WEBVTT - Cuties Movie QAnon Controversy Explains Our Current Moment

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<v Speaker 1>Welcome to another episode of Internet Hey Machine. I am

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<v Speaker 1>so excited to be joined my producer Sophie. Sophie, thank

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<v Speaker 1>you for being here. How are you. I'm well, Bridget

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<v Speaker 1>I am always happy to be here. How are you?

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<v Speaker 1>I am doing well? And I am super excited to

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<v Speaker 1>get into this topic because it's a topic that I

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<v Speaker 1>It's one of those things that I talk at my

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<v Speaker 1>friends about and they're like, we get it. You have

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<v Speaker 1>big feelings about this, so I'm excited to actually do

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<v Speaker 1>a podcast about it. It's been a long time coming.

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<v Speaker 1>That's my That's honestly my favorite type of things where

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<v Speaker 1>you have like a dinner party or you're with your

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<v Speaker 1>friends and you go on a random tangents about something

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<v Speaker 1>in you and then you make it. You make it

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<v Speaker 1>work exactly. I'm very guilty of that. Oh my god,

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<v Speaker 1>so many things. My friends are like, why don't you

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<v Speaker 1>don't do have anybody else who could talk to about this?

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<v Speaker 1>We get it? You're like, yeah, all the people that

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<v Speaker 1>subscribe to listen to me talk um ever heard of

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<v Speaker 1>a podcast? Cool bro. So if you were on the

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<v Speaker 1>internet at all in a you probably remember the backlash

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<v Speaker 1>against the film Cutie's It was all over social media

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<v Speaker 1>and the Internet, in part because it kind of got

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<v Speaker 1>glamed in with the whole save the children thing and

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<v Speaker 1>the whole quan On conspiracy thing that, as you'll probably know,

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<v Speaker 1>have really plagued our online discourse and are still with

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<v Speaker 1>us today, like they really haven't gone anywhere, even though

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<v Speaker 1>they might be out of the headlines. Yeah, the whole

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<v Speaker 1>other a whole couple of shows about that. Yeah, you

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<v Speaker 1>know all about it, the way that the ways that

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<v Speaker 1>it can be so insidious, and the ways that things

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<v Speaker 1>can really be taken out of context to become evidence

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<v Speaker 1>of this grand conspiracy around Quanan and child predators. So

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<v Speaker 1>I really think the situation around the movie Cutis is

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<v Speaker 1>kind of a case study of all the different ways

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<v Speaker 1>that online rhetoric can become weaponized because it has so

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<v Speaker 1>many of the textbook hallmarks of bad actors hijacking a conversation,

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<v Speaker 1>and I think it reveals a lot about how messed

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<v Speaker 1>up our online discourse has gotten and the ways that

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<v Speaker 1>it can be weaponized against marginalized people, specifically to undermine

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<v Speaker 1>and exploit the very thing that it is supposedly championing,

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<v Speaker 1>in this case, protecting children. Something to keep in mind

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<v Speaker 1>is that a common tactic of bad actors is to

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<v Speaker 1>hijack a sensitive conversation, you know, one that takes a

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<v Speaker 1>little bit of nuance or thoughtfulness to discuss properly, and

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<v Speaker 1>create an uproar around it that conveniently aligns with some

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<v Speaker 1>kind of preconceived political grievance. And that is exactly what

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<v Speaker 1>happened with the movie Cuties. I also think it's one

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<v Speaker 1>of those things where, you know, I guess I would

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<v Speaker 1>be willing to bet that the majority of people raising

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<v Speaker 1>an issue about the film have not actually even sat

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<v Speaker 1>down and watched it to know exactly what they're raising

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<v Speaker 1>an objection over. Well, yeah, I mean, bad actors never

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<v Speaker 1>do their research, oh never, And I think they rely

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<v Speaker 1>on other people like not doing their research or like

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<v Speaker 1>being a cat like low information folks. Where's like, I

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<v Speaker 1>don't I've not seen the movie, but you're telling me

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<v Speaker 1>that this movie is, you know, the work of a

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<v Speaker 1>child predator. So I guess I'll believe that. You know,

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<v Speaker 1>I think that they're counting on people doing that. Do

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<v Speaker 1>you remember do you remember that phase of Twitter when

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<v Speaker 1>they were like do you want to read the article

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<v Speaker 1>before you share it? I will say I remember when

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<v Speaker 1>Twitter rolled that out and it did get me a

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<v Speaker 1>few times where I'm like, damn, I probably should read

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<v Speaker 1>it right, Like I'm even as somebody who makes content

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<v Speaker 1>about missing disinformation, I am not immune to sharing something

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<v Speaker 1>quickly before I've really given it a read through. And

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<v Speaker 1>so it's a good reminder that we could we could

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<v Speaker 1>all be a little bit better about the source material

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<v Speaker 1>before commenting on the source material that we're that we're

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<v Speaker 1>responding to. Absolutely, that's exactly what our own I'm like,

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<v Speaker 1>did you did you? Did you read that? Do you

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<v Speaker 1>want to read that before your shirt? And it's like,

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<v Speaker 1>you know, like fair enough, robot. Um, I'll get right

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<v Speaker 1>on that, thank you, fair enough robot. So the movie

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<v Speaker 1>Cutie's is, I should say, very much in line with

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<v Speaker 1>my own personal interests. I am a movie person. I

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<v Speaker 1>love movies. I love French cinema specifically and specifically French

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<v Speaker 1>Senegalese cinema. I have a thing for I am a

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<v Speaker 1>sucker for any kind of coming of age film about girlhood.

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<v Speaker 1>You know your Crooklands, your fish tanks, your thirteen love

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<v Speaker 1>them all. If that's a if it's a movie about

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<v Speaker 1>a young girl becoming like figuring out girlhood or like

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<v Speaker 1>young adulthood. I am in and I also grew up

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<v Speaker 1>doing dance squads and like dance teams, which I have

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<v Speaker 1>to say, like growing up in the South, sometimes those

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<v Speaker 1>dance squads were a little bit questionable, I can I

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<v Speaker 1>can admit that. And so when Cutie's premiered, which is

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<v Speaker 1>a movie about a young French Senegalese girl coming of

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<v Speaker 1>age who was involved in dance, I was super super

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<v Speaker 1>excited to see it. I saw it immediately, like before

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<v Speaker 1>it was on Netflix. I had already seen it um

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<v Speaker 1>And so this is not men to be like a

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<v Speaker 1>review of the movie. There are some spoilers. I will

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<v Speaker 1>try to warn folks beforehand if you're planning on watching Cutie's,

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<v Speaker 1>which I think that you should because I do think

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<v Speaker 1>it's a worth bold movie. But I want to get

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<v Speaker 1>into the conversation about what exactly happened with the uproar

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<v Speaker 1>and backlash around this film. Cutie's is a French film

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<v Speaker 1>by director Mimona do Say. It tells the story of

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<v Speaker 1>a coming of age story of Amy, a Muslim Senegalese

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<v Speaker 1>eleven year old in France. It opened at the Sundance

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<v Speaker 1>Festival to rave reviews, accolades, and awards before being acquired

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<v Speaker 1>by Netflix. The plot revolves around an eleven year old

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<v Speaker 1>girl named Amy. Amy's mom and aunt want her to

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<v Speaker 1>be sort of chased and modest and girlish, but she

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<v Speaker 1>ends up meeting this group of cool girls who are

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<v Speaker 1>all on a dance team together. So Amy finds herself

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<v Speaker 1>kind of caught between these two worlds, the traditional chaste

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<v Speaker 1>world represented by her mother and aunt and Islam, and

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<v Speaker 1>this cool, secular, grown up world represented by these cool

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<v Speaker 1>girls on the dance team at her new school. So

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<v Speaker 1>Cute's Explorers. These common themes that most coming of age

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<v Speaker 1>films deal with, you know, family and drama, feeling alienated

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<v Speaker 1>from your family, wanting to fit in and be cool

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<v Speaker 1>and grown up your first period, vying for likes on

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<v Speaker 1>social media, and sexuality. This was the director Deuceray's first film,

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<v Speaker 1>and she said that she saw a bunch of young

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<v Speaker 1>girls dancing on stage in Paris, scantily clad and revealing clothing,

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<v Speaker 1>who were dancing in front of a crowd, and it

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<v Speaker 1>got her curious about the way that society confronts and

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<v Speaker 1>deals with the budding sexuality of girls. So she spent

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<v Speaker 1>a year researching and interviewing preteen girls about their experiences

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<v Speaker 1>and how they felt in society, and that became the

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<v Speaker 1>movie Cuties. She wrote a version of herself as an

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<v Speaker 1>eleven year old um to be the kind of stand

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<v Speaker 1>in for the main character Amy. The film premiered at

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<v Speaker 1>Sundance with zero controversy until it was acquired by Netflix.

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<v Speaker 1>Before A Cutie's was even least for American streaming audiences

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<v Speaker 1>on Netflix, Cutie's first generated controversy when Netflix put out

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<v Speaker 1>a poster for the film. So I'm going to keep

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<v Speaker 1>in mind is that it is a textbook staple of

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<v Speaker 1>things like conspiracy theories or mal information, where it will

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<v Speaker 1>be based on an actual nugget of truth. And so

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<v Speaker 1>what it's absolutely true here is that Netflix made a

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<v Speaker 1>very very bad decision about the poster for the film Cutis.

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<v Speaker 1>The poster that they released shows the girls who were

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<v Speaker 1>all like eleven or twelve, posing provocatively in their very

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<v Speaker 1>skimpy dance team outfits, and honestly, like that image is

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<v Speaker 1>not even really representative of the entirety of like what

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<v Speaker 1>the film is about. And it needs to be said

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<v Speaker 1>that the poster that Netflix used is very different from

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<v Speaker 1>the one that was used when it first premiered at

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<v Speaker 1>Sundance before being bought by Netflix. Um So Bridget has

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<v Speaker 1>a screenshot of the two different film post. I thought

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<v Speaker 1>you were showing me two different movies, Like I thought

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<v Speaker 1>there were two different films. Um they look you, they're

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<v Speaker 1>not even there's no correlation exactly right. And so the

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<v Speaker 1>French version that that they used when the movie first

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<v Speaker 1>came out on Sundance has these girls they're shopping. They're

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<v Speaker 1>like wearing age appropriate regular clothes and they're like they

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<v Speaker 1>look like little girls right, Like it's like it's like

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<v Speaker 1>an age appropriate cover. One one reads like fun coming

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<v Speaker 1>of age, and one reads like dance moms toddlers in trs. Yes,

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<v Speaker 1>and I think like the Netflix poster, the girls who

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<v Speaker 1>are quite young are in these provocative poses. It's very

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<v Speaker 1>dance moms. Like as I said, I mean for better,

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<v Speaker 1>for for whatever it's worth. Growing up doing dance team

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<v Speaker 1>and dance groups. These are outfits that we would have

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<v Speaker 1>worn like like I'm I'm not going to act like

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<v Speaker 1>this is like beyond the pale for what little girls

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<v Speaker 1>will will sometimes where in dance teams or pageants, whether

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<v Speaker 1>or not, it's like good or bad or right or

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<v Speaker 1>wrong like that. It's it's fairly common. It's not something

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<v Speaker 1>that is totally beyond the pale in our culture. No,

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<v Speaker 1>absolutely not. But the freeze frame of the dance moves

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<v Speaker 1>that I think they're doing there, like like their mid

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<v Speaker 1>move the poses are are are very matures, what I'll say, yeah,

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<v Speaker 1>very mature. And so right away people had the exact

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<v Speaker 1>same response that you just had, and they seized on

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<v Speaker 1>this film that wasn't even out yet because of this

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<v Speaker 1>pretty gross poster that was not really representative of the film.

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<v Speaker 1>I believe that had Netflix not made such a big

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<v Speaker 1>error in how they promoted and marketed this movie, we

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<v Speaker 1>wouldn't even be making this episode. I don't think, like

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<v Speaker 1>I don't think that if they had used the original

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<v Speaker 1>French movie that's like Girls Coming of Age, like totally normal,

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<v Speaker 1>that we would even have seen the kind of controversy

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<v Speaker 1>that accompanied the film. So Netflix apologized for the poster

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<v Speaker 1>and importantly to the filmmaker, and I actually have to

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<v Speaker 1>give Netflix the tiniest bit of credit here. Amidst the

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<v Speaker 1>backlash around the poster, Netflix made it clear that that

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<v Speaker 1>poster was entirely They're bad, you know, they could have

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<v Speaker 1>made a big show of cutting ties with the filmmaker

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<v Speaker 1>publicly and like blaming her. We've seen we've certainly seen

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<v Speaker 1>brands do that before where they're just like, oh, controversy,

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<v Speaker 1>better blame this black woman. But they didn't do that.

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<v Speaker 1>I will. I will give them that Netflix bare minimum,

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<v Speaker 1>bare minimum like way to like do a little Netflix

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<v Speaker 1>co ceo Ted Sara donuts. I'm probably saying that wrong, Ted, okay, Uh.

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<v Speaker 1>Netflix co CEO Ted Saradonus was said to personally called

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<v Speaker 1>Docerae to apologize and to talk to her about, you know,

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<v Speaker 1>potential new projects on Netflix that she could do um

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<v Speaker 1>and the filmmaker said that she felt like that was

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<v Speaker 1>genuine like she she responded very gracefully, and she was like,

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<v Speaker 1>I think that they genuinely felt bad and that they

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<v Speaker 1>were giving me like a genuine apology, but the damage

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<v Speaker 1>was already done. Yeah, too little, too late. So Cuti's

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<v Speaker 1>is a film that I believe is trying to present

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<v Speaker 1>like a complex portrait of the pressures that young girls

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<v Speaker 1>feel around facing their own kind of budding sexuality. But

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<v Speaker 1>because of that poster, the internet hate machine, fueled by

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<v Speaker 1>a combination of right wing grifters, shitty elected officials, and

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<v Speaker 1>Instagram quan on influencers that target women. That whole thing

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<v Speaker 1>that do say was trying to do was completely lost,

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<v Speaker 1>and instead the film was branded as a Netflix's attempt

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<v Speaker 1>to groom children, normalized pedophilia, and in some cases said

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<v Speaker 1>that the film was actually child sexual abuse material or

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<v Speaker 1>like child pornography, and people were just saying that Netflix

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<v Speaker 1>was harming children. They blamed the filmmaker personally, like if

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<v Speaker 1>you google the filmmaker's name, some of the first things

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<v Speaker 1>that like auto complete are like did she go to jail?

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<v Speaker 1>Was she arrested? And I think that gives you a

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<v Speaker 1>sense of how personalized this particular smear that she harmed

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<v Speaker 1>children with this movie became. What's really said is that

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<v Speaker 1>this director had nothing to do with that poster. She

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<v Speaker 1>told Deadline. I discovered the poster at the same time

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<v Speaker 1>as the American public. I didn't understand what was going on.

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<v Speaker 1>That was when I went and saw what the poster

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<v Speaker 1>looked like. I received numerous attacks on my character from

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<v Speaker 1>people who had not seen the film, who thought I

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<v Speaker 1>was actually making a film that was apologetic about hyper

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<v Speaker 1>sexualization of children. I received numerous death threats, and so

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<v Speaker 1>you know, I've seen this film. I actually like enjoyed it.

0:12:50.640 --> 0:12:54.000
<v Speaker 1>But whether or not you like this film, or whether

0:12:54.120 --> 0:12:56.920
<v Speaker 1>or not you think it accomplishes its goals of exploring

0:12:57.000 --> 0:13:00.200
<v Speaker 1>the dangers of the hyper sexualization of children and girl else,

0:13:00.760 --> 0:13:03.600
<v Speaker 1>I think it's pretty clear what she was trying to

0:13:03.640 --> 0:13:06.120
<v Speaker 1>do with this film. Maybe you think she didn't accomplish that,

0:13:06.160 --> 0:13:08.560
<v Speaker 1>maybe you think it didn't meet his schools. Fine, but

0:13:08.679 --> 0:13:11.760
<v Speaker 1>like to say that she was making this film to

0:13:11.960 --> 0:13:16.839
<v Speaker 1>exploit and harm girls, it's just not correct. No, it's

0:13:16.880 --> 0:13:21.400
<v Speaker 1>just another example of like the worst people on the

0:13:21.440 --> 0:13:24.880
<v Speaker 1>internet pulling the finger and putting blame on a black

0:13:24.880 --> 0:13:29.439
<v Speaker 1>woman exactly, Like I don't I guess we'll never know,

0:13:29.720 --> 0:13:32.800
<v Speaker 1>But I don't think had she been a white woman

0:13:32.880 --> 0:13:36.080
<v Speaker 1>from Ohio that there would have been the same level

0:13:36.280 --> 0:13:40.079
<v Speaker 1>of scrutiny and controversy from this movie. Like, I think

0:13:40.080 --> 0:13:43.720
<v Speaker 1>that something about her was inherently other and made it

0:13:43.760 --> 0:13:46.640
<v Speaker 1>really easy for folks to jump on the bandwagon of,

0:13:47.280 --> 0:13:50.679
<v Speaker 1>you know, attacking her for being somebody who puts children

0:13:50.760 --> 0:13:53.600
<v Speaker 1>at risks. So she published a piece in The Washington

0:13:53.640 --> 0:13:56.360
<v Speaker 1>Post about the film, and she writes the stories that

0:13:56.400 --> 0:13:58.320
<v Speaker 1>the girls that I spoke to that they shared with

0:13:58.360 --> 0:14:01.680
<v Speaker 1>me were remarkably similar. They saw that the sexier woman

0:14:01.760 --> 0:14:04.160
<v Speaker 1>is on Instagram or TikTok, the more like she gets.

0:14:04.440 --> 0:14:07.120
<v Speaker 1>They try to imitate that sexuality in the beliefs that

0:14:07.160 --> 0:14:09.560
<v Speaker 1>it would make them more popular. Spend an hour on

0:14:09.640 --> 0:14:12.920
<v Speaker 1>social media and you'll see preteens, often in makeup, pouting

0:14:12.920 --> 0:14:15.480
<v Speaker 1>their lips, shrutting their stuff as if they were grown women.

0:14:15.720 --> 0:14:17.960
<v Speaker 1>The problem, of course, is they are not grown women,

0:14:18.400 --> 0:14:21.000
<v Speaker 1>and they don't realize what they're doing. They construct their

0:14:21.040 --> 0:14:23.560
<v Speaker 1>self esteem based on social media likes and the number

0:14:23.600 --> 0:14:26.720
<v Speaker 1>of followers they have. Some people have found certain scenes

0:14:26.760 --> 0:14:29.680
<v Speaker 1>in my film uncomfortable to watch, but if one really

0:14:29.760 --> 0:14:33.560
<v Speaker 1>listens to eleven year old girls, their lives are uncomfortable.

0:14:34.000 --> 0:14:36.320
<v Speaker 1>Here's the director of talking about it for a segment

0:14:36.320 --> 0:14:40.240
<v Speaker 1>called Why I Made Cuties from Netflix. Our girls see

0:14:40.240 --> 0:14:43.920
<v Speaker 1>that the more a woman is overly sexualized on social media,

0:14:44.560 --> 0:14:48.520
<v Speaker 1>the more she's successful. And the children't just imitate what

0:14:48.680 --> 0:14:52.360
<v Speaker 1>the c trying to achieve the same result without on

0:14:52.480 --> 0:14:58.640
<v Speaker 1>this term the meaning and yeah, it's zangerus. Can I

0:14:58.680 --> 0:15:03.160
<v Speaker 1>just say this woman is it? She's gorgeous. She's gorgeous,

0:15:03.360 --> 0:15:07.480
<v Speaker 1>and like the she just oh, such a cool person.

0:15:08.280 --> 0:15:11.080
<v Speaker 1>I'll get into this in the end. But luckily this

0:15:11.120 --> 0:15:13.760
<v Speaker 1>did not like her career is going to be fine,

0:15:13.800 --> 0:15:15.200
<v Speaker 1>Like this is not. We we have not heard the

0:15:15.280 --> 0:15:19.160
<v Speaker 1>last of her. She's fantastic. So I think there is

0:15:19.200 --> 0:15:21.960
<v Speaker 1>definitely a conversation to be had about whether or not

0:15:22.080 --> 0:15:25.840
<v Speaker 1>the film accomplishes the goal of really showing the pitfalls

0:15:25.880 --> 0:15:29.160
<v Speaker 1>and dangers of sexualizing young girls. I love the film.

0:15:29.200 --> 0:15:30.480
<v Speaker 1>I think it does a great job and think it

0:15:30.560 --> 0:15:33.680
<v Speaker 1>hits close to home. However, we didn't really get to

0:15:33.760 --> 0:15:36.480
<v Speaker 1>have the conversation about the film it's merits whether or

0:15:36.520 --> 0:15:40.160
<v Speaker 1>not in it, she's its goals. What actually happened instead

0:15:41.160 --> 0:15:44.040
<v Speaker 1>is where it was like a voltron of bad actors

0:15:44.120 --> 0:15:47.360
<v Speaker 1>from various backgrounds coming together for one goal. You know.

0:15:47.480 --> 0:15:50.200
<v Speaker 1>It was your typical right wing drifters, save the children,

0:15:50.240 --> 0:15:53.840
<v Speaker 1>influencers and elected officials all coming together to say that

0:15:53.880 --> 0:15:58.960
<v Speaker 1>this film was evidence of the elite in quotes, grooming

0:15:59.040 --> 0:16:03.240
<v Speaker 1>kids and support ing pedophilia. This then turned into the

0:16:03.320 --> 0:16:07.400
<v Speaker 1>claim that the film itself was child pornography made by

0:16:07.520 --> 0:16:11.840
<v Speaker 1>a French black pervert, lifestyle influencer and Q and on

0:16:11.880 --> 0:16:15.440
<v Speaker 1>conspiracy theorist Rebecca Peiper or better known as love Beck,

0:16:15.720 --> 0:16:18.160
<v Speaker 1>who at the time had a hundred and sixty Instagram

0:16:18.160 --> 0:16:22.640
<v Speaker 1>followers before her account was deleted, posted don't believe pedophilia

0:16:22.720 --> 0:16:26.000
<v Speaker 1>is a rampant problem and don't believe the elite support it.

0:16:26.320 --> 0:16:28.040
<v Speaker 1>How the hell does a show like this and make

0:16:28.080 --> 0:16:30.840
<v Speaker 1>it to a major streaming network. Formerly one of the

0:16:30.880 --> 0:16:33.280
<v Speaker 1>biggest q and on accounts on Instagram, a little miss

0:16:33.320 --> 0:16:38.560
<v Speaker 1>Patriot posted that cuties proves that Netflix promotes pedophilia, and

0:16:38.720 --> 0:16:43.640
<v Speaker 1>she posted this in like that kind of pretty pastel

0:16:44.320 --> 0:16:48.160
<v Speaker 1>instagrammy kind of carousel grid post, and I have to say,

0:16:48.200 --> 0:16:50.960
<v Speaker 1>as a side note, it really calls into question those

0:16:51.000 --> 0:16:55.920
<v Speaker 1>Instagram accounts that will use like a pretty carousel grid

0:16:55.960 --> 0:16:59.160
<v Speaker 1>posts on Instagram to educate you, because let's keep it real,

0:16:59.200 --> 0:17:01.680
<v Speaker 1>like anybody can get a canvas subscription and say whatever

0:17:01.720 --> 0:17:06.160
<v Speaker 1>they want just because it's a pastel, pretty Instagram carousel

0:17:06.240 --> 0:17:09.520
<v Speaker 1>post doesn't mean they're actually saying something that is correct

0:17:09.600 --> 0:17:13.240
<v Speaker 1>and true. So conspiracy theory started pushing the hashtag cancel

0:17:13.359 --> 0:17:17.399
<v Speaker 1>quti's campaign, telling their followers to boycott Netflix by pulling

0:17:17.400 --> 0:17:21.800
<v Speaker 1>their subscriptions, and it seems like it actually had an impact. Antenna,

0:17:21.840 --> 0:17:24.840
<v Speaker 1>which is a data analytics firm that tracks Netflix subscribers

0:17:25.119 --> 0:17:29.120
<v Speaker 1>reported a quote meaningful spike in the rate of people

0:17:29.160 --> 0:17:32.840
<v Speaker 1>cutting subscriptions shortly after the hashtag cancel Netflix went viral,

0:17:33.359 --> 0:17:36.440
<v Speaker 1>and another analytics firm, yipp it Data, also reported that

0:17:36.480 --> 0:17:39.600
<v Speaker 1>in mid September, the churn rate, which is this the

0:17:39.680 --> 0:17:43.159
<v Speaker 1>rate of people who cancel subscriptions in the United States,

0:17:43.359 --> 0:17:47.320
<v Speaker 1>rose materially as the result of the Cuties backlash. Days

0:17:47.359 --> 0:17:50.760
<v Speaker 1>after the hashtag went viral. Yippit Data said that unsubscribes

0:17:50.800 --> 0:17:53.640
<v Speaker 1>are running at nearly eight times the daily levels observed

0:17:53.640 --> 0:17:56.919
<v Speaker 1>in August and reached a multi year high. And I

0:17:56.920 --> 0:18:01.240
<v Speaker 1>had to say, like, even though Netflix publicly did stick

0:18:01.320 --> 0:18:04.639
<v Speaker 1>by Doucerae when this was all happening, there are reports

0:18:04.680 --> 0:18:08.320
<v Speaker 1>that they suppressed the film on their own platform as

0:18:08.320 --> 0:18:11.560
<v Speaker 1>a result of this controversy. According to an interesting report

0:18:11.600 --> 0:18:14.760
<v Speaker 1>by The Verge, Netflix removed Cuties from its Coming Soon

0:18:14.920 --> 0:18:18.199
<v Speaker 1>and popular searches categories, and that it was excluded from

0:18:18.240 --> 0:18:21.400
<v Speaker 1>searches that include the words cute. This is actually probably

0:18:21.440 --> 0:18:23.960
<v Speaker 1>a responsible tweak that they made to their algorithm. The

0:18:24.040 --> 0:18:27.800
<v Speaker 1>Verge report also says that Netflix adjusted its algorithm so

0:18:27.840 --> 0:18:32.040
<v Speaker 1>that search queries such as steamy or sexual movies did

0:18:32.080 --> 0:18:35.440
<v Speaker 1>not surface any children's films, and that Netflix also made

0:18:35.480 --> 0:18:38.960
<v Speaker 1>sure that problematic search terms such as petto did not

0:18:39.160 --> 0:18:43.600
<v Speaker 1>surface Cuti's because their algorithm actually takes into account behavioral data.

0:18:43.640 --> 0:18:45.800
<v Speaker 1>So if you're somebody who was like, I want to

0:18:45.800 --> 0:18:48.359
<v Speaker 1>watch this movie that everyone is saying is like a

0:18:48.400 --> 0:18:52.720
<v Speaker 1>pedophile movie, if you type in petto, ordinarily it would

0:18:52.720 --> 0:18:54.800
<v Speaker 1>have brought up the movie that everyone is typing in

0:18:54.840 --> 0:18:57.840
<v Speaker 1>petal then clicking cutis for. But that they tweaked their

0:18:57.840 --> 0:18:59.720
<v Speaker 1>algorithms so that wasn't the case, so and that in

0:18:59.800 --> 0:19:02.199
<v Speaker 1>that instance, I actually feel like that might have been

0:19:02.200 --> 0:19:04.679
<v Speaker 1>a responsible choice. But it does seem clear from this

0:19:04.720 --> 0:19:09.639
<v Speaker 1>report though, that Netflix did seek to suppress promotion and

0:19:09.680 --> 0:19:13.199
<v Speaker 1>related search queries for Cuties, And I just feel like

0:19:13.240 --> 0:19:17.040
<v Speaker 1>it's pretty shitty for this first time filmmaker that her

0:19:17.080 --> 0:19:20.719
<v Speaker 1>debut film was suppressed on the platform that acquired it

0:19:20.960 --> 0:19:23.800
<v Speaker 1>for reasons that were entirely not her fault, like a

0:19:23.880 --> 0:19:27.800
<v Speaker 1>whole campaign around her film that she had nothing to

0:19:27.840 --> 0:19:30.679
<v Speaker 1>do with. And I think that this that her and

0:19:30.840 --> 0:19:34.320
<v Speaker 1>this project seemed like they both personally took the fall

0:19:34.440 --> 0:19:37.359
<v Speaker 1>for Netflix as bad marketing with that poster and this

0:19:37.560 --> 0:19:42.119
<v Speaker 1>completely disingenuous campaign built on a lot of lies and

0:19:42.200 --> 0:19:51.760
<v Speaker 1>half truth was about her and her film. So I

0:19:51.840 --> 0:19:55.840
<v Speaker 1>actually have a really hard time believing that anybody who

0:19:55.880 --> 0:19:59.080
<v Speaker 1>was making claims about the film being you know, exploitative

0:19:59.080 --> 0:20:03.119
<v Speaker 1>to children actually watched it all the way through because

0:20:03.520 --> 0:20:06.080
<v Speaker 1>much of what is floating around the Internet about the

0:20:06.080 --> 0:20:10.920
<v Speaker 1>film or either outright just lies or completely out of context.

0:20:11.280 --> 0:20:13.760
<v Speaker 1>So I want to talk about what actually does go

0:20:13.920 --> 0:20:17.800
<v Speaker 1>down in this movie versus how that was represented online.

0:20:18.480 --> 0:20:20.480
<v Speaker 1>So there's gonna be a spoiler here. So if you

0:20:20.800 --> 0:20:22.880
<v Speaker 1>are planning on watching this movie and you don't want

0:20:22.880 --> 0:20:28.440
<v Speaker 1>it spoiled, there's a spoiler here. So social media accounts

0:20:28.440 --> 0:20:32.240
<v Speaker 1>is pretty big, followings posted like parents warnings and parents

0:20:32.240 --> 0:20:35.919
<v Speaker 1>guides that got a lot of traction online that contain

0:20:36.240 --> 0:20:38.360
<v Speaker 1>lies or that takes some of the scenes out of context.

0:20:38.600 --> 0:20:42.040
<v Speaker 1>For instance, one viral parents guide that I think denis

0:20:42.160 --> 0:20:46.159
<v Speaker 1>to sues every posted says the film contains nudity of

0:20:46.200 --> 0:20:49.919
<v Speaker 1>a minor, and that is just not correct. The only

0:20:50.040 --> 0:20:52.639
<v Speaker 1>nudity in this film is a very brief scene of

0:20:52.680 --> 0:20:55.359
<v Speaker 1>a bare breast, and it's the bare breast of someone

0:20:55.359 --> 0:20:58.000
<v Speaker 1>who is meant to be an opposing dance team member

0:20:58.080 --> 0:21:02.080
<v Speaker 1>as she's getting changed. Um within the universe of the film,

0:21:02.200 --> 0:21:05.480
<v Speaker 1>my senses that the audience is like meant to understand

0:21:05.600 --> 0:21:09.679
<v Speaker 1>this particular woman whose bare breast is shown as a

0:21:09.720 --> 0:21:12.000
<v Speaker 1>bit older, Like it's not it's not like she is

0:21:12.040 --> 0:21:15.520
<v Speaker 1>meant to be a very young like an obviously very

0:21:15.600 --> 0:21:18.679
<v Speaker 1>young character. There's a scene where like there someone is

0:21:18.760 --> 0:21:20.639
<v Speaker 1>changing and they see part of her bare breast, and

0:21:20.680 --> 0:21:23.000
<v Speaker 1>it's meant to be like a cool older girl, not

0:21:23.119 --> 0:21:27.600
<v Speaker 1>a child. And the actor herself was eighteen at the

0:21:27.640 --> 0:21:30.240
<v Speaker 1>time the movie was filmed, and so it's just a lie.

0:21:30.680 --> 0:21:34.280
<v Speaker 1>The actor whose bare breast is shown for a second

0:21:34.320 --> 0:21:37.800
<v Speaker 1>in that movie, not only is she in the film

0:21:38.119 --> 0:21:41.439
<v Speaker 1>meant to be older, she herself the actor is also

0:21:41.560 --> 0:21:44.480
<v Speaker 1>of age. And so there is no child nudity in

0:21:44.520 --> 0:21:48.000
<v Speaker 1>this film of any kind. I saw so many viral

0:21:48.080 --> 0:21:54.080
<v Speaker 1>posts online suggesting otherwise. Another pretty obvious misrepresentation in the

0:21:54.080 --> 0:21:56.920
<v Speaker 1>film is that in a parents guide they say, there's

0:21:56.960 --> 0:21:59.640
<v Speaker 1>this salacious scene in the film that an eleven year

0:21:59.640 --> 0:22:02.399
<v Speaker 1>old girl all and tight leather pants has her pants

0:22:02.400 --> 0:22:05.359
<v Speaker 1>are pulled down and the camera zooms in on her butt.

0:22:06.040 --> 0:22:08.240
<v Speaker 1>And so this is a this this is a really

0:22:08.280 --> 0:22:11.560
<v Speaker 1>interesting one because it really shows how bad actors will

0:22:11.600 --> 0:22:16.359
<v Speaker 1>take this nugget of truth and completely explode it and

0:22:16.400 --> 0:22:20.320
<v Speaker 1>take it out of context. What actually happened is my question,

0:22:20.320 --> 0:22:23.920
<v Speaker 1>because I just know they're they're out here full cap. Well,

0:22:24.040 --> 0:22:27.080
<v Speaker 1>I can tell you bull cap Okay. So again spoiler. So,

0:22:27.160 --> 0:22:30.800
<v Speaker 1>in the movie, Amy is shown as being less financially

0:22:30.840 --> 0:22:32.760
<v Speaker 1>well off than the rest of her friends, and so

0:22:32.800 --> 0:22:34.840
<v Speaker 1>there's a scene where she's trying to look older than

0:22:34.920 --> 0:22:39.639
<v Speaker 1>she is by borrowing her friends like very cool leather pants.

0:22:39.880 --> 0:22:42.800
<v Speaker 1>While she's wearing these pants, trying to say, like it's

0:22:42.880 --> 0:22:46.520
<v Speaker 1>so unbelievably normal, totally like didn't you do that ship

0:22:46.560 --> 0:22:51.840
<v Speaker 1>when you were kid? Yeah, I mean everyone everyone. It's

0:22:51.880 --> 0:22:56.119
<v Speaker 1>like so infuriating that that's what they're Okay. So, in

0:22:56.160 --> 0:22:58.880
<v Speaker 1>the movie, she gets into a fight at school and

0:22:59.119 --> 0:23:02.840
<v Speaker 1>her her leather pants are accidentally yanked off of her,

0:23:03.400 --> 0:23:05.439
<v Speaker 1>and when the pants are yanked off of her, it

0:23:05.480 --> 0:23:09.440
<v Speaker 1>exposes that she's wearing underneath these cool leather pants, she's

0:23:09.480 --> 0:23:16.040
<v Speaker 1>wearing these childish, ratty, oversized underpants that have like obvious

0:23:16.080 --> 0:23:18.719
<v Speaker 1>signs of wear and tear. And so this the scene

0:23:19.359 --> 0:23:23.280
<v Speaker 1>is obviously meant to be embarrassing right, It is not

0:23:23.359 --> 0:23:26.719
<v Speaker 1>a sexy scene. It is clear like she leaves the

0:23:26.760 --> 0:23:30.199
<v Speaker 1>cafeteria in tears and like doesn't come to school the

0:23:30.200 --> 0:23:33.640
<v Speaker 1>next day or whatever because she's so embarrassed. But that

0:23:33.760 --> 0:23:36.280
<v Speaker 1>parents guide would have you believe that it's meant to

0:23:36.320 --> 0:23:39.639
<v Speaker 1>be like a sexy scene or essential scene that she

0:23:39.720 --> 0:23:43.360
<v Speaker 1>takes down her leather pants. But it is a misrepresentation

0:23:43.440 --> 0:23:46.280
<v Speaker 1>of a scene that actually does kind of occur in

0:23:46.320 --> 0:23:49.119
<v Speaker 1>the movie. But it's clearly made the sound worse than

0:23:49.160 --> 0:23:53.719
<v Speaker 1>it is. And that misrepresentation went completely viral, like big

0:23:53.760 --> 0:23:56.960
<v Speaker 1>accounts posted it and it got so much traction online,

0:23:57.280 --> 0:23:59.520
<v Speaker 1>And I honestly think that here is like people who

0:23:59.600 --> 0:24:01.840
<v Speaker 1>haven't seen the movie but like are like, oh, well,

0:24:02.840 --> 0:24:06.520
<v Speaker 1>I'm you know, I don't want to see children be

0:24:06.600 --> 0:24:09.960
<v Speaker 1>exploited in film, Like that's bad. When you read the

0:24:10.080 --> 0:24:14.000
<v Speaker 1>salacious misrepresentation, it makes it seem like there's gotta be

0:24:14.040 --> 0:24:16.120
<v Speaker 1>some truth to that to it, and like I can

0:24:16.119 --> 0:24:18.639
<v Speaker 1>see why people share that without like having seen the movie,

0:24:18.960 --> 0:24:22.159
<v Speaker 1>but it totally takes the truth out of context to

0:24:22.160 --> 0:24:25.399
<v Speaker 1>fit a wider agenda. Yeah, I mean I got panted

0:24:25.400 --> 0:24:28.440
<v Speaker 1>in the sixth grade. I was wearing some not greade

0:24:28.440 --> 0:24:32.080
<v Speaker 1>Andy's two not not I relate, Like these are again,

0:24:32.119 --> 0:24:36.119
<v Speaker 1>these are just like fucking normal things in childhood that happened.

0:24:36.680 --> 0:24:40.639
<v Speaker 1>It's just it, come on people. Yeah, And I do

0:24:40.720 --> 0:24:45.320
<v Speaker 1>think it's beaks like a larger discomfort that people have

0:24:45.680 --> 0:24:50.639
<v Speaker 1>around coming of age stories for women and girls. Yeah,

0:24:50.800 --> 0:24:54.960
<v Speaker 1>I think that people are really uncomfortable around that and

0:24:55.040 --> 0:24:57.080
<v Speaker 1>like these things, Like there are things in the movie

0:24:57.119 --> 0:24:59.720
<v Speaker 1>that rings so true to me. If you have gotten

0:24:59.760 --> 0:25:03.760
<v Speaker 1>pants in elementary school or like middle school, someone saying like, oh,

0:25:03.800 --> 0:25:06.320
<v Speaker 1>that was like a sexually charged moment, You're like, actually,

0:25:06.359 --> 0:25:11.439
<v Speaker 1>it was really embarrassing exactly. You're like, you're no, I was.

0:25:12.000 --> 0:25:16.400
<v Speaker 1>Come on people, Like, it's like, no, I was pe class,

0:25:16.680 --> 0:25:19.720
<v Speaker 1>I was in the sixth grade. Um, I was wearing

0:25:19.800 --> 0:25:24.320
<v Speaker 1>the wrong day of the week underwear and clearly clearly

0:25:24.480 --> 0:25:30.520
<v Speaker 1>still still embarrassed by that part. Yeah, like it's Becaure's

0:25:30.560 --> 0:25:33.280
<v Speaker 1>another scene in the movie where she finds a condom

0:25:33.440 --> 0:25:35.000
<v Speaker 1>on the ground and she doesn't know what it is

0:25:35.040 --> 0:25:40.760
<v Speaker 1>and she blows it up like a balloon, and yeah,

0:25:41.000 --> 0:25:44.359
<v Speaker 1>describing that as like a sexually charged scene, like I

0:25:44.359 --> 0:25:47.000
<v Speaker 1>would argue that, like that's actually the weird thing to

0:25:47.080 --> 0:25:51.239
<v Speaker 1>be like, oh, little kids ex imploring these things they

0:25:51.240 --> 0:25:54.879
<v Speaker 1>don't totally understand, like that's normal, and showing that on

0:25:54.960 --> 0:25:58.199
<v Speaker 1>screen is probably normal and good and fine. Adding some

0:25:58.280 --> 0:26:01.400
<v Speaker 1>sort of nefarious intent to it to something that most

0:26:01.440 --> 0:26:03.880
<v Speaker 1>little kids go through, that's I think it's a little

0:26:03.880 --> 0:26:06.800
<v Speaker 1>bit sucked up. So I think that a lot of

0:26:06.920 --> 0:26:11.720
<v Speaker 1>the sharing of inaccurate content about Cut's online really came

0:26:11.760 --> 0:26:14.760
<v Speaker 1>from like low information folks who haven't seen the film

0:26:14.800 --> 0:26:18.160
<v Speaker 1>but are interested in standing up against material that harms kids.

0:26:18.200 --> 0:26:20.600
<v Speaker 1>Something about those posts is that they always make it

0:26:20.640 --> 0:26:25.080
<v Speaker 1>seem like no reasonable person would not agree that this

0:26:25.160 --> 0:26:28.720
<v Speaker 1>is exploitation of miners, right, and so they say like, obviously,

0:26:29.359 --> 0:26:34.280
<v Speaker 1>having showing a child naked in a Netflix movie is

0:26:34.359 --> 0:26:36.919
<v Speaker 1>not good, and most people would say like, oh, I agree,

0:26:36.960 --> 0:26:38.879
<v Speaker 1>that's not good. But the fact of the matter is

0:26:39.119 --> 0:26:41.719
<v Speaker 1>they didn't do that, and so they just traffic in

0:26:41.760 --> 0:26:46.359
<v Speaker 1>these inaccurate or misconstrued, out of context statements when that

0:26:46.440 --> 0:26:49.280
<v Speaker 1>this isn't the case and in reality. Deu ser Ray

0:26:49.359 --> 0:26:52.840
<v Speaker 1>says that a trained counselor was present on set during

0:26:52.880 --> 0:26:55.040
<v Speaker 1>the filming in the movie, and that the project was

0:26:55.080 --> 0:26:58.720
<v Speaker 1>approved by the French government's child protection authorities, and that

0:26:58.760 --> 0:27:01.000
<v Speaker 1>the actors that they had their parents on set to

0:27:01.680 --> 0:27:05.520
<v Speaker 1>and the film does contain a few scenes of young

0:27:05.600 --> 0:27:11.320
<v Speaker 1>girls like twerking and dancing in skimpy outfits. Another spoiler,

0:27:11.440 --> 0:27:15.240
<v Speaker 1>like the scene that probably generated the most conversation and

0:27:15.320 --> 0:27:18.119
<v Speaker 1>controversy and the one that has depicted on the poster,

0:27:18.640 --> 0:27:22.400
<v Speaker 1>is the movie's big climactic ending. The girls have their

0:27:22.440 --> 0:27:25.480
<v Speaker 1>big dance contest. They've been practicing for the whole film,

0:27:25.840 --> 0:27:28.640
<v Speaker 1>and they get on stage and they do this very

0:27:28.760 --> 0:27:32.200
<v Speaker 1>age inappropriate dance. They're grinding, they're tworking, and they're wearing

0:27:32.200 --> 0:27:37.080
<v Speaker 1>their skimpy outfits. But the entire point of the film

0:27:37.240 --> 0:27:39.679
<v Speaker 1>is the crowd that is watching them dance in the movie,

0:27:39.720 --> 0:27:42.080
<v Speaker 1>and I guess also us as the audience at home

0:27:42.520 --> 0:27:46.200
<v Speaker 1>is horrified. The crowd is audibly booing, they're covering their

0:27:46.280 --> 0:27:48.960
<v Speaker 1>their kids eyes so they can't see it. Some of

0:27:49.000 --> 0:27:51.840
<v Speaker 1>them turn to leave and disgust, and it's clear that

0:27:51.920 --> 0:27:54.360
<v Speaker 1>the girls do not have the maturity or the context

0:27:54.400 --> 0:27:57.800
<v Speaker 1>to understand why the way they're dancing like isn't okay

0:27:57.840 --> 0:28:00.520
<v Speaker 1>and why it's not being well received by the audience

0:28:00.520 --> 0:28:04.240
<v Speaker 1>they're dancing for. You know, the main character Amy. When

0:28:04.240 --> 0:28:07.880
<v Speaker 1>the audience has this negative reaction, she runs away crying,

0:28:08.080 --> 0:28:10.240
<v Speaker 1>and at the end of the movie, she has clearly

0:28:10.280 --> 0:28:13.239
<v Speaker 1>decided that this this world of like dancing is not

0:28:13.359 --> 0:28:16.160
<v Speaker 1>for her. At the end of the movie, she's living

0:28:16.160 --> 0:28:19.960
<v Speaker 1>a much more modest life and like playing age appropriate games.

0:28:20.000 --> 0:28:22.800
<v Speaker 1>And it's clear that like, oh, I had this little

0:28:22.840 --> 0:28:25.040
<v Speaker 1>interlude with dancing and it was not great for me,

0:28:25.080 --> 0:28:27.840
<v Speaker 1>and now I'm not doing it anymore. And so it's

0:28:27.880 --> 0:28:33.040
<v Speaker 1>interesting that people say that this movie, like how can

0:28:33.080 --> 0:28:36.439
<v Speaker 1>I put this? There are plenty of legitimate criticisms to

0:28:36.480 --> 0:28:38.560
<v Speaker 1>be made about this film and the way that it

0:28:38.600 --> 0:28:41.560
<v Speaker 1>handles girlhood sexuality. Like I've seen criticisms that say that

0:28:41.880 --> 0:28:45.320
<v Speaker 1>the dancing scenes with the girls are gratuitous. I've seen

0:28:45.400 --> 0:28:47.880
<v Speaker 1>some arguments that seemed to be suggesting that the film,

0:28:47.920 --> 0:28:50.440
<v Speaker 1>which is pretty clearly making an argument against the sexualization

0:28:50.480 --> 0:28:54.160
<v Speaker 1>of children, is actually attempting to do that by engaging

0:28:54.280 --> 0:28:56.560
<v Speaker 1>in the very thing it is critiquing. Like if you've

0:28:56.600 --> 0:28:59.520
<v Speaker 1>seen the movie Kids. When a Kid's First came out,

0:28:59.520 --> 0:29:03.320
<v Speaker 1>it was accused of the exact same thing, right that, like, oh,

0:29:03.360 --> 0:29:06.440
<v Speaker 1>it's a movie that's supposed to be critiquing child drug

0:29:06.560 --> 0:29:09.000
<v Speaker 1>use by showing child drug youse. So this is like

0:29:09.040 --> 0:29:14.040
<v Speaker 1>a well worn film criticism. Those are all, you know,

0:29:14.280 --> 0:29:19.320
<v Speaker 1>fair arguments, but they're very different than accusing this filmmaker

0:29:19.400 --> 0:29:23.080
<v Speaker 1>of breaking the law and being a child pornographer, which

0:29:23.080 --> 0:29:27.000
<v Speaker 1>is exactly what happened, and so Cutius became this like

0:29:27.920 --> 0:29:31.560
<v Speaker 1>very popular thing to bash online. I saw a few

0:29:31.840 --> 0:29:34.600
<v Speaker 1>big name people standing up for the filmmaker, but I

0:29:34.640 --> 0:29:38.000
<v Speaker 1>really recall there was a climate that this French black

0:29:38.040 --> 0:29:41.720
<v Speaker 1>woman made this racy film involving children, and people just

0:29:41.800 --> 0:29:44.800
<v Speaker 1>did not want to take the risk of waiting into

0:29:44.840 --> 0:29:48.480
<v Speaker 1>that controversy. This is actually a tactic called a reputational smear,

0:29:48.520 --> 0:29:52.680
<v Speaker 1>where people make your personal brand so toxic that other

0:29:52.760 --> 0:29:55.160
<v Speaker 1>people don't want to take any kind of risk and

0:29:55.200 --> 0:29:58.320
<v Speaker 1>being associated with you. And I think do Sae being

0:29:58.360 --> 0:30:02.880
<v Speaker 1>a black woman and also Senegalese and also French, probably

0:30:03.000 --> 0:30:06.520
<v Speaker 1>is part of why that can't that kind of attack

0:30:06.840 --> 0:30:10.240
<v Speaker 1>was so effective because I think when you're a black

0:30:10.240 --> 0:30:12.840
<v Speaker 1>woman and you're visible, I just think it's different. People

0:30:13.600 --> 0:30:16.480
<v Speaker 1>are going to be less likely to stick their neck

0:30:16.520 --> 0:30:18.920
<v Speaker 1>out and defend you when you're being attacked in this

0:30:19.000 --> 0:30:24.880
<v Speaker 1>like very very uh inflammatory way. And it's funny. I

0:30:24.920 --> 0:30:28.480
<v Speaker 1>actually recall when this was all happening. In being nervous

0:30:28.520 --> 0:30:31.000
<v Speaker 1>about making a podcast episode about it, I was like,

0:30:31.440 --> 0:30:34.480
<v Speaker 1>the climate is so the climate is, the climate was

0:30:34.520 --> 0:30:40.080
<v Speaker 1>so like tense and it was I was like, it

0:30:40.160 --> 0:30:45.800
<v Speaker 1>wasn't a great time for most people. It absolutely was

0:30:45.920 --> 0:30:48.720
<v Speaker 1>not a great time. And you know, I think it

0:30:48.800 --> 0:30:53.760
<v Speaker 1>really contributed to this climate of silence where people who

0:30:53.960 --> 0:30:56.000
<v Speaker 1>see what's going on and they see like, oh, this

0:30:56.040 --> 0:30:59.080
<v Speaker 1>person is being hung out to dry, are also afraid

0:30:59.160 --> 0:31:01.240
<v Speaker 1>to speak up. I think part of the way that

0:31:01.280 --> 0:31:04.280
<v Speaker 1>these attacks work, and I recall a lot of bad

0:31:04.320 --> 0:31:09.640
<v Speaker 1>actors making and spreading content based on lies and misrepresentations

0:31:10.120 --> 0:31:13.280
<v Speaker 1>that made it seem like calling this movie a crime,

0:31:13.520 --> 0:31:17.680
<v Speaker 1>calling this movie child pornography was reasonable even for folks

0:31:17.720 --> 0:31:20.320
<v Speaker 1>who had not seen it for themselves, and it created

0:31:20.360 --> 0:31:24.320
<v Speaker 1>the condition for a climate where elected officials were condemning

0:31:24.360 --> 0:31:27.320
<v Speaker 1>this movie and also urging for the government to take

0:31:27.360 --> 0:31:30.400
<v Speaker 1>action against it. Here's a brief roundup of all the

0:31:30.400 --> 0:31:33.800
<v Speaker 1>different electeds that came out against this movie. U S.

0:31:33.800 --> 0:31:37.480
<v Speaker 1>Senator Mike Lee sent a letter directly to Netflix's CEO

0:31:37.720 --> 0:31:42.280
<v Speaker 1>Read Hastings, asking for quote an explanation on hastings As

0:31:42.360 --> 0:31:45.200
<v Speaker 1>views as to whether or not the potential exploitation of

0:31:45.280 --> 0:31:50.320
<v Speaker 1>miners in the film constitutes criminal behavior. Uh cool, Mr

0:31:50.400 --> 0:31:57.240
<v Speaker 1>Anti Democracy himself got it? Cool? Cool? Who's next, mailed

0:31:57.280 --> 0:32:03.600
<v Speaker 1>presidential candidate Tulsi Gabbard. Yeah, Oh, I would love to

0:32:03.640 --> 0:32:09.160
<v Speaker 1>never think about her again. I She exceplicitly called the

0:32:09.200 --> 0:32:12.000
<v Speaker 1>movie quote child porn and said that it would whet

0:32:12.080 --> 0:32:16.160
<v Speaker 1>the appetite of pedophiles and help fuel the child sex

0:32:16.280 --> 0:32:20.440
<v Speaker 1>trafficking trade. Like oh girl on yeah, like come on,

0:32:23.080 --> 0:32:27.800
<v Speaker 1>Ted Crew coming. You knew he was coming. He sent

0:32:27.880 --> 0:32:31.200
<v Speaker 1>a letter to the Department of Justice to quote investigate

0:32:31.200 --> 0:32:35.280
<v Speaker 1>whether Netflix, It's executive or the filmmakers violated any federal

0:32:35.360 --> 0:32:39.960
<v Speaker 1>laws against the production and distribution of chop pornography. Tom

0:32:40.000 --> 0:32:43.320
<v Speaker 1>Cotton and Representative Jim Banks also called to the d

0:32:43.360 --> 0:32:46.960
<v Speaker 1>o J to take legal action against Netflix. Cotton excemplicitly

0:32:47.000 --> 0:32:50.400
<v Speaker 1>accused Netflix and Do Surray of a crime, saying, quote,

0:32:50.720 --> 0:32:54.120
<v Speaker 1>there's no excuse for the sexualization of children, and Netflix's

0:32:54.160 --> 0:32:57.320
<v Speaker 1>decision to promote the film Cuties is disgusting at best

0:32:57.720 --> 0:33:00.880
<v Speaker 1>and a serious crime at worst. On these people watch

0:33:00.960 --> 0:33:04.680
<v Speaker 1>the movie continue? Oh absolutely, fucking you think fucking Ted

0:33:04.760 --> 0:33:07.480
<v Speaker 1>Crew is sitting through a two hour movie about sucking

0:33:08.080 --> 0:33:13.240
<v Speaker 1>French Senegalese girlhood. Absolutely, it's probably on a plane to Camcoon.

0:33:16.720 --> 0:33:20.760
<v Speaker 1>Representatives Ken Buck and Andy Biggs of Arizona called for

0:33:20.800 --> 0:33:23.760
<v Speaker 1>the d O jay to investigate, and the state attorneys general,

0:33:23.880 --> 0:33:26.200
<v Speaker 1>by the way, I didn't know that the pluralization of

0:33:26.240 --> 0:33:30.240
<v Speaker 1>attorney general is attorneys general, so that is it's gonna

0:33:30.280 --> 0:33:34.960
<v Speaker 1>it sounds incorrect, but it is correct. The good you

0:33:35.040 --> 0:33:39.080
<v Speaker 1>know noted um cool. Yeah, if you ever have to

0:33:39.080 --> 0:33:44.120
<v Speaker 1>pluralize attorney general, it's an attorney general. State attors general stated,

0:33:44.200 --> 0:33:46.760
<v Speaker 1>I don't like it, very ghoulish. Continue found it sounds

0:33:47.200 --> 0:33:50.040
<v Speaker 1>like I'm like, I support you, um, don't don't like it.

0:33:50.200 --> 0:33:54.400
<v Speaker 1>I don't like it. But the attorney's general of Ohio, Florida, Louisiana,

0:33:54.440 --> 0:33:58.400
<v Speaker 1>and Texas also asked for Netflix to remove the film. Also,

0:33:58.560 --> 0:34:02.120
<v Speaker 1>isn't it funny how nobody talked about like free speech,

0:34:02.240 --> 0:34:05.160
<v Speaker 1>cancel culture, These things that people on the right are

0:34:05.200 --> 0:34:09.000
<v Speaker 1>supposed to be so aggrieved by didn't even come up.

0:34:09.239 --> 0:34:12.040
<v Speaker 1>Government officials asking for Netflix to take down a film

0:34:12.360 --> 0:34:14.960
<v Speaker 1>didn't need free speech, didn't even free speech. Who we

0:34:15.000 --> 0:34:18.920
<v Speaker 1>don't know her didn't even come up. In true truly

0:34:18.960 --> 0:34:24.040
<v Speaker 1>incredible what they what they think is important exactly. So,

0:34:24.480 --> 0:34:28.080
<v Speaker 1>like you said, I would be willing to bet my

0:34:28.320 --> 0:34:31.319
<v Speaker 1>entire life savings that at that whole list that I

0:34:31.440 --> 0:34:35.560
<v Speaker 1>read of alexid officials responding did not watch the film,

0:34:36.000 --> 0:34:41.919
<v Speaker 1>single one bet my fucking life savings on it. And eventually, this,

0:34:42.040 --> 0:34:47.440
<v Speaker 1>you know, went from I guess like grandstanding and puffery

0:34:47.520 --> 0:34:51.319
<v Speaker 1>to a grand jury in Tyler, Texas, indicting Netflix on

0:34:51.360 --> 0:34:55.760
<v Speaker 1>the charge of promoting lewd visual material depicting a child.

0:34:56.239 --> 0:35:01.560
<v Speaker 1>The indictment claims that Cuties holds no serious literary, artistic, political,

0:35:01.719 --> 0:35:05.480
<v Speaker 1>or scientific value. And what is wild is that this

0:35:05.640 --> 0:35:09.480
<v Speaker 1>attempt of an indictment is still going on. In November,

0:35:09.520 --> 0:35:13.040
<v Speaker 1>a federal judge issued an injunction that blocks that Texas

0:35:13.120 --> 0:35:18.000
<v Speaker 1>prosecutor from bringing child pornography charges against Netflix for distributing

0:35:18.000 --> 0:35:22.279
<v Speaker 1>the film. And just two days ago, December five, the prosecutor,

0:35:22.400 --> 0:35:26.520
<v Speaker 1>Tyler County District Attorney Lucas Babin, filed a notice indicating

0:35:26.520 --> 0:35:28.880
<v Speaker 1>that he will appeal the rule the ruling to the

0:35:28.880 --> 0:35:32.000
<v Speaker 1>Fifth Circuit Court of Appeals. And so this guy is like, no,

0:35:33.280 --> 0:35:36.600
<v Speaker 1>I'm not dropping this. I Am going to continue to

0:35:36.640 --> 0:35:41.319
<v Speaker 1>pursue pursue charges against this film. And what's interesting to

0:35:41.360 --> 0:35:46.000
<v Speaker 1>me is that most of the elected officials who you know,

0:35:46.400 --> 0:35:48.600
<v Speaker 1>had a problem with this film and and tried to

0:35:48.640 --> 0:35:50.719
<v Speaker 1>pursue the Department of Justice to to look into it,

0:35:51.640 --> 0:35:56.080
<v Speaker 1>they've mostly all dropped this right, like, and I part

0:35:56.120 --> 0:36:00.279
<v Speaker 1>of me wonders, why is it that some one like

0:36:00.320 --> 0:36:05.960
<v Speaker 1>Ted Cruz can be so loud and vocal about attacking

0:36:05.960 --> 0:36:09.040
<v Speaker 1>a film that I bet he hasn't seen, but then

0:36:09.160 --> 0:36:13.520
<v Speaker 1>it can just be quietly dropped, right, Like, I think

0:36:13.520 --> 0:36:15.200
<v Speaker 1>it's a it's a it's a mark against the way

0:36:15.239 --> 0:36:21.440
<v Speaker 1>that like right wing elected officials use these cultural flashpoints

0:36:21.480 --> 0:36:24.600
<v Speaker 1>as like little stunts where they want to like speak

0:36:24.680 --> 0:36:26.719
<v Speaker 1>up about them, and I may just drop it, like

0:36:26.760 --> 0:36:28.520
<v Speaker 1>I would be curious to know, like, do you still

0:36:28.560 --> 0:36:31.200
<v Speaker 1>think that this movie is child pornography? Do you still

0:36:31.239 --> 0:36:33.359
<v Speaker 1>think the d o J should investigate? Do you still

0:36:33.440 --> 0:36:35.400
<v Speaker 1>believe that was an effective use of your time in

0:36:35.480 --> 0:36:38.759
<v Speaker 1>terms of you know, your duty to your represent your

0:36:38.840 --> 0:36:41.040
<v Speaker 1>your the people that got you in office, Like the

0:36:41.080 --> 0:36:44.920
<v Speaker 1>way I'm confident in saying they forgot they tweeted about

0:36:44.960 --> 0:36:49.360
<v Speaker 1>it and have moved on to bullying some other marginalized

0:36:49.400 --> 0:36:52.480
<v Speaker 1>group of people. Yeah, I would be. I would totally agree.

0:36:52.480 --> 0:36:55.360
<v Speaker 1>And the way that they're able to evoke these things

0:36:55.800 --> 0:36:59.000
<v Speaker 1>loudly and just move on doesn't sit right with me,

0:36:59.000 --> 0:37:01.359
<v Speaker 1>because there's real people on the other end of them,

0:37:01.360 --> 0:37:03.879
<v Speaker 1>Like Do Suray is a real person with our real

0:37:03.920 --> 0:37:06.120
<v Speaker 1>career that she's trying to build. That they can just

0:37:06.880 --> 0:37:10.399
<v Speaker 1>evoke her name and her work misrepresented and lie about

0:37:10.440 --> 0:37:13.440
<v Speaker 1>it and vocally accused her of a crime and then

0:37:13.520 --> 0:37:16.600
<v Speaker 1>just move on really does not sit right with me.

0:37:24.040 --> 0:37:25.759
<v Speaker 1>Something that I think is kind of interesting here is

0:37:25.760 --> 0:37:29.200
<v Speaker 1>like you might be thinking, why would all of these

0:37:29.280 --> 0:37:33.000
<v Speaker 1>right wing should heads be interested in attacking Netflix and

0:37:33.080 --> 0:37:36.120
<v Speaker 1>this like kind of obscure French film, And I think

0:37:36.120 --> 0:37:37.440
<v Speaker 1>it has a lot to do with the fact that

0:37:37.880 --> 0:37:41.799
<v Speaker 1>culture is by and large seen as the domain of

0:37:41.880 --> 0:37:45.360
<v Speaker 1>the left, and so these right wing extremists they have

0:37:45.600 --> 0:37:49.680
<v Speaker 1>to attack purveyors of culture. Right these attacks are highly

0:37:49.800 --> 0:37:53.480
<v Speaker 1>politically charged. So on Tucker carlston segment about the film

0:37:53.480 --> 0:37:56.640
<v Speaker 1>and the controversy around it, first he framed it as

0:37:57.200 --> 0:38:00.920
<v Speaker 1>an attack on what he calls quote the media elite.

0:38:01.000 --> 0:38:03.360
<v Speaker 1>Listen to this. I begin this segment with the warning

0:38:03.440 --> 0:38:05.279
<v Speaker 1>something we never do, but the footage we're about to

0:38:05.320 --> 0:38:07.760
<v Speaker 1>show you comes from a film that was released yesterday

0:38:07.760 --> 0:38:12.360
<v Speaker 1>on the streaming service Netflix. It's called Cuties. We've edited

0:38:12.440 --> 0:38:15.480
<v Speaker 1>to obscure the most sexual parts because we have no choice,

0:38:15.480 --> 0:38:17.960
<v Speaker 1>but it's still over the top and disturbing. As you

0:38:18.000 --> 0:38:22.000
<v Speaker 1>watch it, remember that our media class, the gatekeepers of entertainment,

0:38:22.000 --> 0:38:25.600
<v Speaker 1>have no problem with it. In fact, they love it.

0:38:26.080 --> 0:38:29.000
<v Speaker 1>A sure sign the civilization is in trouble. The New

0:38:29.040 --> 0:38:31.600
<v Speaker 1>Yorker magazine, which after almost a hundred years has become

0:38:31.640 --> 0:38:36.240
<v Speaker 1>truly a garbage publication, unfortunately, called this film quote extraordinary

0:38:36.400 --> 0:38:39.800
<v Speaker 1>and said that only evangelicals don't like it. The Telegraph

0:38:39.880 --> 0:38:43.000
<v Speaker 1>newspaper said it's an important film quote in an age

0:38:43.160 --> 0:38:48.080
<v Speaker 1>terrified of child sexuality Late Rome for real. We're not

0:38:48.120 --> 0:38:54.200
<v Speaker 1>going to show you a portion of what. So it's

0:38:54.239 --> 0:38:59.440
<v Speaker 1>interesting how Tucker Carlston frames this film the controversy around it,

0:38:59.480 --> 0:39:03.120
<v Speaker 1>as an attack on the New Yorker, the media elite,

0:39:03.239 --> 0:39:07.560
<v Speaker 1>the Telegraph right like it's so written. I think it

0:39:07.640 --> 0:39:12.240
<v Speaker 1>really reveals how these attacks are just kind of proxy

0:39:12.280 --> 0:39:17.799
<v Speaker 1>wars for this larger culture wars, highly politicized thing that

0:39:17.800 --> 0:39:19.960
<v Speaker 1>they're trying to wage here. And it doesn't matter that

0:39:20.160 --> 0:39:22.920
<v Speaker 1>that the first time filmmaker gets sort of like caught

0:39:22.920 --> 0:39:27.200
<v Speaker 1>in the crossfire. Um again, here's later into that segment.

0:39:28.040 --> 0:39:31.319
<v Speaker 1>Here's how his guest talks about Uh. The people that

0:39:31.360 --> 0:39:35.880
<v Speaker 1>she says are quote staying silent and allowing this film

0:39:35.920 --> 0:39:40.600
<v Speaker 1>to exploit children and yet curiously silent Tucker are the

0:39:40.680 --> 0:39:44.279
<v Speaker 1>Obama's is Susan Rice who's involved. Also, she's on their

0:39:44.280 --> 0:39:48.080
<v Speaker 1>Netflix board. Obama is uh to deal with Harry and

0:39:48.160 --> 0:39:51.759
<v Speaker 1>Megan Harry of England and Megan Markel. Uh, they are

0:39:51.960 --> 0:39:55.200
<v Speaker 1>They've got it like an over reportedly of one million

0:39:55.239 --> 0:39:58.239
<v Speaker 1>dollar deal with Netflix. A word from any of these

0:39:58.280 --> 0:40:01.960
<v Speaker 1>people could stop this in it tracks, and they should.

0:40:02.000 --> 0:40:04.520
<v Speaker 1>They should say something. People. Okay, you guys have it there.

0:40:04.840 --> 0:40:08.640
<v Speaker 1>But the fact is, can I just sit in a

0:40:08.920 --> 0:40:11.799
<v Speaker 1>court of law? Fox what a lawsuit? By saying that

0:40:11.840 --> 0:40:15.280
<v Speaker 1>they couldn't they couldn't imagine anybody to take Chucker Carlson

0:40:15.480 --> 0:40:19.759
<v Speaker 1>seriously as an actual newsperson because clearly he's doing a

0:40:19.840 --> 0:40:24.719
<v Speaker 1>character that that for first of all, Second of all, yeah,

0:40:24.960 --> 0:40:27.320
<v Speaker 1>these people are such fucking goals. None of you watched

0:40:27.320 --> 0:40:30.359
<v Speaker 1>the movie. All of you are just prediculous. Yeah, let's

0:40:30.360 --> 0:40:32.960
<v Speaker 1>just that's Harriet Megan. It's like any chance to to

0:40:33.080 --> 0:40:38.200
<v Speaker 1>pick on Megan Markel um cool um exactly the way

0:40:38.239 --> 0:40:41.520
<v Speaker 1>that they effectively like pull make this an attack on

0:40:41.680 --> 0:40:46.759
<v Speaker 1>Megan Markele. Oh my god, another black person. I can

0:40:46.840 --> 0:40:50.080
<v Speaker 1>point the finger at um oh cool. Let's like, let's sake,

0:40:50.120 --> 0:40:52.920
<v Speaker 1>let's take the opportunity for to blame them for a

0:40:52.960 --> 0:40:56.839
<v Speaker 1>movie we have not seen exactly. And so yeah, they

0:40:57.600 --> 0:41:00.920
<v Speaker 1>use this film to take a at the Obama's. The

0:41:00.920 --> 0:41:03.239
<v Speaker 1>Obamas at the time had a high profile deal with

0:41:03.280 --> 0:41:06.800
<v Speaker 1>Netflix to produce documentaries Fox News. As Rachel Campo Stuffy

0:41:06.960 --> 0:41:10.520
<v Speaker 1>wrote in a piece for the Federalists called Michelle Obama

0:41:10.680 --> 0:41:15.000
<v Speaker 1>is complicit in Netflix child porn film Cuties. She writes,

0:41:15.120 --> 0:41:17.440
<v Speaker 1>quote at a time in the left has declared that

0:41:17.520 --> 0:41:21.839
<v Speaker 1>silence is violence, Michelle obama silence on the Netflix's controversial

0:41:21.880 --> 0:41:25.439
<v Speaker 1>movie Cuties has not gone unnoticed. And again, it's such

0:41:25.480 --> 0:41:31.880
<v Speaker 1>a disingenuous way to use this film to attack people

0:41:31.960 --> 0:41:35.280
<v Speaker 1>that they clearly already have a pre established grievance against.

0:41:35.280 --> 0:41:39.120
<v Speaker 1>And so it's interesting how culture becomes a stand in

0:41:39.320 --> 0:41:42.919
<v Speaker 1>for these political grievances that clearly these It's like they're

0:41:42.960 --> 0:41:47.320
<v Speaker 1>barely able to mask it when they talk about it.

0:41:47.320 --> 0:41:53.040
<v Speaker 1>It's embarrassing for them. It should be embarrassing. And I

0:41:53.080 --> 0:41:56.600
<v Speaker 1>guess all of this is to say that, like, the

0:41:56.680 --> 0:41:58.839
<v Speaker 1>sad part to me about this is the way that

0:41:59.480 --> 0:42:04.200
<v Speaker 1>bad acts are so good at you know, I have

0:42:04.239 --> 0:42:06.839
<v Speaker 1>a good part of it is that, like, it all

0:42:06.880 --> 0:42:10.239
<v Speaker 1>comes back to this grain of truth and the reality

0:42:10.400 --> 0:42:13.000
<v Speaker 1>is is that we actually do live in a world

0:42:13.080 --> 0:42:16.480
<v Speaker 1>where far too many young people are survivors and victims

0:42:16.520 --> 0:42:19.520
<v Speaker 1>of sexual abuse and violence and things like grooming, and

0:42:19.680 --> 0:42:22.480
<v Speaker 1>we don't have a society that offers those folks a

0:42:22.480 --> 0:42:26.360
<v Speaker 1>ton of support. And bad actors they seize on this

0:42:26.560 --> 0:42:30.520
<v Speaker 1>heartbreaking reality, and in lieu of support, they offer dangerous

0:42:30.560 --> 0:42:35.160
<v Speaker 1>conspiracy theories and the smearing of regular people as predators

0:42:35.160 --> 0:42:38.000
<v Speaker 1>and threats to children. And my my real question is, like,

0:42:38.680 --> 0:42:42.000
<v Speaker 1>because all of those elected officials were too busy drumming

0:42:42.040 --> 0:42:45.600
<v Speaker 1>up these attacks on the movie Hughties, that was time

0:42:46.040 --> 0:42:50.759
<v Speaker 1>not spent actually scrutinizing the online platforms that we know

0:42:51.480 --> 0:42:56.759
<v Speaker 1>our actual purveyors of child sexual abuse material, platforms like Facebook.

0:42:56.760 --> 0:43:01.800
<v Speaker 1>Facebook is the number one platform responsible or sexually explicit

0:43:01.800 --> 0:43:04.440
<v Speaker 1>material involving the abuse of children. That's just a fact,

0:43:04.640 --> 0:43:07.840
<v Speaker 1>And so isn't it interesting that all these elected officials

0:43:07.880 --> 0:43:11.759
<v Speaker 1>came out against this movie Cutie's but baxt time they

0:43:11.800 --> 0:43:15.719
<v Speaker 1>could have been actually speaking to what we know actually

0:43:15.800 --> 0:43:20.160
<v Speaker 1>pose real threats to children. And I think turning something

0:43:20.200 --> 0:43:24.640
<v Speaker 1>as important as protecting the survivors of childhood sexual abuse

0:43:24.960 --> 0:43:28.319
<v Speaker 1>into just another way of scoring cheap political points is

0:43:28.360 --> 0:43:31.359
<v Speaker 1>a symptom of the fact that our society has really

0:43:31.360 --> 0:43:34.800
<v Speaker 1>has a problem, Like we're not talking about anything that

0:43:34.880 --> 0:43:38.920
<v Speaker 1>can actually be of use to vulnerable people. Were only

0:43:39.040 --> 0:43:44.040
<v Speaker 1>interested in partisan attacks and fucking grandstanding and stunts, and

0:43:44.080 --> 0:43:46.520
<v Speaker 1>it's it makes MU sick. And I think the same

0:43:46.600 --> 0:43:50.520
<v Speaker 1>way that the grooming of children is like a real,

0:43:50.840 --> 0:43:54.279
<v Speaker 1>very serious issue. But if you turn that into a

0:43:54.280 --> 0:43:58.320
<v Speaker 1>way to attack LGBTQ people or drag queens or whatever,

0:43:58.840 --> 0:44:01.799
<v Speaker 1>the people who are act really grooming kids, they can

0:44:01.840 --> 0:44:05.200
<v Speaker 1>just go on examined. It's like, Okay, well, please continue

0:44:05.280 --> 0:44:08.360
<v Speaker 1>to say that drag queens are the threat to kids,

0:44:08.400 --> 0:44:11.239
<v Speaker 1>and I'll just be over here continuing my business of

0:44:11.600 --> 0:44:15.000
<v Speaker 1>actually endangering children. And so the reason why this is

0:44:15.000 --> 0:44:17.360
<v Speaker 1>such an important thing to me is that we have

0:44:17.560 --> 0:44:20.719
<v Speaker 1>to figure out a way to have the real conversation

0:44:20.760 --> 0:44:24.560
<v Speaker 1>and not allow extremists and bad actors and grifters to

0:44:24.640 --> 0:44:29.360
<v Speaker 1>distract us with you know, the shiny object of this

0:44:29.520 --> 0:44:32.959
<v Speaker 1>film is the threat to children when the real threat

0:44:33.000 --> 0:44:37.560
<v Speaker 1>to threats to children go unexamined and fifty percent. Please

0:44:37.560 --> 0:44:41.080
<v Speaker 1>stop worrying about movies you have not seen. Do not

0:44:41.360 --> 0:44:43.520
<v Speaker 1>do not cover what you think they cover. Please stop

0:44:43.560 --> 0:44:48.759
<v Speaker 1>worrying about drag queen reading story time at libraries, You

0:44:49.000 --> 0:44:53.480
<v Speaker 1>dumb people. I cannot stand to you. I could go

0:44:53.520 --> 0:44:57.600
<v Speaker 1>on a rap. I will not feel like disastrous incompetence

0:44:58.000 --> 0:45:03.160
<v Speaker 1>and the negligence to do their jobs is baffling and

0:45:03.400 --> 0:45:10.880
<v Speaker 1>damaging to so many people, specifically marginalized people. And exactly

0:45:11.160 --> 0:45:14.120
<v Speaker 1>I hate you all. I can't believe that you are

0:45:14.120 --> 0:45:19.040
<v Speaker 1>allowed to decide things for anybody. Yeah, and I mean

0:45:19.080 --> 0:45:21.360
<v Speaker 1>this is like a like a tried and true thing

0:45:21.400 --> 0:45:24.200
<v Speaker 1>that we see when it comes to disinformation and conspiracy theories.

0:45:24.400 --> 0:45:26.719
<v Speaker 1>They just take all the air and the oxygen out

0:45:26.719 --> 0:45:29.400
<v Speaker 1>of the room, and so we don't really have the

0:45:29.480 --> 0:45:32.640
<v Speaker 1>space to have our real conversation about the actual threats

0:45:32.680 --> 0:45:37.760
<v Speaker 1>to the people and the kids because so much room

0:45:37.840 --> 0:45:40.000
<v Speaker 1>is taken out of Like when was the last time

0:45:40.040 --> 0:45:43.040
<v Speaker 1>you saw an article that a news article about an

0:45:43.040 --> 0:45:46.520
<v Speaker 1>actual threat to children. It's all these days, it's all

0:45:47.000 --> 0:45:51.360
<v Speaker 1>completely made up threats, right like, And what's really scary

0:45:51.400 --> 0:45:54.440
<v Speaker 1>to me is how baselessly accusing someone of being a

0:45:54.520 --> 0:45:57.960
<v Speaker 1>child predator or a pedophile, or a child pornographer or

0:45:57.960 --> 0:46:00.359
<v Speaker 1>a groomer or a threat to children, how has made

0:46:00.360 --> 0:46:03.680
<v Speaker 1>this real comeback as a solid way to attack somebody

0:46:03.719 --> 0:46:06.120
<v Speaker 1>that you don't like, just like what happened to the

0:46:06.120 --> 0:46:09.560
<v Speaker 1>filmmaker Douce Array. It is dangerous, It can lead to

0:46:09.640 --> 0:46:12.280
<v Speaker 1>real world violence, and in fact, we know it already has.

0:46:12.760 --> 0:46:14.680
<v Speaker 1>I would be remiss to not mention the fact that

0:46:14.760 --> 0:46:18.600
<v Speaker 1>just last week Elon Musk smeared Yol Roth, Twitter's former

0:46:18.640 --> 0:46:22.239
<v Speaker 1>head of trust and Safety, who is gay, baselessly insinuating

0:46:22.280 --> 0:46:24.719
<v Speaker 1>that he is a child predator, and of course a

0:46:24.719 --> 0:46:27.920
<v Speaker 1>few days later CNN reported that Roth had to flee

0:46:28.040 --> 0:46:30.759
<v Speaker 1>his home for his own safety. We should really be

0:46:30.840 --> 0:46:33.759
<v Speaker 1>afraid that basically attacking anybody that you don't like is

0:46:33.800 --> 0:46:37.359
<v Speaker 1>a child predator is now a go to strategy for extremists.

0:46:37.880 --> 0:46:40.400
<v Speaker 1>And so that's my big thing is like when we

0:46:40.480 --> 0:46:45.600
<v Speaker 1>have a culture where made up threats based on conspiracy theories,

0:46:45.800 --> 0:46:48.520
<v Speaker 1>lies and attacks on people's identity are able to take

0:46:48.600 --> 0:46:52.120
<v Speaker 1>up a lot of room. It endangers us all because

0:46:52.160 --> 0:46:55.080
<v Speaker 1>we're not able to make room for the conversation about

0:46:55.080 --> 0:46:57.560
<v Speaker 1>how we keep people safe that we need to be having.

0:46:57.600 --> 0:47:00.239
<v Speaker 1>And so yeah, this is my this is my plea

0:47:00.360 --> 0:47:03.400
<v Speaker 1>to to be better. We can't have that, like, like

0:47:03.600 --> 0:47:08.719
<v Speaker 1>maybe focus on the sex trafficking of indigenous girls, not

0:47:08.920 --> 0:47:11.760
<v Speaker 1>on a movie, not on a movie that you haven't seen. Again,

0:47:12.000 --> 0:47:15.160
<v Speaker 1>Like I can't emphasize this enough. They have not seen

0:47:15.239 --> 0:47:19.200
<v Speaker 1>the movie, and they have formed opinions off of some

0:47:19.239 --> 0:47:22.080
<v Speaker 1>tweet Like I said, do you want to read the

0:47:22.200 --> 0:47:26.839
<v Speaker 1>article before you share it? Literally? This is exactly that exactly,

0:47:26.880 --> 0:47:29.680
<v Speaker 1>and like I could talk all day about this, but like,

0:47:30.520 --> 0:47:34.760
<v Speaker 1>there are so many ways that children and young people

0:47:34.800 --> 0:47:38.719
<v Speaker 1>are being endangered and exploited in the United States, and

0:47:38.760 --> 0:47:42.200
<v Speaker 1>if you actually gave a ship about that, there are

0:47:42.280 --> 0:47:44.280
<v Speaker 1>things that you could do. Some of them are big

0:47:44.360 --> 0:47:47.520
<v Speaker 1>systemic things, but some of them are like pretty easy

0:47:47.560 --> 0:47:50.760
<v Speaker 1>to accomplish. We don't even have that conversation and instead

0:47:50.840 --> 0:47:54.279
<v Speaker 1>we're given a conversation about sucking nonsense. And so I

0:47:54.320 --> 0:47:57.800
<v Speaker 1>would like to posit that we need to stop paying

0:47:57.800 --> 0:48:01.120
<v Speaker 1>like we cannot allow for the non sense to proliferate

0:48:01.200 --> 0:48:02.919
<v Speaker 1>and take all the air out of the room, because

0:48:02.920 --> 0:48:05.799
<v Speaker 1>that is exactly what they're counting on. People like Ted

0:48:05.880 --> 0:48:09.359
<v Speaker 1>Cruz don't have actual solutions to offer people. All they

0:48:09.360 --> 0:48:12.040
<v Speaker 1>have the stunts and grandstanding, and so I think the

0:48:12.120 --> 0:48:15.240
<v Speaker 1>more that we can peel back the curtain and show

0:48:15.280 --> 0:48:17.839
<v Speaker 1>that that's all they have to offer us, the better

0:48:17.920 --> 0:48:21.160
<v Speaker 1>we all will be. I think that's where we ended.

0:48:21.680 --> 0:48:25.840
<v Speaker 1>That's all I got, Sophie, thank you so much for

0:48:25.920 --> 0:48:28.000
<v Speaker 1>being down to have this conversation with me. I get

0:48:28.000 --> 0:48:32.359
<v Speaker 1>a little rag, but there's no because I too love

0:48:32.400 --> 0:48:34.840
<v Speaker 1>a dinner party and I too love saying about things

0:48:35.200 --> 0:48:37.440
<v Speaker 1>and then making it into a podcast. So I'm glad

0:48:37.480 --> 0:48:40.640
<v Speaker 1>that we're on the same page here. If you would

0:48:40.640 --> 0:48:43.400
<v Speaker 1>like me to come to your dinner party and scream

0:48:43.480 --> 0:48:46.839
<v Speaker 1>about Cutie's, just let me know. I'm happy to, yeah,

0:48:46.920 --> 0:48:50.120
<v Speaker 1>And if you don't, what's wrong with you? It's so interesting? Bridget,

0:48:50.160 --> 0:48:52.160
<v Speaker 1>thank you so much for having me on Um. Where

0:48:52.200 --> 0:48:54.640
<v Speaker 1>can people follow you? Well? You can follow me on

0:48:54.680 --> 0:48:57.920
<v Speaker 1>Twitter at Bridget Marie. Yeah I'm still they're tweeting away.

0:48:58.400 --> 0:49:00.879
<v Speaker 1>Follow me on Instagram at Bridget Marie. You see, and

0:49:01.000 --> 0:49:04.000
<v Speaker 1>as always, check out the whole slate of cool Zone

0:49:04.040 --> 0:49:07.160
<v Speaker 1>Media shows because they're looking awesome and you should be listening.

0:49:07.600 --> 0:49:10.320
<v Speaker 1>I have no bias there, and I completely agree. I

0:49:10.880 --> 0:49:14.960
<v Speaker 1>also think that they are wonderful. Thank you so much

0:49:15.040 --> 0:49:20.279
<v Speaker 1>for having me on uh the show that I produce. Um,

0:49:20.520 --> 0:49:22.880
<v Speaker 1>we'll be back probably with a with some kind of

0:49:22.920 --> 0:49:25.880
<v Speaker 1>a bonus, a bonus there, or another episode. Let's just

0:49:25.920 --> 0:49:28.400
<v Speaker 1>look out for it. You're subscribed and if you're not,

0:49:28.680 --> 0:49:37.440
<v Speaker 1>why Okay, Bye bye. Internet Hate Machine is a production

0:49:37.480 --> 0:49:40.399
<v Speaker 1>of cool Zone Media. For more podcasts from cool Zone Media,

0:49:40.480 --> 0:49:43.080
<v Speaker 1>check out our website cool zone media dot com, or

0:49:43.080 --> 0:49:45.640
<v Speaker 1>find us on the I Heart Radio app, Apple Podcasts,

0:49:45.719 --> 0:49:47.319
<v Speaker 1>or wherever you get your podcasts.