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Speaker 2: All right, Welcome back, Episode three, Episode three. Let's get

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Speaker 2: to it. First of all, thank you for rocking with us.

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Speaker 2: We appreciate y'all, and I want to shout out I

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Speaker 2: got this dope hoodie merch tag the Brother, but thank

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Speaker 2: you as well. It's called flight risk it's an interesting

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Speaker 2: story behind that, but check its page out, check them out.

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Speaker 2: Thank you, I appreciate it. Okay, let's get into it.

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Speaker 2: So we're gonna talk about the biggest event in sports

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Speaker 2: that just recently passed, the Super Bowl. But we're gonna

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Speaker 2: take a different approach, take a different approach.

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Speaker 3: Last week, we talked about the marketing of the Super Bowl,

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Speaker 3: but another huge part of it is the amount of

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Speaker 3: money that's gambled on the game itself. So the Super

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Speaker 3: Bowl took in one hundred and thirty four million dollars

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Speaker 3: in bets on the game, prop bets, halftime things like that.

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Speaker 3: So we're gonna talk about sports betting on a national stage.

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Speaker 3: So we have seven states right now in the United

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Speaker 3: States that have sports betting, with New York being a

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Speaker 3: state that is on the fence about it. So you

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Speaker 3: have Nevada obviously we know about that. Las Vegas is

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Speaker 3: a huge see when it comes to gambling that starts

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Speaker 3: in the nineteen forties. You have Delaware, you have Pennsylvania,

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Speaker 3: New Mexico, New Jersey, and Pennsylvania, and the last one

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Speaker 3: is Mississippi. Mississippi. So you have seven states right now

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Speaker 3: that are engaged in it, and it's a huge revenue

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Speaker 3: gaining for the states, but for some reason New York

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Speaker 3: can't figure out how to get this correct. If we

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Speaker 3: go down the list of how much money is generated

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Speaker 3: by each state, for Nevada in the past six months,

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Speaker 3: so we're talking about from June twenty eighteen to December

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Speaker 3: twenty eighteen, as expected, they have the highest they grade.

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Speaker 3: They grossed in about two point two billion dollars in

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Speaker 3: that time. Delaware, a small state, grossed eighty four million,

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Speaker 3: with fifty percent of that revenue going directly to the state.

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Speaker 3: Mississippi generated one hundred and thirteen million, and Pennsylvania, which

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Speaker 3: started I think they got passed in October twenty seven,

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Speaker 3: twenty eighteen, they generated seventeen million dollars at the end

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Speaker 3: of twenty eighteen. And then you have RhE Island, which

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Speaker 3: is the small state in our Union, they generated about

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Speaker 3: two million dollars with fifty one percent of the revenue

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Speaker 3: going to the state. And I saved Jersey for last

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Speaker 3: because their story is pretty remarkable. Being at the proximity

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Speaker 3: to New York. They generated nine one hundred and twenty

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Speaker 3: eight million dollars in six months, so they almost did

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Speaker 3: a billion dollars in six months. And what's interesting is

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Speaker 3: that most of their.

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Speaker 2: When you say they, so who who gets them? That's

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Speaker 2: the state revenue? Who makes that money?

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Speaker 3: The state makes that Well that's the way that the

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Speaker 3: state made, but the stand companies made. So the companies

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Speaker 3: take a percentage, the state takes a percentage. New Jersey

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Speaker 3: didn't give the details on how much they they take

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Speaker 3: from it. So, like I.

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Speaker 2: Said, that's so that's a total revenue.

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Speaker 3: Yeah, total revenue. So, like, like I said, Delaware takes

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Speaker 3: fifty percent of the revenue. New Jersey didn't release it

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Speaker 3: the figures on how much they take from.

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Speaker 2: So Delaware takes fifty of the revenue tax. Yeah, that's interesting.

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Speaker 2: So let's not to cut you off. But so I

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Speaker 2: didn't I didn't realize that the tax that is paid

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Speaker 2: that gamble gambling institutions pay. Right. So we're in New York, right,

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Speaker 2: I know we have listeners all over, but we're in

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Speaker 2: New York. So there's New York gambling is not really

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Speaker 2: league legal right on that level. It's like slot machines

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Speaker 2: and stuff like that. So there's a casino where we live, right,

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Speaker 2: but they don't actually have card games. They just have

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Speaker 2: stop slot machines. So I heard I was at a

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Speaker 2: panel discussion and I heard one of the executives at

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Speaker 2: the casino speak and she was saying that they pay

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Speaker 2: somewhere between sixty and seventy percent of their revenue in

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Speaker 2: taxes to the state.

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Speaker 3: Yeah.

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Speaker 2: So now you're saying that Delaware pays takes fifty percent. Yeah,

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Speaker 2: but she was saying, even but this is how much

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Speaker 2: money gambling makes. Even though they pay seventy percent of

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Speaker 2: their revenues to the state, it's still profitable for them, exactly.

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Speaker 2: That's how much money they've brand.

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Speaker 3: Right, So like that number, and now that we were

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Speaker 3: in twenty nineteen, you can just put that up to

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Speaker 3: one point two billion and six months. Right.

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Speaker 4: All they did was legalize it.

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Speaker 3: And the interesting I think I was saying about New

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Speaker 3: Jersey is that most of their betting takes place online.

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Speaker 3: So that's when you get sites in independent sites and

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Speaker 3: FANDU and DraftKings who are sports who actually now have

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Speaker 3: sports books, so people can literally gamble in their hands.

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Speaker 3: So I remember a time, so.

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Speaker 2: Just briefly explain that for somebody that might not be

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Speaker 2: a sports fan what that means.

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Speaker 3: So FanDuel is a is an app, and DraftKings both

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Speaker 3: of them are apps where you can it arise from

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Speaker 3: the daily Fantasy games. So people were playing Daily Fantasy

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Speaker 3: and putting money in to start pools and then they

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Speaker 3: fan do and DraftKings come up with an idea like, listen,

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Speaker 3: we can do this on a daily basis. You don't

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Speaker 3: have to wait a week. You can do it twice

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Speaker 3: in a day that they change the parameters. So I

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Speaker 3: can put a lineup together at for one o'clock games,

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Speaker 3: and depending on how those players that I pit perform,

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Speaker 3: I can win money. I can also do that at

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Speaker 3: the four thirty games. I could do it at the

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Speaker 3: Monday night.

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Speaker 2: So you're pretty much you're picking your team.

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Speaker 3: Yeah, you're picking a team every time you bet, okay, Yeah.

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Speaker 3: So from that they decide after New Jersey legalizes that

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Speaker 3: they're going to create their own sports book. So a

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Speaker 3: sports book is where you actually place bets on games.

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Speaker 3: So that's like a bookie. A bookie, right, you get

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Speaker 3: a ticket. So New Jersey has a sports book. The

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Speaker 3: interesting thing about New Jersey is that it's ten minutes

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Speaker 3: from New York City, right, so pending, well, let me

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Speaker 3: say at Crabit. So FanDuel is in charge of the

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Speaker 3: sports book at the Meadowlands, So Meadowlands for those of

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Speaker 3: you who aren't from the Tri City area. The Meadallands

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Speaker 3: is where the Giants and the Jets play met Life Stadium.

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Speaker 3: So the fan Do sports book is headquarters is at

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Speaker 3: the Medlands. So that's about fifteen minutes from New York City,

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Speaker 3: given if there's no driving, fifteen minutes. So what we're

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Speaker 3: seeing is a lot of people who want to place

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Speaker 3: bets that are from New York and can't do it.

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Speaker 3: They're driving to Jersey. They're placing that bets. They're staying

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Speaker 3: in Jersey to watch the games, spending capital at restaurants, right,

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Speaker 3: maybe gambling more while they're there, paying for gas while

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Speaker 3: they're there. All this money that's leaving New York is

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Speaker 3: going to Jersey to place bets.

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Speaker 2: So they track it via your phone, right, So the

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Speaker 2: GPS and your phone.

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Speaker 4: There's an interesting story about that.

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Speaker 2: Well, before we even get to that, it's important you're

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Speaker 2: being tracked at all times.

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Speaker 4: Absolutely.

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Speaker 2: You know, when I found out I was being tracked

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Speaker 2: at all times. This is kind of going off topic,

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Speaker 2: but it's interesting. So I used to have a BMW right,

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Speaker 2: and the car kept out having problems, so I had

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Speaker 2: to take it in to get service and they asked me,

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Speaker 2: They said, you don't do a lot long distance driving,

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Speaker 2: do you. And I looked at him, like, how do

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Speaker 2: you know that? He's like, we looked at the GPS

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Speaker 2: and that's why. I'm like, they really know where my

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Speaker 2: car is at at all times. So if you ever

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Speaker 2: did something and you didn't you can't say you wasn't

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Speaker 2: there because your car is there. Because a thing with

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Speaker 2: your cell phone.

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Speaker 3: It's like when you drive now and your watch says

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Speaker 3: eight minutes away from home, I'm.

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Speaker 2: Like, all that is all that? So exactly your iPhone,

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Speaker 2: I watch, all of that has a GPS built in,

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Speaker 2: so they know where you are at all times.

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Speaker 3: Yeah. So the crazy part is, and going back to

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Speaker 3: that GPS thing, is that in I think twenty sixteen,

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Speaker 3: the Attorney General for the state of New York I

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Speaker 3: believe Sneyderman was his name. He says that this is illegal.

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Speaker 3: You can't use FanDuel. This is illegal. We don't know

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Speaker 3: how to regulate it yet. So DraftKings and fan do

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Speaker 3: gets suspended, so you can't use it in New York State.

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Speaker 3: So I recall I remember people like listening like, Yo,

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Speaker 3: I'm gonna drive to Connecticut because we live pretty close

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Speaker 3: to Connecticut and we look pretty close in New Jersey.

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Speaker 3: I'm gonna take that ten minute drive. I'm gonna put

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Speaker 3: my lines in because my GPS will show that I'm

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Speaker 3: in Connecticut and then come back home.

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Speaker 2: So what would happen if you try to place it

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Speaker 2: bet in New York? It wouldn't go through just because GPS.

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Speaker 3: Yeah, you get the message like you are not in

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Speaker 3: a state that allows fan do to be played.

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Speaker 2: If you if you take one step into Connecticut, you're good.

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Speaker 2: The GPS changes.

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Speaker 3: I had a friend of mine call his sister in

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Speaker 3: Las Vegas to log into his account to say, listen,

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Speaker 3: can you put a line in for me? Please? It

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Speaker 3: was that serious, right, So that got lifted over I

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Speaker 3: believe two thousand, summer twenty seventeen. So now you can

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Speaker 3: use FanDuel for the daily fantasy portion, but you can't

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Speaker 3: place the sports. You can't use the sports booking part

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Speaker 3: of the app, not yet, which I think will change.

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Speaker 3: I think we'll change when we have a governor. Now

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Speaker 3: who is I think on board with that billion dollar

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Speaker 3: industry easily billions bigger than New York. Yeah, all over America,

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Speaker 3: right all over the world. Sports betting billions, people who

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Speaker 3: are betting on everything, point spreads, point spreads. I just

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Speaker 3: saw a prop bet and it was because the NBA

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Speaker 3: All Star Game they picked the captains recently, and it

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Speaker 3: was like, there's a prop bet for who the first

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Speaker 3: pick is going to be, right, Like James Harden is

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Speaker 3: the favorite to be the number one pick. Like you

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Speaker 3: can bet on that, right, Like that's crazy, Right, Who's

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Speaker 3: gonna win a coin to us? Who's gonna get the

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Speaker 3: first first down, who's the first catch, who's gonna make

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Speaker 3: the first three point in the game? Like all these

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Speaker 3: things are being bet on, and they seem like so trivial,

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Speaker 3: and it's like, wait, that makes sense. People are betting

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Speaker 3: on them every day. So New Jersey billion dollars six months.

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Speaker 3: What's the New York's response. I think we'll see a

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Speaker 3: change within the next year. Right, we get a new

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Speaker 3: Attorney general and Leticia James, who now is in charge

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Speaker 3: of how to regulate these things, right, so she can

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Speaker 3: control Hey, we get that money we regulated, here's where

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Speaker 3: we can spread it and hopefully and I remember you

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Speaker 3: posted something about the lottery and like how it was

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Speaker 3: originally supposed to be for schools. Right, maybe that's where

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Speaker 3: this heads. Right, we get another source of revenue for

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Speaker 3: this state, and now we could the funds could be

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Speaker 3: appropriated in the right way. That's my hope and hopefully

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Speaker 3: that happens.

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Speaker 2: Hold your breath.

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Speaker 3: I'm fighting for education. You know that. I'm always gonna

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Speaker 3: fight for that.

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Speaker 2: Okay, all right, okay, okay, So sports batting billion dollar industry,

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Speaker 2: billion dollar industry. So keeping it in sports, we were

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Speaker 2: actually had a conversation last week about George Foreman, right,

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Speaker 2: m hm. So George Forman is interesting for a few

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Speaker 2: different reasons. Yeah, right, as anybody that followed me knows,

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Speaker 2: I like to do case studies or not just businesses,

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Speaker 2: but individuals as well, entrepreneurs and like the backstories on

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Speaker 2: deals and stuff like that. So George for what is

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Speaker 2: he known for?

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Speaker 3: George, He's a generational personality, right, Like I said, like,

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Speaker 3: depending on what generation you come from will determine on

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Speaker 3: how you remember George Foreman. So like my dad and

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Speaker 3: your dad, they know him as the great boxer, this

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Speaker 3: Hall of fame guy who gets roped by Muhammad Ali

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Speaker 3: and he's known for that for a generation. Then the

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Speaker 3: next generation, I feel like our generation to a certain extent,

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Speaker 3: is like, he's the guy who's out of shape, why

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Speaker 3: is he still boxing? Becomes the commentator for boxing on HBO,

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Speaker 3: and at some point he gets a sitcom and it's like,

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Speaker 3: all right, this is who is this guy? And then

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Speaker 3: the next generation of people like with like tail end

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Speaker 3: and that he's known as the guy who's on the

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Speaker 3: infomercials selling a product.

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Speaker 2: Selling a product. Yeah, so this is the way.

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Speaker 3: This is.

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Speaker 4: A legendary product.

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Speaker 2: Okay, So I gotta tell his story. I gotta tell

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Speaker 2: his story in full detail. So George Foreman was a

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Speaker 2: legendary boxer, right, who in the seventies. He retired from

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Speaker 2: boxing in nineteen seventy seven, Right, first time he from

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Speaker 2: box in nineteen seventy seven. Yeah, he had five million

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Speaker 2: dollars at the time of his retirement, which is equal

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Speaker 2: to twenty million today.

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Speaker 4: That's not bad for a boxing not bad for anybody.

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Speaker 2: In ten years. By nineteen eighty seven, he was flat broke.

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Speaker 2: In his words, he's flat broke. He made some bad investments.

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Speaker 2: You know how athletes go broke. There's a long list

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Speaker 2: of reasons why Flat broke in nineteen eighty seven, which

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Speaker 2: forced him back into fighting. So he comes out of retirement.

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Speaker 4: It actually wins, No.

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Speaker 2: He does win, but he so. In nineteen ninety four

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Speaker 2: he became champion.

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Speaker 4: Yeah, he beat Michael Moore.

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Speaker 2: I think so the oldest heavyweight champion at that time

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Speaker 2: in history, forty five years old.

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Speaker 4: It might still be that belly out World.

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Speaker 2: Nineteen ninety four, he becomes a heavyweight champion of forty

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Speaker 2: five years old. Another interesting thing happened in nineteen ninety

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Speaker 2: four though, right, So in nineteen ninety four, not only

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Speaker 2: is he the heavyweight champ, but Hawk Hogan is the

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Speaker 2: ww F cham WWF. People don't even know what WWF.

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Speaker 2: It's called w W.

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Speaker 3: Now now, Yeah, they had the lawsuit with the world

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Speaker 3: what was it the It was an animal organization that

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Speaker 3: had that name, and they lost the lawsuits and that

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Speaker 3: the teams into w W.

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Speaker 2: E anybody that grew up in the eighties or the nineties,

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Speaker 2: So I grew up in the nineties, right, anybody that

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Speaker 2: grew up in the nineties. Wrestling played a major part,

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Speaker 2: huge in the culture. Absolutely culture your favorite uh undertaker?

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Speaker 3: Yeah, I like to undertake it Ultimate Warriors. He played

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Speaker 3: the part he played Ultimate war past rest in peace.

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Speaker 3: So hawk Hogan icon absolutely.

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Speaker 2: I don't think people fully understand how iconic Hawk Hogan was,

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Speaker 2: Like you actually had to be living in that moment

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Speaker 2: the Beatles.

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Speaker 4: It was a hope, like it was a real thing.

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Speaker 3: Like I remember watching that and that was when wrestling

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Speaker 3: came on at Saturdays at eight o'clock and then it

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Speaker 3: came on as Sundays at twelve like before it was

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Speaker 3: a Monday night rule.

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Speaker 2: Different.

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Speaker 3: This guy was like Hawk Hogan superstar. Different superstar Michael,

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Speaker 3: He's Michael Jordan of wrestling. Yes, him and Andre Giant.

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Speaker 3: They have that in like the that that match at

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Speaker 3: Masters Garden as one of the biggest moments in the

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Speaker 3: history of New York City. Like when he picks up

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Speaker 3: the all like Monstrous Andrea Giant and does like the

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Speaker 3: slam on. It's like the one of the best memorial

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Speaker 3: moments in the history of the Masters reguard.

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Speaker 2: Hawk legend legend. So all right, So nineteen ninety four,

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Speaker 2: they're both champs, right, they also both have the same

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Speaker 2: business manager. Oh okay, right, So hawk Hogan at the

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Speaker 2: time is bigger than George Foreman. So the business manageher

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Speaker 2: meets with Hawk Hogan. He has three products for him

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Speaker 2: to endorse. He offered him three products for endorse. Yeah,

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Speaker 2: he had a pick one. One was a grill, one

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Speaker 2: was a meatball maker, and one was a blender. Right,

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Speaker 2: he chose the meatball maker. The meatball maker of the

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Speaker 2: name is the Hawkermania meatball Maker. Have you heard of it?

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Speaker 2: I'd never heard of it.

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Speaker 4: I didn't even know.

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Speaker 2: No, he chose the Hawkermania meatball Maker. That's what he chose. Now.

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Speaker 2: He told the agent, get somebody else, get one of

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Speaker 2: your other clients to endorse the other the grill and

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Speaker 2: the blender. So at the time, George Foreman was eating

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Speaker 2: two hamburgers before every fight. It was like a big thing.

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Speaker 2: So he thought that it would be a perfect person

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Speaker 2: to endorse the grill. So George Foreman agrees to endorse

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Speaker 2: the grill. Right, So he makes a deal with the

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Speaker 2: grill company to get forty profit of every grill sold,

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Speaker 2: every grill.

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Speaker 3: So it's like a masterpiece.

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Speaker 2: And his name was on it, which we know as

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Speaker 2: the Form and Grill. Right, he makes up to eight

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Speaker 2: million dollars a month with the forman Grill. He made

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Speaker 2: so much money with the form and Grill that eventually

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Speaker 2: the people they realized they made a bad deal because

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Speaker 2: they gave him too much, so they say, Okay, we

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Speaker 2: got to get away from this. So in nineteen ninety

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Speaker 2: nine they make a deal with him. They pay him

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Speaker 2: one hundred and thirty eight million to buy him out

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Speaker 2: and to use his name in perpetuity.

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Speaker 2: With the product forever. He takes a deal, So he

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Speaker 2: made over two hundred and fifty million when you add

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Speaker 2: the money that he made before nineteen ninety nine and

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Speaker 2: then the lump sum one hundred and thirty eight million

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Speaker 2: payout that they brought him out with in nineteen ninety nine.

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Speaker 2: Stop game change that this hereuysn't looked back since I.

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Speaker 3: Mean, and those grills, I mean, every household has no.

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Speaker 2: It's one of the best inventions ever made that made like.

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Speaker 4: The list of best invasion.

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Speaker 3: No, it's definitely top three because when I was in college,

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Speaker 3: I literally only cooked on the Former Girl. Yeah, I

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Speaker 3: know a bunch of people who became chefs off to

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Speaker 3: the formula. It was ridiculous.

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Speaker 2: You can cook anything on the Former Girl.

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Speaker 4: We went from Gavin to Hamburgers at eight at a time.

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Speaker 2: You can cook corn for the Former Girl.

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Speaker 3: It was ridiculous and it was easy to clean. It

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Speaker 3: was perfect. It was a perfect problem.

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Speaker 2: So do we blame hawk Hogan or do we just

404
00:22:32,960 --> 00:22:36,840
Speaker 2: chalk it up to just look because who knows the

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Speaker 2: grill is going to do that?

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Speaker 3: Right? No, I don't think we could have predicted that.

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Speaker 3: No one could have predicted that, right, Like he would

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Speaker 3: have done that if he had known the grill. But

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Speaker 3: could you imagine the whole Cogan grill?

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Speaker 2: Little known historical fact, and that's why we're here. Little

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Speaker 2: known historical facts like that changed the cost of history.

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Speaker 2: All right, Okay, okay, all right, So let's change change topics, lanes,

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Speaker 2: let's change lanes, and let's talk about the art world.

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Speaker 2: So this topic is something that is near and dear

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Speaker 2: to my heart. A little known fact is that so

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Speaker 2: I used to play sports. Yeah, but my first passion

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Speaker 2: was art first love. So I used to draw, and

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Speaker 2: I actually was in a gifted and talented art class.

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Speaker 2: I could have actually probably taken art further than I did,

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Speaker 2: but I got distracted by other things. So art is

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Speaker 2: something that I've always had a passion for. But we're

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Speaker 2: going to talk about the business side of art.

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Speaker 4: The business side, Yeah, absolutely, So.

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Speaker 3: People don't realize that art as an item is something

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Speaker 3: that appreciates and value, which means it gains value over time.

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Speaker 2: It's an investment.

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Speaker 4: It's an investment.

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Speaker 3: So when we hear I bought that artwork for one million,

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Speaker 3: two years later, it's worth two million. A couple years

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Speaker 3: later's worth eight million. I can't wait to get that

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Speaker 3: to my chl. What Jay saying in that line, and

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Speaker 3: we reference to him again, is that this is an

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Speaker 3: investment that I purchased at a price which will gain

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Speaker 3: value a year, eight years, a great gains even more.

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Speaker 3: But wait till my children get older and can take

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Speaker 3: that asset and now maybe they can use it for

437
00:24:15,480 --> 00:24:18,200
Speaker 3: my entiy game. So that artwork that he's talking about

438
00:24:18,200 --> 00:24:20,440
Speaker 3: could be fifty million dollars by the time his children

439
00:24:20,840 --> 00:24:23,680
Speaker 3: of the age, and that's not something that we think

440
00:24:23,720 --> 00:24:24,560
Speaker 3: about investing in.

441
00:24:25,359 --> 00:24:28,560
Speaker 2: It's not and it's something that I want to even

442
00:24:28,600 --> 00:24:30,959
Speaker 2: tie it even closer to the culture because a lot

443
00:24:31,000 --> 00:24:33,280
Speaker 2: of times people so when Jacobseha says a lot of

444
00:24:33,320 --> 00:24:35,960
Speaker 2: things that goes over people's heads, right, So like when

445
00:24:35,960 --> 00:24:40,399
Speaker 2: he says, I got Bosquiocht and a lobby on my spot,

446
00:24:40,520 --> 00:24:43,240
Speaker 2: or when he says it ain't hard to tell I'm

447
00:24:43,240 --> 00:24:46,280
Speaker 2: the new John Michelle. He talking about John Michelle boskiat right.

448
00:24:47,040 --> 00:24:52,080
Speaker 2: So when you hear these names, it's like, especially John Michelle,

449
00:24:52,119 --> 00:24:54,879
Speaker 2: he might not know that that's John Michelle. You're thinking

450
00:24:55,400 --> 00:24:59,880
Speaker 2: probably a French painter that lived in the nineteen early

451
00:25:00,080 --> 00:25:04,119
Speaker 2: nineteen hundreds, maybe eighteen hundreds, maybe even seventeen hundreds. And

452
00:25:04,160 --> 00:25:05,879
Speaker 2: it's like, how does that? What is that?

453
00:25:05,960 --> 00:25:06,080
Speaker 3: You know?

454
00:25:06,280 --> 00:25:07,880
Speaker 4: Like, I think that definitely goes over people.

455
00:25:07,920 --> 00:25:10,320
Speaker 2: But the crazy thing about it is that when he's

456
00:25:10,359 --> 00:25:14,920
Speaker 2: referencing Bosquiyacht, people don't understand like that that's hip hop

457
00:25:14,960 --> 00:25:18,040
Speaker 2: culture absolutely. Just so this dude is from Brooklyn. He's

458
00:25:18,080 --> 00:25:23,399
Speaker 2: from Brooklyn. He is Haitian. That's why his name is Gene.

459
00:25:23,560 --> 00:25:25,440
Speaker 2: That's why he has a French name right right, because

460
00:25:25,440 --> 00:25:25,959
Speaker 2: he's Haitian.

461
00:25:26,000 --> 00:25:27,480
Speaker 4: And then last name he's.

462
00:25:27,280 --> 00:25:29,880
Speaker 2: Half Haitian half Puerto Rican. Actually yeah, but that's why.

463
00:25:30,400 --> 00:25:33,960
Speaker 2: So you hear ge Michelle Bosciot, you're not thinking a

464
00:25:34,000 --> 00:25:37,800
Speaker 2: black kid from Brooklyn, No, but that's the backstory on

465
00:25:37,920 --> 00:25:43,320
Speaker 2: he's Haitian. So he starts in the eighties, not even

466
00:25:43,359 --> 00:25:45,760
Speaker 2: that long ago, in the eighties as a graffiti.

467
00:25:45,400 --> 00:25:48,680
Speaker 4: Artist, right seventies and into the eighties.

468
00:25:48,400 --> 00:25:51,640
Speaker 2: Seventies and into the eighties as a graffiti artist, right

469
00:25:52,040 --> 00:25:56,760
Speaker 2: dropped out of high school. Yep, unfortunately, So he made

470
00:25:56,800 --> 00:25:58,760
Speaker 2: he made his name for himself in the Lower East

471
00:25:58,800 --> 00:26:00,359
Speaker 2: He's from Brooklyn, but he made his name herself on

472
00:26:00,400 --> 00:26:03,240
Speaker 2: the Lower east Side. Now, New York, anybody that's not familiar,

473
00:26:03,280 --> 00:26:06,000
Speaker 2: New York was a different place in the eighties than

474
00:26:06,040 --> 00:26:11,200
Speaker 2: it is now, absolutely completely different, right, the Lower East Side,

475
00:26:11,480 --> 00:26:15,600
Speaker 2: Alphabet City was a different place than it is now.

476
00:26:16,359 --> 00:26:25,399
Speaker 2: So the street art was huge, graffiti trained, graffiti, everything huge.

477
00:26:25,600 --> 00:26:30,320
Speaker 3: Yeah, right, So he starts with that, and then he

478
00:26:30,440 --> 00:26:33,720
Speaker 3: blows up and becomes the toast of New York and

479
00:26:33,760 --> 00:26:37,199
Speaker 3: becomes the hottest artists in this I think he's on

480
00:26:37,240 --> 00:26:39,440
Speaker 3: the cover up Time magazine or one of these publications

481
00:26:39,480 --> 00:26:42,000
Speaker 3: where this is the new face of art, Like this

482
00:26:42,119 --> 00:26:45,480
Speaker 3: kid is brilliant twenty two, twenty three at the time,

483
00:26:45,720 --> 00:26:48,679
Speaker 3: Like he's a face of art now, like people are

484
00:26:48,720 --> 00:26:53,239
Speaker 3: putting him in museums with Warhall now at twenty in

485
00:26:53,240 --> 00:26:53,880
Speaker 3: his twenties.

486
00:26:53,920 --> 00:26:54,400
Speaker 2: Prodigy.

487
00:26:54,480 --> 00:26:56,400
Speaker 4: Yeah, absolutely, prodigy absolutely.

488
00:26:56,480 --> 00:27:01,840
Speaker 2: Unfortunately passed away from overdose twenty seven years old in

489
00:27:01,920 --> 00:27:02,640
Speaker 2: nineteen eighty.

490
00:27:02,480 --> 00:27:06,880
Speaker 3: Eight, different time, eighties, New York City. But ain't even

491
00:27:07,000 --> 00:27:10,320
Speaker 3: The interesting thing more so is that in twenty seventeen

492
00:27:10,960 --> 00:27:14,080
Speaker 3: his painting sold for one hundred and ten million.

493
00:27:14,240 --> 00:27:16,880
Speaker 2: Now, the reason why that's interested is that that made

494
00:27:17,000 --> 00:27:23,600
Speaker 2: him the highest well he's the number one US painter

495
00:27:23,960 --> 00:27:28,520
Speaker 2: with the highest selling painting ever. He has the highest

496
00:27:28,840 --> 00:27:32,040
Speaker 2: selling painting for a US painter ever for one hundred

497
00:27:32,040 --> 00:27:35,399
Speaker 2: and ten million. So you got a kid from Brooklyn

498
00:27:36,320 --> 00:27:41,439
Speaker 2: who is a graffiti artist as Core dropped out of

499
00:27:41,480 --> 00:27:46,040
Speaker 2: high school, was living on the street. That is the

500
00:27:46,080 --> 00:27:51,520
Speaker 2: most successful US painter and one of the most successful

501
00:27:51,840 --> 00:27:56,800
Speaker 2: artists in world history. That's an interesting.

502
00:27:56,359 --> 00:28:00,240
Speaker 3: Story, legendary, just even a backstory like that. That's song

503
00:28:00,320 --> 00:28:03,960
Speaker 3: that we're talking about, the Picasso Baby song. It inspired

504
00:28:04,040 --> 00:28:07,040
Speaker 3: us so much that like during my summer program. Like

505
00:28:07,119 --> 00:28:09,360
Speaker 3: our team was like, listen, we're gonna use this song

506
00:28:09,440 --> 00:28:11,439
Speaker 3: and we're gonna go to the Museum of Mind Art

507
00:28:12,240 --> 00:28:15,280
Speaker 3: and we're gonna teach them about just from these lyrics,

508
00:28:15,600 --> 00:28:17,639
Speaker 3: about the paintings that he's talking about. Because most of

509
00:28:17,680 --> 00:28:20,680
Speaker 3: the artists that Jay's talking about, whether it's is Bosky

510
00:28:21,000 --> 00:28:25,000
Speaker 3: or is Warhol orso Picasso or is Jeff Coon Balloon,

511
00:28:25,119 --> 00:28:27,199
Speaker 3: so he's talking about, they're in that museum. So we

512
00:28:27,280 --> 00:28:30,720
Speaker 3: literally put together a scavenger hunt in the museum for

513
00:28:30,800 --> 00:28:34,720
Speaker 3: the kids to become familiar with the art right from

514
00:28:34,800 --> 00:28:36,879
Speaker 3: Jay and the artists that he's speaking of.

515
00:28:37,040 --> 00:28:40,440
Speaker 4: Like, that's how much it impacted us. So like that's legendary, No,

516
00:28:40,560 --> 00:28:40,920
Speaker 4: it is.

517
00:28:40,960 --> 00:28:43,440
Speaker 2: And like you said, it's interesting because we talked about investments.

518
00:28:43,480 --> 00:28:46,720
Speaker 2: That's an interesting investment that the average person doesn't think

519
00:28:46,720 --> 00:28:49,840
Speaker 2: about art, investing in art, right. But so that's about

520
00:28:49,840 --> 00:28:51,480
Speaker 2: when Chason that you said, I line one million and

521
00:28:51,560 --> 00:28:53,400
Speaker 2: then two years later's worth two million. I can't wait

522
00:28:53,440 --> 00:28:55,800
Speaker 2: to give it to my children's That's that's even deeper

523
00:28:55,800 --> 00:28:57,480
Speaker 2: than just art because it's like, Okay, I'm leaving a

524
00:28:57,560 --> 00:29:00,800
Speaker 2: legacy to my kids, right and I'm teaching them about investing, right,

525
00:29:01,040 --> 00:29:03,600
Speaker 2: But art isn't invest But I want to tie it

526
00:29:03,600 --> 00:29:05,360
Speaker 2: in too because you know, a lot of times we're

527
00:29:05,400 --> 00:29:09,520
Speaker 2: talented people, right, and whether we take photos or whether

528
00:29:09,520 --> 00:29:11,560
Speaker 2: we draw, whether we paint, a lot of times we

529
00:29:11,600 --> 00:29:14,880
Speaker 2: don't fully understand the value of what we are doing

530
00:29:14,920 --> 00:29:18,280
Speaker 2: because we are artists, right. And it's like I would

531
00:29:18,280 --> 00:29:22,480
Speaker 2: have never I guarantee you he Boskiyot never thought his

532
00:29:22,560 --> 00:29:25,160
Speaker 2: painting would self for a one hundred and ten million

533
00:29:25,160 --> 00:29:28,040
Speaker 2: dollars or a painting probably con't fail me, right, So

534
00:29:28,080 --> 00:29:30,440
Speaker 2: it's like, so, but the interesting thing with artist that

535
00:29:30,640 --> 00:29:35,680
Speaker 2: is whatever somebody thinks it's worth, right, So it's important

536
00:29:35,760 --> 00:29:39,560
Speaker 2: that you know you're worth as an artist, right Because

537
00:29:39,560 --> 00:29:41,600
Speaker 2: like I said, there's a lot of people in our

538
00:29:41,640 --> 00:29:45,560
Speaker 2: community that are talented, but do they fully understand that

539
00:29:46,520 --> 00:29:50,640
Speaker 2: what they're doing is valuable. Like somebody might look at

540
00:29:50,640 --> 00:29:53,479
Speaker 2: what they're doing and say that's trash. Somebody else might

541
00:29:53,480 --> 00:29:54,600
Speaker 2: look at they do it and say, I'll give you

542
00:29:54,640 --> 00:29:56,240
Speaker 2: a million dollars for that, right.

543
00:29:56,800 --> 00:29:59,360
Speaker 3: And we can't mention art, especially in hip hop culture,

544
00:29:59,360 --> 00:30:02,400
Speaker 3: without measuring us. So what he's doing with the no

545
00:30:02,440 --> 00:30:07,240
Speaker 3: commissions campaign, like that's brilliant, right, a lot of times

546
00:30:08,440 --> 00:30:12,280
Speaker 3: artists create these paintings and have to put them display.

547
00:30:11,920 --> 00:30:12,960
Speaker 4: Them in a gallery.

548
00:30:13,520 --> 00:30:15,080
Speaker 3: And what people don't realize is that they have to

549
00:30:15,080 --> 00:30:18,600
Speaker 3: pay a commission to the gallery to display the art.

550
00:30:18,680 --> 00:30:21,000
Speaker 3: And it's like they lose money just because they want

551
00:30:21,000 --> 00:30:23,880
Speaker 3: to display it in this this setting. And what he's

552
00:30:23,920 --> 00:30:26,200
Speaker 3: doing is like, listen, we're going to bake the setting

553
00:30:26,600 --> 00:30:29,080
Speaker 3: and there's no commission, Like you get one hundred percent

554
00:30:29,160 --> 00:30:31,840
Speaker 3: of what somebody paid for that, which is dope because

555
00:30:31,840 --> 00:30:35,280
Speaker 3: he only not only does he again teach about art

556
00:30:35,480 --> 00:30:36,400
Speaker 3: in a sense.

557
00:30:36,160 --> 00:30:37,240
Speaker 4: But he's also teaching education.

558
00:30:37,240 --> 00:30:40,280
Speaker 3: I'm like, listen, get one hundred percent of what you're working, Like,

559
00:30:40,360 --> 00:30:44,680
Speaker 3: why pay this middleman because you're using this gallery?

560
00:30:44,920 --> 00:30:45,080
Speaker 4: Right.

561
00:30:45,120 --> 00:30:47,280
Speaker 3: The gallery may help prestiege, but the art is what

562
00:30:47,480 --> 00:30:48,440
Speaker 3: makes people come up.

563
00:30:48,480 --> 00:30:50,360
Speaker 2: And it's similar to this, so it all ties into

564
00:30:50,480 --> 00:30:52,600
Speaker 2: even like the record label right where it's like, say,

565
00:30:52,560 --> 00:30:54,400
Speaker 2: if this is art, why do I need to go

566
00:30:54,440 --> 00:30:57,080
Speaker 2: to Southerby's or one of these houses to place my

567
00:30:57,280 --> 00:31:00,880
Speaker 2: art so they can get a huge commission and they

568
00:31:00,880 --> 00:31:03,080
Speaker 2: could value it and they can say this is worth

569
00:31:03,120 --> 00:31:05,080
Speaker 2: this much and have an option on it. It's like

570
00:31:05,120 --> 00:31:06,880
Speaker 2: this is our same thing with music. Right, Why do

571
00:31:06,960 --> 00:31:08,800
Speaker 2: I have to go to a record label and have

572
00:31:09,080 --> 00:31:12,080
Speaker 2: them take a piece of it and have them display

573
00:31:12,120 --> 00:31:17,960
Speaker 2: it on their catalog and I appear courtesy of a

574
00:31:18,000 --> 00:31:20,280
Speaker 2: record company, you know what I mean? Like, and that's it.

575
00:31:20,400 --> 00:31:22,280
Speaker 2: So it all ties in. So when people think about art,

576
00:31:22,280 --> 00:31:25,000
Speaker 2: a lot of times they don't fully understand how how

577
00:31:25,160 --> 00:31:31,240
Speaker 2: much art is valued. It's it's it's actually mind blowing

578
00:31:31,240 --> 00:31:32,560
Speaker 2: when you when you do the numbers on it.

579
00:31:32,640 --> 00:31:35,000
Speaker 3: And we got the two biggest art stories of last year,

580
00:31:35,040 --> 00:31:37,600
Speaker 3: I would argue that as a number one, the bank

581
00:31:37,600 --> 00:31:40,000
Speaker 3: Ski story.

582
00:31:40,040 --> 00:31:44,160
Speaker 2: Bankski is a legend. So Bankski is a street artist

583
00:31:44,520 --> 00:31:47,360
Speaker 2: who goes all around the world and he just pops

584
00:31:47,400 --> 00:31:51,840
Speaker 2: up and he'll just he'll paint these these these paintings

585
00:31:51,880 --> 00:31:56,560
Speaker 2: on buildings, on sidewalks, on streets anywhere. But nobody ever knows,

586
00:31:56,720 --> 00:31:58,960
Speaker 2: you know, who he is. See we would like to

587
00:31:58,960 --> 00:32:01,720
Speaker 2: todde coach, he right doesn't do that. So one of

588
00:32:01,760 --> 00:32:05,120
Speaker 2: the illest things ever was when ghost Face Killer first

589
00:32:05,120 --> 00:32:08,200
Speaker 2: came out right with the Wu Tang because nobody saw.

590
00:32:08,120 --> 00:32:09,280
Speaker 4: Us face that video.

591
00:32:09,320 --> 00:32:12,560
Speaker 3: We didn't know, but like the first four videos, uh yeah,

592
00:32:12,560 --> 00:32:13,000
Speaker 3: I think yeah.

593
00:32:13,040 --> 00:32:15,280
Speaker 4: So like the protecting act in the method man video,

594
00:32:15,880 --> 00:32:16,360
Speaker 4: and that's.

595
00:32:16,200 --> 00:32:18,640
Speaker 3: Why he was ghost face because nobody saw him. It

596
00:32:18,680 --> 00:32:20,800
Speaker 3: was like a whole big thing like who is he?

597
00:32:21,040 --> 00:32:23,560
Speaker 2: Right? And it was the mistique when nobody knows who

598
00:32:23,560 --> 00:32:26,600
Speaker 2: you are, you have a certain mistique to you. So,

599
00:32:26,720 --> 00:32:29,080
Speaker 2: like he said, lady said, when he my face got revealed,

600
00:32:29,120 --> 00:32:31,760
Speaker 2: the game got real. So for the first for the

601
00:32:31,800 --> 00:32:33,360
Speaker 2: first four videos.

602
00:32:33,480 --> 00:32:35,920
Speaker 3: Nobody knew who he what he looked like because he

603
00:32:35,960 --> 00:32:38,520
Speaker 3: had like a visor like on like he it was

604
00:32:38,600 --> 00:32:39,400
Speaker 3: it was interesting.

605
00:32:39,480 --> 00:32:43,520
Speaker 2: So you have a certain mistique to you when people

606
00:32:43,560 --> 00:32:45,640
Speaker 2: don't know who you are, they just hear about your name.

607
00:32:45,800 --> 00:32:48,760
Speaker 3: And that's true, like and that is the original form

608
00:32:48,800 --> 00:32:50,720
Speaker 3: of graffiti. Like in the seventies and ages, especially in

609
00:32:50,720 --> 00:32:53,200
Speaker 3: New York City, it was like we put up this art.

610
00:32:53,880 --> 00:32:55,600
Speaker 3: You'll know us by our tags. You don't even have

611
00:32:55,640 --> 00:32:57,520
Speaker 3: to know who we are. You just know like, oh, like,

612
00:32:57,760 --> 00:32:59,880
Speaker 3: oh that's the new guy. He's hot. Look at this

613
00:33:00,200 --> 00:33:01,560
Speaker 3: that he did. Look at the train that he just

614
00:33:01,800 --> 00:33:03,600
Speaker 3: he that piece that he put on that train, or

615
00:33:03,840 --> 00:33:06,040
Speaker 3: look at that building over there that he tagged. And

616
00:33:06,080 --> 00:33:07,880
Speaker 3: it was like that's what you became known for. You're

617
00:33:08,000 --> 00:33:10,520
Speaker 3: tagged me and the art that you put up. And

618
00:33:10,520 --> 00:33:12,640
Speaker 3: then that gets frowned upon in New York City and

619
00:33:12,800 --> 00:33:16,960
Speaker 3: cops cracked down and they erased him, and people are

620
00:33:16,960 --> 00:33:22,480
Speaker 3: getting locked up for graffiti. And twenty years, thirty years later,

621
00:33:22,600 --> 00:33:23,200
Speaker 3: we have this.

622
00:33:23,640 --> 00:33:25,480
Speaker 2: And that's what I said. I said this last time,

623
00:33:25,480 --> 00:33:26,840
Speaker 2: and I fully believe that I said this on the

624
00:33:26,880 --> 00:33:30,000
Speaker 2: first episode. You can't stop energy, right, So KRAFFII, I

625
00:33:30,040 --> 00:33:31,840
Speaker 2: don't know if graffiti started with hip hop, but I'm

626
00:33:31,840 --> 00:33:33,320
Speaker 2: just gonna say it did because I think it did.

627
00:33:33,560 --> 00:33:34,480
Speaker 4: That's part of hip hop.

628
00:33:34,600 --> 00:33:39,640
Speaker 2: So that started in the South Bronx. But people spray

629
00:33:39,680 --> 00:33:43,560
Speaker 2: painting trains, spray painting walls, spray and like you said,

630
00:33:43,560 --> 00:33:46,440
Speaker 2: it was frowned upon, it was looked at like it

631
00:33:46,480 --> 00:33:48,880
Speaker 2: was defacing the city. They had a whole campaign to

632
00:33:48,920 --> 00:33:54,240
Speaker 2: stomp it out. I go to Germany, Thailand, Asia, spray

633
00:33:54,240 --> 00:33:58,880
Speaker 2: painting everywhere, murals, murals. Yeah, and now Bankski is pretty

634
00:33:58,960 --> 00:33:59,720
Speaker 2: much a spray painter.

635
00:34:00,880 --> 00:34:05,040
Speaker 3: Is currently the most famous artist in the world, the

636
00:34:05,040 --> 00:34:07,240
Speaker 3: most notorious artist in the world.

637
00:34:07,320 --> 00:34:08,759
Speaker 2: He's doing what.

638
00:34:10,320 --> 00:34:13,279
Speaker 3: Kids, just regular sixteen fifteen year old kids was doing

639
00:34:13,600 --> 00:34:16,240
Speaker 3: in nineteen eighty six, and they weren't looked at as artists.

640
00:34:16,320 --> 00:34:18,040
Speaker 3: They were just regular kids with a spray can.

641
00:34:18,239 --> 00:34:20,960
Speaker 4: They were looked as delinquents, misfits.

642
00:34:21,040 --> 00:34:24,960
Speaker 2: Yeah, so that's how it all. It's interesting. But Bankski,

643
00:34:25,120 --> 00:34:27,719
Speaker 2: we gotta talk about the stunt that he pulled.

644
00:34:27,880 --> 00:34:30,040
Speaker 3: Yeah, So the two biggest, I would argue, the two

645
00:34:30,040 --> 00:34:35,440
Speaker 3: biggest stories in art were the Bankski shredded painting. Like

646
00:34:35,520 --> 00:34:39,799
Speaker 3: this was like a miraculous stunt. So he puts a

647
00:34:39,840 --> 00:34:44,319
Speaker 3: painting up for auction, but he's no. He actually had

648
00:34:44,320 --> 00:34:47,759
Speaker 3: a painting that he never wanted to be auction and

649
00:34:48,239 --> 00:34:50,279
Speaker 3: he put it in this case.

650
00:34:51,560 --> 00:34:53,760
Speaker 4: That was very thick, and people were like, this feels

651
00:34:53,760 --> 00:34:54,279
Speaker 4: pretty funny.

652
00:34:54,280 --> 00:34:57,600
Speaker 3: He's very heavy, and it went up for auction, right,

653
00:34:57,640 --> 00:34:58,880
Speaker 3: that was the one thing he said he did not

654
00:34:58,880 --> 00:35:01,360
Speaker 3: want to happen with the pay of bogs and so

655
00:35:01,400 --> 00:35:02,680
Speaker 3: they bidden on it, bidden on it.

656
00:35:02,800 --> 00:35:06,040
Speaker 4: And remember one point four million. One point four.

657
00:35:05,880 --> 00:35:08,719
Speaker 3: Million, And as soon as that gavel went down and

658
00:35:08,719 --> 00:35:10,560
Speaker 3: they were trying to take the painting off the wall,

659
00:35:12,239 --> 00:35:15,160
Speaker 3: the painting starts, it starts to shred. So he has

660
00:35:15,200 --> 00:35:18,360
Speaker 3: a shredder. He has a shred up built in the

661
00:35:18,360 --> 00:35:19,080
Speaker 3: frame of the paint.

662
00:35:19,120 --> 00:35:21,600
Speaker 2: As soon as the person paid one point four million

663
00:35:21,680 --> 00:35:25,160
Speaker 2: and money got transferred, they're about to give her or

664
00:35:25,320 --> 00:35:28,480
Speaker 2: him the painting as they're giving as they're trying to

665
00:35:28,640 --> 00:35:30,920
Speaker 2: take it off the wall, it starts to shred like

666
00:35:30,960 --> 00:35:33,640
Speaker 2: a paper shred. They were actually the interesting thing about

667
00:35:33,680 --> 00:35:36,319
Speaker 2: so he must have had somebody on the inside.

668
00:35:37,440 --> 00:35:40,400
Speaker 3: Mission impossibly some theories that like maybe he was in

669
00:35:40,440 --> 00:35:43,880
Speaker 3: that room, or they pressed the butt somebody right after

670
00:35:44,200 --> 00:35:46,160
Speaker 3: it was done. The interesting thing about it is.

671
00:35:46,960 --> 00:35:48,760
Speaker 2: The interesting thing about it is that they were able

672
00:35:48,760 --> 00:35:51,839
Speaker 2: to stop it because it only shredded halfway. So it's

673
00:35:51,920 --> 00:35:57,760
Speaker 2: halfway shredded. It's sold for one point four million. Now

674
00:35:57,880 --> 00:36:00,279
Speaker 2: I know where you're going. It's worth two million. It's

675
00:36:00,320 --> 00:36:04,239
Speaker 2: actually worth more before than before. That's how art is

676
00:36:04,280 --> 00:36:07,160
Speaker 2: so crazy, because now that's our because that's our Yeah, like.

677
00:36:07,080 --> 00:36:12,160
Speaker 3: About half shredded Banksky painting, the whole story behind it.

678
00:36:12,160 --> 00:36:14,840
Speaker 3: It won up six hundred thousand the moment plus the

679
00:36:14,880 --> 00:36:16,480
Speaker 3: painting added to the value of it.

680
00:36:18,160 --> 00:36:18,640
Speaker 4: Unbelieving.

681
00:36:19,000 --> 00:36:24,040
Speaker 3: I mean, that's the second story. Is jay Z and

682
00:36:24,040 --> 00:36:27,279
Speaker 3: Beyonce right them shooting that apeshient video and the Louver

683
00:36:27,840 --> 00:36:30,880
Speaker 3: what that did? They said, record numbers for attendants at

684
00:36:30,880 --> 00:36:34,279
Speaker 3: the Louver, and the museum itself said thank you to

685
00:36:34,360 --> 00:36:36,480
Speaker 3: them for bringing attention to that.

686
00:36:36,600 --> 00:36:41,120
Speaker 2: So the Louver is the most popular famous art museum

687
00:36:41,200 --> 00:36:45,080
Speaker 2: in the world in Paris. The Pyramid building. Yeah, the

688
00:36:45,120 --> 00:36:46,040
Speaker 2: glass pyramid.

689
00:36:45,800 --> 00:36:46,480
Speaker 4: Glass pyramid.

690
00:36:46,560 --> 00:36:49,520
Speaker 3: Right, So the tendance where Mona Lisa is right, So

691
00:36:49,600 --> 00:36:52,080
Speaker 3: like the part in the video where they're standing in

692
00:36:52,120 --> 00:36:54,040
Speaker 3: front of it. I remember he said, like I'm sleeping.

693
00:36:54,040 --> 00:36:55,920
Speaker 3: That's in the mount of day Mona Lisa. Like we

694
00:36:56,080 --> 00:36:59,799
Speaker 3: are art, Like that's Mona Lisa, but we're the focus here.

695
00:37:00,239 --> 00:37:02,200
Speaker 2: So they do it. They threw a video in the in.

696
00:37:02,200 --> 00:37:04,600
Speaker 3: The loop, Yeah, and tendance goes up by twenty five

697
00:37:04,600 --> 00:37:09,680
Speaker 3: percent immediately after. You can't discount that, like just because

698
00:37:09,680 --> 00:37:12,839
Speaker 3: they shot like that doesn't even happen, Like how many

699
00:37:12,880 --> 00:37:15,000
Speaker 3: videos have even been shot in there, Like there's certain

700
00:37:15,040 --> 00:37:17,439
Speaker 3: pinions they don't even allow you to even film in there,

701
00:37:17,600 --> 00:37:19,960
Speaker 3: and they got the rights to do the entire video

702
00:37:20,000 --> 00:37:23,880
Speaker 3: in there. Have to close it down and look what

703
00:37:23,920 --> 00:37:25,760
Speaker 3: it does for the museum.

704
00:37:26,000 --> 00:37:31,600
Speaker 2: Culture culture. Yeah, man, all right, all right, okay, so

705
00:37:33,080 --> 00:37:37,280
Speaker 2: final words.

706
00:37:35,360 --> 00:37:37,360
Speaker 3: So you man, you.

707
00:37:37,239 --> 00:37:40,480
Speaker 2: Yeah, final word man. Like I said, I just think

708
00:37:40,520 --> 00:37:42,759
Speaker 2: that a lot of times we have to fully understand

709
00:37:42,840 --> 00:37:47,680
Speaker 2: that what we're doing has value. Right, We don't want

710
00:37:47,719 --> 00:37:49,920
Speaker 2: to talk over anybody's head. We want to talk directly

711
00:37:50,000 --> 00:37:54,759
Speaker 2: to the people. And it's important to realize and that's

712
00:37:54,760 --> 00:37:57,880
Speaker 2: why we wanted to just talk about that art situation

713
00:37:58,239 --> 00:38:01,680
Speaker 2: is that no matter which you're doing, is valuable, right,

714
00:38:01,719 --> 00:38:05,359
Speaker 2: So it's important to a understand your worth. Never let

715
00:38:05,440 --> 00:38:12,000
Speaker 2: somebody devalue your worth. And also, you know, have a

716
00:38:12,160 --> 00:38:16,200
Speaker 2: broader sense of this is cool, but this is bigger

717
00:38:16,200 --> 00:38:18,080
Speaker 2: than just my community. This is bigger than like this

718
00:38:18,120 --> 00:38:20,879
Speaker 2: is for the world like this, because like I said,

719
00:38:21,239 --> 00:38:23,920
Speaker 2: what we're doing is effecting the world, right, So it's

720
00:38:23,920 --> 00:38:25,240
Speaker 2: important to understand.

721
00:38:24,840 --> 00:38:27,400
Speaker 4: That in the sense like we're using the culture to teach.

722
00:38:27,239 --> 00:38:29,759
Speaker 3: Culture that but I'm just saying when I say we'm

723
00:38:29,760 --> 00:38:35,400
Speaker 3: talking about everybody, our culture is world culture absolutely. I

724
00:38:35,400 --> 00:38:37,800
Speaker 3: think somebody said that, like the number one export of

725
00:38:37,840 --> 00:38:42,240
Speaker 3: America is culture, right, Like we affect so many different

726
00:38:42,239 --> 00:38:43,480
Speaker 3: places based on the things we.

727
00:38:43,440 --> 00:38:48,719
Speaker 2: Do exactly exactly. So know your worth, that's my final word.

728
00:38:48,719 --> 00:38:50,400
Speaker 4: Know your worth absolutely.

729
00:38:50,480 --> 00:38:52,360
Speaker 2: All right, guys, thank you for rocking with us. We

730
00:38:52,400 --> 00:39:14,160
Speaker 2: see y'all next week.

731
00:39:20,000 --> 00:39:23,920
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