WEBVTT - 98: Vampire Luxury Lifestyle Magazine

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<v Speaker 1>Welcome to Night Call, a production of I Heart Radio.

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<v Speaker 1>It's four oh three am in a vampire apartment and

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<v Speaker 1>you're listening tonight Call. Hello, and welcome to Night Call,

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<v Speaker 1>a podcast for your strange days and lonely nights. I'm

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<v Speaker 1>Molly Lambert, and with me as always are Tess Lynch

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<v Speaker 1>and Elayoshida calling in from New York. Calling in from

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<v Speaker 1>New York and joining us live in the studio. Our

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<v Speaker 1>guest today Elaine Cohn. Hello, Hello, Lin Helen is the

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<v Speaker 1>author of Romance or the End, a new book of

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<v Speaker 1>poetry out now. And it's Valentine's Day today, and it's

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<v Speaker 1>Spooky Love February on Nightcall. So it's the most erotic

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<v Speaker 1>day of the year. It's the most thrilling, the erotic day.

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<v Speaker 1>I did actually walk down Hollywood Boulevard and note that

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<v Speaker 1>people were going into all the sex shops today. Um.

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<v Speaker 1>The Hustler Store was bustling with activity as always. Um.

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<v Speaker 1>We were going to take a night call just off

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<v Speaker 1>the bat Ay Nightcalls. Kate, longtime listener, first time night callers.

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<v Speaker 1>Since you guys doing are doing a romance theme month

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<v Speaker 1>for February, I thought it might be cool to call

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<v Speaker 1>in about one of my favorites, not Teddlers of all times,

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<v Speaker 1>Salomon king Uh. He made things like Nine and a

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<v Speaker 1>Half Week, The Red Shoe Diaries, and Wildforkids, most of

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<v Speaker 1>the time in collaboration with his wife Patricia. Leaves me

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<v Speaker 1>in an app uh moman kingdom like the idea of softcore,

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<v Speaker 1>and I recently read an interview where she described their

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<v Speaker 1>films together as emotional thrillers. So I was wondering if

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<v Speaker 1>you guys could talk about some of your favorite emotional thrillers.

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<v Speaker 1>I know none in a half week came up in

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<v Speaker 1>your erotic Oddity, but I also want to half where

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<v Speaker 1>you guys think all the great movie sex scenes have gone.

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<v Speaker 1>I've been thinking a lot about this. I wrote about it,

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<v Speaker 1>h but I think it's be an interesting thing to

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<v Speaker 1>think about, and it lives dedicated to love in romance,

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<v Speaker 1>and we haven't had a great movie sex scene in years.

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<v Speaker 1>Thanks for being you, and I call uh excited to

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<v Speaker 1>hear you guys talk about some Red Shoe Diaries. Wow,

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<v Speaker 1>what a great nightcall. Excellent night call. Thank you so much.

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<v Speaker 1>I'm thinking about it now too. What is the last

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<v Speaker 1>great movie sex scene? Magic? N did that even have?

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<v Speaker 1>A memorable sex scene that was just hot. It was

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<v Speaker 1>just a sexy movie. I guess it's very rare. We

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<v Speaker 1>get to thrusts, and when there are thrusts usually there's

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<v Speaker 1>a really bad trend of this that I really associate

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<v Speaker 1>with Girls the TV show that it would just smash

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<v Speaker 1>cut to like fucking, like really aggressive like jackhammer fucking um,

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<v Speaker 1>which I just that was like it was and it

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<v Speaker 1>was used as a punchline. Then it was like like

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<v Speaker 1>really explicit fucking, but like as a as a joke.

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<v Speaker 1>There's definitely more sex on TV than ever there's and

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<v Speaker 1>it's more it's more fun to watch at home. Maybe

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<v Speaker 1>just just positing. But yeah, movies, movies maybe are losing

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<v Speaker 1>ground in the sex scenes competition. Do you guys have

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<v Speaker 1>what is the most recent great sex scene in a movie?

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<v Speaker 1>I mean, that's what I'm trying to think of that.

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<v Speaker 1>If it's not because like you seen a portrait of

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<v Speaker 1>a lady on fire, Yeah, that just is coming out today.

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<v Speaker 1>I think Properly had a small release heard that's very good.

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<v Speaker 1>It's good, but it's actually not as like the sex

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<v Speaker 1>that it has cool like love scenes, but they're not.

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<v Speaker 1>But I don't I think if something that's not a

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<v Speaker 1>sex scene more in that movie more than I think

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<v Speaker 1>of like um, like an actual like sex act on

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<v Speaker 1>like thes just like some cool very romantic moments in it,

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<v Speaker 1>good kissing, like a lot of kissing scenes. Well, the

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<v Speaker 1>horny ist movie I can think of of the recent

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<v Speaker 1>past is probably Phantom Thread, which like doesn't have any

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<v Speaker 1>sex scenes in it. It's just it's tense. It's just

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<v Speaker 1>so much. Yeah, it's horny though. I think like when

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<v Speaker 1>I think of the most explicit sex scenes that I've

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<v Speaker 1>seen recently, they are m like two ladies usually like

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<v Speaker 1>handmade in and um oh yeah handmade and had a

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<v Speaker 1>good sex scene. That's probably the last good sex scene

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<v Speaker 1>I can think of. And blue is the warmest color too,

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<v Speaker 1>but both and I love Handmade. It's a great movie.

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<v Speaker 1>But I think that the sex scenes do kind of

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<v Speaker 1>your and like I think, very purposely so are very

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<v Speaker 1>like frame, very like like made to be like like

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<v Speaker 1>they do just come off as like objects or like

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<v Speaker 1>like wood block kind of both of those especially. Yeah,

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<v Speaker 1>and we'll get to this later when we talk about

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<v Speaker 1>today's feature The Hunger, which has a sexy lesbian sex scene.

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<v Speaker 1>But yeah, I feel like Most of the sex scenes

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<v Speaker 1>are in comedies in movies that I can think of,

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<v Speaker 1>and they are generally like jokes, like played for a joke. Yeah, um,

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<v Speaker 1>it seems like a problem. Look, we're here to remedy it.

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<v Speaker 1>Nic wants to reboot the erotic thriller. Um, Yeah, what

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<v Speaker 1>about like in The Boy next Door, a movie I

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<v Speaker 1>haven't seen, but movie I haven't the most recent attempt

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<v Speaker 1>to reboot the erotic thriller haven't seen it either. Now

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<v Speaker 1>that's what we're Jennifer Lopez um has sex with The

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<v Speaker 1>Boy next Door right where you know. What I just watched,

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<v Speaker 1>which I totally enjoyed is What Lies Beneath? Oh, What

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<v Speaker 1>Lies Beneath is so good. I've never seen it, and

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<v Speaker 1>I totally enjoyed it. I like, like, a that was

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<v Speaker 1>like a hot kind of a hot movie. But it

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<v Speaker 1>was funny too, because there's like a whole part where

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<v Speaker 1>they're supposed to be like, oh, like they're old funny.

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<v Speaker 1>He's like trying to have sex in this long marriage,

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<v Speaker 1>but it's like Harrison forda Michelle's. The biggest like innovation

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<v Speaker 1>in the last ten fifteen years of movies has just

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<v Speaker 1>been like trying to get the most awkward sex scenes

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<v Speaker 1>possible on screen as some kind of active defiance. Maybe

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<v Speaker 1>that's awesome, that's French extremism. It's the opposite think of

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<v Speaker 1>the scene in Greenberg, which is like the worst sex

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<v Speaker 1>scene of all time. There weren't even any sex scenes

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<v Speaker 1>in Marriage Story. That was one of the things I

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<v Speaker 1>was angry at. Not No nobody had sex in that movie.

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<v Speaker 1>They just all talked a lot. Eline, did you see

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<v Speaker 1>a Marriage Story? I would not see anything. You know

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<v Speaker 1>about my Blue Valentine theory, it's the people who see

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<v Speaker 1>Blue Valentine usually this again scientifically unproven, but I'm really

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<v Speaker 1>sure that this is true. That they break up soon after,

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<v Speaker 1>and then I felt like Marriage Story was definitely of

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<v Speaker 1>that genre, of the breakout your love of genre, so

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<v Speaker 1>I wouldn't see it. I mean, the only thing I

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<v Speaker 1>really know about Marriage Story is that one clip that

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<v Speaker 1>was all over the internet, the punching the wall, which

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<v Speaker 1>had like such a bad representation. I didn't even love

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<v Speaker 1>the movie. But it's just like that's only works because

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<v Speaker 1>you've been it for like an hour and a half

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<v Speaker 1>of though. It's just if it dips straight into it,

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<v Speaker 1>it's hard. It had like the exact same energy as

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<v Speaker 1>my last breakup, but me as both characters. I was

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<v Speaker 1>just like, I really am never going to see that movie. Absolutely,

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<v Speaker 1>I respect that very much. We were a mostly anti

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<v Speaker 1>marriage story podcast. It's our official stance is no. Do

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<v Speaker 1>you think it's just like American puritanism? Like? Why why

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<v Speaker 1>is this? It does seem? Or is it just because

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<v Speaker 1>movies all have to be for babies? Now? Wait, why

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<v Speaker 1>there's no good sex? Yeah, because you never see like

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<v Speaker 1>superheroes sucking. Right, I don't think it's puritanism. I don't either,

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<v Speaker 1>because there's so fucking it's just not like good sexcar is.

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<v Speaker 1>But it is like a kind of um infantilization of

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<v Speaker 1>most movies I think in reason Like I think that

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<v Speaker 1>a lot of movies just like don't and I'm talking

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<v Speaker 1>more about mainstream movies and about indie movies or foreign

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<v Speaker 1>movies obviously, but I just don't think that like a

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<v Speaker 1>lot of movies want to deal with that because they're

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<v Speaker 1>trying to hit some kind of nice mainstream thing, which

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<v Speaker 1>I think is different than being puritan It's more just

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<v Speaker 1>like trying to be like, have all the edges standed

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<v Speaker 1>off of something? Yeah, but you can still get plenty

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<v Speaker 1>of that stuff, like you said on TV and in

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<v Speaker 1>yeah indie foreign stuff. Yeah, but I don't know, I

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<v Speaker 1>got to be in a dark room with strangers, is

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<v Speaker 1>there No, Like I haven't seen uncut gems yet. There

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<v Speaker 1>was no sex. The sex. Yeah, there's a very cute

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<v Speaker 1>scene in it that is like sexy. Yeah, it's not

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<v Speaker 1>a sex scene. No, I mean what happened Like definitely

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<v Speaker 1>there was a period where you know, suddenly you could

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<v Speaker 1>show sex in movies at the end of the sixties,

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<v Speaker 1>and then became more and more until the eighties when

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<v Speaker 1>it was like every movie had a sex scene, which

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<v Speaker 1>is why that Wayne's World joke about the the sex scene,

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<v Speaker 1>the gratuitous sex scene. Um. And then maybe it reached

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<v Speaker 1>such a point of saturation that it had to go

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<v Speaker 1>back down or it's just like maybe you're afraid that

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<v Speaker 1>it will become kind of I mean, you know what, Okay,

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<v Speaker 1>this is just a theory. What if it's that nobody

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<v Speaker 1>really wants to have that kind of like sampled into

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<v Speaker 1>a jif again, But you know, you know what I mean,

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<v Speaker 1>there's like this weird way that it could be taken

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<v Speaker 1>as like a kind of just like the Imagerery lifted,

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<v Speaker 1>and it feels that feels wrong somehow. I feel like

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<v Speaker 1>there's like they show I mean we've all said, like

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<v Speaker 1>they still show like fucking in movies, there's just no erotics.

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<v Speaker 1>So I don't think there's Yeah, maybe it's like last

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<v Speaker 1>gasps of patriarchy, like they just want to like only

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<v Speaker 1>show like the like they don' want to show any

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<v Speaker 1>for play or any like tension or any of the

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<v Speaker 1>things that are like actually erotic. They just want to

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<v Speaker 1>show like Yeah, I mean you could really think that

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<v Speaker 1>like that none that stiff actually gets anyone off. And

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<v Speaker 1>I think that a lot of people, especially very recently,

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<v Speaker 1>are worried about having just like not good environments on

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<v Speaker 1>sets when they shoot sex scenes. So you think it

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<v Speaker 1>could be like the need to have an intimacy coordinator

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<v Speaker 1>and everything. It just makes it. It kind of takes

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<v Speaker 1>away like spontaneous that it predates that. But I think

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<v Speaker 1>there's also just a mentality of like, well, I don't

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<v Speaker 1>want to do anything that ends up being like objectifying

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<v Speaker 1>somebody or or making anybody like feel uncomfortable or bad

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<v Speaker 1>when they're making this, But then they don't find a

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<v Speaker 1>way to do it in a way that makes people

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<v Speaker 1>feel like, yeah, I think people being like, let's not try,

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<v Speaker 1>rather than like, why is this hard for us? Is

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<v Speaker 1>yeah the problem. I also, do you think that we

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<v Speaker 1>really lose something if we don't have softcore? Softcore is delightful.

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<v Speaker 1>I love Sophomore everything shot through that cinemax. Do you

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<v Speaker 1>think about this all the time as being like one

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<v Speaker 1>of the core dividers between old millennials and young millennials

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<v Speaker 1>is that like we had the scrambled porn experience, you know,

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<v Speaker 1>and like they didn't, And that joke in American Pie

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<v Speaker 1>like doesn't make any sense anymore, but like that itself

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<v Speaker 1>was the erotic experience. It was like trying to get

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<v Speaker 1>the channel to come in for one second at a time,

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<v Speaker 1>like furtively. You know, people have so much access to

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<v Speaker 1>everything now. I wonder if it's like like you really

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<v Speaker 1>had to search stuff out, you know, as a team

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<v Speaker 1>that can also fill in, like for instead of the

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<v Speaker 1>build up and like whatever cinematic thing you could do

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<v Speaker 1>to make a sexy feel more romantic. It's like if you, personally,

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<v Speaker 1>in the act of seeking it out, have to go

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<v Speaker 1>through all this stuff, if you have to go in

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<v Speaker 1>that weird room in the video store behind a curtain,

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<v Speaker 1>like the coolest place in the world, you know, because

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<v Speaker 1>you because the curtain says like, Oh, you're not supposed

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<v Speaker 1>to be in here, but you are. I do remember that.

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<v Speaker 1>Now that was a video stores and I was a

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<v Speaker 1>little kid, like regular video stores how to curtain thing?

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<v Speaker 1>Had the adult section beated curtains. I've forgotten that, And

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<v Speaker 1>you're like, oh, can I go in there? I'm a

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<v Speaker 1>fifteen year old girl or whatever, Like will somebody tell

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<v Speaker 1>on me to put on my dark sunglasses? Yeah? I

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<v Speaker 1>mean like I feel like some of the streamers too,

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<v Speaker 1>they took the soft core sections like down off of

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<v Speaker 1>their offerings, which I was like, that really betrays the

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<v Speaker 1>ethos of cable to me, which is to like have

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<v Speaker 1>a soft core section at night. Well, we really appreciate

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<v Speaker 1>the call. This is something that's always on our minds. Yeah,

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<v Speaker 1>at night call, if you have recent movie sex scenes

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<v Speaker 1>that we're missing because we didn't come up with anything,

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<v Speaker 1>So tell us your favorite recent sex scenes from movies,

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<v Speaker 1>or have your theories ready about why the sex scene

0:13:16.960 --> 0:13:19.520
<v Speaker 1>has disappeared. Yeah, and if you want night Call to

0:13:19.600 --> 0:13:23.400
<v Speaker 1>reboot Red Shoe Diaries, Yeah, um, with us all wearing

0:13:23.440 --> 0:13:27.680
<v Speaker 1>like velvet robes by a fire. That Wonderful is the

0:13:27.679 --> 0:13:31.720
<v Speaker 1>Best is an anthology series with a narrator. Let us say, yeah,

0:13:32.200 --> 0:13:51.480
<v Speaker 1>we'll be right back. Welcome back tonightcall. We are joined

0:13:51.559 --> 0:13:56.640
<v Speaker 1>today by Elaine con Hello. Lane, Hello, you've been joining

0:13:56.760 --> 0:14:02.240
<v Speaker 1>us so far, you're still joining us and joined. It's

0:14:02.360 --> 0:14:06.199
<v Speaker 1>Valentine's Day, as we were saying, it won't be when

0:14:06.240 --> 0:14:08.560
<v Speaker 1>you listen to this, but you'll still be bathing in

0:14:08.600 --> 0:14:14.559
<v Speaker 1>the warm glow of processing the glow. Yeah. Um, Elaine,

0:14:14.760 --> 0:14:17.440
<v Speaker 1>you were telling me that you wanted to talk about

0:14:17.480 --> 0:14:22.440
<v Speaker 1>a little reality show. Oh yeah, Flirty Flirty Dancing. It's

0:14:22.680 --> 0:14:24.760
<v Speaker 1>have you guys seen it? No, I don't know Hulu.

0:14:24.800 --> 0:14:27.240
<v Speaker 1>But the way you said lt dance because I looked

0:14:27.240 --> 0:14:30.440
<v Speaker 1>into it and I was like this American versions awful.

0:14:31.400 --> 0:14:33.560
<v Speaker 1>Watched the American version, I think I said that, and

0:14:33.600 --> 0:14:36.880
<v Speaker 1>then you were like, you don't understand. Okay. So it

0:14:37.000 --> 0:14:39.880
<v Speaker 1>started out in England on the BBC and it's hosted

0:14:39.880 --> 0:14:45.200
<v Speaker 1>by this like six foot five man named Ashley Banjo. Okay,

0:14:46.320 --> 0:14:48.840
<v Speaker 1>and it's just like and first of all, they call

0:14:49.040 --> 0:14:51.160
<v Speaker 1>in the UK. I don't know if you guys knows

0:14:51.160 --> 0:14:54.280
<v Speaker 1>what they call single people Singleton's so like I know

0:14:54.520 --> 0:15:00.120
<v Speaker 1>from the bridges. Yes, so they which just automatic. It

0:15:00.160 --> 0:15:03.240
<v Speaker 1>adds this level of like just like cuteness to it

0:15:03.480 --> 0:15:06.080
<v Speaker 1>and also like hoaking nous. But they just get like

0:15:06.120 --> 0:15:09.680
<v Speaker 1>these very normal people from like small towns in England

0:15:10.240 --> 0:15:11.920
<v Speaker 1>and set them up and the whole thing is like,

0:15:12.000 --> 0:15:14.120
<v Speaker 1>so they've each learned. For those of you guys who

0:15:14.120 --> 0:15:18.640
<v Speaker 1>have not seen flor dancing, each singleton learns one half

0:15:18.680 --> 0:15:21.200
<v Speaker 1>of the dance and then the first time they ever

0:15:21.360 --> 0:15:26.160
<v Speaker 1>meet they performed this choreographed duet together and in the

0:15:26.320 --> 0:15:29.400
<v Speaker 1>UK version, it's just like it's like the most pure

0:15:29.520 --> 0:15:31.880
<v Speaker 1>thing you've ever seen. It's like you're seeing just pure

0:15:32.520 --> 0:15:37.040
<v Speaker 1>romantic hope, just like vibrating through the bodies of these people,

0:15:37.080 --> 0:15:40.360
<v Speaker 1>like they always cry and they're like that was the

0:15:40.400 --> 0:15:44.800
<v Speaker 1>most amazing thing I've ever done. So it's incredible. I

0:15:44.800 --> 0:15:47.400
<v Speaker 1>bought a VPN just so I could watched it. Yeah,

0:15:47.960 --> 0:15:50.120
<v Speaker 1>but and then I found it was coming to America,

0:15:50.160 --> 0:15:53.000
<v Speaker 1>and I got so excited. But then I found it

0:15:53.040 --> 0:15:58.360
<v Speaker 1>in America. Of course they had to Now it's a competition. No,

0:15:58.560 --> 0:16:00.840
<v Speaker 1>it was not a competition, but for it was just

0:16:00.960 --> 0:16:03.800
<v Speaker 1>like I'm looking for love and like maybe it's with you,

0:16:03.880 --> 0:16:06.640
<v Speaker 1>and together, we're going to try this out. And I'll

0:16:06.680 --> 0:16:08.600
<v Speaker 1>be honest, I've looked into all of the couples and

0:16:08.680 --> 0:16:10.800
<v Speaker 1>none of them have worked out, of course not but

0:16:10.880 --> 0:16:14.040
<v Speaker 1>you see, for like, they all leave the dance being

0:16:14.080 --> 0:16:20.440
<v Speaker 1>like this is true love, Like it's no but for real,

0:16:20.960 --> 0:16:23.640
<v Speaker 1>like they're just like I've never seen such like pure

0:16:23.720 --> 0:16:26.680
<v Speaker 1>human emotion captured on television. What are they dancing to?

0:16:26.960 --> 0:16:31.600
<v Speaker 1>This is a difference, that's all. It runs the gamut.

0:16:33.280 --> 0:16:34.840
<v Speaker 1>I used to have watched so you think you can

0:16:34.960 --> 0:16:38.400
<v Speaker 1>dance in the first few seasons and that was all professional,

0:16:38.400 --> 0:16:42.840
<v Speaker 1>It wasn't. I mean, I'm very drawn to the question

0:16:42.880 --> 0:16:46.680
<v Speaker 1>about this. Especially the American version made me wonder if

0:16:46.720 --> 0:16:49.840
<v Speaker 1>some of these people were pros. I mean, I don't

0:16:49.880 --> 0:16:51.280
<v Speaker 1>know about the American VISI cause, like I said, I

0:16:51.360 --> 0:16:53.560
<v Speaker 1>only watched the first one. But in the UK version,

0:16:53.600 --> 0:16:56.280
<v Speaker 1>they're definitely not pros. And in fact, it's like, you know,

0:16:56.280 --> 0:16:59.920
<v Speaker 1>they'll be like, I don't know, like seniors who definitely

0:17:00.000 --> 0:17:03.640
<v Speaker 1>cannot dance, and just like sort of good natured bros

0:17:03.680 --> 0:17:06.280
<v Speaker 1>who just kind of like you know, basically have to

0:17:06.359 --> 0:17:09.600
<v Speaker 1>like you know, hold their hands up while their partner

0:17:10.200 --> 0:17:13.159
<v Speaker 1>you know, does circles around them, but it's you know,

0:17:13.160 --> 0:17:16.080
<v Speaker 1>I only saw the one episode, the first episode the

0:17:16.080 --> 0:17:21.280
<v Speaker 1>American version. It was just so outraged by I watched

0:17:21.400 --> 0:17:23.760
<v Speaker 1>one in the middle of the American version and I

0:17:23.760 --> 0:17:26.119
<v Speaker 1>guess the host is normally Jenna Duan, but it was

0:17:26.160 --> 0:17:32.240
<v Speaker 1>like a British host. Maybe it was actually Banjos. It

0:17:30.840 --> 0:17:34.280
<v Speaker 1>was it was it was a competition. It was a

0:17:34.320 --> 0:17:36.199
<v Speaker 1>guy and it was like, you're going to dance with

0:17:36.200 --> 0:17:39.080
<v Speaker 1>these two different women and like do the same routine

0:17:39.119 --> 0:17:41.160
<v Speaker 1>with both of them and you all learn the parts

0:17:41.160 --> 0:17:43.320
<v Speaker 1>separately and then you but then like when they did

0:17:43.320 --> 0:17:46.359
<v Speaker 1>the routine, it was in like the terrarium of a

0:17:46.359 --> 0:17:51.080
<v Speaker 1>botanical garden. I mean, that's that's true across both Okay, Okay,

0:17:51.200 --> 0:17:54.440
<v Speaker 1>the one that it was it was really nice. I

0:17:54.440 --> 0:17:55.840
<v Speaker 1>guess it was like I was like, like at the

0:17:55.920 --> 0:17:58.000
<v Speaker 1>end of Beauty and the Beast, you're like the Crystal

0:17:58.040 --> 0:18:02.959
<v Speaker 1>past for some reason. Um, but well, they picked one

0:18:02.960 --> 0:18:04.280
<v Speaker 1>of the people and I was like, I don't know

0:18:04.280 --> 0:18:06.280
<v Speaker 1>that that was the person that they dance. They just

0:18:06.320 --> 0:18:09.520
<v Speaker 1>picked he's hotter of course, or like who they think whatever,

0:18:09.640 --> 0:18:12.159
<v Speaker 1>it's not, it just it really the whole point of

0:18:12.200 --> 0:18:14.440
<v Speaker 1>the British show is that it's like it's like quaint

0:18:14.480 --> 0:18:17.359
<v Speaker 1>and it's like for people who hope and like the

0:18:17.400 --> 0:18:19.760
<v Speaker 1>whole idea of like that it's just a competition, Like

0:18:20.160 --> 0:18:23.160
<v Speaker 1>that's just it's really not in the spirit a flirty

0:18:23.240 --> 0:18:29.480
<v Speaker 1>dancing flirty. I mean, it's just if you can watch

0:18:29.520 --> 0:18:32.439
<v Speaker 1>the I mean, it's if you can watch the British version.

0:18:33.600 --> 0:18:37.800
<v Speaker 1>Like I cry every time I said it doesn't go anywhere.

0:18:38.119 --> 0:18:40.960
<v Speaker 1>I feel like, like learning to do a dance, especially

0:18:41.000 --> 0:18:42.919
<v Speaker 1>if you're not a professional dancer and you don't do

0:18:42.960 --> 0:18:44.919
<v Speaker 1>that all the time, and like the thrill of the

0:18:44.960 --> 0:18:48.480
<v Speaker 1>accomplishment of it is like a very very kind of

0:18:48.520 --> 0:18:52.240
<v Speaker 1>like almost prival you fork. Yeah, And it feels like,

0:18:52.560 --> 0:18:54.760
<v Speaker 1>I mean like they had like a Bachelor, you know,

0:18:54.800 --> 0:18:57.520
<v Speaker 1>they always have people. They just do the fast version

0:18:57.560 --> 0:18:59.280
<v Speaker 1>of that, which is they just make people to involve

0:18:59.359 --> 0:19:02.520
<v Speaker 1>clips stick there and then like when they're not dead,

0:19:02.640 --> 0:19:06.160
<v Speaker 1>then they have this like hyper adrenaline rush of like

0:19:06.320 --> 0:19:12.160
<v Speaker 1>I'm not dead. The Bachelor is like Midsummer it is, yeah, basically,

0:19:13.160 --> 0:19:16.040
<v Speaker 1>like but like the whole thing of like finding a

0:19:16.119 --> 0:19:18.680
<v Speaker 1>way like that feels like a much more humane way

0:19:18.720 --> 0:19:22.520
<v Speaker 1>to capture a very very basic human emotion, like where

0:19:22.560 --> 0:19:24.879
<v Speaker 1>you kind of like have some sort of sense of

0:19:24.880 --> 0:19:28.280
<v Speaker 1>accomplishment and you go through an unusual circumstance with another

0:19:28.359 --> 0:19:31.560
<v Speaker 1>person for the first time, and it's like wow, oh

0:19:31.600 --> 0:19:34.679
<v Speaker 1>my god, it's like the movie Speed and it's not.

0:19:34.800 --> 0:19:37.320
<v Speaker 1>It's also like their bodies actually have to move together,

0:19:37.359 --> 0:19:39.960
<v Speaker 1>like a lot of times there's like lifts and stuff

0:19:40.000 --> 0:19:42.679
<v Speaker 1>in it. So they really have to they really have

0:19:42.760 --> 0:19:45.080
<v Speaker 1>to like develop this sense of trust that's not as

0:19:45.119 --> 0:19:48.520
<v Speaker 1>simple as just like jumping off bridge or whatever. They

0:19:48.520 --> 0:19:51.680
<v Speaker 1>have to like yeah, and they actually have to come

0:19:51.760 --> 0:19:54.920
<v Speaker 1>yeah exactly. They have to communicate physically and they're not

0:19:55.000 --> 0:19:59.760
<v Speaker 1>allowed to talk at all even after the dance is over. Well,

0:19:59.800 --> 0:20:02.200
<v Speaker 1>they're also another show. I ended up doing a deep

0:20:02.240 --> 0:20:05.960
<v Speaker 1>dive on dating reality show to learn everything about it. Um.

0:20:06.000 --> 0:20:09.360
<v Speaker 1>There's another show called sing Date, which is the same

0:20:09.440 --> 0:20:11.879
<v Speaker 1>premise of Flority Dancing, but was singing you do a

0:20:11.960 --> 0:20:16.040
<v Speaker 1>duet together but cannot talk. It is another UK show,

0:20:16.160 --> 0:20:21.760
<v Speaker 1>so maybe um. And then I learned that one of

0:20:21.760 --> 0:20:25.080
<v Speaker 1>the most popular shows is a Chinese bachelor style dating

0:20:25.080 --> 0:20:28.280
<v Speaker 1>show called if You Are the One UM that has

0:20:28.280 --> 0:20:31.560
<v Speaker 1>been on for ten years. UM and a contestant went

0:20:31.680 --> 0:20:35.400
<v Speaker 1>viral for the phrase for saying on a date. Um,

0:20:35.440 --> 0:20:38.680
<v Speaker 1>I'd rather cry in a BMW than smile on a bicycle.

0:20:41.160 --> 0:20:44.960
<v Speaker 1>And it became it became a meme. Um, and people,

0:20:46.720 --> 0:20:49.399
<v Speaker 1>I know, that's the most depressing. Apparently people were like

0:20:49.440 --> 0:20:51.600
<v Speaker 1>a million think pieces about it about like what does

0:20:51.640 --> 0:20:55.720
<v Speaker 1>this mean, Like people are abandoning bicycles for cars. Um,

0:20:55.720 --> 0:20:57.680
<v Speaker 1>I mean, I guess I like to be like protected

0:20:57.720 --> 0:21:02.879
<v Speaker 1>from the elements. For some siling on a bicycle is

0:21:02.920 --> 0:21:06.560
<v Speaker 1>like one of the best feelings in the world. Well teeth,

0:21:06.680 --> 0:21:12.160
<v Speaker 1>it was a good turn of phrase. Stop being Yeah,

0:21:12.240 --> 0:21:15.000
<v Speaker 1>I don't like it anymore. Yeah, I mean I don't

0:21:15.080 --> 0:21:18.159
<v Speaker 1>like it, but I like um that there's like just

0:21:18.240 --> 0:21:21.239
<v Speaker 1>Parallel Bachelors because it had like the same logic as

0:21:21.240 --> 0:21:24.560
<v Speaker 1>the Bachelor, but instead of the rose ceremony, there's something

0:21:24.600 --> 0:21:29.639
<v Speaker 1>that's called like a heartometer, you know. Um. There was

0:21:29.680 --> 0:21:32.920
<v Speaker 1>a show called Sexy Beasts that was a dating show

0:21:32.960 --> 0:21:35.720
<v Speaker 1>where they put one person in a prosthetic monster suit

0:21:37.000 --> 0:21:39.160
<v Speaker 1>and then they had to go on dates with people

0:21:39.480 --> 0:21:44.320
<v Speaker 1>where the people had to see through to your real personality. Wow. Um,

0:21:44.440 --> 0:21:51.119
<v Speaker 1>there's one Anotherlands another Lands show, Dutch show, a Dutch

0:21:51.160 --> 0:21:54.160
<v Speaker 1>dating show called Dating in the Dark. Dotton and Head,

0:21:56.000 --> 0:21:58.240
<v Speaker 1>a reality show created in the Netherlands where three single

0:21:58.280 --> 0:22:00.840
<v Speaker 1>men and three single women move into a tight house

0:22:00.920 --> 0:22:04.399
<v Speaker 1>getting to know each other. I know, isn't that a nightmare?

0:22:04.520 --> 0:22:08.080
<v Speaker 1>There's it sounds horrible the form bonds in total darkness.

0:22:09.320 --> 0:22:11.520
<v Speaker 1>You know what would be awful about that is your

0:22:11.520 --> 0:22:14.560
<v Speaker 1>other senses being so heightened that you're so aware of

0:22:14.560 --> 0:22:17.359
<v Speaker 1>the different smells of people. Is that what you were thinking?

0:22:17.640 --> 0:22:21.520
<v Speaker 1>That was actually what I was. That's a really sent

0:22:21.640 --> 0:22:26.280
<v Speaker 1>to austrophobia. Isn't that all like sex appeal is? Yeah,

0:22:26.280 --> 0:22:29.640
<v Speaker 1>but I don't like being robbed of all other faculties

0:22:29.680 --> 0:22:34.080
<v Speaker 1>and being like just sniff mean bag and pick pickup bag.

0:22:34.280 --> 0:22:37.359
<v Speaker 1>There's all smells good. There's also a couple of shows

0:22:37.400 --> 0:22:40.560
<v Speaker 1>that are just TOPI in the other direction that are

0:22:40.800 --> 0:22:45.200
<v Speaker 1>um like where you never meet somebody except virtually, where

0:22:45.240 --> 0:22:48.159
<v Speaker 1>it's like the circle, but instead of it's it's just

0:22:48.200 --> 0:22:50.600
<v Speaker 1>like everyone's in a different room and they just like

0:22:50.640 --> 0:22:52.680
<v Speaker 1>talk in a chat room and decide who they want

0:22:52.720 --> 0:22:54.679
<v Speaker 1>to be with the most. But they can't see each other.

0:22:54.720 --> 0:22:56.280
<v Speaker 1>They can't see each other, they can only talk on

0:22:56.359 --> 0:22:58.600
<v Speaker 1>one They're all ways of not letting people see you

0:22:58.680 --> 0:23:01.920
<v Speaker 1>hot they are. That's all of these are about. Well,

0:23:01.960 --> 0:23:04.879
<v Speaker 1>that's what like Flirty Dancing sounds so nice because it

0:23:04.880 --> 0:23:07.720
<v Speaker 1>feels like a real anecdote to like like like, why

0:23:07.720 --> 0:23:09.399
<v Speaker 1>would you go on a show like that where you

0:23:09.440 --> 0:23:11.720
<v Speaker 1>can't see people, You're only looking at people on an app?

0:23:11.760 --> 0:23:16.760
<v Speaker 1>Like that's just light. There's one called Dating Alone that's

0:23:16.760 --> 0:23:19.280
<v Speaker 1>the South Korean dating game show that's more like a

0:23:19.359 --> 0:23:22.240
<v Speaker 1>dating sim where it's like you you're going on a

0:23:22.320 --> 0:23:24.760
<v Speaker 1>date with simone. It's like to teach men to be

0:23:24.760 --> 0:23:33.119
<v Speaker 1>better at dating theoretically. Um, this is a great wi Yeah. Um.

0:23:33.680 --> 0:23:37.040
<v Speaker 1>Doce Corazonis is a Telemundo dating show that's based around

0:23:37.080 --> 0:23:39.480
<v Speaker 1>the zodiac. Oh, I'd watch it doesn't seem like a

0:23:39.520 --> 0:23:43.640
<v Speaker 1>good idea. Um. And then Love Cruise is an American

0:23:43.720 --> 0:23:47.840
<v Speaker 1>reality show um featuring sixteen men competing sixteen singles competing

0:23:47.840 --> 0:23:51.520
<v Speaker 1>for a two dollar prize. Uh. The original premier date

0:23:51.560 --> 0:23:54.719
<v Speaker 1>of the show is September eleventh, two thousand one. But

0:23:54.800 --> 0:23:57.240
<v Speaker 1>it was good. I do think of the peak of

0:23:57.280 --> 0:24:02.439
<v Speaker 1>reality TV as being like the period. Yeah, one of

0:24:02.480 --> 0:24:05.199
<v Speaker 1>my favorite reality shows, but it was also like a

0:24:05.320 --> 0:24:08.760
<v Speaker 1>very brutal watch and felt very morally wrong. Was a

0:24:08.760 --> 0:24:11.439
<v Speaker 1>show called Solitary that I think I talked about on

0:24:11.520 --> 0:24:15.160
<v Speaker 1>Girls and Hoodies ones, but it was people they had

0:24:15.200 --> 0:24:17.480
<v Speaker 1>like a robot voice they could talk to, but that

0:24:17.640 --> 0:24:21.040
<v Speaker 1>was the only the only communication they had, and they

0:24:21.040 --> 0:24:25.080
<v Speaker 1>were each in their own little like horrible cell um,

0:24:25.119 --> 0:24:27.720
<v Speaker 1>and they just didn't have any human contact, and it

0:24:27.760 --> 0:24:30.640
<v Speaker 1>was like how long can you go? But I never

0:24:30.680 --> 0:24:32.920
<v Speaker 1>really liked The Bachelor. I think, you know, when I

0:24:32.920 --> 0:24:36.639
<v Speaker 1>would contrast it with solitary because the dating shows like

0:24:36.760 --> 0:24:40.480
<v Speaker 1>finding connection, you know, like whoe Emily, it sounds like

0:24:40.480 --> 0:24:47.760
<v Speaker 1>you just entered an IMAX experience. For some reason, I

0:24:47.880 --> 0:24:52.160
<v Speaker 1>really like the like total absence of connection and reality

0:24:52.240 --> 0:24:57.320
<v Speaker 1>TV sometimes because it seemed more honest than the fabricated

0:24:57.520 --> 0:25:00.960
<v Speaker 1>romantic connections. I'm like, when you're watching someone just kind

0:25:00.960 --> 0:25:03.480
<v Speaker 1>of like lose it from being alone for so long

0:25:04.160 --> 0:25:07.480
<v Speaker 1>versus like trying to make themselves to you guys find

0:25:07.480 --> 0:25:12.040
<v Speaker 1>The Bachelor pleasurable. I've never seen it. I hate I don't.

0:25:12.800 --> 0:25:14.400
<v Speaker 1>I really don't. And it's like one of those things

0:25:14.440 --> 0:25:16.919
<v Speaker 1>where I'm like, I don't understand people who like this,

0:25:17.000 --> 0:25:20.480
<v Speaker 1>but I like lots of other stuff that's similar to this. Yeah,

0:25:20.720 --> 0:25:23.320
<v Speaker 1>I tried watching one episode because I have so many

0:25:23.359 --> 0:25:26.240
<v Speaker 1>friends who are so into it. One of my friends

0:25:26.280 --> 0:25:29.200
<v Speaker 1>actually does a podcast that's a college show about the Bachelor.

0:25:29.359 --> 0:25:32.760
<v Speaker 1>But I tried watching one episode. It just seems so horrible.

0:25:33.000 --> 0:25:35.560
<v Speaker 1>Well it seems so fake and so it's really hard

0:25:35.600 --> 0:25:37.919
<v Speaker 1>to crack the veneer. But we all when we worked

0:25:37.960 --> 0:25:40.960
<v Speaker 1>at Grantland together, it was like a huge thing. So

0:25:41.160 --> 0:25:45.879
<v Speaker 1>that's we were all kind of forced to watch, Like, yeah,

0:25:46.040 --> 0:25:47.760
<v Speaker 1>a lot of people. I feel like I watched it

0:25:47.800 --> 0:25:51.719
<v Speaker 1>for work, probably for about four there's so much of it. Really,

0:25:51.800 --> 0:25:54.600
<v Speaker 1>you did work on that on Bachelor because you did

0:25:54.640 --> 0:25:58.680
<v Speaker 1>like interviews with people. Yeah, and I became friends with

0:25:58.359 --> 0:26:02.960
<v Speaker 1>the Celis Opera of yours, Yeah, Charley Joyce. I understand

0:26:02.960 --> 0:26:06.560
<v Speaker 1>why people why people get obsessed with it, but it's

0:26:06.560 --> 0:26:08.520
<v Speaker 1>not for me. I feel that way about Banderpump Rolls

0:26:08.520 --> 0:26:10.880
<v Speaker 1>though I just went, well, there's also I think it's

0:26:10.920 --> 0:26:13.840
<v Speaker 1>one of those things also that doesn't really sit right

0:26:14.080 --> 0:26:18.320
<v Speaker 1>post it feels like a super conservative show, and it

0:26:18.920 --> 0:26:21.520
<v Speaker 1>felt like a super conservative show. Yeah, but I think

0:26:21.560 --> 0:26:24.480
<v Speaker 1>even more so, it's one of those things where you

0:26:24.560 --> 0:26:26.679
<v Speaker 1>really put the glasses on and you see it for

0:26:26.720 --> 0:26:28.720
<v Speaker 1>what it is. I feel like it's i mean, like

0:26:28.800 --> 0:26:30.960
<v Speaker 1>the only way that I really do understand it is.

0:26:31.000 --> 0:26:34.320
<v Speaker 1>I'm like, it is the best critique of heterosexuality is

0:26:34.359 --> 0:26:38.000
<v Speaker 1>an idea because it's like insane. It's like, okay, you

0:26:38.040 --> 0:26:40.280
<v Speaker 1>go on dates with all these women, but it's like

0:26:40.520 --> 0:26:42.960
<v Speaker 1>also the sexual politics of it just make no sense

0:26:43.000 --> 0:26:45.520
<v Speaker 1>where it's like you have to have sex with them

0:26:45.520 --> 0:26:48.760
<v Speaker 1>at the end. That's so you're like you're not you

0:26:48.840 --> 0:26:52.960
<v Speaker 1>might get not chosen because you have sex with them. Yeah. Yeah,

0:26:53.240 --> 0:26:56.040
<v Speaker 1>I mean I once did a whole like drunk ted

0:26:56.080 --> 0:26:59.679
<v Speaker 1>talk on on the Fantasy Suite on the concepts of

0:26:59.680 --> 0:27:01.720
<v Speaker 1>the fan to see suite because it was such a

0:27:02.280 --> 0:27:05.280
<v Speaker 1>The way that's treated on the show is again like

0:27:05.280 --> 0:27:07.720
<v Speaker 1>we're going back to like the idea of depicting sex.

0:27:07.800 --> 0:27:10.280
<v Speaker 1>It's like treated in such a weird like we can't

0:27:10.320 --> 0:27:13.920
<v Speaker 1>say what this actually is. But also we are pushing

0:27:13.920 --> 0:27:15.840
<v Speaker 1>these people towards it and we want them to go

0:27:15.880 --> 0:27:17.560
<v Speaker 1>into the box, but we're not going to see what

0:27:17.600 --> 0:27:19.560
<v Speaker 1>happened from the box when they're in the box. But

0:27:19.640 --> 0:27:24.280
<v Speaker 1>so the idea was and they talk about what happened afterwards,

0:27:24.359 --> 0:27:26.640
<v Speaker 1>but you don't get to see and that is very

0:27:26.640 --> 0:27:29.400
<v Speaker 1>American to be like we're selling the sex, but we're

0:27:29.480 --> 0:27:33.080
<v Speaker 1>not going to show you because we can't have on television,

0:27:33.760 --> 0:27:36.760
<v Speaker 1>but like, yeah, on British television they would just show it. Actually,

0:27:37.240 --> 0:27:40.480
<v Speaker 1>I like Love Island, which is just like The Bachelor

0:27:40.640 --> 0:27:44.879
<v Speaker 1>but stupid. It's so good and I only like the

0:27:44.920 --> 0:27:49.800
<v Speaker 1>British version because it's all really good slang um. It

0:27:49.960 --> 0:27:53.399
<v Speaker 1>is very like, yeah, it's just people from all over

0:27:53.920 --> 0:27:58.160
<v Speaker 1>England going on a holiday. Well, Molly, you're also really

0:27:58.240 --> 0:28:00.280
<v Speaker 1>into naked and afraid for a while, because it's like

0:28:00.320 --> 0:28:04.160
<v Speaker 1>the opposite, that's what I'm saying, where they're like, you're naked,

0:28:04.240 --> 0:28:06.119
<v Speaker 1>it's like a man and a woman. Usually you're naked

0:28:06.359 --> 0:28:09.960
<v Speaker 1>and you're in the wildern you're afraid, like they I

0:28:09.960 --> 0:28:12.200
<v Speaker 1>don't think they ever end up hooking up one time.

0:28:12.280 --> 0:28:14.760
<v Speaker 1>I'm not even sure they never hook up, but they

0:28:14.840 --> 0:28:17.879
<v Speaker 1>have to huddle together for warms. It's kind of like

0:28:17.920 --> 0:28:21.000
<v Speaker 1>the opposite of the fantasy suite because the expectation is

0:28:21.440 --> 0:28:24.720
<v Speaker 1>is like completely non sexual, but they're naked, so it's

0:28:24.760 --> 0:28:27.720
<v Speaker 1>like nudity becomes non sexual really fast if you can

0:28:27.840 --> 0:28:29.840
<v Speaker 1>let people have it. It's when you like keep people

0:28:29.880 --> 0:28:33.680
<v Speaker 1>away from it that it becomes this really fetishized thing.

0:28:34.040 --> 0:28:37.880
<v Speaker 1>That's why we're so fucked up in America's many reasons

0:28:37.880 --> 0:28:39.760
<v Speaker 1>why but you know, if you guys, did anybody here

0:28:39.760 --> 0:28:42.080
<v Speaker 1>ever see sex Box, which I think also was a

0:28:42.120 --> 0:28:44.600
<v Speaker 1>British show. First, what is sex box? Oh? You have

0:28:44.640 --> 0:28:46.960
<v Speaker 1>sex in a box. Sex boxes where there's a box

0:28:47.000 --> 0:28:49.080
<v Speaker 1>on the stage. It's in front of a studio audience

0:28:49.280 --> 0:28:51.720
<v Speaker 1>and couples come on and they talk about the sexual

0:28:51.760 --> 0:28:53.440
<v Speaker 1>problems we're having and then they go have sex in

0:28:53.480 --> 0:28:58.560
<v Speaker 1>the box. Yeah. Well in the box you can't see.

0:28:58.680 --> 0:29:00.880
<v Speaker 1>So the box has four and then they come out

0:29:00.960 --> 0:29:04.400
<v Speaker 1>and they're wearing robes. And this was also a Nathan

0:29:04.440 --> 0:29:07.880
<v Speaker 1>for you. I was just thinking of Nathan the cube

0:29:07.880 --> 0:29:10.280
<v Speaker 1>that they put in the hotel. Yeah, such a good idea.

0:29:11.080 --> 0:29:14.200
<v Speaker 1>It's a great idea. You could have sex without your kids. Yeah,

0:29:15.040 --> 0:29:18.000
<v Speaker 1>that was a good product idea. Well, we'll be right

0:29:18.000 --> 0:29:38.479
<v Speaker 1>back with another story about sex boxes. The Hunger Welcome

0:29:38.520 --> 0:29:41.960
<v Speaker 1>back to Night Call. As part of our Spooky Love February,

0:29:42.680 --> 0:29:48.080
<v Speaker 1>we watched Choice of Emily's for a spooky romance, Tony

0:29:48.120 --> 0:29:55.560
<v Speaker 1>Scott's The Hunger, first Tony Scott directorial, the first Tony

0:29:55.600 --> 0:30:02.400
<v Speaker 1>Scott film. Um, yeah, I love this movie. I've seen

0:30:02.440 --> 0:30:05.560
<v Speaker 1>it a couple of times before. Um, and then I

0:30:05.640 --> 0:30:08.600
<v Speaker 1>realized it fit into it fit perfectly into spooky love,

0:30:08.760 --> 0:30:10.680
<v Speaker 1>and it's a really good like. I think a lot

0:30:10.720 --> 0:30:13.840
<v Speaker 1>of vampire movies can be metaphors for different kinds of things,

0:30:14.240 --> 0:30:16.040
<v Speaker 1>but this is the one that's really about having a

0:30:16.080 --> 0:30:18.720
<v Speaker 1>bunch of xes that you keep in coffins in your attic.

0:30:19.080 --> 0:30:24.320
<v Speaker 1>Like that's what this is about. It is another Whitley

0:30:24.360 --> 0:30:29.200
<v Speaker 1>Streamer Striber. We never decided it's a Whitley s joints.

0:30:30.920 --> 0:30:33.280
<v Speaker 1>He of course wrote Communion, which we did as a

0:30:33.400 --> 0:30:36.360
<v Speaker 1>night called book club pick Um, and we all had

0:30:36.400 --> 0:30:42.840
<v Speaker 1>like middling opinions changed, we felt changed. All of Whitley

0:30:42.840 --> 0:30:46.480
<v Speaker 1>Striber's books appear to be about people changing forms from

0:30:46.520 --> 0:30:50.640
<v Speaker 1>one form to another, whether it be like sexy alien

0:30:50.720 --> 0:30:54.040
<v Speaker 1>or a sexy wolf apparently is another one. I think

0:30:54.760 --> 0:30:56.560
<v Speaker 1>all of his films, if not all of them, have

0:30:56.640 --> 0:30:59.480
<v Speaker 1>been adapted into films too, Like he did the book

0:30:59.520 --> 0:31:02.200
<v Speaker 1>that The Day After Tomorrow was based on. Yeah, he's

0:31:02.280 --> 0:31:06.000
<v Speaker 1>like getting paid for his nothing but beggars. I mean,

0:31:06.080 --> 0:31:08.520
<v Speaker 1>have you seen The Hunger? Yeah? I watched it last night.

0:31:08.560 --> 0:31:12.280
<v Speaker 1>What's what are your thoughts? I mean, I really liked it.

0:31:12.840 --> 0:31:16.360
<v Speaker 1>My main takeaway was the way that they did eyeshadow.

0:31:17.120 --> 0:31:20.360
<v Speaker 1>I know, I tried today. Actually, I was like, wow,

0:31:20.640 --> 0:31:23.320
<v Speaker 1>it's like all the way to their brow and it

0:31:23.320 --> 0:31:26.360
<v Speaker 1>looks so good. It looks like a sunset and it's

0:31:26.400 --> 0:31:28.680
<v Speaker 1>actually like a note this weird like microcosm for the

0:31:28.840 --> 0:31:32.360
<v Speaker 1>entire aesthetic of the film, like just on their eyelid,

0:31:32.760 --> 0:31:37.440
<v Speaker 1>like all of the colors, the gauzy fabrics, the blood,

0:31:38.200 --> 0:31:42.360
<v Speaker 1>the gauziest movies. There's so much fog in all those rooms.

0:31:41.840 --> 0:31:47.560
<v Speaker 1>There's there's mideral like scars. I truly hated this movie.

0:31:48.920 --> 0:31:52.600
<v Speaker 1>I will wait for my turn. I was so yeah.

0:31:52.760 --> 0:31:56.240
<v Speaker 1>I mean, I just hated it. Like keeps saying spicy,

0:31:56.760 --> 0:31:58.720
<v Speaker 1>if we had all the same opinion all the time,

0:31:58.960 --> 0:32:01.640
<v Speaker 1>wouldn't be as fun. I liked the aesthetic a lot,

0:32:01.720 --> 0:32:05.560
<v Speaker 1>but I felt like in the beginning, first twenty minutes,

0:32:05.800 --> 0:32:09.640
<v Speaker 1>which okay, so spoiler spoilers, David Bowie is like aging

0:32:09.800 --> 0:32:13.760
<v Speaker 1>really fast, and initially I was like, this is going

0:32:13.800 --> 0:32:18.160
<v Speaker 1>to be a sexy movie. Correct, like it seems that way.

0:32:18.240 --> 0:32:20.560
<v Speaker 1>And then there was the whole incident with like the

0:32:20.560 --> 0:32:24.040
<v Speaker 1>monkeys eating each other and then dying really graphically, and

0:32:24.080 --> 0:32:29.720
<v Speaker 1>I was like, oh, just like the lawnmower man in right, like,

0:32:29.800 --> 0:32:33.160
<v Speaker 1>well it not really, that's the thing. So Tony Scott,

0:32:33.160 --> 0:32:35.480
<v Speaker 1>I think was criticized in the original coverage of this

0:32:35.680 --> 0:32:39.680
<v Speaker 1>movie for like just totally subverting the plot in favor

0:32:39.760 --> 0:32:43.760
<v Speaker 1>of the gauze. And it was delicious gauze. It was like,

0:32:43.800 --> 0:32:48.280
<v Speaker 1>it was a very sensually visual movie, but the plot

0:32:48.600 --> 0:32:50.920
<v Speaker 1>there were so many times when it seemed to be

0:32:51.400 --> 0:32:53.680
<v Speaker 1>chugging away in a certain direction and then it's just

0:32:53.720 --> 0:32:56.480
<v Speaker 1>like derailed. And then by the end of the movie,

0:32:56.520 --> 0:33:01.520
<v Speaker 1>I was like, what what happened? Like so okay, another problem. Then,

0:33:01.560 --> 0:33:04.000
<v Speaker 1>I was telling Molly before we started recording, I could

0:33:04.080 --> 0:33:07.440
<v Speaker 1>not stop fixating on the fact that there's a scene

0:33:07.720 --> 0:33:12.160
<v Speaker 1>where a child takes polaroid pictures of David Bowie and

0:33:12.360 --> 0:33:18.400
<v Speaker 1>of Katherine Deneuve. As we all know, vampires cannot be photographed,

0:33:18.800 --> 0:33:22.440
<v Speaker 1>nor do they have reflections in the mirror. So David

0:33:22.480 --> 0:33:26.640
<v Speaker 1>Bowie is only part vampire, but Katherine Deneuva is full vampire.

0:33:27.440 --> 0:33:30.400
<v Speaker 1>Why is there a polaroid of her face? Well, this

0:33:30.440 --> 0:33:34.360
<v Speaker 1>movie clearly just not play by the vampire player. This

0:33:34.400 --> 0:33:37.720
<v Speaker 1>is my only beef with it, Like I love a

0:33:37.800 --> 0:33:41.080
<v Speaker 1>vampire movie or show that really really plays by the

0:33:41.160 --> 0:33:43.600
<v Speaker 1>rules and like has fun with the rules. This one

0:33:43.720 --> 0:33:46.320
<v Speaker 1>is just like a real true like DayWalker movie. They're

0:33:46.400 --> 0:33:49.120
<v Speaker 1>just like normal, glamorous people that don't die like that.

0:33:49.280 --> 0:33:54.600
<v Speaker 1>That's basically they used the amulet. They never say they

0:33:54.640 --> 0:33:57.840
<v Speaker 1>are vampire in the movie, which means maybe they're not vampire,

0:33:57.840 --> 0:34:02.400
<v Speaker 1>they're just blood drink In the book apparently, and at

0:34:02.480 --> 0:34:05.320
<v Speaker 1>least Striver's book was that he was sort of treating

0:34:05.440 --> 0:34:07.920
<v Speaker 1>vampires is sort of a sci fi concept, so it's

0:34:07.960 --> 0:34:10.319
<v Speaker 1>like a species of human or a kind of human.

0:34:10.400 --> 0:34:13.160
<v Speaker 1>It's like can be explained through like their blood and

0:34:13.280 --> 0:34:16.759
<v Speaker 1>hence like why somebody could have a blood transfusion and

0:34:16.840 --> 0:34:18.880
<v Speaker 1>take on a lot of the qualities of the vampire

0:34:18.960 --> 0:34:21.480
<v Speaker 1>without being a vampire. So that was sort of the

0:34:21.480 --> 0:34:23.960
<v Speaker 1>difference of his the conceit of the book, which is

0:34:24.000 --> 0:34:28.319
<v Speaker 1>not super explicitly laid out in the movie. But yeah,

0:34:28.440 --> 0:34:31.000
<v Speaker 1>I don't know, I think, like it's not super satisfying

0:34:31.040 --> 0:34:34.720
<v Speaker 1>to me as like a vampire movie the opening five minutes.

0:34:34.880 --> 0:34:36.440
<v Speaker 1>But I thought it was going to be more like

0:34:36.480 --> 0:34:38.200
<v Speaker 1>Interview of the Vampire, and it was going to be

0:34:38.239 --> 0:34:40.360
<v Speaker 1>about like this couple that's like doomed to live together

0:34:40.400 --> 0:34:44.359
<v Speaker 1>forever in their fancy and then I thought, then I

0:34:44.400 --> 0:34:46.799
<v Speaker 1>was getting especially when they're in the townhouse. I was like, oh,

0:34:46.840 --> 0:34:50.120
<v Speaker 1>this is about Jeffrey Epstein and Jesse x Well. Of course,

0:34:50.280 --> 0:34:53.319
<v Speaker 1>um but it was like the I do find those

0:34:53.480 --> 0:34:55.760
<v Speaker 1>those fancy New York town houses with the marble walls

0:34:55.800 --> 0:34:58.239
<v Speaker 1>to be like the most creepy places. Well also because

0:34:58.239 --> 0:35:01.520
<v Speaker 1>they never turn on the lights ever ever, and not

0:35:01.840 --> 0:35:04.120
<v Speaker 1>that I was like, because they're vampires. But if they're

0:35:04.200 --> 0:35:07.000
<v Speaker 1>vampires again, they wouldn't have reflections, and they do, so

0:35:07.040 --> 0:35:10.279
<v Speaker 1>they just prefer the darkness. Why you combine all these

0:35:10.280 --> 0:35:12.279
<v Speaker 1>things I hate of like people who like to play

0:35:12.320 --> 0:35:15.279
<v Speaker 1>piano and make you listen, people who like to never

0:35:15.320 --> 0:35:18.680
<v Speaker 1>return on the lights, people who dust when people come

0:35:18.719 --> 0:35:23.200
<v Speaker 1>over and they don't talk, they just dust. Why are

0:35:23.280 --> 0:35:27.839
<v Speaker 1>not a god? Why are vampires so posh? Always? Well,

0:35:27.920 --> 0:35:29.920
<v Speaker 1>I feel like the whole thing like, at least in

0:35:30.239 --> 0:35:34.080
<v Speaker 1>recent modern histories that like vampires are about an anxiety

0:35:34.120 --> 0:35:38.560
<v Speaker 1>about some kind of wealthy class leaching off of people.

0:35:39.280 --> 0:35:42.319
<v Speaker 1>Um Like I feel like that's like they're aristocratic, Like

0:35:42.320 --> 0:35:44.799
<v Speaker 1>they're very rarely poor. That's what I'm saying, They're very

0:35:44.920 --> 0:35:49.160
<v Speaker 1>rarely poor. Vampires always aristocratics because I think like it's like,

0:35:49.520 --> 0:35:52.160
<v Speaker 1>you know, zombie movies are kind of about being anxiety

0:35:52.200 --> 0:35:54.520
<v Speaker 1>of like your neighbors, like your everyday people you know

0:35:54.600 --> 0:35:58.720
<v Speaker 1>in life, just being like completely are about or about

0:35:58.760 --> 0:36:02.839
<v Speaker 1>the fear of poor people. Know, they're about like alienation

0:36:03.000 --> 0:36:06.600
<v Speaker 1>from your fellow man, whereas I think the vampire movies

0:36:06.600 --> 0:36:09.680
<v Speaker 1>are much more about like, there are rich people out there,

0:36:09.680 --> 0:36:12.719
<v Speaker 1>who will you know, zap all your resources and your

0:36:12.760 --> 0:36:17.080
<v Speaker 1>emotional your emotional and financial resources. And did did you

0:36:17.120 --> 0:36:20.480
<v Speaker 1>feel as though this was like a metaphor for drug addiction?

0:36:20.719 --> 0:36:23.800
<v Speaker 1>At first I was wondering. I had a bunch of thoughts,

0:36:23.800 --> 0:36:25.680
<v Speaker 1>but then in the end I felt as though it

0:36:25.719 --> 0:36:27.640
<v Speaker 1>had to be a metaphor for drug addiction, which I

0:36:27.640 --> 0:36:30.640
<v Speaker 1>feel like is also a common kind of vampire uh

0:36:30.840 --> 0:36:33.719
<v Speaker 1>tie in. I think that the way that the vampiresm

0:36:33.760 --> 0:36:38.040
<v Speaker 1>is depicted is definitely like very overtly like junkie type imagery.

0:36:38.280 --> 0:36:41.120
<v Speaker 1>But I think that the story itself, which is why

0:36:41.160 --> 0:36:42.959
<v Speaker 1>I like it and why I enjoyed questioning it today

0:36:42.960 --> 0:36:48.480
<v Speaker 1>on Valentine's Day, is really like explicitly about having past

0:36:48.560 --> 0:36:54.279
<v Speaker 1>loves and about like again keeping your exces uh in

0:36:54.360 --> 0:36:57.799
<v Speaker 1>coffins in your attic. Uh, just like this idea of like,

0:36:58.440 --> 0:37:00.880
<v Speaker 1>when you start a relationship with somebody, it feels like

0:37:00.920 --> 0:37:05.439
<v Speaker 1>forever and ever uh, as David Bowie says in the Shower, uh.

0:37:05.800 --> 0:37:08.480
<v Speaker 1>And and then you know an event inevitably has to

0:37:08.640 --> 0:37:12.000
<v Speaker 1>end and then you have to like live with that

0:37:12.200 --> 0:37:15.360
<v Speaker 1>coffin in you're attic. It's also kind of like, that's

0:37:15.520 --> 0:37:18.040
<v Speaker 1>what because the what do you call it? The tagline

0:37:18.040 --> 0:37:21.120
<v Speaker 1>of the movie or whatever, it's no human love is forever,

0:37:21.400 --> 0:37:24.040
<v Speaker 1>No human loves forever, something like that. So it made

0:37:24.040 --> 0:37:26.080
<v Speaker 1>me think that like the whole reason because it was confused.

0:37:26.120 --> 0:37:28.360
<v Speaker 1>One of the confusing things is why does he start aging?

0:37:28.480 --> 0:37:31.440
<v Speaker 1>What trigger is that? And then I started thinking, because

0:37:31.520 --> 0:37:36.160
<v Speaker 1>of the movie tagline or logline whatever it is, that

0:37:36.239 --> 0:37:38.960
<v Speaker 1>it's she has fallen out of love with him, and

0:37:39.120 --> 0:37:41.920
<v Speaker 1>that's why he starts to age. And that definitely I

0:37:41.960 --> 0:37:44.680
<v Speaker 1>feel like supports Emily your your hypothesis about it being

0:37:44.680 --> 0:37:47.239
<v Speaker 1>about excess. And that was also the most horrifying part

0:37:47.239 --> 0:37:51.359
<v Speaker 1>of the scariest part of Far Yeah. Yeah, I mean

0:37:51.440 --> 0:37:54.360
<v Speaker 1>the attic full of the yeah when you realize that

0:37:54.400 --> 0:37:57.400
<v Speaker 1>there's all when she's like, you know, keep keep him company,

0:37:57.480 --> 0:38:03.480
<v Speaker 1>Lalia or whatever, the Katherine is so good. Oh my god,

0:38:03.600 --> 0:38:08.160
<v Speaker 1>I mean Katherine ends. Yeah, I mean, just for that alone,

0:38:08.200 --> 0:38:13.759
<v Speaker 1>this movie rules, I thought, but I understand. Yeah, I

0:38:13.760 --> 0:38:16.000
<v Speaker 1>mean that's the thing too. It's also, like I just

0:38:16.080 --> 0:38:18.440
<v Speaker 1>it was became several different things that I thought it

0:38:18.480 --> 0:38:22.520
<v Speaker 1>was going to be. Um, it turned into a lesbian

0:38:22.600 --> 0:38:26.839
<v Speaker 1>vampire movie, which is another type of vampire movie. Um.

0:38:26.880 --> 0:38:30.440
<v Speaker 1>And there's like a long history of lesbian vampires. Uh.

0:38:30.560 --> 0:38:34.680
<v Speaker 1>There's a book called Carmilla that's like the female Dracula,

0:38:34.840 --> 0:38:39.520
<v Speaker 1>and Carmilla is all about like a you know, a

0:38:39.560 --> 0:38:42.440
<v Speaker 1>baroness or something who was secretly a vampire. But she's

0:38:42.440 --> 0:38:44.960
<v Speaker 1>also like praying on this girl in her sleep, and

0:38:45.000 --> 0:38:48.680
<v Speaker 1>the girl like maybe gets into it. Um. So I

0:38:48.760 --> 0:38:54.759
<v Speaker 1>do think it's also a metaphor for closetedness in a way.

0:38:54.800 --> 0:38:57.279
<v Speaker 1>It felt like to makes sense, That makes sense. I

0:38:57.320 --> 0:38:59.800
<v Speaker 1>think like a lot of vampire stories end up feeling

0:38:59.840 --> 0:39:04.839
<v Speaker 1>like some kind of closet it like like not being

0:39:04.880 --> 0:39:07.720
<v Speaker 1>able to like you have to kind of initiate people

0:39:07.760 --> 0:39:10.040
<v Speaker 1>into being the kind of person that you are in

0:39:10.120 --> 0:39:12.439
<v Speaker 1>order to spend time with them or spend your life.

0:39:13.120 --> 0:39:16.399
<v Speaker 1>Wait until your name, wait until you see the Lost Boys? Yeah,

0:39:16.600 --> 0:39:19.799
<v Speaker 1>did you guys know that Susan Sarandon was not born

0:39:19.840 --> 0:39:22.560
<v Speaker 1>Susan Because I did not know that, and that's her

0:39:22.600 --> 0:39:25.800
<v Speaker 1>married name and from her first for the first was

0:39:25.840 --> 0:39:29.479
<v Speaker 1>Prince humperd Ink and Princess Bride. That really blew my mind.

0:39:29.560 --> 0:39:32.960
<v Speaker 1>Actually hump, it's like that. Yeah, I didn't either, and

0:39:33.000 --> 0:39:35.719
<v Speaker 1>I was like, I just assumed that she, like you know,

0:39:35.880 --> 0:39:42.480
<v Speaker 1>came onto this earth. But one uh, this this movie

0:39:42.600 --> 0:39:46.640
<v Speaker 1>is will always be remembered as the movie that David

0:39:46.760 --> 0:39:51.279
<v Speaker 1>Bowie and Susan Sarandon hook up during, which is very

0:39:51.320 --> 0:39:53.399
<v Speaker 1>interesting I think when you watch this movie, because it's

0:39:53.400 --> 0:39:56.640
<v Speaker 1>not necessarily who you think would hook up while film.

0:39:57.040 --> 0:39:59.840
<v Speaker 1>He said he was scared of Katherine Deneuve, who is

0:40:00.239 --> 0:40:04.640
<v Speaker 1>when character, Yeah, because they barely share any scenes except

0:40:04.640 --> 0:40:06.799
<v Speaker 1>for the kind of hospital scenes where he's waiting around

0:40:06.800 --> 0:40:10.839
<v Speaker 1>in the waiting room. But they are I would say,

0:40:10.920 --> 0:40:12.960
<v Speaker 1>they're to me the two hottest people in the movie,

0:40:13.000 --> 0:40:15.840
<v Speaker 1>So maybe it makes sense. Kevin de Neuve is pretty hot,

0:40:15.560 --> 0:40:22.480
<v Speaker 1>I'm but that's also why it's like a hard movie

0:40:22.760 --> 0:40:25.560
<v Speaker 1>in terms of the like sexual tension, because he's like

0:40:25.600 --> 0:40:29.440
<v Speaker 1>a thousand years old the first minutes and then may

0:40:29.560 --> 0:40:33.799
<v Speaker 1>kiss he kisses when he's like basically just kind of

0:40:33.920 --> 0:40:38.560
<v Speaker 1>crumbling and it's so intense. Again, I was anticipating something.

0:40:38.640 --> 0:40:42.640
<v Speaker 1>I think if I had been better prepared, I was like,

0:40:42.719 --> 0:40:48.319
<v Speaker 1>let's have some candles put on the Hunger to deal

0:40:48.360 --> 0:40:51.080
<v Speaker 1>with death, like And I think that that's another thing

0:40:51.120 --> 0:40:53.240
<v Speaker 1>that we like about it as a vampire movie, because

0:40:53.280 --> 0:40:55.920
<v Speaker 1>like a lot of vampire movies are about the fantasy

0:40:55.960 --> 0:40:58.799
<v Speaker 1>I'm never dying and always staying young and beautiful, and

0:40:58.840 --> 0:41:02.040
<v Speaker 1>this is about like really like you know, the first

0:41:02.080 --> 0:41:04.239
<v Speaker 1>few minutes of the movie when it's like with the

0:41:04.320 --> 0:41:06.560
<v Speaker 1>Bella legostis dead, the whole bath housing at the club,

0:41:06.600 --> 0:41:08.759
<v Speaker 1>which is like I was watching this at the front

0:41:08.760 --> 0:41:11.520
<v Speaker 1>and I was like, I think this is like how

0:41:11.600 --> 0:41:15.840
<v Speaker 1>I thought like being an adult would be, Like like,

0:41:16.000 --> 0:41:17.719
<v Speaker 1>this is what I thought it would be like the

0:41:17.760 --> 0:41:21.080
<v Speaker 1>adult was like the first five minutes of The Hunger um.

0:41:21.160 --> 0:41:25.080
<v Speaker 1>But but that's like so cool and it's like everybody's

0:41:25.120 --> 0:41:29.320
<v Speaker 1>so beautiful and it's hot, and then you go into

0:41:29.640 --> 0:41:32.120
<v Speaker 1>rapid aging straight out of that, and I think that

0:41:32.120 --> 0:41:35.040
<v Speaker 1>that's like super intentional. Like I think that you cannot

0:41:35.040 --> 0:41:38.280
<v Speaker 1>appreciate one without the other. You can't appreciate the tragedy

0:41:38.320 --> 0:41:42.279
<v Speaker 1>of like becoming a corpse before your lover's eyes without

0:41:42.320 --> 0:41:47.120
<v Speaker 1>like having just seen like something super carnal and and

0:41:47.120 --> 0:41:50.680
<v Speaker 1>and erotic and everything right before that. That makes sense.

0:41:50.880 --> 0:41:53.480
<v Speaker 1>I also saw it though in terms of like because

0:41:53.600 --> 0:41:55.520
<v Speaker 1>because I think if you go with the drug metaphor,

0:41:55.600 --> 0:41:57.439
<v Speaker 1>then it becomes something else to you of how your

0:41:57.480 --> 0:42:01.600
<v Speaker 1>life becomes punctuated by like these brief highs, you know,

0:42:01.640 --> 0:42:05.560
<v Speaker 1>where it's like you're you're having like super intense sex,

0:42:05.680 --> 0:42:07.600
<v Speaker 1>or like you're in the shower and you're doing like

0:42:07.640 --> 0:42:10.520
<v Speaker 1>the super intense making out, and then the next minute,

0:42:10.560 --> 0:42:13.640
<v Speaker 1>like it's almost like you lose patches of time and

0:42:13.680 --> 0:42:15.960
<v Speaker 1>when you come to your old you know, so it's

0:42:15.960 --> 0:42:18.840
<v Speaker 1>almost like your life is just like these brief bursts

0:42:18.880 --> 0:42:22.800
<v Speaker 1>of joy and otherwise nothing. It's like the bathtub scene

0:42:22.800 --> 0:42:27.000
<v Speaker 1>in The Shining where it's like the hot chick turns

0:42:27.040 --> 0:42:29.880
<v Speaker 1>to the falling apart old lady in your arms. But

0:42:29.960 --> 0:42:32.560
<v Speaker 1>it's yeah, the same thing with a dude, and that

0:42:32.640 --> 0:42:35.160
<v Speaker 1>dude is David Bowie. So it's especially sad because I

0:42:35.719 --> 0:42:39.160
<v Speaker 1>bring him back. No, there's nobody that you could put

0:42:39.239 --> 0:42:42.160
<v Speaker 1>like cast in that role. But it's also yeah, it's

0:42:42.160 --> 0:42:44.359
<v Speaker 1>also like now that David Bowie the person is dead,

0:42:44.520 --> 0:42:46.680
<v Speaker 1>it is interesting to be like, oh, but he is

0:42:46.800 --> 0:42:50.400
<v Speaker 1>preserved in his like perfect forever form in this movie

0:42:50.600 --> 0:42:54.560
<v Speaker 1>and other movies. Being in movies makes you a real vampire. Yeah,

0:42:54.600 --> 0:42:57.880
<v Speaker 1>and but I guess I mean, like there's nobody that

0:42:57.920 --> 0:43:00.759
<v Speaker 1>seems more immortal, like when you're watching this movie and

0:43:00.760 --> 0:43:03.759
<v Speaker 1>it's like, so to have that person just great in

0:43:03.800 --> 0:43:06.920
<v Speaker 1>real time, it's just like it's very alarming. Totally. It

0:43:06.960 --> 0:43:11.399
<v Speaker 1>feels like very upsetting to watch. Um. Not a lot

0:43:11.400 --> 0:43:14.319
<v Speaker 1>of jokes in this movie is one more thing where

0:43:14.360 --> 0:43:18.520
<v Speaker 1>there so there was no one had a sense of humor.

0:43:19.040 --> 0:43:22.000
<v Speaker 1>All the stuff with Susan Sarandon's boyfriend was funny to me.

0:43:22.760 --> 0:43:24.680
<v Speaker 1>I think it was funny when they when all of

0:43:24.719 --> 0:43:27.319
<v Speaker 1>the like doctors were in a room chain smoking and

0:43:27.400 --> 0:43:31.360
<v Speaker 1>apparently ashing into like a mouse's cage or so. I

0:43:31.400 --> 0:43:33.919
<v Speaker 1>was like, Okay, maybe I could laugh, or maybe that's

0:43:33.960 --> 0:43:36.520
<v Speaker 1>just like factual eighties. Who knows, No, I mean it's

0:43:36.640 --> 0:43:41.120
<v Speaker 1>very very eighties. Um, but it does also feel like

0:43:41.200 --> 0:43:45.279
<v Speaker 1>it's early eighties. It isn't just gratuitous sex scenes. It

0:43:45.440 --> 0:43:48.160
<v Speaker 1>is still kind of art movie sex scenes that like

0:43:48.239 --> 0:43:51.360
<v Speaker 1>our integral to the plot and also like pretty hot,

0:43:51.680 --> 0:43:54.560
<v Speaker 1>but you can see how it's like paving the way

0:43:54.640 --> 0:43:57.759
<v Speaker 1>to just like full on music video like top gun

0:43:57.800 --> 0:44:01.759
<v Speaker 1>type sex scenes that everybody would make fun of a eventually. Um,

0:44:01.800 --> 0:44:05.040
<v Speaker 1>but it does feel like it opens with a blood rave. Um.

0:44:05.080 --> 0:44:08.520
<v Speaker 1>It feels kind of like a eurotrash version of Blade

0:44:08.920 --> 0:44:12.600
<v Speaker 1>a little bit at you know again, what I thought

0:44:12.640 --> 0:44:15.359
<v Speaker 1>it would be like right like if you put if

0:44:15.400 --> 0:44:18.520
<v Speaker 1>you put Blade through like a soft core filter machine,

0:44:18.960 --> 0:44:22.400
<v Speaker 1>it would become the Hunger, which I fully I'm on

0:44:22.440 --> 0:44:25.960
<v Speaker 1>board with the aesthetic. Something I really appreciated about the

0:44:25.960 --> 0:44:28.399
<v Speaker 1>movie was I've always thought in horror you see so

0:44:28.440 --> 0:44:32.000
<v Speaker 1>many kind of hot young women get murdered, and it

0:44:32.040 --> 0:44:35.319
<v Speaker 1>was nice and a number of hot young men. I

0:44:35.400 --> 0:44:38.480
<v Speaker 1>just I like that and very one dimensional, like it's

0:44:38.480 --> 0:44:43.719
<v Speaker 1>just man in sunglasses and now he's gone slash that

0:44:43.760 --> 0:44:46.879
<v Speaker 1>guy who they bring in to feed Susan Soranda. Then

0:44:46.880 --> 0:44:49.040
<v Speaker 1>when they get Katherina to not brings into seat her,

0:44:49.480 --> 0:44:53.400
<v Speaker 1>he's like doing an impression of Christian Bale and American Psycho.

0:44:53.800 --> 0:44:56.800
<v Speaker 1>The American Psycho, but he also looks like Christian Bale.

0:44:56.840 --> 0:44:59.839
<v Speaker 1>It's very weird, isn't that sucked up? Though? That we're like,

0:45:00.040 --> 0:45:04.280
<v Speaker 1>oh yeah, like slashers, but for her, I was really

0:45:04.320 --> 0:45:08.319
<v Speaker 1>into it. Uncut gems spoilers, but like when they like

0:45:08.400 --> 0:45:10.960
<v Speaker 1>stuffed Adam Sandler and the car trunk and like ripped

0:45:11.000 --> 0:45:14.040
<v Speaker 1>all his clothes, It's like, great, more of this, and

0:45:15.960 --> 0:45:18.160
<v Speaker 1>or just like all the stuff people say about like

0:45:18.280 --> 0:45:20.719
<v Speaker 1>women in slashers and like maybe the opposite is true,

0:45:20.719 --> 0:45:23.120
<v Speaker 1>like if it's men, I'm also like robbed them of

0:45:23.160 --> 0:45:28.240
<v Speaker 1>their Asian for my pleasure. I am the ancient Egyptian

0:45:28.320 --> 0:45:33.240
<v Speaker 1>vampire queen this place. Now you hate vampires. I love

0:45:33.560 --> 0:45:36.799
<v Speaker 1>the ancient Egyptian vampire. The ancient That was a weird too.

0:45:36.840 --> 0:45:39.239
<v Speaker 1>They were just like here, she is ancient egypt knows

0:45:39.280 --> 0:45:42.000
<v Speaker 1>how tommify people part of the genre. He always gets

0:45:42.000 --> 0:45:46.759
<v Speaker 1>a flashback to them at different time periods. Her head

0:45:46.840 --> 0:45:49.919
<v Speaker 1>dress which sort of like a nurse's hat, which I like, yeah,

0:45:49.920 --> 0:45:54.400
<v Speaker 1>oh yeah, they did not do the hysterically. It was

0:45:54.480 --> 0:45:57.960
<v Speaker 1>just funny to be like how much of vampire and

0:45:58.080 --> 0:46:02.200
<v Speaker 1>goth culture is just likes punk culture, you know. Or

0:46:02.239 --> 0:46:04.600
<v Speaker 1>I was like, wow, a bunch of people with like

0:46:04.719 --> 0:46:12.400
<v Speaker 1>good I makeup and silly like yeah, it's like and

0:46:12.440 --> 0:46:17.839
<v Speaker 1>all the smoking indoors is so goss you know, just

0:46:17.880 --> 0:46:20.120
<v Speaker 1>like I love that. It's just like what would vampire

0:46:20.200 --> 0:46:22.640
<v Speaker 1>do if they would take up smoking? Because of course, yeah,

0:46:22.680 --> 0:46:28.320
<v Speaker 1>who cares premature? We should definitely watch Death Becomes hermes

0:46:28.360 --> 0:46:31.200
<v Speaker 1>Her so she went as Death Becomes Her for help

0:46:31.480 --> 0:46:34.279
<v Speaker 1>me and my best friend when we're in like we're

0:46:34.560 --> 0:46:37.400
<v Speaker 1>really little and I remember I wore this like weird

0:46:37.560 --> 0:46:39.960
<v Speaker 1>strapless dress that my mom had taken in for me

0:46:40.000 --> 0:46:43.520
<v Speaker 1>and just got a black circle just like for like,

0:46:43.560 --> 0:46:46.640
<v Speaker 1>the Death Becomes Her is also a movie about like

0:46:46.960 --> 0:46:52.839
<v Speaker 1>female vanity and vampire type stuff. Really we should watch it.

0:46:52.840 --> 0:46:57.440
<v Speaker 1>It's very good. Triangle. Um yeah, well, I'm like, so

0:46:58.000 --> 0:47:00.319
<v Speaker 1>what was the verdict for everybody on Hunger? Because I

0:47:00.400 --> 0:47:04.440
<v Speaker 1>just like it's such a I'm just so happy all

0:47:04.480 --> 0:47:07.000
<v Speaker 1>the time. I felt like I was like, this is

0:47:07.040 --> 0:47:09.719
<v Speaker 1>like when I made you guys watch Reds. It's like

0:47:10.560 --> 0:47:13.919
<v Speaker 1>I can't have an opinion on it. That is like

0:47:13.920 --> 0:47:16.120
<v Speaker 1>like I wish I'd seen it earlier. Really is when

0:47:16.120 --> 0:47:18.000
<v Speaker 1>it made me. I feel like I would have loved

0:47:18.040 --> 0:47:19.760
<v Speaker 1>it if I had seen it when I was a teenager.

0:47:20.239 --> 0:47:22.279
<v Speaker 1>And now I was like into it, but I was

0:47:22.320 --> 0:47:24.160
<v Speaker 1>a little bit like there could be a little more

0:47:24.200 --> 0:47:27.880
<v Speaker 1>plot happening in this movie. Sure. Yeah, I thought it

0:47:27.920 --> 0:47:30.560
<v Speaker 1>had a lot of great ingredients. I blame Tony Scott

0:47:30.719 --> 0:47:33.320
<v Speaker 1>entirely for why I didn't like it. That's that's whose

0:47:33.320 --> 0:47:36.120
<v Speaker 1>fault it is. He gave. He gave it some great things,

0:47:36.160 --> 0:47:38.319
<v Speaker 1>but I think he just like it felt like he

0:47:38.400 --> 0:47:43.160
<v Speaker 1>it was. It goes in real smooth. Well, the studio

0:47:43.239 --> 0:47:45.080
<v Speaker 1>made them put a different ending on it, you guys.

0:47:45.360 --> 0:47:47.640
<v Speaker 1>That's yeah. Molly was telling me that earlier too. I

0:47:47.640 --> 0:47:50.600
<v Speaker 1>didn't know that, um where I think you were saying.

0:47:50.600 --> 0:47:54.120
<v Speaker 1>Susan Surrandon really objected to that. Yeah, because um spoilers.

0:47:54.160 --> 0:47:57.960
<v Speaker 1>Apparently in the book, Susan Srandon's character kills herself for

0:47:58.000 --> 0:48:00.560
<v Speaker 1>at least in the original script, because she's like, I'd

0:48:00.680 --> 0:48:03.919
<v Speaker 1>rather die than be an addict. Um, And they sort

0:48:03.960 --> 0:48:05.920
<v Speaker 1>of like have that scene and then just cut her

0:48:07.560 --> 0:48:10.440
<v Speaker 1>where she cuts her throat and then forces her blood

0:48:10.680 --> 0:48:18.160
<v Speaker 1>into Miriam's mouth. Yeah, that's great, It's it's it's good. Well, Emily,

0:48:18.520 --> 0:48:21.680
<v Speaker 1>you love vampire movies. I love vampire movies. Have been

0:48:21.680 --> 0:48:24.600
<v Speaker 1>watching a lot of them recently. Um. One of my

0:48:24.760 --> 0:48:28.000
<v Speaker 1>recent fades that I watched somewhat recently, there was Only

0:48:28.040 --> 0:48:30.400
<v Speaker 1>Lovers Left Alive. I feel like I put some songs

0:48:30.520 --> 0:48:33.640
<v Speaker 1>or something from that on a night comics recently. But

0:48:33.719 --> 0:48:37.080
<v Speaker 1>that one is like, I mean, there's always kind of

0:48:37.120 --> 0:48:40.279
<v Speaker 1>just the fun, glamour part of a vampire movie where

0:48:40.280 --> 0:48:42.160
<v Speaker 1>it's like, what would I do if I could just

0:48:42.280 --> 0:48:45.560
<v Speaker 1>live forever and have every single experience and and read

0:48:45.600 --> 0:48:48.760
<v Speaker 1>every book and only overs left alive? Is like definitely

0:48:48.760 --> 0:48:51.319
<v Speaker 1>about that. Like there's this wonderful part where like teld

0:48:51.360 --> 0:48:53.080
<v Speaker 1>this win has test to get on a plane, so

0:48:53.120 --> 0:48:55.160
<v Speaker 1>she packs her bag, but she's a vampire, so what

0:48:55.200 --> 0:48:57.719
<v Speaker 1>does she need. It just takes like a suitcase full

0:48:57.760 --> 0:49:03.160
<v Speaker 1>of books, which is like so sweet and like kind

0:49:03.160 --> 0:49:05.239
<v Speaker 1>of like, yeah, I guess if you had really been

0:49:05.280 --> 0:49:07.680
<v Speaker 1>around for like five hundred years, you would just like

0:49:07.840 --> 0:49:09.919
<v Speaker 1>that's all you would really care about after a while.

0:49:09.960 --> 0:49:12.479
<v Speaker 1>It's just like being intellectual. Simulation is just like having

0:49:12.520 --> 0:49:15.080
<v Speaker 1>you stuff to think about because you probably get super bored.

0:49:15.239 --> 0:49:17.400
<v Speaker 1>But the idea of like a long long of a

0:49:17.480 --> 0:49:21.440
<v Speaker 1>long term relationship in that one where um, you know,

0:49:21.760 --> 0:49:23.520
<v Speaker 1>you kind of have to find a way to make

0:49:23.600 --> 0:49:27.520
<v Speaker 1>it work over over centuries, right, And that's like what

0:49:27.600 --> 0:49:31.000
<v Speaker 1>makes vampire movies sometimes very romantic is that idea, and

0:49:31.040 --> 0:49:33.359
<v Speaker 1>also of like, you know, working around a person's house

0:49:33.440 --> 0:49:36.960
<v Speaker 1>like being a vampire, you know, agreeing to become a

0:49:37.000 --> 0:49:40.040
<v Speaker 1>vampire because you like that so much. Um, and also

0:49:40.120 --> 0:49:43.120
<v Speaker 1>just the thing of like, well we're kind of stuck together. Huh. Well,

0:49:43.120 --> 0:49:45.880
<v Speaker 1>that's that's why the Hunger is sucked up twos because

0:49:45.880 --> 0:49:48.879
<v Speaker 1>it's like it is like the feeling of somebody being like, oh,

0:49:48.920 --> 0:49:52.040
<v Speaker 1>you thought we were in this together. Just kidding, Yeah,

0:49:54.520 --> 0:49:56.920
<v Speaker 1>I didn't realize this. This is sort of sucked up.

0:49:56.960 --> 0:49:59.520
<v Speaker 1>But like I've read it just on the Wikipedia summary,

0:49:59.600 --> 0:50:04.160
<v Speaker 1>which is like when um, when John David Bowie's character

0:50:04.360 --> 0:50:08.319
<v Speaker 1>kills the girl that's been taking music lessons from them,

0:50:08.320 --> 0:50:13.320
<v Speaker 1>it's like, apparently it was because Miriam Katherine Dene's character

0:50:13.400 --> 0:50:17.439
<v Speaker 1>was like grooming her to be her like her next

0:50:17.520 --> 0:50:22.200
<v Speaker 1>kind of consort. After I mean, I think that's a

0:50:22.239 --> 0:50:25.040
<v Speaker 1>little uncomfortable. That was too for you. Well, it was

0:50:25.040 --> 0:50:26.680
<v Speaker 1>a little too Epstein for me, and it was also

0:50:26.719 --> 0:50:28.680
<v Speaker 1>giving me kind of like Kirsten Dunston interview with the

0:50:28.719 --> 0:50:30.719
<v Speaker 1>vampire Vites. But that's what I thought was gonna happen

0:50:30.719 --> 0:50:32.240
<v Speaker 1>in the movie. That that that was me about this couple,

0:50:32.360 --> 0:50:34.680
<v Speaker 1>Like taking in like a younger girl as their like

0:50:34.719 --> 0:50:38.360
<v Speaker 1>weird consort. It was not that, but that death scene

0:50:38.400 --> 0:50:43.560
<v Speaker 1>is gnarly. Yah. Yeah, it's very upsetting. Yeah. I feel

0:50:43.560 --> 0:50:46.879
<v Speaker 1>like they think like because they don't fight people, as

0:50:46.880 --> 0:50:49.399
<v Speaker 1>you said, but they have these little oncs that they

0:50:49.440 --> 0:50:53.200
<v Speaker 1>stabbed people with um and I feel like I was

0:50:53.239 --> 0:50:55.160
<v Speaker 1>thinking about that. I was like, I feel like maybe

0:50:55.360 --> 0:50:58.000
<v Speaker 1>there was a stink on vampire movies at the time

0:50:58.360 --> 0:51:01.719
<v Speaker 1>or something that I guess this is like post hammer

0:51:01.840 --> 0:51:04.000
<v Speaker 1>horror and stuff, like maybe it was seen as too

0:51:04.040 --> 0:51:06.920
<v Speaker 1>like cheesy or something to have people fighting next. I

0:51:06.960 --> 0:51:10.879
<v Speaker 1>think vampire is like a classy version thing. I don't

0:51:10.920 --> 0:51:14.320
<v Speaker 1>know vampires. It's like some of the basic things remain

0:51:14.400 --> 0:51:17.680
<v Speaker 1>the same across every vampire movie. But yeah, I mean,

0:51:17.719 --> 0:51:22.040
<v Speaker 1>obviously this is better than like Twilight to my mind

0:51:22.160 --> 0:51:26.360
<v Speaker 1>in terms of characterizations of vampires. Also, Elaine and I

0:51:26.400 --> 0:51:30.680
<v Speaker 1>are both redheads, so like you are essentially vampires. There's

0:51:30.680 --> 0:51:33.799
<v Speaker 1>nothing I always relate to the like living in the

0:51:33.920 --> 0:51:36.920
<v Speaker 1>night part of it, of the like why would you

0:51:37.120 --> 0:51:39.600
<v Speaker 1>be out in the sun? Ever, they go out in

0:51:39.640 --> 0:51:41.920
<v Speaker 1>the sun. Though. I really liked this movie, but I

0:51:41.960 --> 0:51:43.480
<v Speaker 1>do wish it had stuck a little more to the

0:51:43.560 --> 0:51:46.600
<v Speaker 1>vampire rules, at least with the pictures. It's strange to

0:51:47.200 --> 0:51:51.320
<v Speaker 1>because like, but the pictures, because I feel like pretty

0:51:52.080 --> 0:51:56.560
<v Speaker 1>in the sun is more. It's not an emulsion. Maybe

0:51:56.560 --> 0:52:01.160
<v Speaker 1>it's just polaroids. Maybe there's maybe maybe they up on

0:52:01.160 --> 0:52:04.160
<v Speaker 1>an iPhone. I don't know, we don't know. Maybe vampires

0:52:04.160 --> 0:52:10.359
<v Speaker 1>wear sunscreen. Talking about the sun, has the world gone

0:52:10.480 --> 0:52:15.480
<v Speaker 1>upside down? Tess, what's your favorite vampire movie? That's that's tricky,

0:52:15.520 --> 0:52:17.400
<v Speaker 1>don't put me on the spot. And what's your favorite

0:52:17.440 --> 0:52:24.880
<v Speaker 1>vampire movie? The hunger? I was thinking about True Blood,

0:52:24.880 --> 0:52:26.600
<v Speaker 1>which I was feeling like maybe I should go back

0:52:26.640 --> 0:52:31.600
<v Speaker 1>and watching True Blood. Like watching it, it knows what

0:52:31.640 --> 0:52:34.719
<v Speaker 1>it is to the rules really hard and and they

0:52:34.719 --> 0:52:36.279
<v Speaker 1>have a lot of fun with it, and that's like

0:52:36.280 --> 0:52:39.240
<v Speaker 1>one of the things, and they objectify men and women equally.

0:52:39.440 --> 0:52:44.799
<v Speaker 1>And it's also actually when of the few poor vampires

0:52:44.800 --> 0:52:47.719
<v Speaker 1>got a lot of representations, it actually a lot of

0:52:47.760 --> 0:52:51.360
<v Speaker 1>carmuns like class and uh yeah. Although I feel like

0:52:51.400 --> 0:52:52.880
<v Speaker 1>they set that up at the beginning that it was

0:52:52.880 --> 0:52:54.520
<v Speaker 1>going to be about a lot of things, and then

0:52:54.560 --> 0:52:56.279
<v Speaker 1>they were just kind of like it's just like the

0:52:56.320 --> 0:52:59.400
<v Speaker 1>horny vampire. That's you know what that's good too. I

0:52:59.480 --> 0:53:02.840
<v Speaker 1>think I have a weird allergy to to vampire movies.

0:53:03.200 --> 0:53:07.080
<v Speaker 1>Um stretching back to college. Honestly, it was that, As

0:53:07.120 --> 0:53:10.200
<v Speaker 1>many are aware, a roommate and I had a long

0:53:10.239 --> 0:53:12.960
<v Speaker 1>standing feud because she watched Interview with a Vampire on

0:53:13.040 --> 0:53:17.200
<v Speaker 1>repeat every day every day. I hadn't seen it, but

0:53:17.239 --> 0:53:19.360
<v Speaker 1>then by the end of the week I'd seen it

0:53:19.400 --> 0:53:21.440
<v Speaker 1>a lot, and I was like, Okay, I'm good now,

0:53:21.480 --> 0:53:24.719
<v Speaker 1>but it kept going. How about Dracula Dead and Loving It? Sure,

0:53:24.760 --> 0:53:29.200
<v Speaker 1>I'll go with that one. What about Bram Stoker's Dracula. Yeah,

0:53:29.239 --> 0:53:32.680
<v Speaker 1>that's my favorite. Yeah, I liked that one. I mean,

0:53:32.719 --> 0:53:36.480
<v Speaker 1>it's just I find them to often be humorless, I guess,

0:53:36.480 --> 0:53:39.839
<v Speaker 1>like not always though, And Vampire in Brooklyn, I feel

0:53:39.840 --> 0:53:42.240
<v Speaker 1>like that's that's like part of the goth like esthetic

0:53:43.440 --> 0:53:46.000
<v Speaker 1>to humorists. It puts me ill at ease. It makes

0:53:46.040 --> 0:53:48.560
<v Speaker 1>me feel like I'm like a human boopy cushion. Yeah

0:53:48.719 --> 0:53:52.160
<v Speaker 1>would you? But yeah, we let the right one in.

0:53:53.080 --> 0:53:54.959
<v Speaker 1>I just feel like, I think you're right too, because

0:53:54.960 --> 0:53:56.960
<v Speaker 1>I also feel like if you were alive for thousands

0:53:57.000 --> 0:54:04.440
<v Speaker 1>of years, you would be so funny. Only lovers love

0:54:04.520 --> 0:54:06.200
<v Speaker 1>to life is funny in the way that I think

0:54:06.200 --> 0:54:08.719
<v Speaker 1>a vampire would be funny. Like it's pretty dry and

0:54:08.760 --> 0:54:11.839
<v Speaker 1>it's like I just want to kill myself. Yeah, that's

0:54:11.920 --> 0:54:15.680
<v Speaker 1>that's what I'm after. I trust Jim J is a

0:54:15.760 --> 0:54:20.680
<v Speaker 1>Jim jarmish or yeah, yeah, it's great. Well we're very glamorous.

0:54:20.680 --> 0:54:24.360
<v Speaker 1>Before we wrap up, can we delve into a little

0:54:24.360 --> 0:54:27.799
<v Speaker 1>bit of sexual astrology close out with like, because just

0:54:27.920 --> 0:54:31.560
<v Speaker 1>one line from sexual Aroogy so well intro sexual astrology. Please,

0:54:31.600 --> 0:54:33.799
<v Speaker 1>I've been staring at this in front of Molly for

0:54:33.840 --> 0:54:36.360
<v Speaker 1>a while. I just I thought test might own this

0:54:36.400 --> 0:54:38.919
<v Speaker 1>book because she has a lot of good spot from

0:54:38.920 --> 0:54:41.960
<v Speaker 1>the sixties and this is exactly there's like a missing

0:54:42.160 --> 0:54:45.560
<v Speaker 1>place on my bookshelf where this belongs called sexual astrology.

0:54:45.680 --> 0:54:50.280
<v Speaker 1>A sign by sign God to your Sensual Stars by Martin,

0:54:51.120 --> 0:54:55.400
<v Speaker 1>and it's from nineteen seventy six by Martin. Is the

0:54:55.440 --> 0:55:03.480
<v Speaker 1>only name Martine goes. It's your sign Pisces. Uh, happy

0:55:03.520 --> 0:55:08.359
<v Speaker 1>almost birthday, Thank you almost birthday after a favorite day

0:55:08.360 --> 0:55:11.720
<v Speaker 1>of the year. Well, would you like to know about

0:55:11.760 --> 0:55:17.279
<v Speaker 1>pisces orogenous zone? Oh my god, sure, it might be

0:55:17.360 --> 0:55:22.040
<v Speaker 1>too spicy. Anyway, the feet tyces will respond to gentle

0:55:22.120 --> 0:55:27.480
<v Speaker 1>massage and caressing of the heel and arch. If you

0:55:27.560 --> 0:55:29.960
<v Speaker 1>rub the toes between the paths of your fingers, or

0:55:30.000 --> 0:55:32.080
<v Speaker 1>take them in your mouth and softly bite them, you

0:55:32.080 --> 0:55:36.360
<v Speaker 1>will drive up Pisces mad with delight. They're like little,

0:55:36.600 --> 0:55:41.600
<v Speaker 1>they're fish. I was just I was like, um. That

0:55:41.640 --> 0:55:46.400
<v Speaker 1>actually turned my stomach trying. She has a flair for

0:55:46.520 --> 0:55:50.239
<v Speaker 1>drama in the boutoir. Count on her to make the

0:55:50.320 --> 0:55:53.640
<v Speaker 1>right moves, say the right things, create the right ambiance.

0:55:54.280 --> 0:55:57.240
<v Speaker 1>She learns early about sex and her willingness to please.

0:55:57.360 --> 0:56:05.279
<v Speaker 1>Rarely lets her say oh Christ, this books a little

0:56:05.320 --> 0:56:09.680
<v Speaker 1>to places. She's sexually liberated and enjoys a wide range

0:56:09.680 --> 0:56:12.920
<v Speaker 1>and variety of erotic byplay. It doesn't take much to

0:56:13.040 --> 0:56:16.920
<v Speaker 1>arouse a Pisces woman watching a stag movie or reading

0:56:16.960 --> 0:56:23.239
<v Speaker 1>the choice parts of a Today novel. We'll start her

0:56:23.280 --> 0:56:30.000
<v Speaker 1>breathing heavily. Um. The one of the few times the

0:56:30.000 --> 0:56:32.480
<v Speaker 1>Pisces woman enjoys the woman on top position is on

0:56:32.520 --> 0:56:40.719
<v Speaker 1>a water bad is despicable. She likes to wear ear

0:56:40.760 --> 0:56:45.279
<v Speaker 1>rings during sex. Apparently I will stop her in do

0:56:45.360 --> 0:56:48.800
<v Speaker 1>people take out their earrings before they have sex? Like normally?

0:56:50.040 --> 0:56:54.799
<v Speaker 1>I mean when I yeah, I haven't hearings in I'm

0:56:54.840 --> 0:56:59.200
<v Speaker 1>just some bad hoop. Yeah hearings. That's true. That's I'm

0:56:59.200 --> 0:57:02.719
<v Speaker 1>gonna take on my stud hearing. Now you like to

0:57:02.760 --> 0:57:05.239
<v Speaker 1>leave them on because you're a pistom, but they might

0:57:05.360 --> 0:57:09.840
<v Speaker 1>pop your water bed. That's true. My landlords would be

0:57:09.840 --> 0:57:13.800
<v Speaker 1>pretty mad about I did not disclose on the leaves.

0:57:15.080 --> 0:57:19.400
<v Speaker 1>This book is sort of weird and mean. Can you

0:57:19.480 --> 0:57:24.480
<v Speaker 1>please screen grab the libre page? Yeah? Absolutely, yeah, I'm

0:57:24.480 --> 0:57:26.760
<v Speaker 1>gonna put Let's put some of it in the newsletter.

0:57:27.240 --> 0:57:31.480
<v Speaker 1>Here's about the capricorn, which is test as a capricorn's um.

0:57:32.280 --> 0:57:36.040
<v Speaker 1>When all the flashy, scintillating, brilliant and available women have

0:57:36.160 --> 0:57:41.920
<v Speaker 1>passed into memory, she will remain true. That absolutely. So

0:57:42.520 --> 0:57:49.120
<v Speaker 1>here I stand. I've prevailed. Oh wow, Yeah, this book

0:57:49.160 --> 0:57:51.000
<v Speaker 1>is nuts. That just makes me means that you're like

0:57:51.040 --> 0:57:56.080
<v Speaker 1>the X in the coffin though, so I'm just like

0:57:56.320 --> 0:58:01.440
<v Speaker 1>crumbling dust but still alive. Y um. It says she

0:58:01.560 --> 0:58:06.880
<v Speaker 1>accelerates from zero to wow and nothing flat. Then Talcolm

0:58:07.040 --> 0:58:09.560
<v Speaker 1>perfumed or oiled. She's ready to move on to the

0:58:09.600 --> 0:58:11.680
<v Speaker 1>next room and the next act. It sounds like you're

0:58:11.680 --> 0:58:19.320
<v Speaker 1>preparing me for frying, where she's a biter sometimes sometimes

0:58:19.360 --> 0:58:22.680
<v Speaker 1>this is erotic, but when the love bite occurs immediately

0:58:22.720 --> 0:58:25.800
<v Speaker 1>before during orgasm, she isn't aware of how deep in

0:58:25.880 --> 0:58:29.080
<v Speaker 1>heart she's going into flesh. The jaws tend to lock

0:58:29.240 --> 0:58:34.200
<v Speaker 1>during orgasm, so she may inadvertently become cannibalistic. How did

0:58:34.280 --> 0:58:39.560
<v Speaker 1>they know you didn't like the hunger? What am I

0:58:39.640 --> 0:58:42.000
<v Speaker 1>spent a month in prison? Do they have separate ones

0:58:42.080 --> 0:58:44.840
<v Speaker 1>for men? Yeah, they tell you about the male and

0:58:44.960 --> 0:58:48.080
<v Speaker 1>female of each We are clearly I would. I'm sure

0:58:48.120 --> 0:58:50.920
<v Speaker 1>all of us would align better with the nineties seventies

0:58:51.040 --> 0:58:58.480
<v Speaker 1>version of the man version of I'll read the male

0:58:58.600 --> 0:59:03.240
<v Speaker 1>libra Um. He is kind, has a strong sense of

0:59:03.280 --> 0:59:06.240
<v Speaker 1>justice and fair play, and we'll give anyone an even shake.

0:59:06.360 --> 0:59:09.240
<v Speaker 1>You're right, maybe the ones for men are nicer. For sure.

0:59:10.880 --> 0:59:14.840
<v Speaker 1>She'll always say yes, So I said I would bite,

0:59:14.920 --> 0:59:19.800
<v Speaker 1>and in a cannibalistic a way. Um. If you want

0:59:19.800 --> 0:59:23.280
<v Speaker 1>an opening topic, try a current news item. State your

0:59:23.280 --> 0:59:28.720
<v Speaker 1>own opinion strongly. Librans may disagree, but never disagreeably. Don't

0:59:28.720 --> 0:59:32.920
<v Speaker 1>forget Libra loves luxury. If you give a gift sterling silver,

0:59:33.120 --> 0:59:40.120
<v Speaker 1>fourteen carrot gold, Lalik crystal, a doors jewelry that seems

0:59:40.160 --> 0:59:44.920
<v Speaker 1>more touristic sex either, like the ones for the women

0:59:45.000 --> 0:59:52.080
<v Speaker 1>were like, uh, there's no sex are just like. It

0:59:52.120 --> 0:59:54.240
<v Speaker 1>also tells you how to break up with people if

0:59:54.240 --> 0:59:57.640
<v Speaker 1>you want them to leave um. But it also says

0:59:57.680 --> 1:00:00.560
<v Speaker 1>Librans can usually be identified by their especially well shaped

1:00:00.600 --> 1:00:06.240
<v Speaker 1>and rounded buttocks. They always say that about saying about

1:00:06.240 --> 1:00:11.840
<v Speaker 1>capricorns is we have bad knees. Virgos, the worst virgos

1:00:11.880 --> 1:00:14.720
<v Speaker 1>have stomach problems and they're like virgins. Who wants that

1:00:14.760 --> 1:00:17.880
<v Speaker 1>in a sex of stra literally virgins? No, But like

1:00:17.960 --> 1:00:20.800
<v Speaker 1>the virgo one in this book too, is like very

1:00:20.920 --> 1:00:26.600
<v Speaker 1>boring or into cinem It's like touch them in their stomach,

1:00:26.680 --> 1:00:30.840
<v Speaker 1>which is like, please don't touch them in their stomach.

1:00:31.360 --> 1:00:34.720
<v Speaker 1>Sensuous thrills may be obtained by laughing the stomach area

1:00:34.800 --> 1:00:38.680
<v Speaker 1>with a sponge, soap and warm water. Virgo also particularly

1:00:38.680 --> 1:00:41.120
<v Speaker 1>likes the feeling of the spray from a shower nozzle

1:00:41.200 --> 1:00:47.760
<v Speaker 1>directed at this area are your stomach. It's it's like

1:00:47.880 --> 1:00:52.640
<v Speaker 1>put your tongue in their belly button. You guys, this

1:00:52.760 --> 1:00:57.960
<v Speaker 1>inadvertently are are strange? Love February Valentine's Day edition inadvertently

1:00:58.040 --> 1:01:04.040
<v Speaker 1>kind of became like a slumber party where welly that's all.

1:01:04.040 --> 1:01:06.760
<v Speaker 1>That's what I thought you might own this, all the

1:01:06.800 --> 1:01:12.640
<v Speaker 1>good smut for Lomber parties and today books. The most

1:01:12.680 --> 1:01:16.840
<v Speaker 1>today book is a Lane Cose Romance at the End,

1:01:18.280 --> 1:01:22.920
<v Speaker 1>which you can buy now in bookstores including Skylight Books.

1:01:23.040 --> 1:01:25.680
<v Speaker 1>Are friends at Skylight Books. You have signed copies at

1:01:25.720 --> 1:01:29.120
<v Speaker 1>Skylight They do have signed copies at Skylight. Just a

1:01:29.120 --> 1:01:31.800
<v Speaker 1>couple of this. You better run on over, hurry on

1:01:31.840 --> 1:01:36.640
<v Speaker 1>over for a last minute post Valentine's Day gift. I've

1:01:36.680 --> 1:01:38.960
<v Speaker 1>been told it's a good gift for your X. Honestly,

1:01:39.240 --> 1:01:43.160
<v Speaker 1>it is a phenomenal book of poetry, very Barrier X

1:01:43.240 --> 1:01:45.960
<v Speaker 1>in a coffin in the attic, in the Lane's poems.

1:01:46.840 --> 1:01:49.040
<v Speaker 1>Um well, thank you so much for coming on late.

1:01:49.200 --> 1:01:50.680
<v Speaker 1>It was my pleasure. Thank you guys so much for

1:01:50.720 --> 1:01:52.919
<v Speaker 1>having me. Where can people find you if you want

1:01:52.960 --> 1:01:56.080
<v Speaker 1>to be found? Um well, my poetry school has a

1:01:56.080 --> 1:02:00.000
<v Speaker 1>website called poetry field school dot com. I'm on Instagram

1:02:00.080 --> 1:02:03.439
<v Speaker 1>at pure dot moods. Such a good Instagram handle. Thank

1:02:03.440 --> 1:02:07.360
<v Speaker 1>you welcome. I don't disclose my Twitter Yeah yeah, we

1:02:07.400 --> 1:02:13.480
<v Speaker 1>won't force true heads. Can we can find great Christian

1:02:13.600 --> 1:02:15.960
<v Speaker 1>I love cards. We can help you little Pure Moods

1:02:16.040 --> 1:02:19.600
<v Speaker 1>right now to send us out. Yeah, thanks so much.

1:02:19.920 --> 1:02:23.000
<v Speaker 1>Thanks guys, and as always, if you've got a nightcall

1:02:23.240 --> 1:02:25.360
<v Speaker 1>or a night email, you can send us a call

1:02:25.400 --> 1:02:27.720
<v Speaker 1>it too four oh four six Night for an email,

1:02:27.920 --> 1:02:30.919
<v Speaker 1>Tonight Call podcast at gmail dot com. If you would

1:02:30.920 --> 1:02:32.600
<v Speaker 1>like to follow us on social media, we are a

1:02:32.680 --> 1:02:36.480
<v Speaker 1>Nightcall pod on Twitter, Nightcall podcast on Instagram and Facebook.

1:02:36.520 --> 1:02:38.760
<v Speaker 1>And as always, if you're enjoying the show, we would

1:02:38.760 --> 1:02:42.400
<v Speaker 1>really appreciate you subscribing, reading and reviewing, and we will

1:02:42.440 --> 1:02:49.240
<v Speaker 1>see you next week. Nightcall is a production at my

1:02:49.400 --> 1:02:52.800
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1:02:52.840 --> 1:02:56.080
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