1 00:00:03,600 --> 00:00:06,800 Speaker 1: Reality with the King is hosted by me Carlos King. 2 00:00:07,080 --> 00:00:10,239 Speaker 1: I'm an executive producer who have produced some of your 3 00:00:10,240 --> 00:00:13,560 Speaker 1: favorite shows from the Real Housewives in Atlanta, New Jersey 4 00:00:13,920 --> 00:00:17,320 Speaker 1: and my own creation, The Love and Marriage Franchise and 5 00:00:17,520 --> 00:00:23,080 Speaker 1: Bell Collective. Every episode, we recap reality television from the 6 00:00:23,079 --> 00:00:27,680 Speaker 1: Real Housewives Franchise to The Bachelor or Selling Sunset, in 7 00:00:27,720 --> 00:00:31,680 Speaker 1: addition to celebrity guests, whether in the unscripted space or 8 00:00:31,760 --> 00:00:40,440 Speaker 1: scripted as well. Happy Monday brain Drops to start your week, 9 00:00:40,880 --> 00:00:44,519 Speaker 1: I am going to recap the latest episode of the 10 00:00:44,560 --> 00:00:49,720 Speaker 1: Real Housewives of Miami. Yes, okay, so we got against 11 00:00:49,720 --> 00:00:53,639 Speaker 1: this episode. The ladies are back from Spain, they are 12 00:00:53,840 --> 00:00:58,560 Speaker 1: settled into Miami, and the beauty of this episode to 13 00:00:58,640 --> 00:01:02,520 Speaker 1: me is we got to dive more into their personal story. 14 00:01:03,240 --> 00:01:06,399 Speaker 1: There's been tons of group drama. There's been tons of. 15 00:01:06,440 --> 00:01:09,920 Speaker 2: Cafe look, which I love, by the way, but y'all 16 00:01:09,959 --> 00:01:10,200 Speaker 2: know me. 17 00:01:10,360 --> 00:01:13,319 Speaker 1: What I love the most about these shows are the 18 00:01:13,440 --> 00:01:17,319 Speaker 1: personal stories, and the Real Housewatch of Miami, to me, 19 00:01:18,160 --> 00:01:22,440 Speaker 1: does the best job of balancing it out. So I 20 00:01:22,560 --> 00:01:25,520 Speaker 1: was really happy with this episode, and I was really 21 00:01:25,600 --> 00:01:29,480 Speaker 1: happy that we are getting a chance to see more 22 00:01:29,640 --> 00:01:33,200 Speaker 1: of kie Ky Bart and her personal story. Let me 23 00:01:33,280 --> 00:01:35,640 Speaker 1: just tell you how this works. The beauty of me 24 00:01:35,720 --> 00:01:38,039 Speaker 1: doing this podcast is because yes, I get to tell 25 00:01:38,040 --> 00:01:41,000 Speaker 1: you all about my opinion, but I also like to 26 00:01:41,080 --> 00:01:48,160 Speaker 1: inform you guys on the behind the scenes operations how 27 00:01:48,280 --> 00:01:53,320 Speaker 1: some things work. So let me say this, Kiki is 28 00:01:53,400 --> 00:01:57,559 Speaker 1: a friend to the show. When you are a friend 29 00:01:57,600 --> 00:02:03,000 Speaker 1: to the show, the producers don't spend time on your 30 00:02:03,040 --> 00:02:09,560 Speaker 1: personal story because you're not a housewife. Okay, so look 31 00:02:09,639 --> 00:02:13,440 Speaker 1: back at like the legendary friend of who will always 32 00:02:13,480 --> 00:02:16,880 Speaker 1: go down in history as the woman. Let's have a 33 00:02:16,919 --> 00:02:21,960 Speaker 1: real conversation the woman who started the title of friend 34 00:02:22,040 --> 00:02:25,880 Speaker 1: to the show, and that is Marlowe Patrese Hampton from 35 00:02:25,919 --> 00:02:29,600 Speaker 1: the Real Housewives of Atlanta. Look love her or hate her, 36 00:02:30,240 --> 00:02:33,520 Speaker 1: there will be no friends up if it wasn't for Marlowe. 37 00:02:35,160 --> 00:02:38,240 Speaker 1: And that's some real shit for your ass. Marlow Hampton 38 00:02:39,560 --> 00:02:43,680 Speaker 1: is the reason why we even give the title friend 39 00:02:44,520 --> 00:02:49,079 Speaker 1: to a cast member who is not a housewife. So 40 00:02:49,160 --> 00:02:53,160 Speaker 1: put some respect on Marlowe's name. Now, when you look 41 00:02:53,160 --> 00:02:57,400 Speaker 1: at Marlowe's time on the show, before Marlowe had a peach, 42 00:02:58,240 --> 00:03:03,799 Speaker 1: Marlowe was somebody that came in read the girls went 43 00:03:03,840 --> 00:03:09,080 Speaker 1: back home, came in, had a lunch with Mini Leagus 44 00:03:09,160 --> 00:03:12,320 Speaker 1: and sid at billies. She was a tall hanging with 45 00:03:12,360 --> 00:03:16,320 Speaker 1: the smalls. Okay, but she wasn't a housewife, she didn't 46 00:03:16,360 --> 00:03:19,800 Speaker 1: have confessionals, and we never dived into her personal story. 47 00:03:20,160 --> 00:03:24,040 Speaker 1: Or is it doe? To all of my grammar educators 48 00:03:24,080 --> 00:03:26,480 Speaker 1: who listen to reality with the King that are my 49 00:03:26,560 --> 00:03:34,079 Speaker 1: fellow rain drops, is it dive or doe? Let's they go? 50 00:03:34,680 --> 00:03:39,120 Speaker 1: We never dove, That's all right. I guess we never 51 00:03:39,240 --> 00:03:44,560 Speaker 1: dove into Marlowe's personal story when she was a friend 52 00:03:45,040 --> 00:03:49,600 Speaker 1: because that was not a part of the assignment. Now 53 00:03:49,840 --> 00:03:52,600 Speaker 1: it seems to be. And that's why I'm giving ki 54 00:03:52,680 --> 00:03:58,240 Speaker 1: Ki Bark her props because Kiki does not have to 55 00:03:58,400 --> 00:04:03,720 Speaker 1: offer anything of her personal life to the show because 56 00:04:03,840 --> 00:04:07,680 Speaker 1: she's not a housewife and she's not getting paid as 57 00:04:07,760 --> 00:04:12,080 Speaker 1: much as the Mohito holders who should be giving personal story. 58 00:04:13,200 --> 00:04:15,600 Speaker 1: Are you getting it? Are you getting it? No? 59 00:04:15,720 --> 00:04:18,760 Speaker 2: I don't get it, okay, Josee Ryant, No, but real talk. 60 00:04:18,839 --> 00:04:21,040 Speaker 1: I hope you guys get it. That's why I'm giving 61 00:04:21,120 --> 00:04:25,719 Speaker 1: Kiki her props when it comes to giving us everything 62 00:04:26,080 --> 00:04:30,599 Speaker 1: this season as relates to her children, her mom, and 63 00:04:30,680 --> 00:04:35,760 Speaker 1: in this particular episode, her father. Now, if you listen 64 00:04:35,800 --> 00:04:40,080 Speaker 1: to my podcast like you're doing now, a few weeks ago, 65 00:04:40,360 --> 00:04:43,760 Speaker 1: I had the pleasure of having an interview with Keiki. 66 00:04:44,480 --> 00:04:48,080 Speaker 1: So this scene where her dad was special to me 67 00:04:48,680 --> 00:04:52,000 Speaker 1: because Kiki shared on my podcast, and if you haven't 68 00:04:52,040 --> 00:04:57,320 Speaker 1: listened to it, find it. It's worth the listen hearing 69 00:04:57,440 --> 00:05:03,800 Speaker 1: Keiki talk about the fact that her stepmother told her 70 00:05:03,880 --> 00:05:08,280 Speaker 1: dad to kick her out of the house. Now, I'm 71 00:05:08,279 --> 00:05:11,080 Speaker 1: gonna say allegedly only because the step mom is not 72 00:05:11,120 --> 00:05:14,440 Speaker 1: here to defend herself. Okay, that's why I'm saying it. 73 00:05:15,040 --> 00:05:19,440 Speaker 1: But Kiki also shared that on my podcast too, and 74 00:05:19,480 --> 00:05:23,600 Speaker 1: that's tough to be a young woman and knowing that 75 00:05:24,040 --> 00:05:30,320 Speaker 1: your father, your blood father, all it took was for 76 00:05:30,440 --> 00:05:36,520 Speaker 1: his wife, your step mother, to call him that complain 77 00:05:37,040 --> 00:05:42,280 Speaker 1: about your daughter and saying she has to leave, and 78 00:05:42,400 --> 00:05:48,680 Speaker 1: her father saying yes, without ever hearing Kiki's side. That 79 00:05:50,880 --> 00:05:56,200 Speaker 1: is so disturbing on so many levels. And look, I 80 00:05:56,279 --> 00:05:58,679 Speaker 1: know when it comes to Kiki, you guys are giving 81 00:05:58,720 --> 00:06:00,719 Speaker 1: her a hard time this season, all of you. Some 82 00:06:00,800 --> 00:06:06,239 Speaker 1: of you are because of what's going onmating her and Gerty, which, 83 00:06:06,279 --> 00:06:11,400 Speaker 1: by the way, I strongly believe next season her and 84 00:06:11,480 --> 00:06:14,880 Speaker 1: Gerty will figure it out and be fine because it's 85 00:06:15,000 --> 00:06:18,159 Speaker 1: not that deep, and it's not that deep, So cut 86 00:06:18,279 --> 00:06:23,520 Speaker 1: Kiki some slack, Okay. Now, with that being said, this 87 00:06:23,640 --> 00:06:26,960 Speaker 1: is the reason why we all want Kiki to be 88 00:06:27,000 --> 00:06:30,800 Speaker 1: a full time housewife because she has delivered in this 89 00:06:30,880 --> 00:06:35,400 Speaker 1: one season. I'm not gonna say names what some of 90 00:06:35,480 --> 00:06:42,040 Speaker 1: the Mohito holders haven't throughout the time on the show 91 00:06:42,440 --> 00:06:50,120 Speaker 1: as a Mohito holder, Okay, telling that story must not 92 00:06:50,240 --> 00:06:54,520 Speaker 1: be the easiest for Kiki to relive through the pain 93 00:06:55,440 --> 00:06:58,960 Speaker 1: of being put out on the street and you having 94 00:06:59,000 --> 00:07:02,480 Speaker 1: to live with your auntie and all the things because 95 00:07:02,640 --> 00:07:09,240 Speaker 1: your father's wife does not want you there and your 96 00:07:09,279 --> 00:07:13,480 Speaker 1: father made the choice to listen to his wife and 97 00:07:13,520 --> 00:07:19,080 Speaker 1: never contacting his child. Is fucked up. It just is. 98 00:07:19,800 --> 00:07:24,600 Speaker 1: It is. It is, and there's absolutely no excuse for it. 99 00:07:25,000 --> 00:07:28,040 Speaker 1: And that's why I'm proud of the woman Kiki has become, 100 00:07:28,560 --> 00:07:34,320 Speaker 1: because that alone could have made Kiki be homeless, live 101 00:07:34,440 --> 00:07:38,800 Speaker 1: in a shelter, hanging out with the wrong people in 102 00:07:38,880 --> 00:07:43,720 Speaker 1: the streets, possibly having some sort of addiction for those 103 00:07:43,760 --> 00:07:48,440 Speaker 1: reasons too. So we have to give Kiki all the 104 00:07:48,440 --> 00:07:53,080 Speaker 1: props for having enough strength in herself to be able 105 00:07:53,200 --> 00:07:59,280 Speaker 1: to make that situation that was horrible and terrifying, not 106 00:07:59,360 --> 00:08:13,120 Speaker 1: just for anybody before a Haitian girl. Okay, it makes 107 00:08:13,160 --> 00:08:16,200 Speaker 1: me say even think about it. So I love the 108 00:08:16,240 --> 00:08:19,200 Speaker 1: fact that Kiki's doing that. Look, I appreciate her father 109 00:08:20,000 --> 00:08:24,240 Speaker 1: for also being somebody who's able to have the conversation 110 00:08:24,320 --> 00:08:29,480 Speaker 1: on camera, because it's not easy too, with the fact 111 00:08:29,520 --> 00:08:34,319 Speaker 1: that look to be seen as a father who did 112 00:08:34,400 --> 00:08:37,679 Speaker 1: something so horrific to their child, meaning just kicking them 113 00:08:37,760 --> 00:08:41,960 Speaker 1: up the house, it's tough. So I also plau the 114 00:08:42,040 --> 00:08:47,800 Speaker 1: dad for having the courage to have his daughter tell 115 00:08:47,840 --> 00:08:52,240 Speaker 1: the truth and to deal with it. Now. One thing 116 00:08:52,320 --> 00:08:55,360 Speaker 1: he said that I was like, this is a typical father, 117 00:08:55,640 --> 00:09:02,840 Speaker 1: and this is it's just it's typical. I felt like 118 00:09:02,880 --> 00:09:05,720 Speaker 1: he really didn apologize to her, but instead he said, 119 00:09:06,440 --> 00:09:10,840 Speaker 1: look at how many cameras are on you today, you know, 120 00:09:10,960 --> 00:09:15,360 Speaker 1: like pretty much intimating that. Look, yes, that situation was horrific, 121 00:09:15,400 --> 00:09:18,240 Speaker 1: but look where got you your TV? And it's sort 122 00:09:18,280 --> 00:09:22,079 Speaker 1: of like, look, yes, she made a life for herself, 123 00:09:23,960 --> 00:09:30,160 Speaker 1: and yes we all should forgive our parents, but you 124 00:09:30,200 --> 00:09:34,040 Speaker 1: shouldn't be taking responsibility put what Kiki has made out 125 00:09:34,120 --> 00:09:37,360 Speaker 1: of the life that she was given. Yes, she made 126 00:09:40,640 --> 00:09:47,800 Speaker 1: Wait is this she made lemonade out of lemons? Yes, 127 00:09:47,840 --> 00:09:50,160 Speaker 1: because the life gives you limits, you make lemonade. Okay, 128 00:09:50,920 --> 00:09:55,800 Speaker 1: so what'll be So listen she made lemonade out of lemons, 129 00:09:55,840 --> 00:10:01,160 Speaker 1: and Dad, you give my pross from that zero zero. 130 00:10:01,600 --> 00:10:05,120 Speaker 1: And that's why I appreciated awesome. Kiki said. In Haitian culture, 131 00:10:05,720 --> 00:10:09,240 Speaker 1: kids are not allowed to call out their parents. And listen, 132 00:10:09,240 --> 00:10:13,400 Speaker 1: I'm not Haitian, but I'm Black, I'm African American. That 133 00:10:13,559 --> 00:10:17,360 Speaker 1: is true. I think in black households, you just don't 134 00:10:17,360 --> 00:10:19,720 Speaker 1: call out your parents. It's the reason why if you 135 00:10:19,760 --> 00:10:24,320 Speaker 1: watch Basketball Lives. It was this big thing between Jackie 136 00:10:24,400 --> 00:10:30,880 Speaker 1: Christy and her daughter Chantello because Kiki's right, Black kids, 137 00:10:31,480 --> 00:10:36,240 Speaker 1: we do not call out our parents. And she used 138 00:10:36,240 --> 00:10:40,240 Speaker 1: the right operative word when she said aloud, we're not 139 00:10:40,280 --> 00:10:44,200 Speaker 1: allowed to call out our parents because if we do, 140 00:10:44,880 --> 00:10:47,240 Speaker 1: we are told I will slap you in the middle 141 00:10:47,240 --> 00:10:52,160 Speaker 1: of next week. I look, I'm just saying I'm not 142 00:10:52,240 --> 00:10:56,480 Speaker 1: saying they did it, but also saying we weren't stupid 143 00:10:56,559 --> 00:11:04,800 Speaker 1: enough to try them. We that we that dum Okay, 144 00:11:05,480 --> 00:11:09,959 Speaker 1: I'm just saying, I'm just saying it but no shout 145 00:11:09,960 --> 00:11:13,640 Speaker 1: out to kikey uh. This scene was great. Kiki looks 146 00:11:13,640 --> 00:11:17,320 Speaker 1: great and I was here for it. Let's get in 147 00:11:17,320 --> 00:11:22,880 Speaker 1: to Lisa. So Lisa decided to, you know, have a 148 00:11:22,920 --> 00:11:26,840 Speaker 1: conversation with her boyfriend Jody about the fact that she 149 00:11:27,360 --> 00:11:34,880 Speaker 1: is officially divorced. And Lisa, Baby, I'm listen. I love 150 00:11:34,920 --> 00:11:38,200 Speaker 1: love like anybody else does, baby, but the fact that 151 00:11:38,800 --> 00:11:45,040 Speaker 1: the ink just gotten dry and you are already thinking 152 00:11:45,040 --> 00:11:48,319 Speaker 1: about getting married again. I'm gonna say this because I 153 00:11:48,360 --> 00:11:51,000 Speaker 1: was gonna be honest. I love Lisa, and Lisa's gorgeous. 154 00:11:51,040 --> 00:11:55,000 Speaker 1: She's a cute cute cute, cute, cute, cute cute something. 155 00:11:55,080 --> 00:12:03,200 Speaker 1: So Jody scaresby. He does. Jody scares me like the 156 00:12:03,200 --> 00:12:10,120 Speaker 1: the monsters in the movie screen nep Campbell style. Jody 157 00:12:10,200 --> 00:12:19,400 Speaker 1: scares me like Jason Freddy Krueger and Ramona's singer's eyes. 158 00:12:20,080 --> 00:12:25,200 Speaker 1: Jody has crazy eyes. It's crazy than Ramona's. Jody scares me. 159 00:12:28,000 --> 00:12:32,480 Speaker 1: Jody gives me Brooks from the Real House watch word chuty. Listen, 160 00:12:34,320 --> 00:12:37,880 Speaker 1: y'all tell me if I'm the only one thinking of this. Lisa, 161 00:12:38,559 --> 00:12:43,880 Speaker 1: run Run for the heels, Run for the Mountains, Child 162 00:12:44,480 --> 00:12:51,360 Speaker 1: run Away, Okay, run Away Love and Vogue run Away Bride, 163 00:12:51,800 --> 00:12:55,280 Speaker 1: do something. Just don't stay there. I just get the 164 00:12:55,640 --> 00:12:59,360 Speaker 1: X from Jody. I think. I think Jody loves the cameras. 165 00:12:59,440 --> 00:13:01,680 Speaker 1: I think Joe he loves the fame. I think Jody 166 00:13:01,720 --> 00:13:04,880 Speaker 1: loves the attention. I think and Lisa was not a housewife. 167 00:13:04,920 --> 00:13:07,319 Speaker 1: I just don't think Jody will be with her allegedly, 168 00:13:07,880 --> 00:13:13,280 Speaker 1: I don't. Jody does not give me anything genuine from 169 00:13:14,920 --> 00:13:19,199 Speaker 1: look from the greasy hair to you know, the crazy eyes, 170 00:13:19,840 --> 00:13:26,360 Speaker 1: to texting Larsa Pippin, to you know, being a Marcus's 171 00:13:26,600 --> 00:13:29,200 Speaker 1: knows I mean not knows because other things were up 172 00:13:29,200 --> 00:13:33,240 Speaker 1: in there allegedly, but you know his ass Jody gives me. 173 00:13:34,840 --> 00:13:38,640 Speaker 1: I feel like, allegedly, Jody is an opportunist. That's what 174 00:13:38,720 --> 00:13:41,360 Speaker 1: he gives me. I don't. 175 00:13:41,400 --> 00:13:43,280 Speaker 2: I don't feel good about it, not one bit. 176 00:13:44,080 --> 00:13:48,080 Speaker 1: I don't. And I think Lisa is so blinded by 177 00:13:48,200 --> 00:13:53,480 Speaker 1: love that she can't even see straight right now when 178 00:13:53,520 --> 00:13:56,600 Speaker 1: it comes to Lisa, my opinion, I think that Lisa 179 00:13:59,679 --> 00:14:04,600 Speaker 1: is self absorbed, which there's nothing wrong with me, you know, 180 00:14:04,600 --> 00:14:07,320 Speaker 1: there's nothing wrong with that. Ninety eight percent of housewives 181 00:14:07,320 --> 00:14:12,520 Speaker 1: are self absorbed. So that's not a reading Lisa Lisa 182 00:14:12,640 --> 00:14:16,600 Speaker 1: likes who likes her. It could have been a woman 183 00:14:16,880 --> 00:14:19,840 Speaker 1: liking Lisa at the time she was divorcing Lenny, and 184 00:14:19,880 --> 00:14:24,680 Speaker 1: Lisa would be on her Collbrade charts. Let's have a conversation. Shit, 185 00:14:24,880 --> 00:14:26,680 Speaker 1: I could have said, Lisa, you're gorgeous. She would have 186 00:14:26,680 --> 00:14:29,600 Speaker 1: said to me, oh my gosh, are you single? Not 187 00:14:29,680 --> 00:14:35,640 Speaker 1: realizing you know, I like the men's baby, Lisa likes 188 00:14:35,640 --> 00:14:43,960 Speaker 1: who likes her? And I think Jody watched the show 189 00:14:44,640 --> 00:14:53,920 Speaker 1: is giving Dear John, Dear Jody baby. Vicky Govern said 190 00:14:54,000 --> 00:15:00,680 Speaker 1: the little confrontation with Lisa, I just I don't know. 191 00:15:01,040 --> 00:15:06,560 Speaker 1: Jody gives me the creeps anyway. So as they're talking, 192 00:15:10,480 --> 00:15:13,240 Speaker 1: they're talking about Larsa, and Jody's like, I've been through 193 00:15:13,320 --> 00:15:19,360 Speaker 1: so much with your divorce and all these things. And 194 00:15:19,440 --> 00:15:22,920 Speaker 1: then all of a sudden, you know, Lisa talks about 195 00:15:23,040 --> 00:15:27,120 Speaker 1: Larsa and look, I will say this, I didn't realize 196 00:15:27,160 --> 00:15:33,920 Speaker 1: that allegedly Larsa texts Jody first. I do feel like 197 00:15:33,960 --> 00:15:37,120 Speaker 1: that slightly changes things. So Jody, listen up, brother. I 198 00:15:37,160 --> 00:15:41,520 Speaker 1: am on a side, and Jody, I listen, those are 199 00:15:41,600 --> 00:15:43,360 Speaker 1: what I get basic off what I'm seeing on the 200 00:15:43,400 --> 00:15:45,280 Speaker 1: shows a listen if I'm wrong, I'm wrong, and I 201 00:15:45,280 --> 00:15:48,560 Speaker 1: apologize advance, but I can only tell you what I 202 00:15:48,640 --> 00:15:52,080 Speaker 1: see on the show. You give me the creeps. Now, 203 00:15:53,040 --> 00:15:57,720 Speaker 1: with that being said, if Larsa did text Jody first, 204 00:15:58,440 --> 00:16:01,960 Speaker 1: then he responded to her, I do think that changes things, 205 00:16:02,400 --> 00:16:03,840 Speaker 1: and that's the reason why ladies. 206 00:16:03,920 --> 00:16:06,960 Speaker 2: Let me thar on something. Ladies, listen up. 207 00:16:08,920 --> 00:16:12,240 Speaker 1: I don't care if you guys go on double dates 208 00:16:12,320 --> 00:16:16,920 Speaker 1: every Friday night, take couples trips together, have three somes, 209 00:16:16,960 --> 00:16:20,280 Speaker 1: four sums, five sums, or gs, groupie, whatever you want 210 00:16:20,320 --> 00:16:25,400 Speaker 1: to do. I don't care. Ladies, you should not have 211 00:16:26,080 --> 00:16:34,080 Speaker 1: your best friend's man's number. I think it's inappropriate. Why 212 00:16:34,120 --> 00:16:38,000 Speaker 1: do you need to text your girl's man. What do 213 00:16:38,080 --> 00:16:42,400 Speaker 1: y'all need to talk about? Why do you need it 214 00:16:42,440 --> 00:16:45,200 Speaker 1: in the first place. If you need to get in 215 00:16:45,280 --> 00:16:51,360 Speaker 1: contact with my man, call me bitch. Why I don't 216 00:16:51,400 --> 00:16:56,280 Speaker 1: think couple should be on group checks. I think it's 217 00:16:56,320 --> 00:17:00,040 Speaker 1: I think I think it's weird. So the fact that 218 00:17:00,040 --> 00:17:05,719 Speaker 1: that Jody even had Larce's number vice versa, that crossed 219 00:17:05,720 --> 00:17:09,640 Speaker 1: the line to me it was inappropriate to begin with, 220 00:17:10,840 --> 00:17:16,479 Speaker 1: because this is what happens. This man feels comfortable talking 221 00:17:16,520 --> 00:17:21,600 Speaker 1: to Larsa this way because she initiated a text message 222 00:17:21,880 --> 00:17:27,080 Speaker 1: and listen, when I'm fair unfair, I'm actually more on 223 00:17:27,160 --> 00:17:30,720 Speaker 1: Jody's side, and you know, I love Larsa, but I'm 224 00:17:30,800 --> 00:17:34,240 Speaker 1: on Jody's side with this only because yes, Jody should 225 00:17:34,280 --> 00:17:36,639 Speaker 1: never text a woman in general. But I do think 226 00:17:36,680 --> 00:17:38,880 Speaker 1: it's different if the woman texts you first and you're 227 00:17:38,920 --> 00:17:42,639 Speaker 1: responding to her. I do think that changing things a bit. 228 00:17:43,080 --> 00:17:47,680 Speaker 1: I'm not excusing what he said. I'm not excusing any 229 00:17:47,720 --> 00:17:51,320 Speaker 1: of those things. What I am excusing, though, is if 230 00:17:51,359 --> 00:17:56,640 Speaker 1: she texts him first. I do believe that if he responds, 231 00:17:56,880 --> 00:18:01,800 Speaker 1: you gave him the floor to respond. I do believe that. Now. 232 00:18:04,280 --> 00:18:09,359 Speaker 1: I just don't believe Jody and Lisa she can marry. Listen, Lisa, Lisa, 233 00:18:09,440 --> 00:18:13,720 Speaker 1: Lisa Lisa. I felt like Lisa was so caught up 234 00:18:13,760 --> 00:18:19,720 Speaker 1: in trying to give Lenny jealous that she flung to Jody. 235 00:18:20,320 --> 00:18:23,480 Speaker 1: Jody does give controlling, and look, some women like that, 236 00:18:23,640 --> 00:18:28,360 Speaker 1: and maybe that's what Lisa likes. Lenny gave controlling when 237 00:18:28,359 --> 00:18:30,800 Speaker 1: the girls rebuild, that Lenny would have these parties and 238 00:18:30,840 --> 00:18:36,600 Speaker 1: that allegedly, you know, the girls would come over and 239 00:18:36,640 --> 00:18:41,159 Speaker 1: the girls wouldn't leave until the next day. You can 240 00:18:41,280 --> 00:18:47,880 Speaker 1: catch my drift. You know. That's that's controlling. If you're 241 00:18:47,880 --> 00:18:50,800 Speaker 1: married to a man and he throws parties and these 242 00:18:50,960 --> 00:18:56,040 Speaker 1: women who are sexy or scantony klat are at these parties, 243 00:18:57,400 --> 00:18:59,920 Speaker 1: and they're in your home that you share with your husband, 244 00:19:00,000 --> 00:19:04,760 Speaker 1: and these ladies don't leave until the next day. That's 245 00:19:04,800 --> 00:19:10,520 Speaker 1: a form of control. And I want Lisa to understand 246 00:19:10,600 --> 00:19:13,240 Speaker 1: her words to not feel like she has to get 247 00:19:13,280 --> 00:19:18,080 Speaker 1: married so soon. You just got divorced. Yes, they fall 248 00:19:18,119 --> 00:19:20,240 Speaker 1: in love, do all the things. I just don't think 249 00:19:20,240 --> 00:19:24,719 Speaker 1: a marriage should be the next thing you do, especially 250 00:19:24,760 --> 00:19:31,720 Speaker 1: because you have two small, young children. And I just 251 00:19:31,800 --> 00:19:36,080 Speaker 1: think I think it's too much, and I think it's 252 00:19:36,080 --> 00:19:41,439 Speaker 1: too soon. I think I did. But lave y'ad grida 253 00:19:42,400 --> 00:19:46,760 Speaker 1: now Stephanie aka Regina George with the fashions of Blanche 254 00:19:46,800 --> 00:19:53,800 Speaker 1: debor Breul. All right, Stephanie. Stephanie met up with Anastosia, 255 00:19:54,119 --> 00:20:00,240 Speaker 1: who will help us in the name? Right? Is that Anastasia? Okay, hey, 256 00:20:00,320 --> 00:20:03,760 Speaker 1: this is a fun flex so rangdof's listen up. I 257 00:20:03,920 --> 00:20:11,320 Speaker 1: met on a stage before. So back in like twenty ten, 258 00:20:12,000 --> 00:20:18,520 Speaker 1: Oprah Winfrey talk show was ending. She decided to enter 259 00:20:18,520 --> 00:20:23,679 Speaker 1: her talk show season twenty five, and she hired a 260 00:20:23,720 --> 00:20:29,000 Speaker 1: reality crew to document the final season of her talk show. 261 00:20:29,680 --> 00:20:32,960 Speaker 1: So at the time, I was a film producer and 262 00:20:33,119 --> 00:20:37,000 Speaker 1: I was fortunate enough to be part of the team 263 00:20:37,520 --> 00:20:43,040 Speaker 1: to follow around Miss Winfrey. So one day we had 264 00:20:43,080 --> 00:20:47,879 Speaker 1: to go to Los Angeles because Miss Winfrey was presenting. 265 00:20:48,840 --> 00:20:55,640 Speaker 2: At the Oscars. So the day before my team followed Miss. 266 00:20:55,520 --> 00:20:59,720 Speaker 1: Winfrey and Gail King to Beverly Hills to get their 267 00:20:59,800 --> 00:21:08,119 Speaker 1: eyes eyebrows done, and she got her eyebrows done by Anastasia, who, literally, 268 00:21:08,600 --> 00:21:11,800 Speaker 1: like Stephanie said, is like the best of the business. 269 00:21:12,960 --> 00:21:17,040 Speaker 1: And at the Stasia could not be more sweet. She 270 00:21:17,359 --> 00:21:21,840 Speaker 1: was so nice, so sweet, so accommodating. She actually, you know, 271 00:21:22,000 --> 00:21:27,520 Speaker 1: did Oprah's eyebrows. She did it herself. At the time, 272 00:21:27,640 --> 00:21:29,840 Speaker 1: she had a place in Benby Hills. I think she 273 00:21:29,880 --> 00:21:33,199 Speaker 1: still does. I'm not sure, but missing herself was the 274 00:21:33,200 --> 00:21:38,200 Speaker 1: one with the Oprah's eyebrows. And she was so sweet, 275 00:21:38,240 --> 00:21:43,040 Speaker 1: so and just so humble. And it's nice to see 276 00:21:43,040 --> 00:21:46,520 Speaker 1: that Stephanie has a friend that looks on her level 277 00:21:46,560 --> 00:21:49,080 Speaker 1: when it comes to being a businesswoman. Because what we're 278 00:21:49,119 --> 00:21:53,280 Speaker 1: not gonna do is this cow Stephanie as a businesswoman. 279 00:21:54,280 --> 00:21:59,800 Speaker 1: I will say that I appreciated this scene between Stephanie 280 00:22:01,200 --> 00:22:07,880 Speaker 1: and Amastasia because for me, it was nice to understand 281 00:22:07,960 --> 00:22:13,119 Speaker 1: Stephanie more by talking to another woman who owns pretty 282 00:22:13,200 --> 00:22:19,320 Speaker 1: much a billion dollar business, and the fact that Anastasia 283 00:22:19,520 --> 00:22:25,120 Speaker 1: was able to give her advice and Stephanie understood everything. 284 00:22:24,760 --> 00:22:26,919 Speaker 2: Ama Stata said, which is true. 285 00:22:27,000 --> 00:22:30,760 Speaker 1: I mean, look, I'll say this being a boss, and 286 00:22:30,800 --> 00:22:35,000 Speaker 1: I'll say this being the owner of my Company's one 287 00:22:35,040 --> 00:22:38,480 Speaker 1: thing I will say for sure is when you are 288 00:22:38,520 --> 00:22:43,240 Speaker 1: the boss, you have to make tough decisions. Now, the 289 00:22:43,320 --> 00:22:47,200 Speaker 1: line of work Stephanie has is probably way more stressful 290 00:22:47,200 --> 00:22:51,160 Speaker 1: than mine. I don't have a personality to be snippy. 291 00:22:51,240 --> 00:22:54,879 Speaker 1: It's just not me. But I am very direct, and 292 00:22:55,080 --> 00:22:58,760 Speaker 1: you know, I delegate. I'm not a mean person by 293 00:22:58,760 --> 00:23:03,000 Speaker 1: any special imagination. And I just make decisions, don't I 294 00:23:03,040 --> 00:23:05,960 Speaker 1: don't have to like I'm not pative aggressive, I'm not 295 00:23:06,000 --> 00:23:10,840 Speaker 1: a micromanager. I make decisions. I delegate, do the job, 296 00:23:11,840 --> 00:23:14,400 Speaker 1: and I'm gonna do my job, and we're gonna all 297 00:23:14,400 --> 00:23:16,720 Speaker 1: win in the end because there's no iron team, right. 298 00:23:18,119 --> 00:23:21,040 Speaker 1: So with that being said, I don't know what it's 299 00:23:21,160 --> 00:23:27,120 Speaker 1: like to be a woman in this business either. And 300 00:23:27,160 --> 00:23:31,159 Speaker 1: that's where I will give Stephanie some grace. The conversation 301 00:23:31,240 --> 00:23:34,399 Speaker 1: she was having with Anastasia, I feel like, I'm like, 302 00:23:34,440 --> 00:23:37,399 Speaker 1: I've given her three different days? Is that honest? Is 303 00:23:38,680 --> 00:23:45,359 Speaker 1: Anastasia Anastasia whatever child? We'll call her the eyebrow guru baby. 304 00:23:46,359 --> 00:23:48,359 Speaker 1: What I liked about the scene too, was the fact 305 00:23:48,359 --> 00:23:51,840 Speaker 1: that they both talked about being women in business and 306 00:23:51,920 --> 00:23:54,880 Speaker 1: how sometimes you have to be sterned because you don't 307 00:23:54,880 --> 00:23:56,720 Speaker 1: want a man to take advantage of you. You don't 308 00:23:56,720 --> 00:23:58,879 Speaker 1: want a man to cut you off. I don't know 309 00:23:58,920 --> 00:24:02,239 Speaker 1: what that feels like. So I was like, Wow, this 310 00:24:02,359 --> 00:24:05,879 Speaker 1: was good. This scene made me love Stephanie Moore. I 311 00:24:05,920 --> 00:24:08,000 Speaker 1: already love her and I could still read her for 312 00:24:08,119 --> 00:24:13,320 Speaker 1: other things, but I love Stephanie because I thought, in 313 00:24:13,400 --> 00:24:18,280 Speaker 1: my opinion, hey camera, that this was a real moment 314 00:24:19,119 --> 00:24:23,960 Speaker 1: to see Stephanie be herself and when she is around 315 00:24:23,960 --> 00:24:28,160 Speaker 1: the girls, Stephanie is bossy, and Stephanie has to own 316 00:24:28,200 --> 00:24:32,040 Speaker 1: up for the fact that, Sis, you are bossy and 317 00:24:32,440 --> 00:24:36,679 Speaker 1: you're not the boss of these girls. These women, I 318 00:24:36,720 --> 00:24:42,840 Speaker 1: think all of them right are over forty. You can't 319 00:24:42,880 --> 00:24:45,560 Speaker 1: boss these women around. I think it's nice what she 320 00:24:45,640 --> 00:24:48,200 Speaker 1: does for the girls. I think all of that is great. 321 00:24:48,240 --> 00:24:51,720 Speaker 1: The planes to train for Amabile's all those things right. 322 00:24:52,840 --> 00:24:56,800 Speaker 1: But these women have been around powerful men, and they're 323 00:24:56,920 --> 00:25:00,520 Speaker 1: powerful themselves and they don't need another power, a woman 324 00:25:00,720 --> 00:25:03,840 Speaker 1: to speak to them as if they have in W 325 00:25:04,080 --> 00:25:07,960 Speaker 1: two that they need to get from Showma, and that 326 00:25:08,119 --> 00:25:12,040 Speaker 1: is how you treat them. But I appreciate the conversation, 327 00:25:12,200 --> 00:25:14,320 Speaker 1: and I did feel like, you know what, I got 328 00:25:14,359 --> 00:25:18,480 Speaker 1: a chance to know Stephanie better. But Stephanie, you're the 329 00:25:18,520 --> 00:25:22,119 Speaker 1: type of woman we talked thought I was hilarious. I 330 00:25:22,240 --> 00:25:25,000 Speaker 1: used to be like this, so I gonna bring myself. 331 00:25:25,800 --> 00:25:28,840 Speaker 1: Stephanie is the type of person where where somebody gives 332 00:25:28,840 --> 00:25:32,480 Speaker 1: her advice that brings a bell, she goes to the 333 00:25:32,480 --> 00:25:37,480 Speaker 1: extreme with it. So the fact that Anastasia said, look, 334 00:25:39,880 --> 00:25:43,280 Speaker 1: just be cool, like calm down, don't speak to them crazy, 335 00:25:44,640 --> 00:25:47,360 Speaker 1: she then just started to become quiet. When they were 336 00:25:47,400 --> 00:25:53,520 Speaker 1: all on Richard Branson's Virgion cruise ship that Marisol put together, 337 00:25:54,119 --> 00:25:57,320 Speaker 1: It's like, look, Stephanie, no one said be quiet, no 338 00:25:57,359 --> 00:25:59,800 Speaker 1: one said don't talk, no one said don't say anything. 339 00:26:00,359 --> 00:26:02,440 Speaker 2: All these ladies are saying to you is. 340 00:26:03,040 --> 00:26:06,200 Speaker 1: Don't be bossy, don't want what you do for us, 341 00:26:06,760 --> 00:26:10,879 Speaker 1: Just be normal like that's all they want. I'm just 342 00:26:10,920 --> 00:26:17,480 Speaker 1: saying so anyways, speaking of taking things to an extreme, 343 00:26:18,160 --> 00:26:21,440 Speaker 1: Audriana was not fun in this episode. And Audrianna is 344 00:26:21,480 --> 00:26:24,880 Speaker 1: a fun woman. She took what Kiky said to her 345 00:26:24,920 --> 00:26:29,600 Speaker 1: to heart and for some reason. I mean, look, nobody 346 00:26:29,640 --> 00:26:32,560 Speaker 1: wants to be called old, but also nobody wants to 347 00:26:32,600 --> 00:26:36,600 Speaker 1: call ratchet. Now. No, we discussed this last week and 348 00:26:36,640 --> 00:26:41,240 Speaker 1: you said ratchet. Okay, fine, but what Keky heard was ratchet. 349 00:26:41,600 --> 00:26:45,639 Speaker 1: And Keiki is a black woman. We as black folks 350 00:26:45,720 --> 00:26:46,800 Speaker 1: do not want to be. 351 00:26:46,840 --> 00:26:50,440 Speaker 2: Called ratchet by a non black person. That's a fact. 352 00:26:51,680 --> 00:26:56,920 Speaker 1: That's why she gagged, and that's why Gertie screamed, that's 353 00:26:56,960 --> 00:27:01,720 Speaker 1: coming from me. Trust me, I'm right, so key. Keith's 354 00:27:01,760 --> 00:27:05,400 Speaker 1: response was your economy, ratchet, which was a dig. I'm 355 00:27:05,400 --> 00:27:08,120 Speaker 1: going to dig back on you. She said you are 356 00:27:08,160 --> 00:27:11,040 Speaker 1: too old. She did just say you look old. She 357 00:27:11,080 --> 00:27:13,960 Speaker 1: didn't say you dressed old like Stephanie. She didn't say 358 00:27:14,000 --> 00:27:17,920 Speaker 1: you act old. She said you are too old, meaning 359 00:27:17,960 --> 00:27:20,600 Speaker 1: your age should be acting like that. Well I guess 360 00:27:20,640 --> 00:27:25,600 Speaker 1: she did. You acted old? Okay, bye, okay, child, she 361 00:27:25,600 --> 00:27:28,400 Speaker 1: did say, you act old, honey, but look, you called 362 00:27:28,400 --> 00:27:31,399 Speaker 1: a ratchet, so all is fair in love and shade. 363 00:27:33,119 --> 00:27:38,480 Speaker 1: It bothered Audriana a great deal. Gerni tried to talk 364 00:27:38,520 --> 00:27:41,320 Speaker 1: to her, that didn't work, and then at the table 365 00:27:41,359 --> 00:27:44,520 Speaker 1: the girls tried to talk to her. She looked visibly 366 00:27:44,600 --> 00:27:49,400 Speaker 1: upset about it and sad. And look, Audreana is gorgeous, 367 00:27:50,080 --> 00:27:52,320 Speaker 1: She's she's one of the most beautiful women on Bravo. 368 00:27:52,400 --> 00:27:56,399 Speaker 1: She's a beautiful woman. And Audriana is fantastic television and 369 00:27:56,440 --> 00:27:58,840 Speaker 1: I don't see this show without her. She's a great villain. 370 00:27:59,160 --> 00:28:04,920 Speaker 1: She's also hilarious. But if Keith, Keith can't get over 371 00:28:05,119 --> 00:28:09,040 Speaker 1: you calling her ratchet and you made wretchet, she already 372 00:28:09,080 --> 00:28:12,440 Speaker 1: apologized to you for the old comment. But again, what 373 00:28:12,600 --> 00:28:16,520 Speaker 1: I liked about that moment between Audrina and the girls 374 00:28:17,240 --> 00:28:19,920 Speaker 1: is the fact that there is something deeper going on 375 00:28:20,080 --> 00:28:24,200 Speaker 1: in Audreana's life to where that word truly affected her. 376 00:28:24,400 --> 00:28:26,199 Speaker 1: Because again I didn't think it was a big of 377 00:28:26,200 --> 00:28:26,520 Speaker 1: a deal. 378 00:28:27,119 --> 00:28:36,240 Speaker 2: But nobody also has called me old, so I'm not 379 00:28:36,280 --> 00:28:41,080 Speaker 2: here to say how she should feel. But that's the 380 00:28:41,200 --> 00:28:44,200 Speaker 2: reason why you can't sit up. 381 00:28:44,080 --> 00:28:47,400 Speaker 1: There and try to read a girl, and when she 382 00:28:47,440 --> 00:28:50,920 Speaker 1: reads you back you start crying. 383 00:28:51,120 --> 00:28:53,960 Speaker 2: It's just it doesn't work that way. 384 00:28:54,120 --> 00:28:58,880 Speaker 1: It doesn't work that way. So in this episode, we 385 00:28:58,960 --> 00:29:02,160 Speaker 1: are also setting up the fact that Larsa and Lisa 386 00:29:02,280 --> 00:29:04,600 Speaker 1: are going to make up. I gotta be honest with you. 387 00:29:04,960 --> 00:29:07,760 Speaker 1: I don't care about this beef anymore. Between Larsa and Lisa. 388 00:29:08,200 --> 00:29:11,400 Speaker 1: I'm kind of over it. It's to me, it's not 389 00:29:11,480 --> 00:29:14,960 Speaker 1: that deep. It was deep in the beginning. I feel 390 00:29:15,000 --> 00:29:18,760 Speaker 1: like they both are very stubborn and they both need 391 00:29:18,800 --> 00:29:22,080 Speaker 1: to just say, look, we both made a mistake. I 392 00:29:22,200 --> 00:29:26,440 Speaker 1: did this, you did that. Let's start a clean slate today. 393 00:29:27,120 --> 00:29:32,320 Speaker 1: But they're both refusing to do that. I think it's overboard. Personally, 394 00:29:33,480 --> 00:29:39,240 Speaker 1: I did I'm just saying. And then Lisa, you can't 395 00:29:39,280 --> 00:29:44,479 Speaker 1: say you're confessionals. The dig about how Larsa is an 396 00:29:44,600 --> 00:29:50,120 Speaker 1: only fans take, you know, taking topless photos and maybe 397 00:29:50,160 --> 00:29:53,560 Speaker 1: talk to people's husbands. I mean, granted, it was a 398 00:29:53,560 --> 00:29:56,520 Speaker 1: good red Baby, but that's not going to help as 399 00:29:56,640 --> 00:29:59,920 Speaker 1: Larsa watches it and you expect to be bestie's again. 400 00:30:00,280 --> 00:30:04,200 Speaker 1: I'm just saying. But overall, I enjoyed this episode. There 401 00:30:04,320 --> 00:30:06,480 Speaker 1: wasn't a lot of drama, but I liked that because 402 00:30:06,520 --> 00:30:09,200 Speaker 1: we had so much drama in Spain that it was 403 00:30:09,320 --> 00:30:13,360 Speaker 1: nice to settle with these ladies, get some personal story happening. 404 00:30:13,840 --> 00:30:18,720 Speaker 1: But Baby, next week, all hell breaks loose and it 405 00:30:18,840 --> 00:30:26,120 Speaker 1: appears that Stephanie is on a mission to go at 406 00:30:26,160 --> 00:30:36,760 Speaker 1: it with Marisol and I absolutely handwait. Reality with the 407 00:30:36,840 --> 00:30:41,560 Speaker 1: King is executive produced by me Carlos King, produced by 408 00:30:41,680 --> 00:30:46,320 Speaker 1: Lizzie Nimitz, and a partnership with the Lack Effect Network. 409 00:30:46,680 --> 00:30:49,400 Speaker 1: You can also find us on my YouTube channel at 410 00:30:49,440 --> 00:30:52,440 Speaker 1: the Carlos King Underscore