WEBVTT - Ben Affleck Gets REAL About Hollywood, Matt Damon and Michael Jordan

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<v Speaker 1>Welcome back all the smoke twenty twenty six.

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<v Speaker 2>We get to start with a banger man New Year.

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<v Speaker 3>Shout out Netflix Devils for this partnership and obviously giving

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<v Speaker 3>us the opportunity to sit down with our next guest,

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<v Speaker 3>someone I'm a huge fan of, been a fan for

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<v Speaker 3>a long time yep, and has something called How's a

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<v Speaker 3>company called Artist Equity which we're going to get into,

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<v Speaker 3>which I think is absolutely amazing. But without further ado,

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<v Speaker 3>welcome to the show. Ben a Flack.

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<v Speaker 2>Legend, legend app You've been good to be here. Thank

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<v Speaker 2>you very much to be here.

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<v Speaker 3>Man a new movie release coming soon the Rip January sixteenth,

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<v Speaker 3>got a chance to watch it last night. This is

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<v Speaker 3>the first partnership between Netflix and Artists Equity of production company.

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<v Speaker 3>You and Matt Launchton twenty twenty two. Your company is

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<v Speaker 3>pretty revolutionary when it comes to the streaming age, but

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<v Speaker 3>also the structure in which people who work for your rewarded.

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<v Speaker 3>Can you break that down?

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<v Speaker 2>Yeah? Sure, this is the first time.

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<v Speaker 4>Look like, you know, we had these strikes a couple

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<v Speaker 4>of years ago and this business we were talking just

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<v Speaker 4>before we started, you know, like things are changing a lot, right,

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<v Speaker 4>and so there's a lot of uncertainty and a lot

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<v Speaker 4>of fear. And one of the things is like, hey,

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<v Speaker 4>you know, costs got to come down and blah blah blah,

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<v Speaker 4>and and yet you know, you have this whole streaming

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<v Speaker 4>universe that's obviously really expanding, has a lot of value.

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<v Speaker 4>In the old days, you understood what the value was

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<v Speaker 4>of stuff you did because you know, you see the

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<v Speaker 4>box office and and that kind of thing, and there

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<v Speaker 4>was a value associated with it. And so during the strikes,

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<v Speaker 4>one of the things that we were trying to work

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<v Speaker 4>with the guilds and trying to volunteer was like to

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<v Speaker 4>create a like a streaming residual structure because in the

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<v Speaker 4>old days, like if you're on a TV show on

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<v Speaker 4>network or in a movie, you know, you knew how

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<v Speaker 4>successful it was as an actor, you get paid a

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<v Speaker 4>residual right according to how how successful it was. And

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<v Speaker 4>when this model came along, it really changed things. And

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<v Speaker 4>so what we're trying to do with this is implement

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<v Speaker 4>the first performance based compensation structure where you know, we've

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<v Speaker 4>worked with Netflix and very grateful and appreciate it. They've

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<v Speaker 4>been really open engaging in this, and I think they

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<v Speaker 4>wanted to work so that they can kind of like

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<v Speaker 4>implement this sense of fairness where like, so if you're

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<v Speaker 4>an actor in this, this movie or where you worked on,

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<v Speaker 4>I've got twelve hundred people in the crew, all of

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<v Speaker 4>them are part of this bonus structure, and we kind

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<v Speaker 4>of set up these kind of these levels where like

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<v Speaker 4>if in the ninety days, the same number of people

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<v Speaker 4>watch it as watched you know, and they give us

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<v Speaker 4>movies that performed at a certain level in the past,

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<v Speaker 4>X movie, Y movie Z, Like their their biggest movie

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<v Speaker 4>I think is you know, K.

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<v Speaker 2>Pop Demon Hunters. So if it does that, you know,

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<v Speaker 2>it's a lottery hit. But there's additional compensation along the way.

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<v Speaker 4>And the way that the reason why we wanted to

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<v Speaker 4>do this is both because we're aware of like the

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<v Speaker 4>business is shifting. We want to protect and solidify this.

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<v Speaker 4>This is like a really strong and important I think

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<v Speaker 4>business for this community. And also, you know, I really

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<v Speaker 4>believe that you know, when you're working on a movie,

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<v Speaker 4>like I said, you got twelve hundred people on the crew,

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<v Speaker 4>You've got all your cast, you've got you know, your

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<v Speaker 4>producers and writers and everybody, and if you align them

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<v Speaker 4>where everybody's goal is to do something that people like

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<v Speaker 4>instead of you know, and also you know how much

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<v Speaker 4>over time am I going to get and you know

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<v Speaker 4>what's you know looking at the clock. My belief is

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<v Speaker 4>that you'll motivate people around creating the best product. Like

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<v Speaker 4>that's the sort of team analogy.

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<v Speaker 1>And also it makes everyone feel like they really have

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<v Speaker 1>skin in the game.

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<v Speaker 4>Right Yeah, And it recognizes the fact that I really

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<v Speaker 4>believe and this is something that Match hears too. And

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<v Speaker 4>with Air we try to do the same thing that like, look,

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<v Speaker 4>everybody working on this. It really is a community effort.

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<v Speaker 2>You know.

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<v Speaker 4>It sounds sort of like bullshit or like, you know,

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<v Speaker 4>people say shit like that, I think sometimes, but it's

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<v Speaker 4>I really believe this. Like if people understand, oh, hey,

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<v Speaker 4>you know, we need to work hard to get this

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<v Speaker 4>extra shot or go a little bit further out there

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<v Speaker 4>and get this because we want to make it good.

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<v Speaker 4>Because at the end of the day, you're gonna be

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<v Speaker 4>proud if people see you and you're the whether you're

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<v Speaker 4>a driver or work construction, or you're electrician or camera

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<v Speaker 4>department or an actor, go like that, well.

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<v Speaker 2>That moved me or that touched me. That's meaningful.

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<v Speaker 4>And I'm trying to focus people around that goal. It

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<v Speaker 4>also makes it easier when you're trying to do it.

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<v Speaker 4>You're not feeling like you have people working at odds

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<v Speaker 4>against each other, where some people like, we really don't

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<v Speaker 4>give a shit, you know, if you're gonna get your

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<v Speaker 4>extra shot or not because I got my kids and

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<v Speaker 4>I gotta go a dentist.

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<v Speaker 3>The full well you mentioned air and that structure paid

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<v Speaker 3>dividends for that crew, right, paid its been he did

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<v Speaker 3>really really well.

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<v Speaker 4>Yeah, bonus people very well. And uh, you know, we

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<v Speaker 4>we were able to be successful in doing that, and

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<v Speaker 4>this is the first time that we've but that was

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<v Speaker 4>one that was like after the fact, we were like, Okay,

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<v Speaker 4>if we come in under, if we can accomplish these

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<v Speaker 4>goals X, Y and Z will will bonus people, which

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<v Speaker 4>we did. What I'm trying to do is create a mechanism,

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<v Speaker 4>like a model, so that the next one come along.

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<v Speaker 2>Go okay, we'll do this too.

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<v Speaker 4>Where it's already pre legislating, just had to go through

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<v Speaker 4>everybody's like a function of your salary, how much extra

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<v Speaker 4>you're going to get at level one, two, three, four,

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<v Speaker 4>et cetera. And so that it can be a repeatable

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<v Speaker 4>thing that other people can do and that you kind

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<v Speaker 4>of you know, and also historically there's been like the

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<v Speaker 4>actors that get compensated and the crew has been kind

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<v Speaker 4>of treated differently, like oh, it doesn't matter after the fact.

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<v Speaker 4>You guys just get what you get and women. But

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<v Speaker 4>that's I'm trying to, you know, kind of unite that

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<v Speaker 4>and you know.

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<v Speaker 2>We'll see what happens. People gotta people gotta watch. It's

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<v Speaker 2>gotta be successful.

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<v Speaker 5>Regardless what you do.

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<v Speaker 6>When you treat people, when you appreciate people, they work

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<v Speaker 6>hard for you.

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<v Speaker 5>You know what I'm saying. I think people love the

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<v Speaker 5>fact that you're doing that.

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<v Speaker 4>That is absolutely that's the most important lesson. I realize

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<v Speaker 4>that like you show people that you value what they're

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<v Speaker 4>doing and that what they're bringing to the process.

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<v Speaker 2>Is meaningful to you.

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<v Speaker 4>It doesn't mean that you know everything's great, or sometimes

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<v Speaker 4>it means going like this isn't good enough, right, we

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<v Speaker 4>got to do better.

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<v Speaker 2>But when it is right and when.

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<v Speaker 4>It does make a difference, and you let people know,

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<v Speaker 4>like people will die for you, like people will go

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<v Speaker 4>the whole way for you, and that it's like selfishly

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<v Speaker 4>for me as director as an actor, I'm like this

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<v Speaker 4>this way of doing things.

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<v Speaker 3>Works as someone who broke in during a box office

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<v Speaker 3>era movie theater era transitioning into mainly streaming. Now, what

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<v Speaker 3>are your thoughts on just the two and the difference.

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<v Speaker 4>Obviously, you know, I feel like sometimes I feel like

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<v Speaker 4>it makes me feel old, you know, because there's that

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<v Speaker 4>tendency to be like, you know, to want to freeze

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<v Speaker 4>the culture right where it was when you know, when

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<v Speaker 4>you were like, you know, had that moment of like, oh,

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<v Speaker 4>how come everybody and I, you know, is all this

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<v Speaker 4>streaming thing and they're not going to the movies. Like yeah,

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<v Speaker 4>I get it because when I was a kid, you know,

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<v Speaker 4>you had three networks and then like oh here comes

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<v Speaker 4>like uhf.

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<v Speaker 2>And you had a couple and then you went to

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<v Speaker 2>the movies. There wasn't a shit else to do.

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<v Speaker 4>There wasn't YouTube, there wasn't TikTok, there wasn't even cable

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<v Speaker 4>and then satellite TV. So the more options there are,

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<v Speaker 4>you know, everybody's competing for the same dollars effectively, which

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<v Speaker 4>is people's attention, balls, eyeballs, and and so if you

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<v Speaker 4>do you know, if you just look at the math

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<v Speaker 4>on that, there's only so many people and when you

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<v Speaker 4>break it up like this.

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<v Speaker 2>You know, there's just more competition.

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<v Speaker 4>I mean, YouTube by itself, like people don't realize just

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<v Speaker 4>you know, took a huge cut out of the entertainment

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<v Speaker 4>business because that's where the majority of people now are

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<v Speaker 4>watching and getting entertainment from. So you know, I feel like, look,

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<v Speaker 4>as long as people it's also kind of like you

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<v Speaker 4>got to take accountability, right, Like I like to go

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<v Speaker 4>to the movies, I like to go to the movie theaters.

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<v Speaker 4>I myself don't go as often as I did when

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<v Speaker 4>I was eighteen years old, So be hypocritical of me

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<v Speaker 4>to sit here and be like, well, why isn't it

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<v Speaker 4>the way it was when I was a kid. Well,

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<v Speaker 4>you know, because maybe it's because you know, I'm fifty

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<v Speaker 4>and I want to.

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<v Speaker 2>Like pause and like the bits and to resume the

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<v Speaker 2>next day.

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<v Speaker 4>So I can't be hypocritical. But there's a lot of

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<v Speaker 4>people that like going to the movies in theaters.

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<v Speaker 2>I do too.

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<v Speaker 4>I think that will continue. I also, it's not like

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<v Speaker 4>when I was young. You know, my dad had like

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<v Speaker 4>eleven inch black and white TV, you know what I mean,

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<v Speaker 4>And that kind of sucked. Now you've a couple hundred hours,

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<v Speaker 4>you get a sixty inch.

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<v Speaker 2>And you know, just look better.

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<v Speaker 1>Shout out Netflix. We did exactly what you said.

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<v Speaker 3>We started the movie, the kids started fucking acting up,

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<v Speaker 3>so when we had to get them down in bed

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<v Speaker 3>and put them in bed and then got to finish

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<v Speaker 3>the movie.

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<v Speaker 1>You can't do it at the theaters.

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<v Speaker 2>Yeah, and it's unless you your stuff be seen.

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<v Speaker 3>You know, why aren't you on social media? I mean

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<v Speaker 3>I see your energy, your passion. I think it would

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<v Speaker 3>be something you would be really good in, but you

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<v Speaker 3>choose not to.

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<v Speaker 4>You know, Like I give you a lot of answers.

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<v Speaker 4>I just know I get in trouble, you know what

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<v Speaker 4>I mean?

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<v Speaker 2>And I.

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<v Speaker 4>Yeah, man, I mean I got in enough trouble in

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<v Speaker 4>my life to know, and I do. I like to

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<v Speaker 4>talk and I.

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<v Speaker 2>Have opinions and then.

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<v Speaker 4>I think, like, you know, I learned early on as

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<v Speaker 4>I've been around and been through a couple of cycles

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<v Speaker 4>of up and down. That's also like sometimes people don't

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<v Speaker 4>want to hear all that much from you know, from actors,

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<v Speaker 4>and that there is a level that's kind of appropriate,

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<v Speaker 4>But honestly that's kind of bullshit too. The truth is

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<v Speaker 4>like I don't want to find out, you know, I

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<v Speaker 4>don't want to deal with the backlash of something all

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<v Speaker 4>the time. And what I see from people that do it,

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<v Speaker 4>even people that do it well, it's it's a huge

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<v Speaker 4>amount of work lies and all of a sudden, I

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<v Speaker 4>just see people sweating. I gotta post something, I gotta

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<v Speaker 4>get something up there, and you're putting this whole other

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<v Speaker 4>job right on top.

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<v Speaker 5>Of the good job. Bro. It took.

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<v Speaker 6>It takes a couple of years off your life. You

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<v Speaker 6>look at your your I can career in two different arcs.

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<v Speaker 6>I'm gonna read the quote that you said a few

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<v Speaker 6>years back. One of the best things that happened to

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<v Speaker 6>me was to become really successful young and to feel

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<v Speaker 6>like a lot of people liked me and I was

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<v Speaker 6>funny and cool and everybody laughed that they're not even

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<v Speaker 6>so funny jokes. And then to become unpopular and uncool.

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<v Speaker 6>To see what happened to relationships that I really believe

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<v Speaker 6>were real relationships. Who's calling you? Who isn't? And just

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<v Speaker 6>to see the world change in that way. Can you

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<v Speaker 6>expand on that.

0:09:34.600 --> 0:09:38.200
<v Speaker 4>Yeah, I mean, it's definitely I think the real Like

0:09:39.080 --> 0:09:41.680
<v Speaker 4>I guess what I've come to believe is that real

0:09:41.720 --> 0:09:44.920
<v Speaker 4>wisdom comes from humility, you know. And I've come to

0:09:45.000 --> 0:09:48.440
<v Speaker 4>really the people that I respect and look up to,

0:09:49.840 --> 0:09:51.880
<v Speaker 4>they know that what they're good at, you know, and

0:09:51.920 --> 0:09:55.920
<v Speaker 4>they don't hold themselves low. But there's also a humility

0:09:55.960 --> 0:09:58.800
<v Speaker 4>involved too, Like if you're sure you're right about everything

0:09:58.800 --> 0:10:01.160
<v Speaker 4>and smarter than everybody, you know, first of all.

0:10:01.040 --> 0:10:03.000
<v Speaker 2>You're gonna be wrong sometimes, so you are wrong.

0:10:03.040 --> 0:10:05.440
<v Speaker 4>And and what happened with me was it was a

0:10:05.480 --> 0:10:08.040
<v Speaker 4>really great lesson I did. I came in and I

0:10:08.160 --> 0:10:10.680
<v Speaker 4>was young, and I got successful. You had that like

0:10:10.720 --> 0:10:13.880
<v Speaker 4>classic thing that you see, and then I had three

0:10:14.800 --> 0:10:18.000
<v Speaker 4>four movies that just wiped out. And at the same time,

0:10:18.040 --> 0:10:20.960
<v Speaker 4>there was this whole explosion in the tabloid world and

0:10:21.000 --> 0:10:23.880
<v Speaker 4>I was all over that, and it felt to people

0:10:23.920 --> 0:10:26.439
<v Speaker 4>like I was like trying to put myself out there

0:10:26.480 --> 0:10:29.480
<v Speaker 4>in ways, you know, which retrospect I kind of get

0:10:29.520 --> 0:10:30.800
<v Speaker 4>like you resent it.

0:10:30.880 --> 0:10:33.080
<v Speaker 2>After certain points we were like, I'm stop hearing about

0:10:33.080 --> 0:10:34.040
<v Speaker 2>this one for fuck you.

0:10:33.880 --> 0:10:36.440
<v Speaker 4>You know, I don't want to hear about your bullshit.

0:10:36.440 --> 0:10:37.920
<v Speaker 4>I don't want to see you in your nice car.

0:10:38.160 --> 0:10:40.720
<v Speaker 2>Don't tell me how problem fuck you know.

0:10:41.040 --> 0:10:43.800
<v Speaker 4>I work at Target and it's like is hard, you know,

0:10:44.760 --> 0:10:47.920
<v Speaker 4>and there's no getting around that, and there's this appetite

0:10:47.920 --> 0:10:50.960
<v Speaker 4>to like, tell us more seemore, and you can it's

0:10:51.000 --> 0:10:52.560
<v Speaker 4>like that social media and you can want to feed

0:10:52.640 --> 0:10:55.040
<v Speaker 4>that ye with and you don't realize at.

0:10:54.920 --> 0:10:56.439
<v Speaker 2>A certain point it's too much.

0:10:56.679 --> 0:10:59.960
<v Speaker 4>And what happened to me was also frankly, the movie

0:11:00.160 --> 0:11:04.160
<v Speaker 4>just didn't work because I did movies for money a

0:11:04.200 --> 0:11:07.680
<v Speaker 4>few times, you know, and I had learned that lesson too,

0:11:08.280 --> 0:11:11.960
<v Speaker 4>and it was like, it was a really great instruction

0:11:12.040 --> 0:11:14.160
<v Speaker 4>for me, because Yeah, all the people that I thought, like,

0:11:14.200 --> 0:11:16.640
<v Speaker 4>all these people are my friends or all these people

0:11:16.679 --> 0:11:19.320
<v Speaker 4>I'm so funny because every time I say some dumb shit,

0:11:19.440 --> 0:11:21.320
<v Speaker 4>like people are laughing, and I started saying the same

0:11:21.760 --> 0:11:24.080
<v Speaker 4>jokes and nobody were laughing and people weren't calling me back,

0:11:24.120 --> 0:11:27.600
<v Speaker 4>and I was like, Wow, none of these people liked.

0:11:27.480 --> 0:11:29.080
<v Speaker 2>Me, None of these people were my friend.

0:11:29.400 --> 0:11:31.400
<v Speaker 4>None of these people give if I can't do something

0:11:31.440 --> 0:11:34.360
<v Speaker 4>for people, they're ducking me. And you know, it's only

0:11:34.880 --> 0:11:37.080
<v Speaker 4>I was thirty two or something like that. I was like,

0:11:37.160 --> 0:11:41.360
<v Speaker 4>that's it for me, and I went back and had

0:11:41.360 --> 0:11:43.600
<v Speaker 4>to kind of start over, and it was humbling in

0:11:43.640 --> 0:11:46.400
<v Speaker 4>a really healthy way in the sense that I was like, Okay,

0:11:46.600 --> 0:11:48.360
<v Speaker 4>I'm gonna try to be a director, and I'm gonna

0:11:48.360 --> 0:11:51.600
<v Speaker 4>try to because that's I think, you know, gonna rely

0:11:51.880 --> 0:11:53.760
<v Speaker 4>that's about more like about what kind of movie do

0:11:53.800 --> 0:11:55.520
<v Speaker 4>I make, not whether or not I happened to be

0:11:55.640 --> 0:11:58.600
<v Speaker 4>cool me, you know, because that I'm obviously not gonna

0:11:58.640 --> 0:11:59.880
<v Speaker 4>be cool all time to everybody.

0:12:00.240 --> 0:12:02.959
<v Speaker 2>And once I did that, it took a few years

0:12:03.000 --> 0:12:06.760
<v Speaker 2>to get back. And during that time, I stopped needing

0:12:06.800 --> 0:12:08.880
<v Speaker 2>that kind of attention or acrobation.

0:12:09.480 --> 0:12:12.240
<v Speaker 4>And I also learned that I Do'm not mad at anybody,

0:12:12.320 --> 0:12:14.840
<v Speaker 4>like just you're not all my friends.

0:12:15.200 --> 0:12:19.079
<v Speaker 2>You know, you'd many friends. You don't need that many friends.

0:12:19.800 --> 0:12:19.920
<v Speaker 5>Uh.

0:12:20.000 --> 0:12:22.360
<v Speaker 4>The's people who like it's fine. They're there because they think, oh,

0:12:22.400 --> 0:12:24.680
<v Speaker 4>maybe this dude can help me in And by the way,

0:12:24.720 --> 0:12:26.760
<v Speaker 4>so am I. I'm not really friends with you. I'm

0:12:26.760 --> 0:12:28.079
<v Speaker 4>just mad that all of a sudden you won't call

0:12:28.120 --> 0:12:28.520
<v Speaker 4>me back.

0:12:29.160 --> 0:12:34.120
<v Speaker 1>So you know, less is more everybody, But you just

0:12:34.200 --> 0:12:35.080
<v Speaker 1>really asked the question.

0:12:35.240 --> 0:12:38.960
<v Speaker 6>It's safe to say that directing really like rejuvenated your

0:12:38.960 --> 0:12:39.400
<v Speaker 6>second quarest.

0:12:39.400 --> 0:12:41.000
<v Speaker 2>Absolutely, I think I would.

0:12:41.000 --> 0:12:44.520
<v Speaker 4>In fact, the first movie that I directed, part of

0:12:44.640 --> 0:12:46.160
<v Speaker 4>my pitch was like, don't worry, I'm.

0:12:46.000 --> 0:12:46.640
<v Speaker 2>Not gonna be in it.

0:12:46.920 --> 0:12:47.520
<v Speaker 5>You know what I mean.

0:12:47.600 --> 0:12:48.640
<v Speaker 2>Like that was where my.

0:12:48.640 --> 0:12:51.640
<v Speaker 4>Acting career was like maybe you can direct, but nobody

0:12:51.640 --> 0:12:52.520
<v Speaker 4>wants to see you in a.

0:12:52.480 --> 0:12:56.880
<v Speaker 2>Fucking and I had to like eat that shit.

0:12:56.800 --> 0:12:58.800
<v Speaker 4>You know what I mean, and go oh wow, like

0:12:59.360 --> 0:13:04.240
<v Speaker 4>in realizing can happen that fast and once you're but

0:13:04.280 --> 0:13:06.160
<v Speaker 4>also like you kind of get over yourself, you get

0:13:06.160 --> 0:13:07.400
<v Speaker 4>over your ego, you.

0:13:07.360 --> 0:13:08.839
<v Speaker 2>Get over your what's my price?

0:13:09.000 --> 0:13:11.440
<v Speaker 4>I'm like, it's for free, and I'm whatever less scale

0:13:11.480 --> 0:13:13.560
<v Speaker 4>salary is, I'll give it back. And I just want

0:13:13.559 --> 0:13:15.360
<v Speaker 4>a chance to work. I want to do this, and

0:13:15.400 --> 0:13:18.720
<v Speaker 4>I appreciated that, like I actually like doing this. It's

0:13:18.720 --> 0:13:21.480
<v Speaker 4>a privilege. You're lucky to be able to do this job.

0:13:21.520 --> 0:13:23.760
<v Speaker 4>And I need to get out there and prove it.

0:13:23.800 --> 0:13:26.680
<v Speaker 4>I need to do something really good, you know, not okay,

0:13:26.880 --> 0:13:29.439
<v Speaker 4>not good enough, not like and I need to try

0:13:29.440 --> 0:13:32.240
<v Speaker 4>to do something great. And I don't know that I'm

0:13:32.280 --> 0:13:34.560
<v Speaker 4>any more talented than anybody else as a director, but

0:13:34.600 --> 0:13:36.800
<v Speaker 4>I just thought, well, one thing I control is I

0:13:36.880 --> 0:13:39.560
<v Speaker 4>will Nobody's gonna work me, and I will work as

0:13:39.640 --> 0:13:40.640
<v Speaker 4>hard as I need to.

0:13:41.280 --> 0:13:42.920
<v Speaker 2>And that's the first movie I did. You know.

0:13:43.800 --> 0:13:46.960
<v Speaker 4>It got didn't do very well at the box office,

0:13:47.000 --> 0:13:49.960
<v Speaker 4>but like the reviews were like, oh, well, you know,

0:13:50.080 --> 0:13:52.280
<v Speaker 4>everybody gets lucky sometimes, you know what I mean? Like

0:13:52.280 --> 0:13:54.840
<v Speaker 4>I got kind of grudging reviews, and I was able

0:13:54.880 --> 0:13:57.560
<v Speaker 4>to put myself in the second movie that I directed, The.

0:13:57.559 --> 0:14:01.120
<v Speaker 2>Town, And really, if that hadn't worked like I would,

0:14:01.160 --> 0:14:02.600
<v Speaker 2>that would have been the end of my acting career

0:14:02.640 --> 0:14:02.960
<v Speaker 2>for sure.

0:14:03.160 --> 0:14:05.320
<v Speaker 6>It was It's old saying that since I ain't working

0:14:05.360 --> 0:14:08.280
<v Speaker 6>with them, I'll work. I kind of live on that one.

0:14:09.440 --> 0:14:11.960
<v Speaker 6>Since you are great at both, is the one you

0:14:12.040 --> 0:14:13.439
<v Speaker 6>like more? Acting or directing?

0:14:14.679 --> 0:14:14.920
<v Speaker 2>I do?

0:14:15.040 --> 0:14:19.280
<v Speaker 4>I have to say I like directing more because it

0:14:19.320 --> 0:14:20.240
<v Speaker 4>gives you.

0:14:20.040 --> 0:14:22.520
<v Speaker 2>More of a sense of you know.

0:14:22.520 --> 0:14:24.240
<v Speaker 4>One of the frustrating things for me as an actor

0:14:24.480 --> 0:14:29.120
<v Speaker 4>some of these lessons early on was like you realize

0:14:29.160 --> 0:14:31.920
<v Speaker 4>I didn't have control over really what was gonna happen,

0:14:32.000 --> 0:14:34.360
<v Speaker 4>but it was gonna be my face out there. I

0:14:34.360 --> 0:14:36.720
<v Speaker 4>have no problem if it's like you want to do

0:14:36.760 --> 0:14:38.960
<v Speaker 4>it and it's you take the credit or take the

0:14:39.040 --> 0:14:40.920
<v Speaker 4>hit for it, but when your face on the poster,

0:14:41.440 --> 0:14:43.080
<v Speaker 4>but you got to do it way, you know, And

0:14:43.400 --> 0:14:45.560
<v Speaker 4>maybe that's like playing team sports. You know, you got

0:14:45.560 --> 0:14:47.160
<v Speaker 4>this coach who wants to run a system, and then

0:14:47.360 --> 0:14:49.440
<v Speaker 4>if you don't get the points your contract is going

0:14:49.480 --> 0:14:51.680
<v Speaker 4>to take it. Yeah, it was similar in that way,

0:14:52.880 --> 0:14:55.760
<v Speaker 4>but I like the broader sense of authorship from directing,

0:14:55.800 --> 0:15:00.560
<v Speaker 4>and I Yeah, then I started to like acting a

0:15:00.600 --> 0:15:03.240
<v Speaker 4>lot more because I wasn't doing it.

0:15:03.480 --> 0:15:05.720
<v Speaker 2>I was doing it when something came along that I felt.

0:15:05.480 --> 0:15:08.640
<v Speaker 4>Like doing, and I wasn't worrying about playing likable characters

0:15:08.720 --> 0:15:11.040
<v Speaker 4>or trying to build some strategy about like I want

0:15:11.040 --> 0:15:13.560
<v Speaker 4>to be in action movies and all this, just like

0:15:13.840 --> 0:15:15.920
<v Speaker 4>I'm just gonna take parts that I like and that

0:15:16.000 --> 0:15:19.760
<v Speaker 4>move me. And then it got interesting for me again

0:15:19.840 --> 0:15:22.400
<v Speaker 4>in a way that it hadn't been. So you know,

0:15:22.480 --> 0:15:25.280
<v Speaker 4>now it's like I really do. I do love doing it,

0:15:25.320 --> 0:15:27.000
<v Speaker 4>and I had a lot of fun, like some on

0:15:27.080 --> 0:15:27.360
<v Speaker 4>the rep.

0:15:27.440 --> 0:15:28.320
<v Speaker 2>You know, it's fun.

0:15:28.160 --> 0:15:31.240
<v Speaker 4>To be mad and play these like antagonistic you know,

0:15:31.280 --> 0:15:32.000
<v Speaker 4>like old friends.

0:15:32.000 --> 0:15:35.480
<v Speaker 2>But then when you're like, oh are you betraying Megaunuck?

0:15:35.760 --> 0:15:36.560
<v Speaker 2>Can I trust you?

0:15:36.600 --> 0:15:39.240
<v Speaker 4>Like that's an intense thing when you have something you

0:15:39.240 --> 0:15:41.880
<v Speaker 4>know in a long time and you feel like this

0:15:42.560 --> 0:15:45.280
<v Speaker 4>person fucked me over, like and that was that was

0:15:45.360 --> 0:15:46.320
<v Speaker 4>powerful and fun thing.

0:15:46.440 --> 0:15:46.640
<v Speaker 5>Yeah.

0:15:46.920 --> 0:15:50.400
<v Speaker 3>Interesting, Speaking of Matt duos, great duos don't normally last

0:15:50.440 --> 0:15:54.480
<v Speaker 3>this long. Thirty plus years partnerships. You look at Tom

0:15:54.520 --> 0:15:57.440
<v Speaker 3>Brady and Belichick, Shaq and Kobe, Jordan Pippin, Mad and

0:15:57.520 --> 0:16:01.280
<v Speaker 3>Stack were still moving though a movie jay Z and

0:16:01.360 --> 0:16:04.120
<v Speaker 3>Dame Dash what is you and Matt's secret? And then

0:16:04.120 --> 0:16:05.560
<v Speaker 3>we talked a little bit off camera about this, but

0:16:05.600 --> 0:16:06.600
<v Speaker 3>what is your guy? The secret?

0:16:06.640 --> 0:16:07.760
<v Speaker 2>Just with being able to.

0:16:08.360 --> 0:16:13.840
<v Speaker 3>That's very high praise, very like.

0:16:12.520 --> 0:16:14.880
<v Speaker 2>Stick sneaking on that list. I'll just take it, you know,

0:16:16.560 --> 0:16:16.960
<v Speaker 2>you know, But.

0:16:16.960 --> 0:16:18.760
<v Speaker 4>The truth is that, like a couple of things, I

0:16:18.800 --> 0:16:21.120
<v Speaker 4>think when we started out, and I think we just

0:16:21.160 --> 0:16:24.240
<v Speaker 4>got lucky, like we you know, we were always going

0:16:24.320 --> 0:16:26.320
<v Speaker 4>up for the same parts, right like, and so it

0:16:26.360 --> 0:16:28.640
<v Speaker 4>could have been that thing of like in competitive and

0:16:28.880 --> 0:16:30.720
<v Speaker 4>having a lot of issues that we always were honest

0:16:30.760 --> 0:16:32.760
<v Speaker 4>about it, like, look, I want to get the part.

0:16:32.960 --> 0:16:34.800
<v Speaker 2>Okay, we're both going up for it. I won't to

0:16:34.840 --> 0:16:36.680
<v Speaker 2>get it, but if I don't, I.

0:16:36.560 --> 0:16:39.440
<v Speaker 4>Hope you do, you know exactly, And we were straight

0:16:39.560 --> 0:16:42.120
<v Speaker 4>about that and kind of and really did kind of

0:16:42.120 --> 0:16:44.120
<v Speaker 4>have each other's back and feel like at least I

0:16:44.160 --> 0:16:44.920
<v Speaker 4>got somebody.

0:16:44.640 --> 0:16:45.600
<v Speaker 2>Who's in this with me.

0:16:45.720 --> 0:16:48.600
<v Speaker 4>Because it's an uphill climb and you're looking at all

0:16:48.600 --> 0:16:50.440
<v Speaker 4>these people out in front of you, and the idea

0:16:50.480 --> 0:16:54.160
<v Speaker 4>anyone ever giving you a break is so ridiculous and remote.

0:16:54.720 --> 0:16:58.800
<v Speaker 4>And then when we actually got successful kind of happened

0:16:58.840 --> 0:17:01.800
<v Speaker 4>to us more or less the same time. And having

0:17:01.840 --> 0:17:05.119
<v Speaker 4>somebody around that not only could like tell you the

0:17:05.160 --> 0:17:05.720
<v Speaker 4>truth and.

0:17:05.600 --> 0:17:06.760
<v Speaker 2>Be like what the fuck? You know, yeah, I'm like

0:17:06.760 --> 0:17:07.919
<v Speaker 2>an idiot, why are you doing this?

0:17:08.440 --> 0:17:12.960
<v Speaker 4>Is powerful and maybe even more powerful having somebody who

0:17:12.960 --> 0:17:14.520
<v Speaker 4>you can kind of turn.

0:17:14.440 --> 0:17:16.639
<v Speaker 2>To and close the door and just go like, are

0:17:16.680 --> 0:17:17.159
<v Speaker 2>you scared?

0:17:17.200 --> 0:17:19.320
<v Speaker 4>Because this is scary, this is crazy, you know, and

0:17:19.840 --> 0:17:22.919
<v Speaker 4>be honest with you know, like I think that a

0:17:22.920 --> 0:17:25.480
<v Speaker 4>lot of people just don't get that because this is

0:17:25.480 --> 0:17:27.960
<v Speaker 4>a rare thing to like have somebody that you grow

0:17:28.040 --> 0:17:30.119
<v Speaker 4>up with I go through that same thing together.

0:17:30.200 --> 0:17:31.679
<v Speaker 2>So I think that was helpful.

0:17:31.720 --> 0:17:34.479
<v Speaker 4>And then, you know, for a while, we like we

0:17:34.520 --> 0:17:37.760
<v Speaker 4>started we tried to like, let's define our identity separately,

0:17:37.840 --> 0:17:39.600
<v Speaker 4>and we don't want to be working together because we're

0:17:39.640 --> 0:17:41.600
<v Speaker 4>going to get typecast. And then a certain point, I

0:17:41.640 --> 0:17:43.840
<v Speaker 4>don't know, five or eight years so whatever years ago,

0:17:43.840 --> 0:17:44.760
<v Speaker 4>we're like fuck that.

0:17:44.760 --> 0:17:46.840
<v Speaker 2>Like, listen, here we are.

0:17:46.640 --> 0:17:49.200
<v Speaker 4>We're still in the ring, you know, and as long

0:17:49.200 --> 0:17:51.760
<v Speaker 4>as we're able to do this, let's let's actually spend

0:17:51.800 --> 0:17:54.800
<v Speaker 4>our time working together and what people we like, instead

0:17:54.840 --> 0:17:57.480
<v Speaker 4>of trying to sweat the whole like optics and the

0:17:57.520 --> 0:17:59.320
<v Speaker 4>strategy and this whole thing of like what are people

0:17:59.359 --> 0:18:00.600
<v Speaker 4>going to think of me? And all that was like

0:18:00.800 --> 0:18:04.480
<v Speaker 4>fuck it, And that's been probably the most rewarding aspect, Michael.

0:18:04.480 --> 0:18:04.639
<v Speaker 5>I think.

0:18:04.840 --> 0:18:06.439
<v Speaker 3>I mean, from the outside looking in, it looks like

0:18:06.480 --> 0:18:08.040
<v Speaker 3>with five to eight years, looks like you guys are

0:18:08.040 --> 0:18:09.679
<v Speaker 3>doing it your way now instead of trying to fit

0:18:09.720 --> 0:18:12.720
<v Speaker 3>into a mold and what has been told supposed to be.

0:18:12.880 --> 0:18:15.840
<v Speaker 2>And we you know you're gonna hit and missed.

0:18:16.359 --> 0:18:19.280
<v Speaker 4>But I feel like if you're comfortable, you know what

0:18:19.359 --> 0:18:21.040
<v Speaker 4>I mean, and you feel and you're like, okay, yeah,

0:18:21.040 --> 0:18:22.320
<v Speaker 4>I take that shot again.

0:18:22.840 --> 0:18:24.560
<v Speaker 2>You know what I mean, You're in the right spot.

0:18:24.680 --> 0:18:27.320
<v Speaker 4>You know, you can't sort of hold yourself I think,

0:18:27.320 --> 0:18:29.840
<v Speaker 4>to that perfection thing and you make yourself crazy. But

0:18:30.440 --> 0:18:33.399
<v Speaker 4>the fact is, like I really I really enjoy my

0:18:33.600 --> 0:18:36.879
<v Speaker 4>life mostly because of like who I get to spend

0:18:36.880 --> 0:18:37.119
<v Speaker 4>it with.

0:18:37.160 --> 0:18:37.720
<v Speaker 2>Most of the time.

0:18:37.760 --> 0:18:40.240
<v Speaker 5>You know, you missed one hundred of the shots you

0:18:40.280 --> 0:18:40.720
<v Speaker 5>don't take.

0:18:41.280 --> 0:18:45.040
<v Speaker 6>Speaking of shots, the great greatest shot maker of all time,

0:18:45.119 --> 0:18:47.320
<v Speaker 6>Michael Jordan, you got a relationship with the Goat.

0:18:47.320 --> 0:18:48.760
<v Speaker 5>Can you talk about that how that came about?

0:18:49.480 --> 0:18:51.919
<v Speaker 7>Man, I mean talking about one of the great and

0:18:51.960 --> 0:18:54.880
<v Speaker 7>you're a Boston guy too, I am a boss. Yeah, absolutely,

0:18:55.240 --> 0:18:57.400
<v Speaker 7>But I mean even Larry Bird was like that dead

0:18:57.440 --> 0:19:01.520
<v Speaker 7>with Michael Jordan out there, that was God went away

0:19:01.560 --> 0:19:02.399
<v Speaker 7>real quick.

0:19:02.280 --> 0:19:05.639
<v Speaker 2>Even in Boston. Like Larry Bird's the greatest, maybe second,

0:19:07.359 --> 0:19:09.040
<v Speaker 2>but Jordan's.

0:19:09.320 --> 0:19:12.040
<v Speaker 4>You know, I knew him a little bit, just in

0:19:12.080 --> 0:19:14.200
<v Speaker 4>the sense of you know, when you're you know, you

0:19:14.320 --> 0:19:16.359
<v Speaker 4>run across somebody at events and of course you know

0:19:16.440 --> 0:19:20.119
<v Speaker 4>it's like it's like me God, you know, trying to

0:19:20.200 --> 0:19:22.200
<v Speaker 4>like suck up to the guy and everything, and then

0:19:22.640 --> 0:19:25.960
<v Speaker 4>you know, just just in so much admiration of him.

0:19:26.000 --> 0:19:29.439
<v Speaker 4>And when we got hold of this story, you know,

0:19:29.480 --> 0:19:31.720
<v Speaker 4>knew him well enough basically just calm up and go, hey,

0:19:31.720 --> 0:19:34.359
<v Speaker 4>look like I got a hold of this script. I

0:19:34.520 --> 0:19:37.040
<v Speaker 4>like to make the movie, but I have too much

0:19:37.080 --> 0:19:39.280
<v Speaker 4>respect for you and what you mean, Like, I'm not

0:19:39.320 --> 0:19:42.880
<v Speaker 4>gonna do anything that you're not down with. So if

0:19:42.920 --> 0:19:44.320
<v Speaker 4>you want to give me a couple of hours, sit

0:19:44.359 --> 0:19:46.399
<v Speaker 4>down and tell me like what's real, what's not, and

0:19:46.400 --> 0:19:49.840
<v Speaker 4>what you care about, you know, And he was like,

0:19:49.840 --> 0:19:51.840
<v Speaker 4>all right, cool, come out to my golf course, so

0:19:52.760 --> 0:19:54.800
<v Speaker 4>blew out there sick, you know what I mean.

0:19:55.080 --> 0:19:57.920
<v Speaker 2>Damn, it's good to be Michael Jordan. It turns out,

0:19:59.040 --> 0:19:59.720
<v Speaker 2>Oh it's great.

0:19:59.760 --> 0:20:01.840
<v Speaker 4>Yeah, nobody's there of him and his boys. It's just

0:20:01.920 --> 0:20:06.520
<v Speaker 4>like that thing, you know. And I went waited for my.

0:20:06.440 --> 0:20:07.720
<v Speaker 2>Man to finish, you know what I mean.

0:20:07.760 --> 0:20:09.199
<v Speaker 4>They're like, Michael, be like soon, and I was like,

0:20:09.400 --> 0:20:13.840
<v Speaker 4>I'm not going. And when he got done, he was like,

0:20:13.880 --> 0:20:15.880
<v Speaker 4>so what is this you know? And I said, look,

0:20:15.920 --> 0:20:19.080
<v Speaker 4>it's the story of your Nike deal basically, and you

0:20:19.119 --> 0:20:21.439
<v Speaker 4>know what happened around then, and here's I had sent

0:20:21.520 --> 0:20:23.479
<v Speaker 4>him a script and I kind of talked him through

0:20:23.520 --> 0:20:23.960
<v Speaker 4>it a little bit.

0:20:24.000 --> 0:20:27.520
<v Speaker 2>And it's interesting, of all the people I talked to for.

0:20:27.520 --> 0:20:31.120
<v Speaker 4>That movie talking about humility, like, he was the only

0:20:31.160 --> 0:20:32.960
<v Speaker 4>one who was like, look, I can talk about what

0:20:33.000 --> 0:20:35.200
<v Speaker 4>I was I can't do Mike's voice is so deep,

0:20:35.240 --> 0:20:37.160
<v Speaker 4>I can't do it. But it was like it's gives

0:20:37.200 --> 0:20:39.399
<v Speaker 4>a little extra intimidation, you like, hey, look what's up.

0:20:39.640 --> 0:20:40.080
<v Speaker 2>Okay?

0:20:41.400 --> 0:20:42.919
<v Speaker 4>He was like, I can only tell you what I

0:20:42.960 --> 0:20:44.960
<v Speaker 4>was there for and what I know to be true.

0:20:44.960 --> 0:20:46.840
<v Speaker 4>I'm not going to talk about what happened when I

0:20:46.880 --> 0:20:49.520
<v Speaker 4>wasn't in the room, which everybody else was like, this

0:20:49.560 --> 0:20:49.800
<v Speaker 4>is what.

0:20:49.760 --> 0:20:50.560
<v Speaker 2>Happened, this is what happened.

0:20:50.600 --> 0:20:51.919
<v Speaker 4>He was only one that was like, I know what

0:20:51.960 --> 0:20:53.639
<v Speaker 4>I know, and I don't know what I wasn't there for.

0:20:53.920 --> 0:20:57.840
<v Speaker 4>Here's what matters to me. And he talked about his folks,

0:20:58.320 --> 0:21:02.640
<v Speaker 4>and he talked about you know, Chris Tucker's character obviously,

0:21:03.200 --> 0:21:07.800
<v Speaker 4>and he talked about like what was critical in terms

0:21:07.880 --> 0:21:10.879
<v Speaker 4>of like, and I don't want to give away anything

0:21:11.040 --> 0:21:15.800
<v Speaker 4>because it was the private conversation, right, but I was like, okay, cool,

0:21:15.840 --> 0:21:17.880
<v Speaker 4>are you like so these this is the ship that

0:21:18.440 --> 0:21:20.520
<v Speaker 4>I'm not you know, I'm gonna take that as gospel

0:21:20.760 --> 0:21:22.040
<v Speaker 4>and then go do it. I was like, but Mike,

0:21:22.119 --> 0:21:23.560
<v Speaker 4>I don't want to. I'm not gonna put you in

0:21:23.600 --> 0:21:27.760
<v Speaker 4>the movie because you're such a like an icon. As

0:21:27.760 --> 0:21:29.919
<v Speaker 4>soon as I show somebody and try to be like

0:21:29.920 --> 0:21:31.520
<v Speaker 4>that's Michael Jordan, You're just gonna be like, no it

0:21:31.560 --> 0:21:34.560
<v Speaker 4>isn't you know. It just can't show a sioutte You're like, no,

0:21:34.600 --> 0:21:37.280
<v Speaker 4>it's not him. And so he was like, I don't

0:21:37.280 --> 0:21:38.480
<v Speaker 4>know if you liked that or not, you know what

0:21:38.520 --> 0:21:41.760
<v Speaker 4>I mean. But he was like, all right, okay, cool, Yeah, no,

0:21:42.040 --> 0:21:43.960
<v Speaker 4>Biolta Davis gotta play my mom.

0:21:44.119 --> 0:21:46.240
<v Speaker 2>I was like, oh, okay, cool, I guess we better

0:21:46.240 --> 0:21:47.080
<v Speaker 2>write her a good part.

0:21:48.000 --> 0:21:49.520
<v Speaker 1>What was the process of trying to get her, because

0:21:49.520 --> 0:21:50.560
<v Speaker 1>I'm sure it wasn't very easy.

0:21:50.680 --> 0:21:50.840
<v Speaker 2>No.

0:21:51.040 --> 0:21:53.520
<v Speaker 4>I mean, if iol is somebody that I really look up,

0:21:53.560 --> 0:21:56.000
<v Speaker 4>I think she's like the very best, you know, and

0:21:56.119 --> 0:21:59.280
<v Speaker 4>that that absolute top of the best.

0:21:59.040 --> 0:22:02.280
<v Speaker 2>Actors in the world. And she knew I.

0:22:02.160 --> 0:22:03.760
<v Speaker 4>Felt that way because I had a little part with

0:22:03.800 --> 0:22:05.840
<v Speaker 4>her in Suicide Squad and I was like, hey, you know,

0:22:05.920 --> 0:22:07.520
<v Speaker 4>I think you're a genius and I'd love to do.

0:22:07.520 --> 0:22:09.720
<v Speaker 2>Something with you. And she was kind of like, yeah, you.

0:22:09.680 --> 0:22:16.320
<v Speaker 4>Know, and I'll come back to and and so you know,

0:22:16.359 --> 0:22:18.480
<v Speaker 4>I was just like I knew that I could use

0:22:19.200 --> 0:22:20.560
<v Speaker 4>the fact that Michael wanted her.

0:22:20.760 --> 0:22:21.639
<v Speaker 2>It was going to be in a hell of a

0:22:21.640 --> 0:22:23.080
<v Speaker 2>lot more than that I wanted her.

0:22:23.280 --> 0:22:25.520
<v Speaker 4>And I was like, hey, ll look, we wrote this,

0:22:25.680 --> 0:22:28.480
<v Speaker 4>you know, for you and everything, and uh, and Mike

0:22:28.560 --> 0:22:30.159
<v Speaker 4>did say that the only way we can do it

0:22:30.200 --> 0:22:30.960
<v Speaker 4>is if you play.

0:22:33.000 --> 0:22:35.639
<v Speaker 2>And so she was. She came and did and did it.

0:22:35.680 --> 0:22:36.440
<v Speaker 2>She was amazing.

0:22:36.640 --> 0:22:40.920
<v Speaker 4>And her husband, Julius Uh was great to He.

0:22:40.960 --> 0:22:42.840
<v Speaker 2>Played Mike's dad. They play husband and wife.

0:22:42.840 --> 0:22:45.119
<v Speaker 4>And he was like because he because I asked Michael, like,

0:22:45.800 --> 0:22:48.360
<v Speaker 4>what's the like, I'm trying to find an actor play

0:22:48.400 --> 0:22:50.600
<v Speaker 4>your father, like, and I know, you know, his father

0:22:50.640 --> 0:22:52.639
<v Speaker 4>passed away and a lot has been said about how

0:22:52.640 --> 0:22:55.119
<v Speaker 4>close they weren't all that stuff, and I was like,

0:22:55.160 --> 0:22:55.480
<v Speaker 4>how do.

0:22:55.480 --> 0:22:56.399
<v Speaker 2>I who do I look for?

0:22:56.480 --> 0:22:59.280
<v Speaker 4>And he was like, my dad had the best personality

0:22:59.320 --> 0:23:01.960
<v Speaker 4>of anybody in the world. And like when he told

0:23:02.000 --> 0:23:04.399
<v Speaker 4>me that, I remember being like, he moved me, you know,

0:23:04.800 --> 0:23:07.560
<v Speaker 4>and so and then when she was I was like,

0:23:08.119 --> 0:23:10.240
<v Speaker 4>this is just a dude who's so proud of his son.

0:23:10.680 --> 0:23:13.040
<v Speaker 4>And that's what I loved about, like what he did

0:23:13.080 --> 0:23:15.760
<v Speaker 4>with that because she was a little more cynical, she

0:23:15.880 --> 0:23:18.480
<v Speaker 4>kind of knew and saw maybe kind of through.

0:23:18.240 --> 0:23:20.439
<v Speaker 2>Some of the bullshit, and I love the idea.

0:23:20.480 --> 0:23:23.560
<v Speaker 4>But he was just so fucking proud of his son

0:23:23.640 --> 0:23:25.439
<v Speaker 4>and just love everybody dracking his son.

0:23:25.359 --> 0:23:28.320
<v Speaker 2>And making videos and shit and just happy. And it

0:23:28.440 --> 0:23:30.440
<v Speaker 2>was beautiful and cutting that against.

0:23:30.080 --> 0:23:33.800
<v Speaker 4>Like the the clips of like, you know, his father's

0:23:33.840 --> 0:23:35.520
<v Speaker 4>you know, being killed.

0:23:35.640 --> 0:23:38.840
<v Speaker 2>Ultimately, I made it really really powerful, like.

0:23:38.760 --> 0:23:41.400
<v Speaker 4>You watched this guy who's you're not gonna live through

0:23:41.400 --> 0:23:43.639
<v Speaker 4>the story to see his Son become this you know

0:23:43.680 --> 0:23:47.040
<v Speaker 4>who he became. And but but those two were really

0:23:47.119 --> 0:23:48.960
<v Speaker 4>the anchor in the heart of the movie, and that

0:23:48.960 --> 0:23:52.080
<v Speaker 4>that was definitely what Mike he He was not like

0:23:52.160 --> 0:23:55.320
<v Speaker 4>sweating the corporate details of the fucking and like, you.

0:23:55.280 --> 0:23:57.280
<v Speaker 2>Know, he didn't. He was like look and he said

0:23:57.280 --> 0:23:59.479
<v Speaker 2>what he said. But he what mattered to him was

0:23:59.520 --> 0:23:59.840
<v Speaker 2>like the.

0:24:00.080 --> 0:24:04.120
<v Speaker 4>Certain key people you know, and and that we got

0:24:04.160 --> 0:24:06.480
<v Speaker 4>you know, Marlon and Chris to play them was cool.

0:24:06.520 --> 0:24:09.080
<v Speaker 2>And Chris, of course like knows.

0:24:08.880 --> 0:24:11.439
<v Speaker 4>Everybody, you know what I mean, Chris guys who was like,

0:24:11.640 --> 0:24:14.159
<v Speaker 4>you can be you know, you can't bring up a name.

0:24:15.160 --> 0:24:16.800
<v Speaker 2>He's cool. Jesus.

0:24:18.720 --> 0:24:21.679
<v Speaker 3>Now he's friends with the two major mics excuse me,

0:24:21.880 --> 0:24:27.000
<v Speaker 3>Jordan and Magic and Michael Michael Jackson Jackson, Michael Jordan.

0:24:27.040 --> 0:24:28.760
<v Speaker 2>And he's like, yeah, I'm at Ali, you know, like

0:24:28.800 --> 0:24:32.560
<v Speaker 2>Mama Ali, Like who the fuck? Don't you know he's amazing.

0:24:32.680 --> 0:24:35.360
<v Speaker 2>He's because you just like him and cool and oh yeah,

0:24:35.400 --> 0:24:35.800
<v Speaker 2>I'm cool.

0:24:35.840 --> 0:24:40.560
<v Speaker 4>Mandela, I was like, what, it's the craziest thing in

0:24:40.600 --> 0:24:41.000
<v Speaker 4>the world.

0:24:43.080 --> 0:24:45.400
<v Speaker 2>But he's Christal, brilliant movie and I love him.

0:24:45.800 --> 0:24:47.640
<v Speaker 5>How was it playing Phil?

0:24:49.119 --> 0:24:52.000
<v Speaker 2>You know, it was a little bit like did you

0:24:52.040 --> 0:24:53.880
<v Speaker 2>talk to him. I didn't want to talk to him first.

0:24:53.880 --> 0:24:55.240
<v Speaker 4>I didn't want to get him to do anything with

0:24:55.320 --> 0:24:57.640
<v Speaker 4>Nike because you know, I was aware that like people

0:24:57.680 --> 0:24:59.440
<v Speaker 4>are gonna be like, oh, this is like a Nike

0:24:59.560 --> 0:25:01.400
<v Speaker 4>propagame or whatever, and.

0:25:01.720 --> 0:25:04.000
<v Speaker 2>I didn't want to. We didn't get any shoes or

0:25:04.000 --> 0:25:04.760
<v Speaker 2>gear from them.

0:25:04.800 --> 0:25:07.240
<v Speaker 4>We didn't get shipped from you know, or we got

0:25:07.280 --> 0:25:09.440
<v Speaker 4>like the some of the stuff off eBay that was

0:25:09.480 --> 0:25:11.439
<v Speaker 4>like the old waffle the shoe and stuff.

0:25:11.840 --> 0:25:14.240
<v Speaker 2>And so they hadn't seen the movie at all and

0:25:14.400 --> 0:25:15.439
<v Speaker 2>really know about it and kind of.

0:25:15.440 --> 0:25:19.119
<v Speaker 4>Heard about it after we were done, and then they

0:25:19.160 --> 0:25:20.040
<v Speaker 4>asked to screen it.

0:25:20.680 --> 0:25:22.360
<v Speaker 2>And that's when I was like, oh shit.

0:25:22.440 --> 0:25:25.080
<v Speaker 4>I was having a lot of fun, you know, playing

0:25:25.160 --> 0:25:27.639
<v Speaker 4>Phil and kind of fucking with him, and so we

0:25:27.680 --> 0:25:29.760
<v Speaker 4>went up and they were like, yeah, come up and show.

0:25:29.640 --> 0:25:30.320
<v Speaker 2>Fill the movie.

0:25:30.840 --> 0:25:32.840
<v Speaker 4>It's like okay, And all of a sudden, I was like,

0:25:32.880 --> 0:25:35.520
<v Speaker 4>oh man, did I go too far with fucking round?

0:25:35.920 --> 0:25:37.680
<v Speaker 2>Like they can sue us and shit.

0:25:38.119 --> 0:25:40.679
<v Speaker 4>And they asked us to come up there, and we

0:25:40.760 --> 0:25:45.639
<v Speaker 4>showed the movie in Portland, but not at Nike. I

0:25:45.680 --> 0:25:48.200
<v Speaker 4>think they like rented up this whole movie theater down

0:25:48.200 --> 0:25:51.040
<v Speaker 4>the street and we showed it, and Phil showed up

0:25:51.080 --> 0:25:54.040
<v Speaker 4>and his kids, his wife and then like the general

0:25:54.200 --> 0:25:58.760
<v Speaker 4>counsel for Nike, and so I introduced it and I

0:25:58.760 --> 0:26:02.040
<v Speaker 4>remember being like, look, this is about the spirit of

0:26:02.080 --> 0:26:03.120
<v Speaker 4>the company.

0:26:03.280 --> 0:26:04.600
<v Speaker 2>And Phil, remember.

0:26:04.280 --> 0:26:07.160
<v Speaker 4>Everybody likes to fuck with the boss, so you gotta

0:26:07.240 --> 0:26:10.919
<v Speaker 4>have a sense of humor about that. And to his credit,

0:26:10.960 --> 0:26:13.280
<v Speaker 4>he really did, you know. He was like, yeah, you know,

0:26:13.920 --> 0:26:15.240
<v Speaker 4>you could take exception with.

0:26:15.200 --> 0:26:16.960
<v Speaker 2>This moment and that moment. Everybody has their thing. But

0:26:17.359 --> 0:26:18.600
<v Speaker 2>it was actually really moving.

0:26:18.880 --> 0:26:21.280
<v Speaker 4>When the movie was over, I walked in there and

0:26:21.320 --> 0:26:23.320
<v Speaker 4>I saw like I was like, I shouldn't have done

0:26:23.320 --> 0:26:25.320
<v Speaker 4>that thing where I stole the candy.

0:26:24.920 --> 0:26:25.960
<v Speaker 1>At the end the movie.

0:26:26.000 --> 0:26:27.840
<v Speaker 2>I was like, what am I fuck? An idiot? I

0:26:27.840 --> 0:26:30.040
<v Speaker 2>don't even think about this. I walked out there and

0:26:30.080 --> 0:26:30.640
<v Speaker 2>everyone was.

0:26:30.640 --> 0:26:36.720
<v Speaker 4>Quiet and and nobody would say anything until Phil said something,

0:26:36.880 --> 0:26:38.359
<v Speaker 4>and so it was kind of waiting. I said, so,

0:26:38.600 --> 0:26:41.520
<v Speaker 4>all right, you know, what'd you think? And Phil was like, well,

0:26:41.560 --> 0:26:43.760
<v Speaker 4>I have some notes. I was like, gosh shit, all right,

0:26:44.440 --> 0:26:46.840
<v Speaker 4>all right, well it's locked, but you know we can

0:26:47.160 --> 0:26:49.119
<v Speaker 4>if you have some caveats, I can talk about them

0:26:49.160 --> 0:26:50.040
<v Speaker 4>in the press or whatever.

0:26:50.080 --> 0:26:53.320
<v Speaker 2>And and he said, first thing he said to me.

0:26:53.359 --> 0:26:58.560
<v Speaker 4>He was like, we were friends, and I thought for

0:26:58.600 --> 0:27:00.320
<v Speaker 4>a minute it looked like the d was about to cry.

0:27:00.440 --> 0:27:03.200
<v Speaker 2>He's like he because the truth is like that group

0:27:03.280 --> 0:27:05.200
<v Speaker 2>kind of scattered after that, and.

0:27:05.080 --> 0:27:07.719
<v Speaker 4>Because of the success of the Jordan thing, Son Hen

0:27:07.720 --> 0:27:11.440
<v Speaker 4>went to Adidas and and and Bateman's character also left,

0:27:11.600 --> 0:27:16.639
<v Speaker 4>and you know, success brings success, but also sometimes people

0:27:16.840 --> 0:27:19.159
<v Speaker 4>arguing about whose credit and he gets credit everything, And

0:27:19.520 --> 0:27:21.280
<v Speaker 4>we didn't include that any of this stuff at the

0:27:21.359 --> 0:27:24.080
<v Speaker 4>end of the movie, but I got the sense, and

0:27:24.119 --> 0:27:26.160
<v Speaker 4>he didn't say that that there was like, yeah, there

0:27:26.200 --> 0:27:28.639
<v Speaker 4>have been acrimony, there had been competition, and when he

0:27:28.720 --> 0:27:30.920
<v Speaker 4>saw it because what we did go to great lengths

0:27:30.960 --> 0:27:33.160
<v Speaker 4>to copy exactly with like the office and the look

0:27:33.280 --> 0:27:36.080
<v Speaker 4>and all that stuff, and he was like, you know, Phels,

0:27:36.240 --> 0:27:37.960
<v Speaker 4>he's older now, and he was like and he seemed

0:27:37.960 --> 0:27:39.080
<v Speaker 4>like he was almost about to cry.

0:27:39.080 --> 0:27:40.280
<v Speaker 2>He was like, we were friends.

0:27:40.760 --> 0:27:43.800
<v Speaker 4>We were just friends trying to do something like he

0:27:43.840 --> 0:27:47.440
<v Speaker 4>got lost in the nostalgia of like ye, he took

0:27:47.520 --> 0:27:50.439
<v Speaker 4>him there, took him there, and uh, you know, and

0:27:50.480 --> 0:27:52.400
<v Speaker 4>then all everybody else was like, oh, yeah, great movie.

0:27:53.240 --> 0:27:54.639
<v Speaker 2>So he had to break the ice. Yeah he did.

0:27:54.960 --> 0:27:57.280
<v Speaker 6>Interesting, if you were doing a bio pick up Michael

0:27:57.359 --> 0:28:00.200
<v Speaker 6>Jordan's you think anybody clo would you think we play?

0:28:00.440 --> 0:28:01.800
<v Speaker 5>Is there anybody that you can come to mind?

0:28:02.200 --> 0:28:06.439
<v Speaker 4>It's so difficult, man, because you know, part of it is,

0:28:08.040 --> 0:28:11.159
<v Speaker 4>I mean there's great actors like look, you know, like

0:28:11.960 --> 0:28:14.000
<v Speaker 4>I mean it's funny, but like I think Michael B.

0:28:14.080 --> 0:28:16.000
<v Speaker 4>Jordan's one of the one of the great actors. I

0:28:16.040 --> 0:28:19.119
<v Speaker 4>love him. I think he's just like this like of

0:28:19.160 --> 0:28:22.040
<v Speaker 4>this new generation. Like I just think he's spectacular. I

0:28:22.040 --> 0:28:25.840
<v Speaker 4>think he's amazing in centners. A guy is just unbelievable.

0:28:25.920 --> 0:28:28.720
<v Speaker 4>You know, he's been a friend of mine for a while,

0:28:28.760 --> 0:28:31.880
<v Speaker 4>and so you know, he's a he's a first name

0:28:31.920 --> 0:28:36.639
<v Speaker 4>that comes to mind just because he's actually too yoked, right,

0:28:39.360 --> 0:28:43.240
<v Speaker 4>he has that like magnetism and charisma.

0:28:42.520 --> 0:28:45.320
<v Speaker 2>You know. And I didn't you know, I didn't know.

0:28:45.360 --> 0:28:47.440
<v Speaker 4>I wasn't around Jordans, So I don't know how much

0:28:47.480 --> 0:28:50.120
<v Speaker 4>of it was, how much of the intimidation level or

0:28:50.120 --> 0:28:52.920
<v Speaker 4>the toughness or whatever, like, because when I was a

0:28:52.920 --> 0:28:55.200
<v Speaker 4>fan watching them, so I just saw what the other

0:28:55.280 --> 0:28:57.400
<v Speaker 4>fans saw. And back in those days, you know, there

0:28:57.480 --> 0:28:59.800
<v Speaker 4>was more of a filter that was getting put on.

0:29:00.400 --> 0:29:01.960
<v Speaker 2>You guys, know, a lot better.

0:29:01.800 --> 0:29:04.120
<v Speaker 4>Than me, obviously, but that's the sense I get. So

0:29:04.800 --> 0:29:05.960
<v Speaker 4>Jordan remains kind.

0:29:05.800 --> 0:29:12.320
<v Speaker 2>Of a mysterious figure to me too. Probably he seems

0:29:12.320 --> 0:29:14.920
<v Speaker 2>to not be interested chasing ship.

0:29:17.840 --> 0:29:20.400
<v Speaker 5>If it was one sports movie you could make, what

0:29:20.440 --> 0:29:23.480
<v Speaker 5>would it be? You know?

0:29:25.640 --> 0:29:27.600
<v Speaker 4>That's that's a tough one. I mean, I feel like

0:29:28.320 --> 0:29:31.440
<v Speaker 4>there's some I read a script.

0:29:31.120 --> 0:29:33.400
<v Speaker 2>About the four Red Sox that was pretty good.

0:29:34.000 --> 0:29:35.920
<v Speaker 4>I feel like that story has been told a bunch,

0:29:35.960 --> 0:29:38.080
<v Speaker 4>but for me growing up in Boston, when we yeah,

0:29:38.640 --> 0:29:41.160
<v Speaker 4>it gets lost in New York over and over again,

0:29:41.360 --> 0:29:43.600
<v Speaker 4>you know, and three was that's.

0:29:43.400 --> 0:29:50.880
<v Speaker 2>Right, Yankees, that's true and right now nobody could talk

0:29:50.920 --> 0:29:51.000
<v Speaker 2>to you.

0:29:52.840 --> 0:29:55.320
<v Speaker 4>That's that's probably the most like moving story to me,

0:29:55.400 --> 0:29:58.080
<v Speaker 4>because you know, that was like still when it just

0:29:58.080 --> 0:29:59.960
<v Speaker 4>felt like we could never ever win.

0:30:00.120 --> 0:30:02.440
<v Speaker 2>This team was never gonna win anything.

0:30:02.800 --> 0:30:06.720
<v Speaker 4>You know, it didn't matter like you know, seventy six

0:30:06.840 --> 0:30:09.520
<v Speaker 4>it did, you know, eighty six they had lost and lost,

0:30:09.560 --> 0:30:12.840
<v Speaker 4>and and then in three was such a such a

0:30:12.920 --> 0:30:15.880
<v Speaker 4>humiliation and then to win that, you know, and how

0:30:15.920 --> 0:30:17.760
<v Speaker 4>many years the curse. I mean, that's probably the greatest

0:30:18.000 --> 0:30:22.760
<v Speaker 4>sports story. But you know, I don't know, sometimes you

0:30:22.800 --> 0:30:24.600
<v Speaker 4>feel like you touch with something like that.

0:30:24.640 --> 0:30:25.200
<v Speaker 2>And fuck with it.

0:30:25.280 --> 0:30:28.400
<v Speaker 4>Like, boy, there's there's a you know, you have to

0:30:28.480 --> 0:30:31.920
<v Speaker 4>like capture it, you know, and that's daunting goodwill hunting.

0:30:32.600 --> 0:30:34.959
<v Speaker 3>You became you and Matt became the youngest to get

0:30:35.000 --> 0:30:37.239
<v Speaker 3>an oscar to age twenty five. You guys wrote that

0:30:37.240 --> 0:30:39.760
<v Speaker 3>two kids from Boston take us back to that time

0:30:39.800 --> 0:30:40.920
<v Speaker 3>and what that meant.

0:30:41.560 --> 0:30:42.480
<v Speaker 2>You know, It's like.

0:30:44.240 --> 0:30:48.400
<v Speaker 4>I hadn't, you know, like no idea that it was

0:30:48.440 --> 0:30:50.360
<v Speaker 4>so close to a time where we were just trying

0:30:50.360 --> 0:30:53.040
<v Speaker 4>to get a movie made to be in it so

0:30:53.120 --> 0:30:55.840
<v Speaker 4>that we could skip like just you know, getting.

0:30:55.600 --> 0:30:57.040
<v Speaker 2>Blocked by the casting director.

0:30:58.000 --> 0:30:59.840
<v Speaker 4>And we thought, okay, if we can get a real

0:31:00.320 --> 0:31:03.360
<v Speaker 4>like a VHS list back, you know, a VHS tape

0:31:03.640 --> 0:31:06.160
<v Speaker 4>that has some performances on it that we're proud of,

0:31:06.200 --> 0:31:11.200
<v Speaker 4>like maybe we can jumpstart our acting careers. And you know,

0:31:11.480 --> 0:31:14.960
<v Speaker 4>the year before those Oscars, I was like in you know,

0:31:15.120 --> 0:31:18.080
<v Speaker 4>in Boston, in an apartment, you know, in a three bedroom,

0:31:18.240 --> 0:31:23.080
<v Speaker 4>watching the Oscars on TV, and you know, like I

0:31:23.160 --> 0:31:24.240
<v Speaker 4>always had.

0:31:24.120 --> 0:31:27.040
<v Speaker 2>And to to go and be there. The next year

0:31:27.240 --> 0:31:30.400
<v Speaker 2>was really like you know, it's this sounds funny.

0:31:30.400 --> 0:31:31.960
<v Speaker 4>This sounds like it's like you know, you're getting like

0:31:32.360 --> 0:31:34.400
<v Speaker 4>you're driving on the road and all of a sudden

0:31:34.400 --> 0:31:36.640
<v Speaker 4>the car hit some ice or whatever start spinning.

0:31:36.680 --> 0:31:38.160
<v Speaker 2>You know. It was sort of like that, like you're

0:31:38.240 --> 0:31:39.240
<v Speaker 2>moving in slow motion and.

0:31:39.280 --> 0:31:41.360
<v Speaker 4>Think, oh my god, am I gonna get in a

0:31:41.440 --> 0:31:44.040
<v Speaker 4>You know, it was like that. It didn't really feel real,

0:31:45.280 --> 0:31:48.240
<v Speaker 4>and it was so unexpected and and it was so

0:31:48.440 --> 0:31:49.760
<v Speaker 4>kind of overnight in a way.

0:31:49.840 --> 0:31:52.560
<v Speaker 2>Those Oscars were because of because of Titanic.

0:31:52.640 --> 0:31:55.320
<v Speaker 4>It was like this huge hit movie and that was

0:31:55.320 --> 0:31:58.920
<v Speaker 4>the Titanic year, and they won all these Oscars. You know,

0:31:58.960 --> 0:32:01.400
<v Speaker 4>we were drafted that and so a lot of people

0:32:01.480 --> 0:32:06.320
<v Speaker 4>watched that show too. We're more famous for having been

0:32:06.400 --> 0:32:08.200
<v Speaker 4>the kids no one heard of than won the Oscar.

0:32:08.320 --> 0:32:12.320
<v Speaker 4>Then people had seen the movie, and you know, it

0:32:12.400 --> 0:32:15.560
<v Speaker 4>was definitely one of those kind of launching you into

0:32:15.640 --> 0:32:18.640
<v Speaker 4>a whole other space that you weren't familiar with.

0:32:18.760 --> 0:32:22.160
<v Speaker 2>It took a long time to get acclimated to that,

0:32:23.120 --> 0:32:25.720
<v Speaker 2>but you know, obviously it was. It was great. It

0:32:25.800 --> 0:32:28.720
<v Speaker 2>was we were just too young to totally appreciate.

0:32:29.040 --> 0:32:32.560
<v Speaker 3>You know, is this urban legend to see what studios

0:32:32.560 --> 0:32:34.440
<v Speaker 3>actually read the script? Did you put a sex scene

0:32:34.480 --> 0:32:36.880
<v Speaker 3>between Will and Chucky and only one actually caught it?

0:32:37.240 --> 0:32:39.880
<v Speaker 4>Yeah, we did it actually a scene where he where

0:32:40.000 --> 0:32:44.520
<v Speaker 4>the say this now where the therapist gave Will a

0:32:44.520 --> 0:32:48.200
<v Speaker 4>blowjob in the put it like one sad like and

0:32:48.200 --> 0:32:50.600
<v Speaker 4>then he starts blowing him and we thought like listen

0:32:50.600 --> 0:32:53.880
<v Speaker 4>and yeah, only one one or two actually get back

0:32:53.920 --> 0:32:56.360
<v Speaker 4>the note. It was like, and maybe maybe cut that

0:32:56.360 --> 0:32:59.600
<v Speaker 4>part because we were frustrated after a while of like,

0:32:59.840 --> 0:33:02.000
<v Speaker 4>you know, you you do stuff and then you get

0:33:02.000 --> 0:33:04.160
<v Speaker 4>these notes where it was like, do you give you

0:33:04.200 --> 0:33:05.720
<v Speaker 4>notes to do something that was kind of already in

0:33:05.760 --> 0:33:07.040
<v Speaker 4>the script?

0:33:07.640 --> 0:33:09.160
<v Speaker 2>Yeah, it was like, yeah it was.

0:33:09.640 --> 0:33:11.719
<v Speaker 4>I realized later on that that's actually kind of a

0:33:11.840 --> 0:33:14.520
<v Speaker 4>common thing. It's sort of like you you kind of

0:33:14.560 --> 0:33:16.440
<v Speaker 4>want more of something after you've read it, and so

0:33:16.520 --> 0:33:18.600
<v Speaker 4>you'll ask, but like in a note like I've done

0:33:18.600 --> 0:33:20.560
<v Speaker 4>it myself and realized, oh, I kind of have to

0:33:20.600 --> 0:33:22.479
<v Speaker 4>check myself now, like no, I see that was actually

0:33:22.480 --> 0:33:24.400
<v Speaker 4>in there and I'm just repeating it back to you.

0:33:24.960 --> 0:33:27.560
<v Speaker 4>At the time, we didn't, you know, we didn't get that. Yeah,

0:33:27.640 --> 0:33:30.040
<v Speaker 4>I'm also really young and stupid. I thought were fucking

0:33:30.040 --> 0:33:31.400
<v Speaker 4>punks and like did shit like that?

0:33:31.600 --> 0:33:36.000
<v Speaker 1>Rest in peace. Rob Reiner and Robin Williams as instrumental Yeah.

0:33:36.080 --> 0:33:38.520
<v Speaker 4>Rob, Rob Reiner was here a couple of months ago.

0:33:38.600 --> 0:33:40.520
<v Speaker 4>Right in this room, this is our writer's room, and

0:33:40.560 --> 0:33:45.120
<v Speaker 4>we have folks come by who have like one of

0:33:45.160 --> 0:33:46.840
<v Speaker 4>the things we do with the with the writers is

0:33:46.840 --> 0:33:48.840
<v Speaker 4>like we have like you know, asked like some of

0:33:48.880 --> 0:33:51.720
<v Speaker 4>these really experienced, kind of legendary folks come in and

0:33:51.760 --> 0:33:53.920
<v Speaker 4>kind of talk about their life and career and stuff.

0:33:55.120 --> 0:33:57.360
<v Speaker 4>And Rob did that, and you know, he was an

0:33:57.360 --> 0:34:02.200
<v Speaker 4>incredibly graceful, sweet guy, and he was His company was

0:34:02.240 --> 0:34:05.320
<v Speaker 4>the ones that initially not only bought the script for

0:34:05.360 --> 0:34:07.880
<v Speaker 4>Good One Hunting, but that also we had a whole

0:34:07.920 --> 0:34:10.759
<v Speaker 4>like kind of Beverly Hills cop like Banana and the tailpipe,

0:34:11.120 --> 0:34:14.080
<v Speaker 4>the secret agents that were like following Will around in

0:34:14.120 --> 0:34:14.920
<v Speaker 4>the first draft.

0:34:15.280 --> 0:34:17.280
<v Speaker 2>And he was the voice there.

0:34:17.320 --> 0:34:20.160
<v Speaker 4>Along with the women their named does Glotzer mothers who said, like,

0:34:20.200 --> 0:34:21.080
<v Speaker 4>just cut that ship out.

0:34:21.320 --> 0:34:23.280
<v Speaker 2>You don't need all that stuff in there. You're trying

0:34:23.280 --> 0:34:23.920
<v Speaker 2>to make it.

0:34:23.800 --> 0:34:27.600
<v Speaker 4>Like a fun commercial movie, you know, but you don't.

0:34:27.640 --> 0:34:29.919
<v Speaker 4>You don't need to try to be a bever Hills cop,

0:34:30.000 --> 0:34:31.360
<v Speaker 4>you know, be your your movie.

0:34:31.800 --> 0:34:34.560
<v Speaker 2>And we we were what's this guy talking about?

0:34:35.000 --> 0:34:36.520
<v Speaker 4>And then we did it, and so we were very

0:34:36.560 --> 0:34:38.640
<v Speaker 4>grateful to him, and yeah, it's a sweetheart Robin.

0:34:38.680 --> 0:34:42.960
<v Speaker 2>Of course, it was like one of the greats. Well,

0:34:42.960 --> 0:34:45.520
<v Speaker 2>it's just sad.

0:34:47.040 --> 0:34:51.799
<v Speaker 6>How have you refrained from pimp slapping paparazzi members?

0:34:53.000 --> 0:34:55.120
<v Speaker 2>Lucky? You know, like you, I have lost my temper

0:34:55.160 --> 0:34:59.440
<v Speaker 2>a few times. Yeah, it's hard.

0:34:59.520 --> 0:35:02.640
<v Speaker 4>I mean you it's it's and again I know everyone's like, oh,

0:35:02.680 --> 0:35:04.160
<v Speaker 4>fuck you, you can play.

0:35:04.320 --> 0:35:05.760
<v Speaker 2>It's not a complaint. I understand.

0:35:05.800 --> 0:35:07.920
<v Speaker 4>Yes, I'm aware that there's a lot of that. This

0:35:08.000 --> 0:35:10.600
<v Speaker 4>comes with it, and YadA YadA. I'm past that. But

0:35:10.640 --> 0:35:12.920
<v Speaker 4>the truth is, like with me, the times that have

0:35:13.000 --> 0:35:15.279
<v Speaker 4>been very difficult. I got I was like, okay, you

0:35:15.320 --> 0:35:16.759
<v Speaker 4>want to take a picture of me, Like one thing,

0:35:16.760 --> 0:35:19.279
<v Speaker 4>if I'm coming out of a a vent or a

0:35:19.280 --> 0:35:21.840
<v Speaker 4>club or what I find. But like when I've got

0:35:21.920 --> 0:35:23.959
<v Speaker 4>like my kids, especially when they were younger, I'm trying

0:35:23.960 --> 0:35:25.480
<v Speaker 4>to go get you know, and there's four or five

0:35:25.480 --> 0:35:27.719
<v Speaker 4>guys to try and take your picture, and people are like,

0:35:27.719 --> 0:35:29.320
<v Speaker 4>why do you always look so mad? I'm like, because

0:35:29.320 --> 0:35:31.600
<v Speaker 4>every time somebody takes a picture of me, it's around

0:35:31.640 --> 0:35:33.360
<v Speaker 4>me and I got my kids with me, and I'm like,

0:35:33.400 --> 0:35:35.040
<v Speaker 4>hey man, you want to fuck off.

0:35:35.080 --> 0:35:37.000
<v Speaker 2>I'm with my kids right now. I don't need you

0:35:37.080 --> 0:35:39.239
<v Speaker 2>yelling at me and like, have a little decency.

0:35:39.400 --> 0:35:41.400
<v Speaker 4>You can fuck with me and come find me and

0:35:41.440 --> 0:35:43.160
<v Speaker 4>say shit like driving down the street.

0:35:43.200 --> 0:35:45.959
<v Speaker 2>Whatever. Fine, if that's how you want to make a living.

0:35:46.160 --> 0:35:47.920
<v Speaker 4>But when I'm like, these kids were you know, it's

0:35:48.000 --> 0:35:51.040
<v Speaker 4>about ten and and shit, come on, you know, And

0:35:51.080 --> 0:35:53.480
<v Speaker 4>I always felt like that was a little bit beyond

0:35:53.600 --> 0:35:57.279
<v Speaker 4>the fucking pale. And you know they don't ever show

0:35:57.320 --> 0:36:00.000
<v Speaker 4>that like side. So yeah, it takes.

0:36:00.080 --> 0:36:02.839
<v Speaker 2>It does take discipline, and I haven't I haven't had enough.

0:36:02.880 --> 0:36:04.640
<v Speaker 2>I mean I've gotten mad, you know.

0:36:04.719 --> 0:36:07.120
<v Speaker 4>And so people are like, oh, you always look angry

0:36:07.160 --> 0:36:09.920
<v Speaker 4>or unhappy once you smile, I'm like, wow, I'm mostly

0:36:09.960 --> 0:36:12.480
<v Speaker 4>pretty happy guy. The only time someone's taking your picture,

0:36:13.160 --> 0:36:15.640
<v Speaker 4>when someone's fucking with your children, you're likely to have

0:36:15.680 --> 0:36:16.800
<v Speaker 4>an unfriendly face on.

0:36:17.040 --> 0:36:21.720
<v Speaker 6>You know, we're good at flipping it on those people

0:36:21.719 --> 0:36:24.719
<v Speaker 6>and roasting their real entire lives. So if you ever

0:36:24.800 --> 0:36:26.799
<v Speaker 6>need any help or I want to learn how to

0:36:26.840 --> 0:36:27.880
<v Speaker 6>do this, we're great.

0:36:28.000 --> 0:36:29.840
<v Speaker 2>Are you good?

0:36:30.040 --> 0:36:31.960
<v Speaker 6>You have so many people that coming o me to

0:36:32.040 --> 0:36:34.960
<v Speaker 6>just dispute hate, and we and we don't. We don't

0:36:35.000 --> 0:36:37.040
<v Speaker 6>condone it. We just tell them about their real life

0:36:37.719 --> 0:36:40.920
<v Speaker 6>and it hurts to the soul to the core when

0:36:40.920 --> 0:36:42.440
<v Speaker 6>they have to get off the phone and go look

0:36:42.440 --> 0:36:45.200
<v Speaker 6>at the mirror and realize, damn yeah, bro, that's in

0:36:45.320 --> 0:36:45.680
<v Speaker 6>real life.

0:36:45.719 --> 0:36:47.840
<v Speaker 1>And most of the time though, I just wanted your attention.

0:36:48.160 --> 0:36:50.359
<v Speaker 1>That's what you ain't got to say nothing.

0:36:50.400 --> 0:36:53.360
<v Speaker 4>The worst for me is they're like, come fuck with

0:36:53.400 --> 0:36:55.120
<v Speaker 4>you and your kids and then go there and thanks

0:36:55.120 --> 0:36:56.960
<v Speaker 4>thanks man, thank you.

0:36:57.560 --> 0:36:58.640
<v Speaker 2>That's the thing where I want.

0:36:58.520 --> 0:37:01.600
<v Speaker 3>To what do you say to the people that say

0:37:01.640 --> 0:37:05.040
<v Speaker 3>Hollywood is dead it's too expensive to make movies out here.

0:37:05.520 --> 0:37:08.360
<v Speaker 2>I mean, sadly, there's some truth to that.

0:37:08.480 --> 0:37:13.200
<v Speaker 4>Like going back to what kind of talked about initially

0:37:13.239 --> 0:37:16.840
<v Speaker 4>with like trying to find ways where you know, because

0:37:16.880 --> 0:37:19.200
<v Speaker 4>like where I started in this business was like a

0:37:19.320 --> 0:37:22.720
<v Speaker 4>free before Good Hunting was you know, in a bunch

0:37:22.760 --> 0:37:25.040
<v Speaker 4>of very low budget like two and five thousand dollars

0:37:25.080 --> 0:37:27.680
<v Speaker 4>movie or you know, a million dollar movie, which to

0:37:27.760 --> 0:37:29.520
<v Speaker 4>me that seemed like a lot of money. You got

0:37:29.560 --> 0:37:34.120
<v Speaker 4>to go get a million dollars from somebody, And I

0:37:34.200 --> 0:37:38.319
<v Speaker 4>thought that, like, you know, it shouldn't be that the

0:37:38.360 --> 0:37:42.200
<v Speaker 4>barrier to entry is so high that you know, I

0:37:42.239 --> 0:37:45.080
<v Speaker 4>think there should be, and there are, but it needs

0:37:45.120 --> 0:37:47.759
<v Speaker 4>to improve, like kind of tears where you can come

0:37:47.800 --> 0:37:50.640
<v Speaker 4>in and do something that's you know, not trying.

0:37:50.320 --> 0:37:52.279
<v Speaker 2>To be a very big commercial movie.

0:37:52.320 --> 0:37:53.719
<v Speaker 4>You're trying to take some risks, trying to do some

0:37:53.760 --> 0:37:58.640
<v Speaker 4>interesting stuff that still can use professional people. I would

0:37:58.680 --> 0:38:01.400
<v Speaker 4>love for the for for that to be possible, but

0:38:01.520 --> 0:38:03.239
<v Speaker 4>you know, and part of it's you got people that

0:38:03.320 --> 0:38:05.680
<v Speaker 4>want to work and you know, and that are are

0:38:05.680 --> 0:38:07.960
<v Speaker 4>really willing, especially like here in town. But then you

0:38:08.000 --> 0:38:10.239
<v Speaker 4>know it can cost more in California. The big thing

0:38:10.320 --> 0:38:12.879
<v Speaker 4>is that other states or even other countries give these

0:38:12.920 --> 0:38:15.759
<v Speaker 4>tax breaks, so then it's like you can't compete with them,

0:38:15.840 --> 0:38:17.960
<v Speaker 4>you know, so all of a sudden and yeah, and

0:38:17.960 --> 0:38:21.160
<v Speaker 4>then they'll be okay, New Mexico, mass Veus, Louisiana, Georgia.

0:38:22.320 --> 0:38:24.400
<v Speaker 4>But then they also disappear as kind of whack a

0:38:24.440 --> 0:38:27.120
<v Speaker 4>mole and everybody's or London, like the UK gives up.

0:38:27.280 --> 0:38:29.840
<v Speaker 4>That's why all the superhero movies are all made in London.

0:38:31.040 --> 0:38:33.200
<v Speaker 4>And you know that's I'm sure it's a lot of

0:38:33.280 --> 0:38:36.360
<v Speaker 4>money in the rebates that they're given away, and I

0:38:36.400 --> 0:38:39.200
<v Speaker 4>can't speak to whether or not it's economically viable. I

0:38:39.200 --> 0:38:42.279
<v Speaker 4>assume they're doing it for a reason, but it's so

0:38:42.440 --> 0:38:43.880
<v Speaker 4>much money that.

0:38:43.760 --> 0:38:45.280
<v Speaker 2>You just can't compete with it.

0:38:45.280 --> 0:38:47.719
<v Speaker 4>It's one thing like to say, you know, if you're

0:38:47.719 --> 0:38:51.160
<v Speaker 4>talking about five percent of the budget, it's thirty forty

0:38:51.200 --> 0:38:52.759
<v Speaker 4>percent of the budget.

0:38:52.360 --> 0:38:55.479
<v Speaker 2>You know, you have no real no choice.

0:38:55.880 --> 0:38:59.440
<v Speaker 4>And as a consequence, if something's more expensive, people get

0:38:59.520 --> 0:39:02.080
<v Speaker 4>risk averse. And when the risk averse that they'll tend

0:39:02.080 --> 0:39:04.120
<v Speaker 4>to just do the same shit like and now, so

0:39:04.239 --> 0:39:06.880
<v Speaker 4>you get the safe kind of homogenized stuff. And so

0:39:07.000 --> 0:39:09.399
<v Speaker 4>it's a vicious psycho mess.

0:39:09.800 --> 0:39:12.600
<v Speaker 6>So it's just an educated guess from your experience. If

0:39:12.600 --> 0:39:15.359
<v Speaker 6>you're shooting a movie the minimum not I ain't saying

0:39:15.360 --> 0:39:17.239
<v Speaker 6>like the highest growth, but to do a movie that

0:39:17.320 --> 0:39:19.760
<v Speaker 6>you definitely want to hit the theater that you definitely

0:39:19.760 --> 0:39:22.319
<v Speaker 6>want to be seen, or will be the budget for

0:39:22.360 --> 0:39:23.360
<v Speaker 6>that like just a number.

0:39:24.120 --> 0:39:26.840
<v Speaker 4>Well, if you're gonna make a movie, forget even about

0:39:26.920 --> 0:39:29.800
<v Speaker 4>like some you know, you forget about you know, Dwayne

0:39:29.840 --> 0:39:33.120
<v Speaker 4>Johnson or some huge star like salary. Just to shoot

0:39:33.120 --> 0:39:37.680
<v Speaker 4>a movie that's you know, you know where there's a

0:39:37.719 --> 0:39:40.680
<v Speaker 4>certain amount of like you know, you got your forty

0:39:40.800 --> 0:39:44.120
<v Speaker 4>fifty days of shooting and certain production and it really varies.

0:39:44.160 --> 0:39:47.239
<v Speaker 4>But like people will tell you now, like it's very

0:39:47.320 --> 0:39:50.120
<v Speaker 4>very difficult to make a movie for less than twenty

0:39:50.160 --> 0:39:53.279
<v Speaker 4>five million dollars, right, yeah, and twenty five and it

0:39:53.360 --> 0:39:56.080
<v Speaker 4>can go up very quickly as soon as you're you know,

0:39:56.080 --> 0:39:58.040
<v Speaker 4>you've got a big stunt unit or big action stuff

0:39:58.080 --> 0:40:01.200
<v Speaker 4>or visual effects. And here's the thing with theatrical, which

0:40:01.200 --> 0:40:04.600
<v Speaker 4>is why it's it's very hard. Like you spend about

0:40:04.640 --> 0:40:06.239
<v Speaker 4>the same amount that you spend on the movie to

0:40:06.280 --> 0:40:08.120
<v Speaker 4>advertise the movie. So if you spend twenty five million

0:40:08.120 --> 0:40:10.240
<v Speaker 4>to make the movie, you twenty five million to advertise

0:40:10.280 --> 0:40:10.640
<v Speaker 4>the movie.

0:40:10.680 --> 0:40:12.640
<v Speaker 2>So now you got fifty million dollars.

0:40:12.320 --> 0:40:15.200
<v Speaker 4>Into the movie, and from the movie theaters you get

0:40:15.239 --> 0:40:18.320
<v Speaker 4>back roughly fifty percent. So if a movie makes a

0:40:18.440 --> 0:40:21.840
<v Speaker 4>hundred million dollars, you know, you get back fifty million dollars.

0:40:22.239 --> 0:40:24.920
<v Speaker 4>So if you get back fifty million dollars, that's you.

0:40:24.920 --> 0:40:27.400
<v Speaker 4>You twenty five million dollar movie got a gross one

0:40:27.440 --> 0:40:30.840
<v Speaker 4>hundred million, just in simple math. And there is a tale,

0:40:30.840 --> 0:40:34.040
<v Speaker 4>and there are secondary revenue streams. But that's one of

0:40:34.040 --> 0:40:37.320
<v Speaker 4>the things that has made it really hard to get theatrical.

0:40:37.520 --> 0:40:40.080
<v Speaker 4>That and the fact that people now go, ah, this

0:40:40.200 --> 0:40:41.960
<v Speaker 4>movie looks good, but I'll see it when it comes

0:40:41.960 --> 0:40:44.960
<v Speaker 4>down streaming, you know, And so those two factors are

0:40:45.000 --> 0:40:47.920
<v Speaker 4>really what's caused, you know why you see mostly the

0:40:47.960 --> 0:40:50.680
<v Speaker 4>movies that come out in theaters or you know, Avengers

0:40:50.719 --> 0:40:53.279
<v Speaker 4>and or you know Avatar or whatever it is, you know,

0:40:53.320 --> 0:40:56.240
<v Speaker 4>and a movie, even a movie with that Ryan Coopler,

0:40:56.520 --> 0:40:59.040
<v Speaker 4>who's a huge commercial director and Michael Jordan is a

0:40:59.120 --> 0:41:02.640
<v Speaker 4>huge movie star, that's considered kind of a risk because

0:41:02.840 --> 0:41:05.160
<v Speaker 4>it's not like a sequel, right, you know, and even

0:41:05.200 --> 0:41:07.160
<v Speaker 4>that comes out and blows up and now you know,

0:41:07.480 --> 0:41:09.759
<v Speaker 4>out of them make Centers two, three, four, five, and six.

0:41:10.040 --> 0:41:12.759
<v Speaker 4>But to do something original that's really you know, when

0:41:12.760 --> 0:41:15.239
<v Speaker 4>those guys had to go out and really kind of

0:41:15.760 --> 0:41:18.960
<v Speaker 4>use all their credibility and cachet to convince people to

0:41:19.280 --> 0:41:19.799
<v Speaker 4>do that movie.

0:41:19.920 --> 0:41:22.319
<v Speaker 5>Well, similar to some of the like you did on

0:41:22.440 --> 0:41:25.160
<v Speaker 5>Center see kind of like you're like an artist equity

0:41:25.239 --> 0:41:27.560
<v Speaker 5>type of thing. With how he's structured to feel.

0:41:27.440 --> 0:41:29.680
<v Speaker 4>And how Ryan's are really you know, it seems like

0:41:29.719 --> 0:41:32.440
<v Speaker 4>a very very smart guy and he's been he he

0:41:32.600 --> 0:41:34.400
<v Speaker 4>did a really smart thing with that deal, which is

0:41:34.400 --> 0:41:38.160
<v Speaker 4>that he kind of related to this idea of kind

0:41:38.200 --> 0:41:40.479
<v Speaker 4>of ownership like some of the Heir and the Jordan

0:41:40.560 --> 0:41:43.640
<v Speaker 4>dew earlier, like you're gonna get the movie and you're

0:41:43.640 --> 0:41:46.319
<v Speaker 4>gonna release the movie, but like you know, they're gonna

0:41:46.320 --> 0:41:48.720
<v Speaker 4>be participants in it, and they got what's called a reversion,

0:41:48.800 --> 0:41:50.839
<v Speaker 4>so that Ryan and I assume you know, the other

0:41:50.920 --> 0:41:53.800
<v Speaker 4>principal creators the movie reverts back.

0:41:53.640 --> 0:41:54.960
<v Speaker 2>To his ownership.

0:41:55.120 --> 0:41:57.359
<v Speaker 4>Because there's a lot of value in a movie, the

0:41:57.360 --> 0:42:00.319
<v Speaker 4>movies that are really successful, Uh, they have a lot

0:42:00.320 --> 0:42:02.640
<v Speaker 4>of value in what's called like the tails. Like that's

0:42:02.680 --> 0:42:04.759
<v Speaker 4>why you know people will still they'll still license the

0:42:04.800 --> 0:42:08.040
<v Speaker 4>movie for ten twenty million dollars to Netflix or Prime

0:42:08.200 --> 0:42:10.719
<v Speaker 4>or Max. You know that's been out a long time ago,

0:42:10.719 --> 0:42:12.440
<v Speaker 4>because people will still watch it if it's like a big,

0:42:12.480 --> 0:42:14.799
<v Speaker 4>big hit. So now Ryan will be able to not

0:42:15.000 --> 0:42:16.480
<v Speaker 4>just you know, get a piece of it now, but

0:42:16.520 --> 0:42:19.160
<v Speaker 4>in ten years when they're going to license Sinners again,

0:42:19.280 --> 0:42:21.960
<v Speaker 4>that's I'll go back to him. And he bet on himself,

0:42:22.080 --> 0:42:25.120
<v Speaker 4>right and really now cruised the value of that. Yeah,

0:42:25.239 --> 0:42:28.160
<v Speaker 4>very very sharp, very innovative. It was very controversial. So

0:42:28.160 --> 0:42:30.239
<v Speaker 4>a lot of people were on the studio side were

0:42:30.280 --> 0:42:32.719
<v Speaker 4>mad at War Brothers because it was like, oh, you're

0:42:32.880 --> 0:42:36.319
<v Speaker 4>you're giving away this value. But that's an example of

0:42:36.480 --> 0:42:39.560
<v Speaker 4>like using that leverage. It's like Okay, you Feilure. This

0:42:39.560 --> 0:42:41.799
<v Speaker 4>guy is so good and he's got this cast and

0:42:41.840 --> 0:42:43.000
<v Speaker 4>this script so good.

0:42:43.360 --> 0:42:46.120
<v Speaker 2>He's like, this is what I want change change the business.

0:42:46.160 --> 0:42:49.080
<v Speaker 3>Essentially a lot of people in Hollywood and really just

0:42:49.160 --> 0:42:52.040
<v Speaker 3>overall or a little bit afraid of AI.

0:42:52.160 --> 0:42:53.680
<v Speaker 1>What are your thought what's your thoughts with AI?

0:42:54.440 --> 0:42:56.600
<v Speaker 2>I think there's like two ways to think about it.

0:42:56.680 --> 0:42:59.759
<v Speaker 4>Like I can understand why people are afraid just in

0:43:00.160 --> 0:43:01.880
<v Speaker 4>role of AI, right, Like there's this whole thing of

0:43:02.280 --> 0:43:05.160
<v Speaker 4>behalf of It's like it's gonna be super intelligent and

0:43:05.200 --> 0:43:07.160
<v Speaker 4>it's gonna be skying at in a terminator and take

0:43:07.160 --> 0:43:11.880
<v Speaker 4>over the world like like, which is a little bit like, well,

0:43:11.960 --> 0:43:14.440
<v Speaker 4>let's then maybe just not put AI in charge of

0:43:14.520 --> 0:43:16.040
<v Speaker 4>shit to start with, you know what I mean?

0:43:16.080 --> 0:43:18.800
<v Speaker 2>I would say that's probably a wise choice.

0:43:18.960 --> 0:43:21.440
<v Speaker 4>I think in terms of like what it can do

0:43:21.480 --> 0:43:25.760
<v Speaker 4>as a tool. I actually think that what I would

0:43:25.800 --> 0:43:27.360
<v Speaker 4>like to see happen is that it be kind of

0:43:27.920 --> 0:43:33.000
<v Speaker 4>owned and integrated into what filmmakers are doing. It's never

0:43:33.040 --> 0:43:34.839
<v Speaker 4>gonna be, and I don't think anyone ever wants to

0:43:34.880 --> 0:43:37.239
<v Speaker 4>see like this whole till, you know or with think

0:43:37.280 --> 0:43:39.359
<v Speaker 4>that that's bullshit. Nobody wants to see or cares about

0:43:39.360 --> 0:43:42.600
<v Speaker 4>something that you know is false. But and like not

0:43:42.719 --> 0:43:45.120
<v Speaker 4>Rio and not a person like I just don't.

0:43:44.880 --> 0:43:45.279
<v Speaker 2>Believe in that.

0:43:45.280 --> 0:43:46.920
<v Speaker 4>I don't believe that's gonna work. I don't believe that's

0:43:46.960 --> 0:43:49.000
<v Speaker 4>a real thing to worry about. I think there are

0:43:49.000 --> 0:43:53.120
<v Speaker 4>some things about the technology that would make visual effects, uh,

0:43:54.200 --> 0:43:56.799
<v Speaker 4>you know, less expensive, and like those things I think

0:43:56.840 --> 0:44:00.800
<v Speaker 4>that we should adopt and not sort of let fear

0:44:01.000 --> 0:44:03.680
<v Speaker 4>mean that the only people that are using that technology

0:44:04.280 --> 0:44:07.720
<v Speaker 4>are people who are like, you know, basically like ripping

0:44:07.719 --> 0:44:10.560
<v Speaker 4>something off or outside Hollywood or you know, because that

0:44:10.600 --> 0:44:11.440
<v Speaker 4>doesn't make sense to me.

0:44:11.480 --> 0:44:13.080
<v Speaker 3>You don't have a blanket fear of it. You feel

0:44:13.080 --> 0:44:14.759
<v Speaker 3>like there's parts that could be very beneficial.

0:44:15.400 --> 0:44:17.560
<v Speaker 4>There's definitely parts that can be very beneficial. Yeah, And

0:44:17.719 --> 0:44:19.319
<v Speaker 4>the idea of looking at it in terms of just

0:44:19.360 --> 0:44:21.480
<v Speaker 4>like all good, all bad. That's like when you think

0:44:21.480 --> 0:44:24.600
<v Speaker 4>about electricity, you know what I mean, Well, when it's in.

0:44:24.560 --> 0:44:25.719
<v Speaker 2>A nuclear momb I think it's bad.

0:44:25.760 --> 0:44:27.080
<v Speaker 4>When it's on a train, and I think, you know,

0:44:27.600 --> 0:44:30.520
<v Speaker 4>it's really that broad a category. It's gonna be about

0:44:30.520 --> 0:44:32.160
<v Speaker 4>like how is it used? And there needs to be

0:44:32.280 --> 0:44:34.040
<v Speaker 4>rules and there needs to be and they're frantically. There

0:44:34.040 --> 0:44:37.239
<v Speaker 4>already are a lot of rules that about like using

0:44:37.280 --> 0:44:40.759
<v Speaker 4>image and likeness, and I think that it's not a

0:44:40.800 --> 0:44:43.840
<v Speaker 4>thing to be so terrified of, but it is a

0:44:43.840 --> 0:44:46.239
<v Speaker 4>thing to kind of step up and define. And I

0:44:46.239 --> 0:44:48.399
<v Speaker 4>think you can present an opportunity, like you have a choice,

0:44:48.440 --> 0:44:50.680
<v Speaker 4>you make your movie. You want to let people you know,

0:44:50.719 --> 0:44:54.279
<v Speaker 4>fool around with your movie and make well, ai you.

0:44:54.200 --> 0:44:57.040
<v Speaker 2>Know, shorts of it. Like if that's what.

0:44:56.920 --> 0:44:58.799
<v Speaker 4>You're good with, you go ahead and do that, and

0:44:58.960 --> 0:45:00.839
<v Speaker 4>you see the benefit of that, and that could be

0:45:01.040 --> 0:45:03.080
<v Speaker 4>one of the ways that you, you know, you profit

0:45:03.120 --> 0:45:04.719
<v Speaker 4>from that. Talking about sinners, if those guys want to

0:45:04.800 --> 0:45:07.840
<v Speaker 4>let people make their little sinners I fight the vampires

0:45:07.840 --> 0:45:11.399
<v Speaker 4>too videos, great like then, but that money should be.

0:45:11.360 --> 0:45:14.000
<v Speaker 2>Going to Ryan and Michael and Warner.

0:45:13.719 --> 0:45:16.320
<v Speaker 4>Brothers and the people that invested in creating that. That's

0:45:16.520 --> 0:45:19.520
<v Speaker 4>that as I think the bigger issue is connecting the

0:45:19.560 --> 0:45:22.759
<v Speaker 4>compensation appropriately to the people that are actually creating the value.

0:45:22.800 --> 0:45:24.399
<v Speaker 4>Because the reason why people want to do that ship

0:45:24.719 --> 0:45:28.279
<v Speaker 4>is because they like the original you know, ip that

0:45:28.360 --> 0:45:31.000
<v Speaker 4>it's associated with that somebody went out and made and

0:45:31.040 --> 0:45:33.520
<v Speaker 4>built and you know, to me that that makes sense.

0:45:34.560 --> 0:45:38.200
<v Speaker 4>But I don't think it's ever even gonna be practical

0:45:38.280 --> 0:45:41.680
<v Speaker 4>or anybody really gives a shit of Just an all Ai,

0:45:41.960 --> 0:45:44.280
<v Speaker 4>you know, sort of animated movie.

0:45:45.920 --> 0:45:48.360
<v Speaker 6>One of the best high highest movies ever. That's the

0:45:48.360 --> 0:45:51.759
<v Speaker 6>shooting scenes in that movie. I mean, just unbelievable. Man

0:45:52.520 --> 0:45:55.440
<v Speaker 6>high five all the way to have a shooting another one.

0:45:55.520 --> 0:45:58.719
<v Speaker 5>Keep me in mind. I would love to play one

0:45:58.760 --> 0:45:59.240
<v Speaker 5>of those.

0:45:59.400 --> 0:46:01.919
<v Speaker 4>Like I give you a recognized guy in the mask,

0:46:02.000 --> 0:46:03.919
<v Speaker 4>and should they be like, well, the one guy that's six,

0:46:05.640 --> 0:46:07.040
<v Speaker 4>he's gonna blend in.

0:46:07.440 --> 0:46:09.600
<v Speaker 2>No, I've got a nun mask on, or no, you.

0:46:09.560 --> 0:46:13.680
<v Speaker 5>Have to keep me in the car. So the window.

0:46:14.880 --> 0:46:17.800
<v Speaker 6>Joe Mizzoula, coach of the Celtics, says why he watches

0:46:17.840 --> 0:46:20.680
<v Speaker 6>the town four times a week and he goes to

0:46:20.920 --> 0:46:21.720
<v Speaker 6>every time he goes.

0:46:21.600 --> 0:46:22.319
<v Speaker 5>To Fenway Park.

0:46:22.400 --> 0:46:26.000
<v Speaker 2>He's looking for exte I love that.

0:46:26.200 --> 0:46:29.120
<v Speaker 4>I don't know, this guy's like, that's like your fantasy,

0:46:29.160 --> 0:46:30.840
<v Speaker 4>you know what I mean, your hometown tea all of

0:46:30.880 --> 0:46:32.640
<v Speaker 4>a sudden ting about like you know, I like, I

0:46:32.640 --> 0:46:34.440
<v Speaker 4>thought somebody was bullshiting me when they first sent me

0:46:34.480 --> 0:46:34.719
<v Speaker 4>that thing.

0:46:34.760 --> 0:46:37.520
<v Speaker 2>I was like, what uh, But I mean, what can

0:46:37.560 --> 0:46:37.839
<v Speaker 2>I say?

0:46:38.520 --> 0:46:39.200
<v Speaker 5>Making that movie?

0:46:39.719 --> 0:46:40.200
<v Speaker 2>It was fun.

0:46:40.239 --> 0:46:41.400
<v Speaker 4>I mean, that was a movie where I was like,

0:46:42.160 --> 0:46:44.160
<v Speaker 4>that's where I was like, Okay, I need to be

0:46:44.840 --> 0:46:46.560
<v Speaker 4>make or break for me. So that was one where

0:46:46.560 --> 0:46:48.799
<v Speaker 4>I was like, you know, I put everything I had

0:46:48.800 --> 0:46:51.200
<v Speaker 4>into that and I got I mean, on weekends, I'll

0:46:51.280 --> 0:46:52.640
<v Speaker 4>get like he's migraine.

0:46:52.719 --> 0:46:56.200
<v Speaker 2>I Mean, it was very intense, but you know, there's

0:46:56.239 --> 0:46:56.680
<v Speaker 2>a lot of.

0:46:56.600 --> 0:47:00.280
<v Speaker 4>Freedom to just going like, Okay, I know that everything

0:47:00.320 --> 0:47:02.160
<v Speaker 4>I have is riding on this, so I'm gonna do

0:47:02.200 --> 0:47:04.440
<v Speaker 4>what I want to do and what I think is good.

0:47:05.000 --> 0:47:09.000
<v Speaker 4>And I wasn't too worried about any other outside pressures

0:47:10.080 --> 0:47:12.719
<v Speaker 4>and I loved it. I had great support and and

0:47:12.760 --> 0:47:15.360
<v Speaker 4>like there was great performers in the movie, and the

0:47:15.440 --> 0:47:17.160
<v Speaker 4>crew is fabulous. And that's where I started being like,

0:47:17.480 --> 0:47:19.920
<v Speaker 4>damn it, this is a really a united process and effort.

0:47:19.960 --> 0:47:22.240
<v Speaker 2>It can be it can really get better.

0:47:22.880 --> 0:47:25.640
<v Speaker 4>And that's where I really started to realize as a

0:47:25.680 --> 0:47:28.680
<v Speaker 4>director how much you benefit from you know, get people

0:47:28.719 --> 0:47:30.759
<v Speaker 4>that are great at what they do and put them

0:47:30.760 --> 0:47:32.719
<v Speaker 4>around you, and that is good.

0:47:32.800 --> 0:47:35.440
<v Speaker 2>Don't need to be the smartest and the guy that

0:47:35.640 --> 0:47:37.879
<v Speaker 2>you know be able to go yeah, that's a great idea.

0:47:37.960 --> 0:47:40.319
<v Speaker 4>Let's do that and show people that that's how you're

0:47:40.360 --> 0:47:42.120
<v Speaker 4>going to do it, and if you come up and contribute,

0:47:42.600 --> 0:47:44.239
<v Speaker 4>that's going to be integrated into it. And then people

0:47:44.239 --> 0:47:45.520
<v Speaker 4>are like, oh shit, maybe I can have that, you

0:47:45.560 --> 0:47:48.480
<v Speaker 4>know what I mean. It's very kind of locked into

0:47:48.520 --> 0:47:51.680
<v Speaker 4>that that process there. But I loved making the movie

0:47:51.800 --> 0:47:52.120
<v Speaker 4>was off.

0:47:52.040 --> 0:47:52.680
<v Speaker 5>And I appreciate it.

0:47:52.719 --> 0:48:01.680
<v Speaker 6>Yeah, look like I could definitely can you can find

0:48:01.719 --> 0:48:02.920
<v Speaker 6>something about problems.

0:48:04.239 --> 0:48:05.960
<v Speaker 2>Kind of give it away because you got that smile.

0:48:06.040 --> 0:48:08.440
<v Speaker 2>You're too warm, you know what I mean, Like.

0:48:13.000 --> 0:48:14.560
<v Speaker 1>Before we get the quick hit. It's just a couple

0:48:14.560 --> 0:48:14.960
<v Speaker 1>of questions.

0:48:15.040 --> 0:48:18.359
<v Speaker 3>Obviously, January sixteenth, the Rip is out on Netflix. May

0:48:18.760 --> 0:48:21.600
<v Speaker 3>make sure you check that out. What makes the Rip

0:48:21.760 --> 0:48:23.480
<v Speaker 3>different from your average action thriller?

0:48:23.640 --> 0:48:25.440
<v Speaker 2>What I like about the Rip is a that's just

0:48:25.520 --> 0:48:28.319
<v Speaker 2>the cast is so strong, you know what I mean,

0:48:28.480 --> 0:48:30.640
<v Speaker 2>Like Tana and Steven youwn.

0:48:31.239 --> 0:48:35.640
<v Speaker 4>We just got like these really really strong performers, and

0:48:35.680 --> 0:48:38.000
<v Speaker 4>it's got a very tight it really knows what is

0:48:38.080 --> 0:48:40.719
<v Speaker 4>kind of like an old school you know, you got

0:48:40.719 --> 0:48:42.799
<v Speaker 4>these cops. They show up, they're trying to you know,

0:48:42.800 --> 0:48:44.399
<v Speaker 4>they think there's a little bit of money in the house,

0:48:44.680 --> 0:48:45.360
<v Speaker 4>and there's.

0:48:45.280 --> 0:48:46.760
<v Speaker 2>Way more than they thought.

0:48:47.160 --> 0:48:50.480
<v Speaker 4>And it's kind of got that very simple proposition that

0:48:50.560 --> 0:48:53.040
<v Speaker 4>let everybody kind of like approach this task and do

0:48:53.080 --> 0:48:53.640
<v Speaker 4>it in a smart way.

0:48:53.680 --> 0:48:55.879
<v Speaker 2>It's just like what would you do and who can

0:48:55.920 --> 0:48:56.360
<v Speaker 2>you trust?

0:48:57.160 --> 0:48:59.359
<v Speaker 4>And that's really what it what it delivers on and

0:49:00.040 --> 0:49:02.359
<v Speaker 4>show the director have a very clean idea of that

0:49:02.440 --> 0:49:03.040
<v Speaker 4>and you let.

0:49:02.880 --> 0:49:03.879
<v Speaker 2>The actors do their thing.

0:49:03.960 --> 0:49:06.759
<v Speaker 4>There wasn't like rules about you had to be one

0:49:06.800 --> 0:49:09.160
<v Speaker 4>way or another or oh this character can't do that.

0:49:09.280 --> 0:49:12.239
<v Speaker 4>So you have this sense of anything can happen and

0:49:12.239 --> 0:49:14.080
<v Speaker 4>you don't know who to trust, and it makes you

0:49:14.120 --> 0:49:15.000
<v Speaker 4>want to keep watching.

0:49:15.080 --> 0:49:17.399
<v Speaker 2>And I'm really proud of the movie.

0:49:17.680 --> 0:49:20.840
<v Speaker 3>Secret to a great action scene, what's the secret?

0:49:20.880 --> 0:49:22.200
<v Speaker 1>You've had a lot of those.

0:49:23.120 --> 0:49:26.399
<v Speaker 4>Make it real like, it has to feel realistic once

0:49:26.440 --> 0:49:29.160
<v Speaker 4>it starts feeling like I really saw that on the Boorne.

0:49:29.520 --> 0:49:30.680
<v Speaker 2>It was the first time when he was.

0:49:30.640 --> 0:49:33.160
<v Speaker 4>Like he's taking a pen and stabbing guy in the

0:49:33.200 --> 0:49:35.080
<v Speaker 4>neck or something. All of a sudden, it was like, Ooh,

0:49:35.160 --> 0:49:37.480
<v Speaker 4>that feels like what you would really do if somebody

0:49:38.000 --> 0:49:40.880
<v Speaker 4>instead of like I'm gonna slide down the banister and

0:49:40.840 --> 0:49:44.040
<v Speaker 4>shoot all of a sudden, that's a fantasy, instead of like,

0:49:44.280 --> 0:49:47.280
<v Speaker 4>you'll make it real like ground it with my advice

0:49:47.400 --> 0:49:48.000
<v Speaker 4>quick hitters.

0:49:48.000 --> 0:49:50.080
<v Speaker 1>First thing to come into mind. Let us know, if your.

0:49:49.920 --> 0:49:52.840
<v Speaker 3>Hollywood career was a basketball career, what year would you

0:49:52.840 --> 0:49:55.560
<v Speaker 3>say is your MVP season? And when years were you

0:49:55.640 --> 0:49:56.520
<v Speaker 3>fighting for minutes?

0:49:57.520 --> 0:50:05.400
<v Speaker 2>Fighting for minutes from oh two to oh seven MVP

0:50:05.640 --> 0:50:10.319
<v Speaker 2>like ninety eight big rookie year, follow up.

0:50:10.280 --> 0:50:15.680
<v Speaker 4>Year then scuffled as they say, and then uh yeah,

0:50:15.719 --> 0:50:17.759
<v Speaker 4>this is where you get This is where this is

0:50:17.800 --> 0:50:20.520
<v Speaker 4>a more forgiving business because you get to keep rolling

0:50:20.600 --> 0:50:23.120
<v Speaker 4>as you get older. And for really me, I feel

0:50:23.120 --> 0:50:28.040
<v Speaker 4>like I've actually feel like I'm my best personally artistically,

0:50:28.160 --> 0:50:30.960
<v Speaker 4>Like how I feel like now this last ten years,

0:50:31.120 --> 0:50:31.920
<v Speaker 4>I'm really happy.

0:50:31.920 --> 0:50:38.400
<v Speaker 6>You know, most irresponsible purchase from a big check earlier

0:50:38.440 --> 0:50:42.400
<v Speaker 6>on in your career bentally.

0:50:43.080 --> 0:50:43.640
<v Speaker 1>This one.

0:50:43.800 --> 0:50:45.200
<v Speaker 2>This dude's read up on me.

0:50:47.239 --> 0:50:50.560
<v Speaker 4>Couple Yeah, early on, you know, not really realizing that,

0:50:50.680 --> 0:50:53.880
<v Speaker 4>like you're not as rich as the paycheck, you know

0:50:53.920 --> 0:50:54.080
<v Speaker 4>what I.

0:50:54.120 --> 0:50:57.319
<v Speaker 2>Mean, half my money where taxes what?

0:50:58.840 --> 0:50:58.920
<v Speaker 5>So?

0:50:59.080 --> 0:51:02.760
<v Speaker 2>Yeah, I definitely the mornages and the spine spurs.

0:51:02.440 --> 0:51:05.279
<v Speaker 5>Is costing back there, boy, you had a couple of.

0:51:05.200 --> 0:51:08.160
<v Speaker 3>Them, biggest body transformation you ever had to go through

0:51:08.160 --> 0:51:08.640
<v Speaker 3>for a role.

0:51:09.640 --> 0:51:11.920
<v Speaker 4>Couple one one for the town because the guy was

0:51:11.920 --> 0:51:14.560
<v Speaker 4>supposed to have been like a pro athlete, and uh,

0:51:14.719 --> 0:51:17.000
<v Speaker 4>I probably overdid it for a pro hockey player because

0:51:17.000 --> 0:51:18.800
<v Speaker 4>then I had to meet some of these pro hockey players.

0:51:18.800 --> 0:51:20.040
<v Speaker 2>I'm like, you don't even look that rep.

0:51:20.440 --> 0:51:23.200
<v Speaker 4>But also they had I couldn't get the hockey body

0:51:23.200 --> 0:51:25.319
<v Speaker 4>because they have big legs and the big ass because

0:51:25.320 --> 0:51:29.399
<v Speaker 4>they you know, that shit was never gonna happen. That's

0:51:29.480 --> 0:51:32.279
<v Speaker 4>my real deficit. I hate squads on ship. I always did,

0:51:32.280 --> 0:51:36.040
<v Speaker 4>like armed but the town. And then for Batman versus.

0:51:35.840 --> 0:51:36.719
<v Speaker 2>Super I got it.

0:51:36.760 --> 0:51:39.839
<v Speaker 1>I you know, I felt, okay, I gotta be BigMan.

0:51:40.000 --> 0:51:40.520
<v Speaker 2>That was good.

0:51:41.160 --> 0:51:43.240
<v Speaker 5>M J. Kobe Broun wrankled.

0:51:44.719 --> 0:51:49.560
<v Speaker 2>M J Kobe Lebron, m J Bron Kobe.

0:51:50.200 --> 0:51:52.879
<v Speaker 3>Five dinner guests that are alive. You plus five at

0:51:52.880 --> 0:51:53.879
<v Speaker 3>a dinner table.

0:51:54.040 --> 0:51:58.600
<v Speaker 4>Me plus five at the greatest dinner guests.

0:51:59.719 --> 0:52:04.560
<v Speaker 2>My gosh, okay, whew.

0:52:04.600 --> 0:52:09.720
<v Speaker 4>I wasn't ready for this one, okay, Martin Luther, King, Buddha,

0:52:10.480 --> 0:52:14.320
<v Speaker 4>Jimmy Hendrix by Marley and and.

0:52:18.239 --> 0:52:19.840
<v Speaker 2>Cindy Crawford nineteen eighty six.

0:52:19.760 --> 0:52:21.759
<v Speaker 5>I got it. That's gonna that's gonna be a good time.

0:52:22.120 --> 0:52:23.160
<v Speaker 5>That's gonna be a good time.

0:52:23.680 --> 0:52:25.799
<v Speaker 4>I remember nineteen eighty six, I had a poster Cindy

0:52:25.840 --> 0:52:27.200
<v Speaker 4>Crawford on my wall, and I was like.

0:52:27.160 --> 0:52:30.560
<v Speaker 3>This, well, that was the next question with your childhood crush.

0:52:29.520 --> 0:52:31.959
<v Speaker 2>Yeah, dingo, definitely Cindy cro.

0:52:33.440 --> 0:52:40.040
<v Speaker 6>Hollywood equivalent of a rookie mistake that I made, taking,

0:52:40.760 --> 0:52:43.400
<v Speaker 6>you know, for like the first time somebody offered me

0:52:43.440 --> 0:52:45.759
<v Speaker 6>a bunch of money for a movie, I really got

0:52:45.760 --> 0:52:46.160
<v Speaker 6>into it.

0:52:46.200 --> 0:52:48.879
<v Speaker 4>You know, my mother had made whatever thirty thousand dollars

0:52:48.880 --> 0:52:51.880
<v Speaker 4>a year as a public school teacher, and my dad,

0:52:52.000 --> 0:52:55.800
<v Speaker 4>you know, sometimes had a job, and so all of

0:52:55.800 --> 0:52:57.839
<v Speaker 4>a sudden, you know, people are gonna give you three

0:52:57.960 --> 0:52:59.439
<v Speaker 4>thousand dollars, six thousands.

0:52:59.120 --> 0:53:02.839
<v Speaker 2>A million dollars offered six million dollars for Reindeer games.

0:53:02.880 --> 0:53:05.600
<v Speaker 2>I was like, I don't need to read this fucking script. Truly.

0:53:05.640 --> 0:53:06.960
<v Speaker 4>That's the way I thought, was like it would be

0:53:06.960 --> 0:53:10.520
<v Speaker 4>irresponsible and crazy, and like, who the fuck would I.

0:53:10.520 --> 0:53:12.239
<v Speaker 2>Be to turn something down like that?

0:53:12.520 --> 0:53:14.000
<v Speaker 4>And by the way, that they had a movie, you

0:53:14.000 --> 0:53:16.560
<v Speaker 4>had a very good director in Charlie's darons In and everything.

0:53:16.560 --> 0:53:21.560
<v Speaker 4>But the point being, I really didn't understand the cliche

0:53:21.640 --> 0:53:24.440
<v Speaker 4>of like you have to you have to do good

0:53:24.480 --> 0:53:27.520
<v Speaker 4>work and let the believe that the money will follow

0:53:27.520 --> 0:53:29.560
<v Speaker 4>that as soon as you start getting you know, there's

0:53:29.600 --> 0:53:31.640
<v Speaker 4>a reason that you pay any more than somebody else.

0:53:31.680 --> 0:53:34.560
<v Speaker 4>It's because, like, you know, hey, come play with fourteen

0:53:34.600 --> 0:53:37.640
<v Speaker 4>full scrubs, you know over here, and you know you're

0:53:37.640 --> 0:53:39.520
<v Speaker 4>not gonna win anything over there. And that's kind of

0:53:39.560 --> 0:53:43.520
<v Speaker 4>like it's even more extreme because you're like it or not.

0:53:44.120 --> 0:53:46.640
<v Speaker 4>People will associate you with the quality of the movies

0:53:46.719 --> 0:53:47.120
<v Speaker 4>that you do.

0:53:47.200 --> 0:53:49.000
<v Speaker 6>If you can see one person on our show, who

0:53:49.000 --> 0:53:51.239
<v Speaker 6>would it be? But you have to help us get

0:53:51.280 --> 0:53:57.000
<v Speaker 6>your answer on the show. Tanna, Yeah, that's she's real.

0:53:57.040 --> 0:53:58.440
<v Speaker 6>She's fucking spectactus.

0:53:58.480 --> 0:54:02.040
<v Speaker 4>Yeah, she doesn't know how to bullshit, you know what

0:54:02.080 --> 0:54:06.359
<v Speaker 4>I mean, tell you the truth. Talking to her is like, yeah,

0:54:06.360 --> 0:54:08.000
<v Speaker 4>it was a lot of fun. She she was just

0:54:08.280 --> 0:54:11.120
<v Speaker 4>she has not political and she's like Dan Taylor's one

0:54:11.120 --> 0:54:14.360
<v Speaker 4>of those people that like leaves every room where everybody

0:54:14.400 --> 0:54:16.279
<v Speaker 4>in the room is much more impressed with her than

0:54:16.280 --> 0:54:16.560
<v Speaker 4>she is.

0:54:18.560 --> 0:54:20.239
<v Speaker 6>I love that you go to the same brunch spot

0:54:20.239 --> 0:54:21.520
<v Speaker 6>in Atlanta, So she's super cool.

0:54:21.840 --> 0:54:24.200
<v Speaker 3>Ben, Thank you for your time. Make sure you check

0:54:24.200 --> 0:54:27.400
<v Speaker 3>out The Rip January sixteenth on Netflix.

0:54:28.360 --> 0:54:34.200
<v Speaker 2>Thank you. I appreciate it, all right, appreciate

0:54:40.640 --> 0:54:44.920
<v Speaker 5>Thought