WEBVTT - Miami Monday: RHOM Recap

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<v Speaker 1>Reality with the King is hosted by me Carlos King.

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<v Speaker 1>I'm an executive producer who have produced some of your

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<v Speaker 1>favorite shows from the Real Housewives in Atlanta, New Jersey

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<v Speaker 1>and my own creation, The Love and Marriage Franchise and

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<v Speaker 1>Bell Collective. Every episode, we recap reality television from the

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<v Speaker 1>Real Housewives Franchise to The Bachelor or Selling Sunset, in

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<v Speaker 1>addition to celebrity guests, whether in the unscripted space or

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<v Speaker 1>scripted as well. Happy Monday brain Drops to start your week,

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<v Speaker 1>I am going to recap the latest episode of the

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<v Speaker 1>Real Housewives of Miami. Yes, okay, so we got against

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<v Speaker 1>this episode. The ladies are back from Spain, they are

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<v Speaker 1>settled into Miami, and the beauty of this episode to

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<v Speaker 1>me is we got to dive more into their personal story.

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<v Speaker 1>There's been tons of group drama. There's been tons of.

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<v Speaker 2>Cafe look, which I love, by the way, but y'all

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<v Speaker 2>know me.

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<v Speaker 1>What I love the most about these shows are the

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<v Speaker 1>personal stories, and the Real Housewatch of Miami, to me,

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<v Speaker 1>does the best job of balancing it out. So I

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<v Speaker 1>was really happy with this episode, and I was really

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<v Speaker 1>happy that we are getting a chance to see more

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<v Speaker 1>of kie Ky Bart and her personal story. Let me

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<v Speaker 1>just tell you how this works. The beauty of me

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<v Speaker 1>doing this podcast is because yes, I get to tell

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<v Speaker 1>you all about my opinion, but I also like to

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<v Speaker 1>inform you guys on the behind the scenes operations how

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<v Speaker 1>some things work. So let me say this, Kiki is

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<v Speaker 1>a friend to the show. When you are a friend

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<v Speaker 1>to the show, the producers don't spend time on your

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<v Speaker 1>personal story because you're not a housewife. Okay, so look

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<v Speaker 1>back at like the legendary friend of who will always

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<v Speaker 1>go down in history as the woman. Let's have a

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<v Speaker 1>real conversation the woman who started the title of friend

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<v Speaker 1>to the show, and that is Marlowe Patrese Hampton from

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<v Speaker 1>the Real Housewives of Atlanta. Look love her or hate her,

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<v Speaker 1>there will be no friends up if it wasn't for Marlowe.

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<v Speaker 1>And that's some real shit for your ass. Marlow Hampton

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<v Speaker 1>is the reason why we even give the title friend

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<v Speaker 1>to a cast member who is not a housewife. So

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<v Speaker 1>put some respect on Marlowe's name. Now, when you look

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<v Speaker 1>at Marlowe's time on the show, before Marlowe had a peach,

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<v Speaker 1>Marlowe was somebody that came in read the girls went

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<v Speaker 1>back home, came in, had a lunch with Mini Leagus

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<v Speaker 1>and sid at billies. She was a tall hanging with

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<v Speaker 1>the smalls. Okay, but she wasn't a housewife, she didn't

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<v Speaker 1>have confessionals, and we never dived into her personal story.

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<v Speaker 1>Or is it doe? To all of my grammar educators

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<v Speaker 1>who listen to reality with the King that are my

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<v Speaker 1>fellow rain drops, is it dive or doe? Let's they go?

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<v Speaker 1>We never dove, That's all right. I guess we never

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<v Speaker 1>dove into Marlowe's personal story when she was a friend

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<v Speaker 1>because that was not a part of the assignment. Now

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<v Speaker 1>it seems to be. And that's why I'm giving ki

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<v Speaker 1>Ki Bark her props because Kiki does not have to

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<v Speaker 1>offer anything of her personal life to the show because

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<v Speaker 1>she's not a housewife and she's not getting paid as

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<v Speaker 1>much as the Mohito holders who should be giving personal story.

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<v Speaker 1>Are you getting it? Are you getting it? No?

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<v Speaker 2>I don't get it, okay, Josee Ryant, No, but real talk.

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<v Speaker 1>I hope you guys get it. That's why I'm giving

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<v Speaker 1>Kiki her props when it comes to giving us everything

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<v Speaker 1>this season as relates to her children, her mom, and

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<v Speaker 1>in this particular episode, her father. Now, if you listen

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<v Speaker 1>to my podcast like you're doing now, a few weeks ago,

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<v Speaker 1>I had the pleasure of having an interview with Keiki.

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<v Speaker 1>So this scene where her dad was special to me

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<v Speaker 1>because Kiki shared on my podcast, and if you haven't

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<v Speaker 1>listened to it, find it. It's worth the listen hearing

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<v Speaker 1>Keiki talk about the fact that her stepmother told her

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<v Speaker 1>dad to kick her out of the house. Now, I'm

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<v Speaker 1>gonna say allegedly only because the step mom is not

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<v Speaker 1>here to defend herself. Okay, that's why I'm saying it.

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<v Speaker 1>But Kiki also shared that on my podcast too, and

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<v Speaker 1>that's tough to be a young woman and knowing that

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<v Speaker 1>your father, your blood father, all it took was for

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<v Speaker 1>his wife, your step mother, to call him that complain

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<v Speaker 1>about your daughter and saying she has to leave, and

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<v Speaker 1>her father saying yes, without ever hearing Kiki's side. That

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<v Speaker 1>is so disturbing on so many levels. And look, I

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<v Speaker 1>know when it comes to Kiki, you guys are giving

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<v Speaker 1>her a hard time this season, all of you. Some

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<v Speaker 1>of you are because of what's going onmating her and Gerty, which,

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<v Speaker 1>by the way, I strongly believe next season her and

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<v Speaker 1>Gerty will figure it out and be fine because it's

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<v Speaker 1>not that deep, and it's not that deep, So cut

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<v Speaker 1>Kiki some slack, Okay. Now, with that being said, this

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<v Speaker 1>is the reason why we all want Kiki to be

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<v Speaker 1>a full time housewife because she has delivered in this

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<v Speaker 1>one season. I'm not gonna say names what some of

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<v Speaker 1>the Mohito holders haven't throughout the time on the show

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<v Speaker 1>as a Mohito holder, Okay, telling that story must not

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<v Speaker 1>be the easiest for Kiki to relive through the pain

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<v Speaker 1>of being put out on the street and you having

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<v Speaker 1>to live with your auntie and all the things because

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<v Speaker 1>your father's wife does not want you there and your

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<v Speaker 1>father made the choice to listen to his wife and

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<v Speaker 1>never contacting his child. Is fucked up. It just is.

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<v Speaker 1>It is. It is, and there's absolutely no excuse for it.

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<v Speaker 1>And that's why I'm proud of the woman Kiki has become,

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<v Speaker 1>because that alone could have made Kiki be homeless, live

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<v Speaker 1>in a shelter, hanging out with the wrong people in

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<v Speaker 1>the streets, possibly having some sort of addiction for those

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<v Speaker 1>reasons too. So we have to give Kiki all the

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<v Speaker 1>props for having enough strength in herself to be able

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<v Speaker 1>to make that situation that was horrible and terrifying, not

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<v Speaker 1>just for anybody before a Haitian girl. Okay, it makes

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<v Speaker 1>me say even think about it. So I love the

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<v Speaker 1>fact that Kiki's doing that. Look, I appreciate her father

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<v Speaker 1>for also being somebody who's able to have the conversation

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<v Speaker 1>on camera, because it's not easy too, with the fact

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<v Speaker 1>that look to be seen as a father who did

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<v Speaker 1>something so horrific to their child, meaning just kicking them

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<v Speaker 1>up the house, it's tough. So I also plau the

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<v Speaker 1>dad for having the courage to have his daughter tell

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<v Speaker 1>the truth and to deal with it. Now. One thing

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<v Speaker 1>he said that I was like, this is a typical father,

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<v Speaker 1>and this is it's just it's typical. I felt like

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<v Speaker 1>he really didn apologize to her, but instead he said,

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<v Speaker 1>look at how many cameras are on you today, you know,

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<v Speaker 1>like pretty much intimating that. Look, yes, that situation was horrific,

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<v Speaker 1>but look where got you your TV? And it's sort

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<v Speaker 1>of like, look, yes, she made a life for herself,

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<v Speaker 1>and yes we all should forgive our parents, but you

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<v Speaker 1>shouldn't be taking responsibility put what Kiki has made out

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<v Speaker 1>of the life that she was given. Yes, she made

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<v Speaker 1>Wait is this she made lemonade out of lemons? Yes,

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<v Speaker 1>because the life gives you limits, you make lemonade. Okay,

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<v Speaker 1>so what'll be So listen she made lemonade out of lemons,

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<v Speaker 1>and Dad, you give my pross from that zero zero.

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<v Speaker 1>And that's why I appreciated awesome. Kiki said. In Haitian culture,

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<v Speaker 1>kids are not allowed to call out their parents. And listen,

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<v Speaker 1>I'm not Haitian, but I'm Black, I'm African American. That

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<v Speaker 1>is true. I think in black households, you just don't

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<v Speaker 1>call out your parents. It's the reason why if you

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<v Speaker 1>watch Basketball Lives. It was this big thing between Jackie

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<v Speaker 1>Christy and her daughter Chantello because Kiki's right, Black kids,

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<v Speaker 1>we do not call out our parents. And she used

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<v Speaker 1>the right operative word when she said aloud, we're not

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<v Speaker 1>allowed to call out our parents because if we do,

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<v Speaker 1>we are told I will slap you in the middle

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<v Speaker 1>of next week. I look, I'm just saying I'm not

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<v Speaker 1>saying they did it, but also saying we weren't stupid

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<v Speaker 1>enough to try them. We that we that dum Okay,

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<v Speaker 1>I'm just saying, I'm just saying it but no shout

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<v Speaker 1>out to kikey uh. This scene was great. Kiki looks

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<v Speaker 1>great and I was here for it. Let's get in

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<v Speaker 1>to Lisa. So Lisa decided to, you know, have a

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<v Speaker 1>conversation with her boyfriend Jody about the fact that she

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<v Speaker 1>is officially divorced. And Lisa, Baby, I'm listen. I love

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<v Speaker 1>love like anybody else does, baby, but the fact that

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<v Speaker 1>the ink just gotten dry and you are already thinking

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<v Speaker 1>about getting married again. I'm gonna say this because I

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<v Speaker 1>was gonna be honest. I love Lisa, and Lisa's gorgeous.

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<v Speaker 1>She's a cute cute cute, cute, cute, cute cute something.

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<v Speaker 1>So Jody scaresby. He does. Jody scares me like the

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<v Speaker 1>the monsters in the movie screen nep Campbell style. Jody

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<v Speaker 1>scares me like Jason Freddy Krueger and Ramona's singer's eyes.

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<v Speaker 1>Jody has crazy eyes. It's crazy than Ramona's. Jody scares me.

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<v Speaker 1>Jody gives me Brooks from the Real House watch word chuty. Listen,

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<v Speaker 1>y'all tell me if I'm the only one thinking of this. Lisa,

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<v Speaker 1>run Run for the heels, Run for the Mountains, Child

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<v Speaker 1>run Away, Okay, run Away Love and Vogue run Away Bride,

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<v Speaker 1>do something. Just don't stay there. I just get the

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<v Speaker 1>X from Jody. I think. I think Jody loves the cameras.

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<v Speaker 1>I think Joe he loves the fame. I think Jody

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<v Speaker 1>loves the attention. I think and Lisa was not a housewife.

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<v Speaker 1>I just don't think Jody will be with her allegedly,

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<v Speaker 1>I don't. Jody does not give me anything genuine from

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<v Speaker 1>look from the greasy hair to you know, the crazy eyes,

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<v Speaker 1>to texting Larsa Pippin, to you know, being a Marcus's

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<v Speaker 1>knows I mean not knows because other things were up

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<v Speaker 1>in there allegedly, but you know his ass Jody gives me.

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<v Speaker 1>I feel like, allegedly, Jody is an opportunist. That's what

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<v Speaker 1>he gives me. I don't.

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<v Speaker 2>I don't feel good about it, not one bit.

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<v Speaker 1>I don't. And I think Lisa is so blinded by

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<v Speaker 1>love that she can't even see straight right now when

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<v Speaker 1>it comes to Lisa, my opinion, I think that Lisa

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<v Speaker 1>is self absorbed, which there's nothing wrong with me, you know,

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<v Speaker 1>there's nothing wrong with that. Ninety eight percent of housewives

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<v Speaker 1>are self absorbed. So that's not a reading Lisa Lisa

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<v Speaker 1>likes who likes her. It could have been a woman

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<v Speaker 1>liking Lisa at the time she was divorcing Lenny, and

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<v Speaker 1>Lisa would be on her Collbrade charts. Let's have a conversation. Shit,

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<v Speaker 1>I could have said, Lisa, you're gorgeous. She would have

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<v Speaker 1>said to me, oh my gosh, are you single? Not

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<v Speaker 1>realizing you know, I like the men's baby, Lisa likes

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<v Speaker 1>who likes her? And I think Jody watched the show

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<v Speaker 1>is giving Dear John, Dear Jody baby. Vicky Govern said

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<v Speaker 1>the little confrontation with Lisa, I just I don't know.

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<v Speaker 1>Jody gives me the creeps anyway. So as they're talking,

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<v Speaker 1>they're talking about Larsa, and Jody's like, I've been through

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<v Speaker 1>so much with your divorce and all these things. And

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<v Speaker 1>then all of a sudden, you know, Lisa talks about

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<v Speaker 1>Larsa and look, I will say this, I didn't realize

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<v Speaker 1>that allegedly Larsa texts Jody first. I do feel like

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<v Speaker 1>that slightly changes things. So Jody, listen up, brother. I

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<v Speaker 1>am on a side, and Jody, I listen, those are

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<v Speaker 1>what I get basic off what I'm seeing on the

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<v Speaker 1>shows a listen if I'm wrong, I'm wrong, and I

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<v Speaker 1>apologize advance, but I can only tell you what I

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<v Speaker 1>see on the show. You give me the creeps. Now,

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<v Speaker 1>with that being said, if Larsa did text Jody first,

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<v Speaker 1>then he responded to her, I do think that changes things,

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<v Speaker 1>and that's the reason why ladies.

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<v Speaker 2>Let me thar on something. Ladies, listen up.

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<v Speaker 1>I don't care if you guys go on double dates

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<v Speaker 1>every Friday night, take couples trips together, have three somes,

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<v Speaker 1>four sums, five sums, or gs, groupie, whatever you want

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<v Speaker 1>to do. I don't care. Ladies, you should not have

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<v Speaker 1>your best friend's man's number. I think it's inappropriate. Why

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<v Speaker 1>do you need to text your girl's man. What do

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<v Speaker 1>y'all need to talk about? Why do you need it

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<v Speaker 1>in the first place. If you need to get in

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<v Speaker 1>contact with my man, call me bitch. Why I don't

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<v Speaker 1>think couple should be on group checks. I think it's

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<v Speaker 1>I think I think it's weird. So the fact that

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<v Speaker 1>that Jody even had Larce's number vice versa, that crossed

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<v Speaker 1>the line to me it was inappropriate to begin with,

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<v Speaker 1>because this is what happens. This man feels comfortable talking

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<v Speaker 1>to Larsa this way because she initiated a text message

0:17:21.880 --> 0:17:27.080
<v Speaker 1>and listen, when I'm fair unfair, I'm actually more on

0:17:27.160 --> 0:17:30.720
<v Speaker 1>Jody's side, and you know, I love Larsa, but I'm

0:17:30.800 --> 0:17:34.240
<v Speaker 1>on Jody's side with this only because yes, Jody should

0:17:34.280 --> 0:17:36.639
<v Speaker 1>never text a woman in general. But I do think

0:17:36.680 --> 0:17:38.880
<v Speaker 1>it's different if the woman texts you first and you're

0:17:38.920 --> 0:17:42.639
<v Speaker 1>responding to her. I do think that changing things a bit.

0:17:43.080 --> 0:17:47.680
<v Speaker 1>I'm not excusing what he said. I'm not excusing any

0:17:47.720 --> 0:17:51.320
<v Speaker 1>of those things. What I am excusing, though, is if

0:17:51.359 --> 0:17:56.640
<v Speaker 1>she texts him first. I do believe that if he responds,

0:17:56.880 --> 0:18:01.800
<v Speaker 1>you gave him the floor to respond. I do believe that. Now.

0:18:04.280 --> 0:18:09.359
<v Speaker 1>I just don't believe Jody and Lisa she can marry. Listen, Lisa, Lisa,

0:18:09.440 --> 0:18:13.720
<v Speaker 1>Lisa Lisa. I felt like Lisa was so caught up

0:18:13.760 --> 0:18:19.720
<v Speaker 1>in trying to give Lenny jealous that she flung to Jody.

0:18:20.320 --> 0:18:23.480
<v Speaker 1>Jody does give controlling, and look, some women like that,

0:18:23.640 --> 0:18:28.360
<v Speaker 1>and maybe that's what Lisa likes. Lenny gave controlling when

0:18:28.359 --> 0:18:30.800
<v Speaker 1>the girls rebuild, that Lenny would have these parties and

0:18:30.840 --> 0:18:36.600
<v Speaker 1>that allegedly, you know, the girls would come over and

0:18:36.640 --> 0:18:41.159
<v Speaker 1>the girls wouldn't leave until the next day. You can

0:18:41.280 --> 0:18:47.880
<v Speaker 1>catch my drift. You know. That's that's controlling. If you're

0:18:47.880 --> 0:18:50.800
<v Speaker 1>married to a man and he throws parties and these

0:18:50.960 --> 0:18:56.040
<v Speaker 1>women who are sexy or scantony klat are at these parties,

0:18:57.400 --> 0:18:59.920
<v Speaker 1>and they're in your home that you share with your husband,

0:19:00.000 --> 0:19:04.760
<v Speaker 1>and these ladies don't leave until the next day. That's

0:19:04.800 --> 0:19:10.520
<v Speaker 1>a form of control. And I want Lisa to understand

0:19:10.600 --> 0:19:13.240
<v Speaker 1>her words to not feel like she has to get

0:19:13.280 --> 0:19:18.080
<v Speaker 1>married so soon. You just got divorced. Yes, they fall

0:19:18.119 --> 0:19:20.240
<v Speaker 1>in love, do all the things. I just don't think

0:19:20.240 --> 0:19:24.719
<v Speaker 1>a marriage should be the next thing you do, especially

0:19:24.760 --> 0:19:31.720
<v Speaker 1>because you have two small, young children. And I just

0:19:31.800 --> 0:19:36.080
<v Speaker 1>think I think it's too much, and I think it's

0:19:36.080 --> 0:19:41.439
<v Speaker 1>too soon. I think I did. But lave y'ad grida

0:19:42.400 --> 0:19:46.760
<v Speaker 1>now Stephanie aka Regina George with the fashions of Blanche

0:19:46.800 --> 0:19:53.800
<v Speaker 1>debor Breul. All right, Stephanie. Stephanie met up with Anastosia,

0:19:54.119 --> 0:20:00.240
<v Speaker 1>who will help us in the name? Right? Is that Anastasia? Okay, hey,

0:20:00.320 --> 0:20:03.760
<v Speaker 1>this is a fun flex so rangdof's listen up. I

0:20:03.920 --> 0:20:11.320
<v Speaker 1>met on a stage before. So back in like twenty ten,

0:20:12.000 --> 0:20:18.520
<v Speaker 1>Oprah Winfrey talk show was ending. She decided to enter

0:20:18.520 --> 0:20:23.679
<v Speaker 1>her talk show season twenty five, and she hired a

0:20:23.720 --> 0:20:29.000
<v Speaker 1>reality crew to document the final season of her talk show.

0:20:29.680 --> 0:20:32.960
<v Speaker 1>So at the time, I was a film producer and

0:20:33.119 --> 0:20:37.000
<v Speaker 1>I was fortunate enough to be part of the team

0:20:37.520 --> 0:20:43.040
<v Speaker 1>to follow around Miss Winfrey. So one day we had

0:20:43.080 --> 0:20:47.879
<v Speaker 1>to go to Los Angeles because Miss Winfrey was presenting.

0:20:48.840 --> 0:20:55.640
<v Speaker 2>At the Oscars. So the day before my team followed Miss.

0:20:55.520 --> 0:20:59.720
<v Speaker 1>Winfrey and Gail King to Beverly Hills to get their

0:20:59.800 --> 0:21:08.119
<v Speaker 1>eyes eyebrows done, and she got her eyebrows done by Anastasia, who, literally,

0:21:08.600 --> 0:21:11.800
<v Speaker 1>like Stephanie said, is like the best of the business.

0:21:12.960 --> 0:21:17.040
<v Speaker 1>And at the Stasia could not be more sweet. She

0:21:17.359 --> 0:21:21.840
<v Speaker 1>was so nice, so sweet, so accommodating. She actually, you know,

0:21:22.000 --> 0:21:27.520
<v Speaker 1>did Oprah's eyebrows. She did it herself. At the time,

0:21:27.640 --> 0:21:29.840
<v Speaker 1>she had a place in Benby Hills. I think she

0:21:29.880 --> 0:21:33.199
<v Speaker 1>still does. I'm not sure, but missing herself was the

0:21:33.200 --> 0:21:38.200
<v Speaker 1>one with the Oprah's eyebrows. And she was so sweet,

0:21:38.240 --> 0:21:43.040
<v Speaker 1>so and just so humble. And it's nice to see

0:21:43.040 --> 0:21:46.520
<v Speaker 1>that Stephanie has a friend that looks on her level

0:21:46.560 --> 0:21:49.080
<v Speaker 1>when it comes to being a businesswoman. Because what we're

0:21:49.119 --> 0:21:53.280
<v Speaker 1>not gonna do is this cow Stephanie as a businesswoman.

0:21:54.280 --> 0:21:59.800
<v Speaker 1>I will say that I appreciated this scene between Stephanie

0:22:01.200 --> 0:22:07.880
<v Speaker 1>and Amastasia because for me, it was nice to understand

0:22:07.960 --> 0:22:13.119
<v Speaker 1>Stephanie more by talking to another woman who owns pretty

0:22:13.200 --> 0:22:19.320
<v Speaker 1>much a billion dollar business, and the fact that Anastasia

0:22:19.520 --> 0:22:25.120
<v Speaker 1>was able to give her advice and Stephanie understood everything.

0:22:24.760 --> 0:22:26.919
<v Speaker 2>Ama Stata said, which is true.

0:22:27.000 --> 0:22:30.760
<v Speaker 1>I mean, look, I'll say this being a boss, and

0:22:30.800 --> 0:22:35.000
<v Speaker 1>I'll say this being the owner of my Company's one

0:22:35.040 --> 0:22:38.480
<v Speaker 1>thing I will say for sure is when you are

0:22:38.520 --> 0:22:43.240
<v Speaker 1>the boss, you have to make tough decisions. Now, the

0:22:43.320 --> 0:22:47.200
<v Speaker 1>line of work Stephanie has is probably way more stressful

0:22:47.200 --> 0:22:51.160
<v Speaker 1>than mine. I don't have a personality to be snippy.

0:22:51.240 --> 0:22:54.879
<v Speaker 1>It's just not me. But I am very direct, and

0:22:55.080 --> 0:22:58.760
<v Speaker 1>you know, I delegate. I'm not a mean person by

0:22:58.760 --> 0:23:03.000
<v Speaker 1>any special imagination. And I just make decisions, don't I

0:23:03.040 --> 0:23:05.960
<v Speaker 1>don't have to like I'm not pative aggressive, I'm not

0:23:06.000 --> 0:23:10.840
<v Speaker 1>a micromanager. I make decisions. I delegate, do the job,

0:23:11.840 --> 0:23:14.400
<v Speaker 1>and I'm gonna do my job, and we're gonna all

0:23:14.400 --> 0:23:16.720
<v Speaker 1>win in the end because there's no iron team, right.

0:23:18.119 --> 0:23:21.040
<v Speaker 1>So with that being said, I don't know what it's

0:23:21.160 --> 0:23:27.120
<v Speaker 1>like to be a woman in this business either. And

0:23:27.160 --> 0:23:31.159
<v Speaker 1>that's where I will give Stephanie some grace. The conversation

0:23:31.240 --> 0:23:34.399
<v Speaker 1>she was having with Anastasia, I feel like, I'm like,

0:23:34.440 --> 0:23:37.399
<v Speaker 1>I've given her three different days? Is that honest? Is

0:23:38.680 --> 0:23:45.359
<v Speaker 1>Anastasia Anastasia whatever child? We'll call her the eyebrow guru baby.

0:23:46.359 --> 0:23:48.359
<v Speaker 1>What I liked about the scene too, was the fact

0:23:48.359 --> 0:23:51.840
<v Speaker 1>that they both talked about being women in business and

0:23:51.920 --> 0:23:54.880
<v Speaker 1>how sometimes you have to be sterned because you don't

0:23:54.880 --> 0:23:56.720
<v Speaker 1>want a man to take advantage of you. You don't

0:23:56.720 --> 0:23:58.879
<v Speaker 1>want a man to cut you off. I don't know

0:23:58.920 --> 0:24:02.239
<v Speaker 1>what that feels like. So I was like, Wow, this

0:24:02.359 --> 0:24:05.879
<v Speaker 1>was good. This scene made me love Stephanie Moore. I

0:24:05.920 --> 0:24:08.000
<v Speaker 1>already love her and I could still read her for

0:24:08.119 --> 0:24:13.320
<v Speaker 1>other things, but I love Stephanie because I thought, in

0:24:13.400 --> 0:24:18.280
<v Speaker 1>my opinion, hey camera, that this was a real moment

0:24:19.119 --> 0:24:23.960
<v Speaker 1>to see Stephanie be herself and when she is around

0:24:23.960 --> 0:24:28.160
<v Speaker 1>the girls, Stephanie is bossy, and Stephanie has to own

0:24:28.200 --> 0:24:32.040
<v Speaker 1>up for the fact that, Sis, you are bossy and

0:24:32.440 --> 0:24:36.679
<v Speaker 1>you're not the boss of these girls. These women, I

0:24:36.720 --> 0:24:42.840
<v Speaker 1>think all of them right are over forty. You can't

0:24:42.880 --> 0:24:45.560
<v Speaker 1>boss these women around. I think it's nice what she

0:24:45.640 --> 0:24:48.200
<v Speaker 1>does for the girls. I think all of that is great.

0:24:48.240 --> 0:24:51.720
<v Speaker 1>The planes to train for Amabile's all those things right.

0:24:52.840 --> 0:24:56.800
<v Speaker 1>But these women have been around powerful men, and they're

0:24:56.920 --> 0:25:00.520
<v Speaker 1>powerful themselves and they don't need another power, a woman

0:25:00.720 --> 0:25:03.840
<v Speaker 1>to speak to them as if they have in W

0:25:04.080 --> 0:25:07.960
<v Speaker 1>two that they need to get from Showma, and that

0:25:08.119 --> 0:25:12.040
<v Speaker 1>is how you treat them. But I appreciate the conversation,

0:25:12.200 --> 0:25:14.320
<v Speaker 1>and I did feel like, you know what, I got

0:25:14.359 --> 0:25:18.480
<v Speaker 1>a chance to know Stephanie better. But Stephanie, you're the

0:25:18.520 --> 0:25:22.119
<v Speaker 1>type of woman we talked thought I was hilarious. I

0:25:22.240 --> 0:25:25.000
<v Speaker 1>used to be like this, so I gonna bring myself.

0:25:25.800 --> 0:25:28.840
<v Speaker 1>Stephanie is the type of person where where somebody gives

0:25:28.840 --> 0:25:32.480
<v Speaker 1>her advice that brings a bell, she goes to the

0:25:32.480 --> 0:25:37.480
<v Speaker 1>extreme with it. So the fact that Anastasia said, look,

0:25:39.880 --> 0:25:43.280
<v Speaker 1>just be cool, like calm down, don't speak to them crazy,

0:25:44.640 --> 0:25:47.360
<v Speaker 1>she then just started to become quiet. When they were

0:25:47.400 --> 0:25:53.520
<v Speaker 1>all on Richard Branson's Virgion cruise ship that Marisol put together,

0:25:54.119 --> 0:25:57.320
<v Speaker 1>It's like, look, Stephanie, no one said be quiet, no

0:25:57.359 --> 0:25:59.800
<v Speaker 1>one said don't talk, no one said don't say anything.

0:26:00.359 --> 0:26:02.440
<v Speaker 2>All these ladies are saying to you is.

0:26:03.040 --> 0:26:06.200
<v Speaker 1>Don't be bossy, don't want what you do for us,

0:26:06.760 --> 0:26:10.879
<v Speaker 1>Just be normal like that's all they want. I'm just

0:26:10.920 --> 0:26:17.480
<v Speaker 1>saying so anyways, speaking of taking things to an extreme,

0:26:18.160 --> 0:26:21.440
<v Speaker 1>Audriana was not fun in this episode. And Audrianna is

0:26:21.480 --> 0:26:24.880
<v Speaker 1>a fun woman. She took what Kiky said to her

0:26:24.920 --> 0:26:29.600
<v Speaker 1>to heart and for some reason. I mean, look, nobody

0:26:29.640 --> 0:26:32.560
<v Speaker 1>wants to be called old, but also nobody wants to

0:26:32.600 --> 0:26:36.600
<v Speaker 1>call ratchet. Now. No, we discussed this last week and

0:26:36.640 --> 0:26:41.240
<v Speaker 1>you said ratchet. Okay, fine, but what Keky heard was ratchet.

0:26:41.600 --> 0:26:45.639
<v Speaker 1>And Keiki is a black woman. We as black folks

0:26:45.720 --> 0:26:46.800
<v Speaker 1>do not want to be.

0:26:46.840 --> 0:26:50.440
<v Speaker 2>Called ratchet by a non black person. That's a fact.

0:26:51.680 --> 0:26:56.920
<v Speaker 1>That's why she gagged, and that's why Gertie screamed, that's

0:26:56.960 --> 0:27:01.720
<v Speaker 1>coming from me. Trust me, I'm right, so key. Keith's

0:27:01.760 --> 0:27:05.400
<v Speaker 1>response was your economy, ratchet, which was a dig. I'm

0:27:05.400 --> 0:27:08.120
<v Speaker 1>going to dig back on you. She said you are

0:27:08.160 --> 0:27:11.040
<v Speaker 1>too old. She did just say you look old. She

0:27:11.080 --> 0:27:13.960
<v Speaker 1>didn't say you dressed old like Stephanie. She didn't say

0:27:14.000 --> 0:27:17.920
<v Speaker 1>you act old. She said you are too old, meaning

0:27:17.960 --> 0:27:20.600
<v Speaker 1>your age should be acting like that. Well I guess

0:27:20.640 --> 0:27:25.600
<v Speaker 1>she did. You acted old? Okay, bye, okay, child, she

0:27:25.600 --> 0:27:28.400
<v Speaker 1>did say, you act old, honey, but look, you called

0:27:28.400 --> 0:27:31.399
<v Speaker 1>a ratchet, so all is fair in love and shade.

0:27:33.119 --> 0:27:38.480
<v Speaker 1>It bothered Audriana a great deal. Gerni tried to talk

0:27:38.520 --> 0:27:41.320
<v Speaker 1>to her, that didn't work, and then at the table

0:27:41.359 --> 0:27:44.520
<v Speaker 1>the girls tried to talk to her. She looked visibly

0:27:44.600 --> 0:27:49.400
<v Speaker 1>upset about it and sad. And look, Audreana is gorgeous,

0:27:50.080 --> 0:27:52.320
<v Speaker 1>She's she's one of the most beautiful women on Bravo.

0:27:52.400 --> 0:27:56.399
<v Speaker 1>She's a beautiful woman. And Audriana is fantastic television and

0:27:56.440 --> 0:27:58.840
<v Speaker 1>I don't see this show without her. She's a great villain.

0:27:59.160 --> 0:28:04.920
<v Speaker 1>She's also hilarious. But if Keith, Keith can't get over

0:28:05.119 --> 0:28:09.040
<v Speaker 1>you calling her ratchet and you made wretchet, she already

0:28:09.080 --> 0:28:12.440
<v Speaker 1>apologized to you for the old comment. But again, what

0:28:12.600 --> 0:28:16.520
<v Speaker 1>I liked about that moment between Audrina and the girls

0:28:17.240 --> 0:28:19.920
<v Speaker 1>is the fact that there is something deeper going on

0:28:20.080 --> 0:28:24.200
<v Speaker 1>in Audreana's life to where that word truly affected her.

0:28:24.400 --> 0:28:26.199
<v Speaker 1>Because again I didn't think it was a big of

0:28:26.200 --> 0:28:26.520
<v Speaker 1>a deal.

0:28:27.119 --> 0:28:36.240
<v Speaker 2>But nobody also has called me old, so I'm not

0:28:36.280 --> 0:28:41.080
<v Speaker 2>here to say how she should feel. But that's the

0:28:41.200 --> 0:28:44.200
<v Speaker 2>reason why you can't sit up.

0:28:44.080 --> 0:28:47.400
<v Speaker 1>There and try to read a girl, and when she

0:28:47.440 --> 0:28:50.920
<v Speaker 1>reads you back you start crying.

0:28:51.120 --> 0:28:53.960
<v Speaker 2>It's just it doesn't work that way.

0:28:54.120 --> 0:28:58.880
<v Speaker 1>It doesn't work that way. So in this episode, we

0:28:58.960 --> 0:29:02.160
<v Speaker 1>are also setting up the fact that Larsa and Lisa

0:29:02.280 --> 0:29:04.600
<v Speaker 1>are going to make up. I gotta be honest with you.

0:29:04.960 --> 0:29:07.760
<v Speaker 1>I don't care about this beef anymore. Between Larsa and Lisa.

0:29:08.200 --> 0:29:11.400
<v Speaker 1>I'm kind of over it. It's to me, it's not

0:29:11.480 --> 0:29:14.960
<v Speaker 1>that deep. It was deep in the beginning. I feel

0:29:15.000 --> 0:29:18.760
<v Speaker 1>like they both are very stubborn and they both need

0:29:18.800 --> 0:29:22.080
<v Speaker 1>to just say, look, we both made a mistake. I

0:29:22.200 --> 0:29:26.440
<v Speaker 1>did this, you did that. Let's start a clean slate today.

0:29:27.120 --> 0:29:32.320
<v Speaker 1>But they're both refusing to do that. I think it's overboard. Personally,

0:29:33.480 --> 0:29:39.240
<v Speaker 1>I did I'm just saying. And then Lisa, you can't

0:29:39.280 --> 0:29:44.479
<v Speaker 1>say you're confessionals. The dig about how Larsa is an

0:29:44.600 --> 0:29:50.120
<v Speaker 1>only fans take, you know, taking topless photos and maybe

0:29:50.160 --> 0:29:53.560
<v Speaker 1>talk to people's husbands. I mean, granted, it was a

0:29:53.560 --> 0:29:56.520
<v Speaker 1>good red Baby, but that's not going to help as

0:29:56.640 --> 0:29:59.920
<v Speaker 1>Larsa watches it and you expect to be bestie's again.

0:30:00.280 --> 0:30:04.200
<v Speaker 1>I'm just saying. But overall, I enjoyed this episode. There

0:30:04.320 --> 0:30:06.480
<v Speaker 1>wasn't a lot of drama, but I liked that because

0:30:06.520 --> 0:30:09.200
<v Speaker 1>we had so much drama in Spain that it was

0:30:09.320 --> 0:30:13.360
<v Speaker 1>nice to settle with these ladies, get some personal story happening.

0:30:13.840 --> 0:30:18.720
<v Speaker 1>But Baby, next week, all hell breaks loose and it

0:30:18.840 --> 0:30:26.120
<v Speaker 1>appears that Stephanie is on a mission to go at

0:30:26.160 --> 0:30:36.760
<v Speaker 1>it with Marisol and I absolutely handwait. Reality with the

0:30:36.840 --> 0:30:41.560
<v Speaker 1>King is executive produced by me Carlos King, produced by

0:30:41.680 --> 0:30:46.320
<v Speaker 1>Lizzie Nimitz, and a partnership with the Lack Effect Network.

0:30:46.680 --> 0:30:49.400
<v Speaker 1>You can also find us on my YouTube channel at

0:30:49.440 --> 0:30:52.440
<v Speaker 1>the Carlos King Underscore