1 00:00:11,840 --> 00:00:14,120 Speaker 1: It is Drake Chans, Motherfucky podcast man Sime. 2 00:00:15,000 --> 00:00:16,960 Speaker 2: He's a legendary Queens rapper. 3 00:00:17,079 --> 00:00:18,840 Speaker 1: He ain'ts agreed as your boy in O r E. 4 00:00:18,960 --> 00:00:22,000 Speaker 2: He's a Miami hip hop ponere p up as dj 5 00:00:22,160 --> 00:00:22,720 Speaker 2: E f N. 6 00:00:22,840 --> 00:00:25,720 Speaker 1: Together they drink it up with some of the biggest players, 7 00:00:25,720 --> 00:00:29,760 Speaker 1: you know what I mean, and the most professional, unprofessional. 8 00:00:29,000 --> 00:00:32,360 Speaker 2: Podcast and your number one source for drunk Chans. 9 00:00:32,400 --> 00:00:35,960 Speaker 3: Moy Day is New Year's c Listen, It's time for 10 00:00:36,159 --> 00:00:37,160 Speaker 3: drink Champions. 11 00:00:37,240 --> 00:00:43,519 Speaker 2: Drink up, mother mother, what. 12 00:00:43,640 --> 00:00:46,159 Speaker 1: A good beeping your boy in O R E? What 13 00:00:46,320 --> 00:00:48,680 Speaker 1: up is d J E f NA, motherfucker? 14 00:00:54,680 --> 00:00:56,760 Speaker 3: And right now we got one of my favorite artists 15 00:00:56,760 --> 00:01:00,520 Speaker 3: from this new generation by way of Queens. Then went 16 00:01:00,560 --> 00:01:02,200 Speaker 3: to Atlanta and that got some real bread to move 17 00:01:02,240 --> 00:01:04,760 Speaker 3: to California and stiff pulling on your motherfuckers. 18 00:01:05,880 --> 00:01:07,119 Speaker 1: This man when you go through. 19 00:01:06,959 --> 00:01:10,440 Speaker 3: His discography, he got hit after hit after hit. I 20 00:01:10,440 --> 00:01:12,760 Speaker 3: feel sorry for anybody who ever tried to challenge him 21 00:01:12,760 --> 00:01:15,120 Speaker 3: in the verses because I swear to God and he 22 00:01:15,120 --> 00:01:16,399 Speaker 3: could make any type of music. 23 00:01:17,040 --> 00:01:18,840 Speaker 1: I was just so happy. I'm so proud of you. 24 00:01:19,000 --> 00:01:20,960 Speaker 3: I'm so happy to give you your flowers in case 25 00:01:20,959 --> 00:01:22,480 Speaker 3: you don't know what we talked about. 26 00:01:22,280 --> 00:01:22,839 Speaker 2: You mother. 27 00:01:27,920 --> 00:01:30,000 Speaker 1: Right away. I haven't been drinking. I don't know if 28 00:01:30,000 --> 00:01:31,039 Speaker 1: you know, but I'm drinking today. 29 00:01:31,080 --> 00:01:31,600 Speaker 4: We're drinking. 30 00:01:32,560 --> 00:01:33,240 Speaker 1: What you drinking? 31 00:01:33,880 --> 00:01:36,559 Speaker 2: K Okay? 32 00:01:37,319 --> 00:01:38,640 Speaker 3: Let me ask you because this is a lot of 33 00:01:38,680 --> 00:01:39,920 Speaker 3: things going around right now? 34 00:01:40,000 --> 00:01:42,960 Speaker 1: Are you the mior? What's the mirror? You Meir? You 35 00:01:43,000 --> 00:01:43,720 Speaker 1: don't know what that is. 36 00:01:46,959 --> 00:01:47,360 Speaker 2: I don't know what. 37 00:01:49,680 --> 00:01:53,000 Speaker 1: You try to get something today? Right generation? I thought 38 00:01:53,000 --> 00:01:53,440 Speaker 1: you would know. 39 00:01:54,040 --> 00:01:56,080 Speaker 4: That sounds like it's something like cute or something like. 40 00:01:56,160 --> 00:02:00,320 Speaker 3: I thought it was like a clean like when the mayor. Yeah, yeah, 41 00:02:00,760 --> 00:02:04,720 Speaker 3: you know how to speak Spanish. Spanish though, I'm gonna 42 00:02:04,720 --> 00:02:05,600 Speaker 3: tell you how to speak Spanish. 43 00:02:05,640 --> 00:02:06,120 Speaker 1: In two seconds. 44 00:02:06,160 --> 00:02:10,080 Speaker 3: You're ready, You're gonna speak spell socks very fast. 45 00:02:10,720 --> 00:02:13,040 Speaker 1: Some socks s O c K. 46 00:02:14,680 --> 00:02:15,680 Speaker 4: I say it fast that. 47 00:02:27,200 --> 00:02:31,200 Speaker 1: You learned that ship just learned. Here. Just listen, let's 48 00:02:31,240 --> 00:02:32,200 Speaker 1: let's off from the beginning. 49 00:02:33,280 --> 00:02:36,480 Speaker 3: Queens, how did you How did your family want to 50 00:02:36,480 --> 00:02:36,960 Speaker 3: be queens? 51 00:02:38,320 --> 00:02:40,440 Speaker 4: My parents moved from Haiti, oh wow? 52 00:02:40,840 --> 00:02:43,960 Speaker 2: And then they was living in Brooklyn, Okay. 53 00:02:44,440 --> 00:02:47,000 Speaker 1: And then you know what part of Haiti? 54 00:02:47,800 --> 00:02:51,119 Speaker 2: No, I've never been there before, you've never been there? No? 55 00:02:51,240 --> 00:02:55,120 Speaker 3: Yes, Sunday's off our resident, and he's never been there neither. 56 00:02:55,320 --> 00:02:57,440 Speaker 4: Yeah, I've never been there. Yeah, it's kind of I've 57 00:02:57,440 --> 00:02:57,760 Speaker 4: been there. 58 00:02:57,919 --> 00:02:59,760 Speaker 1: How I've been there. 59 00:03:00,360 --> 00:03:03,399 Speaker 2: Yes, I heard it's kind of wild over there right now, right, 60 00:03:03,800 --> 00:03:07,760 Speaker 2: So yeah, they moved from Brooklyn to like the Long 61 00:03:07,800 --> 00:03:11,000 Speaker 2: Island area. I was born in Queens and I was 62 00:03:11,040 --> 00:03:13,160 Speaker 2: living in Elmont until I was like thirteen. 63 00:03:13,280 --> 00:03:17,080 Speaker 4: Oh wow, until like after nine to eleven. Nine eleven 64 00:03:17,160 --> 00:03:18,880 Speaker 4: happened and my parents like packed up. 65 00:03:18,919 --> 00:03:22,440 Speaker 2: When my mom packed up her tour to Hemri and 66 00:03:22,480 --> 00:03:24,760 Speaker 2: we drove to College Park, Georgia. 67 00:03:24,800 --> 00:03:28,760 Speaker 3: Oh wow, And that's where you made That's where history 68 00:03:28,840 --> 00:03:29,320 Speaker 3: started to make. 69 00:03:30,160 --> 00:03:31,720 Speaker 1: Was you wrapping when you was in No? 70 00:03:32,080 --> 00:03:37,280 Speaker 4: Okay, No, I was just stealing bikes and ship, you know, regularly. 71 00:03:38,120 --> 00:03:39,520 Speaker 1: And you a skateboarder too, right. 72 00:03:39,520 --> 00:03:41,520 Speaker 4: Yeah, yeah, okay, skateboarding Georgia. 73 00:03:41,560 --> 00:03:46,760 Speaker 3: Also in Georgia, nine Queens. Okay, So what before we 74 00:03:46,800 --> 00:03:50,160 Speaker 3: get into you know, you're linking up with the migos 75 00:03:50,200 --> 00:03:53,240 Speaker 3: or whatever, what made you want to start to rap? 76 00:03:54,040 --> 00:03:54,280 Speaker 1: Uh? 77 00:03:55,080 --> 00:03:56,280 Speaker 4: Keeping myself out of trouble. 78 00:03:56,400 --> 00:03:58,240 Speaker 2: I was getting locked up for doing all type of 79 00:03:58,280 --> 00:04:01,520 Speaker 2: dumb ship at the time, and I feel like it 80 00:04:01,600 --> 00:04:03,640 Speaker 2: was like my way out. I was looking for a 81 00:04:03,680 --> 00:04:06,720 Speaker 2: way out. I got a job. I had two jobs. 82 00:04:06,760 --> 00:04:09,280 Speaker 2: I worked one job of Wendy's and I worked at 83 00:04:09,280 --> 00:04:10,760 Speaker 2: a candy factory for like a day. 84 00:04:11,000 --> 00:04:12,680 Speaker 4: Oh really a candy factory. 85 00:04:12,760 --> 00:04:15,520 Speaker 2: Yeah yeah, yeah, I don't know how I got a job, 86 00:04:15,520 --> 00:04:17,440 Speaker 2: but I worked at a candy factory for like a 87 00:04:17,440 --> 00:04:20,039 Speaker 2: couple of hours. You know when they have you packing 88 00:04:20,080 --> 00:04:23,520 Speaker 2: up the candy and like the packages and ship and 89 00:04:23,600 --> 00:04:25,640 Speaker 2: I had like a some type of net on my 90 00:04:25,720 --> 00:04:28,599 Speaker 2: head and I could see the reflection of my face 91 00:04:28,920 --> 00:04:32,120 Speaker 2: in the like the machine, and I just took it off. 92 00:04:32,160 --> 00:04:33,039 Speaker 2: I'm like, this is not for me. 93 00:04:33,800 --> 00:04:34,520 Speaker 4: I took it off. 94 00:04:35,040 --> 00:04:35,760 Speaker 1: It's Wendy's. 95 00:04:38,240 --> 00:04:39,800 Speaker 2: I took the net off my head. I threw it 96 00:04:39,839 --> 00:04:43,279 Speaker 2: on the ground. I was like, I quit. After like 97 00:04:43,279 --> 00:04:45,000 Speaker 2: a couple of hours, I called my dad's on to 98 00:04:45,040 --> 00:04:46,400 Speaker 2: come pick me up. He picked me up in the 99 00:04:46,400 --> 00:04:48,279 Speaker 2: truck and then it was out. 100 00:04:48,960 --> 00:04:50,360 Speaker 1: Now, what's your first rap name? 101 00:04:50,839 --> 00:04:55,000 Speaker 2: Black boy to kid, black boy to kid, black boy 102 00:04:55,120 --> 00:04:59,040 Speaker 2: to kid. Yeah, yeah, I don't know why. I don't know. 103 00:04:59,120 --> 00:05:04,800 Speaker 2: I have no idea. I have no idea why I 104 00:05:04,880 --> 00:05:07,919 Speaker 2: was called black with a kid. But some girl and 105 00:05:08,480 --> 00:05:10,880 Speaker 2: was shoot on some girls and ship. They was like, yo, 106 00:05:11,160 --> 00:05:13,120 Speaker 2: let me ask you something, Why is your name black boy? 107 00:05:13,120 --> 00:05:13,479 Speaker 1: The kids? 108 00:05:13,480 --> 00:05:16,640 Speaker 2: You're not even that dark? And I was like, damn, 109 00:05:17,200 --> 00:05:21,440 Speaker 2: you know what, you got a point it? Yeah, So 110 00:05:21,520 --> 00:05:23,359 Speaker 2: I was like, Ship, you know what, you got a 111 00:05:23,360 --> 00:05:25,040 Speaker 2: point there. And I was like, you know what, I 112 00:05:25,080 --> 00:05:27,880 Speaker 2: know one day I will be rich and I want 113 00:05:27,920 --> 00:05:30,120 Speaker 2: to be rich, so I might as well name myself 114 00:05:30,160 --> 00:05:30,760 Speaker 2: rich right now. 115 00:05:31,080 --> 00:05:36,799 Speaker 1: You know what I'm saying. You know what's crazy. 116 00:05:37,600 --> 00:05:39,840 Speaker 3: I was putting two and two together, and I was like, 117 00:05:40,000 --> 00:05:42,960 Speaker 3: I thought you named yourself rich because after your father 118 00:05:43,120 --> 00:05:44,520 Speaker 3: or like or something like that. 119 00:05:44,839 --> 00:05:45,800 Speaker 4: You want to want to. 120 00:05:51,640 --> 00:05:57,400 Speaker 1: Toda, so boom, you move to Georgia. Is it Georgia 121 00:05:57,440 --> 00:05:58,480 Speaker 1: because College Park? 122 00:05:58,960 --> 00:06:02,800 Speaker 3: College Park, that's what you changing them from, right, college Park? 123 00:06:02,880 --> 00:06:08,200 Speaker 2: Yeah? Yeah. I was living College Parks apartment complex. Some ship. 124 00:06:08,960 --> 00:06:09,559 Speaker 2: I was there. 125 00:06:10,080 --> 00:06:12,440 Speaker 4: It was kind of different from me from New York. 126 00:06:13,080 --> 00:06:13,479 Speaker 4: I was not. 127 00:06:13,760 --> 00:06:15,640 Speaker 2: I was like, I felt like I was in the 128 00:06:15,640 --> 00:06:19,159 Speaker 2: third world country. I didn't understand what then was going on. 129 00:06:20,080 --> 00:06:23,919 Speaker 2: So I remember moving and I got all my stuff 130 00:06:23,960 --> 00:06:26,440 Speaker 2: situated while I was staying with my uncle, and he 131 00:06:26,480 --> 00:06:28,880 Speaker 2: gave me two CDs. He gave me an Outcast City 132 00:06:29,080 --> 00:06:31,240 Speaker 2: and he gave me a t I C So that 133 00:06:31,400 --> 00:06:34,919 Speaker 2: was like my introduction to like hip hop like South. 134 00:06:35,160 --> 00:06:36,320 Speaker 4: That's a great introduction too. 135 00:06:36,520 --> 00:06:39,119 Speaker 3: So so on your journey in New York, you hadn't 136 00:06:39,279 --> 00:06:41,479 Speaker 3: listened to New York artist kid, I had to listen 137 00:06:41,560 --> 00:06:44,039 Speaker 3: to you Southern artists. 138 00:06:44,240 --> 00:06:47,880 Speaker 2: Yeah, I was, you know what I'm saying, But I 139 00:06:47,880 --> 00:06:50,960 Speaker 2: didn't listen to No South. I didn't know anything about that. 140 00:06:50,800 --> 00:06:52,599 Speaker 3: Okay, because this is this, this is what I'm curious, 141 00:06:52,720 --> 00:06:54,919 Speaker 3: because it's got to be a culture class. You're coming 142 00:06:54,960 --> 00:06:59,039 Speaker 3: from Haiti, then Brooklyn, and then. 143 00:07:00,040 --> 00:07:02,320 Speaker 1: You didn't you were born in Haiti. No no, no, no, 144 00:07:02,040 --> 00:07:02,440 Speaker 1: so your. 145 00:07:02,320 --> 00:07:07,720 Speaker 3: Parents so but then you go in from from New 146 00:07:07,800 --> 00:07:10,000 Speaker 3: York and then it had had to be like totally 147 00:07:10,040 --> 00:07:13,240 Speaker 3: different because it was it was city orientated as opposed 148 00:07:13,280 --> 00:07:14,120 Speaker 3: to country orientated. 149 00:07:14,280 --> 00:07:15,920 Speaker 2: I didn't know what the fuck was going on at all, 150 00:07:16,000 --> 00:07:21,120 Speaker 2: So I was there just chilling, broid. I feel like 151 00:07:21,160 --> 00:07:24,880 Speaker 2: that's where I got like acquainted with the trap ship, 152 00:07:24,920 --> 00:07:28,800 Speaker 2: you know what I'm saying. Like the first I don't 153 00:07:28,880 --> 00:07:31,440 Speaker 2: I don't know what they called it, Like, I just 154 00:07:31,440 --> 00:07:34,280 Speaker 2: feel like just the trap life because like my first 155 00:07:34,480 --> 00:07:37,240 Speaker 2: week in school, they gave me baggies and like y'all 156 00:07:37,400 --> 00:07:39,120 Speaker 2: got the weed for you know, what I'm saying. I'm 157 00:07:39,120 --> 00:07:41,880 Speaker 2: on the bus selling weed and ship selling weed. Yeah, 158 00:07:41,960 --> 00:07:45,840 Speaker 2: telling we like my first week in school. Yeah, I 159 00:07:45,920 --> 00:07:48,240 Speaker 2: got some friends. They gave me some weed, you know 160 00:07:48,280 --> 00:07:49,960 Speaker 2: what I'm saying. I go back to the house. I 161 00:07:49,960 --> 00:07:52,120 Speaker 2: got the weed and my pants and ship and my 162 00:07:52,160 --> 00:07:55,280 Speaker 2: mom's like, what the fuck is going on? 163 00:07:56,080 --> 00:07:57,880 Speaker 4: She's like, I'm like, what do you mean? She's like, 164 00:07:57,920 --> 00:07:58,440 Speaker 4: I smell it. 165 00:07:58,480 --> 00:07:59,040 Speaker 2: Where is it? 166 00:07:59,600 --> 00:08:01,119 Speaker 4: I'm like, I don't know what you're talking about. 167 00:08:01,600 --> 00:08:04,400 Speaker 2: So I ended up flushing the flushing the weed and 168 00:08:04,440 --> 00:08:07,080 Speaker 2: then I owe some people some money and ship. 169 00:08:09,960 --> 00:08:11,280 Speaker 4: Hustle it up, you know what I'm saying. 170 00:08:11,280 --> 00:08:14,320 Speaker 2: So that's when I got acquainted with the trap ship feel. 171 00:08:14,680 --> 00:08:20,680 Speaker 3: I take one with just Ice, Yo, I ain't gonna 172 00:08:20,720 --> 00:08:25,720 Speaker 3: lie to you. I'm trying to I was. I'm not 173 00:08:25,720 --> 00:08:26,920 Speaker 3: saying I'm trying to put you in a box, but 174 00:08:26,920 --> 00:08:32,080 Speaker 3: I'm trying to label like your style and the greatest 175 00:08:32,080 --> 00:08:34,400 Speaker 3: thing about you is I feel like you can rhyme 176 00:08:34,440 --> 00:08:38,000 Speaker 3: on anything. Do you feel like that about yourself? So 177 00:08:38,200 --> 00:08:40,040 Speaker 3: like if Lady got God was to call you right now, 178 00:08:40,080 --> 00:08:41,920 Speaker 3: you can just do the record with Yeah. 179 00:08:42,000 --> 00:08:44,440 Speaker 2: Yeah, I stout, I preached outed. 180 00:08:46,960 --> 00:08:49,400 Speaker 3: So what is your favorite thing to do is it 181 00:08:49,440 --> 00:08:51,080 Speaker 3: to make the record or perform the record? 182 00:08:51,640 --> 00:08:52,760 Speaker 2: Uh? 183 00:08:52,920 --> 00:08:56,080 Speaker 4: Probably performing the record, performing like. 184 00:08:56,120 --> 00:08:58,199 Speaker 2: Touching the fans, you know what I'm saying, feeling that 185 00:08:58,360 --> 00:09:01,719 Speaker 2: energy from from the new right Yeah. 186 00:09:01,520 --> 00:09:05,520 Speaker 3: Now let me I'm flipping and bouncing around. The alcohols 187 00:09:05,600 --> 00:09:10,280 Speaker 3: hit me. But you're you've been signed to a couple 188 00:09:10,320 --> 00:09:12,839 Speaker 3: of labels. We'll get into that. But the good thing 189 00:09:12,840 --> 00:09:16,360 Speaker 3: about you is you always put people on. So how 190 00:09:16,360 --> 00:09:18,520 Speaker 3: did you develop that that that type of mind frame 191 00:09:18,559 --> 00:09:21,680 Speaker 3: that like not only you know business, but but bring 192 00:09:21,720 --> 00:09:22,880 Speaker 3: other people in your business. 193 00:09:23,000 --> 00:09:26,320 Speaker 2: I feel like when I started getting blessed by God, 194 00:09:26,400 --> 00:09:28,880 Speaker 2: I'm like, you know what, I'm blessed for a reason 195 00:09:29,160 --> 00:09:31,000 Speaker 2: to pass on the blessing to others, you know what 196 00:09:31,040 --> 00:09:33,520 Speaker 2: I'm saying. So in any way I can help somebody. 197 00:09:33,559 --> 00:09:36,560 Speaker 2: I always wanted to help and share my blessings, right 198 00:09:36,880 --> 00:09:37,280 Speaker 2: for sure? 199 00:09:37,600 --> 00:09:40,880 Speaker 4: Right, So Jesus on, that's honorable. 200 00:09:41,040 --> 00:09:43,000 Speaker 1: Very honor. Quick time with slim earlier. 201 00:09:43,160 --> 00:09:48,160 Speaker 5: Yeah, this is our drinking game. Okay, So we're going 202 00:09:48,200 --> 00:09:51,400 Speaker 5: to give you two choices. You pick one, nobody drinks. 203 00:09:51,920 --> 00:09:54,000 Speaker 5: If you don't pick, like, if you say both or 204 00:09:54,040 --> 00:09:56,640 Speaker 5: neither of them, then we all drinking, all right, And 205 00:09:56,679 --> 00:09:59,679 Speaker 5: that's it. Any stories you got with anybody, because it's 206 00:09:59,679 --> 00:10:02,120 Speaker 5: just about going through your story through these people and 207 00:10:02,200 --> 00:10:03,600 Speaker 5: different things that we mentioned. 208 00:10:05,840 --> 00:10:10,319 Speaker 3: TUPAC or d m xuac d m x any criteria, 209 00:10:15,200 --> 00:10:16,040 Speaker 3: that's hard one. 210 00:10:17,480 --> 00:10:24,560 Speaker 1: Taking a shot yeah okay, and he got the killer right, Yeah, okay, 211 00:10:24,600 --> 00:10:28,440 Speaker 1: what you got? I got back up? Brother. I like 212 00:10:28,520 --> 00:10:29,800 Speaker 1: I like the fact that he took a shot because 213 00:10:29,840 --> 00:10:34,360 Speaker 1: hip hop will be made. You gotta know the fan. Okay. 214 00:10:35,200 --> 00:10:37,240 Speaker 5: Was there anything about either of those artists that might. 215 00:10:37,080 --> 00:10:37,800 Speaker 4: Have inspired you? 216 00:10:37,800 --> 00:10:40,160 Speaker 2: You got you got to meet x No, I never 217 00:10:40,200 --> 00:10:43,040 Speaker 2: got to meet him, but both of them inspired me hugely, 218 00:10:43,720 --> 00:10:46,960 Speaker 2: like that crazy I look, look so. 219 00:10:50,480 --> 00:10:56,400 Speaker 1: All right, nas or jay Z Damn, this is this 220 00:10:56,480 --> 00:10:57,319 Speaker 1: is meant to set you off. 221 00:10:57,600 --> 00:10:59,559 Speaker 3: By the way, the Dominican and Colombia that we're asks 222 00:10:59,600 --> 00:11:02,960 Speaker 3: the questions over there so that they're they're analyzing you question. 223 00:11:03,080 --> 00:11:04,840 Speaker 4: Okay, are you taking a shop? 224 00:11:05,160 --> 00:11:07,520 Speaker 1: Mm hmm yeah, man, okay. 225 00:11:07,920 --> 00:11:12,440 Speaker 3: Kodak Black or twenty one Savage Kodak Black. Do you 226 00:11:12,440 --> 00:11:14,720 Speaker 3: see his slippers, slippers, the Haitian slippers. 227 00:11:15,000 --> 00:11:25,640 Speaker 6: Yeah yeah, yeah, yeah, yeah, yeah yeah, you know you 228 00:11:25,720 --> 00:11:26,400 Speaker 6: had a pair of those. 229 00:11:26,520 --> 00:11:27,360 Speaker 4: That's my Haitian brother. 230 00:11:28,160 --> 00:11:28,840 Speaker 1: You know you did. 231 00:11:29,120 --> 00:11:31,480 Speaker 3: I had come up the Islanders have a paradol Now, 232 00:11:31,559 --> 00:11:33,280 Speaker 3: I had a pair of da you fucked up. 233 00:11:33,320 --> 00:11:37,560 Speaker 7: I was like, I'm like wet style slipping. 234 00:11:38,720 --> 00:11:39,640 Speaker 1: We see talk. 235 00:11:40,040 --> 00:11:41,840 Speaker 4: Yeah, yeah, my dad got the same tub. 236 00:11:43,440 --> 00:11:46,640 Speaker 1: I think you were tripping, not with the slippers. I 237 00:11:46,679 --> 00:11:50,320 Speaker 1: think it was a yeah, like he had on like 238 00:11:50,400 --> 00:11:52,640 Speaker 1: some linen or what's he what you know? 239 00:11:52,720 --> 00:11:55,040 Speaker 3: Kodak Black is kind of like he's kind of fly 240 00:11:55,240 --> 00:11:57,000 Speaker 3: Like he's kind of like a fly young dude. That's 241 00:11:57,000 --> 00:12:00,440 Speaker 3: something that you're into too, fashion right? Yeah? Cool, it's 242 00:12:00,920 --> 00:12:02,240 Speaker 3: time sign a right. 243 00:12:02,600 --> 00:12:06,240 Speaker 2: Yeah, Wayne a young boy, Wayne a young boy and 244 00:12:06,559 --> 00:12:07,920 Speaker 2: obviously Lil Wayne right. 245 00:12:08,600 --> 00:12:10,000 Speaker 1: Try to put some respect on his name. I call 246 00:12:10,040 --> 00:12:16,679 Speaker 1: him a little no more. I respect that you got 247 00:12:16,679 --> 00:12:22,160 Speaker 1: a project with them both shot. I gotta look out 248 00:12:22,200 --> 00:12:25,200 Speaker 1: for you. No pick on this one. I take this shot. 249 00:12:25,480 --> 00:12:29,679 Speaker 1: You know. Look oh ship okay still hm hmm. 250 00:12:31,840 --> 00:12:34,199 Speaker 3: Let's talk about working on because bro, A lot of 251 00:12:34,200 --> 00:12:37,079 Speaker 3: people got little little Wayne features. 252 00:12:37,160 --> 00:12:37,240 Speaker 1: Right. 253 00:12:38,240 --> 00:12:40,960 Speaker 3: If you meet Wayne, it's known that you know he 254 00:12:40,960 --> 00:12:43,080 Speaker 3: gets loves to meet him. You gotta get in that 255 00:12:43,880 --> 00:12:46,080 Speaker 3: and most people can't get that. But you got not 256 00:12:46,160 --> 00:12:47,920 Speaker 3: only songs with him, you got a. 257 00:12:47,920 --> 00:12:51,439 Speaker 1: Whole entire album yeah, yeah, Like how did that come about? 258 00:12:52,240 --> 00:12:55,160 Speaker 2: Man? I think it was like a few weeks after 259 00:12:56,000 --> 00:12:59,160 Speaker 2: me and young Boy dump the album. 260 00:12:58,120 --> 00:13:02,800 Speaker 4: And the FaceTime from Wayne. He hopping on his jet. 261 00:13:03,360 --> 00:13:05,640 Speaker 2: You're like, yo, bro, I'm about to go to my 262 00:13:05,720 --> 00:13:06,800 Speaker 2: daughter's birthday party. 263 00:13:07,400 --> 00:13:09,559 Speaker 4: When I get back, we need to do this album. 264 00:13:10,240 --> 00:13:14,480 Speaker 2: I'm like this album. Yeah he said this album. I said, oh, 265 00:13:14,600 --> 00:13:16,199 Speaker 2: hell yeah, let's do it. 266 00:13:16,240 --> 00:13:16,800 Speaker 1: I can't wait. 267 00:13:17,679 --> 00:13:24,160 Speaker 2: So no Wayne, Yeah, I think he's Wayne, like he'll 268 00:13:24,240 --> 00:13:26,480 Speaker 2: hit me with a song, or I hit him with 269 00:13:26,480 --> 00:13:28,160 Speaker 2: a song. He's sending it back in like twenty four 270 00:13:28,200 --> 00:13:32,640 Speaker 2: hours he saw, so like, we ain't getting the studio 271 00:13:32,760 --> 00:13:36,760 Speaker 2: right away, but I'm always recorded, I'm always working, so 272 00:13:36,800 --> 00:13:39,720 Speaker 2: I always had songs in my notes. So I just 273 00:13:39,920 --> 00:13:42,640 Speaker 2: text him like two or three songs right away and 274 00:13:42,760 --> 00:13:44,480 Speaker 2: he just started sending them back one by one. 275 00:13:44,800 --> 00:13:47,160 Speaker 3: And so so was it was it aimed for being 276 00:13:47,160 --> 00:13:47,880 Speaker 3: a project first? 277 00:13:48,080 --> 00:13:48,240 Speaker 2: Yeah? 278 00:13:49,640 --> 00:13:51,800 Speaker 4: Yeah, he was like, let's do a project together. 279 00:13:52,400 --> 00:13:54,160 Speaker 2: Yeah. I was like, I was like hell yeah. 280 00:13:54,920 --> 00:13:56,000 Speaker 1: And that's after the NBA. 281 00:13:56,200 --> 00:13:59,520 Speaker 2: Yeah, yeah, bro, Little Wayne. I've been looking up to 282 00:13:59,520 --> 00:14:01,400 Speaker 2: the Little Wayne. I was like, a jit, you know 283 00:14:01,440 --> 00:14:03,600 Speaker 2: what I'm saying. His mixtapes got me through, so much 284 00:14:03,600 --> 00:14:07,480 Speaker 2: in life, like jugging finessing to his ship, like it's 285 00:14:07,559 --> 00:14:12,040 Speaker 2: crazy to have an album with Wayne, Like going from 286 00:14:12,160 --> 00:14:15,520 Speaker 2: listening to his CDs on the Trains mixtapes on the bus, 287 00:14:15,520 --> 00:14:18,880 Speaker 2: like riding the bus like I was like, damn, one day, 288 00:14:19,480 --> 00:14:21,280 Speaker 2: I want to be like Wayne type shit. You know 289 00:14:21,280 --> 00:14:23,480 Speaker 2: what I'm saying to him asking me to do an album. 290 00:14:23,560 --> 00:14:25,280 Speaker 2: It's like definitely a blessing because. 291 00:14:25,080 --> 00:14:28,160 Speaker 3: This sounded like mister Miyaki and a karate kid almost 292 00:14:28,160 --> 00:14:33,400 Speaker 3: like like when you listen to it, it's like. 293 00:14:31,520 --> 00:14:33,640 Speaker 1: But it's like in a complimentary right. 294 00:14:33,800 --> 00:14:35,840 Speaker 3: It's like you know his tone, he kind of knows 295 00:14:35,880 --> 00:14:38,640 Speaker 3: your tone, and it's like it's almost like, for lack 296 00:14:38,680 --> 00:14:40,920 Speaker 3: of a better term, for me to compare it to 297 00:14:41,000 --> 00:14:42,640 Speaker 3: something else, it's almost like Watch. 298 00:14:42,440 --> 00:14:45,640 Speaker 1: The Throne like Kanye and and Jay almost you know 299 00:14:45,640 --> 00:14:46,000 Speaker 1: what I'm saying. 300 00:14:46,040 --> 00:14:48,120 Speaker 3: That's what it reminds me to was that something that 301 00:14:48,160 --> 00:14:50,640 Speaker 3: I was like trying to beat or uh. 302 00:14:50,840 --> 00:14:52,560 Speaker 4: No, I feel like we were just doing what we're doing. 303 00:14:52,600 --> 00:14:55,400 Speaker 4: You know what I'm saying. He might have a song 304 00:14:55,480 --> 00:14:57,840 Speaker 4: ready for me and I knock it out real quick. 305 00:14:57,880 --> 00:14:58,320 Speaker 4: You know what I'm saying. 306 00:14:58,360 --> 00:15:01,000 Speaker 2: We just going feeding off each other energy I feel 307 00:15:01,000 --> 00:15:03,600 Speaker 2: like anybody ever did a project with from Migos to 308 00:15:04,080 --> 00:15:06,760 Speaker 2: Young Boy to the Wayne. It's just like we feed 309 00:15:06,800 --> 00:15:08,720 Speaker 2: off each other energy in the booth, in the studio, 310 00:15:09,520 --> 00:15:11,200 Speaker 2: and that's the best way to do it. 311 00:15:11,280 --> 00:15:12,920 Speaker 1: And was this on Universal Republic? 312 00:15:14,200 --> 00:15:16,520 Speaker 4: Yeah, I think this went to Republic. 313 00:15:16,240 --> 00:15:17,920 Speaker 1: Okay, And he was on Republic at that time. 314 00:15:19,280 --> 00:15:21,120 Speaker 4: I think, so okay, I think I was. He's doing 315 00:15:21,160 --> 00:15:22,000 Speaker 4: a couple of labels. 316 00:15:22,080 --> 00:15:24,440 Speaker 1: In the fact that he's not sure to get a 317 00:15:24,480 --> 00:15:24,960 Speaker 1: lot of text. 318 00:15:27,520 --> 00:15:28,440 Speaker 2: That's good. 319 00:15:31,200 --> 00:15:37,000 Speaker 8: It's Keith for Dirk, Chief Keith for Dirk, Chief Keith 320 00:15:37,040 --> 00:15:41,200 Speaker 8: for Dirk. I would have to say Chief Keith. 321 00:15:41,600 --> 00:15:44,240 Speaker 2: He sent me a verse like I did an album 322 00:15:44,600 --> 00:15:47,200 Speaker 2: my last album actually likes to gamble, and I was like, yo, 323 00:15:48,280 --> 00:15:51,640 Speaker 2: I need this song by Friday because I was finn 324 00:15:51,640 --> 00:15:54,080 Speaker 2: to drop the album, but then it ended up getting 325 00:15:54,080 --> 00:15:54,560 Speaker 2: pushed back. 326 00:15:54,800 --> 00:15:57,880 Speaker 4: But he sent to me. 327 00:15:57,080 --> 00:15:59,840 Speaker 2: By Friday before Friday, him saying right away. And I 328 00:16:00,000 --> 00:16:01,520 Speaker 2: respect him for that. I appreciate that. 329 00:16:01,760 --> 00:16:05,440 Speaker 3: Do you feel like Chief Keepers like like somewhat of 330 00:16:05,440 --> 00:16:07,680 Speaker 3: the godfather of that news style of music? 331 00:16:07,760 --> 00:16:10,720 Speaker 2: Yeah, the drill music. Yeah, for sure. 332 00:16:10,800 --> 00:16:14,240 Speaker 4: She keeps opening a way for everybody. For sure. A 333 00:16:14,240 --> 00:16:16,479 Speaker 4: lot of niggas trying to be like chief Key. 334 00:16:16,680 --> 00:16:19,040 Speaker 3: Yeah, he running around there trying to be like nobody. Yeah, 335 00:16:19,080 --> 00:16:23,600 Speaker 3: for sure, he's still himself. Yeah I respect that. Okay, 336 00:16:23,920 --> 00:16:28,080 Speaker 3: the next one. 337 00:16:27,000 --> 00:16:35,760 Speaker 1: I'll sit take a drink. Come on, call back. You 338 00:16:35,760 --> 00:16:38,360 Speaker 1: don't want that little d A got that dope or 339 00:16:38,440 --> 00:16:39,280 Speaker 1: Murder beats? 340 00:16:40,000 --> 00:16:43,960 Speaker 2: Murder beats? Yeah, I remember murder since he was a jit. 341 00:16:45,840 --> 00:16:51,560 Speaker 2: Hell yeah, out cast a U g K Outcasts. That's 342 00:16:51,600 --> 00:16:52,400 Speaker 2: the first season you got. 343 00:16:52,440 --> 00:16:54,680 Speaker 4: Yeah for sure when he when he went down South, 344 00:16:55,000 --> 00:16:55,560 Speaker 4: went down South? 345 00:16:55,800 --> 00:16:58,840 Speaker 1: I want I want to know this one for yay 346 00:16:59,360 --> 00:16:59,880 Speaker 1: or for real? 347 00:17:00,640 --> 00:17:01,360 Speaker 2: Yeah, for real? 348 00:17:01,840 --> 00:17:04,440 Speaker 4: I go yeah, yeah, I got a lot. 349 00:17:04,359 --> 00:17:07,160 Speaker 1: Of records together. Yeah, that's not taking a shot. 350 00:17:07,160 --> 00:17:09,640 Speaker 2: Okay, have you working for him? Uh No, I've never 351 00:17:09,680 --> 00:17:14,000 Speaker 2: worked with for Yeah. I reached out to him, but 352 00:17:14,119 --> 00:17:17,520 Speaker 2: we never worked together. Actually, I just seen him in 353 00:17:17,680 --> 00:17:20,600 Speaker 2: pairing Paris Fast a week. Yeah, and I got his 354 00:17:21,200 --> 00:17:23,879 Speaker 2: number and she said, yeah, text me, you know what 355 00:17:23,880 --> 00:17:25,160 Speaker 2: I'm saying, We're gonna put it together. 356 00:17:25,640 --> 00:17:27,080 Speaker 4: I text her, she's never inn mad. 357 00:17:27,160 --> 00:17:28,240 Speaker 2: So they like that. 358 00:17:28,440 --> 00:17:35,240 Speaker 1: Yeah, don't worry about it too real. My bad, My bad, 359 00:17:35,600 --> 00:17:38,160 Speaker 1: They like they don't worry about it. It's love. It's love. 360 00:17:38,200 --> 00:17:44,399 Speaker 1: It's love love. Huh, well you fixed it? 361 00:17:46,600 --> 00:17:47,439 Speaker 4: I don't see it? 362 00:17:47,680 --> 00:17:54,639 Speaker 3: Okay, Nicky Jam, Oh best up, bloom Pluma, best plum bro, 363 00:17:55,000 --> 00:17:58,720 Speaker 3: you know best blouse. We said we see you with 364 00:17:58,800 --> 00:18:01,400 Speaker 3: Nicky Jam the other day, Yes, yesterday, I'm on point. 365 00:18:01,600 --> 00:18:04,199 Speaker 4: I got a studio with him tonight. Okay, damn it. 366 00:18:04,400 --> 00:18:08,600 Speaker 2: Where by I'm gonna have to say pay some blowing. 367 00:18:08,640 --> 00:18:10,000 Speaker 2: That's my brother, bro. 368 00:18:10,359 --> 00:18:20,720 Speaker 7: And how do y'all talk language speaking? They told me 369 00:18:21,000 --> 00:18:22,600 Speaker 7: speak English? 370 00:18:22,680 --> 00:18:22,880 Speaker 4: Yeah. 371 00:18:23,320 --> 00:18:24,200 Speaker 1: The people that call me. 372 00:18:24,160 --> 00:18:28,000 Speaker 4: Talking about yeah, I need record did want me to know. 373 00:18:27,960 --> 00:18:31,320 Speaker 2: We got what I'm telling you. I had more than one. 374 00:18:31,359 --> 00:18:32,800 Speaker 2: You know we're working on some ship. 375 00:18:33,560 --> 00:18:35,359 Speaker 1: That's crazy. How did y'all mainke up? 376 00:18:36,359 --> 00:18:40,400 Speaker 2: I think about a year and a half ago, I 377 00:18:40,440 --> 00:18:43,320 Speaker 2: was just checking out some ship and I came across 378 00:18:43,359 --> 00:18:47,159 Speaker 2: his music and I hit him up. Was DM Yeah. 379 00:18:47,440 --> 00:18:50,359 Speaker 2: I was like, yo, bro, your ship is fire. He 380 00:18:50,440 --> 00:18:52,919 Speaker 2: sent me his number, He's like, YO, call me. I 381 00:18:52,920 --> 00:18:55,320 Speaker 2: called him. He spoke on FaceTime. He's like, brobab listening 382 00:18:55,359 --> 00:18:58,399 Speaker 2: to your music for like eight years. Really, I was like, damn, 383 00:18:58,480 --> 00:19:02,240 Speaker 2: that's fire. So like we were both on the road 384 00:19:02,280 --> 00:19:07,040 Speaker 2: for a while and who's I think, Oh, who's that 385 00:19:08,280 --> 00:19:09,600 Speaker 2: who's that bad bunny show? 386 00:19:10,040 --> 00:19:10,480 Speaker 1: Oh wow? 387 00:19:10,600 --> 00:19:13,280 Speaker 2: And I ran into him again okay, and he was like, 388 00:19:13,440 --> 00:19:16,679 Speaker 2: we need to get in, so like he couldn't get in, No, 389 00:19:16,720 --> 00:19:18,520 Speaker 2: we need to get indiot. 390 00:19:19,320 --> 00:19:21,040 Speaker 1: I was like, y'all you think I couldn't get ink. 391 00:19:21,720 --> 00:19:23,680 Speaker 2: He like, let's get in the studio. And a couple 392 00:19:23,680 --> 00:19:25,840 Speaker 2: of days later I pulled up on him. I played 393 00:19:25,920 --> 00:19:28,000 Speaker 2: him a couple of records and he was like, oh, yeah, 394 00:19:28,000 --> 00:19:30,679 Speaker 2: this is the one, right, and then the chemistry just 395 00:19:30,880 --> 00:19:33,120 Speaker 2: he just went crazy on it, like all right, it 396 00:19:33,160 --> 00:19:34,359 Speaker 2: was fine, let. 397 00:19:34,240 --> 00:19:34,880 Speaker 1: Me ask you something. 398 00:19:34,960 --> 00:19:36,840 Speaker 3: This is this is this from an artist, and damn point, 399 00:19:36,960 --> 00:19:39,320 Speaker 3: I'm not coming from a podcast. The only time I 400 00:19:39,400 --> 00:19:43,159 Speaker 3: kind of actually traded fast this is real ship. And 401 00:19:43,200 --> 00:19:48,240 Speaker 3: I've been rapping for twenty seven because Mother Flint would 402 00:19:48,240 --> 00:19:50,320 Speaker 3: just turned twenty five, so like twenty seven years. The 403 00:19:50,400 --> 00:19:53,520 Speaker 3: only time I ever felt like I traded fans. There's 404 00:19:53,560 --> 00:19:58,200 Speaker 3: two funny ass features Daddy Yankee, which is a Spanish 405 00:19:58,320 --> 00:20:00,480 Speaker 3: artist and reggaetar artist. When I I did a record 406 00:20:00,520 --> 00:20:02,400 Speaker 3: with Daddy Yankee, I started to see what. 407 00:20:02,320 --> 00:20:06,000 Speaker 1: They call him beer house. Yeah yeah, the old ladies. 408 00:20:06,760 --> 00:20:08,560 Speaker 1: Older ladies will come up to me and be like. 409 00:20:10,000 --> 00:20:12,159 Speaker 3: I'm like, oh, ship, this ship actually works, like I 410 00:20:12,240 --> 00:20:16,160 Speaker 3: actually like, I actually got his fist. I'm gonna tell 411 00:20:16,200 --> 00:20:17,960 Speaker 3: y'all tell your own ball. 412 00:20:18,920 --> 00:20:19,959 Speaker 1: It's gonna fuck it up. 413 00:20:21,040 --> 00:20:23,080 Speaker 3: You know the only other time I felt like I 414 00:20:23,119 --> 00:20:33,200 Speaker 3: traded fans for an artist acts somebody asks who kill. 415 00:20:33,520 --> 00:20:33,800 Speaker 1: Listen? 416 00:20:34,040 --> 00:20:35,280 Speaker 2: You know, listen. 417 00:20:35,680 --> 00:20:39,479 Speaker 1: It wasn't the best you know what, I don't know. 418 00:20:39,880 --> 00:20:41,680 Speaker 1: They call black woman older black woman. 419 00:20:43,480 --> 00:20:45,880 Speaker 3: By the way, I squear to you, I've been because 420 00:20:45,920 --> 00:20:47,840 Speaker 3: you know, you do collapse, and you got a lot 421 00:20:47,840 --> 00:20:52,800 Speaker 3: of collapse. Me and Pun, I text Pun from heaven 422 00:20:52,840 --> 00:20:55,240 Speaker 3: now and then, and you know, me and Poement was 423 00:20:55,280 --> 00:20:57,719 Speaker 3: the feature kings so and you took our Crown were 424 00:20:57,800 --> 00:20:59,560 Speaker 3: like that, we like that, we salute that. 425 00:20:59,680 --> 00:21:04,800 Speaker 1: But trying to say, is holy ship? How crazy is that? 426 00:21:04,800 --> 00:21:05,560 Speaker 2: That's crazy? 427 00:21:05,880 --> 00:21:07,720 Speaker 1: Mm hm Do you do you feel that that trade 428 00:21:07,760 --> 00:21:08,480 Speaker 1: that he's talking about? 429 00:21:08,480 --> 00:21:13,600 Speaker 2: Oh yeah, for sure. You special man. He's got a 430 00:21:13,600 --> 00:21:16,919 Speaker 2: crazy movement. Got a crazy movement, man. But we just 431 00:21:17,000 --> 00:21:20,480 Speaker 2: dropped the song and it's like, I'm independent now. So 432 00:21:20,800 --> 00:21:26,040 Speaker 2: the song was already gold independently, the Empire independent regularly, 433 00:21:26,080 --> 00:21:30,480 Speaker 2: and I did a distribution with Gamma. So yeah, bro, 434 00:21:30,560 --> 00:21:37,920 Speaker 2: it's like they're going ready, Yeah, it's about to be Yeah. 435 00:21:38,920 --> 00:21:39,919 Speaker 4: So it's fire Bros. 436 00:21:39,960 --> 00:21:43,760 Speaker 2: Fire. The video went crazy. Yeah. I was excited for 437 00:21:43,800 --> 00:21:49,399 Speaker 2: that record, definitely, like crossover type ship in twining in 438 00:21:49,520 --> 00:21:53,600 Speaker 2: two worlds. All right, let's keep going French or Ross, 439 00:21:54,359 --> 00:21:58,159 Speaker 2: French or Ross mm hmm, man, I would have to 440 00:21:58,200 --> 00:22:01,400 Speaker 2: say French. Yeah, French gave me like one of my 441 00:22:01,440 --> 00:22:05,600 Speaker 2: first verses on Like, I had a record called Jumping 442 00:22:05,680 --> 00:22:09,840 Speaker 2: like Jordan's that was going crazy in the hood and 443 00:22:10,560 --> 00:22:11,919 Speaker 2: shout out to recy. 444 00:22:12,119 --> 00:22:13,800 Speaker 1: She put the record together with French. 445 00:22:14,760 --> 00:22:19,880 Speaker 2: Uh and my brother Changs Drugs RB Chinks. Yeah bro, 446 00:22:20,119 --> 00:22:23,720 Speaker 2: and they showed me so much love. Like way back, 447 00:22:23,760 --> 00:22:26,240 Speaker 2: I didn't have any hits or anything. He hopped on 448 00:22:26,280 --> 00:22:29,240 Speaker 2: the record and went crazy French. 449 00:22:32,359 --> 00:22:36,520 Speaker 5: He has a good eye for like identifying fallon and I. 450 00:22:36,480 --> 00:22:40,240 Speaker 1: Respect that too, Like you know, oh ship. So I'm 451 00:22:40,280 --> 00:22:41,120 Speaker 1: like plus, so. 452 00:22:42,440 --> 00:22:57,000 Speaker 9: You're getting miles and when you sit down, Miles. 453 00:23:02,560 --> 00:23:05,480 Speaker 1: Actually, actually I didn't stop it. I don't stop it 454 00:23:05,520 --> 00:23:10,680 Speaker 1: and let it run off. So so let's let's let's 455 00:23:10,680 --> 00:23:13,840 Speaker 1: take it back. No no, no, let's w. 456 00:23:15,880 --> 00:23:18,960 Speaker 2: W tang clan. Damn. 457 00:23:21,280 --> 00:23:22,200 Speaker 4: I'm gonna take a shot. 458 00:23:22,280 --> 00:23:26,959 Speaker 3: Okay, yeah, no, I ain't got a shot. 459 00:23:27,160 --> 00:23:29,600 Speaker 1: How old were you when you moved from Queens to thirteen? 460 00:23:29,680 --> 00:23:32,520 Speaker 2: Right, thirteen, Yeah, so you already you had the music 461 00:23:32,560 --> 00:23:35,640 Speaker 2: and you already yeah sure, yeah he took a shot 462 00:23:35,640 --> 00:23:37,400 Speaker 2: for it though, right yeah, yeah, cool. 463 00:23:37,880 --> 00:23:40,800 Speaker 3: That's a very hard thing. And yeah yeah, I mean 464 00:23:40,960 --> 00:23:43,200 Speaker 3: I think they do. Big fans of both of them, right, 465 00:23:43,600 --> 00:23:46,399 Speaker 3: that's what you listening to your music and then like, 466 00:23:47,040 --> 00:23:49,360 Speaker 3: you know, studying you, I could tell you a hip 467 00:23:49,400 --> 00:23:52,360 Speaker 3: hop hip hop like it's not like phony with you, 468 00:23:52,440 --> 00:23:55,280 Speaker 3: like yeah, yeah, I could tell that through your soul. 469 00:23:55,840 --> 00:23:58,320 Speaker 3: And every time I've seen you too. One thing we 470 00:23:58,400 --> 00:24:00,480 Speaker 3: all you know, we said, we said we we got you. 471 00:24:01,040 --> 00:24:03,119 Speaker 3: I think everybody in the room was like, you'll we 472 00:24:03,240 --> 00:24:05,520 Speaker 3: like him, bro, like like people fuck with you, like 473 00:24:05,520 --> 00:24:07,639 Speaker 3: like like you know what I'm saying, your music. But 474 00:24:07,680 --> 00:24:09,840 Speaker 3: then when when a person get to meet you and 475 00:24:09,840 --> 00:24:12,040 Speaker 3: see you in the streets, you're like, you're like you 476 00:24:12,040 --> 00:24:14,680 Speaker 3: know you you you abimrale dude. 477 00:24:14,680 --> 00:24:15,240 Speaker 1: You know what I'm saying. 478 00:24:15,280 --> 00:24:17,720 Speaker 3: So thank people fuck with you like that. That's that's 479 00:24:17,760 --> 00:24:19,439 Speaker 3: a good thing. Okay, I got a good shot, right, 480 00:24:19,480 --> 00:24:21,159 Speaker 3: I'm talking. I got to take a shot, bro. And 481 00:24:21,480 --> 00:24:22,840 Speaker 3: you're clucking in miles too. 482 00:24:23,840 --> 00:24:27,840 Speaker 5: Uh, it's like Nipsey are Easy. 483 00:24:28,720 --> 00:24:31,720 Speaker 4: Rest and peace of both. Took a shot shot r 484 00:24:31,840 --> 00:24:33,880 Speaker 4: P Brothers. 485 00:24:36,080 --> 00:24:37,440 Speaker 1: Fab or Jadakiss. 486 00:24:40,720 --> 00:24:45,359 Speaker 2: Man. I have to say Jadakiss because he showed me 487 00:24:45,359 --> 00:24:46,240 Speaker 2: a lot of love too. 488 00:24:46,320 --> 00:24:49,000 Speaker 4: Also, that's right, yeah, but both of them show me love. 489 00:24:49,040 --> 00:24:52,080 Speaker 2: But another I had another record that I just did 490 00:24:52,080 --> 00:24:55,680 Speaker 2: with Jadakiss and it was crazy. He went, he gave 491 00:24:55,720 --> 00:24:59,520 Speaker 2: me a crazy verse. Actually I dropping. I still got 492 00:24:59,520 --> 00:25:00,440 Speaker 2: it in the ball right now. 493 00:25:00,520 --> 00:25:02,959 Speaker 3: Okay, you got to Jada kids verse. Now, this is 494 00:25:03,040 --> 00:25:05,280 Speaker 3: Jada with his hairline, without his hairline. 495 00:25:07,000 --> 00:25:11,600 Speaker 2: I don't know what that means, you know, taking. 496 00:25:11,359 --> 00:25:14,360 Speaker 1: A shot at him. That's my brother. We got hairline beef. 497 00:25:16,720 --> 00:25:18,199 Speaker 1: You got a joint. Thank you. 498 00:25:22,160 --> 00:25:23,680 Speaker 4: Shout out to the Locks and their tour man, they're 499 00:25:23,680 --> 00:25:24,120 Speaker 4: still in there. 500 00:25:25,320 --> 00:25:26,879 Speaker 1: You gotta give me the dates. Jada told me to 501 00:25:26,880 --> 00:25:27,880 Speaker 1: come out. I gotta come out. 502 00:25:28,560 --> 00:25:31,320 Speaker 3: Yeah, Bro, I seem like I'm Hollywood and ship because 503 00:25:32,000 --> 00:25:34,560 Speaker 3: because like like it's hard for two artists to communicate 504 00:25:34,600 --> 00:25:36,359 Speaker 3: and ship. I'm like, send me the dates. And then 505 00:25:36,359 --> 00:25:37,760 Speaker 3: he's like, when you're coming out, I'm. 506 00:25:37,600 --> 00:25:40,800 Speaker 1: Like, sir, you didn't send me the dates. Like he's 507 00:25:40,840 --> 00:25:44,080 Speaker 1: high high. Yeah, it's not really that good, Yaddy, or 508 00:25:44,200 --> 00:25:45,240 Speaker 1: n L Chopper. 509 00:25:45,760 --> 00:25:47,399 Speaker 4: Yadi or Eli Chappa. 510 00:25:47,560 --> 00:25:50,439 Speaker 1: Yeah, but the hat. 511 00:25:52,520 --> 00:25:56,840 Speaker 2: No, the hash for the rest, I will have to 512 00:25:56,840 --> 00:26:00,800 Speaker 2: say Yadi because I like we kind of came up together. 513 00:26:01,880 --> 00:26:05,920 Speaker 3: Yeah, Yady said Bronx niggas can't dress. Yeah, he's fould 514 00:26:05,960 --> 00:26:09,399 Speaker 3: for that. Yeah he was driven, he's ripping. But I 515 00:26:09,440 --> 00:26:12,920 Speaker 3: like that because Jim Jones responded, and Jim Jones said, uh, 516 00:26:13,400 --> 00:26:16,600 Speaker 3: unless he would get the flyers. 517 00:26:15,880 --> 00:26:19,280 Speaker 1: For a thousand dollars. I think they're doing that. I 518 00:26:19,280 --> 00:26:20,080 Speaker 1: think they're coming up. 519 00:26:20,320 --> 00:26:24,320 Speaker 3: I actually loved that idea because you know, if you 520 00:26:24,400 --> 00:26:26,960 Speaker 3: really fly, it doesn't cost a lot of money. And 521 00:26:27,200 --> 00:26:29,000 Speaker 3: I like the fact that that was a younger generation 522 00:26:29,080 --> 00:26:31,240 Speaker 3: and the older generation making with best of it. 523 00:26:31,280 --> 00:26:31,880 Speaker 1: You know what I'm saying. 524 00:26:32,560 --> 00:26:34,440 Speaker 3: I like, I like, everything doesn't have to be beef. 525 00:26:34,920 --> 00:26:36,880 Speaker 3: Disagreement doesn't have to be beefing, you know what I'm saying. 526 00:26:36,960 --> 00:26:39,080 Speaker 3: Like I keep my ship golden. You know what I'm saying, 527 00:26:39,200 --> 00:26:40,000 Speaker 3: he keeps his ship. 528 00:26:40,119 --> 00:26:45,560 Speaker 1: And the clause we don't beat gold I just wanted to, 529 00:26:47,160 --> 00:26:49,160 Speaker 1: you know what I'm saying, they don't got to be beef. 530 00:26:49,240 --> 00:26:51,560 Speaker 3: So I like when hip hop, you know, does ship 531 00:26:51,640 --> 00:26:53,239 Speaker 3: like that, So big big up, to Yachdy and big 532 00:26:53,320 --> 00:26:55,480 Speaker 3: up to Jim Jones and big up to Italy Chopper 533 00:26:55,520 --> 00:26:57,959 Speaker 3: too rough riders a Rockefeller. 534 00:27:00,119 --> 00:27:01,159 Speaker 4: Riders a Rockefeller. 535 00:27:03,480 --> 00:27:09,879 Speaker 2: Mm hmmm, mm hmmm. I would have to go with 536 00:27:11,080 --> 00:27:14,960 Speaker 2: Rockefeller was a bigger fan of I wanted the Rock Chain. 537 00:27:16,240 --> 00:27:17,919 Speaker 3: Graft one of the Rock Chain and signed to the 538 00:27:17,960 --> 00:27:19,000 Speaker 3: Rock and still didn't get one. 539 00:27:19,160 --> 00:27:19,440 Speaker 2: Damn. 540 00:27:19,720 --> 00:27:21,400 Speaker 4: Yeah, he didn't sign and he got one. 541 00:27:21,480 --> 00:27:24,720 Speaker 1: I didn't sign. I got two. I got to you 542 00:27:24,760 --> 00:27:28,440 Speaker 1: know what I'm saying. I did my queen ship. 543 00:27:28,280 --> 00:27:33,680 Speaker 3: Nigga, I got I got one and got another one. 544 00:27:34,000 --> 00:27:38,919 Speaker 2: So you said Rockefeller, okay, Coler Kendrick Colon Kendrick, Kendrick 545 00:27:39,640 --> 00:27:41,919 Speaker 2: fast Yeah yeah, Kendrick, he gave me one of my 546 00:27:41,960 --> 00:27:43,120 Speaker 2: first features. 547 00:27:43,600 --> 00:27:45,879 Speaker 3: Now, now hold on, hold on cold, because what did 548 00:27:45,880 --> 00:27:47,600 Speaker 3: you say on the record? You said she wanted to 549 00:27:47,880 --> 00:27:49,560 Speaker 3: in the ap new Freezer? 550 00:27:49,680 --> 00:27:50,280 Speaker 1: What does that mean? 551 00:27:50,320 --> 00:27:52,720 Speaker 2: Bust out a p Yeah, she wanted to funk my 552 00:27:52,800 --> 00:27:55,680 Speaker 2: AP like she she's in love with my watch. 553 00:27:55,920 --> 00:28:00,600 Speaker 1: Okay, so that's why I water bust now. Yeah, you know, 554 00:28:01,640 --> 00:28:03,639 Speaker 1: I ain't want to ask nobody. I was like you, 555 00:28:04,040 --> 00:28:05,520 Speaker 1: I said, you still hip hop? You know, you know 556 00:28:05,560 --> 00:28:05,880 Speaker 1: we know. 557 00:28:05,840 --> 00:28:08,800 Speaker 3: Exactly what you mean. So I'm glad that it's new freezing. 558 00:28:09,440 --> 00:28:11,680 Speaker 3: I'm cool enough to be in a new freezing category. 559 00:28:11,760 --> 00:28:13,800 Speaker 3: Got Well, we'll get back to the feature because I 560 00:28:13,800 --> 00:28:16,600 Speaker 3: want to know how that came about. Okay, but hmm, 561 00:28:16,960 --> 00:28:17,960 Speaker 3: Gucci Man or t. 562 00:28:18,040 --> 00:28:25,920 Speaker 2: I Gucci Man or t I Gucci Man and t I. 563 00:28:27,400 --> 00:28:27,640 Speaker 1: Man. 564 00:28:27,800 --> 00:28:29,960 Speaker 4: That's hard. I'm gonna take a shot. 565 00:28:30,040 --> 00:28:38,120 Speaker 3: I mean I'm in solo, all right. Uh dollard signs 566 00:28:38,120 --> 00:28:39,120 Speaker 3: for Chris Brown. 567 00:28:40,760 --> 00:28:43,920 Speaker 2: To dollars sign Yeah, yeah, yeah, that's my bro. That's 568 00:28:43,960 --> 00:28:48,960 Speaker 2: my nigga, my brother to change a little boozy tow 569 00:28:49,200 --> 00:28:55,280 Speaker 2: chains or a little boozy mm hmmm, two chains, a 570 00:28:55,400 --> 00:28:58,520 Speaker 2: little boozy. I don't have to go with two chains. 571 00:28:59,400 --> 00:29:03,920 Speaker 2: That's like big bro. Beer a lot of beer, A 572 00:29:03,960 --> 00:29:10,360 Speaker 2: lot of beer, a lot of mm hmm hmm. 573 00:29:13,760 --> 00:29:17,200 Speaker 3: I know you got story. It's just going through his mind. 574 00:29:18,600 --> 00:29:26,400 Speaker 3: He can't even help it. I'm look okay a t 575 00:29:26,560 --> 00:29:29,480 Speaker 3: L or L A ship a t l l A 576 00:29:30,200 --> 00:29:32,720 Speaker 3: A t l A t l This is the last 577 00:29:32,720 --> 00:29:34,200 Speaker 3: one for a quick time of slim. You're going back 578 00:29:34,200 --> 00:29:41,640 Speaker 3: into the interview. Loyalty or respects here? 579 00:29:41,720 --> 00:29:42,160 Speaker 2: Respect? 580 00:29:42,280 --> 00:29:43,080 Speaker 4: I didn't take a shot. 581 00:29:43,160 --> 00:29:51,080 Speaker 1: Okay, that's the right, great, take a real shot. Don't 582 00:29:51,120 --> 00:29:52,600 Speaker 1: take a drink, give a shot. 583 00:29:53,200 --> 00:29:55,920 Speaker 3: That's the real you know, that's We've been doing this 584 00:29:55,960 --> 00:29:59,520 Speaker 3: for eight years. What we say is like like, that's 585 00:29:59,520 --> 00:30:01,240 Speaker 3: the only time you should take a shot when we 586 00:30:01,320 --> 00:30:03,560 Speaker 3: do this. You know what I'm saying, because one watches 587 00:30:03,600 --> 00:30:06,960 Speaker 3: the other, and especially in this game, Like I just 588 00:30:07,000 --> 00:30:11,400 Speaker 3: looked at your face and I know that. Yeah, Salo, Salo, Salo. 589 00:30:14,360 --> 00:30:18,040 Speaker 3: So let's talk about the advantages of being on major labels. 590 00:30:18,120 --> 00:30:21,480 Speaker 3: I think you was on Republic, right Universal. I believe 591 00:30:21,480 --> 00:30:23,360 Speaker 3: he was on Interscope. Yeah, I believe that at one time. 592 00:30:23,360 --> 00:30:27,280 Speaker 3: You even spend some time with Gazi over there at Empire. 593 00:30:27,680 --> 00:30:29,840 Speaker 3: What is the pluses for people that's trying to come 594 00:30:29,840 --> 00:30:32,680 Speaker 3: into this game, for a young person that's looking up 595 00:30:32,720 --> 00:30:34,200 Speaker 3: to you and they say, all right, cool, what is 596 00:30:34,240 --> 00:30:36,480 Speaker 3: the pluses of being with a major Because I'm a 597 00:30:36,480 --> 00:30:39,040 Speaker 3: major label guy. He's an independent guy. But we both 598 00:30:39,280 --> 00:30:42,040 Speaker 3: make compromises. So can you explain to a person who's 599 00:30:42,080 --> 00:30:44,400 Speaker 3: been sleeping under a rock and doesn't know Kanye is 600 00:30:44,440 --> 00:30:46,560 Speaker 3: not making sneakers no more so? 601 00:30:46,880 --> 00:30:50,080 Speaker 1: Can you explain to them the major verse. 602 00:30:50,360 --> 00:30:54,360 Speaker 4: What I'm to say. Major labels, they're like a Chico. 603 00:30:54,600 --> 00:30:57,560 Speaker 2: You know what I'm saying, they have all the relationships 604 00:30:57,560 --> 00:31:00,720 Speaker 2: they've been building for twenty and thirty years, forty fifty whatever, 605 00:31:00,720 --> 00:31:01,520 Speaker 2: how many years. 606 00:31:02,280 --> 00:31:02,920 Speaker 4: You know what I'm saying. 607 00:31:03,880 --> 00:31:08,760 Speaker 2: They have everything, the whole infrastructure of what they've been 608 00:31:08,760 --> 00:31:13,200 Speaker 2: building for twenty and thirty years. I feel like being independent, 609 00:31:13,320 --> 00:31:16,440 Speaker 2: you have to use your own relationships. You know what 610 00:31:16,480 --> 00:31:19,600 Speaker 2: I'm saying that as a rapper or artist, you might 611 00:31:19,640 --> 00:31:21,400 Speaker 2: have only been in the game for like four or 612 00:31:21,400 --> 00:31:23,360 Speaker 2: five years. You know what I'm saying, You got to 613 00:31:23,480 --> 00:31:26,760 Speaker 2: use all them. But they got every every single person 614 00:31:26,920 --> 00:31:31,280 Speaker 2: on Spotify, every single Purple on Apple Music, Amazon, you 615 00:31:31,360 --> 00:31:37,400 Speaker 2: know what I'm saying, to everything, every single person on Uber, Lift, Airbnb, whatever. 616 00:31:38,160 --> 00:31:39,640 Speaker 1: You know what I'm saying, They got everybody. 617 00:31:39,680 --> 00:31:41,520 Speaker 3: Wait talking about this, I'm old, what the fuck they're 618 00:31:41,600 --> 00:31:43,920 Speaker 3: hiring Uber Travis Now, I'm just saying, they. 619 00:31:45,880 --> 00:31:46,440 Speaker 4: Of everything. 620 00:31:46,760 --> 00:31:47,360 Speaker 1: You know what I'm saying. 621 00:31:47,440 --> 00:31:50,120 Speaker 3: That's ill, Like you're getting a card play your ship 622 00:31:50,400 --> 00:31:54,240 Speaker 3: you didn't even know it their own are. 623 00:31:54,200 --> 00:31:55,000 Speaker 4: Even thinking of you? 624 00:31:55,160 --> 00:31:59,400 Speaker 1: I say, like you hire Elon Holy Yeah. 625 00:31:59,600 --> 00:32:03,000 Speaker 2: Yeah, there's definitely some ups and downs to being signed 626 00:32:03,040 --> 00:32:04,760 Speaker 2: to a level where being you know what I'm saying. 627 00:32:04,760 --> 00:32:06,880 Speaker 1: So, but but you were independent. 628 00:32:07,040 --> 00:32:09,880 Speaker 5: Yeah, you were doing independent stuff before ever science, Yeah 629 00:32:09,880 --> 00:32:12,160 Speaker 5: for sure, and you already had some success. And that's 630 00:32:12,160 --> 00:32:15,560 Speaker 5: my argument that if you find success independently, then you 631 00:32:15,600 --> 00:32:16,960 Speaker 5: could make a better deal with the mayor. 632 00:32:17,080 --> 00:32:17,840 Speaker 1: Here's my argument. 633 00:32:18,440 --> 00:32:20,280 Speaker 3: Yes, by the way, I don't disagree with that, but 634 00:32:20,320 --> 00:32:22,960 Speaker 3: here's my argument. This is what I always think. I 635 00:32:23,040 --> 00:32:25,480 Speaker 3: always think, you signed to the major, let them spend 636 00:32:25,520 --> 00:32:28,360 Speaker 3: that bag on you. Yeah, because once they can't take 637 00:32:28,400 --> 00:32:29,120 Speaker 3: back fame. 638 00:32:29,200 --> 00:32:32,480 Speaker 2: For sure, Like I get to a level where you 639 00:32:32,480 --> 00:32:35,560 Speaker 2: don't need a label, Yes, for sure, that's definitely possible. 640 00:32:36,240 --> 00:32:41,080 Speaker 2: I feel like sometimes signed to a label and just 641 00:32:41,160 --> 00:32:45,880 Speaker 2: waiting on that, or sign into a label and you 642 00:32:45,960 --> 00:32:49,320 Speaker 2: signed to them, you're not knowing exactly what you're gonna get, 643 00:32:49,680 --> 00:32:50,240 Speaker 2: you know what I'm saying. 644 00:32:50,280 --> 00:32:53,480 Speaker 4: You could have of course, the contract that says they're. 645 00:32:53,320 --> 00:32:55,160 Speaker 2: Gonna spend that bag, they're gonna spend it how they 646 00:32:55,200 --> 00:32:57,160 Speaker 2: want to and when they want to, you know what 647 00:32:57,160 --> 00:33:01,440 Speaker 2: I'm saying. So like one, for instance, Raydeo labels don't 648 00:33:01,440 --> 00:33:03,200 Speaker 2: spend a lot of money over They don't like to 649 00:33:03,200 --> 00:33:05,360 Speaker 2: spend a lot of money on radio because they don't 650 00:33:05,400 --> 00:33:06,920 Speaker 2: really make money off radio. You know what I'm saying, 651 00:33:06,960 --> 00:33:10,040 Speaker 2: the artists book shows and they get money off radio. 652 00:33:10,160 --> 00:33:14,320 Speaker 2: So unless you are high like super streaming artists and 653 00:33:14,360 --> 00:33:17,680 Speaker 2: that song is already gone and going there, they're not 654 00:33:17,760 --> 00:33:19,320 Speaker 2: really gonna they'll double down on that. 655 00:33:19,480 --> 00:33:21,080 Speaker 3: You know what I'm saying because I heard you say 656 00:33:21,120 --> 00:33:23,600 Speaker 3: that if you signed with a label, whoever, they star 657 00:33:23,800 --> 00:33:26,440 Speaker 3: artists want to treat exact way. 658 00:33:27,160 --> 00:33:28,720 Speaker 1: Like when I was signed to Republic. 659 00:33:28,760 --> 00:33:31,640 Speaker 2: I'm like, y'all got the Weekend, y'all got Nigga Minaj. 660 00:33:31,720 --> 00:33:34,080 Speaker 2: I want the same treatment y'all give them, I'm saying 661 00:33:34,080 --> 00:33:37,480 Speaker 2: because I'm that caliber right for sure? 662 00:33:37,520 --> 00:33:40,560 Speaker 3: Hell yeah, I mean that's why you know listen, man, 663 00:33:41,480 --> 00:33:42,680 Speaker 3: I love fucking. 664 00:33:42,360 --> 00:33:43,320 Speaker 1: Five star hotel. 665 00:33:43,400 --> 00:33:44,040 Speaker 2: Yeah for sure. 666 00:33:44,280 --> 00:33:50,280 Speaker 3: And when I went from major to independent, oh, I 667 00:33:50,400 --> 00:33:53,800 Speaker 3: must have sounded like a Prima donna. All them niggas 668 00:33:53,800 --> 00:33:57,360 Speaker 3: booked me in the motel, I said, Holy moly, I'm platinum. 669 00:33:58,320 --> 00:34:01,760 Speaker 1: Just don't go together. I was me. I was a 670 00:34:02,000 --> 00:34:04,600 Speaker 1: mad as a motherfucker. I was like, this independence shit 671 00:34:04,640 --> 00:34:04,920 Speaker 1: ain't me. 672 00:34:05,080 --> 00:34:07,760 Speaker 3: But that was because I was so pampered at the time, 673 00:34:08,239 --> 00:34:12,880 Speaker 3: Like going from Depth Jam to fucking gold Face Records. 674 00:34:13,480 --> 00:34:15,880 Speaker 3: It just didn't work out for me. But if I 675 00:34:15,880 --> 00:34:19,319 Speaker 3: would have grinded it out. But but again we you 676 00:34:19,400 --> 00:34:22,520 Speaker 3: guys have direct to consumer, like you don't have to 677 00:34:22,520 --> 00:34:26,759 Speaker 3: go it's a different Independence is a better independent. 678 00:34:26,280 --> 00:34:28,440 Speaker 1: Like you're sure your fans could go with you. Do 679 00:34:28,440 --> 00:34:29,600 Speaker 1: you feel your fans with with you? 680 00:34:29,719 --> 00:34:33,400 Speaker 2: Yeah, But it's also about what you want out of 681 00:34:33,480 --> 00:34:35,840 Speaker 2: being an artist and what you want out of your career. 682 00:34:35,880 --> 00:34:39,320 Speaker 2: You know what I'm saying. I don't know some things 683 00:34:39,760 --> 00:34:43,560 Speaker 2: that it's really difficult to do as being an independent artist, 684 00:34:44,239 --> 00:34:46,400 Speaker 2: you feel me. So it just really depends on what 685 00:34:46,440 --> 00:34:48,440 Speaker 2: you want out of it and how much ownership you 686 00:34:48,480 --> 00:34:48,800 Speaker 2: want it. 687 00:34:49,600 --> 00:34:51,799 Speaker 5: You might regret now like you're saying now you're about 688 00:34:51,800 --> 00:34:53,680 Speaker 5: to get the rights reverted back. 689 00:34:53,760 --> 00:34:54,839 Speaker 1: Yeah, you know what I'm saying. 690 00:34:54,880 --> 00:34:57,520 Speaker 5: But that's because you signed a deal and that you 691 00:34:57,600 --> 00:34:59,160 Speaker 5: didn't on your your master's. 692 00:34:58,880 --> 00:35:02,600 Speaker 4: I want to get spooky for second weird That ship 693 00:35:02,640 --> 00:35:03,360 Speaker 4: sounds crazy. 694 00:35:03,480 --> 00:35:05,760 Speaker 1: The reason why I'm gonna say that right. 695 00:35:07,640 --> 00:35:10,560 Speaker 3: Because I was the young nigga from the hood that 696 00:35:10,680 --> 00:35:14,000 Speaker 3: took that deal that didn't read the contract. You understand, 697 00:35:14,040 --> 00:35:16,080 Speaker 3: that didn't read the car. All I saw it was 698 00:35:16,080 --> 00:35:16,960 Speaker 3: the end result in. 699 00:35:17,000 --> 00:35:23,160 Speaker 4: The first time they ready, I know, check. 700 00:35:23,040 --> 00:35:26,480 Speaker 3: At the end of it, and I was like, you 701 00:35:26,520 --> 00:35:28,200 Speaker 3: know what, even if I get jerked on this one, 702 00:35:28,360 --> 00:35:29,279 Speaker 3: I'm gonna make it up. 703 00:35:29,160 --> 00:35:29,680 Speaker 1: For this one. 704 00:35:30,640 --> 00:35:32,840 Speaker 3: All right, let's move on, let's go because we're not 705 00:35:32,880 --> 00:35:34,879 Speaker 3: the mirror. I don't know what the funk that means. 706 00:35:34,920 --> 00:35:45,720 Speaker 3: The mirror. Okay, let's talk about voltures, right you about 707 00:35:45,719 --> 00:35:55,200 Speaker 3: that life, it was number one, no, no, but Kanye 708 00:35:56,560 --> 00:36:01,279 Speaker 3: is probably the most unique individual I've not in hip hop, 709 00:36:01,840 --> 00:36:06,000 Speaker 3: in life, like in life, like like you you go 710 00:36:06,120 --> 00:36:09,399 Speaker 3: me one day was like I just want to hang 711 00:36:10,520 --> 00:36:12,800 Speaker 3: and I didn't know what to say. I was like, okay, 712 00:36:14,239 --> 00:36:16,000 Speaker 3: he's like wherever you ad a pulling up and he 713 00:36:16,120 --> 00:36:20,279 Speaker 3: just pulled up and we had juices and it was 714 00:36:20,360 --> 00:36:27,120 Speaker 3: just like like like he taught me something that the 715 00:36:27,160 --> 00:36:29,319 Speaker 3: world couldn't do it the world tried to teach me. 716 00:36:29,440 --> 00:36:32,560 Speaker 3: And I'm gonna tell you what he taught me. He 717 00:36:32,600 --> 00:36:34,279 Speaker 3: told me to do what the fuck you want to do, 718 00:36:34,600 --> 00:36:36,240 Speaker 3: whenever the fuck you want to do it. 719 00:36:36,600 --> 00:36:39,600 Speaker 1: Don't live. He taught me freedom like he did. 720 00:36:39,480 --> 00:36:41,600 Speaker 3: He like literally for the fucking six months that I 721 00:36:41,640 --> 00:36:43,680 Speaker 3: was hanging out with him, whatever over almost every day, 722 00:36:44,120 --> 00:36:46,960 Speaker 3: he literally did whatever the fuck he wanted to do. 723 00:36:48,000 --> 00:36:52,000 Speaker 3: How did you develop your relationship with you man. 724 00:36:54,680 --> 00:37:02,400 Speaker 2: I had a I had a dinner right and Noble, Yeah, dinner, 725 00:37:02,480 --> 00:37:04,640 Speaker 2: and I was I was having dinner. 726 00:37:06,120 --> 00:37:07,040 Speaker 4: With bros. 727 00:37:07,920 --> 00:37:11,560 Speaker 2: I was at Ralphie and Grahams were chilling having dinner, 728 00:37:12,640 --> 00:37:13,240 Speaker 2: and then. 729 00:37:14,800 --> 00:37:18,000 Speaker 4: I'm on the graund I see my bro vy shot 730 00:37:17,840 --> 00:37:18,359 Speaker 4: at the boy. 731 00:37:18,960 --> 00:37:22,200 Speaker 2: He's yeah, he was at Noble too, and I was like, oh, 732 00:37:22,200 --> 00:37:22,920 Speaker 2: you're at Noble. 733 00:37:23,440 --> 00:37:25,960 Speaker 4: He was like yeah, I just pulled up. I'm on 734 00:37:26,120 --> 00:37:28,960 Speaker 4: Yay and Ship. I was like, oh, word. 735 00:37:29,440 --> 00:37:31,160 Speaker 2: But by the time he hit me back, I was 736 00:37:31,200 --> 00:37:34,759 Speaker 2: already at the house. No, I already went back to 737 00:37:34,800 --> 00:37:37,600 Speaker 2: my career. So he's like he's like yo. He's like, yo, 738 00:37:37,680 --> 00:37:41,320 Speaker 2: pull back up, come back to Noble and Ship. Damn 739 00:37:41,520 --> 00:37:43,399 Speaker 2: we're chilling. I'm like, all right, bet. 740 00:37:44,200 --> 00:37:47,440 Speaker 4: I was kind of tied, but I was like, fucking, 741 00:37:47,440 --> 00:37:48,480 Speaker 4: I'm gonna go ahead and pull up. 742 00:37:49,280 --> 00:37:53,879 Speaker 2: Already I never met him, so I was like, fucking, 743 00:37:53,920 --> 00:37:56,319 Speaker 2: I'm gonna go pull back up. I pulled back up. 744 00:37:56,960 --> 00:37:59,600 Speaker 2: I said word with the boy and then yeah, come 745 00:37:59,640 --> 00:38:02,839 Speaker 2: up to me. He's like, Yo, you rich the kid right? 746 00:38:03,000 --> 00:38:07,040 Speaker 2: You want to play some music? I was like Noble, Yeah, 747 00:38:07,160 --> 00:38:09,719 Speaker 2: he wanted, wasn't he recorded? He had to set up 748 00:38:09,719 --> 00:38:13,719 Speaker 2: a hole talking about this catch show. Yeah yeah, yeah, 749 00:38:14,920 --> 00:38:17,200 Speaker 2: yeah yeah. He had the whole studio set up. He's like, 750 00:38:17,239 --> 00:38:20,920 Speaker 2: you want to play some music? I was like, all right, cool, 751 00:38:22,040 --> 00:38:25,799 Speaker 2: So I started playing a couple of songs and then 752 00:38:25,960 --> 00:38:28,640 Speaker 2: like I think, I played like two songs, and the 753 00:38:28,719 --> 00:38:30,799 Speaker 2: third song I played came on. 754 00:38:30,920 --> 00:38:32,680 Speaker 4: He just started hitting in one of these. 755 00:38:32,480 --> 00:38:40,319 Speaker 2: Moves like that, and then like think his girl looked 756 00:38:40,320 --> 00:38:43,040 Speaker 2: at him. I was like, this is fire. He's like, yo, bro, 757 00:38:43,120 --> 00:38:44,399 Speaker 2: can I get on this song right now? 758 00:38:45,000 --> 00:38:46,080 Speaker 4: I was like, yeah, go ahead. 759 00:38:47,200 --> 00:38:49,319 Speaker 2: So the engineer just pulled it up. He just started 760 00:38:49,400 --> 00:38:51,680 Speaker 2: rapping on the song back of Noble. In the back 761 00:38:51,719 --> 00:39:03,680 Speaker 2: of Noble, Yeah yeah, ass so them. So then we 762 00:39:03,800 --> 00:39:06,200 Speaker 2: started more people and more people started coming and start 763 00:39:06,200 --> 00:39:09,960 Speaker 2: getting crowd and ship. So I was tired and I 764 00:39:10,040 --> 00:39:14,839 Speaker 2: just I just dipped right. And then the next day 765 00:39:14,880 --> 00:39:16,680 Speaker 2: I was like, Ship, how the fuck do I get 766 00:39:16,680 --> 00:39:17,320 Speaker 2: that song? 767 00:39:20,400 --> 00:39:23,839 Speaker 1: I was like, I was like, what the fuck are 768 00:39:23,880 --> 00:39:25,600 Speaker 1: you know? 769 00:39:26,080 --> 00:39:29,680 Speaker 2: Just like a lot of sot of going on, just 770 00:39:29,680 --> 00:39:32,320 Speaker 2: like a lot of people going out and he doing whatever, 771 00:39:32,680 --> 00:39:35,080 Speaker 2: you know what I'm saying. So I was like, damn, 772 00:39:35,080 --> 00:39:37,000 Speaker 2: how if I get that song? I started hitting people 773 00:39:37,000 --> 00:39:39,279 Speaker 2: that I knew and my fucks started acting like they 774 00:39:39,280 --> 00:39:39,799 Speaker 2: ain't you know. 775 00:39:39,719 --> 00:39:42,080 Speaker 1: What the was like, what's song? 776 00:39:42,600 --> 00:39:45,680 Speaker 2: I was like like, oh, what's going on? 777 00:39:46,040 --> 00:39:48,719 Speaker 4: But I was hitting like assisting other people know. It 778 00:39:48,760 --> 00:39:49,400 Speaker 4: was just like. 779 00:39:51,200 --> 00:39:54,680 Speaker 2: Didn't know what's going on and ship but don't. 780 00:39:55,200 --> 00:39:57,000 Speaker 4: But then randomly I think. 781 00:39:58,320 --> 00:40:00,719 Speaker 2: They hit me and it was like, yo, Gay wants 782 00:40:00,719 --> 00:40:02,279 Speaker 2: you to come to the studio and help with. 783 00:40:04,280 --> 00:40:08,680 Speaker 10: Donna two yeah after the amountable session yeah yeah, yeah yeah, 784 00:40:08,680 --> 00:40:10,920 Speaker 10: it was like a couple of days later, it was like, 785 00:40:10,960 --> 00:40:13,640 Speaker 10: we want you to come and work for a couple 786 00:40:13,680 --> 00:40:14,399 Speaker 10: of days and ship. 787 00:40:15,320 --> 00:40:16,839 Speaker 2: So the first day I got over there, I got 788 00:40:16,840 --> 00:40:23,359 Speaker 2: the song. Yeah, and then like the Donald project came out. 789 00:40:23,400 --> 00:40:26,319 Speaker 2: You know, he's working on his album, so the song 790 00:40:26,920 --> 00:40:28,440 Speaker 2: like didn't come out, Like. 791 00:40:28,760 --> 00:40:30,959 Speaker 5: What was that process of him wanting you to help? 792 00:40:32,400 --> 00:40:33,480 Speaker 5: What does that exactly mean? 793 00:40:34,080 --> 00:40:35,880 Speaker 1: Like when he. 794 00:40:36,719 --> 00:40:39,919 Speaker 2: Trashed you know, cooking up and so we're just cooking 795 00:40:40,000 --> 00:40:42,880 Speaker 2: up together and ship type. But then like the song 796 00:40:43,120 --> 00:40:46,319 Speaker 2: the song that we did, like they was working on 797 00:40:46,440 --> 00:40:48,160 Speaker 2: they was focused on the Donna ships, so it ain't 798 00:40:48,160 --> 00:40:48,759 Speaker 2: never come out. 799 00:40:49,280 --> 00:40:51,719 Speaker 4: So like like. 800 00:40:51,719 --> 00:40:56,080 Speaker 2: A year later, ties like doing he like out there 801 00:40:56,080 --> 00:40:59,520 Speaker 2: in Saudi and ship, I'm like, damn, I'm right here 802 00:40:59,520 --> 00:41:03,000 Speaker 2: and do bay no weed. Yeah, okay, I'm out here 803 00:41:03,040 --> 00:41:06,359 Speaker 2: in Dubai an hour away. Was that close to you? Yeah, 804 00:41:06,400 --> 00:41:08,200 Speaker 2: I'm like, ship, I might as well hop on a flight. 805 00:41:08,520 --> 00:41:11,279 Speaker 2: Listen when they're doing yeah this goes, I'm like fuck it, 806 00:41:11,320 --> 00:41:15,520 Speaker 2: I'm there, hop on the flight, Come come politics ship. 807 00:41:16,360 --> 00:41:19,200 Speaker 2: So then I'm like, hop on a plane. Me and 808 00:41:19,239 --> 00:41:21,640 Speaker 2: my bros on the plane. We get to We get 809 00:41:21,640 --> 00:41:25,359 Speaker 2: to Saudi and uh we got a plane and they're like, okay, 810 00:41:25,400 --> 00:41:29,719 Speaker 2: what's the visa. I was like, visa, you need a 811 00:41:29,800 --> 00:41:32,400 Speaker 2: visa to come here? Like yeah, you need a visa. 812 00:41:33,520 --> 00:41:35,840 Speaker 2: I was like damn, but like you could buy it 813 00:41:35,920 --> 00:41:37,799 Speaker 2: right here. So I was all right, bet we about 814 00:41:37,800 --> 00:41:38,520 Speaker 2: to be ship. 815 00:41:39,280 --> 00:41:41,839 Speaker 1: So we happen you're working, I. 816 00:41:41,760 --> 00:41:46,640 Speaker 2: Don't know, you say you need that's what they not 817 00:41:46,680 --> 00:41:47,920 Speaker 2: every country, but different countries. 818 00:41:47,960 --> 00:41:50,000 Speaker 1: You gotta like when I work, I get a visa, but. 819 00:41:49,960 --> 00:41:52,399 Speaker 3: When I go on vacation sometimes you need travel visa 820 00:41:52,520 --> 00:41:53,160 Speaker 3: putting me on that. 821 00:41:53,320 --> 00:41:59,040 Speaker 2: Yeah. They continue, so then like go outside. You know 822 00:41:59,120 --> 00:42:01,360 Speaker 2: they they ain't got no uber and ship over there. 823 00:42:02,400 --> 00:42:04,560 Speaker 2: So I was like fucking. Me and my brother were 824 00:42:04,520 --> 00:42:11,799 Speaker 2: just hopping into taxi like this regular cab was not Mercedes. 825 00:42:11,840 --> 00:42:14,239 Speaker 2: It was it was a regular cab but no, I 826 00:42:14,280 --> 00:42:17,040 Speaker 2: don't know what it was. But I'm like, I need. 827 00:42:16,840 --> 00:42:17,279 Speaker 4: To go here. 828 00:42:18,239 --> 00:42:22,560 Speaker 2: He's like, bro, that's two hours away. I'm like, all right, Ship, 829 00:42:22,560 --> 00:42:24,799 Speaker 2: that's where we're going. So we're in the cab right 830 00:42:24,920 --> 00:42:28,719 Speaker 2: two hours away and Ship. So when we get like 831 00:42:28,800 --> 00:42:32,080 Speaker 2: halfway there, he like, okay, you have to pay. 832 00:42:33,040 --> 00:42:34,680 Speaker 4: I was like, all right, I bet so. 833 00:42:34,840 --> 00:42:38,120 Speaker 2: Damn I put out a hundred and American dollars. 834 00:42:38,719 --> 00:42:43,880 Speaker 4: He's no, you have to pay. I was like, damn. 835 00:42:44,640 --> 00:42:46,640 Speaker 2: So we try to go get some other type of 836 00:42:46,680 --> 00:42:49,719 Speaker 2: money and ship should not going through. I don't know 837 00:42:49,760 --> 00:42:52,120 Speaker 2: what it was, something like that. Yeah, So I was 838 00:42:52,160 --> 00:42:54,759 Speaker 2: like whatever. So I'm like, can you say the American money? 839 00:42:54,800 --> 00:42:56,600 Speaker 2: He took the American money? I was like, all I 840 00:42:56,600 --> 00:43:00,719 Speaker 2: bet we get out there. First day we like listen 841 00:43:00,800 --> 00:43:04,160 Speaker 2: to the album and Ship, and then like the second 842 00:43:04,239 --> 00:43:07,360 Speaker 2: day we started cooking up. I'm in the room cooking 843 00:43:07,440 --> 00:43:10,799 Speaker 2: up with Ty like I freest out the carnival. Ship 844 00:43:11,880 --> 00:43:15,400 Speaker 2: put it on his like a carnival Yeah. Yeah, he 845 00:43:15,520 --> 00:43:20,319 Speaker 2: damn put it on his verse and then Ship like 846 00:43:21,719 --> 00:43:24,320 Speaker 2: the next day I was finna dip. I had to 847 00:43:24,360 --> 00:43:26,080 Speaker 2: go to the show. I think I had two shows 848 00:43:26,080 --> 00:43:28,719 Speaker 2: to do by one show and then another one, so 849 00:43:28,760 --> 00:43:32,080 Speaker 2: I was finna go back. So I'm I told you, 850 00:43:32,080 --> 00:43:35,319 Speaker 2: I like play the song for Yay, but I think 851 00:43:35,360 --> 00:43:37,640 Speaker 2: they had like there was a lot going on, so 852 00:43:37,680 --> 00:43:39,520 Speaker 2: they didn't really get to play it for him and Ship. 853 00:43:40,040 --> 00:43:42,080 Speaker 2: So I just dipped because I had to go to 854 00:43:42,160 --> 00:43:46,239 Speaker 2: the show. So like about a three weeks later, Ty 855 00:43:46,400 --> 00:43:47,840 Speaker 2: hit me like, yo ya wants you to be on 856 00:43:47,920 --> 00:43:50,840 Speaker 2: an album. So I was like, fuck it, let's do it. 857 00:43:50,840 --> 00:43:52,280 Speaker 2: He's like, which song we record? 858 00:43:52,320 --> 00:43:52,719 Speaker 4: Two songs? 859 00:43:52,760 --> 00:43:55,560 Speaker 2: You're like, which song you think should I'm going there. 860 00:43:55,600 --> 00:43:58,520 Speaker 2: I was like Carnival. It was called Honor Roll and 861 00:43:58,600 --> 00:44:00,600 Speaker 2: then the fans just called it of us Ship. 862 00:44:00,680 --> 00:44:03,040 Speaker 1: Oh yeah, God, damn, God, damn makes no. 863 00:44:06,719 --> 00:44:08,759 Speaker 3: One of the things I was, you know, bugging going 864 00:44:08,800 --> 00:44:14,480 Speaker 3: through thesography was you didn't have a song with Drake Nah. 865 00:44:15,320 --> 00:44:17,759 Speaker 2: Drake and me one time say like new Freezer was 866 00:44:17,800 --> 00:44:21,279 Speaker 2: like his favorite song and sez Yeah, but you never 867 00:44:21,320 --> 00:44:21,960 Speaker 2: got to work yet. 868 00:44:22,200 --> 00:44:25,040 Speaker 4: You ever you ever made met Drake Man? Yeah, yeah, 869 00:44:25,680 --> 00:44:26,399 Speaker 4: met a couple of times. 870 00:44:26,680 --> 00:44:30,160 Speaker 3: Do you think you're your alligious is automatically with Kendrick 871 00:44:30,200 --> 00:44:33,120 Speaker 3: because of your history from the beginning or does that separate? 872 00:44:33,200 --> 00:44:35,440 Speaker 3: Does that make it seem like you have to pick 873 00:44:35,480 --> 00:44:36,160 Speaker 3: a side sometimes? 874 00:44:36,200 --> 00:44:38,560 Speaker 1: And hip hop is just it's it's it's terrible. 875 00:44:38,600 --> 00:44:40,879 Speaker 3: You can't even take a picture with somebody because they'll 876 00:44:40,880 --> 00:44:43,240 Speaker 3: think that you quote unquote with the ops. 877 00:44:43,680 --> 00:44:46,800 Speaker 2: Yeah, bro, I just mind my venus. 878 00:44:47,239 --> 00:44:47,960 Speaker 1: That's how I get that. 879 00:44:48,960 --> 00:44:55,200 Speaker 4: How I get down with y'all of them both, keep 880 00:44:55,239 --> 00:44:57,040 Speaker 4: it real. I just mind my right. 881 00:44:57,520 --> 00:44:59,600 Speaker 2: I stay out of the other folks ship. Right. 882 00:45:01,080 --> 00:45:02,839 Speaker 1: So how do plug walk come about? 883 00:45:03,040 --> 00:45:07,640 Speaker 2: Plug Walk? I was at I was at in the 884 00:45:07,719 --> 00:45:10,160 Speaker 2: Scope studio. They had like well, they got like a 885 00:45:10,600 --> 00:45:13,160 Speaker 2: studio in their building, and I was up there with 886 00:45:13,280 --> 00:45:15,200 Speaker 2: my engineer, just me and him in. 887 00:45:15,239 --> 00:45:19,080 Speaker 1: The studio and GI mean I be in the school. 888 00:45:19,400 --> 00:45:24,520 Speaker 2: Yeah, no. John Jennick was, Yeah, Larry Jackson, Ley Jackson, 889 00:45:24,560 --> 00:45:29,759 Speaker 2: and he was but like we're going through beats. And 890 00:45:29,920 --> 00:45:32,239 Speaker 2: then they played the plug Walk beat and I'm like, 891 00:45:32,280 --> 00:45:33,960 Speaker 2: all right, next, I don't like this one. 892 00:45:34,719 --> 00:45:38,560 Speaker 4: He like, nah, I like that beat. I'm like, man, 893 00:45:38,640 --> 00:45:41,160 Speaker 4: you like that. He's like, yeah, come on, bro, I'm like, 894 00:45:41,239 --> 00:45:42,200 Speaker 4: fuck it, let's do it. 895 00:45:43,239 --> 00:45:47,400 Speaker 2: I did a song like twenty minutes, and then like 896 00:45:47,640 --> 00:45:49,880 Speaker 2: a couple of days later, I just put a preview 897 00:45:49,920 --> 00:45:51,400 Speaker 2: because it was like the new song I recorded. I 898 00:45:51,440 --> 00:45:54,440 Speaker 2: was like, I put a preview on my Instagram, like 899 00:45:54,560 --> 00:45:56,480 Speaker 2: in the studio playing it and all the fans was 900 00:45:56,520 --> 00:45:57,080 Speaker 2: like dropping. 901 00:45:58,080 --> 00:46:01,040 Speaker 4: So I told John Jannek, I'm like, yo, bro, I 902 00:46:01,160 --> 00:46:02,320 Speaker 4: want to drop this song. 903 00:46:02,880 --> 00:46:04,680 Speaker 2: Like it's going to be a hit. Like drop it. 904 00:46:05,360 --> 00:46:08,680 Speaker 4: He like, he like, okay, we could do that, but 905 00:46:08,840 --> 00:46:11,920 Speaker 4: you just drop New Freezer with Kendrick. We need to 906 00:46:12,440 --> 00:46:13,040 Speaker 4: take a second. 907 00:46:13,280 --> 00:46:14,040 Speaker 1: It was a huge hit. 908 00:46:14,120 --> 00:46:15,120 Speaker 4: Yeah, yeah, let's take it. 909 00:46:15,160 --> 00:46:15,759 Speaker 1: But you knew. 910 00:46:15,840 --> 00:46:17,120 Speaker 4: I felt like it was already viral. 911 00:46:17,160 --> 00:46:20,040 Speaker 2: I'm like, it's already gone, you know what I'm saying, Like, 912 00:46:20,120 --> 00:46:22,239 Speaker 2: let's take a second to keep focusing on this. You 913 00:46:22,280 --> 00:46:22,759 Speaker 2: know what I'm saying. 914 00:46:22,840 --> 00:46:26,000 Speaker 4: No hash, But I'm like, bro, my fans are loving this. 915 00:46:26,280 --> 00:46:27,359 Speaker 4: You drop the song right now. 916 00:46:27,440 --> 00:46:27,880 Speaker 11: We need to. 917 00:46:28,320 --> 00:46:30,359 Speaker 2: So I kind of like kind of argue with them, 918 00:46:30,400 --> 00:46:34,160 Speaker 2: you know what I'm saying, right, I argue with them 919 00:46:34,239 --> 00:46:37,239 Speaker 2: to drop the song. And the song went platinum, like 920 00:46:38,200 --> 00:46:40,680 Speaker 2: I think, like twenty nine days. You feel what I'm saying. 921 00:46:40,840 --> 00:46:47,719 Speaker 2: So I was like I told you all, yeah, I mean, yo, damn, 922 00:46:47,760 --> 00:46:49,000 Speaker 2: how many bus you got over there? 923 00:46:49,040 --> 00:46:49,160 Speaker 4: Man? 924 00:46:49,840 --> 00:46:53,879 Speaker 1: You want to come back home? I mean for old 925 00:46:53,920 --> 00:46:54,640 Speaker 1: time sake, this is. 926 00:46:56,960 --> 00:46:57,520 Speaker 4: That's a switch. 927 00:46:57,760 --> 00:47:03,040 Speaker 3: Yeah, I'm always a so sweet. Yeah, no, my love 928 00:47:03,480 --> 00:47:06,520 Speaker 3: in the nineties, I'm sorry. I never grew I grew 929 00:47:06,600 --> 00:47:08,440 Speaker 3: up in a lot of other places. It's not my lungs. 930 00:47:09,560 --> 00:47:12,840 Speaker 2: When I was smoking when I first got Jill, it's. 931 00:47:13,600 --> 00:47:17,200 Speaker 3: Yeah yeah, because you know what, you know what happened 932 00:47:17,600 --> 00:47:20,239 Speaker 3: as a New York nigga? I used to smoke Dutches, Right, 933 00:47:21,160 --> 00:47:25,200 Speaker 3: So I was in La one night. It's like two 934 00:47:25,360 --> 00:47:26,840 Speaker 3: thirty in the morning. The club just closed, you know, 935 00:47:27,040 --> 00:47:30,240 Speaker 3: La Club closed at two o'clock. I'll go to seven eleven. 936 00:47:30,640 --> 00:47:34,040 Speaker 3: I owe the duchess the whole seven eleven turned around 937 00:47:34,120 --> 00:47:36,160 Speaker 3: like you're from New York, right, I said, I'm never 938 00:47:36,200 --> 00:47:39,040 Speaker 3: smoking a Dutch again in my life, like the whole 939 00:47:39,440 --> 00:47:41,400 Speaker 3: because if you smoke a Dutch, they know you're from 940 00:47:41,440 --> 00:47:41,759 Speaker 3: New York. 941 00:47:41,840 --> 00:47:43,920 Speaker 1: You know that, right? My last time you smoke with 942 00:47:44,000 --> 00:47:45,040 Speaker 1: Dutch thirteen? 943 00:47:45,840 --> 00:47:48,320 Speaker 4: Yeah, probably before then thirteen. 944 00:47:48,880 --> 00:47:53,680 Speaker 5: So what's the place you've been to internationally that you 945 00:47:53,800 --> 00:47:55,960 Speaker 5: was surprised that they were fan of yours? 946 00:47:57,080 --> 00:48:01,879 Speaker 4: Oh, Romania, some shit like I don't even know, like Slovakia. 947 00:48:02,200 --> 00:48:02,839 Speaker 1: Was it a one offer? 948 00:48:02,960 --> 00:48:07,200 Speaker 2: Was it a festival? It was a festival. Yeah, some 949 00:48:07,280 --> 00:48:11,960 Speaker 2: ship like that. It's dope, It's amazing. It's a blessing, right, 950 00:48:12,600 --> 00:48:15,320 Speaker 2: But I feel like I'm at a tip of the iceberg. 951 00:48:15,360 --> 00:48:17,000 Speaker 2: I'm just started, you know what I'm saying. I feel 952 00:48:17,000 --> 00:48:20,400 Speaker 2: like to where I want to go, and I have a. 953 00:48:20,560 --> 00:48:22,320 Speaker 4: Vision of exactly where I want to go and exactly 954 00:48:22,360 --> 00:48:22,880 Speaker 4: what I want to do. 955 00:48:23,200 --> 00:48:26,200 Speaker 2: I feel like I'm just just getting started. You know 956 00:48:26,200 --> 00:48:31,480 Speaker 2: what I'm saying, is that vision seeing international? Yeah? Internationally. 957 00:48:31,480 --> 00:48:33,600 Speaker 2: I think I think a lot of artists here in 958 00:48:33,680 --> 00:48:36,040 Speaker 2: the US they don't see the international properly. 959 00:48:37,000 --> 00:48:37,759 Speaker 1: You know what I think. 960 00:48:40,440 --> 00:48:43,719 Speaker 3: I think you've made so much success for yourself, Solf, 961 00:48:44,520 --> 00:48:47,279 Speaker 3: that you're going to continue to be successful. 962 00:48:46,760 --> 00:48:50,520 Speaker 1: But people don't compare you to you. Yeah, you understand 963 00:48:50,560 --> 00:48:53,520 Speaker 1: what I'm trying to say, Like to the time, like 964 00:48:53,640 --> 00:48:55,480 Speaker 1: you're going to go through what Kanye went through. 965 00:48:55,480 --> 00:49:00,440 Speaker 3: Like because you like, like all of your beginning records 966 00:49:00,480 --> 00:49:03,400 Speaker 3: are all hits, and all their records now are continuing 967 00:49:03,400 --> 00:49:05,719 Speaker 3: to be hits. So then I can compare it to 968 00:49:05,760 --> 00:49:09,520 Speaker 3: another artist, especially you so unique that they can't so 969 00:49:09,560 --> 00:49:10,719 Speaker 3: they can compare you to you. 970 00:49:11,000 --> 00:49:12,279 Speaker 1: How's it gonna feel to battle you? 971 00:49:14,600 --> 00:49:18,759 Speaker 4: I don't know who's gonna win who in regards. 972 00:49:20,880 --> 00:49:22,400 Speaker 1: I mean, that's dope, you know what I mean? Like, 973 00:49:24,880 --> 00:49:27,480 Speaker 1: you know, I remember me coming out with super Dog. 974 00:49:27,560 --> 00:49:27,960 Speaker 3: What what what? 975 00:49:28,080 --> 00:49:28,120 Speaker 1: What? 976 00:49:28,160 --> 00:49:28,440 Speaker 12: What? What? 977 00:49:29,200 --> 00:49:33,440 Speaker 3: And then I dropping, oh no, and all they said was, well, 978 00:49:33,480 --> 00:49:36,680 Speaker 3: oh no, ain't it's good but it ain't super Dog. 979 00:49:36,920 --> 00:49:38,480 Speaker 1: And I was just like, it's not supposed to be. 980 00:49:39,160 --> 00:49:42,719 Speaker 3: Yes, yeah, and I think you gotta make it the 981 00:49:42,760 --> 00:49:46,120 Speaker 3: next one double because he's in maybe because I haven't drunk, 982 00:49:48,400 --> 00:49:48,759 Speaker 3: but that. 983 00:49:48,920 --> 00:49:50,920 Speaker 1: But that's what you're gonna battle is yourself. 984 00:49:53,719 --> 00:49:55,480 Speaker 4: That's all. That's the only person should be battling. 985 00:49:56,360 --> 00:50:00,120 Speaker 3: No, no, no, you are correct, that's the only you 986 00:50:00,160 --> 00:50:03,160 Speaker 3: should be battling. But there's a lot of people. It's 987 00:50:03,200 --> 00:50:05,239 Speaker 3: not in a very unique situation. What I'm trying to 988 00:50:05,239 --> 00:50:07,360 Speaker 3: say is you're in a very unique situation where you 989 00:50:07,480 --> 00:50:10,160 Speaker 3: don't actually have to be in competition with anybody else. 990 00:50:10,320 --> 00:50:10,840 Speaker 1: You got to be in. 991 00:50:10,840 --> 00:50:13,640 Speaker 3: Competition with your old shit. But guess what, your old 992 00:50:13,680 --> 00:50:16,640 Speaker 3: ship ain't most shit. So you're going to try to 993 00:50:16,880 --> 00:50:17,080 Speaker 3: do that. 994 00:50:17,160 --> 00:50:17,839 Speaker 1: How does that feel? 995 00:50:19,600 --> 00:50:20,279 Speaker 2: It feels great? 996 00:50:20,440 --> 00:50:20,520 Speaker 1: Bro. 997 00:50:20,960 --> 00:50:24,920 Speaker 2: It's a challenge, it's definitely a challenge, But you know, 998 00:50:26,880 --> 00:50:28,160 Speaker 2: I could have worse problems. 999 00:50:28,680 --> 00:50:29,040 Speaker 1: For sure. 1000 00:50:29,160 --> 00:50:30,680 Speaker 2: You know what I'm saying, I'm trying to make a 1001 00:50:30,800 --> 00:50:33,800 Speaker 2: better record than Carnival. It's possible. I'm doing it. You 1002 00:50:33,880 --> 00:50:35,800 Speaker 2: know what I'm saying. I got to keep going. I 1003 00:50:35,880 --> 00:50:38,400 Speaker 2: feel like one thing I learned from Ya is like 1004 00:50:38,600 --> 00:50:42,440 Speaker 2: always elevating your sound. Always want to elevate and elevate 1005 00:50:42,480 --> 00:50:44,839 Speaker 2: and take it to the next notch. So I feel 1006 00:50:44,840 --> 00:50:47,800 Speaker 2: like every time I do a record, I'm like thinking 1007 00:50:47,920 --> 00:50:50,080 Speaker 2: how to elevate it and take it to the next notch. 1008 00:50:50,680 --> 00:50:53,160 Speaker 4: Does that mean experimenting? Yeah, for sure a lot. 1009 00:50:54,360 --> 00:50:57,080 Speaker 2: Bro. I'm working on a crazy project right now, like 1010 00:50:58,040 --> 00:51:00,640 Speaker 2: crazy crazy project. 1011 00:51:00,960 --> 00:51:04,200 Speaker 4: It's gonna be a fire pay soles on there. 1012 00:51:05,760 --> 00:51:09,759 Speaker 1: O Zoona j Valven Is it gleaning moretal Latino? You just. 1013 00:51:11,360 --> 00:51:14,000 Speaker 4: I was like, it's like a half English, half shot 1014 00:51:14,160 --> 00:51:14,680 Speaker 4: the album with. 1015 00:51:17,760 --> 00:51:19,879 Speaker 3: I gotta I remember I told you how to speak 1016 00:51:20,320 --> 00:51:25,480 Speaker 3: him about the sh Have a drink, man, I'm taking a. 1017 00:51:25,480 --> 00:51:29,279 Speaker 1: Shot for you, because what kind of what kind of 1018 00:51:29,280 --> 00:51:29,920 Speaker 1: project is this? 1019 00:51:30,120 --> 00:51:30,160 Speaker 5: So? 1020 00:51:30,640 --> 00:51:30,759 Speaker 12: Is it? 1021 00:51:30,920 --> 00:51:32,640 Speaker 1: Is it hip hop meets Latino? 1022 00:51:36,120 --> 00:51:39,680 Speaker 2: Is it? It's gonna be like probably like fourteen songs, 1023 00:51:40,000 --> 00:51:44,960 Speaker 2: like ten songs, half English, me rapping in. 1024 00:51:45,000 --> 00:51:47,600 Speaker 3: Both and you go rap in Spanish. Yeah, I got 1025 00:51:47,640 --> 00:51:50,399 Speaker 3: some reference, missed the league on sound just to like yeah, 1026 00:51:51,760 --> 00:51:52,000 Speaker 3: and it. 1027 00:51:52,040 --> 00:51:56,240 Speaker 5: Makes sense with that international like vision, you like a whole. 1028 00:51:56,120 --> 00:51:58,200 Speaker 2: Song rapping Spanish because I don't know, like just a 1029 00:51:58,239 --> 00:52:00,360 Speaker 2: couple of words, but even just to collaborate ship that 1030 00:52:00,600 --> 00:52:03,839 Speaker 2: is outside the box, like you, you gotta trade these 1031 00:52:04,239 --> 00:52:06,719 Speaker 2: these audiences they think. They said that I was like 1032 00:52:06,800 --> 00:52:09,440 Speaker 2: the first one to do an album like that he 1033 00:52:09,600 --> 00:52:11,239 Speaker 2: was like the first one to do a song and that. 1034 00:52:23,239 --> 00:52:26,880 Speaker 1: That means he gotta be on the album. Let me 1035 00:52:27,200 --> 00:52:30,000 Speaker 1: I tell you. I'll tell you something about. 1036 00:52:31,360 --> 00:52:33,319 Speaker 3: Because I don't want to just give reggae throne. They 1037 00:52:33,600 --> 00:52:35,960 Speaker 3: even though I'm giving Throe, they props, but it's bigger 1038 00:52:35,960 --> 00:52:36,640 Speaker 3: than reggae throne. 1039 00:52:36,920 --> 00:52:39,759 Speaker 1: There's a certain type of energy that you do when 1040 00:52:39,840 --> 00:52:41,120 Speaker 1: you do music that's. 1041 00:52:41,000 --> 00:52:44,319 Speaker 3: Outside of hip hop, and then when the hip hop 1042 00:52:44,360 --> 00:52:47,040 Speaker 3: audience support that. But I can tell you like this, 1043 00:52:49,000 --> 00:52:50,920 Speaker 3: I was used to bloody money, I was used to 1044 00:52:51,000 --> 00:52:52,880 Speaker 3: bang bang. I was used to doing things like that. 1045 00:52:52,960 --> 00:52:55,040 Speaker 3: And when I started to do Spanish music, I could 1046 00:52:55,080 --> 00:52:58,960 Speaker 3: stay in the club the whole night, everybody with dance 1047 00:52:59,800 --> 00:53:02,760 Speaker 3: and I like nobody's gonna stab nobody. 1048 00:53:04,200 --> 00:53:04,480 Speaker 2: I mean it. 1049 00:53:05,000 --> 00:53:07,840 Speaker 1: I was so used to like bang bang stab somebody. 1050 00:53:07,960 --> 00:53:10,680 Speaker 3: Okay, cool, I did a good show, Like I thought, 1051 00:53:10,880 --> 00:53:12,600 Speaker 3: I didn't do a good show that somebody. 1052 00:53:12,840 --> 00:53:16,719 Speaker 1: It wasn't going down. It was a stab stab. That's 1053 00:53:16,760 --> 00:53:17,600 Speaker 1: that crazy Miami. 1054 00:53:18,200 --> 00:53:20,319 Speaker 3: And by the way, it didn't go down a lot 1055 00:53:20,360 --> 00:53:24,040 Speaker 3: in down it there was a lot of immigration going on. 1056 00:53:24,239 --> 00:53:26,439 Speaker 4: Immigration that everybody. 1057 00:53:26,320 --> 00:53:28,120 Speaker 1: Down everybody had a green card. 1058 00:53:28,600 --> 00:53:32,000 Speaker 3: Oh they didn't have a green car like okay, hell yeah, 1059 00:53:33,400 --> 00:53:38,960 Speaker 3: you're gonna like that blunt at some point. Yes, yo, 1060 00:53:39,040 --> 00:53:43,560 Speaker 3: you have so many features, right, yeah, and that lets 1061 00:53:43,640 --> 00:53:46,800 Speaker 3: me know that you can get along with with with 1062 00:53:47,120 --> 00:53:47,840 Speaker 3: with a. 1063 00:53:47,880 --> 00:53:48,759 Speaker 1: Lot of people, right. 1064 00:53:49,400 --> 00:53:51,400 Speaker 3: Has there ever been a feature that you wanted that 1065 00:53:51,560 --> 00:53:54,520 Speaker 3: you you you didn't get, Like Nads told us that 1066 00:53:54,640 --> 00:53:57,000 Speaker 3: Prince fronted on him. Nads told us that he went 1067 00:53:57,040 --> 00:53:58,920 Speaker 3: to step the Prince and Prince said, you don't got 1068 00:53:59,000 --> 00:53:59,959 Speaker 3: your masks. 1069 00:54:00,680 --> 00:54:01,520 Speaker 1: So I'm not gonna do that. 1070 00:54:01,800 --> 00:54:07,239 Speaker 2: Yeah, so damn I don't. Matter of fact, no, I 1071 00:54:07,280 --> 00:54:10,920 Speaker 2: don't think it's like somebody I didn't get. But like 1072 00:54:12,120 --> 00:54:14,239 Speaker 2: I was supposed to damn link with Cole in the 1073 00:54:14,280 --> 00:54:16,839 Speaker 2: studio like Jake Cole. Yeah, maybe like four or five 1074 00:54:16,920 --> 00:54:19,319 Speaker 2: months ago, and then it was like, oh yea, we're 1075 00:54:19,320 --> 00:54:21,520 Speaker 2: gonna get up tomorrow. I hit him. He hit me 1076 00:54:21,640 --> 00:54:24,680 Speaker 2: back just after the apology. Uh no, I was like 1077 00:54:24,920 --> 00:54:28,080 Speaker 2: before apology. Yeah, you know what I'm saying. But we 1078 00:54:28,120 --> 00:54:31,200 Speaker 2: SUPs were supposed to get the studie and then he didn't. 1079 00:54:31,200 --> 00:54:31,839 Speaker 2: He hit me bad. 1080 00:54:31,840 --> 00:54:34,520 Speaker 1: He was like, yeah tomorrow. I was all right, bothering. 1081 00:54:37,040 --> 00:54:42,080 Speaker 3: I'm all right, he's probably riding his bike, you know 1082 00:54:42,120 --> 00:54:42,600 Speaker 3: what I'm saying. 1083 00:54:43,080 --> 00:54:44,000 Speaker 4: But this ship is cool. 1084 00:54:44,120 --> 00:54:44,239 Speaker 1: Bro. 1085 00:54:45,600 --> 00:54:47,600 Speaker 4: It was just like he's front you. I was like, 1086 00:54:47,680 --> 00:54:50,160 Speaker 4: I'm still there, ready to happen like this. 1087 00:54:50,600 --> 00:54:54,520 Speaker 3: This is like there's a difference with somebody like front 1088 00:54:54,520 --> 00:54:56,759 Speaker 3: and all, maybe not having the time, but it's like 1089 00:54:56,840 --> 00:54:58,040 Speaker 3: someone outright saying no. 1090 00:54:58,200 --> 00:55:04,120 Speaker 1: No, one's never told you no, told me no. I 1091 00:55:04,160 --> 00:55:04,600 Speaker 1: don't think that. 1092 00:55:05,040 --> 00:55:10,320 Speaker 3: Yeah, I'm not gonna lie. I thought about this the 1093 00:55:10,400 --> 00:55:13,080 Speaker 3: other day and I saw her and I saw her 1094 00:55:13,120 --> 00:55:15,560 Speaker 3: with her husband, and it was cool. But it was 1095 00:55:15,680 --> 00:55:17,800 Speaker 3: never her who told me it. It was l A 1096 00:55:17,920 --> 00:55:25,160 Speaker 3: Reid who Sierra really Sierra told me no, yes, yeah, 1097 00:55:25,560 --> 00:55:28,400 Speaker 3: but not her. It was l A red So you 1098 00:55:28,440 --> 00:55:30,040 Speaker 3: don't know if it was her. Yeah, and you know 1099 00:55:30,239 --> 00:55:32,440 Speaker 3: La he had he had to put his lip bomb 1100 00:55:32,480 --> 00:55:35,719 Speaker 3: on with his finger, you know, he he did it 1101 00:55:35,840 --> 00:55:36,000 Speaker 3: like that. 1102 00:55:36,160 --> 00:55:44,440 Speaker 1: I like, I like, yo, ahead, bro understand, like my 1103 00:55:44,520 --> 00:55:50,600 Speaker 1: whole But he put it on pky finger. I didn't 1104 00:55:50,600 --> 00:55:52,760 Speaker 1: never seen that at that time, like the pinky finger. 1105 00:55:54,320 --> 00:55:57,000 Speaker 3: I was like, all right, cool, it was crazy, it's crazy, 1106 00:55:57,200 --> 00:55:59,239 Speaker 3: all right, give this man the flowers, bro, come on, 1107 00:55:59,320 --> 00:56:03,280 Speaker 3: goddamn it. Our show is about giving people their flowers 1108 00:56:03,520 --> 00:56:05,680 Speaker 3: while they hear, while they're alive. We wanted to tell 1109 00:56:05,719 --> 00:56:07,719 Speaker 3: you how proud we are seen your whole career from 1110 00:56:07,719 --> 00:56:08,200 Speaker 3: the beginning. 1111 00:56:08,520 --> 00:56:10,320 Speaker 1: I got to see it, got to see you blossom. 1112 00:56:10,360 --> 00:56:11,640 Speaker 1: I got to see you become the man that you 1113 00:56:11,719 --> 00:56:13,719 Speaker 1: all go through, the struggles that you went through. 1114 00:56:14,000 --> 00:56:23,799 Speaker 3: Shar Now Sloop said is better than the Grammy because 1115 00:56:23,840 --> 00:56:25,480 Speaker 3: it comes for his own people. But we want you 1116 00:56:25,560 --> 00:56:27,960 Speaker 3: to know you deserve these flowers. You've been doing this 1117 00:56:28,040 --> 00:56:31,800 Speaker 3: since twenty thirteen, kicking ass. You've been knocking down fucking doors, 1118 00:56:31,960 --> 00:56:34,400 Speaker 3: kicking the gum under the fucking table, making sure that 1119 00:56:34,520 --> 00:56:37,719 Speaker 3: the Thames under your motherfucking shits ain't motherfucking neat. 1120 00:56:37,920 --> 00:56:39,920 Speaker 1: You've been doing what you're supposed to do, like he's supposed. 1121 00:56:39,600 --> 00:56:43,080 Speaker 3: To under the fire hydrant, Under the motherfucking fire hydrant, 1122 00:56:43,160 --> 00:56:52,480 Speaker 3: he was walled under the branch. No, I'm just silly 1123 00:56:52,560 --> 00:56:54,560 Speaker 3: and proud of you, man, because let me just tell 1124 00:56:54,560 --> 00:56:57,200 Speaker 3: you something. Let me just tell you something. The fact 1125 00:56:57,400 --> 00:57:00,640 Speaker 3: is right that you came out with me, right, I 1126 00:57:00,680 --> 00:57:04,160 Speaker 3: guess you know. You guys the same level, right boom, 1127 00:57:04,880 --> 00:57:07,919 Speaker 3: you know, the projects whatever whatever. But at one point 1128 00:57:08,000 --> 00:57:11,640 Speaker 3: he was almost considered the fourth mego, yeah, they're trying 1129 00:57:11,680 --> 00:57:13,040 Speaker 3: for the four migos. 1130 00:57:13,440 --> 00:57:14,239 Speaker 1: That's order work too. 1131 00:57:15,960 --> 00:57:19,280 Speaker 3: But but the fact is you broke off on your 1132 00:57:19,360 --> 00:57:23,400 Speaker 3: own and then you got to see your homemies be 1133 00:57:23,720 --> 00:57:25,040 Speaker 3: super super successful. 1134 00:57:25,200 --> 00:57:25,400 Speaker 2: Yeah. 1135 00:57:25,880 --> 00:57:30,120 Speaker 3: That turns most people into hay this yeah, where you're 1136 00:57:30,240 --> 00:57:31,200 Speaker 3: fucking unique, sir. 1137 00:57:31,440 --> 00:57:31,720 Speaker 2: Thank you. 1138 00:57:31,760 --> 00:57:33,720 Speaker 4: I appreciate that you are different. 1139 00:57:33,520 --> 00:57:36,200 Speaker 3: Because most people will sit back and say, well, when's 1140 00:57:36,280 --> 00:57:40,960 Speaker 3: my turn, And you're not even enjoying Okay, you got 1141 00:57:41,080 --> 00:57:45,360 Speaker 3: of control yumbo for me, but you're not even you're 1142 00:57:45,360 --> 00:57:48,760 Speaker 3: not even enjoying your homemies, like you know what I'm saying. 1143 00:57:48,840 --> 00:57:54,040 Speaker 1: Like you gotta think about it. In baseball, when a 1144 00:57:54,080 --> 00:57:57,560 Speaker 1: person bashed before you, you actually have to root for them. 1145 00:57:58,440 --> 00:58:00,400 Speaker 1: You actually have to say I need this man on 1146 00:58:00,520 --> 00:58:01,560 Speaker 1: base for me. 1147 00:58:04,040 --> 00:58:08,760 Speaker 3: But most people don't play life like baseball. They paid 1148 00:58:08,840 --> 00:58:14,400 Speaker 3: life like handball. A solo artist you have been playing 1149 00:58:14,480 --> 00:58:17,800 Speaker 3: life like baseball, sir, and that's why baseball players is 1150 00:58:17,840 --> 00:58:19,720 Speaker 3: the most paid athletes in the world. 1151 00:58:23,040 --> 00:58:25,560 Speaker 1: I got I got on your body. You're gonna catch 1152 00:58:25,640 --> 00:58:28,080 Speaker 1: him on to tomorrow because that was that was some 1153 00:58:28,200 --> 00:58:33,880 Speaker 1: Nazi joby. I just dropped some good ships. Yes, yes, yes, 1154 00:58:34,240 --> 00:58:35,400 Speaker 1: hold on, I got mad notes. 1155 00:58:36,040 --> 00:58:39,480 Speaker 3: So you didn't go already get covered new freezing Manny Smith, 1156 00:58:39,560 --> 00:58:40,320 Speaker 3: he brought you out there. 1157 00:58:40,400 --> 00:58:41,520 Speaker 4: Deal, Manny Smith. 1158 00:58:41,840 --> 00:58:45,320 Speaker 2: That's the man I like. 1159 00:58:45,440 --> 00:58:49,120 Speaker 4: I like your face. Okay, Noah, for sure, Manny Smith. 1160 00:58:49,200 --> 00:58:51,480 Speaker 4: Bro it's crazy Many Smith. 1161 00:58:52,080 --> 00:58:56,880 Speaker 2: Like when I was when I was leaving QC, Manny 1162 00:58:56,960 --> 00:59:01,080 Speaker 2: Smith was the guy who helped me, like, let. 1163 00:59:01,040 --> 00:59:03,400 Speaker 1: Me get this correct. You called QC. 1164 00:59:04,720 --> 00:59:07,600 Speaker 3: QC said, hey, man, if you don't want to it 1165 00:59:07,720 --> 00:59:11,280 Speaker 3: was cool, but give me five hundred. Yeah, so that's 1166 00:59:11,320 --> 00:59:13,919 Speaker 3: what you called around and Manny Smith was the person 1167 00:59:14,000 --> 00:59:14,680 Speaker 3: that answered the call. 1168 00:59:14,760 --> 00:59:15,320 Speaker 1: Is take it from me. 1169 00:59:17,000 --> 00:59:17,200 Speaker 4: Yeah. 1170 00:59:17,320 --> 00:59:19,840 Speaker 2: So like when they asked me five hundred, I don't. 1171 00:59:20,080 --> 00:59:21,960 Speaker 2: I ain't. I don't think I had five thousands. So 1172 00:59:22,080 --> 00:59:24,440 Speaker 2: I'm like, damn, what the fuck I'm about to do 1173 00:59:25,880 --> 00:59:26,720 Speaker 2: to get this money? 1174 00:59:27,120 --> 00:59:29,120 Speaker 3: Let me let me small for one second? Did you 1175 00:59:29,200 --> 00:59:32,360 Speaker 3: think he was being unreasonable? Well you thought that was like, 1176 00:59:33,080 --> 00:59:35,040 Speaker 3: that's like what the cost was up to that this 1177 00:59:35,160 --> 00:59:36,080 Speaker 3: is this is totally up to you. 1178 00:59:36,360 --> 00:59:39,160 Speaker 2: No, I was. I was definitely like that's a lot 1179 00:59:39,200 --> 00:59:42,760 Speaker 2: of money, right, you know. So I was like, damn, 1180 00:59:42,840 --> 00:59:44,120 Speaker 2: I don't know how the hell I'm want to come 1181 00:59:44,200 --> 00:59:46,160 Speaker 2: up with the money. And I had I had a 1182 00:59:47,000 --> 00:59:52,840 Speaker 2: band for you. I don't sure, probably like twenty four you. 1183 00:59:52,920 --> 00:59:56,320 Speaker 1: Knew by yourself out He continue, Yes, sir, bro. 1184 00:59:57,120 --> 01:00:00,440 Speaker 2: So I was like, I was, I ain't know for real, 1185 01:00:00,560 --> 01:00:03,880 Speaker 2: but something I don't know how to explain something with 1186 01:00:04,000 --> 01:00:07,200 Speaker 2: my phone. I have a like a roller decks from 1187 01:00:07,240 --> 01:00:10,880 Speaker 2: my phone came from somebody else's phone, which I don't 1188 01:00:10,920 --> 01:00:11,600 Speaker 2: know who it is. 1189 01:00:12,400 --> 01:00:13,000 Speaker 1: We don't want to know. 1190 01:00:13,440 --> 01:00:16,520 Speaker 2: Yeah. So I had like every single label contact in 1191 01:00:16,640 --> 01:00:20,840 Speaker 2: my phone, like all types of people, numbers and crazy ship. 1192 01:00:21,320 --> 01:00:23,000 Speaker 2: So I went through all the labels in my phone. 1193 01:00:23,080 --> 01:00:28,440 Speaker 2: I started calling every single label Warner Atlantic, and then 1194 01:00:28,480 --> 01:00:29,040 Speaker 2: I called. 1195 01:00:29,200 --> 01:00:29,760 Speaker 4: In the Scope. 1196 01:00:29,800 --> 01:00:32,960 Speaker 2: It said in the Scope records Manny Smith. And I'm 1197 01:00:33,040 --> 01:00:35,240 Speaker 2: not knowing him from anywhere. I called him like, yo, bro, 1198 01:00:35,880 --> 01:00:38,400 Speaker 2: this is a rich the kid I'm trying to buy 1199 01:00:38,520 --> 01:00:39,840 Speaker 2: myself out a contract. 1200 01:00:42,800 --> 01:00:44,120 Speaker 4: He ain't even know him at all. I didn't know 1201 01:00:44,200 --> 01:00:44,600 Speaker 4: him at all. 1202 01:00:47,040 --> 01:00:49,400 Speaker 3: Okay, all right, now I understand what you was, what 1203 01:00:49,520 --> 01:00:52,120 Speaker 3: you meant. You said you got the industry contact. 1204 01:00:52,280 --> 01:00:55,880 Speaker 2: Yeah, yeah, I have a I don't know how to do. 1205 01:00:57,720 --> 01:00:59,960 Speaker 2: It's hard, it's really crazy to explain it. I don't 1206 01:01:00,120 --> 01:01:02,480 Speaker 2: trying to explain. I don't know if I hooked my 1207 01:01:02,560 --> 01:01:04,040 Speaker 2: phone somebody's computer that. 1208 01:01:04,640 --> 01:01:06,919 Speaker 1: I really don't know how those contacts got in your phone. 1209 01:01:07,240 --> 01:01:10,920 Speaker 2: I have every DJ, every label. 1210 01:01:11,280 --> 01:01:12,040 Speaker 1: Especially back then. 1211 01:01:12,880 --> 01:01:17,680 Speaker 12: If I was to charge my phone on your talking 1212 01:01:17,720 --> 01:01:21,680 Speaker 12: about I don't know whose computer ship like they have 1213 01:01:21,840 --> 01:01:26,959 Speaker 12: Rihanna's number, fucking Miley Cyrus, like some crazy ship. 1214 01:01:27,000 --> 01:01:35,320 Speaker 4: You know, they had all types of crazy. So yeah, 1215 01:01:35,480 --> 01:01:36,800 Speaker 4: so I was like, what the fuck? 1216 01:01:37,000 --> 01:01:39,560 Speaker 2: So I went through all the contexts and I called 1217 01:01:40,200 --> 01:01:43,120 Speaker 2: I called in the Scope and said many Smith. I 1218 01:01:43,240 --> 01:01:45,320 Speaker 2: called him. I'm like, yo, bro, I got a mixtape. 1219 01:01:45,320 --> 01:01:48,160 Speaker 2: I got a project ready to go right now. I'm 1220 01:01:48,240 --> 01:01:52,040 Speaker 2: just trying to drop it. I was signed to q C, 1221 01:01:52,800 --> 01:01:57,280 Speaker 2: and q C has a deal with three hundred, so 1222 01:01:57,440 --> 01:01:59,320 Speaker 2: I got to pay both for them to get out. 1223 01:01:59,600 --> 01:02:02,400 Speaker 2: So that five hundred it was more than I heard 1224 01:02:02,440 --> 01:02:03,520 Speaker 2: you saying that it was three. 1225 01:02:04,880 --> 01:02:05,640 Speaker 4: It was eight hundred. 1226 01:02:05,680 --> 01:02:07,200 Speaker 1: But you have to get three hundred, three hundred. 1227 01:02:07,280 --> 01:02:12,680 Speaker 2: Yeah, yeah, yeah, this is fucked up. Yeah yeah. I 1228 01:02:12,840 --> 01:02:14,560 Speaker 2: just thought it was I had to get paid too, 1229 01:02:14,680 --> 01:02:19,920 Speaker 2: because I was fucked up too, you know, so cool. 1230 01:02:20,320 --> 01:02:22,080 Speaker 1: This is how I'm thinking for the outside looking at it. 1231 01:02:22,240 --> 01:02:25,120 Speaker 3: Inside looking out, I'm thinking, you just had to pay 1232 01:02:25,240 --> 01:02:27,320 Speaker 3: that five hundred and everything goes away. 1233 01:02:28,320 --> 01:02:28,720 Speaker 2: So you had to. 1234 01:02:28,880 --> 01:02:29,240 Speaker 1: You had to. 1235 01:02:29,520 --> 01:02:32,880 Speaker 3: And then keV and my people at three hundred, they 1236 01:02:32,920 --> 01:02:34,400 Speaker 3: said they wanted to get pieced off too. 1237 01:02:34,600 --> 01:02:38,520 Speaker 4: I mean, it's business man, It's nothing. It is no 1238 01:02:38,720 --> 01:02:40,200 Speaker 4: for sure, it's business bro. 1239 01:02:40,440 --> 01:02:44,640 Speaker 2: Whatever. Whatever they felt like was substantial enough for them 1240 01:02:46,120 --> 01:02:48,520 Speaker 2: eight grand, eight hundred thousand, and then I had to 1241 01:02:48,560 --> 01:02:51,160 Speaker 2: get paid too. So when I weigh yourself, I went 1242 01:02:51,240 --> 01:02:54,600 Speaker 2: to I went to Interscope, and I've never seen Manny 1243 01:02:54,680 --> 01:02:58,000 Speaker 2: Smith before, so it's crazy. I walked into the office. 1244 01:02:58,080 --> 01:03:01,080 Speaker 2: I'm playing music for who I thought was Manny Smith. 1245 01:03:02,160 --> 01:03:04,160 Speaker 4: You know what I'm saying. It was it was mister. 1246 01:03:10,200 --> 01:03:11,600 Speaker 2: I like it, man I like it. 1247 01:03:15,080 --> 01:03:15,400 Speaker 12: This is. 1248 01:03:19,280 --> 01:03:21,680 Speaker 2: Push her off. He was working there on in the 1249 01:03:21,680 --> 01:03:24,479 Speaker 2: score at the time. So I'm like, yo, I played 1250 01:03:24,520 --> 01:03:26,400 Speaker 2: the album. I just played, I just played the whole 1251 01:03:26,440 --> 01:03:30,840 Speaker 2: project for it was like, yeah, this ship smoking and 1252 01:03:31,000 --> 01:03:35,080 Speaker 2: then walks in Mannie Smith. You're like, hey, what's up, Rich, 1253 01:03:36,000 --> 01:03:39,080 Speaker 2: I'm like, hold on, So which one of y'alls? 1254 01:03:39,200 --> 01:03:39,400 Speaker 1: Many? 1255 01:03:41,000 --> 01:03:43,520 Speaker 2: And after the business has been done? No, this is 1256 01:03:43,680 --> 01:03:46,200 Speaker 2: before I got the deal. Okay, Like the first time 1257 01:03:46,200 --> 01:03:48,840 Speaker 2: I met him type ship. So yeah, I played the 1258 01:03:49,440 --> 01:03:53,120 Speaker 2: play the project for him again, play play two times 1259 01:03:53,160 --> 01:03:57,160 Speaker 2: now and they're like, t ship is fire, Let's do it. 1260 01:03:57,720 --> 01:04:00,720 Speaker 2: And I was like, I was like, what do you mean, 1261 01:04:00,840 --> 01:04:02,240 Speaker 2: let's let's just let's do it. 1262 01:04:03,240 --> 01:04:05,120 Speaker 4: You can't even believe that they was willing to do it. Yeah, 1263 01:04:05,160 --> 01:04:07,120 Speaker 4: that was like, let's do it. First, I just told 1264 01:04:07,160 --> 01:04:09,040 Speaker 4: him it was five hundred because I I thought it 1265 01:04:09,080 --> 01:04:09,720 Speaker 4: was five hundred. 1266 01:04:10,000 --> 01:04:12,600 Speaker 2: So then when I went down the line started figuring 1267 01:04:12,600 --> 01:04:14,680 Speaker 2: out all the contracts, you know, all the paperwork and shit, 1268 01:04:15,000 --> 01:04:18,360 Speaker 2: They're like, oh yeah, it's a hundred thousands, you know 1269 01:04:18,400 --> 01:04:21,240 Speaker 2: what I'm saying. And then I'm like, shit, bro, I 1270 01:04:21,400 --> 01:04:23,320 Speaker 2: have no place to stay right now. I'm in the 1271 01:04:23,400 --> 01:04:28,120 Speaker 2: fucking apartment you know. Yeah, Because like when I first 1272 01:04:28,200 --> 01:04:30,640 Speaker 2: came to LA I pulled up to the first apartment 1273 01:04:30,720 --> 01:04:33,640 Speaker 2: complex and knows Hollywood, and I told him I need 1274 01:04:33,680 --> 01:04:37,360 Speaker 2: an apartment right now. I have four thousand dollars. You 1275 01:04:37,400 --> 01:04:39,080 Speaker 2: know what I'm saying. I got my kids with me. 1276 01:04:39,520 --> 01:04:41,560 Speaker 2: You know what I'm saying, I'm trying to do the apartment. Yeah, 1277 01:04:41,640 --> 01:04:43,800 Speaker 2: type shit. I just came to LA, So I'm like, 1278 01:04:43,920 --> 01:04:47,920 Speaker 2: fuck it. I'm telling him, like, bro, I just moved here. 1279 01:04:48,240 --> 01:04:49,960 Speaker 2: I really don't have you know what I'm saying, The 1280 01:04:50,080 --> 01:04:53,200 Speaker 2: resources do it. Yeah, I told my own the resources 1281 01:04:53,240 --> 01:04:57,160 Speaker 2: do everything. So he like, I bet, I'm gonna get 1282 01:04:57,160 --> 01:05:00,280 Speaker 2: you a house in the hills. You can record there. 1283 01:05:01,560 --> 01:05:04,720 Speaker 2: That's your place, put a studio in it, whatever. You 1284 01:05:04,800 --> 01:05:07,680 Speaker 2: know what I'm saying, I'm gonna sign you. And then 1285 01:05:07,840 --> 01:05:10,320 Speaker 2: like a couple of weeks later, I'm recording. I'm recording. 1286 01:05:11,080 --> 01:05:13,120 Speaker 2: I did a new freezer and I played it for 1287 01:05:13,240 --> 01:05:15,160 Speaker 2: him and he's like, yo, bro. He's like, yo, Bro, 1288 01:05:16,360 --> 01:05:18,919 Speaker 2: I want you to meet Kendrick. No, no, top stop 1289 01:05:19,600 --> 01:05:24,480 Speaker 2: get like that. Kendrick is not lit at this time. 1290 01:05:24,600 --> 01:05:25,440 Speaker 2: Kendrick is coming up. 1291 01:05:25,480 --> 01:05:30,200 Speaker 4: No, definitely Kendrick. And again I saw some in. 1292 01:05:31,800 --> 01:05:34,120 Speaker 5: TD somehow was connected in the situation where. 1293 01:05:33,960 --> 01:05:37,240 Speaker 3: Yeah, I heard you almost signed the TD at one point, Yeah, 1294 01:05:38,240 --> 01:05:40,960 Speaker 3: I got chills coming out humps was. 1295 01:05:41,560 --> 01:05:46,120 Speaker 2: Like at the time, I think like I was here 1296 01:05:46,200 --> 01:05:48,080 Speaker 2: in top It was like a team type of thing 1297 01:05:48,120 --> 01:05:53,200 Speaker 2: because many Smith was working with Top. It was tied 1298 01:05:53,240 --> 01:05:56,040 Speaker 2: in and then I played the New Freezer. He's like, yo, bro, 1299 01:05:57,520 --> 01:05:59,480 Speaker 2: Kendrick wants to meet you. I told him I was 1300 01:05:59,520 --> 01:06:01,360 Speaker 2: signing you and ship. He wants to meet you. I'm 1301 01:06:01,360 --> 01:06:04,120 Speaker 2: recording at the studio. I'll keep recording every day saying 1302 01:06:04,160 --> 01:06:08,200 Speaker 2: that to you. Yeah, he like, Kendrick wants to meet you. 1303 01:06:08,960 --> 01:06:12,680 Speaker 2: He recording in the room next door. I'm like, Kendrick 1304 01:06:13,320 --> 01:06:15,280 Speaker 2: is right next door in the room. He's like, yeah, 1305 01:06:15,320 --> 01:06:18,440 Speaker 2: he about to come in here. I'm like, oh shit, 1306 01:06:18,960 --> 01:06:22,160 Speaker 2: I'm like all right, man. So I played them two songs. 1307 01:06:22,280 --> 01:06:27,960 Speaker 2: I played them one song and then the second song 1308 01:06:28,040 --> 01:06:32,880 Speaker 2: I played him was New Freezer. So when I'm playing 1309 01:06:32,960 --> 01:06:36,840 Speaker 2: New Freezer for him, he like this the one he 1310 01:06:37,040 --> 01:06:37,760 Speaker 2: like this the one. 1311 01:06:38,680 --> 01:06:39,840 Speaker 1: I was like, that is the one. 1312 01:06:39,960 --> 01:06:40,480 Speaker 4: You know what I'm saying. 1313 01:06:40,480 --> 01:06:42,160 Speaker 1: I was like, yo. 1314 01:06:42,680 --> 01:06:48,000 Speaker 2: But at the time, there was a verse from Asap 1315 01:06:48,160 --> 01:06:52,120 Speaker 2: fer on New Freezer. Because when I record a New Freezer, 1316 01:06:52,840 --> 01:06:56,080 Speaker 2: I was at Quad Studios in New York. It was 1317 01:06:56,560 --> 01:07:01,720 Speaker 2: first it was a fird session, so Ferg had left out. 1318 01:07:01,760 --> 01:07:03,680 Speaker 2: I think he was doing some shit with Buster in 1319 01:07:03,880 --> 01:07:04,440 Speaker 2: the other room. 1320 01:07:04,560 --> 01:07:05,200 Speaker 1: That said. 1321 01:07:07,040 --> 01:07:09,680 Speaker 2: He was doing some shit with Buster, and then I 1322 01:07:09,800 --> 01:07:13,040 Speaker 2: didn't new freezing. I think I recorded like fifteen minutes 1323 01:07:14,080 --> 01:07:17,560 Speaker 2: and then he put a verse on it. So I 1324 01:07:17,640 --> 01:07:19,840 Speaker 2: played it for Kendrick. He was like, all right, cool, 1325 01:07:19,960 --> 01:07:22,320 Speaker 2: I get on it, but it just got to be 1326 01:07:22,480 --> 01:07:26,120 Speaker 2: me and you on the song type shit. I was like, damn, 1327 01:07:27,200 --> 01:07:30,400 Speaker 2: you know what I'm saying, we gotta go, you know, 1328 01:07:31,160 --> 01:07:35,360 Speaker 2: conversation Yeah, a good dude. No, definitely a good dude. 1329 01:07:35,600 --> 01:07:38,040 Speaker 2: So yeah, he definitely understood, and he was like, yeah, bro, 1330 01:07:38,320 --> 01:07:41,160 Speaker 2: deal ship. You know what I'm saying. Definitely go and 1331 01:07:41,360 --> 01:07:44,360 Speaker 2: drop the ship. So I dropped Kendrick and it was like. 1332 01:07:47,320 --> 01:07:47,720 Speaker 1: Out of here. 1333 01:07:48,280 --> 01:07:49,800 Speaker 2: Yeah, I told the girl. 1334 01:07:49,880 --> 01:07:50,200 Speaker 1: It was like. 1335 01:07:50,400 --> 01:07:53,840 Speaker 4: That was three months later after I had brought my 1336 01:07:53,920 --> 01:07:55,840 Speaker 4: way out my deal ship. 1337 01:07:56,440 --> 01:08:01,880 Speaker 3: And because you know, as you I just want to 1338 01:08:01,920 --> 01:08:08,920 Speaker 3: say this to the artists. Most execs thinks they're smarter 1339 01:08:09,040 --> 01:08:12,920 Speaker 3: than us. So when you ask the exit, they're actually 1340 01:08:13,000 --> 01:08:18,240 Speaker 3: laughing at us just being out, they're actually laughing at 1341 01:08:18,320 --> 01:08:22,679 Speaker 3: us because they're gonna say he'll be back or help. 1342 01:08:23,360 --> 01:08:28,040 Speaker 3: So the fact is what you did is it's phenomenal. 1343 01:08:28,120 --> 01:08:30,280 Speaker 3: You know, you did it honorable. I didn't see no 1344 01:08:30,439 --> 01:08:35,280 Speaker 3: fuck QC campaign. I didn't see no, you know, fuck 1345 01:08:35,360 --> 01:08:37,519 Speaker 3: three hundred campaign, just like I just want. 1346 01:08:37,439 --> 01:08:39,680 Speaker 1: To move on and do my ship. And you did it. 1347 01:08:39,760 --> 01:08:40,120 Speaker 2: You did it. 1348 01:08:40,600 --> 01:08:41,880 Speaker 1: That ship is that ship is ill. 1349 01:08:42,120 --> 01:08:43,800 Speaker 3: And that's the reason why I think that they like 1350 01:08:44,120 --> 01:08:46,240 Speaker 3: they're not bothering you, like they're not like trying to 1351 01:08:46,360 --> 01:08:48,920 Speaker 3: like sabotage you a black boy youth because you know, you. 1352 01:08:48,920 --> 01:08:52,719 Speaker 4: Did good business. But I got a question that paying 1353 01:08:52,800 --> 01:08:55,360 Speaker 4: for so you you made that move. 1354 01:08:56,160 --> 01:08:57,920 Speaker 5: Do you do you ever feel because you were honest 1355 01:08:57,960 --> 01:08:59,719 Speaker 5: with Interscope about your situation. 1356 01:09:00,120 --> 01:09:02,240 Speaker 1: Yeah, he was honest with Manny Smith. 1357 01:09:02,400 --> 01:09:06,320 Speaker 3: That wasn't he didn't represent any school he did, So 1358 01:09:06,479 --> 01:09:07,160 Speaker 3: you're being honest. 1359 01:09:09,320 --> 01:09:11,479 Speaker 5: So you know, you're kind of showing your vulnerability to 1360 01:09:11,600 --> 01:09:14,719 Speaker 5: the label. You know, when you got these this contract 1361 01:09:14,760 --> 01:09:18,280 Speaker 5: from them, you went through it thoroughly. I'm assuming you 1362 01:09:18,320 --> 01:09:19,840 Speaker 5: want to make sure that they're not saying, oh, he 1363 01:09:20,160 --> 01:09:22,360 Speaker 5: needs this, so we try to sneak this and sneak 1364 01:09:22,400 --> 01:09:22,560 Speaker 5: in this. 1365 01:09:22,880 --> 01:09:22,920 Speaker 1: No. 1366 01:09:23,120 --> 01:09:24,799 Speaker 2: Yeah, I fulfill the contract. 1367 01:09:25,320 --> 01:09:31,160 Speaker 4: But I mean I thought myself for like. 1368 01:09:32,640 --> 01:09:35,760 Speaker 2: Like kind of getting into it with them, for like, 1369 01:09:36,280 --> 01:09:38,920 Speaker 2: like I said, like feeling like I wasn't treated like 1370 01:09:39,000 --> 01:09:41,280 Speaker 2: their biggest artists or something like that. So I kind 1371 01:09:41,320 --> 01:09:43,840 Speaker 2: of like really got into it with them, like oh, 1372 01:09:44,479 --> 01:09:46,519 Speaker 2: getting pissed off because you got to think about it. 1373 01:09:46,640 --> 01:09:50,320 Speaker 2: I'm not knowing I'm not knowing shit about no label business. 1374 01:09:50,800 --> 01:09:54,160 Speaker 2: I'm coming straight off the streets. I'm just no Listen, 1375 01:09:54,360 --> 01:09:57,120 Speaker 2: this is my music. I feel passionate about this, and 1376 01:09:57,840 --> 01:10:00,760 Speaker 2: I'm willing to go whatever the risk is for this, 1377 01:10:00,840 --> 01:10:02,519 Speaker 2: you know what I'm saying. So I kind of got 1378 01:10:02,560 --> 01:10:05,240 Speaker 2: into it with them and I had to leave In 1379 01:10:05,320 --> 01:10:07,759 Speaker 2: the scope, They're like, Okay, you can't be on Interscope 1380 01:10:07,760 --> 01:10:09,200 Speaker 2: anymore type ship because. 1381 01:10:09,000 --> 01:10:10,920 Speaker 1: That would have been your first official rollout on a 1382 01:10:11,200 --> 01:10:11,679 Speaker 1: mad Yeah. 1383 01:10:11,720 --> 01:10:14,120 Speaker 2: Yeah, right, yeah, I dropped the I dropped the album 1384 01:10:14,320 --> 01:10:16,559 Speaker 2: with them and with Number two and share on bill Boys. 1385 01:10:17,000 --> 01:10:19,360 Speaker 2: But after that, after that, like I was getting into 1386 01:10:19,439 --> 01:10:22,679 Speaker 2: it with them because I feel like just some things 1387 01:10:23,720 --> 01:10:26,320 Speaker 2: wasn't you know what I'm saying, How I wanted to 1388 01:10:26,439 --> 01:10:27,080 Speaker 2: you feel what I'm saying. 1389 01:10:27,120 --> 01:10:30,200 Speaker 4: And I got into it and they let me go 1390 01:10:30,280 --> 01:10:30,919 Speaker 4: to the Republic. 1391 01:10:31,479 --> 01:10:33,160 Speaker 3: That's the thing about in the Scope, it seems like 1392 01:10:33,200 --> 01:10:36,240 Speaker 3: they either fully got your back or not at all? 1393 01:10:36,760 --> 01:10:39,960 Speaker 1: Right, Like I mean, did that feel like that for you? 1394 01:10:41,320 --> 01:10:41,559 Speaker 12: Man? 1395 01:10:41,760 --> 01:10:44,000 Speaker 4: I just I feel like it is what it is 1396 01:10:44,080 --> 01:10:45,519 Speaker 4: at this point, you know what I'm saying. 1397 01:10:46,080 --> 01:10:51,320 Speaker 2: Like they did with the Yeah, well I needed the 1398 01:10:51,400 --> 01:10:54,280 Speaker 2: ship was insane, you know what I'm saying. So I 1399 01:10:54,360 --> 01:10:57,160 Speaker 2: feel like bro, I do. Like I said, I fought 1400 01:10:57,240 --> 01:11:02,479 Speaker 2: myself for not knowing how to be a businessman. Just 1401 01:11:03,000 --> 01:11:05,800 Speaker 2: a young nigga coming in like a young nigga. I 1402 01:11:05,960 --> 01:11:08,680 Speaker 2: want some young nigga shit like nigga. I want my 1403 01:11:08,760 --> 01:11:12,120 Speaker 2: ship on the fucking web caviar right now, That's not 1404 01:11:12,240 --> 01:11:13,200 Speaker 2: exactly what I'm saying. 1405 01:11:14,280 --> 01:11:16,000 Speaker 4: I want number one on motherfucking this. 1406 01:11:17,000 --> 01:11:17,639 Speaker 2: You know what I'm saying. 1407 01:11:17,680 --> 01:11:18,000 Speaker 7: It's like. 1408 01:11:19,840 --> 01:11:21,040 Speaker 2: Like they work, how they work. 1409 01:11:21,880 --> 01:11:25,200 Speaker 3: You know what's interesting what you're saying. As you said, 1410 01:11:25,400 --> 01:11:27,880 Speaker 3: radio is it? They don't make money off for radio, 1411 01:11:27,960 --> 01:11:34,360 Speaker 3: no more said. And you know, for me, that's how 1412 01:11:34,400 --> 01:11:38,519 Speaker 3: we started our campaign. We went to master Flex drop 1413 01:11:38,560 --> 01:11:43,679 Speaker 3: a bomb, uh the Flex a cosmic capital here about 1414 01:11:43,680 --> 01:11:46,400 Speaker 3: it in Philadelphia Cosmic kevi do it crack here. 1415 01:11:47,760 --> 01:11:49,760 Speaker 2: That's how I started off a lot of my artists too, 1416 01:11:49,920 --> 01:11:54,679 Speaker 2: Like I knowing independently I'm gonna spend money on radio 1417 01:11:54,720 --> 01:11:56,760 Speaker 2: and turn them up, you know what I'm saying. Then 1418 01:11:56,840 --> 01:11:58,960 Speaker 2: they're like, who the fuck is this? Kid going crazy, 1419 01:11:59,080 --> 01:12:00,800 Speaker 2: you know what I'm saying. So then they had to 1420 01:12:00,840 --> 01:12:04,240 Speaker 2: come back to me like Okay, oh now they know 1421 01:12:04,320 --> 01:12:05,880 Speaker 2: what he's doing, you know what I'm saying. 1422 01:12:06,160 --> 01:12:07,920 Speaker 3: But then how do you how do you transition that 1423 01:12:08,000 --> 01:12:11,280 Speaker 3: if you start your new artist or say like Jake 1424 01:12:11,320 --> 01:12:14,960 Speaker 3: Cret Chris, how do you do that if you started 1425 01:12:14,960 --> 01:12:18,320 Speaker 3: off from radio but your generation people that y'all controlled 1426 01:12:18,439 --> 01:12:20,880 Speaker 3: is Spotify, Apple, Like. 1427 01:12:20,960 --> 01:12:25,040 Speaker 2: With Jake Chris, like bro it was just organically, Yeah, 1428 01:12:25,080 --> 01:12:29,559 Speaker 2: he from Brooklyn organically just dropping video as a video 1429 01:12:30,120 --> 01:12:34,160 Speaker 2: us dropping mixtapes together, back to back to back. So 1430 01:12:34,360 --> 01:12:37,600 Speaker 2: his come up was just really organic, you know what 1431 01:12:37,600 --> 01:12:41,479 Speaker 2: I'm saying. So it was really easy, like on the 1432 01:12:41,560 --> 01:12:44,040 Speaker 2: come up for him. And then I was signed to 1433 01:12:44,080 --> 01:12:47,879 Speaker 2: Interscope and then I was like, yo, sign him to Terscope, 1434 01:12:47,960 --> 01:12:51,320 Speaker 2: like we it's a team type of thing. So I 1435 01:12:51,520 --> 01:12:54,600 Speaker 2: was like I went on that end, right, So. 1436 01:12:55,040 --> 01:12:58,040 Speaker 1: We talked about Jay. Now I want to talk about 1437 01:13:00,160 --> 01:13:02,400 Speaker 1: what's my man next? Decks? Famous decks? 1438 01:13:02,520 --> 01:13:08,760 Speaker 3: Right, me being the elder statesman in this game, And 1439 01:13:09,400 --> 01:13:11,680 Speaker 3: I don't want to say that, but I'll say it 1440 01:13:11,760 --> 01:13:15,000 Speaker 3: for lack of a better term, successful elder statesmen. You 1441 01:13:15,000 --> 01:13:17,920 Speaker 3: know what I'm saying, not somebody that you know that 1442 01:13:18,080 --> 01:13:20,200 Speaker 3: had a success, And then I'm sitting around you. 1443 01:13:20,280 --> 01:13:22,599 Speaker 1: Know what I did back then? No, I'm still making 1444 01:13:22,720 --> 01:13:23,880 Speaker 1: history now, you know what I'm saying. 1445 01:13:23,880 --> 01:13:27,560 Speaker 3: I'm still doing it. And I was I would be 1446 01:13:27,640 --> 01:13:30,560 Speaker 3: scared to reach out to the young generation, right me. 1447 01:13:30,760 --> 01:13:33,840 Speaker 3: This is me personally, just not you know, me talking 1448 01:13:33,840 --> 01:13:35,880 Speaker 3: about any anything else. That's why I said, but I 1449 01:13:35,960 --> 01:13:38,479 Speaker 3: see you. It's like a pleasure the light when I 1450 01:13:38,520 --> 01:13:41,000 Speaker 3: see young motherfuckers that know what time it is, and 1451 01:13:41,080 --> 01:13:43,840 Speaker 3: it's like, all right cool. One of the very first 1452 01:13:43,920 --> 01:13:49,080 Speaker 3: times I wanted to reach out and just kind of 1453 01:13:49,120 --> 01:13:51,720 Speaker 3: like offer a hug to somebody was when I seen 1454 01:13:51,800 --> 01:13:54,640 Speaker 3: Famous Decks and I believe it might have been on 1455 01:13:54,760 --> 01:13:59,400 Speaker 3: No Jump or I'm not sure, and it just didn't 1456 01:13:59,479 --> 01:14:04,040 Speaker 3: look right mhm. And I know I'm drinking alcohol, and 1457 01:14:04,040 --> 01:14:06,080 Speaker 3: I'm drinking alcohol. I have a show based on alcohol, 1458 01:14:06,120 --> 01:14:08,080 Speaker 3: So it's like, how the fuck is this nigga? Gonna 1459 01:14:08,080 --> 01:14:10,160 Speaker 3: critique this nigga? But I'm not critiquing him from an 1460 01:14:10,160 --> 01:14:13,600 Speaker 3: alcohol standpoint. I'm critiquing him from an oldest statesman of 1461 01:14:13,760 --> 01:14:16,120 Speaker 3: hip hop. And it's like, Yo, I've been through this ship. 1462 01:14:17,080 --> 01:14:17,320 Speaker 2: You know what. 1463 01:14:17,360 --> 01:14:19,400 Speaker 3: I mean, I wanted to sit down with him. I 1464 01:14:19,600 --> 01:14:22,720 Speaker 3: never got a chance to. But when you've seen that, 1465 01:14:23,320 --> 01:14:25,720 Speaker 3: I'm sure you've seen the same interview that I saw. 1466 01:14:26,240 --> 01:14:27,960 Speaker 3: And this is your man, I know, I know you 1467 01:14:28,040 --> 01:14:31,880 Speaker 3: call him your brother. Actually what was the phone calls 1468 01:14:31,960 --> 01:14:33,800 Speaker 3: like when people saw that? 1469 01:14:33,920 --> 01:14:40,599 Speaker 2: And man, I don't I really don't know exactly which 1470 01:14:40,720 --> 01:14:42,240 Speaker 2: interview you're talking about in particular. 1471 01:14:42,400 --> 01:14:45,000 Speaker 1: Yeah, but I know there was like, yeah, I fell 1472 01:14:45,040 --> 01:14:45,960 Speaker 1: asleep in the interview. 1473 01:14:46,600 --> 01:14:50,400 Speaker 2: Yeah, of course, like when he was started spiraling, I 1474 01:14:50,520 --> 01:14:52,000 Speaker 2: had to hit him up as a brother and call 1475 01:14:52,080 --> 01:14:54,080 Speaker 2: him like, Yo, we gotta get this together. You know 1476 01:14:54,120 --> 01:14:56,840 Speaker 2: what I'm saying. I took him to rehab a couple 1477 01:14:56,840 --> 01:14:58,680 Speaker 2: of times, you know what I'm saying. He went to 1478 01:14:58,760 --> 01:15:02,840 Speaker 2: jail after that. You know, it's just like he came 1479 01:15:02,880 --> 01:15:05,680 Speaker 2: home a Christian, Yes, just you know, struggling with an 1480 01:15:05,680 --> 01:15:08,280 Speaker 2: addiction is hard, bro, Like you know what I'm saying, 1481 01:15:08,360 --> 01:15:11,280 Speaker 2: And as a brother, I just got to be there 1482 01:15:11,320 --> 01:15:14,000 Speaker 2: to support him, you know, every way I can, you 1483 01:15:14,040 --> 01:15:16,840 Speaker 2: know what I'm saying, Like, however you want to get there. 1484 01:15:17,240 --> 01:15:21,479 Speaker 2: I took him, I drove to rehabs, I took him 1485 01:15:21,479 --> 01:15:23,479 Speaker 2: on the jets rehabs. However, you want to get there, 1486 01:15:23,640 --> 01:15:25,880 Speaker 2: I'm gonna take you there to get help. 1487 01:15:25,960 --> 01:15:27,240 Speaker 4: You know what I'm saying. I'm gonna be here to 1488 01:15:27,320 --> 01:15:27,560 Speaker 4: help you. 1489 01:15:28,160 --> 01:15:30,240 Speaker 2: You know what I'm saying. But you know, like you 1490 01:15:30,320 --> 01:15:32,559 Speaker 2: gotta really want help for yourself, you know what I'm saying. 1491 01:15:32,600 --> 01:15:34,240 Speaker 2: That's why I tell him every time, like, bro, you 1492 01:15:34,360 --> 01:15:38,040 Speaker 2: have to want this for yourself. You know, It's just 1493 01:15:38,280 --> 01:15:40,479 Speaker 2: it's hard, bro. You know it's usually you got to 1494 01:15:40,520 --> 01:15:43,680 Speaker 2: hit rock bottom to But you know, I'm here for 1495 01:15:43,800 --> 01:15:47,160 Speaker 2: him always. I'm always here from him. That's my brother. 1496 01:15:47,360 --> 01:15:49,840 Speaker 1: Like I said, you know, let me let me change 1497 01:15:49,840 --> 01:15:50,559 Speaker 1: it up a little bit. 1498 01:15:50,720 --> 01:15:50,840 Speaker 2: Right. 1499 01:15:54,200 --> 01:15:57,400 Speaker 1: One of the things that I love doing this show. 1500 01:15:57,760 --> 01:15:59,040 Speaker 1: There's two things. I like. 1501 01:16:00,520 --> 01:16:04,400 Speaker 3: Understanding people's drink order whenever I say, like what they drinking? 1502 01:16:04,640 --> 01:16:07,120 Speaker 3: I love that ship, right, And then I love the 1503 01:16:07,160 --> 01:16:12,080 Speaker 3: funk with your fans. So I went on Twitter. I 1504 01:16:12,200 --> 01:16:15,400 Speaker 3: was like, yeah, we gotta rich the kid and your 1505 01:16:15,479 --> 01:16:20,120 Speaker 3: fans are crazy. Do you realize how crazy is your fans? 1506 01:16:20,520 --> 01:16:22,720 Speaker 3: Like no, no, no, no, no, no, no no no no, 1507 01:16:23,439 --> 01:16:24,040 Speaker 3: that's crazy. 1508 01:16:25,080 --> 01:16:28,320 Speaker 1: Like, I mean you have a cult following, like and 1509 01:16:28,600 --> 01:16:29,639 Speaker 1: I'm saying. 1510 01:16:29,479 --> 01:16:30,519 Speaker 4: Cope, that's a good thing. 1511 01:16:30,840 --> 01:16:32,679 Speaker 1: That's a good thing. Not Marilynd Madison. 1512 01:16:33,080 --> 01:16:33,920 Speaker 4: That's a positive thing. 1513 01:16:34,200 --> 01:16:37,320 Speaker 1: It's a positive thing. Like like I said that show 1514 01:16:37,400 --> 01:16:39,519 Speaker 1: my bad I said that ship and they was. 1515 01:16:40,439 --> 01:16:42,400 Speaker 3: I mean, they hit me with so much questions and 1516 01:16:42,560 --> 01:16:45,120 Speaker 3: so much crazy ship and they was. 1517 01:16:45,439 --> 01:16:46,360 Speaker 1: You know, but. 1518 01:16:47,840 --> 01:16:50,839 Speaker 4: Yeah, I have fans being fans be fans. 1519 01:16:51,920 --> 01:16:54,000 Speaker 3: Last time I seen this was when we had Little 1520 01:16:54,000 --> 01:16:58,880 Speaker 3: Wayne on the show. The only difference between your fans 1521 01:16:58,920 --> 01:17:01,360 Speaker 3: a little Wayne fans. Your fans is way more aggressive 1522 01:17:01,800 --> 01:17:04,920 Speaker 3: Wayne little way fans is nice. They're like, so when 1523 01:17:04,960 --> 01:17:07,400 Speaker 3: are we going to drop your fans? Like where's that 1524 01:17:07,479 --> 01:17:08,120 Speaker 3: ship dropping? 1525 01:17:08,680 --> 01:17:09,360 Speaker 4: Like shit? 1526 01:17:09,800 --> 01:17:15,760 Speaker 3: So so do you understand your fan base? Yeah, for sure, 1527 01:17:16,040 --> 01:17:17,400 Speaker 3: because I didn't understand it. 1528 01:17:17,479 --> 01:17:20,120 Speaker 2: Was just like fans, my fans just like you gotta 1529 01:17:20,200 --> 01:17:23,760 Speaker 2: just keep feeding them like NonStop, gotta keep going, keep going, 1530 01:17:23,880 --> 01:17:26,920 Speaker 2: keep dropping. And because you got to think about like 1531 01:17:27,600 --> 01:17:30,760 Speaker 2: music is changing. You know what I'm saying. Hip hop 1532 01:17:30,920 --> 01:17:33,439 Speaker 2: is changing, the way that people consume music is changing. 1533 01:17:34,439 --> 01:17:37,920 Speaker 2: It's just like there's people coming out every day, what 1534 01:17:37,920 --> 01:17:41,599 Speaker 2: I'm saying. So it's like music every hour, every hour, damn, 1535 01:17:41,600 --> 01:17:43,080 Speaker 2: you know what I'm saying. So you just got to 1536 01:17:43,160 --> 01:17:47,800 Speaker 2: really adapt to this ship, like so adapted to my 1537 01:17:47,920 --> 01:17:51,200 Speaker 2: fans changing, my fans getting older. Everybody get older. 1538 01:17:51,000 --> 01:17:52,920 Speaker 4: You know what I'm saying. So I'm just getting used 1539 01:17:52,920 --> 01:17:55,639 Speaker 4: to that ship keep dropping, you know what I'm saying. 1540 01:17:55,640 --> 01:17:58,479 Speaker 2: It just like right now, I'm just elevating the sound, 1541 01:17:58,479 --> 01:18:00,519 Speaker 2: like I said before, like elevation in the town. 1542 01:18:01,120 --> 01:18:03,840 Speaker 4: So I'm I'm excited. I'm super excited for. 1543 01:18:04,000 --> 01:18:05,280 Speaker 2: What was to come. 1544 01:18:06,960 --> 01:18:09,439 Speaker 1: And the luxury of having a cult following is that 1545 01:18:09,600 --> 01:18:10,519 Speaker 1: they'll change with you. 1546 01:18:11,200 --> 01:18:13,680 Speaker 3: And being an artist CEO that that works for you 1547 01:18:14,280 --> 01:18:19,080 Speaker 3: because you're doing it right now. You're doing a perfect 1548 01:18:19,200 --> 01:18:23,400 Speaker 3: balance of being an artist and taking care of your artist. 1549 01:18:24,120 --> 01:18:27,080 Speaker 1: That is fucking hard to do, for sure. I believe 1550 01:18:27,160 --> 01:18:30,599 Speaker 1: Rick Ross was successful in doing that, and I don't 1551 01:18:30,640 --> 01:18:31,679 Speaker 1: believe it. There's a lot of others. 1552 01:18:32,560 --> 01:18:38,360 Speaker 4: I think Fat Joe Jay, Oh Jay, I got about yeah. 1553 01:18:39,880 --> 01:18:44,760 Speaker 3: Fifty right, yes, look look at us. I don't think 1554 01:18:44,800 --> 01:18:51,800 Speaker 3: we at four. I think we at four. Who threw 1555 01:18:51,800 --> 01:18:59,240 Speaker 3: a rock Da Burkin bird man Man became he was 1556 01:18:59,280 --> 01:19:01,759 Speaker 3: a CEO talking strictly like, yeah, yeah, I'm talking. 1557 01:19:01,600 --> 01:19:04,080 Speaker 1: About artist, artist, artist, artists. 1558 01:19:03,800 --> 01:19:07,400 Speaker 5: Yeah, good music, yeah yeah yeah. But Kanye had the 1559 01:19:07,479 --> 01:19:11,640 Speaker 5: luxury of being a producer artist, so yeah, yo got 1560 01:19:12,680 --> 01:19:14,160 Speaker 5: you got, Yo got definitely. 1561 01:19:14,439 --> 01:19:16,679 Speaker 1: Every time I see Yo Gotti to change. 1562 01:19:18,080 --> 01:19:22,000 Speaker 3: Did you ever think like when you first started rapping? Yeah, 1563 01:19:22,400 --> 01:19:25,280 Speaker 3: and the level you're at now, like like one of 1564 01:19:25,280 --> 01:19:26,599 Speaker 3: the that's one of the best things. 1565 01:19:26,640 --> 01:19:26,800 Speaker 1: I know. 1566 01:19:26,920 --> 01:19:31,400 Speaker 3: We spoke about it earlier. Is not only you being 1567 01:19:31,479 --> 01:19:34,120 Speaker 3: in the rap game, you could be in the rap game. 1568 01:19:34,200 --> 01:19:36,559 Speaker 3: There's a lot of people in the rap game. You're 1569 01:19:36,600 --> 01:19:39,600 Speaker 3: being respected in the rap game. Yeah, Like I was 1570 01:19:39,680 --> 01:19:42,920 Speaker 3: so happy going through your and I'm just like, Yo, 1571 01:19:43,160 --> 01:19:50,000 Speaker 3: this one got hit. But two they respect him and 1572 01:19:50,280 --> 01:19:52,960 Speaker 3: and that is a big thing, and it did Did 1573 01:19:53,040 --> 01:19:54,920 Speaker 3: you ever you ever noticed that? 1574 01:19:56,560 --> 01:19:58,360 Speaker 2: Man? I just try to stay in my lane and 1575 01:19:58,640 --> 01:20:00,200 Speaker 2: just be me. You know what I'm saying, Do me 1576 01:20:00,880 --> 01:20:04,400 Speaker 2: and continue to do that. You know, people look at 1577 01:20:04,479 --> 01:20:07,000 Speaker 2: other people on the ground or look at other people's 1578 01:20:07,080 --> 01:20:10,240 Speaker 2: career and other says, and they might start spiraling and 1579 01:20:10,400 --> 01:20:12,280 Speaker 2: doing whatever they do. You know what I'm saying. I 1580 01:20:12,479 --> 01:20:17,640 Speaker 2: just am good at doing me and only that. That's 1581 01:20:17,960 --> 01:20:19,360 Speaker 2: that's all I ever do. 1582 01:20:20,760 --> 01:20:25,639 Speaker 3: That's a beautiful thing, man. It's because to give respect 1583 01:20:25,760 --> 01:20:29,280 Speaker 3: is one thing. To get it back there's a whole another. 1584 01:20:29,479 --> 01:20:32,439 Speaker 3: And I can tell people go in a session with 1585 01:20:32,560 --> 01:20:36,120 Speaker 3: you and ask your opinion, what do you think about this? 1586 01:20:36,680 --> 01:20:39,080 Speaker 3: I can tell because all the records that you on, 1587 01:20:39,240 --> 01:20:42,120 Speaker 3: whether it's what artists or not, your influences throughout the 1588 01:20:42,160 --> 01:20:44,840 Speaker 3: whole record. So I'm not trying to say your ghost 1589 01:20:44,840 --> 01:20:46,439 Speaker 3: writing nigga shit, maybe I am. 1590 01:20:46,760 --> 01:20:47,360 Speaker 1: You know what I'm saying. 1591 01:20:47,439 --> 01:20:48,920 Speaker 3: But what I'm trying to say is, I know you're 1592 01:20:48,920 --> 01:20:51,200 Speaker 3: constructing these records. I know people are coming to you 1593 01:20:51,360 --> 01:20:53,600 Speaker 3: and saying, what do you think I just should do 1594 01:20:53,760 --> 01:20:56,560 Speaker 3: on this thing? So do you feel like you're a 1595 01:20:56,640 --> 01:20:58,479 Speaker 3: producer producer? 1596 01:21:00,040 --> 01:21:02,760 Speaker 2: Couldn't say Champagne, I could say a producer you put 1597 01:21:02,880 --> 01:21:05,240 Speaker 2: if you're putting records together that. 1598 01:21:06,280 --> 01:21:07,960 Speaker 1: You know what I'm saying, I ain't gonna I want 1599 01:21:07,960 --> 01:21:10,240 Speaker 1: you to produce the record for me. Let's do it. 1600 01:21:17,800 --> 01:21:21,360 Speaker 5: Okay, what if from what you've been dealing with and 1601 01:21:21,479 --> 01:21:23,800 Speaker 5: working with in your career right now, where do you 1602 01:21:23,840 --> 01:21:24,960 Speaker 5: think you might have messed up? 1603 01:21:25,040 --> 01:21:25,080 Speaker 1: Like? 1604 01:21:25,160 --> 01:21:28,640 Speaker 4: What what things do you regret in this journey. 1605 01:21:29,240 --> 01:21:31,000 Speaker 2: Arguing with the labels? You know what I'm saying, getting 1606 01:21:31,000 --> 01:21:35,639 Speaker 2: into it with them because Dave Dave some folks when 1607 01:21:36,040 --> 01:21:42,000 Speaker 2: don't folks don't play? Yeah, biggest regret, that's one of 1608 01:21:42,080 --> 01:21:45,679 Speaker 2: my bist regression. Yeah, for sure, arguing with them getting 1609 01:21:45,680 --> 01:21:49,280 Speaker 2: into what Okay, you just getting black ball for real? 1610 01:21:50,160 --> 01:21:53,400 Speaker 4: That ship is not a joke. Is not a joke. 1611 01:21:53,920 --> 01:21:56,720 Speaker 2: It is not joke. It's is not a game. 1612 01:21:56,840 --> 01:21:59,519 Speaker 4: When you're coming, they spend money to bring your name down. 1613 01:22:01,280 --> 01:22:03,720 Speaker 1: Money what what what? 1614 01:22:03,960 --> 01:22:06,400 Speaker 3: What's your first moment that you were just going through? 1615 01:22:06,560 --> 01:22:08,759 Speaker 3: Was it at in the school? 1616 01:22:09,280 --> 01:22:09,479 Speaker 4: Yeah? 1617 01:22:09,560 --> 01:22:10,120 Speaker 2: Yeah, for sure. 1618 01:22:10,320 --> 01:22:11,759 Speaker 1: Okay, so tell's what happened. 1619 01:22:13,520 --> 01:22:16,679 Speaker 5: He didn't feel he was getting the same level of attention. 1620 01:22:16,880 --> 01:22:17,400 Speaker 5: Is the is the. 1621 01:22:18,880 --> 01:22:19,080 Speaker 2: Look? 1622 01:22:19,320 --> 01:22:21,639 Speaker 4: I'm sorry, I'm sorry for this. You know what I'm saying. 1623 01:22:21,800 --> 01:22:24,880 Speaker 2: Okay, no problem, my bad, y'all. I was tripping. I 1624 01:22:25,000 --> 01:22:26,960 Speaker 2: was I don't know what I was sipping that day. 1625 01:22:27,560 --> 01:22:30,639 Speaker 2: You said it to them, but yeah, yeah, I don't 1626 01:22:30,640 --> 01:22:35,720 Speaker 2: want no problem with nothing. But like, yeah, I was 1627 01:22:35,800 --> 01:22:38,160 Speaker 2: tripping whatever. I got on Twitter and I posted one 1628 01:22:38,200 --> 01:22:40,800 Speaker 2: of their numbers, like yo, tell yo, tell them stop 1629 01:22:40,880 --> 01:22:44,080 Speaker 2: playing with me and drop my song. They better, they 1630 01:22:44,200 --> 01:22:47,360 Speaker 2: better do this. I was swallowing, you know what I'm saying, 1631 01:22:47,880 --> 01:22:51,080 Speaker 2: and I started bro I was tripping. I was on 1632 01:22:51,240 --> 01:22:53,000 Speaker 2: the drink. I was sipping lean and you know what 1633 01:22:53,040 --> 01:22:56,560 Speaker 2: I'm saying. I had a bad lean problem. But you 1634 01:22:56,640 --> 01:22:58,720 Speaker 2: know what I'm saying. And I was wild enough, but 1635 01:22:58,800 --> 01:23:00,280 Speaker 2: I was upset. I was years. 1636 01:23:00,320 --> 01:23:03,880 Speaker 1: I feel like, this is my music terrible. Yeah I 1637 01:23:03,960 --> 01:23:06,080 Speaker 1: get it, I get it, but it's not terrible. It's 1638 01:23:06,080 --> 01:23:06,599 Speaker 1: not terrible. 1639 01:23:07,040 --> 01:23:11,200 Speaker 2: They could change their number. Yeah, you don't want to 1640 01:23:11,240 --> 01:23:14,320 Speaker 2: see you. All the label want to see you. 1641 01:23:21,280 --> 01:23:22,400 Speaker 4: Bro, This is not a game. 1642 01:23:24,000 --> 01:23:25,160 Speaker 1: You don't want to change something. 1643 01:23:26,720 --> 01:23:29,920 Speaker 4: Sure, And and it's like bro, like I said, I 1644 01:23:30,120 --> 01:23:33,559 Speaker 4: was just young and stupid, just fresh off I'm damn 1645 01:23:33,600 --> 01:23:35,759 Speaker 4: near fresh off the porch. I'm not signed. 1646 01:23:35,800 --> 01:23:38,840 Speaker 2: I've never been signed to no label. I'm I'm not 1647 01:23:38,960 --> 01:23:42,919 Speaker 2: playing by my music. I stood in front of the clubs, 1648 01:23:43,120 --> 01:23:45,439 Speaker 2: hand out these CDs. I went to every club. I 1649 01:23:45,479 --> 01:23:47,559 Speaker 2: went to one club, to another club, to another club, 1650 01:23:48,280 --> 01:23:50,799 Speaker 2: rode on the train. I ain't have no money to get. 1651 01:23:50,720 --> 01:23:51,360 Speaker 4: Home after that. 1652 01:23:51,960 --> 01:23:54,560 Speaker 2: So and then I'm just signing to you, putting my 1653 01:23:54,720 --> 01:23:57,080 Speaker 2: music in your hands. And then you're telling me I 1654 01:23:57,120 --> 01:23:59,360 Speaker 2: can't do this, I can't do that, this has to 1655 01:23:59,439 --> 01:24:01,679 Speaker 2: be Then this, I'm like, what the fuck? 1656 01:24:01,840 --> 01:24:02,040 Speaker 1: Man? 1657 01:24:02,080 --> 01:24:02,560 Speaker 2: What is you? 1658 01:24:02,680 --> 01:24:03,320 Speaker 3: What is going on? 1659 01:24:03,760 --> 01:24:07,320 Speaker 2: You know what I'm saying, But that's business. The day, 1660 01:24:07,439 --> 01:24:10,000 Speaker 2: that's business. You sign a contract and we know that business. 1661 01:24:10,000 --> 01:24:11,400 Speaker 2: You feel I'm saying, you sign a contract in. 1662 01:24:11,400 --> 01:24:13,360 Speaker 5: This says, but you know what, it's not really fair 1663 01:24:13,400 --> 01:24:15,559 Speaker 5: business if you think about if the if the opposite 1664 01:24:15,640 --> 01:24:18,400 Speaker 5: person in that business transaction doesn't know the business. Now 1665 01:24:18,439 --> 01:24:21,479 Speaker 5: do you think do you think that because in our 1666 01:24:21,600 --> 01:24:25,040 Speaker 5: in the nineties there was there was artist development. 1667 01:24:25,880 --> 01:24:28,240 Speaker 1: You wouldn't sign and just go out to the public. 1668 01:24:28,560 --> 01:24:30,479 Speaker 5: They would put you through a process like a boot 1669 01:24:30,520 --> 01:24:32,280 Speaker 5: camp to understand stuff. 1670 01:24:32,280 --> 01:24:33,360 Speaker 1: Do you think that that's needed? 1671 01:24:34,520 --> 01:24:34,720 Speaker 9: Man? 1672 01:24:34,880 --> 01:24:38,920 Speaker 4: Nowadays, that's bro. They signed so many people off of whatever. 1673 01:24:39,600 --> 01:24:42,439 Speaker 4: I don't know. That's I don't even sink that's possible. 1674 01:24:42,520 --> 01:24:44,840 Speaker 5: No, it's not possible, but no, no, but it is 1675 01:24:44,920 --> 01:24:47,240 Speaker 5: possible because because the artist, because. 1676 01:24:47,000 --> 01:24:49,439 Speaker 1: Of the artist stuff is in real time, we can't 1677 01:24:49,479 --> 01:24:50,280 Speaker 1: do that. But hit me out. 1678 01:24:50,360 --> 01:24:53,639 Speaker 3: That's like you signed his artist and him not telling 1679 01:24:53,680 --> 01:24:56,160 Speaker 3: him to listen. You know, most people respect when you 1680 01:24:56,200 --> 01:24:58,719 Speaker 3: don't rhy on for the vocals. That's kind of artist. 1681 01:24:58,600 --> 01:25:01,640 Speaker 1: Development right there. True him just saying that, you're just 1682 01:25:01,680 --> 01:25:02,840 Speaker 1: saying to famous decks. Yo. 1683 01:25:02,920 --> 01:25:06,679 Speaker 2: It's different too, because like I've never used the writer ever, 1684 01:25:07,320 --> 01:25:09,160 Speaker 2: you know what I'm saying, So artists development, they could 1685 01:25:09,200 --> 01:25:12,200 Speaker 2: be like okay, now using right, and now you're doing 1686 01:25:12,439 --> 01:25:14,320 Speaker 2: the development. 1687 01:25:18,439 --> 01:25:20,519 Speaker 1: Artist development is showing you how to speak to readio. 1688 01:25:20,560 --> 01:25:23,879 Speaker 1: You're thinking about label side, there's management artists development. Management 1689 01:25:23,960 --> 01:25:25,360 Speaker 1: tells you about the artist development. 1690 01:25:25,360 --> 01:25:27,960 Speaker 3: That's a different part. Okay, that's the part you look 1691 01:25:28,040 --> 01:25:28,160 Speaker 3: and I. 1692 01:25:28,160 --> 01:25:30,000 Speaker 5: Don't think anybody's going to really kind of get this, 1693 01:25:30,200 --> 01:25:32,760 Speaker 5: But remember, ultimately, when you signed a record label, that's 1694 01:25:32,760 --> 01:25:34,479 Speaker 5: a loan, that's a that's a bank loan. 1695 01:25:35,479 --> 01:25:38,840 Speaker 2: You know that they don't understand that. They don't understand that. 1696 01:25:38,920 --> 01:25:41,040 Speaker 2: They just know at the end of this check, at 1697 01:25:41,040 --> 01:25:44,639 Speaker 2: the end of this contract is a check. My lawyer 1698 01:25:44,720 --> 01:25:47,519 Speaker 2: whatever he said, it's cool. I know I'm about to 1699 01:25:47,520 --> 01:25:49,280 Speaker 2: get this money tomorrow. 1700 01:25:51,880 --> 01:25:54,200 Speaker 5: In the context of that, In the context of that, 1701 01:25:54,360 --> 01:25:56,640 Speaker 5: you know that they that back in the days when 1702 01:25:56,680 --> 01:26:00,639 Speaker 5: they was given credit cards to sixteen year old kids 1703 01:26:00,680 --> 01:26:03,160 Speaker 5: from that age on, they called the predatory lending and 1704 01:26:03,240 --> 01:26:05,840 Speaker 5: it became a big lawsuit and they called and then 1705 01:26:05,920 --> 01:26:08,720 Speaker 5: they suit all the banks. That's what the labels are 1706 01:26:08,760 --> 01:26:12,320 Speaker 5: doing when they signed these young artists. It's predatory lending. 1707 01:26:13,160 --> 01:26:13,400 Speaker 1: Damn. 1708 01:26:15,080 --> 01:26:17,840 Speaker 5: They might be a little older than sixteen, but they 1709 01:26:17,880 --> 01:26:21,439 Speaker 5: don't have their financial education yet. So you you you 1710 01:26:21,560 --> 01:26:22,720 Speaker 5: you really taking advantage of that. 1711 01:26:22,800 --> 01:26:28,840 Speaker 1: Artist jeez, Louise, Papa Chee. We got deep. Now you 1712 01:26:28,880 --> 01:26:36,920 Speaker 1: bringing out of other now okay, now, so let's talk 1713 01:26:36,920 --> 01:26:40,439 Speaker 1: about the NBA project. You and young boy. You got 1714 01:26:40,479 --> 01:26:44,599 Speaker 1: to go to Utah. No, not Utah, You went to Louisiana. Yeah. 1715 01:26:45,160 --> 01:26:48,960 Speaker 2: Yeah it was rush. Yeah. A couple of days like 1716 01:26:49,120 --> 01:26:52,840 Speaker 2: we gotter you first got out, Damn went over there 1717 01:26:53,960 --> 01:26:57,680 Speaker 2: were cooking up crawfish, cruish. 1718 01:26:58,920 --> 01:27:02,640 Speaker 1: He's just stereotypes with croffish. No. 1719 01:27:03,160 --> 01:27:08,560 Speaker 4: No, we was mac and cheese, oxtail, gumbo like that. 1720 01:27:08,720 --> 01:27:09,320 Speaker 4: You know what I'm saying. 1721 01:27:09,960 --> 01:27:14,720 Speaker 2: We're just cooking up man, just like working back to back, 1722 01:27:14,840 --> 01:27:16,840 Speaker 2: you know what I'm saying, Like it's when he first 1723 01:27:16,920 --> 01:27:20,680 Speaker 2: got out, just keeping him in a good mindset and. 1724 01:27:20,720 --> 01:27:23,160 Speaker 1: He's not messing with nobody. How did and this is 1725 01:27:23,479 --> 01:27:25,400 Speaker 1: before he on house arrests, right oh. 1726 01:27:25,360 --> 01:27:29,360 Speaker 2: Yeah, man, Like when he was locked up, Like we 1727 01:27:29,520 --> 01:27:31,600 Speaker 2: was chopping up on the phone and one day he 1728 01:27:31,960 --> 01:27:34,479 Speaker 2: one day I called him and he was like, I 1729 01:27:34,560 --> 01:27:37,600 Speaker 2: mean he called me. He was like, Yo, I'm like, 1730 01:27:37,640 --> 01:27:39,200 Speaker 2: what the hell you? What the hell you on? 1731 01:27:39,320 --> 01:27:39,439 Speaker 1: Man? 1732 01:27:39,439 --> 01:27:41,600 Speaker 2: How you feeling in there? He's like, man, I just 1733 01:27:41,720 --> 01:27:44,880 Speaker 2: can't get way to get out. And so we could 1734 01:27:44,920 --> 01:27:48,080 Speaker 2: drop this out. I'm like, what me trying to jump out? 1735 01:27:48,240 --> 01:27:51,040 Speaker 2: Now they do it. So then he got out, like 1736 01:27:51,200 --> 01:27:53,720 Speaker 2: maybe like three weeks after. I was like, all right, Ben, 1737 01:27:53,720 --> 01:27:56,559 Speaker 2: I'm gonna push up on you. Damn. We started cooking up. 1738 01:27:56,960 --> 01:28:00,200 Speaker 2: I think we just like we just like six songs together, yeah, 1739 01:28:00,520 --> 01:28:06,320 Speaker 2: together like two days. Yeah, and get stragger. 1740 01:28:07,479 --> 01:28:11,040 Speaker 1: Your six songs caps two days Louisiana. 1741 01:28:11,320 --> 01:28:13,960 Speaker 2: We did like six songs in like two days, and 1742 01:28:14,080 --> 01:28:20,120 Speaker 2: then like just kept working, kept working, kept working. And 1743 01:28:20,280 --> 01:28:25,479 Speaker 2: then at that time I was independent, and I think 1744 01:28:25,520 --> 01:28:30,200 Speaker 2: I had a call with Nima Empire. I'm like, yo, Bro, 1745 01:28:30,360 --> 01:28:32,720 Speaker 2: I got a project that I'm working on right now 1746 01:28:33,400 --> 01:28:38,040 Speaker 2: with y B what I'm saying, And we put it 1747 01:28:38,320 --> 01:28:40,920 Speaker 2: together something for that project, and then we put it 1748 01:28:40,960 --> 01:28:41,800 Speaker 2: out independently. 1749 01:28:43,400 --> 01:28:43,759 Speaker 1: Empire. 1750 01:28:43,800 --> 01:28:45,160 Speaker 4: Yeah, Empire, Yeah. 1751 01:28:45,400 --> 01:28:50,479 Speaker 1: Pick up to TEENA Davis guy. Yeah, shot guys people, 1752 01:28:51,560 --> 01:28:52,559 Speaker 1: they got a lot. Yeah. 1753 01:28:52,680 --> 01:28:56,439 Speaker 4: So man, it's just like the chemistry with me and 1754 01:28:56,520 --> 01:28:57,360 Speaker 4: Bro was just like we. 1755 01:28:57,520 --> 01:29:03,160 Speaker 3: Just if Jesus Christ believe in Jesus. Yes, she got weird, 1756 01:29:04,280 --> 01:29:07,320 Speaker 3: got weird just now my bad. But if Jesus come down, 1757 01:29:09,320 --> 01:29:12,160 Speaker 3: it says, listen, I need you to do one record. 1758 01:29:13,600 --> 01:29:18,960 Speaker 3: You get one feature and you get one person to 1759 01:29:19,120 --> 01:29:26,519 Speaker 3: do the beat to save humanity one record, you get 1760 01:29:27,040 --> 01:29:28,400 Speaker 3: one feature and one beat. 1761 01:29:28,600 --> 01:29:30,640 Speaker 1: Who is the feature gonna be? And who's gonna do 1762 01:29:30,720 --> 01:29:31,000 Speaker 1: the beat? 1763 01:29:34,040 --> 01:29:39,360 Speaker 4: Bro, If Jesus came down himself and he had. 1764 01:29:39,320 --> 01:29:43,120 Speaker 3: On Kodak black slippers, get the same slippers, Kodak black at. 1765 01:29:43,040 --> 01:29:43,519 Speaker 4: All, I got some. 1766 01:29:44,560 --> 01:29:47,080 Speaker 2: I gotta take a shot for that one, Jesus, man, 1767 01:29:47,720 --> 01:29:50,479 Speaker 2: I mean he's just himself. Yeah, I gotta take a shot. 1768 01:29:50,920 --> 01:29:51,320 Speaker 1: Take a shot. 1769 01:29:51,320 --> 01:29:54,720 Speaker 2: You don't even this is not even, But I'm inna 1770 01:29:54,720 --> 01:29:55,760 Speaker 2: take a shot for that one. 1771 01:29:55,800 --> 01:29:57,960 Speaker 1: You're gonna take a shot. But I think you can. 1772 01:29:58,120 --> 01:29:58,960 Speaker 1: I think you can handle this. 1773 01:29:59,520 --> 01:30:00,640 Speaker 2: Jesus andself came down. 1774 01:30:00,800 --> 01:30:07,080 Speaker 1: Jesus said, yes, you all right. Let me rephrase the question. 1775 01:30:07,200 --> 01:30:10,680 Speaker 1: How about this? We're still taking a shot, though, what's 1776 01:30:10,720 --> 01:30:11,479 Speaker 1: the one producer? 1777 01:30:12,040 --> 01:30:13,160 Speaker 4: Tell him? Tell them to him. 1778 01:30:13,240 --> 01:30:15,679 Speaker 3: If Jesus came down and to save humanity, what would 1779 01:30:15,680 --> 01:30:18,000 Speaker 3: be the one producer and the one artist that he 1780 01:30:18,000 --> 01:30:18,479 Speaker 3: would work with? 1781 01:30:19,080 --> 01:30:20,680 Speaker 1: He took a He took a shot for it. So 1782 01:30:20,720 --> 01:30:22,360 Speaker 1: I'm gonna take a shot. He took a shot. I say, 1783 01:30:22,400 --> 01:30:27,640 Speaker 1: I'm not answering the way if you've never heard of that, 1784 01:30:28,080 --> 01:30:28,920 Speaker 1: no one ever took a shot. 1785 01:30:34,120 --> 01:30:36,400 Speaker 3: We took a shop for Jesus. So okay, let me 1786 01:30:36,479 --> 01:30:39,960 Speaker 3: rephrase the question. What's the one producer right now that 1787 01:30:40,040 --> 01:30:41,920 Speaker 3: you never work with that you will want to work for? 1788 01:30:43,360 --> 01:30:55,000 Speaker 2: Hmmm? One producer? Damn. I would have to say, I'm 1789 01:30:55,080 --> 01:30:57,160 Speaker 2: just said, that's crazy. I would have to say, for real, I. 1790 01:30:57,200 --> 01:31:02,240 Speaker 1: Knew he's gonna say, don't. I can see this session 1791 01:31:02,360 --> 01:31:03,320 Speaker 1: happens so much. 1792 01:31:05,760 --> 01:31:07,400 Speaker 5: Like you know what I'm saying, Like I can see 1793 01:31:08,080 --> 01:31:10,080 Speaker 5: bringing a side out of you that you don't even like, 1794 01:31:11,439 --> 01:31:14,920 Speaker 5: ye brother, mm hmm, you just don't take it, man. 1795 01:31:15,120 --> 01:31:20,160 Speaker 1: If somebody give me another light up Jesus. Okay, now 1796 01:31:20,360 --> 01:31:22,000 Speaker 1: all right, we've got to produce your handles. 1797 01:31:22,600 --> 01:31:26,240 Speaker 3: Now, let me ask you, what's the one feature if 1798 01:31:26,280 --> 01:31:27,559 Speaker 3: you can have one feature? 1799 01:31:29,560 --> 01:31:30,800 Speaker 2: Yeah, Dan or live? 1800 01:31:30,840 --> 01:31:34,960 Speaker 1: How about that? Damn one feature? 1801 01:31:36,560 --> 01:31:41,800 Speaker 2: One feature for a song? Well, what's the song? Is 1802 01:31:41,840 --> 01:31:47,680 Speaker 2: a song for for yourself? For myself or yourself success? No, no, 1803 01:31:47,840 --> 01:31:55,320 Speaker 2: for yourself it's yeah, it isn't just for yourself and myself? Damn. 1804 01:31:56,800 --> 01:32:05,800 Speaker 2: Mm hmmm. I would I have to say, tupa. 1805 01:32:10,560 --> 01:32:11,599 Speaker 1: Touch your easy answer? 1806 01:32:12,840 --> 01:32:19,760 Speaker 3: Yeah, so too bad. Uh, You're gonna like Swisch at 1807 01:32:19,800 --> 01:32:22,519 Speaker 3: some point. Swisher one of the last time you smoking 1808 01:32:22,520 --> 01:32:23,920 Speaker 3: sits thirteen. 1809 01:32:24,960 --> 01:32:29,640 Speaker 2: Probably damn you don't like you take it home as 1810 01:32:29,680 --> 01:32:32,800 Speaker 2: a put it in the in the flowers and show 1811 01:32:32,880 --> 01:32:41,680 Speaker 2: three one time wear shirts sweet follow what flavor like? Uh? 1812 01:32:42,000 --> 01:32:49,479 Speaker 1: Grape? No original? No great mother they got great show Great. 1813 01:32:49,520 --> 01:32:51,720 Speaker 1: When you're moking the great, that's when you super hood, 1814 01:32:52,120 --> 01:32:53,080 Speaker 1: That's when you super Bowl. 1815 01:32:53,760 --> 01:32:54,320 Speaker 2: That's what I got. 1816 01:32:54,400 --> 01:32:58,320 Speaker 1: The got your boys give me my Philly blunts, Yeah 1817 01:32:58,320 --> 01:32:58,519 Speaker 1: I got. 1818 01:32:58,880 --> 01:33:02,760 Speaker 3: I'm started from Philly Us. So we talked about the 1819 01:33:03,760 --> 01:33:06,840 Speaker 3: the NBA project, and I know we. 1820 01:33:07,040 --> 01:33:11,680 Speaker 4: Like her smoking ship, we like. 1821 01:33:15,080 --> 01:33:23,479 Speaker 3: Some We likely talked about the Wayne project, but I 1822 01:33:23,520 --> 01:33:27,400 Speaker 3: would like to reiterate, like, was you involved when the 1823 01:33:27,479 --> 01:33:29,120 Speaker 3: little Waine parts that come out off tomorrow? 1824 01:33:29,360 --> 01:33:30,280 Speaker 1: The photo shoot? 1825 01:33:30,680 --> 01:33:32,720 Speaker 3: Was it everything he was involved in or was this 1826 01:33:32,840 --> 01:33:34,720 Speaker 3: something that you guys just recorded. 1827 01:33:34,439 --> 01:33:36,360 Speaker 1: And let the label just take over afterwards? 1828 01:33:37,080 --> 01:33:41,320 Speaker 2: What was doing every video shoots everything? Like for the 1829 01:33:41,400 --> 01:33:44,639 Speaker 2: first single, like, I picked the director that I wanted 1830 01:33:44,640 --> 01:33:47,639 Speaker 2: to shoot the video and ship, and Wayne was fucking 1831 01:33:47,640 --> 01:33:50,559 Speaker 2: when he was like, yeah, let's do it. That's how 1832 01:33:50,640 --> 01:33:54,280 Speaker 2: we feeling like tunci right, yeah, feeling like to shut 1833 01:33:54,320 --> 01:33:56,720 Speaker 2: out to Wayne Man, You're good dude, we go bro. 1834 01:33:58,360 --> 01:34:01,880 Speaker 4: I appreciate it being bro like, hey, he's skinny too. 1835 01:34:02,080 --> 01:34:04,599 Speaker 2: Yeah, you're scarny too, Like if I here, Bro, anytime 1836 01:34:05,040 --> 01:34:08,599 Speaker 2: you pick up show me love b anytime, Bro, any 1837 01:34:08,920 --> 01:34:14,479 Speaker 2: anything you like up till wh I was looking up to, 1838 01:34:15,120 --> 01:34:18,800 Speaker 2: Like I said before, like since and jit so like Bro, 1839 01:34:19,120 --> 01:34:22,960 Speaker 2: I appreciate that man for supporting me throughout my career. 1840 01:34:23,479 --> 01:34:25,240 Speaker 2: You know what I'm saying, doing an album with me 1841 01:34:26,120 --> 01:34:28,760 Speaker 2: and for someone that you looked up to. From what 1842 01:34:28,840 --> 01:34:31,040 Speaker 2: it sounds like, he didn't let you down from that 1843 01:34:31,160 --> 01:34:36,040 Speaker 2: person he was looking. Yeah, yeah, sometimes Somer, you don't 1844 01:34:36,040 --> 01:34:41,120 Speaker 2: want to meet you. You look, it's bro him he 1845 01:34:41,320 --> 01:34:47,200 Speaker 2: one day one who smoked more weed? You Wayne smoke? Wayne? 1846 01:34:47,320 --> 01:34:47,679 Speaker 2: For sure? 1847 01:34:48,400 --> 01:34:48,880 Speaker 4: You got them. 1848 01:34:49,479 --> 01:34:51,760 Speaker 2: You got them pre roll, pre roll. 1849 01:34:51,840 --> 01:34:52,400 Speaker 1: I see. 1850 01:34:54,080 --> 01:34:56,560 Speaker 4: On my side you ain't shouting shutting. 1851 01:34:57,840 --> 01:34:59,920 Speaker 1: It. They still they're still roll. 1852 01:35:01,960 --> 01:35:03,720 Speaker 3: I got a stash that I came with to this 1853 01:35:03,840 --> 01:35:06,559 Speaker 3: is you know this because I came with I had 1854 01:35:07,720 --> 01:35:11,120 Speaker 3: You know you've been in Europe, you know you know your. 1855 01:35:10,280 --> 01:35:14,640 Speaker 2: Patch hash ship were having that ship. Yeah, Man, on 1856 01:35:14,800 --> 01:35:17,680 Speaker 2: a fucking on the day where I'm like, fucking, I'm 1857 01:35:17,960 --> 01:35:19,000 Speaker 2: just tell me me hear that? 1858 01:35:19,960 --> 01:35:24,040 Speaker 4: But all the time type ship we're having that ship. 1859 01:35:24,680 --> 01:35:26,559 Speaker 1: M hm, I'm having so much fun. 1860 01:35:26,720 --> 01:35:30,080 Speaker 3: Hello, we're shampa do we We're going to take another 1861 01:35:30,120 --> 01:35:32,599 Speaker 3: shot just because it just like we're. 1862 01:35:32,520 --> 01:35:36,040 Speaker 1: Celebrating you and the album that just came out, Life, Gamble. 1863 01:35:36,200 --> 01:35:37,519 Speaker 1: Come on, let's talk about the new album. 1864 01:35:37,560 --> 01:35:40,640 Speaker 4: We had Gamble streaming right now. Life Again about the 1865 01:35:40,920 --> 01:35:41,840 Speaker 4: let's talk about the new. 1866 01:35:44,760 --> 01:35:48,880 Speaker 3: This is this is your first official official independent album. 1867 01:35:50,320 --> 01:35:53,639 Speaker 2: Nothing before this was r c A. Before this, yeah, 1868 01:35:53,720 --> 01:36:00,519 Speaker 2: before this was r c A. Like before I signed 1869 01:36:00,520 --> 01:36:06,120 Speaker 2: the r c A. Shout to Mark Pitts. Yeah, yeah, 1870 01:36:07,520 --> 01:36:11,200 Speaker 2: signed r ship legend man, Yeah for sure, big homie. 1871 01:36:13,160 --> 01:36:15,920 Speaker 2: I was with Damn for a little bit and then 1872 01:36:16,800 --> 01:36:19,400 Speaker 2: it was just like it was going to release me. 1873 01:36:20,160 --> 01:36:22,000 Speaker 2: I was like, all right, cool, you know what I'm saying, 1874 01:36:22,080 --> 01:36:27,040 Speaker 2: It's all love. And then like then, like three months later, 1875 01:36:27,160 --> 01:36:30,920 Speaker 2: I dropped Carnival number one on the Billboard. I'm independent. 1876 01:36:31,400 --> 01:36:33,800 Speaker 2: It's a blessing, you know what I'm saying. So, thank 1877 01:36:33,840 --> 01:36:38,759 Speaker 2: you God. So I was happy to drop an independent 1878 01:36:38,840 --> 01:36:42,720 Speaker 2: number one, Yeah, because the residuals are different from being 1879 01:36:43,800 --> 01:36:44,840 Speaker 2: signed to a label. 1880 01:36:45,520 --> 01:36:47,559 Speaker 4: An independent and number one. 1881 01:36:47,920 --> 01:36:50,320 Speaker 5: So and with these you don't got to answer this, 1882 01:36:50,439 --> 01:36:53,080 Speaker 5: but if you do whatever, these deals you did before? 1883 01:36:53,160 --> 01:36:54,320 Speaker 5: Were they three sixty deals? 1884 01:36:55,120 --> 01:37:00,200 Speaker 2: No? No, no, no no no. I feel like you 1885 01:37:00,280 --> 01:37:05,439 Speaker 2: get to a certain point you have to demand exactly 1886 01:37:05,479 --> 01:37:08,360 Speaker 2: what you want. Like so the deal the last time 1887 01:37:08,400 --> 01:37:11,080 Speaker 2: with them was like you know what I'm saying, we 1888 01:37:11,240 --> 01:37:13,840 Speaker 2: know exactly what we're going into, but it just didn't 1889 01:37:13,880 --> 01:37:14,240 Speaker 2: work out. 1890 01:37:14,320 --> 01:37:18,000 Speaker 4: So you know what I'm saying, just moved on. Okay, 1891 01:37:18,960 --> 01:37:20,519 Speaker 4: Now what is the dollar stile stand for? 1892 01:37:20,760 --> 01:37:22,360 Speaker 1: Right there? Yeah? 1893 01:37:23,720 --> 01:37:24,040 Speaker 4: Money? 1894 01:37:25,920 --> 01:37:26,120 Speaker 2: Duh? 1895 01:37:34,800 --> 01:37:35,439 Speaker 1: I gotta as. 1896 01:37:38,360 --> 01:37:40,240 Speaker 3: Recently, I believe he was on the red carpet and 1897 01:37:40,360 --> 01:37:44,080 Speaker 3: somebody asked you something. I believe it was from the 1898 01:37:44,160 --> 01:37:44,679 Speaker 3: now jumper. 1899 01:37:45,880 --> 01:37:46,759 Speaker 4: They were on the red carpet. 1900 01:37:46,880 --> 01:37:47,280 Speaker 2: No jumper. 1901 01:37:47,640 --> 01:37:48,519 Speaker 1: They was on the record. 1902 01:37:48,880 --> 01:37:50,720 Speaker 4: You were on a red carpet, right, but they were 1903 01:37:50,760 --> 01:37:55,200 Speaker 4: asking the questions right, And then what happened? Then he's 1904 01:37:55,240 --> 01:37:56,840 Speaker 4: something other dude from those jumper? 1905 01:37:57,120 --> 01:38:02,599 Speaker 2: Yeah what hell? Man? I have no idea. Man, really, 1906 01:38:02,720 --> 01:38:05,920 Speaker 2: I think he was like, well, I've seen the clip 1907 01:38:06,080 --> 01:38:09,639 Speaker 2: on the Trump people was like, yo, bro, these kids 1908 01:38:09,920 --> 01:38:14,280 Speaker 2: rich the kid he has no no but was cool 1909 01:38:14,640 --> 01:38:17,000 Speaker 2: in first to face it was yeah, yeah, he didn't 1910 01:38:17,000 --> 01:38:20,720 Speaker 2: say nothing to me face. It looks like the the 1911 01:38:20,800 --> 01:38:23,560 Speaker 2: interview was amazing. You know, it's great looks like he 1912 01:38:23,640 --> 01:38:27,759 Speaker 2: had a good time. And then I seen the review 1913 01:38:27,920 --> 01:38:29,920 Speaker 2: when he was like, you know what I'm saying, like 1914 01:38:30,000 --> 01:38:33,479 Speaker 2: the recap, his recap my interview was like, Yo, this 1915 01:38:33,600 --> 01:38:36,559 Speaker 2: guy has no character. These rappers have no character. They're 1916 01:38:36,680 --> 01:38:39,880 Speaker 2: just off, you know what I'm saying. Diamonds and jewelry, 1917 01:38:40,560 --> 01:38:44,599 Speaker 2: no character. So I was like, Okay, bro, you don't 1918 01:38:45,000 --> 01:38:47,559 Speaker 2: obviously you don't know me. You know what I'm saying. 1919 01:38:47,600 --> 01:38:53,080 Speaker 2: You had an interview for less than thirty five seconds, because. 1920 01:38:54,840 --> 01:38:55,799 Speaker 1: It's interaction. 1921 01:38:56,120 --> 01:38:59,360 Speaker 2: Yeah, all right, man, yes, rich kid, maybe maybe like 1922 01:38:59,439 --> 01:39:01,920 Speaker 2: sixty second and we were just asking two questions and 1923 01:39:02,040 --> 01:39:03,920 Speaker 2: I go on to the next person. It's thirty people 1924 01:39:04,000 --> 01:39:06,080 Speaker 2: on the carpet, you know what I'm saying, So pay 1925 01:39:06,160 --> 01:39:07,000 Speaker 2: with more than thirty people. 1926 01:39:07,120 --> 01:39:09,800 Speaker 4: Yeah, you're probably like fifty people on the carpet, you 1927 01:39:09,840 --> 01:39:10,320 Speaker 4: know what I'm saying. 1928 01:39:10,360 --> 01:39:14,439 Speaker 2: So like, your interaction with me is really short for 1929 01:39:14,560 --> 01:39:16,040 Speaker 2: you to get up on there, and you know what 1930 01:39:16,040 --> 01:39:18,160 Speaker 2: I'm saying, you should have been like damn Rischk the kid. 1931 01:39:19,360 --> 01:39:19,679 Speaker 2: I didn't. 1932 01:39:19,720 --> 01:39:21,400 Speaker 1: Yeah, I didn't get no even that. 1933 01:39:21,560 --> 01:39:24,160 Speaker 2: It's like even then, it's like, Bro, I watched with 1934 01:39:24,320 --> 01:39:27,120 Speaker 2: the kid obviously seeing me on the ground, like, oh, 1935 01:39:27,240 --> 01:39:29,760 Speaker 2: he just had number one shout out to him, Like 1936 01:39:30,439 --> 01:39:32,960 Speaker 2: just like Eli H. Wilson got on on on I 1937 01:39:33,000 --> 01:39:34,800 Speaker 2: think it was like Twitter, He's like, oh, Risky Kid 1938 01:39:34,960 --> 01:39:37,840 Speaker 2: was lucky for getting on the Carnival song. It's like, 1939 01:39:37,880 --> 01:39:40,920 Speaker 2: all right, It's like it'd be dope for y'all to 1940 01:39:41,000 --> 01:39:43,519 Speaker 2: be like, oh, Risky Kid is always working, the Risky 1941 01:39:43,560 --> 01:39:46,160 Speaker 2: Kid is always doing shit. I don't fuck with nobody. 1942 01:39:46,240 --> 01:39:49,280 Speaker 2: I ain't on there talking about y'all folk. I'm not 1943 01:39:49,360 --> 01:39:52,360 Speaker 2: talking about nobody. I'm just doing what I do, making music, 1944 01:39:52,840 --> 01:39:56,000 Speaker 2: taking care of my family. You know what I'm saying, traveling, 1945 01:39:56,200 --> 01:39:59,760 Speaker 2: doing shows, and you know what I'm saying, taking care 1946 01:39:59,760 --> 01:40:02,160 Speaker 2: of my family. That that's that's what matters to me, 1947 01:40:02,320 --> 01:40:04,479 Speaker 2: you know what I'm saying. So I hate for a 1948 01:40:04,560 --> 01:40:07,479 Speaker 2: motherfucker to get on and they be like, damn this 1949 01:40:07,720 --> 01:40:10,400 Speaker 2: niggas he's not working hard. 1950 01:40:10,560 --> 01:40:10,880 Speaker 11: He's not. 1951 01:40:12,040 --> 01:40:14,400 Speaker 2: I don't understand, you know what I'm saying. I don't, 1952 01:40:15,520 --> 01:40:17,840 Speaker 2: But it's all love. Like I said, it's all love 1953 01:40:17,880 --> 01:40:21,479 Speaker 2: to y'all. If you don't like me, if you like me, 1954 01:40:22,000 --> 01:40:28,559 Speaker 2: your opinion, it's your opinion. And still talking, continue right, 1955 01:40:29,000 --> 01:40:31,840 Speaker 2: I'm still continue to getting paid because I'm gonna. 1956 01:40:31,600 --> 01:40:33,200 Speaker 4: Keep doing me right. 1957 01:40:33,520 --> 01:40:36,880 Speaker 2: That's probody for your family exactly. And that's about it, 1958 01:40:37,320 --> 01:40:39,840 Speaker 2: you know what I'm saying. So God bless everybody. You 1959 01:40:39,880 --> 01:40:40,439 Speaker 2: know what I'm saying. 1960 01:40:41,760 --> 01:40:45,240 Speaker 3: Amen, And if I can give you a little advice 1961 01:40:45,320 --> 01:40:47,040 Speaker 3: you don't need you probably don't need no advice, but 1962 01:40:47,120 --> 01:40:48,120 Speaker 3: I'll give you a little advice. 1963 01:40:49,120 --> 01:40:50,560 Speaker 2: Of course, I always think about it. 1964 01:40:51,960 --> 01:40:53,760 Speaker 1: All you're gonna do is stay in your lane. Yeah 1965 01:40:53,840 --> 01:40:55,280 Speaker 1: for sure, there's no traffic there. 1966 01:40:55,600 --> 01:41:00,400 Speaker 3: Yeah, just stay exactly who you are, Stay exactly who 1967 01:41:00,439 --> 01:41:01,080 Speaker 3: you're supposed to be. 1968 01:41:01,880 --> 01:41:02,559 Speaker 1: Stay exactly. 1969 01:41:03,720 --> 01:41:07,479 Speaker 3: You don't have to go to this person lane to 1970 01:41:07,640 --> 01:41:12,040 Speaker 3: help them or express how much gratitude you have over there. 1971 01:41:12,080 --> 01:41:13,840 Speaker 1: You don't have to go to that lane. 1972 01:41:14,120 --> 01:41:16,519 Speaker 3: As long as you stay in your lane, there ain't 1973 01:41:16,520 --> 01:41:19,640 Speaker 3: gonna be no traffic there. Continue to do you, bro, 1974 01:41:19,800 --> 01:41:22,559 Speaker 3: you know what I'm saying. And but by the way, 1975 01:41:23,920 --> 01:41:26,920 Speaker 3: you can hear this ship, but don't pay attention to it, 1976 01:41:27,800 --> 01:41:28,599 Speaker 3: like you know what I'm saying. 1977 01:41:28,680 --> 01:41:30,960 Speaker 1: Like I purposely go on Instagram, I just look at 1978 01:41:30,960 --> 01:41:34,360 Speaker 1: the ship. They say it's dope about me. Fuck the 1979 01:41:34,479 --> 01:41:36,599 Speaker 1: bad ship. Block them niggas. 1980 01:41:38,080 --> 01:41:41,519 Speaker 5: You know ied that that's the one thing that came 1981 01:41:41,560 --> 01:41:44,760 Speaker 5: out of one of the first interviews. He said, I 1982 01:41:44,840 --> 01:41:47,880 Speaker 5: blocked the ship out of anybody that and I'm like, damn, 1983 01:41:47,920 --> 01:41:49,240 Speaker 5: this gang's as motherfucker. 1984 01:41:48,920 --> 01:41:54,640 Speaker 1: Said block block block block. Don't need to argue bad, just. 1985 01:41:54,680 --> 01:41:55,280 Speaker 4: Get out of here. 1986 01:41:55,800 --> 01:41:57,760 Speaker 1: And I don't like these two people that you know, 1987 01:41:58,000 --> 01:41:58,600 Speaker 1: we just brung up. 1988 01:41:58,640 --> 01:42:00,960 Speaker 3: I'm saying that in life, period, it's just like you 1989 01:42:01,080 --> 01:42:03,800 Speaker 3: have to you have to stay focused. But always remember 1990 01:42:03,840 --> 01:42:06,280 Speaker 3: what they say about horse racist. They say that they 1991 01:42:06,320 --> 01:42:10,160 Speaker 3: take a horse racist so they can only see what's in. 1992 01:42:10,200 --> 01:42:11,080 Speaker 1: The see the goal. 1993 01:42:11,320 --> 01:42:13,439 Speaker 2: Yeah, I feel like that's where I'm at right now. 1994 01:42:13,479 --> 01:42:15,120 Speaker 2: I feel like I have a ton of visions to 1995 01:42:15,280 --> 01:42:17,280 Speaker 2: exactly where I want to go stay there. You know 1996 01:42:17,320 --> 01:42:19,960 Speaker 2: what I'm saying, Exactly where I see myself in the 1997 01:42:20,040 --> 01:42:20,840 Speaker 2: next five years. 1998 01:42:21,400 --> 01:42:24,200 Speaker 4: And it's like I said, sometimes I be on the plane. 1999 01:42:24,400 --> 01:42:26,920 Speaker 2: I'll be on the jet. I make a list of 2000 01:42:27,040 --> 01:42:28,720 Speaker 2: my goals and this is where I want to be 2001 01:42:28,880 --> 01:42:30,720 Speaker 2: and this is what I want to do, and I'm 2002 01:42:30,840 --> 01:42:34,560 Speaker 2: checking them off the list. That's all I'm doing, you 2003 01:42:34,560 --> 01:42:35,080 Speaker 2: know what I'm saying. 2004 01:42:35,200 --> 01:42:38,200 Speaker 5: And you're building your legacy in God first and the 2005 01:42:38,280 --> 01:42:39,519 Speaker 5: only people that matters your family. 2006 01:42:39,680 --> 01:42:43,360 Speaker 3: Yeah, let me tell you something what you're doing and 2007 01:42:43,600 --> 01:42:48,000 Speaker 3: uh baton, yeah, that you picked up. You know what's 2008 01:42:48,040 --> 01:42:52,120 Speaker 3: the relay? Racis tar the baton that you picked up. 2009 01:42:52,360 --> 01:42:56,840 Speaker 3: It's a baton that I passed from back then. But 2010 01:42:57,000 --> 01:43:00,639 Speaker 3: the fact that you got it, I have to make 2011 01:43:00,720 --> 01:43:03,800 Speaker 3: sure you carry it. 2012 01:43:04,640 --> 01:43:06,960 Speaker 1: I have to. You know what I'm saying. You know 2013 01:43:07,000 --> 01:43:11,840 Speaker 1: what I'm saying, because you deserve it. You're a hit maker. 2014 01:43:12,160 --> 01:43:13,200 Speaker 1: You're doing what you gotta do. 2015 01:43:13,400 --> 01:43:14,240 Speaker 2: But you have to. 2016 01:43:15,960 --> 01:43:18,320 Speaker 3: It's like another couple of mile race and you have 2017 01:43:18,400 --> 01:43:21,720 Speaker 3: to hold that motherfucker and you got a motherfucking you 2018 01:43:21,840 --> 01:43:25,160 Speaker 3: gotta make these motherfuckers mad that they know that you're 2019 01:43:25,200 --> 01:43:26,639 Speaker 3: holding its cool. 2020 01:43:27,240 --> 01:43:30,880 Speaker 1: Yeah, don't give a fuckue No. 2021 01:43:31,400 --> 01:43:33,639 Speaker 3: And by the way, I'm saying that with a little 2022 01:43:33,680 --> 01:43:35,280 Speaker 3: bit of arrogance, and I'm not an arrogant person. 2023 01:43:35,320 --> 01:43:38,240 Speaker 1: I'm a humble person. But I'm saying this with all honesty. 2024 01:43:38,720 --> 01:43:43,080 Speaker 3: Is because when it's your time and you in that spotlight, man, 2025 01:43:43,479 --> 01:43:46,519 Speaker 3: take full control and continue to dominate that ship. 2026 01:43:46,840 --> 01:43:47,360 Speaker 1: You know what I mean? 2027 01:43:47,520 --> 01:43:51,200 Speaker 3: Like, you know it's this Kareem abdu Jabal didn't want 2028 01:43:51,240 --> 01:43:53,960 Speaker 3: to pass once you got in the motherfucking paint. Right now, 2029 01:43:54,040 --> 01:43:56,479 Speaker 3: you're in the paint fast. You know what I'm saying, 2030 01:43:56,560 --> 01:43:59,280 Speaker 3: So continue to do that shit, smash that ship. Keep 2031 01:43:59,320 --> 01:44:00,160 Speaker 3: your crew around you. 2032 01:44:00,520 --> 01:44:08,320 Speaker 1: You know what I mean. Uh Ah. There's two billionaires 2033 01:44:08,400 --> 01:44:09,360 Speaker 1: and I'll give you one. 2034 01:44:10,840 --> 01:44:14,799 Speaker 3: That always say to me, every other every other successful 2035 01:44:14,840 --> 01:44:17,240 Speaker 3: person say to me, you have too many people around you. 2036 01:44:19,080 --> 01:44:21,800 Speaker 3: But there was a billionaire that said, to me, what 2037 01:44:22,040 --> 01:44:24,040 Speaker 3: makes you unique is keeping your crew around you. 2038 01:44:25,800 --> 01:44:29,200 Speaker 1: And that's jay Z. And he continues to say that. 2039 01:44:29,400 --> 01:44:32,040 Speaker 3: Every time jay Z sees me, He's like, I admire 2040 01:44:32,120 --> 01:44:34,519 Speaker 3: the fact that you have the same crew around and 2041 01:44:34,800 --> 01:44:37,680 Speaker 3: that's a key to success. It's trying to keep the 2042 01:44:37,760 --> 01:44:42,280 Speaker 3: people that's was what you when you was grinding, with you, 2043 01:44:42,400 --> 01:44:46,040 Speaker 3: when you shining, and then what you afterwards. Because I 2044 01:44:46,080 --> 01:44:49,280 Speaker 3: don't know if you've ever seen an episode of Entourage 2045 01:44:49,320 --> 01:44:52,360 Speaker 3: or episode of Entourage, the actual person in Arge that 2046 01:44:52,400 --> 01:44:58,000 Speaker 3: became the richest person was the intern. So I admire you. 2047 01:44:58,400 --> 01:44:59,960 Speaker 3: I want to tell you continue to do your thing. 2048 01:45:00,479 --> 01:45:03,040 Speaker 3: I want to congratulate your new album. I want to 2049 01:45:03,080 --> 01:45:06,160 Speaker 3: tell everybody to go out there, motherfucking get that motherfucking album. 2050 01:45:06,760 --> 01:45:09,360 Speaker 1: My kids came out looking. I got three of my 2051 01:45:09,439 --> 01:45:11,280 Speaker 1: kids that came out for you. Yeah. 2052 01:45:15,560 --> 01:45:19,439 Speaker 3: They don't come out with nobody, but I want to, like, 2053 01:45:19,680 --> 01:45:22,760 Speaker 3: I want to say to you, reiterate to you how 2054 01:45:22,840 --> 01:45:25,960 Speaker 3: proud I am and you man and keeping your crew, 2055 01:45:26,160 --> 01:45:29,120 Speaker 3: having your crew with you, continue to do that ship 2056 01:45:29,200 --> 01:45:33,599 Speaker 3: and continue not to listen to the fucking Yeah you man, yeah, 2057 01:45:33,720 --> 01:45:36,800 Speaker 3: do you man, And stay in your fucking lane. 2058 01:45:36,840 --> 01:45:37,720 Speaker 2: Bro, Appreciate it. 2059 01:45:38,080 --> 01:45:38,800 Speaker 1: Thank you so much. 2060 01:45:38,920 --> 01:45:41,160 Speaker 3: Man, there's anything else you want to stay before you 2061 01:45:41,240 --> 01:45:41,800 Speaker 3: get up out of here. 2062 01:45:42,439 --> 01:45:43,639 Speaker 2: Don't get that fucking album. 2063 01:45:48,040 --> 01:45:50,599 Speaker 1: Goddamn hell, let's do the drops first. 2064 01:45:50,680 --> 01:45:54,479 Speaker 5: Let me Drink Champs is a Drink Champs LLC production 2065 01:45:54,840 --> 01:45:57,800 Speaker 5: hosts and executive producers n O r E and d 2066 01:45:58,000 --> 01:46:02,040 Speaker 5: j e f N. Listen to Drink Champs on Apple Podcast, 2067 01:46:02,240 --> 01:46:07,400 Speaker 5: Amazon Music, Spotify, or wherever you get your podcasts. Thanks 2068 01:46:07,439 --> 01:46:09,920 Speaker 5: for joining us for another episode of Drink Champs hosted 2069 01:46:09,960 --> 01:46:12,600 Speaker 5: by yours truly, dj e FN and n O r E. 2070 01:46:13,080 --> 01:46:15,160 Speaker 5: Please make sure to follow us on all our socials 2071 01:46:15,400 --> 01:46:18,559 Speaker 5: That's at drink Champs across all platforms, at the Real 2072 01:46:18,640 --> 01:46:22,840 Speaker 5: Noriagon ig at Noriega on Twitter, mine is at Who's 2073 01:46:22,880 --> 01:46:26,680 Speaker 5: Crazy on ig at dj e FN on Twitter, and 2074 01:46:26,800 --> 01:46:29,200 Speaker 5: most importantly, stay up to date with the latest releases, 2075 01:46:29,600 --> 01:46:32,760 Speaker 5: news and merch by going to drink Champs dot com. 2076 01:46:43,000 --> 01:46:48,240 Speaker 11: Hazardy Sounds Rising the Machines Cast Your Mentals Volume one 2077 01:46:49,400 --> 01:46:51,880 Speaker 11: available now on all platforms. 2078 01:46:52,840 --> 01:46:54,400 Speaker 2: Download today. 2079 01:47:04,320 --> 01:47:08,679 Speaker 11: Rise of the Machines Song Contest seeking out all artists 2080 01:47:09,520 --> 01:47:11,479 Speaker 11: that want to take their career to the next level. 2081 01:47:12,040 --> 01:47:15,960 Speaker 11: Go ahead and join today by downloading the album, picking 2082 01:47:16,000 --> 01:47:18,880 Speaker 11: out your favorite beat, and making a song versu or 2083 01:47:18,920 --> 01:47:23,040 Speaker 11: hook to it submitted to Hazardous Sounds at gmail dot 2084 01:47:23,160 --> 01:47:26,679 Speaker 11: com and you will be judged by celebrity judges DJ 2085 01:47:26,880 --> 01:47:31,240 Speaker 11: e F and Drink Champs owned Sbkiller Plantnum producer and 2086 01:47:31,400 --> 01:47:35,280 Speaker 11: Scram Jones multi Plannum producer as well. You can also 2087 01:47:35,400 --> 01:47:39,679 Speaker 11: summit via ig by recording the video and performing the song. 2088 01:47:41,400 --> 01:47:45,200 Speaker 11: Simply tag Rise of the Machines Song Contest and we 2089 01:47:45,280 --> 01:47:50,000 Speaker 11: will repost your video as well. Winners will be announced 2090 01:47:50,000 --> 01:47:55,400 Speaker 11: September seventh. Join today and may the best artists win 2091 01:48:00,160 --> 01:48:00,880 Speaker 2: The Gods