WEBVTT - Episode 426 w/ Rich The Kid

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<v Speaker 1>It is Drake Chans, Motherfucky podcast man Sime.

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<v Speaker 2>He's a legendary Queens rapper.

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<v Speaker 1>He ain'ts agreed as your boy in O r E.

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<v Speaker 2>He's a Miami hip hop ponere p up as dj

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<v Speaker 2>E f N.

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<v Speaker 1>Together they drink it up with some of the biggest players,

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<v Speaker 1>you know what I mean, and the most professional, unprofessional.

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<v Speaker 2>Podcast and your number one source for drunk Chans.

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<v Speaker 3>Moy Day is New Year's c Listen, It's time for

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<v Speaker 3>drink Champions.

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<v Speaker 2>Drink up, mother mother, what.

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<v Speaker 1>A good beeping your boy in O R E? What

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<v Speaker 1>up is d J E f NA, motherfucker?

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<v Speaker 3>And right now we got one of my favorite artists

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<v Speaker 3>from this new generation by way of Queens. Then went

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<v Speaker 3>to Atlanta and that got some real bread to move

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<v Speaker 3>to California and stiff pulling on your motherfuckers.

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<v Speaker 1>This man when you go through.

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<v Speaker 3>His discography, he got hit after hit after hit. I

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<v Speaker 3>feel sorry for anybody who ever tried to challenge him

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<v Speaker 3>in the verses because I swear to God and he

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<v Speaker 3>could make any type of music.

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<v Speaker 1>I was just so happy. I'm so proud of you.

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<v Speaker 3>I'm so happy to give you your flowers in case

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<v Speaker 3>you don't know what we talked about.

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<v Speaker 2>You mother.

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<v Speaker 1>Right away. I haven't been drinking. I don't know if

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<v Speaker 1>you know, but I'm drinking today.

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<v Speaker 4>We're drinking.

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<v Speaker 1>What you drinking?

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<v Speaker 2>K Okay?

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<v Speaker 3>Let me ask you because this is a lot of

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<v Speaker 3>things going around right now?

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<v Speaker 1>Are you the mior? What's the mirror? You Meir? You

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<v Speaker 1>don't know what that is.

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<v Speaker 2>I don't know what.

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<v Speaker 1>You try to get something today? Right generation? I thought

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<v Speaker 1>you would know.

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<v Speaker 4>That sounds like it's something like cute or something like.

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<v Speaker 3>I thought it was like a clean like when the mayor. Yeah, yeah,

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<v Speaker 3>you know how to speak Spanish. Spanish though, I'm gonna

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<v Speaker 3>tell you how to speak Spanish.

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<v Speaker 1>In two seconds.

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<v Speaker 3>You're ready, You're gonna speak spell socks very fast.

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<v Speaker 1>Some socks s O c K.

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<v Speaker 4>I say it fast that.

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<v Speaker 1>You learned that ship just learned. Here. Just listen, let's

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<v Speaker 1>let's off from the beginning.

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<v Speaker 3>Queens, how did you How did your family want to

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<v Speaker 3>be queens?

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<v Speaker 4>My parents moved from Haiti, oh wow?

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<v Speaker 2>And then they was living in Brooklyn, Okay.

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<v Speaker 1>And then you know what part of Haiti?

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<v Speaker 2>No, I've never been there before, you've never been there? No?

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<v Speaker 3>Yes, Sunday's off our resident, and he's never been there neither.

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<v Speaker 4>Yeah, I've never been there. Yeah, it's kind of I've

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<v Speaker 4>been there.

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<v Speaker 1>How I've been there.

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<v Speaker 2>Yes, I heard it's kind of wild over there right now, right,

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<v Speaker 2>So yeah, they moved from Brooklyn to like the Long

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<v Speaker 2>Island area. I was born in Queens and I was

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<v Speaker 2>living in Elmont until I was like thirteen.

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<v Speaker 4>Oh wow, until like after nine to eleven. Nine eleven

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<v Speaker 4>happened and my parents like packed up.

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<v Speaker 2>When my mom packed up her tour to Hemri and

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<v Speaker 2>we drove to College Park, Georgia.

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<v Speaker 3>Oh wow, And that's where you made That's where history

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<v Speaker 3>started to make.

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<v Speaker 1>Was you wrapping when you was in No?

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<v Speaker 4>Okay, No, I was just stealing bikes and ship, you know, regularly.

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<v Speaker 1>And you a skateboarder too, right.

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<v Speaker 4>Yeah, yeah, okay, skateboarding Georgia.

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<v Speaker 3>Also in Georgia, nine Queens. Okay, So what before we

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<v Speaker 3>get into you know, you're linking up with the migos

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<v Speaker 3>or whatever, what made you want to start to rap?

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<v Speaker 1>Uh?

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<v Speaker 4>Keeping myself out of trouble.

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<v Speaker 2>I was getting locked up for doing all type of

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<v Speaker 2>dumb ship at the time, and I feel like it

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<v Speaker 2>was like my way out. I was looking for a

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<v Speaker 2>way out. I got a job. I had two jobs.

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<v Speaker 2>I worked one job of Wendy's and I worked at

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<v Speaker 2>a candy factory for like a day.

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<v Speaker 4>Oh really a candy factory.

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<v Speaker 2>Yeah yeah, yeah, I don't know how I got a job,

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<v Speaker 2>but I worked at a candy factory for like a

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<v Speaker 2>couple of hours. You know when they have you packing

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<v Speaker 2>up the candy and like the packages and ship and

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<v Speaker 2>I had like a some type of net on my

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<v Speaker 2>head and I could see the reflection of my face

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<v Speaker 2>in the like the machine, and I just took it off.

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<v Speaker 2>I'm like, this is not for me.

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<v Speaker 4>I took it off.

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<v Speaker 1>It's Wendy's.

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<v Speaker 2>I took the net off my head. I threw it

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<v Speaker 2>on the ground. I was like, I quit. After like

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<v Speaker 2>a couple of hours, I called my dad's on to

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<v Speaker 2>come pick me up. He picked me up in the

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<v Speaker 2>truck and then it was out.

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<v Speaker 1>Now, what's your first rap name?

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<v Speaker 2>Black boy to kid, black boy to kid, black boy

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<v Speaker 2>to kid. Yeah, yeah, I don't know why. I don't know.

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<v Speaker 2>I have no idea. I have no idea why I

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<v Speaker 2>was called black with a kid. But some girl and

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<v Speaker 2>was shoot on some girls and ship. They was like, yo,

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<v Speaker 2>let me ask you something, Why is your name black boy?

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<v Speaker 1>The kids?

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<v Speaker 2>You're not even that dark? And I was like, damn,

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<v Speaker 2>you know what, you got a point it? Yeah, So

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<v Speaker 2>I was like, Ship, you know what, you got a

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<v Speaker 2>point there. And I was like, you know what, I

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<v Speaker 2>know one day I will be rich and I want

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<v Speaker 2>to be rich, so I might as well name myself

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<v Speaker 2>rich right now.

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<v Speaker 1>You know what I'm saying. You know what's crazy.

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<v Speaker 3>I was putting two and two together, and I was like,

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<v Speaker 3>I thought you named yourself rich because after your father

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<v Speaker 3>or like or something like that.

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<v Speaker 4>You want to want to.

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<v Speaker 1>Toda, so boom, you move to Georgia. Is it Georgia

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<v Speaker 1>because College Park?

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<v Speaker 3>College Park, that's what you changing them from, right, college Park?

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<v Speaker 2>Yeah? Yeah. I was living College Parks apartment complex. Some ship.

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<v Speaker 2>I was there.

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<v Speaker 4>It was kind of different from me from New York.

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<v Speaker 4>I was not.

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<v Speaker 2>I was like, I felt like I was in the

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<v Speaker 2>third world country. I didn't understand what then was going on.

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<v Speaker 2>So I remember moving and I got all my stuff

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<v Speaker 2>situated while I was staying with my uncle, and he

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<v Speaker 2>gave me two CDs. He gave me an Outcast City

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<v Speaker 2>and he gave me a t I C So that

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<v Speaker 2>was like my introduction to like hip hop like South.

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<v Speaker 4>That's a great introduction too.

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<v Speaker 3>So so on your journey in New York, you hadn't

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<v Speaker 3>listened to New York artist kid, I had to listen

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<v Speaker 3>to you Southern artists.

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<v Speaker 2>Yeah, I was, you know what I'm saying, But I

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<v Speaker 2>didn't listen to No South. I didn't know anything about that.

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<v Speaker 3>Okay, because this is this, this is what I'm curious,

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<v Speaker 3>because it's got to be a culture class. You're coming

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<v Speaker 3>from Haiti, then Brooklyn, and then.

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<v Speaker 1>You didn't you were born in Haiti. No no, no, no,

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<v Speaker 1>so your.

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<v Speaker 3>Parents so but then you go in from from New

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<v Speaker 3>York and then it had had to be like totally

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<v Speaker 3>different because it was it was city orientated as opposed

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<v Speaker 3>to country orientated.

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<v Speaker 2>I didn't know what the fuck was going on at all,

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<v Speaker 2>So I was there just chilling, broid. I feel like

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<v Speaker 2>that's where I got like acquainted with the trap ship,

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<v Speaker 2>you know what I'm saying. Like the first I don't

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<v Speaker 2>I don't know what they called it, Like, I just

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<v Speaker 2>feel like just the trap life because like my first

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<v Speaker 2>week in school, they gave me baggies and like y'all

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<v Speaker 2>got the weed for you know, what I'm saying. I'm

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<v Speaker 2>on the bus selling weed and ship selling weed. Yeah,

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<v Speaker 2>telling we like my first week in school. Yeah, I

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<v Speaker 2>got some friends. They gave me some weed, you know

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<v Speaker 2>what I'm saying. I go back to the house. I

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<v Speaker 2>got the weed and my pants and ship and my

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<v Speaker 2>mom's like, what the fuck is going on?

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<v Speaker 4>She's like, I'm like, what do you mean? She's like,

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<v Speaker 4>I smell it.

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<v Speaker 2>Where is it?

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<v Speaker 4>I'm like, I don't know what you're talking about.

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<v Speaker 2>So I ended up flushing the flushing the weed and

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<v Speaker 2>then I owe some people some money and ship.

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<v Speaker 4>Hustle it up, you know what I'm saying.

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<v Speaker 2>So that's when I got acquainted with the trap ship feel.

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<v Speaker 3>I take one with just Ice, Yo, I ain't gonna

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<v Speaker 3>lie to you. I'm trying to I was. I'm not

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<v Speaker 3>saying I'm trying to put you in a box, but

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<v Speaker 3>I'm trying to label like your style and the greatest

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<v Speaker 3>thing about you is I feel like you can rhyme

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<v Speaker 3>on anything. Do you feel like that about yourself? So

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<v Speaker 3>like if Lady got God was to call you right now,

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<v Speaker 3>you can just do the record with Yeah.

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<v Speaker 2>Yeah, I stout, I preached outed.

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<v Speaker 3>So what is your favorite thing to do is it

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<v Speaker 3>to make the record or perform the record?

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<v Speaker 2>Uh?

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<v Speaker 4>Probably performing the record, performing like.

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<v Speaker 2>Touching the fans, you know what I'm saying, feeling that

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<v Speaker 2>energy from from the new right Yeah.

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<v Speaker 3>Now let me I'm flipping and bouncing around. The alcohols

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<v Speaker 3>hit me. But you're you've been signed to a couple

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<v Speaker 3>of labels. We'll get into that. But the good thing

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<v Speaker 3>about you is you always put people on. So how

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<v Speaker 3>did you develop that that that type of mind frame

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<v Speaker 3>that like not only you know business, but but bring

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<v Speaker 3>other people in your business.

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<v Speaker 2>I feel like when I started getting blessed by God,

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<v Speaker 2>I'm like, you know what, I'm blessed for a reason

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<v Speaker 2>to pass on the blessing to others, you know what

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<v Speaker 2>I'm saying. So in any way I can help somebody.

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<v Speaker 2>I always wanted to help and share my blessings, right

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<v Speaker 2>for sure?

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<v Speaker 4>Right, So Jesus on, that's honorable.

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<v Speaker 1>Very honor. Quick time with slim earlier.

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<v Speaker 5>Yeah, this is our drinking game. Okay, So we're going

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<v Speaker 5>to give you two choices. You pick one, nobody drinks.

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<v Speaker 5>If you don't pick, like, if you say both or

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<v Speaker 5>neither of them, then we all drinking, all right, And

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<v Speaker 5>that's it. Any stories you got with anybody, because it's

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<v Speaker 5>just about going through your story through these people and

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<v Speaker 5>different things that we mentioned.

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<v Speaker 3>TUPAC or d m xuac d m x any criteria,

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<v Speaker 3>that's hard one.

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<v Speaker 1>Taking a shot yeah okay, and he got the killer right, Yeah, okay,

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<v Speaker 1>what you got? I got back up? Brother. I like

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<v Speaker 1>I like the fact that he took a shot because

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<v Speaker 1>hip hop will be made. You gotta know the fan. Okay.

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<v Speaker 5>Was there anything about either of those artists that might.

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<v Speaker 4>Have inspired you?

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<v Speaker 2>You got you got to meet x No, I never

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<v Speaker 2>got to meet him, but both of them inspired me hugely,

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<v Speaker 2>like that crazy I look, look so.

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<v Speaker 1>All right, nas or jay Z Damn, this is this

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<v Speaker 1>is meant to set you off.

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<v Speaker 3>By the way, the Dominican and Colombia that we're asks

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<v Speaker 3>the questions over there so that they're they're analyzing you question.

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<v Speaker 4>Okay, are you taking a shop?

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<v Speaker 1>Mm hmm yeah, man, okay.

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<v Speaker 3>Kodak Black or twenty one Savage Kodak Black. Do you

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<v Speaker 3>see his slippers, slippers, the Haitian slippers.

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<v Speaker 6>Yeah yeah, yeah, yeah, yeah, yeah yeah, you know you

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<v Speaker 6>had a pair of those.

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<v Speaker 4>That's my Haitian brother.

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<v Speaker 1>You know you did.

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<v Speaker 3>I had come up the Islanders have a paradol Now,

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<v Speaker 3>I had a pair of da you fucked up.

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<v Speaker 7>I was like, I'm like wet style slipping.

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<v Speaker 1>We see talk.

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<v Speaker 4>Yeah, yeah, my dad got the same tub.

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<v Speaker 1>I think you were tripping, not with the slippers. I

0:11:46.679 --> 0:11:50.320
<v Speaker 1>think it was a yeah, like he had on like

0:11:50.400 --> 0:11:52.640
<v Speaker 1>some linen or what's he what you know?

0:11:52.720 --> 0:11:55.040
<v Speaker 3>Kodak Black is kind of like he's kind of fly

0:11:55.240 --> 0:11:57.000
<v Speaker 3>Like he's kind of like a fly young dude. That's

0:11:57.000 --> 0:12:00.440
<v Speaker 3>something that you're into too, fashion right? Yeah? Cool, it's

0:12:00.920 --> 0:12:02.240
<v Speaker 3>time sign a right.

0:12:02.600 --> 0:12:06.240
<v Speaker 2>Yeah, Wayne a young boy, Wayne a young boy and

0:12:06.559 --> 0:12:07.920
<v Speaker 2>obviously Lil Wayne right.

0:12:08.600 --> 0:12:10.000
<v Speaker 1>Try to put some respect on his name. I call

0:12:10.040 --> 0:12:16.679
<v Speaker 1>him a little no more. I respect that you got

0:12:16.679 --> 0:12:22.160
<v Speaker 1>a project with them both shot. I gotta look out

0:12:22.200 --> 0:12:25.200
<v Speaker 1>for you. No pick on this one. I take this shot.

0:12:25.480 --> 0:12:29.679
<v Speaker 1>You know. Look oh ship okay still hm hmm.

0:12:31.840 --> 0:12:34.199
<v Speaker 3>Let's talk about working on because bro, A lot of

0:12:34.200 --> 0:12:37.079
<v Speaker 3>people got little little Wayne features.

0:12:37.160 --> 0:12:37.240
<v Speaker 1>Right.

0:12:38.240 --> 0:12:40.960
<v Speaker 3>If you meet Wayne, it's known that you know he

0:12:40.960 --> 0:12:43.080
<v Speaker 3>gets loves to meet him. You gotta get in that

0:12:43.880 --> 0:12:46.080
<v Speaker 3>and most people can't get that. But you got not

0:12:46.160 --> 0:12:47.920
<v Speaker 3>only songs with him, you got a.

0:12:47.920 --> 0:12:51.439
<v Speaker 1>Whole entire album yeah, yeah, Like how did that come about?

0:12:52.240 --> 0:12:55.160
<v Speaker 2>Man? I think it was like a few weeks after

0:12:56.000 --> 0:12:59.160
<v Speaker 2>me and young Boy dump the album.

0:12:58.120 --> 0:13:02.800
<v Speaker 4>And the FaceTime from Wayne. He hopping on his jet.

0:13:03.360 --> 0:13:05.640
<v Speaker 2>You're like, yo, bro, I'm about to go to my

0:13:05.720 --> 0:13:06.800
<v Speaker 2>daughter's birthday party.

0:13:07.400 --> 0:13:09.559
<v Speaker 4>When I get back, we need to do this album.

0:13:10.240 --> 0:13:14.480
<v Speaker 2>I'm like this album. Yeah he said this album. I said, oh,

0:13:14.600 --> 0:13:16.199
<v Speaker 2>hell yeah, let's do it.

0:13:16.240 --> 0:13:16.800
<v Speaker 1>I can't wait.

0:13:17.679 --> 0:13:24.160
<v Speaker 2>So no Wayne, Yeah, I think he's Wayne, like he'll

0:13:24.240 --> 0:13:26.480
<v Speaker 2>hit me with a song, or I hit him with

0:13:26.480 --> 0:13:28.160
<v Speaker 2>a song. He's sending it back in like twenty four

0:13:28.200 --> 0:13:32.640
<v Speaker 2>hours he saw, so like, we ain't getting the studio

0:13:32.760 --> 0:13:36.760
<v Speaker 2>right away, but I'm always recorded, I'm always working, so

0:13:36.800 --> 0:13:39.720
<v Speaker 2>I always had songs in my notes. So I just

0:13:39.920 --> 0:13:42.640
<v Speaker 2>text him like two or three songs right away and

0:13:42.760 --> 0:13:44.480
<v Speaker 2>he just started sending them back one by one.

0:13:44.800 --> 0:13:47.160
<v Speaker 3>And so so was it was it aimed for being

0:13:47.160 --> 0:13:47.880
<v Speaker 3>a project first?

0:13:48.080 --> 0:13:48.240
<v Speaker 2>Yeah?

0:13:49.640 --> 0:13:51.800
<v Speaker 4>Yeah, he was like, let's do a project together.

0:13:52.400 --> 0:13:54.160
<v Speaker 2>Yeah. I was like, I was like hell yeah.

0:13:54.920 --> 0:13:56.000
<v Speaker 1>And that's after the NBA.

0:13:56.200 --> 0:13:59.520
<v Speaker 2>Yeah, yeah, bro, Little Wayne. I've been looking up to

0:13:59.520 --> 0:14:01.400
<v Speaker 2>the Little Wayne. I was like, a jit, you know

0:14:01.440 --> 0:14:03.600
<v Speaker 2>what I'm saying. His mixtapes got me through, so much

0:14:03.600 --> 0:14:07.480
<v Speaker 2>in life, like jugging finessing to his ship, like it's

0:14:07.559 --> 0:14:12.040
<v Speaker 2>crazy to have an album with Wayne, Like going from

0:14:12.160 --> 0:14:15.520
<v Speaker 2>listening to his CDs on the Trains mixtapes on the bus,

0:14:15.520 --> 0:14:18.880
<v Speaker 2>like riding the bus like I was like, damn, one day,

0:14:19.480 --> 0:14:21.280
<v Speaker 2>I want to be like Wayne type shit. You know

0:14:21.280 --> 0:14:23.480
<v Speaker 2>what I'm saying to him asking me to do an album.

0:14:23.560 --> 0:14:25.280
<v Speaker 2>It's like definitely a blessing because.

0:14:25.080 --> 0:14:28.160
<v Speaker 3>This sounded like mister Miyaki and a karate kid almost

0:14:28.160 --> 0:14:33.400
<v Speaker 3>like like when you listen to it, it's like.

0:14:31.520 --> 0:14:33.640
<v Speaker 1>But it's like in a complimentary right.

0:14:33.800 --> 0:14:35.840
<v Speaker 3>It's like you know his tone, he kind of knows

0:14:35.880 --> 0:14:38.640
<v Speaker 3>your tone, and it's like it's almost like, for lack

0:14:38.680 --> 0:14:40.920
<v Speaker 3>of a better term, for me to compare it to

0:14:41.000 --> 0:14:42.640
<v Speaker 3>something else, it's almost like Watch.

0:14:42.440 --> 0:14:45.640
<v Speaker 1>The Throne like Kanye and and Jay almost you know

0:14:45.640 --> 0:14:46.000
<v Speaker 1>what I'm saying.

0:14:46.040 --> 0:14:48.120
<v Speaker 3>That's what it reminds me to was that something that

0:14:48.160 --> 0:14:50.640
<v Speaker 3>I was like trying to beat or uh.

0:14:50.840 --> 0:14:52.560
<v Speaker 4>No, I feel like we were just doing what we're doing.

0:14:52.600 --> 0:14:55.400
<v Speaker 4>You know what I'm saying. He might have a song

0:14:55.480 --> 0:14:57.840
<v Speaker 4>ready for me and I knock it out real quick.

0:14:57.880 --> 0:14:58.320
<v Speaker 4>You know what I'm saying.

0:14:58.360 --> 0:15:01.000
<v Speaker 2>We just going feeding off each other energy I feel

0:15:01.000 --> 0:15:03.600
<v Speaker 2>like anybody ever did a project with from Migos to

0:15:04.080 --> 0:15:06.760
<v Speaker 2>Young Boy to the Wayne. It's just like we feed

0:15:06.800 --> 0:15:08.720
<v Speaker 2>off each other energy in the booth, in the studio,

0:15:09.520 --> 0:15:11.200
<v Speaker 2>and that's the best way to do it.

0:15:11.280 --> 0:15:12.920
<v Speaker 1>And was this on Universal Republic?

0:15:14.200 --> 0:15:16.520
<v Speaker 4>Yeah, I think this went to Republic.

0:15:16.240 --> 0:15:17.920
<v Speaker 1>Okay, And he was on Republic at that time.

0:15:19.280 --> 0:15:21.120
<v Speaker 4>I think, so okay, I think I was. He's doing

0:15:21.160 --> 0:15:22.000
<v Speaker 4>a couple of labels.

0:15:22.080 --> 0:15:24.440
<v Speaker 1>In the fact that he's not sure to get a

0:15:24.480 --> 0:15:24.960
<v Speaker 1>lot of text.

0:15:27.520 --> 0:15:28.440
<v Speaker 2>That's good.

0:15:31.200 --> 0:15:37.000
<v Speaker 8>It's Keith for Dirk, Chief Keith for Dirk, Chief Keith

0:15:37.040 --> 0:15:41.200
<v Speaker 8>for Dirk. I would have to say Chief Keith.

0:15:41.600 --> 0:15:44.240
<v Speaker 2>He sent me a verse like I did an album

0:15:44.600 --> 0:15:47.200
<v Speaker 2>my last album actually likes to gamble, and I was like, yo,

0:15:48.280 --> 0:15:51.640
<v Speaker 2>I need this song by Friday because I was finn

0:15:51.640 --> 0:15:54.080
<v Speaker 2>to drop the album, but then it ended up getting

0:15:54.080 --> 0:15:54.560
<v Speaker 2>pushed back.

0:15:54.800 --> 0:15:57.880
<v Speaker 4>But he sent to me.

0:15:57.080 --> 0:15:59.840
<v Speaker 2>By Friday before Friday, him saying right away. And I

0:16:00.000 --> 0:16:01.520
<v Speaker 2>respect him for that. I appreciate that.

0:16:01.760 --> 0:16:05.440
<v Speaker 3>Do you feel like Chief Keepers like like somewhat of

0:16:05.440 --> 0:16:07.680
<v Speaker 3>the godfather of that news style of music?

0:16:07.760 --> 0:16:10.720
<v Speaker 2>Yeah, the drill music. Yeah, for sure.

0:16:10.800 --> 0:16:14.240
<v Speaker 4>She keeps opening a way for everybody. For sure. A

0:16:14.240 --> 0:16:16.479
<v Speaker 4>lot of niggas trying to be like chief Key.

0:16:16.680 --> 0:16:19.040
<v Speaker 3>Yeah, he running around there trying to be like nobody. Yeah,

0:16:19.080 --> 0:16:23.600
<v Speaker 3>for sure, he's still himself. Yeah I respect that. Okay,

0:16:23.920 --> 0:16:28.080
<v Speaker 3>the next one.

0:16:27.000 --> 0:16:35.760
<v Speaker 1>I'll sit take a drink. Come on, call back. You

0:16:35.760 --> 0:16:38.360
<v Speaker 1>don't want that little d A got that dope or

0:16:38.440 --> 0:16:39.280
<v Speaker 1>Murder beats?

0:16:40.000 --> 0:16:43.960
<v Speaker 2>Murder beats? Yeah, I remember murder since he was a jit.

0:16:45.840 --> 0:16:51.560
<v Speaker 2>Hell yeah, out cast a U g K Outcasts. That's

0:16:51.600 --> 0:16:52.400
<v Speaker 2>the first season you got.

0:16:52.440 --> 0:16:54.680
<v Speaker 4>Yeah for sure when he when he went down South,

0:16:55.000 --> 0:16:55.560
<v Speaker 4>went down South?

0:16:55.800 --> 0:16:58.840
<v Speaker 1>I want I want to know this one for yay

0:16:59.360 --> 0:16:59.880
<v Speaker 1>or for real?

0:17:00.640 --> 0:17:01.360
<v Speaker 2>Yeah, for real?

0:17:01.840 --> 0:17:04.440
<v Speaker 4>I go yeah, yeah, I got a lot.

0:17:04.359 --> 0:17:07.160
<v Speaker 1>Of records together. Yeah, that's not taking a shot.

0:17:07.160 --> 0:17:09.640
<v Speaker 2>Okay, have you working for him? Uh No, I've never

0:17:09.680 --> 0:17:14.000
<v Speaker 2>worked with for Yeah. I reached out to him, but

0:17:14.119 --> 0:17:17.520
<v Speaker 2>we never worked together. Actually, I just seen him in

0:17:17.680 --> 0:17:20.600
<v Speaker 2>pairing Paris Fast a week. Yeah, and I got his

0:17:21.200 --> 0:17:23.879
<v Speaker 2>number and she said, yeah, text me, you know what

0:17:23.880 --> 0:17:25.160
<v Speaker 2>I'm saying, We're gonna put it together.

0:17:25.640 --> 0:17:27.080
<v Speaker 4>I text her, she's never inn mad.

0:17:27.160 --> 0:17:28.240
<v Speaker 2>So they like that.

0:17:28.440 --> 0:17:35.240
<v Speaker 1>Yeah, don't worry about it too real. My bad, My bad,

0:17:35.600 --> 0:17:38.160
<v Speaker 1>They like they don't worry about it. It's love. It's love.

0:17:38.200 --> 0:17:44.399
<v Speaker 1>It's love love. Huh, well you fixed it?

0:17:46.600 --> 0:17:47.439
<v Speaker 4>I don't see it?

0:17:47.680 --> 0:17:54.639
<v Speaker 3>Okay, Nicky Jam, Oh best up, bloom Pluma, best plum bro,

0:17:55.000 --> 0:17:58.720
<v Speaker 3>you know best blouse. We said we see you with

0:17:58.800 --> 0:18:01.400
<v Speaker 3>Nicky Jam the other day, Yes, yesterday, I'm on point.

0:18:01.600 --> 0:18:04.199
<v Speaker 4>I got a studio with him tonight. Okay, damn it.

0:18:04.400 --> 0:18:08.600
<v Speaker 2>Where by I'm gonna have to say pay some blowing.

0:18:08.640 --> 0:18:10.000
<v Speaker 2>That's my brother, bro.

0:18:10.359 --> 0:18:20.720
<v Speaker 7>And how do y'all talk language speaking? They told me

0:18:21.000 --> 0:18:22.600
<v Speaker 7>speak English?

0:18:22.680 --> 0:18:22.880
<v Speaker 4>Yeah.

0:18:23.320 --> 0:18:24.200
<v Speaker 1>The people that call me.

0:18:24.160 --> 0:18:28.000
<v Speaker 4>Talking about yeah, I need record did want me to know.

0:18:27.960 --> 0:18:31.320
<v Speaker 2>We got what I'm telling you. I had more than one.

0:18:31.359 --> 0:18:32.800
<v Speaker 2>You know we're working on some ship.

0:18:33.560 --> 0:18:35.359
<v Speaker 1>That's crazy. How did y'all mainke up?

0:18:36.359 --> 0:18:40.400
<v Speaker 2>I think about a year and a half ago, I

0:18:40.440 --> 0:18:43.320
<v Speaker 2>was just checking out some ship and I came across

0:18:43.359 --> 0:18:47.159
<v Speaker 2>his music and I hit him up. Was DM Yeah.

0:18:47.440 --> 0:18:50.359
<v Speaker 2>I was like, yo, bro, your ship is fire. He

0:18:50.440 --> 0:18:52.919
<v Speaker 2>sent me his number, He's like, YO, call me. I

0:18:52.920 --> 0:18:55.320
<v Speaker 2>called him. He spoke on FaceTime. He's like, brobab listening

0:18:55.359 --> 0:18:58.399
<v Speaker 2>to your music for like eight years. Really, I was like, damn,

0:18:58.480 --> 0:19:02.240
<v Speaker 2>that's fire. So like we were both on the road

0:19:02.280 --> 0:19:07.040
<v Speaker 2>for a while and who's I think, Oh, who's that

0:19:08.280 --> 0:19:09.600
<v Speaker 2>who's that bad bunny show?

0:19:10.040 --> 0:19:10.480
<v Speaker 1>Oh wow?

0:19:10.600 --> 0:19:13.280
<v Speaker 2>And I ran into him again okay, and he was like,

0:19:13.440 --> 0:19:16.679
<v Speaker 2>we need to get in, so like he couldn't get in, No,

0:19:16.720 --> 0:19:18.520
<v Speaker 2>we need to get indiot.

0:19:19.320 --> 0:19:21.040
<v Speaker 1>I was like, y'all you think I couldn't get ink.

0:19:21.720 --> 0:19:23.680
<v Speaker 2>He like, let's get in the studio. And a couple

0:19:23.680 --> 0:19:25.840
<v Speaker 2>of days later I pulled up on him. I played

0:19:25.920 --> 0:19:28.000
<v Speaker 2>him a couple of records and he was like, oh, yeah,

0:19:28.000 --> 0:19:30.679
<v Speaker 2>this is the one, right, and then the chemistry just

0:19:30.880 --> 0:19:33.120
<v Speaker 2>he just went crazy on it, like all right, it

0:19:33.160 --> 0:19:34.359
<v Speaker 2>was fine, let.

0:19:34.240 --> 0:19:34.880
<v Speaker 1>Me ask you something.

0:19:34.960 --> 0:19:36.840
<v Speaker 3>This is this is this from an artist, and damn point,

0:19:36.960 --> 0:19:39.320
<v Speaker 3>I'm not coming from a podcast. The only time I

0:19:39.400 --> 0:19:43.159
<v Speaker 3>kind of actually traded fast this is real ship. And

0:19:43.200 --> 0:19:48.240
<v Speaker 3>I've been rapping for twenty seven because Mother Flint would

0:19:48.240 --> 0:19:50.320
<v Speaker 3>just turned twenty five, so like twenty seven years. The

0:19:50.400 --> 0:19:53.520
<v Speaker 3>only time I ever felt like I traded fans. There's

0:19:53.560 --> 0:19:58.200
<v Speaker 3>two funny ass features Daddy Yankee, which is a Spanish

0:19:58.320 --> 0:20:00.480
<v Speaker 3>artist and reggaetar artist. When I I did a record

0:20:00.520 --> 0:20:02.400
<v Speaker 3>with Daddy Yankee, I started to see what.

0:20:02.320 --> 0:20:06.000
<v Speaker 1>They call him beer house. Yeah yeah, the old ladies.

0:20:06.760 --> 0:20:08.560
<v Speaker 1>Older ladies will come up to me and be like.

0:20:10.000 --> 0:20:12.159
<v Speaker 3>I'm like, oh, ship, this ship actually works, like I

0:20:12.240 --> 0:20:16.160
<v Speaker 3>actually like, I actually got his fist. I'm gonna tell

0:20:16.200 --> 0:20:17.960
<v Speaker 3>y'all tell your own ball.

0:20:18.920 --> 0:20:19.959
<v Speaker 1>It's gonna fuck it up.

0:20:21.040 --> 0:20:23.080
<v Speaker 3>You know the only other time I felt like I

0:20:23.119 --> 0:20:33.200
<v Speaker 3>traded fans for an artist acts somebody asks who kill.

0:20:33.520 --> 0:20:33.800
<v Speaker 1>Listen?

0:20:34.040 --> 0:20:35.280
<v Speaker 2>You know, listen.

0:20:35.680 --> 0:20:39.479
<v Speaker 1>It wasn't the best you know what, I don't know.

0:20:39.880 --> 0:20:41.680
<v Speaker 1>They call black woman older black woman.

0:20:43.480 --> 0:20:45.880
<v Speaker 3>By the way, I squear to you, I've been because

0:20:45.920 --> 0:20:47.840
<v Speaker 3>you know, you do collapse, and you got a lot

0:20:47.840 --> 0:20:52.800
<v Speaker 3>of collapse. Me and Pun, I text Pun from heaven

0:20:52.840 --> 0:20:55.240
<v Speaker 3>now and then, and you know, me and Poement was

0:20:55.280 --> 0:20:57.719
<v Speaker 3>the feature kings so and you took our Crown were

0:20:57.800 --> 0:20:59.560
<v Speaker 3>like that, we like that, we salute that.

0:20:59.680 --> 0:21:04.800
<v Speaker 1>But trying to say, is holy ship? How crazy is that?

0:21:04.800 --> 0:21:05.560
<v Speaker 2>That's crazy?

0:21:05.880 --> 0:21:07.720
<v Speaker 1>Mm hm Do you do you feel that that trade

0:21:07.760 --> 0:21:08.480
<v Speaker 1>that he's talking about?

0:21:08.480 --> 0:21:13.600
<v Speaker 2>Oh yeah, for sure. You special man. He's got a

0:21:13.600 --> 0:21:16.919
<v Speaker 2>crazy movement. Got a crazy movement, man. But we just

0:21:17.000 --> 0:21:20.480
<v Speaker 2>dropped the song and it's like, I'm independent now. So

0:21:20.800 --> 0:21:26.040
<v Speaker 2>the song was already gold independently, the Empire independent regularly,

0:21:26.080 --> 0:21:30.480
<v Speaker 2>and I did a distribution with Gamma. So yeah, bro,

0:21:30.560 --> 0:21:37.920
<v Speaker 2>it's like they're going ready, Yeah, it's about to be Yeah.

0:21:38.920 --> 0:21:39.919
<v Speaker 4>So it's fire Bros.

0:21:39.960 --> 0:21:43.760
<v Speaker 2>Fire. The video went crazy. Yeah. I was excited for

0:21:43.800 --> 0:21:49.399
<v Speaker 2>that record, definitely, like crossover type ship in twining in

0:21:49.520 --> 0:21:53.600
<v Speaker 2>two worlds. All right, let's keep going French or Ross,

0:21:54.359 --> 0:21:58.159
<v Speaker 2>French or Ross mm hmm, man, I would have to

0:21:58.200 --> 0:22:01.400
<v Speaker 2>say French. Yeah, French gave me like one of my

0:22:01.440 --> 0:22:05.600
<v Speaker 2>first verses on Like, I had a record called Jumping

0:22:05.680 --> 0:22:09.840
<v Speaker 2>like Jordan's that was going crazy in the hood and

0:22:10.560 --> 0:22:11.919
<v Speaker 2>shout out to recy.

0:22:12.119 --> 0:22:13.800
<v Speaker 1>She put the record together with French.

0:22:14.760 --> 0:22:19.880
<v Speaker 2>Uh and my brother Changs Drugs RB Chinks. Yeah bro,

0:22:20.119 --> 0:22:23.720
<v Speaker 2>and they showed me so much love. Like way back,

0:22:23.760 --> 0:22:26.240
<v Speaker 2>I didn't have any hits or anything. He hopped on

0:22:26.280 --> 0:22:29.240
<v Speaker 2>the record and went crazy French.

0:22:32.359 --> 0:22:36.520
<v Speaker 5>He has a good eye for like identifying fallon and I.

0:22:36.480 --> 0:22:40.240
<v Speaker 1>Respect that too, Like you know, oh ship. So I'm

0:22:40.280 --> 0:22:41.120
<v Speaker 1>like plus, so.

0:22:42.440 --> 0:22:57.000
<v Speaker 9>You're getting miles and when you sit down, Miles.

0:23:02.560 --> 0:23:05.480
<v Speaker 1>Actually, actually I didn't stop it. I don't stop it

0:23:05.520 --> 0:23:10.680
<v Speaker 1>and let it run off. So so let's let's let's

0:23:10.680 --> 0:23:13.840
<v Speaker 1>take it back. No no, no, let's w.

0:23:15.880 --> 0:23:18.960
<v Speaker 2>W tang clan. Damn.

0:23:21.280 --> 0:23:22.200
<v Speaker 4>I'm gonna take a shot.

0:23:22.280 --> 0:23:26.959
<v Speaker 3>Okay, yeah, no, I ain't got a shot.

0:23:27.160 --> 0:23:29.600
<v Speaker 1>How old were you when you moved from Queens to thirteen?

0:23:29.680 --> 0:23:32.520
<v Speaker 2>Right, thirteen, Yeah, so you already you had the music

0:23:32.560 --> 0:23:35.640
<v Speaker 2>and you already yeah sure, yeah he took a shot

0:23:35.640 --> 0:23:37.400
<v Speaker 2>for it though, right yeah, yeah, cool.

0:23:37.880 --> 0:23:40.800
<v Speaker 3>That's a very hard thing. And yeah yeah, I mean

0:23:40.960 --> 0:23:43.200
<v Speaker 3>I think they do. Big fans of both of them, right,

0:23:43.600 --> 0:23:46.399
<v Speaker 3>that's what you listening to your music and then like,

0:23:47.040 --> 0:23:49.360
<v Speaker 3>you know, studying you, I could tell you a hip

0:23:49.400 --> 0:23:52.360
<v Speaker 3>hop hip hop like it's not like phony with you,

0:23:52.440 --> 0:23:55.280
<v Speaker 3>like yeah, yeah, I could tell that through your soul.

0:23:55.840 --> 0:23:58.320
<v Speaker 3>And every time I've seen you too. One thing we

0:23:58.400 --> 0:24:00.480
<v Speaker 3>all you know, we said, we said we we got you.

0:24:01.040 --> 0:24:03.119
<v Speaker 3>I think everybody in the room was like, you'll we

0:24:03.240 --> 0:24:05.520
<v Speaker 3>like him, bro, like like people fuck with you, like

0:24:05.520 --> 0:24:07.639
<v Speaker 3>like like you know what I'm saying, your music. But

0:24:07.680 --> 0:24:09.840
<v Speaker 3>then when when a person get to meet you and

0:24:09.840 --> 0:24:12.040
<v Speaker 3>see you in the streets, you're like, you're like you

0:24:12.040 --> 0:24:14.680
<v Speaker 3>know you you you abimrale dude.

0:24:14.680 --> 0:24:15.240
<v Speaker 1>You know what I'm saying.

0:24:15.280 --> 0:24:17.720
<v Speaker 3>So thank people fuck with you like that. That's that's

0:24:17.760 --> 0:24:19.439
<v Speaker 3>a good thing. Okay, I got a good shot, right,

0:24:19.480 --> 0:24:21.159
<v Speaker 3>I'm talking. I got to take a shot, bro. And

0:24:21.480 --> 0:24:22.840
<v Speaker 3>you're clucking in miles too.

0:24:23.840 --> 0:24:27.840
<v Speaker 5>Uh, it's like Nipsey are Easy.

0:24:28.720 --> 0:24:31.720
<v Speaker 4>Rest and peace of both. Took a shot shot r

0:24:31.840 --> 0:24:33.880
<v Speaker 4>P Brothers.

0:24:36.080 --> 0:24:37.440
<v Speaker 1>Fab or Jadakiss.

0:24:40.720 --> 0:24:45.359
<v Speaker 2>Man. I have to say Jadakiss because he showed me

0:24:45.359 --> 0:24:46.240
<v Speaker 2>a lot of love too.

0:24:46.320 --> 0:24:49.000
<v Speaker 4>Also, that's right, yeah, but both of them show me love.

0:24:49.040 --> 0:24:52.080
<v Speaker 2>But another I had another record that I just did

0:24:52.080 --> 0:24:55.680
<v Speaker 2>with Jadakiss and it was crazy. He went, he gave

0:24:55.720 --> 0:24:59.520
<v Speaker 2>me a crazy verse. Actually I dropping. I still got

0:24:59.520 --> 0:25:00.440
<v Speaker 2>it in the ball right now.

0:25:00.520 --> 0:25:02.959
<v Speaker 3>Okay, you got to Jada kids verse. Now, this is

0:25:03.040 --> 0:25:05.280
<v Speaker 3>Jada with his hairline, without his hairline.

0:25:07.000 --> 0:25:11.600
<v Speaker 2>I don't know what that means, you know, taking.

0:25:11.359 --> 0:25:14.360
<v Speaker 1>A shot at him. That's my brother. We got hairline beef.

0:25:16.720 --> 0:25:18.199
<v Speaker 1>You got a joint. Thank you.

0:25:22.160 --> 0:25:23.680
<v Speaker 4>Shout out to the Locks and their tour man, they're

0:25:23.680 --> 0:25:24.120
<v Speaker 4>still in there.

0:25:25.320 --> 0:25:26.879
<v Speaker 1>You gotta give me the dates. Jada told me to

0:25:26.880 --> 0:25:27.880
<v Speaker 1>come out. I gotta come out.

0:25:28.560 --> 0:25:31.320
<v Speaker 3>Yeah, Bro, I seem like I'm Hollywood and ship because

0:25:32.000 --> 0:25:34.560
<v Speaker 3>because like like it's hard for two artists to communicate

0:25:34.600 --> 0:25:36.359
<v Speaker 3>and ship. I'm like, send me the dates. And then

0:25:36.359 --> 0:25:37.760
<v Speaker 3>he's like, when you're coming out, I'm.

0:25:37.600 --> 0:25:40.800
<v Speaker 1>Like, sir, you didn't send me the dates. Like he's

0:25:40.840 --> 0:25:44.080
<v Speaker 1>high high. Yeah, it's not really that good, Yaddy, or

0:25:44.200 --> 0:25:45.240
<v Speaker 1>n L Chopper.

0:25:45.760 --> 0:25:47.399
<v Speaker 4>Yadi or Eli Chappa.

0:25:47.560 --> 0:25:50.439
<v Speaker 1>Yeah, but the hat.

0:25:52.520 --> 0:25:56.840
<v Speaker 2>No, the hash for the rest, I will have to

0:25:56.840 --> 0:26:00.800
<v Speaker 2>say Yadi because I like we kind of came up together.

0:26:01.880 --> 0:26:05.920
<v Speaker 3>Yeah, Yady said Bronx niggas can't dress. Yeah, he's fould

0:26:05.960 --> 0:26:09.399
<v Speaker 3>for that. Yeah he was driven, he's ripping. But I

0:26:09.440 --> 0:26:12.920
<v Speaker 3>like that because Jim Jones responded, and Jim Jones said, uh,

0:26:13.400 --> 0:26:16.600
<v Speaker 3>unless he would get the flyers.

0:26:15.880 --> 0:26:19.280
<v Speaker 1>For a thousand dollars. I think they're doing that. I

0:26:19.280 --> 0:26:20.080
<v Speaker 1>think they're coming up.

0:26:20.320 --> 0:26:24.320
<v Speaker 3>I actually loved that idea because you know, if you

0:26:24.400 --> 0:26:26.960
<v Speaker 3>really fly, it doesn't cost a lot of money. And

0:26:27.200 --> 0:26:29.000
<v Speaker 3>I like the fact that that was a younger generation

0:26:29.080 --> 0:26:31.240
<v Speaker 3>and the older generation making with best of it.

0:26:31.280 --> 0:26:31.880
<v Speaker 1>You know what I'm saying.

0:26:32.560 --> 0:26:34.440
<v Speaker 3>I like, I like, everything doesn't have to be beef.

0:26:34.920 --> 0:26:36.880
<v Speaker 3>Disagreement doesn't have to be beefing, you know what I'm saying.

0:26:36.960 --> 0:26:39.080
<v Speaker 3>Like I keep my ship golden. You know what I'm saying,

0:26:39.200 --> 0:26:40.000
<v Speaker 3>he keeps his ship.

0:26:40.119 --> 0:26:45.560
<v Speaker 1>And the clause we don't beat gold I just wanted to,

0:26:47.160 --> 0:26:49.160
<v Speaker 1>you know what I'm saying, they don't got to be beef.

0:26:49.240 --> 0:26:51.560
<v Speaker 3>So I like when hip hop, you know, does ship

0:26:51.640 --> 0:26:53.239
<v Speaker 3>like that, So big big up, to Yachdy and big

0:26:53.320 --> 0:26:55.480
<v Speaker 3>up to Jim Jones and big up to Italy Chopper

0:26:55.520 --> 0:26:57.959
<v Speaker 3>too rough riders a Rockefeller.

0:27:00.119 --> 0:27:01.159
<v Speaker 4>Riders a Rockefeller.

0:27:03.480 --> 0:27:09.879
<v Speaker 2>Mm hmmm, mm hmmm. I would have to go with

0:27:11.080 --> 0:27:14.960
<v Speaker 2>Rockefeller was a bigger fan of I wanted the Rock Chain.

0:27:16.240 --> 0:27:17.919
<v Speaker 3>Graft one of the Rock Chain and signed to the

0:27:17.960 --> 0:27:19.000
<v Speaker 3>Rock and still didn't get one.

0:27:19.160 --> 0:27:19.440
<v Speaker 2>Damn.

0:27:19.720 --> 0:27:21.400
<v Speaker 4>Yeah, he didn't sign and he got one.

0:27:21.480 --> 0:27:24.720
<v Speaker 1>I didn't sign. I got two. I got to you

0:27:24.760 --> 0:27:28.440
<v Speaker 1>know what I'm saying. I did my queen ship.

0:27:28.280 --> 0:27:33.680
<v Speaker 3>Nigga, I got I got one and got another one.

0:27:34.000 --> 0:27:38.919
<v Speaker 2>So you said Rockefeller, okay, Coler Kendrick Colon Kendrick, Kendrick

0:27:39.640 --> 0:27:41.919
<v Speaker 2>fast Yeah yeah, Kendrick, he gave me one of my

0:27:41.960 --> 0:27:43.120
<v Speaker 2>first features.

0:27:43.600 --> 0:27:45.879
<v Speaker 3>Now, now hold on, hold on cold, because what did

0:27:45.880 --> 0:27:47.600
<v Speaker 3>you say on the record? You said she wanted to

0:27:47.880 --> 0:27:49.560
<v Speaker 3>in the ap new Freezer?

0:27:49.680 --> 0:27:50.280
<v Speaker 1>What does that mean?

0:27:50.320 --> 0:27:52.720
<v Speaker 2>Bust out a p Yeah, she wanted to funk my

0:27:52.800 --> 0:27:55.680
<v Speaker 2>AP like she she's in love with my watch.

0:27:55.920 --> 0:28:00.600
<v Speaker 1>Okay, so that's why I water bust now. Yeah, you know,

0:28:01.640 --> 0:28:03.639
<v Speaker 1>I ain't want to ask nobody. I was like you,

0:28:04.040 --> 0:28:05.520
<v Speaker 1>I said, you still hip hop? You know, you know

0:28:05.560 --> 0:28:05.880
<v Speaker 1>we know.

0:28:05.840 --> 0:28:08.800
<v Speaker 3>Exactly what you mean. So I'm glad that it's new freezing.

0:28:09.440 --> 0:28:11.680
<v Speaker 3>I'm cool enough to be in a new freezing category.

0:28:11.760 --> 0:28:13.800
<v Speaker 3>Got Well, we'll get back to the feature because I

0:28:13.800 --> 0:28:16.600
<v Speaker 3>want to know how that came about. Okay, but hmm,

0:28:16.960 --> 0:28:17.960
<v Speaker 3>Gucci Man or t.

0:28:18.040 --> 0:28:25.920
<v Speaker 2>I Gucci Man or t I Gucci Man and t I.

0:28:27.400 --> 0:28:27.640
<v Speaker 1>Man.

0:28:27.800 --> 0:28:29.960
<v Speaker 4>That's hard. I'm gonna take a shot.

0:28:30.040 --> 0:28:38.120
<v Speaker 3>I mean I'm in solo, all right. Uh dollard signs

0:28:38.120 --> 0:28:39.120
<v Speaker 3>for Chris Brown.

0:28:40.760 --> 0:28:43.920
<v Speaker 2>To dollars sign Yeah, yeah, yeah, that's my bro. That's

0:28:43.960 --> 0:28:48.960
<v Speaker 2>my nigga, my brother to change a little boozy tow

0:28:49.200 --> 0:28:55.280
<v Speaker 2>chains or a little boozy mm hmmm, two chains, a

0:28:55.400 --> 0:28:58.520
<v Speaker 2>little boozy. I don't have to go with two chains.

0:28:59.400 --> 0:29:03.920
<v Speaker 2>That's like big bro. Beer a lot of beer, A

0:29:03.960 --> 0:29:10.360
<v Speaker 2>lot of beer, a lot of mm hmm hmm.

0:29:13.760 --> 0:29:17.200
<v Speaker 3>I know you got story. It's just going through his mind.

0:29:18.600 --> 0:29:26.400
<v Speaker 3>He can't even help it. I'm look okay a t

0:29:26.560 --> 0:29:29.480
<v Speaker 3>L or L A ship a t l l A

0:29:30.200 --> 0:29:32.720
<v Speaker 3>A t l A t l This is the last

0:29:32.720 --> 0:29:34.200
<v Speaker 3>one for a quick time of slim. You're going back

0:29:34.200 --> 0:29:41.640
<v Speaker 3>into the interview. Loyalty or respects here?

0:29:41.720 --> 0:29:42.160
<v Speaker 2>Respect?

0:29:42.280 --> 0:29:43.080
<v Speaker 4>I didn't take a shot.

0:29:43.160 --> 0:29:51.080
<v Speaker 1>Okay, that's the right, great, take a real shot. Don't

0:29:51.120 --> 0:29:52.600
<v Speaker 1>take a drink, give a shot.

0:29:53.200 --> 0:29:55.920
<v Speaker 3>That's the real you know, that's We've been doing this

0:29:55.960 --> 0:29:59.520
<v Speaker 3>for eight years. What we say is like like, that's

0:29:59.520 --> 0:30:01.240
<v Speaker 3>the only time you should take a shot when we

0:30:01.320 --> 0:30:03.560
<v Speaker 3>do this. You know what I'm saying, because one watches

0:30:03.600 --> 0:30:06.960
<v Speaker 3>the other, and especially in this game, Like I just

0:30:07.000 --> 0:30:11.400
<v Speaker 3>looked at your face and I know that. Yeah, Salo, Salo, Salo.

0:30:14.360 --> 0:30:18.040
<v Speaker 3>So let's talk about the advantages of being on major labels.

0:30:18.120 --> 0:30:21.480
<v Speaker 3>I think you was on Republic, right Universal. I believe

0:30:21.480 --> 0:30:23.360
<v Speaker 3>he was on Interscope. Yeah, I believe that at one time.

0:30:23.360 --> 0:30:27.280
<v Speaker 3>You even spend some time with Gazi over there at Empire.

0:30:27.680 --> 0:30:29.840
<v Speaker 3>What is the pluses for people that's trying to come

0:30:29.840 --> 0:30:32.680
<v Speaker 3>into this game, for a young person that's looking up

0:30:32.720 --> 0:30:34.200
<v Speaker 3>to you and they say, all right, cool, what is

0:30:34.240 --> 0:30:36.480
<v Speaker 3>the pluses of being with a major Because I'm a

0:30:36.480 --> 0:30:39.040
<v Speaker 3>major label guy. He's an independent guy. But we both

0:30:39.280 --> 0:30:42.040
<v Speaker 3>make compromises. So can you explain to a person who's

0:30:42.080 --> 0:30:44.400
<v Speaker 3>been sleeping under a rock and doesn't know Kanye is

0:30:44.440 --> 0:30:46.560
<v Speaker 3>not making sneakers no more so?

0:30:46.880 --> 0:30:50.080
<v Speaker 1>Can you explain to them the major verse.

0:30:50.360 --> 0:30:54.360
<v Speaker 4>What I'm to say. Major labels, they're like a Chico.

0:30:54.600 --> 0:30:57.560
<v Speaker 2>You know what I'm saying, they have all the relationships

0:30:57.560 --> 0:31:00.720
<v Speaker 2>they've been building for twenty and thirty years, forty fifty whatever,

0:31:00.720 --> 0:31:01.520
<v Speaker 2>how many years.

0:31:02.280 --> 0:31:02.920
<v Speaker 4>You know what I'm saying.

0:31:03.880 --> 0:31:08.760
<v Speaker 2>They have everything, the whole infrastructure of what they've been

0:31:08.760 --> 0:31:13.200
<v Speaker 2>building for twenty and thirty years. I feel like being independent,

0:31:13.320 --> 0:31:16.440
<v Speaker 2>you have to use your own relationships. You know what

0:31:16.480 --> 0:31:19.600
<v Speaker 2>I'm saying that as a rapper or artist, you might

0:31:19.640 --> 0:31:21.400
<v Speaker 2>have only been in the game for like four or

0:31:21.400 --> 0:31:23.360
<v Speaker 2>five years. You know what I'm saying, You got to

0:31:23.480 --> 0:31:26.760
<v Speaker 2>use all them. But they got every every single person

0:31:26.920 --> 0:31:31.280
<v Speaker 2>on Spotify, every single Purple on Apple Music, Amazon, you

0:31:31.360 --> 0:31:37.400
<v Speaker 2>know what I'm saying, to everything, every single person on Uber, Lift, Airbnb, whatever.

0:31:38.160 --> 0:31:39.640
<v Speaker 1>You know what I'm saying, They got everybody.

0:31:39.680 --> 0:31:41.520
<v Speaker 3>Wait talking about this, I'm old, what the fuck they're

0:31:41.600 --> 0:31:43.920
<v Speaker 3>hiring Uber Travis Now, I'm just saying, they.

0:31:45.880 --> 0:31:46.440
<v Speaker 4>Of everything.

0:31:46.760 --> 0:31:47.360
<v Speaker 1>You know what I'm saying.

0:31:47.440 --> 0:31:50.120
<v Speaker 3>That's ill, Like you're getting a card play your ship

0:31:50.400 --> 0:31:54.240
<v Speaker 3>you didn't even know it their own are.

0:31:54.200 --> 0:31:55.000
<v Speaker 4>Even thinking of you?

0:31:55.160 --> 0:31:59.400
<v Speaker 1>I say, like you hire Elon Holy Yeah.

0:31:59.600 --> 0:32:03.000
<v Speaker 2>Yeah, there's definitely some ups and downs to being signed

0:32:03.040 --> 0:32:04.760
<v Speaker 2>to a level where being you know what I'm saying.

0:32:04.760 --> 0:32:06.880
<v Speaker 1>So, but but you were independent.

0:32:07.040 --> 0:32:09.880
<v Speaker 5>Yeah, you were doing independent stuff before ever science, Yeah

0:32:09.880 --> 0:32:12.160
<v Speaker 5>for sure, and you already had some success. And that's

0:32:12.160 --> 0:32:15.560
<v Speaker 5>my argument that if you find success independently, then you

0:32:15.600 --> 0:32:16.960
<v Speaker 5>could make a better deal with the mayor.

0:32:17.080 --> 0:32:17.840
<v Speaker 1>Here's my argument.

0:32:18.440 --> 0:32:20.280
<v Speaker 3>Yes, by the way, I don't disagree with that, but

0:32:20.320 --> 0:32:22.960
<v Speaker 3>here's my argument. This is what I always think. I

0:32:23.040 --> 0:32:25.480
<v Speaker 3>always think, you signed to the major, let them spend

0:32:25.520 --> 0:32:28.360
<v Speaker 3>that bag on you. Yeah, because once they can't take

0:32:28.400 --> 0:32:29.120
<v Speaker 3>back fame.

0:32:29.200 --> 0:32:32.480
<v Speaker 2>For sure, Like I get to a level where you

0:32:32.480 --> 0:32:35.560
<v Speaker 2>don't need a label, Yes, for sure, that's definitely possible.

0:32:36.240 --> 0:32:41.080
<v Speaker 2>I feel like sometimes signed to a label and just

0:32:41.160 --> 0:32:45.880
<v Speaker 2>waiting on that, or sign into a label and you

0:32:45.960 --> 0:32:49.320
<v Speaker 2>signed to them, you're not knowing exactly what you're gonna get,

0:32:49.680 --> 0:32:50.240
<v Speaker 2>you know what I'm saying.

0:32:50.280 --> 0:32:53.480
<v Speaker 4>You could have of course, the contract that says they're.

0:32:53.320 --> 0:32:55.160
<v Speaker 2>Gonna spend that bag, they're gonna spend it how they

0:32:55.200 --> 0:32:57.160
<v Speaker 2>want to and when they want to, you know what

0:32:57.160 --> 0:33:01.440
<v Speaker 2>I'm saying. So like one, for instance, Raydeo labels don't

0:33:01.440 --> 0:33:03.200
<v Speaker 2>spend a lot of money over They don't like to

0:33:03.200 --> 0:33:05.360
<v Speaker 2>spend a lot of money on radio because they don't

0:33:05.400 --> 0:33:06.920
<v Speaker 2>really make money off radio. You know what I'm saying,

0:33:06.960 --> 0:33:10.040
<v Speaker 2>the artists book shows and they get money off radio.

0:33:10.160 --> 0:33:14.320
<v Speaker 2>So unless you are high like super streaming artists and

0:33:14.360 --> 0:33:17.680
<v Speaker 2>that song is already gone and going there, they're not

0:33:17.760 --> 0:33:19.320
<v Speaker 2>really gonna they'll double down on that.

0:33:19.480 --> 0:33:21.080
<v Speaker 3>You know what I'm saying because I heard you say

0:33:21.120 --> 0:33:23.600
<v Speaker 3>that if you signed with a label, whoever, they star

0:33:23.800 --> 0:33:26.440
<v Speaker 3>artists want to treat exact way.

0:33:27.160 --> 0:33:28.720
<v Speaker 1>Like when I was signed to Republic.

0:33:28.760 --> 0:33:31.640
<v Speaker 2>I'm like, y'all got the Weekend, y'all got Nigga Minaj.

0:33:31.720 --> 0:33:34.080
<v Speaker 2>I want the same treatment y'all give them, I'm saying

0:33:34.080 --> 0:33:37.480
<v Speaker 2>because I'm that caliber right for sure?

0:33:37.520 --> 0:33:40.560
<v Speaker 3>Hell yeah, I mean that's why you know listen, man,

0:33:41.480 --> 0:33:42.680
<v Speaker 3>I love fucking.

0:33:42.360 --> 0:33:43.320
<v Speaker 1>Five star hotel.

0:33:43.400 --> 0:33:44.040
<v Speaker 2>Yeah for sure.

0:33:44.280 --> 0:33:50.280
<v Speaker 3>And when I went from major to independent, oh, I

0:33:50.400 --> 0:33:53.800
<v Speaker 3>must have sounded like a Prima donna. All them niggas

0:33:53.800 --> 0:33:57.360
<v Speaker 3>booked me in the motel, I said, Holy moly, I'm platinum.

0:33:58.320 --> 0:34:01.760
<v Speaker 1>Just don't go together. I was me. I was a

0:34:02.000 --> 0:34:04.600
<v Speaker 1>mad as a motherfucker. I was like, this independence shit

0:34:04.640 --> 0:34:04.920
<v Speaker 1>ain't me.

0:34:05.080 --> 0:34:07.760
<v Speaker 3>But that was because I was so pampered at the time,

0:34:08.239 --> 0:34:12.880
<v Speaker 3>Like going from Depth Jam to fucking gold Face Records.

0:34:13.480 --> 0:34:15.880
<v Speaker 3>It just didn't work out for me. But if I

0:34:15.880 --> 0:34:19.319
<v Speaker 3>would have grinded it out. But but again we you

0:34:19.400 --> 0:34:22.520
<v Speaker 3>guys have direct to consumer, like you don't have to

0:34:22.520 --> 0:34:26.759
<v Speaker 3>go it's a different Independence is a better independent.

0:34:26.280 --> 0:34:28.440
<v Speaker 1>Like you're sure your fans could go with you. Do

0:34:28.440 --> 0:34:29.600
<v Speaker 1>you feel your fans with with you?

0:34:29.719 --> 0:34:33.400
<v Speaker 2>Yeah, But it's also about what you want out of

0:34:33.480 --> 0:34:35.840
<v Speaker 2>being an artist and what you want out of your career.

0:34:35.880 --> 0:34:39.320
<v Speaker 2>You know what I'm saying. I don't know some things

0:34:39.760 --> 0:34:43.560
<v Speaker 2>that it's really difficult to do as being an independent artist,

0:34:44.239 --> 0:34:46.400
<v Speaker 2>you feel me. So it just really depends on what

0:34:46.440 --> 0:34:48.440
<v Speaker 2>you want out of it and how much ownership you

0:34:48.480 --> 0:34:48.800
<v Speaker 2>want it.

0:34:49.600 --> 0:34:51.799
<v Speaker 5>You might regret now like you're saying now you're about

0:34:51.800 --> 0:34:53.680
<v Speaker 5>to get the rights reverted back.

0:34:53.760 --> 0:34:54.839
<v Speaker 1>Yeah, you know what I'm saying.

0:34:54.880 --> 0:34:57.520
<v Speaker 5>But that's because you signed a deal and that you

0:34:57.600 --> 0:34:59.160
<v Speaker 5>didn't on your your master's.

0:34:58.880 --> 0:35:02.600
<v Speaker 4>I want to get spooky for second weird That ship

0:35:02.640 --> 0:35:03.360
<v Speaker 4>sounds crazy.

0:35:03.480 --> 0:35:05.760
<v Speaker 1>The reason why I'm gonna say that right.

0:35:07.640 --> 0:35:10.560
<v Speaker 3>Because I was the young nigga from the hood that

0:35:10.680 --> 0:35:14.000
<v Speaker 3>took that deal that didn't read the contract. You understand,

0:35:14.040 --> 0:35:16.080
<v Speaker 3>that didn't read the car. All I saw it was

0:35:16.080 --> 0:35:16.960
<v Speaker 3>the end result in.

0:35:17.000 --> 0:35:23.160
<v Speaker 4>The first time they ready, I know, check.

0:35:23.040 --> 0:35:26.480
<v Speaker 3>At the end of it, and I was like, you

0:35:26.520 --> 0:35:28.200
<v Speaker 3>know what, even if I get jerked on this one,

0:35:28.360 --> 0:35:29.279
<v Speaker 3>I'm gonna make it up.

0:35:29.160 --> 0:35:29.680
<v Speaker 1>For this one.

0:35:30.640 --> 0:35:32.840
<v Speaker 3>All right, let's move on, let's go because we're not

0:35:32.880 --> 0:35:34.879
<v Speaker 3>the mirror. I don't know what the funk that means.

0:35:34.920 --> 0:35:45.720
<v Speaker 3>The mirror. Okay, let's talk about voltures, right you about

0:35:45.719 --> 0:35:55.200
<v Speaker 3>that life, it was number one, no, no, but Kanye

0:35:56.560 --> 0:36:01.279
<v Speaker 3>is probably the most unique individual I've not in hip hop,

0:36:01.840 --> 0:36:06.000
<v Speaker 3>in life, like in life, like like you you go

0:36:06.120 --> 0:36:09.399
<v Speaker 3>me one day was like I just want to hang

0:36:10.520 --> 0:36:12.800
<v Speaker 3>and I didn't know what to say. I was like, okay,

0:36:14.239 --> 0:36:16.000
<v Speaker 3>he's like wherever you ad a pulling up and he

0:36:16.120 --> 0:36:20.279
<v Speaker 3>just pulled up and we had juices and it was

0:36:20.360 --> 0:36:27.120
<v Speaker 3>just like like like he taught me something that the

0:36:27.160 --> 0:36:29.319
<v Speaker 3>world couldn't do it the world tried to teach me.

0:36:29.440 --> 0:36:32.560
<v Speaker 3>And I'm gonna tell you what he taught me. He

0:36:32.600 --> 0:36:34.279
<v Speaker 3>told me to do what the fuck you want to do,

0:36:34.600 --> 0:36:36.240
<v Speaker 3>whenever the fuck you want to do it.

0:36:36.600 --> 0:36:39.600
<v Speaker 1>Don't live. He taught me freedom like he did.

0:36:39.480 --> 0:36:41.600
<v Speaker 3>He like literally for the fucking six months that I

0:36:41.640 --> 0:36:43.680
<v Speaker 3>was hanging out with him, whatever over almost every day,

0:36:44.120 --> 0:36:46.960
<v Speaker 3>he literally did whatever the fuck he wanted to do.

0:36:48.000 --> 0:36:52.000
<v Speaker 3>How did you develop your relationship with you man.

0:36:54.680 --> 0:37:02.400
<v Speaker 2>I had a I had a dinner right and Noble, Yeah, dinner,

0:37:02.480 --> 0:37:04.640
<v Speaker 2>and I was I was having dinner.

0:37:06.120 --> 0:37:07.040
<v Speaker 4>With bros.

0:37:07.920 --> 0:37:11.560
<v Speaker 2>I was at Ralphie and Grahams were chilling having dinner,

0:37:12.640 --> 0:37:13.240
<v Speaker 2>and then.

0:37:14.800 --> 0:37:18.000
<v Speaker 4>I'm on the graund I see my bro vy shot

0:37:17.840 --> 0:37:18.359
<v Speaker 4>at the boy.

0:37:18.960 --> 0:37:22.200
<v Speaker 2>He's yeah, he was at Noble too, and I was like, oh,

0:37:22.200 --> 0:37:22.920
<v Speaker 2>you're at Noble.

0:37:23.440 --> 0:37:25.960
<v Speaker 4>He was like yeah, I just pulled up. I'm on

0:37:26.120 --> 0:37:28.960
<v Speaker 4>Yay and Ship. I was like, oh, word.

0:37:29.440 --> 0:37:31.160
<v Speaker 2>But by the time he hit me back, I was

0:37:31.200 --> 0:37:34.759
<v Speaker 2>already at the house. No, I already went back to

0:37:34.800 --> 0:37:37.600
<v Speaker 2>my career. So he's like he's like yo. He's like, yo,

0:37:37.680 --> 0:37:41.320
<v Speaker 2>pull back up, come back to Noble and Ship. Damn

0:37:41.520 --> 0:37:43.399
<v Speaker 2>we're chilling. I'm like, all right, bet.

0:37:44.200 --> 0:37:47.440
<v Speaker 4>I was kind of tied, but I was like, fucking,

0:37:47.440 --> 0:37:48.480
<v Speaker 4>I'm gonna go ahead and pull up.

0:37:49.280 --> 0:37:53.879
<v Speaker 2>Already I never met him, so I was like, fucking,

0:37:53.920 --> 0:37:56.319
<v Speaker 2>I'm gonna go pull back up. I pulled back up.

0:37:56.960 --> 0:37:59.600
<v Speaker 2>I said word with the boy and then yeah, come

0:37:59.640 --> 0:38:02.839
<v Speaker 2>up to me. He's like, Yo, you rich the kid right?

0:38:03.000 --> 0:38:07.040
<v Speaker 2>You want to play some music? I was like Noble, Yeah,

0:38:07.160 --> 0:38:09.719
<v Speaker 2>he wanted, wasn't he recorded? He had to set up

0:38:09.719 --> 0:38:13.719
<v Speaker 2>a hole talking about this catch show. Yeah yeah, yeah,

0:38:14.920 --> 0:38:17.200
<v Speaker 2>yeah yeah. He had the whole studio set up. He's like,

0:38:17.239 --> 0:38:20.920
<v Speaker 2>you want to play some music? I was like, all right, cool,

0:38:22.040 --> 0:38:25.799
<v Speaker 2>So I started playing a couple of songs and then

0:38:25.960 --> 0:38:28.640
<v Speaker 2>like I think, I played like two songs, and the

0:38:28.719 --> 0:38:30.799
<v Speaker 2>third song I played came on.

0:38:30.920 --> 0:38:32.680
<v Speaker 4>He just started hitting in one of these.

0:38:32.480 --> 0:38:40.319
<v Speaker 2>Moves like that, and then like think his girl looked

0:38:40.320 --> 0:38:43.040
<v Speaker 2>at him. I was like, this is fire. He's like, yo, bro,

0:38:43.120 --> 0:38:44.399
<v Speaker 2>can I get on this song right now?

0:38:45.000 --> 0:38:46.080
<v Speaker 4>I was like, yeah, go ahead.

0:38:47.200 --> 0:38:49.319
<v Speaker 2>So the engineer just pulled it up. He just started

0:38:49.400 --> 0:38:51.680
<v Speaker 2>rapping on the song back of Noble. In the back

0:38:51.719 --> 0:39:03.680
<v Speaker 2>of Noble, Yeah yeah, ass so them. So then we

0:39:03.800 --> 0:39:06.200
<v Speaker 2>started more people and more people started coming and start

0:39:06.200 --> 0:39:09.960
<v Speaker 2>getting crowd and ship. So I was tired and I

0:39:10.040 --> 0:39:14.839
<v Speaker 2>just I just dipped right. And then the next day

0:39:14.880 --> 0:39:16.680
<v Speaker 2>I was like, Ship, how the fuck do I get

0:39:16.680 --> 0:39:17.320
<v Speaker 2>that song?

0:39:20.400 --> 0:39:23.839
<v Speaker 1>I was like, I was like, what the fuck are

0:39:23.880 --> 0:39:25.600
<v Speaker 1>you know?

0:39:26.080 --> 0:39:29.680
<v Speaker 2>Just like a lot of sot of going on, just

0:39:29.680 --> 0:39:32.320
<v Speaker 2>like a lot of people going out and he doing whatever,

0:39:32.680 --> 0:39:35.080
<v Speaker 2>you know what I'm saying. So I was like, damn,

0:39:35.080 --> 0:39:37.000
<v Speaker 2>how if I get that song? I started hitting people

0:39:37.000 --> 0:39:39.279
<v Speaker 2>that I knew and my fucks started acting like they

0:39:39.280 --> 0:39:39.799
<v Speaker 2>ain't you know.

0:39:39.719 --> 0:39:42.080
<v Speaker 1>What the was like, what's song?

0:39:42.600 --> 0:39:45.680
<v Speaker 2>I was like like, oh, what's going on?

0:39:46.040 --> 0:39:48.719
<v Speaker 4>But I was hitting like assisting other people know. It

0:39:48.760 --> 0:39:49.400
<v Speaker 4>was just like.

0:39:51.200 --> 0:39:54.680
<v Speaker 2>Didn't know what's going on and ship but don't.

0:39:55.200 --> 0:39:57.000
<v Speaker 4>But then randomly I think.

0:39:58.320 --> 0:40:00.719
<v Speaker 2>They hit me and it was like, yo, Gay wants

0:40:00.719 --> 0:40:02.279
<v Speaker 2>you to come to the studio and help with.

0:40:04.280 --> 0:40:08.680
<v Speaker 10>Donna two yeah after the amountable session yeah yeah, yeah yeah,

0:40:08.680 --> 0:40:10.920
<v Speaker 10>it was like a couple of days later, it was like,

0:40:10.960 --> 0:40:13.640
<v Speaker 10>we want you to come and work for a couple

0:40:13.680 --> 0:40:14.399
<v Speaker 10>of days and ship.

0:40:15.320 --> 0:40:16.839
<v Speaker 2>So the first day I got over there, I got

0:40:16.840 --> 0:40:23.359
<v Speaker 2>the song. Yeah, and then like the Donald project came out.

0:40:23.400 --> 0:40:26.319
<v Speaker 2>You know, he's working on his album, so the song

0:40:26.920 --> 0:40:28.440
<v Speaker 2>like didn't come out, Like.

0:40:28.760 --> 0:40:30.959
<v Speaker 5>What was that process of him wanting you to help?

0:40:32.400 --> 0:40:33.480
<v Speaker 5>What does that exactly mean?

0:40:34.080 --> 0:40:35.880
<v Speaker 1>Like when he.

0:40:36.719 --> 0:40:39.919
<v Speaker 2>Trashed you know, cooking up and so we're just cooking

0:40:40.000 --> 0:40:42.880
<v Speaker 2>up together and ship type. But then like the song

0:40:43.120 --> 0:40:46.319
<v Speaker 2>the song that we did, like they was working on

0:40:46.440 --> 0:40:48.160
<v Speaker 2>they was focused on the Donna ships, so it ain't

0:40:48.160 --> 0:40:48.759
<v Speaker 2>never come out.

0:40:49.280 --> 0:40:51.719
<v Speaker 4>So like like.

0:40:51.719 --> 0:40:56.080
<v Speaker 2>A year later, ties like doing he like out there

0:40:56.080 --> 0:40:59.520
<v Speaker 2>in Saudi and ship, I'm like, damn, I'm right here

0:40:59.520 --> 0:41:03.000
<v Speaker 2>and do bay no weed. Yeah, okay, I'm out here

0:41:03.040 --> 0:41:06.359
<v Speaker 2>in Dubai an hour away. Was that close to you? Yeah,

0:41:06.400 --> 0:41:08.200
<v Speaker 2>I'm like, ship, I might as well hop on a flight.

0:41:08.520 --> 0:41:11.279
<v Speaker 2>Listen when they're doing yeah this goes, I'm like fuck it,

0:41:11.320 --> 0:41:15.520
<v Speaker 2>I'm there, hop on the flight, Come come politics ship.

0:41:16.360 --> 0:41:19.200
<v Speaker 2>So then I'm like, hop on a plane. Me and

0:41:19.239 --> 0:41:21.640
<v Speaker 2>my bros on the plane. We get to We get

0:41:21.640 --> 0:41:25.359
<v Speaker 2>to Saudi and uh we got a plane and they're like, okay,

0:41:25.400 --> 0:41:29.719
<v Speaker 2>what's the visa. I was like, visa, you need a

0:41:29.800 --> 0:41:32.400
<v Speaker 2>visa to come here? Like yeah, you need a visa.

0:41:33.520 --> 0:41:35.840
<v Speaker 2>I was like damn, but like you could buy it

0:41:35.920 --> 0:41:37.799
<v Speaker 2>right here. So I was all right, bet we about

0:41:37.800 --> 0:41:38.520
<v Speaker 2>to be ship.

0:41:39.280 --> 0:41:41.839
<v Speaker 1>So we happen you're working, I.

0:41:41.760 --> 0:41:46.640
<v Speaker 2>Don't know, you say you need that's what they not

0:41:46.680 --> 0:41:47.920
<v Speaker 2>every country, but different countries.

0:41:47.960 --> 0:41:50.000
<v Speaker 1>You gotta like when I work, I get a visa, but.

0:41:49.960 --> 0:41:52.399
<v Speaker 3>When I go on vacation sometimes you need travel visa

0:41:52.520 --> 0:41:53.160
<v Speaker 3>putting me on that.

0:41:53.320 --> 0:41:59.040
<v Speaker 2>Yeah. They continue, so then like go outside. You know

0:41:59.120 --> 0:42:01.360
<v Speaker 2>they they ain't got no uber and ship over there.

0:42:02.400 --> 0:42:04.560
<v Speaker 2>So I was like fucking. Me and my brother were

0:42:04.520 --> 0:42:11.799
<v Speaker 2>just hopping into taxi like this regular cab was not Mercedes.

0:42:11.840 --> 0:42:14.239
<v Speaker 2>It was it was a regular cab but no, I

0:42:14.280 --> 0:42:17.040
<v Speaker 2>don't know what it was. But I'm like, I need.

0:42:16.840 --> 0:42:17.279
<v Speaker 4>To go here.

0:42:18.239 --> 0:42:22.560
<v Speaker 2>He's like, bro, that's two hours away. I'm like, all right, Ship,

0:42:22.560 --> 0:42:24.799
<v Speaker 2>that's where we're going. So we're in the cab right

0:42:24.920 --> 0:42:28.719
<v Speaker 2>two hours away and Ship. So when we get like

0:42:28.800 --> 0:42:32.080
<v Speaker 2>halfway there, he like, okay, you have to pay.

0:42:33.040 --> 0:42:34.680
<v Speaker 4>I was like, all right, I bet so.

0:42:34.840 --> 0:42:38.120
<v Speaker 2>Damn I put out a hundred and American dollars.

0:42:38.719 --> 0:42:43.880
<v Speaker 4>He's no, you have to pay. I was like, damn.

0:42:44.640 --> 0:42:46.640
<v Speaker 2>So we try to go get some other type of

0:42:46.680 --> 0:42:49.719
<v Speaker 2>money and ship should not going through. I don't know

0:42:49.760 --> 0:42:52.120
<v Speaker 2>what it was, something like that. Yeah, So I was

0:42:52.160 --> 0:42:54.759
<v Speaker 2>like whatever. So I'm like, can you say the American money?

0:42:54.800 --> 0:42:56.600
<v Speaker 2>He took the American money? I was like, all I

0:42:56.600 --> 0:43:00.719
<v Speaker 2>bet we get out there. First day we like listen

0:43:00.800 --> 0:43:04.160
<v Speaker 2>to the album and Ship, and then like the second

0:43:04.239 --> 0:43:07.360
<v Speaker 2>day we started cooking up. I'm in the room cooking

0:43:07.440 --> 0:43:10.799
<v Speaker 2>up with Ty like I freest out the carnival. Ship

0:43:11.880 --> 0:43:15.400
<v Speaker 2>put it on his like a carnival Yeah. Yeah, he

0:43:15.520 --> 0:43:20.319
<v Speaker 2>damn put it on his verse and then Ship like

0:43:21.719 --> 0:43:24.320
<v Speaker 2>the next day I was finna dip. I had to

0:43:24.360 --> 0:43:26.080
<v Speaker 2>go to the show. I think I had two shows

0:43:26.080 --> 0:43:28.719
<v Speaker 2>to do by one show and then another one, so

0:43:28.760 --> 0:43:32.080
<v Speaker 2>I was finna go back. So I'm I told you,

0:43:32.080 --> 0:43:35.319
<v Speaker 2>I like play the song for Yay, but I think

0:43:35.360 --> 0:43:37.640
<v Speaker 2>they had like there was a lot going on, so

0:43:37.680 --> 0:43:39.520
<v Speaker 2>they didn't really get to play it for him and Ship.

0:43:40.040 --> 0:43:42.080
<v Speaker 2>So I just dipped because I had to go to

0:43:42.160 --> 0:43:46.239
<v Speaker 2>the show. So like about a three weeks later, Ty

0:43:46.400 --> 0:43:47.840
<v Speaker 2>hit me like, yo ya wants you to be on

0:43:47.920 --> 0:43:50.840
<v Speaker 2>an album. So I was like, fuck it, let's do it.

0:43:50.840 --> 0:43:52.280
<v Speaker 2>He's like, which song we record?

0:43:52.320 --> 0:43:52.719
<v Speaker 4>Two songs?

0:43:52.760 --> 0:43:55.560
<v Speaker 2>You're like, which song you think should I'm going there.

0:43:55.600 --> 0:43:58.520
<v Speaker 2>I was like Carnival. It was called Honor Roll and

0:43:58.600 --> 0:44:00.600
<v Speaker 2>then the fans just called it of us Ship.

0:44:00.680 --> 0:44:03.040
<v Speaker 1>Oh yeah, God, damn, God, damn makes no.

0:44:06.719 --> 0:44:08.759
<v Speaker 3>One of the things I was, you know, bugging going

0:44:08.800 --> 0:44:14.480
<v Speaker 3>through thesography was you didn't have a song with Drake Nah.

0:44:15.320 --> 0:44:17.759
<v Speaker 2>Drake and me one time say like new Freezer was

0:44:17.800 --> 0:44:21.279
<v Speaker 2>like his favorite song and sez Yeah, but you never

0:44:21.320 --> 0:44:21.960
<v Speaker 2>got to work yet.

0:44:22.200 --> 0:44:25.040
<v Speaker 4>You ever you ever made met Drake Man? Yeah, yeah,

0:44:25.680 --> 0:44:26.399
<v Speaker 4>met a couple of times.

0:44:26.680 --> 0:44:30.160
<v Speaker 3>Do you think you're your alligious is automatically with Kendrick

0:44:30.200 --> 0:44:33.120
<v Speaker 3>because of your history from the beginning or does that separate?

0:44:33.200 --> 0:44:35.440
<v Speaker 3>Does that make it seem like you have to pick

0:44:35.480 --> 0:44:36.160
<v Speaker 3>a side sometimes?

0:44:36.200 --> 0:44:38.560
<v Speaker 1>And hip hop is just it's it's it's terrible.

0:44:38.600 --> 0:44:40.879
<v Speaker 3>You can't even take a picture with somebody because they'll

0:44:40.880 --> 0:44:43.240
<v Speaker 3>think that you quote unquote with the ops.

0:44:43.680 --> 0:44:46.800
<v Speaker 2>Yeah, bro, I just mind my venus.

0:44:47.239 --> 0:44:47.960
<v Speaker 1>That's how I get that.

0:44:48.960 --> 0:44:55.200
<v Speaker 4>How I get down with y'all of them both, keep

0:44:55.239 --> 0:44:57.040
<v Speaker 4>it real. I just mind my right.

0:44:57.520 --> 0:44:59.600
<v Speaker 2>I stay out of the other folks ship. Right.

0:45:01.080 --> 0:45:02.839
<v Speaker 1>So how do plug walk come about?

0:45:03.040 --> 0:45:07.640
<v Speaker 2>Plug Walk? I was at I was at in the

0:45:07.719 --> 0:45:10.160
<v Speaker 2>Scope studio. They had like well, they got like a

0:45:10.600 --> 0:45:13.160
<v Speaker 2>studio in their building, and I was up there with

0:45:13.280 --> 0:45:15.200
<v Speaker 2>my engineer, just me and him in.

0:45:15.239 --> 0:45:19.080
<v Speaker 1>The studio and GI mean I be in the school.

0:45:19.400 --> 0:45:24.520
<v Speaker 2>Yeah, no. John Jennick was, Yeah, Larry Jackson, Ley Jackson,

0:45:24.560 --> 0:45:29.759
<v Speaker 2>and he was but like we're going through beats. And

0:45:29.920 --> 0:45:32.239
<v Speaker 2>then they played the plug Walk beat and I'm like,

0:45:32.280 --> 0:45:33.960
<v Speaker 2>all right, next, I don't like this one.

0:45:34.719 --> 0:45:38.560
<v Speaker 4>He like, nah, I like that beat. I'm like, man,

0:45:38.640 --> 0:45:41.160
<v Speaker 4>you like that. He's like, yeah, come on, bro, I'm like,

0:45:41.239 --> 0:45:42.200
<v Speaker 4>fuck it, let's do it.

0:45:43.239 --> 0:45:47.400
<v Speaker 2>I did a song like twenty minutes, and then like

0:45:47.640 --> 0:45:49.880
<v Speaker 2>a couple of days later, I just put a preview

0:45:49.920 --> 0:45:51.400
<v Speaker 2>because it was like the new song I recorded. I

0:45:51.440 --> 0:45:54.440
<v Speaker 2>was like, I put a preview on my Instagram, like

0:45:54.560 --> 0:45:56.480
<v Speaker 2>in the studio playing it and all the fans was

0:45:56.520 --> 0:45:57.080
<v Speaker 2>like dropping.

0:45:58.080 --> 0:46:01.040
<v Speaker 4>So I told John Jannek, I'm like, yo, bro, I

0:46:01.160 --> 0:46:02.320
<v Speaker 4>want to drop this song.

0:46:02.880 --> 0:46:04.680
<v Speaker 2>Like it's going to be a hit. Like drop it.

0:46:05.360 --> 0:46:08.680
<v Speaker 4>He like, he like, okay, we could do that, but

0:46:08.840 --> 0:46:11.920
<v Speaker 4>you just drop New Freezer with Kendrick. We need to

0:46:12.440 --> 0:46:13.040
<v Speaker 4>take a second.

0:46:13.280 --> 0:46:14.040
<v Speaker 1>It was a huge hit.

0:46:14.120 --> 0:46:15.120
<v Speaker 4>Yeah, yeah, let's take it.

0:46:15.160 --> 0:46:15.759
<v Speaker 1>But you knew.

0:46:15.840 --> 0:46:17.120
<v Speaker 4>I felt like it was already viral.

0:46:17.160 --> 0:46:20.040
<v Speaker 2>I'm like, it's already gone, you know what I'm saying, Like,

0:46:20.120 --> 0:46:22.239
<v Speaker 2>let's take a second to keep focusing on this. You

0:46:22.280 --> 0:46:22.759
<v Speaker 2>know what I'm saying.

0:46:22.840 --> 0:46:26.000
<v Speaker 4>No hash, But I'm like, bro, my fans are loving this.

0:46:26.280 --> 0:46:27.359
<v Speaker 4>You drop the song right now.

0:46:27.440 --> 0:46:27.880
<v Speaker 11>We need to.

0:46:28.320 --> 0:46:30.359
<v Speaker 2>So I kind of like kind of argue with them,

0:46:30.400 --> 0:46:34.160
<v Speaker 2>you know what I'm saying, right, I argue with them

0:46:34.239 --> 0:46:37.239
<v Speaker 2>to drop the song. And the song went platinum, like

0:46:38.200 --> 0:46:40.680
<v Speaker 2>I think, like twenty nine days. You feel what I'm saying.

0:46:40.840 --> 0:46:47.719
<v Speaker 2>So I was like I told you all, yeah, I mean, yo, damn,

0:46:47.760 --> 0:46:49.000
<v Speaker 2>how many bus you got over there?

0:46:49.040 --> 0:46:49.160
<v Speaker 4>Man?

0:46:49.840 --> 0:46:53.879
<v Speaker 1>You want to come back home? I mean for old

0:46:53.920 --> 0:46:54.640
<v Speaker 1>time sake, this is.

0:46:56.960 --> 0:46:57.520
<v Speaker 4>That's a switch.

0:46:57.760 --> 0:47:03.040
<v Speaker 3>Yeah, I'm always a so sweet. Yeah, no, my love

0:47:03.480 --> 0:47:06.520
<v Speaker 3>in the nineties, I'm sorry. I never grew I grew

0:47:06.600 --> 0:47:08.440
<v Speaker 3>up in a lot of other places. It's not my lungs.

0:47:09.560 --> 0:47:12.840
<v Speaker 2>When I was smoking when I first got Jill, it's.

0:47:13.600 --> 0:47:17.200
<v Speaker 3>Yeah yeah, because you know what, you know what happened

0:47:17.600 --> 0:47:20.239
<v Speaker 3>as a New York nigga? I used to smoke Dutches, Right,

0:47:21.160 --> 0:47:25.200
<v Speaker 3>So I was in La one night. It's like two

0:47:25.360 --> 0:47:26.840
<v Speaker 3>thirty in the morning. The club just closed, you know,

0:47:27.040 --> 0:47:30.240
<v Speaker 3>La Club closed at two o'clock. I'll go to seven eleven.

0:47:30.640 --> 0:47:34.040
<v Speaker 3>I owe the duchess the whole seven eleven turned around

0:47:34.120 --> 0:47:36.160
<v Speaker 3>like you're from New York, right, I said, I'm never

0:47:36.200 --> 0:47:39.040
<v Speaker 3>smoking a Dutch again in my life, like the whole

0:47:39.440 --> 0:47:41.400
<v Speaker 3>because if you smoke a Dutch, they know you're from

0:47:41.440 --> 0:47:41.759
<v Speaker 3>New York.

0:47:41.840 --> 0:47:43.920
<v Speaker 1>You know that, right? My last time you smoke with

0:47:44.000 --> 0:47:45.040
<v Speaker 1>Dutch thirteen?

0:47:45.840 --> 0:47:48.320
<v Speaker 4>Yeah, probably before then thirteen.

0:47:48.880 --> 0:47:53.680
<v Speaker 5>So what's the place you've been to internationally that you

0:47:53.800 --> 0:47:55.960
<v Speaker 5>was surprised that they were fan of yours?

0:47:57.080 --> 0:48:01.879
<v Speaker 4>Oh, Romania, some shit like I don't even know, like Slovakia.

0:48:02.200 --> 0:48:02.839
<v Speaker 1>Was it a one offer?

0:48:02.960 --> 0:48:07.200
<v Speaker 2>Was it a festival? It was a festival. Yeah, some

0:48:07.280 --> 0:48:11.960
<v Speaker 2>ship like that. It's dope, It's amazing. It's a blessing, right,

0:48:12.600 --> 0:48:15.320
<v Speaker 2>But I feel like I'm at a tip of the iceberg.

0:48:15.360 --> 0:48:17.000
<v Speaker 2>I'm just started, you know what I'm saying. I feel

0:48:17.000 --> 0:48:20.400
<v Speaker 2>like to where I want to go, and I have a.

0:48:20.560 --> 0:48:22.320
<v Speaker 4>Vision of exactly where I want to go and exactly

0:48:22.360 --> 0:48:22.880
<v Speaker 4>what I want to do.

0:48:23.200 --> 0:48:26.200
<v Speaker 2>I feel like I'm just just getting started. You know

0:48:26.200 --> 0:48:31.480
<v Speaker 2>what I'm saying, is that vision seeing international? Yeah? Internationally.

0:48:31.480 --> 0:48:33.600
<v Speaker 2>I think I think a lot of artists here in

0:48:33.680 --> 0:48:36.040
<v Speaker 2>the US they don't see the international properly.

0:48:37.000 --> 0:48:37.759
<v Speaker 1>You know what I think.

0:48:40.440 --> 0:48:43.719
<v Speaker 3>I think you've made so much success for yourself, Solf,

0:48:44.520 --> 0:48:47.279
<v Speaker 3>that you're going to continue to be successful.

0:48:46.760 --> 0:48:50.520
<v Speaker 1>But people don't compare you to you. Yeah, you understand

0:48:50.560 --> 0:48:53.520
<v Speaker 1>what I'm trying to say, Like to the time, like

0:48:53.640 --> 0:48:55.480
<v Speaker 1>you're going to go through what Kanye went through.

0:48:55.480 --> 0:49:00.440
<v Speaker 3>Like because you like, like all of your beginning records

0:49:00.480 --> 0:49:03.400
<v Speaker 3>are all hits, and all their records now are continuing

0:49:03.400 --> 0:49:05.719
<v Speaker 3>to be hits. So then I can compare it to

0:49:05.760 --> 0:49:09.520
<v Speaker 3>another artist, especially you so unique that they can't so

0:49:09.560 --> 0:49:10.719
<v Speaker 3>they can compare you to you.

0:49:11.000 --> 0:49:12.279
<v Speaker 1>How's it gonna feel to battle you?

0:49:14.600 --> 0:49:18.759
<v Speaker 4>I don't know who's gonna win who in regards.

0:49:20.880 --> 0:49:22.400
<v Speaker 1>I mean, that's dope, you know what I mean? Like,

0:49:24.880 --> 0:49:27.480
<v Speaker 1>you know, I remember me coming out with super Dog.

0:49:27.560 --> 0:49:27.960
<v Speaker 3>What what what?

0:49:28.080 --> 0:49:28.120
<v Speaker 1>What?

0:49:28.160 --> 0:49:28.440
<v Speaker 12>What? What?

0:49:29.200 --> 0:49:33.440
<v Speaker 3>And then I dropping, oh no, and all they said was, well,

0:49:33.480 --> 0:49:36.680
<v Speaker 3>oh no, ain't it's good but it ain't super Dog.

0:49:36.920 --> 0:49:38.480
<v Speaker 1>And I was just like, it's not supposed to be.

0:49:39.160 --> 0:49:42.719
<v Speaker 3>Yes, yeah, and I think you gotta make it the

0:49:42.760 --> 0:49:46.120
<v Speaker 3>next one double because he's in maybe because I haven't drunk,

0:49:48.400 --> 0:49:48.759
<v Speaker 3>but that.

0:49:48.920 --> 0:49:50.920
<v Speaker 1>But that's what you're gonna battle is yourself.

0:49:53.719 --> 0:49:55.480
<v Speaker 4>That's all. That's the only person should be battling.

0:49:56.360 --> 0:50:00.120
<v Speaker 3>No, no, no, you are correct, that's the only you

0:50:00.160 --> 0:50:03.160
<v Speaker 3>should be battling. But there's a lot of people. It's

0:50:03.200 --> 0:50:05.239
<v Speaker 3>not in a very unique situation. What I'm trying to

0:50:05.239 --> 0:50:07.360
<v Speaker 3>say is you're in a very unique situation where you

0:50:07.480 --> 0:50:10.160
<v Speaker 3>don't actually have to be in competition with anybody else.

0:50:10.320 --> 0:50:10.840
<v Speaker 1>You got to be in.

0:50:10.840 --> 0:50:13.640
<v Speaker 3>Competition with your old shit. But guess what, your old

0:50:13.680 --> 0:50:16.640
<v Speaker 3>ship ain't most shit. So you're going to try to

0:50:16.880 --> 0:50:17.080
<v Speaker 3>do that.

0:50:17.160 --> 0:50:17.839
<v Speaker 1>How does that feel?

0:50:19.600 --> 0:50:20.279
<v Speaker 2>It feels great?

0:50:20.440 --> 0:50:20.520
<v Speaker 1>Bro.

0:50:20.960 --> 0:50:24.920
<v Speaker 2>It's a challenge, it's definitely a challenge, But you know,

0:50:26.880 --> 0:50:28.160
<v Speaker 2>I could have worse problems.

0:50:28.680 --> 0:50:29.040
<v Speaker 1>For sure.

0:50:29.160 --> 0:50:30.680
<v Speaker 2>You know what I'm saying, I'm trying to make a

0:50:30.800 --> 0:50:33.800
<v Speaker 2>better record than Carnival. It's possible. I'm doing it. You

0:50:33.880 --> 0:50:35.800
<v Speaker 2>know what I'm saying. I got to keep going. I

0:50:35.880 --> 0:50:38.400
<v Speaker 2>feel like one thing I learned from Ya is like

0:50:38.600 --> 0:50:42.440
<v Speaker 2>always elevating your sound. Always want to elevate and elevate

0:50:42.480 --> 0:50:44.839
<v Speaker 2>and take it to the next notch. So I feel

0:50:44.840 --> 0:50:47.800
<v Speaker 2>like every time I do a record, I'm like thinking

0:50:47.920 --> 0:50:50.080
<v Speaker 2>how to elevate it and take it to the next notch.

0:50:50.680 --> 0:50:53.160
<v Speaker 4>Does that mean experimenting? Yeah, for sure a lot.

0:50:54.360 --> 0:50:57.080
<v Speaker 2>Bro. I'm working on a crazy project right now, like

0:50:58.040 --> 0:51:00.640
<v Speaker 2>crazy crazy project.

0:51:00.960 --> 0:51:04.200
<v Speaker 4>It's gonna be a fire pay soles on there.

0:51:05.760 --> 0:51:09.759
<v Speaker 1>O Zoona j Valven Is it gleaning moretal Latino? You just.

0:51:11.360 --> 0:51:14.000
<v Speaker 4>I was like, it's like a half English, half shot

0:51:14.160 --> 0:51:14.680
<v Speaker 4>the album with.

0:51:17.760 --> 0:51:19.879
<v Speaker 3>I gotta I remember I told you how to speak

0:51:20.320 --> 0:51:25.480
<v Speaker 3>him about the sh Have a drink, man, I'm taking a.

0:51:25.480 --> 0:51:29.279
<v Speaker 1>Shot for you, because what kind of what kind of

0:51:29.280 --> 0:51:29.920
<v Speaker 1>project is this?

0:51:30.120 --> 0:51:30.160
<v Speaker 5>So?

0:51:30.640 --> 0:51:30.759
<v Speaker 12>Is it?

0:51:30.920 --> 0:51:32.640
<v Speaker 1>Is it hip hop meets Latino?

0:51:36.120 --> 0:51:39.680
<v Speaker 2>Is it? It's gonna be like probably like fourteen songs,

0:51:40.000 --> 0:51:44.960
<v Speaker 2>like ten songs, half English, me rapping in.

0:51:45.000 --> 0:51:47.600
<v Speaker 3>Both and you go rap in Spanish. Yeah, I got

0:51:47.640 --> 0:51:50.399
<v Speaker 3>some reference, missed the league on sound just to like yeah,

0:51:51.760 --> 0:51:52.000
<v Speaker 3>and it.

0:51:52.040 --> 0:51:56.240
<v Speaker 5>Makes sense with that international like vision, you like a whole.

0:51:56.120 --> 0:51:58.200
<v Speaker 2>Song rapping Spanish because I don't know, like just a

0:51:58.239 --> 0:52:00.360
<v Speaker 2>couple of words, but even just to collaborate ship that

0:52:00.600 --> 0:52:03.839
<v Speaker 2>is outside the box, like you, you gotta trade these

0:52:04.239 --> 0:52:06.719
<v Speaker 2>these audiences they think. They said that I was like

0:52:06.800 --> 0:52:09.440
<v Speaker 2>the first one to do an album like that he

0:52:09.600 --> 0:52:11.239
<v Speaker 2>was like the first one to do a song and that.

0:52:23.239 --> 0:52:26.880
<v Speaker 1>That means he gotta be on the album. Let me

0:52:27.200 --> 0:52:30.000
<v Speaker 1>I tell you. I'll tell you something about.

0:52:31.360 --> 0:52:33.319
<v Speaker 3>Because I don't want to just give reggae throne. They

0:52:33.600 --> 0:52:35.960
<v Speaker 3>even though I'm giving Throe, they props, but it's bigger

0:52:35.960 --> 0:52:36.640
<v Speaker 3>than reggae throne.

0:52:36.920 --> 0:52:39.759
<v Speaker 1>There's a certain type of energy that you do when

0:52:39.840 --> 0:52:41.120
<v Speaker 1>you do music that's.

0:52:41.000 --> 0:52:44.319
<v Speaker 3>Outside of hip hop, and then when the hip hop

0:52:44.360 --> 0:52:47.040
<v Speaker 3>audience support that. But I can tell you like this,

0:52:49.000 --> 0:52:50.920
<v Speaker 3>I was used to bloody money, I was used to

0:52:51.000 --> 0:52:52.880
<v Speaker 3>bang bang. I was used to doing things like that.

0:52:52.960 --> 0:52:55.040
<v Speaker 3>And when I started to do Spanish music, I could

0:52:55.080 --> 0:52:58.960
<v Speaker 3>stay in the club the whole night, everybody with dance

0:52:59.800 --> 0:53:02.760
<v Speaker 3>and I like nobody's gonna stab nobody.

0:53:04.200 --> 0:53:04.480
<v Speaker 2>I mean it.

0:53:05.000 --> 0:53:07.840
<v Speaker 1>I was so used to like bang bang stab somebody.

0:53:07.960 --> 0:53:10.680
<v Speaker 3>Okay, cool, I did a good show, Like I thought,

0:53:10.880 --> 0:53:12.600
<v Speaker 3>I didn't do a good show that somebody.

0:53:12.840 --> 0:53:16.719
<v Speaker 1>It wasn't going down. It was a stab stab. That's

0:53:16.760 --> 0:53:17.600
<v Speaker 1>that crazy Miami.

0:53:18.200 --> 0:53:20.319
<v Speaker 3>And by the way, it didn't go down a lot

0:53:20.360 --> 0:53:24.040
<v Speaker 3>in down it there was a lot of immigration going on.

0:53:24.239 --> 0:53:26.439
<v Speaker 4>Immigration that everybody.

0:53:26.320 --> 0:53:28.120
<v Speaker 1>Down everybody had a green card.

0:53:28.600 --> 0:53:32.000
<v Speaker 3>Oh they didn't have a green car like okay, hell yeah,

0:53:33.400 --> 0:53:38.960
<v Speaker 3>you're gonna like that blunt at some point. Yes, yo,

0:53:39.040 --> 0:53:43.560
<v Speaker 3>you have so many features, right, yeah, and that lets

0:53:43.640 --> 0:53:46.800
<v Speaker 3>me know that you can get along with with with

0:53:47.120 --> 0:53:47.840
<v Speaker 3>with a.

0:53:47.880 --> 0:53:48.759
<v Speaker 1>Lot of people, right.

0:53:49.400 --> 0:53:51.400
<v Speaker 3>Has there ever been a feature that you wanted that

0:53:51.560 --> 0:53:54.520
<v Speaker 3>you you you didn't get, Like Nads told us that

0:53:54.640 --> 0:53:57.000
<v Speaker 3>Prince fronted on him. Nads told us that he went

0:53:57.040 --> 0:53:58.920
<v Speaker 3>to step the Prince and Prince said, you don't got

0:53:59.000 --> 0:53:59.959
<v Speaker 3>your masks.

0:54:00.680 --> 0:54:01.520
<v Speaker 1>So I'm not gonna do that.

0:54:01.800 --> 0:54:07.239
<v Speaker 2>Yeah, so damn I don't. Matter of fact, no, I

0:54:07.280 --> 0:54:10.920
<v Speaker 2>don't think it's like somebody I didn't get. But like

0:54:12.120 --> 0:54:14.239
<v Speaker 2>I was supposed to damn link with Cole in the

0:54:14.280 --> 0:54:16.839
<v Speaker 2>studio like Jake Cole. Yeah, maybe like four or five

0:54:16.920 --> 0:54:19.319
<v Speaker 2>months ago, and then it was like, oh yea, we're

0:54:19.320 --> 0:54:21.520
<v Speaker 2>gonna get up tomorrow. I hit him. He hit me

0:54:21.640 --> 0:54:24.680
<v Speaker 2>back just after the apology. Uh no, I was like

0:54:24.920 --> 0:54:28.080
<v Speaker 2>before apology. Yeah, you know what I'm saying. But we

0:54:28.120 --> 0:54:31.200
<v Speaker 2>SUPs were supposed to get the studie and then he didn't.

0:54:31.200 --> 0:54:31.839
<v Speaker 2>He hit me bad.

0:54:31.840 --> 0:54:34.520
<v Speaker 1>He was like, yeah tomorrow. I was all right, bothering.

0:54:37.040 --> 0:54:42.080
<v Speaker 3>I'm all right, he's probably riding his bike, you know

0:54:42.120 --> 0:54:42.600
<v Speaker 3>what I'm saying.

0:54:43.080 --> 0:54:44.000
<v Speaker 4>But this ship is cool.

0:54:44.120 --> 0:54:44.239
<v Speaker 1>Bro.

0:54:45.600 --> 0:54:47.600
<v Speaker 4>It was just like he's front you. I was like,

0:54:47.680 --> 0:54:50.160
<v Speaker 4>I'm still there, ready to happen like this.

0:54:50.600 --> 0:54:54.520
<v Speaker 3>This is like there's a difference with somebody like front

0:54:54.520 --> 0:54:56.759
<v Speaker 3>and all, maybe not having the time, but it's like

0:54:56.840 --> 0:54:58.040
<v Speaker 3>someone outright saying no.

0:54:58.200 --> 0:55:04.120
<v Speaker 1>No, one's never told you no, told me no. I

0:55:04.160 --> 0:55:04.600
<v Speaker 1>don't think that.

0:55:05.040 --> 0:55:10.320
<v Speaker 3>Yeah, I'm not gonna lie. I thought about this the

0:55:10.400 --> 0:55:13.080
<v Speaker 3>other day and I saw her and I saw her

0:55:13.120 --> 0:55:15.560
<v Speaker 3>with her husband, and it was cool. But it was

0:55:15.680 --> 0:55:17.800
<v Speaker 3>never her who told me it. It was l A

0:55:17.920 --> 0:55:25.160
<v Speaker 3>Reid who Sierra really Sierra told me no, yes, yeah,

0:55:25.560 --> 0:55:28.400
<v Speaker 3>but not her. It was l A red So you

0:55:28.440 --> 0:55:30.040
<v Speaker 3>don't know if it was her. Yeah, and you know

0:55:30.239 --> 0:55:32.440
<v Speaker 3>La he had he had to put his lip bomb

0:55:32.480 --> 0:55:35.719
<v Speaker 3>on with his finger, you know, he he did it

0:55:35.840 --> 0:55:36.000
<v Speaker 3>like that.

0:55:36.160 --> 0:55:44.440
<v Speaker 1>I like, I like, yo, ahead, bro understand, like my

0:55:44.520 --> 0:55:50.600
<v Speaker 1>whole But he put it on pky finger. I didn't

0:55:50.600 --> 0:55:52.760
<v Speaker 1>never seen that at that time, like the pinky finger.

0:55:54.320 --> 0:55:57.000
<v Speaker 3>I was like, all right, cool, it was crazy, it's crazy,

0:55:57.200 --> 0:55:59.239
<v Speaker 3>all right, give this man the flowers, bro, come on,

0:55:59.320 --> 0:56:03.280
<v Speaker 3>goddamn it. Our show is about giving people their flowers

0:56:03.520 --> 0:56:05.680
<v Speaker 3>while they hear, while they're alive. We wanted to tell

0:56:05.719 --> 0:56:07.719
<v Speaker 3>you how proud we are seen your whole career from

0:56:07.719 --> 0:56:08.200
<v Speaker 3>the beginning.

0:56:08.520 --> 0:56:10.320
<v Speaker 1>I got to see it, got to see you blossom.

0:56:10.360 --> 0:56:11.640
<v Speaker 1>I got to see you become the man that you

0:56:11.719 --> 0:56:13.719
<v Speaker 1>all go through, the struggles that you went through.

0:56:14.000 --> 0:56:23.799
<v Speaker 3>Shar Now Sloop said is better than the Grammy because

0:56:23.840 --> 0:56:25.480
<v Speaker 3>it comes for his own people. But we want you

0:56:25.560 --> 0:56:27.960
<v Speaker 3>to know you deserve these flowers. You've been doing this

0:56:28.040 --> 0:56:31.800
<v Speaker 3>since twenty thirteen, kicking ass. You've been knocking down fucking doors,

0:56:31.960 --> 0:56:34.400
<v Speaker 3>kicking the gum under the fucking table, making sure that

0:56:34.520 --> 0:56:37.719
<v Speaker 3>the Thames under your motherfucking shits ain't motherfucking neat.

0:56:37.920 --> 0:56:39.920
<v Speaker 1>You've been doing what you're supposed to do, like he's supposed.

0:56:39.600 --> 0:56:43.080
<v Speaker 3>To under the fire hydrant, Under the motherfucking fire hydrant,

0:56:43.160 --> 0:56:52.480
<v Speaker 3>he was walled under the branch. No, I'm just silly

0:56:52.560 --> 0:56:54.560
<v Speaker 3>and proud of you, man, because let me just tell

0:56:54.560 --> 0:56:57.200
<v Speaker 3>you something. Let me just tell you something. The fact

0:56:57.400 --> 0:57:00.640
<v Speaker 3>is right that you came out with me, right, I

0:57:00.680 --> 0:57:04.160
<v Speaker 3>guess you know. You guys the same level, right boom,

0:57:04.880 --> 0:57:07.919
<v Speaker 3>you know, the projects whatever whatever. But at one point

0:57:08.000 --> 0:57:11.640
<v Speaker 3>he was almost considered the fourth mego, yeah, they're trying

0:57:11.680 --> 0:57:13.040
<v Speaker 3>for the four migos.

0:57:13.440 --> 0:57:14.239
<v Speaker 1>That's order work too.

0:57:15.960 --> 0:57:19.280
<v Speaker 3>But but the fact is you broke off on your

0:57:19.360 --> 0:57:23.400
<v Speaker 3>own and then you got to see your homemies be

0:57:23.720 --> 0:57:25.040
<v Speaker 3>super super successful.

0:57:25.200 --> 0:57:25.400
<v Speaker 2>Yeah.

0:57:25.880 --> 0:57:30.120
<v Speaker 3>That turns most people into hay this yeah, where you're

0:57:30.240 --> 0:57:31.200
<v Speaker 3>fucking unique, sir.

0:57:31.440 --> 0:57:31.720
<v Speaker 2>Thank you.

0:57:31.760 --> 0:57:33.720
<v Speaker 4>I appreciate that you are different.

0:57:33.520 --> 0:57:36.200
<v Speaker 3>Because most people will sit back and say, well, when's

0:57:36.280 --> 0:57:40.960
<v Speaker 3>my turn, And you're not even enjoying Okay, you got

0:57:41.080 --> 0:57:45.360
<v Speaker 3>of control yumbo for me, but you're not even you're

0:57:45.360 --> 0:57:48.760
<v Speaker 3>not even enjoying your homemies, like you know what I'm saying.

0:57:48.840 --> 0:57:54.040
<v Speaker 1>Like you gotta think about it. In baseball, when a

0:57:54.080 --> 0:57:57.560
<v Speaker 1>person bashed before you, you actually have to root for them.

0:57:58.440 --> 0:58:00.400
<v Speaker 1>You actually have to say I need this man on

0:58:00.520 --> 0:58:01.560
<v Speaker 1>base for me.

0:58:04.040 --> 0:58:08.760
<v Speaker 3>But most people don't play life like baseball. They paid

0:58:08.840 --> 0:58:14.400
<v Speaker 3>life like handball. A solo artist you have been playing

0:58:14.480 --> 0:58:17.800
<v Speaker 3>life like baseball, sir, and that's why baseball players is

0:58:17.840 --> 0:58:19.720
<v Speaker 3>the most paid athletes in the world.

0:58:23.040 --> 0:58:25.560
<v Speaker 1>I got I got on your body. You're gonna catch

0:58:25.640 --> 0:58:28.080
<v Speaker 1>him on to tomorrow because that was that was some

0:58:28.200 --> 0:58:33.880
<v Speaker 1>Nazi joby. I just dropped some good ships. Yes, yes, yes,

0:58:34.240 --> 0:58:35.400
<v Speaker 1>hold on, I got mad notes.

0:58:36.040 --> 0:58:39.480
<v Speaker 3>So you didn't go already get covered new freezing Manny Smith,

0:58:39.560 --> 0:58:40.320
<v Speaker 3>he brought you out there.

0:58:40.400 --> 0:58:41.520
<v Speaker 4>Deal, Manny Smith.

0:58:41.840 --> 0:58:45.320
<v Speaker 2>That's the man I like.

0:58:45.440 --> 0:58:49.120
<v Speaker 4>I like your face. Okay, Noah, for sure, Manny Smith.

0:58:49.200 --> 0:58:51.480
<v Speaker 4>Bro it's crazy Many Smith.

0:58:52.080 --> 0:58:56.880
<v Speaker 2>Like when I was when I was leaving QC, Manny

0:58:56.960 --> 0:59:01.080
<v Speaker 2>Smith was the guy who helped me, like, let.

0:59:01.040 --> 0:59:03.400
<v Speaker 1>Me get this correct. You called QC.

0:59:04.720 --> 0:59:07.600
<v Speaker 3>QC said, hey, man, if you don't want to it

0:59:07.720 --> 0:59:11.280
<v Speaker 3>was cool, but give me five hundred. Yeah, so that's

0:59:11.320 --> 0:59:13.919
<v Speaker 3>what you called around and Manny Smith was the person

0:59:14.000 --> 0:59:14.680
<v Speaker 3>that answered the call.

0:59:14.760 --> 0:59:15.320
<v Speaker 1>Is take it from me.

0:59:17.000 --> 0:59:17.200
<v Speaker 4>Yeah.

0:59:17.320 --> 0:59:19.840
<v Speaker 2>So like when they asked me five hundred, I don't.

0:59:20.080 --> 0:59:21.960
<v Speaker 2>I ain't. I don't think I had five thousands. So

0:59:22.080 --> 0:59:24.440
<v Speaker 2>I'm like, damn, what the fuck I'm about to do

0:59:25.880 --> 0:59:26.720
<v Speaker 2>to get this money?

0:59:27.120 --> 0:59:29.120
<v Speaker 3>Let me let me small for one second? Did you

0:59:29.200 --> 0:59:32.360
<v Speaker 3>think he was being unreasonable? Well you thought that was like,

0:59:33.080 --> 0:59:35.040
<v Speaker 3>that's like what the cost was up to that this

0:59:35.160 --> 0:59:36.080
<v Speaker 3>is this is totally up to you.

0:59:36.360 --> 0:59:39.160
<v Speaker 2>No, I was. I was definitely like that's a lot

0:59:39.200 --> 0:59:42.760
<v Speaker 2>of money, right, you know. So I was like, damn,

0:59:42.840 --> 0:59:44.120
<v Speaker 2>I don't know how the hell I'm want to come

0:59:44.200 --> 0:59:46.160
<v Speaker 2>up with the money. And I had I had a

0:59:47.000 --> 0:59:52.840
<v Speaker 2>band for you. I don't sure, probably like twenty four you.

0:59:52.920 --> 0:59:56.320
<v Speaker 1>Knew by yourself out He continue, Yes, sir, bro.

0:59:57.120 --> 1:00:00.440
<v Speaker 2>So I was like, I was, I ain't know for real,

1:00:00.560 --> 1:00:03.880
<v Speaker 2>but something I don't know how to explain something with

1:00:04.000 --> 1:00:07.200
<v Speaker 2>my phone. I have a like a roller decks from

1:00:07.240 --> 1:00:10.880
<v Speaker 2>my phone came from somebody else's phone, which I don't

1:00:10.920 --> 1:00:11.600
<v Speaker 2>know who it is.

1:00:12.400 --> 1:00:13.000
<v Speaker 1>We don't want to know.

1:00:13.440 --> 1:00:16.520
<v Speaker 2>Yeah. So I had like every single label contact in

1:00:16.640 --> 1:00:20.840
<v Speaker 2>my phone, like all types of people, numbers and crazy ship.

1:00:21.320 --> 1:00:23.000
<v Speaker 2>So I went through all the labels in my phone.

1:00:23.080 --> 1:00:28.440
<v Speaker 2>I started calling every single label Warner Atlantic, and then

1:00:28.480 --> 1:00:29.040
<v Speaker 2>I called.

1:00:29.200 --> 1:00:29.760
<v Speaker 4>In the Scope.

1:00:29.800 --> 1:00:32.960
<v Speaker 2>It said in the Scope records Manny Smith. And I'm

1:00:33.040 --> 1:00:35.240
<v Speaker 2>not knowing him from anywhere. I called him like, yo, bro,

1:00:35.880 --> 1:00:38.400
<v Speaker 2>this is a rich the kid I'm trying to buy

1:00:38.520 --> 1:00:39.840
<v Speaker 2>myself out a contract.

1:00:42.800 --> 1:00:44.120
<v Speaker 4>He ain't even know him at all. I didn't know

1:00:44.200 --> 1:00:44.600
<v Speaker 4>him at all.

1:00:47.040 --> 1:00:49.400
<v Speaker 3>Okay, all right, now I understand what you was, what

1:00:49.520 --> 1:00:52.120
<v Speaker 3>you meant. You said you got the industry contact.

1:00:52.280 --> 1:00:55.880
<v Speaker 2>Yeah, yeah, I have a I don't know how to do.

1:00:57.720 --> 1:00:59.960
<v Speaker 2>It's hard, it's really crazy to explain it. I don't

1:01:00.120 --> 1:01:02.480
<v Speaker 2>trying to explain. I don't know if I hooked my

1:01:02.560 --> 1:01:04.040
<v Speaker 2>phone somebody's computer that.

1:01:04.640 --> 1:01:06.919
<v Speaker 1>I really don't know how those contacts got in your phone.

1:01:07.240 --> 1:01:10.920
<v Speaker 2>I have every DJ, every label.

1:01:11.280 --> 1:01:12.040
<v Speaker 1>Especially back then.

1:01:12.880 --> 1:01:17.680
<v Speaker 12>If I was to charge my phone on your talking

1:01:17.720 --> 1:01:21.680
<v Speaker 12>about I don't know whose computer ship like they have

1:01:21.840 --> 1:01:26.959
<v Speaker 12>Rihanna's number, fucking Miley Cyrus, like some crazy ship.

1:01:27.000 --> 1:01:35.320
<v Speaker 4>You know, they had all types of crazy. So yeah,

1:01:35.480 --> 1:01:36.800
<v Speaker 4>so I was like, what the fuck?

1:01:37.000 --> 1:01:39.560
<v Speaker 2>So I went through all the contexts and I called

1:01:40.200 --> 1:01:43.120
<v Speaker 2>I called in the Scope and said many Smith. I

1:01:43.240 --> 1:01:45.320
<v Speaker 2>called him. I'm like, yo, bro, I got a mixtape.

1:01:45.320 --> 1:01:48.160
<v Speaker 2>I got a project ready to go right now. I'm

1:01:48.240 --> 1:01:52.040
<v Speaker 2>just trying to drop it. I was signed to q C,

1:01:52.800 --> 1:01:57.280
<v Speaker 2>and q C has a deal with three hundred, so

1:01:57.440 --> 1:01:59.320
<v Speaker 2>I got to pay both for them to get out.

1:01:59.600 --> 1:02:02.400
<v Speaker 2>So that five hundred it was more than I heard

1:02:02.440 --> 1:02:03.520
<v Speaker 2>you saying that it was three.

1:02:04.880 --> 1:02:05.640
<v Speaker 4>It was eight hundred.

1:02:05.680 --> 1:02:07.200
<v Speaker 1>But you have to get three hundred, three hundred.

1:02:07.280 --> 1:02:12.680
<v Speaker 2>Yeah, yeah, yeah, this is fucked up. Yeah yeah. I

1:02:12.840 --> 1:02:14.560
<v Speaker 2>just thought it was I had to get paid too,

1:02:14.680 --> 1:02:19.920
<v Speaker 2>because I was fucked up too, you know, so cool.

1:02:20.320 --> 1:02:22.080
<v Speaker 1>This is how I'm thinking for the outside looking at it.

1:02:22.240 --> 1:02:25.120
<v Speaker 3>Inside looking out, I'm thinking, you just had to pay

1:02:25.240 --> 1:02:27.320
<v Speaker 3>that five hundred and everything goes away.

1:02:28.320 --> 1:02:28.720
<v Speaker 2>So you had to.

1:02:28.880 --> 1:02:29.240
<v Speaker 1>You had to.

1:02:29.520 --> 1:02:32.880
<v Speaker 3>And then keV and my people at three hundred, they

1:02:32.920 --> 1:02:34.400
<v Speaker 3>said they wanted to get pieced off too.

1:02:34.600 --> 1:02:38.520
<v Speaker 4>I mean, it's business man, It's nothing. It is no

1:02:38.720 --> 1:02:40.200
<v Speaker 4>for sure, it's business bro.

1:02:40.440 --> 1:02:44.640
<v Speaker 2>Whatever. Whatever they felt like was substantial enough for them

1:02:46.120 --> 1:02:48.520
<v Speaker 2>eight grand, eight hundred thousand, and then I had to

1:02:48.560 --> 1:02:51.160
<v Speaker 2>get paid too. So when I weigh yourself, I went

1:02:51.240 --> 1:02:54.600
<v Speaker 2>to I went to Interscope, and I've never seen Manny

1:02:54.680 --> 1:02:58.000
<v Speaker 2>Smith before, so it's crazy. I walked into the office.

1:02:58.080 --> 1:03:01.080
<v Speaker 2>I'm playing music for who I thought was Manny Smith.

1:03:02.160 --> 1:03:04.160
<v Speaker 4>You know what I'm saying. It was it was mister.

1:03:10.200 --> 1:03:11.600
<v Speaker 2>I like it, man I like it.

1:03:15.080 --> 1:03:15.400
<v Speaker 12>This is.

1:03:19.280 --> 1:03:21.680
<v Speaker 2>Push her off. He was working there on in the

1:03:21.680 --> 1:03:24.479
<v Speaker 2>score at the time. So I'm like, yo, I played

1:03:24.520 --> 1:03:26.400
<v Speaker 2>the album. I just played, I just played the whole

1:03:26.440 --> 1:03:30.840
<v Speaker 2>project for it was like, yeah, this ship smoking and

1:03:31.000 --> 1:03:35.080
<v Speaker 2>then walks in Mannie Smith. You're like, hey, what's up, Rich,

1:03:36.000 --> 1:03:39.080
<v Speaker 2>I'm like, hold on, So which one of y'alls?

1:03:39.200 --> 1:03:39.400
<v Speaker 1>Many?

1:03:41.000 --> 1:03:43.520
<v Speaker 2>And after the business has been done? No, this is

1:03:43.680 --> 1:03:46.200
<v Speaker 2>before I got the deal. Okay, Like the first time

1:03:46.200 --> 1:03:48.840
<v Speaker 2>I met him type ship. So yeah, I played the

1:03:49.440 --> 1:03:53.120
<v Speaker 2>play the project for him again, play play two times

1:03:53.160 --> 1:03:57.160
<v Speaker 2>now and they're like, t ship is fire, Let's do it.

1:03:57.720 --> 1:04:00.720
<v Speaker 2>And I was like, I was like, what do you mean,

1:04:00.840 --> 1:04:02.240
<v Speaker 2>let's let's just let's do it.

1:04:03.240 --> 1:04:05.120
<v Speaker 4>You can't even believe that they was willing to do it. Yeah,

1:04:05.160 --> 1:04:07.120
<v Speaker 4>that was like, let's do it. First, I just told

1:04:07.160 --> 1:04:09.040
<v Speaker 4>him it was five hundred because I I thought it

1:04:09.080 --> 1:04:09.720
<v Speaker 4>was five hundred.

1:04:10.000 --> 1:04:12.600
<v Speaker 2>So then when I went down the line started figuring

1:04:12.600 --> 1:04:14.680
<v Speaker 2>out all the contracts, you know, all the paperwork and shit,

1:04:15.000 --> 1:04:18.360
<v Speaker 2>They're like, oh yeah, it's a hundred thousands, you know

1:04:18.400 --> 1:04:21.240
<v Speaker 2>what I'm saying. And then I'm like, shit, bro, I

1:04:21.400 --> 1:04:23.320
<v Speaker 2>have no place to stay right now. I'm in the

1:04:23.400 --> 1:04:28.120
<v Speaker 2>fucking apartment you know. Yeah, Because like when I first

1:04:28.200 --> 1:04:30.640
<v Speaker 2>came to LA I pulled up to the first apartment

1:04:30.720 --> 1:04:33.640
<v Speaker 2>complex and knows Hollywood, and I told him I need

1:04:33.680 --> 1:04:37.360
<v Speaker 2>an apartment right now. I have four thousand dollars. You

1:04:37.400 --> 1:04:39.080
<v Speaker 2>know what I'm saying. I got my kids with me.

1:04:39.520 --> 1:04:41.560
<v Speaker 2>You know what I'm saying, I'm trying to do the apartment. Yeah,

1:04:41.640 --> 1:04:43.800
<v Speaker 2>type shit. I just came to LA, So I'm like,

1:04:43.920 --> 1:04:47.920
<v Speaker 2>fuck it. I'm telling him, like, bro, I just moved here.

1:04:48.240 --> 1:04:49.960
<v Speaker 2>I really don't have you know what I'm saying, The

1:04:50.080 --> 1:04:53.200
<v Speaker 2>resources do it. Yeah, I told my own the resources

1:04:53.240 --> 1:04:57.160
<v Speaker 2>do everything. So he like, I bet, I'm gonna get

1:04:57.160 --> 1:05:00.280
<v Speaker 2>you a house in the hills. You can record there.

1:05:01.560 --> 1:05:04.720
<v Speaker 2>That's your place, put a studio in it, whatever. You

1:05:04.800 --> 1:05:07.680
<v Speaker 2>know what I'm saying, I'm gonna sign you. And then

1:05:07.840 --> 1:05:10.320
<v Speaker 2>like a couple of weeks later, I'm recording. I'm recording.

1:05:11.080 --> 1:05:13.120
<v Speaker 2>I did a new freezer and I played it for

1:05:13.240 --> 1:05:15.160
<v Speaker 2>him and he's like, yo, bro. He's like, yo, Bro,

1:05:16.360 --> 1:05:18.919
<v Speaker 2>I want you to meet Kendrick. No, no, top stop

1:05:19.600 --> 1:05:24.480
<v Speaker 2>get like that. Kendrick is not lit at this time.

1:05:24.600 --> 1:05:25.440
<v Speaker 2>Kendrick is coming up.

1:05:25.480 --> 1:05:30.200
<v Speaker 4>No, definitely Kendrick. And again I saw some in.

1:05:31.800 --> 1:05:34.120
<v Speaker 5>TD somehow was connected in the situation where.

1:05:33.960 --> 1:05:37.240
<v Speaker 3>Yeah, I heard you almost signed the TD at one point, Yeah,

1:05:38.240 --> 1:05:40.960
<v Speaker 3>I got chills coming out humps was.

1:05:41.560 --> 1:05:46.120
<v Speaker 2>Like at the time, I think like I was here

1:05:46.200 --> 1:05:48.080
<v Speaker 2>in top It was like a team type of thing

1:05:48.120 --> 1:05:53.200
<v Speaker 2>because many Smith was working with Top. It was tied

1:05:53.240 --> 1:05:56.040
<v Speaker 2>in and then I played the New Freezer. He's like, yo, bro,

1:05:57.520 --> 1:05:59.480
<v Speaker 2>Kendrick wants to meet you. I told him I was

1:05:59.520 --> 1:06:01.360
<v Speaker 2>signing you and ship. He wants to meet you. I'm

1:06:01.360 --> 1:06:04.120
<v Speaker 2>recording at the studio. I'll keep recording every day saying

1:06:04.160 --> 1:06:08.200
<v Speaker 2>that to you. Yeah, he like, Kendrick wants to meet you.

1:06:08.960 --> 1:06:12.680
<v Speaker 2>He recording in the room next door. I'm like, Kendrick

1:06:13.320 --> 1:06:15.280
<v Speaker 2>is right next door in the room. He's like, yeah,

1:06:15.320 --> 1:06:18.440
<v Speaker 2>he about to come in here. I'm like, oh shit,

1:06:18.960 --> 1:06:22.160
<v Speaker 2>I'm like all right, man. So I played them two songs.

1:06:22.280 --> 1:06:27.960
<v Speaker 2>I played them one song and then the second song

1:06:28.040 --> 1:06:32.880
<v Speaker 2>I played him was New Freezer. So when I'm playing

1:06:32.960 --> 1:06:36.840
<v Speaker 2>New Freezer for him, he like this the one he

1:06:37.040 --> 1:06:37.760
<v Speaker 2>like this the one.

1:06:38.680 --> 1:06:39.840
<v Speaker 1>I was like, that is the one.

1:06:39.960 --> 1:06:40.480
<v Speaker 4>You know what I'm saying.

1:06:40.480 --> 1:06:42.160
<v Speaker 1>I was like, yo.

1:06:42.680 --> 1:06:48.000
<v Speaker 2>But at the time, there was a verse from Asap

1:06:48.160 --> 1:06:52.120
<v Speaker 2>fer on New Freezer. Because when I record a New Freezer,

1:06:52.840 --> 1:06:56.080
<v Speaker 2>I was at Quad Studios in New York. It was

1:06:56.560 --> 1:07:01.720
<v Speaker 2>first it was a fird session, so Ferg had left out.

1:07:01.760 --> 1:07:03.680
<v Speaker 2>I think he was doing some shit with Buster in

1:07:03.880 --> 1:07:04.440
<v Speaker 2>the other room.

1:07:04.560 --> 1:07:05.200
<v Speaker 1>That said.

1:07:07.040 --> 1:07:09.680
<v Speaker 2>He was doing some shit with Buster, and then I

1:07:09.800 --> 1:07:13.040
<v Speaker 2>didn't new freezing. I think I recorded like fifteen minutes

1:07:14.080 --> 1:07:17.560
<v Speaker 2>and then he put a verse on it. So I

1:07:17.640 --> 1:07:19.840
<v Speaker 2>played it for Kendrick. He was like, all right, cool,

1:07:19.960 --> 1:07:22.320
<v Speaker 2>I get on it, but it just got to be

1:07:22.480 --> 1:07:26.120
<v Speaker 2>me and you on the song type shit. I was like, damn,

1:07:27.200 --> 1:07:30.400
<v Speaker 2>you know what I'm saying, we gotta go, you know,

1:07:31.160 --> 1:07:35.360
<v Speaker 2>conversation Yeah, a good dude. No, definitely a good dude.

1:07:35.600 --> 1:07:38.040
<v Speaker 2>So yeah, he definitely understood, and he was like, yeah, bro,

1:07:38.320 --> 1:07:41.160
<v Speaker 2>deal ship. You know what I'm saying. Definitely go and

1:07:41.360 --> 1:07:44.360
<v Speaker 2>drop the ship. So I dropped Kendrick and it was like.

1:07:47.320 --> 1:07:47.720
<v Speaker 1>Out of here.

1:07:48.280 --> 1:07:49.800
<v Speaker 2>Yeah, I told the girl.

1:07:49.880 --> 1:07:50.200
<v Speaker 1>It was like.

1:07:50.400 --> 1:07:53.840
<v Speaker 4>That was three months later after I had brought my

1:07:53.920 --> 1:07:55.840
<v Speaker 4>way out my deal ship.

1:07:56.440 --> 1:08:01.880
<v Speaker 3>And because you know, as you I just want to

1:08:01.920 --> 1:08:08.920
<v Speaker 3>say this to the artists. Most execs thinks they're smarter

1:08:09.040 --> 1:08:12.920
<v Speaker 3>than us. So when you ask the exit, they're actually

1:08:13.000 --> 1:08:18.240
<v Speaker 3>laughing at us just being out, they're actually laughing at

1:08:18.320 --> 1:08:22.679
<v Speaker 3>us because they're gonna say he'll be back or help.

1:08:23.360 --> 1:08:28.040
<v Speaker 3>So the fact is what you did is it's phenomenal.

1:08:28.120 --> 1:08:30.280
<v Speaker 3>You know, you did it honorable. I didn't see no

1:08:30.439 --> 1:08:35.280
<v Speaker 3>fuck QC campaign. I didn't see no, you know, fuck

1:08:35.360 --> 1:08:37.519
<v Speaker 3>three hundred campaign, just like I just want.

1:08:37.439 --> 1:08:39.680
<v Speaker 1>To move on and do my ship. And you did it.

1:08:39.760 --> 1:08:40.120
<v Speaker 2>You did it.

1:08:40.600 --> 1:08:41.880
<v Speaker 1>That ship is that ship is ill.

1:08:42.120 --> 1:08:43.800
<v Speaker 3>And that's the reason why I think that they like

1:08:44.120 --> 1:08:46.240
<v Speaker 3>they're not bothering you, like they're not like trying to

1:08:46.360 --> 1:08:48.920
<v Speaker 3>like sabotage you a black boy youth because you know, you.

1:08:48.920 --> 1:08:52.719
<v Speaker 4>Did good business. But I got a question that paying

1:08:52.800 --> 1:08:55.360
<v Speaker 4>for so you you made that move.

1:08:56.160 --> 1:08:57.920
<v Speaker 5>Do you do you ever feel because you were honest

1:08:57.960 --> 1:08:59.719
<v Speaker 5>with Interscope about your situation.

1:09:00.120 --> 1:09:02.240
<v Speaker 1>Yeah, he was honest with Manny Smith.

1:09:02.400 --> 1:09:06.320
<v Speaker 3>That wasn't he didn't represent any school he did, So

1:09:06.479 --> 1:09:07.160
<v Speaker 3>you're being honest.

1:09:09.320 --> 1:09:11.479
<v Speaker 5>So you know, you're kind of showing your vulnerability to

1:09:11.600 --> 1:09:14.719
<v Speaker 5>the label. You know, when you got these this contract

1:09:14.760 --> 1:09:18.280
<v Speaker 5>from them, you went through it thoroughly. I'm assuming you

1:09:18.320 --> 1:09:19.840
<v Speaker 5>want to make sure that they're not saying, oh, he

1:09:20.160 --> 1:09:22.360
<v Speaker 5>needs this, so we try to sneak this and sneak

1:09:22.400 --> 1:09:22.560
<v Speaker 5>in this.

1:09:22.880 --> 1:09:22.920
<v Speaker 1>No.

1:09:23.120 --> 1:09:24.799
<v Speaker 2>Yeah, I fulfill the contract.

1:09:25.320 --> 1:09:31.160
<v Speaker 4>But I mean I thought myself for like.

1:09:32.640 --> 1:09:35.760
<v Speaker 2>Like kind of getting into it with them, for like,

1:09:36.280 --> 1:09:38.920
<v Speaker 2>like I said, like feeling like I wasn't treated like

1:09:39.000 --> 1:09:41.280
<v Speaker 2>their biggest artists or something like that. So I kind

1:09:41.320 --> 1:09:43.840
<v Speaker 2>of like really got into it with them, like oh,

1:09:44.479 --> 1:09:46.519
<v Speaker 2>getting pissed off because you got to think about it.

1:09:46.640 --> 1:09:50.320
<v Speaker 2>I'm not knowing I'm not knowing shit about no label business.

1:09:50.800 --> 1:09:54.160
<v Speaker 2>I'm coming straight off the streets. I'm just no Listen,

1:09:54.360 --> 1:09:57.120
<v Speaker 2>this is my music. I feel passionate about this, and

1:09:57.840 --> 1:10:00.760
<v Speaker 2>I'm willing to go whatever the risk is for this,

1:10:00.840 --> 1:10:02.519
<v Speaker 2>you know what I'm saying. So I kind of got

1:10:02.560 --> 1:10:05.240
<v Speaker 2>into it with them and I had to leave In

1:10:05.320 --> 1:10:07.759
<v Speaker 2>the scope, They're like, Okay, you can't be on Interscope

1:10:07.760 --> 1:10:09.200
<v Speaker 2>anymore type ship because.

1:10:09.000 --> 1:10:10.920
<v Speaker 1>That would have been your first official rollout on a

1:10:11.200 --> 1:10:11.679
<v Speaker 1>mad Yeah.

1:10:11.720 --> 1:10:14.120
<v Speaker 2>Yeah, right, yeah, I dropped the I dropped the album

1:10:14.320 --> 1:10:16.559
<v Speaker 2>with them and with Number two and share on bill Boys.

1:10:17.000 --> 1:10:19.360
<v Speaker 2>But after that, after that, like I was getting into

1:10:19.439 --> 1:10:22.679
<v Speaker 2>it with them because I feel like just some things

1:10:23.720 --> 1:10:26.320
<v Speaker 2>wasn't you know what I'm saying, How I wanted to

1:10:26.439 --> 1:10:27.080
<v Speaker 2>you feel what I'm saying.

1:10:27.120 --> 1:10:30.200
<v Speaker 4>And I got into it and they let me go

1:10:30.280 --> 1:10:30.919
<v Speaker 4>to the Republic.

1:10:31.479 --> 1:10:33.160
<v Speaker 3>That's the thing about in the Scope, it seems like

1:10:33.200 --> 1:10:36.240
<v Speaker 3>they either fully got your back or not at all?

1:10:36.760 --> 1:10:39.960
<v Speaker 1>Right, Like I mean, did that feel like that for you?

1:10:41.320 --> 1:10:41.559
<v Speaker 12>Man?

1:10:41.760 --> 1:10:44.000
<v Speaker 4>I just I feel like it is what it is

1:10:44.080 --> 1:10:45.519
<v Speaker 4>at this point, you know what I'm saying.

1:10:46.080 --> 1:10:51.320
<v Speaker 2>Like they did with the Yeah, well I needed the

1:10:51.400 --> 1:10:54.280
<v Speaker 2>ship was insane, you know what I'm saying. So I

1:10:54.360 --> 1:10:57.160
<v Speaker 2>feel like bro, I do. Like I said, I fought

1:10:57.240 --> 1:11:02.479
<v Speaker 2>myself for not knowing how to be a businessman. Just

1:11:03.000 --> 1:11:05.800
<v Speaker 2>a young nigga coming in like a young nigga. I

1:11:05.960 --> 1:11:08.680
<v Speaker 2>want some young nigga shit like nigga. I want my

1:11:08.760 --> 1:11:12.120
<v Speaker 2>ship on the fucking web caviar right now, That's not

1:11:12.240 --> 1:11:13.200
<v Speaker 2>exactly what I'm saying.

1:11:14.280 --> 1:11:16.000
<v Speaker 4>I want number one on motherfucking this.

1:11:17.000 --> 1:11:17.639
<v Speaker 2>You know what I'm saying.

1:11:17.680 --> 1:11:18.000
<v Speaker 7>It's like.

1:11:19.840 --> 1:11:21.040
<v Speaker 2>Like they work, how they work.

1:11:21.880 --> 1:11:25.200
<v Speaker 3>You know what's interesting what you're saying. As you said,

1:11:25.400 --> 1:11:27.880
<v Speaker 3>radio is it? They don't make money off for radio,

1:11:27.960 --> 1:11:34.360
<v Speaker 3>no more said. And you know, for me, that's how

1:11:34.400 --> 1:11:38.519
<v Speaker 3>we started our campaign. We went to master Flex drop

1:11:38.560 --> 1:11:43.679
<v Speaker 3>a bomb, uh the Flex a cosmic capital here about

1:11:43.680 --> 1:11:46.400
<v Speaker 3>it in Philadelphia Cosmic kevi do it crack here.

1:11:47.760 --> 1:11:49.760
<v Speaker 2>That's how I started off a lot of my artists too,

1:11:49.920 --> 1:11:54.679
<v Speaker 2>Like I knowing independently I'm gonna spend money on radio

1:11:54.720 --> 1:11:56.760
<v Speaker 2>and turn them up, you know what I'm saying. Then

1:11:56.840 --> 1:11:58.960
<v Speaker 2>they're like, who the fuck is this? Kid going crazy,

1:11:59.080 --> 1:12:00.800
<v Speaker 2>you know what I'm saying. So then they had to

1:12:00.840 --> 1:12:04.240
<v Speaker 2>come back to me like Okay, oh now they know

1:12:04.320 --> 1:12:05.880
<v Speaker 2>what he's doing, you know what I'm saying.

1:12:06.160 --> 1:12:07.920
<v Speaker 3>But then how do you how do you transition that

1:12:08.000 --> 1:12:11.280
<v Speaker 3>if you start your new artist or say like Jake

1:12:11.320 --> 1:12:14.960
<v Speaker 3>Cret Chris, how do you do that if you started

1:12:14.960 --> 1:12:18.320
<v Speaker 3>off from radio but your generation people that y'all controlled

1:12:18.439 --> 1:12:20.880
<v Speaker 3>is Spotify, Apple, Like.

1:12:20.960 --> 1:12:25.040
<v Speaker 2>With Jake Chris, like bro it was just organically, Yeah,

1:12:25.080 --> 1:12:29.559
<v Speaker 2>he from Brooklyn organically just dropping video as a video

1:12:30.120 --> 1:12:34.160
<v Speaker 2>us dropping mixtapes together, back to back to back. So

1:12:34.360 --> 1:12:37.600
<v Speaker 2>his come up was just really organic, you know what

1:12:37.600 --> 1:12:41.479
<v Speaker 2>I'm saying. So it was really easy, like on the

1:12:41.560 --> 1:12:44.040
<v Speaker 2>come up for him. And then I was signed to

1:12:44.080 --> 1:12:47.879
<v Speaker 2>Interscope and then I was like, yo, sign him to Terscope,

1:12:47.960 --> 1:12:51.320
<v Speaker 2>like we it's a team type of thing. So I

1:12:51.520 --> 1:12:54.600
<v Speaker 2>was like I went on that end, right, So.

1:12:55.040 --> 1:12:58.040
<v Speaker 1>We talked about Jay. Now I want to talk about

1:13:00.160 --> 1:13:02.400
<v Speaker 1>what's my man next? Decks? Famous decks?

1:13:02.520 --> 1:13:08.760
<v Speaker 3>Right, me being the elder statesman in this game, And

1:13:09.400 --> 1:13:11.680
<v Speaker 3>I don't want to say that, but I'll say it

1:13:11.760 --> 1:13:15.000
<v Speaker 3>for lack of a better term, successful elder statesmen. You

1:13:15.000 --> 1:13:17.920
<v Speaker 3>know what I'm saying, not somebody that you know that

1:13:18.080 --> 1:13:20.200
<v Speaker 3>had a success, And then I'm sitting around you.

1:13:20.280 --> 1:13:22.599
<v Speaker 1>Know what I did back then? No, I'm still making

1:13:22.720 --> 1:13:23.880
<v Speaker 1>history now, you know what I'm saying.

1:13:23.880 --> 1:13:27.560
<v Speaker 3>I'm still doing it. And I was I would be

1:13:27.640 --> 1:13:30.560
<v Speaker 3>scared to reach out to the young generation, right me.

1:13:30.760 --> 1:13:33.840
<v Speaker 3>This is me personally, just not you know, me talking

1:13:33.840 --> 1:13:35.880
<v Speaker 3>about any anything else. That's why I said, but I

1:13:35.960 --> 1:13:38.479
<v Speaker 3>see you. It's like a pleasure the light when I

1:13:38.520 --> 1:13:41.000
<v Speaker 3>see young motherfuckers that know what time it is, and

1:13:41.080 --> 1:13:43.840
<v Speaker 3>it's like, all right cool. One of the very first

1:13:43.920 --> 1:13:49.080
<v Speaker 3>times I wanted to reach out and just kind of

1:13:49.120 --> 1:13:51.720
<v Speaker 3>like offer a hug to somebody was when I seen

1:13:51.800 --> 1:13:54.640
<v Speaker 3>Famous Decks and I believe it might have been on

1:13:54.760 --> 1:13:59.400
<v Speaker 3>No Jump or I'm not sure, and it just didn't

1:13:59.479 --> 1:14:04.040
<v Speaker 3>look right mhm. And I know I'm drinking alcohol, and

1:14:04.040 --> 1:14:06.080
<v Speaker 3>I'm drinking alcohol. I have a show based on alcohol,

1:14:06.120 --> 1:14:08.080
<v Speaker 3>So it's like, how the fuck is this nigga? Gonna

1:14:08.080 --> 1:14:10.160
<v Speaker 3>critique this nigga? But I'm not critiquing him from an

1:14:10.160 --> 1:14:13.600
<v Speaker 3>alcohol standpoint. I'm critiquing him from an oldest statesman of

1:14:13.760 --> 1:14:16.120
<v Speaker 3>hip hop. And it's like, Yo, I've been through this ship.

1:14:17.080 --> 1:14:17.320
<v Speaker 2>You know what.

1:14:17.360 --> 1:14:19.400
<v Speaker 3>I mean, I wanted to sit down with him. I

1:14:19.600 --> 1:14:22.720
<v Speaker 3>never got a chance to. But when you've seen that,

1:14:23.320 --> 1:14:25.720
<v Speaker 3>I'm sure you've seen the same interview that I saw.

1:14:26.240 --> 1:14:27.960
<v Speaker 3>And this is your man, I know, I know you

1:14:28.040 --> 1:14:31.880
<v Speaker 3>call him your brother. Actually what was the phone calls

1:14:31.960 --> 1:14:33.800
<v Speaker 3>like when people saw that?

1:14:33.920 --> 1:14:40.599
<v Speaker 2>And man, I don't I really don't know exactly which

1:14:40.720 --> 1:14:42.240
<v Speaker 2>interview you're talking about in particular.

1:14:42.400 --> 1:14:45.000
<v Speaker 1>Yeah, but I know there was like, yeah, I fell

1:14:45.040 --> 1:14:45.960
<v Speaker 1>asleep in the interview.

1:14:46.600 --> 1:14:50.400
<v Speaker 2>Yeah, of course, like when he was started spiraling, I

1:14:50.520 --> 1:14:52.000
<v Speaker 2>had to hit him up as a brother and call

1:14:52.080 --> 1:14:54.080
<v Speaker 2>him like, Yo, we gotta get this together. You know

1:14:54.120 --> 1:14:56.840
<v Speaker 2>what I'm saying. I took him to rehab a couple

1:14:56.840 --> 1:14:58.680
<v Speaker 2>of times, you know what I'm saying. He went to

1:14:58.760 --> 1:15:02.840
<v Speaker 2>jail after that. You know, it's just like he came

1:15:02.880 --> 1:15:05.680
<v Speaker 2>home a Christian, Yes, just you know, struggling with an

1:15:05.680 --> 1:15:08.280
<v Speaker 2>addiction is hard, bro, Like you know what I'm saying,

1:15:08.360 --> 1:15:11.280
<v Speaker 2>And as a brother, I just got to be there

1:15:11.320 --> 1:15:14.000
<v Speaker 2>to support him, you know, every way I can, you

1:15:14.040 --> 1:15:16.840
<v Speaker 2>know what I'm saying, Like, however you want to get there.

1:15:17.240 --> 1:15:21.479
<v Speaker 2>I took him, I drove to rehabs, I took him

1:15:21.479 --> 1:15:23.479
<v Speaker 2>on the jets rehabs. However, you want to get there,

1:15:23.640 --> 1:15:25.880
<v Speaker 2>I'm gonna take you there to get help.

1:15:25.960 --> 1:15:27.240
<v Speaker 4>You know what I'm saying. I'm gonna be here to

1:15:27.320 --> 1:15:27.560
<v Speaker 4>help you.

1:15:28.160 --> 1:15:30.240
<v Speaker 2>You know what I'm saying. But you know, like you

1:15:30.320 --> 1:15:32.559
<v Speaker 2>gotta really want help for yourself, you know what I'm saying.

1:15:32.600 --> 1:15:34.240
<v Speaker 2>That's why I tell him every time, like, bro, you

1:15:34.360 --> 1:15:38.040
<v Speaker 2>have to want this for yourself. You know, It's just

1:15:38.280 --> 1:15:40.479
<v Speaker 2>it's hard, bro. You know it's usually you got to

1:15:40.520 --> 1:15:43.680
<v Speaker 2>hit rock bottom to But you know, I'm here for

1:15:43.800 --> 1:15:47.160
<v Speaker 2>him always. I'm always here from him. That's my brother.

1:15:47.360 --> 1:15:49.840
<v Speaker 1>Like I said, you know, let me let me change

1:15:49.840 --> 1:15:50.559
<v Speaker 1>it up a little bit.

1:15:50.720 --> 1:15:50.840
<v Speaker 2>Right.

1:15:54.200 --> 1:15:57.400
<v Speaker 1>One of the things that I love doing this show.

1:15:57.760 --> 1:15:59.040
<v Speaker 1>There's two things. I like.

1:16:00.520 --> 1:16:04.400
<v Speaker 3>Understanding people's drink order whenever I say, like what they drinking?

1:16:04.640 --> 1:16:07.120
<v Speaker 3>I love that ship, right, And then I love the

1:16:07.160 --> 1:16:12.080
<v Speaker 3>funk with your fans. So I went on Twitter. I

1:16:12.200 --> 1:16:15.400
<v Speaker 3>was like, yeah, we gotta rich the kid and your

1:16:15.479 --> 1:16:20.120
<v Speaker 3>fans are crazy. Do you realize how crazy is your fans?

1:16:20.520 --> 1:16:22.720
<v Speaker 3>Like no, no, no, no, no, no, no no no no,

1:16:23.439 --> 1:16:24.040
<v Speaker 3>that's crazy.

1:16:25.080 --> 1:16:28.320
<v Speaker 1>Like, I mean you have a cult following, like and

1:16:28.600 --> 1:16:29.639
<v Speaker 1>I'm saying.

1:16:29.479 --> 1:16:30.519
<v Speaker 4>Cope, that's a good thing.

1:16:30.840 --> 1:16:32.679
<v Speaker 1>That's a good thing. Not Marilynd Madison.

1:16:33.080 --> 1:16:33.920
<v Speaker 4>That's a positive thing.

1:16:34.200 --> 1:16:37.320
<v Speaker 1>It's a positive thing. Like like I said that show

1:16:37.400 --> 1:16:39.519
<v Speaker 1>my bad I said that ship and they was.

1:16:40.439 --> 1:16:42.400
<v Speaker 3>I mean, they hit me with so much questions and

1:16:42.560 --> 1:16:45.120
<v Speaker 3>so much crazy ship and they was.

1:16:45.439 --> 1:16:46.360
<v Speaker 1>You know, but.

1:16:47.840 --> 1:16:50.839
<v Speaker 4>Yeah, I have fans being fans be fans.

1:16:51.920 --> 1:16:54.000
<v Speaker 3>Last time I seen this was when we had Little

1:16:54.000 --> 1:16:58.880
<v Speaker 3>Wayne on the show. The only difference between your fans

1:16:58.920 --> 1:17:01.360
<v Speaker 3>a little Wayne fans. Your fans is way more aggressive

1:17:01.800 --> 1:17:04.920
<v Speaker 3>Wayne little way fans is nice. They're like, so when

1:17:04.960 --> 1:17:07.400
<v Speaker 3>are we going to drop your fans? Like where's that

1:17:07.479 --> 1:17:08.120
<v Speaker 3>ship dropping?

1:17:08.680 --> 1:17:09.360
<v Speaker 4>Like shit?

1:17:09.800 --> 1:17:15.760
<v Speaker 3>So so do you understand your fan base? Yeah, for sure,

1:17:16.040 --> 1:17:17.400
<v Speaker 3>because I didn't understand it.

1:17:17.479 --> 1:17:20.120
<v Speaker 2>Was just like fans, my fans just like you gotta

1:17:20.200 --> 1:17:23.760
<v Speaker 2>just keep feeding them like NonStop, gotta keep going, keep going,

1:17:23.880 --> 1:17:26.920
<v Speaker 2>keep dropping. And because you got to think about like

1:17:27.600 --> 1:17:30.760
<v Speaker 2>music is changing. You know what I'm saying. Hip hop

1:17:30.920 --> 1:17:33.439
<v Speaker 2>is changing, the way that people consume music is changing.

1:17:34.439 --> 1:17:37.920
<v Speaker 2>It's just like there's people coming out every day, what

1:17:37.920 --> 1:17:41.599
<v Speaker 2>I'm saying. So it's like music every hour, every hour, damn,

1:17:41.600 --> 1:17:43.080
<v Speaker 2>you know what I'm saying. So you just got to

1:17:43.160 --> 1:17:47.800
<v Speaker 2>really adapt to this ship, like so adapted to my

1:17:47.920 --> 1:17:51.200
<v Speaker 2>fans changing, my fans getting older. Everybody get older.

1:17:51.000 --> 1:17:52.920
<v Speaker 4>You know what I'm saying. So I'm just getting used

1:17:52.920 --> 1:17:55.639
<v Speaker 4>to that ship keep dropping, you know what I'm saying.

1:17:55.640 --> 1:17:58.479
<v Speaker 2>It just like right now, I'm just elevating the sound,

1:17:58.479 --> 1:18:00.519
<v Speaker 2>like I said before, like elevation in the town.

1:18:01.120 --> 1:18:03.840
<v Speaker 4>So I'm I'm excited. I'm super excited for.

1:18:04.000 --> 1:18:05.280
<v Speaker 2>What was to come.

1:18:06.960 --> 1:18:09.439
<v Speaker 1>And the luxury of having a cult following is that

1:18:09.600 --> 1:18:10.519
<v Speaker 1>they'll change with you.

1:18:11.200 --> 1:18:13.680
<v Speaker 3>And being an artist CEO that that works for you

1:18:14.280 --> 1:18:19.080
<v Speaker 3>because you're doing it right now. You're doing a perfect

1:18:19.200 --> 1:18:23.400
<v Speaker 3>balance of being an artist and taking care of your artist.

1:18:24.120 --> 1:18:27.080
<v Speaker 1>That is fucking hard to do, for sure. I believe

1:18:27.160 --> 1:18:30.599
<v Speaker 1>Rick Ross was successful in doing that, and I don't

1:18:30.640 --> 1:18:31.679
<v Speaker 1>believe it. There's a lot of others.

1:18:32.560 --> 1:18:38.360
<v Speaker 4>I think Fat Joe Jay, Oh Jay, I got about yeah.

1:18:39.880 --> 1:18:44.760
<v Speaker 3>Fifty right, yes, look look at us. I don't think

1:18:44.800 --> 1:18:51.800
<v Speaker 3>we at four. I think we at four. Who threw

1:18:51.800 --> 1:18:59.240
<v Speaker 3>a rock Da Burkin bird man Man became he was

1:18:59.280 --> 1:19:01.759
<v Speaker 3>a CEO talking strictly like, yeah, yeah, I'm talking.

1:19:01.600 --> 1:19:04.080
<v Speaker 1>About artist, artist, artist, artists.

1:19:03.800 --> 1:19:07.400
<v Speaker 5>Yeah, good music, yeah yeah yeah. But Kanye had the

1:19:07.479 --> 1:19:11.640
<v Speaker 5>luxury of being a producer artist, so yeah, yo got

1:19:12.680 --> 1:19:14.160
<v Speaker 5>you got, Yo got definitely.

1:19:14.439 --> 1:19:16.679
<v Speaker 1>Every time I see Yo Gotti to change.

1:19:18.080 --> 1:19:22.000
<v Speaker 3>Did you ever think like when you first started rapping? Yeah,

1:19:22.400 --> 1:19:25.280
<v Speaker 3>and the level you're at now, like like one of

1:19:25.280 --> 1:19:26.599
<v Speaker 3>the that's one of the best things.

1:19:26.640 --> 1:19:26.800
<v Speaker 1>I know.

1:19:26.920 --> 1:19:31.400
<v Speaker 3>We spoke about it earlier. Is not only you being

1:19:31.479 --> 1:19:34.120
<v Speaker 3>in the rap game, you could be in the rap game.

1:19:34.200 --> 1:19:36.559
<v Speaker 3>There's a lot of people in the rap game. You're

1:19:36.600 --> 1:19:39.600
<v Speaker 3>being respected in the rap game. Yeah, Like I was

1:19:39.680 --> 1:19:42.920
<v Speaker 3>so happy going through your and I'm just like, Yo,

1:19:43.160 --> 1:19:50.000
<v Speaker 3>this one got hit. But two they respect him and

1:19:50.280 --> 1:19:52.960
<v Speaker 3>and that is a big thing, and it did Did

1:19:53.040 --> 1:19:54.920
<v Speaker 3>you ever you ever noticed that?

1:19:56.560 --> 1:19:58.360
<v Speaker 2>Man? I just try to stay in my lane and

1:19:58.640 --> 1:20:00.200
<v Speaker 2>just be me. You know what I'm saying, Do me

1:20:00.880 --> 1:20:04.400
<v Speaker 2>and continue to do that. You know, people look at

1:20:04.479 --> 1:20:07.000
<v Speaker 2>other people on the ground or look at other people's

1:20:07.080 --> 1:20:10.240
<v Speaker 2>career and other says, and they might start spiraling and

1:20:10.400 --> 1:20:12.280
<v Speaker 2>doing whatever they do. You know what I'm saying. I

1:20:12.479 --> 1:20:17.640
<v Speaker 2>just am good at doing me and only that. That's

1:20:17.960 --> 1:20:19.360
<v Speaker 2>that's all I ever do.

1:20:20.760 --> 1:20:25.639
<v Speaker 3>That's a beautiful thing, man. It's because to give respect

1:20:25.760 --> 1:20:29.280
<v Speaker 3>is one thing. To get it back there's a whole another.

1:20:29.479 --> 1:20:32.439
<v Speaker 3>And I can tell people go in a session with

1:20:32.560 --> 1:20:36.120
<v Speaker 3>you and ask your opinion, what do you think about this?

1:20:36.680 --> 1:20:39.080
<v Speaker 3>I can tell because all the records that you on,

1:20:39.240 --> 1:20:42.120
<v Speaker 3>whether it's what artists or not, your influences throughout the

1:20:42.160 --> 1:20:44.840
<v Speaker 3>whole record. So I'm not trying to say your ghost

1:20:44.840 --> 1:20:46.439
<v Speaker 3>writing nigga shit, maybe I am.

1:20:46.760 --> 1:20:47.360
<v Speaker 1>You know what I'm saying.

1:20:47.439 --> 1:20:48.920
<v Speaker 3>But what I'm trying to say is, I know you're

1:20:48.920 --> 1:20:51.200
<v Speaker 3>constructing these records. I know people are coming to you

1:20:51.360 --> 1:20:53.600
<v Speaker 3>and saying, what do you think I just should do

1:20:53.760 --> 1:20:56.560
<v Speaker 3>on this thing? So do you feel like you're a

1:20:56.640 --> 1:20:58.479
<v Speaker 3>producer producer?

1:21:00.040 --> 1:21:02.760
<v Speaker 2>Couldn't say Champagne, I could say a producer you put

1:21:02.880 --> 1:21:05.240
<v Speaker 2>if you're putting records together that.

1:21:06.280 --> 1:21:07.960
<v Speaker 1>You know what I'm saying, I ain't gonna I want

1:21:07.960 --> 1:21:10.240
<v Speaker 1>you to produce the record for me. Let's do it.

1:21:17.800 --> 1:21:21.360
<v Speaker 5>Okay, what if from what you've been dealing with and

1:21:21.479 --> 1:21:23.800
<v Speaker 5>working with in your career right now, where do you

1:21:23.840 --> 1:21:24.960
<v Speaker 5>think you might have messed up?

1:21:25.040 --> 1:21:25.080
<v Speaker 1>Like?

1:21:25.160 --> 1:21:28.640
<v Speaker 4>What what things do you regret in this journey.

1:21:29.240 --> 1:21:31.000
<v Speaker 2>Arguing with the labels? You know what I'm saying, getting

1:21:31.000 --> 1:21:35.639
<v Speaker 2>into it with them because Dave Dave some folks when

1:21:36.040 --> 1:21:42.000
<v Speaker 2>don't folks don't play? Yeah, biggest regret, that's one of

1:21:42.080 --> 1:21:45.679
<v Speaker 2>my bist regression. Yeah, for sure, arguing with them getting

1:21:45.680 --> 1:21:49.280
<v Speaker 2>into what Okay, you just getting black ball for real?

1:21:50.160 --> 1:21:53.400
<v Speaker 4>That ship is not a joke. Is not a joke.

1:21:53.920 --> 1:21:56.720
<v Speaker 2>It is not joke. It's is not a game.

1:21:56.840 --> 1:21:59.519
<v Speaker 4>When you're coming, they spend money to bring your name down.

1:22:01.280 --> 1:22:03.720
<v Speaker 1>Money what what what?

1:22:03.960 --> 1:22:06.400
<v Speaker 3>What's your first moment that you were just going through?

1:22:06.560 --> 1:22:08.759
<v Speaker 3>Was it at in the school?

1:22:09.280 --> 1:22:09.479
<v Speaker 4>Yeah?

1:22:09.560 --> 1:22:10.120
<v Speaker 2>Yeah, for sure.

1:22:10.320 --> 1:22:11.759
<v Speaker 1>Okay, so tell's what happened.

1:22:13.520 --> 1:22:16.679
<v Speaker 5>He didn't feel he was getting the same level of attention.

1:22:16.880 --> 1:22:17.400
<v Speaker 5>Is the is the.

1:22:18.880 --> 1:22:19.080
<v Speaker 2>Look?

1:22:19.320 --> 1:22:21.639
<v Speaker 4>I'm sorry, I'm sorry for this. You know what I'm saying.

1:22:21.800 --> 1:22:24.880
<v Speaker 2>Okay, no problem, my bad, y'all. I was tripping. I

1:22:25.000 --> 1:22:26.960
<v Speaker 2>was I don't know what I was sipping that day.

1:22:27.560 --> 1:22:30.639
<v Speaker 2>You said it to them, but yeah, yeah, I don't

1:22:30.640 --> 1:22:35.720
<v Speaker 2>want no problem with nothing. But like, yeah, I was

1:22:35.800 --> 1:22:38.160
<v Speaker 2>tripping whatever. I got on Twitter and I posted one

1:22:38.200 --> 1:22:40.800
<v Speaker 2>of their numbers, like yo, tell yo, tell them stop

1:22:40.880 --> 1:22:44.080
<v Speaker 2>playing with me and drop my song. They better, they

1:22:44.200 --> 1:22:47.360
<v Speaker 2>better do this. I was swallowing, you know what I'm saying,

1:22:47.880 --> 1:22:51.080
<v Speaker 2>and I started bro I was tripping. I was on

1:22:51.240 --> 1:22:53.000
<v Speaker 2>the drink. I was sipping lean and you know what

1:22:53.040 --> 1:22:56.560
<v Speaker 2>I'm saying. I had a bad lean problem. But you

1:22:56.640 --> 1:22:58.720
<v Speaker 2>know what I'm saying. And I was wild enough, but

1:22:58.800 --> 1:23:00.280
<v Speaker 2>I was upset. I was years.

1:23:00.320 --> 1:23:03.880
<v Speaker 1>I feel like, this is my music terrible. Yeah I

1:23:03.960 --> 1:23:06.080
<v Speaker 1>get it, I get it, but it's not terrible. It's

1:23:06.080 --> 1:23:06.599
<v Speaker 1>not terrible.

1:23:07.040 --> 1:23:11.200
<v Speaker 2>They could change their number. Yeah, you don't want to

1:23:11.240 --> 1:23:14.320
<v Speaker 2>see you. All the label want to see you.

1:23:21.280 --> 1:23:22.400
<v Speaker 4>Bro, This is not a game.

1:23:24.000 --> 1:23:25.160
<v Speaker 1>You don't want to change something.

1:23:26.720 --> 1:23:29.920
<v Speaker 4>Sure, And and it's like bro, like I said, I

1:23:30.120 --> 1:23:33.559
<v Speaker 4>was just young and stupid, just fresh off I'm damn

1:23:33.600 --> 1:23:35.759
<v Speaker 4>near fresh off the porch. I'm not signed.

1:23:35.800 --> 1:23:38.840
<v Speaker 2>I've never been signed to no label. I'm I'm not

1:23:38.960 --> 1:23:42.919
<v Speaker 2>playing by my music. I stood in front of the clubs,

1:23:43.120 --> 1:23:45.439
<v Speaker 2>hand out these CDs. I went to every club. I

1:23:45.479 --> 1:23:47.559
<v Speaker 2>went to one club, to another club, to another club,

1:23:48.280 --> 1:23:50.799
<v Speaker 2>rode on the train. I ain't have no money to get.

1:23:50.720 --> 1:23:51.360
<v Speaker 4>Home after that.

1:23:51.960 --> 1:23:54.560
<v Speaker 2>So and then I'm just signing to you, putting my

1:23:54.720 --> 1:23:57.080
<v Speaker 2>music in your hands. And then you're telling me I

1:23:57.120 --> 1:23:59.360
<v Speaker 2>can't do this, I can't do that, this has to

1:23:59.439 --> 1:24:01.679
<v Speaker 2>be Then this, I'm like, what the fuck?

1:24:01.840 --> 1:24:02.040
<v Speaker 1>Man?

1:24:02.080 --> 1:24:02.560
<v Speaker 2>What is you?

1:24:02.680 --> 1:24:03.320
<v Speaker 3>What is going on?

1:24:03.760 --> 1:24:07.320
<v Speaker 2>You know what I'm saying, But that's business. The day,

1:24:07.439 --> 1:24:10.000
<v Speaker 2>that's business. You sign a contract and we know that business.

1:24:10.000 --> 1:24:11.400
<v Speaker 2>You feel I'm saying, you sign a contract in.

1:24:11.400 --> 1:24:13.360
<v Speaker 5>This says, but you know what, it's not really fair

1:24:13.400 --> 1:24:15.559
<v Speaker 5>business if you think about if the if the opposite

1:24:15.640 --> 1:24:18.400
<v Speaker 5>person in that business transaction doesn't know the business. Now

1:24:18.439 --> 1:24:21.479
<v Speaker 5>do you think do you think that because in our

1:24:21.600 --> 1:24:25.040
<v Speaker 5>in the nineties there was there was artist development.

1:24:25.880 --> 1:24:28.240
<v Speaker 1>You wouldn't sign and just go out to the public.

1:24:28.560 --> 1:24:30.479
<v Speaker 5>They would put you through a process like a boot

1:24:30.520 --> 1:24:32.280
<v Speaker 5>camp to understand stuff.

1:24:32.280 --> 1:24:33.360
<v Speaker 1>Do you think that that's needed?

1:24:34.520 --> 1:24:34.720
<v Speaker 9>Man?

1:24:34.880 --> 1:24:38.920
<v Speaker 4>Nowadays, that's bro. They signed so many people off of whatever.

1:24:39.600 --> 1:24:42.439
<v Speaker 4>I don't know. That's I don't even sink that's possible.

1:24:42.520 --> 1:24:44.840
<v Speaker 5>No, it's not possible, but no, no, but it is

1:24:44.920 --> 1:24:47.240
<v Speaker 5>possible because because the artist, because.

1:24:47.000 --> 1:24:49.439
<v Speaker 1>Of the artist stuff is in real time, we can't

1:24:49.479 --> 1:24:50.280
<v Speaker 1>do that. But hit me out.

1:24:50.360 --> 1:24:53.639
<v Speaker 3>That's like you signed his artist and him not telling

1:24:53.680 --> 1:24:56.160
<v Speaker 3>him to listen. You know, most people respect when you

1:24:56.200 --> 1:24:58.719
<v Speaker 3>don't rhy on for the vocals. That's kind of artist.

1:24:58.600 --> 1:25:01.640
<v Speaker 1>Development right there. True him just saying that, you're just

1:25:01.680 --> 1:25:02.840
<v Speaker 1>saying to famous decks. Yo.

1:25:02.920 --> 1:25:06.679
<v Speaker 2>It's different too, because like I've never used the writer ever,

1:25:07.320 --> 1:25:09.160
<v Speaker 2>you know what I'm saying, So artists development, they could

1:25:09.200 --> 1:25:12.200
<v Speaker 2>be like okay, now using right, and now you're doing

1:25:12.439 --> 1:25:14.320
<v Speaker 2>the development.

1:25:18.439 --> 1:25:20.519
<v Speaker 1>Artist development is showing you how to speak to readio.

1:25:20.560 --> 1:25:23.879
<v Speaker 1>You're thinking about label side, there's management artists development. Management

1:25:23.960 --> 1:25:25.360
<v Speaker 1>tells you about the artist development.

1:25:25.360 --> 1:25:27.960
<v Speaker 3>That's a different part. Okay, that's the part you look

1:25:28.040 --> 1:25:28.160
<v Speaker 3>and I.

1:25:28.160 --> 1:25:30.000
<v Speaker 5>Don't think anybody's going to really kind of get this,

1:25:30.200 --> 1:25:32.760
<v Speaker 5>But remember, ultimately, when you signed a record label, that's

1:25:32.760 --> 1:25:34.479
<v Speaker 5>a loan, that's a that's a bank loan.

1:25:35.479 --> 1:25:38.840
<v Speaker 2>You know that they don't understand that. They don't understand that.

1:25:38.920 --> 1:25:41.040
<v Speaker 2>They just know at the end of this check, at

1:25:41.040 --> 1:25:44.639
<v Speaker 2>the end of this contract is a check. My lawyer

1:25:44.720 --> 1:25:47.519
<v Speaker 2>whatever he said, it's cool. I know I'm about to

1:25:47.520 --> 1:25:49.280
<v Speaker 2>get this money tomorrow.

1:25:51.880 --> 1:25:54.200
<v Speaker 5>In the context of that, In the context of that,

1:25:54.360 --> 1:25:56.640
<v Speaker 5>you know that they that back in the days when

1:25:56.680 --> 1:26:00.639
<v Speaker 5>they was given credit cards to sixteen year old kids

1:26:00.680 --> 1:26:03.160
<v Speaker 5>from that age on, they called the predatory lending and

1:26:03.240 --> 1:26:05.840
<v Speaker 5>it became a big lawsuit and they called and then

1:26:05.920 --> 1:26:08.720
<v Speaker 5>they suit all the banks. That's what the labels are

1:26:08.760 --> 1:26:12.320
<v Speaker 5>doing when they signed these young artists. It's predatory lending.

1:26:13.160 --> 1:26:13.400
<v Speaker 1>Damn.

1:26:15.080 --> 1:26:17.840
<v Speaker 5>They might be a little older than sixteen, but they

1:26:17.880 --> 1:26:21.439
<v Speaker 5>don't have their financial education yet. So you you you

1:26:21.560 --> 1:26:22.720
<v Speaker 5>you really taking advantage of that.

1:26:22.800 --> 1:26:28.840
<v Speaker 1>Artist jeez, Louise, Papa Chee. We got deep. Now you

1:26:28.880 --> 1:26:36.920
<v Speaker 1>bringing out of other now okay, now, so let's talk

1:26:36.920 --> 1:26:40.439
<v Speaker 1>about the NBA project. You and young boy. You got

1:26:40.479 --> 1:26:44.599
<v Speaker 1>to go to Utah. No, not Utah, You went to Louisiana. Yeah.

1:26:45.160 --> 1:26:48.960
<v Speaker 2>Yeah it was rush. Yeah. A couple of days like

1:26:49.120 --> 1:26:52.840
<v Speaker 2>we gotter you first got out, Damn went over there

1:26:53.960 --> 1:26:57.680
<v Speaker 2>were cooking up crawfish, cruish.

1:26:58.920 --> 1:27:02.640
<v Speaker 1>He's just stereotypes with croffish. No.

1:27:03.160 --> 1:27:08.560
<v Speaker 4>No, we was mac and cheese, oxtail, gumbo like that.

1:27:08.720 --> 1:27:09.320
<v Speaker 4>You know what I'm saying.

1:27:09.960 --> 1:27:14.720
<v Speaker 2>We're just cooking up man, just like working back to back,

1:27:14.840 --> 1:27:16.840
<v Speaker 2>you know what I'm saying, Like it's when he first

1:27:16.920 --> 1:27:20.680
<v Speaker 2>got out, just keeping him in a good mindset and.

1:27:20.720 --> 1:27:23.160
<v Speaker 1>He's not messing with nobody. How did and this is

1:27:23.479 --> 1:27:25.400
<v Speaker 1>before he on house arrests, right oh.

1:27:25.360 --> 1:27:29.360
<v Speaker 2>Yeah, man, Like when he was locked up, Like we

1:27:29.520 --> 1:27:31.600
<v Speaker 2>was chopping up on the phone and one day he

1:27:31.960 --> 1:27:34.479
<v Speaker 2>one day I called him and he was like, I

1:27:34.560 --> 1:27:37.600
<v Speaker 2>mean he called me. He was like, Yo, I'm like,

1:27:37.640 --> 1:27:39.200
<v Speaker 2>what the hell you? What the hell you on?

1:27:39.320 --> 1:27:39.439
<v Speaker 1>Man?

1:27:39.439 --> 1:27:41.600
<v Speaker 2>How you feeling in there? He's like, man, I just

1:27:41.720 --> 1:27:44.880
<v Speaker 2>can't get way to get out. And so we could

1:27:44.920 --> 1:27:48.080
<v Speaker 2>drop this out. I'm like, what me trying to jump out?

1:27:48.240 --> 1:27:51.040
<v Speaker 2>Now they do it. So then he got out, like

1:27:51.200 --> 1:27:53.720
<v Speaker 2>maybe like three weeks after. I was like, all right, Ben,

1:27:53.720 --> 1:27:56.559
<v Speaker 2>I'm gonna push up on you. Damn. We started cooking up.

1:27:56.960 --> 1:28:00.200
<v Speaker 2>I think we just like we just like six songs together, yeah,

1:28:00.520 --> 1:28:06.320
<v Speaker 2>together like two days. Yeah, and get stragger.

1:28:07.479 --> 1:28:11.040
<v Speaker 1>Your six songs caps two days Louisiana.

1:28:11.320 --> 1:28:13.960
<v Speaker 2>We did like six songs in like two days, and

1:28:14.080 --> 1:28:20.120
<v Speaker 2>then like just kept working, kept working, kept working. And

1:28:20.280 --> 1:28:25.479
<v Speaker 2>then at that time I was independent, and I think

1:28:25.520 --> 1:28:30.200
<v Speaker 2>I had a call with Nima Empire. I'm like, yo, Bro,

1:28:30.360 --> 1:28:32.720
<v Speaker 2>I got a project that I'm working on right now

1:28:33.400 --> 1:28:38.040
<v Speaker 2>with y B what I'm saying, And we put it

1:28:38.320 --> 1:28:40.920
<v Speaker 2>together something for that project, and then we put it

1:28:40.960 --> 1:28:41.800
<v Speaker 2>out independently.

1:28:43.400 --> 1:28:43.759
<v Speaker 1>Empire.

1:28:43.800 --> 1:28:45.160
<v Speaker 4>Yeah, Empire, Yeah.

1:28:45.400 --> 1:28:50.479
<v Speaker 1>Pick up to TEENA Davis guy. Yeah, shot guys people,

1:28:51.560 --> 1:28:52.559
<v Speaker 1>they got a lot. Yeah.

1:28:52.680 --> 1:28:56.439
<v Speaker 4>So man, it's just like the chemistry with me and

1:28:56.520 --> 1:28:57.360
<v Speaker 4>Bro was just like we.

1:28:57.520 --> 1:29:03.160
<v Speaker 3>Just if Jesus Christ believe in Jesus. Yes, she got weird,

1:29:04.280 --> 1:29:07.320
<v Speaker 3>got weird just now my bad. But if Jesus come down,

1:29:09.320 --> 1:29:12.160
<v Speaker 3>it says, listen, I need you to do one record.

1:29:13.600 --> 1:29:18.960
<v Speaker 3>You get one feature and you get one person to

1:29:19.120 --> 1:29:26.519
<v Speaker 3>do the beat to save humanity one record, you get

1:29:27.040 --> 1:29:28.400
<v Speaker 3>one feature and one beat.

1:29:28.600 --> 1:29:30.640
<v Speaker 1>Who is the feature gonna be? And who's gonna do

1:29:30.720 --> 1:29:31.000
<v Speaker 1>the beat?

1:29:34.040 --> 1:29:39.360
<v Speaker 4>Bro, If Jesus came down himself and he had.

1:29:39.320 --> 1:29:43.120
<v Speaker 3>On Kodak black slippers, get the same slippers, Kodak black at.

1:29:43.040 --> 1:29:43.519
<v Speaker 4>All, I got some.

1:29:44.560 --> 1:29:47.080
<v Speaker 2>I gotta take a shot for that one, Jesus, man,

1:29:47.720 --> 1:29:50.479
<v Speaker 2>I mean he's just himself. Yeah, I gotta take a shot.

1:29:50.920 --> 1:29:51.320
<v Speaker 1>Take a shot.

1:29:51.320 --> 1:29:54.720
<v Speaker 2>You don't even this is not even, But I'm inna

1:29:54.720 --> 1:29:55.760
<v Speaker 2>take a shot for that one.

1:29:55.800 --> 1:29:57.960
<v Speaker 1>You're gonna take a shot. But I think you can.

1:29:58.120 --> 1:29:58.960
<v Speaker 1>I think you can handle this.

1:29:59.520 --> 1:30:00.640
<v Speaker 2>Jesus andself came down.

1:30:00.800 --> 1:30:07.080
<v Speaker 1>Jesus said, yes, you all right. Let me rephrase the question.

1:30:07.200 --> 1:30:10.680
<v Speaker 1>How about this? We're still taking a shot, though, what's

1:30:10.720 --> 1:30:11.479
<v Speaker 1>the one producer?

1:30:12.040 --> 1:30:13.160
<v Speaker 4>Tell him? Tell them to him.

1:30:13.240 --> 1:30:15.679
<v Speaker 3>If Jesus came down and to save humanity, what would

1:30:15.680 --> 1:30:18.000
<v Speaker 3>be the one producer and the one artist that he

1:30:18.000 --> 1:30:18.479
<v Speaker 3>would work with?

1:30:19.080 --> 1:30:20.680
<v Speaker 1>He took a He took a shot for it. So

1:30:20.720 --> 1:30:22.360
<v Speaker 1>I'm gonna take a shot. He took a shot. I say,

1:30:22.400 --> 1:30:27.640
<v Speaker 1>I'm not answering the way if you've never heard of that,

1:30:28.080 --> 1:30:28.920
<v Speaker 1>no one ever took a shot.

1:30:34.120 --> 1:30:36.400
<v Speaker 3>We took a shop for Jesus. So okay, let me

1:30:36.479 --> 1:30:39.960
<v Speaker 3>rephrase the question. What's the one producer right now that

1:30:40.040 --> 1:30:41.920
<v Speaker 3>you never work with that you will want to work for?

1:30:43.360 --> 1:30:55.000
<v Speaker 2>Hmmm? One producer? Damn. I would have to say, I'm

1:30:55.080 --> 1:30:57.160
<v Speaker 2>just said, that's crazy. I would have to say, for real, I.

1:30:57.200 --> 1:31:02.240
<v Speaker 1>Knew he's gonna say, don't. I can see this session

1:31:02.360 --> 1:31:03.320
<v Speaker 1>happens so much.

1:31:05.760 --> 1:31:07.400
<v Speaker 5>Like you know what I'm saying, Like I can see

1:31:08.080 --> 1:31:10.080
<v Speaker 5>bringing a side out of you that you don't even like,

1:31:11.439 --> 1:31:14.920
<v Speaker 5>ye brother, mm hmm, you just don't take it, man.

1:31:15.120 --> 1:31:20.160
<v Speaker 1>If somebody give me another light up Jesus. Okay, now

1:31:20.360 --> 1:31:22.000
<v Speaker 1>all right, we've got to produce your handles.

1:31:22.600 --> 1:31:26.240
<v Speaker 3>Now, let me ask you, what's the one feature if

1:31:26.280 --> 1:31:27.559
<v Speaker 3>you can have one feature?

1:31:29.560 --> 1:31:30.800
<v Speaker 2>Yeah, Dan or live?

1:31:30.840 --> 1:31:34.960
<v Speaker 1>How about that? Damn one feature?

1:31:36.560 --> 1:31:41.800
<v Speaker 2>One feature for a song? Well, what's the song? Is

1:31:41.840 --> 1:31:47.680
<v Speaker 2>a song for for yourself? For myself or yourself success? No, no,

1:31:47.840 --> 1:31:55.320
<v Speaker 2>for yourself it's yeah, it isn't just for yourself and myself? Damn.

1:31:56.800 --> 1:32:05.800
<v Speaker 2>Mm hmmm. I would I have to say, tupa.

1:32:10.560 --> 1:32:11.599
<v Speaker 1>Touch your easy answer?

1:32:12.840 --> 1:32:19.760
<v Speaker 3>Yeah, so too bad. Uh, You're gonna like Swisch at

1:32:19.800 --> 1:32:22.519
<v Speaker 3>some point. Swisher one of the last time you smoking

1:32:22.520 --> 1:32:23.920
<v Speaker 3>sits thirteen.

1:32:24.960 --> 1:32:29.640
<v Speaker 2>Probably damn you don't like you take it home as

1:32:29.680 --> 1:32:32.800
<v Speaker 2>a put it in the in the flowers and show

1:32:32.880 --> 1:32:41.680
<v Speaker 2>three one time wear shirts sweet follow what flavor like? Uh?

1:32:42.000 --> 1:32:49.479
<v Speaker 1>Grape? No original? No great mother they got great show Great.

1:32:49.520 --> 1:32:51.720
<v Speaker 1>When you're moking the great, that's when you super hood,

1:32:52.120 --> 1:32:53.080
<v Speaker 1>That's when you super Bowl.

1:32:53.760 --> 1:32:54.320
<v Speaker 2>That's what I got.

1:32:54.400 --> 1:32:58.320
<v Speaker 1>The got your boys give me my Philly blunts, Yeah

1:32:58.320 --> 1:32:58.519
<v Speaker 1>I got.

1:32:58.880 --> 1:33:02.760
<v Speaker 3>I'm started from Philly Us. So we talked about the

1:33:03.760 --> 1:33:06.840
<v Speaker 3>the NBA project, and I know we.

1:33:07.040 --> 1:33:11.680
<v Speaker 4>Like her smoking ship, we like.

1:33:15.080 --> 1:33:23.479
<v Speaker 3>Some We likely talked about the Wayne project, but I

1:33:23.520 --> 1:33:27.400
<v Speaker 3>would like to reiterate, like, was you involved when the

1:33:27.479 --> 1:33:29.120
<v Speaker 3>little Waine parts that come out off tomorrow?

1:33:29.360 --> 1:33:30.280
<v Speaker 1>The photo shoot?

1:33:30.680 --> 1:33:32.720
<v Speaker 3>Was it everything he was involved in or was this

1:33:32.840 --> 1:33:34.720
<v Speaker 3>something that you guys just recorded.

1:33:34.439 --> 1:33:36.360
<v Speaker 1>And let the label just take over afterwards?

1:33:37.080 --> 1:33:41.320
<v Speaker 2>What was doing every video shoots everything? Like for the

1:33:41.400 --> 1:33:44.639
<v Speaker 2>first single, like, I picked the director that I wanted

1:33:44.640 --> 1:33:47.639
<v Speaker 2>to shoot the video and ship, and Wayne was fucking

1:33:47.640 --> 1:33:50.559
<v Speaker 2>when he was like, yeah, let's do it. That's how

1:33:50.640 --> 1:33:54.280
<v Speaker 2>we feeling like tunci right, yeah, feeling like to shut

1:33:54.320 --> 1:33:56.720
<v Speaker 2>out to Wayne Man, You're good dude, we go bro.

1:33:58.360 --> 1:34:01.880
<v Speaker 4>I appreciate it being bro like, hey, he's skinny too.

1:34:02.080 --> 1:34:04.599
<v Speaker 2>Yeah, you're scarny too, Like if I here, Bro, anytime

1:34:05.040 --> 1:34:08.599
<v Speaker 2>you pick up show me love b anytime, Bro, any

1:34:08.920 --> 1:34:14.479
<v Speaker 2>anything you like up till wh I was looking up to,

1:34:15.120 --> 1:34:18.800
<v Speaker 2>Like I said before, like since and jit so like Bro,

1:34:19.120 --> 1:34:22.960
<v Speaker 2>I appreciate that man for supporting me throughout my career.

1:34:23.479 --> 1:34:25.240
<v Speaker 2>You know what I'm saying, doing an album with me

1:34:26.120 --> 1:34:28.760
<v Speaker 2>and for someone that you looked up to. From what

1:34:28.840 --> 1:34:31.040
<v Speaker 2>it sounds like, he didn't let you down from that

1:34:31.160 --> 1:34:36.040
<v Speaker 2>person he was looking. Yeah, yeah, sometimes Somer, you don't

1:34:36.040 --> 1:34:41.120
<v Speaker 2>want to meet you. You look, it's bro him he

1:34:41.320 --> 1:34:47.200
<v Speaker 2>one day one who smoked more weed? You Wayne smoke? Wayne?

1:34:47.320 --> 1:34:47.679
<v Speaker 2>For sure?

1:34:48.400 --> 1:34:48.880
<v Speaker 4>You got them.

1:34:49.479 --> 1:34:51.760
<v Speaker 2>You got them pre roll, pre roll.

1:34:51.840 --> 1:34:52.400
<v Speaker 1>I see.

1:34:54.080 --> 1:34:56.560
<v Speaker 4>On my side you ain't shouting shutting.

1:34:57.840 --> 1:34:59.920
<v Speaker 1>It. They still they're still roll.

1:35:01.960 --> 1:35:03.720
<v Speaker 3>I got a stash that I came with to this

1:35:03.840 --> 1:35:06.559
<v Speaker 3>is you know this because I came with I had

1:35:07.720 --> 1:35:11.120
<v Speaker 3>You know you've been in Europe, you know you know your.

1:35:10.280 --> 1:35:14.640
<v Speaker 2>Patch hash ship were having that ship. Yeah, Man, on

1:35:14.800 --> 1:35:17.680
<v Speaker 2>a fucking on the day where I'm like, fucking, I'm

1:35:17.960 --> 1:35:19.000
<v Speaker 2>just tell me me hear that?

1:35:19.960 --> 1:35:24.040
<v Speaker 4>But all the time type ship we're having that ship.

1:35:24.680 --> 1:35:26.559
<v Speaker 1>M hm, I'm having so much fun.

1:35:26.720 --> 1:35:30.080
<v Speaker 3>Hello, we're shampa do we We're going to take another

1:35:30.120 --> 1:35:32.599
<v Speaker 3>shot just because it just like we're.

1:35:32.520 --> 1:35:36.040
<v Speaker 1>Celebrating you and the album that just came out, Life, Gamble.

1:35:36.200 --> 1:35:37.519
<v Speaker 1>Come on, let's talk about the new album.

1:35:37.560 --> 1:35:40.640
<v Speaker 4>We had Gamble streaming right now. Life Again about the

1:35:40.920 --> 1:35:41.840
<v Speaker 4>let's talk about the new.

1:35:44.760 --> 1:35:48.880
<v Speaker 3>This is this is your first official official independent album.

1:35:50.320 --> 1:35:53.639
<v Speaker 2>Nothing before this was r c A. Before this, yeah,

1:35:53.720 --> 1:36:00.519
<v Speaker 2>before this was r c A. Like before I signed

1:36:00.520 --> 1:36:06.120
<v Speaker 2>the r c A. Shout to Mark Pitts. Yeah, yeah,

1:36:07.520 --> 1:36:11.200
<v Speaker 2>signed r ship legend man, Yeah for sure, big homie.

1:36:13.160 --> 1:36:15.920
<v Speaker 2>I was with Damn for a little bit and then

1:36:16.800 --> 1:36:19.400
<v Speaker 2>it was just like it was going to release me.

1:36:20.160 --> 1:36:22.000
<v Speaker 2>I was like, all right, cool, you know what I'm saying,

1:36:22.080 --> 1:36:27.040
<v Speaker 2>It's all love. And then like then, like three months later,

1:36:27.160 --> 1:36:30.920
<v Speaker 2>I dropped Carnival number one on the Billboard. I'm independent.

1:36:31.400 --> 1:36:33.800
<v Speaker 2>It's a blessing, you know what I'm saying. So, thank

1:36:33.840 --> 1:36:38.759
<v Speaker 2>you God. So I was happy to drop an independent

1:36:38.840 --> 1:36:42.720
<v Speaker 2>number one, Yeah, because the residuals are different from being

1:36:43.800 --> 1:36:44.840
<v Speaker 2>signed to a label.

1:36:45.520 --> 1:36:47.559
<v Speaker 4>An independent and number one.

1:36:47.920 --> 1:36:50.320
<v Speaker 5>So and with these you don't got to answer this,

1:36:50.439 --> 1:36:53.080
<v Speaker 5>but if you do whatever, these deals you did before?

1:36:53.160 --> 1:36:54.320
<v Speaker 5>Were they three sixty deals?

1:36:55.120 --> 1:37:00.200
<v Speaker 2>No? No, no, no no no. I feel like you

1:37:00.280 --> 1:37:05.439
<v Speaker 2>get to a certain point you have to demand exactly

1:37:05.479 --> 1:37:08.360
<v Speaker 2>what you want. Like so the deal the last time

1:37:08.400 --> 1:37:11.080
<v Speaker 2>with them was like you know what I'm saying, we

1:37:11.240 --> 1:37:13.840
<v Speaker 2>know exactly what we're going into, but it just didn't

1:37:13.880 --> 1:37:14.240
<v Speaker 2>work out.

1:37:14.320 --> 1:37:18.000
<v Speaker 4>So you know what I'm saying, just moved on. Okay,

1:37:18.960 --> 1:37:20.519
<v Speaker 4>Now what is the dollar stile stand for?

1:37:20.760 --> 1:37:22.360
<v Speaker 1>Right there? Yeah?

1:37:23.720 --> 1:37:24.040
<v Speaker 4>Money?

1:37:25.920 --> 1:37:26.120
<v Speaker 2>Duh?

1:37:34.800 --> 1:37:35.439
<v Speaker 1>I gotta as.

1:37:38.360 --> 1:37:40.240
<v Speaker 3>Recently, I believe he was on the red carpet and

1:37:40.360 --> 1:37:44.080
<v Speaker 3>somebody asked you something. I believe it was from the

1:37:44.160 --> 1:37:44.679
<v Speaker 3>now jumper.

1:37:45.880 --> 1:37:46.759
<v Speaker 4>They were on the red carpet.

1:37:46.880 --> 1:37:47.280
<v Speaker 2>No jumper.

1:37:47.640 --> 1:37:48.519
<v Speaker 1>They was on the record.

1:37:48.880 --> 1:37:50.720
<v Speaker 4>You were on a red carpet, right, but they were

1:37:50.760 --> 1:37:55.200
<v Speaker 4>asking the questions right, And then what happened? Then he's

1:37:55.240 --> 1:37:56.840
<v Speaker 4>something other dude from those jumper?

1:37:57.120 --> 1:38:02.599
<v Speaker 2>Yeah what hell? Man? I have no idea. Man, really,

1:38:02.720 --> 1:38:05.920
<v Speaker 2>I think he was like, well, I've seen the clip

1:38:06.080 --> 1:38:09.639
<v Speaker 2>on the Trump people was like, yo, bro, these kids

1:38:09.920 --> 1:38:14.280
<v Speaker 2>rich the kid he has no no but was cool

1:38:14.640 --> 1:38:17.000
<v Speaker 2>in first to face it was yeah, yeah, he didn't

1:38:17.000 --> 1:38:20.720
<v Speaker 2>say nothing to me face. It looks like the the

1:38:20.800 --> 1:38:23.560
<v Speaker 2>interview was amazing. You know, it's great looks like he

1:38:23.640 --> 1:38:27.759
<v Speaker 2>had a good time. And then I seen the review

1:38:27.920 --> 1:38:29.920
<v Speaker 2>when he was like, you know what I'm saying, like

1:38:30.000 --> 1:38:33.479
<v Speaker 2>the recap, his recap my interview was like, Yo, this

1:38:33.600 --> 1:38:36.559
<v Speaker 2>guy has no character. These rappers have no character. They're

1:38:36.680 --> 1:38:39.880
<v Speaker 2>just off, you know what I'm saying. Diamonds and jewelry,

1:38:40.560 --> 1:38:44.599
<v Speaker 2>no character. So I was like, Okay, bro, you don't

1:38:45.000 --> 1:38:47.559
<v Speaker 2>obviously you don't know me. You know what I'm saying.

1:38:47.600 --> 1:38:53.080
<v Speaker 2>You had an interview for less than thirty five seconds, because.

1:38:54.840 --> 1:38:55.799
<v Speaker 1>It's interaction.

1:38:56.120 --> 1:38:59.360
<v Speaker 2>Yeah, all right, man, yes, rich kid, maybe maybe like

1:38:59.439 --> 1:39:01.920
<v Speaker 2>sixty second and we were just asking two questions and

1:39:02.040 --> 1:39:03.920
<v Speaker 2>I go on to the next person. It's thirty people

1:39:04.000 --> 1:39:06.080
<v Speaker 2>on the carpet, you know what I'm saying, So pay

1:39:06.160 --> 1:39:07.000
<v Speaker 2>with more than thirty people.

1:39:07.120 --> 1:39:09.800
<v Speaker 4>Yeah, you're probably like fifty people on the carpet, you

1:39:09.840 --> 1:39:10.320
<v Speaker 4>know what I'm saying.

1:39:10.360 --> 1:39:14.439
<v Speaker 2>So like, your interaction with me is really short for

1:39:14.560 --> 1:39:16.040
<v Speaker 2>you to get up on there, and you know what

1:39:16.040 --> 1:39:18.160
<v Speaker 2>I'm saying, you should have been like damn Rischk the kid.

1:39:19.360 --> 1:39:19.679
<v Speaker 2>I didn't.

1:39:19.720 --> 1:39:21.400
<v Speaker 1>Yeah, I didn't get no even that.

1:39:21.560 --> 1:39:24.160
<v Speaker 2>It's like even then, it's like, Bro, I watched with

1:39:24.320 --> 1:39:27.120
<v Speaker 2>the kid obviously seeing me on the ground, like, oh,

1:39:27.240 --> 1:39:29.760
<v Speaker 2>he just had number one shout out to him, Like

1:39:30.439 --> 1:39:32.960
<v Speaker 2>just like Eli H. Wilson got on on on I

1:39:33.000 --> 1:39:34.800
<v Speaker 2>think it was like Twitter, He's like, oh, Risky Kid

1:39:34.960 --> 1:39:37.840
<v Speaker 2>was lucky for getting on the Carnival song. It's like,

1:39:37.880 --> 1:39:40.920
<v Speaker 2>all right, It's like it'd be dope for y'all to

1:39:41.000 --> 1:39:43.519
<v Speaker 2>be like, oh, Risky Kid is always working, the Risky

1:39:43.560 --> 1:39:46.160
<v Speaker 2>Kid is always doing shit. I don't fuck with nobody.

1:39:46.240 --> 1:39:49.280
<v Speaker 2>I ain't on there talking about y'all folk. I'm not

1:39:49.360 --> 1:39:52.360
<v Speaker 2>talking about nobody. I'm just doing what I do, making music,

1:39:52.840 --> 1:39:56.000
<v Speaker 2>taking care of my family. You know what I'm saying, traveling,

1:39:56.200 --> 1:39:59.760
<v Speaker 2>doing shows, and you know what I'm saying, taking care

1:39:59.760 --> 1:40:02.160
<v Speaker 2>of my family. That that's that's what matters to me,

1:40:02.320 --> 1:40:04.479
<v Speaker 2>you know what I'm saying. So I hate for a

1:40:04.560 --> 1:40:07.479
<v Speaker 2>motherfucker to get on and they be like, damn this

1:40:07.720 --> 1:40:10.400
<v Speaker 2>niggas he's not working hard.

1:40:10.560 --> 1:40:10.880
<v Speaker 11>He's not.

1:40:12.040 --> 1:40:14.400
<v Speaker 2>I don't understand, you know what I'm saying. I don't,

1:40:15.520 --> 1:40:17.840
<v Speaker 2>But it's all love. Like I said, it's all love

1:40:17.880 --> 1:40:21.479
<v Speaker 2>to y'all. If you don't like me, if you like me,

1:40:22.000 --> 1:40:28.559
<v Speaker 2>your opinion, it's your opinion. And still talking, continue right,

1:40:29.000 --> 1:40:31.840
<v Speaker 2>I'm still continue to getting paid because I'm gonna.

1:40:31.600 --> 1:40:33.200
<v Speaker 4>Keep doing me right.

1:40:33.520 --> 1:40:36.880
<v Speaker 2>That's probody for your family exactly. And that's about it,

1:40:37.320 --> 1:40:39.840
<v Speaker 2>you know what I'm saying. So God bless everybody. You

1:40:39.880 --> 1:40:40.439
<v Speaker 2>know what I'm saying.

1:40:41.760 --> 1:40:45.240
<v Speaker 3>Amen, And if I can give you a little advice

1:40:45.320 --> 1:40:47.040
<v Speaker 3>you don't need you probably don't need no advice, but

1:40:47.120 --> 1:40:48.120
<v Speaker 3>I'll give you a little advice.

1:40:49.120 --> 1:40:50.560
<v Speaker 2>Of course, I always think about it.

1:40:51.960 --> 1:40:53.760
<v Speaker 1>All you're gonna do is stay in your lane. Yeah

1:40:53.840 --> 1:40:55.280
<v Speaker 1>for sure, there's no traffic there.

1:40:55.600 --> 1:41:00.400
<v Speaker 3>Yeah, just stay exactly who you are, Stay exactly who

1:41:00.439 --> 1:41:01.080
<v Speaker 3>you're supposed to be.

1:41:01.880 --> 1:41:02.559
<v Speaker 1>Stay exactly.

1:41:03.720 --> 1:41:07.479
<v Speaker 3>You don't have to go to this person lane to

1:41:07.640 --> 1:41:12.040
<v Speaker 3>help them or express how much gratitude you have over there.

1:41:12.080 --> 1:41:13.840
<v Speaker 1>You don't have to go to that lane.

1:41:14.120 --> 1:41:16.519
<v Speaker 3>As long as you stay in your lane, there ain't

1:41:16.520 --> 1:41:19.640
<v Speaker 3>gonna be no traffic there. Continue to do you, bro,

1:41:19.800 --> 1:41:22.559
<v Speaker 3>you know what I'm saying. And but by the way,

1:41:23.920 --> 1:41:26.920
<v Speaker 3>you can hear this ship, but don't pay attention to it,

1:41:27.800 --> 1:41:28.599
<v Speaker 3>like you know what I'm saying.

1:41:28.680 --> 1:41:30.960
<v Speaker 1>Like I purposely go on Instagram, I just look at

1:41:30.960 --> 1:41:34.360
<v Speaker 1>the ship. They say it's dope about me. Fuck the

1:41:34.479 --> 1:41:36.599
<v Speaker 1>bad ship. Block them niggas.

1:41:38.080 --> 1:41:41.519
<v Speaker 5>You know ied that that's the one thing that came

1:41:41.560 --> 1:41:44.760
<v Speaker 5>out of one of the first interviews. He said, I

1:41:44.840 --> 1:41:47.880
<v Speaker 5>blocked the ship out of anybody that and I'm like, damn,

1:41:47.920 --> 1:41:49.240
<v Speaker 5>this gang's as motherfucker.

1:41:48.920 --> 1:41:54.640
<v Speaker 1>Said block block block block. Don't need to argue bad, just.

1:41:54.680 --> 1:41:55.280
<v Speaker 4>Get out of here.

1:41:55.800 --> 1:41:57.760
<v Speaker 1>And I don't like these two people that you know,

1:41:58.000 --> 1:41:58.600
<v Speaker 1>we just brung up.

1:41:58.640 --> 1:42:00.960
<v Speaker 3>I'm saying that in life, period, it's just like you

1:42:01.080 --> 1:42:03.800
<v Speaker 3>have to you have to stay focused. But always remember

1:42:03.840 --> 1:42:06.280
<v Speaker 3>what they say about horse racist. They say that they

1:42:06.320 --> 1:42:10.160
<v Speaker 3>take a horse racist so they can only see what's in.

1:42:10.200 --> 1:42:11.080
<v Speaker 1>The see the goal.

1:42:11.320 --> 1:42:13.439
<v Speaker 2>Yeah, I feel like that's where I'm at right now.

1:42:13.479 --> 1:42:15.120
<v Speaker 2>I feel like I have a ton of visions to

1:42:15.280 --> 1:42:17.280
<v Speaker 2>exactly where I want to go stay there. You know

1:42:17.320 --> 1:42:19.960
<v Speaker 2>what I'm saying, Exactly where I see myself in the

1:42:20.040 --> 1:42:20.840
<v Speaker 2>next five years.

1:42:21.400 --> 1:42:24.200
<v Speaker 4>And it's like I said, sometimes I be on the plane.

1:42:24.400 --> 1:42:26.920
<v Speaker 2>I'll be on the jet. I make a list of

1:42:27.040 --> 1:42:28.720
<v Speaker 2>my goals and this is where I want to be

1:42:28.880 --> 1:42:30.720
<v Speaker 2>and this is what I want to do, and I'm

1:42:30.840 --> 1:42:34.560
<v Speaker 2>checking them off the list. That's all I'm doing, you

1:42:34.560 --> 1:42:35.080
<v Speaker 2>know what I'm saying.

1:42:35.200 --> 1:42:38.200
<v Speaker 5>And you're building your legacy in God first and the

1:42:38.280 --> 1:42:39.519
<v Speaker 5>only people that matters your family.

1:42:39.680 --> 1:42:43.360
<v Speaker 3>Yeah, let me tell you something what you're doing and

1:42:43.600 --> 1:42:48.000
<v Speaker 3>uh baton, yeah, that you picked up. You know what's

1:42:48.040 --> 1:42:52.120
<v Speaker 3>the relay? Racis tar the baton that you picked up.

1:42:52.360 --> 1:42:56.840
<v Speaker 3>It's a baton that I passed from back then. But

1:42:57.000 --> 1:43:00.639
<v Speaker 3>the fact that you got it, I have to make

1:43:00.720 --> 1:43:03.800
<v Speaker 3>sure you carry it.

1:43:04.640 --> 1:43:06.960
<v Speaker 1>I have to. You know what I'm saying. You know

1:43:07.000 --> 1:43:11.840
<v Speaker 1>what I'm saying, because you deserve it. You're a hit maker.

1:43:12.160 --> 1:43:13.200
<v Speaker 1>You're doing what you gotta do.

1:43:13.400 --> 1:43:14.240
<v Speaker 2>But you have to.

1:43:15.960 --> 1:43:18.320
<v Speaker 3>It's like another couple of mile race and you have

1:43:18.400 --> 1:43:21.720
<v Speaker 3>to hold that motherfucker and you got a motherfucking you

1:43:21.840 --> 1:43:25.160
<v Speaker 3>gotta make these motherfuckers mad that they know that you're

1:43:25.200 --> 1:43:26.639
<v Speaker 3>holding its cool.

1:43:27.240 --> 1:43:30.880
<v Speaker 1>Yeah, don't give a fuckue No.

1:43:31.400 --> 1:43:33.639
<v Speaker 3>And by the way, I'm saying that with a little

1:43:33.680 --> 1:43:35.280
<v Speaker 3>bit of arrogance, and I'm not an arrogant person.

1:43:35.320 --> 1:43:38.240
<v Speaker 1>I'm a humble person. But I'm saying this with all honesty.

1:43:38.720 --> 1:43:43.080
<v Speaker 3>Is because when it's your time and you in that spotlight, man,

1:43:43.479 --> 1:43:46.519
<v Speaker 3>take full control and continue to dominate that ship.

1:43:46.840 --> 1:43:47.360
<v Speaker 1>You know what I mean?

1:43:47.520 --> 1:43:51.200
<v Speaker 3>Like, you know it's this Kareem abdu Jabal didn't want

1:43:51.240 --> 1:43:53.960
<v Speaker 3>to pass once you got in the motherfucking paint. Right now,

1:43:54.040 --> 1:43:56.479
<v Speaker 3>you're in the paint fast. You know what I'm saying,

1:43:56.560 --> 1:43:59.280
<v Speaker 3>So continue to do that shit, smash that ship. Keep

1:43:59.320 --> 1:44:00.160
<v Speaker 3>your crew around you.

1:44:00.520 --> 1:44:08.320
<v Speaker 1>You know what I mean. Uh Ah. There's two billionaires

1:44:08.400 --> 1:44:09.360
<v Speaker 1>and I'll give you one.

1:44:10.840 --> 1:44:14.799
<v Speaker 3>That always say to me, every other every other successful

1:44:14.840 --> 1:44:17.240
<v Speaker 3>person say to me, you have too many people around you.

1:44:19.080 --> 1:44:21.800
<v Speaker 3>But there was a billionaire that said, to me, what

1:44:22.040 --> 1:44:24.040
<v Speaker 3>makes you unique is keeping your crew around you.

1:44:25.800 --> 1:44:29.200
<v Speaker 1>And that's jay Z. And he continues to say that.

1:44:29.400 --> 1:44:32.040
<v Speaker 3>Every time jay Z sees me, He's like, I admire

1:44:32.120 --> 1:44:34.519
<v Speaker 3>the fact that you have the same crew around and

1:44:34.800 --> 1:44:37.680
<v Speaker 3>that's a key to success. It's trying to keep the

1:44:37.760 --> 1:44:42.280
<v Speaker 3>people that's was what you when you was grinding, with you,

1:44:42.400 --> 1:44:46.040
<v Speaker 3>when you shining, and then what you afterwards. Because I

1:44:46.080 --> 1:44:49.280
<v Speaker 3>don't know if you've ever seen an episode of Entourage

1:44:49.320 --> 1:44:52.360
<v Speaker 3>or episode of Entourage, the actual person in Arge that

1:44:52.400 --> 1:44:58.000
<v Speaker 3>became the richest person was the intern. So I admire you.

1:44:58.400 --> 1:44:59.960
<v Speaker 3>I want to tell you continue to do your thing.

1:45:00.479 --> 1:45:03.040
<v Speaker 3>I want to congratulate your new album. I want to

1:45:03.080 --> 1:45:06.160
<v Speaker 3>tell everybody to go out there, motherfucking get that motherfucking album.

1:45:06.760 --> 1:45:09.360
<v Speaker 1>My kids came out looking. I got three of my

1:45:09.439 --> 1:45:11.280
<v Speaker 1>kids that came out for you. Yeah.

1:45:15.560 --> 1:45:19.439
<v Speaker 3>They don't come out with nobody, but I want to, like,

1:45:19.680 --> 1:45:22.760
<v Speaker 3>I want to say to you, reiterate to you how

1:45:22.840 --> 1:45:25.960
<v Speaker 3>proud I am and you man and keeping your crew,

1:45:26.160 --> 1:45:29.120
<v Speaker 3>having your crew with you, continue to do that ship

1:45:29.200 --> 1:45:33.599
<v Speaker 3>and continue not to listen to the fucking Yeah you man, yeah,

1:45:33.720 --> 1:45:36.800
<v Speaker 3>do you man, And stay in your fucking lane.

1:45:36.840 --> 1:45:37.720
<v Speaker 2>Bro, Appreciate it.

1:45:38.080 --> 1:45:38.800
<v Speaker 1>Thank you so much.

1:45:38.920 --> 1:45:41.160
<v Speaker 3>Man, there's anything else you want to stay before you

1:45:41.240 --> 1:45:41.800
<v Speaker 3>get up out of here.

1:45:42.439 --> 1:45:43.639
<v Speaker 2>Don't get that fucking album.

1:45:48.040 --> 1:45:50.599
<v Speaker 1>Goddamn hell, let's do the drops first.

1:45:50.680 --> 1:45:54.479
<v Speaker 5>Let me Drink Champs is a Drink Champs LLC production

1:45:54.840 --> 1:45:57.800
<v Speaker 5>hosts and executive producers n O r E and d

1:45:58.000 --> 1:46:02.040
<v Speaker 5>j e f N. Listen to Drink Champs on Apple Podcast,

1:46:02.240 --> 1:46:07.400
<v Speaker 5>Amazon Music, Spotify, or wherever you get your podcasts. Thanks

1:46:07.439 --> 1:46:09.920
<v Speaker 5>for joining us for another episode of Drink Champs hosted

1:46:09.960 --> 1:46:12.600
<v Speaker 5>by yours truly, dj e FN and n O r E.

1:46:13.080 --> 1:46:15.160
<v Speaker 5>Please make sure to follow us on all our socials

1:46:15.400 --> 1:46:18.559
<v Speaker 5>That's at drink Champs across all platforms, at the Real

1:46:18.640 --> 1:46:22.840
<v Speaker 5>Noriagon ig at Noriega on Twitter, mine is at Who's

1:46:22.880 --> 1:46:26.680
<v Speaker 5>Crazy on ig at dj e FN on Twitter, and

1:46:26.800 --> 1:46:29.200
<v Speaker 5>most importantly, stay up to date with the latest releases,

1:46:29.600 --> 1:46:32.760
<v Speaker 5>news and merch by going to drink Champs dot com.

1:46:43.000 --> 1:46:48.240
<v Speaker 11>Hazardy Sounds Rising the Machines Cast Your Mentals Volume one

1:46:49.400 --> 1:46:51.880
<v Speaker 11>available now on all platforms.

1:46:52.840 --> 1:46:54.400
<v Speaker 2>Download today.

1:47:04.320 --> 1:47:08.679
<v Speaker 11>Rise of the Machines Song Contest seeking out all artists

1:47:09.520 --> 1:47:11.479
<v Speaker 11>that want to take their career to the next level.

1:47:12.040 --> 1:47:15.960
<v Speaker 11>Go ahead and join today by downloading the album, picking

1:47:16.000 --> 1:47:18.880
<v Speaker 11>out your favorite beat, and making a song versu or

1:47:18.920 --> 1:47:23.040
<v Speaker 11>hook to it submitted to Hazardous Sounds at gmail dot

1:47:23.160 --> 1:47:26.679
<v Speaker 11>com and you will be judged by celebrity judges DJ

1:47:26.880 --> 1:47:31.240
<v Speaker 11>e F and Drink Champs owned Sbkiller Plantnum producer and

1:47:31.400 --> 1:47:35.280
<v Speaker 11>Scram Jones multi Plannum producer as well. You can also

1:47:35.400 --> 1:47:39.679
<v Speaker 11>summit via ig by recording the video and performing the song.

1:47:41.400 --> 1:47:45.200
<v Speaker 11>Simply tag Rise of the Machines Song Contest and we

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<v Speaker 11>will repost your video as well. Winners will be announced

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<v Speaker 11>September seventh. Join today and may the best artists win

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<v Speaker 2>The Gods