WEBVTT - Unlucky in Louisiana

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<v Speaker 1>It's nine o one engine with Jenny Garth and Tory spelling. Well, well, well,

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<v Speaker 1>here we are with missed Tory spelling at her short

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<v Speaker 1>bob haircut. Who is loving this? Look on you more

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<v Speaker 1>than me? Maybe everybody?

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<v Speaker 2>Yeah, you are a fan favorite of it. You always

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<v Speaker 2>like my hair short, so it looks great. Thank you.

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<v Speaker 1>I appreciate it. What do we got this week?

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<v Speaker 2>Oh my god?

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<v Speaker 1>And all that jazz? Wait?

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<v Speaker 2>Well, first of all, it's just the two of us.

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<v Speaker 2>Amy is not here today.

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<v Speaker 1>This is true. But wait a second, why is it

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<v Speaker 1>called all that jazz? These titles are really getting confusing

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<v Speaker 1>for me. Oh, New Orleans is that it?

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<v Speaker 2>Yep, that's it, And that's the reason.

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<v Speaker 1>Nobody even sang it referred to it. There was no

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<v Speaker 1>even like blues music to inspire it. Yeah, there was

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<v Speaker 1>some blues music ish in the background on one of

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<v Speaker 1>your scenes.

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<v Speaker 2>Yeah, they had to put on something to this.

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<v Speaker 1>That they built. Pretty sure they would pick some sort

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<v Speaker 1>of New Orleans theme musically. Yeah.

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<v Speaker 2>The grainy stock shots of New Orleans, Oh my god,

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<v Speaker 2>those even look the same quality as the show.

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<v Speaker 1>Like, there's no chance, no question in my mind. Usually

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<v Speaker 1>I'm like, hey, did we go there or does that

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<v Speaker 1>really happen? I don't forget right, I remember, but this,

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<v Speaker 1>I'm like, absolutely nobody went to New Orleans, you know?

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<v Speaker 1>And also who goes to New Orleans for an overnighter?

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<v Speaker 2>Nobody?

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<v Speaker 1>Nobody, Like that's a hard trip.

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<v Speaker 2>Okay, we'll get there. But I'm going on record right now.

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<v Speaker 2>Donna would not say yes.

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<v Speaker 1>But yeah, let's guess what. Okay, okay, what are we

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<v Speaker 1>talking about? Season seven, episode twenty eight, All That Jazz

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<v Speaker 1>Aired April thirtieth, nineteen ninety seven.

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<v Speaker 2>Synopsis. Kelly and Valerie are sick with a bad bug,

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<v Speaker 2>while David is sick and tired of blue balls. Oh

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<v Speaker 2>didn't read that coming, just kiddy, Oh, don't hold that.

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<v Speaker 2>Chancellor Arnold's broken heart is tearing Stephen clear apart. Donna

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<v Speaker 2>misses her class presentation, putting in jeopardy her graduation. Oh good,

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<v Speaker 2>And Brandon Walsh is giving an old to meet him.

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<v Speaker 1>Directed by Kevin Inch, written by Larry Mullen and Phil Sabbath, Oaky.

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<v Speaker 2>Doki, Oh and she we love Gosh, we loved that

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<v Speaker 2>man so much. I kind of was crushing on that man.

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<v Speaker 1>Wait, can you show me a picture please? I need

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<v Speaker 1>a visual?

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<v Speaker 2>A visual Kevin Inch.

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<v Speaker 1>Let me see him pull something up because he was.

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<v Speaker 2>A lot older than us, and I've never been the

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<v Speaker 2>type to be into older men. You know. He was

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<v Speaker 2>like Walsh thirty years older than you. But like he

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<v Speaker 2>just was such a cool, fun guy that.

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<v Speaker 1>He just was like sexy. You know, I'm not finding him.

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<v Speaker 1>Hold on, this is not this can't be him.

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<v Speaker 2>Let me see.

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<v Speaker 1>These are very old. What does he look? There's a

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<v Speaker 1>lot of Kevin Inches in the world. Did you put director? Okay, okay,

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<v Speaker 1>let me start that.

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<v Speaker 2>Nine O two one zero, let's try this.

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<v Speaker 1>I'm a spelled director. But it figured it out. And

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<v Speaker 1>he was born in nineteen fifty three. Does that sound

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<v Speaker 1>about right?

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<v Speaker 2>Mm hmm Okay, I cannot see a face there, but

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<v Speaker 2>I don't believe how is there nothing unlike?

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<v Speaker 3>So he had gray hair, glasses, like tall gray hair,

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<v Speaker 3>That's what I remember. Yeah, none of these Kevin inchies

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<v Speaker 3>have gray hair.

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<v Speaker 2>Just like really like we just got along.

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<v Speaker 1>It was fun.

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<v Speaker 2>Yeah, we all got along with them, Yeah we did.

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<v Speaker 2>But there was something like he exuded like a sexiness

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<v Speaker 2>because he was so great, you know, that type of thing.

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<v Speaker 1>Like he was. It was a confidence. It wasn't like

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<v Speaker 1>a I don't know if I would call it a sexiness.

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<v Speaker 2>Yeah, a confidence that yeah, okay, yeah, well okay, So

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<v Speaker 2>this week finds us with Kelly and Valerie sick at home,

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<v Speaker 2>meaning at the Walsh House.

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<v Speaker 1>Cick at home. They're sick at home, they are both sick.

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<v Speaker 1>What are the chances?

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<v Speaker 2>Well, it's going around the keke house like wildfire.

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<v Speaker 1>We're either Kelly or Valerie in the cake house. I

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<v Speaker 1>don't think so.

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<v Speaker 2>Now, but I think it's just like in reference that

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<v Speaker 2>it's one of those seasons. Whe're just like flu is rampant.

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<v Speaker 1>That happens every year, every year. It seems like it's

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<v Speaker 1>like every three months now, I know. Okay.

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<v Speaker 2>I got to say, whereas the last few episodes, we

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<v Speaker 2>were feeling like it was jumpy the sharky prompted by e.

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<v Speaker 1>Wee wee wee wee, we're not feeling that. She was

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<v Speaker 1>feeling fine.

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<v Speaker 2>She steered it into my point.

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<v Speaker 1>Yeah, don't accept it.

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<v Speaker 3>Okay, Well, okay, till you're ready, til you're ready, you're right.

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<v Speaker 3>But so I got to say, I loved this episode.

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<v Speaker 1>Oh my god, what I know. It's Monday morning? Are

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<v Speaker 1>you a hey, where's your hair? Something's happened. You cut

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<v Speaker 1>off the hair and now you're positive. But this is good.

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<v Speaker 2>You and Valerie Kelly and Valerie you, it's this, It

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<v Speaker 2>is good and you know what. The writing in this episode,

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<v Speaker 2>I felt like sometimes it can get a little like

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<v Speaker 2>cheesy or hoky, you know. I felt like, you disagree.

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<v Speaker 2>I feel like the writing was good or maybe it

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<v Speaker 2>was juicy, Like I couldn't get enough of the two.

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<v Speaker 1>They didn't, Yeah, we did. The characters didn't hold back.

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<v Speaker 1>They were just like, I'm sick and I don't care

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<v Speaker 1>what the hell I say to you right now.

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<v Speaker 2>You know what? It had me initially because you guys

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<v Speaker 2>looked so stinking cute with trying to be like no makeup, makeup,

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<v Speaker 2>you know what I mean? And I almost thought like

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<v Speaker 2>your little noses seemed red like you were both sick.

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<v Speaker 2>And I bought into it. And here's where I really

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<v Speaker 2>was loving it. You got fash magazines and she got tabloids.

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<v Speaker 2>It made me laugh how loud that was funny. And

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<v Speaker 2>then Brandon taking care of both of them was pretty

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<v Speaker 2>The nurse maid, yeah, I don't think he likes it.

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<v Speaker 2>Would have been cute if he put a little nurses

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<v Speaker 2>outfit on no stethoscope. No, no, if he had to

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<v Speaker 2>take your temperature, maybe Recklarly.

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<v Speaker 1>Oh, I'm just kidding. I'm just getting you do that

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<v Speaker 1>for kids.

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<v Speaker 2>Yeah you do.

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<v Speaker 1>Uh okay, so okay. They're bickering the whole time, and

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<v Speaker 1>Valerie says Kelly is more of a tramp than she

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<v Speaker 1>ever was.

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<v Speaker 2>And then ever was was, meaning like she's no longer.

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<v Speaker 2>Do you know what I mean?

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<v Speaker 1>She's saying, yeah, I was. She's a reform tramp. I

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<v Speaker 1>was never as big of a tramp as you.

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<v Speaker 2>Basically, I mean, you guys have all had a lot

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<v Speaker 2>of leading men. So if we go by that, I

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<v Speaker 2>guess so, yeah, she's tramped for hire. She is tramp.

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<v Speaker 1>No, I'm not a tramp because she's Kelly says it. Well,

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<v Speaker 1>at least I don't get paid for it.

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<v Speaker 3>Basically, Yeah, I like the Heidi Flices reference.

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<v Speaker 1>Yes, very of the time.

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<v Speaker 2>Oh my gosh. Wait. Side note, So have you seen

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<v Speaker 2>the new Charlie Sheen documentary? No, you should watch it

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<v Speaker 2>because it's not what you expect and it's actually very

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<v Speaker 2>smart and well done and he's really good.

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<v Speaker 1>Is he a producer on it?

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<v Speaker 2>I'm yeah, I'm assuminguming, I'm assuming so, but they don't

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<v Speaker 2>hold back. John Cryer doesn't hold back. Denise Richards doesn't

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<v Speaker 2>hold back. Heidi Flices is there, but it's he's on it.

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<v Speaker 1>She wait wait wait, she's on it in present day?

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<v Speaker 2>Uh huh. So you know obviously she went to jail,

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<v Speaker 2>he testified against her, all of that, La La La,

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<v Speaker 2>But she she is on it, and she's moved from

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<v Speaker 2>LA and she lives somewhere where I'm not sure if

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<v Speaker 2>there's walls or a roof, but there's a gazillion parrots.

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<v Speaker 1>Okay, she's a parrot lady. You must have liked her. Then. Wait,

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<v Speaker 1>I'm not seeing Charlie as a producer on the doc.

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<v Speaker 2>Is it the one? It's the new One aka Charlie Sheen. Yeah,

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<v Speaker 2>that's one on Netflix. Interesting, I see a lot of producers.

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<v Speaker 2>You know what, I'm gonna say it, I'm gonna ask

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<v Speaker 2>it a different way. I wonder, uh if he gave

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<v Speaker 2>up that right because he wanted it done in an

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<v Speaker 2>authentic way and people thought if he produced it would

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<v Speaker 2>be about skewed to how he wanted it. I don't know,

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<v Speaker 2>Well that is the case.

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<v Speaker 1>That's like journalistic integrity or some Yeah, yes, but when

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<v Speaker 1>you have a doc about yourself, you're not supposed to

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<v Speaker 1>be Who had a doc that was produced by themselves?

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<v Speaker 1>I'm assuming, I don't know. Maybe a kardash really I

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<v Speaker 1>remember there was one and they got trash for it. No,

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<v Speaker 1>Charlie Sheen did not produce the documentary aka Charlie Sheen.

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<v Speaker 1>Apparently it was produced by others while Charlie was the

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<v Speaker 1>subject and a key participant in the project.

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<v Speaker 2>It's really good, I thought, Okay, I know everything, We've

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<v Speaker 2>all seen everything. And then it had a lot of heart,

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<v Speaker 2>it had it was it's really.

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<v Speaker 1>Good, actual show. Okay, yeah, what about the flashback when

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<v Speaker 1>Wick so, like you, you saw one thing and you

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<v Speaker 1>saw the other. So I don't know which one to believe,

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<v Speaker 1>because are either of those scenarios? Were either of those

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<v Speaker 1>scenarios between Kelly and Brandon on the porch? Did those happen? Oh?

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<v Speaker 2>I just got chills. You're right, it was just I

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<v Speaker 2>don't know. Oh that was because it's your perspective, it's

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<v Speaker 2>your story.

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<v Speaker 1>The one with Valerie, what did you think happened? And

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<v Speaker 1>then like we reenacted what she thought happened did not

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<v Speaker 1>seem real, it seemed phony. And then the one with.

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<v Speaker 2>Yeah, I'm in love with Valerie. I was like, okay,

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<v Speaker 2>can't be real. Yeah, it was fun though both of

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<v Speaker 2>them didn't make quite sense because unless I'm missing something,

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<v Speaker 2>and I was looking at him eating her face because

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<v Speaker 2>that's what he does.

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<v Speaker 1>Oh okay, Well.

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<v Speaker 2>I didn't see because she comes to the door buttoning

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<v Speaker 2>her shirt.

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<v Speaker 1>That never happened. Did you see that? Maybe she did it.

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<v Speaker 1>Maybe she did it when he got up to answer

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<v Speaker 1>the door.

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<v Speaker 2>Like ripped her shirt open and then re buttoned.

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<v Speaker 1>It because she wanted whoever was at the door. Maybe

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<v Speaker 1>she knew it was Kelly, so she unbuttoned her shirt

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<v Speaker 1>and came in all tossily like that, Like, oops, I

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<v Speaker 1>would not put that faster.

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<v Speaker 2>Although she does have a substantial size breast, and those

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<v Speaker 2>little things they didn't hold very well back then. So

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<v Speaker 2>maybe when they were toddling around, those.

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<v Speaker 1>Tiny buttons, Yeah, those tiny buttons were real slippery.

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<v Speaker 2>I would love to go back, but I don't really

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<v Speaker 2>care because I'm just in the moment to see if

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<v Speaker 2>the hair is matched. Did they take note of like

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<v Speaker 2>okay rewind?

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<v Speaker 1>Oh yeah right, I didn't look that closely.

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<v Speaker 2>I know, and it didn't matter. It was just it

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<v Speaker 2>was fun. I thought it was fun to see Brandon

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<v Speaker 2>and Valerie makeout. I don't know, well, it's personal to you,

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<v Speaker 2>but not personal, you know what I mean?

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<v Speaker 1>It did okay, So at first it felt like there

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<v Speaker 1>was no chemistry and it felt like uh and cue

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<v Speaker 1>the kiss. But then healing started to really open wide

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<v Speaker 1>and eat the entire head of her, and it looked

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<v Speaker 1>very animalistic. I gotta say. It was like I felt

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<v Speaker 1>like it was some more Jason and Valerie or you know,

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<v Speaker 1>That's what I don't know.

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<v Speaker 2>I agree with that, and I also I don't know,

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<v Speaker 2>like I don't talk out of school here, but like

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<v Speaker 2>men get aroused after that, like whoa, how can you

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<v Speaker 2>just like get up and be like okay, I'll just

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<v Speaker 2>open the door.

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<v Speaker 1>Hell, maybe is this are you? What do they call

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<v Speaker 1>it a shower? No, it was a grower, not a shower.

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<v Speaker 2>Grower, not a But don't when men get turned on,

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<v Speaker 2>don't there who's get.

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<v Speaker 1>Erect they're penises.

0:12:47.720 --> 0:12:50.880
<v Speaker 2>Yes, I'm trying to be so clinical here, you know,

0:12:50.960 --> 0:12:51.720
<v Speaker 2>I hate that word.

0:12:51.960 --> 0:12:55.839
<v Speaker 1>Yes, eventually not usually like well, I don't know, I'm

0:12:55.840 --> 0:12:57.760
<v Speaker 1>not a man, but like I went to get goes

0:12:57.800 --> 0:12:59.560
<v Speaker 1>like zero to one hundred in a second.

0:13:00.800 --> 0:13:05.760
<v Speaker 2>I don't know, but you just said how it was passionate.

0:13:06.080 --> 0:13:07.320
<v Speaker 1>I guess animals do.

0:13:07.760 --> 0:13:09.720
<v Speaker 2>Yeah, I don't know.

0:13:08.800 --> 0:13:15.760
<v Speaker 1>Anyway, I didn't. I was questioning what happened with the

0:13:16.040 --> 0:13:21.520
<v Speaker 1>with those flashbacks, but I.

0:13:20.120 --> 0:13:22.480
<v Speaker 2>I don't know. I'm sure I'm biased, of course, but

0:13:22.800 --> 0:13:24.280
<v Speaker 2>I tend to trust Kelly.

0:13:24.960 --> 0:13:26.880
<v Speaker 1>It just I was like, eh, I don't want to

0:13:26.880 --> 0:13:29.400
<v Speaker 1>watch that, but you're right. I wouldn't want to watch

0:13:29.440 --> 0:13:32.680
<v Speaker 1>that because my character was. But also then it just

0:13:32.800 --> 0:13:37.040
<v Speaker 1>was like, I like the two characters going against each other.

0:13:37.120 --> 0:13:41.400
<v Speaker 1>I get the purpose of it, but like just continues

0:13:41.440 --> 0:13:43.320
<v Speaker 1>to like double down in me, like why do they

0:13:43.360 --> 0:13:47.160
<v Speaker 1>have to always have these two leading women, strong women

0:13:47.280 --> 0:13:50.600
<v Speaker 1>female characters like going against each other? Because that was

0:13:50.679 --> 0:13:54.520
<v Speaker 1>like what what you wrote in the nineties? Did that?

0:13:54.760 --> 0:13:56.200
<v Speaker 1>Has that stopped? Has that ever?

0:13:56.240 --> 0:13:58.839
<v Speaker 2>I think that stopped. There's always got to be.

0:14:00.720 --> 0:14:03.040
<v Speaker 1>I mean, I think maybe that's what people like about

0:14:03.080 --> 0:14:06.560
<v Speaker 1>like reality she was like Real Housewives, is that they're

0:14:06.600 --> 0:14:10.760
<v Speaker 1>going to see that kind of female conflict sometimes.

0:14:11.600 --> 0:14:13.920
<v Speaker 2>I mean, I guess men have it too, you know,

0:14:14.760 --> 0:14:17.840
<v Speaker 2>it's just in a different form. Usually comes out on

0:14:17.960 --> 0:14:18.800
<v Speaker 2>sports courts.

0:14:18.880 --> 0:14:21.640
<v Speaker 1>But it's like, oh no, that's true.

0:14:22.000 --> 0:14:24.400
<v Speaker 2>I don't know. I mean, not everyone can get along.

0:14:24.880 --> 0:14:27.119
<v Speaker 1>This is fact, this is true.

0:14:27.240 --> 0:14:30.040
<v Speaker 2>You know, And it wouldn't it be a little boring

0:14:30.520 --> 0:14:33.760
<v Speaker 2>if you know, Kelly and Donna get along, Kelly and

0:14:33.800 --> 0:14:34.520
<v Speaker 2>Claire get along.

0:14:34.520 --> 0:14:36.320
<v Speaker 1>Oh yeah, there has I guess you're right. There has

0:14:36.360 --> 0:14:39.400
<v Speaker 1>to be like that instigator, that person.

0:14:41.040 --> 0:14:44.040
<v Speaker 2>But I found her vulnerable for some reason.

0:14:44.600 --> 0:14:48.640
<v Speaker 1>Well yeah, you found her vulnerable. Maybe it was just

0:14:48.720 --> 0:14:53.960
<v Speaker 1>the sickness. But she's still trying to create problems by saying, oh,

0:14:54.040 --> 0:14:55.360
<v Speaker 1>you don't know about Columbia.

0:14:55.560 --> 0:14:56.680
<v Speaker 2>You just jumped to the end.

0:14:56.920 --> 0:15:01.800
<v Speaker 1>Sorry, I know, I don't know.

0:15:02.040 --> 0:15:07.760
<v Speaker 2>I felt Oh I loved this. Brandon was the love

0:15:07.800 --> 0:15:10.680
<v Speaker 2>of my life. Brandon was to love the life. You

0:15:10.840 --> 0:15:13.640
<v Speaker 2>ruined my chance to get with him. Almost the love

0:15:13.680 --> 0:15:15.800
<v Speaker 2>of your life. Colin was the love of your life.

0:15:15.920 --> 0:15:17.640
<v Speaker 2>Now Brandon's the love of your life. Well he's the

0:15:17.680 --> 0:15:18.520
<v Speaker 2>only family I have?

0:15:19.200 --> 0:15:22.360
<v Speaker 1>Is he your lover or your family? So good? That

0:15:22.480 --> 0:15:25.040
<v Speaker 1>touched on a nerve. I think I cheered you on.

0:15:27.440 --> 0:15:30.760
<v Speaker 2>Wait in the beginning, when when she's like you really

0:15:30.760 --> 0:15:33.160
<v Speaker 2>don't know why I hate you, and you're like no, and'

0:15:33.560 --> 0:15:35.840
<v Speaker 2>she's like you don't remember. You're like, I don't remember.

0:15:36.040 --> 0:15:38.120
<v Speaker 2>It just made me think of all the things you

0:15:38.160 --> 0:15:42.960
<v Speaker 2>don't remember. I was like, wait, is that a joke?

0:15:43.000 --> 0:15:43.760
<v Speaker 2>Did they put that in?

0:15:44.000 --> 0:15:45.760
<v Speaker 1>I don't think I didn't remember that. I think it

0:15:45.800 --> 0:15:47.880
<v Speaker 1>was just for the story. No, I didn't remember. I

0:15:47.960 --> 0:15:50.400
<v Speaker 1>remembered that in my life, but now I don't remember

0:15:50.640 --> 0:15:53.240
<v Speaker 1>much of it. It just made me chuckle. I'm like,

0:15:53.440 --> 0:15:57.920
<v Speaker 1>that's so worse. It's true, but I don't. I don't.

0:15:58.400 --> 0:16:00.840
<v Speaker 1>Maybe that's a good thing if I don't remember now,

0:16:00.880 --> 0:16:03.480
<v Speaker 1>if I don't remember like traumatic stuff like that. I

0:16:03.600 --> 0:16:06.800
<v Speaker 1>kind of have felt like as I've gotten older, I'm like, eh,

0:16:07.120 --> 0:16:10.760
<v Speaker 1>ef it, I'm not carrying around anything that takes me

0:16:10.880 --> 0:16:14.600
<v Speaker 1>back to bad memories. You know. Like, so now saying

0:16:14.680 --> 0:16:17.960
<v Speaker 1>I don't remember is actually true, but it's also probably

0:16:18.000 --> 0:16:20.360
<v Speaker 1>like the best thing for me.

0:16:22.840 --> 0:16:26.160
<v Speaker 2>Yeah, gosh, can you rob off on me?

0:16:26.920 --> 0:16:28.920
<v Speaker 1>We can do some releasing, you know. What we need

0:16:28.920 --> 0:16:31.480
<v Speaker 1>to do is like a Moonlight release or something.

0:16:32.080 --> 0:16:35.320
<v Speaker 2>We do ten years of it, just let it go,

0:16:36.080 --> 0:16:38.560
<v Speaker 2>keep all the good stuff because we have amazing memories

0:16:39.200 --> 0:16:42.240
<v Speaker 2>any of that bad stuff and not a lot of

0:16:42.240 --> 0:16:44.320
<v Speaker 2>it happened to our personal lives during that time. Not

0:16:44.640 --> 0:16:47.880
<v Speaker 2>we're not talking at work, but just to release that, Okay,

0:16:47.960 --> 0:16:50.480
<v Speaker 2>let's do that. Put that on her to do list.

0:16:50.600 --> 0:16:54.760
<v Speaker 1>Okay, it's on the top of it. But then yes,

0:16:55.000 --> 0:16:58.760
<v Speaker 1>she gets she ultimately, well, she ultimately gives Brandon what

0:16:58.880 --> 0:17:02.680
<v Speaker 1>feels like an ultimate She said, it's either Valerie or

0:17:02.840 --> 0:17:05.600
<v Speaker 1>me in this house. But hello, Kelly, you don't live

0:17:05.600 --> 0:17:09.000
<v Speaker 1>in that house. But it's not VAL's house either, So

0:17:09.080 --> 0:17:11.639
<v Speaker 1>I guess it is up to Brandon whoever he lets

0:17:11.680 --> 0:17:14.119
<v Speaker 1>stay in his house. And if his girlfriend's now saying

0:17:14.480 --> 0:17:17.240
<v Speaker 1>I can't live under the same roof with her, what

0:17:17.960 --> 0:17:18.840
<v Speaker 1>is Brandon to do?

0:17:19.440 --> 0:17:21.320
<v Speaker 2>Guess you're all moving into the beach house.

0:17:23.000 --> 0:17:26.240
<v Speaker 1>Maybe val could move in with you guys? Does that happen?

0:17:27.040 --> 0:17:29.359
<v Speaker 2>I don't know, but no, that would have been a

0:17:29.400 --> 0:17:32.679
<v Speaker 2>fun like that. We tried it, well, she tried a

0:17:32.720 --> 0:17:35.119
<v Speaker 2>couple of weeks ago, and when she slept there and

0:17:35.160 --> 0:17:39.119
<v Speaker 2>read your diary. How dare she still mad at her

0:17:39.160 --> 0:17:39.399
<v Speaker 2>for that?

0:17:39.760 --> 0:17:54.320
<v Speaker 1>I know? Okay, do you want to talk about David

0:17:54.320 --> 0:17:55.919
<v Speaker 1>and Donna or Claire and Steve.

0:17:57.119 --> 0:17:59.560
<v Speaker 2>I want to talk about that you're throwing away your

0:17:59.640 --> 0:18:04.879
<v Speaker 2>dreams for a boy and not going to Columbia. What

0:18:05.080 --> 0:18:05.919
<v Speaker 2>is happening?

0:18:06.560 --> 0:18:09.000
<v Speaker 1>Yeah, she got accepted to Columbia, where does she does

0:18:09.040 --> 0:18:11.680
<v Speaker 1>she end up going to college somewhere or different college,

0:18:12.040 --> 0:18:15.040
<v Speaker 1>grad school, grad school. She doesn't end up going to

0:18:15.040 --> 0:18:17.720
<v Speaker 1>grad school. I have no idea what she ends up doing.

0:18:17.760 --> 0:18:20.600
<v Speaker 1>You guys, I'll tell you right now, tell me, tell me.

0:18:21.640 --> 0:18:24.720
<v Speaker 2>It lives on Melrose Place. In real life, you open

0:18:24.800 --> 0:18:27.520
<v Speaker 2>up a store with me and that's still closed. You

0:18:27.600 --> 0:18:32.080
<v Speaker 2>gave up your dream of going to Colombia grad school

0:18:32.280 --> 0:18:33.360
<v Speaker 2>for psychology?

0:18:33.920 --> 0:18:38.960
<v Speaker 1>But how did I become a shop? Seeper? Now did

0:18:39.000 --> 0:18:41.760
<v Speaker 1>this happen? Okay? So you said Melrose Place. That was

0:18:41.840 --> 0:18:45.040
<v Speaker 1>before when Kelly was like seventeen, wasn't it?

0:18:45.440 --> 0:18:45.720
<v Speaker 2>Oh?

0:18:45.800 --> 0:18:51.520
<v Speaker 1>Not the show? Oh that actual store in our life

0:18:51.520 --> 0:18:53.720
<v Speaker 1>store was on Melrose Place.

0:18:54.040 --> 0:18:58.440
<v Speaker 2>Melroe sorry, on Melrose A Corner, not Melroe's Place?

0:18:58.480 --> 0:18:58.720
<v Speaker 1>Sorry?

0:18:58.760 --> 0:18:59.239
<v Speaker 2>Right right right?

0:18:59.280 --> 0:18:59.600
<v Speaker 1>What was it?

0:18:59.680 --> 0:19:02.000
<v Speaker 2>College area? Now? Where this?

0:19:02.280 --> 0:19:02.960
<v Speaker 1>Now? Where this?

0:19:03.560 --> 0:19:08.640
<v Speaker 2>Oh? So much fun there, but Matt Derning there wasn't

0:19:08.640 --> 0:19:09.120
<v Speaker 2>all bad?

0:19:09.200 --> 0:19:12.679
<v Speaker 1>Okay, but that's anyway that's coming. That's exciting. Oh so

0:19:12.720 --> 0:19:14.800
<v Speaker 1>that means can't Kelly and Brandon will break up? Oh

0:19:14.800 --> 0:19:18.280
<v Speaker 1>my gosh, okay, it's too much for me. This is

0:19:18.400 --> 0:19:20.680
<v Speaker 1>really early on a Monday morning, you guys some panicking.

0:19:20.840 --> 0:19:25.040
<v Speaker 2>I'm just sad that you gave up, I know, but

0:19:25.080 --> 0:19:27.840
<v Speaker 2>they don't get into it. You gave it up for him.

0:19:28.520 --> 0:19:29.320
<v Speaker 2>You don't really.

0:19:29.119 --> 0:19:34.359
<v Speaker 1>Say she said I'm not going there now, which she

0:19:34.400 --> 0:19:38.679
<v Speaker 1>could have decided on her own before they got back together,

0:19:40.520 --> 0:19:43.080
<v Speaker 1>because she says this was, this is long before you

0:19:43.160 --> 0:19:49.720
<v Speaker 1>and what's her name? Oh, Susan break up? No, no, Susan,

0:19:49.800 --> 0:19:52.199
<v Speaker 1>damn it. I'm not gonna tell you. Tracy, Tracy, Tracy

0:19:52.440 --> 0:19:55.200
<v Speaker 1>got it nailed. That was fun.

0:19:57.240 --> 0:20:00.000
<v Speaker 2>Yeah, I guess I want to know the reason because

0:20:00.000 --> 0:20:03.520
<v Speaker 2>because I'm I care about Kelly and the character so

0:20:03.640 --> 0:20:06.000
<v Speaker 2>much in her journey all these years, like I want

0:20:06.000 --> 0:20:06.239
<v Speaker 2>to know.

0:20:06.960 --> 0:20:08.720
<v Speaker 1>Well, I'm sorry you don't get to know, but you

0:20:08.720 --> 0:20:10.879
<v Speaker 1>do get to know this. She did go onto the

0:20:10.920 --> 0:20:14.000
<v Speaker 1>New nine o two one zero as a psychiatrist or

0:20:14.240 --> 0:20:16.959
<v Speaker 1>a school counselor. I guess that's not the same, but

0:20:17.000 --> 0:20:19.320
<v Speaker 1>she probably has some sort of a degree if we're

0:20:19.320 --> 0:20:21.159
<v Speaker 1>going to use that one, which I know you're going

0:20:21.200 --> 0:20:22.280
<v Speaker 1>to say, we're not going.

0:20:22.080 --> 0:20:25.240
<v Speaker 2>To no, no, no, but what that show?

0:20:25.440 --> 0:20:28.920
<v Speaker 1>That show? Remember you and David were divorced. You didn't

0:20:28.960 --> 0:20:37.280
<v Speaker 1>like it, stop it not divorced, separated, I'm sorry, never happened.

0:20:38.880 --> 0:20:41.280
<v Speaker 1>Those blinders must peak well, you work.

0:20:41.119 --> 0:20:42.919
<v Speaker 2>With Brandon, So how do you feel about that?

0:20:43.560 --> 0:20:45.239
<v Speaker 1>How do you like that? Matt? I'd like to know

0:20:45.280 --> 0:20:46.400
<v Speaker 1>what the hell happened?

0:20:46.560 --> 0:20:49.040
<v Speaker 2>And you weren't with Dylan, but I had his baby,

0:20:49.600 --> 0:20:52.920
<v Speaker 2>but you had his baby who was suddenly ten years old.

0:20:55.480 --> 0:20:59.480
<v Speaker 2>You were the school psychologist. You do have a psychology degree,

0:20:59.560 --> 0:21:00.600
<v Speaker 2>so so.

0:21:01.160 --> 0:21:04.400
<v Speaker 1>Must Maybe I got that from what's the school? See

0:21:04.400 --> 0:21:05.880
<v Speaker 1>you cal university?

0:21:06.160 --> 0:21:10.960
<v Speaker 2>California University. Yeah, they have a grad program. Yeah, that's sure,

0:21:10.960 --> 0:21:11.560
<v Speaker 2>we'll find out.

0:21:11.760 --> 0:21:17.480
<v Speaker 1>Yeah, okay, Stephen, really quickly, Samantha Sanders is being granted

0:21:17.560 --> 0:21:20.879
<v Speaker 1>an award from the TV what was it called the

0:21:21.040 --> 0:21:26.040
<v Speaker 1>TV Hall of Fame, Hall of Fame something, I don't know.

0:21:26.359 --> 0:21:30.240
<v Speaker 1>It looked like a very nice award that she received.

0:21:30.440 --> 0:21:33.320
<v Speaker 1>Very happy for her. Yeah, same, and Steve is very

0:21:33.320 --> 0:21:37.040
<v Speaker 1>excited for it, very sweet and supportive. And then so

0:21:37.080 --> 0:21:41.000
<v Speaker 1>she comes into town and Arnold Arnold that's his name, right,

0:21:41.080 --> 0:21:45.720
<v Speaker 1>Chancellor Arnold, he is He lives in LA So they've

0:21:45.720 --> 0:21:48.760
<v Speaker 1>been apart, but they're still together. They're still together.

0:21:49.200 --> 0:21:52.399
<v Speaker 2>And we've said this before, but anyone that doesn't know,

0:21:53.240 --> 0:21:57.040
<v Speaker 2>Chancellor Arnold and Samantha Sanders are married in real life.

0:21:57.680 --> 0:22:00.359
<v Speaker 1>Yeah, how do you forget that, Like I forg got that.

0:22:00.440 --> 0:22:01.440
<v Speaker 1>But when we talked about it.

0:22:01.359 --> 0:22:03.840
<v Speaker 2>A couple of weeks ago, Oh, it's just so great.

0:22:04.720 --> 0:22:06.359
<v Speaker 1>It is. They're so cute together.

0:22:08.119 --> 0:22:11.280
<v Speaker 2>He's I'm sorry, he's so stinking.

0:22:11.200 --> 0:22:13.399
<v Speaker 1>So cute, and he's like talking to Claire and holding

0:22:13.400 --> 0:22:16.399
<v Speaker 1>the pillow in front of himself because he's feeling insecure.

0:22:17.320 --> 0:22:22.960
<v Speaker 2>Nicholas Pryor is, Oh my gosh, okay, maybe he's my

0:22:23.119 --> 0:22:25.639
<v Speaker 2>Jim Walsh then on camera, okay.

0:22:25.560 --> 0:22:29.600
<v Speaker 1>Because he's just I will definitely accept that. Oh god,

0:22:30.200 --> 0:22:33.440
<v Speaker 1>he's he's such a good actor. So he's so cute.

0:22:33.520 --> 0:22:37.760
<v Speaker 1>He's like all timid about seeing Samantha again, and I

0:22:37.880 --> 0:22:41.000
<v Speaker 1>feel like we're gonna see this relationship unravel. Is this

0:22:41.160 --> 0:22:43.920
<v Speaker 1>it for this this episode? Is this it? They're over

0:22:44.880 --> 0:22:46.880
<v Speaker 1>because she says I'm going back to New York after

0:22:46.920 --> 0:22:51.080
<v Speaker 1>he gets a little tiny bit needy at the Words show.

0:22:52.320 --> 0:22:56.240
<v Speaker 2>It's it's extreme. Would you not agree we're both females

0:22:56.280 --> 0:22:58.280
<v Speaker 2>in this entertainment industry.

0:22:58.960 --> 0:23:01.880
<v Speaker 1>Yeah, she wasn't fair, sweet or kind about it, whereas

0:23:02.320 --> 0:23:06.520
<v Speaker 1>if you were in a loving relationship, you would be like, honey,

0:23:06.560 --> 0:23:09.280
<v Speaker 1>I'm so sorry, can you just wait five more minutes?

0:23:09.320 --> 0:23:10.959
<v Speaker 1>I want to go talk to this person about this,

0:23:11.080 --> 0:23:13.320
<v Speaker 1>and the person that's loving you and sporting you would say, sure,

0:23:13.320 --> 0:23:14.200
<v Speaker 1>I'll be right here.

0:23:15.000 --> 0:23:20.399
<v Speaker 2>Or why even invite him, Sam flying in, I'm supposed to.

0:23:20.400 --> 0:23:22.639
<v Speaker 2>I have to just go with my cast. This is

0:23:22.720 --> 0:23:24.879
<v Speaker 2>all this stuff's gonna happen. I'm not sure if I

0:23:24.920 --> 0:23:25.920
<v Speaker 2>can see this trip.

0:23:26.240 --> 0:23:28.280
<v Speaker 1>Yeah, but they gave her a whole table and she

0:23:28.400 --> 0:23:31.000
<v Speaker 1>filled it with him, and then like Steve and Claire

0:23:31.040 --> 0:23:33.639
<v Speaker 1>and then they're friends. There's no friends of her there,

0:23:33.640 --> 0:23:38.879
<v Speaker 1>but like her family table, her family table was maybe

0:23:38.880 --> 0:23:41.320
<v Speaker 1>she had to fill it, and also she probably wanted

0:23:41.359 --> 0:23:44.440
<v Speaker 1>to see him. Didn't seem like it didn't seem like it.

0:23:44.600 --> 0:23:45.639
<v Speaker 2>I know, I don't know.

0:23:45.680 --> 0:23:47.760
<v Speaker 1>I was like the whole time, I was thinking, uh,

0:23:47.880 --> 0:23:51.680
<v Speaker 1>Arnold Arnold, such is the life of a Thespian lover,

0:23:52.280 --> 0:23:57.840
<v Speaker 1>Like you know, she is like a true actor.

0:23:58.240 --> 0:24:03.160
<v Speaker 2>And he now reads Chancellor Arnold reads soa Bopper Magazines,

0:24:03.520 --> 0:24:05.320
<v Speaker 2>so Boper Digest.

0:24:05.160 --> 0:24:08.600
<v Speaker 1>Just to see her. Oh, I's a.

0:24:08.560 --> 0:24:10.680
<v Speaker 2>New leading man. Is she with the leading man?

0:24:11.680 --> 0:24:14.159
<v Speaker 1>She wasn't? That was just you know what they do.

0:24:14.160 --> 0:24:14.800
<v Speaker 2>Don't think so?

0:24:15.880 --> 0:24:19.560
<v Speaker 1>But I mean the way she's treating him, she who

0:24:19.600 --> 0:24:23.880
<v Speaker 1>knows certainly enough friction between Steve and Claire to end

0:24:23.960 --> 0:24:27.919
<v Speaker 1>their relationship. Now, so maybe this is like a lesson

0:24:28.119 --> 0:24:31.760
<v Speaker 1>don't when if you're if you're dating someone and then

0:24:31.800 --> 0:24:35.560
<v Speaker 1>your parents start to date, just when you're dating, cut that.

0:24:36.119 --> 0:24:42.000
<v Speaker 1>Cut that please, Lorraine and I had a burp. Okay,

0:24:43.200 --> 0:24:46.120
<v Speaker 1>this is a lesson to be learned. Like, if you're

0:24:46.160 --> 0:24:50.120
<v Speaker 1>dating someone and then your parents they start to date,

0:24:50.520 --> 0:24:53.000
<v Speaker 1>I think you should move, just move out of the

0:24:53.040 --> 0:24:57.760
<v Speaker 1>city or away, because it's never gonna there's something I

0:24:57.800 --> 0:25:00.520
<v Speaker 1>don't know, there's just something that's gonna come out bad

0:25:00.640 --> 0:25:01.480
<v Speaker 1>like this situation.

0:25:02.400 --> 0:25:04.480
<v Speaker 2>Yeah, you're right, because it's.

0:25:04.240 --> 0:25:07.000
<v Speaker 1>Hair and Claire and Steve apart. And then when she

0:25:07.080 --> 0:25:09.720
<v Speaker 1>says he's the most important person in my life and

0:25:09.760 --> 0:25:13.280
<v Speaker 1>Steve says, well where does that leave me? Well, bro,

0:25:13.520 --> 0:25:17.120
<v Speaker 1>I'm sorry, but that leaves you below the dad. But

0:25:17.160 --> 0:25:17.720
<v Speaker 1>that's okay.

0:25:18.640 --> 0:25:22.360
<v Speaker 2>What I felt like she was saying is it's hurling family.

0:25:23.280 --> 0:25:26.000
<v Speaker 2>And then he's like, well, you know, he's all I

0:25:26.080 --> 0:25:27.960
<v Speaker 2>have family. Her mom is.

0:25:28.600 --> 0:25:31.240
<v Speaker 1>Tracks like, let her say that. Why does he have

0:25:31.280 --> 0:25:33.760
<v Speaker 1>to get all he made it about him but heard

0:25:33.800 --> 0:25:34.320
<v Speaker 1>about it.

0:25:34.440 --> 0:25:38.320
<v Speaker 2>Yeah, I don't know, by the way, I never I

0:25:38.359 --> 0:25:41.360
<v Speaker 2>don't Sorry, whoa whoa, I'm so excited. I was stunnering.

0:25:42.040 --> 0:25:45.280
<v Speaker 2>I thought she looked in that white outfit in the pants.

0:25:45.400 --> 0:25:50.000
<v Speaker 2>So she she Clare Claire Kathleen looked so beautiful.

0:25:50.160 --> 0:25:53.359
<v Speaker 1>She did. Her hair was like straight and nice. It

0:25:53.480 --> 0:25:56.520
<v Speaker 1>was just like your hair. Now, Yes, you got Claire

0:25:56.600 --> 0:25:57.840
<v Speaker 1>Arnold's haircut.

0:25:57.680 --> 0:25:58.000
<v Speaker 2>Do I?

0:25:58.440 --> 0:25:58.840
<v Speaker 1>Yeah?

0:25:59.359 --> 0:26:02.520
<v Speaker 2>I think I don't Martin's haircut from nineteen ninety four.

0:26:03.080 --> 0:26:05.920
<v Speaker 1>Did Donna Marne ever wear her hair? Yeah? She did,

0:26:05.920 --> 0:26:08.360
<v Speaker 1>but it was always poofy you of course, No, no, no,

0:26:08.440 --> 0:26:11.520
<v Speaker 1>it was always poofyar like at some point in the

0:26:11.560 --> 0:26:15.240
<v Speaker 1>glses and perhaps a little turning up east curl at

0:26:15.280 --> 0:26:18.200
<v Speaker 1>the behies. That's how I remember it, with a turned

0:26:18.240 --> 0:26:21.960
<v Speaker 1>up curl like dwink. I'm just kidding. I remember it totally.

0:26:22.000 --> 0:26:23.240
<v Speaker 2>Apart, super straight.

0:26:23.880 --> 0:26:24.879
<v Speaker 1>I remember it.

0:26:24.880 --> 0:26:25.680
<v Speaker 2>It wasn't for long.

0:26:25.720 --> 0:26:29.200
<v Speaker 1>But so you had this haircut way before Leslie Bibb,

0:26:30.600 --> 0:26:34.800
<v Speaker 1>way before all Jenna bush Hager, who just got it?

0:26:35.600 --> 0:26:39.240
<v Speaker 1>You were the og blunt bob center part.

0:26:39.800 --> 0:26:43.119
<v Speaker 2>I can't take that compliment. That is hard for me.

0:26:43.840 --> 0:26:49.320
<v Speaker 1>Oh maybe who's that other? Remember that the model iggy

0:26:49.520 --> 0:26:54.960
<v Speaker 1>or no stiggy sticky, no piggy, no twiggy Twiggy.

0:26:55.520 --> 0:26:57.760
<v Speaker 2>No, that was the pixie cut that you had.

0:26:58.040 --> 0:27:01.280
<v Speaker 1>Well, let me see your hair. Oh, yeah, I want

0:27:01.280 --> 0:27:05.200
<v Speaker 1>this haircut. Will you be mad at me? You got

0:27:05.240 --> 0:27:07.360
<v Speaker 1>your hair bobbed? Can I get a pixie?

0:27:07.680 --> 0:27:11.800
<v Speaker 2>No, I'm not mad at it. So I love you

0:27:11.840 --> 0:27:15.160
<v Speaker 2>and the pixie. It was just the it was the nineties,

0:27:15.200 --> 0:27:18.320
<v Speaker 2>and it was the poofy, the poofy pixie that I

0:27:18.359 --> 0:27:21.639
<v Speaker 2>wasn't crazy about you and like a cool pixie would

0:27:21.880 --> 0:27:24.000
<v Speaker 2>be amazing. I don't know.

0:27:24.160 --> 0:27:26.520
<v Speaker 1>Okay, let me ask you this when you were so

0:27:26.640 --> 0:27:29.600
<v Speaker 1>up topic right now. Sorry, guys, when you cut your hair,

0:27:30.320 --> 0:27:33.320
<v Speaker 1>this is what I would be going through. I would

0:27:33.359 --> 0:27:35.719
<v Speaker 1>be like, okay, there's now there's going to be too

0:27:35.840 --> 0:27:40.720
<v Speaker 1>much of this and not enough this. Oh did you

0:27:40.840 --> 0:27:42.240
<v Speaker 1>feel were you nervous?

0:27:43.320 --> 0:27:46.240
<v Speaker 2>And she's talking about her old joke me always hiding

0:27:46.280 --> 0:27:48.480
<v Speaker 2>behind my own hair because I don't want to show

0:27:48.520 --> 0:27:51.240
<v Speaker 2>my face and so she's saying too much a face,

0:27:51.520 --> 0:27:56.320
<v Speaker 2>not enough of hair. I wasn't. I'm wanting to do

0:27:56.400 --> 0:27:59.879
<v Speaker 2>it for a while. You have, yeah, because I just

0:28:00.160 --> 0:28:04.520
<v Speaker 2>felt like I wanted to change. I was bored, so

0:28:04.760 --> 0:28:07.359
<v Speaker 2>I wanted to do it. And here's the great news

0:28:07.680 --> 0:28:11.880
<v Speaker 2>about nowadays, extensions and always make it long again.

0:28:11.840 --> 0:28:14.439
<v Speaker 1>Exactly, let's clip those sucker in.

0:28:14.760 --> 0:28:16.439
<v Speaker 2>You'll have to grow that out a little bit to

0:28:16.480 --> 0:28:17.280
<v Speaker 2>get extensions.

0:28:18.000 --> 0:28:21.760
<v Speaker 1>But I'm gonna go wig pixie. How about that? Do

0:28:21.800 --> 0:28:24.560
<v Speaker 1>you think if I had a pixie wig, anybody would

0:28:24.560 --> 0:28:25.760
<v Speaker 1>know that it's not my real hair?

0:28:27.000 --> 0:28:31.439
<v Speaker 2>I gotta be on. I know they have like really

0:28:31.480 --> 0:28:36.000
<v Speaker 2>great ones, like beyond very extensive like ones that they

0:28:36.119 --> 0:28:38.680
<v Speaker 2>put on and it stays like for a month.

0:28:39.800 --> 0:28:42.960
<v Speaker 1>Yeah, oh that must be itchy and lot in there

0:28:43.000 --> 0:28:43.880
<v Speaker 1>with all your hair.

0:28:44.080 --> 0:28:46.760
<v Speaker 2>I feel like you'd be miserable.

0:28:45.840 --> 0:28:50.120
<v Speaker 1>I remember wearing wigs like for different parts or whatever,

0:28:50.240 --> 0:28:53.720
<v Speaker 1>different like whatever we had to do, and just thinking

0:28:54.360 --> 0:28:57.440
<v Speaker 1>the whole time, I don't feel comfortable with this wig on.

0:28:57.640 --> 0:29:00.320
<v Speaker 1>I can't act comfortable with this wig on. I can't

0:29:00.600 --> 0:29:04.240
<v Speaker 1>be anything but uncomfortable. But maybe now they're different and

0:29:04.280 --> 0:29:07.320
<v Speaker 1>they're lighter, and they're more like where wearable.

0:29:07.960 --> 0:29:11.200
<v Speaker 2>I think it's worth you popping in somewhere.

0:29:10.920 --> 0:29:13.720
<v Speaker 1>And just trying. I'm gonna go to the hair shop.

0:29:14.360 --> 0:29:18.200
<v Speaker 1>You know what. Yes, there's a place here you guys

0:29:18.280 --> 0:29:23.960
<v Speaker 1>called the hairshop. It's like the og place that actors

0:29:24.400 --> 0:29:27.600
<v Speaker 1>make up hairstyle. As anybody would go to get either

0:29:27.720 --> 0:29:30.760
<v Speaker 1>face hair member like that you had. They had to

0:29:30.760 --> 0:29:32.560
<v Speaker 1>glue it on the guys. They had to like glue

0:29:32.560 --> 0:29:36.280
<v Speaker 1>on the mustaches and the beards, and then also the

0:29:36.280 --> 0:29:39.240
<v Speaker 1>wigs and the extensions. And it's still around and it's

0:29:39.280 --> 0:29:40.600
<v Speaker 1>still killing.

0:29:40.280 --> 0:29:43.360
<v Speaker 2>It in Hollywood. Was the o g one, but now

0:29:43.400 --> 0:29:44.880
<v Speaker 2>there's one in the Valley.

0:29:44.560 --> 0:29:46.680
<v Speaker 1>There's one in Encino. I know, you know what, I

0:29:46.680 --> 0:29:49.959
<v Speaker 1>don't trust that one. That's where I go. Why trust it?

0:29:50.120 --> 0:29:52.320
<v Speaker 1>I don't trust it. I don't know, I don't know.

0:29:52.400 --> 0:29:53.600
<v Speaker 1>I just feel like I have to go to the

0:29:53.640 --> 0:29:56.280
<v Speaker 1>real the first one. I don't I don't have anything

0:29:56.320 --> 0:29:59.480
<v Speaker 1>to back that up, just how I feel. Honestly, I

0:29:59.520 --> 0:30:03.000
<v Speaker 1>went to the See No One and I didn't feel

0:30:03.040 --> 0:30:05.080
<v Speaker 1>like I was in good hands.

0:30:05.560 --> 0:30:07.240
<v Speaker 2>That is a bold statement.

0:30:07.760 --> 0:30:10.480
<v Speaker 1>I know. I don't know. It's just I guess I'm

0:30:10.560 --> 0:30:11.120
<v Speaker 1>just used to.

0:30:11.760 --> 0:30:14.640
<v Speaker 2>Well, that's why there's thirty one flavors in two different

0:30:14.640 --> 0:30:19.880
<v Speaker 2>hair shops, so you can go to the bog one.

0:30:28.960 --> 0:30:32.560
<v Speaker 1>Okay, Okay, Claire and Steve look like they're breaking up.

0:30:32.680 --> 0:30:37.800
<v Speaker 1>Donna and David are going on an overnight to New Orleans.

0:30:38.120 --> 0:30:42.840
<v Speaker 2>When he made that phone call, he felt it memories

0:30:42.840 --> 0:30:46.360
<v Speaker 2>of him being manic and like doing things like kind

0:30:46.360 --> 0:30:51.920
<v Speaker 2>of suddenly yeah, yeah, as Donna for him, yeah, Tory

0:30:51.960 --> 0:30:53.600
<v Speaker 2>for David or I don't know.

0:30:53.520 --> 0:30:55.760
<v Speaker 1>Because what was the phone call they wanted him to go?

0:30:56.520 --> 0:31:01.720
<v Speaker 2>He booked someone? I don't know. I didn't understand it

0:31:01.800 --> 0:31:04.440
<v Speaker 2>if you say, I booked Monica in the jazz club,

0:31:04.560 --> 0:31:08.400
<v Speaker 2>and but he booked why do he book someone who's Monica?

0:31:09.120 --> 0:31:11.160
<v Speaker 1>Isn't that the girl that he was kissing and then

0:31:11.400 --> 0:31:12.520
<v Speaker 1>almost broke you guys.

0:31:12.360 --> 0:31:15.080
<v Speaker 2>Up this little singer talking about.

0:31:16.880 --> 0:31:20.600
<v Speaker 1>This little singer, girl with the cute and we had

0:31:20.640 --> 0:31:23.840
<v Speaker 1>her on the show. She's so nice, Oh, Natalia?

0:31:23.880 --> 0:31:25.920
<v Speaker 2>But what's her name on the show?

0:31:26.920 --> 0:31:28.800
<v Speaker 1>Chloe? Chloe? That wasn't her?

0:31:28.920 --> 0:31:32.200
<v Speaker 2>Sorry, I definitely said an en name. Am I wrong? Loreene?

0:31:32.240 --> 0:31:35.560
<v Speaker 1>Do you remember? How does Rain? How does Lorraine remember?

0:31:35.640 --> 0:31:38.120
<v Speaker 1>I can't talk today? How does Lorraine remember? You think?

0:31:38.440 --> 0:31:41.160
<v Speaker 1>She just pulled up though that this is it for

0:31:41.280 --> 0:31:47.680
<v Speaker 1>Samantha and Chancellor Arnold, you guys great oz. I wish

0:31:47.760 --> 0:31:51.600
<v Speaker 1>I could had her powers. Okay, first of all, I

0:31:51.640 --> 0:31:53.360
<v Speaker 1>need to figure this out because you have a what

0:31:53.480 --> 0:31:55.520
<v Speaker 1>time is your class? Your first class that you have

0:31:55.600 --> 0:31:58.760
<v Speaker 1>your big presentation in due tomorrow morning? It had to

0:31:58.800 --> 0:32:01.160
<v Speaker 1>be an eight am, nine ten am.

0:32:01.200 --> 0:32:03.360
<v Speaker 2>Ellen Fogerty back in this episode.

0:32:03.640 --> 0:32:04.200
<v Speaker 1>We love her.

0:32:04.320 --> 0:32:08.120
<v Speaker 2>We just talked to her recently. I don't know, but

0:32:08.240 --> 0:32:11.160
<v Speaker 2>you know what, I'm going to go on record. I

0:32:11.200 --> 0:32:15.720
<v Speaker 2>think that teacher, teacher Langley does have it in for Donna.

0:32:15.920 --> 0:32:18.480
<v Speaker 1>Why this is so me?

0:32:18.960 --> 0:32:21.640
<v Speaker 2>Why me? Why does me? It's not about you, it's

0:32:21.680 --> 0:32:22.080
<v Speaker 2>not personal.

0:32:22.160 --> 0:32:25.000
<v Speaker 1>No, she meets me. You know why. She doesn't hate you.

0:32:25.080 --> 0:32:26.400
<v Speaker 1>And I would be telling you this if I was

0:32:26.400 --> 0:32:28.720
<v Speaker 1>your mother or your best friend. She doesn't hate you.

0:32:29.040 --> 0:32:30.920
<v Speaker 1>She's being hard on you because she sees so much

0:32:30.960 --> 0:32:34.360
<v Speaker 1>potential in you and she wants to pull out your greatness.

0:32:34.520 --> 0:32:40.080
<v Speaker 2>That's why you're good at what you do. Well, thank you.

0:32:38.360 --> 0:32:45.640
<v Speaker 1>You released that you don't need to hold onto that. Okay, okay,

0:32:45.840 --> 0:32:49.360
<v Speaker 1>all right, good, I feel better now, but I'm still

0:32:49.360 --> 0:32:51.080
<v Speaker 1>stuck on the timing of it all. If you took

0:32:51.120 --> 0:32:55.240
<v Speaker 1>a flight out of Lax at Kay one pm, because

0:32:55.240 --> 0:32:57.240
<v Speaker 1>you couldn't have gotten too Lax until one pm, I

0:32:57.240 --> 0:32:59.680
<v Speaker 1>need Amy for this conversation. Then okay, So then you

0:32:59.720 --> 0:33:03.120
<v Speaker 1>take a four plus probably six hours by the time

0:33:03.160 --> 0:33:06.160
<v Speaker 1>you go to the airport, take the take the airplane,

0:33:06.600 --> 0:33:08.920
<v Speaker 1>and then go back to your hotel room. That's like,

0:33:09.080 --> 0:33:10.960
<v Speaker 1>you don't get there till night. Obviously you got there

0:33:10.960 --> 0:33:14.600
<v Speaker 1>at night, you lost oaks. Then you have one night

0:33:14.680 --> 0:33:18.040
<v Speaker 1>to have the meeting and then I'm sorry, but what

0:33:18.040 --> 0:33:20.920
<v Speaker 1>what I guess if you got up at four am,

0:33:20.960 --> 0:33:21.880
<v Speaker 1>you could catch a flight.

0:33:22.080 --> 0:33:24.360
<v Speaker 2>I set the alarm for six am, So you get

0:33:24.360 --> 0:33:26.720
<v Speaker 2>to the airport by like seven, let's say.

0:33:26.600 --> 0:33:28.760
<v Speaker 1>No, and your flight wouldn't be till like nine, nine

0:33:28.840 --> 0:33:33.120
<v Speaker 1>thirty nine nine, right, but it's on east coast. Then

0:33:33.160 --> 0:33:36.760
<v Speaker 1>you lose four hours, so it's nine ten, eleven, twelve,

0:33:36.880 --> 0:33:37.400
<v Speaker 1>one one.

0:33:37.600 --> 0:33:39.120
<v Speaker 2>You're stressing me out right now.

0:33:40.600 --> 0:33:42.560
<v Speaker 1>One twelve eleven ten. You'd be there by ten am.

0:33:42.640 --> 0:33:44.520
<v Speaker 1>So maybe if it was eleven en am class you

0:33:44.560 --> 0:33:47.120
<v Speaker 1>could have made it. I got it. I worked it out.

0:33:47.160 --> 0:33:49.800
<v Speaker 1>You guys, thank you for bearing with me. I'm exhausted

0:33:50.640 --> 0:33:51.120
<v Speaker 1>me too.

0:33:51.360 --> 0:33:52.280
<v Speaker 2>My brain hurt.

0:33:52.320 --> 0:33:55.400
<v Speaker 1>Sorry, that was my kicking in. You know what.

0:33:55.480 --> 0:33:59.120
<v Speaker 2>Bothered me the most about the Donna David storyline.

0:33:58.600 --> 0:34:00.840
<v Speaker 1>The condoms, The giant box of cos that he kept

0:34:01.040 --> 0:34:01.800
<v Speaker 1>pulling out of his.

0:34:02.200 --> 0:34:05.040
<v Speaker 2>Everywhere three times.

0:34:04.480 --> 0:34:06.720
<v Speaker 1>Three close ups. That condom box.

0:34:06.480 --> 0:34:12.840
<v Speaker 2>Got Nope, that wasn't it. Uh, Donna would never be

0:34:12.920 --> 0:34:15.839
<v Speaker 2>at school all day in an outfit and then not

0:34:16.040 --> 0:34:17.640
<v Speaker 2>changed to go to New Orleans.

0:34:17.640 --> 0:34:20.200
<v Speaker 1>Oh, I say, who would travel in that outfit?

0:34:20.280 --> 0:34:20.440
<v Speaker 2>Yeah?

0:34:20.520 --> 0:34:25.560
<v Speaker 1>Especially this fashionista Donna is like she David was packing

0:34:25.560 --> 0:34:26.320
<v Speaker 1>the day before.

0:34:26.520 --> 0:34:29.800
<v Speaker 2>Like Donna wouldn't she had to run home right or

0:34:29.840 --> 0:34:31.760
<v Speaker 2>bring an outfit with her like change?

0:34:32.239 --> 0:34:35.239
<v Speaker 1>It bothered me. Okay, I get it, Okay, thank you.

0:34:35.640 --> 0:34:38.760
<v Speaker 1>And also I wanted to see her in something else

0:34:39.239 --> 0:34:41.960
<v Speaker 1>there you go, Yeah, me too, but do you? I

0:34:42.000 --> 0:34:45.640
<v Speaker 1>also felt bad for David because how many times are

0:34:45.640 --> 0:34:48.120
<v Speaker 1>you going to do this to the poor kid? Get

0:34:48.160 --> 0:34:53.480
<v Speaker 1>them all worked up, get them all sexed up? Uh,

0:34:53.719 --> 0:34:55.600
<v Speaker 1>get them all rowdy or ry.

0:34:56.120 --> 0:35:01.160
<v Speaker 2>I'm not kidding. I was wondering the same thing. It's

0:35:01.360 --> 0:35:04.799
<v Speaker 2>very the same thing I wondered with Brandon when there's

0:35:04.880 --> 0:35:08.360
<v Speaker 2>making out and David, they they stopped and he was

0:35:08.400 --> 0:35:12.239
<v Speaker 2>like had a breath and like like all worked up.

0:35:12.520 --> 0:35:14.000
<v Speaker 1>How does he not get erect? Now?

0:35:14.000 --> 0:35:16.840
<v Speaker 2>I mean, we know, you guys, this is a TV show.

0:35:17.000 --> 0:35:20.480
<v Speaker 2>They can't show that. But I'm just saying in real

0:35:20.520 --> 0:35:22.200
<v Speaker 2>life that you're wondering. You know what.

0:35:22.280 --> 0:35:24.640
<v Speaker 1>I bet other people who watched the show were also

0:35:24.719 --> 0:35:25.800
<v Speaker 1>wondering these things.

0:35:26.239 --> 0:35:29.720
<v Speaker 2>Really, Okay, I'm not the dirty bird that wonders.

0:35:29.520 --> 0:35:31.440
<v Speaker 1>There were some inquisitive minds like.

0:35:31.440 --> 0:35:36.680
<v Speaker 2>Yours with some dirty minds. Perfect, But I'm.

0:35:36.480 --> 0:35:38.960
<v Speaker 1>Going to go out on a lemon, say David definitely

0:35:38.960 --> 0:35:39.480
<v Speaker 1>had a boner.

0:35:45.080 --> 0:35:51.399
<v Speaker 2>Oh God, I'm sorry I got to talk about did

0:35:51.480 --> 0:35:52.440
<v Speaker 2>David have a boner?

0:35:52.520 --> 0:35:55.759
<v Speaker 1>I need to know? In New Orleans in the hotel room, do.

0:35:55.760 --> 0:35:56.920
<v Speaker 2>You want to phone a friend? Do you want to

0:35:56.920 --> 0:35:57.960
<v Speaker 2>call Brian and ask him?

0:35:57.960 --> 0:36:04.280
<v Speaker 1>I don't know, you don't know. Yeah, did David Silver

0:36:04.480 --> 0:36:11.000
<v Speaker 1>have a Is that the erect erection erection during his

0:36:11.200 --> 0:36:14.759
<v Speaker 1>scene with Donna Martin in New Orleans? I don't think

0:36:14.760 --> 0:36:19.120
<v Speaker 1>that chat ai or whatever it's called. Well, now I

0:36:19.160 --> 0:36:22.000
<v Speaker 1>think only you know answer the question.

0:36:22.560 --> 0:36:22.719
<v Speaker 2>Now.

0:36:22.760 --> 0:36:24.920
<v Speaker 1>I think we've had these things happen.

0:36:25.280 --> 0:36:29.080
<v Speaker 2>Yeah, before I don't feel like, first of all, there's

0:36:29.080 --> 0:36:31.120
<v Speaker 2>a whole crew around, so I don't know if you

0:36:31.160 --> 0:36:36.319
<v Speaker 2>ever get to that point. But I was wondering, now

0:36:36.600 --> 0:36:42.640
<v Speaker 2>when I feel weird saying this, do do they not

0:36:42.800 --> 0:36:44.120
<v Speaker 2>do anything else?

0:36:44.960 --> 0:36:47.600
<v Speaker 1>Donna and David? Besides, I was wondering the same thing,

0:36:47.680 --> 0:36:50.560
<v Speaker 1>like in that same thing, like how can you keep

0:36:50.560 --> 0:36:52.560
<v Speaker 1>getting them all riled up? What happens?

0:36:52.840 --> 0:36:56.400
<v Speaker 2>And I think I've been watching too much secret Lives

0:36:56.400 --> 0:37:01.040
<v Speaker 2>and Mormon Wives. I'm obsessed with that show. But Mormons

0:37:01.719 --> 0:37:06.440
<v Speaker 2>don't can't have sex before marriage either, and they do

0:37:06.719 --> 0:37:11.440
<v Speaker 2>talk a lot about blowjobs and like, you know, things

0:37:11.480 --> 0:37:15.239
<v Speaker 2>like that. So I'm just wondering if they never do

0:37:15.280 --> 0:37:17.800
<v Speaker 2>anything with hands or mouths or anything.

0:37:19.600 --> 0:37:21.760
<v Speaker 1>I don't think that they could show that Donna Martin

0:37:21.880 --> 0:37:24.359
<v Speaker 1>doing that. I don't think that your dad probably would

0:37:24.400 --> 0:37:26.320
<v Speaker 1>have Yeah, okay, that script.

0:37:26.960 --> 0:37:29.719
<v Speaker 2>I mean he didn't, Okaye having sex on the show

0:37:29.800 --> 0:37:32.280
<v Speaker 2>for what eight seasons? Seven seasons?

0:37:32.760 --> 0:37:35.160
<v Speaker 1>Wait, you guys, Amy is never gonna let us do

0:37:35.239 --> 0:37:36.759
<v Speaker 1>this just the two of us again.

0:37:37.280 --> 0:37:40.320
<v Speaker 2>Are you kidding? She's gonna be like I love this combo.

0:37:40.600 --> 0:37:46.040
<v Speaker 2>Oh god, she loves this stuff. But here's the thing, Like,

0:37:46.800 --> 0:37:50.960
<v Speaker 2>do you think he went to the bathroom and off?

0:37:51.320 --> 0:37:54.840
<v Speaker 1>I don't want to know. Asking if he had a

0:37:54.880 --> 0:37:57.400
<v Speaker 1>boner was way outside my comfort zone. And now you

0:37:57.560 --> 0:37:58.560
<v Speaker 1>just sent me over the edge.

0:37:59.080 --> 0:38:00.120
<v Speaker 2>I don't want to do that to you.

0:38:00.160 --> 0:38:00.600
<v Speaker 1>I love you.

0:38:01.920 --> 0:38:04.200
<v Speaker 2>Okay, fine, So you know what, he thought this was

0:38:04.239 --> 0:38:09.719
<v Speaker 2>going to be the night he did, and I liked

0:38:09.719 --> 0:38:12.840
<v Speaker 2>his honesty. He's like, we're in a committed relationship. I

0:38:12.880 --> 0:38:15.600
<v Speaker 2>love you. You know, we're here in a romantic city.

0:38:15.719 --> 0:38:19.759
<v Speaker 2>Like he's genuinely saying, like, what can I do? I

0:38:19.760 --> 0:38:22.239
<v Speaker 2>don't know what to do anymore? Like you said you

0:38:22.360 --> 0:38:25.880
<v Speaker 2>wanted to and you're ready, and then and then she

0:38:25.960 --> 0:38:26.800
<v Speaker 2>has no answer.

0:38:27.239 --> 0:38:31.160
<v Speaker 1>Well, first of all, my question for that is, is

0:38:31.440 --> 0:38:34.360
<v Speaker 1>New Orleans really a romantic destination?

0:38:34.680 --> 0:38:39.240
<v Speaker 2>I don't know. I've been there once and I was drinking.

0:38:39.320 --> 0:38:42.440
<v Speaker 2>I was on a float and throwing beads at people.

0:38:42.480 --> 0:38:46.760
<v Speaker 2>They're like throwing the beads like not funny, No.

0:38:46.040 --> 0:38:49.960
<v Speaker 1>No, you know, you think about music, you think about

0:38:50.719 --> 0:38:54.600
<v Speaker 1>some good creole, You think about some swamps maybe, and

0:38:54.640 --> 0:38:58.080
<v Speaker 1>some people that are got this like loo, have you

0:38:58.080 --> 0:39:01.279
<v Speaker 1>ever been on a swamp tour in New Orleans? Didn't

0:39:01.280 --> 0:39:02.520
<v Speaker 1>you do a movie about a swamp?

0:39:03.320 --> 0:39:03.600
<v Speaker 2>Yep?

0:39:04.080 --> 0:39:05.120
<v Speaker 1>Wasn't that a New Orleans?

0:39:06.400 --> 0:39:06.720
<v Speaker 2>Nope?

0:39:07.320 --> 0:39:11.320
<v Speaker 1>I thought you were a villa. But I think about

0:39:11.320 --> 0:39:14.439
<v Speaker 1>like the history of the people there. It's so rich

0:39:14.560 --> 0:39:18.960
<v Speaker 1>with so much, so much. I just don't think it's romantic.

0:39:19.440 --> 0:39:23.319
<v Speaker 2>Music and food. I mean, I don't know I can

0:39:23.440 --> 0:39:26.560
<v Speaker 2>get romantic. Yeah, and they what did they have? Would

0:39:26.600 --> 0:39:27.279
<v Speaker 2>they say they ate?

0:39:27.480 --> 0:39:27.960
<v Speaker 1>Was it creole?

0:39:28.040 --> 0:39:30.520
<v Speaker 2>Jumblaiya somebody? She's like, oh, it was spicy, So maybe

0:39:30.560 --> 0:39:33.560
<v Speaker 2>her stomach was hurting. Probably maybe she was like, I

0:39:33.640 --> 0:39:37.320
<v Speaker 2>really got a fart. It's like, so I can't have sucks.

0:39:37.600 --> 0:39:39.640
<v Speaker 1>And first of all, in the very first place, when

0:39:39.680 --> 0:39:42.080
<v Speaker 1>he asked you about going there, you say something in Creole,

0:39:42.200 --> 0:39:43.400
<v Speaker 1>like when did you learn creole?

0:39:44.200 --> 0:39:48.360
<v Speaker 2>I thought it was French. I was kiddy, And what

0:39:48.600 --> 0:39:51.440
<v Speaker 2>did I say? Because I've been there once? Doesn't everyone

0:39:51.520 --> 0:39:52.680
<v Speaker 2>learn when they go there once?

0:39:52.760 --> 0:39:53.320
<v Speaker 1>I don't know that.

0:39:54.000 --> 0:39:57.680
<v Speaker 2>That was so bizarre anyway, it was.

0:39:57.680 --> 0:40:02.400
<v Speaker 1>The weirdest, like left ramp off an exit off the freeway,

0:40:02.440 --> 0:40:04.160
<v Speaker 1>Like you know, when those ramps on the freeway are

0:40:04.239 --> 0:40:06.879
<v Speaker 1>the left side of the freeway. You're like, what the

0:40:07.320 --> 0:40:10.160
<v Speaker 1>how am I supposed to get off in the fast lane?

0:40:10.560 --> 0:40:14.879
<v Speaker 1>What are you talking about? There's a ramp on? Wait? Wait,

0:40:14.920 --> 0:40:18.840
<v Speaker 1>you've never seen a left ramp. No, oh girl, you

0:40:18.880 --> 0:40:21.160
<v Speaker 1>gotta drive. You gotta get out in that car yers

0:40:21.239 --> 0:40:24.320
<v Speaker 1>and go to like other cities because places have left

0:40:24.360 --> 0:40:29.880
<v Speaker 1>office highway. No, my highway has no left off ramps,

0:40:29.920 --> 0:40:30.719
<v Speaker 1>but I can think of.

0:40:31.360 --> 0:40:34.000
<v Speaker 2>I almost crashed when I saw that because I was like,

0:40:34.200 --> 0:40:38.760
<v Speaker 2>oh my god, and I was like, oh no, no, keep driving.

0:40:38.920 --> 0:40:42.440
<v Speaker 1>Oh my gosh, you're so funny. Yes, uh, that was

0:40:42.840 --> 0:40:45.120
<v Speaker 1>a very fun time to have my sign up there

0:40:45.120 --> 0:40:48.800
<v Speaker 1>for like that I loved. We're talking about it a

0:40:48.880 --> 0:40:52.719
<v Speaker 1>highway that was adopted by me. Uh, and it's close.

0:40:52.880 --> 0:40:55.400
<v Speaker 1>It's like, if you're going to my you're headed in

0:40:55.440 --> 0:40:57.399
<v Speaker 1>the right direction to get to my house if you're

0:40:57.440 --> 0:41:00.120
<v Speaker 1>on that freeway, and everybody, every friend of mine, is like,

0:41:00.160 --> 0:41:02.279
<v Speaker 1>oh my god. They usually call me or text me

0:41:02.320 --> 0:41:03.799
<v Speaker 1>and say I just saw your name on the side

0:41:03.800 --> 0:41:04.920
<v Speaker 1>of the highway. What's happening?

0:41:05.560 --> 0:41:07.120
<v Speaker 2>And I meant to do that, but I was driving

0:41:07.280 --> 0:41:09.520
<v Speaker 2>the kids to Big Bear. It didn't happen. And then

0:41:09.600 --> 0:41:12.160
<v Speaker 2>you know me, I'm like, A forgot a squirrel. I forget.

0:41:12.880 --> 0:41:14.040
<v Speaker 1>That's okay, I'm not offended.

0:41:14.520 --> 0:41:17.880
<v Speaker 2>No, no, no. I was like, wait, it's not there forever.

0:41:17.960 --> 0:41:19.000
<v Speaker 2>It's just a time period.

0:41:20.000 --> 0:41:23.399
<v Speaker 1>Uh, it's there for a certain amount of years and

0:41:23.440 --> 0:41:27.280
<v Speaker 1>then I have to update it, recommit something.

0:41:27.280 --> 0:41:27.560
<v Speaker 2>Okay.

0:41:28.280 --> 0:41:30.319
<v Speaker 1>I like that, So we'll see what happens. I haven't

0:41:30.320 --> 0:41:34.440
<v Speaker 1>gotten that farse if you move, you know what, I

0:41:34.480 --> 0:41:39.040
<v Speaker 1>picked that stretch of highway the I guess it's called

0:41:39.040 --> 0:41:42.319
<v Speaker 1>the two ten at that point okay, yeah, maybe no,

0:41:42.480 --> 0:41:44.520
<v Speaker 1>the one thirty four close to where the two ten

0:41:44.640 --> 0:41:48.799
<v Speaker 1>meets and I picked that stretch because it's honestly one

0:41:48.840 --> 0:41:52.560
<v Speaker 1>of the prettiest stretches of highway that I have seen.

0:41:52.600 --> 0:41:55.560
<v Speaker 1>Because when you look out to the right, especially at night,

0:41:55.960 --> 0:41:58.319
<v Speaker 1>it looks like you're in another country. It looks like

0:41:58.360 --> 0:42:02.240
<v Speaker 1>you're in the hills of like Italy or France or something.

0:42:02.239 --> 0:42:04.080
<v Speaker 1>I don't know. It just kind of always transports me

0:42:04.160 --> 0:42:07.640
<v Speaker 1>to a different time. Oh so that's why I picked it.

0:42:07.840 --> 0:42:09.120
<v Speaker 2>That sounded so dreamy.

0:42:09.440 --> 0:42:09.960
<v Speaker 1>I love that.

0:42:10.360 --> 0:42:13.319
<v Speaker 2>Okay, but no, I've never seen a left ramp.

0:42:13.560 --> 0:42:15.920
<v Speaker 1>Okay, well, this is like a left ramp taking you

0:42:16.040 --> 0:42:21.000
<v Speaker 1>to taking Donna to New Orleans to have their first time,

0:42:22.320 --> 0:42:25.680
<v Speaker 1>very unexpected and hard to handle.

0:42:25.960 --> 0:42:28.960
<v Speaker 2>Are you saying this was premeditated on his partner? I

0:42:29.000 --> 0:42:34.360
<v Speaker 2>don't know, somebody, no what, No, he had a reason

0:42:34.400 --> 0:42:37.000
<v Speaker 2>to go there. But then he was like, oh, let

0:42:37.040 --> 0:42:40.440
<v Speaker 2>me pack this giant box of condoms. Why couldn't you

0:42:40.480 --> 0:42:42.680
<v Speaker 2>just take like a couple of the big box, was

0:42:42.680 --> 0:42:46.920
<v Speaker 2>my question. He was hoping to do it once and

0:42:47.040 --> 0:42:47.800
<v Speaker 2>keep on going.

0:42:49.120 --> 0:42:50.520
<v Speaker 1>I guess better safe than sorry.

0:42:53.320 --> 0:42:57.360
<v Speaker 2>I am worried, though, well I'm not too worried because

0:42:57.400 --> 0:43:00.560
<v Speaker 2>Amy Ari let the cat out of the bag and

0:43:00.600 --> 0:43:02.880
<v Speaker 2>said that she's going to lose her virginity at the

0:43:02.960 --> 0:43:04.960
<v Speaker 2>end of season seven. Here we are almost at the

0:43:05.040 --> 0:43:06.240
<v Speaker 2>end of season seven.

0:43:06.360 --> 0:43:09.160
<v Speaker 1>Oh my god, we're a twenty episode. Twenty nine is

0:43:09.280 --> 0:43:10.120
<v Speaker 1>next week, you guys?

0:43:10.200 --> 0:43:11.160
<v Speaker 2>Yeah, so we're close.

0:43:11.360 --> 0:43:13.880
<v Speaker 1>So how many there's thirty three? Is it?

0:43:13.880 --> 0:43:14.319
<v Speaker 2>Thirty two?

0:43:14.760 --> 0:43:18.239
<v Speaker 1>Thirty thirty? I can't remember anymore. We used to do

0:43:18.280 --> 0:43:23.640
<v Speaker 1>so many episodes. I've blocked it that out of my memory. This, yeah,

0:43:23.800 --> 0:43:26.560
<v Speaker 1>well regardless, our next episode is.

0:43:26.880 --> 0:43:29.000
<v Speaker 2>Oh wait, I have one more thing to say before

0:43:29.960 --> 0:43:31.640
<v Speaker 2>one more thing. I want to point out warmer thing

0:43:31.680 --> 0:43:34.000
<v Speaker 2>and I'm sorry I forgot to do it earlier. When

0:43:34.040 --> 0:43:38.960
<v Speaker 2>Samantha Sanders is giving her speech, she says, I wanted

0:43:39.000 --> 0:43:42.759
<v Speaker 2>this job so bad that when I auditioned, I took

0:43:42.880 --> 0:43:45.560
<v Speaker 2>all the scripts so no one else could.

0:43:45.719 --> 0:43:46.600
<v Speaker 1>Whose story is that?

0:43:47.040 --> 0:43:50.680
<v Speaker 2>Iron and Ian actually did that when he auditioned for

0:43:50.800 --> 0:43:52.400
<v Speaker 2>Steve Sanders on ninees.

0:43:52.440 --> 0:43:55.840
<v Speaker 1>I wonder, Oh, they probably used his story.

0:43:56.920 --> 0:44:00.880
<v Speaker 2>Probably an odd quincy.

0:44:01.360 --> 0:44:03.480
<v Speaker 1>What are all the dots connecting all the time? I

0:44:03.560 --> 0:44:03.840
<v Speaker 1>don't know.

0:44:04.280 --> 0:44:06.719
<v Speaker 2>Yes, that was Oko continued to the end.

0:44:06.880 --> 0:44:09.640
<v Speaker 1>Okay, sorry, so what do you let's first do? What

0:44:09.680 --> 0:44:11.440
<v Speaker 1>do you rate it? I think you're gonna give it

0:44:11.480 --> 0:44:11.960
<v Speaker 1>a good one.

0:44:12.120 --> 0:44:13.160
<v Speaker 2>I'm gonna give it a nine.

0:44:15.000 --> 0:44:18.040
<v Speaker 1>I think so too. It's fun to watch. Yeah, I

0:44:18.080 --> 0:44:21.560
<v Speaker 1>did not care for Kelly's baby talk, though. I get

0:44:21.640 --> 0:44:22.960
<v Speaker 1>what people are saying, now.

0:44:22.920 --> 0:44:24.520
<v Speaker 2>Why are you honest lately?

0:44:25.200 --> 0:44:28.600
<v Speaker 1>Because I've all my all my life. But like since

0:44:28.640 --> 0:44:32.799
<v Speaker 1>the show ended, I've read or heard, especially people that

0:44:32.840 --> 0:44:40.040
<v Speaker 1>are not in Kelly's camp, that she her baby talk

0:44:40.120 --> 0:44:43.160
<v Speaker 1>was annoying to them. And now I get it. I'm

0:44:43.200 --> 0:44:44.839
<v Speaker 1>annoyed by her baby talk.

0:44:45.040 --> 0:44:47.880
<v Speaker 2>Yeah, yeah, maybe because I like when you do it

0:44:47.880 --> 0:44:48.600
<v Speaker 2>in real life.

0:44:49.200 --> 0:44:50.120
<v Speaker 1>I don't.

0:44:49.680 --> 0:44:50.799
<v Speaker 2>I don't know.

0:44:51.239 --> 0:44:53.680
<v Speaker 1>Do I still do it sometimes?

0:44:53.800 --> 0:44:57.200
<v Speaker 2>Oh my god, No, it's one of your quirky little

0:44:57.600 --> 0:44:58.719
<v Speaker 2>it's what it's to you.

0:44:59.680 --> 0:45:02.399
<v Speaker 1>I do not want to be a seventy year old

0:45:02.440 --> 0:45:06.680
<v Speaker 1>woman baby talking. Yeah you bet? Is there an age limit?

0:45:07.600 --> 0:45:10.040
<v Speaker 2>Whatever happened to baby Jane, It's gonna be you, and

0:45:10.120 --> 0:45:11.080
<v Speaker 2>we's during in that.

0:45:13.960 --> 0:45:17.279
<v Speaker 1>I don't want. I can't. I can't do it. I

0:45:17.320 --> 0:45:21.439
<v Speaker 1>can't do it on demand. Okay, so we give it highs.

0:45:21.480 --> 0:45:24.279
<v Speaker 1>I'll give it a nine too. I bet Amy would

0:45:24.280 --> 0:45:27.920
<v Speaker 1>give it a what do you think I give it higher?

0:45:28.080 --> 0:45:30.480
<v Speaker 1>I think she might give it an eight and a half. Really,

0:45:30.520 --> 0:45:33.520
<v Speaker 1>she would have probably had some issue that she couldn't get.

0:45:33.440 --> 0:45:35.680
<v Speaker 2>Pachnical storyline that she didn't want.

0:45:36.040 --> 0:45:38.840
<v Speaker 1>Maybe it was the timeline for the flight. If we

0:45:38.920 --> 0:45:41.680
<v Speaker 1>know her, that would have sent her over the edge. Yeah,

0:45:42.239 --> 0:45:46.879
<v Speaker 1>but yeah, you guys, you love us. Next week we

0:45:46.960 --> 0:45:48.960
<v Speaker 1>have season seven. What season are we on?

0:45:49.000 --> 0:45:49.440
<v Speaker 2>Episode?

0:45:50.920 --> 0:45:55.360
<v Speaker 1>Season seven, Episode twenty nine. Mother's Day?

0:45:55.840 --> 0:46:04.040
<v Speaker 2>Hmmm, Oh this is going to be interesting because okay,

0:46:04.160 --> 0:46:08.160
<v Speaker 2>so what mother's coming to town? Is Valerie's mother coming back?

0:46:08.400 --> 0:46:10.560
<v Speaker 1>She already No, I don't think she'll come back now,

0:46:10.640 --> 0:46:12.759
<v Speaker 1>that's it, Okay, I mean I wouldn't if I was

0:46:12.800 --> 0:46:17.680
<v Speaker 1>her Mother's Day. Maybe maybe Cindy Walsh will come back

0:46:17.920 --> 0:46:18.680
<v Speaker 1>with Jim.

0:46:19.120 --> 0:46:21.120
<v Speaker 2>I don't think so. I don't think that ever happens.

0:46:22.600 --> 0:46:24.680
<v Speaker 2>What is Mother's Day going to be about? I mean,

0:46:24.719 --> 0:46:25.680
<v Speaker 2>I'm just saying Mother's Day.

0:46:25.719 --> 0:46:31.000
<v Speaker 1>It's something maybe Jackie or your mom, Felice and Jackie, okay,

0:46:31.120 --> 0:46:34.120
<v Speaker 1>be a part of this, yes, yes, yes, yes, and Samantha.

0:46:34.280 --> 0:46:36.920
<v Speaker 1>Maybe they all go in a girls trip and celebrate

0:46:36.920 --> 0:46:37.720
<v Speaker 1>Mother's Day together.

0:46:38.120 --> 0:46:40.000
<v Speaker 2>Another freaking spot. I don't want it.

0:46:41.880 --> 0:46:43.200
<v Speaker 1>Well, we'll find out next week.

0:46:43.239 --> 0:46:45.480
<v Speaker 2>Guys, love you, Love you,