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Speaker 1: Rider. How was south By? Southwest south By was awesome?

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Speaker 1: Um yeah, so my my my wife's movie premiered Late Bloomers.

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Speaker 1: It was a huge success. The audience loved it. It

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Speaker 1: was so cool because because you know, I've been involved

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Speaker 1: with this film for five years, just you know, tangentially,

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Speaker 1: like from the sidelines are Yeah, it's more or less involved.

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Speaker 1: It depend you know, every every step of this. I

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Speaker 1: guess me. People probably don't know what a producer does.

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Speaker 1: It's kind of hard to pin down. But um, in

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Speaker 1: this case, my wife did everything. Your wife is a

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Speaker 1: producer on this movie, right, she produced late movie, And

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Speaker 1: that can mean so many different things. Like in television,

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Speaker 1: being a producer we've talked about a little bit means

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Speaker 1: one thing. But you know, for instance, the executive producer

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Speaker 1: credit in television is kind of the most creative person

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Speaker 1: right involved with the project, whereas an executive producer in

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Speaker 1: film is usually just the money person, right, so just

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Speaker 1: the person who paid for the movie, an investor. But yeah,

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Speaker 1: it was a great time south By. I love Austin.

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Speaker 1: I've you know, I haven't been to south By for

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Speaker 1: a while, so yeah, it was a good time. Most

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Speaker 1: importantly are the people out in Austin listening to the podcast.

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Speaker 1: Did people tell you they were listening to your podcast?

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Speaker 1: I did get recognized for the podcast. Yeah you nice?

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Speaker 1: Yeah yeah. I mean at this point, it's like it's

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Speaker 1: so funny because I even had somebody like at a

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Speaker 1: coffee shop be like love the podcast. It's like, okay,

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Speaker 1: you know, I don't even know that they recognize me,

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Speaker 1: which I guess happens a lot. Like it never really

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Speaker 1: as like sunk in that like people, because when I

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Speaker 1: think about, like if I recognize somebody, which also never

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Speaker 1: happens because I have face blindness, but if I recognize somebody,

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Speaker 1: I don't say anything like very very rarely, and I'm yeah, right,

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Speaker 1: but my brain doesn't recognize the fact that that must

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Speaker 1: happen all the time, that people recognize me and you

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Speaker 1: just don't say it because why they don't have to.

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Speaker 1: Maybe they don't love Women's World, or maybe they just

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Speaker 1: there's no reason to bother me. Uh And so now

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Speaker 1: it seems like people are like taking the opportunity to

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Speaker 1: say love the podcast and that's it, which is cool. Yeah,

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Speaker 1: it's great. Yeah, And I don't think people recognize me,

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Speaker 1: like my look has changed so much and it changes

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Speaker 1: by the month where it's like I'm heavy along here.

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Speaker 1: I'm sure I leave the house all the time to

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Speaker 1: run by my house. I wish juice great stuff, but no,

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Speaker 1: I just I don't know. It just kind of stopped,

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Speaker 1: and frankly, I'm I'm really happy with that because it's

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Speaker 1: a great balance of being able to do what I

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Speaker 1: love and hang out with the people that I love.

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Speaker 1: But you don't get recognized everywhere. I mean, it's it's fun.

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Speaker 1: I am not like you at all. Though. If I

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Speaker 1: recognize somebody, I go up and I'm like, I love

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Speaker 1: you and enter or whatever, which is why when we

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Speaker 1: go to cons I know everybody because I walk up,

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Speaker 1: I'm like, you were so great, and I just always

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Speaker 1: I love talking to people. But Austin. To get to

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Speaker 1: another thing, We're going this year to Austin, we sure are,

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Speaker 1: and that I've never been, so I can't wait. That's

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Speaker 1: the first I've ever been to Austin either. That's great. Gosh,

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Speaker 1: it's like one of the cities I visited the most.

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Speaker 1: It's never been because there's never so many great festivals there.

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Speaker 1: There's Fantastic Fest, which is also an amazing film festival,

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Speaker 1: the Alamo Draft House is like the greatest movie theater,

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Speaker 1: you know, But there's so many conferences and stuff for somebody.

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Speaker 1: I've been to Austin a bunch and I love it.

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Speaker 1: We don't have to show us around, yeah I will. Well,

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Speaker 1: you know what's crazy is that like this trip, I um, oh,

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Speaker 1: this is totally embarrassing. But I grabbed the wrong suitcase

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Speaker 1: leaving the Oh my gosh, I was that guy. So

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Speaker 1: I made it all the way to town before I

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Speaker 1: looked down and was like, this is clearly not my suitcase.

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Speaker 1: I ended up having to take a lot of lifts,

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Speaker 1: like a lyft, you know, like Uber's. Uh so I

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Speaker 1: did like four lifts in my first you know hour

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Speaker 1: or whatever in in Austin. Um, but uh yeah, the

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Speaker 1: like twice two different lift drivers were like, you know,

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Speaker 1: Austin's becoming the little Los Angeles. I was like, this

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Speaker 1: is this is what everyone feels. And I guess it's

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Speaker 1: just because a lot of Californians are moving out there,

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Speaker 1: but I also think it they mean culturally, Um, it's

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Speaker 1: you know, uh, it's and I kind of get that

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Speaker 1: it's hot the way La is. It has a lot

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Speaker 1: of like the same sort of food culture a little

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Speaker 1: little obviously more like tex Mex than Mex. But um,

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Speaker 1: it's it's cool, man. I love when you fit into

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Speaker 1: the cloth in the case. Were you walking around like

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Speaker 1: George Gastanza just somebody else's suitcase And I hadn't like

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Speaker 1: it was completely the wrong color, by the way, Like

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Speaker 1: it wasn't like we had the same color suiting with you.

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Speaker 1: It's my first I had owned the suitcase for a day,

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Speaker 1: literally like a day, and I was just like, oh,

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Speaker 1: there it is because it had the late time I

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Speaker 1: realized the color doesn't change as it flies over the country, right, Yeah,

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Speaker 1: so if it's black when you buy it, it's black

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Speaker 1: when you just goes along with my face blind I

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Speaker 1: don't know, Like if you ask me, if you you

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Speaker 1: could ask me somebody's eye color that I've known for

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Speaker 1: like twenty years, I could not tell you, right, I

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Speaker 1: don't see. I'm not like that kind of visual person.

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Speaker 1: I just don't. But yeah, so now I have it

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Speaker 1: programmed in my head what color my bag is. What

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Speaker 1: surprises me is not the face blindness, because I have

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Speaker 1: a tendency to have that too. I definitely never recognize anybody,

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Speaker 1: but mostly because I don't know who anybody is um.

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Speaker 1: And also I'm not when I'm out in the world,

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Speaker 1: I think I'm very direct, Like, let's put it this way,

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Speaker 1: I'm not having a whole lot of fun. I'm not

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Speaker 1: a fun person. I'm pretty much out to like accomplish

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Speaker 1: a goal, your missions, get Everything in my life is

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Speaker 1: like what am I doing now? Gotta get this done,

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Speaker 1: gotta do this now, I gotta do this. Now, what's

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Speaker 1: the next thing I gotta do. It's not cool, it's

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Speaker 1: not cool, it's not fun. I really need to work

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Speaker 1: on it. So I'm not paying attention to like, what's

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Speaker 1: that person doing, because that would involve me taking in

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Speaker 1: my surroundings, which I'm not doing. So that's one of

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Speaker 1: the reasons I recognize people. But what's as me about you,

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Speaker 1: writer is that you and I are very similar about

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Speaker 1: attention to detail and like double and triple checking things.

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Speaker 1: And so what I'm surprised is not that you were like, ah, here,

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Speaker 1: this is fitting into my there's a late tag on it.

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Speaker 1: My bag is late. That checks, but not that you

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Speaker 1: then were like, but it would be a total disaster

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Speaker 1: if I was wrong, So let me just do the

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Speaker 1: one second thing now. To save me a bunch of headache.

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Speaker 1: And you didn't do that. Yeah, my brain did not.

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Speaker 1: I mean I was excited to get to the first Yeah,

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Speaker 1: you were child free and alone. You know, my wife

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Speaker 1: was already out there, so I like, right, I was

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Speaker 1: flying by myself for the first time in a while,

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Speaker 1: no child reading a book. Again. Oh, so you were

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Speaker 1: on the airline. You were an unaccompanied adult. Did they

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Speaker 1: walk you through security? We've got an act. We've got

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Speaker 1: an unccompanied adult. Uncompanied adults it when you have a kid,

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Speaker 1: they actually do have like the baby section of the plane.

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Speaker 1: Of course I do. Yeah, Like I didn't realize that,

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Speaker 1: but I was like, so, you're always so so nice

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Speaker 1: to be like, oh, I don't have any adult section.

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Speaker 1: Just sitting back with a with a Chesterfield and a martini.

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Speaker 1: I do nothing like I actually I say like, oh,

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Speaker 1: I was reading like it was really you know, No,

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Speaker 1: I mostly am sitting there playing Sudoku and just being like, oh,

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Speaker 1: I don't want to bring up new merch, but I

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Speaker 1: don't think I'm going to be able to survive the

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Speaker 1: rest of my life exactly. Yes, without a shirt with

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Speaker 1: Danielle's face that underneath just says I'm not a fun person.

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Speaker 1: Oh I'm not. I'm not just your head shot and

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Speaker 1: just I'm not a fun person underneath the least fun

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Speaker 1: is what it should say. I just need that. Just

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Speaker 1: I know it. I'm I'm not fun. I'm not into fun.

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Speaker 1: I don't really love fun. I try to avoid fun. Yikes.

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Speaker 1: Can't wait to travel with you. This is gonna be awesome.

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Speaker 1: Out to breakfast every once in a while. Or go

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Speaker 1: find a coffee shop like ye like about those dreamy

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Speaker 1: nineties coffee shops with couches where you can just sort

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Speaker 1: of sit. That's my idea of fun. It's like silence,

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Speaker 1: no one else and a book. Oh that's great. Yeah,

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Speaker 1: I love that too. I love that. That's weirdly doing

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Speaker 1: that in is really fun. Yeah no, I can see that, Yeah,

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Speaker 1: yeah I can. It's also it's kind of like movie theaters, right,

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Speaker 1: It's such it's weird contradiction. It's like we because we

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Speaker 1: want to go somewhere public with a whole bunch of people,

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Speaker 1: but you want to know they're there, but you don't

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Speaker 1: want to actually exactly. It's one of the reasons I

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Speaker 1: love flying. I love flying, and I'm like super in

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Speaker 1: tune with myself in a plane. I'm like, I have

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Speaker 1: crystal clear vision about like hindside and perspective and where

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Speaker 1: I'm going, not just in the air like at that moment,

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Speaker 1: but like where life is going. Yeah, there's literally no

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Speaker 1: chance for fun. It's like your perfect kind of place.

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Speaker 1: It's incredible, It's truly incredible. Fun is not going to

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Speaker 1: break out in a plane. Danielle's pretty yip. So welcome

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Speaker 1: to Pod Meets World. I'm Danielle Fischel, I'm right strong,

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Speaker 1: and I'm will Fredill. You won't believe it. It's actually happening.

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Speaker 1: We are doing Pod Meets World Live, presented by Hyundai.

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Speaker 1: We are coming to you live from the iHeartRadio Theater

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Speaker 1: in Los Angeles to celebrate the thirtieth anniversary of Boy

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Speaker 1: Meets World. Join us at the iHeartRadio Theater on April

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Speaker 1: twenty six. If you can't join us in person, you

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Speaker 1: can join us for the stream. We're also going to

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Speaker 1: have some amazing special guests like Danny McNulty, the famous

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Speaker 1: Harley of course, Betsy Randall, our mom Amy and Yes

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Speaker 1: mister Turner himself, Anthony Tyler Quinn and do not miss

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Speaker 1: a special performance by the iconic Lisa Loebe that one's

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Speaker 1: for you rider. I can't wait. The evening We'll be

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Speaker 1: filled with special guests, nostalgia and a Chubby's Burger or two.

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Speaker 1: Take a ride with us on this awesome journey. Tickets

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Speaker 1: are now available on moment dot coo slash pod meets World,

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Speaker 1: or check out the bio in our instagram more info

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Speaker 1: and a ticket link. Pod Meats Worldwide presented by Hyundai.

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Speaker 1: We'll see you on April twenty six, or join us

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Speaker 1: for the stream on May first at five pm Pacific.

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Speaker 1: Speaking of not having a whole lot of fun, I'm

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Speaker 1: very nervous about this episode. I'm still not entirely sure

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Speaker 1: what this is. That's exactly why I'm very nervous about it,

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Speaker 1: because I, as you've gathered, like to be in control,

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Speaker 1: and I have no idea what this episode is. I

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Speaker 1: know basically. Producer Jensen car husband of this podcast, was

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Speaker 1: contacted via our Podmeats World at gmail email address by

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Speaker 1: a listener who somewhere, somehow I'll let Jensen. Producer Jensen

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Speaker 1: has been of this podcast explain it, but came into

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Speaker 1: possession and ownership of some tapes. Some audio tapes for

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Speaker 1: our dear listeners who were born sets because we're yes,

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Speaker 1: cassette tapes for our dear listeners who are too young

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Speaker 1: to even know what those are. Their little rectangles with

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Speaker 1: tape inside, and they held audio and used to be

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Speaker 1: able to play them. That's how we listened to all

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Speaker 1: of our music. And this person came into possession of

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Speaker 1: them and was like, so, to be honest, I don't

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Speaker 1: even know what's on them, but I have them and

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Speaker 1: I'm curious, and Producer Jensen, husband of this podcast, said,

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Speaker 1: please send them to me and I will extract them,

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Speaker 1: make them digital and listen to all of them. And

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Speaker 1: they were interviews with us. They were interviews with us

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Speaker 1: from some journalists. So what we think happened is that

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Speaker 1: a journalist from sixteen Nish magazine or one of those

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Speaker 1: teen magazines JOP threw away or sold or something got

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Speaker 1: rid of their old interview tapes that they probably held

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Speaker 1: on to for decades because they needed it for you know,

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Speaker 1: research or you know, to have evidence of the interviews.

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Speaker 1: So they just got rid of them, and then this

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Speaker 1: person came into contact with him. I don't know if

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Speaker 1: they bought them or what happened. So I let us

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Speaker 1: please introduce producer Jensen Carr, husband of this podcast, and

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Speaker 1: he can tell us more. Well, first, I do want

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Speaker 1: to just acknowledge that Danielle said that her paradise was

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Speaker 1: being alone with a book. I'm her husband exactly, so sorry,

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Speaker 1: it's my friends to acknowledge. Yes, this man's name is

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Speaker 1: Paul Hill. We appreciate him, we speak his name. And

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Speaker 1: Paul purchased these on eBay. He finds himself as sort

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Speaker 1: of a connoisseur of outdated media, and so one of

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Speaker 1: the things he purchased were these cassette tapes as a

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Speaker 1: fan of Boy Meets World. Didn't know what they were.

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Speaker 1: And yeah, like Danielle said, these are discarded interviews of

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Speaker 1: you guys from different seasons of the show. We'll go

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Speaker 1: down each one of them in particular. Wow, I howled

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Speaker 1: in laughter. I'm so excited to bring these to you.

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Speaker 1: I asked you guys a few questions here and there,

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Speaker 1: just on our group chat to figure some things out.

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Speaker 1: Danielle walked by me a few times, heard her voice

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Speaker 1: and scampered out of the room. I couldn't have run

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Speaker 1: away faster at hearing teenage Danielle not be tapanga, but

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Speaker 1: being Danielle and that's shots, there's nowhere to run at all. Yeah,

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Speaker 1: there were some dogs in the neighborhood who ran to

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Speaker 1: the house purely from the pitch, the high pitch of

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Speaker 1: Danielle yea. And so that's one part. Do you guys

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Speaker 1: remember sitting down for something exactly the same? R is

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Speaker 1: not going to be able to tell the difference between

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Speaker 1: get Ready for get Ready for basically same voice. Listeners

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Speaker 1: won't know the difference between them. Was talking between thirteen

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Speaker 1: year old and over forty. Actually, people will think we're

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Speaker 1: interviewing indie. That's oh really, I think so. I think

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Speaker 1: we're going to hear too much Shirt's voice more because

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Speaker 1: there is a there is a slight difference between Indian writer, um,

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Speaker 1: but Indie and young writer, no difference. Do you guys

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Speaker 1: remember these Do you remember sitting down with grown women

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Speaker 1: to talk about being a child? Yeah? I remember, yeah,

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Speaker 1: I remember. I don't remember them recording it. I mean,

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Speaker 1: of course they must have, but I remember you would

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Speaker 1: like go to your trailer and that you'd sit down

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Speaker 1: and they'd sit across from you in this little plastic

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Speaker 1: thing that we had, these little tables and they'd sit

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Speaker 1: across me and they'd ask you, all right, what's your

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Speaker 1: favorite color? What are you listening to? Now? What pizza?

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Speaker 1: Pizza top? What do you do on a first day?

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Speaker 1: First day? That kind of stuff? And then you hold

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Speaker 1: up like they give you a hat or a shirt

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Speaker 1: from whatever magazine, and you'd hold it up and they

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Speaker 1: take a picture, and that would be somewhere in the thing.

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Speaker 1: But I would assume, you know, much like the Zibruta film.

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Speaker 1: I'm amazed that it would this have been held onto

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Speaker 1: and scrutinized as long as it has been, Like the

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Speaker 1: yell said that they hold onto these for decades as

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Speaker 1: evidence of the interview, like it's Frost Nixon yet exactly

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Speaker 1: like she's gonna for Libel. Did you really find out

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Speaker 1: what writer's favorite toppings were? It was what real Bell

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Speaker 1: Pepper said, pepperoni, but he was clearly be a vegetarian. Yes,

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Speaker 1: we've got him, you know, I've got him. They're putting

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Speaker 1: they're putting all these tapes on the next UH satellite

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Speaker 1: going out to the different planets out there. It's going

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Speaker 1: to be like first Messages as canon. Danielle Sichel's sixteen

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Speaker 1: magazine interview, I definitely remember doing these interviews. I did

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Speaker 1: a lot of them, and you know, I remember how

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Speaker 1: it changed as you know, first season went into second season,

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Speaker 1: probably because at first it was like I I think

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Speaker 1: it took a while for me to understand like these

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Speaker 1: that these were not typical interviews, like they were so

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Speaker 1: fun to answer, these kinds of questions and like now

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Speaker 1: and then as I got older, I realized like, oh,

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Speaker 1: like these are questions that basically were like fans, you know,

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Speaker 1: these are like, yeah, these are questions that eleven year

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Speaker 1: old girls wanted to know about. You know. They weren't

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Speaker 1: hard to answer, they weren't about acting. They weren't really

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Speaker 1: about our life on Boy Meets World or what we

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Speaker 1: were actually famous for. It was just like me as

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Speaker 1: this sort of like personality, and so in a lot

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Speaker 1: of ways, that made an easy interview because it was

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Speaker 1: just like I had all these answers because like, oh,

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Speaker 1: I'll tell you about my favorite movie and I'll tell

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Speaker 1: you about my favorite whatever. But in retrospect, it's kind

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Speaker 1: of embarrassing that I didn't know, like you know too,

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Speaker 1: I don't know, it's it's it's it's awkward, like, yeah,

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Speaker 1: I don't know, and the fact that these grown people

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Speaker 1: were asking us these questions so weird to me, Like why, yeah, well,

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Speaker 1: like I remember, do you guys remember there was a couple.

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Speaker 1: They were like an older couple that were like they

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Speaker 1: both worked for a couple of team mag Maybe they

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Speaker 1: were financed. They were like the nicest people, Like I

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Speaker 1: have fond memories of like running into them at events.

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Speaker 1: But in retrospect, it's like they knew everything about me.

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Speaker 1: They knew everything about my family. They knew because they

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Speaker 1: were constantly like keeping tabs on us for these magazines,

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Speaker 1: and in retrospect, that's just kind of weird, like what

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Speaker 1: a weird job to The interviews were basically um fan

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Speaker 1: fiction fodder. They were they were providing the material for

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Speaker 1: young kids, eleven twelve year old kids who read these

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Speaker 1: magazines to then envision themselves in your life as your

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Speaker 1: friend and imagining what they would say when they met you,

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Speaker 1: and how they would kind of get you, what do

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Speaker 1: we have in common? And like it was it was

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Speaker 1: basically the fantasy of small of small kids. I'm so

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Speaker 1: happy you said that as an expert, because here's what

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Speaker 1: we do have to address is that there are tapes

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Speaker 1: that are interviews you with you two as from this

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Speaker 1: writer and myself, No from writer and will okay, but

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Speaker 1: there are also interviews where Danielle is the interviewer. Correct,

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Speaker 1: because I used to I had it. I had my

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Speaker 1: own column. Do you remember that I had. I had

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Speaker 1: Danielle's diary in sixteen magazines. So I have a lot

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Speaker 1: of pictures with both of you where it's you and

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Speaker 1: me and a tape recorder in between us and my mom.

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Speaker 1: That's also what I realized, these photoshoots I have with

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Speaker 1: attractive teen men from part I was doing Danielle's diary,

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Speaker 1: so slightly less creepy. Now I was slightly less creepy.

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Speaker 1: I would I would interview were doing it for free,

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Speaker 1: right hundred percent? I was free, like they basically were like,

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Speaker 1: I have a great idea, Danielle is a lot less

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Speaker 1: creepy than grown adults interviewing these kids. Well, also you,

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Speaker 1: it's great for you as because the readers these magazines

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Speaker 1: were girls primarily like I are, exclusively, and so for

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Speaker 1: you to be in the magazine or to get publicity

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Speaker 1: had to be a sort of avatar for the reader.

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Speaker 1: Makes perfect sense. Yeah, it's really interesting. I saw forgot

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Speaker 1: about that. A lot of the interviews are me interviewing you. Now, Danielle,

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Speaker 1: what you said was absolutely right about the kids kind

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Speaker 1: of fantasizing. You know. Anna Kendrick wrote a book about

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Speaker 1: growing up an actor, and she said when she was six, five, six,

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Speaker 1: seven years old, she would sit on the playground and

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Speaker 1: imagine what she would say to us if she ever

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Speaker 1: met us. She's like, I always I would sit there

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Speaker 1: and imagine what I'd say to the cast of Boy

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Speaker 1: Met World if I ever had a chance. So that

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Speaker 1: was like a thing, that's what people do. So ironic

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Speaker 1: because now she won't return our calls. I know, we're right,

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Speaker 1: we haven't. We will try to, Okay. So I went

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Speaker 1: through these tapes. I pulled segments that were hours of

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Speaker 1: audio that I went through. It's so good. Um, you

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Speaker 1: guys are basically going to be talking to your younger selves.

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Speaker 1: All right, Okay, Oh let's see this. Are you nervous?

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Speaker 1: I am, well, like like being sixteen. I want a cigarette. Also, again,

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Speaker 1: once again, let's thank Paul Hill for these cassettes. Thank you. Yeah,

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Speaker 1: we're going to start with writer. Is that cool? Yeah?

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Speaker 1: All right? So the this is taken this, I mean,

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Speaker 1: these are insane. They're truly I mean people who are

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Speaker 1: listening to they are fans of the show. These are

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Speaker 1: time capsules. This one the most. I think this was

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Speaker 1: taken the day after your first Live Boy Meets World taping.

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Speaker 1: What yeah, so you had just done your first taping

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Speaker 1: Evert's nineteen ninety three, right, yeah, yeah? Was it the positive?

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Speaker 1: It's the pilot you did and you were and by

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Speaker 1: the way, you were right that you mentioned a matinee

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Speaker 1: taping and you guys mentioned a night taping, so we

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Speaker 1: figured that out. It would have been we would have

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Speaker 1: found it out the week after on this audio. But

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Speaker 1: it's nineteen ninety three, So how old are you? Writer? Thirteen?

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Speaker 1: All right, this is a magazine reporter sent to the

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Speaker 1: Disney lot to chat to the stars of a new

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Speaker 1: ABC show. She knows nothing about you, or the show

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Speaker 1: or anything. You're just basically a fingers crossed We're going

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Speaker 1: to use this in a magazine one day as a

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Speaker 1: point of reference. This is your first week as being

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Speaker 1: Sean Hunter. This is the reporter asking you to introduce

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Speaker 1: yourself to the readers. Here's clip one. Oh no, Riders

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Speaker 1: Strong King, Actually, may I go by Riders Strong? Things

385
00:21:07,560 --> 00:21:17,440
Speaker 1: no riders from birthday twelve, eleven seventy nine. Socially, I am.

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Speaker 1: I weigh about a hundred fifteen pounds. I am five

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Speaker 1: two and a half I think foot three somewhere around

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Speaker 1: the brown hair and blue eyes. Okay, wow, two one

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Speaker 1: hundred and fifteen pounds. But it's as you think, that's creepy,

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Speaker 1: that's will, that's clip one. Oh. But I was definitely

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Speaker 1: taller than that. I mean, you can watch the pilot.

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Speaker 1: I'm already taller than well, maybe not that year. I know,

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Speaker 1: maybe you grew that year and Ben and I were,

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Speaker 1: you know, four foot eight. Yeah, I know you know

395
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Speaker 1: what with at the pilot because I'm sitting down like

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Speaker 1: the entire pilot, I could have been that short. So

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Speaker 1: so it could have been that year that I sprouted

398
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Speaker 1: from when we did the pilot to that fall, which

399
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Speaker 1: is why I look so much bigger than that. Yeah,

400
00:22:06,240 --> 00:22:08,560
Speaker 1: you wouldn't mess up your your height that if you

401
00:22:08,600 --> 00:22:10,800
Speaker 1: were five six, you wouldn't have said five too. By

402
00:22:10,800 --> 00:22:13,320
Speaker 1: the way, no one who uses a half is messing

403
00:22:13,400 --> 00:22:17,800
Speaker 1: up there. Exactly, yeah, exactly to the tea. Wow. Uh,

404
00:22:18,200 --> 00:22:20,640
Speaker 1: Now the reporter asks you how you got the role.

405
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Speaker 1: Here's clipp two. I went on the audition. I didn't.

406
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Speaker 1: I didn't. I just read the size. I hadn't read

407
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Speaker 1: the whole script. And so I went on the audition

408
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Speaker 1: and then I got a call back, and then I

409
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Speaker 1: got another call back, and then I was having screen tests.

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Speaker 1: Now that I got it, I did the pilot and

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Speaker 1: then after that, you know, they changed the they changed

412
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Speaker 1: a few of the cast members. But I made it.

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Speaker 1: And then and then I came back and here I

414
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Speaker 1: am where you are? What you wouldn't you do? Did

415
00:22:47,040 --> 00:22:49,479
Speaker 1: you fell abating anyway when you found out or when

416
00:22:49,480 --> 00:22:52,080
Speaker 1: I found out I got part? Now not really, you

417
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Speaker 1: know I used to do that, but now it's just

418
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Speaker 1: kind of well, you know, it's why you get used

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Speaker 1: to just doing what I said. Though I've said this

420
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Speaker 1: about boy before. By the time it came along, I

421
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Speaker 1: was like, hey, whatever, just another show, because I've been

422
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Speaker 1: so stoked about Julie that when Julie didn't get picked up,

423
00:23:10,440 --> 00:23:12,960
Speaker 1: it was like devastating. So I just that was keeping

424
00:23:13,280 --> 00:23:16,720
Speaker 1: I was keeping my emotions in check. But okay, so

425
00:23:16,880 --> 00:23:19,720
Speaker 1: this is after the first half, this is this is

426
00:23:19,760 --> 00:23:21,920
Speaker 1: the true pilot or whatever you would call it. But

427
00:23:22,520 --> 00:23:24,920
Speaker 1: I could we said, yeah, this right, so this is

428
00:23:25,320 --> 00:23:29,120
Speaker 1: coming back to the show, and yet I'm still that short. Okay, wow,

429
00:23:29,800 --> 00:23:31,760
Speaker 1: uh are you? Is this weird for you to hear

430
00:23:31,880 --> 00:23:37,320
Speaker 1: this voice? Yeah, it's a lot of optimism, and everyone

431
00:23:37,400 --> 00:23:40,640
Speaker 1: except you say, my god, it's like you're the only

432
00:23:40,680 --> 00:23:45,240
Speaker 1: one ashing a cigar while doing an interview, right right, Well,

433
00:23:45,320 --> 00:23:47,600
Speaker 1: I mean I think I mean Will. I guess Will

434
00:23:47,840 --> 00:23:50,639
Speaker 1: had as much, probably as much experience acting as me,

435
00:23:50,800 --> 00:23:53,400
Speaker 1: but he was older, you know, so it doesn't seem

436
00:23:53,480 --> 00:23:56,240
Speaker 1: as bizarre for him to But also Will, I feel like,

437
00:23:57,040 --> 00:23:59,520
Speaker 1: you know, the such a difference that I've discovered doing

438
00:23:59,560 --> 00:24:02,800
Speaker 1: this podcast us with you between you and me, um,

439
00:24:03,240 --> 00:24:05,119
Speaker 1: is just how much you knew what you were in for,

440
00:24:05,359 --> 00:24:07,960
Speaker 1: Like you always wanted to be an actor, and that

441
00:24:08,160 --> 00:24:11,879
Speaker 1: meant potentially being on a sitcoms. Wanted was to be

442
00:24:11,920 --> 00:24:14,160
Speaker 1: on a sitcom exactly, so like you had done other

443
00:24:14,359 --> 00:24:18,600
Speaker 1: jobs hoping that one day you could be on Family Ties,

444
00:24:18,680 --> 00:24:22,320
Speaker 1: which is you got right. Whereas for me, I never

445
00:24:22,440 --> 00:24:26,280
Speaker 1: watch sitcoms and didn't like them if I had seen them,

446
00:24:26,480 --> 00:24:28,240
Speaker 1: and so it was like I wanted to be doing

447
00:24:28,320 --> 00:24:31,560
Speaker 1: plays or of anything dramatic movies and so like here

448
00:24:31,600 --> 00:24:34,200
Speaker 1: I was You know doing this like boy Meets World

449
00:24:34,320 --> 00:24:36,240
Speaker 1: at this point in my life, like it was not

450
00:24:36,400 --> 00:24:38,959
Speaker 1: something I really understood, Like I didn't wrap my head

451
00:24:39,000 --> 00:24:40,560
Speaker 1: around what I want. You wanted to go back to

452
00:24:40,680 --> 00:24:43,239
Speaker 1: lame is this woman's asking you what your eye color is? Right,

453
00:24:45,960 --> 00:24:49,399
Speaker 1: let me take a picture from ye. It's like now

454
00:24:49,480 --> 00:24:51,920
Speaker 1: the reporter wants to know a little bit about this sitcom,

455
00:24:52,000 --> 00:24:53,840
Speaker 1: boy Meets World that is set to air in the fall.

456
00:24:53,880 --> 00:24:58,800
Speaker 1: Here's clip three. It's you know about a kid just

457
00:24:59,119 --> 00:25:01,000
Speaker 1: his life at home, in his life at school, and

458
00:25:02,280 --> 00:25:05,560
Speaker 1: you know Boyme's World, you know, entering the world as

459
00:25:05,600 --> 00:25:09,399
Speaker 1: a kid, and it's it's great. I like the idea

460
00:25:13,119 --> 00:25:19,440
Speaker 1: so eloquent, and like this television show, your on is

461
00:25:19,440 --> 00:25:25,080
Speaker 1: gonna be okay, writer, it's gonna be okay. You can start.

462
00:25:25,119 --> 00:25:27,280
Speaker 1: You don't have to promote it, just let it okay, okay.

463
00:25:27,400 --> 00:25:30,200
Speaker 1: So here's something very strange. The reporter does this with

464
00:25:30,440 --> 00:25:32,840
Speaker 1: a lot of celebrities, even if they're not on Boymy's World.

465
00:25:33,280 --> 00:25:35,639
Speaker 1: She loves getting and this must be some sort of

466
00:25:35,720 --> 00:25:39,360
Speaker 1: research that they knew about their readers. Details of your rooms.

467
00:25:39,880 --> 00:25:43,680
Speaker 1: Oh oh, that's right, that they loved finding out what's

468
00:25:43,720 --> 00:25:45,800
Speaker 1: in your room, which is super strange, and like I

469
00:25:45,840 --> 00:25:47,679
Speaker 1: said on the tape, she does it to almost everyone.

470
00:25:48,080 --> 00:25:51,720
Speaker 1: So here you are right or strong thirteen years old

471
00:25:52,119 --> 00:25:56,520
Speaker 1: explaining your room Clip four. Oh god, I live. Um.

472
00:25:56,720 --> 00:25:58,720
Speaker 1: We have a three story house, and my brother and

473
00:25:58,760 --> 00:26:01,159
Speaker 1: I shared a room on the third floor, and we

474
00:26:01,840 --> 00:26:03,560
Speaker 1: I guess we like had the whole third floor. And

475
00:26:03,640 --> 00:26:05,760
Speaker 1: then my brother moved out, so I mean he's not

476
00:26:05,840 --> 00:26:07,760
Speaker 1: moved out, but he moved out of our rooms. He

477
00:26:07,920 --> 00:26:10,200
Speaker 1: got his own rooms. So I have. I have a

478
00:26:10,640 --> 00:26:14,320
Speaker 1: pretty big room for myself, and I have a collection

479
00:26:14,400 --> 00:26:20,000
Speaker 1: of the you know pictures of paintings of dragons, that's

480
00:26:20,080 --> 00:26:22,840
Speaker 1: basically what I and I have a few movie posters.

481
00:26:22,920 --> 00:26:25,200
Speaker 1: I have a terminator to a movie poster, and I've

482
00:26:25,280 --> 00:26:27,960
Speaker 1: got a stand by Me, which is my favorite movie.

483
00:26:28,600 --> 00:26:32,240
Speaker 1: And and then I have a collection of swords. I

484
00:26:32,359 --> 00:26:37,160
Speaker 1: have swords and I stuff like that, yeah kind of thing. Yes,

485
00:26:37,840 --> 00:26:40,280
Speaker 1: I want handwords, so I have lots of that stuff

486
00:26:40,320 --> 00:26:43,960
Speaker 1: on my walls in D and D already. Yeah, I

487
00:26:44,280 --> 00:26:48,120
Speaker 1: definitely did have and I still have like real sorts

488
00:26:48,280 --> 00:26:51,480
Speaker 1: and knives I like, which is the weirdest thing. That's

489
00:26:51,520 --> 00:26:53,879
Speaker 1: what I decided to do with my acting money, Like

490
00:26:54,440 --> 00:26:59,880
Speaker 1: hand forged like beautiful knives from Renfares and first edition

491
00:27:00,000 --> 00:27:02,680
Speaker 1: and first ession books. Yeah, I wasn't collecting those yet,

492
00:27:02,760 --> 00:27:05,399
Speaker 1: but but yeah, oh I'm glad the movie posters were

493
00:27:05,440 --> 00:27:08,040
Speaker 1: good ones. You know. I still stand by T two

494
00:27:08,119 --> 00:27:10,320
Speaker 1: and stand by Me. And then yeah, I got really

495
00:27:10,400 --> 00:27:14,000
Speaker 1: into prints of fantasy art. Um so I used to

496
00:27:14,200 --> 00:27:16,480
Speaker 1: buy and it was expensive, like you know, you would

497
00:27:16,480 --> 00:27:19,560
Speaker 1: get like these limited edition prints of um I'm trying

498
00:27:19,600 --> 00:27:21,680
Speaker 1: to remember, Will maybe you know some of these artists.

499
00:27:21,680 --> 00:27:23,440
Speaker 1: I used to know all the artists by name, like

500
00:27:23,920 --> 00:27:25,879
Speaker 1: great fantasy artists, like the people who did the covers

501
00:27:25,960 --> 00:27:28,320
Speaker 1: for dragon Lance books. I know, I don't know the

502
00:27:28,480 --> 00:27:30,840
Speaker 1: I mean, I'm are you talking Thomas Cole or more?

503
00:27:30,960 --> 00:27:33,920
Speaker 1: Kind of like the one doesn't sound familiar. It was

504
00:27:33,960 --> 00:27:35,800
Speaker 1: like a Peter somebody. I mean, these are all people

505
00:27:35,920 --> 00:27:39,040
Speaker 1: who probably around this time we're starting to do magic cards,

506
00:27:39,200 --> 00:27:41,520
Speaker 1: like the art for magic cards. But before that, there

507
00:27:41,600 --> 00:27:44,720
Speaker 1: wasn't really a venue. I used to get catalogs of

508
00:27:44,960 --> 00:27:48,119
Speaker 1: fantasy art and it would be like amazing, you know,

509
00:27:48,600 --> 00:27:54,600
Speaker 1: dragon stuff, Frank Frazetta. That sounds familiar, That's sounds familiar. Um,

510
00:27:55,880 --> 00:27:58,280
Speaker 1: you know, I want to just collects, like you know,

511
00:27:58,359 --> 00:28:00,520
Speaker 1: and they would be like limited edition Prince, it would

512
00:28:00,560 --> 00:28:02,399
Speaker 1: only be fifty of them signed, and I would get

513
00:28:02,600 --> 00:28:05,159
Speaker 1: get them. I guess my parents probably still have them somewhere.

514
00:28:05,320 --> 00:28:09,040
Speaker 1: Most importantly, have you ever stabbed someone? No? I have

515
00:28:09,119 --> 00:28:13,159
Speaker 1: a friend who got stabbed when We're Ricky on our

516
00:28:13,200 --> 00:28:15,920
Speaker 1: show got stabbed at my house. It was his own knife.

517
00:28:16,359 --> 00:28:20,879
Speaker 1: I'm sorry whyne I was not expecting at my house.

518
00:28:21,080 --> 00:28:25,639
Speaker 1: I thought he was going to be out. Who did if?

519
00:28:25,680 --> 00:28:28,280
Speaker 1: This is why you don't let your kids collect knives

520
00:28:28,359 --> 00:28:31,240
Speaker 1: and swords. Yes, we used to collect knives and swords,

521
00:28:31,359 --> 00:28:32,840
Speaker 1: and then what we would do is we would like

522
00:28:33,080 --> 00:28:35,600
Speaker 1: strap them on and go into the woods and play

523
00:28:35,720 --> 00:28:38,720
Speaker 1: D and D, which we wouldn't use them. We weren't

524
00:28:38,760 --> 00:28:40,800
Speaker 1: like live action role playing, but we would just have

525
00:28:41,000 --> 00:28:44,239
Speaker 1: them with us while we camped out or hung out

526
00:28:44,240 --> 00:28:46,960
Speaker 1: and played D and D. And like, one day, Ricky

527
00:28:47,240 --> 00:28:50,880
Speaker 1: and this other kid, Will were wrestling and Ricky had

528
00:28:50,920 --> 00:28:54,520
Speaker 1: the knife strapped to him, and Will as part of

529
00:28:54,640 --> 00:28:57,719
Speaker 1: like haha messing around wrestling, decided to unstrap the knife

530
00:28:57,840 --> 00:28:59,920
Speaker 1: try and get it to like to to get him

531
00:29:00,040 --> 00:29:03,320
Speaker 1: off of it, and instead didn't you pulled the knife out,

532
00:29:03,360 --> 00:29:07,280
Speaker 1: but then dropped it and Ricky rolled on top of it. Yeah,

533
00:29:07,520 --> 00:29:09,320
Speaker 1: and so we like we rushed to the hospital and

534
00:29:09,440 --> 00:29:11,360
Speaker 1: had to get stitches and it was awful and it

535
00:29:11,480 --> 00:29:13,080
Speaker 1: was like, but I just can't believe. It's like, Yeah,

536
00:29:13,080 --> 00:29:15,520
Speaker 1: that's why you don't let kids play with ers. Parents

537
00:29:15,840 --> 00:29:20,080
Speaker 1: had the parenting style some might call permissive. Yeah, there

538
00:29:20,280 --> 00:29:26,840
Speaker 1: was very There was the woods and no. I get

539
00:29:26,880 --> 00:29:29,000
Speaker 1: that though, because when we went camping, we always strapped

540
00:29:29,040 --> 00:29:31,400
Speaker 1: our pelicans on. We were always arm You guys were

541
00:29:31,520 --> 00:29:36,720
Speaker 1: both insane people. Yeah. I brought out a woofleball bat. Yeah,

542
00:29:36,880 --> 00:29:38,719
Speaker 1: we were always strapped. And we went into the woods too.

543
00:29:38,840 --> 00:29:40,240
Speaker 1: You and you would you play with your knives and

544
00:29:40,960 --> 00:29:43,200
Speaker 1: throwing knives and throwing stars, and it's one of the

545
00:29:43,280 --> 00:29:47,520
Speaker 1: things we bonded over. Rider. Yeah, wanting to be ninjas, Yes, exactly.

546
00:29:57,720 --> 00:29:59,880
Speaker 1: Let's get more to those movie posters here. She asked

547
00:30:00,040 --> 00:30:04,040
Speaker 1: you your favorite actors and actresses, which you were excited

548
00:30:04,040 --> 00:30:08,080
Speaker 1: to answer answer. This is clip five. Oh God, John Malkovich,

549
00:30:08,480 --> 00:30:10,960
Speaker 1: I really liked him and of Mice and Men, he

550
00:30:11,120 --> 00:30:13,120
Speaker 1: was really good and that in the line of Fire

551
00:30:13,280 --> 00:30:18,920
Speaker 1: Court and I like Um Jack Nicholson a wy Um. Actresses.

552
00:30:20,800 --> 00:30:24,400
Speaker 1: I'm not sure I don't know you hate women? I

553
00:30:24,440 --> 00:30:31,960
Speaker 1: guess yeah, how many thirteen year olds have favorite actresses? Sure?

554
00:30:32,000 --> 00:30:33,440
Speaker 1: But also like it is, it does say a lot

555
00:30:33,440 --> 00:30:35,720
Speaker 1: about writer that he's like of mice and men and

556
00:30:35,920 --> 00:30:37,560
Speaker 1: like he's he was just in the line of fire

557
00:30:37,680 --> 00:30:41,560
Speaker 1: obviously of course. Yeah, I remember, you know, I really

558
00:30:41,640 --> 00:30:44,640
Speaker 1: loved Jack Nicholson and I remember that. Yeah, John Malco,

559
00:30:44,840 --> 00:30:47,200
Speaker 1: I was. I was. That's it's a pretty good taste

560
00:30:48,120 --> 00:30:50,720
Speaker 1: on your ears. Uh, continue with favorites here. She asked

561
00:30:50,720 --> 00:30:52,400
Speaker 1: you your favorite TV show? Do you want to guess

562
00:30:52,440 --> 00:30:56,400
Speaker 1: an answer? God, I probably said I don't watch TV.

563
00:30:57,960 --> 00:31:02,040
Speaker 1: I don't know what family time favorite. I know what

564
00:31:02,120 --> 00:31:05,600
Speaker 1: you're gonna say. You're gonna say Wonder Years probably alight,

565
00:31:05,760 --> 00:31:07,800
Speaker 1: probably right, because it was. Yeah, I didn't really watch

566
00:31:07,840 --> 00:31:09,920
Speaker 1: it all that much, but I did like it a lot.

567
00:31:10,280 --> 00:31:12,360
Speaker 1: I'm trying to think, yeah that Yeah, that's what I'm

568
00:31:12,360 --> 00:31:22,520
Speaker 1: gonna be honest. I was surprised. Here's clip six citizens,

569
00:31:22,640 --> 00:31:27,680
Speaker 1: but yeah, but shocked you were a sitcom kid. That's weird. Yeah,

570
00:31:27,720 --> 00:31:30,400
Speaker 1: I don't remember really watching. Do you think you were?

571
00:31:30,520 --> 00:31:31,760
Speaker 1: Because I wrote this down? Do you think you were

572
00:31:31,800 --> 00:31:34,960
Speaker 1: towing the company line? Yeah? I think so too. Yeah,

573
00:31:35,000 --> 00:31:36,800
Speaker 1: I think I was high off of having been on

574
00:31:36,920 --> 00:31:38,760
Speaker 1: it and it was the number one show in the country,

575
00:31:38,880 --> 00:31:40,520
Speaker 1: and I was because I had been on it maybe

576
00:31:40,560 --> 00:31:43,120
Speaker 1: a year before, and I was probably like I was

577
00:31:43,160 --> 00:31:46,440
Speaker 1: probably hoping to like brag about having been on the show. Yeah,

578
00:31:46,440 --> 00:31:48,640
Speaker 1: it just it's just so funny. It's funny to be

579
00:31:48,720 --> 00:31:50,840
Speaker 1: like my favorite actors, John Malkovich and then your favorite

580
00:31:50,840 --> 00:31:55,560
Speaker 1: TV show's Home Improvement. I was season two something. But

581
00:31:55,640 --> 00:31:57,920
Speaker 1: I also think that there's something too like me, not

582
00:31:58,080 --> 00:32:00,200
Speaker 1: even just towing the company a line, but I used

583
00:32:00,200 --> 00:32:03,120
Speaker 1: to feel very alienated by television culture, like pop culture,

584
00:32:03,400 --> 00:32:05,400
Speaker 1: and so I feel like I would say something like

585
00:32:05,480 --> 00:32:07,920
Speaker 1: that to probably ingratiate myself, to be like, I'm a

586
00:32:08,000 --> 00:32:10,120
Speaker 1: normal kid. I'm just like you. I'm just like all

587
00:32:10,120 --> 00:32:16,160
Speaker 1: the other kids. You know. My friend gets stabbed in

588
00:32:16,200 --> 00:32:18,880
Speaker 1: the woods, just like you, just like yours. I pull

589
00:32:19,000 --> 00:32:23,320
Speaker 1: up my chainmail one leg at a time, all right. So,

590
00:32:23,520 --> 00:32:27,120
Speaker 1: one thing I noticed about these tapes is how weirdly

591
00:32:27,680 --> 00:32:30,640
Speaker 1: so many of you have stayed the exact same right.

592
00:32:30,720 --> 00:32:33,880
Speaker 1: There's there's so many differences, but in Nicore, you're all

593
00:32:33,960 --> 00:32:36,440
Speaker 1: the same person, which is very odd to me. Writer

594
00:32:36,560 --> 00:32:38,280
Speaker 1: in one of the clips and I didn't pull it

595
00:32:38,360 --> 00:32:39,880
Speaker 1: because I did not know you would start to show

596
00:32:39,960 --> 00:32:44,240
Speaker 1: this way literally talks about trying to fund an independent movie.

597
00:32:45,000 --> 00:32:48,520
Speaker 1: It's so strange. It's literally the conversation you guys have

598
00:32:48,560 --> 00:32:50,920
Speaker 1: at the beginning of this podcast. But this clip here

599
00:32:51,040 --> 00:32:53,520
Speaker 1: is one of the more obvious examples to me. Here

600
00:32:53,600 --> 00:32:59,000
Speaker 1: she asks you your favorite place to visit. Here's clip seven. Yes,

601
00:33:00,480 --> 00:33:03,120
Speaker 1: I just went backpacking at a summer for five days

602
00:33:04,400 --> 00:33:08,160
Speaker 1: and it was great. I love backpacking, one of the

603
00:33:08,240 --> 00:33:10,120
Speaker 1: greatest things. So, I mean, I just like to get

604
00:33:10,120 --> 00:33:11,760
Speaker 1: out into the world, and the Tiny Sammy is the

605
00:33:11,840 --> 00:33:18,320
Speaker 1: perfect place to do that. So yeah, it's amazing because

606
00:33:18,320 --> 00:33:22,719
Speaker 1: it's too crowded. It's almost if you just use your

607
00:33:22,760 --> 00:33:25,080
Speaker 1: voice now, it's you still like backpacking, you go about

608
00:33:25,120 --> 00:33:27,240
Speaker 1: yourself sometimes for five days. I mean it's the same guy,

609
00:33:27,360 --> 00:33:31,200
Speaker 1: it's the same thing. So crazy. That's well, let's get

610
00:33:31,200 --> 00:33:34,320
Speaker 1: into the big leagues. This is now a grown woman

611
00:33:34,640 --> 00:33:37,120
Speaker 1: working for a teen magazine who has It's not her

612
00:33:37,160 --> 00:33:40,640
Speaker 1: fault she has to ask these big questions about girls,

613
00:33:41,440 --> 00:33:45,320
Speaker 1: all right. This is her digging deep into a thirteen

614
00:33:45,400 --> 00:33:47,280
Speaker 1: year old's love life, and it's just as awkward as

615
00:33:47,320 --> 00:33:50,400
Speaker 1: it sounds. Here She asks what kind of girls you like?

616
00:33:50,520 --> 00:33:53,520
Speaker 1: Clip bait? But also I like, Um, I don't have

617
00:33:53,720 --> 00:33:56,000
Speaker 1: like a particular set thing that I go, but I'm

618
00:33:56,080 --> 00:34:01,800
Speaker 1: I'm open to everything. Oh course, yeah, I mean I

619
00:34:01,840 --> 00:34:09,959
Speaker 1: don't really care a personality definitely, so I'll take whatever

620
00:34:10,040 --> 00:34:15,400
Speaker 1: I could get anything, expectations please, just like me. It

621
00:34:15,520 --> 00:34:17,759
Speaker 1: also just shows how much time the times have changed, though,

622
00:34:17,880 --> 00:34:21,839
Speaker 1: just instantly, assuming you'd like girls, right, I mean it's

623
00:34:21,880 --> 00:34:23,640
Speaker 1: like you did. We wouldn't. What what do you look

624
00:34:23,640 --> 00:34:25,239
Speaker 1: for in a partner? Wouldn't. It's like, well, you're a

625
00:34:25,320 --> 00:34:27,200
Speaker 1: boy and you're on TV, so what kind of girls

626
00:34:27,239 --> 00:34:29,520
Speaker 1: do you look for? Course? What if you're looking for

627
00:34:29,600 --> 00:34:31,080
Speaker 1: a guy? I mean, you wouldn't have said that, but

628
00:34:31,640 --> 00:34:33,600
Speaker 1: it just shows how much the times of thing I

629
00:34:33,640 --> 00:34:36,239
Speaker 1: would have been completely closeted. You want, there was no

630
00:34:36,400 --> 00:34:38,239
Speaker 1: there was no avenue for that. There was It would

631
00:34:38,239 --> 00:34:41,040
Speaker 1: have been complete lack of acceptance. Yep, yeah, we talked

632
00:34:41,080 --> 00:34:44,440
Speaker 1: about it with Lance, right. Yeah. Thing, Well, let's keep

633
00:34:44,480 --> 00:34:47,880
Speaker 1: the awkward rolling here. She asks you what a fourteen

634
00:34:47,960 --> 00:34:49,960
Speaker 1: year old would like to do or thirteen year old

635
00:34:50,000 --> 00:34:54,719
Speaker 1: would like to do on a date. I don't know anything.

636
00:34:56,320 --> 00:35:01,719
Speaker 1: Whatever she wants to do I have those standards. I

637
00:35:01,880 --> 00:35:07,480
Speaker 1: have no expectations, and I'm willing to do anything she

638
00:35:07,600 --> 00:35:11,840
Speaker 1: said to be around me place. Oh I just I

639
00:35:11,920 --> 00:35:15,800
Speaker 1: need love and I'll take it anyway. I met a

640
00:35:15,880 --> 00:35:17,959
Speaker 1: great girl. She wants to take me to a murder scene,

641
00:35:17,960 --> 00:35:23,279
Speaker 1: and I think I'm down down. Thing like, I had

642
00:35:23,360 --> 00:35:25,400
Speaker 1: never been on a date. I didn't know what the

643
00:35:25,640 --> 00:35:27,600
Speaker 1: date would have been, Like what do you do? I mean,

644
00:35:27,640 --> 00:35:29,880
Speaker 1: what is like you were like year three with your

645
00:35:29,920 --> 00:35:34,000
Speaker 1: first girlfriend already, weren't you. I would have already been

646
00:35:34,040 --> 00:35:37,279
Speaker 1: with with Maureen. Yeah, so I was, because I was

647
00:35:37,320 --> 00:35:39,000
Speaker 1: with her when we did the pilot. Okay, so wait,

648
00:35:39,040 --> 00:35:42,080
Speaker 1: I have a question then, how much of answering the

649
00:35:42,239 --> 00:35:46,080
Speaker 1: questions about girls was you feeling awkward because you were

650
00:35:46,120 --> 00:35:48,360
Speaker 1: in a relationship. Oh, I thought you're gonna say at

651
00:35:48,400 --> 00:35:50,719
Speaker 1: the age of the interviewer, but yeah, no, we didn't

652
00:35:50,760 --> 00:35:52,840
Speaker 1: realize that. But I mean you were. You and Maureen

653
00:35:52,960 --> 00:35:56,640
Speaker 1: were pretty serious, so many idea together forever. I was

654
00:35:56,760 --> 00:35:58,920
Speaker 1: really and maybe you didn't want to talk about that.

655
00:35:59,000 --> 00:36:00,440
Speaker 1: Somebody said to you like, no, I know you've got

656
00:36:00,520 --> 00:36:03,279
Speaker 1: to be open and available because somebody like I didn't

657
00:36:03,320 --> 00:36:06,759
Speaker 1: have like the dating experience, you know, because Marie and

658
00:36:06,800 --> 00:36:09,520
Speaker 1: I were together until I was sixteen, so it wasn't

659
00:36:09,600 --> 00:36:11,719
Speaker 1: until I was sixteen that I actually, like, you know,

660
00:36:12,080 --> 00:36:16,000
Speaker 1: actively dated anybody else or looked for girls or trying

661
00:36:16,080 --> 00:36:18,480
Speaker 1: you know. So yeah, I wouldn't have known what I

662
00:36:18,520 --> 00:36:23,640
Speaker 1: was talking about for sure. Marine does come up later. God, yeah, No,

663
00:36:23,719 --> 00:36:25,560
Speaker 1: I think I was just clueless. I mean I think

664
00:36:25,680 --> 00:36:28,560
Speaker 1: mostly I was just clueless about you know, I wasn't clueless.

665
00:36:29,360 --> 00:36:30,960
Speaker 1: I mean, I was in a relationship, so I was.

666
00:36:31,120 --> 00:36:33,280
Speaker 1: I was in love, So I had lots of feelings

667
00:36:33,320 --> 00:36:35,839
Speaker 1: about romance and what it means to be in love,

668
00:36:35,920 --> 00:36:38,640
Speaker 1: but I didn't know anything about like actual real life

669
00:36:38,840 --> 00:36:42,319
Speaker 1: dating girls. Well then, Maureen, well she knows to move

670
00:36:42,400 --> 00:36:44,880
Speaker 1: the subject then, because now with that type of revealing answer,

671
00:36:45,000 --> 00:36:47,560
Speaker 1: let's transition into pets. She asked, as if you have

672
00:36:47,640 --> 00:36:49,879
Speaker 1: any cats? And I'm telling you you give a rather

673
00:36:50,000 --> 00:36:51,960
Speaker 1: surprising answer, a lot of turns and twists in this

674
00:36:52,040 --> 00:37:00,640
Speaker 1: one clip. Ten two cats Cassie and Blossomed. So now Flower,

675
00:37:02,680 --> 00:37:05,239
Speaker 1: so I have three cats? Three what do you need

676
00:37:05,320 --> 00:37:07,600
Speaker 1: talk about? No, because we grew up with Blossom and

677
00:37:07,680 --> 00:37:09,520
Speaker 1: Flower or our two cats growing up, so I must

678
00:37:09,520 --> 00:37:12,360
Speaker 1: have just gotten them confused. And then Cassie. Cassie. Actually

679
00:37:12,360 --> 00:37:15,200
Speaker 1: we adopted I completely forgot about Cassie. We adopted Cassie

680
00:37:15,280 --> 00:37:18,640
Speaker 1: from North Carolina. Um she was named for. We were

681
00:37:18,719 --> 00:37:21,880
Speaker 1: in Caswell, North Carolina. I think that was what Caswell County.

682
00:37:21,920 --> 00:37:23,960
Speaker 1: I don't know. My brother was filming a movie in

683
00:37:24,000 --> 00:37:26,799
Speaker 1: North Carolina. So we ended up adopting a stray cat.

684
00:37:27,040 --> 00:37:31,720
Speaker 1: Did someone stab the cat that died? It was an accident.

685
00:37:31,800 --> 00:37:33,799
Speaker 1: She rolled over on one of our playing our our

686
00:37:33,840 --> 00:37:38,600
Speaker 1: throwing stars. All right, last question here again a very

687
00:37:38,760 --> 00:37:41,440
Speaker 1: eerie time traveling answer. She wraps up the interview by

688
00:37:41,480 --> 00:37:44,320
Speaker 1: asking you what you see yourself doing in the future.

689
00:37:45,280 --> 00:37:46,960
Speaker 1: I don't think I'm going to be an actor all

690
00:37:47,000 --> 00:37:50,520
Speaker 1: my life. I think I'd rather just either be a

691
00:37:50,600 --> 00:37:53,920
Speaker 1: director or a writer. I'd like to write screenplays, definitely

692
00:37:53,960 --> 00:37:58,840
Speaker 1: screenplays her books. Wow, there you go. I never I

693
00:37:59,040 --> 00:38:03,200
Speaker 1: was already live in the dream. So weird one weekend

694
00:38:03,280 --> 00:38:08,600
Speaker 1: to boy Meat's World. Wow, that is crazy. I never though.

695
00:38:08,960 --> 00:38:10,920
Speaker 1: I honestly thought that it was something that sort of

696
00:38:12,200 --> 00:38:15,080
Speaker 1: just stated out of being on boy Me's world, like,

697
00:38:15,239 --> 00:38:17,279
Speaker 1: you know, being like sixteen or something, because I was

698
00:38:17,320 --> 00:38:19,880
Speaker 1: sixteen when I wrote my first script. And remember I

699
00:38:19,960 --> 00:38:22,680
Speaker 1: gave it to Jeff Sherman. Um No, maybe I was fifteen,

700
00:38:22,960 --> 00:38:25,840
Speaker 1: fifteen or sixteen. Yeah, when I wrote my first feature

701
00:38:25,920 --> 00:38:28,400
Speaker 1: length script. Um, So I always thought that that was

702
00:38:28,480 --> 00:38:30,440
Speaker 1: where it started. But I was already thinking about it

703
00:38:30,480 --> 00:38:37,560
Speaker 1: at thirteen. That's crazy. You're doing what you what you

704
00:38:37,640 --> 00:38:40,960
Speaker 1: wanted to do. I mean, it's you're from the time

705
00:38:41,000 --> 00:38:43,280
Speaker 1: you were thirteen. You are living the life you wanted

706
00:38:43,320 --> 00:38:46,640
Speaker 1: to live. That's that's cool. Yeah. Well, actually I wasn't

707
00:38:46,680 --> 00:38:49,800
Speaker 1: living the life I wanted to seven year contract on

708
00:38:49,840 --> 00:38:53,360
Speaker 1: a TV show now thirteen. Yeah. Yeah, you got to

709
00:38:53,520 --> 00:38:55,200
Speaker 1: pick what you wanted to be, and you're doing what

710
00:38:55,320 --> 00:38:57,960
Speaker 1: you picked at thirteen. That's really cool. That is kind

711
00:38:57,960 --> 00:39:00,560
Speaker 1: of cool. Yeah, I thought that was awesome. I mean,

712
00:39:00,760 --> 00:39:03,200
Speaker 1: you're literally only missing and doing a podcast about this

713
00:39:03,280 --> 00:39:17,239
Speaker 1: show exactly exactly. Um, all right, let's move to Will.

714
00:39:17,480 --> 00:39:20,920
Speaker 1: Oh Jesus, I'm guessing the interviews are going to be different.

715
00:39:21,400 --> 00:39:23,759
Speaker 1: It's going to be different. This is also from the

716
00:39:23,840 --> 00:39:26,800
Speaker 1: day after the first taping, Okay, And you might be

717
00:39:26,880 --> 00:39:29,200
Speaker 1: asking how old these tapes are you just like you

718
00:39:29,320 --> 00:39:31,680
Speaker 1: can't like put it in context as to how long

719
00:39:31,760 --> 00:39:33,960
Speaker 1: ago this was for you. I'll let will tell you.

720
00:39:34,120 --> 00:39:36,640
Speaker 1: As the reporter asks him how long he's been in

721
00:39:36,920 --> 00:39:42,920
Speaker 1: LA Probably hello, two weeks ago. Really, yeah, I just

722
00:39:43,080 --> 00:39:48,560
Speaker 1: came out for the show. That's what crazy. Two weeks

723
00:39:48,600 --> 00:39:52,319
Speaker 1: in Los Angeles, one week of being on the show. Um.

724
00:39:53,000 --> 00:39:54,840
Speaker 1: A lot of it has been said about the evolution

725
00:39:54,880 --> 00:39:56,960
Speaker 1: of Eric. Obviously we talked about it all the time.

726
00:39:57,239 --> 00:39:59,480
Speaker 1: But when the reporter asks you about this new character

727
00:39:59,520 --> 00:40:02,160
Speaker 1: you're playing, we get a rare look into what you

728
00:40:02,400 --> 00:40:05,080
Speaker 1: thought as an actor. It was after the first taping.

729
00:40:05,160 --> 00:40:09,000
Speaker 1: So here it is about thirteen Eric. He's he's an

730
00:40:09,000 --> 00:40:11,680
Speaker 1: average teenager. He's got the problems with the girls, got

731
00:40:11,719 --> 00:40:14,640
Speaker 1: the problems with his little brother, his little sisters, your parents,

732
00:40:14,920 --> 00:40:18,360
Speaker 1: little brothers played by dense average and so this was

733
00:40:18,440 --> 00:40:20,440
Speaker 1: different from me because I went from being the youngest

734
00:40:20,480 --> 00:40:23,280
Speaker 1: to the oldest. So I wasn't getting the advice anymore.

735
00:40:23,320 --> 00:40:28,439
Speaker 1: I'm giving it, which is just different. Okay, I feel

736
00:40:28,440 --> 00:40:33,200
Speaker 1: all right so far with how that's okay. With all

737
00:40:33,280 --> 00:40:34,800
Speaker 1: that out of the way, we get to the burning

738
00:40:34,880 --> 00:40:38,480
Speaker 1: question on everyone's mind. What does your room look like?

739
00:40:40,239 --> 00:40:42,359
Speaker 1: This is her finding out what your brand new LA

740
00:40:42,440 --> 00:40:45,440
Speaker 1: digs are like. This is clip fourteen. We've decorated it

741
00:40:45,520 --> 00:40:47,319
Speaker 1: in any way yet, have you've been able to make

742
00:40:47,360 --> 00:40:49,920
Speaker 1: it like your own Google homely yet or the man

743
00:40:50,239 --> 00:40:53,080
Speaker 1: You're trying. My roommate and I are trying. We're you know,

744
00:40:53,560 --> 00:40:55,480
Speaker 1: getting posters at the Dizzy Story. I have a big

745
00:40:55,520 --> 00:40:57,640
Speaker 1: Beauty in the Beast poster in my room, which is

746
00:40:57,680 --> 00:41:01,560
Speaker 1: the best movie in the world. Okay, you worked for Fox,

747
00:41:01,960 --> 00:41:05,279
Speaker 1: so we have a huge Melrose Place posts really kind

748
00:41:05,320 --> 00:41:08,840
Speaker 1: of commercial war here. Oh yeah, exactly, yuys. You know,

749
00:41:09,239 --> 00:41:10,880
Speaker 1: by the end it's going to look like a Blockbuster

750
00:41:11,040 --> 00:41:16,960
Speaker 1: video store. So this is also funny because if you

751
00:41:17,120 --> 00:41:19,680
Speaker 1: knew Wills, I guess what do you call it? You're

752
00:41:19,719 --> 00:41:22,800
Speaker 1: like TV room in your house? Oh yeah, my, my,

753
00:41:23,040 --> 00:41:25,680
Speaker 1: the media the media room. It looks like a Blockbuster

754
00:41:25,800 --> 00:41:28,640
Speaker 1: video to also lived the life you pad since you

755
00:41:28,719 --> 00:41:31,560
Speaker 1: are a child, because you're no different, none of you

756
00:41:31,680 --> 00:41:36,279
Speaker 1: are any different. It's incredible, that's awesome. And that's not it.

757
00:41:36,400 --> 00:41:40,279
Speaker 1: She wants to know more. Here's clip fifteen. Anything set

758
00:41:40,360 --> 00:41:43,719
Speaker 1: up like boombox or anything for music. We have the

759
00:41:43,880 --> 00:41:46,600
Speaker 1: we have the SCAEO and the TV and the VCR

760
00:41:46,760 --> 00:41:49,839
Speaker 1: and you know we were taking UIs and butthead every night.

761
00:41:50,080 --> 00:41:55,000
Speaker 1: So everything's going well. He's going well, sounds like a

762
00:41:55,160 --> 00:42:00,120
Speaker 1: real positive he's going, well, he's going great man and

763
00:42:00,520 --> 00:42:07,000
Speaker 1: the Life of my Dreams Place poster. I'm donecr Melrose

764
00:42:07,040 --> 00:42:10,200
Speaker 1: Place poster, Bevis and butthead this is living the life.

765
00:42:11,160 --> 00:42:15,040
Speaker 1: Give me an otter and a funny bring that up.

766
00:42:15,040 --> 00:42:17,040
Speaker 1: We'll get to that in a minute. Here, she asked

767
00:42:17,080 --> 00:42:20,040
Speaker 1: about what you might be playing on, said boombox Clip sixteen,

768
00:42:22,000 --> 00:42:25,560
Speaker 1: rock and roll alternative. I think Sugar is probably one

769
00:42:25,560 --> 00:42:34,480
Speaker 1: of my favorite soul silamuse what who? I pulled the

770
00:42:34,520 --> 00:42:36,960
Speaker 1: clip again. This is clip seventeen. This is the last

771
00:42:37,000 --> 00:42:38,520
Speaker 1: two bands you brought up that I think you've made

772
00:42:38,560 --> 00:42:43,320
Speaker 1: up here. They are Who Yeah, Who Gurus? Okay, so

773
00:42:43,440 --> 00:42:48,440
Speaker 1: Who's curd Wash and uh is one of the greatest

774
00:42:48,480 --> 00:42:50,600
Speaker 1: bands of all time. Who need them? But I'll deform Sugar.

775
00:42:50,760 --> 00:42:52,359
Speaker 1: And then the last band is an indie band back

776
00:42:52,400 --> 00:42:56,120
Speaker 1: in the day called the Hoodie Gurus, which were phenomenal.

777
00:42:57,760 --> 00:43:01,040
Speaker 1: The Hoodie Gurus, the Neighborhoods, the cartoon Uns, Paisley Jungle.

778
00:43:01,080 --> 00:43:03,960
Speaker 1: These are all bands at like my brothers found And

779
00:43:04,080 --> 00:43:05,880
Speaker 1: of course when you're the youngest brother, you listened to

780
00:43:06,239 --> 00:43:08,480
Speaker 1: this stuff. So it was we were into the kind

781
00:43:08,520 --> 00:43:11,600
Speaker 1: of the stuff that all sprung off from the CBGB

782
00:43:11,719 --> 00:43:15,000
Speaker 1: scene and the Chicago punk scene, the Minneapolis kind of

783
00:43:15,000 --> 00:43:17,560
Speaker 1: alternative scene. So there are some great bands out there.

784
00:43:17,800 --> 00:43:19,480
Speaker 1: I was like, he just picked a random more than

785
00:43:19,560 --> 00:43:26,280
Speaker 1: rhymed with Husker Do shout out to the hoodie Gurus.

786
00:43:26,280 --> 00:43:28,160
Speaker 1: God wing there's somebody from the hoodie Gourus' is like,

787
00:43:28,200 --> 00:43:33,760
Speaker 1: oh my god, somebody listened to our album. Well, here's

788
00:43:33,800 --> 00:43:36,280
Speaker 1: the question. Here's the question. You've been waiting for favorite

789
00:43:36,320 --> 00:43:39,000
Speaker 1: TV shows? Do you want to guess? I would probably

790
00:43:39,040 --> 00:43:42,080
Speaker 1: say Family Ties. I think you would have said Mash.

791
00:43:42,160 --> 00:43:44,120
Speaker 1: Yet I might have said Mash. I might not have.

792
00:43:44,200 --> 00:43:46,360
Speaker 1: But I also think maybe different strokes would be up there.

793
00:43:46,400 --> 00:43:47,840
Speaker 1: Wonder Years might be up there. I don't know. I

794
00:43:47,920 --> 00:43:49,680
Speaker 1: think you might have said something that was more contemporary.

795
00:43:49,719 --> 00:43:51,759
Speaker 1: I bet you said it was like that season just

796
00:43:52,280 --> 00:43:54,520
Speaker 1: you know, just to like be like you and home improvement.

797
00:43:54,800 --> 00:43:57,200
Speaker 1: That might you know, it's like, that's the point of

798
00:43:57,280 --> 00:43:59,359
Speaker 1: doing an interview, to like connect with people. I feel

799
00:43:59,360 --> 00:44:01,160
Speaker 1: like you might have thought about more. Okay, well I

800
00:44:01,239 --> 00:44:05,200
Speaker 1: tried to connect with hoodie googers. You also remember, you know,

801
00:44:05,320 --> 00:44:08,480
Speaker 1: actually here's another I think we couldn't get television that

802
00:44:08,640 --> 00:44:12,120
Speaker 1: was gone, so like you wouldn't when you talked about

803
00:44:12,160 --> 00:44:14,440
Speaker 1: what television shows you like, you were talking about what

804
00:44:14,719 --> 00:44:17,960
Speaker 1: is on TV actively watching right, right, because if you

805
00:44:18,040 --> 00:44:20,880
Speaker 1: were to reference an old show, you would be outdated,

806
00:44:20,920 --> 00:44:23,040
Speaker 1: you would be behind the times, and nobody would have

807
00:44:23,160 --> 00:44:28,080
Speaker 1: access to it. Right. Okay, well clip eighteen Bison, Butdhead

808
00:44:28,080 --> 00:44:30,480
Speaker 1: and The Simpsons are my two favorite right now. MST

809
00:44:30,680 --> 00:44:32,799
Speaker 1: three K is also definite. Those are my top three.

810
00:44:33,719 --> 00:44:38,839
Speaker 1: Definitely my top three by far well three K Mystery

811
00:44:38,840 --> 00:44:41,640
Speaker 1: Science Theater three thousand. Will was definitely like a cool

812
00:44:41,719 --> 00:44:45,799
Speaker 1: kid up MSK. He was just like all the things

813
00:44:45,840 --> 00:44:48,799
Speaker 1: I like. You don't know so exactly like I'm way

814
00:44:48,840 --> 00:44:51,719
Speaker 1: cooler than you. So it wasn't at all. It's just

815
00:44:51,840 --> 00:44:53,719
Speaker 1: that I had plenty of time when no one wanted

816
00:44:53,719 --> 00:44:55,279
Speaker 1: to hang out with me in high school, so I

817
00:44:55,360 --> 00:44:58,160
Speaker 1: could find all the cool stuff just sitting at home

818
00:44:58,200 --> 00:45:03,160
Speaker 1: watching b was a BedHead listening to Huskard. You were

819
00:45:03,239 --> 00:45:06,719
Speaker 1: really hip, Will, because they'll think of you as like

820
00:45:06,760 --> 00:45:10,440
Speaker 1: a hip person, but you were there. You were which

821
00:45:10,560 --> 00:45:12,960
Speaker 1: ties in with exactly how Rider felt about you when

822
00:45:13,000 --> 00:45:15,640
Speaker 1: you met, Like, that's the coolest guy I've ever met.

823
00:45:15,880 --> 00:45:17,759
Speaker 1: Because I think about that where it's like Ryder and

824
00:45:17,800 --> 00:45:20,960
Speaker 1: I were very different at thirteen and sixteen, So the

825
00:45:21,080 --> 00:45:22,879
Speaker 1: idea that I was the cool guy in his life

826
00:45:23,000 --> 00:45:27,000
Speaker 1: is weird. So happy you said, I'm happy, you said. Weird.

827
00:45:27,680 --> 00:45:31,320
Speaker 1: Writer brought this up and she asked your favorite food.

828
00:45:31,560 --> 00:45:33,759
Speaker 1: It is the most will answer ever. You could not

829
00:45:33,840 --> 00:45:38,920
Speaker 1: get more specific if you tried clip nineteen. Poncho punch,

830
00:45:39,080 --> 00:45:47,600
Speaker 1: Otter Pop. Yeah, thing in the entire world. Are those

831
00:45:47,640 --> 00:45:52,239
Speaker 1: the blue ones? Yeah? I think the poncho punches were

832
00:45:52,640 --> 00:45:56,359
Speaker 1: the pinky the pinky ones. I thought we were punch

833
00:45:57,280 --> 00:46:01,160
Speaker 1: the Otter the blue ras y Otter Pops, whatever that

834
00:46:01,280 --> 00:46:05,320
Speaker 1: one was. And I remember we we somebody got a

835
00:46:05,400 --> 00:46:07,759
Speaker 1: box of just the blue ones for us, because at

836
00:46:07,800 --> 00:46:11,520
Speaker 1: one point and I saved up all the usp whatever

837
00:46:11,560 --> 00:46:13,040
Speaker 1: the things are in the back and I sent it

838
00:46:13,120 --> 00:46:17,320
Speaker 1: away and I got an Otter Pop shirt, remember exactly

839
00:46:17,440 --> 00:46:21,479
Speaker 1: walking in Disneyland one day with my girlfriend at the time, Jill,

840
00:46:21,880 --> 00:46:24,239
Speaker 1: and all of a sudden, I walked by another guy

841
00:46:24,280 --> 00:46:25,839
Speaker 1: with an Otter Pop shirt in a sea of people,

842
00:46:25,840 --> 00:46:30,799
Speaker 1: and we both stopped doing each other. No, I don't

843
00:46:30,800 --> 00:46:33,759
Speaker 1: know that one's gone one thing did exactly, but I

844
00:46:34,080 --> 00:46:38,600
Speaker 1: like sounds like a Christmas present and waiting. How much

845
00:46:38,640 --> 00:46:43,680
Speaker 1: do you love otter pops? You explained clipped one my roommate.

846
00:46:43,719 --> 00:46:46,800
Speaker 1: Now you m open our freezer and that's how you

847
00:46:46,880 --> 00:46:49,279
Speaker 1: get and it's seven layers of a hotter pops And

848
00:46:49,360 --> 00:46:51,320
Speaker 1: if we get below eighty or ninety, we go shopping.

849
00:46:53,840 --> 00:46:59,200
Speaker 1: Get him on those though. We'll see what you order

850
00:46:59,239 --> 00:47:08,719
Speaker 1: to thank you. And ye are good food, healthy? You

851
00:47:09,000 --> 00:47:12,600
Speaker 1: have a real meal? You were living like like Tom

852
00:47:12,680 --> 00:47:15,680
Speaker 1: Hanks and big Yeah, he totally was. He just totally

853
00:47:15,880 --> 00:47:19,160
Speaker 1: was popsicles and TV yeah. Um here you were asked

854
00:47:19,200 --> 00:47:21,560
Speaker 1: the same question, do you want to be an actor

855
00:47:21,680 --> 00:47:23,600
Speaker 1: for the rest of your life? This is clip twenty one.

856
00:47:24,640 --> 00:47:27,759
Speaker 1: I don't know now. Since I'm having so much fun,

857
00:47:28,320 --> 00:47:30,800
Speaker 1: it's such a blast, I would say yes. But you know,

858
00:47:30,920 --> 00:47:33,279
Speaker 1: if someone asked me that in four or five years,

859
00:47:33,280 --> 00:47:36,360
Speaker 1: I don't know what i'd say. But until it starts

860
00:47:37,160 --> 00:47:41,640
Speaker 1: not being fun, oh okay, that was my parents. My

861
00:47:41,719 --> 00:47:43,279
Speaker 1: parents used to always say to me, do this until

862
00:47:43,320 --> 00:47:49,000
Speaker 1: it's no longer fun than fine. Yeah, yeah, yeah, pretty much. Yeah,

863
00:47:49,520 --> 00:47:50,920
Speaker 1: And now you think it would be fun again, and

864
00:47:50,960 --> 00:47:52,600
Speaker 1: you're ready to do it again, so I think so.

865
00:47:52,880 --> 00:47:55,919
Speaker 1: Now it's kind of it's the you know, the little

866
00:47:56,000 --> 00:47:58,120
Speaker 1: juices are flowing again. So I don't know, it's I

867
00:47:58,160 --> 00:48:00,560
Speaker 1: don't you know, nobody seems to want to put on anything,

868
00:48:00,680 --> 00:48:04,040
Speaker 1: but I would be something. I'm also not trying. That's

869
00:48:04,120 --> 00:48:07,160
Speaker 1: that's that's do you mean nobody's coming knocked on your door.

870
00:48:12,280 --> 00:48:16,440
Speaker 1: I'd be able to see the producer if they has

871
00:48:16,680 --> 00:48:22,520
Speaker 1: you tape. You don't even have to go anywhere. I know. Well,

872
00:48:22,600 --> 00:48:24,640
Speaker 1: she digs a little deeper into future will and asks

873
00:48:24,719 --> 00:48:27,080
Speaker 1: what type of acting you see yourself doing in the future.

874
00:48:28,000 --> 00:48:31,480
Speaker 1: I'd like to move on to film, but it rarely happens,

875
00:48:31,560 --> 00:48:34,919
Speaker 1: you know. Unfortunately, you rarely go from TV to film.

876
00:48:35,000 --> 00:48:37,239
Speaker 1: And it happened for some people, and that's great, and

877
00:48:37,360 --> 00:48:40,279
Speaker 1: I'd love it to happen for me. But I'm really

878
00:48:40,400 --> 00:48:43,520
Speaker 1: not counting on it because it's it's it's a stretch.

879
00:48:44,400 --> 00:48:46,200
Speaker 1: I'll try. I mean, I'll give it my all, but

880
00:48:47,320 --> 00:48:55,319
Speaker 1: I'm preparing myself just in case it doesn't happen. Okay, realistic, sir, sir,

881
00:48:55,440 --> 00:49:03,320
Speaker 1: this is an Arby's really talk about my smoky my

882
00:49:03,600 --> 00:49:07,560
Speaker 1: my super smoky voice at sixteen. What I want to

883
00:49:07,600 --> 00:49:09,960
Speaker 1: do is like, jeez, but I do think that there

884
00:49:10,040 --> 00:49:11,960
Speaker 1: was you were you were right, like back then you

885
00:49:12,080 --> 00:49:14,320
Speaker 1: could not. Yeah, it was like all knew that. We

886
00:49:14,400 --> 00:49:16,120
Speaker 1: all knew that by being on TV. Which is part

887
00:49:16,160 --> 00:49:17,920
Speaker 1: of the reason why I think I wasn't stoked on

888
00:49:18,000 --> 00:49:20,200
Speaker 1: beating on TV is because I was like, oh, this

889
00:49:20,440 --> 00:49:23,359
Speaker 1: is defining us. If this show's a hit, we're stuck

890
00:49:23,400 --> 00:49:26,160
Speaker 1: in television because you could never as an actor. There

891
00:49:26,200 --> 00:49:28,719
Speaker 1: were movie stars and there were TV actors and none

892
00:49:28,800 --> 00:49:30,799
Speaker 1: the twenty the same. That's not the same now now

893
00:49:30,840 --> 00:49:33,279
Speaker 1: it's just anybody's doing everything. You know, No, it's better

894
00:49:33,480 --> 00:49:36,240
Speaker 1: to do TV if anything. I mean now George Clooney

895
00:49:36,280 --> 00:49:40,520
Speaker 1: does commercials. He does commercials for God's sakes. Yet yeah, uh,

896
00:49:40,719 --> 00:49:43,680
Speaker 1: well that's the end for you for now. Danielle, I

897
00:49:43,920 --> 00:49:46,239
Speaker 1: didn't have any dating ones. You did not have any

898
00:49:46,320 --> 00:49:48,080
Speaker 1: dating ones in this one. No. Wow. She was like,

899
00:49:48,239 --> 00:49:50,560
Speaker 1: you couldn't get girls. I'm not even gonna ask. I

900
00:49:50,600 --> 00:49:55,360
Speaker 1: don't want to embarrass you exactly. Unfortunately, Danielle was not

901
00:49:55,560 --> 00:49:59,400
Speaker 1: interviewed the first week. I wasn't there. Yeah, but she

902
00:49:59,520 --> 00:50:02,359
Speaker 1: did do some interviewing herself very early in the show's run.

903
00:50:02,640 --> 00:50:05,920
Speaker 1: And this first one is with you writer Strong. This

904
00:50:06,120 --> 00:50:11,080
Speaker 1: is clip clip twenty three. It's recording now all right, Um, hi,

905
00:50:11,120 --> 00:50:14,000
Speaker 1: I'm Danielle and I'm bringing and Joanna. Interview is glad.

906
00:50:14,040 --> 00:50:17,480
Speaker 1: It's Strong from Blaney Squirrel. Hello and um all right,

907
00:50:17,560 --> 00:50:24,560
Speaker 1: let's stet the interview. Okay, okay, real set up. I'm

908
00:50:24,680 --> 00:50:30,960
Speaker 1: here with writer Strong's just got her first teeth. This

909
00:50:31,200 --> 00:50:34,000
Speaker 1: is this is where you honed your interview skills. I

910
00:50:34,120 --> 00:50:36,600
Speaker 1: mean you did. It does seem like this is part

911
00:50:36,640 --> 00:50:41,720
Speaker 1: of your You're still your thing, you're interviewers. Well, Danielle

912
00:50:41,760 --> 00:50:43,960
Speaker 1: holds nothing back with her questions, as you could predict,

913
00:50:44,040 --> 00:50:48,320
Speaker 1: jumping right into something about an upcoming Valentine's Day. And

914
00:50:48,480 --> 00:50:50,800
Speaker 1: I'm not sure a writer was ready. Here's clip to

915
00:50:53,360 --> 00:51:02,680
Speaker 1: you consider yourself the mantic East. Can we play it

916
00:51:02,719 --> 00:51:11,799
Speaker 1: again one more time? You consider yourself romantic? Um? Oh

917
00:51:11,880 --> 00:51:17,560
Speaker 1: my god, I'm so freaking nervous an interview yourself to

918
00:51:17,640 --> 00:51:26,040
Speaker 1: be romantic? Wow. Walter is out of nowhere, just him

919
00:51:26,200 --> 00:51:29,720
Speaker 1: off the top, but he does try his best to respond.

920
00:51:29,760 --> 00:51:32,279
Speaker 1: Here it is twenty five. I don't know. I can't

921
00:51:32,320 --> 00:51:35,120
Speaker 1: answer my question. I don't know. I mean, I'm very

922
00:51:35,600 --> 00:51:38,400
Speaker 1: very passionate when it comes to things about love. I mean,

923
00:51:38,520 --> 00:51:44,839
Speaker 1: like I take love very serious. When your relationship and stop. Okay, true, true,

924
00:51:45,239 --> 00:51:47,200
Speaker 1: this is what I was just saying earlier. It was

925
00:51:47,320 --> 00:51:54,279
Speaker 1: very serious. Danielle does not sense the awkwardness here. You

926
00:51:54,400 --> 00:51:56,279
Speaker 1: will not let him off, but it keeps it going.

927
00:51:56,360 --> 00:51:58,160
Speaker 1: With the romance questions, you remember you guys don't know

928
00:51:58,239 --> 00:52:00,320
Speaker 1: each other super well. Yet it sounds like because this

929
00:52:00,440 --> 00:52:02,520
Speaker 1: is still like first season and I think you got

930
00:52:02,560 --> 00:52:05,600
Speaker 1: the job early. So here's more romance clip twenty six.

931
00:52:07,200 --> 00:52:09,520
Speaker 1: Let's type of personality traits do you think are important

932
00:52:09,560 --> 00:52:13,160
Speaker 1: for a girl to one your heart? Um? You know,

933
00:52:13,320 --> 00:52:17,000
Speaker 1: I don't really, I don't really know. It's whatever comes along,

934
00:52:17,120 --> 00:52:21,200
Speaker 1: you know. I don't have something that I always look before.

935
00:52:21,800 --> 00:52:23,799
Speaker 1: I mean, I think the most important thing that will

936
00:52:23,800 --> 00:52:26,360
Speaker 1: attrack me to a girl at first is confidence. You know.

937
00:52:27,200 --> 00:52:29,920
Speaker 1: I don't know why, but when someone is secure, it's

938
00:52:29,960 --> 00:52:32,680
Speaker 1: really hard to get through that shell. You know who

939
00:52:32,760 --> 00:52:35,560
Speaker 1: they are, so I mean, but it's not I don't

940
00:52:35,600 --> 00:52:38,279
Speaker 1: have like a set standard. I don't know. Well, that's good.

941
00:52:38,280 --> 00:52:39,960
Speaker 1: A lot of guys do have a set standard and

942
00:52:40,040 --> 00:52:41,640
Speaker 1: that makes it really hard or I've been ever find

943
00:52:41,640 --> 00:52:47,799
Speaker 1: the right person, right, that's good. We don't have any

944
00:52:47,880 --> 00:52:51,120
Speaker 1: standards because if any makes it hard for girls to

945
00:52:51,239 --> 00:52:54,640
Speaker 1: know how to squeeze them, to have a round peg

946
00:52:54,680 --> 00:52:57,160
Speaker 1: in a square hole. If you don't have any standards.

947
00:52:57,280 --> 00:53:05,640
Speaker 1: Oh god, whatever comes along, man. Great, that's how real

948
00:53:05,800 --> 00:53:10,200
Speaker 1: love sound. Danielle just trying to be like, yeah, not

949
00:53:10,239 --> 00:53:17,520
Speaker 1: worth it, just take whatever? Why waste time? Oh that's now,

950
00:53:18,000 --> 00:53:21,000
Speaker 1: this whole run here is so much different because of

951
00:53:21,040 --> 00:53:23,200
Speaker 1: the podcast. Now that we know that Danielle had a

952
00:53:23,239 --> 00:53:27,920
Speaker 1: crush on Writer, this next question is truly the best.

953
00:53:28,320 --> 00:53:30,840
Speaker 1: This is CLI twenty seven. I'm up right before you started,

954
00:53:30,920 --> 00:53:32,960
Speaker 1: Before you started, Danielle, did you have a crush on

955
00:53:33,040 --> 00:53:35,560
Speaker 1: Writer at this point? I had a crush on Writer

956
00:53:35,680 --> 00:53:39,040
Speaker 1: pretty early on. Yeah, like so probably, you know, somewhere

957
00:53:39,160 --> 00:53:41,440
Speaker 1: during first season. I don't know, right after I just

958
00:53:41,680 --> 00:53:44,120
Speaker 1: met him, Like definitely getting to no Writer is what

959
00:53:44,200 --> 00:53:46,400
Speaker 1: made me have a crush on him. But so I

960
00:53:46,440 --> 00:53:49,240
Speaker 1: don't but you know, I was probably on my way. Okay,

961
00:53:50,120 --> 00:53:53,480
Speaker 1: I have the answer for you. It's this clip. So

962
00:53:54,080 --> 00:53:56,440
Speaker 1: if you have an idea of a sweetheart that you'll

963
00:53:56,440 --> 00:54:00,000
Speaker 1: be felled in the fountains dying, yes, I do. Second

964
00:54:00,160 --> 00:54:04,640
Speaker 1: year in a row. Oh wow, yeah that's her name, Maren.

965
00:54:04,920 --> 00:54:15,680
Speaker 1: Oh cool. Yeah, I don't don't believe you. I'm so

966
00:54:16,000 --> 00:54:26,040
Speaker 1: happy name. She wants to know more about marine. So

967
00:54:26,200 --> 00:54:28,680
Speaker 1: how long have you guys been together? Almost two years?

968
00:54:29,239 --> 00:54:32,600
Speaker 1: Why guys celebrating the big two year anniversary? You guys

969
00:54:32,640 --> 00:54:35,719
Speaker 1: didn't be doing anything special or um, I don't know,

970
00:54:36,360 --> 00:54:38,279
Speaker 1: I don't think so, you know, I mean every time,

971
00:54:38,600 --> 00:54:42,640
Speaker 1: every time, like we have Valentine's Day or you know,

972
00:54:42,760 --> 00:54:46,080
Speaker 1: like our one year anniversary, always just given her like

973
00:54:46,280 --> 00:54:49,040
Speaker 1: a one single white rose and that's kind of like

974
00:54:49,200 --> 00:54:52,440
Speaker 1: our symbol of our relationship. But white rose, and like

975
00:54:52,640 --> 00:54:56,520
Speaker 1: last time Valentine'sday, but on an anniversary, I wrote our story.

976
00:54:57,960 --> 00:55:03,480
Speaker 1: Oh see, if you could have made a ring, you

977
00:55:03,520 --> 00:55:05,200
Speaker 1: would have made the ring. Yeah, you didn't know how

978
00:55:05,239 --> 00:55:09,799
Speaker 1: to smell. Yeah, yeah, you would have Danielle not giving up,

979
00:55:10,040 --> 00:55:15,239
Speaker 1: Danielle take it away, Clip twenty nine. So how did

980
00:55:15,280 --> 00:55:18,279
Speaker 1: you two met? Um? Well, we met in the third

981
00:55:18,320 --> 00:55:22,279
Speaker 1: grade when we were really little, and she came up

982
00:55:22,320 --> 00:55:25,000
Speaker 1: to me. A friend of hers asked her to ask

983
00:55:25,120 --> 00:55:28,560
Speaker 1: me if I liked her her friend. So then we

984
00:55:28,640 --> 00:55:30,960
Speaker 1: didn't see each other for a long time, and then

985
00:55:31,360 --> 00:55:33,879
Speaker 1: it was I guess two or three years ago when

986
00:55:33,880 --> 00:55:36,480
Speaker 1: I saw her. Can I just you know, did the

987
00:55:36,520 --> 00:55:44,680
Speaker 1: whole fong and the love thing. Oh two years since

988
00:55:44,840 --> 00:55:50,000
Speaker 1: third grade. What I love is that writer and Maureen

989
00:55:50,360 --> 00:55:55,560
Speaker 1: are the true Corian. Yes, yes, I remember feeling that way,

990
00:55:55,640 --> 00:55:59,000
Speaker 1: like you were so yeah, like we were together to

991
00:55:59,160 --> 00:56:02,640
Speaker 1: we were sixty um so yeah. I remember when we

992
00:56:02,840 --> 00:56:05,719
Speaker 1: broke up Corey and Topanga broke up on Boy Meat's World.

993
00:56:05,760 --> 00:56:08,800
Speaker 1: I remember being like, oh, there's some parallels here. I

994
00:56:08,920 --> 00:56:12,000
Speaker 1: don't want you to miss the cool that Danielle hit

995
00:56:12,280 --> 00:56:14,400
Speaker 1: when she realized how much you're into Maureen. Can you

996
00:56:14,480 --> 00:56:31,160
Speaker 1: play clip thirty disturbind everyone cool? Cool now? Somewhere in

997
00:56:31,320 --> 00:56:34,520
Speaker 1: Danielle's disappointment, she figures something out and sees a bit

998
00:56:34,680 --> 00:56:38,640
Speaker 1: of an opening for herself. This is clip thirty one. Well,

999
00:56:38,680 --> 00:56:40,800
Speaker 1: you'll be here after this Valentine's Day at work? And

1000
00:56:41,000 --> 00:56:43,480
Speaker 1: how how are you guys going to be celebrating long distance?

1001
00:56:44,400 --> 00:56:52,800
Speaker 1: I'm sure I haven't really thought Rose. Yeah, Rose, somebody

1002
00:56:52,840 --> 00:56:59,000
Speaker 1: else to white Rose. This is Danielle fold. My favorite

1003
00:56:59,000 --> 00:57:04,000
Speaker 1: color is white. Thank you for joining us, Arose. Anyone

1004
00:57:04,080 --> 00:57:09,080
Speaker 1: have ahead of a bunny? Listen? Not all of Danielle's

1005
00:57:09,080 --> 00:57:11,719
Speaker 1: interviews were quite as comfortable. This one here is with

1006
00:57:11,840 --> 00:57:16,320
Speaker 1: Home Improvements Zachary Tye Bryan clip thirty two. So all right,

1007
00:57:16,480 --> 00:57:19,040
Speaker 1: so how are you now pretty good? How about you cool?

1008
00:57:23,320 --> 00:57:27,080
Speaker 1: My god, I need to hear it again because now

1009
00:57:27,160 --> 00:57:29,480
Speaker 1: that you know it, listen to how Danielle is not

1010
00:57:29,680 --> 00:57:35,280
Speaker 1: listening to him. Okay, let's listen to it again. Who

1011
00:57:35,560 --> 00:57:37,800
Speaker 1: all right? So how are you now pretty good? How

1012
00:57:37,800 --> 00:57:43,320
Speaker 1: about you cool? That is an interviewer not listening to

1013
00:57:43,400 --> 00:57:47,080
Speaker 1: her subject. Yeah, I was gonna stay cool the second

1014
00:57:47,160 --> 00:57:52,560
Speaker 1: he needed to Danielle when she walked by. Listening to

1015
00:57:52,680 --> 00:57:55,800
Speaker 1: some of these audios, she did say that, like, um,

1016
00:57:55,920 --> 00:57:58,200
Speaker 1: open audio would always creep you out, like if someone

1017
00:57:58,280 --> 00:58:02,160
Speaker 1: didn't say something unlike now where I feel like when

1018
00:58:02,200 --> 00:58:04,800
Speaker 1: I talk to somebody and I interview them, I have

1019
00:58:04,960 --> 00:58:08,000
Speaker 1: to let their answer like sink in. I have to listen.

1020
00:58:08,600 --> 00:58:13,800
Speaker 1: I blank space meant something's going wrong, something is wrong,

1021
00:58:14,120 --> 00:58:16,560
Speaker 1: there is air, someone needs to be talking, and I

1022
00:58:16,720 --> 00:58:18,960
Speaker 1: usually just learn it's something you have to learn because

1023
00:58:19,080 --> 00:58:21,080
Speaker 1: I do. I still do that if I'm doing an

1024
00:58:21,160 --> 00:58:23,560
Speaker 1: on the phone interview, I don't shut up, right like,

1025
00:58:23,680 --> 00:58:28,080
Speaker 1: I don't stop talking, and I've had to like recognize that, Okay, writer,

1026
00:58:28,240 --> 00:58:31,040
Speaker 1: you can finish, your answer may be done, and then

1027
00:58:31,240 --> 00:58:33,160
Speaker 1: the interviewer can wait a second, and then they'll ask

1028
00:58:33,200 --> 00:58:36,120
Speaker 1: their next question. I just heard my mash Matters podcast.

1029
00:58:36,440 --> 00:58:38,880
Speaker 1: I don't even hear the other two hosts. I just

1030
00:58:39,200 --> 00:58:43,280
Speaker 1: talk for an hour and apologize and then apologize for

1031
00:58:43,360 --> 00:58:46,680
Speaker 1: talking the whole time, Like where literally goes. We didn't

1032
00:58:46,720 --> 00:58:49,600
Speaker 1: even have to be here. Yeah it was. It was ridiculous.

1033
00:58:49,720 --> 00:58:51,240
Speaker 1: So yeah, I did the same thing. They let you

1034
00:58:51,280 --> 00:58:54,320
Speaker 1: out your cage. The cringe does not end there, though.

1035
00:58:54,400 --> 00:58:57,880
Speaker 1: Here's another Valentine's Day special. Here he is with another

1036
00:58:58,000 --> 00:59:00,480
Speaker 1: romantic question with clip thirty three. So if you had

1037
00:59:00,520 --> 00:59:02,240
Speaker 1: to pick just one romantic song to play for the

1038
00:59:02,360 --> 00:59:04,040
Speaker 1: roles we grow out the Feet, which would it be?

1039
00:59:04,080 --> 00:59:08,600
Speaker 1: And why? Okay you pause it Easton, This is insane? Wait,

1040
00:59:08,680 --> 00:59:11,080
Speaker 1: what was what was the question? That's why one? I

1041
00:59:11,160 --> 00:59:14,360
Speaker 1: wanted to make sure if you could play just one

1042
00:59:14,440 --> 00:59:17,080
Speaker 1: song to sweep a girl off her feet, what would

1043
00:59:17,080 --> 00:59:19,760
Speaker 1: it be? And why? Got you let me know how

1044
00:59:19,840 --> 00:59:22,600
Speaker 1: old Zachary tie Bryan is at this point, he's younger

1045
00:59:22,680 --> 00:59:25,080
Speaker 1: than me, so he's he probably he's probably between my

1046
00:59:25,200 --> 00:59:28,680
Speaker 1: age and your age, right, so I'm twelve, he's somewhere

1047
00:59:28,680 --> 00:59:31,600
Speaker 1: between twelve and thirteen. Okay, here's his answer. A lot

1048
00:59:31,680 --> 00:59:33,640
Speaker 1: of songs out there that are really good for um.

1049
00:59:35,040 --> 00:59:39,440
Speaker 1: Basically hit could be romantic. Put him, I would say

1050
00:59:39,480 --> 00:59:41,720
Speaker 1: probably for me. For my fellow music, I'd probably pig

1051
00:59:41,800 --> 00:59:43,880
Speaker 1: Boys Men from him and the song it's called All

1052
00:59:43,960 --> 00:59:57,480
Speaker 1: Meg Love to you figure Yeah, Zach, wow, wow, we

1053
00:59:57,760 --> 01:00:00,400
Speaker 1: need we don't need the description about why you chose

1054
01:00:00,480 --> 01:00:04,720
Speaker 1: that one. You ask that clip thirty four please. I

1055
01:00:04,760 --> 01:00:08,920
Speaker 1: would pick that song because the words and basically what

1056
01:00:09,080 --> 01:00:13,640
Speaker 1: they say, and it's basically relation. Yeah, I've got a

1057
01:00:13,680 --> 01:00:23,240
Speaker 1: relationship and just basically it's romantic. Yeah. Yeah, and a

1058
01:00:23,320 --> 01:00:26,360
Speaker 1: woman share a special kind of hug. That's what it's like,

1059
01:00:26,520 --> 01:00:28,560
Speaker 1: that kind of special hug. And when you say you

1060
01:00:28,560 --> 01:00:32,439
Speaker 1: a little prayer, restoric comes to believe, like a little

1061
01:00:32,520 --> 01:00:36,440
Speaker 1: you there. Easton, Can I one more time here? Danielle's

1062
01:00:36,440 --> 01:00:38,960
Speaker 1: reaction though, Yeah, because it's brilliant. Yeah, give me the

1063
01:00:39,120 --> 01:00:47,160
Speaker 1: end of it. Yeah yeah, yeah yeah, hasn't ever even

1064
01:00:47,240 --> 01:00:50,560
Speaker 1: test the boy. There has to be an adult in

1065
01:00:50,600 --> 01:00:53,560
Speaker 1: the room just clinching, so like do I jump in

1066
01:00:54,160 --> 01:00:57,880
Speaker 1: my mom My? Mom's like, oh wow. And it's two kids.

1067
01:00:57,880 --> 01:00:59,320
Speaker 1: You don't know what they're talking about. It. That's the

1068
01:00:59,360 --> 01:01:00,960
Speaker 1: best part of it. It's just two kids are like

1069
01:01:01,080 --> 01:01:02,760
Speaker 1: it's I know, it's a song that's romantic. My mom

1070
01:01:02,840 --> 01:01:07,240
Speaker 1: told me it has the word love it right, love

1071
01:01:07,280 --> 01:01:09,840
Speaker 1: to you? Yeah, so great, all right, I cannot praise

1072
01:01:10,240 --> 01:01:12,480
Speaker 1: I know it is a good track. I cannot praise

1073
01:01:12,560 --> 01:01:16,560
Speaker 1: Danielle enough. As an interviewer on this podcast, She's truly unbelievable.

1074
01:01:17,040 --> 01:01:20,360
Speaker 1: She's thoughtful, She listens, She lets people tell their stories,

1075
01:01:20,800 --> 01:01:24,240
Speaker 1: what's coming. When she was younger, on the other hand,

1076
01:01:24,680 --> 01:01:29,080
Speaker 1: not there yet. She appears many times to ask a

1077
01:01:29,200 --> 01:01:32,760
Speaker 1: question and then just answer it herself. Click thirty five

1078
01:01:33,480 --> 01:01:36,960
Speaker 1: Chef's Kiss. So what is your biggest girl or relationship?

1079
01:01:37,040 --> 01:01:38,920
Speaker 1: Pet peep? Like, I know, for me, I hate it.

1080
01:01:39,280 --> 01:01:41,560
Speaker 1: I hate moody people. You know. It's like, you know,

1081
01:01:41,760 --> 01:01:43,880
Speaker 1: everybody has their bad day. I know, but it's one

1082
01:01:43,960 --> 01:01:46,479
Speaker 1: thing for one minute to be you know, happy, go lucky.

1083
01:01:46,560 --> 01:01:48,720
Speaker 1: In the next minute, be just in this horrible mood

1084
01:01:48,800 --> 01:01:50,640
Speaker 1: or I hate it and asked the hood when guys

1085
01:01:50,640 --> 01:01:52,280
Speaker 1: who can't make it, you know, it's like, oh, so

1086
01:01:52,360 --> 01:01:54,280
Speaker 1: many guys so I can even know. It's like it's

1087
01:01:54,280 --> 01:01:56,600
Speaker 1: like call and o'hayna to pick up the fun you

1088
01:01:56,680 --> 01:02:01,080
Speaker 1: now you hello? All the on looks like you know,

1089
01:02:01,160 --> 01:02:02,880
Speaker 1: I hate it when guys you know that I am,

1090
01:02:04,040 --> 01:02:05,920
Speaker 1: they didn't tell you basically find out that they like,

1091
01:02:06,080 --> 01:02:07,520
Speaker 1: you know, they have to be around the bush for like,

1092
01:02:07,640 --> 01:02:10,040
Speaker 1: you know, days and days and weeks and weeks, and

1093
01:02:10,160 --> 01:02:13,080
Speaker 1: you know, the people ever be like me, people like you.

1094
01:02:13,440 --> 01:02:14,880
Speaker 1: And then finally, you know, once they asked you out,

1095
01:02:14,920 --> 01:02:18,880
Speaker 1: they get all picked in. You know, right, um, what,

1096
01:02:19,080 --> 01:02:25,120
Speaker 1: I'm sorry? What was the question? And then I really

1097
01:02:25,160 --> 01:02:27,680
Speaker 1: can't stand when people just talk and talk and talker.

1098
01:02:27,760 --> 01:02:31,960
Speaker 1: They never let you get a still questioned. Then they

1099
01:02:32,000 --> 01:02:34,280
Speaker 1: really don't even care about what your answer. You care

1100
01:02:34,280 --> 01:02:38,360
Speaker 1: about it the pet peeves about guys Dan y'all? That

1101
01:02:38,560 --> 01:02:41,640
Speaker 1: was like you just kept going. Was that thing were

1102
01:02:41,680 --> 01:02:44,560
Speaker 1: you call? Like call people hang up? I mean, I

1103
01:02:45,000 --> 01:02:48,120
Speaker 1: apparently what's happening? I don't I don't know if that's romantic.

1104
01:02:48,160 --> 01:02:50,960
Speaker 1: I think that's a prank call stockery. Yeah, I don't

1105
01:02:50,960 --> 01:02:53,520
Speaker 1: think that's I don't think someone liked you. There they

1106
01:02:53,560 --> 01:02:55,320
Speaker 1: do the heavy breathing, they tell you they're watching you,

1107
01:02:55,400 --> 01:03:06,080
Speaker 1: and then they hang out. That's the words. Oh my god.

1108
01:03:06,400 --> 01:03:09,120
Speaker 1: All right, last two clips here. This first one is

1109
01:03:09,200 --> 01:03:12,080
Speaker 1: from the end of nineteen ninety six. A little later

1110
01:03:12,160 --> 01:03:14,480
Speaker 1: in the run of boy meats World. The reporter now

1111
01:03:14,600 --> 01:03:16,720
Speaker 1: knows who you are. It's a hit show. I wanted

1112
01:03:16,760 --> 01:03:18,840
Speaker 1: to play this first one. It's a question to Will.

1113
01:03:19,840 --> 01:03:23,919
Speaker 1: The question is do you want to have kids? Clip

1114
01:03:24,040 --> 01:03:26,560
Speaker 1: thirty six. Not to the point where I want to

1115
01:03:26,600 --> 01:03:29,000
Speaker 1: rush anything and get in anything. I mean, I have

1116
01:03:29,080 --> 01:03:30,640
Speaker 1: a long life out of me and I want to

1117
01:03:31,000 --> 01:03:33,640
Speaker 1: I want to you know. Wait, But I loved little

1118
01:03:33,720 --> 01:03:35,440
Speaker 1: kids and I always have and I love making them laugh.

1119
01:03:35,440 --> 01:03:37,240
Speaker 1: I'm playing with little kids, so eventually I'd love to

1120
01:03:37,240 --> 01:03:39,960
Speaker 1: have a kid, you know, a family, bud. That's why

1121
01:03:39,960 --> 01:03:43,360
Speaker 1: if yet like a boy, a girl, or lock of kids,

1122
01:03:43,600 --> 01:03:44,760
Speaker 1: I want to have one of each. I want to

1123
01:03:44,760 --> 01:03:48,600
Speaker 1: have a boy and a girl. Wowow, that's just for

1124
01:03:48,680 --> 01:03:53,520
Speaker 1: the magazine. I knew you're a man. It would have

1125
01:03:53,600 --> 01:03:56,200
Speaker 1: been funny. You're like, nah, I hate them kids. No. No.

1126
01:03:56,400 --> 01:03:58,360
Speaker 1: When I was young, I did. I wanted to have kids,

1127
01:03:58,400 --> 01:03:59,920
Speaker 1: and I knew i'd be a great parent because I

1128
01:04:00,040 --> 01:04:01,840
Speaker 1: have great parents. But it just wasn't for me. I

1129
01:04:01,920 --> 01:04:03,840
Speaker 1: live a very selfish lifestyle. My wife and I are

1130
01:04:03,840 --> 01:04:06,760
Speaker 1: relationship is just about us. We'd love that and we're

1131
01:04:06,800 --> 01:04:09,520
Speaker 1: good with that. You wouldn't have a stepdaughter who's gay,

1132
01:04:09,760 --> 01:04:12,120
Speaker 1: and you don't want to share otter pops. You don't

1133
01:04:12,240 --> 01:04:16,440
Speaker 1: share otter pops. Come on, man, no touching my toys

1134
01:04:16,440 --> 01:04:18,760
Speaker 1: and everything would be weird. Lastly, I found a very

1135
01:04:18,800 --> 01:04:20,760
Speaker 1: sweet clip. I like this one very much, to be honest.

1136
01:04:20,800 --> 01:04:22,439
Speaker 1: It even gave me like a little bit of a tear.

1137
01:04:22,520 --> 01:04:25,080
Speaker 1: It was very nice. This is Will in nineteen ninety six,

1138
01:04:25,560 --> 01:04:28,080
Speaker 1: when asked if any of the cast members have changed

1139
01:04:28,280 --> 01:04:30,320
Speaker 1: since the start of the show, and now that it's

1140
01:04:30,400 --> 01:04:33,880
Speaker 1: popular and it weirdly is an answer you could still

1141
01:04:33,920 --> 01:04:37,880
Speaker 1: say today clip thirty seven. You know, we're we're growing

1142
01:04:38,000 --> 01:04:39,960
Speaker 1: up and we're growing up together, which I think is

1143
01:04:40,200 --> 01:04:42,760
Speaker 1: an interesting contract. So you know, when you grew up,

1144
01:04:42,800 --> 01:04:44,840
Speaker 1: it's like with brothers, you know, you don't notice the change.

1145
01:04:44,880 --> 01:04:47,200
Speaker 1: I look at my brothers now, and you know, I've

1146
01:04:47,240 --> 01:04:49,120
Speaker 1: one Wos twenty seven and one who's twenty four, and

1147
01:04:49,200 --> 01:04:51,080
Speaker 1: then myself. But I look at them and I still

1148
01:04:51,120 --> 01:04:52,760
Speaker 1: see us playing with you know, Star Wars and g

1149
01:04:52,880 --> 01:04:55,120
Speaker 1: I Joe, because you don't, you don't notice the change.

1150
01:04:56,440 --> 01:04:58,080
Speaker 1: And we've all just grow up with such a tight

1151
01:04:58,200 --> 01:05:00,560
Speaker 1: unit on the show that we're just together and we

1152
01:05:00,640 --> 01:05:02,400
Speaker 1: know we will be, you know, forever, even if the

1153
01:05:02,440 --> 01:05:04,280
Speaker 1: show ends, We're going to be talking to each other

1154
01:05:04,360 --> 01:05:10,000
Speaker 1: for a long time. That crazy, that's so cool. Well,

1155
01:05:10,040 --> 01:05:13,440
Speaker 1: if anyone else buys tapes of our host talking on eBay,

1156
01:05:13,640 --> 01:05:16,280
Speaker 1: I will go through them for hours. I will pull clips.

1157
01:05:16,360 --> 01:05:18,160
Speaker 1: I also want to go on record. I have clips

1158
01:05:18,200 --> 01:05:20,520
Speaker 1: that will be used in future episodes. So there are

1159
01:05:20,560 --> 01:05:22,440
Speaker 1: some guest stars who come in. There are some other

1160
01:05:22,560 --> 01:05:27,000
Speaker 1: little things here there the Disneyland episode, Disney World episode,

1161
01:05:27,400 --> 01:05:29,640
Speaker 1: she ends up in Florida with you guys, so I

1162
01:05:29,760 --> 01:05:33,000
Speaker 1: have clips from that as well. She's always the same interviewer,

1163
01:05:33,760 --> 01:05:38,160
Speaker 1: well unless it's the incredible Daniel Fisher. But yeah, I'd

1164
01:05:38,200 --> 01:05:40,960
Speaker 1: just like to say thank you Producer Jensen, husband of

1165
01:05:41,000 --> 01:05:43,840
Speaker 1: this podcast for going through all the stuff. Thanks to

1166
01:05:43,920 --> 01:05:46,480
Speaker 1: a listening to everything and pulling all this stuff. We

1167
01:05:46,600 --> 01:05:49,160
Speaker 1: super appreciate. That's very cool. I ran around the room.

1168
01:05:49,320 --> 01:05:51,240
Speaker 1: I didn't even get to the answer. When she said

1169
01:05:51,240 --> 01:05:53,160
Speaker 1: do you want to have kids? I literally went, this

1170
01:05:53,480 --> 01:05:58,600
Speaker 1: is gold. But it was super fun and again it

1171
01:05:58,680 --> 01:06:01,560
Speaker 1: shows you, guys. I really think like someone who's behind

1172
01:06:01,600 --> 01:06:04,240
Speaker 1: the scenes for every episode, it's like this is you.

1173
01:06:04,480 --> 01:06:06,520
Speaker 1: It's been you from the beginning. I think that when

1174
01:06:06,560 --> 01:06:08,560
Speaker 1: people come on and call you Sacharin and say, like,

1175
01:06:08,680 --> 01:06:11,280
Speaker 1: you know, they were innocent, and you know, we didn't

1176
01:06:11,280 --> 01:06:13,080
Speaker 1: even know if it was real. We thought maybe you were,

1177
01:06:13,240 --> 01:06:15,040
Speaker 1: you know, pulling a fast one on us, and were

1178
01:06:15,080 --> 01:06:17,520
Speaker 1: these kids. I mean, you're the same people now. It's

1179
01:06:17,560 --> 01:06:23,040
Speaker 1: it's incredible to hear it, you know, proven sound funny. Yeah, well,

1180
01:06:23,320 --> 01:06:26,880
Speaker 1: what a good time. I'll go back to never talking again.

1181
01:06:28,080 --> 01:06:35,320
Speaker 1: Byeen Car, husband of this podcast. Wow. Oh well, so

1182
01:06:35,440 --> 01:06:37,480
Speaker 1: I guess we don't change as much, We don't grow

1183
01:06:37,520 --> 01:06:40,440
Speaker 1: as much as we think. I would disagree. I think

1184
01:06:40,480 --> 01:06:42,400
Speaker 1: you said it right the first time. We don't change

1185
01:06:42,440 --> 01:06:44,840
Speaker 1: as much, but I think we grow. Yeah, And I

1186
01:06:44,920 --> 01:06:48,160
Speaker 1: think those are two different things, because I think we've

1187
01:06:48,160 --> 01:06:49,919
Speaker 1: all grown from who we were when we were kids,

1188
01:06:49,960 --> 01:06:51,960
Speaker 1: but at our core. And I think a lot of

1189
01:06:52,000 --> 01:06:53,560
Speaker 1: that is how you're raised. You know, you have that

1190
01:06:53,680 --> 01:06:56,600
Speaker 1: core belief kind of instilled in you, and you either

1191
01:06:56,720 --> 01:06:59,560
Speaker 1: embrace it or you you know, push it away and

1192
01:06:59,600 --> 01:07:02,120
Speaker 1: you become somebody completely different. And I don't think any

1193
01:07:02,200 --> 01:07:04,400
Speaker 1: of us really did that. Yeah, but I think I

1194
01:07:04,480 --> 01:07:06,080
Speaker 1: think it goes. I think what we're talking about really

1195
01:07:06,200 --> 01:07:08,840
Speaker 1: is the age old question of nature versus nurture, And

1196
01:07:09,000 --> 01:07:13,160
Speaker 1: what I find really interesting is that even at such

1197
01:07:13,200 --> 01:07:16,560
Speaker 1: a young age, some of the qualities we just heard

1198
01:07:16,600 --> 01:07:20,840
Speaker 1: in ourselves never left us and like we've just had

1199
01:07:20,960 --> 01:07:25,440
Speaker 1: kind of forever um, so asking questions and like I

1200
01:07:25,520 --> 01:07:28,320
Speaker 1: know it was just for you know, sixteen magazine Danielle's Diary,

1201
01:07:28,360 --> 01:07:31,400
Speaker 1: but I always found it really fascinating to like, so,

1202
01:07:31,520 --> 01:07:32,760
Speaker 1: what do you want to do this year? And so

1203
01:07:32,840 --> 01:07:34,240
Speaker 1: what are you what are you thinking about it? And

1204
01:07:34,280 --> 01:07:36,840
Speaker 1: just like learning about somebody always was really interesting to

1205
01:07:36,920 --> 01:07:40,400
Speaker 1: me and question and then to hearing myself talk what

1206
01:07:40,480 --> 01:07:42,240
Speaker 1: do you want to do this year? Here's what I'm doing,

1207
01:07:44,440 --> 01:07:46,080
Speaker 1: But it is it's fun for me to think about,

1208
01:07:46,200 --> 01:07:49,680
Speaker 1: like with my own children and with Indie, um, how

1209
01:07:49,800 --> 01:07:52,000
Speaker 1: much of the things that they love or that they

1210
01:07:52,080 --> 01:07:55,200
Speaker 1: are already are going to be the exact same things

1211
01:07:55,280 --> 01:07:58,640
Speaker 1: they say thirty years from now. Right, Well, that's right,

1212
01:07:58,680 --> 01:08:00,959
Speaker 1: I'm on tag. I know. I try to record India

1213
01:08:00,960 --> 01:08:03,360
Speaker 1: every chance I get, and I I was playing him clips,

1214
01:08:03,720 --> 01:08:06,120
Speaker 1: just audio clips from when he was like three the

1215
01:08:06,200 --> 01:08:08,880
Speaker 1: other day and it was a star singing Michael Jackson,

1216
01:08:09,080 --> 01:08:11,560
Speaker 1: and we were talking about the song and the lyrics

1217
01:08:11,640 --> 01:08:13,720
Speaker 1: and it's like, yeah, it's so good to have you

1218
01:08:13,800 --> 01:08:15,560
Speaker 1: just want to you got to capture as much of

1219
01:08:15,720 --> 01:08:17,639
Speaker 1: how do you do it? Like? What are you recording

1220
01:08:17,720 --> 01:08:20,519
Speaker 1: him on my phone? Like you just use voice memos

1221
01:08:20,560 --> 01:08:22,479
Speaker 1: on your phone. It's actually pretty good quality just on

1222
01:08:22,560 --> 01:08:24,120
Speaker 1: its own. You know, you haven't need a microphone. I

1223
01:08:24,200 --> 01:08:26,599
Speaker 1: have a portable mic that I've used sometimes, and I've

1224
01:08:26,600 --> 01:08:28,240
Speaker 1: been doing it with my parents too, Like if we

1225
01:08:28,360 --> 01:08:31,000
Speaker 1: go to visit my parents, Um, I sit down with

1226
01:08:31,120 --> 01:08:34,040
Speaker 1: Indie and and we just have a conversation. I try

1227
01:08:34,040 --> 01:08:37,160
Speaker 1: and record their stories too, because I find audios so

1228
01:08:37,280 --> 01:08:38,920
Speaker 1: much better because you know, when there's a camera in

1229
01:08:38,960 --> 01:08:44,240
Speaker 1: somebody's face, yeah, yeah, it's you know. And camera used

1230
01:08:44,280 --> 01:08:46,760
Speaker 1: to work for Indie up until probably five or six,

1231
01:08:46,840 --> 01:08:48,439
Speaker 1: and then it was Indie's aware of what it's doing

1232
01:08:48,479 --> 01:08:51,120
Speaker 1: and he's seeing clips himself. But audio you forget it's

1233
01:08:51,160 --> 01:08:56,120
Speaker 1: there or you're just more relaxed. So yeah, so cool. Well,

1234
01:08:56,439 --> 01:08:58,320
Speaker 1: thank you all for joining us for this episode of

1235
01:08:58,400 --> 01:09:00,439
Speaker 1: pod Meats World that has always You can follow us

1236
01:09:00,479 --> 01:09:02,920
Speaker 1: on Instagram pod Meets World Show. You can email us

1237
01:09:03,000 --> 01:09:06,040
Speaker 1: Podmeats World Show at gmail dot com and we have

1238
01:09:06,200 --> 01:09:11,920
Speaker 1: merch merch ryt have pod Meats Worldshow dot com and

1239
01:09:12,080 --> 01:09:14,559
Speaker 1: we will see you all next time. Writer, send us out.

1240
01:09:14,840 --> 01:09:20,240
Speaker 1: We love you all, pod dismissed. Podmeats World is an

1241
01:09:20,280 --> 01:09:23,360
Speaker 1: iHeart podcast produced and hosted by Danielle Fischel, Will Fernell

1242
01:09:23,439 --> 01:09:27,040
Speaker 1: and Ryder Strong executive producers, Jensen Karp and Amy Sugarman

1243
01:09:27,160 --> 01:09:30,719
Speaker 1: Executive in charge of production, Danielle Romo, producer and editor,

1244
01:09:30,840 --> 01:09:34,880
Speaker 1: Tara Suitbox producer, Jackie Rodriguez, engineer and Boy Meets World

1245
01:09:34,960 --> 01:09:38,160
Speaker 1: superfan Easton Allen. Our theme song is by Kyle Morton

1246
01:09:38,200 --> 01:09:41,080
Speaker 1: of Typhoon. You can follow us on Instagram at Podmeats

1247
01:09:41,120 --> 01:09:44,040
Speaker 1: World Show or send us an email at Podmeats World

1248
01:09:44,080 --> 01:09:45,639
Speaker 1: Show at gmail dot com.