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Speaker 1: It's nine o one engine with Jenny Garth and Tory spelling. Well, well, well,

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Speaker 1: here we are with missed Tory spelling at her short

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Speaker 1: bob haircut. Who is loving this? Look on you more

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Speaker 1: than me? Maybe everybody?

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Speaker 2: Yeah, you are a fan favorite of it. You always

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Speaker 2: like my hair short, so it looks great. Thank you.

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Speaker 1: I appreciate it. What do we got this week?

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Speaker 2: Oh my god?

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Speaker 1: And all that jazz? Wait?

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Speaker 2: Well, first of all, it's just the two of us.

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Speaker 2: Amy is not here today.

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Speaker 1: This is true. But wait a second, why is it

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Speaker 1: called all that jazz? These titles are really getting confusing

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Speaker 1: for me. Oh, New Orleans is that it?

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Speaker 2: Yep, that's it, And that's the reason.

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Speaker 1: Nobody even sang it referred to it. There was no

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Speaker 1: even like blues music to inspire it. Yeah, there was

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Speaker 1: some blues music ish in the background on one of

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Speaker 1: your scenes.

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Speaker 2: Yeah, they had to put on something to this.

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Speaker 1: That they built. Pretty sure they would pick some sort

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Speaker 1: of New Orleans theme musically. Yeah.

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Speaker 2: The grainy stock shots of New Orleans, Oh my god,

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Speaker 2: those even look the same quality as the show.

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Speaker 1: Like, there's no chance, no question in my mind. Usually

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Speaker 1: I'm like, hey, did we go there or does that

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Speaker 1: really happen? I don't forget right, I remember, but this,

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Speaker 1: I'm like, absolutely nobody went to New Orleans, you know?

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Speaker 1: And also who goes to New Orleans for an overnighter?

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Speaker 2: Nobody?

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Speaker 1: Nobody, Like that's a hard trip.

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Speaker 2: Okay, we'll get there. But I'm going on record right now.

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Speaker 2: Donna would not say yes.

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Speaker 1: But yeah, let's guess what. Okay, okay, what are we

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Speaker 1: talking about? Season seven, episode twenty eight, All That Jazz

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Speaker 1: Aired April thirtieth, nineteen ninety seven.

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Speaker 2: Synopsis. Kelly and Valerie are sick with a bad bug,

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Speaker 2: while David is sick and tired of blue balls. Oh

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Speaker 2: didn't read that coming, just kiddy, Oh, don't hold that.

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Speaker 2: Chancellor Arnold's broken heart is tearing Stephen clear apart. Donna

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Speaker 2: misses her class presentation, putting in jeopardy her graduation. Oh good,

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Speaker 2: And Brandon Walsh is giving an old to meet him.

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Speaker 1: Directed by Kevin Inch, written by Larry Mullen and Phil Sabbath, Oaky.

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Speaker 2: Doki, Oh and she we love Gosh, we loved that

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Speaker 2: man so much. I kind of was crushing on that man.

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Speaker 1: Wait, can you show me a picture please? I need

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Speaker 1: a visual?

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Speaker 2: A visual Kevin Inch.

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Speaker 1: Let me see him pull something up because he was.

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Speaker 2: A lot older than us, and I've never been the

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Speaker 2: type to be into older men. You know. He was

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Speaker 2: like Walsh thirty years older than you. But like he

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Speaker 2: just was such a cool, fun guy that.

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Speaker 1: He just was like sexy. You know, I'm not finding him.

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Speaker 1: Hold on, this is not this can't be him.

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Speaker 2: Let me see.

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Speaker 1: These are very old. What does he look? There's a

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Speaker 1: lot of Kevin Inches in the world. Did you put director? Okay, okay,

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Speaker 1: let me start that.

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Speaker 2: Nine O two one zero, let's try this.

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Speaker 1: I'm a spelled director. But it figured it out. And

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Speaker 1: he was born in nineteen fifty three. Does that sound

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Speaker 1: about right?

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Speaker 2: Mm hmm Okay, I cannot see a face there, but

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Speaker 2: I don't believe how is there nothing unlike?

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Speaker 3: So he had gray hair, glasses, like tall gray hair,

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Speaker 3: That's what I remember. Yeah, none of these Kevin inchies

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Speaker 3: have gray hair.

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Speaker 2: Just like really like we just got along.

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Speaker 1: It was fun.

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Speaker 2: Yeah, we all got along with them, Yeah we did.

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Speaker 2: But there was something like he exuded like a sexiness

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Speaker 2: because he was so great, you know, that type of thing.

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Speaker 1: Like he was. It was a confidence. It wasn't like

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Speaker 1: a I don't know if I would call it a sexiness.

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Speaker 2: Yeah, a confidence that yeah, okay, yeah, well okay, So

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Speaker 2: this week finds us with Kelly and Valerie sick at home,

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Speaker 2: meaning at the Walsh House.

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Speaker 1: Cick at home. They're sick at home, they are both sick.

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Speaker 1: What are the chances?

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Speaker 2: Well, it's going around the keke house like wildfire.

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Speaker 1: We're either Kelly or Valerie in the cake house. I

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Speaker 1: don't think so.

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Speaker 2: Now, but I think it's just like in reference that

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Speaker 2: it's one of those seasons. Whe're just like flu is rampant.

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Speaker 1: That happens every year, every year. It seems like it's

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Speaker 1: like every three months now, I know. Okay.

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Speaker 2: I got to say, whereas the last few episodes, we

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Speaker 2: were feeling like it was jumpy the sharky prompted by e.

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Speaker 1: Wee wee wee wee, we're not feeling that. She was

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Speaker 1: feeling fine.

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Speaker 2: She steered it into my point.

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Speaker 1: Yeah, don't accept it.

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Speaker 3: Okay, Well, okay, till you're ready, til you're ready, you're right.

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Speaker 3: But so I got to say, I loved this episode.

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Speaker 1: Oh my god, what I know. It's Monday morning? Are

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Speaker 1: you a hey, where's your hair? Something's happened. You cut

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Speaker 1: off the hair and now you're positive. But this is good.

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Speaker 2: You and Valerie Kelly and Valerie you, it's this, It

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Speaker 2: is good and you know what. The writing in this episode,

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Speaker 2: I felt like sometimes it can get a little like

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Speaker 2: cheesy or hoky, you know. I felt like, you disagree.

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Speaker 2: I feel like the writing was good or maybe it

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Speaker 2: was juicy, Like I couldn't get enough of the two.

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Speaker 1: They didn't, Yeah, we did. The characters didn't hold back.

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Speaker 1: They were just like, I'm sick and I don't care

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Speaker 1: what the hell I say to you right now.

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Speaker 2: You know what? It had me initially because you guys

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Speaker 2: looked so stinking cute with trying to be like no makeup, makeup,

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Speaker 2: you know what I mean? And I almost thought like

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Speaker 2: your little noses seemed red like you were both sick.

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Speaker 2: And I bought into it. And here's where I really

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Speaker 2: was loving it. You got fash magazines and she got tabloids.

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Speaker 2: It made me laugh how loud that was funny. And

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Speaker 2: then Brandon taking care of both of them was pretty

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Speaker 2: The nurse maid, yeah, I don't think he likes it.

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Speaker 2: Would have been cute if he put a little nurses

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Speaker 2: outfit on no stethoscope. No, no, if he had to

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Speaker 2: take your temperature, maybe Recklarly.

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Speaker 1: Oh, I'm just kidding. I'm just getting you do that

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Speaker 1: for kids.

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Speaker 2: Yeah you do.

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Speaker 1: Uh okay, so okay. They're bickering the whole time, and

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Speaker 1: Valerie says Kelly is more of a tramp than she

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Speaker 1: ever was.

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Speaker 2: And then ever was was, meaning like she's no longer.

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Speaker 2: Do you know what I mean?

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Speaker 1: She's saying, yeah, I was. She's a reform tramp. I

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Speaker 1: was never as big of a tramp as you.

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Speaker 2: Basically, I mean, you guys have all had a lot

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Speaker 2: of leading men. So if we go by that, I

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Speaker 2: guess so, yeah, she's tramped for hire. She is tramp.

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Speaker 1: No, I'm not a tramp because she's Kelly says it. Well,

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Speaker 1: at least I don't get paid for it.

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Speaker 3: Basically, Yeah, I like the Heidi Flices reference.

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Speaker 1: Yes, very of the time.

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Speaker 2: Oh my gosh. Wait. Side note, So have you seen

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Speaker 2: the new Charlie Sheen documentary? No, you should watch it

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Speaker 2: because it's not what you expect and it's actually very

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Speaker 2: smart and well done and he's really good.

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Speaker 1: Is he a producer on it?

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Speaker 2: I'm yeah, I'm assuminguming, I'm assuming so, but they don't

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Speaker 2: hold back. John Cryer doesn't hold back. Denise Richards doesn't

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Speaker 2: hold back. Heidi Flices is there, but it's he's on it.

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Speaker 1: She wait wait wait, she's on it in present day?

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Speaker 2: Uh huh. So you know obviously she went to jail,

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Speaker 2: he testified against her, all of that, La La La,

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Speaker 2: But she she is on it, and she's moved from

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Speaker 2: LA and she lives somewhere where I'm not sure if

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Speaker 2: there's walls or a roof, but there's a gazillion parrots.

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Speaker 1: Okay, she's a parrot lady. You must have liked her. Then. Wait,

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Speaker 1: I'm not seeing Charlie as a producer on the doc.

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Speaker 2: Is it the one? It's the new One aka Charlie Sheen. Yeah,

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Speaker 2: that's one on Netflix. Interesting, I see a lot of producers.

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Speaker 2: You know what, I'm gonna say it, I'm gonna ask

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Speaker 2: it a different way. I wonder, uh if he gave

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Speaker 2: up that right because he wanted it done in an

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Speaker 2: authentic way and people thought if he produced it would

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Speaker 2: be about skewed to how he wanted it. I don't know,

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Speaker 2: Well that is the case.

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Speaker 1: That's like journalistic integrity or some Yeah, yes, but when

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Speaker 1: you have a doc about yourself, you're not supposed to

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Speaker 1: be Who had a doc that was produced by themselves?

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Speaker 1: I'm assuming, I don't know. Maybe a kardash really I

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Speaker 1: remember there was one and they got trash for it. No,

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Speaker 1: Charlie Sheen did not produce the documentary aka Charlie Sheen.

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Speaker 1: Apparently it was produced by others while Charlie was the

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Speaker 1: subject and a key participant in the project.

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Speaker 2: It's really good, I thought, Okay, I know everything, We've

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Speaker 2: all seen everything. And then it had a lot of heart,

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Speaker 2: it had it was it's really.

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Speaker 1: Good, actual show. Okay, yeah, what about the flashback when

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Speaker 1: Wick so, like you, you saw one thing and you

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Speaker 1: saw the other. So I don't know which one to believe,

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Speaker 1: because are either of those scenarios? Were either of those

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Speaker 1: scenarios between Kelly and Brandon on the porch? Did those happen? Oh?

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Speaker 2: I just got chills. You're right, it was just I

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Speaker 2: don't know. Oh that was because it's your perspective, it's

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Speaker 2: your story.

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Speaker 1: The one with Valerie, what did you think happened? And

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Speaker 1: then like we reenacted what she thought happened did not

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Speaker 1: seem real, it seemed phony. And then the one with.

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Speaker 2: Yeah, I'm in love with Valerie. I was like, okay,

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Speaker 2: can't be real. Yeah, it was fun though both of

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Speaker 2: them didn't make quite sense because unless I'm missing something,

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Speaker 2: and I was looking at him eating her face because

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Speaker 2: that's what he does.

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Speaker 1: Oh okay, Well.

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Speaker 2: I didn't see because she comes to the door buttoning

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Speaker 2: her shirt.

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Speaker 1: That never happened. Did you see that? Maybe she did it.

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Speaker 1: Maybe she did it when he got up to answer

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Speaker 1: the door.

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Speaker 2: Like ripped her shirt open and then re buttoned.

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Speaker 1: It because she wanted whoever was at the door. Maybe

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Speaker 1: she knew it was Kelly, so she unbuttoned her shirt

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Speaker 1: and came in all tossily like that, Like, oops, I

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Speaker 1: would not put that faster.

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Speaker 2: Although she does have a substantial size breast, and those

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Speaker 2: little things they didn't hold very well back then. So

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Speaker 2: maybe when they were toddling around, those.

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Speaker 1: Tiny buttons, Yeah, those tiny buttons were real slippery.

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Speaker 2: I would love to go back, but I don't really

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Speaker 2: care because I'm just in the moment to see if

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Speaker 2: the hair is matched. Did they take note of like

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Speaker 2: okay rewind?

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Speaker 1: Oh yeah right, I didn't look that closely.

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Speaker 2: I know, and it didn't matter. It was just it

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Speaker 2: was fun. I thought it was fun to see Brandon

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Speaker 2: and Valerie makeout. I don't know, well, it's personal to you,

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Speaker 2: but not personal, you know what I mean?

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Speaker 1: It did okay, So at first it felt like there

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Speaker 1: was no chemistry and it felt like uh and cue

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Speaker 1: the kiss. But then healing started to really open wide

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Speaker 1: and eat the entire head of her, and it looked

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Speaker 1: very animalistic. I gotta say. It was like I felt

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Speaker 1: like it was some more Jason and Valerie or you know,

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Speaker 1: That's what I don't know.

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Speaker 2: I agree with that, and I also I don't know,

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Speaker 2: like I don't talk out of school here, but like

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Speaker 2: men get aroused after that, like whoa, how can you

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Speaker 2: just like get up and be like okay, I'll just

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Speaker 2: open the door.

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Speaker 1: Hell, maybe is this are you? What do they call

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Speaker 1: it a shower? No, it was a grower, not a shower.

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Speaker 2: Grower, not a But don't when men get turned on,

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Speaker 2: don't there who's get.

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Speaker 1: Erect they're penises.

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Speaker 2: Yes, I'm trying to be so clinical here, you know,

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Speaker 2: I hate that word.

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Speaker 1: Yes, eventually not usually like well, I don't know, I'm

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Speaker 1: not a man, but like I went to get goes

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Speaker 1: like zero to one hundred in a second.

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Speaker 2: I don't know, but you just said how it was passionate.

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Speaker 1: I guess animals do.

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Speaker 2: Yeah, I don't know.

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Speaker 1: Anyway, I didn't. I was questioning what happened with the

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Speaker 1: with those flashbacks, but I.

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Speaker 2: I don't know. I'm sure I'm biased, of course, but

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Speaker 2: I tend to trust Kelly.

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Speaker 1: It just I was like, eh, I don't want to

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Speaker 1: watch that, but you're right. I wouldn't want to watch

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Speaker 1: that because my character was. But also then it just

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Speaker 1: was like, I like the two characters going against each other.

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Speaker 1: I get the purpose of it, but like just continues

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Speaker 1: to like double down in me, like why do they

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Speaker 1: have to always have these two leading women, strong women

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Speaker 1: female characters like going against each other? Because that was

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Speaker 1: like what what you wrote in the nineties? Did that?

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Speaker 1: Has that stopped? Has that ever?

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Speaker 2: I think that stopped. There's always got to be.

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Speaker 1: I mean, I think maybe that's what people like about

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Speaker 1: like reality she was like Real Housewives, is that they're

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Speaker 1: going to see that kind of female conflict sometimes.

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Speaker 2: I mean, I guess men have it too, you know,

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Speaker 2: it's just in a different form. Usually comes out on

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Speaker 2: sports courts.

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Speaker 1: But it's like, oh no, that's true.

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Speaker 2: I don't know. I mean, not everyone can get along.

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Speaker 1: This is fact, this is true.

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Speaker 2: You know, And it wouldn't it be a little boring

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Speaker 2: if you know, Kelly and Donna get along, Kelly and

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Speaker 2: Claire get along.

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Speaker 1: Oh yeah, there has I guess you're right. There has

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Speaker 1: to be like that instigator, that person.

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Speaker 2: But I found her vulnerable for some reason.

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Speaker 1: Well yeah, you found her vulnerable. Maybe it was just

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Speaker 1: the sickness. But she's still trying to create problems by saying, oh,

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Speaker 1: you don't know about Columbia.

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Speaker 2: You just jumped to the end.

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Speaker 1: Sorry, I know, I don't know.

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Speaker 2: I felt Oh I loved this. Brandon was the love

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Speaker 2: of my life. Brandon was to love the life. You

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Speaker 2: ruined my chance to get with him. Almost the love

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Speaker 2: of your life. Colin was the love of your life.

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Speaker 2: Now Brandon's the love of your life. Well he's the

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Speaker 2: only family I have?

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Speaker 1: Is he your lover or your family? So good? That

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Speaker 1: touched on a nerve. I think I cheered you on.

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Speaker 2: Wait in the beginning, when when she's like you really

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Speaker 2: don't know why I hate you, and you're like no, and'

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Speaker 2: she's like you don't remember. You're like, I don't remember.

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Speaker 2: It just made me think of all the things you

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Speaker 2: don't remember. I was like, wait, is that a joke?

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Speaker 2: Did they put that in?

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Speaker 1: I don't think I didn't remember that. I think it

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Speaker 1: was just for the story. No, I didn't remember. I

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Speaker 1: remembered that in my life, but now I don't remember

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Speaker 1: much of it. It just made me chuckle. I'm like,

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Speaker 1: that's so worse. It's true, but I don't. I don't.

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Speaker 1: Maybe that's a good thing if I don't remember now,

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Speaker 1: if I don't remember like traumatic stuff like that. I

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Speaker 1: kind of have felt like as I've gotten older, I'm like, eh,

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Speaker 1: ef it, I'm not carrying around anything that takes me

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Speaker 1: back to bad memories. You know. Like, so now saying

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Speaker 1: I don't remember is actually true, but it's also probably

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Speaker 1: like the best thing for me.

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Speaker 2: Yeah, gosh, can you rob off on me?

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Speaker 1: We can do some releasing, you know. What we need

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Speaker 1: to do is like a Moonlight release or something.

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Speaker 2: We do ten years of it, just let it go,

302
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Speaker 2: keep all the good stuff because we have amazing memories

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Speaker 2: any of that bad stuff and not a lot of

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Speaker 2: it happened to our personal lives during that time. Not

305
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Speaker 2: we're not talking at work, but just to release that, Okay,

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Speaker 2: let's do that. Put that on her to do list.

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Speaker 1: Okay, it's on the top of it. But then yes,

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Speaker 1: she gets she ultimately, well, she ultimately gives Brandon what

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Speaker 1: feels like an ultimate She said, it's either Valerie or

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Speaker 1: me in this house. But hello, Kelly, you don't live

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Speaker 1: in that house. But it's not VAL's house either, So

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Speaker 1: I guess it is up to Brandon whoever he lets

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Speaker 1: stay in his house. And if his girlfriend's now saying

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Speaker 1: I can't live under the same roof with her, what

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Speaker 1: is Brandon to do?

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Speaker 2: Guess you're all moving into the beach house.

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Speaker 1: Maybe val could move in with you guys? Does that happen?

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Speaker 2: I don't know, but no, that would have been a

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Speaker 2: fun like that. We tried it, well, she tried a

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Speaker 2: couple of weeks ago, and when she slept there and

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Speaker 2: read your diary. How dare she still mad at her

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Speaker 2: for that?

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Speaker 1: I know? Okay, do you want to talk about David

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Speaker 1: and Donna or Claire and Steve.

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Speaker 2: I want to talk about that you're throwing away your

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Speaker 2: dreams for a boy and not going to Columbia. What

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Speaker 2: is happening?

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Speaker 1: Yeah, she got accepted to Columbia, where does she does

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Speaker 1: she end up going to college somewhere or different college,

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Speaker 1: grad school, grad school. She doesn't end up going to

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Speaker 1: grad school. I have no idea what she ends up doing.

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Speaker 1: You guys, I'll tell you right now, tell me, tell me.

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Speaker 2: It lives on Melrose Place. In real life, you open

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Speaker 2: up a store with me and that's still closed. You

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Speaker 2: gave up your dream of going to Colombia grad school

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Speaker 2: for psychology?

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Speaker 1: But how did I become a shop? Seeper? Now did

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Speaker 1: this happen? Okay? So you said Melrose Place. That was

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Speaker 1: before when Kelly was like seventeen, wasn't it?

340
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Speaker 2: Oh?

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00:18:45,800 --> 00:18:51,520
Speaker 1: Not the show? Oh that actual store in our life

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Speaker 1: store was on Melrose Place.

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Speaker 2: Melroe sorry, on Melrose A Corner, not Melroe's Place?

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Speaker 1: Sorry?

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Speaker 2: Right right right?

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Speaker 1: What was it?

347
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Speaker 2: College area? Now? Where this?

348
00:19:02,280 --> 00:19:02,960
Speaker 1: Now? Where this?

349
00:19:03,560 --> 00:19:08,640
Speaker 2: Oh? So much fun there, but Matt Derning there wasn't

350
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Speaker 2: all bad?

351
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Speaker 1: Okay, but that's anyway that's coming. That's exciting. Oh so

352
00:19:12,720 --> 00:19:14,800
Speaker 1: that means can't Kelly and Brandon will break up? Oh

353
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Speaker 1: my gosh, okay, it's too much for me. This is

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00:19:18,400 --> 00:19:20,680
Speaker 1: really early on a Monday morning, you guys some panicking.

355
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Speaker 2: I'm just sad that you gave up, I know, but

356
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Speaker 2: they don't get into it. You gave it up for him.

357
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Speaker 2: You don't really.

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Speaker 1: Say she said I'm not going there now, which she

359
00:19:34,400 --> 00:19:38,679
Speaker 1: could have decided on her own before they got back together,

360
00:19:40,520 --> 00:19:43,080
Speaker 1: because she says this was, this is long before you

361
00:19:43,160 --> 00:19:49,720
Speaker 1: and what's her name? Oh, Susan break up? No, no, Susan,

362
00:19:49,800 --> 00:19:52,199
Speaker 1: damn it. I'm not gonna tell you. Tracy, Tracy, Tracy

363
00:19:52,440 --> 00:19:55,200
Speaker 1: got it nailed. That was fun.

364
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Speaker 2: Yeah, I guess I want to know the reason because

365
00:20:00,000 --> 00:20:03,520
Speaker 2: because I'm I care about Kelly and the character so

366
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Speaker 2: much in her journey all these years, like I want

367
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Speaker 2: to know.

368
00:20:06,960 --> 00:20:08,720
Speaker 1: Well, I'm sorry you don't get to know, but you

369
00:20:08,720 --> 00:20:10,879
Speaker 1: do get to know this. She did go onto the

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Speaker 1: New nine o two one zero as a psychiatrist or

371
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Speaker 1: a school counselor. I guess that's not the same, but

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00:20:17,000 --> 00:20:19,320
Speaker 1: she probably has some sort of a degree if we're

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Speaker 1: going to use that one, which I know you're going

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Speaker 1: to say, we're not going.

375
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Speaker 2: To no, no, no, but what that show?

376
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Speaker 1: That show? Remember you and David were divorced. You didn't

377
00:20:28,960 --> 00:20:37,280
Speaker 1: like it, stop it not divorced, separated, I'm sorry, never happened.

378
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Speaker 1: Those blinders must peak well, you work.

379
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Speaker 2: With Brandon, So how do you feel about that?

380
00:20:43,560 --> 00:20:45,239
Speaker 1: How do you like that? Matt? I'd like to know

381
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Speaker 1: what the hell happened?

382
00:20:46,560 --> 00:20:49,040
Speaker 2: And you weren't with Dylan, but I had his baby,

383
00:20:49,600 --> 00:20:52,920
Speaker 2: but you had his baby who was suddenly ten years old.

384
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Speaker 2: You were the school psychologist. You do have a psychology degree,

385
00:20:59,560 --> 00:21:00,600
Speaker 2: so so.

386
00:21:01,160 --> 00:21:04,400
Speaker 1: Must Maybe I got that from what's the school? See

387
00:21:04,400 --> 00:21:05,880
Speaker 1: you cal university?

388
00:21:06,160 --> 00:21:10,960
Speaker 2: California University. Yeah, they have a grad program. Yeah, that's sure,

389
00:21:10,960 --> 00:21:11,560
Speaker 2: we'll find out.

390
00:21:11,760 --> 00:21:17,480
Speaker 1: Yeah, okay, Stephen, really quickly, Samantha Sanders is being granted

391
00:21:17,560 --> 00:21:20,879
Speaker 1: an award from the TV what was it called the

392
00:21:21,040 --> 00:21:26,040
Speaker 1: TV Hall of Fame, Hall of Fame something, I don't know.

393
00:21:26,359 --> 00:21:30,240
Speaker 1: It looked like a very nice award that she received.

394
00:21:30,440 --> 00:21:33,320
Speaker 1: Very happy for her. Yeah, same, and Steve is very

395
00:21:33,320 --> 00:21:37,040
Speaker 1: excited for it, very sweet and supportive. And then so

396
00:21:37,080 --> 00:21:41,000
Speaker 1: she comes into town and Arnold Arnold that's his name, right,

397
00:21:41,080 --> 00:21:45,720
Speaker 1: Chancellor Arnold, he is He lives in LA So they've

398
00:21:45,720 --> 00:21:48,760
Speaker 1: been apart, but they're still together. They're still together.

399
00:21:49,200 --> 00:21:52,399
Speaker 2: And we've said this before, but anyone that doesn't know,

400
00:21:53,240 --> 00:21:57,040
Speaker 2: Chancellor Arnold and Samantha Sanders are married in real life.

401
00:21:57,680 --> 00:22:00,359
Speaker 1: Yeah, how do you forget that, Like I forg got that.

402
00:22:00,440 --> 00:22:01,440
Speaker 1: But when we talked about it.

403
00:22:01,359 --> 00:22:03,840
Speaker 2: A couple of weeks ago, Oh, it's just so great.

404
00:22:04,720 --> 00:22:06,359
Speaker 1: It is. They're so cute together.

405
00:22:08,119 --> 00:22:11,280
Speaker 2: He's I'm sorry, he's so stinking.

406
00:22:11,200 --> 00:22:13,399
Speaker 1: So cute, and he's like talking to Claire and holding

407
00:22:13,400 --> 00:22:16,399
Speaker 1: the pillow in front of himself because he's feeling insecure.

408
00:22:17,320 --> 00:22:22,960
Speaker 2: Nicholas Pryor is, Oh my gosh, okay, maybe he's my

409
00:22:23,119 --> 00:22:25,639
Speaker 2: Jim Walsh then on camera, okay.

410
00:22:25,560 --> 00:22:29,600
Speaker 1: Because he's just I will definitely accept that. Oh god,

411
00:22:30,200 --> 00:22:33,440
Speaker 1: he's he's such a good actor. So he's so cute.

412
00:22:33,520 --> 00:22:37,760
Speaker 1: He's like all timid about seeing Samantha again, and I

413
00:22:37,880 --> 00:22:41,000
Speaker 1: feel like we're gonna see this relationship unravel. Is this

414
00:22:41,160 --> 00:22:43,920
Speaker 1: it for this this episode? Is this it? They're over

415
00:22:44,880 --> 00:22:46,880
Speaker 1: because she says I'm going back to New York after

416
00:22:46,920 --> 00:22:51,080
Speaker 1: he gets a little tiny bit needy at the Words show.

417
00:22:52,320 --> 00:22:56,240
Speaker 2: It's it's extreme. Would you not agree we're both females

418
00:22:56,280 --> 00:22:58,280
Speaker 2: in this entertainment industry.

419
00:22:58,960 --> 00:23:01,880
Speaker 1: Yeah, she wasn't fair, sweet or kind about it, whereas

420
00:23:02,320 --> 00:23:06,520
Speaker 1: if you were in a loving relationship, you would be like, honey,

421
00:23:06,560 --> 00:23:09,280
Speaker 1: I'm so sorry, can you just wait five more minutes?

422
00:23:09,320 --> 00:23:10,959
Speaker 1: I want to go talk to this person about this,

423
00:23:11,080 --> 00:23:13,320
Speaker 1: and the person that's loving you and sporting you would say, sure,

424
00:23:13,320 --> 00:23:14,200
Speaker 1: I'll be right here.

425
00:23:15,000 --> 00:23:20,399
Speaker 2: Or why even invite him, Sam flying in, I'm supposed to.

426
00:23:20,400 --> 00:23:22,639
Speaker 2: I have to just go with my cast. This is

427
00:23:22,720 --> 00:23:24,879
Speaker 2: all this stuff's gonna happen. I'm not sure if I

428
00:23:24,920 --> 00:23:25,920
Speaker 2: can see this trip.

429
00:23:26,240 --> 00:23:28,280
Speaker 1: Yeah, but they gave her a whole table and she

430
00:23:28,400 --> 00:23:31,000
Speaker 1: filled it with him, and then like Steve and Claire

431
00:23:31,040 --> 00:23:33,639
Speaker 1: and then they're friends. There's no friends of her there,

432
00:23:33,640 --> 00:23:38,879
Speaker 1: but like her family table, her family table was maybe

433
00:23:38,880 --> 00:23:41,320
Speaker 1: she had to fill it, and also she probably wanted

434
00:23:41,359 --> 00:23:44,440
Speaker 1: to see him. Didn't seem like it didn't seem like it.

435
00:23:44,600 --> 00:23:45,639
Speaker 2: I know, I don't know.

436
00:23:45,680 --> 00:23:47,760
Speaker 1: I was like the whole time, I was thinking, uh,

437
00:23:47,880 --> 00:23:51,680
Speaker 1: Arnold Arnold, such is the life of a Thespian lover,

438
00:23:52,280 --> 00:23:57,840
Speaker 1: Like you know, she is like a true actor.

439
00:23:58,240 --> 00:24:03,160
Speaker 2: And he now reads Chancellor Arnold reads soa Bopper Magazines,

440
00:24:03,520 --> 00:24:05,320
Speaker 2: so Boper Digest.

441
00:24:05,160 --> 00:24:08,600
Speaker 1: Just to see her. Oh, I's a.

442
00:24:08,560 --> 00:24:10,680
Speaker 2: New leading man. Is she with the leading man?

443
00:24:11,680 --> 00:24:14,159
Speaker 1: She wasn't? That was just you know what they do.

444
00:24:14,160 --> 00:24:14,800
Speaker 2: Don't think so?

445
00:24:15,880 --> 00:24:19,560
Speaker 1: But I mean the way she's treating him, she who

446
00:24:19,600 --> 00:24:23,880
Speaker 1: knows certainly enough friction between Steve and Claire to end

447
00:24:23,960 --> 00:24:27,919
Speaker 1: their relationship. Now, so maybe this is like a lesson

448
00:24:28,119 --> 00:24:31,760
Speaker 1: don't when if you're if you're dating someone and then

449
00:24:31,800 --> 00:24:35,560
Speaker 1: your parents start to date, just when you're dating, cut that.

450
00:24:36,119 --> 00:24:42,000
Speaker 1: Cut that please, Lorraine and I had a burp. Okay,

451
00:24:43,200 --> 00:24:46,120
Speaker 1: this is a lesson to be learned. Like, if you're

452
00:24:46,160 --> 00:24:50,120
Speaker 1: dating someone and then your parents they start to date,

453
00:24:50,520 --> 00:24:53,000
Speaker 1: I think you should move, just move out of the

454
00:24:53,040 --> 00:24:57,760
Speaker 1: city or away, because it's never gonna there's something I

455
00:24:57,800 --> 00:25:00,520
Speaker 1: don't know, there's just something that's gonna come out bad

456
00:25:00,640 --> 00:25:01,480
Speaker 1: like this situation.

457
00:25:02,400 --> 00:25:04,480
Speaker 2: Yeah, you're right, because it's.

458
00:25:04,240 --> 00:25:07,000
Speaker 1: Hair and Claire and Steve apart. And then when she

459
00:25:07,080 --> 00:25:09,720
Speaker 1: says he's the most important person in my life and

460
00:25:09,760 --> 00:25:13,280
Speaker 1: Steve says, well where does that leave me? Well, bro,

461
00:25:13,520 --> 00:25:17,120
Speaker 1: I'm sorry, but that leaves you below the dad. But

462
00:25:17,160 --> 00:25:17,720
Speaker 1: that's okay.

463
00:25:18,640 --> 00:25:22,360
Speaker 2: What I felt like she was saying is it's hurling family.

464
00:25:23,280 --> 00:25:26,000
Speaker 2: And then he's like, well, you know, he's all I

465
00:25:26,080 --> 00:25:27,960
Speaker 2: have family. Her mom is.

466
00:25:28,600 --> 00:25:31,240
Speaker 1: Tracks like, let her say that. Why does he have

467
00:25:31,280 --> 00:25:33,760
Speaker 1: to get all he made it about him but heard

468
00:25:33,800 --> 00:25:34,320
Speaker 1: about it.

469
00:25:34,440 --> 00:25:38,320
Speaker 2: Yeah, I don't know, by the way, I never I

470
00:25:38,359 --> 00:25:41,360
Speaker 2: don't Sorry, whoa whoa, I'm so excited. I was stunnering.

471
00:25:42,040 --> 00:25:45,280
Speaker 2: I thought she looked in that white outfit in the pants.

472
00:25:45,400 --> 00:25:50,000
Speaker 2: So she she Clare Claire Kathleen looked so beautiful.

473
00:25:50,160 --> 00:25:53,359
Speaker 1: She did. Her hair was like straight and nice. It

474
00:25:53,480 --> 00:25:56,520
Speaker 1: was just like your hair. Now, Yes, you got Claire

475
00:25:56,600 --> 00:25:57,840
Speaker 1: Arnold's haircut.

476
00:25:57,680 --> 00:25:58,000
Speaker 2: Do I?

477
00:25:58,440 --> 00:25:58,840
Speaker 1: Yeah?

478
00:25:59,359 --> 00:26:02,520
Speaker 2: I think I don't Martin's haircut from nineteen ninety four.

479
00:26:03,080 --> 00:26:05,920
Speaker 1: Did Donna Marne ever wear her hair? Yeah? She did,

480
00:26:05,920 --> 00:26:08,360
Speaker 1: but it was always poofy you of course, No, no, no,

481
00:26:08,440 --> 00:26:11,520
Speaker 1: it was always poofyar like at some point in the

482
00:26:11,560 --> 00:26:15,240
Speaker 1: glses and perhaps a little turning up east curl at

483
00:26:15,280 --> 00:26:18,200
Speaker 1: the behies. That's how I remember it, with a turned

484
00:26:18,240 --> 00:26:21,960
Speaker 1: up curl like dwink. I'm just kidding. I remember it totally.

485
00:26:22,000 --> 00:26:23,240
Speaker 2: Apart, super straight.

486
00:26:23,880 --> 00:26:24,879
Speaker 1: I remember it.

487
00:26:24,880 --> 00:26:25,680
Speaker 2: It wasn't for long.

488
00:26:25,720 --> 00:26:29,200
Speaker 1: But so you had this haircut way before Leslie Bibb,

489
00:26:30,600 --> 00:26:34,800
Speaker 1: way before all Jenna bush Hager, who just got it?

490
00:26:35,600 --> 00:26:39,240
Speaker 1: You were the og blunt bob center part.

491
00:26:39,800 --> 00:26:43,119
Speaker 2: I can't take that compliment. That is hard for me.

492
00:26:43,840 --> 00:26:49,320
Speaker 1: Oh maybe who's that other? Remember that the model iggy

493
00:26:49,520 --> 00:26:54,960
Speaker 1: or no stiggy sticky, no piggy, no twiggy Twiggy.

494
00:26:55,520 --> 00:26:57,760
Speaker 2: No, that was the pixie cut that you had.

495
00:26:58,040 --> 00:27:01,280
Speaker 1: Well, let me see your hair. Oh, yeah, I want

496
00:27:01,280 --> 00:27:05,200
Speaker 1: this haircut. Will you be mad at me? You got

497
00:27:05,240 --> 00:27:07,360
Speaker 1: your hair bobbed? Can I get a pixie?

498
00:27:07,680 --> 00:27:11,800
Speaker 2: No, I'm not mad at it. So I love you

499
00:27:11,840 --> 00:27:15,160
Speaker 2: and the pixie. It was just the it was the nineties,

500
00:27:15,200 --> 00:27:18,320
Speaker 2: and it was the poofy, the poofy pixie that I

501
00:27:18,359 --> 00:27:21,639
Speaker 2: wasn't crazy about you and like a cool pixie would

502
00:27:21,880 --> 00:27:24,000
Speaker 2: be amazing. I don't know.

503
00:27:24,160 --> 00:27:26,520
Speaker 1: Okay, let me ask you this when you were so

504
00:27:26,640 --> 00:27:29,600
Speaker 1: up topic right now. Sorry, guys, when you cut your hair,

505
00:27:30,320 --> 00:27:33,320
Speaker 1: this is what I would be going through. I would

506
00:27:33,359 --> 00:27:35,719
Speaker 1: be like, okay, there's now there's going to be too

507
00:27:35,840 --> 00:27:40,720
Speaker 1: much of this and not enough this. Oh did you

508
00:27:40,840 --> 00:27:42,240
Speaker 1: feel were you nervous?

509
00:27:43,320 --> 00:27:46,240
Speaker 2: And she's talking about her old joke me always hiding

510
00:27:46,280 --> 00:27:48,480
Speaker 2: behind my own hair because I don't want to show

511
00:27:48,520 --> 00:27:51,240
Speaker 2: my face and so she's saying too much a face,

512
00:27:51,520 --> 00:27:56,320
Speaker 2: not enough of hair. I wasn't. I'm wanting to do

513
00:27:56,400 --> 00:27:59,879
Speaker 2: it for a while. You have, yeah, because I just

514
00:28:00,160 --> 00:28:04,520
Speaker 2: felt like I wanted to change. I was bored, so

515
00:28:04,760 --> 00:28:07,359
Speaker 2: I wanted to do it. And here's the great news

516
00:28:07,680 --> 00:28:11,880
Speaker 2: about nowadays, extensions and always make it long again.

517
00:28:11,840 --> 00:28:14,439
Speaker 1: Exactly, let's clip those sucker in.

518
00:28:14,760 --> 00:28:16,439
Speaker 2: You'll have to grow that out a little bit to

519
00:28:16,480 --> 00:28:17,280
Speaker 2: get extensions.

520
00:28:18,000 --> 00:28:21,760
Speaker 1: But I'm gonna go wig pixie. How about that? Do

521
00:28:21,800 --> 00:28:24,560
Speaker 1: you think if I had a pixie wig, anybody would

522
00:28:24,560 --> 00:28:25,760
Speaker 1: know that it's not my real hair?

523
00:28:27,000 --> 00:28:31,439
Speaker 2: I gotta be on. I know they have like really

524
00:28:31,480 --> 00:28:36,000
Speaker 2: great ones, like beyond very extensive like ones that they

525
00:28:36,119 --> 00:28:38,680
Speaker 2: put on and it stays like for a month.

526
00:28:39,800 --> 00:28:42,960
Speaker 1: Yeah, oh that must be itchy and lot in there

527
00:28:43,000 --> 00:28:43,880
Speaker 1: with all your hair.

528
00:28:44,080 --> 00:28:46,760
Speaker 2: I feel like you'd be miserable.

529
00:28:45,840 --> 00:28:50,120
Speaker 1: I remember wearing wigs like for different parts or whatever,

530
00:28:50,240 --> 00:28:53,720
Speaker 1: different like whatever we had to do, and just thinking

531
00:28:54,360 --> 00:28:57,440
Speaker 1: the whole time, I don't feel comfortable with this wig on.

532
00:28:57,640 --> 00:29:00,320
Speaker 1: I can't act comfortable with this wig on. I can't

533
00:29:00,600 --> 00:29:04,240
Speaker 1: be anything but uncomfortable. But maybe now they're different and

534
00:29:04,280 --> 00:29:07,320
Speaker 1: they're lighter, and they're more like where wearable.

535
00:29:07,960 --> 00:29:11,200
Speaker 2: I think it's worth you popping in somewhere.

536
00:29:10,920 --> 00:29:13,720
Speaker 1: And just trying. I'm gonna go to the hair shop.

537
00:29:14,360 --> 00:29:18,200
Speaker 1: You know what. Yes, there's a place here you guys

538
00:29:18,280 --> 00:29:23,960
Speaker 1: called the hairshop. It's like the og place that actors

539
00:29:24,400 --> 00:29:27,600
Speaker 1: make up hairstyle. As anybody would go to get either

540
00:29:27,720 --> 00:29:30,760
Speaker 1: face hair member like that you had. They had to

541
00:29:30,760 --> 00:29:32,560
Speaker 1: glue it on the guys. They had to like glue

542
00:29:32,560 --> 00:29:36,280
Speaker 1: on the mustaches and the beards, and then also the

543
00:29:36,280 --> 00:29:39,240
Speaker 1: wigs and the extensions. And it's still around and it's

544
00:29:39,280 --> 00:29:40,600
Speaker 1: still killing.

545
00:29:40,280 --> 00:29:43,360
Speaker 2: It in Hollywood. Was the o g one, but now

546
00:29:43,400 --> 00:29:44,880
Speaker 2: there's one in the Valley.

547
00:29:44,560 --> 00:29:46,680
Speaker 1: There's one in Encino. I know, you know what, I

548
00:29:46,680 --> 00:29:49,959
Speaker 1: don't trust that one. That's where I go. Why trust it?

549
00:29:50,120 --> 00:29:52,320
Speaker 1: I don't trust it. I don't know, I don't know.

550
00:29:52,400 --> 00:29:53,600
Speaker 1: I just feel like I have to go to the

551
00:29:53,640 --> 00:29:56,280
Speaker 1: real the first one. I don't I don't have anything

552
00:29:56,320 --> 00:29:59,480
Speaker 1: to back that up, just how I feel. Honestly, I

553
00:29:59,520 --> 00:30:03,000
Speaker 1: went to the See No One and I didn't feel

554
00:30:03,040 --> 00:30:05,080
Speaker 1: like I was in good hands.

555
00:30:05,560 --> 00:30:07,240
Speaker 2: That is a bold statement.

556
00:30:07,760 --> 00:30:10,480
Speaker 1: I know. I don't know. It's just I guess I'm

557
00:30:10,560 --> 00:30:11,120
Speaker 1: just used to.

558
00:30:11,760 --> 00:30:14,640
Speaker 2: Well, that's why there's thirty one flavors in two different

559
00:30:14,640 --> 00:30:19,880
Speaker 2: hair shops, so you can go to the bog one.

560
00:30:28,960 --> 00:30:32,560
Speaker 1: Okay, Okay, Claire and Steve look like they're breaking up.

561
00:30:32,680 --> 00:30:37,800
Speaker 1: Donna and David are going on an overnight to New Orleans.

562
00:30:38,120 --> 00:30:42,840
Speaker 2: When he made that phone call, he felt it memories

563
00:30:42,840 --> 00:30:46,360
Speaker 2: of him being manic and like doing things like kind

564
00:30:46,360 --> 00:30:51,920
Speaker 2: of suddenly yeah, yeah, as Donna for him, yeah, Tory

565
00:30:51,960 --> 00:30:53,600
Speaker 2: for David or I don't know.

566
00:30:53,520 --> 00:30:55,760
Speaker 1: Because what was the phone call they wanted him to go?

567
00:30:56,520 --> 00:31:01,720
Speaker 2: He booked someone? I don't know. I didn't understand it

568
00:31:01,800 --> 00:31:04,440
Speaker 2: if you say, I booked Monica in the jazz club,

569
00:31:04,560 --> 00:31:08,400
Speaker 2: and but he booked why do he book someone who's Monica?

570
00:31:09,120 --> 00:31:11,160
Speaker 1: Isn't that the girl that he was kissing and then

571
00:31:11,400 --> 00:31:12,520
Speaker 1: almost broke you guys.

572
00:31:12,360 --> 00:31:15,080
Speaker 2: Up this little singer talking about.

573
00:31:16,880 --> 00:31:20,600
Speaker 1: This little singer, girl with the cute and we had

574
00:31:20,640 --> 00:31:23,840
Speaker 1: her on the show. She's so nice, Oh, Natalia?

575
00:31:23,880 --> 00:31:25,920
Speaker 2: But what's her name on the show?

576
00:31:26,920 --> 00:31:28,800
Speaker 1: Chloe? Chloe? That wasn't her?

577
00:31:28,920 --> 00:31:32,200
Speaker 2: Sorry, I definitely said an en name. Am I wrong? Loreene?

578
00:31:32,240 --> 00:31:35,560
Speaker 1: Do you remember? How does Rain? How does Lorraine remember?

579
00:31:35,640 --> 00:31:38,120
Speaker 1: I can't talk today? How does Lorraine remember? You think?

580
00:31:38,440 --> 00:31:41,160
Speaker 1: She just pulled up though that this is it for

581
00:31:41,280 --> 00:31:47,680
Speaker 1: Samantha and Chancellor Arnold, you guys great oz. I wish

582
00:31:47,760 --> 00:31:51,600
Speaker 1: I could had her powers. Okay, first of all, I

583
00:31:51,640 --> 00:31:53,360
Speaker 1: need to figure this out because you have a what

584
00:31:53,480 --> 00:31:55,520
Speaker 1: time is your class? Your first class that you have

585
00:31:55,600 --> 00:31:58,760
Speaker 1: your big presentation in due tomorrow morning? It had to

586
00:31:58,800 --> 00:32:01,160
Speaker 1: be an eight am, nine ten am.

587
00:32:01,200 --> 00:32:03,360
Speaker 2: Ellen Fogerty back in this episode.

588
00:32:03,640 --> 00:32:04,200
Speaker 1: We love her.

589
00:32:04,320 --> 00:32:08,120
Speaker 2: We just talked to her recently. I don't know, but

590
00:32:08,240 --> 00:32:11,160
Speaker 2: you know what, I'm going to go on record. I

591
00:32:11,200 --> 00:32:15,720
Speaker 2: think that teacher, teacher Langley does have it in for Donna.

592
00:32:15,920 --> 00:32:18,480
Speaker 1: Why this is so me?

593
00:32:18,960 --> 00:32:21,640
Speaker 2: Why me? Why does me? It's not about you, it's

594
00:32:21,680 --> 00:32:22,080
Speaker 2: not personal.

595
00:32:22,160 --> 00:32:25,000
Speaker 1: No, she meets me. You know why. She doesn't hate you.

596
00:32:25,080 --> 00:32:26,400
Speaker 1: And I would be telling you this if I was

597
00:32:26,400 --> 00:32:28,720
Speaker 1: your mother or your best friend. She doesn't hate you.

598
00:32:29,040 --> 00:32:30,920
Speaker 1: She's being hard on you because she sees so much

599
00:32:30,960 --> 00:32:34,360
Speaker 1: potential in you and she wants to pull out your greatness.

600
00:32:34,520 --> 00:32:40,080
Speaker 2: That's why you're good at what you do. Well, thank you.

601
00:32:38,360 --> 00:32:45,640
Speaker 1: You released that you don't need to hold onto that. Okay, okay,

602
00:32:45,840 --> 00:32:49,360
Speaker 1: all right, good, I feel better now, but I'm still

603
00:32:49,360 --> 00:32:51,080
Speaker 1: stuck on the timing of it all. If you took

604
00:32:51,120 --> 00:32:55,240
Speaker 1: a flight out of Lax at Kay one pm, because

605
00:32:55,240 --> 00:32:57,240
Speaker 1: you couldn't have gotten too Lax until one pm, I

606
00:32:57,240 --> 00:32:59,680
Speaker 1: need Amy for this conversation. Then okay, So then you

607
00:32:59,720 --> 00:33:03,120
Speaker 1: take a four plus probably six hours by the time

608
00:33:03,160 --> 00:33:06,160
Speaker 1: you go to the airport, take the take the airplane,

609
00:33:06,600 --> 00:33:08,920
Speaker 1: and then go back to your hotel room. That's like,

610
00:33:09,080 --> 00:33:10,960
Speaker 1: you don't get there till night. Obviously you got there

611
00:33:10,960 --> 00:33:14,600
Speaker 1: at night, you lost oaks. Then you have one night

612
00:33:14,680 --> 00:33:18,040
Speaker 1: to have the meeting and then I'm sorry, but what

613
00:33:18,040 --> 00:33:20,920
Speaker 1: what I guess if you got up at four am,

614
00:33:20,960 --> 00:33:21,880
Speaker 1: you could catch a flight.

615
00:33:22,080 --> 00:33:24,360
Speaker 2: I set the alarm for six am, So you get

616
00:33:24,360 --> 00:33:26,720
Speaker 2: to the airport by like seven, let's say.

617
00:33:26,600 --> 00:33:28,760
Speaker 1: No, and your flight wouldn't be till like nine, nine

618
00:33:28,840 --> 00:33:33,120
Speaker 1: thirty nine nine, right, but it's on east coast. Then

619
00:33:33,160 --> 00:33:36,760
Speaker 1: you lose four hours, so it's nine ten, eleven, twelve,

620
00:33:36,880 --> 00:33:37,400
Speaker 1: one one.

621
00:33:37,600 --> 00:33:39,120
Speaker 2: You're stressing me out right now.

622
00:33:40,600 --> 00:33:42,560
Speaker 1: One twelve eleven ten. You'd be there by ten am.

623
00:33:42,640 --> 00:33:44,520
Speaker 1: So maybe if it was eleven en am class you

624
00:33:44,560 --> 00:33:47,120
Speaker 1: could have made it. I got it. I worked it out.

625
00:33:47,160 --> 00:33:49,800
Speaker 1: You guys, thank you for bearing with me. I'm exhausted

626
00:33:50,640 --> 00:33:51,120
Speaker 1: me too.

627
00:33:51,360 --> 00:33:52,280
Speaker 2: My brain hurt.

628
00:33:52,320 --> 00:33:55,400
Speaker 1: Sorry, that was my kicking in. You know what.

629
00:33:55,480 --> 00:33:59,120
Speaker 2: Bothered me the most about the Donna David storyline.

630
00:33:58,600 --> 00:34:00,840
Speaker 1: The condoms, The giant box of cos that he kept

631
00:34:01,040 --> 00:34:01,800
Speaker 1: pulling out of his.

632
00:34:02,200 --> 00:34:05,040
Speaker 2: Everywhere three times.

633
00:34:04,480 --> 00:34:06,720
Speaker 1: Three close ups. That condom box.

634
00:34:06,480 --> 00:34:12,840
Speaker 2: Got Nope, that wasn't it. Uh, Donna would never be

635
00:34:12,920 --> 00:34:15,839
Speaker 2: at school all day in an outfit and then not

636
00:34:16,040 --> 00:34:17,640
Speaker 2: changed to go to New Orleans.

637
00:34:17,640 --> 00:34:20,200
Speaker 1: Oh, I say, who would travel in that outfit?

638
00:34:20,280 --> 00:34:20,440
Speaker 2: Yeah?

639
00:34:20,520 --> 00:34:25,560
Speaker 1: Especially this fashionista Donna is like she David was packing

640
00:34:25,560 --> 00:34:26,320
Speaker 1: the day before.

641
00:34:26,520 --> 00:34:29,800
Speaker 2: Like Donna wouldn't she had to run home right or

642
00:34:29,840 --> 00:34:31,760
Speaker 2: bring an outfit with her like change?

643
00:34:32,239 --> 00:34:35,239
Speaker 1: It bothered me. Okay, I get it, Okay, thank you.

644
00:34:35,640 --> 00:34:38,760
Speaker 1: And also I wanted to see her in something else

645
00:34:39,239 --> 00:34:41,960
Speaker 1: there you go, Yeah, me too, but do you? I

646
00:34:42,000 --> 00:34:45,640
Speaker 1: also felt bad for David because how many times are

647
00:34:45,640 --> 00:34:48,120
Speaker 1: you going to do this to the poor kid? Get

648
00:34:48,160 --> 00:34:53,480
Speaker 1: them all worked up, get them all sexed up? Uh,

649
00:34:53,719 --> 00:34:55,600
Speaker 1: get them all rowdy or ry.

650
00:34:56,120 --> 00:35:01,160
Speaker 2: I'm not kidding. I was wondering the same thing. It's

651
00:35:01,360 --> 00:35:04,799
Speaker 2: very the same thing I wondered with Brandon when there's

652
00:35:04,880 --> 00:35:08,360
Speaker 2: making out and David, they they stopped and he was

653
00:35:08,400 --> 00:35:12,239
Speaker 2: like had a breath and like like all worked up.

654
00:35:12,520 --> 00:35:14,000
Speaker 1: How does he not get erect? Now?

655
00:35:14,000 --> 00:35:16,840
Speaker 2: I mean, we know, you guys, this is a TV show.

656
00:35:17,000 --> 00:35:20,480
Speaker 2: They can't show that. But I'm just saying in real

657
00:35:20,520 --> 00:35:22,200
Speaker 2: life that you're wondering. You know what.

658
00:35:22,280 --> 00:35:24,640
Speaker 1: I bet other people who watched the show were also

659
00:35:24,719 --> 00:35:25,800
Speaker 1: wondering these things.

660
00:35:26,239 --> 00:35:29,720
Speaker 2: Really, Okay, I'm not the dirty bird that wonders.

661
00:35:29,520 --> 00:35:31,440
Speaker 1: There were some inquisitive minds like.

662
00:35:31,440 --> 00:35:36,680
Speaker 2: Yours with some dirty minds. Perfect, But I'm.

663
00:35:36,480 --> 00:35:38,960
Speaker 1: Going to go out on a lemon, say David definitely

664
00:35:38,960 --> 00:35:39,480
Speaker 1: had a boner.

665
00:35:45,080 --> 00:35:51,399
Speaker 2: Oh God, I'm sorry I got to talk about did

666
00:35:51,480 --> 00:35:52,440
Speaker 2: David have a boner?

667
00:35:52,520 --> 00:35:55,759
Speaker 1: I need to know? In New Orleans in the hotel room, do.

668
00:35:55,760 --> 00:35:56,920
Speaker 2: You want to phone a friend? Do you want to

669
00:35:56,920 --> 00:35:57,960
Speaker 2: call Brian and ask him?

670
00:35:57,960 --> 00:36:04,280
Speaker 1: I don't know, you don't know. Yeah, did David Silver

671
00:36:04,480 --> 00:36:11,000
Speaker 1: have a Is that the erect erection erection during his

672
00:36:11,200 --> 00:36:14,759
Speaker 1: scene with Donna Martin in New Orleans? I don't think

673
00:36:14,760 --> 00:36:19,120
Speaker 1: that chat ai or whatever it's called. Well, now I

674
00:36:19,160 --> 00:36:22,000
Speaker 1: think only you know answer the question.

675
00:36:22,560 --> 00:36:22,719
Speaker 2: Now.

676
00:36:22,760 --> 00:36:24,920
Speaker 1: I think we've had these things happen.

677
00:36:25,280 --> 00:36:29,080
Speaker 2: Yeah, before I don't feel like, first of all, there's

678
00:36:29,080 --> 00:36:31,120
Speaker 2: a whole crew around, so I don't know if you

679
00:36:31,160 --> 00:36:36,319
Speaker 2: ever get to that point. But I was wondering, now

680
00:36:36,600 --> 00:36:42,640
Speaker 2: when I feel weird saying this, do do they not

681
00:36:42,800 --> 00:36:44,120
Speaker 2: do anything else?

682
00:36:44,960 --> 00:36:47,600
Speaker 1: Donna and David? Besides, I was wondering the same thing,

683
00:36:47,680 --> 00:36:50,560
Speaker 1: like in that same thing, like how can you keep

684
00:36:50,560 --> 00:36:52,560
Speaker 1: getting them all riled up? What happens?

685
00:36:52,840 --> 00:36:56,400
Speaker 2: And I think I've been watching too much secret Lives

686
00:36:56,400 --> 00:37:01,040
Speaker 2: and Mormon Wives. I'm obsessed with that show. But Mormons

687
00:37:01,719 --> 00:37:06,440
Speaker 2: don't can't have sex before marriage either, and they do

688
00:37:06,719 --> 00:37:11,440
Speaker 2: talk a lot about blowjobs and like, you know, things

689
00:37:11,480 --> 00:37:15,239
Speaker 2: like that. So I'm just wondering if they never do

690
00:37:15,280 --> 00:37:17,800
Speaker 2: anything with hands or mouths or anything.

691
00:37:19,600 --> 00:37:21,760
Speaker 1: I don't think that they could show that Donna Martin

692
00:37:21,880 --> 00:37:24,359
Speaker 1: doing that. I don't think that your dad probably would

693
00:37:24,400 --> 00:37:26,320
Speaker 1: have Yeah, okay, that script.

694
00:37:26,960 --> 00:37:29,719
Speaker 2: I mean he didn't, Okaye having sex on the show

695
00:37:29,800 --> 00:37:32,280
Speaker 2: for what eight seasons? Seven seasons?

696
00:37:32,760 --> 00:37:35,160
Speaker 1: Wait, you guys, Amy is never gonna let us do

697
00:37:35,239 --> 00:37:36,759
Speaker 1: this just the two of us again.

698
00:37:37,280 --> 00:37:40,320
Speaker 2: Are you kidding? She's gonna be like I love this combo.

699
00:37:40,600 --> 00:37:46,040
Speaker 2: Oh god, she loves this stuff. But here's the thing, Like,

700
00:37:46,800 --> 00:37:50,960
Speaker 2: do you think he went to the bathroom and off?

701
00:37:51,320 --> 00:37:54,840
Speaker 1: I don't want to know. Asking if he had a

702
00:37:54,880 --> 00:37:57,400
Speaker 1: boner was way outside my comfort zone. And now you

703
00:37:57,560 --> 00:37:58,560
Speaker 1: just sent me over the edge.

704
00:37:59,080 --> 00:38:00,120
Speaker 2: I don't want to do that to you.

705
00:38:00,160 --> 00:38:00,600
Speaker 1: I love you.

706
00:38:01,920 --> 00:38:04,200
Speaker 2: Okay, fine, So you know what, he thought this was

707
00:38:04,239 --> 00:38:09,719
Speaker 2: going to be the night he did, and I liked

708
00:38:09,719 --> 00:38:12,840
Speaker 2: his honesty. He's like, we're in a committed relationship. I

709
00:38:12,880 --> 00:38:15,600
Speaker 2: love you. You know, we're here in a romantic city.

710
00:38:15,719 --> 00:38:19,759
Speaker 2: Like he's genuinely saying, like, what can I do? I

711
00:38:19,760 --> 00:38:22,239
Speaker 2: don't know what to do anymore? Like you said you

712
00:38:22,360 --> 00:38:25,880
Speaker 2: wanted to and you're ready, and then and then she

713
00:38:25,960 --> 00:38:26,800
Speaker 2: has no answer.

714
00:38:27,239 --> 00:38:31,160
Speaker 1: Well, first of all, my question for that is, is

715
00:38:31,440 --> 00:38:34,360
Speaker 1: New Orleans really a romantic destination?

716
00:38:34,680 --> 00:38:39,240
Speaker 2: I don't know. I've been there once and I was drinking.

717
00:38:39,320 --> 00:38:42,440
Speaker 2: I was on a float and throwing beads at people.

718
00:38:42,480 --> 00:38:46,760
Speaker 2: They're like throwing the beads like not funny, No.

719
00:38:46,040 --> 00:38:49,960
Speaker 1: No, you know, you think about music, you think about

720
00:38:50,719 --> 00:38:54,600
Speaker 1: some good creole, You think about some swamps maybe, and

721
00:38:54,640 --> 00:38:58,080
Speaker 1: some people that are got this like loo, have you

722
00:38:58,080 --> 00:39:01,279
Speaker 1: ever been on a swamp tour in New Orleans? Didn't

723
00:39:01,280 --> 00:39:02,520
Speaker 1: you do a movie about a swamp?

724
00:39:03,320 --> 00:39:03,600
Speaker 2: Yep?

725
00:39:04,080 --> 00:39:05,120
Speaker 1: Wasn't that a New Orleans?

726
00:39:06,400 --> 00:39:06,720
Speaker 2: Nope?

727
00:39:07,320 --> 00:39:11,320
Speaker 1: I thought you were a villa. But I think about

728
00:39:11,320 --> 00:39:14,439
Speaker 1: like the history of the people there. It's so rich

729
00:39:14,560 --> 00:39:18,960
Speaker 1: with so much, so much. I just don't think it's romantic.

730
00:39:19,440 --> 00:39:23,319
Speaker 2: Music and food. I mean, I don't know I can

731
00:39:23,440 --> 00:39:26,560
Speaker 2: get romantic. Yeah, and they what did they have? Would

732
00:39:26,600 --> 00:39:27,279
Speaker 2: they say they ate?

733
00:39:27,480 --> 00:39:27,960
Speaker 1: Was it creole?

734
00:39:28,040 --> 00:39:30,520
Speaker 2: Jumblaiya somebody? She's like, oh, it was spicy, So maybe

735
00:39:30,560 --> 00:39:33,560
Speaker 2: her stomach was hurting. Probably maybe she was like, I

736
00:39:33,640 --> 00:39:37,320
Speaker 2: really got a fart. It's like, so I can't have sucks.

737
00:39:37,600 --> 00:39:39,640
Speaker 1: And first of all, in the very first place, when

738
00:39:39,680 --> 00:39:42,080
Speaker 1: he asked you about going there, you say something in Creole,

739
00:39:42,200 --> 00:39:43,400
Speaker 1: like when did you learn creole?

740
00:39:44,200 --> 00:39:48,360
Speaker 2: I thought it was French. I was kiddy, And what

741
00:39:48,600 --> 00:39:51,440
Speaker 2: did I say? Because I've been there once? Doesn't everyone

742
00:39:51,520 --> 00:39:52,680
Speaker 2: learn when they go there once?

743
00:39:52,760 --> 00:39:53,320
Speaker 1: I don't know that.

744
00:39:54,000 --> 00:39:57,680
Speaker 2: That was so bizarre anyway, it was.

745
00:39:57,680 --> 00:40:02,400
Speaker 1: The weirdest, like left ramp off an exit off the freeway,

746
00:40:02,440 --> 00:40:04,160
Speaker 1: Like you know, when those ramps on the freeway are

747
00:40:04,239 --> 00:40:06,879
Speaker 1: the left side of the freeway. You're like, what the

748
00:40:07,320 --> 00:40:10,160
Speaker 1: how am I supposed to get off in the fast lane?

749
00:40:10,560 --> 00:40:14,879
Speaker 1: What are you talking about? There's a ramp on? Wait? Wait,

750
00:40:14,920 --> 00:40:18,840
Speaker 1: you've never seen a left ramp. No, oh girl, you

751
00:40:18,880 --> 00:40:21,160
Speaker 1: gotta drive. You gotta get out in that car yers

752
00:40:21,239 --> 00:40:24,320
Speaker 1: and go to like other cities because places have left

753
00:40:24,360 --> 00:40:29,880
Speaker 1: office highway. No, my highway has no left off ramps,

754
00:40:29,920 --> 00:40:30,719
Speaker 1: but I can think of.

755
00:40:31,360 --> 00:40:34,000
Speaker 2: I almost crashed when I saw that because I was like,

756
00:40:34,200 --> 00:40:38,760
Speaker 2: oh my god, and I was like, oh no, no, keep driving.

757
00:40:38,920 --> 00:40:42,440
Speaker 1: Oh my gosh, you're so funny. Yes, uh, that was

758
00:40:42,840 --> 00:40:45,120
Speaker 1: a very fun time to have my sign up there

759
00:40:45,120 --> 00:40:48,800
Speaker 1: for like that I loved. We're talking about it a

760
00:40:48,880 --> 00:40:52,719
Speaker 1: highway that was adopted by me. Uh, and it's close.

761
00:40:52,880 --> 00:40:55,400
Speaker 1: It's like, if you're going to my you're headed in

762
00:40:55,440 --> 00:40:57,399
Speaker 1: the right direction to get to my house if you're

763
00:40:57,440 --> 00:41:00,120
Speaker 1: on that freeway, and everybody, every friend of mine, is like,

764
00:41:00,160 --> 00:41:02,279
Speaker 1: oh my god. They usually call me or text me

765
00:41:02,320 --> 00:41:03,799
Speaker 1: and say I just saw your name on the side

766
00:41:03,800 --> 00:41:04,920
Speaker 1: of the highway. What's happening?

767
00:41:05,560 --> 00:41:07,120
Speaker 2: And I meant to do that, but I was driving

768
00:41:07,280 --> 00:41:09,520
Speaker 2: the kids to Big Bear. It didn't happen. And then

769
00:41:09,600 --> 00:41:12,160
Speaker 2: you know me, I'm like, A forgot a squirrel. I forget.

770
00:41:12,880 --> 00:41:14,040
Speaker 1: That's okay, I'm not offended.

771
00:41:14,520 --> 00:41:17,880
Speaker 2: No, no, no. I was like, wait, it's not there forever.

772
00:41:17,960 --> 00:41:19,000
Speaker 2: It's just a time period.

773
00:41:20,000 --> 00:41:23,399
Speaker 1: Uh, it's there for a certain amount of years and

774
00:41:23,440 --> 00:41:27,280
Speaker 1: then I have to update it, recommit something.

775
00:41:27,280 --> 00:41:27,560
Speaker 2: Okay.

776
00:41:28,280 --> 00:41:30,319
Speaker 1: I like that, So we'll see what happens. I haven't

777
00:41:30,320 --> 00:41:34,440
Speaker 1: gotten that farse if you move, you know what, I

778
00:41:34,480 --> 00:41:39,040
Speaker 1: picked that stretch of highway the I guess it's called

779
00:41:39,040 --> 00:41:42,319
Speaker 1: the two ten at that point okay, yeah, maybe no,

780
00:41:42,480 --> 00:41:44,520
Speaker 1: the one thirty four close to where the two ten

781
00:41:44,640 --> 00:41:48,799
Speaker 1: meets and I picked that stretch because it's honestly one

782
00:41:48,840 --> 00:41:52,560
Speaker 1: of the prettiest stretches of highway that I have seen.

783
00:41:52,600 --> 00:41:55,560
Speaker 1: Because when you look out to the right, especially at night,

784
00:41:55,960 --> 00:41:58,319
Speaker 1: it looks like you're in another country. It looks like

785
00:41:58,360 --> 00:42:02,240
Speaker 1: you're in the hills of like Italy or France or something.

786
00:42:02,239 --> 00:42:04,080
Speaker 1: I don't know. It just kind of always transports me

787
00:42:04,160 --> 00:42:07,640
Speaker 1: to a different time. Oh so that's why I picked it.

788
00:42:07,840 --> 00:42:09,120
Speaker 2: That sounded so dreamy.

789
00:42:09,440 --> 00:42:09,960
Speaker 1: I love that.

790
00:42:10,360 --> 00:42:13,319
Speaker 2: Okay, but no, I've never seen a left ramp.

791
00:42:13,560 --> 00:42:15,920
Speaker 1: Okay, well, this is like a left ramp taking you

792
00:42:16,040 --> 00:42:21,000
Speaker 1: to taking Donna to New Orleans to have their first time,

793
00:42:22,320 --> 00:42:25,680
Speaker 1: very unexpected and hard to handle.

794
00:42:25,960 --> 00:42:28,960
Speaker 2: Are you saying this was premeditated on his partner? I

795
00:42:29,000 --> 00:42:34,360
Speaker 2: don't know, somebody, no what, No, he had a reason

796
00:42:34,400 --> 00:42:37,000
Speaker 2: to go there. But then he was like, oh, let

797
00:42:37,040 --> 00:42:40,440
Speaker 2: me pack this giant box of condoms. Why couldn't you

798
00:42:40,480 --> 00:42:42,680
Speaker 2: just take like a couple of the big box, was

799
00:42:42,680 --> 00:42:46,920
Speaker 2: my question. He was hoping to do it once and

800
00:42:47,040 --> 00:42:47,800
Speaker 2: keep on going.

801
00:42:49,120 --> 00:42:50,520
Speaker 1: I guess better safe than sorry.

802
00:42:53,320 --> 00:42:57,360
Speaker 2: I am worried, though, well I'm not too worried because

803
00:42:57,400 --> 00:43:00,560
Speaker 2: Amy Ari let the cat out of the bag and

804
00:43:00,600 --> 00:43:02,880
Speaker 2: said that she's going to lose her virginity at the

805
00:43:02,960 --> 00:43:04,960
Speaker 2: end of season seven. Here we are almost at the

806
00:43:05,040 --> 00:43:06,240
Speaker 2: end of season seven.

807
00:43:06,360 --> 00:43:09,160
Speaker 1: Oh my god, we're a twenty episode. Twenty nine is

808
00:43:09,280 --> 00:43:10,120
Speaker 1: next week, you guys?

809
00:43:10,200 --> 00:43:11,160
Speaker 2: Yeah, so we're close.

810
00:43:11,360 --> 00:43:13,880
Speaker 1: So how many there's thirty three? Is it?

811
00:43:13,880 --> 00:43:14,319
Speaker 2: Thirty two?

812
00:43:14,760 --> 00:43:18,239
Speaker 1: Thirty thirty? I can't remember anymore. We used to do

813
00:43:18,280 --> 00:43:23,640
Speaker 1: so many episodes. I've blocked it that out of my memory. This, yeah,

814
00:43:23,800 --> 00:43:26,560
Speaker 1: well regardless, our next episode is.

815
00:43:26,880 --> 00:43:29,000
Speaker 2: Oh wait, I have one more thing to say before

816
00:43:29,960 --> 00:43:31,640
Speaker 2: one more thing. I want to point out warmer thing

817
00:43:31,680 --> 00:43:34,000
Speaker 2: and I'm sorry I forgot to do it earlier. When

818
00:43:34,040 --> 00:43:38,960
Speaker 2: Samantha Sanders is giving her speech, she says, I wanted

819
00:43:39,000 --> 00:43:42,759
Speaker 2: this job so bad that when I auditioned, I took

820
00:43:42,880 --> 00:43:45,560
Speaker 2: all the scripts so no one else could.

821
00:43:45,719 --> 00:43:46,600
Speaker 1: Whose story is that?

822
00:43:47,040 --> 00:43:50,680
Speaker 2: Iron and Ian actually did that when he auditioned for

823
00:43:50,800 --> 00:43:52,400
Speaker 2: Steve Sanders on ninees.

824
00:43:52,440 --> 00:43:55,840
Speaker 1: I wonder, Oh, they probably used his story.

825
00:43:56,920 --> 00:44:00,880
Speaker 2: Probably an odd quincy.

826
00:44:01,360 --> 00:44:03,480
Speaker 1: What are all the dots connecting all the time? I

827
00:44:03,560 --> 00:44:03,840
Speaker 1: don't know.

828
00:44:04,280 --> 00:44:06,719
Speaker 2: Yes, that was Oko continued to the end.

829
00:44:06,880 --> 00:44:09,640
Speaker 1: Okay, sorry, so what do you let's first do? What

830
00:44:09,680 --> 00:44:11,440
Speaker 1: do you rate it? I think you're gonna give it

831
00:44:11,480 --> 00:44:11,960
Speaker 1: a good one.

832
00:44:12,120 --> 00:44:13,160
Speaker 2: I'm gonna give it a nine.

833
00:44:15,000 --> 00:44:18,040
Speaker 1: I think so too. It's fun to watch. Yeah, I

834
00:44:18,080 --> 00:44:21,560
Speaker 1: did not care for Kelly's baby talk, though. I get

835
00:44:21,640 --> 00:44:22,960
Speaker 1: what people are saying, now.

836
00:44:22,920 --> 00:44:24,520
Speaker 2: Why are you honest lately?

837
00:44:25,200 --> 00:44:28,600
Speaker 1: Because I've all my all my life. But like since

838
00:44:28,640 --> 00:44:32,799
Speaker 1: the show ended, I've read or heard, especially people that

839
00:44:32,840 --> 00:44:40,040
Speaker 1: are not in Kelly's camp, that she her baby talk

840
00:44:40,120 --> 00:44:43,160
Speaker 1: was annoying to them. And now I get it. I'm

841
00:44:43,200 --> 00:44:44,839
Speaker 1: annoyed by her baby talk.

842
00:44:45,040 --> 00:44:47,880
Speaker 2: Yeah, yeah, maybe because I like when you do it

843
00:44:47,880 --> 00:44:48,600
Speaker 2: in real life.

844
00:44:49,200 --> 00:44:50,120
Speaker 1: I don't.

845
00:44:49,680 --> 00:44:50,799
Speaker 2: I don't know.

846
00:44:51,239 --> 00:44:53,680
Speaker 1: Do I still do it sometimes?

847
00:44:53,800 --> 00:44:57,200
Speaker 2: Oh my god, No, it's one of your quirky little

848
00:44:57,600 --> 00:44:58,719
Speaker 2: it's what it's to you.

849
00:44:59,680 --> 00:45:02,399
Speaker 1: I do not want to be a seventy year old

850
00:45:02,440 --> 00:45:06,680
Speaker 1: woman baby talking. Yeah you bet? Is there an age limit?

851
00:45:07,600 --> 00:45:10,040
Speaker 2: Whatever happened to baby Jane, It's gonna be you, and

852
00:45:10,120 --> 00:45:11,080
Speaker 2: we's during in that.

853
00:45:13,960 --> 00:45:17,279
Speaker 1: I don't want. I can't. I can't do it. I

854
00:45:17,320 --> 00:45:21,439
Speaker 1: can't do it on demand. Okay, so we give it highs.

855
00:45:21,480 --> 00:45:24,279
Speaker 1: I'll give it a nine too. I bet Amy would

856
00:45:24,280 --> 00:45:27,920
Speaker 1: give it a what do you think I give it higher?

857
00:45:28,080 --> 00:45:30,480
Speaker 1: I think she might give it an eight and a half. Really,

858
00:45:30,520 --> 00:45:33,520
Speaker 1: she would have probably had some issue that she couldn't get.

859
00:45:33,440 --> 00:45:35,680
Speaker 2: Pachnical storyline that she didn't want.

860
00:45:36,040 --> 00:45:38,840
Speaker 1: Maybe it was the timeline for the flight. If we

861
00:45:38,920 --> 00:45:41,680
Speaker 1: know her, that would have sent her over the edge. Yeah,

862
00:45:42,239 --> 00:45:46,879
Speaker 1: but yeah, you guys, you love us. Next week we

863
00:45:46,960 --> 00:45:48,960
Speaker 1: have season seven. What season are we on?

864
00:45:49,000 --> 00:45:49,440
Speaker 2: Episode?

865
00:45:50,920 --> 00:45:55,360
Speaker 1: Season seven, Episode twenty nine. Mother's Day?

866
00:45:55,840 --> 00:46:04,040
Speaker 2: Hmmm, Oh this is going to be interesting because okay,

867
00:46:04,160 --> 00:46:08,160
Speaker 2: so what mother's coming to town? Is Valerie's mother coming back?

868
00:46:08,400 --> 00:46:10,560
Speaker 1: She already No, I don't think she'll come back now,

869
00:46:10,640 --> 00:46:12,759
Speaker 1: that's it, Okay, I mean I wouldn't if I was

870
00:46:12,800 --> 00:46:17,680
Speaker 1: her Mother's Day. Maybe maybe Cindy Walsh will come back

871
00:46:17,920 --> 00:46:18,680
Speaker 1: with Jim.

872
00:46:19,120 --> 00:46:21,120
Speaker 2: I don't think so. I don't think that ever happens.

873
00:46:22,600 --> 00:46:24,680
Speaker 2: What is Mother's Day going to be about? I mean,

874
00:46:24,719 --> 00:46:25,680
Speaker 2: I'm just saying Mother's Day.

875
00:46:25,719 --> 00:46:31,000
Speaker 1: It's something maybe Jackie or your mom, Felice and Jackie, okay,

876
00:46:31,120 --> 00:46:34,120
Speaker 1: be a part of this, yes, yes, yes, yes, and Samantha.

877
00:46:34,280 --> 00:46:36,920
Speaker 1: Maybe they all go in a girls trip and celebrate

878
00:46:36,920 --> 00:46:37,720
Speaker 1: Mother's Day together.

879
00:46:38,120 --> 00:46:40,000
Speaker 2: Another freaking spot. I don't want it.

880
00:46:41,880 --> 00:46:43,200
Speaker 1: Well, we'll find out next week.

881
00:46:43,239 --> 00:46:45,480
Speaker 2: Guys, love you, Love you,