.

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Speaker 1: We're all still making it.

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Speaker 2: And I feel like, you know, especially with the pandemic,

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Speaker 2: it like I really appreciate these connections with people more

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Speaker 2: and more than ever because I mean, people could just

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Speaker 2: not be here one day, you know, for.

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Speaker 4: Sure, for sure, And I appreciate y'all and bringing so

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Speaker 4: many people in and giving so many people platforms for

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Speaker 4: for their their their own journeys and being so loving

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Speaker 4: and supportive and and hilarious. I mean, I think the

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Speaker 4: first time I spoke of y'all was dem Thrones. Yeah right,

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Speaker 4: and like okay, because I was like, oh my god,

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Speaker 4: like my heart was just all the only way I

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Speaker 4: can understand Game of Thrones was to watch or listen

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Speaker 4: to Dim Thrones. Oh, ok, I get it.

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Speaker 2: So I speaking of love though, I feel like your

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Speaker 2: Instagram over the over the last like year or two,

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Speaker 2: you've been out here like thirst trapping.

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Speaker 1: I feel like I feel like it's a new level

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Speaker 1: of just what love just happening out here? Like three,

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Speaker 1: you just fully embraced it. Is it the move that Arizona.

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Speaker 4: I also did. I could I flash my booby at

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Speaker 4: Absolutely we don't booby kids being free the nipple, but

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Speaker 4: I won't fuck you up.

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Speaker 1: Yeah, I don't know. Crowdcast is okay with that, So

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Speaker 1: thank you.

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Speaker 6: Podcast.

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Speaker 4: You know I understand what my what my boundaries are

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Speaker 4: in terms.

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Speaker 1: Yeah, we got to get our only fans and that

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Speaker 1: yeah thing.

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Speaker 4: I was mad at the only fans people. No judgment man,

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Speaker 4: but jealous man, because you know, I was a teenage

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Speaker 4: sex worker. One of my memoirs, thank you Kids, I

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Speaker 4: was a teenage sex worker and I felt like I

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Speaker 4: got peeled off a christ twenty dollars bill when I

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Speaker 4: was done sucking off some old man. And these bitches

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Speaker 4: are paying their rent. I'm like jealous.

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Speaker 2: It is a flex when they are like take I

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Speaker 2: love the I love the only fans flex because I

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Speaker 2: like follow only fans models on like my Twitter and

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Speaker 2: stuff because a lot of them are really funny and shit,

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Speaker 2: and they you know, and they're like posting boos that

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Speaker 2: they don't mind you singing, so you know, there's no.

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Speaker 1: Type of weird consent stuff. So like, but I love whenever.

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Speaker 2: They post something like yeah, this house paid for with

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Speaker 2: OnlyFans and like their grandmoms in the background waving and shit.

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Speaker 1: I was just like, what a life that is? So

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Speaker 1: life has changed in such a short period of.

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Speaker 3: Time, and I am one hundred percent here for it.

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Speaker 5: Because the thing is, I don't know why people turn

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Speaker 5: their nose up at like prostitutes and like people that

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Speaker 5: work out, like, because my thing is this, most women

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Speaker 5: do it for free, and I feel like at least

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Speaker 5: they smart enough to get cash exchanged for producing the

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Speaker 5: service because it technically is a surface you're doing.

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Speaker 4: Well, let's think about generational types. Okay, so I'm a

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Speaker 4: gen xer, right, So with gen x I equate it

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Speaker 4: to the celebrity stuff. So our celebrities didn't want to

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Speaker 4: be celebrities. Our celebrities was like I'm famous, you know,

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Speaker 4: like kill themselves and know all the celebrities are so

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Speaker 4: happy to be here. They're like, look at all the money,

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Speaker 4: look at and look at my ass's bigger and bigger, bigger. Yes, yes, celebrate,

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Speaker 4: celebrate right. And it's the same thing with like sexuality.

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Speaker 4: It's the same thing with fluidity within sexuality. It's the

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Speaker 4: same same thing with how people choose to see who

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Speaker 4: they are now and what they want to be called.

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Speaker 4: It's so interesting to watch as an older woman. And

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Speaker 4: that's all I want to hear, older woman. I don't

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Speaker 4: want to hear cougar fuck you at I have no children,

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Speaker 4: so I'm not a males bitch. But speaking of which,

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Speaker 4: y'all have to just tell you, I did have a

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Speaker 4: little argument with a fight with a millennial this week

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Speaker 4: that I had to work with creatively, and she really

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Speaker 4: shot down my Uh. I had a commercial about the

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Speaker 4: at home abortion kit because it's coming to that hello,

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Speaker 4: And it had a wire hanger. Of course, you know

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Speaker 4: what's in the box, three xanex, a wire hanger and

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Speaker 4: an extra large sanitary pad. Of course, I've had a worsons,

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Speaker 4: I know what you need. So this bitch wants to

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Speaker 4: come for me about the wire hanger, talking about as women,

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Speaker 4: I looked at it, I said, bitch, what am I

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Speaker 4: a dragon? Yeah? As women, we don't like the wire,

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Speaker 4: hangar visual anymore. It's very, very hard to take. I said,

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Speaker 4: how about how hard it is to take in your pussy?

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Speaker 4: To remind the children the history, remember history, re pizza

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Speaker 4: itself if we don't talk about it. We never talked

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Speaker 4: about slavery, we never talked about the Native Americans. And

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Speaker 4: look at how our fucking world is.

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Speaker 2: Yes, I agree with you because I think a lot

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Speaker 2: of a lot of stuff we go through one people

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Speaker 2: act like the only license to talk about it is like.

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Speaker 1: A very small, small, small shrinking.

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Speaker 2: Group of like you know, like for me, it's like

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Speaker 2: the the phrase I hate this phrase, but people use

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Speaker 2: all the time.

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Speaker 1: I just think it's overused.

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Speaker 2: But it's the phrase black trauma as one word, you know,

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Speaker 2: as one concept, and it's always like when people don't

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Speaker 2: like something, they'll say, this is black trauma, right. But

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Speaker 2: then there's other times where something really is traumatic, but

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Speaker 2: if they like it, they won't call it that, so

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Speaker 2: it becomes like a bad word, and then it becomes

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Speaker 2: like a thing you can't use.

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Speaker 1: But everyone uses their trauma in their work.

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Speaker 2: Even if you make even if you make people laugh,

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Speaker 2: you're using what happened to you.

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Speaker 4: To make it.

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Speaker 1: And exactly, So.

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Speaker 2: Like, how can you take how can you take that

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Speaker 2: away from somebody that's not that's not okay? Like I

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Speaker 2: can see if it was like you were like, I'm

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Speaker 2: making this this ad so I can piss all the

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Speaker 2: women off, but you're not. You're coming at it from

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Speaker 2: like it's funny, it's relevant, it actually happened, and it's

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Speaker 2: and it's educational and move things forward as opposed to

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Speaker 2: like this this thing that a lot of people like

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Speaker 2: to do it just like hey, if we don't talk

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Speaker 2: about it, it's not real, So.

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Speaker 1: Let's just stop talking about it. So like I don't want.

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Speaker 2: To see any TV shows about all the misogyny, racism, sex,

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Speaker 2: and I don't want to see and if we don't

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Speaker 2: do it, we don't make the jokes, we don't, then

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Speaker 2: it won't exist.

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Speaker 1: And I'm like that's too far from me.

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Speaker 2: Right, I don't mind you saying please don't just like

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Speaker 2: get on stage and tell everybody like you know, kill

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Speaker 2: gay people or whatever. Like I get that, but then

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Speaker 2: there's this other levels, like don't even talk about your life.

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Speaker 1: It's like, well that's just too.

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Speaker 5: Much, right, yeah, sorry, kay, And it becomes a lot

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Speaker 5: because going back to what just did people a lot

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Speaker 5: of people do people even understand why abortionit even became

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Speaker 5: a thing because they had hundreds of thousands of women

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Speaker 5: dying all across the country, found dead and back alleys

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Speaker 5: going to these bootleg doctors, going to these black market

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Speaker 5: doctor's paying all this ridiculous rate, and a lot of

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Speaker 5: them were found dead with hangers.

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Speaker 3: Let's just keep that real.

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Speaker 5: And so it's like they don't want that part of it,

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Speaker 5: but it's like the reason why is so you can

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Speaker 5: do this in a safe environment and we don't have

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Speaker 5: you dead.

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Speaker 3: Like that was the whole purpose.

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Speaker 1: And also like it's triggering.

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Speaker 2: It should be right, I'm allowed to use triggers in

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Speaker 2: my work. That's kind of the fucking point. Sometimes it's like,

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Speaker 2: you know, it's like when people would people will say

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Speaker 2: like I don't like I like your show ride, I

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Speaker 2: don't like when y'all say the N word or whatever,

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Speaker 2: and I'm like, good, good, I want you to feel something,

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Speaker 2: you know what I mean, Like I don't.

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Speaker 4: What, Yeah, let's chat about it.

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Speaker 1: Yeah. If how uncomfortable, then that talk about it.

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Speaker 4: Yeah. And that's another thing these kids don't want to do.

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Speaker 4: She not only camp for me about the way I hang,

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Speaker 4: which I had to pull out my auntie. I said,

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Speaker 4: excuse me, miss, I said. My auntie, who's in her seventies,

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Speaker 4: marched her ass off because not only were her women

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Speaker 4: friends getting dying, like Kay said, from having these back

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Speaker 4: alley abortions, but she made it so.

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Speaker 5: That me and you.

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Speaker 4: I said, I'm poor and I've had numerous abortions. I

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Speaker 4: should be dead. But my aunt marched on account of

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Speaker 4: this shit, so that it doesn't happen again. And I said,

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Speaker 4: and look at Texas, look at what's happening. Happening too important.

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Speaker 2: Yeah, And it's all that like weird polite conversation thing

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Speaker 2: that it's like the one place where like people that

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Speaker 2: are really liberal and people that are really conservative kind

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Speaker 2: of overlap.

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Speaker 1: And I don't know if.

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Speaker 2: They realize it, but it's just kind of like, well,

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Speaker 2: if we just don't talk about it, you know, And

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Speaker 2: I'm like, but we have to and if and also

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Speaker 2: when we don't talk about it, I feel like that's

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Speaker 2: how we go backwards, because it's so easy to just like.

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Speaker 1: Like Texas can just be like, well, that's not really

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Speaker 1: a problem.

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Speaker 2: When the Supreme Court repelled the Voting Rights Act, A

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Speaker 2: large part of that was just them being like, but

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Speaker 2: there isn't really any racism down south anymore, so why

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Speaker 2: do we need to enforce these rules? Black people are

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Speaker 2: able to vote. And I think a large part of

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Speaker 2: this is because we're like, yeah, we don't need to

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Speaker 2: talk about it.

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Speaker 1: We won.

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Speaker 2: It's over. Who cares about civil rights? I'm embarrassed as

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Speaker 2: a black kid I'm in school. I'm embarrassed when it

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Speaker 2: comes up. As a white kid in school, you're embarrassed

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Speaker 2: when it comes up. Let's just all forget about this.

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Speaker 2: We don't need any uncomfortable feelings. And then you know,

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Speaker 2: ten years later someone's like, there's no racism.

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Speaker 1: Bam.

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Speaker 2: Racism's back just as soon as they strike it down.

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Speaker 2: So yeah, I feel you on that. And then like

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Speaker 2: who gets the paint with what brush? It's such a

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Speaker 2: weird thing because I don't think being in a group

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Speaker 2: that's not a white straight man should make me limited

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Speaker 2: as an artist. I should be able to paint with

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Speaker 2: the brush. You don't have to like it, you know,

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Speaker 2: like I can't. I can't make everybody like what we do,

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Speaker 2: but I can say this is my thing to talk about,

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Speaker 2: this is my pain to put out here to the world.

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Speaker 2: I'm not trying to hurt you, but hopefully if it

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Speaker 2: goes right, you'll join me in that the fact that

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Speaker 2: you've experienced pain either like this or you can relate

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Speaker 2: to this, or you're like, oh, I didn't even know

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Speaker 2: about that.

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Speaker 1: Oh my god, I'm seeing you for the first time.

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Speaker 2: That's what people really want, and yeah, that's that's a shame,

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Speaker 2: but yeah, it is kind of generational to some extent.

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Speaker 1: I think the kids aren't. They aren't down with that shit.

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Speaker 4: It's like they took over from our grandparents who were

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Speaker 4: in this weird depression era, who were like, don't talk

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Speaker 4: about anything because we fucked everything up real bad and

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Speaker 4: people are in a bad way all around us. So

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Speaker 4: and I'm like, hold on, this is like the uncle

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Speaker 4: that doesn't ever want to fuck anything up or say

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Speaker 4: anything sad and then all the family's over after years

300
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Speaker 4: of having Christmas at his house and he just blows

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Speaker 4: up one day and he's like, the Jews controls me.

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Speaker 4: Happen to Uncle Eric, you know what I mean? Like

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Speaker 4: holding all that? That's why I think anti who all

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Speaker 4: that or whatever? The quan No, I can't even keep

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00:15:01,000 --> 00:15:03,040
Speaker 4: it all straight. You guys, right, but all those folks

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Speaker 4: who feel like they need so hard to have somewhere

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Speaker 4: go please help me. And people ask me all the time,

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Speaker 4: where do you think all those people came from? Just

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Speaker 4: I said came from I said they were all here.

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Speaker 4: I watched did you watch the Woodstock ninety nine documentary?

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Speaker 4: Because those are all the motherfuckers growing up now that

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Speaker 4: stormed the Capitol.

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Speaker 1: But I mean caught fire to the.

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Speaker 4: Stages that Woodstock at ninety nine and then they stormed

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Speaker 4: the Capitol.

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Speaker 1: Yeah, I think they are.

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Speaker 2: I really do think it's gonna come out one way

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Speaker 2: to other, you know. And I think it's gonna be

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Speaker 2: interesting to see what the generation after this is like,

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Speaker 2: because I feel like all the generations push back a

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Speaker 2: little bit against whatever the people before were, right, So, like,

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Speaker 2: I know, with us, the gen xers or whatever, we're

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Speaker 2: very much like, leave us the fuck alone, don't. I

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Speaker 2: don't believe in your corporate fucking job thing that I'm

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Speaker 2: gonna become the CEO. I don't believe that bullshit. That's

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Speaker 2: that's how eighties thinking. We're not really overly Like, look

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Speaker 2: at me in my emotion, I know I bristle against

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Speaker 2: it and I'm not saying it's right, because I really

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Speaker 2: that my first instinct is the bristle against these like oversharing.

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Speaker 1: Kids, you know what I mean, Like the like.

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Speaker 2: Guys I was listening to a song and I was

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Speaker 2: crying or you know, or like something's happening, and like

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Speaker 2: they're recording themselves live as they're still.

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Speaker 1: Crying about it.

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Speaker 2: Like and like I said, I'm not I push against

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Speaker 2: the fact that I'm like, oh, but that is my

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00:16:26,880 --> 00:16:30,440
Speaker 2: first response as a gen xer, right, it's just like emotions,

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Speaker 2: what the fuck? But then I feel like those kids

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Speaker 2: who are kind of coming into power now, they're the

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00:16:35,960 --> 00:16:39,960
Speaker 2: like emotions, like you know, you can read like the

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00:16:40,000 --> 00:16:42,720
Speaker 2: New York Times and these watching.

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Speaker 1: Major publications and people write these things.

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Speaker 2: And so like I was saying this about Dave Chappelle,

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Speaker 2: a lot of the articles about Dave Chappelle are written

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Speaker 2: like I was a fan of Dave Chappelle.

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Speaker 1: I have always supported him.

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00:16:55,280 --> 00:16:59,920
Speaker 2: I had a Dave Chappelle shirt and he is disappointed

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Speaker 2: me on a personal level and all this stuff, and

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Speaker 2: it's like, wait that the article is supposed to be

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00:17:07,000 --> 00:17:10,200
Speaker 2: about do we lose Oh Jesse, you hear she meted

351
00:17:10,240 --> 00:17:13,280
Speaker 2: herself by accident. Oh I got her. Uh wait, I

352
00:17:13,320 --> 00:17:14,119
Speaker 2: think I got her.

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Speaker 1: Oh I can't untalk of her, Mike.

354
00:17:17,040 --> 00:17:19,320
Speaker 2: Oh hold on, let me pause the recording. Everybody, we're

355
00:17:19,320 --> 00:17:21,000
Speaker 2: gonna get this technical difficulty done.

356
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Speaker 1: All right, y'all.

357
00:17:24,200 --> 00:17:27,040
Speaker 2: Technical difficulties. As I said, gen X, we don't know

358
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Speaker 2: how to use computers.

359
00:17:28,400 --> 00:17:31,520
Speaker 1: That was my whole point. But yeah, it was. Oh

360
00:17:31,520 --> 00:17:34,280
Speaker 1: did we lose you again? Oh no, we lost her again.

361
00:17:34,359 --> 00:17:37,479
Speaker 2: Hold on, hold on, all right, technical difficulties again. But

362
00:17:37,520 --> 00:17:39,960
Speaker 2: we think we fixed it this time. It did not

363
00:17:40,160 --> 00:17:42,520
Speaker 2: like my Jess is very cool, Mike.

364
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Speaker 1: I know it was cool with it. It was very jealous.

365
00:17:46,480 --> 00:17:49,080
Speaker 2: But yeah, I just think, you know, like, I wonder

366
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Speaker 2: what the next generation will push back against, because if

367
00:17:51,760 --> 00:17:54,840
Speaker 2: this this generation is the it's all about our feelings,

368
00:17:54,960 --> 00:17:57,920
Speaker 2: right when we don't like something and we write about it.

369
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Speaker 2: It's not like ABC, I didn't like this, and this

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00:18:01,680 --> 00:18:04,239
Speaker 2: is why this is wrong and corrected. This made me

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00:18:04,400 --> 00:18:07,879
Speaker 2: feel this way, and how it made me feel is

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Speaker 2: why it's bad. Because I don't like the way I'm

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Speaker 2: feeling right now. And I wonder what the next generation

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Speaker 2: will be. Will they be like anti feelings? Are they

375
00:18:15,600 --> 00:18:18,000
Speaker 2: gonna be like feelings don't.

376
00:18:17,800 --> 00:18:20,600
Speaker 1: Matter at all, like wait, feelings, but there's always a pushback.

377
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Speaker 1: What do you think it's gonna be?

378
00:18:23,240 --> 00:18:25,240
Speaker 4: I have to say just I think that one of

379
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Speaker 4: the reasons it's become so heavily feeling oriented is not

380
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Speaker 4: is for one reason is because we're all the parents

381
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Speaker 4: and we're so afraid that our kids are gonna feel

382
00:18:36,680 --> 00:18:40,360
Speaker 4: left alone or unheard like we were that were like,

383
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Speaker 4: what is it, honey, here's a trophy for being Oh

384
00:18:44,440 --> 00:18:47,720
Speaker 4: my god, we're totally fucking them up. But also, look

385
00:18:47,720 --> 00:18:50,720
Speaker 4: at what's happened to the media, Rod and Karen not

386
00:18:50,960 --> 00:18:55,080
Speaker 4: to all. Now it's almost like the mainstream media took

387
00:18:55,359 --> 00:19:01,760
Speaker 4: the podcast's formula and started to news how they felt.

388
00:19:02,280 --> 00:19:03,760
Speaker 6: Yeah, just feels good.

389
00:19:03,840 --> 00:19:07,600
Speaker 4: Oh, this feels good. So it's almost like news also

390
00:19:07,720 --> 00:19:11,240
Speaker 4: went the way of emotion instead of just factual. Is

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00:19:11,640 --> 00:19:14,040
Speaker 4: there's shit you can watch? I don't feel like that's

392
00:19:14,040 --> 00:19:14,520
Speaker 4: good for me.

393
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Speaker 2: This feels right, even like down to the facts, like

394
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Speaker 2: where people are like, I don't like the way these

395
00:19:22,680 --> 00:19:25,520
Speaker 2: facts make me feel. I'm gonna change the channel and

396
00:19:25,560 --> 00:19:27,760
Speaker 2: turn to a place where the facts make me feel better,

397
00:19:28,280 --> 00:19:31,560
Speaker 2: and even if they're not really facts anymore. But they

398
00:19:32,200 --> 00:19:34,399
Speaker 2: talk about it and it makes me feel good and

399
00:19:34,440 --> 00:19:37,760
Speaker 2: I think, uh yeah, people are just yeah, you're right.

400
00:19:37,840 --> 00:19:40,200
Speaker 1: Media has kind of turned into just like the feelings thing.

401
00:19:40,280 --> 00:19:42,600
Speaker 2: And yeah, like I said, I don't know, I'm I'm

402
00:19:42,600 --> 00:19:44,879
Speaker 2: not saying this is what will happen, but just I

403
00:19:44,920 --> 00:19:47,440
Speaker 2: wonder where there's left to go because the kids are

404
00:19:47,480 --> 00:19:49,800
Speaker 2: always gonna be raised by the adults.

405
00:19:49,840 --> 00:19:54,440
Speaker 1: Now. The adults now are the feelings adults. So those kids.

406
00:19:54,160 --> 00:19:57,919
Speaker 2: Are gonna be somewhere like like there's gonna be some

407
00:19:58,200 --> 00:20:01,159
Speaker 2: level of like rebellion, because all kids rebel and I

408
00:20:01,240 --> 00:20:02,120
Speaker 2: wonder what that'll be.

409
00:20:02,200 --> 00:20:04,040
Speaker 1: I hope it's not bad. I hope not either.

410
00:20:04,160 --> 00:20:07,119
Speaker 5: And to piggyback on what Jess was saying, that's true

411
00:20:07,119 --> 00:20:10,640
Speaker 5: because a lot of us depend on how old your

412
00:20:10,680 --> 00:20:13,120
Speaker 5: parents were. A lot of us were of the generation

413
00:20:13,359 --> 00:20:15,800
Speaker 5: were children were meant to be seen and that heard.

414
00:20:15,920 --> 00:20:18,440
Speaker 5: A lot of us were of the generation of sit down,

415
00:20:18,480 --> 00:20:19,240
Speaker 5: shut up, do what.

416
00:20:19,200 --> 00:20:20,120
Speaker 3: I told you to do.

417
00:20:20,480 --> 00:20:24,280
Speaker 5: Your feelings don't matter, like you know, what's going on

418
00:20:24,320 --> 00:20:25,720
Speaker 5: in your head don't matter, And a.

419
00:20:25,680 --> 00:20:28,760
Speaker 3: Lot of us it's kind of the first generation.

420
00:20:28,880 --> 00:20:31,000
Speaker 5: It's like, you know what, I'm fucked up, Let me

421
00:20:31,080 --> 00:20:33,400
Speaker 5: go to therapy, and so a lot of us has

422
00:20:33,440 --> 00:20:35,760
Speaker 5: been going to therapy. So for some of us, we're

423
00:20:35,800 --> 00:20:38,120
Speaker 5: tapping into these emotions for the first time.

424
00:20:38,320 --> 00:20:38,920
Speaker 3: Not your funny.

425
00:20:39,000 --> 00:20:41,720
Speaker 5: We realized how fucked up we were raised, how fucked

426
00:20:41,760 --> 00:20:45,800
Speaker 5: up suppressing these emotions are, how much society and all

427
00:20:45,880 --> 00:20:47,840
Speaker 5: these things have affected you. Was like, oh, I don't

428
00:20:47,880 --> 00:20:49,600
Speaker 5: want my child to be close in the box with

429
00:20:49,640 --> 00:20:50,399
Speaker 5: their emotions.

430
00:20:50,760 --> 00:20:53,600
Speaker 2: I think also, that's why the kids are like that, right,

431
00:20:53,720 --> 00:20:57,320
Speaker 2: because we felt like we got shut the fuck up right,

432
00:20:57,400 --> 00:20:58,800
Speaker 2: you know what I mean. It was like a lot

433
00:20:58,800 --> 00:21:01,040
Speaker 2: of like, shut the fuck up up, here's your key,

434
00:21:01,400 --> 00:21:04,879
Speaker 2: come home from school. I'll be at work, figure it out, right,

435
00:21:04,960 --> 00:21:06,160
Speaker 2: And then now we're like.

436
00:21:06,160 --> 00:21:08,840
Speaker 1: My kid will never feel like no one's listening.

437
00:21:08,920 --> 00:21:11,520
Speaker 2: And so now the kids are on TikTok just fucking

438
00:21:11,680 --> 00:21:14,440
Speaker 2: telling us their feelings and shit, you know. So, yeah,

439
00:21:14,440 --> 00:21:17,160
Speaker 2: I wonder. I mean, hopefully every generation the kids get better.

440
00:21:17,320 --> 00:21:20,760
Speaker 2: That's my belief because I used, like I said, my obviously,

441
00:21:20,800 --> 00:21:24,840
Speaker 2: my gen X first instinct is always uh okay.

442
00:21:24,640 --> 00:21:26,480
Speaker 1: That's just I'm Daria on the inside.

443
00:21:26,520 --> 00:21:30,280
Speaker 2: If y'all remember MTV, I can't help it, but my

444
00:21:30,520 --> 00:21:33,480
Speaker 2: better angels push against that, and I and I embraced

445
00:21:33,480 --> 00:21:36,000
Speaker 2: the kids now because like we covered an article yesterday

446
00:21:36,040 --> 00:21:38,919
Speaker 2: where one of the kids is American Muslim.

447
00:21:39,160 --> 00:21:40,000
Speaker 1: The teacher, he.

448
00:21:39,960 --> 00:21:42,280
Speaker 2: Asked the teacher a question. The teacher said, I don't

449
00:21:42,320 --> 00:21:46,359
Speaker 2: negotiate with terrorists. And then the kid obviously called like

450
00:21:46,400 --> 00:21:49,040
Speaker 2: the news was called, this teacher is gonna get suspended

451
00:21:49,040 --> 00:21:50,560
Speaker 2: all this stuff, and.

452
00:21:52,040 --> 00:21:53,040
Speaker 1: Right, yeah, it's terrible.

453
00:21:53,119 --> 00:21:55,080
Speaker 2: Right, And when the teacher gets I mean, when the

454
00:21:55,160 --> 00:21:59,080
Speaker 2: kid gets interviewed, he talks about his feelings and how

455
00:21:59,160 --> 00:22:01,280
Speaker 2: it made He's like, I didn't come out of my

456
00:22:01,400 --> 00:22:03,919
Speaker 2: room all day yesterday and da da da da, And

457
00:22:04,040 --> 00:22:07,000
Speaker 2: like I would have had the same experience of didn't

458
00:22:07,040 --> 00:22:09,439
Speaker 2: come out of my room. It would have never occurred

459
00:22:09,440 --> 00:22:13,520
Speaker 2: to me, like tell an adult, call the news, tell

460
00:22:13,680 --> 00:22:14,400
Speaker 2: tell people it.

461
00:22:14,400 --> 00:22:15,280
Speaker 1: Hurt my feelings.

462
00:22:16,160 --> 00:22:19,080
Speaker 2: My generation felt more like, no, you tell them it

463
00:22:19,119 --> 00:22:21,800
Speaker 2: didn't hurt your feelings and that you're okay, even though

464
00:22:21,840 --> 00:22:24,400
Speaker 2: you're not okay, but you don't need to admit that

465
00:22:24,440 --> 00:22:27,520
Speaker 2: because that's him winning. So like it's like we're coming

466
00:22:27,520 --> 00:22:31,199
Speaker 2: into these different values now and it's becoming interesting, you know,

467
00:22:31,280 --> 00:22:33,960
Speaker 2: And I hope it doesn't swing so far that we

468
00:22:34,000 --> 00:22:38,320
Speaker 2: can't even talk about things that are uncomfortable because feelings

469
00:22:38,320 --> 00:22:41,040
Speaker 2: are more important than even trying to have some level

470
00:22:41,080 --> 00:22:41,880
Speaker 2: of progress.

471
00:22:43,000 --> 00:22:44,800
Speaker 4: I'll tell you Rod had scared the shit out of

472
00:22:44,800 --> 00:22:47,840
Speaker 4: me last week's fighting with this young girl because all

473
00:22:47,880 --> 00:22:49,919
Speaker 4: her reasons, and she didn't want to talk about it

474
00:22:49,960 --> 00:22:52,000
Speaker 4: because I when I came to her the next day

475
00:22:52,000 --> 00:22:53,760
Speaker 4: after we had fought, and I wanted to be the

476
00:22:53,800 --> 00:22:55,520
Speaker 4: bigger lady. I'm the older person.

477
00:22:55,600 --> 00:22:57,960
Speaker 3: I'm like, you know, I want to have a conversation.

478
00:22:58,720 --> 00:23:02,040
Speaker 4: I want to be nice and and be calm as

479
00:23:02,080 --> 00:23:05,080
Speaker 4: opposed to my old like like Rob was saying, my

480
00:23:05,320 --> 00:23:07,920
Speaker 4: first instinct, a bunch of fucking bitch in the party

481
00:23:11,440 --> 00:23:17,120
Speaker 4: meditation to have some exercise or a walk before rehearsal,

482
00:23:17,440 --> 00:23:19,840
Speaker 4: Like I really went through the fucking steps that we're

483
00:23:19,880 --> 00:23:23,200
Speaker 4: trying to better ourselves in and this fucking bitch, ass

484
00:23:23,240 --> 00:23:25,720
Speaker 4: bitch wants to tell me, no, we don't want to

485
00:23:25,760 --> 00:23:28,440
Speaker 4: talk about it with you, because I said, George, if

486
00:23:28,480 --> 00:23:31,280
Speaker 4: anyone has a problem with it after the show, send

487
00:23:31,320 --> 00:23:33,360
Speaker 4: anyone over to talk to me. I'd love to conversate

488
00:23:33,359 --> 00:23:36,159
Speaker 4: with someone. I'm sorry I got angry with you about it,

489
00:23:36,200 --> 00:23:38,760
Speaker 4: I said, but I'm so passionate about this. I really

490
00:23:38,840 --> 00:23:40,520
Speaker 4: need you know, I want you to know I'm open

491
00:23:40,600 --> 00:23:42,760
Speaker 4: to talk and I want anyone who has an issue

492
00:23:42,800 --> 00:23:44,800
Speaker 4: to come and talk with me because I'm open. And

493
00:23:44,840 --> 00:23:47,520
Speaker 4: she said, none of my people will want to talk

494
00:23:47,560 --> 00:23:50,040
Speaker 4: to you, and then I was really like, oh, walk away,

495
00:23:50,119 --> 00:23:57,560
Speaker 4: Jessica got it. But really what I thought about later

496
00:23:57,720 --> 00:24:01,359
Speaker 4: as a comedian because this bitch all in whatever everything

497
00:24:01,400 --> 00:24:04,399
Speaker 4: else was about it, she was trying to censor me, right,

498
00:24:04,480 --> 00:24:07,800
Speaker 4: and as a comedian, I do not stand to be censored.

499
00:24:08,359 --> 00:24:12,000
Speaker 4: And to me, if these young folks don't want to

500
00:24:12,040 --> 00:24:14,480
Speaker 4: talk about stuff and they want to shut it down,

501
00:24:15,160 --> 00:24:18,639
Speaker 4: that means that every comedian now has to think about

502
00:24:18,640 --> 00:24:21,239
Speaker 4: their set before they go on stage. Will one of

503
00:24:21,320 --> 00:24:25,080
Speaker 4: the things that I say in my set maybe upset

504
00:24:25,160 --> 00:24:28,920
Speaker 4: someone fucking out of your mind, there'd be no more comedy.

505
00:24:28,960 --> 00:24:32,560
Speaker 2: Well, I also think I also think the human reaction

506
00:24:32,680 --> 00:24:35,800
Speaker 2: to that is not what people think, because I think

507
00:24:36,080 --> 00:24:39,119
Speaker 2: on their side they're thinking, well, we'll shame you into

508
00:24:39,240 --> 00:24:41,600
Speaker 2: just not doing what we're telling you to do, right,

509
00:24:41,920 --> 00:24:44,359
Speaker 2: like you're just won't do it. But they if you

510
00:24:44,400 --> 00:24:46,879
Speaker 2: think about it, at least from my perspective, the human

511
00:24:46,920 --> 00:24:50,280
Speaker 2: reaction to being shut out is normally oh, well, fuck you.

512
00:24:50,680 --> 00:24:52,160
Speaker 1: I don't like, I'm just.

513
00:24:52,160 --> 00:24:55,560
Speaker 2: Gonna just keep being fucked up or even worse, I

514
00:24:55,560 --> 00:24:56,960
Speaker 2: don't want to hear from you anymore.

515
00:24:57,000 --> 00:24:58,800
Speaker 1: You don't want to talk to me, whether I'm just

516
00:24:58,800 --> 00:24:59,680
Speaker 1: doing to do my thing.

517
00:25:00,000 --> 00:25:02,639
Speaker 2: And then the other thing is like I think the

518
00:25:02,760 --> 00:25:05,720
Speaker 2: belief system is that no one's open to changing their minds.

519
00:25:05,760 --> 00:25:08,680
Speaker 2: But if I ask you, like, you know, like, hey,

520
00:25:08,720 --> 00:25:10,840
Speaker 2: do you want to talk about this? I mean it

521
00:25:10,920 --> 00:25:15,320
Speaker 2: from an entirely open place to where be like, oh yeah, okay,

522
00:25:15,359 --> 00:25:17,960
Speaker 2: I'll see what you're saying. I didn't understand that, and

523
00:25:18,160 --> 00:25:20,040
Speaker 2: I'm gonna work on that, don't know what, find a

524
00:25:20,040 --> 00:25:24,280
Speaker 2: way to fit that into what I talk about, you know,

525
00:25:24,320 --> 00:25:26,280
Speaker 2: whether it be on stage on the podcast, I'm gonna

526
00:25:26,320 --> 00:25:28,680
Speaker 2: find my way through, you know, because I'm not here

527
00:25:28,760 --> 00:25:30,640
Speaker 2: to just like disrespect you is my point.

528
00:25:31,760 --> 00:25:35,720
Speaker 4: Never, never, only Actually it's the opposite. I'm here with

529
00:25:35,880 --> 00:25:39,080
Speaker 4: so much respect and so much love and so much

530
00:25:39,160 --> 00:25:42,840
Speaker 4: hope that we're all learning together and that we can

531
00:25:42,960 --> 00:25:46,560
Speaker 4: build on this stuff together. And I said to her,

532
00:25:46,600 --> 00:25:49,159
Speaker 4: even when we were organized, said Lusis, I said, you

533
00:25:49,240 --> 00:25:52,680
Speaker 4: never see in my set. I'm all shocked. I'm all

534
00:25:52,760 --> 00:25:55,560
Speaker 4: if people call me shock, I don't think I'm shocked,

535
00:25:55,880 --> 00:25:57,920
Speaker 4: but I come out and talk about having an abortionari

536
00:25:57,920 --> 00:25:59,120
Speaker 4: List said they had to put me on the last

537
00:25:59,200 --> 00:26:03,760
Speaker 4: I just had an abortion before I got here. I

538
00:26:03,840 --> 00:26:06,119
Speaker 4: have to talk about that. That's important to me, you

539
00:26:06,119 --> 00:26:08,320
Speaker 4: know what I mean. I have to talk about certain stuff.

540
00:26:08,320 --> 00:26:10,280
Speaker 4: And I don't mind. You don't like it, that's okay.

541
00:26:10,359 --> 00:26:13,919
Speaker 4: Not everybody's gonna love it, but will comes for me

542
00:26:14,440 --> 00:26:16,360
Speaker 4: and try to censor it.

543
00:26:16,480 --> 00:26:19,919
Speaker 2: And it's not that. It's also that weird thing too,

544
00:26:19,920 --> 00:26:22,480
Speaker 2: where people can kind of have their own tangents, cause

545
00:26:22,480 --> 00:26:26,359
Speaker 2: it's you know, the as my friend Bomani points out

546
00:26:26,400 --> 00:26:28,960
Speaker 2: all the time where he says Instagram went from the

547
00:26:29,000 --> 00:26:32,960
Speaker 2: camera was pointed that way to the camera's pointed this way, right,

548
00:26:33,400 --> 00:26:36,240
Speaker 2: so everything is kind of about us now, right. It's

549
00:26:37,520 --> 00:26:40,840
Speaker 2: I always say, when something big happens, it's like the

550
00:26:41,000 --> 00:26:43,840
Speaker 2: event is the sun and then we're just all little

551
00:26:43,880 --> 00:26:47,160
Speaker 2: planets kind of radiating off the heat going around the thing,

552
00:26:47,240 --> 00:26:50,200
Speaker 2: and it's like, you know, that's what That's what podcasting

553
00:26:50,240 --> 00:26:53,280
Speaker 2: really is, right, Like something crazy happens and then we

554
00:26:53,320 --> 00:26:55,000
Speaker 2: come on the air and we're like, this is what

555
00:26:55,160 --> 00:26:56,080
Speaker 2: we think about.

556
00:26:55,840 --> 00:26:56,639
Speaker 1: This, and what do you know?

557
00:26:56,680 --> 00:26:58,760
Speaker 2: What do you think about it, and so so that's

558
00:26:58,800 --> 00:27:01,480
Speaker 2: kind of just the way life is now. But I

559
00:27:01,520 --> 00:27:05,120
Speaker 2: think also you can feel like I'm gonna just take

560
00:27:05,160 --> 00:27:08,720
Speaker 2: over this thing, like I'm the son now this thing happened,

561
00:27:08,800 --> 00:27:11,920
Speaker 2: But really it's about me, and this whole person's life

562
00:27:11,960 --> 00:27:12,600
Speaker 2: is about me.

563
00:27:12,880 --> 00:27:14,960
Speaker 1: And actually I don't need you in this anymore. I

564
00:27:15,040 --> 00:27:15,600
Speaker 1: figured it out.

565
00:27:15,640 --> 00:27:18,399
Speaker 2: It's only me that's involved and allowed to speak, and

566
00:27:18,440 --> 00:27:19,760
Speaker 2: so I do think that can happen.

567
00:27:19,800 --> 00:27:23,760
Speaker 1: I think it's this book I read. I think her

568
00:27:23,840 --> 00:27:25,880
Speaker 1: name is Sarah Schauman. I always talk about this book.

569
00:27:25,920 --> 00:27:27,840
Speaker 2: It was a very hard read for me because it

570
00:27:27,880 --> 00:27:32,480
Speaker 2: was like so it pushed against so many things that

571
00:27:32,560 --> 00:27:34,879
Speaker 2: I but come to believe via the Internet, as far

572
00:27:34,920 --> 00:27:38,120
Speaker 2: as like conversations. But it's called Conflict is Not Abused,

573
00:27:38,600 --> 00:27:40,800
Speaker 2: and it just talks about how people and it doesn't

574
00:27:40,840 --> 00:27:42,720
Speaker 2: say conflict like, it doesn't say.

575
00:27:42,560 --> 00:27:44,440
Speaker 1: Harm isn't real, It doesn't say.

576
00:27:45,760 --> 00:27:47,679
Speaker 2: Any it doesn't say trauma isn't real, any of that

577
00:27:47,720 --> 00:27:50,199
Speaker 2: stuff that people think when they hear that title. I

578
00:27:50,240 --> 00:27:53,199
Speaker 2: think actually the entire title was something like conflict is

579
00:27:53,240 --> 00:27:55,920
Speaker 2: not abuse to overstating of harm and blah blah blah. Right,

580
00:27:56,280 --> 00:27:59,560
Speaker 2: and like our community responsibility to fix it or something.

581
00:27:59,720 --> 00:28:01,280
Speaker 1: And that is true.

582
00:28:01,359 --> 00:28:05,280
Speaker 2: Like people, there's a reward system now for overstating how

583
00:28:05,320 --> 00:28:09,840
Speaker 2: harmed you are in something. Yes, and it's inflammatory and

584
00:28:10,240 --> 00:28:13,440
Speaker 2: people can't like the attention economy we have based off.

585
00:28:13,280 --> 00:28:15,199
Speaker 1: Of it does tell people to do it.

586
00:28:15,280 --> 00:28:18,840
Speaker 2: Like if I don't like something you said and I

587
00:28:18,960 --> 00:28:21,120
Speaker 2: just go I don't like what she said, they doesn't

588
00:28:21,119 --> 00:28:23,320
Speaker 2: give me any attention. But if I'm like Jess, what

589
00:28:23,960 --> 00:28:27,280
Speaker 2: came on our show? It was violence, it was trauma,

590
00:28:27,440 --> 00:28:30,760
Speaker 2: it was triggering. I was harmed by her. Now I'm

591
00:28:30,800 --> 00:28:31,240
Speaker 2: getting the.

592
00:28:31,200 --> 00:28:32,200
Speaker 1: Audience, you know what I'm saying.

593
00:28:32,240 --> 00:28:35,119
Speaker 2: They got pitchforks, they and they got torches. But I

594
00:28:35,160 --> 00:28:37,280
Speaker 2: got an audience now that I wouldn't have had if

595
00:28:37,320 --> 00:28:38,920
Speaker 2: I was just like, yeah, I didn't agree with some

596
00:28:38,920 --> 00:28:40,239
Speaker 2: of the stuff she said, but I agree with other

597
00:28:40,240 --> 00:28:42,320
Speaker 2: stuff she said, and I moved on. So I think

598
00:28:42,440 --> 00:28:44,560
Speaker 2: that's kind of part of where we are right now

599
00:28:44,560 --> 00:28:45,280
Speaker 2: in this journey.

600
00:28:45,720 --> 00:28:46,560
Speaker 1: But let me ask you this.

601
00:28:46,600 --> 00:28:48,640
Speaker 2: Though I know you've been doing your instagrams, I know

602
00:28:48,680 --> 00:28:49,320
Speaker 2: you have get what.

603
00:28:50,320 --> 00:28:53,400
Speaker 1: I know. You moved to Arizona. I mean, what's going

604
00:28:53,440 --> 00:28:53,720
Speaker 1: on in it?

605
00:28:53,840 --> 00:29:00,280
Speaker 4: Lot? No, no, no, no, no, no, I moved to Albuquerque.

606
00:28:59,760 --> 00:29:02,240
Speaker 1: In New Mexico. I'm sorry about that.

607
00:29:03,280 --> 00:29:04,880
Speaker 4: I got to tell you, no, it's okay. I'm sorry

608
00:29:04,920 --> 00:29:07,520
Speaker 4: to get so frustrated. I got to tell you how

609
00:29:07,600 --> 00:29:09,800
Speaker 4: huge of a difference it is, though, And and I

610
00:29:09,840 --> 00:29:12,280
Speaker 4: didn't know until I came to New Mexico because I

611
00:29:12,320 --> 00:29:15,360
Speaker 4: never really liked Arizona. I mean, you remember Arizona few

612
00:29:15,400 --> 00:29:17,920
Speaker 4: years back, They're like, can't pass piss you know what.

613
00:29:20,720 --> 00:29:24,160
Speaker 4: Arizona was fucked up. It's always been fucked up. But

614
00:29:24,320 --> 00:29:29,600
Speaker 4: New Mexico, especially Albuquerque where I'm at, uh, it's the

615
00:29:29,640 --> 00:29:31,720
Speaker 4: most okay. First of all. When I first came here

616
00:29:31,760 --> 00:29:33,320
Speaker 4: just to visit, I just took the train, and as

617
00:29:33,320 --> 00:29:35,480
Speaker 4: soon as I got off the train, people just talking

618
00:29:35,480 --> 00:29:37,000
Speaker 4: to me, Hey, how's it going, Hey, how's it going?

619
00:29:37,040 --> 00:29:37,960
Speaker 4: Look at me in the eyes.

620
00:29:38,320 --> 00:29:39,760
Speaker 1: Wow, everybody look me.

621
00:29:39,720 --> 00:29:42,520
Speaker 4: In the eyes. Yeah. I would tell people I've never

622
00:29:42,560 --> 00:29:45,360
Speaker 4: been here before, Well, welcome, welcome, wait, but not in

623
00:29:45,400 --> 00:29:46,880
Speaker 4: that southern way. And I don't mean that, it just

624
00:29:49,360 --> 00:29:52,320
Speaker 4: about oh, welcome, bless your heart, like fun out of

625
00:29:52,320 --> 00:29:56,960
Speaker 4: my way, wow, and every and I would tell people

626
00:29:56,960 --> 00:29:59,040
Speaker 4: I'm thinking about moving here, and they said you should.

627
00:29:59,640 --> 00:30:03,400
Speaker 4: And so then I discovered all the names of the

628
00:30:03,440 --> 00:30:07,760
Speaker 4: streets and the and the town. Everything's named after Native

629
00:30:07,800 --> 00:30:13,320
Speaker 4: American pueblos, which we have twenty three active reservations.

630
00:30:13,720 --> 00:30:14,760
Speaker 1: Wow, I didn't know that.

631
00:30:15,560 --> 00:30:21,680
Speaker 4: Ye, and women are very very much respected here. It's

632
00:30:21,720 --> 00:30:25,200
Speaker 4: all about the mother. It's way more of a matriarch,

633
00:30:25,400 --> 00:30:29,760
Speaker 4: I feel. And you know, it smells like green Chili's.

634
00:30:30,400 --> 00:30:35,280
Speaker 4: Everything comes to chili. The land is so beautiful, like

635
00:30:35,360 --> 00:30:37,680
Speaker 4: I cry. I mean, like every day I'm just like,

636
00:30:38,360 --> 00:30:41,120
Speaker 4: what the fuck is this? Like I get violent, you

637
00:30:41,120 --> 00:30:44,440
Speaker 4: know what I mean. I'm like, yeah, but there's also

638
00:30:44,560 --> 00:30:46,240
Speaker 4: violence here. So I feel at.

639
00:30:46,080 --> 00:30:50,960
Speaker 2: Home because you grow up, you grow up in like

640
00:30:51,040 --> 00:30:53,920
Speaker 2: the hood in like Los Angeles, like California area.

641
00:30:54,000 --> 00:30:55,920
Speaker 4: Right Well, I didn't grow up in the hood, but

642
00:30:55,960 --> 00:30:59,960
Speaker 4: I hung out a lot. I took a lot of buses, say,

643
00:31:00,360 --> 00:31:03,560
Speaker 4: which is very like, oh my god, are you okay?

644
00:31:06,040 --> 00:31:10,000
Speaker 4: But the first week I was in my apartment, there

645
00:31:10,040 --> 00:31:13,680
Speaker 4: was a there was an automatic shootout situation in the courtyard,

646
00:31:13,680 --> 00:31:15,800
Speaker 4: and I was like, look at me at home right here.

647
00:31:19,080 --> 00:31:22,880
Speaker 4: Everyone is an artist, Like I've met so many artists.

648
00:31:22,880 --> 00:31:26,680
Speaker 4: There's art everywhere. It's it's just coming out of its

649
00:31:26,720 --> 00:31:29,960
Speaker 4: pores and every and there's a and then energy here

650
00:31:30,000 --> 00:31:34,240
Speaker 4: because there's so many Native people. It's just this like calm.

651
00:31:34,600 --> 00:31:37,480
Speaker 4: There's more of a column mo day like, it's very

652
00:31:38,280 --> 00:31:44,400
Speaker 4: influenced by the land being still so uh you know real.

653
00:31:44,520 --> 00:31:46,600
Speaker 4: Even though there's tons of blood. There's tons of blood.

654
00:31:46,600 --> 00:31:48,360
Speaker 4: It's America, you know what I mean, it's fucked up.

655
00:31:48,920 --> 00:31:51,200
Speaker 4: The history is very fucked up. But the children again,

656
00:31:51,240 --> 00:31:55,719
Speaker 4: the young people are embracing the history that their grandparents

657
00:31:55,720 --> 00:31:58,680
Speaker 4: and parents could never embrace. And so I'm getting that

658
00:31:59,280 --> 00:32:02,800
Speaker 4: right now, like I'm in that like kind of renaissance

659
00:32:02,960 --> 00:32:06,920
Speaker 4: period of being and having the having the it's just

660
00:32:06,960 --> 00:32:09,200
Speaker 4: so blessed like that I'm able to be here. I

661
00:32:09,240 --> 00:32:11,640
Speaker 4: didn't know one person, No, what.

662
00:32:11,360 --> 00:32:13,560
Speaker 1: What made you go to Albuquerque in the first place.

663
00:32:14,640 --> 00:32:18,400
Speaker 4: Baron vond my best friend, Baron vonn He was born

664
00:32:18,640 --> 00:32:21,080
Speaker 4: in toucam Carry, which is not that far from here,

665
00:32:21,600 --> 00:32:24,400
Speaker 4: and he said to me, I never forget it goes.

666
00:32:24,760 --> 00:32:27,800
Speaker 4: You gotta go to Albuquerque. Just the white people are

667
00:32:27,800 --> 00:32:28,560
Speaker 4: more like you there.

668
00:32:32,480 --> 00:32:36,200
Speaker 2: It does seem like everywhere all all states across America

669
00:32:36,280 --> 00:32:38,960
Speaker 2: have like the enclaves of white people that are more

670
00:32:39,120 --> 00:32:40,560
Speaker 2: like like ours.

671
00:32:40,640 --> 00:32:44,760
Speaker 1: Is Karen, what is it? It starts like an a not Appalacia.

672
00:32:44,880 --> 00:32:48,280
Speaker 2: It's uh Ashville.

673
00:32:48,400 --> 00:32:50,880
Speaker 1: Ours is Asheville, North Carolina Mountains.

674
00:32:51,680 --> 00:32:57,080
Speaker 2: It's all like that's where the like kind of like, yeah,

675
00:32:57,160 --> 00:33:02,960
Speaker 2: they smoke weed, they paint, they fucking you know they

676
00:33:04,000 --> 00:33:05,680
Speaker 2: you know, they got all they got all the like

677
00:33:06,280 --> 00:33:11,800
Speaker 2: you know, yeah, all the LGBTQ people come here, like

678
00:33:11,840 --> 00:33:15,640
Speaker 2: the turncolors. Yeah, they don't know about sports, you know.

679
00:33:15,720 --> 00:33:18,760
Speaker 2: It's just like that's just them up there drinking, fucking

680
00:33:19,440 --> 00:33:23,240
Speaker 2: mountain and all that type of ship. So, you know,

681
00:33:22,840 --> 00:33:26,880
Speaker 2: I feel like every state has these. I guess Albuquerque might.

682
00:33:26,760 --> 00:33:29,040
Speaker 1: Be your your your ash rel.

683
00:33:29,600 --> 00:33:32,080
Speaker 4: Albuquerque is a little tough. It's a little tough like people.

684
00:33:32,320 --> 00:33:35,000
Speaker 4: People looked at me first and they were like, you

685
00:33:35,000 --> 00:33:36,440
Speaker 4: sure you don't want to go to Santa Fe. And

686
00:33:36,480 --> 00:33:40,560
Speaker 4: I'm like, why can't you see this? I understand, I

687
00:33:40,600 --> 00:33:49,600
Speaker 4: get it like Jobe Rolex places, that's place and Adobe.

688
00:33:49,680 --> 00:33:51,120
Speaker 4: I'm like, give me the funk out of here. I

689
00:33:51,120 --> 00:33:54,880
Speaker 4: hate it here. But Albuquerque is gangster like Albuquque. Every

690
00:33:54,920 --> 00:33:58,560
Speaker 4: Sunday night, low rider cruising down the Central app which

691
00:33:58,600 --> 00:34:01,200
Speaker 4: is the old Route sixty six, So all the old

692
00:34:01,320 --> 00:34:03,560
Speaker 4: Neon signs are up and down the Root sixty six

693
00:34:03,960 --> 00:34:07,160
Speaker 4: and you know. I was raised like in Hollywood proper,

694
00:34:07,280 --> 00:34:10,319
Speaker 4: so like I'm jaded about where movies are shot or

695
00:34:10,360 --> 00:34:14,040
Speaker 4: TV whatever. Yo. I was so excited to see breaking

696
00:34:14,280 --> 00:34:15,200
Speaker 4: bed shit.

697
00:34:21,200 --> 00:34:26,040
Speaker 1: Like that's where they made The Blue Man, right.

698
00:34:25,840 --> 00:34:29,640
Speaker 4: Near Beyonza Trailer Park. Like I was like, oh go yeah,

699
00:34:29,680 --> 00:34:33,040
Speaker 4: Like I was so excited and like every dude is

700
00:34:33,080 --> 00:34:37,440
Speaker 4: just like my tie, like that's my joy, Like whoa,

701
00:34:37,680 --> 00:34:41,560
Speaker 4: everyone just tatted and brown, just like hello, you're very beautiful.

702
00:34:41,560 --> 00:34:46,640
Speaker 4: I'm like, oh my god. And no one looks like me.

703
00:34:46,760 --> 00:34:49,080
Speaker 4: That's my favorite part. My favorite part is no one

704
00:34:49,120 --> 00:34:51,879
Speaker 4: looks like me, so I look different. So everyone's kind

705
00:34:51,920 --> 00:34:53,920
Speaker 4: of like huh. And let me tell you the hymas

706
00:34:53,960 --> 00:34:56,880
Speaker 4: are they're like whatever, girl moving along, I see you

707
00:34:56,920 --> 00:34:58,680
Speaker 4: looking at My Man movie.

708
00:35:00,080 --> 00:35:00,239
Speaker 1: Yeah.

709
00:35:00,280 --> 00:35:00,560
Speaker 4: I think.

710
00:35:01,040 --> 00:35:03,960
Speaker 2: I think it's also that it's like that new I've

711
00:35:03,960 --> 00:35:06,359
Speaker 2: never thought about this, but even it's that new kid

712
00:35:06,360 --> 00:35:10,160
Speaker 2: in school energy, right, like like you get to come here,

713
00:35:10,360 --> 00:35:13,080
Speaker 2: you get to be like the different person, and it's

714
00:35:13,200 --> 00:35:15,319
Speaker 2: like we don't you know, especially if it's a tight

715
00:35:15,360 --> 00:35:17,799
Speaker 2: knit community, it's like we don't know you, and uh,

716
00:35:17,880 --> 00:35:20,359
Speaker 2: some people it's gonna obviously be like and stay away.

717
00:35:20,400 --> 00:35:22,000
Speaker 2: And then some people are gonna be like, come on in.

718
00:35:22,160 --> 00:35:23,880
Speaker 2: But that's kind of the fun of being a new

719
00:35:23,960 --> 00:35:24,560
Speaker 2: kid in school.

720
00:35:25,640 --> 00:35:28,600
Speaker 4: It's really nice. And I've never been to a town

721
00:35:28,640 --> 00:35:30,600
Speaker 4: where I didn't know anyone, and I've never been to

722
00:35:30,760 --> 00:35:33,960
Speaker 4: I've never lived in a small city, like, I've never

723
00:35:34,040 --> 00:35:39,200
Speaker 4: lived where there wasn't like a gold something to fucking

724
00:35:39,320 --> 00:35:43,279
Speaker 4: climb over someone else for I've never so everyone's kind

725
00:35:43,280 --> 00:35:45,919
Speaker 4: of on the same playing field, you know. And I've

726
00:35:45,960 --> 00:35:50,640
Speaker 4: been so embraced and just so fucking embraced by like

727
00:35:50,680 --> 00:35:55,480
Speaker 4: the comedy community and the graffiti guys and the tattoo kids,

728
00:35:55,680 --> 00:35:57,000
Speaker 4: like it's just like it's insane.

729
00:35:57,040 --> 00:35:59,840
Speaker 2: It's what like that, like the comedy community compared to

730
00:36:00,239 --> 00:36:01,439
Speaker 2: New York and LA.

731
00:36:02,960 --> 00:36:07,879
Speaker 4: I'll tell you right now, there are nine female comics.

732
00:36:07,680 --> 00:36:09,120
Speaker 1: Nine total.

733
00:36:12,440 --> 00:36:13,560
Speaker 3: I get them on fingers.

734
00:36:13,760 --> 00:36:17,200
Speaker 1: You say you know them all, not.

735
00:36:17,280 --> 00:36:19,160
Speaker 4: Only I know them all woman to the other day

736
00:36:19,200 --> 00:36:24,400
Speaker 4: helping me with the fucking auditions. Yeah, we're all sisters

737
00:36:24,440 --> 00:36:28,839
Speaker 4: for life. I'm like, Plus, let me tell you about

738
00:36:28,880 --> 00:36:32,040
Speaker 4: the heritage. The heritage that I figured out here. So

739
00:36:32,239 --> 00:36:34,120
Speaker 4: a couple of people that I've become really close with

740
00:36:34,320 --> 00:36:37,239
Speaker 4: have their tree of their families here are like four

741
00:36:37,320 --> 00:36:41,160
Speaker 4: hundred years. So it's intense. Right, So I'm like, what

742
00:36:41,480 --> 00:36:44,520
Speaker 4: hundred years your family goes back from Yeah, well where

743
00:36:44,560 --> 00:36:47,960
Speaker 4: were they before they came here? Oh they had to

744
00:36:48,040 --> 00:36:53,360
Speaker 4: run from Spain, I said, Joe, I said, you're like me.

745
00:36:54,000 --> 00:36:56,200
Speaker 4: I said, you're like me? You do And they're like no, no, no,

746
00:36:56,239 --> 00:37:03,200
Speaker 4: I'm like, inquisition, what us stay inquisition. Just realize it.

747
00:37:03,280 --> 00:37:05,200
Speaker 4: You look like me. We all have the same stuff.

748
00:37:05,239 --> 00:37:08,520
Speaker 4: I can profiles like, shut the fuck up, we're your juice.

749
00:37:09,000 --> 00:37:12,480
Speaker 1: And it's so is it not? Is it not?

750
00:37:13,640 --> 00:37:13,759
Speaker 4: Oh?

751
00:37:13,800 --> 00:37:14,960
Speaker 1: I'm sorry, go ahead, I'm sorry.

752
00:37:15,600 --> 00:37:17,520
Speaker 4: No no, I'm just saying like a native kid who's

753
00:37:17,560 --> 00:37:19,600
Speaker 4: like no, no, no, I'm novel. And I'm like, yeah, I

754
00:37:19,680 --> 00:37:22,239
Speaker 4: not behold you?

755
00:37:22,840 --> 00:37:24,120
Speaker 1: Is it like the so?

756
00:37:24,280 --> 00:37:24,640
Speaker 4: Is it not?

757
00:37:24,880 --> 00:37:25,640
Speaker 1: The competition?

758
00:37:25,680 --> 00:37:28,319
Speaker 2: It doesn't feel like it's that competition of like there

759
00:37:28,320 --> 00:37:31,960
Speaker 2: can only be one. You gotta be next, you gotta Okay,

760
00:37:32,040 --> 00:37:35,080
Speaker 2: that's cool, that's cool in the comedy.

761
00:37:35,200 --> 00:37:38,480
Speaker 4: So there's stuff, there's there are bigger shows to do,

762
00:37:39,200 --> 00:37:42,040
Speaker 4: Like there's casinos that are great and they're you know

763
00:37:42,239 --> 00:37:44,040
Speaker 4: shows like tonight, I'll go out. I do a show

764
00:37:44,040 --> 00:37:46,400
Speaker 4: tonight where I get paid and it's all it's all

765
00:37:46,400 --> 00:37:47,319
Speaker 4: the females, n.

766
00:37:49,840 --> 00:37:51,960
Speaker 1: Y'all can all be on the same show technically yes.

767
00:37:55,040 --> 00:37:58,560
Speaker 4: I was also in the Albuquerque Comedy Festival, which was

768
00:37:58,600 --> 00:38:01,320
Speaker 4: called the Albuquerque Funny Feel, and that ran for the

769
00:38:01,400 --> 00:38:03,759
Speaker 4: last couple of weeks, and that was really fun, and

770
00:38:03,800 --> 00:38:05,759
Speaker 4: I got to do a couple of things that I

771
00:38:05,760 --> 00:38:07,359
Speaker 4: hadn't ever done, Like I got to do a movie

772
00:38:07,440 --> 00:38:12,920
Speaker 4: dub over like a mystery science theater two thousand. That

773
00:38:13,080 --> 00:38:15,040
Speaker 4: was fun. I wasn't very good at it, I'm gonna

774
00:38:15,080 --> 00:38:16,560
Speaker 4: be honest with you. I was not very good, but

775
00:38:16,640 --> 00:38:18,719
Speaker 4: it was really fun. And there were other comics there.

776
00:38:19,000 --> 00:38:21,719
Speaker 4: But it was brid of Frankenstein in like a real

777
00:38:21,840 --> 00:38:24,759
Speaker 4: old art theater in Albuquerque. They have everything here, like

778
00:38:24,840 --> 00:38:27,319
Speaker 4: everything that I fucking love. My aunt Vicki, you know,

779
00:38:27,320 --> 00:38:30,000
Speaker 4: from New York City, she goes, what did they build

780
00:38:30,040 --> 00:38:32,120
Speaker 4: that fucking city for you? It's like low.

781
00:38:31,960 --> 00:38:33,440
Speaker 1: Riders, it's.

782
00:38:35,440 --> 00:38:38,080
Speaker 4: Men and Native men. She's like, I can't get over this.

783
00:38:38,160 --> 00:38:39,719
Speaker 4: I go, I know, I can't get over it either.

784
00:38:40,880 --> 00:38:43,560
Speaker 2: You think you gotta live there for for a long time.

785
00:38:43,719 --> 00:38:46,520
Speaker 2: You think it's like a thing where just going.

786
00:38:46,320 --> 00:38:48,760
Speaker 1: With the flow. Yeah, that's dope.

787
00:38:48,920 --> 00:38:53,160
Speaker 4: I mean, I don't know i'd be this is oh,

788
00:38:53,200 --> 00:38:55,799
Speaker 4: and today is my one year anniversary.

789
00:38:56,400 --> 00:38:59,800
Speaker 2: Yes, I think we literally, I really think we literally

790
00:38:59,800 --> 00:39:02,960
Speaker 2: talk to you about a year ago when you moved there,

791
00:39:03,120 --> 00:39:06,200
Speaker 2: and then this is like basically a year of review.

792
00:39:08,080 --> 00:39:12,160
Speaker 4: It's it's been amazing. It's been amazing. Plus I got

793
00:39:12,160 --> 00:39:14,680
Speaker 4: a theatrical agent as soon as I moved here, so

794
00:39:14,719 --> 00:39:17,440
Speaker 4: I've been auditioning like a zoom audition whatever, but for

795
00:39:17,560 --> 00:39:20,880
Speaker 4: like TV and movies, which I never got to do

796
00:39:20,960 --> 00:39:24,120
Speaker 4: because LA and New York were so saturated with people

797
00:39:24,160 --> 00:39:26,759
Speaker 4: I couldn't get like an agent, you know. I had

798
00:39:26,760 --> 00:39:29,239
Speaker 4: like commercial agent here and there a manager, but this

799
00:39:29,360 --> 00:39:32,799
Speaker 4: lady is like I'm talking about, I had four auditions

800
00:39:32,880 --> 00:39:33,680
Speaker 4: due on Monday.

801
00:39:33,960 --> 00:39:35,360
Speaker 1: Wow, that's dope.

802
00:39:35,640 --> 00:39:38,279
Speaker 4: Yeah. Yeah, So I'm hoping, you know, I'm hoping I

803
00:39:38,360 --> 00:39:40,920
Speaker 4: booked some acting shit out here. I mean, I don't

804
00:39:40,960 --> 00:39:43,040
Speaker 4: want to be on a set where somebody gets killed.

805
00:39:43,040 --> 00:39:43,520
Speaker 4: Excuse me.

806
00:39:43,600 --> 00:39:50,360
Speaker 2: Yeah, yeah, definitely avoid that.

807
00:39:50,640 --> 00:39:55,000
Speaker 1: Really that was in Santa Fe. I didn't even know that. Yeah,

808
00:39:55,160 --> 00:39:56,800
Speaker 1: that stories, that story has been wild.

809
00:39:56,880 --> 00:39:59,399
Speaker 2: I mean, have you ever been on a movie set

810
00:39:59,440 --> 00:40:04,280
Speaker 2: that like there were guns and stuff like that or no, Rod.

811
00:40:04,000 --> 00:40:08,000
Speaker 4: One of my biggest scenes ever in life was on

812
00:40:08,120 --> 00:40:10,800
Speaker 4: and if you guys, you can watch this still on HBO.

813
00:40:11,640 --> 00:40:15,759
Speaker 4: The Phil Spector Story by and it was written and

814
00:40:15,800 --> 00:40:18,480
Speaker 4: directed by David Mammontt. And if you know about theater,

815
00:40:19,040 --> 00:40:22,720
Speaker 4: David Mammontt is like fucking fuck blow your mind, okay,

816
00:40:22,840 --> 00:40:25,480
Speaker 4: And he's like mister motherfucker, like that's his Like he's

817
00:40:25,719 --> 00:40:29,799
Speaker 4: Glen Aarry, Glenn Ross. He's like a lot of motherfuckers. Okay,

818
00:40:29,840 --> 00:40:34,920
Speaker 4: he's race you know that play anyway, So he uh.

819
00:40:34,719 --> 00:40:40,160
Speaker 4: The scene was because Phil Spector supposedly murdered this chick

820
00:40:40,480 --> 00:40:42,320
Speaker 4: because he used to He had a bunch of guns

821
00:40:42,320 --> 00:40:45,000
Speaker 4: all the time at his house and he and supposedly

822
00:40:45,560 --> 00:40:48,359
Speaker 4: she came home to his house one night and she

823
00:40:48,719 --> 00:40:52,080
Speaker 4: was playing with one of his guns, put it in

824
00:40:52,239 --> 00:40:55,920
Speaker 4: her mouth, and he yelled at her from the hallway,

825
00:40:56,320 --> 00:40:58,520
Speaker 4: what the fuck are you doing? And she pulled the

826
00:40:58,520 --> 00:41:04,040
Speaker 4: trigger and fucking killed herself. But they charge him with murder.

827
00:41:04,160 --> 00:41:06,200
Speaker 4: They say he did it, even though he doesn't have

828
00:41:06,239 --> 00:41:08,759
Speaker 4: any blood on his shirt or anything like that. So

829
00:41:08,880 --> 00:41:11,920
Speaker 4: David mammont is obviously on Phil Spectors side. So he

830
00:41:12,000 --> 00:41:17,120
Speaker 4: wrote this movie and I played the juror who gets

831
00:41:17,280 --> 00:41:20,000
Speaker 4: a little extra cash to go in the other room

832
00:41:20,040 --> 00:41:25,000
Speaker 4: with the copper. Undo a gun, put it in my mouth,

833
00:41:25,560 --> 00:41:29,120
Speaker 4: put my mouth over the gun, and then the guy yells,

834
00:41:29,160 --> 00:41:34,440
Speaker 4: what the fuck are you doing? And I pulled the trigger. Okay, dude,

835
00:41:36,719 --> 00:41:39,160
Speaker 4: it was fucking I think I was so nervous that

836
00:41:39,239 --> 00:41:41,719
Speaker 4: I kept making jokes about blowjobs to the man who

837
00:41:41,840 --> 00:41:45,439
Speaker 4: was the actor and next god like I was being

838
00:41:45,560 --> 00:41:48,600
Speaker 4: very inappropriate that I think it's because I was really nervous, right,

839
00:41:49,520 --> 00:41:51,960
Speaker 4: put a fucking gun in my in my map, put

840
00:41:52,040 --> 00:41:54,360
Speaker 4: insert the gun. I mean, the whole scene is so

841
00:41:54,600 --> 00:41:57,480
Speaker 4: scary and everyone's like, fuck, dude, that was the scariest

842
00:41:57,480 --> 00:41:59,399
Speaker 4: scene in the whole movie. And I go, I know,

843
00:42:01,680 --> 00:42:03,480
Speaker 4: and was it?

844
00:42:03,600 --> 00:42:05,520
Speaker 1: Was it like a real gun? Gun?

845
00:42:05,600 --> 00:42:05,680
Speaker 4: Like?

846
00:42:05,880 --> 00:42:06,200
Speaker 1: Was it?

847
00:42:06,880 --> 00:42:09,160
Speaker 2: Because I know, the thing I did I learned from

848
00:42:09,160 --> 00:42:12,000
Speaker 2: this is apparently a gun can be real.

849
00:42:12,880 --> 00:42:14,440
Speaker 1: It can actually if you put.

850
00:42:14,239 --> 00:42:16,640
Speaker 2: A bullet in it, it will fucking shoot a real

851
00:42:16,640 --> 00:42:17,320
Speaker 2: bullet and kill you.

852
00:42:17,520 --> 00:42:18,520
Speaker 1: Somebody will shoot someone.

853
00:42:19,160 --> 00:42:22,080
Speaker 2: But it can still be a quote unquote prop gun

854
00:42:22,760 --> 00:42:26,960
Speaker 2: because it's users are prop in the movie. So when

855
00:42:27,000 --> 00:42:30,480
Speaker 2: they say prop gun, in my mind, I'm thinking it's

856
00:42:30,520 --> 00:42:33,919
Speaker 2: some motherfucking like water pistol shit, you know, like, oh,

857
00:42:34,000 --> 00:42:36,600
Speaker 2: prop gun. Yeah, you're just going around due and now

858
00:42:36,600 --> 00:42:39,799
Speaker 2: I'm learning like, no prop gun means you still need

859
00:42:39,840 --> 00:42:44,120
Speaker 2: to take this very seriously. So like what is that process?

860
00:42:44,120 --> 00:42:46,160
Speaker 2: Do they hand you the gun? Because like according to

861
00:42:46,200 --> 00:42:48,719
Speaker 2: the Alec Barwin movie, they hand you the guns like

862
00:42:48,840 --> 00:42:52,160
Speaker 2: cold gun, meaning it doesn't have you know, actual bullets

863
00:42:52,160 --> 00:42:53,400
Speaker 2: that will kill you in and stuff.

864
00:42:53,760 --> 00:42:55,680
Speaker 1: Is that like your experience as well?

865
00:42:56,600 --> 00:42:59,719
Speaker 4: Yeah, they had well they have three different They had

866
00:42:59,800 --> 00:43:01,959
Speaker 4: three of them because they wanted to do They said,

867
00:43:01,960 --> 00:43:04,319
Speaker 4: We're at least gonna do three takes of this, even

868
00:43:04,360 --> 00:43:07,239
Speaker 4: though it's really hard. We really want to do it.

869
00:43:07,320 --> 00:43:09,400
Speaker 4: We really want to get it. And what it was

870
00:43:09,400 --> 00:43:12,360
Speaker 4: supposed to be was I was supposed to get hurt

871
00:43:12,880 --> 00:43:15,400
Speaker 4: in real life, like with the thing, Like it was

872
00:43:15,440 --> 00:43:18,080
Speaker 4: supposed to click on me or hurt my mouth or something,

873
00:43:18,080 --> 00:43:20,680
Speaker 4: because the guy's supposed to scare me so hard that

874
00:43:20,719 --> 00:43:23,480
Speaker 4: I fuck up and like hurt myself. But it's not

875
00:43:23,520 --> 00:43:26,680
Speaker 4: supposed to shoot me. Thank god it didn't. But but

876
00:43:26,840 --> 00:43:30,839
Speaker 4: on the first take, I'll fucking never forget this. They

877
00:43:31,040 --> 00:43:33,319
Speaker 4: you know, he goes, put your mouth, put your put

878
00:43:33,320 --> 00:43:35,440
Speaker 4: it in your mouth, close your mouth, and then the

879
00:43:35,480 --> 00:43:37,640
Speaker 4: guy behind goes, what the fuck are you doing? And

880
00:43:37,680 --> 00:43:40,520
Speaker 4: I shoot the and I pull the trigger and this

881
00:43:40,760 --> 00:43:44,120
Speaker 4: like alarm goes off because the trigger's been pulled, and

882
00:43:44,200 --> 00:43:47,200
Speaker 4: you hear David, mammit, go cut, cut, cut, And he

883
00:43:47,320 --> 00:43:50,319
Speaker 4: fucking runs out to me and he goes, yes, yes,

884
00:43:50,680 --> 00:43:53,120
Speaker 4: are you okay? Are you okay? And I go, yeah, man,

885
00:43:53,160 --> 00:43:55,279
Speaker 4: I'm okay. And he goes, are you just acting? And

886
00:43:55,320 --> 00:43:58,040
Speaker 4: I go yeah, man, and he goes, well, all right.

887
00:43:58,000 --> 00:44:09,120
Speaker 6: And then good, yeah.

888
00:44:09,239 --> 00:44:12,000
Speaker 2: Now when you have that gun, does the gun you

889
00:44:12,120 --> 00:44:15,799
Speaker 2: have on in the scene, is it really gonna like

890
00:44:16,320 --> 00:44:18,319
Speaker 2: click and make a big loud sound and all that

891
00:44:18,360 --> 00:44:18,879
Speaker 2: stuff too.

892
00:44:20,080 --> 00:44:25,120
Speaker 4: It clicks and then it was triggering an alarm and

893
00:44:25,239 --> 00:44:27,120
Speaker 4: I clicked it. He would trigger the alarm, so they

894
00:44:27,160 --> 00:44:30,560
Speaker 4: knew that it had been tricked and that whatever the

895
00:44:30,560 --> 00:44:32,520
Speaker 4: There was like an extra line at the end, after

896
00:44:32,560 --> 00:44:36,520
Speaker 4: the alarm goes off, somebody says something. But they had

897
00:44:36,600 --> 00:44:38,800
Speaker 4: each one, they had a different person come out. I

898
00:44:38,840 --> 00:44:40,759
Speaker 4: mean they have the same person come out every time

899
00:44:40,800 --> 00:44:43,719
Speaker 4: with each different gun. And they said like, here it is,

900
00:44:43,800 --> 00:44:46,400
Speaker 4: and we inspected it and they and they pulled the

901
00:44:46,440 --> 00:44:49,560
Speaker 4: trigger away from me like they shot it. And that's

902
00:44:49,600 --> 00:44:52,160
Speaker 4: why I was like, how come he was pointing? And

903
00:44:52,160 --> 00:44:55,160
Speaker 4: then then they said it was for the scene that

904
00:44:55,400 --> 00:44:57,839
Speaker 4: he was supposed to be shooting at the camera right

905
00:44:58,120 --> 00:45:00,560
Speaker 4: and I wanted him to it and they get it.

906
00:45:00,600 --> 00:45:05,160
Speaker 4: But I've never heard of anyone telling someone to point

907
00:45:05,200 --> 00:45:08,360
Speaker 4: the gun out though, Like, oh, it just sucked me

908
00:45:08,440 --> 00:45:11,000
Speaker 4: right up, because yes, I have worked with the guns

909
00:45:11,040 --> 00:45:12,200
Speaker 4: before it that was.

910
00:45:12,520 --> 00:45:16,400
Speaker 2: So would you So you get you get auditioned tomorrow

911
00:45:16,480 --> 00:45:16,800
Speaker 2: or whatever.

912
00:45:16,840 --> 00:45:18,520
Speaker 1: You get the park and it's.

913
00:45:18,360 --> 00:45:21,640
Speaker 2: Like, Yo, we need you to We're gonna have guns.

914
00:45:21,680 --> 00:45:24,399
Speaker 2: We need you to like use some guns on the set.

915
00:45:24,719 --> 00:45:27,319
Speaker 1: You're gonna be like more nervous now than you were then,

916
00:45:27,400 --> 00:45:30,799
Speaker 1: are you? Just like I trust that somebody checked this ship.

917
00:45:32,280 --> 00:45:35,560
Speaker 4: I actually would feel okay now because I feel like,

918
00:45:35,600 --> 00:45:39,440
Speaker 4: oh yeah, it's like a roller coaster ride. We're like,

919
00:45:39,560 --> 00:45:42,480
Speaker 4: well they just fixed everything.

920
00:45:42,600 --> 00:45:45,160
Speaker 3: Everybody follow the ruse now, no more cuts.

921
00:45:45,400 --> 00:45:47,600
Speaker 1: Yeah. It's like I hate to be that dark.

922
00:45:47,640 --> 00:45:49,920
Speaker 2: But it's really like when a plane crashes, you like, oh,

923
00:45:49,920 --> 00:45:51,600
Speaker 2: I can fly anywhere today.

924
00:45:51,880 --> 00:45:54,719
Speaker 1: The ain't no planes crashing today. I know that much.

925
00:45:54,760 --> 00:46:01,000
Speaker 2: They double checking the ship today exactly exactly.

926
00:46:01,320 --> 00:46:03,640
Speaker 1: Like it's fucked up, but it's true.

927
00:46:03,680 --> 00:46:06,279
Speaker 2: Man, It's like, oh man, they gonna fucking triple check

928
00:46:06,320 --> 00:46:08,279
Speaker 2: the wings when I hop on this shit.

929
00:46:08,560 --> 00:46:10,560
Speaker 1: But yeah, but I.

930
00:46:10,480 --> 00:46:13,520
Speaker 4: Have also since I've been here, I have auditioned for

931
00:46:13,680 --> 00:46:17,640
Speaker 4: so many like oh, what do they call it? Like

932
00:46:18,080 --> 00:46:24,239
Speaker 4: tree trunk legged pop billied woman? Like I'm like, are

933
00:46:24,280 --> 00:46:25,640
Speaker 4: you gads? Does anyone meet me?

934
00:46:26,160 --> 00:46:26,319
Speaker 3: Right?

935
00:46:27,200 --> 00:46:28,400
Speaker 1: Yeah? What is what is that?

936
00:46:28,560 --> 00:46:28,640
Speaker 6: Like?

937
00:46:28,719 --> 00:46:32,200
Speaker 2: Cause I feel like I don't think I can ever

938
00:46:32,280 --> 00:46:35,080
Speaker 2: be an actor because the parts you go out for

939
00:46:35,640 --> 00:46:38,920
Speaker 2: seem to have to be like so it's so scathing,

940
00:46:39,200 --> 00:46:41,759
Speaker 2: like what people think. And then Hollywood is even more

941
00:46:41,800 --> 00:46:45,160
Speaker 2: fucked up than normal people. Right, So like if normal

942
00:46:45,200 --> 00:46:47,279
Speaker 2: people go ride I see rid is like a fat

943
00:46:47,280 --> 00:46:50,919
Speaker 2: guy or something, Hollywood is like, yeah, you're not just fat,

944
00:46:51,000 --> 00:46:55,239
Speaker 2: you're old decrepit uh kind of slovenly like it's you

945
00:46:55,239 --> 00:46:56,919
Speaker 2: know what I mean, Like it tastes that extra stuff.

946
00:46:56,960 --> 00:46:59,160
Speaker 2: And then and at some point it's like, dude, I'm

947
00:46:59,200 --> 00:47:02,320
Speaker 2: thirty five. They're like, no, you're a grandmom.

948
00:47:02,960 --> 00:47:03,680
Speaker 1: We think you know.

949
00:47:03,719 --> 00:47:05,319
Speaker 2: It's like when you said milf, You're like, I don't

950
00:47:05,320 --> 00:47:08,879
Speaker 2: have children. But that's like in porn, Like it's like, ma'am,

951
00:47:09,000 --> 00:47:11,320
Speaker 2: you're twenty seven, it's time to get into milk porn.

952
00:47:12,120 --> 00:47:14,440
Speaker 2: The games of being a young lady are over and

953
00:47:14,480 --> 00:47:16,200
Speaker 2: I feel like that's what Hollywood has to be like,

954
00:47:16,239 --> 00:47:19,360
Speaker 2: So what's that like? Auditioning for these parts? And then people,

955
00:47:19,680 --> 00:47:22,839
Speaker 2: you know, you're seeing this description of like old tree

956
00:47:22,840 --> 00:47:25,440
Speaker 2: trunk lady, and you're like, I guess, I mean for

957
00:47:25,480 --> 00:47:27,080
Speaker 2: the money, sure, but what the fuck?

958
00:47:27,320 --> 00:47:30,400
Speaker 4: Right? Ah, what do you do? Well? I was just

959
00:47:30,440 --> 00:47:32,799
Speaker 4: talking to a younger actress actually about this, a friend

960
00:47:32,800 --> 00:47:35,080
Speaker 4: of mine, and I said to her, so, do you

961
00:47:35,160 --> 00:47:39,400
Speaker 4: have any kids yet? Meaning like in the act because

962
00:47:39,400 --> 00:47:42,759
Speaker 4: what happens when you're an actress in Hollywood or New

963
00:47:42,840 --> 00:47:45,839
Speaker 4: York or wherever here, you know, it doesn't matter. You

964
00:47:45,920 --> 00:47:48,200
Speaker 4: start out as like the young angenue and you're just

965
00:47:48,239 --> 00:47:51,359
Speaker 4: this gorgeous thing that everyone wants, right, And then I mean,

966
00:47:51,440 --> 00:47:53,440
Speaker 4: unless you're like a character actor like myself, I've never

967
00:47:53,480 --> 00:47:58,920
Speaker 4: been the excuse me very much, But then you get

968
00:47:58,960 --> 00:48:05,960
Speaker 4: like a top and then within the year you've got preteens,

969
00:48:06,760 --> 00:48:09,400
Speaker 4: and then maybe like a couple of years later. I

970
00:48:09,440 --> 00:48:14,800
Speaker 4: remember I was probably thirty when they gave me a

971
00:48:14,840 --> 00:48:17,839
Speaker 4: fifteen year old and I was like, do you know

972
00:48:17,880 --> 00:48:20,200
Speaker 4: that I had my first abortion at fifteen? Is that

973
00:48:20,239 --> 00:48:20,680
Speaker 4: what this is?

974
00:48:22,560 --> 00:48:24,719
Speaker 1: We did the research, Jess, and this is right up

975
00:48:25,320 --> 00:48:28,040
Speaker 1: the same age. This is the ghost of Christmas Past.

976
00:48:28,800 --> 00:48:32,279
Speaker 4: It's such a mind fuck because you're like, wait, I mean, I,

977
00:48:32,719 --> 00:48:36,120
Speaker 4: oh my god, what's the Jesse James. I was I

978
00:48:36,160 --> 00:48:39,759
Speaker 4: auditioned for his mom, like the Alice James, and it

979
00:48:39,840 --> 00:48:43,960
Speaker 4: was like Jesse James is mama. But then I was

980
00:48:44,000 --> 00:48:47,400
Speaker 4: like I could, yeah, you could do it kind of

981
00:48:47,480 --> 00:48:49,120
Speaker 4: manipulate myself, right.

982
00:48:49,480 --> 00:48:52,839
Speaker 2: But it is weird though, because like, like we were talking,

983
00:48:52,840 --> 00:48:56,080
Speaker 2: we were doing a recap, we were talking about love

984
00:48:56,120 --> 00:48:58,360
Speaker 2: Craft Country. The TV showed that me and Cara Buffalo

985
00:48:58,920 --> 00:49:01,719
Speaker 2: and one of the characters played by Anjia u Ellis,

986
00:49:01,960 --> 00:49:04,120
Speaker 2: who is not that old an actress.

987
00:49:04,440 --> 00:49:06,960
Speaker 1: She's not even like and I mean body size, she's

988
00:49:06,960 --> 00:49:09,839
Speaker 1: not even big like that. But when Karen was talking

989
00:49:09,840 --> 00:49:10,400
Speaker 1: about it, she was.

990
00:49:10,440 --> 00:49:13,399
Speaker 2: Like, you know, we don't get to see women this

991
00:49:13,520 --> 00:49:16,680
Speaker 2: age and this size portrayed people like this on this

992
00:49:16,960 --> 00:49:19,040
Speaker 2: And I was thinking, like this is such a fuck

993
00:49:19,280 --> 00:49:22,480
Speaker 2: head fuck Aujia knew Ellis is the same size as you,

994
00:49:23,520 --> 00:49:27,839
Speaker 2: but in Hollywood she's big right and old and all

995
00:49:27,840 --> 00:49:28,120
Speaker 2: this shit.

996
00:49:28,200 --> 00:49:30,480
Speaker 1: You're just like, we are fucked, man.

997
00:49:30,520 --> 00:49:32,480
Speaker 2: And I think it's all because the people in control

998
00:49:32,520 --> 00:49:35,840
Speaker 2: of Hollywood did one a day, eighteen year old white girls,

999
00:49:35,880 --> 00:49:36,880
Speaker 2: Like that's.

1000
00:49:37,360 --> 00:49:38,799
Speaker 1: So compared to everything else.

1001
00:49:38,800 --> 00:49:41,840
Speaker 2: It's like, you know when you see every fucking studio producers,

1002
00:49:41,880 --> 00:49:45,520
Speaker 2: like the seventy eight year old studio Magnet just started

1003
00:49:45,600 --> 00:49:48,600
Speaker 2: dating a twenty one year old Victoria Secrets model, and

1004
00:49:48,600 --> 00:49:51,720
Speaker 2: you're like, well, no wonder he thinks, like Scarlett Johansson

1005
00:49:51,840 --> 00:49:54,160
Speaker 2: is old at twenty five, and it's time for her

1006
00:49:54,160 --> 00:49:57,520
Speaker 2: to start playing mother roles because to him, he's.

1007
00:49:57,360 --> 00:49:59,520
Speaker 1: Like, I wouldn't fuck her with with your dick, you

1008
00:49:59,560 --> 00:50:00,160
Speaker 1: know what I mean.

1009
00:50:00,239 --> 00:50:03,680
Speaker 2: So he is now casted in these in these fucking

1010
00:50:03,800 --> 00:50:06,880
Speaker 2: like mom roles or whatever. Women fight their whole lives

1011
00:50:06,880 --> 00:50:09,960
Speaker 2: to like not be the mom, and that's like their revolution.

1012
00:50:10,520 --> 00:50:13,000
Speaker 2: And if you win, then you get to be like

1013
00:50:13,040 --> 00:50:15,319
Speaker 2: a scarlet of your hands and who's like thirty five

1014
00:50:15,360 --> 00:50:17,280
Speaker 2: and still able to like play sexy roles.

1015
00:50:17,520 --> 00:50:20,080
Speaker 1: Or if you lose, you're just the fuck out of Hollywood.

1016
00:50:20,120 --> 00:50:22,520
Speaker 2: That's it, Like you win against the system, get the

1017
00:50:22,560 --> 00:50:23,319
Speaker 2: fuck out of here.

1018
00:50:24,400 --> 00:50:28,120
Speaker 4: I mean, we see people who's escape it, like Jennifer Coolidge,

1019
00:50:28,320 --> 00:50:33,920
Speaker 4: Jane Jane crew Lynch or you know, but usually it's

1020
00:50:33,960 --> 00:50:37,120
Speaker 4: because they are comedic, and those two women are exactly

1021
00:50:37,120 --> 00:50:40,640
Speaker 4: a perfect example. Like, I think I have more of

1022
00:50:40,680 --> 00:50:44,239
Speaker 4: a chance to continue to do work because I have

1023
00:50:44,280 --> 00:50:47,400
Speaker 4: a comedic side, Like I have this comedic energy that

1024
00:50:47,440 --> 00:50:50,200
Speaker 4: I come in with, even if it isn't a serious part.

1025
00:50:50,560 --> 00:50:53,520
Speaker 4: I can pop right into something dramatic. I can pop

1026
00:50:53,600 --> 00:50:56,160
Speaker 4: into something commed, you know, Like I think it's like

1027
00:50:56,280 --> 00:50:58,879
Speaker 4: Robin Williams said, you know, we're as comedians, we can

1028
00:50:58,920 --> 00:51:01,120
Speaker 4: tap into a lot of we're open to it. We

1029
00:51:01,120 --> 00:51:03,719
Speaker 4: can tap into a lot of the pain that we carry,

1030
00:51:03,840 --> 00:51:05,920
Speaker 4: you know, in order to cover it up with the comic.

1031
00:51:06,560 --> 00:51:10,320
Speaker 2: I think also the character actor Lane is just a

1032
00:51:10,480 --> 00:51:13,399
Speaker 2: more of a lifelong thing than you know, Like if

1033
00:51:13,400 --> 00:51:16,759
Speaker 2: you have to be that aungenwe sexpot lady, it's just

1034
00:51:16,800 --> 00:51:19,200
Speaker 2: such a shelf life on that, and then people don't

1035
00:51:19,200 --> 00:51:21,680
Speaker 2: want to see you as anything else. So if you

1036
00:51:21,719 --> 00:51:24,000
Speaker 2: do go out for the comedic role, like five years later,

1037
00:51:24,000 --> 00:51:26,239
Speaker 2: they're like, no, you're the.

1038
00:51:26,239 --> 00:51:28,520
Speaker 1: Sex lady and we got a new sex lady, so

1039
00:51:28,600 --> 00:51:31,719
Speaker 1: you can't have any more parts. I'm sorry. You know

1040
00:51:31,840 --> 00:51:36,280
Speaker 1: it's fucked up.

1041
00:51:34,960 --> 00:51:37,760
Speaker 4: Kidman, just in a fucking tizzy with too much stuff

1042
00:51:37,800 --> 00:51:41,000
Speaker 4: and what accent is that? You know?

1043
00:51:41,440 --> 00:51:44,279
Speaker 2: I always feel so bad man, because like all those

1044
00:51:44,320 --> 00:51:48,000
Speaker 2: women are super high or whatever they come out and

1045
00:51:48,040 --> 00:51:50,920
Speaker 2: that's what they're known for. And and I'm sure in

1046
00:51:50,960 --> 00:51:54,160
Speaker 2: Hollywood it just is so fucked up because if they

1047
00:51:54,280 --> 00:51:57,480
Speaker 2: age like they normally would have without all the fucking

1048
00:51:57,800 --> 00:52:00,919
Speaker 2: like work, us as a mayor would be like.

1049
00:52:00,840 --> 00:52:03,200
Speaker 1: Oh, that woman is fucking still beautiful.

1050
00:52:03,520 --> 00:52:06,319
Speaker 4: But that's why I leave myself alone and I do.

1051
00:52:06,680 --> 00:52:08,560
Speaker 4: I'm not even wording me. I'm like, look at I got,

1052
00:52:08,880 --> 00:52:11,360
Speaker 4: I got snake eyes, I got whatever they call ferry,

1053
00:52:11,400 --> 00:52:13,799
Speaker 4: and that they don't need a ship called for the

1054
00:52:13,840 --> 00:52:17,520
Speaker 4: men either. I like man wrinkles right now.

1055
00:52:17,920 --> 00:52:20,359
Speaker 1: Yeah. Well, the other thing is when the men get

1056
00:52:20,360 --> 00:52:21,920
Speaker 1: the work, they still get the jobs.

1057
00:52:22,080 --> 00:52:24,880
Speaker 2: So it's like even if like SYLVESTERI Stellan's had a

1058
00:52:24,880 --> 00:52:27,359
Speaker 2: ton of work, like that motherfucker gone, he don't get

1059
00:52:27,360 --> 00:52:32,040
Speaker 2: to produce right direct act like women is just like, uh,

1060
00:52:32,160 --> 00:52:34,799
Speaker 2: I'm sorry, but you may Ryan's yourself. We will no

1061
00:52:34,880 --> 00:52:37,520
Speaker 2: longer be calling you, even though we're the reason you

1062
00:52:37,600 --> 00:52:39,320
Speaker 2: got the fucking surgery in the first place.

1063
00:52:39,680 --> 00:52:41,960
Speaker 1: You don't get to work anymore. So it's so fucked up.

1064
00:52:43,040 --> 00:52:44,919
Speaker 4: You don't want to play into it, though, you know, Rod,

1065
00:52:45,000 --> 00:52:49,360
Speaker 4: I mean I know that I am so seduced by it. Still,

1066
00:52:49,440 --> 00:52:51,680
Speaker 4: I can talk. I can talk a good game, but

1067
00:52:51,760 --> 00:52:54,080
Speaker 4: I got good skin for a white lady. We age

1068
00:52:54,120 --> 00:52:56,040
Speaker 4: like bananas, you know what I mean. It's not a

1069
00:52:56,080 --> 00:52:59,080
Speaker 4: good look. We're not usually doing so well. But I

1070
00:52:59,120 --> 00:53:04,320
Speaker 4: have to myself aging in order to give these young women.

1071
00:53:04,480 --> 00:53:07,239
Speaker 4: It's like the wire hangar thing. I'm like, I am

1072
00:53:07,320 --> 00:53:11,799
Speaker 4: aging naturally, these poor young ladies that are putting botulism

1073
00:53:11,840 --> 00:53:13,960
Speaker 4: into their face because they want to look more like

1074
00:53:14,000 --> 00:53:17,319
Speaker 4: the filter on their fucking Instagram story. What happens when

1075
00:53:17,360 --> 00:53:19,359
Speaker 4: you meet the boy in real life and you don't

1076
00:53:19,400 --> 00:53:19,680
Speaker 4: have a.

1077
00:53:19,680 --> 00:53:23,839
Speaker 2: Caddier not to mention, like, honestly, men ain't worth it,

1078
00:53:23,960 --> 00:53:25,319
Speaker 2: like it really we are not.

1079
00:53:25,520 --> 00:53:26,839
Speaker 1: We are a diver, doesn't I.

1080
00:53:26,840 --> 00:53:30,720
Speaker 2: Promise you even the most like like that's what's so funny,

1081
00:53:30,840 --> 00:53:33,319
Speaker 2: is like if you just like, I'm gonna just age

1082
00:53:33,360 --> 00:53:35,040
Speaker 2: naturally and not worry about it, I promise you.

1083
00:53:35,080 --> 00:53:36,719
Speaker 1: Dick is still on the way, Dick.

1084
00:53:36,800 --> 00:53:42,239
Speaker 4: Don't you are not joking me, Rob, because let me

1085
00:53:42,280 --> 00:53:45,840
Speaker 4: tell you something. The dick is so it's like they're

1086
00:53:45,880 --> 00:53:48,840
Speaker 4: just and they're younger and younger and yeah, they're just like.

1087
00:53:50,239 --> 00:53:57,000
Speaker 3: Right, you want how about some more dick. Somebody is Dick.

1088
00:53:55,840 --> 00:53:58,480
Speaker 2: Will make up the reason to want to fuck you.

1089
00:53:58,560 --> 00:54:00,880
Speaker 2: I promise you it doesn't even you don't have to

1090
00:54:00,920 --> 00:54:03,879
Speaker 2: do any of this work. It'll like I've never had

1091
00:54:03,920 --> 00:54:06,080
Speaker 2: sex with an old lady before, and then that now

1092
00:54:06,120 --> 00:54:07,719
Speaker 2: you know what dick is coming.

1093
00:54:07,760 --> 00:54:10,600
Speaker 1: So don't don't waste your time. Don't waste it on dick.

1094
00:54:10,640 --> 00:54:13,520
Speaker 2: I mean, I get the I understand that for some

1095
00:54:13,560 --> 00:54:15,920
Speaker 2: people's like career wise, it's more than that. You know,

1096
00:54:16,160 --> 00:54:20,200
Speaker 2: now you can get like Instagram famous or whatever, so

1097
00:54:20,320 --> 00:54:22,920
Speaker 2: like all those people have the ant body surgery or whatever,

1098
00:54:22,960 --> 00:54:23,640
Speaker 2: and it helps.

1099
00:54:23,640 --> 00:54:25,239
Speaker 1: But in general, I.

1100
00:54:26,640 --> 00:54:29,000
Speaker 2: Wouldn't do it for us if I if that's the reason,

1101
00:54:29,200 --> 00:54:30,319
Speaker 2: I promise you, we're not worry.

1102
00:54:30,320 --> 00:54:31,640
Speaker 1: We're just gonna make your life worse.

1103
00:54:32,320 --> 00:54:35,279
Speaker 2: Yeah, yeah, your your age, gonna that, your die's gonna

1104
00:54:35,320 --> 00:54:38,120
Speaker 2: go up. Your fucking the amount of dudes is just

1105
00:54:38,120 --> 00:54:39,960
Speaker 2: gonna stretch you the fuck out over nothing.

1106
00:54:40,360 --> 00:54:42,960
Speaker 1: You know, you know how it is, So don't don't why.

1107
00:54:43,239 --> 00:54:45,759
Speaker 4: I've been by myself for this whole year and I

1108
00:54:45,840 --> 00:54:49,400
Speaker 4: cannot tell you how happy I am, how fucking thrilled

1109
00:54:49,440 --> 00:54:52,440
Speaker 4: I feel, how good i feel. I'm like, oh my god,

1110
00:54:53,520 --> 00:54:54,480
Speaker 4: So what happened.

1111
00:54:54,200 --> 00:54:56,120
Speaker 2: To those two dudes because you were kind of dating

1112
00:54:56,280 --> 00:54:58,680
Speaker 2: kind of two dudes that seemed like a little like

1113
00:54:58,760 --> 00:55:00,799
Speaker 2: it was like you were combining them into one dude.

1114
00:55:00,840 --> 00:55:03,160
Speaker 2: You know, like, Okay, I'll take the dick from this

1115
00:55:03,239 --> 00:55:06,280
Speaker 2: dude and then like some of the like more older

1116
00:55:06,360 --> 00:55:08,319
Speaker 2: mature shape from this guy, and then just kind of

1117
00:55:08,360 --> 00:55:10,160
Speaker 2: make that squash it into one guy.

1118
00:55:10,239 --> 00:55:12,400
Speaker 1: So like what happened to those dudes.

1119
00:55:12,640 --> 00:55:14,560
Speaker 4: I sure did well. I like to say both of

1120
00:55:14,640 --> 00:55:22,600
Speaker 4: them pushed together, didn't make one, so it was unfortunate.

1121
00:55:22,960 --> 00:55:25,919
Speaker 4: But I also we'll say this, both of them did

1122
00:55:25,960 --> 00:55:29,000
Speaker 4: have a place to live and did have stuff going

1123
00:55:29,040 --> 00:55:31,319
Speaker 4: for them before we started sucking. And then once they

1124
00:55:31,360 --> 00:55:34,879
Speaker 4: started sucking me lost all the jobs, lost all the apartments.

1125
00:55:35,080 --> 00:55:41,880
Speaker 4: And now I call my pussy the tenth pussy. You

1126
00:55:41,920 --> 00:55:44,399
Speaker 4: will forget about your bills, You will not pay the rent.

1127
00:55:44,400 --> 00:55:44,880
Speaker 4: Where is it.

1128
00:55:49,320 --> 00:55:50,960
Speaker 1: Going to work? Nah, man, I gotta get some of

1129
00:55:50,960 --> 00:55:52,120
Speaker 1: this pussy. I'll be back.

1130
00:55:54,200 --> 00:55:58,719
Speaker 4: Then leave you. Yeah, see each other in the hallway

1131
00:55:58,719 --> 00:56:03,080
Speaker 4: on the stairs. That's true ship and iimate that was

1132
00:56:03,080 --> 00:56:05,480
Speaker 4: the wolf the pirates pirate and he would go, I

1133
00:56:05,520 --> 00:56:09,640
Speaker 4: saw Bob and then the other guy, Landre. He would say, uh,

1134
00:56:10,080 --> 00:56:12,800
Speaker 4: your boyfriend seems like a really cool guy, like everybody

1135
00:56:12,920 --> 00:56:13,319
Speaker 4: likes him.

1136
00:56:15,320 --> 00:56:18,840
Speaker 5: Maybe they're hanging out now, maybe maybe they became best friends.

1137
00:56:18,840 --> 00:56:23,280
Speaker 1: They got a podcast, let's go look them up, Laundreu

1138
00:56:23,400 --> 00:56:26,520
Speaker 1: and the Pirates. Yeah, it's called it's called pussy Podcast.

1139
00:56:29,960 --> 00:56:32,759
Speaker 3: You're still a good pitch a tent? We'll show you

1140
00:56:32,760 --> 00:56:33,080
Speaker 3: how to do.

1141
00:56:35,239 --> 00:56:37,359
Speaker 2: That is so funny because like that, man, it went

1142
00:56:37,400 --> 00:56:39,560
Speaker 2: from like because you know, part of the reason I

1143
00:56:39,600 --> 00:56:42,000
Speaker 2: think people like hooking up is like because you're not

1144
00:56:42,040 --> 00:56:45,200
Speaker 2: gonna be there all the time, right, that's the positive.

1145
00:56:45,400 --> 00:56:45,560
Speaker 1: Right.

1146
00:56:45,840 --> 00:56:48,040
Speaker 2: So then so then it's like after sex, it's like,

1147
00:56:48,320 --> 00:56:51,080
Speaker 2: so you gotta you gotta gotta get.

1148
00:56:50,920 --> 00:56:52,920
Speaker 1: Out of here, right, you got something that's like.

1149
00:56:52,960 --> 00:56:55,319
Speaker 2: No, no, I ain't got no job no more. This

1150
00:56:55,480 --> 00:56:56,840
Speaker 2: is life now, I'm over here.

1151
00:56:58,000 --> 00:57:02,879
Speaker 4: Laundro actually was like a street digilante. So he would

1152
00:57:02,920 --> 00:57:05,480
Speaker 4: go out, He's like, no, I gotta go, and I'd

1153
00:57:05,480 --> 00:57:07,279
Speaker 4: be like, it's three o'clock in the morning and go.

1154
00:57:07,600 --> 00:57:09,880
Speaker 4: It's you know, you don't know how dangerous city is

1155
00:57:09,920 --> 00:57:16,120
Speaker 4: out there for people, And I'm like super fucking like,

1156
00:57:16,200 --> 00:57:16,720
Speaker 4: I don't know.

1157
00:57:18,320 --> 00:57:24,640
Speaker 1: You was getting a whole hero right, Yeah, an, what

1158
00:57:24,680 --> 00:57:27,280
Speaker 1: the hell is this that might be hot. I don't know.

1159
00:57:29,520 --> 00:57:31,720
Speaker 4: Yeah, that Dick was good though, he was. He was

1160
00:57:31,880 --> 00:57:33,080
Speaker 4: my superhero with that Dick.

1161
00:57:36,400 --> 00:57:39,880
Speaker 2: Listen, Okay, some people's superpower is not you know, it's not.

1162
00:57:40,000 --> 00:57:43,800
Speaker 1: Out there in the streets. Okay, oh man, But the

1163
00:57:43,840 --> 00:57:44,200
Speaker 1: other one.

1164
00:57:44,360 --> 00:57:47,200
Speaker 4: So I have received you know those recorded phone calls

1165
00:57:47,200 --> 00:57:49,440
Speaker 4: that you get where they're like, this is the operator,

1166
00:57:49,520 --> 00:57:50,960
Speaker 4: we have a collect call from.

1167
00:57:50,760 --> 00:57:54,280
Speaker 1: The such Oh yeah, yeah.

1168
00:57:54,080 --> 00:57:56,520
Speaker 4: Well, familiar with those. But I had get I gave

1169
00:57:56,560 --> 00:58:00,200
Speaker 4: those up years ago, so I didn't sir.

1170
00:58:00,280 --> 00:58:01,880
Speaker 1: I'm proud of I'm proud.

1171
00:58:01,840 --> 00:58:06,400
Speaker 4: Thank you, Thank y'all. I'm afraid. Uh it might have

1172
00:58:06,440 --> 00:58:10,080
Speaker 4: been Landro but uh, but as you know, the Pirate

1173
00:58:10,160 --> 00:58:12,680
Speaker 4: did stay with me for the first month of the

1174
00:58:12,720 --> 00:58:15,600
Speaker 4: pandemic when we had a second in the building, the

1175
00:58:15,640 --> 00:58:18,400
Speaker 4: white Man screaming like everybody smokes crag once in a while,

1176
00:58:18,400 --> 00:58:20,680
Speaker 4: and then and then Pirate goes, yeah, he's right, and

1177
00:58:20,720 --> 00:58:21,680
Speaker 4: I was like, no.

1178
00:58:21,360 --> 00:58:27,680
Speaker 2: No, he's a good he's a good guy.

1179
00:58:29,320 --> 00:58:33,120
Speaker 4: So, uh, the Pirate, it is hysterical because he has

1180
00:58:33,160 --> 00:58:34,919
Speaker 4: been He was living in his band for the whole

1181
00:58:34,960 --> 00:58:38,680
Speaker 4: year of the pandemic, and then about about a half

1182
00:58:38,720 --> 00:58:42,400
Speaker 4: a year ago he got an RV and he started working,

1183
00:58:42,480 --> 00:58:44,560
Speaker 4: and so now he works at a pawn shop. Every

1184
00:58:44,640 --> 00:58:46,680
Speaker 4: day he works, and he has an RV that he

1185
00:58:46,720 --> 00:58:49,160
Speaker 4: lives in. She's like, I've kind of, you know, stepped

1186
00:58:49,160 --> 00:58:50,880
Speaker 4: it up, and I'm like, yeah, but you still smoke

1187
00:58:51,000 --> 00:58:51,919
Speaker 4: drugs every day.

1188
00:58:54,560 --> 00:58:58,640
Speaker 1: I mean I look at it like I was like,

1189
00:58:58,680 --> 00:58:59,120
Speaker 1: you're right.

1190
00:58:59,440 --> 00:59:02,240
Speaker 2: I'll look at it like, if you're doing drugs, which

1191
00:59:02,240 --> 00:59:04,840
Speaker 2: you still own things, then that's responsible drug use.

1192
00:59:04,960 --> 00:59:07,360
Speaker 1: You know, you're not, You're not rock bottom yet.

1193
00:59:07,400 --> 00:59:09,840
Speaker 2: It's only like once you get to that point where

1194
00:59:09,880 --> 00:59:13,760
Speaker 2: everything is either drugs or things you can sell for drugs,

1195
00:59:13,760 --> 00:59:14,920
Speaker 2: that's when you got a problem.

1196
00:59:15,080 --> 00:59:17,600
Speaker 4: You know. Oh and he knows this, and he's like

1197
00:59:17,680 --> 00:59:20,360
Speaker 4: he he sleeps in the you know, you park in

1198
00:59:20,400 --> 00:59:22,920
Speaker 4: the Walmart parking lot. They don't hassle you in every state.

1199
00:59:22,960 --> 00:59:27,480
Speaker 4: I believe that's the same le They don't bother anybody.

1200
00:59:27,560 --> 00:59:31,280
Speaker 4: So he said, but everybody's crazy here. I said, are

1201
00:59:31,320 --> 00:59:33,400
Speaker 4: you working on your engine at four in the morning

1202
00:59:33,480 --> 00:59:34,880
Speaker 4: because you're gonna get approached?

1203
00:59:35,080 --> 00:59:39,040
Speaker 1: Right? Yeah, exactly. I had a.

1204
00:59:37,840 --> 00:59:42,040
Speaker 4: Seconds, But he is I must say, I have to

1205
00:59:42,040 --> 00:59:44,600
Speaker 4: give him a comment because he seems the most even

1206
00:59:44,640 --> 00:59:48,200
Speaker 4: doubt that I've ever known him to be. And I

1207
00:59:48,200 --> 00:59:50,360
Speaker 4: don't know if it's the drugs or the job or

1208
00:59:50,640 --> 00:59:53,680
Speaker 4: I don't I don't know, but it's amazing. It's kind

1209
00:59:53,680 --> 00:59:54,520
Speaker 4: of I remember.

1210
00:59:54,280 --> 00:59:56,240
Speaker 2: When I worked at McDonald's when I was when I

1211
00:59:56,280 --> 01:00:01,000
Speaker 2: was fifteen and fifteen or fourteen, well it doesn't matter, fifteen,

1212
01:00:01,280 --> 01:00:04,080
Speaker 2: and I had a manager who was a functional crackhead,

1213
01:00:04,200 --> 01:00:06,040
Speaker 2: like she was on crack, but she was at work

1214
01:00:06,080 --> 01:00:09,120
Speaker 2: every day on time, and she used to work like

1215
01:00:09,160 --> 01:00:12,640
Speaker 2: fucking sixteen hour days and shit, and I don't, like,

1216
01:00:12,680 --> 01:00:15,160
Speaker 2: I can't even imagine where her fucking what you add up,

1217
01:00:15,200 --> 01:00:17,360
Speaker 2: because you know McDonald's they got no five days, it's

1218
01:00:17,400 --> 01:00:20,000
Speaker 2: seven days, So I can't even I don't know what

1219
01:00:20,040 --> 01:00:21,720
Speaker 2: the fuck her hours look like at the end of

1220
01:00:21,760 --> 01:00:25,280
Speaker 2: fucking seven days of sixteen hour shifts, but she would

1221
01:00:25,440 --> 01:00:29,040
Speaker 2: be there like high as fuck, but she'd be doing

1222
01:00:29,080 --> 01:00:29,880
Speaker 2: the job and shit.

1223
01:00:30,000 --> 01:00:32,360
Speaker 1: So that was like the very rare because that was

1224
01:00:32,400 --> 01:00:33,880
Speaker 1: like crack. So it's very rare.

1225
01:00:33,960 --> 01:00:37,600
Speaker 2: You see, like the functional crackhead. Normally it's like, you know,

1226
01:00:37,680 --> 01:00:39,880
Speaker 2: you're watching the dcline. You know, it's like a month later,

1227
01:00:39,920 --> 01:00:41,240
Speaker 2: it's like, oh, yeah, she don't come.

1228
01:00:41,160 --> 01:00:43,240
Speaker 1: To work no more. She sold all the fucking fry

1229
01:00:43,280 --> 01:00:44,600
Speaker 1: baskets out the back and.

1230
01:00:46,400 --> 01:00:47,959
Speaker 3: Came inqument was gone.

1231
01:00:48,040 --> 01:00:50,360
Speaker 1: She sold ice cream. Yes, yeah, the ice cream machine

1232
01:00:50,360 --> 01:00:52,480
Speaker 1: isn't down. It's so it's gone.

1233
01:00:52,760 --> 01:00:54,240
Speaker 2: If you want to get some ice cream, go down

1234
01:00:54,280 --> 01:00:56,240
Speaker 2: in the West Boulevard. She's selling ice cream out of

1235
01:00:56,240 --> 01:00:56,560
Speaker 2: her house.

1236
01:00:56,600 --> 01:00:58,959
Speaker 1: So I know I do have.

1237
01:00:58,880 --> 01:01:02,080
Speaker 4: A functional crackhead, a white girl, and she ran a

1238
01:01:02,240 --> 01:01:06,120
Speaker 4: m She ran like a daycare out of her house.

1239
01:01:11,520 --> 01:01:12,120
Speaker 4: Everybody want to.

1240
01:01:13,800 --> 01:01:17,240
Speaker 2: If anything, that's like, that's like the perfect babysitter, you

1241
01:01:17,280 --> 01:01:20,800
Speaker 2: know what I mean? Because like it when you watch

1242
01:01:20,880 --> 01:01:23,720
Speaker 2: like Blues Clues, that's all that energy is. Blues Clues

1243
01:01:23,760 --> 01:01:26,080
Speaker 2: is just like if a person smoked crack and start

1244
01:01:26,120 --> 01:01:28,240
Speaker 2: talking to a TV camera, right, that's all.

1245
01:01:28,120 --> 01:01:31,320
Speaker 1: It's like, Hey, kids, like that's that crack energy. Man,

1246
01:01:31,360 --> 01:01:33,160
Speaker 1: you can't be mad at that. You need that.

1247
01:01:35,240 --> 01:01:37,600
Speaker 4: Everybody all dressed off, cute and shit butting up.

1248
01:01:41,560 --> 01:01:42,680
Speaker 1: It's like she goes to jail.

1249
01:01:42,720 --> 01:01:47,480
Speaker 2: Everybody's like, man, that was the best babysitter ever though really.

1250
01:01:46,840 --> 01:01:48,960
Speaker 4: Like cheap too, Like all the parents were like she

1251
01:01:49,040 --> 01:01:49,880
Speaker 4: was good, great too.

1252
01:01:52,600 --> 01:01:55,360
Speaker 1: Who else want to be around crime babies all day? Okay?

1253
01:01:55,720 --> 01:01:58,479
Speaker 1: Nobody and I bet the prices was affordable as fun.

1254
01:01:58,600 --> 01:02:03,360
Speaker 5: You know, they was twin dollars oh day.

1255
01:02:02,040 --> 01:02:05,240
Speaker 4: But she always really had like a few of her

1256
01:02:05,320 --> 01:02:06,200
Speaker 4: crew over there.

1257
01:02:06,040 --> 01:02:07,800
Speaker 1: Which is, yeah, that's not good.

1258
01:02:08,160 --> 01:02:11,600
Speaker 4: Yeah, you know, like, let me get.

1259
01:02:16,840 --> 01:02:19,720
Speaker 1: You around your baby be on craig List and some ship.

1260
01:02:21,680 --> 01:02:22,640
Speaker 4: That up at your house.

1261
01:02:22,680 --> 01:02:24,720
Speaker 3: I'm here to pick the baby up, baby all right?

1262
01:02:24,960 --> 01:02:27,040
Speaker 1: Yeah, so yeah, I can see you got a baby

1263
01:02:27,080 --> 01:02:28,640
Speaker 1: for sale. I can see how that could get a

1264
01:02:28,640 --> 01:02:29,320
Speaker 1: bit out of control.

1265
01:02:31,600 --> 01:02:33,760
Speaker 3: You definitely don't want to go there. Just I have

1266
01:02:33,840 --> 01:02:35,200
Speaker 3: a question for you, ma'am.

1267
01:02:35,960 --> 01:02:40,280
Speaker 5: H You had wrote on Facebook about how growing up,

1268
01:02:40,880 --> 01:02:45,280
Speaker 5: about how with your mother and vaccination and things like that,

1269
01:02:45,360 --> 01:02:47,720
Speaker 5: and then you decided to become vaccinated.

1270
01:02:47,760 --> 01:02:50,720
Speaker 3: What made you make that change.

1271
01:02:50,320 --> 01:02:52,440
Speaker 5: And decide that, because this is something I kind of

1272
01:02:52,440 --> 01:02:53,880
Speaker 5: wanted to ask you, like directly.

1273
01:02:54,760 --> 01:03:05,400
Speaker 4: I love that rebellion. Fuck her. Yeah, let me tell

1274
01:03:05,440 --> 01:03:07,800
Speaker 4: you how sick I was as a child. I was

1275
01:03:07,920 --> 01:03:11,520
Speaker 4: sick as fuck all the time I was sick. I

1276
01:03:11,560 --> 01:03:13,320
Speaker 4: had and I had all the ship that you could

1277
01:03:13,360 --> 01:03:17,800
Speaker 4: get shots for. I had had, I had had months,

1278
01:03:18,080 --> 01:03:21,080
Speaker 4: I had had chicken pops. I had every fucking thing

1279
01:03:21,120 --> 01:03:23,880
Speaker 4: you could get when you could have inoculated me for

1280
01:03:23,960 --> 01:03:27,919
Speaker 4: it in California. She said, your mother dropped you off.

1281
01:03:28,000 --> 01:03:30,600
Speaker 4: You had the months? I said, what were we in

1282
01:03:30,640 --> 01:03:31,640
Speaker 4: eighteen o four?

1283
01:03:33,400 --> 01:03:36,120
Speaker 2: And what happens when like so when that happens, like

1284
01:03:36,160 --> 01:03:37,600
Speaker 2: you get to say the months or something?

1285
01:03:38,080 --> 01:03:39,920
Speaker 1: Is she taking you to a doctor in hospital or

1286
01:03:39,960 --> 01:03:45,240
Speaker 1: is it just like robot figure it out? Vix vix

1287
01:03:45,320 --> 01:03:47,880
Speaker 1: Oh yeah, vix vapor up And that's another one. Robot

1288
01:03:48,560 --> 01:03:49,440
Speaker 1: It is undefeated.

1289
01:03:49,480 --> 01:03:52,240
Speaker 2: I mean it's probably how people living through COVID that

1290
01:03:52,320 --> 01:03:53,520
Speaker 2: don't go to the hospital, they.

1291
01:03:53,520 --> 01:03:54,840
Speaker 1: Just put some vix on.

1292
01:03:54,920 --> 01:03:55,120
Speaker 2: Ah.

1293
01:03:57,600 --> 01:04:01,560
Speaker 4: I think I was around so many dirty, nasty hippies

1294
01:04:01,600 --> 01:04:03,360
Speaker 4: and they probably put their fingers in me and shit

1295
01:04:03,400 --> 01:04:07,080
Speaker 4: that I had immunity, Like I was like cold, but

1296
01:04:07,120 --> 01:04:09,320
Speaker 4: I wasn't getting like deathly ill, you know what I mean.

1297
01:04:11,680 --> 01:04:13,800
Speaker 1: Well, that's dope, man. I'm glad you did get vaccinated.

1298
01:04:13,840 --> 01:04:14,000
Speaker 5: Man.

1299
01:04:14,080 --> 01:04:16,200
Speaker 2: I know, a big thing for a lot of people

1300
01:04:16,320 --> 01:04:17,920
Speaker 2: is this, uh you know.

1301
01:04:17,880 --> 01:04:18,480
Speaker 1: There's fear.

1302
01:04:18,920 --> 01:04:22,320
Speaker 2: You know what I'm saying, There's like I really I mean,

1303
01:04:22,920 --> 01:04:25,200
Speaker 2: I don't want to be little anyone's concerns and all

1304
01:04:25,240 --> 01:04:27,960
Speaker 2: the conspiracies, but I really think a big part of

1305
01:04:27,960 --> 01:04:31,080
Speaker 2: this is like fear of like needles, yes, you know.

1306
01:04:32,200 --> 01:04:34,840
Speaker 4: I had a friend. I got no shame in my game.

1307
01:04:34,920 --> 01:04:38,320
Speaker 4: You guys, I think the more vulnerable, Like you were saying, Rod,

1308
01:04:38,720 --> 01:04:41,360
Speaker 4: it is an interesting place to be as our generation

1309
01:04:41,440 --> 01:04:45,480
Speaker 4: grows older and understands, like being vulnerable is actually really

1310
01:04:45,920 --> 01:04:50,840
Speaker 4: wonderful and it's and it helps others be vulnerable as well.

1311
01:04:51,240 --> 01:04:53,960
Speaker 4: And in your vulnerability you get to be able to

1312
01:04:54,000 --> 01:04:57,320
Speaker 4: say some truths that maybe all that shame and fear

1313
01:04:57,400 --> 01:04:59,520
Speaker 4: and anger and bullshit that you got as a kid,

1314
01:04:59,840 --> 01:05:02,320
Speaker 4: you you can uncover it with people that you can trust,

1315
01:05:02,400 --> 01:05:06,400
Speaker 4: you know. So I actually was lucky enough to ask

1316
01:05:06,480 --> 01:05:08,400
Speaker 4: one of my neighbors that I become real good friends with.

1317
01:05:08,480 --> 01:05:11,439
Speaker 4: He took me to get the shot, the first one

1318
01:05:11,480 --> 01:05:13,480
Speaker 4: he took me, and he held my hand and everything

1319
01:05:13,520 --> 01:05:15,120
Speaker 4: I asked him, I said, I got no shitting bro

1320
01:05:15,200 --> 01:05:16,880
Speaker 4: with you on my hand right now. He said, of course,

1321
01:05:17,200 --> 01:05:17,960
Speaker 4: held my hand.

1322
01:05:18,840 --> 01:05:21,880
Speaker 2: Nah, that's beautiful, Like I said, That's why I said.

1323
01:05:22,280 --> 01:05:25,480
Speaker 2: My first reaction is always up and then and then that.

1324
01:05:25,720 --> 01:05:28,040
Speaker 2: But then I pushed past that because I know ug

1325
01:05:28,160 --> 01:05:31,040
Speaker 2: is like just some shit I got trained as a kid.

1326
01:05:31,120 --> 01:05:33,560
Speaker 2: But then, like a lot of times, is kind of

1327
01:05:33,600 --> 01:05:37,360
Speaker 2: revealing that, like, hey man, I'm scared, you know, and

1328
01:05:37,680 --> 01:05:38,960
Speaker 2: that's okay, And.

1329
01:05:38,840 --> 01:05:44,880
Speaker 5: Like people, people are more understanding to scared versus the anger,

1330
01:05:45,320 --> 01:05:47,640
Speaker 5: and so you know, it's one of these things. But

1331
01:05:47,720 --> 01:05:49,760
Speaker 5: I want to applaud you for that because a lot

1332
01:05:49,760 --> 01:05:52,720
Speaker 5: of people probably grew up like you in the same situation.

1333
01:05:52,840 --> 01:05:54,640
Speaker 3: But you actually told people.

1334
01:05:54,440 --> 01:05:57,160
Speaker 2: Hey, this is my journey and this is why I

1335
01:05:57,320 --> 01:06:00,560
Speaker 2: made the decision. And it will encourage other people too

1336
01:06:00,640 --> 01:06:04,800
Speaker 2: that are similar because like I think, I think all

1337
01:06:04,840 --> 01:06:07,400
Speaker 2: these tactics can work. Right, There's some people that, you know,

1338
01:06:07,440 --> 01:06:09,200
Speaker 2: you can mock them into change in baby, like you

1339
01:06:09,240 --> 01:06:11,280
Speaker 2: stupid motherfucker. The're like, oh, I better get your shot.

1340
01:06:11,320 --> 01:06:13,160
Speaker 2: I don't want to be a stupid motherfucker. And there's

1341
01:06:13,160 --> 01:06:14,920
Speaker 2: some people that are like, you know you kind of

1342
01:06:15,080 --> 01:06:17,920
Speaker 2: like loving the change in and like come on, man, please,

1343
01:06:17,960 --> 01:06:21,000
Speaker 2: I don't want you to. You know, there's different tactics

1344
01:06:21,000 --> 01:06:23,920
Speaker 2: have worked different ways. Yes, I think now that it's

1345
01:06:23,960 --> 01:06:27,400
Speaker 2: been so long, people are mostly just mad. So now

1346
01:06:27,440 --> 01:06:29,600
Speaker 2: you're getting a lot of like get the fucking shot,

1347
01:06:29,680 --> 01:06:32,600
Speaker 2: you know, like everyone's Batman just fucking slamming people against

1348
01:06:32,600 --> 01:06:35,240
Speaker 2: the wall. Look it's almost two years, come on, So

1349
01:06:35,440 --> 01:06:37,520
Speaker 2: I think it's actually you know, like I remember talking

1350
01:06:38,080 --> 01:06:41,080
Speaker 2: with Keith Keith Moley from Keith and the Girl Mutual Friend,

1351
01:06:41,600 --> 01:06:44,640
Speaker 2: and he was saying, how like, if you just got vaccinated,

1352
01:06:44,640 --> 01:06:47,480
Speaker 2: don't tell everybody you just got vaccinated, Like you should

1353
01:06:47,480 --> 01:06:50,040
Speaker 2: have got vaccinated right away and now just do it,

1354
01:06:50,080 --> 01:06:52,440
Speaker 2: but don't say anything. I was like, no, Keith, no,

1355
01:06:52,840 --> 01:06:55,720
Speaker 2: these are the people we need to say something because

1356
01:06:55,800 --> 01:06:57,880
Speaker 2: the people who aren't vaccinated have a lot more in

1357
01:06:57,920 --> 01:07:00,000
Speaker 2: common with the people who just got vaccinated than they

1358
01:07:00,080 --> 01:07:02,600
Speaker 2: haven't comment with me, like they're gonna look at me

1359
01:07:02,640 --> 01:07:04,080
Speaker 2: like look at this. No it all son of a

1360
01:07:04,120 --> 01:07:07,800
Speaker 2: bitch thinks he fucking think he's doctor Fauci.

1361
01:07:07,840 --> 01:07:10,160
Speaker 1: He don't know ship. But then like someone that's like

1362
01:07:10,240 --> 01:07:13,040
Speaker 1: I was hesitant. I didn't know. I had my own

1363
01:07:13,080 --> 01:07:13,760
Speaker 1: things to get over.

1364
01:07:14,800 --> 01:07:16,560
Speaker 2: That might be the thing that gets the person to

1365
01:07:16,560 --> 01:07:19,280
Speaker 2: go with fuck man me too. That's where I was at.

1366
01:07:19,280 --> 01:07:21,400
Speaker 2: And if you can get in and I you know,

1367
01:07:21,560 --> 01:07:23,200
Speaker 2: you haven't died in two weeks.

1368
01:07:23,280 --> 01:07:24,560
Speaker 1: Then maybe I can get it.

1369
01:07:24,600 --> 01:07:28,280
Speaker 2: And that's kind of that's kind of a formula.

1370
01:07:28,760 --> 01:07:32,240
Speaker 7: And also how about we don't be so selfish. I

1371
01:07:32,320 --> 01:07:34,960
Speaker 7: just felt like it was more of a loving thing

1372
01:07:35,040 --> 01:07:38,520
Speaker 7: to do as well. I don't know my old people neighbors,

1373
01:07:38,560 --> 01:07:40,920
Speaker 7: I don't know my children. I live next door to

1374
01:07:41,720 --> 01:07:44,720
Speaker 7: a school the track one.

1375
01:07:44,680 --> 01:07:45,240
Speaker 4: Day and all.

1376
01:07:47,480 --> 01:07:50,960
Speaker 2: Yes and that, and honestly, like it would fuck me up.

1377
01:07:51,760 --> 01:07:54,280
Speaker 2: So like I'm not like, I'm not that callous that

1378
01:07:54,320 --> 01:07:58,120
Speaker 2: I could be like, uh, I survived, but you died

1379
01:07:58,760 --> 01:08:00,920
Speaker 2: too fucking bad, that old person.

1380
01:08:01,000 --> 01:08:06,480
Speaker 1: Like I'd be like, I killed somebody.

1381
01:08:04,520 --> 01:08:07,959
Speaker 4: Why when the police aren't doing it rot and caring? Yeah,

1382
01:08:09,280 --> 01:08:14,320
Speaker 4: because they don't care about nobody. Yeah, and it's insanely telling.

1383
01:08:14,440 --> 01:08:17,640
Speaker 4: It's so telling. It's just so you.

1384
01:08:17,680 --> 01:08:20,439
Speaker 2: Don't see any where are all the Blue Lives Matter groups,

1385
01:08:20,960 --> 01:08:23,280
Speaker 2: Like the Blue Lives Matter groups should look at the

1386
01:08:23,320 --> 01:08:26,200
Speaker 2: police vaccination rate and get in the street and start

1387
01:08:26,320 --> 01:08:30,000
Speaker 2: marching and saying go get vaccinated, mandate vaccines because we

1388
01:08:30,080 --> 01:08:31,599
Speaker 2: care about our police and we.

1389
01:08:31,560 --> 01:08:32,320
Speaker 1: Want them to live.

1390
01:08:32,560 --> 01:08:34,920
Speaker 2: But apparently Blue Lives Matter only show up when some

1391
01:08:34,960 --> 01:08:36,639
Speaker 2: black lives is getting killed.

1392
01:08:38,320 --> 01:08:40,480
Speaker 1: Just like the riot.

1393
01:08:40,400 --> 01:08:43,520
Speaker 2: At the Capitol was a tour gone back right exactly.

1394
01:08:43,760 --> 01:08:46,599
Speaker 1: Yeah, you know, we just need to move past it.

1395
01:08:46,880 --> 01:08:49,440
Speaker 1: You know, it's and it's again.

1396
01:08:49,520 --> 01:08:53,280
Speaker 4: Like you said, quietly, it's so waspy. You know, it's

1397
01:08:53,320 --> 01:08:56,800
Speaker 4: those fsty puritanical bullshit fuckers that are just hanging on

1398
01:08:56,960 --> 01:08:59,479
Speaker 4: by a fucking string right now, and they're like, oh,

1399
01:08:59,520 --> 01:09:03,880
Speaker 4: we got you're a chance, Like you know, you're not right.

1400
01:09:04,720 --> 01:09:07,200
Speaker 2: It's like if we don't talk about this, then it's

1401
01:09:07,200 --> 01:09:09,720
Speaker 2: like it's not a problem, so let's just not talk

1402
01:09:09,760 --> 01:09:12,000
Speaker 2: about it anymore. It's like, no, fuck that people gotta

1403
01:09:12,000 --> 01:09:14,320
Speaker 2: go jail. I need to see some people go to jail.

1404
01:09:15,040 --> 01:09:18,080
Speaker 1: Fuck that ship. You can't try to take over the country.

1405
01:09:18,400 --> 01:09:19,599
Speaker 1: And they be like, wook.

1406
01:09:20,920 --> 01:09:23,280
Speaker 4: I mean, did you see that video of the two

1407
01:09:23,520 --> 01:09:27,519
Speaker 4: NYPD who who were who threw the kid out of

1408
01:09:27,560 --> 01:09:30,000
Speaker 4: the of the subway station because he asked them, how

1409
01:09:30,000 --> 01:09:31,360
Speaker 4: come y'all don't have masks? Hun?

1410
01:09:31,640 --> 01:09:32,200
Speaker 1: Wow?

1411
01:09:33,000 --> 01:09:35,080
Speaker 4: They said shut up, shut up, shut up, and he

1412
01:09:35,200 --> 01:09:36,960
Speaker 4: was like, but I was just asking you shut the

1413
01:09:37,000 --> 01:09:38,760
Speaker 4: fuck up, get out, get out, get out, And they

1414
01:09:38,800 --> 01:09:40,360
Speaker 4: fucking kicked them off the train and they were like,

1415
01:09:40,360 --> 01:09:41,240
Speaker 4: you gotta get off the train.

1416
01:09:41,280 --> 01:09:44,559
Speaker 2: And they're the and they're the supposed people that's supposed

1417
01:09:44,600 --> 01:09:46,639
Speaker 2: to like hand out masks and make you wear one.

1418
01:09:47,280 --> 01:09:51,040
Speaker 4: It's they lie about to serve and protection.

1419
01:09:50,880 --> 01:09:52,920
Speaker 1: Right please, piece of ship.

1420
01:09:54,360 --> 01:09:56,800
Speaker 2: But yeah, you know what, now that we have jass here,

1421
01:09:57,080 --> 01:10:00,040
Speaker 2: we don't get to cover this topic nearly enough. And

1422
01:10:00,120 --> 01:10:01,880
Speaker 2: I don't know that Jess is the best guest to

1423
01:10:01,920 --> 01:10:05,519
Speaker 2: cover this topic with, but it's my favorite, one of

1424
01:10:05,600 --> 01:10:08,719
Speaker 2: my favorite parts of the show, which is White People News.

1425
01:10:09,560 --> 01:10:11,639
Speaker 1: Let's let's just some white people new. Let's talk about

1426
01:10:11,640 --> 01:10:12,439
Speaker 1: when whe people up to.

1427
01:10:12,840 --> 01:10:35,280
Speaker 2: White Let's talk about white people.

1428
01:10:35,320 --> 01:10:35,479
Speaker 5: Man.

1429
01:10:35,520 --> 01:10:36,160
Speaker 1: There's a lot.

1430
01:10:36,040 --> 01:10:39,920
Speaker 2: Going on with white folks these days, and uh, it's

1431
01:10:39,960 --> 01:10:42,280
Speaker 2: always better than whatever the hell we're up to. You know,

1432
01:10:45,200 --> 01:10:51,680
Speaker 2: parents call out photography company for retouching children's school photos.

1433
01:10:53,200 --> 01:10:56,719
Speaker 2: So the kids we're going to school, it's picture day,

1434
01:10:57,160 --> 01:10:59,960
Speaker 2: you know, the kids they wear their you wear your

1435
01:11:00,080 --> 01:11:01,000
Speaker 2: or your best or whatever.

1436
01:11:01,120 --> 01:11:02,960
Speaker 1: You take the pictures and we all remember.

1437
01:11:02,640 --> 01:11:05,439
Speaker 2: Our pictures at school, right, Like, that's kind of the

1438
01:11:05,479 --> 01:11:06,080
Speaker 2: beauty of it.

1439
01:11:06,080 --> 01:11:08,519
Speaker 1: It's not perfect. It's the buck too. This is the

1440
01:11:08,600 --> 01:11:11,800
Speaker 1: missing too. This the freckles, it's the whatever, your hair

1441
01:11:11,920 --> 01:11:12,599
Speaker 1: was fucked up.

1442
01:11:12,520 --> 01:11:14,400
Speaker 2: And we you know your parents pull it out when

1443
01:11:14,400 --> 01:11:17,360
Speaker 2: you when you bring someone pretty home and embarrassed the

1444
01:11:17,360 --> 01:11:19,840
Speaker 2: shut out of you. But that's like the thing, right,

1445
01:11:19,920 --> 01:11:24,920
Speaker 2: that's the tradition. Well, this photographer edited out, edited edited

1446
01:11:25,080 --> 01:11:29,639
Speaker 2: the children's photos and took out things like freckles and

1447
01:11:29,720 --> 01:11:34,080
Speaker 2: like corrected. So like in this case, this kid has

1448
01:11:34,439 --> 01:11:37,120
Speaker 2: freckles and the hair swoop right, you see the picture,

1449
01:11:38,240 --> 01:11:40,160
Speaker 2: they took them out and then.

1450
01:11:42,040 --> 01:11:44,240
Speaker 3: What what what is it that that? It just looked

1451
01:11:44,240 --> 01:11:45,320
Speaker 3: like that thing at the mall?

1452
01:11:45,520 --> 01:11:47,400
Speaker 5: You remember the years ago everybody used to go to

1453
01:11:47,439 --> 01:11:49,360
Speaker 5: the mall and they like push your hair up front.

1454
01:11:49,400 --> 01:11:50,519
Speaker 3: What is that thing called?

1455
01:11:50,560 --> 01:11:53,439
Speaker 5: Oh you know what I'm talking about them shots and

1456
01:11:53,680 --> 01:11:54,160
Speaker 5: the glamor.

1457
01:11:54,920 --> 01:11:56,439
Speaker 1: Yes, I think that's what they were called. I think

1458
01:11:56,439 --> 01:11:56,800
Speaker 1: they were called.

1459
01:11:57,280 --> 01:11:59,400
Speaker 5: But the thing is, I know, I know the parents

1460
01:11:59,400 --> 01:12:02,160
Speaker 5: are paying glenm shot prices, but you know they actually

1461
01:12:02,160 --> 01:12:03,680
Speaker 5: won't to see the frackles.

1462
01:12:03,240 --> 01:12:05,960
Speaker 1: Because you know, I mean, because it's not my child anymore. Right?

1463
01:12:06,560 --> 01:12:08,360
Speaker 1: The fuck is this Instagram bullshit?

1464
01:12:09,400 --> 01:12:11,360
Speaker 6: You fought off shopping my kids?

1465
01:12:12,880 --> 01:12:15,600
Speaker 4: I want to know who the Nazi was that decided.

1466
01:12:18,320 --> 01:12:21,799
Speaker 1: Like this kid, this kid apparently had like they changed.

1467
01:12:21,960 --> 01:12:26,240
Speaker 2: Oh so this is their page where they advertised they

1468
01:12:26,280 --> 01:12:29,880
Speaker 2: can do retouching. The person is showing proof I pick

1469
01:12:30,200 --> 01:12:33,000
Speaker 2: no retouching, just leave my kid along. By the way,

1470
01:12:33,120 --> 01:12:36,760
Speaker 2: this retouching is really funny because the example picture on

1471
01:12:36,800 --> 01:12:39,200
Speaker 2: the page, the kid looks like it's been punched in

1472
01:12:39,240 --> 01:12:42,400
Speaker 2: the face, like it's like a bruise.

1473
01:12:42,160 --> 01:12:42,920
Speaker 1: Right here on the kid.

1474
01:12:43,000 --> 01:12:45,360
Speaker 2: Like, what the fuck? That's a terrible example. No one

1475
01:12:45,400 --> 01:12:47,680
Speaker 2: better be sending their kids to school. If they tell

1476
01:12:47,720 --> 01:12:49,639
Speaker 2: you to retouch that, you need to call the police

1477
01:12:49,680 --> 01:12:50,200
Speaker 2: on that far.

1478
01:12:52,240 --> 01:12:54,240
Speaker 5: Not unless you got a rough child that like ran

1479
01:12:54,280 --> 01:12:56,240
Speaker 5: their face into a fence because they fell off their bike.

1480
01:12:56,360 --> 01:12:59,040
Speaker 1: I need you to retouch, retouch this kid's black eye.

1481
01:12:59,120 --> 01:13:02,760
Speaker 2: Okay, nobody the authorities asking any question.

1482
01:13:02,800 --> 01:13:03,960
Speaker 3: We test the broken nose.

1483
01:13:04,520 --> 01:13:06,599
Speaker 2: Uh, let's see what else the kids, the white people

1484
01:13:06,720 --> 01:13:09,320
Speaker 2: up to. Have you heard about this story? Disney World

1485
01:13:10,280 --> 01:13:14,719
Speaker 2: has a bunch of people upset, okay, because a couple

1486
01:13:15,240 --> 01:13:18,639
Speaker 2: went there and they wore some T shirts and about

1487
01:13:18,640 --> 01:13:22,320
Speaker 2: their love for Disney and it said, uh, I gave

1488
01:13:22,360 --> 01:13:26,280
Speaker 2: her the D did like Disney, like Disney plus? And

1489
01:13:26,320 --> 01:13:30,960
Speaker 2: the other one said I wanted the D.

1490
01:13:30,960 --> 01:13:35,360
Speaker 1: Apparently people were very upset with uh with this raunchy.

1491
01:13:35,000 --> 01:13:40,679
Speaker 5: T shirt it's the dm Jsney Like, oh that's adorable, right,

1492
01:13:41,640 --> 01:13:44,000
Speaker 5: that's lovely, that's love And they were.

1493
01:13:43,920 --> 01:13:45,240
Speaker 1: Very people did not like it.

1494
01:13:45,280 --> 01:13:48,040
Speaker 2: They were very upset also, like, how would your kid

1495
01:13:48,120 --> 01:13:50,680
Speaker 2: even know to be offended?

1496
01:13:50,760 --> 01:13:52,320
Speaker 1: Like a kid don't know what that means.

1497
01:13:53,760 --> 01:13:54,880
Speaker 4: I wanted the D too.

1498
01:13:54,960 --> 01:13:58,519
Speaker 1: Mommy, can I have the D like.

1499
01:13:59,000 --> 01:14:01,719
Speaker 3: You see the Disney symbol for the children?

1500
01:14:02,000 --> 01:14:03,560
Speaker 1: Yeah?

1501
01:14:03,160 --> 01:14:05,479
Speaker 2: Uh so yeah, they said they should ban the shirts,

1502
01:14:05,520 --> 01:14:09,160
Speaker 2: but I don't know if Disney uh didn't do anything

1503
01:14:09,200 --> 01:14:09,559
Speaker 2: about it.

1504
01:14:09,960 --> 01:14:13,280
Speaker 1: They do have the right to remove someone's clothes or.

1505
01:14:13,160 --> 01:14:15,320
Speaker 2: Like, you know, to be like you can't wear like,

1506
01:14:15,520 --> 01:14:17,679
Speaker 2: I don't know, a swastika shirt or some ship.

1507
01:14:17,720 --> 01:14:19,320
Speaker 3: But that's not you can't come out there with a

1508
01:14:19,360 --> 01:14:20,240
Speaker 3: fuck Disney shirt.

1509
01:14:20,439 --> 01:14:20,679
Speaker 1: Right.

1510
01:14:22,320 --> 01:14:26,400
Speaker 2: Let's see a twelve year old boy in Philip In Philip,

1511
01:14:26,439 --> 01:14:30,000
Speaker 2: a twelve year old boy from Philadelphia was attacked by

1512
01:14:30,080 --> 01:14:31,400
Speaker 2: crocodile on vacation.

1513
01:14:33,000 --> 01:14:34,439
Speaker 3: What was the vacation at Florida?

1514
01:14:35,000 --> 01:14:35,479
Speaker 1: How'd you know?

1515
01:14:36,479 --> 01:14:41,120
Speaker 5: Because because crocodile's in Florida, they swamps they ever will Uh.

1516
01:14:41,000 --> 01:14:44,920
Speaker 2: Nah, it wasn't Florida, it was It was a thirteen

1517
01:14:44,920 --> 01:14:47,800
Speaker 2: foot crocodile at Club med and can't Coon.

1518
01:14:48,160 --> 01:14:49,400
Speaker 1: It happened back in June.

1519
01:14:49,680 --> 01:14:50,879
Speaker 3: Oh can't Coon, Mexico.

1520
01:14:51,640 --> 01:14:53,400
Speaker 1: Yeah, I guess so. Yeah.

1521
01:14:53,400 --> 01:14:55,840
Speaker 2: His family had to extend that trip for four weeks

1522
01:14:55,840 --> 01:14:57,560
Speaker 2: because he underwent surgeries.

1523
01:14:58,160 --> 01:14:58,320
Speaker 5: Uh.

1524
01:14:58,800 --> 01:15:00,760
Speaker 2: He said, there was nothing I can do. It could

1525
01:15:00,760 --> 01:15:03,479
Speaker 2: do whatever it wants. It was so strong and let

1526
01:15:03,479 --> 01:15:04,160
Speaker 2: me tell you.

1527
01:15:04,120 --> 01:15:06,879
Speaker 1: That is the truth. Yes, that's why I'm funck with crocodile.

1528
01:15:06,960 --> 01:15:08,160
Speaker 3: Yeah, I think you know, I'll get this.

1529
01:15:08,240 --> 01:15:11,240
Speaker 5: Crocodiles they have some of the strongest jaws in the world, like,

1530
01:15:11,360 --> 01:15:13,000
Speaker 5: you know, as far as animals. They was like, if

1531
01:15:13,000 --> 01:15:14,360
Speaker 5: they get a hold of you, that shit is a

1532
01:15:14,400 --> 01:15:15,280
Speaker 5: wrap unless.

1533
01:15:15,040 --> 01:15:17,479
Speaker 1: They feel like they can go with you. They said.

1534
01:15:17,560 --> 01:15:20,519
Speaker 2: The workers helped pull me out. They were picking the

1535
01:15:20,520 --> 01:15:22,840
Speaker 2: crocodile's eyes, putting a blue pillow on its head.

1536
01:15:23,200 --> 01:15:25,400
Speaker 1: Then it finally let go. What did the pillow do?

1537
01:15:26,720 --> 01:15:29,799
Speaker 2: Like just they found one of other afraid of pillows,

1538
01:15:29,800 --> 01:15:31,720
Speaker 2: I guess because that seemed like that shit, it's like,

1539
01:15:31,760 --> 01:15:33,960
Speaker 2: oh cool, now I got someone to lay after this snack.

1540
01:15:34,200 --> 01:15:34,599
Speaker 1: I don't know.

1541
01:15:35,080 --> 01:15:37,280
Speaker 5: Maybe because it's nose, you know, I think they might

1542
01:15:37,320 --> 01:15:38,719
Speaker 5: be sensitive at the nose areas.

1543
01:15:38,720 --> 01:15:40,960
Speaker 2: It must have just been like the only thing they had,

1544
01:15:41,880 --> 01:15:43,639
Speaker 2: you know what I'm saying, just grabd the nearest thing

1545
01:15:43,680 --> 01:15:44,240
Speaker 2: and hit.

1546
01:15:44,200 --> 01:15:47,400
Speaker 1: The alligator where they help other crocodile with it. Sorry,

1547
01:15:47,439 --> 01:15:49,040
Speaker 1: I don't mean to offend any alligators watching.

1548
01:15:49,120 --> 01:15:51,120
Speaker 5: Oh so I said, cover his eyes Like so, I guess,

1549
01:15:51,120 --> 01:15:54,320
Speaker 5: so we can't see Okay, Yeah, then I guess they

1550
01:15:54,400 --> 01:15:54,880
Speaker 5: let it go.

1551
01:15:55,360 --> 01:15:58,400
Speaker 1: The resort covered all of medical bills, Like I guess

1552
01:15:58,800 --> 01:16:03,000
Speaker 1: maybe they did. They did because supposed to make sure

1553
01:16:03,080 --> 01:16:06,080
Speaker 1: it can't happen, you know what I mean.

1554
01:16:06,200 --> 01:16:10,479
Speaker 2: Like crocodiles don't give a fuck about the defense or

1555
01:16:10,479 --> 01:16:11,600
Speaker 2: whatever the like.

1556
01:16:11,640 --> 01:16:14,360
Speaker 1: The crocodile's not like, oh shit, this is the resort property.

1557
01:16:14,600 --> 01:16:15,400
Speaker 1: My bad dog.

1558
01:16:15,840 --> 01:16:18,559
Speaker 3: Yeah, like what happened? My child should have got bit

1559
01:16:18,640 --> 01:16:19,400
Speaker 3: on your property.

1560
01:16:20,160 --> 01:16:23,839
Speaker 2: I didn't realize this was uh, this was a resort

1561
01:16:23,960 --> 01:16:24,839
Speaker 2: zoning issue.

1562
01:16:24,880 --> 01:16:25,040
Speaker 1: Out.

1563
01:16:25,600 --> 01:16:29,160
Speaker 2: I'll consult my maps. But yeah, they pay for everything.

1564
01:16:29,360 --> 01:16:30,800
Speaker 2: Maybe they have insurance for it too.

1565
01:16:30,840 --> 01:16:31,519
Speaker 1: I bet you they do.

1566
01:16:32,800 --> 01:16:34,200
Speaker 3: This is why you need travel insurance.

1567
01:16:34,200 --> 01:16:35,719
Speaker 1: People get it. Yeah.

1568
01:16:35,840 --> 01:16:39,679
Speaker 2: And then another resort in Porto Velarta, just a month

1569
01:16:39,720 --> 01:16:42,920
Speaker 2: after Charlie's brush with a crocodile, eighteen year old Kana

1570
01:16:43,320 --> 01:16:45,880
Speaker 2: homo Wat punched her way to freedom after twelve foot

1571
01:16:45,920 --> 01:16:49,120
Speaker 2: long crocodile grabbed her ankle and poured her underwater right

1572
01:16:49,160 --> 01:16:49,639
Speaker 2: on the beach.

1573
01:16:50,200 --> 01:16:52,120
Speaker 3: Oh punched away.

1574
01:16:52,760 --> 01:16:53,280
Speaker 1: Wow.

1575
01:16:54,400 --> 01:16:57,200
Speaker 4: See all these all these reptiles and shit and animals,

1576
01:16:57,200 --> 01:16:59,800
Speaker 4: they've all been alone for a year and a half.

1577
01:16:59,600 --> 01:17:03,280
Speaker 4: The beaches they roam, the mountains, they roamed the streets

1578
01:17:03,400 --> 01:17:05,280
Speaker 4: and all of a sudden, all these fuckers are coming

1579
01:17:05,320 --> 01:17:07,120
Speaker 4: back into play, and it's like, look, get out of

1580
01:17:07,160 --> 01:17:08,599
Speaker 4: here else you're gonna be part of the food.

1581
01:17:08,840 --> 01:17:12,360
Speaker 2: It's a great point, yeah, because the pandemic probably meant

1582
01:17:12,400 --> 01:17:14,200
Speaker 2: like for them, it's like, oh, we get our land back.

1583
01:17:15,080 --> 01:17:16,920
Speaker 2: And now everybody's like, I'm going to the beach and

1584
01:17:16,920 --> 01:17:18,680
Speaker 2: they're like, you didn't clear this with me.

1585
01:17:18,920 --> 01:17:20,559
Speaker 1: This is crocodile beach now right.

1586
01:17:21,439 --> 01:17:23,760
Speaker 5: I've we've been roaming around for eighteen months where you

1587
01:17:23,800 --> 01:17:24,360
Speaker 5: come from.

1588
01:17:24,600 --> 01:17:26,360
Speaker 2: I just started hitting it as hard as I could.

1589
01:17:26,439 --> 01:17:32,040
Speaker 2: Then it just kept taking me underwater. Keanu said, so yeah,

1590
01:17:32,040 --> 01:17:36,040
Speaker 2: and then this wildlife expert Ron McGill, who's the director

1591
01:17:36,080 --> 01:17:39,800
Speaker 2: for Zoo Miami, said crocodiles can exist at any time,

1592
01:17:39,880 --> 01:17:42,040
Speaker 2: any place in those areas, so people you need to

1593
01:17:42,160 --> 01:17:44,920
Speaker 2: always assume they can be there. Do not go into

1594
01:17:45,280 --> 01:17:48,040
Speaker 2: those bodies of water at night or dusk or at sunrise,

1595
01:17:48,080 --> 01:17:57,120
Speaker 2: which sounds like all the time, right, like night, dusk, sunrise, noon,

1596
01:17:57,640 --> 01:17:58,160
Speaker 2: Just don't go.

1597
01:17:58,360 --> 01:18:05,080
Speaker 1: Just stay in the in the they don't like chlorine. Uh. Yes,

1598
01:18:05,280 --> 01:18:08,320
Speaker 1: so that you know, cleading recovery to that kid. Uh,

1599
01:18:08,439 --> 01:18:09,840
Speaker 1: let's see what else White people are up to.

1600
01:18:10,040 --> 01:18:12,840
Speaker 2: Oh what of a lot of people's favorite one of

1601
01:18:12,920 --> 01:18:15,479
Speaker 2: favorite white people, Channing Tatum?

1602
01:18:15,520 --> 01:18:19,120
Speaker 1: What about Okay, I know now this was one I know. Yeah,

1603
01:18:19,240 --> 01:18:20,719
Speaker 1: Karen actually knows this white person.

1604
01:18:20,800 --> 01:18:24,760
Speaker 2: Yes, Channing Tatum and Zoe Cravis hold hands during lunch

1605
01:18:24,840 --> 01:18:25,880
Speaker 2: day in New York City.

1606
01:18:28,120 --> 01:18:31,760
Speaker 4: Sexy couple. Sexy fucking couple.

1607
01:18:32,560 --> 01:18:34,680
Speaker 2: Like he just got I think he got divorced like

1608
01:18:34,720 --> 01:18:38,840
Speaker 2: maybe two years ago or something. And I think people

1609
01:18:38,880 --> 01:18:41,360
Speaker 2: have been speculating this was a relationship but kind of

1610
01:18:41,400 --> 01:18:44,720
Speaker 2: on below. So maybe this is our first real confirmation.

1611
01:18:45,439 --> 01:18:48,080
Speaker 2: But uh, yeah, man, you know, the sex is legit, man,

1612
01:18:48,720 --> 01:18:50,840
Speaker 2: Channing Tatum's old cravits.

1613
01:18:51,240 --> 01:18:53,320
Speaker 4: And he was with that other chick since they were.

1614
01:18:53,360 --> 01:18:59,800
Speaker 2: Kids him, Yeah, exactly. And you know, I mean I'm

1615
01:18:59,840 --> 01:19:03,719
Speaker 2: not saying it's okay, but I mean it's Zoe Kravis.

1616
01:19:03,760 --> 01:19:06,960
Speaker 1: I think the world will understand like it didn't work,

1617
01:19:07,080 --> 01:19:07,360
Speaker 1: you know.

1618
01:19:08,439 --> 01:19:11,600
Speaker 2: Like everybody's like, yeah, I mean, I mean, you know

1619
01:19:11,840 --> 01:19:12,880
Speaker 2: that's it's Zoe Kravis.

1620
01:19:12,960 --> 01:19:14,120
Speaker 1: If she calls your phone.

1621
01:19:13,960 --> 01:19:20,840
Speaker 2: Number, it's probably gonna ruin everything. But good for them, man,

1622
01:19:21,200 --> 01:19:23,639
Speaker 2: you know, and I hope everything. I hope everybody's okay

1623
01:19:23,640 --> 01:19:25,439
Speaker 2: over there. You love to see it. Let's see what

1624
01:19:25,479 --> 01:19:26,559
Speaker 2: else white people are doing.

1625
01:19:29,400 --> 01:19:32,360
Speaker 1: Oh man, they found that white dude that killed that

1626
01:19:32,479 --> 01:19:38,240
Speaker 1: white girl, Brian Landry. Thank you, thank you.

1627
01:19:38,880 --> 01:19:42,160
Speaker 4: They heard that they found the remains of Brian Landry

1628
01:19:43,280 --> 01:19:46,640
Speaker 4: in a camping site I think nearby somewhere where you

1629
01:19:46,840 --> 01:19:51,320
Speaker 4: may have killed the girl, and uh charged on the

1630
01:19:51,520 --> 01:19:54,479
Speaker 4: entire thing getting all the charges is the state of Florida.

1631
01:19:55,080 --> 01:20:00,599
Speaker 1: Oh what wow, that makes sense. It makes sense. Okay,

1632
01:20:01,160 --> 01:20:05,800
Speaker 1: honestly it felt real because it's Florida. I can see this.

1633
01:20:09,200 --> 01:20:11,720
Speaker 2: Put the lock those motherfuckers up. Okay, I'm sick of

1634
01:20:11,720 --> 01:20:17,640
Speaker 2: their ship. But yeah, they it was only bones and

1635
01:20:17,680 --> 01:20:20,840
Speaker 2: stuff because they think maybe he got eaten by like

1636
01:20:20,840 --> 01:20:22,760
Speaker 2: like he did himself in but then he got eaten

1637
01:20:22,800 --> 01:20:24,280
Speaker 2: by like a crocodile or.

1638
01:20:24,479 --> 01:20:24,880
Speaker 5: Oh like.

1639
01:20:26,360 --> 01:20:27,599
Speaker 1: Something came something.

1640
01:20:27,680 --> 01:20:32,559
Speaker 2: And then also they identified them because it's backpack and notebook.

1641
01:20:32,560 --> 01:20:35,439
Speaker 1: We're on the scene, and then they did that.

1642
01:20:36,160 --> 01:20:40,000
Speaker 4: You're diary, I just killed my girlfriend, right, Yeah?

1643
01:20:40,040 --> 01:20:41,559
Speaker 1: What was Yeah? What could possibly be in there?

1644
01:20:42,800 --> 01:20:45,320
Speaker 2: Probably like all those dudes do where like they're still

1645
01:20:45,400 --> 01:20:48,280
Speaker 2: lying and denying it in their suicide note You know,

1646
01:20:48,320 --> 01:20:49,719
Speaker 2: I hate when they did that where it's.

1647
01:20:49,600 --> 01:20:52,000
Speaker 1: Like I'm like, just give everybody close your deck. You

1648
01:20:52,080 --> 01:20:52,960
Speaker 1: did it? You know what I mean?

1649
01:20:53,000 --> 01:20:56,400
Speaker 2: It's like I didn't do anything. There's a massive frame

1650
01:20:56,479 --> 01:20:59,840
Speaker 2: up for no reason anyway. Gonna off myself before anybody

1651
01:20:59,880 --> 01:21:02,599
Speaker 2: get here, and uh just know that I was innocent.

1652
01:21:02,840 --> 01:21:04,839
Speaker 1: Uh, Free, Free me forever.

1653
01:21:06,240 --> 01:21:12,000
Speaker 2: Let's see Adele mm a fan casually stumbles upon Adele's

1654
01:21:12,040 --> 01:21:15,120
Speaker 2: filming CBS One Night Only special.

1655
01:21:15,760 --> 01:21:18,880
Speaker 1: So I guess it's supposed to be like a secret.

1656
01:21:18,439 --> 01:21:24,280
Speaker 2: Taping and a fan in La resident Joey Pacino was

1657
01:21:24,320 --> 01:21:27,880
Speaker 2: in for a big surprise while hiking in Los Angeles'

1658
01:21:28,000 --> 01:21:28,880
Speaker 2: Griffith Park.

1659
01:21:29,280 --> 01:21:31,680
Speaker 5: They didn't keep the parameter bigger l for people just

1660
01:21:31,720 --> 01:21:33,519
Speaker 5: couldn't ran and they roll up on them.

1661
01:21:34,360 --> 01:21:36,160
Speaker 4: Joey him, I'm hiking.

1662
01:21:38,920 --> 01:21:44,640
Speaker 8: Joy cause you just imagine you got the picking bears

1663
01:21:44,840 --> 01:21:48,240
Speaker 8: and and and rocks and shit and and and ribbin

1664
01:21:48,280 --> 01:21:50,479
Speaker 8: oat plants, and all of a sudden you hear dale singing,

1665
01:21:50,560 --> 01:21:51,280
Speaker 8: Like the fuck is this?

1666
01:21:51,720 --> 01:21:55,000
Speaker 2: He tweeted a thirteen second clip of Griffith Observatory, where

1667
01:21:55,000 --> 01:21:57,879
Speaker 2: Adele was performing the concert portion of her upcoming CBS

1668
01:21:57,880 --> 01:22:00,760
Speaker 2: special film from across the Park and the faint sound

1669
01:22:00,800 --> 01:22:04,040
Speaker 2: of her singing casually stumbling upon Adele filming her a

1670
01:22:04,120 --> 01:22:05,760
Speaker 2: special while hiking in Griffith Park.

1671
01:22:05,760 --> 01:22:07,040
Speaker 1: He captured the video.

1672
01:22:07,240 --> 01:22:11,320
Speaker 2: The observatory was closed, Puccino exclusively told the Post, so

1673
01:22:11,439 --> 01:22:14,040
Speaker 2: I took an alternative trail up to Mount Hollywood. I

1674
01:22:14,120 --> 01:22:16,719
Speaker 2: was just ad my interview when suddenly we heard her performing.

1675
01:22:17,200 --> 01:22:20,040
Speaker 2: A follow up video shows a gorgeous multi colored sky,

1676
01:22:20,520 --> 01:22:23,440
Speaker 2: another far off view and muffled sounds from the observatory

1677
01:22:23,479 --> 01:22:27,280
Speaker 2: and fellow spectators gathered at the remote spot. I couldn't

1678
01:22:27,280 --> 01:22:29,400
Speaker 2: see her directly, but could see the stage and projection

1679
01:22:29,520 --> 01:22:32,040
Speaker 2: of her. We could hear the audience cheering and heard

1680
01:22:32,040 --> 01:22:36,719
Speaker 2: a handful of songs, so that we know she's filming

1681
01:22:36,720 --> 01:22:39,120
Speaker 2: a secret one night only special and we know when

1682
01:22:39,160 --> 01:22:39,600
Speaker 2: she did it.

1683
01:22:40,120 --> 01:22:44,799
Speaker 1: No boom, Yeah, Well everyone's gonna see it. He said, hello,

1684
01:22:47,880 --> 01:22:48,960
Speaker 1: Hello from the other side.

1685
01:22:49,000 --> 01:22:59,200
Speaker 2: It's me yay, Hello, it's show Joe here, Jeff Bezos,

1686
01:22:59,880 --> 01:23:03,320
Speaker 2: I know who that white man is and Lauren Sanchez

1687
01:23:03,439 --> 01:23:08,400
Speaker 2: party at swinkye le bilro quete la bilboka brunch.

1688
01:23:08,760 --> 01:23:10,519
Speaker 1: It's so French and rich. I don't know how to

1689
01:23:10,520 --> 01:23:13,400
Speaker 1: pronounce it. I don't know if it's biblo quette.

1690
01:23:13,200 --> 01:23:17,160
Speaker 2: Or bibelo quat or bib Bloka. But I just know

1691
01:23:17,200 --> 01:23:21,800
Speaker 2: it all, says Roger can't afford to beat here. So yeah,

1692
01:23:21,800 --> 01:23:24,000
Speaker 2: he might not be the man's richest the world's richest

1693
01:23:24,040 --> 01:23:26,840
Speaker 2: man today, but Jeff Bezos is still partying over the moon.

1694
01:23:27,000 --> 01:23:30,439
Speaker 2: After sending himself and William Shattner the space complete with

1695
01:23:30,560 --> 01:23:34,160
Speaker 2: boozy brunches, chair dancing, and lunar thing cocktails, the Amazon

1696
01:23:34,240 --> 01:23:38,960
Speaker 2: founder was spotted at brunch at Le Bibloquette over the

1697
01:23:39,040 --> 01:23:42,559
Speaker 2: weekend with the girlfriend Lauren Sanchez and a few of

1698
01:23:42,560 --> 01:23:46,480
Speaker 2: her girl pals along with security when he was overheard

1699
01:23:46,600 --> 01:23:49,320
Speaker 2: ordering a drink called fly Me to the Moon. Oh

1700
01:23:49,360 --> 01:23:52,320
Speaker 2: you just know he did that on purpose, Like you know,

1701
01:23:52,360 --> 01:23:54,439
Speaker 2: he ordered it loud, like a dick, like.

1702
01:23:54,680 --> 01:23:57,479
Speaker 1: Let me get a fly me to the moon?

1703
01:23:58,520 --> 01:23:59,880
Speaker 3: Wow, what the fuck is even in that?

1704
01:24:00,000 --> 01:24:00,680
Speaker 4: I've never heard of a.

1705
01:24:00,880 --> 01:24:03,639
Speaker 1: Jeff Bezos just went to the moon with William Shatner.

1706
01:24:03,720 --> 01:24:05,679
Speaker 2: You guys know me. You probably seen me on the TV.

1707
01:24:06,040 --> 01:24:08,599
Speaker 2: Jeff Bezos. That's me Amazon, I own the slaves.

1708
01:24:08,760 --> 01:24:09,760
Speaker 1: It's me. Look me up.

1709
01:24:12,080 --> 01:24:14,959
Speaker 4: You know her girlfriends were all like, dam your boyfriend

1710
01:24:15,040 --> 01:24:17,120
Speaker 4: is so stupid. Why is he so loud?

1711
01:24:17,200 --> 01:24:21,040
Speaker 2: And so yeah, you know, I this is what I

1712
01:24:21,040 --> 01:24:23,680
Speaker 2: can't understand, and I know it's probably just because I'm

1713
01:24:23,720 --> 01:24:25,080
Speaker 2: not rich and I'll never understand.

1714
01:24:25,120 --> 01:24:28,000
Speaker 1: But I don't think I could.

1715
01:24:27,760 --> 01:24:31,559
Speaker 2: Go back in the past at like say, forty fifty

1716
01:24:31,640 --> 01:24:35,479
Speaker 2: years old, to the like dating some twenty something your

1717
01:24:35,520 --> 01:24:40,000
Speaker 2: old person and their friends. I can't like those conversations

1718
01:24:40,040 --> 01:24:42,120
Speaker 2: and like the tiktoks he's had.

1719
01:24:41,960 --> 01:24:45,360
Speaker 1: To look at. It can't be worse. It can't. There's

1720
01:24:45,439 --> 01:24:48,120
Speaker 1: no price on earth for going back.

1721
01:24:48,160 --> 01:24:49,280
Speaker 3: It sounds so good.

1722
01:24:49,320 --> 01:24:51,599
Speaker 1: There's no sex that good. I don't give a fuck

1723
01:24:51,760 --> 01:24:52,679
Speaker 1: what is happening.

1724
01:24:53,000 --> 01:24:57,320
Speaker 2: There's nothing good enough that is less annoying than like

1725
01:24:58,040 --> 01:25:00,679
Speaker 2: twenty something, your old social like women.

1726
01:25:00,840 --> 01:25:04,120
Speaker 1: There's like I'm just at the table being like, yeah,

1727
01:25:03,760 --> 01:25:05,599
Speaker 1: I saw the TikTok again.

1728
01:25:05,720 --> 01:25:09,920
Speaker 2: Yep, yeah, So I was thinking about, you know, commodifying

1729
01:25:09,960 --> 01:25:13,120
Speaker 2: the uh, you know, our our unit for music and

1730
01:25:13,160 --> 01:25:14,000
Speaker 2: maybe breaking that off.

1731
01:25:14,000 --> 01:25:16,240
Speaker 1: The oh no, you have another TikTok.

1732
01:25:16,360 --> 01:25:22,439
Speaker 4: Do a black crog, guys, I gotta do it all nighter.

1733
01:25:22,960 --> 01:25:25,679
Speaker 1: Like he's over there, like you know, like ten o'clock.

1734
01:25:25,720 --> 01:25:26,120
Speaker 1: She don't.

1735
01:25:26,680 --> 01:25:30,400
Speaker 2: Our space division is losing a quarter million per quarter

1736
01:25:30,439 --> 01:25:31,840
Speaker 2: and we're really working on that. And she's just like

1737
01:25:32,080 --> 01:25:35,320
Speaker 2: shots who wants to do shots like, how the fuck

1738
01:25:35,360 --> 01:25:36,080
Speaker 2: can you go back?

1739
01:25:36,240 --> 01:25:39,639
Speaker 1: How is Leonardo DiCaprio not? How is he doing that?

1740
01:25:40,160 --> 01:25:40,680
Speaker 1: You know what I mean?

1741
01:25:41,080 --> 01:25:44,120
Speaker 4: No one's getting challenged because no, none of these men

1742
01:25:44,160 --> 01:25:48,760
Speaker 4: are being challenged about anything. They're not questioned. They're not

1743
01:25:48,840 --> 01:25:52,120
Speaker 4: being challenged. They're not being asked to step up to

1744
01:25:52,200 --> 01:25:56,679
Speaker 4: a certain pedigree. They're not. There's no, there's nothing but fluff.

1745
01:25:56,920 --> 01:26:01,800
Speaker 4: It's fluff, and it's outside stuff. I mean, you know, like, God,

1746
01:26:02,120 --> 01:26:03,479
Speaker 4: it's nothing, it's nothing.

1747
01:26:03,760 --> 01:26:06,200
Speaker 1: I couldn't do it, man. And it's not even like

1748
01:26:06,360 --> 01:26:09,320
Speaker 1: you're going out with her. You gotta go out with

1749
01:26:09,360 --> 01:26:10,479
Speaker 1: her and her friends.

1750
01:26:10,560 --> 01:26:13,679
Speaker 5: Yes, and her friends and me and me and Roger

1751
01:26:13,720 --> 01:26:16,160
Speaker 5: could be sitting somewhere and we know that table, and

1752
01:26:16,320 --> 01:26:17,920
Speaker 5: all I do is just roll my eyes.

1753
01:26:17,960 --> 01:26:18,720
Speaker 1: You know what this is?

1754
01:26:18,960 --> 01:26:20,760
Speaker 2: You know what this would be because you're rich, right,

1755
01:26:21,360 --> 01:26:24,679
Speaker 2: this would be like being at a bachelorette party every day.

1756
01:26:25,680 --> 01:26:31,200
Speaker 2: Oh no, that's the energy, that's the energy.

1757
01:26:31,280 --> 01:26:31,439
Speaker 4: Right.

1758
01:26:31,560 --> 01:26:35,120
Speaker 2: Like, as a comedian, I know you you're like, ew no,

1759
01:26:35,280 --> 01:26:36,840
Speaker 2: not the bachelorette party.

1760
01:26:36,720 --> 01:26:40,559
Speaker 4: Like a girl cutting me off every three seconds. So

1761
01:26:40,600 --> 01:26:43,400
Speaker 4: tell me about how she was really popular in seventh grade.

1762
01:26:46,160 --> 01:26:46,559
Speaker 6: I'm just.

1763
01:26:48,360 --> 01:26:50,240
Speaker 1: No, thank you. What the fuck?

1764
01:26:50,439 --> 01:26:53,519
Speaker 2: Rich white dudes are born and shit man, So he

1765
01:26:53,640 --> 01:26:56,519
Speaker 2: hungs out with them. They were having a blast and

1766
01:26:56,600 --> 01:26:59,400
Speaker 2: Sancheza Galpals got up and danced to the DJ.

1767
01:26:59,760 --> 01:27:01,599
Speaker 1: He you know, his old ass win dancing.

1768
01:27:02,800 --> 01:27:03,480
Speaker 3: No.

1769
01:27:03,479 --> 01:27:05,679
Speaker 5: Now he's just at the table with Shane's on, watching

1770
01:27:05,920 --> 01:27:08,240
Speaker 5: making aspect to go out of these twenty somethings dancing

1771
01:27:08,240 --> 01:27:10,160
Speaker 5: around and ship and every just being like, look at this.

1772
01:27:10,320 --> 01:27:13,280
Speaker 5: You know he can't move them old hemps, sad ass,

1773
01:27:13,360 --> 01:27:16,599
Speaker 5: this tight ass back, mid life crisis ass motherfucker.

1774
01:27:17,040 --> 01:27:20,080
Speaker 3: You know what them knees is cracking, gonna do my mother?

1775
01:27:22,120 --> 01:27:24,480
Speaker 6: Shot shots shot shot shot shots.

1776
01:27:24,120 --> 01:27:27,439
Speaker 5: Shots, Yes, that's all they're doing. And you know he's

1777
01:27:27,479 --> 01:27:28,880
Speaker 5: sitting there just glaring at him.

1778
01:27:29,280 --> 01:27:31,040
Speaker 1: I don't know. I feel like young woman shit, but

1779
01:27:31,800 --> 01:27:32,719
Speaker 1: I don't know. These people.

1780
01:27:32,800 --> 01:27:35,519
Speaker 5: They got them good ass knees that megat thee stallion

1781
01:27:35,600 --> 01:27:37,240
Speaker 5: back where they can do all that ship you, but

1782
01:27:37,280 --> 01:27:38,360
Speaker 5: I can't do none of that.

1783
01:27:38,560 --> 01:27:40,519
Speaker 2: He did not stand up or bust the move, but

1784
01:27:40,560 --> 01:27:42,240
Speaker 2: he was clapping in the chair and swaying.

1785
01:27:43,240 --> 01:27:44,439
Speaker 3: That's about all you're gonna get.

1786
01:27:45,160 --> 01:27:55,120
Speaker 4: Yeah, that's yeah, go ladies. No ship's creek.

1787
01:27:55,560 --> 01:28:00,479
Speaker 2: David uh, you know, actually you know what hold up

1788
01:28:00,800 --> 01:28:05,120
Speaker 2: new information? Oh just staying corrected, San Chaz fifty one,

1789
01:28:05,520 --> 01:28:06,639
Speaker 2: Bezos fifty seven.

1790
01:28:06,880 --> 01:28:08,559
Speaker 3: Not that bad, not that bad.

1791
01:28:08,600 --> 01:28:11,519
Speaker 1: I take it back. Just brown, don't crack.

1792
01:28:11,720 --> 01:28:13,639
Speaker 2: You know what I'm saying, Like you look way older

1793
01:28:13,680 --> 01:28:16,560
Speaker 2: than her, and maybe you know what I take you.

1794
01:28:16,560 --> 01:28:20,200
Speaker 2: I'm sorry, Jeff, this is the age appropriate. It's definitely

1795
01:28:20,200 --> 01:28:22,559
Speaker 2: meant life crisis, post divorced type shit.

1796
01:28:22,640 --> 01:28:25,200
Speaker 1: But you know I respect it. I'm sorry.

1797
01:28:25,280 --> 01:28:28,000
Speaker 5: Closer to the age, okay, yeah, but you still get

1798
01:28:28,040 --> 01:28:28,760
Speaker 5: that same energy.

1799
01:28:28,920 --> 01:28:31,719
Speaker 2: I mean, y'all saw the picture like, Okay, I wasn't

1800
01:28:31,960 --> 01:28:35,880
Speaker 2: out of line, but you know this is what I mean.

1801
01:28:35,920 --> 01:28:38,400
Speaker 1: Come on, come on, I mean, come on, come on now,

1802
01:28:38,920 --> 01:28:41,640
Speaker 1: that does not look like six years difference. But no

1803
01:28:41,680 --> 01:28:42,439
Speaker 1: offense to Jeff.

1804
01:28:42,479 --> 01:28:45,559
Speaker 5: I mean, and his wife is written out a whole

1805
01:28:45,600 --> 01:28:47,840
Speaker 5: goddamn island. It was like, I don't got time for

1806
01:28:47,880 --> 01:28:48,400
Speaker 5: none of y'all.

1807
01:28:48,520 --> 01:28:49,480
Speaker 1: Man, his wife.

1808
01:28:49,600 --> 01:28:51,439
Speaker 3: We can't even get cell phone service out here.

1809
01:28:51,600 --> 01:28:53,400
Speaker 2: His wife went and got she gave away like a

1810
01:28:53,400 --> 01:28:55,479
Speaker 2: lot of money when got married to like a school

1811
01:28:55,479 --> 01:28:57,719
Speaker 2: teacher and just went on an island to start fucking

1812
01:28:57,760 --> 01:29:01,720
Speaker 2: She's she's fine, you know, he's this motherfucker's in the

1813
01:29:01,720 --> 01:29:04,639
Speaker 2: club crying under the shades and dead let while women

1814
01:29:04,760 --> 01:29:06,280
Speaker 2: dance around him like I'm happy.

1815
01:29:07,320 --> 01:29:08,280
Speaker 1: So that's all.

1816
01:29:08,479 --> 01:29:13,679
Speaker 2: That's all, But good for him, Good for him. Number

1817
01:29:13,720 --> 01:29:15,680
Speaker 2: two in the space race. No longer the richest man

1818
01:29:15,680 --> 01:29:18,840
Speaker 2: on the Earth, although was he ever if you think

1819
01:29:18,840 --> 01:29:22,080
Speaker 2: about it, because half that money was his wife's. Like,

1820
01:29:22,600 --> 01:29:24,960
Speaker 2: isn't that funny how we were like the Earth's richest

1821
01:29:25,000 --> 01:29:27,559
Speaker 2: man Jeff Bezos, and we're like, is.

1822
01:29:27,520 --> 01:29:30,559
Speaker 1: He really though? Because if you're because it's is.

1823
01:29:30,560 --> 01:29:33,360
Speaker 2: This white the richest woman? If that's how that works,

1824
01:29:33,479 --> 01:29:36,439
Speaker 2: that doesn't make any sense. All right, last story for

1825
01:29:36,520 --> 01:29:40,040
Speaker 2: these white folks. Okay, I don't know these people.

1826
01:29:40,479 --> 01:29:40,880
Speaker 1: Mm hmm.

1827
01:29:41,400 --> 01:29:45,519
Speaker 2: Randall Emmett spotted for first time since Lola can't break up.

1828
01:29:46,320 --> 01:29:48,800
Speaker 1: I don't know who Lolai can is either. Oh ye'all,

1829
01:29:48,800 --> 01:29:49,840
Speaker 1: I don't know any of these white people.

1830
01:29:49,920 --> 01:29:51,719
Speaker 3: This is if I'm assuming a performer.

1831
01:29:52,400 --> 01:29:55,000
Speaker 2: Randall Emmitt was spotted for the first time since it

1832
01:29:55,040 --> 01:29:58,479
Speaker 2: was fiance Lilac hit Pats caught the I guess pap

1833
01:29:58,600 --> 01:30:01,240
Speaker 2: Rozzi caught the film and and TV producer taking a

1834
01:30:01,240 --> 01:30:04,880
Speaker 2: tense twenty minute phone call near a dumpster at Los Angeles.

1835
01:30:05,120 --> 01:30:06,519
Speaker 1: What they put them behind? A bill?

1836
01:30:06,680 --> 01:30:07,479
Speaker 3: Isn't it a dumpster?

1837
01:30:07,640 --> 01:30:10,920
Speaker 2: Because he's down in the jumps, Karen, he got dumped.

1838
01:30:11,280 --> 01:30:14,280
Speaker 2: Now he's hanging out in the dumpster. Emmett fifty, was

1839
01:30:14,280 --> 01:30:17,559
Speaker 2: photographeding a black T shirt paired with black skinny jeans.

1840
01:30:17,880 --> 01:30:20,920
Speaker 2: He accessorized with a gold chain necklace and a black

1841
01:30:21,000 --> 01:30:21,559
Speaker 2: leather bag.

1842
01:30:22,680 --> 01:30:23,360
Speaker 1: Very detailed.

1843
01:30:23,760 --> 01:30:26,280
Speaker 2: He emerged more than a week after Paid six exclusively

1844
01:30:26,360 --> 01:30:28,120
Speaker 2: reported that he and Kent thirty one.

1845
01:30:29,000 --> 01:30:31,200
Speaker 1: So this is more like the Bezos thing. Thirty fifty

1846
01:30:31,360 --> 01:30:32,640
Speaker 1: and thirty one.

1847
01:30:32,479 --> 01:30:35,160
Speaker 2: Called it quits for their on their three year engagement.

1848
01:30:35,520 --> 01:30:38,600
Speaker 2: The vander Pump rules start. Oh, that's where we're supposed.

1849
01:30:38,200 --> 01:30:38,920
Speaker 1: To know him from.

1850
01:30:39,640 --> 01:30:43,840
Speaker 2: Who who shares a seven month old daughter, Ocean with

1851
01:30:44,000 --> 01:30:47,599
Speaker 2: Emmett dumped him after he allegedly cheated on her during

1852
01:30:47,600 --> 01:30:51,160
Speaker 2: a trip to Nashville. Oh, I mean, come on, what

1853
01:30:51,600 --> 01:30:59,400
Speaker 2: happens in Nashville stays in Nashville. You know, Rando always

1854
01:30:59,439 --> 01:31:02,000
Speaker 2: lives a double life and insider set of Emmett, who

1855
01:31:02,040 --> 01:31:05,240
Speaker 2: shared shares two older children, London and Riley, with his

1856
01:31:05,280 --> 01:31:09,200
Speaker 2: ex wife Amber Chambers, which is spelled a mb y r.

1857
01:31:09,720 --> 01:31:12,639
Speaker 1: I got that, oh, Amber Childers Okay, I just said

1858
01:31:12,720 --> 01:31:13,599
Speaker 1: black on that name.

1859
01:31:14,040 --> 01:31:16,240
Speaker 2: Oh yeah, yeah, I'll tell you rich white people and

1860
01:31:16,280 --> 01:31:19,200
Speaker 2: poor black people have a lot in common, like with

1861
01:31:19,360 --> 01:31:21,439
Speaker 2: naming your kids and all that type of shit. Like

1862
01:31:21,640 --> 01:31:24,760
Speaker 2: there's a lot of If it wasn't for racism, man,

1863
01:31:24,880 --> 01:31:27,639
Speaker 2: I feel like that group would be so much tighter.

1864
01:31:27,680 --> 01:31:29,520
Speaker 1: But fucking racism.

1865
01:31:30,280 --> 01:31:33,040
Speaker 2: Randall always lives a double life, an insider set of

1866
01:31:33,080 --> 01:31:35,920
Speaker 2: Emmitt who shares two older children. Oh yeah, he lives

1867
01:31:35,920 --> 01:31:37,560
Speaker 2: the life of a husband or a boyfriend. Then he

1868
01:31:37,720 --> 01:31:40,120
Speaker 2: lives the life of a serial party or when that

1869
01:31:40,240 --> 01:31:41,200
Speaker 2: goes on a bender.

1870
01:31:42,640 --> 01:31:43,040
Speaker 4: Uh.

1871
01:31:43,320 --> 01:31:45,840
Speaker 2: He has similarly been hiding up until Tuesday. Can't spend

1872
01:31:45,880 --> 01:31:50,960
Speaker 2: parading around La without her engagement ring over the past week. Man,

1873
01:31:51,000 --> 01:31:55,799
Speaker 2: she's dressed like nineteen nineties, like goof troop like she's dressed.

1874
01:31:56,640 --> 01:31:57,479
Speaker 1: That's how keep a dress.

1875
01:31:57,520 --> 01:32:01,160
Speaker 3: When I was a kid, Hill coming back we old.

1876
01:32:02,320 --> 01:32:05,240
Speaker 4: Yeah, do you know that the tramp stamp is back?

1877
01:32:05,320 --> 01:32:07,320
Speaker 4: Because the low rise jeans are back?

1878
01:32:07,880 --> 01:32:09,880
Speaker 1: I did not know that good for good for.

1879
01:32:10,200 --> 01:32:10,840
Speaker 4: Good for everything.

1880
01:32:10,920 --> 01:32:13,800
Speaker 3: I can't stand low rise jeans. Them ain't then the

1881
01:32:13,840 --> 01:32:15,240
Speaker 3: one that did dip on your ass?

1882
01:32:15,479 --> 01:32:19,120
Speaker 5: Yeah, and them them pants confused the ship out of me.

1883
01:32:19,120 --> 01:32:21,280
Speaker 5: Because I go try on pants and I put them on,

1884
01:32:21,400 --> 01:32:23,040
Speaker 5: and I'll be like, why does it feel like I

1885
01:32:23,080 --> 01:32:25,200
Speaker 5: got a gust of win up my ass? Like it

1886
01:32:25,280 --> 01:32:27,360
Speaker 5: is the most confusing this ship. Then I'll be like, oh,

1887
01:32:27,400 --> 01:32:30,720
Speaker 5: that's a low riding. I'm old give me a little

1888
01:32:30,720 --> 01:32:33,200
Speaker 5: bit more material if I'm paying full price, bitch, I

1889
01:32:33,240 --> 01:32:34,240
Speaker 5: want full pants.

1890
01:32:34,439 --> 01:32:38,479
Speaker 1: You know what, We'll do? One more stories, one more stories. Care.

1891
01:32:38,640 --> 01:32:41,920
Speaker 4: I gotta actually prefer them to the mom jeans because

1892
01:32:41,920 --> 01:32:44,759
Speaker 4: the mom jeans gives you like a full fucking stomach

1893
01:32:44,800 --> 01:32:46,680
Speaker 4: in the front, even if you don't have one, and

1894
01:32:46,680 --> 01:32:48,720
Speaker 4: God blasted you got a little belly. Good for you,

1895
01:32:48,880 --> 01:32:51,040
Speaker 4: but you don't want one if I don't have one.

1896
01:32:51,160 --> 01:32:54,400
Speaker 2: Right, the Highways jeans were coming back for a while too,

1897
01:32:54,760 --> 01:32:56,439
Speaker 2: and then I don't know what happened to that way.

1898
01:32:56,600 --> 01:32:58,360
Speaker 1: It was like three years ago they were back and

1899
01:32:58,360 --> 01:33:02,360
Speaker 1: then they just stopped. I don't know. Everything wasn't Bailbottle's

1900
01:33:02,360 --> 01:33:03,120
Speaker 1: coming back, you know.

1901
01:33:04,439 --> 01:33:08,720
Speaker 2: Last story, Chrissy Tagan celebrates one hundred days and Sobriety

1902
01:33:08,800 --> 01:33:12,400
Speaker 2: says she's a better person after the cyberbullying controversy.

1903
01:33:12,720 --> 01:33:15,280
Speaker 5: Good for her, Like, like, I'm happy for her because

1904
01:33:15,280 --> 01:33:17,519
Speaker 5: this decision that she's made, and I'm glad she's happy

1905
01:33:17,520 --> 01:33:18,240
Speaker 5: with the decision.

1906
01:33:18,720 --> 01:33:19,000
Speaker 1: Yeah.

1907
01:33:19,040 --> 01:33:21,240
Speaker 2: She reveals she's one hundred days sober while opening up

1908
01:33:21,240 --> 01:33:24,600
Speaker 2: about a recent cyberbility and controversy The modeling TV personality

1909
01:33:24,880 --> 01:33:28,160
Speaker 2: acknowledge the milestone her sobriety journey during their Parents on

1910
01:33:28,200 --> 01:33:31,880
Speaker 2: Today's show, while promoted her new cookbook, Cravens All Together

1911
01:33:31,960 --> 01:33:36,320
Speaker 2: Recipes to Love a Cookbook. Man, it's wild because there

1912
01:33:36,400 --> 01:33:38,280
Speaker 2: was a time where she's gonna get like a cooking show.

1913
01:33:38,680 --> 01:33:41,840
Speaker 2: She got like cooking, like a line of cook wearing shit.

1914
01:33:41,960 --> 01:33:44,240
Speaker 2: Now it's just down to this one book because of

1915
01:33:44,439 --> 01:33:45,600
Speaker 2: like Twitter.

1916
01:33:46,280 --> 01:33:49,639
Speaker 1: Oh should be back. I think she will.

1917
01:33:50,120 --> 01:33:53,200
Speaker 5: I think, and this is my personal decision. I think

1918
01:33:53,280 --> 01:33:57,000
Speaker 5: that her being separated from online is going to let

1919
01:33:57,040 --> 01:34:02,400
Speaker 5: her realize how real and slash not really is, because

1920
01:34:02,439 --> 01:34:05,280
Speaker 5: you know, once you get outside of us online, you

1921
01:34:05,360 --> 01:34:07,599
Speaker 5: realize there's a whole ass world out there who don't

1922
01:34:07,600 --> 01:34:09,479
Speaker 5: give a fuck about what's happening online and that shit

1923
01:34:09,520 --> 01:34:10,160
Speaker 5: ain't real.

1924
01:34:10,000 --> 01:34:13,800
Speaker 2: To them, and it's like a huge separation.

1925
01:34:14,000 --> 01:34:17,240
Speaker 3: And there are also the people that are going to

1926
01:34:17,320 --> 01:34:18,040
Speaker 3: support you.

1927
01:34:18,120 --> 01:34:20,880
Speaker 5: A lot of times aren't the online audience, And it's

1928
01:34:20,960 --> 01:34:23,479
Speaker 5: not knocking the online audience. There are a percentage of

1929
01:34:23,520 --> 01:34:26,400
Speaker 5: people the online that support you, But like Roger said,

1930
01:34:26,400 --> 01:34:28,599
Speaker 5: he has thousands of followers.

1931
01:34:28,160 --> 01:34:30,360
Speaker 3: A small percentage didn't. Even though he has a podcast,

1932
01:34:30,600 --> 01:34:34,760
Speaker 3: that does not equal real life people. You know what

1933
01:34:34,800 --> 01:34:35,240
Speaker 3: I'm saying.

1934
01:34:35,400 --> 01:34:37,840
Speaker 5: Most people are going to support you, even a large

1935
01:34:38,400 --> 01:34:41,840
Speaker 5: percentage of our audience they don't have social media, you

1936
01:34:41,960 --> 01:34:44,000
Speaker 5: know what I'm saying. So it's like, once you realize

1937
01:34:44,040 --> 01:34:45,640
Speaker 5: these people out are out here, and a lot of

1938
01:34:45,680 --> 01:34:48,759
Speaker 5: those people support her, So I can see her coming

1939
01:34:48,800 --> 01:34:49,960
Speaker 5: back and those will be the.

1940
01:34:49,880 --> 01:34:51,479
Speaker 3: People that's going to continue to buy the.

1941
01:34:51,439 --> 01:34:55,160
Speaker 2: Boss upon her Projectically she's back on Twitter, she is tweeting,

1942
01:34:55,200 --> 01:34:58,160
Speaker 2: she's just not tweeting as much as she's just staying

1943
01:34:58,200 --> 01:35:01,840
Speaker 2: out of people's business for the most part. And I mean,

1944
01:35:01,880 --> 01:35:05,280
Speaker 2: I think all that fuck. I wish I could remember

1945
01:35:05,280 --> 01:35:08,280
Speaker 2: the podcast. I can't, though, I'm so sorry. I was

1946
01:35:08,280 --> 01:35:10,080
Speaker 2: listening to a podcast. It was a woman who wrote

1947
01:35:10,080 --> 01:35:12,160
Speaker 2: a book about the Internet and how it's changed us,

1948
01:35:12,520 --> 01:35:16,760
Speaker 2: and one of the things she said was everybody on

1949
01:35:16,800 --> 01:35:20,719
Speaker 2: social media is gonna have a day when they're the

1950
01:35:20,800 --> 01:35:22,280
Speaker 2: topic of social media, like.

1951
01:35:22,240 --> 01:35:24,240
Speaker 1: They're like the day you fuck up.

1952
01:35:24,400 --> 01:35:28,040
Speaker 2: Everybody's gonna have it and it's just and like instead

1953
01:35:28,080 --> 01:35:31,120
Speaker 2: of people embracing it as like this makes us all

1954
01:35:31,200 --> 01:35:33,960
Speaker 2: human and we need to look at and examine it

1955
01:35:34,040 --> 01:35:37,040
Speaker 2: how we attack people and shit. Instead people just go,

1956
01:35:37,120 --> 01:35:39,679
Speaker 2: it's not my day time to talk about everybody else,

1957
01:35:39,920 --> 01:35:40,639
Speaker 2: and then when it's.

1958
01:35:40,520 --> 01:35:43,599
Speaker 1: Your day, you're like, why is everybody so mean? And

1959
01:35:43,680 --> 01:35:46,280
Speaker 1: I think Christy Tiagan got to finally have her quote

1960
01:35:46,360 --> 01:35:50,120
Speaker 1: unquote day, And you know, I wouldn't be shocked.

1961
01:35:49,880 --> 01:35:52,360
Speaker 2: If some of that shit she was tweeting was fueled by,

1962
01:35:52,479 --> 01:35:55,000
Speaker 2: you know, hey, I was drunk or whatever the fuck,

1963
01:35:55,080 --> 01:35:57,200
Speaker 2: Like she's the one being like, yeah, I had to

1964
01:35:57,200 --> 01:35:59,519
Speaker 2: get sober. Like being sober ain't really got nothing to

1965
01:35:59,560 --> 01:36:02,479
Speaker 2: do with being on Twitter or not on Twitter, unless

1966
01:36:03,000 --> 01:36:05,400
Speaker 2: that is your outlet when you're not when you're drinking

1967
01:36:05,439 --> 01:36:06,880
Speaker 2: or get a little fucked up and you're like.

1968
01:36:06,800 --> 01:36:09,559
Speaker 1: What did y'all say? I don't know if I meant that, So,

1969
01:36:09,920 --> 01:36:12,240
Speaker 1: you know, I think that's kind of dope. And I'm

1970
01:36:12,280 --> 01:36:12,760
Speaker 1: with you, Karen.

1971
01:36:12,800 --> 01:36:14,920
Speaker 2: I don't think it was ever a matter of her

1972
01:36:15,000 --> 01:36:19,439
Speaker 2: like like she's never gonna come back, and so yes,

1973
01:36:19,479 --> 01:36:21,840
Speaker 2: it's probably about time for her to start promoting shit again.

1974
01:36:21,920 --> 01:36:23,520
Speaker 1: She went away for a few months.

1975
01:36:23,200 --> 01:36:26,639
Speaker 5: And you know, and also it's one of these things

1976
01:36:26,640 --> 01:36:30,439
Speaker 5: where people need to be healthy and do what's healthy

1977
01:36:30,520 --> 01:36:34,000
Speaker 5: is for them. And a lot of times people who

1978
01:36:34,040 --> 01:36:36,120
Speaker 5: spend a lot of time on social media, they don't

1979
01:36:36,240 --> 01:36:38,559
Speaker 5: It's like a virus. They don't realize how infected they

1980
01:36:38,600 --> 01:36:41,320
Speaker 5: are by the virus until they separate themselves from it.

1981
01:36:42,000 --> 01:36:44,880
Speaker 5: And then you look back at it and you go, oh, oh,

1982
01:36:45,160 --> 01:36:47,479
Speaker 5: I don't need to immerse myself in this. I can

1983
01:36:47,560 --> 01:36:50,280
Speaker 5: be here, but this doesn't need to be my everything.

1984
01:36:50,360 --> 01:36:52,479
Speaker 5: And I think for a period of time you could

1985
01:36:52,479 --> 01:36:54,800
Speaker 5: tell this was her everything because of the way it

1986
01:36:54,840 --> 01:36:57,080
Speaker 5: impacted her in a way she responded to it and

1987
01:36:57,280 --> 01:37:00,439
Speaker 5: things like that, because you build these real relationships line,

1988
01:37:00,760 --> 01:37:03,080
Speaker 5: but they're not always healthy, so you have to watch

1989
01:37:03,120 --> 01:37:04,360
Speaker 5: and monitor those relationship.

1990
01:37:04,400 --> 01:37:05,320
Speaker 1: And he got a dial back.

1991
01:37:05,360 --> 01:37:07,720
Speaker 2: But like now she's not sharing as much online. But

1992
01:37:07,800 --> 01:37:10,800
Speaker 2: that's good, right, you know, Like you don't need to

1993
01:37:10,840 --> 01:37:11,479
Speaker 2: share everything.

1994
01:37:11,520 --> 01:37:12,040
Speaker 1: It's fine.

1995
01:37:12,080 --> 01:37:14,519
Speaker 2: Like some of the shit that feels so important to

1996
01:37:14,560 --> 01:37:17,720
Speaker 2: tell these strangers is more important. It's more important that

1997
01:37:17,800 --> 01:37:19,840
Speaker 2: you tell yourself and you tell your family.

1998
01:37:19,560 --> 01:37:21,200
Speaker 1: And your friends.

1999
01:37:21,200 --> 01:37:22,800
Speaker 2: You know, she ended up being a target of that

2000
01:37:22,880 --> 01:37:26,320
Speaker 2: q Andon shit like her whole life got fucked up

2001
01:37:26,360 --> 01:37:28,800
Speaker 2: behind like being like her husband and her being very

2002
01:37:28,800 --> 01:37:32,200
Speaker 2: ati Trump, so like, yeah, the Internet is not your

2003
01:37:32,200 --> 01:37:33,320
Speaker 2: real friends in a lot.

2004
01:37:33,200 --> 01:37:34,840
Speaker 1: Of cases, so you just gotta be careful with it.

2005
01:37:34,920 --> 01:37:38,240
Speaker 1: So shout out to her. All right, let's wrap this

2006
01:37:38,320 --> 01:37:40,320
Speaker 1: thing up, everybody. It was fun.

2007
01:37:40,720 --> 01:37:42,840
Speaker 2: We got to talk about one last thing, and that's

2008
01:37:42,840 --> 01:37:44,080
Speaker 2: these motherfucking swords.

2009
01:37:45,439 --> 01:37:47,559
Speaker 1: They're still out here, still killing people.

2010
01:37:47,720 --> 01:38:05,920
Speaker 2: Yes it is, and it's a scourge. A Florida man,

2011
01:38:07,040 --> 01:38:09,200
Speaker 2: stop me if you heard this one before. A Florida

2012
01:38:09,320 --> 01:38:14,000
Speaker 2: man was arrested with a sword and six. I've never

2013
01:38:14,000 --> 01:38:16,360
Speaker 2: heard this term before. Dirk knives.

2014
01:38:16,720 --> 01:38:17,919
Speaker 3: What's a Dirk knives?

2015
01:38:18,080 --> 01:38:21,519
Speaker 1: I don't know what a Dirk Dirk knife is. Oh god,

2016
01:38:21,600 --> 01:38:22,400
Speaker 1: I just looked it up.

2017
01:38:22,400 --> 01:38:25,320
Speaker 2: It's like a real pointy knife that almost looks like

2018
01:38:25,320 --> 01:38:28,200
Speaker 2: a fucking sword. It looks like something designed to kill people.

2019
01:38:28,240 --> 01:38:31,599
Speaker 2: It's not hah, there's no use for food or anything.

2020
01:38:31,640 --> 01:38:34,560
Speaker 2: This is what a dark knife looks like. So it

2021
01:38:34,560 --> 01:38:35,679
Speaker 2: almost looks like a sword.

2022
01:38:35,800 --> 01:38:38,080
Speaker 1: Oh yeah, six of them. Six.

2023
01:38:38,120 --> 01:38:39,840
Speaker 3: Somebody says, like a dagger.

2024
01:38:39,479 --> 01:38:43,040
Speaker 1: He's gonna fight the foot clan the fuck? Oh yeah,

2025
01:38:43,080 --> 01:38:44,559
Speaker 1: he had six something?

2026
01:38:44,560 --> 01:38:46,479
Speaker 3: Mo you hide and six he gonna pull one out

2027
01:38:46,560 --> 01:38:49,160
Speaker 3: his shoe. He got one in his sock. It's gonna

2028
01:38:49,200 --> 01:38:50,960
Speaker 3: take to a sty I don't get this.

2029
01:38:51,160 --> 01:38:53,400
Speaker 2: It was about two twenty five pm on a Monday

2030
01:38:53,720 --> 01:38:56,559
Speaker 2: when he got uh. He had a sword on his

2031
01:38:56,680 --> 01:39:01,599
Speaker 2: back walking down follow him until a Special Operations Division

2032
01:39:01,680 --> 01:39:03,240
Speaker 2: unit arrived and stopped him.

2033
01:39:03,680 --> 01:39:03,840
Speaker 5: Uh.

2034
01:39:03,920 --> 01:39:06,599
Speaker 2: They checked this Florida ID found no warrants for him.

2035
01:39:07,000 --> 01:39:09,400
Speaker 2: Removing the sword from his sheath, officers confirmed that it

2036
01:39:09,479 --> 01:39:12,240
Speaker 2: had a metal sharp edge. The man told officers people

2037
01:39:12,280 --> 01:39:13,960
Speaker 2: were trying to harm him and the sword was for

2038
01:39:14,040 --> 01:39:19,320
Speaker 2: his protection. So apparently the leaf Ninja village was after

2039
01:39:19,400 --> 01:39:21,240
Speaker 2: him and he was like, I gotta get my sword.

2040
01:39:21,680 --> 01:39:25,080
Speaker 1: The man was arrested throwing stars at the house. Yeah,

2041
01:39:25,360 --> 01:39:26,559
Speaker 1: all I have is these knives.

2042
01:39:27,280 --> 01:39:30,879
Speaker 2: He was arrested. They found knobs in his bag during process.

2043
01:39:30,960 --> 01:39:33,280
Speaker 2: He process that he invoked his rights and refused to

2044
01:39:33,320 --> 01:39:38,280
Speaker 2: answer her questions, which is honestly, legitimately smart.

2045
01:39:39,320 --> 01:39:40,160
Speaker 1: You don't don't see that.

2046
01:39:40,280 --> 01:39:43,160
Speaker 2: Notified of the arrest, the United States Secret Service declined

2047
01:39:43,160 --> 01:39:43,920
Speaker 2: to interview the man.

2048
01:39:44,800 --> 01:39:47,400
Speaker 1: So why would the Secret Service be? Was this someone

2049
01:39:47,439 --> 01:39:48,360
Speaker 1: with Trump or something?

2050
01:39:49,320 --> 01:39:51,600
Speaker 2: Anyway, Just be careful, y'all, it's a lot of my

2051
01:39:51,640 --> 01:39:55,160
Speaker 2: fuckers out here with swords and Dirk knives, and it's

2052
01:39:55,160 --> 01:39:58,680
Speaker 2: just like, yes, thank you so much for coming on

2053
01:39:58,760 --> 01:39:59,120
Speaker 2: with us.

2054
01:40:00,240 --> 01:40:03,080
Speaker 4: Thank you. Oh it was so fun. As always, I

2055
01:40:03,120 --> 01:40:05,160
Speaker 4: miss you guys, but I love I love seeing what

2056
01:40:05,200 --> 01:40:07,479
Speaker 4: you're doing. I'm so happy for I'm so happy you're.

2057
01:40:07,320 --> 01:40:09,400
Speaker 1: Doing live thanks shows.

2058
01:40:09,680 --> 01:40:11,280
Speaker 6: Oh my god, that's a.

2059
01:40:11,800 --> 01:40:13,040
Speaker 4: Thrilling, thrilling thank you.

2060
01:40:13,080 --> 01:40:14,960
Speaker 2: What what can people find you and are you doing

2061
01:40:15,000 --> 01:40:17,160
Speaker 2: any like stand up or anything that people need.

2062
01:40:17,000 --> 01:40:17,960
Speaker 3: To come to let people know?

2063
01:40:18,680 --> 01:40:20,679
Speaker 4: Well, I mean, if you're an Albuquerque come out tonight.

2064
01:40:24,800 --> 01:40:27,400
Speaker 4: Just go to get Wood. Get Wood on Instagram, get

2065
01:40:27,439 --> 01:40:32,320
Speaker 4: Wood on Facebook. Uh I don't know, Getjesswood dot com

2066
01:40:32,360 --> 01:40:34,920
Speaker 4: if you care about that, but really get what I think.

2067
01:40:34,960 --> 01:40:38,000
Speaker 4: My Instagram is probably the most fun and the most like,

2068
01:40:38,400 --> 01:40:41,320
Speaker 4: you know present. I don't like Facebook. It's too divisive.

2069
01:40:41,840 --> 01:40:45,840
Speaker 1: Oh man, Yes, it's it's hard out there. It's hard. Yeah.

2070
01:40:45,960 --> 01:40:48,400
Speaker 1: Check out the podcast to get Wood to Jess Wood.

2071
01:40:48,520 --> 01:40:50,639
Speaker 2: It is so much fun, y'all. She's such a great

2072
01:40:50,680 --> 01:40:54,280
Speaker 2: follow on Instagram. She does like live shows off the

2073
01:40:54,320 --> 01:40:57,880
Speaker 2: time there and stuff and uh like just talks about

2074
01:40:57,880 --> 01:40:59,920
Speaker 2: the news of the day with different people and stuff

2075
01:41:00,080 --> 01:41:03,240
Speaker 2: and we've been guest on there and she's giving you

2076
01:41:03,240 --> 01:41:05,320
Speaker 2: the thirst traps. So you know what I'm saying. If

2077
01:41:05,320 --> 01:41:07,920
Speaker 2: you're a young man, you're a young man in Albuquerque,

2078
01:41:07,960 --> 01:41:13,040
Speaker 2: you know what I'm saying, Like dot fam shot all right,

2079
01:41:13,680 --> 01:41:17,160
Speaker 2: all right, child, we'll talk to you later till till then.

2080
01:41:17,200 --> 01:41:18,160
Speaker 1: I love you. I love you too,