WEBVTT - James Adomian Scared a Ghost Away

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<v Speaker 1>What's that at the foot of my bed.

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<v Speaker 2>It's spooky, Joky, I'm really sure it's dead. It's coming

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<v Speaker 2>this way. Wait a minute, and he I ghosted.

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<v Speaker 1>As nandaz Plase.

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<v Speaker 2>Hey boo, it's me Roz and welcome to Ghosted by

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<v Speaker 2>Roz Hernandez, the podcast where I talk to people that

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<v Speaker 2>I like about the paranormal. I got to talk to

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<v Speaker 2>my dear old friend James Odomian, who is such a

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<v Speaker 2>hilarious comedian, an incredible performer, and he is an impressionist

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<v Speaker 2>and uh, he's he's just the best in the biz.

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<v Speaker 2>And whether you realize it or not, you've definitely heard

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<v Speaker 2>his voice in different you know, cartoons, and he's he's

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<v Speaker 2>always on Jimmy Kimmel doing impressions, and he's been doing

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<v Speaker 2>these impressions for years, and he finally now has his

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<v Speaker 2>first special out, which you can watch on YouTube. He'll

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<v Speaker 2>tell you about that. So I'm so happy to talk

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<v Speaker 2>to him. Turns out he also has a great ghost

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<v Speaker 2>story and we hear some of his famous impressions, so

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<v Speaker 2>that'll be coming at you soon. Let me read you

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<v Speaker 2>a ghost story real quick. This one came to my

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<v Speaker 2>email from Sammy and Sammy is writing from the United Kingdom.

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<v Speaker 2>Sammy writes, my father was a priest interesting and for

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<v Speaker 2>a while we lived in a vicarage in Pentton, Devon, Okay.

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<v Speaker 2>This all sounds very haunted. The local kids all knew

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<v Speaker 2>our house as the Haunted house, and it seems they

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<v Speaker 2>were right. When we moved in, the hallway light would flicker.

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<v Speaker 2>My parents chalked this up to faulty wiring and called

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<v Speaker 2>in an electrician. They didn't find anything wrong. Over the

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<v Speaker 2>years we had wires and parts and fuses replaced, and

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<v Speaker 2>the only explanation we ever got from any electrician was

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<v Speaker 2>everything looks fine, that shouldn't be happening. Weird. It still

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<v Speaker 2>flickered when we moved out nine years later. The dogs

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<v Speaker 2>used to growl at empty corners, the cats would hiss

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<v Speaker 2>at seemingly empty space. Then there was the time we

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<v Speaker 2>went out for the day and when we got back

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<v Speaker 2>all the upstairs windows were open. One Christmas, my parents

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<v Speaker 2>and my siblings were all in the living room, and

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<v Speaker 2>as I stepped in to join them, one of my

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<v Speaker 2>dad's Bibles flew out of the bookcases to my right

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<v Speaker 2>and landed open in front of me. On the first page.

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<v Speaker 2>Of the Book of Revelations. My dad never believed it

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<v Speaker 2>was haunted. He had blessed it when we moved in,

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<v Speaker 2>so as far as he was concerned, no ghost could

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<v Speaker 2>be there. Sammy, Oh my god, thank you Sammy. I

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<v Speaker 2>love I love British ghost stories. One of these days

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<v Speaker 2>I'm going to get out there. I really am just

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<v Speaker 2>dying to go to England and I want to go

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<v Speaker 2>to some spooky old places and do some shows or something.

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<v Speaker 2>One of these days is let's manifest that maybe for

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<v Speaker 2>this new year that's about to happen. I am going

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<v Speaker 2>to be doing some shows very soon. I am about

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<v Speaker 2>to be in New York City at Littlefield in Brooklyn.

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<v Speaker 2>I'm doing Ghosted Live. That's the eighth Sunday, and then

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<v Speaker 2>I'm going to go to Helium in Portland on the

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<v Speaker 2>eleventh Wednesday, and Seattle. I'm going to be at the

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<v Speaker 2>hereafter on the thirteenth doing Ghosted Live and stand up

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<v Speaker 2>that night. So get everything at linktree dot com, slash

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<v Speaker 2>roz Hernandez. Okay, let's talk to James Adomian and the

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<v Speaker 2>many voices that go with him and with the show.

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<v Speaker 2>Oh my god, we have a real voice over professional

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<v Speaker 2>A recording a recording artist. I'm gonna say, James Adomian.

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<v Speaker 1>Thank you, Oz. It's great to be here.

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<v Speaker 2>You've already explained to us how microphones work.

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<v Speaker 1>I admire your sure sm seven B. It's a good microphone.

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<v Speaker 2>Thank you. That's exactly right. Studios for you, they get

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<v Speaker 2>the best of the best. Well, you do a lot

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<v Speaker 2>of cartoons and stuff like.

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<v Speaker 1>That, and a lot of them here in Bourbonk. It's

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<v Speaker 1>I've said this before that Burbank is where half the

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<v Speaker 1>cartoons in the world are made in the city of Burbank.

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<v Speaker 1>Oh interesting because there's Disney and Nickelodeon here and Cartoon Network,

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<v Speaker 1>Warner Brothers, all kinds of stuff.

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<v Speaker 2>Up here, and there's like independ in studios. My favorite

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<v Speaker 2>part of Burbank is that there's what I call chicken

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<v Speaker 2>bone stores, which are like there's like quite a few

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<v Speaker 2>on Magnolia, like these stores where you get like a necklace,

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<v Speaker 2>but it's a hamster's claw, Like it's like weird.

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<v Speaker 1>Like one off stores.

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<v Speaker 2>Yeah, my audience loves that kind of stuff. I I

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<v Speaker 2>attract the chicken bone necklace audience that loves like a

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<v Speaker 2>repurpose like a they'll sell like a taxi dermied mouse.

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<v Speaker 2>But it's like on a stripper pole.

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<v Speaker 1>Burbank has these little shops. It's it's oddly walkable yet

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<v Speaker 1>both car oriented and so it's designed for people to

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<v Speaker 1>like park and then walk around a block or two

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<v Speaker 1>and like go to some.

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<v Speaker 2>Places totally and you stumble upon a chicken bone place

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<v Speaker 2>and then a gun store.

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<v Speaker 1>Yes a story weird because there's like a comic book

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<v Speaker 1>store that has liberal comedy shows and then across the

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<v Speaker 1>sheet street is like you don't tread on me guns yep,

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<v Speaker 1>bourbon gun.

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<v Speaker 2>Ammo got Burbank. So, James, I'm so excited you came

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<v Speaker 2>out here. I've known you for a minute.

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<v Speaker 1>I have.

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<v Speaker 2>I've never heard your ghost stories, but I hear that

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<v Speaker 2>you have one.

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<v Speaker 1>I do have one.

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<v Speaker 2>Do you believe?

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<v Speaker 1>So I don't believe, and yet I do.

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<v Speaker 2>Okay, Lissa, I'm like that too. I've got a lot

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<v Speaker 2>of these where I'm like, I don't know, but it happened.

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<v Speaker 1>Yeah. I always try to search for an explanation that,

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<v Speaker 1>you know, if possible. One thing is I don't rule

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<v Speaker 1>things out where it's like, who am I to tell

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<v Speaker 1>someone that they didn't see something? You know? I wasn't there,

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<v Speaker 1>you know, sure you could have perceived something the wrong way,

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<v Speaker 1>but also yeah, it was right next to him military base.

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<v Speaker 1>Maybe it was just airplanes, right, secret airplanes.

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<v Speaker 2>And yeah, that's why your house was shaking.

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<v Speaker 1>That time, right. And some of it sure is like

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<v Speaker 1>maybe sleep deprivation and you're seeing things or share different

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<v Speaker 1>states of consciousness.

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<v Speaker 2>But there's also a thing where it's like ignorance is bliss,

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<v Speaker 2>like okay for me when it comes to UFOs, I

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<v Speaker 2>don't know about any kind of planes, helicopter, I don't

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<v Speaker 2>know anything. So to me, a lot of things are

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<v Speaker 2>unidentified flying objects.

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<v Speaker 1>To be fair, ignorance in your case is terror. Yes,

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<v Speaker 1>d SR seventy one blackbird might as well be a

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<v Speaker 1>creature from beyond?

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<v Speaker 2>Is this Vincent Price?

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<v Speaker 1>How could I resist?

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<v Speaker 2>I love Vincent Price? I want his cookbook.

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<v Speaker 1>I have one, he has several h it's one of

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<v Speaker 1>my prized possessions. Someone gave it to me. It's god,

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<v Speaker 1>I should have thought to cut that out. Don't let

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<v Speaker 1>them think they're missing something. No, no, no, it's fine, I'll

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<v Speaker 1>bring it next time. It's it's a Mary and Vincent

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<v Speaker 1>Price's cookbook. And it's like a survey of a history

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<v Speaker 1>of American kitchen.

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<v Speaker 2>Well he also do you know about his Witchcraft album?

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<v Speaker 1>Uh?

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<v Speaker 2>No, Yeah, he has an album that I have an

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<v Speaker 2>eBay alert on that. I don't want to make anyone

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<v Speaker 2>that's listening like want to go out and buy it

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<v Speaker 2>for me. Don't don't do that. That's fine.

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<v Speaker 1>I've heard an album of his, but I don't think

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<v Speaker 1>it's that one. Unless that's the only one.

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<v Speaker 2>We won't be able to play it. But there is

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<v Speaker 2>clips online. It's called let Me see Vincent Price Witchcraft

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<v Speaker 2>Magic an Adventure in Demonology.

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<v Speaker 1>An Adventure in Demonology.

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<v Speaker 2>And there are excerpts that you can hear online of

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<v Speaker 2>him explaining demonology. It's from nineteen sixty nine. It's so cool,

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<v Speaker 2>oh my god. And it has like the track listing.

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<v Speaker 2>Here's track number two, Preparation for.

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<v Speaker 1>Magic, Preparation for Magic, side to.

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<v Speaker 2>Track one, which tortures the world of spirits and debons.

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<v Speaker 1>I love it.

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<v Speaker 2>It's so funn Let.

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<v Speaker 1>Me make up, Let me make up. I'm gonna imagine

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<v Speaker 1>a couple of them. Chapter the fourteenth, the Necromancers strikes

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<v Speaker 1>once again.

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<v Speaker 2>Wait, that's actually not wrong. Well, side three, Track one,

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<v Speaker 2>How to Communicate with the Spirits Yep, Gerald York and necromancy.

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<v Speaker 1>Oh my god, I skipped the head too far.

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<v Speaker 2>Yeah, you're not off, which I kind of relate to

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<v Speaker 2>him because I maybe I'm wrong. I don't know his

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<v Speaker 2>full bio, but I feel like he was just an

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<v Speaker 2>actor that did a couple of spooky things and then

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<v Speaker 2>before you knew it, he's like, Okay, I guess I'm

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<v Speaker 2>just gonna teach people about demonology.

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<v Speaker 1>One of the jokes I made in the early days

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<v Speaker 1>was when I used to do Vincent Price a lot,

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<v Speaker 1>I was like, I was like, did a sketch where

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<v Speaker 1>I was like speaking to the homeowners Association and I

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<v Speaker 1>was like trying to get them not to condemn the mansion.

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<v Speaker 1>And I was like, I assure you, I am not

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<v Speaker 1>a madman, merely an actor who has played a madman

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<v Speaker 1>his entire life and is now quite completely done with

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<v Speaker 1>that lifelong role.

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<v Speaker 2>There's no escaping that for us when we see him

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<v Speaker 2>or hear him.

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<v Speaker 1>I used to see him as a child, always on TBS,

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<v Speaker 1>when TBS during the daytime only showed like terrible black

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<v Speaker 1>and white movies, and then he was in the ads

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<v Speaker 1>because he was still alive in the eighties, So he

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<v Speaker 1>was in ads for all kinds of stuff. You would

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<v Speaker 1>see him in an ad where he was making fun

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<v Speaker 1>of himself basically, and he'd be like, mildew horrible, mildew

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<v Speaker 1>stains Hylex brand tile cleaner kills, mildew did Okay.

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<v Speaker 2>So back to you though, So you like to rule

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<v Speaker 2>out if it's a ghost or not, You like to

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<v Speaker 2>rule out any possibilities.

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<v Speaker 1>Well, yeah, I hope keep in mind open. Uh, it's

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<v Speaker 1>possible that there's just simply other dimensions here that are

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<v Speaker 1>existing at the same time. Also, you know, so there's

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<v Speaker 1>things that are only perceived if you are sleep deprived

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<v Speaker 1>or brain injured or stressed out or something like that.

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<v Speaker 1>Or what do you think we're usually apathetic?

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<v Speaker 2>What about if someone's like drunk or high. Do you

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<v Speaker 2>think that that helps to.

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<v Speaker 1>No, I mean nothing helps.

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<v Speaker 2>Is that a good thing?

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<v Speaker 1>I mean, look, the brain can play tricks on itself too,

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<v Speaker 1>And so I generally am I generally am like agnostic

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<v Speaker 1>about a lot of things. So sometimes something's just an

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<v Speaker 1>interesting story, and it's really like the belief that makes

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<v Speaker 1>it interesting, the fact that anyone believes in it, whether

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<v Speaker 1>you do or not. Right, right, this is the this

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<v Speaker 1>is the trick of the campfire story.

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<v Speaker 2>I suppose that is what what I really have learned

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<v Speaker 2>over these years is like, like, I'm more focused about

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<v Speaker 2>the on the people that are telling the story. That that,

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<v Speaker 2>to me is what's so fascinating.

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<v Speaker 1>That can be fun where you start people watching the uh,

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<v Speaker 1>the person delivering the story. Yeah, is it a faulty narrator,

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<v Speaker 1>but still.

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<v Speaker 2>Like I mean, especially when you hear a story that's

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<v Speaker 2>like this scientist says that he was in a haunted house, right,

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<v Speaker 2>I'm like, well, if you're a scientist, you can't be lying.

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<v Speaker 1>Well, sure you can. This is the trick though scientists.

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<v Speaker 1>Scientists can make mistakes, and sometimes this happens a lot

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<v Speaker 1>in the world of like quack science, where someone has

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<v Speaker 1>like an accomplished scientific career and then they're like, well,

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<v Speaker 1>aside from that, they use their credentials from that to

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<v Speaker 1>be like, well, this, this, this, and this actually weird.

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<v Speaker 2>You say that because there's kind of something I wanted

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<v Speaker 2>to talk about later in the show that's similar to

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<v Speaker 2>that sort.

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<v Speaker 1>Of Yes, the delimitation between science and madness itself.

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<v Speaker 2>Wait, who is that?

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<v Speaker 1>I'm just doing a you know, a sensational voiceover.

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<v Speaker 2>Guy, God, you're fun to be around. There's not just

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<v Speaker 2>one person. There's a lot in there.

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<v Speaker 1>One never knows the realities that can come to the

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<v Speaker 1>foreground when one enters ghosted the podcast.

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<v Speaker 2>Okay, that sounded so cool.

0:13:29.520 --> 0:13:30.240
<v Speaker 1>Use it clip it.

0:13:30.559 --> 0:13:35.440
<v Speaker 2>Can you do a Liberaci because we have this Liberaci doll?

0:13:35.760 --> 0:13:38.240
<v Speaker 1>I mean, I don't know, it's a little I don't

0:13:38.240 --> 0:13:40.680
<v Speaker 1>know if I'm gonna do it. Justice It's okay. TV

0:13:40.760 --> 0:13:42.320
<v Speaker 1>did a pretty damn good Liberaci.

0:13:42.600 --> 0:13:46.080
<v Speaker 2>Right, Well, it's actually not far off from Vincent Price.

0:13:46.120 --> 0:13:48.679
<v Speaker 2>I feel in like some ways, like I think it's

0:13:48.720 --> 0:13:53.280
<v Speaker 2>a similar tone. But anyway, Okay, so tell me a story.

0:13:54.600 --> 0:13:56.840
<v Speaker 1>There's one main ghost story that I do classify as

0:13:56.880 --> 0:13:59.319
<v Speaker 1>a possible ghost story because I have no other explanation

0:13:59.400 --> 0:14:01.720
<v Speaker 1>except two or three possible things that could deflate the

0:14:01.720 --> 0:14:02.079
<v Speaker 1>whole thing.

0:14:02.200 --> 0:14:02.920
<v Speaker 2>I'll judge.

0:14:03.120 --> 0:14:07.480
<v Speaker 1>Sure. I lived in a house I rented it along

0:14:07.520 --> 0:14:13.600
<v Speaker 1>with six other people. Where was this Hollywood boom boom?

0:14:16.080 --> 0:14:22.040
<v Speaker 1>When was this two thousand, two thousand and nine or ten?

0:14:22.560 --> 0:14:24.760
<v Speaker 2>Okay, so the year I moved here.

0:14:24.960 --> 0:14:27.360
<v Speaker 1>Yeah, so this was We lived in a large house

0:14:27.480 --> 0:14:29.360
<v Speaker 1>with a bunch of people that were in a sketch group.

0:14:29.400 --> 0:14:34.800
<v Speaker 1>Together and I was old it wigs everywhere exactly, wigs

0:14:34.840 --> 0:14:38.200
<v Speaker 1>and fake guns, you know, the perfect place for a murder.

0:14:40.400 --> 0:14:44.280
<v Speaker 1>And there was a It was one night and everyone's

0:14:45.000 --> 0:14:48.280
<v Speaker 1>Usually it was a loud, sort of always constant party place,

0:14:48.320 --> 0:14:49.840
<v Speaker 1>but this was I don't know what time of year

0:14:49.880 --> 0:14:52.760
<v Speaker 1>it was. Maybe people had gone away for Thanksgiving or something,

0:14:53.680 --> 0:14:56.160
<v Speaker 1>and so it was a relatively quiet night at the place.

0:14:56.440 --> 0:15:02.080
<v Speaker 1>This is over on Wilton anywhe bum bum Wilton.

0:15:02.200 --> 0:15:07.840
<v Speaker 2>See, so this is not Hills, This is like the city.

0:15:08.240 --> 0:15:11.080
<v Speaker 1>Yes, this is the city. Is near Wilton in Hollywood,

0:15:11.120 --> 0:15:15.600
<v Speaker 1>Wilt North Wilton Place. The house still stands, but not

0:15:15.720 --> 0:15:17.800
<v Speaker 1>for long. It's all boarded up and I'm afraid they're

0:15:17.800 --> 0:15:20.320
<v Speaker 1>gonna tear it down. It was a big old house

0:15:20.360 --> 0:15:21.920
<v Speaker 1>and it turned one hundred years old while we were

0:15:21.920 --> 0:15:25.880
<v Speaker 1>living there, old old craftsman house falling apart and.

0:15:26.080 --> 0:15:27.840
<v Speaker 2>Saying it will be an ugly hotel.

0:15:28.840 --> 0:15:32.720
<v Speaker 1>Fortunately probably something like that. Yeah, I wasn't there alone,

0:15:32.760 --> 0:15:34.120
<v Speaker 1>but it was such a big house. There was like,

0:15:34.160 --> 0:15:35.920
<v Speaker 1>you know, there was only a couple people around at

0:15:35.920 --> 0:15:38.160
<v Speaker 1>the times. It was me and maybe you know, two

0:15:38.400 --> 0:15:40.920
<v Speaker 1>out of the many people who lived there. And it

0:15:40.960 --> 0:15:43.240
<v Speaker 1>was late at night, and I had fallen asleep. Now,

0:15:43.240 --> 0:15:46.600
<v Speaker 1>the TV also was not on. I remember this because

0:15:46.640 --> 0:15:48.960
<v Speaker 1>you know, like you don't fall asleep with the TV on.

0:15:49.040 --> 0:15:53.440
<v Speaker 1>It might the electromagnetism distracts the mind from other forces

0:15:53.440 --> 0:15:56.600
<v Speaker 1>that might be trying to communicate with you. Yes, so

0:15:56.720 --> 0:15:59.040
<v Speaker 1>it was. It was just totally quiet, and I had

0:15:59.080 --> 0:16:05.920
<v Speaker 1>fallen asleep downstairs. I was not in my MI. I

0:16:05.960 --> 0:16:07.960
<v Speaker 1>was drunk all the time back then, but I can't

0:16:07.960 --> 0:16:09.400
<v Speaker 1>say I was particularly drunk.

0:16:09.600 --> 0:16:12.280
<v Speaker 2>Okay, just mildly drunk.

0:16:12.120 --> 0:16:14.720
<v Speaker 1>Maybe just the baseline level of at a few beers.

0:16:15.000 --> 0:16:16.960
<v Speaker 1>But I was spending twenty nine or thirty years old,

0:16:17.040 --> 0:16:19.680
<v Speaker 1>and so I passed out on the couch. But I

0:16:19.720 --> 0:16:21.520
<v Speaker 1>did that a lot. It's not just like for me.

0:16:21.600 --> 0:16:24.480
<v Speaker 1>That wasn't like a wasted drunk thing. Very often, I

0:16:24.480 --> 0:16:27.520
<v Speaker 1>would like read a book or you know whatever, just

0:16:27.560 --> 0:16:28.960
<v Speaker 1>be doing something and fall asleep.

0:16:29.240 --> 0:16:30.640
<v Speaker 2>I love sleeping on a couch.

0:16:31.360 --> 0:16:36.480
<v Speaker 1>It's hardwired into me because of unfortunately comedy touring. I

0:16:36.520 --> 0:16:38.440
<v Speaker 1>did so much of it when I was young that

0:16:38.600 --> 0:16:43.000
<v Speaker 1>I find it comforting at certain times. So I sleep

0:16:43.040 --> 0:16:44.960
<v Speaker 1>on my couch at home now, and I have a bed,

0:16:45.080 --> 0:16:46.960
<v Speaker 1>and I don't always sleep on the couch, but it's

0:16:47.040 --> 0:16:48.600
<v Speaker 1>just a perfectly valid place where I.

0:16:48.560 --> 0:16:49.880
<v Speaker 2>Sleep sometimes totally.

0:16:51.240 --> 0:16:53.960
<v Speaker 1>I'm now forty four years old. I still am like

0:16:54.440 --> 0:16:56.320
<v Speaker 1>have in my mind where it's like, yeah, you know,

0:16:56.360 --> 0:16:58.640
<v Speaker 1>you got to crash out. You know, you never you

0:16:58.640 --> 0:17:00.480
<v Speaker 1>got to crash out and wake up early.

0:17:00.880 --> 0:17:03.440
<v Speaker 2>But it's amazing if you have the ability to fall

0:17:03.480 --> 0:17:06.080
<v Speaker 2>asleep place. Because now, because I'm such a couch sleeper,

0:17:06.080 --> 0:17:08.439
<v Speaker 2>if I am like in a green room and I

0:17:08.560 --> 0:17:11.080
<v Speaker 2>have an hour, I can like just fall right asleep.

0:17:11.119 --> 0:17:12.200
<v Speaker 1>Of course you can't, yes.

0:17:12.119 --> 0:17:15.880
<v Speaker 2>But I have a giant circle shaped nineteen sixties bed.

0:17:16.119 --> 0:17:18.200
<v Speaker 1>I used to, Oh my god.

0:17:18.400 --> 0:17:20.920
<v Speaker 2>I sleep on the couch because I just like it.

0:17:21.840 --> 0:17:26.080
<v Speaker 1>The beds for special occasions. I suppose I used to

0:17:26.119 --> 0:17:28.320
<v Speaker 1>have a round bed, and I regret so much that

0:17:28.359 --> 0:17:30.080
<v Speaker 1>I had to get rid of it when I moved

0:17:30.119 --> 0:17:33.520
<v Speaker 1>from LA to New York. Briefly, I couldn't get it anywhere,

0:17:33.680 --> 0:17:37.920
<v Speaker 1>store it anywhere, and I kept the cover and then

0:17:38.040 --> 0:17:41.280
<v Speaker 1>kind of just rolled the foam into the street down

0:17:41.359 --> 0:17:43.119
<v Speaker 1>the way and it's like, bye bye, I'm going to

0:17:43.119 --> 0:17:43.520
<v Speaker 1>New York.

0:17:43.920 --> 0:17:45.440
<v Speaker 2>And I found it that day.

0:17:45.600 --> 0:17:49.040
<v Speaker 1>But maybe you did. A round bed is such a

0:17:49.080 --> 0:17:52.400
<v Speaker 1>beautiful thing. It's like no one has them, and they're

0:17:52.440 --> 0:17:54.600
<v Speaker 1>so fun to hang out on and like have lorech

0:17:54.640 --> 0:17:55.720
<v Speaker 1>of pillows piled up.

0:17:56.119 --> 0:17:58.800
<v Speaker 2>Wow, I'm trying to become polyamorous because I could fit

0:17:58.880 --> 0:18:01.560
<v Speaker 2>like literally four people in this bad.

0:18:01.560 --> 0:18:04.240
<v Speaker 1>And people love it. People round beds. That's like the

0:18:04.320 --> 0:18:11.000
<v Speaker 1>greatest Deproallysia. Yeah, so I was not sleeping in my

0:18:11.080 --> 0:18:13.840
<v Speaker 1>round bed, which I did have at the time upstairs.

0:18:13.880 --> 0:18:17.479
<v Speaker 1>I was downstairs, fell asleep on the couch. It was

0:18:17.600 --> 0:18:21.040
<v Speaker 1>about three or four in the morning. It was like

0:18:21.320 --> 0:18:26.239
<v Speaker 1>it was like the dead of night, nothing happening. There

0:18:26.320 --> 0:18:29.000
<v Speaker 1>was not a lot of lights on. Uh maybe there

0:18:29.040 --> 0:18:30.960
<v Speaker 1>was like a light on in the kitchen or something,

0:18:30.960 --> 0:18:32.720
<v Speaker 1>but it was like it was just it was kind

0:18:32.720 --> 0:18:34.800
<v Speaker 1>of nice and quiet. It's also worth noting it was

0:18:34.840 --> 0:18:37.720
<v Speaker 1>not complete dark. You know, it was somewhere between, somewhere

0:18:37.720 --> 0:18:38.720
<v Speaker 1>between light and dark.

0:18:39.960 --> 0:18:43.960
<v Speaker 2>You're really you're really giving us these these details. I

0:18:44.000 --> 0:18:45.679
<v Speaker 2>feel like this is I'm scared of it.

0:18:45.720 --> 0:18:53.720
<v Speaker 1>It might let you down. There was a presence, m

0:18:53.800 --> 0:18:55.840
<v Speaker 1>do you like that? Do you like my dubstep horror

0:18:55.880 --> 0:18:59.960
<v Speaker 1>movie soundtrack? Dubstep music seems to have gone out of fact,

0:19:00.040 --> 0:19:04.040
<v Speaker 1>should accept it's thriving in the world of horror movie soundtrack.

0:19:03.800 --> 0:19:08.760
<v Speaker 2>Exactly, and then they just slow down a famous song,

0:19:09.560 --> 0:19:12.240
<v Speaker 2>you know, like that's what they always do these days.

0:19:13.080 --> 0:19:17.480
<v Speaker 1>Help I need somebody, yes, exactly.

0:19:18.160 --> 0:19:19.560
<v Speaker 2>And that's all we can use is.

0:19:19.600 --> 0:19:22.199
<v Speaker 1>That there was a presence that was standing over me

0:19:22.880 --> 0:19:26.320
<v Speaker 1>from behind the back of the couch, but leaning right

0:19:26.359 --> 0:19:30.440
<v Speaker 1>over and because it was you know, the couch had

0:19:30.440 --> 0:19:32.480
<v Speaker 1>the back open in the room, you know what I mean,

0:19:32.520 --> 0:19:36.040
<v Speaker 1>not against the wall. So there was this presence standing

0:19:36.160 --> 0:19:40.359
<v Speaker 1>like a tall person looking down at me, and it

0:19:40.480 --> 0:19:43.400
<v Speaker 1>felt like I was touched. It felt like somebody touched

0:19:43.480 --> 0:19:46.159
<v Speaker 1>me and was trying to wake me up. And I

0:19:46.240 --> 0:19:49.280
<v Speaker 1>woke up and for a second was like who did that?

0:19:50.119 --> 0:19:52.879
<v Speaker 1>And then noticed that no one was there, and then

0:19:52.960 --> 0:19:55.159
<v Speaker 1>thought someone was hiding behind the couch and I was

0:19:55.200 --> 0:19:58.439
<v Speaker 1>like what and no one was there, and then I

0:19:58.560 --> 0:20:04.199
<v Speaker 1>realized the present was still there. Not hard to describe this,

0:20:04.600 --> 0:20:09.359
<v Speaker 1>not like visible like in a Scooby Doo cartoon, okay,

0:20:10.160 --> 0:20:13.159
<v Speaker 1>not someone where I could have pulled it off and

0:20:14.320 --> 0:20:16.159
<v Speaker 1>would have. I would have gotten my way with it

0:20:16.240 --> 0:20:17.120
<v Speaker 1>if it weren't for you.

0:20:17.440 --> 0:20:19.600
<v Speaker 2>Yes, that was Liberaci.

0:20:20.640 --> 0:20:26.040
<v Speaker 1>You had actually usually And then I realized it wasn't

0:20:26.080 --> 0:20:31.720
<v Speaker 1>going away, and I was awake no, yes, I yelled

0:20:32.119 --> 0:20:36.600
<v Speaker 1>very loudly, you got the fuck away from me. And

0:20:36.640 --> 0:20:39.120
<v Speaker 1>I jumped up over the couch and sort of ran

0:20:39.280 --> 0:20:43.359
<v Speaker 1>and pushed this presence, this energy as hard as I

0:20:43.400 --> 0:20:46.399
<v Speaker 1>could back up against the wall. And then it was.

0:20:46.440 --> 0:20:50.399
<v Speaker 2>Gone, Okay, that is a man right there.

0:20:51.080 --> 0:20:54.280
<v Speaker 1>Me that was oh, I'm just a queen.

0:20:54.840 --> 0:20:56.920
<v Speaker 2>You ran towards it.

0:20:57.119 --> 0:21:00.000
<v Speaker 1>I did run towards the ghosts, but then it disappeared.

0:21:00.200 --> 0:21:02.800
<v Speaker 1>But then there was this it wasn't like audibly laughing

0:21:02.800 --> 0:21:05.879
<v Speaker 1>at me, but there was this like energy of like, haha,

0:21:06.000 --> 0:21:07.919
<v Speaker 1>didn't get me, and it was gone.

0:21:08.240 --> 0:21:11.360
<v Speaker 2>First of all, that ghost should not be cocky, because

0:21:11.720 --> 0:21:15.199
<v Speaker 2>it did leave, like you did get it away and

0:21:15.240 --> 0:21:17.480
<v Speaker 2>you went right up to I bet you that ghost

0:21:17.600 --> 0:21:20.600
<v Speaker 2>over It's many years of being a ghost has always

0:21:20.720 --> 0:21:25.120
<v Speaker 2>had people run screaming. Listen, I've heard thousands of these stories.

0:21:25.359 --> 0:21:27.080
<v Speaker 2>People don't run towards it.

0:21:27.920 --> 0:21:30.840
<v Speaker 1>Well, This was a house that had been lived in

0:21:30.880 --> 0:21:34.240
<v Speaker 1>by many, many, many many people since like nineteen eleven

0:21:34.320 --> 0:21:37.919
<v Speaker 1>or whatever when it was, or nineteen thirteen, whatever it was.

0:21:38.359 --> 0:21:41.399
<v Speaker 1>It was a big, big house, so lots of different people,

0:21:41.600 --> 0:21:44.400
<v Speaker 1>like families and like it had at one time been

0:21:45.359 --> 0:21:49.480
<v Speaker 1>lodging for seminary students for the Catholic Church trying to

0:21:49.480 --> 0:21:52.719
<v Speaker 1>be priests. It had been inhabited by a couple of

0:21:52.760 --> 0:21:55.960
<v Speaker 1>different groups of like hippies in the sixties and seventies

0:21:56.040 --> 0:21:58.240
<v Speaker 1>that you had at different times used it as a

0:21:58.280 --> 0:22:02.480
<v Speaker 1>commune and a couple of different Like I know, there's

0:22:02.520 --> 0:22:05.720
<v Speaker 1>a screenwriter, Josh Olsen, who actually lived there in a

0:22:05.760 --> 0:22:07.560
<v Speaker 1>different time than I did, who told me some of

0:22:07.600 --> 0:22:08.800
<v Speaker 1>the stories about it later on.

0:22:09.080 --> 0:22:11.000
<v Speaker 2>Did that did he have any uh?

0:22:11.200 --> 0:22:13.720
<v Speaker 1>I haven't asked him that. It's a good question. But also,

0:22:13.920 --> 0:22:17.119
<v Speaker 1>oddly enough, it's no, this is not necessarily remarkable because

0:22:17.200 --> 0:22:20.600
<v Speaker 1>Charlie Chaplin lived is famous for living in many plates places.

0:22:20.600 --> 0:22:23.000
<v Speaker 1>You lived everywhere, He lived everywhere. It's one of the

0:22:23.000 --> 0:22:24.240
<v Speaker 1>places that Chaplain lived in.

0:22:24.320 --> 0:22:27.640
<v Speaker 2>Also, did this guy just like do a week here,

0:22:27.760 --> 0:22:29.760
<v Speaker 2>do a week there? Because I swear to God that

0:22:29.840 --> 0:22:33.080
<v Speaker 2>is how it is that and Marilyn Monroe lived here.

0:22:33.359 --> 0:22:37.080
<v Speaker 1>I think it's because they didn't. They hadn't invented like

0:22:37.280 --> 0:22:39.679
<v Speaker 1>gates for houses back then, so if you got if

0:22:39.680 --> 0:22:41.840
<v Speaker 1>people found out that a famous person was there, you

0:22:41.880 --> 0:22:43.399
<v Speaker 1>had to be like, well, we're moving.

0:22:43.640 --> 0:22:45.480
<v Speaker 2>Ah okay, that makes sense.

0:22:45.480 --> 0:22:46.920
<v Speaker 1>It is not wrong about that that could be.

0:22:46.960 --> 0:22:49.120
<v Speaker 2>I thought, you're gonna say he would just walk into

0:22:49.160 --> 0:22:51.160
<v Speaker 2>houses and live there because there wasn't a gate.

0:22:51.359 --> 0:22:54.159
<v Speaker 1>Los Angeles was so new that the hedges hadn't had

0:22:54.200 --> 0:22:56.080
<v Speaker 1>time to grow up, so they were there were like

0:22:56.160 --> 0:23:00.000
<v Speaker 1>these little tiny bushes everywhere. It didn't protect you.

0:23:00.200 --> 0:23:04.040
<v Speaker 2>So if you were to guess what that was, I mean,

0:23:04.080 --> 0:23:06.560
<v Speaker 2>what what what would you think? Do you think it

0:23:06.600 --> 0:23:10.080
<v Speaker 2>was a spirit of a I did a priest? Did

0:23:10.080 --> 0:23:12.000
<v Speaker 2>a priest come visit you in the middle of the night?

0:23:12.520 --> 0:23:15.399
<v Speaker 1>Yeah, and I didn't. It didn't seem malicious. It seemed

0:23:15.520 --> 0:23:18.480
<v Speaker 1>in hindsight, I felt a little bit guilty, like maybe

0:23:18.480 --> 0:23:20.000
<v Speaker 1>I should have given the ghost a chance.

0:23:20.280 --> 0:23:22.199
<v Speaker 2>Yeah, that could have You guys could have done a

0:23:22.200 --> 0:23:23.879
<v Speaker 2>comedy duo, because I thought.

0:23:23.640 --> 0:23:25.879
<v Speaker 1>Maybe they just wanted to reach out and chat and

0:23:25.920 --> 0:23:29.720
<v Speaker 1>hang out or be like, hey, you're an impath, you

0:23:29.760 --> 0:23:33.640
<v Speaker 1>can see me, you know. And I maybe overreacted. So

0:23:33.840 --> 0:23:35.600
<v Speaker 1>I thought about it, and I looked it up, and

0:23:35.640 --> 0:23:38.920
<v Speaker 1>I talked to some people, and I then after that

0:23:39.720 --> 0:23:42.640
<v Speaker 1>up in my room, I lit a candle a couple

0:23:42.800 --> 0:23:45.359
<v Speaker 1>nights in a row and put out some whiskey and

0:23:45.680 --> 0:23:49.119
<v Speaker 1>like said some nice intentions where it's like you know,

0:23:49.200 --> 0:23:51.920
<v Speaker 1>I'm sorry, you know, hang out, but don't don't try

0:23:51.920 --> 0:23:54.240
<v Speaker 1>to scare me. Yeah, you know, a negotiation.

0:23:54.880 --> 0:23:58.399
<v Speaker 2>Yeah, totally give it some whiskey. It'll be fine.

0:23:58.880 --> 0:24:02.520
<v Speaker 1>And that's been my policy now since then. If I

0:24:02.560 --> 0:24:04.600
<v Speaker 1>was in like there was a there was a theater

0:24:04.720 --> 0:24:07.119
<v Speaker 1>that had there's lots of theaters that are haunted, but

0:24:07.119 --> 0:24:08.520
<v Speaker 1>there was one in particular. I used to hang out

0:24:08.560 --> 0:24:10.280
<v Speaker 1>it a lot. The cook in the Cave in New

0:24:10.359 --> 0:24:14.320
<v Speaker 1>York and other places where I know that where there's

0:24:14.320 --> 0:24:16.199
<v Speaker 1>a story that there's a spirit, you know, whether I

0:24:16.240 --> 0:24:18.359
<v Speaker 1>see it or not. Sometimes I'll just be like, hey,

0:24:18.520 --> 0:24:19.119
<v Speaker 1>how you doing?

0:24:19.680 --> 0:24:20.600
<v Speaker 2>Or give it whiskey.

0:24:21.520 --> 0:24:23.240
<v Speaker 1>You know it's expensive. You don't want to just be wasting.

0:24:23.560 --> 0:24:26.080
<v Speaker 2>You can't just give whiskey. Yeah, it's like it's not

0:24:26.200 --> 0:24:27.640
<v Speaker 2>Santa with milk and cookies.

0:24:27.760 --> 0:24:29.679
<v Speaker 1>Also, some of the some of the ghosts are like,

0:24:29.760 --> 0:24:31.800
<v Speaker 1>thank you, I've had too much over the centuries.

0:24:31.920 --> 0:24:36.960
<v Speaker 2>Yes, So of those other people that lived there when

0:24:37.000 --> 0:24:39.320
<v Speaker 2>you lived there, did they ever have stories?

0:24:39.440 --> 0:24:41.280
<v Speaker 1>I don't think so. I'd have to consult them one

0:24:41.320 --> 0:24:42.919
<v Speaker 1>by one to interrogate them about.

0:24:43.160 --> 0:24:46.119
<v Speaker 2>But it wasn't a well known like we all know

0:24:46.200 --> 0:24:47.600
<v Speaker 2>there's the ghost in the living room.

0:24:47.680 --> 0:24:50.040
<v Speaker 1>No, but there I guess there were people who had

0:24:50.040 --> 0:24:52.640
<v Speaker 1>been like it was constantly, did you guys hear something

0:24:52.760 --> 0:24:54.800
<v Speaker 1>or hear some or not hear something because there was

0:24:54.880 --> 0:24:56.640
<v Speaker 1>so many people in the house and it was kind

0:24:56.640 --> 0:24:58.840
<v Speaker 1>of a party place. I would only think of this

0:24:58.880 --> 0:25:01.960
<v Speaker 1>as remarkable because I was alone and no one was around. No,

0:25:02.119 --> 0:25:04.720
<v Speaker 1>like there was no one. There was this giant, like

0:25:04.840 --> 0:25:07.480
<v Speaker 1>one large room on the first floor kind of with

0:25:07.560 --> 0:25:09.879
<v Speaker 1>no doors, and there's no there was no one around.

0:25:09.960 --> 0:25:13.199
<v Speaker 2>That's a really hard environment to live with that many people.

0:25:13.600 --> 0:25:15.600
<v Speaker 1>Uh, maybe I was just stressed out.

0:25:15.960 --> 0:25:17.960
<v Speaker 2>Well, what I'm saying is like to note there's a

0:25:18.000 --> 0:25:22.239
<v Speaker 2>ghost or not, you know, because it's like, why are

0:25:22.280 --> 0:25:23.280
<v Speaker 2>there dirty dishes?

0:25:23.400 --> 0:25:25.560
<v Speaker 1>And the it was a ghost like the ghosts?

0:25:25.680 --> 0:25:27.240
<v Speaker 2>Yeah, exactly.

0:25:27.400 --> 0:25:29.679
<v Speaker 1>Also, you know, I do have vivid dreams sometimes, but

0:25:29.720 --> 0:25:35.160
<v Speaker 1>I don't think this was that because my dreams are different.

0:25:35.359 --> 0:25:39.000
<v Speaker 1>I don't have physically imposing dreams. Is that a way

0:25:39.040 --> 0:25:42.040
<v Speaker 1>to Yeah, I don't have dreams that feel like somebody's

0:25:42.119 --> 0:25:45.280
<v Speaker 1>hovering over me and poking me. Yeah, I have adventure

0:25:45.359 --> 0:25:47.040
<v Speaker 1>dreams that I and I try to write them down

0:25:47.040 --> 0:25:48.680
<v Speaker 1>when I wake up, But it's a very different sort

0:25:48.720 --> 0:25:53.199
<v Speaker 1>of like mindscape the dreams that I have compared to

0:25:53.240 --> 0:25:53.880
<v Speaker 1>this sensation.

0:25:54.280 --> 0:25:58.720
<v Speaker 2>I'm just so impressed by you the way you handled

0:25:58.720 --> 0:26:02.400
<v Speaker 2>that that is insane.

0:26:01.840 --> 0:26:05.720
<v Speaker 1>That I was like, well, that's probably the peak of

0:26:05.760 --> 0:26:08.600
<v Speaker 1>my young life at the age of you know, twenty

0:26:08.720 --> 0:26:11.199
<v Speaker 1>nine or thirty, probably the peak of my ability to

0:26:11.280 --> 0:26:14.480
<v Speaker 1>yell at yell at anything and be able to back

0:26:14.520 --> 0:26:15.600
<v Speaker 1>it up in any way.

0:26:15.880 --> 0:26:19.359
<v Speaker 2>That it's really it's very impressive. Are you. Are you

0:26:19.440 --> 0:26:20.359
<v Speaker 2>single at the moment?

0:26:21.000 --> 0:26:23.639
<v Speaker 1>Sure? I don't know how to answer that.

0:26:23.680 --> 0:26:27.399
<v Speaker 2>These days ballas if you are looking for someone that

0:26:27.400 --> 0:26:29.520
<v Speaker 2>will scare a ghost off in the middle of the night.

0:26:29.800 --> 0:26:32.680
<v Speaker 2>I mean, that's impressive. That's what I'm looking for.

0:26:32.880 --> 0:26:36.440
<v Speaker 1>Well more, I've learned since then to maybe not try

0:26:36.440 --> 0:26:39.400
<v Speaker 1>to scare them off, but just try to like be like, Okay,

0:26:40.000 --> 0:26:43.720
<v Speaker 1>here's a treat, go on your way. Yeah, I think

0:26:43.880 --> 0:26:45.199
<v Speaker 1>sometimes I think about it, and I was like, I

0:26:45.240 --> 0:26:45.760
<v Speaker 1>was too mean.

0:26:48.600 --> 0:26:49.439
<v Speaker 2>I think it's fine.

0:26:49.520 --> 0:26:53.040
<v Speaker 1>It's probably fine. They're dead anyway, right, they're already dead.

0:26:53.440 --> 0:26:56.920
<v Speaker 1>I mean, it's not like it's the worst is they're

0:26:56.920 --> 0:26:57.760
<v Speaker 1>going to be disappointed.

0:26:57.800 --> 0:27:00.920
<v Speaker 2>I lost a friend, Yeah, but you know, it made

0:27:00.960 --> 0:27:02.200
<v Speaker 2>a good story though.

0:27:02.400 --> 0:27:05.560
<v Speaker 1>It did, And I do think about it sometimes and

0:27:05.880 --> 0:27:09.760
<v Speaker 1>I can't recall that it's happened since then. It was

0:27:09.800 --> 0:27:13.439
<v Speaker 1>a maybe a unique thing to that house, or you know.

0:27:13.920 --> 0:27:17.399
<v Speaker 2>Sometimes what I've learned from here in these stories. Sometimes

0:27:17.440 --> 0:27:21.240
<v Speaker 2>it's not even connected to the place. It's like, who knows,

0:27:21.280 --> 0:27:23.960
<v Speaker 2>somebody threw a ghost at you when you were walking

0:27:24.000 --> 0:27:26.200
<v Speaker 2>down the street. You picked one.

0:27:26.080 --> 0:27:27.959
<v Speaker 1>Up somewhere, sure, who knows?

0:27:28.440 --> 0:27:32.120
<v Speaker 2>Who knows, right, And it was just a one time.

0:27:32.240 --> 0:27:34.120
<v Speaker 1>It's like a video game in that way.

0:27:33.960 --> 0:27:40.200
<v Speaker 2>And that poor ghost was like, okay, never mind, God sorry, Yeah, the.

0:27:40.160 --> 0:27:41.879
<v Speaker 1>Ghost is like I just wanted to know if I

0:27:41.880 --> 0:27:43.080
<v Speaker 1>could have some of your cheeses.

0:27:45.680 --> 0:27:49.480
<v Speaker 2>So I was thinking we could do something fun and

0:27:49.560 --> 0:27:51.919
<v Speaker 2>interesting and unique and different that we've never done on

0:27:51.960 --> 0:27:52.359
<v Speaker 2>the show.

0:27:53.040 --> 0:27:53.720
<v Speaker 1>I usually have a.

0:27:53.640 --> 0:27:56.560
<v Speaker 2>Strict real no impressionist, but there's.

0:27:56.400 --> 0:28:00.680
<v Speaker 1>One why why of all the we have so few

0:28:00.720 --> 0:28:01.240
<v Speaker 1>rules here?

0:28:02.480 --> 0:28:06.000
<v Speaker 2>I'm just kidding. You're definitely my favorite impressionist.

0:28:06.280 --> 0:28:08.360
<v Speaker 1>Well, thank you, it's an honor to be here.

0:28:08.520 --> 0:28:12.680
<v Speaker 2>No, I've always loved your impressions so much, And if

0:28:12.720 --> 0:28:16.360
<v Speaker 2>anyone has the opportunity to see James live, it is

0:28:17.119 --> 0:28:22.679
<v Speaker 2>such a fun experience to watch all the different people

0:28:22.720 --> 0:28:24.000
<v Speaker 2>you embody.

0:28:24.000 --> 0:28:26.760
<v Speaker 1>Funny enough there are opportunities to see me live.

0:28:26.800 --> 0:28:30.879
<v Speaker 2>Stay tuned, okay, yes, make sure you're listening. People.

0:28:32.040 --> 0:28:33.920
<v Speaker 1>I list some of those on my website and I'll

0:28:33.920 --> 0:28:35.959
<v Speaker 1>recount them at the appropriate.

0:28:35.440 --> 0:28:39.760
<v Speaker 2>Hour, please. So I was trying to think of you know,

0:28:40.120 --> 0:28:43.240
<v Speaker 2>Wikipedia gave me a couple of names that you've you're

0:28:43.320 --> 0:28:46.600
<v Speaker 2>famous for. I was, you know, I was thinking from

0:28:46.600 --> 0:28:50.480
<v Speaker 2>my own experience of being a fan. Over all these.

0:28:50.440 --> 0:28:53.080
<v Speaker 1>Years, we've done so many things together in the show

0:28:53.160 --> 0:28:57.120
<v Speaker 1>business on the boards, you know, we've really such a

0:28:57.400 --> 0:28:58.680
<v Speaker 1>oh dear old friend.

0:28:59.120 --> 0:29:02.600
<v Speaker 2>Really really, so, I was thinking, maybe some of those

0:29:02.640 --> 0:29:08.280
<v Speaker 2>people have ghost stories. So I found let me see here,

0:29:08.360 --> 0:29:14.440
<v Speaker 2>I found one, two, three, four that have ghost stories.

0:29:15.240 --> 0:29:17.600
<v Speaker 1>If you're down, did that you've looked this up? That

0:29:17.680 --> 0:29:19.560
<v Speaker 1>these they actually have them?

0:29:19.720 --> 0:29:23.480
<v Speaker 2>Honey, I was spending time. I was going Mike Lindell

0:29:23.680 --> 0:29:30.680
<v Speaker 2>ghost story. Literally, my Google history is like Eddie Pepatone Aliens.

0:29:30.760 --> 0:29:33.000
<v Speaker 3>I were stuffed into a trunk of a link of

0:29:33.080 --> 0:29:36.520
<v Speaker 3>toe car in Minneapolis. I let me tell you, it

0:29:36.560 --> 0:29:38.280
<v Speaker 3>was ten am before they open it up, and I

0:29:38.320 --> 0:29:40.280
<v Speaker 3>had ghost a whole time bumping her out and hight

0:29:40.440 --> 0:29:42.400
<v Speaker 3>her spare tires.

0:29:42.800 --> 0:29:46.360
<v Speaker 2>That's more than what I found. There was no Mike

0:29:46.440 --> 0:29:47.920
<v Speaker 2>Lindell ghost story.

0:29:47.800 --> 0:29:49.320
<v Speaker 1>Right, is the ghost story?

0:29:49.360 --> 0:29:51.720
<v Speaker 2>He is the ghost story and you could see him.

0:29:51.880 --> 0:29:53.400
<v Speaker 1>I would have gotten away with it. Two if it

0:29:53.440 --> 0:29:55.200
<v Speaker 1>weren't for you durt meddling kids.

0:29:55.360 --> 0:29:57.680
<v Speaker 2>If you ever see him on Jimmy Kimmel Live, that

0:29:57.800 --> 0:29:58.760
<v Speaker 2>is jameson Doomia.

0:29:58.840 --> 0:30:01.280
<v Speaker 1>Yes, that's I'm the my a little guy on Jimmy Kimmel.

0:30:01.840 --> 0:30:05.200
<v Speaker 2>Uh So if I give you some names, would you

0:30:05.240 --> 0:30:07.800
<v Speaker 2>be willing to give us a little idea of what

0:30:07.800 --> 0:30:08.240
<v Speaker 2>that might.

0:30:08.240 --> 0:30:11.440
<v Speaker 1>So yeah, let's try. Let's guess. Let's guess the ghost story, right, Okay?

0:30:11.600 --> 0:30:14.080
<v Speaker 2>Do you want me to tell you like a prompt

0:30:14.200 --> 0:30:15.120
<v Speaker 2>like where it was?

0:30:15.360 --> 0:30:18.160
<v Speaker 1>Or um? Sure? Yeah? Okay?

0:30:19.320 --> 0:30:25.480
<v Speaker 2>Paul Giamadi, Yeah, well, while uh playing Hamlet.

0:30:25.240 --> 0:30:30.440
<v Speaker 1>Of course, there it is. I was. I was cast

0:30:30.520 --> 0:30:33.320
<v Speaker 1>in the role of Hamlet. I cashed myself because well,

0:30:33.400 --> 0:30:36.160
<v Speaker 1>let's face it, I've been middle eight since I was

0:30:36.200 --> 0:30:36.840
<v Speaker 1>fucking born.

0:30:39.040 --> 0:30:39.840
<v Speaker 2>But there was a coach.

0:30:39.960 --> 0:30:42.480
<v Speaker 1>I was playing Hamlet. I was doing all the parts myself,

0:30:42.520 --> 0:30:44.920
<v Speaker 1>and what do you know, I forgot the lines. I

0:30:45.080 --> 0:30:49.880
<v Speaker 1>was bombing bombing as the tortured Prince of Denmark and

0:30:49.880 --> 0:30:51.920
<v Speaker 1>then well, what do you know, fuck me? It turns

0:30:51.960 --> 0:30:54.680
<v Speaker 1>out I was right there on stage and I said

0:30:54.680 --> 0:30:56.880
<v Speaker 1>a last poor yorick, and I was holding the skull

0:30:57.000 --> 0:31:02.040
<v Speaker 1>up and then it started talking back to me. He said, litten,

0:31:02.160 --> 0:31:06.800
<v Speaker 1>fuck face, you're not pushing tickets, and I said, that

0:31:06.840 --> 0:31:09.600
<v Speaker 1>doesn't scam with Shakespeare's.

0:31:08.920 --> 0:31:15.240
<v Speaker 2>Portfolio, honestly, not far off. This is what scares me

0:31:15.320 --> 0:31:19.160
<v Speaker 2>about when we perform in these haunted theaters, Like I

0:31:19.200 --> 0:31:21.480
<v Speaker 2>always think about if I saw a ghost when I'm

0:31:21.520 --> 0:31:25.320
<v Speaker 2>on stage, like that would destroy me, like the fear

0:31:25.680 --> 0:31:27.200
<v Speaker 2>of like, oh my god, I still have to do,

0:31:27.360 --> 0:31:29.160
<v Speaker 2>especially like a scripted.

0:31:29.240 --> 0:31:32.760
<v Speaker 1>Time I was on stage. This wasn't a ghost, but

0:31:33.720 --> 0:31:35.600
<v Speaker 1>like from the back of the room. I was on

0:31:35.640 --> 0:31:38.320
<v Speaker 1>stage at this comedy theater and they had all these

0:31:38.320 --> 0:31:40.800
<v Speaker 1>like pop culture things that you know, very often you're

0:31:40.800 --> 0:31:42.640
<v Speaker 1>on stage and you've got like a picture of Richard

0:31:42.720 --> 0:31:45.880
<v Speaker 1>Pryor and Bill shit that you have to ignore while

0:31:45.880 --> 0:31:48.280
<v Speaker 1>you're doing comedy. But this one they had all these

0:31:48.320 --> 0:31:51.800
<v Speaker 1>like pop culture characters and straight in the back directly

0:31:51.840 --> 0:31:56.400
<v Speaker 1>facing me was a giant wizard Gandolf as played by

0:31:56.560 --> 0:32:01.280
<v Speaker 1>Ian McKellen. The whole time there was the Scandolf staring

0:32:01.320 --> 0:32:03.640
<v Speaker 1>at me from the back of the room like do

0:32:03.680 --> 0:32:06.160
<v Speaker 1>you really think that was entertaining.

0:32:08.040 --> 0:32:12.960
<v Speaker 2>Yeah, I so, Paul jam The skull did not talk

0:32:13.000 --> 0:32:16.760
<v Speaker 2>back to him, but it was his dagger, so.

0:32:16.720 --> 0:32:19.760
<v Speaker 1>He a very short and small dagger.

0:32:19.880 --> 0:32:22.800
<v Speaker 2>Okay, the dagger did not tug back to him, but.

0:32:22.880 --> 0:32:25.520
<v Speaker 1>You know what's a delicate dagger. It's not a great weapon,

0:32:25.560 --> 0:32:27.840
<v Speaker 1>but it's a fantastic little shine cut.

0:32:28.040 --> 0:32:31.720
<v Speaker 2>He was on Steven Colbert and he was telling him

0:32:31.720 --> 0:32:36.040
<v Speaker 2>that when he was doing Hamlet at the at Yell

0:32:36.200 --> 0:32:38.160
<v Speaker 2>Repertoire at Yale Repertory.

0:32:38.320 --> 0:32:39.840
<v Speaker 1>That's right, and forty.

0:32:39.600 --> 0:32:43.560
<v Speaker 2>Year old Hamlet in twenty thirteen.

0:32:43.880 --> 0:32:45.960
<v Speaker 1>A gray haired, bald fucking a Hamlet.

0:32:47.840 --> 0:32:52.480
<v Speaker 2>So he's on stage and he's like, where's my prop dagger?

0:32:53.120 --> 0:32:58.040
<v Speaker 2>And he can't find it anywhere. And then during intermission

0:32:58.360 --> 0:33:00.720
<v Speaker 2>the stage hands are searching the stage, they're looking for

0:33:00.920 --> 0:33:03.440
<v Speaker 2>through the audience. They can't find it anywhere, and then

0:33:03.800 --> 0:33:08.040
<v Speaker 2>they find his dagger in an act too, on a

0:33:08.120 --> 0:33:10.680
<v Speaker 2>piece of scenery that he says was one hundred feet

0:33:10.760 --> 0:33:13.400
<v Speaker 2>up in the air, even though the dagger was on

0:33:13.560 --> 0:33:17.640
<v Speaker 2>him when he first started the show. Mmmm, he says,

0:33:17.680 --> 0:33:22.920
<v Speaker 2>it was a ghost. See this was great, that was great.

0:33:23.480 --> 0:33:24.240
<v Speaker 2>Can we keep going?

0:33:24.360 --> 0:33:28.240
<v Speaker 1>Yes? Okay, terrifying the terrifying tale, Paul Giamani and the

0:33:28.240 --> 0:33:29.600
<v Speaker 1>al Tagger ghost.

0:33:30.280 --> 0:33:34.800
<v Speaker 2>How about Gary Busey, Ladies and gentlemen and the soup

0:33:35.320 --> 0:33:36.760
<v Speaker 2>ghost Raj.

0:33:36.920 --> 0:33:39.560
<v Speaker 1>Let me tell you something. I'm firm, firm, and I

0:33:39.760 --> 0:33:42.600
<v Speaker 1>treasured this opportunity to come forward and talk about these

0:33:42.640 --> 0:33:46.800
<v Speaker 1>issues with a creditable witness here because I've talked to this,

0:33:46.920 --> 0:33:49.840
<v Speaker 1>I've been on the BBC, I've been on Chinese Communist News,

0:33:50.320 --> 0:33:52.640
<v Speaker 1>and the only person that has given me a platform

0:33:52.640 --> 0:33:55.239
<v Speaker 1>to talk about the truth of the supernatural is here

0:33:55.320 --> 0:33:56.280
<v Speaker 1>right on this program.

0:33:56.360 --> 0:33:57.040
<v Speaker 2>That's what we do.

0:33:57.240 --> 0:34:02.880
<v Speaker 1>And I believe in ghost, God's hell only Satan transgendered.

0:34:04.920 --> 0:34:06.760
<v Speaker 1>I don't know if I like that one.

0:34:07.960 --> 0:34:13.520
<v Speaker 2>So he says, quote, I had a ghost one time

0:34:13.680 --> 0:34:16.120
<v Speaker 2>come out of a big plate of soup. I had

0:34:17.000 --> 0:34:20.880
<v Speaker 2>plates of soup, a big bowl of soup. He corrects himself.

0:34:21.280 --> 0:34:24.280
<v Speaker 2>It was called a soup ghost, he continued.

0:34:24.600 --> 0:34:26.839
<v Speaker 1>It was the ever gaged into a bowl of soup

0:34:26.880 --> 0:34:29.680
<v Speaker 1>and seen the supernatural. That's the that is the that

0:34:29.800 --> 0:34:32.480
<v Speaker 1>is the kind of important wordplay that can lead you

0:34:32.520 --> 0:34:34.440
<v Speaker 1>towards the path path of victories or a path of

0:34:34.480 --> 0:34:35.520
<v Speaker 1>devil deviltry.

0:34:36.400 --> 0:34:38.840
<v Speaker 2>It could have been like a ghost of a klam,

0:34:38.880 --> 0:34:40.520
<v Speaker 2>a clam chowder ghost or something.

0:34:41.040 --> 0:34:43.600
<v Speaker 1>Look the clams. We've seen Alice in Wonderland. The clams

0:34:43.640 --> 0:34:47.120
<v Speaker 1>are down there. They have bonnets on. Lady, gentlemen, this

0:34:47.239 --> 0:34:49.360
<v Speaker 1>is this is the truth. The walrus and the carpenter

0:34:49.400 --> 0:34:51.120
<v Speaker 1>were trying to lead us down the path of truth.

0:34:51.640 --> 0:34:54.200
<v Speaker 2>He says it was a good looking ghost because it

0:34:54.239 --> 0:34:58.000
<v Speaker 2>was covered in vegetables. He says, that's my kind of broccoli.

0:34:58.040 --> 0:35:02.480
<v Speaker 1>Sometimes the broccoli is horning down there, Ladies, gentlemen, I've looked.

0:35:02.560 --> 0:35:05.880
<v Speaker 1>I've looked the soup in the eye. Sometimes the waiter

0:35:05.920 --> 0:35:09.640
<v Speaker 1>brings a bowl of soup. Uh, there's a French onion soup,

0:35:10.120 --> 0:35:13.000
<v Speaker 1>or like you said, a clamshowder or a good ministroni

0:35:13.160 --> 0:35:15.360
<v Speaker 1>or something, even if a spot show. I will PLoP

0:35:15.400 --> 0:35:18.040
<v Speaker 1>my face right down there and I will gurgle through

0:35:18.080 --> 0:35:20.440
<v Speaker 1>the liquid and say, waiter, there is a genius inside

0:35:20.480 --> 0:35:23.000
<v Speaker 1>of my soup. And I wait for the response, because

0:35:23.000 --> 0:35:23.960
<v Speaker 1>that's the word of Heaven.

0:35:24.680 --> 0:35:27.080
<v Speaker 2>Thank you, Cary, beauty.

0:35:28.280 --> 0:35:32.160
<v Speaker 1>You know what heaven stands for. He everlasting, always vets

0:35:32.680 --> 0:35:34.200
<v Speaker 1>every necessity.

0:35:34.680 --> 0:35:36.719
<v Speaker 2>Wow, I can't believe you get because I have seen

0:35:36.800 --> 0:35:40.160
<v Speaker 2>him do that thing. Where does the yeah, I guess

0:35:40.200 --> 0:35:41.640
<v Speaker 2>acronym for every.

0:35:41.360 --> 0:35:48.120
<v Speaker 1>Word, always creating redundant observations. Never your mind.

0:35:48.760 --> 0:35:51.440
<v Speaker 2>Wait, soup is supernatural?

0:35:51.719 --> 0:35:54.719
<v Speaker 1>Well that's just that's just a that's a contraction. Oh

0:35:54.840 --> 0:35:58.160
<v Speaker 1>that's soup is just simply short for supernatural.

0:35:59.000 --> 0:36:00.400
<v Speaker 2>The ass is supernatural.

0:36:00.640 --> 0:36:05.120
<v Speaker 1>Oh sure, but that supernatural observation is under penalty. Wow

0:36:06.200 --> 0:36:06.840
<v Speaker 1>are you now?

0:36:06.840 --> 0:36:08.279
<v Speaker 2>I'm going to rip it off and see if Gerry

0:36:08.320 --> 0:36:09.520
<v Speaker 2>PC is really in there.

0:36:11.280 --> 0:36:12.880
<v Speaker 1>I would not have gotten away with it because I

0:36:12.880 --> 0:36:16.000
<v Speaker 1>would have turned myself in if not for you meddling kids.

0:36:16.280 --> 0:36:18.440
<v Speaker 2>It says that he was heading out of Ralph's one

0:36:18.480 --> 0:36:23.840
<v Speaker 2>day in Malibu and uh TMZ asked him about seeing ghosts,

0:36:23.880 --> 0:36:26.879
<v Speaker 2>and that's when he gave us that wonderful story about

0:36:26.920 --> 0:36:27.680
<v Speaker 2>the soup ghost.

0:36:28.560 --> 0:36:31.080
<v Speaker 1>I love that he's the one guy that TMZ interrupts

0:36:31.080 --> 0:36:33.200
<v Speaker 1>on the street and he's like, oh, I'm I'm grateful

0:36:33.280 --> 0:36:35.520
<v Speaker 1>to talk to you. I'll sit here, I'll talk to

0:36:35.560 --> 0:36:37.759
<v Speaker 1>you for forty five minutes. TMZ is the one that's like,

0:36:37.880 --> 0:36:39.880
<v Speaker 1>it's like, okay, we're done, let's get out of here.

0:36:40.280 --> 0:36:41.560
<v Speaker 2>That's a nice There's more.

0:36:41.600 --> 0:36:43.479
<v Speaker 1>I have more to say.

0:36:43.760 --> 0:36:45.000
<v Speaker 2>This is more than we can use.

0:36:45.120 --> 0:36:47.400
<v Speaker 1>Ralph is funded by the macis.

0:36:48.960 --> 0:36:56.400
<v Speaker 2>So moving along. We've got Mark Marin who claims he

0:36:56.800 --> 0:37:00.759
<v Speaker 2>experienced a ghost in nineteen eighty eight, eight in New

0:37:00.840 --> 0:37:01.279
<v Speaker 2>York City.

0:37:01.400 --> 0:37:03.840
<v Speaker 1>Yeah, man, I don't know. It was a summer in Ducaucus.

0:37:04.520 --> 0:37:07.640
<v Speaker 1>Everybody's everybody thought, Ducacus, who's gonna win. It was eighty eight.

0:37:08.160 --> 0:37:10.200
<v Speaker 1>We were young. We were doing the New New York thing.

0:37:11.440 --> 0:37:13.200
<v Speaker 1>I was on stage. I was I was on stage

0:37:13.200 --> 0:37:17.200
<v Speaker 1>at the cellar. I was on the stage of cellar.

0:37:17.200 --> 0:37:19.839
<v Speaker 1>It was bombing. It was bombing, and then I got

0:37:19.880 --> 0:37:21.399
<v Speaker 1>off and there was nobody at the table. He turned

0:37:21.400 --> 0:37:23.960
<v Speaker 1>the lights out and then suddenly I was levitating. It

0:37:24.040 --> 0:37:26.040
<v Speaker 1>was the ghost. It was the ghost of It was

0:37:26.080 --> 0:37:30.000
<v Speaker 1>the ghost of Sam Kennison. Fuck, it was the ghost

0:37:30.040 --> 0:37:32.239
<v Speaker 1>of Sam Kisson. He accused me of stealing one of

0:37:32.280 --> 0:37:34.439
<v Speaker 1>his jokes. I said, look, let's talk it out, man.

0:37:36.280 --> 0:37:39.840
<v Speaker 2>Wow, God, I love Mark me if wait, is the

0:37:39.960 --> 0:37:43.040
<v Speaker 2>under culture still out there? No thanks for asking, but

0:37:43.120 --> 0:37:44.839
<v Speaker 2>I mean, like, is it's still it's out there?

0:37:44.920 --> 0:37:45.520
<v Speaker 1>Yeah? That was.

0:37:45.640 --> 0:37:49.279
<v Speaker 2>There's an episode where you played Mark myren and our

0:37:49.320 --> 0:37:53.160
<v Speaker 2>dear friend, Our dear friend, Sam Pancake, Sam Pancake, Thank

0:37:53.200 --> 0:37:57.640
<v Speaker 2>you I forgot to Sam pan Cake plays rip Tailer.

0:37:57.800 --> 0:38:00.520
<v Speaker 1>That might be the best interview we did on the culture.

0:38:00.520 --> 0:38:03.120
<v Speaker 1>There was my podcast that ran for a year from

0:38:03.520 --> 0:38:07.040
<v Speaker 1>the pandemic killed it. It was twenty nineteen to twenty twenty.

0:38:07.080 --> 0:38:09.880
<v Speaker 1>It was the under Culture on Forever Dog and it

0:38:09.960 --> 0:38:12.400
<v Speaker 1>is very funny and it still exists. A lot of

0:38:12.400 --> 0:38:16.680
<v Speaker 1>it's on YouTube or Apple podcasts, but the whole thing

0:38:16.760 --> 0:38:20.239
<v Speaker 1>is on the website behind us. Very very one dollar

0:38:20.280 --> 0:38:20.600
<v Speaker 1>pay one.

0:38:20.719 --> 0:38:23.279
<v Speaker 2>That was one of the funniest pieces of comedy I

0:38:23.320 --> 0:38:25.800
<v Speaker 2>have ever heard. Both of you were just so on.

0:38:25.840 --> 0:38:28.720
<v Speaker 1>I was Mark Maren and Sam Pancake was Rip Tailor,

0:38:29.239 --> 0:38:32.239
<v Speaker 1>and I was trying because it was a conversation I imagine,

0:38:32.280 --> 0:38:35.480
<v Speaker 1>I just wanted to hear this, and so I was like, Rip,

0:38:35.680 --> 0:38:37.759
<v Speaker 1>come on, let's get down to it Rip, and he would.

0:38:38.520 --> 0:38:42.640
<v Speaker 1>Sam Pancake was hilariously. He told me he was going

0:38:42.719 --> 0:38:45.480
<v Speaker 1>to do this, not listening to anything I was saying

0:38:45.560 --> 0:38:49.120
<v Speaker 1>or asking, and just railroading. But it was appropriate because

0:38:49.120 --> 0:38:50.640
<v Speaker 1>that's what Rip Taylor would have done it.

0:38:51.160 --> 0:38:54.200
<v Speaker 2>It was kind of like when Gallagher was on Mark Maren.

0:38:54.280 --> 0:38:55.360
<v Speaker 1>We wanted it to be like that.

0:38:55.680 --> 0:38:57.920
<v Speaker 2>Then he kind of walked out at the I'm like

0:38:58.080 --> 0:39:01.719
<v Speaker 2>off book On this episode of the under culture. I've

0:39:01.719 --> 0:39:03.200
<v Speaker 2>listened to it so many times.

0:39:03.719 --> 0:39:05.680
<v Speaker 1>I love it too. I think there's a short clip

0:39:05.760 --> 0:39:09.320
<v Speaker 1>of it on YouTube that might be my favorite interview

0:39:09.400 --> 0:39:10.319
<v Speaker 1>from the whole damn thing.

0:39:10.480 --> 0:39:13.840
<v Speaker 2>Oh well, so Mark Maren's real story, we don't know

0:39:13.960 --> 0:39:15.960
<v Speaker 2>much about it. Hopefully one of these days we'll get

0:39:16.000 --> 0:39:18.919
<v Speaker 2>him in here, because I love Mark Maren. But he

0:39:19.200 --> 0:39:22.759
<v Speaker 2>basically was replying on a very short TikTok. Someone asked him,

0:39:23.120 --> 0:39:25.760
<v Speaker 2>they said, is it true that you saw a ghost

0:39:25.960 --> 0:39:28.600
<v Speaker 2>in nineteen eighty eight in New York City? And his

0:39:28.680 --> 0:39:34.480
<v Speaker 2>quote was something moved a chair, but I was really high.

0:39:35.239 --> 0:39:39.759
<v Speaker 1>That's a full I love how literal Maren does. I

0:39:39.760 --> 0:39:42.120
<v Speaker 1>don't buy any of the stuff, you know, you know

0:39:42.160 --> 0:39:45.720
<v Speaker 1>the They didn't light any candles, he didn't ask anybody,

0:39:45.800 --> 0:39:47.600
<v Speaker 1>There was no I didn't do any taro.

0:39:49.560 --> 0:39:51.520
<v Speaker 2>Something moved to charity with high.

0:39:51.560 --> 0:39:53.080
<v Speaker 1>I don't believe in any of this bullshit. I don't

0:39:53.080 --> 0:39:54.680
<v Speaker 1>even believe. I don't even believe in the John Lennon

0:39:54.800 --> 0:39:56.040
<v Speaker 1>song about what you don't believe in.

0:39:57.800 --> 0:40:00.680
<v Speaker 2>First of all, this is the most talk of heterosexual

0:40:00.719 --> 0:40:02.440
<v Speaker 2>men we've ever had on this podcast.

0:40:02.560 --> 0:40:09.520
<v Speaker 1>This is sorry I do. I basically do drag as unattractive. No,

0:40:10.000 --> 0:40:15.200
<v Speaker 1>Maren's hot, Maron's hot, okay, but generally either grumpy or unattractive. Man.

0:40:17.200 --> 0:40:21.399
<v Speaker 2>Straight men are an underrepresented group on this show, and

0:40:21.480 --> 0:40:24.480
<v Speaker 2>so it is nice to sometimes talk about them.

0:40:24.680 --> 0:40:26.520
<v Speaker 1>I get locked in because I don't know, I can't.

0:40:26.560 --> 0:40:27.960
<v Speaker 1>I have to do the voices.

0:40:28.120 --> 0:40:30.840
<v Speaker 2>You do the voices, and you do them. Well, okay,

0:40:31.000 --> 0:40:36.040
<v Speaker 2>here's the last one. Elon Musk sells his thirty million

0:40:36.120 --> 0:40:38.480
<v Speaker 2>dollar mansion because he says it's creepy.

0:40:40.000 --> 0:40:45.960
<v Speaker 1>Well, obviously, I lived in bel Air for quite a while,

0:40:46.400 --> 0:40:50.480
<v Speaker 1>and my god lived in bel Air for quite a while.

0:40:50.640 --> 0:40:56.799
<v Speaker 1>And I was trying to solve humanity by getting us

0:40:56.840 --> 0:41:00.879
<v Speaker 1>to Mars, because you know, sitting in traffic to who

0:41:00.920 --> 0:41:03.440
<v Speaker 1>long to get to sant Monica or long Leach or something,

0:41:03.880 --> 0:41:08.720
<v Speaker 1>And so I thought, well, why not just get there faster?

0:41:08.840 --> 0:41:10.520
<v Speaker 1>And while we're doing that, why not make it any

0:41:10.760 --> 0:41:15.080
<v Speaker 1>longer journey. So let's get to Mars. Well, I started

0:41:15.080 --> 0:41:20.239
<v Speaker 1>to see these terrible visions of blood.

0:41:21.000 --> 0:41:23.280
<v Speaker 2>And that feels normal.

0:41:23.360 --> 0:41:26.239
<v Speaker 1>I realized that that was what I was aiming for,

0:41:26.560 --> 0:41:30.680
<v Speaker 1>Like AD asked for a per sanguinem, you know, to

0:41:30.800 --> 0:41:34.640
<v Speaker 1>the stars to blood that I wanted to have, like

0:41:34.760 --> 0:41:39.200
<v Speaker 1>a lot of people die, similar to other great works

0:41:39.239 --> 0:41:43.319
<v Speaker 1>of ancient kings, you know Ozumandias or the Pharaohs of Egypt, Like,

0:41:43.400 --> 0:41:45.319
<v Speaker 1>you're not going to build a pyramid without a certain

0:41:45.360 --> 0:41:48.799
<v Speaker 1>number of people being buried alive. And I thought, what

0:41:48.880 --> 0:41:52.680
<v Speaker 1>a greater monument than Mars. And that's when the hallucinations started,

0:41:52.760 --> 0:41:58.480
<v Speaker 1>the ghosts appearances, where I saw these terrifying ghosts of

0:41:58.520 --> 0:42:01.080
<v Speaker 1>these creatures that didn't want me to accomplish my plans.

0:42:01.600 --> 0:42:04.240
<v Speaker 1>And they would be like, oh, we're like, we actually

0:42:04.480 --> 0:42:09.240
<v Speaker 1>like Earth and we don't want you building a platform

0:42:09.280 --> 0:42:12.279
<v Speaker 1>to the stars over our bodies and the bodies of

0:42:12.320 --> 0:42:16.040
<v Speaker 1>our children. And so that's when I decided to tunnel

0:42:17.880 --> 0:42:22.800
<v Speaker 1>deeply with my my special tubes. It's tunnel so I

0:42:22.840 --> 0:42:24.680
<v Speaker 1>didn't have to see the ghosts, but it just got

0:42:24.680 --> 0:42:27.000
<v Speaker 1>me closer to Hell and different kinds of dements. So

0:42:27.719 --> 0:42:30.720
<v Speaker 1>even pretty pretty cool, pretty like l cool.

0:42:30.920 --> 0:42:32.880
<v Speaker 2>God, he's so cool and so funny.

0:42:33.120 --> 0:42:33.879
<v Speaker 1>I'm like really cool.

0:42:33.960 --> 0:42:37.879
<v Speaker 2>Lots of children, he's like the coolest guy, like of.

0:42:37.800 --> 0:42:41.480
<v Speaker 1>My many children were or we'll even read my Christmas

0:42:41.520 --> 0:42:42.400
<v Speaker 1>cards when I said them.

0:42:43.600 --> 0:42:47.440
<v Speaker 2>So who was that podcast? Called full sand podcast?

0:42:47.800 --> 0:42:53.520
<v Speaker 1>And right on miss clip promoting dangerous conspiracy there pretty

0:42:54.080 --> 0:42:55.280
<v Speaker 1>obviously like normal.

0:42:56.600 --> 0:43:00.960
<v Speaker 2>He says that, yeah, has forty seven acre home er Land.

0:43:01.840 --> 0:43:05.320
<v Speaker 2>The house that was on forty seven acres, he said

0:43:05.320 --> 0:43:08.680
<v Speaker 2>that he would hear a lot of noises and you know,

0:43:08.760 --> 0:43:11.520
<v Speaker 2>doors open sometimes, but he kind of doesn't believe that

0:43:11.920 --> 0:43:12.440
<v Speaker 2>in ghosts.

0:43:12.520 --> 0:43:16.680
<v Speaker 1>But right, someone tried to someone tried to make me

0:43:16.760 --> 0:43:19.239
<v Speaker 1>believe that. Oh no, there was an explanation for it.

0:43:19.280 --> 0:43:23.520
<v Speaker 1>That there were like younger guys that were like opening

0:43:23.520 --> 0:43:28.440
<v Speaker 1>doors and bringing their girlfriends in or like having sex

0:43:28.480 --> 0:43:31.960
<v Speaker 1>with some girlfriend or wife that I was with at

0:43:31.960 --> 0:43:35.759
<v Speaker 1>the time, and there would like farcical like opening of

0:43:35.800 --> 0:43:38.040
<v Speaker 1>closing of doors and stuff, and that I never saw them.

0:43:38.040 --> 0:43:40.560
<v Speaker 1>But that's obviously not an explanation. It had to be ghosts.

0:43:40.719 --> 0:43:43.560
<v Speaker 2>It was probably the kids. There's probably so many kids.

0:43:43.600 --> 0:43:46.280
<v Speaker 2>He forgets how many kids there are in the house.

0:43:46.360 --> 0:43:49.319
<v Speaker 1>There are at any one time, like twenty three or

0:43:49.960 --> 0:43:54.040
<v Speaker 1>maybe even like twenty five kids, and hard to keep

0:43:54.080 --> 0:43:57.239
<v Speaker 1>track because sometimes they slip in and out of existence

0:43:57.400 --> 0:44:03.480
<v Speaker 1>because of my various experiments with dimensionality. So that was

0:44:03.520 --> 0:44:08.879
<v Speaker 1>that you did it so right, And so looking forward

0:44:08.920 --> 0:44:12.520
<v Speaker 1>to going to suplim places like Mars where if there's

0:44:12.520 --> 0:44:15.720
<v Speaker 1>a ghost. We will actually like merge with the ghost

0:44:15.800 --> 0:44:21.720
<v Speaker 1>and become sort of like like a half ghost, half human,

0:44:21.880 --> 0:44:25.080
<v Speaker 1>hybrid species, half alien and looking forward to this just

0:44:25.120 --> 0:44:27.600
<v Speaker 1>to be able to go through rocks so I won't

0:44:27.640 --> 0:44:31.720
<v Speaker 1>have the tunnel anymore with my tubes, my magnetic shoes,

0:44:31.920 --> 0:44:36.560
<v Speaker 1>and these are ghosts. Also that conveniently, the ghosts I see,

0:44:37.080 --> 0:44:39.680
<v Speaker 1>I've programmed them into Tesla's. If you notice when there's

0:44:39.680 --> 0:44:42.120
<v Speaker 1>a little people on the sidewalks when you're driving a

0:44:42.200 --> 0:44:44.280
<v Speaker 1>Tesla or in the back of a Tesla or something,

0:44:44.320 --> 0:44:47.200
<v Speaker 1>that there's like people on the sidewalks that kind of

0:44:47.239 --> 0:44:50.000
<v Speaker 1>disappear just as you're about to run into them, that's

0:44:50.160 --> 0:44:52.480
<v Speaker 1>the kinds of ghost I see. I see human beings

0:44:52.520 --> 0:44:58.480
<v Speaker 1>as ghosts. It's a lot like the Chamalon film, except

0:44:58.520 --> 0:45:01.120
<v Speaker 1>for me. I don't see dead people. I just simply

0:45:01.160 --> 0:45:04.440
<v Speaker 1>don't see living people. Instead of them, I see like

0:45:04.560 --> 0:45:08.520
<v Speaker 1>ghosts of stalks that are that are you know? There

0:45:08.560 --> 0:45:11.920
<v Speaker 1>there as an advisory in my warning panel on the Tesla,

0:45:12.080 --> 0:45:14.640
<v Speaker 1>like not to avoid them, but just to let you

0:45:14.719 --> 0:45:17.200
<v Speaker 1>know that if you should desire to, there's someone you

0:45:17.239 --> 0:45:18.160
<v Speaker 1>can run over that way.

0:45:18.760 --> 0:45:22.640
<v Speaker 2>I'm not even kidding you. People do upload to TikTok

0:45:23.040 --> 0:45:27.400
<v Speaker 2>them driving their Teslas through cemeteries and spooky places, and

0:45:27.440 --> 0:45:31.879
<v Speaker 2>there's it picks up humans on that thing, right, it's

0:45:31.960 --> 0:45:34.080
<v Speaker 2>it's that, aren't there.

0:45:33.880 --> 0:45:36.719
<v Speaker 1>The Tesla automobiles is designed to pick up lots of

0:45:36.760 --> 0:45:37.800
<v Speaker 1>false signals.

0:45:38.960 --> 0:45:39.640
<v Speaker 2>Sounds safe.

0:45:39.719 --> 0:45:43.080
<v Speaker 1>There are dogs that the Tesla would be like alert, alert,

0:45:43.440 --> 0:45:46.279
<v Speaker 1>like this is the President of the United States, this

0:45:46.400 --> 0:45:49.000
<v Speaker 1>is a great visiting foreign dignitary, what have you. And

0:45:49.040 --> 0:45:52.799
<v Speaker 1>then sometimes there would be like, for example, Tesla's don't

0:45:52.800 --> 0:45:56.839
<v Speaker 1>see nuns nuns if they're wearing the habits of Catholic nun.

0:45:57.120 --> 0:45:59.319
<v Speaker 1>The Tesla just simply doesn't pick it up because of

0:45:59.360 --> 0:46:02.719
<v Speaker 1>the black and white interference. So they're in danger. And

0:46:02.760 --> 0:46:04.160
<v Speaker 1>I think in the future we're going to have to

0:46:04.160 --> 0:46:08.200
<v Speaker 1>put them in underground shuttles or simply ship from Baltimor.

0:46:08.520 --> 0:46:17.240
<v Speaker 2>And that is sister Act three. The plot. James, let's

0:46:17.320 --> 0:46:22.680
<v Speaker 2>do something untoward, let's do something a little spooky. And

0:46:23.000 --> 0:46:26.160
<v Speaker 2>by the way, thank you for that segment. That was amazing,

0:46:26.239 --> 0:46:27.440
<v Speaker 2>Thank you incredible.

0:46:27.560 --> 0:46:30.040
<v Speaker 1>There's less, there's less of that where that came from.

0:46:30.120 --> 0:46:34.279
<v Speaker 2>You can see James live, do you know right now?

0:46:34.280 --> 0:46:35.400
<v Speaker 2>Give them a couple of dates.

0:46:36.160 --> 0:46:38.759
<v Speaker 1>Yes, jamesdomain dot com and my link tree, and I

0:46:38.760 --> 0:46:40.880
<v Speaker 1>try to post these on social media. I'm gonna be

0:46:40.920 --> 0:46:44.440
<v Speaker 1>in Arlington, Virginia at the Arlington Draft House this month

0:46:44.440 --> 0:46:47.160
<v Speaker 1>in December, and then in early January, I'm going to

0:46:47.200 --> 0:46:49.200
<v Speaker 1>be at Good Nights in Raleigh, North Carolina.

0:46:49.320 --> 0:46:50.560
<v Speaker 2>Oh, I'm mightna be there in November.

0:46:50.680 --> 0:46:53.160
<v Speaker 1>It's beautiful, right, I just was there there.

0:46:53.920 --> 0:46:55.880
<v Speaker 2>We do record this early, people know that.

0:46:55.960 --> 0:46:58.600
<v Speaker 1>And then I'm going to be at hel You in Portland.

0:46:58.960 --> 0:47:01.880
<v Speaker 2>I'm going to be there in December.

0:47:01.120 --> 0:47:03.040
<v Speaker 1>So I'm there in early January. So there we go.

0:47:03.080 --> 0:47:06.160
<v Speaker 1>We're on the same track. Oh my god, we're in

0:47:06.160 --> 0:47:09.280
<v Speaker 1>the circuit and there's other dates and stuff coming together.

0:47:09.520 --> 0:47:12.120
<v Speaker 1>And you can so James adomain dot com or my

0:47:12.200 --> 0:47:15.680
<v Speaker 1>link tree which is Jadomian just like my Instagram.

0:47:15.880 --> 0:47:16.359
<v Speaker 2>Love it.

0:47:17.200 --> 0:47:17.359
<v Speaker 1>Uh.

0:47:17.800 --> 0:47:21.479
<v Speaker 2>Can I show you a haunted doll? Yes, okay, it's

0:47:21.520 --> 0:47:25.400
<v Speaker 2>time for a segment I call the dolls are Living.

0:47:27.920 --> 0:47:30.320
<v Speaker 2>So what I do is I go to eBay dot com.

0:47:30.440 --> 0:47:34.920
<v Speaker 2>I look up haunted dolls. There's always thousands of haunted

0:47:34.920 --> 0:47:39.120
<v Speaker 2>dolls being sold and sort of the idea is usually

0:47:39.400 --> 0:47:42.400
<v Speaker 2>a living person died and somehow ends up in a

0:47:42.440 --> 0:47:45.399
<v Speaker 2>haunted doll that is now being sold on eBay. That's

0:47:45.480 --> 0:47:48.520
<v Speaker 2>the story that these people go with. They come with backstories,

0:47:49.120 --> 0:47:53.440
<v Speaker 2>and today we have one that doesn't necessarily look scary,

0:47:53.560 --> 0:47:56.560
<v Speaker 2>but it has a backstory to it. This is a

0:47:56.600 --> 0:48:02.280
<v Speaker 2>doll named Lil Choppy, Little Choppy. Lil Choppy, Little Choppy,

0:48:02.680 --> 0:48:05.360
<v Speaker 2>and Lil Choppy is going for thirty four dollars and

0:48:05.440 --> 0:48:09.920
<v Speaker 2>ninety nine cents. Geehash show was Lil Choppy? Please you

0:48:10.000 --> 0:48:10.279
<v Speaker 2>got it?

0:48:10.360 --> 0:48:12.680
<v Speaker 1>Rose three dollars ninety nine cents.

0:48:12.760 --> 0:48:15.480
<v Speaker 2>Nope, thirty four dollars thirty four So it's basically a

0:48:15.520 --> 0:48:19.080
<v Speaker 2>little Chihuahua beanie baby looking thing.

0:48:19.360 --> 0:48:21.680
<v Speaker 1>I know this one though. It has batteries and it

0:48:21.760 --> 0:48:24.080
<v Speaker 1>barks and moves. I bet if it's the one yep,

0:48:24.200 --> 0:48:27.000
<v Speaker 1>I can see I've had one of these before. Oh

0:48:27.000 --> 0:48:29.719
<v Speaker 1>it has a video well similar, it's similar to the

0:48:29.719 --> 0:48:34.360
<v Speaker 1>one I had? Yes, okay, does he bark? Well not?

0:48:34.960 --> 0:48:38.839
<v Speaker 2>This one probably just puts curses on you because Lil

0:48:38.920 --> 0:48:40.520
<v Speaker 2>Choppy is spooky, honey.

0:48:41.280 --> 0:48:43.560
<v Speaker 1>The one I had, I actually gave it away. It's

0:48:43.560 --> 0:48:45.520
<v Speaker 1>a little slightly different than this, but I gave it

0:48:45.560 --> 0:48:48.600
<v Speaker 1>to an ex boyfriend as a joke gift. That was like, uh,

0:48:48.880 --> 0:48:51.040
<v Speaker 1>there was like, hey, this is you this.

0:48:51.640 --> 0:48:53.240
<v Speaker 2>Did you put a spirit inside? Oh?

0:48:53.280 --> 0:48:54.799
<v Speaker 1>I didn't do anything like that. It was just like

0:48:54.840 --> 0:48:56.880
<v Speaker 1>this is a joke, like, hey, this is in case

0:48:57.160 --> 0:49:00.279
<v Speaker 1>you're wondering, this is this is like how uh this

0:49:00.360 --> 0:49:01.120
<v Speaker 1>is how you are to me.

0:49:01.200 --> 0:49:09.319
<v Speaker 2>Sometimes well it says, uh, this is Lil Choppy and

0:49:09.480 --> 0:49:13.399
<v Speaker 2>she is one of the sweetest and funniest dolls I've

0:49:13.520 --> 0:49:15.960
<v Speaker 2>ever encountered. Okay, so it's not that spooky. It's a

0:49:16.120 --> 0:49:20.480
<v Speaker 2>it's a sweet one. She's kept safe and clean by

0:49:20.520 --> 0:49:21.880
<v Speaker 2>a spirit keeper.

0:49:22.120 --> 0:49:25.719
<v Speaker 1>Now that that's you. You the owner put that into it.

0:49:26.040 --> 0:49:30.480
<v Speaker 2>Yes, uh, since they already had many good encounters with her,

0:49:30.760 --> 0:49:33.520
<v Speaker 2>they wanted to pass it on to someone with good vibes.

0:49:34.120 --> 0:49:37.399
<v Speaker 2>Now wait a minute, now they change the pronouns because

0:49:37.400 --> 0:49:43.279
<v Speaker 2>it says he was a comedian who loved improv and

0:49:43.400 --> 0:49:47.280
<v Speaker 2>making people laugh. So there's an there's an old Dell close,

0:49:48.800 --> 0:49:51.960
<v Speaker 2>there's an old Second City or cast member.

0:49:52.280 --> 0:49:57.400
<v Speaker 1>Oh it's John Candy. Oh you know you know what.

0:49:57.920 --> 0:49:58.959
<v Speaker 1>They're very interesting breed.

0:50:02.000 --> 0:50:03.919
<v Speaker 2>He died of a rare illness. There's always a little

0:50:03.920 --> 0:50:05.879
<v Speaker 2>bit of a sad the always gotta tell you did

0:50:06.640 --> 0:50:10.279
<v Speaker 2>that Little Choppy died of a rare illness. Didn't tell

0:50:10.360 --> 0:50:12.640
<v Speaker 2>me when he was sick. Okay. His life's mission is

0:50:12.680 --> 0:50:14.719
<v Speaker 2>to be there for you, make you feel better and

0:50:14.760 --> 0:50:16.319
<v Speaker 2>give you more abundant life.

0:50:16.360 --> 0:50:17.280
<v Speaker 1>He sounds sweet.

0:50:17.600 --> 0:50:21.480
<v Speaker 2>He loves children and animals, safe to keep in a

0:50:21.560 --> 0:50:24.760
<v Speaker 2>house and keep inside of the house.

0:50:24.960 --> 0:50:27.759
<v Speaker 1>I'm a mog, half man, half dog. I'm my own

0:50:27.800 --> 0:50:28.719
<v Speaker 1>best friend.

0:50:28.520 --> 0:50:32.279
<v Speaker 2>Oh my god. And he'll bring joy and good luck

0:50:32.360 --> 0:50:35.120
<v Speaker 2>to you. He will be sweet and welcoming to those

0:50:35.560 --> 0:50:37.040
<v Speaker 2>who come into your environment.

0:50:37.719 --> 0:50:43.600
<v Speaker 1>Also, he can sell shower curtain rings. He could be

0:50:43.600 --> 0:50:46.000
<v Speaker 1>an annoying travel companion, but you grow to love him.

0:50:46.239 --> 0:50:51.640
<v Speaker 2>Oh my god, John Candy, I listen. It very well

0:50:51.800 --> 0:50:55.360
<v Speaker 2>could be. And now he's reinvented himself as Lil Choppy.

0:50:56.480 --> 0:51:00.360
<v Speaker 2>And it says he's an encouraging schore. No, he's an

0:51:00.440 --> 0:51:04.319
<v Speaker 2>encouraging spirit that will say positive affirmations and jokes to you,

0:51:05.160 --> 0:51:10.080
<v Speaker 2>and he will provide sweet dreams while you sleep. So

0:51:10.160 --> 0:51:12.880
<v Speaker 2>that's a little choppy. Thirty four dollars and ninety.

0:51:12.600 --> 0:51:14.480
<v Speaker 1>Mins, jumpy. I admire your body of work.

0:51:16.920 --> 0:51:19.920
<v Speaker 2>Okay, let's do one last thing here. Can I play

0:51:19.960 --> 0:51:21.200
<v Speaker 2>you some ghost voices?

0:51:21.400 --> 0:51:21.640
<v Speaker 1>Yes?

0:51:21.880 --> 0:51:27.719
<v Speaker 2>Oh, finally someone else doing voices it's time for EVP

0:51:29.280 --> 0:51:37.480
<v Speaker 2>or ev please EVPs electronic voice phenomena. It's when people

0:51:37.480 --> 0:51:41.600
<v Speaker 2>believe they've captured a ghost speaking they record it. Yeah. Yeah,

0:51:41.640 --> 0:51:43.000
<v Speaker 2>So what I do is I go to eat to

0:51:43.200 --> 0:51:47.839
<v Speaker 2>YouTube and I find two EVPs, and I'm gonna play

0:51:47.880 --> 0:51:51.359
<v Speaker 2>it for you. You tell me you're you're you're really an

0:51:51.360 --> 0:51:54.439
<v Speaker 2>expert in the world of voices. I have a feeling

0:51:54.480 --> 0:51:57.160
<v Speaker 2>that you're gonna be able to listen and pick out

0:51:57.200 --> 0:52:00.480
<v Speaker 2>what we're here in here. Uh, you know, it's funny

0:52:00.520 --> 0:52:03.759
<v Speaker 2>sometimes they have like you'll watch like a documentary about

0:52:03.760 --> 0:52:07.560
<v Speaker 2>this stuff, and they'll have like a recording engineer expert

0:52:07.680 --> 0:52:11.279
<v Speaker 2>that is listening and decides, oh, this is a real

0:52:11.440 --> 0:52:14.799
<v Speaker 2>human speaking or whatever. I'm curious what you might think.

0:52:14.880 --> 0:52:18.680
<v Speaker 1>Yeah, you get all these self declared experts. Somebody who's like, oh,

0:52:18.719 --> 0:52:23.320
<v Speaker 1>you got designated as a credentialed professional witness by the

0:52:23.680 --> 0:52:29.879
<v Speaker 1>local county court. Save your credentials. I'm not interested. As

0:52:29.920 --> 0:52:33.160
<v Speaker 1>Bruce Lee said, your black belt is only used good

0:52:33.200 --> 0:52:37.640
<v Speaker 1>for holding up your pants. I want to speak to

0:52:37.680 --> 0:52:40.160
<v Speaker 1>me like I'm a full citizens. I want to judge

0:52:40.160 --> 0:52:41.240
<v Speaker 1>on the evidence alone.

0:52:41.440 --> 0:52:46.080
<v Speaker 2>This will be interesting. This was posted by Razor Baby one.

0:52:46.400 --> 0:52:49.080
<v Speaker 1>On you two Razor Baby, and.

0:52:49.560 --> 0:52:54.120
<v Speaker 2>It's from the Metro Area Paranormal Society also known as MAPS,

0:52:54.800 --> 0:52:57.920
<v Speaker 2>and they are in Omaha, Nebraska. And this is a

0:52:58.040 --> 0:53:02.520
<v Speaker 2>business that was in the area of Dundee, Nebraska. I

0:53:02.560 --> 0:53:04.399
<v Speaker 2>don't know what the business was called. But they did

0:53:04.400 --> 0:53:11.600
<v Speaker 2>a ghost hunt there. And what did this ghost say?

0:53:12.640 --> 0:53:15.640
<v Speaker 2>It's a real soft whisper. Let me play it again.

0:53:20.160 --> 0:53:26.439
<v Speaker 1>Yeah, that's an Omaha right, Yeah, yeah, it's hey.

0:53:26.440 --> 0:53:35.600
<v Speaker 2>It's just they're saying, hey, hey, I mean that's very

0:53:35.640 --> 0:53:36.200
<v Speaker 2>well could be.

0:53:36.480 --> 0:53:39.439
<v Speaker 1>I think the ghost is talking to another ghost, going hey,

0:53:39.560 --> 0:53:42.000
<v Speaker 1>watch out, this guy's going to discover us.

0:53:43.080 --> 0:53:49.919
<v Speaker 2>Honestly, I heard that, So that's not what they thought. Necessarily,

0:53:50.880 --> 0:53:53.040
<v Speaker 2>I'm going to give you a B, C D. And

0:53:53.120 --> 0:53:55.479
<v Speaker 2>it was one of these that they believe it said.

0:53:55.920 --> 0:54:01.360
<v Speaker 2>Did they think it was a you are? I think

0:54:01.560 --> 0:54:02.680
<v Speaker 2>what I didn't.

0:54:02.719 --> 0:54:04.719
<v Speaker 1>I'd have to isolate the audio and bump it up

0:54:04.760 --> 0:54:08.480
<v Speaker 1>and well enhance, isolated, enhance.

0:54:09.160 --> 0:54:11.200
<v Speaker 2>This is this is isolated at a hag.

0:54:11.320 --> 0:54:13.040
<v Speaker 1>I can't I don't hear that.

0:54:13.320 --> 0:54:17.279
<v Speaker 2>Okay, Okay, well they think it was B there's no

0:54:17.640 --> 0:54:22.520
<v Speaker 2>way you're here. Did they think it was C get

0:54:22.840 --> 0:54:29.480
<v Speaker 2>away from us? Or d oh? You make me nuts.

0:54:30.200 --> 0:54:32.960
<v Speaker 1>They thought it was get away from us. That's what

0:54:33.000 --> 0:54:33.319
<v Speaker 1>I said.

0:54:33.400 --> 0:54:36.080
<v Speaker 2>That is exactly what they thought. Now that we know

0:54:36.120 --> 0:54:36.440
<v Speaker 2>that was.

0:54:36.600 --> 0:54:39.160
<v Speaker 1>It was there. It's a negative mindset, you know, you

0:54:39.280 --> 0:54:45.520
<v Speaker 1>just got to embrace the voice. Get away from us.

0:54:45.680 --> 0:54:47.959
<v Speaker 2>I hear it, I hear it.

0:54:48.200 --> 0:54:51.239
<v Speaker 1>I think it's just hey, it could be.

0:54:52.280 --> 0:54:55.520
<v Speaker 2>Now here's one more from the same group. This time

0:54:55.560 --> 0:55:00.239
<v Speaker 2>it was at a local cemetery in Omaha. What does

0:55:00.239 --> 0:55:02.240
<v Speaker 2>this one say? It's a little different sounding.

0:55:06.760 --> 0:55:07.360
<v Speaker 1>That's scary.

0:55:07.600 --> 0:55:08.360
<v Speaker 2>Let me play it again?

0:55:12.960 --> 0:55:20.160
<v Speaker 1>Can I hear over time? Nobody wants to play with me.

0:55:23.520 --> 0:55:25.040
<v Speaker 1>It's not play, it's some other word.

0:55:25.160 --> 0:55:26.360
<v Speaker 2>But it's definitely that.

0:55:27.800 --> 0:55:28.279
<v Speaker 1>With me.

0:55:29.280 --> 0:55:33.000
<v Speaker 2>Definitely that vibe with me. Did they think it was

0:55:33.120 --> 0:55:39.279
<v Speaker 2>a please, will you buy some snacks? B? These are

0:55:39.320 --> 0:55:45.320
<v Speaker 2>the sheep God wants next? See we need to see

0:55:45.440 --> 0:55:50.799
<v Speaker 2>you here? Or D three to the three to the four,

0:55:50.960 --> 0:55:51.680
<v Speaker 2>five six?

0:55:52.560 --> 0:55:58.600
<v Speaker 1>Can I hear it again? It's number three? What was that.

0:56:00.120 --> 0:56:01.600
<v Speaker 2>You need to see you here?

0:56:01.880 --> 0:56:04.000
<v Speaker 1>We need to see you here. I think that's what

0:56:04.040 --> 0:56:05.680
<v Speaker 1>they think the voice said.

0:56:05.920 --> 0:56:10.040
<v Speaker 2>They think it's be These are the sheep God wants next.

0:56:10.239 --> 0:56:13.439
<v Speaker 1>It's too there's too much information you're loading into it.

0:56:14.600 --> 0:56:16.760
<v Speaker 1>That's that's reading between the sounds.

0:56:17.239 --> 0:56:19.560
<v Speaker 2>But now that we know that, let's let's listen for

0:56:19.800 --> 0:56:23.720
<v Speaker 2>these are the sheep God wants next?

0:56:25.520 --> 0:56:28.560
<v Speaker 1>I hear it, no, because it's like a. It's a.

0:56:28.719 --> 0:56:33.360
<v Speaker 1>It's a. There is a softer intention if there was

0:56:33.360 --> 0:56:36.000
<v Speaker 1>a if there was a declaration like that, it would

0:56:36.040 --> 0:56:39.799
<v Speaker 1>be more pronounced. There was a softer intention. Like it

0:56:39.880 --> 0:56:42.759
<v Speaker 1>sounds to me like if that that voice, whether it's

0:56:42.760 --> 0:56:45.239
<v Speaker 1>a ghost or a human or whatever, it sounds like

0:56:45.280 --> 0:56:49.279
<v Speaker 1>it's lamenting, like it's complaining, like it's self pitying. Yeah,

0:56:49.480 --> 0:56:52.600
<v Speaker 1>nobody wants to see me or whatever, something that doesn't

0:56:52.640 --> 0:56:55.640
<v Speaker 1>want me not maybe maybe maybe that's it.

0:56:55.920 --> 0:57:02.600
<v Speaker 2>Oh, James, real quick, I'm curious your your thoughts on

0:57:02.640 --> 0:57:06.680
<v Speaker 2>a couple of things. What do you think about what

0:57:06.719 --> 0:57:07.760
<v Speaker 2>do you think about ghosts?

0:57:10.080 --> 0:57:14.160
<v Speaker 1>It's a Martin short. Yes, Jimmy Glick, what do you

0:57:14.200 --> 0:57:15.120
<v Speaker 1>thoughts of ghosts?

0:57:15.640 --> 0:57:18.520
<v Speaker 2>Exactly? That's my favorite character of all time. Yeah, I

0:57:18.560 --> 0:57:23.960
<v Speaker 2>love Jimminy Glick. What what are your thoughts on aliens?

0:57:24.480 --> 0:57:27.720
<v Speaker 1>Sure they seem like they're out there, you know, the

0:57:27.840 --> 0:57:29.880
<v Speaker 1>of course, the the Fermi paradox.

0:57:30.440 --> 0:57:31.880
<v Speaker 2>What's the Fermi paradox.

0:57:33.000 --> 0:57:37.960
<v Speaker 1>It's named after an Italian astrophysicist. I believe. Uh if

0:57:38.160 --> 0:57:41.160
<v Speaker 1>is it Frederico Fermi or Enrico Fermi? I forget, but

0:57:41.200 --> 0:57:43.440
<v Speaker 1>it's doctor Fermie from the.

0:57:43.440 --> 0:57:46.360
<v Speaker 2>Nineteen If he's an Italian man, he's Fermi.

0:57:48.560 --> 0:57:50.480
<v Speaker 1>He was sort of he was one of the people

0:57:50.560 --> 0:57:55.720
<v Speaker 1>on the Manhattan Project and he had developed this what

0:57:55.760 --> 0:57:59.440
<v Speaker 1>do you call it axiom, which is a sort of

0:57:59.480 --> 0:58:03.080
<v Speaker 1>a statement other people to investigate. It's not quite a theory,

0:58:03.120 --> 0:58:05.280
<v Speaker 1>it's a statement to be investigated. Where he was saying,

0:58:06.240 --> 0:58:08.680
<v Speaker 1>I'm gonna get it wrong, and there's several layers to it.

0:58:08.720 --> 0:58:10.680
<v Speaker 1>It's like number one, number two, there's a list of

0:58:10.680 --> 0:58:15.120
<v Speaker 1>things where he's like, the observable universe is so vast

0:58:15.680 --> 0:58:19.160
<v Speaker 1>that there must have evolved aliens on other and other

0:58:19.200 --> 0:58:23.680
<v Speaker 1>star systems. However we have had no contact with them

0:58:23.840 --> 0:58:26.880
<v Speaker 1>and no knowledge of them here, so there has to

0:58:26.920 --> 0:58:29.680
<v Speaker 1>be He tried to narrow down all the possible solutions

0:58:29.720 --> 0:58:33.280
<v Speaker 1>for why, given the chance of infinite evolutions over billions

0:58:33.320 --> 0:58:36.000
<v Speaker 1>of years, why we don't see them all the time

0:58:36.120 --> 0:58:38.520
<v Speaker 1>or have no knowledge of them, And that he has

0:58:38.280 --> 0:58:43.000
<v Speaker 1>he lays out the possible answers, which is, we have

0:58:43.320 --> 0:58:46.800
<v Speaker 1>seen them, but we forgot them. We have seen them

0:58:47.200 --> 0:58:51.560
<v Speaker 1>and it's embedded in our you know, ancient stone engravings

0:58:52.280 --> 0:58:55.960
<v Speaker 1>or uh there. It ranges up to possibilities such that

0:58:56.040 --> 0:58:59.040
<v Speaker 1>the nature of life evolving on a planet is such

0:58:59.080 --> 0:59:02.000
<v Speaker 1>that it only lacks for about a billion years before

0:59:02.040 --> 0:59:05.560
<v Speaker 1>it makes itself extinct, so that no civilization ever has

0:59:05.600 --> 0:59:08.480
<v Speaker 1>time to reach out right. He also says there's a

0:59:08.480 --> 0:59:11.280
<v Speaker 1>possibility that they have made contact with us, but they

0:59:11.360 --> 0:59:14.280
<v Speaker 1>hide from us, or they blend in with us, or

0:59:14.320 --> 0:59:17.760
<v Speaker 1>they don't want to contact us because they're not interested

0:59:17.760 --> 0:59:20.240
<v Speaker 1>in us, Like we're just like some idiots that they

0:59:20.240 --> 0:59:21.080
<v Speaker 1>don't care about.

0:59:20.840 --> 0:59:23.880
<v Speaker 2>What I think. I genuinely think that we are the

0:59:23.920 --> 0:59:26.919
<v Speaker 2>bad neighborhood in the galaxy that they're like where, let's

0:59:27.000 --> 0:59:29.840
<v Speaker 2>not go over there. This all the stuff that you're

0:59:29.880 --> 0:59:33.480
<v Speaker 2>saying that I have heard about this, but I've never

0:59:33.480 --> 0:59:36.280
<v Speaker 2>gotten into it too much because that stuff freaks me out,

0:59:36.520 --> 0:59:38.919
<v Speaker 2>like gives me some kind of like anxiety.

0:59:39.880 --> 0:59:44.080
<v Speaker 1>The best fictional rendering I've seen, I don't. I am

0:59:44.360 --> 0:59:47.000
<v Speaker 1>again agnostic. I don't deny what people claim to have

0:59:47.040 --> 0:59:49.840
<v Speaker 1>seen unless there's somebody's gonna put me on a jury.

0:59:49.880 --> 0:59:52.040
<v Speaker 1>You know, I don't have to make a decision, but

0:59:53.640 --> 0:59:57.200
<v Speaker 1>I'm more interested in like the the future theory of

0:59:57.840 --> 1:00:01.040
<v Speaker 1>aliens than I am about like individuals sightings of them.

1:00:01.520 --> 1:00:06.720
<v Speaker 1>The best fiction I've seen recently science fiction exploring this

1:00:06.840 --> 1:00:09.880
<v Speaker 1>idea is the Three Body Problem series by Shishin Lu,

1:00:10.280 --> 1:00:13.400
<v Speaker 1>the Chinese science fiction writer. It's an attempt at a

1:00:13.480 --> 1:00:18.640
<v Speaker 1>very realistic scenario of aliens as close as they could

1:00:18.640 --> 1:00:21.640
<v Speaker 1>possibly be and be able to get to us, and

1:00:21.680 --> 1:00:24.920
<v Speaker 1>they're hostile, but it takes so long for them to

1:00:24.960 --> 1:00:28.120
<v Speaker 1>get to us that we have hundreds of years knowing

1:00:28.160 --> 1:00:35.720
<v Speaker 1>that they're coming. Oh, it's a very interesting trilogy of books.

1:00:36.640 --> 1:00:40.000
<v Speaker 2>Okay, let's just do Let's do two more that. I'm

1:00:40.040 --> 1:00:42.240
<v Speaker 2>curious about your thoughts on bigfoot.

1:00:42.920 --> 1:00:45.240
<v Speaker 1>Uh, okay, this is going to be good boring to people.

1:00:45.280 --> 1:00:48.520
<v Speaker 1>But you can't rule it out some sure ancient hominin

1:00:48.600 --> 1:00:51.280
<v Speaker 1>species that didn't go extinct in the hills and forests

1:00:51.320 --> 1:00:55.600
<v Speaker 1>of remote parts of the world. Very unlikely, definitely explainable.

1:00:55.640 --> 1:00:57.880
<v Speaker 1>You can't rule it out very unlikely. You could probably

1:00:58.000 --> 1:01:01.480
<v Speaker 1>usually explain it from deliberate hoaxes or somebody saw a

1:01:01.480 --> 1:01:05.400
<v Speaker 1>moose I saw I'm serious, on two legs, I saw

1:01:05.440 --> 1:01:09.800
<v Speaker 1>a moose at dusk either like right, around sunset or

1:01:10.000 --> 1:01:11.800
<v Speaker 1>just after the sun had set. My brother and I

1:01:11.840 --> 1:01:17.000
<v Speaker 1>saw a moose in what's the big National park in Wyoming, Montana?

1:01:17.200 --> 1:01:18.120
<v Speaker 2>Is that Yosemite?

1:01:18.240 --> 1:01:23.760
<v Speaker 1>No, the big one Yellowstone. Yell we were in was like,

1:01:23.800 --> 1:01:26.040
<v Speaker 1>he doesn't even know what he's talking about. He doesn't

1:01:26.040 --> 1:01:28.600
<v Speaker 1>even know he can't even listen to this guy. No,

1:01:28.640 --> 1:01:31.160
<v Speaker 1>we were in Yellowstone and we saw we saw this

1:01:31.640 --> 1:01:35.040
<v Speaker 1>giant figure walk out of the trees and stop and

1:01:35.120 --> 1:01:38.240
<v Speaker 1>kind of look at us, and you only see the

1:01:38.280 --> 1:01:42.000
<v Speaker 1>front two feet because it's the rest of its hiding

1:01:42.040 --> 1:01:45.480
<v Speaker 1>in the trees. And then you realize, oh, and it

1:01:45.480 --> 1:01:48.160
<v Speaker 1>took us a minute to be like, what the fuck, Oh,

1:01:48.200 --> 1:01:51.600
<v Speaker 1>it's a moose. It was a female moose without the antler.

1:01:51.680 --> 1:01:53.600
<v Speaker 2>Gee, how to make sure you cut the second part

1:01:53.600 --> 1:01:57.760
<v Speaker 2>when we realized it was a moose. No, but that's uh.

1:01:58.080 --> 1:02:01.520
<v Speaker 2>That probably does happen all the time to people because

1:02:01.560 --> 1:02:04.560
<v Speaker 2>you see it like the black fur, and you're like.

1:02:04.680 --> 1:02:07.320
<v Speaker 1>Be a bear, could be a bear. Moose are huge.

1:02:07.320 --> 1:02:08.520
<v Speaker 1>People don't realize how big they are.

1:02:08.560 --> 1:02:11.280
<v Speaker 2>Well, especially if you're seeing like those big huge horns

1:02:11.320 --> 1:02:14.160
<v Speaker 2>and you're not processing that that's not like the head

1:02:14.280 --> 1:02:15.760
<v Speaker 2>or something. You're just like all I see is a

1:02:15.800 --> 1:02:18.160
<v Speaker 2>big creature. Yeah, how fascinating.

1:02:18.400 --> 1:02:20.400
<v Speaker 1>Yeah, and it was a female moose, so there was

1:02:20.440 --> 1:02:22.720
<v Speaker 1>no antlers, so it kind of just looked like a

1:02:22.720 --> 1:02:25.160
<v Speaker 1>big floppy person walked out of the trees and just

1:02:25.200 --> 1:02:28.360
<v Speaker 1>stopped there. Wow. And when we realized we were both

1:02:28.360 --> 1:02:30.320
<v Speaker 1>talking about it, we were like, that would that what

1:02:30.320 --> 1:02:33.120
<v Speaker 1>we just saw would easily be confused for a bigfoot.

1:02:33.320 --> 1:02:36.480
<v Speaker 2>Yeah, it was just a big floppy lady moose.

1:02:36.880 --> 1:02:41.480
<v Speaker 1>Yeah, you wonder like, Okay, the Neanderthals went extinct forty

1:02:41.560 --> 1:02:45.880
<v Speaker 1>thousand years ago, they say, and the other adjacent human

1:02:46.000 --> 1:02:49.440
<v Speaker 1>species to Homo sapiens around the world. I forget what

1:02:49.480 --> 1:02:51.880
<v Speaker 1>the other ones are called, but the Neanderthals are the

1:02:51.880 --> 1:02:56.280
<v Speaker 1>ones I know from Eurasia. I guess. Okay, so they

1:02:56.320 --> 1:02:59.000
<v Speaker 1>went extinct or did they? We know that some of

1:02:59.040 --> 1:03:01.880
<v Speaker 1>them that some people have up to, like you know

1:03:01.920 --> 1:03:05.680
<v Speaker 1>a small percentage of their DNAs, like some of the

1:03:05.720 --> 1:03:07.880
<v Speaker 1>Neanderthals intermarried.

1:03:07.280 --> 1:03:09.200
<v Speaker 2>With some more than others.

1:03:09.480 --> 1:03:13.000
<v Speaker 1>The Homo sapiens. Yeah, so yeah, sure, okay, Right, have

1:03:13.120 --> 1:03:16.600
<v Speaker 1>we explored every cave? I don't know, we know we haven't.

1:03:16.880 --> 1:03:19.960
<v Speaker 2>But this is where things get interesting.

1:03:19.600 --> 1:03:22.520
<v Speaker 1>For me, is it's a long time to stay off

1:03:22.560 --> 1:03:25.360
<v Speaker 1>the grid, though, forty thousand years commitment.

1:03:25.840 --> 1:03:29.280
<v Speaker 2>If you are to believe that in the possibility of ghosts,

1:03:29.280 --> 1:03:32.080
<v Speaker 2>I'm just people in general, not just see you specifically.

1:03:32.520 --> 1:03:36.000
<v Speaker 2>And you know that there were these other versions of

1:03:36.040 --> 1:03:40.440
<v Speaker 2>humans that once existed. Could it be a ghost version

1:03:40.760 --> 1:03:45.920
<v Speaker 2>of them that sometimes people see and that's why we

1:03:45.960 --> 1:03:47.440
<v Speaker 2>can never catch the Bigfoot?

1:03:47.760 --> 1:03:50.960
<v Speaker 1>Wow, you're telling me that Bigfoot isn't real and that

1:03:50.960 --> 1:03:52.320
<v Speaker 1>that's the key to the whole solution.

1:03:52.560 --> 1:03:55.240
<v Speaker 2>I think Bigfoot's a ghost because people would have caught

1:03:55.280 --> 1:03:55.800
<v Speaker 2>it by now.

1:03:55.880 --> 1:03:57.160
<v Speaker 1>You grab it and it disappears.

1:03:57.280 --> 1:03:59.720
<v Speaker 2>Yes, if it was you, you'd run up.

1:04:00.280 --> 1:04:02.960
<v Speaker 1>Get out of here. I know that's how you get

1:04:03.040 --> 1:04:03.880
<v Speaker 1>killed by a moose.

1:04:06.880 --> 1:04:10.640
<v Speaker 2>I saw bears one time outside of LA I thought.

1:04:10.400 --> 1:04:12.919
<v Speaker 1>He was trying to hurt me. By the way, Yeah,

1:04:12.920 --> 1:04:18.680
<v Speaker 1>when I say moose, it was Bullwinkle from Rocky and Bullwinkle. No,

1:04:19.440 --> 1:04:25.200
<v Speaker 1>they're just driving through Yellowstone. Don't murder that man. But

1:04:25.400 --> 1:04:28.680
<v Speaker 1>it was dusk and he came up to try stuff.

1:04:29.880 --> 1:04:33.760
<v Speaker 2>No. I saw three bears, not the gay kind.

1:04:34.560 --> 1:04:34.840
<v Speaker 1>Sure.

1:04:35.160 --> 1:04:39.400
<v Speaker 2>One time outside of LA I was in claire Monts.

1:04:39.480 --> 1:04:42.880
<v Speaker 1>Were you breaking into bears cabins and like trying their

1:04:42.920 --> 1:04:43.840
<v Speaker 1>porridge and stuff.

1:04:44.400 --> 1:04:46.120
<v Speaker 2>There were three of them. One of it was a

1:04:46.160 --> 1:04:50.120
<v Speaker 2>little too hot, one was too cold. No, there was

1:04:50.920 --> 1:04:54.160
<v Speaker 2>I was leaving an event and the cars were all

1:04:54.200 --> 1:04:56.680
<v Speaker 2>stopped leaving this parking lot, and I'm like, what's going on?

1:04:57.520 --> 1:04:57.800
<v Speaker 3>Hurry?

1:04:58.080 --> 1:05:00.800
<v Speaker 2>Yes, And then when we finally moved and got closer,

1:05:00.880 --> 1:05:04.880
<v Speaker 2>we realized it was three bears in Claremont. In Claremont, California.

1:05:05.000 --> 1:05:07.400
<v Speaker 1>I am near the Pomona Colleges. I suppose I.

1:05:07.320 --> 1:05:12.080
<v Speaker 2>Suppose, so, okay, last one past lives.

1:05:12.600 --> 1:05:15.920
<v Speaker 1>Oh yeah. I think this is a legitimate philosophical or

1:05:15.920 --> 1:05:17.960
<v Speaker 1>religious belief. And I don't even think it's something kind

1:05:18.000 --> 1:05:20.400
<v Speaker 1>of paranormal that needs to be doubted at all. Really,

1:05:20.440 --> 1:05:22.840
<v Speaker 1>I think it's I think it's the makes the most

1:05:22.840 --> 1:05:26.800
<v Speaker 1>sense as an explanation for everything. Well, okay, one version

1:05:26.840 --> 1:05:29.640
<v Speaker 1>of it that I think is a very clean explanation

1:05:29.840 --> 1:05:33.880
<v Speaker 1>for all life on Earth is what the way Alan

1:05:33.920 --> 1:05:36.400
<v Speaker 1>Watts summarizes a lot of what he talks about, where

1:05:37.520 --> 1:05:40.560
<v Speaker 1>you are something the whole universe is doing in the

1:05:40.600 --> 1:05:43.000
<v Speaker 1>same way that a wave is something that the whole

1:05:43.040 --> 1:05:47.040
<v Speaker 1>ocean is doing. So he says that you know, individual

1:05:47.120 --> 1:05:52.680
<v Speaker 1>living things are just sort of outcroppings of powerful consciousness,

1:05:52.720 --> 1:05:55.959
<v Speaker 1>like one living thing that experiences itself as separate living

1:05:56.000 --> 1:06:02.160
<v Speaker 1>things and very similar to that to it or you know,

1:06:02.840 --> 1:06:08.640
<v Speaker 1>sure different Wikipedia pages. But I do believe in past lives,

1:06:08.680 --> 1:06:11.520
<v Speaker 1>and I believe that they're not limited to human beings,

1:06:11.560 --> 1:06:16.600
<v Speaker 1>and I think I lean towards the possible idea that

1:06:17.800 --> 1:06:20.840
<v Speaker 1>I don't know the details of how it works, but

1:06:21.560 --> 1:06:23.680
<v Speaker 1>I have actually gotten into the nerdy side of this,

1:06:23.800 --> 1:06:27.920
<v Speaker 1>where there's like you know, Christian theologians and also atheists

1:06:27.960 --> 1:06:31.439
<v Speaker 1>that try to take apart reincarnation and be like, well,

1:06:31.440 --> 1:06:34.760
<v Speaker 1>the population keeps growing, where are these souls coming from?

1:06:34.800 --> 1:06:36.919
<v Speaker 1>Where are these minds coming from? And it's like, yeah,

1:06:36.920 --> 1:06:40.640
<v Speaker 1>but there are you counting all the extinct creatures. And

1:06:42.000 --> 1:06:45.280
<v Speaker 1>I think it's very possible that we are one thing

1:06:45.400 --> 1:06:49.160
<v Speaker 1>that has to live through being every other, every possible

1:06:49.200 --> 1:06:54.640
<v Speaker 1>living thing on the planet, and that that's how a deity,

1:06:54.880 --> 1:06:58.680
<v Speaker 1>an eternal being or a semi eternal being like the

1:06:58.680 --> 1:07:02.760
<v Speaker 1>Earth or the Sun, passes the time because it's fucking

1:07:02.920 --> 1:07:04.720
<v Speaker 1>boring to live forever.

1:07:05.560 --> 1:07:08.200
<v Speaker 2>So that it's like fun for them to yes.

1:07:08.080 --> 1:07:10.800
<v Speaker 1>That you have to create something alive or you're just

1:07:10.880 --> 1:07:14.960
<v Speaker 1>out there gurgling in space. Interest and it would be

1:07:15.080 --> 1:07:18.400
<v Speaker 1>so boring, it would be torture, so that they create

1:07:18.680 --> 1:07:21.000
<v Speaker 1>this life thing just to exist.

1:07:21.640 --> 1:07:24.000
<v Speaker 2>I guess I did not realize that you.

1:07:24.240 --> 1:07:25.640
<v Speaker 1>That's what I actually believe.

1:07:26.200 --> 1:07:29.680
<v Speaker 2>I didn't realize, like when I had you come on here,

1:07:29.800 --> 1:07:32.920
<v Speaker 2>that you have like read up on all this stuff

1:07:33.000 --> 1:07:35.160
<v Speaker 2>and you have like you know so much about this.

1:07:35.480 --> 1:07:38.520
<v Speaker 1>Well, some things I do and some things I bullshit

1:07:38.640 --> 1:07:41.880
<v Speaker 1>very quickly. I'll leave it to your listeners to decide.

1:07:43.280 --> 1:07:45.680
<v Speaker 2>No, that's great, this is great. This is a great

1:07:45.680 --> 1:07:48.919
<v Speaker 2>way to end, because now my mind is thinking about

1:07:48.920 --> 1:07:50.240
<v Speaker 2>a lot of things you've just said.

1:07:50.640 --> 1:07:53.840
<v Speaker 1>I've summarized a lot of it very quickly. Yeah, there's

1:07:53.880 --> 1:07:57.040
<v Speaker 1>the mechanics of how that works. You know, you might

1:07:57.080 --> 1:07:59.880
<v Speaker 1>have like a short cycle where there's one sort of

1:08:00.240 --> 1:08:05.240
<v Speaker 1>like spirit or consciousness that's being reincarnated on a short cycle.

1:08:05.680 --> 1:08:09.080
<v Speaker 1>But then then overall there's these larger cycles where we

1:08:09.240 --> 1:08:11.280
<v Speaker 1>might we might I can't say it for sure, we

1:08:11.360 --> 1:08:12.800
<v Speaker 1>might all just be the same thing.

1:08:13.360 --> 1:08:16.000
<v Speaker 2>I'm like, I'm very convinced of it too, because of

1:08:16.560 --> 1:08:19.200
<v Speaker 2>stories I've heard, like even on this show, where it's

1:08:19.280 --> 1:08:23.160
<v Speaker 2>like I can't think of any specific ones right now,

1:08:23.200 --> 1:08:26.680
<v Speaker 2>but just this idea which by the way makes me

1:08:26.760 --> 1:08:29.760
<v Speaker 2>not fear death anymore, because I'm like, oh, I think

1:08:29.840 --> 1:08:32.280
<v Speaker 2>we just like we figure it out, we go somewhere,

1:08:32.520 --> 1:08:34.120
<v Speaker 2>we do it again. I don't I don't know. Again,

1:08:34.160 --> 1:08:36.400
<v Speaker 2>I don't know how it works either. But it's like

1:08:36.920 --> 1:08:37.920
<v Speaker 2>it seems.

1:08:37.800 --> 1:08:40.680
<v Speaker 1>You obviously don't remember it. That's that's one of the

1:08:40.720 --> 1:08:44.000
<v Speaker 1>things about splitting up your life into other lives is

1:08:44.000 --> 1:08:44.759
<v Speaker 1>that you don't remember.

1:08:44.920 --> 1:08:47.960
<v Speaker 2>But it seems like there are sometimes blips or I

1:08:47.960 --> 1:08:51.400
<v Speaker 2>don't know how to explain that when people say, you know,

1:08:51.520 --> 1:08:55.280
<v Speaker 2>for example, we just covered this true story of this

1:08:55.320 --> 1:08:59.400
<v Speaker 2>little boy that knew all this very specific information about

1:08:59.400 --> 1:09:03.960
<v Speaker 2>being a man in Hollywood in the golden age of Hollywood.

1:09:03.520 --> 1:09:04.320
<v Speaker 1>And then they looked at it.

1:09:05.120 --> 1:09:06.720
<v Speaker 2>Yes, and they looked it up and it was not

1:09:06.800 --> 1:09:09.480
<v Speaker 2>a famous man or whatever. They find all the details

1:09:09.680 --> 1:09:13.040
<v Speaker 2>they knew what stready lived. This kid knew everything. And

1:09:13.080 --> 1:09:15.639
<v Speaker 2>it's like, I don't know how that works. Where sometimes

1:09:15.680 --> 1:09:17.519
<v Speaker 2>it's like, oh, whoops, I remember too much, Like I

1:09:17.560 --> 1:09:18.080
<v Speaker 2>don't know how.

1:09:18.360 --> 1:09:21.519
<v Speaker 1>I mean, arguably, Okay, maybe you picked up a weird

1:09:21.560 --> 1:09:23.000
<v Speaker 1>journal that you found in a library.

1:09:23.120 --> 1:09:26.840
<v Speaker 2>Oh, come on, that could be too Yeah, maybe you

1:09:26.920 --> 1:09:29.080
<v Speaker 2>found a diary somewhere, but.

1:09:29.320 --> 1:09:30.000
<v Speaker 1>Kids are clever.

1:09:30.520 --> 1:09:32.960
<v Speaker 2>I know it's it's weird. No, this was when he

1:09:33.080 --> 1:09:39.400
<v Speaker 2>was like four or five. I think anyway, young clever. Well,

1:09:39.560 --> 1:09:43.080
<v Speaker 2>you're very clever, and I want people to see you

1:09:43.120 --> 1:09:44.679
<v Speaker 2>live and to see your special.

1:09:45.160 --> 1:09:48.360
<v Speaker 1>Yes, it's all available. And what we were rounding out

1:09:48.360 --> 1:09:50.320
<v Speaker 1>the end of the year, the holiday season. What better

1:09:50.360 --> 1:09:54.559
<v Speaker 1>time to gather around with your loved ones, your adult

1:09:55.000 --> 1:10:00.479
<v Speaker 1>loved ones who enjoy ribled late night adult comedy and

1:10:00.600 --> 1:10:03.600
<v Speaker 1>watch the Path of Most Resistance. Well, it's actually just

1:10:03.680 --> 1:10:07.639
<v Speaker 1>Path of Most Resistance, my debut stand up comedy special.

1:10:08.200 --> 1:10:11.160
<v Speaker 1>It's on eight hundred Pound Gorilla. It's available on their

1:10:11.200 --> 1:10:13.960
<v Speaker 1>website and a number of platforms. It's most prominently available

1:10:14.000 --> 1:10:17.400
<v Speaker 1>on YouTube. You can pan downloaded on eight hundred pound

1:10:17.400 --> 1:10:19.400
<v Speaker 1>Gorilla dot com. You can watch it and stream it

1:10:19.439 --> 1:10:25.280
<v Speaker 1>for YouTube for free, and it's widely available. It's funny

1:10:25.320 --> 1:10:30.200
<v Speaker 1>at times and at other times it's it's wet. It's

1:10:30.360 --> 1:10:32.920
<v Speaker 1>very wet. If you'll notice, I really sweat out through

1:10:32.960 --> 1:10:37.519
<v Speaker 1>the whole show because it was September in Los Angeles,

1:10:39.320 --> 1:10:43.400
<v Speaker 1>and I yeah, I'm a sweater, So yeah, don't expect

1:10:43.560 --> 1:10:48.360
<v Speaker 1>a dry, snappy, powdered this is I'm raw Okay, I'm

1:10:48.400 --> 1:10:49.519
<v Speaker 1>out there in the trenches.

1:10:49.840 --> 1:10:50.960
<v Speaker 2>This is what we need.

1:10:51.200 --> 1:10:52.840
<v Speaker 1>Yeah, I read and I put it in. I put

1:10:52.920 --> 1:10:55.200
<v Speaker 1>in an effort the show. It's like, you know, it's

1:10:55.240 --> 1:10:56.320
<v Speaker 1>like a sporting event to me.

1:10:57.880 --> 1:10:59.560
<v Speaker 2>And all these years you've been doing stand up and

1:10:59.600 --> 1:11:01.280
<v Speaker 2>this is the or first special.

1:11:01.800 --> 1:11:04.320
<v Speaker 1>Yeah it is. They wouldn't let me do it anywhere else,

1:11:04.360 --> 1:11:07.519
<v Speaker 1>so I just did it myself. Finally, that's the way

1:11:07.560 --> 1:11:08.519
<v Speaker 1>you have to do it today.

1:11:08.920 --> 1:11:09.960
<v Speaker 2>Yeah.

1:11:10.000 --> 1:11:12.559
<v Speaker 1>But I'm very happy with how it turned out, and

1:11:13.320 --> 1:11:14.920
<v Speaker 1>I have a feeling you might like it. Path of

1:11:14.960 --> 1:11:18.360
<v Speaker 1>Most Resistance eight hundred Pound Gorilla YouTube And also if

1:11:18.360 --> 1:11:20.720
<v Speaker 1>you want to check out the old Underculture podcast that's there,

1:11:20.760 --> 1:11:22.880
<v Speaker 1>and then my stand up dates and so forth, you

1:11:22.920 --> 1:11:27.120
<v Speaker 1>can find on link tree or my website jamsdome dot com,

1:11:27.200 --> 1:11:31.040
<v Speaker 1>and on Instagram and blue Sky and threads. I'm generally

1:11:31.160 --> 1:11:33.080
<v Speaker 1>at Jaodomian or some variation of it.

1:11:33.479 --> 1:11:39.680
<v Speaker 2>Thanks James, thank you, Thank you so much. James Adomian.

1:11:40.320 --> 1:11:48.439
<v Speaker 2>What an incredible mind and talent. Well, it's holiday season.

1:11:49.280 --> 1:11:54.280
<v Speaker 2>I hope you're taking great care of yourself and enjoying

1:11:54.320 --> 1:11:57.320
<v Speaker 2>these last few weeks before we get a nice little break.

1:11:57.560 --> 1:11:59.880
<v Speaker 2>We will be taking a break over here on go.

1:12:00.720 --> 1:12:03.280
<v Speaker 2>Just to warn you a few weeks in advance, we

1:12:03.320 --> 1:12:06.200
<v Speaker 2>will be taking a break the week of Christmas and

1:12:06.720 --> 1:12:09.719
<v Speaker 2>New Year's but then will be back, don't you worry.

1:12:09.960 --> 1:12:13.760
<v Speaker 2>And I uh am already hard working on those episodes

1:12:13.880 --> 1:12:16.519
<v Speaker 2>and who we're gonna start off the New year with

1:12:16.560 --> 1:12:20.759
<v Speaker 2>a bang. I love you all, both living and dead.

1:12:21.080 --> 1:12:23.679
<v Speaker 2>But if I didn't ask you to haunt me, don't

1:12:23.800 --> 1:12:34.959
<v Speaker 2>haunt me. Okay, by this has been an exactly right production.

1:12:35.320 --> 1:12:38.920
<v Speaker 2>Want to share your paranormal experience on the podcast. I

1:12:39.040 --> 1:12:42.680
<v Speaker 2>read stories out loud and sometimes I'll even call you,

1:12:43.000 --> 1:12:47.040
<v Speaker 2>so email me at ghosted by Roz at gmail dot com.

1:12:47.200 --> 1:12:49.640
<v Speaker 2>You can send a DM or voice message to the

1:12:49.680 --> 1:12:53.599
<v Speaker 2>show's Instagram at ghosted by Roz. Give us a follow

1:12:53.640 --> 1:12:57.840
<v Speaker 2>while you're there, and follow me Roz on Instagram at

1:12:58.000 --> 1:13:02.480
<v Speaker 2>Roz Hernandez and on TikTok and Twitter at It's raz Hernandez.

1:13:03.040 --> 1:13:08.360
<v Speaker 2>My senior producer is the startling Jeeha Lee. Associate producer

1:13:08.520 --> 1:13:13.479
<v Speaker 2>is the alarming Christina Chamberlain. This episode was mixed and

1:13:13.560 --> 1:13:18.400
<v Speaker 2>sound designed by the eerie Edson Choi. My guest booker

1:13:18.479 --> 1:13:23.360
<v Speaker 2>is the petrifying Patrick Kottner. Additional production support from the

1:13:23.439 --> 1:13:28.040
<v Speaker 2>hair raising Hannah Kyle Crichton. My theme music is by

1:13:28.080 --> 1:13:33.680
<v Speaker 2>the spine Chilling Brendan Lynch Salomon, artwork by the Spooky

1:13:34.160 --> 1:13:41.919
<v Speaker 2>Vanessa Lilac. Photography by the Terrifying Elizabeth Karen. Executive produced

1:13:42.160 --> 1:13:47.960
<v Speaker 2>by the Chilling Karen Kilgaiff, the Spooky Georgia hart Stark,

1:13:48.240 --> 1:13:51.320
<v Speaker 2>and the Frightening Danielle Kramer,