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Speaker 1: Forever. Look man, oh I see you? Why why Bowen?

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Speaker 1: Look over there? How is that nature? Yeah? Goodness? Less culture?

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Speaker 1: We Oh did you hear that it went out? We

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Speaker 1: have to keep it? Okay, you don't want to know what,

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Speaker 1: So guess what listeners at home? Oh my god. Literally,

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Speaker 1: because we are dealing with the situation in the studio

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Speaker 1: right now where we all out of only one of

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Speaker 1: our ears in our in our ear phones, and right

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Speaker 1: before we hit record hot producer mag yelled at us

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Speaker 1: and said, no sudden movement. She said, try to limit

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Speaker 1: your movements. So Bowen, truly, I mean no, no, no, no,

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Speaker 1: we okay, we're back. We're not We're not here. We

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Speaker 1: are literally being I feel imprisoned. I feel I don't

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Speaker 1: feel good. But it's okay because we're going to as

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Speaker 1: it's called rally um. And I just want to say,

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Speaker 1: I do want to reveal I am the cause of

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Speaker 1: this because the second you counted three to one down

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Speaker 1: to say, I yanked my own cord completely ignoring the

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Speaker 1: ground rules that were set before me, and that has

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Speaker 1: resulted in us being here at this president moment with

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Speaker 1: only one working headphone. You know, it's it's real and

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Speaker 1: presenting the box, and she's going to try to fix it. Um.

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Speaker 1: But in the meantime, this is where we are now,

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Speaker 1: says this is my impression of HPM earlier. No sudden movement,

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Speaker 1: she yelled, And you should know that all the hot

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Speaker 1: producers here are also abusive, because that's what happens when

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Speaker 1: you're hot. You treat people very badly. I have no

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Speaker 1: sense of boundaries. You never learn empathy. So um, while

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Speaker 1: she toils away, I have something else to address. I

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Speaker 1: have an important thing to address. You have bad lift etiquette.

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Speaker 1: I'm sorry. What I will tell I will tell you

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Speaker 1: how you run into the middle of the road. For

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Speaker 1: a while, I wasn't doing absolutely tracking to see where

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Speaker 1: the car was. I was like, I couldn't see our

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Speaker 1: lift driver had like pulled up to the side, and

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Speaker 1: I couldn't see him on the street, and I just

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Speaker 1: wanted I just ducked. I did a little side side

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Speaker 1: step to see if he was on the road in

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Speaker 1: the lane. When do you think I was born yesterday? Stop?

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Speaker 1: I truly was like, okay, great, and then and then

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Speaker 1: I actually have this is so so so patently false,

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Speaker 1: because I then ran to the left, opened the door,

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Speaker 1: said Hi, Bowen, I have a friend coming in, so

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Speaker 1: please don't drive. I'm actually not even done. Okay, so

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Speaker 1: and maybe this is a little bit of it. I

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Speaker 1: don't think so, honey, right off the fucking top. Okay.

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Speaker 1: You run into the road, and you've been doing it

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Speaker 1: even when we were in Los Angeles. You run into

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Speaker 1: the road, and you can tell the Los Angeles drivers

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Speaker 1: are like, hey, you don't need to do that. Here,

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Speaker 1: it's chill, it's l a and you will run into

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Speaker 1: the road and you'll you'll endanger yourself and me. And

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Speaker 1: then now let me get to my second part or

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Speaker 1: the or the b portion of the argument. When you

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Speaker 1: open the door to get in the car, you don't

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Speaker 1: get in one leg at a time. You crawl over

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Speaker 1: the seat. You Bowe and Yang are a seed crawling.

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Speaker 1: I'm in shorts and my might I want my knees

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Speaker 1: to hit the upholstery. The last colt racist listeners have

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Speaker 1: to chime in on this because we have to know

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Speaker 1: what crawl and your knees are all over the sea. Damn.

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Speaker 1: Why is that bad? It is so bad because it's

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Speaker 1: like not how you get in the car. You get

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Speaker 1: at a time and you never put anything, nothing except

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Speaker 1: your butt should be on the seat. Damn no, bird,

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Speaker 1: I can do. There's nothing on hygienic about my knees

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Speaker 1: going on. It's not about on hygienic. It's it's that.

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Speaker 1: I don't know, it's it's not it's not done. It's

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Speaker 1: not done that. Okay. I don't know what they taught

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Speaker 1: you at the fucking Long Island Debutante ball that you

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Speaker 1: we don't have those, yeah, they and they tell you, oh,

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Speaker 1: don't put your don't put your butt on the seats. No,

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Speaker 1: we don't go over that there. We only go over

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Speaker 1: what kind of alcohol to drink in? What water bottles?

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Speaker 1: That's what That's what I learned how to get in

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Speaker 1: the car the old fashioned way watching my mother and father,

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Speaker 1: Thank you who said in a really good example for namorative,

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Speaker 1: including all the older cousins I watched. I would watch

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Speaker 1: my older cousin Jesse get in the car, and I

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Speaker 1: would say, Okay, I've learned, and here you are. I

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Speaker 1: don't know who the funk you've been following into vehicles,

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Speaker 1: but I know you climbed all over the seat frequently.

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Speaker 1: Your shoes do do Oh we're back, and it because

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Speaker 1: of me because I I oh, I was turning the jack. Okay, sorry,

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Speaker 1: all I'm saying is bone yang. You're running into the

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Speaker 1: road afterlift. You are crawling all over the seats. It's

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Speaker 1: questionable behavior. You know, who isn't questionable without a questions,

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Speaker 1: without question A hot person who is not abusive. No,

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Speaker 1: this person has never struck me or threatened to strike me.

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Speaker 1: So if they wanted to, I would allow they wanted to,

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Speaker 1: I would allow. Yeah, this is a person that could

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Speaker 1: hurt me truly physically. I think about her, My soul

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Speaker 1: gets lighter. We can I say, yeah, it's a joyful presence.

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Speaker 1: And you two have such a deep connection. We have

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Speaker 1: achieved connection spiritually spiritually. Well, we met do it at JFL.

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Speaker 1: We were the same year at JFL. And you can

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Speaker 1: tell this is the energy of this person. You have

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Speaker 1: an interaction with this person and then you walk away

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Speaker 1: and you turn around and you go, wait, there was

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Speaker 1: something there, There is something there, And you have to

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Speaker 1: understand the presence of a star. And so when you

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Speaker 1: meet this person and exchange is so damn good, damn good,

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Speaker 1: and then you hear they go onto great success. You say, well,

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Speaker 1: I'm not surprised and then when you watch their performance

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Speaker 1: on a Saturday Night Live and you see them slay,

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Speaker 1: you say, well, that's because there was something about that

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Speaker 1: person thing And I wasn't the only person that thought it.

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Speaker 1: Lauren Michael's also thought. You think, yes, damn you think,

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Speaker 1: damn bird, damn bird. I really love her so much.

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Speaker 1: What's it like to share a space with her? We

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Speaker 1: don't share face, but but you mean, just like the

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Speaker 1: offense the colleagues that were such lovely colleagues. She and

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Speaker 1: I have written some things that haven't seen the light

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Speaker 1: of day for good reason. I guess, well, really don't

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Speaker 1: know that we love our guests so much. A talented,

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Speaker 1: talented comedian, and you should welcome into your an incredible actress,

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Speaker 1: Heidie Gardner. That was you we were talking about. I'm blessing,

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Speaker 1: No you are? You are so nice. Didn't you feel

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Speaker 1: that we had a vibe at JFL. We did have

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Speaker 1: like instant just like you. And then I met your

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Speaker 1: incredibly dear family. O God, my husband was there and

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Speaker 1: our best friend Rob who also immediately were like, we

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Speaker 1: like him. Well, have you met the mother Heidie's mom?

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Speaker 1: Have I met your mom? I don't think why is

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Speaker 1: your mom and icon, and I con if they're every

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Speaker 1: fucking was one icon? Where's her sunglasses at night? My

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Speaker 1: entire life? And she says also walking down the aisle

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Speaker 1: at my wedding, I thought, I'm not going to have

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Speaker 1: to have that discussion. She'll know you don't wear the

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Speaker 1: sunglasses down the aisle. And then as I'm going through

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Speaker 1: wedding photos, I'm like she would didn't know she know

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Speaker 1: because I was in the back. What happens at weddings

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Speaker 1: as they come out last, I'm glaring at you needs

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Speaker 1: to know better. But she I met her at an

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Speaker 1: after and she it was so so such an energizing presence,

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Speaker 1: her brag to Bowen, so she was full sparkle. She

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Speaker 1: had a sparkly dress on, sparkly tight, sparkly boots, and

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Speaker 1: Bowen and everyone else who was so kind to her

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Speaker 1: at the after party, like the immediate thing they said

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Speaker 1: was like, oh my god, you look great, because she

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Speaker 1: really did. She stunning and she let everyone know. Hold

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Speaker 1: outfit five dollars like H and M dollar, dress dollar,

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Speaker 1: general type dollar. Every piece was like a dollar. Yes,

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Speaker 1: holy shit. It wasn't even a Warner, not a Warner.

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Speaker 1: It was where is she living now because where she shopping.

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Speaker 1: She's in Kansas City. I actually just got a text

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Speaker 1: from her that I feel like you guys would love

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Speaker 1: it was. It was an iconic test. She was at

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Speaker 1: America's Best um, which is like a lens crafter is

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Speaker 1: getting new lens her glasses. The first text was she

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Speaker 1: saw a glasses case that had a kitten on it

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Speaker 1: that looked like my cat, cubbybar. So she's like, honey,

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Speaker 1: it's cheap, I'll buy it for you. I was like,

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Speaker 1: I would love it, Thank you, mom. And then she said, also, honey,

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Speaker 1: you know I'm a bragger. Percent of the people working

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Speaker 1: at America's Best know who you are? And who were

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Speaker 1: those super said that she didn't need to go back.

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Speaker 1: She got to them. I just don't think I know who.

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Speaker 1: So she was checking to see that they knew she

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Speaker 1: wasn't informing that, and she ran the damn numbers. She

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Speaker 1: rarely didn't number. She crunched the figures. She crunched the

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Speaker 1: figures to get what is her name? Her first name, Ernie?

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Speaker 1: Come on, Heidie know Heidie's life. How do he has

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Speaker 1: people with people in pets with incredible names. I want

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Speaker 1: to say Tweaky. Tweaky is her cat, and then her

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Speaker 1: husband Zap. My other cat Marshall. Marshall. Marshall is a

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Speaker 1: good cat name. Now is tweaky name tweaky because it's

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Speaker 1: a tweaky cat. Okay, a tweaker. It's kind of like

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Speaker 1: how a white cat would be named vanilla. Yeah, but

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Speaker 1: yours is better because it's a personality thing. Yeah, who

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Speaker 1: wants to be named based on the color of their fur?

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Speaker 1: I want a tweaky cat, but tweakies probably speaking hard

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Speaker 1: to deal with sometimes because I remember, remember when you

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Speaker 1: moved her to New York, she did act like a baby.

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Speaker 1: Like we were up at night with her. She was

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Speaker 1: just so confused new place and up eleven floors rather

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Speaker 1: than and so she cried all night like I don't

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Speaker 1: have kids. This is going to sound very lame, but

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Speaker 1: I felt like, oh, this is how it feels, because

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Speaker 1: I would get up and I would take her into

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Speaker 1: the living room and sit with her, which is exactly

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Speaker 1: like mother. Well, I have an announcement. I don't know

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Speaker 1: the cat. The cat culture is difficult, I think because

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Speaker 1: they don't listen like dogs, you know what I mean? Dogs,

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Speaker 1: I feel are like the guy I'm dating now has

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Speaker 1: a dog and it's like, um, really, she's the only

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Speaker 1: one and a half and so she's sort of all

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Speaker 1: over the place, but you will tell her what to

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Speaker 1: do and she'll eventually get it. Whereas a cat, I

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Speaker 1: think is just kind of like I don't know what

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Speaker 1: it is about their personality where they're a little bit bitchy,

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Speaker 1: but like they just kind of do what they do.

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Speaker 1: And the cat, the cat's personality, it's kind of like

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Speaker 1: you buy the cat, it's cute, you get the personality

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Speaker 1: that you get, you know what I mean. Speaking of pets,

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Speaker 1: Speaking of pets, any pets on the horizon for you

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Speaker 1: in your new place. Oh, I don't think so. I

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Speaker 1: think like, um, well, it's interesting because are are all

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Speaker 1: our friends, all of our friends. Well, Stephen just got

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Speaker 1: a cat. Oh, such a cute cat. I'm not a

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Speaker 1: cat person, but that tweaky and this new cat that

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Speaker 1: will got cute, cute, cute. But I feel like it's

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Speaker 1: so hard to it's so hard to have a pet. Yeah,

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Speaker 1: when your schedule is demanding, when you're working that When

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Speaker 1: I hear that anyone that can resist getting a pet,

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Speaker 1: I'm like, wow, you have good boundaries and self control.

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Speaker 1: I'm thinking the grass is always greener because I'm like

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Speaker 1: anyone who can have a pet, like you have such

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Speaker 1: good responsibility and you have got to be such a

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Speaker 1: good sense of like whatever task management and like I

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Speaker 1: could never I'm so like I'm such a hedonistic like

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Speaker 1: blob when I'm not work that I'm just like I

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Speaker 1: wanted to sit here and not have to think about

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Speaker 1: anything else. Yeah, I want to have a dog eventually. Yeah,

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Speaker 1: but you do love to ask the question who is

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Speaker 1: it for? Is it for the animal or is it

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Speaker 1: for you? And tweaky sounds Tweakie lives a great life

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Speaker 1: and Marshall, they really do a full life, really a

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Speaker 1: full life with adventures and lots of food and everything

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Speaker 1: like that. Yeah, do you have anything in the Do

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Speaker 1: you have lots of toys for the animals? Yes, we have,

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Speaker 1: Like there's this classic actually I just told Will about

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Speaker 1: this because he has his new kitten. The classic like

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Speaker 1: best cat toy is called dub bird Bird. So when

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Speaker 1: you look for it, um and it's just one of

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Speaker 1: those ones where you it's like a handle and then

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Speaker 1: I'm the bird hangs down from it. But like that,

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Speaker 1: like that sort of wire with the thing on the end,

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Speaker 1: and you go like that like you like a fishing

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Speaker 1: pole with with with the bird that's just like a

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Speaker 1: big bird. It's just feathers. It doesn't really look like

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Speaker 1: a bird, but you know, they think it does. They

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Speaker 1: love that. And then but also sometimes like the other day,

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Speaker 1: I took just a ribbon that I had line around

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Speaker 1: and I m took one of their just mice on

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Speaker 1: the floor, fake stuffed ones, and I tied the nousi's

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Speaker 1: tail to the ribbon and made my own toy. And

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Speaker 1: they're super into it. Yes, I think maker, toy maker,

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Speaker 1: there will be no more toymakers for the King from

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Speaker 1: It's from Did you watch Christmas specials when you were

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Speaker 1: a kid? Like I believe it's from God. It's from

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Speaker 1: one of those claimation things. Okay. Sometimes I'll like say,

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Speaker 1: like even Rudolph, Yeah, you guys watch Rudolf when you're

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Speaker 1: I think it's because I'm dating a Jewish man. I

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Speaker 1: was like, you know this reference Rudolf and he's like, no, oh,

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Speaker 1: and you think that's because he's Jewish that he doesn't know. Yeah,

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Speaker 1: that's a Christmas special okay. And he was one of

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Speaker 1: those I don't know. See, the thing is like, I'm

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Speaker 1: from a culture where it's like I'm from I'm from

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Speaker 1: a culture of Long Island where it's like pretty much

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Speaker 1: everyone is like even like Jewish people that I knew

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Speaker 1: were like, yes, we do Christmas because it's Long Island culture.

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Speaker 1: But then I talk to people and they're like, no,

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Speaker 1: I don't know any Christmas things. It's not part of

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Speaker 1: my guy's Flora Florida, which is Florida jew And yeah,

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Speaker 1: I think I don't know exactly, like because I have

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Speaker 1: then I think about it. I have no foreign of

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Speaker 1: reference for any like Nica stuff, you know what I mean?

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Speaker 1: Do you have a Christmas? Are you a Christmas girl? Yes?

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Speaker 1: Christmas girl? And also when I hear that, like in

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Speaker 1: Jewish culture not doing Christmas obviously because it's not part

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Speaker 1: of it, but I also see that as really good

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Speaker 1: boundaries and self controls, because it's like if you because

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Speaker 1: it feels like if you could, even though it's not

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Speaker 1: like why not there were a I remember I did

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Speaker 1: have some Jewish friends growing up who were like, we

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Speaker 1: also do Christmas, and it's like yeah, interesting, and I

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Speaker 1: thought that I honestly grew up thinking like, well, even

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Speaker 1: if it's not your thing. Everyone does Christmas, Christmas like

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Speaker 1: you right, such Christmas is such a like a ror

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Speaker 1: shock test for people because at least in terms of

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Speaker 1: like upbringing, because I know I know someone who like

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Speaker 1: was in such a religious family, such a religious Christian family,

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Speaker 1: that they didn't celebrate Christmas. Does that make sense? Because

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Speaker 1: the image because because Christmas takes away from the religion

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Speaker 1: of it all exactly, it's it's it's it loops back

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Speaker 1: around and be it being so secular that like they

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Speaker 1: can't touch it, yes, or you have like the Christians

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Speaker 1: who love like or you have like the people who

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Speaker 1: are so like into Christmas for all the holy reasons

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Speaker 1: and the people who like are into Christmas for the

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Speaker 1: secular reason. It's like it's like it's there are so

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Speaker 1: many different ways to come in on it. And they

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Speaker 1: see Mariah carry stomp in and they say, I don't

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Speaker 1: think so honey. For me. You know what, I think?

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Speaker 1: Christmas changes year to year for me, either, like two

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Speaker 1: years ago, I remember I was total Scrooge, hated it.

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Speaker 1: Last year, I loved it. Three years ago I didn't care,

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Speaker 1: Like it's Christmas is weird. I like it every year

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Speaker 1: from no, not from a relige fam And so Christmas

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Speaker 1: is about president, Yeah, it's about presence and Maria and Maria.

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Speaker 1: I mean I was so I was like that little

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Speaker 1: kid that would um get up in the middle of

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Speaker 1: the night and unwrap the ones that my like my

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Speaker 1: mammal vampos and then tape it back up. So they

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Speaker 1: knew that me and my older brother were doing that,

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Speaker 1: So then they would do early Christmas presents like we

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Speaker 1: were disgusting. So you were so badly behaved that they

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Speaker 1: were like, we can't even enjoy this press early early

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Speaker 1: Christmas presents on top of regular Christmas presents. Wow, I

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Speaker 1: guess that's presents. Were you a Santa hunter? A Santa hunter? Like, like,

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Speaker 1: were you up being like tonight tonight? Oh? Yeah, yeah

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Speaker 1: for sure. I remember one time I was gonna get Santa,

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Speaker 1: Like I fully stayed up all night and I was

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Speaker 1: like tonight stuff to night. And I remember my grandmother

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Speaker 1: was over and I heard her say something. And spoiler

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Speaker 1: alert for anyone who's listening to this podcast who thinks

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Speaker 1: that in a world where Santa is just a spoiler alert,

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Speaker 1: we're going to spoil the fact that Santa's not real

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Speaker 1: thank you. So I went down and was like peering

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Speaker 1: around my balcony and my grandmother said to my dad,

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Speaker 1: what a busy Santa you've been, And I was like, gotchat.

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Speaker 1: She so they knew you were gonna get up. It

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Speaker 1: was four in the morning and she said it to

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Speaker 1: my father because he was bringing in the gifts, and

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Speaker 1: she said, oh, what a busy Santa you've been. And

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Speaker 1: I literally remember being like, I got what I came for.

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Speaker 1: I went back to bed. It sounds like your grandma

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Speaker 1: was flirting with your dad. Yea she was. She was like, Santa,

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Speaker 1: I saw Grandma kissing Dad out of the equation. Now

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Speaker 1: this is embarrassing. But I wish, full on if I

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Speaker 1: had three wishes that Santa was real, and I thought,

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Speaker 1: I think about this a lot, so he could. That

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Speaker 1: would be what is going on the whole year? Is

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Speaker 1: it genuinely like if Santa is really like, is he

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Speaker 1: like literally like doing research on every kid in America,

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Speaker 1: being like, Okay, this person is not getting gives, this

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Speaker 1: person is in in the middle of my list, like what's

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Speaker 1: his life? Or it's one of those things where he

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Speaker 1: just has to decompress three sixty or four days out

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Speaker 1: of the year, which is just like it's so much

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Speaker 1: work in one night. He would be busy if he

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Speaker 1: was giving, and I don't think he would be. I

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Speaker 1: think every kid gets present. I don't think he would

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Speaker 1: be doing because even if you're bad, you deserve a

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Speaker 1: present anything. But I think making seeing what every single

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Speaker 1: kid in the whole entire world is doing, what you

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Speaker 1: would need you need. There's a lot of work that

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Speaker 1: you would need the whole year, and also probably you

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Speaker 1: would have a lot of people working for you too,

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Speaker 1: Like the Elves, I think it would be less making

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Speaker 1: toys and memorabilia and more just like assisting, like kind

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Speaker 1: of like being like like a like an assistant role

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Speaker 1: or like you know, like a managerial clerical clerical. Really

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Speaker 1: what they do is a lot of like spreadsheets. Yeah, yes, yes, yes, Honestly,

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Speaker 1: you need some people that are like some meteorologist types

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Speaker 1: to make sure that we're mapping out a travel plant.

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Speaker 1: There's so much that goes into it. I will say

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Speaker 1: just I mean, Heidi that that's such a nice idea

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Speaker 1: if Santa were real. But I feel like if you

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Speaker 1: were to bring stand into this world, you would be

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Speaker 1: creating a life. You'd be creating a man who is

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Speaker 1: who suffers so much, and would you feel comfortable bringing

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Speaker 1: into the world a man who's only purpose is to

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Speaker 1: make other people happy? Like I don't. I don't. I

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Speaker 1: wouldn't live I couldn't live with that. But if that

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Speaker 1: made him happy, I mean honestly, yeah, But this will

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Speaker 1: sound cheesy, but I mean like when you make a

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Speaker 1: kid's smile or when you give a kid a get

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Speaker 1: For real, though I love to watch Bowen, doesn't. He's

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Speaker 1: a kind of pitch who doesn't like when a kid smiles.

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Speaker 1: He won't even get a pet. He won't even get

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Speaker 1: a pet. You have to understand he's operating in a

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Speaker 1: different wave line. My thing is like, I'm wondering what

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Speaker 1: I would be comfortable with Santa making per year. Probably

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Speaker 1: it's a seven figure situation. I mean, I'm gonna think

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Speaker 1: maybe even like eight figures, like he might be making

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Speaker 1: ten millions. Santa has to be like a trillionaire in

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Speaker 1: order for us to like, for him to be so

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Speaker 1: untouchable and like like he like, there's no way that

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Speaker 1: he will ever like Amazon, Jeff Bezos, Disney, Bob Iger

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Speaker 1: and the North Pole, Santa, Okay and the North Pole

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Speaker 1: is like the corporation. I think, honestly, if we're going

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Speaker 1: to name the LLCI, probably be something called North Pole

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Speaker 1: LLC ho ho ho llse. And what's Mrs Claus doing?

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Speaker 1: Is she just like posted up or is she involved?

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Speaker 1: She's the first Lady? Yeah, she's running things too, I think, yeah, yeah, yeah,

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Speaker 1: I mean it's a lot of work. Like the first Lady,

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Speaker 1: she probably need like a platform like the best Let's move,

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Speaker 1: Let's move, yeah, I think. Um. I think this is

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Speaker 1: probably like really in depth discussion about Santa more the

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Speaker 1: more so than move than I've ever had in my

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Speaker 1: whole life. And to bravely have this conversation without it

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Speaker 1: even being the Christmas season, it's really brave and it's important.

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Speaker 1: Is that your favorite holiday? Christ I really like Thanksgiving

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Speaker 1: to why you do enjoy the food? The food in

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Speaker 1: the weather. Okay, the weather is pretty good, but I

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Speaker 1: just can't be doing turkey. I mean not even the turkey.

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Speaker 1: It's about you insides and just massive amounts. Yeah, see

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Speaker 1: number one. I don't know. I think Christmas is my

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Speaker 1: number one holiday because I don't like Halloween. M because

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Speaker 1: I feel like we dress up enough. Oh yeah, don't

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Speaker 1: you feel like Halloween doesn't excite you because you always

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Speaker 1: get to wear a different wig. That's true, and it's

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Speaker 1: never it's just never that it's like the New Year's

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Speaker 1: for me, it's like you've I have done so many

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Speaker 1: costumes that I thought would be a hit, yeah, and

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Speaker 1: just nothing nothing, and then then like you show up

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Speaker 1: and like you're uncomfortable. That's the thing about Halloween too,

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Speaker 1: is it's like it's never a comfortable customers. Sometimes I'll

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Speaker 1: just like dress up as as something shitty because I

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Speaker 1: wanted to wear good clothes, you know what I mean,

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Speaker 1: Like I wanted to be comfortable. I want to know

404
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Speaker 1: one like, but then you have to look hot. When

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Speaker 1: you were single, did you feel the pressure to look

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Speaker 1: hot on Halloween or after you were single or after?

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Speaker 1: I know, I think I was never like vulnerable enough

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Speaker 1: to really like be like this is what I want,

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Speaker 1: Like I'll just I was just like it would be funny,

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Speaker 1: I know, even but you also do that thing where

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Speaker 1: you're like funny, like like my friend and I were

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Speaker 1: like sig Free and Roy and the Tiger, you know

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Speaker 1: and the Tiger. But I was like, so I'll be funny,

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Speaker 1: but I'll like do really keep cat make up, like

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Speaker 1: the blood will be cute. You know. It was just like, yeah,

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Speaker 1: just go for it if that's what you want. I

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Speaker 1: love that Halloween. Halloween is to me, honestly. New Year's

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Speaker 1: Eve is a dress up holiday too, in terms of costume,

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Speaker 1: I think, because you can just go out wearing like

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Speaker 1: a little crown or wearing like some funky glasses and

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Speaker 1: everyone's just like, oh, it's it's it's New Year's Eve.

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Speaker 1: Let them, but you are in dragon a costume. And

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Speaker 1: also New Year's Eve there comes a point which is

424
00:23:44,840 --> 00:23:47,760
Speaker 1: the most exciting and then everyone knows to leave, whereas

425
00:23:47,800 --> 00:23:50,800
Speaker 1: Halloween is just sort of like dirt ended and it

426
00:23:50,800 --> 00:23:52,760
Speaker 1: depends depending on what day of the week it falls on,

427
00:23:52,880 --> 00:23:54,760
Speaker 1: like you don't know what knights to go on. That's

428
00:23:54,760 --> 00:23:57,240
Speaker 1: the whole thing, too, Sure, that's the whole thing. That's

429
00:23:57,280 --> 00:23:58,760
Speaker 1: the whole thing too. You know. I heard they do

430
00:23:58,800 --> 00:24:01,760
Speaker 1: Halloween very well in l oh Like I heard like

431
00:24:01,760 --> 00:24:05,680
Speaker 1: like Cinta Monica Bulevard is pretty fun. Yeah. So that's

432
00:24:05,720 --> 00:24:08,600
Speaker 1: though where I had So I had a year for

433
00:24:08,640 --> 00:24:10,840
Speaker 1: that parade which is just huge where I was like

434
00:24:10,920 --> 00:24:13,560
Speaker 1: I am going to kill it. Was like Lady Gaga

435
00:24:13,760 --> 00:24:16,520
Speaker 1: was like two years into being famous, so like big

436
00:24:17,160 --> 00:24:19,960
Speaker 1: and again rather than just being Lady Gaga because I

437
00:24:20,040 --> 00:24:22,199
Speaker 1: was like that's like too cool and pretty. I was like,

438
00:24:22,200 --> 00:24:25,399
Speaker 1: I'm going to do something funny. So I was Lady

439
00:24:25,880 --> 00:24:31,560
Speaker 1: gal Ger, the comedian that would like hit. So it

440
00:24:31,640 --> 00:24:34,400
Speaker 1: was like a myth Matt. It was like both things.

441
00:24:34,480 --> 00:24:37,159
Speaker 1: I had the mallet and like the mustache, but I

442
00:24:37,200 --> 00:24:39,960
Speaker 1: had the hair and I was like, Oh, this parade

443
00:24:40,040 --> 00:24:44,520
Speaker 1: is going to love me. What is this? I dared

444
00:24:45,359 --> 00:24:49,880
Speaker 1: my husband zeb and our friend to as a joke

445
00:24:49,920 --> 00:24:51,440
Speaker 1: because I was like, you guys are going to fall

446
00:24:51,480 --> 00:24:53,520
Speaker 1: on your faces at this parade. Will you please be

447
00:24:53,560 --> 00:24:58,400
Speaker 1: the Matrix Twins? Remember, because it was like nine years

448
00:24:58,480 --> 00:25:00,520
Speaker 1: later and I'm like, you're gonna get aft off the

449
00:25:00,560 --> 00:25:06,040
Speaker 1: blocks and a Monica. They were the hits, Like I'm

450
00:25:06,080 --> 00:25:09,760
Speaker 1: not men women throwing themselves at the Twins, the twins.

451
00:25:10,000 --> 00:25:11,919
Speaker 1: It was your idea, it was my idea, but I

452
00:25:11,960 --> 00:25:13,880
Speaker 1: wanted I thought they were going to get made fun of.

453
00:25:14,400 --> 00:25:16,120
Speaker 1: They were the hit. I mean they were going into

454
00:25:16,200 --> 00:25:19,840
Speaker 1: secret room like off barber shops like that. They were

455
00:25:19,880 --> 00:25:22,439
Speaker 1: like they were for sure sex rooms and stuff and

456
00:25:22,480 --> 00:25:26,720
Speaker 1: like no one, no one commented on my costume. No

457
00:25:26,760 --> 00:25:29,280
Speaker 1: one got it, no one. Yeah. And then that my

458
00:25:29,359 --> 00:25:32,800
Speaker 1: other friend Austin Head, I had helped him put together

459
00:25:32,880 --> 00:25:37,000
Speaker 1: his costume, which was John trabol different Battlefield Earth, which

460
00:25:37,080 --> 00:25:40,720
Speaker 1: looked incredible too, and one person commented on it. It

461
00:25:40,800 --> 00:25:46,280
Speaker 1: was all the twins. It was Zeven who Zeven our

462
00:25:46,359 --> 00:25:51,360
Speaker 1: friend Brad Yeah give about Halloween or maybe likes it now.

463
00:25:51,600 --> 00:25:54,719
Speaker 1: The year before this is so bad. I made zebby

464
00:25:54,880 --> 00:25:59,600
Speaker 1: Dr Evil also to be made fun of. And and

465
00:25:59,720 --> 00:26:04,600
Speaker 1: that one he um did his own makeup and did

466
00:26:04,640 --> 00:26:07,399
Speaker 1: his own balled cap and it was he did not

467
00:26:07,960 --> 00:26:10,800
Speaker 1: come close to Dr Evil. He just looked so sick

468
00:26:11,359 --> 00:26:16,520
Speaker 1: like and he almost didn't go out. Wow. Honestly, as

469
00:26:16,640 --> 00:26:23,679
Speaker 1: Dr Evil is funny, it's like it's timeless time you

470
00:26:23,800 --> 00:26:27,000
Speaker 1: have had some really hit or miss Halloween's Matthew had

471
00:26:27,080 --> 00:26:31,359
Speaker 1: judged me the last year, absolutely dug. Last year you

472
00:26:31,440 --> 00:26:35,399
Speaker 1: did Gay Jackson Maine. Yeah, it was so stupid. It

473
00:26:35,440 --> 00:26:37,040
Speaker 1: was like I had no It literally was just like

474
00:26:37,080 --> 00:26:39,199
Speaker 1: I wore this wig that looked like Bradley Cooper that

475
00:26:39,240 --> 00:26:42,480
Speaker 1: I had I did not look That was the only

476
00:26:42,520 --> 00:26:47,040
Speaker 1: part of the costume it was good. And then you

477
00:26:47,080 --> 00:26:51,640
Speaker 1: were like black a black lace top. You were eyelinder

478
00:26:51,760 --> 00:26:58,120
Speaker 1: and a cowboy at that was Jacks and Maine looked

479
00:26:58,240 --> 00:27:01,600
Speaker 1: really really good from the from the head up. I

480
00:27:01,680 --> 00:27:04,040
Speaker 1: thought the thing with me, like, it's like if everyone

481
00:27:04,119 --> 00:27:06,200
Speaker 1: I'm going to do the gay anything to do my

482
00:27:06,520 --> 00:27:10,320
Speaker 1: makeup ever, but what I do with eyeliner is so stupid,

483
00:27:10,400 --> 00:27:13,480
Speaker 1: Like I just I like a raccoon every single time

484
00:27:13,480 --> 00:27:16,639
Speaker 1: because I don't understand that you just do the top

485
00:27:17,160 --> 00:27:20,640
Speaker 1: like I always give myself like a and I'm just like,

486
00:27:20,840 --> 00:27:23,600
Speaker 1: because I really want to achieve my makeup goals, which

487
00:27:23,680 --> 00:27:27,920
Speaker 1: is the smoky eye. I just want to be able

488
00:27:27,920 --> 00:27:29,560
Speaker 1: to apply my own smoky eye. And I wanted to

489
00:27:29,600 --> 00:27:32,800
Speaker 1: be like really start like Kelly Clarkson in the Breakaway era.

490
00:27:34,600 --> 00:27:37,120
Speaker 1: You know what I'm saying. The number one smoky eye

491
00:27:37,119 --> 00:27:39,200
Speaker 1: of all time was Reese Witherspoon at the two thousand

492
00:27:39,240 --> 00:27:42,280
Speaker 1: seven Oscars when she wore that like dusty purple dress

493
00:27:42,640 --> 00:27:45,560
Speaker 1: and she had like this perfect smoky eye to match.

494
00:27:45,680 --> 00:27:48,719
Speaker 1: I love a smoky eye anyway. I love it too,

495
00:27:48,800 --> 00:27:51,320
Speaker 1: but it doesn't work on everyone. I know. That's what

496
00:27:51,440 --> 00:27:53,840
Speaker 1: I think that it should, and that might be what's

497
00:27:53,840 --> 00:27:55,600
Speaker 1: going on. I think, you know what it is. My

498
00:27:55,640 --> 00:28:00,719
Speaker 1: eyebrowser too. No no, no, but that doesn't thank you,

499
00:28:00,760 --> 00:28:02,840
Speaker 1: but that they are so thick. So it's like the

500
00:28:02,880 --> 00:28:05,160
Speaker 1: smoky eye is like not gonna well for you. It's

501
00:28:05,200 --> 00:28:09,040
Speaker 1: different because your your eyebrowser arch, your brow bone is arched.

502
00:28:09,640 --> 00:28:12,359
Speaker 1: Is such a deep cliff over your eyelids maybe like

503
00:28:12,359 --> 00:28:14,880
Speaker 1: it's so it juts out so far in a good way.

504
00:28:14,960 --> 00:28:17,680
Speaker 1: You're saying, I have a deep cliff. I'm saying like

505
00:28:17,880 --> 00:28:20,280
Speaker 1: you have, you have a deep cliff into your eyelid,

506
00:28:21,119 --> 00:28:22,560
Speaker 1: So that might be part of it. Like the light

507
00:28:22,560 --> 00:28:24,880
Speaker 1: there's a shadow that's being casted down onto the eyes

508
00:28:24,960 --> 00:28:29,159
Speaker 1: that it blocks obscures the smoky and you think that

509
00:28:29,200 --> 00:28:31,199
Speaker 1: you could pull off a better smoky I definitely can.

510
00:28:31,400 --> 00:28:32,680
Speaker 1: You know. You know what I can't pull off is

511
00:28:32,720 --> 00:28:36,119
Speaker 1: a cat I because I love a cat any eyeliner.

512
00:28:36,160 --> 00:28:38,360
Speaker 1: I go like get sucked up into my eye liked

513
00:28:38,360 --> 00:28:42,160
Speaker 1: because of my almond and it's just like, what's my

514
00:28:42,200 --> 00:28:44,280
Speaker 1: albond diet. It's like the Asian instead, it's like a

515
00:28:44,520 --> 00:28:46,520
Speaker 1: it's like a nice PC way of saying, like small

516
00:28:46,520 --> 00:28:51,360
Speaker 1: eyes for Asian people, almond die. I was gonna say, um,

517
00:28:51,400 --> 00:28:54,080
Speaker 1: I do want to talk about makeup hold on, but

518
00:28:55,360 --> 00:28:57,160
Speaker 1: I have to document. I think Matt, what you do

519
00:28:57,240 --> 00:29:01,320
Speaker 1: is your Halloween costumes have been they character day off,

520
00:29:01,360 --> 00:29:04,520
Speaker 1: but characters that you made up that day where you'll

521
00:29:04,520 --> 00:29:07,080
Speaker 1: be like I'm like I was one time five years ago,

522
00:29:07,280 --> 00:29:08,440
Speaker 1: I was like who are you? And you were like,

523
00:29:08,840 --> 00:29:12,200
Speaker 1: I'm the sexy secretariat where her name is Gina or yeah,

524
00:29:12,240 --> 00:29:13,920
Speaker 1: one time I just like dressed up as a woman,

525
00:29:13,920 --> 00:29:16,120
Speaker 1: put on a busted wig and like got drunk and

526
00:29:16,160 --> 00:29:18,680
Speaker 1: I was like, I'm I'm the fuck up secretary at

527
00:29:18,680 --> 00:29:23,600
Speaker 1: the party, Gina. And then everyone was like what's and

528
00:29:23,720 --> 00:29:26,480
Speaker 1: that she had like a full character game, um, which

529
00:29:26,600 --> 00:29:29,600
Speaker 1: was that um, she was daring people to throw drinks

530
00:29:29,640 --> 00:29:33,280
Speaker 1: on her. And then and then my friend Luke did

531
00:29:33,320 --> 00:29:35,840
Speaker 1: throw a wax candle on me, and I actually, to

532
00:29:35,880 --> 00:29:37,240
Speaker 1: be honest with you, do you want to know whose

533
00:29:37,280 --> 00:29:40,000
Speaker 1: dress I was wearing that it was ruined sy Greens?

534
00:29:40,040 --> 00:29:43,880
Speaker 1: Really it was Suddy Green's quote unquote good black dress

535
00:29:43,960 --> 00:29:48,880
Speaker 1: that I used for costumes. And our friend what she did,

536
00:29:49,000 --> 00:29:50,960
Speaker 1: she wore it. I remember she wore she played Joan

537
00:29:51,080 --> 00:29:53,080
Speaker 1: from Mad Menino sketch one time that we were doing

538
00:29:53,120 --> 00:29:55,320
Speaker 1: and she she used to wear that dress and I

539
00:29:55,360 --> 00:29:57,040
Speaker 1: was like, can I wear this tonight? And she's like, yeah,

540
00:29:57,080 --> 00:29:59,040
Speaker 1: I just don't ruin it. And then my friend Luke

541
00:29:59,160 --> 00:30:02,680
Speaker 1: through wax on it and the text that she sent

542
00:30:02,840 --> 00:30:05,840
Speaker 1: him afterwards was historic. What did she say? She was like,

543
00:30:05,880 --> 00:30:08,800
Speaker 1: I don't understand why you would do this, and I

544
00:30:08,880 --> 00:30:11,720
Speaker 1: was like okay, and then I was like, she was like,

545
00:30:11,800 --> 00:30:13,400
Speaker 1: you'll pay for the dress, And this is what I'm

546
00:30:13,400 --> 00:30:16,000
Speaker 1: in to reveal right now. The dress was like fifteen

547
00:30:16,000 --> 00:30:20,760
Speaker 1: dollars and I think he paid like seventy bucks. So

548
00:30:20,840 --> 00:30:23,240
Speaker 1: she scammed his ass. She scammed his ask down to

549
00:30:23,280 --> 00:30:26,479
Speaker 1: his ask like dry cleaning bill, or she asked for

550
00:30:26,560 --> 00:30:28,440
Speaker 1: many to I mean, I can tell you that the

551
00:30:28,520 --> 00:30:30,640
Speaker 1: dress is still ruined and was never replaced. It's like

552
00:30:30,680 --> 00:30:32,480
Speaker 1: probably at the bottom of a prop bag that I

553
00:30:32,520 --> 00:30:35,880
Speaker 1: still have. But honestly that that costume was a fail,

554
00:30:35,920 --> 00:30:38,520
Speaker 1: if only for its tragic ending. But I have had

555
00:30:38,520 --> 00:30:41,000
Speaker 1: some good ones. I was also your husband who's having

556
00:30:41,040 --> 00:30:43,480
Speaker 1: an affair at work, and I just like wore a

557
00:30:43,520 --> 00:30:45,560
Speaker 1: white button down and loosened it and had like lipstick

558
00:30:45,640 --> 00:30:48,480
Speaker 1: on my collar. Easy easy. I gave it to you

559
00:30:48,560 --> 00:30:52,160
Speaker 1: public domain easy. And then I was Jason Stackhouse one

560
00:30:52,160 --> 00:30:54,520
Speaker 1: time in blood era did you watch True Blood? No?

561
00:30:54,720 --> 00:30:56,520
Speaker 1: But I think I can see you in my head.

562
00:30:56,760 --> 00:31:00,920
Speaker 1: Yeah yeah, maybe you can. I was like, white trash,

563
00:31:01,040 --> 00:31:04,400
Speaker 1: you can, you can see. But what do you want

564
00:31:04,400 --> 00:31:08,120
Speaker 1: to say about makeup? I'm starting to wear a little

565
00:31:08,120 --> 00:31:10,880
Speaker 1: bit of it. I'm not wearing today, but I can't

566
00:31:10,960 --> 00:31:13,160
Speaker 1: put highlighter on. Sometimes I'll put it. I'll put a

567
00:31:13,200 --> 00:31:16,840
Speaker 1: little highlight on, put a damn put some damn concealer on,

568
00:31:18,000 --> 00:31:21,720
Speaker 1: maybe even put some setting powder, just to like let

569
00:31:21,720 --> 00:31:24,680
Speaker 1: it all, let it all, let it all, likee makeup queen.

570
00:31:25,320 --> 00:31:29,960
Speaker 1: And I'm just I'm thinking, like how does that get

571
00:31:30,000 --> 00:31:32,120
Speaker 1: passed down to you? Like, like how do you like,

572
00:31:32,160 --> 00:31:34,200
Speaker 1: how do you learn it? Except from the video? I

573
00:31:34,200 --> 00:31:37,080
Speaker 1: guess like how did people just learn it before? How

574
00:31:37,120 --> 00:31:41,200
Speaker 1: did you learn makeup? I think it was a little

575
00:31:41,200 --> 00:31:46,760
Speaker 1: bit watching my mom, a little bit playing around. I

576
00:31:46,840 --> 00:31:49,560
Speaker 1: don't know, you just start see that's you know, It's

577
00:31:49,560 --> 00:31:51,360
Speaker 1: like when you when people are able to pick up

578
00:31:51,360 --> 00:31:53,760
Speaker 1: a guitar and just play, you know, those infuriating people

579
00:31:53,800 --> 00:32:00,160
Speaker 1: are those people music I'm saying, but with makeup, like

580
00:32:00,200 --> 00:32:02,200
Speaker 1: some people can just be like m I'm gonna just

581
00:32:02,240 --> 00:32:04,880
Speaker 1: play around and they do something incredible to their face

582
00:32:05,120 --> 00:32:07,720
Speaker 1: while like a raccoon. Every time I do it, I

583
00:32:07,720 --> 00:32:10,040
Speaker 1: will say the cutest thing I've ever seen is a

584
00:32:10,080 --> 00:32:13,960
Speaker 1: few years ago. I was home my brother and sister

585
00:32:14,000 --> 00:32:17,640
Speaker 1: in law is UM, just over the holidays, and they

586
00:32:17,680 --> 00:32:20,240
Speaker 1: have daughters who had friends over. So there were probably

587
00:32:20,240 --> 00:32:22,680
Speaker 1: like six girls there that were like under the age

588
00:32:22,680 --> 00:32:26,320
Speaker 1: of seven, and I like went into the other room

589
00:32:26,360 --> 00:32:28,760
Speaker 1: to get ready for dinner and I sat in front

590
00:32:28,760 --> 00:32:30,800
Speaker 1: of like I think I asked to use one of

591
00:32:30,960 --> 00:32:32,800
Speaker 1: my niece's mirrors, So I sat in front of her

592
00:32:32,880 --> 00:32:34,240
Speaker 1: mirror and I was like, I'm just going to do

593
00:32:34,280 --> 00:32:38,680
Speaker 1: my makeup, and these little tiny's all gathered around me

594
00:32:38,800 --> 00:32:42,040
Speaker 1: and just watched me do my makeup like they were

595
00:32:42,080 --> 00:32:47,600
Speaker 1: watching TV. And I was right, like a little and

596
00:32:47,640 --> 00:32:50,840
Speaker 1: there's makeup involved. They were just like they just want

597
00:32:50,880 --> 00:32:54,520
Speaker 1: to transfix. Yes, very cute. I remember being enamored with

598
00:32:54,560 --> 00:32:57,600
Speaker 1: it too. Maybe it's like a thing because I remember

599
00:32:57,600 --> 00:33:00,960
Speaker 1: watching my mom like that was actually a part of UM.

600
00:33:01,000 --> 00:33:03,640
Speaker 1: I think it was other people, like just him sitting

601
00:33:03,680 --> 00:33:06,600
Speaker 1: in the room while his mother did the makeup Like

602
00:33:06,720 --> 00:33:09,520
Speaker 1: that really struck me, like just remembering what it was

603
00:33:09,640 --> 00:33:12,840
Speaker 1: to be like like younger and like your mom doing

604
00:33:12,840 --> 00:33:14,800
Speaker 1: her makeup and are doing her hair. My mom had

605
00:33:14,840 --> 00:33:16,600
Speaker 1: a salon in our house, like a little hair sung

606
00:33:16,640 --> 00:33:18,240
Speaker 1: because she worked out of the house, so it's like

607
00:33:18,480 --> 00:33:21,160
Speaker 1: truly a room for my hair, a little gay boy's dream.

608
00:33:21,440 --> 00:33:23,600
Speaker 1: But I would watch her hair all the time, in

609
00:33:23,680 --> 00:33:25,280
Speaker 1: her makeup all the time. It's it's a thing. It

610
00:33:25,400 --> 00:33:28,160
Speaker 1: is like it's like theater. Did you ever reach in

611
00:33:28,200 --> 00:33:30,000
Speaker 1: either of the face duter of the face? Did you

612
00:33:30,040 --> 00:33:32,880
Speaker 1: ever reach into title that? Did you ever reach into

613
00:33:33,160 --> 00:33:37,120
Speaker 1: your mom's makeup stuff? I would I never the makeup

614
00:33:37,160 --> 00:33:41,880
Speaker 1: stuffed out. I've blacked out moments where I and like

615
00:33:41,960 --> 00:33:43,960
Speaker 1: it's slowly coming back to me now truly as we're

616
00:33:43,960 --> 00:33:46,920
Speaker 1: talking about this is I would like reach under like

617
00:33:47,800 --> 00:33:50,160
Speaker 1: the sink in my mom's bathroom and just like grab

618
00:33:50,200 --> 00:33:53,760
Speaker 1: her makeup kit and like put it on. And I think, like,

619
00:33:53,920 --> 00:33:56,320
Speaker 1: I don't know, I try not to take too much

620
00:33:56,360 --> 00:33:58,880
Speaker 1: so that she would notice, but I would like put

621
00:33:58,960 --> 00:34:01,600
Speaker 1: lipstick on and like put like eyeshadow on, and it

622
00:34:01,680 --> 00:34:04,560
Speaker 1: was well, she probably knows how much. She definitely knows.

623
00:34:06,800 --> 00:34:08,799
Speaker 1: Like for her, it's like this. For her, I think

624
00:34:08,840 --> 00:34:10,440
Speaker 1: it was like this chilling thing. But for me it

625
00:34:10,480 --> 00:34:16,320
Speaker 1: was like but also like fun, I don't know, Yeah, cute, cute.

626
00:34:16,640 --> 00:34:19,319
Speaker 1: I would do so on Sunday and you know my

627
00:34:19,360 --> 00:34:21,960
Speaker 1: mom and we're talking about, you know, such a presence

628
00:34:22,480 --> 00:34:27,600
Speaker 1: of a woman. Um, on Sundays, I would just ask,

629
00:34:28,200 --> 00:34:31,480
Speaker 1: can I go into your room? And so she would

630
00:34:31,600 --> 00:34:34,040
Speaker 1: let me have the entire day in her room. And

631
00:34:34,080 --> 00:34:35,959
Speaker 1: she used to have like, you know, like those old

632
00:34:36,040 --> 00:34:40,560
Speaker 1: hat boxes, those beautiful ones. So she had like six

633
00:34:40,600 --> 00:34:43,320
Speaker 1: of those stacked up that all had old beautiful hats

634
00:34:43,360 --> 00:34:47,360
Speaker 1: with like the the lace like you know, in feathers.

635
00:34:47,760 --> 00:34:50,880
Speaker 1: She had her whole top drawer was costume jewelry of

636
00:34:50,960 --> 00:34:54,239
Speaker 1: my grandma's and then she used to wear like the

637
00:34:54,400 --> 00:34:58,000
Speaker 1: mini velvet dresses with Ryan stones and billerro jackets and

638
00:34:58,080 --> 00:35:01,320
Speaker 1: she had those like lingerie heels with the Ostrich feathers.

639
00:35:01,960 --> 00:35:06,560
Speaker 1: So Sunday's just hours dress up with that stuff. I

640
00:35:06,600 --> 00:35:08,040
Speaker 1: was going to ask if you were like a dress

641
00:35:08,120 --> 00:35:14,960
Speaker 1: up kid, yeah, but with adult mother clothing. Yeah, I mean, honestly,

642
00:35:15,000 --> 00:35:17,000
Speaker 1: that's some of the best costumes you can ever find. Like,

643
00:35:17,200 --> 00:35:21,759
Speaker 1: I've never experienced any garment like my mother had this,

644
00:35:21,840 --> 00:35:23,719
Speaker 1: Like um, I wore in this web speri as that

645
00:35:23,760 --> 00:35:26,040
Speaker 1: did it called Broadway Aunts where we played like these

646
00:35:26,560 --> 00:35:29,319
Speaker 1: aunts from Long Island who loved Broadway, who didn't have kids,

647
00:35:29,320 --> 00:35:31,880
Speaker 1: but they loved theater. So my mom had this like

648
00:35:33,040 --> 00:35:36,640
Speaker 1: truly like head to tell pants suit that was leopard print,

649
00:35:37,200 --> 00:35:40,520
Speaker 1: and I'm like, where did you wear this? But it

650
00:35:40,600 --> 00:35:46,480
Speaker 1: was truly like Florida ceiling, like leopard, leopard, leopard. And

651
00:35:46,480 --> 00:35:48,880
Speaker 1: then she had a lot of cheetah and leopard stuff,

652
00:35:49,000 --> 00:35:54,520
Speaker 1: which is like, that's huge, that's costume. Yes, I mean

653
00:35:55,120 --> 00:35:56,799
Speaker 1: the thing is like, I just I wish there were

654
00:35:56,880 --> 00:35:58,960
Speaker 1: more wigs around the house because I used to take

655
00:35:59,040 --> 00:36:01,160
Speaker 1: the towels from I used to take a towel and

656
00:36:01,200 --> 00:36:03,759
Speaker 1: put it in my back of my shirt and I

657
00:36:03,760 --> 00:36:07,399
Speaker 1: would pretend it was hair. Oh this is like we

658
00:36:07,400 --> 00:36:09,480
Speaker 1: were literally talking on the way over here, like bone

659
00:36:09,480 --> 00:36:13,000
Speaker 1: read a study about how being gay is not necessarily genetic,

660
00:36:13,200 --> 00:36:15,960
Speaker 1: like there are environmental factors. So the fact there were

661
00:36:15,960 --> 00:36:17,600
Speaker 1: a lot of towels around, of course I was going

662
00:36:17,640 --> 00:36:19,840
Speaker 1: to think they could be my hair, so I put it.

663
00:36:19,880 --> 00:36:22,759
Speaker 1: I would put this the hair in my back. I

664
00:36:22,760 --> 00:36:25,279
Speaker 1: would say my name was Tina, and I would run

665
00:36:25,320 --> 00:36:27,480
Speaker 1: around the yard because I saw a contestant on Legends

666
00:36:27,520 --> 00:36:30,400
Speaker 1: of the Hidden Temple named Tina and I thought she

667
00:36:30,480 --> 00:36:33,319
Speaker 1: was my icon. So then I was Tina and I

668
00:36:33,320 --> 00:36:35,839
Speaker 1: would run around and my mom would be like, he's

669
00:36:35,840 --> 00:36:39,080
Speaker 1: pretended to be a superhero. He deended to be Superman

670
00:36:39,840 --> 00:36:43,359
Speaker 1: to like everyone, They're like, what's he doing? And they

671
00:36:43,360 --> 00:36:45,839
Speaker 1: were like, oh, he's a superhero. Run up and I'd

672
00:36:45,880 --> 00:36:51,480
Speaker 1: be like, I'm Tina, superhero and Tina. And then my

673
00:36:51,520 --> 00:36:54,880
Speaker 1: mom said she asked like this is so early nineties,

674
00:36:54,920 --> 00:36:57,640
Speaker 1: but like she asked the doctor, like what what this

675
00:36:57,680 --> 00:36:59,680
Speaker 1: could be? And the doctor was like, it means he's

676
00:36:59,719 --> 00:37:02,160
Speaker 1: very smart. It means he's willing to take on different

677
00:37:02,200 --> 00:37:05,799
Speaker 1: i alter egos and identities. It means he's curious about

678
00:37:05,840 --> 00:37:10,880
Speaker 1: the world. And she's like, okay, cool. They're like, yeah, wow,

679
00:37:12,320 --> 00:37:17,400
Speaker 1: I'm Tina. Tina. I went the other way where I

680
00:37:17,400 --> 00:37:20,120
Speaker 1: would put on a hat and this is this is

681
00:37:20,120 --> 00:37:22,880
Speaker 1: a little too hetero. Even I would put on a

682
00:37:22,920 --> 00:37:26,319
Speaker 1: hat and be like I'm the dark Lord the Dark

683
00:37:27,480 --> 00:37:30,000
Speaker 1: Sundays at Chinese people. No, no, no, But it was

684
00:37:30,080 --> 00:37:31,759
Speaker 1: it was like me like making sure the other the

685
00:37:31,800 --> 00:37:35,000
Speaker 1: younger kids were having fun, and I would like I

686
00:37:35,040 --> 00:37:36,719
Speaker 1: was the dark Lord and these and these kids were

687
00:37:36,719 --> 00:37:39,160
Speaker 1: like worries you had to kill me and I know,

688
00:37:39,239 --> 00:37:41,800
Speaker 1: but it was so funny. I was still your own design.

689
00:37:42,040 --> 00:37:43,719
Speaker 1: This is of my owners. I would I would like

690
00:37:43,880 --> 00:37:47,319
Speaker 1: large with these kids when I was like ten years

691
00:37:47,360 --> 00:37:49,600
Speaker 1: old with these like five year olds for at the

692
00:37:49,640 --> 00:37:52,120
Speaker 1: Chinese school. I was ten, and they would have to

693
00:37:52,200 --> 00:37:55,000
Speaker 1: chase me and like kill me like their mystical swords.

694
00:37:55,120 --> 00:37:56,920
Speaker 1: Did they kill you every time? Yes? And they were

695
00:37:56,960 --> 00:38:00,399
Speaker 1: like and they loved it. You have to go see

696
00:38:00,440 --> 00:38:02,640
Speaker 1: when you are the dark Lord telling them you have

697
00:38:02,760 --> 00:38:05,240
Speaker 1: to kill me and allowing them to kill you every

698
00:38:05,280 --> 00:38:10,200
Speaker 1: time is very Meanwhile, I am Tina. You are Tina. Wow,

699
00:38:10,280 --> 00:38:12,880
Speaker 1: Tina and the dark Lord Tina and the dark Lighty.

700
00:38:13,000 --> 00:38:15,760
Speaker 1: If you could, if you can think of a childhood

701
00:38:15,760 --> 00:38:19,520
Speaker 1: alter ego you had, who would that be? Oh my god,

702
00:38:19,640 --> 00:38:26,640
Speaker 1: a childhood alter ego. You know. I had this gymnastics

703
00:38:26,680 --> 00:38:29,680
Speaker 1: teacher and her name was Jennifer and so I was

704
00:38:29,760 --> 00:38:35,680
Speaker 1: probably nine and she was twenty and then bleach blonde,

705
00:38:35,840 --> 00:38:38,239
Speaker 1: natural blonde, I want to say bleach. She didn't have

706
00:38:38,280 --> 00:38:41,480
Speaker 1: to die and she came that way. The highest ponytail

707
00:38:41,520 --> 00:38:43,760
Speaker 1: in the world was still wearing it to the side

708
00:38:44,719 --> 00:38:50,960
Speaker 1: leotard's jean jackets, and she freaking Jennifer twenty year old

709
00:38:51,000 --> 00:38:55,040
Speaker 1: gymnastic teacher, total dream girl babe came to my fourth

710
00:38:55,040 --> 00:39:00,680
Speaker 1: grade birthday party. And now and now, imagine that you

711
00:39:00,719 --> 00:39:03,680
Speaker 1: were a twenty year old girl going to a first

712
00:39:03,719 --> 00:39:09,120
Speaker 1: grader's birthday party. It's like you think in your life, like, wow,

713
00:39:09,160 --> 00:39:11,400
Speaker 1: that was so amazing. When Jennifer came, she was a

714
00:39:11,400 --> 00:39:12,920
Speaker 1: twenty year o algod. She had a high pony and

715
00:39:12,920 --> 00:39:15,200
Speaker 1: she came to my birthday at fourth grade. And then

716
00:39:15,200 --> 00:39:18,600
Speaker 1: you're like, what, I think there's enough eleven? Is enough

717
00:39:18,600 --> 00:39:20,680
Speaker 1: of an age difference there? Or ten? Like is enough

718
00:39:20,680 --> 00:39:24,040
Speaker 1: of an age difference where we're it's weird. It's weird

719
00:39:24,040 --> 00:39:25,480
Speaker 1: if it's a twenty year old showing up to a

720
00:39:25,560 --> 00:39:28,400
Speaker 1: fourteen year olds party. I disagree. I can see them

721
00:39:28,400 --> 00:39:30,279
Speaker 1: being friends. Maybe they were friends, like maybe they were

722
00:39:30,320 --> 00:39:34,640
Speaker 1: on the same like, Jennifer, where are you if you're listening?

723
00:39:35,520 --> 00:39:37,279
Speaker 1: She just knew it would mean a lot to me,

724
00:39:37,400 --> 00:39:39,239
Speaker 1: and that is did and you remembered it to this

725
00:39:39,320 --> 00:39:41,239
Speaker 1: day or hear and my dad at something I don't

726
00:39:41,280 --> 00:39:44,640
Speaker 1: know now, that's the first time that ever hit me.

727
00:39:44,760 --> 00:39:49,520
Speaker 1: But oh my god, she was Okay. We got Tina

728
00:39:49,680 --> 00:39:52,200
Speaker 1: the Dark Lord and Jennifer Jennifer could be one of

729
00:39:52,200 --> 00:39:55,320
Speaker 1: your characters. The twenty year old who was at the

730
00:39:55,320 --> 00:39:58,320
Speaker 1: fourth fourth grade as birthday party one of your characters.

731
00:39:58,719 --> 00:40:00,400
Speaker 1: One of your characters that could be. I feel like

732
00:40:00,440 --> 00:40:03,080
Speaker 1: I'm literally like like that old aunt. That's like that

733
00:40:03,120 --> 00:40:06,439
Speaker 1: should be when you're act you should do that one.

734
00:40:06,640 --> 00:40:11,839
Speaker 1: That's a sketch. Good, that's a sketch. I can't believe. Well,

735
00:40:11,880 --> 00:40:14,840
Speaker 1: not the birth of but I saw it before everyone else.

736
00:40:14,960 --> 00:40:18,440
Speaker 1: Your characters you have made iconic on the SNL Bailey,

737
00:40:18,920 --> 00:40:23,880
Speaker 1: such as No the Boxer's girlfriends. Oh my god, I

738
00:40:23,920 --> 00:40:27,279
Speaker 1: did I said that before everyone else. I said, this

739
00:40:27,320 --> 00:40:29,560
Speaker 1: is a damn good character. Was that based on Amy Adams?

740
00:40:29,920 --> 00:40:33,759
Speaker 1: It was based on all of them, Rachel McAdams and Southpaw,

741
00:40:33,920 --> 00:40:37,879
Speaker 1: Amy Adams, You forget about Rachel McAdams and South Paw. Yeah,

742
00:40:38,200 --> 00:40:41,400
Speaker 1: which was almost better dialogue than Amy Adams And really,

743
00:40:41,560 --> 00:40:48,919
Speaker 1: what what is what? She literally is like that? Mackenzie? Yeah,

744
00:40:48,960 --> 00:40:52,040
Speaker 1: I think that Rachel McAdams is the one that like

745
00:40:52,719 --> 00:40:56,439
Speaker 1: flat out says like I'm the fighter, like I find

746
00:40:56,680 --> 00:40:59,880
Speaker 1: a family or something like. That was the thing that

747
00:41:00,040 --> 00:41:02,640
Speaker 1: first game watching the Previo that gave me the like,

748
00:41:02,680 --> 00:41:07,840
Speaker 1: wait a second, that sounds a lot like Adam. No,

749
00:41:08,000 --> 00:41:10,719
Speaker 1: it is such a it's a good observation. And but

750
00:41:10,800 --> 00:41:13,279
Speaker 1: I will say, doesn't it Rachel McAdams get it in

751
00:41:13,320 --> 00:41:18,160
Speaker 1: that movie? I believe she gets spoiler alert gunned down.

752
00:41:18,680 --> 00:41:21,560
Speaker 1: Oh no, that's like a crazy part of the movie.

753
00:41:21,560 --> 00:41:24,120
Speaker 1: In the beginning, it's like something like something like someone

754
00:41:24,160 --> 00:41:25,879
Speaker 1: that doesn't like Jack Jelan Hall shows up and there's

755
00:41:25,880 --> 00:41:29,640
Speaker 1: like a there's gunfire and Rachel McAdams like unfortunately passes

756
00:41:29,680 --> 00:41:34,239
Speaker 1: away and it's brutal. You don't kill off Rachel McAdams.

757
00:41:34,320 --> 00:41:37,680
Speaker 1: You can't. Well that's exactly why you do, because people

758
00:41:37,680 --> 00:41:41,960
Speaker 1: say you can't. And then when then that's the secret.

759
00:41:42,160 --> 00:41:44,160
Speaker 1: It's kind of like remember in Dark Night when Maggie

760
00:41:44,239 --> 00:41:46,760
Speaker 1: Jillan Hall blew up. I can't believe that. I would

761
00:41:46,920 --> 00:41:52,440
Speaker 1: never believe, never would have guessed like that one I

762
00:41:52,440 --> 00:41:57,120
Speaker 1: could see. Really, yeah, I don't think we loved her. Well, no,

763
00:41:57,160 --> 00:42:01,720
Speaker 1: I don't think anyone loved Rachel Dawes which character the name, character,

764
00:42:02,160 --> 00:42:04,239
Speaker 1: character's name. But it was just shocking to me that

765
00:42:04,520 --> 00:42:06,680
Speaker 1: I had never seen a movie like that. Like I

766
00:42:06,680 --> 00:42:09,840
Speaker 1: remember I was watching with my best friend from high school, Loureen,

767
00:42:10,320 --> 00:42:12,919
Speaker 1: and I turned to her in shock, and she said

768
00:42:12,960 --> 00:42:15,560
Speaker 1: to me, I just gained so much respect for this movie.

769
00:42:17,080 --> 00:42:20,880
Speaker 1: They allowed Maggie to blow up because I think, like, honestly, honestly,

770
00:42:21,040 --> 00:42:23,719
Speaker 1: I think that watching No, I kind of get what

771
00:42:23,760 --> 00:42:26,200
Speaker 1: she was saying. I agreed. I was like, yeah, because

772
00:42:26,200 --> 00:42:28,360
Speaker 1: the thing is like, you would never kill off this

773
00:42:28,440 --> 00:42:31,800
Speaker 1: character because it's too like a subversion. It's a subversion

774
00:42:31,840 --> 00:42:33,800
Speaker 1: that we hadn't seen before. And she was like, Wow,

775
00:42:33,920 --> 00:42:36,200
Speaker 1: Now I truly believe that anything could happened because they

776
00:42:36,239 --> 00:42:39,200
Speaker 1: did that, because no superhero movie is like, you know,

777
00:42:39,360 --> 00:42:42,719
Speaker 1: spider Man wasn't gonna kill Curston dunst right, which is

778
00:42:42,719 --> 00:42:45,880
Speaker 1: probably why they didn't go with Gwen Stacy. They had

779
00:42:45,960 --> 00:42:48,800
Speaker 1: she played Mary Jane because Gwen Stacy famously dies in

780
00:42:49,080 --> 00:42:52,359
Speaker 1: the comic books? Are you a comic book, Queen? I'm not,

781
00:42:52,800 --> 00:42:56,200
Speaker 1: um my husband zeb he writes for Marvel, So he's

782
00:42:56,239 --> 00:43:00,440
Speaker 1: a comic book. That is he's a Componqueen. That is

783
00:43:00,480 --> 00:43:04,640
Speaker 1: such a cool fucking job. It is a cool job. Yes, yeah,

784
00:43:04,760 --> 00:43:08,920
Speaker 1: he wrote for them like ten years ago, then like

785
00:43:09,160 --> 00:43:11,440
Speaker 1: took a break and now he's writing there again, and

786
00:43:11,640 --> 00:43:20,239
Speaker 1: you can tell he's um, he's excited. I literally now

787
00:43:20,280 --> 00:43:23,000
Speaker 1: I'm thinking about like with all the Marvels. It feels

788
00:43:23,040 --> 00:43:25,480
Speaker 1: like Marvel is still everywhere, and I'm kind of like

789
00:43:25,520 --> 00:43:27,040
Speaker 1: now I feel like we're at this point where it's like,

790
00:43:27,080 --> 00:43:29,280
Speaker 1: are you gonna submit and actually like know what everything

791
00:43:29,360 --> 00:43:30,880
Speaker 1: is or are you going to be like, I can't

792
00:43:30,880 --> 00:43:33,319
Speaker 1: do this. It's so much stuff. I mean, it's all

793
00:43:33,360 --> 00:43:36,280
Speaker 1: it's very excessive. Like you literally could just like download

794
00:43:36,320 --> 00:43:39,200
Speaker 1: the app on your phone and buy like old issues

795
00:43:39,239 --> 00:43:42,600
Speaker 1: and volumes and like read through like Ultimate Avengers and

796
00:43:42,600 --> 00:43:45,799
Speaker 1: be like I know everything about what are the Eternals.

797
00:43:46,239 --> 00:43:51,480
Speaker 1: The Eternals are a race of being aliens, right for

798
00:43:51,640 --> 00:43:54,160
Speaker 1: aliens who are like supposed to find I don't know,

799
00:43:54,640 --> 00:43:56,799
Speaker 1: so you know this is like the new Avengers is

800
00:43:56,840 --> 00:44:00,480
Speaker 1: the Eternals. And Angelian and Julie isn't it blonde? Oh?

801
00:44:01,239 --> 00:44:05,640
Speaker 1: Speaking of wigs, we've seen we've seen like a still

802
00:44:06,000 --> 00:44:07,759
Speaker 1: and she is blonde. And I believe it's the first

803
00:44:07,800 --> 00:44:10,000
Speaker 1: time that angel and Julie has been blonde since life

804
00:44:10,080 --> 00:44:12,839
Speaker 1: or something like it. WHOA remember that movie was that

805
00:44:12,880 --> 00:44:15,279
Speaker 1: after that was after Go Interrupted? It was like right

806
00:44:15,320 --> 00:44:17,360
Speaker 1: around that time, but they were like she was it

807
00:44:17,400 --> 00:44:19,160
Speaker 1: was like sort of like a romantic comedy, I guess.

808
00:44:19,160 --> 00:44:20,920
Speaker 1: And she had blonde hair, and I think she played

809
00:44:20,960 --> 00:44:24,520
Speaker 1: like someone who who thought she was going to die

810
00:44:24,560 --> 00:44:26,680
Speaker 1: in twenty four hours or something and then doesn't someone

811
00:44:26,840 --> 00:44:30,960
Speaker 1: checked this fact like fact checked this and wrote it.

812
00:44:31,000 --> 00:44:33,600
Speaker 1: And do you read that? What she blonde and gone

813
00:44:33,600 --> 00:44:39,480
Speaker 1: in sixty seconds to she was blonde with dreads? Wow?

814
00:44:40,360 --> 00:44:43,000
Speaker 1: But I don't know did that come? It had to

815
00:44:43,040 --> 00:44:46,200
Speaker 1: be after John in sixty Seconds feels like a movie

816
00:44:46,280 --> 00:44:48,680
Speaker 1: that you're like, yeah, I want an Oscar? What do

817
00:44:48,719 --> 00:44:52,560
Speaker 1: I say? I guess, Like you know that period of

818
00:44:52,600 --> 00:44:55,799
Speaker 1: time after you win an Oscar, we all know where

819
00:44:55,800 --> 00:44:58,920
Speaker 1: it's just like what you're gonna do now? Huh? And

820
00:44:58,960 --> 00:45:01,080
Speaker 1: it's like halle Berry is kind of not really like

821
00:45:01,160 --> 00:45:04,000
Speaker 1: popped off in the way like some people have an

822
00:45:04,040 --> 00:45:08,399
Speaker 1: after Oscar's curse. This is what Hollywood says where it takes.

823
00:45:08,400 --> 00:45:12,160
Speaker 1: It's a few year period of like weirdness before you

824
00:45:12,200 --> 00:45:14,160
Speaker 1: figure out like where you fit in still like you

825
00:45:14,200 --> 00:45:16,520
Speaker 1: win the Oscar and you think, oh wow, every opportunity

826
00:45:16,600 --> 00:45:19,400
Speaker 1: is mine. The thing about having every opportunity is you

827
00:45:19,400 --> 00:45:22,120
Speaker 1: can choose the wrong one, or you can say too

828
00:45:22,200 --> 00:45:25,560
Speaker 1: many times exactly because you're looking for the next thing.

829
00:45:25,800 --> 00:45:28,439
Speaker 1: And then also you could just look at it like,

830
00:45:28,920 --> 00:45:33,759
Speaker 1: oh wait, that was the opportunity, like that was it

831
00:45:33,960 --> 00:45:38,640
Speaker 1: and you and you did it and quit. Quit. I

832
00:45:38,640 --> 00:45:41,600
Speaker 1: wonder quit. I wonder what it feels like the day

833
00:45:41,640 --> 00:45:44,320
Speaker 1: after you win an Oscar, because there's like those months

834
00:45:44,360 --> 00:45:46,120
Speaker 1: of lead up where they do all the press and

835
00:45:46,200 --> 00:45:48,640
Speaker 1: like you know you're gonna be up for it, and

836
00:45:48,680 --> 00:45:51,719
Speaker 1: then you win. That moment has to feel like euphoric,

837
00:45:52,160 --> 00:45:55,760
Speaker 1: and then the next day is like what it's probably

838
00:45:55,760 --> 00:45:58,360
Speaker 1: just like a come doown of like a drug or something,

839
00:45:58,560 --> 00:46:00,960
Speaker 1: just like like I don't know, you're just kind of

840
00:46:00,960 --> 00:46:06,080
Speaker 1: a white slate for like two days or something. I

841
00:46:06,120 --> 00:46:08,719
Speaker 1: don't know. I think I'd be happy every day if

842
00:46:08,719 --> 00:46:11,319
Speaker 1: I want an Oscar, I'd just be like, well I

843
00:46:11,360 --> 00:46:15,520
Speaker 1: wanted that's the that's the thing. You think it's going

844
00:46:15,560 --> 00:46:17,440
Speaker 1: to make you happy. But that's the whole secret of

845
00:46:17,480 --> 00:46:21,920
Speaker 1: Hollywood that nothing does. Nothing makes you happy, you know,

846
00:46:21,960 --> 00:46:26,200
Speaker 1: they said in Wicked, because getting your dream it's strange,

847
00:46:26,320 --> 00:46:31,320
Speaker 1: but it seems a little well complicated, and no true

848
00:46:31,360 --> 00:46:35,080
Speaker 1: words have ever been so actually no, And you cut

849
00:46:35,120 --> 00:46:39,719
Speaker 1: off too quick because the next lyrics are there's a

850
00:46:40,080 --> 00:46:45,319
Speaker 1: kind of a sort of cost there's a couple of

851
00:46:45,480 --> 00:46:50,880
Speaker 1: things get lost. They're are Bridge and you girls, you

852
00:46:50,960 --> 00:46:57,200
Speaker 1: didn't know you Cross? Tell you Cross? Are you familiar

853
00:46:57,239 --> 00:47:04,279
Speaker 1: with Wicked? I am? I fully thought at the end

854
00:47:04,320 --> 00:47:06,279
Speaker 1: of the first act the show was over, and when

855
00:47:06,320 --> 00:47:09,919
Speaker 1: I was told there was going to be another act, thought,

856
00:47:10,080 --> 00:47:17,000
Speaker 1: defying gravity is as it is as big as it cats.

857
00:47:17,719 --> 00:47:19,719
Speaker 1: That is so coming from out of town to see

858
00:47:19,760 --> 00:47:23,359
Speaker 1: a Broadway show like, oh that was great and they say, well,

859
00:47:23,400 --> 00:47:25,320
Speaker 1: Act two is just going to begin in ten minutes,

860
00:47:25,320 --> 00:47:30,279
Speaker 1: and You're like, what come on? We went we were

861
00:47:30,320 --> 00:47:32,160
Speaker 1: in we were in Fire Island and um we we

862
00:47:32,280 --> 00:47:34,560
Speaker 1: went off on this riffle school. I was there and

863
00:47:34,600 --> 00:47:36,800
Speaker 1: he was like, we were talking about how Countess Luanna

864
00:47:36,840 --> 00:47:40,120
Speaker 1: is going to do Chicago on Broadway. So this is

865
00:47:40,120 --> 00:47:43,160
Speaker 1: like happening and the thing is like we were like,

866
00:47:43,160 --> 00:47:45,200
Speaker 1: like what who is she drawing in? Like are people

867
00:47:45,239 --> 00:47:47,480
Speaker 1: from out of town coming into sea Countess Luanna? And

868
00:47:47,520 --> 00:47:49,719
Speaker 1: I thought maybe? But then I thought about like those

869
00:47:49,840 --> 00:47:52,880
Speaker 1: dads that like come to see like, um, like you

870
00:47:53,000 --> 00:47:56,279
Speaker 1: need like authentic New York things, and they like they

871
00:47:56,320 --> 00:47:58,480
Speaker 1: would want to come to like New York, Like I

872
00:47:58,520 --> 00:48:00,560
Speaker 1: don't want to see Countess Luanna. I want to see

873
00:48:00,560 --> 00:48:03,400
Speaker 1: a New York character actress up there. I want to

874
00:48:03,400 --> 00:48:06,399
Speaker 1: see a union woman up there acting her hard out.

875
00:48:07,360 --> 00:48:09,440
Speaker 1: I've come to New York for the good New York pizza,

876
00:48:10,000 --> 00:48:13,920
Speaker 1: to see New York character actors just really stop the boards,

877
00:48:14,880 --> 00:48:21,799
Speaker 1: get up there and work hard for it decade they're

878
00:48:21,920 --> 00:48:24,879
Speaker 1: harder and equity cards. I want to see them raise

879
00:48:24,960 --> 00:48:28,839
Speaker 1: them high. Suburban Dad saying, yeah, just like you got

880
00:48:28,840 --> 00:48:32,239
Speaker 1: to go to New York for the for the unknown actors.

881
00:48:32,400 --> 00:48:35,080
Speaker 1: So I mean Countess land Like works. I think in

882
00:48:35,160 --> 00:48:38,480
Speaker 1: that what I'm saying like like she's like a celebrity,

883
00:48:38,560 --> 00:48:41,680
Speaker 1: She's not like she's the draw for some person, like

884
00:48:41,760 --> 00:48:45,480
Speaker 1: some type of like you know, people from the from

885
00:48:45,480 --> 00:48:48,239
Speaker 1: the bourbs who are coming in to see Countess and

886
00:48:48,280 --> 00:48:51,799
Speaker 1: she stands for she stands for like some really like

887
00:48:52,280 --> 00:48:54,640
Speaker 1: rarefied thing in New York where it's great. We get

888
00:48:54,680 --> 00:48:56,839
Speaker 1: to breathe the same error as her, for like yes

889
00:48:56,960 --> 00:48:58,839
Speaker 1: a night Yeah, And while we're breathing in the same

890
00:48:58,960 --> 00:49:01,960
Speaker 1: arras shiety. You have to ask the question, Heidi, what

891
00:49:02,040 --> 00:49:04,480
Speaker 1: was the culture that made you say culture is for me?

892
00:49:05,480 --> 00:49:06,960
Speaker 1: Is the formative culture that made you want to move

893
00:49:06,960 --> 00:49:11,279
Speaker 1: into a cultural direction? I think I mean I was

894
00:49:11,320 --> 00:49:16,440
Speaker 1: such a little pop culture little geek that um or

895
00:49:16,480 --> 00:49:20,479
Speaker 1: a comedy little nerd thing that I think I would

896
00:49:20,560 --> 00:49:25,400
Speaker 1: say it was like a miss smash of um waiting

897
00:49:25,440 --> 00:49:30,800
Speaker 1: for Guffman and Jack Black Black hand in hand together.

898
00:49:30,880 --> 00:49:34,879
Speaker 1: I think Jack Black is culture. It really is. And he,

899
00:49:35,120 --> 00:49:37,759
Speaker 1: I have to say, is being copied by someone. Do

900
00:49:37,800 --> 00:49:41,560
Speaker 1: you know who? I'm gonna say, I love him, But

901
00:49:41,640 --> 00:49:45,120
Speaker 1: Adam Divine is doing a little bit, a little bit,

902
00:49:45,480 --> 00:49:48,719
Speaker 1: you know what I mean, more sanitized. And that's not

903
00:49:48,760 --> 00:49:51,200
Speaker 1: to say like no, it's worse or better. No, it's

904
00:49:51,239 --> 00:49:54,680
Speaker 1: just saying he's obviously an admirer of Jack pleas I

905
00:49:54,719 --> 00:49:59,080
Speaker 1: will say yes when when Adam Divine like the first Workaholics,

906
00:49:59,160 --> 00:50:01,839
Speaker 1: I was like the way he was delivering lines was

907
00:50:02,000 --> 00:50:05,400
Speaker 1: like it was killing me in the way that like

908
00:50:05,600 --> 00:50:09,239
Speaker 1: same like the flare that they put on the end

909
00:50:09,280 --> 00:50:11,799
Speaker 1: of wine, kind of like I don't even know how

910
00:50:11,800 --> 00:50:13,920
Speaker 1: to do it, but it's like it is like it's

911
00:50:13,960 --> 00:50:16,839
Speaker 1: like a specific pattern that's like and this is not

912
00:50:16,880 --> 00:50:19,520
Speaker 1: a shade to Adam Divine, but like you can tell

913
00:50:19,600 --> 00:50:23,359
Speaker 1: he was like Jack Black was like a thing friend um.

914
00:50:23,440 --> 00:50:25,799
Speaker 1: But like School of Rock is my I think one

915
00:50:25,840 --> 00:50:31,760
Speaker 1: of my favorite movies of all pod Oh yeah, oh,

916
00:50:31,800 --> 00:50:35,480
Speaker 1: I mean I was like a little I was Tenacious

917
00:50:35,520 --> 00:50:39,440
Speaker 1: D like GROUPY. I used to like travel two shows

918
00:50:39,440 --> 00:50:42,719
Speaker 1: to see Tenacious I loved them so much. O, my god,

919
00:50:42,800 --> 00:50:45,080
Speaker 1: they were pretty amazing. They were I I liked they

920
00:50:45,120 --> 00:50:46,920
Speaker 1: even like broke through to me. I like try to

921
00:50:46,920 --> 00:50:48,640
Speaker 1: put up every shield and be like, no, this is

922
00:50:48,680 --> 00:50:50,200
Speaker 1: not for me when I was like a teenager and

923
00:50:50,200 --> 00:50:51,879
Speaker 1: I was like, oh, but this is actually very good.

924
00:50:52,360 --> 00:50:57,879
Speaker 1: They are very good. I'm hilarious and incredible songwriting singing. Yes,

925
00:50:58,200 --> 00:51:01,040
Speaker 1: it really was great. And also just like Tribute is

926
00:51:01,080 --> 00:51:07,399
Speaker 1: like a ride, there's nothing like Tribute and wonder if

927
00:51:07,400 --> 00:51:09,920
Speaker 1: you listen to that again, it's like epic. It's like,

928
00:51:10,160 --> 00:51:13,320
Speaker 1: so they had movies to write, like Take of Destiny

929
00:51:13,360 --> 00:51:15,919
Speaker 1: or whatever. Right, Yeah, I don't think I've ever seen

930
00:51:15,920 --> 00:51:17,600
Speaker 1: any of me neither, But didn't they have like a

931
00:51:17,600 --> 00:51:19,000
Speaker 1: moment like a few years ago where they were like

932
00:51:19,040 --> 00:51:21,719
Speaker 1: they were back or they back now, they are back, now,

933
00:51:21,760 --> 00:51:25,360
Speaker 1: they're touring now. They were just in my hometown, Kansas

934
00:51:25,400 --> 00:51:27,960
Speaker 1: City on my birthday, but I couldn't go to it.

935
00:51:28,480 --> 00:51:33,800
Speaker 1: I so just being a super fan back at that time.

936
00:51:33,960 --> 00:51:41,200
Speaker 1: Of course I met him, um like like a concert, yeah,

937
00:51:41,280 --> 00:51:47,000
Speaker 1: but you know and like could barely formed, Like so

938
00:51:47,400 --> 00:51:51,520
Speaker 1: everything you do is funny. He's amazing now And also

939
00:51:51,800 --> 00:51:54,640
Speaker 1: that's like this is like sometimes I think we were

940
00:51:54,640 --> 00:51:57,600
Speaker 1: just talking about oscars, Like I always think like you

941
00:51:57,640 --> 00:52:00,719
Speaker 1: should nominate people for performances that no else could give.

942
00:52:02,080 --> 00:52:06,480
Speaker 1: Is something that no one no one, like it's like

943
00:52:06,560 --> 00:52:11,279
Speaker 1: on the same level. Is like um just like say

944
00:52:11,400 --> 00:52:14,880
Speaker 1: like Jim Carrey, like a spe no one else could

945
00:52:14,920 --> 00:52:19,359
Speaker 1: be that like vulnerable like and also that funny. Like

946
00:52:19,400 --> 00:52:24,080
Speaker 1: it's just like that should get the Ultimate Ultimate Awards,

947
00:52:24,120 --> 00:52:26,799
Speaker 1: just for for the kind of iconography that is, like

948
00:52:26,880 --> 00:52:29,040
Speaker 1: that scene where he is where they're like, well, what

949
00:52:29,080 --> 00:52:32,680
Speaker 1: would your song be? Like they're learning their regular there's

950
00:52:32,680 --> 00:52:34,359
Speaker 1: something they're going to do, and he's like saying, and

951
00:52:34,400 --> 00:52:37,960
Speaker 1: he is that. There's that long segment where he's like

952
00:52:38,040 --> 00:52:40,360
Speaker 1: pitching them his song and then this would come in,

953
00:52:40,360 --> 00:52:45,000
Speaker 1: then this would come in, and one shot. It's so

954
00:52:45,120 --> 00:52:47,640
Speaker 1: good and to act with kids that whole time and

955
00:52:47,680 --> 00:52:50,120
Speaker 1: like be on the same level and like he's the

956
00:52:50,160 --> 00:52:52,680
Speaker 1: audience but also they are and he's the funny thing,

957
00:52:52,719 --> 00:52:54,680
Speaker 1: but the kids are also funny. It's just such a

958
00:52:54,719 --> 00:52:57,520
Speaker 1: good movie. Yeah, I think about that movie constantly. It

959
00:52:57,640 --> 00:53:00,440
Speaker 1: was obsessed when it came out, and like saying Teacher's

960
00:53:00,480 --> 00:53:02,719
Speaker 1: Pet all the time. I still like Hummed, like it's

961
00:53:02,760 --> 00:53:05,160
Speaker 1: still oh yeah, clams it in and he's just like hummed,

962
00:53:05,160 --> 00:53:08,360
Speaker 1: and I'm just like, what a great song, Like yeah,

963
00:53:09,400 --> 00:53:12,239
Speaker 1: great great movie. It's like it's I think it's even

964
00:53:12,480 --> 00:53:14,920
Speaker 1: better than like sound of music in that way, like that,

965
00:53:15,080 --> 00:53:18,120
Speaker 1: don't it tells, like in terms of the story it tells.

966
00:53:18,560 --> 00:53:21,560
Speaker 1: It's like I mean, I do too, for sure. It's

967
00:53:21,560 --> 00:53:26,160
Speaker 1: at rock is better than sound. It's like it's it's

968
00:53:26,200 --> 00:53:29,719
Speaker 1: the same like archetypes that are happening. It's like he's

969
00:53:29,760 --> 00:53:32,640
Speaker 1: cast out of this group to go like work this

970
00:53:32,719 --> 00:53:34,400
Speaker 1: thing that he doesn't he thinks he's going to be

971
00:53:34,400 --> 00:53:36,400
Speaker 1: bad and not rewarding. He meets these kids, he like

972
00:53:36,480 --> 00:53:38,960
Speaker 1: finds inspiration in them, like makes you think that La

973
00:53:39,000 --> 00:53:44,279
Speaker 1: la la la is better than he. I just think

974
00:53:44,360 --> 00:53:46,640
Speaker 1: now a sound of music is like all time classic,

975
00:53:46,680 --> 00:53:54,040
Speaker 1: but like still so school raw school rock is Miranda Cosgrown.

976
00:53:55,080 --> 00:53:57,359
Speaker 1: She played the bassist and she just did our show

977
00:53:57,360 --> 00:54:01,560
Speaker 1: in Chicago. It's the coolest the Chicago community. And also

978
00:54:02,239 --> 00:54:06,600
Speaker 1: my friend Zac and Fante was like the manager. Okay,

979
00:54:06,920 --> 00:54:09,359
Speaker 1: the little one that's like the harmonies and the lights

980
00:54:09,400 --> 00:54:11,680
Speaker 1: and then and then he's like, you gotta relax. That

981
00:54:11,760 --> 00:54:14,160
Speaker 1: kid I did shows with him in college and he

982
00:54:14,200 --> 00:54:16,319
Speaker 1: was a friend of mine. There is I do think

983
00:54:16,360 --> 00:54:19,319
Speaker 1: about the kid who played just gay voice all the time.

984
00:54:19,360 --> 00:54:22,560
Speaker 1: I'm like, oh, yeah, what's his deal? But I just

985
00:54:22,560 --> 00:54:24,320
Speaker 1: like I hope he's I think he's doing great, and

986
00:54:24,360 --> 00:54:25,879
Speaker 1: I think he's like working, he's like in the biz.

987
00:54:25,960 --> 00:54:28,279
Speaker 1: But it's like I hope he like is so I

988
00:54:28,280 --> 00:54:30,319
Speaker 1: think he must be so well adjusted to have like

989
00:54:31,680 --> 00:54:33,560
Speaker 1: been willing to play that role and played so we

990
00:54:34,280 --> 00:54:36,400
Speaker 1: but to have like it was a time and like

991
00:54:36,480 --> 00:54:38,560
Speaker 1: I remember like singing in the theater with my friends

992
00:54:38,560 --> 00:54:40,960
Speaker 1: and like having like all the kids like you laugh

993
00:54:41,040 --> 00:54:43,839
Speaker 1: at that, And I was like are we laughing for him?

994
00:54:44,040 --> 00:54:45,319
Speaker 1: And I think, like you have to be so well

995
00:54:45,360 --> 00:54:47,960
Speaker 1: adjusted to have made it through that and and like

996
00:54:48,560 --> 00:54:51,960
Speaker 1: understood that that's what was happening. Like he like whatever,

997
00:54:52,040 --> 00:54:55,640
Speaker 1: he like took one for the team. I think that movie.

998
00:54:56,480 --> 00:55:05,680
Speaker 1: That movie also has iconic Joan Cusack Yes, yeah wrote

999
00:55:05,719 --> 00:55:09,360
Speaker 1: it right, Yeah, he wrote it. Who then he was

1000
00:55:10,600 --> 00:55:14,120
Speaker 1: like he's the most interesting person. Didn't know Gay gay

1001
00:55:14,280 --> 00:55:18,759
Speaker 1: and then fucking Survivor and then screenwriter enlightened. Enlightened. Yeah,

1002
00:55:18,800 --> 00:55:21,680
Speaker 1: he's amazing. We were just Zeb and I were on

1003
00:55:22,000 --> 00:55:29,120
Speaker 1: a whale watching tour in in Provincetown, and um Zeb

1004
00:55:29,320 --> 00:55:33,560
Speaker 1: was like nudged me and was like, Hey, there's a

1005
00:55:33,600 --> 00:55:36,359
Speaker 1: guy over there that's a celebrity kind of checking out.

1006
00:55:36,360 --> 00:55:40,680
Speaker 1: And I was never done that celebrity wise, and I

1007
00:55:40,719 --> 00:55:42,560
Speaker 1: was like, oh my god, this big celebrity on this

1008
00:55:42,600 --> 00:55:45,480
Speaker 1: way we watch, you know, And I looked over and

1009
00:55:45,520 --> 00:55:50,400
Speaker 1: I was like, that's not a celebrity. That man looks

1010
00:55:50,880 --> 00:55:55,200
Speaker 1: kind of like Mike Wife. That's what you're thinking, isn't it.

1011
00:55:55,239 --> 00:56:01,960
Speaker 1: And he was like, when you had been around celebrities already, yes,

1012
00:56:02,120 --> 00:56:06,160
Speaker 1: this almost two weeks ago a celebrity. They're like, he's

1013
00:56:06,200 --> 00:56:08,120
Speaker 1: like breathing the same are as robertson here all like

1014
00:56:08,239 --> 00:56:12,120
Speaker 1: six weeks of the year. It's like a big it's

1015
00:56:12,160 --> 00:56:17,040
Speaker 1: a big, big celebrity. Celebrities like I kind of looks

1016
00:56:17,080 --> 00:56:19,480
Speaker 1: like Mike White. I just have to say, because we're

1017
00:56:19,520 --> 00:56:24,120
Speaker 1: talking about Jack Black and um Mike White. Have you

1018
00:56:24,120 --> 00:56:27,080
Speaker 1: guys seen the movie The D Train? Is that also

1019
00:56:27,280 --> 00:56:31,880
Speaker 1: James Marston? Yes? Yeah, okay, yeah, So funny, so funny

1020
00:56:31,920 --> 00:56:34,600
Speaker 1: and like under the radar, but just like and it's

1021
00:56:34,640 --> 00:56:37,799
Speaker 1: like classic Jack Black. It's like the Jack Black that

1022
00:56:37,960 --> 00:56:41,920
Speaker 1: like popped on the scene. So he did you like

1023
00:56:41,960 --> 00:56:45,160
Speaker 1: Tropic Thunder? Yeah, it's it's weird when you watch it

1024
00:56:45,200 --> 00:56:47,279
Speaker 1: now because the Robert down your stuff is like does

1025
00:56:47,360 --> 00:56:49,000
Speaker 1: this hold up? We don't know. I think they were

1026
00:56:49,040 --> 00:56:51,480
Speaker 1: making a comment on it, but I mean whatever, I

1027
00:56:51,480 --> 00:56:54,160
Speaker 1: haven't watched in a while, but Jack Black like underrated

1028
00:56:54,239 --> 00:56:57,560
Speaker 1: good part of that movie. Yes, and I actually respect

1029
00:56:57,600 --> 00:56:59,839
Speaker 1: that movie. It was like pretty epic. I didn't see

1030
00:56:59,880 --> 00:57:01,640
Speaker 1: I haven't seen you Dumanji, and I hear he's great,

1031
00:57:01,680 --> 00:57:05,400
Speaker 1: and now he's so good. Oh my god, I forgot

1032
00:57:05,440 --> 00:57:07,560
Speaker 1: he was in that right right, and he's he's playing

1033
00:57:07,600 --> 00:57:11,600
Speaker 1: like like he's playing the main kid. Um one of

1034
00:57:11,680 --> 00:57:14,200
Speaker 1: like I forget exactly what goes down, but one of

1035
00:57:14,200 --> 00:57:16,760
Speaker 1: them turns into him and they're like, fuck, yeah, you

1036
00:57:16,800 --> 00:57:20,640
Speaker 1: know what. It's the hot girl. Hot girl, the hot

1037
00:57:20,680 --> 00:57:23,480
Speaker 1: girl in the movie, like in the in real life,

1038
00:57:23,840 --> 00:57:28,160
Speaker 1: gets it sucked in the game machine becomes Jack so good.

1039
00:57:29,280 --> 00:57:32,160
Speaker 1: That's a really fun turn. Yes he is, and I

1040
00:57:32,200 --> 00:57:35,000
Speaker 1: feel like he that couples nicely with Waiting for Goffman

1041
00:57:35,080 --> 00:57:38,200
Speaker 1: or with Christopher guests stuff too, and like waiting for Goffman.

1042
00:57:38,840 --> 00:57:42,480
Speaker 1: So good. You've seen it. You haven't seen it. I

1043
00:57:42,600 --> 00:57:46,840
Speaker 1: haven't see It's it's annoying, but like I haven't seen it,

1044
00:57:46,880 --> 00:57:51,160
Speaker 1: but I know Parker Posey, I get iconic Parker Posey,

1045
00:57:51,320 --> 00:57:56,000
Speaker 1: Iconic Katherine Yeah, iconic Kevin o'harrett, yeah, iconic EU gene

1046
00:57:56,000 --> 00:58:00,480
Speaker 1: love like everyone's second, everyone, every line everything. One of

1047
00:58:00,480 --> 00:58:02,280
Speaker 1: my favorite lines from that movie is in the very

1048
00:58:02,280 --> 00:58:05,240
Speaker 1: beginning where it's the city councilwoman who's the descendant of

1049
00:58:05,280 --> 00:58:07,400
Speaker 1: Lane Fab and she's like, you know, it's hard being

1050
00:58:07,440 --> 00:58:09,720
Speaker 1: a descendant of Lane Fab and I certainly understand how

1051
00:58:09,720 --> 00:58:13,320
Speaker 1: the Kennedy's feel. And I'm like, that's such true. It's

1052
00:58:13,320 --> 00:58:16,960
Speaker 1: such funny and like, god, I I don't know I

1053
00:58:17,000 --> 00:58:18,920
Speaker 1: missed that, Like that was a yeah. That was like

1054
00:58:19,280 --> 00:58:21,800
Speaker 1: that was the first piece of like whatever like Prestigi

1055
00:58:21,880 --> 00:58:23,880
Speaker 1: comment not prestigiy, but it was like someone like bought

1056
00:58:23,920 --> 00:58:27,800
Speaker 1: it for me, my friend Dylan, Um, my friend Dylan

1057
00:58:28,240 --> 00:58:30,440
Speaker 1: fucking bought it for me for Christmas one year and

1058
00:58:30,480 --> 00:58:32,640
Speaker 1: she was like, here, you'll love this, you should you

1059
00:58:32,640 --> 00:58:34,600
Speaker 1: should watch this movie. And I was like a freshman

1060
00:58:34,640 --> 00:58:36,080
Speaker 1: in high school. I never seen it and like, my

1061
00:58:36,720 --> 00:58:38,960
Speaker 1: all I was watching. All I was consuming comedy wise

1062
00:58:39,000 --> 00:58:40,720
Speaker 1: was like the Simpsons and S n L and like

1063
00:58:40,800 --> 00:58:42,920
Speaker 1: Seinfeld and that was that. But this is like the

1064
00:58:42,920 --> 00:58:47,040
Speaker 1: first piece of like this is so specific and I

1065
00:58:47,640 --> 00:58:49,400
Speaker 1: think you would like it that I took it in

1066
00:58:49,440 --> 00:58:51,840
Speaker 1: and I was like wow, yes, and I was obsessed.

1067
00:58:52,520 --> 00:58:55,560
Speaker 1: What good? You know what My favorite line is when

1068
00:58:55,600 --> 00:58:58,360
Speaker 1: he needs more money for the show. So it goes

1069
00:58:58,440 --> 00:59:00,200
Speaker 1: to like the city council and he asked for a

1070
00:59:00,280 --> 00:59:04,120
Speaker 1: hundred thousand dollars and they're like, they're so taken aback androun.

1071
00:59:04,120 --> 00:59:08,720
Speaker 1: I like, quirky. I mean budget for the entire town

1072
00:59:08,800 --> 00:59:15,080
Speaker 1: for the whole year is that includes the pool And

1073
00:59:15,160 --> 00:59:17,560
Speaker 1: he goes, well, there's no swimming in my show. And

1074
00:59:17,600 --> 00:59:21,240
Speaker 1: then what do you say? And then what do you see?

1075
00:59:21,320 --> 00:59:23,720
Speaker 1: Like I like, I feel so what does he says?

1076
00:59:24,040 --> 00:59:25,960
Speaker 1: He's so upset about to cry and then he said,

1077
00:59:25,960 --> 00:59:30,880
Speaker 1: I'm going to go home and bite my pillow. Space Space.

1078
00:59:31,240 --> 00:59:33,479
Speaker 1: I was just today, I was like thinking about Parker

1079
00:59:33,560 --> 00:59:37,360
Speaker 1: Posey's line reading of UM. I was reading about New York.

1080
00:59:37,400 --> 00:59:45,560
Speaker 1: It's just an island. It's just an island. Um, I

1081
00:59:45,600 --> 00:59:49,800
Speaker 1: think I think it might still be my favorite Christopher Guest.

1082
00:59:50,000 --> 00:59:52,120
Speaker 1: Is it yours or is it the first one you saw? No,

1083
00:59:52,280 --> 00:59:55,040
Speaker 1: I saw a spinal tap like very young, loved it.

1084
00:59:55,200 --> 00:59:59,840
Speaker 1: Waiting for Guffman's my favorite. But I will say that recently,

1085
00:59:59,880 --> 01:00:02,400
Speaker 1: I I've watched Best in Show like just a few times.

1086
01:00:02,400 --> 01:00:06,280
Speaker 1: I've seen it back then and loved it. Um, Michael

1087
01:00:06,320 --> 01:00:09,840
Speaker 1: McKean and who's the other actor that plays his partner

1088
01:00:10,320 --> 01:00:15,840
Speaker 1: got three names? Like yes, I know, they're amazing. So

1089
01:00:16,200 --> 01:00:19,760
Speaker 1: that is my favorite on screen couple of They love

1090
01:00:19,840 --> 01:00:22,920
Speaker 1: each other so much and are also so funny, and

1091
01:00:22,920 --> 01:00:26,720
Speaker 1: they love their dogs so much. I literally say that

1092
01:00:26,800 --> 01:00:29,560
Speaker 1: every time someone is not someone else is paying whatever

1093
01:00:29,600 --> 01:00:34,640
Speaker 1: we do, I've done and literally no one ever catches it.

1094
01:00:34,760 --> 01:00:39,080
Speaker 1: But it's my favorite reference when he had he's packing

1095
01:00:39,360 --> 01:00:42,360
Speaker 1: seven kimonos the day and they're going to be gone,

1096
01:00:42,360 --> 01:00:43,720
Speaker 1: and he called him out like we're going to be

1097
01:00:43,760 --> 01:00:45,320
Speaker 1: gone just a day and a half, and then he

1098
01:00:45,360 --> 01:00:50,000
Speaker 1: goes and gets like another two kimonos. Oh, I love

1099
01:00:50,080 --> 01:00:53,160
Speaker 1: them just like yeah, truly like that movie I think

1100
01:00:53,520 --> 01:00:57,720
Speaker 1: is my favorite Christopher Guests without having seen God you Um,

1101
01:00:57,760 --> 01:01:01,040
Speaker 1: but it just for me, it's like the relationships are

1102
01:01:01,080 --> 01:01:05,040
Speaker 1: all so strong. Like that's what I love about that movie.

1103
01:01:05,080 --> 01:01:07,960
Speaker 1: Like even like which is hard to be Jane Lynch like,

1104
01:01:08,000 --> 01:01:10,280
Speaker 1: it's hard because it's a lot of couples. It's just couples.

1105
01:01:11,160 --> 01:01:14,600
Speaker 1: And of course Catherine O'Hara and um, Eugene Levy are

1106
01:01:14,640 --> 01:01:19,200
Speaker 1: like iconic. And especially when she she's like when they're

1107
01:01:19,240 --> 01:01:21,320
Speaker 1: they're getting their credit card returning, like, I'm sorry, the

1108
01:01:21,360 --> 01:01:23,640
Speaker 1: card isn't and she goes, no, that's a good that's

1109
01:01:23,640 --> 01:01:27,360
Speaker 1: a good Card's that was that should be that's a

1110
01:01:27,360 --> 01:01:33,080
Speaker 1: good one. To two queer couples in that movie. Yeah,

1111
01:01:35,040 --> 01:01:39,240
Speaker 1: well they get together. But it's like, also gotta love

1112
01:01:39,320 --> 01:01:41,680
Speaker 1: Jane Lynch in that movie where she's like, you know, um,

1113
01:01:43,360 --> 01:01:45,680
Speaker 1: it's it's not a typical to have a female you know,

1114
01:01:46,200 --> 01:01:47,520
Speaker 1: had a household. You know, that's the way it was

1115
01:01:47,560 --> 01:01:49,680
Speaker 1: from my family. Mom went out and made you know,

1116
01:01:49,880 --> 01:01:51,880
Speaker 1: got made the bread, and dad just stayed at home.

1117
01:01:51,920 --> 01:01:53,720
Speaker 1: And it worked for my family. So my mom killed

1118
01:01:53,760 --> 01:02:02,680
Speaker 1: herself crazy also and just Jennifer Cool is sitting there

1119
01:02:02,680 --> 01:02:07,480
Speaker 1: the whole time like iconic is her first scene when

1120
01:02:07,520 --> 01:02:09,120
Speaker 1: she's talking about what she has in common with her

1121
01:02:09,160 --> 01:02:11,160
Speaker 1: husband was like bed written and old, and she goes,

1122
01:02:11,400 --> 01:02:14,720
Speaker 1: we both love soup, like you think that that like

1123
01:02:14,840 --> 01:02:17,240
Speaker 1: because I've heard that so many times in my life.

1124
01:02:17,080 --> 01:02:20,080
Speaker 1: You'd be over it and then seeing it again, I'm

1125
01:02:20,120 --> 01:02:25,800
Speaker 1: like you genius woman, super snow peas and talking and

1126
01:02:25,960 --> 01:02:29,760
Speaker 1: not talking. We could talk or not talk forever and

1127
01:02:29,880 --> 01:02:33,880
Speaker 1: still find things to not talk about. It's like so good.

1128
01:02:34,640 --> 01:02:38,520
Speaker 1: She just put together the best lines ever. Also, park

1129
01:02:38,720 --> 01:02:45,400
Speaker 1: posing in that movie is they're monsters, those two, but

1130
01:02:45,440 --> 01:02:49,400
Speaker 1: their racist. When she goes, when when he's telling the story,

1131
01:02:49,480 --> 01:02:51,120
Speaker 1: I was at one Star Wars and she was at

1132
01:02:51,160 --> 01:02:54,120
Speaker 1: the other because to her and she just goes so good,

1133
01:02:54,800 --> 01:02:58,480
Speaker 1: so good, and they said there are things in common.

1134
01:02:58,520 --> 01:03:03,920
Speaker 1: We're like, well, we love cattle. Like sometimes I'll just say, honey,

1135
01:03:03,920 --> 01:03:11,080
Speaker 1: what's new to flip through and see what's new. And

1136
01:03:11,120 --> 01:03:13,800
Speaker 1: then and he's I think this is just so like

1137
01:03:14,240 --> 01:03:16,200
Speaker 1: he does such a good job of being an asshole,

1138
01:03:16,280 --> 01:03:19,160
Speaker 1: like when his dog barked at someone else and told

1139
01:03:19,200 --> 01:03:21,720
Speaker 1: him I will sue your ass so quick, or like

1140
01:03:22,400 --> 01:03:27,360
Speaker 1: or I'll see you so fast on your head. Yeah god,

1141
01:03:27,560 --> 01:03:30,240
Speaker 1: oh man. Now there is so much in that that

1142
01:03:30,240 --> 01:03:33,080
Speaker 1: That movie is gold through and through many wind is

1143
01:03:33,200 --> 01:03:35,439
Speaker 1: very sweet Mighty Wind is like there's not as much

1144
01:03:35,480 --> 01:03:38,640
Speaker 1: like it's not as pot it doesn't pop as much.

1145
01:03:38,640 --> 01:03:40,200
Speaker 1: I think Best in Show is like the most, like

1146
01:03:40,480 --> 01:03:42,640
Speaker 1: it's the most jokes per minute, and Mighty Wind was

1147
01:03:42,680 --> 01:03:44,720
Speaker 1: trying to do something different. I think it was like

1148
01:03:44,840 --> 01:03:49,080
Speaker 1: so sweet. Remember what they performed at the Oscars? Yeah? Um,

1149
01:03:49,120 --> 01:03:51,960
Speaker 1: and then have you seen for your consideration? Okay, for

1150
01:03:52,040 --> 01:03:54,120
Speaker 1: your consideration. It is kind of like it it's still

1151
01:03:54,120 --> 01:03:56,440
Speaker 1: worth watching. I'd say it's kind of known as like

1152
01:03:56,480 --> 01:03:58,560
Speaker 1: the misstep of all those because that actually was the

1153
01:03:58,560 --> 01:04:01,760
Speaker 1: one I wasn't comment that's like not it's not mockumentary.

1154
01:04:01,800 --> 01:04:04,360
Speaker 1: Well I think it is mockumentary, but it's or maybe

1155
01:04:04,360 --> 01:04:07,600
Speaker 1: it's not. There's something different about it's like not fully improvised,

1156
01:04:07,600 --> 01:04:10,480
Speaker 1: like it's more scripted than the other ones. The I

1157
01:04:10,520 --> 01:04:12,400
Speaker 1: think that I think it might be still be kind

1158
01:04:12,400 --> 01:04:15,640
Speaker 1: of loose and improvised, but there's not there's no one

1159
01:04:15,640 --> 01:04:17,240
Speaker 1: talking to camera, there's no one being like, well we're

1160
01:04:17,280 --> 01:04:20,200
Speaker 1: getting ready for you know, court season. It's it's truly

1161
01:04:20,240 --> 01:04:22,600
Speaker 1: just like the first scene is Katherine Han's character Marilyn

1162
01:04:22,680 --> 01:04:24,840
Speaker 1: Hack driving into the lot and like the there's like

1163
01:04:25,680 --> 01:04:28,320
Speaker 1: I'm sorry, sorry, I said, Katherine Han Sorry, Katherine Harra

1164
01:04:28,480 --> 01:04:32,000
Speaker 1: also another amazingly talented Yes, everyone is so talented these

1165
01:04:32,080 --> 01:04:35,240
Speaker 1: Katherine's um but yeah, that's like the only non mocumentary one.

1166
01:04:35,240 --> 01:04:39,600
Speaker 1: But then Jennifer Coolidge is Jennifer Coolidge invest in show No,

1167
01:04:39,720 --> 01:04:42,080
Speaker 1: in a Mighty Wind and in for your consideration, so

1168
01:04:42,160 --> 01:04:45,840
Speaker 1: criminally under yours. She probably wasn't available for the whole shoots,

1169
01:04:45,840 --> 01:04:47,720
Speaker 1: but like she plays one of the producers, right, She's

1170
01:04:47,720 --> 01:04:50,120
Speaker 1: the producer. Looks like the family has been baked into

1171
01:04:50,160 --> 01:04:53,080
Speaker 1: the cookies and I want to see that. She just

1172
01:04:53,240 --> 01:04:54,480
Speaker 1: it's just and I want to and I want to

1173
01:04:54,520 --> 01:04:56,080
Speaker 1: see and I want to sit and she's the whole

1174
01:04:56,080 --> 01:04:57,680
Speaker 1: part where she's like, you know, the top of a

1175
01:04:57,760 --> 01:05:02,160
Speaker 1: producer is U you just think I forget what the

1176
01:05:02,160 --> 01:05:06,120
Speaker 1: line is. But it's just her delirious in all those scenes. Sandra, Sandra,

1177
01:05:07,320 --> 01:05:10,360
Speaker 1: I'm very aware that Sandro isn't isn't that movie. It's

1178
01:05:10,360 --> 01:05:12,200
Speaker 1: just it's it's I think it's like I need to

1179
01:05:12,280 --> 01:05:13,919
Speaker 1: I need to revisit it because it's like it gets

1180
01:05:13,920 --> 01:05:15,360
Speaker 1: shipped on all the time or maybe not sure that

1181
01:05:15,560 --> 01:05:17,960
Speaker 1: it is regarded as like the misstep. Yeah, but you

1182
01:05:18,080 --> 01:05:22,120
Speaker 1: also mentioned before Jim Carrey was he also huge for

1183
01:05:22,120 --> 01:05:26,080
Speaker 1: you me too, you know, like aison and turn Damon

1184
01:05:26,160 --> 01:05:28,880
Speaker 1: Damer for sure. But then when he went when he

1185
01:05:28,960 --> 01:05:31,440
Speaker 1: joined forces with Ben still around the Cable Guy and

1186
01:05:31,480 --> 01:05:34,520
Speaker 1: it was just that extra level of weird. It was

1187
01:05:34,640 --> 01:05:37,520
Speaker 1: just like, yeah, oh I loved it. And people didn't

1188
01:05:37,520 --> 01:05:39,840
Speaker 1: really like The Cable Guy because I think it challenged them,

1189
01:05:39,840 --> 01:05:41,160
Speaker 1: you know what I mean, because that movie is I

1190
01:05:41,200 --> 01:05:44,200
Speaker 1: think about something that that like is that we're not

1191
01:05:44,320 --> 01:05:46,560
Speaker 1: like didn't really talk about, but like that was that.

1192
01:05:46,920 --> 01:05:48,320
Speaker 1: I think it was meant to be like a like

1193
01:05:48,360 --> 01:05:51,400
Speaker 1: a sort of like deeper, weirder kind of deconstruction of

1194
01:05:51,440 --> 01:05:54,560
Speaker 1: that kind of like obsessive person. To me, one of

1195
01:05:54,600 --> 01:05:59,640
Speaker 1: the best performances ever is Liar, Liar, I'm gonna how

1196
01:05:59,720 --> 01:06:02,920
Speaker 1: diff gold that is? No one, no one else in

1197
01:06:02,920 --> 01:06:07,840
Speaker 1: the world is capable of that. And still like I

1198
01:06:08,280 --> 01:06:11,560
Speaker 1: just can't. I still have such a like special place

1199
01:06:11,600 --> 01:06:13,600
Speaker 1: at my heart for Jim Carrey even right now. I'm

1200
01:06:13,640 --> 01:06:15,560
Speaker 1: like such a fan of his Instagram and all this

1201
01:06:15,760 --> 01:06:19,600
Speaker 1: like inspirational. Yeah, it's definitely taking a turn, but it's like,

1202
01:06:20,080 --> 01:06:22,160
Speaker 1: but how could you not take a turn after your

1203
01:06:22,240 --> 01:06:25,280
Speaker 1: life like that? It's a lot going on, but the

1204
01:06:25,400 --> 01:06:27,800
Speaker 1: thing is like liar liar, like think that. Of course

1205
01:06:27,800 --> 01:06:31,120
Speaker 1: all the physical comedy like and the nailing of every joke.

1206
01:06:31,160 --> 01:06:33,280
Speaker 1: But then there's that moment where he's like, I'm a

1207
01:06:33,320 --> 01:06:35,760
Speaker 1: bad father and he was hears himself say it, and

1208
01:06:35,800 --> 01:06:37,120
Speaker 1: then he was able to say it, and he's like,

1209
01:06:37,120 --> 01:06:42,160
Speaker 1: I'm a bad father. And Maura Tierney who is Maura Maura.

1210
01:06:43,840 --> 01:06:50,880
Speaker 1: It's really culture number icon Maura. She's in a tune.

1211
01:06:50,920 --> 01:06:52,880
Speaker 1: She was like, you're not a bad father and he's like,

1212
01:06:52,960 --> 01:06:54,800
Speaker 1: I am, I am and she doesn't get it. Like

1213
01:06:54,840 --> 01:06:57,040
Speaker 1: that scene is so good, and then just like the

1214
01:06:57,080 --> 01:07:00,880
Speaker 1: whole thing, like oh man, that like he is and

1215
01:07:00,920 --> 01:07:03,959
Speaker 1: then his dramatic work to like you've seen the Truman Show.

1216
01:07:05,080 --> 01:07:08,320
Speaker 1: That movie is really crazy. It's crazy. I actually I

1217
01:07:08,360 --> 01:07:10,280
Speaker 1: only saw it recently for the first time, and it's

1218
01:07:10,320 --> 01:07:13,400
Speaker 1: like it's it's it's really ahead of its time. I

1219
01:07:13,440 --> 01:07:15,400
Speaker 1: don't think he would make that now, or maybe they would,

1220
01:07:15,400 --> 01:07:17,320
Speaker 1: but it just would be like it would be very different,

1221
01:07:17,400 --> 01:07:20,200
Speaker 1: like it was the perfect sort of premise for a

1222
01:07:20,240 --> 01:07:23,760
Speaker 1: movie that for a movie that came out at that time,

1223
01:07:24,840 --> 01:07:26,480
Speaker 1: and then it turned like an eternal time time. We

1224
01:07:26,480 --> 01:07:30,320
Speaker 1: were just talking about in the car they you know,

1225
01:07:30,360 --> 01:07:32,160
Speaker 1: I was just watching the movie Elma and Louise on

1226
01:07:32,160 --> 01:07:33,880
Speaker 1: the plane. Have you seen Thelma and Louise? One of

1227
01:07:33,880 --> 01:07:35,960
Speaker 1: my havent movies of all time? But like the way

1228
01:07:36,000 --> 01:07:38,360
Speaker 1: that movies used to like take their time setting up

1229
01:07:38,440 --> 01:07:41,600
Speaker 1: character and like really kind of seep in worlds, like

1230
01:07:41,920 --> 01:07:44,280
Speaker 1: you don't see that anymore, Like even my best friend's wedding, Dave.

1231
01:07:44,400 --> 01:07:46,480
Speaker 1: Dave had never seen my best friend's wedding, like and

1232
01:07:46,560 --> 01:07:47,960
Speaker 1: we I was like, we have to watch it now,

1233
01:07:48,000 --> 01:07:49,880
Speaker 1: Like we dropped everything and watched it that night. But

1234
01:07:49,920 --> 01:07:52,920
Speaker 1: like the amount of time, like it takes to get

1235
01:07:52,960 --> 01:07:55,360
Speaker 1: to know Julia Robertson. It takes her like a little

1236
01:07:55,360 --> 01:07:57,680
Speaker 1: while to get to the actual wedding and then you

1237
01:07:57,720 --> 01:08:00,760
Speaker 1: meet Cameron Diaz or whatever. Romantic but is now if

1238
01:08:00,800 --> 01:08:03,640
Speaker 1: they ever make them, it's like first scene like over

1239
01:08:03,680 --> 01:08:05,440
Speaker 1: a city's gape. Hey, my name is Miranda and I

1240
01:08:05,520 --> 01:08:09,320
Speaker 1: work in a magazine and we're already in it. It's

1241
01:08:09,360 --> 01:08:11,440
Speaker 1: like crazy rich Asians. That first scene when it's like

1242
01:08:11,680 --> 01:08:13,640
Speaker 1: the text goes around the world. It's like it's just

1243
01:08:14,040 --> 01:08:17,040
Speaker 1: thrust into the world so quickly, and it's like you

1244
01:08:17,080 --> 01:08:19,240
Speaker 1: miss when movies didn't feel like they had to be

1245
01:08:19,280 --> 01:08:22,200
Speaker 1: like eighty five minutes, you know, like, isn't it romantic?

1246
01:08:22,240 --> 01:08:25,519
Speaker 1: I loved, but like it's so fast, literally minutes, and

1247
01:08:25,560 --> 01:08:27,479
Speaker 1: they cut so much out of it you could tell,

1248
01:08:27,520 --> 01:08:29,880
Speaker 1: and we've had confirmed that. It's like, I don't know,

1249
01:08:29,960 --> 01:08:34,680
Speaker 1: I just missed when movies like We're Feature felt it

1250
01:08:34,800 --> 01:08:38,240
Speaker 1: felt like when you get thrown into it, you don't

1251
01:08:38,240 --> 01:08:42,360
Speaker 1: know what to care about just instantly, it's just like

1252
01:08:44,160 --> 01:08:48,200
Speaker 1: just spewed, and it's so nice to sit in and decide, Oh,

1253
01:08:48,240 --> 01:08:50,280
Speaker 1: I like this for I'm starting to fall in love

1254
01:08:50,320 --> 01:08:53,280
Speaker 1: with this. Yes, I think that's why. Oftentimes now you

1255
01:08:53,280 --> 01:08:55,360
Speaker 1: see like a lot of lead characters that feel the

1256
01:08:55,560 --> 01:08:59,679
Speaker 1: most nondescript. Yeah, I would say that about crazy rich Asians. Actually,

1257
01:08:59,680 --> 01:09:01,800
Speaker 1: I would say that Constance Wu is like the we

1258
01:09:01,880 --> 01:09:05,240
Speaker 1: are we are Constant Wood, and like all the supporting

1259
01:09:05,280 --> 01:09:07,840
Speaker 1: characters are the ones that topic obviously Aquafina and like

1260
01:09:08,040 --> 01:09:10,360
Speaker 1: you know, Michelle and like all these supporting characters. But

1261
01:09:10,400 --> 01:09:12,320
Speaker 1: it's like when you watch something like My Best Friend's

1262
01:09:12,360 --> 01:09:14,479
Speaker 1: Wedding or any of these Jim Carrey movies, it's like

1263
01:09:14,600 --> 01:09:18,320
Speaker 1: you really know who the lead character is. Best's Wedding

1264
01:09:18,360 --> 01:09:22,600
Speaker 1: it's like a fully unlikable who you still root for

1265
01:09:22,640 --> 01:09:24,280
Speaker 1: in some way. Yeah, And I think a lot of

1266
01:09:24,280 --> 01:09:25,920
Speaker 1: that has to do with the fact that Julia Roberts

1267
01:09:25,920 --> 01:09:28,200
Speaker 1: is playing her, and you root for Julia, you just do.

1268
01:09:28,640 --> 01:09:31,720
Speaker 1: But it's interesting, like to watch these movies from the

1269
01:09:31,800 --> 01:09:34,800
Speaker 1: nineties and then see like, like what romantic comedy like

1270
01:09:34,840 --> 01:09:36,960
Speaker 1: Netflix is making now or whatever, and it's just like

1271
01:09:37,000 --> 01:09:40,760
Speaker 1: the formulas seems to be just different. Things need to

1272
01:09:40,760 --> 01:09:43,840
Speaker 1: be shorter, as like people's attention spans get shorter. I

1273
01:09:43,840 --> 01:09:46,679
Speaker 1: guess um to go back to Jim Carrey, I would

1274
01:09:47,080 --> 01:09:48,799
Speaker 1: there was a period of time and I would watch

1275
01:09:50,520 --> 01:09:55,000
Speaker 1: like ET, like I would watch these like Hollywood. I

1276
01:09:55,000 --> 01:09:57,840
Speaker 1: would just watch like TV just to see if he

1277
01:09:57,960 --> 01:10:00,639
Speaker 1: was like on like my mom, like my sister will

1278
01:10:00,680 --> 01:10:03,679
Speaker 1: be like Jim carries on ET. You mean Entertainment tonight,

1279
01:10:03,760 --> 01:10:09,160
Speaker 1: yea extraterrestrial And and then like I would like sit

1280
01:10:09,240 --> 01:10:11,639
Speaker 1: with an interes of the TV just to watch him

1281
01:10:11,800 --> 01:10:14,800
Speaker 1: be interviewed, and he would just make these crazy faces.

1282
01:10:15,600 --> 01:10:18,120
Speaker 1: Just his whole purpose in the interviews was to make

1283
01:10:18,160 --> 01:10:21,160
Speaker 1: the person laugh, And I was just like, how does

1284
01:10:21,200 --> 01:10:24,120
Speaker 1: he do it? I need to understand how this man's

1285
01:10:24,120 --> 01:10:26,160
Speaker 1: brain works because I want to be that someday. It

1286
01:10:26,240 --> 01:10:30,080
Speaker 1: was like truly like this crazy, crazy, crazy obsession, like

1287
01:10:30,120 --> 01:10:32,720
Speaker 1: my first full celebrity obsession as a kid. And it's

1288
01:10:32,720 --> 01:10:35,719
Speaker 1: still like yeah, still like following him on Instagram'm like wow,

1289
01:10:35,840 --> 01:10:39,439
Speaker 1: Jim Yeah. Or like when he would show up on

1290
01:10:39,880 --> 01:10:42,439
Speaker 1: the MTV Movie Awards, like you knew he would win

1291
01:10:43,040 --> 01:10:45,479
Speaker 1: Comedy Performance of the Year, and then sometimes he was

1292
01:10:45,520 --> 01:10:49,240
Speaker 1: like in character, you just knew he was going to

1293
01:10:49,400 --> 01:10:52,479
Speaker 1: do funny. Yeah. That's the thing too, is it's like

1294
01:10:52,800 --> 01:10:55,760
Speaker 1: that used to be that they have the presenters at

1295
01:10:55,760 --> 01:10:57,559
Speaker 1: the Oscars and you'd come out and be like okay,

1296
01:10:57,680 --> 01:11:01,120
Speaker 1: and I don't time. It would be like Jack black

1297
01:11:01,240 --> 01:11:04,720
Speaker 1: or Ye saying that song about delt Taco. That one

1298
01:11:05,040 --> 01:11:08,519
Speaker 1: talking about it was like Jack Black well Ferrell, yeah yeah.

1299
01:11:08,680 --> 01:11:10,880
Speaker 1: But now it's like I feel like they've relied a little,

1300
01:11:10,920 --> 01:11:14,000
Speaker 1: like you kind of get the same people out there

1301
01:11:14,000 --> 01:11:16,840
Speaker 1: every single time now. But it did used to feel

1302
01:11:16,880 --> 01:11:19,519
Speaker 1: like Jim Carrey would show up, what novel on else

1303
01:11:19,520 --> 01:11:22,040
Speaker 1: would matter? Yeah, yeah, yeah, yeah, they've ever seen like

1304
01:11:22,080 --> 01:11:24,160
Speaker 1: he presented like Meryl Streep with like an a f

1305
01:11:24,160 --> 01:11:26,880
Speaker 1: I Award one time and it was literally him like

1306
01:11:27,000 --> 01:11:29,840
Speaker 1: not on like just screaming across the auditorium like no,

1307
01:11:30,560 --> 01:11:34,080
Speaker 1: and she was like, oh, it's a delight and it's

1308
01:11:34,120 --> 01:11:36,559
Speaker 1: such a delight to have this, and like he was

1309
01:11:36,600 --> 01:11:38,920
Speaker 1: just like running around the auditorium and that was just

1310
01:11:38,960 --> 01:11:41,120
Speaker 1: the presentation, but then there was also but then it

1311
01:11:41,160 --> 01:11:43,519
Speaker 1: was at the same awards where fucking Tracy Ellman came

1312
01:11:43,560 --> 01:11:47,320
Speaker 1: out and this is iconic, So do you have to

1313
01:11:47,360 --> 01:11:50,080
Speaker 1: watch this? So it's like Meryl Streep receiving like an

1314
01:11:50,080 --> 01:11:53,920
Speaker 1: a f I Lifetime Achievement Award, and Tracy Ellman tells

1315
01:11:53,960 --> 01:11:56,519
Speaker 1: this hilarious story about how they wish I had no idea.

1316
01:11:56,560 --> 01:11:59,080
Speaker 1: They did a movie together called Plenty in the eighties,

1317
01:11:59,720 --> 01:12:02,719
Speaker 1: which was like a drama with Tracy Ullman and Meryl Street,

1318
01:12:02,720 --> 01:12:06,240
Speaker 1: but they literally filmed it in like Tunisia, and so

1319
01:12:06,280 --> 01:12:09,960
Speaker 1: they were flying from Tunisia back to the like United

1320
01:12:10,000 --> 01:12:12,160
Speaker 1: States or whatever, and Tracy Allman tells a story about

1321
01:12:12,160 --> 01:12:14,200
Speaker 1: how they were positive the plane was gonna crash because

1322
01:12:14,200 --> 01:12:17,519
Speaker 1: it started crashing, like I started to go down and

1323
01:12:17,560 --> 01:12:22,360
Speaker 1: Tracy Ellman is like, doesn't Meryl impre She's like she's like, well,

1324
01:12:22,400 --> 01:12:24,240
Speaker 1: the papers are gonna have something to say about this.

1325
01:12:24,880 --> 01:12:27,240
Speaker 1: And then she goes and I could see the headline

1326
01:12:27,280 --> 01:12:33,680
Speaker 1: now screen got a streep parishes in Tunisian air disaster. Meanwhile,

1327
01:12:34,479 --> 01:12:42,640
Speaker 1: Limi comedian Stacy Pullman also on board. Really good. I

1328
01:12:42,960 --> 01:12:45,479
Speaker 1: don't do it as good as Tracy Aellman. None of

1329
01:12:45,560 --> 01:12:48,479
Speaker 1: us could. None of us could. That's what makes Tracy

1330
01:12:48,560 --> 01:12:50,840
Speaker 1: though like and I think that we're do for a

1331
01:12:50,840 --> 01:12:55,120
Speaker 1: renaissance or something at the Showtime show. That's right, I

1332
01:12:55,120 --> 01:12:58,479
Speaker 1: haven't seen it. Have you watched any of Speaking of

1333
01:12:58,560 --> 01:13:00,800
Speaker 1: Showtime shows, you know what I feel like you should

1334
01:13:00,800 --> 01:13:03,320
Speaker 1: watch is Kirsten Dunst in the on Becoming a God.

1335
01:13:03,439 --> 01:13:06,160
Speaker 1: Have you you must have watched everything? I mean I

1336
01:13:06,240 --> 01:13:08,320
Speaker 1: just wrote this on a piece of paper that was

1337
01:13:08,400 --> 01:13:13,120
Speaker 1: like anything she does I wish I did, like every

1338
01:13:13,160 --> 01:13:17,479
Speaker 1: single movie, also every single look like her and The

1339
01:13:17,560 --> 01:13:20,960
Speaker 1: Virgin Suicide. We didn't even mention that. We literally on

1340
01:13:20,960 --> 01:13:23,360
Speaker 1: our last episode of the pod that we recorded, we

1341
01:13:23,800 --> 01:13:26,760
Speaker 1: talked about her so much, and then today in the

1342
01:13:26,760 --> 01:13:31,479
Speaker 1: news she was she feels that Hollywood doesn't appreciate her.

1343
01:13:32,000 --> 01:13:34,360
Speaker 1: Read the read the quote, read the quote. I've got it.

1344
01:13:34,360 --> 01:13:36,439
Speaker 1: I've got it, I get it. But literally we were

1345
01:13:36,479 --> 01:13:39,120
Speaker 1: just talking about how she's like never won a major award,

1346
01:13:39,240 --> 01:13:41,840
Speaker 1: rarely gets nominated for ship, but always has the best

1347
01:13:41,880 --> 01:13:44,880
Speaker 1: taste in things, like always seems to know like what

1348
01:13:44,960 --> 01:13:47,719
Speaker 1: projects to pick, and they all have like staying power,

1349
01:13:48,040 --> 01:13:51,400
Speaker 1: you know what I mean, And just this under even

1350
01:13:51,400 --> 01:13:54,640
Speaker 1: though she was so big, Like also she's understated and

1351
01:13:54,920 --> 01:13:58,880
Speaker 1: because she's never obviously and she thinks so too, never gotten,

1352
01:13:58,960 --> 01:14:02,800
Speaker 1: Like do you think she floats a theory that she says,

1353
01:14:02,840 --> 01:14:04,559
Speaker 1: I think maybe people think of me as the girl

1354
01:14:04,560 --> 01:14:08,680
Speaker 1: from Bringing On. I think that people people because she

1355
01:14:08,840 --> 01:14:11,640
Speaker 1: was so kind of big when she was younger. I

1356
01:14:11,680 --> 01:14:14,360
Speaker 1: think people in their like dumb minds are like, oh,

1357
01:14:14,439 --> 01:14:17,080
Speaker 1: she's like you can't take her seriously, she's like a teenager, mean,

1358
01:14:17,080 --> 01:14:19,840
Speaker 1: while she's fully thirty seven years old. It's like, and

1359
01:14:19,880 --> 01:14:22,160
Speaker 1: your your theory is that Hollywood thinks that she thinks

1360
01:14:22,200 --> 01:14:24,519
Speaker 1: she's younger than she is. I think that just there's

1361
01:14:24,560 --> 01:14:26,559
Speaker 1: like a there's like a perception of her as being

1362
01:14:26,640 --> 01:14:29,559
Speaker 1: like not like a leading lady type when she's so

1363
01:14:29,640 --> 01:14:34,120
Speaker 1: obviously and it's like really makes everything look so easy

1364
01:14:34,200 --> 01:14:36,680
Speaker 1: that she does because she I feel like this might

1365
01:14:36,720 --> 01:14:39,280
Speaker 1: be a weird thing to like connect, but I feel

1366
01:14:39,280 --> 01:14:43,800
Speaker 1: like she and like what like her career was like

1367
01:14:43,960 --> 01:14:46,280
Speaker 1: I feel like on the same level as like, let's say,

1368
01:14:46,280 --> 01:14:50,120
Speaker 1: in Natalie Portman both in these big blockbuster franchises Wimbledon,

1369
01:14:50,960 --> 01:14:55,320
Speaker 1: like Wimbledon, and then like, uh, like they're like Natalie

1370
01:14:55,320 --> 01:14:59,640
Speaker 1: was in Star Wars, Kirsten was in Spider Man Closer

1371
01:14:59,640 --> 01:15:03,200
Speaker 1: and Virgin Suicides or like yeah, I mean she's got

1372
01:15:03,400 --> 01:15:08,040
Speaker 1: some resume. Like they had like very similar trajectory, and

1373
01:15:08,040 --> 01:15:10,400
Speaker 1: they both work with prest these directors too. It's like,

1374
01:15:10,600 --> 01:15:12,240
Speaker 1: you know, like there's like a lot of what does

1375
01:15:12,280 --> 01:15:14,200
Speaker 1: she said, what's the quote? The quote is, I don't know.

1376
01:15:14,280 --> 01:15:16,000
Speaker 1: I've also had a lot of disappointment that things that

1377
01:15:16,040 --> 01:15:19,160
Speaker 1: people like, Remember when Marie Antoinette came out, y'all panned it,

1378
01:15:19,720 --> 01:15:22,639
Speaker 1: all panned it, and now you all love it. Remember

1379
01:15:22,720 --> 01:15:26,120
Speaker 1: drop dead gorgeous, panned, now you all love it. It's

1380
01:15:26,160 --> 01:15:28,599
Speaker 1: interesting for me, I feel like a lot of things

1381
01:15:28,600 --> 01:15:32,280
Speaker 1: I do people like later she's so right, and it's

1382
01:15:32,920 --> 01:15:36,080
Speaker 1: it's kind of it's kind of confounding. It's like she

1383
01:15:36,320 --> 01:15:40,479
Speaker 1: is do like such such a such a more like

1384
01:15:41,760 --> 01:15:45,600
Speaker 1: widely celebrated career. Then there's like so many smaller performances

1385
01:15:45,600 --> 01:15:48,479
Speaker 1: of hers that are just overlooked like my favorite example

1386
01:15:48,520 --> 01:15:51,519
Speaker 1: of like someone like really slang and like no one

1387
01:15:51,640 --> 01:15:55,280
Speaker 1: noticing is like her and eternal Sunshine of the Spolacey. Yeah,

1388
01:15:55,880 --> 01:16:00,559
Speaker 1: another jump toward a force. Speaking of Jim, I think

1389
01:16:00,640 --> 01:16:03,880
Speaker 1: so good in that. Um, did you guys watch Fargo

1390
01:16:03,960 --> 01:16:09,360
Speaker 1: season two? Yeah, but what she does is so hard

1391
01:16:09,720 --> 01:16:11,439
Speaker 1: like and also like the thing about her is like

1392
01:16:11,520 --> 01:16:15,559
Speaker 1: she's a real character actress. She embodies characters and she's

1393
01:16:15,600 --> 01:16:19,760
Speaker 1: good at accents, like she's like this unbecoming a god

1394
01:16:19,760 --> 01:16:21,600
Speaker 1: intentraal Farda. We were talking about it today. I was

1395
01:16:21,640 --> 01:16:25,479
Speaker 1: talking about it today UM with someone and they were saying, like,

1396
01:16:25,720 --> 01:16:27,840
Speaker 1: you know, you see her and she's like really playing

1397
01:16:27,840 --> 01:16:30,479
Speaker 1: this woman. Like her transformation is like she gets her

1398
01:16:30,479 --> 01:16:33,920
Speaker 1: braces off, but her body is still like a normal

1399
01:16:34,000 --> 01:16:35,800
Speaker 1: woman's body, you know what I mean. Like it's like

1400
01:16:36,000 --> 01:16:38,639
Speaker 1: she just like really commits to authenticity in a way

1401
01:16:38,680 --> 01:16:43,920
Speaker 1: that I feel is like rare. I think. And then

1402
01:16:44,000 --> 01:16:45,760
Speaker 1: part of this part for someone that came up in

1403
01:16:45,760 --> 01:16:47,760
Speaker 1: the nineties when it was like a lot of like

1404
01:16:48,360 --> 01:16:50,320
Speaker 1: there wasn't so much awareness on the fact that we

1405
01:16:50,560 --> 01:16:52,840
Speaker 1: do this to women in Hollywood, where it's like, you know,

1406
01:16:52,880 --> 01:16:56,120
Speaker 1: I bet a lot of her contemporaries are like, you know,

1407
01:16:56,320 --> 01:17:00,519
Speaker 1: like are like a victim of that kind of culture,

1408
01:17:00,600 --> 01:17:03,759
Speaker 1: which was the late nineties early two thousands. I remember

1409
01:17:03,800 --> 01:17:06,519
Speaker 1: like Perez Hilton was calling Kirston Dunce like a ship

1410
01:17:06,600 --> 01:17:10,080
Speaker 1: stain on this website, like seriously, like she's been through

1411
01:17:10,560 --> 01:17:13,439
Speaker 1: a media age that was like very cruel to women.

1412
01:17:13,600 --> 01:17:17,280
Speaker 1: Sure she in the same interview I think, was like,

1413
01:17:17,400 --> 01:17:20,160
Speaker 1: I don't know, I guess I'm just chill, like like

1414
01:17:20,200 --> 01:17:21,280
Speaker 1: in a way that was just like I don't know

1415
01:17:21,360 --> 01:17:24,400
Speaker 1: people like people like, don't people like look like overlooking

1416
01:17:24,439 --> 01:17:25,920
Speaker 1: because I guess I'm just like chilling. I don't like

1417
01:17:25,960 --> 01:17:27,720
Speaker 1: make to play the game is don't play the game,

1418
01:17:27,880 --> 01:17:29,720
Speaker 1: which I think I truly think she does because she

1419
01:17:29,760 --> 01:17:32,000
Speaker 1: was on Cold Bear like recently to promote the show,

1420
01:17:32,040 --> 01:17:34,280
Speaker 1: and I was like, oh yeah, like I forgot that.

1421
01:17:34,320 --> 01:17:36,439
Speaker 1: This was like Kirston Dunes like the person. She's not

1422
01:17:36,479 --> 01:17:39,800
Speaker 1: like larger than she's just like a chill person. Yeah,

1423
01:17:39,800 --> 01:17:42,360
Speaker 1: she's an actress, who that's what she does. Like she's

1424
01:17:42,400 --> 01:17:44,160
Speaker 1: not a celebrity. But don't you I have don't you

1425
01:17:44,160 --> 01:17:45,800
Speaker 1: have like such respect for that. I'm just like, yeah,

1426
01:17:45,920 --> 01:17:48,800
Speaker 1: that's so refreshing, and I am obsessed and like that's

1427
01:17:48,840 --> 01:17:51,120
Speaker 1: what I want. Here's a question, here's a question for you,

1428
01:17:51,200 --> 01:17:53,800
Speaker 1: Like do you get like a lot of like press,

1429
01:17:54,320 --> 01:17:56,320
Speaker 1: like opportunity to are they asking you to do a

1430
01:17:56,360 --> 01:17:58,920
Speaker 1: lot of press now that you're like, I'm like not

1431
01:17:59,000 --> 01:18:02,200
Speaker 1: a veteran of the show, out of it ago not

1432
01:18:02,479 --> 01:18:07,639
Speaker 1: like not not too much, you know, you know, more

1433
01:18:07,880 --> 01:18:11,479
Speaker 1: than a year ago. But when you put you on

1434
01:18:11,560 --> 01:18:17,639
Speaker 1: seth was truly a beautiful, beautiful moment. I loved it.

1435
01:18:17,840 --> 01:18:20,320
Speaker 1: Like this is so I was like, oh my god,

1436
01:18:20,560 --> 01:18:22,639
Speaker 1: do you feel comfortable with it? Or is it weird?

1437
01:18:22,680 --> 01:18:25,679
Speaker 1: I'm trying to get more comfortable. I think that being

1438
01:18:25,760 --> 01:18:30,000
Speaker 1: like people pleaser my whole life. I can um air

1439
01:18:30,080 --> 01:18:33,400
Speaker 1: more on the like polite and the closer I can

1440
01:18:33,439 --> 01:18:36,000
Speaker 1: get to just being myself is like a challenge I

1441
01:18:36,040 --> 01:18:39,519
Speaker 1: have every time I do something like, you know, just

1442
01:18:39,960 --> 01:18:43,960
Speaker 1: to make sure I'm being myself. Yeah. And also it's

1443
01:18:43,960 --> 01:18:46,320
Speaker 1: like that thing of like be yourself but also be

1444
01:18:46,439 --> 01:18:49,080
Speaker 1: like entertaining. For us, well, it's like a lot to

1445
01:18:49,160 --> 01:18:55,880
Speaker 1: appear effortless. It's effort to effortless because being effortless truly

1446
01:18:55,920 --> 01:18:59,479
Speaker 1: is the hardest thing in the world. Ironically, well, some

1447
01:18:59,520 --> 01:19:03,760
Speaker 1: people real it's probably not real. Yeah, I think some

1448
01:19:03,800 --> 01:19:06,040
Speaker 1: people are just really good at like and having a

1449
01:19:06,040 --> 01:19:08,000
Speaker 1: lot of energy when they go out there. But you know,

1450
01:19:08,080 --> 01:19:11,360
Speaker 1: I was recently watching UM, like a clip of Aubrey

1451
01:19:11,360 --> 01:19:14,360
Speaker 1: Plaza on UM. It was like a super cud of

1452
01:19:14,400 --> 01:19:17,280
Speaker 1: Aubrey Plaza on Conan, And I guess her bit on

1453
01:19:17,360 --> 01:19:19,839
Speaker 1: Conan is that she goes out there and it's like whatever,

1454
01:19:20,560 --> 01:19:22,559
Speaker 1: like Okay, I don't know, I really don't want to

1455
01:19:22,560 --> 01:19:24,639
Speaker 1: do this, and that's like a bit that she does.

1456
01:19:25,000 --> 01:19:28,000
Speaker 1: But like I really respect like sticking that bit because

1457
01:19:28,000 --> 01:19:31,280
Speaker 1: to go out there and be like anti energy but

1458
01:19:31,320 --> 01:19:35,880
Speaker 1: it's so funny, like that is hard and yeah, I

1459
01:19:35,880 --> 01:19:38,680
Speaker 1: mean he and he's laughing and he's like he's like, um,

1460
01:19:38,720 --> 01:19:40,160
Speaker 1: so what have you been doing? And she's like, I

1461
01:19:40,160 --> 01:19:43,720
Speaker 1: don't know, I've been busy and he's like, okay, the

1462
01:19:43,800 --> 01:19:47,880
Speaker 1: kind of stuff, and she's like, um, I don't know.

1463
01:19:47,960 --> 01:19:49,799
Speaker 1: I did a movie that I'm here to talk about,

1464
01:19:50,080 --> 01:19:53,040
Speaker 1: what you know, and he's like okay. But now she's

1465
01:19:53,080 --> 01:19:55,640
Speaker 1: so lucky that she has that, and then it is

1466
01:19:55,720 --> 01:19:58,519
Speaker 1: effortless I see at this point, But like how do

1467
01:19:58,560 --> 01:20:01,559
Speaker 1: you get those? Because you know, the first few times

1468
01:20:01,640 --> 01:20:05,479
Speaker 1: weren't like that probably nervous. How do you get to

1469
01:20:05,560 --> 01:20:08,960
Speaker 1: that point where now it's also Christen Wig whenever she

1470
01:20:09,000 --> 01:20:11,080
Speaker 1: goes on, like whenever she's on the Tonight Show, it's

1471
01:20:11,080 --> 01:20:15,200
Speaker 1: always she'll go on. It's like, yeah, I know in

1472
01:20:15,240 --> 01:20:18,280
Speaker 1: a bald cap. I'm like, you want to get figured

1473
01:20:18,400 --> 01:20:21,920
Speaker 1: out that place where people automatically or just excited like

1474
01:20:22,360 --> 01:20:25,720
Speaker 1: me with Jim Carrey on the MTP movie, or like

1475
01:20:25,920 --> 01:20:28,720
Speaker 1: just knowing you're in for it, they're going to do

1476
01:20:28,720 --> 01:20:33,439
Speaker 1: something funny. I think, like, I think, I think I

1477
01:20:33,520 --> 01:20:35,680
Speaker 1: think it's I think it's like it's already there for

1478
01:20:35,720 --> 01:20:40,320
Speaker 1: everybody to just like show up and like not expect

1479
01:20:40,320 --> 01:20:43,080
Speaker 1: people to be excited, but just to like, I don't know,

1480
01:20:43,160 --> 01:20:46,240
Speaker 1: like carry that as if you like walk into walk

1481
01:20:46,320 --> 01:20:50,360
Speaker 1: into a situation. Carrying this image of people already being

1482
01:20:50,360 --> 01:20:54,280
Speaker 1: excited that you're there kind of just helps well. Being

1483
01:20:54,320 --> 01:20:56,639
Speaker 1: a guest on. Like Joel recently told me that he's

1484
01:20:56,640 --> 01:20:59,799
Speaker 1: going to start doing press for like Sunnyside, joking Booster

1485
01:20:59,880 --> 01:21:02,240
Speaker 1: is on that show Son. He saw it NBC and

1486
01:21:02,280 --> 01:21:04,120
Speaker 1: he said that he mentioned he was doing a show,

1487
01:21:04,160 --> 01:21:05,720
Speaker 1: and I'm like I looked at him and I'm like,

1488
01:21:05,760 --> 01:21:08,920
Speaker 1: but you're my friend. You're not allow I'm gonna watch

1489
01:21:09,000 --> 01:21:13,880
Speaker 1: you on a show get interviewed. No, it was weird.

1490
01:21:13,920 --> 01:21:15,000
Speaker 1: I was like, he was like, I'm gonna be on

1491
01:21:15,040 --> 01:21:17,599
Speaker 1: set Meyers and I was like, no, no, you can't,

1492
01:21:17,680 --> 01:21:21,679
Speaker 1: can't do that. Yeah, you're not famous, you're my friend. Friend.

1493
01:21:23,000 --> 01:21:25,880
Speaker 1: I have a friend, my friend Michelle, who the second

1494
01:21:25,920 --> 01:21:28,920
Speaker 1: I got on SNL was like, what about the trolls?

1495
01:21:29,280 --> 01:21:32,240
Speaker 1: And I was like Michelle, I was like, well, yeah,

1496
01:21:32,520 --> 01:21:34,240
Speaker 1: you know, that will be hard, you know. And she's like,

1497
01:21:34,280 --> 01:21:35,840
Speaker 1: do you want me to start it? And I was like,

1498
01:21:36,000 --> 01:21:38,559
Speaker 1: what do you mean? She was like like start you know,

1499
01:21:38,640 --> 01:21:40,639
Speaker 1: so like the first negative thing comes from a friend

1500
01:21:40,680 --> 01:21:44,880
Speaker 1: and I'm like, oh my god. And every time, like

1501
01:21:45,439 --> 01:21:48,479
Speaker 1: she's always just kind of being like asking the questions,

1502
01:21:48,520 --> 01:21:50,559
Speaker 1: like what if this doesn't work out? And I was like,

1503
01:21:51,320 --> 01:21:54,800
Speaker 1: I'll be a teacher. I don't know, like Michelle teacher Michelle,

1504
01:21:56,200 --> 01:21:59,479
Speaker 1: but it's and she's been my friends second grade. Like, yeah,

1505
01:21:59,600 --> 01:22:03,559
Speaker 1: I feel like you have been embraced and beloved, like

1506
01:22:04,560 --> 01:22:07,840
Speaker 1: in a way that like not that we haven't seen

1507
01:22:07,920 --> 01:22:09,400
Speaker 1: in a few years, but like I really feel like

1508
01:22:09,439 --> 01:22:11,080
Speaker 1: the response to you has been so good. Do you

1509
01:22:11,120 --> 01:22:17,040
Speaker 1: feel that not? According to Michelle. Michelle. Michelle is the

1510
01:22:17,040 --> 01:22:20,519
Speaker 1: one who's like orchestrating, like the camp like truly Michelle.

1511
01:22:21,600 --> 01:22:24,599
Speaker 1: But I do feel like you've you've like it's you've

1512
01:22:24,680 --> 01:22:27,800
Speaker 1: hit hard. Oh that's right, and it is very fun

1513
01:22:27,800 --> 01:22:31,000
Speaker 1: to watch. She was saying, s l a Y it's

1514
01:22:31,400 --> 01:22:34,559
Speaker 1: it's the coolest thing in the world. You really kill

1515
01:22:34,600 --> 01:22:36,920
Speaker 1: those weekend update characters. Do you have like someone that

1516
01:22:36,960 --> 01:22:38,720
Speaker 1: you write with a lot at the show, like like,

1517
01:22:39,680 --> 01:22:43,320
Speaker 1: what's what's the machine? That is Heide Gardner the machine? Well,

1518
01:22:43,400 --> 01:22:46,080
Speaker 1: you know, from being a shy person at first, I

1519
01:22:46,120 --> 01:22:48,519
Speaker 1: think like the first few weeks that s n L.

1520
01:22:48,600 --> 01:22:50,960
Speaker 1: You know, it's first year writing by myself, you know,

1521
01:22:51,040 --> 01:22:53,719
Speaker 1: which was just because it's scared to knock on doors

1522
01:22:53,800 --> 01:22:57,320
Speaker 1: and you're like, hi, I'm me and also if you

1523
01:22:57,320 --> 01:23:00,559
Speaker 1: want to write with me, so um, that was like

1524
01:23:00,680 --> 01:23:02,680
Speaker 1: a character to defect. But also I think, let me

1525
01:23:02,720 --> 01:23:06,519
Speaker 1: get my point of view out even just the writers

1526
01:23:06,520 --> 01:23:09,800
Speaker 1: and producers and then you know, Sudi I write with

1527
01:23:09,840 --> 01:23:15,800
Speaker 1: all the time, and fran Bowen, James Anderson, yeah, me

1528
01:23:15,840 --> 01:23:19,719
Speaker 1: and Mikey. Oh yeah, you and Mikey are like the thing. Yeah,

1529
01:23:19,760 --> 01:23:21,439
Speaker 1: I mean that was a goal this year. I was like,

1530
01:23:22,200 --> 01:23:26,200
Speaker 1: I want to have like chemistry with the cast member something,

1531
01:23:27,240 --> 01:23:33,080
Speaker 1: so that is fun. Andrew dismukex is is so I love.

1532
01:23:33,640 --> 01:23:37,360
Speaker 1: And also I loved that um Flora Bama Shore sketch

1533
01:23:37,400 --> 01:23:39,040
Speaker 1: that you guys did as a couple of years ago

1534
01:23:39,120 --> 01:23:42,000
Speaker 1: where you were like, um, I was born in born

1535
01:23:42,080 --> 01:23:44,560
Speaker 1: in Epcot Centers, and then Sudi told me about the

1536
01:23:44,600 --> 01:23:46,439
Speaker 1: line that was cut and I was born in the

1537
01:23:46,520 --> 01:23:50,040
Speaker 1: China section of Epcot Centers, which means I'm half Chinese,

1538
01:23:50,120 --> 01:23:56,360
Speaker 1: half Disney, which I can't believe I cut that Chinese

1539
01:23:56,479 --> 01:24:01,639
Speaker 1: half Disney. It's so funny. Also the fact that it's

1540
01:24:01,640 --> 01:24:08,559
Speaker 1: Epcot Centers, centers of centers, she can just tap into

1541
01:24:08,640 --> 01:24:15,639
Speaker 1: like Southern nons, like like fucking Southern nonsense like Bayou Panhandle. Yes,

1542
01:24:15,800 --> 01:24:17,680
Speaker 1: that's why I like working with him. Well, it was

1543
01:24:17,760 --> 01:24:20,760
Speaker 1: like it was me, him and Lukenol and I think

1544
01:24:20,760 --> 01:24:23,720
Speaker 1: we all come from different parts of trash, so we

1545
01:24:23,760 --> 01:24:26,719
Speaker 1: could all and then to let that trash to swop

1546
01:24:26,800 --> 01:24:30,720
Speaker 1: together was like, oh, this feels so good. Perfect, It

1547
01:24:30,800 --> 01:24:35,519
Speaker 1: really is so vivid. Love that boy. Cute boy. Let

1548
01:24:35,560 --> 01:24:38,479
Speaker 1: me tell you something. We run into each other a

1549
01:24:38,479 --> 01:24:42,360
Speaker 1: couple of times in Los Angeles and handsome so handsome,

1550
01:24:42,640 --> 01:24:45,639
Speaker 1: so funny, can play the guitar. Yeah, we just played

1551
01:24:45,880 --> 01:24:48,599
Speaker 1: zeb and I played with Luke and his girlfriend Caitlin.

1552
01:24:48,720 --> 01:24:53,640
Speaker 1: Am like one of those card games role like I

1553
01:24:53,680 --> 01:24:56,519
Speaker 1: would say, it's like a geekery type like one that

1554
01:24:56,560 --> 01:24:59,200
Speaker 1: I'm not like. I played Settlers of Can with them.

1555
01:24:59,320 --> 01:25:02,519
Speaker 1: I'm not used of those. This one was called love

1556
01:25:02,640 --> 01:25:05,640
Speaker 1: Letters and it was all like you earned cubes to

1557
01:25:05,680 --> 01:25:09,599
Speaker 1: have sex with a princess and it was really fast,

1558
01:25:09,760 --> 01:25:13,080
Speaker 1: a fast play game. It was very funny. Because I'm

1559
01:25:13,080 --> 01:25:15,320
Speaker 1: always intimidated. I'm like, my mind ain't gonna work, like

1560
01:25:15,640 --> 01:25:18,639
Speaker 1: I'm not gonna get this. But he's really into those.

1561
01:25:18,640 --> 01:25:23,040
Speaker 1: So any Luke No Thing plane you got to send

1562
01:25:23,080 --> 01:25:26,880
Speaker 1: the board game pieces. But he's got a girlfriend, Caitlin

1563
01:25:27,000 --> 01:25:32,639
Speaker 1: is awesome. So so listen girls, you men, if you're

1564
01:25:32,640 --> 01:25:34,439
Speaker 1: a boy out there, as you're a Luke No fan,

1565
01:25:34,560 --> 01:25:38,519
Speaker 1: you can send them game pieces. The only game pieces

1566
01:25:38,520 --> 01:25:41,720
Speaker 1: that he Luke No and I will say he was

1567
01:25:41,760 --> 01:25:46,200
Speaker 1: referring to these game pieces as fuck cubes. That's the

1568
01:25:46,240 --> 01:25:51,080
Speaker 1: only time I'll cuss on this. Wow, that's the only

1569
01:25:51,120 --> 01:25:55,080
Speaker 1: time I'll cuss on this. Another front runner for That's

1570
01:25:55,120 --> 01:25:58,320
Speaker 1: the only time I'll cuss on this. Have you ever

1571
01:25:58,360 --> 01:26:02,000
Speaker 1: met Rachel Drowski, don't you feel like they have very

1572
01:26:02,000 --> 01:26:04,639
Speaker 1: similar energy? Yes. I knew her for like a week,

1573
01:26:04,720 --> 01:26:07,280
Speaker 1: and I thought she was awesome and so funny. Yes,

1574
01:26:07,680 --> 01:26:09,439
Speaker 1: you guys just remind me so much of each other.

1575
01:26:09,640 --> 01:26:13,000
Speaker 1: She was like, she was like between she loves basketball too.

1576
01:26:13,120 --> 01:26:20,160
Speaker 1: She lovesball like a basketball queen. Yeah, okay, yes, because

1577
01:26:20,200 --> 01:26:24,200
Speaker 1: I think because Heidi and other people I think have

1578
01:26:24,320 --> 01:26:26,360
Speaker 1: all had separate conversations with me where they're like, you,

1579
01:26:26,800 --> 01:26:29,040
Speaker 1: basketball is the best sport to follow because there are

1580
01:26:29,120 --> 01:26:33,519
Speaker 1: narratives that play out. It feels it's like it's like explain,

1581
01:26:33,720 --> 01:26:35,519
Speaker 1: I will, I will compare some It's like drag race.

1582
01:26:35,640 --> 01:26:38,080
Speaker 1: It's like there there are these people that you're just

1583
01:26:38,120 --> 01:26:39,600
Speaker 1: like invested in. You want to see where they go

1584
01:26:39,680 --> 01:26:41,760
Speaker 1: and you want to see so talk us through like

1585
01:26:41,800 --> 01:26:45,880
Speaker 1: the the the perennial appeal of basketball, well, the narratives,

1586
01:26:46,080 --> 01:26:48,400
Speaker 1: well just from the start. I grew up in the

1587
01:26:48,479 --> 01:26:53,360
Speaker 1: time of like Jordan, which was just which is like superhero,

1588
01:26:53,800 --> 01:26:58,639
Speaker 1: you know, like the air Jordan's dunking. It's just super fun.

1589
01:26:58,680 --> 01:27:02,520
Speaker 1: And also they were so many It's so many personalities,

1590
01:27:02,720 --> 01:27:05,639
Speaker 1: like on every team and so there's usually like the star,

1591
01:27:05,880 --> 01:27:09,599
Speaker 1: like the Michael Jordan's, the Charles Barkley, the Shack, and

1592
01:27:09,640 --> 01:27:12,360
Speaker 1: then there's always like a number two, you know, it's

1593
01:27:12,400 --> 01:27:16,639
Speaker 1: like Jordan and Pippen. And so lately in basketball, um

1594
01:27:16,680 --> 01:27:18,639
Speaker 1: there have been these like kind of super teams where

1595
01:27:18,640 --> 01:27:22,559
Speaker 1: there's almost like three players that are like amazing. And

1596
01:27:22,600 --> 01:27:25,519
Speaker 1: then so it's like on the Golden State Warriors, it's

1597
01:27:25,520 --> 01:27:28,000
Speaker 1: like Clay Thompson stuff create and then they got Kevin

1598
01:27:28,080 --> 01:27:30,000
Speaker 1: Durant and then that makes a super team and then

1599
01:27:30,040 --> 01:27:32,840
Speaker 1: you're just like they're never gonna lose and they won

1600
01:27:32,920 --> 01:27:34,760
Speaker 1: like five years in a row. Well, what's happened with

1601
01:27:34,800 --> 01:27:40,639
Speaker 1: the NBA, like over the summer is that now it's

1602
01:27:40,760 --> 01:27:45,120
Speaker 1: back to those two man squads, Like there's no super team.

1603
01:27:45,160 --> 01:27:47,320
Speaker 1: So now none of us know what's going to happen.

1604
01:27:47,720 --> 01:27:52,479
Speaker 1: And it's like this motley crew of like people partnering up,

1605
01:27:52,520 --> 01:27:54,800
Speaker 1: like James Harden and Russell Westbrook who used to play

1606
01:27:54,840 --> 01:27:57,200
Speaker 1: like seven years together and now they're back together, and

1607
01:27:57,240 --> 01:28:00,400
Speaker 1: everyone's trying so hard to win a championship, and Kawhi

1608
01:28:00,479 --> 01:28:03,519
Speaker 1: Leonard and Paul Georgia together. There's all these combos we

1609
01:28:03,600 --> 01:28:05,760
Speaker 1: don't know what's going to happen, And it's just like

1610
01:28:06,360 --> 01:28:09,320
Speaker 1: so exciting to see how will these personalities work together

1611
01:28:09,400 --> 01:28:13,479
Speaker 1: play together. And I'm a massive Lebron tan who's been

1612
01:28:13,520 --> 01:28:16,519
Speaker 1: a part of super teams as well, because all if

1613
01:28:16,560 --> 01:28:18,960
Speaker 1: anybody cares about the NBA lifting, who will be Like

1614
01:28:19,160 --> 01:28:21,479
Speaker 1: she didn't mention Lebron having a super team too, but

1615
01:28:21,520 --> 01:28:26,480
Speaker 1: he didn't. But I'm just a Lebron lover because, um,

1616
01:28:26,600 --> 01:28:29,960
Speaker 1: he to me is like a real life superhero. Yeah, yeah,

1617
01:28:30,960 --> 01:28:33,400
Speaker 1: who is the when the draft picks were happening, I

1618
01:28:33,439 --> 01:28:37,160
Speaker 1: remember we were at work, you were watching and who's

1619
01:28:37,200 --> 01:28:41,320
Speaker 1: like the kid that everyone went zon? He's like who

1620
01:28:41,600 --> 01:28:46,759
Speaker 1: also would seem like the next Lebron? Like he looks

1621
01:28:46,920 --> 01:28:51,519
Speaker 1: like like when like Lebron's I'm not saying this in

1622
01:28:51,560 --> 01:28:57,080
Speaker 1: a creepy way, like Lebron's Phizzy is out of this world,

1623
01:28:57,240 --> 01:28:59,519
Speaker 1: Like it's a robot, it's a superhero, it's a man,

1624
01:28:59,640 --> 01:29:05,559
Speaker 1: it's a everything. As Zion has the next the next top,

1625
01:29:06,000 --> 01:29:11,080
Speaker 1: because we're his next top. Did Lebron have the similar

1626
01:29:11,200 --> 01:29:17,120
Speaker 1: similar physice to Michael to Michael Michael Jordan's And then

1627
01:29:17,160 --> 01:29:19,519
Speaker 1: he had to bulk up because people were coming after him,

1628
01:29:19,720 --> 01:29:23,080
Speaker 1: so then he did get more muscular. But then but

1629
01:29:23,240 --> 01:29:27,639
Speaker 1: Lebron is just his own Lebron was like six nine,

1630
01:29:29,200 --> 01:29:33,040
Speaker 1: but Lebron is like lean muscle, put buff, huge muscle,

1631
01:29:34,520 --> 01:29:39,759
Speaker 1: could do anything, crazy proportions. Yes, he spends a million

1632
01:29:39,760 --> 01:29:42,880
Speaker 1: dollars a year on his body alone, just working out

1633
01:29:44,240 --> 01:29:49,920
Speaker 1: vitamins and like um diet, so diet workouts, cry. Oh,

1634
01:29:49,960 --> 01:29:53,320
Speaker 1: he's got his own cry chamber. Those are the only

1635
01:29:53,360 --> 01:29:56,040
Speaker 1: three things I can think of. And so I'm sure

1636
01:29:56,120 --> 01:29:59,320
Speaker 1: more money gets dispersed to other places, but I'm sure

1637
01:29:59,360 --> 01:30:02,599
Speaker 1: like seven hundred k goes to food like alone. Yeah,

1638
01:30:02,600 --> 01:30:04,559
Speaker 1: he's got to have like the best of the best

1639
01:30:04,760 --> 01:30:07,000
Speaker 1: putting in his body. Well, I will say so, there

1640
01:30:07,040 --> 01:30:11,040
Speaker 1: was this one time where he posted his meal on

1641
01:30:12,200 --> 01:30:15,679
Speaker 1: Insta story and I clocked it because you know, usually

1642
01:30:15,680 --> 01:30:19,200
Speaker 1: it was like a steak and broccoli and he loves wine,

1643
01:30:19,479 --> 01:30:23,439
Speaker 1: but this one night it was like um, wine as steak.

1644
01:30:23,640 --> 01:30:27,639
Speaker 1: And then what I refer to as Jojo fries, which

1645
01:30:27,760 --> 01:30:31,400
Speaker 1: are like the potato wedge fries pl at the college

1646
01:30:31,479 --> 01:30:34,160
Speaker 1: dorm um in the cafeteria that I went to, they

1647
01:30:34,160 --> 01:30:36,200
Speaker 1: were advertised as Jojo fries. So my friend and I

1648
01:30:36,200 --> 01:30:39,240
Speaker 1: know him as Jojo Fries. So I screenshot at that

1649
01:30:39,360 --> 01:30:41,439
Speaker 1: that he was eating Jojo Fries and I sent it

1650
01:30:41,479 --> 01:30:44,320
Speaker 1: to my friends from college, Jenny in Austin, and I

1651
01:30:44,320 --> 01:30:46,360
Speaker 1: was like, oh my god, lebron eats Jojo Fries. To

1652
01:30:46,680 --> 01:30:48,800
Speaker 1: like this because anything where I can have like the

1653
01:30:48,880 --> 01:30:53,120
Speaker 1: same footing as Lebron Um. And then that night he

1654
01:30:53,240 --> 01:30:59,080
Speaker 1: didn't play. He was sick. Did they make you sick

1655
01:30:59,080 --> 01:31:03,000
Speaker 1: in college? Probably because I ate so many? Do you

1656
01:31:03,120 --> 01:31:05,400
Speaker 1: think that it was that he was sick? And then

1657
01:31:05,400 --> 01:31:07,080
Speaker 1: he was like, well, I want to I want to

1658
01:31:07,080 --> 01:31:09,160
Speaker 1: eat what I want to eat. It's not a normal

1659
01:31:09,280 --> 01:31:12,599
Speaker 1: game day. I'm gonna eat Jojo Fries. Personally, I think

1660
01:31:12,600 --> 01:31:18,080
Speaker 1: they interrupted a system and you can't play on that.

1661
01:31:18,400 --> 01:31:21,040
Speaker 1: I honor that theory. I also think he could have

1662
01:31:21,080 --> 01:31:22,360
Speaker 1: just known that he was sick and he was like,

1663
01:31:22,400 --> 01:31:27,080
Speaker 1: I'm gonna see what I want to eat. I'm not playing. Yes,

1664
01:31:27,360 --> 01:31:30,919
Speaker 1: I could go either way. When really, I mean, basketball

1665
01:31:30,960 --> 01:31:33,360
Speaker 1: players can play on anything. This is another thing I

1666
01:31:33,360 --> 01:31:37,000
Speaker 1: love about the NBA is that a lot of basketball

1667
01:31:37,040 --> 01:31:40,080
Speaker 1: players coming in because you know, they're like seventeen year

1668
01:31:40,080 --> 01:31:44,000
Speaker 1: old kids. You know, they haven't learned from the nutritionists yet,

1669
01:31:44,040 --> 01:31:46,719
Speaker 1: so they're just addicted to candy. Like there's a stat

1670
01:31:47,840 --> 01:31:51,960
Speaker 1: that Derrick Rose when he was still he missed out

1671
01:31:52,000 --> 01:31:54,599
Speaker 1: in college on an n C double A tournament because

1672
01:31:54,640 --> 01:31:58,200
Speaker 1: of a gummy bear overdose. What and I eat a

1673
01:31:58,240 --> 01:32:03,640
Speaker 1: lot of gum to us gummy bears? Do you know

1674
01:32:03,680 --> 01:32:06,880
Speaker 1: how many? So many? And there's lots of guys like

1675
01:32:06,920 --> 01:32:08,720
Speaker 1: this in the NBA. Like there's a shot from the

1676
01:32:08,720 --> 01:32:12,880
Speaker 1: Phoenix suns uh like two years ago. I love It's

1677
01:32:12,880 --> 01:32:15,000
Speaker 1: one of my favorite pictures. I should frame it. Where

1678
01:32:15,040 --> 01:32:17,479
Speaker 1: they are on the bench, there's a game going on

1679
01:32:17,479 --> 01:32:19,960
Speaker 1: on the bench. The players are passing around a tupper

1680
01:32:20,000 --> 01:32:22,600
Speaker 1: were full of what appears to be Halloween candy. Like

1681
01:32:22,640 --> 01:32:26,200
Speaker 1: there's a lot of different little tiny packages and they

1682
01:32:26,240 --> 01:32:30,600
Speaker 1: are eating it on the bench and then playing. And

1683
01:32:30,640 --> 01:32:33,120
Speaker 1: you think it's because they just went straight from being

1684
01:32:33,120 --> 01:32:38,439
Speaker 1: seventeen to being like professional athletes. They still love the kids.

1685
01:32:38,680 --> 01:32:42,439
Speaker 1: That's that's that's probably right. And I don't know if

1686
01:32:42,439 --> 01:32:44,280
Speaker 1: that's that's what. I don't know if that explains that.

1687
01:32:44,360 --> 01:32:46,559
Speaker 1: I mean, I don't know why I love gummies so much.

1688
01:32:46,640 --> 01:32:50,439
Speaker 1: I don't either, I love them. I have a question

1689
01:32:50,880 --> 01:32:53,240
Speaker 1: about maybe this is going to be a little bit

1690
01:32:53,439 --> 01:32:57,280
Speaker 1: um incisive, but what say you about all the cheating

1691
01:32:57,560 --> 01:33:00,839
Speaker 1: that goes on in the NBA. These men our cheaters.

1692
01:33:01,520 --> 01:33:05,200
Speaker 1: Every NBA player seems to be a cheater, and um,

1693
01:33:05,240 --> 01:33:07,679
Speaker 1: we need a comment from you on that. I can't.

1694
01:33:08,360 --> 01:33:13,080
Speaker 1: I mean, gosh, I'm such an NBA loyalist, A cheaters

1695
01:33:13,120 --> 01:33:16,200
Speaker 1: and a lot of cheaters. Well, I mean, I don't

1696
01:33:16,240 --> 01:33:18,559
Speaker 1: know what the rules are when you get in a

1697
01:33:18,640 --> 01:33:22,760
Speaker 1: relationship with an NBA player. I feel like there might

1698
01:33:22,800 --> 01:33:27,639
Speaker 1: be a conversation up toptast No, I don't. It just

1699
01:33:27,680 --> 01:33:33,439
Speaker 1: seems like there's so much a lot of stuff we

1700
01:33:33,479 --> 01:33:37,479
Speaker 1: don't know, a lot of conversations that we're not But

1701
01:33:37,560 --> 01:33:40,920
Speaker 1: there are, you know, I don't know. There are couples

1702
01:33:40,960 --> 01:33:46,160
Speaker 1: that I just think are up Yeah that don't you know,

1703
01:33:46,360 --> 01:33:53,000
Speaker 1: Like Dwayne Ray Wade and Gabrielle Union. Tight, I know,

1704
01:33:53,080 --> 01:33:59,439
Speaker 1: I just saw that Gabrielle Union is an icon forever. Yes,

1705
01:33:59,640 --> 01:34:02,040
Speaker 1: and for her to be now married to Dwayne Wade

1706
01:34:02,080 --> 01:34:05,080
Speaker 1: that must be huge. You must have liked her much more. Yeah,

1707
01:34:05,120 --> 01:34:09,240
Speaker 1: I mean they just yeah, And they're so. I mean

1708
01:34:09,280 --> 01:34:11,439
Speaker 1: I follow both on Instagram. They're so. They have a

1709
01:34:11,439 --> 01:34:14,240
Speaker 1: good relationship. They take I think they take shots at

1710
01:34:14,280 --> 01:34:16,480
Speaker 1: each other in a way that I like, yeah, yeah,

1711
01:34:16,640 --> 01:34:18,880
Speaker 1: and even like sometimes I can't remember who it was,

1712
01:34:18,920 --> 01:34:20,720
Speaker 1: but you know, she posted a picture in a swim

1713
01:34:20,800 --> 01:34:25,360
Speaker 1: suit and another player I can't remember who it was,

1714
01:34:25,600 --> 01:34:30,639
Speaker 1: just wrote like damn. And then Dwyane Wade was like, dude, yeah,

1715
01:34:30,920 --> 01:34:33,360
Speaker 1: like he's checking up on day, you know, and it

1716
01:34:33,479 --> 01:34:38,120
Speaker 1: is their friends. Yeah. That totally disapproves and dismantles your

1717
01:34:38,120 --> 01:34:40,400
Speaker 1: whole f right. I think that every relationship in the

1718
01:34:40,520 --> 01:34:44,400
Speaker 1: NBA is healthy. I think that it's all healthy. And

1719
01:34:44,400 --> 01:34:46,680
Speaker 1: I've obviously had discussions that we're not privy too, and

1720
01:34:46,680 --> 01:34:48,400
Speaker 1: I'm happy to have brought it up on the podcast

1721
01:34:48,400 --> 01:34:52,080
Speaker 1: because not everyone knows being a wag is its own

1722
01:34:52,200 --> 01:34:56,960
Speaker 1: job and there are so and girlfriends. Okay, wag great,

1723
01:34:57,320 --> 01:35:00,519
Speaker 1: so you know that's all. It is my god episode

1724
01:35:00,560 --> 01:35:04,559
Speaker 1: of Atlanta you should watch. Okay, very good, it's very good. Wait,

1725
01:35:05,040 --> 01:35:08,040
Speaker 1: it's called Wags. I think the episode is called Wags,

1726
01:35:08,680 --> 01:35:10,759
Speaker 1: and it's it's um, what's her face? That that amazing

1727
01:35:10,800 --> 01:35:14,880
Speaker 1: actress the female lead in Atlanta, Like it's a bottle

1728
01:35:14,880 --> 01:35:16,439
Speaker 1: episode where she just goes out to dinner with this

1729
01:35:16,600 --> 01:35:20,519
Speaker 1: friend who's a wag. Yeah, it's he beats And then

1730
01:35:21,560 --> 01:35:23,160
Speaker 1: I think it's a bottle episode of it's just her

1731
01:35:23,280 --> 01:35:25,960
Speaker 1: character going hanging out with her old friend who's now

1732
01:35:26,000 --> 01:35:28,439
Speaker 1: a wagon is like rich and fucking like doesn't give

1733
01:35:28,439 --> 01:35:32,400
Speaker 1: a ship and like he's just like, oh, I'm still poor.

1734
01:35:33,040 --> 01:35:34,680
Speaker 1: It's a really good episode of television. I'll have to

1735
01:35:34,760 --> 01:35:37,439
Speaker 1: check that. And now it is time for us to

1736
01:35:37,520 --> 01:35:41,400
Speaker 1: check out. I don't think so, honey. It's our segment

1737
01:35:41,439 --> 01:35:44,000
Speaker 1: with that we always do on the pot. It's one

1738
01:35:44,040 --> 01:35:46,519
Speaker 1: minute to runt against something in the culture that we

1739
01:35:46,680 --> 01:35:50,360
Speaker 1: don't like. Our tours are completed for the year. Y'all

1740
01:35:50,360 --> 01:35:52,120
Speaker 1: thank you for coming out to our shows. If you

1741
01:35:52,120 --> 01:35:54,400
Speaker 1: did come out, that was very kind. They were so fun.

1742
01:35:54,439 --> 01:35:56,840
Speaker 1: Every show is so good. There was not a bad show, truly,

1743
01:35:56,880 --> 01:35:59,760
Speaker 1: not for that and think because there could have been

1744
01:36:00,080 --> 01:36:02,519
Speaker 1: because they're always would have said, you know, we had

1745
01:36:02,560 --> 01:36:06,639
Speaker 1: a bad show and we didn't to but we didn't

1746
01:36:06,640 --> 01:36:07,920
Speaker 1: go to which I don't think we have a fan

1747
01:36:07,960 --> 01:36:10,439
Speaker 1: base there. But if you're living, which time you want

1748
01:36:10,520 --> 01:36:11,840
Speaker 1: us to come, we can hang out. We'll go to

1749
01:36:12,040 --> 01:36:16,080
Speaker 1: We'll go to local go to a local bar, all right.

1750
01:36:16,120 --> 01:36:18,720
Speaker 1: I have one Okay, this is Matt Rodgers. I don't

1751
01:36:18,720 --> 01:36:20,400
Speaker 1: think so many And it's time starts now. I don't

1752
01:36:20,400 --> 01:36:25,240
Speaker 1: think so honey gators. Gators. You guys are crazy. You're

1753
01:36:25,560 --> 01:36:29,479
Speaker 1: you're reptiles. You are crazy. You eat kids. The other day,

1754
01:36:29,560 --> 01:36:31,840
Speaker 1: I was in Walt Disney World, and by the other day,

1755
01:36:31,880 --> 01:36:33,960
Speaker 1: I mean several months ago, and I was thinking to

1756
01:36:34,000 --> 01:36:37,120
Speaker 1: myself about that gator that ate that toddler. That was inappropriate.

1757
01:36:37,479 --> 01:36:42,479
Speaker 1: You took that life. Hello there, you can't be having gators, um.

1758
01:36:42,520 --> 01:36:44,320
Speaker 1: And also, if you're Walt Disney World, then you're not

1759
01:36:44,360 --> 01:36:46,439
Speaker 1: doing enough gator maintenance. You need to be getting in

1760
01:36:46,479 --> 01:36:50,280
Speaker 1: there and finding them and pushing them out. Yard dinosaurs

1761
01:36:50,439 --> 01:36:52,439
Speaker 1: you should actually be here. I don't think so honey

1762
01:36:52,439 --> 01:36:55,920
Speaker 1: dinosaurs a works thing for many years. I don't think

1763
01:36:55,960 --> 01:36:58,800
Speaker 1: so honey gators, Um that you can They can also

1764
01:36:58,880 --> 01:37:01,960
Speaker 1: kill you with their tail. That is really fucked up.

1765
01:37:01,960 --> 01:37:03,559
Speaker 1: Do you know that if a Gaylor swings its tale

1766
01:37:03,600 --> 01:37:06,400
Speaker 1: could break your leg and snap it in half? Mrs

1767
01:37:06,400 --> 01:37:11,280
Speaker 1: in books. I don't think so honey gators because, um,

1768
01:37:11,360 --> 01:37:14,479
Speaker 1: you ruin my favorite state, which is Florida. I don't

1769
01:37:14,479 --> 01:37:18,040
Speaker 1: think so honey gators. Um you you kill someone and

1770
01:37:18,080 --> 01:37:21,200
Speaker 1: I'm becoming a god intential Florida spoiler alert. I don't

1771
01:37:21,240 --> 01:37:23,800
Speaker 1: think so a gator and that's one minute. You know,

1772
01:37:23,960 --> 01:37:25,760
Speaker 1: you haven't watched it yet, but you know, gator kills

1773
01:37:25,760 --> 01:37:27,679
Speaker 1: a character. I know that a gator eats a character.

1774
01:37:28,080 --> 01:37:32,719
Speaker 1: That's amazing. And I heard from my friend he said, quote,

1775
01:37:33,160 --> 01:37:41,200
Speaker 1: you will gasp when it happens. Is your favorite state? Um,

1776
01:37:41,360 --> 01:37:43,920
Speaker 1: my favorite state is California. A Okay, there you go.

1777
01:37:44,120 --> 01:37:46,920
Speaker 1: If that's true about the gator, then I would quote

1778
01:37:46,920 --> 01:37:48,479
Speaker 1: your friend from The Dark Knight and say, I have

1779
01:37:48,560 --> 01:37:51,400
Speaker 1: so much more respect for that. Yeah. Yeah, well they

1780
01:37:51,400 --> 01:37:53,360
Speaker 1: did it. They did it. Also, I really was in

1781
01:37:53,439 --> 01:37:55,360
Speaker 1: Disney World, and I kept thinking, like we were like

1782
01:37:55,439 --> 01:37:57,559
Speaker 1: leaving the hotel, and I kept thinking about, like that

1783
01:37:57,880 --> 01:38:00,879
Speaker 1: that horrific story about how that gator eat that toddler.

1784
01:38:01,680 --> 01:38:03,679
Speaker 1: Like I read about it, and it was a mistake

1785
01:38:03,760 --> 01:38:05,920
Speaker 1: to read about it because it's really even more upset,

1786
01:38:05,920 --> 01:38:07,760
Speaker 1: and it was an ongoing story over the course of

1787
01:38:07,760 --> 01:38:09,960
Speaker 1: like two weeks, when they were like like new developments

1788
01:38:10,000 --> 01:38:12,840
Speaker 1: kept coming out where like the parents, well the parents

1789
01:38:12,880 --> 01:38:16,400
Speaker 1: were like gonna sue yeah, and then it was like, no,

1790
01:38:16,640 --> 01:38:18,920
Speaker 1: it's not a thing because like the kid wasn't necessarily

1791
01:38:18,920 --> 01:38:20,680
Speaker 1: supposed to be there. But now when you go to

1792
01:38:20,720 --> 01:38:24,759
Speaker 1: Walt the Walt Disney Old Resort. Everywhere there are signs

1793
01:38:24,800 --> 01:38:27,439
Speaker 1: that say like that are like in front of the

1794
01:38:27,439 --> 01:38:29,240
Speaker 1: water that are like, don't come here, don't come here,

1795
01:38:29,280 --> 01:38:31,200
Speaker 1: don't come here. You can tell they really went extra

1796
01:38:31,280 --> 01:38:33,880
Speaker 1: mile to make sure that it never happens again, because

1797
01:38:33,880 --> 01:38:39,040
Speaker 1: how horrifying is that? Yeah, very horrifying, very horrifying. Let's

1798
01:38:39,040 --> 01:38:42,400
Speaker 1: sit with that, all right, this is gonna be Um,

1799
01:38:42,400 --> 01:38:44,280
Speaker 1: so my I don't think it's honey, was very successful

1800
01:38:44,280 --> 01:38:47,320
Speaker 1: on gators. Um, this is Bowen Yang's. I don't think so, honey.

1801
01:38:47,360 --> 01:38:49,400
Speaker 1: His time starts now. I don't think so, honey. Europe,

1802
01:38:49,439 --> 01:38:51,680
Speaker 1: you need to be closer to America. Because I was.

1803
01:38:52,120 --> 01:38:55,120
Speaker 1: I would have gone to vacation in you for my

1804
01:38:55,200 --> 01:38:57,000
Speaker 1: five days, the only five days I have out this

1805
01:38:57,040 --> 01:38:59,240
Speaker 1: whole summer. I was gonna go vacation in you, but

1806
01:38:59,240 --> 01:39:00,880
Speaker 1: you're too far away, and it was it would have

1807
01:39:00,880 --> 01:39:03,720
Speaker 1: been too much time for me to spend flying and

1808
01:39:03,760 --> 01:39:06,280
Speaker 1: trying to like adjust to the time. Your friends, Europe,

1809
01:39:06,320 --> 01:39:07,960
Speaker 1: it would be perfect if you were just a little

1810
01:39:08,000 --> 01:39:10,919
Speaker 1: bit closer, about an hour and a half closer to America,

1811
01:39:11,360 --> 01:39:13,919
Speaker 1: then it would be so good to be in you, darling.

1812
01:39:14,280 --> 01:39:16,479
Speaker 1: But I can't vacation in Nice. I can't go to

1813
01:39:16,760 --> 01:39:19,479
Speaker 1: you know, Lisbon or wherever the hell I would have gone.

1814
01:39:19,840 --> 01:39:21,920
Speaker 1: I had to cancel. I had, I had to cancel

1815
01:39:22,040 --> 01:39:24,320
Speaker 1: a whole continent in my head. And I was like,

1816
01:39:24,439 --> 01:39:26,720
Speaker 1: I guess I'll settle for Turks and Caikos. So that's

1817
01:39:26,760 --> 01:39:29,640
Speaker 1: where I'm going. I'm going to Turks and Kikos. But

1818
01:39:29,640 --> 01:39:32,400
Speaker 1: part of me wishes I was at um you know,

1819
01:39:32,680 --> 01:39:36,439
Speaker 1: the Almend resort in uh Switzerland. You know, part of

1820
01:39:36,439 --> 01:39:38,800
Speaker 1: me wishes I was in New Europe. Listen, it's not

1821
01:39:38,800 --> 01:39:40,800
Speaker 1: that I don't like you, it' said I wish I could.

1822
01:39:41,240 --> 01:39:43,600
Speaker 1: I wish you allowed me to like four seconds and that,

1823
01:39:43,720 --> 01:39:45,639
Speaker 1: and that's all. That's my beef with Europe, the entire

1824
01:39:45,720 --> 01:39:48,479
Speaker 1: continent of Europe. Also, you're going through some some some

1825
01:39:48,560 --> 01:39:52,000
Speaker 1: moments right now with the white nationalism. That's one minute

1826
01:39:52,080 --> 01:39:54,920
Speaker 1: of course that when I famously ended in the words

1827
01:39:55,120 --> 01:39:58,439
Speaker 1: the white nationalism, I would say, I guess it would

1828
01:39:58,439 --> 01:40:00,360
Speaker 1: be better for you if you're up for Canada. Huh.

1829
01:40:00,520 --> 01:40:03,040
Speaker 1: If I was what if you're up war Canada? If

1830
01:40:03,080 --> 01:40:07,040
Speaker 1: I was more if Canada, I'm sorry I misheard you,

1831
01:40:07,040 --> 01:40:10,439
Speaker 1: but yes I understand and famously in Canada. Montreal is

1832
01:40:10,479 --> 01:40:12,360
Speaker 1: sort of like the European city of Canada. So why

1833
01:40:12,360 --> 01:40:14,879
Speaker 1: don't you just go there? I don't understand it. Stupid Montreal.

1834
01:40:14,920 --> 01:40:17,680
Speaker 1: I don't want to like vacation there because it's like

1835
01:40:19,760 --> 01:40:22,800
Speaker 1: it you can go to Lauron. Oh my god, Oh

1836
01:40:22,800 --> 01:40:24,559
Speaker 1: my god. We haven't talked about Lauron. You know who

1837
01:40:24,560 --> 01:40:32,120
Speaker 1: I saw, lar Kevin Hart is this island in It's

1838
01:40:32,160 --> 01:40:34,800
Speaker 1: this island in Montreal along the St. Lawrence River and

1839
01:40:34,800 --> 01:40:36,719
Speaker 1: it's a theme park. It turned into a six Flags

1840
01:40:36,760 --> 01:40:40,000
Speaker 1: park when I was a kid. When I was a kid,

1841
01:40:40,600 --> 01:40:42,840
Speaker 1: all I wanted to do is go to Lauron. They

1842
01:40:42,840 --> 01:40:45,760
Speaker 1: wouldn't take you. My my parents said, no, that is

1843
01:40:45,840 --> 01:40:50,320
Speaker 1: for that is for rich kids. And they were totally

1844
01:40:50,520 --> 01:40:52,320
Speaker 1: bullstrating with it, but they really they just didn't want

1845
01:40:52,320 --> 01:40:54,679
Speaker 1: to take me to the theme park. It doesn't sound

1846
01:40:54,720 --> 01:40:58,960
Speaker 1: like it's hurt. Well, I think. I think my sister

1847
01:40:59,000 --> 01:41:00,720
Speaker 1: and I used my sister one all the time. But

1848
01:41:00,800 --> 01:41:03,360
Speaker 1: for me, it was like I used that as leverage

1849
01:41:03,400 --> 01:41:05,040
Speaker 1: to be like, well then when we moved to the US,

1850
01:41:05,080 --> 01:41:08,519
Speaker 1: you're taking us to disney World. And it worked. But

1851
01:41:09,160 --> 01:41:11,439
Speaker 1: my whole childhood because all the all the cool kids

1852
01:41:11,439 --> 01:41:14,000
Speaker 1: went to Laurondo over the summer every single weekend, and

1853
01:41:14,000 --> 01:41:15,880
Speaker 1: I was like, I want to go so badly. Oh,

1854
01:41:15,960 --> 01:41:17,640
Speaker 1: I'm so sad for you that you didn't get to go.

1855
01:41:17,920 --> 01:41:20,360
Speaker 1: I can see a little you like begging you got

1856
01:41:20,360 --> 01:41:23,400
Speaker 1: to go. I got to go to and I desired

1857
01:41:24,000 --> 01:41:27,680
Speaker 1: you because I was actually was taken to anywhere I

1858
01:41:27,720 --> 01:41:31,320
Speaker 1: wanted to go. My parents never restricted me, and I

1859
01:41:31,479 --> 01:41:35,160
Speaker 1: never heard no all. I could say the name of

1860
01:41:35,160 --> 01:41:37,520
Speaker 1: a theme park and we would be on our way

1861
01:41:37,560 --> 01:41:43,200
Speaker 1: park yeahend any times, many times. And guess what I've

1862
01:41:43,240 --> 01:41:47,880
Speaker 1: done every roller coaster in there. And if I said

1863
01:41:47,920 --> 01:41:53,920
Speaker 1: to my parents, I didn't make it happen. How about

1864
01:41:53,920 --> 01:41:58,160
Speaker 1: that horrible? Because I was at a theme park once,

1865
01:41:58,200 --> 01:42:03,559
Speaker 1: Worlds of Fun, where I'm proud but you haven't know. Okay.

1866
01:42:03,640 --> 01:42:06,360
Speaker 1: So I was at World of Fun and with two

1867
01:42:06,479 --> 01:42:09,200
Speaker 1: of my friends, well a friend and then his little

1868
01:42:09,200 --> 01:42:11,280
Speaker 1: brother who wasn't so little at the time, he was eight,

1869
01:42:11,760 --> 01:42:14,960
Speaker 1: and the mom was there and she still pushed the

1870
01:42:15,000 --> 01:42:18,280
Speaker 1: eight year old in a stroll. And that is thinking

1871
01:42:18,320 --> 01:42:22,360
Speaker 1: of that you got pushed literally would be the one.

1872
01:42:22,560 --> 01:42:24,040
Speaker 1: I would be the one who would have on my

1873
01:42:24,080 --> 01:42:26,800
Speaker 1: own two damn feet to every goddamn track. You got

1874
01:42:26,800 --> 01:42:30,000
Speaker 1: pushed and roll to the roller because no, I literally

1875
01:42:30,600 --> 01:42:33,280
Speaker 1: it worked really hard. And who was in that park?

1876
01:42:33,439 --> 01:42:37,000
Speaker 1: No one, because I wasn't there. I was to go boo,

1877
01:42:37,000 --> 01:42:41,160
Speaker 1: who stupid listen And now we turned the Heide Gardener.

1878
01:42:41,320 --> 01:42:42,960
Speaker 1: Oh my god, and it's going to be your I

1879
01:42:42,960 --> 01:42:45,400
Speaker 1: don't think so, honey, Heide Gardeners. I don't think so, honey.

1880
01:42:45,439 --> 01:42:48,120
Speaker 1: Her time starts now, okay, warning, Europe's going to take

1881
01:42:48,160 --> 01:42:51,519
Speaker 1: it again. I don't think so, honey. Christants are good

1882
01:42:51,520 --> 01:42:54,679
Speaker 1: in France. I don't think so, honey. America got better

1883
01:42:54,720 --> 01:42:58,000
Speaker 1: at it, I don't think. And the proof is in

1884
01:42:58,040 --> 01:43:01,360
Speaker 1: the pudding. Go to Dominique on salt creator the cronut.

1885
01:43:01,560 --> 01:43:04,160
Speaker 1: He forgot about the crow part of it. Okay, because

1886
01:43:05,400 --> 01:43:08,840
Speaker 1: the Croissans and France are low to the ground and

1887
01:43:09,200 --> 01:43:12,599
Speaker 1: no flake. America practiced and got better. It's the same

1888
01:43:12,640 --> 01:43:15,400
Speaker 1: as like with the with the NBA where the dream

1889
01:43:15,439 --> 01:43:18,840
Speaker 1: team basketball in the Olympics. But like sometimes you know,

1890
01:43:18,920 --> 01:43:20,760
Speaker 1: you get lazy because you think you're the best, and

1891
01:43:20,800 --> 01:43:24,280
Speaker 1: then Portugal or Spain comes in and wins. France has

1892
01:43:24,360 --> 01:43:27,280
Speaker 1: done that with croissants. Go to proof in l A,

1893
01:43:27,439 --> 01:43:30,800
Speaker 1: go to the Village Bakery. You'll get a high flying croissants,

1894
01:43:31,000 --> 01:43:35,519
Speaker 1: lots of butter. That place Maison keys there um, which

1895
01:43:35,560 --> 01:43:38,960
Speaker 1: I just butchered the name. I've just a joke of

1896
01:43:39,000 --> 01:43:41,880
Speaker 1: a croissant and honey. I grew up eating grocery store

1897
01:43:41,920 --> 01:43:48,200
Speaker 1: croissans and I've gotten better. I don't think so that

1898
01:43:48,280 --> 01:43:51,120
Speaker 1: was really good. You're talking about Costco croissans because those

1899
01:43:51,120 --> 01:43:55,280
Speaker 1: things are high flying. I'm talking about sun Fresh. But

1900
01:43:55,400 --> 01:43:57,720
Speaker 1: I bet we see that we're thinking the same in

1901
01:43:57,720 --> 01:44:04,320
Speaker 1: our head, big plump, yes, low to the ground croissans.

1902
01:44:04,360 --> 01:44:11,920
Speaker 1: I don't know flake. We are Portugal and we're Lisbon. Yes, yeah,

1903
01:44:11,920 --> 01:44:15,320
Speaker 1: oh my god. I will be going to Duncan Donuts

1904
01:44:15,320 --> 01:44:18,479
Speaker 1: and enjoying the croissans. They're very good, cris Hi flake,

1905
01:44:18,640 --> 01:44:23,160
Speaker 1: but I like them Hi Flake. Like no. I'm saying,

1906
01:44:24,000 --> 01:44:28,280
Speaker 1: if if the barometer is no flake, you'd rather have

1907
01:44:28,360 --> 01:44:31,519
Speaker 1: no flake? Wait, what do you want? Fake? And I

1908
01:44:31,560 --> 01:44:39,400
Speaker 1: want big? I liked you so much, and then in

1909
01:44:39,439 --> 01:44:44,640
Speaker 1: the last two minutes with the theme park snobbery that

1910
01:44:44,720 --> 01:44:49,200
Speaker 1: you're shown and brattery by, and then that's just how

1911
01:44:49,360 --> 01:44:53,000
Speaker 1: cockily this Duncan Donuts. I just want to say that

1912
01:44:54,520 --> 01:44:56,720
Speaker 1: I don't think so honey had nothing to do with

1913
01:44:56,760 --> 01:45:01,120
Speaker 1: the duncan do I know, I will try it, but

1914
01:45:01,439 --> 01:45:08,719
Speaker 1: he's putting that onto me. You gotta go, I'm saying.

1915
01:45:08,760 --> 01:45:10,800
Speaker 1: Is they know how to parrot with an egg and

1916
01:45:10,840 --> 01:45:13,840
Speaker 1: a cheese and a sausage. Oh my god, No, I

1917
01:45:13,920 --> 01:45:21,559
Speaker 1: just want to I don't. I don't like sandwiches, or no,

1918
01:45:21,760 --> 01:45:24,200
Speaker 1: you don't, you don't need it? Shut up? I do

1919
01:45:24,640 --> 01:45:27,599
Speaker 1: they get so greasy and become their own things. Yeah,

1920
01:45:27,840 --> 01:45:31,880
Speaker 1: they definitely do. But I enjoy what they become Croissan

1921
01:45:32,000 --> 01:45:37,880
Speaker 1: because I am not a pastry queen. I am you

1922
01:45:37,920 --> 01:45:41,120
Speaker 1: know I love a Croissan. It's it's truly my bread,

1923
01:45:41,160 --> 01:45:51,240
Speaker 1: am butter. Oh, oh my god. You start really strong

1924
01:45:51,400 --> 01:45:54,559
Speaker 1: and charming. At the beginning. I was delighted, and towards

1925
01:45:54,560 --> 01:46:00,879
Speaker 1: the end she had no respect for us, and it attracts. Wow.

1926
01:46:01,000 --> 01:46:06,240
Speaker 1: This is a fantastic episode of Lost Cultures. This fabulous episode.

1927
01:46:06,240 --> 01:46:11,439
Speaker 1: We've been fantasizing, yeah about this very moment, very much time.

1928
01:46:11,520 --> 01:46:18,920
Speaker 1: Where can people find you? Every week on television Saturday Night.

1929
01:46:20,920 --> 01:46:22,840
Speaker 1: It's going to be on right now. I guess we're

1930
01:46:22,840 --> 01:46:24,800
Speaker 1: in the season. By the time it comes out will

1931
01:46:24,800 --> 01:46:29,880
Speaker 1: be that's gray. I knew it wasn't that fun? That

1932
01:46:30,080 --> 01:46:33,000
Speaker 1: is fun. It feels like it feels like I've been

1933
01:46:33,040 --> 01:46:43,960
Speaker 1: here the whole time. You're truly the best person, the

1934
01:46:44,000 --> 01:46:47,439
Speaker 1: best one, the best person. And I heard you give

1935
01:46:47,439 --> 01:46:52,040
Speaker 1: good gifts to Christmas, gave everybody a plate of cookies

1936
01:46:52,880 --> 01:46:55,760
Speaker 1: and like I said, like numerous people told me that

1937
01:46:56,040 --> 01:46:58,439
Speaker 1: you know who's cookie was on that that was the

1938
01:46:58,439 --> 01:47:05,720
Speaker 1: best cookie. Michelle one, my troll, my best She came

1939
01:47:05,760 --> 01:47:09,120
Speaker 1: over and helped make cookies and her cookie got all

1940
01:47:09,120 --> 01:47:11,719
Speaker 1: the attention. And no, I didn't make and no comment

1941
01:47:11,720 --> 01:47:14,360
Speaker 1: about no cookie, I said. They were all good about

1942
01:47:14,439 --> 01:47:19,280
Speaker 1: no cookie. Um, we love you and thank you for

1943
01:47:19,320 --> 01:47:23,400
Speaker 1: being here, and now we do. We've finished every episode

1944
01:47:23,400 --> 01:47:26,760
Speaker 1: with a song. However you want, I'll be tea tell

1945
01:47:26,840 --> 01:47:33,519
Speaker 1: us pair. You just gotta forget it. Rock got no reason,

1946
01:47:33,960 --> 01:47:37,480
Speaker 1: Rock got no right. You gotta get me to school.

1947
01:47:37,479 --> 01:47:46,480
Speaker 1: Long time. This has been a Forever Dog production executive

1948
01:47:46,520 --> 01:47:50,840
Speaker 1: produced by Brett Boham, Joe Cilio, and Alex Ramsey. For

1949
01:47:50,960 --> 01:47:55,800
Speaker 1: more original podcasts, please visit Forever Dog Podcasts dot com

1950
01:47:55,840 --> 01:48:00,240
Speaker 1: and subscribe to our shows on Apple Podcasts, Spotify, wherever

1951
01:48:00,320 --> 01:48:03,000
Speaker 1: you get your podcasts. Keep up with the latest Forever

1952
01:48:03,080 --> 01:48:06,920
Speaker 1: Dog news by following us on Twitter and Instagram at

1953
01:48:07,040 --> 01:48:11,400
Speaker 1: Forever Dog Team, and liking our page on Facebook m