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Speaker 1: Us, would you it's your mysillion pieces, guys, gals and

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Speaker 1: non binary pals. Welcome to a minniesote of bananas. That's

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Speaker 1: Scottie Landis.

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Speaker 2: That's Kurt brown Oller, just the funniest guy you could

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Speaker 2: ever meet. And these are your stories. Our minisodes on

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Speaker 2: Stitcher are your stories. We had our stories, but these

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Speaker 2: are all real and they're all funny. And thank you

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Speaker 2: to everybody's been sending them in. We got a an

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Speaker 2: avalanche of them after one of our last podcasts, so

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Speaker 2: thanks so much.

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Speaker 1: Yeah, it was really great. It's also just fun to

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Speaker 1: read everybody's stories, you know, it's just like you just

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Speaker 1: get a little bit sometimes it's just like, this is

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Speaker 1: the weirdest little corner of the world that this person

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Speaker 1: is from. And I love that very cool.

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Speaker 3: I do too.

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Speaker 2: And unlike the main podcast, where normally stories just kind

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Speaker 2: of pop up because you know, Kurt and I don't

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Speaker 2: plan ahead, we don't tell each other each other's stories,

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Speaker 2: these are fun because we have a little time to think,

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Speaker 2: and it's fun to go what do I have in

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Speaker 2: common with this absolutely insane story? And it's kind of

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Speaker 2: nice to lay there for ten minutes and go down

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Speaker 2: memory lane.

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Speaker 3: And be like, oh, yeah, that did happen to me? Yeah, wonderful.

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Speaker 1: Well do you want to start Scottie?

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Speaker 3: Sure I could start one off.

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Speaker 2: We have one DM to the Bananas Podcast at Instagram

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Speaker 2: from Caitlin G.

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Speaker 3: Phillips. Thank you very much.

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Speaker 2: She is a she her and she has a gluten

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Speaker 2: free restaurant apparently, so that's a very good pro.

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Speaker 1: Wheat my son would love to eat there, absolutely.

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Speaker 2: Okay, what's up. My name's Caitlin. I'm twenty one, and

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Speaker 2: I have a story for you. My family and I

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Speaker 2: were on vacation in Mexico, and my sixteen year old

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Speaker 2: brother and I were sharing a pair of conjoining rooms

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Speaker 2: and my nineteen year old brother and my parents were

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Speaker 2: in the other set of rooms.

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Speaker 1: So it swore was just like I thought they'd be

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Speaker 1: sharing a adjoining set of pants for some pair anyway,

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Speaker 1: all right.

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Speaker 2: When in Mexico, anything goes, anything goes. So nineteen year

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Speaker 2: old brother and parents were in the other set of rooms.

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Speaker 2: We went to bed around ten, but because I have insomnia,

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Speaker 2: I was still up around one am when I heard

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Speaker 2: a noise and got up to investigate. I followed the

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Speaker 2: noise into my little brother's room, and see a shirtless

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Speaker 2: man standing beside my brother's bed staring out the window.

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Speaker 2: Creepy right, not good? No, you don't like people where

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Speaker 2: they're not supposed to be.

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Speaker 1: It's terrifying.

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Speaker 2: It took me a moment to realize it was definitely

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Speaker 2: not either my brothers, but just some random kid in

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Speaker 2: his twenties. I stared at him for probably a full

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Speaker 2: minute in silence, literally just thinking what the fuck?

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Speaker 3: He was about three feet away from my sleeping brother.

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Speaker 2: And I start talking to him, and I discovered that

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Speaker 2: this kid is clearly shitfaced. I should mention that I

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Speaker 2: was already president for a year, so have way too

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Speaker 2: much experience dealing with drunk people.

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Speaker 3: I mean that is on the job training.

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Speaker 1: And also but I mean, like, way to keep your

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Speaker 1: shit together? This is amazing.

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Speaker 2: Yeah, very Caitlin is calm. A lot of people would

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Speaker 2: have screamed and run out of the room.

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Speaker 1: Oh yeah, or just thrown a knife at him.

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Speaker 2: Just pick up the closest knife and throw it at him.

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Speaker 2: Leave a knife on every hard surface and flat surface

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Speaker 2: in every hotel room.

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Speaker 3: Is dead.

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Speaker 1: It's my plan. That's why I travel with twelve dives.

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Speaker 2: TSA be damned. I told him you were in the

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Speaker 2: wrong room, to which he replied, quote, what's with it?

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Speaker 2: That is such a good drunk thing to say.

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Speaker 3: What's with it?

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Speaker 1: I mean, like the like the sentence doesn't make sense.

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Speaker 1: It's not a response to the statement I love all

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Speaker 1: of it.

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Speaker 3: What's with it?

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Speaker 2: I asked his name, which he said was Kevin. Okay,

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Speaker 2: so we're getting somewhere. And then I asked his room number,

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Speaker 2: which he said eight two nine three six zero five.

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Speaker 2: You know those those hotels that have eight million, two

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Speaker 2: hundred and ninety three thousand rooms. Clearly not a room number,

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Speaker 2: Caitlin says. Eventually I got my brother to wake up

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Speaker 2: as Kevin was wandering around our room, going through my

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Speaker 2: brother's suitcase and grabbing my driver's license, and then he

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Speaker 2: made himself very comfortable on our couch in his wet swimsuit.

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Speaker 3: I should add, oh man, oh no.

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Speaker 2: At one point he turns to us and says, listen, guys,

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Speaker 2: I'm really fucking drunk, which to which we both reply, yes,

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Speaker 2: we know. We finally get him out of our room

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Speaker 2: and into the hall, but it's this open air hotel

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Speaker 2: with not so sturdy railings, and we did not want

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Speaker 2: to be tangentially responsible for mysterious death. Good sentence, cow Wow, Yeah,

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Speaker 2: that's good writing. Wherever your Sararti was has a good

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Speaker 2: English department. So we follow Kevin round until hotel security arrived.

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Speaker 2: During that time, Kevin stuck his hand in the closing

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Speaker 2: elevator doors and tried to run away from us by

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Speaker 2: pointing in the opposite direction he was walking, and then

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Speaker 2: called us quote, so fucking fake.

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Speaker 3: I think that's my favorite line of the whole thing.

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Speaker 3: Just these guys are so fake.

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Speaker 1: It's just he's just having blind reactions, like not understanding

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Speaker 1: a damn thing. It's amazing what alcohol does to the brain.

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Speaker 1: It's so crazy, it is.

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Speaker 3: He's like a goldfish.

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Speaker 2: He's just like turning and the world is new, and

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Speaker 2: they turn to other way and the world is new.

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Speaker 2: But I love pointing in the other direction and then running.

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Speaker 2: It just doesn't work. So I managed to snap a

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Speaker 2: few pictures of him in the hallway. We won't be

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Speaker 2: posting these, Caitlin, just because it's some guy and we're

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Speaker 2: not gonna do that. But she sent the pictures and

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Speaker 2: he's a shirtless guy in swimsuit, very drunk, kind of

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Speaker 2: posing for some of them.

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Speaker 3: But also summer him just murrying away, just herring down

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Speaker 3: the hall.

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Speaker 2: So eventually security arrived and we didn't know what happened

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Speaker 2: to Kevin.

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Speaker 3: After that, we all go back to our rooms. A

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Speaker 3: few days later.

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Speaker 1: Oh god, I can't believe there's an epilogue. I cannot.

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Speaker 2: A few days later, my family was heading out to dinner,

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Speaker 2: and on the way to the elevator, I spotted a

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Speaker 2: familiar face.

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Speaker 3: Wow.

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Speaker 2: Not super concerned for Kevin's dignity at this point, I

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Speaker 2: grabbed my brother's arm and pointed at him and yelled,

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Speaker 2: oh my god, that's him. Kevin briefly turned, looked at

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Speaker 2: us and said, yeah, I'm sorry about that, and then

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Speaker 2: just walked away. Here he is lovely, in shitfaced the

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Speaker 2: Kevin himself so happy.

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Speaker 3: Liked it. Huge fan of the podcast, Caitlin.

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Speaker 1: Oh Kevin, Kevin. Kevin, Kevin.

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Speaker 3: Kevin was on vacation.

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Speaker 1: He really was. In many ways. He was on vacation

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Speaker 1: from his mind.

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Speaker 2: Yeah, I know, And it's fun, Like it's fun to

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Speaker 2: test those boundaries and stuff when you're young. And then

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Speaker 2: there's also a part where you're like, I wonder how

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Speaker 2: much stuff that got missed out on either being blackout

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Speaker 2: or so violently hungover over the next couple of days.

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Speaker 3: That's just a lay by the pool type of vacation.

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Speaker 3: M hm oh man, pretty good.

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Speaker 2: I was in Brooklyn one night and there were two

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Speaker 2: guys there who were in their late twenties early thirties

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Speaker 2: who had never consumed alcohol before.

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Speaker 1: What how did like how did?

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Speaker 3: They were straight edge?

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Speaker 2: They were friends of friends, right, and they were like

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Speaker 2: this guy just started drinking beer last week.

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Speaker 4: Wow, And we were like, no, cool, never gonna go well, oh,

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Speaker 4: I know, and in like late twenties thirties, it's just

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Speaker 4: that thing where the floodgates open and everybody gets to

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Speaker 4: witness a hurricane.

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Speaker 1: And also, yeah, because also in Brooklyn at the time,

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Speaker 1: if you're like, if you're thirty, everyone's been drinking heavily

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Speaker 1: for ten years. Yeah, at least, you know, maybe twelve years.

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Speaker 1: So if you're trying to keep up with just people

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Speaker 1: you see around you, it's not going to go.

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Speaker 3: Well.

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Speaker 2: That is the perfect segue to this story, because that's

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Speaker 2: exactly what happened. So I brought our my friend Rusty,

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Speaker 2: who we waited tables together in Pensacola. Our restaurant sold

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Speaker 2: more Rumpelman's, which for those who don't know, it's one

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Speaker 2: hundred proof peppermint liqueur. I think it used to be

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Speaker 2: made in Germany. I think now it's made somewhere in

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Speaker 2: the States. But it's it's one hundred proof. You can

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Speaker 2: fifty percent alcohol.

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Speaker 1: You can blow fire with it.

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Speaker 2: Yes, it is a true butt kicker. It tastes great,

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Speaker 2: makes your breastmel good, but it is not for the

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Speaker 2: feint of liver. So I this guy sits down next

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Speaker 2: to me and all my friends are sitting in a

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Speaker 2: circle and like very uncomfortable old Brooklyn outdoor chairs in

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Speaker 2: this little backyard area, and there's about eight of us,

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Speaker 2: and he's like, yeah, it's true. Like just started drinking.

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Speaker 2: It's pretty fun so far. Like I threw up the

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Speaker 2: other night and like okay, and I was like, well,

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Speaker 2: you really want to try something? You got a dog

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Speaker 2: bowl rumpel And he's like, what's that. I was like, oh, watch.

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Speaker 2: So we go in the house and we get a

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Speaker 2: metal bowl and fill it with ice and then pour

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Speaker 2: the entire bottle of Rumpleman's in it, so like a

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Speaker 2: big salad bowl. And then I come out and I'm like,

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Speaker 2: this is dog bowling rumple, and so I sip it

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Speaker 2: and then I pass it. And then all my friends,

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Speaker 2: thank god, was Bryce and Doyle and Rusty, all these

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Speaker 2: friends that I old buddies. They just jump on board

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Speaker 2: instantly and they're like, are you dog bawling that rump

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Speaker 2: you complete?

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Speaker 1: You made up dog bowling rumple.

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Speaker 3: Yeah, I just made it up on the fly.

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Speaker 1: Because there are because there are like fish bowls you

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Speaker 1: can get fish balls, and like, I love dog bowling rumbull.

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Speaker 2: Okay, well it wasn't cold when we got the bottle,

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Speaker 2: so I knew, and it's not good warm, so it's

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Speaker 2: like I gotta put it on ice. And then so

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Speaker 2: I was like, well, let's just jump two steps. So

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Speaker 2: there were a couple ladies with us that were just

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Speaker 2: like wine drinkers, and they were like, no thanks, smoking cigarette,

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Speaker 2: being tragically hipped, didn't want in. And then the whole

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Speaker 2: party starts gathering around as these eight chairs of people,

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Speaker 2: including the Sky who's never had drinks before. And then

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Speaker 2: two of my friends who are sort of lightweights, are

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Speaker 2: We're just going, hey, Kurt, dog bowl that rumpele. And

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Speaker 2: then you take a big sip of it and you

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Speaker 2: pass it on almost like in church or something.

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Speaker 1: Oh my god, the pre quarantine days were amazing. You

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Speaker 1: could doug bowls and rumple at a party not worry

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Speaker 1: at all.

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Speaker 2: So we passed this bowl and then all the tragically

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Speaker 2: hip kids get in because we're having more fun. And

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Speaker 2: that's the real takeaway is if you're having the most fun,

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Speaker 2: even the kids that are too.

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Speaker 3: Cool for school, we'll get on board. And at some

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Speaker 3: point this kid is he takes over.

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Speaker 2: He becomes like the master of ceremonies, where he's pointing

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Speaker 2: at people and yelling.

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Speaker 3: You dog bowl that rumble.

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Speaker 1: See.

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Speaker 2: And then as the ball keeps going around, everybody's doing

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Speaker 2: half a shot or you know SHOT's worth or whatever.

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Speaker 2: My girlfriend at the time wasn't a huge drinker. She's

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Speaker 2: annihilated next to me. The girls that were smoking drinking

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Speaker 2: wine are now like wearing each other's clothes and sunglasses

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Speaker 2: like crooked.

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Speaker 3: It was an absolute like freak show.

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Speaker 2: And so we finally finish it, and I noticed that

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Speaker 2: in the circle, one person that was there was our

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Speaker 2: friend Kirby, who doesn't drink at all. To completely Soaperhead

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Speaker 2: witnessed the entire thing of us dog bowling two of

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Speaker 2: the guys. We carried him and put them in bed

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Speaker 2: and made them spoon each other, fully clothed and everything.

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Speaker 2: But they were so drunk on Rumpelman's we were like,

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Speaker 2: let's put these two to bed on their sides, and

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Speaker 2: then they look so cute. We just laid them together.

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Speaker 2: And then I moved to la and as a housewarming gift,

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Speaker 2: I get a box in the mail, like two months

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Speaker 2: after I move here, probably a year after we were

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Speaker 2: all dog bowling. Rumple and Kirby had sent me a

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Speaker 2: custom metal dog bowl that's just dog ball that Rumple

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Speaker 2: on us.

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Speaker 1: Are you kidding me?

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Speaker 3: Yeah? Oh my god.

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Speaker 2: I keep it on my deck and like every once

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Speaker 2: in a while when I throw like big Halloween parties

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Speaker 2: and stuff, I'll fill it up and we'll start dog

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Speaker 2: bowling Rumple. But guys, if you're vaccinating and you're with

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Speaker 2: your friends, dog bowl that Rumple. But be careful, don't drive,

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Speaker 2: don't drive whatever you do so so much.

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Speaker 1: Oh, I can't wait until you have a party again.

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Speaker 1: We've talked about we've talked about the pants party right then.

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Speaker 2: We talked about the pants cutting party we did. Yeah,

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Speaker 2: I think other people are going to start taking that

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Speaker 2: up and maybe as I'll do a pants cutter.

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Speaker 1: Oh, that would be amazing. All right, you ready for one.

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Speaker 3: I love when you tell me banana stories.

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Speaker 1: Here we go. This is emailed to the Bananas Podcast

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Speaker 1: at gmail dot com.

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Speaker 3: I love that. I love that Gmail.

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Speaker 1: Oh it's a great one here. Sentence by Terry Stone.

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Speaker 1: Terry says this, Hey guys, this is one of my

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Speaker 1: favorite personal stories and I thought it'd be perfect for

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Speaker 1: a minisode. In high school, it was part of a

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Speaker 1: clown troop. I'm already, I'm already, yeah, yeah, okay, good start.

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Speaker 1: My clown name was Daisy May and her character was

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Speaker 1: a total country bumpkin. Sounds perfect.

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Speaker 3: Love that.

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Speaker 1: We would perform shows for area elementary schools pre K

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Speaker 1: and even nursing homes. My friend April clown name Goldie.

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Speaker 1: I am excited that we're getting clown names.

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Speaker 3: Yeah. I could just hear clown names.

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Speaker 1: Yeah. And I would also do kids' birthday parties on

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Speaker 1: the side for a bit of extra cash. So we

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Speaker 1: got hired to do a birthday party for a little

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Speaker 1: girl about four or five years old. Party was in

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Speaker 1: the first floor of a church and he entered at

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Speaker 1: ground level through a side door. We drove up to

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Speaker 1: the church, two sixteen year olds already in full clown gear,

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Speaker 1: and make our way inside for the party of ten

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Speaker 1: or so kids with their parents.

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Speaker 3: Okay, what could go wrong?

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Speaker 1: I love a party for a four year old in

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Speaker 1: a church.

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Speaker 3: Oh boy.

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Speaker 1: As soon as we stepped inside, the birthday girl took

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Speaker 1: one look at us and began hysterically crying, the type

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Speaker 1: of understandable crying where she couldn't even cretch her breath.

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Speaker 1: She cried so hard that she threw up onto her

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Speaker 1: father's lap as he held his hands out in a

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Speaker 1: feeble attempt to catch the vomit. Meanwhile, April and I

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Speaker 1: are standing there, trying not to look as freaked out

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Speaker 1: as we are, as I whispered to her, what the

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Speaker 1: fuck do we do now? Nowhere was this covered in

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Speaker 1: our clown training. The birthday girl had to be removed

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Speaker 1: from the party while we performed our skits. As we

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Speaker 1: were winding things down, she had recovered enough to be

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Speaker 1: brought back into the room, but still would not come

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Speaker 1: with you fifteen feet of us. So somewhere out there,

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Speaker 1: as an adult woman with a crippling fear of clowns,

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Speaker 1: and I get to take credit for that. Hot tip

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Speaker 1: for parents, before you hire a clown for your child's birthday,

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Speaker 1: make sure the kid is not deathly afraid of them.

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Speaker 1: Hope you enjoy the story. I love the podcast. Wish

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Speaker 1: you continue success.

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Speaker 3: Ps.

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Speaker 1: I've included a pick of our Little Crown clown troop.

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Speaker 1: I love that and it is they are They're like,

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Speaker 1: they're fifteen years old and they're dressed as clowns. They

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Speaker 1: are adorable. The idea that these adorable children would be

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Speaker 1: making other children vomit is very funny.

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Speaker 2: Yeah, yes, And the only scary thing about clowns the

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Speaker 2: older you get, like a fifteen year old clown. Great

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Speaker 2: college as clowns, Oh exactly. Young clowns were all for

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Speaker 2: young clowns. It's a great Halloween costume. It's very fun,

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Speaker 2: it's festive. The scary thing about clowns are the people

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Speaker 2: over twenty five that are clowns. That's when you start

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Speaker 2: going if you're non cerctsole or a paid performer regularly,

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Speaker 2: what are you so into?

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Speaker 3: But also.

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Speaker 2: Do what you got to do in this world if

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Speaker 2: that's what makes you happy. We're not We're not saying

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Speaker 2: don't do it. We're just saying, that's why it's scared.

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Speaker 1: We're not clown shaming. We're not clown shame.

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Speaker 3: You want to be were never We're down with that.

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Speaker 3: Life is silly be a clown.

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Speaker 1: But realize that some children might be.

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Speaker 3: Scared, and many adults even.

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Speaker 2: But we love Natalie Palomides, We we love Courtney Perozzo, we.

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Speaker 1: Love the modern clowns.

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Speaker 3: We love modern clowns. We love red bastards.

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Speaker 1: Oh yeah, now, but.

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Speaker 2: But younger clowns are better, is what we're saying. We

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Speaker 2: like younger clowns more.

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Speaker 3: So.

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Speaker 1: I remember, what I'm fascinated by this story is that,

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Speaker 1: like it's the it's it's fascinating as a performer, how

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Speaker 1: much work the theater or the performance space does for

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Speaker 1: you as a performer. Because what I'm amazed at is

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Speaker 1: these these fifteen year old girls being able to like

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Speaker 1: still have still perform after like walking into a ten

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Speaker 1: person child birthday party and the birthday girl vomits, and

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Speaker 1: they still got to do their fifteen minutes of sketches

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Speaker 1: or whatever.

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Speaker 3: That's so true.

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Speaker 1: And it's so because I've done a lot of private gigs,

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Speaker 1: you know, as a stand up and especially even during

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Speaker 1: the Great Choir. Like starting doing stand up where you're

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Speaker 1: just staring at a computer was just like it just

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Speaker 1: it like broke your soul. Yeah, it was emotionally draining.

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Speaker 1: It was not fun, and you realize like how much

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Speaker 1: work the theater or the or the club does in

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Speaker 1: like just establishing like this is I'm a performer and

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Speaker 1: you are an audience, and that's our roles for this

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Speaker 1: next hour, and let's like do that right now. But

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Speaker 1: when it's just in a random space, the uncomfortability and

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Speaker 1: the strangeness of the artifice of performance is like put

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Speaker 1: on display, you know. It's just like all of the

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Speaker 1: weird stuff that is not existent when you're in the

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Speaker 1: right environment is like like why are you yelling at us?

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Speaker 1: Like we're just like we're just right here.

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Speaker 3: Is it weird for you?

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Speaker 2: You've done millions of stand up shows and this is

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Speaker 2: something I think about a lot, especially when I see

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Speaker 2: people do it. Is it weird for you when you

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Speaker 2: have to do stand up without a microphone?

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Speaker 1: Yeah? It used to be it really. I still do

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Speaker 1: like a mic. I do enjoy a mic. Yeah, And

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Speaker 1: it might just be honestly, a a clutch, not a clutch.

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Speaker 2: A crutch, Yes, a crutch. Well, oh you're clutching it

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Speaker 2: pretty hard, but I know what you mean. Yeah, yeah,

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Speaker 2: but that's yeah, it might just be right, asked Nikki

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Speaker 2: Glazer one time. I was like, how do you know

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Speaker 2: if a comic's a good comic? Like, how do you

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Speaker 2: know if somebody is going to be good?

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Speaker 3: Huh?

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Speaker 2: She goes, if when they come on stage and take

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Speaker 2: the mic out the stand, if they put the mic

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Speaker 2: stand behind them instead of just standing directly next to it.

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Speaker 2: So for all our little aspiring but animal comics out there,

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Speaker 2: move that mic stand behind you. But yeah, whenever I

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Speaker 2: see comics without MIC's, they're the materials the same, but

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Speaker 2: they're like, you know, sometimes like a backyard show or something.

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Speaker 1: It always feels weird for me. M yeah, look at that.

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Speaker 1: You're hearing my dog bark because I'm never inside. I'm

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Speaker 1: inside for this one. There's Zelda, Zelda, stop stop barking?

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Speaker 1: All right?

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Speaker 3: Here we go, here go.

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Speaker 1: Kristin, Sean and I early early in our career, yes,

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Speaker 1: we had you know, we had a double act, Kristin

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Speaker 1: and Kurt or Kurt and Christen. I can't remember which

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Speaker 1: it was called Kurt and Kristen and Zelda please honey.

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Speaker 3: Zelda, please not now, foof Fee. You're all right, You're okay.

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Speaker 2: It's like literally a serial killer's outside and you're like

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Speaker 2: stop it please.

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Speaker 1: So we get hired to do a corporate gig, and

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Speaker 1: this is our first like corporate private gig set up

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Speaker 1: by like a person who was like a producer in

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Speaker 1: the alt comedy scene. Knew what we did and who

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Speaker 1: we were and didn't give us any like guidelines or like,

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Speaker 1: you know, keep it clean or whatever like that. Yeah,

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Speaker 1: and we're like, okay, cool. We show up and and

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Speaker 1: it was like money. It was like the first like

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Speaker 1: it was good money for like what a feeling thirty

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Speaker 1: minutes show. We arrive and it's in an office building

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Speaker 1: and we're like, oh, is there a theater in this

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Speaker 1: office building? And we're like, take the elevator up and

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Speaker 1: we get up to like the twelfth or thirteenth floor

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Speaker 1: and walk in and then it's just in a conference

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Speaker 1: room and I and and but the conference room on

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Speaker 1: one side has oh it just has like a step up,

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Speaker 1: do you know.

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Speaker 3: What I mean?

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Speaker 1: So technically they're like, well, this is our theater room.

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Speaker 1: And so then it's a long, oblong table in the middle,

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Speaker 1: and then in comes the audience. It is just twelve

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Speaker 1: like like vice presidents of this company.

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Speaker 3: Why why do they do this? Why do people plan

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Speaker 3: this in corporation?

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Speaker 1: It's help, It's hell, it's hell for everyone involved. Yes,

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Speaker 1: it's never gonna be like if you're planning a private

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Speaker 1: comedy gig, you have to create a theater, but you

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Speaker 1: have to have a stage and lights and microphone and

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Speaker 1: seats so that we just signify what's happening here, because

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Speaker 1: otherwise it's just one human being being crazy in front

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Speaker 1: of other human beings.

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Speaker 3: Yes.

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Speaker 1: God, So then we're like all right, here we go,

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Speaker 1: and we launch into our first sketch, you know. And

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Speaker 1: the way we was like presentational where we would like

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Speaker 1: talk to the audience and then like kind of go

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Speaker 1: into a world and then come back out and talk

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Speaker 1: to the audience again. We start doing our first sketch

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Speaker 1: and about midway through, yes, our first catch, our first

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Speaker 1: catch is pretty dirty. It definitely like there's like phone

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Speaker 1: sex involved with historical characters.

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Speaker 3: Yes, I remember this where Kristen's.

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Speaker 1: Character starts to like pretend to eat I guess the

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00:21:13,880 --> 00:21:18,639
Speaker 1: other characters dick anyway, we we were young and classic comedy.

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00:21:18,920 --> 00:21:20,159
Speaker 1: It's a good it was a good bit though. It

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00:21:20,200 --> 00:21:23,000
Speaker 1: was a good fit. It was very funny. But and

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00:21:23,040 --> 00:21:26,320
Speaker 1: then halfway through, five minutes into a thirty minute show,

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00:21:26,960 --> 00:21:29,879
Speaker 1: the woman who is like I think the president, like

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00:21:29,920 --> 00:21:34,000
Speaker 1: the head person who's closest to where we're performing, oh

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00:21:34,040 --> 00:21:39,119
Speaker 1: god at normal volume, just goes, oh no, this is horrible,

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00:21:43,680 --> 00:21:46,320
Speaker 1: like she was. She was just expressing the things she

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00:21:46,400 --> 00:21:47,760
Speaker 1: realized in that moment.

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00:21:48,200 --> 00:21:48,400
Speaker 3: Yep.

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00:21:49,200 --> 00:21:52,440
Speaker 1: And then we just had to then continue to perform

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00:21:52,560 --> 00:21:55,680
Speaker 1: for twenty five more minutes after that moment, and it

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00:21:55,720 --> 00:21:59,280
Speaker 1: was the whole like once the president said this is horrible,

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00:21:59,640 --> 00:22:02,160
Speaker 1: then it's like, no one's gonna laugh.

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00:22:02,040 --> 00:22:02,359
Speaker 3: Do you know what?

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00:22:02,400 --> 00:22:05,440
Speaker 2: I also, were they drinking? Were they like it? Or

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00:22:05,440 --> 00:22:07,919
Speaker 2: were they just standing? Were they seated? It's six pm?

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00:22:08,119 --> 00:22:11,200
Speaker 2: They just came from fucking work. Whoever plans these things?

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00:22:11,240 --> 00:22:12,920
Speaker 2: And it's like performers take it because the month, like

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00:22:12,960 --> 00:22:15,240
Speaker 2: you said, much a paid gig and you have a

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00:22:15,280 --> 00:22:18,320
Speaker 2: story later. But that I'm sweating you when you were

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00:22:18,320 --> 00:22:20,399
Speaker 2: building up to this, I just started cause it's like,

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00:22:20,640 --> 00:22:23,120
Speaker 2: oh my gosh, that tension.

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00:22:23,520 --> 00:22:28,399
Speaker 3: Yeah, oh this is horrible. She was.

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00:22:28,440 --> 00:22:31,439
Speaker 1: So it was so earnest. Do you know what I mean? Like,

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00:22:31,520 --> 00:22:34,560
Speaker 1: she didn't mean to like insult us. She was just

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00:22:35,280 --> 00:22:38,800
Speaker 1: like having a realization that it happened to be out loud.

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00:22:39,160 --> 00:22:40,560
Speaker 3: Yeah, there's club comedy.

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00:22:40,720 --> 00:22:42,840
Speaker 2: And then when you really the crew that we came

471
00:22:42,920 --> 00:22:45,320
Speaker 2: up with in New York was alt comedy, like alternative comedy.

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00:22:45,359 --> 00:22:47,080
Speaker 2: A lot of people would always be like, what is that?

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00:22:47,160 --> 00:22:49,760
Speaker 2: What does that mean? And what you just describe is

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00:22:49,800 --> 00:22:53,480
Speaker 2: the difference. If one night they did at Caroline's in

475
00:22:53,520 --> 00:22:56,120
Speaker 2: Times Square, they did like an alt comedy night, kind

476
00:22:56,119 --> 00:22:58,320
Speaker 2: of like the Old Hot Tub or any of those shows,

477
00:22:58,880 --> 00:23:02,440
Speaker 2: and I watch the entire place empty out. I watched

478
00:23:02,560 --> 00:23:06,240
Speaker 2: everybody would watch act after act of Reggie Watts, Kristen,

479
00:23:06,480 --> 00:23:10,520
Speaker 2: all these people Leo Allen and family by family or

480
00:23:10,560 --> 00:23:13,439
Speaker 2: group by group, table by table did not understand what

481
00:23:13,480 --> 00:23:16,840
Speaker 2: they were looking at and left. And the only person

482
00:23:16,880 --> 00:23:19,640
Speaker 2: that killed that night was Chelsea Peretti because Chelsea could

483
00:23:19,680 --> 00:23:20,919
Speaker 2: play both types of rooms.

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00:23:21,000 --> 00:23:22,040
Speaker 3: So she just did stand up.

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00:23:22,119 --> 00:23:25,639
Speaker 2: Yeah, but it was like that is the definition of

486
00:23:25,720 --> 00:23:30,080
Speaker 2: if the average person does not only not understand.

487
00:23:29,560 --> 00:23:31,720
Speaker 3: What you're doing and why it's funny, but.

488
00:23:31,880 --> 00:23:37,760
Speaker 2: Hates it, but hates it, that's alternative comedy.

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00:23:37,920 --> 00:23:39,639
Speaker 1: Yeah, I love it.

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00:23:39,720 --> 00:23:42,280
Speaker 3: God, that's so funny. Man, Well we.

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Speaker 1: Did it, Scott. It's another Minnesot in the books. Folks. Uh.

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00:23:46,640 --> 00:23:48,679
Speaker 1: If you like the show, go rate and review it

493
00:23:48,720 --> 00:23:51,840
Speaker 1: on Apple Podcasts. It means a lot to us, And

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00:23:52,400 --> 00:23:55,240
Speaker 1: thank you everybody who's sending your stories and we we

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00:23:55,280 --> 00:23:56,320
Speaker 1: really appreciate it.

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00:23:56,880 --> 00:23:57,439
Speaker 3: We love it.

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00:23:57,480 --> 00:24:00,840
Speaker 2: Thank you Katylevin, our producer, think, thank you Lisa Maggot,

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00:24:01,000 --> 00:24:03,960
Speaker 2: our intern and thank you to our benevolent overlords Karen

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00:24:04,000 --> 00:24:07,240
Speaker 2: in Georgia. This has been a Bananas minnesode with Kurt

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00:24:07,280 --> 00:24:16,000
Speaker 2: Brown or on Scottie Landis, but none na huz.

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00:24:22,000 --> 00:24:24,720
Speaker 3: This has been an exactly right production.

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00:24:24,480 --> 00:24:26,840
Speaker 1: Produced and engineered by Katie Levine.

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00:24:26,640 --> 00:24:28,320
Speaker 3: Theme music by Kahan.

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00:24:28,200 --> 00:24:30,520
Speaker 1: And all of our artwork is done by Travis Millard.

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00:24:30,760 --> 00:24:33,480
Speaker 2: You can follow us on Instagram at the Bananas Podcast,

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00:24:33,480 --> 00:24:35,679
Speaker 2: where we post stories every day and things that we

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00:24:35,720 --> 00:24:37,160
Speaker 2: don't cover on the podcast.

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00:24:37,560 --> 00:24:40,800
Speaker 1: Listen, subscribe, and please leave us a review on Apple podcast,

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00:24:40,840 --> 00:24:42,760
Speaker 1: Stitcher or wherever you get your podcast.

510
00:24:43,080 --> 00:24:46,159
Speaker 2: And if you're interested in advertising on Bananas, please email

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00:24:46,240 --> 00:24:49,120
Speaker 2: us at thee Bananas Podcast at gmail dot com. That's

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00:24:49,280 --> 00:25:01,720
Speaker 2: the Bananas Podcast at gmail dot com. But there as heads,

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00:25:01,760 --> 00:25:03,240
Speaker 2: and put there