1 00:00:00,200 --> 00:00:04,440 Speaker 1: This show contains terrifying, shocking, and haunting stories that some 2 00:00:04,600 --> 00:00:07,200 Speaker 1: listeners may find disturbing or offensive. 3 00:00:23,600 --> 00:00:26,920 Speaker 2: It's for a m You're driving down a dirt road, 4 00:00:27,120 --> 00:00:30,639 Speaker 2: just off the sixty two. Not a soul in sight, 5 00:00:31,360 --> 00:00:36,440 Speaker 2: just you and the desert night. But wait, you hear 6 00:00:36,479 --> 00:00:40,080 Speaker 2: a signal off in the distance. It's faint that it 7 00:00:40,120 --> 00:00:45,199 Speaker 2: grows louder. Is it a howl of a coyote, the 8 00:00:45,280 --> 00:00:48,920 Speaker 2: hiss of a king snake? Or is the voice of 9 00:00:48,960 --> 00:00:54,000 Speaker 2: a man guiding you toward a great darkness? From my 10 00:00:54,080 --> 00:00:58,520 Speaker 2: heart radio and overtones media, You're listening to YFT two FM, 11 00:00:58,920 --> 00:01:02,920 Speaker 2: the only sound you'll here in the Sleephole Valley. I'm 12 00:01:02,920 --> 00:01:06,280 Speaker 2: Dixon Lewis your lone companion for the night, and I've 13 00:01:06,319 --> 00:01:06,640 Speaker 2: got a. 14 00:01:06,600 --> 00:01:09,279 Speaker 3: New batch of stories to keep you up as. 15 00:01:09,160 --> 00:01:14,440 Speaker 2: You drive down this dusty, desolate highway. We got one 16 00:01:14,480 --> 00:01:18,200 Speaker 2: more tale for you. Ray Morrison has quite the following 17 00:01:18,280 --> 00:01:23,319 Speaker 2: for a true crime author, fame can be a bit suffocating, 18 00:01:24,200 --> 00:01:27,000 Speaker 2: especially when one of his fans takes it too far. 19 00:01:28,280 --> 00:02:00,760 Speaker 2: This is the Whisper by James Kim Okay. 20 00:02:14,520 --> 00:02:15,720 Speaker 4: Are you still passing our tickets? 21 00:02:15,760 --> 00:02:15,880 Speaker 5: Oh? 22 00:02:15,919 --> 00:02:18,399 Speaker 4: We're actually done for the day. Please, I'll be less 23 00:02:18,400 --> 00:02:19,000 Speaker 4: than a minute. 24 00:02:19,120 --> 00:02:20,880 Speaker 3: Well, we're starting to pack things up. 25 00:02:21,200 --> 00:02:23,200 Speaker 4: Please, I can see he's still meeting with a fan. 26 00:02:23,440 --> 00:02:24,480 Speaker 4: I came a really long way. 27 00:02:24,480 --> 00:02:26,280 Speaker 6: I would have gotten here earlier, but there was no parking. 28 00:02:26,440 --> 00:02:27,840 Speaker 4: I had to park like a half mile away. 29 00:02:29,400 --> 00:02:32,320 Speaker 6: I I was supposed to come with my sister and 30 00:02:32,400 --> 00:02:33,040 Speaker 6: she got sick. 31 00:02:33,360 --> 00:02:35,359 Speaker 4: It would mean everything to her if I got him 32 00:02:35,360 --> 00:02:36,520 Speaker 4: to sign this book. Please. 33 00:02:38,200 --> 00:02:38,919 Speaker 3: I'm really sorry. 34 00:02:38,919 --> 00:02:43,480 Speaker 4: We have a strict cutoff time. So fine, have a 35 00:02:43,520 --> 00:02:46,120 Speaker 4: good night. I'm just gonna buy one fam. 36 00:02:46,040 --> 00:02:47,280 Speaker 3: No, so we are close. 37 00:02:48,120 --> 00:02:49,880 Speaker 1: Hey, is everything okay? 38 00:02:50,080 --> 00:02:52,560 Speaker 3: Oh, mister Morrison, I'm sorry. I was just letting this 39 00:02:52,639 --> 00:02:54,239 Speaker 3: woman know that we're close for the night. 40 00:02:54,760 --> 00:02:57,600 Speaker 1: Oh you know what, it's fine with me. If it's 41 00:02:57,639 --> 00:02:59,320 Speaker 1: okay with you, I'd love to sign a book. 42 00:02:59,360 --> 00:03:00,960 Speaker 3: Well, I was just trying to respect your time. 43 00:03:01,280 --> 00:03:06,800 Speaker 1: I'm sure I have time for Sorry. What was your name, Janet? Yes, hi, Janet, 44 00:03:06,840 --> 00:03:10,000 Speaker 1: come on over last one. 45 00:03:14,320 --> 00:03:14,720 Speaker 3: Thank you. 46 00:03:16,560 --> 00:03:18,440 Speaker 4: I'm such a big fan. 47 00:03:18,880 --> 00:03:20,160 Speaker 1: Well, thank you. I'm Ray. 48 00:03:21,639 --> 00:03:24,040 Speaker 4: I know I'm Janet. 49 00:03:24,080 --> 00:03:27,760 Speaker 6: I can't believe I'm meeting you. Will you sign my 50 00:03:27,840 --> 00:03:28,760 Speaker 6: copy of The Whisper? 51 00:03:28,840 --> 00:03:28,920 Speaker 5: Oh? 52 00:03:29,000 --> 00:03:32,600 Speaker 1: Yeah, yeah, yeah, absolutely, thank you. It is a book 53 00:03:32,639 --> 00:03:34,079 Speaker 1: signing of I'm happy to. 54 00:03:36,360 --> 00:03:36,560 Speaker 7: Here. 55 00:03:36,600 --> 00:03:38,119 Speaker 3: I've read all of your books. 56 00:03:38,320 --> 00:03:40,200 Speaker 6: You're incredible at crafting a mystery. 57 00:03:40,200 --> 00:03:40,880 Speaker 4: But this new one. 58 00:03:41,800 --> 00:03:46,720 Speaker 1: Wow, that is so kind of you. I'm sorry, I'm 59 00:03:46,920 --> 00:03:47,880 Speaker 1: where is everything? 60 00:03:47,920 --> 00:03:48,200 Speaker 3: Okay? 61 00:03:48,600 --> 00:03:51,920 Speaker 1: Yeah, I just can't find my pen I've got one. 62 00:03:52,680 --> 00:03:54,440 Speaker 1: Oh yeah, yeah, that's great. 63 00:03:55,680 --> 00:03:58,760 Speaker 6: Here, you know, I mean it though. The Whisper is 64 00:03:59,320 --> 00:04:02,080 Speaker 6: unlike anything you ever written. Normally your stories are slow burns, 65 00:04:02,080 --> 00:04:03,600 Speaker 6: but this one happen on the edge of my seat. 66 00:04:03,680 --> 00:04:06,080 Speaker 6: I mean, it must feel great knowing that critics loved 67 00:04:06,080 --> 00:04:08,160 Speaker 6: it too, especially after what they said about your last book. 68 00:04:09,160 --> 00:04:11,760 Speaker 4: I mean, not that it matters what they say. 69 00:04:11,960 --> 00:04:15,040 Speaker 6: I loved it, and your fans loved it. 70 00:04:15,120 --> 00:04:18,760 Speaker 1: Yeah. Look, I appreciate it, Janet, I really do. Thank you. 71 00:04:19,440 --> 00:04:20,240 Speaker 3: Oh I found it. 72 00:04:20,360 --> 00:04:24,000 Speaker 1: Oh, thank you. Let's see here, I'll. 73 00:04:23,880 --> 00:04:26,000 Speaker 4: Sign Actually, could you sign the back cover flap? 74 00:04:27,240 --> 00:04:29,000 Speaker 6: No need to write a message or anything, just your 75 00:04:29,000 --> 00:04:29,960 Speaker 6: signature would be great. 76 00:04:30,279 --> 00:04:35,520 Speaker 1: Sure you don't want to buy my beautiful headshot? No? Okay, sorry, 77 00:04:35,600 --> 00:04:39,680 Speaker 1: that was dumb. Let's see you know, I know. 78 00:04:39,760 --> 00:04:41,559 Speaker 6: I put a put a line where you can sign 79 00:04:41,760 --> 00:04:42,800 Speaker 6: to make things easier. 80 00:04:43,080 --> 00:04:52,840 Speaker 1: Okay, there you go. That was easy. 81 00:04:53,080 --> 00:04:59,839 Speaker 4: Thank you so much. Great, truly, this means everything to me. 82 00:05:00,920 --> 00:05:03,760 Speaker 1: Thank you, Thank you, Janet, of course my pleasure. 83 00:05:07,360 --> 00:05:08,760 Speaker 4: I will never forget this moment. 84 00:05:12,080 --> 00:05:15,800 Speaker 1: Thank you, thanks, thanks again. 85 00:05:24,040 --> 00:05:38,039 Speaker 8: Finally mm hm, when I'm right, I'm right and I 86 00:05:38,080 --> 00:05:39,080 Speaker 8: am always right. 87 00:05:41,400 --> 00:05:43,120 Speaker 7: You were right about this one. But I don't know 88 00:05:43,120 --> 00:05:45,200 Speaker 7: if either of us thought this would be a huge hit. 89 00:05:45,440 --> 00:05:47,479 Speaker 3: Oh I knew, I always knew. 90 00:05:47,800 --> 00:05:50,960 Speaker 1: Well, it is your job to believe in me, your client. 91 00:05:52,000 --> 00:05:54,880 Speaker 3: Oh still just your agent. 92 00:05:55,800 --> 00:05:58,359 Speaker 1: No that's not what I mean, Margot, No, No, it's fine. 93 00:05:58,400 --> 00:05:59,200 Speaker 3: I guess I thought. 94 00:05:59,200 --> 00:06:02,160 Speaker 5: After fifteen years of working together, you know, I consider 95 00:06:02,200 --> 00:06:02,719 Speaker 5: you a friend. 96 00:06:02,800 --> 00:06:05,680 Speaker 7: But if you don't, yeah, and friends don't let friends 97 00:06:05,760 --> 00:06:07,440 Speaker 7: do random signings in Bloomington. 98 00:06:07,600 --> 00:06:10,360 Speaker 5: Okay, Okay, you should feel amazing that you could pack 99 00:06:10,400 --> 00:06:11,960 Speaker 5: a small town bookstore like that. 100 00:06:12,520 --> 00:06:16,599 Speaker 3: Not all authors can do that, but not all authors 101 00:06:16,640 --> 00:06:18,520 Speaker 3: are at the top of the best sellers list. 102 00:06:19,760 --> 00:06:23,000 Speaker 1: Yeah. I guess you're right. Maybe I could finally quit 103 00:06:23,040 --> 00:06:23,919 Speaker 1: that teaching job. 104 00:06:25,360 --> 00:06:27,040 Speaker 3: I didn't realize you were doing that for money. 105 00:06:28,320 --> 00:06:30,640 Speaker 7: Well, it wasn't really that. It was just that I 106 00:06:30,680 --> 00:06:32,240 Speaker 7: needed a break from writing. 107 00:06:32,880 --> 00:06:37,760 Speaker 3: Why because the critics have been so harsh lately. Okay, right, Look, 108 00:06:37,800 --> 00:06:39,000 Speaker 3: we've been real about this. 109 00:06:39,200 --> 00:06:44,159 Speaker 5: We both know your last few books were goods, but this. 110 00:06:44,080 --> 00:06:45,839 Speaker 3: One's put you right back on top. 111 00:06:46,360 --> 00:06:46,480 Speaker 1: Here. 112 00:06:47,120 --> 00:06:47,840 Speaker 3: Here's to that. 113 00:06:50,800 --> 00:06:53,640 Speaker 5: However, it's good for your image to do a stop 114 00:06:53,640 --> 00:06:54,599 Speaker 5: in a small town every. 115 00:06:54,440 --> 00:06:55,080 Speaker 3: Once in a while. 116 00:06:55,320 --> 00:06:56,080 Speaker 1: True, true, true. 117 00:06:56,160 --> 00:06:59,919 Speaker 7: But the downside is it attracts some peculiar fans. 118 00:07:00,560 --> 00:07:03,240 Speaker 3: Oh no, what did someone ask you to sign their chest? 119 00:07:03,960 --> 00:07:06,160 Speaker 1: Well, there was one person who gave off a very 120 00:07:06,200 --> 00:07:07,880 Speaker 1: strange aura. 121 00:07:08,640 --> 00:07:11,920 Speaker 5: Oh yeah, I mean true crime fans are usually their 122 00:07:11,960 --> 00:07:13,000 Speaker 5: own breed entirely. 123 00:07:14,120 --> 00:07:16,320 Speaker 3: Oh I remember Bobby was telling me he had to 124 00:07:16,320 --> 00:07:17,760 Speaker 3: do an event outside Chicago. 125 00:07:18,520 --> 00:07:23,960 Speaker 6: Janet, you signed my poppy in an experience, Janet, I 126 00:07:24,000 --> 00:07:25,560 Speaker 6: can't believe I'm meeting you. 127 00:07:25,360 --> 00:07:30,720 Speaker 3: You whisper is this means everything that would up to me? 128 00:07:31,400 --> 00:07:32,360 Speaker 4: I will never forget this. 129 00:07:36,080 --> 00:07:36,600 Speaker 5: He is everything. 130 00:07:36,640 --> 00:07:42,480 Speaker 7: Okay, she's here? Who the woman from earlier? That the 131 00:07:42,480 --> 00:07:44,600 Speaker 7: one who wanted me to sign her book. I don't care. 132 00:07:44,680 --> 00:07:46,800 Speaker 3: You're gonna have to be a lot more specific. There's 133 00:07:46,920 --> 00:07:47,840 Speaker 3: lots of ladies here. 134 00:07:48,120 --> 00:07:50,920 Speaker 1: I knew something was off about her, Dan, What does 135 00:07:50,920 --> 00:07:51,480 Speaker 1: she look like? 136 00:07:52,000 --> 00:07:55,560 Speaker 7: Blue sweater, red hat, edge of the bar by the entrance, 137 00:07:56,120 --> 00:07:58,280 Speaker 7: you see. 138 00:07:57,600 --> 00:07:59,760 Speaker 3: Oh, she's staring at us. 139 00:08:00,240 --> 00:08:01,880 Speaker 1: Yep. I knew this was a bad idea. 140 00:08:02,080 --> 00:08:05,160 Speaker 5: It's not that big of a deal. Oh, she's probably 141 00:08:05,200 --> 00:08:07,360 Speaker 5: just a fan. She's just a fan, and she's excited 142 00:08:07,360 --> 00:08:08,600 Speaker 5: that her favorite author is in town. 143 00:08:08,760 --> 00:08:10,600 Speaker 1: And that's all great, but can we please get out 144 00:08:10,600 --> 00:08:10,840 Speaker 1: of here? 145 00:08:11,200 --> 00:08:17,160 Speaker 3: Look at me, Look at right, look at me. Breathe. Yes, 146 00:08:17,720 --> 00:08:20,960 Speaker 3: it's fine, it's not I'll tell you what. 147 00:08:21,520 --> 00:08:24,480 Speaker 5: Why don't you sneak out through the back patio, call 148 00:08:24,520 --> 00:08:26,440 Speaker 5: yourself a ride, and I'll hang. 149 00:08:26,360 --> 00:08:28,000 Speaker 3: Here and I'll make sure she doesn't follow you. 150 00:08:28,080 --> 00:08:33,120 Speaker 1: Okay, okay, see you are my friend than you got you? 151 00:08:33,240 --> 00:08:34,160 Speaker 3: I got you. 152 00:08:34,040 --> 00:08:36,280 Speaker 5: You need you well rested before your live interview with 153 00:08:36,360 --> 00:08:37,720 Speaker 5: The Twin Chronicle tomorrow. 154 00:08:39,240 --> 00:08:41,400 Speaker 1: Nervous, not about that. 155 00:08:42,040 --> 00:08:44,040 Speaker 3: Good Get out of here, go get some sleep. 156 00:08:44,360 --> 00:09:11,520 Speaker 7: Okay, okay, thanks, thanks, have a good night. 157 00:09:13,480 --> 00:09:19,840 Speaker 1: Excuse me? Did you follow me? Listen, ma'am? 158 00:09:19,920 --> 00:09:22,400 Speaker 7: I appreciate you being a fan, but you've crossed a 159 00:09:22,520 --> 00:09:24,640 Speaker 7: line that what are you? 160 00:09:25,240 --> 00:09:25,880 Speaker 1: What are you doing? 161 00:09:26,440 --> 00:09:26,680 Speaker 5: Fan? 162 00:09:28,040 --> 00:09:30,000 Speaker 4: You think I'm a fan? 163 00:09:31,880 --> 00:09:35,800 Speaker 6: You are nothing more than a washed up author who 164 00:09:35,840 --> 00:09:39,320 Speaker 6: became a city college professor because of your career, wedded 165 00:09:39,360 --> 00:09:40,000 Speaker 6: to the shitter. 166 00:09:40,679 --> 00:09:41,280 Speaker 9: Who are you? 167 00:09:43,640 --> 00:09:45,160 Speaker 4: Did you really write the whisper? 168 00:09:45,600 --> 00:09:47,800 Speaker 1: My name is on the cover miss. 169 00:09:48,600 --> 00:09:51,439 Speaker 6: A murder mystery set during undas where people make kalama HATI. 170 00:09:51,480 --> 00:09:52,600 Speaker 4: That's a story you came up with. 171 00:09:54,200 --> 00:09:56,040 Speaker 1: Okay, I see what this is about. Now, Yeah, you 172 00:09:56,080 --> 00:09:56,680 Speaker 1: can just leave. 173 00:09:58,800 --> 00:10:04,959 Speaker 6: My last name is Rossa, but older sister of Nikki Rusaliz, 174 00:10:07,280 --> 00:10:09,000 Speaker 6: So you do remember, of. 175 00:10:08,960 --> 00:10:09,839 Speaker 1: Course I remember it. 176 00:10:09,920 --> 00:10:13,160 Speaker 7: Yes, she was a very bright student and what happened 177 00:10:13,200 --> 00:10:14,600 Speaker 7: to her was awful. 178 00:10:16,000 --> 00:10:17,160 Speaker 4: You were her teacher. 179 00:10:17,280 --> 00:10:21,280 Speaker 6: She thought of you as her mentor, and you betrayed her. 180 00:10:22,280 --> 00:10:24,479 Speaker 1: Ma'am, I don't appreciate these defamatories. 181 00:10:24,480 --> 00:10:26,559 Speaker 4: Your copied her book word for word. 182 00:10:26,920 --> 00:10:30,280 Speaker 6: She couldn't handle how successful it became. That's why she 183 00:10:30,400 --> 00:10:31,240 Speaker 6: killed herself. 184 00:10:31,360 --> 00:10:32,400 Speaker 1: That was not my fault. 185 00:10:34,080 --> 00:10:38,040 Speaker 6: You think that was a book you signed earlier? Yeah, 186 00:10:38,080 --> 00:10:40,040 Speaker 6: and that pen was filled with regular ink. 187 00:10:41,280 --> 00:10:45,840 Speaker 1: What are you even talking about about. You're crazy. 188 00:10:45,960 --> 00:10:49,720 Speaker 6: You signed something, all right, and you signed it with 189 00:10:49,760 --> 00:10:51,000 Speaker 6: the blood of my sister. 190 00:10:51,920 --> 00:10:53,720 Speaker 1: Step away from me. 191 00:10:54,520 --> 00:10:57,680 Speaker 6: It will come for you and it will take back 192 00:10:57,720 --> 00:10:58,880 Speaker 6: what you have stolen. 193 00:10:59,160 --> 00:11:03,240 Speaker 1: You are a psychopath. You're insane. 194 00:11:04,720 --> 00:11:06,680 Speaker 2: Nah? 195 00:11:06,760 --> 00:11:09,600 Speaker 3: What? 196 00:11:20,840 --> 00:11:21,559 Speaker 2: Oh god? 197 00:11:21,880 --> 00:11:25,920 Speaker 1: Yeah, yeah, we got a real wild one. Fuck. Oh 198 00:11:26,000 --> 00:11:27,200 Speaker 1: my god, oh my god. 199 00:11:33,320 --> 00:11:37,160 Speaker 2: We'll be back with our broadcast after these messages. 200 00:11:45,360 --> 00:11:52,760 Speaker 7: Oh hi, oh Charles Charles Mendelssohn from The Twin Chronicle. 201 00:11:53,720 --> 00:11:54,360 Speaker 1: Good to meet you. 202 00:11:54,760 --> 00:11:59,200 Speaker 10: I'm the guy who's gonna be your inquisitor today. Okay, yeah, wait, 203 00:11:59,440 --> 00:12:01,760 Speaker 10: freak out. I'm sorry, No, no, I just have a 204 00:12:01,760 --> 00:12:04,800 Speaker 10: lot of my mind. It's sorry. This is going to 205 00:12:04,840 --> 00:12:06,760 Speaker 10: be me throwing you softball questions. 206 00:12:06,880 --> 00:12:09,240 Speaker 1: Okay, They're going to eat it up. They love you. You 207 00:12:09,280 --> 00:12:11,240 Speaker 1: saw how many people are here, right, it's a nice crowd. 208 00:12:11,400 --> 00:12:11,559 Speaker 8: Yeah. 209 00:12:11,600 --> 00:12:14,040 Speaker 10: Yeah, they're so excited to see you and you are going. 210 00:12:13,960 --> 00:12:16,320 Speaker 1: To kill Thanks. Gonna be awesome. Thank you, thank you, 211 00:12:16,440 --> 00:12:18,959 Speaker 1: thank you for having me. This is like, yeah, it 212 00:12:19,040 --> 00:12:21,360 Speaker 1: really thank you. All right, showtime. 213 00:12:21,559 --> 00:12:29,400 Speaker 10: Thanks, fantastic to see all of you today. Thank you 214 00:12:29,440 --> 00:12:32,480 Speaker 10: so much for coming. I'm Charles Mendelssohn. I'm the book 215 00:12:32,480 --> 00:12:35,800 Speaker 10: critic at the Twin Chronicle. But you're not here for me. 216 00:12:36,240 --> 00:12:39,640 Speaker 10: You're here for our author, who, over the last fifteen 217 00:12:39,720 --> 00:12:43,360 Speaker 10: years has published ten novels. He has won eight Crime 218 00:12:43,480 --> 00:12:47,000 Speaker 10: Awards for them, and he recently gave the commencement address. 219 00:12:47,040 --> 00:12:49,760 Speaker 10: It is alma mater at a little school in ann Arbor. 220 00:12:50,559 --> 00:12:53,520 Speaker 10: He is currently an English prophet Pico College, where he 221 00:12:53,600 --> 00:12:57,400 Speaker 10: teaches young people how to write true crime. His latest novel, 222 00:12:57,440 --> 00:13:01,640 Speaker 10: The Whisper, has quickly gained attention, both critically and commercially. 223 00:13:01,679 --> 00:13:04,600 Speaker 10: It follows May Flores, who discovers a family secret buried 224 00:13:04,600 --> 00:13:07,400 Speaker 10: in her hometown of Manila. It's a nail biting journey 225 00:13:07,520 --> 00:13:10,240 Speaker 10: to uncover the horrific truths of her family's past. 226 00:13:10,840 --> 00:13:11,840 Speaker 1: The critics love it. 227 00:13:11,880 --> 00:13:14,360 Speaker 10: They have praised this man for his departure from his 228 00:13:14,440 --> 00:13:17,840 Speaker 10: previous work, calling it a gripping and mature tale of 229 00:13:17,960 --> 00:13:21,360 Speaker 10: generational trauma. At the Twin Chronicle, we gave it the 230 00:13:21,360 --> 00:13:25,679 Speaker 10: pick of the week. Ladies and gentlemen, we are honored 231 00:13:25,880 --> 00:13:30,880 Speaker 10: to present today the author himself, mister Ray Morrison. 232 00:13:41,960 --> 00:13:43,040 Speaker 1: Do you pay them to do this? 233 00:13:43,200 --> 00:13:43,360 Speaker 5: As? 234 00:13:44,040 --> 00:13:48,600 Speaker 1: We're welcome? Ray? Got your mic right there? Yep? All right, 235 00:13:48,679 --> 00:13:50,400 Speaker 1: hold it up close to your mouth. Make sure it's on. 236 00:13:50,559 --> 00:13:53,400 Speaker 1: I think it's on. All right, Hello, Testing, What do 237 00:13:53,440 --> 00:13:57,280 Speaker 1: you want to start? Okay? Ray, great to have you here. 238 00:13:57,920 --> 00:13:58,719 Speaker 1: Thanks for having me. 239 00:13:59,120 --> 00:14:02,000 Speaker 10: Before we talk about The Whisper, I want to talk 240 00:14:02,040 --> 00:14:04,560 Speaker 10: about your past, like, how did you get into writing 241 00:14:04,720 --> 00:14:05,280 Speaker 10: true crime? 242 00:14:06,600 --> 00:14:06,800 Speaker 5: Well? 243 00:14:06,840 --> 00:14:09,160 Speaker 7: I never want to put myself into like sorry, I 244 00:14:09,200 --> 00:14:11,000 Speaker 7: never want to put myself into like a box. 245 00:14:12,000 --> 00:14:14,959 Speaker 1: I wouldn't really like to label myself that way. 246 00:14:15,160 --> 00:14:18,040 Speaker 7: I think if my books is dealing with personal dramas, 247 00:14:18,960 --> 00:14:23,680 Speaker 7: family dynamics, humanistic themes of loss and forgiveness, I didn't 248 00:14:23,720 --> 00:14:24,280 Speaker 7: practice that. 249 00:14:24,320 --> 00:14:27,800 Speaker 1: By the way. It just so happened that people get 250 00:14:27,880 --> 00:14:30,240 Speaker 1: murdered in my books, you know. 251 00:14:30,960 --> 00:14:35,160 Speaker 10: Man, So yeah, and that went great for eight novels, 252 00:14:35,640 --> 00:14:36,760 Speaker 10: and then let's just say there. 253 00:14:36,680 --> 00:14:37,160 Speaker 4: Was a lull. 254 00:14:38,920 --> 00:14:42,280 Speaker 1: That's a nice yeah. Yeah. 255 00:14:42,320 --> 00:14:44,800 Speaker 7: I guess I'd be lying if I didn't admit that 256 00:14:44,840 --> 00:14:45,720 Speaker 7: those books sucked. 257 00:14:48,080 --> 00:14:51,000 Speaker 10: But did that But did the experience of having two 258 00:14:51,040 --> 00:14:54,800 Speaker 10: books that were not as great? Let's just say, did 259 00:14:54,880 --> 00:14:56,720 Speaker 10: that give you the juice to write the whisper? 260 00:14:59,360 --> 00:15:01,880 Speaker 7: I don't know, And I guess I guess what happened is, 261 00:15:02,600 --> 00:15:04,960 Speaker 7: you know, I became so comfortable in my own style, 262 00:15:05,880 --> 00:15:07,680 Speaker 7: and so I said, what am I going to do? Now, 263 00:15:08,240 --> 00:15:11,720 Speaker 7: Let's take a journey somewhere completely different. Let's leave La, 264 00:15:11,880 --> 00:15:15,600 Speaker 7: let's leave Noir, let's go to the Philippines. 265 00:15:15,800 --> 00:15:18,680 Speaker 10: Yes, you took off in a totally new direction. And 266 00:15:18,960 --> 00:15:22,680 Speaker 10: a lot of the critics they really noticed that. They said, 267 00:15:22,680 --> 00:15:25,600 Speaker 10: it sounds like a new you. It's like like that 268 00:15:25,720 --> 00:15:28,800 Speaker 10: was a totally different author writing that book. 269 00:15:29,040 --> 00:15:30,680 Speaker 1: Where did that come from. Yeah. 270 00:15:30,720 --> 00:15:33,600 Speaker 7: I mean, look, once you write, when you're doing well, 271 00:15:34,040 --> 00:15:36,960 Speaker 7: nothing changes, you don't. You're not forced into change. And 272 00:15:37,520 --> 00:15:40,360 Speaker 7: two really bad books made me think I have to change. 273 00:15:40,880 --> 00:15:44,320 Speaker 7: So I stumbled on this news story about the history 274 00:15:44,360 --> 00:15:49,400 Speaker 7: of the Undas and in the Philippines and well, basically 275 00:15:49,480 --> 00:15:51,200 Speaker 7: it's what's known as Saints Holiday here. 276 00:15:51,400 --> 00:15:53,520 Speaker 10: No all Saints DA that's the correct translation. 277 00:15:53,800 --> 00:15:59,360 Speaker 7: Oh, I stand corrected, Yes, sorry about that. Yeah, anyway, 278 00:15:59,440 --> 00:16:03,840 Speaker 7: today that's my to remember people who have departed. And 279 00:16:03,840 --> 00:16:08,320 Speaker 7: I found it to be a beautiful but haunting story, 280 00:16:09,280 --> 00:16:10,400 Speaker 7: perfect setting. 281 00:16:10,120 --> 00:16:11,360 Speaker 1: For this novel. 282 00:16:15,440 --> 00:16:17,720 Speaker 10: One of the things I really liked about The Whisper 283 00:16:18,040 --> 00:16:19,240 Speaker 10: is how specific you got. 284 00:16:19,280 --> 00:16:21,920 Speaker 1: You really took us there, all. 285 00:16:21,800 --> 00:16:25,160 Speaker 10: The details like the food and the way they use 286 00:16:25,320 --> 00:16:29,760 Speaker 10: candles to ward off spirits and everything else. You know, 287 00:16:29,840 --> 00:16:33,400 Speaker 10: cultural appropriations a big topic nowadays, as it should be. 288 00:16:34,640 --> 00:16:37,560 Speaker 10: You must have hired, brought in some experts, consulted with 289 00:16:37,600 --> 00:16:40,720 Speaker 10: some experts to get that level of specificity. 290 00:16:42,160 --> 00:16:46,280 Speaker 1: No, you know, I don't know. I grew up in 291 00:16:46,320 --> 00:16:48,280 Speaker 1: a time that it's different from now. 292 00:16:48,360 --> 00:16:49,800 Speaker 7: And I don't want to sound like a jerk, but 293 00:16:51,000 --> 00:16:54,600 Speaker 7: I only learned to do books on my own, so 294 00:16:54,640 --> 00:16:57,760 Speaker 7: I did all the research. I went to every library 295 00:16:57,800 --> 00:17:01,440 Speaker 7: in the entire county. I found news articles and it 296 00:17:01,600 --> 00:17:03,960 Speaker 7: just helped me with references. Here here we are now 297 00:17:03,960 --> 00:17:09,560 Speaker 7: with the full story. How much time do you spend researching. 298 00:17:11,480 --> 00:17:14,400 Speaker 1: Whatever? Whatever? However long it took me to write the book, 299 00:17:14,440 --> 00:17:16,480 Speaker 1: like a year, year and a half. You must have 300 00:17:16,480 --> 00:17:17,359 Speaker 1: gone to the Philippines. 301 00:17:17,960 --> 00:17:22,119 Speaker 7: No, unfortunately, I've not been there yet. 302 00:17:23,080 --> 00:17:27,919 Speaker 1: This was a big risk for you. How do it feel? Sorry? 303 00:17:29,680 --> 00:17:33,919 Speaker 1: How'd this big risk fuelds you? Uh? Yeah, I'm sorry. 304 00:17:34,440 --> 00:17:37,200 Speaker 1: Do you hear anyone making noises in the audience? What 305 00:17:38,119 --> 00:17:45,320 Speaker 1: like somebody's making the goat sounds goat like a goat 306 00:17:45,359 --> 00:17:53,639 Speaker 1: out in the audience. I don't know, maybe I'm just yeah, sorry. 307 00:17:54,359 --> 00:17:56,119 Speaker 1: I can't tell if you're being serious or not. But 308 00:17:56,280 --> 00:17:59,520 Speaker 1: let's move on. Okay, you've got a great sense of humor. 309 00:18:00,240 --> 00:18:04,640 Speaker 1: Do you have ideas about what you want to do next? Yeah, well, 310 00:18:04,920 --> 00:18:08,760 Speaker 1: I think that I will. I think that I might 311 00:18:09,280 --> 00:18:12,720 Speaker 1: have an idea about writing something a little more cool. 312 00:18:13,320 --> 00:18:16,320 Speaker 7: I guess close to home now. Ah God, I just 313 00:18:16,359 --> 00:18:19,240 Speaker 7: said that whole thing about departing from you know, Ellen Moore. 314 00:18:19,320 --> 00:18:21,840 Speaker 7: But I'm probably gonna just have to be closer to 315 00:18:21,880 --> 00:18:23,119 Speaker 7: my own personal experience. 316 00:18:23,240 --> 00:18:25,000 Speaker 1: I'm probably gonna just write. 317 00:18:24,760 --> 00:18:27,160 Speaker 3: About something that I know and only. 318 00:18:26,920 --> 00:18:30,080 Speaker 11: I know, and it's gonna have my signature style. 319 00:18:30,280 --> 00:18:32,960 Speaker 1: I promise, up stop it. 320 00:18:35,040 --> 00:18:43,440 Speaker 7: Sorry, Ray, are you okay? 321 00:18:44,320 --> 00:18:46,800 Speaker 1: I'm gonna write it. It will be different. 322 00:18:56,680 --> 00:19:11,520 Speaker 9: No no, no, no, no, no no no, get up? 323 00:19:12,680 --> 00:19:15,560 Speaker 11: Sh sh shit shit said. 324 00:19:22,359 --> 00:19:24,720 Speaker 1: No please fuck? 325 00:19:24,920 --> 00:19:37,480 Speaker 4: Fuck sure hell hell? 326 00:19:38,680 --> 00:19:41,080 Speaker 11: Oh oh no, I'm sorry. 327 00:19:41,200 --> 00:19:43,280 Speaker 1: Oh my god, I'm sorry. I'm sorry. Sorry, I'm sorry. 328 00:19:43,320 --> 00:19:44,000 Speaker 1: I'm sorry. I'm sorry. 329 00:19:44,040 --> 00:19:46,680 Speaker 11: I'm sorry. No, please please don't not no, what's not 330 00:19:46,680 --> 00:19:49,360 Speaker 11: not no no, not you? No no, not you. No, 331 00:19:49,400 --> 00:19:55,439 Speaker 11: I didn't I'm sorry. I didn't mean too. Hi. I 332 00:19:55,480 --> 00:19:58,959 Speaker 11: stole Nikki Rosales's story. I'm so sorry I didn't write it. 333 00:19:58,960 --> 00:20:01,440 Speaker 11: I'm I'm so sorry. I needed I was gonna run 334 00:20:01,520 --> 00:20:02,280 Speaker 11: and I needed out. 335 00:20:02,880 --> 00:20:03,680 Speaker 2: You stole the. 336 00:20:03,640 --> 00:20:06,040 Speaker 3: Idea for the Whispers. 337 00:20:08,040 --> 00:20:09,240 Speaker 1: Please don't take my poins. 338 00:20:09,840 --> 00:20:10,960 Speaker 9: Please don't take Why. 339 00:20:10,800 --> 00:20:11,440 Speaker 10: Are you talking to you? 340 00:20:11,520 --> 00:20:12,320 Speaker 1: Please don't hurt me? 341 00:20:12,400 --> 00:20:27,320 Speaker 12: Please please you no, Noyorray, somebody get some help. 342 00:20:52,520 --> 00:20:56,000 Speaker 2: The Whisper is written and directed by James Kim. The 343 00:20:56,040 --> 00:21:00,560 Speaker 2: executive producers are James Kim and Taylor Chaquoine Erica as 344 00:21:00,600 --> 00:21:04,560 Speaker 2: a producer Diego Perez is producer and lead sound designer. 345 00:21:04,960 --> 00:21:08,840 Speaker 2: Daniel Martinez is a production sound mixer. Matthew Wong is 346 00:21:08,880 --> 00:21:13,280 Speaker 2: a composer. Theme music by Ryo Baum and Robert Garova. 347 00:21:14,119 --> 00:21:15,359 Speaker 2: Artwork by Justin D. 348 00:21:15,640 --> 00:21:16,120 Speaker 1: Lee. 349 00:21:16,920 --> 00:21:20,080 Speaker 2: This episode was recorded at Hobby Shop West in Highland Park, 350 00:21:20,160 --> 00:21:24,560 Speaker 2: Los Angeles. Jennifer Zey is a production sound mixer. Henrik 351 00:21:24,640 --> 00:21:30,320 Speaker 2: Heiser plays Ray, Tess Bartholomew plays Janet. Gwen Hollander plays Margo, 352 00:21:31,000 --> 00:21:36,560 Speaker 2: John Rabie plays Charles. Katherine Borne Taylor plays the bookstore employee. 353 00:21:36,600 --> 00:21:42,000 Speaker 2: The audience in choir include Alissa Curiel, Angela Wynn, Benjamin Nicholas, 354 00:21:42,240 --> 00:21:48,720 Speaker 2: Ian Gabriel Luna, Isaiah Chacahan, Lauren Battley, Rebecca Bishop, Savannah Rivers, 355 00:21:49,080 --> 00:21:53,359 Speaker 2: Trace Gaynor, and v J. Roussalis. The choir leader You 356 00:21:53,480 --> 00:21:56,399 Speaker 2: Feel In This Too is a production of iHeart Radio 357 00:21:56,840 --> 00:22:00,800 Speaker 2: and Overtones Media